INSTRUCTION BOOK 
 
 Panoram-Kodak 
 No. 4 ' 
 
 PRICE, 10 CENTS. 
 
 EASTMAN KODAK COMPANY, 
 
 ROCHESTER, N. Y. 
 
KODAK 
 Trade Mark. iSS8. 
 
 EASTMAN KODAK COMPANY, 
 
 Rochester. N. Y. 
 
 MANUFACTURERS OF 
 
 Kodaks, 
 
 Brownie Cameras, 
 Cartridge Roll Holders, 
 Kodak Developing Machines, 
 Eastman's Plate Cameras, 
 Eastman's Solio Paper, 
 Eastman's Dekko Paper, 
 Eastman's Sepia Paper, 
 Eastman's Ferro-Prussiate Paper, 
 Eastman's Royal Bromide Paper, 
 Eastman's Standard Bromide Paper, 
 Eastman's Enameled Bromide Paper, 
 Eastman's Matte-Enamel Bromide Paper, 
 Eastman's Platino Bromide Paper, 
 Eastman's W. D. Platinum Paper, 
 Eastman's Transparent Film, 
 Eastman's Dry Plates, 
 Eastman's Kodoid Plates, 
 Eastman's Transpareticy Plates, 
 Tripods and 
 Other Specialties. 
 
 Se/i., 190J. 
 
THE 
 PANORAM-KODAK No. 4 
 
 INSTRUCTION 
 BOOK. 
 
 Published by EASTMAN KODAK CO. 
 
 ROCHESTER, N. Y. 
 
THE P^TTi' CENTER 
 
BEFORE LOADING. 
 
 Before taking any pictures with the Panoram-Kodak read 
 the following instructions carefully and make yourself perfectly 
 familiar witli the instrument, taking especial care to learn the 
 action of the shutter. Work it several times before threading 
 up the film. 
 
 The first and most important thing for the amateur to bear 
 in mind is that the light which serves to impress the photo- 
 graphic image upon the sensitive film in a small fraction of a 
 second when it comes through the lens, can destroy the film as 
 quickly as it makes the picture. Until it has been developed 
 and fixed, the film must never be exposed to white light for 
 even a fraction of a second (this includes gaslight, lamplight, 
 etc.), or it will be ruined. Throughout all the operations of 
 loading and unloading, tlierefore, be extremely careful to keep 
 tile black paper wound tightly around the film to prevent the 
 admission of light. 
 
 EASTMAN KODAK COMPANY, 
 
 Rochester, N. Y. 
 
CONTENTS. 
 
 Part 
 
 I. 
 
 
 Loatlin.f?. 
 
 Part 
 
 II. 
 
 
 Making tlie Exposures. 
 
 P\RT 
 
 III. 
 
 
 Removing the Film. 
 
 Part 
 
 IV. 
 
 
 Developing. 
 
 Part 
 
 V. 
 
 
 Printing on Solio Paper, 
 
PART I. 
 
 LOADING THE CAMERA. 
 
 The film for the Panoram-Kodak is furnished 
 in h'ght-proof rolls and the instrument can, 
 therefore, be loaded in daylight. Tlie operation 
 sliould, however, be performed in a subdued 
 light, not in the glare of bright sunlight. 
 
 w 
 
 II 
 
 The Film. 
 
 Note: The No. 4 Panoram-Kodak uses the regular No. 4 HuUs-Kye 
 cartridges. 
 
 TO LOAD. 
 
 I. Take a posi- 
 tion at a table as far 
 as possible from any 
 window, place the 
 Kodak on the table 
 and pull up the pins 
 at either end of top, 
 as in Fig. I. This 
 luilocks the Kodak 
 so that it can be 
 opened for loading. 
 
 Fig. I. 
 
EASTMAN KODAK COMPANY. 
 
 Fig. II. 
 
 II. Open the Kodak by pulling- apart, as shown in Fig. II. 
 If the lock pins are pulled out 
 to the limit of motion the 
 Kodak will open easily and 
 will re<iuire no forcing. 
 
 III. At each end of the 
 camera will be seen a recess 
 for holding the film sjxjols. 
 As .sent out from the factory 
 there is an empty sjwol at the 
 winding end of the camera, 
 and the fresh cartridge is to be 
 inserted at tiie opposite tnd. 
 To accom])iish this jiush catch 
 with thumb and raise up on 
 the flat tension plate, as shown 
 in Fig. HI. Fig. III. 
 
 IV. Now insert the cartridge as shown in I'"ig. I\'., briiiq;- 
 sure that the fop of spool comes at top of camera, (each spool is 
 marked on the end) and snap tension plate down into place, 
 centering the pins in axis at ends of spool in so doing. 
 
NO. 4 PANORAM-KODAK MANUAL. 
 
 Fig. IV. 
 
 V. Now break the gummed slip that holds down the end 
 of black paper ; carry the end of paper across the first aluminum 
 roller and following the curve of back of film holder (this is the 
 focal plane) carry the paper over the second aluminum roller ; 
 snap back the tension plate which is parallel to reel and thread 
 film into slit in reel, (See Fig. V.) and give one or two slight 
 
 fig. V. 
 
8 
 
 EASTMAN KODAK COMPANY. 
 
 turns to the k'ft on key to l)ind tlie paper firmly onto reel. 
 (Fis;'. YI-) I'nsh tension plate into position again. It is 
 important that the reel be turned far enoUL;h to make 
 sure that the i)ai)er will not become detached />/// tio 
 
 farther. If 
 the key is 
 turned too 
 far before 
 tin- Kodak is 
 closed, tilt; 
 black paper 
 will be wound 
 off aiul the 
 filmexposed. 
 
 Fig. VI. 
 
 The paper should now be in 
 position shown in Fig. VI 1. 
 
 VI. Replace the back on 
 
 camera (reversing operation 
 
 shown in Figs. I. and II.) „. ,,,, 
 
 ° ' Fig. VII. 
 
 From the time the g^ummed slip is cut on cartridj^e until the paper has, 
 been threaded up ready for use care must be taken not to let the black paper 
 loosen on the spool, otherwise light will be admitted and the Mini ruined. 
 
 VII. Having 
 replaced the 
 back on Kodak 
 turn to the kft 
 on key until the 
 letter " A " ap- 
 pears before the 
 window in back 
 of Kodak. Fig. 
 VIII. 
 
 Fig. VIII. 
 
 The film is now in position for ninkin^ the first 
 exposure. 
 
PART II. 
 
 MAKING THE EXPOSURES. 
 
 The Panoram-Kodak being suitable for general views out of 
 doors is equipped only for instantaneous work, tiie very nature 
 of the instrument making timed exposures out of the ciuestion. 
 
 The sun should always be behind the back or over the 
 shoulder of the operator. This is of even more importance 
 than with the ordinary camera, because as the lens moves 
 througli such a large field it is next to impossible to shade it in 
 taking pictures toward the light. Do not expect to take pictures 
 of nearby objects in which there are straight lines, with the 
 Panoram-Kodak. 
 
 I. .Set the shutter by turning lever which lies between the 
 finder and the level so that it points in the opposite direction to 
 tliat in whicii the lens 
 points. Unless the 
 shutter has already 
 been set this will 
 simply mean that the 
 lever is to be swimg 
 to tile opposite side 
 of semi-circle (Fig. 
 I.) and the flap which 
 covers lens may be 
 left closed until 
 shutter is set. It will 
 be noted that in the 
 l)lates at each end 
 of tlie semi-circle 
 through wiiich tlie 
 shutter lever swings 
 are two catches. 
 The iirst of these 
 catciies (/. f., the 
 ones nearest the Fig. I. 
 
EASTMAN KODAK COMPANY. 
 
 spirit level) are for the slow speed of shutter and are to be used 
 for all ordinary exposures. For views on the seashore or in 
 tropical or semi-tropical countries when the light is extremely 
 bright use the high speed by turning lever to the second 
 catch and thus increasing the tension on shutter. 
 
 II. Lift up the nickel shield on finder and drop the flap in 
 front of lens so that they will be in position shown in Fig. II. 
 Be sure and drop flap far enough so that it will not cut off light 
 from lens. 
 
 Fig. II. 
 
 III. The Kodak may be placed on some level support as in 
 Fig. II. or held on the arm as shown in Fig. 111. but in either 
 event care must be taken to see that it is held level and steady. 
 Try operating the shutter in this way a few times ivithout any 
 film hi Ihc camera, before making your first exposure. 
 
 The V shape lines diverging from the base of camera show 
 the scope of view that will be included. 
 
 The tinder shows the amount of foreground and sky line, but 
 does not, of course, show the full length of the picture that is to 
 
No. 4 PANORAM-KODAK MANUAL. 
 
 \xi, as no stationary k-ns could accomplisli tliis. It will jirove of 
 material assistance, however, in giving a general idea oftiie 
 picture to be taken. 
 
 The Kodak siiould be leveled as indicati-d by the circular 
 spirit level, bringing the bubble to the center. 
 
 All being in readiness 
 
 HOLD THE KODAK STEADY, 
 HOLD IT LEVEL 
 
 and press tiie button at riglit of finder as shown in Fig. II. or as 
 in Fig. III. 
 
 This makes the 
 exposure. 
 
 IV. Wind a new 
 I'llni into position by 
 turning to the left on 
 key until the letter I> 
 appears before the 
 window in back of 
 Kodak. Repeat tlie 
 foregoing operations 
 for each exposure. 
 
 Fig. III. 
 
 VERTICAL PANORAM-PICTURES. 
 
 Not often, but nevertheless occasionally it is desirable to 
 make a vertical picture with the Panoram-Kodak. A hi<»^h 
 waterfall, a narrow ravine or a mountain ]ieak will now and 
 then ofTer a subject for tiiis uniciue treatment. Tiie field for 
 artistic work in this direction is a new one, and well w(jrth cul- 
 tivating. A little practice and experiment will lead to the most 
 charming results. 
 
KASTMAN KODAK COMPANY. 
 
 FOR TAKING GROUPS. 
 
 The Panoram-Koclak has no equal for taking outdoor groups. 
 The scope of view is so wide that a great number of people can 
 be included with all in the "front row.'' The subjects should 
 stand in a semi-circle with each the same distance from the 
 camera (not less than twenty feet) and care should be taken not 
 to have any horizontal straight lines in either the fore or back- 
 ground. There is nothing less artistic than a straight board 
 fence or the clai:)boarded side of a house. Such backgrounds 
 are undesirable with any camera but are to be especial!)- 
 avoided with the Panoram. An easy way to arrange the group 
 is for the operator to hold the end of a string of proper lengtli 
 while an assistant describes the arc of a circle with the other 
 end, placing the subjects on the imaginary curved line. This 
 arrangement, it will be seen, brings each individual at the same 
 distance from the Kodak and thus insures their being of the 
 proper relative size in the photograph. Of course there is no 
 objection to having the "sitters" banked one above the other 
 where an exceedingly large group makes this necessary, but 
 for the best results the semi-circular arrangement should 
 always be followed. 
 
PART III. 
 
 REMOVING THE FILM. 
 
 No dark room is required in chan^iiij^- the spools in the 
 Panoram-Kodak. The operation shoukl, however, be per- 
 formed in a subdued light. 
 
 I. Having made the last exposure (No. " P> " or "E," 
 according to whether tlie cartridge is for two or for five expos- 
 ures), give the key about 20 half turns. 
 
 II. Remove the back as before described, page 5. 
 
 III. Holding the paper taut, so as to wind lightly, turn the 
 key until the paper is all on the reel. 
 
 I\\ Moisten the gummed slip which will be found at end of 
 roll and fasten down the black paper. 
 
 Fig. I. 
 
 V. Lift up tension plate as shown in Fig. I. and remove thp 
 cartridge of exposed film from it and wrap up inmiediately to 
 prevent the possibility of ligiit being admitted. 
 
 VI. Now throw back the tension plate from empty spool 
 at opposite end of Kodak and remove spool to winding side, 
 fitting the key web into slotted end of spool and then snap- 
 ping tension plate down on opposite end of spool, centering pin 
 in same in hole in axis of spool. 
 
 The Kodak may now be reloaded as before described. 
 
14 EASTMAN KODAK COMPANY. 
 
 DAYLIGHT DEVELOPMENT. 
 
 For best results in development we .'idvise in every case the 
 use of a Kodak Developing Machine, full directions for the use 
 of which accompany each one. By the use of this machine no 
 dark-room is required and the amateur can get far better aver- 
 age results than by the old method. However, the following 
 method of development may be followed, if desired : 
 
PART IV. 
 
 DEVELOPING. 
 
 For developing and printing No. 4 Panoram-Kodak pictures 
 the ordinary outfit at tiie command of every amateur who does 
 this brancli of the work himself will answer every purpose by 
 the addition of 
 
 3 No. 4 Panoram-Kodak DevelopiiiK Trays, 4^2 x 14 iiulios, $ 1.50 
 
 I No. 4 Panorani-Kodak Printing;: I'^ranie, . . .75 
 
 I No. 4 Glass for Panoram-Kotlak PriiUin.tj I'raiiie, . . .10 
 
 I No. 4 Mat for Paiiorani-Kodak Priiiliiij; I'"ranie, . . .15 
 
 I Poz. Sheets 3!< X 12 Solid Paper, . . . .35 
 
 ? 2.S5 
 
 To Avoid Curling, Always Develop Trans- 
 parent Film Face Down. 
 
 In addition to the usual dark room equipment, provide a 
 pair of shears and a wooden pail or a large earthen bowl in 
 which to soak the film. 
 
 I. Place the bowl or pail of water on a 
 chair ( or box about 18 inches high ). Detach 
 the film from the black paper, being careful 
 in so doing not to touch tiie face of the film 
 with the fingers. 
 
 II. Grasp each end of the film, one in 
 each hand, and pass the film, face down, 
 through the water several times, as shown in 
 cut. Contiiuie tliis operation until the film is 
 thoroughly wet, that tiiere may be no air 
 bubbles remaining on it. Now place the film 
 in the bowl or pail of water, immersing it ■ 
 fully but not folding it tightly so as to crack. 
 
 III. Cover up the bowl or pail with a piece of brown paper 
 to keep out the light from the lamp. (I'"ven the colored light of 
 a dark room lamp will fog the film if it is exposed too long to it. ) 
 
 lY. Prepare 8 ounces of developer and pour into one of 
 the trays. 
 
i6 
 
 EASTMAN KODAK COMPANY. 
 
 V. Now pass the film through the developer in the same 
 manner as described for wetting it and shown in cut. Keep it 
 constantly in motion and in 
 about one minute the high lights 
 will begin to darken and you 
 will readily be able to distin- 
 guish the unexposed sections 
 between the negatives. Com- 
 
 plete development in the strip, 
 giving s u ffi c i e n t length of 
 development to bring out what 
 detail you can in the thinnest 
 negatives. There is no harm in 
 having your negatives of differ- 
 ent density — this can be .set right 
 in the printing. The difference in 
 density does not aflect the dif- 
 ference'in contrast. 
 
 //'<• recoiniiicnd stai tiiix the 
 
 •eto/>ineiit of Ti aiis/>ayr iit 
 
 III in t /ir xt ii/> as i)fr the I'urc-- 
 
 .i;i)iiii;' i n s t r u c I i (1 II s , but il 
 
 (U-sired, tlie filin m:\\ lie cut up 
 
 bi-l'orc (1 e V c 1 <i ]) i ii i; is loiii- 
 
 Fig. 1. 
 
 niL-m-cil. In iiilliiig up lllin Inr 
 (lc\('l(>pincMil, lioWL'x cr. care iiiusl 
 he taken lliat llie end be not 
 allowed to roll up o\er the paper. 
 The i-.\|icisui es slioulil be lUt 
 apart with the I'Al'lCK ON 
 TOP. 
 
 Fig. I sliows a cartridge unrolled with the film on top. 
 correct this simply Imn back the film as indicated by the dotted 
 lines, thus bringini; the film imder the paper, as in l''ig. 2. 
 
 Fig. 2. 
 
NO. 4 PAXORAM-KODAK MANUAL. I7 
 
 K 
 
 H 
 
 Fig. 3. 
 
 Cut the black paper through the lines (lower row in Fig. 3) which are 
 midway between the letters A, B, C, etc., and place the sections yiuv ,/owh in 
 a dish of cold water. The sections may now be transferred one at a time to 
 the developing tray and immersed face down. 
 
 VI. The developer should be allowed to act five to ten 
 minutes. The progress of the development may be watched by 
 holdinj^ the ne,<jatives from time to time up to the lamp. 
 
 \'1I. Cut the net^atives apart and transfer to the second 
 tray and rinse two or three times witii water, leaving them to 
 soak while the next film is being developed. 
 
 If cut apart only one negative should be developed at a time until the 
 operator becomes expert, then he can manage three or four in the tray at 
 one time, and the developer will answer for three rolls of film before being 
 exhausted. 
 
 As each successive negative is developed it should be put, with the pre- 
 ceding negatives, in the washing tray and the water changed twice to 
 prevent the developer remaining in the films from staining them. 
 
 VIII. Put five tablespoonfuls of Hypo-sulphite of Soda 
 into the third tray, fill two-thirds full of water, and stir until 
 dissolved. 
 
 IX. Immerse the negatives one by one in this fixing bath 
 and leave until they are entirely clear of white spots and are 
 transparent instead of milky by transmitted liglit. This will 
 require about ten minutes. 
 
 X. The yellow shade can, of course, be removed from the 
 lamp as soon as all the exposures have been fixed. 
 
 XI. Pour off the fixing solution into the slop bucket, and fill 
 the tray with clear, cold water; repeat this at intervals of five 
 minutes, five or six times, keeping the negatives in motion, or 
 transferring them back and forth to tray No. 2, one by one, to 
 ensure the water acting evenly upon them. 
 
l8 EASTMAN KODAK COMPANY. 
 
 The fixing solution must only be used in tray No. 3, and 
 the negatives, after fi.xing, nuist not be put in No. i tray. 
 Neither must any of the fixing solution be allowed to 
 touch the films, through the agency of the fingers, or otiierwise, 
 until they are ready to go into the fixing bath, otherwise they 
 will be spotted or blackened, so as to be useless. 
 
 Xll. When the negatives are thoroughly washed, jmt one- 
 half ounce of glycerine into one pint of water, stir well and 
 soak the negatives in the solution for five minutes, tiien remove 
 them and wipe off the surplus moisture with a soft damp clotli, 
 and pin them by the four corners, face up, to a flat surface 
 to dry. 
 
 The glycerine solution may be used repeatedly. 
 
 The trays should now be rinsed out and set away to drain 
 and dr>'. 
 
 When the negatives are dry they are ready for printing, as 
 
 described in Part V. 
 
 ft 
 
 DEFECTIVE NEGATIVES. 
 
 By following closely the foregoing directions, the novice can 
 make seventy-five per cent, or upwards of good negatives. 
 Sometimes, however, the directions are not followed, and fail- 
 ures result. 
 
 To forewarn the camerist is to forearm him, and we there- 
 fore describe tlie common causes of failure. 
 
 Under-Exposure. 
 
 Caused l)y making exposures when tl;e light is weak. 
 
 Under-exposure is evidenced by slowness in the appearance of the image 
 in development, and the absence of detail in the shadows. In under-e.xposurcs 
 the sky appears black in development, and the rest of the negative remains 
 white with no detail. 
 
 Over-Exposure. 
 Caused by too much light. 
 
 Ne.tjative (le\ol"ps evenly, shadows almost as fast "as hi,i;li lights. "f No 
 coiilrast ami no deep shadows. If a negative is known to be over-exptsed 
 
NO. 4 PANORAM-KODAK MANIAL. ig 
 
 before development is bepuii, the over-exposure can be partly overcome by 
 the adilitiiiii of l)roniiilc of ])Otassium to the developei" before development 
 begins. 
 
 After the bromide has been added to the developer, it should not be used 
 for anotiier negati\ e, unless it is know n to ha\ e been o\ er-exposed. 
 
 Fog. 
 
 Caused by white light in the dark room, or holding tlie fihii 
 too long ill tlie lamplight. ( I^'ven the yellow light from the 
 lamp will fog the film after a time. ) 
 
 FojT causes the film to blacken all over soon after the developer is applied, 
 and if the fog is considerable it obliterates the image entirely. 
 
 Over-Development. 
 Caused by leaving the negative too long in the developer. 
 
 In this case the nej^ative is very strong and intense by transmitted light 
 and requires a very long time to print. The remedy is obvious. 
 
 Under- Development. 
 Caused by removal from the developer too soon. 
 
 An under-developed negative differs from an under-exposed one in that 
 it is apt to be thin and full of detail, instead of harsh and lacking in detail. If 
 the development is carried on as before directed, this defect is not liable to 
 occur. 
 
 Spots, Streaks, Etc. 
 
 Air bells on the film in the developer or fixing bath are liable 
 to cause spots, and streaks are caused by allowing the film to 
 remain uncovered in part by the various solutions while in 
 them. 
 
 White, milky spots are evidence that the negative has not 
 been properly fixed, and it should be put back into the fixing 
 batli, and then rewashed. 
 
 Always Develop Film Face Down. 
 
PART V. 
 
 PRINTING ON EASTMAN'S SOLIO PAPER. 
 
 Solio prints si:ive either a warm brown or a ricli purple tone 
 as desired and are usually mounted and highly burnished. 
 
 Method of Printing. — Open the printing frame and lay 
 the negative back down upon the glass (the back is the shiny 
 side). Place upon this a piece of Solio Paper, face down and 
 upon the paper place the blanket. Replace the back of the 
 frame and secure the springs. The back is hinged to permit 
 of uncovering part of the print at a time to inspect it without 
 destroying its register with the negative. The operation of 
 putting in the sensitive paper must be performed in a subdued 
 light, that is to say, in an ordinary room as far as possible 
 from any window. The paper not used must l)e kept covered 
 in its envelope. 
 
 The printing frame when filled as directed, is to be laid 
 glass side up in the strongest light possible (sunlight preferred) 
 until the light, passing through the negative into the sensiti\e 
 
 paper has impressed the image sufficiently upon it. The prog- 
 ress of the printing can be examined from time to time by 
 removing the frame from the strong ligiit, and opening one 
 or two sections of tiie hinged back, keeping one section 
 
NO. 4 PANORAM-KODAK MANUAL. 
 
 fastened to hold the paper from shiftins;. The printing sliould 
 be continued until the print is a little darker tint than the 
 finished photograph should be. Place prints without previous 
 washing in the following combined toning and fixing bath : 
 
 3 oz. Eastman's Solio Toning Solution. 
 6 oz. Cold Water. 
 
 Pour the toning solution into one of the trays and immerse 
 the prints one after the other in the toning bath. Five or six 
 prints can be toned together if they are kept in motion and 
 not allowed to lie in contact. Turn the prints all face clown and 
 then face up and repeat this all the time they are toning. The 
 prints will begin to change color almost immediately from, 
 reddish brown to reddish yellow, then brown to purple. The 
 change will be gradual from one shade to another and the 
 toning should be stopped when the print gets the shade desired. 
 
 Nine ounces of the diluted toning solution will tone 15 prints ; 
 after that a new solution should be made same as before. 
 
 When the proper shade has been attained in toning I)ath the 
 prints should be transferred for five minutes to the following 
 salt solution to stop the toning. 
 
 Salt, I oz. Water, 32 oz. 
 
 Then transfer the prints to the washing tray and wash one 
 hour in running water, or in 16 changes of water. 
 
 The prints are then ready for mounting or they can be laid 
 out and dried between blotting papers. 
 
 EASTMAN KODAK COMPANY, 
 
 Rochester, N. Y. 
 
PRICE LIST. 
 
 No. 4 Panoram-Kodak for pictures 3 '2 x 12 
 Transparent Film Cartridge, 5 exposures 
 
 Do., 2 exposures, 
 
 Black Sole Leather Carrying Case, 
 
 Kodak Developing Macliine, style, E, . 
 
 Style E Developing Machine Outfit, 
 
 Kodak Developer Powders for Style E Machine per 
 
 package of \4 dozen, 30 
 
 Kodak Fixing Powders for Style E Machine, each . 07 
 
 Eastman's Solio Paper, per doz., 3>^ x 12 . . 35 
 
 Solio Toning Solution, per 8 oz. bottle, ... 50 
 
 Eastman's \V. D. Platinum Paper, t,}4 x 12 inches, per 
 
 do/., 70 
 
 Eastman's Dekko Paper, 3', x 12, per doz., . . 45 
 
 Eastman's Sepia Paper, 3 '2 x 12 inches, per doz., . 20 
 
 Eastman's Hydrochinon lukonogen, Pyro and Dekko 
 
 Developer Powders, per doz., .... 50 
 
 Do., per '4 doz 25 
 
 Do. in Hermetically sealed glass tubes, (per box of five 
 
 tubes), 25 
 
 No. 4 Panoram-Kodak Bulls-Eye Composition Trays, 50 
 
 No. 4 Panoram-Kodak Printing l'"rames, each, . . 75 
 
 Developing, Printing and Mounting only, each, . . 35 
 
 Developing only, each 18 
 
 Printing and Mounting only, each, .... 20 
 
 Oil orders for less than 3 prints or negatives 25 cents extra 
 will be charged. 
 
 "Picture Taking and Picture Making," a book of 
 simple instruction for the amateur, 120 pages 
 beautifully illustrated. Cardboard cover, . . 50 
 
 Do., Cloth bound, i 00 
 
 TERMS. 
 
 The prices in this Mannal are strictly net, excejit to rejjular dealers who 
 carry our .«;<">''« in slock. 
 
 i'"<)r the convenience of our customers we recommend that they make their 
 
 Eurchases from a dealer in photoijraphic goods, as by so doing they can save 
 oth time and express charges. 
 
 EASTMAN KODAK CO., 
 
 Rochester, N. Y. 
 
EASTMAN'S FEATHER TRIPOD. 
 
 Length, folded, 14 '2 inches. 
 
 Length, extended, 52 '2 inches. 
 
 Suitable to use with the Panoram-Kodak. 
 
 Wonderfully light, compact and strong, this tripod is 
 especially designed for the tourist or automobiling Koclaker. 
 Only i4>2 inches in length when closed, it can be easily stowed 
 in a very small space, whether carried in a case or not. An 
 aluminum top plate with milled edges, holds the socket screw 
 securely in place and seats it in place in the camera when 
 turned-- thus doing away with the nuisance of the ordinary 
 
 screw, turned 
 by means of a key 
 handle inconven- 
 iently located 
 under the plate 
 HAND CARRYING CASE. between the tripod 
 
 legs, and always likely to 
 be missing when most 
 wanted. The feather tri- 
 pod folds in four sections, 
 has brass fittings, except 
 the top plate, which is of 
 aluminum, and weighs, in 
 spruce, but 17 '2 ounces, in 
 cherry or in mahogany 
 linish, 20 '/2 ounces. 
 
 PRICE. 
 
 Eastman's Feather 
 Tripod, Cherry, 
 
 Eastman's Feather 
 Tripod, Spruce, 
 
 Eastman's I'"eather 
 Tripod, Mahog- 
 any I'mish, - - 
 
 Black .Sole Leather 
 Hand Carrying 
 Case, - - - - 
 
EASTMAN'S 
 
 ^A T E Rl 
 [$7E\aj L O P M 9n T 
 
 Platinum 
 
 Paper 
 
 Not only "like platinum 
 but "is Platinum.' 
 
 Prints quicKly; develops in hot -water and clears 
 in acid and ivater. Rich and brilliant in its effects. 
 
 For sale by all dealers. 
 
 sampieprinthy Eastmaii KodaK Co. 
 
 7naU for three 
 
 two-centstavips Rochester, New^ York. 
 
 ^. < 
 
 fr\ 4^ ^c •o'V 
 
Dark=Room Abolished 
 
 by the 
 
 Kodak Developing Machine 
 
 The Kodak idea— Simplicity— has reached its logical 
 triumph in the Kodak Developing Machine. Kodak films 
 can now be developed and fixed in broad daylight. 
 
 Ask your dealer to show you how it works. 
 
 EASTMAN KODAK CO. 
 
 Illustrated booklet free P».OClieSter, N. Y. 
 
 at the dealer's, or by mail. 
 
 GETTY CENTER LIBRARY 
 
 
 
 
 3 3125 00017 2565 
 
If it isn't an Eastman 
 
 it isn't a Kodak.