If © 
 
 ean-Francois Raffaelli 
 
 r»5 
 
 Ti^rAciu 
 
 AMERICAN ART GALLERIES 
 
 (MADISON SQUARE SOUTH) 
 
 NEW YORK 
 
Digitized by the Internet Archive 
 in 2016 
 
 https://archive.org/details/worksofjeanfraffOOraff 
 
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WORKS OF 
 
 JEAN F. RAFFAELLI 
 
 On Exhibition until March 17, inclusive 
 
 At The American Art Galleries 
 
 (MADISON SQUARE SOUTH) 
 
 WEEK DAYS, 9 A. M. TO 6 P.M. 
 SUNDAYS, 2 TO 6 P.M. 
 
 I** 
 
 The American Art Association, Managers 
 
 NEW YORK 
 
 1895 
 
Press of J. J. Little & Co. 
 Astor Place, New York 
 
 THE PETTY RESEARCH 
 
 IK'STiTUTE LIBRARY 
 
AN ACKNOWLEDGMENT. 
 
 Since M. Raffaelli’s arrival in New York he has had 
 many kind offers from gentlemen in this and other cities 
 to lend him examples of his work for his forthcoming 
 exhibition. M. Raffaelli having arranged to exhibit jointly 
 with Mr. E. A. Abbey, has not at his disposal sufficient 
 space to properly avail himself of their kindness, and he 
 takes this means to express his warm thanks and his 
 sincere appreciation of the very exceptional courtesy 
 shown him. 
 
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[translation.] 
 
 I recall to-day the time — it is nearly ten years since — when my good 
 friend Theodore Child came to Asnieres with Mr. Robertson of the 
 American Art Association, to breakfast in the modest studio I then occu- 
 pied, and to talk over the plans for an exhibition of my works in New York. 
 
 The years pass, friends depart, and we are not masters of our plans. 
 
 Three years ago, Mr. Sutton came in his turn to visit me, and since 
 then I have laid aside, one by one, the pictures and sculptures which are 
 now brought together here — although, for a few days, I despaired of ever 
 seeing them again. 
 
 I had taken my ticket for La Gascogne, and all my pictures were to 
 have come with me ; but, at the last moment, I changed my plans, left 
 three days earlier than I had intended, and arrived in New York in the 
 midst of a tempest of snow and cold. As for my pictures, they were upon 
 La Gascogne, and in the hurry of my coming away I had neglected — 
 artist that I am, and little used to affairs — to have them insured. 
 
 Five years of my life and my little fortune were at risk on La Gascogne, 
 and she had not arrived. 
 
 I gave up all hope on the day when, the steamer being then nearly 
 ten days late, an insurance agent who followed me even to the street, 
 offered to insure the whole lot at 22 per cent. ! 
 
 But La Gascogne has arrived. I have found my lost treasures safe in 
 their boxes, and here they are, ready for the judgment of your critics. 
 
 If I can judge by the cordial welcome your artists have given me, * 
 may hope that my pictures will be well received. They will be welcomed 
 as we welcome in France the works of your artists. Seven pictures by 
 your best painters have been awarded a place in our Musee du Luxem- 
 bourg, where we hang the beautiful works of living artists. As for myself, 
 your Musee de Philadelphie has acquired one of my pictures, and it is a 
 source of pride to me. 
 
 Shall I confess what it is that has inspired my life as an artist ? Shall 
 I say that, for me, the artist ought to be, as it were, the apostle of the 
 beauty that is hid from the common gaze? His part is to elevate to the 
 domain of beauty — that is to say, to the aesthetic comprehension — all men 
 and all nature. 
 
 As a man, I have myself been much moved by pity for the poor. I 
 have known some among them who have had noble souls. 
 
 I remember one of these poor men, an honest carter who had had his 
 legs crushed by a truck. He could never hope to be cured, and a beautiful 
 
 5 
 
young woman had him come to her house at a fixed hour twice a week to 
 be looked after. She was one of those charming Lady Bountifuls for whom 
 charity is a sort of amusement. The poor fellow, who was obliged to beg 
 for a living, and who walked with difficulty, found that his visits to the 
 young lady cost him a good deal of time, and he said to me one day, with 
 the sorry smile of a sick man: “ What would you have, my dear sir? 1 
 
 lose my time, but I go, for all that; it gives the lady so much pleasure.” 
 I have found here, since my arrival, everywhere and in a hundred 
 forms, the traces of the magnificent generosity of your first citizens. They 
 give millions: it is the sign of a remarkable individual power. And as for 
 art, I have met here not a few earnest and clear-sighted amateurs. 
 
 I envy your American artists. They have a magnificent future. They 
 have to reveal the secret of beauty to your noble country, to your splendid 
 cities, to lift your people to the comprehension of it, to make them love it. 
 Do not let a regret for old Europe linger in your heart, and that it may not, 
 you must have art about you, and in all its forms. 
 
 May this art be ever more and more worthy of your America, the 
 promised land of liberty. My wish for y.our art is, that it may be solid, 
 strong, frank, and loyal. 1 could wish it might be even a little rude. Too 
 much prettiness in the art about us lowers the character, weakens the will, 
 soils the soul, and becomes, for him who gives it a place in his house, a 
 veritable school of frivolity, of weakness, and of cowardice. 
 
 (Signed) J. F. RAFFAELLI. 
 
 New York, February 21 . 1895. 
 
 6 
 
Catalogue 
 
 ***Note. — All of the paintings and many of the sketches, studies 
 and sculptures in this exhibition are for sale. Prices and other information 
 will be furnished by salesman in charge. 
 
 *** The works marked with an asterisk have been loaned by Messrs. 
 Knoedler & Co., Boussod, Valadon & Co., L. Crist Delmonico, Durand- 
 Ruel, and Wm. Schaus. 
 
 SCENES IN PARIS 
 
 1 View of the Pantheon* 
 
 2 The Chickweed Vender* 
 
 3 Trinity Church 
 
 4 "Notre Dame of Paris 
 
 5 Boulevarde des Italian 
 
 6 On the Boulevarde 
 
 7 Luxembourg Garden (Pastel) 
 
 8 St. Etienne Du Mont (in Miniature) 
 
 9 La Place Sainte-Sulpice 
 
 10 The Crowded Boulevarde 
 
 7 
 
1 1 
 
 12 
 
 ■3 
 
 '4 
 
 15 
 
 16 
 
 17 
 
 18 
 
 19 
 
 20 
 
 21 
 
 22 
 
 23 
 
 24 
 
 25 
 
 26 
 
 La Rue Royale 
 L’Arche de Triumph* 
 
 Les Noun-ices, Place de la Concorde 
 La Place Sainte-Sulpice 
 Summer Day in Paris* 
 
 La Place de la Republic* 
 
 Les Nourrices aux Champs Elysdes 
 L’Arche de Triumph 
 
 PARISIAN HABITS AND CUSTOMS 
 
 Young Woman at Her Toilet 
 Convalescent 
 
 Repose (awarded gold medal, Exposition 
 Universelle, Paris, 1889) 
 
 Loaned by the Fairmount Park Art Association of Philadelphia 
 
 Young Woman at Her Toilet (in Miniature) 
 Morning Chocolate 
 Negro Minstrels at Brighton 
 In the Cafe 
 
 Head of a Parisian Woman 
 
27 
 
 28 
 
 29 
 
 30 
 
 3i 
 
 32 
 
 33 
 
 34 
 
 35 
 
 36 
 
 37 
 
 38 
 
 39 
 
 40 
 
 4 ' 
 
 42 
 
 43 
 
 44 
 
 Admiration 
 
 St. Etienne Du Mont 
 
 Scene de Marche* 
 
 A Votre Sante la Mfere Bontemps 
 School Children Out for a Walk 
 Peasants Selling Vegetables 
 Crying the Winning Numbers of a Lottery 
 
 SUBURBAN SCENES AND CHARACTERS 
 
 The Great Trees 
 
 Little Street at Neuilly (The Morning Sun) 
 Little Street at Neuilly (in Miniature) 
 Old Man (Pastel) 
 
 Route de la Revolte 
 
 Rag Picker’s Wife and Her Dogs 
 
 At the Sand Pit 
 
 Horses on the Road 
 
 The Retired Sailor and His Wife 
 
 A Rag Picker 
 
 Street at Neuilly 
 
 9 
 
45 The Old Lady’s Garden 
 
 4 6 Vacation at Grandpa’s 
 
 PORTRAITS 
 
 47 Portrait of my Daughter Costumed for 
 
 Fancy Dress Ball 
 
 48 Myself, 1879 (Pastel) 
 
 49 Willette, Illustrator and Painter 
 
 50 Secretary to M. Clemenceau 
 
 51 M. Milleraud, Deputy of Paris 
 
 52 Mr. , New York 
 
 53 M. Clemenceau, Speaking at a Political 
 
 Meeting, surrounded by other Notables 
 
 VARIOUS SUBJECTS 
 
 54 On the Seashore — Fog 
 
 55 Going to Town 
 
 56 Sunlit Road 
 
 57 Neapolitan Vegetable Vender at the 
 
 Market Place (Pastel) 
 
 IO 
 
58 “La Chapelle de la Vierge” 
 
 59 The Storm (Pastel) 
 
 60 Type of English Girl 
 
 6 1 The Countryman’s Visit to Paris 
 
 PORTRAITS— TYPES OF THE ORDINARY PEOPLE 
 
 62 Old Peasant Woman (Pastel) 
 
 63 “Citoyens” 
 
 64 A Rag Picker* 
 
 DRAWINGS 
 
 65 The Mayor and a Member of the 
 
 Municipality 
 
 66 Series of Drawings, illustrating the play 
 
 entitled “Thirty Years of an Actor’s 
 Life ” 
 
 67 Series of Drawings, illustrating the play 
 
 of “ Lucretia Borgia,” by Victor Hugo 
 
68 “Fanny and Miss Lily” 
 
 69 The Stage Manager 
 
 DRY POINT AND ETCHINGS — PRINTED IN 
 COLOR 
 
 70 Les Invalides (four states of color for 
 
 my dry points) 
 
 The following six numbers, “Types of the Ordinary 
 People,” are of a series of illustrations published in 
 album form by Messrs. Boussod, Valadon & Co. : 
 
 71 Le Demenagement 
 
 72 Breakfasting 
 
 73 Washing the Dog 
 
 74 On the Bench 
 
 73 The Seine at Asnieres 
 
 76 Barren Ground 
 
 77 Les Invalides 
 
 78 Great Trees by the Roadside 
 
 79 Portrait of the Artist 
 
 80 The Old Lady’s Garden 
 
 12 
 
SCULPTURES 
 
 The following seven examples, Nos. 81 to 87 inclusive, 
 were cast from wax models, which were destroyed 
 in the process of casting: 
 
 81 “The Old Fellow” 
 
 Bronze Bas-Relief in Silhouette 
 
 82 A Servant 
 
 Bronze Bas-Relief in Silhouette 
 
 83 Scissors Grinder 
 
 Bronze Bas-Relief in Silhouette 
 
 84 Le Ddmdnagement 
 
 Bronze Bas-Relief in Silhouette 
 
 85 A Street Cleaner 
 
 Bronze Bas-Relief in Silhouette 
 
 86 The Toper 
 
 Bronze Bas-Relief in Silhouette 
 
 87 Rag Picker and His Dog 
 
 Bronze Bas-Relief in Silhouette 
 
 88 Pair Miniature Busts in Bronze (Mon- 
 
 sieur and Madame Denis) 
 
 89 Discussing Politics (in Bronze) 
 
 90 Petit Bourgeois (in Plaster) 
 
 13 
 
REPRODUCTIONS 
 
 91 
 
 92 
 
 93 
 
 94 
 
 95 
 
 96 
 
 97 
 
 98 
 
 99 
 
 100 
 
 101 
 
 102 
 
 103 
 
 Copy of the “Illustrated Figaro” (four 
 frames) 
 
 English Negro Minstrels 
 
 Le Quadrille Naturaliste aux 
 Ambassadeurs 
 
 Place de l’Opera 
 
 Painting owned by Mr. D. W. Powers, Rochester, N. Y. 
 
 Notre Dame of Paris 
 
 Painting owned by Mr. Potter Palmer, Chicago 
 
 At a Suburban Inn 
 Salvation Army, London 
 
 Painting owned by Mr. P. A. B. Widener, Philadelphia 
 
 A Street Cleaner 
 
 Painting owned by Museum of Christiania, Norway 
 
 At the Concert Hall 
 
 Painting owned by M. X., Paris 
 
 Auction at Hotel Drouot 
 
 Painting owned by M. X., Paris 
 
 Bohemians 
 
 Painting owned by M. Knoedler & Co., New York 
 
 Snow — Near the Seine 
 
 Painting owned by M. Blumenthal, Paris 
 
 A Sand Shoveler 
 
 Painting owned by Mr. John G. Johnson, Philadelphia 
 
 14 
 
104 
 
 105 
 
 io 6 
 
 107 
 
 io8 
 
 109 
 
 1 10 
 
 1 1 1 
 
 1 12 
 
 113 
 
 1 14 
 
 "5 
 
 In M. Gonon’s Bronze Foundry 
 
 Painting owned by the Museum of Lyons 
 
 “ On the Bench ” 
 
 Painting owned by Mr. John G. Johnson, Philadelphia 
 
 A Rag Picker 
 
 Painting owned by the Museum of Nantes 
 
 After Painting His Gate 
 
 Painting owned by M. Paul Errera, Brussels 
 
 “ Fifteen Francs a Month to Begin ” 
 
 Painting owned by M. Montandon, Paris 
 
 The Sunday Walk 
 
 Painting owned by M. Farge, Pau 
 
 Feeding Chickens 
 
 Painting owned by M. Fritz Mahler, Rotterdam 
 
 The Demenagement 
 
 Painting owned by M. Desfosses, Paris 
 
 Servant at the Market 
 
 Painting owned by the Museum of Beziers 
 
 Trinity Church 
 
 Painting owned by Mr. Potter Palmer, Chicago 
 
 At the Circus 
 
 Painting owned by M. Schroeder, Berlin 
 
 The Singing Master 
 
 Painting owned by M. Farge, Pau 
 
 15 
 
1 1 6 
 
 117 
 
 1 18 
 
 1 19 
 
 120 
 
 121 
 
 122 
 
 123 
 
 124 
 
 125 
 
 126 
 
 127 
 
 Crying the Winning 'Numbers of a 
 Lottery 
 
 La Femme Colosse 
 
 Painting owned by M. B., Paris 
 
 The Vegetable Vender 
 
 Painting owned by M. X., Paris 
 
 An Old English Woman 
 
 Painting owned by M. Leon Daudet, Paris 
 
 Breakfasting at the Exposition Universelle 
 
 Painting owned by M. Gustave Geffroy, Paris 
 
 An English Bartender of the Lower Class 
 
 Painting owned by Madame Adam, Paris 
 
 A Chimney Builder 
 
 Painting owned by Mr. W. T. Dannat, Paris 
 
 Blacksmiths Drinking 
 
 Painting owned by M. Fernand Crouan, Nantes 
 
 On the Road 
 
 Painting owned by M. Crussem, Antwerp 
 
 The Morning Walk 
 
 Painting owned by M. Ernest Blum, Paris 
 
 “ Claude Gueux ” — Victor Hugo 
 
 Painting owned by M. X., Paris 
 
 An Old Couple Without Children 
 
 Painting owned by Mr. W. L. Elkins, Philadelphia 
 
 16 
 
128 
 
 129 
 
 130 
 
 >3' 
 
 132 
 
 133 
 
 •34 
 
 135 
 
 136 
 
 •37 
 
 • 38 
 
 •'39 
 
 140 
 
 A Learned English Woman 
 
 Painting owned by Madame Jeanne Hugo, Paris 
 
 Designing a Bill Poster 
 
 Painting owned by M. Charles Hayem, Paris 
 
 Near the Bank of the River 
 
 Painting owned by M. Gustave Geffroy, Paris 
 
 At the Races 
 
 Painting owned by M. X., Paris 
 
 Head of a Sailor 
 
 Painting owned by M. Rodin, Paris 
 
 Grandfather 
 
 Painting owned by M. Paul Galimard, Paris 
 
 Admiring His Sun Flowers 
 
 Painting owned by M. Felicien Champsaur, Paris 
 
 Portrait — M. George Rodenbach, the 
 Poet, Paris 
 
 An English Laborer 
 
 Painting owned by Mr. X., London 
 
 Retired French Officers 
 
 Painting owned by the late M. Albert Wolff, Paris 
 
 Nurse Girls and Soldiers 
 
 Original owned by M. X., Paris 
 
 The Old Clothes Woman 
 
 Painting owned by M. X., Paris 
 
 At the Exposition, 1889 
 
 Painting owned by M. Boivin, Paris 
 
 17 
 
14 1 The Glazier 
 
 Painting owned by M. Paul Bourget, Paris 
 
 142 Actress in the Green Room 
 
 Painting owned by the Earl of G., Paris 
 
 143 At the Concert Hall 
 
 144 Portrait of Theresa 
 
 Painting owned by Madame Th£r!sa, Paris 
 
 145 A Duet 
 
 Painting owned by M. V. C. ; Paris 
 
 146 Portrait — Edmond de Goncourt 
 
 Painting owned by Museum of Nancy 
 
 147 The Circus Band 
 
 Painting owned by M. Edmond Magnier, Paris 
 
 148 Spectators at a Concert Hall 
 
 Painting owned by M. X., Paris 
 
 149 First Comers at the Wedding 
 
 Painting owned by M. Charles Hayem, Paris 
 
 150 A Concert Singer 
 
 Painting owned by M. X., Paris 
 
 15 1 The Cobbler 
 
 Painting owned by Madame Henry Grdville, Paris 
 
 152 Misery — The Worst Quarters of Paris 
 
 Painting owned by M. Manzi, Paris 
 
 153 The Convalescent 
 
 Painting in the Museum of Luxembourg 
 
 The American Art Association, Managers 
 
 18 
 
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