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 THE COLLECTION OF 
 
 MINIATURES 
 
 OF 
 
 HENRY DOETSCH, ESQ. 
 
 DECEASED, 
 
 Late of 7 New Burlington Street: 
 
 
 
 
 which (by Order of the Executors ) 
 
 Mill i)e fcj> Auction tuj 
 
 Messrs. CHRISTIE, MANSON & WOODS, 
 
 AT THIIB ©EEAT 
 
 8 KING STREET, ST. JAMES’S SQUARE, 
 
 On WEDNESDAY, JUNE 26, 1896, 
 
 And Two JFo 11 o w in^ Days, 
 
 AT ONE O’ 
 
 CLOCK PRECISELY. 
 
 -odivio* - 
 
 May be viewed Two Days preceding, and Catalogues bad, 
 at Messrs. Christie, Manson and Woods’ Offices, 8 King Street, 
 St. James's Square, S. W. 
 
 
 <2.qA l - 21C \ 
 
CONDITIONS OF SALE. 
 
 - o —— 
 
 I. THE highest Bidder to he the Buyer ; and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall be 
 immediately put up again and re-sold. 
 
 n. No person to advance less than Is.; above Five Pounds, 5s.; and 
 so on in proportion. 
 
 III. In the case of Lots upon which there is a reserve, the Auctioneer 
 
 shall have the right to bid on behalf of the seller. 
 
 IV. The Purchasers to give in their Names and Places of Abode, and 
 
 to pay down 5s. in the Pound, or more, in part of payment, or 
 the whole of the Purchase-Money, if required ; in default of 
 which, the Lot or Lots so purchased to be immediately put up 
 again and re-sold. 
 
 Y. The lots to be taken away and paid for, whether genuine and 
 authentic or not, with all faults and errors of description, at 
 the Buyer’s expense and risk, within Two days from the Sale; 
 Messrs. Christie, Manson and Woods not being responsible 
 for the correct description, genuineness, or authenticity of, 
 or any fault or defect in, any Lot; and making no warranty 
 whatever. 
 
 Yl. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account be 
 removed during the time of Sale; and the remainder of the 
 Purchase-Money must absolutely be paid on the delivery. 
 
 VII. Upon failure of complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited ; all Lots un¬ 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency (if any) attending such re-sale 
 shall be made good by the Defaulter at this Sale. 
 
PREFACE. 
 
 The art of miniature painting lias been practised almost as long as painting 
 and writing have been known. It existed in ancient Egypt at a remote 
 date. Miniature figures and embellishments are found in many papyri, of 
 which the British Museum, among others, possesses several examples. 
 
 The libraries of princes and nobles competed for the possession of 
 artistically illuminated manuscripts. This had as a consequence, on the 
 one hand, that at the beginning of the fifteenth century the art of miniature 
 painting had at its service the free use of all known technical aids, and 
 thus attained its most perfect development, while, on the other hand, there 
 were added to the prevailing ideal types characteristic features taken from 
 real life which gradually increased till they found complete expression in 
 portraiture. This is the branch that principally concerns us in the col¬ 
 lection under notice, as it is specially remarkable for portraits, though 
 mythological, fancy and other subjects are also represented. 
 
 The collection begins with works by the best Masters of the last period 
 above referred to, and carries us down in unbroken succession to the most 
 eminent miniature painters of modern times. 
 
 It is a recognised fact that miniatures, more than any form of art, 
 lead us, as if by the successive links of a chain, through the life of 
 bygone generations. An air of romance pervades these dainty pictures 
 expressive of the most personal and most subjective element of art, and 
 embodying the most intimate, though partly veiled and ever-changing rela¬ 
 tionships. The rich and costly mountings of many of the paintings in the 
 Doetsch Collection, executed in gold, silver or jewels, and in the purest artistic 
 form, exemplifies the high moral and intrinsic value set on the portrait by 
 the giver or receiver. Many of them, doubtless, have a history of their 
 own, often a complex one, and they could probably reveal to us some 
 strange long-buried secret. 
 
 To give a commission for a miniature was considered an event of no 
 small importance, and they were always painted expressly for a certain 
 specified person. Often worn in medallions, they filled a distinctive place 
 
 I! 2 
 
IV 
 
 PREFACE. 
 
 in the inner life of their possessors, serving sometimes as a memento of 
 those passed away who had, perhaps, been all in all to those left behind. 
 
 In private life, as in history, small causes often produce great effects. 
 As this collection proves, the greatest painters of all periods and schools 
 —especially when the heart was concerned—did not disdain to paint their 
 own portraits for presentation, or, at least, to have a miniature of their ideal 
 always about them. 
 
 The initiated are well aware that Masters, even of the very first rank, 
 painted miniatures more often than is generally supposed. The great 
 feature of the Doetsch Collection is that all schools and periods are repre¬ 
 sented, and it is specially worthy of the notice of connoisseurs, for the 
 reason that it comprises only really good specimens. 
 
 The late Mr. H. Doetsch, who was at the same time a collector and 
 connoisseur in the best sense, loved to add to his collection quietly and 
 without attracting attention; hut no sacrifice seemed to him too great 
 when the question of acquiring a genuine work of art was involved. The 
 collection now about to be dispersed comprises about 600 miniatures, of 
 which it may justly be said that no museum in the world, and hut few 
 private collectors, can show a collection to be compared with it. 
 
 It is arranged according to Schools, and with special regard as to 
 whether the work is in oil or water-colour, and the material on which it 
 is executed, whether copper, parchment or ivory. Enamels of exquisite 
 beauty form a separate section, amongst which those by Petitot, Charles 
 Boit, Hone, Zincke and Bone may be named. 
 
 It will he seen from the Catalogue that the general arrangement is 
 based on the separation of the English, French, German, Dutch, Flemish, 
 Italian and Spanish Schools. Finally, a special place is allotted to boxes 
 bearing miniature portraits and to drawings, as also to work executed in 
 grisaille, Limoges and glass; also to watches, medallions, and sundry 
 objects embellished with miniature paintings. 
 
 As regards the sources from which this collection was derived, the 
 papers left by the late Mr. Doetsch—who unfortunately died rather suddenly 
 —point to his having obtained most of the miniatures from the following 
 Collections:—Marquis of Donegal, Duke of Buckingham, Lord North- 
 wick, Blenheim Palace, Cheney’s, Gibson-Craig, Strawberry Hill, Duke of 
 Hamilton, Thomas Graham Murray, Lord Chichester, Bohn Collection, 
 Finchley Manor House, Duke of Boxburghe, Marquis of Hastings, Earl of 
 Belfast, Lord F. C. Kerr, Earl of Devon, Stanhopo Broyden, Col. Freame, 
 Prince Demidoff, Conde Oliveira, and Prince Hendrik of Holland. 
 Wherever the origin could be clearly traced it is noted in the catalogue. 
 
 The undersigned compiler was most courteously and actively assisted 
 
PREFACE. 
 
 V 
 
 ill liis difficult but interesting task by the executors, Mr. Charles Doetsch 
 and Dr. Gustav Ludwig. In addition to the valuable help given by these 
 gentlemen, the compiler has to acknowledge that he owes much to Mr. J. L. 
 Propert’s ‘History of Miniature Art,’Macmillan, 1887, a most excellent 
 and trustworthy work. Use was also made of the catalogue of the South 
 Kensington Museum Exhibition, 1865, edited by Mr. Richard Redgrave and 
 Sir H. Cole, which is hereby also gratefully acknowledged. Valuable 
 material was further found in the work of the Hon. Mrs. Norman Grosvenor 
 for the Fine Art Society, and in the Cosway Exhibition Catalogue for this 
 year by Mr. George C. Williamson. 
 
 In the Doetsch Collection the English School of Miniature painting is 
 represented from the time of Queen Elizabeth to the present day, and it is 
 only necessary to recall the names of Nicholas Hilliard, Isaac and Peter 
 Oliver, Samuel Cooper, down to Richard Cosway. In the French School we 
 find the same continuity from Clouet and Drouais down to Isabey and beyond, 
 while the Italians are similarly brilliantly represented by Bronzino in the 
 old, and Rosalba Carriera in the new school. Among the German Masters, 
 Klingstedt, Dinglinger, Fiiger, and Daffiuger, may be sjmcially mentioned, 
 and not less remarkable are numerous painters of the Dutch School. 
 
 Although it is difficult to avoid a feeling of sadness when such a col¬ 
 lection as this is to be broken up and dispersed, there is always consolation 
 in the thought that in the world of Art, as in the struggle for existence, 
 dissolution on the one side means life on the other, and opportunities are 
 thus afforded for founding new collections and extending existing ones. 
 
 The Catalogue has been drawn up with the greatest care as regards the 
 detailed particulars given, but no guarantee can be given of their absolute 
 accuracy. 
 
 May Goethe’s lines in the Introduction to Faust find a fitting appli¬ 
 cation to the present sale:— 
 
 “ He who brings much has something brought for many, 
 
 Each gets his share, and all depart content.” 
 
 VON SCHLEINITZ. 
 
 7 Redcliffe Road, London, S.W. 
 
Digitized by the Internet Archive 
 in 2019 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/catalogueofcolle02chri_1 
 
CATALOGUE 
 
 First Day’s Sale. 
 
 5^0-0- 
 
 On WEDNESDAY, JUNE 26, 1865, 
 
 AT ONE O’CLOCK PRECISELY. 
 
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 ITALIAN MINIATURES— in oil, on copper. 
 
 1 Portrait of a Knight of Malta, with the Golden Fleece, hold¬ 
 
 ing a crucifix, in a silver-gilt frame 
 
 2 Portrait of one of the daughters of Palma Vecchio, by 
 
 himself, in a silver-gilt frame 
 
 3 Portrait of the Pope Clemens XIII., by Franco Maggiotto, 
 
 in a silver-gilt frame, with arms and inscription, Clemens XIII. 
 Rezzonicus Venetus , P. M. Electus Anno MDCCLVIII. ; on the 
 rev. signed, Clemens XIII. P. V. Anno 1758. Franco Maggiotto 
 
 
 
 4 
 
 5 
 
 Portrait of Lady Arabella Stuart, by Federigo Zucchero, in 
 silver filigree frame 
 
 Portrait of the Pope Alexander VIII., by Franco Maggiotto, 
 in a silver-gilt frame, with inscription, Alexander VIII., 
 Otthobonus , Venetus, P. M. Electus Anno MDCXXX1X. ; on the 
 rev. Alexander VIII., P. V. Anno 1689. Franco Maggiotto 
 
8 
 
 6 Portrait of a daughter of Cosimo I. De Medici, School of 
 
 BroDzino, in a silver-gilt frame 
 
 A very fine original painting of the time of Bronzino 
 
 7 Portrait of Luoretia de Medici, by Bronzino, in a silver-gilt 
 
 frame ' 
 
 8 Portrait of a Lady, School of Bronzino, in a silver-gilt frame A 
 
 9 Hippolyta Colonna, by Ottavio Leoni, in a silver-gilt frame 
 
 This portrait was painted about 1614. The design for the r 
 picture is in the Museum of the Louvre at Paris 
 
 10 Elizabeth of Valois, by Angiolo Bronzino, in a silver-gilt 
 
 frame 
 
 11 Portrait of Eleonora di Mantova, School of Bronzino, in a 
 
 silver-gilt frame 
 
 12 Portrait of a Lady, School of Bronzino, in a silver-gilt frame 
 
 13 Portrait of Bianca Cafello, Duchess of Medici, by Angiolo 
 
 Bronzino, in a silver-gilt frame 
 
 14 Portrait of Raphael, in old silver repousse frame , 
 
 - - — 1 J.A 
 
 15 The Return from Jerusalem to Nazareth, by Allessandro 
 Turchi, called L Orbeto, on amethyst, in old silver filigree frame 
 with inscription at the top, Et factum est post tridum invenerunt ' /$> 
 
 ilium in templo sedentem in media doctorum. Luc. II.; at the 
 
 bottom, Et descendit cum eis et venit Nazareth et erat suhditus 
 illis. Luc. II. 
 
 FRENCH MINIATURES— -in oil , on copper. 
 
 16 Philip, Duo d } Anjou, by Jean Baptiste Masse, in armour, in old J ' rf . o 
 
 silver repousse frame 
 
 17 Portrait of Pierre Mignard, in a silver-gilt locket J 
 
 18 Julie de Nibble, Comtesse de Mailly, 1710-1751, by Hyacinthe Js a j 
 
 Rigauld, in a silver-gilt frame 
 
 19 Portrait of Michel Baron, Comedian, by Largilliere, in a gilt 
 
 frame with emblems 
 
 20 Portrait or Louis Augusts, Duo be Maine, in a silver-gilt X * ■ -f 
 
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 21 Genevieve d’ Urphi<:, widow of Charles Alexander, Duke of Croy, 
 
 in a silver-gilt locket 
 
 22 Le Duo Louis-Hector de Villars, as a young man, by Jean 
 
 Petitot, in a silver-gilt locket 
 
 SPANISH MINIATURES —in oil, on copper. 
 
 23 Portrait of Don Alonso Espinola, by Velasquez, in a silver- 
 
 gilt locket, inscription engraved : Don Alonso Espinola. Diego 
 Velazquez de Silva fecit 1628 
 
 24 Margarita de Austria, by Bartolome Gonzalez, in a chased 
 
 metal frame 
 
 DUTCH MINIATURES— in oil , on copper. 
 
 25 Portrait of Adriaen Brouwer, by himself, in a silver-gilt 
 
 frame 
 
 26 Madame Claude de Lorraine, afterwards Abbesse de Jouare, by 
 
 Le Fevre, in a silver-gilt frame 
 
 27 Palamedes, by himself, in or-molu frame— signed and dated in full, 
 
 “ A. Palamedes, 1626 ” 
 
 28 Portrait of Albert Cuyp— oval —in a silver-gilt locket 
 
 29 Portrait of the Archduke Albert of Austria, by Sir Antonio 
 
 More, in a tortoiseshell frame 
 
 30 Portrait of Jacobus Matham, by himself, in a silver-gilt 
 
 locket, inscribed “ Anno 1602. AEtatis 31 ” 
 
 Jacobus Matham, a Dutch painter and engraver, was 
 born at Haarlem, 1571, and was the son-in-law of the cele¬ 
 brated engraver Hendrik Goltzius. In 1605 he became 
 President of the Guild. Died at Haarlem, 1631 
 
 31 Portrait of Godefroy Sohaloken, by himself, on wood, in a 
 
 silver-gilt frame— signed “ G. S.” 
 
 r 32 Mary of Lorraine, by Gerard Terburg, in an old repousse silver 
 
 frame— signed in full and dated, ‘‘ G. Terburg, 1635 ” 
 
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 33 Portrait op Isabella, wife of the Archduke Albert of Austria, 
 
 by Sir Antonio More, in a tortoiseshell frame 
 Companion to No. 29 
 
 34 Portrait of a Lady, in an old silver frame set with pastes 
 
 35 Portrait of Count William of Nassau-Orange, by Guillim fC f2. f 
 
 Stretes, in a gilt frame 
 
 36 Portrait of Johannes van Ravesteyn, by himself, in a metal 
 
 gilt frame 
 
 The miniature is inscribed in gold letters “ TEtatis suae 25, 
 
 Anno. 1622 ” 
 
 (37 A Young Lady at a Window, after Jan Yictoors, in an old 
 silver frame 
 
 (38 Charles I., after a picture by Yan Dyck, by H. Gerritsz Pot, in 
 an old silver repousse frame 
 
 The well known miniature from the Strawberry Hill 
 Collection 
 
 GERMAN MINIATURES —in oils, on copper. 
 
 39 Princess Amalia, sister of Frederick the Great, by Johann Zick, tX£ 
 
 in an old or-molu frame 
 
 40 The Emperor William I. of Germany (1860-1888), when 
 
 young, in uniform, by Gustav Taubert, on ivory, in a gold 
 locket set with garnets —signed “ T” 
 
 41 Portrait of Catherine of Bora, wife of Luther (?), in an old Jr*-?. 
 
 silver-gilt frame set with pastes 
 
 42 Portrait of a Lady, by Martin Schaffner, in a silver-gilt frame f/f /yj J 
 
 FRENCH MINIATURES —in water-colours, on ivory. 
 
 43 Camille Desmoulins, revolutionist, by Jean Jacques Hauer (t/c J 
 
 inscribed “(£, 7 bre , 1792” 
 
 44 La Marquise de Pompadour, by Nicolas Yenevault, in an old 
 
 silver frame c>y jd* 
 
 45 Portrait of Marie Jeanne Boucher, by herself, in a brass ^^ j, 
 
 frame 
 
11 
 
 4G Marie Antoinette, by Hene, in a white dress and powdered 
 liair, in a gold frame with blue enamelled border —signed 
 “ Hene ’’ 
 
 47 Madame de Montespan, by Pierre Mignard, in an old silver 
 frame 
 
 48 Portrait of a Young Lady, by Jean Baptiste Isabey, in a metal- 
 
 gilt frame 
 
 49 La Marquise de Pompadour, by Sicardi, in a mother-o’-pearl 
 
 frame —signed “ Sicardi ” 
 
 50 Anne D’Antriche, Queen of Louis XIII. of France, in a gold c/. «/? 
 
 frame 
 
 rtrait of a Grand Master of the Knights of Malta, 
 in armour, with the cross of St. John of Malta 
 
 52 Madame Saltire, Lady of Honour to Marie Antoinette, by 
 Rouvier, in a silver-gilt frame —signed “ JRouvier, 1789 ” 
 
 58 Napoleon I., by Jean Baptiste Isabey, in an old silver frame set & 
 
 with pastes —signed “ Isabey, 1813 ” 
 
 54 Marie Adelaide, Luchesse de Bourgogne, in a white and richly 
 
 jewelled dress, in an old frame 
 
 55 Henry IV., King of France, in an old silver frame e /'^. ^ 
 
 56 The Bath of Venus, by Philippe Chery, probably a portrait of 
 
 Pauline Borgheso, in a brass frame —signed “ P. Ch .” 
 
 57 Le Due de Penthi&vre, by Largilliere, in armour and a white # ■ J ? 
 
 wig, in circular metal frame 
 
 58 Portrait of Gaston, Duke of Orleans, in a silver-gilt locket 
 
 59 La Princesse Lamballe, by Sicardi, in an or-molu frame 
 
 60 Madame Clairon, a French actress, 1723-1803, in an old silvex ^2 . </? 
 
 frame set with turquoises and diamonds 
 
 y? ,2 ft 
 
 61 Portrait of Robert de Lammenais, in an old silver frame set ■ • 
 
 with garnets 
 
 62 Mademoiselle de Blois, in an old gold frame, open work, set 
 
 with stones 
 
12 
 
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 63 
 
 64 
 
 65 
 
 66 
 67 
 
 70 
 
 71 
 
 Elizabeth of Austria, Queen of Charles IX. of France, mounted 
 
 in gold X ‘ / / 
 
 A Double Portrait of Louis XV., King of France, and Maria 
 Leszinska, Lis Queen, holding the helm of the ship of state, 
 in silver-gilt locket 
 
 La Princesse Lamballe, by Hall, in an or-molu frame z</~ 
 
 Portrait of Jean Baptiste Oudry, by himself, in a metal frame 7(0*.?. 
 
 La Duchesse de Fontagnes, by Vincent de Mont-Petit, in an JTa. f. 
 or-molu frame 
 
 From the Collection of His Grace the Duke of Hamilton. 
 
 Portrait of a Gentleman, in a silver-gilt locket 
 
 Marie Antoinette, by N. Hallee, in an or-molu frame, on the 
 back “ en cuir-bouilli,” the coat-of-arms surmounted by a 
 crown —signed “ N. Hallee , 1781 ” 
 
 Madame Guimard, Dancer, by Fragonard, in an enamelled gold^Z^X* 
 locket ^ / 
 
 Louise Julie de Nesle, Comtesse de Mailly, by Jean Baptiste 
 Masse, in a gold locket set with pearls 
 
 Portrait of the Due de Sully, in a metal frame f 
 
 La Duchesse de Choiseul, in a gold frame set with paste stones 
 
 Maria Leszinska, Queen of Louis XV. of France, in a metal-gilt 
 frame 
 
 Madame K^camier, by Saint-Aubin, in an old silver frame, an 
 open work set with paste stones and garnets 
 
 Portrait of the French Dramatist Moliere, by Jean Petitot, 
 represented in character, in or-molu frame ’ 
 
 La Comtesse d’Olonne (b. 1632, d. 1707), in a frame set with 
 turquoises and garnets 
 
 Louis XV., King of France, wearing the Order of the Saint-Esprit, 
 
 in an or-molu frame set with stones " 
 
 La Duchesse d’Angouleme, by Madame Louise Vigee-Lebrun, in 
 a gold frame, blue enamel border, set with pearls and paste' 
 rubies 
 
13 
 
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 80 Gabrielle d’Estrees, the favourite of Henry IV. of France, in 
 
 a metal frame— signed “ tj) 7^.” 
 
 81 La Marquise de Pompadour, by Jean Prevost, mounted in an old 
 
 silver frame set with garnets 
 
 82 La Marquise de Pompadour, by Frangois Boucher, in an 
 
 enamelled or-molu frame 
 
 83 Queen Marie Antoinette, by F. Bourgouin, in an or-molu framo 
 
 —signed “ Bourgouin ” 
 
 84 Portrait of Madame de Gruffigny, in a gilt locket 
 
 85 Maria Leszinska, Queen to Louis XV. of France, by Antoine 
 
 Pesne, in a gold frame 
 
 86 Louise Adelaide, daughter of the Regent Philippe d’Orleans, in 
 
 an old steel frame 
 
 87 Princess Clementina Sobieski, the mother of “ Prince Charlie,” 
 
 in an or-molu frame 
 
 88 Madame Clotilde de Bourbon, by Frangois Hubert Drouais, in 
 
 an old silver frame, open work, set with paste stones 
 
 89 Portrait of Nicolas Lancret, by himself, in a gold frame 
 
 90 La Comtesse de la Motte, by Noel Halle, in a silver-gilt frame 
 
 —signed “ Halle, 1772 ” 
 
 91 La Duchesse de Berri, by M. Lesnacquit, in metal frame 
 
 GERMAN MINIATURES— in water-colour, on ivory. 
 
 92 Portrait of a Lady, in a black case 
 
 93 Queen Louise of Prussia, in a gold frame 
 
 94 Princess Charlotte of Prussia, sister of the Emperor 
 
 William I., in a brass frame 
 
 95 Marie Louise, Empress of France, by Lieder, in a gold locket 
 
 — signed “ Lieder p. 1806 ” 
 
 96 Catherine II., Empress of Russia, by Melchior Dinglinger, in 
 
 an old silver framo set with an emerald 
 f07 Portrait of a Lady, by OttgeD, in a silver-gilt locket— signed 
 / “ Gemalt v . Ottgen ” 
 
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 98 Frederic the Great, King of Prussia, 1740-1786, wearing the 
 
 orange cordon of the Order of the Black Eagle, in a silver- 
 gilt open frame set with stones 
 
 99 Marie Louise, Empress of France, by Johann Baptisf^on^*^ 
 
 Lampi, in an or-molu frame —signed “ Lampi” 
 
 100 Portrait of the famous Austrian General Laudon, by F. H. & - - 
 
 Fiiger, in a gold locket 
 
 101 Pope Gregory XYI. by Moritz Michael Daffinger, in an old 
 
 silver frame 
 
 102 Francis II., the last Emperor of the Holy Roman Empire, by 
 
 Daffinger, wearing the white uniform of an Austrian general 
 and the Grand Cross of the Order of Maria Theresia, in ai 
 old Italian gilt frame set with paste stones, and the figure of 
 St. Francis, the Emperor’s patron, engraved on the back. 
 v 103 Maria Theresia of Austria, 1717-1780 
 
 104 Louise de Ortentie, by D. Rossi—signed and dated, “ D. Rossi 
 pinxit 1818 ” 
 
 
 '. Af . 
 
 (105 Sibilla, Comtesse de Rochlitz, by Zonetty, in an or-molu 
 frame —signed and dated, “Zonetty , 1819” 
 
 106 Maria Theresia of Austria, by Gerard Melder, blue dress, 
 richly decorated with laces, a blue ermine-lined cloak, in an 
 old brass frame 
 
 GERMAN MINIATURES — in water-colours, on ivory. 
 
 107 Portrait of a Young Lady as “ Flora,” by Veronica Stern, in 
 
 a gilt brass frame and case—signed in full, “ Veronica Stern ’ ^ 
 
 108 Portrait of a Lady -signed “P. de M.” The miniature is 
 
 enclosed in an engraved old silver case, showing on th e li d . y .. 
 a coat-of-arms and the letters “ M. P. B.” and the date 1685. '/v* 
 Inside, Christ crucified and the inscription, “ Jesus meine 
 Liebe ist gecreiitziget.” On the back of the case, “ A° 1665, 
 
 JEtat. sue 36 Jahr .” 
 
 224 . 4 /^ 
 
 n ' 
 
 109 Portrait of a Lady, in an old case, after a picture by Holbein 
 at Augsburg. 
 
15 
 
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 FLEMISH AND DUTCH MINIATURES 
 
 In water-colours, on ivory. 
 
 110 A Magnificent Early Flemish Missal Painting, on vellum, jr. ^2 . y? 
 
 in a silver-gilt frame 
 
 111 Peter the Great of Russia, 1682-1725, by John Baptiste 
 
 Yanloo, in a metal-gilt locket— signed “F” 
 
 112 Marie de Medicis, by P. P. Rubens, in a silver repousse frame S- 
 
 113 Henrietta Maria, Queen of England, by Sir Anthony van 
 
 Dyck, in an or-molu frame 
 
 114 “The Musical Lesson,” by Caspar Netscker (b. 1636, d. 1684), 
 
 in an old silver repousse frame 
 
 ft 15 The Lady and the Bird, after Caspar Netscher, in a circular 
 gilt frame 
 
 116 William IV., Prince of Orange, by Peter Eurard, in a silver- 
 gilt frame, inscribed on the back “P. Eurard, pinxit a la 
 
 
 Kaye, 1721" 
 
 117 Mary I., Queen of England, by Sir Antonio More, in a silver- 
 gilt frame, on the back the corresponding engraving 
 'll8 Portrait of J. Joan Lemaison, by Philip van Dyck; old 
 inscription on the rev. “ J. Joan Lemaison, 25 Novbr ., 1739, 
 da Vandick” 
 
 SNUFF-BOXES WITH MINIATURES— in oils. 
 
 J? J 9 . 
 
 ^119 A Genre Scene, by S. Raven, painted on a wooden snuff-box— 
 signed in full inside the box “ S. Raven pinx.” Patronised by 
 H.R.H. the Duke of Sussex and Prince Leopold 
 120 Mars and Venus : a mythological scene, oil painting on a 
 snuff-box. French school, end of the 18th century 
 /p21 Portrait of Prince Wolfgang Wilhelm, Count Palatine, 
 Flemish school, painted in oil inside a circular wooden box; 
 on the other side of the box is his coat-of-arms 
 No. 122 is the coat-of-arms 
 
 
 \JL22 Another . 
 
 123 A Marble Snuff-box, on the lid a portrait of Flora Macdonald, - 
 
 painted in water-colour on ivory, by Luke Sullivan 
 From the Gibson Craig Collection—signed “ L. S” 
 
16 
 
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 124 A Gold-mounted Snuff-box, of tortoiseshell, on the lid a { 7 ?. ft) 
 
 portrait of Prince James Stuart in water-colour on ivory, 
 in a gold border 
 
 From the Gibson Craig Collection 
 
 125 Portrait of Sir Arthur Chichester, by Isaac Oliver, a 
 
 miniature, in water-colour, on ivory, on the top of a wooden 
 
 box signed “(J>.” A gold border is round the box, which is 
 inlaid with gold and bears a crown and the letter C engraved 
 
 126 An Ivory Snuff-box, inside tortoiseshell, on the lid a portrait Z 
 of Madame Elisabeth de France, sister of Louis XVI., by 
 Robert Adam —signed “ Adam, 1784 ” 
 
 12 < A Snuff-box of Masse-Dure and Tortoiseshell, with the 
 portrait of Madame Todi, by James Nixon —signed “ Nixon 
 2?xt.” 
 
 128 A Carved Tortoiseshell Snuff-box, with silver borders, on 
 the lid a portrait of the celebrated English engraver Hamlet 
 Winstanley (b. 1700, d. 1761); his own portrait engraved 
 in Vol. III. of Walpole 
 
 Cf. - 
 
 /Ji - 
 
 / 2. - 
 
 2. j: - 
 J. - 
 4 . - - - 
 
 FRENCH BOXES. 
 
 129 A 
 
 Tortoiseshell Snuff-box, on the lid 
 Princesse de Lamballe in water-colour 
 Boze 
 
 a miniature of the^^,^« 
 on ivory, by Joseph ^ 
 
 130 A 
 
 Snuff-box of Tortoiseshell, on the lid the portrait of 
 Louise Marie, daughter of Louis XV. and Marie Leszinska, 
 executed by Saignac, in water-colour on ivor y—signed 
 “ Saignac, 1754” 
 
 131 A Wooden Snuff-box, inside tortoiseshell, with a portrait of ^ f 
 
 Madame de Tencin, a friend to Marie Antoinette, by Joseph 
 Ducreux 
 
 132 An Ivory Snuff-box, inside tortoiseshell, on the lid a portait of J ? JZ . 
 
 a gentleman, unknown 
 
 133 An Ivory Snuff-box, inside tortoiseshell, on the lid a portrait 
 
 of a lady, in a gold frame 
 
 134 A Snuff-box of Ivory, on the lid a portrait of Marie 
 a friend of Marie Antoinette, by Jean Guerin 
 
 de Savoie, y /£ jj 
 
IT 
 
 ':/A - 
 
 . J- ' 
 
 ?//• " 
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 V- - 
 
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 y- - 
 
 y: - 
 
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 135 A Tortoiseshell and Gold Piqu£ Snuff-box, with the portrait 
 
 of the Countess of Pomfret, in water-colour, on ivory 
 
 136 A Shagreen Snuff-box, with the portrait of the Marquise de J 3 
 
 Noailles, the friend of the French painter Prud’hon—the 
 Marquise died 1821—in a gold framo 
 
 137 Henry Stewart, Duke of Gloucester, by Jean Petitot, on a 
 
 silver-gilt snuff-box 
 
 138 An Ivory Snuff-box, on the lid a portrait of Maria Therese of ^ . J 3 , 
 
 Austria (1638-83), Queen of Louis XIV., by Savorin, after 
 Petitot, in a gilt border— signed “ Savorin, 1759 ” 
 
 139 A Snuff-box of Tortoiseshell, on the lid a miniature of 7 K. J 
 
 Madame de Montesson, in a border of gold and precious 
 stones 
 
 140 A Tortoiseshell Snuff-box, with the portrait of the Duchesse 
 
 de Brissac, by Ooblain, in a gold border— signed “ Coblain, 
 
 1777 ” 
 
 141 A Snuff-box of Ivory, inside tortoiseshell, on the lid a 
 
 beautiful portrait of Madame Elisabeth de France, the sister 
 of Louis XVI., by Levain— signed and dated , “ Levain 
 1793 ” 
 
 J142 An Ivory Snuff-box, inside tortoiseshell, on the lid a portrait 
 of Marie Antoinette, after Sombreuil— signed “ Sombreuil, 
 
 1795” 
 
 143 A Gold-mounted Piqu£ Snuff-box of Tortoiseshell, on the J 
 
 lid a portrait of a lady as Diana, styled Diane de Poitiers 
 From the Gibson Craig Collection 
 
 144 A Black Tortoiseshell Snuff-box, gold bordered, with a f ^ ) 
 
 miniature representing the Fortune Teller, after F. Mieris 
 signed “ Bazan ” 
 
 145 A Tortoiseshell Snuff-box, mounted in gold, with the portrait 
 
 of Charlotte Corday, by Venton— signed “ Teuton, 1/ 
 
 146 A Snuff-box of Ivory, on the back a gold border and tha 
 
 monogram “ Ip ” in gold, and a miniature of Venus embracing f/ 
 
 Cupid 
 
 C 
 
18 
 
 A- 
 
 / 
 
 J. - 
 
 
 
 GERMAN BOXES. 
 
 '147 A Red Snuff-box of “ Masse-Dube,” inside tortoiseshell, on 
 the lid a gold pique border of paste stones forms the frame 
 for the portrait of Frederick Augustus II., King of Poland, fTf’/bf J 
 called “der Starke” (b. 1688, d. 1763), by Karl Klingstedt 
 
 148 An Engeayed Coppee Snuff-box, with a miniature portrait of 
 Louise Marie, daughter of Louis XV. and Marie Leszinska r 
 by Kane —signed and dated, “Kane, 1763” 
 
 - 
 
 
 
 { 
 
 SNUFF-BOXES WITH enamel miniatures. 
 
 449 Poetkait of Thomas Pelham, Duke OF NEWCASTLE, by C. F. 
 
 Zincke, an enamel on tortoiseshell box, mounted in gold 
 P i( l u ® 
 
 J.50 Poeteait of the Eael of Buelington, by Jarvis Spencer, an 
 enamel on a snuff-box of ivory and tortoiseshell 
 
 151 A Toetoiseshell Gold-mounted Snuff-box, with the enamelled t 
 portrait of a gentleman 
 
 152 A Snuff-box of Toetoiseshell, in gold mount, on the lid an 
 enamel by Jean Petitot the younger, representing the Duo 
 de la Rochefoucauld 
 
 153 A Snuff-box of Hoen, richly inlaid with gold and enamelled 
 border; two boys playing golf, &c., form the gold ornament 
 of the lid 
 
 MINIATURES OF ENGLISH LADIES -in water-colours, 
 
 on ivory. 
 
 / /& . - 154 Lady Anne Montague, by C. Bestland, seated near a tree iv/sFAt/ 
 
 landscape and playing with a butterfly, in a silver-gilt 
 frame 
 
 j 2 __ . __ 155 Poeteait of Mbs. Teimmee, in a gold frame set with 
 
156 Portrait of a Lady, unknown, in silver repousse frame 
 
 157 Mrs. Rigby, by Eicbard Cosway, in engraved locket 
 
 158 Mary Stuart, Queen of Scots, in openwork gold frame 
 
 159 Portrait of a Young Girl, in an old silver frame set with 
 
 pastes, on the back a cameo 
 
 -t- J? 
 
 {7F.7* / 
 
 { 160 Portrait of a Lady, unknown, in a silver-gilt frame 
 
 161 Kitty Fischer, by Nathaniel Plimer, mounted in an old silver 
 frame set with pastes 
 
 162 Portrait of a Lady, unknown, by Mrs. Mee, in a gold frame 
 
 163 Portrait of Henrietta Maria, Queen of England, by Van 
 
 Dyck, in gold frame, on the rev. a monogram in gold 
 
 164 Mrs. Yere, of Stonebyres, by Sir Henry Raeburn, in a gold . A 
 
 . frame, on the rev. the monogram “ B ” in gold 
 
 165 Portrait of the Duchess of Gordon 
 
 
 166 Lady Paget, by R. Cosway, in a gold frame 
 
 167 Portrait of the Countess of Bessborough, in a gold locket 
 
 in form of a pendant set with pearls. The back is enamelled, 
 with gold border and pearls 
 
 168 Portrait of Lady Northwick, by Richard Cosway, in a gold 
 
 frame 
 
 169 Mrs. Robinson, the actress, by J. Hoppner, 1790, in or-molu 
 frame 
 
 170 Queen Anne (1702-1714), by Mary Byng, in a gold frame, 
 
 inscription on the back “Mary Byng Pinx. 1705 ” 
 
 171 Portrait of Lady Hamilton, by R. Cosway, in a gold frame, 
 
 on the rev. monogram in gold 
 
 
 
 172 The Two Misses Bower, by R. Cosway, in silver-gilt frame A*. 
 
 173 Portrait of Miss Hamilton, Countess de Grammont, by ^ c/ZiwtAzf 
 R. Cosway, in a gold frame, on the rev. a cameo representing 
 Perseus holding in his loft hand the head of the Medusa, and 
 rescuing Andromeda 
 
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20 
 
 
 
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 174 Mary II., Queen of England, by David Loggan, in a silver-gilt 
 frame 
 
 175 Mrs. Robinson, after Sir Josbua Reynolds, by J. Hoppner, in a / 
 
 metal-gilt locket 
 
 176 Portrait of the Hon. Lady John Russel, in a gilt frame / fccZ & tr ? 
 
 177 Portrait of a Lady, unknown, by A. Plimer, in a gold frame, 
 
 on the rev. a monogram in small pearls * 
 
 178 Portrait of a Lady, unknown, by A. Plimer, in a gold frame, ZZ. J 
 
 on the rev. a monogram in small pearls 
 
 179 Portrait of Lady Fitzgerald, by R. Cosway, in a white dress 
 
 and powdered hair, in a gold frame 
 
 180 Portrait of Mary Isabella, Duchess of Rutland, 1783, by>/ 
 
 R. Cosway, in a white and blue dress and powdered hair 
 
 181 Portrait of a Lady, unknown, by Shelley, in a gold locket 
 
 182 Portrait of a Lady, unknown, in a gold frame, on the back a * 
 
 monogram in small pearls 
 
 183 Portrait of a Lady, unknown, in gold frame 
 
 184 Jane Seymour, third wife of King Henry YIII., in a gold locket 
 
 set with diamonds 
 
 185 Mary, Countess Cowper, in a gold locket, on the rev. engraved ■ « 
 
 monogram “ M. A.” 
 
 186 Portrait of Nell Gwynne, in a silver-gilt frame ^ 
 
 187 Portrait of a Lady, unknown, by George Engleheart, in a 
 
 silver-gilt locket / 
 
 2 ■ 
 
 / Z. - 
 /• -2- " 
 
 / /S: - 
 
 188 A Gold Ring, with a miniature by R. Cosway, the portrait is 
 
 that of Mrs. Moffat when a young girl 
 
 189 A Gold Ring, with a French miniature — the portrait painted 
 
 190 Mary Stuart, Queen of Scots, in a gilt locket 
 
 191 William Fitz-Maurtce Petty, First Marquis of Lansdowne 
 
 (1737-1805), by Samuel Collins —signed “ S. C.,” 1769 
 
 
21 
 
 192 H.R.H. The Duke of Cambridge, by Richard Cosway, in an 
 or-molu and black wooden frame 
 
 193 Portrait of Oliver Cromwell (1599-1658), in Indian ink, on 
 ivory, in a black frame 
 
 194 A Miniature Portrait of Mary Stuart, Queen of Scots, in 
 black frame 
 
 End of First Day's Sale. 
 
Second Bay’s Sale* 
 
 —-<*>>©<» 
 
 On THURSDAY, JUNE 27, 1895, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 -&oj4^c-o~- 
 
 ENGLISH MINIATURES— in oil. 
 
 _ //. — 1^5 Francis, Lord Cottington (b. 1576, d. 1652), in a metal 
 
 frame 
 
 J . - • — 196 Portrait of William Pulteney, Earl of Bath, on copper, 
 
 in a silver-gilt locket 
 
 " 197 Portrait of a Boy, by R. Gibson, on copper, silver-gilt locket .*/? 
 
 4 . - • - 19« Queen Mary of England (1662-1694), in an oval silver-gilt . 
 
 frame 
 
 / J ~ •— 199 Portrait of Anne Hyde, Duchess of York, by Alexander 
 
 Cooper, on copper, in an old silver repousse frame " 
 
 & . - 200 Lady Chesterfield, by John Dixon, on copper, in a metal-gilt ^ 
 
 frame 
 
 / 4 - - 201 William, Earl of Devonshire, a very small miniatu^e^on 
 
 silver, enclosed in old silver repousse frame 
 
 J 2 . — ■ — 202 David Garrick and his Wife, by Miss Frances Reynolds, on A ^ ■ f - 
 
 copper, in a silver-gilt locket 
 
 /. /j~. — 203 Portrait of Colonel Duckett, by Samuel Cooper, oval, on ■ tf[ 
 
 copper, silver-gilt frame 
 
 y X' 
 
 _ 204 The Virgin and Child, after Murillo, by Mrs. Mary Bealefon 
 
 ' copper, in an elaborate metal frame 
 
23 
 
 i /0. - 205 
 
 ■> - 206 
 l/,.- 207 
 
 208 
 
 , . - 209 
 
 ’ /s - 
 
 210 
 
 /* ■ - 
 
 211 
 
 /f - 
 
 212 
 
 ■ — 
 
 213 
 
 ' /A. - 
 
 214 
 
 J: - 
 
 215 
 
 JT - 
 
 216 
 
 - 
 
 217 
 
 f>. - 
 
 218 
 
 : y- - 
 
 219 
 
 Portrait of A Lady, unknown, by P. Lely (school of), on 
 copper, in a metal-gilt frame 
 
 Portrait of Sir John Danvers, by Cornells Ketel (attributed 
 to), in steel armour, on copper, metal-gilt locket 
 
 Portrait of a Burgomaster of Hamburg, by Samuel Cooper, on 
 a silver coin of the old “ Hansa-town,” inscription on the coin, 
 “ Moneta Nova Civit. Hamburgensis, 1636,”— signed “ S. C.” 
 
 
 
 
 Ja. s 
 
 The Wife of the Burgomaster of Hamburg, by Samuel JJ 
 
 Cooper, on a Hamburg silver coin of the same kind as the 
 above, but on the reverse. The companion to No. 207. In¬ 
 scription on the rev. of the coin, “ Ferdinand G. Homa Imp. 
 
 Sem. Aug. P. F. D”—signed “ S. C.” 
 
 Portrait of the Duke Christian of Brunswick-Luneburg, . «/? 
 
 by Eobert Overst, on copper, in an old silver-gilt filigree 
 frame 
 
 Portrait of Andrew Marvell, by Samuel Cooper, on copper, . J 7 . 
 
 in a gold locket 
 
 Robert Rich, Earl of Warwick, by Peter Oliver, on silver, ^9. J* 
 in metal-gilt frame 
 
 Dorothy Sidney, Countess of Sunderland, on copper, in gold cX . . </* 
 locket 
 
 Portrait of the Earl of Portland, an oval miniature on 
 copper, in a silver-gilt locket 
 
 Portrait of John Wilmot, Earl of Rochester, by Sir Peter . *9 
 
 Lely, in large wig and red mantle, in a gold locket 
 
 John Churchill, Duke of Marlborough, on copper, in a silver- 
 gilt frame 
 
 John Leslie, Duke of Rothes, by Samuel Cooper, oil, on ~ ' 
 copper, in a silver-gilt locket 
 
 Portrait of James II. (1685-1689), by Richard Gibson ^ 
 
 Portrait of John Bunyan, on copper, in a silver-gilt framo 
 
 Portrait of Loud Thomas Fairfax, on card, in an or-molu 
 frame 
 
 9* <2- ■ S 
 
 
24 
 
 /u // - 
 
 220 Portrait op Caroline Matilda, Queen op Denmark, in a 4 
 green, gold-embroidered velvet dress, on copper, in a silver- 
 gilt frame 
 
 - 
 
 221 Portrait op Anne of Cleves, Queen of Henry VIII., on /^tb*** 
 copper, in an old metal-gilt frame 
 
 J. - • — 
 
 222 Admiral van Rotter, by Peter Oliver, on copper, in a tortoise- XZ. S’ 
 shell case 
 
 /<?• 6 
 
 223 Portrait of Elizabeth, Wipe op Frederick V., King of 
 
 Bohemia, 1596—1662, by John Hoskins (ascribed to), on 
 copper, in a silver-gilt frame 
 
 J~ /<?■ - 
 
 FLEMISH AND DUTCH MINIATURES. 
 
 224 Portrait of the Archduke Albert op Austria, wearing the 
 
 Order of the Golden Fleece, an oval miniature on copper, in 
 a silver-gilt frame 
 
 /■ ^-2 • - 
 
 225 Portrait op Abraham Bloemart, by himself, in a silver-gilt XzXP 
 locket, inscription “ 2E. 40, 1603.” * 
 
 4. cP. ~ 
 
 226 Portrait of Ferdinand II. de Medici, by Justus Sustermans, 
 
 in a silver-gilt frame A" 
 
 4. - ■ - 
 
 227 Nicolas Fabrice de Peirse, by Lucas Vosterman, in oil, on X Z. J? 
 copper 
 
 - •- 
 
 228 Portrait op a Gentleman, by Conrade Waumans, in a silver- X. 
 gilt locket 
 
 
 229 Portrait of a Lady, unknown, in a silver-gilt locket, inscrip- X Z- J‘ 
 tion, “ 1601 (1607) Aeta 23 ” 
 
 /. /a ■ - 
 
 230 Portrait of Otto van Veen, on copper, in a silver-gilt frame 
 
 231 Portrait of Cardinal Allen, in an old silver frame 
 
 2 . /e • " 
 
 232 Portrait of Josse de Hertoge, on copper, in a silver-gilt X. JX* 
 locket, inscription in gold letters, “ A 0 D. N. 1614, aet. 22 ” 
 
 X/*- - 
 
 233 Portrait of Antonius de Tassis, in an old silver frame 
 
 /: /*. - 
 
 234 Lot and his Daughters, by Cornelis van Poelenburgh, in X. * 
 silver-gilt frame 
 
235 Carolus Ludovicus, Count Palatine and Elector of Bavaria, in J ( £. J 7 
 
 silver-gilt frame 
 
 236 Samuel van Hoogstraeten, by Gerard Terburg, in old silver X X . 
 
 locket 
 
 237 Portrait of Govert Flinok, in a silver-gilt frame y £ X 
 
 238 Portrait of A. R. Rhodiginus, in a silver-gilt frame, inscrip- ^ ^ 
 
 tion, Andreas Redettus Rhodiginus Juris utriusgue. Doctor 
 Aetatis suae ann. xxn.” 
 
 239 Portrait of B. de Squarttis, in a silver-gilt frame, with inscrip- 
 
 tion, “ Bartolamaeus de Squarttis comes. Nobil Uicent. I. V. 
 
 Doctor Ann. xxix,” 
 
 240 Portrait of J. C. della Faille, by Adrien Lommelin, in .Y S 
 
 silver-gilt frame 
 
 ITALIAN MINIATURES —in water-colours, on ivory, 
 
 241 A Portrait, styled “ Pan,” by Rosalba Camera 
 
 242 Madame Gaetano Bartolozzi, in a silver-gilt frame X sZ. f! 
 
 243 Mart Queen of Scots (b. 1542, d. 1587), in metal frame set 
 
 with pastes 
 
 244 Madonna, after Sassoferrato, by Luisa Corsi, in a silver-gilt frame *.•" ^ 
 
 245 A Portrait, called “Petite Flore,” by Rosalba Carriera, on 
 
 ivory (1720) 
 
 The companion to No. 241 
 
 246 The Archduke Albert of Austria, by Giovanni Campino, in XgxXi 
 silver-gilt frame —signed “ C” ' 
 
 247 Portrait of the Duchess of Urbino, “ La Bella di Tiziano,” 
 
 by Luisa Corsi —signed “ Luisa Corsi fee." 
 
 248 Leonardo da Yinci (1452—1519), by Luisa Corsi, in silver- 
 
 gilt locket 
 
 249 A Beautiful Portrait of Rosalba Carriera, (1675-1757), by 
 herself, in silver-gilt frame —signed “Rosalba Carriera.” 
 The laurel wreath in her hand alludes to the year 1721, the 
 date of her admission into the Academic Royale at Paris 
 
26 
 
 
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 250 Portrait op Leo X., by Luisa Corsi, after tbe picture by 
 Raphael, in a silver-gilt locket 
 
 251 Laura, by Luisa Corsi, in a silver gilt frame 
 
 
 <5 * 
 
 
 252 Sta. Barbara, after Titian, by Luisa Corsi, in a silver-gilt 
 irame 
 
 253 A Lady’s Portrait, in a silver-gilt locket — signed “Luisa Corsi 
 
 fee.’ 
 
 ^1X7 S'*/ tZzT- 
 
 254 The Virgin, by Luisa Corsi, after a picture by Fra Filippo' 
 
 Lippi— signed “ Luisa Corsi fee 7 
 
 255 A Miniature Portrait of Raphael’s “ Fornarina,” by Luisa X 
 
 Corsi, in a silver-gilt locket Y ■ / /> 
 
 256 Portrait op Bianca Capello, by Luisa Corsi, after a picture by 
 
 Bronzino, on ivory, in brass frame 
 
 257 Portrait of Sir Anthony Vandyke (1598-1641), by P. Ben- 
 netti, circular —signed “ P. Bennetti, 1766” 
 
 258 Portrait op Parmigianino, by Luisa Corsi, in a silver-gilt 
 locket 
 
 
 259 Head of Cleopatra, after Guido Reni, in a silver-gilt locket 
 
 260 La Poesia, after C. Dolce, in or-molu frame 
 
 261 Madonna, after Fra Angelico da Fiesole, by Luisa Corsi 
 
 262 Portrait of William, Marquis of Donegal, by S. Franceschini, 
 
 in silver frame set with pastes— signed “ S. Franceschini ” 
 
 263 Prince Henry of Prussia (b. 1726, d. 1802), by Pompeo 
 
 Batoni, in a circular or-molu frame-— signed “ P.” 
 
 ITALIAN MINIATURES— in water-colours , on ivory. 
 
 264 Portrait of Andrea del Sarto, or Andrea Vanucchi (1488- 
 
 1530), in a silver-gilt locket 
 
 265 Andrea Mantegna (1431-1517), in silver-gilt locket 
 
 /• 
 
 - 
 
 (266 Portrait of the Great Venetian Master, Giaropo Palma ,, 
 
 (1540-1623), called II Vecchio, silver-gilt locket 
 
 1;/ 
 
27 
 
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 V- 
 
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 267 Paris Bordone (1500-1571), in silver-gilt locket 
 
 268 Bernardino Luini, in silver-gilt locket 
 
 269 Parmegiano, or properly styled Francesco Mazzuoli (1503— 
 
 1540), in silver-gilt locket 
 
 270 Portrait of Annibale Caraooi (1560—1609), in a silver-gilt 
 
 y 
 
 cr -^ 7 , 
 
 locket 
 
 //• 
 
 /• 
 
 / 
 
 /J. 
 
 
 271 Domeniohino, or Zampieri (1581-1641), in a silver-gilt locket 
 
 272 Guido Reni (1547-1642), in a silver-gilt locket 
 
 273 Rembrandt Van Rtn (1606-1674), in a silver-gilt locket 
 
 274 Federico Baroccio (1528-1612). the disciple of Battista 
 
 Yenezano, in a silver-gilt locket 
 
 275 Portrait of a Gentleman, by C. da Costa, in a gilt wooden 
 
 frame —signed “ C. da Costa, July 22, 1717 ” 
 
 276 Portrait of B'artolome de Las Casas, Spanish school, in water¬ 
 colour on ivory, in an old case 
 
 Bartolome de Las Casas (b. 1474, d. 1566), studied at 
 Salamanca; went to Hispaniola in 1502, and laboured as 
 a missionary among the Indians. Bishop of Chiapa, 1544- 
 51 ; d. in Madrid 
 
 r 
 
 / 
 
 
 
 FRENCH MINIATURES —in water-colours. 
 
 277 Marie Antoinette, by Madame Anne Vallayer-Coster, in an or¬ 
 molu frame 
 
 
 /J. - 
 
 
 278 Portrait of Francis I., Emperor of the Holy German Empire, 
 1745-1765, by John Stephen Liotard, in gold frame 
 
 279 Maria Leczinska, Queen of Louis XV., by Martin de Meytens, 
 
 wearing a grey satin costume decorated with pearls, and a 
 brooch of diamonds in form of a crown, in silver-gilt frame 
 set with pastes —signed “ M. de Meytens ” 
 
 /j. 6 280 Portrait of Mlle. Necker, in a silver-gilt locket 
 
 
 /? 
 
 
 
 p . - 281 Marie Antoinette, Queen of France, by Rouvier, in an old cy- ^ 
 
 silver frame set with pastes —signed “ Rouvier ” 
 
28 
 
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 282 Amalie Marie, Queen of tlie French, in a gold frame 
 
 283 Marie Antoinette, by Adolphe Hall, in or-molu frame—/ signed 
 
 and dated “ Hall, 1788 ” 
 
 284 Madame du Barry (1746-1792), by F. Campana, in old/gold 
 enamelled frame and silver locket 
 
 4^ 
 
 ld/gold 
 
 285 Portrait of a Lady, by Pierre Adolphe Hall, in a gold frame 
 
 —signed “ Hall ” 
 
 286 Antoine Quentin Fouquier-Tinoille, by Jean Jacques Hau/r^ 
 
 in a gold frame— signed “ J. H. 1778 ” 
 
 From the Collection of Lord C. J. Ker 
 
 287 Augustine Arne, the French composer, in a gilt locket ^ 
 
 288 Jeanne Antoine Poisson, Marquise de Pompadour, in metal 
 
 frame 
 
 
 
 289 Marie Antoinette, Queen of France 
 
 
 290 Louis, Due de Yendome (b. 1654, d. 1712), in gold filigree frame - ^^^ 
 
 291 Portrait of a Lady, by Jean Framjois Clouet 
 
 292 Marie Antoinette, by F. Campana, 1770, a miniature in an old 
 
 silver frame surmounted by a crown 
 
 & . 
 
 293 Francois de Valois, Due d’Alengon, by Francois Clouet, called 
 
 Janet, in an old metal-gilt locket, engraved “ Frangois 
 de Valois, Due d’Alengon ”—signed “ 1561 ” 
 
 -Zv 
 
 294 Henri, Due de Montmorency, in a gold locket 
 
 295 Alexander I. Emperor of Russia, by Jean Baptiste Isabey, in ^ u y/ 
 a metal frame 
 
 
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 296 Madame de Rohan, Duchesse de Chevreuse, by Du Chatel, in 
 
 silver frame, enamelled, and set with stones and pearls 
 
 297 Portrait of a Gentleman, unknown, in a gold locket set wit 
 
 pastes 
 
 298 Le Duo de Choiseul, in a gilt locket set with pastes 
 
 299 Portrait of the Duchesse de Chateauroux, in an old metal-/- 
 
 gilt chased frame representing a garland of roses 
 
 f/P.AdJ 
 
 800 Josephine, Empress of the French, by Rouvier— signed It.—- in 
 
 a gold frame 
 
301 Hortense, Queen of Holland, b. 1783, d. 1837, by Daniel 
 
 Saint, in metal frame 
 
 302 La Comtesse de Feuqui^re, by Pierre Mignard, 1696, in a 
 
 metal-gilt frame, with inscription engraved on the back of 
 the frame, “ La G lesse - de Feuquiere ” 
 
 303 La Prinoesse Lamballe, by Joseph Ducreux, in silver frame 
 
 set with stones 
 
 304 Princess Clementina Sobieski, in a silver frame set with pastes 
 
 305 Madame Angelica Oatalani, in a blue dress, holding a music 
 
 book, in an old filigree silver-gilt locket with a red stone 
 
 306 The Princess d’Enghien, wife of the “ Grand Conde,” in a metal- 
 
 gilt frame 
 
 Companion to No. 307 
 
 307 Louis de Bourbon, Prince de Conde, in a metal-gilt frame 
 
 308 Portrait of Madame Yig^e Le Brun, by herself, sitting in a 
 
 garden, wearing a hat, and holding in her left hand a garland 
 of flowers, the right resting on a spinning wheel—in silver 
 frame 
 
 309 Louis Antoine de Saint Just, 1767-1794 
 
 
 
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 ENGLISH MINIATURES— in water-colour, on ivory. 
 
 310 Charles James Fox, when a young man, in a silver-gilt frame 
 
 311 Portrait of William Cowper, by John Downman, A.R.A., in y. 
 
 a silver-gilt frame 
 
 312 Portrait of a Gentleman, unknown, by Richard Cosway, in a 
 
 gold frame ; on the rev. the monogram “ J. W.” in small 
 pearls 
 
 313 Portrait of Lord George Gordon, in a silver-gilt frame 
 
 314 The Fortune Teller, by Miss Frances Reynolds— signed 
 
 “ Iteynolds ” 
 
 315 Portrait of Lord Amherst, in a metal frame 
 
 
 316 Portrait of a Gentleman, in a silver-gilt frame, with inscrip¬ 
 tion on the back of the miniature, “ Thompson , Tavistock Street 
 Covent Carden, July 1796.” 
 
 
30 
 
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 317 Portrait of a Gentleman, unknown, by Charles Burgeois —✓ 
 
 
 signed “ C. B. 89 ”— in a silver-gilt frame 
 
 318 Portrait of Maddalena Morelli, an Italian authoress, by 
 
 James Macpherson, seated in a cbair, a genius holding a 
 laurel crown over her head; on the table are the works of 
 
 Tasso and Ariosto, and a dedication of the painter to Madda¬ 
 lena Morelli in Italian language :— 
 
 “ Benche adorna di Lauri appare tenire 
 
 Degna no fu pers’ di tanto onore 
 
 Adidi Lor fregiata ogni di miro 
 £ dono sol del parzial Pittore.” 
 
 Signed “ Macpherson f." 
 
 y.' «/: - 
 
 On the back an old inscription, “ Maddalena Morelli Pisto- 
 jese detta con nome Arcadico Cocilla Olimpica coronata in 
 Campidoglio, Vanno 1776.” . 
 
 319 H.R.H. George Frederick Augustus, Prince of Wales, by ^ 
 Christopher Barber, after Gainsborough — signed “ C. B., 84 ” 
 
 y. <r. - 
 
 —in silver-gilt locket 
 
 320 Horatio, Viscount Nelson, in a gold frame 
 
 4. - • - 
 
 321 Portrait of James Boswell, in a silver-gilt locket, with in- y/<? 
 scription on back: “ Engraved, James Boswell , biographer of/^ 
 
 J? . - • - 
 
 Dr. Johnson, b. 29 Oct. 1740 ; d. 19 May, 1795.” 
 
 322 Portrait of a Gentleman, unknown, in a silver-gilt franS^^^^^*^ 
 
 X. /S'- - 
 
 323 Portrait of John Palmer, by Richard Cosway 
 
 John Palmer, the comedian, died in 1798 on the stage at 
 
 /(.-■- 
 
 Liverpool, when playing in Kotzebue’s “ Stranger ” 
 
 324 Portrait of Robert Burns, the poet, by Thomas Plargreaves, 
 
 / . JZ . - 
 
 in a silver-gilt frame — signed “ T. H.” 
 
 325 Portrait of Sir Joseph Banks, when a young man, by Cosway, 
 
 /. /■ - 
 
 in or-molu frame 
 
 326 Sir Ralph Abercromby — signed “K., 1762,” in a silver 
 
 A. S'- - 
 
 richly enamelled, and set with stones and pearls 
 
 327 Portrait of the Pretender, in or-molu frame 
 
 /. - . - 
 
 328 John Knox, in metal frame 
 

 829 Portrait of Chevalier de Sartigne, in gold frame 
 
 330 Sir Anthony van Dyck, by Snagg, in a gold frame set with 
 
 pastes— signed “ Snagg ” 
 
 331 Lord Hawke, in a gold frame set with 33 pastes 
 
 832 Portrait of Sir John Webb, in a gold locket ' ^ f< ^ 
 
 333 Portrait of Sir John Moore (b. 1761, d. 1809), in metal-gilt ^ ^ 
 
 frame 
 
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 334 Portrait of a Lady, in brass frame 
 835 Portrait of David Garrick, in a gold locket 
 336 John Churchill, Duke of Marlborough, by Sir Godfrey Kneller, 
 in an old metal frame. On the back the autograph signature 
 of the Duke and the large state seal of the house of 
 Marlborough 
 
 j 337 Portrait of a Gentleman, unknown, in gold rim 
 
 [338 The Duke of Monmouth, when a boy, in a silver-gilt locket, 
 with inscription engraved on the rev. “ James Scott, Duke of 
 Monmouth, horn 9 April 1649, beheaded 15 July 1685” 
 
 S 339 Portrait of a Gentleman, unknown, in gold frame 
 
 340 Sarah Jennings, Duchess of Marlborough, by Sir Godfrey 
 Kneller, in an old metal frame, bearing on the back the 
 autograph signature of the Duchess 
 The companion to No. 336 
 
 341 Thomas Moore, the Poet, in a gold frame, on the rev. a mono- y~ 
 gram and some small pearls 
 
 342 Portrait of a Gentleman, unknown, by Kenneth Macleay, in a y_ Jf. (?, (ff 
 silver-gilt frame 
 
 The companion to No. 355 
 
 343 Portrait of William Hogarth, in silver-gilt frame 
 344 Gabrielle d’Estr^es, by Nicholas Hilliard, in a silver frame ^yf 
 345 Louis Joseph, Due de Guise, in a silver frame, partly gilt and 
 set with pastes 
 
 346 John Russell, Duke of Bedford, in a silver-gilt locket set with c/° 
 
 pastes 
 
 347 Portrait of a Lady, in a silver-gilt locket set with pastes 
 
 
32 
 
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 348 Portrait of a Boy, in a silver-gilt locket set with pastes 
 
 349 Portrait of a Gentleman, unknown, by Thomas Day, in a gold 
 
 locket— signed “ T. D. 1792 ” • a ' cP ' 
 
 350 Portrait of an English General, in gilt frame 
 
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 351 Portrait of a Gentleman, unknown, in a gold locket Jt-yt 
 
 352 John Stuart, third Earl of Bute, in a silver frame set with 52 
 
 
 pastes 
 
 363 Gabrielle d’Estr^es, after Nicholas Hilliard: the “ belle 
 Gabrielle” is represented in the rich dress of the time of 
 Henry IY., in silver-gilt frame— signed “ W. B. 1694” 
 
 354 Portrait of Rapin de Thoyras, in a silver locket 
 
 . - ■ 
 
 355 A Lady, unknown, by Kenneth Macleay, 1829, in a silver-gilt 
 
 frame— signed on the rev. “ Kenneth Maclay, Edinburgh, 
 
 Feb. 1829 ” 
 
 
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 6 
 
 4 . - 
 
 
 WATCHES. 
 
 
 356 A Large French Emamelled Gold Watch, on the dial The 
 Genius of Time, The Judgment of Paris on the rev., and 
 inside, The Bath of Diana after hunting 
 
 From the Collection of the Earl of Belfast 
 
 357 A French Enamelled Gold Watch, set with diamonds, maker, 
 Charles Le Roy, Paris, on the rev. a portrait painted on 
 enamel: a very interesting work of the celebrated French 
 clock maker: (1726-1779), with inscription on tho dial, 
 
 “ Ch’- Le Boy a Paris ” 
 
 From the Collection of the Earl of Belfast 
 
 358 An Enamelled Gold Watch, by St. Jean, Paris, the borders 
 enamelled, on the rev. an enamel representing two sisters as 
 “ Flora ” and “ Music ”— signed inside “ St. Jean a Paris ” 
 From the Collection of the Earl of Belfast 
 
 
 359 A Small Paris Gold Watch, open work 
 
 From the Collection of the Earl of Belfast 
 
33 
 
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 3G0 A Small Enamelled Gold Watch, by Delarucllcs, Paris, on , // 
 
 enamel signed on the dial and inside “ Delaruelles a Paris ” 
 owi //ie Collection of the Pari of Belfast 
 
 3G1 An Antique German Watch, of Nuremberg work, the enamelled 
 dial set in crystal 
 
 From the Collection of the Earl of Belfast 
 
 zA^erZ-*- 
 
 BROOCHES, MEDALS, PLAQUES, Etc. 
 
 362 An Old Silver Brooch, with miniature painting of a mytlio- 
 logical scene 
 
 363 A Cameo, the portrait of William III., King of England 
 (1689-1702) : a cameo brooch of bloodstone in gold, set 
 with 4 diamonds, on the rev. mother-o’-pearl— signed “ C. S.” 
 From the Collection of the Marquis of Donegal 
 
 364 An Old Silver Repouss£ Medallion, representing the Mag¬ 
 
 dalen in prayer before a crucifix, by V. S., in a silver frame 
 
 365 An Old Gilt Brass Plaque, with mythological scenes in high 
 
 relief, on one side the Egyptian judge of the departed, leaning 
 at a pyramid, before him three kings requiring burial, on the 
 rev. are engraved the emblems of life, death, and a cross — 
 —17 th century 
 
 366 A Gold Locket, with monogram 
 
 
 367 A Souvenir of the Coronation of Charles IV., Kin^ of 
 
 * O . // Cj- /<? (s 
 
 Spain, given to his friends as a decoration, of open silver 
 work, set in pastes, with monogram of the King (1788-1819), 
 with inscription on the blue enamel, “ Corona Miento. 
 
 De Carlos IV.” 
 
 368 Head of Julius Uesar, carved in a precious stone, set with 
 
 diamonds in a gold frame, and sometimes called “ The 
 Helmet of Pyrrhus ” 
 
 369 A Cameo Brooch, set in gold, representing Hebe 
 
 370 The IIerm2e of the Homan Emferor Marcus Aurelius 
 
 (161-180 a. Chr.), carved in agate 
 
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 371 The Farnese Hercules, an ivory plaque in high relief, with a 
 
 red enamelled border— Italian, 17th century < ° 
 
 From the Collection of Colonel Freame 
 
 372 A Medal, with the portraits of Philip II. of Spain s.nd Queen 
 
 Mary I. of England (1553-1558), with inscription on the 
 portrait of Philip, “ Philippus Bex Brine. Hisp. 2Et. S. Ann. 
 XXVIII.” ; inscription on the portrait of Maria, “Maria I. 
 
 Beg. Angl. Franc, et Eih. Fidei Defensatrix ” 
 
 V373 A Silver Medal, with the portraits of the Brothers de Wit. 
 
 PORTRAITS IN WAX. 
 
 374 Lorenzo Ghiberti, by Alessandro Abondio, in high relief, in 
 or-molu frame - 
 
 375 Diane de Poitiers, in high relief, by Antonio Abonlio, in or¬ 
 
 molu frame y> ^ ^ 
 
 376 Galileo Galilei, in high relief, by Alessandro Abondio", in 
 
 or-molu frame / ' 
 
 377 Portrait of a Lady, in or-molu frame, by Alessandro Aboilclio, 
 
 the son 
 
 378 Maria, daughter of Charles V., wife of the Emperor Maxi¬ 
 
 milian II., by Alessandro Abondio, the father, 16th century, 
 in gold locket, bearing the painter’s name engraved, and the 
 wrong inscription: “ Isotta da Bimini .” Done at Vienna 
 during the painter’s stay there with his son Alessandro, at 
 the court of Rudolph II., Emperor of Germany ^ 
 
 379 Portrait of a Lady, in rich costume, decorated with a chain 
 
 of pearls and precious stones, 17th century, in silver-gilt 
 frame 
 
DRAWINGS AND MINIATURES. 
 
 380 Portrait of Henry VIII. (b. 1491, d. 1547), on glass, in 
 
 a silver frame, after Holbein’s famous picture 
 
 381 Portrait of James II., King of England (1685-1689), on ^ 
 
 porcelain, on the rev. the coat-of-arms of the King, in silver- ' 
 gilt frame 
 
 382 Landscapes, after Henri Desire van Blarenberghe, a pair, in 
 
 circular brass frames 
 
 383 A Wooden Cross, painted with the Crucifixion, by Ribera 
 
 384 A Very Fine Intaglio of the Emperor Napoleon I. — signed 
 
 “ P. Harris” with inscription “ Bonaparte ” 
 
 385 Jerome Bonaparte when a Young Man, in a gold frame, on 
 the rev. the monogram “ J ” in gold and a wreath of gold 
 leaves 
 
 386 TnE Muse Polyhymnia and Amor, a miniature in grisaille on /. 
 
 ivory on dark ground, in silver-gilt locket in form of a 
 wreath, set with stones, with mother-o’-pearl back 
 
 387 Johannes Rutgersius, by Lambert Visscher, called “ Gustavi 
 
 Magni a consiliis et legationibus,” a medallion miniature in 
 pen on ivory, in or-molu frame 
 
 388 Christophorus de Rauenberg, called by Lambert “ Electoris 
 
 Brandenburgici Consiliarus belliens intimus,” a pen drawing 
 on ivory, in or-molu frame 
 
 389 Jan de Witt (1625-1672), by Lambert Visscher, in pen, in / 
 
 metal frame 
 
 390 Cornelius de Witt (1623-1672), by Lambert Visscher, drawing 
 
 in pen, in brass frame 
 
 391 Danae, a miniature in grisaille on ivory, in silver repousse 
 
 framo 
 
 392 Samson and Daijlah, a pair of Limoges enamels—3 in. by 3 in. ^ 
 
 £ sf- 
 
 End of Second Dag's Sale. 
 
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 Third Day’s Sale. 
 
 On FRIDAY, JUNE 28, 1895, 
 
 AT ONE O'CLOCK PRECISELY. 
 
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 DUTCH AND FLEMISH MINIATURES—in oil, on copper. 
 
 401 Portrait of Tobias Verhaecht, in a silver-gilt frame 7 ^ 
 
 402 Mary of Lorraine, by Gerard Terburg, in silver-gilt frame, 
 
 
 403 Portrait of William I. (Frederik) of Orange, in circular 
 
 wood frame ^. y 3 
 
 The companion to No. 404 
 
 v 404 Portrait of Wilhelmine Sofia Frederika, Princess of 
 
 Orange, on wood, in a circular wood frame . 
 
 405 Pope Urban VIII., by Giovanni Battista Stefanescbi, in au, 
 oval or-molu frame 
 
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 406 Portrait of Guido Reni, in a silver-gilt frame 
 
 
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 ENGLISH MINIATURES. 
 
 407 William III. and Queen Mary of England, on agate, painted 
 
 on both sides, old gold frame y . J 
 
 408 Portraits of Edward Hyde, Earl of Clarendon, and Anne 
 
 Hyde, Duchess of York, in a silver-gilt locket 
 
 409 Portraits of Robert Greville and his Mother, painted on, • 
 
 both sides, in oval gilt frame 
 
37 
 
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 410 Portrait of Henry VI., King of England (1422-1461), in a 
 
 silver-gilt locket, after the picture at Kensington Palace. 
 The corresponding engraving on the rev. 
 
 411 Pichard III., King of England (1483-85), in a silver-gilt 
 
 locket, after the picture at Kensington Palace. The cor¬ 
 responding engraving on the rev. 
 
 412 A Gentleman as a Shepherd, by C. Bestland, in a silver-gilt 
 
 frame —signed “ C. B., 1802 ” 
 
 413 A Lady as Shepherdess, by C. Bestland, in silver-gilt frame 
 
 —signed “ C. Bestland ” 
 
 414 The Duchess of Buckingham, by Sir Godfrey Kneller, in silver 
 
 pique shagreen case 
 
 
 
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 415 
 
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 416 
 
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 417 
 
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 420 
 
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 421 
 
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 422 
 
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 423 
 
 
 424 
 
 FRENCH MINIATURES —in water-colours , on ivory. 
 
 lizabeth d’Orleans, Duchesse de Berry, in or-molu frar 
 
 ortrait of a Lady, unknown, by Marguerite Jaseo, in 
 rim —signed “ M ,e Jaseo.” 
 
 [arie Anne-Elisa Bonaparte, by Madame Collette —t 
 “ Mme. Collette , 1809 ” 
 
 ■ARiB Antoinette, by Louis Frangois Aubry, 1790, in a 
 brass frame —signed “ L. F. Aubry , 1790 ” 
 
 he Duchess of Devonshire, in a gold frame 
 
 a Marquise d’PIarcourt, by Jean Baptiste Greuze, in a i 
 gilt frame 
 
 arie Antoinette, Queen of France, by Suzanne Roslin 
 brass frame 
 
 ouis XV., King of France (b. 1710, d. 1774), by Fr* 
 Hubert Drouais, mounted in a metal brooch 
 
 [adame Victoire, the daughter of Louis XV., King of F 
 in a white dress with a rose in the hair, in brass frame 
 
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 421 The Empress Josephine, in a silver-gilt frame 
 
 
 
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 425 Mademoiselle de Saint Huberti, a French singer, in old silver c /. 4?. 
 
 frame set with pastes 
 
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 426 Madame Elisabeth, Sister of Louis XVI. of France, in a silver- 
 
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 gilt frame . 
 
 427 Gabbielle D’Estrees, the favourite of Henry IV., in brass 
 
 frame— signed “ S. de J ., 1693.” 
 
 423 A Young Lady Playing the Guitab, in a motal-gilt frame 
 From the Bohn Collection 
 
 
 
 _ 429 “ The Windmill,” by Etienne de Beaumont, on card— signed 
 “ E. de Beaumont ” 
 
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 430 Isabeau de Baviebe, after an old painting, by C. de Valori, in ^ ^ c- 
 an engraved silver locket— signed “ C. de Valori, 1737.” 
 
 431 The Dauphin and his Sisteb, a pastoral scene, by Frangois 
 
 Hubert Drouais, on ivory and or-molu frame 
 
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 432 Pobtbait of the Fbench Sculptob Roubillac, in old silver 
 frame 
 
 433 A Landscape, by H. D. van Blarenberghe, gouache on copper, 
 
 in a silver-gilt locket . 
 
 434 Marie Antoinette, Queen of France, by J. de Saignac, in gilt 
 
 frame —signed and dated “ J. de Saignac, 1761.” 
 
 435 Le Due de Biron (b. 1747, d. 1794), gold frame 
 
 436 Portrait of Augustin, the celebrated miniature painter, 
 
 Jean Baptiste Isabey —signed “ Jsabey ” 
 
 437 La Marquise de Pompadour, the favourite of Louis XV. 
 
 King of France, in metal frame 
 
 438 Portrait of the Chevalier de Ligniville 
 
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 JiSd Portrait of the French Dramatic Poet, Jean Racine 4 
 (1639-1699), by Nicolas de Largilliere, metal-gilt frame, in 
 an old case 
 
 440 La Comtesse du Barry, silver-gilt frame, mother-o’-pearl on 
 the back 
 
39 
 
 +/. 4- - 441 The Princesse de Cond£, in a red and ermine-lined cloak, 
 decorated with a golden fleur-de-lis, by Violet, 1783, gilt 
 frame— signed and dated 
 
 / - • - 442 The Madonna, after Jean Ingres, in a silver-gilt frame 
 
 143 La Comtesse de Feuqui^re, by Pierre Mignard, in silver-gilt 
 frame 
 
 X /c?. - 444 A Nymph, reposing in a landscape, by Francis Boucher, in a - * ? y 
 
 brass frame —signed “ F. Boucher ” 
 
 J.yj-~ 445 The New Gown, an interieur, after a painting by Moreau le 
 Jeune, in a gilt frame 
 
 o. - - - 446 Portrait of Miss Goodrich, in white dress and white turban, 
 by Pierre Adolphe Hall, in a brass frame 
 
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 447 Diana and Acteon, in a silver-gilt locket 
 
 448 Venus and Amor, by Ternier, in metal-gilt frame— signed 
 
 449 The Lovers, a genre scene, by J. M. Nattier— signed “ N. 
 
 1765 ” 
 
 450 Venus, by Frau^ois Boucher, in metal frame 
 
 451 The Three Graces, in a circular metal frame 
 
 452 Jeanne Antoine Poisson, Marquise de Pompadour, by Maurice 
 
 Quentin de Latour, in a silver-gilt frame 
 
 453 A Satyr surprising a Nymph, sleeping in an open Grotto, by 
 
 Boucher 
 
 454 Madame Elisabeth de France, by Pierre Violet, 1783, in a 
 
 metal-gilt frame— signed 
 
 455 Mademoiselle Olivri, the celebrated actress of the Comedie 
 
 Fran^aise, in the character of Desdemona, in an old black 
 wooden frame 
 
 456 Hortense Eugenie, Queen of Holland, by Jean Baptiste Isabey, 
 
 in brass frame 
 
 457 “Madame Royale,” by Reillon, on ivory— signed “ Beillon, 
 
 1793,” on the rev. “ Amor and Psyche ” 
 
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 458 Portrait of Madame de Ludres, in gilt frame. On the back 
 
 an “ eglomise ” landscape 
 
 459 Caroline Maria Annunziata Bonaparte, by Daniel Saint 
 
 460 La Comtesse de La Motte, by Jacques Dumont 
 
 461 A part of a small Tryptich, by Gerardt David, on wood 
 
 From the Murray Collection 
 
 ENAMEL MINIATURES. 
 German, Italian, French and Dutch. 
 
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 462 Portrait of a Lady, by Heinrich Hurter, in a gold frame, 
 
 inscription on the rev. “ B. B. Hit. 37. H. Hurter fee. 1768.” 
 
 463 Elizabeth Christina of Brunswicr-Bevern, Queen of Frederick 
 
 the Great, in a metal-gilt locket 
 The companion to No. 465 
 
 464 Portrait of Daniel Chodowiecki, by himself, in gold border_.i^^- 
 
 set in an or-molu frame 
 
 465 Frederick the Great, King of Prussia, by David Mathicu, in 
 
 a metal-gilt locket 
 
 466 Portrait of a German Lady, by Peter Boy, in a metal-gilt 
 
 locket 
 
 467 The Virgin and Child, a circular enamel in gold frame 
 
 468 Portrait of a Pope in Meditation, in gold frame and gold^^^i 
 
 locket set with stones 
 
 469 A Circular Enamel representing Venus and Cupid, by Edouard J^i****^ 
 
 Gautier — signed 
 
 / 
 
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 470 “Monsieur,” brother of Louis XIV. of France, by Jean Petitot 
 
 the younger, in an or-molu frame . / 
 
 471 Luna Selene as “ Night,” a mythological subject, in gold border. 
 
 set in an old silver brooch with pastes 
 
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 472 Marie Louise d’Orleans, by Petitot, in enamel frame, gold, and^- 
 cliillre in gold on the rev. 
 
 
41 
 
 
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 473 Portrait of James Butler, Duke of Ormond, by Peter Bordier, 
 
 in gold enamel frame set with pearls 
 
 474 Jean Paul Panini, by Jacques Antoine Arlaud, in a gold frame 
 
 475 “ Spring,” by Jean Jacques Lagrenee, enamel on gold, mounted 
 
 in gold and set with pearls 
 
 From the Collection of the Marquis of Donegal 
 
 476 Madame de la Valliere, by Jean Petitot, in enamel locket 
 
 mounted in gold set with pastes 
 
 
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 477 Portrait of the Marquis de Yillarceaux, by Jean Petitot, in 
 old silver frame 
 
 
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 478 Prince Charles Edward, by Augustin, in old silver-gilt frame 
 set with pearls and garnets 
 
 
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 479 Mercury and Venus, by Augustin, in silver-gilt frame 
 
 480 Mdlle. Dumont, in an old silver repousse frame set with pastes 
 
 
 481 Portrait of Rachel Wriothesley, Lady Russell, by Jean 
 Petitot, in a gold enamelled frame 
 
 I //. — ■ ^ 
 
 482 Portrait of Louis XVI., King of France (1754-1793), by 
 Samuel Shelley, in an old ebony and or-molu frame sur¬ 
 mounted by the King’s crown —signed “ S ” on the enamel 
 
 
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 483 Portrait of Louis XVI., King of France (1754-1793), by 
 Augustin, in a richly wrought old silver frame set with 
 diamonds 
 
 
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 484 Portrait of Maria, sister of Queen Marie Antoinette, by 
 Augustin 
 
 
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 485 Portrait of Pierre Bayle, the philosopher and historian, by 
 
 Jean Petitot the younger, in silver-gilt and enamel frame 
 
 486 Ninon de l’Enclos, by Jean Petitot, in or-molu frame 
 
 487 Portrait of Henri de Lorraine, Due de Guise, by Jean 
 
 Petitot, enamel, in silver frame set with pastes 
 
 488 The “ Grand Dauphin,” by Jean Petitot, in a gold enamelled 
 
 frame 
 
 
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 489 A Classical Scene, by Jean Augustin, in silver-gilt frame yjsj. 
 
 490 Portrait of a Gentleman, by G. H. Rode, in a gold frame ^ 
 
 inscription on the rev. “ G. H. Rode, px. Amsterdamo 1784 
 
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 ENGLISH ENAMEL MINIATURES. 
 
 491 Portrait of a Gentleman, unknown, in a gold frame set with 
 pastes —signed on the rev. “ A. S. pinx. 1725 ” 
 
 , 'e -^c^Jaoc 
 
 492 Queen Anne (1702-1714), by Christian Friedrich Zincke, m a 
 
 gold frame— signed on the rev. “ C. F.. Zincite fecit.” __ . | 
 
 493 Oliver Cromwell, by Charles Boit, in old silver-gilt filigree 
 
 frame set with garnets 
 
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 494 Portrait of a Lady, by Gervase Spencer, in a gold frame setJ- 
 
 with pearls—signed “ G. S. 1757 ” 
 
 495 Portrait of Charles Talbot, Duke of Shrewsbury, by Charles J? % ■ £ 
 
 Boit, in silver repousse frame set with stones 
 
 496 Portrait of a Gentleman, unknown, in a metal-gilt frame 
 
 497 The Mother of Oliver Cromwell, by Charles Boit, on gold 
 
 in an or-molu frame, with inscription on the rev. “ Mother of 
 Oliver Cromwell, daughter of Sir Rich. Stewart, painted on 
 gold hy Boil ” 
 
 498 William Shakespeare, by J. W. Bailey, in or-molu frame— 
 
 inscription on the rev. “ J. W. Bailey ” 
 
 499 Portrait of Jean Franjois de la Harpe, by John Smart, in 
 
 old silver frame 
 
 500 Frederick North, second Earl of Guildford, by Charles Boit, 
 
 in silver-gilt frame set with pearls and garnets— signed 
 “ C. Boit ” 
 
 501 The Countess of Guildford, by Charles Boit, in silver-gilt s^33s 
 
 frame set with pearls and garnets— signed “ C. Boit ” 
 
 502 Queen Anne (b. 1665, d. 1714), by Christian Friedrich Zincke, J 
 
 in gold frame set with pearls— dated on the rev. “ 1728.” 
 

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 43 
 
 - 503 Portrait of Queen Elizabeth (1558-1603), by Henry Bone, 
 
 R.A., after a picture by Nicholas Hilliard, in or-molu frame "7 
 
 504 Portrait of George Frederick Handel, by Charles Boit, in a # 
 gold locket 
 
 _ 505 Portrait of Catherine, daughter of Sir Joseph Pennington, 
 
 Bart., and wife of Humphrey Brooke Osbaldeston, by Henry 
 Bone, R.A., in a blue dress, iD silver-gilt frame set with 
 pastes 
 
 506 Portrait of Sir Kenelm Digby, in a silver-gilt frame " 
 
 - 507 Les Baigneuses, by Charles Boit 
 
 508 William Augustus, third Duke of Cumberland, by Christian J, 
 
 Friedrich Zincke, in a silver-gilt jewelled frame 
 
 - 509 King George IV. (b. 1762, d. 1830), after Sir Thomas Lawrence, 
 
 by William Bone, in or-molu frame 
 
 510 William IV. of Orange, by Christian Friedrich Zincke, in silver 
 frame set with pastes 
 
 _ 511 Portrait of Joseph Addison, by Christian Friedrich Zincke, in ^ ^ 
 a silver-gilt locket 
 
 512 Portrait of a Young Girl, in a rod cloak, and a blue ribbon *7. 
 in her hair, in a silver-gilt locket 
 
 513 Portrait of Captain Clayton, by H. Bone, R.A., in a silver- 
 gilt frame—inscription on the back, “ Capt. Clayton, 1786 ” 
 
 514 Portrait of Ignace Tleyel, by H. Bone, R.A. 
 
 ^ 7 . z. 
 
 515 Sir Robert Walpole, by Christian Friedrich Zincke, in a gold 
 locket 
 
 516 Mrs. Manly as Flora, by N. Hone 
 
 517 Sir John Webb, by J. Smart, in a gold locket —signed “ J. S., 
 
 1779.” 
 
 518 Henry Fox, first Lord Holland, by N. Hone, in a silver-gilt 
 
 locket 
 
 
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 519 Portrait of Charles XIII., King of Sweden (b. 1748, d. 1818), 
 in a gold locket 
 
 
 520 Portrait of a Lady, unknown, by G. Euglehcart, in a gold 
 filigree frame 
 
 ENGLISH MINIATURES— in water-colours. 
 
 521 Queen Anne Boleyn, by Jolin Kay, after Holbein, in silver . 
 
 / 
 
 frame set with stones 
 
 522 James Francis Edward Stuart, by John Dixon, on card, in an 
 
 old silver repousse frame—inscription engraved on the back, 
 
 “ James Francis Edward Stuart , Chevalier de St. George, 
 
 1715 ” 
 
 523 H.R.H. The Duke of Clarence 
 
 524 Henry Danvers, Earl of Dan by, by Nicholas Hilliard, in metal -4^^■ 
 
 frame 
 
 525 Sir Isaac Newton, in a gilt metal locket 
 
 
 526 Lady Mary Dudley, by Nicholas Hilliard, in a metal frame 
 
 
 527 Francis Russell, Duke of Bedford, in an old silver frame sur¬ 
 
 mounted by a crown 
 
 528 Queen Catherine Parr, by John Bettes, in gold frame ^2^^, 
 
 529 Jane Seymour, Queen of Henry VIII., after Hans Holbein, in 
 a metal frame 
 
 A 
 
 530 Augustus, Viscount Keppel, in a gold frame 
 
 531 Warren Hastings, by J. Hoppner, in a gold locket. On the rev. 
 
 mother-of-pearl inlaid with gold, and a figure alluding to the 
 East India Company —signed “ J. H., 1795 ” 
 
 532 William Beckford, by Richard Cosway, in a gold locket— J ?^ V s 
 
 inscription engraved on the back, “ W. Beckford, JEtails 
 suse 15. B. Cosway pinxit” 
 
 533 Portrait of a Young Lady, unknown, in a silver frame set - 
 
 with small rose diamonds 
 
45 
 
 I _ . - 535 
 
 . - 536 
 
 : _ . - 537 
 
 - 538 
 
 Sf. - 539 
 
 ._540 
 
 /s. - 541 
 
 ^ - 542 
 
 - 543 
 
 £ x*- 544 
 
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 - 
 
 ■?./<?■ - 
 
 545 
 
 546 
 
 547 
 
 548 
 
 549 
 
 Portrait of Robert Cecil, Earl of Salisbury, by Isaac Oliver, ^ 
 iu au old silver-gilt frame 
 
 Portrait of Samuel Butler, by Peter Oliver, in a locket— 
 inscription engraved on back, “ S. Butler, by P. Oliver ” 
 
 From the Collection of Lord C. J. Ker 
 
 Elizabeth, Countess of Salisbury, by Isaac Oliver, in a silver- ^ ^ <• %**#£**+' 
 
 gilt frame 
 
 The companion to No. 534 
 
 Eva Maria Violette, Mrs. Garrick, in an old metal frame set 
 with pastes 
 
 Portrait of a Lady, unknown, in an or-molu frame 
 Portrait of a Gentleman, by Joseph Hayd, in a gold frame 
 John Stuart, Earl of Bute in gold frame— signed “ H. N.f 
 
 
 
 1759 
 
 George, Lord Rodney, by Simon Webster, in a metal-gilt frame 
 —signed “ IF. 79.” 
 
 Portrait of Lady Melbourne, in an old silver frame with 
 gold borders, and set in paste stones 
 
 Portrait of John, Lord Somers (b. 1652, d. 1716), in a gold 
 locket 
 
 Portrait of Lady Heathcote, by James Nixon, A.R.A., in an 
 old Italian enamelled and ebased silver frame— signed 
 “Nixon, 1781” 
 
 - ✓ * 
 
 George I., King of England, in a silver frame set with garnets 
 
 The Earl of Essex, by Isaac Oliver, in an old or-molu sQ^^**^**- 
 frame 
 
 Portrait of a Gentleman, unknown, in a frame set with f ' 
 garnets 
 
 The Countess Cowper, by N. Hone, in a gold and blue enam- - 
 elled frame 
 
 Portrait of a Gentleman, unknown, by W. A. Smith, in a tsS 
 
 gold frame— signed “ IF. A. S.” 
 
4G 
 
 
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 550 Lady George Seymour, in a gold frame richly set with Oriental 
 pearls and emeralds 
 
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 2 /2- - 
 
 551 Portrait of John, 4th Earl of Darnley, in a gold locket 
 
 From the Collection of Thomas Gisborne, Esq. 
 
 552 William Pitt, 1st Earl of Chatham, when a young man, in 
 
 water-colour, in a gold frame 
 
 553 Portrait of a Gentleman, unknown, in a gold locket 
 
 554 Mary Stuart, Queen of Scots, by George White, after an old 
 
 painting, in a circular brass frame set with paste stones— 
 sinned “ W. 1094 ” 
 
 'V J 
 
 555 Portrait of a Gentleman, unknown, by J. Hoppner, in a " ‘ - 
 
 metal gilt locket 
 
 556 Portrait of John Liston, by Richard Cosway 
 
 557 Portrait of a Lady, unknown, in an enamelled gold frame ff ** / ^ 
 
 surmounted by a crown 
 
 ,-<W5c. 
 
 558 Lady Hastings, in a gold frame, on the back a cameo represent¬ 
 
 ing the symbolical figure of Hope leaning on an anchor 
 
 559 Portrait of Edmund Burke, by John Smart, in a gold frame, -A 
 
 with a set of Oriental pearls— signed “ J. S. 1773.” 
 
 560 The Countess of March, in a gold locket, most probably 
 
 painted in the year 1789 
 
 561 Portrait of John Russell, Duke of Bedford, when a young 
 
 man, 1710-71, in a gilt locket 
 
 562 Mrs. West, the wife of Benjamin West, in a gold frame; on 
 
 the rev. a monogram in gold 
 
 563 Portrait of John Hunter, gold locket At****** 
 
 564 Portrait of a Gentleman, unknown, in a gold border and gold 
 
 frame 
 
 565 Portrait of a Gentleman, mounted in a gold brooch, by /v&Ac/* 
 
 Bernhard Lens-— signed “ L ” 
 
 566 Anne, Queen of Great Britain (1665-1714) by Bernhard Leus, 
 
 in a metal frame 
 
 

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 567 
 
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 568 
 
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 569 
 
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 570 
 
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 571 
 
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 572 
 
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 573 
 
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 574 
 
 ix 
 
 575 
 
 
 576 
 
 
 577 
 
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 578 
 
 - 579 
 
 -X/* — 580 
 
 47 
 
 Lady Charlotte Johnston, in a gold locket — signed “Mi 
 Ha... 1775 ” 
 
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 /> 
 
 The Prince of Wales, afterwards George IV., King of Eng- JS. a 
 land (b. 1762, d. 1830), in a gold locket 
 
 John Jervis, Earl of St. Vincent, in a gold locket </'s'< 
 
 Portrait of a Gentleman, unknown, in a gold frame 
 
 Portrait of George IV., when a boy, by Richard Cosway, - 
 mounted in a gold brooch 
 
 Henry Stewart, Duke of Gloucester, after an old painling by 
 George P. Harding, on card in old silver-gilt repousse 
 frame 
 
 Portrait of the Viscountess Belgrave, after Sir Thomas 
 Lawrence, by Mary Cosway, in a white dress, in a brass frame 
 
 Portrait of the Daughter of Richard Cosway, by Mary JfL^fy^***^^***^ 
 Cosway, in a gold frame— signed “ M. C." 
 
 Portrait of Princess Charlotte, in a blue dress, and a red, 
 ermine-lined cloak, in a gold frame ; on the rev. a monogram 
 in small pearls 
 
 Portrait of Lady Montague, in a silver-gilt frame 7T.AI 
 
 Madame Elisabeth, by Richard Cosway : the Princess is wearing 
 a light blue dress and powdered hair, in an old silver frame 
 surmounted by a crown— signed “ Cosivay ” 
 
 Portrait of a Lady, by George P. Harding, on card, in old <? 
 silver-gilt repousse frame 
 
 THE KINGS OF ENGLAND: forty miniatures on ivory, 
 portraits of the Kings and Queens of England, by George " 
 
 Vertue, painted by him for his series of engravings 
 illustrating Rapin’s ‘ History of England ’ 
 
 From the Bohn Collection 
 From the Duke of Buckingham's Collection 
 Exhibited at the National Art Treasures Exhibition, Folke¬ 
 stone , 1886 
 
 Portrait of Col. Fred Burnaby, by Rosa Corder — signed / ' 
 
 “ B. C." 
 
 
 / 
 
FRAMES. 
 
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 581 An Old Italian Copper-gilt and Enamelled Frame 
 
 582 A Beautiful Old Silver Repouss£ Frame, set with pastes 
 
 583 An Old Silver Filigree Frame 
 
 584 A Beautiful Old Italian Silver Frame, enamelled and set 
 
 with stones 
 
 585 An Old Silver Frame, set with pastes 
 
 586 A Silver-gilt Frame 
 
 1587 An Old Silver Frame 
 
 1588 Three Wooden Gilt Frames 
 
 
 589 Two Or-molu Frames 
 
 590 Three Or-molu Frames 
 
 jy?/ , ■tC'T 
 
 t/vy XXl^£. Xi-**-*-*' 
 
 .y£,„ a— ( jZ t - J 
 
 c^i. - y 
 
 
 
 
 
 
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 Xf- XX<X^ 
 
 /. • - 
 
 FINIS. 
 
 London : Printed by Wm. Clowes & Pons, Limited, Stamford Street 
 
 and Clmring Cross.