SPECIAL iQlh Apr. LoEu Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/newdescriptiveca1814euro I i I THE ■mw descriptive catalogue AND plan OF TUB EUROPEAN MUSEUM, ‘Sti’cst, c Si. 3 ”.unices C ^cfu:irf 2 INSTITUTED' THE 23(1 APEK, 1789 , FOE THE PROMOTION OF THE FINE ARTS, and the ENCOURAGEMENT- of BRITISH ARTISTS, BY SfofjR MtfeotJj CfcKfc, AN AMERICAN LOYALIST FROM S» CAROLINA: MOBILITATE viget et vires acquirit eundo. PRICE ONE SHILLING . m* 3 MELTON, PRINTER, 17 , ST. MASTIN’* / F? = / // 1 1 1814 raw the library l * Fraa-k Snnpson ^ ^ IL ApSH - DUlHf ) TO THE Amateurs of the Fine Arts . np ft HE general utility of this National Establishment institu¬ ted above Twenty-five Years, for the Promotion of the Fine Arts, and the Encouragement of living Artists, is now uni¬ versally felt and acknowledged; the liberal principles upon which it is founded, the strict regularity with which it has uniformly been conducted, give general satisfaction, the Seller fixing his own price, and the Purchaser having proper time for deliberation, whilst the public taste is gradually refined by the magnificent display of art which is here exhibited* A constant succession of Novelty forms a prominent feature in this National Institution, justly esteemed the first Picture Market in Europe; the Collection, at present, boasts a great variety of valuable Productions by all the celebrated Masters of the Briti«li and Foreign Schools. Here may be seen some of the best works of Hogarth, Wilson, Loutherbourg, Gainsborough, Wright of Derby, Pether, Sir Joshua Rey¬ nolds, Webber, Hodges, Morland, Angelica Kauffman, Barrett, Gilpin, Northcote, Smirke, West, &c. &c. And also of Raphael, Correggio, Guido, Carlo Dolce, the Carracci’s, Giovanni Bellini, Titian, Tintoret, Paul Veronese, Giacomo Bassan, Albert Durer, Holbein, Vandyke, Rubens, Snyders, Ruysdael, Wouvermans, Ostade, Teniers, Berghem,Wy n ants, ( iT ) Pynaker, Gasp&r and Nicolo Poussin, Murrillio, Velasquez, Claude Lorraine, dec. &c- The Adoration of the Magi, from the A rundel Collection, lately discovered in an obscure situa¬ tion at Romford in Essex. The Last Supper of Albert Durer from Nuremberg. The Five Senses personified lay Teniers. The magnificent View of Tivoli by Claude Lorraine, the Country School Mistress by Opie, &c. are particularly m commended to the Amateurs and fashionable Cognoscenti. Condition9 of Sale » 1 HE Subscribers and Patrons of the European Museum, being very numerous, and tbeir Connections m the great Towns on the Continent, as well as in the United Kingdom, being very extensive, a constant and regular Succession of new Pictures will foe exhibited; the Purchasers may therefore, in general, have their Pic¬ tures immediately, or at farthest, in the course of One Week; by which Means, those who have Pictures to dispose of, may have them introduced to a certainty every Monday Morning. II. For Sums above Fifty Pounds, Three Months Credit will be given, upon approved Security. Ill - The Catalogue is formed from the Lists which the several Subscribers send with their Pictures, and as this Mode of Sale affords Purchasers (lie peculiar Advantage of forming a deliberate judgment, and of consulting their Friends, to warrant the Originality of any Picture is altogether tuanecessary, and consequently never done. ! IL Miv ( vi ) / IV. t Mr. Wilson, the principal Manager, has full powet to treat for, and sell any Picture or Property exposed to Sale by Private Contract in the European Museum; he is also authorized by several of the Proprietors to negociate and to exchange, when direct purchasing is not convenient.' EUROPEAN * ' •• ' ' ' • • \ v EUROPE A N MUSEUM. Number one is over the door in the Grand Gallery; but the weekly. chan es that constantly occur , render it im¬ possible to keep the pictures in exact numerical order . 1 An Equestrian portrait of King 1 Charles the First, as large as life. This valuable gallery picture belonged to Sir John Tanburgh the architect, and was placed by him in the house of a nobleman near Croydon, in Surrj^. A chef d’ceuvre of Tandyke 2 A rich sylvan scene near the Hague, with a Dutch family in their cart returning from market. Van Goyen 3 A view in Holland, cattle in a ferry-boat, &c. Tan Goyen 12 An original whole-length portrait of that celebrated hero Charles XII. of Sweden; taken from the life by David Woleast, a Swedish artist, painted for Stanislaus King of Poland 13 Dutch Boors amusing themselves with cards, &c. Hemskirk I 13 A view on the sea coast with fishermen. Morland ( »' ) M; An elegant bouquet of flowers, insects,&c. Rachel Rujscfs; 17 St. Jerome at his devotion, in a romantic solitary land¬ scape, &c. Spagnoletto IS'- A collection of fruit delicately finished. Mignon &9' The Woman? taken in Adultery . Sebastian del Piombo.. a They say unto him, Master, this woman was taken in Adultery, in the- very act. Now Moses in the law commanded us that such should be stoned: bat what sayest thou? So when they continued asking him, he lifted up himself, and said unto them, He that is without sin among you, let him first cast a stone at herd’ For harmony of colouring and variety of expression, this valuable performance has perhaps never been excelled; painted on a very thick plank, and engraved g;l The interior of a DimcIi cottage, with boors smoaking and amusing themselves. Teniers 22 A scene from tire Merry Wives of Windsor, Mrs. Anne Page inviting Master Slender to dinner. Smirke 28 A Spanish Peasant having emptied his flask, making signs as if he could empty another. Murillo SO A sick lady with her physician and attendant, full of truth and character. Mieris B2 A warm pleasing autumnal scene, St. Jerome accom¬ panied by his lion appears at his devotion, kneeling before the cross. Moucheron. S3 The conception of the blessed Virgin, from one of the Churches at Seville, a grand gallery picture by Murillo 36 Alexander the Great and his Physician. The Macedo¬ nian Hero appears languid and reclining upon a couch, holding the medicine which his Physician had prepared, in his hand, whilst the disciple of ♦ ( 9 ) i? o : . , , ^ . ■ Esculapius observes the contents of a letter which. * Alexander liad put into his hand, accusing him of a design to poison the King: a most interesting subject, and worthy the pencil of Nicolo Poussin 37 A small moon-light, true to nature. Sass, landscape painter to the Prince Regent 49 A view of Corfe Castle, in Dorsetshire : Morland always considered this the most valuable landscape he eWr painted SI St. John divinely inspired, exclaiming, “ I am the voice of one crying in the Wilderness, prepare ye the way of the Lord, make his paths straight.” West, P. R. A. - » S 1 ; \ : ) The Last Judgment. Rubens; being the sketch for his large picture. Bellingham the assassin, the very day he shot the ever to be lamented Mr. Perceval, pointed out the figure in the right hand corner of this picture, as his own portrait 56 An amorous conversation. Hemskirk 57 An Ecce Homo. Fandyke 58 Monks distributing alms. Bramer, the favorite scholar of Rembrandt 63 A happy domestic scene. Hamilton, ll. A. engraved* u What is the world to them, its pomp, its plea- sure, and its nonsense, all? meantime a smiling offspring rise^ round, and mingles both their graces.” Engraved 64 Christ ordering the sick man to take up his bed and walk. Domenico Feti 6§ The youthful Bacchus, ever fair and young; a drawing by Cipriani, and engraved by Sherwin 59 An exquisite high finished portrait of William Mieris, the celebrated Dutch painter, done by himself B ( 10 ) 73 A rural fete, with a variety of figures in a charming landscape. Claude n Aland s'->rm, the wind buffeting the trees, the passing clouds, and the gleams of light inconceivably grand, wild and romantic. Salvator Rosa 77 The mocking of our Saviour, a much admired and valuable performance. Carlo Dolce Si King Ahasueras presenting his ling to Queen Esther—- u Write ye also for the Jews, as it liketh you, u in the King’s name, and seal it with the King’s ring: for the writing which is written in the (( King’s name, and sealed with the King’s ring, a may no man reverse.” Esther, Chap. yiii. Ver. S. Carlo Dolce S3 A picturesque mountainous scene. Caspar Poussin; the weary pilgrim with his dog, the sportsman shooting, a fisherman drawing his net, See, Nicolo Poussin 85 A warm pleasing landscape with figures. Both $7 An interesting portrait of the Venetian Doge Grimfini, who distinguished himself by his superior eloquence and address at the famous treaty of Cambray, in the time of Charles V. Titian is said to have considered this as the best portrait he ever produced; In the corner of the picture he has introduced St* Mark’s Place, with part of the Doge’s palace at Venice. 3$ An original portrait of the Pretender, painted in 1745, Cooper 92 View of Richmond Bridge, taken from. Archdeacon Cambridge’s Meadow: the management of the light under the trees has been much admired. Sass, landscape painter to the Prince Regent i ( 31 ) 93 An original portrait of Bellingham the assassin, painted by Jackson, engraved by Scriyen, and certified to be a correct likeness by the Rev. Mr* Furde, Ordinary of Newgate 97 A pleasing landscape, Diana with her favorite attend¬ ant, dog, &c. reposing after the fatigues of the chace. Albauo: formerly in the Choiseul collection 98 A group of three guinea pigs, one of which appears feeding on a cabbage leaf, the character of these peaceable little animals, trite to nature, and en¬ graved. Morland 100 The adoration of the Shepherds, being the original sketch from which the window of New College, Oxford, was taken. Sir Joshua Reynolds 102 St. Joseph supporting the dead body of Christ, St. John and the three Maries attending: Mount Calvary and the three crosses appear in the distance, T itian 104 A Turbot, Lobster and Prawns. Roth 106 The celebrated tooth-drawer of Antwerp, preparing to extract a tooth. Teniers 108 Portrait of Lady Gresham. Sir Antonio More 111 A pleasing small landscape, Italian scenery. Claude 112 Portrait of Sir Thomas Gresham, who founded the Royal Exchange, &c. Sir Antonio More 113 The lialf-moon ale-house, with happy groups of Dutch peasantry enjoying themselves before the door. Ostade 119 The Graces presenting their offerings before the statue of Venus, which stands upon an eh gant pedestal, attended by Cupids: this valuable cabinet jewel is from the Orleans collection, and is engraved, N etscher ( 12 ) . I .121 Hagar and (be Angel, in a grand romantic landscape; worthy the pencil of Salvator Rosa. Hodges. Thq elegant figures in this valuable ptoture are attributed to the President of the Royal Academy 126 Interior of a Flemish Church : the perspective most admirably managed. Steenwick 128 An upright landscape, with a horse, dog and figures. Wouvermans 136 The holy family, with angels ministering to the infant Jesus. Albano 138 An upright landscape with horses and figures. Wou¬ vermans 145 The father of the Curiatii directing the interment of his slaughtered sons, after the sanguinary combat with the Horatii. Nicolo Poussin 146 Dutch boors smoaking, drinking, &c. Teniers 148 A whole-length Portrait of Mrs. Siddons in the charac¬ ter of Jael, from sacred history. Romney. “Then. Jael (Heber’s wife) took a nail of the tent, and took a hammer in her hand, and went softly unto him and smote the nail into his temples, and fastened it to the ground, for he was fast asleep and weary ; so he died.” This was allowed, thirty years ago, to be a striking likeness of the above celebrated and accomplished actress. 150 A beautiful and fascinating view of the Lake of Nemi and surrounding scenery, painted at Rome by Jacob More, who has been justly designated the English Claude 151 A view near Amsterdam, winter scene, with a great variety of figures shaking and amusing themselves. Mol inner 152 The Madona and Child, small. Leonardi da Vinci ( 13 ) 153 Upon the arrival of Ulysses from the Trojan war, her nurse Euriciea is gently awaking Penelope to ac¬ quaint her of the joyful event. Angelica Kauffman 155 Cupid in a pout, his arrows having missed their mark. Guido 15S Entrance of a Convent, view on the Rhine, upright small landscape. Hodges, R. A. 160 A view on the Rhine, the Fortress of Ehrenbreifsten in « the distance. Hodges, R. A. 163 The judgment of Paris. Rubens. This great artist repeated (he same subject, with some variations, for the Palais Royaie at Paris 164 A rich warm cabinet landscape with cattle and figures, touched with truth and spirit, the effect sparkling and lively. Eerghem 165 A shepherd with his dog tending the sheep sheltered under a hill. Morland 166 Ci Wilkes and Libertyor, u Covent Garden in ail uproar 1” Hogarth.—Churchill, Dr. Rock, Wilks, Charles Fox, and a number of other Bon Vivants of that day, sally forth from a tavern at five o’clock in the morning, overturning stalls, baskets, See. whilst cabbages and turnips fly about in glorious confusion ; one is mounted upon Mother Needham’s sedan chair, beating the reveille with two artichokes, whilst Churchill appears gallantly protecting the ladies 169 Gypsies making a lire, a rich sylvan scene. Mor¬ land 171 Portrait of Miss Ward, afterwards the wife of George Morland, file celebrated artist. She is represented ironing in a rustic dress, the smoothing iron and stand absolutely a deception; painted con ainorc by her husband, and engraved ( 14 > 172 Portrait of George Morland the celebrated artist, painted! by liis Intimate friend Muller, and allowed to be the most perfect likeness of that extraordinary and eccentric character. ^74 Peace beautifully represented by the happy condition of a peasant’s family employed in their several domestic duties : the peasant and his son are reaping in a luxuriant corn field, his aged sire, who is past labour, is seen regaling himself at the door of his. son’s cottage; the variety of poultry, the plumpness, of the dogs, the decent appearance of the family, and the doves hovering over the cottage, are truly emblematical of their peaceful situation. A large manufacturing town with a commodious harbour, and a variety of ships and vessels freighted with different commodities, bespeak the industry and population of the country. Hodges R .A.—see No. pleasing small landscape with cattle and figures. Claude. carter with his horses employed in a brick yard* Morland 191 Charles die 1st. enamel. Roth 192 King George III. when young ; enamel. Roth 195 Marriage a-ia-modc. a 6S ’Tis from hi"h life these characters are drawn.” A portly nobleman of high birth, and a worship- fill alderman signing the marriage settlement, while ' the young viscount with perfect indifference is viewing himself in a mirror, displaying his gold snuffbox and glittering ring, the lady equally careless plays with her wedding ring, whilst Counsellor Silvertongue, an insiduous lawyer, appears at her right hand, 4< Like Satan, whispering in die ear of Eve, “ By nature form’d to ruin and deceive.” 177 A 181 A Behold bow Vice her votary rewards. After a night of folly, frolic, cards.” Wearied, languid and spiritless, from the dissi¬ pations of the night, the modish viscount comes home at noon, and finds his lady just arisen, and seated en dishabille at her breakfast table. A cap and ribbon which hang out of his pocket, occupy the attention of the dbg. The old Steward having brought a num¬ ber of bills for payment, by his countenance forsees the gulpli of ruin opening for the infatuated pair. To Galen’s great descendant list—oh list! Behold a surgeon, sage, anatomist. Mechanic, antiquarian, seer, collector. Physician, barber, bone-setter, dissecter.” The noble Viscount appeal's here in the apartment of a quack doctor, who had imposed upon him by giving a false bill of health to Betsy Careless, whilst the old Procuress unclasps her knife to defend her character and family surgeon, the enraged Nobleman lifts liis cane, and seems ready to bastinado both the Bawd and the Doctor. The new made Countess treads enchanted ground. And madly whirls in pleasure’s airy round ; To love’s fond tale the fair her ear inclines. To Satan’s agent all her soul resigns.” By the old Peer’s death our fair heroine, now a countess, treads every mazeof fashionable dissipation; her morning levee crowded with persons of rank, Italian singers, &c. Counsellor Silvertongue, her paramour* seems making an assignation for the masquerade. The contemptuous leer of a black footman who is serving chocolate, is particularly striking. Her dream of dissipation o’er, The bubble pleasure charms no more/ Misery ! to madness near allied, And ignominious suicide. Thy minion’s meeds by fate’s decree, Is death—a death of infamy !” :• 44 The exasperated Peer suspecting his wife’s infidel¬ ity, follows her in disguise to the masquerade, and from thence to the bagnio, bursts open the bed-room door, and attacks the spoiler of his honour, with a sword, but neglects his own guard, and is mortally wounded. The lawyer attempts to escape. Struck, with horror at the fate of her husband she kneels at his feet, and implores forgiveness. Forlorn, degraded and distrest, The furies tear her tortured breast. To poison*—sad resort! she frantic dies, And, self-destroyed, the wretched Countess dies 1” i * t i « The last sad scene is in the house of her father, to which site returned after her husband’s death, and taking the h®rrid resolution of ending her days by poison, she puts it in execution by bribing her father’s servant to procure her a dose of laudanum. Close to the phial upon the floor, Hogarth has judiciously placed Counsellor Sihertongue s last dying speech , to shew that he also received the punishment he so justly deserved. These six instructive pictures are the only copies ever taken from Hogarth’s celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; ( 17 ) that lie might have ample time and opportunity to render them as near the originals as possible* 205 Susannah and the Elders* Poussin 204 The celebrated Cleopatra, Queen of Egypt, having run her race of dissipation, about to destroy herself by applying a poisonous reptile to her bosom; her female attendants in deep distress, most earnestly dissuading her from the horrid attempt; a picture full of interest and expression. Runcimau 206 The interior of the Church at Delft, painted' on glass, the effect of sun-shine magical to a deception* J ervais 210 Portrait of Snyders the art hi, in crayons. Vandyke 212 A Spanish Peasant filling an air ball* Murillio 214 The Madona and Child. Guercino 216 Architectural ruins in a landscape, with cattle, &c« a man milking and his "wife spinning. Karel du J ardin 217 A tender interview between Romeo anti Juliet Rigaud, R. A. 218 Portrait of the first Lord Conway. Sir Peter Lely 225 Cupid in trouble and distress. Sir Joshua Reynolds 226 Head of an Italian Shepherd. Schidone 250 A beautiful and penitent magdalen. Raphael Mengs 251 A landscape with figures, dressed in the old school. Watteau 232 Boys playing at blind-man’s buff. Murillio 2 33 Diana and her nymphs asleep by a fountain. Jordaeius of Antwerp •235 The Lyclans changed into frogs for insulting Latona. Andrea f eciu 236 The manyrdom of St. Sebastian* Pietro da Cortona. C ( 18 ) S51 A coal carrier with his wife and daughter lafcinsr a fl-NIS. / I PLAN FOR Introducing Pictures, Valuable Curiosities , fyc. : r AT THE EUROPEAN MUSEUM* I* THE Nobility and Gentry who send Pictures, valuable Curio¬ sities, &c. to be disposed of by Private Contract, at the European Museum, to pay Five per Cent. Commission, upon whatever Value they may send, whether sold or not— but for large Collections, or for Pictures of very high Price, the Manager is authorised to treat, and to make a reasonable abatement: said Valuation to be made by the Proprietors themselves, or any Person they may chuse to appoint. II. For the above Commission of Five per Cent. Pictures, valua¬ ble Curiosities, &c. may remain upon view at the Museum during the Term of one Year, if not disposed of sooner; said Commission of Five per Cent, to be paid when any of the Pictures are sold—at the Expiration of the Year, or before the Removal of said Pictures, or valuable Property. ill. A Private Room is also opened for the Sale of such Pictures and other Property, as the Proprietors may not chuse to have publicly exhibited, and into this Private Room, no Person whatever, can be admitted without special leave from the Manager. -r — • y IV. Every possible Care will be taken of Property consigned to the European Museum: but for Losses by Fire, and other un¬ avoidable Accidents, the Proprietors cannot be accountable. V. The Nobility and Gentry, whether Proprietors or Purchasers, of Pictures, &c. who do not wish to have their Names men¬ tioned, may rely upon the most profound Secresy. Subscriptions are received at The Hon. Baron Dimsdale and Co.’s; at Messrs. Morland, Ransom and Co’s; at Messrs. Ham- mersley and Co’s; at Messrs. Herries, Farquhar and Co’s; and by Mr. Wilson, the principal Manager at the Museum, where all Orders, Letters, &c. either from Town or Country will meet due attention. One Guinea will procure a Ticket of Admission for the Subscriber and a Friend, every day of Public Exhibition for one Year. Half a Guinea will entitle the Subscriber to daily Admission for himself for the same period. No Bo P»r€bas«x« and Exhibitors are entitled to free Admission 4 . * £l ftp ‘tff'P luHP ApP * Uo 1 : 1 ,. 1 LIBRm