C -A. T A. Xj O Q- XT 13 OF THE VALUABLE AND EXTENSIVE COLLECTION OF Modern Etchings, THE PROPERTY OF MRS. EDWARD FISHER, DECEASED, LATE OF ABBOTSBURY, NEWTON ABBOT, Comprising Works of Sir P. Seymour Haden, J. M. Whistler, S. Palmer, 0. Meryon, David Law, A. H. Haig, J. M. Wyllie, B. Debaines, 0. Koepping, A, Jacquet, 0. Waltner, and other well-known Etchers; MEZZOTINTS by S. Cousins, R.A., David Lucas, R. Olouston, &c.; AND A REMARKABLE COLLECTION OF BOOKS, ENGRAVINGS & DRAWINGS ILLUSTRATING THE HISTORY OF THE COUNTY OF SOMERSET: which (by Order of the Executors) Mill bp ^olb btj Jlurtton bg Messrs. CHRISTIE, MANSON 4 WOODS, AT THEIR GREAT ROOMS, 8 KING STREET, ST. JAMES’S SQUARE, On TUESDAY, JULY 13, 1897, AND FOLLOWING DAY, AT ONE O’CLOCK PRECISELY. May be viewed Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street, St. James’s Square, S. TV CONDITIONS OF SALE. - 0 - I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-6old by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the defaulter at this Sale. CATALOGUE. »o » - First Day’s Sale. On TUESDAY, JULY 13, 1897, AT ONE O’CLOCK PRECISELY. ETCHINGS —In the Folio. J. ALASONIERE. 1 Une Vedette, after J. L. E. Meissonier —remarque proof R. ANSHELL, R.A. 2 The Fatal Shot; Waiting for Help ; A Wounded Heron ; Ac. 4 T. G. APPLETON. 3 Isabel, after Sir H. Raeburn— artist’s proof 4 The Countess of Mexborough, after J. Hoppner, R.A .—ditto 5 Marcia, after ditto —ditto 6 Miss Fanny Kemble, after Sir T. Lawrence— artist's proof 7 Lady Mansfield, after G. Romney— artist’s proof B 2 4 /Jf/^ 3 -- , /• /o- / /^. - ?' ~ 2 * 2 /. „ 2 -/ 0 - - <£ /. /^- - P. J. ARENDZEN. 8 The Music Lesson, after G. Terburg— remarque proof 9 The Lady with the fan, after Rembrandt —remarque proof 10 Eloquent Silence, after L. Alma-Tadema, R.A.— remarque proof J. AUMONIER. 11 A Corn Field: Evening —proof ; and The Prelude, after Poetzel-^^ 2 ^ berger— remarque proof 2 N. H. J. BAIRD. 12 Picturesque Antiquities in the City of Exeter —proofs on Japanese paper 24 WILFRID BALL. 13 Stratford-on-Avon Church— remarque proof-, and The Village Elstow 2 A. BALLIN. 14 Rue St. Lo at Rouen ; Rue du pere Adam; Greenwich; and six others 9 T. O. BARLOW, R.A. 15 The Festival of the Vintage, after J. M. W. Turner, R.A.— fy- artist's proof CHARLES BIRD. 16 St. Peter’s Hospital, Bristol— artist’s proof; &c. 2 17 Exeter Cathedral; St. Stephen’s, Bristol— remarque proofs ; and'&o*^'^ one other 3 18 The Guildhall, Exeter— artist's proof-, Exeter Cathedral, by<^@t? S' *» Phillimore; and two others 4 5 W. BOUCHER. 19 The Butler’s Glass; and His Favourite Bin, after W. D. Sadler —remarque proofs 2 20 Home Brewed, after ditto —remarque proof H. SCOTT BRIDGWATER. 21 “Miranda” (Head), after J. Hoppner, R.A.— artist's proof F. BUHOT. 22 The Houses of Parliament 23 La Criard; Le Bas-Hamet; “ Caramba! ” fit-elle ; &c. W. BURGESS. 24 Ely ; Norwich; and Salisbury; and two Etchings by E. George W. CHAMBERS. r 25 Mrs. Sheridan, after Gainsborough— artist'8 proof J. W. CHAPMAN. 26 Lady Hamilton, as “ Sensibility,” after Romney; and Almeria, (Lady Carpenter), after Hoppner— artist's proofs 2 27 Mary, Wife of James Smith, of Jordanhill, after Sir H. Raeburn — artist's proof TH. CHAUVEL. 28 The Pond, after Corot— artist's proof, on vellum R. CLOUSTON. 29 Viscountess Crosbie, after Sir J. Reynolds— artist's proof 30 The Hon. Mrs. Graham, after Gainsborough— artist's proof r 31 Angels’ Heads, after Sir J. Reynolds— artist's proof 6 /JtJ* /&■ /■ (> /. /• - ST- /S'- & S'- /S'- G? / £>'. — ^ 2 - - /£- £ 3. /'r. - / • * . - J. /#. — /- / • - - 2 . 2 .. — . — 5,. ^ - /(£. _ M. CORMACK. 32 Albinia (Lady Cumberland), after G. Romney— artist's proof SAMUEL COUSINS, R.A. 33 Penelope Booth by, after Sir J. Reynold s— artist's proof ; and Miss Rich, after Hogarth 2 34 Lady Caroline Montagu, after ditto— artist's proof, signed 35 Simplicity, after ditto— ditto 36 Miss Bowles, after ditto— ditto 37 Lady Acland and Children, after Sir T. Lawrence c M. DAMMAN. 38 The Gleaners, after J. F. Millet— artist's proof BRUNET DEBAINES. 39 The Yalley Farm, after J. Constable, R.A.— artist'8 proof 40 The Water Mill, after ditto— remarque proof 41 The Way to the Mill; and the Companion, after Gaiusborough-o^i? artist’s proofs 2 42 Venice, after F. Ziem— artist's proof , on parchment i 43 The Burial of Wilkie, after J. M. W. Turner, R.A.— artist’s proof 44 The Mill, after Rembrandt— remarque proof /Q*t**£ j 45 At Evening Time, after B. W. Leader, A.R.A.— artist’s proof, 8SS&& signed 46 Windsor Castle, after Karl Heffner— artist’s proof 47 Edinburgh ; and Tonaro’s Misty Brow 3 7 £ - t: ~ 'o. - /. - '0. - ' 0 * £ /o-- £. _ £. __ / 0 - - A. DELATTRE. 48 Souvenirs : a set of seven dry point Etchings H. DICKSEE. 49 Silent Sympathy— artist’s proof r- '/teO'icfs J. DOBIE. 50 The Yarn, after J. R. Reid —remarque proof JOHN FINNIE. 51 The Margin of Rydal Water— artist’s proof G. FLAMENG. 52 The Lesson in Anatomy, after Rembrandt —remarque proof 53 Thomas Bewick, after W. Nicholson —remarque proof 54 Sir P. P. Rubens, after Rubens —remarque proof, framed E. GAUJEAN. 55 The Rivals ; Scandal and Tea ; and The Widow’s Birthday, after W. D. Sadler — artist’8 proofs 3 CH. DE GRAVESANDE. 56 A Series of Fifteen Etchings, Views in the Netherlands —proofs 57 Village on a Belgian River ; and Dort 58 Views in Holland : a set of six Etchings et6 —- 6 /JS* 8 /jh 3 - ~ - 2 - - J . - -a. /• £ s. s- ~ JZ&. /. _ /- /. _ 5/, /tf- - J. /0. - /* /* • - . 2 . - /i- - /£. _ &7lsr\S2, (JZ> Sc*/ t-cyruf- &c>CAi. 4 i~ , 80 The Portals of Rheims Cathedral Z3. j, . _ 81 The Mokning of the Festival 33 - 82 Magdalene College, Oxford /A* — 83 Schloss Zwingenburg 9 84 St. Gilles at Arles 85 The Giralda Tower, Seville 86 The Interior of Burgos Cathedral 87 The Aisles of Chartres 88 Cathedral and Town of Chartres 89 The Cathedral of Chartres —framed 90 The Chancel of Durham Cathedral —ditto 91 Cathedral of St. George, Limburg on the Lahn —ditto HEYWOOD HARDY. 92 The Wayside Inn ; and Cattle, by Otto Weber 93 A Horse’s Head ; and A Dog’s Head— proofs, framed 2 2 /GcC^Ao^KMi^ H. HERKOMER, R.A. 94 The Mother —remarque proof; and Heads of Two Girls 2 E. G. HESTER. 95 Hunting and Shooting Subjects, after E. Caldwell —eight on sheets F. HOLL, R.A. (96 Portrait of the Artist —proof J. C. HOOK, R.A. 97 Brimming Holland; and Mussel Gatherers 98 The Egg Gatherer ; Wise Saws ; and The Land of Cuyp 3 /S}. - - ^ At-. 6 '?■ - /• /o. _ / 0 - - 4 - • • £ 10 J. JACQUEMART. 100 Le Liseur, after Meissonier —proof ; and Lecture chez Diderot, by Mongin 2 ACHILLE JACQUET. 101 The Sign Paintee, after J. L. E. Meissonier —remarque proof, signed by painter and engraver F. JASINSKI. 102 The Golden Stairs, after Sir E. Burne Jones — artist’s proof R. JOSEY. 103 Crossing the Brook (Miss Cholmondeley), after Sir J. Reynolds/^ — artist's proof ^ artist’s proof, framed C. EOEPPING. Corporation, after Rembrandt-— LAGUILLERMIE. 105 Toasting the Young Duke, after W. Q. Orchardson, R finished state , signed 106 The Countess of Lorraine, after Vandyck -proof , framed DAVID LAW. 107 Childe Harold’s Pilgrimage, after J. M. W. Turner, R.A.— artist's proof fl08 The Windmill, after J. Linnell —remarque proof , (109 Tintern Abbey; and Hereford Cathedral-**** proofs 2^' 110 Barden Tow»r, after Sutton Painter; and Loch Katrine, after J. MacWhirter, R.A. — artist’s proofs 2 * 11 111 The Wily Angler; and the Companion, after J. C. Hook, E.A., —remarque proofs 2 112 Thk Trossaohs ; a set of ten picturesque scenes described in 10 Scott’s ‘ Lady of the Lake ’—remarque proofs 113 Wordsworth’s Country : a series of five Etchings of the English 5 Lake District —proofs 114 Ambleside —remarque proof ; and A Ruined Castle 115 Pont-y-Garth, North Wales ; and A Windy Day 116 Sunset in the New Forest; and Venice 117 Edinburgh from Queen’s Park 118 Knaresboro’ Castle— artist’s proof 2 2^Mm> 2 ’> >/■* r-v 119 Windsor, Richmond, Alnwick, Warwick, Ludlow and Arundel Castles —a set of six artist’s proofs, signed 6 COUTEUX. 120 Girl and Cow, after J. Dupre —remarque proof, signed fl 21 Study of a Girl’s Head —original etching, framed (122 Hay Trussers, after J. F. Millet— artist’s proof, framed A. LEGROS. 123 Les Boucherons —second state 124 Portrait of Sir E. J. Poynter, P.R.A.; &c. 2 . 125 An Aged Spaniard; La Mort and Le Boucheron; and one other 3 L. LHERMITTE. 126 Rouen Cathedral—exterior— artist's proof, framed /js* ■£*-/±b 2. • A . - -?• /o. - /»■ /*. - /- - 163 • ~ • — 164 /. /• - 165 /. _ /£. /£>. _ /. //. - /• /*• _ /^.- — . — 166 167 168 169 170 171 / - - 172 i 4 173 ^ ^ _ 174 175 176 3~ /O- — 177 3- 3~. _ //- //- - <$r. _ 6 __ 178 179 180 181 /. /. _ 182 / 3 . /£ . _ 183 //- - . 6 184 - 185 /• 6. _ 186 14 Tourelle, dite ‘ De Marat ’— -first state La Galerie de Notre Dame— first state The Same— second state Le Pout Neuf —first state The Same— second state The Same— third state South Sea Fishers ; and The Ship of Jean de Yyl, oi Rotterdam —only states 2 Le Pont au Change— first state The Same— second state L’Esperance La Rue des Mauvais Garijons— first state The Same— second state St. 6tienne-du-Mont—; first state The Same— ditto, on brown paper Le Petit Pont— first state, with inscription, signed The Same— second state L Arche du Pont Notre Dame— trial proof The Same— first state Rue des Chantres— first state La Tour de l’Horloge— first state The Same— ditto The Same— ditto, without the initials G. M. The Same— fourth state La Morgue—; first state The Same— ditto The Same— second state L’H6tellerie de la Mort 6 ■ — - JL. - /%. - /• - /g». - / ' ~~ 213 The Same —later state, signed y- k 214 The Herdsman —trial proof .. „ 215 The Early Ploughman —trial proof p. — 216 The Same —later state "/lea^pC y. - 217 The Same —finished state — 218 The Rising Moon —trial proof before the plate was cut SAMUEL PALMER. k — 219 Folding the Last Sheep —proof on Japanese paper K - 220 The Same —first proof of the plate • . - 221 Shepherd Reposing —almost unique p. _ 222 The Same —later state; and one other / o-— 223 Sunrise: the Lark; and two others 3 Vr.Yrcu^oc, -. _ 224 The Morning of Life —proof on Japan paper, framed J. PARK. 226 Rocked in the Cradle of the Deep, after H. Macallum —remarque c proof S. PARISH. 226 Marblehead; Rocky Neck ; An Old Farm; and The Fisherman’s ^ /. House 0 18 /J6* M. POTEMONT. 227 Views in Ancient Paris 6 6 - /o, — 3. J- - 3 ' /J-. _ 3 - 3 ~. ~ 3~ /J~ C - «T. - J - B - BEATT - 228 Highland Cattle at Best, after Eosa Bonheur —artist s proof, signed by painter and engraver 229 On Guard, after ditto— artist's proof, signed 230 Scottish Chiefs, after ditto —ditto 231 Midday in the Highlands, after ditto —ditto 232 Portrait of Eosa Bonheur, after C. Fould— remarque proof , signed by Rosa Bonheur 233 Bayard, after F. Paton; and The Start for the Meet^a: /S. /-t. J. LUMSDEN PEOPEET. ^ 234 Limehouse; Eomsey Marsh ; and Old Chelsea 3 235 Sheerness ; and On the Severn 2 _ A. QUEYEOY. XZ? 236 Scene at Loches in Touraine ; and View of a College 2 /. G • / • /$■ P. EAJON. 237 The Smoker, after J. L. E. Meissonier— proof (OS-ex^xJ/ 238 A Eoman Emperor, after L. Alma-Tadema, E.A.— artist’s proof, ^ ned 239 ihe Bath (Strygils and Sponges) after ditto— remarque proof, fiqned /, 240 Master Crewe, as “ Henry VIII.,” after Sir J. Eeynolds— remarque/ , F “ / . «U 241 L Amour platonique, after Eamiral ; and The Armourer, after Fabri— artist's proof 2 19 242 Fluke Fishing, after J. W. Oakes, A.R.A.; and Head of a Girl/<&*»t — artist's proofs 2 243 Duel apres le Bal; Rembrandt in his Studio; and others, after.^^^^ J. L. Gerome e REMBRANDT (After). 244 A set of eight reproductions of his Etchings, by —in a folio Amand-Durand . S. W. REYNOLDS. 245 Liber Nature, after Thomas Girtin, with portrait of M Girtin —a set of twelve— artist's proofs on India paper T. M. RICHARDSON (After). 246 The Castles of the English and Scottish Border—in two parts, Newcastle 1834 BRITON RIVIERE, R.A. 247 An old Hound— first state , signed ; and The King Drinks— signed 2 THEOPHILE ROUSSEL. 248 The Window Cleaner; Little Barge; Pierot; The Street; and others 7 H. It. ROBERTSON. 249 The Fighting Temeraire; and Ulysses deriding Polyhemus, after J. M. W. Turner, R.A.— remarque proofs 2 F. SHORT. 250 The Mouth of the Thames; and The St. Gothard Pass, after J. M. W. Turner, R.A.— proofs 2 251 Flatford Lock, after J. Constablo, R.A .—artist's proof ; and ^ox>c(j2^ Swans on a River Bank, after A. East 252 Day’s Dying Glow, after J. Farqubarson— artist's proof 252a A Quiet Evening on the Ferry ; and three others 4 0 2 £/• /4" — / - A — - / • > — Jr J; _ 20 253 Near Hingham, Norfolk, after Crome— artist's proof; and^&a^l Salisbury Cathedral, by L. Kratke —remarque proof 2 254 Diana and Endymion, after G. E. Watts, R.A .—signed by&c**. painter and engraver 255 A Dutch Greengrocerie; Low-tide in the Evening Star ; ancl&u^ui two others ^ ^ 256 Portrait of Robert Burns, after Nasmyth— artist’s proof — framed 257 Facsimiles of ‘ Liber Studiorum ’ of J. M. W. Turner, R.A.^>**‘' —a set of twelve plates, with title 13 3 . j: _ /o. - /- /?. „ /. J~. - / ~ /' /4b'- /. r- - /. /z. - C. P. SLOCOMBE. 258 His Grace ; and Her Grace, after J. Pettie, R.A .—signed proof,Otfau* on satin 2 259 Westminster Bridge —;first state 260 Cottage at Pinner ; Stonehenge; and two others 4 E. SLOCOMBE. 261 Amiens Cathedral —remarque proof; and Milton’s Cottage 2'&&> 262 Steamer taking in Cargo, after W. L. Wyllie 263 Head of a Girl, after Perugini —signed proof ; and two others F. SLOCOMBE. 264 The Windmill —remarque proof on Japan paper /ffft 265 Anne Hathaway’s Cottage, after A. Parsons —remarque proof ;j£or* Ckarlcote ; and “ The Curfew tolls the Knell of Parting * Day ”—remarque proof 3 266 Where many branches meet; A Pleasant Shady Lane; amV(^ : one other C. P., F. and E. SLOCOMBE. 267 A Series of Twelve Etchings from Nature 12&J 21 A. E. SMITH. 268 Etchings of the old Town of Shrewsbury— a set of six, proofs $ 2 ^t/ 6 L. P. SMYTHE. 269 Gleaners —proof W. STRANG. 270 Burning Weeds ; The Hedger; and Peasant Woman— proofs 3 271 The Fish Stall; Portrait of the Artist; and Mother and Child 272 The Greengrocer’s shop ; The Basket-Seller ; and one other 273 Illustrations to Burns’ Poems— a set of nine, proofs 3 3 9 274 275 276 ^277 (278 279 280 281 282 283 J. M. W. TURNER, R.A. (After). Totnes (‘ Rivers of England ’)— proof and print From the DuJce of Buccleuglis Sale Dartmouth, ditto— proof Illustrations to Whitaker’s ‘ History of Richmondshire’, by Scott, J. Landseer, and others 11 Vignettes, by Goodall, Wallis, Miller and Le Keux— proofs, a /iteAs&C set of thirty-two Lake Scenes —reproduced in colours; and three others 5 fy (ZA< The Turner Gallery : A series of Sixty Engravings after J. M. W. Turner, R.A. —proofs before any letters, with frontis¬ piece and descriptive letterpress—in a morocco leather case C. WALTNER. The Vagrants, after F. Walker, A.R.A.— artist’s proof Master Lambton, after Sir T. Lawrence —remarque proof An Infanta, after Volasquez— artist's proof The Evening Hymn, after G. Mason, A.R.A.— remarque proof 2 PjZxsis&C' 22 £y- y. - - 2 - -- - /JT - - 2 .- 2 .. - /^- - /O- & /o. - C. WALTNER. Framed. 281 Tlie Gambler’s Wife; and The Widow’s Mite, after Sir J. Millais^,-A. by C. Waltner— artist's proofs, signed 2 285 Portrait of Rembrandt, after Rembrandt— proof fXF/xfs 286 Hon. Mrs. Graham, after T. Gainsborough, 'R.A.—remarque^^ proof 287 Lady Camden, after Sir J. Reynolds— artist's proof 288 The Blue Boy, after T. Gainsborough, R.A.— remarque proof C. J. WATSON. 289 Haarlem ; Dort; &c.; and two Etchings, by J. Inchbold O. WEBER. 290 Ploughing ; Old Horses ; “ How do you do? ”— proofs D. A. WEHRSCHMIDT. 291 The Hon. Charlotte Clive, after Romney— artist's proof I r$~ /o ■ _ 3 . - / /£■ ~ /'> 315 Scenes on the Thames, and other subjects, a series of sixteen 2 2 Etchings —in a folio 16 316 Venice, Second Series, the complete set of twenty-six Etchings published in 1886 —in a folio 26 W. L. WYLLIE. 317 Toil, Glitter, Grime and Wealth, on a flowing tide 318 The Highway of Nations 319 Gorincbem on the Merwede —trial proof; and Bruinesse on the Scheldt 2 320 The Battle of Trafalgar— artist's proof 321 The Thames at Greenwich ; and Barges on the Thames —facsimile Afh 2 /J // ?€/■ J2 ■ — /■A-- — £ - / 6 Framed. 352 Arthur, Duke of Wellington, after J. Lucas, by S. Cousins, 353 The Right Hon. the Earl of Moira, after J. Hoppner, R.A., by J. Young '354 Thomas Stothard, after Harlow, by W. Worthington —proof , 355 King George IV., after Sir T. Lawrence, by W. Finden —proof 07 356 The Same, after Sir T. Lawrence, by T. Hodgetts —proof 357 The Hon. Mrs. Hope, after G. Dawe, R.A., by H. Dawe 358 Mushroom Gatherers ■nJL, 26 * /- - * • - A. —. — J. /J: _ - /. /^- _ Unframed. 359 Old Views of Shrewsbury ; Maps ; Plans ; &c. 360 Views of Foreign and English Cathedrals —coloured lithographs 23 361 Photographs of Pictures in the National Gallery, by A. Braun & Co. 50 362 Photographs, by Braun, of Pictures in the Uffizzi Gallery, the Amsterdam Gallery, the Louvre, &c. 363 Miscellaneous Engravings, Views, Lithographs, &c. 364 Various Photographs after the Old Masters DRAWINGS. /. /. « so. & Jr _ /J>, - /o - - /A- - 7- - /d~. - 365 W. S. Morkish : Views in Devonshire x /£ 366 W. S. Morkish: Views on Dartmoor; &c. /oxfo- 367 Views of St. David’s; &c. 2 17 368 W. B. Henley : Views at Eustleigli Cleeve, &c. 369 Prout : Cottages on Dartmoor ; &c. 6 /0*,yi 370 Varley : A River Scene, Devonshire rlA. 371 Miscellaneous Drawings : Views on Dartmoor; &c. 372 The Abbey of St. Agatha, by W. G. Smith; and other Drawings 16 373 Miscellaneous Drawings, by H. de Cort and Hake well Carter— in pencil and colours 33 27 BOOKS, Etc. 374 The Inns of Court: Sis Etchings by G. Munger, with descrip- tive letterpress 375 Wild Game at Home: Six dry point Etchings by E. Kischgitz«i^^«£<*' 376 Examples of the Architecture of Venice, by John Buskin— a set'&n.gfiPs of sixteen plates, India proofs — ; witli descriptive letterpress— in a folio 377 Keproductions of Botticelli’s Illustrations to Dante’s ‘ Divine " Comedy,’ by F. Lippmann, with letterpress ; &c. 2 378 Facsimiles of Drawings by J. Downman— thirty-six plates 'Gc&uzjp&o tfSs 379 History of the Painters of all Nations, by Charles Blane— eight parts Cassell, 1852 380 Vetusta Monumenta, by St. John Hope— coloured plates, four parts ALBERT DURER (After). 381 La Grande Passion— a set of twelve reproductions after the original woodcuts ; and The Apocalypse— a set of fifteen—in a folio BOTTICELLI (After). 382 Dante’s ‘ Divine Comedy,’ by F. Lippmann—a set of reproduc- lions, with the supplement—in two folios 383 Blair (J.) Views of Edinburgh, 13 plates, remarque proof, on>^x^s^ India paper Edinb. 1892 384 Views in Richmond, Yorkshire, 24 plates and 6 drawings * 385 Views of St. David’s Cathedral, Pembrokeshire, 7 plates, 19 photographs, and 3 drawings by Sir B. Colt Hoare 386 Blake (William) Illustrations of the Book of Job, India proofs, unbound, with the original label inserted 1825 28 387 A Collection of BOOKS, DRAWINGS, ENGRAVINGS AND MAPS, ILLUSTRATING THE HlBTORY, TOPOGRAPHY, Antiquities, &c. of the COUNTY OF SOMERSET, contained in an oak cabinet, with panels on the doors painted with views in Somersetshire, on stand The following is a description of the Boohs, Drawings and Engravings included in this Collection :— OCTAVO ET INFRA. Day and Masters, Map of Somersetshire 1782 Batten (J.) Historical Notes on South Somersetshire 1894 Beauties of Somersetshire, illustrated with 115 additional plates, half-hound morocco, uncut Willis (R.) Architectural History of Glastonbury Abbey, illustrations 1866 Parker (J. H.) Architectural Antiquities of Wells 1866 Hoare (Sir R. C.) Description of the Pitney Pavement (only 100 copies printed) 1832 Hugo (T.) History of Taunton Priory, plates 1860 Cottle (J.) Account of the Church of St. Mary Magdalene, Taunton, illustrations 1845 Boger (E.) Myths, Scenes and Worthies of Somerset 1887 V caver (F. W.) Wells, Wilts, arranged in parishes and annotated 1890 Hook (W.) History of the Church of Porlock, illustrations Egan (P.) Walks through Batb, plates 1819 Acland and Sturge, Farming in Somersetshire 1851 Greenwood, Somersetshire delineated 1822 QUARTO. Rutter (J.) Delineations of the North Western-Division of Somersetshire, largest paper, India proofs of the plates (only 12 copies printed ) half-bound calf, uncut 1829 : Another copy, large paper, India proofs 1829 29 --: Another copy, large paper, purple morocco extra, uncut —from Mr. Utterson's library 1829 -: Another copy, half-bound calf 1829 Barrett, Somersetshire: Highways, Byways and Waterways, illustrations, large paper (only 65 copies printed) 1894 Crocker (A.) Account of the Almshouse and School Charities of Frome 1804 Somersetshire Reprints, edited by E. Baker—-True Report of certaine wonderful Overflowings of Waters now lately in Summersetshire, Ac.—Narrative of the late extraordinary Snows in 1674—True and most dreadful Discourse of a Woman possessed with the Divel at Dichet in 1584, 3 vol. Weston-super-Mare, 1884-87 Proceedings of the Army under the command of Sir T. Fairfax, containing the Story of the Club-Men and Relief of Taunton 1645 Narration of the Expedition to Taunton 1645 Letters lately obtained against the Fellowship of Bristow, by Captain W. Smith 1643 Relation of the Victory obtained by Sir A. Waller and Sir A. Haslerig against the Marquis of Hartford and others 1643 Letter from an Inhabitant of Bridgewater, wherein is set forth the landing of 1000 Irish Rebels 1643 Collinson (J.). History op Somersetshire, 3 vol. in 8, inlaid in imperial folio, and profusely illustrated with 690 Drawings and 873 Engravings, half-bound morocco, uncut 1791 Drawings, Engravings and Papers illustrative of the History of Somersetshire, forming an Appendix to Collinson’s History of that County, collected and arranged by W. F. Elliot, 4 vol. half-bound morocco, uncut 1853 30 Somerset. Archeological and Natural History Society’s Pro¬ ceedings, 1819-54, inlaid in folio, in 3 vol. and illustrated WITH DRAWINGS BY W. F. ELLIOT AND ENGRAVINGS 1849-54 Savage (J.) History of Taunton, inlaid in folio, and illus¬ trated WITH 107 DRAWINGS AND ENGRAVINGS, half-bound morocco 1822 Elliot (W. F.) Remarks on the Value of Decorative Church Architecture, 1844—Cottle, Account of St. Mary Magdalene, launton, 1845—Lysons (S.) Remains of Two Temples and other Roman Antiquities discovered at Bath, coloured plates, 1802—in 1 vol. Elliot, Ninety Drawings of Somersetshire Wild Flowers, mostly from the Vale of Taunton, in a vol. half-bound Elliot, Sixty-five Drawings of Churches, Gentlemen’s Seats and Scenery in Somersetshire, in a portfolio Photographs, Engravings, &c. of Scenery, Gentlemen’s Seats, &c. in Somersetshire, in a case Barker (B.) Views Round Bath, 36 plates, mounted on card¬ board, in a portfolio Views of Country Seats, Ac. in Somersetshire, 80 photographs, in a portfolio Rowe (G.) Views in Somersetshire, 11 lithographic plates half- bound Views in Somersetshire, 16 etchings ugdale (Sir W.) Account of the Cathedrals and Monasteries in Somersetshire, etchings by J. Coney Carter (J.) Plans, Elevations and Sections of Bath Abbey 1798 Jackson (J. E.) Guide to Fairleigh-Hungerford, illustrations, LARGE. PAPER ioof\ looO Report of the Royal Commission on Manuscripts relating to Somersetshire 1872 31 Ordnance Map of England Geological Map of England Map of the Environs of Bath Domesday Book of Somersetshire 1862 Cole (E.) Sketches of the Architectural Beauties of Somersetshire, 16 plates FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross.