Digitized by the Internet Archive 
 in 2019 with funding from 
 Getty Research Institute 
 
 
 https://archive.org/details/catalogueofengrachri 
 
O ATALOGUE 
 
 
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 OP 
 
 
 ENGRAVINGS 
 
 After Sir E, Landseer and others, 
 
 THE PROPERTY OF A GENTLEMAN 
 
 AND OF 
 
 A LADY OF RANK, 
 
 DECEASED; 
 
 (Sngrabtngs from Constables * Cnglisb lanbsrape ’ anb 
 Curnrr s ' Hbfr ^inbtornm ’; 
 
 OLD ENGLISH MEZZOTINTS & COLOURED PRINTS; 
 
 A VALUABLE COLLECTION OF THE WORKS OF REMBRANDT, A. DURER, 
 
 LUCAS VAN LEYDEN, &c, 
 
 THE PROPERTY OF A LADY; 
 
 AND ZTU^' A P-A V.v 
 
 Choice Proofs after Works of the Old Masters, by E, Morghen, Toschi, 
 
 F, Muller, and others : 
 
 , €\M. \. (JV'owWvu , ^^4 
 
 ^ WHICH 
 
 OTUl lie £0\D in) auction !yu 
 
 Messrs. CHRISTIE, MANSON & WOODS, 
 
 AT THK1E 0REAT ROOMS, l 
 
 8 KING STREET, ST. JAMES’S SQUARE, 
 
 On MONDAY, JULY 2 2, 1895, 
 
 AND FOLLOWING DAY, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 
 May be viewed the Friday and Saturday preceding, and Catalogues 
 had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street, 
 St. James’s Square , S. W. 
 
 
 HI 
 
CONDITIONS OF SALE. 
 
 - 0 - 
 
 I. THE highest Bidder to he the Buyer; and if any dispute arise 
 between two or moro Bidders, the Lot so in dispute shall bo 
 immediately put up again and re-sold. 
 
 II, No person to advance less than Is.; above Five Pounds 5s.; 
 and so on in proportion. 
 
 III. In the case of Lots upon which there is a reserve, the Auctioneer 
 shall have the right to bid on behalf of the Seller. 
 
 1Y. The Purchasers to give in their Names and Places of Abode, 
 and to pay down 5s. in the pound, or more, in part of payment, 
 or the whole of the Purchase-Money, if required ; in default 
 of which, the Lot or Lots so purchased to be immediately put 
 up again and resold. 
 
 Y. The Lots to be taken away and paid for, whether genuine and 
 authentic or not, with all faults and errors of description, at 
 the Buyer’s expense and risk, within Two days from the Sale ; 
 Messrs. Christie, Manson and Woods not being responsible 
 for the correct description, genuineness, or authenticity of, 
 or any fault or defect in, any Lot, and making no warranty 
 whatever. 
 
 VI. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account be 
 removed during the time of Sale; and the remainder of the 
 Purchase-Money must absolutely be paid on the delivery. 
 
 VII- Upon failure ot complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited ; all Lots un¬ 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency (if any) attending such re-salo 
 shall be made good by the Defaulter at this Sale.. 
 
CATALOGUE 
 
 On MONDAY, JULY 22, 1895, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 ENGRAVINGS —In the Folio. 
 
 AFTER J. CONSTABLE, R.A., BY D. LUCAS. 
 
 1 Spring (2) — engraver 1 8 proof 
 
 2 Summer Morning (6) — ditto 
 
 3 Ditto — ditto, with alterations 
 
 4 Summer Evening (7) — ditto 
 
 5 Ditto — ditto 
 
 6 Dell of Helmington (8) —ditto 
 
 7 Ditto 
 
 8 A Heath (9)— ditto , before the dog 
 
 9 Ditto— ditto , after the dog 
 
 10 Ditto — touched proof 
 
 11 Sea Beach, Brighton (11)— ditto 
 
 12 Ditto —ditto 
 
4 
 
 13 Old S arum (14) — engraver's proof 
 
 14 A Summerland (15)— ditto 
 
 15 Ditto—ditto 
 
 16 Barge on the Stour (16) —ditto 
 
 17 Water-Mill, Dedham (17) — ditto 
 
 18 Weymouth Bay (18) — ditto 
 
 19 Ditto— ditto 
 
 20 Glebe Farm (21) — ditto 
 
 21 Hadleigh Castle (21 )—ditto 
 
 22 Tail of the Mill (23) —ditto 
 
 23 A Suffolk Windmill (24) — ditto, unpublished 
 
 24 Ditto — ditto, ditto 
 
 25 Salisbury Cathedral (25) — ditto, ditto 
 
 26 Ditto —working proof, ditto 
 
 27 Ditto — touched proof, ditto 
 
 28 Castle Acre Priory (37) — engraver's proof 
 
 29 Ditto — ditto, with extra birds 
 
 30 View on the Orwell — engraver's proof 
 
 31 Ditto —touched proof 
 
 32 Windmill near Colchester (39)— engraver's proof 
 
5 
 
 The following are the Property of A GENTLEMAN. 
 
 In the Folio. 
 
 33 Madonna della Sedia, after Raphael, by Garavaglia— proof ; 
 
 Adorent eum, after Titian, by Anderloni; &c. 3 
 
 34 St. Cecilia, after Raphael, by Massard; and La Vierge au Poisson 
 
 2 
 
 35 The Marriage of St. Catherine, after ditto, by Longhi 
 
 36 Madonna di San Sisto, after ditto, by F. Muller 
 
 37 St. Catherine, after ditto, by Desnoyers— framed 
 
 38 A Lion Hunt, after Rubens; &c. 19 
 
 39 The Holy Family, after Sir J. Reynolds, by W. Sharp— second 
 
 state ; &c, 6 
 
 40 Ludit Amabiliter, after Angelica Kauffman, by Ryland; &c.— 
 
 printed in red 2 
 
 41 Children Playing with a Lamb, after Hamilton, by White; 
 
 Infancy, after Cosway ; &c. 3 
 
 42 Thoughts on Matrimony, after J. R. Smith, by Ward— printed cJt tc <z 
 
 in colours 
 
 43 Louisa, by W. Ward— printed in colours 
 
 44 Bishop Bossuet, after Rigaud, by Drevet; &c. 2 
 
 45 George III., after Edridge, by Cardon ; John Law, after ditto, by 
 
 C. Turner ; &c. 7 
 
 46 Earl Percy, after Phillips, by S. W. Reynolds ; and other portraits 
 
 14 
 
 47 Lord Camden, after J. Hoppner, R.A., by W. Ward; The Duke 
 
 of Northumberland, after Sir F. Grant, by Cousins; &c. 
 
 48 Henry, Earl of Pembroke, after Sir J. Reynolds, by J. Dixon— 
 
 first state ; and Samuel Whitbread, Esq., by S. W. Reynolds 2 
 
 49 Master Crewe, as Henry VIII., after ditto, by J. R Smith— second 
 
 8 fate 
 
6 
 
 
 50 Miss Greenway, after ditto, by J. Watson —-first state 
 
 51 The Rt. Hon. William Pitt, after Gainsborough, by W. Bromley 
 
 52 The Marlborough Family, after Sir J. Reynolds, by C. Turner 
 
 — proof, framed 
 
 53 Great Yarmouth, after Turner, by Miller— framed ; Prudhoe 
 
 Castle, after ditto, by E. Goodall 
 
 54 More Park, after ditto, by Lupton ; Kirkstall Abbey, by Bromley ; 
 
 &c. 8 
 
 55 The First Premium Landscape, after Smith of Chichester, by 
 
 Woollett; The Battle at La Hogue, after Copley ; &c. 4 
 
 56 An Album, containing the seven small plates from Raphael’s 
 
 cartoons, and forty-seven heads, by N. Pigne 64 
 
 FROM TURNER’S ‘ LIBER STUDIORUM.’ 
 
 Unframed. 
 
 57 The Bridge and Cows 
 
 58 The Straw Yard— first published state 
 
 59 The Mildmay Sea Piece 
 
 60 Solitude 
 
 61 Jason 
 
 Framed. 
 
 62 Bonneville, Savoy— second state 
 
 63 Lauffenbourgh on the Rhine— ditto 
 
 64 Lake of Thun, Swiss — second state 
 
 65 Dunstanborough Castle— second state 
 
 66 Coast of Yorkshire— third state 
 
 67 Hind Head Hill— third state 
 
 68 Ben Arthur, Scotland— first published state 
 
 69 Fifth Plague of Egypt— second state 
 
 70 Rispah— first state 
 
 '1 From Srimer's " Fairy Queen ”— third state 
 
7 
 
 DIFFERENT PROPERTIES. 
 
 Framed. 
 
 72 Morning, Noon, Evening and Night, after W. Hamilton, R.A.— 
 
 set of four—printed in colours 4 
 
 73 A Visit to the Child at Nurse; and A Visit to the Boarding 
 
 School, after G. Morland, by W. Ward— coloured 2 
 
 74 Stable Amusement, after G. Morland, by W. Ward —unframed 
 
 75 The Cries of London : a set of thirty-one small coloured prints— 
 
 in four frames 
 
 76 La Vierge au Berceau, after Raphael, by Le Comte— before all 
 
 letters 
 
 77 Les Hazards de l’Escarpolette, after Fragonard, by De Lnunay 
 
 78 Ladies Fishing: a mount for a fan— in water-colours’, another, 
 
 with Venus and cupids; and an old French print —three in 
 one frame 
 
 79 Heads of Ladies — a pair — in challz 
 
 80 Charity, by Bartolozzi— proof, printed in red 
 
 81 Le Billet Doux, after Lavreince— coloured; and Le Couronnement 
 
 de la Rosiere —ditto 2 
 
 82 Maternal Affection, after Sir J. Reynolds, by W. Dickinson 
 
 83 The Duchess of Devonshire, after Lady Diana Beauclerc, by 
 
 Bartolozzi— proof; and The Same, after Nixon 2 
 
 84 A Lady and Child, after Russell, by P. W. Tomkins 
 
 85 Head of Lady Hamilton— printed in colours ; Ac. 3 
 
 86 Countess Spencer, by M. Bovi— printed in colours 
 
 87 Viscountess Spencer, after Sir J. Reynolds, by T: Watson— second 
 
 state — - 
 
 88 Philip Antrobus, Esq., after Sir T. Lawrence, by G. Clint— 
 
 coloured ; and Mr. and Mrs. Cotton, after ditto, by C-Turner ; 
 Ac. •• - 4 
 
89 Robinetta; and The Sleeping Girl, after Sir J. Reynolds, by 
 
 J. Jones 2 
 
 90 Mrs. Benwell, after J. lloppuer, R.A., by W. Ward 
 
 91 Guardiau Angels, after Reynolds— photograph, 
 
 92 Miss Greenway, after Sir J. Reynolds, by J. Watson— first state 
 
 93 Mrs. Payne Gallwey and Child, after ditto, by J. R. Smith— 
 
 first state 
 
 94 Hon. Mrs. Stanhope, after ditto, by ditto— first state 
 
 THE PROPERTY OF A LADY. 
 
 95 Winefreda ■ and The Companion, after Bunbury, by C. Knight; 
 
 &c. 3 
 
 96 Love and Hope ; and Love and Jealousy, after ditto, by ditto ; 
 
 and Love and Honour, by Bartolozzi 3 
 
 97 Fille de Montmelian, after ditto, by Knight; and The Milk- 
 
 Girl, after Northcote, by Gaugain 2 
 
 98 Queen Margaret and the Robber, after Kauffman, by Bartolozzi; 
 
 Nymphs Sacrificing, after Cipriani —in red; &c. 3 
 
 99 Visit to Apelles, after A. Kauffman, by Bartolozzi —in red ; &c. 
 
 2 
 
 100 Instruction Paternelle, after E. Crewe, by C. W. White; and 
 
 A Lady and Child —coloured 2 
 
 101 The Little Farmer; The Shepherd; &c., after Boucher, by 
 
 Duflos 5 
 
 102 Milk Below Maids; and Primroses, after Wheatley, by 
 
 Schiavonetti 2 
 
 103 Francis Bartolozzi, after Violet, by Bouilliard 
 
 104 Mdlle. Clermont, by J. R. Smith 
 
 105 Phoebe Hoppner, after J. Hoppner, R.A., by J. R. Smith 
 
 105a Nymphs Bathing; and the Companion, after Cipriani, by 
 Bartolozzi —printed in red ; Tickets; &c. 10 
 
9 
 
 Coloured. 
 
 106 Damon and Musidora, after Kauffman, by Bartolozzi ; and The 
 
 Haymaker, after Lawranson, by Tomkins 
 
 107 Music, after Kosalba, by Sentzenich 
 
 108 Lady Hamilton as a Bacchante, after Sir J. Reynolds, by 
 
 J. R. Smith 
 
 109 Children with Bird-Cage ; and Children with Dog, by Tomkins 
 
 2 
 
 110 Subjects from the “ Vicar of Wakefield,” after Stothard, by 
 
 Ogborne and Strutt 2 
 
 The Property of A LAP Y OF RANK , deceased. 
 
 111 Race-horses and jockeys, after J. Seymour— a set of four 4 
 
 112 A St. James and St. Giles Beauty, after Benwell; and Interiors, 
 
 after Ansell, by Scott 4 
 
 113 Pomona and Ceres, after Cipriani— in red 
 
 114 The Prince of Wales ; and Mrs. Tickell, after Cosway 2 
 
 115 Mrs. Fitzherbert; and Mrs. Duff, after ditto 2 
 
 116 Louis XVI. by Bartoloneu ; Mrs. Cosway; and Mrs. Darner 3 
 
 117 Harmony ; and Design, after A. Kauffman, by Bartolozzi 2 
 
 118 Empress Marie Louise, after Prudhon— in colours 
 
 119 The Soliloquy, by W. Ward— printed in colours 
 
 120 Count Kinsky on horseback— coloured lithograph 
 
 121 Portrait of W. Stirling Craufurd Esq., on horseback 
 
 122 The Baron’s Charger, after Herring— artist's proof 
 
 123 Little Foxes, after S. J. Carter— ditto 
 
10 
 
 124 Breaking Cover; and The Death of the Fox, after S. Gilpin, by 
 
 J. Scott 2 
 
 125 Harmony; and The Companion, after Boilly 2 
 
 126 The Death of Wolfe, after B. West, by Woollett; &c. 5 
 
 127 The Death of Douglas, after E. Landseer 
 
 128 Breakfast Time, after M. E. Edwards, by J. B. Pratt— artist's 
 
 proof 
 
 129 Yes, after Sir J. E. Millais, R.A., by S. Cousins, R.A.— artist's 
 
 proof 
 
 130 Yes or No, after ditto— proof before letters 
 
 131 Portrait of Mr. George Payne 
 
 132 The Last Scene in the Life of Montrose, after E. M. Ward, R.A. 
 
 133 The Poor Man’s Friend, after T. Faed, R.A., by W. H. Simmons 
 
 — artist's proof 
 
 134 The Railway Station, after W. P. Frith, by F. Hall— artist's 
 
 proof 
 
 135 The Melton Hunt, after Sir F. Grant; and A Meet, after ditto 
 
 2 
 
 136 Helen on the Walls of Troy, after Sir F. Leighton— artist's 
 
 proof 
 
 137 Shooting, after R. Ansdell, R.A.— artist's proofs, a set of six 6 
 
 138 The Combat; and The Companion, after ditto— proofs 2 
 
 139 The Duchess of Devonshire, after Gainsborough, by T. G. 
 
 Appleton— artist's proof 
 
 140 The Wounded Hound, after Ansdell, by W. T. Davey— artist's 
 
 proof 
 
11 
 
 PHOTOGRAPHS. 
 
 141 The Roman Forum ; and three others 
 
 142 Views in Florence ; &c. 
 
 143 After Raffaelle ; &c. 
 
 4 
 
 4 
 
 9 
 
 144 The Landseer Etchings : a set of sixteen etchings, by Sir E. 
 
 16 
 
 Landseer 
 
 145 Views of the City of Lucknow, with descriptive notice, by 
 
 Lieut-Col. Dodgson—1860 
 
 146 The Sculpture Gallery, after L. Alma Tadema, R.A., by 
 
 A. Blanchard— artist's proof 
 
 147 A Bacchante, after ditto, by ditto— artist’s proof 
 
 148 Baying the Stag, after Landseer, by C. G. Lewis— artist’s proof 
 
 149 Return from Hawking, after Landseer, by Cousins; and The 
 
 Morning of the Chase, after F. Tayler 2 
 
 150 Man Proposes, after Sir E. Landseer, R.A., by T. Landseer, 
 
 A.R.A.— artist's proof , signed by the painter and engraver 
 
 THE PROPERTY OF A LADY. 
 
 151 The Monarch op the Glen, after Sir E. Landseer, by 
 T. Landseer, A.R.A.— artist’s proof , signed by the painter 
 and the engraver 
 
 
12 
 
 The following are the Property of A GENTLEMAN. 
 
 152 The Banished Lord, after Sir J. Reynolds, by J. R. Smith— 
 
 first state 
 
 153 The Poacher Detected, after W. Kidd, by T. Lupton— remarque 
 
 proof 
 
 154 A Court of Arbitration, after Weekes, by C. A. Tomkins 
 
 155 Nana, after Zucherowski, by R. Josey— artist's proof , signed 
 
 156 Sark, after B. Douglas, by Alais— artist's proof 
 
 157 The Fight for the Standard, after R. Ansdell, R.A., by H. T. 
 
 Ryall— artist's proof 
 
 158 Storm in the Highlands, after Rosa Bonheur, by J. B. Pratt— 
 
 artist's proof , signed 
 
 159 Salisbury Cathedral, after Constable, by D. Lucas— trial proof 
 
 160 The Same— engraver's proof 
 
 161 The Wounded Hound, after Ansdell, by Davey— etching, un¬ 
 
 framed 
 
 162 The copper plate of “ The Church of St. Michael, Quimper, 
 
 Brittany 
 
 AFTER SIR E. LANDSEER. 
 
 / T /A 
 
 163 Peace and War, by T. L. Atkinson — proof before letters, 
 
 unframed 
 
 164 Well-bred Sitters, by W. H. Simmons— artist's proof, ditto 
 
 165 Braemar, by T. Landseer, A.R.A. 
 
 166 The Return from Hawking, by S. Cousins, R.A. 
 
 167 Beauty’s Bath, by S. Cousins, R.A.— proof before letters 
 
 168 ‘There’s Life in the Old Dog Yet,’ by H. T. Ryall— artist's 
 
 proof 
 
 Exhibited at the Paris Exhibition, 1855. ( See bach) 
 
1 o 
 
 L O 
 
 169 Jack in Office, by B. P. Gibbon— open letter proof 
 
 170 The Same 
 
 171 The Larder Invaded, by T. Landseer, A.R.A.— artist's proof 
 
 172 Horses at the Fountain, by J. H. Watt— proof before all letters 
 
 173 Trim, after ditto, by J. B. Pratt — artist's proof 
 
 174 The Honeymoon, by ditto— proof before letters 
 
 175 A Midsummer Night’s Dream, after Sir E. Landseer, by 
 
 S. Cousins, li.A.— artist's proof 
 
 176 The Otter Hunt, by C. G. Lewis —ditto 
 
 177 The Same— ditto, signed by the engraver 
 
 178 The Cover Hack, by C. G. Lewis— proof before letters 
 
 179 The Shoeing, by C. G. Lewis — artist's proof 
 
 180 The Same— artist's proof ', signed by the engraver 
 
 181 Hunters at Grass, by C. G. Lewis— second state 
 
 182 The Stag at Bat, by T. Landseer, A.R.A.— ditto 
 
 End of First Day's Sale. 
 
Second Bay’s Sal©. 
 
 On TUESDAY, JULY 23, 1895, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 The following are the Property of A LADY , and 
 were collected towards the beginning of the present 
 century , by A NOBLEMAN , deceased. 
 
 In the Folio. 
 
 ANONYMOUS GERMAN (The Master, 1466). 
 
 201 The Visitation 
 
 BARTOLOZZI. 
 
 202 The Four Seasons, after Wheatley and Westall '4 
 
 203 The Affectionate Brothers, after Reynolds— proof 
 
 204 A Bacchante, after Cipriani; Benefit Tickets; &c. 9 
 
 205 The Fair Alsatian, after Angelica Kauffman; A Villager; <fcc. 
 
 —some proof 8 5 
 
 206 Music, History, &c., after Cipriani and others 8 
 
 207 The Guardian Angels; Silence; &c.— proofs 6 
 
 208 Religion, after A. Kauffman; Hope; and others, after Cipriani 
 
 — proofs 4 
 
 209 Lord Ashburton, after Reynolds— first proof ; &c. 3 
 
 210 Venus and Cupids, after Cipriani; Bacchanalian Boys; &c .— 
 
 some proofs 4 
 
 211 Clytie, after A. Carracci; Cupid, after Correggio; &c. 
 
 7 
 
15 
 
 F. VON BOCHOLT. 
 
 212 St. Anthony (B. 32) 
 
 C. VAN DALEN. 
 
 213 The Portraits of Aretino, Giorgione, Boccaccio and Sebastian del 
 
 Piombo— proofs 4 
 
 A. DESNOYERS. 
 
 214 La Vierge aux Rochers; and La Belle Jardiniere, after Leonardo 
 
 da Vinci and Raffaelle 2 
 
 A. DURER. 
 
 215 Subjects from the Apocalypse—copies, after Durer, &c. 
 
 216 The Passion of Our Lord (B. 3-18); and one copy— mostly 
 
 fine 17 
 
 217 Another set— equally fine 16 
 
 218 Two Angels, with the Sudarium; &c. (B. 25 and 26) 2 
 
 219 The Prodigal Son (B. 28)—fine 
 
 220 The Virgin, with long hair (B. 30)— fine 
 
 221 The Virgin, with short hair (B. 33)— fine 
 
 222 Another Impression 
 
 223 The Virgin crowned by an Angel (B. 37) 
 
 224 Another Impression 
 
 225 The Virgin, with the Infant Saviour in swaddling clothes 
 
 (B. 38) 
 
 226 The Virgin, crowned by two Angels (B. 39) : two impressions, 
 
 and a copy 3 
 
 227 The Virgin, seated by a wall (B. 40) ; and two copies 3 
 
 228 St. Christopher (B. 51 and 52)—fine 2 
 
 229 Other Impressions of the Same 2 
 
 230 St. George, on foot and on horseback (B. 53 and 54 )—fine 2 
 
16 
 
 231 St, Sebastian (B. 55 and 56) 2 
 
 232 St. Hubert (B. 57) 
 
 233 St. Anthony (B. 58); Justice (79) 2 
 
 234 St. Jerome— the etching , on an iron plate (B. 59) 
 
 235 St. Jerome in bis Cell (B. 60) 
 
 236 Melancholy (B. 74) 
 
 237 The Little Fortune (B. 78) ; The Standard Bearer (B. 87) 2 
 
 238 Justice (B. 79) : two impressions 2 
 
 239 The Lady on Horseback (B. 82)— fine ; The Peasant and his Wife 
 
 (B. 83) 2 
 
 240 The Hostess and the Cook (B. 84)— fine 
 
 241 The Oriental and his Wife (B. 85)— very fine 
 
 242 The Three Peasants (B. 86)— very fine ; The Warriors (88) 2 
 
 243 The Dance (90) : two impressions 2 
 
 244 Les Offres d’Amour (B. 93) 
 
 245 The Lady and Gentleman Walking (B. 94) 
 
 246 The Great Horse (B. 97) 
 
 247 The Knight and Death (B. 98) 
 
 248 The Elector Albert (B. 102)— very fine 
 
 249 Another Impression ; and The Profile (103) 2 
 
 250 Bilibald Pirkheimer (106)— very fine 
 
 251 Ulrich Varnbuler (B. 155) ; and A. Durer (156) 2 
 
 A. GLOCKENTON. 
 
 252 Christ Entering Jerusalem (B. vol. 6, p. 345)— very fine 
 
 253 Christ Crowned with Thorns (B. vol. 6, p. 347); and The 
 
 Descent into Limbo (P. 348) 2 
 
 HOUBRAKEN. 
 
 254 Sir Walter Raleigh-— proof 
 
17 
 
 LUCAS VAN LEYDEN. 
 
 255 The History of Joseph (B. 19, 21, 22 and 23) 4 
 
 256 David Playing before Saul (B. 27 )—very fine 
 
 257 Mahomet and the Monk Sergius (B. 126) 
 
 258 The Surgeon (B. 156, &c.) 8 
 
 LITTLE MASTERS. 
 
 259 Historical and Mythological Subjects, by Aldegraver, G. Pencz, 
 
 H. S. Beham, &c. 38 
 
 260 Biblical Subjects, by H. S. Beham, &c. 24 
 
 261 A Similar Lot 25 
 
 ISRAEL VAN MECKEN. 
 262 Christ Disputing in the Temple (B. 39) 
 
 R. MORGHEN. 
 
 263 The Madonna della Seggiola —proof 
 
 W. PETHER. 
 
 264 A Man in Armour, after Rembrandt —proof 
 
 266 The Lord of the Vineyard, after Rembrandt —proof 2 
 
 J. ULRICH PILGRIM. 
 
 266 Alcon of Crete Slaying the Serpent (B. 9)— fine. 
 
 PAUL POTTER. 
 
 267 The Cowherd (B. 14) ; and The Three Cows in Repose, by 
 Berghem (B. 3) 2 
 
IS 
 
 MARC ANTONIO RAIMONDI. 
 
 268 The Last Supper (B. 24) 
 
 269 La Vierge au bras Oouvert (B. 35)— very fine 
 
 270 Parnassus (B. 247)— fine 
 
 REMBRANDT. 
 
 271 Rembrandt—in an oval (W. 23)— fine 
 
 272 Rembrandt, with short curly hair (W. 26) 
 
 273 Abraham Sending away Hagar (W. 37)— fine 
 
 274 The Sacrifice of Abraham (W. 39) 
 
 275 Joseph Recounting His Dreams (W. 41)— second stale 
 
 276 The Angel Appearing to the Shepherds (W. 49)— fine 
 
 277 Christ Healing the Sick (W. 78) ; and A Copy 2 
 
 278 Ecce Homo (W. 82)— fine 
 
 279 The Deposition (W. 84)— fine , before the address 
 
 280 The Pancake Woman (W. 128) 
 
 281 The Charlatan (W. 132) ; &c. 3 
 
 282 Peasants Travelling (W. 134) ; &c. 3 
 
 283 Two Beggars Coming from Behind a Bank(W. 162 and No. 170) 
 
 284 The Beggars at the Door of a House (W. 173)— fine 
 
 285 The Three Trees (W. 209) 
 
 286 A Landscape, with a cottage and a barn (W. 222 ) 
 
 287 Another Impression 
 
 288 A Landscape, with a mill sail (W. 223) 
 
 289 Another Impression 
 
 290 The Gold-Weigher’s Field (W. 231) 
 
19 
 
 291 A Man in an Arbour (W. 258) 
 
 292 An Old Man, lifting bis hand to bis cap (W. 260); and An 
 
 Impression of the Finished Plate 2 
 
 293 An Old Man, with a long beard (W. 261) 
 
 294 An Old Man, with a large white beard (W. 264) 
 
 295 A Man, with a short beard (W. 265) 
 
 296 Janus Silvius (W. 268) 
 
 297 A Young Man Musing (W. 270) 
 
 298 Eenier Ansloo (W. 273) 
 
 299 Abraham Franz (W. 275) 
 
 300 Young Haaring (W. 277) 
 
 301 Ephraim Bonus (W. 280) 
 
 302 The Gold-Weigher (283) 
 
 303 The Little Coppenol (W. 284j 
 
 304 Bust of a Man, in a cap (W. 304) 
 
 305 An Old Man, with a large white beard (W. 310) 
 
 306 A Man, with a broad-brimmed hat (W. 312) ; and A Bust of a 
 
 Woman (W. 352) 
 
 307 A Man, in a inch velvet cap (W. 314) 
 
 308 A Young Woman Beading (W. 341^ 
 
 309 An Old Woman Sleeping (W. 345) 
 
 310 A Bust of an Old Woman (W. 348); and A Woman, with a 
 
 basket (W. 350) 2 
 
 311 Kembrandt’s Wife, and five other heads (W. 359); Three 
 
 Women, one asleep (W. 362) 2 
 
 W. SilABP. 
 
 312 The Holy Family, after Reynolds; The Blind Fiddler, after 
 
 Wilkie, by Burnet 
 
20 
 
 MARTIN SCHOEN. 
 
 313 The Nativity (B. 4)— very fine 
 
 314 Our Lord before Caiaphas (B. 11) 
 
 315 Christ Bearing His Cross (B. 21 )—fine 
 
 316 The Virgin of the Annunciation (B. 2 )—very fine 
 
 W. WARD. 
 
 317 Reaping ; aud The Gleaners 
 
 WIERIX. 
 
 318 Biblical and other Sacred Subjects 61 
 
 WILLE. 
 
 319 Charles Edward Stuart Le Blanc, 148, &c. 
 
 M. ZASINGER. 
 
 320 St. Catherine (B. 11) 
 
 321 The Embrace (B. 15 )—very fine 
 
 ANOTHER PROPERTY. 
 
 322 English and Foreign Portraits: Bishop Pearson, Gresham, 
 
 Johnson, &c. 29 
 
 323 Portraits of English Composers, including Shield, Boyce, 
 
 Callcott, &c. 13 
 
 324 Charles II., after R. Nason, by Chantry, with the lines “ The 
 
 Second Charles, Heire of Ye Royall Martyr,” &c.; and a 
 curious Dutch Print, referring to the Rebellion of 1745 
 
 325 Portraits, by Drevet and Edelinck 3 
 
21 
 
 326 Faithorne: Archbishop Laud—the small oval plate; Sir James 
 
 and Lady Harington —all fine and rare 3 
 
 327 G. Glover: Charles I. w.l. with the Prince of Wales, with the 
 
 lines “ Gaze on Fond World, &c.”— rare 
 
 328 Hollar: Charles I.—the oval portrait with the inscription 
 
 “ Charles by the Grace of God, &c.” ; and the Same Personage 
 in a large hat, with a view of Westminster and Whitehall— 
 fine 2 
 
 329 Hollar : Two Portraits of Henrietta Maria— fine 2 
 
 330 Archbishop Laud, after Van Dyck, by Loggan— rare 
 
 331 The Marquis of Montrose, by A, Matham— very rare 
 
 332 The Marlborough Family, after Reynolds, by Charles Turner 
 
 —very fine proof of the large engraving, framed 
 
 333 The Rev. John Owen, by Yertue— fine proof, before the Latin 
 
 lines 
 
 334 Waltner: Romeo and Juliet, after Dicksee— artist's proof on 
 
 vellum 
 
 335 R. White : The Lord Chief Justice Wright— -fine 
 
 336 R. Williams : Sir Edward Littleton, after Van Dyck— fine and 
 
 rare 
 
22 
 
 A DIFFERENT PROPERTY. 
 
 ENGRAVINGS AFTER THE OLD MASTERS. 
 
 In the Folio. 
 
 337 The Triumph of Vespasian, after J. Romano, by Girardet —'proof 
 before letters 
 
 388 Ezekiel, after Raphael, by Longhi— proof before letters 
 
 339 -Viergeau Benediction, after Longhi— ditto 
 
 340 Vierge AU Rochers, after L. da Vinci— ditto 
 
 341 Education of Achilles, after Regnault, by Bervic— ditto 
 
 342 Virgin and Child, after Raphael, by Bindi; and David, after 
 
 Guercino, by Garavaglia —proof 2 
 
 343 The Visitation, after Raphael, by Desnoyers— proof 
 
 344 La Belle Jardiniere, after Raphael, by Desnoyers— proof 
 
 345 St. Michael, after Raphael, by Chattilon— India proof before 
 
 letters 
 
 346 Immaculate Conception, after Murillo, by Bridoux —proof before 
 
 letters 
 
 347 Virgin and Child, and St. John, after Guido, by Grandolfi— proof 
 
 before letters 
 
 348 Triumph of Galatea, after Raphael, by Rickomme— fine 
 
 349 Adam and Eve, after Raphael, by Richomme— proof 
 
 350 Rape of Dejanira, after Guido, by Bervic— proof before letters 
 
 351 St. Cecilia, after Domenichino, by Lignon— proof 
 
 352 Vierge a Maison d’Orleans, after Raphael, by Forster— early state 
 
 353 Vierge de la Maison d’Albe, after Raphael, by Desnoyers— 
 
 proof 
 
 354 Holy Family, after Raphael, by Hess— proof before letters 
 
23 
 
 355 Virgin and Child, and St. John, after Raphael, by Toschi— 
 
 remarque proof 
 
 356 Vierge de la Lorette, after Raphael, by Richomme— proof before 
 
 letters 
 
 357 Agony in the Garden, after C. Dolci, by Felsing— proof before 
 
 letters 
 
 358 Magdalen Washing Christ’s Feet, after P. Veronese, by Scotto— 
 
 proof before letters 
 
 359 Assumption of the Virgin, after Titian, by Schiavoni— fine 
 
 360 Woman taken in Adultery, after Titian, by Anderloni— proof 
 
 361 Moses at the Well, after Poussin, by Anderloni— proof 
 
 362 Marriage of the Virgin, after Raphael, by Longhi— proof with 
 
 verses 
 
 a 
 
 363 Isaac and Rebecca, by Garavaglia— before all letters 
 
 364 Madonna di San Sisto, after Raphael, by F. Muller— fine , before 
 
 the retouch 
 
 365 Communion of St. Jerome, after Domenichino, by Tardieu— 
 
 proof before letters 
 
 366 Bath of Leda, after Correggio, by Porporati 
 
 367 Pope Leo X., after Raphael, by Lignon— proof before letters 
 
 368 Faith and Charity, after Raphael, by Desnoyers— fine 2 
 
 369 Vierge au Palmiers, after Raphael— before all letters 
 
 370 La Spasimo, after Raphael, by Toschi— proof 
 
 BY RAPHAEL MORGHEN. 
 
 371 Repose in Egypt, after N. Poussin —proof 
 
 372 Jurisprudence, after Raphael —proof before letters 
 
 373 Apollo and the Muses, after Albano —before all letters 
 
 374 Poetry, Theology and Justice, after Raphael- -proof before letters 
 
24 
 
 376 Parce Somnum Rumpere, after Titian—proo/ 
 
 376 The Same-—India proof 
 
 377 Sappho, after C. Dolci— proof with arms 
 
 378 Christ in the Garden, after Baroccio— proof 
 
 379 The Same-— proof with white stick 
 
 380 Due de Moncada, after Vandyke— proof 
 
 381 Magdalen, with alabaster box, after 0. Dolci 
 
 382 Magdalen in the Desert, after Murillo— proof before letters 
 
 383 Magdalen in the Desert, after Murillo— before all letters 
 
 384 Madonna della Sadia, after Raphael— proof 
 
 385 The Transfiguration, after Raphael— a reverse of the proof state 
 
 386 The Transfiguration, after ditto— proof 
 
 387 The Last Supper, after L. da Vinci— very fine 
 
 388 The Last Supper, after ditto— proof 
 
 FINIS. 
 
 Loudon : Printed by William Clowes & Sons, Limited, Stamford Street 
 
 and Charing Cross.