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 https://archive.org/details/catalogueofveryc1856chri 
 
X o 
 
 CATALOGUE 
 
 OF 
 
 THE VERY CELEBRATED COLLECTION 
 
 OF 
 
 WORKS OF ART, 
 
 THE PltOPERTY OF 
 
 SAMUEL ROGERS, Esq., Deceased; 
 
 COMPRISING 
 
 ANCIENT AND MODERN PICTURES; 
 
 DRAWINGS AND ENGRAVINGS; 
 
 EGYPTIAN, GREEK, AND ROMAN ANTIQUITIES; 
 
 GREEK VASES; 
 
 MARBLES ; BRONZES , AND TERRA-COTTAS , 
 
 AND COINS; 
 
 ALSO, 
 
 THE EXTENSIVE LIBRARY; 
 
 COPIES OF ROGERS’S POEMS, ILLUSTRATED; 
 
 THE SMALL SERVICE OF PLATE AND WINE: 
 
 \ « • >: ' . 
 
 WLfjiti) brill be g>olb bg Auction, bg 
 
 Messrs. CHRISTIE and MANSON, 
 
 AT THEIR GREAT ROOM, 
 
 8, KING STREET, ST. JAMES’S SQUARE, 
 
 On MONDAY, APRIL 28, 1856, 
 
 AND EIGHTEEN FOLLOWING DAYS , 
 
 AT ONE O’CLOCK PRECISELY. 
 
 - 0 - 
 
 May be publicly viewed on Thursday, the 24th, and two following 
 Days, and Catalogues had, price One Shilling, at Messrs. Christie and 
 Manson’s Offices, 8, King Street , St. James's Square. 
 
CONDITIONS OF SALE. 
 
 - 0 - 
 
 I. THE highest Bidder to he the Buyer; and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall be 
 immediately put up again and re-sold. 
 
 II. No person to advance less than Is.; above Five Pounds, 5s.; 
 and so on in proportion. 
 
 III. The Purchasers to give in their Names and Places of Abode, 
 
 and to pay down 5s. in the Pound, or more, in part of pay¬ 
 ment, or the whole of the Purchase-Money, if required ; in 
 default of which, the Lot or Lots so purchased to be im¬ 
 mediately put up again and re-sold. 
 
 IV. The Lots to be taken away, with all faults and errors of descrip¬ 
 
 tion, at the Buyer’s expense and risk, within Two days from 
 the Sale ; Messrs. Christie and Manson not considering 
 themselves answerable for the correct description or authen¬ 
 ticity of any Lot. 
 
 V. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account be 
 removed during the time of Sale; and the remainder of 
 the Purchase-Money must absolutely be paid on the delivery. 
 
 VI. Upon failure of complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited; all Lots un¬ 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency (if any) attending such re-sale 
 shall be made good by the Defaulter at this Sale. 
 
 VII- Books. —The sale of any Book or Books is not to be set aside on 
 account of any stained or short leaves, or want of list of plates. 
 But if, upon collating, within three days, any should prove 
 defective, the same may be returned, or an allowance made 
 thereon. 
 
CATALOGUE. 
 
 - o - 
 
 First Day's Sale. 
 
 - o - 
 
 On MONDAY, APRIL 28 , 1856 , 
 
 AT ONE O’CLOCK PRECISELY. 
 
 - O -- 
 
 EGYPTIAN ANTIQUITIES. 
 
 1 A nilometer 
 
 2 Seven scarabsei, with hieroglyphics 
 
 3 A scarabaeus, of brown basalt, with hieroglyphics beneath 
 
 4 Theth and Nephthis 
 
 5 Horus, hawk-headed, two; and a Typhonian figure 
 
 6 The infant Horus, with his finger to his mouth 
 
 7 Isis, with a throne on her head ; and Horus, hawk-headed, two 
 
 8 Nephthis, with altar on her head, two 
 
 9 Pasht, seated ; and Isis, with the throne on her head 
 
 10 Horus—three small; a cat; and a cat 
 
 11 Two nilometers; and two birds 
 
 12 Two pigmy gods ; and two square tablets, with kings’ names 
 
 13 A scarabaeus ; and eight small pieces 
 
 14 A garment, a Memphitic ornament, in cornelian 
 
 15 Horus, Isis, and Nephthis, standing 
 
 16 A pair of rings, of blue glass, with blue and white borders 
 
 17 A n eye, of cornelian; an eye, vitrified; and a head-dress, of 
 
 basalt 
 
 b 2 
 
4 
 
 18 A very small Nephthis; the hawk-headed Horus; and Typhon, 
 
 in the form of an hippopotamus 
 
 19 The cat-headed goddess Pasht, sitting; and one, nearly similar 
 
 20 A hawk, with the double crown of Upper and Lower Egypt 
 
 21 A hawk-headed Horus ; a pigmy god, holding up his arms with the 
 
 sun on his head; and one, smaller 
 
 22 Typhon, as an hippopotamus; an elephant; and the wild goat 
 
 23 A lion-headed goddess; the young Horus, w'ith his finger to his 
 
 mouth ; and a very small cat 
 
 24 A beautiful painting vessel for the eyebrows, with the brush, blue, 
 
 with yellow ornaments, in the form of a column 
 
 25 A scarabseus-shaped tablet, with hieroglyphics ; and a priest, holding 
 
 up his arms, with the sun on his head 
 
 26 Two kneeling figures, holding up their hands, with the sun on their 
 
 heads 
 
 27 The god Chem, holding up his whip ; and the dog-headed god Anubis 
 
 28 Isis, with the throne on her head, of limestone 
 
 29 The hawk-headed Horus, with double crown; and the same, with 
 
 the sun on his head, of limestone 
 
 30 The Ibis-headed Thoth; one, smaller; and the monkey Cyno- 
 
 cephalus 
 
 31 A sitting figure, holding up his hands; and another, wdth the sun 
 
 on his head 
 
 32 A bull; two very rude sphynxes ; the sacred Ibis; and a lion 
 
 33 A udometer ; and a pendant, in the form of a papyrus stalk 
 31 A large headed pigmy Pthah; and Isis nursing Horus 
 
 35 The upper half of the cat-headed goddess, with the sun on her 
 
 head ; a king standing on a lion ; and an eye 
 
 36 Horus, with a double crown ; and the dog-headed Anubis 
 
 37 A Nubian head rest, of stone; a pendant, in the form of a papyrus 
 
 stalk; a cornelian eye ; a scarabaeus, with a figure; and an 
 animal 
 
 38 A head, enamelled ; and tw 7 o enamelled beads, blue and purple 
 
 39 A scarabaeus, of green serpentine, gilt 
 
 40 The pigmy god ; Horus between Isis and Nephthis; and the same, 
 
 in intaglio, on a tablet 
 
5 
 
 41 The cat-headed goddess Pasht; and Apis—very rude 
 
 42 The cat-headed goddess, seated ; and a pair of glass eyes 
 
 43 An elephant; the Cynocephalus, with the sun on his head ; and 
 
 the hawk-headed Horus 
 
 44 A nilometer; Nepthis, with the altar on her head; and a solar 
 
 disk, on a stand 
 
 45 A scarabaeus, with the Ibis, and hieroglyphical inscription. Pub¬ 
 
 lished in Sharpe's Egyptian Inscriptions—Plate 101 
 
 46 A TABLET, of openwork, with six eyes at the back, Horus and 
 
 Pasht, a head, and two dogs ; Anubis in the centre. Highly 
 curious 
 
 47 A SCARAB./EUS, with inscription in honour of a priest, who 
 
 styled himself beloved of King Thothmosis III., b.c. 1320. 
 Published in Sharpe's Egyptian Inscriptions—Plate 101 
 
 48 A small scarabaeus, with Horus between two serpents ; and a cat 
 
 49 A bald-headed priest, seated, with a roll of parchment 
 
 50 A scarabaeus, with sphynx, and name of King Thothmosis ; and a 
 
 pigmy god 
 
 51 A small scarabaeus, with the words “Ammon Mai” 
 
 52 A fly (rare) ; a scarabaeus; and a lion, in sandstone, with a goose 
 
 53 A scarabaeus, with the legs carved beneath ; and a small blue 
 
 scarabaeus 
 
 54 A pair of ostrich feathers, the ornaments of a crown, of black 
 
 marble 
 
 55 A face and neck, in profile, of rosso 
 
 56 A dog, with human head, seated 
 
 57 A mummy-shaped figure, with hieroglyphics 
 
 58 The pigmy god, in cornelian, with a gold ring attached 
 
 59 A Beautiful Egyptian Stone Ornament, to be Worn on 
 
 the Breast: in the centre is a scarabaeus, in a boat, between 
 the goddess Isis and the goddess Nephthis ; the under side of 
 the scarabaeus, shown on the reverse, with a funereal in¬ 
 scription between Isis and Nepthis. This very important 
 specimen was brought to England by Belzoni. It is published 
 in Sharpe's Egyptian Inscription ;— Plate 101 ; and in Pet¬ 
 tigrew's Work on Mummies 
 
6 
 
 60 A small scarabseus, with the legs shown underneath 
 
 61 A scarabseus, with hieroglyphics ; and another 
 
 62 A sitting cat; and a monkey—in onyx 
 
 63 A small scarabseus, with name of Thothmosis 
 
 64 A ram, with royal head dress; and a rabbit—in cornelian 
 
 65 A scarabseus, with border at the back; and a scarabseus, in green 
 
 stone, with hieroglyphics 
 
 66 A female figure, seated, of blue glass ; an eye; and an elephant 
 
 67 A group : of Isis, Nephthis, the pigmy god, and Neith 
 
 68 A large Scarabseus, in black basalt: the hieroglyphics at the 
 
 back are a funereal inscription, in honour of the person with 
 whom it was buried. Published in Sharpe's Egyptian Inscrip¬ 
 tions — Plate 33 
 
 60 A large Scarabseus, with similar inscription. Published in 
 Sharpe's Egyptian Inscriptions — Plate 101 
 
 EGYPTIAN BRONZES. 
 
 70 A sphynx, formed of a beetle’s body and a hawk’s head ; and a 
 
 figure of Osiris, with his two sceptres 
 
 EGYPTIAN GOLD. 
 
 71 An harpy, with extended wings 
 
 72 A sacred asp, with solar disk on his head 
 
 EGYPTIAN MARBLES. 
 
 73 A fine Egyptian funereal tablet, in which the deceased person is 
 
 represented as presenting offerings to Horus Ra, Horus, Isis, 
 and Nephthis : overhead is the winged sun 
 
 74 A royal funereal tablet: a king presenting offerings to Osiris, the 
 
 deceased lying on a lion-shaped couch 
 
 75 An Egyptian shrine, in honour of Anubis, in the form of a temple, 
 
 with a winged sun above, and hieroglyphics—22 in. 
 
 76 Head of a canopic jar, in the shape of a monkey’s head 
 
 77 A funereal tablet, with Anubis worshipped by a deceased person, 
 
 hieroglyphics above 
 
7 
 
 78 An Egyptian tablet, with two sitting figures; above it is the sun, 
 
 with a pair of eyes, and hieroglyphics beneath. Published in 
 Sharpe's Egyptian Inscriptions—Plate 32 
 
 79 A COLOSSAL HEAD OF NEPHTHIS, in red granite, 
 
 inscribed with many hieroglyphics. It formed part of the lid 
 of a sarcophagus, and was found in the Thebaide, and brought to 
 Rome by Mr. Basseggio. On the back is a line of hierogly¬ 
 phics, in honour of the goddess Nephthis. It is mouuted on a 
 massive square pedestal of black marble—4 ft. 11 in. high. 
 
 In the cell below it is a small Egyptian statue of a priest, 
 in black basalt, holding a shrine of the class called pastophori. 
 The hieroglyphical writing upon it is in honour of Neith, the 
 goddess of Sais, and is published in Sharpe's Egyptian In¬ 
 scriptions—Plate 33. It was made in the reign of Pharaoh 
 Hophra, about b.c. 500. 
 
 80 A slab of Egyptian marble, with four priests of Osiris and Isis in 
 
 hieroglyphics beneath—arched top 
 
 81 A smaller slab, with a youth before his father and mother, three 
 
 figures seated beneath 
 
 82 A fragment of hieroglyphics 
 
 ANTIQUE GREEK GOLD. 
 
 83 A gold fibula, with a goat’s head ; a gold earring, with an antique 
 
 paste of a Greek mask ; and a small ring 
 
 84 A pair of earrings, with double circular drops; and one, with red 
 
 cornelian 
 
 85 A pair of earrings, with dark blue glass above, and light blue ribbed 
 
 drops. From Bishop Butler's Collection 
 
 86 One, with a matrix of emerald, and cornelian drops 
 
 87 An earring, with a matrix of emerald set in gold, and drop, formed 
 
 of a bunch of grapes in seed pearls. Found in a Tomb at 
 Canrusium 
 
 88 A small circle, chased, with a small jacinth in the centre 
 
 89 A ring, formed of a double band of gold, set with two jacinths 
 
 90 An earring, in the form of a lamp, set with small rubies 
 
8 
 
 91 A large earring, in the form of a lamp, with openwork beneath 
 
 92 An earring, with a small bead cameo cornelian at the top, and 
 
 light blue glass drop 
 
 93 An earring, with blue glass above, and a bird on a pearl beneath; 
 
 pair smaller, and a very small gold drop 
 
 94 A Beautiful Earring, with curved top, the surface covered with 
 
 Grecian honeysuckles, a circular knob below 
 
 95 Another, of great beauty, with a mermaid supporting a 
 
 basket. Very perfect 
 
 96 An earring, with semicircular plates below, terminating in three 
 
 points, set with antique glass ; and three rings 
 
 97 A pair of very elaborate and beautiful Earrings, each with 
 
 a jacinth, a semicircle below, and numerous drops beneath 
 
 98 A Beautiful Fibula, with bow-shaped top, elaborately orna¬ 
 
 mented with fillagree and honeysuckle ornaments 
 
 99 A very beautiful Necklace, composed of fluted beads of glass, 
 
 of light blue colour, with a gold flower between each bead, from 
 which is suspended a fruit-shaped gold ornament: a male 
 bust, of gold, suspended from the centre 
 
 100 A ring, formed of a snake 
 
 101 A ring, with an intaglio of a female seated, holding a wreath, 
 
 inscribed SIMA20NIA 
 
 102 A pair of earring drops, of glass, painted with white edge, set with 
 
 gold ring above, and finial below 
 
 103 A PAIR OF VERY BEAUTIFUL BRACELETS, of blue 
 
 glass, in two pieces, each joined with a gold band : a gold lion 
 and pine cone form the ends of each. These rare and beau¬ 
 tiful specimens were discovered in a tomb at Rome 
 
 104 A large fibula, formed as a double ring, with heads and fillagree 
 
 ornaments at the extremity 
 
 105 The companion 
 
 106 A goat and a bird 
 
 107 Cupid, holding a disk 
 
 108 A youth, in a cloak, holding an urceus 
 
 109 A priestess seated, holding offerings 
 
 110 A group of three priestesses. Avery important specimen 
 
9 
 
 111 Harpocrates, with a ting 
 
 112 Two, of Cupid 
 
 113 A ram’s head— found al Cannusiitm ; and Cupid, holding a wreath 
 
 114 A very elegant earring, with glass and gold drops 
 
 115 A small earring, formed as a cornucopia; and one, as a bunch of 
 
 grapes 
 
 116 A long narrow case, with Greek and Roman letters 
 
 1 17 A pair of earrings, formed of broad bands, with minute fillagree 
 ornaments 
 
 118 A pair of circular fibulae, with dower in the centres, and delicate 
 
 fillagree ornaments round the borders 
 
 119 One, larger, with projecting centre, and circles of beads around 
 
 120 A pair of earrings, of broad bands, with elegant circular ornaments 
 
 of fillagree 
 
 121 A small ornament, in the form of a circle, with openwork sides 
 
 122 An ornament, formed of a staff, with ring attached; and a child, 
 
 holding a speculum, of thin gold 
 
 123 An earring, formed of a jacinth, and pearls suspended 
 
 124 A pair of earrings, formed of a globular drop, with pine-apple 
 
 surface 
 
 125 A fibula, with a bird and curved end, with the pin. Very perfect 
 
 126 A sphynx; and two sphinxes, side by side 
 
 127 A fine Fibula, surmounted by a winged lion, small lions and 
 
 two birds on the flat stem 
 
 128 Another, with a child on a horse, and three flowers of fillagree on 
 
 the stem 
 
 129 A very fine large Fibula, circular, with raised centre, circles 
 
 of blue glass set in the inner rim, on which are female figures 
 seated between ornaments of peculiar form, the outer circle 
 formed of disks, and trefoil pattern. This very perfect specimen 
 is 2J in. in diameter 
 
 130 An earring, formed of a broad band, with circular fillagree orna¬ 
 
 ments, surmounted by two sphynxes 
 
 131 One, larger, with very elaborate gold fillagree ornaments, sur¬ 
 
 mounted by a bird: the circle ornaments on one side very 
 
10 
 
 132 A pair of earrings, with minute fillagree ornaments 
 
 133 THE VERY CELEBRATED GOLDEN BULLA, formed 
 
 of two curved gold plates, lentil shaped, (called by Plutarch, 
 $axo£t$y]s } ) united by a third gold plate, bent double, and rivet¬ 
 ed in three points to the two other plates, embossed with bay 
 leaves, and bead borders : across this plate is inscribed “ Host. 
 Hos. (Hostus Hostilius”), the designation of the first man of the 
 Hostilian name at Rome; a name, therefore, likely to be assumed 
 by his descendants 
 
 Mr. Yates, in the Archaeological Journal, No. 30, after 
 describing this work, gives the weights of the three most cele¬ 
 brated bullas existing in this country, as follows— 
 
 Mr. Rogers’s . . . 363 grains. 
 
 Lady Fellows’s . .271 ,, 
 
 British Museum . .271 „ 
 
 This bulla is described in the Antologia, No. 21. 
 
 Note by Mr. Rogers. —It was discovered among ashes and burnt 
 bones, in an urn of red earth, by some labourers, in a vineyard 
 about twelve miles from Rome, on the way to Albano. According 
 to Ficcaroni, the first boy who wore a bulla in Rome was Tullus 
 Hostilius; and this, in all probability, belonged to one of their 
 family. 
 
 Bought of Signor Antonio Bellotti, in 1821, who had possessed 
 it ever since it was found in the summer of the year 1794. He had 
 refused a hundred louis-d’or for it. 
 
 The boys of Rome, say the historians, wore a hollow golden ball 
 (Aurea Bulla), which hung from the neck on the breast, and which, 
 when seventeen years old, they offered up to the Lares. 
 
 134 A very small ring, with a turquoise; two earrings, with glass; 
 
 three small thin gold plates; a small tripod ornament; and 
 a flat ring, chased with flowers 
 
 13;) A Portion of a Greek Necklace, formed of eight flat plates, 
 with Victory in a biga, suspended from eighteen oval bosses, 
 with double honeysuckle ornaments 
 
 136 A circular locket, with twisted fillagree borders and flowers, sus¬ 
 pended by a chain 
 
11 
 
 137 A BEAUTIFUL CIRCULAR RELIEF, from the top of a 
 speculum, with a half-draped female, holding a scarf in her 
 left hand, standing before a pedestal, holding a speculum in 
 her right hand, a crane at her feet, a draped female attendant 
 holding an urceus before her: they are represented as standing 
 over a row of low arches. A magnificent specimen of Greek art 
 
 End of First Day's Sale. 
 
Second Day's Sale. 
 
 On TUESDAY, APRIL 29, 1856, 
 
 AT ONE O’CLOCK TRECISELY. 
 
 - o - 
 
 ANTIQUE GLASS. 
 
 138 An alabastron, blue, with yellow and white festoons 
 
 139 One, smaller, with yellow' border and handles 
 
 140 A small amphora, blue, with yellow and green ornaments 
 
 141 A flat, bottle, with one handle, blue, with waved ornaments of 
 
 light blue and yellow 
 
 142 A small globular vessel; and one with cross link 
 
 143 A lachrymatory, with tall neck 
 
 144 An alabastron, of oriental alabaster 
 
 145 One, of blue glass, with yellow waved ornaments 
 
 146 One, smaller of yellow glass 
 
 147 A beautiful small amphora, of deep blue, with yellow borders 
 
 148 A small low bottle, and a small globular bottle, of blue glass, 
 
 with white horizontal stripes 
 
 149 A very small urceus ; and four beads, of different coloured glass 
 149a A globular bottle, spirally ffuted. This very perfect work was 
 
 found at Lucca 
 
 ANTIQUE AND CINQUE-CENTO BRONZES. 
 
 150 A terminal figure of a satyr 
 
 151 A panther’s head 
 
 152 A bell, of square conical form, with handle 
 
13 
 
 153 A large handle for a vase, fluted, with Grecian honeysuckle 
 
 ornaments, of beautiful design 
 
 154 A spear head; an arrow head; a key; and a small helmet, of 
 
 cinque-cento work 
 
 155 A stilus, with spirally fluted handle; a hand, holding an urceus; 
 
 and a very small head of an eagle and of a lion 
 
 156 A speculum, with two draped figures in pointed Thessalian caps, 
 
 with ornamented handle 
 
 157 A beautiful Female Bust, with thick hair: the eyes have been 
 
 gilt—on sockle. T/us fine antique work was the property 
 of Gavin Hamilton 
 
 158 A small statue of Adonis, with the boar’s head ; and a small bust 
 
 159 Two Greek helmets 
 
 160 A Greek helmet, with engraved border 
 
 161 A. candelabrum, on tripod of lion’s claw, the stem fluted, with 
 
 Grecian honeysuckles between the angles of the tripod 
 
 162 Another, the stem marked with small branches of palm tree, the 
 
 tripod stand imperfect 
 
 163 Silenus nursing the infant Bacchus: a fine Florentine bronze 
 
 164 The Antinous: a fine Florentine bronze, on plinth 
 
 165 The Fighting Gladiator: a fine cinque-cento bronze, on black 
 
 pedestal 
 
 166 Cupids on tigers : a pair of antique bronzes, on plinths 
 
 168 A small Roman male head: a fragment, of very fine work; and 
 
 head of a sea monster 
 
 169 A fibula, in the form of a lyre; and a small head of Harpo- 
 
 crates 
 
 170 An ornament, formed of a grotesque figure, seated; a boss, with 
 
 grotesque head; a panther; and two masks 
 
 171 A beautiful small Statue of a Youth, with a wreath round 
 
 his head, bearing an urceus, a scarf falling over each shoulder 
 
 172 Two knife handles, with arabesque ornaments at the ends 
 
 173 A small bull’s head, and two other small animals; and an arm, 
 
 holding a sharp instrument in the hand 
 
 174 A BULL, of the finest antique work, with beautiful patinum, two 
 
 of the legs not quite perfect—in a leather case 
 
14 
 
 175 An ornament for a girdle clasp, formed of bronze wire twisted into 
 two circles, joined by twisted neck 
 U6 A pair of clasp ornaments, with leaf pattern engraved 
 
 177 A pair of girdle clasps, formed of bronze wire, twisted into two 
 
 circles 
 
 178 A small head of Jupiter ; two fibulae ; and a nail 
 
 179 A handle, in the form of a festoon ; and a fragment of a key 
 
 180 A fibula, of twisted wire, with flat circular end 
 
 181 A pair of fluted vase handles 
 
 182 A foot, on lion’s paw, with tiger’s head above : of beautiful patinum 
 
 183 An eagle’s head. Very spirited and fine 
 
 184 A child, dancing 
 
 185 A female, with her hands over her head, on marble plinth 
 
 186 A figure, nearly similar 
 
 187 A fibula, of Egyptian form 
 
 188 A beautiful Antique Candelabrum, with twisted stem, on 
 
 tripod stand, the top circular, with doves at the angles— 
 13^ in. high 
 
 189 AN EXQUISITE SMALL CANDELABRUM, with a 
 
 Roman lady seated in a chair, holding a cornucopia, a palm 
 stem rising from her head—13^ in. high. This exquisite xcork 
 was found in the sea , at Puzzuoli, and was purchased for 
 Mr. Rogers by Mr. Millengen 
 
 190 A very beautiful Candelabrum, with fluted stem, on tripod 
 
 lions’ paws, the top chased with foliage—4 ft. 7 in. high 
 
 191 The right foot of a youth : of very fine Greek work 
 
 192 A fragment of a Greek helmet 
 
 193 A pair of stags: of curious antique work 
 
 194 A fine Antique Candelabrum, on lions’ feet, surmounted by 
 
 a faun, in grotesque mask, carrying a draped female on his 
 shoulders—3 ft. high 
 
 195 Another, surmounted by the figure of a warrior—3 ft. high 
 
 196 Michael Agnolo’s Two Recumbent Figures: from the 
 
 tomb of Lorenzo de Medicis, at Florence—18 in. long. Very 
 fine bronzes 
 
 197 A cup, of German bronze, on stem, with Susannah and the 
 
 Elders, and other subjects in relief 
 
15 
 
 198 A pair of Venetian low candlesticks, on tripod stands, supported 
 
 by sphynxes 
 
 199 Head of Medusa, in lead : a model of Mr. Rogers’s 
 
 © 
 
 knocker 
 
 200 A paper weight, formed as an anchor, from the copper and oak 
 
 of the Royal Georye 
 
 201 A female head on both sides of a badge, on blue glass ; two Etruscan 
 
 scarabsei, with stags standing and lying down, of cornelian 
 
 202 A small vase, of black marble; and a small alabastron, of cor¬ 
 
 nelian 
 
 203 A lion seated, of limestone ; and a lion-headed leg 
 
 204 A gold Roman ornament, with onyxes set in gold ; two small square 
 
 seals, of lapis lazuli ; an onyx flat bead ; and two fragments of 
 an onyx cup 
 
 205 A red coral necklace, with pendant beads 
 
 206 An Etruscan scarabaeus, of cornelian, with a horse ; and a small 
 
 plain scarabaeus 
 
 207 A scarabaeus, of onyx, with bird 
 
 208 Six plain gold earrings, each with an oval plain tablet; and two 
 
 hearts, of cornelian, gold mounted 
 
 ANTIQUE TERRA-COTTA. 
 
 209 A very curious small vessel, with handle and spout, formed as a 
 
 hedgehog 
 
 210 A lamp, with Actaeon attacked by a dog, the spout broken 
 
 211 Head of a goat 
 
 212 A lamp, with Cupid draped 
 
 213 A lamp, in the form of a foot sandalled 
 
 214 A female head ; and two fragments, from a cup 
 
 215 A female head ; one, smaller ; and a relief of a child, seated 
 
 216 An old woman, seated, with a basket at her feet; and a small 
 
 female torso 
 
 217 A beautiful lamp, with Cupid holding bow and arrow, riding on 
 
 two dolphins, with crescent-shaped handle, and two burners 
 
 218 A small altar, with vases and alabastra on the top 
 
16 
 
 219 A seated female ; a negro ; and a grotesque monkey and mask 
 
 220 A horse’s head. Very spirited 
 
 221 A sphynx, in relief 
 
 222 The Bridegroom—a relief in terra-cotta. Published in Bartolis 
 
 Admiranda 
 
 223 A bride and attendant—the companion 
 
 224 Theseus carrying the bull, in terra-cotta 
 
 225 A Draped Female, Dancing, bolding a scarf in both hands, 
 
 which from the action of the air forms a semi-circle behind 
 her: the scarf restored in paper by Flaxman. An exceedingly 
 elegant and beautiful work , of antique terra-cotta. The figure 
 is 7 in. high, on verde-antique pedestal 
 228 A rhyton, with a dog’s head 
 
 227 A rhyton, with a boar’s head 
 
 228 A pair of small busts of Juno and Bacchus 
 
 229 A fragment of a mask ; and three small figures of boys 
 
 230 A small bust of a young man 
 
 231 A priestess, seated; and Cupid on a lion 
 
 232 Two small busts of children 
 
 233 A female bust, in a veil 
 
 234 Claudius, and two other medallions ; and four fragments 
 
 235 A female bust—life size: of beautiful antique work 
 
 236 Another, nearly similar 
 
 237 A male bust, in profile ; and two fragments of a frieze 
 
 238 An antique head of a draped female, in relief; and a modern copy 
 
 of the same 
 
 239 A small bust of Jupiter, of alabaster 
 
 240 A head of Bacchus 
 
 241 Head of Jupiter, aud two other heads, of Etruscan work 
 
 242 Head of a child 
 
 243 A small figure of a piping shepherd ; and a relief of a catharista 
 
 244 Head of a priest—a medallion head 
 
 245 A lamp, with a sacrifice and busts in the centre 
 
 246 A child, beautifully modelled -cinque-cento work 
 
 247 A mother and child, by Sheuter—a small model 
 
 248 A bisquit cup,.with centaurs in relief 
 
17 
 
 249 M. ANGELO—THE DUKE LORENZO DI MEDICI: a 
 
 small model, in terra-cotta, for the statue in t he Chapel dei 
 Depositi, Church of St. Lorenzo, Florence. From, Mr. Locke's 
 Collection, Norbury Park 
 
 250 A frieze, of terra-cotta, with Flora and Ceres 
 
 251 Another, with two nymphs, one of them dragging a boar alter 
 
 her 
 
 252 Mazeppa, by Lough, in plaster 
 
 253 ST. MICHAEL SUBDUING THE EVIL SPIRIT. A 
 
 beautiful model, in terra-cotta , by Flaxman , of the large statue 
 at Pet worth 
 
 254 A pedestal, richly carved with foliage, of Maltese stone. Pre¬ 
 
 sented by Sir Gardner Wilkinson to Mr. Rogers 
 
 ANTIQUE MARBLES. 
 
 255 A fragment of a cuirass, with Galatea on a sea horse, and dolphins 
 
 beneath. From Sir John Coghill's Collection 
 
 256 A capital to a pilaster of the composite order, marble 
 
 257 A model of the temple of Erectheum, in wood 
 
 258 A circular cinerary urn, with vine leaves and rams’ heads in relief, 
 
 inscribed “ Diis manibus Ti. Claudi Saturnini Ti. F. VII. Vir 
 epulon,” and cover, ornamented with acanthus leaves—21 in. 
 high 
 
 259 Mummy of an ibis, in case of terra-cotta—undisturbed 
 
 260 A small square cinerary vase, inscribed “ D. M. Claudiae Victoria; 
 
 Claudi Prisca et Claudius Sabinus matri pientissimae” 1 
 
 261 Another, with a combat of four warriors, one of whom is kneeling 
 
 and protecting himself with his shield 
 
 262 A small terra-cotta cinerary vase : on the front is represented the 
 
 door of a sepulchre, with two ring handles, surmounted by 
 festoons hanging from two cypress trees : a sleeping female on 
 the lid 
 
 c 
 
18 
 
 263 A square upright cinerary vase and cover, with a male and female 
 
 figure before a tomb, birds and fruit at the angles on the tablet 
 below : the upper part of the inscription has been effaced ; 
 below it are the words “ Sergia Sedata Sergia Laidis Lie. F. 
 III. fecerunt et sibi ” : on the front of the lid are two cupids, 
 holding a wreath 
 
 264 A small square marble cinerary vase, inscribed, “ L. Muninsi 
 
 Friscus alia Friscise filius sertemre nepos,” containing the 
 original ashes. From Bishop Butler’s Collection 
 
 265 A cinerary vase, of terra-cotta, with a combat of two warriors, 
 
 attended by two furies : a recumbent figure on the lid—17 in. 
 long 
 
 266 A fragment of a Grecian frieze ; and of a Roman frieze 
 
 267 Venus reclining: small relief 
 
 268 A torso of Cupid 
 
 269 A foot ; two hands; and two small fragments 
 
 270 H ead of a tiger—a fragment 
 
 270*A Roman female bust, imperial; the fragment of a Corinthian 
 capital, and of a frieze 
 
 271 A lunette, with a tree in relief 
 
 272 An Owl, on a festoon of vine leaves: a beautiful antique mosaic 
 
 273 Head of an Apostle—fragment of an ancient fresco 
 
 274 A fragment of a Greek inscription : a hymn in honour of Bacchus, 
 
 containing several epithets entirely new. From Sir J. Coghill’s 
 Collection ; and of a Roman inscription, relating to a cohort 
 
 275 A square pedestal, of green serpentine 
 
 276 A hand, holding a stick ; and head of a child 
 
 277 A small oviform vase and cover, of Egyptian granite 
 
 278 A crater-shaped vase, of green serpentine 
 
 279 Bust of the Indian Bacchus, in yellow marble, on rosso plinth 
 
 280 A group of three figures; a beautiful model, in wax, by B. Cellini. 
 
 From Nolle kins’s Collection 
 
 281 A Male Right Foot, of antique work, with the veins finely 
 
 developed 
 
 282 A Male Left Foot 
 
19 
 
 283 A Left Hand, oi Hercules, holding the Hesperian fruit, in 
 
 Parian marble. From Nollekins's Collection 
 
 284 The toes of a left male foot 
 
 285 A Right Male Foot. From Nollekins's Collection 
 
 286 Two females, draped : a fragment of a relief, with modern border 
 
 287 A female right hand—under glass shade and cover. Mr. R. says 
 
 of this Parian marble : “ A fragment ot a hand, introduced by 
 Canova into the statue ol a Cupid, in possession of Lord 
 Cawdor. ’ “ I have olten seen Canova kiss that hand.”— 
 
 Townley 
 
 288 A vase of rosso-antico, of elegant form, on pedestal of the same 
 
 marble 
 
 289 A fluted tazza, with two handles, on stem of rosso-antico 
 
 290 A smaller tazza, of the same marble 
 
 291 A VERY FINE ANTIQUE MARBLE BUST OF THE 
 
 ELDEST SON OF NIOBE, or perhaps of Cincinnatus: the 
 chest and nose restored by Flaxman. This noble bust was 
 found by Mr. Fagan at Ostia, and brought by Mr. Rogers to 
 London 
 
 292 A lion, in calcareous stone—21 in. long. This interesting work was 
 
 found in the Thebaide, and bi'ought to Rome by Ml. B cissegio 
 
 293 A BEAUTIFUL MARBLE VASE AND COVER, of very 
 
 elegant form, the surface covered with flowers and foliage in 
 ielief, with double snake handles—18 m. high. This fine vase 
 was the property of the Duke of St. Albans , and stood in its 
 present position in the house when Mr. Rogers purchased the 
 lease 
 
 294 THE CHANTREY PEDESTAL. The carving on this pedestal 
 was executed in mahogany by Mr. Chantrey, in 1803, when un¬ 
 known and in poverty, being employed by Bogaert, a German, 
 at the rate of five shillings a day 
 
 “Do you remember a workman who came in at that door to 
 receive your orders? I was that workman.” 
 
 c 2 
 
 End of Second Day's Sale. 
 
Third Day's Sale. 
 
 0 
 
 On WEDNESDAY, APRIL 30th, 1856, 
 
 AT ONE O’CLOCK PBECISELY. 
 
 ARCHAIC GREEK VASES. 
 
 295 An cenochoe; and two lamps, with masks of Medusa 
 
 296 A ribbed cenochoe 
 
 297 A cylix, with head of Isis; and a cover for a vase 
 
 298 A cover for a vase, of white clay ; a small bust of the Indian 
 
 Bacchus, in marble ; and three fragments, of terra-cotta 
 
 299 A crater, with Ceres seated, holding an ear of wheat: a youth 
 
 before her, presenting a chaplet, and a female holding a cylix 
 of fruit and leaves; rev. three draped figures : Grecian honey¬ 
 suckle under the handles—black ground—16| in. 
 
 300 A beautiful small cylix, on stem, with frieze of rams and swans 
 
 301 A small globular cyathus, with a frieze of fish and Grecian 
 
 honeysuckles below ; and a lamp—imperfect 
 
 302 An olpe, with a combat of two warriors, armed with spears and 
 
 Athenian shields, two females looking on—the figures heightened 
 with purple, on red ground—imperfect 
 
 303 A two-handled cylix, with two figures holding askoi, a vine grow¬ 
 
 ing over them 
 
 304 A cyathus, with two bacchantes and two sphynxes—heightened with 
 
 red and white, on yellow ground 
 
 305 A small aryballos ; and a lamp, with two female heads 
 
 306 A cylix, on stem, with four cocks—on red ground 
 
 307 A beautiful cylix, on stem, with a priest of Bacchus dancing 
 
21 
 
 308 A small crater; and an aryballos, of white ware 
 
 309 A very small amphora, with a warrior, and a priestess leading a 
 
 bull to sacrifice 
 
 310 A cylix, with a frieze of olive leaves and diamonds 
 
 311 A cylix, with bacchanals and cupids on mules, a satyr in the middle 
 
 —imperfect 
 
 312 A cyathus; and a two-handled cylix, with owls and olive leaves 
 
 313 A small lecvthus, with four bacchantes round a vine—heightened 
 
 with white, on red ground 
 
 ol4 A small lecythus, with a lady seated, holding a speculum— sketched 
 in outline only 
 
 315 Aset of three small alabasta, joined together with upright handle, 
 
 painted with Grecian honeysuckles 
 
 316 A cylix, with Tethys bringing the armour to Achilles, and Grecian 
 
 houeysuckles under the handles— 7\ in. diameter 
 
 317 A small upright cylix, with a frieze of leaves 
 
 318 An upright cylix, with a draped figure resting on a staff: a cross 
 
 at the background ; rev. a draped male figure 
 
 319 A cyathus, with upright handles, Bacchus reclining on a couch 
 
 among vines : two eyes, and two chymerae, at the sides— 
 heightened with purple and white, on red ground 
 
 320 A small lecythus, with a draped female, holding a speculum, a 
 
 chair behind her—on black ground 
 
 321 A prochous, with Theseus combatting a Baeotian warrior, armed 
 
 with a shield, on which are two doves: a warrior, and a figure 
 in a painted Thessalian cap, standing by—heightened with 
 purple and white, on red ground—9 in. 
 
 322 A small two-handled cylix, with ivy and other leaves. From Sir 
 
 H. Englejield's Collection} and a small bombylios, with a 
 sphynx 
 
 323 A tall amphora, with two draped female figures, one of them 
 
 holding a scarf; rev. a draped female—on green around— 
 13 in. 
 
 324 A small amphora, with Hercules slaying the Erymanthian boar. 
 
 attended by Minerva ; rev. a priest seated, a warrior and two 
 figures among vine branches, antifixa flowers on the neck—11 in. 
 
22 
 
 325 A small cylix, with upright handle, with a frieze of fauns and 
 
 bacchantes among vines, the figures heightened with purple 
 and white 
 
 326 Another, of similar form, with a bacchante on a mule, two eyes, 
 
 and two figures of Pegasus 
 
 327 Another, with a priest and priestess of Bacchus, among vines, two 
 
 eyes, and two panthers 
 
 328 An alabastron, with Bacchus, bacchantes, and fauns 
 
 329 Another, with a male and female figure, in Etruscan borders, in¬ 
 
 scribed on the lip A-J>POAl2lA KAAH ; before the figures is 
 inscribed EPOS AN0EO KALE, and HO IIAIS KALOS 
 
 330 Another, with a winged female and a youth, inscribed KLOE-KALE 
 
 331 Another, with draped male and female figures 
 
 332 Another, with crossed white lines 
 
 333 A lamp, with double row of vine leaves 
 
 334 A small lamp, with mask, surmounted by a ram’s head ; and 
 
 one with a negro’s head 
 
 335 A lamp, with bearded mask 
 
 336 One, with an open ring, painted with olive leaves 
 
 337 A plain ribbed cylix; one, smaller; and a very small stand 
 
 338 A Fine Ribbed CEnochoe, with a wreath of ivy round the 
 
 neck, the haudle beautifully ornamented with leaves: a ram’s 
 head above, and a mask of Medusa below 
 
 339 A fine CEnochoe, of early ribbed ware, with a frieze of olives on 
 
 the shoulder, and three masks on the handle and lip— 18 in. 
 
 340 A Felice, with a warrior in a quadriga, seen in full face; rev. 
 
 Hercules pursuing the stag of CEnoe, preceded by Mercury : 
 figures heightened with purple and white, on red ground—15iin. 
 
 341 A fine Pelice, with a bride seated at her toilette, an attendant 
 
 holding a wreath, a youth holding a speculum before a tazza, 
 Leda with a swan, and Eros, holding a cestus above ; rev. 
 a bridegroom, seated, holding a speculum, a draped female, 
 with a cista and bunch of grapes before him, and Eros 
 holding a cylix above—Grecian honeysuckle border above, on 
 black ground—19 in. Purchased in Apulia. A marriage vase 
 of uncommon design 
 
23 
 
 342 A Crater, with Hercules combatting the Erymanthian boar, on 
 
 the back of which a dog is standing, a man in a Thessalian cap, 
 with a spear in front; rev. two ephebi—13 in. The pencilling 
 of this vase is uncommon 
 
 343 A large plain Nolan cylix 
 
 344 A Crater, with the youthful Bacchus, seated, holding a thyrsus, 
 
 Ariadne at his side, a bacchante before him, offering grapes 
 in a cylix, two fauns at the sides, and Eros above; rev. three 
 Ephebi, olive leaf border above—black ground—13 in. 
 
 345 A tall amphora, with a female holding ears of wheat and a cestus, 
 
 and a youth, with a disk before an Ionic colnmn ; rev. two 
 Ephebi before a tree—black ground—22 in. From Mr. Millin- 
 gens Collection 
 
 346 An Amphora, with the Dioscuri, in Thessalian caps, each 
 
 leading a horse ; the same subject repeated on the reverse : 
 the figures heightened with purple, on red ground—13 in. 
 
 347 A Noble Hydria, with Hercules overcoming Nereus, who has 
 
 a dolphin’s tail, three men leading horses on the shoulder, two 
 dogs and a faun below—on red ground—15^ in. A fine 
 design : from Signor Campanari s Collection 
 
 348 A Pelice, with a warrior and herald in a quadriga; rev. 
 
 Hercules, Nessus, and Dejaneira : heightened with purple and 
 white, on red ground, with cover—16^ in. 
 
 349 A large two-handled cylix and cover, with arabesques and cupids 
 
 —13 in. 
 
 350 A crater, with a female holding a bird and barley ears, Eros, with 
 
 a cylix of fruit before her; rev. two draped figures—12 in. 
 
 351 A crater, with a female holding a thyrsus, a youth with one foot 
 
 on a step, leaning on a thyrsus; rev. two draped figures before 
 an altar—9 in. 
 
 352 A crater, with Minerva in a biga; rev. two female figures—much 
 
 broken 
 
 353 A fine Amphora, with the bearded Bacchus in a quadriga, attend¬ 
 
 ed by a dancing bacchante, inscribed 202TPAT0X KAAOS ; 
 rev. the Dioscuri on horseback, carrying two spears each: 
 heightened with white, on red ground—15 in. A fine design 
 
24 
 
 354 A Lecythus, with Hercules and Telamon combatting two 
 
 Amazons, one of whom has fallen to the ground, a wreath 
 of ivy leaves on the shoulders: figures heightened with white, 
 on red ground— 124 in. 
 
 355 A small cylix, with an athlete resting on a mastix 
 
 356 A small olpe, with a priest of Bacchus, seated under vine branches: 
 
 heightened with white, on red ground 
 
 357 A crater, with a draped female holding a wreath, a naked youth 
 
 standing before a cippus ; rev. two ephebi—on black ground— 
 11 in. j 
 
 358 A crater, of elegant form, with a wreath of vines and grapes round 
 
 the neck—11 in. 
 
 359 A lecythus, with a warrior slaying a lion-headed faun, two 
 
 bacchantes standing by, between two met®, ivy-leaf frieze 
 above—on red ground—8 in. 
 
 360 An CEnochoe, with two females bringing hydria to a fountain, 
 
 the water issuing from lions’ heads: the figures heightened 
 with white, on red ground—9 in. Forming a portion of the 
 subject of the celebrated Kallirhoe Vase , in this collection —of 
 Nolan ware 
 
 361 A fine Stamnos, with Theseus, armed with shield and spear, 
 
 combatting a centaur, Peirithous, in a pallium, and spear 
 behind; rev. three ephebi—16 in. The ground is left a 
 delicate light red on one side , it being unfinished. This in¬ 
 teresting vase is from Sir Henry EnglefielcC s Collection 
 
 362 A cylix, with a horseman between two figures on each side, and 
 
 friezes beneath—on red ground—8 in. 
 
 363 A VERY FINE HYDRIA, with eight horses of the sun 
 
 drinking at a fountain, attended by two bearded men, over 
 each of whom is inscribed KAAOE : three horsemen on the 
 shoulders above, and three animals below: heightened with 
 purple and white, on red ground—17 in. 
 
 364 A small pelice, with a youth seated, holding a bird, a male figure 
 
 standing before him ; rev. two ephebi—on black ground— 7£ in. 
 
25 
 
 365 A small Nolan amphora, with a female seated, holding a 
 
 speculum, another standing, holding a cista; rev. an athlete, 
 and a female washing her hands at a fountain—on green ground 
 —11£ in. 
 
 366 A fine crater, with four figures at a symposium, a female playing 
 
 on the Lydian pipes, a candelabrum standing at their side; 
 rev. a daduchess faun holding a pine torch, and two draped 
 females—on black ground—18 in. 
 
 367 A lecythus, with three bacchantes dancing among vine tendrils* 
 
 Grecian honeysuckles on the shoulders—on red ground— 
 11£ in. 
 
 368 A prochous, with a warrior holding a shield, defending himself 
 
 from two light-armed Thessalian horsemen, inscribed KAA02 
 —on red ground—7 in. 
 
 369 A plain black cylix 
 
 370 A crater, with a female holding a speculum between two winged 
 
 genii; a Cretan dancer and tumbler (KuyStcrrfjr^ijj), ivy-leaf 
 border, and Grecian honeysuckles—black ground—14 in. 
 
 371 A Fine Celebe, with Theseus about to shoot an arrow from his 
 
 bow, Proserpine with a mastix before him, and CEthia with 
 a bow and arrow behind him ; Pluto reclining at the foot of a 
 tree, the symbol of the Shades, with one arm upraised ; rev. three 
 ephebi—on black ground—16 in. A very beautiful design , 
 inscribed KALE. From Dr. Braun’s Collection 
 
 372 A Noble Hydria, with Paris in helmet and white cuirass, his 
 
 sword in his hand, seizing the statue of Apollo, which stands 
 on a stone altar, the horses of a quadriga seen beyond a column 
 at the sides, inscribed AXIAAET’IIAPIS’TPOIAO ; a warrior 
 in a quadriga, attended by five figures on the shoulders: the 
 figures heightened with purple and white, on red ground—17 in. 
 This very fine vase is unfortunately much damaged: it teas 
 brought to this country by S. Campanari. Engraved in Overbeck's 
 Abbeldungen znr Gallerie Heroischer Bildicerke, Taf 15, No. 11 
 
 373 A beautiful Calpis, of Nolan ware, with a combat of two 
 
 warriors, armed with spears and Beeotian shields: a frieze of 
 Grecian honeysuckles round the shoulders— 13 in. Very perfect 
 
26 
 
 374 A small prochous, with Eros bearing a koluba. From Prince 
 Canino’s Collection 
 
 o75 A VERA FINE AND RARE AMPHORA: a warrior and 
 female in a quadriga, accompanied by male and female 
 attendants, a warrior and a female seated, both before and 
 behind the chariot; on the other side is Theseus slaying the 
 Minotaur, a composition of twenty figures, entirely surrounding 
 the surface; beneath is a frieze of horsemen and hoplites, with 
 Athenian and Boeotian shields, and a combat on the shoulder 
 above; the figures heightened with purple and white, on red 
 ground—Min. This rare and important vase has a false 
 
 lining, and two external spouts , one above and one below , for 
 the purpose of cooling the wine. It is believed to be unique 
 
 37G A tall Amphora, with Theseus in a round cap, his club upraised, 
 leading the bull of Marathon by a cord, a priestess of Minerva 
 in a peplos, holding a prochous and a cylix before him, three 
 draped figures behind, Grecian honeysuckles under the handles 
 and on the neck, the handles twisted on—black ground—17^ in. 
 From Prince Canino's Collection 
 
 377 A Fine Calpis, of Nolan ware: a winged female in a peplos, 
 
 with extended arms, pursuing a citharista, a draped male 
 figure behind her, a border of the square Etruscan pattern 
 below—12 in. Very perfect and fine. From Prince Canino’s 
 Collection 
 
 378 A small calpis, with a female seated, weaving a wreath, a basket 
 
 on the ground before her 
 
 370 A small Amphora, with Castor and Helen in a quadriga, 
 accompanied by a citharista, and two female attendants; rev. 
 Castor and Helen standing before a horse. Mercury and a 
 herald behind, antefixa flowers on the lid : the figures height¬ 
 ened with white, on red ground—9 in. 
 
 380 A fine Crater, with a nymph seated, holding a thyrsus, two 
 fauns at her side, and two bacchantes beyond; rev. three 
 ephebi, Grecian honeysuckles under the handles, and olive-leaf 
 wreath above: the figures heightened with white, on black 
 ground—14^ in. 
 
27 
 
 381 A pelice, with Eros holding a cylix over an altar; rev. a draped 
 
 female holding a cylix of fruit between two cippi: on black 
 ground—10 in. 
 
 382 A fine Pelice, with Antinous communicating to Achilles the 
 
 death of Patroclus; rev. a male and female with hands 
 clasped, and a priest of Bacchus. The inscription AXIA is 
 nearly obliterated from the effect of restoration 
 
 383 A cotyliscos, with Theseus slaying the Minotaur, attended by four 
 
 Athenian youths: heightened with purple, on red ground— 
 13 in. high 
 
 384 An oenochoe, with a huntsman armed with bow and quiver, and 
 
 followed by a dog, holding a hare between three spearmen : 
 figures heightened with purple and white, on red ground— 
 10 in. high 
 
 385 An Amphora, with Theseus combating the Amazons, who had 
 
 invaded Attica, to rescue their Queen Antiope: one kneeling 
 beneath him; rev. Theseus between two draped figures : on red 
 ground—13 in. high 
 
 386 A beautiful Stamnos: a race of two quadrigas, surrounded by 
 
 birds of omen, and a dog beneath; rev. two priests of Bacchus, 
 and two bacchantes seated among vine branches—on the 
 shoulder five figures reclining on couches—9 in. high. A very 
 fine Archaic work 
 
 387 A fine Eecythus, with a warrior fastening on his greaves: 
 
 Minerva before him, armed with spear and shield, and two 
 attendant hoplites at the side—on red ground—13 in. high 
 
 388 A noble Hydria, with Minerva in a quadriga, attended by 
 
 Theseus, Hercules, and a spearman ; a smaller representation 
 of nearly the same subject on the shoulder; below is a boar- 
 hunt: figures heightened with purple and white, on red ground 
 —18 in. high. From Prince Canino's Collection 
 
 389 A small lecythus, with Minerva, a youth with a battle-axe pur¬ 
 
 suing a faun, and attended by a herald: on a red ground— 
 8£ in. high 
 
 390 A small pelice, with two draped figures, one of them leaning on a 
 
 pine staff—black ground—5 in. 
 
28 
 
 391 A beautiful small amphora, with the combat of two warriors, 
 attended by females ; rev. a warrior, attended by two females— 
 on red ground—6 in. high, under glass shade 
 332 A stamnos, with Bacchus and two bacchantes, one of them holding 
 a thyrsus and a snake; rev. Bacchus and two priests—on black 
 ground—13 in. high— injured 
 
 393 A fine Stamnos, with Paris and Helen, attended by a herald and 
 
 a female ; rev. Paris armed, the device of a scorpion on his 
 shield, holding a cylix, Hecuba before him with a prochous, 
 and Priam behind—on black ground—-16 in. high 
 
 394 A beautiful CEnochoe, with Apollo addressing Hercules, 
 
 who is followed by a faun, attended by two draped figures— 
 on light red ground—9 in. high. A very fine design 
 
 395 An Amphora, with two warriors in a biga, seen in face; a male 
 
 and female figure with spears seen on each side ; rev. a poet 
 playing on the lyre between two seated Athenians: figures 
 heightened with purple and white, on red ground—13 in. 
 
 39G A small hydria, with a lady seated, and four female attendants 
 standing round her—on black ground—11 in. 
 
 397 An Amphora, with Hercules in the skin of the Nemaean lion, 
 
 armed with a sword, combating three Amazons carrying shields, 
 on which are the devices of a bull’s head and snake: one of 
 them is kneeling at the foot of Hercules; rev. three Amazons, 
 with singular devices on their shields: figures heightened with 
 purple and white, on red ground—131 in. high 
 
 398 A magnificent Celebe, of Nolan ware, with a draped youth in 
 
 a quadriga, met by a draped winged female, who holds up her 
 hand to stop the driver; rev. three ephebi: on black ground— 
 19 in. high. Purchased at Naples. This was the last addition 
 to Mr. Rogers's Collection of Vases 
 
 399 A superb Crater, with a priest of Hymen leading Amphitrite, 
 
 attended by two nymphs, and followed by Poseidon ; rev. a 
 priestess pouring a libation into a cylix, held by a female with 
 a lyre, near a column, and two other figures; two winged 
 figures beneath the handle—on black ground—18 in. Pur¬ 
 chased at Naples 
 
29 
 
 400 A highly interesting Hydria : in the centre two warriors, 
 
 one of them with a white shield, on which is a device in black, 
 a negro, armed with club, spear, and quiver, one standing on 
 each side, with rude Etruscan inscription ; and five small figures 
 on the shoulder—14 in. high— much damaged 
 
 401 A Stamnos: in the centre is a lion, on plinth, supported by two 
 
 Ionic columns, a statue of Cybele beneath; on each side is a 
 tripod with round upright handles, surmounted by birds; 
 rev. the Dioscuri in short chlamys, riding, and a warrior bear¬ 
 ing a shield behind. This interesting specimen is heightened 
 with purple , on red ground—much damaged —13 in. 
 
 401a An amphora, with Hercules combating three warriors, one of 
 whom has fallen to the ground; rev. Hercules standing between 
 tw r o bacchantes 
 
 410& A hydria, with two cocks standing between two sphinxes, on red 
 ground—10 in. 
 
 End of Third Day's Sale. 
 
Fourth Day's Sale. 
 
 o 
 
 On THURSDAY, MAY 1, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 ARCHAIC GREEK VASES— continued. 
 
 402 A large cylix, with the Greeks and Teneri combating, round the 
 
 the border 
 
 403 A cylix, with a seated female in the centre: inscribed *aAo; 
 
 404 A cylix, with heads and female figures—heightened with white 
 
 405 A cylix and cover, with heads of Isis 
 
 406 An cenochoe, with two female figures, and a winged genius—12 in. 
 
 407 An cenochoe, with Hercules subduing the Nemaean lion, Minerva 
 
 standing by—on red ground—10 in. 
 
 408 A circular stand tor an amphora, with bacchanals dancing, and 
 
 playing on the Lydian pipes—7 in. diameter 
 
 409 A pelice, with two draped figures and a head 
 
 410 A small lecythus ; and a prochous, ribbed 
 
 411 A bambyllos, with a lady seated, a female standing before her— 
 
 black ground—8 in. 
 
 412 A plain cylix ; a lamp ; and a small oenochoe 
 
 413 An ascos; an aryballos ; a small prochous; and a cylix and 
 
 cover 
 
 414 A cylix and cover; a lamp; three aryballi ; and a small cylix 
 
 415 Three cylices; a lecythus, white; and an aryballos 
 
 416 A pelice, with three draped figures; a cylix, with olive leaves, 
 
 and a swan in the centre, and a stand 
 
31 
 
 417 A curious red flat bottle, of Roman pottery 
 
 418 A circular cista and cover, of marble; and two female heads, in 
 
 terra-cotta 
 
 419 A large cylix, with a horse and a figure with eyes, a man dancing, 
 
 inside— much damaged 
 
 420 A small plain cylix; and a small alabastron, with frieze of birds 
 
 and leaves 
 
 421 A tall ribbed amphora, with frieze of leaves round the neck—17 in. 
 
 422 A calpis, plain—16 in. 
 
 423 A ciater, with a youth seated, holding a cista, a draped female, 
 
 standing by an altar, before her; rev. two ephebi: olive-leaf 
 border above—on black ground—II in. 
 
 424 A cylix, with a shepherd seated on a rock, holding a staff, a bac¬ 
 
 chante dancing, holding a wreath, wilh honeysuckle flowers 
 beneath the handles 
 
 425 A small amphora, with Theseus combating the Danaides, one of 
 
 them lying at his feet; rev. two warriors playing at dice—on 
 red ground—7 in. 
 
 426 A fine cylix, with two eyes, and two warriors combating under the 
 
 handles, attended by dogs : a grotesque mask in the centre— 
 11 £ in. diameter 
 
 427 Another, with an Athenian youth seated, a winged genius present¬ 
 
 ing a fan: two athletes, with strigils and other figures beneath 
 —on black ground—10i in. diameter 
 
 428 A cylix, with a warrior between two eyes, and two gallies on each 
 
 side beneath : a mask in the centre : heightened with purple 
 and white, on red ground—11 in. 
 
 429 A small lecythus, with a combat of three warriors—on red ground 
 
 430 A small black cylix and cover—broken; and an alabastron, with a 
 
 sphynx 
 
 431 A small amphora, with Minerva armed, a warrior before her, 
 
 fastening on his greaves : Mercury and a warrior standing on 
 each side; rev. a herald between two warriors : the figures 
 heightened with purple and white, on red ground—7^in. 
 
 432 A two-handled cylix and cover 
 
 433 A small calpis, with a female seated 
 
32 
 
 434 A plain two-handled Nolan cylix 
 
 435 A lecythus, with a female in a quadriga, preceded by a female 
 
 playing the plectrum ; a draped female and a herald in front, 
 with vine branches above—on black ground—lli in. high 
 
 436 A small oenochoe, of Nolan ware 
 
 437 A small cantharus, fluted, with thin tall handles 
 
 438 A small calpis 
 
 439 A flat cylix, of early Chusan ware, with a driver and a Victory in 
 
 a quadriga, in relief: the subject repeated four times round the 
 border, with boss in the centre 
 
 440 A cylix, on stem 
 
 441 A small calpis 
 
 442 A tall cantharus, ribbed 
 
 443 A Small Stamnos, with upright handles, a female holding a cylix, 
 
 before a seated winged genius, with a bird on his hand ; rev. 
 a youth, leaning on a cippus, holding a cestus, and a female 
 with a speculum. This interesting little vase has the original 
 cover 
 
 444 A rare Globular Vase, of early Chusan ware, with ornaments 
 
 in relief, and four heads of tigers and rams, moveable, project¬ 
 ing from the shoulders: the handles formed of birds. This 
 interesting work is engraved by the Dilletanti Society 
 
 445 A rare and fine Cylix, on stem, with olive-leaf border: it is 
 
 divided internally into four compartments, each with a cover, 
 and a large cover surmounting the whole, painted with female 
 figures: the handles of rare form 
 
 446 A rare Plate, with the Goddess of Medicine, holding a prochous, 
 
 and attending an Athenian, who is kneeling before her: with 
 an inscription, EniCTETOS ErPA£$EN. Purchased ly the 
 Marquis of Northampton, at Rome, for Mr. Rogers 
 
 447 An aryballos, ribbed, with Cupid pursuing a bird, beneath a frieze 
 
 of ivy leaves, on the neck : a medallion of a female head on 
 the shoulder: the handles surmounted by a mask of Silenus— 
 7 in. high 
 
 448 A small calpis, of Nolan ware, with a female, pursued by a winged 
 
 genius—on black ground—7 in. high 
 
33 
 
 449 A small prochous, with long spout, and upright handle, with frieze 
 
 of purple and white leaves, and small female masks at the 
 side of the handle 
 
 450 One, nearly similar, with frieze of ivy leaves 
 
 451 A small cylix, with swans and ivy leaves, in white 
 
 452 A small calpis, with a female seated, holding a thyrsus : a winged 
 
 female before her, holding an ascos—on black ground—6 in. 
 
 453 An (Enochoe, with a bacchanal holding a tortoise by a string, and 
 
 an olpe before a pedestal, on which is a cantharus, a dog before 
 him jumps up at the tortoise : figures heightened with white, 
 on black ground—8 in. From Sir J. Coghill's Collection 
 
 454 A beautiful Small Lecythus, with horsemen tended by three 
 
 figures, and dog pursuing a hare on the shoulder: figures 
 heightened with purple, on red ground—5 in. 
 
 455 A fine Amphora, with the Dioscuri on horseback, attended by 
 
 dogs; rev. the Indian Bacchus between two fauns, figures 
 heightened with purple and white—15 in. high 
 
 456 A fine Amphora, with Hercules and an attendant placing a 
 
 kid on a tripod, for sacrifice ; rev. a female playing the Lydian 
 double pipes, with singular white border down her drapery, 
 between two male figures, one of whom is dancing: figures 
 heightened with purple and white, on red ground—16 in. 
 
 457 An Amphora, with the bearded Bacchus holding a cornucopia, 
 
 attended by a faun and dancing bacchante; rev. Bacchus and 
 a bacchante on a couch: figures heightened with white — 
 13^ in. 
 
 458 An Amphora, with elongated neck, with a youth and female in the 
 
 temple of Hymen; rev. a bride, and Eros with the torch of 
 Hymen : on the shoulder, are two female heads and masks on 
 the sides of the upright handles : heightened with white—20 in. 
 
 459 A calpis, with a bacchante holding a thyrsus, followed by a youth 
 
 holding a cista: female heads under the handles—on black 
 ground—15 in. 
 
 460 A tall narrow Amphora, with Aphrodite standing over an 
 
 altar, two females with a speculum and patera; rev. a seated 
 female and an ephebos before a cippus, with Grecian honey¬ 
 suckle borders—red figures on black ground —20 in. 
 
 o 
 
34 
 
 461 A Crater, with Theseus seated, Minerva before him, and Mercury 
 
 behind ; rev. two youths seated—black ground 12^ in. 
 
 462 A Pelice, with three females preceded by Mercury and a priest'; 
 
 rev. a horseman between two youths: the figures of beautiful 
 green colour, on red ground—15 in. 
 
 463 A Crater, with two youths crowned with olive wreaths, at a 
 
 lectisternium, a female playing the Lydian pipes; rev. three 
 essebes—black ground—13^ in. 
 
 464 A Celebe: four male figures wearing sacred vittae, and half 
 
 draped, reposing on two couches, a female in a peplos, playing 
 on the Lydian pipes, cylices on the tables before them ; rev. 
 three ephebi — on green Nolan ground—18 in.—--the back 
 broken 
 
 465 A crater, with a seated female holding a cylix between two fauns, 
 
 one of whom holds a basket; rev. three ephebi, with cippi 
 surmounted by lebes—black ground—11 in. 
 
 466 A fine Celebe, with the bearded Bacchus holding a cantharus, 
 
 and a branch of the primitive vine, a bearded faun holding an 
 ascos and prochous, and a bacchante holding a mastix of vine 
 wood ; rev. a bacchante, holding a thyrsus between two dancing 
 fauns—on black ground—16^ in. 
 
 467 A Crater : victory in a quadriga, the horses alternate red and 
 
 white, preceded by a youth in a chlamys; rev. three draped 
 figures: with olive-leaf wreath—black ground—14in. 
 
 468 A Pelice, with two athletes, with chlamys on their shoulders, 
 
 one of them holding a quoit; rev. two ephebi, honeysuckle 
 flowers under the handles—black ground—15 in. 
 
 469 A Celebe, of curious early Carthaginian ware, with friezes of 
 
 leaves, crook-shaped ornaments, and seedpods in purple, on 
 light ground—16 in. 
 
 470 A Calpis, with a' youth holding a mastix, and a seated female 
 
 holding a cista before an altar, honeysuckle ornaments under 
 the handle—black ground—13 in. 
 
 471 A Crater, with two youths on a couch, a female playing on the 
 
 Lydian pipes, Doric columns and vine leaves in the background ; 
 rev. three ephebi: a wreath of olive wreaths above, black 
 ground—11 in. 
 
 >3 
 
472 A fine CelebE, of Nolan ware, with three ephebi, and olive- 
 
 leaf border above—green ground—16 in. 
 
 473 A Crater, with the youthful Bacchus holding a mastix of olive 
 
 wood, two nymphs of Nysa, and two fauns, one of them holding a 
 lyre ; rev. three ephebi, olive-leaf wreath above—on black 
 ground—13 in. A beautiful design 
 A fine Celebe, with a draped bacchante holding a thyrsus and 
 a torch between two fauns, a bacchante holdino- two torches 
 behind; rev. three ephebi, one holding a cylix, and one a 
 mastix, on fine green Nolan ground—17 in. 
 
 4/5 A very fine Cylix, with a frieze of a chariot race in honour of the 
 
 death of Patroclus, round the edge : the figures heightened with 
 purple and white 1 14" in. diameter. A very spirited design 
 
 476 A fine Tall Amphora, with a youth seated holding a mastix, 
 
 a male and two female figures, and a boy around him : beneath 
 are Minerva, a bacchante, and a female daducha, with a 
 torch, seated; rev. Hercules, with his club upraised, sur¬ 
 rounded by four fauns—on black gr ond—25 in. 
 
 477 An amphora, with two eyes, and two kneeling warriors painted on 
 
 the shoulder—on red ground—15 in. high 
 
 478 One, nearly similar—14 in. high 
 
 479 A fine Scyphus, with Phaedra, the stepmother of Hippolytus, in 
 
 a swing, emblematic of her unhappy fate; Aphrodite stands 
 before her, holding a speculum in which she views herself, Eros 
 propelling her, and a dog beneath her; rev. a draped female and 
 two youths—on black ground. Engraved in Panofka's work , 
 and in Gerhard Antike Bildwerke, plate 54 
 
 480 A VERY FINE CYLIX, of Nolan ware, with five athletae pre¬ 
 
 paring to anoint each other with oil for the stadium, and five 
 holding strigils ; inside, two athletae exercising their arms, pre¬ 
 vious to the stadium. The anatomy and drawing of the figures 
 remarkably fine—13 in. diameter—under a glass shade. OF 
 THE HIGHEST QUALITY AND IMPORTANCE. 
 From the Canino Collection 
 
 481 A fine Amphora, with the long-bearded Bacchus holding a cylix, 
 
 and two bacchantes supported on the shoulders of two fauns; 
 rev. two warriors, one of them bearing a shield, with the device 
 
 d 2 
 
36 
 
 of an animal’s head upon it, standing between two heralds: 
 figures heightened with white—17 in. high. From S. Cam- 
 
 panari's Collection 
 
 482 A very fine Celebe, with Hercules attacking Achelous in the 
 
 form of a bull, with human face and long beard, Orythia 
 draped, holding a staff behind; rev. three draped figures—on 
 black ground, with cover—18 in. high. Found in the Necro¬ 
 polis of Ceres: a subject never before represented on a Vulcian 
 vase. With the drawing 
 
 483 A VERY FINE STAMNOS, with two females, one holding a 
 
 cyplius, and the other dipping a simpulum into a vase, before a 
 terminal of Bacchus, on each side of which is a stamnos; rev. 
 three bacchantes, one of them holding a thyrsus—on black 
 ground—14 in. high. Also, a bronze simpulum, the handle 
 terminating with two swans’ heads, which was discovered with 
 the vase, accompanies it: and is of the same form as that held 
 by the female. Published by Panofka, Berlin. 
 
 484 A fine Nolan Calpis, with Hercules and Mercury followed by 
 
 two dogs, Minerva armed with spear and shield, and a draped 
 female with a mastix on each side—on red ground—13 in. 
 
 485 A Lecythus, with two females in peploi, one holding a mastix 
 
 and cylix, the other holding a prochous, Grecian honeysuckles 
 above—on red ground—14^ in. 
 
 486 An Amphora, with a warrior, armed with two spears and a shield, 
 
 on which is the device of a biga, a hound at his feet, a draped 
 female pouring wine from a prochous into a tazza, an attendant 
 in a pointed Thessalian cap, with axe and quiver at the side ; 
 rev. a bacchante, between two fauns under vine branches, a 
 frieze of tigers and goats below: the figures heightened with 
 white, on red ground—16 in. 
 
 487 An Amphora, with a warrior and a female in a quadriga, pre¬ 
 
 ceded by an hoplite; rev. two warriors standing side by side, 
 a serpent on their shield between a herald and a draped 
 female, antefixa flowers on the neck : the figures heightened 
 with white, on red ground—17 in. 
 
37 
 
 488 AN EXQUISITE AMPHORA, with a quadriga, in which is a 
 
 driver in plain white tunic, with a singular CEolic shield hano-ino- 
 on his back ; the driver, holding a mastix and spear, is pulling 
 up his liorse at the me(a, and is received by four officers of the 
 stadium, two in full armour, and a herald who proclaims his 
 victory, a border of antifixa flowers ; rev. the long-bearded 
 Bacchus, holding the primitive vine, and in his left hand a 
 keras, between two dancing females and two satyrs—23 in. 
 high. This fine vase and cover was found in its present per¬ 
 fect state at Vulci 
 
 489 A beautiful Amphora, of Nolan ware, with a female figure 
 
 bearing a lecythus and cylix, inscribed KAPNIA2; rev. a 
 draped male figure—on black ground— 14 in. From the Du¬ 
 rand Collection 
 
 490 A Lecythus, four armed horsemen attended by dogs—red ground 
 
 —13in. high. Much damaged: from the Durand Collection 
 
 491 An Amphora, with the Indian Bacchus, a bacchante dancing 
 
 and two grotesque fauns; rev. a warrior in a quadriga, at¬ 
 tended by a herald and two attendants : figures heightened with 
 with purple and white, on red ground—17 in. high. From the 
 Durand Collection 
 
 492 A very fine Amphora, with a priest of Bacchus between two 
 
 draped females- rev. Paris and Helen, and another female 
 figure—black ground—19^in. 
 
 493 A VERY INTERESTING SMALL AMPHORA, with 
 
 Ajax and Achilles playing at dice, their helmets and spears 
 suspended behind them, with rude inscription; rev. the same 
 subject—9 in. high. Believed to be the vase engraved in 
 Panofka s work 
 
 494 A small hydria, of Nolan ware, with a draped figure seated, 
 
 receiving a wreath from her female attendant, another attend¬ 
 ant standing behind with instruments of the toilette—74 in. hiah 
 
 495 A NOBLE HYDRIA, of Nolan ware, with a frieze of bees and 
 
 honeysuckle round the shoulder, Hercules strangling the 
 Nemsean lion above; behind the group appears a single tree, 
 slightly sketched over the tree are the letters AOHTEI, and 
 
38 
 
 behind the lion EAONOI. “ It has been presumed that these 
 two words are intended to be read together, and that it may 
 have been a provincial reading of o'eVI \iovn , but this is very un¬ 
 certain.”— Chev. Brondsted. From S. Campanari's Collection 
 
 496 A FINE FELICE, with a youth and female in a quadriga, 
 
 followed by a male figure, and attended by three females carry¬ 
 ing wedding gifts on their heads, preceded by a priest; rev. a 
 man combating a centaur, two females and two ephebi stand¬ 
 ing by—17 in. high 
 
 497 A NOBLE PELICE, with Pallas standing in the centre, 
 
 the triquetra on her shield; before her is seated the long- 
 bearded Bacchus, a priest of Bacchus and Mercury, and an 
 hoplite standing at her side ; rev. a youth, on horseback, with 
 two spears, attended by a dog, a warrior with a shield bearing 
 the device of a biga, a herald, and a spearman : figures 
 heightened with purple and white, on red ground—21 in. high 
 
 498 A VERY FINE AMPHORA, with a faun in a nebris, sup¬ 
 
 porting the long-bearded Bacchus, a bacchante dancing 
 before them ; a bow and quiver are suspended in the vine 
 branches, which form the background ; rev. the long-bearded 
 Bacchus, seated on a mule, attended by two fauns, one of them 
 bearing an askos on his shoulder: figures heightened with 
 purple and white, on red ground—16 in. high. A fine Archaic 
 work, from S. Campanari's Collection 
 
 499 A fine Amphora, with two warriors combating, a third kneeling 
 
 between them, devices on the shield heightened with white; 
 rev. nearly similar—17 in. high 
 
 500 A BEAUTIFUL RYTHON, in the front a grotesque head, 
 
 with eagle beak : on the shoulder is a beautiful figure of Paris 
 with a pallium over his shoulder, honeysuckle ornament on 
 each side. From Prince Canino's Collection 
 
 501 A GRAND CELEBE, with a feast, three male figures on a 
 
 triclinium and two females, one playing the Lydian double 
 pipes, and the other bearing a crater, a lyre and garlands 
 suspended above; rev. three draped figures, on black ground— 
 *—19 in. high. Bought at Naples 
 
39 
 
 502 A cylix, with six athletse, and one in the centre, in a green case 
 
 503 AN EXQUISITE ARYBALLOS, representing Venus and 
 
 Cupid, attended by female figures, inscribed KAEOriATPA* 
 ETNOMIA* ITAIAIA' ITT©HO • ETAAIMONIA : of the most ex¬ 
 quisite design, the fruits and ornaments raised and coloured, 
 and retaining the remains of gilding. Supposed to have been 
 one of those vessels which were filled with oil from the Morian 
 olives, and presented to the victor at the Panathenaic contest. 
 From Signor Lusieri s Collection at Athens. Described in 
 Hughes s “ Greece?' 'page 202. Purchased from Mr. Sams. 
 Engraved in Stackelburg Grdlur der Hellenen, page 29 
 
 504 A FINE AMPHORA. Minerva, in an ample peplos, without a 
 
 shield, standing between Bacchus and Hercules; behind her 
 is a bull destined for sacrifice; rev. Minerva, with her aegis, 
 helmet, and spear, on her quadriga, driving the four horses, 
 who are trampling upon a falling barbarian, probably En- 
 celadus. This vase seems to have reference to the prediction 
 that the Olympian gods could not conquer the giants unless 
 they were assisted by two demigods. The bull destined for 
 sacrifice furnishes additional ground for supposing that the 
 united worship of Minerva and the two great Theban heroes is 
 also alluded to. This fine vase is highly interesting, both 
 from the subject and its present state of preservation. — Chev. 
 Brondsted 
 
 505 A VERY FINE AMPHORA, with Poseidon and Aphrodite 
 
 standing by the side of each other on a quadriga, the horses of 
 which the female figure is in the act of pulling up. The head 
 of Poseidon, which is the only part visible, is surrounded by 
 the sacred fillet; the hair of the female is collected in a net, 
 and folded under the fillet. “The fact of a female driving is 
 
 D 
 
 a rare occurrence; still more so for Aphrodite to drive 
 Poseidon : it is therefore probable that the artist should have 
 written on the vase AMHTPITE instead of A4>POAITES. 
 In this attitude Amphitrite appeared on the western pediment 
 of the Parthenon, which represented the coniest between Pallas 
 
40 
 
 and Poseidon. In the Argonautica of Apollonius Rhodius, 
 a very careful author, it is likewise Amphitrite who manages 
 the horses and chariot of Neptune. Betore the horses appear 
 the words IIT0OKAES * KAA02, the name of the victor for 
 whom this vase was made, in commemoration of his success, 
 most probably at the Isthmian games ; the reverse, which is 
 considerably injured, represents a quadriga, the horses seen 
 full face; in it are two men, one ready armed, the other, the 
 driver, with Thessalian cap and a mastix in his hand.”— 
 Chev. Brdndsted —17 in. high 
 
 505a A SUPERB HYDRIA, of the Corinthian class. The principal 
 picture contains six female figures, each bearing a hydria 
 before a fountain, which flows through a lion’s mouth from a 
 rock underneath an architectural gallery supported by Ionic 
 columns. The first has placed her hydria under the stream ; 
 the second is approaching the fountain, with the hydria on her 
 head ; the third and fourth are retiring from the fountain, 
 whence they have filled their hydriee ; the fifth and sixth are 
 approaching with their empty hydrise : the name of the 
 fountain is inscribed over it, KAAAIPEKPENE. Over the first 
 woman, XIATMIX (Xi^vX\ s ); behind the second woman is the 
 same name, Siy.uAi^ (probably indicating that they were sisters, 
 or at least of the same family) ; before the third, ErEPATE 
 (ErfEgccTe) • before the. fourth, KYANE (K ucxvs) ; behind the fifth, 
 ETENE (E vzvs) •, behind the sixth, XOPONIKE (Xofoyooj). 
 The first owner’s name, I'lf'n’oKga-re; xct\o$ } appears on the border. 
 “ The fountain represented is undoubtedly the celebrated 
 Athenian Kallirhoe, whence it was customary for those who were 
 going to take an important part in any ceremony to draw 
 water to perform their ablutions. There can be little doubt 
 from the fact that Cyane, (who is apparently the handsomest and 
 youngest,) holds a wreath, a common nuptial emblem, in her 
 hand, that this vase was presented to her and Hippocrates 
 on the occasion of their marriage. This view is supported 
 by the statement of Thucydides, who says, speaking of the 
 fountain— nat vvv tri at'o rov v tfgo te yociMKwv xoci els aAAa 
 
rcuv vogl&Tou rcu v$a,ri ^TjcrSaj. There is a small pic¬ 
 
 ture near the neck, which has no connection with the one 
 below. An armed warrior, with Baotian shield, is combating 
 with a warrior, who although prostrate is endeavouring to 
 defend himself with his Arrive shield : a third is advancing to 
 his rescue : a draped female on either side show, by their ani¬ 
 mated attitude, the interest they have in the contest. Two 
 heralds, with the sacred fdlet round their heads, are in at¬ 
 tendance. It is probable that this has reference to the mythos 
 of the Laodacidro.”— Chev. Brondsted. Brought to this coun¬ 
 try by Signor Campanari. Engraved by G. Scharf,\ in IVords- 
 worth's “Pictorial Greece ” 
 
 End of Fourth Day's Sale. 
 
Fifth Day's Sale. 
 
 - 0 - 
 
 On FRIDAY, MAY 2, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 In this Catalogue is comprised the entire Collection of Pictures , 
 with the exception of the three fine works bequeathed to the 
 Nation. 
 
 PICTURES. 
 
 . C 
 
 BEGYN. 
 
 506 A landscape, with a female peasant keeping cows, sheep, and goats, near 
 a pool of water 
 
 DESIDERIO. 
 
 vi 
 
 507 A view in front of a castle of elaborate architecture, with numerous 
 
 '* figures witnessing a public execution -X o- o o cf 
 
 A. DETO&-- 
 
 ^ 508 A gentleman, in an orange dress, seated reading 
 
 REMBRANDT SCHOOL. 
 
 h^ 
 
 509 A man, in a black dress and gorget 
 
 
 BORGOGNONE. 
 
 510 A melee of cavalry, under the walls of a town. From Lady Holland's 
 ^ Collection i O _ t?0 
 
43 
 
 
 BORGOGNONE. 
 oil A battle piece—the companion. From Lady Holland’s Collection 
 lx ' I ■ io. 
 
 TINTORETTO. 
 
 512 A Venetian nobleman, in black dress 
 
 VAN DER IIOOG. 
 
 513 A group of flowers, in a glass vessel 
 
 V bT" 
 
 MOMPERTS. 
 
 514 A bay scene, with Roman ruins and a group of figures 
 
 
 
 Ip - 6 « 
 
 VAN GOYEN. 
 
 515 A Dutch river scene, with figures in a boat 
 
 • -5 . (s>. 
 
 STOTHARD. 
 
 516 A feast, from Boccaccio 
 ftT . /<r~ 
 
 STOTHARD. 
 
 517 The vintage 
 
 ay • L 
 
 STOTHARD. 
 
 518 A fete champetre, from Boccaccio. This beautiful composition coil¬ 
 s' tains four subjects , engraved in Mr. Rogers’s Poems 
 
 ' 5 ' tfc 
 
 STOTHARD. 
 
 519 The triumph of Amphitrite, who is standing in a gilt car, drawn by sea 
 
 horses, and surrounded by tritons. Most brilliantly coloured 
 
 l . F^oJbe^o 
 
 STOTHARD. 
 
 520 Sedillo, the old licentiate, at supper, attended by Gil Bias y 
 
 STOTHARD. 
 
 521 The rustic courtship : two figures by a stile, cattle in the distance 
 
44 
 
 4 
 
 '?• 7 
 
 STOTHARD. 
 
 522 Imelda and Paolo, at the door of the house of the Donati, at Florence. 
 See Rogers’s “ Italy ” 
 
 “ This had I treasured up in secret for thee; 
 
 This hast thou lost.” 
 
 CT5f~ • I' 2> 
 
 STOTHARD. 
 
 523 A set of five small illustrations to the “ Arabian Nights,” on one 
 canvass, with painted grey borders fa 
 
 \ 
 
 V 
 
 \> 
 
 try . i if 
 
 STOTHARD. 
 
 524 Adam and Eve, seated on a bank in Paradise, two angels looking on 
 
 3 T' ' L 
 
 SIR J. REYNOLDS. 
 
 525 Portrait of the Marquis of Huntley, in a cuirass—whole-length. A 
 
 beautiful small copy from Van Dyck __ f Q 0. 
 
 SIR O. BEAUMONT. 
 
 526 Conway Castle: a horseman and other figures on the bridge, intro- 
 
 - i duced by Sir D. Wilkie. This picture was presented by Sir 
 
 George to Mr. Rogers , as a memento of the spot on which the Poet 
 and the Painter first met 
 
 SIR D. WILKIE. 
 
 527 The death of the red deer, with portraits of McIntyre and McGregor, 
 the huntsman and piper of the Duke of Atholl, 1821. The 
 
 engraved picture 
 
 J. M. TURNER, R.A. 
 
 528 A sea piece, with fishing boats off a wooden pier, a gale coming on. 
 An early tvorh of this Master. Beautifully true to nature 
 
 LESLIE, R.A. Of] 
 
 529 The two children in the Tower, at prayer, at the bedside in their night¬ 
 clothes. This interesting ivork teas painted for Mr. Rogers 
 
 3 cj 3 . iS 
 
 % 
 
 (f> < 
 
 Jls-tT 
 
 if- 
 
45 
 
 A. JOLLI. 
 
 530 A Roman bath, under a vaulted colonnade, with rows o f Ionic columns ; 
 
 a bay scene in the distance; figures in an arcade on the left: inscribed 
 u Genio Caroli Cozenzali Bonarium Artium Antonio Jolli, D.D.D. * 
 —grand upright 
 X>. - I 
 
 BRAUWER. 
 
 
 531 A landscape, with five peasants on a winding road near a cottage— 
 
 evening scene. A very spirited sketch fcGu 5 
 
 ii ■ it 
 
 P. NEEFS. 
 
 532 Interior of a Flemish cathedral, with figures. Very minutely finished^ 
 \ls> * ff~ b . 
 
 P. NEEFS. 
 
 533 Interior of a church—the companion 
 
 3-1 * 
 
 DOMENICIIINO. 
 
 534 A classical river scene, with Apollo and Daphne oval 
 
 —-o* 
 
 /«■ 
 
 • 7 
 
 DOMENICIIINO. 
 
 535 A landscape, with Apollo and Midas the companion 
 
 r 
 
 
 £t)‘ 
 
 
 VAN DER NEER. 
 
 536 A Dutch river scene, with buildings on a bank, and numerous figures. 
 
 Brilliant effect of rising moon 
 2*3? • /‘2-r 
 
 VAN DER NEER. 
 
 537 A river scene, with the conflagration of a town—the companion^ 
 
 )Cf • S • £ 
 
 1 GUARDI. 
 
 538 A circular church, and other buildings, with figures . i 
 
 (i 3 
 
 . (Ip . (s> 
 
46 
 
 s 
 
 ■>** - .s—• 
 
 • sr^ * 
 
 ^. 15^' 
 
 io • la 
 
 Ljr • $ • 
 
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 ■ 
 
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 ir- /r-* 
 
 \X 
 
 A> * ( . 
 
 GUARDI. 
 
 539 The ruins of the temple of Peace—the companion 
 
 CRUYL. 
 
 540 The Quirinal Palace, at Rome, with figures. Very highly finished 
 
 PORDENONE. 
 
 541 A man in a turban, blowing a horn, and a page, with a group of four 
 
 *i*V 
 
 dogs, in a landscape 
 
 GUIDO SCHOOL. 
 
 542 Lucretia. A small copy from the celebrated Picture 
 
 P. SAANREDAN. 
 
 543 Interior of a Dutch church, with figures. Dated 
 
 B. PEETERS. 
 
 i 544 A river scene, with two vessels at anchor, near a square tower on the 
 shore, and figures in a row boat in front 
 
 S. ROSA. 
 
 545 Jason pouring the enchanted potion on the head of the dragon. From 
 Lord Radstock’s Collection 
 
 NOVARRA. 
 
 546 Portrait of a favourite cat.. From the Archbishop of Toronto’s Collec- 
 (o tion, alluded to in the notes to Rogers’s Italy —“ The Bag of Gold.” 
 
 Page 197 
 
 SAANREDAM. 
 547 Interior of a Flemish church, with figures 
 
 VENETIAN. 
 
 548 A hawk, standing on a gauntlet. Very elaborately finished—dated 1673 
 
47 
 
 BASSANO. 
 
 549 The adoration of the shepherds, who are kneeling before the Infant, 
 
 surrounded by cattle and sheep ^ 
 
 ar- .. 
 
 DOMENICIIJNO. 
 
 550 A romantic landscape, with Tobit following the angel. A charming 
 
 specimen. From President West’s Collection 
 
 STEEN WYCK. 
 
 551 Interior of a cathedral, with a priest and figures before an altar—candle¬ 
 
 light 
 ib • \(c 
 
 PRUDHON. 
 
 -canuie- . 
 
 X 
 
 552 A subject from Roman history: a child rushing into its mother’s arms. 
 
 A finished study 
 4 ^' l. 
 
 TENIERS. 
 
 553 A group of five peasants, seated round a table smoking, before a cabaret; 
 
 a wooden building in the background 
 ic(o - t 
 
 LOCATELLI. 
 
 554 An Italian landscape, with a river falling in a cascade ; a palace and an 
 
 aqueduct in the distance 
 *-f • /4 - (o _ 
 
 B. VAN ORLEY. 
 
 555 A knight, in rich dress and armour, (supposed to represent Charles V.,) 
 
 on a white horse, trampling on a Moorish prince. This picture is 
 supposed to refer to Charles’s campaign against Tunis 
 loo - . 
 
 ' 
 
 GAROFALO. 
 
 556 The Riposo: the Virgin and Child seated on a stone plinth, St. John 
 standing before St. Elizabeth and offering flowers, St. Joseph, in a 
 yellow drapery, leaning on a staff; a river and mountains in the 
 background. A lovely composition, coloured in a beautiful golden 
 
 lo-x - 
 
 i 
 
48 
 
 '*>•>-• ti 
 
 oL'Y • ^ 
 
 r- 
 
 L. VAN LEYDEN. 
 
 557 St. John and St. Mark, writing their gospels; the one in red, and the 
 
 other in lilac drapery, with their respective emblems. An elaborate 
 miniature ivorh 
 
 S. DI FERRARA. 
 
 558 The Resurrection : Christ standing on the tomb, round which the Roman 
 
 soldiers are reclining, stupified by the miracle ^ D 
 
 P ARMEGI AN 0. 
 
 559 The Riposo: the Virgin and St. Joseph seated before an archway, 
 
 the infant Christ and St. John on a cushion between them ; a cow 
 and a horse in the background. From the Collection of Sir Thomas 
 Lawrence /LCl^jzJL 
 
 f 
 
 II 
 
 *s> (? • iff 
 
 T-'d- ■ I 
 
 m ; i ( 
 
 \J\ 
 
 - ( . 
 
 HOLBEIN. 
 
 560 Portrait of Cardinal Csesar Borgia, in a crimson dress and cap ; with a 
 
 blue background. A highly interesting historical portrait 
 
 AS 
 
 GUERCINO. 
 
 561 A party of cavaliers and ladies on the bank of a river, which some of 
 
 them are crossing in a ferry boat; a city seen on the opposite bank. 
 From the Collections of Mr. Udncy and Mr. Jiaik^ 
 
 EVERDINGEN. 
 
 562 A romantic view in Norway, with wooden buildings, and a rocky 
 
 height, crowned with firs 
 
 VAN GOYEN. 
 
 563 A Dutch river scene, under the walls of a town, with boats moored near 
 
 a gateway ^ Cq — 
 
 TENIERS. 
 
 564 A cavern scene, with a group of peasants at their devotions before a 
 
 stone cross; other figures seen on a winding road, with a rocky 
 background. Painted with great breadth of effect. From Lady 
 Holland's Collection bo 
 
49 
 
 (A 
 
 vV 
 
 / 
 
 A 
 
 V- 
 
 
 
 
 F. VANNI. 
 
 565 The doctors of the Church, kneeling in adoration before the Virgin, 
 
 who appears in a glory above ; infant angels bearing a tiara and 
 mitre in the foreground ^ ^ 
 
 ?. 4- 
 
 WATTEAU. 
 
 566 A masquerade: a group of five figures, in masquerade dress. From the 
 
 Earl of Carysfort’s Collection /X 
 
 r&>. i -**" 
 
 WATTEAU. 
 
 567 A concert—the companion. From the Earl of Carysfort's Collection 
 
 /ft* . ' 
 
 A. DEL SARTO. 
 
 568 Head of St. John. Full of beautiful character. Prom the Mareschal- 
 
 chi Palace , Bologna. Purchased thereby Mr. Rogers, in 1821 
 
 P. PERUGINO. 
 
 569 The Saviour, surrounded by St. Peter, St. John, and two other Saints. 
 
 Painted on gold ground. Formerly the centrepiece of three compart¬ 
 ments, the remainder of which still remains in Italy. This is said 
 to have been one of Peruginos latest works 
 
 !>% 
 
 7 
 
 
 Cl 
 
 R. HANNAH. 
 
 570 Confidence: a post-boy whistling as he knocks at the door 
 
 try - IV 
 
 A R. HANNAH. 
 
 571 Diffidence: a girl ringing the bell. The much admired engraved 
 
 pictures , purchased by Mr. Rogers, from the Royal Academy 
 
 
 kA 
 
 SEVERN. 
 
 572 The Neapolitan Vintage: a female peasant, with a basket of grapes on 
 her head, and a man on a ladder, at the foot of which is a goat. 
 Coloured with very rich effect / !'■'{. 
 
 M - (a . E 
 
50 
 
 JARVIS. 
 
 v 
 
 573 Portrait of Pope, in a crimson dress, and black cap. This capital 
 
 portrait was presented by the Duhe of Rutland to Crabbe, and by 
 
 
 R. WESTALL. 
 
 Is - 1 C 
 
 574 A romantic landscape, with a bridge over a river, and mountainous 
 distance. Painted in the manner of Titian & tf L o ft . et *-'*- 
 
 GAINSBOROUGH. 
 
 * 
 
 575 The Cornaro Family. This admirable copy teas made from the en¬ 
 graving, the original picture by Titian not then being accessible to 
 the artist: the colouring is consequently of Gainsborough’s choice, 
 and was always highly commended by Mr. Rogers 
 
 PARMEGI AN 0. 
 
 576 The Virgin, seated, embracing the Infant. Full of dignified character 
 !\ - o ^ 
 
 // 
 
 J. DE MABEUSE. 
 
 o 
 
 577 Head of a nun. This small fragment was purchased by Mr. Rogers, 
 - at Venice t 
 
 ^ * 10 . Jyv 
 
 TITIAN. 
 
 qC 
 
 578 Samson lying in the lap of Delilah, who is holding a lock of his hair, 
 which an attendant is cutting off. This fine design is from the 
 Orleans Collection JL c^, 
 
 \i 
 
 L j‘^ f £ 
 
 GEORGIONE. 
 
 579 A knight and a lady, in the foreground of a romantic landscape, with 
 a view of Florence in the background. Coloured with admirable 
 effect. This work is highly commended by Mrs. Jameson and Dr. 
 Waa 
 
51 
 
 CLAUDE. 
 
 580 A grand archway, of rich Roman architecture, with a party of cavaliers 
 and ladies playing cards on a terrace; a Roman villa, with moun¬ 
 tainous background on the sea shore— the ivhole illumined with a 
 brilliant effect of evening sun. From the Orleans Gallery; en¬ 
 graved in the Liber Veritatis. This was the first picture purchased 
 by Mr. Rogers. From De Calonne’s Collection ^ 
 
 )m - iff 
 
 < 
 
 SIR J. REYNOLDS. 
 
 581 The Mob-cap : the principal figure in the celebrated composition of the 
 
 11 Infant Academy.” The celebrated engraved picture 
 
 R. WILSON. 
 
 582 An Italian landscape, with a ruined temple on a rock above a river, a 
 
 group of three figures and sheep in the foreground ; a mountainous 
 distance. Full of beautiful aerial effect. Of the finest tune of the 
 artist, after his return from Italy 
 
 to- 
 
 LESLIE, R.A. 
 
 583 Sancho and the Duchess. One of the most favourite works of this 
 
 distinguished artist. Purchased by Mr. Rogers from the Royal 
 .Academy — engraved. This was borrowed by the Artist, while paint¬ 
 ing the picture in the Vernon Gallery 
 
 111 b . 
 
 
 FARRIER. 
 
 584 Going to School: an idle boy catching a fly on the wall 
 
 £T tf . I > . 
 
 VAN EYCK. 
 
 585 The Virgin, in a blue dress, with the Infant in her lap, seated in a 
 
 Gothic niche, surmounted by elaborate Gothic tracing, in which are 
 represented the seven joys of the Virgin, in relief. An exquisite 
 miniature work, from the Collection of Mr. Aders. u This small 
 picture is the ne plus-ultra of delicacy and precision of miniature 
 painting in oil.”— Waagen. 
 
 /r~ e2 
 
 
52 
 
 SCHIAVONE. 
 
 n 
 
 >al 
 
 \ 
 
 M - ' <0 
 
 \>' 
 
 6 ^ - **■ 
 
 
 3 ^- - 
 
 58G The birth of St. John : the Infant is being tended by three females in 
 the centre, St. Elizabeth on a couch in the background, and four 
 figures, seated round the table, on the left. An admirably design 
 
 
 A. VEROCCHIO. 
 
 S' 
 
 587 Portrait of a noble Italian lady, the face seen in profile, in a crimson 
 and white dress, ornamented with pearls, a veil hanging over the 
 back of her head : the arms of the family of Soderini, of Florence, 
 are emblazoned on the background. Dr. Waagen attributes this 
 interesting portrait to A. Pollajuolo /2 n 
 
 SIR J. REYNOLDS. 
 
 588 A girl with a bird. The celebrated engraved work 
 ( q C&OV 
 
 WESTALL, R.A. 
 
 
 589 A watermill, in a richly wooded landscape. Effect of evening sun 
 
 HAYDON. 
 
 590 Napoleon standing on the shore of St. Helena. A small replica from 
 
 Sir R. Peel’s large picture. Paintedfor Mr. Rogers. ** 
 
 1 
 
 SIR J. REYNOLDS. 
 
 591 A girl sketching. This picture , in the Marchioness of Tliomond’s 
 
 Collection, formed the companion to “ The girl with the kitten ,” now 
 in the Earl of Normanton’s Collection 
 
 - J * 
 
 SIR C. EASTLAKE, P.R.A. 
 
 592 The sisters. A most elegant ivork of the distinguished President of the 
 
 Royal Academy f 
 
53 
 
 RUBENS. 
 
 593 Solitude : a landscape, moonlight—a group of trees on the bank of a 
 river, flowing through a flat country, a horse grazing in the fore¬ 
 ground—admirable effect of the stillness of night—the moon emerg¬ 
 ing from the clouds, and the stars faintly shining. This most 
 beautiful well-known icorlt is from the Collection of Sir J. Rey¬ 
 nolds, and is engraved by Bolswert 
 - I o ' 
 
 SCHIAVONE. 
 
 594* The dead body of Christ, deposited in the tomb by St. Joseph 
 of Arimathea, the Magdalen, St. John, and another disciple standing 
 by their side; the mouth of the cave is seen in the background 
 
 1 % 
 
 
 
 CIMA DI CONEGLIANO, 
 
 595 The Virgin, in a red and blue dress, seated before a green drapery, 
 with the Infant in her arms, who is handing a cross to St. Francis, a 
 female saint on the other side, with landscape background 
 
 \ 
 
 WATTEAU. 
 
 596 A lady, in a red dress, seated on a bank, a cavalier playing on a lute at 
 her side. Most brilliantly coloured. The engraved picture ^ 
 
 
 CIMABUE. 
 
 597 The Virgin enthroned, with the Infant in her lap; St. Francis, St. 
 
 Bernard, and four female saints standing at her side. From the 
 Collection of the Right Hon. C. Greville. Coloured on gold 
 
 ground, arched top -- 
 
 • / 
 
 CANALETTI. 
 
 598’ Front of the library of St. Roch, at Venice, with figures 
 3 f - tc, 
 
 
54 
 
 
 c \° 
 
 2-t 
 
 
 C 
 
 H. HIMMELINCK. 
 
 599 Portrait of the artist, in a crimson dress and black cap, being the dress 
 
 of the Hospital of St. John, at Bruges : this picture is highly- 
 interesting, as it is the only known portrait of the artist. The 
 portrait has been engraved at Bruges, and lately copied with the 
 descriptions of the celebrated collections of England, by Percival. 
 This rare work is dated 1462, and is from Mr. A decs’s Collection 
 
 GAROFALO. 
 
 600 The Virgin, with the Infant seated on a pedestal before her, with St. 
 
 Joseph, behind trees and mountains. Highly finished 
 
 -* 
 
 SIR J. REYNOLDS. 
 
 601 The strawberry girl. This celebrated picture was painted in 1775. 
 Respecting it Sir Joshua observed that “ no man could ever produce 
 more than about half a dozen really original works, and that,” he 
 added, “ is one of mine.” Sir Thomas Lawrence wrote to Mr. Rogers? 
 “ That magnificent display of impudent knowledge that kicks 
 modesty out of doors, and makes you say 1 Aye, let her go,’ has 
 never been from my recollection or eyes since I saw it ” 
 
 \J 
 
 
 
 
 he ~ 
 
 SIR G. BEAUMONT. 
 
 602 A view of Patterdale Church. Painted on one of the Royal Academy 
 
 dinner cards, and presented to Mr. Rogers by Sir George 
 
 LESLIE, R.A. J 
 
 603 The first lesson : a lady, in a black dress, teaching reading to a child, 
 
 in a white dress and red cap, standing by her side. Painted for Mr. 
 Rogers, from the design by Raffaelle , and so well known by the 
 fine engraving of Marc Antonio, which accompanies the picture 
 
 SIR, J. REYNOLDS. 
 
 604 A romantic woody landscape, intersected by a stream of water. A 
 
 highly poetical work, painted in the manner of Titian 
 
DOMENICIIINO. 
 
 605 A classical landscape, with a river and mountainous distance; the 
 
 Judgment of Paris in the foreground. From B. West's Collection. 
 Painted in a fine silvery tone 
 
 DOMENICHINO. 
 
 606 A romantic landscape, intersected by a ravine, opening to a clear 
 
 distance; in the foreground, at the foot of a tree, is represented 
 Apollo flaying Marsyas, witnessed by a group of three nymphs—the 
 companion. From B. West’s Collection 
 
 h 
 
 REMBRANDT. 
 
 C4'€) . L Cy 
 
 607 The emancipation of the United Provinces : an allegorical composition 
 of many figures, composed with masterly power, in grisaille. One 
 of the most prominent is a lion chained at the foot of a rock, on 
 which the tree of liberty is growing. The whole is executed with 
 consummate skill, and the general effect is striking. From the 
 Collections of Sir J. Reynolds and B. West 
 
 
 RUBENS. 
 
 608 The horrors of war : the artist, as Mars, in armour, followed by two of 
 
 his wives and infant cupids, who endeavour to restrain him from 
 following Bellona, Discord, and the Furies. This superb and 
 perfect work of the artist , is from the Balbi Palace , at Genoa , 
 and subsequently from Mr. Champer no wne’s Collection. The larger 
 picture is in the Pitti Palace ^ 
 
 GUERCINO. ' C> / 
 
 609 A mother, in a crimson dress and blue drapery, with a child in her lap ; 
 
 she holds a sparrow on her hand, on which the child is intently 
 gazing, while he holds in his hand a thread attached to the bird. 
 
 Mr. Rogers observes of it, “An effect of light to be often observed 
 at noon in Italy, when the shutters are shut against the sun.” 
 
 Full of beautiful feeling , and painted with fine effect of chiaroscuro. 
 
 From the Borghese Palace. Engraved by Bcttelini , and brought 
 by Mr. Ottley to England f 
 
56 
 
 
 Vi 
 
 Vr • 
 
 V 
 
 i^-tr' 
 
 L. DI CREDI. 
 
 610 The coronation of the Virgin, by the Saviour, in a glory above; St. 
 
 Nicholas, St. Barbara, St. Catherine, and St. Julian in adoration ; 
 on a predilla beneath, is represented Christ rising from the tomb, 
 with St. Francis and St. Anthony represented on the plinth beneath. 
 This interesting early work is f ull of expression, and was purchased 
 by Mr. Rogers, at Rome 
 
 CIMABUE. 
 
 611 An evangelist writing, holding a book and inkstand in his hand. For¬ 
 
 merly belonging to the Right Hon. C. Greville. From W. Young 
 Ottley's Collection 
 
 G. BASSANO. 
 
 612 Dives feasting with his friends ; Lazarus, surrounded by dogs, lying at 
 the base of a column in the foreground, an attendant about to drive 
 him away. It is remarkable that the red head-dress of the attendant 
 exactly resembles that of the peasants of Friuli at this day. From, 
 the Collection of President West. “ Approaching in glow of 
 colouring to Rembrandt, and one of the best pictures of the 
 Master.”— Waagen s~. 
 
 £7 
 
 G. ROMANO. 
 
 613 La Vierge au Berceau. An exquisite small copy from the picture by 
 
 I Raffaelle, in the Louvre 
 
 GIOTTO. 
 
 614 The Virgin, in a crimson and blue dress, seated on a throne, with the 
 
 Infant in her lap, under a gold canopy, surrounded by nine angels, 
 tO four of whom support the canopy. Dr. Waagen attributes this 
 
 exquisite work to Benozzo Gozzoli <-» ~ 
 
57 
 
 FRA ANGELICO DA FIESOLE. 
 
 615 The daughter of Herodias dancing before Herod, who is seated with 
 
 four courtiers at a feast; a soldier entering the apartment with the 
 head of St. John in a charger; the execution seen on the left, outside 
 the banquet room. Painted in distemper , and varnished. Mrs. 
 Jameson says “ There is much simple elegance and grace in the 
 head and figure of Salome, and much expression in the miniature 
 heads of the old men.” Bought at Pome fp 
 
 3 fc - nr~* 
 
 PALMA. 
 
 616 The Virgin, in a crimson dress and blue drapery, seated, with the Infant 
 
 in her lap, who is presenting a cross to St. Francis ; St. Catharine, in 
 a yellow dress, in adoration beneath 
 
 REMBRANDT. 
 
 617 A forest scene, with horsemen and a beggar on a road, beneath a bank 
 
 covered with trees, through the stems of which are seen a flat open 
 distance. This masterly toorh, of the highest quality, was the pro¬ 
 perty of President West , and teas a favourite study of Sir J. 
 Reynolds s> 
 
 r to . (j y 
 
 GUERCINO. 
 
 618 The dead Christ, lying on a white drapery, watched by two angels, one 
 
 of whom, in a blue dress, is reclining on a pedestal, weeping. An 
 exquisite replica , on copper , of the picture in the NationaljGallery 
 ftp?. . vi 
 
 TITIAN. 
 
 619 Charles V., of Spain, in a suite of tilting armour, holding a spear, on a 
 
 horse covered with crimson trappings, in a landscape. The admi¬ 
 rable finished study for the grand picture in the Museum of Madrid. 
 
 From the Orleans Collection & . .rr~fT? 
 
 Nt tj- * t 
 
 A. DURER. 
 
 620 The Grand Falconer: a man in a black dress, with hat and feather, 
 
 with a falcon on his wrist. 
 
 & ' b 
 
 Most elaborately finished 
 
 
BARROCCIO. 
 
 62) La Madonna del Gatto. The very celebrated work, from the Salviati 
 Palace, at Rome. Brought to England by Mr. Bay. It was lent 
 to Palmaroni for some months to assist him, when repairing Mr. 
 Carrs picture of the same subject, noiv in the National Gallery 
 
 
 N. POUSSIN. 
 
 622 The adoration of the shepherds; three of whom are prostrating them¬ 
 selves before the Infant, over whom the Virgin and St. Joseph are 
 leaning at the foot of a column, near which an ass is standing ; an 
 elegant female figure is bearing a basket of fruit on her head; the 
 angel appearing to the shepherds seen in the background. From 
 ' •' * Lord Radstock’s Collection. “ This exquisite picture is a proof 
 that N. Poussin could be, when he chose, a poetical and effective 
 colourist.”— Mrs. Jameson 
 
 The three following Pictures were hung over Mr. Rogers's 
 writing table, level with his eye as he sat. 
 
 L. CARRACCI. 
 
 623 The Virgin, in a red and blue drapery, seated, holding a book over the 
 head of the Infant, who is seated before her, holding an ear of 
 barley; St. Francis, St. Peter, St. Paul, and St. Andrew, St. 
 Catherine, and St. Agnes, in adoration before him. Bought by Mr. 
 Rogers at Bologna, in 1821 f 
 
 CLAUDE. 
 
 624 The mill: on the bank of a river, a shepherd seated, playing on the pipe 
 beneath a group of trees, near which goats and cattle are grazing; 
 a mill at the side of a round tower is seen on the right on the steep 
 '*• bank of a river which stretches into an open distance; the whole 
 illumined with magical effect of sunshine. This exquisite gem was 
 from the Collection of President West, and is engraved, with slight 
 variations, in the Liber Veritatis. Dr. Waagen says, in his de- 
 
 
59 
 
 scription of this work, “ That few pictures inspire such a sense of 
 the delicious stillness of a summer’s evening.” Mrs. Jameson 
 describes it as “ Delicious for its soft, tranquil, Arcadian character ” 
 
 RAFFAELLE. 
 
 625 Christ in the garden of Gethsemane, kneeling in prayer, an angel de¬ 
 scending towards him with a chalice; St. James and St. John 
 seated sleeping near the foot of a tree in front, and St. Peter re¬ 
 clining, with his head on a bank, in the background. This precious 
 little picture, painted by Raffaelle when he ivas about two and twenty, 
 was originally a part of the predella to the altar, painted in 1505 for 
 the Nuns of St. Anthony, at Perugia. From the Orleans Gallery 
 and Lord Eldin’s Collection. Engraved by Flipart for the 
 Crozat Collection, and also by Gruner 
 
 • /o. 
 
 / 
 
 *. 
 
 * 
 
 End of Fifth Pay’s Side. 
 
Sixth Day's Sale. 
 
 - 0 “»- 
 
 On SATURDAY, MAY 3, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 ■O- 
 
 PICTURES. 
 
 t 
 
 NJ 
 
 EARLY FLORENTINE. 
 
 626 The dead Christ, supported by the Virgin and St. John 
 
 L. VAN LEYDEN. f 
 
 627 The birth of St. John ; and Christ mocked—a pair 
 
 ^' \ 
 
 \J 628 A subject from a novel 
 - tv. 
 
 STOTHARD. 
 
 BIRD. 
 
 629 The death of Cleopatra 
 
 u- f' 
 
 FUSELI. 
 
 630 Satan summoning his legions 
 
 
 
 
 F. COLE. 
 
 631 A romantic American valley, with Indians crossing a bridge over a 
 f /. *' cataract: grand effect of an approaching storm. A scene from 
 
 Cooper’s “ Prairie .” Purchased by Mr. llogersfrom the artist 
 
IIARLOWE. 
 
 632 Portrait of Stothard 
 
 H- * 
 
 
 After SIR J. REYNOLDS. 
 633 The infant Samuel 
 
 H- 
 
 WESTALL. 
 
 634 Zephyr flying in pursuit of a butterfly. 
 /*- J'l 
 
 JACKSON. 
 
 635 Portrait of Stothard—in profile 
 
 *6* /v"”' 
 
 Figure finely foreshortened 
 
 SULLY. 
 
 636 Head of the Queen, in a coronet of brilliants. 
 
 by the artist 
 a. . "x— 
 
 Presented to Mr. Rogers 
 
 s 
 
 FUSELI. 
 
 637 A witch, seated, gathering mandrakes 
 
 * l O' 
 
 
 *rx*— 
 
 A. SACCHI. 
 
 638 St. Bruno and his disciples, in a landscape ; with a vision of angels in 
 
 the background 
 
 £_ 
 
 PINTURRICCHIO. 
 
 639 The procession of the Magi, with other figures, descending a hill on 
 
 horseback ; the buildings of Bethlehem seen in the background 
 
 >> - *z>~ * C 
 
 CAMPO VECCHIO. 
 
 640 A pair of views in Italy. From Prince Poniatowski’s Collection 
 
 Jr* 
 
 
62 
 
 
 REMBRANDT SCHOOL. 
 
 641 A philosopher, reading 
 
 X, - 
 
 
 FERRARA SCHOOL. 
 
 642 Four disciples, in a landscape ^ 
 
 - -to, - . 
 
 REMBRANDT. 
 
 643 Interior, with the Virgin and St. Joseph seated reading, the Infant 
 
 ^ . y"" lying in a cradle before them—small. Most powerfully painted 
 
 
 A 
 
 GIORGIONE. 
 
 644 Buildings, in a landscape—a sketch 
 
 A. DURER. 
 
 645 Portrait of a gentleman, in black dress and cap, and white collar—small 
 
 ! tf' t*f: 
 
 >r 
 
 STEENWYCK. 
 
 646 Interior of a Gothic chamber, with a figure seated in the background. 
 / Most delicately finished 
 
 w 
 
 
 HOOGEST. 
 
 647 Interior of Delft Church, of rich architecture ; with a group of peasants 
 near the pulpit in the foreground. Illumined ivith brilliant effect 
 of sunshine. Dated 1651 h~~*D 
 
 TIEPOLO. 
 
 V 
 
 At ' 
 
 .648 The Vision of Pope Leo, when saved from shipwreck :• the Deity, with 
 angels bearing a cross, appearing to the Tope, who is kneeling on the 
 n, (j,. sea-shore ; a group of figures round him—upright, arched top. A 
 
 small finished study fdr an altar-piece 
 
DIEPENBECK. 
 
 a 
 
 * 
 
 7 
 
 v 
 
 V 
 
 ( 0 . 
 
 649 The Virgin, in a blue and red dress, kneeling in adoration over the 
 
 Infant, who is lying on a cushion; two angels, in adoration, behind 
 
 ^' y' 
 
 F. LAURI. 
 
 650 Venus supporting the dead body of Adonis, and Cupid weeping at her 
 
 side, in a woody landscape 
 
 A. DURER. 
 
 651 John and Hubert Van Eyck: the former in a black dress and cap, with 
 
 gold chain; the latter in a blue dress, edged with fur, and brown 
 fur cap, seated at a table reading a manuscript. A highly interesting 
 specimen 
 
 K ’ 
 
 H. HIMMELINCK. 
 
 652 Portraits of a gentleman, in a black dress, edged with fur; and a lady, 
 
 in black dress, and white head-dress—a pair—small 
 
 
 v 
 
 3 " 3 > - < 0 . 
 
 TENIERS. 
 
 653 A corps de garde of monkeys, bringing in a cat as a deserter —torch¬ 
 
 light. From Lady Holland's Collection 
 
 <?- •• 1 
 . . BASSANO. 
 
 654 The Virgin, with the Infant in glory, presenting a rosary to a Venetian 
 
 lady ; a pope and doge kneeling on the other side. Painted with 
 rich and powerful effect 
 
 3 0 ' cjr 
 
 L. VAN LEYDEN. 
 
 « 
 
 655 A gentleman, in a black dress, and hat, holding a gold badge, in the 
 centre of which is a skull ; a rocky landscape and a seaport in the 
 
 background 
 
 
64 
 
 ■ 
 
 7>?' A, 
 
 VENETIAN. 
 
 656 A romantic mountainous landscape : a peasant with sheep, and a male 
 
 , and female figure in the foreground 
 
 F. MOLA. 
 
 657 The Riposo : the Virgin, seated, with the Infant on her lap, before 
 
 whom two angels are kneeling in adoration; St. Joseph, seated, 
 ' feading, behind them, and a glory of cherubs above—woody land- 
 , scape background. A very elegant design 
 
 V 
 
 * i^ 
 
 - 
 
 7 
 
 STOTHARD. 
 
 658 The triumph of Charles V.: Victory is holding a wreath before the 
 / king, who rides bareheaded, on a white horse. A very fine specimen, 
 
 k- of colour 
 
 STOTHARD. 
 
 659 The birth of Narcissus: a group of five nymphs watching the 
 
 A most elegant composition 
 
 STOTHARD. 
 
 660 The sailor’s return 
 
 “ Soon through the whitening surge he springs to land, 
 
 And clasps the maid he singled from the world.” 
 
 Rogers's Poems , p. 174. 
 
 STOTHARD. 
 
 Kf 
 
 / 661 The tournament. From Chaucer’s “ Rose and Leaf” 
 
 *7 * 
 
 STOTHARD. 
 
 662 The children in the wood ' i 
 
 V if yW^ 
 
 STOTHARD. 
 
 663 The death of Iphigenia. Most brilliantly coloured 
 
 
 
 ■ 
 
65 
 
 STOTHARD. 
 
 664 Four of the Muses, in a landscape. Engraved in Alaric Watts's Poems 
 
 xh ' sr 
 
 STOTHARD. 
 
 665 View from Salisbury Crags, looking over the Frith of Forth 
 
 
 . fb, 
 
 STOTHARD. 
 
 666 Don Quixote’s installation in the inn yard 
 
 3>~ * M. 
 
 STOTHARD. 
 
 
 
 
 •M 
 
 667 Don Quixote and Sancho Panza setting out on their adventures 
 
 3 7 ' ir 
 
 
 STOTHARD. 
 
 668 Don Quixote at the ball 
 "X "5 * 
 
 STOTHARD. 
 
 669 Sancho Panza seated by the side of the Duchess 
 
 lif * 3 . 
 
 
 G. POUSSIN. 
 
 670 A woody landscape, with peasants reposing near a stream. 
 Colonna Palace : bought of Irvine, at Rome 
 
 H*' f 
 
 From the 
 
 G. POUSSIN. 
 
 671 A classical landscape, with buildings, a flock of sheep near a pool of 
 water, and shepherds reposing. Bought by Mr. Rogers of Mr. 
 Irvine , at Rome , 1822. From the Colonna Palace: —the companion 
 
 OfT i\ . F 
 
... 
 
 66 
 
 xj 
 
 MOMPERTS. 
 
 672 An Italian scene, with a ruined Roman bridge across a river; peasants, 
 with a mule, in the foreground. From the Marchioness of Tho¬ 
 rn ond’s Collection 
 
 J. DE MABEUSE. 
 
 673 A lady, in a rich dress and crimson cloak, as the Magdalen, holding a 
 3-1 - silver vase of ointment; a landscape background, and Gothic^circular 
 
 S' 
 
 top 
 
 iUJ- 
 
 V 
 
 A 
 
 V 
 
 a> - i 
 
 WATTEAU. 
 
 674 A party of cavaliers and ladies, seated on a bank, near a statue 
 
 domenichino. 
 
 675 A caricature of hawking: a lawyer on a mule, with an owl in his hand, 
 
 in a landscape. Mentioned by Waagen : a curious and interest¬ 
 ing specimen. From the Borghese Palace ^/_ 
 
 7 
 
 WATTEAU. 
 
 676 A lady and gentleman, and a group of four children, in a landscape 
 ] ^ small 
 
 
 CRESPI. 
 
 677 Th« school: an aged female is instructing two girls in reading, others 
 . are wording at a pillow, and reading. Full of simple and natural 
 
 ' f- chatter ~ fZ 
 
 LE NAIN. 
 
 678 A group of five peasant children : one of them, in a red dress, playing a 
 *** ‘ ** violin, and another playing on a pipe. Admirably true to nature 
 
 9 
 
07 
 
 DOMENICHINO. 
 
 679 1 he birdcatchers: nymphs in a landscape, catching various birds, which 
 have been drawn to a decoy beneath a tree; two nymphs dancing on 
 the left, near the bank of a river, and Cupid in a car at the the foot; 
 a rocky height in the background. From the Borghese Palace 
 
 /Xlc . 
 
 FRA BARTOLOMEO. 
 
 680 St. Matilda, an angel holding a book ; and St. John the Evangelist 
 reading, an eagle at his feet. A pair of exquisite miniature works 
 
 DOMENICHINO. 
 
 681 The infant Christ, in a loose blue drapery, seated on a bank, his right 
 foot resting on the cross ; at his side is a basket, containing the crown 
 of thorns, and other emblems of his passion—beautiful landscape 
 background. This exquisite cabinet specimen is from the Collections 
 of Dr. Braggs and President West 
 
 Jl . 5"^ 
 
 
 W 
 
 CAY D’ARPINO. 
 
 682 St. James of Spain, in gilt armour, on a white horse, brandishing his 
 sword, a vanquished foe at his feet. From Sir 
 Collection 
 
 tie - l lo 
 
 J. Reynolds's 
 
 BRONZINO. 
 
 <nJU . 7 
 
 ft* 
 
 683 Leonora di Toledo, Duchessa di Fiorenza, second" wife of Cosmo, 
 Grand Duke of Tuscany, in a brown dress richly ornamented with 
 gold, and a pearl necklace. “ An admirable work, distinguished 
 from most of the pictures by this master for the transparency and 
 warmth of the flesh tones.”— Waagen 
 
 Lflc - t-f 
 
 ILIMMELIN CK. 
 
 
 
 Fir- 
 
 084 An abbess presenting a nun, who is kneeling in prayer before her ; a 
 'b ^ castle on a height in the background g* ' 
 
 ^ tX> ‘ 
 
 f 2 
 
68 
 
 HIMMELINCK. 
 
 j f *7 
 
 I 685 A knight, in a black dress and helmet, holding a spear and banner, 
 standing behind a gentleman, who is kneeling in prayer. “ These 
 admirable little pictures retain much of his master, Roger Yan der 
 Weyden, the elder, and belong therefore to the earlier time of 
 Hemmeling.”— Waagen. The companion 
 
 
 A. MANTEGNA. 
 
 686 St. Michael, in armour, overcoming the evil spirit; and St. Apollonia, 
 in a crimson dress. A pair of exquisite figures, in niches , brought 
 ^— from a shrine in Padua f 
 
 * 
 
 VENETIAN. 
 
 687 A Venetian lady about to embark in a boat; three figures near her: a 
 ship in the distance 
 
 * 6 . ^, 
 
 XI u 
 
 T 7 • 
 
 F. MOLA. 
 
 688 Ilagar kneeling, with her arms extended towards the infant Ishmael, 
 
 who is lying down before her : she is looking up to the angel who 
 appears in a cloud above. From the Earl of Carysfort s Colle ction ^ 
 
 L 
 
 SCIIEDONE. 
 
 689 The Riposo. The Virgin seated, nursing the Infant; St. Joseph behind, 
 holding a bunch of cherries, at the foot of a tree - upright 
 
 ' 11 , 
 
 \3K 
 
 ' io - 
 
 VELASQUEZ. 
 
 690 The hidalgo, or country squire, of Spain, in a yellow dress, smoking a 
 
 pipe. Full of fine character. From the Orleans Gallery 
 
 SNYDERS. 
 
 691 A larder, with a boar’s head, peacock, hare, lobster, dead birds, and 
 
 ^ vegetables, on a table. An admirable example rt -j _ 
 
69 
 
 MIGNARD. 
 
 692 The Virgin, holding the Infant on a sculptured pedestal, the youthful 
 St. John standing before her. A beautifully finished copy from 
 Raffaelle 
 
 a. s. - I . 
 
 VELASQUEZ. 
 
 —-‘u-t tC^lvV- 
 
 693 Phillip IV., of Spain, in a black dress, hat, and feathers, on a bay 
 charger, in a landscape : he holds a baton in his hand. A finished 
 study, full of spirit and character : for the great^picture, under 
 
 which it used to hang in the Retiro 
 
 iCL 
 
 A.li> 
 
 
 GAINSBOROUGH. 
 
 694 An open landscape, with peasants in a cart crossing a rapid stream, near 
 
 a group of trees ; a peasant, with a horse, in the foreground. From 
 the Marchioness of Thomond’s Collection. A charming small 
 specimen ( £*e /2u\dctt fjufiAe-e h 4 dn 
 
 ■3k.^ X . | C . ( LiZ. 
 
 SIR J. REYNOLDS. *v! 
 
 695 The sleeping girl. This most powerfully painted work, described by 
 
 Northcote as one of his richest performances, was exhibited in 1787 ; 
 when Mr. Northcote, speaking of Opie and himself, said—“ We 
 found great difficulty in placing it, being so powerful in its effect, 
 that it seemed to annihilate every picture near it” n ? 
 
 {o. 
 
 R. WILSON. 
 
 696 An Italian landscape, with a group of three figures near a round tower 
 
 on the woody bank of a river. Coloured with beautiful golden effect 
 
 fG$~- \ x 
 
 GAINSBOROUGH. 6 
 
 697 A rustic landscape, with a cottage on a bank, near a stream, which 
 
 cattle and sheep are about to pass, and at which a man is watering 
 his horse. Brilliant in tone « „ , 
 
 /X b ' ** 
 
70 
 
 \K 
 
 7' 7 
 
 v 
 
 p 
 
 PORDENONE. 
 
 698 The dead Christ at the foot of the cross, supported by the Maries, St. 
 John, and other disciples 
 
 GIORGIONE. 
 
 
 699 The Riposo: the Virgin, seated, suckling the Infant at the foot of a 
 - column —St. Joseph unlading the ass ; a palace at the edge of a 
 
 lake in the distance 
 
 
 M 
 
 \i 
 
 1 
 
 ia 
 
 
 lOT » 
 
 V 
 
 (O- 
 
 G. BASSANO. 
 
 700 The adoration of the Magi: supposed to contain portraits of the Emperor 
 
 Charles V. and his brother, the King of the Romans ; one of them 
 kneeling and kissing the foot of the Infant, who is in the lap of the 
 Virgin, under a rustic building; others are just alighted from their 
 'horses, and are preparing their gifts ; they are followed by attendants 
 and camels : the white horse in the centre has a striking and luminous 
 effect. This qrand ivorli is from 13. West’s Collection 
 
 lZ 1T 
 
 GAROFALO. 
 
 701 The Riposo: the Virgin, in a crimson dress and green drapery, seated, 
 
 holding a book on a stone pedestal ; St.. Anne, in a white mantle, 
 behind her; St. Joseph raising the Infant with both hands from a 
 cradle, on which he stands; a rocky bay scene, with buildings, in 
 the background. Full of grand and dignified character 
 
 SIR J. REYNOLDS. 
 
 702 Prospect from his window on Richmond Hill, looking over the Thames, 
 
 Marble Hall, and Pope’s Villa; a group of cattle and sheep in the 
 foreground—in the manner of Rembrandt. One of his happiest 
 productions in this style. From the Marchioness of Thomond’s 
 Collection 5 &° 
 
71 
 
 BONNINGTON. 
 
 703 A Turk enjoying the siesta : a long pipe in his lap, and crimson drapery 
 
 suspended at his side : a broad shadow falls on the upper part of the 
 figure, with fine effect 
 
 *Cf f' •• 
 
 WILSON. 
 
 704 The ruins of Adrian’s villa, with two figures, and open background. 
 
 The ivell known engraved picture : of the highest quality 
 
 - tS^ 
 
 WILSON. 
 
 705 The ruins of Maecenas’s villa, with a group of figures—the companion 
 I *3 (o * 10 ^^ 
 
 SIR J. REYNOLDS. 
 
 706 Cupid and Psyche: she is holding a lamp, and leaning over the youthful 
 
 god, who is sleeping on a couch ; landscape background. One of 
 the most important and beautiful of his fancy subjects 
 
 BARROCCIO. 
 
 707 The dead body of Christ, deposited in the tomb by Joseph of Arimathea 
 
 and two other disciples, the three Maries behind them, and the 
 crosses seen on the hill in the distance—arched top 
 
 a 3 - 
 
 W. VAN DE VELDE. 
 
 708 A sea piece, with two Dutch galleots under sail in a rtrong breeze; two 
 vessels lying at anchor in the distance : a broad gleam of light falls 
 upon the principal object, with grand effect 
 
 <j(D ' 
 
72 
 
 J 
 
 >it i ■ 
 
 **?« - 
 
 
 KC 
 
 vend' 
 
 G. BASSANO. 
 
 IQ- 
 
 709 The good Samaritan, in a crimson dress, raising the wounded Jew, in 
 order to place him on his mule, which stands by ; a silver bottle of 
 wine and two dogs in the foreground ; the Levite seen in the open 
 landscape distance. This noble study of colouring , full of dignity 
 and feeling , is from the Collection of Sir J. Reynolds , icho kept it 
 
 always hanging in his studio 
 
 ( 
 
 
 to 
 
 VELASQUEZ. 1 ’ 
 
 710 Don Balthazar, son of Charles IV. of Spain, in a black and white dress, 
 with crimson scarf, on a black charger, in the tennis court at 
 Madrid ; a cavalier, attended by a page, and other figures around ; the 
 royal mews are seen in the background. This noble work was 
 purchased in Spain, by Mr. Woodburn, for Mr. Rogers , at the 
 recommendation of Sir David Wilkie ^ 
 
 N. POUSSIN. 
 
 711 The Catnpagna of Rome ; a grand composition of broken rocky scenery : 
 a convent in a ravine at the foot of the mountainous background ; a 
 peasant and family resting on a bank beneath a fine group of trees ; 
 a stream of water on the left. This important work , highly com¬ 
 mended by Mrs. Jameson and IVaagen, for poetic composition and 
 careful execution , is from the Collection of 
 Esq. 
 
 WILSON. 
 
 712 An Italian landscape, with a convent on a rocky height, two figures in 
 conversation in the foreground, and distant view of a river. From 
 President West’s Collection 
 
 GAINSBOROUGH. 
 
 713 A landscape, with a group of cattle and peasants on the bank of a river,, 
 in which vessels and boats are lying and landing fish. Painted with 
 wonderful transparency and brilliancy 
 
73 
 
 SIR J. REYNOLDS. 
 
 714 Puck, or Robin Goodfellow ; Titania and Bottom seen in the back¬ 
 ground 
 
 “ Through the forest have I gone, 
 But Athenian found I none, 
 
 On whose eyes I might approve 
 This flower’s force in stirring love.” 
 
 This is perhaps the most popular work of the great English 
 Master 
 
 MURILLO. 
 
 715 The infant Saviour, holding the sphere, appearing to St. Francis, who 
 kneels before a table, on which is a book. A very perfect specimen 
 
 of the great Master : of cabinet size 
 
 "VtU ‘ l O' 
 
 P. VERONESE. 
 
 716 Mary Magdalen anointing the Saviour’s feet. lie is seated, surrounded 
 by Simon and other figures, under a portico of Corinthian columns. 
 This noble and important ivork differs from the great picture at the 
 Dorazza Palace , at Genoa. It is from the Collection of H. Hope , 
 Esq. See Hamilton's “ Schola Italica ” 
 
 v 
 
 RUBENS. 
 
 717 The waggon landscape: a scene among Flemish meadows, interspersed 
 with groups of trees; a man in a red jacket is diiving a waggon 
 down a steep road to a ford. Coloured with magical effect of evening 
 sun. This very perfect ivork is from the Collection of the Marquis 
 of Campden 
 
 ’ VO - 
 
 A. SACCHI. 
 
 7IS Christ bearing his cross, attended by St. Veronica and Roman soldiers. 
 
 This finely designed ivork is from the Orleans Gallery , and from 
 the Collection of H. Hope , Esq. 
 
 % - T 
 
74 
 
 > 
 
 J 
 
 s*r- - i 
 
 J 
 
 • t 
 
 * 1 °!- 
 
 hltV - 
 
 ? . 
 
 REMBRANDT. 
 
 719 Portrait of the artist, in a crimson dress, and brown cloak edged with 
 fur; he wears a jewel suspended from a gold chain, and a black cap. 
 This noble work, of the very highest quality, is from the Collection of 
 the Earl of Carrysfort 
 
 0. 
 
 i 
 
 TINTORETTO. 
 
 720 The Miracle of St. Mark. The beautiful finished sketch for the great 
 
 picture called “ II Miracolo del Servo,” in the Museum at Venice. 
 ThisAvork is mentioned by Pilkington as having been his property. 
 It was formerly at Carlton House, and was afterwards in the Col¬ 
 lections of Tresham, Hoppner, and W. Young Ottley, Esq. 
 
 GIOTTO. 
 
 721 Heads of Peter and John, in adoration before the body of Jesus: a fresco 
 
 from a chapel in the Church of the Carmelite, or Church of Bran- 
 cacci in Carmel, at Florence. This fragment was saved among 
 others token the church was destroyed by Jire in 1769, and was 
 brought to England by Mr. Townley; it was afterwards in the 
 Collection of the Right Hon. C. Greville—engraved by Patch from 
 a Drawing made while it formed par of the walls of the Chapel 
 
 MURILLO. 
 
 722 St. Joseph, in a lilac and orange drapery, embracing the Infant, (\v ho 
 stands by his side. This exquisite cabinet gem is from the 
 Collection of H. Hope, Esq. ( 
 
 TENIERS. 
 
 723 The enchantress, quitting the infernal regions: she is emerging from a 
 cavern, guarded by Cerberus ; numerous grotesque figures around 
 her. This extraordinary fine work teas with difficulty obtained by 
 Sir J. Reynolds from Dr. Chauncey , in exchange for three of Sir 
 Joshua’s own productions, and two others by celebrated Masters. It 
 was purchased from the Marchioness of Thomond’s 
 
 Collection 
 
 5L* 
 
M. D1 FERRARA. 
 
 724 Christ among the doctors, in the temple, discovered by Mary and 
 Joseph : he is seated on a pedestal, surrounded by the Rabbis, in 
 varied dignified attitudes ; a child, an owl, and the artist’s favourite 
 emblem, the monkey, in the foreground ; the background is an 
 architectural design of the period of the artist. This picture is 
 mentioned by Lanzi, as a replica of a work in the church of St. 
 Francesco in Bologna, and he supposes it to have been painted for a 
 Cardinal Aldobrandi, who was legate at Bologna, in the time of 
 Mazzolino. It was bought out oj the l ilia Aldobrandi by Mr. 
 Ottley, from whose Collection it teas purchased by Mr. Rogers 
 
 jp _ .. jf 
 
 TITIAN. 
 
 725 La Gloria di Titiano : a finished sketch for the celebrated work, called 
 also the Apotheosis of Charles V., and “ II Paradiso,” now in the 
 Musee de San Fernando, but which when painted, owing its origin 
 to a dream of Charles, was designed, as Charles informed Titian, for 
 the Convent de St. Juste, in which he ended his days. This picture 
 was held up before the king on his deathbed.— See “ Sterling's 
 Cloister Life of Charles.” After the death of Charles Y. it was 
 removed, by command of Philip IL, to the Escurial. Di. AYiagen, 
 speaking of this sketch, says, “ The painting is throughout excellent, 
 and of a rich deep tone in the flesh.” This important xvork was 
 discovered in a gambling house in Madrid, purchased there by Mr. 
 De Dour he, afterwards Danish Minister to London ; brought by 
 Mr. Wallis to London; and afterwards purchased by Mr. Rogers 
 
 - 10 . 
 
 RUBENS. 
 
 726 The triumph of Julius Csesar: a grand composition of numerous figures 
 beneath a bank, surmounted by a temple : painted at Mantua, from 
 the fresco by Andrea Mantegna. Rubens himself seems to have 
 set much value on it, as it was among his effects at his death. This 
 highly important xvorh, from the Balbi Palace, at Genoa, was 
 purchased by Mr. Rogers from Mr. Champer noxvne s-Collection 
 
 
 1 1 0 > • (o • 
 
76 
 
 - 
 
 * 7 * * > 
 
 - 
 
 - 
 
 RAFFAELLE. 
 
 727 The Madonna embracing the Infant. This charming work, of sweet 
 
 character, has been transferred from panel to canvas. Dr. Waagen 
 assigns it to an early period of Raffaelle’s residence at Rome. It 
 is well known by Flipart's engraving. Since 1721 in the Orleans 
 Gallery, whence it was purchased by Mr. Hibbert, for 500 guineas; 
 it was then in the possession of H. Hope. Esq., and at his sale, in 
 1816, was purchased by Mr. Rogers ^ 
 
 RUBENS. 
 
 728 The battle between Constantine and Maxentius. One of the series of 
 
 twelve sketches, from the history of Constantine, which were 
 formerly in the Orleans Gallery; designed by Rubens for the 
 tapestry manufacture, at Mortlake. This noble study formed part 
 of Lord Ranelagh's Collection 
 
 CORREGGIO. 
 
 729 The Virgin, in a red and blue dress, seated, looking down in adoration 
 
 at the Infant, whom she holds in her lap, and who is raising his 
 right hand to her shoulder ; St. Joseph, in a lilac and yellow dress, 
 seated at her side ; with a landscape background. This exquisite and 
 very celebrated work, probably of an early period of the great 
 master, is from the Orleans Gallery, and purchased by Mr. Rogers 
 from H. Hope's Collection. It is engraved 
 
 AN. CARRACCI. 
 
 730 The coronation of the Virgin by the Trinity ; a group of noble figures 
 seated on the clouds on either side, and smaller figures seen in the 
 centre beneath. This noble capo d'opera teas formerly in the 
 Pamphili Palace, at Rome, and was imported into this country by 
 Mr. Bay, about 1800, from whom it ivas purchased by Mr. Rogers. 
 See Mrs. Jamieson's admirable critique upon this noble ivork 
 
 End of Sixth Day's Sale. 
 
Seventh Day's Sale. 
 
 o 
 
 On MONDAY, MAY 5, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 - 0 - 
 
 OBJECTS OF ART AND VERTU. 
 
 731 Seven oriental and other fans 
 
 732 Two blotting books, in velvet covers 
 
 733 A court sword, with polished steel hilt; a pair of shoe buckles; 
 
 and knee buckles 
 
 734 A musical box, in tortoiseshell case 
 
 735 Another, larger, in outer leather case 
 
 736 Flaxman’s Reed Pen 
 
 737 A coral neglige ; and a bag, of American Indian bead work 
 
 738 A chased gold slide; and two casts, from gems 
 
 739 Three plaster reliefs— Kemble, by Flaxman, a pair; and Theo- 
 
 clitas’s cup, by Flaxman 
 
 740 A pair of lachrymatories, of oriental alabaster, on bronze stands 
 
 741 A basin,of Venetian schmeltz, on stone 
 
 742 A red bottle, of Mexican ware; and a small green oriental bottle 
 
 743 A small vitrified figure of an Fgyptian priest 
 
 744 A small tazza, of alabaster 
 
 745 A pair of small vases, of coquillan nuts, elaborately carved with 
 
 foliage. From the Chevalier Franchis Collection 
 
78 
 
 746 Four heads of cherubs, beautifully carved in boxwood, by Ver¬ 
 
 bruggen 
 
 747 A black cup and cover, of figtree wood, japanned. Purchased at 
 
 Genoa 
 
 748 A stone slab, with scarabseus and two priests of Isis, in relief 
 
 749 A double bottle, of red Mexican ware 
 
 750 Ariosto’s inkstand—a small bronze 
 
 751 A jardiniere, of Derby porcelain, the semicircular front, painted with 
 
 flowers ; and a small taper stand 
 
 752 Washington’s Coffee Cup, of plain white Sevrps porcelain. 
 
 Sent to Mr. Rogers, from America 
 
 753 A tazza, of oriental enamel, in flowers, on copper 
 
 754 A tazza, of glass, gilt and silvered beneath 
 
 755 A pair of giey bottles, of oriental china. From Redleaf 
 
 756 A pair of small bottles, of green oriental china 
 
 757 A bell, of ruby glass, mounted with or-moulu, on tray of the same. 
 
 Given bg the Duchess of Bedford 
 
 7 58 A tazza, of carton pierre, in imitation of giallo; and one in imi¬ 
 
 tation of lapis lazuli 
 
 759 An ewer, and a pair of goblets, of Bohemian ruby glass, engraved 
 
 with landscapes and animals 
 
 760 A handsome goblet, of the same, deep blue, with a boar hunt 
 
 761 A goblet, of green and white opalised glass; and a small ewer 
 
 762 A beautiful small basin, of vitro di Triua, pink and white 
 
 763 A library seal, surmounted by a bust of Dante, in case 
 
 764 A pair of long print-collector’s scissors, ornamented with engraving 
 
 and gilt—inscribed “ C. Hughes to Mr. Rogers, Amitie ” 
 
 765 A silver pocket compass, by Dolland ; and an ancient silver sun 
 
 dial 
 
 766 A powerful magnifying glass, mounted in silver 
 
 767 The miniature English bijou, with magnifying glass, in a case 
 
 768 A pocket accordion, in black case 
 
 769 Model of an egg, in marble, painted with a bee; and a red Japan 
 
 saucer 
 
79 
 
 770 An Italian inkstand, of or-moulu sot with corals, with three vases, 
 
 a bell, and seal, and a stick of coral in an oval tray, with the 
 arms of the Medicis 
 
 771 A beautiful deep plate, enamelled with flowers in blue, white, and 
 
 gold tracery : of Moorish work 
 
 772 A beautiful small model of a lizard, in silver, on ebony plinth 
 
 773 A small figure of Buddha, in silver 
 
 774 A large silver medal of John and Cornelius de Witte, 1623; rev. 
 
 “Nunc redeuent Animis,” &c. ; and a coin of Antoninus, 
 mounted as a ring : of Roman work 
 
 775 A leaf-shaped flat cup and cover, engraved with foliage 
 
 776 A small agate cup ; a small oval stand, of agate ; and three spoons, 
 
 of agate and bloodstone 
 
 777 A case, with specimens of the rocks of Sinai and Horeb, with a note 
 
 from J. Sams ; and a bottle of water from the Castalian spring 
 
 778 Two or-moulu miniature frames ; and two ornaments of agate 
 
 779 A beautiful slab, of Florentine pietra dura, with a vase of flowers ; 
 
 and a pair, smaller, with pears and cherries 
 
 780 A pair of carved oak doors of a cabinet, of German work ; and five 
 
 panels, with busts and foliage 
 
 781 A marble chimney slab, with five subjects of birds, in coloured 
 
 marbles. This once formed part of Mr. Rogers’s chimney 
 piece , in the dining room 
 
 782 A large specimen of coral 
 
 783 A Persian lacquered flat round box and cover 
 
 784 A fine plaque, of Limoges enamel, with Venus in a car drawn by 
 
 doves, attended by cupids 
 
 785 A Parisian clock, in or-moulu case, with two boys reading, on oval 
 
 plinth—the movement in a bookcase 
 
 786 An ebony cabinet, with fall-down front and rising top, with drawers 
 
 inside the fronts, with silver plate, engraved with historical 
 subjects: of German work 
 
 787 Six Children, by Fiamingo, in wax — under glass shade. 
 
 From Nolle kins’s Collection 
 
 788 The bijou almanack, by Schloss, with magnifying glass, on a desk 
 
 of mother o’-pearl—under glass shade : on the mother-o’-peai l 
 is Mr. Rogers’s coat of arms 
 
BO 
 
 789 A bronze and marble paper weight; a candlestick, formed of a 
 
 plaster female figure 
 
 790 A vase, formed of American deal, with natural leaves. Sent from 
 
 America by Mrs. Newton , the wife of the artist 
 
 791 A chest, of satinwood, with a cock and hen, in beautiful gold japan, 
 
 on the lid 
 
 792 A knife, the handle beautifully carved with a male and female 
 
 figure, and a dog, in boxwood — the blade engraved and 
 gilt 
 
 793 A circular flat vessel and cover, of copper gilt, the surface covered 
 
 with arabesques : it is supported on three couchant lions, of the 
 style commonly called that of Solomon’s Temple 
 
 794 A paper weight, of giallo marble, with a small mosaic of the Arch 
 
 of Const: ntine—in a case 
 
 795 A small oblong snuff-box, of silver gilt, the surface covered with 
 
 arabesques, on dark blue enamel ground 
 
 796 A beautiful hexagonal snuff-box, of malachite, lined with silver—in 
 
 chased gilt setting 
 
 797 A BEAUTIFUL MlNUTE STATUE OF A Man IN A PHRYGIAN Cap, 
 
 in agate—the legs broken. From Bishop Butler's Collection 
 
 798 An alabastron, of agate, of rich brown colour 
 
 799 A pin, with the enamelled badge of the Legion of Honour 
 
 800 The Portland Vase : one of the original fifty copies made by 
 
 Wed £ wood 
 
 801 A noble Jar and Cover, of fine old japan, with flowers on 
 
 rich deep blue ground—29 inches 
 
 802 A Pair, similar, the cover surmounted by a figure of Cupid— 
 
 24 in. 
 
 803 A clock, by Gallo, Paris—on a plinth of malachite, with cornice of 
 
 orMnoulu 
 
 804 A vase, of Swedish porphyry, with a square pedestal of satinwood— 
 
 4 feet high 
 
 805 A mahogany pedestal, in the form of a Doric column. Copied 
 
 from the Temple at Poes turn 
 
 806 A noble Cisteen, of old Japan, enamelled with subjects of 
 
 Chinese figures, and pencilled with flowers in gold on blue 
 ground—24 in. diameter 
 
81 
 
 808 A Pair of beautiful Tazzi, of Malachite, the handles 
 
 formed of female winged figures of or-moulu, and plinths, 
 with chased borders of or-moulu—total height 11£ in., under 
 glass shades 
 
 809 A beautiful agate cup, mounted on plinth of or-moulu, with two 
 
 masks 
 
 810 A Pair of beautiful Small Ewers, of Venetian Blue 
 
 Glass, mounted, with stems, lips, and handles of or-moulu, 
 and bands of or-moulu, surmounted with cherubs’ heads. From 
 the Chevalier Francid's Collection 
 
 811 Two small cups, of agate 
 
 812 A beautiful small cup and cover, of agate, silver mounted, on 
 
 tripod stand and plinth of or-moulu. From the Chevalier 
 Franchi's Collection 
 
 813 A beautiful Cup, Cover, and Stand, of Onyx, of rich colour, 
 
 mounted with rims of silver gilt, set with lasque rubies, a 
 cameo on the handle at each side. From the Chevalier Franchi's 
 Collection 
 
 SILVER. 
 
 814 A BEAUTIFUL VASE, OF SILVER GILT, of classical form, 
 
 with a libation before an altar, a youth with inverted torch in 
 relief, with twisted handle and frieze of vines above, on fluted 
 cippus of metal gilt. Purchased at the sale of Messrs. 
 Rundell and Bridge 
 
 815 A SQUARE TAZZA, OF SILVER GILT, with doves at the 
 
 angles, on fluted stem. Purchased at Rundell and Bridge's 
 
 816 ARIOSTO’S INKSTAND : a beautiful copy, in silver gilt, with 
 
 Latin inscriptions on the tazza ; round the rim is inscribed 
 “ Samueli Rogers hoc amicitite Pignus W. W. B. G. 1826” 
 —under glass shade. Presented by Lord Grenville to Mr. 
 Rogers 
 
 817 A beautiful Toilette Vase and Cover, of fine silver- 
 
 fillagree, in the form of a flower, on stand, with leaf edges, and 
 on feet, under glass shade 
 
82 
 
 818 A pair of pedestals, formed as Doric columns, of satinwood—4 It. 
 
 8 in. high 
 
 S i 9 A Circular Table, the slab inlaid with numerous specimens of 
 rare marbles, on fluted mahogany plinth—25 in. diameter 
 
 820 A Pair of Pier Tables, with fine slabs of porphyry, on gilt 
 
 tigers’ legs—the slabs 36^ in. by 14 in. 
 
 821 A tazza, of rosso-antico, with two handles, on plinth 
 
 822 ADDISON’S WRITING TABLE, of mahogany, with folding 
 
 flap and drawer, on tripod stem 
 
 823 An elegant Mahogany Circular Stand, on three bronze 
 
 lions’ legs, surmounted by sphynxes, and triangular plinth 
 18 in. diameter. Designed from Hope’s Book of Furniture 
 
 824 The Boar of the Florence Gallery, and the Dog of the Vatican 
 
 small beautifully modelled copies, in silver, on black plinths 
 
 825 A Beautiful Agate Cur and Cover, mounted with silver gilt 
 
 chased and openwork rims, on tripod stand and enamelled 
 plinth. From the Chevalier Franchi s Collection 
 
 826 A VERY FINE TAZZA AND COVER, OF LIMOGES 
 
 ENAMEL, with Abraham offering gifts to Melchizedec be¬ 
 neath, boys with arabesques inside, a feast under the cover, masks, 
 arabesques, and gold ornaments, mounted with metal gilt 
 
 827 A fine Tazza, of Limoges Enamel, with the passage of the 
 
 Red Sea, and triumph of David, festoons, masks, and arabesques 
 
 828 A Salt Cellar, of Limoges Enamel, with classical figures and 
 
 the date 1549 : a female head on the top 
 
 829 A VERY FINE AND RARE DYPTIC, of very early 
 
 Limoges work : on each side is an ivory relief in three com¬ 
 partments ; on the right the Annunciation, the Nativity, and 
 the Baptism of Christ, in leaf borders; on the left hand is 
 the Pentecost, the Ascension, and Christ meeting Mary and 
 Martha; on each side are four double figures of saints in 
 silver gilt, of Byzantine character, with their names inscribed 
 in Latin at their sides, and five gems on fillagree grounds, in a 
 panel between the figures; the Virgin and Child and the 
 Saviour, above and below—the total size of each leaf is 16| in, 
 long by 10 in. wide—in a case 
 
83 
 
 SCULPTURE. 
 
 830 A fine Bust of Trajan. From Mr. Nollekens's Collection 
 
 MODERN SCULPTURE. 
 
 831 A Bust of Homer : a beautiful Italian copy from the antique, 
 
 on half-column of porphyry scagliola. From Ampthill , a legacy 
 from Lord Holland 
 
 832 A Pair of fine Crater-shaped Vases, of Verde-antique 
 
 —17 in. high 
 
 833 A FINE COLOSSAL BUST OF ANTINOUS, in the 
 
 character of Bacchus : a modern Italian work. Executed for 
 Thomas Hope , Esq. 
 
 Sod CUPID, BY FLAXMAN, seated, his right arm on his knees, 
 on which his head is resting. This celebrated original statuette 
 by Flaxman, was executed for Mr. Rogers , as a companion to 
 the “ Psyche ” 
 
 835 PSYCHE, BY FLAXMAN, kneeling on one knee, her right 
 
 hand concealed in her drapery ; her left hand raised to her 
 cheek. This exquisite statuette was adopted for the monument 
 of Mrs. Tighe , the author of a poem of the name of “Psyche ” 
 
 836 ROUBILLIAC’S ORIGINAL BUST OF POPE, in terra¬ 
 
 cotta. Respecting this most interesting and beautiful work of 
 art, Flaxman said that, “his father found him one morning 
 at work upon it in his studio, when Pope was sitting to him 
 in his arm chair there.” 
 
 837 FLAXMAN’S MICHAEL ANGELO AND RAFFAELLE: 
 
 a'pair of beautiful plaster statuettes—24 in. high. Executed by 
 the great sculptor for Sir Thomas Lawrence , and purchased at 
 Sir T. Lawrence's sale by Mr. Rogers. Never executed in marble 
 
 PLASTER CASTS. 
 
 838 Two busts of fauns 
 
 839 A model of a tazza, of Cellini, under glass shade 
 
 840 A bust of a boy ; and a pair of small busts of philosophers 
 
 g 2 
 
84 
 
 841 A portion of Stothard s Plateau 
 
 842 Bust of Johanna Baillie 
 
 843 Ditto of Mr. Landseer, Senior 
 
 844 Ditto of Campbell the poet 
 
 845 Ditto of Stephen Elliott 
 
 846 A seated figure of Plaustina, broken; a female caryatid figure ; 
 
 and a small female torso 
 
 847 Seven fragments of reliefs 
 
 848 Four medallions, with figures in relief 
 
 849 Paris and Helen, from the celebrated mirror cover; and a medahon 
 
 head of Flaxman 
 
 850 The Psyche, or Capuan fragment 
 
 851 A hand, adopted by Canova for the hand of Psyche ; a child s 
 
 hand ; and a bust of Mozart 
 
 CASTS FROM GEMS. 
 
 852 A collection of twenty-nine antique casts from gems, in a circular 
 
 carved case, glazed 
 
 853 A collection of thirty-one ditto, in a mahogany box 
 
 854 A collection of twenty-three ditto 
 
 85 5 Twenty-three casts, from camei 
 
 856 The twelve Caesars, cast from camei 
 
 857 Thirty-six casts, from camei, in a box 
 
 858 Sixty ditto 
 
 859 Sixty ditto 
 
 860 Forty-nine, larger 
 
 861 Forty, in a case 
 
 862 Forty ditto 
 
 863 Forty ditto 
 
 864 A collection of casts, from Egyptian, Gnostic, and Greek gems, 
 
 and Assyrian cylinders, in a deal case 
 
 865 Twenty-nine casts, from Greek medallions and gems 
 
 866 Fifty ditto, in a case 
 
 867 Two frames, containing forty-two casts from gems 
 
85 
 
 868 A small circle of coloured glass ; and a buckle, from the “ lloyal 
 
 George.” 
 
 869 Medallion head of Jupiter; the medallion of Syracuse; and two 
 
 others by Wedgwood 
 
 870 Casts, by John Landseer, Senior, from four Assyrian cylinders 
 
 End of Seventh Days Sale. 
 
Eighth Day's Sale. 
 
 On TUESDAY, MAY 6, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 - 0 - 
 
 DRA WINGS. 
 
 A. Durer . * . 871 
 
 q- * i Q 
 
 r- • 
 
 *3 . to. 
 
 V" 
 
 A. Durer . 
 
 Janet . 
 
 M. Schoen 
 
 . 872 
 
 . 873 
 
 . 874 
 
 1 V *♦ 
 
 A. Durer . 
 
 . 875 
 
 t - l. 
 
 A. Durer, after 
 
 . 876 
 
 txo ' •• 
 
 JT- ST ' 
 
 L. van Leyden 
 Rubens 
 
 . 877 
 
 . 878 
 
 
 Watteau 
 
 . 879 
 
 
 Head of a weeping child— on grey paper, 
 heightened with white. Dated 1521. 
 
 Head of the Duke of Saxony— pen, 1503 
 Head of Louis XI.— black cTialk^ 
 
 St. Margaret— heightened uythwhite, on 
 green paper 
 
 Head of a man, in a hat and feather— 
 black chalk 
 
 The Virgin, kneeling before the Infant on 
 the ground— pen and bistro? 
 
 Portrait of the Emperor Maximilian— pen n 
 A female head— black chalk, heightened j/ 
 with white S' ^ 
 
 Portrait of a gentleman, inscribed on the 
 back “ Dessein que Watteau a laisse en 
 mourant a moy son ami Payleur Juliet, 
 1721 ”—red chalk 
 
 cx — 
 
87 
 
 Rembrandt . . 880 
 
 / o . 
 
 Aldegraver 
 
 A. Durer . 
 
 / - - 
 
 . . 881 
 
 . . 882 
 
 A. .Durer . 
 lie - 
 
 . . 883 
 
 A. Durer . 
 
 . . 884 
 
 A 7. Durer . 
 
 . . 885 
 
 1 - fo 
 
 
 A/ Durer . 
 > - /s— ; 
 
 . . 886 
 
 A. Durer . 
 
 . . 887 
 
 /$- to. 
 
 
 A. Durer . 
 
 . . 888 
 
 .1 <° 
 
 A. Dureiu-. 
 
 . . 889 
 
 A^Durei^. . 
 
 . . 890 
 
 A! Duiker . 
 
 . . 891 
 
 1 
 
 
 German 
 /ST • U> 
 
 . . 892 
 
 B. Cellini . 
 
 . . 893 
 
 /a - to - 
 
 Pontormo . 
 
 € 1ST- 
 
 . 894 
 
 A. del^&yrto 
 Parmegi^ino 
 
 . 895 
 
 . 896 
 
 A * 
 
 
 Raffaelle , 
 
 . 897 
 
 °e % 
 
 Raffaelle . 
 
 . 898 
 
 5" ' •• 
 
 
 C. Cignani 
 
 G' sT 
 
 . 899 
 
 Raffaelle . 
 
 . 900 
 
 n- tc . 
 
 
 A group of figures at a cottage door— 
 bistre and red. Coloured with brilliant 
 effect s' 
 
 Head of the Elector of Saxony —-dialk . n * 
 
 The Virgin seated, with the Infant, an 
 
 angel holding a crown over hea h^penT^^ 3 ^^^}. 
 Portrait of Melancthon —pen cy , L a c ^ ^ 
 
 Portrait of a man in a cap, 1526-^r-chalk / 
 
 A bishop; and a standard-bearer —pen 
 figures. One dated 1505 
 
 A martyrdom— pen , on red peeper, 1505 a # 
 The Emperor Maximilian, witnstnet3soT 
 arms in the border —pen / 
 
 The Reposo —pen and bistre 
 Head of a man in a hat— chalk, 1521^ 
 
 T T ,1 n ~ 7 ^ 
 
 Head of a monk —in colours 
 Head of a man, with moustache and 
 beard —chalk 
 The Ascension and Coronation of the Virgin 
 
 — in colours o iffL u-t 
 
 l f it 
 
 Thirteen medallion portraits of the Medici ^ 
 
 From Sir J. 
 
 Family —in pen. 
 nolds's Collection 
 
 Portrait of the Duke Alexander de Medici, 
 with the engraving by F. C. Lewis 
 A man in a cloak —black chalk 
 Small studies of figures —pen and reel 
 chalk 
 
 Female head —black chalk. From Sir Jj.J 
 Reynolds's Collection 
 Figure of Justice —chalk ; a sketch on the 
 
 dr° 
 
 reverse 
 
 4 C 
 
 Portrait of the artist: and two small studies 
 —black chalk 
 
 A male figure, with writing on the Dack- 
 
 pen study f -C&~<XsU-*L- 
 
88 
 
 -A. del Sarto 
 | — Parmegiano 
 — D. Canuti . 
 
 'll 
 
 * * 
 
 2 , ' 
 
 ^ - Parmegiano 
 
 F. Bartolomeo 
 
 
 Titian . 
 
 W- 
 
 L f' 
 
 ICk Parmegiano 
 , Pinturricchio 
 A. del Sarto 
 
 l& 
 
 Baroccio 
 
 fi h 
 
 Bolognese . 
 a ) JG. Vasari . 
 
 b ■ 
 2.0 
 
 / t Parmegiano 
 
 7- 
 
 L. da Vinci 
 
 t * 
 
 19 
 
 i - 
 
 3 
 
 t 
 
 * 3 - 
 
 i. Iittig nano . 
 
 , A. Mantegna 
 
 v. Perugino 
 
 - 6 ' 
 
 ^, Arpino 
 
 Pinturricchio 
 
 - ( 0 - 
 
 G. da Udine 
 
 to 
 
 A. del Sarto 
 
 */rr 
 
 M. Agnolo, after 
 
 G> - 
 
 Verrocchio 
 
 IzTj J 3 - del Vaga 
 
 ( Q Ag. Carracci 
 A. del Sarto 
 
 n h 
 
 901 
 
 902 
 
 903 
 
 904 
 
 A man kneeling —red chalk. 
 
 Small studies —in 
 
 A design for a ceiling— bistre, &c. t.O 2 
 Bacchanals — bistre. From 
 
 905 
 
 906 
 
 Lely's Collection 
 The Virgin before a 
 
 907 
 
 908 
 
 909 
 
 910 
 
 A female figure —heightened with 
 white. From Sir J. Reynolds s 
 Collection , Sco. ^ ^\ — 
 
 Small studies of heads—m 
 
 1 • 7 • •A^ 
 
 Two figures kneeling—oesfre ^ 
 
 911 
 
 912 
 
 913 
 
 914 
 
 A man’s portrait— chalky &c^ ) p^O, % 
 
 Head of an apostle —in 
 crayons 
 
 A classical landscape —bistre 
 
 St. John writing —bistre — 
 
 Studies —in red chalk . * 7? 
 
 The torso of a child— 
 
 white, on blue pager. From . Sir 
 
 O-etX-*- - 
 
 915 
 
 916 
 
 917 
 
 918 
 
 919 
 
 920 
 
 921 
 
 922 
 
 923 
 
 P. Lely's Collection 
 Design for an altar-piece— bipre, &c. 6 
 
 .L-ftJblgTl IOI clll dlLdl -pictc ^ ^ ^ / 
 
 Part of the triumphal frieze— Fisfre^^^^ 
 
 The Holy Family —bistre 
 Part of a frieze — bistre 
 Female figures 
 Sketch of a ceiling —bistre 
 The Holy Family, &c. 
 
 Figures —chalk 
 
 A female, with a cornucopia, leading 
 
 a child —washed with red , on white. , 
 
 Fine 
 
 
 • • 
 
 924 
 
 925 
 
 926 
 
 An architectural design ; and a sketch 
 
 Portrait of Massaro —chalks 2 
 
 A draped figure— bistre. From 
 J. Reynolds's Collection 
 
 H 
 
89 
 
 A. <L4 Sarto 
 
 Peruezi 
 
 Zodcmi_. 
 
 L. era Vinci 
 U■ l£> 
 
 A. Carracci 
 
 *L. Penni 
 
 ^T>' ^ ^ " 
 
 Perugmo 
 t - IX 
 
 Georgioue 
 
 iSf" 
 
 4 Pic V . ( 
 -- -i. I 
 
 Vasari 
 
 Bassano 
 
 “1" 
 
 Canaletti 
 I © • ( 0 . 
 
 P. Pesselli 
 
 r- 
 
 G. da S. Sepolcro 
 
 /- *• 
 
 P. Tibaldi . 
 
 '//- 
 
 927 
 
 928 
 
 929 
 
 930 
 
 931 
 
 932 
 
 933 
 
 934 
 
 935 
 
 937 
 
 938 
 
 939 
 
 940 
 
 941 
 
 942 
 
 A female head— in coloured crayons r t 
 
 Architectural sketches— bistre .. ^ 
 
 
 
 
 A view of Rome— Indian ink 
 A man’s head— red chalk 
 A man leaning on a stick- 
 Christ with St. Veronica —-pen and bistre 
 A monk kneeling in prayer— bistre, height¬ 
 ened with white 
 Head of a man, in a cap 
 
 Three heads, after Raffaelle— chalks „ t 
 
 Venus and Vulcan, with Cupids —pen i Q 
 
 Figures kneeling before a horseman —pen 
 and bistre 
 
 The Piazza of the Rialto, at Venice— pen 
 and Indian ink s' 
 
 Death of a female saint; and a monk 
 preaching —washed with blue 
 
 A, del Sarto . . 943 
 
 ih 
 
 Bolognese & Guercino 944 
 3 ' (O 
 
 Ag. Carracci . . 945 
 
 Raffaelle . . 946 
 
 St. John— Indian ink and white. 
 
 Sir J. Reynolds's Collection, &c. 
 
 Fauns. From Sir J. Reynolds's Collection ; 
 and an angel — bistre , on blue paper. 
 From Sir P. Lely's Collection 
 
 on 
 
 
 A female seated on a lunette— chalky - 
 
 grey paper 40 
 
 r <t 
 
 Raffaelle 
 
 tr . 
 
 Raffaelle 
 tC * 
 Raffaelle 
 
 / • tT 
 
 947 
 
 948 
 
 949 
 
 Landscapes— in pen 
 
 The Virgin— pen, very elegant. From Sir P. 
 
 Lely's and Sir J. Reynolds's Collec 
 
 Vulcan, Venus, and Cupid —pen and Indian 
 ink, heightened with white. Fine. From 
 C. Rogers's Collection 
 Head of a female in a turban- 
 cartoon , washed with colours 
 St. John baplising Christ —a slight sketch' 
 in chalk. From C. Rogers's Collection 
 Head of the Virgin— black chalk ^ <J^ 
 
90 
 
 
 ab- 
 
 1 
 
 
 Raffaelle 
 
 DRAWINGS 
 
 950 
 
 ■Framed. 
 
 RAFFAELLE 
 
 951 
 
 Thr Virgin, with the Infant Christ, and 
 St. John before her. An exquisite 
 design, in red chalk; on the reverse, a 
 
 male figure —pen and ink CX^-eyuJi^uX' 
 
 HR RMTOMRMP.MT. dflad/hnrlv 
 
 Raffaelle 
 
 952 
 
 THE ENTOMBMENT: the deatPbody 
 of Christ, carried by the disciples to the 
 tomb; with a study of three draped 
 figures and three angels, on the reverse. 
 The very celebrated work. From the 
 Crozat Collection 
 
 A Male figure holding a basket, with a 
 bundle on his head —black chalk; with 
 a sketch nearly similar, on the reverse. 
 
 RAFFAELLE 
 
 953 
 
 From Sir J. Reynolds’s Collection 
 
 THE INFANT CHRIST'’ 
 
 JOHN ; with the head of St. Elizabeth. 
 A beautiful design , in chalk, for part of 
 the celebrated Picture in the Louvre. 
 
 ira • ft 
 
 M. ANGELO 
 
 954 
 
 From the Duke of Argyle’s Collection 
 A MAN IN A CLOAK, seated, reading 
 
 UT' 
 
 TITIAN 
 
 955 
 
 / S 
 
 A 
 
 — black chalk. A noble design ; engraved 
 in Otley’s School of Design 
 
 A CONCERT OF FOUR FIGURES, 
 
 seated before a carved pli nXh —Jbdst re^ ^ 
 
 rs, oTtne re- 
 
 957 Racolta di Pitture Antiche: twelve outlines from Italian pictures 
 
 956 Collection of sixteen beautiful copies, in water col 
 mains of frescoes in Rome— h.-b. 
 
 MINIATURES. 
 
 958 Henry III. of France—small whole length 
 
 959 The Conception of the Virgin—illumined with gold 
 
 960 Princess Mary, daughter of Henry VIII., after Holbein 
 
91 
 
 961 Queen Elizabeth, when young, in a rich jewelled dress 
 
 962 A Dutch lady, in white collar, dress, and black cap 
 
 963 A cavalier, in white collar 
 
 964 One, with portraits of gentlemen on both side 
 
 965 A man in armour 
 
 966 A Spanish gentleman ; and an Infanta of Spain—small 
 
 967 A Collection of Miniatures, in one frame; consisting of 
 
 Petrarch’s Laura, the Lady Elizabeth, by Holbein, 1549— 
 engraved in the Royal Collection ; Juana and Arabella of 
 Arragon, Henry Stewart Lord Darnley, a Doge of Venice, and 
 six others 
 
 968 Madame de Maintenon 
 
 969 Petitot — Louis XV.: a beautiful enamel 
 
 969*Colonel Batty—A court in the Palazzo Veccliio, at Florence— 
 engraved in Rogers's Italy , page 110 
 
 Van Loo . 
 
 . . 970 
 
 Cupid—oval 
 
 Gonzales . 
 
 . . 971 
 
 A gentleman, and a lady and child 
 
 Le Due 
 
 . . 972 
 
 A German nobleman, in a yellow dress and 
 
 
 
 white collar 
 
 Cuyp . . 
 
 . . 973 
 
 The mother of the artist, in a black dress 
 and white collar 
 
 French 
 
 . . 974 
 
 A group of four ladies, playing cards— 
 painted on ivory 
 
 French 
 
 . . 975 
 
 A lady, in a black dress ornamented with 
 pearls, after Yannet 
 
 Flaxman . 
 
 . . 976 
 
 A wax profile likeness of himself, when a 
 boy 
 
 Gonzales . 
 
 . . 977 
 
 A gentleman, in a black dress and white 
 collar 
 
 Oliver 
 
 . . 978 
 
 Isaac Casaubon 
 
 Leotard . 
 
 . . 979 
 
 Portrait of Marivaux; author of f< Mari¬ 
 anne.” From Strawberry Hill 
 
 Petitot 
 
 . . 980 
 
 Madame de Montespan. A beautiful 
 enamel 
 
J. FOUQUET . 981 A knight, in gilt armour, attended by men 
 
 at arms, kneeling and looking up at an 
 apparition of the Deity, surrounded by 
 the Seraphim, while devils are tormenting 
 the damned in an abyss below. This 
 beautiful miniature is one of a series of 
 forty , executed for Maitre Etienne 
 Chevalier, Treasurer of France under 
 Charles VIII., by Johan Fouquet de 
 Tours , Miniature Painter to Louis XI. 
 
 Mrs. Aders . . 982 A Reposo of the Holy Family. An 
 
 exquisite miniature copy, from the cele¬ 
 brated picture at Florence 
 
 Shenton . . . 983 Two rustic girls, with a basket and picture. 
 
 A beautiful miniature in ivory 
 
 3 
 
 ILLUMINATED MINI AT URES— Unframed. 
 
 984 A set of seven small illuminated miniatures—a bishop and six 
 
 saints 
 
 985 A series of thirty-eight small illuminiated miniatures, on vellum, 
 
 from the life of Christ, and the Virgin: of early French work 
 
 986 Two illuminated miniatures, on vellum—one of them a bishop, 
 
 seated, surrounded by monks kneeling, with texts on scrolls; 
 
 the other a nun, praying, within a capital letter: of early 
 
 French work 
 
 987 A page of illuminated borders, and a capital letter, and three 
 
 miniatures, inscribed—“ Francischus Beluschen me fecit ” 
 
 988 Two illuminated miniatures, in capital letters—the Fathers of the 
 
 Church, and an arabesque. From a missal of the 15 th 
 
 century 
 
 989 St. Joseph praying ; and a temple, in a landscape—two beautiful 
 
 illuminated minatures, in capital letters 
 
 990 A collection of fifty-five beautiful illuminated borders, with birds, 
 
 flowers, and arabesques, on gold ground—from ancient mis¬ 
 sals 
 
93 
 
 991 A collection of sixty-five capital letters, in black, red, and blue, 
 
 on vellum—from choral books 
 
 992 A collection of twenty-four capital letters, beautifully illuminated 
 
 in brilliant colours and gold 
 
 993 The Nativity, the Betrayal, and Pentecost: three beautiful illu¬ 
 
 minated miniatures, on vellum 
 
 994 Six beautiful Illuminated Miniatures, subjects from the 
 
 life of Christ, in capital letters of gold. The work of Apol- 
 lonio de Bonfratelli , illuminator to Paul IV. 
 
 995 A set of five similar, sacred subjects. Painted by Bon¬ 
 
 fratelli, for Paul V. 
 
 996 The Nativity; and the death of St. Joseph—beautiful illuminated 
 
 miniatures 
 
 997 Three French illuminated miniatures 
 
 998 A pope, kneeling before an altar ; and a priest, sprinkling holy 
 
 water—illuminated miniatures 
 
 999 The Assumption of the Virgin ; and St. Basil—two larger illu¬ 
 
 minated miniatures 
 
 1000 A set of Eight beautiful Illuminated Miniatures, from 
 
 the life of the Virgin, with arabesque borders, on eight 
 vellum leaves—from a missal 
 
 1001 A Collection of beautiful Miniatures, of Venetian 
 
 Duoales : the first, of Pietro Lando, appointing Antonio di 
 Mulla to ihe government of Brescia; the second, of Louis 
 Moccenio-o; the third, of Marino Grimani; the fourth, of 
 Pietri Lauredano; and three, without inscriptions—in old 
 velvet binding 
 
 1002 A Collection of Twelve beautiful Illuminated 
 
 Borders, of the finest period of the Italian art. From 
 W. Y. Ottley's Collection 
 
 1003 St. Mark presenting a book to Giovanne Battista Vittine, Consig- 
 
 liero di Venetia, who is kneeling and taking the oath of 
 office: a beautiful Venetian miniature, with gold border, on 
 vellum. From W. Y. Ottley's Collection 
 
94 
 
 1004 A beautiful Frontispiece, with arabesques, with angels sup¬ 
 
 porting a miniature portrait of Urban VIII., in a cartouche, with 
 rich borders, in which are introduced the bees of the Barbarini 
 family : inscribed, “ Ant. Maria Antonotius Auxinw F. Anno 
 Domini MD.C.L.” From W. Y. Ottleys Collection 
 
 1005 The Crucifixion : a magnificent miniature by A. Bonfratelli, 
 
 the border ornamented with arabesques and medallions. This 
 fine work is from the Vendramini Collection 
 
 1005*A set of four small miniatures of St. John and saints 
 
 1006 A COLLECTION OF NINETY-TWO EXQUISITE 
 
 ARABESQUE ILLUMINATED BORDERS, some of 
 them with miniatures, executed for the Cardinal Antonio de 
 Pallavicini (by whom it is supposed the book to which they 
 appertained was presented to the Papal Chapel)—of the most 
 brilliant colours and gold, on vellum, termed by Dr. Waagen ; 
 <c Among the most magnificent and the richest monuments 
 of this period.” From W. Y. Ottley a Collection 
 
 1007 An exquisite Miniature, by A. Bonfratelli, of Christ 
 
 bearing his cross, buildings in the background, on vellum : 
 executed for Pope Pius IV., about 1560. This exquisite 
 work is from the Vendramini Collection 
 
 1008 The Nativity : an exquisite Miniature, by Bonfratelli, 
 
 with rich border of arabesques and medallions, on gold 
 ground, with inscription and date, 1564 
 
 1009 The Dead Christ, with the disciples at the foot of the cross: a 
 
 magnificent miniature, by Bonfratelli, with border of 
 arabesques and figures of saints, on gold ground 
 
 1010 The Crucifixion —the companion miniature, with the Maries 
 
 and St. John : this fine subject is enclosed in the original 
 border, with compartments of inscriptions and sacred subjects, 
 some executed in gold, and others in white, on a black ground 
 
95 
 
 MISSALS. 
 
 1011 Horse Beatse Mariae Virginis, with ten large and eight small 
 
 border illuminated miniatures and arabesque borders, on 
 vellum—bound in red velvet 
 
 1012 A beautiful Missal, with thirteen large miniature paintings 
 
 from the life of the Virgin, and legendary subjects; and 
 fourteen small border miniatures, representing the signs of 
 the zodiac and the twelve months of the year, with numerous 
 arabesque borders, of early French w r ork—small 4to., in black 
 velvet binding 
 
 1013 Horse Beatse Mariae Virginis, painted on vellum, by Hardouynf 
 
 Paris, 1514, with coloured miniatures and arabesque borders— 
 old red calf, with the signature of Horne Tooke 
 
 1014 A Diploma, signed by Ludovico Maria, Duke of Milan, dated 
 
 January 28, 1494; in a magnificent arabesque border, the 
 armorial bearings, and two highly finished portraits of Lu¬ 
 dovico and Beatrice d’Este. This beautiful specimen of 
 Italian decorative art is from W. Young Ottley's Collection. 
 Mentioned by Waagen as being probably executed by 
 Girolamo, the greatest miniature painter of Milan 
 
 1015 Officium Beatse Marine Virginis: a beautifully illuminated 
 
 work, of an early period, executed at Paris, with thirteen ex¬ 
 quisite miniatures, the borders and capitals throughout being 
 richly and tastefully illuminated and gilt, in old French binding, 
 with cypher C. Mr. Rogers considered it probable that this 
 beautiful volume was the work of Oderigi , the friend of 
 Dante. This volume is said to have belonged to Charles II. 
 
 1016 Ducale di Giovanni Mauro, being the diploma given to Mauro, 
 
 constituting him Governor of Padua, with a beautiful mini¬ 
 ature painting by Titian, with St. Mark presenting Mauro to 
 the Virgin and Child—in old Russia binding 
 
96 
 
 PICTURES. 
 
 S' * 
 
 5 
 
 celebrated 
 
 frescoes 
 
 & ■ 
 
 CX . 
 
 t ’gr • { 
 
 ^School of Correggio 
 
 1018 
 
 h 
 
 MS' 
 
 P. Candido 
 
 1019 
 
 i> 
 
 
 Antique, after the . 
 
 1020 
 
 3T - 
 
 {S' 
 
 Antique, after the . 
 
 1021 
 
 i . 
 
 Y 
 
 \y 
 
 Hodges 
 
 jBegyn . . . . 
 
 1022 
 
 1023 
 
 LU 
 
 
 tj. Hall . . . 
 
 1024 
 
 7> . 
 
 
 Venetian School 
 
 1025 
 
 
 
 /Van Loo . 
 
 1026 
 
 P 
 
 sf' 
 
 {Venetian School . 
 
 L» 
 
 1027 
 
 Vr 
 
 
 S. Rosa, School of 
 
 1028 
 
 
 Modern . 
 
 1028a 
 
 — O ' x • 
 
 The martyrdom of a Christian before a 
 Roman emperor / 
 
 Perseus delivering Andromeda—a copy 
 
 from one of the Herculaneum frescoes j 
 
 ^ 7 - - J -O/ 
 
 a youth the use of the pipes 
 A set of eight Pompeian frescoes I 
 
 A mountainous landscape, witncauTe. 
 
 A small cattle piece 
 Head of Puck, after Sir J. Reynolds —a 
 sketch 
 
 Horsemen, and a senator —a sketch Q 
 
 A lady, in a blue dress 
 A lady—oval 
 The mote and the beam 
 
 sketch 
 
 s Glutei uuiy 
 
 End of Eighth Day s Sale. 
 
Ninth Dai/s Sale. 
 
 ■a 
 
 On WEDNESDAY, MAY 7, 1856, 
 
 AT ONE O CLOCK PRECISELY. 
 
 \K}' 1029 
 / 3 /A 030 
 . I. 1031 
 / o/4 032 
 
 ,Jj 1033 
 
 3 / 1034 
 * 1035 
 N] 1036 
 4037 
 
 
 
 3 ' 3 
 
 1038 
 
 /• to 
 
 1039 
 
 w/ 
 
 4040 
 
 1041 
 
 1- t% 
 
 
 3-'7 
 
 1 1042 
 
 DRAWINGS, BY STOTHARD. 
 
 Chinese trades: a set of four—m water colours 
 Four ditto 
 Four ditto 
 Four ditte 
 
 Three ditto ; and two of Chinese boats 
 
 INDIAN INK. 
 
 Beverley Minster, 1817 
 
 Chaucer’s Canterbury Pigrimage—title page to vol. 14 ^ 
 
 Don Quixote 
 
 A design for a Monument to Captains Moss and Riou— 
 bistre — 
 
 Milton and the Muses —bistre 
 
 Design for the Monument to Fox— bistre p y (j 
 
 Frontispiece to the British Poets 
 
 Apollo and the Muses: design for Buckingham Palacer^-/ 1 
 engraved in Mrs. Bray's Life of Stothard nC^kjd 
 
 Marriage of Henry VI. : four designs for Buckingham 
 Palace —engraved in Mrs. Bray's Life 
 
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 h I 1074 
 
 1075 
 
 1076 
 
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 1014 
 
 1045 
 
 1046 
 
 1047 
 
 1048 
 
 1049 
 
 1050 
 
 1051 
 
 1052 
 
 1053 
 
 1054 
 
 1055 
 
 1056 
 
 1057 
 
 1058 
 
 1059 
 
 1060 
 1061 
 1062 
 
 1063 
 
 1064 
 
 1065 
 
 1066 
 
 1067 
 
 1068 
 ,1069 
 
 1070 
 
 Lincoln Cathedral—the Chapter House 
 Arming the Knight 
 The Hay field 
 
 The Pocket Atlas for the year 1822-24, and duplicate title 
 
 
 -1^-7. 
 
 mostly illustrations to Rogers’s Poems 
 Design for a Monument to Nelson -" toU 
 
 Coll Alto Illustration to Rogers, and a title page 
 A frieze for Buckingham Palace /O' 1 - 
 
 Illustrations to Fairy Tales - 
 
 Cupids gathering roses 
 Don Quixote wounded 
 Gil Bias and the Beggar 
 
 Cornelia and her Children - 
 
 Nymphs gathering grapes. A beautiful border foi^ja shtver 
 —bistre 
 
 Design for the Monument of a Knight 
 The Citizen of the World —engraved 
 The Deserted Village, &c. 
 
 Hector and Andromache 
 V icar of Wakefield 
 Small figures . 
 
 Female figures 
 
 Angels flying; and Death of the Virgin 
 Figures in a state barge, &c. 
 
 Canterbury Pilgrimage —a minute outline, in ]\gn J 
 
 Parnell’s Hermit aSU^T 2 
 
 Canterbury Pilgrims setting out 
 
 2 
 
 Statue of Lorenzo de Medici, after M. Agnolo— 
 
 Chinese figures; and a fan handle 
 Illustrations to Fables 
 
 Rustic Feast : illustration to Thomson’s “ 
 Illustrations to a play 10<£i> 
 
 to 
 
 S' 
 
 to 
 
 Poets receiving wreaths from Fame 
 Illustration to a novel 
 A border for a plateau. Very fine- 
 
 ■ bistre 
 
 l/ — 'O — ^ — 
 
 /•> 
 
 Pocket Almanac —illustrations to Sir C. Grandison, 
 
 CO CO 
 
99 
 
 a ./^1W7 
 
 ,y]X 078 
 3-7 1079 
 i/j A 080 
 /o'/1081 
 
 • /i "1082 
 
 .. 1083 
 3. - 1084 
 ft. , 1085 
 
 3. 5-1086 
 
 /. 1087 
 
 * . 6. 1088 
 . a.. 1089 
 , tC, 1090 
 
 /. 4 1091 
 
 , 1092 
 
 ^ /kXo-^-'CA''? 
 
 
 Don Quixote 
 
 Illustrations to Burns’s Poems 
 Design for a candelabrum— bistre 
 
 O 
 
 A mother and child 
 Plenty—circle 
 
 Designs for borders of a salver—a pair 
 Three small figures 
 The Bower 
 
 Illustrations to Kenilworth: from the Pocket Almanac— 
 small T’./oyjx 
 The Golden Age 
 
 Illustrations to Froissart’s Chronicles: executed for Hafoi^/F/ 
 
 /gu-Jir 
 
 ^A^LcJbcdci^ 
 
 i . C 
 
 2 
 
 . .>101 
 
 f- li>. 
 
 . ,-4102 
 L .. H 03 
 
 5 ~- 5"1104 
 
 I - ^ 1105 
 ' 1106 
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 The Shepherds 
 
 The Shepherds, before a sundial 
 The Minstrel 
 
 Illustrations to Burns’s Poems— pen outlines 
 Death of Sir J. Moore— design for a frieze, bistre 
 Designs for sculpture, at the Indian House— bistre 
 Seed-time : from ie Thomson’s Seasons ” 
 
 Peeusus 
 
 Small figures : from the f ‘ Pleasures of Memory ” 
 
 The Golden Age 
 A lady, seated on a sofa 
 
 A poet writing, &c. ~ 
 
 A frieze, with cupids and arabesques, for Buckingham Palace'**/'^ 
 
 —bistre 
 
 A frieze, with cupids and nymphs, for Buckingham Palacp 
 —bistre 
 
 The Poets: a frieze for Buckingham Palace— engraved in 
 Mrs. Bray s Life 
 
 Illustrations to English History, a set of twelve : from^ie_^^_> 
 Pocket Almanac 
 Illustrations to Burns’s Poems 
 Don Quixote 
 
 A set of six illustrations to "Rogers’s Poems : from the Pocket 
 Almanac 
 
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 4. 1 # 7 
 
 6 . 1118 
 
 . 1119 
 
 q 1120 
 1121 
 , 1122 
 > 1123 
 
 1124 
 
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 1125 
 
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 5^1126 
 , (O.H27 
 / ^128 
 „ 7 1129 
 1130 
 
 A philosopher reading 
 
 Want; and a boy playing the guitar— illustration to Ro 9j™\ 
 Juliet on the shore— illustration to Rogers xr-o-^>-*r-cr~ 
 
 IN WATER COLOURS. 
 
 The Shipwreck 
 Small figures of Apostles 
 
 Penseroso, and Allegro ; and Vignettes It 2-5 
 
 Hunt the Slipper —engraved in Rogers's Poems &-o 
 The Dream. Very fine—engraved 
 
 Phillip de Comines reading his Memoirs before the Court. 
 
 5 
 
 3 
 
 A very fine work 
 
 From the “ Faerie Queene”— engraved 
 The Marriage— engraved 
 The Balcony —engraved 
 
 
 Making the Will 
 Amy Robsart. and Janet 
 The Crucifixion— engraved 
 Hylas and Cupids 
 A School— oval 
 
 A Mother and Child. An early work 
 The Pocket Atlas— a set of 12 illustrations 
 Poems T- MIX 
 The Poet’s Dream 
 The Lovers— a pair of drawings 
 
 _ 
 
 7 
 
 y 
 
 ‘ Arabian Nights’ 
 
 Telemachus 
 
 Cogia Hassan ; from the 
 1131 The Nurse 
 , H32 Want: from the “ Pleasures of Memory” 
 l<j 1133 The Guardian Angel 
 y, 4.134 Orpheus. Very fine 
 lo 1135 The Last Judgment 
 ! 1136 The Statues : from the “ Arabian Nights” 
 ^^-1137 From the “ Faerie Queene” 
 
 1138 The Gros Horloge, at. Rouen 
 
 'J—"?>—o— 
 
 
 
101 
 
 a. (o 
 
 1139 
 
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 -1140 
 
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 1141 
 
 I ~ 
 
 1 
 
 1142 
 
 3 - /T- 
 
 1143 
 
 1144 
 
 -if- fc 
 
 Douglas 
 
 The Nativity. A beautiful design 
 The Dance 
 The Gnat 
 
 Pleasures of Memory 
 
 Four ladies seated, reading. Very elegant 
 
 DRAWINGS, BY STOTHARD. 
 
 Illustrations to Rogers's Poems, Edition of 1851. 
 
 u , ^ 1145 The Swing. “ Pleasures of Memory,” page 10 
 / ^1146 Cupid swimming - , resting on two swans. “ Columbus,” end ' 
 
 Cupid swimming, resting on two swans. “ Columbus,” end 
 
 A ' 
 
 I - U 
 
 1147 
 
 of Canto i. 
 
 Lunette, with cupids and arabesques. Head of “ Pleasures 
 of Memory,” Part n. 
 
 
 if. 
 
 1148 
 
 Children in a Swing. End of note on Part i. “Pleasures 
 „ ° 
 
 * . ;6 1149 
 3 . io 1150 
 4151 
 
 of Memory 
 
 A Youth playing the guitar. Frontispiece to “ Jacqueline 
 
 *3 - 5 
 
 a > r 1152 
 
 1153 
 
 ■ to- 
 
 Cupids gathering fruit. Analysis of “ Pleasures of Memory ” / 
 
 Lunette of cupids and arabesques. “ Columbus,” Canto 
 xi .—bistre 
 
 A fountain. End of the “ Epistle to a Friend ”—Indian ink^^ 
 
 
 The Interior, with a family reading. The concluding illus¬ 
 tration to “ Human Life,” page 222 —coloured 
 
 I lb 
 
 A154 
 
 r- P 65 
 
 If- If 
 
 1156 
 
 1157 
 
 ja. 4-1158 
 
 1159 
 
 V" ’ 
 
 X' 
 
 1160 
 
 Frieze of knights. Headpiece to Canto vi., “ Columbus,” 
 page 110 
 
 A lady walking. Notes on Part ii., “ Pleasures of 
 
 Memory ”—Indian ink w>-eu^ 
 
 A lady and gentleman on a sofa. “ Human Life ”— yj 
 water colours o 
 
 A lunette of cupids and arabesques. Headpiece to the 
 “ Pleasures of Memory ” 
 
 Cupid as Mercury ; and two other tailpieces to “ Columbus ”, 
 
 The Fountain —Indian ink 
 
 Cupids with a mask. Headpiece to the prologue to lie 
 spoken by Mrs. Siddons —coloured 
 
 l 
 
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 1161 Cupids in a boat. “Columbus,” the argument to Cantj^^^^ 
 £1162 T wo boys. End of note to “Epistle to a Friend;” and 
 three other small studies, mounted on one sheet ' 
 
 1163 Cupids, with spear and shield. End of note to “ Columbus ” 
 
 —Indian ink , 
 
 1164 The four Judges on the Judgment Seat. “ Human Life/ 
 
 1165 A Philosopher seated, two children before him— water colours. 
 
 End of “Jacqueline” 
 
 1166 Lady Jane Grey reading— Indian ink. “ Human Life”/; 
 
 1167 Marriage procession of cupids. “To a Friend on his 
 
 Marriage ”•— -water colours 
 
 1168 A duplicate— Indian ink 
 
 1169 Interview between Sir T. More and his daughter Margaret. /. 
 
 Notes to “ Human Life”— pencil outline I 
 
 1170 A fete champetre— water colours. Before “ The Analysis to 
 
 Pleasures of Memory,” Part n. 
 
 1171 An Italian song— Indian ink 
 
 1172 The Harper 
 
 1173 Children at the fountain. From “ The Epistle to a Friend” / 
 
 1174 Two Boys 
 
 1175 St. Cecilia. Headpiece to “To a voice that had been ^ 
 
 1176 Children at. a fountain. From “ The Epistle to a Fri e nd^—^\f^^,. 
 
 /Vv<— 
 
 Indian ink 
 
 1177 Crossing the Bridge 
 
 DRAWINGS, BY STOTFIARD. 
 
 Engraved in Rogers’s Italy, edition of 1852. 
 
 ^ q, Ji78 Foscari —Indian ink 
 
 to 1179 Italian boy, playing the guitar—Bergamo —Indian ink 
 
 1180 The Tournament. End of the “ Foscari ”—Indian in 
 
 1181 A Gothic cross—the Pilgrim < x 
 
 1182 A priest officiating before an altar. Headpiece to ‘‘The 
 
 (? - ‘0. Nun ”—bistre 
 
 , ^1183 Woman and children on t he sea shore—Amalfi —Indian ink . 
 
 X.S.. 
 
103 
 
 1184 A fete Champetre, the campagna of Florence— water colours 
 
 1185 A fete champetre, the end of Naples— Indian ink Kh'J'ffc, 
 
 ^ ^ 1168 The death of Raftaelle— bistre 
 
 3 0 1187 Another design for the same subject, the figures considerably 
 
 varied 1 
 
 5 -. 88 The Pilgrim. Tailpiece to “ The Pilgrim” 
 
 1189 The Interview. Headpiece to “ The Interview”— inwater colours 
 
 r 
 
 it 
 
 1190 Gorasse— Indian ink 
 
 1191 Italian peasants, before a shrine ol the Virgin : 
 
 2> - /• “ Italy,” but not engraved— bistre 
 
 . /^T192 The Gondola— Indian ink 
 ^ , 0 1192a Piping Shepherds : “ Pleasures of Memory ” 
 
 4 _. 1^11926 The Vintage— bistre ; ‘‘Jacqueline” 
 
 r 
 
 
 . 1192c “ On a Tear ”— Indian ink 
 y 1192c? A gothic gateway—page 164 
 
 
 ,^11926 Giovanni and Gazzia di Medici, by Gazzoni, after Giulio Vasari 
 —in chalk, with a note from Mr. Lewis 
 
 ~C\A^ 
 
 The following beautiful Pictures , in oils, by Stothard, were inserted in 
 the Cabinet in the Drawing-Room : 
 
 ^ i£ll92 f A Fete Champetre, in the Park of Hafod 
 
 ^ s 1192g The Princess : from the Arabian Nights—the companion ^ ‘ 
 3 1192A The Canterbury Pilgrims /9-0 
 
 ^1192/ Shakspeare’s Principal Characters— the companion 
 
 „ yll92A Three ladies gathering flowers, in a landscape narrow upright^^ 
 v Q 1193/ Three ladies reading, in a landscape—the companion ^ 0 
 
 * o 
 
 End of Ninth Day s Sale. 
 
Tenth Day's Sale. 
 
 On THURSDAY, MAY 8, 1856, 
 
 AT ONE O'CLOCK PRECISELY- 
 
 DRAWINGS. 
 
 a/G,. 1193 Chinese drawings of birds and landscapes —in colours 
 
 8 
 
 (Modern ... 1194 Slight sketches of landscapes HS 
 
 ,x /"jli95 An Italian lake scene —in water colours 
 
 . C. Pyne . . . 1196 Petrarch’s house at Arqua, with a 
 
 ' note from R. Chambers o— 
 
 1197 Views of Digentia and Vaucleuse—a pair —in bistre 
 
 £1198 Outlines from gems, head of Minerva— pen , &c. ^^ 8 QCj, 
 
 3^_1199 Mr. Rogers’s Chusan vase— outline , made for the Dilettanti 
 
 Society s*— t 
 
 - t- I 
 
 (F rench 
 
 . 1200 
 
 4l. Westall . 
 
 . 1201 
 
 i hj-R. Westall 
 
 . 1202 
 
 .Lady Quin 
 
 (Z>1— . 
 
 . 1203 
 
 Tgrner, R.A. . 
 
 . 1204 
 
 
 —in Indian ink 
 terior, with a sportsman 
 woman —in water colours 
 
 
 colours 
 
 :ie quarter-deck of the “V 
 Dr. Monro's Collection 
 
 n —in 
 
 Qu^, 
 
 From 
 
 1205 Elevations of East Horsley Place, the seat of Lord Lovelace 
 
 1 )?> 
 
 -in pen 
 
 9 
 
Mrs. Brown 
 
 T. Uwins, R.A. 
 
 3 -. ~ tO 
 
 1206 Autufnu leaves from Massachusetts, with 
 note from Mrs. Brown 
 
 1207 Views of Raff'aelle’s villa, and Urbino —in 
 
 bistre ; with an autograph dedication by 
 the artist to Sir Thomas Lawrence ; and 
 
 two drawings of Raffaelle’s monnment p ) - 
 1208 An Indian drawing of the Divan —colours and gold 
 ^1209 A collection of eleven beautiful Chinese drawings of figures, 
 
 A. - - elaborately coloured— on, rice paper ^"" C) 
 
 1210 A collection of ten exquisite paintings, in colours, of subjects and 
 
 i~>- arabesques from the great temple at Delhi —bound in yellow /JHD 
 
 morocco, gilt leaves 
 
 R. Wesiall . . 1*211 A peasant, with a donkey —bistre 
 
 .Fuseli 
 
 1212 A sketch, &c. 
 
 
 1213*general Wolfe’s house; and Raffaelle’s villa —in bistre 
 1214 [A set of six Indian paintings, with figures and landscapes 
 
 5 
 
 
 ^Miss Clarke . . 1215 
 
 Miss iiatty . . 1216 
 
 Marchioness of 1217 
 3 WateR’ord 
 
 Raffaelle, after . 1218 
 
 h T' 
 
 Sir D. Wilkie. . 1219 
 
 2>- 
 
 ^4- ~0~ ^ ' O - o - 
 
 A lady drawing, &c. 
 
 The gardens of the Tuilleries —water 
 colours 
 
 Pages bearing a wedding casket. A 
 beauti/ul design, in water colours 
 
 The Virgin and Child —in pen. Very 
 spirited 
 
 A family on the Danube J 
 
 r 
 
 
 1220 Dunrobin, by moonlight, by the Duchess Countess of Sutherland ' 0 a n 
 
 ah / ^_ , / <1 
 
 I —m water colours / 
 
 Head of a girl, drawn by Sir Thomas at 
 
 an early age ’^C& 
 
 Monument of Petrarch; and Petrarch’s 
 
 house— bistre, shaded with blue ((-/■ tv 
 
 View of Raffaelle’s villa 
 
 Parnassus: taken from Delphi, with letter 
 
 on the back to Mr. Rogers 
 
 Fort L’Ecluse, with the autograph of Sir 
 
 G. Beaumont on the back, presenting 
 
 U A __.. . . 
 
 Sir T. Lawrence . 
 
 1221 
 
 er nr ■ 
 
 
 Prout .... 
 
 1222 
 
 / i> - , 
 
 
 Angiolini . 
 
 1223 
 
 J. Cartwright . 
 
 1221 
 
 * 7 - 
 
 
 Sir G. Beaumont . 
 
 1225 
 
 
 the drawing to Mr. Rogers 
 
106 
 
 l ^ Gilpin . 
 
 Gilpin . 
 
 II 
 
 Hogarth 
 
 Bartolozzi . 
 
 to . 15 " 
 
 .Gandolii 
 
 fo lo 
 
 Gandolfi 
 
 3~ 
 
 ’ —Westall 
 
 • • 
 
 I o Harding . 
 
 Fuseli . 
 
 Wilson, R. 
 
 I - 1 
 
 Wilson, R. 
 i( jI Wilson, R. 
 
 Wilson, R. 
 
 >- ' 
 
 t 
 
 I - 
 
 Gainsborough 
 
 (y - ‘L 
 
 Gainsborough 
 
 5~ • 
 
 Gainsborough 
 
 \s i~b .Const able, ll.A. 
 ^ Lady Morley . 
 
 ) . - Brown . 
 
 Brown . 
 
 7P 
 
 »- 1. 
 
 Brown 
 
 • • 
 
 Brown 
 
 1226 
 
 1227 
 
 1228 
 
 A pair of compositions —in ^ j 
 
 A pair of ditto 
 
 Portrait of a gentleman —in crayons*— 
 
 1229 
 
 1230 
 
 small 
 
 A female head —in crayons S° 
 
 1231 
 
 1233 
 
 1234 
 
 1235 
 
 1236 
 
 1237 
 
 1238 
 
 1239 
 
 1240 
 
 1241 
 
 1242 
 
 1243 
 
 1244 
 
 1245 
 
 1246 
 
 1247 
 
 Portrait of Raffaelle. An admirable copy 
 for the engraving > 
 
 Laocoon, Apollo, and Adonis. Highly 
 finished drawings, in red ch 
 Arcadian shepherds surprised by warriors 
 —in water colours 
 
 Sir Thomas More, after Holbein— in 
 Prometheus Vinctus. A very grand design 
 —pen and Indian ink 
 Cader Idris— in black and white chalks 
 Tivoli—sunset— in coloured crayoni^-jfi^- 
 The Campana and St. Peter’s; and the 
 Tiber— in coloured crayons $-x> 
 
 The Temple of Peace— Indian ink, height¬ 
 ened with white. Very fine, with the 
 engraving . 
 
 Two small studies of trees— in black 
 lead 
 
 A landscape, with trees— black clialk and 
 white , on blue paper. Fine 
 A woody landscape, with a cow drinkirm-—■ 
 black chalk and white , on blue paper 1 -— 
 the companion 
 
 Stoke Church —water colours V—crfe- 
 The Nurse—from “ Romeo and Juliet” 
 
 — water colours 7 
 
 Studies of heads— pencil 
 A criminal, confessing before execution— 
 
 black lead 
 
 Studies of heads— black lead 
 
 Indian ink - 4, ^ 
 
 Roman figures 
 
 
107 
 
 Brown . 
 
 . 1248 
 
 Trjsfiam 
 
 . 1249 
 
 > l V 
 
 
 Gainsborough . 
 
 fO ° 
 
 . 1250 
 
 Pistrucci 
 
 . 1251 
 
 "V 
 
 
 Pistrucci 
 
 . 1252 
 
 11- 
 
 Hon. Mrs. Norton 
 
 1 ' 
 
 1253 
 
 J. M. H. . . . 
 
 sj - 
 
 1254 
 
 / 
 
 Hunt .... 
 
 1255 
 
 tf 
 
 
 TURNER, R.A. 
 
 1255a 
 
 3ot/— to- 
 
 
 Roman ladies— Indian ink 8 3 
 
 Minerva in a quadriga, after Flaxman— 
 
 Indian ink 
 
 A peasant girl, seated ; and a landscape— 
 
 a pair of early studies —black lead/\J^yG^JUL 
 
 Antinonus reporting to Achilles the death 
 ofPatroclus. From Mr. Rogers's Greek 
 Vase ^ 
 
 Battle between the Greeks and Trojans— 
 three pen outlines. From a cylix in Air. 
 
 Rogers's Collection c 
 
 Three figures of children — in water colours p „ 
 
 Sir T. More’s house, at Canterbury; 
 
 and Dryden’s birthplace L ^ 
 
 Interior of a village church —in water 
 colours. From Dr. Monro's Collection sj 
 
 STONEHENGE: the celebrated work, ~ ' 
 
 engraved in the England and Wales 
 
 —- La 
 
 r 
 
 sr- 
 
 i> - 
 
 r 
 
 to * 
 
 b. 
 
 Il' 
 
 r 
 
 . 
 
 I'b - 
 ly, 
 
 IV 
 lb ■ 
 
 THE CELEBRATED ENGRAVED DRAWINGS, 
 
 FLAXMAN. 
 
 1256 The Supplicants of yEschylus 
 {^57 Apollo : from Homer 
 125.S Jupiter and the Supplicants of yEschylus 
 1^59 The Seven Chiefs against Thebes 
 l^bO^Minerva and Penelope : from the Odyssey 
 *L 26 l Agamemnon and a herald : from Homer 
 1262 >01 vt 
 
 BY 
 
 from the Iliad 
 
 1*262 ^Clytemnestra 
 12G3 ^tlebe before the Gods 
 1^64 The Horses of the Sun 
 
 1^65/Minerva and Juno, in a quadriga: from the Iliad 
 1*266 /Dante. Dated 1 792 
 
 1267 Oytemnestra 
 
 1268 Dante. “ The Inferno,” Canto xn. 
 
 n. 
 
 •&-0 
 
 /5~d 
 
 J&~^> 
 
 r° 
 
108 
 
 tr. x' 
 
 Ur- CG 
 
 ( r 
 
 3 
 
 T 
 
 s - 
 
 1*209 Design for a classical monument— Indian ink -eJJLey^o. 
 
 1270 Two studies from nature. Dated 1792 
 
 1271 Illustrations to Human Life : seven beautiful studies in pen and 
 
 bistre; witk-uTetteiclQ -MlvRegers.. Dated 1823 f ^ 
 
 1272 Two sketches from nature; and two, by Fuseli, from M. Agnolo ' 
 
 £n> 
 
 1274 
 
 , ,o. £>. 
 
 |i_ r> 
 
 1275 
 
 A Collection of the Frescoes and Ceiling of the 
 Sistine Chapel, after M. Agnolo, by G. Vasari, thirty-seven, 
 in a book-box— russia. From Sir F. Lely's and SirJ. Rey¬ 
 nolds's Collections 
 
 Sir J. Revnolds’s Sketch-Book, with numerous studies of 
 figures and landscapes, and MS. notes relating to his tour in 
 Italy— in parchment ' 
 
 1 6 lo. 
 
 1276 
 
 Another Sketch-Book, of Sir J. Reynolds’s studies of figures, 
 
 1277 
 
 fc> - tG - 
 
 V 
 
 in chalk and pen, some of them slightly washed < £ r ’t> 
 
 Another Sketch-Book, of Sir J. Reynolds’s, with slight studies 
 —in black lead 
 
 1278 
 
 Gilpin’s landscapes: a collection of twenty-seven landscapes, in 
 Indian ink ; with MS. note— morocco 4 
 
 1279 A 
 
 ■ 5-1 - *• 
 
 I ■ 
 
 1280 
 
 k ' % 1281 
 
 , . (r 1282 
 
 -»//—1283 
 it 1—1284 
 il^_L285 
 
 li | T286 
 
 , ^ 1287 
 
 ”3. % 
 
 fc i—1288 
 
 ‘ 1289 
 
 l 
 
 BEAUTIFUL COLLECTION OF DRAWINGS OF FLOWERS, in 
 water-colours, on vellum, exquisitely finished by a German 
 artist of the seventeenth century— morocco, gilt leaves. From 
 the celebrated Sayrado Collection , at Venice, sold in 1775, 
 and afterwards from Mr. Ottley's Collection 
 A large scrap-book, with thick paper leaves ; and two, smaller, 
 with blue paper 
 
 A russia scrap-book, with leaves, lettered “ Prints’’ 
 
 Two thick scrap-books— russia, lettered “ Scuola Romana” 
 
 Two sc rap - boo k s— half - bound 
 Four portfolios 
 
 Four small portfolios, with flaps, lettered “ Stothard 0 ’ 
 
 Four ditto 
 
 One larger, lettered “ Flaxmanand two others 
 A parcel of catalogues of celebrated collections 
 Gilpin’s sketch-book : a collection of thirty landscapes, in 
 
 Indian ink ; and numerous MS. notes by him L(J 
 
 
 
109 
 
 1290 
 
 1291 
 
 I - 6 
 
 1292 
 1 s' 
 
 / 1293 
 1294 
 '71295 
 
 A collection of thirty-five lan ds At p es, in Indian ink; and numer¬ 
 ous MS. notes 
 
 A portfolio, of red morocco, with friezes of Egyptian ornaments 
 round the borders 
 
 A letter-case, in blue morocco, embroidered with gold by the 
 Duchess of York, and given by Her Highness to M^-Rogers 
 Fox Talbot’s sun pictures in Scotland ^ IMT) 
 
 'Nine views in Paris and Malta & & 
 
 Four, from sculptures 
 
 Portrait of Dana, author of “ Two Years before the Mast ”4 q 
 
 A circular pen case, of black and gold japan, with birds and 
 flowers 
 
 A collection of American seaweeds, brought over and presented 
 
 by Captain Morgan, of the ‘ f Southampton ” 4~ -v- -■ r r . r r [ 
 
 ENGRAVINGS. 
 
 1300 Raffaelle’s Cupid and Psyche— vellum. Sir J. Reynolds's copy , 
 
 with his autograph 
 
 1301 Cumberland’s inventions 
 
 1302 Museum Romanum Causei, 2 vols.— plates, unbound Rome 1746 
 
 1303 Four blotting-books— in morocco 
 
 1304 Horatii, Satira V., Illustrated with Roman views. Presented to 
 
 Mr. Rogers, by Elizabeth Duchess of Devonshire Rome 1816 
 
 1305 The Duchess Countess of Sutherland’s views on the coast of 
 
 Sutherland— coloured 
 
 1306 Westmacott’s Psyche 
 
 1307 Goldicutt’s Antiquities of Sicily, three parts 
 
 1308 Ruskin’s Examples of the Architecture of Venice— -Indian paper. 
 
 3 parts 1851 
 
 1309 Cockerell’s Tympanum of St. George’s Hall, Liverpool 
 
 1310 Gruner’s fresco decorations and stuccoes, in the churches and 
 
 palaces in Italy— plates, partly coloured 1814 
 
 1311 Mosaici della Cupola Ghigiana, after Raffaelle, by Gruner— 
 
 Indian proofs 
 
 1312 Raffaelle’s Cartoons, by Dorigny 
 
110 
 
 1313 Jackson’s works of Titian and P. Veronese Venct 1745 
 
 1314 Porta di San Giovanni, by Gregori— h.-b. Fiorenz 1774 
 
 1315 Campo Santo di Visa—plates, russ., gilt leaves Fiorenz 1812 
 
 1316 Florentine school: engraved by Lasiniere from the frescoes at Flo¬ 
 
 rence— h.-b. russ. 
 
 1317 Hamilton Schola Italica— h.-b. Roma 1773 
 
 1318 Alford’s (Lady M.)—Illustrations to the Journey of Life: and 
 
 Recollections of Rome, by the Ladies Compton 
 
 1319 Panofka—Manners and Customs of the Greeks— coloured plates 
 
 1849 
 
 1320 M. Agnolo’s Prophets in the Sistine Chapel, with numerous 
 
 sketches, in chalk, by W. Young Ottlev. From Mr. Locke's 
 Collection 
 
 1321 Lithographs, from two vases in Mr. Rogers’s Collection—the 
 
 death of Alcmena, and Hector and Andromache 4 
 
 PHOTOGRAPHS. 
 
 1322 Portrait of Mr. Dana, sent by him to Mr. Rogers 
 
 1323 A portrait, after Richmond 
 
 1324 The children of Mrs. Synot 3 
 
 1325 Mrs. Shute, and two of her four children 
 
 1326 The Duchess of Argyll, after Swinburne 
 
 1327 Wordsworth, after Carriek 
 
 1328 A lady and child 
 
 1329 A lady and child; and a boy in a cap 
 
 1330 The Palais de Justice, at Paris 
 
 1331 A museum, at Paris 
 
 1332 The Church of St. Mark, at Venice 
 
 1333 The west front of Notre Dame, at Paris 
 
 1334 The Pantheon, at Paris 
 
 1335 A small view of the same 
 
 1336 Arc de l’Etoile 
 
 1337 Portrait of Lord Brougham ; and of a Russian lady 
 
 1338 A daguerreotype portrait of Mr. Rogers, after Lawrence—in red 
 
 morocco case 
 
Ill 
 
 1339 Another copy 
 
 1340 Another copy 
 
 1341 A view of Mr. Rogers’s house, from the Green Park 
 
 lo42 A magnifying glass, in mother-o’-pearl case, silver mounted 
 
 End of Tenth Day's Sale. 
 
Eleventh Day's Sale. 
 
 On FRIDAY, MAY 9, 1856, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 ENGRAVINGS. 
 
 1343 French caricatures— lithographs 
 
 1344 H.B, caricatures, with a key 
 
 1345 Gilray’s and other caricatures 
 
 1346 Views of a college, after Marlowe 
 
 1347 English river scene, after Wilson, by Woolley 
 
 1348 Architectural designs, &c.— lithographs 
 
 1349 Naworth Castle, See.—lithographs 
 
 1350 Modern portraits— lithographs 
 
 1351 Modern views— lithographs 
 
 1352 Plans of the Palace of Westminster 
 
 1353 Views in Greece, by Schulback 
 
 1354 Daniel’s Taj Mahal 
 
 1355 Hogarth painting 
 
 1356 Strolling players— proof 
 
 1357 William III., after Wyck 
 
 1358 The Distressed Poet 
 
 1359 Landscape, after Claude, by Vivares 
 
 1360 Houbraken’s heads—14, framed 
 
 % 
 
 1361 Portraits of Mr. Rogers, &c. 
 
 1362 The Rialto, after Turner,by Py e—proof, &c- 
 
 18 
 
 17 
 
 39 
 
 33 
 
 6 
 
 14 
 
 9 
 
 8 
 
 12 
 
 8 
 
 2 
 
 13 
 
 24 
 
113 
 
 1303 Fac-similes of Egyptian and Syrian inscriptions, by Dr. Lee 
 
 —privately printed q 
 
 1364 Small book plates from the Spectator and Guardian 13() 
 
 1365 Watson’s Outlines to Rogers's Human Life q 
 
 O V- 
 
 1366 Stothard’s Illustrations to Robinson Crusoe, &c. 75 
 
 1367 Modern lithographs 
 
 1368 From antiqne gems, &c. ^2 
 
 1369 Book plates, after Stothard— proofs, &c. 21 
 
 1370 Fac-simile of Milton’s agreement with the publisher for 
 
 Paradise Lost; and Mr. Rogers’s Dilletanti Cards 
 
 1371 After Stanfield, &c. 
 
 137-2 Destruction of the Houses of Parliament; the Wreck; 
 
 vignette, after Turner, &c. 4 
 
 1373 Etchings, by Louisa Tovvnley (; 
 
 1374 Genezano, by Lady M. Alford 3 
 
 13/5 Etchings, by Lady E. Monk and Miss Wedderburn 5 
 
 1376 Lithographic views and subjects, by English artists 17 
 
 1377 Cumberland’s Inventions 
 
 1378 Pediment of St. George’s Hall, Liverpool— lithograph 
 
 1379 After Jackson and Newton 13 
 
 1380 Christ blessing little Children, after Stothard, by Worth¬ 
 
 ington 2 
 
 1381 Landscapes, after Claude and Gainsborough 8 
 
 1382 Cicero at his villa ; and Meleager, by Woolh^t 
 
 1383 A Jew, after Rembrandt, by Pether; and the Infant Jupiter, 
 
 after Sir J. Reynolds— mezzotint pr(,ofs 
 
 PORTRAITS. 
 
 1384 Dr. S. Clarke, by Holloway— proof, &c. |Q 
 
 1385 Portrait of Mr. Rogers, and the antique bust in his collection 3 
 
 1386 The Remington family, by Halfpenny— private ptiate, See. 7 
 
 1387 Lord Byron, after West all, by Phillips, &c. 5 
 
 1388 Right Hon. T. Grenville, Dr. Price, Kippis, See.—proofs, &c. 5 
 
 1389 Portraits of Mr. Rogers y 
 
 1390 The Duke of Bedford, after Harding, by Dean— proof &c. 4 
 
114 
 
 1391 Sir J. Mackintosh, and other lithograph portraits 
 
 1392 H. Mackenzie, after Geddes, &c.— proofs 
 
 1393 Patrick Bryden, after Geddes, &c. 
 
 1394 J. Jekyll, after Lawrence, by Jaye, &c. 
 
 1395 Portraits, in outline, by Humphrey 
 
 1396 Marquis of Aylesbury, Lamartine, &c.— lithographs 
 
 1397 Napoleon at St. Helena, after Haydon, &c. 
 
 1398 Dr. Hunter, by Sharpe; Dr. Price ; and Lord Tenterden 
 
 1399 Lord Grenville, Sir S. Romilly, Rogers, &c. 
 
 1400 Cardinal Gonsalvi, after Lawrence; and Napoleon, after 
 
 Haydon 
 
 1401 Lord Durham, Lord Grenville, and Mr. Gladstone— proofs 
 
 1402 T. Erskine, Malthus, and Washington— proofs 
 
 1403 H. Hallam, A. Hallam, Sir A. Shepherd, &c .—proofs 
 
 1404 Sir W. Scott, after Lawrence, by Robinson ; and the Duke 
 
 4 
 11 
 16 
 18 
 
 5 
 5 
 
 4 
 
 3 
 
 3 
 
 4 
 4 
 
 of Reichstadt— proofs 
 
 1405 Duke of Wellington, after Lucas; and the Marquis of 
 
 Northampton, after Claudet, &c. 
 
 1406 Right Hon. T. Grenville, and the Archbishop of York, 
 
 after Richmond—privately printed 
 
 1408 Hallam, junr., after Richmond; Lord Grenville, after 
 
 Jackson, &c.— proofs 
 
 1409 Duke of Devonshire, Empress Eugenie— lithographs, &c. 
 
 1410 Lord Brougham, after Lawrence; Dugald Stewart, and 
 
 Prescott, after Richmond 
 
 1411 T. Campbell, after Thompson, &c. 
 
 1412 Lord Carlisle—private plate; and Lady Ellesmere, after 
 
 Thorburn— proof before letters 
 
 1413 R. Smith, after Jackson; Washington, after Stewart; and 
 
 Nuza Kahn, after Lawrence 
 
 1414 Lord Denman, aher Eddis; W. Empson, after Linnell— 
 
 proofs 
 
 1415 Napoleon, after Delaroche, by Francois— India proof 
 
 1416 Sarpedon, by Watson— proof, See. 
 
 6 
 
115 
 
 1417 Sir Roger de Coverley, after Leslie; and Garrick, after 
 
 Zoffany 3 
 
 1418 Arundel Society’s publications, with the three Pamphlets 
 
 1419 The Virgin and Child, after Raffaelle, by Foulard— 
 
 lithographic proof 
 
 1420 The Wellington Shield, by Stothard— proofs 7 
 
 1421 Canterbury Pilgrimage, by Schiavonetti— India proof 
 
 1422 Holloway’s Cartoons— India paper, 7 with the analysis 
 
 1423 Tivoli, after Turner, by Goodali— proof before letters 
 
 1424 Ancient Italy, after Turner— proof before letters 
 
 1425 The Temple of Jupiter, by Pye— India paper , presentation 
 
 proof to Sir T. Lawrence 
 
 1426 Confidence and Diffidence, from Mr. Rogers’s pictures— 
 
 artist's proofs 
 
 1427 The Virgin and Child, after Raffaelle, by Watt -—presentation 
 
 and Artist's proof 
 
 1428 From sculpture 7 
 
 1429 Plans of the Palace of Westminster, &c.— lithographs 
 
 1430 Lithographic views 14 
 
 1431 Mercury, after Sir J. Reynolds, by Deane— mezzo , proof 2 
 
 1432 The Laughing Girl, and the Sleeping Girl, by Bause— 
 
 proofs 
 
 1433 Cherubs’ heads— proof, &c. 4 
 
 1434 Robinetta, by Jones; Felina-Puck, &c. * 4 
 
 1435 The Infant Academy, after Sir J. Reynolds, &c. 3 
 
 1436 The Oxford Window, by Facius 6 
 
 1437 Guardian Angels, by Hodges ; and Lady C. Howard, by 
 
 Green —proofs 
 
 1438 Cherubs’ heads, bacchante, St. Cecilia, &c. 4 
 
 1439 Innocence; and Lord Malden— proofs 
 
 1440 The Holy Family, by Sharp —proof before letters 
 
 1441 The Frescoes at the Villa Magliana, after Raffaelle, by 
 
 Gruner 
 
 1442 Virgin and Child, after Guercino, by Bettelini, &c. 
 
 1443 Alpine mastiffs, after Landseer —India proof 
 
 1444 Landscapes, by Westall— mezzo , &c. 
 
 i 2 
 
 7 
 
116 
 
 1445 After Raffaelle, by Gruner— proofs 5 
 
 1446 Saints, by Ruschewegh— small plates; and after Raffaelle, 
 
 by Bartolozzi 5 
 
 1447 Genezano, etchings by Lady M. Compton ; and the Vintage, 
 
 by Severn 
 
 1448 Christus Consolator, after Scheffer, by Smith— small plate, 
 
 &c. 13 
 
 1449 The Watermill, after Constable— India proof, mezzo 3 
 
 1450 Eddystone Lighthouse, after Turner, by Lupton— India 
 
 proof, mezzo 3 
 
 1451 The Supper at Ernmaus, by Menezez, with a note to Mr. 
 
 Rogers ; and Oreo, by Crawford— proofs 3 
 
 1452 The Venetian Girl, after Wood, by R. Graves— proofs, in 
 
 two states 
 
 1453 Christ blessing little Children, the Village Dance, &c., after 
 
 Stothard 4 
 
 1454 The Kitten, after Collins, by Shenton— India proof 
 
 1455 Old English Poets, by Robinson— proofs 6 
 
 1456 D. Webster— presentation proof; O’Connell, Washington 
 
 Irving, &c. 4 
 
 1457 Schiller, Southey, &c.— proofs 6 
 
 1458 Earl Grey, after Lawrence, by Cousens— proof; Lady F. 
 
 Russell, &c. 4 
 
 1459 Judge Haliburton, Byron, Rogers— proofs , &c. 7 
 
 1460 Dumont, Sterne, Gibbon, Wordsworth— proofs , &c. 7 
 
 1461 Marquis of Stafford, Lord King, &c. 6 
 
 1462 Charles II. receiving the pine apple at Wotton, after 
 
 Harding, &c. 10 
 
 1463 Princess Victoria, after Westall, by Finden, &c. 2 
 
 1464 Holy Family, after M. Agnolo, by Lucas, &c. 
 
 1465 From Mr. Rogers’s antique marble bust— proofs 4 
 
 BY STRANGE. 
 
 1466 Mary embracing Christ, after Guercino, &c. 2 
 
 1467 The children of Charles— on India paper 
 
117 
 
 1468 The Horn-book ; and an angel 
 
 1469 The children of Charles 
 
 1470 Danae and Venus 
 
 1471 Cupid, after Schedone, &c. 
 
 1472 St. Cecilia and St. Agnes 
 
 1473 Venus binding Cupid; and St. Jerome 
 
 1474 Charles, in his robes 
 
 1475 Cartoon of Pisa, by Schiavonetti— India proof; and Calumny 
 
 1476 Cartoon of Pisa— India proof, before letters 
 
 1477 The same— unfinished proof , India paper 
 
 1478 Library at Holland House— proof framed 
 
 1479 Lady Belgrave, after Lawrence, by Cousens— -proof, framed 
 
 1480 Christus Consolator, after Scheffer 
 
 1481 Christus Judex, after Scheffer— proof , presented brj the artist 
 
 to Mr. Rogers—framed 
 
 1482 Portrait of Henry Luttrell, after D'Orsay 
 
 1483 Tour de Nesle, by Callot, &c. 9 
 
 1484 A figure, after M- Agnolo, from Mr. Rogers’s drawing 3 
 
 1485 St .George, after Raffaelle —proof &c. 4 
 
 1486 Holy Family, after Raffaelle, by Edelinck, &c. 8 
 
 1487 After Raffaelle, by Dorigny ; and small plates by Le Clere 
 
 1488 Friezes, after Polidoro, by Saanredan 8 
 
 1489 Coronation of the Virgin, after Raffaelle, by Frei, &c. 5 
 
 1490 After Raffaelle, by Larmessin 6 
 
 1491 La Foix L’Esperance et La Charite, after Raffaelle, 
 
 Desnoyer 
 
 1492 Poesie, by R. Morghen —proof 
 
 1493 La Madonna della Sedia, by R. Morghen —prooj 
 
 1494 The Lunettes of the Vatican, by R. Morghen and Volpato— 
 
 some proof s 9 
 
 1495 La Gloria de Titiano, by Cort, &c. 6 
 
 1496 Turenne, by Nanteu.il ; Pascal, Motheus, &c. 4 
 
 1497 Colbert, by Nanteuil; Louis XIV., &c. 3 
 
 1498 J. Medici, by Gruner— proof, &c. 3 
 
118 
 
 1499 Tile Vintage, after Robert, by Mercuri —India paper, &c. 4 
 
 1500 Hieroglyphic statues, after Raffaelle, by Andran 13 
 
 1501 The Marriage; and Battles of Louis XIV., after Le Brun, 
 
 by Le Clerc 9 
 
 1502 Chalice, after A. Mantegna, by Hollar 
 
 1503 After Rubens, woodcuts, by Jegher 4 
 
 1504 Houbraken’s heads 3 
 
 1505 A. Van de Velde—A cow; and Everdingen—A landscape 
 
 1506 Dusart—Strolling musicians. Fine 
 
 1507 Ostade—Interior, with peasants 
 
 1508 The works of Count Goudt. Very fine 
 
 1509 Both—The ferry —before the name 
 
 1510 Waterloo—Landscape, with Hagar 
 
 1511 Dusart—A mountebank 
 
 1512 Charles V., after Rubens, by Bloeteling, &c. 3 
 
 1513 Margaret, Queen of Louis XI., by Picart —privately printed 
 
 1514 The Cornaro family, by Baron, &c. 6 
 
 1515 After Watteau, by Le Bas, &c. 7 
 
 1516 Battle of the Standard, after L. da Vinci, by Edelinck— 
 
 proof 
 
 1517 The Enchanted Castle, after Claude, by Vivares —proof 
 
 1518 Roman buildings, by Piranesi 4 
 
 1519 La Madonna della Torre, after Raffaelle, by Watt— artist's 
 
 India proofs 2 
 
 1520 After Claude, by Woollett and Vivares 3 
 
 1521 Ecce Homo, after Correggio, by Ag. Carracci 
 
 1522 Georgione, Aretino, Piombo, and Boccaccio, after Titian, by 
 
 Van Dalen 
 
 1523 Piombo, Aretino, and Boccaccio, by Van Dalen 
 
 1524 The Doctors of the Church, after Rubens, by Van Dalen; and 
 
 portrait of Rubens, by Pontius 
 
 1525 Portrait of Dante, by R. Morghen 
 
 1526 Martin Tromp, by Suyclerhoff, &c. 2 
 
 1527 Erasmus, after Holbein, by Vosterman, &c. 3 
 
 1528 Louis XL, by Moran, &c. 4 
 
 1529 Cardinal Borromeo ; and Bentivoglio, by Moran 2. 
 
119 
 
 1530 Rubens, by Pontius 
 
 1531 Aretino; and small heads, by Hollar 11 
 
 1532 Burgomasters, by Suyderhoff, after Kcyser 
 
 1533 La Vierge & la Voile, by Poilly, before the cross hatchings on 
 
 the veil 
 
 1534 St. George, after Raffaelle, by Vosterman, with reverse 
 
 1535 The Bathers, after Veneziano—copy; and the Cassolette 
 
 1536 A. Vico—Judith and Phaeton 
 
 1537 A. Mantegna—The descent to Hell. Very fine 
 
 1538 J. Campagnola—Christ and the woman of Samaria, after Georgione 
 
 1539 Beatrizet—Tomb of Pope Julius II., &c. 
 
 1540 M. Agnolo> after—Figures 6 
 
 1541 The Nativity, after B. Peruzzi, by A. Carrari 
 
 1542 The Crucifixion; and a martyrdom, by A. Carrari 
 
 1543 A g. Carracci—Portrait of Titian. Very fine 
 
 1544 Ag. Carracci—St. Jerome—unfinished. Very fine. From 
 
 Durand's Collection 
 
 1545 Etchings, by Guido and Carracci 7 
 
 1546 Parmegiano—Cupid— rare ; and small subjects 4 
 
 1547 M. Schon —The Temptation of St. Anthony. Very fine and rare 
 
 1548 Jost. Ammon —The embarkation, from St. Mark’s, Venice—> 
 
 ivoodcut — very rare; and a bird’s-eye view of Florence 2 
 
 A. DURER. 
 
 1549 The St. Hubert. Very fine 
 
 1550 Melancholy 
 
 1551 The Knight of Death. Extra fine 
 
 1552 The Turk and his family 
 
 1553 Les Oflfres d’Amour; and a lady on horseback 
 
 1554 Small Passion of Christ, &c. 16 
 
 1555 St. Jerome in his chamber 
 
 1556 St. Anthony, reading, in a landscape 
 
 1557 Five of the Apostles 
 
 1558 The coat of arms with the cock 
 
] 559 
 
 1500 
 
 1561 
 
 3 562 
 
 1563 
 
 1564 
 
 1565 
 
 1566 
 
 1567 
 
 1568 
 
 1569 
 
 1570 
 
 1571 
 
 1573 
 
 1574 
 
 1575 
 
 1576 
 
 1577 
 
 1578 
 
 1579 
 
 1580 
 
 1581 
 
 1582 
 
 1583 
 
 1584 
 
 1585 
 
 1586 
 
 1587 
 
 120 
 
 The cannon 
 
 Frederic Duke of Saxony 
 
 Cardinal Albert, &c. 2 
 
 Erasmus 
 
 Melancthon 
 
 REMBRANDT. 
 
 The Circumcision. Fine 
 
 The Descent from the Cross. Fine 
 
 Abraham Franz 
 
 Ephraim Bonus. Very fine 
 
 The Mill 
 
 The Three Trees. Fine 
 Philip baptizing the Eunuch 
 A landscape, with a cow drinking 
 
 MARC ANTONIO. 
 
 The Almighty appearing to Noah Bai'tsch , No. 3 
 
 David and Goliath— proof before the tablet. Extra 
 fine and rare 10 
 
 Joseph and Potiphar's wife. Fine 9 
 
 The Nativity, after Francia 16 
 
 The Murder of the Innocents. Very fine 20 
 
 Christ in the house of the Pharisee. Very fine 23 
 
 The Descent from the Cross. Very fine 32 
 
 The Virgin and Child, from the Madonna del Foligno. 
 
 Very fine 52 
 
 The Virgin and Child. Very fine and rare 61 
 
 La Vierge au Berceau. Very fine 63 
 
 The Virgin, with the arm covered 35 
 
 The Last Supper 26 
 
 Five saints * 113 
 
 The Martyrdom of St. Felicita. Fine 116 
 
 The Choice of Paris. Very fine 245 
 
121 
 
 ] 588 Galatea 350 
 
 1589 Mount Parnassus. Very fine 247 
 
 1590 The angles of Ghigi Palace 342-4 
 
 1591 Quos ego 352 
 
 1592 Amadeus. Very fine 355 
 
 1593 Trajan between Rome and Victory. Very fine 361 
 
 1594 Philosophy. Very fine 381 
 
 1595 Poetry — before the inscription on the tablet. Extremely 
 
 rare 382 
 
 1596 The Pest. From Sir T. Lawrence s Collection 417 
 
 1597 The young mother. Fine 432 
 
 1598 The woman in meditation. Fine. From Sir P. Lely's 
 
 Collection 445 
 
 1599 Portrait of Raffaelle. Very rare 496 
 
 1600 Statue of M. Aurelius. Very rare 514 
 
 1601 Two figures from the Drunkenness of Noah . 464 
 
 1602 A man carrying the base of a column. Very fine 476 
 
 1603 A female, holding a vase, and pouring water on a plant. 
 
 This is the work attributed by Dr. Waagen to Francia 383 
 
 M. DA RAVENNA. 
 
 1604 St. Michael. Fine 106 
 
 1605 The Rape of Helen. Fine 210 
 
 1606 Venus taking the thorn from her foot 321 
 
 1607 A battle, &c. 420 
 
 A. VENEZIANO. 
 
 1608 The three Maries. Fine 
 
 1609 The Stregozzo. Very fine 
 
 G. BONASONE. 
 
 1610 The Dead Christ 
 
 1611 The portrait of M. Agnolo, &c. 2 
 
 1612 The Reposo, after M. Agnolo 
 
 1613 Clelia, &c. 
 
 o 
 
 O 
 
122 
 
 G. GHISI. 
 
 1614 The angles of the Vatican 6 
 
 1615 The Prophet Joel, after M. Agnolo —unique unfinished 
 
 proof 
 
 1615a A VERY CHOICE COLLECTION OF 167 ITALIAN 
 WOODCUTS, formed by Mr. Rogers, and bound together 
 in one volume— russia. Many autograph notes by Mr. 
 
 Rogers 
 
 End of Eleventh Day's Sale. 
 
Twelfth Day's Sale. 
 
 On SATURDAY, MAY 10, 1856, 
 
 at one o’clock precisely. 
 
 - 0 - 
 
 ILLUSTRATIONS TO Mr. ROGERS’S WORKS. 
 
 1616 Illustrations to Rogers’s Italy, after Turner and Stothard : the 
 
 only complete set —India 'proofs , large paper 
 
 1617 Illustrations to Rogers’s Poems and Italy —Indian proofs, 
 
 large paper 56 
 
 1618 Plates to Rogers’s Italy —large paper proofs 15 
 
 1619 Ditto 33 
 
 1620 Ditto 56 
 
 16*21 A complete Collection of the Illustrations, by Turner and 
 Stothard, to Rogers’s Poems. Very choice artist's proofs, 
 on India paper, including several plates which have 
 
 never been published 
 
 1622 Views of Florence, after Turner 
 
 37 
 
 1623 Bridge of Samois 
 
 35 
 
 1624 Bay of Naples 
 
 35 
 
 1625 Lake of Como 
 
 35 
 
 1626 Campagna of Rome 
 
 35 
 
 1627 Amalfi 
 
 35 
 
 1628 Lake of Geneva 
 
 35 
 
 1629 St. Bernard dogs 
 
 35 
 
 1630 The tomb of the Foscari 
 
 50 
 
 1.631 The Tournament 
 
 80 
 
124 
 
 1G32 The Brides of Venice 50 
 
 1633 William Tell’s Chapel 35 
 
 1634 Rome, from the Tiber 35 
 
 1635 Marengo 35 
 
 1636 The Great St. Bernard 35 
 
 1637 Portrait of Mr. Rogers, the second portrait after Sir T. Law¬ 
 
 rence— artist's proofs S 
 
 1638 The Travelling Musicians 4 
 
 1639 Loch Lomond, after Turner 3 
 
 1640 The Reconciliation 1 
 
 1641 The Wreath 3 
 
 1642 The Fountain 1 
 
 1643 St. Cecilia 
 
 1644 Cupid and Psyche 3 
 
 1645 Rome, from the Tiber, 3—one of them unfinished 
 
 1646 The Vision, from Columbus, 15—in different stages 
 
 1647 The Fountain, 4—one of them unfinished 
 
 1648 An Arrival, 6—two of them unfinished 
 
 1649 The boy of Egremond 12 
 
 1650 The Phantom, from Columbus, 12—unfinished 
 
 1651 Martigny 3 
 
 1652 The Brides of Venice 3 
 
 1653 A trophy, 2; and the same, smaller 
 
 1654 The Pilgrim’s return 5 
 
 1655 Woodcuts, after Stothard, to Rogers's Poems— India 
 
 paper —85 sheets 
 
 1656 Stothard and Westalfs Illustrations to Rogers’s Poems, &c. 31 
 
 1657 Stolhard’s Illustrations to British Novels— proofs 31 
 
 1658 Woodcuts, after Stothard, to Rogers’s Poems 213 
 
 1659 Watson’s Designs to the Poem of Human Life, in a port¬ 
 
 folio— cloth 
 
 1660 Another copy 
 
 1661 Another copy 
 
 1662 Another copy 
 
 1663 Another copy 
 
 1664 Another copy 
 
 1665 Another copy 
 
125 
 
 ROGERS’S WORKS. 
 
 1666 Ode to Superstition— -first edition, 4to., sewed Cadell 1786 
 
 1667 The same, with the Pleasures of Memory, 4ro.— bound 1792 
 
 1668 The Pleasures of Memory— first edition, 4to., Ids. Cadill 1792 
 
 1669 Pleasures of Memory, the fifth edition, with other poems, 8vo. 
 
 —bds. Cadell 1793 
 
 1670 Pleasures of Memory, with Stothard and Westall’s illustrations— 
 
 large paper, mor., gilt leaves 1801 
 
 1671 Pleasures of Memory, the first edition, with Stothard’s woodcuts, 
 
 printed entirely on India paper— bds. 1810 
 
 1672 The Fpistle to a Friend, first edition, 4to.— bds. Cadell 1798 
 
 1673 Another copy 
 
 1674 Another copy 
 
 1675 Human Life, first edition, 4to.— bds. Murray 1819 
 
 1676 Columbus—one of the first copies printed, without title or date, 
 
 4to. — bds. 
 
 1677 Another copy— bds. 
 
 1678 Another copy— bds. 
 
 1679 Columbus, believed to be the first edition published, 4to.— bds. 
 
 Cadell 1810 
 
 1680 Another copy, without title— stitched 
 
 1681 Columbus, with Stothard’s woodcuts— some pages imperfect 
 
 1682 Italy, first edition, with some interesting notes in pencil, by the 
 
 author, 8vo.— bds. Longman 1822 
 
 1683 Italy, 8vo., with spaces left at the heads of the chapters for illus¬ 
 
 tration , 1829 
 
 1684 Italy, with Turner and Stothard’s illustrations— with a few pencil 
 
 marks by the Author 1830 
 
 1685 Pleasures of Memory— sewed Paris 1805 
 
 1686 Pleasures of Memory, plates after Stothard— presentation copy , 
 
 from Epes Sargent, of Boston Boston 1795 
 
 16 y 7 Human Life, second edition— calf Cambridge 1820 
 
126 
 
 1688 Italy— Stothard’s and Turner s plates, printed in lithograph, mor., 
 
 gilt leaves—presentation copy from T. Cooper 
 
 Philadelphia 1834 
 
 1689 Poetical works, edited by Epes Sargent— presentation copy , mor., 
 
 gilt leaves Boston 1854 
 
 1690 Poetical Works —Turners and StotharcCs plates, old fashioned 
 
 calf gilt leaves Philadelphia 1852 
 
 1691 La Vita Umana Poema di Samuele Rogers da Vittorio Paciotti 
 
 Torino 1820 
 
 1692 Lara and Jacqueline, first edition— calf Murray 1814 
 
 1693 Jacqueline— sewed Cadell 1814 
 
 1694 Human Life, 1819; with Campbell's Theodric, and other poems 
 
 ROGERS'S WORKS , PUBLISHED BY MOXON. 
 
 1699 Rogers’s Poems, in 2 vols., 4to.— purple mor., gilt leaves. The 
 
 large and rare edition, with Indian proofs of the plates 1839 
 
 1700 Another copy— plain purple mor. 
 
 1701 Another copy— mor., gilt leaves 
 
 1702 Another copy— mor., gilt leaves 
 
 1703 Another copy— mor., gilt leaves 
 
 1704 Another copy— mor., gilt leaves 
 
 1705 Another copy—mor., gilt leaves 
 
 1706 Rogers’s Poems, 2 vols., 8vo.— proofs, mor., gilt leaves 1834 
 
 1707 The same— impressions, mor., gilt leaves 1852 
 
 1708 Another copy 
 
 1709 Another copy 
 
 1710 Rogers’s Poems, with woodcuts, 2 vols., 8vo.— mor., gilt leaves 
 
 1852 
 
 1711 Another copy— mor., gilt leaves 
 
 1712 Another copy— cloth 
 
 1713 Another copy— cloth 
 
 1714 Another copy— cloth 
 
 1715 Another copy— cloth 
 
 1716 Another copy— cloth 
 
12 / 
 
 1717 The same, pocket edition— red mor., gilt leaves 1848 
 
 1718 Another copy— cloth, gilt leaves 
 
 1719 Rogers’s Poems, 2 vols., 8vo.— cloth 1852 
 
 1720 Another copy 
 
 1721 Another copy 
 
 1722 Another copy 
 
 1723 Another copy 
 
 1 724 Rogers’s Italy, 8vo.— proofs, red silk, gilt leaves 1830 
 
 1725 Another copy 
 
 1726 Another copy 
 
 1727 Rogers’s Poems— bds. 1842 
 
 1728 Another copy 
 
 1729 Rogers’s Italy, 8vo.— proofs before letters, bds. 1830 
 
 1730 Another copy 
 
 1731 Another copy 
 
 1732 Another copy 
 
 1733 Another copy 
 
 1734 Another copy 
 
 1735 Another copy 
 
 1736 Another copy 
 
 1737 Another copy 
 
 1738 Another copy 
 
 1739 Another copy 
 
 1740 Another copy 
 
 1741 Another copy 
 
 1742 Another copy 
 
 1743 Another copy 
 
 1744 Another copy 
 
 1745 Another copy 
 
 1746 Another copy 
 
 1747 Another copy 
 
 1748 Another copy 
 
 1749 Another copy 
 
 1750 Another copy 
 
 1751 Another copy 
 
 1752 Another copy 
 
128 
 
 1753 Rogers’s Italy— proofs before letters , Ids. 
 
 1754 Another copy 
 
 1755 Another copy 
 
 1756 Another copy 
 
 1757 Another copy 
 
 1758 Another copy 
 
 1759 Another copy 
 
 1760 Another copy 
 
 1761 Another copy 
 
 1762 Another copy 
 
 1763 Another copy 
 
 1764 Another copy 
 
 1765 Another copy 
 
 1766 Another copy 
 
 1767 Another copy 
 
 1768 Another copy 
 
 1769 Another copy 
 
 1770 Another copy 
 
 1771 Another copy 
 
 1772 Another copy- 
 
 1773 Another copy 
 
 1774 Another copy 
 
 1775 Another copy 
 
 1776 Another copy 
 
 1777 Another copy 
 
 1778 Another copy 
 
 1779 Another copy 
 
 1780 Another copy 
 
 1781 Another copy 
 
 1782 Another copy 
 
 1783 Another copy < 
 
 1784 Another copy 
 
 1785 Another copy 
 
 1786 Another copy 
 
 1787 Another copy 
 
 1788 Another copy 
 
 1830 
 
129 
 
 1789 Rogers’s Italy— -proofs before letters, bd$. 1830 
 
 1790 Another copy 
 
 1791 Another copy 
 
 1792 Another copy 
 
 1793 Another copy 
 
 1794 Another copy 
 
 1795 Another copy 
 
 1796 Another copy 
 
 1797 Another copy 
 
 1798 Another copy 
 
 1799 Another copy 
 
 1800 Another copy 
 
 1801 Another copy 
 
 1802 Another copy 
 
 1803 Another copy 
 
 1804 Another copy 
 
 1805 Another copy 
 
 1806 Another copy 
 
 1807 Another copy 
 
 1808 Twenty-five copies 
 
 1809 Twenty-five ditto 
 
 1810 Twenty-five ditto 
 
 1811 Twenty-five ditto 
 
 1812 Rogers’s Poems, 8vo.— proofs , ids. 1834 
 
 1813 Another copy 
 
 1814 Another copy 
 
 1815 Another copy 
 
 1816 Another copy 
 
 1817 Another copy 
 
 1818 Another copy 
 
 1819 Another copy 
 
 1820 Another copy 
 
 1821 Another copy 
 
 1822 Another copy 
 
 1823 Another copy 
 
 1824 Another copy 
 
 K 
 
130 
 
 1825 Rogers’s Poems— proofs, bds. 
 
 1826 Another copy 
 
 1827 Another copy 
 
 1828 Another copy 
 
 1829 Another copy 
 
 1830 Another copy 
 
 1831 Another copy 
 
 1832 Another copy 
 
 1833 Another copy 
 
 1834 Another copy 
 
 1835 Another copy 
 
 1836 Another copy 
 
 1837 Another copy 
 
 1838 Another copy 
 
 1839 Another copy 
 
 1840 Another copy 
 
 1841 Another copy 
 
 1842 Another copy 
 
 1843 Another copy 
 
 1844 Another copy 
 
 1845 Another copy 
 
 1846 Another copy 
 
 1847 Another copy 
 
 1848 Another copy 
 
 1849 Another copy 
 
 1850 Another copy 
 
 1851 Another copy 
 
 1852 Another copy 
 
 1853 Another copy 
 
 1854 Another copy 
 
 1855 Another copy 
 
 1856 Another copy 
 
 1857 Another copy 
 
 1858 Another copy 
 
 1859 Another copy 
 
 1860 Another copy 
 
 1834 
 
 A 
 
131 
 
 1861 Rogers’s Poems— proofs, bds. 1834 
 
 1862 Another copy 
 
 1863 Another copy 
 
 1864 Another copy 
 
 1865 Another copy 
 
 1866 Another copy 
 
 1867 Another copy 
 
 1868 Another copy 
 
 1869 Another copy 
 
 1870 Another copy 
 
 1871 Another copy 
 
 1872 Another copy 
 
 1873 Another copy 
 
 1874 Another copy 
 
 1875 Another copy 
 
 1876 Another copy 
 
 1877 Another copy 
 
 1878 Another copy 
 
 1879 Another copy 
 
 1880 Another copy 
 
 1881 Another copy 
 
 1882 Another copy 
 
 1883 Another copy 
 
 1884 Another copy 
 
 1885 Another copy 
 
 1886 Another copy 
 
 1887 Another copy 
 
 1888 Another copy 
 
 1889 Another copy 
 
 1890 Another copy 
 
 1891 Another copy 
 
 1892 Another copy 
 
 1893 Another copy 
 
 1894 Another copy 
 
 1895 Another copy 
 
 1896 Another copy 
 
132 
 
 1897 Rogers’s Poems— proofs , Ms. 
 
 1898 Another copy 
 
 1899 Anolher copy 
 
 1900 Another copy 
 
 1901 Another copy 
 
 1902 Another copy 
 
 1903 Another copy 
 
 1904 Another copy 
 
 1905 Another copy 
 
 1906 Another copy 
 
 1907 Another copy 
 
 1908 Another copy 
 
 1909 Another copy 
 
 1910 Twenty-five copies of the same 
 
 1911 Twenty-five ditto 
 
 1912 Twenty-five ditto 
 
 1913 Twenty-five ditto 
 
 1914 Twenty-five ditto 
 
 1915 Twenty-five ditto 
 
 1916 Twenty-five ditto 
 
 1917 Twenty-five ditto 
 
 1918 Twenty-five ditto 
 
 1919 Twenty-five ditto 
 
 1920 Twenty-five ditto 
 
 1921 Twenty-five ditto 
 
 1922 Five ditto— not proofs 
 
 1923 Rogers’s Poems : w'oodcuts after Stothard— mor.,gilt leaves 
 
 P924 _ Poems: no plates, with directions in pencil in Mr 
 
 Rogers’s writing— bds. 
 
 4925 - Pleasures of Memory, 7 copies— cloth, bds. 
 
 4926 _Poems, with MS. notes, 2 vols.— woodcuts , cloth 
 
 4927 - Poems, with MS. notes 
 
 1928 Rogers’s Jacqueline, 134 copies— sewed 
 4929 -Voyage of Columbus, 2 copies— sewed 
 
 1930 Rogers’s Italy, 3 copies, 8vo.; one without title— bds. 
 
 1931 - Italy— cloth 
 
 1816 
 
 1834 
 
 1810 
 
 1852 
 
 1853 
 
 1830 
 
 1842 
 
1931*Rogers’s Italy —cloth 1852 
 
 1932 - Poems —cloth 1851 
 
 1933 Rogers’s Italy, 4 copies— hds. 1824 
 
 1934 - Italy, 12 copies— hds. 1829 
 
 1935 -Italy, in double colums, 5 copies —sewed 1840 
 
 1936 -Pleasures of Memory, &c., double columns, 8 copies 
 
 —sewed 1839 
 
 1937 -Poems, standard poets, small edition, 6 copies— 
 
 cloth , hds. 
 
 QUARTO. 
 
 1938 Rogers’s Human Life, 1819 ; and Epistle to a Friend, 1789, 
 
 2 vols.— hds. 
 
 1939 - Voyage of Columbus, 7 copies— hds., 1 sewed 1810 
 
 1940 -Pleasures of Memory, 1792; and Epistle to a Friend, 
 
 1798, 2 vols.— hds. 
 
 1941 -Voyage of Columbus— with Stothart's cuts , 9 copies— 
 
 hds. 
 
 PLATES & BLOCKS, ENGRAVED AFTER STOTHARD. 
 
 STEEL PLATES. 
 
 1942 Cupids, bearing a shield—engraved in the folio edition 
 
 1943 A king and queen—two plates 
 
 1944 A small vase, with vines in relief 
 
 1945 The Parthenon 
 
 1946 A bandit, seated 
 
 1947 The choragic monument ofLysocrates 
 
 1948 The sundial—never published 
 
 1949 A small vase, with cupids and vines in relief 
 
 WOOD BLOCKS. 
 
 1950 A set of ten wood blocks, with capital letters forming Wittingham, 
 
 with figures from Shakspeare 
 
 End of Twelfth Day's Sale. 
 
LONDON: 
 
 Printed by VV. Clowes and Sows, 
 14, Charing Cross. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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