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 https://archive.org/details/catalogueofcolleOOsome 
 


 
 
 

 
 
 
 
 

la 
 
 "0_v i 
 
 OF 
 
 oice Modern 
 
 aintings, 
 
 
 FROM THE GALLERIES OF 
 
 M. KNOEDLER & CO., 
 
 ( ccessors to GOUPIL & CO.) 
 
 SALE 
 
 DNEJ5DAY* yV]MD ^HURgDyW JJvRNINQg, 
 
 APRIL 14th and 15th, 1875. 
 
A & 
 
 NO. 
 
 *3 i 
 
 ACC. 
 
 LIBRARY 
 
 m.knoedler&co. 
 
 556-8 Fifth Ave. 
 New York 
 
CATALOGUE 
 
 OP A 
 
 FROM THE GALLERIES OF 
 
 M. KNOEDLER & CO., 
 
 (Successors to GOUPIL & CO.,) 
 
 sing One Hundred and Fifty Examples of the Best 
 Contemporary Schools; 
 
 NOW ON EXHIBITION 
 
 AT TEE 
 
 Jfwrfe (fiaUcrv, Jf a. 6 ffpiist $&ivcntn=third Struct, 
 
 ON MADISON SQUARE, 
 
 WHERE THEY WILL BE SOLD AT AUCTION, 
 
 ON THE EVENINGS OF 
 
 JMnesdny mul fdursdmi flprif Hlfi nml 15 $, 1875 . 
 
 ROBERT SOMERVILLE Auctioneer. 
 
 -- 
 
 S. W. Greex, Printer, 16 and 18 Jacob St., New-York. 
 

 • * ; 
 
 r 
 
 
 
 
MODERN SCHOOLS OF PAINTING. 
 
 The attainments and result of modern art are shown in this 
 collection ; some of whose specimens are of the latest importation, 
 and are now for the first time seen by the public. 
 
 The advantage of a continued system of academic instruction 
 is revealed in the technical ability found at present in the French 
 school of painting. This nation has long had its governmental 
 art-schools, the professors in which are the best artists of the 
 country, and has been in the habit of maintaining a select number 
 of its collegians in Rome, for the benefits of study among the 
 works of antiquity and the renaissance. It is not, therefore, sur¬ 
 prising that the recipients of these advantages are unexcelled in 
 all that relates to composition, refined drawing, and harmonious 
 color. These qualities are to be found to a high degree in the 
 fine paintings included in this collection—Merle’s “ Ophelia” 
 (No. 130) and Bouguereau’s “ Fisher-Girl” (No. 127.) In one of 
 these is seen the pathos of loftiest poetry ; in the other that of 
 tender girlhood wedded to inexorable toil. The figure of the 
 Danish maiden is a repetition by the painter of that in his cele¬ 
 brated group of “ Hamlet and Ophelia,” now ornamenting one of 
 the finest picture-galleries of America ; the beautiful child repre¬ 
 sented by Bouguereau is an example of humble life treated with 
 nobility and distinction, where not only is vulgarity left out, but 
 the highest natural grace is conferred. Both of these pictures 
 are instances of “ academic” treatment, their perfection of design 
 resulting from a long course of training under the influence of 
 Greek and Italian art. The French school, however, includes 
 many painters who have experienced a reaction from the “ acade¬ 
 mic” influence, and who obtain fine results by going at once to 
 nature for their models, and copying what the)' see without cor¬ 
 rection, in a spirit of realism. Another peculiarity of the French 
 temper is the serious study given to matters apparentty trivial, 
 and the discovery of the laws of grace in objects often deemed 
 insignificant. The intense earnestness and sobriety with which 
 a French artist will stud}' the trifles of society, and the effects of 
 
dress, is very peculiar ; it has resulted in a class of paintings won¬ 
 derful for dramatic expression and pictorial analysis. The French 
 “ costume pictures” are meritorious because they reduce dress 
 and fashion to the government of the eternal laws which regulate 
 design and color in Art. Several fine examples are in the col¬ 
 lection. 
 
 The modern school of French landscape (largely influenced, 
 in the early part of the century, by the example of Constable) is 
 distinguished by subtlety of color, quality, and effect, in compo¬ 
 sitions remarkable for the sternest simplicity. It includes many 
 styles. The noble picture of “The Dawn,” by Corot, (No. in), 
 shows at his highest perfection a painter who aimed at expressing 
 the secret of light, the vaporous transparency of air, and the fluc¬ 
 tuating movement of the principle of life in vegetation. “The 
 birds must be able to fly through my branches,” he would say'" 
 when he was alive ; and the works in which he attained his grand 
 aims live after him. As an expression of another kind of truth, 
 the Winter scene, by Pelouse, (No. 73), in which the exact “ value” 
 of snow against the sky is expressed in the richest impasto, shows 
 the originality and variety attained in the single-hearted pursuit 
 of Nature. 
 
 A certain emancipation, in the direction of gaiety and bold¬ 
 ness of color, has recently disturbed the academic gravity of the 
 French school, chiefly at the hands of Spanish and Italian artists 
 who have studied in Paris. This movement of the Roman- 
 Sranisii school, as it is sometimes called, has gained the greatest 
 favor from some of the most intelligent connoisseurs. Pinchart's 
 picture of a Girl and Parrot (No. 1x9) is a brilliant example. 
 
 The German schools particularly excel in delineating charac¬ 
 ter, and in telling an ingenious story by means of figures. As a 
 single example out of a collection which of itself is the best 
 demonstration of this eloquent quality, the touching composition 
 by Stegert, “At the Monastery Gate,” (No. 35,) may be taken. 
 The robust grace of the children, and the melancholy of the child¬ 
 less priest, form a touching argument against monastic celibacy. 
 
 The American artists, at present an eclectic body formed un¬ 
 der the influence of all the schools, with some modifications 
 prompted by their own originality, are naturally the only prac¬ 
 titioners who excel in rendering the national character and man¬ 
 ners, and the magnificent scenery, of their native land. The 
 names of Homer and Boughton in figure pictures, and Richards 
 and Hart in landscape, will be found signed upon paintings 
 worthy of their genuine reputation and of their country. 
 
FIRST EVENING’S SALE, 
 
 Wednesday, April 14. 
 
 GUILLEMER, ERNEST, Paris. 
 
 Landscape. 
 
 HAAG, JEAN, 
 
 Paris. 
 
 Lighting the Pipe. 
 
 SAUVAGE, P, 
 
 Paris. 
 
 The Pet Birds. 
 
 VAN ERVEN DORENS, Amsterdam. 
 
 Going to the Post-Office. 
 
5 
 
 MICHETTI, P„ Rome. 
 
 Sheep and Lamb. 
 
 «n i. * - .. .. 
 
 6 
 
 MARCHAUX, A., Paris. 
 
 Tending Flowers. 
 
 7 
 
 R. AM ADO, Rome. 
 
 Studio Visitors 
 
 8 
 
 KUWASSEG Fils, C., Paris. 
 
 Amsterdam. 
 
 9 
 
 CASTIGLIONE, JOS., Paris. 
 
 In the Louvre. 
 
10 
 
 LAWRIE, A., - New-York. 
 
 Mountain Brook—Adiron- 
 
 dacks. 
 
 11 
 
 PERBANDT, C. von, New-York. 
 
 The Old Mill. 
 
 12 
 
 FUECHSEL, H., New-York. 
 
 * 
 
 Near West Point. 
 
 13 
 
 INNESS, GEO., New-York. 
 
 Summer Evening. 
 
 14 
 
 KENSETT, J. F. [Deceased], New-York. 
 
 Lake Genesee. 
 
15 
 
 IRVING, J. BEAUFAIN, New-York. 
 
 The Prayer. 
 
 16 
 
 BROWN, J, G,, New-York. 
 
 The Little Fruit-seller. 
 
 17 
 
 HAMMER, J., New-York. 
 
 Children at the Cistern. 
 
 18 
 
 PABST, ALFRED, Paris. 
 
 & 
 
 Alsatian Interior. 
 
 19 
 
 / MICHEL, ERNEST, Paris. 
 
 y. 
 
 Mother and Child. 
 
20 
 
 TRAYER, JEAN, 
 
 Industry. 
 
 Paris, 
 
 21 
 
 COMPTE-CALIX, F., Paris. 
 
 Taking Leave. 
 
 22 
 
 / 
 
 , EBEL, F., Diisseldorf. 
 
 A Landscape, 
 
 23 
 
 ^•^ARNZ, ALBERT, Diisseldorf. 
 
 Bay of Naples. 
 
 24 
 
 HAANEN, GEORGE van, 
 
 Diisseldorf. 
 
 The Night-Market, Holland. 
 
25 
 
 /O 
 
 ) % 
 
 if 
 
 HERZOG, H., 
 
 Diisseldorf. 
 
 Norwegian Rapids. 
 
 26 
 
 SE1BEL, C., Diisseldorf. 
 
 Landscape, with Cattle. 
 
 27 
 
 R1SSE, R., Diisseldorf. 
 
 The Young Artist. 
 
 28 
 
 ^ y*-, HUBNER, Prof. CARL, Diisseldorf. 
 
 “ Obstinate." 
 
 29 
 
 
 MULLER, F., 
 
 Diisseldor 
 
 The Pet. 
 
30 
 
 Diisseldorf. 
 
 DAHLEN, REINER, 
 
 Fishing in the Rhine. 
 
 31 
 
 /*(> 
 
 OEHMICHEN, H, 
 
 Diisseldorf. 
 
 Winter Sports. 
 
 32 
 
 hjO 400 TANNERT, l., 
 
 Diisseldorf, 
 
 L 
 
 “Please, Ma. some Fruit!' 
 
 JS1, / 
 r- 
 
 33 i 
 
 0 ^^^RETHEL, OTTO, Diisseldorf. 
 
 The First Butterflies. 
 
 
 34 
 
 -» ANDERS, ERNEST, 
 
 Diisseldorf. 
 
 The First-Born. 
 
35 
 
 SIEGERT, A., Dusseldorf. 
 
 C.u At the Monastery Gate. 
 
 ; 36 
 
 4 
 
 MAUVE, A., The Hague. 
 
 The Shepherd. 
 
 37 
 
 .MARIS, JACQUES, The Hague. 
 
 The Reader. 
 
 38 
 
 -BECKER, GEORGES, Paris. 
 
 Spanish Woman. 
 
 DEVY, 
 
 E. 
 
 39 
 
 Paris. 
 
 Japanese Toy-Shop. 
 
40 
 
 LEYENDECKER, Paul-[ os., Paris. 
 
 The Twins. 
 
 41 
 
 ..HOMER, WINSLOW, 
 
 New-York. 
 
 The Hammock. 
 
 
 
 42 
 
 GAMBA de PREYDOUR, A. Paris. 
 
 Pompeian Lady. 
 
 3 * 
 
 43 
 
 BECKER, GEORGES, Paris. 
 
 The Parrot. 
 
 44 
 
 
 BECKER, GEO., 
 
 Paris. 
 
 The Flowers. 
 
45 
 
 DUVAL, Mlle. ALIX, Paris. 
 
 A Visit to Grandma. 
 
 46 
 
 ^ £ $ S A U NIER, NOEL, Pari s. 
 
 In the Country. 
 
 47 
 
 6 6 & 
 
 GERARD, THE9, 
 
 Brussels. 
 
 Domestic Happiness. 
 
 48 
 
 VERNIER, EMILE-LOUIS, Paris. 
 
 Mediterranean Seaport. 
 
 49 
 
 ACCARD, EUGENE, Paris. 
 
 /r J 
 
 Confidential News. 
 
50 
 
 2 ,/ ^PICOU, HENRY, Paris. 
 
 Fortune-Telling’—The Game 
 of the Goose. 
 
 6/v- 
 
 51 
 
 ESCOSURA, LEON y, 
 
 The Rivals. 
 
 Paris. 
 
 52 
 
 
 SAUNIER, NOEL, 
 
 Paris. 
 
 Summer Recreation. 
 
 53 
 
 - 5^3 
 
 DANA, W. P. W„ 
 
 N ew-Y ork. 
 
 Brittany Coast-view. 
 
 54 
 
 SANTORO, F., Rome. 
 
 Italian Landscape. 
 
55 
 
 ACHENBACH, OSWALD, 
 
 Caprera—the Home 
 
 baldi. 
 
 Diisseldorf. 
 
 of Gari- 
 
 56 
 
 DAUBIGNY, KARL, 
 
 Landscape. 
 
 Paris. 
 
 57 
 
 RICHET, LEON, Paris. 
 
 A French Village. 
 
 58 
 
 GIRARD, FIRM IN, Paris. 
 
 3 
 
 At the Well—Morning, 
 
 
 59 
 
 DE COCK, CESAR, 
 
 Landscape. 
 
 Paris. 
 
60 
 
 
 BROCHOCKI, W., 
 
 Munich. 
 
 Near Munich. 
 
 61 
 
 
 ROUX, C., 
 
 Munich. 
 
 Ploughing in Italy. 
 
 62 
 
 A 
 
 ROUX, C., 
 
 A 
 
 Munich. 
 
 Ploughing in Germany. 
 
 
 63 
 
 ROETH, PHILIP, 
 
 Landscape. 
 
 Munich. 
 
 64 
 
 / 
 
 ftffi "# B.OUTIBONNE, E., 
 
 Paris. 
 
 7 
 
 Enemies till Death! 
 
N ew-Y ork. 
 
 HART, JAS. M., 
 
 Landscape. 
 
 66 
 
 HUBNER, EDWARD, Dresden. 
 
 Courtyard of a House in 
 Capri. 
 
 67 
 
 LINDER, R, Paris. 
 
 The Listener. 
 
 68 
 
 LINDER, P., Paris. 
 
 • Eve. 
 
 69 
 
 STEVENS, AGAPIT, Brussels. 
 
 The Violets. 
 
Munich. 
 
 -r? ffO 
 
 h v 
 
 70 
 
 ECHTLER, ADOLPHE, 
 
 Alone at Home. 
 
 V 
 
 71 
 
 " KARGER, C., Munich. 
 
 The Lost Law-Suit. 
 
 72 
 
 /ZUGEL, H, 
 
 - 
 
 1C 
 
 PELOUSE, L. G„ 
 
 A December Day. 
 
 Munich. 
 
 The Pedler. 
 
 73 
 
 Paris. 
 
 74 
 
 jtr° 
 
 HALL, GEO. H., 
 
 N ew-Y ork. 
 
 The Chestnut Merchant, (El 
 Castanero.) 
 
 75 
 
 FABRI, A. E„ Rome. 
 
 Japanese Interior. 
 
SECOND EVENING’S SALE, 
 
 Thursday, April 15. 
 
 76 
 
 VAN SEVERDONCK, F. Brussels. 
 
 Stable Interior. 
 
 77 
 
 VAN SEVERDONCK. F. Brussels. 
 
 Companion-piece to the 
 above. 
 
 78 
 
 HAAG, JEAN, The Hague. 
 
 The Industrious Scholar. 
 
 79 
 
 HAAG, JEAN, The Hague. 
 
 Recreation. 
 
TAYLOR, THOS., Paris. 
 
 Feeding Ducks. 
 
 81 
 
 TAYLOR, THOS., Paris. 
 
 Tending Flowers. 
 
 82 
 
 RITCHIE, A., London. 
 
 Lord Dundreary. 
 
 83 
 
 BARUCCI, P., Rome. 
 
 Bay of Naples. 
 
 84 
 
 BARUCCI, P., Rome. 
 
 Italian Landscape. 
 
85 
 
 JAPY, LOUIS, 
 
 Landscape. 
 
 Paris. 
 
 86 
 
 LANGEROCK, HENRI, 
 
 Landscape. 
 
 Paris. 
 
 87 
 
 LA ROCHENOIRE, Paris. 
 
 Driving* Home the Flock. 
 
 88 
 
 GAMBA de PREYDOUR, A., Paris. 
 
 Mother and Child. 
 
 89 
 
 DAUBIGNY, KARL, Paris. 
 
 PS 
 
 q i 
 
 i "i 
 
 "W ashing-Day. 
 
90 
 
 DgLPY, CAMILLE, Paris. 
 
 Landscape. 
 
 91 
 
 LASSALLE, LOUIS, 
 
 Paris 
 
 •f 0 
 
 The Little Wood-gatherers. 
 
 1 1 
 
 
 92 
 
 LASSALLE, LOUIS, 
 
 Paris. 
 
 Companion to the above. 
 
 93 
 
 , ' WYDERVELDE, C„ 
 
 Trout. 
 
 New-York. 
 
 94 
 
 SCHOLTEN, P. J., 
 
 h u 
 
 V 
 
 Brussels. 
 
 Confidence. 
 
95 
 
 BEYSCHLAG, ROBERT, Munich. 
 
 
 
 Spring-Time. 
 
 96 
 
 MUNIER, EMILE, 
 
 Paris. 
 
 \ 
 
 
 0 ' 
 
 Petrarch’s Laura. 
 
 97 
 
 RUMPF, PHILIP, 
 
 Frankfurt. 
 
 <5 . 
 
 ( y 
 
 Mother and Child. 
 
 98 
 
 MOUCH0T, LOUIS, 
 
 Paris. 
 
 *> 
 
 
 Canal in Venice. 
 
 99 
 
 
 0 
 
 BEYLE, PIERRE-MARIE, Paris. 
 
 l) 
 
 Coquetry. 
 
100 
 
 
 1/ 
 
 DEFAUX, A., 
 
 y 
 
 Paris. 
 
 Landscape, with Sheep. 
 
 101 
 
 CATTANEO, A., 
 
 Rome. 
 
 31 
 
 0 
 
 Lake Nemi. 
 
 102 
 
 CATTANEO, A., 
 
 Rome. 
 
 S 
 
 Gompanion to the above. 
 
 103 
 
 REINHERZ, C, 
 
 Munich. 
 
 
 ,, / 
 
 The Approaching Storm. 
 
 104 
 
 LUCAS, J. D., 
 
 London. 
 
 ‘ ‘ Spooning’.” 
 
105 
 
 
 LIER, Prof. A. Munich. 
 
 Harvest-time. 
 
 
 106 
 
 CAMPRIANI, A., Paris. 
 
 // 
 
 Near Neuilly. 
 
 107 
 
 HERZOG, H., Dlisseldorf. 
 
 Dutch. Coast. 
 
 108 
 
 LOMMON, W., Dlisseldorf. 
 
 Landscape. 
 
 109 
 
 ISABEY, EUGENE, Paris. 
 
 The Duel. 
 
no 
 
 MULLER, CHAS. LOUIS, Paris. 
 
 ! • ■ S / | 
 
 I ? “Buy my Apples. 
 
 111 
 
 COROT, JEAN-BAPTISTE,) D . 
 [Deceased.] \ Pans ' 
 
 ) \ / 
 
 The Dawn. 
 
 112 
 
 The Hague. 
 
 ARTZ, ADOLPHE, 
 
 The Betrothed—at Scheve- 
 
 
 nmgue. 
 
 113 
 
 STEVER, A., Diisseldorf. 
 
 News from the Seat of War, 
 , "■ Time of Charles I. 
 
 % u - "\ 
 
 114 
 
 SCHMIDT, EDW. ALLAN, Diisseldorf. 
 
 The Alchemist. 
 
 'T\ * 
 
 •• 
 
115 
 
 A 
 
 BOUGHTON, GEO. H., London. 
 
 y y 
 
 Too near the War-path. 
 
 116 
 
 SINKEL, E., 
 
 Diisseldorf. 
 
 Madonna and Child. 
 
 117 
 
 DE MESGRIGNY, E, 
 
 Paris. 
 
 The Ferry, on the Seine. 
 
 ■H 
 
 J 
 
 118 
 
 COMPTE-CALEX, F., 
 
 Paris. 
 
 b 
 
 At the Well. 
 
 119 
 
 PINCH ART, E., 
 
 Paris. 
 
 >■ 
 
 The Parrot. 
 
120 
 
 BERANGER, EMILE, 
 
 r-1 
 
 *> 
 
 
 Paris. 
 
 The Billet-doux. 
 
 121 
 
 DETTI, C., Rome. 
 
 Waiting. 
 
 122 
 
 ESGUQUIZA, R., 
 
 / 
 
 Paris. 
 
 
 o 
 
 The Note. 
 
 123 
 
 PREYER, J. W., Diisseldorf. 
 
 Peaches, Grapes, etc. 
 
 r ■ 
 
 124 
 
 HEULLANT, ARMAND, Paris. 
 
 The Hiding-place. 
 
 (r / 
 

 //> *fr W 4 “ / 2 — -C^-^% 
 
 125 
 
 J U.'tiC 
 
 VEYRASSAT, JULES JACOUE, Park 
 
 Harvest-time. 
 
 ? 
 
 i? 
 
 ^7 
 
 »6^ 
 
 126 
 
 BAUGNIET, CHAS., 
 
 Paris. 
 
 i/>t 
 
 A 
 
 Tired! 
 
 127 
 
 BOUGUEREAU, WM. ADOLPPIE, Pans. 
 
 »/»/ a ?- 
 
 ’ y Fisher-girl of Etretat. 
 
 ys 
 
 128 
 
 FOLINGSBY, C. F„ Munich. 
 
 Edw. VI. meeting Lady Jane 
 Grey on the Terrace of 
 the Tower. 
 
129 
 
 CHAVET, V., 
 
 Paris. 
 
 / 
 
 The Dejeuner. 
 
 •n. 
 
 y 
 
 MALI, C., 
 
 130 
 
 The Flock. 
 
 Munich. 
 
 131 
 
 MERLE, HUGHES, 
 
 i ctr^ 
 
 Paris. 
 
 Ophelia. 
 
 “And I, of ladies most deject and wretched.”— Hamlet-. 
 
 132 
 
 GUES, ALFRED, 
 
 p>. ^ 
 
 Guardsman 
 
 Pans. 
 
 > 
 
 133 
 
 CHEVILLARD, V., 
 
 s° 
 
 Paris. 
 
 The Abbe. 
 
134 
 
 MEYER von BREMEN, J. G., Berlin. 
 
 k<r. 
 
 
 Re 
 
 ^ ^ 
 
 Surprise. 
 
 135 
 
 
 CLOWS, Miss C. M., 
 
 New-York. 
 
 K 
 
 — 
 
 s 
 
 Cattle-piece. 
 
 138 
 
 SANTORO, R, Rome. 
 
 Italian Coast. 
 
 137 
 
 MURRAY, ELIZABETH, New-York. 
 
 The Bolero. 
 
 138 
 
 CASANOVA, A., 
 
 f/tt TV* 
 
 J* < r Z 
 
 Rome. 
 
 Asleep. 
 
 A 
 
139 
 
 PREYER, EM I LIE, 
 
 Dlisseldorf. 
 
 
 Fruit. 
 
 140 
 
 THORS, J., 
 
 London. 
 
 3 
 
 
 Landscape. 
 
 141 
 
 LESLIE, J., 
 
 London. 
 
 Ben Mac-dhui. 
 
 142 
 
 NORDGREEN, A., 
 
 Dlisseldorf. 
 
 3 Norwegian Coast. 
 
 143 
 
 NORDGREEN, A., 
 
 Dlisseldorf. 
 
 Landscape. 
 
144 
 
 RONDEL, F., New-York. 
 
 Near New-Rochelle. 
 
 145 
 
 MOREAU, A., Paris. 
 
 The Connoisseur. 
 
 146 
 
 VERNON, P., Paris. 
 
 Landscape, 
 
 147 
 
 MARIS, JACQUES, The Hague. 
 
 Coast-view Scene. 
 
 148 
 
 PELOUSE, C., Paris. 
 
 Landscape. 
 
149 
 
 MESZOLI, G., Munich. 
 
 fX& """"" 
 
 Morning* Landscape. 
 
 150 
 
 STEWART, J., Paris. 
 
 \ 
 
 r }9 - j, Chinese Image. 
 
 , , c'./ 
 
 A-"’ 
 
 151 
 
 AM A DO, R., Rome. 
 
 The Pope’s Carriage. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 The Goupil Gallery. 
 
 
 M. KKOEDLER & CO., 
 
 170 FIFTH AVE HH Sr 
 
 Corner of 22d. Street. 
 
 C ATA LOG U E 
 
 or 
 
 American and Foreign 
 
 
 
 
 r 
 ! ’ 
 
 
 
 
 
1. 
 
 V. Palm a holt, .... 
 
 Making a Bouquet. 
 
 Horne. 
 
 •)_ 
 
 F. Mesgrigey, .... 
 
 Springtime. 
 
 Par in. 
 
 .> 
 
 •'). 
 
 W. H. Smith, .... 
 
 Still-Life. 
 
 London. 
 
 1 . 
 
 * '. 1 \ KT. ..... 
 
 Fontainebleau. 
 
 Larin. 
 
 5. 
 
 'I’m. Van i.j-1; Bitk. 
 
 The Butterflies. 
 
 J)v sse Idr f. 
 
 0. 
 
 Blaise Dksgoffe, .... 
 
 Paris. 
 
 
 Objects of Art formerly belonging to Marie Antoinette. 
 
 7. 
 
 H. A. Dikffknbach, .... 
 Tlie First Promenade of the New-Born. 
 
 Pari8. 
 
 s 
 
 Little Jeannette. 
 
 Paris. 
 
 
 iCOSURA, .... 
 
 The Indiscreet Parrot. 
 
 Paris. 
 
 10. 
 
 A. Toulmoucjie, .... 
 
 The New Novel. 
 
 Paris. 
 
 1 1. 
 
 Alfred Wahlbebg, .... 
 Autumn Morning. 
 
 Paris. 
 
 12. 
 
 Louis Lassalle, .... 
 
 The Luncheon. 
 
 Paris. 
 
 18. 
 
 Louis Lasselle, .... 
 
 The Rabbits 
 
 Paris. 
 
 14. 
 
 A. De Bouchekvillk, 
 
 The Unexpected Visitor. 
 
 Paris. 
 
 15. 
 
 J. Oakaud, ..... 
 
 The Loves. 
 
 Paris. 
 
 16. 
 
 Adolph Ebeklk, .... 
 
 The' Interruption. 
 
 Munich,. 
 
 17. 
 
 Alexander Cabbanel, 
 
 Mary at the Tomb of Christ. 
 
 Paris. 
 
 
 \ v - Achenbach, . 
 
 The Approach : ng Storm. 
 
 Dusscldorf. 
 
 19. 
 
 J. G. Vi BERT, 
 
 
 
 'The Bouquet. 
 
 ■ 
 
 20. 
 
 P. Mei, ..... 
 
 The Badly-learned Lesson. 
 
 Pome. 
 
 21. 
 
 A. Lesrel, ..... 
 
 Paris. 
 
 
 Diderot Reading in the Park at Versailles. 
 
oo 
 
 .T. G. Yibekt, .... 
 
 Paris. 
 
 
 Church and State—“ Le Secret d’Etat. 
 
 
 23. 
 
 M. Blum, . . . . . 
 
 The Prestidigitator. 
 
 Paris. 
 
 24. 
 
 M. De Garay, . . . . 
 
 Fido’s Mirror. 
 
 Paris. 
 
 
 Emile Lamhixkt, 
 
 . 1 >n tlie Shhih. 
 
 . Pan*. 
 
 2ij. 
 
 J1 L)KUCU Ki:T, .... 
 
 (Ilium Lake. Bavaria. 
 
 M t<ntch. 
 
 27. 
 
 J. Cakaud, .... 
 
 Paris. 
 
 
 On the Terrace. 
 
 
 28. 
 
 Adopii Schreyer, 
 
 The Attack : ICabyle Warriors. 
 
 Paris. 
 
 29. 
 
 Emile Lambinet, 
 
 Evening. From the Salon of 187f 
 
 V Iirix 
 
 30. 
 
 Emile Lambinet, . 
 
 Morning. From the Salon of 187o. 
 
 
 31. 
 
 Henry Picou, . . . . 
 
 Paris. 
 
 
 Antony and Cleopatra on the Biver Cydnus. 
 
 32. 
 
 .T. Spiridon, .... 
 
 The Manuscript. 
 
 . Paris. 
 
 33. 
 
 T. L. Smith, .... 
 
 The Eve of St. Agnes. 
 
 “St. Agnes’ Eve! Ah. bitter chill it was!”— Kent*. 
 
 New York. 
 
 34. 
 
 J. Sink el, ..... 
 
 Madonna and Child. 
 
 Germany. 
 
 35. 
 
 J. L. H A MON, .... 
 
 Love’s Whisper. 
 
 Paris. 
 
 36. 
 
 Adolph Schreyer, 
 
 Paris. 
 
 
 Wallachian Provision-train Caught in a Snow 
 
 Storm. 
 
 37. 
 
 L. Boss i, . 
 
 Feeding the Chickens. 
 
 Home. 
 
 38. 
 
 Bichomme, .... 
 
 Love’s Secret. 
 
 . Paris. 
 
 
 mas Achenbacu, 
 
 On the Scheldt—Squall Coming Up 
 
 
 40. 
 
 j. G. Brown, .... 
 
 The Last Apple. 
 
 New York. 
 
 41. 
 
 II. Werner, .... 
 
 Harvest Time. 
 
 Dusseidorf. 
 
 -12. 
 
 IL Werner, .... 
 
 Feeding the Pets. 
 
 Ihmeldorf. 
 
Par'?, 
 
 Park. 
 
 • Charles Baxtoxiki, ... 
 
 Springtime. 
 
 44. Fixix ,Zn- m, . . 
 
 Constantinople :: Start of the Caravan for Mecca. 
 
 45. K. Madrazo, .... . . . Paris . 
 
 The Eose among Thorns. 
 
 . 40. P. L.. Leyendecker, ... . . Paris. 
 
 Louis XIV visiting the Water Works at Versailles. 
 
 47. William Hart, 
 
 48. M. F. H. Dr Haas, 
 
 Noonday. 
 
 Marine. 
 
 New York . 
 New York. 
 
 49. P. Koessler. 
 
 
 The Appointment. 
 
 
 
 50. 
 
 P. Koessler, . . y 
 
 * 
 
 Ikvxeldorf. 
 
 
 The Surprise. 
 
 
 
 51. 
 
 > v French Artillerist. 
 
 • 
 
 Paris. 
 
 5*2. 
 
 E. Detaille, . 
 
 Sapeur. 
 
 
 Paris. 
 
 53. 
 
 J. Spiridon, . . 
 
 * 
 
 Park. 
 
 
 Sketching from Nature. 
 
 
 
 54. 
 
 FELicrE Schneider, 
 
 The Pond Lilies. 
 
 
 Park. 
 
 
 
 
 Paris. 
 
 
 
 
 
 
 G. F. Folingsby, 
 
 
 Munich, 
 
 award I meeting I .ady Jane Gray on the Terrace of the Tower. 
 
 
 -i ) Fete Day. From the Salon of 1875. 
 
 Park. 
 
 
 Felix J&em, .. 
 
 
 Park, 
 
 The “ Sweet Waters,” Constantinople. 
 
 59. J. G. ,Meyeu v . ... vm Bremen, ’ 
 
 • The Cherries, 
 
 - r —.. . Mm*- - 
 
 Park.. 
 
 The Forager. 
 
 , . 
 

 
 > / ., 
 
 
 The Goupil Gallery. 
 
 M. KNOEDLER & CO., 
 
 170 FIFTH AVENUE, 
 
 Corner of 22d Street. 
 
 C ATA LOGUE 
 
 American and ¥oreign Paintings. 
 
 > } 
 
 MARCH, 1 876. 
 
 
1. 
 
 V. Palm a no li, .... 
 
 Making a Bouquet. 
 
 Home. 
 
 o 
 
 F. Mesgrigny, .... 
 
 Springtime. 
 
 Paris. 
 
 3. 
 
 W. 14. Smith, .... 
 
 Still-Life. 
 
 London. 
 
 4. 
 
 Gr. TASSET, ..... 
 
 Fontainebleau. 
 
 Laris. 
 
 5. 
 
 Th. Van der Beck, 
 
 The Butterflies. 
 
 JJus.se/dorf. 
 
 6. 
 
 Blaise Desgofee, .... Paris. 
 
 Objects of Art formerly belonging to Marie Antoinette. 
 
 7. 
 
 H. A. Dieffenbach, .... 
 The First Promenade of the New-Born. 
 
 Paris. 
 
 8. 
 
 Hcgues Meklk, .... 
 
 Little Jeannette. 
 
 Paris. 
 
 9. 
 
 Leon y Escosura, .... 
 
 The Indiscreet Parrot. 
 
 Paris. 
 
 10. 
 
 A. Toulmouche, .... 
 
 The New Novel. 
 
 Paris. 
 
 11. 
 
 Alfred Wahlberg, .... 
 Autumn Morning. 
 
 Paris. 
 
 12. 
 
 Louis Lassalle, .... 
 
 The Luncheon. 
 
 Paris. 
 
 13. 
 
 Louis Lassiolle, .... 
 
 The Rabbits 
 
 Paris. 
 
 14. 
 
 A. De Bouchervillk, 
 
 The Unexpected Visitor. 
 
 1’aris. 
 
 15. 
 
 J. Cakaud, ..... 
 
 The Doves. 
 
 Paris 
 
 16. 
 
 A DOLE II EbEKLK, .... 
 
 The Interruption. 
 
 Munich 
 
 17. 
 
 Alexander Carbanel, 
 
 Mary at the Tomb of Christ. 
 
 Paris. 
 
 18. 
 
 Andreas Aciienbach, 
 
 The Approaching Storm. 
 
 Dusseldorf 
 
 1!). 
 
 J. Gr. VlBKRT, .... 
 
 The Bouquet. 
 
 l\tris 
 
 20. 
 
 P. Mei, ..... 
 
 The Badly-learned Lesson. 
 
 Pome 
 
 21. 
 
 A. Leskel, ..... 
 
 Paris 
 
 Diderot Reading in the Park at Versailles. 
 
*22. 
 
 J. G. Vibkkt, 
 
 Church and State— 
 
 Le Secret d’Etat.” 
 
 Paris. 
 
 28. 
 
 M. Blum, ..... 
 
 The Prestidigitator. 
 
 Paris. 
 
 24. 
 
 M. De Gakay, 
 
 Fido’s 
 
 Mirror. 
 
 Paris. 
 
 25. 
 
 Emile Lambinet, .... 
 
 On the Seine. 
 
 Paris. 
 
 26. 
 
 H. Deuchekt, .... 
 
 Chiom Lake, Bavaria. 
 
 Munich. 
 
 27. 
 
 J. Oakaud, 
 
 On the 
 
 Terrace. 
 
 Paris. 
 
 28. 
 
 Adoi*ii Schrkyer, . . . . 
 
 The Attack: Kabyle Warriors. 
 
 Paris. 
 
 29. 
 
 Emile Lambinet, 
 
 Evening. From 
 
 the Salon of 1875. 
 
 Paris. 
 
 30. 
 
 Emile Lambinet, 
 
 Morning. From 
 
 the Salon of 1875. 
 
 Paris. 
 
 31. 
 
 Henry Picou, 
 
 • . • 
 
 Paris. 
 
 
 Antony and Cleopatra on the Biver Cydnus. 
 
 32. 
 
 J. Spiridon, .... 
 
 The Manuscript. 
 
 Paris. 
 
 33. 
 
 T. L. Smith, .... 
 
 The Eve of St. Agnes. 
 
 “St. Agnes' Eve! Ah, bitter chill it was!”— Ke.aU. 
 
 New York. 
 
 34. 
 
 J. Sink el, ..... 
 Madonna and Child. 
 
 'Germany. 
 
 35. 
 
 J. L. Hamon, 
 
 Love’s 
 
 Whisper. 
 
 Paris. 
 
 36. 
 
 Adolph Schrkyer, 
 
 • • 
 
 Paris. 
 
 
 Wallachian Provision-train Caught in a Snow Storm. 
 
 37. 
 
 L. Possi, . 
 
 Feeding the Chickens. 
 
 Home. 
 
 38. 
 
 PlCHOMME, 
 
 Love’s 
 
 • • • 
 
 Secret. 
 
 Paris. 
 
 89. 
 
 Andreas Achenbacu, 
 
 On the Scheldt— 
 
 Squall Coining Up. 
 
 Dusseldorf. 
 
 40. 
 
 .T. G. Brown, .... 
 
 The Last Apple. 
 
 New York. 
 
 41. 
 
 11. Werner, 
 
 Harve 
 
 it Time. 
 
 Dusseldorf. 
 
 
 KK, 
 
 Feeding 
 
 the Pets. 
 
 Dusseldorf. 
 
18. 
 
 Charles Baugniet, 
 
 Springtime. 
 
 . Paris. 
 
 44. 
 
 Felix Ziem, ..... Paris. 
 
 Constantinople: Start of the Caravan for Mecca. 
 
 45. 
 
 R. Madrazo, .... 
 
 The Rose among Thorns. 
 
 Paris. 
 
 46. 
 
 P. L. Leyendecker, .... Park. 
 
 Louis XIV visiting the Water Works at Versailles. 
 
 47. 
 
 William Hart, . . . . 
 
 Noonday. 
 
 New York. 
 
 48. 
 
 M. F. H. Dk Haas, 
 
 Marine. 
 
 New York. 
 
 49. 
 
 P. Roessler, .... 
 
 The Appointment. 
 
 Dusseldorf. 
 
 50. 
 
 P. Roessler, .... 
 
 The Surprise. 
 
 Dusseldorf. 
 
 51. 
 
 E. Detaille, .... 
 
 French Artillerist. 
 
 . Paris. 
 
 52. 
 
 E. Detaille, .... 
 
 Sapeur. 
 
 . Paris. 
 
 | 
 
 53. 
 
 J. Spiridon, .... 
 
 Sketching from Nature. 
 
 . iVr/.s* 
 
 54. 
 
 Felicie Schneider, 
 
 The Pond Lilies. 
 
 Paris . ' 
 
 55. 
 
 Xavier de Cock, 
 
 The Song in the Woods. 
 
 . Paris. 
 
 56. 
 
 G. F. Folingsby, 
 
 Munich. 
 
 Edward VI meeting Lady Jane Gray on the Terrace of the Tower. 
 
 57. 
 
 Louis Leloir, .... 
 
 The Fete Day. From the Salon of 1875. 
 
 Paris. 
 
 58. 
 
 Felix Ziem, , . ... 
 
 The “ Sweet Waters,” Constantinople. 
 
 Paris. 
 
 59. 
 
 J. G. Meyer, .... von 
 
 The Cherries. 
 
 Bremen. 
 
 60. 
 
 Attilio Simonetti, .... 
 
 The Cabinet. 
 
 Rome. 
 
 6 i. 
 
 C. Dklort, . . . . 
 
 The Forager. 
 
 Paris. 
 
 62. 
 
 Alfred Stevens, and David de Not Kit, 
 
 Interior, with Figure. 
 
 Brussels. 
 
 63. 
 
 Gustave Prion, . * . 
 
 Alsatian Bridal Procession. 
 
 Paris. 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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