IU\: lloyR CATALOGUE ETCHINGS AND DRAWINGS Hit aitb after tlje Sib Jitasters, THE PROPERTY OF A LADY; _ ETCHINGS AND ENGRAVINGS, SOLD BY ORDER OF THE EXECUTORS OF THE LATE O. W. COPE, PaY. ; Engravings of tbe jfreneb School, THE PROPERTY OF A GENTLEMAN; &c. &c. : r^fb. s^S ■ h / " c 5 WHICH ill iie Solti bn Auction by Messrs. CHRISTIE, MANSON & WOODS, AT THSIB ©EEAT EQ@HS» 8 KING STEEET, ST. JAMES’S SQUARE, On TUESDAY, JULY 31, 1894, at one o’clock PRECISELY. May be viewed Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 lung (street, St. James's Square, S.W. CONDITIONS OF SALE. I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. Y. The Lots to be taken aw T ay and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited ; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE, On TUESDAY, JDLY 31, 1894 AT ONE O’CLOCK PRECISELY. Sold by Order of the Executors of the late CHARLES WEST COPE , R.A. ENGRAVINGS— In the Folio. 1 After Ostade, Terburg, &c. 29 2 After Rubens, &c. ^ 3 Miscellaneous engravings after Opie, De Loutliorbourg, &c. 4 EnaiRvinprs after tbe Italian Masters, &c. 5 Miscellaneous engravings, lithographs, &c. 6 Etchings by W. Cope, R.A., and others—in a portfolio 7 Etchings by Members of the Etching Club 8 Etchings, after Nature, by J. M. Whistler a set of twelve 9 Etchings by S. Palmer ; and Views in London ; &e. 12 10 The Night Alarm, after Cope, by J. Dobi e-ten proofs on vellum ; &c. 35 1 11 The Cut Finger, after Wilkie, by Eaimbach ; The Smile; and The Frown, after Webster ; &c. ^ 12 After G. S. Newton, R A., Winterhalter, &c. B 2 4 13 Benevolent Cottagers, after Callcott; Tlie Gipsies, by Gains¬ borough, &c. 12 14 The Young Cottager; and the Cottage Girl, after Gainsborough, by Wliessell; &c. 3 15 Cipriani, after Rigaud, by Earlom; J. Northcote, R.A., after Harlow; &c. 6 16 Mrs. Lister, after Lawrence, by Cousins ; The Calmady Children, after ditto, by Lewis ; &c. 17 The Duke of Wellington, after Sir T. Lawrence, by S. Cousins, E.A.— artist's proof', &c. 4 18 Lady Fenhoulet, after Sir J. Reynolds, by R. Purcell; and John Patterson, after ditto, by T. Watson 2 19 Lady Beauchamp, after ditto, by W. Nutter— -first state 20 The Infant Academy, after Sir J. Reynolds, by F. Haward ; The Laughing Girl, by W. Bond ; &c. 6 21 Mary of Orange, by W. Hollar; Engravings, by Marc Antonio ; &c. 6 22 The Archduke of Austria, after Rubens, by Suyderhoef; William of Nassau, after Honthorst; &c. 5 23 Prince Rupert— proof ; and^ other portraits, after Yandyck; &c. 14 24 The Children of Charles I., after Yandyck, by R. Strange; &c. 5 25 Henrietta Maria; and others, after Yandyck 7 26 The Due d’Aremberg, after Yandyck, by R. Earlom —first state ; &c. 2 27 Miscellaneous portraits, after Vandyck ; &c. 52 28 Miscellaneous portraits, after Rembrandt and others 29 Studies of Figures, by R. Redgrave —in sepia ; &c. 3 30 After J. M. W. Turner, R.A .—in water-colours 8 31 Two Historical Subjects, by C. W. Cope, R.A .—in oils, framed THE PROPERTY OP A LADY. ETCHINGS —In the Folio. REMBRANDT VAN RHYN. 32 Abraham and Isaac (W. 38); and The Prodigal Son (W. 96) 2 33 The Holy Family (W. 66); and The Schoolmaster (W. 131) 2 34 Head of Rembrandt’s Mother (W. 346); and Christ at Emmaus —small plate (W. 93) 2 35 A Naked Woman seen from Behind (W. 202)— second state, on Japan paper 36 The Rest in Egypt (W. 63); and The Descent from the Cross (sketch) (W. 87) 2 A. VAN OSTADE. 37 The Smoker at the Window (D. 10) — second state; and The Family (D. 33) 2 38 The Knife Grinder (D. 36); The Spectacle Seller (D. 29); and The Smoker Smiling (D. 6) 3 39 The Executioner, by Prince Rupert— small plate, mezzotint 40 Landscapes, by Waterloo and Ruysdael 3 41 Christ on the Cross ; and others, by Italian Masters 4 42 A Collection of Fifty-nine Etchings, by D. Read —in a portfolio 59 DRAWINGS. 43 A. Durer : Virgin and Child —pen and bistre 44 Rembrandt : Descent from the Cross; another Sketch —in blade chalk; and A Sketch —pen and bistre, washed 3 45 M. Angelo: Study from the Nude —in red chalk ; and others, by Rubens, Caracci and Fra Bartolomeo 4 6 4G Correggio: Studies of Angels —in red chalk ; and one —in yen and bistre 3 47 W. Van de Velde : A Frigate Saluting — bistre and Indian ink, washed 48 The Same : Small Sea Pieces —bistre and Indain ink , washed 5 49 Eyerdingen : Fishing Boats —pencil and Indian ink, washed 50 Sketches, by Canaletto, Carracci and others 6 THE PROPERTY OF A GENTLEMAN. 51 Etchings by Waterloo, &c. 15 52 After Eubens, Canova, Lawrence, &c. 18 53 The Hon. Mrs. Graham, after Gainsborough, by E. Graves, A.E. A. — artist's proof 54 The Duchess of Eutland, after Sir J. Eeynolds, by S. Cousins, E.A. — artist's proof 55 The Duchess of Devonshire, after ditto, by ditto— ditto 56 Theory, after ditto, by J. Grozer— coloured 57 Arundel Society Publications— coloured lithographs ; &c. 36 58 Ditto— ditto 7 59 Ditto, after Frescoes at Pompeii; &c. 60 The Prize Cartoons, Art Union Plates; etc. 11 61 Photographs and Lithographs— in a mahogany case 37 DRAWINGS. 62 J. Flaxman : Andromache ; &c. 8 63 C. Stanfield, R. A.: Old Houses at Lambeth ; &c. 4 64 F. Zucchero : Portraits of Ladies ; &c. 4 From Sir P. Lely's Collection 65 Beccjafumi : A Saint; &c. 4 From Sir J. Reynolds' Collection 66 G. B. Lionardi: The Assumption of the Virgin; &c. 7 67 Michel Angelo: Sketch for the Last Judgment; Caryatid Figures, by G. Romano 2 From Sir P, Lely and Sir J. Reynolds' Collections 68 F. Vanni : Death of a Saint; &c. 6 From Esdaile's Collection 69 C. Maratti : The Holy Family ; &c. 4 70 Guercino : Head of a Youth ; &c. 10 71 A. Mantegna : St. Longinus; &c. 16 72 N. Corneille: The Virgin and Child, with angels; &e. 6 73 Francks : The Entombment; &c. 8 74 D. Teniers : A Peasant; A Cavalier and Lady, by Bonchorst; &c. 75 Bischop: Neptune Rebuking the Winds; &c. 4 12 8 TI1E PROPERTY OF MRS. BARLOW. 76 Diana Vernon, after Sir J. Millais, by signed by the painter 77 Ditto— ditto 78 Ditto— ditto 79 Ditto— ditto 80 Ditto— ditto 81 Ditto— ditto 82 Ditto— ditto 83 Ditto— ditto T. O. Barlow, R.A.— proofs, 2 2 2 6 - 6 6 6 7 ANOTHER PROPERTY. 83a Jephthah’s Daughter, after E. Long, R.A., by G. S. Hunt and 11. Bourne— a set of three, artist's proofs 3 84 Danae and Venus, after Titian, by R. Strange ; &c. 3 85 The Choice of Paris, after Rubens, by R. Woodman— proof ; &c. 3 86 Ninette, after Greuze, by S. Cousins, R.A.— artist's proof 87 A Disgrace to bis Family, after S. Berkeley, by Alais —ditto ; &c. 2 88 Card Players, by Crlindoni— remarque proof-, &c. 2 89 The Mazarin Library, after Fortuny, by Boilvin— remarque proof 90 The Forest Series, after Sir E. Landseer— twenty selected proofs —in a portfolio 91 Turner (J. M. W., R.A.) The England and Wales Series— ninety-six proofs on India paper—in two portfolios 92 Imitations of Original Drawings by Hans Holbein, in the collection of His Majesty, of the Portraits of Illustrious Persons of the Court of Henry VIII., with biographical tracts, in twelve parts, London , 1792 9 THE PROPERTY OF A GENTLEMAN. In the Folio. 93 Illustrations to La Fontaine, by J. H. Bamberg, 1799 6 94 Les Baigneuses, after Yernet, by Balecbou— first state 95 L’Enlevement de Psyche, after Prudhon, by Muller— proof before letters 96 La Sortie du Bain, after Trinquesse, by Lempereur— proof before letters , before the address 97 Le Joli Chien, after Lavreince, by Janinet— coloured Framed. 98 Les Nymphes Scrupuleuses, after Lavreince, by Vidal— proof before letters , undescribed 99 Les Soins Tardifs, after Baudouin, by N. de Launay— proof before letters From the Beraldi Collection 100 Le Fruit de l’Amour Secret, after ditto, by Voyez— proof before any letters From the Collection of the Comte de la Beraudiere 101 Le Desir Amoureux, after Baudouin, by Mixelle— proof, printed in colours From the Declou Sale 102 “ II est trop tard,” by A. F. Sergent— proof before letters, coloured 103 Hebe and the Eagle, after J. Unterberger— coloured ETCHINGS AND EN GRAY IN GS— Framed. 104 Etchings, by B. Debaines, Jacquemart, &c. 105 St. George; and St. Jerome, by A. Durer 106 The Martyrdom of St. Stephen; &c., by Rembrandt 3 10 107 Landscapes, after Both, Poussin ; &c. 3 108 The Holy Family, after Raphael, by De Larmessin; The Infant Jesus, after Vandyck ; &c. 3 109 Les Couseuses, after Guido, by Beauvarlet; &c. 2 110 St. Paul at Athens, after Raphael; and A Landscape, after N. Poussin, by Baudet 2 111 The Massacre of the Protestants, by A. Durer ; The First Born — proof ; &c. 5 112 A Venetian Boy, after Sir J. Reynolds, by J. Dean— first state 113 A School Boy, after ditto, by ditto— second state ; &c. 3 114 Interior of a Cottage; The Little Cottager, after T. Gains¬ borough, R.A., by C. Turner— a 'pair 115 George, Prince of Wales, after Cosway, by W. Sharp; and The Duchess of Cumberland, by W. Sherwin 2 116 The Fair Moralist and her Pupil, after ditto, by Bartolozzi; and Rinaldo and Armida, after A. Kauffmann— coloured 2 117 Girl, with a child on her back; and The Companion, after Cosway, by Agar— slightly coloured 2 118 Girl at a Well, after ditto, by ditto; and The Same— coloured 2 119 Bathers— printed in red, on satin 120 Hon. Miss Bingham, after Sir J. Reynolds, by F. Bartolozzi, R.A. 121 The Countess Spencer, after ditto, by ditto 122 Lady Smyth and her Children, after ditto, by ditto 123 Princess of Wales, after Cosway by Bartolozzi ; and Lady Catherine Manners 2 124 The Countess of Essex and Lady Charlotte Fitzwilliam, after Sir J. Reynolds 11 125 The Prince and Princess of Wales, after Largilliere, by J. Smith; and The Princess Anne, after Wissing, by Cooper 2 126 William of Nassau, after Honthorst, by Sailliar ; and Lord Clifford and his Sister, by J. Smith 2 127 Queen Charlotte and the Princess Royal, after B. West, by Y. Green 128 R. Cosway, R.A.: Affection and Education — a pair—in sepia and colours 9 THE PROPERTY OF A LADY. 129 Madge, by C. Sainton ; &c.— silver point 2 130 Letty, after Sir F. Leighton, by J. D. Miller— artist's proof, signed 131 Diligence and Dissipation, after J. Northcote, R.A., by Gaugain and Hellyer— set of four 132 A Nymph, after Angelica Kauffmann; &c.— coloured 3 133 The Young Nurse, after Morland, by Graham; and Spaniels, after Bennet, by C. Turner— coloured 2 134 Nature (the Calmady Children), after Sir T. Lawrence, by Doo ; and The Young Maid and Old Sailor, after Walton— in red 2 135 Contemplating the Picture; and Society in Solitude, by J. R. Smith— a pair 136 Louisa Cosway, after R. Cosway, R.A., by A. Cardon 137 The Duchess of Devonshire, after Nixon, by Bartolozzi— printed in red 138 The Hon. Miss Bingham, after Sir J. Reynolds, by Bartolozzi— printed in red 12 139 Miss Bowles, after ditto, by C. Turner —proof 140 Nurse and Children in the Fields, after G. Morland, by G. Keating 141 Mercury Inventing the Lyre, after Barry, by J. It. Smith 142 Mr. West and Family, after B. West, by Facius —printed in colours 143 The Education of Achilles, after Begnault— coloured; &c. 3 144 Master Lambton, after Sir T. Lawrence, by C. Waltner —remarque proof 145 Let Sleeping Dogs Lie, after B. Riviere, R.A., by T. L. Atkinson — artist's proof ANOTHER PROPERTY. Artists' Proofs. 146 Partie Perdue, after Meissonier, by Bracquemond 147 Home Brewed, after W. D. Sadler, by W. Boucher —remarque proof 148 Lingering Autumn, after Sir J. Millais, by T. Chauvel— signed 149 Eel Bucks at Goring, after Muller, by B. Debaines 150 Cambria’s Coast, after B. W. Leader, A.R.A., by T. Chauvel— signed 151 A Glimpse of Loch Katrine, after J. MacWhirter, R.A., by D. Law 152 Toasting the Young Duke, after W. Q. Richardson, R.A., by Laguillermie 13 153 Whore many Branches Meet, by F. Slocombe; and The Town Hall, Guildford, by C. Bird 2 154 Countess Gower; and Nature, after Sir T. Lawrence, by E. Gaujean 2 155 Marcia, after J. Hoppner, R.A., by T. G. Appleton 156 Beata Beatrix, after Rosetti, by F. Miller 157 Memories, after Sir F. Leighton, by J. D. Miller 158 Daniel’s Answer to the King, after B. Riviere, R.A., by J. B. Pratt —signed 159 A Dedication to Bacchus, after L. Alma Tadema, R.A., by Blanchard —signed 160 Dawn, after S. E. Waller, by A. Lamotte 161 The First Love Letter, after Marcus Stone, B.A., by E. G. Hester 162 Near Hingbam, Norfolk, after Crome ; and By Thirty Hills, by J. Finnie 2 163 The Garden of the Hesperides, after Sir F. Leighton 164 Whispers, after Sir F. Leighton 165 A Bacchante, after ditto 166 The Promise of Spring, after L. Alma Tadema, R.A. 167 Orphans, after A. J. Johnstone— coloured ; and Three Feet Nothing, after E. Haylar 2 168 An Oleander, after L. Alma Tadema, R.A., by A. Blanchard— artist's proof \ signed 14 A i\ 0 THE LI PR 0 PER TY. 169 The White Cockade, after Sir J. Millais, by G. Zobel— artist's proof 170 Pick-a-back, after Sir J. Reynolds, by ditto— ditto 171 The First Taste of the Whip, after S. Carter, by A. Lucas— artist’s proof 172 The Big Pack, after A. Stuart Wortley, by L. Edwards— artist's proof 173 Une Surprise; and Encore une Surprise, after F. Hyde — artist’s proofs 2 174 The Syndics of the Draper’s Guild, after Rembrandt, by C. Koepping— artist's proof 175 The Pied Piper (Children), after G. J. Pinwell, by R. W. Macbeth, A.R. A.— artist's proof 176 A Doge of Venice, after Bellini, by P. Le Rat— remarque proof 177 Looking up the Glen, after F. H. Henshaw— remarque proof 178 The Ansidei Madonna, after Raffaelle : and A Burgomaster, after Rembrandt, by Kaiser— proof 2 179 Via Dolorosa; and The Man with the Muck-rake, after Sir Noel Paton— artist’s proofs 2 180 Mors Janua Vitae, after ditto, by W. H. Simmons— ditto 181 The Man of Sorrows; and Satan Watching the Sleep of Christ, after ditto— ditto 182 The Horse Fair, after Rosa Bonheur, by T. Landseer, A.R.A. — artist's proof AFTER SIR E. LANDSEER, R.A. 183 The Poacher’s Bothie, by C. Fox— proof before letters ; and Marmozettes 2 184 Getting a Shot, by J. H. Robinson— ditto 15 185 How to got the Deer Home, by T. Landseer, A R.A.— ditto 186 Jack in Office, by B. P. Gibbon -ditto 187 The Sutherland Children, by S. Cousins, U.K.-proof 188 A Piper and Pair of Nut-crackers, by ditto— artist's proof 189 Shoeing, by T. Landseer, A.R.A .—artist's proof 190 A Midsummer Night’s Dream, by S. Cousins, R.A .—artist's proof 191 Night; and Morning, by T. Landseer, A.R.A. — artist's proofs 2 FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross.