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Digitized by the Internet Archive 
 in 2013 
 
 http://archive.org/details/royalinstituteofOOpicc 
 
Royal Institute 
 
 of 
 
 inters in Water Colours 
 
 A CATALOGUE 
 
 OF THE 
 
 66 th EXHIBITION 
 
 CONTAINING 
 
 89 illustrations b\> tbe Hrtlsts 
 
 r 
 
 I 
 
 PICCADILLY 
 
 ^ubltsljrt at tfjc "ffirapfjtc" ©ffi'cc, &txm% sfe.C. 
 1884 
 
CENTRAL 
 GALLERY 
 
 pi 
 
 JO 
 < 
 
 The Copyright of all Illustrations in this Book is Reserved. 
 
 SINGLE ADMISSION . . ONE SHILLING. 
 SEASON TICKETS . . . FIVE SHILLINGS 
 
PREFACE. 
 
 H E Exhibitions of the Royal In- 
 stitute of Painters in Water 
 Colours have now reached their 
 Sixty-sixth Anniversary. 
 
 The last Exhibition was a notable one in their 
 history, from the fact of the opening of the New 
 Galleries in Piccadilly to all workers in Water Colour 
 Art outside their own Membership. 
 
 The result of their first open Exhibition proved 
 a complete and unqualified success. Upwards of 
 five hundred works of non-members of the Royal 
 
4 
 
 PREFACE. 
 
 Institute were exhibited, of which a large proportion 
 were placed in the prominent positions they deserved. 
 
 The Members congratulate themselves that, in 
 every succeeding Exhibition, they will be in a position 
 to devote a large portion of the space at their dis- 
 posal for the Exhibition of non-members' works. 
 
 The Free Schools for the education of Students 
 in the Art of Painting in Water Colours are now 
 established, and have been, for some months past, 
 working with a full attendance. The Members of the 
 Royal Institute in turn give their services gratuitously 
 as Masters in the Schools, and the progress of the 
 Students during- the past Session has been, for the 
 most part, very satisfactory. 
 
REGULATIONS 
 
 FOR 
 
 THE ADMISSION OF STUDENTS 
 
 TO 
 
 THE SCHOOLS 
 
 OF 
 
 €&e a&ogal finsltttute of ^atntrrd tit 
 nSater Colours!, 
 
 The Schools of the Royal Institute are intended 
 to provide means of instruction for Students of 
 Water Colour Painting. All instruction in the 
 Institute is gratuitous, the Student providing his 
 own materials. 
 
 All applicants for admission to the Schools of 
 the Royal Institute of Painters in Water Colours 
 must give proof of proficiency in drawing. 
 
6 
 
 REGULATIONS, ETC. 
 
 Applicants are required to produce, as a specimen 
 of ability, not less than two drawings in each depart- 
 ment of study they propose to follow. 
 
 Prior to the delivery of the specimens referred 
 to, Candidates must obtain from the Institute, through 
 the written request of any member of the Institute, 
 or other artist or person of known respectability, 
 a printed form, the blanks of which must be filled 
 up and delivered with the required specimens at 
 the Institute, on or before the ist day of September, 
 to be submitted to the first Council held after 
 that date. If approved of, the applicant will be 
 entitled to admission as a probationer, and two 
 months are allowed in which to prepare within 
 the Schools of the Institute a set of drawings. 
 
 Fm ther particulars may be obtained on application to 
 the Secretary, at the Galleries, Piccadilly, W. 
 
LIST OF MEMBERS. 
 
 APRIL, 1884. 
 
 HONORARY MEMBERS. 
 
 11.1.11, THE CROWN PRINCESS OF GERMANY, PRINCESS ROYAL 
 OF GREAT BRITAIN AND IRELAND. 
 
 H.R.H. THE PRINCESS BEATRICE. 
 
 BONHEUR, ROSA, Madlle. 
 BROWNE, HENRIETTE, Madame. 
 GALL AIT, L. 
 GOODALL, FRED., R.A. 
 
 HAMILTON, DR. E. 
 HERBERT, J. R., R.A. 
 ISRAELS, JOSEF. 
 MILLAIS, J. E., R.A. 
 
 COUNCIL. 
 
 PRESIDENT. 
 J. D. LINTON. 
 
 VICE-PRESIDENT. 
 J. H. MOLE. 
 
 TREASURER. 
 JOHN ABSOLON. 
 
 BALE, EDWIN. 
 FULLEYLOVE, JOHN. 
 GREEN, C. 
 
 HALSWELLE, KEELEY. 
 MOGFORD, J. 
 
 ORROCK, JAMES. 
 WALTON, FRANK. 
 WIM PERIS, E. M. 
 WILSON, T. W. 
 
 ABBEY, E. A. 
 ASTON, C. R. 
 AUMONIER, J 
 BACH, GUIDO R. 
 BOUGHTON, G. H., A. R.A. 
 CALDECOTT, RANDOLPH. 
 
 MEMBERS. 
 
 I CARRICK, ROBERT. 
 
 CARTER, HUGH, 
 j CATTERMOLE, CHAS. 
 I CLAUSEN, G. 
 I COLLIER, THOMAS. 
 
 CORBOULD, EDWD. H. 
 
 B '1 
 
8 
 
 LIST OF MEMBERS. 
 
 COTMAN, F. G. 
 CRANE, WALTER. 
 DILLON, FRANK. 
 EARLE, CHAS. 
 ELGOOD, GEO. S. 
 FAHEY, EDWD. H. 
 FAHEY, JAMES. 
 FISHER, MARK. 
 GOW, A. C, A.R A. 
 GREEN, TOWNELEY. 
 GREGORY, E. J., A.R A. 
 HARDY, JAMES. 
 HARG1TT, EDWARD. 
 HAYES, EDWIN, R.H.A. 
 HERKOMER, HUBERT, A.R. A. 
 HINE, HARRY. 
 HINE, H. G. 
 HOLLOWAY, C. E. 
 HOUSTON, J. A., R.S.A. 
 HUNTER, COLIN. 
 HUSTON, THOS. 
 JOHNSON, HARRY. 
 JOHNSON, 0. E. 
 KEELING, W. K. 
 KILBURNE, G. G. 
 KNIGHT, JOS. 
 LANGLEY, WALTER. 
 LEWIS, C. J. 
 
 LINDSAY, SIR COUTTS, BART. 
 LUCAS, SEYMOUR. 
 MACALLUM, HAMILTON. 
 MACBETH, ROBT. W., A.R A. 
 MACQUOID, PERCY. 
 
 MACQUOID, THOS. R. 
 
 MACWHIRTER, J., A.R. A. 
 
 MAY, WALTER W. 
 
 MITCHELL, P. 
 
 PARSONS, ALFRED. 
 
 PASSINI, LUDWIG. 
 
 PENSON, R. KYRKE. 
 
 PHILP, J. G. 
 
 PILLEAU, HENRY. 
 
 RICHARDSON, JOHN I. 
 
 ROBERTS. HEN. B. 
 SEVERN, ARTHUR. 
 SHERRIN, JOHN. 
 SIMPSON, WILLIAM. 
 SMALL, WILLIAM. 
 SMYTHE, LIONEL P. 
 STANHOPE, R. SPENCKR. 
 STANILAND, CHAS. J. 
 STOCK, H. J. 
 STOCKS, ARTHUR. 
 SYER, J. 
 
 TENNIEL, JOHN. 
 THOMAS, W. L. 
 TOPHAM, W. W. 
 WARREN, EDMUND G. 
 WATERHOUSE, J. W. 
 WETHERBEE, G. F. 
 WHITE, JOHN. 
 WHYMPER, J. W. 
 WOLF, J. 
 WOOD, L. J. 
 WOODVILLE, R. C. 
 WYLLIE, W. L. 
 
 LADY MEMBERS. 
 CHASE, MISS MARIAN. MARGETTS, MRS. MARY. 
 
 DUFFIELD, MRS. WILLIAM. OLIVER, MRS. W. 
 
 FARMER, MISS EMILY. SETCHEL, MISS SARAH. 
 
 GOW, MISS MARY L. SMITH, MRS. CLARENDON 
 
 LINDSAY, LADY (of Balcarres). 
 
 CUE A TOE. 
 ALFRED EVERILL (Sec. pro tern.). 
 
 EONOEAEY SOLICIT OE. 
 GEO. L. BRISTOW. 
 
ABBREVIATIONS. 
 
 R.A. Royal Academician. 
 A.R.A. Associate of the Royal Academy. 
 R.S.A. Royal Scottish Academician. 
 A.R.S.A. Associate Royal Scottish Academy. 
 
 R.IJ.A. Royal Hibernian Academician. 
 V.P.R.I. Vice-President of the Royal Institute of Painters in Water Colours. 
 R.I. Member of the Royal Institute of Painters in Water Colours. 
 R.W.S. Member of the Royal Society of Painters in Water Colours. 
 H.R.S.A. Honorary Member of the Royal Scottish Academy. 
 R.C.A. Royal Cambrian Academician. 
 
CATALOGUE. 
 
 1884. 
 
 Priced Catalogues are placed in the Galleries. 
 
 All Pictures sold or not for sale are marked with a Red Star. 
 
 The prices of unsold Pictures, not mentioned in the priced Catalogue, may be 
 obtained of the Curator in the West Gallery. 
 
 As the most effectual means of preventing future mistakes or misunderstanding , 
 all Purchasers are respectfully requested to sign their name in a Book provided 
 for the purpose in the hands of the Curator. 
 
 Twenty-five per cent, is required to be paid upon all Works directed to be 
 marked sold. 
 
 Cheques to be made payable to the order of the Treasurer, and crossed 
 " Ransom, Bouverie and Co. 1 ' 
 
 The Copyright of all works in the Gallery is reserved to the respective Artists 
 unless special arrangement to the contrary be made. 
 
 1. Venice : Fruit Steamer Discharging Cargo. John Evans. 
 
 2. The Brave Old Oak : Charnwood Forest. TJios. Groves. 
 
 WEST GALLERY. 
 
 There's fear in his frown when the sun goes dow 11 * 
 
 And the fire in the west fades out, 
 And he sheweth his might on a wild midnight, 
 
 When the storms through his branches shout." 
 
 4. 
 
 3. 
 
 6. 
 
 5. 
 
 8. 
 
 7. 
 
 A Village by the Sea. 
 
 Lancaster in 1851. 
 
 My Cousin. 
 
 Gleaners. 
 
 Industry. 
 
 My Lady's Garden. 
 
 Louise J ogling. 
 Lionel P. Smythe, R.I. 
 John Mogforcl, R.I. 
 Wm. Knight Keeling, R.I. 
 John A. Houston, U.S.A., R.I. 
 George S. Elgocd, R.I. 
 
12 
 
 WEST GALLERY. 
 
 9. 
 10. 
 11. 
 12. 
 
 13. 
 
 14. 
 
 15. 
 16. 
 17. 
 
 18. 
 19. 
 20. 
 21. 
 122. 
 
 23. 
 24. 
 25. 
 26. 
 27. 
 28. 
 
 29. 
 30. 
 31. 
 
 Gathering Clouds. 
 Springtime. 
 
 The Lingering Mists of Morning. 
 The Judgment of Paris. 
 
 Tkos. Huson, R.I. 
 Rosalie M. Watson. 
 
 Thos. Huson, R.I. 
 John Absolon, R.I. 
 
 J as. Cafe. 
 
 B. Anderson, A.E.S.A. 
 MissK. A.Belford. 
 Miss Bessie J. Spiers. 
 
 John Whipple. 
 Luther Hooper. 
 G. Collin gwocd. 
 Powell May. 
 Charles Jones. 
 
 (See Illustration.) 
 
 Entrance to the Chapel of St. Nicholas, 
 
 Westminster Abbey. 
 Springtime at Pont Aven, 
 
 Brittany. 
 The Chums. 
 
 On Eyam Moor, Derbyshire. 
 On the Shore of a French Fishing 
 Village. 
 
 Lawford Mill, near Dedham, Essex. 
 A Bunch of Primroses. 
 Edge of the Wood — Bridgen, Bexley. 
 
 " Their dreaded foes." 
 
 The President of the Royal Institute 
 
 of Painters in Water Colours. T. Walter Wilson, R.I. 
 
 (See Illustration.) 
 
 Fairy Tales. A. Glendening, Junr. 
 
 Helvellyn. Henry Burton. 
 
 The Path through the Meadow. Jas. Macbeth. 
 
 Bravo, Joe ! B. H. Ease. 
 
 Felday, Surrey. F. B. Fowke. 
 
 Edinburgh from the Nelson Monument. 
 
 Arthur Severn, R.I. 
 " When the tide is out." W. Ay erst Ingram. 
 
 The River at Bolton Abbey. Henry Bailey. 
 
 Street of the Coppersmiths, Cairo. Joseph Twigg. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 13 
 
 32. 
 
 A Study of Undergrowth. 
 
 C. Teesdale. 
 
 33. 
 
 Citadel at Corte, Corsica. 
 
 E. T. Compton. 
 
 34. 
 
 The Evening Shadow. 
 
 J. Carlisle. 
 
 35. 
 
 A Highland Stream. 
 
 Wm. Small, R.I. 
 
 36. 
 
 Dieppe. 
 
 Jules Lessor e. 
 
 37. 
 
 Hayfield, Wargrave. 
 
 William Bradley. 
 
 38. 
 
 Old Whitby. 
 
 Harry Johnson, R.I. 
 
 39. 
 
 DUNNOTTAR CASTLE. 
 
 M. P. Lindner. 
 
 40. 
 
 Sad Memories. 
 
 J. W. Chapman. 
 
 41. 
 
 Whitby — Evening. 
 
 Everard Hopkins. 
 
 42. 
 
 Christmas Roses. 
 
 Miss Kate Sadler. 
 
 43. 
 
 Our Little Chaplain. 
 
 A. Aeldand Hunt. 
 
 44. 
 
 On Furlough. 
 
 Everard Hopkins. 
 
 45. 
 
 An Untidy Corner. 
 
 Miss Marian Chase, R.I. 
 
 
 (See Illustration.) 
 
 
 46. 
 
 Richmond on Swale, Yorkshire. 
 
 Harry Johnson, R.I. 
 
 47. 
 
 " A frog he would a' wooing go. 
 
 Frank E. Cox. 
 
 48. 
 
 Feeding the Chickens. 
 
 G. Hcrvey Garraway. 
 
 49. 
 
 The Last Gleam. 
 
 Wilfrid Ball. 
 
 50. 
 
 Mountain Mist. ^ 
 
 A. W. Weedon. 
 
 51. 
 
 The Search. 
 
 Joseph Nash. 
 
 52. 
 
 Twilight. 
 
 Miss A. de Maine. 
 
 53. 
 
 Harvest Time. 
 
 Arthur J. Stark. 
 
 54. 
 
 The Fore Walk, Wotton. 
 
 George Barnard, 
 
 55. 
 
 
 Chas. Robertson. 
 
 
 " Poppies, 'tis known to all who rove, 
 
 
 Grow in the field, not in the grove." 
 
 56. 
 
 The Master of the Horse. 
 
 Edvjard H. Corhould, R.I. 
 
 57. 
 
 The South Foreland. 
 
 G. C. Kerr. 
 
14 
 
 WEST GALLERY. 
 
 58. 
 
 Harlech Castle from the Flats. 
 
 S. H. Baker. 
 
 59. 
 
 On the Beach. 
 
 G. Nicolet. 
 
 60. 
 
 A Moonlit Harbour. 
 
 C. Topham Davidson. 
 
 61. 
 
 Rouen (from Bonsecours) at Sunset. John U. Scott. 
 
 62. 
 
 Kyle, Co. Wicklow, Ireland. 
 
 W. Biscombe Gardner. 
 
 63. 
 
 Autumn in Borrowdale. 
 
 G.H. Palmer. 
 
 64. 
 
 Chrysanthemums. 
 
 Miss Charlotte A. Bernan. 
 
 65. 
 
 Backwater on the Thames near 
 
 
 
 Chertsey. 
 
 Miss C. Julia Robinson. 
 
 66. 
 
 On The Thames, near London 
 
 
 
 Bridge. 
 
 E. Clegg Wilkinson. 
 
 67. 
 
 A Common Bit. 
 
 Arthur War die. 
 
 68. 
 
 Going Afloat. 
 
 James G. Phil]?, R.I. 
 
 69. 
 
 Half Mourning. 
 
 Charles Martin. 
 
 70. 
 
 Autumn Leaves. 
 
 Wilfrid IP. Thompson. 
 
 71. 
 
 Calais. 
 
 I. J. Wood, R.I. 
 
 72. 
 
 A Happy Family. 
 
 Miss Helena J. Maguire. 
 
 73. 
 
 The Wayside Cross, Bordighera. 
 
 Geo. Q. P. Talbot. 
 
 74. 
 
 Happy Autumn Days. 
 
 A. J. Crozier. 
 
 75. 
 
 A North Country Cottage. 
 
 Arthur Bainbrigge. 
 
 76. 
 
 On the Thames, Greenhithe. 
 
 A. Carlyle Bell. 
 
 77. 
 
 Sherwood Forest. 
 
 J. W. Whymper, R.I. 
 
 78. 
 
 Hampstead Heath. 
 
 John Steeple. 
 
 79. 
 
 In the Mead-hall. 
 
 Mrs. A. B. Nicholl. 
 
 80. 
 
 A Staffordshire Cottage. 
 
 Fred. Mercer. 
 
 81. 
 
 " The Post's Coming." 
 
 John J. Richardson, R.I. 
 
 82. 
 
 The Thames at Tilbury. 
 
 J. W. Garrett Smith. 
 
 83. 
 
 Near Arundel — November. 
 
 Thos. W. Couldery. 
 
 84. 
 
 Near Guildford, Surrey. 
 
 George Lucas. 
 
15 
 
 85. 
 
 Coefe Castle, Dorset. 
 
 Henry Majplestone, R.I. (the late). 
 
 86. 
 
 Evening. 
 
 Walter Crane, R.I. 
 
 87. 
 
 Coast Scene, with Cattle. 
 
 Fred. Williamson. 
 
 88. 
 
 Squills. 
 
 Laurence Hilliard. 
 
 89. 
 
 At a Church Door : Spain. 
 
 Thomas R. Macquoid, R.I. 
 
 90. 
 
 After a Wet Day. 
 
 John Kcelcy. 
 
 91. 
 
 Dawn. 
 
 II. G. Hine, R.I. 
 
 " Look ! the unfolding star calls up the Shepherd." 
 
 92. Summer and the Winds. George Wilson. 
 
 (See Illustration.) 
 
 93. Love is Stronger than Death. Henry J. Stock, R.I. 
 
 94. Sunlit Waves. Edward Hargitt, R.I. 
 
 95. The Valley of the Conway — Evening. James Towers. 
 
 96 . In Search of Fresh Pastures. Henry Mcqlestcne, llJ.(the late). 
 
 97. On the Arun. H. J. Hyde. 
 
 98. Arbutilon and Pelargoniums. Mrs. Wm. Duffield^I. 
 
 99. Morn. WalUr Crane, R.I. 
 
 100. Evening. H. G. Hine, R.I. 
 
 101. Improvising. Mrs. C. A. Sparkcs. 
 
 " To know the cause why music was ordained, 
 Was it not to refresh the mind of man ? " 
 
 102. An Old Canal, Harlingen, Friesland. Thomas R. Way. 
 
 103. March Snow on the Arran Hills. H. Moxon Cooke. 
 
 104. Blue Hyacinths. Mrs. A. R. Nicholl. 
 
 105. Slieve Snaght, between Cardonagh and 
 
 Buncrana, Innishowen, Ireland. Philip Mitchell, R.I. 
 
 106. The Old Gravel Pit. Hovmrd Foioler. 
 
 107. The Haunt of Coot and Hern. Thomas Groves. 
 
 108. " Her Last Berth." J. E. Rogers. 
 
 109. A Forest Stream. Reginald Jones. 
 
16 WEST GALLERY. 
 
 1 10 
 
 X X 
 
 Tnrc Mttxer's Daughter 
 
 W. H. J. Boot. 
 
 111 
 x x x • 
 
 Tittt T"\rTPnr>TTPTTON" 
 
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 •Trim, pa ff TV n iip 
 
 X X <A « 
 
 A Sat MOIST POOL TN THE LYNN 
 
 XI KJ A 1 j 1VX \J iM X. UUli X1A X Ujj J-J 1 lui . 
 
 Will H Millais 
 
 113. 
 
 Winifred. 
 
 L. Blake 
 
 114 
 
 X X X. . 
 
 TTatttevttle Tour Rouen 
 
 L. J. Wood, R.I. 
 
 1 1 c 
 X X O ■ 
 
 
 J.J- . Kj. JJiUUlOUhU,. 
 
 i i a 
 
 /LillN JM IAS, 
 
 A'f wi p 1/ 7)nnno/7/i 
 
 J.U.//0O. r . J^WUUllilvj. 
 
 117 
 
 X X # • 
 
 A Summer Rrfezf 
 
 XX- N_J U JjXIIXXjXV J_/1Uj1j/j 1j • 
 
 J Whittct Smith 
 
 1 18 
 
 X X vJ ■ 
 
 St Sunday Crag TTlleswater 
 
 A Ouiutnn 
 
 J. X v7. 
 
 A VVAYolJJJii OialvliNJlij X>A V AKIA. 
 
 1V1 066 HjLLLiL iVl. JJ.0060lb. 
 
 1 20. 
 
 Carew Castle, Pembrokeshire. 
 
 vv . n. Mason. 
 
 121. 
 
 Ecclesbourne and Fairlight Cliffs, 
 
 
 
 Hastings. 
 
 Julius (xoaet. 
 
 122. 
 
 The Quai, Coblentz. 
 
 ifr«. Jk. Oliver, R.I. 
 
 
 rSpp T 1 1 nstr;itirm \ 
 
 
 123. 
 
 The Tryst 
 
 Ttolwrt W A 11 an 
 
 J-1>kJ\/\ 1 U WW • -X.JL ft'tv/l . 
 
 124. 
 
 The Sunny South. 
 
 Harry Goodwin. 
 
 125. 
 
 Merry Haymakers. 
 
 C. J. Lewis, R.I. 
 
 1 Oft 
 
 Flowers and Weeds. Miss Florence Greenish. 
 
 1 OTP 
 
 Saved. 
 
 J". ^4. Fitzgerald. 
 
 X • 
 
 Shrine of Edward the Confessor, 
 
 
 
 Westminster Abbey. 
 
 Miss Jessie Muir. 
 
 129. 
 
 St. Peter's, Rome. 
 
 A. F. Burnett- Stuart. 
 
 130. 
 
 Taproom at the " Pig and Whistle." 
 
 Chas. Auty. 
 
 131. 
 
 Winter, Westmoreland. 
 
 T. J. Stables. 
 
 132. 
 
 A Backwater. 
 
 A. Anderson. 
 
 133. 
 
 Foreground Study — Lake of Thun. 
 
 C.J. Way, B.C. A. 
 
 134. 
 
 In Mullion Cove, Cornwall. 
 
 Alfred Fichlin. 
 
 135. 
 
 Books and Papers. 
 
 Berenger Benger. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. IT 
 
 136. 
 
 At Pelyn, Cornwall. 
 
 Charles E. Hern. 
 
 137. 
 
 The Vestibule of St. Mark's, Venice. 
 
 W. Harding Smith. 
 
 138. 
 
 Fontana Borghese, Perugia. Thomas B. Macquoid, R.I. 
 
 139. 
 
 On the Thames, near Pangbourne. 
 
 H Pilleau, R.I. 
 
 140. 
 
 At Old Moreton Hall ; Cheshire. 
 
 Alfd. Hutton. 
 
 141. 
 
 Solitude : By the Sea. 
 
 Powell May. 
 
 142. 
 
 New Tenants. 
 
 Dick Toovey. 
 
 143. 
 
 Mushrooms. 
 
 Jabez Bligh. 
 
 144. 
 
 Portrait of Agnes, Daughter of the Key. G. 
 
 
 Hesketh Biggs. 
 
 Miss Eraser. 
 
 145 
 
 Loch Achray and Ben venue. Sir John W. Walrond. 
 
 1 4b. 
 
 Hauling in the Lines. 
 
 (See Illustration.) 
 
 C. Earner Hemy. 
 
 147. 
 
 Clieveden Woods, Cookham-on- 
 
 
 
 Thames. 
 
 Alfd. de Brdanski. 
 
 148. 
 
 A Woodland Pool. 
 
 J. Deane Simmons. 
 
 149. 
 
 Near Eastbourne. 
 
 R. J. Moser. 
 
 150. 
 
 Troutburn — The Trossachs. 
 
 Mrs. J. Menzies. 
 
 151. 
 
 Saint Callista (see Cardinal Newman's 
 
 
 
 tale — Callista) 
 
 Margaret L. Hooper. 
 
 152. 
 
 Thro' the Wood — Shere, Surrey. 
 
 Byron Cooper. 
 
 153. 
 
 Weston-on-Trent, from Donington 
 
 
 
 Park. 
 
 James Orroclc, R.I. 
 
 154. 
 
 A Whiff from the Uplands, near 
 
 
 
 Dartmoor. Edmund G. Warren, R.I. 
 
 155. 
 
 Smelts. 
 
 Jabez Bligh . 
 
 156. 
 
 On the River at W t alberswick, 
 
 
 
 Suffolk. 
 
 Miss M. Bernard. 
 
 157. 
 
 An Eastern Courtyard. 
 
 Arthur Melville. 
 
18 
 
 WEST GALLERY. 
 
 158. 
 159. 
 160. 
 161. 
 162. 
 163. 
 164. 
 165. 
 166. 
 167. 
 
 168. 
 169. 
 170. 
 171. 
 172. 
 
 173. 
 174. 
 175. 
 
 176. 
 
 177. 
 
 178. 
 179. 
 180. 
 
 181. 
 
 David Mossman. 
 B. D. Sigmund. 
 E. J. Humphery. 
 Mrs. W. Oliver, K.I. 
 Miss Ada Bell. 
 W. F. Hulk. 
 
 Fruit Stall, Normandy. 
 A Cottage near Burnham. 
 Resting. 
 Venice. 
 
 Polyanthus and Forget-me-nots. 
 November. 
 
 A Little Slave. Lady Lindsay (of Balcarres), R.I. 
 
 A Dewy Autumn Morning. Henry Births. 
 
 Pilchards. Miss Katharine M. Stocks. 
 
 Evening Glow. Joseph Knight, R.I. 
 
 (See Illustration.) 
 
 And the Ice crept over. C. Macdonald Manly. 
 
 King Harold's Bridge, Waltham Abbey. Alfred Hutton. 
 
 An Italian Fruit-seller. Miss H. Ethel Rose. 
 
 Early Spring. Norman M. Macdougall. 
 
 Pansies. Mrs. C. H. Norman. 
 
 "And there is pansies, that's for thoughts. 1 ' — Hamlet, Act 4, Sc. 5. 
 
 Christchurch Marsh. W. P. Knowles. 
 
 Barges coming in to Anchor at Grays. A. Ragon. 
 
 Florence, from the Hill of San 
 
 Miniato. 
 
 The Old Wellesley. 
 
 (See Illustration.) 
 
 Milk. 
 
 (See Illustration.) 
 
 Sunshine on the Sails. 
 An Interesting Volume. 
 
 Constance L. Fripp. 
 C. E. Holloway, R.I. 
 
 J. C. Dollman. 
 
 Walter W. May, R.I. 
 
 H. R. Steer. 
 
 Crana Water, Buncrana, Co. Donegal, 
 
 Ireland. 
 Good Bye ! 
 
 Philip Mitchell, R.I. 
 Toivneley Green, R.I. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 19 
 
 182. Waiting for the Tide — Cornish Crabbers. B. H. Carter. 
 
 183. Street Scene, Bombay. Arthur Melville, 
 
 184. A Wet Day in Dieppe. Arthur G. Bell. 
 
 185. Some Primroses. Miss L. M. Parsons. 
 
 186. Tintern Abbey — View looking West. F. Startin Pilleau. 
 
 187. The End of the Chase. James S. Crompton. 
 
 188. The Valley Farm. Henry A. Harper. 
 
 189. On Harting Down, Sussex. J. Aumonier, R.I. 
 
 (See Illustration.) 
 
 1 90. Study of a Head. B. Fowler. 
 
 191. The Reaper and the Flowers. Henry Byland. 
 
 192. Old Lane and Farm. Albert Kinsley. 
 
 193. A February Evening. Chas. J. Adams. 
 
 194. Ras-el-Tin. W.L. Wyllic^.l. 
 
 195. Ox-eye Daisies. Miss Marian Chase, R.I. 
 
 196. Eridge Park, Kent. Edivard Hargift, R.I. 
 
 (See Illustration.) 
 
 197. Windermere from Loughrigg Fells. Hubert Coutts. 
 
 198. Close of Day — Fishing Boats going out 
 
 to Sea. George Morton. 
 
 Study of Fish. Miss L. F. Hughes. 
 
 Stanley House, Chester. A. B. Bamford. 
 
 . X Miss A. Tovmley. 
 
 " In the market-place of Bruges stands the belfry old and brown ; 
 Thrice consumed and thrice rebuilded, still it watches o'er the town." 
 
 — Longfellow. 
 
 Ready for their Loads — Clovelly, Devon. H B. Cauty. 
 A Highland Drove. Henry Garland. 
 
 Waiting for the Ferry : West Loch 
 
 Tarbert, Argyleshire. J. H. Mole, Vice-President. 
 (See Illustration.) 
 
20 
 
 205. 
 
 A Daughter of the Soil : North Italy. A. E. Fisher. 
 
 206. 
 
 Blue Tits. 
 
 Mrs. C. Rossiter. 
 
 207. 
 
 A Field Path. 
 
 Miss Alice Squire. 
 
 208. 
 
 An Egyptian. 
 
 Miss Kale Street. 
 
 209. 
 
 On the River Loing, Nemours. 
 
 Alfred East. 
 
 210. 
 
 A Study. 
 
 W. H. C. Groome. 
 
 211. 
 
 The Englehorner. Rosenlain, 
 
 
 
 Switzerland. 
 
 Colin B. Phillip. 
 
 212. 
 
 The Vale of Strathyse, Perthshire. John Smart, U.S.A. 
 
 213. 
 
 Daffodils and Fern. 
 
 Miss Henrietta Miller. 
 
 214. 
 
 In the Aisles, Toledo Cathedral. 
 
 Axel LP. Haig. 
 
 215. 
 
 Canonbury Tower. Miss Elizabeth M. Lovell. 
 
 216. 
 
 Jerusalem from the Mount of Olives. Peter Toft. 
 
 217. 
 
 Benvinue, Loch Achray. 
 
 Jas. Macculhn h. 
 
 218. 
 
 Llyn Pen Crag, North Wales. 
 
 E. M. Wimperis, R.I. 
 
 219. 
 
 Pelargoniums. 
 
 Mrs. W. Driffield, R.I. 
 
 220. 
 
 Spring. 
 
 PP. Caffi e ri. 
 
 221. 
 
 Tranquillity. 
 
 P. George Cooper. 
 
 222. 
 
 Arran from Carradale. 
 
 James Macbeth. 
 
 223. 
 
 A Sluice Gate, Walberswick. 
 
 (See Illustration.) 
 
 Thomas Pyne. 
 
 224. 
 
 St. Botolph's Church, and Corpus 
 
 
 
 Christi College, Cambridge. 
 
 Miss Louise Eayner. 
 
 225. 
 
 " Here's Your Name in 
 
 
 
 the Catalogue." Lady Lindsay {of Balcarres), R.T. 
 
 
 (See Illustration.) 
 
 
 226. 
 
 Christmas Roses. 
 
 Miss Pj. Cooke. 
 
 227. 
 
 Piazza del Marcato Vecchio, Florence 
 
 
 —Morning. 
 
 Lionel Muirhead. 
 
 228. 
 
 Stranded. 
 
 Henry A. Harper. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 21 
 
 229. Sally in Our Alley. E. Shcrard Kennedy. 
 
 " On Sunday, drest in all my best, 
 I walk about with Sally ; 
 Tlie neighbours all both great and small 
 Make game of me and Sally." 
 
 230. Encore. G. G. Kilbume, R.I. 
 
 (See Illustration.) 
 
 231. The Old Elm, Bray Court, Berks. James Fahey, R.I. 
 
 232. Near Newquay, Cornwall. Charles Thomely. 
 
 233. Twilight. J. Jackson Cumock. 
 
 234. A Wheat Ship. Frank Murray. 
 
 235. Summer Time : A Sussex Landscape. Hampson Jones. 
 
 236. Edith Capper. 
 "So sad, so fresh 
 
 The days that are no more.' 1 
 
 237. In Glen Gluny, Braemar. Waller II. Paton, R.S.A. 
 
 238. A Cool Nook. Miss Alice Swan. 
 
 239. Old Houses, Kenilworth. Miss Fatty Townsend. 
 
 240. On the Wharfe, near Bolton Abbey. Miss Kate Prentice. 
 
 241. Beeches, Thoresby Park, Notts. James Bed dock. 
 
 242. Sunday Morning. Edwin Black. 
 
 243. The Young Mother. M. E. Kindon. 
 
 244. Satisfaction ! Joseph Nash. 
 
 (See Illustration.) 
 
 245. Miss Constance Plimpton. 
 " There is but one 
 
 With whom she has heart to be gay. 
 * # * * * 
 
 She is weary of dance and play." 
 
 246. The Home by the Sea. James G. Philp, R.I. 
 
 247. An Appeal. Miss Mary Eley. 
 
 248. Tour d'Horloge, Place de l'Hotel de 
 
 Ville, Auxerre. L. J. Wood, R.I 
 
 (See Illustration.) 
 
 C 
 
22 
 
 WEST GALLERY. 
 
 249. 
 
 A Marsh by the Sea. 
 
 J. W. Whymper, B.I. 
 
 250. 
 
 Fruit. 
 
 Mrs. W. Duffield, B.I. 
 
 251. 
 
 Whitby — Morning. 
 
 Frederick Burgess. 
 
 252. 
 
 Old Church, Yerton. 
 
 Miss Patty Townsend. 
 
 253. 
 
 A Bit of Berkshire. 
 
 Thos. J. Soper. 
 
 254. 
 
 In Stony Places, near Festiniog. 
 
 J. Jackson Ctcrnock. 
 
 255. 
 
 " When chill November's surly blast, Henry Chas. Fox. 
 
 
 Made trees and forests bare." 
 
 
 256. 
 
 Muriel Gordon, Daughter of 
 
 
 
 W. F. Fladgate, Esq. 
 
 F. Moira. 
 
 257. Shepherd and Flock returning Home, 
 
 Evening. Edgar Varley. 
 
 258. Gentian and Narcissi. Miss Rosa Wallis. 
 
 259. A Tumbler of Violets. Miss Ada Bell. 
 
 260. "The maid was in the garden." W. H. C. Groome. 
 
 261. Bocken End, Isle of Wight. George L. Bristow. 
 
 261. * Southwold from the Broads. Edioin Hayes, R. HA., UJ. 
 
 262. Blaymates. Edwin C. Gardner. 
 
 263. Arguments Yard, Old Whitby. Elias Bancroft. 
 
 264. The Thames from Bichmond Hill. Henry Earp, Senr. 
 
 265. The Cloisters, Westminster Abbey. Mrs. A. Boivlby. 
 
 266. Within the Convent's Lonely Walls. 
 
 W. Reynolds Stephens. 
 
 267. Henry Bailey. 
 "The Spring is here — the delicate-footed May, 
 
 With its slight fingers full of leaves and flowers." 
 
 268. Highland Crofts, Stratherrack, 
 
 Inverness-shire. W. Beattie- Brown, R.S.A. 
 
 269. Showers in the Glen. A. W. Weedon. 
 
 270. Lynn Begis. C. E. Holloway, B.I. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 23 
 
 271. House of the Memlook, Raduan Bey, 
 
 Cairo. Frank Dillon, R.I. 
 
 272. The Tufters. John Emms. 
 
 273. A Dance. John Absolon, R.I. 
 
 274. Autumn — On the Tay. M. P. Lindner. 
 
 275. Among the Missing — Scene in a 
 
 Cornish Fishing Village. Walter Lanr/ley, R I. 
 
 (See Illustration ) 
 
 Note : — At the close of the mackerel season, the fleets visit the North 
 Sea for the herring fishery. During sudden storms — when our 
 coasts are strewn with wreckage, and many brave men find a 
 watery grave— anxious hearts at home eagerly press for news of 
 those they love. 
 
 276. Friends. Miss Elizabeth Folkard. 
 
 " He that is thy friend indeed, 
 He will help thee in thy need, 
 If thou sorrow, he will weep ; 
 If thou wake, he cannot sleep : 
 Thus, of every grief in heart 
 He with thee doth bear a part. 
 These are certain signs to know 
 Faithful friend from flattering foe."— Shakspeare. 
 
 277. A Spate on the River Leny, 
 
 Callander. W. Beattie-Brown, U.S.A. 
 
 278. Mullens, Co. Wicklow, Ireland. W. Biscombe Gardner. 
 
 279. By a Moorland Stream, Derbyshire. W. H. Pigott. 
 
 280. "Flow on, thou shining river." James E. Grace. 
 
 (See Illustration.) 
 
 281. Zillah. Miss Mary Joyce. 
 
 282. Teddington Old Lock. Thomas J. Soper. 
 
 283. A Pipe in Peace. Tom Taylor. 
 
 284. Mounts Bay, Cornwall. C. E. Aston, R.I. 
 
 285. Love's Peril. E. Spencer Stanhope, R.I. 
 
 (See Illustration.) 
 
 c 2 
 
24 WEST GALLERY. 
 
 286. 
 
 Streatley-on-Thames. 
 
 Newton Benett. 
 
 287. 
 
 Interior in John Knox's House, Edinburgh. 
 
 
 
 Miss C. P. Boss. 
 
 288. 
 
 Defence, not Defiance. 
 
 Miss Fanny W. Currey. 
 
 289. 
 
 Near Godalming, Surrey. 
 
 
 
 Hem 
 
 *y Maplestone, R.I. (the late). 
 
 290. 
 
 Near Whitby. 
 
 Frederick Jos. Vialls. 
 
 291. 
 
 The Garland. 
 
 Miss Grace Cruickshank. 
 
 "I 
 
 from the garden gather sweet flowers 
 
 fresh and fine, 
 
 And into garlands twine them, with pleasant thoughts I bind them, 
 
 
 And greetings intertwine." 
 
 
 292. 
 
 The Turnstile, Lincoln's-Tnn-Fields. A. Trevor Haddon. 
 
 293. 
 
 Marguerites. 
 
 Miss Helen Brown. 
 
 294. 
 
 An International Congress. 
 
 B. W. Spiers. 
 
 295. 
 
 Rydal Beck. 
 
 Miss Mildred le Fleming. 
 
 296. 
 
 Raspberries. 
 
 Miss Bosa Wallis. 
 
 JL^J i . 
 
 The Notary's Well, Cancale. 
 
 Maraquita J. Moberly. 
 
 298. 
 
 Landing Steps, Villafranca. 
 
 J. M. Bonne. 
 
 299. 
 
 Under the Greenwood Tree. 
 
 B. Huttida. 
 
 300. 
 
 On Maidenhead Common. 
 
 Walter Goldsmith. 
 
 301. 
 
 Stocks. 
 
 Miss Emily F. Jackson. 
 
 302. 
 
 Little Rosycheeks. 
 
 Athur Stocks, R.I. 
 
 
 (See Illustration 
 
 •) 
 
 3C3. 
 
 Old Gateway and Part of the Cathedral, 
 
 
 at Huy on the Meuse, Belgium. L. J. Wood, R.I. 
 
 304. 
 
 Thinking. 
 
 Miss Mary Beed. 
 
 305. 
 
 The Transepts, Salisbury Cathedral. James Cafe. 
 
 306. 
 
 Apse of Santa Maria, Rome. 
 
 Miss C. Thornton. 
 
 307. 
 
 Marguerites and other Flowers. 
 
 Mrs. William Dufficld, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 308. Sherwood Forest. 
 
 309. 
 
 310. 
 
 311. 
 
 312. 
 
 313. 
 
 314. 
 
 314.* 
 
 315. 
 
 316. 
 
 317. 
 318. 
 319. 
 320. 
 
 321. 
 322. 
 323. 
 324. 
 325. 
 326. 
 327. 
 328. 
 329. 
 330. 
 331. 
 332. 
 
 " The silence that is in the lonely woods."' 
 
 The Old Bridge, Grez. 
 Via Appia, Perugia. 
 Pensioners. 
 Near Inverness. 
 Cannes from the West. 
 Cluster of Roses. 
 Eepose. 
 
 Le joli mois de Mai. 
 
 James Baldcck. 
 
 J. Blake Wirgman. 
 Thomas R. Macquoid, R.I. 
 
 J. E. Goodall. 
 Mrs. W. Oliver, R.I. 
 William Robinson. 
 Madame V. Duhoury. 
 E. M. Wim peris, R.I. 
 Miss Elizabeth A. Armstrong 
 
 On the Hills in the North Countrie 
 
 — Changing Pasture. 
 Taking it Easy. 
 Scene near Horsham. 
 The Lawyer. 
 
 " Green grow the rushes oh ! 
 
 Spring Flowers. 
 
 John H. Dearie 
 Carlton A. Smith. 
 Cla ude Hayes. 
 J. W. Chapman. 
 W. II. Wheeler. 
 Miss Anne E. HopTcinscn. 
 
 Wetherlam from the Kitty Crags. 
 Steephill Cove — Sunset. 
 On the Med way. 
 Azaleas and Orchids. 
 Edinburgh Castle. 
 A Winter Afternoon. 
 Feathered Friends. 
 An East Coast Fishing Harbour. 
 
 Miss Edith Capper. 
 George L. Bristol'-. 
 F. Eraser. 
 Miss Annie Stiheman. 
 A. H. Hallam Murray. 
 Miss C. B. Boulton. 
 Miss Janet Archer. 
 James C Lainy. 
 
 At Perugia. 
 
 Wallflowers. 
 
 From the Casino, Monaco. 
 
 Thomas R. Macquoid, R.l. 
 Mrs J. W. Whymper. 
 Arthur Severn, R.I. 
 
20 
 
 CENTRAL GALLERY. 
 
 333. The Harbour, Santa Margherita, near 
 
 
 Genoa. 
 
 C. B. Aston, R.I. 
 
 334. 
 
 Gossip on the Way — Cornish Coast. John Mogford, R.I. 
 
 335. 
 
 Wild Flowers. 
 
 Miss- Alice Squire. 
 
 336. 
 
 Toby and the Bottle. 
 
 M. L. Menpes. 
 
 337. 
 
 Tales of a Grandfather. 
 
 Charles Cattcrmole, R.I. 
 
 338. 
 
 The Souvenir. 
 
 Fred. Slocombe. 
 
 339. 
 
 Misty October. 
 
 B. W. Arthur Bouse. 
 
 340. 
 
 Spring. 
 
 Dacres T. G. Belgrave. 
 
 
 CENTRAL GALLERY. 
 
 341. 
 
 Uphill. 
 
 Joseph DaJcin. 
 
 342. 
 
 A Sylvan Solitude. 
 
 Edmund G. Warren, R.I. 
 
 343. 
 
 A World of Heather. 
 
 Frank Walton, R.I. 
 
 344. 
 
 An English Cottage. 
 
 II. G. Bruce. 
 
 345. 
 
 Towers and Roofs of Rouen. 
 
 J. H. Lorimer. 
 
 346. 
 
 Queenborough. 
 
 W. L. Wyllie, R.I. 
 
 347. 
 
 Moonrise over Gowborrow Fell. W. H. J. Boot. 
 
 348. 
 
 A Summer's Day. 
 
 E. J. Gregory, A.B.A., R.I. 
 
 349. 
 
 Maud. 
 
 M. L. Memoes. 
 
 350. 
 
 Washing-day, Cornwall. 
 
 Hugh Carter, R.I. 
 
 351. 
 
 Summer Chrysanthemums. 
 
 Mrs. W. J. Graham. 
 
 352. 
 
 In the Wind. 
 
 Mrs. Kate Perugini. 
 
 353. 
 
 Listening. 
 
 Miss Elise Paget. 
 
 354. 
 
 Harvest in the Barony of Innishowen, 
 
 
 North of Ireland. 
 
 Philip Mitchell, R.L 
 
 355. 
 
 Winter — a Surrey Village. 
 
 L. Pinliorn Wood. 
 
 
 (See Illustration.) 
 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 27 
 
 356. A South Easter, Scarbro' Bay — Tide 
 
 
 Coming in. 
 
 William, Moore. 
 
 357. 
 
 The Birch Pool, Wimbledon Common. 
 
 B. J. Ottewell. 
 
 353. 
 
 Glen Sligachan, Isle of Skye. 
 
 Arthur Tucker. 
 
 359. 
 
 Barnard Castle. J. H. Mole, Vice-Pres. 
 
 360. 
 
 Near Ely — The Floods Out. 
 
 Harry Hine, R.I. 
 
 ool. 
 
 When the Wind blows in from the Sea. 
 
 
 
 Thos. Huson, R.I. 
 
 362. 
 
 Francesca. 
 
 Edwin Bale, R.I. 
 
 363. 
 
 The Sound of Kererra from Oban. 
 
 C. E. Johnson, R.I. 
 
 364. 
 
 A Summer Afternoon. 
 
 Miss Alice Squire. 
 
 365. A Glimpse of the Clyde from above 
 
 Helensburgh. (See Illustration.) Alfred East. 
 
 366. Thames Craft off North Woolwich. Hiibert Mcdlycott. 
 
 367. 
 
 River Spey near Aviemore, 
 
 
 
 Inverness-shire. 
 
 Miss Gertrude Martineau. 
 
 368. 
 
 A Yorkshire River. 
 
 J. Clayton Adams 
 
 369. 
 
 At Clovelly, North Devon. 
 
 J. H. Mole, Vice-Pres. 
 
 370. 
 
 The National Gallery. 
 
 John Fulleylove, R.I. 
 
 371. 
 
 Roses and Nest. 
 
 John Shcrrin, R.I 
 
 372. 
 
 Foggy Morning at Whitby. 
 
 J. W. Whymper, R.I. 
 
 373. 
 
 A Picturesque Corner in Cairo. 
 
 H. Billeau, R.I. 
 
 374. 
 
 Winnowing. 
 
 B. Spencer Stanhope, R.I. 
 
 375. 
 
 The Quay at St. Ives. 
 
 John S. Bawle. 
 
 376. 
 
 The Old Wooden Bridge, Marsh 
 
 
 
 Lock, Henley. 
 
 J. Deane Simmons. 
 
 377. 
 
 The Village Maid. 
 
 Norman M. Macdougall. 
 
 378. " Where the River Meets the Sea." David Green. 
 
 379. Lustleigh Cleave. Miss Katharine McCracken. 
 
28 
 
 CENTRAL GALLERY. 
 
 
 
 
 380. 
 
 -. 
 
 Walberswick Common, Suffolk. 
 
 
 
 E. Cleave Smith, 
 
 381. 
 
 A Sketch on the Seine. 
 
 A. Dampier May. 
 
 382. 
 
 The First Primroses. 
 
 Miss Frances A. Feld. 
 
 383. 
 
 DUNBARTON ROCK AT LOW WATER. 
 
 Gathcart W. Methuen. 
 
 384. 
 
 A Wood-gatherer. 
 
 St. Clair Simmons. 
 
 385. 
 
 Ferniegiar Castle, N.B. 
 
 Robert W. Allan. 
 
 386. 
 
 Odontoglossums and Azaleas. 
 
 Mrs. Wm. Duffield, R.I. 
 
 387. 
 
 Dorothy 
 
 Joseph Knight, R.I. 
 
 388. 
 
 Bethany. Wm. 
 
 Simpson, F.R.G.S., R.I 
 
 389. 
 
 Low Tide — Evening. 
 
 C. Topham Davidson. 
 
 390. 
 
 Feathered Friends— A Devonshire Study. 
 
 
 
 Wm. A. Waite. 
 
 391. 
 
 
 A. Dampier May. 
 
 392. 
 
 A Sussex Village. 
 
 J. Aumonier, R.I. 
 
 393. 
 
 A Wood Nymph. 
 
 Lionel P. Smythe, R.I. 
 
 394. 
 
 Birkland, Skirts of Sherwood Forest. 
 
 
 
 J. W. Whymper, R.I 
 
 395. 
 
 Dinner is Served. 
 
 Chas. Cat ter mole, R.I 
 
 396. 
 
 My Grandmother, 
 
 L. Zorn 
 
 397. 
 
 Girl with Basket. 
 
 Edward H. Fahey, R.I 
 
 398. Sunrise at North Berwick, Scotland. 
 
 John Mogford, R.I. 
 
 399. A Youth in the Flames of First Love. Henry J. Stock, R.I. 
 
 <l Tims, in the conducting medium of Fantasy, flames forth that 
 fire — development of the universal Spiritual Electricity, which, as 
 unfolded between man and woman, we first emphatically deno- 
 minate Love." — Carlyle's Sartor Besartus. 
 
 400. High Tor, Matlock. Wm. Rail. 
 
 401. Winchester Tower, Windsor. Chas. Smith. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 29 
 
 Arthog, North Wales. W. J. Boddy. 
 
 St. Paul's from Waterloo Bridge. Louis Absolon. 
 
 Evening Sunlight in the Fir Wood. James T. Watts. 
 
 A Harvest-field near Ashburton, 
 
 Devon. Edmund G. Warren; R.I 
 
 Funeral March of a Hero. 
 
 (See Illustration.) 
 
 In the Bay of Naples. 
 
 (See Illustration.) 
 
 Bough . of Plums. 
 Venetian Glass and Flowers. 
 In Peril. 
 
 412. 
 
 413. 
 
 414. 
 
 415. 
 
 416. 
 
 417. 
 
 418. 
 
 419. 
 
 420. 
 
 421. 
 
 422. 
 
 423. 
 
 424. 
 425. 
 
 W. L. Wyllic, R.I. 
 
 Hamilton Macallum, R.I. 
 
 John Sherrin, R.I. 
 George True Jiff. 
 Chas. Cattcrmolc,~R.I. 
 
 Ingleboro' from Newby Head, York- 
 shire. 
 
 One of the Welsh School. 
 On the Rocks. 
 Interesting News. 
 Unloading Grain, Dover. 
 Heathfield Park, Sussex. 
 A Winter Study. 
 Penmaen Mawr, North- Wales. 
 Little Red Riding Hood, 
 Rede Water. 
 Life and Death. 
 Digby Chicks. 
 
 James Orroch, R.I. 
 
 Arthur Stocks,~RJ. 
 
 R Garrick, R.I. 
 
 Arthur Stocks, R.I. 
 
 G. G. Kerr. 
 
 E. A. K. Marshall. 
 
 Miss G. Bertha Pec!. 
 
 Alfd. W. Williams. 
 
 A. J. Boyd- 
 
 Bobinson Elliott. 
 
 Max Ludhy. 
 
 Joseph M. Jopling. 
 
 " The seas are quiet when the winds give o'er ; Walter Langlcy, R.I. 
 So calm are we when passions are no more." 
 
 The W t ater Lane to the Mill. G. J. Lewis, R.I 
 
 On the Teith — Bln Ledi in the 
 Distance. 
 
 W. Beattie-Broun, B.S.A. 
 
30 
 
 CENTRAL GALLERY. 
 
 426. 
 427. 
 
 428. 
 
 429. 
 430. 
 431. 
 432. 
 433. 
 434. 
 435. 
 436. 
 437. 
 438. 
 439. 
 440. 
 441. 
 
 442. 
 443. 
 444, 
 
 445. 
 446. 
 447. 
 448. 
 
 " News of the Sea." Walter Langley, R.I. 
 
 The New Forest from near Lymington : 
 
 Afternoon. Thomas Collier, R.I. 
 
 (See Illustration.) 
 
 Dorothy, Daughter of Edward A. 
 
 George, Esq. Mary D. Tothill. 
 
 Purple Grapes and Wallflowers. Joseph Bunker. 
 
 Smithy Bridge, Rydal. Miss Mildred le Fleminq. 
 
 Near Twickenham on the Thames. 
 
 Rabbit Burrows. 
 
 The Thames near Cleveden. 
 
 "Sole minstrel of the dull and sinking year 
 
 In the Midlands. 
 
 Summer's Decline, Derwentwater. 
 
 Buttercups and Daisies. 
 
 Halt in the Desert. 
 
 8. G. W. Boscoe. 
 Thos. J. Soper. 
 A. Anderson. 
 Gideon M. Fidler. 
 Seymour Lucas, R.I. 
 Alfred Parsons, R.I. 
 John W. Whiteley. 
 Lionel P. Smythe, R.I. 
 H. Pilleau, R.I. 
 
 Casket and Flowers. Miss Marian Chase, R.I. 
 
 David, the future King of Israel, while 
 
 a Shepherd at Bethlehem. J. B.Herbert, B.A., Hon. Mem. 
 " Thus will I bless Thee all my life long : and in Thy name will I lift 
 up my hands." 
 
 The Old Guard House, Honfleur. 
 Scene near Exmouth. 
 
 " A little village maiden, 
 With rosy apples laden." 
 
 Pons Asinorum. 
 Riverside, Chelsea. 
 Rye Harbour. 
 Autumn, Betchworth Park. 
 
 Arthur G. Bell- 
 John Syer, R.I- 
 Miss L. Trotman. 
 
 Arthur Burchett. 
 F. A. Winkfield. 
 Miss Margaret Bernard. 
 
 Chas. Collins- 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 31 
 
 449. 
 
 Changing Pastures. 
 
 Chcts. Collins. 
 
 450. 
 
 A Breezy Day in June. 
 
 W. H. Fortye. 
 
 451. 
 
 "Listeners hear no good of 
 
 
 
 Themselves." 
 
 Miss Helena J. Maguire. 
 
 452. 
 
 " Messengers." 
 
 Arthur Robertson. 
 
 453. 
 
 A Cornish Chasm. 
 
 W. L. Wyllie, R I. 
 
 454. 
 
 Black Combe, Cumberland, from 
 
 
 
 Esk Meals. 
 
 James Fahey, R.I. 
 
 455. 
 
 A House of Call. 
 
 Yeend King. 
 
 456. 
 
 Faisant la Galette. 
 
 Haynes King. 
 
 
 (See Illustration.) 
 
 
 ftO / . 
 
 In the Church Meadow, Bettws-y-Coed. John Steeple. 
 
 tuo. 
 
 Tom Pinch and Kuth. 
 
 Charles Green, R.I. 
 
 
 (See Illustration.) 
 
 
 459. 
 
 The Fold. 
 
 R. H. Chapman. 
 
 460. 
 
 A Crofter's Home, Western Highlands. Hubert Couits. 
 
 461. 
 
 Walberswick's Piers, Suffolk. 
 
 E. Cleave Smith. 
 
 462. 
 
 At Kempston, Beds. 
 
 Robert W. Eraser. 
 
 463. 
 
 Study from Still Life. 
 
 Ernest Weston. 
 
 464. 
 
 Helford, Cornwall. 
 
 Aliee Manly. 
 
 465. 
 
 View on the Lake, Gr asm ere. 
 
 Fred. Williamson. 
 
 466. 
 
 The Sallyport Door, Mount Orgueil 
 
 
 Castle. 
 
 Henry G. Mctssey. 
 
 467. 
 
 Meadowsweet. 
 
 Miss Annie Wheeler. 
 
 468. 
 
 Leaving the Cornfield. 
 
 P. Macnab. 
 
 469. 
 
 The Sierra Nevada from Granada. Frank Dillon, R.I. 
 
 470. 
 
 The Night Watch on Duty. 
 
 Louis Haghe, Hon. Pres. 
 
 471. 
 
 Ready for a Scamper. 
 
 William L. Thomas, R.I. 
 
 472. 
 
 On the Wallabrook, Dartmoor. 
 
 Harry Johnson, R.I. 
 
 473. 
 
 Leisure Time. 
 
 James G. Fhilp, R.I. 
 
 /- 
 
32 CENTRAL GALLERY. 
 
 474. 
 
 Falmouth. 
 
 W. L. Wyllie, R.I. 
 
 475. 
 
 A Victim of Fashion. 
 
 Frank Daclcl. 
 
 476. 
 
 "Soft ! we are observed — we must dissemble. " 
 
 T. George Cooper. 
 
 477. 
 
 October — Spinning for Jack. 
 
 C. Tee sd ale. 
 
 478. 
 
 Chrysanthemums. 
 
 Miss Helen Bruce. 
 
 479. 
 
 Church Porch : Twelfth Century. 
 
 Mrs. Haywood. 
 
 480. 
 
 Autumn. 
 
 P. W. A. Bouse. 
 
 481. 
 
 Fountain with Pigeons. 
 
 P. Werner. 
 
 482. 
 
 Bough of Plums. 
 
 John Sherrin, R.I. 
 
 483. 
 
 Single Dahlias. Miss Marian Chase, R.I. 
 
 484. 
 
 Winter. 
 
 Towneley Green, R.I. 
 
 485. 
 
 Down with the Ebb. 
 
 C. W. Wyllie, 
 
 486. 
 
 Priscilla. Chas. J. Staniland, R.I. 
 
 487. 
 
 Bishop's Bridge, Norwich. 
 
 Charles Parle, R.I. 
 
 488. 
 
 The Baptistry, Canterbury Cathedral. R. Phent Spiers. 
 
 
 Old Farm, Worcester. 
 
 A. Carlyle Pell. 
 
 /ion 
 
 Ffos-Noddyn Fairy Glen, Bettws-y- 
 
 
 
 Coed, Wales. 
 
 A. Ackland Hunt. 
 
 491. 
 
 Bardsey Island. 
 
 W. P. Stocks. 
 
 492. 
 
 Safrano Roses. Miss Beatrice M. Hewitt. 
 
 493. 
 
 View from Beacon Hill, Charnwood Forest. S. Bourne. 
 
 494. 
 
 Christmas Crackers. 
 
 Albt. Ludovici. 
 
 495. 
 
 Playmates. 
 
 Thos. Huson, R.I. 
 
 496. 
 
 Something Amiss. William L. Thomas, R.I. 
 
 497. 
 
 The Jewellers' Bridge, Florence. 
 
 Chas. P. Aston, R.I. 
 
 
 (See Illustration.) 
 
 
 498. 
 
 The Wood Gatherer. 
 
 Prank P. Coo:, 
 
 499. 
 
 Kyles of Bute. 
 
 James Macbeth. 
 
 500. 
 
 When the Sun is getting low. 
 
 C. P. Johnson, R.I. 
 
 
 (See Illustration.) 
 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 33 
 
 501. "A Thankoffering." Frank W. W. Topham,~Rl. 
 
 (See Illustration.) 
 
 5 02. Suspense. Wm.H. Weatherhead. 
 
 " Till my soul is full of longing 
 For the secret of the sea, 
 And the heart of the great ocean 
 
 Sends a thrilling pulse through me." 
 
 503. Cottage Garden at Hambledon, Surrey. Maud Naftel. 
 
 504. Captain Mercer's Troop of the 
 
 Royal Horse Artillery re- 
 pulsing French Cuirassiers 
 
 at the Battle of Waterloo. Lt.-Col. T. S. Seccomle. 
 
 5 05. Miss M. Caroline Vyvyan. 
 " Now memory holds my soul with potent spell. 1 ' 
 
 506. Moonrise. Mrs. J. T. Watts. 
 
 50 7. Bridge at Warworth, Northumberland. Arthur F. Payne, 
 
 508. A Little Study of Colour. Lady Lindsay [of Balearres), R.I. 
 
 509. The Brethren's Kitchen, the Leycester 
 
 
 Hospital, Warwick. 
 
 Elias Bancroft. 
 
 510, 
 
 The Matterhorn from near the Riffel, 
 
 
 Switzerland. 
 
 Colin B. Phillip. 
 
 511. 
 
 The Flower Garden, Penshurst. 
 
 Geo. S. Elgood, R.I. 
 
 512. 
 
 Daffodils and Violets. 
 
 Miss Ada Bell. 
 
 513. 
 
 Birch Trees. 
 
 Miss Grace H. Hastie. 
 
 514. 
 
 Porta Ghurnea, Perugia. 
 
 Thos. B. Macquoid, R.I. 
 
 515. 
 
 Near Amalfi. 
 
 Harry Mine, R.I. 
 
 516. 
 
 The Lord of the Glen. MacWhirter, A.B.A., R.I. 
 
 
 "Moor'd in the rifled rock, 
 
 
 
 Proof to the tempest's shock, 
 
 
 
 Firmer he roots him, the ruder it blow." 
 
 
 (See Illustration.) 
 
 
 517. 
 
 Early Morning, Venice. 
 
 CI tas. B. Aston, R.I. 
 
.34 
 
 CENTRAL GALLERY. 
 
 518. A Daughter of Jerusalem. Chas. A. Eadfield. 
 
 519. A Straw-plaiter. Mrs. George Clausen. 
 
 520. Shells. Miss Charlotte Taylor. 
 
 521. Scene from the " Vicar of Wakefield." 
 
 Randolph Caldecott, R.I. 
 
 522. The Lady of the Woods. J. MacWMrter, A.R.A., R.I. 
 
 523. San Vitali, and the Palace of the Cavalli, 
 
 Venice. H. Pilleau, R.I. 
 
 524. A Faithful Warder. M. Austin Carter. 
 
 525. At Kew. Roll. W. Fraser. 
 
 526. Mill on the Mole, Betchworth Park, 
 
 Surrey. Alexr. Nicholson. 
 
 527. Disturbed by the Soldiers of 
 
 the Commonwealth. Miss F. E. Maplestone. 
 
 528. The Abbey Gate, Bury St. Edmunds. John Hy. Steinnetz. 
 
 529. Afternoon : Ryedale, Yorkshire. John Pedder. 
 
 530. Hilda's New Paint-box. Miss Kate Hayllar. 
 
 531. Snug in Harbour, Dover. G. C. Kerr. 
 
 532. Beach at Yarmouth. Edwin Hayes, R.H.A., R.I 
 
 533. Il Duomo Monreale, Sicily. Geo. S. Elgood, R.I. 
 
 (See Illustration.) 
 
 534. A Woodland Stream. Albert Kinsley. 
 
 535. Baking Oatcakes, Yorkshire. A. W. Bayes. 
 
 536. Quiet Meadows, near Cromwell's 
 
 Grazing Farm, Houghton, 
 
 Huntingdonshire. J. W. Whymper, R.I. 
 
 537. Beside the Old Mast. E. Hume. 
 
 538. A Look at the Model. E. J. Gregory, A.E.A., R.I. 
 
 539. View in the Isle of Arran. A. Heleke. 
 
 540. A Lesson in Reading. Frank M. Chase. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 35 
 
 541. 
 
 Tahiti. 
 
 Nicholas Chevalier. 
 
 542. 
 
 Returning to the Farm. 
 
 John W. Whiteley. 
 
 543. 
 
 Home. 
 
 Jas. Aumonier, R.I. 
 
 544. 
 
 Return of the Sardine Fleet. 
 
 M. L. Menkes. 
 
 545. 
 
 The Road across the Common. 
 
 E. P. Brandard. 
 
 545.* 
 
 Evening on the Nile. 
 
 Frank Dillon, R.I. 
 
 546. 
 
 The Gardener's Daughter. 
 
 A. Macbeth-Raeburn. 
 
 547. 
 
 Across Fields to Edmonton. 
 
 W. Reynolds. 
 
 548. 
 
 The Portfolio. Miss Elizabeth A. Armstrong. 
 
 549. 
 
 The Blush of Morn, Mounts Bay. John Mogford, R.L 
 
 550. 
 
 A Thrilling Drama. 
 
 (See Illustration.) 
 
 William L. Thomas, R.I. 
 
 55 1 . 
 
 Treport. 
 
 Robert W. Allan. 
 
 552. 
 
 A Street in Sienna. 
 
 Francis H. Eastwood. 
 
 553. 
 
 " The watched pot never boils." 
 
 Miss Helena J Maguire. 
 
 554. 
 
 Near Groombridge, Kent. 
 
 Edivd. Hargitt, R.I. 
 
 555. 
 
 A Welsh Torrent. 
 
 E. M. Wimperis, R.I. 
 
 556. 
 
 Halesome Food. 
 
 Thos. Hunt. 
 
 557. 
 
 Carrying Barley. 
 
 Thos. Pyne. 
 
 558. 
 
 Basket of Flowers. 
 
 Mrs. Wm. Dnffield, R.I. 
 
 559. 
 
 An Idyll. 
 
 John Tenniel, R.I. 
 
 
 " And sauntering schoolboys, slow returning, played 
 
 
 At eve about the lion's den, and wove 
 
 
 Into his shaggy mane fantastic flowers." 
 
 
 
 -The Course of Time, Pollock. 
 
 
 (See Illustration.) 
 
 
 560. 
 
 A Flower of the East. 
 
 H. Blackburne. 
 
 561. 
 
 A Breton Beggar. 
 
 R. Anderson, A.R.S.A. 
 
 562. 
 
 Zinnias. 
 
 Miss Dora M. Stewart. 
 
 563. 
 
 The Chapel Pathway, near Saas, 
 
 
 Switzerland. 
 
 Miss Donkin. 
 
36 
 
 CENTRAL GALLERY. 
 
 
 564. 
 
 " Under the blossom that hangs on the bouj: 
 
 
 
 5 h." Harry Arnohl. 
 
 565. 
 
 Interior of St. Mark's, Venice. 
 
 John Evans. 
 
 566. 
 
 Minehead Harbour — Low Tide. 
 
 Fred. G. Cotman, R.I. 
 
 567. 
 
 Neighbours. 
 
 John Absolon, R.I. 
 
 568. 
 
 Pears. 
 
 John Sherrin, R.I. 
 
 569. 
 
 Near the Sea. 
 
 Joseph Knight, R.I. 
 
 570. 
 
 Pigtails and Powder. 
 
 Frank Dadd. 
 
 
 (See Illustration.) 
 
 
 571. 
 
 The Garland. 
 
 Miss Edith Martineau. 
 
 
 " With music and sweet showers 
 
 
 Of festal flowers.'' 
 
 
 
 (See Illustration.) 
 
 
 572. 
 
 The Fisherman's Look-out. 
 
 Jas. C. Waite. 
 
 573. 
 
 By the Brook. 
 
 John 3L Macintosh. 
 
 574. 
 
 At the Fountain. 
 
 David Mossman. 
 
 575. 
 
 N Chalets near Saas Fee, looking down the 
 
 
 Visp-thal. 
 
 J. M. Donne. 
 
 576. 
 
 Going Marketing. 
 
 Harry Tuck. 
 
 577. 
 
 Bracken Gatherers. 
 
 Anderson Hague. 
 
 578. 
 
 Lewes from the London Road. 
 
 H. G. Hine, R.I. 
 
 579. 
 
 Il Frontone, Perugia. 
 
 Thos. 11. Macquoid, R.I. 
 
 580. 
 
 Spring-time in London. 
 
 George Morton. 
 
 581. 
 
 " Fair-quiet, have I found thee here 1 " 
 
 William L. Thomas, R.I. 
 
 582. 
 
 A Good Day for Haying. 
 
 J. W. Whymper, R.I. 
 
 583. 
 
 Doorway in Cairo. Wm. Simpson, F.B.G.S., R.I. 
 
 584. 
 
 At Cold Harbour on the Lea. 
 
 Harry Hi?ie, R.I. 
 
 
 " The time admits not flowers or leaves to deck the banquet. 
 
 
 Fiercely flies the blast of North and East/ 
 
 
 
 (See Illustration.) 
 
 
 585. 
 
 Boats Returning — South Coast. 
 
 Chas. S. Mottram. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 37 
 
 586. W.H. Wheeler. 
 
 " Then came still evening on, and twilight grey 
 Had in her sober livery all things clad." 
 
 587. 
 
 Lying in State. Miss Fanny K. Kindcrsley. 
 
 588. 
 
 A Study. 
 
 Francis Barraud. 
 
 589. 
 
 Highland Cottage, Brig o' Turk. 
 
 Mrs. John Menzies. 
 
 590. 
 
 Fort Cliff, Freshwater. 
 
 T. P. Jones Parry. 
 
 591. 
 
 A Quiet Fool : Hazy Morning. 
 
 C TXT /In™,/,// 
 
 o. W . Uscro/t. 
 
 592. 
 
 Waiting for Spring. 
 
 Chas. Holroyd. 
 
 593. 
 
 " When the Evening Sun is Low." 
 
 W. Foil en Bishop. 
 
 594. 
 
 Venice from Murano. 
 
 H. Pilleau, R.I. 
 
 595. 
 
 Addolorata. 
 
 Mrs. Kate Perugini. 
 
 596. 
 
 The Graces. 
 
 John Fullcylove, R.I 
 
 
 (See Illustration.) 
 
 597. 
 
 Haymaking on the Coast of Kent. C. J. Lewis, R.I. 
 
 598. 
 
 The Wee Herd Lassie. 
 
 John J. Richardson, R.I. 
 
 599. 
 
 Little Nell — An Orange Girl. 
 
 H. B. Roberts, R.I 
 
 600. 
 
 A Flemish Housewife. 
 
 Henry Simpson. 
 
 601. 
 
 A Summer's Day. 
 
 Lionel P. Smythe, R.I. 
 
 602. 
 
 Evening Light, Whitby. 
 
 Charles Earle, R.I. 
 
 603. 
 
 A Grain Ship Unloading. 
 
 J. R. Wells. 
 
 604. 
 
 SOLAMUN. 
 
 Joseph M. Jop)ling. 
 
 605. 
 
 The Piazza, Bordighera, Italy. 
 
 M. Foivler. 
 
 606. 
 
 Brassknocker Hill, Bath. 
 
 Miss Margaret Bernard. 
 
 607. 
 
 A Country Lane in Autumn. 
 
 S. W. Oscrofl. 
 
 60S. 
 
 " It might have Been." 
 
 Carlton A. Smith. 
 
 609. 
 
 The Piscatorian. 
 
 II. B. Roberts, R.I. 
 
 61©. 
 
 Hoeing Turnips. 
 
 George Clausen, R.I. 
 
 
 (See Illustration.) 
 
 
 611. 
 
 At Utrecht, Holland. 
 
 Walter M. May, R.I. 
 
 D 
 
38 
 
 CENTKAL GALLERY. 
 
 612. The Fountain. John Fulleylove, R.I. 
 
 613. Priscilla. James D. Linton, President. 
 
 (See Illustration.) 
 
 614. Mount Harry, near Lewes. H. G. Hine, R.I. 
 
 615. Peter Ghent. 
 " Now lades the glimmering landscape on the sight, 
 
 And all the air a solemn stillness holds." 
 
 616. Violets. Miss Emily F. Jackson. 
 
 617. On a Berkshire Dairy Farm. Arthur Wardle. 
 
 618. Temperance. Henry Ryland. 
 
 619. Disappointed. W. G. Daffarn. 
 
 620. A Recruit for the Spahis. Andrew C. Gow, A.R.A., R.I. 
 
 621. Dutch Fishing Vessels off 
 
 
 Gorleston. 
 
 Fdwin Hayes, R.H.A., R.I. 
 
 622. 
 
 Night-watch Off Duty. 
 
 Louis Haghe, Hon. Pres. 
 
 623. 
 
 Twilight near Lewes. 
 
 H. G. Hine, R.I. 
 
 624. 
 
 Spring. 
 
 J. W. Waterhonse, R.I. 
 
 625. 
 
 The Dancing Lesson. 
 
 Chas, J. Staniland, R. r . 
 
 626. 
 
 The Ford. 
 
 Henry Births. 
 
 627. 
 
 A Cornish Harbour. 
 
 Chris. Poole. 
 
 628. 
 
 St. Lazare, Avallon, Yonne. 
 
 C. Gilder Maundrell. 
 
 629. 
 
 " The misty rippling river where IV. H. Fortye. 
 The willows hang and dream." 
 
 630. 
 
 Chrysanthemums. 
 
 Mrs. J. W. Whymper. 
 
 631. 
 
 " Far from the madding crowd's 
 
 Herbert W. Foster. 
 ignoble strife 
 
 Their sober wishes never learned to stray." 
 
 632. Haddon Hall, from the Bakewell 
 
 Meadows. T. P. Jones Parry. 
 
 633. The Long Line of the Coast. Herbert Chipp- 
 
 634. Coming on to Blow. Walter Wm. May, R.I. 
 
 (See Illustration.) 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 39 
 
 635. 
 
 The Fisherman's Stock in Trade. Jas. G. Philp, R.I. 
 
 636. 
 
 A Fairy Tale. 
 
 (See Illustration.) 
 
 G. A. Storey, A.B.A. 
 
 t~% ri 
 
 637. 
 
 Haughton Castle, Northumberland. James OrrocJc, R.J 
 
 f% n 
 
 638. 
 
 A Reverie. 
 
 Chas. J. Staniland, R.I. 
 
 639. 
 
 A Spanish Player. 
 
 Thomas B. Masqucid, R.I. 
 
 640. 
 
 On the Stour. 
 
 J. B. Wells. 
 
 
 On the Llugy, North Wales. 
 
 Miss Susanna Matkin. 
 
 ft AO 
 
 Early Morning, Autumn — Mist Clearing 
 
 
 Off. 
 
 Vernon Howard 
 
 643. 
 
 A Spring Day on the Thames. 
 
 Walter Goldsmith. 
 
 644. 
 
 An Old House in Barnard 
 
 
 
 Castle. 
 
 A. H. Hallam Murray. 
 
 645. 
 
 Rainy Weather, Hambledon. 
 
 Alfd. Powell. 
 
 646. 
 
 Marigolds. 
 
 Miss Anne E. Hopkinson 
 
 647. 
 
 Evening on the Conway. 
 
 J. S. Morland. 
 
 648. 
 
 Something Wrong. 
 
 (See Illustration.) 
 
 Thomas Huson, R.I. 
 
 o4y. 
 
 The Hayfield. 
 
 Henry Births. 
 
 OOUi 
 
 'Listed. 
 
 W. Henry Gore. 
 
 65 1. 
 
 Near Lamlash, Arran. 
 
 James V. Scott. 
 
 652. 
 
 The Banks of Loch Ard. 
 
 J. J. Bannatyne. 
 
 653. 
 
 Old Place, Pulborough. 
 
 H. B. Bohertson. 
 
 1 654. 
 
 A West Country Boat Builder. 
 
 W. L. Wyllie, R.I. 
 
 1 655. 
 
 A Thames Bridge. 
 
 Yeend King. 
 
 .656. 
 
 Italian Fishing Boats on the Riviera. John O'Connor. 
 
 657. 
 
 An Old Pier on the East Coast. 
 
 Tlwmas Pyn< . 
 
 658. 
 
 Piazza del Mercato Vecchio, Florence 
 
 
 — Afternoon. 
 
 Lionel Muirhead. 
 
 D 2 
 
4<> 
 
 CENTRAL GALLERY. 
 
 659. Weobly Castle, Coast of Gower, South 
 
 Wales. Allan Duncan. 
 
 660. By the Kiver's Side. Robinson Elliott. 
 
 661. On the Moray Firth. Arthur Perigal, RS.A. 
 
 662. Resting, but Ready. Miss Rosalie M. Watson. 
 
 663. Evening near Staines Moor. Arthur Willett. 
 
 664. Lilies. Mrs. Won. Duffield, R.I. 
 
 (See Illustration.) 
 
 665. Whitby. Frank Dillon, R.I. 
 
 666. "A diner en plein vent " in Cairo. G. Montbard. 
 
 667. West Wickham Church. Philip Norman. 
 
 668. Ploughing — in Sussex. Edward H. Fahey, R.I. 
 
 669. Gray's Inn Lane. John Fulleylove, R.I. 
 
 670. A Cottage on the Hill, East 
 
 Tartert, Loch Fyne. Edwin Moore. 
 
 671. Venice, Old and New. Miss M. E. Wratislaw. 
 
 672. Early March. Miss Barbara H. Maepherson. 
 
 673. Hayfield, Shiplake. William Bradley. 
 
 674. Near Tin hale y, Co. Wicklow, 
 
 Ireland. W. Biscombe Gardner. 
 
 675. A Summer Morning, Falmouth Bay. C. Topham Davidson. 
 
 676. A Passing Shower. R. K. Penson, F.S.A., R.I. 
 
 (See Illustration.) 
 
 677. Captain Absolute and Lydia Languish. H. R. Steer. 
 
 The Rivals, Act 4, Scene 2. 
 (See Illustration.) 
 
 678. Wargrave Church. Ernest Parton. 
 
 679. Returning from Market, Connemara. Wm. Small, R.I. 
 
 (See Illustration.) 
 
 680. Moorish Fountain, Seville. R. Anderson, A.R.S.A. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 41 
 
 681. Azaleas. Miss Helen Bruce. 
 
 682. The Old Armchair. Charles G. Hards. 
 
 683. The Queen of the Night. G. S. W alters. 
 
 " And God made two great lights : 
 The greater light to rule the day : 
 And the lesser light to rule the night/' 
 (See Illustration.) 
 
 684. "Half Turn o'Port!" On Board 
 
 H.M. Gunboat " Trent." A. AcJdand Hunt. 
 
 6 8 5 . \ Azaleas. Miss Grace H. Hastie. 
 
 686. Haymaking. Arthur Wardle. 
 qq 7 1 « Where the reeds and rushes grow." Byron Cooper. 
 
 688. A Morning Gallop. E. J. Gregory, A.B.A., K.I. 
 
 689. Children at the Stream. B. Carrick, P.I. 
 
 690. A Day Dream in Rome. G. G. Kilburne, P.I. 
 
 691. Birds of a Feather flock Together. Edwin W. Everett. 
 
 692. A Summer Breeze. • H> E. Steer. 
 
 693. Near Ripley, Surrey. K Wake Ccok. 
 
 694. Low Tide. Joseph Knight, P.I. 
 
 695. The Harvest Moon. W. F. Stocks. 
 
 696. View from a Surrey Common. Alfred Fowell. 
 
 697. En Bretagne. TV. Spread. 
 
 698. At the Doorway of a Mosque, Cairo. John Whipple. 
 
 699. Palms at Bordighera. Geo. Q. B. Talbot. 
 
 700. Steerage Passengers. Henry Bright. 
 
 701 . " In the nest where spring was reared/' Frank WaJton, P.I. 
 
 (See Illustration.) 
 
 702. Sunshine. C. J. Barnaul. 
 
EAST GALLERY. 
 
 
 EAST GALLERY. 
 
 
 703. 
 
 Deserted. 
 
 Yeend Kinq. 
 
 704. 
 
 A Country Lane, Summer. 
 
 Vernon Howard. 
 
 705. 
 
 Winter Evening. 
 
 W. II. Hulk. 
 
 706. 
 
 The Student. 
 
 Guido Bach. R.I. 
 
 707 
 
 Daybreak in Egypt. 
 
 (See Illustration.) 
 
 H. Pilleau, R.I. 
 
 708. 
 
 In the Redleaf Spinneys. 
 
 Geo S Elaood RI 
 
 709. 
 
 The Dial. 
 
 John Fullcylove, R.I. 
 
 7 lO. 
 
 On the Marshes near 
 
 
 
 Southwold. Keeley Halswelle, A.B.S.A., R.I. 
 
 711. 
 
 A Young Family. 
 
 Miss Helen O'Hara. 
 
 712. 
 
 Tales of my Girlhood. 
 
 Miss Edith Berkley. 
 
 713. 
 
 Rest and Refreshment. 
 
 B. W. Spiers. 
 
 714. 
 
 Sta. Maria Della Salute, Venice. 
 
 Edwd. H. Bearne. 
 
 715. 
 
 Bolney Reach. 
 
 J. Beane Simmons. 
 
 716. 
 
 " When Day is Done." 
 
 Chris. Boole. 
 
 717. 
 
 Italian Peasant with Child. 
 
 B. Werner. 
 
 718. 
 
 The Gabelhorner from near the 
 
 
 
 Riffel, Switzerland. 
 
 Colin B. Phillip. 
 
 719. 
 
 A Breezy Day. 
 
 (See Illustration.) 
 
 James G. Philp, R.I. 
 
 720. 
 
 A Day Dream. 
 
 Henry J. Stock, R.I. 
 
 
 " Nor seeks nor finds lie mortal blisses, 
 But feeds on the aerial kisses 
 
 Of shapes that haunt thought's wildernesses."— Shelley. 
 
 721. 
 
 A Mountain PAth. The 
 
 Hon. H. Shore, B.N. 
 
 722. 
 
 Portrait of a Young Artist. 
 
 Hugh Carter, R.I. 
 
 723. 
 
 A Street in Portelle. 
 
 John Absolon, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 43 
 
 724. 
 
 Overburdened. 
 
 (See Illustration.) 
 
 G. F. Wetherhee, R.I. 
 
 If c 
 
 725. 
 
 La Chapelle Doree, St. Gervais, Paris. C. G. Maundrell. 
 
 / ^SO> 
 
 Study of Gate, Rome. 
 
 Hiss Rosina Stohwasser. 
 
 n on 
 
 Feeding the Rabbits. 
 
 George Smith. 
 
 •700 
 
 The Back of the Mill. 
 
 Evelyn Redgrave. 
 
 TOO 
 
 Summer Afternoon, Streatley. 
 
 Newton Benetl. 
 
 / <i\J . 
 
 Driving Geese. 
 
 R. Hamilton Chapman. 
 
 73 1 . 
 
 On the Cornish Coast. 
 
 John Syer, R.I. 
 
 732. 
 
 Cader Idris. 
 
 John Absolon, R.I. 
 
 TOO 
 
 7oo. 
 
 Going Out for the Night Fishing, 
 
 
 Hastings. 
 
 G. J. Lewis, R.I. 
 
 734. 
 
 Conspirators. [(See Illustration.) 
 
 Miss Emily Farmer, R.T. 
 
 735. 
 
 ""Landscape. 
 
 Carl Werner. 
 
 736. 
 
 Kilchurn Castle, Loch 
 
 
 
 Awe. Keeley Halswclle, A.R.S.A., R.T. 
 (See Illustration.) 
 
 737. 
 
 Gertrude and Norman, Children of 
 
 
 Edmund D. Carver, Esq. 
 
 Ellen G. Hill. 
 
 738. 
 
 Harwich from the Stour. 
 
 J. R. Wells. 
 
 739. 
 
 Ludgate Hill. 
 
 Charles J. Watson. 
 
 740. 
 
 Tyn-dwr Farm, Llangollen. 
 
 William Eden. 
 
 741 . 
 
 The Road to the Farm. 
 
 John M. Macintosh. 
 
 n A.O 
 
 £ *kJi. 
 
 In the Minster. 
 
 H. Remdolph Rose. 
 
 743. 
 
 Southwold Harbour. 
 
 Albert Hodder. 
 
 744. 
 
 Over the Glen. 
 
 W. Reynolds- Stephens. 
 
 745. 
 
 Bazaar, Suez. William Simpson, F.R.G.S., R.I. 
 (See Illustration.) 
 
 746. 
 
 Rocks at Sark. 
 
 Walter W. May, R.I. 
 
 747. 
 
 Cascade on the Mill River, Ardravan 
 
 
 Bridge, North Ireland. 
 
 Philip Mitchell, R.I. 
 
44 
 
 EAST GALLERY. 
 
 748. Waiting. C. J. Lewis, RI. 
 
 (See Illustration.) 
 
 749. A Sussex Cottage. Leopold Rivers. 
 
 750. Waiting foe the Ferry. Stanley Berkley . 
 75 1. The Meeting on the Green. F. Hamilton Jackson. 
 
 752. A Sunny Day. Edward Dav ies. 
 
 753. Tomb of Sir George Nowers, Oxford 
 
 Cathedral. W. J. Boddy. 
 
 754. The Mosques of Aboo-Seeri. John Varley. 
 
 755. French Fishing Vessels getting 
 
 Under WxiY. Edwin Hayes, EH. A., R.I. 
 
 756. The Terrace Walk. Geo. S. Elgood, RI. 
 
 757. "Every true man's apparel fits your thief." Frank Dadd. 
 
 758. Llancourt, on the Wye. Harry Johnson, R.I. 
 
 759. The Haunt of the Fallow Deer. Edmund G. Warren, R.I. 
 
 (See Illustration.) 
 
 760. A Study. Edwin Black. 
 
 761. Yellow Roses and Clematis. Mrs. Wm. Duffield, R.I. 
 
 762. Knitting. A. W. Baycs. 
 
 763. In W t inter Quarters, Lubeck. Axel JL. Haig. 
 
 764. The Towing Path. Chas. J. Adams. 
 
 765. The Dorsetshire Downs after a Dry 
 
 Summer. F. S. Dayman. 
 
 766. The Guitar. M. W. Ridley. 
 
 767. Late Again. Herhcrt P. Doll man. 
 
 768. Primulas. Miss Katharine M. Stocks. 
 
 769. Between Stockbridge and Longstock, 
 
 Hants. R. A. K. Marshall. 
 
 770. The Acropolis of Athens from the 
 
 Pnyx. Harry Johnson, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 45 
 
 771. 
 
 Whitby Abbey. 
 
 Frank Dillon, R.I. 
 
 772. 
 
 A Wiltshire Village — Evening. G. J. Lewis, R.I. 
 
 773. 
 
 SCHEVENING BEACH. 
 
 Edwin Hayes, PJLA., R.I. 
 
 774. 
 
 Entrance to Port. 
 
 Edwin Hayes, B.H.A., R.I. 
 
 775. 
 
 On the Severn. 
 
 John Syer, R.I. 
 
 ne. 
 
 Just a Study. 
 
 Clement 0. Skilbeck. 
 
 111. 
 
 A Challenge. 
 
 Chas. J. Stanilctnd, R I. 
 
 778. 
 
 " Eighteen Hundred Years Ago." Percy Macquoid, R.I. 
 
 779. 
 
 In Windsor Park. 
 
 John O'Connor. 
 
 780. 
 
 Morning on the South Coast. 
 
 Urban Rider. 
 
 781. 
 
 In Brixham Harbour — after 
 
 THE 
 
 
 Gale. 
 
 Arthur Bainlriggc. 
 
 782. 
 
 Roses. 
 
 Miss Mary E. Butler. 
 
 783. 
 
 Half Timber Houses — Rye, Sussex. B. Phene Spiers. 
 
 784. 
 
 War's Alarms. 
 
 J. H. S. Mann. 
 
 785. 
 
 Rough Pastures. 
 
 Edward Davies. 
 
 786. 
 
 A Basket of Primroses. 
 
 Miss Meliccnt S. Grose. 
 
 787. 
 
 Winter — On the Sea. 
 
 Harry Hine, R.I. 
 
 788. 
 
 Captive Love. 
 
 T. M. Borke. 
 
 789. 
 
 A Grey Day on the River. 
 
 Edward Hargitt, R.I. 
 
 790. 
 
 Evening on Lake Lucerne. 
 
 F. W. Cart wright. 
 
 791. Sand Hills on the Lincolnshire Coast. 
 
 Vernon Hoicard. 
 
 792. Evesham on the Avon, Worcestershire. Chas. Marshall. 
 
 793. A Derbyshire Brook. Miss Charlotte H. Spiers. 
 
 794. Remains of an Old House at 
 
 Tangley, Guildford. Miss E. Julia Bolinson. 
 
 795. Near Manturog, North Wales. W. Clark Eddington. 
 
46 
 
 EAST GALLERY. 
 
 
 796. 
 
 Evening — Hampstead. 
 
 I llOluClS Hi rv (It/. 
 
 797. 
 
 The Love Letter. 
 
 IVin. Rainey. 
 
 798. 
 
 Purple and Red. 
 
 Win. Hough. 
 
 7QQ 
 
 / 57 57 • 
 
 " A willowy brook tlint drives tlie mill." 
 
 Chas. Earle, R.I. 
 
 DUU. 
 
 J\ _DU x jrvbLilii.li.Jr . 
 
 A ■•}} rf p vq/iw rfft mi p 
 Jrx /Oil l I oUiv J-J-iiyitv. 
 
 SOL 
 
 Thames at Greenwich. 
 
 Walk?' W. May, R.I. 
 
 802. 
 
 Lough S willy from the Castle Grounds, 
 
 
 BUNCRANA, LOOKING TOWARDS DUNREE 
 
 
 Head, Co. Donegal, Ireland. 
 
 Philip Mitchell R.I. 
 
 803. 
 
 Niphetos Roses. 
 
 Miss Marian Chase, R.L 
 
 804. 
 
 The Fishermen's Quarter, Portelle. John Absolon, R.I. 
 
 805. 
 
 In Jesmond Dene, near New- 
 
 
 
 castle-on-Tyne. 
 
 J. 11. Mole, Vice-Pres. 
 
 806. 
 
 " A Few Minutes to Spare." 
 
 John Charlton. 
 
 
 (See Illustration.) 
 
 
 8U7. 
 
 A. Farm Cottage, Stanham Green, Berks. Edgar Varley. 
 
 oOo. 
 
 " Rippling at Sweet Leisure." 
 
 Evelyn Redgrave. 
 
 f> /"V /""I 
 
 809. 
 
 Lilium Candidum. 
 
 Mrs. Cecil Lawson. 
 
 O 1 
 
 olv. 
 
 Chrysanthemums. 
 
 Miss Emily R. Stones. 
 
 Oil 
 
 Ansley's Cove, Torquay. 
 
 General Eane. 
 
 o i o 
 812. 
 
 In the Lledr Valley. 
 
 Jjouis Carrington. 
 
 Q 1 Q 
 
 The Woodside. 
 
 Thomas Groves. 
 
 814. 
 
 Saint Vulfrau, Abbeville. 
 
 F. P. Barraiid. 
 
 
 The Weir, Mapledurham. 
 
 Alfred Powell. 
 
 O 1 ft 
 blO. 
 
 A Sketch. 
 
 Edvjard Comles. 
 
 O 1 / . 
 
 Dutch Home Life. 
 
 Hugh Carter, R.I. 
 
 818. 
 
 Une Petite Pensionnaire. 
 
 H. Blackburne. 
 
 819. 
 
 Florence, from the Piazza Michelangelo. 
 
 Chas. R. Aston, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 47 
 
 ©on 
 
 O \J . 
 
 jl OHiIXV AiNl Ur 1 xl 1L V_^riUl\Lri. 
 
 -Ldlbll tit JJtlLLy IX. 1. 
 
 
 Hakdwick Hall and Park. 
 
 John Fulleylove, R.I. 
 
 <-> O f> 
 
 822. 
 
 A Devonshire Stream. 
 
 Jol m Syer, R.L 
 
 Q O O 
 
 Luisa Strozzi. Mrs. Marie Spar tali Stillman. 
 
 
 (See Illustration.) 
 
 
 824. 
 
 
 JJ . U. 13 tu lit it ltd . 
 
 825. 
 
 X IjHAo U sxih AINU xXAllUJN IVlAxVrj 1 xl Vj 
 
 
 
 
 Itl I b. ±j. ULIttlLLJ Otltttlt. 
 
 826. 
 
 Silver Birches and Golden Firs. 
 
 James T. Watts. 
 
 827. 
 
 Gravesend Reach from Grays. 
 
 A. Rag on. 
 
 828. 
 
 The Duddon Valley. 
 
 Alfred Parsons, R.I. 
 
 829. 
 
 Memories. 
 
 Henry Terry. 
 
 830. 
 
 On the Calder, Cumberland. 
 
 J. H. Mole, Vice- Pres. 
 
 O O X . 
 
 Afternoon Tea. 
 
 F. S. Morgan. 
 
 832. 
 
 Corn Threshing and Winnowing on 
 
 
 the Roman Campagna. 
 
 Chas. H. Poingdestre. 
 
 
 (See Illustration.) 
 
 
 833. 
 
 Pilgrims Passing the Sphinx. 
 
 J. A. Benicell. 
 
 834. 
 
 A Late September Sketch. 
 
 Miss Dora CruikshanJc. 
 
 835. 
 
 May. 
 
 Wm.J.Mnckley. 
 
 836. 
 
 Chrysanthemums. 
 
 Miss Louise Aumcnier. 
 
 o o / • 
 
 In the Park at Sutton Coldfield. 
 
 J. Macpherscn. 
 
 O OQ 
 OOO. 
 
 Two Strings to a Beau. 
 
 A. W. Bayes. 
 
 839. 
 
 In the Marshes, Southwold. 
 
 Mrs. R. Savile Clarice. 
 
 
 Southwold Pier. 
 
 Fred. C. Dixey. 
 
 
 Fresh from the Garden. Lady Lindsay (of Balcarres), R.I. 
 
 
 A Lover and His Lass. 
 
 Walter Langley, R.I. 
 
 843. 
 
 MOONRISE. 
 
 Sir Rupert Kettle, Knt. 
 
 844. 
 
 Or CCLDHARBOUR COMMON, SURREY. 
 
 G. Collingiuood. 
 
48 
 
 EAST GALLERY. 
 
 845. 
 
 Eunostus Point. 
 
 ITT T TTT 7 7 1 1~\ T 
 
 W. L. Wylhe, R.I. 
 
 846. 
 
 Hay Harvest in Devonshire. 
 
 Mary I. Grant. 
 
 847. 
 
 Study of the Sun Reflection. 
 
 Edward II. Fahey, R.I. 
 
 848. 
 
 A Shattered Veteran : the Great 
 Beech Tree, Haslemere, blown 
 
 
 down 6th December, 1883. 
 
 "7" TTT~ TTT7 T 
 
 J. W. Whymper, R.I. 
 
 
 (StiG Illustration.) 
 
 
 849. 
 
 Shutting the Lock. 
 
 H. Caffieri. 
 
 OOU. 
 
 The Home Orchard. 
 
 Dick Toovey. 
 
 So 1 . 
 
 " There's not enough for two ! 
 
 Stephen J. Dadd. 
 
 OG J*. 
 
 The Gun Inn, Dedham, Essex. 
 
 Luther Hooper. 
 
 o c o 
 Boo. 
 
 The Deserted Home. 
 
 Miss B. E. Stanton. 
 
 OCA 
 
 854. 
 
 Vitorta. 
 
 W. B. Spong. 
 
 855. 
 
 The Student. 
 
 Chas. F. Draper. 
 
 Odd 
 
 Tyra-Maw, near Barmouth, N. Wales. B. J. Moscr. 
 
 Q K. T 
 OO /. 
 
 Dorothy. 
 
 Mrs. G. Koberwein Terrell. 
 
 oOo. 
 
 My Pearl. 
 
 E. Moira. 
 
 OCA 
 
 A Sussex Lane near Bodiam. 
 
 Bichard Douglass. 
 
 oOU. 
 
 The First Flush of Spring. 
 
 E. Wake Cook. 
 
 oOi. 
 
 Sunflowers. 
 
 Frank Sucldards. 
 
 
 Castle of the Pena, Cintra. 
 
 Tristram Ellis. 
 
 OOO. 
 
 By the Sheepfold. 
 
 C. G. Danford. 
 
 
 Wallflowers. 
 
 Miss Bose Barton. 
 
 one 
 OOO. 
 
 The Firstborn. 
 
 Hugh Carter , R.I. 
 
 OOO. 
 
 Chrysanthemums. 
 
 Miss Fanny W. Currcy. 
 
 867. 
 
 " Pup, pup. up, up ! " 
 
 James Cole. 
 
 868. 
 
 Nash's Farm, near Sandridge, Herts. Harry Hine, R.I. 
 
 869. 
 
 Sun breaking through a Fog on the Thames. 
 
 G. S. Walters. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 40 
 
 870. 
 
 Naiad's Fort, Lough Swill y (the Lake 
 
 
 of Shadows), Donegal, Ireland. 
 
 Philip Mitchell, R.I. 
 
 871. 
 
 Whitby Harbour. 
 
 Stanley Inchbold. 
 
 872. 
 
 In the Wood. Miss Marian Chase, R.I. 
 
 873. 
 
 A Harvest Morning. 
 
 H. G. Barwell. 
 
 874. 
 
 Near Ansty, Leicestershire. 
 
 Edward Dames. 
 
 875. 
 
 A Cornfield. 
 
 W. F. Stocks. 
 
 876. 
 
 Dutch Fishing Boat. 
 
 Chas. Thornely. 
 
 877. 
 
 Leaving the Old Home. 
 
 A. Vercy. 
 
 878. 
 
 Windsor from Eaton Backwater, 
 
 John Heaton. 
 
 879. 
 
 An Old English Village. 
 
 F. Hamilton Jackson. 
 
 880. 
 
 Highland Drovers Resting after 
 
 
 
 the Day's Journey. John J. Richardson, R.I. 
 
 
 (See Illustration.) 
 
 
 881. 
 
 Ironing. 
 
 Mrs. George Clausen. 
 
 882. 
 
 The Old Pier, Whitby. 
 
 Charles Earlc, R.I. 
 
 883. 
 
 The Lonely Hour. 
 
 John Mogford, R.I. 
 
 884. 
 
 At Sark. 
 
 Walter W. May, R.I. 
 
 885. 
 
 Content. Frank 
 
 W. W. Topham, R.I. 
 
 886. 
 
 Hawthorn. 
 
 Mrs. Cecil Laioson. 
 
 887. 
 
 A Scythe-swept Barley Field. 
 
 J. W. Walker. 
 
 888. 
 
 Evening. 
 
 W. Clark Eddington. 
 
 889. 
 
 Evening at Sulham, Berkshire. 
 
 W. Sidney Cooper. 
 
 89 v., 
 
 A Sunny Sea. 
 
 K. Macaulay. 
 
 891. 
 
 
 Max Ludby. 
 
 " And nearer to the river's trembling edge ' 
 
 There grew broad flag-flowers, purple prankt with white ; 
 And starry river-buds among the sedge." 
 
 892. F. S. Morgan. 
 
 "A weary Palmer worn and weak, 
 I wander for my sin." — Scott. 
 
50 
 
 893. Why is She so Idle ? Miss Jane M. Deal//. 
 
 894. Vessels leaving Port. Edwin Hayes, B.H.A., R.I. 
 
 (See Illustration.) 
 
 895. Wallflowers. Mrs. J. W. Waterhousc. 
 
 896. Fishing. C. J. Lewis, R.I. 
 
 897. A Chip of the Old Block. Hugh Carter, R.I. 
 
 898. Gauging her Affections. IT. B. Roberts, R.I. 
 
 (See Illustration.) 
 
 899. Selfish and Greedy Pup. W. H. Trood. 
 
 900. Anemones. Lady Lindsay (of Balcarres), R.I. 
 
 90 1 . The Colwyn after Rain. Geo. Q. B. Talbot. 
 
 902. La SoupgoNNEUSE. Miss Elizabeth A. Armstrong. 
 
 903. The Old Globe Dry Dock. J. L. Stewart. 
 
 904. In the Meadow near the Hague. John H Oswald. 
 
 905. Anita. Miss Woodruff e. 
 
 906. A Wild Coast near the Lizard. . John Mogford, R.I. 
 
 (See Illustration.) 
 
 907. Bon Jour! John Absolon, R.I. 
 
 908. In the Sound of Skye : Looking 
 
 to Loch Nevis. John A. Houston, B.S.A., R.I. 
 
 909. Archway in Siena. Wm. Dennistoun. 
 9 lO. The Way to School. Miss Emily Farmer, R.I. 
 
 911. Dolly's First Sickness. Agnes Gardner King. 
 
 912. Faust and Marguerite. Ghas. J. Slaniland, R.L 
 
 (See Illustration.) 
 
 913. Fall on Strathyre-burn, Perthshire. JJm Smart, B.S.A. 
 
 914. Anemones. , Miss A. M. Youngman. 
 
 915. March at the Lakes — Loughrigg. Miss Edith BawnsUy. 
 
 916. At Fowey, Cornwall. J. E. Rogers. 
 
 917. A Study. Sidney Starr. 
 
 918. Nuns Singing with Organ. R.Werner. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 51 
 
 919. Bishopgate Bridge, Norwich. Charles J. Watson. 
 
 9 20. By the Water's Edge. Thomas Ireland . 
 
 921. A Breezy Common. E. M. Wimperis, R.I. 
 
 922. Home from Gleaning. C. J. Lewis, R.I. 
 
 923. A. Wet Night at the Seaside. 
 
 Keeley Halswclle, A. U.S.A., R.I. 
 
 924. On the Footway to Kynance Cove. Frank Walton, R.I. 
 
 925. " Possession is Nine Points of the 
 
 Law." Stephen T. Dadd. 
 
 (See Illustration.) 
 
 926. Schiazzano. Hamilton Mac ullum,1&.\. 
 
 927. Passeggio. Ludwig Passini, R.I. 
 
 (See Illustration.) 
 
 928. Goring-on-Thames. Keeley Halswclle, A. U.S.A., R.I. 
 
 929. A Symphony. Joseph M. Jopliwj. 
 
 930. In the Lanterbrunnen, Switzerland. William Clifton. 
 
 931. Early Morning in the Strand. Richard T. Bellhousc. 
 
 932. Cleaning the Boat, Walberswick, 
 
 Suffolk. E. Cleave Smith. 
 
 933. Roses from the Crystal Palace 
 
 Rose Show, 1883. Miss Beatrice M. Hewitt. 
 
 934. A Welsh Village : Evening. Peter Ghent. 
 
 935. . Duddon Bridge — Early Spring. William Eden. 
 
 936. Portelle. John Absolon, R.I. 
 
 937. In Donington Park. James Orrock,^.!. 
 
 (See Illustration.) 
 
 938. Afterglow. H G. Hine, R.T. 
 
 939. A Rustic Reader. Miss Emily Farmer, R.I. 
 
 940. Trout Stream on Dartmoor, near 
 
 Cadover Bridge. Philip Mitchell, R.I. 
 
52 
 
 EAST GALLERY. 
 
 941. 
 
 Street Scene, Kurrachee. 
 
 Arthur Melville. 
 
 942. 
 
 A Young Plant. 
 
 John White, R.I. 
 
 
 (See Illustration.) 
 
 
 943. 
 
 Home Interests. 
 
 H. S. Hopwood. 
 
 944. 
 
 Doubtful Moments. 
 
 Lennard Zeivis. 
 
 945. 
 
 St. Helier's Harbour, Jersey. 
 
 Horace Fuller. 
 
 946. 
 
 On the Cornish Coast. 
 
 Charles, W. Radclyje. 
 
 947. 
 
 Near Arundel. 
 
 TV. J. Slater. 
 
 94Cc 
 
 Alfriston, Sussex. R. 
 
 Thome Waite, R. W.S. 
 
 
 (See Illustration.) 
 
 
 949. 
 
 Low Tide — Coast of Picardy. 
 
 T. B. Ha,rdy. 
 
 950. 
 
 Between Amalfi and Salerno. 
 
 Harry Hine, R.I. 
 
 951. 
 
 Evening on the Ghent Canal, 
 
 
 
 Ostend. 
 
 Walter W. May, R.I. 
 
 952. 
 
 A Game at Cards. 
 
 Hugh Carter, R.I. 
 
 953. 
 
 Maud. 
 
 Mrs. H. Champion. 
 
 954. 
 
 Azaleas. 
 
 Miss Maud Naftel. 
 
 955. 
 
 Thunderstorm Clearing off. Study 
 
 
 on the Coast of Clare. 
 
 Miss Mary Reeves. 
 
 956. 
 
 No! 
 
 Miss Mary Eley. 
 
 957. 
 
 Dogs and Game. 
 
 James Hardy, R.I. 
 
 
 (See Illustration.) 
 
 
 953. 
 
 Wild Weather near Kynance. 
 
 John Mogford, R.T. 
 
 959. 
 
 The Fish-pond. 
 
 George S. Elgood, R.I. 
 
 960. 
 
 Low Tide. 
 
 Thos. Huson, R.I. 
 
 961. 
 
 Stoke Ferry, Nottinghamshire. 
 
 James Orroclt, R.I. 
 
 96£. 
 
 Moonlight, Venice. 
 
 Arthur Severn, R.T. 
 
 963. 
 
 
 Henry Chas. Fox. 
 
 
 " Now fades the glimmering landscape on the 
 
 sight, 
 
 And all the air a solemn stillness holds." 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 53 
 
 964. 
 965. 
 966. 
 967. 
 968 
 
 969. 
 970. 
 971. 
 972. 
 973. 
 
 974. 
 975. 
 976. 
 977. 
 
 978. 
 979. 
 980. 
 981. 
 982. 
 983. 
 984. 
 
 985. 
 986. 
 987. 
 
 A Westmoreland Farmstead. 
 Kyrene Church, North Wales. 
 The Moon of Morning. 
 Marshy Coastland : North Wales 
 Newlyn Town and Beach : A Grey 
 
 Morning. 
 Alfriston, Sussex. 
 South Door, St. Alban's Abbey. 
 Oats, Lancashire. 
 Clean Bowled ! 
 Spring Flowers: a Japanese 
 
 Arrangement. 
 
 (See Illustration.) 
 
 The Garrison. 
 Wallflowers. 
 The Lock at Eventide. 
 
 Arthur Tucker. 
 Wm. Bennett. 
 Miss Jane Beakin. 
 John Keeley. 
 
 Harry Geoffroi. 
 S. Bowers. 
 Mrs. Harry Hine. 
 J. W. Walker. 
 Albert Tuck. 
 
 Frank Billon, R.I. 
 
 James G. Philp, B.I. 
 Edward H. Fahey, B.I. 
 Edmund G. Warren, B.I. 
 
 Summer in Bothiemurchus Woods, 
 
 Aviemore. 
 Dorothea. 
 Summer Showers. 
 Old Building near Durham. 
 Evening Thoughts. 
 Warwick Castle. 
 " Eh Bien, Monsieur." 
 Signa Sleeping in Sunshine — Florence 
 
 in the Distance. C. R. Aston, B.I. 
 
 A Summer Day in Yorkshire. Chas. Richardson. 
 
 Transparent Gages. John Sherrin, B.I. 
 
 Summer Boses. Lady Lindsay (of Balcarres), B.I. 
 
 E 
 
 Miss Gertrude Martineau. 
 Mrs. H. Champion. 
 Alfred W. Williams. 
 Philip Norman. 
 Gerke Henkes. 
 C. R. Aston, R.I. 
 Miss Maude Goodman. 
 
54 
 
 EAST GALLERY. 
 
 988. Windfalls. 
 
 Edith Berkley. 
 
 With lingering footsteps on their homeward way, 
 Leaving the last bright beams of glorious dav." 
 
 989. 
 990. 
 991. 
 992. 
 993. 
 994. 
 995. 
 996. 
 
 997. 
 
 998. 
 999. 
 
 lOOO 
 
 lOOl. 
 
 1002. 
 1003. 
 1004. 
 1005. 
 1006. 
 
 Newton Benett. 
 Miss A. M. Yonngman. 
 Arthur Tucker. 
 J. Whittet Smith. 
 J. J. Bannatyne. 
 Robert Elson. 
 J. H. Barnes. 
 
 Goring - on- Thames. 
 Pelargoniums. 
 Loch Eil, Argyllshire. 
 The Cove, Flamborough Head. 
 A Bridge in Kintyre near the Sea. 
 Study of a Bronze, British Museum. 
 A Bit of Comfort. 
 Island of Inch from the White Strand, 
 Lough Swilly, Co. Donegal, Ireland. Philip Mitchell, R.I. 
 
 (See Illustration.) 
 KlNLOCHEIVE AND BEN EAY, LOCH 
 
 Maree, Scotland. J. W. Whymper, R.I. 
 
 Inland Navigation. Walter W. May, R.I. 
 
 Loch Lomond, Evening. John A. Houston, R.S. A., R.I. 
 
 (See Illustration.) 
 
 Cromwell at Waisby Field. Chas. Cattermole, R.I. 
 
 " Then was seen the secret of Cromwell's extraordinary influence over 
 his determined Ironsides. In an instant he circulated through 
 their ranks the watchword Truth and Peace, and gave out 
 a Psalm which the officers and men at once uplifted with 
 united voice." — Forster's Life of Cromwell. 
 (See Illustration.) 
 
 At the Bridge of Lochay, 
 
 Perthshire. Waller H. Baton, R.SA. 
 
 Hunt the Slipper. Alfred W. Strutt. 
 Rouen, from l'Eglise du Bonsecours. Stanley Inchbold. 
 
 The Sands at Whitby. John Dinsdale. 
 
 A Breton Beggar. H. Randolph Rose. 
 
 A Ship Aground : Gorlestone. W. J. Callcott. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 55 
 
 1007. A Wiltshire Cornfield. Miss Kate Prentice. 
 
 1008. A French Dragoon of the Empire. 
 
 Lt.-Col. T. S. Seccombe. 
 
 1009. Campanile of San Giorgio in Veladro, 
 
 with Silversmith's Arch, Rome. Miss H. J. Jephson. 
 
 1010. Remenham — Autumn. William Bradley. 
 
 1011. Ludlow Castle, Shropshire. Cornelius Pearson. 
 
 1012. The Vessel of Oil. Edward Clifford. 
 
 1013. The Temple of Minerva at Sunium 
 
 (Cape Colonna). Harry Johnson, R.I. 
 
 (See Illustration.) 
 
 1014. On our Coast — Cornwall. James G. Philp, HI. 
 
 1015. Thames Barges. W. Sidney Cooper. 
 
 1016. Dordrecht. Edwin Hayes, R.H.A.,~RX. 
 
 1 1 7 . A Sketch — Santa Margherita, 
 
 near Genoa. Chas. P. Aston, R.I. 
 
 1018. A Bible Reading. Edwin A. Abbey, R.I. 
 
 (See Illustration.) 
 
 1019. The Old Mill. E. M. Wimperis, R.I. 
 
 (See Illustration,) 
 
 1020. Wallflowers. Miss Mary E. Butler. 
 
 1021. A Portrait. Miss Kate Hitchcock. 
 
 1022. Dante in Florence. W. Cave Thomas. 
 
 1023. Evening amongst the Cloisters. C. J. Pox. 
 
 1024. Fragrant Blossoms. Miss Helen Brown. 
 
 1025. Venice. Edwd. H. Bearne. 
 
 1026. Primroses. Mrs. Caroline H. Norman. 
 
 1027. Old Farm and Bridge, Elsted, 
 
 Surrey. Charles Brockman. 
 
 1028. On the Grand Canal, Venice. E. Hereford. 
 
 e 2 
 
EAST GALLERY. 
 
 1029. 
 1030. 
 1031. 
 
 1032. 
 
 1033. 
 1034. 
 1035. 
 
 1036. 
 1037. 
 1038. 
 1039. 
 
 1040. 
 1041. 
 1042. 
 1043. 
 1044. 
 
 Play. James Hayllar. 
 
 Clouds Lifting — Wallasey Marsh. Isaac Cooke. 
 
 Wind against Tide — Swanage, Dorset. H. G. Hine, R.I. 
 (See Illustration.) 
 
 Yeldham Hall, Essex. 
 
 (See Illustration.) 
 
 Il Piccolo Pastore. 
 A Cliff Path — South Devon. 
 A Dream of the Sea. 
 
 (See Illustration.) 
 
 On the Exe. 
 Play. 
 Lincoln. 
 
 The Crockery Cart. 
 
 (See Illustration.) 
 
 The Bather. 
 
 Chapel near Saas, in Switzerland. 
 Helford, Cornwall. 
 
 Charles Earle, R.I. 
 
 Edwin Bale, R.I. 
 J. H. Mole, Vice-Pres. 
 Edwin Bale, R.I. 
 
 John Syer, R.I. 
 J. B. Kennington. 
 Miss Alice Susan. 
 Harry Tuck. 
 
 Miss Grace Cruickshank. 
 
 Miss Donkin. 
 Miss Alice Manly. 
 
 A Yorkshire Fishing Village. 
 " A Wandering Harper, Scorned 
 
 and Poor." 
 
 Percy Belgrave. 
 
 Wm. H. Weatherhead, 
 
 (See Illustration.) 
 
 1045. 
 
 On the Hillside. 
 
 
 Miss Bessie J. Spiers. 
 
 1046. 
 
 Santa Maria. 
 
 
 Hamilton Macallum, R.I. 
 
 1047. 
 
 A Streamlet. 
 
 
 Alfred Parsons, R.I. 
 
 1048. 
 
 On the Common. 
 
 
 John M. Macintosh. 
 
 1049. 
 
 Near Henley-on-Thames. 
 
 Mrs. W. Oliver, R.I. 
 
 1050. 
 
 A Bough of Apples. 
 
 
 John Sherrin, R.I. 
 
 1051. 
 
 Autumn Flowers. 
 
 Lady Lindsay {of Balcarres), R.I. 
 
 1052. 
 
 Christchurch, Hants. 
 
 
 John H. Dearie. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 57 
 
 1053. 
 
 A Dutch Meadow. 
 
 G. Hitchcock. 
 
 1054. 
 
 A WORCESTERSHIRE COTTAGE. 
 
 W. Clark Eddington. 
 
 1055 
 
 Yellow Chrysanthemums. 
 
 Miss Elizabeth Bywater. 
 
 1056. 
 
 "When daffodils begin to peer 
 
 William G. Addison. 
 
 
 With heigh ! the doxy over the dale, 
 
 
 Why, then comes in the sweet o' the year, 
 
 
 For the red blood reigns in the winter's pale." 
 
 1057. 
 
 A Stream. 
 
 W. F. Clark 
 
 1058. 
 
 The Last of the Harvest. 
 
 A. J. Crozier. 
 
 1059. 
 
 In Port. 
 
 Henry A. Harper. 
 
 1060. 
 
 1M JiiArl OJNUVVJJUJN. 
 
 John Syer, R.I. 
 
 1061. 
 
 OAiN JJVVlCrl, JVii,iNl. 
 
 II7V//W/7 Jin J 7 
 vv LLji %a £>an . 
 
 1062. 
 
 X KlMKUbilib. 
 
 lutbb ±v±ar%an L/fiasc, 
 
 1063. 
 
 A Moorland Farm. 
 
 Charles Earle, R.I. 
 
 1064. 
 
 The Blind Beggar. 
 
 Edward Hargitt, R.I . 
 
 1065. 
 
 The Bridebook. 
 
 L. Zorn. 
 
 1066. 
 
 Great Expectations. 
 
 H. R. Roberts, R.I. 
 
 1067. 
 
 Mrs. Algernon S. Montagu. 
 
 F. Small field. 
 
 1068. 
 
 A Gower Road near Porteyon, 
 
 S. Wales. 
 
 Allan Duncan. 
 
 1069. 
 
 Notre Dame de Paris. 
 
 John Varley. 
 
 1070 
 
 Aye Maria ! 
 
 Louis Haghe, Hon. Pres. 
 
 1071. 
 
 " He giveth his beloved sleep." — Psalm cxxvii. 2. 
 
 
 (See Illustration.) 
 
 Henry J. Stock, R.I. 
 
 1072. 
 
 Under the Downs. 
 
 J. Aumonier, R.I, 
 
 1073. 
 
 The End of the Skating. 
 
 (See Illustration.) 
 
 Toicnely Green, R.I. 
 
 1074. 
 
 " When the Kye come Hame." 
 
 Stanley Berkley. 
 
 1075. 
 
 By the Way — Brittany. 
 
 Bonis Absolon. 
 
 1076. 
 
 Bettws-y-Coed. 
 
 Henry Clifford. 
 
58 
 
 EAST GALLERY. 
 
 1077. Roses. Miss M. D. Maine. 
 
 1078. Wind-blown Birch Trees, Orthog, 
 
 near Bournemouth. Miss Constance L. Fripp. 
 
 1079. Sunset over Westminster. Arthur Severn, R.I. 
 
 (See Illustration.) 
 
 1080. Chatillon, Savoy. 
 
 (See illustration.) 
 
 1081. A Diver. 
 
 (See Illustration.) 
 
 1082. " Side Shadows of Green Air." 
 
 1083. Summer Noon, at Land's End. 
 
 James Fahey, R.I. 
 Walter Crane, R.I. 
 
 Frank Walton, R.I. 
 John Mogford, R.I- 
 
 SCULPTURE. 
 
 Terra Gotta Bust. 
 
 (See Illustration.) 
 
 Peploe Broivn. 
 
NAMES and ADDRESSES of the EXHIBITORS, with the 
 NUMBERS that refer to their PICTURES. 
 
 ABBEY, E. A., R.I. 17b, Eldon Road, Kensington, W. 1018. 
 ABSOLON, JOHN, R.I. 15, Gloucester Crescent, Regent's Park, N.W. 
 
 12, 273, 567, 723, 732, 804, 907, 936. 
 ASTON, C. R., R.I. Eastnor Villa, Leamington. 284, 333, 497, 517, 
 
 819, 982, 984, 1017. 
 
 AUMONIER, J., R.I. East Harting, Petersfield, Hants. 189, 392, 543, 
 1072. 
 
 Absolon, Louis, 15, Gloucester Crescent, Regent's Park, N.W. 403, 1075. 
 Adams, Charles J. 19, West Street, Leicester. 193, 764. 
 Adams, J. Clayton, Ewhurst Hill, near Guildford. 368. 
 Addison, William G. North Wainborough, Odiham, Hants. 1056. 
 Allan, Robert W. 32, Steele's Road, Haverstock Hill, N. W. 123, 385, 551. 
 Anderson, A., care of Mr. Edward Hill, 151, Essex Road, Islington, N. 
 132, 433. 
 
 Anderson, R. A.R.S.A. 2, Hill Street, Edinburgh. 14, 561, 680. 
 Archer, Miss Janet, 3, Trafalgar Square, Chelsea, S.W. 328. 
 Armstrong, Miss Elizabeth A. 18, Lupus Street, St. George's Square, 
 
 S.W. 315, 548, 902. 
 Arnold, Harry, 162, Coningham Road, Uxbridge Road, W. 564. 
 Aumonier, Miss Louise, 31, Beaumont Street, W. 836. 
 AuTir, Charles, 16, The Green, Stratford, E. 130. 
 
 BACH, GUIDO R., R.I. 15, Grove End Road, St. John's Wood, N.W. 706. 
 BALE, EDWIN, R.L 44, Grove End Road, St. John's Wood, N.W. 362, 
 
 820, 1033, .1035. 
 
 BOUGHTON, G. H., A.R.A. R.I. West House, Campden Hill Road, W. 
 
 Bailey, Henry, 14, Cunningham Place, St. John's Wood Road, N.W. 
 30, 267. 
 
 Bainbrigge, Arthur, Northcourt, Torquay. 75, 781. 
 Baker, S. H. 101, Gough Road, Edgbaston, Birmingham. 58. 
 Baldock, James, 93, Nottingham Road, Sherwood Rise, Nottingham. 241, 
 308. 
 
 Ball, Wilfrid, 39b, Old Bond Street, W. 49, 1061. 
 Bamford, A. B. Stanley Lodge, Romford. 200. 
 
60 
 
 THE PICCADILLY GALLERY. 
 
 Bancroft, Elias, 30, Plymouth Grove, Manchester. 263, 509. 
 Bannatyne, J. J. 5, Albert Street, Regent's Park, N.W. 652, 993. 
 Barnard, George, 8, Harrington Square, N.W. 54. 
 Barnes, J. H. 28, Shaftesbury Road, Hammersmith, W. 995. 
 Barraup, C. J. 4, Langham Place, Regent Street, W. 702. 
 Barraud, F. P. 17, Sister's Avenue, Lavender Hill, S.W. 814. 
 Barraud, Francis, 17, Fitzroy Street, Fitzroy Square, W. 588. 
 Barton, Miss Rose, 35, Westbourne Place, Eaton Square, W. 864. 
 Barwell, H. G. Surrey Street, Norwich. 873. 
 
 Bayes, A. W. 82, Fellow's Road, Adelaide Road, N.W. 535, 762, 
 838. 
 
 Bearne, Edward H. care of T. Maclean, 7, Haymarket, W. 714, 1025. 
 Beattie- Brown, W., E.S.A. 53, George Street, Edinburgh. 268, 277, 
 425. 
 
 Belford, K. A. 4, Christchurch Road, Hampstead Heath. 15. 
 Belgrave, Dacres T. C. 2, Barrington Villas, Shooter's Hill, Kent. 340. 
 Belgrave, Percy, 8, Percy Street, Bedford Square, W.C. 1043. 
 Bell, A. Carlyle, 14, Caroline Street, Bedford Square, W.C. 76, 489. 
 Bell, Arthur G. Bramerton, Hampstead Hill Gardens, N.W. 184, 442. 
 Bell, Miss Ada, 24, Bedford Place, Russell Square, W.C. 162, 259, 
 512. 
 
 Bellhouse, Richard T. 17, Matheson Road, West Kensington, W. 931. 
 Benett, Newton, Fritham, Lyndhurst, Hants. 286, 729, 989. 
 Benger, Berenger, 9, Ranelagh Street, Liverpool. 135. 
 Bennett, Wm. 15, Bolsover Street, W. 965. 
 Benwell, J. A. 13, Abingdon Villas, Kensington, W. 833. 
 Berkley, Stanley, 38, Finborough Road, South Kensington. 750, 1074. 
 Berkley, Miss Edith, 38, Finborough Road, South Kensington, S.W., 
 712, 988. 
 
 Bernan, Charlotte A., 64. 
 Bernard, Miss Margaret, Northfield House, Bath. 156, 447, 606. 
 Birtles, Henry, 152, Adelaide Road, N.W. 165, 626, 649. 
 Bishop, W. Follen, 41, South Hill Road, Liverpool. 593. 
 Black, Edwin, 234, Marylebone Road, W. 242, 760: 
 Blackburne, H. 46, Batoum Gardens, West Kensington Park, W. 560, 
 818. 
 
 Blake, L. 147, Strand, W.C. 113. 
 
 Bligh, Jabez, Shorne, Gravesend. 143, 155. 
 
 Boddy, W. J. Gale House, Acomb, York. 402, 753. 
 
 Boot, W. H. J. Markeaton, Well Road, Hampstead, N.W. 110, 347. 
 
 Boulton, Miss C. B. Copped Hall, Totteridge, Herts, N. 327. 
 
 Bourne, S. Simla Yilla, Raleigh Street, Nottingham. 493. 
 
 Bowers, S., 2, Mortlake Terrace, Kew. 969. 
 
 Bowlby, Mrs. A. care of Mr. G. Squire, 293, Oxford Street, W. 265. 
 
 Boyd, A. J. 257, West George Street, Glasgow. 419. 
 
 Bradley, Wm. Bourne End, Maidenhead, Berks. 37, 673, 1010. 
 
 Brandard, E. P. 2, Albion Grove, Barnsbury, N. 545. 
 
 Bright, Henry, 2, Park Place, Gigg's Hill, Thames Ditton. 700. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 61 
 
 Bristow, George L. 2, Cedars Road, Clapkam Common, S.W. 261, 
 323. 
 
 Brockman, Charles, 37, Kingsgate Road, Kilburn, N.W. 1027. 
 Brown, Miss Helen, 228a, Romford Road, Upton, Forest Gate. 293, 
 1024. 
 
 Bruce, H. C. Caerline, Lochgilphead, N.B. 344. 
 Bruce, Mjss Helen, 10, Marloes Road, Kensington. W. 478, 681. 
 Bunker, Joseph, Paragon Art Studio, 15, Bladud Buildings, Bath. 
 429. 
 
 Burchett, Arthur, Willoughby Lodge, Hampstead, N.W. 445. 
 Burgess, Frederick, care of Messrs. Thomas & Co., 29, Bolsover Street, 
 W. 251. 
 
 Burton, Henry, 20, Charlotte Street, Bedford Square, W.C. 24. 
 Butler, Miss Mary E. 57, Elizabeth Street, Eaton Square, W. 782, 
 1020. 
 
 Bywater, Miss Elizabeth, 5, Hanover Square, W. 1055. 
 
 CALDECOTT, RANDOLPH, R.L 24, Holland Street, Kensington, W. 
 521. 
 
 CARRICK, ROBERT, R.L. 14, Howland Street, Tottenham Court Road, 
 W. 413, 689. 
 
 CARTER, HUGH, R.L 12, Clarendon Road, Notting Hill, W. 350, 
 
 722, 817, 865, 897, 952. 
 CATTERMOLE, CHARLES, R.L 2, Christchurch Road, Kilburn, N.W. 
 
 337, 395, 410, 1000. 
 CHASE, MISS MARIAN, R.L Haddon Lodge, Qnex Road, Kilburn, 
 
 N.W. 45, 195, 440, 483, 803, 872, 1062. 
 CLAUSEN, GEORGE, R.L Childwick Green, St. Alban's. 610. 
 COLLIER, THOMAS, R.L Etherow, Hampstead Hill Gardens, N.W. 
 
 427. 
 
 CORBOULD, EDWARD HENRY, R.L care of George H. Haywood, 
 Esq., 8, Clarendon Road, Victoria Road, Kensington, W. 56. 
 
 COTMAN, FREDERICK G. R.L 10, Boscobel Place, Alpha Road, N.W. 
 566. 
 
 CRANE, WALTER, R.L Beaumont Lodge, Shepherd's Bush, W. 86, 
 99, 1081. 
 
 Cafe, James, 46, Clifton Hill, St, John's Wood, N.W. 13, 305. 
 Caffiert, Hector, 173, Hampstead Road, N.W. 220, 849. 
 Callcott, W. J. 48, Flanders Road, Bedford Park, Chiswick. 1006. 
 Capper, Miss Edith, 135, Gower Street, W.C. 236, 322. 
 Carlisle, J., 27, Endsleigh Gardens, Euston Square, W. 34. 
 Carrington, Louis, Tower Hill, Dorking. 812. 
 Carter, M. Austin, 146, Leadenhall Street, F'.C. 524. 
 Carter, R. H. 1, Florence Terrace, Falmouth. 182. 
 
 Cartwright, Fred. W. Ferndale, Thurlow Park Road, Dulwich, S.E. 
 790. 
 
 Cauty, H. R. Highlight, Gordon Place, Kensington, W. 202. 
 
62 
 
 THE PICCADILLY GALLERY. 
 
 Champion, Mrs. H. 13, Minford Gardens, West Kensington Park, W. 
 953, 978. 
 
 Chapman, J. Watkins, 53, Warwick Road, South Kensington. 40, 319. 
 Chapman, R. H., Western Cottage, Cookham Dean, Berks. 459, 730. 
 Charlton, John, 7, Victoria Road, Kensington, W. 806. 
 Chase, Frank M. 29, Sinclair Road, West Kensington Park, W. 540. 
 Chevalier, Nicholas, 5, Porchester Terrace, Hyde Park, W. 541. 
 Chipp, Herbert, 26, Loudoun Road, St. John's Wood, N.W. 633. 
 Clark, W. F. 7, Cunningham Place, St. John's Wood, N.W. 1057. 
 Clarke, Mrs. H. Savile, Cleveland Lodge, Alexander Street, Westbourne 
 Park, W. 839. 
 
 Clausen, Mrs. George, Child wick Green, St. Albans. 519, 881. 
 Clifford, Edward, 52, Wigmore Street, W. 1012. 
 Clifford, Henry, I, Lansdowne Place, Blackheath, S E. 1076. 
 Clifton, Wm. Clarence Cottage, Woolwich, S.E. 930. 
 Cole, James, Grove Lodge, Acton, W. 867. 
 Collingwood, G. Gillhead, Windermere. 19, 844. 
 Collins, Charles, Horsham Road, Dorking. 448, 449. 
 Combes, Edward, Sydney, New South Wales, Australia. 816. 
 Compton, E. T. Feldafing, Bavaria. 33. 
 
 Cook, E. Wake, 7, St. Mary's Terrace, Paddington, W. 693, 860. 
 Cooke, H. Moxon, 14, Ridgefield, John Dalton Street, Manchester. 103. 
 Cooke, Isaac, The Breck, Wallasey, Cheshire. 1030. 
 Cooke, Miss L., Bath and County Art Studio, Duke Street, Bath. 226. 
 Cooper, Byron, I, Oakley, Mayfield Road, Manchester. 152, 687. 
 Cooper, T. George, 42, Chepstow Villas, Bayswater, W. 221, 476. 
 Cooper, W. Sidney, 22, Mortimer Street, W. 889, 1015. 
 Couldery, Thomas W. 12, New Court, Lincoln's Inn, W.C. 83. 
 Coutts, Hubert, Ellerwater, Ambleside. 197, 460. 
 Cox, Frank E. 5, John Street, Bedford Row, W.C. 47, 498. 
 Cromptcn James S., 4, Hartham Road, Camden Road, N.W. 187. 
 Crozler. A. J. 47, Sidney Street, Oxford Road, N. 74, 1058. 
 Cruickshank, Miss Grace, 30, Fulham Road, S.W. 291, 1040. 
 Cruikshank, Miss Dora, 41, Queen's Gardens, Hyde Park, W. 834. 
 Curnock, J. Jackson, 7, Richmond Hill, Clifton, Bristol. 233, 254. 
 Currey, Miss Fanny W. The Mall House, Sismore, Ireland. 288, 866. 
 
 DILLON, FRANK, R.I. 13, Upper Phillimore Gardens, W. 271, 469, 
 
 545* 665, 771, 973. 
 DUFFIELD, MRS. WILLIAM, R.I. 4, Upper Phillimore Gardens, W. 
 
 98, 219, 250, 307, 386, 558, 664, 761. 
 
 Dadd, Frank, 38, Great Ormond Street, W.C. 475, 570, 757. 
 Dadd, Stephen T. 38, Great Ormond Street, W.C. 851, 925. 
 Daffarn, W. G. 4, North Villas, Camden Square, N.W. 619. 
 Dakin, Joseph, Red Hill, Surrey. 341. 
 DaNford, C. G., Ayres End, Harpenden, Herts. 863. 
 Davidson, C. Topham, 9, Alma Square, St. John's Wood, N.W. 60, 389, 
 675. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 63 
 
 I Davies, Edward, 10, Rutland Avenue, Aylestone Park, Leicester. 752, 
 785, 874. 
 
 I Dayman, Francis S. Tiverton, Devon. 765. 
 
 Deakin, Miss Jane, Chalfont St. Peter, Bucks. 966. 
 I Dealey, Miss Jane M. Walton Lodge, Blackheath, S.E. 893. 
 I Dearle, John H. 14, Portland Terrace, North Gate, Regent's Park, N.W. 
 316, 1052. 
 
 I De Br^anski, Alfred, Glendale, Church Road, Forest Hill, S.E. 147. 
 1 De Maine, Miss A. Bolton Abbey, Skipton. 52. 
 I Dennistoun, William, Villa Federico, Isola di Capri, Italy. 909. 
 I Dinsdale, John, 32, Torriano Avenue, N.W. 1004. 
 
 Dixey, Fred. C. 110, Elgin Crescent, W. 840. 
 I Dollman, John C. Hove House, Newton Grove, Bedford Park, W. 177. 
 I Dollmann, Herbert P. 21, Howland Street, Fitzroy Square, W. 767. 
 I Donkin, Miss, 97, Upper Tulse Hill, S.W. 563, 1041. 
 I Donne, J. M. 31, Campden Grove, Kensington, W. 298, 575. 
 
 Douglass, Richard, Campland Lodge, Park Village East, Regent's Park, 
 N.W. 859. 
 
 Draper, Charles F. 137, The Grove, Hammersmith, W. 855. 
 Dubourg, Mme. Victoria, care of Mrs. E. Edwards, 26, Golden Square, 
 W. 116, 314. ' 
 
 Duncan, Allan, 36, Upper Park Road, Haverstock Hill, N.W. 659, 1068. 
 
 EARLE, CHARLES, B.I. 9, Duke Street, Portland Place, W. 487, 602, 
 
 799, 882, 1032, 1063. 
 ELGOOD, GEORGE S.,B.I. 21, Oxford Street, Leicester. 511, 533, 708, 
 
 756, 959. 
 
 Earp, Henry, Sen. 6, Chatham Place, Brighton. 264. 
 
 East, Alfred, 65, West Regent Street, Glasgow. 209, 365. 
 
 Eastwood, Francis H. Mill Hill, Hendon, N.W. 552. 
 
 Eddington, W. Clark, Barbourne, Worcester. 795, 888, 1053. 
 
 Eden, William, 16, Waverley Road, Liverpool. 740, 935. 
 
 Eley, Miss Mary, 9, Wetherley Terrace, Earl's Court Road, S.W. 247, 956. 
 
 Elliot, Robinson, 3, Chaloner Terrace, South Shields. 420, 660. 
 
 Ellis, Tristram, 7, Holland Park Road, Kensington, W. 862. 
 
 Elson, Robert, 133, St. George's Road, Peckham, S.E. 994. 
 
 Emms, John, 2 Trafalgar Studios, Chelsea, S.W. 272. 
 
 Evans, John, 4, Vanbrugh Terrace, Blackheath. 1, 565. 
 
 Everett, Edwin W. Colbury House, Totton, Southampton. 691. 
 
 FAHEY, EDWARD H. B.I. 28, Dawson Place, Bayswater, W. 397, 
 668, 847, 975. 
 
 FAHEY, JAMES, B.I. The Grange, 51, Shepherd's Bush Green, W. 
 231, 454, 1080. 
 
 FARMER, MISS EMILY, B.I. Portchester House, Portchester, Hants. 
 734, 910, 939. 
 
 FISHER, MARK, B.I. Chantrey Green House, Steyning, Sussex. 
 FULLEYLOVE, JOHN, B.I. 32, Mecklenburgh Square, W.C. 370, 596, 
 612, 669, 709, 821. 
 
64 
 
 THE PICCADILLY GALLERY. 
 
 Fane, Geneeal, care of Col. Goff, 1, Courtfield Road, South Kensington. 
 811. 
 
 Ficklin, Alfred, Norbiton, Surrey. 134. 
 Fidler, Gideon M. Teffont Magna, via Salisbury. 434. 
 Field, Frances A. 9, Merton Street, Oxford. 382. 
 Fisher, A. E. 24, Soho Square, W.C. 205. 
 
 Fitzgerald, J. A. 233, Stanhope Street, Regent's Park, N.W. 127. 
 Folkard, Elizabeth, 47, Eardley Crescent, Earl's Court, S.W. 276. 
 Fortye, W. H. 46, Oseney Crescent, N.W. 450, 629. 
 Foster, Herbert W. Endon, Stoke-on-Trent. 631. 
 Fowke, F. R. 24, Victoria Grove, Fulham Road, S.W. 17. 
 Fowler, Howard, Thorndean, Staines. 106. 
 
 Fowler, M. care of Mr. Wiseman, 15, Above Bar, Southampton. 605. 
 Fowler, R. 10, South Castle Street, Liverpool. 190. 
 Fox, C. J. 34, Gerrard Street, W. 1023. 
 
 Pox, Hy. Chas. 26, Springdale Road, Stoke Newington, N. 255, 963. 
 Fraser, Miss, 60, Hogarth Road, S.W. 144. 
 Fraser, Robert W. Ill, Highbury Hill, K 462. 525. 
 Fraser, J. 8, Aden Grove, Green Lanes, Stoke Newington, 1ST. 324. 
 Fripp, Miss Constance L. 3, Wetherby Road, South Kensington, S.W. 
 175, 1078. 
 
 Fuller, Horace, 245, Brompton Road, S.W. 945. 
 
 GOW, A. C. A.R.A., E.I. 35, Fitzroy Square, W. 620. 
 GOW, MISS MARY L., R.I. 35, Fitzroy Square, W. 
 GREEN, CHARLES, R.I. Charlecote, Hampstead Hill Gardens, N.W. 
 458. 
 
 GREEN, TOWNELEY, E.I. Winchmore, England's Lane, Haverstock 
 
 Hill, N.W. 181, 484, 1073. 
 GREGORY, E. J. A.R.A., R.I. 6, Abercorn Place, Maida Yale, N.W. 
 
 348, 538, 688. 
 
 Gardner, Edwin C. 56, Ambler Road, Finsbury Park, N.W. 262. 
 Gardner, W. Biscombe, Thirlestane, Tower Hill, Dorking. 62, 278, 
 674. 
 
 Garland, Henry, 3, Woodfield Terrace, Harrow Road, W. 203. 
 Garraway, G. Hervey, 10, Eversley Street, Princes Road, Liverpool, 
 48. 
 
 Geoffroi, Harry, Malcolm Villa, Alexandra Road, Penzance. 968. 
 Ghent, Peter, Tal-y-bont, near Conway, North Wales. 615, 934. 
 Glendening, A., Jun. 161, Bird in Bush Road, Peckham, S.E. 23. 
 Goodwin, Harry, 42, Powis Square, W. 124. 
 Godet, Julius, 67, Albert Street, Camden Town, N.W. 121. 
 Goldsmith, Walter, 3, Blenheim Villa, Grenfell Road, Maidenhead. 300, 
 643. 
 
 Goodall, J. E. 17, Fitzroy Street, W. 311. 
 
 Goodman, Miss Maude, 7, Barton Street, Baron's Court Road, West 
 Kensington, S.W. 983. 
 
ROYAL INSTITUTE OF PAINTEES IN WATER COLOURS. 65 
 
 Gore, W. Henry, 56, Prince's Square, Kenniugton Park, S.E. 650. 
 Grace, James E. Milford, Surrey. 280. 
 
 Graham, Mrs. W. J. 37, Wellington Poad, St. John's Wood, N.W. 
 351. 
 
 Grant, Miss Mary I. Hillersdon, Cullompton, Devon. 846. 
 Green, David, 39, Circus Poad, St. John's Wood, N.W. 378. 
 Greenish, Florence, 5, Syveden Terrace, Pilling Poad, Northampton. 
 126. 
 
 Groome, W. H. C. 2, Arlington Poad, Castle Hill Park, W. 210, 260. 
 Grose, Melicent S. care of Pev. S. H. Grose, Queen's College, Oxford. 
 786. 
 
 Groves, Thomas, 2, Lansdowne Terrace, West Street, Leicester. 2, 107, 
 813. 
 
 I HAGHE, LOUIS, Hon. Pres. Fern Lodge, 103, Stockwell Poad, S.W. 
 470, 622, 1070. 
 
 I HALS WELLE, KEELEY, A.R.S.A., R.L 4, Albemarle Street, W. 710, 
 736 923 928. 
 
 HARDY, JAMES, R.T. Thyra House, North Finchley, N". 957. 
 I HAPGITT, EDWARD, R.I. 1, Bedford Poad, Bedford Park, Chiswick, 
 
 W. 94, 196, 554, 789, 1064. 
 HAYES, EDWIN, R.H.A., R.I Briscoe House, Steele's Road, N.W. 
 
 261* 532, 621, 755, 773, 774, 894, 1016. 
 | HERBERT, J. P. R.A., Member Correspondent of the Institute of France, 
 
 Hon. Mem. R.I The Chimes, Queen's Road, Kilburn, N.W. 441. 
 HERKOMEP, HUBERT, A.R.A., R.I. Dyreham, Bushey, Herts. 
 HINE, HAPPY, R.I. Pre Mill House, St. Alban's, Herts. 360, 515, 
 
 584, 787, 868, 950. 
 HINE, H. G. R.I. 130, Haverstock Hill, N.W. 91, 100, 578, 614, 623, 
 
 938, 1031. 
 
 HOLLOW AY, C. E. R.l. 36, Gloucester Road, Regent's Park, N.W. 
 176, 270. 
 
 HOUSTON, JOHN A. R.S.A., R.L 10, Upper Phillimore Place, Ken- 
 sington, W. 7, 908, 999. 
 
 HUNTER, COLIN, A.R A., R.L 14, Melbury Poad, Kensington, W. 
 
 HUSON, THOMAS, R.L 1, Northcote, Waterloo, Liverpool. 9, 11, 361, 
 495, 648, 960. 
 
 Haddon, A. Trevor, 279, Norwood Poad, Heme Hill, S.E. 292. 
 Hadfield, Charles A. 153, Fellows Poad, N.W. 518. 
 Hague, Anderson, Heaton Lane, Stockport. 577, 800. 
 Haig, Axel H. 32, Randolph Gardens, Maida Yale, N.W. 214, 763. 
 Hall, Wm. 23, Coleshill Street, Eaton Square, S.W. 400. 
 Hards, Chaeles G. 110, Richmond Road, Earl's Court, S.W. 682. 
 Hardy, J. B. Danesmere, Lambolle Poad, Belsize Square, N.W. 949. 
 Harper, Henry A. care of Mr. Hyndman, 3, Garden Poad, Abbey Poad, 
 
 N.W. 188, 228, 1059. 
 Harpwood, Mrs. Mordan, The Avenue, Gipsy Hill, S.E. 479. 
 
66 
 
 THE PICCADILLY GALLEUY. 
 
 Hastie, Miss Grace H. 216, Camberwell Grove, S.E. 513, 685. 
 Hayes, Claude, Briscoe House, Steele's Eoad, N.W. 318. 
 Hayllar, James, Castle Priory, Wallingford. 1029. 
 Hayllar, Miss Kate, Castle Priory, Wallingford, Berks. 530. 
 Heaton, John, Park Cottage, Datehet. 878. 
 Helck£, A. 1, Langham Studios, Portland Place, W. 539. 
 Hemy, C. Napier, 1, Park Terrace, Falmouth. 146. 
 Henkes, Gerke, Voorburg, near The Hague. 981. 
 Hereford, E. 3, Tower Hill, Gourock, Greenock. 1028. 
 Hern, Charles E. 158, Leadenhall Street, E.C. 136. 
 Hewitt, Miss Beatrice M. St. Aubyn's, Kew. 492, 933. 
 Hill, Ellen G. 27, Thurlow Road, Hampstead, N.W. 737. 
 Hilliard, Laurence, Coniston, Ambleside. 88. 
 Hine, Mrs. Harry, Pre Mill House, St. Alban's. 970. 
 Hitchcock, G. 21, Gracechurch Street, E.C. 1053. 
 
 Hitchcock, Miss Kate, 96, Adelaide Road, South Hampstead, S.W. 
 1021. 
 
 Hobson, Miss Ellen M. 10, Regent's Park Road, N.W. 119, 
 
 Hodder, Albert, School of Art, Worcester. 743. 
 
 Holroyd, Charles, Yeadon House, Woodhouse Lane, Leeds. 592. 
 
 Hooper, Luther, East Bergholt, Suffolk, 18, 852. 
 
 Hooper, Margaret L. 2, Pembroke Gardens, Kensington. 151. 
 
 Hopkins, Everard, 17, Holland Park Road, Kensington, W. 41, 44. 
 
 Hopkinson, Anne E. Kentwood, Blythe Hill, Catford, S.E. 321, 646. 
 
 Hopwood, H. S. 285, Stockport Road, Manchester. 115, 943. 
 
 Hough, Wm. 22, Newman Street, Oxford St. W. 798. 
 
 Howard, Vernon, Spilsby Road, Boston, Lincolnshire. 642, 704, 791. 
 
 Hughes, Miss F. L. care of Mr. George Pragnell, 22, St. Paul's Church- 
 yard, E.C. 199. 
 
 Hulk, W. F. Shere, Guildford, Surrey. 163, 705. 
 
 Hume, E. South Harting, Petersfield. 537. 
 
 Humphery, Edward J. 44a, Maddox Street, W. 160. 
 
 Hunt, A. Ackland, Lynton Villa, Kidbrooke Grove, Blackheath, S.E. 
 43, 490, 684. 
 
 Hunt, Thomas, 113, West Regent Street, Glasgow. 556. 
 Hutton, Alfred, 10, Bury Street, St. James, S.W. 140, 169. 
 Huttula, R. 27, Upper Tollington Park, N. 299. 
 Hyde, H. J. 30, Tufnell Park Road, N. 97. 
 
 Inchbold, Stanley, 13, Boscobel Gardens, N.W. 871, 1003. 
 Ingram, W. Ayerst, 3, Trafalgar Studios, Manresa Road, Chelsea, S.W. 
 29. 
 
 Ireland, Thomas, 105, Prince of Wales's Road, Haverstock Hill, N.W. 
 920. 
 
 JOHNSON, C. E. R.I. Morven House, Steele's Road, N.W. 363, 500. 
 JOHNSON, HARRY, R.I. The Holt, 12, Loudoun Road, St. John's 
 Wood. N.W. 38, 46, 472, 758, 770, 1013. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 67 
 
 Jackson, F. Hamilton, 18, Queen Anne's Grove, Bedford Park, Chiswick. 
 751, 879. 
 
 Jackson, Miss Emily F. Beechwood, Carshalton, Surrey. 301, 616. 
 Jephson, Mtss Harriet J. Olinda, East Cowes, Isle of Wight. 1009. 
 I Jones, Charles, Heathercroft, Balham Hill, S.W. 21. 
 Jones, Hampson, 215, North Hill Street, Liverpool. 235. 
 Jones, Reginald, Shrublands, Eltham, Kent. 109. 
 
 Jopling, Mrs. J. M. 28, Beaufort Street, Chelsea Embankment, S.W. 3. 
 Jopling, Joseph M. 28, Beaufort Street, Chelsea Embankment, S.W. 
 
 422, 604, 929. 
 
 Joyce, Miss Mary, 2, Evesham Villas, Lower Norwood, S.E. 281. 
 
 KEELING, WM. KNIGHT, R.I. Laburnum Cottage, Barton-on-Irwell, 
 Manchester. 6. 
 
 KILBURNE, G. G., R.I. Hawkhurst House, Steele's Road. N.W. 230, 
 690. 
 
 KNIGHT, JOSEPH, R.I. Min-afon, Bettws-y-Coed, North Wales. 167. 
 387, 569, 694. 
 
 i Keeley, John, care of S. Keeley, 38, Whittall Street, Birmingham. 90, 
 967. 
 
 I Kennedy, E. Sherard, 6, Bedford Gardens, Kensington. 229. 
 
 i Kennington, T. B. 9, Bolton Studios, West Kensington, W. 1037. 
 
 Kerr, G. C. 133, Abbey Road, St. John's Wood, N.W. 57, 415, 531. 
 I Kettle, Sir Rupert, Merridale, Wolverhampton. 843. 
 
 Kindersley, Miss Fanny K. Clyffe, Dorchester. 587. 
 
 Kindon, M. E. 3, Trafalgar Square, Chelsea, S.W. 243. 
 | King, Haynes, Camden Studios, Camden Street, N.W. 456. 
 
 King, Miss Agnes Gardner, 24, Hamilton Terrace, St. John's Wood, 
 N.W. 911. 
 
 : Ktng, Yeend, 15, Hamilton Terrace, N.W. 455, 655, 703. 
 
 H Kinsley, Albert, 6, Lilac Grove, Skinner Lane, Leeds. 192, 534. 
 
 HKnowles, W. P. Christchurch, Hants. 173. 
 
 LANGLEY, WALTER, R.I. Pembroke Lodge, Paul, Penzance. 275, 
 
 423, 426, 842. 
 
 [ LEWIS, C. J. R.I Riverview, 122, Cheyne Walk, S.W. 125, 424, 597, 
 
 733, 748, 772, 896, 922. 
 LINDSAY, LADY (of Balcarres), R.I 41, Hans Place, Chelsea, S.W. 
 
 164, 225, 508, 841, 900, 987. 
 LINTON, JAMES D. President, Ettrick House, Steele's Road, Haver- 
 stock Hill, N.W. 613. 
 ■LUCAS, SEYMOUR, R.I. New Place, West Hampstead, N.W. 435. 
 
 I Lawson, Mrs. Cecil, Heathedge, Haslemere, Surrey. 809, 886. 
 Le Fleming, Miss Mildred, Rvdal Hall, Ambleside, Westmoreland. 
 295, 430. 
 
 [Lessore, Jules, South wick, Sussex. 36. 
 
 I Lewis, Lennard, 26, Upper Park Road, Haverstock Hill, N.W. 944. 
 
68 
 
 THE PICCADILLY GALLERY. 
 
 Lindner, Moffat P. 57, Bedford Gardens, Kensington, W. 39, 274. 
 
 Lindsay, Sir Coutts, Bart., Grosvenor Gallery, W. 
 
 Lorimer, J. H. 17, Holland Park Boad, W. 345. 
 
 Lovell, Elizabeth M. 11, Canonbury Square, N. 215. 
 
 Lucas, George, The Avenue, Acton, W. 84. 
 
 Ludby, Max, Ye Hutte, Cookham Dean, Berks. 421, 891. 
 
 Ludovici, Albert, 20, Mornington Boad, Begent's Park, N.W. 494. 
 
 MACALLUM, HAMILTON, R.I. 44, Piccadilly, W. 407, 926, 1046. 
 MACBETH, BOBEBT W., A.R.A., R.I. Wychcombe Studios, England's 
 
 Lane, Haverstock Hill, N.W. 
 MACQUOID, PEBCY, R.I. 4, Penywern Boad, Earl's Court, S.W. 
 
 778. 
 
 MACQUOID, THOMAS B., R.I. Stanley Place, Chelsea, S.W. 89, 138, 
 
 310, 330, 579, 639. 
 MACWHIBTEB, J., A.R.A., R.I. 1, Abbey Boad, N.W. 516. 522. 
 MAPLESTONE, HENBY (the late), R.I 1, Bichmond Gardens, 
 
 Uxbridge Boad, Netting Hill, W. 85, 96, 289. 
 MAY, WALTEB WILLIAM, R.I. 34, Percy Street, Bathbone Place, 
 
 178, 611, 634, 746, 801, 884, 951, 998. 
 MITCHELL, PHILIP, R.I. 4, Bedford Terrace, Plymouth. 105, 180, 
 
 354, 747, 802, 870, 940, 996. 
 MOGFOBD, JOHN, R.I. 17, Park Boad, Haverstock Hill, N.W. 5, 334, 
 
 398, 549, 883, 906, 958, 1083. 
 MOLE, J. H., Vice-Pres. 7, Guilford Place, Bussell Square, W.C. 204, 
 
 359, 369, 805, 830, 1034. 
 
 Macaulay, K. Capel Curig, North Wales. 890. 
 Macbeth, James, 1a, Old Bond Street, W. 25, 222, 499. 
 Macbeth, Baeburn A. 2, Park Boad Studios, Haverstock Hill, N.W. 
 546. 
 
 Macculloch, James, 9, Harrington Square, N.W. 217. 
 Macdougall, Norman M. 27, Park Villas, Kilburn, N.W. 171, 377. 
 Macintosh, John M. care of C. W. Deschamps, Esq., 1a, Old Bond 
 
 Street, W. 573, 741, 1048. 
 Macnab, P. 219, Maida Yale, W. 468. 
 
 Macpherson, Barbara H. 61, Cambridge Boad, Kilburn, W. 672. 
 Macpherson, John, 61, Cambridge Boad, Kilburn, W. 837. 
 Maguire, Helena J. 6, Blomfield Crescent, Westbourne Terrace, W. 
 72, 451, 553. 
 
 Manly, Alice, 38, Park Boad, Haverstock Hill, N.W. 464, 1042. 
 Manly, C. Macdonald, 13, London Street, Eitzroy Square, W.C. 188. 
 Mann, J. H. S. Camden Studios, Camden Street, Oakley Square, N.W. 
 784. 
 
 Maplestone, F. E. 1, Bichmond Gardens, Uxbridge Boad, W. 527. . 
 Marshall, Charles, 112, Mansfield Boad, Gospel Oak, N.W. 792. 
 Marshall, B. A. K. 141, Huddleston Boad, Tufnell Park Boad. 
 416, 769. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 69 
 
 JMartin, Charles, 50, Victoria Road, Kensington, W. 69. 
 Martineau, Edith, 35, Gordon Square, W.C. 571. 
 
 1 Martineau, Gertrude, 5, Cornwall Residences, Regent's Park, N.W. 
 367, 977. 
 
 i Mason, W. H. Morton, East Retford. 120. 
 
 [IMassey, Harry P. Royal Institute Schools, 45, Great Ormond Street, 
 
 W.C. 466. 
 Matkin, Susanna, Stamford. 641. 
 
 IMaundrell, C. Gilder, 81, Camden Road, N.W. 628, 725. 
 May, A. Dampier, 58, Walton Street, Pont Street, S.W. 371, 381. 
 IMay, Powell, Warren Road, Bexley Heath. 20, 141. 
 IMcCracken, Katherine, Gothic House, Lee Road, Blackheath, 379. 
 jMedlycott, Hubert, Hill, Gloucestershire. 366. 
 
 (Melville, Arthur, 5, Haylitt Road, West Kensington Park, W. 157, 
 183. 941. 
 
 Menpes, Mortimer L. Osborn Lodge, Fulham, S.W. 336, 349, 544. 
 Menzies, Mrs. John, 8, Jarratt Street, Hull. 150, 589. 
 (Mercer, Frederick, Radmoor Wood, Abbots Bromley, Rngeley. 80. 
 Millais, Will H. Ward Hill, Farnham. 112. 
 
 Miller, Miss Henrietta, 7, Perham Road, West Kensington, S.W. 
 213. 
 
 Moberly, Mariquita J. 1, CheDiston Gardens Studios, Kensington, W. 
 297. 
 
 Moira, E. Chislehurst, Kent. 
 
 Montbard, G. 13, Chalcott Gardens, England's Lane, Haverstock Hill, 
 
 N.W. 666. 
 hlooRE, W. 24, Burton Lane, York. 356. 
 Morgan, F. S. 27, Camden Park Road, N. 831, 892. 
 Morland, J. S. Bryn Castell, Trefriw, R.S.O. Carnarvonshire, N. 
 
 Wales. 647. 
 
 Morton, George, 9, Bolton Studios, Redcliffe Road, South Kensington, 
 
 S.W. 198,580. 
 Moser, Robert James, 45, Bedford Square, W T .C. 149, 856. 
 Mossman, David, 4, Brook Street, Hanover Square, W. 574. 
 Mottram, Charles S. Kenilworth House, Cavendish Road, Brondesbury, 
 
 N.W. 585. 
 
 Muckley, W. J. 7, West Cromwell Road, S. Kensington, S.W. 835. 
 Muir, Miss Jessie, 89, Mildmay Park, Stoke Newington, N. 128. 
 Muirhead, Lionel, 8, Great Marylebone Street, W. 227, 658. 
 Murray, A. H. Hallam, 50, Albemarle Street, W. 326, 644. 
 Murray, Frank, 29, Queen Square, W.C. 234. 
 Mutrie, M. D. 36, Palace Gardens Terrace, Kensington, W. 1077. 
 
 Naftel, Miss Maud, 76, Elm Park Road, S.W. 503, 954. 
 Nash, Joseph, 36, The Avenue, Bedford Park, W. 51, 244. 
 Nicholl, Mrs. A. R. 1, Caversham Road, Kentish Town Road, N.W. 
 79, 104. 
 
 Nicholson, Alexr. Reigate Road, Sutton, Surrey. 526. 
 
 F 
 
70 
 
 THE PICCADILLY GALLERY. 
 
 Nicolet, G. 21, Gracechurch Street, E.C. 59. 
 Norman, Mrs. C. H. Ker Street, Devonport, Devon. 172, 1026. 
 Norman, Philip, 53, Harrington Gardens, South Kensington, S.W. 667, 
 980. 
 
 OLIVER, MRS. W. R.I The Brewery House, Great Berkhampsted. 
 
 122, 161, 312, 1049. 
 ORROCK, JAMES, R.I 48, Bedford Square, W.C. 153, 411, 637, 
 
 937, 961. 
 
 O'Connor, John, 28, Abercorn Place, St. John's Wood, N.W. 656, 
 779. 
 
 O'Hara, Miss Helen, The Castle, Portstewart, Co. Londonderry, Ireland, 
 711. 
 
 Oscroft, Samuel W. 27, Chaucer Street, Nottingham. 591, 607. 
 Oswald, John H. 28, London Street, Edinburgh. 904. 
 Ottewell, B. J. 11, Hubert Road, South Wimbledon. 357. 
 
 PARSONS, ALFRED, R.I 54, Bsdford Gardens, Kensington, W. 436, 
 828, 1047. 
 
 PASSINI, LUDWIG, R.I. Casa Barbier, San Yio, Venice. 927. 
 PENSON, R. KYRKE, F.S.A., R.L Dinham House, Ludlow. 676. 
 PHILP, JAMES G., R.L 3, Woodland Crescent, Falmouth. 68, 246. 
 
 473 635 719 974 1014. 
 PILLEAU, HENRY, R.I 74, Elm Park Road, Falham Road, S.W. 
 
 139, 373, 439, 523, 594, 707. 
 
 Paget, Miss Elise, Woodrings, Pinner, Middlesex. 353. 
 Palmer, G. H. Victoria Mansions, S.W. 63. 
 Parry, T. P. Jones, Plas Warren, Ellesmere. 590, 632. 
 Parsons, Miss Letitia M. North End, Frome. ] 85. 
 Parton, Ernest, 8, Elm Tree Road, N.W. 678. 
 
 Paton, Waller H. R.S.A. 15, George Square, Edinburgh. 237, 1001. 
 Payne, Arthur F. 25, Lowndes Square, S.W. 507. 
 Pearson, Cornelius, 15, Harpur Street, Bloomsbury. 1011. 
 Pedder, John, Palace Chambers, Westminster, S.W. 529. 
 Peel, Miss C. Bertha, Knowlmere, Clitheroe. 
 Perigal, Arthur, R.S.A. 7, Oxford Terrace, Edinburgh. 661. 
 Perugini, Kate, 141, Warwick Street, Eccleston Square, S.W. 352, 
 595. 
 
 Phillip, Colin B. 8, St. Martin's Place, W. 211, 510, 718. 
 Pigott, W. H. Shirle Hill, Sharrow, Sheffield. 279. 
 Pilleau, F. Startin, 8, Hornton Street, Kensington, W. 186. 
 Plimpton, Miss Constance, 23, Lansdowne Road, South Lambeth, S.W. 
 245. 
 
 Poingdestre, Charles H. 47, Colomberie, Jersey. 832. 
 Poole, Chris. Endyon, Ryde Vale Road, Balham, S.W. 627, 716. 
 Powell, Alfred, 40. Acacia Road, St. John's Wood, N.W. 645, 696, 
 815. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 71 
 
 Prentice., Miss Kate, 25, Edwardes Square, W. 240, 1007. 
 I Pyne, Thomas, 56, Upper Park Road, Haverstock Hill, N.W. 223, 557, 
 57. 
 
 IbuiNTON, A. 12, New Court, Lincoln's Inn, W.C. 118. 
 
 ^RICHARDSON, JOHN" J., R.L 12, Porchester Terrace, Bayswater, W. 
 • I 81, 598, 880. 
 
 I ROBERTS, HENRY B., R.L 5, Richmond Place, Russell Road, 
 Holloway, N. 599, 609, 898, 1066. 
 
 |Radclyffe, Charles W. 66, Hagley Road, Birmingham. 946. 
 ■EIagon, A. 38, Sinclair Road, West Kensington, W. 174, 827. 
 UpAiNEY, William, 12, New Court, Lincoln's Inn, W.C. 797. 
 ■Kawle, John S. 35, St. Augustine's Road, Camden Square, N.W. 375. 
 ■Kawnsley, Mrs. Edith, Crosthwaite Vicarage, Keswick. 915. 
 IRayner, Miss Louise, 2, Ash Grove, Chester. 224. 
 Ikedgrave, Evelyn, 27, Hyde Park Gate, S.W. 728, 808. 
 SReed, Miss Mary, 13, Newman Street, W. 304. 
 RIeeves, Miss Mary, Tramore, Douglas, Cork. 955. 
 ■Reynolds, W. Bush Hill Park, Enfield. 547. 
 
 {[Richardson, Charles, 21, Notting Hill Square, Kensington, W. 985. 
 ■Rider, Urban, 9, Marine Parade, Folkestone. 780. 
 
 ■Ridley, M. W. 80, Peel Street, Campden Hill Road, Kensington, W. 766. 
 -^Rivers, Leopold, 3, Terrett's Court, Upper Street, Islington, N. 749. 
 ■Robertson, Arthur, 1, Hampton Grove, Surbiton, S.W. 452. 
 ■Robertson, Charles, Godalming. 55. 
 
 a Robertson, H. R. 1, Steele Studios, Haverstock Hill, N.W. 653. 
 IkoBiNSON, Miss E. Julia, Hopedene, Dorking. 65, 794. 
 ■Robinson, Wm. 49, Princess Street, Manchester. 313. 
 ■Rogers, J. E. 70, South Hill Park, Hampstead, N.W. 108, 916. 
 feooKE, T. M. 7, Queen Anne's Gardens, Bedford Park, W. 788. 
 ■RoscoE, S. G. W. 57, Caversham Road, N. 431. 
 
 ■Rose, H. Randolph, 52, St. James's Square, Notting Hill, W. 742, 
 1005. 
 
 kRose, Miss Ethel, 94, The Grove, Camberwell, S.E. 170. 
 kRose, R. H. 23, Gaisford Street, N.W. 26. 
 •Ross, Miss Christina P. 78, Queen Street, Edinburgh. 287. 
 Irossiter, Mrs. C. Uppingham. 206. 
 
 f Rouse, R. W. Arthur, 20, Newman Street, Oxford Street, W. 339, 
 480. 
 
 IRyland, Henry, 174, Portsdown Road, W. 191, 618. 
 
 / SEVERN, ARTHUR, R.L Heme Hill, S.E. 28, 332, 962, 1079. 
 ffHERRIN, JOHN, R.I. 3, Codrington Villas, Ramsgate. 371, 408, 
 
 482, 568, 986, 1050. 
 'SIMPSON, WILLIAM, R.L, F.R.G.S. 19, Church Road, Willesden, N.W. 
 
 388, 583, 745. 
 
72 
 
 THE PICCADILLY GALLERY. 
 
 SMALL, WILLIAM, E.I. 294, Camden Road, N. 35, 679. 
 SMYTHE, LIONEL P., E.I. 36, Gloucester Crescent, K¥. 4, 393, 438, 
 601. 
 
 STANHOPE, R SPENCER, B.I. Villa Nuti, Bellosguardo, Florence. 
 285. 374. 
 
 STANILAND, CHAS: J. E.I. 15, Steele's Road, N.W. 486, 625, 638, 
 777, 912. 
 
 STOCK, HENRY J., E.I. 40, Osborne Terrace, Clapham Road, S.W. 93, 
 399, 720, 1071. 
 
 STOCKS, ARTHUR, E.I. 29, Hanley Road, Hornsey Rise, N. 302, 412, 
 414. 
 
 SYER, JOHN, E.I. Fellows Road, Adelaide Road, N.W. 443, 731, 
 
 775, 822, 1036, 1060. 
 Sadler, Kate, Burford Lodge, Horsham, Sussex. 
 Scott, James Y. 15, Dublin Street, Edinburgh. 651. 
 Scott, John H. 59, Brunswick Road, Brighton. 61. 
 
 Seccombe, Lt.-Col. T. L. 2, Ellerside Villas, Upper Eglinton Road, 
 
 Shooter's Hill. 504, 1008. 
 Shore, Henry W. Hon. E.N. 1, Lancaster Terrace, Regent's Park. 721. 
 Sigmund, B. D. Taplow, near Maidenhead, Bucks. 159, 824. 
 Simmons, J. Deane, Cranden Gate, Henley-on-Thames. 148, 715, 376. 
 Simmons, St. Clair, Stag's End, Hemel Hempstead, Herts. 384. 
 Simpson, Henry, 10, Trafalgar Studios, King's Road, Chelsea, SW. 
 
 600. 
 
 Skilbeck, Clement, 16, Buckland Crescent, Belsize Park, N.W. 776. 
 Slater, W. J. Ashton Hill Lane, Droylsden, Manchester. 947. 
 Slocombe, Fred, Fair View, Holder's Hill, Hendon, N.W. 338. 
 Smallfield, F.?52, Boundary Road, N.W. 1067. 
 Smart, John, E.S.A. 4, Picardy Place, Edinburgh. 212, 913. 
 Smith, Carlton A. 8, Camden Studios, Camden Street, N.W. 317, 608. 
 Smith, Charles, 2, The Elms, Boston Road, Brentford. 401. 
 Smith, E. Cleave, 10, Figtree Lane, Sheffield. 380, 461, 932. 
 Smith, George, 189, Maida Vale, W. 727. 
 Smith, J. W. Garnett, 30, Abercorn Place, N.W. 82. 
 Smith, J. Whitet, 3, Raneleigh Terrace, Ealing, W. 117, 992. 
 Smith, Mrs. L. Bentley, 15, Westcroft Square, Hammersmith. 825. 
 Smith, W. Harding, Wyndham Lodge, Brixton Hill, S.W. 137. 
 Soper, Thos. J. Milton, Steventon, Berkshire. 253, 282, 432. 
 Sparkes, Catherine A. Heathside, Ewhurst, near Guildford. 101. 
 Spiers, Bessie J. 21, Bernard Street, Russell Square, W.C. 1045. 
 Spiers, B. W. 7, Hereford Road, Bayswater. 294, 713. 
 Spiers, Charlotte, 68, Newman Street, Oxford Street, W. 793. 
 Spiers, R. P. Carlton Chambers, 12, Regent Street, W. 488, 783. 
 Spong, W. B., 21, Montpelier Road, St. John's College Park, N.W. 
 854. 
 
 Spread, W. 27, Pembridge Crescent, Bayswater, W. 697. 
 Squire, Alice, 28, Tavistock Road, Westbourne Park, W. 207, 335, 
 364. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 73 
 
 Stables, T. G. Lake Road, Ambleside. 131. 
 Stanton, Hose Emily, Upfield, Stroud, Gloucester. 853. 
 Stark, Arthur J. 42, Grove End Road, St. John's Wood, N.W. 53. 
 Starr, Sidney, 38, Abercorn Place, Abbey Road, N.W. 917. 
 Steeple, John, 18, Leighton Crescent, N.W. 78, 457. 
 Steer, H. R. 8, Percy Street, Bedford Square, W.C. 179, 677, 692. 
 Steinmertz, John Hy. Heathfield, Bushey, Heath, Herts. 528. 
 Stephens, W. Reynolds, Prestinari, Blackheath. 266, 744. 
 Stewart, Dora M. 34, West Cromwell Road, South Kensington. 562. 
 Stewart, J. L. 35c, King Street, Cheapside, E.C. 
 Stikeman, Annie, 15, Kidbrooke Park Road, Blackheath. 325. 
 Stillman, Marie Spartali, The Shrubbery, Clapham Common. 823. 
 Stocks, Katherine M. 9, Richmond Villas, Seven Sisters Road, NT. 
 166, 768. 
 
 Stocks, W. F. Essendon, near Hatfield. 491, 695, 875. 
 
 Stohwasser, Rosina, 7, Marlborough Road, St. John's Wood. 726. 
 
 Stones, Emily N. 31, Parkhurst Road, N. 810. 
 
 Storey, G. A. 19, St. John's Wood Road. 636. 
 
 Street, Kate, 1, Ellington Street, Barnsbury, N. 208. 
 
 Strutt, A, W. 72, Brook Green, W. 1002. 
 
 Stuart, A. T. Burnett, Mellifont, Wells, Somerset. 129. 
 
 Suddards, Frank, 4, Fir Grove, York Road, Bournemouth. 861. 
 
 Swan, Miss Alice, Minster Yard, Lincoln. 238, 103.8. 
 
 TENNIEL, JOHN, R.I. 10, Portsdown Road, Maida Hill, W. 559. 
 THOMAS, WILLIAM L. R.I. The Graphic Office, 190, Strand, W.C. 
 
 471,496, 550, 581. 
 TOPHAM, FRANK W. W. IFIELD, R.I. 16, Prince Arthur Road, 
 
 Hampstead, N.W. 501, 885. 
 
 Talbot, Geo. Q. P. care of Mr. C. G. Smithers, 95, Leadenhall Street, 
 
 E.C. 73, 699, 901. 
 Taylor, Miss Charlotte, 363, Liverpool Road, N. 520. 
 Taylor, Tom, 6, Granville Square, W.C. 283. 
 Teesdale, C. 43, Millman Street, Bedford Row, W.C. 32, 477. 
 Terrell, Mrs. G. Koberwein, 38, Auriol Road, West Kensington, W. 
 
 857. 
 
 Terry, Henry, 34, Crawshay Road, Brixton, S.W. 829. 
 Thomas W. Cave, 53, Welbeck Street, W. 1022. 
 Thompson, Wilfred H. 27, Church Row, Hampstead, N.W. 70. 
 Thornely, Charles, Hastings House, The Park, Highgate, N. 232, 
 876. 
 
 Thornton, Catherine, Riddings Road, Ilkley, near Leeds. 306. 
 Toft, Peter, 156, Cornwall Road, Notting Hill, W. 216. ' 
 Toovey, Dick, 49, Limerston Street, Chelsea, S.W. 142, 850. 
 Tothill, Miss Mary D. Stoke Bishop, Bristol. 428. 
 Towers, James, 130, Bedford Road, Rock Ferry, near Liverpool. 95. 
 Townley, Miss Annie, 75, Bull Street, Birmingham. 201. 
 Townsend, Miss Patty, Attleboro' Hall, Nuneaton. 239, 252. 
 
74 
 
 THE PICCADILLY GALLERY. 
 
 Trood, W. H. 13, Trafalgar Studios, King's Road, S.W. 899. 
 
 Trotman, Lillias, 55, Lillie Road, West Brompton. 444. 
 
 Truefitt, George, 5, Bloomsbury Square, W.C. 409. 
 
 Tuck, Albert, 56, Park Road, Haverstock Hill, N.W. 972. 
 
 Tuck, Harry, 56, Park Road, Haverstock Hill, N.W. 576, 1039. 
 
 Tucker, Arthur, Langdale, Ambleside. 358, 964, 991. 
 
 Twigg, Joseph, care of Mr. B. Lyons, 6a, Camden Road, N.W. 32. 
 
 Varley, Edgar, 40, St. John's Hill, Clapham Junction, S.W. 257, 
 807. 
 
 Yarley, John, 6, William Street, Lowndes Square, W. 754, 1069. 
 Yerey, A. Hoddesdon Yilla, Cavendish Road, Kilburn, N.W. 877. 
 Yialls, Frederick J. 16, Carleton Road, Tufnell Park, N. 290. 
 Yyvyan, Miss M. Caroline, 146, Earl's Court Road, S.W. 505. 
 
 WALTON, FRANK, R.I Holmbury St. Mary, Dorking. 343, 701, 924, 
 1082. 
 
 WARREN, EDMUND G., R.I. 1, Colville Mansions, Talbot Road, Bays- 
 water, W. 154, 342, 405, 759, 976. 
 
 WATERHOUSE, J. W., R.I 3, Primrose Hill Studios, Fitzroy Road, 
 N.W. 624. 
 
 WETHERBEE, G. F., R.I 12, Chalcot Gardens, Haverstock Hill, N.W. 
 724. 
 
 WHITE, JOHN, R.I 78, Park Road, Haverstock Hill, N.W. 942. 
 WHYMPER, J. W., R.I Haslemere, Surrey. 77, 249, 372, 394, 536, 
 582, 848, 997. 
 
 WILSON, T. WALTER, R.I 16, Gilston Road, South Kensington, S.W. 
 22. 
 
 WIMPERIS, E. M., R.I. 137, Gower Street, W.C. 218, 314* 555, 
 921, 1019. 
 
 WOLF, J., R.I. 2, Primrose Hill Studios, N.W. 
 
 WOOD, L. J., R.I 23, Park Road, Haverstock Hill, N.W. 71, 114, 248, 
 303. 
 
 WOODYILLE, R. C, R.I 6, Stratford Avenue, Kensington, W. 
 WYLLIE, W. L., R.I. 70, Carlton Hill, N.W. 194, 346, 406, 453, 474, 
 654, 845. 
 
 Waite, James C. 9, Camden Studios, Camden Street, N.W. Ill, 572. 
 Waite, R. Thorne, R.W.S. 7, Maitland Park Yillas, Haverstock Hill, 
 N.W. 948. 
 
 Waite, Wm. A. Grosvenor Chambers, Broad Street Corner, Birmingham. 
 
 390. 
 
 Walker, J. W. 14, Y^ork Road, Southport. 887, 971. 
 Wallis, Rosa, 4, The Residences, South Kensington Museum, S.W. 
 258, 296. 
 
 Walrond, Sir John W. Bart. 45, Brook Street, Grosvenor Square, W. 
 145. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 75 
 
 Walters, G. S. 134, Adelaide Road, N.W. 683, 869. 
 Wardle, Arthur, 9, Crowndale Road, Oakley Square, N.W. 67, 617, 
 686. 
 
 Waterhouse, Mrs. J. W. 3, Primrose Hill Studios, Fitzroy Road, N.W. 
 895. 
 
 Watson, Charles J. All Saints' Green, Norwich. 739, 919. 
 
 Watson, Rosalie M. 43, Poland Street, Oxford Street, W. 10, 662. 
 
 Watts, James T. 84, Myrtle Street, Liverpool. 404, 826. 
 
 Watts, Mrs. J. T. 84, Myrtle Street, Liverpool. 506. 
 
 Way, C. J. B.C. A., care of Messrs. Stewart and Brown, 55, Eagle Street, 
 
 Holborn, W.C. 133. 
 Way, Thomas R. Benthall House, St. Stephen's, Hampstead. 102, 
 
 796. 
 
 Weatherhead, William H. 12, Torbay Street, Kentish Town, N.W. 
 502, 1044. 
 
 Weedon, A. W. 65, Warwick Road, Maida Yale, W. 50, 269. 
 Wells, J. R. 15, Steele's Road, N.W. 603, 640, 738. 
 Werner, R. 72, Via Sistina, Rome. 481, 717, 918. 
 Weston, Ernest, 46, Church Streeb, Woolwich, S.E. 463. 
 Wheeler, Miss Annie, 55, Church Road, Richmond, S.W. 467. 
 Wheeler, W. H. 55, Church Road, Richmond, S.W. 320, 586. 
 Whipple, John, 4, Chichester Street, St. George's Square, S.W. 17, 698. 
 Whiteley, John W. 59, St. Mark's Road, Leeds. 437, 542. 
 Whymper, Mrs. J. W. Hazlemere, Surrey. 331, 630. 
 Willett, Arthur, 39, Ship Street, Brighton. 663. 
 
 Williams, Alfred W. Ferncliffe, Mead Yale, Red Hill, Surrey. 418, 
 979. 
 
 Williamson, Fred. Witley, Godalming. 87, 465. 
 Wilkinson, E. Clegg, 102, Alderney Street, Pimlico, S.W. 66. 
 Wilson, George, 65, Newman Street, Oxford Street, W. 92. 
 Winkfield, Fredk. A. 59, Britannia Road, Fulham, S.W. 446. 
 Wirgman, T. Blake, 24, Dawson Place, Pembridge Square, W. 309. 
 Wood, L. Pinhorn, Burnside, Shere, Guildford, Surrey. 355. 
 Woodruffe, Miss, care of Messrs. Chapman Bros. 251, King's Road, S.W. 
 905. 
 
 Wratislaw, Mrs. M. E. 13, Yia San Basilio, Rome. 671. 
 Wyllie, C. W. 11, Melina Place, Grove End Road, N.W. 485. 
 
 Youngman, Miss A. M. 1, Notting Hill Terrace, W. 914, 990. 
 
 Zorn, L. Cavendish Buildings, Old Cavendish Street, W. 396, 1065. 
 
I 
 
 j 
 
Cat. No. 22. The President of the Royal Institute of Painters in Water Colours. 
 
 T. Walter Wilson, R.I. 
 
Cat. No. 92. 
 
 Summer and the Winds. George Wilscn. 
 
 Cat No. 1-22. The Qvai, Coblentz. Mrs. W. Oliver, R.I. 
 
Cut. No. 177 
 
 Milk ' J. C. DoUmnn. 
 
Cat. No. ISP. 
 
 On Harting Downs, Sussex. J. Aumonier, Ti.T. 
 
 "Here's your name in the Catalogue." 
 Cat. No. 225. Lady Lindsay {of Balcc.rres), R.I. 
 
Cat. No. 230. 
 
 Encore. G. G. Kilburne. R.I. 
 
Among the Missing.— Scene in a Cornish Fishing Village. Walter Langley, R.I. 
 
Cat. No. 302. 
 
 Little Rosycheeks. Arthur Stocks, R.I. 
 
Cat. No. 51G. The Lord of the Glen. J. MacWMrter, A.H.A., K.I. 
 
Cat. No. 533. Il Duomo Monreale, Sicily. George S Elgood, 
 
I 
 
Cat. No. 613. 
 
 Priscilla. James D. Linton, Pres. 
 
Cat. No. 636. A Fairy Tale. G. A. Storey, A.R.A. 
 
Cat. No. 677. Captain Absolute and Lydia Languish. H. R. Steer. 
 
Cat. No. 701. 
 
 'In the Nest where Spring was Reared." Frank Walton, R.I. 
 
Cat No. 707. 
 
 Daybreak in Egypt. H. Pilleau, R.I. 
 
 •Cat. No. 719. 
 
 A Breezy Day'. /. G. Philp, R.I. 
 
Cat. No. 721. Overburdened. G. F. Wctlurhee, R.I. 
 
 Cat. No. 734. 
 
 Conspirators. Emily Farmer, R.I. 
 
Cat. No. 745. Bazaar, Suez. W. Simpson, F.R.G.S., R I. 
 
Cat. No 806. "A Few Minutes to Spare." John Charlton. 
 
/ 
 
Cat. No. 823. Luisa Strozzi. Mrs. Stillman. 
 
Cat. No. 912. 
 
 Faust and Marguerite. C.J Staniland, R.I. 
 
Cut. .No. 893. 
 
 Gauging her Affections. H. B. Roberts, R.I. 
 
Cat. No. 942, A Young Plant. John White, R.I. 
 
 Cat. No. 957. 
 
 Dogs and Game. Jas. Hardy, R.I. 
 
Cat. No. 973. Spring Flowers. Frank Dillon, R.I. 
 
 Cat. No. 996. Island of Inch, from the White Strand. Philip Mitchell, R.I. 
 
Cat. No. 1000. 
 
Cat. No. 999. Loch Lomond, Evening. John A. Houston, U.S.A., R.I. 
 
 Cat. No. 1013. The Temple of Minerva at Sunium. Harry Johnson, R.I. 
 
Cat. No. 1031. Wind against Tioe-Swanage, Dorset. H. G. Hine, R.I. 
 
 Cat. No. 1032. Yeldham Hall, Essex. Charles Earle, R.I. 
 
Cat. No. 1033. 
 
 Il Piccolo Pastore. Edwin Bale, R.I. 
 
" A Wandering Harper, Scorned and Poor." W. H. Weatherhead. 
 Cat. No. 1044. 
 
 Cat. No. 1039. The Crockery Cart. H. Tuck. 
 
Cat. No. 1080. ChAtillon, Savoy. James Fahey, R.I. 
 
 Cat. No. 1079. Sunset over Westminster. Arthur Severn, R.I. 
 
Cat. No. 1081. A Diver. Walter Crane, R.I. 
 
Terra Cotta Bust. Feploc Brown. 
 
I Royal Institute 
 
 of 
 
 Painters in Water Colou 
 
 A CATALOGUE 
 
 OF THE 
 
 EXHIBITION 
 
 CONTAINING 
 
 illustrations b£ tbe Brtfets 
 
 PICCADILLY 
 
 ^ubltsfjetf at tfje " (KrapJjtc " Office, Strang WIM, 
 1885 
 
CENTRAL 
 GALLERY 
 
 %* The Copyright of all Illustrations in this Book is Reserved. 
 
 SINGLE ADMISSION . . ONE SHILLING. 
 SEASON TICKETS . . . FIVE SHILLINGS. 
 
REGULATIONS 
 
 FOR 
 
 THE ADMISSION OF STUDENTS 
 
 TO 
 
 THE SCHOOLS 
 
 OF 
 
 Cfie &oeal institute of ^atnterg in 
 WLnttv Colour*. 
 
 The Schools of the Royal Institute are intended 
 to provide means of instruction for Students . of 
 Water Colour Painting. All instruction in the 
 Institute is gratuitous, the Student providing his 
 own materials. 
 
 All applicants for admission to the Schools of 
 the Royal Institute of Painters in Water Colours 
 must give proof of proficiency in drawing. 
 
4 
 
 KEGULATIONS, ETC. 
 
 Applicants are required to produce, as a specimen 
 of ability, not less than two drawings in each depart- 
 ment .of study they propose to follow. 
 
 Prior to the delivery of the specimens referred 
 to, Candidates must obtain from the Institute, through 
 the written request of any member of the Institute, 
 or other artist or person of known respectability, 
 a printed form, the blanks of which must be filled 
 up and delivered, with the required specimens, at 
 the Institute on or before the ist day of September, 
 to be submitted to the first Council held after 
 that date. If approved of, the applicant will be 
 entitled to admission as a probationer, and two 
 months are allowed in which to prepare within 
 the Schools of the Institute a set of drawings. 
 
 Further particulars may be obtained on application to 
 . the Secretary, at the Galleries y Piccadilly, W. 
 
LIST OF MEMBERS. 
 
 APRIL, 1885. 
 
 HONORARY MEMBERS. 
 
 H.I.H. THE CROWN PRINCESS OF GERMANY, PRINCESS ROYAL 
 OF GREAT BRITAIN AND IRELAND. 
 
 H.R.H. THE PRINCESS BEATRICE. 
 H.S.H. COUNT GLEICHEN. 
 BONHEUR, ROSA, Mdlle. HAMILTON, Dr. E. 
 
 BROWNE, HENRIETTE, Madame. HERBERT, J. R., R.A. 
 GALLAIT, L. ISRAELS, JOSEF. 
 
 GOODALL, FRED., R.A. MILLAIS, J. K, R.A. 
 
 PRESIDENT. 
 J. D. LINTON, Esq. 
 
 VICE-PRESIDENT. 
 J. H. MOLE, Esq. 
 
 TREASURERS 
 JOHN ABSOLON,^ Esq. 
 
 COUNCIL. 
 
 BALE, EDWIN, Esq. 
 FULLEYLOVE, JOHN, Esq. 
 HALSWELLE, KEELEY, Esq. 
 JOHNSON, C. E., Esq. 
 MAY, W. W., Esq. 
 
 STOCKS, ARTHUR, Esq. 
 WALTON, FRANK, Esq. 
 WIMPERIS, E. M., Esq. 
 WILSON, T. WALTER, Esq. 
 
 ABBEY, E. A., Esq. 
 ASTON, C. R.; Esq. 
 AUMONIER, J., Esq. 
 BACH, GUIDO R., Esq. 
 BOUGHTON, G. H., Esq., A.R.A. 
 CALDECOTT, RANDOLPH, Esq. 
 CARRICK, ROBERT, Esq. 
 
 CARTER, HUGH, Esq. 
 CATTERMOLE, CHAS., Esq. 
 CLAUSEN, G., Esq. 
 j COLLIER, THOMAS, Esq. 
 CORBOULD, EDWD. H., Esq. 
 COTMAN, F. G., Esq. 
 CRANE, WALTER, Esq. 
 
6 
 
 LIST OF MEMBERS. 
 
 DADD, FRANK, Esq. 
 DILLON, FRANK, Esq. 
 SARLE, CHAS., Esq. 
 ELGOOD, GEO. S., Esq. 
 FAHEY, EDWD. H., Esq. 
 FAHEY, JAMES, Esq. 
 FISHER, MARK, Esq. 
 GOW, A. C, Esq., A.R.A. 
 GREEN, CHARLES, Esq. 
 GREEN, TOWNELEY, Esq. 
 GREGORY, E. J., Esq., A.R.A. 
 HARDY, JAMES, Esq. 
 HARGITT, EDWARD, Esq. 
 HAYES, EDWIN, Esq., R.H.A. 
 HEMY, C. NAPIER, Esq.- 
 HERKOMER, HUBERT, Esq., A.R.A. 
 HINE, HARRY, Esq. 
 HINE, H. G., Esq. 
 HOLLOWAY, C. E., Esq. 
 HUNTER, COLIN, Esq., A.R.A. 
 HUSON, THOS., Esq. 
 KEELING, W. K., Esq. 
 KILBURNE, G. G., Esq. 
 KNIGHT, JOS., Esq. 
 LANGLEY, WALTER, Esq. 
 LEWIS, C. J., Esq. 
 LINDSAY, Sir COUTTS, Bart. 
 LUCAS, SEYMOUR, Esq. 
 MACALLUM, HAMILTON, Esq. 
 MACBETH, ROBT. W., Esq., A.R.A. 
 MACQUOID, PERCY, Esq. 
 MACQUOID, THOS. R., Esq. 
 
 MACWHIRTER, J., Esq., A.R.A. 
 MITCHELL, P., Esq. 
 MOGFORD, J., Esq. 
 ORROCK, J., Esq. 
 PARSONS, ALFRED, Esq. 
 PASSINI, LUDWIG, Esq. 
 PENSON,^ R. KYRKE, Esq. 
 PILLEAU, HENRY, Esq. 
 RICHARDSON, JOHN I., Esq. 
 SEVERN, ARTHUR, Esq. 
 SHERRIN, JOHN, Esq. 
 SIMPSON, WILLIAM, Esq. 
 SMALL, WILLIAM, Esq. 
 SMYTHE, LIONEL P., Esq. 
 STANHOPE, R. SPENCER, Esq. 
 STANILAND, CHAS. J., Esq. 
 STEER, H. R., Esq. 
 STOCK, H. J., Esq. 
 SYER, J., Esq. 
 TENNIEL, JOHN, Esq. 
 THOMAS, W. L., Esq. 
 TOPHAM, F. W. W., Esq. 
 WARREN, EDMUND G., Esq. 
 WATERHOUSE, J. W., Esq. 
 WETHERBEE, G. F., Esq. 
 WHITE, JOHN, Esq. 
 WHYMPER, J. W., Esq. 
 WOLF, J., Esq. 
 WOOD, L. J., Esq. 
 WOODVILLE, R. C, Esq. 
 WYLLIE, W. L., Esq. 
 
 CHASE, Miss MARIAN. 
 DUFFIELD, Mrs. WILLIAM. 
 FARMER, Miss EMILY. 
 GOW, Miss MARY L. 
 LINDSAY, Lady {of Balcarres). 
 
 SECRETARY & CURATOR. 
 ALFRED EYERILL. 
 
 LADY MEMBERS. 
 
 MARGETTS, Mrs. MARY. 
 OLIVER, Mrs. W. 
 SETCHEL, Miss SARAH. 
 SMITH, Mrs. CLARENDON. 
 
ABBREVIATIONS. 
 
 R.A. Koyal Academician. 
 A.M. A. Associate of the Koyal Academy. 
 U.S.A. Koyal Scottish Academician. 
 A. U.S. A. Associate Royal Scottish Academy. 
 R.H.A. Koyal Hibernian Academician. 
 P.R.I. President of the Koyal Institute of Painters in Water Colours. 
 V.P.R.I. Vice-President of the Royal Institute of Painters in Water Colours* 
 R.I. Member of the Royal Institute of Painters in Water Colours. 
 R. W.S. Member of the Royal Society of Painters in Water Colours. 
 H.R.S.A. Honorary Member of the Royal Scottish Academy. 
 R.C.A. Royal Cambrian Academician. 
 
INSTITUTE OF PAINTERS 
 
 IN 
 
 OIL COLOURS 
 
 ♦ 
 
 THE NEXT EXHIBITION 
 
 WILL BE OPENED 
 
 IN THESE GALLERIES 
 
 ON 
 
 MONDAY, Nov. 30, 1885. 
 
 RECEIVING DAY FOR PICTURES- 
 MONDAY, Nov. 2, 1885. 
 
 Further particulars may be obtained on application to th< 
 Secretary, at the Galleries, Piccadilly, W. 
 
CATALOGUE. 
 
 1885. 
 
 Priced Catalogues are placed in the Galleries. 
 
 All Pictures sold or not for sale are marked with a Red Star. 
 
 The prices of unsold Pictures, not mentioned in the priced Catalogue, may he 
 obtained of the Curator in the West Gallery. 
 
 As the most effectual means of preventing future mistakes or misunderstanding, 
 all Purchasers are respectfully requested to sign their name in a Book provided 
 for the jmrposc in the hands of the Curator. 
 
 Twenty -five per cent, is required to be paid upon all Works directed to be 
 marked sold. 
 
 Cheques to be made payable to the order of the Treasurer, and crossed 
 11 Ransom, Bouverie and Co. 1 ' 
 
 The Copyright of all works in the Gallery is reserved to the respective Artists 
 unless special arrangement to the contrary be made. 
 
 WEST GALLERY. 
 
 1 . A Quiet Pool. 
 
 2. Pastoeal in Sussex. 
 
 3. "I'm four years old, 
 
 And I come from Goes." 
 (See Illustration.) 
 
 4. On Southwold Marshes. 
 
 5. 
 
 H. Clifford Warren. 
 Claitde Hayes. 
 Jane M. Dealy. 
 
 Theo. Jones. 
 J. P. Emslie. 
 
 " And they turned aside thither, to go in to lodge in Gibeah ; and 
 when he went in, he sat him down in a street of the city ; for 
 there was no man that took them into his house to lodging. 
 
 " And behold, there came an old man from his work out of the field 
 at even. 
 
 " And when he had lifted up his eyes, he saw a wayfaring man in 
 the street of the city." — Judges xix. 15, 16, 17. 
 
10 
 
 WEST GALLERY. 
 
 6. Fungi. Bose Chandler. 
 
 7. Eel Fishers Baiting their Lines, Dordrecht. 
 
 Walter W. May, R.L 
 
 8. In the Nest at Peep of Day. Edwin Bale, R.L 
 
 9. King Arthur's Castle (from Barrass Nose) 
 
 Tintagel, Cornwall. Arthur Croft. 
 
 10. Sheep. Miller Smith. 
 
 11. In the Harbour, Newlyn, near Penzance. 
 
 Grace H. Hastie. 
 
 12. When Leaves Fall. Leopold Rivers. 
 
 13. A Country Road. H. Muhrman. 
 
 14. La Bergere. Yeend King. 
 
 (See Illustration.) 
 
 15. In the Gardens of the Villa d'Este, Tivoli. 
 
 Charles Earle, R.L 
 
 (See Illustration.) 
 
 16. A Dewy Evening. 0. Bickatson. 
 
 17. The Age of Stone. Leonard Hill. 
 
 (See Illustration.) 
 
 18. A Hillside, Arran. James V. Scott. 
 
 19. The Chapel, Haddon Hall. Geo. M. Henton. 
 
 20. An Idyll. Lionel Smythe, R.L 
 
 2 1 . Canterbury Cathedral, the Black Prince's 
 
 Tomb. B. Phene'- Spiers. 
 
 22. At Sannox, Arran. James V. Scott. 
 
 23. Gathering Primroses. Mary E. Butler. 
 
 24. The Gift of the Storm. Thos. Huson, R.L 
 
 (See Illustration.) 
 
 25. In a Cornish Fishing Village — " Grandfa'r's 
 
 Pet." K.H Carter. 
 
 (See Illustration.) 
 
 26. Going to Market. Badcliffe W. Radcliffe. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 11 
 
 27. 
 28. 
 29. 
 30. 
 
 31. 
 32. 
 33. 
 34. 
 
 35. 
 36. 
 37. 
 38. 
 39. 
 40. 
 41. 
 42. 
 43. 
 
 47, 
 
 A New Toy. Arthur Bobertson. 
 
 Old Street, Lambolle. Eadclife W. Badcliffe. 
 
 Old Bridge on the River Mole, Surrey. Fritz Althaus. 
 August Fair — Night, Boulogne-sur-Mer. 
 
 Ediuin A. Norbury, B.C. A. 
 A Cairo Coffee House. Arthur Melville. 
 
 Idle Days. Lionel Smythe, R.I. 
 
 Wegelia. Louisa Aumonier. 
 
 Norwich Cathedral, from near Pull's Ferry. 
 
 Harry Hine, R.I. 
 
 The Village Blacksmith. 
 
 durlestone bay, dorset. 
 
 My First Solo. 
 
 A Crofter's Harvest. 
 
 In the Woods. 
 
 A Sandy Bay, Ion a. 
 
 Summer Morn. 
 
 The Market Place, Burgos. 
 
 Fleeting Shadows. 
 
 (See Illustration.) 
 
 Blackwall Reach. 
 The Swan. 
 
 Barnes Common — Afternoon. 
 Pan Pipes. 
 
 Sam. W. Oscroft. 
 H G. Hine, R.I. 
 Hugh Carter, R.I. 
 Hubert Coutts. 
 Albert Kinsley* 
 Hubert Coutts. 
 W. H. Wheeler. 
 Robert W. Allan. 
 W. L. 'Thomas, R.I. 
 
 C. E. Holloway, R.I. 
 Tovmeley Green, R.I. 
 Henry Bossiter. 
 Walter Crane, R.I. 
 
 (See Illustration.) 
 
 Digging Potatoes. 
 . Old House near Taplow. 
 Afternoon. 
 
 " Nullus in orbe sinus Bajis prselucet amcenis." — Horace. 
 
 Sydney Herbert. 
 
 B. D. Sigmund. 
 Arthur Willett. 
 Henry Birtles. 
 
•2 
 
 WEST GALLERY. 
 
 52. Rydal Water. Alfred Powell. 
 
 53. St. Peter's, from Tasso's Oak. Charles Earle, R.I. 
 
 54. On the Thames at Windsor — Evening. 
 
 Edwd. H. Fahey, R.I. 
 
 55. " Trespassers will be Prosecuted with the Utmost 
 
 Rigour of the Law." Herbert Alfred Bone. 
 
 56. Off the Rocks, at Mount's Bay. C. B. Aston, R.I. 
 
 57. At the Mouth of the Tweed, Berwick. 
 
 Christina P. Boss. 
 
 58. Breaking Camp. H. Pilleau, R.I. 
 
 (See Illustration.) 
 
 59. The Morgue on the Wensum. Charles J. Watson. 
 
 60. A Scene in Perthshire — Loch Kinardochy — 
 
 Ben-y-Gloe in the Distance. John J. Bichardson, R.I. 
 
 61. Tribesmen in Morocco bringing to an Emir 
 
 the Heads of Rebel Chiefs. C. Montbard. 
 
 (See Illustration.) 
 
 62. The Pyramids during Inundation of the Nile. 
 
 John Varley. 
 
 63. A Yorkshire Fishing Village. C. Haiyh-Wood. 
 
 64. Hunted. Childe Pocock. 
 
 65. An Old Coach-road, North Wales. J. Carlisle. 
 
 66. Minding (?) the Lock. " Lock ! Lock ! Lock ! " 
 
 C. J. Lewis, R.I. 
 
 67. Eventide, Ullswater, Cumberland. Philip Mitchell, R.I. 
 
 (See Illustration.) 
 
 68. Rosalind. John Absolon, R.I. 
 
 69. Littlehampton Flats. John Andrews. 
 
 70. An Autumn Sketch. Adolph Birkenruth. 
 
 71. "In Danger ! " Playing at being a Uhlan 
 
 Soldier. Mrs. Edwin Arnold. 
 
 72. Casting the Lobster Pots. A. G. Crocker. 
 
E07AL INSTITUTE OF PAINTEKS IN WATER COLOURS. 13 
 
 73. 
 
 An Evening Tide, Leigh— Essex. 
 
 G. C. Kerr. 
 
 74. 
 
 The Letter. 
 
 Everard Hopkins. 
 
 75. 
 
 Old Mill on the Avon, Hampshire. 
 
 Charles I' Anson. 
 
 76. 
 
 A SCHWARZWALD BENTY. 
 
 Charlotte Popert. 
 
 77. 
 
 Rhododendrons. Mrs. 
 
 William Dujjicld, R.L 
 
 78. 
 
 An English Cottage Home. 
 
 Louisa Aumonier. 
 
 79. 
 
 Holy Island, off Arran. 
 
 Arthur Tucker. 
 
 80. 
 
 After a Stormy Day. 
 
 J. Herbert SnelL 
 
 81. 
 
 Market-place, San Eemo. 
 
 Amy M. Benecke. 
 
 82. 
 
 View near Cheltenham. 
 
 Sydney Herbert. 
 
 83. 
 
 The Calm before the Storm. 
 
 Wilfrid Ball. 
 
 84. 
 
 At Sunset. 
 
 D acres T. C. Belgravc. 
 
 85. 
 
 FRA UN ISTANTE. 
 
 Frank Hobden. 
 
 86. 
 
 On the Grand Canal, Venice. 
 
 W. B. Spong. 
 
 87. 
 
 On Loch Etive. 
 
 James V. Scott. 
 
 88. 
 
 La Dogana, Venice. 
 
 E. H. Bearne. 
 
 89. 
 
 An Italian Peasant's Kitchen, Bordighera. 
 
 90. 
 91. 
 92. 
 93. 
 94. 
 95. 
 96. 
 97. 
 98. 
 99. 
 lOO. 
 
 A Chalk Pit. 
 The Edge of the Common, 
 monnict cendain. 
 Evening in the Highlands. 
 
 M. Fowler. 
 George Marks. 
 A. Trevor Haddon. 
 Henry Simpson. 
 Thomas Majoribanks Hay. 
 
 The First at the Fair. 
 
 A Misty Morning on the Thames. 
 
 " The sun is sinking fast — the daylight dies." 
 
 A Sheltered Corner. 
 
 Primroses, Apple Blossom, and Nest. 
 
 Mapledurham Mill. 
 
 Old Chelsea (Cheyne Walk). 
 
 Charles Collins. 
 Thomas B. Way. 
 Albert Stevens. 
 Charles Collins. 
 Charles Ryan. 
 W. Follen Bishop. 
 John Eyre. 
 
14 
 
 WEST GALLERY. 
 
 101. Moonlight on the Mersey. Peter Ghent. 
 
 102. Sunny Autumn. Albert Kinsley. 
 
 103. Eschscholtzia. Dora M. Stewart. 
 
 104. Sea-meadows, west of Eye. Frank Murray. 
 
 105. Arab Pilgrims on their Way to Mecca. 
 
 Arthur Melville. 
 
 106. Streatley and Goring-on-Thames. Thos. J. Soper. 
 
 107. The Fishermen's Quarter, Hastings. Wm. N orris. 
 
 108. Saltwick Bay. Whitby. R. Talbot Kelly. 
 
 109. A Lay of Provence. H. Randolph Rose. 
 
 HO. Death of Turcitin. E. H. Corbould, R.I. 
 
 At Beverley, the leader of tlie Norman cavalry having seen a certain 
 veteran richly attired, wearing a golden armlet, hastening 
 towards the church of St. J ohn, drew his sword and followed 
 furiously after the aged man. But failing to overtake him 
 before he reached the door, he impiously rode into the church 
 (where women and children had fled for refuge, and where 
 treasures had been taken for safety), when suddenly the horse 
 on which he sat, stumbled, and fell upon the steps near the 
 altar, the rider breaking his neck. Thus, with head thrown 
 back, and limbs distorted, like some hideous monster, he was 
 gazed upon by all in awe and wonder. Stupified and alarmed, 
 his companions fled, as fearing the swift judgment of heaven 
 upon them. — Translated from the original MS. 
 (See Illustration.) 
 
 111. Winter Jessamine. Miss Letitia Margaret Parsons. 
 
 112. A Gathering Storm-Cloud — Perranforth Sands. 
 
 John Mogford, R.I. 
 
 113. Woodbine. Madame Victoria Dubourg. 
 
 114. At Overton, Hants. J. Aumonier, R.I. 
 
 115. The Asses' Bridge. Charles G. Hards. 
 
 116. A Visit to the Deserted Convert. Vincenzo Cabianca. 
 
 117. The Shrimper. Clem Lambert. 
 
 118. Evening, Barmouth, North Wales. 
 
 Elizabeth Emma Duthoit. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 15 
 
 119. 
 
 A Wiltshire Marsh. 
 
 William Pitt. 
 
 120. 
 
 Crimson and Gold. 
 
 Jessie Chase. 
 
 121. 
 
 An Eel-Set on the Kiver Bure. 
 
 J. Miller Marshall. 
 
 122. 
 
 San Pietro, in Volta. 
 
 T. B. Hardy. 
 
 123. 
 
 A Hayfield. 
 
 Anderson Hague. 
 
 124. 
 
 Spring Reflections. 
 
 W. H. Millais. 
 
 125. 
 
 In Clapham, Yorkshire. 
 
 Thos. R. Macquoid, R.I. 
 
 126. 
 
 On the Moors — Purbeck Island. 
 
 Nelson Dawson. 
 
 127. 
 
 Moorland Pastures. 
 
 John H. Dearie. 
 
 128. 
 
 Shoreham. 
 
 Jules Lessor e. 
 
 129. 
 
 " The morning in her buskin 
 
 gray, G. D. Hiscox. 
 
 
 Springs upon her eastern way." 
 
 130. 
 
 Grey Morning. 
 
 Annette Elias. 
 
 131. 
 
 The Last Purchase. 
 
 Charles Martin. 
 
 132. 
 
 Weymouth Harbour — Sunset. 
 
 W. Suthers. 
 
 133. 
 
 Blue Tits. 
 
 Rose Chandler. 
 
 134. 
 
 Cottages at Porlock. 
 
 H. G. BarwelL 
 
 135. 
 
 The Sailor's Friend. 
 
 William Clifton. 
 
 136. 
 
 Near Pangbourne — Springtime. 
 
 Wilfrid Ball. 
 
 137. 
 
 Early Summer. 
 
 W. C. Keene. 
 
 138. 
 
 Christmastide. 
 
 Marian Chase, R.I. 
 
 139. 
 
 The Little Goat-Girl. 
 
 Elizabeth A. Armstrong. 
 
 140. 
 
 A Dutch Milkmaid. 
 
 A. Foord Hughes. 
 
 141. 
 
 Autumnal Tints. 
 
 Marian Chase, R.I. 
 
 142. 
 
 Stagestruck. 
 
 Edmund Caldioell. 
 
 143. 
 
 The Gipsy. 
 
 John Absolon, R.I. 
 
 144. 
 
 Moorland. 
 
 Joseph Knight, R.I. 
 
 145. 
 
 Lendal Bridge, York. 
 
 James G. Laing. 
 
 146. 
 
 A Surrey Farmyard. 
 
 M. Tedder. 
 
16 
 
 WEST GALLERY. 
 
 147. From Under a Bridge, Venice. E. H. Bearne. 
 
 148. Mephistopheles. C, Maclver Grierson. 
 
 149. Companions of Her Solitude — Little aurore 
 
 in the Spanish Palace. Vide George 
 
 Sand's " Histoire de ma Vie." Miss Mien G. Hill. 
 
 (See Illustration.) 
 
 150. Thick Weather on the River. G. S. Walters. 
 
 151. Sketch near Kingsbridge, South Devon. 
 
 Walter Goldsmith. 
 
 152. Stacking Corn — Hastings. Edward P. Brandard. 
 
 153. Early Spring, Kensington Gardens. B. Goj}. 
 
 154. On the Tweed, near Melrose. Fred. W. Gartwright. 
 
 155. The Battle. J. A. FitzGerald. 
 
 156. Old Mill, Mitcham. Dewey Bates. 
 
 157. Old Men's Tales. Ghas. Cattermole, R.I. 
 
 158. Changing Quarters — Gipsy Life. Claude Hayes. 
 
 159. Temples of Vespasian and Saturn, Rome. 
 
 A. T. Burnett Stuart. 
 
 160. Selling Pumpkins — Venice. L. Da Bios. 
 
 161. Aran Benllyn, from near Bala. W. Clark Eddington. 
 
 162. Spring Flowers. Janetta B. A. Pitman. 
 
 163. "The stately sailing Swan." Bose E. Stanton. 
 
 164. Chrysanthemums. Jennie Moore. 
 
 165. Quiet Life. Ettore Boesler Franz. 
 
 166. Returning from the Deep-Sea Fishing. Andrew Black. 
 
 167. Looking to Hunstanton, Norfolk. James E. Grace. 
 
 168. Cookham Lock. H. Caffieri. 
 
 169. A Branch of Raspberries. Bosa Wallis. 
 
 1 70. A Grey Day near Arbroath. Jas. Macmaster. 
 
 171. One of Winter's Victims. Laurence Hilliard. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 17 
 
 172. Almonds and Cherries. Madame Victoria Dubourg. 
 
 173. In the Marsh. W.Reynolds. 
 11 A. A Streatham Lane. A. Trevor Haddon. 
 
 175. Summer Afternoon on the Avon, Christchurch. 
 
 Charles B Anson. 
 
 Eglise St. Maclou, Rouen. Jules Lessore. 
 
 Caerthillian Farm, Lizard. Frank Walton, R.I. 
 
 Surrey Colts. John White, R.I. 
 (See Illustration. 
 
 " Willie." A. L. Zorn. 
 
 Street in Haarlem. Andrew B. Donaldson. 
 
 Venice. Sir John W. Walrond, Bart. 
 
 Sundown. A. H. Waller. 
 
 Over the Mountain Stream. George Wells. 
 
 A Backwater — Brittany. Badclife W. Badcliffe. 
 
 Bywell Castle, Northumberland. J. H Mole, V.P.R.I. 
 (See Illustration.) 
 
 In Cardigan Bay. Joseph Knight, R.I. 
 
 A Jar of Almond Blossom. Kate Rogers. 
 
 Castle of Chillon — Evening Light. C. B. Aston, R.I. 
 A Bend in the River, Kew. Geo. 0. HaiU. 
 
 The Massacre of the Innocents. Bose Barton. 
 
 On the Seine, Paris. Mason Hunter. 
 
 How we Caught a Shoal of Pilchards 
 
 off the Cornish Coast. C. Napier Hemy, R.I. 
 
 (See Illustration.) 
 The Bath. A. J. Crozier. 
 
 Ard-na-Gillean Mill, West Tarbert. James Macculloch. 
 
 Thistledown. Mrs. W. H. Wheeler. 
 
 Among the Rushes, Christchurch, Hants. 
 
 Harry Goodwin. 
 
 A Hay Field at Marlow. Thos. Fyne. 
 
 (See Illustration.) 
 
 B 
 
18 
 
 WEST GALLERY 
 
 193. 
 199. 
 200. 
 201. 
 202. 
 
 203. 
 204. 
 205, 
 206. 
 207. 
 208. 
 209. 
 210. 
 211. 
 212. 
 213. 
 214. 
 215. 
 216. 
 217. 
 218. 
 
 219. 
 220. 
 221. 
 222. 
 
 223. 
 
 A Sketch at Millakds Hill, Somerset. Mary Walople. 
 
 At Bettws-y-Coed. J. Aumonier. R.I. 
 
 Lady Jane Grey's Tower. J. W. Whymper, R.I. 
 
 Une Vietlle Paysanne. John Watkins 
 
 " Ye didna keep your tryst yestreen, James Macbeth. 
 
 I waited lang beside the wood, 
 Sae wae and weary a' my lane." 
 
 Tannahill. 
 
 An Albanian Well. 
 Queen of the Meadow. 
 The Flower Show. 
 Wild Clematis. 
 
 On the Llwgwy, North Wales 
 Essendon Bury, Herts. 
 " A Merry Old Soul was He." 
 Under the Willows. 
 The Kitchen Garden. 
 " Formosa " Cookham on Thames. 
 A Young Artist. 
 Little Ducks. 
 
 The Old Chapel, Charterhouse. 
 
 R. Caton Woodville, R.I. 
 J. Michael Brown. 
 Harry Tuck. 
 Mrs. W. H. Wheeler. 
 
 J. Whipple. 
 W. Fryer Stocks. 
 Henry Terry. 
 Keeley Halsivelle, A.R.S.A., R.I. 
 
 A. Glendcning , jun. 
 Alfred de Bre'anski. 
 Caroline Faterson. 
 Alfred Strutt. 
 Luther Hooper. 
 Ruth Mercier. 
 Victoria S. Hine. 
 G. G. Kilbume, R.I. 
 
 Flowers — Anemone and Pansies. 
 St. John's Madder Market, Norwich 
 The Flower of the Flock. 
 
 (See Illustration.) 
 
 The Rising Moon. G. Topham Davidson. 
 
 Twilight on the Exe, Devon. S. G. W. Roscoe. 
 
 La Rue Ele, Quimperle. Zennard Lewis. 
 
 The Clouds and the Fowls of the Air 
 
 their Way pursue. Isaac Cooke. 
 
 A Devonshire Lane. Edmund G. Warren, R.I. 
 
 (See Illustration.) 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 19 
 
 224. 
 
 A Fisherman's Haunt, Cordover 
 
 
 
 Bridge, Dartmoor. 
 
 Philip Mitchell, R.I. 
 
 225. 
 
 Summer Ttme, Wargrave-on-Thames. Ernest Parton. 
 
 226. 
 
 The Burg, Nuremburg. 
 
 Arthur Lucas. 
 
 
 Daffodils. 
 
 Miss Frances A. Field. 
 
 O O O 
 
 228. 
 
 St. Eanswyth's Pool, Folkestone. 
 
 Mariquita J. Moberly. 
 
 229. 
 
 In the Month of June. 
 
 TV. H. Fortye. 
 
 230. 
 
 Love and Labour. Frank TV. TV. Topham, R.I. 
 
 
 (See Illustration.) 
 
 
 23 1 . 
 
 Early Morning, Venice. 
 
 (See Illustration.) 
 
 Arthur Severn, R.I. 
 
 232. 
 
 Edge of the Fir- Wood. 
 
 A. K. Brown. 
 
 233. 
 
 Transit of Venus. 
 
 C. T. Garland. 
 
 234. 
 
 Westminster Abbey. 
 
 Rose Barton. 
 
 5fl O %J ■ 
 
 Porta del Duomo, Verona. 
 
 Harry Goodwin. 
 
 iaoO • 
 
 Near Hazleford on Trent, 
 
 James Or rock, R.I. 
 
 237. 
 
 Near the Land's End. (The late) James G. Philp, R.I. 
 
 
 (See Illustration.) 
 
 
 238. 
 
 A Reach of the Thames at Blackwall. H. G. Moon. 
 
 239. 
 
 Autumn Gleams. 
 
 Margaret J. Mein. 
 
 240. 
 
 A Rocky Nook, near the Lizard, at Low Tide. 
 
 
 
 John Mogford, R.I. 
 
 241. 
 
 The Necklace. 
 
 John White, R.I. 
 
 242. 
 
 After Matins. 
 
 Robert Little. 
 
 243. 
 
 A Study. 
 
 J. H. Parkyn. 
 
 244. 
 
 Goster Wood Farm. 
 
 J. Arthur King. 
 
 245. 
 
 Wild Roses. 
 
 Rosa Wallis. 
 
 246. 
 
 Scene near Barnstaple. 
 
 Cornelius Pearson. 
 
 247. 
 
 Books and Bric-1-brac. 
 
 TV. B. Spiers. 
 
 248. 
 
 Evening in the North. 
 
 Edward Hargitt, R.I. 
 
 B 2 
 
20 
 
 WEST GALLERY. 
 
 249. Forget-me-nots and Violets. Ada Bell. 
 
 250. Kettleness Point, Yorkshire. J. Aumonier, R.I. 
 
 251. Heartsease. Mrs. J. W. Whymper. 
 
 252. Lake of Uri : the Rothstock at Sunset. C. B. Aston, R.I. 
 
 253. The Blind Preacher and his Daughter. 
 
 H. B. Steer, R.I. 
 
 254. The Old Wall. Carl Larsson. 
 
 255. Mist Clad. John W. Whiteley. 
 
 256. Boathouse — Wandsworth. Cosens Way. 
 
 257. The Convent, Gibraltar. Louise Childers. 
 
 258. The Marsh of Ostia, Rome. Onorato Carlandi. 
 
 259. Rolling Tide. Edwin Sherwood Calvert. 
 
 260. A Dartmoor Road. {The late) Harry Johnson, R.I. 
 
 261. Gamrie Harbour, Banffshire. Charles C. Danford. 
 
 262. Thompson's Ferry, Norwich. H. G. Barwell. 
 
 263. Canal leading into the Grand Canal, 
 
 Venice, taken from below II Porte 
 
 S. Manrizio. John Evans. 
 
 264. Aldeby House, Aldeby. B. A. Gill. 
 
 265. Fornham St. Martins, Suffolk. A. K. Brown. 
 
 266. Tomb of Abbot Ruthall, Westminster 
 
 Abbey. F. A. Couchman. 
 
 267. Misty Sunlight. Bichard Toovey. 
 
 268. A Spanish Brigand. E. S. H. MeMillan. 
 
 269. "A Cottage by the Sea," near Swan age. 
 
 Charles I 'Anson. 
 
 270. Anxious Fears. H. Macbeth- Baebum. 
 
 271. Blue and Yellow. J. B. A. Pitman. 
 
 272. Entrance to the Chapel of St. Nicholas, 
 
 Westminster Abbey. James Cafe. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 21 
 
 273. The River Bain, Wensleydale. W. Fryer Stocks. 
 
 274. "For what we have received." W. H. C. Groomc. 
 
 275. Fort Maker, from Millbrook Lake, 
 
 near Plymouth. Philip Mitchell, R.I. 
 
 276. A Desperate Defence. Charles Cattermole, R.T. 
 
 (See Illustration,) 
 
 277. From a Window. Charles Eolroyd. 
 
 278. Morning in the Highlands. A. W. Weedon. 
 
 279. Remains of the Baths of Carnalla. 
 
 Ettore Boesler Franz, 
 
 280. " Full many a flower is born to blush unseen." — Gray. 
 
 Dewey Bales. 
 
 28 1 . "A shepherd's boy (no better do him call), 
 
 When winter's wasteful spite was almost spent, 
 
 * * * # * * 
 
 Led forth his flock, that had been long y-pent." 
 
 Max Ludby. 
 
 (See Illustration.) 
 
 282. Early Morning, King's Lynn. C. E. Holloway, R.I. 
 
 283. Hurly Mill. Thomas Fyne. 
 
 284. Lilies. George S. Elgood, R.I. 
 
 285. The Waves. Thos. Huson, R.I. 
 
 " As one- dies away, 
 Another as sweet and as smiling comes on.''' 
 
 286. Shutting the Lock Gates. H. Caffieri. 
 
 (See Illustration.) 
 
 287. Dornoch Moor, Sutherlandshire. 
 
 W. Beattie-Brown, B.S.A. 
 
 288. A Scotch Kailyaird. James Bony las. 
 
 289. t( Just before the time of rest, 
 
 When the dead day smiles so bright." 
 
 George Marks. 
 
 290. Himalayan Rhododendrons. F. W. Currey. 
 
22 
 
 WEST GALLERY, 
 
 291, 
 292. 
 
 293. 
 294. 
 295. 
 296. 
 297. 
 298. 
 
 " fair dove ! fond dove ! " 
 
 Mrs. L. Bentley Smith. 
 The primrose in her vernal nest." — Keble. 
 
 Florence A. Stocker. 
 
 The Incoming Tide. 
 An Old Song. 
 Carnations and Picotees. 
 Venice from the Schiavoni. 
 Roses. 
 
 John McDougal. 
 Edwin A. Abbey, R.I. 
 A. M. Youngman. 
 C. B. Aston, R.I. 
 Madame Victoria Dubourg. 
 
 Study of Sandhills on Lincolnshire Coast — 
 
 
 Afternoon Effect. 
 
 Vernon Howard, 
 
 299. 
 
 Old Pier, Westminster, before the Embankment. 
 
 
 
 Arthur Severn, R.I. 
 
 300. 
 
 On Hayes Common. 
 
 H. J. Angley. 
 
 301. 
 
 Gathering Fuel. 
 
 B. D. Sigmund. 
 
 302. 
 
 Evening on Hampstead Heath. 
 
 Champion Jones. 
 
 303. 
 
 The Daisy Wreath. 
 
 Mary Joyce. 
 
 304. 
 
 Gurth and Isaac of York. 
 
 Fritz Althaus. 
 
 305. 
 
 Melrose Bridge, 
 
 Fred. W. Gartwright. 
 
 306. 
 
 South Harting, Sussex. 
 
 (See Illustration.) 
 
 J. Aumonicr, R.I. 
 
 307. 
 
 Whither ? 
 
 C. J. Lewis, R.I. 
 
 308. 
 
 Lewes. 
 
 E. Wake Cook. 
 
 309. 
 
 Dead Birds. 
 
 Katherine Scott. 
 
 310. 
 
 The Peaks of Arran. 
 
 Edith Gittins. 
 
 311. 
 
 Life in the Highlands. 
 
 (See Illustration.) 
 
 Hugh Carter, R.I. 
 
 312. 
 
 Autumn Morning near Rufus' Stone, Stony 
 
 Cross, New Forest. Edmund G. Warren, R.I. 
 
 313. 
 
 Battery Point, Loch Tarbert. 
 
 James Macculloch. 
 
 314. 
 
 Corner of a Canaletto, ; Venice. 
 
 Reginald Bar rati. 
 
 315. 
 
 A Cornfield — Afternoon. 
 
 Albert J. Cox. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 23 
 
 316. 
 
 Little Honeysuckle. 
 
 James Hayllar. 
 
 317. 
 
 Near Dunstaffnage Castle. 
 
 Fred. Williamson. 
 
 318. 
 
 Bound for the Nore. 
 
 Frank Hurray. 
 
 319. 
 
 Scotch Pastoral. 
 
 James Douglas. 
 
 o20. 
 
 Falmouth. 
 
 W. Ayerst Ingram. 
 
 32 1 . 
 
 A Critical Eeader. 
 
 Henry G. Massey. 
 
 322. 
 
 The Courtyard, Tillietudlem Castle, 
 
 Lanarkshire. David Murray, A. U.S. A. 
 
 323. 
 
 Beeley Moor, Derbyshire. 
 
 John Pedder. 
 
 324. 
 
 The Old Spike Bridge, Avon Kyrrel. W. P. Knowles. 
 
 325. 
 
 Forty Winks. 
 
 William Luker, jun. 
 
 326. 
 
 Winter Cherry. 
 
 Dora M. Stewart. 
 
 327. 
 
 A Norfolk Broad. 
 
 Leonard M. Powell. 
 
 328. 
 
 A Merionethshire Stream. 
 
 Edivard Dames. 
 
 329. 
 
 A Happy Family. 
 
 Valentine T. Garland. 
 
 330. 
 
 " Why mock me with thy jewels 1 
 First give me liberty ! " 
 
 Edward Tayler. 
 
 331. 
 
 Barges Dropping up the Medway. 
 
 Walter W. May, E.I. 
 
 332. 
 
 Morning on the Cornish Coast. 
 
 
 
 (The late) J. G. Philp, B.I. 
 
 333. 
 
 FlSHERWOMAN WATCHING THE TlDE. 
 
 (See Illustration.) 
 
 Alfred Fast. 
 
 o o - . 
 
 The Pilot Boat — Flushing. 
 
 Andrew B. Donaldson. 
 
 335. 
 
 " Multiplication is vexation." 
 
 (See Illustration.) 
 
 Arthur Stocks, B.I. 
 
 OOUi 
 
 The Lost Paradise. 
 
 George Wilson. 
 
 
 " They, looking back, all the eastern side beheld 
 
 
 Of Paradise, so late their happy seat, 
 
 
 Waved over by that naming brand, the gate 
 
 
 With dreadful faces thronged, and fiery arms." — Miljw 
 
 337. 
 
 A Sussex Lane — Early Spring. 
 
 Arthur Willett. 
 
24 
 
 CENTRAL GALLERY. 
 
 338. At Kettleness, North Coast of Yorkshire. 
 
 F.J. Vialls. 
 
 339. 
 
 Daffodils. 
 
 Mary E. Butler. 
 
 340. 
 
 How Long ? 
 
 Mary Eley. 
 
 341. 
 
 Wallflowers. 
 
 Lily Blathemvick. 
 
 342. 
 
 Evening Calm. 
 
 Vincenzo Cabianca. 
 
 343. 
 
 In August — South Devon. 
 
 Edmund G. Warren, R.I. 
 
 344. 
 
 Goodbye ! 
 
 James S. Crompton. 
 
 345. 
 
 Swanage, Dorsetshire. 
 
 Walter Crane, R.I. 
 
 346. 
 
 Oxhey, Herts, with Ruislip Reservoir. 
 
 
 
 Mrs. W. Oliver, R.I. 
 
 347. 
 
 * Evicted. 
 
 H. B. Steer, R.I. 
 
 
 (See Illustration.) 
 
 O A O 
 
 348. 
 
 A Golden Altar, Burgos. 
 
 Abel Herman Haig. 
 
 U't\7 • 
 
 The Harvest of the Fens. 
 
 0. RicJcatson. 
 
 
 CENTRAL GALLERY. 
 
 350. 
 
 " There's Father's Boat ! " 
 
 Janet Archer. 
 
 351. 
 
 Ferry at Walberswick. 
 
 G. Albert Laundy. 
 
 352. 
 
 After-Glow on the Savoy Alps, March, 1868. 
 
 
 
 Rev. Thos. Helmore. 
 
 353. 
 
 Laurestinus. 
 
 Marian Chase, R.I. 
 
 354. 
 
 Studies. 
 
 Jjeopold Lowenstam. 
 
 355. 
 
 A Kentish Village. 
 
 Geo. S. Elgood, R.I. 
 
 356. 
 
 The Lizard Head. 
 
 G. Spawton Catlow. 
 
 357. 
 
 Waiting. 
 
 Hugh Carter, R.I. 
 
 358. 
 
 Gill's Yard. 
 
 W. L. Wyllie, R.I. 
 
 359. 
 
 The Mid-day Meal. 
 
 Geo. M. Henton. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 25 
 
 
 
 \j it vvLvo J- uouurv. 
 
 OO 1 . 
 
 View near Amalfi. 
 
 A.rtliur D it cli field. 
 
 362. 
 
 Roses. 
 
 Kate Sadler. 
 
 363. 
 
 Forbidden Fruit. 
 
 William Small, R.I. 
 
 
 (See Illustration.) 
 
 
 
 A Quiet Rubber, Cafe Hammah, Algiers. 
 
 
 
 Guido B. Bach, R.I. 
 
 365. 
 
 The Language of Flowers. 
 
 Fred. Slocombe. 
 
 O £i £5 
 
 A Summer Evening. 
 
 A. B. Witter. 
 
 367. 
 
 April Clouds. 
 
 W. A. Bixon. 
 
 368. 
 
 The Blue Sky of Cornwall — Cape Cornwall 
 
 
 from Sennen Cove, Land's End. 
 
 B. H Carter. 
 
 369. 
 
 HOVERINGHAM FERRY. 
 
 James Orrock, R.I. 
 
 
 (See Illustration.) 
 
 
 370. 
 
 Summer Evening. 
 
 George Clausen, R.I. 
 
 371. 
 
 A Love Story. 
 
 Bobert Fowler. 
 
 372. 
 
 Ballard Down, Swanage. 
 
 Walter Crane, R.I. 
 
 373. 
 
 Green Gages. 
 
 Jabez Bligh. 
 
 Ql7yl 
 0/4. 
 
 Trollhatta Falls, Sweden. 
 
 G. L. Bristow. 
 
 375. 
 
 The First Lesson. 
 
 W. L. Thomas, R.I. 
 
 376. 
 
 Farm Buildings at Flatford. Fred. G. Cotman, R.I. 
 
 
 (See Illustration.) 
 
 
 377. 
 
 A Flower Girl. 
 
 Hugh Carter, R.I. 
 
 378. The Old Birch Avenue, The Warren, Haslemere. 
 
 J. W. Whymper, R.I. 
 
 379. The Entrance, Plas Mawr, Conway. Alfred Hutton. 
 
 380. Hastings, Sussex. John C. Bourne. 
 
 381. After Matins, Ratisbon, Bavaria. 
 
 Henry Dunkin Shepard. 
 
 I 382. Through the Fields, near Ormskirk. Isaac Cooke. 
 
26 CENTRAL GALLERY. 
 
 383. 
 
 Stojmethwaite, Borrowdale. 
 
 Edward Arden. 
 
 384. 
 
 Hampshire Farm. 
 
 Charles Marshall. 
 
 O O v> • 
 
 Mtt).tiay Iytcst — Loch Lomond 
 
 _L.TX.XX-' XJJ\. 1 .1. 1 J jO 1 XJUV>I1 J-J vyXTXV-'Xi J_/. 
 
 
 O Q. A 
 
 URCHIDS. 
 
 ivuie mar if vv iiiiiey. 
 
 387. 
 
 Summer Days. 
 
 Catherine A. Sj^arkes. 
 
 388. 
 
 By the Pine Wood. 
 
 Alice Souire. 
 
 
 T-i 1 TM I 1 I'D/' T I) I 1 J/ \ I i 'P 11 T T T,^ 
 
 Jj IbHJliK(jrlJ\lj, X OKI JIjLiIjJIi. 
 
 tfOllll J±USUlOil, XV. ±. 
 
 V# . 
 
 Pu yt T TS 
 
 X 111 JjIjLO, 
 
 Hi A? <yn noin A A wwn e/'i'/Tw n 
 JJJl O&llUol/lli Jrx. Xxl IILovl U/vU. 
 
 O 0> i. . 
 
 (~\ T)T>/ TT C 1 TV! T AT T 17 U /".XT TUT 17 IV TT TP 
 
 si. i mean, xv.i. 
 
 
 1HE IN E W JJRESS. 
 
 William omaii, Jtv.i. • 
 
 oyo. 
 
 TTttt. 1 ( Vr t ^ ft / < xt /~. /". t 
 
 u aiiies jjjaiuai a jxoyei s. 
 
 394. 
 
 A Book for the Sea-Side. 
 
 Walter Crane, R.I. 
 
 395. 
 
 The Latest News. 
 
 Frank Hobden. 
 
 
 Grri A TV/rT>TJ , TMT" f \ L 1 Ttll? TT XT l? TVT V 
 
 OlAMrLUb Or lrlxl/ J1.JN r.J.Vl X . 
 
 kjiaiiity jjei ihiey. 
 
 
 Oxj TTJTT TT, A Qf Coaqt 
 
 Tf/iti'titi rst nhl p 
 
 X'lA/ll/lliU KJVUjVvKj. 
 
 398. 
 
 A Sttrrfy Common 
 
 A lice Squire. 
 
 399 
 
 TtTFT ( tOT HTTM A fiF 
 
 .TnliTi T?rf T)i ok^p.p, 
 
 tJUIVIO J-LiLV. US VU/VOW* 
 
 
 fxR A "N T*J V 
 
 f\i citiI on Ti IVfinfH 
 
 KjOUj IIW 11 XJ . rr UUIA/. 
 
 
 ix vJlvxti x xyii. x . 
 
 JL llUo. \X 1 Ul/t/O: 
 
 402. 
 
 Violets. 
 
 Elizabeth By water. ; 
 
 403. 
 
 Old Oak, Bradgale Park. 
 
 Harry William Roberts. 
 
 404. 
 
 The Path to the Village. 
 
 Robt. Rayment. 
 
 405. 
 
 The " Pembroke Castle" leaving Gravesend 
 
 
 with Scots Guards. 
 
 A Ragon. 
 
 406. 
 
 A Clover Stack. 
 
 Arthur J. Stark. , 
 
 407. 
 
 Near Beach y Head. 
 
 Robert James Moser. 
 
 408. 
 
 On the River Wharfe between Bolton Abbey 
 
 
 and Barden Tower. 
 
 Edmund G. Warren, R.I. 
 
 409. 
 
 Near the Sea. 
 
 R. K. Penson, R.L 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 27 
 
 Baiting his Hook, West Coast of Scotland. 
 
 David Mossman 
 
 A Choice of Weapons. 
 The Boy — what will he become ? 
 Night. 
 
 Old Houses, Kent. 
 Peat Moss, Foot of the Grampians. 
 Eype, Dorset. 
 A Study. 
 
 A Woodland Pond. 
 The Road over the Common. 
 A West Country Lad. 
 Gravesend. 
 
 The Gull Rock, Kynance Cove. 
 
 Morning Callers. E. J. Gregory, A.R.A., R.I. 
 
 Vietri-de-Salerno, Calabrian Coast in Distance. 
 
 Harry Mine, R.I. 
 
 H. G. Mine, R.L 
 
 Ohas. Thornely. 
 
 Edwin Mayes, R.I. 
 
 An Osier Bed, Kegworth, Leicestershire. 
 
 Edivard Davies. 
 
 On the Loddon, Hampshire. 
 A Band of Hope. 
 Harvesting at the Lizard. 
 The Coming Tide. 
 
 (See Illustration.) 
 
 Chas. Cattermole, R.I. 
 
 Frank Dadd, R.I. 
 C. Topham Davidson. 
 
 A. Quinton. 
 Wm. Moore. 
 Albert M odder. 
 Kate Mitchcock. 
 James T. Watts. 
 H. J. Hyde. 
 W illiam Hemsley. 
 G. E. Holloway, R.I. 
 Frank Walton, R.I. 
 
 On the Downs near Lewes. 
 Near Dordt, Holland. 
 Vessels at Sea. 
 
 Bessie J. Spiers. 
 Miss M. GMara. 
 Frank Walton, R.I. 
 RoU. Garriek, R.I. 
 
 433. One of Old Sark's Granite Bays. 
 
 434. Lochranza Castle, Arran. 
 
 John T. Cutts. 
 J. J. EannaJyne. 
 
28 
 
 CENTRAL GALLERY. 
 
 435. The Mill Valley. 0. Rickatson. 
 
 436. The Water Cart — Scene near Godalming. 
 
 Thos. J. Soper. 
 
 437. Windermere from Low-Wood — Langdale Pikes, 
 
 Wrynose, &c, in the Distance. James Fahey, R.I. 
 
 438. The First Flight. Randolph Caldecott, R.I. 
 
 (See Illustration.) 
 
 439. Indecision. H. Tuck. 
 
 440. The Ponds, Burnham Common, Bucks. 
 
 W. Whymper, R.I. 
 
 441. Hay-Time. W. Henry Gore. 
 
 442. Near Bettws y Coed, North Wales. 
 
 J. H, Mole, V.P.R.I. 
 
 443. St. Mark's, Venice. Geo. S. Elgood, R.I. 
 
 444. Waverley, vide " Waverley." Jas. 'D. Linton, President. 
 
 (See Illustration.) 
 
 445. Cannock Chase, Morning Mist. Henry Birtles. 
 
 (See Illustration.) 
 
 446. A Breezy Day in the Marshes. William A. Waite. 
 
 447. Narcissus and Daffodils. Henrietta Miller. 
 
 448. A Study. Esther Hine. 
 
 449. Carnations. Caroline H. Norman. 
 
 450. Masks. Robert Fowler. 
 
 451. Cuckmere Haven, from the Downs above Seaford. 
 
 H. G. Hine, R.I. 
 
 (See Illustration.) 
 
 452. Dolly Varden's Visit to Miss Haredale. 
 
 C. Green, R.I. 
 
 453. A Foster-Mother. Stephen T. Dadd. 
 
 454. " In the morning sow thy seed." G. F. Wctherbee, R.L 
 
 455. Eucharis Lilies and Shells. Kate 31. Whitley. 
 
 456. Arthog Peat Bog, North Wales. Charles J. Adams. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 29 
 
 A March Landscape. John M. Macintosh, 
 
 "April 19th." Chas. G. Makes. 
 
 Morning. Henry Births. 
 
 The Miller's Daughter. H. Macbeth- Baebum. 
 
 A Village Street. Tovmeley Green, R.I. 
 
 Calm off Dordrecht. Edivin Hayes, R.I. 
 
 Above Cadgwith Cove, Cornwall. Frank Walton, R.I. 
 
 Rose Bradwardine — vide " Waverley." 
 
 Jas. D. Linton, President. 
 
 A Devonshire Coachhouse. Hamilton Macallum, R.I. 
 
 Near Arundel, Sussex. E. Wake Cool. 
 
 Mid-day in Winter. Clem Lambert, 
 
 Old Houses, Conway. William Chas. Goddard. 
 
 In the May-time, near Leicester. Arthur Wardle. 
 
 On the Clyde. James Macbeth. 
 
 A Garret View, London, N.W. Louis Absolon. 
 
 " Jube" in the Church of the Ste. Madeleine, 
 
 AT Troyes. Charles Gilder Maundrell. 
 
 " She Half Consents who Silently Denies." 
 
 
 
 Herbert Gandy. 
 
 474. 
 
 The Mouth of the Medway. 
 
 W. L. Wyllie, R.I. 
 
 475. 
 
 The Change Farm, Yeldham, Essex 
 
 Charles Earle, R.I. 
 
 476. 
 
 Plums. 
 
 John Sherrin, R.I. 
 
 1477. 
 
 A Visit to Granny. 
 
 G. G. Hilburne, R.I. 
 
 478. 
 
 The. Piping Times of Peace. 
 
 Seymotir Lucas, R.I. 
 
 479. 
 
 Narcissus. 
 
 John Fidleylove, R.I. 
 
 480. 
 
 Watering Horses. 
 
 William Foster. 
 
 481. 
 
 Sunshine and Shower. 
 
 G. S. Walters. 
 
 482. 
 
 An Apartment in the Palace of the Mikado, 
 
 Kioto, Japan. Frank Billon, R.I 
 
30 
 
 CENTKAL GALLERY. 
 
 483. The Theatre, Taormina, Sicily, Geo. S. Elgood, R.I. 
 
 484. Hampton Court. John Fulleylove, R.I. 
 
 485. Sir Andrew Aguecheek. John Tenniel, R.I. 
 
 " He plays o' the viol-de-gambo."— Twelfth Night. 
 
 486. Coarse Weather in Ramsey Harbour. 
 
 J. H. E. Partington. 
 
 " Wait till the clouds roll by." 
 
 487. A Walk over Hampstead Heath. J. H. Mole, V.P.R.I. 
 
 488. Threshing at Bastia. E. T. Compton. 
 
 489. The Valley of Desolation, Wharfedale. 
 
 J. Jackson Curnock. , 
 
 490. 
 
 Craiglaw, Wigtonshire. 
 
 Robert W. Eraser. 
 
 491. 
 
 " It Came, I Scarce know how- 
 
 -the Spring." 
 
 
 
 C. Macdonald Manly. 
 
 492. 
 
 Loch LlNNHE LOOKING TO MULL. 
 
 Fred. Williamson. 
 
 493. 
 
 River Gloom. 
 
 H. E. Tidmarsh. 
 
 494. 
 
 Roman Drovers and Cattle. 
 
 Chas. H. Poingdestre. 
 
 495. 
 
 Early Spring. 
 
 Miss B. H. Macpherson. 
 
 496. 
 
 A Tangled Copse. 
 
 L. Fosbrooke, jun. 
 
 497. 
 
 The Tower of Babel, or Birs 
 
 
 Nimrud — Restored according 
 
 
 TO THE LATEST AUTHORITIES. 
 
 Wm. Simpson, R.I. 
 
 498. 
 
 FONTENAY LE COMTE VENDEE. 
 
 L. J. Wood, R I. 
 
 499. 
 
 The Little Goose Girl. 
 
 Mrs. Paul J. Naftel. 
 
 500. 
 
 Coming from the Fountain. 
 
 Thos. R. Macquoid, R.I. 
 
 501. 
 
 The Skipper's Orchard. 
 
 Jas. G. Bingley. 
 
 502. 
 
 Persuasion. 
 
 Hugh Carter, R.I. 
 
 503. 
 
 In the Autumn. 
 
 John Sherrin, R.I. 
 
 504. 
 
 Evening in Devonshire. 
 
 Chris Poole. 
 
 505. 
 
 Near Boulogne, France. 
 
 Urban Rider. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 31 
 
 A Quiet Corner, Westminster. 
 The Castle of Pontivy. 
 Cottages at Eddington, Kent. 
 A Study of Colour. * 
 
 Amy E. Fisher. 
 
 L. Deane. 
 S. S. Theobald. 
 A. M. Youngman. 
 John Scott. 
 
 " There she sat without any covering but her long black hair. The two 
 swans rose up with her plumage, ' Dive down, now ! ' they cried ; 
 'thou shalt never again see Egypt.' So they tore the plumage into 
 a thousand pieces, and then the two deceitful princesses flew away." 
 — Andersen's Marsh King's Daughter. 
 
 511. 
 
 Amongst the Pines. 
 
 W. H. Wheeler. 
 
 512. 
 
 ''The Tithe Pig." 
 
 (See Illustration.) 
 
 Joseph Nash. 
 
 513. 
 
 Swansea Pilot Boat off the Mumbles, Wales. 
 
 Edwin Hayes, R.I. 
 
 514. 
 
 " The maid was in the garden, hanging out the clothes." 
 
 Thos. Huson, R.I. 
 
 U A J. 
 
 Penvose, Cornwall. 
 
 Frank Walton, R.I. 
 
 
 In Doubt. 
 
 Mary Eley. 
 
 
 On the Avon at Barford. 
 
 Edwd. H. Fahey, R.I. 
 
 518. 
 
 Harvest — Evening. 
 
 (See Illustration.) 
 
 George Clausen, R.I. 
 
 519. 
 
 Pilgrims in a Strange Land. 
 
 A. W. Bayes. 
 
 
 " Long in silence they watched the receding sail of the vessel, 
 Much endeared to them all, as something living and human." 
 
 Longfellow. 
 
 (See Illustration.) 
 
 520. 
 
 Looe Harbour. 
 
 David Green. 
 
 521. 
 
 Scheveningen Shore. 
 
 Patty Townsmd. 
 
 522. 
 
 Rolling Surges — Land's End. 
 
 John C. LT Ren. 
 
 523. 
 
 An Art Connoisseur. 
 
 Frank Bertioli 
 
 524. 
 
 A Common Road. 
 
 J. Clayton Adams. 
 
82 
 
 CENTRAL GALLERY. 
 
 525. 
 
 " Feathered Friends." 
 
 P. Hal/night. 
 
 526. 
 
 " The breezy heath in August's purple clad." 
 
 
 
 Thos. Huson, R.I. 
 
 527. 
 
 " A Motherless Home." 
 
 Emily E. Collier. 
 
 528. 
 
 A Rick Yard. 
 
 W. Fryer Stocks. 
 
 529. 
 
 Chrysanthemums. 
 
 Mattde Naftel. 
 
 
 Common Land. 
 
 W. H. Wheeler. 
 
 EOT 
 
 A Wet Market Day — Connemara. 
 
 William Small, R.I. 
 
 c o o 
 
 The " City of Rochester " Discharging. 
 
 
 
 W. L. Wyllie, R.I. 
 
 533. 
 
 " All among the Barley." 
 
 Charles Earle, R.I. 
 
 534. 
 
 Early Blossom. 
 
 Lionel Smythe, R.I. 
 
 
 Primulas. 
 
 Patty Carington. 
 
 536. 
 
 Near Mullion. 
 
 Geo. Ficklin. 
 
 537. 
 
 The Edge of the Common, Allendale. 
 
 
 
 J. Hodgson Campbell. 
 
 538. 
 
 A Neglected Genius. 
 
 J. H. Barnes. 
 
 539. 
 
 Netley Farm, Shere. 
 
 Richard J. Askew. 
 
 540. 
 
 Clovelly 
 
 H. Sheppard Dale. 
 
 Ut: 1 ■ 
 
 Cuckoo. 
 
 (See Illustration.) 
 
 Edwin Bale, R.I. 
 
 542. 
 
 Early Steps. 
 
 Edith Martinean. 
 
 U iOi 
 
 " Tally ho ! Off we go." 
 
 (See Illustration.) 
 
 Frank Dadd, R.I. 
 
 544. 
 
 A Last Appeal. 
 
 Geo. S. Elgood, R.I. 
 
 
 (See Illustration.) 
 
 545. 
 
 Golden Plover. 
 
 John Sherrin, R.I. 
 
 546. 
 
 The Stream, -Bradgate Park, Leicestershire. 
 
 
 
 J. W. Whymper, R.I. 
 
 547. 
 
 Daffodils. 
 
 Townley Green, R.T. 
 
 548. Upper Waters of the Plym, Dartmoor. 
 
 Philip Mitchell, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 33 
 
 549. 
 550. 
 551. 
 552. 
 553. 
 554. 
 
 The Harbour of Genoa. 
 Peace. 
 
 J. MacWhirter, AM. A., R.I. 
 li. Hamilton Chapman. 
 
 555. 
 
 556. 
 557. 
 
 558. 
 559. 
 
 560. 
 
 561. 
 562. 
 563. 
 564. 
 565. 
 566. 
 567. 
 568. 
 569. 
 570. 
 571. 
 572. 
 
 C. F. Draper. 
 J. C. Salmon. 
 Mrs. H Champion. 
 
 F. E. Maplestone. 
 
 A Nook in St. Aubin's Bay, Jersey. 
 A Welsh Lane — Winter. 
 Little Dreamer. 
 
 Arthur, Prince of Wales, sent by 
 Henry VII. to restore peace in 
 Wales, pardons David Vaughan 
 on condition that he swears 
 
 FEALTY TO THE KlNG. 
 
 Fruit. Mrs. William Duffield, R.I. 
 
 (See Illustration.) 
 
 On the Marsh — Aldeburgh. E. M. Wimperis, R.I. 
 
 An Algerian Caravanserai. Andrew Gow, A.R.A., R.I. 
 
 (See Illustration.) 
 
 Wind Instruments. James Clark 
 
 Cockle Gatherers, South Wales Coast. 
 
 J. H. Mole, V.P.R.I. 
 
 The Tower of London. 
 
 (See Illustration.) 
 
 The Via Dolorosa — Jerusalem. 
 The Sycnant Pass, North Wales. 
 A Present for Granny. 
 The Windrush, near Witney. 
 Our Village. 
 A Barley Field. 
 Cove Harbour, Moonlight. 
 Christmas Trifles. 
 " A Ride Home." 
 Grand Andelys, Normandy. 
 
 C. E. Holloway, R.I. 
 
 Henry A. Harper. 
 
 C. H. Woodman. 
 Mrs. H. Champion. 
 Godfrey Young. 
 H. J. Hyde. 
 R. T. Askew. 
 John Blair. 
 AIM. Zudovici. 
 Frank W. W. Topham, R.I. 
 
 L. J. Wood, R.I. 
 
 The Abbazia, Venice. 
 In the Meadows. 
 
 H. Pilleau, R.I. 
 Charles J. Adams. 
 
 
34 
 
 CENTRAL GALLERY. 
 
 573. 
 
 " Stopped in his Flight." 
 
 John Sherrin, R.I. 
 
 574. 
 
 Saltram Woods, from the 
 
 Laira, 
 
 
 Estuary of the Plym, Plymouth. 
 
 
 
 Philip Mitchell, R.I. 
 
 575. 
 
 In Fuenterrabia, Spain. 
 
 Thomas B. Macquoid, R.I. 
 
 576. 
 
 Roses. 
 
 Mrs. William Duffield, R.I. 
 
 577. 
 
 The Little Stranger, 
 
 W. Henry Gore. 
 
 578. 
 
 Walberswick, Suffolk. 
 
 J. Aumonier, R.I.. 
 
 579. 
 
 Purple Poppies. 
 
 Mrs. Cecil Lawson. 
 
 580. 
 
 A Knotty Question. 
 
 IT. Ethel Bose. 
 
 581. 
 
 Corte, Corsica. 
 
 E. T. Compton. 
 
 582. 
 
 Holme Bridge, Bakewell. 
 
 William Eden. 
 
 583. 
 
 "Frost and Rime of Winter Time." W. L. Wyllie, R.I. 
 
 
 Tenby. 
 
 John Fulleylove, R.I. 
 
 585. 
 
 " On the Alert." 
 
 John Sherrin, R.I. 
 
 586. 
 
 Feeding the Hungry. 
 
 Charles Cattermole, R.I. 
 
 587. 
 
 An Old Cloister. 
 
 Thomas B. Macquoid, R.I. 
 
 
 (See Illustration.) 
 
 588. 
 
 , A Lesson by Heart. 
 
 Mary L. Qow, R.I. 
 
 589. 
 
 Peonies. 
 
 Ada Ha,nbnry. 
 
 590. 
 
 At Gretton, Gloucestershire. J. Aumonier, R.I. 
 
 591. 
 
 The Truant. 
 
 H. B. Steer, R.L 
 
 592. 
 
 An August Afternoon. 
 
 Charlotte H. Spiers. 
 
 
 Corrie-na-Cicke, Sannox, Arran. Colin B. Phillips. 
 
 
 A Silver Sea. 
 
 Arthur Severn, R.I. 
 
 
 Dunottar Castle, Scotland. 
 
 Peter Toft. 
 
 596. 
 
 The Chestnut Walk, Hillersdon, Devon. 
 
 
 
 Mary Isabella Grant, 
 
 597. 
 
 Solitude. 
 
 John M. Bromley. 
 
 598. 
 
 Leicestershire Meadows and Stream. Thos. Groves. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 35 
 
 599. 
 
 " They toil not." 
 
 Helen Brown. 
 
 600. 
 
 On the Teviot near Roxburgh Castle 
 
 
 
 j±iex. oai iyte jjeii. 
 
 601. 
 
 (See Illustration.) 
 
 T P Tlnllnmnon 
 
 602. 
 
 Going to Market. 
 
 B. D. Sigmund. 
 
 603. 
 
 Banstead Downs, Surrey. 
 
 J. W. Whymper, R.I. 
 
 604. 
 
 On the Downs near Lewes. 
 
 E. Wake CooJc. 
 
 605. 
 
 Companions. 
 
 Albert Moore, B.W.S. 
 
 606. 
 
 A Study of Hard Expressions. 
 
 Laurence Hilliard. 
 
 607. 
 
 Sunset. 
 
 H. G. Hine, E.I. 
 
 608. 
 
 Wayside Shrine, Taormina. 
 
 Geo. S. Elgood, R.I. 
 
 609. 
 
 Spring in Town. 
 
 Alfred Parsons, R.I. 
 
 t 610. 
 
 Fair Wind — Outward Bound. 
 
 Edwin Hayes, R.I. 
 
 611. 
 
 An Interior. 
 
 Harry Hine, R.I. 
 
 612. 
 
 A Dainty Lady. 
 
 G. 0. Kerr. 
 
 613. 
 
 Evening in Hoo Reach, Medway 
 
 Walter W. May, R.I. 
 
 Ol4. 
 
 The Last Flight. 
 
 Randolph Caldecott, R.I. 
 
 615. 
 
 Shepherd and Sheep. 
 
 George Clausen, R.I. 
 
 616. 
 
 An Unwelcome Visitor. 
 
 (See Illustration.) 
 
 John Sherrin, R.I. 
 
 617. 
 
 A Highland Burn. 
 
 A. W. Weedon. 
 
 618. 
 
 View in St. Mark's, Venice. 
 
 John Evans. 
 
 619. 
 
 Peggy. 
 
 A. E. Emslie. 
 
 620. 
 
 Fresh Gathered. 
 
 Ada Bell. 
 
 621. 
 
 Up a Tree. 
 
 Helena J. Maguire. 
 
 622. 
 
 C HRYS ANTHEMUMS 
 
 Katharine M. Nutter. 
 
 623. 
 
 Idle Moments. 
 
 Minnie Jane Shubrook. 
 
 624. 
 
 Nest of Missel Thrush. 
 
 Virginia Beacon. 
 
 625. 
 
 Homeward Bound. 
 
 T. B. Hardy. 
 
 c 2 
 
3G 
 
 CENTRAL GALLERY. 
 
 626. Westminstek Abbey. James Cafe. 
 
 " The very silence seemed sacred." — Burke. 
 
 627. Nelly and Her Grandfather at the Races. 
 
 G. Green, R.I. 
 
 "Short was plying the quarter-staves vigorously and knocking the 
 characters in the fury of the combat against the sides of the show, 
 the people were looking on with laughing faces. ... If they were 
 ever to get away unseen, that was the very moment. They seized 
 it, and fled." — The Old Cariosity Shop. 
 
 
 (See Illustration.) 
 
 
 628. 
 
 On the Moors near Hawes. 
 
 James Orrock, R.I. 
 
 629. 
 
 Little Mother. 
 
 Agnes Gardner King. 
 
 630. 
 
 A Haslemere Lane — Changing Pasture. 
 
 
 
 J. W. Whymper, R.I. 
 
 631. 
 
 Rachel's Tomb, near Bethlehem. 
 
 K E. Green. 
 
 632. 
 
 The Cemetery, Tetuan, Morocco. 
 
 Frank Billon, R.I. 
 
 633. 
 
 The Library. Miss 
 
 Anna Alma Tadema. 
 
 634. 
 
 Brought up by the Stream. 
 
 Walter W. May. R.I. 
 
 Z> O G 
 
 635. 
 
 Homeward. 
 
 G. M. Beresford. 
 
 636. 
 
 Lock on the Avon near Saltford. 
 
 A. Wilde Far sons. 
 
 637. 
 
 A Turkish Girl. 
 
 Ernest Spence. 
 
 638. 
 
 Old Bridge, Berwick-on-Tweed. 
 
 Christina P. Boss. 
 
 639. 
 
 "The bonny ivy tree." 
 
 Frank Walton, R.I. 
 
 
 (See Illustration.) 
 
 
 640. 
 
 " The angry essence of her deadly will. 
 
 9 — Byron. 
 
 
 
 Chas. S. Mottram. 
 
 641. 
 
 On the Conway. 
 
 J. Syer, R.I. 
 
 642. 
 
 Japanese Anemones. 
 
 Jessie Chase. 
 
 643. 
 
 Part of West Front of Abbeville Cathedral. 
 
 L. J. Wood, R.I. 
 
 644. Lillie. Constance E. Plimpton. 
 
 645. Senate House Passage, Cambridge. Louise Bayner. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 37 
 
 646. Quiet Hours. Ellen G. Hill. 
 
 647. Cottages, from Old Storridge. W. Clark Eddington. 
 
 648. In the Heart of Old England. Edward Davies. 
 
 649. Interior, Edenbridge, Kent. Danl. Pasmore. 
 
 650. Jeunesse. F. MarJcham SJdpworth. 
 
 651. Minerals. Kate Mary Whitley. 
 
 652. Resting. J. W. Waterhouse, R.I. 
 
 653. St. Alban's Cathedral — The Old West Front. 
 
 Harry Hine, R.I. 
 
 (See Illustration.) 
 
 654. A Reverie. Walter Langley, R.I. 
 
 655. Coliseum, Rome— Moonlight. 
 
 J. MacWhirter, AM. A., R.I. 
 
 656. Apple Blossom. Henry Bailey. 
 
 657. In the Gloaming. Wm. Matthison. 
 
 658. Lough Swilly, looking towards Dunree 
 
 Head, North of Ireland. Philip Mitchell, R.I. 
 
 659. Twilight. H. G. Hine, R.I. 
 
 660. The Granite Quarries of Syene (Assoun), 
 
 with the Unfinished Obelisk. Frank Dillon, R.I. 
 (See Illustration.) 
 
 661. St. Giorgio Maggiore, Venice. Albert Edward. 
 
 662. Dingle and Dell. James Whaite. 
 
 663. Sgurr-na-Gilleau, from Corrie Basader, 
 
 Isle of Skye. Colin B. Phillips. 
 
 664. The Hayfield. J. Clayton Adams. 
 
 665. The Flight of Little Nell and Her Grand- 
 
 father (" The Old Curiosity Shop "). 
 
 Mariquita J. Moherly. 
 
 666. Westminster Abbey, from the Chapel of St. 
 
 John the Baptist. F. Startin Pilleau. 
 
38 
 
 CENTRAL GALLERY. 
 
 667. 
 668. 
 669. 
 
 670. 
 671. 
 672. 
 673. 
 674. 
 675. 
 676. 
 677. 
 678. 
 679. 
 680. 
 681. 
 682. 
 683. 
 684. 
 
 685. 
 686. 
 687. 
 688. 
 689. 
 690. 
 
 Early Morning, Mentone. G. B. Aston, R.I. 
 
 Monaco. Mac Whirter, A.B.A., R.I. 
 
 Afternoon in July — Castle Crag, Lynton. 
 
 C. B. Aston, R.I. 
 
 A Thames Study. 
 Old Houses in Essex. 
 A Coming Choir. 
 A Portrait. 
 Apple Blossom. 
 A Street in Spain. 
 Lilac and Pyrus Japonica. 
 High Toby. 
 Pug. 
 
 Dear Pussy. 
 
 The Happy Hours of Childhood. 
 Near Llanberis, North Wales. 
 The Shepherd. 
 An African. 
 
 Where trees o'erhang the silver stream. 
 (See Illustration.) 
 
 An Estuary — Harvesting. 
 A Legend of the Castle. 
 In the Meadows, Lamorby. 
 Orchard Robbers. 
 The Conway at Bettws-y-Coed. 
 Man in the Clouds of Mortality 
 
 W. F. Clark. 
 Cyrus Johnson. 
 Gideon Fidler. 
 Agnes Gardner King. 
 C. E. Comhes. 
 Thos. B. Macquoid, R.I. 
 Mrs. JVilliam Duffield, R.I. 
 
 Fred. Weekes. 
 Kate Barnard. 
 K. A. Belford, 
 Frank Bertioli. 
 W. E. Sine. 
 E. Julia Bobinson. 
 G. Laurence Bulleid. 
 Thomas Ireland, 
 
 C. J. Lewis, R.I. 
 David, Mossman. 
 Fowell May. 
 Fanny K. Kinder sley. 
 
 John Steeple. 
 Henry J. Stock, R.I. 
 
 " He hath fenced up my way that I cannot pass, and he hath set 
 darkness in my paths."— Job xix. 8. 
 
 (See Illustration.) 
 
 691. Piazza of St. Peter, Rome. 
 
 Arthur Severn, R. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 39 
 
 692. NUOVE FUNDAMENTA, VENICE. 
 
 Bingham MeGuinness, B.H.A. 
 
 693. Hampstead Heath. J. C. Harrison, 
 
 694. The Choir Screen at Albi, Near Toulouse. 
 
 Dr. Boyd, D.D. 
 
 695. Castle Donington. Charles W. Baddy ffe. 
 
 696. Slaughden Pier. E. M. Wimperis, E.I. 
 
 (See Illustration.) 
 
 697. In Flagrante Delicto. Stephen T. Dadd. 
 
 (See Illustration.) 
 
 698. Ponte Molle, near Rome. Charles Earle, R.I. 
 
 699. A Backwater on the Thames, Near Hurly. Thos. Pyne. 
 
 700. A Journey by the Waggon. • Towneley Green, ~R.I. 
 
 (See Illustration.) 
 
 701. On the Moors, overlooking Mount's Bay. 
 
 John Mogford, R.I. 
 
 702. Grasmere. Alfred Powell. 
 
 703. Der Landknecht. Fred. Weekes. 
 
 704. The Hall, Godinton House, near Ashford, Kent. 
 
 W. Harding Smith. 
 
 705. Scheveningen Boats. Patty Townsend. 
 
 706. A Fine Breeze. Fred. Jas. Aldridge. 
 
 707. Korrara Sound, Argyllshire. W. F. Calcott. 
 
 708. A Village Cobbler. Bupert Arthur Dent. 
 
 709. Kept In. T. B. Kennington. 
 
 710. The First Scud of Snow across the Hills. L. Fosbrooke. 
 
 711. The " Providence " Repairing. W. L. Wyllie, R.I. 
 
 (See Illustration.) 
 
 712. " Guess What I'm Going to Do." Jane M. Dealy. 
 
 713. Plumpton Rocks, Yorkshire. James Fahey, R.I. 
 
 714. " One generation passeth away, and another generation cometh." 
 
 Artlmr Stocks, R.I. 
 
40 
 
 EAST GALLERY. 
 
 715. Union is Strength. Stanley Berkley. 
 
 716. Grantchester Mill, near Cambridge. In 1872. 
 
 Harry Hine, R.L 
 
 EAST GALLERY. 
 
 717 
 
 T^TTT? SsTTTPPTTTCT? TVs dAPF 
 
 JL n Yj KJ ±1. JCjJL Ji HjJX±J O W iA_ IX Hj • 
 
 Vv Ll/l/vtsi JlJUvivIajIIvO* 
 
 718 
 
 TiTTTT.F, MTSS MtTFFTCT 
 
 iSffiVWlftW. lif "MflCfl.Oll.nflll 
 
 71Q 
 
 The Rod in Pickle. 
 
 Percy Macquoid, R.L 
 
 720. 
 
 A Holiday. The Start. 
 
 W. L. Thomas, R.I. 
 
 721. 
 
 Stacking Hay. 
 
 C. J. Lewis, R.L 
 
 722. 
 
 Hampton Court. The Fountain 
 
 Court. B. Phene-Spiers. 
 
 723. 
 
 Vale of Trent. 
 
 James Orrock, R.I. 
 
 724. 
 
 A Derbyshire Dale. 
 
 Edward Hargitt, R.I. 
 
 725. 
 
 In St. Lawrence, Nuremberg. 
 
 Henry Dunkin Shepard. 
 
 726. 
 
 Joan of Arc. 
 
 J. W. Chapman. 
 
 727. 
 
 "To Market was a wet and well-worn way." William A. Waite. 
 
 728. 
 
 Newton Point, Sutherland. 
 
 H Pilleau, R.L 
 
 729. 
 
 Departure of the Coldstream Guards for 
 the Soudan, February 19, 1885. 
 
 
 
 T. Walter Wilson, R.L 
 
 730. 
 
 Light Work. 
 
 Carlton A. Smith. 
 
 731. 
 
 Thames at Greenwich. 
 
 Walter W. May, R.L 
 
 732. 
 
 A Refresher. 
 
 Thomas Httson, R.L 
 
 733. 
 
 View of Barnes. 
 
 C, E. Holloway, R.L 
 
 734. 
 
 Near Burley. 
 
 (See Illustration.) 
 
 Thomas Collier, R.L 
 
 735. 
 
 "There is sorrow on the sea." 
 
 Wm. H. Weatherhead. 
 
 736. 
 
 The River Teign. 
 
 Clem Lambert. 
 
 737. 
 
 The Cadi, Bagdad. 
 
 Arthur Melville. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 41 
 
 738. 
 
 739. 
 740. 
 741. 
 742. 
 743. 
 744. 
 745. 
 746. 
 747. 
 748. 
 
 749. 
 750. 
 
 751. 
 752. 
 
 753. 
 754. 
 755. 
 756. 
 757. 
 758. 
 759. 
 760. 
 
 761. 
 762. 
 
 An Every-day Witch. 
 
 (See Illustration.) 
 
 Crossing the Burnie. 
 Chrysanthemums. 
 Near Thorpe, Suffolk. 
 Gathering Sea-weed. 
 
 " Calm and peaceful as the Sabbath morn.' 
 
 The Old Town, Scarborough. 
 A Study. 
 
 G. F. Wetherbee, R.I. 
 
 Edith Martinean. 
 Kate Sadler. 
 E. M. Wimperis, R.I. 
 J. H. Mole, V.P.R.I. 
 J. W. Walker. 
 W. T. Donne. 
 A. M. Rossi. 
 
 Hall of Barnard's Inn, Holborn. Philip Norman. 
 
 " Be-Calmed." Walter Langley, R.I. 
 
 Heaven's Gate. T. Blake Wirgman. 
 
 (See Illustration.) 
 
 Moorland Dingle. Blanche Haribury. 
 
 Mirage on the Plains of the Bogan. 
 
 Edward Combes, C.M.G. 
 
 HOW VERY LIKE HlM. 
 
 Cupboard Love. 
 
 Herbert W. Foster. 
 Haynes King. 
 
 Geo. S. Aspinall. 
 F. W. Gurrey. 
 Henry Terry. 
 Louise Bayner. 
 Edward Hargitt, R.L 
 
 (See Illustration.) 
 
 " Boswell's " — W. Dorking. 
 On the way to the Well. 
 Sunday Morning. 
 High Street, Edinburgh. 
 Dove Dale, Derbyshire. 
 On the Yare at Coldham Hall. Edward H. Fahey, R.I. 
 Yamerton Creek, near Plymouth. Philip Mitchell, R.I. 
 The Valley of the Thames at Moulsford. 
 
 John Heaton. 
 
 Ducks Paddling in the Burn. John I. Bichardson, R.I. 
 
 The Welcome. Guido B. Bach, R.I. 
 
 (See Illustration.) 
 
42 
 
 EAST GALLERY. 
 
 763. 
 
 Besieged. 
 
 Fred. Morgan. 
 
 764. 
 
 A Surrey Heath. 
 
 A. Quinton. 
 
 765. 
 
 Dead Game. 
 
 Jabez Bligh. 
 
 766. 
 
 Snowdrops. 
 
 Agnes B. Nicholl. 
 
 767. 
 
 Evening Quietude. 
 
 John W. Whiteley. 
 
 / OO. 
 
 Looking towards Stockbridge on the River 
 
 
 Test, Hants. 
 
 B.A.K. Marshall. 
 
 
 Gone. 
 
 C. E. Holloway, R.I. 
 
 770. 
 
 Old Battersea Bridge now being demolished. 
 
 
 
 C. J. Lewis, R.T. 
 
 771. 
 
 The Fate of our Wooden Walls. 
 
 Walter W. May, R.I. 
 
 772. 
 
 Old Fashioned Flowers. 
 
 Emma Cooper. 
 
 / / O. 
 
 Elephantine, opposite Assouan on the Nile. 
 
 
 
 H. Pilleau, R.I. 
 
 774. 
 
 St. Michael's Mount, Cornwall. 
 
 (See Illustration.) 
 
 C. B. Aston, R.I. 
 
 775. 
 
 Harvest — near Chudleigh, Devon 
 
 . E. G. Warren, R.I. 
 
 776. 
 
 Evening (Polperro). 
 
 H. de la Grou6e. 
 
 777. 
 
 Old Battersea Bridge. 
 
 Fred. A. Winkfield. 
 
 778. 
 
 Quiet Homes. 
 
 Agnes Hussey. 
 
 779. 
 
 Evening Sketch in Co. Mayo. 
 
 Margaret Bernard. 
 
 / OvJ - 
 
 Consideration. 
 
 Emmeline Atkins. 
 
 781. 
 
 Nancy. 
 
 Catherine T. Atkins. 
 
 782. 
 
 Autumn. 
 
 James Townshend. 
 
 
 " There is a beautiful spirit breathing now, 
 
 
 Its mellow richness on the clustered trees." 
 
 
 
 Longfellow. 
 
 783. 
 
 Santa Claus. 
 
 Mrs. Stanley Berkley. 
 
 784. 
 
 Queen of Spain's Chair — Gibraltar. Louise Childers. 
 
 785. 
 
 Winter in the Woods. 
 
 W. F. Hulk. 
 
 786. 
 
 Market Place at Verona. 
 
 Mrs. W. Oliver, R.I. 
 
 787. 
 
 Somebody's Helpmate. 
 
 Henry G. Massey. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 43 
 
 788. Scarlet Primula. Katherine Scott. 
 
 789. Evenwich. B. Goff. 
 
 790. Turnip Hoeing. Thos. MarjoribanJcs Say. 
 
 791. Arundel Park, Sussex. John Steeple. 
 
 792. Old Veterans. G. S. Walters. 
 
 793. The Haunted Inn. Alfred Sutton. 
 
 794. Entrance to the large Bitter Lake, 
 
 Suez Canal.. Edivard Combes, C.M.G. 
 
 795. A Summer Evening, Witley, Surrey. T. B. Way. 
 
 796. Early Summer, Mapledurham. William Bradley. 
 
 797. The Silk Bazaar, Cairo. S. Pilleau, R.I. 
 
 798. Doorway in Westminster Abbey. Marion Roberts. 
 
 799. Schevening Beach. Edivin Hayes, B.H.A., R.I. 
 
 800. " Sweet is the Rose, but grows upon a brere." A. M. Youngman. 
 
 801. An Interior. Harry Hine,~R.l. 
 
 802. A Dartmoor Stream. J. Syer, R.I. 
 
 803. A Song of Spring. Charles Jones, A. B.C. A. 
 
 804. Christchurch, from the New Railway. W. P. Knowles. 
 
 805. The Last Sleep of "A Tater Bogle/' Chas. Whymper. 
 
 806. " Who is Sylvia, what is she 1 Edgar Gibeme. 
 
 That all our swains commend her." 
 
 Assouan, First Cataract of the Nile. John Varley. 
 
 The Estuary of the Thames. Walter W. May, R.I. 
 (See Illustration.) 
 
 The Green Walk. Geo. S. Elgood, R.I. 
 
 Common Objects on the Sea Shore. Yeend King. 
 
 Harlech Castle from Criccieth Sands. 
 
 James Orrock, R.I. 
 
 Gossip. Tovmeley Green, R.I. 
 
 The Pool Below the Bridge. . Ernest Parton. 
 
 Evening. T. W. Allen. 
 
44 
 
 EAST GALLERY. 
 
 815. A Relic of the Past, Old Elvet Bridge, Durham. 
 
 J". Hodgson Campbell. 
 
 816. Peacock Feathers. Mrs. George Stapleton. 
 
 817. A Portrait. Mary D. Tothill. 
 
 818. The Fringe of Hampstead Heath. Wilfred H. Thompson. 
 
 819. Off Port Victoria. John Fraser. 
 
 820. Cloisters of the Stiff Kirche, Berchtesgaden. 
 
 Arthur Lucas. 
 
 821. Gateway of Chapel of " Koldinghus, Den- 
 
 mark," the Ancestral Castle of H.R.H. 
 
 the Princess of Wales. Peter Toft. 
 
 822. Mill, near Gomshall. A. S. Underwood. 
 
 823. Sunset, West Coast of Ireland. Arthur Severn, R.I. 
 
 824. Springtime on the Pincio, Rome. Charles Earle, R.I. 
 
 825. A Fen Farm. R W. Macbeth, A.R.A., R.I. 
 
 (See Illustration.) 
 
 826. Sisters. Mary L. Gov), R.I. 
 
 (See Illustration.) 
 
 827. A Horse Guard, 1815. G. Green, R.I. 
 
 828. A Gleaner. C. J. Lewis, R.I. 
 
 829. Sunshine on the Sea. Walter W. May, R.I. 
 
 830. Dolly's Lesson. Alf. J. Johnson. 
 
 831. Gooseberries. John Sherrin, ~R.l. 
 
 832. Ebbing Tide — Polurian Cove, Cornwall. 
 
 John Mogford, R.I. 
 
 833. The Lock. Everard Hopkins. 
 
 834. A Summer Morning on the Forth. Andrew Blair. 
 
 835. Blea Tarn, Westmoreland. Edward Arden. 
 
 836. An Old Hall. Robert Fowler. 
 
 837. An Old Corner in a Cornish Village. John McDougal. 
 
 838. A Tale of the Sea. J. H. Mole, Y.P.R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 45 
 
 839. August. Frank Walton, R.I. 
 
 840. West Street, Rye. Evelyn Redgrave. 
 
 841. At King's Lynn — Morning. Harry Eine, R.I. 
 
 842. Hawthorn. Lucy J. Tuck. 
 
 843. Jump ! Frank Hobden. 
 
 844. On the Shore at Glan Conway, North Wales. 
 
 J. W. Whymper, R.I. 
 
 (See Illustration.) 
 
 845. Salpiglossis. Marian Chase, R.I. 
 
 846. "Carry High the Colours." — The Guards 
 
 Defending the Sandbag Battery at 
 
 Inkerman. W. B. Wollen. 
 
 (See Illustration.) 
 
 847. The Parsonage Garden. Geo. S. Flgood, R.I. 
 
 848. Old Mill on the Balder, Catherstone, Yorks. 
 
 Edwin Moore. 
 
 849. Sussex Meadows — a Bright Day at the 
 
 Beginning of the Autumn. William J. Ferguson. 
 
 850. When Winter Reigns. Edmund Caldwell 
 
 85 1. Wych Street, Drury Lane. W. B. Spong. 
 
 852. A Leicestershire Landscape. Charles J. Adams. 
 
 853. A Terrace Garden, Rome. Charles Earle, R.I. 
 
 854. Homeward. Guido R. Bach, R.I. 
 
 855. Grapes and Plums. Mrs. William Duffield, R.I. 
 
 856. Killing Time. Elizabeth A. Armstrong. 
 
 857. Seaweed Harvesters, Portugal. Tristram Ellis. 
 
 858. Pomerne on the Moselle. Mrs. W. Oliver, R.I. 
 
 (See Illustration.) 
 
 859. Mosque of Mohammed Bey, Cairo. John Varley. 
 
 860. Flirtation. A. L. Zorn. 
 
 86 1. A Devonshire Court. Chris Poole. 
 
 862. Conspirators. Helena J. Maguire. 
 
46 
 
 EAST GALLERY. 
 
 
 f> s> r% 
 
 863. 
 
 Her own Gleanings. 
 
 TT T~> T> 7 j 
 
 H. B. Robertson. 
 
 864. 
 
 Sketch at Utrecht. 
 
 TT7" T"» 71 T ' 7 7 
 
 W. P. Nichols. 
 
 865. 
 
 Fairy Tales. 
 
 TT T7~ 
 
 H. Kempe. 
 
 866. 
 
 Doubtful Weather. 
 
 All i TT7* A 7 * 
 
 Albert W. Ayhng. 
 
 867. 
 
 Finale Furioso. 
 
 B. W. Spiers. 
 
 O £S G 
 
 868. 
 
 At Lympstone, Devon. 
 
 o. 6r. W . Eoseoe. 
 
 869. 
 
 New Quay, Cornwall. 
 
 Chas. Thornely. 
 
 870. 
 
 Teaching the Young Idea. 
 
 Wm. Fisher. 
 
 871. 
 
 Old Putney Bridge. 
 
 C. K Holloway, R.I. 
 
 872. 
 
 Waiting for Him. 
 
 John Absolon, R.I. 
 
 873. 
 
 
 John Scott. 
 
 
 " Then the stork returned to the mother and daughter, and threw the 
 swan's plumage over them ; and they rose up from the earth in the 
 form of two white swans. . . . They threw off their soft white 
 plumage, and two lovely female forms appeared as like each other 
 as two dewdrops." — Andersen's Marsh King's Daughter. 
 (See Illustration.) 
 
 874. 
 
 A Plaintive Ditty. 
 
 B. H. Bose. 
 
 875. 
 
 Aber Hirgwm. 
 
 S. H. Baker. 
 
 876. 
 
 A Farmyard in the Highland. J. Denovan Adam, A.B.S. 
 
 877. 
 
 A Grey Morning. 
 
 Bryan Whitmore. 
 
 878. 
 
 " Loved long since, and lost awhile." 
 
 
 
 Edward S. Harper. 
 
 879. 
 
 Scotch Firs. 
 
 James Baldoch. 
 
 880. 
 
 Preparing for the Herring Fishing — Tarbert. 
 
 
 
 Jas. Macculloch. 
 
 881. 
 
 The Contest for the Bridge. 
 
 Helena J. Maguire. 
 
 882. 
 
 A Highland Burn. 
 
 (See Illustration.) 
 
 James Hardy, R.I. 
 
 883. 
 
 Amalfi. 
 
 Arthur Ditchfield. 
 
 884. 
 
 On the Severn, near Tewkesbury 
 
 Bobert Little. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 47 
 
 885. 
 
 « Full-blown, full-scented, garden rose, 
 Orbed complete." F. W. Currey. 
 
 886. 
 
 An Approaching Storm. 
 
 Sam. W. Oscroft. 
 
 OO / . 
 
 The Undercliff, looking towards Ventnor. 
 
 Edward Hargitt, R I. 
 
 (See Illustration.) 
 
 888. 
 
 The Battle of El Teb, 27th February, 1884. 
 
 
 
 Orlando Noril. 
 
 889. 
 
 " O'er the moor amang the heather." 
 
 J. A. Gilchrist. 
 
 890. 
 
 A Quiet Nook. 
 
 Fred. Bodkin. 
 
 891. 
 
 The Mill Pool, Sheres. 
 
 A. H. Waller. 
 
 892. 
 
 Sketch at Rotterdam. 
 
 W. P. Nichols. 
 
 893. 
 
 At Braughing, Herts. 
 
 H. G. Moon. 
 
 894. 
 
 A Brisk Rally. 
 
 Albert Tuck. 
 
 895. 
 
 Rievaulx Abbey, Yorkshire. 
 
 John Pedder. 
 
 896. 
 
 In the Piazza del Popolo, Rome — Early 
 
 
 Morning. 
 
 Charles Earlc, R.I. 
 
 897. 
 
 The Harbour of Trondhjem, Norway — 
 
 
 10 O'CLOCK P.M. 
 
 Frank Billon, R.I. 
 
 898. 
 
 At Chiddingfold, Surrey. 
 
 Charles Smith. 
 
 899. 
 
 Convalescent. 
 
 Towneley Green, R.I. 
 
 900. 
 
 " Down by a green and shady bed." 
 
 Mrs. W. Oliver, R.I. 
 
 901. 
 
 My old Cottage in the Cove. 
 
 John Mo g ford, R.I. 
 
 902. 
 
 " And in the evening withhold not thy hand.' 
 
 G. F. Wetherbee, R.I. 
 
 903. 
 
 Wandering by a Stream in Summer. 
 
 Edmund G. Warren, R.I. 
 
 904. 
 
 Back view of the " Old Farm Inn,' 
 
 ' Built 
 
 
 in 1660, Southampton. 
 
 M. Fowler. 
 
 905. 
 
 Caught in a Shower. Arthur Trevethin Nowell. 
 
 906. 
 
 A Gleam of Light between the Showers. N. E. Green. 
 
48 
 
 EAST GALLERY. 
 
 907. Conway Mountain from the Marsh. C. H. Woodman. 
 
 908. My Earrings. Caroline Paterson, 
 
 909. A Dream of Chivalry. H. Randolph Rose. 
 
 910. Roses. C. B. Le Fanu. 
 
 911. Clouds Lingering yet. Joseph Knight, R.I. 
 
 912. Waiting for the Boats. Walter Langley, R.L 
 
 (See Illustration.) 
 
 913. Henry J. Stock, R.I. 
 " He shall cover thee with His feathers, and under His wings shalt 
 
 thou trust. — Psalm xci. 4. 
 
 ( 
 
 914. Criccieth Castle. J. Syer, R.I. 
 
 915. Spring-time. Marian Chase, R.I. 
 
 916. Migdale, Sutherland. H. Pilleau, R.I. 
 
 917. In Wensleydale. E. M. Wimperis. R.I. 
 
 918. At the Stream. Bolt. Carrick, R.I. 
 
 919. A Spring Flower with Autumn Leaves. 
 
 Rosalie M. Watson. 
 
 920. The Vicarage Garden. C. J. Lewis, R.L 
 
 921. Sligachan, Skye, N.B. William Bennett. 
 
 922. Spring-time, Epping Forest. Fred. Hines. 
 
 923. A Gale from the S.E., Portland Roads, Dorset. 
 
 William Pye. 
 
 924. Departing Day. John M. Macintosh. 
 
 925. When the Boats come in. Robert W. Allan. 
 
 926. Dover Roads. Edwin Hayes, R.L 
 
 (See Illustration.) 
 
 927. " How are the mighty fallen, and the weapons of war perished ! " 
 
 Charlie W. Wyllie. 
 
 928. Sophie, Daughter of J. E. Millais, Esq., R.A. 
 
 Kate Perugini. 
 
 929. The Pool of the Coracle, Sktbo, Sutherland. 
 
 H. Pilleau, R.L 
 
ROYAL INSTITUTE OF PAINTERS IX WATER COLOURS. 
 
 49 
 
 930. 
 931. 
 
 932. 
 933. 
 934. 
 
 935. 
 936. 
 
 937. 
 938. 
 939. 
 940. 
 941. 
 
 942. 
 943. 
 944. 
 945. 
 946. 
 947. 
 948. 
 949. 
 950. 
 951. 
 952. 
 953. 
 954. 
 955. 
 
 The Weaver. Hugh Carter, R.I. 
 
 Principia il Giorno Commiciano le Lusinghe. 
 
 Ettore Roesley Franz. 
 
 Sister Louise's Reading Class. 
 The Bookworm. 
 The Wayside Inn. 
 
 " Hope springs eternal in the human breast. " 
 
 A Misty Day. 
 
 H. Blackbiome. 
 J. W. Chapman. 
 L. Pinhorn Wood, 
 
 Joseph Nash. 
 C. E. Johnson, R.I. 
 
 (See Illustration. 
 
 Tenby. 
 
 scheveningen. 
 After a Sudden Thaw. 
 Anemones. 
 
 John Fulleylove, R.I. 
 
 David Murray, A.R.S.A. 
 
 Edgar Varley. 
 
 Agnes E. C. Moore. 
 
 Highland Girls Carrying Home Sticks for Fuel. 
 
 John I. Richardson, R.I. 
 
 (See Illustration.) 
 
 Industry and Idleness. 
 
 A Strip of Holland. 
 Llyn Lydau. 
 Alice. 
 
 A Misty Morning. 
 Crowmarsh. 
 
 Whence the Village was Hewn 
 Friends. 
 
 Christchurch, Hants. 
 St. Maria del Popolo. 
 Nero's Aqueducts, Rome. 
 The Stour, near Christchurch. 
 Apple-blossoms. 
 
 Mrs. L. Bentley Smith. 
 James Edward Rogers. 
 
 Alfred de Brtanski. 
 Arthur Acldand Hunt. 
 
 A. Helcke. 
 R. Hal/night. 
 J. W. Walker. 
 J. C. Harrison, 
 Kecley Halswclle, A.R.S.A., R.I. 
 
 John O'Connor. 
 Cenorato Carlandi. 
 J. Whittet Smith. 
 J. JDeane Simmons. 
 
 A Sunny Day — On the Pang, near Pangbourne. 
 
 Ernest Parton. 
 
 D 
 
50 
 
 EAST GALLERY. 
 
 956. A Rustic Bath. John Absolon, KI. 
 
 957. The Village Genius. Frank W. W. Topham,KI. 
 
 958. Rye — Evening. A. Helcke. 
 '959. Scawfell. Iiichard Bed/em. 
 
 960. Afternoon Tea. Lilian Abraham. 
 
 961. "Oh hear us when we cry to Thee, 
 
 For those in peril on the sea." 
 
 Wm. H. Weatherhead. 
 
 (See Illustration.) 
 
 962. In the Channel. W. Ay erst Ingram. 
 
 963. Puzzled. Alf. J. Johnson. 
 
 964. Hampton Court, Colonnade Entrance to 
 
 the Picture Galleries. R. Phene' Spiers. 
 
 965. The Time of Apples. A. C. Wyatt. 
 
 966. Pelargoniums. Mrs. William Du field, R.I. 
 
 967. Fountains Abbey, Yorkshire.'! James Fahey, R.I. 
 
 968. The Amsterdam Gate, Haarlem. Andrew B. Donaldson. 
 
 969. Argyllshire Hills. John S. Hawle. 
 
 970. Primroses. Katharine M. Stocks. 
 
 971. On the Bure, Five Miles from Yarmouth. 
 
 J. Miller Marshall. 
 
 972. An Afternoon on the Thames. T. R. Way. 
 
 973. A Shrimper. H. R. Robertson. 
 
 974. Early Spring. Alfred de Br e'anski. 
 
 975. South Sea Bubbles. Everard Hopkins. 
 
 976. A Creek on the St. German's River, 
 
 near Plymouth. Philip Mitchell, R.I. 
 
 977. Dr. Johnson Behind the Scenes at 
 
 Garrick's Theatre, Drury Lane, 
 
 vide Thackeray's Life of Johnson. John Absolon, R.I. 
 
 978. Sally. Ellen Wclby. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 51 
 
 979. 
 980. 
 981. 
 982. 
 983. 
 
 984. 
 985. 
 986. 
 987. 
 988. 
 989. 
 990. 
 991. 
 
 992. 
 993. 
 994. 
 995. 
 996. 
 997. 
 998. 
 999. 
 
 iooo. 
 
 lOOl. 
 1002. 
 
 1003. 
 1004. 
 
 The Avon below Oakfokd. 
 
 Come and Play. 
 
 Plums. 
 
 The Downs at Harting, Sussex. 
 
 W. P. Knowles. 
 
 H. Blacliburne. 
 John Sherrin, R.I. 
 J, Aumonier, R.I. 
 
 Steam Tug, Looking after Barges in the Ice. 
 
 Arthur Severn, R.I. 
 
 London Barges. 
 
 February. 
 
 Din an, Brittany. 
 
 ClOCH-NA-OlGHE, ARRAN. 
 
 Pass in the Tyrol. 
 
 Sitting for His Portrait. 
 
 The Hour Before Dawn. 
 
 A Village Wedding. 
 
 (See Illustration.) 
 
 Off Finisterre. 
 Laid Corn. 
 Spanish Muleteers. 
 Yellow Pyrethrums. 
 Lotts Cottage, Flatford. 
 A Grey Evening. 
 The Woodman's Cheer. 
 Au Revoir. 
 
 J. A. Gilchrist. 
 R. TV. A. Bouse. 
 
 John H. Scott. 
 Edicard Ardm. 
 Reginald Jones. 
 Rupert Arthur Dent. 
 Lionel Smythe, R.I. 
 C. J. Lewis, R.I. 
 
 John Dixon. 
 C. E. Johnson, R.I. 
 T. R. Macquoid, R.T. 
 
 Marian Chase, R.I. 
 Fred. G. Cotman, R.I. 
 Wilfred Ball 
 H. R. Steer, R.I. 
 T. Walter Wilson, R.I. 
 
 Barnaby Rudge with the Rioters. G. Green, R.I. 
 
 Baveno. H.R.H. Princess Beatrice, Hon. Mem. RL 
 
 (See Illustration.) 
 
 Sim Tappertit Addressing the Rioters in the 
 
 Boot Tavern. C. Green, R.I. 
 
 Across the Moors. E. M. Wimperis, R.I. 
 
 A Rocky Shore, Morecambe Bay. Reginald Aspinwall. 
 
 d 2 
 
§2 
 
 EAST GALLERY. 
 
 1005. 
 1006. 
 1007. 
 1008. 
 1009. 
 
 1010. 
 
 lOll. 
 1012. 
 1013. 
 1014. 
 1015. 
 
 1016. 
 1017. 
 1018. 
 1019. 
 1020. 
 
 1021. 
 1022. 
 
 1023. 
 1024. 
 1025. 
 
 1026. 
 
 1027. 
 1028. 
 
 Nora. 
 
 Mrs. W. Matthew Hale. 
 A Domestic Little Maiden. 
 Hollyhocks. 
 Coast of the Riviera. 
 Harvest Time. 
 Ninety Miles from London. 
 On the Coast of Cornwall. 
 A Corner of the Mantelshelf. 
 Italian Soldiers. 
 
 B. S. Cakill 
 Mary D. Tothill. 
 Henrietta Benson. 
 Katharine McCrachen. 
 Lady Buchanan Biddell. 
 
 George Lucas. 
 Thos. George Cooper. 
 J. Syer, R.I. 
 Kate Hayllar. 
 
 John Fulieylove, R.I. 
 
 Evening Sunlight — The Riviera Coast. 
 
 Edivin Bale, R.I. 
 
 Gertrude Martineau. 
 
 Mrs. William Duffield, R.I. 
 
 W. Bwpert Stevens. 
 
 (The late) Harry Johnson, R.I. 
 
 Water Lilies. 
 Flowers. 
 On the Common. 
 Temple of Sunicjm 
 
 The End of the Journey. 
 
 James Lawson Stewart. 
 
 " A quiet, happy place — a place to live and learn to die in." 
 
 The Old Curiosity Shop. 
 
 July. B. W. A. Bouse. 
 
 The Road to Chipping Ongar, Essex. 
 
 Bichard Dotoglass. 
 
 Felucca in the Tagus. Tristram Ellis. 
 
 Dilapidated. Alfred Newly. 
 
 Carrying Fern, New Forest — Late Autumn. 
 
 Edmund G. Warren, R.I. 
 
 Criticism. J. Haynes- Williams. 
 
 (See Illustration.) 
 
 Scraps of News. 
 Flowing to the River. 
 
 Arthur Stocks, R.I. 
 Arland Ussher. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 5 
 
 1029. Primulas. 
 
 1030. On the River Ounlan, Glen Shiel 
 
 Helen Bruce. 
 
 
 ROSSHIRE. 
 
 Colin B. Phillip. 
 
 1031. 
 
 Loch Buy Head, Carsaig, Mull, N.B. Lennox Browne. 
 
 1032. 
 
 The Barmouth Marshes. 
 
 John Keeley. 
 
 1033. 
 
 Solitude. 
 
 W. F. Hulk 
 
 1034. 
 
 Cottage Homes of England. 
 
 Charles James Fox. 
 
 1035. 
 
 Doorway of Palace of the Bey 
 
 
 CONSTANTINE, ALGERIA. 
 
 1036. A Sussex Lane Scene. 
 
 1037. A Windy Day on the Thames. 
 
 1038. Thisbe. 
 
 1039. Cross Roads, Bury, Sussex. 
 
 1040. Menavawr Rocks, Lizard. 
 
 1 04 1 . Raspberries. 
 
 1042. The Isle of Wight, from Swan age Bay. 
 
 Walter Crane, R.I. 
 
 1043. Potato Harvest. 
 
 1044. Autumn Woods — Sunset. 
 
 1045. Girl Gossips. 
 
 1046. The Beach, Clovelly. 
 
 1047. On the River Conway — Evening. 
 
 1048. The Aros Hills, Mull 
 
 1049. Azaleas. 
 1050. 
 
 Edward Sanguinetti. 
 Edgar Varley. 
 H. J. Hyde. 
 Arthur Robertson. 
 Fred. G. Gotman, R.I. 
 Frank Walton, R.I. 
 Bosa Wallis. 
 
 John M. Bromley. 
 Fred Hines. 
 W. K. Stevens. 
 Arthur Burchett. 
 John Finnic. 
 Waller H. Baton, B.S.A. 
 Mrs. Cecil Lawson. 
 
 Immortality rescuing the Soul from the 
 
 Coils of Death. Henry J. Stock, R.I. 
 
 " The Soul within the arms of Immortality 
 Throws off the unavailing coils of death, 
 And lives a^ain the babe of a new beinci;." 
 
 105 1 . Tenby Harbour. 
 
 John Fulleylove, R.I. 
 
54 
 
 EAST GALLERY 
 
 1052 
 1053. 
 
 1054. 
 1055. 
 
 1056. 
 1057. 
 
 1058. 
 1059. 
 
 1060. 
 1061. 
 
 1062. 
 1063. 
 1064. 
 1065. 
 
 1066. 
 
 1067. 
 1068. 
 1069. 
 
 A Welsh Moorland. Paul H. Ellis 
 
 David Copperfield and Agnes (Chapter LXIL). 
 
 H. B. Steer, R.I 
 
 Mochras Island, North Wales. Bessie J. Spiers 
 
 An October Day, near Bournemouth. 
 
 C. B. Aston, R.I 
 
 Wild, Sea-worn Rocks. John Mogford, R.I. 
 
 (See Illustration.) 
 
 Arrival of Lobster Smack — Sennen Cove, 
 
 Land's End— Hauling the Storepot.^. H. Carter. 
 
 May. Mrs. Chandler Roberts. 
 
 Evening on the Tavy, Devonshire. 
 
 Hamilton Maxwell. 
 
 Above Henley — Afternoon. 
 Music, Literature, and Art. 
 
 (See Illustration.) 
 
 Portrait of Miss Viva. 
 " After Supper, walk a Mile." 
 Pansies. 
 
 J. Deane Simmons. 
 Marian Chase, R.I. 
 
 Ediuin Bale, R.I. 
 Thos. JSuson, R.I. 
 Grace H Hastie. 
 
 Among the Sand Hills, Lincolnshibe 
 
 Coast — Noon. 
 
 Vernon Howard. 
 
 The Great Avenue, Hampton Court. 
 
 (See Illustration.) 
 
 John Fulleylove, R.I. 
 Unpacked. Miss M. E. Carwardine. 
 
 Towards Evening. 
 
 On the Greta, Rokeby. 
 
 Arland A. Ussher. 
 Edwin Moore. 
 
SCULPTURE. 
 
 Portrait Bust of the late Earl of Beaconsfield 
 (Presented to the Constitutional Club 
 by Sir Andrew B. Walker, Kt.). 
 
 H.S.H. Count Gleichen, Hon. Mem., R.I. 
 
 Portrait Bustnette of Madame Semprich. 
 
 H.S.H. Count Gleichen, Hon. Mem., R.I. 
 
 Portrait Bustnette of Mdlle. Zucchi. 
 
 H.S.H. Count Gleichen, Hon. Mem., R.I. 
 
 Love's First Whisper. H.S.H. Cotcnt Gleichen, Hon. Mem , R.I. 
 
 Die Nymphe der Quelle. 
 
 Terra Cotta Statuette (Portrait of a Lady). Beploe Brown. 
 
 H.S.H Count Gleichen, Hon. Mem., R.I. 
 
 Nanette. 
 
 William Tyler. 
 
 Lady Godiva Unrobing. 
 
 T. Woolner, B.A. 
 
 Terra Cotta Bust. 
 
 Beploe Brown. 
 
I 
 
NAMES and ADDRESSES of the EXHIBITORS, with the 
 NUMBERS that refer to their PICTURES. 
 
 H.R.H. PRINCESS BEATRICE, Hon. Mem. U.I. 1001. 
 H.S.H. COUNT GLEICHEN, Hon. Mem., B.I. (Sculpture). 
 
 ABBEY, E. A. B.I. 17b. Eldon Road, Kensington, W. 294. 
 ABSOLON, JOHN, B.I 15, Gloucester Crescent, Regent's Park, N.W. 
 
 68, 143, 389, 872, 956, 977. 
 ASTON, C. R. E.I., Eastnor Villa, Leamington. 56, 188, 252, 296, 
 
 667, 669, 774, 1055. 
 AUMONIER, J. R.I. 84, Fellowes Road, N.W. 114, 199, 250, 306, 578, 
 
 590, 982. 
 
 Abraham, Miss L. 5, Lisle Street, W. 960. 
 Absolon, Louis, 15, Gloucester Crescent, N.W. 471. 
 Adams, Charles J. 19, West Street, Leicester. 456, 572, 852. 
 Adams, J. Clayton, Ewhurst Hill, near Guildford. 524, 664. 
 Adams, J. Donovan, A.B.S.A. 45, Northumberland Street, Edinburgh. 
 876. 
 
 Aldridge, F. J. Worthing, 706. 
 
 Allan Robert W. 32, Steele's Road, N.W. 42, 925. 
 Allen, T. W. The Bungalow, Cart Bridge, Send, near Wokiug, 814. 
 Alma-Tadejua, Miss A., Townshend House, North Gate, N.W. 633. 
 Althaus, Fitz, 111, Tavistock Crescent, Westbourne Park, W. 29, 304. 
 Andrews, John, 25, Broadhurst Gardens, Hampstead, N.W. 69. 
 Angley, H. J. 21, Bowness Road, Catford. 300. 
 Archer, Miss Janet, 17, Trafalgar Square, S.W. 350. 
 Arden, Edward, Elleswater, Ambleside, 383, 835, 987. 
 Armstrong, Miss E. A. 18, Lupus Street, St. George's Square, S.W. 139, 
 390, 856. 
 
 Arnold, Mrs. Edwin, 140, Cromwell Road, S.W. 71. 
 Askew, Richard J. Shere, near Guildford, 539, 566. 
 Aspinall, G. S. 39, Bennett Park, Blackheath, S.E. 753. 
 Aspinwall, Reginald, Market Street Chambers, Lancaster. 1004. 
 Atkins, Mrss Catherine J. 210, Holland Road, W. 781. 
 Atkins, Miss Emmeline, 210, Holland Road, W. 780. 
 Aumonier, Miss Louisa, 31, Beaumont Street, W. 33, 78. 
 Ayling, A. W. 3, Upper Duke Street, Liverpool, 866. 
 
58 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 BACH, GUIDO, R. B.I., 10, Marlborough Place, St. John's Wood, N.W. 
 364, 762, 854. 
 
 BALE, EDWIN, R.I., 44, Grove End Road, St. John's Wood, N.W. 8, 
 541, 1015, 1062. 
 
 BOUGHTON, G. H., A.R.A., R.I. West House, Campden Hill Road, W. 
 
 Bailey, Henry, 14, Cunningham Place, N.W. 656. 
 
 Baker, S. H. 101, Gough Road, Edgbaston, Birmingham. 875. 
 
 Baldock, James, Sherwood Rise, Nottingham. 879. 
 
 Ball, Wilfred, 39b., Old Bond Street, W. 83, 136, 997. 
 
 Bannatyne, J. J. 35, Albert Street, Regent's Park, N.W. 385, 434. 
 
 Barnard, Miss Kate, Knowle Hill, Chertsey. 678. 
 
 Barnes, J. H. 28, Shaftesbury Road, Hammersmith, W. 538. 
 
 Barratt, Reginald, 14, Hart Street, Bloomsbury, W.C. 314. 
 
 Barton, Rose, 15a. Cromwell Place, S.W. 190, 234. 
 
 Barwell, H. G. Surrey Street, Norwich, 134, 262. 
 
 Bates, Dewey, The Willows, Pembroke Road, Kensington. 156, 280. 
 
 Bayes, A. W. 82, Fellowes Road, N.W. 519. 
 
 Bearne, E. H., care of Messrs. Thomas & Co., 29, Bolsover Street, W. 
 88, 147. 
 
 Belford, Miss Kate A. 4, Christ Church Road, Hampstead, N.W. 679. 
 Belgrave, Dacres T. C. 2, Barrington Villas, Shooter's Hill, Kent. 84. 
 Bell, Miss Ada, 24, Bedford Place, Russell Square, W.C. 249, 620 
 Bell, A. Carlyle, 14, Caroline Street, Bedford Square, W.C. 600. 
 Benecke, Miss Amy M. 9, Holden Terrace, Buckingham Palace Road. 81.. 
 Bennett, William, 15, Bolsover Street, W. 921 
 Benson, Miss H. West Street, Hertford. 1007. 
 Beresford, Miss C. M. 16, Yia S. Sebastino, Rome. 635. 
 Berkley, Stanley, The Boltons Studios, Redcliffe Road, S.W. 396, 715.. 
 Berkley, Mrs. Stanley, The Boltons Studios, Redcliffe Road, S.W. 
 783. 
 
 Bernard, Miss M. Northfield House, Bath. 779. 
 
 Bertioli, Frank, 13, Devonshire Hill, Hampstead, N.W. 523, 680. 
 
 Bingley, James G. Cocking, Midhurst. 501. 
 
 Birkenruth, Adolph, 103, Ladbroke Road, W. 70. 
 
 Birtles, Henry, 152, Adelaide Road, N.W. 50, 445, 459. 
 
 Bishop, W. Follen, 41, South Hill Road, Liverpool. 99. 
 
 Black, Andrew, 113, West Regent Street, Glasgow, 166. 
 
 Blackburne, H. 46, Batoum Gardens, West Kensington Park, W,. 
 
 932, 980. 
 Blair, Andrew, Dunfermline. 834. 
 Blair, John, 20, George Street, Edinburgh. 567. 
 Blatherwick, Miss L. Dunavon, near Helensburgh, N.B. 341. 
 Bligh, Jabez, Shorne, Gravesend, 373, 765. 
 Bodkin, Frederick, 98, Fellowes Road, N.W. 890. 
 Bone, Herbert A. 11, Rupert Road, Bedford Park. 55. 
 Bothams, Walter, 39a. Queen's Square, Bloomsbury, W. C. 717 
 Bourne, J. C. 3. Riversdale Road, Twickenham Park. 380. 
 Boyd, Dr. D.D. Hertford College, Oxford. 694. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 59 
 
 Bradley, William, Bourne End, Maidenhead. 796. 
 
 Brandard, E. P. 2, Albion Grove, Barnsbury, N. 152. 
 
 Bristow, George L. 2, Cedars Road, Clapham Common, S.W. 374. 
 
 Bromley, John M. 16, Loudoun Road, N.W. 597, 1043. 
 
 Brown, A. K. care of W. K. Brown, 92, Walton Street, S.W. 232, 265. 
 
 Brown, J. Michael, 16, Picardy Place, Edinburgh. 204. 
 
 Brown, Miss Helen, 228a. Bomford Road, Upton Forest Gate. 599. 
 
 Brown, Peploe, 2, The Studios, Queen's Terrace, N. W. (Sculpture). 
 
 Brown, W. Beattie, R.S.A., 15, St. Bernard's Crescent, Edinburgh. 287. 
 
 Browne, Lennox, 36, Weymouth Street, Portland Place, W. 1031. 
 
 Bulleid, G. L. Glastonbury, Somerset. 683, 
 
 Burchett, Arthur, Willoughby Lodge, Willoughby Road, Hamnstead, 
 N.W. 1046. 
 
 Butler, Mary E., 57, Elizabeth Street, Eaton Square, S.W. 23, 339. 
 Bywater, Miss E. 5, Hanover Square, W. 402. 
 
 CALDECOTT, RANDOLPH, R.I., 24, Holland Street, Kensington, W. 
 438, 614. 
 
 CARRICK, ROBERT, R.L., 14, Howland Street, Tottenham Court 
 
 Road, W. 432, 918. 
 CARTER, HUGH, R.I., 12, Clarendon Road, Notting Hill, W. 37, 311, 
 
 357 377 502 930. 
 CATTERMOLE, CHARLES, R.I., 2, Christchurch Road, Kilburn, N.W. 
 
 157,276, 411, 586. 
 CHASE, MISS MARIAN, R.L, Haddon Lodge, Quex Road, Kilburn, 
 
 N.W. 138, 141, 353, 845, 915, 995, 1061. 
 CLAUSEN, GEORGE, R.L, London Road, St. Alban's. 370, 518, 615. 
 COLLIER, THOMAS, R.L, Etherow, Hampstead Hill Gardens, N.W. 
 
 734. 
 
 CORBOULD, EDWARD HENRY, R.L, Annandale, Sutton Common, 
 Surrey. 110. 
 
 COTMAN, FREDERICK G. R.L, 10, Boscobel Place, Alpha Road, N.W. 
 376, 996, 1039. 
 
 CRANE, WALTER, R.L., Beaumont Lodge, Shepherd's Bush, W. 47, 
 
 345, 372, 394, 1042. 
 Cabianca, Yincenzo, care of Mr. Squire, 293, Oxford Street, W. 116, 
 
 342. 
 
 Cafe, James, 46, Clifton Hill, N.W. 272, 626. 
 Caffieri, H. 173, Hampstead Road, N.W. 168, 286. 
 Cahill, R. S. 168, Euston Road, W.C. 1005. 
 Caldwell, Edmund, 121, Gaisford Street, N.W. 142,850. 
 Callcott, W. J. 48, Flanders Road, Bedford Park, W. 707. 
 Calvert, Edwin S. Tudor Lodge, Albert Street, Regent's Park. N.W. 
 259. 
 
 Campbell, J. Hodgson, 15, Pilgrim Street, Newcastle-on-Tyne. 537, 
 815. 
 
 Carlandi, O. care of Mr. Squire, 293, Oxford Street, W. 258, 952. 
 
60 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Caklisle, J. 27, Endsleigh Gardens, Euston Square, N.W. 65. 
 Carrington, Mrs. P. St. Clouds, near Worcester. 535. 
 Carter, R. H. 1, Florence Terrace, Falmouth. 25, 368, 1057. 
 Cartwright, Frederick W. Ferndale, Thurlow Park Road, Dulwich, 
 S.E. 154, 305. 
 
 Carwardine, Miss M. E. 6, Rudall Crescent, Hampstead, N.W. 1067. 
 Catlow, G. S. Hotel Street, Leicester. 356. 
 
 Champion, Mrs. H. 13, Minford Gardens, West Kensington, W. 553, 
 556. 
 
 Chandler, Rose, The Cottage, Shere, Guildford. 6, 133. 
 Chapman, J. W. 53, Warwick Road, South Kensington, S.W. 726, 933. 
 Chapman, R. Hamilton, Woodland Cottage, Stoke Dabenson, Surrey. 
 550. 
 
 Chase, Miss J. Haddon Lodge, Quex Road, Kilburn, N.W. 120, 642. 
 Childers, Miss Louise, 117, Piccadilly, W. 257, 784. 
 Clark, James, 16, Boltons Studios, Redcliffe Road, S.W. 558. 
 Clark, W. F. 7, Cunningham Place, St. John's Wood, N.W. 670. 
 Clifton, William, Clarence Cottage, Woolwich, S.E. 135. 
 Collier, Miss Emily E. Woodhatch, Reigate. 527. 
 Collins, Charles, 15, Arundel Road, Dorking. 94, 97, 
 Combes, C. E. 15, Harpur Street, Queen's Square, W.C. 674. 
 Combes, Edward, C.M.G. 22, Bedford Place, Russell Square, W.C. 750, 
 794. 
 
 Compton, E. T. Feldafing, Bavaria. 488, 581. 
 
 Cook, E. Wake, 17, Clarendon Gardens, Maida Yale, W. 308, 466, 604. 
 
 Cooke, Isaac, Withen's Lane, Liscard. 222, 382. 
 
 Cooper, Mrs. Emma, 12, Colville Gardens, Bays water, W. 772. 
 
 Cooper, Thomas G. 42, Chepstow Villas, W. 1011. 
 
 Couchman, F. A. 7, Pembury Road, Tottenham. 266. 
 
 Coutts, Hubert, Elleswater, Ambleside. 38, 40. 
 
 Cox, Albert J. 50, Fellowes Road, N.W. 315. 
 
 Crocker, A. C. Bury Green, Cheshunt. 72. 
 
 Croft, Arthur, 58, Finchley Road, N.W. 9. 
 
 Crompton, James S. 4, Hartham Road, Camden Road, N. 344. 
 
 Crozier, Miss A. J. 47, Sidney Street, Oxford Street, Manchester. 193. 
 
 Curnock, J. Jackson, 7, Richmond Hill, Clifton, Bristol. 489. 
 
 Currey, Miss F. W. The Mall House, Lismore, Ireland. 290, 754, 885. 
 
 Cutts, John T. 6, Renshaw Street, Liverpool. 433. 
 
 DADD, FRANK, R.T. 32, Great Ormond Street, W.C. 412, 543. 
 DILLON, FRANK, R.I., 13, Upper Phillimore Gardens, W. 482, 632 
 660, 897. 
 
 DUFFIELD. MRS. W. R.I. 4, Upper Phillimore Gardens, W. 77, 
 
 555, 576, 676, 855, 966, 1017. 
 Dadd, Stephen T. 32, Great Ormond Street, W.C. 453, 697. 
 Dale, H. S. 6, New Park Crescent, Scarborough. 540. 
 Danford, Charles G. Banchory, Aberdeenshire, 261. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 61 
 
 i Da Rios, L. care of T. Joy, Queen Anne Gallery, Queen Anne Street, 
 W. 160. 
 
 I Davidson, C. Topham, 9, Alma Square, St. John's Wood, N.W. 219, 
 413. 
 
 Davies, Edward, 10, Rutland Avenue, Aylestone Park, Leicester. 328, 
 428, 648. 
 
 I Dawson, Nelson, 85, Robert Street, Chelsea, S.W. 126. 
 
 | Deacon, Miss Y. Fairlight House, York Road, Eastbourne. 624. 
 
 Dealy, Miss Jane M. Walton Lodge, Blackheath, S.E. 3, 712. 
 
 Deane, L. Sion Hill, Bath. 507. 
 
 Dearle, John H. 14, Portland Terrace, North Gate, Regent's Park, N.W. 
 ' 127. 
 
 De Br^anski, Alfred, Arno Cotte, Greenwich, S.E. 212, 944, 974. 
 | De la Crouee, H. 20, Bolton Studios, Redclifte Road, S.W. 776. 
 I Dent, Rupert A. Codsall, near Wolverhampton. 708, 989. 
 
 Dicksee, John R. 6, Fitzroy Square, W. 399. 
 
 DitchfielD, Arthur, 12, Taviton Street, Gordon Square, W.C. 361, 
 883. 
 
 I Dixon, John, 1, Laurence Pountney Hill, E.G. 992. 
 Dollman, J. C. Hove House, Newton Grove, Bedford Park, W. 601. 
 Donaldson, A. B. 6, Daleham Gardens, Hampstead, N.W. 180, 334, 
 968. 
 
 I Donne, W. T. School of Art, Scarborough, 744. 
 Douglas, James, 57, York Place, Edinburgh. 288, 319. 
 Douglass, Richard, Campland Lodge, Park Village East, N.W. 1022. 
 Draper, C. F. 137, The Grove, Hammersmith, W. 551. 
 Druce, Miss H. 21, Cheyne Walk, Chelsea, S.W. 1029. 
 Dubourg, Madame Victoria, care of Mrs. Edwin Edwards, 26, Golden 
 
 Square, W. 113, 172, 297. 
 Duthoit, Miss E. E. 184, Highbury New Park, N". 118. 
 
 EARLE, CHARLES, R.I. 9, Duke Street, Portland Place, W. 15, £3, 
 
 475, 533, 698, 824, 853, 896. 
 ELGOOD, GEORGE S. R.I. 21, Oxford Street, Leicester. 284, 355, 443, 
 
 483, 544, 608, 809, 847. 
 East, Alfred, 14, Adamson Road, Belsize Park, N.W. 333. 
 Eddington, W. Clark, Barbourne, Worcester. 161, 647. 
 Eden, Wm. 10, Hill Road, St. John's Wood, N.W. 582. 
 Edward, Albert, 27, Park Lane, W. 661. 
 Eley, Miss Mary, 9, Wetherby Terrace, S.W. 340, 516. 
 Elias, Miss Annette, 9, Vicarage Gate, W. 130. 
 Ellis, Tristram, 7, Holland Park Road, W. 857, 1023. 
 Ellts, Paul H. Villa Road, Handsworth, Birmingham. 1052. 
 Emslie, A. E. CrohamRoad, Croydon. 619. 
 Emslie, J. P. 47, Gray's Inn Road, W.C. 5. 
 Evans, John, 4, Vanburgh Terrace, Blackheath, S.E. 263, 618. 
 Eyre, John, 29, Beaufort Street, Chelsea. 100. 
 
62 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 FAHEY, EDWARD H. R.I. 28, Dawson Place, Bayswater, W. 54, 517, 
 758. 
 
 FAHEY, JAMES, R.I. The Grange, 51, Shepherd's Bush Green, W. 
 437, 713, 967. 
 
 FARMER, MISS EMILY, R.I. Porchester House, Porchester, Hants. 
 FISHER, MARK, R.I. Chantrey Green House, Steyning, Sussex. 
 FULLEYLOYE, JOHN, R.I. 32, Mecklenburgh Square, W.C. 479, 484, 
 
 584, 937, 1014, 1051, 1066. 
 Ferguson, William, J. 7, Garfield Villas, Worenzow Road, N.W. 849. 
 Ficklin, George, 12, Florence Terrace, Falmouth. 536. 
 Fidler, Gideon, Teffont Magna, near Salisbury. 672. 
 Field, Miss F. A. 9, Merton Street, Oxford. 227. 
 Finnie, John, 20, Huskisson Street, Liverpool. 1047. 
 Fisher, Miss Amy E. Ravenscourt Lodge, Penge, Surrey. 506. 
 Fisher, William, 24, Welbeck Street, W. 870. 
 FitzGerald, J. A. 233, Stanhope Street, Regent's Park, N.W. 155. 
 Fortye, W. H. 46, Oseney Crescent. 229. 
 
 Fosbrooke, Jun., L. Ravenstone, Ashby-de-la-Zouch. 496, 710. 
 Foster, Herbert W. Endon, Stoke-on-Trent. 751. 
 Foster, William, The Hill, Witley, Surrey. 480. 
 Fowler, M. 4, Cumberland Place, Southampton. 89, 904. 
 Fowler, Robert, Pool Buildings, 10, Great Castle Street, Liverpool. 371, 
 450, 836. 
 
 Fox, C. J. 8, Dane's Inn, W.C. 1034. 
 
 Franz, E. R. care of Mr. G. Squire, 293, Oxford Street, W. 165, 279, 
 931. 
 
 Fraser, John, 151, Essex Road, Islington, N. 819. 
 Fraser, Robt. W. Ill, Highbury Hill, N. 490. 
 
 GOW, ANDREW C. A.R.A., R.I. 35, Fitzroy Square, W. 557. 
 GOW, MISS MARY, L. R.I. 35, Fitzroy Square, W. 588, 826. 
 GREEN, CHARLES, R.L Charlecote, Hampstead Hill Gardens, N.W. 
 
 452, 627, 827, 1000, 1002. 
 GREEN, TOWNELEY, R.I. W 7 inchmore, England's Lane, Haverstock 
 
 Hill, N.W. 45, 461, 547, 700, 812, 899. 
 GREGORY, E. J. A.R.A., R.I. 6, Abercorn Place, Maida Vale, N.W. 
 
 423. 
 
 Gandy, Herbert, 63, Harleyford Road, S.E. 473. 
 Garland, T. C. 17, Eardley Crescent, Earl's Court, S.W. 233. 
 Garland, V. T. 29, Bolsover Street, W. 329. 
 Ghent, Peter, Llanbedr, near Conway, N. Wales. 101. 
 Giberne, Edgar, 35, Kensington Square, W. 806. 
 Gilchrist, Miss J. A. St. Kilda, Sidmouth, Devon. 889, 984. 
 Gill, R. A. 8, Bow Churchyard, E.C. 264. 
 Gittins, Miss Edith, Salisbury Road, Leicester. 310. 
 Glendening, Jun., A. 161, Bird in Bush Road, Peckham, S.E. 211. 
 Goddard, William Charles, 55, Mornington Road, Regent's Park, N.W. 
 468. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 63 
 
 \\ Goff, R. 1, Courtfield Road, S.W. 153, 789. 
 
 Goldsmith, Walter, 3, Blenheim Villas, Maidenhead. 151. 
 I Goodwin, Harry, Fairholme, Park Lane, Croydon. 196, 235. 
 
 Gore, W. Henry, 56, Princes' Square, Kennington Park, S.E. 441, 577. 
 J Grace, James E. Milford, Surrey. 167. 
 | Grant, Miss Mary J. Hillersdon, Cullompton, Devon. 596. 
 U Green, David, 39, Circus Road, St. John's Wood, N.W. 520. 
 
 Green, N. E. 39, Circus Road, N.W. 631, 906. 
 
 Grierson, C. MacIver, 19, Great Coram Street, W.C. 148. 
 
 Groome, W. H. C. 2, Arlington Road, Castle Hill Park, W. 274. 
 
 Groves, Thomas, 2, Lansdowne Terrace, West Street, Leicester. 401, 
 598. 
 
 HALSWELLE, KEELEY, A.R.S.A., R.I. 4, Albemarle Street, W. 210, 
 950. 
 
 I HARDY, JAMES, R.I. Thyra House, North Finchley, N. 882. 
 
 \ HARGITT, EDWARD, R.I. 1, Bedford Road, Bedford Park, Chiswick, 
 W. 248, 724, 757,887. 
 HAYES, EDWIN, R.H.A., R.I. Briscoe House, Steele's Road, N.W. 
 
 427, 462, 513, 610, 799, 926. 
 HEMY, C. NAPIER, R.I. Park Terrace, Falmouth. 192. 
 HERKOMER, HUBERT, A.R.A., R.I. Dyreham, Bushey, Herts. 
 HINE, HARRY, R.I Holy-well Hill, St. Albans', Herts. 34, 424, 
 611, 653, 716, 801, 841. 
 | HINE, H. G. R.I. Hurstleigh, Arkwright Road, Hampstead, N.W. 36, 
 
 425, 451, 607, 659. 
 | HOLLOWAY, C. E. R.I. 36, Gloucester Road, Regent's Park, N.W. 
 44, 282, 421, 560, 733, 769 871. 
 
 II HUNTER, COLIN, A.R.A., R.I. 14, Melbury Road, W. 
 
 I HUSON, THOMAS, R.I Northcote, Waterloo, Liverpool. 24, 285, 514, 
 526, 732, 1063. 
 
 I Haddon, A. Trevor, 301, Norwood Road, Heme Hill, S.E. 91, 174. 
 
 |j Hague, Anderson, Tywyn, Conway. 123. 
 
 1 Haig, A. H. 32, Randolph Gardens, Maida Yale, W. 348. 
 
 I Haigh-Wood, C. Albion^Place, Bury Lanes. 63. 
 
 1 Haite, George C. Ormsby Lodge, Bedford Park, W. 189. 
 
 I Halfnight, R. 36, Marlborough Hill, N.W. 525, 947. 
 
 I Hanbury, Miss Ada, 16, Chivalry Road, Wandsworth Common. 589. 
 
 I Hanbury, Miss Blanche, 16, Chivalry Road, Wandsworth Common. 749. 
 
 | Hards, Charles G. 110, Richmond Road, Earl's Court, S.W. 115. 
 
 I Hardy, T. B. Danesmere, Lambolle Road, Belsize Square, N.W. 122, 625. 
 
 I Harper, E. S. 29, Great Western Buildings, Birmingham. 878. 
 
 H Harper, Henry A. Offley, Luton, Beds. 561. 
 
 || Harrison, J. C. 10, Leighton Grove, Kentish Town, N.W. 693, 949. 
 1 Hastie, Grace H. 216, Camberwell Grove, S.E. 11, 1064. 
 I Hay, T. Marjoribanks, 57, York Place, Edinburgh. 93, 790. 
 |i Hayes, Claude, Briscoe House, Steele's Road, N.W. 2, 158. 
 |l Hayllar, Miss Kate, Castle Priory, Wallingford, Berks. 1013. 
 
64 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Hayllar, James, Castle Priory, Wallingford. 316. 
 
 Haynes- Williams, J. Wridhern, Marestield Gardens, Fitzjohn's Avenue, I 
 N.W. 1026. 
 
 Heaton, John, Park Cottage, Datchet, Windsor. 760. 
 
 Helck£, A. 1 , Langham Studios, Portland Place, W. 946, 958. 
 
 Helmore, Rev. Thomas, 72, St. George's Square, S.W. 352. 
 
 Hemsley, William, Ashburnham House, King's Road, S.W. 420. 
 
 Henton, George M. The Bank House, Leicester. 19, 359. 
 
 Herbert, Sydney, Carlton Lodge, Cheltenham. 51, 82. 
 
 Hill, Leonard, 73, Lavender Sweep, Clapham Common, S.W. 17. 
 
 Hill, Miss Ellen G. 27, Thurlow Road, Hampstead, N.W. 149, 646. 
 
 Hilliard, Laurence, Coniston, Ambleside. 171, 606. 
 
 Hine, Miss Esther, Hurstleigh, Arkwright Road, Hampstead, N,W. 448. 
 
 Hine, Victoria S. Holy-well Hill, St. Albans, 217. 
 
 Hine, W. E. Hurstleigh, Arkwright Road, Hampstead, N.W. 681. 
 
 Hines, Frederick, Sycamore House, Forest Side, Epping. 922/1044. 
 
 Hiscox, G. D. Beaufort House, Slough. 129. 
 
 Hitchcock, Miss Kate, 96, Adelaide Road, N.W. 417. 
 
 Hobden, Frank, 17, Cloudesley Street, N. 85, 395, 843. 
 
 Hodder, Albert, School of Art, Worcester. 416. 
 
 Holroyd, Charles, 40, Queen's Square, Bloomsbury, W.C. 277. 
 
 Hooper, Luther, East Bergholt, near Colchester. 215. 
 
 Hopkins, Everard, 17, Holland Park Road, W. 74, 833, 975. 
 
 Howard, Vernon, Spilsby Road, Boston, Lincolnshire. 298, 1065. 
 
 Hughes, A. Foord, Wallington, Surrey. 140. 
 
 Hulk, W. F. Shere, Guildford, Surrey. 785, 1033. 
 
 Hunt, A. Ackland, Lynton Villa, Kiclbrooke Grove, Blackheath, S.E. 
 945. 
 
 Hunter, Mason, Albert Studios, 6, Shandwick Place, Edinburgh. 191. 
 Hussey, Miss Agnes, The Close. Salisbury. 778. 
 Hutton, Alfred, 76, Jermyn Street, S.W. 379, 793. 
 Hyde, H. J. 30, Tufnell Park Road, N. 419, 565, 1037. 
 
 P Anson, Charles, 4, The Mall, Park Road, Haverstock Hill, N.W. 75, 
 175, 269. 
 
 Ingram, W. Ayerst, 3, Trafalgar Studios, Manresa Road, S.W. 320, 962. 
 Ireland, Thomas 29, Rochester Square, N. 684. 
 
 JOHNSON, C. E. R.I. Morven House, Steele's Road, N.W. 936, 993. 
 JOHNSON, HARRY, R.I (the late), The Holt, 12, Loudoun Road, 
 
 St. John's Wood, N.W. 260, 1019. 
 Johnson, Alfred J, 9, St. George's Road, Tufnell Park. N. 830, 963. 
 Johnson, Cyrus, 21, Devonshire Street, Portland Place, W. 671. 
 Jones, Champion, 77, St. George's Road, Tufnell Park, N. 302. 
 Jones, Charles, A.R.C.A. Heathercroft, Balham Hill. S.E. 803. 
 Jones, Reginald, Shrubland, Eltham. 988. 
 
 Jones, Theodore, Edith Villa, Eton Street, Regent's Park, N.W. 4. 
 Joyce, Miss Mary, 2, Evesham Villas, Lower Norwood. 303. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 65 
 
 KEELING, W. KNIGHT, R.L Laburnum Cottage, Barton-on-Irwell, 
 Manchester. 
 
 KILBURNE, G. G. R.L Hawkhurst House, Steele's Road, N.W. 218, 477. 
 KNIGHT, JOSEPH, R.L Min-afon, Bettws-y-Coed, North Wales. 144, 
 186, 911. 
 
 Keeley, John, 38, Whittall Street, Birmingham. 1C32. 
 Keene, W. C. 15, Lithos Road, Hampstead, N.W. 137. 
 Kelly, R. Talbot, Glasnevin, Ball's Road, Birkenhead. 108. 
 Kennington, T. B. 9, Bolton Studios, Redcliffe Road, S.W. 709. 
 Kemp, Miss H. 21, Fitzroy Street, W. 865. 
 Kerr, G. C. 2, Hamilton Gardens, N.W. 73, 612. 
 Kindersley, Miss F. R. Clyffe, Dorchester. 688. 
 
 King, Haynes, The Ingle, Broadhurst Gardens, Finchley Road, N.W., 752. 
 
 King, J. Arthur, 4, Swiss Terrace, South Hampstead. 244. 
 
 King, Miss Agnes G., 24, Hamilton Terrace, N.W. 629, 673. 
 
 King, Yeend, 36, Marlborough Hill, N.W. 14, 810. 
 
 Kinsley, Albert, 6, Lilac Grove, Skinner's Lane, Leeds. 39, 102. 
 
 Knowles, W. P. Christchurch, Hants. 324, 804, 979. 
 
 LANGLEY, WALTER, R.L Pembroke Lodge, Paul, Penzance. 654, 
 747, 912. 
 
 LEWIS, C. J. R.L River View, 122, Cheyne Walk, S.W. 66, 307, 685, 
 
 721, 770, 828, 920, 991. 
 LINDSAY, LADY (of Balcarres), R.L. Lennard Place, Circus Road, 
 
 St. John's Wood, N.W. 
 LINDSAY, SIR COUTTS, Bart., R.L, Grosvenor Gallery, W. 
 LINTON", JAMES D. President, Ettrick House, Steele's Road, N.W. 
 
 444, 464. 
 
 LUCAS, SEYMOUR, R.L, New Place, West Hampstead, N.W. 478. 
 
 Laing, James G. 164, Bath Street, Glasgow. 145. 
 
 Lambert, Clem, 13, Prince Albert Street, Brighton. 117, 467, 736. 
 
 Larsson, Carl, Grez-par- Nemours, France. 254. 
 
 Laundy, G. A. 42, Clarville Grove, South Kensington. 351. 
 
 Lawson, Mrs. Cecil, Heath Edge, Haslemere, Surrey. 579, 1049. 
 
 Le Fanu, G. B. 15, Percy Street, Bedford Square, W.C. 910. 
 
 Lessore. Jules, Southwick, Sussex. 128, 176. 
 
 Lewis, Lennard, 1, Fitzjohn's Parade, Hampstead, N.W. 221. 
 
 Little, Robert, 15, Shandwick Place, Edinburgh. 242, 884. 
 
 Lowenstam, L. 4, Wells Road, North Gate, N.W. 354. 
 
 Lucas, Arthur, 15, George Street, Hanover Square, W. 226, 820. 
 
 Lucas, George, The Avenue, Acton. 1010. 
 
 Ludby, Max, Ye Hutte, Cookham Dean. 281. 
 
 Ludovici, Albert, 30, Mornington Road, Regent's Park, N.W. 568. 
 Luker, Junr., Wm. 22, Notting Hill Square, W. 325. 
 
 MACALLUM, HAMILTON, R.L, 44, Piccadilly, W. 465. 
 MACBETH, ROBERT W. A.R.A., R.L, Longsden, Carlton Hill, N.W. 
 825. 
 
 E 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 MACQUOID, PERCY, R.I., 4, Penywern Road, South Kensington, S.W. 
 719. 
 
 MACQUOID, T. R. R.I., Stanley Place, Chelsea, S.W. 125, 500, 575, 
 587, 675, 994. 
 
 MACWHIRTER, J. A.R.A., E.I., 1, Abbey Road, N.W. 549, 655 
 668. 
 
 MAY, WALTER W. R.I., 34, Percy Street, Rathbone Place, W. 7, 
 
 331, 613, 634, 731, 771, 808, 829. 
 MITCHELL, PHILIP, R.I. 4, Bedford Terrace, Plymouth. 67, 224, 
 
 275, 548, 574, 658, 759, 976. 
 MOGFORD, JOHN, R.I., 17, Park Road, Haverstock Hill, N.W. 112, 
 
 240, 701, 832, 901, 1056. 
 MOLE, J. H. Vice-President, 7, Guilford Place, Russell Square, W.C. 
 
 185, 442, 487, 559, 742, 838. 
 Macbeth, James, 1a, Old Bond Street, W. 202, 470. 
 Macbeth-Raeburn, H. 2, Park Road Studios, Haverstock Hill, N.W. 
 
 270, 460. 
 
 Macculloch, James, 9, Harrington Square, N.W. 194, 313, 880. 
 Macdougall, N. M. 176, Park^Road, Kilburn, N.W. ./1 8. 
 Macintosh, John M. care of F. W. Kitching, 5, Great Tower Street, 
 E.C. 457, 924. 
 
 Macmaster, James, 36, Royal Exchange Square, Glasgow. 170. 
 Macpherson, Miss B. H. 61, Cambridge Road, Kilburn, N.W. 495. 
 Maguire, Miss Helena J. 6, Blomneld Crescent, W. 621, 862, 881. 
 Manly, C. Macdonald, 17, Howland Street, W. 491. 
 Maplestone, Miss F. E. 1, Richmond Gardens, UxbridgeRoad, W. 554. 
 Marks, George, 39, Devonshire Place, Greenwich, S.W. 90, 289. 
 Marshall, Charles, 7, Lewisham Road, Highgate Road, N.W. 384. 
 Marshall, J. Miller, Art Studios, Brigg Street, Norwich. 121, 971. 
 Marshall, R. A. K. 63, St. George's Road, Tufnell Park Road N. 768. 
 Martin, Charles. 50, Victoria Road, Kensington, W. 131. 
 Marttneau, Miss Edith, 35, Gordon Square, W.C. 542, 739. 
 Martineau, Miss Gertrude, 35, Gordon Square, W.C. 1016. 
 Massey, Henry G. 41, Park Street, Grosvenor Square, W. 321, 787. 
 Matthison, William, 18, Bronghton R,oad Banbury. 657. 
 Maundrell, C. G. 81, Camden Road, N.W. 472. 
 Maxwell, H. Loch Lomond, Luss, N.B. 1059. 
 May, Powell, Warren Road, Bexley Heath, S.E. 687. 
 McCracken, Miss K. Gothic House, Lee Road, Blackheath, S.E. 1008. 
 McDougal, John, The Ferns, Wood Grove, Edge Lane, Liverpool. 293, 
 837. 
 
 McGuinness, Bingham, R.H.A., 6, Stephen's Green, Dublin. 692. 
 McMillan, E. S. 5, Elsinore Terrace, New Wimbledon. 268. 
 Mein, Mangaret J. 12, Glencairn Crescent, Edinburgh. 239. 
 Melville, Arthur, 22, Mortimer Street, Regent Street, W. 31, 105, 
 737. 
 
 Mercier, Ruth, Cannes, Alpes Maritimes, France. 216. 
 Millais, W. H. Wardhiil, Farnham, Surrey. 124. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. G7 
 
 Miller, Miss Henrietta, 7, Perhani Road, West Kensington. 447. 
 Moberly, Mrs. H. G. 1, Cheniston Gardens Studios, Kensington, W 
 228, 665. 
 
 Montbard, G. 13, Chalcott Gardens, N.W. 61. 
 Moon, H. G. 5, Hillinarton Road, Camden Road, N. 238, 893. 
 Moore, Albert, R. W.S., 1, Holland Lane, Kensington, W. 605. 
 Moore, Edwin, 42, East Mount Road, York. 848, 1069. 
 Moore, Jennie, 1, Bath Villas, Carshalton Road, Sutton, Surrey. 164. 
 Moore, Miss Agnes, E.C., 4, Sheffield Terrace, Kensington, W. 940. 
 Moore, William, 24, Burton Lane, York. 415. 
 Morgan, Frederick, 7, North Bank, St. John's Wood, N.W. 763. 
 Moser, Robert James, 45, Bedford Square, W.C. 407. 
 Mossman, David, 4, Brook Street, Hanover Square, W. 410, 686. 
 Mottram, Charles S. Kenilworth House, Cavendish Road, Brondesbury. 
 640. 
 
 Muhrman, H. Duncan Cottage, South End Road, Hampstead. 13. 
 Murray, David, A.R.S.A. 1, Langhani Chambers, Portland Place, W . 
 322, 938. 
 
 Murray, Frank, 29, Queen's Square, W.C. 104, 318. 
 
 Naftel, Miss Maud, 76, Elm Park Road, S.W. 529. 
 
 Naftel, Mrs. Paul J. 76, Elm Park Road, S.W. 499. 
 
 Nash, Joseph, 36, The Avenue, Bedford Park, W. 512, 935. * 
 
 Newby, Alfred, 14, New Bond Street, Leicester. 1024. 
 
 Niciiolls, Mrs. A. R. 1, Caversham Roa I. Kentish Town, N.W. 766. 
 
 Nichols, W. P. Little Cheverell Rectory, Devizes. 864, 892. 
 
 Noakes, Charles G, 1, Carlton Terrace, Sydenham, S.E. 458. 
 
 Norbury, Edwin A. B.C. A. The Studio, Rhyl. 30. 
 
 Noril, Orlando, 191, Regent Street, W. 888. 
 
 Norman, Caroline LL Ker Street, Devonport, Devon. 449. 
 
 Norman, Philip, 53, Harrington Gardens, S.W. 746. 
 
 Norris, William, 38, Kersley Street, Battersea Park, S.W. 107. 
 
 Nutter, Miss K. M. 42, Regent's Park Road, N.W. 622. 
 
 Nowell, A. T. 69, Park Street, Camden Town, N.W. 905. 
 
 OLIVER, MRS. W. R.I. The Brewery House, Great Berkhampstead , 
 
 Herts. 346, 786, 858. 
 ORROCK, JAMES, R.I. 48, Bedford Square, W.C. 236, 369, 628, 723 
 
 811. 
 
 O'Connor, John, 28, Abercorn Place, St. John's Wood, N.W. 957. 
 O'Hara, Miss H. The Castle, Portstewart, Co. Derry, Ireland. 430. 
 Oscroft, Samuel W. 27, Chaucer Street, Nottingham. 35, 886. 
 
 PARSONS, ALFRED, R.I. 54, Bedford Gardens, Kensington, W. 609. 
 PASSINI, LUDWIG, R.I. Casa Barbier, San Yio, Yenice. 
 | PENSON, R. KYRKE, R.I Dinham House, Ludlow. 409. 
 PHI LP, JAMES G. R.IMthe late), 3, Woodland Crescent, Falmouth. 237, 
 332. 
 
68 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 PILLEAU, HENRY, R.I. 74, Elm Park Road, Chelsea, S.W. 58, 391, 
 
 571, 728, 773, 797, 916, 929. 
 Parkyn, J. H. 3, Surrey Street, Portland Square, Bristol. 243. 
 Parsons, A. W. 9, Frederick Place, Clifton, Bristol. 636. 
 Parsons, Miss L. M., North End, Frome. 111. 
 Partington, J. H. E. Elm Villa, Ramsey, Isle of Man. 486. 
 Parton, Ernest, Woodbridge House, Elm Tree Road, St. John's Wood, 
 
 N.W. 225, 813, 955. 
 Pasmore, Daniel, 54, Crowndale Road, N.W. 649. 
 Paterson, Caroline, 18, Gayton Road, Hampstead, N\W. 213, 908. 
 Paton, Waller H. R.S.A. 14, George Square, Edinburgh. 1048. 
 Pearson, Cornelius, 15, Harpur Street, Bloomsbury, W.C. 246. 
 Pedder, John, 9, Bridge Street, Westminster, S.W. 323, 895. 
 Perugini, Mrs. 144, Warwick Street, S.W. 928. 
 
 Phillip, Colin B. 8, St. Martin's Place, Trafalgar Square, S.W. 593, 
 663, 1030. 
 
 Pilleau, F. Startin, 74, Elm Park Road, Chelsea, S.W. 666. 
 Pitman, Miss J. R. A. Basford Yicarage, Nottingham. 162, 271. 
 Pitt, William, 27, Gloucester Crescent, Regent's Park, N.W. 119. 
 Plimpton, Miss C. E. 23, Lansdowne Road, South Lambeth, S.W. 644. 
 Pocock, Childe, 42, Oakley Crescent, Chelsea, S.W. 64, 360. 
 Poingdestre, Charles H. 47, Colomberie, Jersey. 494. 
 Poole, Qhris, Endyon, Ryde Yale Road, Balaam, S.W. 504, 861. 
 Popert Charlotte, 62a, Westbourne Grove, W. 76. 
 Powell, Alfred, 40, Acrcia Road, N.W. 52, 702. 
 
 Powell, Leonard M. Rectory House, Llertingfordbury, Hertford. 327, 
 861. 
 
 Pye, William, 2, Eton Cottages, Rod well, Weymouth. 923. 
 Pyne, Thomas, 56, Upper Park Road, Haverstock Hill, N.W. 197, 
 283, 699. 
 
 Quinton, A. 12, New Court, Lincoln's Inn, W.C. 414, 764. 
 
 RICHARDSON, JOHN I. R.I, 12, Porchester Terrace, Bayswater, W. 
 60, 761, 941. 
 
 Radcliffe, Radcliffe W. Rogate, Petersfield. 26, 28, 184. 
 
 Radclyffe, Charles W. 66, Hagley Road, Birmingham. 695. 
 
 Ragon, A. 38, Sinclair's Road, West Kensington, W. 405. 
 
 Rawle, John S. 35, St. Augustine's Road, Camden Square, N.W. 969. 
 
 Rayner, Miss Louise, 2, Ash Grove, Chelsea, S.W. 645, 756. 
 
 Rayment, Robert, 79, The Chase, Clapham Common, S.W. 404. 
 
 Redfern, R. Davenport, Stockport. 959. 
 
 Redgrave, Miss Evelyn, 27, Hyde Park Gate, S.W. 840. 
 
 Reynolds, W. care of Mr. Stannard, 30, Great Russell Street, W.C. '173. 
 
 Rickatson, O. 5, Fitzroy Street, W. 1 6, 349, 435. 
 
 Riddell, Lady Buchanan, 50, Queen's Gate, S.W. 1009. 
 
 Rider, Urban, 9, Ingle's Road, Folkestone. 505. 
 
 Rivers, Leopold, 3, Terrott's Place, Upper Street, Islington, N. 12. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 69 
 
 Rixon, W. A. Cookham Dean, near Maidenhead. 367. 
 Roberts, H. W. Belvoir Chambers, Leicester. 403, 
 Roberts, Mrs. Chandler, The Royal Mint, S.E. 1058. 
 Roberts, Miss M. 14, The Grove, Clapham Common, S.W. 798. 
 Robertson, Arthur, 1, Hampton Grove, Surbiton. 27, 1038. 
 Robertson, H. R. 1 Steele's Studios, Haverstock Hill, KW. 863, 973. 
 Robinson, Miss E. Julia, Hopedene, Dorking. 682. 
 Rogers, Miss Kate, 17, Tadema Road, Chelsea, S.W. 187. 
 Rogers, James E. 70, South Hill Park, N.W. 393, 943. 
 Rose, H. Randolph, 52, St. James's Square, Notting Hill, W. 109, 
 909. 
 
 Rose, Miss H. E. 94, The Grove, Denmark Hill, S.E. 580. 
 
 Rose, R. H 23, Giisford Street, KW. 874. 
 
 Roscoe, S. G. W. 57, Caversham Road, N. 220, 868. 
 
 Ross, Miss Christina P. 78 Queen Street, Edinburgh. 57, 638. 
 
 Rossi, A. M. 177, Adelaide Road, KW. 745. 
 
 Rossiter, Henry, 4, Prince's Road, Notting Hill. 46. 
 
 Rouse, R. W. A. 6, Wells Street, Oxford Street, W.C. 985, 1021 . 
 
 Ryan, Charles, Carlton House, Dudley Road, Yentnor. 98. 
 
 SEVERN, ARTHUR, R.L, Heme Hill, S.E. 231, 299, 594, 691, 983. 
 SHERRIN, JOHN, R.T., 3, Codrington Villas, Ramsgate. 476, 503, 545, 
 
 573, 585, 616, 831, 981. 
 SIMPSON, WILLIAM, R.I., F.R.G.S., 19, Church Road, Willesden, 
 
 N.W. 497. 
 
 SMALL, WILLIAM, R.I., 294, Camden Road, K 363, 392, 531. 
 SMYTHE, LIONEL P. R.I., 36, Gloucester Crescent, KW. 20, 32, 
 534, 990. 
 
 STANHOPE, R. SPENCER, R.I., Villa Nuti, Bellosguardo, Florence. 
 STANILAND, CHARLES J. B.L, 15, Steele's Road, KW. 
 STEER, H. R. K.L, 8, Percy Street, Bedford Square, W.C. 253, 347, 
 591, 998, 1053. 
 
 STOCK, HENRY J. R.T., 40, Osborne Terrace, Clapham Road, S.W. 
 690, 913, 1050. 
 
 STOCKS, ARTHUR, R.I., 29, Hanley Road, Hornsey Rise, NT. 335, 
 714, 1027. 
 
 SYER, JOHN, R.L, 74, Fellowes Road, KW. 641, 802, 914, 1012. 
 
 Sadler, Miss Kate, Barford Lodge, Horsham. 362, 740. 
 
 Salmon, J. C. Tal-y-bont, Conway. 552. 
 
 Sanguinetti, E. 50, Leicester Square, W. 1035. 
 
 Scott, Katherine, 1, Manor Park, Streatham, S.E. 309, 788. 
 
 Scott, John H. 59, Brunswick Road, Brighton. 986. 
 
 Scott, John, 5, The Mall, Park Road, Haverstock Hill. 510, 873. 
 
 Scott, J. V. 13, Duke Street, Edinburgh. 18, 22, 87. 
 
 Shepard, H. D. 10, Kent Terrace, Hanover Gate, KW. 381, 725. 
 
 Shubrook, Miss M. J. 63, Plimsoll Road, N. 623. 
 
 Sigmund, B. D. 13, Riverside, Taplow. 48, 301, 602. 
 
 Simmons, J. Deane, Crandem Gate, Henley-on-Thames. 954, 1060. 
 
 Simpson, Henry, 10, Trafalgar Studios Road, S.W. 92. 
 
70 
 
 BOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Skipworth, F. Markham, 33, Redesdale Street, Chelsea, S.W. 650. 
 Slocombe, Fred., Fair View, Holder's Hill, Hendon. 365. 
 Smith, Carlton A. 72, Park Road, Haverstock Hill N.W. 730. 
 Smith, Charles, 32, Great Ormond Street, W.C. 898. 
 Smith, J. Whittet, 3, Ranelagh Terrace, Ealing. 953. 
 Smith, Miller, The Chalet, Thorpe, near Norwich. 10. 
 Smith, Mrs. L. Bentley, 51, Westcroft Square, Ravenscourt Park, W. 
 291, 942. 
 
 Smith, W. Harding, Wyndham Lodge, Brixton Hill, S.W. 704. 
 Snell, J. Herbert, 138, Prince of Wales's Road, N.W. 80. 
 Soper, T. J. Milton, Steventon, Berks. 106, 436. 
 Sparkes, Mrs. Ewhurst, near Guildford. 387. 
 Spence, Ernest, 6, The Grove, Highgate Road, N. 637. 
 Spiers, Miss Bessie J. 21, Bernard Street, Russell Square, W.C. 429, 
 1054. 
 
 Spiers, Miss Charlotte H. 68, Newman Street, Oxford Street, W. 592. 
 Spiers, B. W. 70, Hereford Road, Bay swat er, W. 247, 867. 
 Spiers, R. Ph£ne, Carlton Chambers, 12, .'Regent Street, W. 21, 722, 
 964. 
 
 Spong, W. B. 21, Montpelier Jload, St. John's College Park, N.W. 86, 
 851. 
 
 Squire, Miss Alice, 38, Tavistock Road, Westbourne Park, W. 388, 
 398. 
 
 Stable, Miss Fanny, 152, Finborough Road, S.W. 397. 
 Stanton, Miss Rose E. Upfield, Stroud, Gloucestershire. 163. 
 Stapleton, Mrs. George, 4, Summer Terrace, Onslow Square, S.W. 816. 
 Stark, Arthur J. 42, Grove End Road, N.W. 406. 
 Steeple, John, 46, Upper Park Road, Hampstead, N.W. 689, 791. 
 Stevens, Albert, 38, King Street, Covent Garden, 96. 
 Stevens, W. K. 336, Clapham Road, S.W. 1045 
 Stevens, W. Rupert, Hogarth Club, Albemarle Street, W. 1018. 
 Stewart, Miss Dora M. 44, West Cromwell Road, S.W. 103, 326. 
 Stewart, J. L. 123, Camberwell Road, S.E. 1020. 
 Stocker, Florence A. Burnham, Maidenhead. 292. 
 Stocks, Miss Catherine M. 9, Richmond Villas, Seven Sisters' Road, N 
 970. 
 
 Stocks, W. Fryer, Essendon, Hatfield,' Herts. 208, 273, 528. 
 Strutt, Alfred, 72, Brook Green, W. 214. 
 Stuart, A. T. Burnett, Mellifont, Wells, Somerset. 159. 
 Suthers, W. School of Art, South Kensington Museum. 132. 
 
 TENVIEL, JOHN, R I. 10, Portsdown Road, Maida Hill, W. 485. 
 THOMAS, WILLIAM L. R.I. The Graphic Office, 190, Strand, W.C. 43, 
 375 720 
 
 TOPHAM, FRANK W. W. R.I. 16, Prince Arthur Road, Hampstead, 
 
 N.W. 230, 569, 957. 
 Tayler, Edward, 37, Gloucester Place, Portman Square, W. 330. 
 Tedder, M. Ripley, Woking Station, Surrey. 146, 
 Terry, Henry, 34, Crawshay Road, Brixton, S.W. 209, 755. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 71 
 
 Theobald, S. S. 45, Upper Richmond Road, Putney, S.W. 508. 
 Thompson, Wilfred H. 27, Church Row, Hampstead, N.W. 818. 
 TnoRNELY, Charles, 1, Netherhall Terrace, Hampstead, N.W. 426, 869. 
 Ttdmarsh, H. E. 11, Upper Hornsey Rise, N. 493. 
 Toft, Peter, 156, Cornwall Road, Notting Hill, W. 595, 821. 
 Toovey, Richard, 12, Fitzroy Street, Fitzroy Square, W. '267. 
 Tothill, Miss M. D. Stoke Bishop, Bristol. 718, 1006. 
 Townsend, Miss Patty, Attleborough Hall, Nuneaton. 521, 705. 
 Townshend, J. 4. John Street, Hanway Street, W. 782. 
 Tuck, Albert, 54, Park Road, Haverstock Hill, N.W. 894. 
 Tuck, Harry, 54, Park Road, Haverstock Hill, N.W. 205, 439. 
 Tuck, Miss Lucy, 37, Fitzroy Square, W. 842. 
 Tucker, Arthur, Lan/^dale, Ambleside. 79. 
 
 Tyler, William, 18, Victoria Grove, Kensington, W. (Sculpture). 
 
 Underwood, A. S. 11, Bedford Square, W.C. 822. 
 U'Ren, John C. 5, Cornwall Terrace, Penzance. 522. 
 Ussher, Arland, 117, Hampstead Road, N.W. 1028, 1068. 
 
 Yarley, Edgar, 40, St. John's Hill, Clapham Junction, S.W. 939, 1036. 
 Yarley, John, 10, Abbey Road, N.W. 62, 807, 859. 
 Yialls, F. J. 1 6, Carleton Road, Tuf nell Park, N. 338. 
 
 WALTON, FRANK, R.I. Holmbury St. Mary, Dorkin^ 177 422 431 
 
 463, 515, 639, 839, 1040. to * ' ' 
 
 WARREN, EDMUND G. R.I. 1, Colville Mansions, Talbot Road, Bavs- 
 
 water, W. 223, 312, 343, 408, 775, 903, 1025. 
 WATERHOUSE J. W., P,I. 3, Primrose Hill Studios, Fitzroy Road 
 
 N.W. 652. J 
 WETHERBEE, G. F. R.I. 12, Chalcot Gardens, Haverstock Hill, N W 
 
 454, 738, 902. 
 
 WHITE, JOHN, R.I. 78, Park Road, Haverstock Hill, N.W. 178, 241 . 
 WHYMPER, J. W. R.I. Haslemere, Surrey. 200, 378, 440, 546' 603' 
 
 630, 844. ' 
 WILSON, T. WALTER, R.I. 16, Gilston Road, South Kensington, S W 
 
 729, 999. & -' 
 
 WIMPERIS, E. M. R. T. 137, Gower Street, W.C. 556,696,741 917 1003 
 WOLF, J. R.I. 2, Primrose Hill Studios, N.W. 
 
 WOOD, L. J. R.I. 23, Park Road, Haverstock Hill, N.W. 498 570 643 
 WO(WILLE, R. CATON, R.I., Eldon Lodge, Victoria Road, Kensington', 
 
 WYLLIE, W. L. R.I., 70, Carlton Hill, N.W. 358, 474, 532, 583 711 
 
 Waite, James, 26, North John Street, Liverpool. 662. 
 
 Waite, W. A. Grosvenor Chambers, Broad Street Corner, Birmingham 
 
 446, 727. 6 
 Walker, J. W. 14, York Road, Southport. 743, 948. 
 Waller, A. H. Latimer Road, Godalming. 182, 891. 
 Wallis, Miss Rosa, 4, The Residences, South Kensington Museum S W 
 
 169, 245, 1041. ' " ' 
 
72 EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Walpole, Mary, Hampton Court Palace, S.W. "198. 
 Walrond, Sir John W. Bart. 45, Brook Street, Grosvenor Square, W. 
 181. 
 
 Walters, G. S. 134, Adelaide Road, KW. 150, 481, 792. 
 Wardle, Arthur, 9, Crowndale Road, Oakley Square, KW. 469. 
 Warren, H. Clifford, Laurel Cottage, East Burnham, Maidenhead. 1. 
 Watkins, John, care of G. Brown, 15, Wood Street, Bawling' s Street, 
 
 Chelsea, S.W. 201. 
 Watson, C. J. All Saints' Green, Norwich. 59. 
 
 Watson, Miss Rosalie M. 43, Poland Street, Oxford Street, W. 919. 
 Watts, James T. 22, Lord Street, Liverpool. 418. 
 Way, Cosens, 83, Park Road, Newcastle-on Tyne. 256. 
 Way, Thomas R. Benthall House, St. Stephen's, Hampstead, KW. 95, 
 795, 972. 
 
 Weatherhead, William H. 12, Torbay Street, Kentish Town, KW. 735, 
 961. 
 
 Weedon, A. W. 65, Warwick Road, W. 278, 617. 
 
 Weekes, Frederick, 119, Charlotte Street, Fitzroy Square, W. 677, 702. 
 Welby, Miss E. 68, Newman Street, W. 978. 
 Wells, George, 19, Fitzroy Square, W. 183. 
 Wheeler, Mrs. W. H. Roseneath, Reigate. 195, 206. 
 Wheeler, W. H. Roseneath, Reigate. 41, 511, 530. 
 Whipple, J. 4, Chichester Street, St. George's Square, S.W. 207. 
 Whiteley, John W. 59, St. Mark's Road, Leeds. 255, 767. 
 Whitley, Miss Kate M. 39, Lower Hastings Street, Leicester. 386, 
 455, 651. 
 
 Whitmore, Bryan, Halliford, Shepperton. 877. 
 
 Whymper, Charles, 55, Fitzroy Road, KW. 805. 
 
 Whymper, Mrs. J. W. Hazlemere, Surrey. 251. 
 
 Willett, Arthur, 39, Ship Street, Brighton. 49, 337. 
 
 Williamson, Frederick, Witley, Surrey. 317, 492. 
 
 Wilson, George, 1, The Mall, Park Road, Haverstock Hill, KW. 336. 
 
 Winkfield, F. A. 59, Britannia Road, Fulham, S.W. 777. 
 
 Wirgman, T. Blake, 24, Dawson Place, W. 748. 
 
 Witter, A. R. 75, Oxford Street, Liverpool. 366. 
 
 Wollen, W. B. 9, Woodstock Road, Bedford Park, W. 846. 
 
 Wood, L. Pinhorn, Burnside, Shere, Guildford. 934. 
 
 Wood, Stanley L. 4, Mornington Street, KW. 400. 
 
 Woodman, C. H. 67, Willes Road, KW. 562, 907. 
 
 Woolner, T. R.A. 29, Welbeck Street, W. (Sculpture). 
 
 Wyatt, A. C. 72, Holloway Road, K 965. 
 
 Wyllie, Charles W. 11, Melina Place, Grove End Road, KW. 927. 
 
 Young, Godfrey, Teign Villa, Palace Road, Tulse Hill Park, S.E. 564. 
 Youngman, Miss A. M. 1, Notting Hill Terrace, W. 295, 509, 800. 
 
 Zorn, A. L. Cavendish Buildings, Old Cavendish Street, W. 179, 860. 
 
Cat. No. 14. 
 
 La Berg ere. Yeend King. 
 
 F 
 
Cat. No. 15. In the Gardens of the Villa d'Este, Tivoli. Charles Earle, R.I. 
 
Cul. No. 43. 
 
 Flekting .shadows. W. L. Thomas. K.I. 
 
* 
 
 Cat. No. 67. Eventide— Ulls water, Cumberland. P. Mitchell, R.I. 
 
Cat. No. 2.31. 
 
 Early Morning, Venice. Arthur Severn, R.I. 
 
Cat. No. 306. South Harting, Sussex. J. Aumonier, R.I. 
 
 Cat. No. 311. Life in the HiGHXAxrs. Hugh Carter, R.I. 
 
Cat. No. 335. " Multiplication is Vexation." Arthur Stock?, R.I. 
 
Cat. No. 347. Evicted. H. E. Steer, R. I. 
 
•Cat. No. 363. 
 
 Forbidden Fruit. Wiliam Small, R.I. 
 
Cat. No. 445. 
 
 Cannock Ciiase — Morning Mist. Henry Birtles. 
 
Cat. No. 444. Waverley. James D. Linton, President. 
 
•Cat. No. 451. Cfckmere Haven, from the Downs above Seaford. H. G. Hine, K.I. 
 
 Cat. No. 519. Pilgrims in a Strange Land. A. W. Bayet 
 
Cat. No. 541. Cuckoo. Edicin Bale, R.I. 
 
Cat. No. 544. A Last Appeal. Geo. S. Elgood. R.T. 
 
II 2 
 
Cat. No. 560. 
 
• Where Trees O'erhang the Silver Stream." T. Ireland* 
 
Cat. No. G97. 
 
 In Flacran-ie Delicto. Stephen T. Dadd. 
 
Cat. No. 846. " Carry High the Colours." — The Guards Defending the Sandbag Battery 
 at Inkerman. W. B. Wollen. 
 
Cat. No. 844. On the Shore at Glan Conway, North Wales. J. W. Whymper, R.I. 
 
 Cat. No. 858. 
 
 Pomerne on the Moselle. Mrs. W. Oliver, R.I. 
 
Cat. No. 887. The Undercliff, looking towards Ventnor. E. Hargitt, R.I. 
 
 Cat. No, 991. A Village Wedding. C. J. Lewis, R.I. 
 
Cat. No. 941. Highland Girls Carrying Home Sticks for Fuel. John I. Richardson, B»I. 
 
! 
 
 Cat. No. 961. " Oh, hear us when we cry to Thee Wm. R. Weatherhead. 
 
 For those in peril on the sea." 
 
K 
 
Cat. No. 1028. 
 
 Criticism. J. Haynes-Williams. 
 
Cat. No. S25. 
 
 A Fen Farm. J?. W. Macbeth. A.R.A., "R.I. 
 
I 
 
Royal Institute 
 
 of 
 
 ainters in Water Colours 
 
 A CATALOGUE 
 
 OF THE 
 
 EXHIBITION 
 
 CONTAINING 
 
 ^lustrations b£ tbe Hrtists 
 
 PICCADILLY 
 
 ^ublisljtl at tf)t ffiallerire, piccaoillj, m. 
 1886 
 
CENTRAL 
 GALLERY 
 
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 33 ^ 
 -< 
 
 * # * Copyright of all Illustrations in this Book is Reserved. 
 
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 SEASON TICKETS . . . FIVE SHILLINGS. 
 
REGULATIONS 
 
 FOR 
 
 THE ADMISSION OF STUDENTS 
 
 Cfce &ojjal Jfnsstttute ot $atnterss m 
 Wiuttv Colours!. 
 
 The Schools of the Royal Institute are intended 
 to provide means of instruction for Students of 
 Water Colour Painting. All instruction in the 
 Institute is gratuitous, the Student providing his 
 own materials. 
 
 All applicants for admission to the Schools of 
 the Royal Institute of Painters in Water Colours 
 must give proof of proficiency in drawing. 
 
 TO 
 
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4 
 
 REGULATIONS, ETC. 
 
 Applicants are required to produce, as a specimen 
 of ability, not less than two drawings in each depart- 
 ment of study they propose to follow. 
 
 Prior to the delivery of the specimens referred 
 to, Candidates must obtain from the Institute, through 
 the written request of any member of the Institute, 
 or other artist or person of known respectability, 
 a printed form, the blanks of which must be filled 
 up and delivered, with the required specimens, at 
 the Institute on or before the ist day of September, 
 to be submitted to the first Council held after 
 that date. If approved of, the applicant will be 
 entitled to admission as a probationer, and two 
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LIST OF MEMBERS. 
 
 APRIL, 1886. 
 
 HONORARY MEMBERS. 
 
 H.I.H. THE CROWN PRINCESS OF GERMANY, PRINCESS ROYAL 
 OF GREAT BRITAIN AND IRELAND. 
 H.R.H. THE PRINCESS HENRY OF BATTENBERG. 
 H.S.H. PRINCE VICTOR OF HOHENLOHE-LANGENBERG. 
 BONHEUR, ROSA, Mdlle. 
 BROWNE, HENRIETTE, Madame. 
 COMBES, EDWD., C.M.G., Officer of 
 
 the Legion of Honour. 
 GALLAIT, L., Esq. 
 
 GOODALL, FRED., Esq., R.A. 
 HAMILTON, Dr. E. 
 HERBERT, J. R., Esq., R.A. 
 ISRAELS, JOSEF, Esq. 
 MILLAIS, Sir J. E., Bart., R.A. 
 
 PRESIDENT. 
 SIR JAMES D. LINTON. 
 
 VICE-PRESIDENT. 
 J. H. MOLE, Esq. 
 
 TREASURER. 
 JOHN ABSOLON, Esq. 
 
 FAHEY, E. H., Esq. 
 FULLEYLOVE, JOHN, Esq. 
 JOHNSON, C. E., Esq. 
 MAY, W. W., Esq. 
 SIMPSON, W., Esq. 
 
 COUNCIL. 
 
 STOCKS, ARTHUR, Esq. 
 WALTON, FRANK, Esq. 
 WILSON, T. WALTER, Esq. 
 WIMPERIS, E. M.. Esq. 
 
 MEMBERS. 
 
 ABBEY, E. A., Esq. 
 ASTON, C. R., Esq. 
 AUMONIER, J., Esq. 
 BACH, GUIDO R., Esq. 
 BALE, EDWIN, Esq. 
 CAFFIERI, H., Esq. 
 CARRICK, ROBERT, Esq. 
 CARTER, HUGH, Esq. 
 CATTERMOLE, CHAS., Esq. 
 CLAUSEN, G., Esq. 
 COLLIER, THOMAS, Esq. 
 CORBOULD, EDWD. H., Esq. 
 COTMAN, F. G., Esq. 
 
 DADD, FRANK, Esq. 
 DILLON, FRANK, Esq. 
 EARLE, CHAS., Esq. 
 ELGOOD, GEO. S., Esq. 
 FISHER, MARK, Esq. 
 GOW, A. C, Esq., A.R.A. 
 GREEN, CHARLES, Esq. 
 GREEN, TOWNELEY, Esq. 
 GREGORY, E. J., Esq., A.R.A. 
 HALSWELLE, KEELEY, Esq. 
 
 A.R.S.A. 
 HARDY, JAMES, Esq. 
 HARGITT, EDWARD, Esq. 
 
6 
 
 LIST OF MEMBERS. 
 
 HAYES, EDWIN, Esq., R.H.A. 
 HEMY, C. NAPIER, Esq, 
 HERKOMER, HUBERT, Esq., A.R.A. 
 HINE, HARRY, Esq. 
 HINE, H. G., Esq. 
 HOLLOWAY, C. E., Esq. 
 HUNTER, COLIN, Esq., A.R.A. 
 HUSON, THOS., Esq. 
 KILBURNE, G. G., Esq. 
 KNIGHT, JOS., Esq. 
 LANGLEY, WALTER, Esq. 
 LEWIS, C. J., Esq. 
 LINDSAY, Sir COUTTS, Bart. 
 LUCAS, SEYMOUR, Esq., A.R.A. 
 MACALLUM, HAMILTON, Esq. 
 MACBETH, ROBT. W., Esq., A.R.A. 
 MACQUOID, PERCY, Esq. 
 MACQUOID, THOS. R., Esq. 
 MACWHIRTER, J., Esq., A.R.A. 
 MITCHELL, P., Esq. 
 ORROCK, J., Esq. 
 PARSONS, ALFRED, Esq. 
 PASSINI, LUDWIG, Esq. 
 PENSON, R KYRKE, Esq. 
 
 PILLEAU, HENRY, Esq. 
 PYNE, THOS., Esq. 
 RICHARDSON, JOHN I., Esq. 
 SCOTT, JOHN, Esq. 
 SEVERN, ARTHUR, Esq. 
 SHERRIN, JOHN, Esq. 
 SMYTHE, LIONEL P., Esq. 
 STANHOPE, R. SPENCER, Esq. 
 STANILAND, CHAS. J., Esq. 
 STEER, H. R., Esq. 
 STOCK, H. J., Esq. 
 TENNIEL, JOHN, Esq. 
 THOMAS, W. L., Esq. 
 TOPHAM, F. W. W., Esq. 
 WARREN, EDMUND G., Esq. 
 WATERHOUSE, J. W., Esq., A.R.A. 
 WEATHERHEAD, W. H., Esq. 
 WETHERBEE, G. F., EsQ.g 
 WHITE, JOHN, Esq. 
 WHYMPER J. W., Esq. 
 WOLF, J., Esq. 
 WOOD, L. J., Esq. 
 WOODVILLE, R. C, Esq. 
 WYLLIE, W. L., Esq. 
 
 LAD Y MEMBERS. 
 
 CHASE, Miss MARIAN. I GOW, Miss MARY L. 
 
 DUFFIELD, Mrs. WILLIAM. i LINDSAY, Lady. 
 
 FARMER, Miss EMILY. 
 
 HON. ARCHITECT, E. R. ROBSON, Esq. 
 HON. COUNSEL, JOHN CHESTER, Esq. 
 
 SOLICITORS, Messrs. LUMLEY & LUMLEY. 
 BANKERS, Messrs. RANSOM, BOUVERIE & CO. 
 SECRETARY & CURATOR, ALFRED EVERILL. 
 
 CATALOGUE ABBREVIATIONS. 
 
 R. A . Royal Academician. 
 A.R.A. Associate of the Royal Academy. 
 R.S.A. Royal Scottish Academician. 
 A.R.S.A. Associate Royal Scottish Academy. 
 R.H.A. Royal Hibernian Academician. 
 
 P.R.I. President of the Royal Institute of Painters in Water Colours. 
 V.P.R.I. Vice-President of the Royal Institute of Painters in Water Colours. 
 R.I. Member of the Royal Institute of Painters in Water Colours, 
 R.C.A. Royal Cambrian Academician. 
 
AD VER TISEMENTS. 
 
 MUTUAL ASbUKANCE WITH MODERATE PREMIUMS. 
 
 SCOTTISH PROVIDENT 
 
 INSTITUTION. 
 
 ,DINBURGH : 6, St. Andrew Sq. LONDON: 17, King William St., E.C. 
 
 I HIS SOCIETY differs in its principles from other Offices. 
 Instead of charging rates higher than are necessary, and returning the excess in 
 le shape of periodical Bonuses, it gives from the first as large an Assurance as the 
 remiums will with safety bear — reserving the Whole Surplus for those members (a 
 tajority of the whole) who have lived long enough to secure the Common Fund from 
 iss. 
 
 A Policy for ,£1,200 to ^1,250 may thus at most ages be had for the Premium usually charged for (with 
 profits) ^1,000 only ; while, by reserving the surplus, large additions have been given — and may 
 be expected in the future — on the Policies of those who participate. At last division of Profits, 
 Policies for ;£i,ooo sharing a first time were increased to sums varying from £1,180 to £1,300, or 
 more. Others were raised to £1,400, £1,700, and upwards. 
 
 The NEW BUSINESS (entirely home) has for many years exceeded A MILLION. 
 The Expenses are much under those of any Office doing so large a new business. 
 
 The ACCUMULATED FUND is now upwards of £5,400,000. 
 
 Only Two Offices in the Kingdom (both older) have as large a Fund. 
 
 Examples of Premiums for £100 at Death— With Profits. 
 
 Age. 
 
 Payable 
 during Life. 
 
 Limited to 
 21 payments. 
 
 Age. 
 
 Payable 
 during Life. 
 
 Limited to 
 21 payments. 
 
 Age. 
 
 Payable 
 during Life. 
 
 Limited to 
 21 payments. 
 
 21 
 
 £1 16 3 
 
 £210 6 
 
 31 
 
 £2 2 6 
 
 £2 16 2 
 
 41 
 
 £2 16 8 
 
 £3 9 2 
 
 22 
 
 1 16 9 
 
 2 11 
 
 32 
 
 2 3 5 
 
 2 17 1 
 
 42 
 
 2 18 8 
 
 3 11 1 
 
 23 
 
 1 17 2 
 
 2 11 6 
 
 33 
 
 2 4 6 
 
 2 18 
 
 43 
 
 3 11 
 
 3 13 1 
 
 24 
 
 1 17 7 
 
 2 12 1 
 
 34 
 
 2 5 7 
 
 2 19 
 
 44 
 
 3 3 3 
 
 3 15 3 
 
 25 
 
 1 18 
 
 2 12 6 
 
 35 
 
 2 6 10 
 
 3 2 
 
 45 
 
 3 5 9 
 
 3 17 6 
 
 26 
 
 118 6 
 
 2 13 
 
 36 
 
 •2 8 2 
 
 3 1 5 
 
 46 
 
 3 8 5 
 
 4 
 
 !27 
 
 1 19 2 
 
 2 13 6 
 
 37 
 
 2 9 8 
 
 3 2 9 
 
 47 
 
 3 11 5 
 
 4 2 8 
 
 |28 
 
 1 19 11 
 
 2 14 1 
 
 38 
 
 2 11 3 
 
 3 4 3 
 
 48 
 
 3 14 8 
 
 4 5 8 
 
 129 
 
 2 8 
 
 2 14 8 
 
 39 
 
 2 12 11 
 
 3 5 9 
 
 49 
 
 3 18 1 
 
 4 8 9 
 
 *30 
 
 2 16 
 
 2 15 4 
 
 t40 
 
 2 14 9 
 
 3 7 5 
 
 50 
 
 4 1 7 
 
 4 12 1 
 
 * Thus, a person of 30 may secure ^1,000 at Death by a yearly payment, during life, of £20 155. This Premium 
 any other of the Scottish Mutual Offices would secure £800 only, instead o £1,000- 
 
 [The non-participating rates of other Offices differ little from these, so that assurers with 
 them virtually throw away the prospect of additions without any compensating advantage.] 
 OR, if unwilling to burden himself with payments during whole life, he may secure the same £1,000 by twenty- 
 \ie yearly payments of ^27 13J $d. — being thus free of payment after age 50. 
 
 t At age 40 the Premium ceasing at age 60, is, for £1,000, £33 14s. id., being about the same as most Offices 
 bquire to be paid during the whole term of life. Before that time the Policy will have shared in at least one 
 \ivisiou of profits. 
 
 WHOLE-WORLD LICENSES AND NON-FORFEITURE OF POLICIES. 
 
 The conditions relating to these important matters have recently been revised. 
 
 Policies after five years (with certain necessary exceptions) are now free from 
 estrictions on residence, and unchallengeable on any ground but fraud. 
 
 Policies may be revived (after the month of grace) at any time within a year 
 •ithout proof of health. In case of death intervening, the full sum is payable under 
 eduction of arrears. 
 
 Claims payable One Month after proof of Death. 
 Reports with Statement of Principles may be had on application. 
 
 JAMES WATSON, Manager. 
 
 J. MUIR LEITCH, London Secretary. 
 
A D VER 7 IS E ME NTS. 
 
 "THE QUEEN OF TABLE WATERS. 
 
 Free Delivery in London and twelve miles round. 
 
 ORDERS for the COUNTRY are executed at LONDON PRICES from tht 
 nearest Depot, namely : — 
 
 LONDON, LIVERPOOL, 
 BRISTOL, or GO OLE, 
 
 thus effecting a GREAT SAVING of Carriage. 
 
 ADDRESS:— 
 
 THE APOLLINARIS COMPANY, LIMITED, 
 
 19, REGENT STREET, LONDON, S.W. 
 
 Friedrichshall 
 
 THE WELL-KNOWN APERIENT MINERAL WATER. 
 
 IMPORTANT NOTICE. 
 
 By reason of an improved method of caption, by which dilution is avoided 
 FRIEDRICHSHALL WATER will be found now to be of considerably greata 
 strength and efficacy than heretofore. 
 
 The ordinary dose is a large wineglas^ful (4 ounces), taken fasting. Most efficacious aiw 
 more acceptable to the palate when heated or mixed with an equal quantity of very hot water. 
 
 " 1 know nothing at all equal to Friedrichshall. The LONGER it is taken th 
 SMALLER is the quantity necessary to effect the purpose."— Sm Henry Thompson 
 F.R.C.S., London. 
 
 Of all Chemists and Mineral Water Dealers. 
 
CATALOGUE. 
 
 1886. 
 
 hhe whole of the Illustrations have been drawn by the Artists themselves, with the 
 exception of Nos. 608, 815, 930, 991. 
 
 A 11 Pictures sold or not for sale are marked with a Red Star. 
 
 The prices of unsold Pictures, not mentioned in the 'priced Catalogue, may he 
 Ibtained of the Curator in the West Gallery. 
 
 As the most effectual means of preventing future mistakes or misunderstanding , 
 [ill Purchasers are respectfully requested to sign their name in a Book provided 
 for the purpose in the hands of the Curator. 
 
 Twenty five per cent, is required to be paid upon all Works directed to be 
 marked sold. 
 
 Cheques to be made payable to the order of the Secretary, and, crossed 
 ' Ransom, Bouverie and Oo." 
 
 The Copyright of all works in the Gallery is reserved to the respective Artists 
 unless special arrangement to the contrary be made. 
 
 WEST GALLERY. 
 
 1. Dead Birds. 
 
 2. Waiting for her Pony — Portrait 
 
 of Annie, eldest daughter of 
 the late fltzroy kelly, esq. 
 
 3. The Old Church, from Walbers- 
 
 wick Common. 
 
 4. " Where's your Cap ? " 
 
 5. Market Boats near Dordrecht 
 
 6. " Happy as the Day is Long." 
 
 7. Cat's-Cradle. 
 
 8. A Bit of Surrey. 
 
 9. Hide and Seek. 
 
 R. Willes MadAox. 
 
 Ellen G. Hill. 
 
 Alfred Powell. 
 M. Winifride Freeman. 
 Walter W. May, R.I. 
 Arthur Stoeks, E.I. 
 Walter S. Stacey. 
 Ernest Parton. 
 Henry D. Shepard. 
 
10 
 
 WEST GALLERY. 
 
 10. The Old Bridge, Salisbury. Henry D. Shepard. 
 
 11. " Just draw me a glass of your genuine stunning, please, with a good 
 
 head to it."— David Copperfteld, Chap. IX. H R. Steer, R.I. 
 
 12. Widemouth— Bude Bay — Frank Walton, R.I. 
 
 " By the dim echoes of old Triton's horn." 
 
 13. " Gloom is upon thy lonely hearth Stuart Lloyd. 
 
 Oh silent house, once filled with mirth." 
 
 14. The Wellington, Wrekin ; from Orton. 
 
 
 
 R A. K. Marshall. 
 
 15. 
 
 Feeding the Pigs. 
 
 Charlotte H. Spiers. 
 
 16. 
 
 Donna Elvira. 
 
 Francis H. Eastwood. 
 
 17. 
 
 S. Peter's Court, Newlyn, Cornwall. Grace H. Hastie. 
 
 18. 
 
 Lake of Starnberg, Bavaria. 
 
 E. T. Compton. 
 
 19. 
 
 Sweet Summer Time. 
 
 G. G. Kilburne, R.I. 
 
 
 (See Illustration.) 
 
 
 20. 
 
 A Wiltshire Mill. 
 
 G. J. Lewis, R.I. 
 
 21. 
 
 The Reader. 
 
 Edwin Bale, R.I. 
 
 22. 
 
 A Bit of the River at Sutton- 
 
 
 COURTNEY, NEAR ABINGDON. 
 
 Mrs. P. J. Naftel. 
 
 23. 
 
 Tea in a Net-Loft. Elizabeth A. Armstrong. 
 
 24. 
 
 Chrysanthemums. 
 
 Ida Porter. 
 
 25. 
 
 Mouth of the River Coquet, — 
 
 
 
 Warkworth Castle in the 
 
 
 
 Distance. 
 
 J. H Mole, V.P.R.I. 
 
 26. The King's Gateway, Trinity College, 
 
 Cambridge. J. E. Rogers. 
 
 27. 
 
 Nook End Bridgf, Ambleside. 
 
 William Arthur Howgate. 
 
 28. 
 
 Carting Seaw eed. 
 
 Clem Lambert. 
 
 29. 
 
 On the Cards. 
 
 A. W. Bayes. 
 
 30. 
 
 The Sailor's Home. 
 
 Harry Goodwin. 
 
 30*. 
 
 Morning Grey. 
 
 Geo. D. Hiscox. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 1 1 
 
 Winter Twilight in the Woods. James T. Watts. 
 
 Boston Church. C. E. Holloway, R.I. 
 
 Guilt and Innocence. Edward Henry Gorboidd, R.I. 
 
 <srv\A . , (^ ee Illustration.) 
 
 The Rest, Well near Cafe Hamah, 
 
 Algiers. Guido R. Bach, R.I. 
 
 The Culprit. Arthur Wardle. 
 
 "Heedless of grammar, they all cried 'That's him.'" 
 
 A Street in Fuenterabia, Spain. Axel Herman Haig. 
 
 Fieldfares. J. Sherrin, R.I. 
 
 Lobster Fishers of Helgoland. Hamilton Macallnm, R.I. 
 
 Roses and Myrtle. Mrs. William Duffield, R.I. 
 
 Summerleaze Down, Bude. Frank Walton, R.I. 
 
 Thomas Huson, R.I. 
 " Summer fields beneath the shadowy clouds." 
 
 The Pilot. John Scott, R.I. 
 
 (See Illustration.) 
 
 Mining Operations with a Sentry. J. Sherrin, R.I. 
 
 Silent Woods. G. Sheridan Knoides. 
 
 Lake Common, near Sandown, Isle of 
 
 Wight. Poivell May. 
 
 Spezia, near Arcola. Ainslie Bean. 
 
 Owlets. Rose Stanton. 
 
 Red Pompon Chrysanthemums. Kate Sadler. 
 
 At Walberswick, Suffolk. Fred. C. Bixey. 
 
 Late for Tea. M. Winifride Freeman. 
 
 The Old Manor House at Lordington, 
 
 Sussex. J. Aumonier, R.I. 
 
 The Basket Maker. John M. Bromley. 
 
 Anemones from the South. Letitia Margaret Parsons. 
 
 A Quiet Harbour. F. W. W. Topham, R.I. 
 
12 
 
 WEST GALLERY. 
 
 55 
 
 Our Lane at Milton, Berkshire. Thos. J. Soper. 
 
 56. 
 
 Geraniums. 
 
 Georgie W. Kemp. 
 
 57. 
 
 Primulas. 
 
 Mrs. Cecil Lawson 
 
 58. 
 
 Surrey Cabbages. 
 
 Edward Francis J. Clarke. 
 
 59. 
 
 A Difficult Task. 
 
 R. H. Rose 
 
 60. 
 
 A Surrey Homestead. 
 
 G. L. Luker. 
 
 61. 
 
 A Willowy Brook. 
 
 C. J. Lewis, R.I 
 
 62. 
 
 An Exchange of Opinions. 
 
 Henry G. Massey. 
 
 63. 
 
 Thames Bank, below Woolwich. 
 
 Walter William May, R. I 
 
 64. 
 
 <c The dog it was that died." 
 
 —Goldsmith. 
 
 W. Henry Gwe 
 
 
 Streatley. 
 
 Thos. Fyne, R.I 
 
 DO. 
 
 Ariel. J. A. Fitzgerald 
 " An think'st it much to tread the ooze 
 Of the salt deep ; 
 
 To run upon the sharp wind of the north." 
 
 67. 
 
 A Mosque in Algiers. 
 
 H. Pilleau, R.I 
 
 68. 
 
 South Stoke Church, Sussex. 
 
 S. G. W. Boscoe 
 
 69. 
 
 Washing Day. 
 
 Henry Pope 
 
 70. 
 
 A Message from the Squire. 
 
 Mariquita J. Moberley 
 
 71. 
 
 Dorothy. 
 
 Maude Goodman 
 
 72. 
 
 The River, below Kew. 
 
 George C. Haite 
 
 73. 
 
 A Summer Day on the Banks of the Vyrniew, 
 
 N. Wales. M. W. Minshall 
 
 74. 
 
 Street in Cairo. 
 
 John Whipple 
 
 75. 
 
 On the Clyde. 
 
 Arthur Legge 
 
 76. 
 
 The Port of Yarmouth. 
 
 Nora Davison 
 
 77. 
 
 Old House, Mermaid Street, Rye. 
 
 Mary C. Jevons 
 
 78. 
 
 An Old Mill. 
 
 W. K. Stevens 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 13 
 
 70 
 
 A TJ.TTSTTP OpPTTT^TT^ 
 
 A tVYi p e f-r/y <vn vt pry T\i vi n 
 ivtjo \jriA/i (j/iiiV/ ivv/oij. 
 
 
 May. 
 
 Rosa Wallis. 
 
 ft 1 
 
 Lady Teazle. 
 
 John Absolon, R.I. 
 
 82 
 
 At Hampton-Lucy, Warwickshire. Edw. H. Fahey, R.L 
 
 83. 
 
 Daffodils. 
 
 G. Kohermein Terrell. 
 
 84. 
 
 A Reverie. 
 
 Catherine A. Sparkes. 
 
 85. 
 
 The Cottage Home. 
 
 (See Illustration.) 
 
 Yeend King. 
 
 
 Homeward Bound. 
 
 Thomas John Hughes. 
 
 # . 
 
 Trawling on the Doggerbank. 
 
 J. R. Wells. 
 
 DQ 
 DO. 
 
 A Portrait. 
 
 J. Hill. 
 
 OO 
 
 oy. 
 
 Evening Glow on the Coast of Mull. Thos. Hunt. 
 
 
 Kew Bridge. 
 
 Arch. Webb. 
 
 90. 
 
 On the Old Coach Road to Bangor. Rose Barton. 
 
 91. 
 
 " Want to Get Out." 
 
 Jane M. Dealy. 
 
 92. 
 
 Breakers on the Helwicks, Coast of South Wales. 
 
 G. S. Walters. 
 
 93. 
 
 " Keep Still, while I make you Pretty, Dear." 
 
 F. Markham Skipworth. 
 
 94. 
 
 On the Exe, Topsham. 
 
 S. G. W. Roscoe. 
 
 95. 
 
 Bolton Abbey, on the Wharfe. 
 
 J. Jackson Curnock, R.C.A. 
 
 
 Stormy Weather — A Sketch. 
 
 Herbe7*t Ghipp. 
 
 97. 
 
 Harvesting. 
 
 John Whipple. 
 
 98. 
 
 Across the Moors. 
 
 Peter Ghent. 
 
 99. 
 
 Sunset Clouds, over Coniston " 
 from brantwood. 
 
 Old Man," 
 
 Arthur Severn, R.I. 
 
 IOO. 
 
 Boulogne Sands. 
 
 (See Illustration.) 
 
 William L. Thomas, R.I. 
 
 IOI. 
 
 Reading the Proofs. 
 
 Frank Hobden. 
 
 102. 
 
 Showery Weather — Kent. 
 
 S. S. Theobald. 
 
14 
 
 WEST GALLERY. 
 
 103. 
 104. 
 105. 
 106. 
 107. 
 108. 
 109. 
 HO. 
 
 111. 
 112. 
 113. 
 
 114. 
 
 115. 
 
 116. 
 
 116*. 
 
 117. 
 
 118. 
 
 119. 
 
 120. 
 
 121. 
 122. 
 123. 
 124. 
 125. 
 126. 
 127. 
 128. 
 
 The Meadow Stream. A. H. Waller 
 
 Summer Roses. Lucy Varley. 
 
 Woolwich Steamers, with Guards on Board. A. Bagon. 
 
 Arundel. E. Blount Smith. 
 
 Early Spring. Wilfred H. Thompson. 
 
 A Gipsy Lass. Elizabeth A. Armstrong. 
 
 Moonlight on the High Seas. Gideon Fidler. 
 
 Among the Sandhills on the Lincolnshire Coast. 
 
 Vernon Howard. 
 
 A Desert Lord. N. E. Green. 
 
 Clearing the Ground. Leopold Bivers. 
 
 Portrait of the Rev. T. Lloyd, Rector of 
 
 Llanfynydd. Mary E. Butler. 
 
 On the Borders of the Forest of Fontainebleau. 
 
 Charles Maundrell. 
 
 Anemones. 
 Autumn. 
 
 A Winter's Day. 
 Maclaine's Cross, Iona. 
 Awakened Memories. 
 Nantjissel Bay, Cornwall. 
 
 Frances A. Field. 
 George Lucas. 
 K. Belford. 
 Emmie Stevmrt- Wood. 
 
 Henry Terry. 
 G. B. Aston, R.I. 
 
 Gossips at the Conduit, Beer, South Devon. 
 
 Sam. Llewellyn. 
 
 A Haunt of Peace. 
 
 The Wayside Inn. 
 
 Bacchanalian Priestess. 
 
 Reflections. 
 
 Britannia's Pride. 
 
 In Ockendon House, Sussex. 
 
 An Old Sorrow. 
 
 Scotch Weeds. 
 
 John W. Whiteley. 
 Bhilip Norman. 
 Harry Arnold. 
 Fred. Slocombe. 
 T. A. Cule. 
 Bhilip C. Smallfield. 
 L. E. H. Tiddcman. 
 Bosa Maude Borusen. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 15 
 
 Festivity in the Cottage. Banl. Pasmore. 
 
 Gifford's Gate, Haddington. Emmie Stewart- Wood. 
 A Basket of Raspberries. Rosa Wallis. 
 
 Blanche Spencer. 
 
 " A young star who shone o'er life, 
 A lovely being scarcely formed or moulded, 
 A rc se with all its sweetest leaves yet folded." — Byron. 
 
 Near Dolgelly, North Wales. Urban Rider. 
 
 Day Dreams. Frank Bertioli. 
 
 A Bit of Colour. E. Cameron Mawson. 
 
 Llyn Ogwen, North Wales. A. Crocker. 
 
 " Now dark and deep the evening shades begin to fall." 
 
 William I. Ferguson. 
 
 At Rothenburg, in Bavaria. Thomas R. Macquoid, R.I. 
 
 " What's Up ? " Thomas W. Couldery. 
 
 A Crofter's Home. Percy Dixon. 
 
 Her Last Moorings. F. W. Baker. 
 
 The Acropolis at Athens. Arthur Ditchfield. 
 
 Silver Birches. James Baldock. 
 
 Shadows. , Mrs. L. Bentley Smith. 
 
 Entrance to Golden Temple, Benares. 
 
 H.A. Olivier. 
 
 46. Aldurnack Burn. The late James Fahey, R.I. 
 
 47. Orchids. Mrs. William Dufficld, R.I. 
 
 48. "Through Meadows Fair." C. J.Lewis, R.I. 
 
 49. Griff Canal. Mrs. A. E. Hart. 
 
 50. Lane Scene near Barmouth, North Wales. 
 
 Mary E. Carwardine. 
 
 51. H.R. Steer, R.I. 
 
 " The treasure of sweet sounds 
 From many a trembling chord shakes out." 
 
16 
 
 WEST GALLERY. 
 
 152. 
 
 Her Birthday. 
 
 Annabel Doiones. 
 
 153. 
 
 Sand-dunes, Norfolk Coast. 
 
 John A. J. Brindley. 
 
 154. 
 
 A Garden of Nature. 
 
 Arthur Edw. Strutt. 
 
 155. 
 
 Cottages at Wilford, Notts. 
 
 Trythall Bowe. 
 
 156. 
 
 Twilight — Under the Oaks at Rydal. 
 
 J. Jackson Cur nock, B.C. A. 
 
 157. 
 
 The Shore near Harlech. 
 
 Joseph Knight, R.I. 
 
 158. 
 
 Exeter, from the Banks of the Canal. Arthur Sheely. 
 
 159. 
 
 Cornish Coast near Tintagel. Andrew B. Donaldson. 
 
 160. 
 
 Walberswick Pier. 
 
 Charles Thorncly. 
 
 161. 
 
 Arguing the Point. 
 
 J. H. Barnes. 
 
 162. 
 
 Pine Apple and Grapes. 
 
 J. Sherrin, R.I. 
 
 163. 
 
 Amongst the Corn. 
 
 John Absolon, R.I. 
 
 164. 
 
 Aqua Pura. 
 
 Wm. H. Weatherhead, R.I. 
 
 165. 
 
 The Sand Bank. 
 
 Edmund G. Warren, R.I. 
 
 166. 
 
 Sunrise. 
 
 B. W. Vernon. 
 
 167. 
 
 An Old Mill. 
 
 A. Lewis. 
 
 168. 
 
 Moorish Peasants. 
 
 Mortimer L. Menpes. 
 
 169. 
 
 Road to Rose Bay, near Sydney, New South 
 
 Wales, Australia. Edward Combes, C.M.G., H.R.I. 
 
 170. 
 
 Luxuries Hard-earned. 
 
 H. B. Steer, R.I. 
 
 171. 
 
 Wild Wales. 
 
 E. M Wimp er is, R.I. 
 
 172. 
 
 Portland, Dorset — Squally Weather from the 
 
 South-west. William Pye. 
 
 173. 
 
 A Ferry" on the Wye. 
 
 Edgar Giberne. 
 
 174. 
 
 St. Peter's, Norwich. Bingham McGuinness, B.H.A. 
 
 174*. 
 
 Hallgates, Bradgate Park, Leicester. Geo. Hull. 
 
 175. 
 
 Tea-Time. 
 
 Henry Terry. 
 
 176. 
 
 Sin Piercing the Heart of Love. Henry J. Stock, R.I. 
 
 " And it grieved Him at His heart." — Genesis vi. 6. 
 (See Illustration.) 
 
 J 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 17 
 
 177. Cottage Steps, Cornwall. A. Quinton. 
 
 178. Roses and Fruit. Mrs. William Duffield, HJ. 
 
 179. Kept in. Ralph Hedhy. 
 
 180. Chrysanthemums. Miss E. Pyne. 
 
 181. The Yale of Chudleigh, from Haldon. 
 
 Edmund G. Warren, R.I. 
 
 H82. Vernon, Eure. ft ^ (fl^uAj t F. P. Barraud. 
 
 183. " Far from the sun and summer gale." Newton Benett. 
 
 184. Dymchurch, " the English Holland." John Eyre. 
 
 185. Early Morning, Island of Philae, Upper Egypt. 
 
 
 
 Henry A. Harper. 
 
 186. 
 
 Going to Market. 
 
 Walter Langley, R.I. 
 
 187. 
 
 Summer time — on the Exe. 
 
 S. G. W. Roscoe. 
 
 188. 
 
 Eastern Broad, South wold. 
 
 Fred. Williamson. 
 
 189. 
 
 Conway Castle from the Quay. Samuel William Oscroft. 
 
 190. 
 
 In St. Mark's, Venice. 
 
 G. G. Kilhurne, R.I. 
 
 191. 
 
 Sunset at Sea. /3 U)**<x>4 , 
 
 Arthur Severn, R.I. 
 
 192. 
 
 Dreamland. 
 
 Percy Anderson. 
 
 193. 
 
 Off Mount Etna, Sicily. 
 
 Sydney Herbert. 
 
 194. 
 
 Flowers for the Madonna. 
 
 Guido R. Bach, R.I. 
 
 195. 
 
 Hampton Court Palace from the ' 
 
 ' Long Water." 
 
 
 
 John Fulleylove, R.I. 
 
 196. 
 
 " Your Bill, Sir." 
 
 David Mossman. 
 
 197. 
 
 On the Blackmount, Argyllshire. 
 
 
 
 John I. Richardson, R.I. 
 
 198. 
 
 Home Brewed. 
 
 Carlton A. Smith. 
 
 199. 
 
 In a Foreign Element. 
 
 H. Cafieri, R.I. 
 
 200. 
 
 St. Ouen, Rouen, Normandy. 
 
 Z.J. Wood, R.I. 
 
 201. 
 
 " Le Roi est Mort, Vive le Roi." 
 
 Byzantium, 668. 
 
 Charles Ricketts. 
 
 B 
 
18 
 
 WEST GALLEBY. 
 
 202. Evening, near Bocca d'Arno. M. B. Corbett. 
 
 203. The Campanile and Dome of the Cathedral, Siena. 
 
 Thomas B. Whinney. 
 
 204. " Missing." W. E. Croxford. 
 
 205. The Close of a Winter's Day. A. H. Waller. 
 
 206. Summer Sunset, Norfolk. Edwd. H. Eahey, R.I. 
 
 (See Illustration.) 
 
 207. The Mist of the Morning. G. S. Walters. 
 
 208. Old Cottages, Birstall, Leicestershire. George Dames. 
 
 209. Old Cottages, Newtown Linford, Leicestershire. 
 
 George Davies. 
 
 210. Courtyard of the Mairie, Orleans. 
 
 George S. Elgood, R.I. 
 
 211. Children among the Wild Flowers. Robert Carrick, R.I. 
 
 212. Hambleton Mill, Poulton-le-Fylde. Charles Auty. 
 
 213. Thames Street, Poole. Wilfred H Thompson. 
 
 214. Warkworth Sands. Gosens Way. 
 
 215. Solva Harbour, Pembrokeshire — Tide Out. 
 
 Charles W. Badclyffe. 
 
 216. H.R.H. the Prince of Wales Elk Shooting in Sweden. 
 
 Sydney P. Hall. 
 
 217. Flint Castle, North Wales. J. W. Whymper, R.I. 
 
 218. Carting Hay. A. Trevor Haddon. 
 
 219. " Now come^ still evening on and twilight grey." 
 
 C. J, Lewis, R.L 
 
 220. A DILEMMA. franfc nobaen. 
 
 221. La Tombola. Cc^v^J^ly^ ^, dtum L. Da. Bios. 
 
 222. Among the Islands : Loch Awe. John Smart, B.S.A. 
 
 " When clouds lie low." 
 
 223. The Peat-Holes, Stockbridge. Bobert W. Eraser. 
 
 224. Yule Tide. Lilian Abraham. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 19 
 
 225. The Chapelle des Cordonniers, Cathedral, Bruges. 
 
 W. Harding Smith. 
 
 226. A Morning in June. Clem Lambert. 
 
 227. Compton Wynyattes. Geo. S. Elgood, R.I. 
 
 228. Check-mate. Marian Chase, R I. 
 
 (See Illustration.) 
 
 229. Old Pier at Mudiford. E. M. Wimperis, R.I. 
 
 230. A Snipe. Katharine M. Stocks. 
 
 231. Fishing Vessels Leaving Port. 
 
 Edwin Hayes, R.H.A., R.I. 
 
 232. " The Awakening Year/' Albert Strange, 
 
 233. Weir Head of the Tamar — South Devon. 
 
 Philip Mitchell, R.I. 
 
 234. Fishermen's Quarter, Lago Maggiore. 
 
 John Absolon, R.I. 
 
 235. A Glimpse of Sunshine through the Clouds, Arran. 
 
 Isaac Cooke. 
 
 236. Il Penseroso. H. G. May. 
 
 237. A Grassy Path. Emetine S. A. McMillan. 
 
 238. In the Birch Wood. George Wells. 
 
 239. " For the Needy." J. C. Harrison. 
 
 240. The Ruddy Grain. A. C. Wyatt. 
 241 
 
 Meg Merrilies. o^tilfi Kate Sadler. 
 
 242. The River Dochart and Ben More, from Killin. 
 
 J. W. Whymper, R.I. 
 
 243. Dutch Pink running Free. A. Wilde Parsons. 
 
 244. The Foot Bridge. Edith Martinean. 
 
 245. In the Meadows, Great Marlow. Max Ludby. 
 
 246. In the Woods. 0. Bickatson. 
 
 247. Caught Tripping. A. W. Bayes. 
 
 (See Illustration.) 
 
 B 2 
 
20 
 
 WEST GALLERY. 
 
 
 248. 
 
 Twilight. 
 
 Emily B. Stones. 
 
 249. 
 
 Relics of Disaster. 
 
 H. Caffieri, R.I. 
 
 250. 
 
 Evening — Hayward's Heath. 
 
 Fred. Miller. 
 
 251. 
 
 On the Usk, Monmouthshire. 
 
 Charlotte H. Spiers. 
 
 252. 
 
 A Fishing Haven. 
 
 J. J. Bannatyne. 
 
 253. 
 
 Durlston Bay, near Swanage, Dorset. C. B. Huttula. 
 
 254. 
 
 A Mountain Stream. 
 
 Beginald Jones. 
 
 255. 
 
 " It Wasn't Me ! " 
 
 J. H. Barnes. 
 
 256. 
 
 The Island of Philae, Nubia, from the North. 
 
 Frank Dillon, R.I. 
 
 257. 
 
 Duchesse Pears. 
 
 Marian Chase, R.I. 
 
 258. 
 
 On the Avon, Warwickshire. 
 
 Edivard H. Fahey, R.I. 
 
 259. 
 
 A Portrait. 
 
 Miss T. Mackworth. 
 
 260. 
 
 Autumn. 
 
 G. F. Wetherbee, R.I. 
 
 261. 
 
 View from Rusthall Common, Tunbridge Wells. 
 
 Edivard Hargitt, R.I. 
 
 262. 
 
 " Never too Late to Mend." 
 
 Catherine J. Atkins. 
 
 263. 
 
 Un Gage d' Amour. 
 
 H. Bandolph Bose. 
 
 264. 
 
 Arran. 
 
 Bobert James Moser. 
 
 265. 
 
 Twilight. 
 
 Charles II. M. Kerr. 
 
 266. The Pass of Brander, Loch Awe. 
 
 /£u/ • Keelcy Halswdle, A.R.S.A., R.] 
 
 (MZtAOtA. (See motion.) . 
 
 267. At Woolhampton, Berks. J. M. Macintosh. 
 
 268. 
 
 " Olivia," Twelfth Night. Sir 
 
 James D. Linton, P.R.I. 
 
 269. 
 
 V " Down where the garden grows, 
 Gay as a banner." 
 
 
 
 George S. Elgood, R.I. 
 
 270. 
 
 Kitty. 
 
 A. W. Bayes. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 21 
 
 271. Leith Hill, from Gray's Wood, Haslemere. 
 
 J. W. Whymper, R.I. 
 
 272. Gertrude. A Portrait. Edwin Bale, R.I. 
 
 273. In Sherwood Forest — Autumn. Fred. Hines. 
 
 274. The Prentice Hand. Thomas W. Conldcry. 
 
 275. A Glimpse of the River Yare, Norfolk : looking 
 
 over Whittingham. Miller Smith. 
 
 276. Poole Harbour. Arthur E. Pearce. 
 
 277. A Friar. Edith Heckstall Smith. 
 
 278. The City of Norwich. Charles Earle, R.I. 
 
 (See Illustration.) 
 
 279. Ohristchurch Gate, Canterbury. John Fulleylove, R.I. 
 
 280. Bough of Plums. J. Sherrin, R.I. 
 
 281. The Standard Bearer. Fredk. Weekes. 
 
 282. Trawlers leaving Great Yarmouth Harbour. 
 
 E. Hayes, B.H.A., R.I. 
 
 283. At the Fountain. Edith Martineau. 
 
 (See Illustration.) 
 
 284. The Home of the Pheasant. James T. Watts. 
 
 285. The Calm of an Early Summer Morning, Corrie, 
 
 ^ Isle of Arran, Scotland. H. Moxon Cook. 
 
 286. Spelling out the List. George Garline. 
 28 7. Morland Stream, Festiniog, North Wales. John Steeple. 
 
 288. A Reedy Pool — October. W. K. Stevens. 
 
 289. " Touch me not." Amy Scott. 
 
 290. Little Bess. Agnes Hussey. 
 290*. Wolves Glen, Dartford Heath. Chas. J. Adams. 
 
 291. St. Lo, Normandy. L. J. Wood, R.I. 
 2 92. Roses. Victoria Dubourg. 
 
22 
 
 WEST GALLERY. 
 
 293. Sketch from Nature. The late James Fahey, R.I. 
 
 294. The Gull Rock, Mullion, Cornwall. 
 
 Samuel William Oscroft. 
 
 295. Wrangle Point, Bude. Frank Walton, R.I. 
 
 296. Early Morning on the Laira, Plymouth. 
 
 Philip Mitchell, R.I. 
 
 297. The Town and Country Cousins. Rosalie M. Watson. 
 
 ' "\ (See Illustration.) 
 
 298. Riva degli Schiavone. F. R. Bearne. 
 
 299. The old Bridge, Gretz, near Fontainbleau, France. 
 
 Ernest Par ton. 
 
 300. Selling the Catch. David Carr. 
 
 301. Bologna, from St. Michele in Bosco. Ainslie Bean. 
 
 302. View of Menaggio from S. Giovanni, Lake 
 
 Como. Ainslie Bean. 
 
 303. Helvellyn, from the Head of St. John's Vale, 
 
 Cumberland. Wm. Moore. 
 
 304. The Poacher's Widow. Charles Whymper. 
 
 305. Storm Winds of Autumn. Robert W. Allan. 
 
 306. Foreign Service. C Green, R.I. 
 
 307. Sketch from Nature. The late James Fahey, R.I. 
 
 308. Coming Footsteps. Towneley Green, R.I. 
 
 309. Cat's-Cradle. W. H. Weatherhead, R.I. 
 
 310. An Avalanche on the Via Mala. Alfred W. Williams. 
 
 311. Burning the Tops, Aughton. Isaac Cooke. 
 
 312. A Romantic Corner — Haddon Hall. Elias Bancroft. 
 
 313. The Thames below Streatley. Thos. Pyne, R.I. 
 
 314. Lock in Cassiobury Park, Watford. Seat of the 
 
 Earl of Essex. The late Mrs. W. Oliver, R.I. 
 
 315. Streatley Mill. R. Phene Spiers. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 23 
 
 CENTRAL GALLERY. 
 
 316. Scene on the River Dart, South Devon. 
 
 Cornelius Pearson. 
 
 317. 
 
 The Bridge, Dalmally. 
 
 Robert James Moser. 
 
 318. 
 
 Old Cottages at Witley, Surrey. 
 
 Amy Scott. 
 
 319. 
 
 A First-Class Passenger. 
 
 Helena J. Maguire. 
 
 o20. 
 
 Entrance to Westminster Abbey from 
 
 
 Western Cloister. 
 
 Florence A. Stocker. 
 
 321. 
 
 The Lledr Bridge, Dolwyddelan Valley, 
 
 
 North Wales. 
 
 J. W. Whymper, R.I. 
 
 322. 
 
 By the Sea. 
 
 Percy Macquoid, R.I. 
 
 323. 
 
 The Fortune of War. 
 
 Thomas Gray. 
 
 324. 
 
 Roses. 
 
 Mrs. Cecil Lawson. 
 
 325. 
 
 A Bit of Old Nottingham. 
 
 W. C. Keene. 
 
 326. 
 
 A Rough Corner. 
 
 C. J. Barraud. 
 
 327. 
 
 Dirty Weather, Sligo Bay. 
 
 Walter W. May, R.I. 
 
 328. 
 
 The Sphinx at Midnight. 
 
 Frank Dillon, R.I. 
 
 329. 
 
 " By Mead and Limpid Stream.." Edmund G. Warren, R.I. 
 
 OOVJ- 
 
 A Strip of Suffolk Sea-board. 
 
 Walter Hepworth. 
 
 331. 
 
 A Cornish Bit. 
 
 A. Trevor H addon. 
 
 332. 
 
 Flamborough Head — Yorkshire Coast. 
 
 
 
 W. Whyte-Holdich. 
 
 333. 
 
 North Hill, Clovelly. 
 
 Blanche Baker. 
 
 334. 
 
 Near Netley, Surrey. 
 
 W. F. Hulk. 
 
 335. 
 
 The River Conway. 
 
 G. Sheridan Knowles. 
 
 336. 
 
 The Horse Jump — Dedham, Essex. 
 
 Margaret Bernard. 
 
 337. 
 
 " Beneath the Shadow of the Silent Hills." 
 
 W . Fryer Stock 
 
24 
 
 CENTRAL GALLERY. 
 
 ooo. 
 
 Landing Sakdines at Low Water. 
 
 Robert W. Macbeth, A.RA., R.L 
 
 ooy . 
 
 Springtime. 
 
 Miss A. J. Crozier.. 
 
 
 A Moorland. 
 
 Joseph Knight, R.I. 
 
 Ofc X ■ 
 
 In the Bemerton Meadows, near Salisbury. 
 
 Walter Bothams. 
 
 342. 
 
 Carpet Bazaar, Cairo. 
 
 H. Pilleau, R.I. 
 
 343. 
 
 The Milkmaid. 
 
 B. D. Sigmund.. 
 
 344. 
 
 A Tranquil Autumn Morning. 
 
 George Cockram. 
 
 345. 
 
 On the River Mole, Surrey. 
 
 Bessie J. Spiers. 
 
 346. 
 
 " Back to Old England Again." — 
 
 Dover. G. C. Kerr. 
 
 347. 
 
 Young Algiers. 
 
 George Q. P. Talbot. 
 
 OfxO • 
 
 An Egyptian Drawer of Water. 
 
 Mrs. John Varley. 
 
 349. 
 
 Thames Backwater. 
 
 H. Caffieri, R.I 
 
 35U. 
 
 The Vale of the Avon, from above Bideford. 
 
 John Keeley. 
 
 351. 
 
 Stranded Boats. 
 
 Fred. G. Cotman, R.I. 
 
 352. 
 
 Job's Comforters. Edward Henry Corbould, R.I. 
 
 353. 
 
 Christmas Roses. 
 
 Katherine M. Stocks. 
 
 354. 
 
 A Storm Coming. 
 
 Miss M. A . Heath. 
 
 355. 
 
 Une Pays anne. 
 
 John P. Morelle. 
 
 356. 
 
 At Shalstone Manor, Bucks. Thomas B. Macguoid, R.I. 
 
 357. 
 
 Chrysanthemums. 
 
 Caroline H. Norman. 
 
 358. 
 
 An Old Servant. 
 
 Walter Jjangley, R.I. 
 
 359. 
 
 EUCHARIS AND AZALEAS. 
 
 Bertha Maguire. 
 
 360. 
 
 A Sunny Afternoon. 
 
 Frank Bertioli. 
 
 361. 
 
 In Sherwood Forest, Notts. 
 
 S. Bourne. 
 
 362. 
 
 Newlyn Slip, Cornwall. 
 
 G. Spavjton Catloio. 
 
 363. 
 
 Martin Luther's Refuge. — The Wartburg, near 
 
 Eisenach. T. Harrington Wilson. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 25 
 
 On the Cornish Coast. Robert W. Allan. 
 
 (See Illustration.) 
 
 The Borders of the Lake, Aix-les-Bains. 
 
 Alfred Parsons, R.I. 
 
 An AppLxCAnt for " Three Acres and a Cow." 
 
 Stanley L. Wood. 
 
 Bude Breakwater. 
 
 A Sussex Village Church. 
 
 Parted. • 
 
 An Amateur. 
 
 An Old Orchard. 
 
 Street in Dartmouth. 
 
 Ebb Tide — A Cornish Haven. 
 
 Frank Walton, R.I. 
 Charles T Anson. 
 Maude Goodman. 
 Tovmeley Green, R.I. 
 Edwin Bale, R.I. 
 Mrs. Langton Barnard. 
 Humphry J. Willyams. 
 
 The Borromean Islands, Lago Maggiore. 
 
 Charles Boivbotham. 
 
 Practice. Edgar W. Wilson. 
 
 Haymaking. Mary Isabella Grant. 
 
 Church Stairs Street, Scarborough. Charles Holroyd. 
 
 View in the Lagunes, Venice. 
 Anemones. 
 A Solitary Road. 
 Deserted. 
 Venezia. 
 
 A Rough Road by the Sea. 
 
 (See Illustration.) 
 
 At the Theatre of Marcellus, Rome. 
 
 Keeley Halsivelle, A.B.S.A., R.I. 
 
 Small Sunflowers. Mary E. Butler. 
 
 " 'Twas Summer, and the Sun had Mounted High." 
 
 Thomas Huson, R.I. 
 
 " Who'll Buy My Pretty Ballads ? " H. B. Steer, R.I. 
 
 John Evans. 
 Lily Blatherivick. 
 Ed. Falkland Lucy. 
 Miss W. M. Gresley. 
 
 da Pozzo. 
 E. M. Wimperis, R.L 
 
CENTRAL GALLERY. 
 
 388. Feeding-Time. John Scott, RI. 
 
 389. Sennen Sands. Charles S. Mottram. 
 
 390. A Silver Harvest. Harry Tuck. 
 
 391. A Lancashire Moorland. A. Heaton Cooper. 
 
 392. Fallen Leaves. W. J. Caparn. 
 
 393. " What a very Unpicturesque Subject ! " Clem Lambert. 
 
 394. Stokesay. Evelyn Redgrave. 
 
 395. San Dalmazzo di Tenda, Alpe Maritime. 
 
 Richard Henry Wright. 
 
 396. An Interesting Volume. C. Green, R.I. 
 
 397. Tantallon Castle. J. W. Whymper, RI. 
 
 398. Mr. Mica wber's Materials. Bernard 0. Stocks. 
 
 399. Snowdrift. H. G. Hine, RI. 
 
 400. Old Cottages. The late James Fahey, RI. 
 
 40 1 . Maidenly Meditations. W. Reynolds Stephens. 
 
 402. Dunnerdale — November. W. Eden. 
 
 403. Anemones from the Riviera. Helen Knapping. 
 AO A. Forbidden Fruit. Frank Spenlove. 
 
 405. In Leigh Woods, Clifton. Henry Whatley. 
 
 406. Roses. Madame Te'rdsa Hegg. 
 
 407. Roses. Lydia B. King. 
 
 408. Conquerors— Study for a Picture. 
 
 Charles Cattermole, R.I. 
 
 409. The Flower Garden, Penshurst. Arthur Rowe. 
 
 410. My Castle in Spain. Lady Lindsay,^!. 
 
 411. Autumn Woods. Alice Squire. 
 
 412. Mowers. George Clausen, R J. 
 
 (See Illustration.) 
 
 413. South from Sir Thomas's Seat, Bude. 
 
 Frank Walton, R.I. 
 
 13' 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 27 
 
 ft 14. 
 
 Our Great-Grandmother. 
 
 A. E. Emslie. 
 
 U5. 
 
 Bullfinch, with Blue and Black Titmice. 
 
 
 
 Miss K. Scott 
 
 116. 
 
 Romeo and Juliet. 
 
 Clara Mole. 
 
 117. 
 
 Ariadne. 
 
 Henry Ryland. 
 
 118. 
 
 Kynance Cove, Cornwall. 
 
 C. R. Aston, R.I. 
 
 119. 
 
 St. John's Alley, Norwich. 
 
 Mrs. Harry Hine. 
 
 L20. 
 
 In the Copse, Biddenham, Beds. 
 
 F. W. Garden. 
 
 121. 
 
 Chapel of St. Edmund, Westminster Abbey. 
 
 Marion Roberts. 
 
 122. Bacchus. Henry Ryland. 
 
 1 1 
 
 123. Little Mischief. Emanuel Henry Horwitz. 
 424. Walberswick Common and Church, Suffolk. 
 
 Fred. Williamson. 
 
 .- 
 
 12 5. Azaleas. A. M. Youngman. 
 
 Marechal Niel Roses. Miss E. A. Stock. 
 
 She has Two Eyes Soft and Brown. A. E. Emslie. 
 Hoyden. E. J. Gregory, A.R.A., R.I. 
 
 Market Day. Andrew C. Gow, A.R.A., R.I. 
 
 Downs near Eastbourne. G. Hine, R.I. 
 
 Wareham, Dorset. John Fulleylove. R.I. 
 
 Sunny Hours. Robert Fowler. 
 
 133. Azaleas. Rosa Maude Bowser. 
 
 |134. Nature's Jewel. Janetta R. A. Pitman. 
 
 Bamborough Castle — Misty Evening. Robert Wood. 
 Late Autumn on the Alwyn. James T. Watts. 
 
 Anemones. Madame TSrdsa Hegg. 
 
 Grapes and Peach. J. Sherrin, R.I. 
 
 139. Gooseberries. Mary A. Hull. 
 
28 
 
 CENTRAL GALLERY. 
 
 440. 
 441. 
 
 442. 
 / 443. 
 444. 
 
 445. 
 446. 
 447. 
 448. 
 449. 
 450. 
 
 451. 
 452. 
 453. 
 454. 
 
 455. 
 
 456. 
 457. 
 458. 
 459. 
 
 460. 
 
 461. 
 462. 
 
 Blackshore Quay. John T. Torry. 
 
 The Village of Shanganagh, near Dublin. 
 
 Charles I' Anson. 
 
 Hot Weather. William G. Hooper. 
 
 Her Ladyship — Study for Picture. G. G. Kilburne, R.I 
 
 On the Old West River, Huntingdonshire. 
 
 Harry Hine, R.I. 
 
 A Bit of Cornish Hedgerow. 
 The Wreath. 
 St. Ives, Cornwall. 
 A Fir Wood, near Lynton. 
 Courtship. 
 
 William A. Waite. 
 Jennie Moore. 
 Patty Townsend. 
 B. D. Sigmund.- 
 H. Randolph Hose. 
 
 Above the Bridge, Henley-on-Thames 
 
 tot(u 
 
 On the Way to the Fair. 
 Putney. 
 Willow- Wrens. 
 Don't Move ! 
 
 (See Illustration.) 
 
 Out of Date. 
 
 (See Illustration.) 
 
 Taking an Unfair Advantage. 
 Sand Pit Common. 
 
 High Altar, St. Maria del Popolo, Rome 
 Double Daffodils in Old Splash Jar. 
 
 J. Deane Simmons.* 
 I Edward Hargitt, R.I. 
 
 B. Gog. 
 Emroja Walter.^ 
 T. Walter Wilson, R.lJ 
 
 H. Caffieri, R.I. 
 
 0. H. Poingdestre. 
 E. M. Wimperis, R.L 
 J. O'Connor. 
 
 Mrs. William Du field, R.I 
 Going ! Going ! Stanley Berkley 
 
 (See Illustration.) 
 Woodland and Down. Thomas Collier, R.I 
 
 Easier is the Haul that's a Hearty One. James Ireland 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 29 
 
 Flowers. Alice Morris. 
 
 A Native of Damascus. Florence P. Goody. 
 
 Hard Times. Mrs. Emma Cooper. 
 
 Daffodils. Alice Morris. 
 
 Lot's Wife. George Lawrence Bulleid. 
 
 Resting. Adrien Moreau Neret. 
 
 In the Conway Valley. J. Clinton Jones. 
 
 Three Witches. G. F. Wetherbee, R.I. 
 
 (See Illustration.) 
 
 Box and Betchworth Hills, from Reigate Park. 
 
 George Marks. 
 
 Gone ! ! ! Stanley Berkley. 
 
 (See Illustration.) 
 
 S. S. Giovanni e Paolo, Rome. A. E. Hallam Murray. 
 
 Rustic Enjoyment. L. Chialiva. 
 
 Foot of the West Bow, Edinburgh. Louise Rayner. 
 (See Illustration.) 
 
 Dunottar Castle. Bryan Whitmore Halliford. 
 
 Narcissi. Annie E. Hastling. 
 
 A Trout Fisher. A. W. Cooper. 
 
 The Stream, Shiere. Edward Francis C. Clarke. 
 
 The Knight. Sir James D. Linton, P.R.I. 
 
 I Love My Love in the Morning. '.' / Helen O'Uara. 
 
 A Young Amateur. Frank Bertioli. 
 
 The First Promenade. Beatrice Meyer. 
 
 Haddon Hall. Ernest Wilson. 
 
 Dorothy. Wm. Gale. 
 
 Breakfast. T. B. Kennington. 
 
 Japanese Rose Hips. James E. Backhouse. 
 
 The Giralda and Cathedral at Seville, Spain. 
 
 Conrad H. R. Carelli. 
 
30 
 
 CENTRAL GALLERY. 
 
 489. On Hampstead Heath. J. H. Mole, V.P.RI. 
 
 490. Near Brodick. James V. Scott 
 
 491. Streatham Common. John Medland* 
 
 492. Valley of the Conway, North Wales. 
 
 The late Mrs. W. Oliver, R.L 
 
 493. Loch Rannoch and Schehallion. Alexr. Carlyle Bell 
 
 494. Une Petite Paysanne. John Watkins.. 
 
 495. Iona — Moonlight. J. MacWhirter, AR.A., R.I. 
 
 496. A Summer Evening near Hambledon Lock. 
 
 C. J. Levris, R.I. 
 
 49 7. Nestern Island. A. Mottram.. 
 
 498. Saint Olaf burying Waifs on the Coast of Cornwall. 
 
 C. H. Shannon. 
 
 499. The Merry Month of May. Arthur Stocks, R.L 
 
 (See Illustration.) 
 
 500. The Triforium, Westminster Abbey F, Slartin Filleau. 
 
 501. Oriental Bazaar. Lilian Abraham. 
 
 502. Duncraggan — The Trossachs. Maria Menzies. 
 
 503. Portrait of Mrs. H. M. Becker. Harry Becker.. 
 
 504. Vessels Coming to Anchor — Swansea Bay. 
 
 Edwin Hayes, R.H.A., R.L. 
 
 505. Musee Logis, Barrault, Angers. R. Fhene Spiers^ 
 
 506. Latest Intelligence. Guido R. Bach, R.L 
 
 507. Boats at Blakeney. Fred.- G. Cotman, R.L. 
 
 508. For the Spring Festival. Miss G. Demain- Hammond.. 
 
 509. Alice Lee, from Sir Walter Scott's "Woodstock." 
 
 Sir James D. Linton, P.R.L 
 
 510. Rome from Pincian Hill — Evening. 
 
 J. MacWhirter, A.R.A., R.L 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 31 
 
 511. Ellen G. Hill. 
 
 " Lady Catherine approached, and said to Darcy, 1 Miss Bennet 
 would not play at all amiss if she practised more, and could 
 have the advantage of a London master. She has a very good 
 notion of fingering, though her taste is not equal to my 
 daughter's. Anne would have been a delightful performer had 
 her health allowed her to learn.' " — Scene from Jane Austen's 
 
 
 A. 1 ViA/ts fAjlVlAJ _£. / Cy kAj\Aj llyOj • J. x« 
 
 
 512. 
 
 Chez Moi. 
 
 B. W. Spiers. 
 
 513. 
 
 A Sussex Lane, near Heathfield. 
 
 B. A. K. Marshall, 
 
 514. 
 
 On the Wey, near Guildford. 
 
 Jas. Macbeth. 
 
 515. 
 
 On the Thames, near Moulsford. 
 
 J. Carlisle. 
 
 516. 
 
 The " Howe " — Line-of-Battle Ship. 
 
 William Darton. 
 
 517. 
 
 Liege, on the Meuse. 
 
 Charles Uowbotham. 
 
 518. 
 
 My Big Sister. 
 
 Catherine A. Eggar. 
 
 519. 
 
 Fish Street, Clovelly. 
 
 W. H. Wheeler. 
 
 520. 
 
 At Broussa, Asia Minor. Keeley Halswelle, A.B.S.A., R.I. 
 
 521. 
 
 A Cafe in Karmous, a Suburb of Alexandria, 
 
 
 NEAR THE COLONNE DE POMPEE. 
 
 G. Montbard. 
 
 522. 
 
 Wallflowers and Daffodils. 
 
 Alice Helen Loch. 
 
 523. 
 
 On the Herringfleet Hills, near Yarmouth. 
 
 
 
 J. Aumonier, R.I, 
 
 524. 
 
 Una Romana. 
 
 Arthur Robertson. 
 
 525. 
 
 " The lingering smile of a sun that is set." 
 
 Tkos. Huson, R.I. 
 
 526. 
 
 By the Avon. 
 
 Alfred Parsons, R.I. 
 
 527. 
 
 Stonehenge. 
 
 Chris Poole. 
 
 528. 
 
 Leisure Moments. 
 
 B. D. Sigmund. 
 
 529. 
 
 At Woolhampton. 
 
 Bolt. W. Fraser. 
 
 530. 
 
 Peonies. 
 
 Annie E. Hastling. 
 
 531. 
 
 Outlaws. James Shavj Crompton. 
 
 532. 
 
 Pansies. 
 
 Miss K. Scott. 
 
32 
 
 CENTRAL GALLERY. 
 
 coo 
 533. 
 
 A Passing Shower. 
 
 - 
 
 Alfred East. 
 
 
 1 -1t> TTT)0 A XTT\ T<TTrpT , TT , T> T^T TT?0 
 
 UitUBO AJNJJ JDU 1 liijKJb lililib. 
 
 Ltias. J . otamiana, K.I. 
 
 
 ' \M, wAAe , < ** 4 ^Spp Tllncif "pcitinn v \ 
 Ik-JCC ±11 lio Llct null. J 
 
 
 535. 
 
 Study of Peonies. 
 
 Minnie Ay re. 
 
 OoO. 
 
 Q1t T/~1/~\ ~R A AT El T ) All X TOO A TITT T 
 
 oLIGO .DAY iKOM JulbSADELL. 
 
 w alter W . May, ±1.1. 
 
 ROT 
 
 Strayed Thoughts. 
 
 Wm. Swainson. 
 
 538. 
 
 In Cowdray Park, Sussex. 
 
 H. G. Hine, R.I. 
 
 e ft <r% 
 
 539. 
 
 At Haddon Hall — the Last Tenants. Robert Dudley. 
 
 540. 
 
 Yewdale Farm, Coniston. 
 
 Arthur Tucker, 
 
 541. 
 
 Pilchard Boats. 
 
 W. F. Clark. 
 
 542. 
 
 In Suffolk. 
 
 M. E. Kindon. 
 
 543. 
 
 On the Thames, near Richmond. 
 
 A. Edivard Bowers. 
 
 544. 
 
 Interior of Glangwry Farm, near Builth, 
 
 
 Breconshire. 
 
 M. Tedder. 
 
 545. 
 
 In the Month of August — Showery Weather. 
 
 
 
 W. H. Fortye. 
 
 546. 
 
 The Milkmaid. 
 
 William Foster. 
 
 rz. a n 
 
 Backwater, Mapledurham. 
 
 Ernest Parton. 
 
 548. 
 
 The Captain of the Guard. 
 
 J. T. Greenslade. 
 
 549. 
 
 " Arma Virumque Cano." 
 
 B. W. Spiers. 
 
 550. 
 
 The Sand Hills on the Lincolnshire Coast — 
 
 
 Morning. 
 
 Vernon Howard. 
 
 551. 
 
 Harvest Time. 
 
 John Absolon, R.I. 
 
 552. 
 
 Hollyhocks. 
 
 Mary E. Butler. 
 
 553. 
 
 " Dolce far Niente." 
 
 Thos. B. Macquoid, R.I. 
 
 554. 
 
 Narcissi. 
 
 Thomas B. Way. 
 
 555. 
 
 The Way to the Fields. 
 
 Henry James Hyde. 
 
 556. 
 
 The Staircase of St. Catherine, Siena. 
 
 Thomas B. Whinney. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 33 
 
 557. " Magic casements opening on the foam 
 
 Of perilous seas in faery lands forlorn." 
 
 H. B. Simpson. 
 
 558. Ben venue. Fred. W. CartwrigM. 
 
 " The hunter marked that mountain high, 
 The lone lake's western boundary." 
 
 559. The Village Church. J. E. Rogers. 
 
 560. Light and Life. Oscar Wilson. 
 
 561. In the New Forest. Edmund G. Warren, R.I. 
 
 562. G. C. Kerr. 
 " Peace be at your labour, honest fishermen."— Shakespeare. 
 
 563. Windermere. The late James Fahey, K.I. 
 
 564. A Prehistoric Castle in Argyllshire. Lennox Browne. 
 
 565. A Tyrant. William Foster. 
 
 566. The Annual Benediction, La Carnia, North Italy. 
 
 W. H. Jobhins. 
 
 567. Flood Tide, Cley-next-the-Sea. Fred G. Cotman, K.I. 
 
 568. Trises. Kate Mary Wliitley. 
 
 569. A Woodland Pool. Gertrude Martineau. 
 
 570. A Basket of Roses. Emily F. Jackson. 
 
 571. Florence, from Bellosguardo. Harry Goodwin. 
 
 572. Sussex Downs. Miss C. M. Butt. 
 
 573. A Bright Morning — The Cows, Sherwood Forest. 
 
 A. Lee Rogers. 
 
 574. Hampton Court Palace. John Fulleylove, K.I. 
 
 (See Illustration.) 
 
 575. Tranquillity. Albert Kinsley. 
 
 576. Absorbed. Tom Taylor. 
 
 577. In the Shade. W. F. Hulk. 
 
 578. "Come unto Me all ye that labour and are heavy George Carline. 
 
 laden, and I will give you rest." 
 
 579. Saint Elizabeth of Hungary in Exile. Reginald Savage. 
 
 (See Illustration.) 
 
34 
 
 CENTRAL GALLERY. 
 
 580. Rivals, 1818. H. B. Steer, R.l. 
 
 581. An Evening Study in June at Harpenden. 
 
 Harry Hine, R.I. 
 
 582. A Novel. T. C. Gotch. 
 
 583. Entrance to the Meat Market, Nuremberg. 
 
 Thomas B. Macquoid, R.l. 
 
 584. Lamb Fair, Lewes. H G. Hine, R.T. 
 
 585. From the Greenhouse. Marian Chase, R.I. 
 
 586. Cottages at Caerleon, on the Usk, 
 
 Monmouthshire. Bessie J. Spiers. 
 
 587. Low Water, below Greenwich. Frederic A. Winkfield. 
 
 588. Prayer. Wm. H. Weatherhead, R.I. 
 
 589. Fish Pier, Old Town, Whitby. Chas. E. Hern. 
 
 590. Outward Bound, off Portsmouth. A. Wilde Parsons. 
 
 591. Slate Quarry, near Tintagel. Andrew B. Donaldson. 
 A 592. On the Mountain Side. /\ J. Jackson Curnock, B.C. A. 
 
 593. The March Past. E. A. Alley, R.I. 
 
 594. Hollyhocks. Geo. S. Elgood, R.I. 
 
 595. An Important Visitor. Eleanor E. Manly. 
 
 596. Thor's Steps (an Ancient British Bridge), 
 
 Somerset. J. H. Mole, V.P.R.I. 
 
 597. Upton Cliff, near Bude. Frank Walton, R.L 
 
 (See Illustration.) 
 
 598. A Free and Independent Elector. Arthur Ellis. 
 
 599. Sketch from Nature. The late James Fahey, R.L 
 
 600. A Cottage Scene, Berkshire. Edgar J. Varley. 
 
 601. Roman Pot with Azaleas. Q. E. Comles. 
 
 602. Sunflowers. Louisa Aumonier. 
 
 603. Hollyhocks. Sophia Holmes. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 35 
 
 604. Slight Scent. Walter J. Morby. 
 
 605. The late Mrs. W. Oliver, RI. 
 " Oh ! the chimes of Oberwessell, 
 
 How pleasantly and clear, 
 Far floating down the sunlit Rhine, 
 They steal upon the ear." 
 
 606. Carting Ferns, Bradgate. E. Davies. 
 
 607. A Study in White. H. Ethel Rose. 
 
 608. Romeo and Juliet. Sir James D. Linton, P.R.I. 
 " true apothecary, thy drugs are quick." 
 
 (See Illustration.) 
 
 A Devonshire Lane. 
 Chrysanthemums. 
 In the Meadows, near Arundel. 
 Within sound of the Sea. 
 
 (See Illustration.) 
 
 The Parson's Wife. 
 
 609. 
 610. 
 611. 
 612. 
 
 613. 
 614. 
 
 615. 
 
 616. 
 617. 
 618. 
 619. 
 620. 
 621. 
 622. 
 623. 
 
 I 624. 
 625. 
 
 J. H. Mole, V.P.R.I. 
 
 Esther Waterhouse. 
 E. M. Wimperis, R.I. 
 Miss J. M. Lkaly. 
 
 Food for Powder. 
 
 (See Illustration.) 
 
 G. G. Killurne, RI. 
 Frank Dadd, R.I. 
 
 Solitude, Ben Aircher, Ross-shire. 
 
 Bingham McGuinness, E.H.A. 
 
 Ben Nevis, from Kinlocheil. 
 Old Chelsea Church. 
 The Ogwen Valley. 
 Zuleika. 
 
 " When evening veils the face of day." 
 
 Throwing the Javelin. 
 On Wimbledon Common. 
 Saint Isidore and the Angel. 
 
 (See Illustration.) 
 
 By the Rippling Brook. 
 Bookham Common, Surrey. 
 
 James Maeeulloch. 
 
 Rose Barton. 
 Louis Carrington. 
 Mary Joyce. 
 William Matthison. 
 William Collins. 
 Clough Bromley. 
 C. H. Shannon. 
 
 James Townshend. 
 R. Hamilton Chapman. 
 C 2 
 
36 
 
 CENTRAL GALLERY. 
 
 626. Souvenir of the " Institute Ball." 
 
 
 E. J. Gregory, A.B.A., R.I. 
 
 627. 
 
 The Rising Tide. Hamilton Macallum, R.I. 
 
 628. 
 
 A Study of Sunlight, at St. Alban's. Harry Hine, R.I. 
 
 629. 
 
 XJ ilioJliJCvX JL»l_/XVl> . 
 
 
 630. 
 
 Quiet Life. 
 
 H. B. Steer, R.I. 
 
 631. 
 
 Fish Market. 
 
 Jules Lessor e. 
 
 632. 
 
 Streatley M ill. 
 
 Thos. Pyne, R.I. 
 
 633. 
 
 Pulpit in St. Mark's, Venice. 
 
 Ed. Ingram Taylor. 
 
 634. 
 
 MOUNTSORREL MlLL, IjEICESTERSHIRE- 
 
 — QUORN AND 
 
 
 Budden Wood in the Distance. 
 
 James Orrock, R.I. 
 
 
 (See Illustration.) 
 
 
 635. 
 
 Companions by the Way. r James Zawson Stewart. 
 
 636. 
 
 Overhauling the Buoy. ^ 
 
 A. Crocker. 
 
 637. 
 
 Jonquils. 
 
 Florence Payne. 
 
 638. 
 
 The Slough Road, Eton College. 
 
 Russell Dowson. 
 
 639 
 
 w «J ■ 
 
 The Edge of the Wood. 
 
 Harry W. Roberts. 
 
 04U, 
 
 Half-way down Snowdon. 
 
 Henry A. Bowler. 
 
 641. 
 
 Dunnolly Castle — Sound of Kerrera. James Macculloch. 
 
 642. 
 
 Chateau de L£on, Josselin. 
 
 (See Illustration.) 
 
 Geo. S. Elgooal, R.I. 
 
 643. 
 
 A Japanese Robin. 
 
 Elizabeth Bywater. 
 
 644. 
 
 
 Alice White. 
 
 
 " To summon all the downiest clouds together, 
 
 
 For the sun's purple couch." 
 
 
 645. 
 
 Place du Marcher Dieppe. 
 
 Jules Lessore. 
 
 646. 
 
 Marketing at Saffi. 
 
 Matthew Jar vis. 
 
 647. 
 
 The Chapel, Charterhouse. 
 
 John Croivthcr. 
 
 648. 
 
 Fresh from the Hills. 
 
 Henry Rope. 
 
 649. 
 
 A Study of Chrysanthemums. 
 
 M. Edith Govcr. 
 
 650. 
 
 Downs near Berwick, Sussex. 
 
 H. G. Hine, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 37 
 
 DOl. 
 
 A Ttt a tur 
 A 1HAW. 
 
 Leonard Fosbrooke. 
 
 /sen 
 
 652. 
 
 The Open Door. 
 
 J. E. Rogers. 
 
 653. 
 
 Le Voisin d'Enface. 
 
 Haynes King. 
 
 654. 
 
 Old Wharf, Lechlade on Thames. 
 
 Wiljria Ball. 
 
 655. 
 
 Shere, Surrey. 
 
 E. ± . Clarke. 
 
 OCA 
 
 656. 
 
 A Petition. 
 
 Lexden L. Pocock. 
 
 65 7. 
 
 Clovelly. 
 
 Blanche Baker. 
 
 B C O 
 
 658. 
 
 Poppies and Honeysuckle. 
 
 A. M. Youngman. 
 
 is e. n 
 
 659. 
 
 A Daughter of Erin. 
 
 T' 7 7~> CI J.T, „ ~D T 
 
 Lionel Jr. jSmytfie, K.I. 
 
 660. 
 
 A Sea Urchin. 
 
 ±L. uajfieri, K.l. 
 
 66 1 . 
 
 Homewards. 
 
 IT TTT TT 
 
 r . W . Hayes. 
 
 662. 
 
 A Wet Evening. 
 
 C. J. Leivis, R.I. 
 
 663. 
 
 Resting. 
 
 Albert Cox. 
 
 664. 
 
 The Unsuccessful Candidate. 
 
 H. B. Steer, R.I. 
 
 
 (See Illustration.) 
 
 
 boo. 
 
 Evening in Sussex. 
 
 Arthur E. Fearce. 
 
 £i a a 
 666. 
 
 In Sherwood Forest. 
 
 T TT Tk/T 7 T7" T) T> T 
 
 J. H. Mole, V.r.K.I. 
 
 667. 
 
 A Frosty Morning. — Chelsea. 
 
 H. Pilleau, R.I. 
 
 ACQ 
 
 Reef at Swanage. 
 
 H. G. Hinc, R.I. 
 
 ooy. 
 
 Magagnose Church, Alpes Maritimes. Robert Little. 
 
 670. 
 
 The Quartette. 
 
 J. W. Chapman. 
 
 671. 
 
 Ebb Tide. 
 
 Ediuard T. Compton. 
 
 
 An Unwelcome Message. 
 
 John Scott, R.I. 
 
 
 " The course of true love never did run smooth." 
 
 673. 
 
 St. Ives. 
 
 C. E. Hollow ay, R.I. 
 
 
 (See Illustration.) 
 
 
 674. 
 
 Santa Paula, Seville. 
 
 Axel Herman Haig. 
 
 675. 
 
 The Night Mail. 
 
 W. Fryer Stocks. 
 
 676. 
 
 Blue and Black Titmice. 
 
 Miss K. Scott. 
 
 677. 
 
 Daffodils and Wallflowers. 
 
 Marian Chase, R.I. 
 
38 
 
 CENTRAL GALLERY. 
 
 678. Captain Cuttle and Florence Dombey. G. Green, R.I. 
 
 (See Illustration.) 
 
 Mist in the Glen. A. W. Weedon. 
 
 A Cornish Village. Katherine McCracken. 
 
 679. 
 680. 
 681. 
 682. 
 683. 
 684. 
 
 685. 
 
 686. 
 687. 
 688. 
 689. 
 
 690. 
 691. 
 
 692. 
 693. 
 
 694. 
 
 695. 
 
 696. 
 
 Red Roses. 
 
 A Normandy Market Girl. 
 Summer Sunshine, Poole Harbour. 
 Sympathy. 
 
 (See Illustration.) 
 
 Lance Fishing in Heligoland. Hamilton Macallum, R.I. 
 (See Illustration.) 
 
 Ballina, Tipperary. 
 Algerian Water Carriers. 
 Sonning-on-Thames. 
 A Pending Eviction. 
 
 (See Illustration.) 
 
 An Interrupted Harmony. 
 Gabriel's Wharf. 
 
 (See Illustration.) 
 
 Morning on the Pincio, Rome. 
 Richmond Park, Late Autumn. 
 An Old Song. 
 The Salle des Brasseurs, Antwerp. W. Harding Smith. 
 Looking Back. Harry Goodwin. 
 
 Fanny W. Gurrey. 
 Helen Knapping. 
 Nelson Dawson. 
 W. Henry Gore. 
 
 Alfred Parsons, R.I. 
 Arthur A. Burrington. 
 
 Alfred East. 
 Stephen T. Dadd. 
 
 Ghas. Gattermole, R.I. 
 W. L. Wyllie, R.I. 
 
 Charles Earle, R.I. 
 Philip Norman. 
 Edith Berkley. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 39 
 
 EAST GALLERY. 
 
 697. Uckfield Rocks. George Buff, Sen. 
 
 698. The Mediterranean. Arthur Ditchfield. 
 
 699. Newlyn, a Cornish Fishing Village. 
 
 Reginald Aspinwall. 
 
 700. " You Stay with Baby." Haynes King. 
 
 (See Illustration.) 
 
 70 1 . Lucy Kennedy. 
 " I mark but the hours that are sunny.*' — Sun-dial Legend. 
 
 702. A Surrey Cottage. Charles Low. 
 
 703. A Study in a Highland Village. 
 
 John I. Richardson, R.I. 
 
 704. Ribston Pippins. Marian Chase, R.I. 
 
 705 . Walberswick Ferry. John T. Torry. 
 
 706. Sketch in Cornwall. Miss Gina J. Rogers. 
 
 707. The Head of the Caravan. J. A. Bemerell. 
 
 708. On the River Dart. Edmund G. Warren, R.I. 
 
 (See Illustration.) 
 
 709. Maud Muller. Albert Tuck. 
 
 " But when she glanced to the far-off town, 
 While from its hill slope looking down, 
 The sweet song died and a vague unrest, 
 And a nameless longing filled her breast, 
 And a wish that she hardly dared to own 
 For something better than she had known." — Whittier. 
 
 710. Temple of the Sybil, Tivoli. Charles Earle, R.I. 
 
 711. An Old Court Yard at Rye, Sussex. 
 
 Valentine T. Garland. 
 
 712# Castles in the Air. Frederic M. Evans. 
 
 713. At Capri. Alfred W. Williams. 
 
 714. Village at Carciano, Lake Maggiore. Albert Edward. 
 
40 
 
 EAST GALLERY. 
 
 715. Little Bessie. Agnes Bose Nicholl. 
 
 716. Maidenhead Thicket. W. A. Bixon. 
 
 717. In a Cornish Fishing Village— Departure 
 
 of the Fleet for the North. Walter Langley, R.I. 
 (See Illustration.) 
 
 718. Iris Berries. James E. Backhouse. 
 
 719. Pink Roses. Mrs. William Duffield, R.I. 
 
 (See Illustration.) 
 
 720. Wallflowers. Marion Bolt 
 
 721. Tombland Alley, Norwich. Harry Sine, R.I. 
 
 722. Rochester from the River. W. Foxley Norris. 
 
 723. I'm Daddy Now ! Mrs. J. W. Grey. 
 
 724. " Winter and Summer shall be Sister and Brother." 
 
 A. M. Youngman. 
 
 725. The Great Wall of China, at the Nan- Chow Pass. 
 
 William Simpson, F.B.G.S., R.I. 
 (See Illustration.) 
 
 726. The Rectory Garden. Charles Earle, R.I. 
 
 727. Market Day, Chartres. T. M. Booke. 
 
 728. Brittany Fireside. Lewis Absolon. 
 
 729. Dutch Fisher Girl. George Frederick Zink. 
 
 730. With the Rising of the Tide, Christchurch. G. C. Kerr. 
 
 731. Near the Windmill, Wimbledon Common. 
 
 Clough Bromley. 
 
 732. Flushing the Grouse. Charles Jones, B.C. A. 
 
 733. A Catch of Grey Mullet, Sennen Sands, 
 
 near Land's End. B. H. Carter. 
 
 (See Illustration.) 
 
 734. A Joke. Thomas B. Macquoid, R.I. 
 
 « 
 
 735. A Cornfield. Joseph Knight, R.I. 
 
 736. The Quay, Cley-next-the-Sea. Fred. G. Cotman, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 41 
 
 737. Frimley Lock, on the Basingstoke Canal. J. Whipple. 
 
 738. Cider. John Absolon, R.I. 
 
 739. Stacking Peat, Ross-shire. A. W. Wcedon. 
 
 740. The Old Well. John Watkins. 
 
 741. The View from Hedsor Hill. John Peddcr. 
 
 " Full in the smile of the blue firmament." 
 
 742. Summer. Agnes Hussey. 
 
 743. Portal of the Desecrated Church of 
 
 St. Etienne-le-Vieux, at Caen. Robert Dudley. 
 
 744. A Mudlark. T. Graham. 
 
 745. Filby Broad, Norfolk. Edw. H. Fahey, R.I. 
 .746. Japanese Anemones. Grace H. Eastie. 
 
 747. Folding the Flock. G. F. Wetherbee, RI. 
 
 748. Imantophyllum Miniatum. Letitia Margaret Parsons. 
 
 I 749. Autumn. Joseph Knight, R.I. 
 
 | 750. Ullswater, from the Road to Gowborough, 
 
 Cumberland. Philip Mitchell, R.I. 
 
 751. Approach to Phil^:, Nubia. H. Pilleau, R.I. 
 
 752. Dolwydellan Castle, North Wales. Charles Potter, B.C. A. 
 ! 753. Moel Hebog, Beddgelert. F. TV. Hayes. 
 1754. Skating on the Long Water in Kensington 
 
 Gardens on the 18th of March, 1886. H. G. Willinh 
 
 755. Bramber from the River. W. F. Clark. 
 
 756. The Isle of Dogs, with Shipping off Greenwich. 
 
 Hubert Medlycott. 
 
 | 757. Waterhead, Lake Windermere. E. Wake Cook. 
 
 j 758. Portrait of Mrs. F. A. Kebbel. John Scott, R.I. 
 
 i759. At the Stile. Frank Dicey. 
 
 760. A Brave Old House. Geo. S. Elgood, R.I. 
 
42 
 
 EAST GALLERY. 
 
 761. Thorpe Cloud, Dove Dale, Derbyshire. 
 
 Philip Mitchell, R.I. 
 
 762. The Two Dromios. Arthur Wardle. 
 
 763. A Cool Corner. H. G. J 
 
 764. Guelder Roses, ft Mrs. William Duffield, R.I. 
 
 765. Home Study. Mrs. Agnes R. Nicholl. 
 
 765. * On the Thames. J. Whittet Smith. 
 
 766. Raspberries. Rosa Wallis. 
 
 767. Hoveton Little Broad. C. Teesdale. 
 
 768. The Val Bregaglia, near Chiavenna. 
 
 John Whitacre Allen. 
 
 769. On the Teme at Ludlow. Charles Earle, R.I. 
 
 770. A Summer Study. J. Hodgson Campbell. 
 
 771. A Street in a Cornish Fishing Town. Ralph Todd. 
 
 772. Winter — Holland. G. S. Walters. 
 
 773. A Surrey Barn. W. H. Wheeler. 
 
 \ 774. Nergudda, on the Nile. H. Pilleau, R,.I. 
 
 (See Illustration.) J/ 
 
 775. Watching. Albert Cox. 
 
 776. Near Swan age, Isle of Wight in the Distance. 
 
 J. H. Mole, V.RR.I. 
 
 777. Entrance, Cobham College. Alfred Sutton. 
 
 778. Waiting for the Sportsmen. James Hardy, R.I. 
 
 779. Wool and Pasturage. Reginald Aspinwall. 
 
 780. Pastrycook and Water-Seller at Saffi. 
 
 Matthew Jar vis. 
 
 781. Ilkley, Yorkshire. Graham Petrie. 
 
 782. Making for Harbour on the Cornish Coast. J.C.U'Ren. 
 
 X 783. Westminster Abbey. X j James Cafe. 
 
 u The stillness gave a deeper and more solemn interest to the place." 
 
 784. Blonde and Brunette. Thomas George Cooper. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 43 
 
 785. 
 
 Autumn. 
 
 B. W. A. Bourn. 
 
 786. 
 
 Her First Visitor. 
 
 Mary Joyce. 
 
 787. 
 
 Christchurch, Hants. 
 
 John Fulleylove, R.I. 
 
 788. 
 
 The Story of the Willow Pattern. Mary L. Gow, R.I. 
 
 789. 
 
 Lowestoft. 
 
 J. Aumonier, R.I. 
 
 790. 
 
 A Study in a Studio. 
 
 Lawrence Hilliard. 
 
 791. 
 
 Barley Harvest, Bude. 
 
 Frank Walton, R.I. 
 
 792. 
 
 The Daily Task. 
 
 Bora Noyes. 
 
 793. 
 
 Streatley Hill from the Lock 
 
 Thos. Fyne, R.I. 
 
 794. 
 
 Repose. 
 
 T. Marjoribanks Hay. 
 
 795. 
 
 A Portrait. 
 
 Charles Maundrell. 
 
 796. 
 
 Whiffing for Pollack. 
 
 G. Napier Hemy, R.I. 
 
 
 (See Illustration.) 
 
 
 797. 
 
 First Blush of Morn, Caernedd/ Llewellyn, 
 
 
 North Wales. JX^o 
 
 Charles Potter, B.C. A. 
 
 798. 
 
 His Royal Highness the Prince of Wales 
 
 
 Addressing the Commanding Officers 
 
 
 of the Two Service Squadrons of the 
 
 
 1st Life Guards and of 
 
 the Royal 
 
 
 Horse Guards after the Inspection at 
 
 
 the Cavalry Barracks 
 
 in Albany 
 
 
 Street on the Eve of their Departure 
 
 
 for Egypt. 
 
 Charles Pickering. 
 
 799. 
 
 Christmas Roses. 
 
 Miss J. B. A. Pitman. 
 
 300. 
 
 Group of Purple Iris. 
 
 Angelina Geller. 
 
 301. 
 
 Senecio. 
 
 Jessie Chase. 
 
 302. 
 
 The Thames at Pangbourne. 
 
 Thos. J. Soper. 
 
 303. 
 
 What the Stormy Sea Gives and Takes — Robin 
 
 
 Hood's Bay, Yorkshire. 
 
 William Moore. 
 
 304. 
 
 A Glimpse of the Sea, Glen Sannox. Hubert Goutts. 
 
 305. 
 
 The Abbazia, S. Maria, Venice. 
 
 W. H. Pike. 
 
44 
 
 EAST GALLERY. 
 
 806. A Dinner on the Wharf. William John Carpenter. 
 
 807. In Sussex. Robert W. Allan. 
 
 808. A Knotty Point. G. G. Kilburne, R.I. 
 
 809. The Mouth of the Yare. C. E. Holloivay, E.I. 
 
 810. Lac Bourget, Aix-les-Bains. Alfred Parsons, R.I. 
 
 811. " Gather ye roses while ye may." Geo. S. Elgood, R.I. 
 
 812. The Happy Family, — Long-Tailed Titmice. 
 
 Miss Clara Mole 
 
 813. Mouth of the Avon, Bigbury Bay, South Devon. 
 
 Philip Mitchell, R.I. 
 
 814. " Alas, poor Yorick ! " Edmund, Caldwell, 
 
 815. Troubled Times. Hugh Carter, R.I. 
 
 (See Illustration.) 
 
 816. On the Stour. John Sherrin, R.I. 
 
 (See Illustration.) 
 
 817. A Berkshire Cottage. Yeend King. 
 
 818. " Over the Hills and Far Away." Thomas Groves. 
 
 819. Drifting Mist. Charles Stuart. 
 
 820. Thomas Ireland. 
 " Where fair trees lean o'er the brook, 
 
 And shed their golden leaves." 
 
 821. Misty Sunlight. Walter W. May, R.l. 
 
 (See Illustration.) 
 
 822. The Friar's Fishpond, Holywell, near 
 
 Peterborough. George M. Ilenton. 
 
 823. Happy Thoughts. M. M. Davies. 
 
 824. The Picture Book. G. G. Kilburne, R.I. 
 
 825. A Road to the Sea. F. G. Cotman, R.I. 
 
 826. Peonies. Victoria Dubourg. 
 
 827. A Genuine Street Arab, Algiers. Guido B. Bach, R.I. 
 
 (See Illustration.) 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 45 
 
 828. 
 
 On the Shore, Ross-shire. 
 
 Percy Dixon. 
 
 
 " And to the lowly blossom clings 
 
 Ada Bell. 
 
 
 The purple that is worn by kings.'' — Lord Lorne. 
 
 830. 
 
 Battle Abbey Gateway. 
 
 Theodore Satchell. 
 
 1831. 
 
 Friends or Foes ? Ed. Falkland Lucy. 
 
 832. 
 
 An old Cheshire Village. 
 
 John McBougal. 
 
 833. 
 
 Downs at Polegate, Sussex. 
 
 H. G. Hinc, R.I. 
 
 |834. 
 
 Guildford. 
 
 B. Goff. 
 
 835. 
 
 Scanty Pasture. 
 
 Claude Hayes. 
 
 836. 
 
 The Rivals. 
 
 W. K. Stevens. 
 
 837. 
 
 Patience. 
 
 Stanley L. Wood. 
 
 838. 
 
 The Monk's Story. 
 
 Childe Pocock. 
 
 839. 
 
 Looking South, from the Land's End. 
 
 C. Bo. Aston, R.L 
 
 840. 
 
 Stormy Weather, Arthog, North Wales. E. Barnes. 
 
 841. 
 
 Golden Grain. 
 
 W. Fryer Stocks. 
 
 842. 
 
 Stokesay Castle. 
 
 Charles Earle, R.I. 
 
 843. 
 
 Mending the Nets. Elizabeth A. Armstrong. 
 
 844. 
 
 First and Last Steps. 
 
 Carl Larsscn. 
 
 845. 
 
 Southend Pier. C. E. Eolloway, R.T. 
 
 846. 
 
 An Old Welsh Ferry. 
 
 George Cockram. 
 
 847. 
 
 Near Dalmally, Argyll, Scotland. 
 
 Henry Whatley. 
 
 848. 
 
 Great Yarmouth, from Breydon. Charles H. Harrison. 
 
 849. 
 
 September. 
 
 /a > 
 
 At the Foot of Moel Siabod. 
 
 J. Silvy Anderson. 
 
 850. 
 
 Edmund Bhipps. 
 
 851. 
 
 With the Hounds, New Forest. Edmund G. Warren, R.I. 
 
 852. 
 
 Granite Crags of Cornwall. 
 
 C. B. Aston, R.I. 
 
 853. 
 
 Battersea Bridge, now Demolished. 
 
 C. J. Lewis, R.I. 
 
 854. 
 
 Creeks at Blakeney. F, 
 
 •ed G. Cotman, R.I. 
 
40 
 
 EAST GALLERY. 
 
 855. 
 856. 
 
 857. 
 858. 
 
 868. 
 
 869. 
 870. 
 871. 
 872. 
 873. 
 874. 
 875. 
 876. 
 877. 
 878. 
 879. 
 
 Bullfinches. 
 Lover's Vows. 
 
 Rose Chandler. 
 Ghas. Gattermole, R.I. 
 
 (See Illustration.) 
 Ben Ledi. Edward Hargitt, R.I. 
 
 Noon-day, — the Village of Heysham from the 
 
 
 Shore. 
 
 Reginald Aspinwall. 
 
 859. 
 
 " Cupid a Dunce." 
 
 Robt. Fowler. 
 
 860. 
 
 Beccles. 
 
 Charles H. Harrison. 
 
 861. 
 
 Dutch River. 
 
 Ghas. Thornely. 
 
 862. 
 
 The Lych Gate, Penshurst, Kent. 
 
 Richard Douglas. 
 
 863. 
 
 The Evening Meal. 
 
 William A. Waite. 
 
 864. 
 
 From Cold Ash Common, Berks. 
 
 W. A. Menzies. 
 
 865. 
 
 Exeter Cathedral— Moonlight. 
 
 G. Topham Davidson. 
 
 866. 
 
 Reminiscence from Roumania. 
 
 Albt. Ludovici. 
 
 867. 
 
 In the Valley of the Glas-lyn, near Bedd- 
 
 
 gelert, North Wales. 
 
 J. G. Heynes Griffin. 
 
 "Hark ! where the sweeping scythe now rips along." 
 
 Thos. Huson, R.I. 
 
 (See Illustration.) 
 
 Helgoland. Hamilton Macallum, R.I. 
 
 A Weaver's Home, County Galway. 
 A Warwickshire Village. 
 " Nothing Venture, Nothing Win." 
 Crab-catchers. 
 Farm at Sutton-Courtney. 
 On the Teme, Worcestershire. 
 Selsey Bill. 
 
 J. Edwd. Goodall. 
 Patty Townsend. 
 Ed. Sanguinetti. 
 Hugh Garter, R.I. 
 Maud Naftel. 
 G. L. Bristow. 
 W. Biscombe Gardner. 
 
 An Orchid Arrangement. Janetta R. A. Pitman. 
 
 Kinloch Rannoch and Craig Var. Alexr. Carlyle Bell. 
 Spring. Charles Jones, R.G.A. 
 
EOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 47 
 
 > 880. 
 
 "The Angler's Rest," Miller's Dale, Buxton, 
 
 
 Derbyshire. 
 
 Philip Mitchell, R.I. 
 
 
 (bee Illustration.) 
 
 
 881, 
 
 Sunset. 
 
 H. G. Hine, R.I. 
 
 882. 
 
 "I've been roaming, I've been roaming, 
 
 
 
 Where the meadow-dew is sweet." 
 
 Jane M. Dealy. 
 
 ! 883. 
 
 A Day in June. 
 
 James E. Grace. 
 
 884, 
 
 " Shepherds All and Maidens Fair." 
 
 
 
 Towneley Green, R.I. 
 
 
 (See Illustration.) 
 
 
 885. 
 
 Larches in the Tyrol. 
 
 Reginald Jones. 
 
 11886. 
 
 Dining Hall, Lincoln's Inn. 
 
 John Crowther. 
 
 1 887. 
 
 Cottage at Cynwyd. 
 
 Mrs. J. T. Watts. 
 
 888. 
 
 On the Hampshire Coast. 
 
 Adrian Stokes. 
 
 889. 
 
 Une Grande Dame. 
 
 G. Alfreda Channer. 
 
 890. 
 
 Yellow Roses. Mrs. 
 
 William Duffield, R.I. 
 
 '89 1. 
 
 Goring Church, from Streatley. 
 
 (See Illustration.) 
 
 Thos. Pyne, R.I. 
 
 892. 
 
 The Little Market Woman. 
 
 Agnes Gardner King. 
 
 893. 
 
 Calm Morning on the Scheldt. 
 
 Walter W. May, R.I. 
 
 (894. 
 
 Moorland on Goatfell. 
 
 Jas. V. Scott. 
 
 (895. 
 
 The Road to the Village. 
 
 Alice Squire. 
 
 896. 
 
 The Thames near Blackfriars. 
 
 James Townshend. 
 
 897. 
 
 My Sister's Room. 
 
 Anna Alma Tadema. 
 
 898. 
 
 Autumn Fruit. 
 
 Alice Grant. 
 
 J899. 
 
 His First Quarry. 
 
 Reginald Savage. 
 
 900. 
 
 Entangled. 
 
 (See Illustration.) 
 
 F. G. Cotman, R.I. 
 
 901. 
 
 i 
 
 For the Harvest Festival. 
 
 Lucy Varley. 
 
 902. 
 
 Bubbles. 
 
 Edward Clifford. 
 
 |903. 
 
 The Thames from Streatley Hill. 
 
 James G. Laing. 
 
 |904. 
 
 Christmas Time. 
 
 Fanny Sutherland. 
 
48 
 
 EAST GALLERY. 
 
 905. Chrysanthemums and Indian Pot. Kate Sadler. 
 
 906. Mediaeval Tomb. Mrs. Emma Haywood. 
 
 907. Poole Harbour, Dorsetshire. Edvmrd Hargitt, R.I. 
 
 (See Illustration.) 
 
 908. Public Gardens, Venice. H. Pilleau, R.I. 
 
 909. Mother's Darling. Joseph Clark 
 
 910. Palais de Justice, Bruxelles, seen from the 
 
 Park Royal. Henry Hewkley. 
 
 911. Across the Pond. James E. Grace. 
 
 912. Rest. Frank W. W. Topham, R.I. 
 
 913. The Edge of the Wood. Edmitnd G. Warren, R.I. 
 
 914. Reynoldston Fair. Allan Duncan. 
 
 915. Cornish Minerals. Kate Mary Whitley. 
 
 916. Yellow Marguerites. Kate Mary Whitley. 
 
 917. From Regent's Park. Albert Ludovici. 
 
 918. Under the Lighthouses, Whitby — Low Tide. 
 
 W. H Pigott. 
 
 919. West Pier, Gorleston. Ediuin Hayes, B.H.A., R.I. 
 
 (See Illustration.) 
 
 920. " Where are you going, my pretty maid 1 " C. Green, R.I. 
 
 921. Fountain and Water Carriers in Cairo. G. Montbard. 
 
 (See Illustration.) 
 
 922. a Ye distant spires, ye antique towers, C. P. Aston, R.I. 
 
 That crown the watery plain." 
 
 923. Pets. F. Markham Skipworth. 
 
 924. A Highland Meal. John I. Richardson, R.I. 
 
 925. A Cornish Lane. John McDougal. 
 
 926. Autumn Morning on the Avon. Albert Williams. 
 
 927. A Cornish Fishing Village. J. Henry Drage. 
 
 928. Arbroath Harbour — Boats going out. James Macmaster. 
 
 929. Rydal Water, Westmoreland, Rydal Hall 
 
 and Church, and Hartley Coleridge's 
 Cottage seen in the Distance. John H. Scott. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 49 
 
 930. In Deepdale, near Barnard Castle. J. H. Mole., V.P.RL 
 
 (See Illustration.) 
 
 931, An Old Brickfield near Rotherfield, Sussex. 
 
 Frank Dillon, R.I. 
 
 932. 
 
 Doffing the Mantle of Snow. 
 
 Samuel William Oscroft. 
 
 933. 
 
 The Home of the Chough. 
 
 Frank Walton, R.I. 
 
 934. 
 
 The Thames at Lechlade. 
 
 Wilfrid Ball. 
 
 935. 
 
 Evening — Kent. 
 
 S. S Theobald. 
 
 936. 
 
 Sam Weller's Valentine. 
 
 C. Green, R.I. 
 
 937. 
 
 Breakers Ahead. 
 
 L. P. Smythe, R.I. 
 
 938. 
 
 Windsor Castle. 
 
 ^Ocb iiiubLidiion.^ 
 
 C. R. Aston, R.I. 
 
 939. 
 
 Ludford Bridge. 
 
 Charles Earle, R.I. 
 
 940. 
 
 Brodriok Bay, Arran. 
 
 David Gow. 
 
 941. 
 
 A Jobbing Tailor, Cornwall. 
 
 Ralph Todd. 
 
 942. 
 
 From the Acquacetosa, Rome. 
 
 M. R. Corbett. 
 
 943. 
 
 The Village Smithy. 
 
 Chris. Poole. 
 
 944. 
 
 Rising Tide. 
 
 Edward T. Compton. 
 
 945. 
 
 A Woodland Stream in Sussex, Autumn. 
 
 Arthur Willett. 
 
 946. 
 
 Sunlight and Shadow. 
 
 J. Aumonier, R.I. 
 
 947. 
 
 Mr. Quilp : " Fight for it, you dogs."— H R. Steer, R.I. 
 
 Old Curiosity Shop, chap. xiii. 
 
 948. 
 
 " A mound that was unsown where many poppies grew." 
 
 Miss F. E. Greenish. 
 
 949. 
 
 Sprig of Apples. 
 
 J. Sherrin, R.I. 
 
 950. 
 
 Bont Ddhu, on the Mawddach. 
 
 J. Carlisle. 
 
 951. 
 
 At Scratby, East Anglia. 
 
 Edward H Fahey, R.I. 
 
 952. 
 
 An Eastern Potentate. 
 
 R. E. Morrison. 
 
 )53. 
 
 A Corner in Seville Cathedral. 
 
 Axel Herman HoAg. 
 
 954. Ship Signalling for Pilot. Edwin Hayes, R.H.A., R.I. 
 
50 
 
 EAST GALLERY. 
 
 955. "'Tis sweet to know there is an eye will mark Charles F. Draper. 
 
 Our coming, and look brighter when we come." 
 
 956. The Cliff, Aberamffra, Barmouth. W. J. Boddy. 
 
 957. Down to the Lake, Coniston. James L. Henry. 
 
 958. Malvern Hills, from Bransford. G. L. Bristow. 
 
 959. On the Hillside, Mumbles, South Wales. W.Whitby. 
 
 960. Isle of Wight, Mudieford. John Absolon, R.I. 
 
 96 1. Condobolin Plains, New South Wales, Australia. 
 
 Edward Combes, C.M.G., H.R.I. 
 
 962. Shrine at Olavano, Romano. C. E. Poingdestre. 
 
 963. Hendon Rocks, Coast of Durham. B. Half night. 
 
 964. A Chiaro Girl. John Watkins. 
 
 965. Church of St. Martin l'Aigle, Normandy. 
 
 L. J. Wood, R.I. 
 
 966. Sketch from Nature. The late James Fahey, R.I. 
 
 967. When there was no Girton. Miss L. E. E. Tiddeman. 
 
 " She that labours and thrives spins gold." 
 
 968. A Grey Day. E. W. Bates. 
 
 969. The Half Holiday. J. Clayton Adams. 
 
 970. On Wings of Song. Earry Tuck. 
 
 971. Off Pendennis Castle, Falmouth. C. Topham Davidson. 
 
 972. Haymaking. Frank E. Cox. 
 
 (See Illustration.) 
 
 973. Pastoral. G. G. Kilbume, R.L 
 
 973. * A Fresh Breeze — On the Orwell. F. G. Cotman, R.I 
 
 974. Bough of Plums. J. Sherrin, R.I. 
 
 975. Retro Chapel, Sta. Maria del Popolo, Rome. J. O'Connor. 
 
 (See Illustration.) 
 
 976. Street in Loches, Loire. B. PhenS Spiers 
 
 977. Stansted, at the Foot of Mount Pilatus, 
 
 Lucerne. Philip Mitchell, R.I. 
 
 978. A Sunny Corner, Walberswick. Max Ludby. 
 
 979. Windsor Forest. John Absolon, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 51 
 
 980. 
 
 Listening. 
 
 Elise Paget. 
 
 981. 
 
 Chateau Garden, Josselin. 
 
 Geo. S. Elgood, R.I. 
 
 
 Dumbarton Castle. 
 
 (See Illustration.) 
 
 /. W. Whymper, R.l. 
 
 983. 
 
 An English Gamekeeper — Rabbit 
 
 Shooting. John I. Richardson, R.I. 
 
 984. 
 
 Passing Showers. 
 
 tyi^P. Ghent. 
 
 985. 
 
 Pleading. 
 
 Edward Tavlor. 
 
 986. 
 
 Near the Shore. 
 
 Nelson Dawson. 
 
 987. 
 
 (i For me He suffered i 
 For me He died ! " 
 
 H. Blackburne. 
 
 988. 
 
 Foxgloves. 
 
 Caroline H. Norman. 
 
 989. 
 
 The Mouth of the Harbour. 
 
 David Green. 
 
 990. 
 
 Sunday. 
 
 Childe Pocock. 
 
 991. 
 992. 
 
 Clouds and Showers. 
 
 (See Illustration.) 
 
 Snowdrops. 
 
 C. E. Johnson, R.I. 
 Mrs. Cecil Lawson. 
 
 993. 
 
 Great Yarmouth as seen across 
 Breydon Water. 
 
 the 
 
 Edw. E. Fahey, R.I. 
 
 994. 
 
 Primulas. 
 
 Miss A. Pyne. 
 
 995. 
 
 The Marsh, Llanbedr. 
 
 E. M. Wim peris, R.I. 
 
 996. 
 
 Wild Convolvulus. 
 
 Annie Wheeler. 
 
 9-97. 
 
 Chelsea. Wm. H. Weatherhead, R.I. 
 
 " Though aged the frame, yet still untamed the fire 
 That oft had led to victory." 
 
 (See Illustration.) 
 
 998. 
 
 An Evening of Spring. 
 
 Alfred East. 
 
 999. 
 
 The Leicester Hospital, Warwick. 
 
 Elias Bancroft. 
 
 lOOO. 
 
 Hollyhocks. 
 
 Pose Wdby. 
 
 lOOl. 
 
 The Eagle Tower, Haddon Hall 
 Derbyshire. 
 
 F. Startin Pilleau, 
 
 1002. 
 
 To Mary. 
 
 Mme. Rachel. 
 
 1003. 
 
 A Stitch in Time. 
 
 Charles G. Hards, 
 
52 
 
 EAST GALLERY. 
 
 1004. 
 1005. 
 1006. 
 
 1007. 
 1008. 
 1009. 
 
 1010. 
 
 lOll. 
 1012. 
 
 1013. 
 1014. 
 1015. 
 
 1016. 
 
 1017. 
 1018. 
 1019. 
 1020. 
 
 1021. 
 1022. 
 1023. 
 1024. 
 1025. 
 
 1026, 
 1027. 
 
 Portrait of Miss H. J. Becker. 
 
 The Deserted Mill. 
 
 Drovers Crossing Beal Sands — 
 Holy Island in the Distance. 
 
 Harry Becker. 
 John Chambers. 
 
 James Orrock, R.I. 
 
 Estuary of the Esk — Moncaster Fells in the 
 
 Distance, Cumberland. The late James Fahey, R. j 
 
 The Chapel of St. Erasmus, Westminster Abbey. 
 
 Alfred Bennett Bamford. 
 
 Ducal Palace, Venice. H. Pilleau, R.I. 
 
 At Algiers — "Clean Boots, Sir.' 1 'Arthur A. Burrington. 
 
 A Lonely Pool, November Evening. Albert Strange. 
 
 The Blacksmith's Cottage, Branscombe, Devon. 
 
 Thomas B. Macquoid, R.I. 
 
 Robert Carrick, R.I. 
 
 Edward Hargitt, R.I. 
 
 Boys at a Trout Stream. 
 Sunshine and Showers. 
 
 The Valley of the River Test, near 
 
 HURSTBOURNE, HANTS. 
 
 B. A. K. Marshall. 
 
 Running into Broken Water. 
 
 E. Van Heemskerck V. Beest. 
 
 Watching and Waiting. 
 The Hastings Fishing Fleet. 
 The Forgotten Sheaf. 
 A Straw Barge at Anchor. 
 
 (See Illustration.) 
 
 The Mill Stream. 
 Polly. 
 
 Outside Venice. 
 
 Springtime's Gold. 
 
 " Where does the Music come From ? " 
 
 Agnes Gardner King. 
 
 Street, Tangier. Mortimer L. Menkes. 
 
 Red Shoes. E. R. Hughes. 
 
 Mary E. Carwardine. 
 W. Follen Bishop. 
 F. S. Walker: 
 C. J. Lewis, R.I. 
 
 Thos. Pyne, R.I. 
 Carlton A. Smith. 
 Miss Leigh Smith. 
 Marian Chase, R.I. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 53 
 
 1028. 
 
 In the Meadows, near Marlow. Howard Gull Stormont. 
 
 1029. 
 
 North Sannox, Isle of Man. 
 
 Arthur Tucker, 
 
 1030. 
 
 Magdalen Tower, Oxford. 
 
 Hamilton Browne. 
 
 1031. 
 
 Fruit. 
 
 Joseph Bunker. 
 
 1032. 
 
 The Foot Bridge. 
 
 William W. Warren. 
 
 1033. 
 
 Golden Grain. 
 
 Frank Spenlove. 
 
 1034. 
 
 Melrose, from Prior's Bank. 
 
 W. A. Menzies. 
 
 1035. 
 
 Motherly Cares. 
 
 Tom Taylor. 
 
 1036. 
 
 St. Moritz, in the Engadine. 
 
 C. B. Aston, R.I. 
 
 1037. 
 
 Storm Cloud passing over Venice. 
 
 Arthur Severn, R.I. 
 
 1038. 
 
 The Market, Wurzburg, Bavaria. 
 
 Thomas B. Macquoid, R.I. 
 
 (See Illustration.) 
 
 1039. 
 
 A Game at Bowls. 
 
 Philip Norman. 
 
 1040. 
 
 An Anglesea Fireside. 
 
 George Cockram. 
 
 1041. 
 
 Fishing Fleet Becalmed. 
 
 J. B. Wells. 
 
 1042. 
 
 The Chapel of the Sacrament, S. 
 Venice. 
 
 Marco, 
 
 W. H. Pike. 
 
 1043. 
 
 Sonning-on-Thames. 
 
 H. Pilleau, R.I. 
 
 1044. 
 
 Sunday. 
 
 J. A. FitzGerald. 
 
 1045. 
 
 Evening. 
 
 W. J. Palmer. 
 
 1046. 
 
 Fishing for Rock Bass, near Land's End. 
 
 B. H. Carter. 
 
 11047. 
 
 Beccles, Suffolk. 
 
 (See Illustration.) 
 
 J. Aumonier, R.I. 
 
 104S, 
 
 Fred. 
 
 Mrs. Norah Gribble. 
 
 (1049. 
 
 Brown Eyes. 
 
 Mrs. J. W. Grey. 
 
 |l050. 
 
 A Brick Kiln, Sussex. 
 
 Frank Dillon, R.I. 
 
 Il051. 
 
 Adeline. 
 
 W. B. Petty. 
 
 <1052. 
 
 Doune Castle. Scotland. 
 
 A. Bagon. 
 
 |1053. 
 
 On the Downs, near Swanage. 
 
 E M. Wimperis, R.I. 
 
54 
 
 East gallery. 
 
 1054. 
 1055. 
 
 1056. 
 1057. 
 1058. 
 1059. 
 
 1060. 
 *061. 
 1062. 
 1063. 
 
 1064. 
 / 1065. 
 
 Deep in the Woodlands. 
 
 James E. Grace. 
 
 Windsor Castle, from Eton Playing Fields. 
 
 C. R. Aston, R.I. 
 
 The End of Lent. J. C. Harrison. 
 
 Laukope Well, Penshurst Park. R. Chipchase Smith. 
 
 A Grey Day, Bigbury Bay, Devon. J. Squire. 
 
 Wanlip Lane, near the Old Bridge. 
 
 William W. Warren. 
 
 Thomas George Cooper. 
 
 Louise Rayner. 
 
 John Absolon, R.I. 
 
 On the East Kent Coast. 
 Castle Street, Salisbury. 
 A Face at the Window. 
 
 Beaching a Pink— Katwijk going for the Rope. 
 
 T. B. Hardy. 
 
 A Posada, Spain. Thos. B. Macquoid, R.I. 
 
 The Scenery around Aldworth, Haslemere. 
 
 J. W. Whymper, R.I. 
 
 Marian Chase, R.I. 
 
 1066. White Clematis. 
 
 SCULPTURE. 
 
 A Goosegirl. 
 
 H.S.H. Prince Victor of Hohenlohe 
 
 Mazeppa. 
 Atalanta. 
 Girl and Tortoise. 
 Julia. 
 
 Portrait Bust (Miss Marie Ellen 
 A Home Lesson. 
 
 Medallion (George Tinline, Esq., 
 Peril. 
 
 Bust (Mrs. Morley). 
 Bust. 
 Bust. 
 
 Sir R. Fowler, Bart., M.P. 
 
 -Langenberg, Hon. Mem. R.I. 
 
 C. B. Birch, A.R.A.I 
 J. S. Westmacott. 
 Geo. A. Lawson. 
 G. Focardi 
 
 Seymour Lucas). 
 
 Mrs. M. Seymour Zucosj 
 Albert A. Toft 
 F.R.G.S.). Albert A. Toft, 
 Owen Hale. 
 Conrad Dressier. 
 Miss Jacobs 
 W. Tyler, 
 F. S. Sheldon 
 
INSTITUTE OF PAINTERS 
 
 IN 
 
 DIL COLOURS. 
 
 I THE NEXT EXHIBITION 
 
 WILL BE OPENED 
 
 I IN THESE GALLERIES 
 
 ON 
 
 I MONDAY, Nov. 29th, 1886. 
 
 RECEIVING DAY FOR PICTURES- 
 WEDNESDAY, Nov. 3rd, 1886. 
 
 Further particulars may be obtained on application to the 
 Secretary, at the Galleries, Piccadilly, W. 
 
ADVER TISEMENTS . 
 
 HOLM AN HUNT EXHIBITION 
 
 30 PICTURES, INCLUDING 
 LIGHT OF THE WORLD. SCAPEGOAT. 
 CHRIST IN THE TEMPLE. SHADOW OP DEATI 
 
 ALSO (till MAY 4) 
 
 SURREY COTTAGES. 
 
 60 Drawings by MRS. ALLINGHAM. 
 
 MAY 10 to JUNE 20, 
 
 CITY, TOWN, AND HAMLET. 
 
 60 Drawings by ALBERT GOODWIN. 
 
 N.B.— Yearly Entrance Tickets given to Purchasers to the extent of ONE GUINE 
 At the FINE ART SOCIETY'S, 148, New Bond Street. 
 
 WILL SHORTLY BE PUBLISHED BY 
 
 I. P. MENDOZA, 
 
 Art; 
 
 The Toast by Heywood Hardy, R.W.S. 
 " Here's to the maiden of bashful fifteen." 
 
 ST. JAMES'S GALLERY. S.W. 
 
[NAMES and ADDRESSES of the EXHIBITORS, with the 
 NUMBERS that refer to their PICTURES. 
 
 H.S.H. PRINCE VICTOR OF HOHENLOHE-LANGENBERG, Hon. 
 Mem. R.I. (Sculpture). 
 
 ABBEY, E. A. R.I. 17b, Eldon Road, Kensington, W. 593. 
 ABSOLON, JOHN, R.I. 15, Gloucester Crescent, Regent's Park, N.W 
 
 81, 163, 234, 551, 738, 960, 979, 1062. 
 [A.STON, C. R. R.I. Eastnor Villa, Leamington. 119, 418, 839, 852 
 
 922, 938, 1036, 1055. 
 AUMONIER, J. R.I. 84, Fellows Road, N.W. 51, 523, 789, 946, 1047. 
 Abraham, Miss L., 5, Lisle Street, W. 224, 501. 
 IAbsalon, Louis, 15, Gloucester Crescent, N.W. 728. 
 j^.DAMS, Chas. J., 19, West Street, Leicester. 290* 
 liDAMS, J. Clayton, Ewhurst Hill, near Guildford. 969. 
 [Illan, R. W. 27, Piccadilly, W. 305, 364, 807. 
 p,LEN, J. W. Hogarth Club, W. 768. 
 Klma Tadema, Miss A. 17, Grove End Road, N.W. 897. 
 Anderson, J. Silvy, Chart Lane, Dorking. 849. 
 Anderson, Percy, 7, Adelphi Terrace, W.C. 192. 
 
 Armstrong, Miss E. A. c/o Dr. Hawksley, 11, Albert Mansions, Victoria 
 
 Street, S.W. 23, 108, 843. 
 Arnold, Harry, Colnor, Bosham, Chichester. 123. 
 k-SPiNWALL, R. Market Street Chambers, Lancaster, 699, 779, 858. 
 Ltkins, Miss C. J. 210, Holland Road, W. 262. 
 Lumonier, Miss Louisa, 31, Beaumont Street, W. 602. 
 Jluty, Charles, 8, Danes Inn, W.C. 212. 
 Lyre, Miss M. 4, Brunswick Square, W.C. 535. 
 
 ACH, GUIDO R. R.I. 10, Marlborough Place, St. John's Wood, N W 
 34, 194, 506, 827. " ' 
 
 ALE, EDWIN, R.I. 44, Grove End Road, St. John's Wood N W 
 21, 272, 371. 
 
 Iackhouse, J. E. Hurworth Grange, Darlington. 487, 718. 
 Jaker, F. W. 115, Belsize Road, N.W. 141. 
 Iaker, Miss Blanche, Sneyd Park Villa, near Bristol. 333, 657. 
 Ialdock, J. Sherwood Rise, Nottingham. 143. 
 
58 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Ball, Wilfred, 39b, Old Bond Street, W. 654, 934. 
 
 Bamford, A. B. Stanley Lodge, Romford. 1008. 
 
 Bancroft, Elias, 30, Plymouth Grove, Manchester. 312, 999. 
 
 Bannatyne, J. J. 5, Albert Street, Regent's Park, N.W. 252. 
 
 Barnard, Mrs. Langton, Knowle Hill, Chertsey. 372. 
 
 Barnes, J. H. 28, Shaftesbury Road, "W. 161, 255. 
 
 Barraud, C. J. 4, Langham Place, W. 326. 
 
 Barraud, F. P. 17, Sisters' Avenue, Lavender Hill, S.W. 182. 
 
 Barton, Miss Rose, 15a, Cromwell Place, S.W. 90, 617. 
 
 Bates, H. W. 21, King Street, Leicester. 968. 
 
 Bayes, A. W. 82, Fellows Road, N.W. 29, 247, 270. 
 
 Bean, A. 16, Duke Street, Manchester Square, W. 46, 301, 302. 
 
 Bearne, E. H. 29, Bolsover Street, W. 298. 
 
 Becker, Harry, The Mineries, All Saints, Colchester. 503, 1004. 
 
 Beest, E. Yan H. V. Bese Villa, Zwolle, Holland. 1016. 
 
 Belford, Miss K., 4, Christ Church Road, Hampstead. 116*. 
 
 Bell, A. Carlyle, 14, Caroline Street, Bedford Square, W.C. 493, 878. 
 
 Bell, Miss Ada, Cambridge Lodge Studio, Linden Gardens, W. 829. 
 
 Benett, Newton, Fritham, Lyndhurst, Hants. 183. 
 
 Benwell, J. A. 13, Abingdon Villas, Kew. 707. 
 
 Berkley, Mrs. Stanley, The Boltons Studios, Reclcliffe Road, S.W. 694. 
 
 Berkley, Stanley, The Boltons Studios, Redcliffe Road, S.W. 460, 472. 
 
 Bernard, Miss M. Northfield House, Bath. 336. 
 
 Bertioli, Frank, 13, Downshire Hill, N.W. 134, 360, 482. 
 
 Birch, C. B., A.E.A., The Studio, Chelsea Bridge Road, S.W. (Sculpture). 
 
 Bishop, W. F. 41, South Hill Road, Liverpool. 1018. 
 
 Blackburne, H. 68, Netherwood Road, West Kensington, S.W. 987. 
 
 Blatherwick, Miss L. Dunaivon, W. Helensburgh, NT.B. 379. 
 
 Boddy, W. J. Gale House, Acomb, York. 956. 
 
 Bolt, Miss M. Church Villa, Sunbury. 720. 
 
 Bothams, Walter, Church Fields, Salisbury. 341. 
 
 Bourne, S. The Park, Nottingham. 361. 
 
 Bowers, A. E. 5, Gloucester Road, Kew. 543. 
 
 Bowler, H. A. 31, Pembroke Square, W. 640. 
 
 Bowser, Miss R. M. Sunnyside, Kenninghall Road, Upper Clapton. 
 128, 433. 
 
 Brindley, J. J. 8, Highbury Grange, N. 153. 
 
 Bristowe, G. L. 2, Cedars Road, Clapham Common, S.W. 875, 958. 
 Bromley, Clough, 40, Lambonrne Road, Clapham Common, S.W. 622, 731. 
 Bromley, J. M. The Laurels, Hadleigh, Rochford, Essex. 52. 
 Browne, Hamilton, Allington House, Lewin Road, Streatham, S. W. 1030. 
 Browne, Lennox, 36, Weymouth Street, W. 564. - 
 Bulleid, G. L. Glastonbury, Somerset. 467, 
 
 Bunker, J. Paragon Art Studios, 15, Bladud Buildings, Bath. 1031. 
 Burrington, A. A. 250, High Holborn, W.C. 687, 1010. 
 Butler, Miss Mary E. 57, Elizabeth Street, Eaton Square, S.W. 113, 
 385, 552. 
 
 Bywater, Miss E. 5, Hanover Square, W. 643. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 59 
 
 CAFFIERI, H. R.I. Cookham, Maidenhead. 199, 249, 349, 455, 660. 
 CARRICK, ROBERT, R.I. 14, Howland Street, Tottenham Court 
 
 Road, W. 211, 1013. 
 CARTER, HUGH, R.I. 12, Clarendon Road, Notting Hill, W. 815, 873. 
 CATTERMOLE, CHARLES, R.I. 2, Christchurch Road, Kilburn, N.W. 
 
 408, 690, 856. 
 
 CHASE, MISS MAR [AN, R.I. Haddon Lodge, Quex Road, Kilburn, 
 
 N.W. 228, 257, 585, 677, 704, 1024, 1066. 
 CLAUSEN, GEORGE, R.I. Grove House, Cookham Dean, Berks. 412. 
 COLLIER, THOMAS, 7?./. Etherow, Hampstead Hill Gardens, N.W. 
 
 461. 
 
 COMBES, EDWARD, R.I. Officer of the Legion of Honour, G.M.G. 
 
 3, Argyle Square, King's Cross, N. 169, 961. 
 CORBOULD, EDWARD HENRY, R.I. Annandale, Sutton Common, 
 
 Surrey. 33, 352. 
 
 COTMAN, FREDERICK G. R.I. 10, Boscobel Place, Alpha Road, N.W. 
 
 351, 507, 567, 736, 825, 854, 900, 973*. 
 Caparn, W. J. Oundle, Northamptonshire. 392. 
 Cafe, Jas. 46, Clifton Hill, St. John's Wood, N.W. 783. 
 Caldwell, Edmund, Sunnyside Road, Ealing. 814. 
 Campbell, J. Hodgson, 15, Pilgrim Street, Newcastle-on-Tyne. 770. 
 ICarelli, Conrad H. R. care of Lady Robinson, 61, Eaton Place, S.W. 488 
 (Carline, George, Lincoln. 286, 578. 
 
 ICarlisle, J. 27, Endsleigh Gardens, Euston Square, N.W. 515, 950. 
 [Carpenter, W. J. 8, Rutley Gardens, Kennington Park, S.E. 806. 
 ICarr, David, The Grey House, Campden Hill, W. 300. 
 ICarrtngton, Louis, Tower Hill, Dorking. 618. 
 ICarter, R. H. 1, Florence Terrace, Falmouth. 733, 1046. 
 }| Cart wright, Fred. W. Ferndale, Thurlow Park Road, Dulwich. 558. 
 ICarwardine, Miss Mary E. 6, Rudell Crescent, Hampstead, N.W. 150 
 1017. 
 
 ICATf ow, G. S. Grey Friars, Leicester. 362. 
 
 IChambers, John, 92, Dalberg Road, Brixton, S.W. 1005. 
 
 Chandler, Miss R. Shere, Guildford. 855. 
 IChanser, Miss C. A. 4, Etley Road, W. 889. 
 
 Chapman, J. W. 53, Warwick Road, S.W. 670. 
 [(Chapman, R. H. The Cottage, Woodlands, near Leatherhead. 625. 
 
 Chase, Miss Jessie, Haddon Lodge, Quex Road, Kilburn, N.W. 801. 
 [(Chialiva, L. Ecouen, Seine et Oise, France. 474. 
 I Chipp, Herbert, 26, Loudoun Road, N.W. 96. 
 HClark, Joseph, 396, Camden Road, N. 909. 
 
 LOlark, W. F. 7, Cunningham Place, St. John's Road, N.W. 541, 755. 
 IOlarke, E. F. C. 7, Westminster Chambers, S.W. 58, 479, 655. 
 IIOlifford, Edw. 52, Wigmore Street, W. 902. 
 IbocKRAM, George, 25, St. Bride Street, Liverpool. 344, 846, 1040. 
 I Collins, Wm. Charterhouse, E.C. 621. 
 
 ■Combes, Mrs. G. E. 15, Harpur Street, Bloomsbury, W.C. 601. 
 IfooMPTON, E. T. Feldafing, Bavaria. 18, 671, 944. 
 
 K 2 
 
60 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Cook, E. Wake, 41, Grove Road, St. John's Wood, N.W. 757. 
 Cook, H. Moxon, 14, Ridgefield, John Dalton Street, Manchester. 285. 
 Cooke, Isaac, Withens Lane, Liscard. 235, 311. 
 Cooper, A. Heaton, 6, Upper Cheyne Row, S.W. 391. 
 Cooper, A. W. 7, Manor Road, Twickenham. 478. 
 Cooper, Mrs. E. 12, Colville Gardens, Bayswater, W. 465. 
 Cooper, T. G. 42, Chepstow Villas, W. 784, 1060. 
 Corbett, M. R. The Avenue, 76, Fulham Road, S.W. 202, 942. 
 Couldrey, Thos. W. 12, New Court, Lincoln's Inn, W.C. 139, 274. 
 Coutts, Hubert, Elterwater, Ambleside. 804. 
 Cox, Albert, 50, Fellows Road, N.W. 663, 775. 
 Cox, Frank E. 40, Queen's Square, W.C. 972. 
 Crocker, A. Bury Green, Cheshunt, Herts. 136, 636. 
 Crompton, J. S. 4, Hartham Road, Camden Road, N. 531. 
 Crowther, John, 22, Doddington Grove, S.E. 647, 886. 
 Croxford, W. E. 3, Springfield Terrace West, St. Leonard' s-on-Sea. 204. 
 Crozier, Miss A. J. 47, Sidney Street, Oxford Street, Manchester. 339. 
 Cull, F. A. 16, High Street, Notting Hill Gate, W. 125. 
 Curnock, J. Jackson, E.C.A. 4, Richmond Hill, Clifton, Bristol. 95, 156, 
 592. 
 
 Currey, Miss Fanny, The Mall House, Lissmore, Ireland. 681. 
 
 DADD, FRANK, E.I. 32, Great Ormond Street, W.C. 614. 
 DILLON, FRANK, E.I. 13, Upper Phillimore Gardens, W. 256, 328. 
 931, 1050. 
 
 DUFFIELD, MRS. W. E.I. 4, Upper Phillimore Gardens, W. 39, 147, 
 
 178, 459, 719, 764, 890. 
 Dadd, S. T. 32, Great Ormond Street, W.C. 689. 
 Darbon, Wm. Mount Batten, Plymouth. 516. 
 
 Da Rios, L. care of T. Joy, Queen Anne's Gallery, Queen Anne Street, 
 W. 221. 
 
 Davidson, C. Topham, 65, Westbourne Park Villas, W. 865, 971. 
 Davies, E. 10, Rutland Avenue, Ayleston Park, Leicester. 606, 840. 
 Davies, George, 10, Rutland Avenue, Aylestone Park, Leicester. 208, 209. 
 Davis, M. M. 5, Rothwell Street, Primrose Hill, N.W. 823. 
 Davison, R. 1, Carlisle Place, S.W. 76. 
 
 Dawson, Nelson, Went worth Studios, Manresa Road, S.W. 683, 986. 
 Dealy, Miss Jane M. Walton Lodge, Blackheath, S.E. 91, 612, 882. 
 Demain-Hammond, Miss G. 20, Lorrimore Square, S.E., 508. 
 Dicey, Frank, 11, Tite Street, S.W. 759. 
 
 DiTcnnELD, Arthur, 21, Taviton Street, Gordon Square, W.C. 142, 698. 
 
 Dixey, F. C. 110, Elgin Crescent, W. 49. 
 
 Dixon, P. 23, Lanark Villas, Maida Vale, W. 140, 828. 
 
 Donaldson, A. B. 6, Daleham Gardens, Hampstead, N.W. 159, 591. 
 
 Douglas, Richard, Park Village East, N.W., 862. 
 
 Downes, Miss A. 19, Upper Phillimore Place, W. 152. 
 
 Dowson, Russell, Eton, Bucks, 638. 
 
 Drage, J. H. Tamworth Road, Croydon. 927. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 61 
 
 Draper, C. F. 105, Shirland Gardens, Maida Yale, W. 955. 
 Dressler, Conrad, Cedar House, Glebe Place, Chelsea, S. W. (Sculpture). 
 1 Dubourg, Mdme. V. care of Mrs. Edwin Edwards, 26, Golden Square, W. 
 292, 826. 
 
 Dudley, Robert, 31, Lansdowne Road, dotting Hill, W. 539, 743. 
 Duncan, Allan, Reynoldston, near Swansea. 914. 
 
 EARLE, CHARLES, R.I., 9, Duke Street, Portland Place, W. 278, 
 692, 710, 726, 769, 842, 939. 
 
 ELGOOD, GEORGE S. R.I., 22, Princess Street, Leicester. 210,227, 
 269, 594, 642, 760, 811, 981. 
 
 East, Alfred, 14, Adamson Road, Belsize Park, N.W. 533, 688, 998. 
 
 Eastwood, Eras. H. 57, Bedford Gardens. W. 16. 
 I Eden, W. 10, Hill Road, N.W. 402. 
 
 Edward, Albert, 27, Park Lane, W. 714. 
 
 Eggar, Miss C. A. 57, Gower Street, W.C. 518. 
 
 Ellis, Arthur, 21, Howland Street, W. 598. 
 
 Emslie, A. E. 44a, Maddox Street, W. 414, 427. 
 
 Evans, F. M. 14, Linton Street, N. 712. 
 j Evans, J. 4, Vanbrugh Terrace, Blackheath, S.E. 378. 
 
 Eyre, John, 29, Beaufort Street, S.W. 184. 
 
 FAHEY, EDWARD H. R.I., 28, Dawson Place, Bayswater, W. 82, 
 
 206, 258, 745, 951, 993. 
 FAHEY, JAMES, R.I. (The late), The Grange, Shepherd's Bush Green, 
 
 . W. 146, 293, 307, 400, 563, 599, 966, 1007. 
 FARMER, MISS EMILY, R.I., Porchester House, Porchester, Hants. 
 FISHER, MARK, R.I., Egham House, Bourne End, Bucks. 
 FULLEYLOYE, JOHN, R.I., 32, Mecklenburgh Square, W.C. 195, 
 
 279, 431, 574, 787. 
 Ferguson, W. J. 7, Garfield Yillas, Woronzo Road, N.W. 137. 
 Fidler, Gideon, Taffont Magna, via Salisbury. 109. 
 Field, Miss F. A. 9, Merton Street, Oxford. 115. 
 FitzGerald, J. A. 233, Stanhope Street, N.W. 66, 1044. 
 [Focardi, G., 10, Auriol Road, West Kensington, W. (Sculpture). 
 Fortye, W. H. 46, Oseney Crescent, N.W. 544. 
 Fosbrooke, L. Ravenstone, Ashby-de-la-Zouche. 651. 
 Foster, Wm., The Hill, Witney. 546, 565. 
 Fowler, Robert, 10, South Castle Street, Liverpool. 432, 859. 
 JFraser, R. W. Ill, Highbury Hill, N. 223, 529. 
 Freeman, Miss W. Winifride, Churchfield, Falmouth. 4. 
 
 pOW, ANDREW C. R.I., A.R.A., Lytham Studio, St. Alban's Road, 
 
 Kensington, W. 429. 
 GOW, MISS MAJRY L. R.I. 35, Fitzroy Square, W., 788. 
 pREEN, CHARLES, R.I., Charlecote, Hampstead Hill Gardens, N.W. 
 
 306, 396, 678, 920, 936. 
 
62 
 
 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 GREEN, TOWNELEY, R.L, Winchmore, England's Lane, Haverstock 
 
 Hill, N.W. 308, 370, 884. 
 GREGORY, E. J. R.I., A.R.A., 6, Abercorn Place, Maida Yale, KW 
 
 428, 626. 
 
 Gale, Wm. 30, Osnaburgh Street, N.W. 485. 
 
 Garden, W. F. care of Messrs. Dowdeswell, 133, New Bond Street, W. 420. 
 
 Gardner, W. Biscombe, Thurlstone, Tower Hill, Dorking 876. 
 
 Garland, Valentine T. 29, Bolsover Street, W. 711. 
 
 Geller, Miss A. 51, Falsgrave Road. 800. 
 
 Ghent, Peter, Llanbedr, Conway, North Wales. 98, 984. 
 
 Giberne, E. 35, Kensington Square, W. 173. 
 
 Goodall, J. E. 49, Weymouth Street, W. 870. 
 
 Goodman, Miss Maude, 7, Barton Street, West Kensington, S.W. 71, 369. 
 
 Goodwin, Harry, Old Town House, Croydon 30, 571, 696. 
 
 Goody, Miss F. P. 37, Lady well Park, Levvisham, S.E. 464. 
 
 Goff, R, 1, Courtfield Road, S.W. 452, 834. 
 
 Gore, W. H. 30, Great Russell Street, W.C. 64, 684. 
 
 Gotch, T. C. 86, Fellows Road, N.W. 582. 
 
 Gover, Miss M. Edith, 13, Winchester Road, South Hampstead, N.W. 
 649. 
 
 Gow, David, 5a, Blenheim Villas, St. John's Wood, N.W. 940. 
 Grace, Jas. E. Milford, Surrey. 883, 911, 1054. 
 Graham, Tom, H.R.S.A., 98, Fellows Road, N.W. 744. 
 Grant, Miss Alice, 27, Coleherne Road, S.W. 898- 
 Grant, Miss M. I. Hillersdon, Cullompton, Devon. 376. 
 Gray, Thomas, Aigburth House, Heathfield Gardens, Turnham Green, 
 W, 323. 
 
 Green, David, 39, Circus Road, N.W. 989. 
 
 Green, N. E. 39, Circus Road, N.W. 111. 
 
 Greenish, Miss F. E. 5, Lyveden Terrace, Northampton. 948. 
 
 Greenslade, J. T. Selbourne Road, Walthamstow. 548. 
 
 Gresley, Miss W. M. The Close, Lichfield. 381. 
 
 Grey, Mrs. J. W. 66, Great Russell Street, W.C. 723, 1049. 
 
 Gribble, Mrs. Norah, 37, Hans Place, Chelsea, S.W. 1048. 
 
 Griffin, J. C. Heynes, 17, Turret Grove, Clapham, S.W. 867. 
 
 Groves, Thos., 2, Lansdowne Terrace, West Street, Leicester. 818. 
 
 HALSWELLE, KEELEY, R.L, A.R.S.A. 4, Albemarle Street, W. 266, 
 384, 520. 
 
 HARDY, JAMES, R.I. Thyra House, North Finchley, N. 778. 
 HARGITT, EDWARD, R.L 1, Bedford Road, Bedford Park, Chiswick, 
 
 W. 261, 451, 857, 907, 1014. 
 HAYES, EDWIN, R.H.A., R.I. Briscoe House, Steele's Road, N.W. 
 
 231, 282, 504, 919, 954. 
 HEMY, C. NAPIER, R.I. Churchfield, Falmouth. 796. 
 HERKOMER. HUBERT, R.L, A.R.A. Dyreham, Bushey, Herts. 
 HINE, HARRY, R.L. Holywell Hill, St. Albans, Herts. 444, 581, 628, 
 
 721. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 63 
 
 H HINE, H. G. EJ. Hurstleigh, Arkwright Road, Hampstead, N.W. 399, 
 
 430, 538, 584, 650, 668, 833, 881. 
 ■I HOLLO WAY, C. E. R.I. care of J. Mills Esq. 24, Soho Square, W. 32, 
 
 673, 809, 845. 
 
 ■ HUNTER, COLIN, R.I., A.R.A. 14, Melbury Road, W. 
 
 ii|HUSON, THOMAS, R.L Northcote, Waterloo, Liverpool. 41, 386, 525, 
 868. 
 
 BHaddon, A. Trevor, care of J. Haddon, Esq. 3, Bouverie Street, Fleet 
 Street, E.C. 218, 331. 
 
 ■ Haig, Axel H. 32, Randolph Gardens, Kilburn, N.W. 36, 674, 
 
 953. 
 
 ■ Haite, Geo. C. Ormsby Lodge, Bedford Park, W. 72. 
 Hale, Owen, 46, Great Russell Street, W.C. (Sculpture). 
 Halfnight, R., 14, Portland Terrace, North Gate, N.W. 963. 
 Hall, Sydney, P. 5, Wychcombe Studios, England Lane, N.W. 216. 
 Hards, C. G., 110, Richmond Rd., Earls Court, S.W. 1,003. 
 Hardy, T. B., care of D.Mossman Esq. 4 Brook St. W. 1,063. 
 Harper, H. A. Offley, near Luton, Beds. 185. 
 
 Harrison, J. C. 35, Burghley Road, Kentish Town, N.W. 239, 1,056. 
 Harrison, C. H., 5, Seymour Place, Gt. Yarmouth. 848, 860. 
 Hart, Mrs. A. E. Merton Villa, Lullington Road, Anerley, S.E. 149. 
 Hastie, Miss Grace H. 216, Camberwell Grove, S.E. 17, 746. 
 Hastling, Miss A. E. 9, Albert Sq. Manchester. 477, 530. 
 Hay, T. Majoribanks, 4], Charlotte Square, Edinburgh. 794. 
 Hayes, Claude, Briscoe House, Steeles Rd. N.W. 835. 
 Hayes, F. W. 12, Westcroft Square, Ravenscourt Park, W. 661, 753. 
 Haywood, Mrs Emma, 14, The Avenue, Gipsy Hill. 906. 
 Heath, Miss M. A., 8, York Place, Baker St. W. 354. 
 Heckstall-Smith, Miss Edith, 5, New Court, Lincoln's Inn Fields, W.C. 
 277. 
 
 Hedley, R. 11, New Bridge Street, Newcastle on-Tyne. 179. 
 
 Hegg, Mme. Teresa, Villa Paul, Tiranty, Nice, France. 406, 437. 
 
 Henry, J. E., 9, Warwick Place, Maida Hill, W. 957. 
 
 Henton, G. M., The Bank House, Leicester. 822. 
 
 Hepworth, Walter, Bolton's Studios, South Kensington, S.W. 330. 
 
 Herbert, S. Carlton Lodge, Cheltenham. 193. 
 
 Hern, Chas. E. 9, Hyde Park Mansions, Marylebone Rd., W. 589. 
 
 Hewkley, Hy., Hazelmere, 94, Cazenove Rd., Stoke Newington, N. 910. 
 
 Hill, Miss Ellen, G. 27, Thurlow Road, Hampstead, N.W. 2, 511. 
 
 Hill, J. care of Mr. Travis, 57, Bassein Park Road, W. 88. 
 
 Hilliard, L., Coniston, Ambleside. 790. 
 
 Hine, Fred. 23, Buxton Road, Chingford. 273. 
 
 Hine, Mrs. Harry, Holywell Hill, St. Albans, Herts. 419. 
 
 Hiscox, Geo. D., Beaufort House, Slough, near Windsor. 
 
 Hobden, Frank, 17, Cloudesley Street, N. 101, 220. 
 
 Holmes, Miss Sophia, 15, Leinster Road, Rathmines, Dublin. 603. 
 
 Holroyd. Chas. 18, Fitzroy Street, W. 377. 
 
 Hooper, Wm, G. 85, Downs Park Rd., Clapton. 442. 
 
64 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Horwitz, E. H. 5, Beresford Road, Highbury New Park, N. 423. 
 Howard, Yernon, Spilsby Road, Boston, Lincolnshire. 110, 550. 
 Howgate, W. A. 22, Park Road, Leeds. 27. 
 Hughes, E. R., 95, Cheyne Walk, S.W. 1,027. 
 Hughes, T. J. 2, Elm Row, Hampstead, N.W. 86. 
 Hulk, W. F. Shere, Guildford. 334, 577. 
 
 Hull, George, Stockdale Terrace, 15, London Road, Leicester. 174*. 
 
 Hull, Miss C. W. 20, Wharton Rd., Addison Rd., W. 572. 
 
 Hull, Miss Mary A., Stockdale Terrace, 15 London Rd., Leicester. 439. 
 
 Hunt, Thomas, 113, West Regent St. Glasgow. 89. 
 
 Hussey, Miss Agnes. The Close, Salisbury. 290, 742. 
 
 Hutton, Alfred, 76, Jerniyn St., S.W. 777. 
 
 Huttula, C. R. 27, Upper Tollington Park, N. 253. 
 
 Hyde, H. J. 30, Tufnell Park Road, N. 555. 
 
 I' Anson, Chas. 4, The Mall, Haverstock Hill, N.W. 368, 441. 
 
 Ireland, James, 5, Lully Street, Liverpool. 462. 
 
 Ireland, Thomas, 134, Great College Street, Camden Road, N. 820. 
 
 JOHNSON, C. E. R.L, Morven House, Steeles Road, N.W. 991. 
 
 Jackson, Miss Emily F. Beechwood, Carshalton. 570. 
 
 Jacobs, Miss L., 33, St. Mary's Terrace, W. (Sculpture). 
 
 Jarvis, M. 20 Low Hill, Liverpool, 646, 780. 
 
 Jevons, Miss Mary C. St. Mary Street, Bridgwater. 77. 
 
 Jobbins, W. H. 4138, Kiva degli Schiavoni, Venice. 566 
 
 Jones, Charles, Heathercroft, Balham Hill, S.W. 732, 879. 
 
 Jones, J. Clinton, Llanbedr, Conway. 469. 
 
 Jones, Reginald, Shrublands, Eltham. 254, 885. 
 
 Joyce, Miss Mary, 2 Evesham Villas, Lower Norwood, S.E. 619, 786. 
 
 KILBURNE, G. G., R.I., Hawkhurst House, Steeles Road, N.W. 19, 
 
 190, 443, 613, 808, 824, 973. 
 KNIGHT, JOSEPH, R.L, 121, Cheyne Walk, Chelsea, S.W. 157, 340, 
 
 735, 749. 
 
 Keeley, John, care of S. Keeley, 38, Whittall Street, Birmingham. 350. 
 Keene, W. C. 15, Lithos Road, Hampstead, N.W. 325. 
 Kennedy, Mrs. C. N. 38, Avenue Road, N.W. 701. 
 Kennington, T. B. 9, Bolton's Studios, Kensington, W. 486. 
 Kerr, Chas. H. M. 6, Wells Street, W. 265. 
 
 Kerr, G. C. 17, Queen's Road, St. John's Wood, N.W. 346, 562, 730. 
 
 Kindon, Miss M. E. 1, Trafalgar Studios, S.W. 542. 
 
 King, Haynes, The Ingle, Broadhurst Gardens, N.W. 653, 700. 
 
 King, Miss Agnes G. 24, Hamilton Terrace, N.W. 79, 892, 1025. 
 
 King, Miss L. B. 23, Highbury Park, N. 407. 
 
 King, Yeend, 36, Marlborough Hill, N.W. 85, 817. 
 
 Kinsley, Albert, 2, Corinne Road, Tufnell Park, N. 575. 
 
 Knapping, Miss H. Blackheath Park, S.E. 403, 682. 
 
 Knowles, G. Sheridan, 21, Howland Street, Fitzroy Square, W. 44, 335. 
 
KOYAL INSTITUTE OF PAINTEKS IN WATER COLOURS. 65 
 
 L ANGLE Y, WALTER, R.I., Bay View House, Newlyn, Cornwall. 186, 
 358, 717. 
 
 LEWIS, C. J. R.I. River View, 122, Cheyne Walk, S.W. 20, 61, 148, 
 
 219, 496, 662, 853, 1020. 
 LINDSAY, LADY, R.I., 41, Hans Place, Chelsea, S.W. 410. 
 LINDSAY', SIR COUTTS, Bart., R.I., Grosvenor Gallery, W. 
 LINTON, SIR JAMES D. P.R.I. , Ettrick House, Steeles Road, N.W. 
 
 268, 480, 509, 608. 
 LUCAS, SEYMOUR, R.I, A.R.A., New Place, West Hampstead, N.W. 
 Laing, Jas. G. 164, Bath Street, Glasgow. 903. 
 Lambert, Clem. 3, Clifton Road, Brighton. 28, 226, 393. 
 Larssen, Carl, Stockholm. 844. 
 
 Lawson, George A., 6, Marlborough Road, St. John's Wood, N.W. 
 (Sculpture). 
 
 Lawson, Mrs. Cecil, Heathedge, Haslemere, Surrey. 57, 324, 992. 
 
 Legge, A. 50, Friar Gate, Derby. 75. 
 
 Lessore, Jules, Southwick, Sussex. 631, 645. 
 
 Lewis, A. 122, Cheyne Walk, S.W. 167. 
 
 Little, Robt. 117, New Bond Street, W. 669. 
 
 Llewellyn, S. 6, Wentworth Studios, Manresa Road, S.W. 120. 
 
 Lloyd, Stuart, 86, Newman Street, W. 13. 
 
 Loch, Miss A. H. Bishopsgate Cottage, Englefield Green. 522. 
 
 Low, Chas. Bridge Street, Hungerford, Berks. 702. 
 
 Lucas, George, The Avenue, Acton. 116. 
 
 CLucas, Mrs. Seymour, New Place, West Hampstead, N.W. (Sculpture). 
 tucY, E. Falkland, Tudor Lodge Studio, Albert Street, N.W. 380, 831. 
 [Ludby, Max, Ye Hutte, Cookham Dean. 245, 978. 
 BLudovici, Albert, 20, Mornington Road, N.W. 866, 917. 
 Luker, G. L. Hogarth Club, W. 60. 
 
 MACALLUM, HAMILTON, R.I., 3, Wychcombe Studios England 
 
 Lane, N.W. 38, 627, 685, 869. 
 MACBETH, ROBERT W. R.I., A.R.A., Longsden, Carlton Hill, N.W.338. 
 MACQUOID, PERCY, R.I., 4, Penywern Road, South Kensington, 
 
 S.W. 322. 
 
 MACQUOID, T. R. R.I., Stanley Place, Chelsea, S.W. 138, 356,553, 
 
 583, 734, 1012, 1038, 1064. 
 MACWHIRTER, J. R.I., A.R.I., 1. Abbey Road, N.W. 495, 510. 
 MAY, WALTER, R.I., 34, Percy Street, Rathbone Place, W. 5, 63, 
 
 327, 536, 821, 893. 
 MITCHELL, PHILIP, R.I., 4, Bedford Terrace, Plymouth. 233, 296, 
 
 750, 761, 813, 880, 977. 
 MOLE, J. H. V.P.R.I., 7, Guilford Place, Russell Square, W.C. 25, 
 
 489, 596, 609, 666, 776, 930. 
 MacDougal, J. The Ferns, Wood Grove, Hedge Lane, Liverpool. 832, 925. 
 Macbeth, James, 101a, Old Bond Street, W. 514. 
 HMacintosh, J. M. 101a, Old Bond Street, W. 267. 
 Mackworth, MissT. Sunny Bank, Teddington. 259. 
 
66 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Macmaster, Jas., 36, Exchange Square, Glasgow. 928. 
 MacMillan, Miss E. S. A. 44, Wimbledon Hill Road, Wimbledon. 237. 
 Macculloch, James, 9, Harrington Square, W. 616, 641. 
 Maddox, R. Willes, Arts Club, Hanover Square, W. 1. 
 Maguire, Miss Bertha, 6, Blomfield Crescent, W. 359. 
 Maguire, Miss Helena J. 6, Blomneld Crescent, Westbourne Terrace, W. 
 319. 
 
 Manly, Miss E. E. 38, Park Road, Haverstock Hill, N.W. 595. 
 Marks, George, care of J. Marks, Esq. 39, Devonshire Road, Greenwich. 
 471. 
 
 Marshall, R. A. K. 14, Ospringe Road, St. John's College Park, N.W. 
 14, 513, 1015. 
 
 Martineau, Miss Edith, 35, Gordon Square, W.C. 244, 283. 
 Martineau, Miss Gertrude, 35, Gordon Square, W.C. 569. 
 Masse y, H. G. 41, Park Street, Grosvenor Square, W. 62, 763. 
 Matthison, Wm. 19, Droughton Road, Barnsbury, NT. 620. 
 Maundrell, Chas. 3, Rue Campagne Premiere, Paris. 114, 795. 
 Mawson, Miss E. C. Ashfield, Gateshead. 135. 
 May, H. G. 20, Chetwynd Road, Highgate, N. 236. 
 May, Powell, Warren Road, Bexley Heath. 45. 
 McCracken, Miss K. Gothic House, Lee Road, S.E. 680. 
 McGuinness, Bingham, R.H.A., 6, Stephen's Green, Dublin. 174,615. 
 McKay, Miss G. 158, Portsdown Road, W. 56. 
 Medland, John, 89, Chancery Lane, W.C. 491. 
 Medlycott, H. Hill, Gloucestershire. 756. 
 
 Menpes, Mortimer L. Osborn Lodge, Fulham, S.W. 168, 1026. 
 
 Menzies, Miss M. 8, Jarratt Street, Hull. 502. 
 
 Menzies, W. A. 4, Carlton Hill, N.W. 864, 1034. 
 
 Meyer, Miss Beatrice, Foreign Library, 32, Queen's Road, W. 483. 
 
 Miller, Fredk. Gordon Villa, Hayward's Heath. 250. 
 
 Minshall, Miss M. W. Castle View, Oswestry. 73. 
 
 Moberly, Mrs. H. G. 1, Cheniston Gardens Studios, Kensington, W. 70. 
 
 Morby, Walter J. Lenore Cottage, Staines Road, Sunbury. 604. 
 
 Morelle, John P. Parkstone Villa, High Road, Chiswick. 355. 
 
 Mole, Miss Clara, 7, Guilford Place, Russell Square, W.C. 416, 812. 
 
 Moore, Miss J. 1, Bath Villas, Carshalton Road, Sutton. 446. 
 
 Moore, Wm. 24, Burton Lane, York. 303, 803. 
 
 Morris, Miss A. South Bank, Alexandra Park, Manchester. 463> 466. 
 Morrison, R. E. 14, Imperial Buildings, Victoria Street, Liverpool. 952 
 Moser, R. J. 45, Bedford Square, W.C. 264, 317. 
 Mossman, David, 4, Brook Street, W. 196. 
 
 Montbard, G. 13, Chalcot Gardens, England Lane, N.W. 521, 921. 
 Mottram, A. 6, Tenterden Street, W. 497. 
 Mottram, Charles S. Sennea Cove, Land's End. 389. 
 Murray, A. H. Hallam, 50, Albemarle Street, W. 473. 
 
 Naftel, Miss Maud, 76, Elm Park Road, S.W. 874. 
 Naftel, Mrs. Paul J. 76, Elm Park Road, S.W. 22. 
 
KOYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 07 
 
 Neret, A. M. 6, Rue du Seine, Paris. 468. 
 Nicholl, Mrs. Agnes R. 1, Caversham Road, N.W. 715, 765. 
 Norman, Miss C. H. Ker Street, Devonport. Devon. 357, 988. 
 Norman, P. 12, Harrington Gardens, W. 122, 693, 1039. 
 Norris, W. Foxley, 6, Now Compton Street, Soho, W.C. 722. 
 No yes, Miss Dora, West Hill, Southfields. 792. 
 
 OLIVER, MRS. W.E.I, (the Late), The Brewery House, Great Berkhamp- 
 stead, Herts. 314, 492, 605. 
 
 ORROCK, JAMES, E.I. 48, Bedford Square, W.C. 634, 1006. 
 Io'Connor, John, 28, Abercorn Place, N.W. 458, 975. 
 JO'Hara, Miss H. The Castle, Portstewart, Co. Derry, Ireland. 481. 
 (Oliver, H. A. 2, Queen's Road Studios, St. John's Wood, N.W. 145. 
 IOscroft, S. W. 27, Chaucer Street, Nottingham. 189, 294, 932. 
 
 PARSONS, ALFRED, E.I. 54, Bedford Gardens, Kensington, W. 365, 
 526, 686, 810. 
 
 PASSINI, LUDWIG, E.I. Casa Barbier, San Yio, Venice. 
 PENSON, R. KYRKE, E.I. Dinham House, Ludlow. 
 JPILLEAU, HENRYT, E.I. 74, Elm Park Road, Chelsea, S.W. 67, 342, 
 
 667, 751, 774, 908, 1009, 1043. 
 PYNE, THOMAS, E.I. 56, Upper Park Road, Haverstock Hill. N.W. 
 
 65, 313, 632, 793, 891, 1021. 
 Paget, Miss E. 2, Colville Mansions, Westbourne Park, W. 980. 
 (Palmer, W. J. 11, Pembroke Gardens, Upper Holloway, N. 1045. 
 Parsons, A. W. 21, Hampton Park, Clifton, Bristol. 243, 590. 
 IParsons, Miss L. M. North End, Frome. 53, 748. 
 IParton, Ernest, 8, Elm Tree Road, N.W. 8, 299, 547. 
 IPassmore, Daniel, 54, Crowndale Road, N.W. 129. 
 IPayne, Miss F. 31, Broad Street, Oxford. 637. 
 Pearce, A. E. Lyndhurst, Croxted Road, Dulwich, S.E. 276, 665. 
 (Pearson, Cornelius, 15, Harpur Street, Bloomsbury, W.C. 316. 
 IPedder, John, Ivyside, North Town, Maidenhead. 741. 
 Petrie, G. 24, Gordon Square, W.C. 781. 
 Petty, W. R. 17, Holland Street, W. 1051. 
 Phipps, E. 11, Braze Hill, Liverpool. 850. 
 Pickering, Chas. 51, Rathbone Place, W. 798. 
 Pigott, W. H. Gainsborough Road, Sharrow, Sheffield. 918. 
 Pike, W. H. 14, Eton Villas, Haverstock Hill, N.W. 805, 1042. 
 IPilleau, F. Startin, South Side, Dorking. 500, 1001. 
 Pitman, Miss J. R. A. Basford Vicarage, Nottingham. 434, 799, 877. 
 JPocock, Childe, 42, Oakley Crescent. 838, 990. 
 IPocock, L. L. 73, Harrow Road, W. 666. 
 IPoingdestre, C. H. 47, Colomberie, Jersey. 456, 962. 
 [Poole, Chris. Endyon, Ryde Vale Road, Balham. 527, 943. 
 [Pope, Henry, 90, New Street, Birmingham. 69, 648. 
 Porter, Miss Ida, 16, Russell Square, W.C. 24. 
 [Potter, Chas. E.G. A. Llanbedr Lodge, Conway. 752, 797. 
 
68 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Powell, Alfred, 40, Acacia Road, N.W. 3. 
 
 Pozzo, G. Da, Vicolo, St. Nicolo, Da Tolentino 13, Rome. 382. 
 
 Pye, William, Eaton Cottage, Rod well, Weymouth. 172. 
 
 Pyne, Miss E. 56, Upper Park Road, Haverstock Hill, N.W. 180. 
 
 Pyne, Miss A. 56, Upper Park Road, Haverstock Hill, N.W. 994. 
 
 Quinton, A. 12, New Court, Lincoln's Inn, W.C. 177. 
 
 RICHARDSON, JOHN I. 12, Porchester Terrace, W. 197, 703, 
 924, 983. 
 
 Rachel, Mme. Villa Pernice, 13, Yia Casani, Milan. 1002. 
 
 Radclyffe, C. W. 66, Hagley Road, Birmingham. 215. 
 
 Ragon, A. 38, Sinclair Road, W. 105, 1052. 
 
 Rayner, Miss Louise, 2, Ash Grove, Chester. 475, 1061. 
 
 Redgrave, Miss Evelyn, 27, Hyde Park Gate, W. 394. 
 
 Rickatson, O. 5, Fitzroy Street, W. 246. 
 
 Ricketts, Chas. 164, Kennington Park Road, S.E. 201. 
 
 Rider, Urban, 9, Ingle's Road, Folkestone. 133. 
 
 Rivers, Leopold, 3, Terrett's Place, Upper Street, Islington, N. 112. 
 
 Rixon, W. A. Cookham Dean, near Maidenhead. 716. 
 
 Roberts, Miss M. 14, The Grove, Clapham Common, S.W. 421. 
 
 Roberts, H. W. Richmond House, Aylstone Park, Leicester. 639. 
 
 Robertson, Arthur, 1, Hampton Grove, Surbiton. 524. 
 
 Rogers, A. Lee, 125, Bedford Street South, Liverpool. 573. 
 
 Rogers, J. E. 70, South Hill Park, Hampstead, N.W. 26, 559, 652. 
 
 Rogers, Miss G. J. 104, Guilford Street, W.C. 706. 
 
 Rooke, T. M. 7, Queen Anne's Gardens, Bedford Park, W. 727. 
 
 Roscoe, S. G. W. 57, Caversham Road, N.W. 68, 94, 187. 
 
 Rose, H. Randolph, 52, St. James's Square, Notting Hill, W. 449. 
 
 Rose, Miss H. Ethel, 94, The Grove, Denmark Hill, S.E. 607. 
 
 Rose, R. H. 23, Gaisford Street, N.W. 69, 263. 
 
 Rouse, R. W. A. 6, Wells Street, Oxford Street, W. 785. 
 
 Ruff, Geo., Sen., 45, Queen's Road, Brighton. 697. 
 
 Rowe, Arthur, 9, Placquette Road, Grove Yale, East Dulwich, S.E. 409. 
 Rowbotham, Chas. Bourne End, Springfield Park, Acton. 374, 517. 
 Rowe, Trythall, 29, Spring Gardens, S.W. 155. 
 Ryland, Henry, 5, Whittingstall Road, Fulham, S.W. 417, 422. 
 
 SCOTT, JOHN, R.I. 5, The Mall, Park Road, Haverstock Hill, N.W. 
 
 42, 388, 672, 758. 
 SEVERN, ARTHUR, R.I. Heme Hill, S.E. 99, 191, 1037. 
 SHERRIN, JOHN, R.I. 3, Codrington Villas, Ramsgate. 37, 43, 162, 
 
 280, 438, 816, 949, 974. 
 SIMPSON, WILLIAM, R.I., F.R.G.S., 19, Church Road, Willesden, N.W. 
 
 725. 
 
 SMYTHE, LIONEL P. R.I. 36, Gloucester Crescent, N.W. 659, 937. 
 STANHOPE, R. SPENCER, R.I. Villa Nuti, Bellosguardo, Florence. 
 STANILAND, CHARLES J. R.I. 15, Steele's Road, N.W. 534. 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 69 
 
 I STEER, H. R. R.I. 12, Canonbury Lane, N. 11, 151, 170, 387, 580, 630, 
 664, 947. 
 
 ( STOCK, HENRY J. R.I. 40, Osborne Terrace, Clapham Road, S.W. 
 176. 
 
 C (STOCKS, ARTHUR, R.I. 63, Hanley Road, Hornsey Rise, N. 6, 499. 
 
 (ISadler, Miss Kate, Burford Lodge, Horsham. 48, 241, 905. 
 
 ISanguinetti, Edwd. 175, New Bond Street, W. 872. 
 
 i Satchell, T. 268, Upper Richmond Road, Putney. 830. 
 
 ■Savage, Reginald, 5, Ursula Street, Battersea, S.E. 579, 899. 
 
 ■Scott, Miss Amy, 70, Brompton Road, S.W. 289, 318. 
 
 ■Scott, Miss K. 1, Manor Park, Streatham, S.W. 415, 532, 676. 
 
 I Scott, J. Y. 13, Duke Street, Edinburgh. 490, 894. 
 
 IjScoTT, John, H. 59, Brunswick Road, Brighton. 929. 
 
 ■ Seymour, G. L. Poste Restante, Dieppe, France. 629. 
 
 I Shannon, C. H. 164, Kennington Park Road, S.E. 498, 623. 
 
 ■ Sheldon, F. S. 11, Cheyne Gardens, Chelsea, S.W- (Sculpture). 
 BShelley, A. 4, Park Road Studios, Haverstock Hill, N.W. 158. 
 Phepard, H. D. 10, Kent Terrace, Hanover Gate, N.W. 9, 10. 
 
 . Sigmund, B. D. 11, Riverside, Taplow, Bucks. 343, 448, 528. 
 ■Simmons, .J. Deane, 5, Fitzroy Square, W. 450. 
 ■Simpson, H. B. 44, Gloucester Terrace, Hyde Park, W. 557. 
 ISkipworth, F. Markham, 33, Redesdale Street, S.W. 93, 923. 
 ■(Slocombe, Fred, Fair Yiew Holders Hill, Hendon. 124. 
 aSmallfield, P. C. 52, Boundary Road, N.W. 126. 
 ISmart, John, R.S.A. 13, Brunswick Street, Hillside, Edinburgh. 222. 
 I Smith, Carlton A. 72, Park Road, Haverstock Hill, N.W. 198, 1022. 
 I Smith, E. Blount, 8, Kensington Square, W. 106. 
 i Smith, J. Whittet, 3, Ranelagh Terrace, Ealing. 765*. 
 I Smith, Miller, The Chalet, Thorpe, Norwich. 275. 
 JiSmith, Miss Leigh, 10, Cunningham Place, N.W. 1023. 
 J Smith, Mrs. L. Bentley, 47, Elpinstone Road, Hastings. 144. 
 it Smith, R. Chipchase, Orleans Lodge, Woodfield Avenue, Streatham, S.W. 
 1057. 
 
 i Smith, W. Harding, 184, Brixton Hill, S.W. 225, 695. 
 I Soper, T. J. Milton, Steventon, Berks. 55, 802. 
 IISparkes, Mrs. C. A. Ewhurst, near Guildford. 84. 
 j Spencer, Miss Blanche, 5. St. Augustine's Road, N.W. 132. 
 ' Spenlove, F. 51, Beckenham Lane, Shortlands. 404, 1033. 
 i Spiers, B. W. 70, Hereford Road, Bayswater, W. 512, 549. 
 ft Spiers, Miss Bessie J. 21, Bernard Street, Russell Square, W.C. 345, 
 586, 
 
 l Spiers, Miss Charlotte H. 68, Newman Street, Oxford Street, W. 15, 
 251. 
 
 i Spiers, R. Phene, Carlton Chambers, 12, Regent Street, W. 315, 505, 
 976. 
 
 t Squire, Miss Alice, 28, Tavistock Road, Westbourne Park, W. 411, 895. 
 ' Squire, J. 26, Wind Street, Swansea. 1058. 
 Stacey, Walter S. Hillcote, Heathfield Gardens, Hampstead, N.W. 7. 
 
70 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Staunton, Miss Rose, Upfielcl, Stroud, Gloucestershire. 47. 
 Steeple, John, Retreat, North End, Hampstead, N.W. 287. 
 Stephens, W. R. Prestinari, Beckenham, S.E. 401. 
 Stevens, W. K. 336, Clapham Road, S.W. 78, 288, 836. 
 Stewart, J. L. 123, Camberwell Road, S.E. 635. 
 Stock, Miss E. A. Elm Tree House, Rotherham, Yorks. 426. 
 Stocker, Miss Florence A. Burnham, Maidenhead. 320. 
 Stocks, Berjsard D. 63, Hanley Road, Hornsey Rise, N. 398. 
 Stocks, Miss K. M. 9, Richmond Villas, Seven Sisters' Road, N. 230, 
 353. 
 
 Stocks, W. Fryer, Essendon, near Hatfield. 337, 675, 841. 
 Stokes, Adrian, 13, Holland Street, W. 888. 
 Stones, Miss Emily R. 31, Parkhurst Road, Holloway, N. 248. 
 Stormouth, H. G. Warwick Studios, Kensington. 1028. 
 Strange, A. Norwood Lodge, Scarborough. 232, 1011. 
 Strutt, A. E. 6, Sheppey Place, Gravesend. 154. 
 
 Stuart, Chas. The Hermitage, Clive Road, West Hampstead, N.W. 719.' 
 Sutherland, Miss Fanny, 65, Campana Road, Poole Park, Fulham, S.W. 
 904. 
 
 Swainson, W. 20, Beauclerc Road, Hammersmith, W. 537. 
 
 TENNIEL, JOHN, R.I. 10 Portsdown Road, Maida Hill, W. 
 THOMAS, W. L., R.I., The Graphic Office, 190, Strand, W.C. 100. 
 TOPHAM, FRANK W. W., R.I. 16, Prince Arthur Road, Hampstead, 
 N.W. 54, 912. 
 
 Talbot, G. Q. P. care of L. Isle, 250, High Holborn, W.C. 347. 
 
 Taylor, E. J. 10, Blenheim Villas, Abbey Road, N.W. 633. 
 
 Taylor, Edwin, 37, Gloucester Place, W. 985. 
 
 Taylor, Tom, 17, Howland Street, W. 576, 1035. 
 
 Tedder, M. Ripsley, Woking Station, Surrey. 545. 
 
 Teesdale, C. 43, Milman Street, Bedford Row, W.C. 767. 
 
 Terrell, Mrs. G. Koberwein, 38, Auriol Road, West Kensington, S.W. 83. 
 
 Terry, Henry, Great Milton, Tetsworth, Oxon. 118, 175. 
 
 Theobald, S. S. Merton Lodge, Putney. 102, 935. 
 
 Thompson, Wilfred, H. 27, Church Row, Hampstead, N.W. 107, 213. 
 
 Thornely, Charles, 1, Netherhall Terrace, Hampstead, N.W. 160, 861. 
 
 Tiddeman, Miss L. E. H. 4, Wellington Square, Hastings. 127, 967. 
 
 Todd, R. Newlyn, Penzance. 777, 941. 
 
 Toft, Albert A. 12, Trafalgar Studios, King's Road, Chelsea, S.W. 
 (Sculpture). 
 
 Torry, John T. 64, Frith Street, Soho, W.C. 440, 705. 
 Townsend, Miss Patty, Attenborough Hall, Nuneaton. 447, 871. 
 Townshend, Jas. 20, Hamilton Street, Camden Road, N. 624, 896. 
 Tuck, Albert, 54, Park Road, Haverstock Hill, N.W. 709. 
 Tuck, Harry, 54, Park Road, Haverstock Hill, N.W. 390, 970. 
 Tucker, Arthur, Langdale, Ambleside. 540, 1029. 
 Tyler, Wm. 18, Victoria Grove, Gloucester Road, Kensington, W. 
 (Sculpture). 
 
ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 71 
 
 ■U'Ren, J. C. 5, Cornwall Terrace, Penzance. 782. 
 
 ■Varley, Edgar J. 40, St. John's Hill, Clapham Junction, S.W. 600. 
 ■Varley, Mrs. John, 10, Abbey Road, N.W. 348. 
 ■Varley, Miss Lucy, 2, Hamilton Road, Highbury, NT. 104, 901. 
 BVernon, R. W. 6, Clarendon Street, S.W. 166. 
 
 |W ALTON, FRANK, R.I. Holmbury St. Mary, Dorking. 12, 40, 295, 
 
 367, 413, 597, 791, 933. 
 WARREN, EDMUND G. R.I. 1, Colville Mansions, Talbot Road, 
 
 Bayswater, W. 165, 181, 329, 561, 708, 851, 913. 
 WATERHOUSE, J. W. R.I, A.R.A., 3, Primrose Hill Studios, Fitzroy 
 
 Road N.W. 
 
 WEATHERHEAD, WILLIAM H., R.I. 12 Torbay Street, Kentish 
 
 Town, N.W. 164, 309, 588, 997. 
 WETHERBEE, G. F., R.I. 12 Chalcot Gardens, Haverstock Hill, N.W. 
 
 260, 470, 747. 
 
 WHITE, JOHN, R.I. 78 Park Road, Haverstock Hill, N.W. 
 WHYMPER, J. W., R.I. Haslemere, Surrey. 217, 242, 271, 321, 397, 
 982, 1065. 
 
 WILSON, T. WALTER, R.I. 16, Gilston Road, South Kensington, S.W. 
 454. 
 
 WIMPERIS, E. M. R.I, 137, Gower Street, W.C. 171, 229, 383, 457, 
 
 611, 995, 1053. 
 WOLF, J., R.I 2 Primrose Hill Studios, N.W. 
 
 WOOD, L. J. R.I. 23, Park Road, Haverstock Hill, N.W. 200, 291, 
 965. 
 
 WOODYILLE, R. CATON, R.I. Eldon Lodge, Victoria Road, Kensing- 
 ton, W. 
 
 WYLLIE, W. L. R.I, 70, Carlton Hill, N.W. 691. 
 Waller, A. H., Latimer Road, Godalming. 103, 205. 
 Wallis, Miss Rosa, 4, The Residences, South Kensington Museum, S.AV. 
 80, 131, 766. 
 
 Walters, G. S. 134, Adelaide Road, N.W. 92, 207, 772. 
 Walters, Miss Emma, Fernleigh, 1, Goldhurst Road, South Hampstead, 
 N.W. 453. 
 
 Waite, W. A., Grosvenor Chambers, Broad St. Corner, Birmingham. 
 445, 863. 
 
 Walker, F. S., 1, Wychcombe Villas, England Lane, N.W. 1019. 
 Wardle, Arthur, 9 Crowndale Road, Oakley Square, S.W. 35, 762. 
 Warren, W. W., Queensborough, near Leicester. 1032, 1059. 
 Waterhouse, Mrs. J. W., 3, Primrose Hill Studios, N.W. 610. 
 Watkins, John, 15, Wood Street, Chelsea, S.W. 494, 740, 964. 
 Watson, Miss Rosalie M. 44a, Maddox Street, W. 297. 
 Watts. James T. 22, Lord Street, Liverpool. 31, 284, 436. 
 W^atts, Mrs. J. T., 22, Lord St. Liverpool. 887. 
 Way, Cosens. 9 Kensington Terrace, Newcastle on Tyne. 214. 
 Way, T. R., 17, Tavistock St., Bedford Square, W.C. 554. 
 
72 
 
 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS. 
 
 Webb, Archibald, 12, Belsize Park Terrace, N.W. 89*. 
 Weedon, A. W., 65, Warwick Road, W. 679, 739. 
 Weekes, Fred., Artists' Society, Langham Chambers, W. 281. 
 Welby, Miss Rose, 52, Upper Bedford Place, W.C. 1000. 
 Wells, George, 19, Fitzroy Square, W. 238. 
 Wells, J. K, 15, Steeles Road, N.W. 87, 1041. 
 
 Westmacott, J. S., 49, Hugh Street, Eccleston Square, S.W. (Sculpture). 
 
 Whatley, H, 21, Oakley Rd., Clifton. 405, 847. 
 
 Wheeler, Mrs. W. H., Roseneath, Reigate, 996. 
 
 Wheeler, W. H., Roseneath, Reigate. 519, 773. 
 
 Whinney, T. B., 90, Regent's Park Rd., N.W. 203, 556. 
 
 Whipple, John, 4 Chichester Street, S.W. 74, 97, 737. 
 
 Whitby, W., Mumbles, South Wales. 959. 
 
 White, Miss Alice, 9, Campden Hill Studios, W. 644. 
 
 Whitley, J. W., 59, St. Mark's Road, Leeds. 121. 
 
 Whitley, Miss K. M., Fern House, South Wigstan, near Leicester. 
 568, 915, 916. 
 
 Whitmore, B^ron, Halliford, Shepperton-on-Thames. 476. 
 Whymper, Charles, 55, Fitzroy Road, N.W. 304. 
 Whyte Holdich, W., Hull. 332. 
 Willett, Arthur, 39, Ship Street, Brighton. 945. 
 Williams, A., 86, Newman St. W. 926. 
 
 Williams, A. W., Ferncliff, Mead Yale, Redhill, Surrey. 310, 713. 
 Williams, Humphry J., Bodrean, Truro, Cornwall. 373. 
 Williamson, Fred. Witley, Surrey. 188, 424. 
 Willink, H. G., 1, Hyde Park St., W. -754. 
 Wilson, E. W., 132, Peckham Park Road, S.E. 375. 
 Wilson, Ernest, 8, Holly Villas, Clarendon Rd., Snaresbrook. 484. 
 Wilson, Oscar, 122, New Cross Road, S.E. 560. 
 Wilson, T. Harrington, 39, Beaufort Street, S.W. 363. 
 Wjnkfjeld, F. A., 59, Britannia Road, S.W. 587. 
 Wood, Miss E. Stuart, 44 Holland Street, Kensington, W. 117, 130. 
 Wood, Robt., 52, HedJey Terrace, Newcastle. 435. 
 Wood, Stanley L., 4, Mornington Street, N.W. 366, 837. 
 Wright, Richard H., 6, Hillside Villas, Womersley Rd., Hornsey, N. 
 395. 
 
 Wyatt, A. C, 72, Holloway Road, N. 240. 
 
 Youngman, Miss A. M., 1, Notting Hill Terrace, W. 425, 658, 724. 
 Zink, G. F., 34, Princess Road, Kilburn Park, N.W. 729. 
 
 LONDON : RICHARD CLAY AND SONS, PRINTERS. 
 
E 
 
Cat No. 176. Sin Piercing the Heart of Love. Henry J. Stock, K.I. 
 
 " And it grieved Him at His heart."— Genesis vi. C. 
 
Cat. No. 247. Caught Tripping. A. W. Bayes. 
 
Cat. No. 283. At the Fountain. Edith Mariineau. 
 
Cat. No. 460. 
 
 Going ! Going ! ! Stanley Berkley. 
 
Cat. No. 499. 
 
 "The Merry Month of Mat." Arthur Stocks, R.I. 
 
Cat. No. 612. 
 
 "Within Sound of the Sea." MissDcaly. 
 
Cat. No. 597. 
 
 Upton Cliff, near Bidf. Frank Walton, R.I. 
 
Cat. No. 623. Saint Isidore and the Angel. C. H. Shannon. 
 
 Cat. No. 042. " Chateau de Lkon, Josselin." Geo. S. Elgood, R.I. 
 
Cat. No. 684. 
 
 Sympathy. W. Henry Gore. 
 
 Cat. No. 685. Lance Fishing in Heligoland. Hamilton Macallum, R.I. 
 
Cat. No. 700. 
 
 "You Stay with Baby." Hay nes King. 
 
Cat. No. 691. Gabriel's Wharf. W. L. Wyllie, B.I. 
 
Gat So. 719. 
 
 Fisk Roses. Mrs. Duffield, R.L 
 
 Cat. No. 816. On the Stour. J. Sherrin, R. I. 
 
 G 2 
 
Cat. Xo. 821. Misty Sunlight. W. W. May, R.I. 
 
A Genuine Street Arab, Algiers 
 
 Gvido Bach, R.I. 
 
Cat. No. SS4. 
 
 Shepherds all and Maidens Faik. Townley Green, R.L 
 
 Cat. No. 9J9. 
 
 West Pier, Gorlestone. E. Hayes, R.H.A., R.I. 
 
Cat. No. 921. 
 
 Fountain and Water Carriers in Cairo. G. Monlbard. 
 
 Cat. Ko. 938. 
 
 Windsor Castle. C. R. Aston, R 1. 
 
Cat. No. 972. Haymaking. Frank E. Cox. 
 
4 Cat. No. 975. Retro Chapel. J. O'Connor. 
 
 pat. No. P82. t Dumbarton Castle. J. TT. Whymper, R.T. 
 
1 
 
A CATALOGUE 
 
 OF THE 
 
 EXHIBITION 
 
 OF 
 
 WATER COLOUR DRAWINGS 
 
 BY 
 
 *§ztz&8tii ffiwUxs of thz *3ritii5lx (School, 
 
 Held in the Council Koom of the 
 ROYAL INSTITUTE OF PAINTERS IN WATER COLOURS, 
 JULY, 1886. 
 
 With a Preface by Sir James D. Linton, P.RJ. ; 
 an Appendix by Professor Ruskin, LL.D.; 
 and containing the Correspondence that has appeared in "2 y he Tiims 
 
 PICCADILLY: 
 Published at the Galleries, Piccadilly, W. 
 
 188G. 
 
PREFACE. 
 
 JT is well that some explanation should be given as to 
 the causes which have actuated the Royal Institute 
 of Painters in Water Colours in gathering together 
 the beautiful collection of works by deceased masters 
 of the British School of Watercolour Painting now 
 hanging on the walls of the gallery. 
 
 A controversy has of late been initiated by Mr. J. C. 
 Robinson, who asserted, in the columns of the Times, 
 that watercolour drawings exposed to the ordinary 
 daylight have a very brief existence ; but his statements 
 in evidence are so absurd in themselves in their relation 
 to fact, that had they not been made by one who has 
 hitherto enjoyed the reputation of being an expert in 
 matters of art, they would certainly have been treated 
 with the silence they deserve. Yet as he has given 
 these statements the greatest degree of publicity in his 
 power, and, moreover, has persisted in them without 
 any qualification of their absolute correctness, in spite 
 of the numerous examples I have brought forward as 
 ocular proofs to the contrary ; and further, in evidence 
 of this critic's ignorance of the matter he has so inju- 
 diciously trifled with, it was felt by the members of the 
 
IV 
 
 PREFACE. 
 
 Royal Institute, in common with others of the profes- 
 sion to which I have the honour to belong, that a 
 representative gathering of the maligned masters' 
 works should be exhibited to the public. Thus the • 
 dispute is removed from the unsatisfactory region of 
 empty words and opinions, and the Masters speak for 
 themselves through their works with the irresistible 
 force of fact. In the face of these drawings, with 
 the majority of which Mr. Robinson is, or, from his 
 position, should have been, familiar, he has formulated 
 a charge of which the following two paragraphs com- 
 prise the principal points ; — 
 
 1. "If the specimens are openly and continuously 
 exhibited to the public in the daytime, in a very few 
 
 YEARS, BY THE VERY FACT OF SUCH EXPOSURE ALONE, they 
 
 will be practically ruined and worn out. The strong 
 light of day j indeed, causes such works to fade and 
 wane away daily and hourly even. / allude to modern 
 ivatercolour drawings and certain classes of drawings 
 by the so-called old masters." 
 
 2. " At the South Kensington Museum an important 
 collection of English watercolour draivings has been 
 continuously exhibited in the full daylight for 20 or SO 
 years past, and I have no hesitation in saying that by 
 the mere fact of such exposure all these drawings have 
 been more or less irrevocably injured, and that in 
 many cases the specimens are now as it were but the pale 
 
PREFACE. 
 
 v 
 
 ghosts of their former selves. These treasures, then, 
 
 HAVE SUFFICED FOR THE DELECTATION OF ONE GENERATION 
 
 only, and we ourselves have practically used them up" 
 
 To these sweeping assertions I had no alternative 
 but to retort with a flat denial, and I quoted by name 
 many examples in the South Kensington Museum col- 
 lection as visible proof of the falsity of the allegations. 
 I further mentioned a number of drawings which were 
 fortunately at that time being shown in the galleries of 
 Messrs. Agnew — drawings by Barret, Cox, De Wint ; 
 and numerous others in the very beautiful collection 
 then being exhibited on the walls of the Royal Society 
 of Painters in Water Colours, all of which had been 
 exposed to the " full daylight " for a very much longer 
 period than the " twenty or thirty years" laid down by 
 Mr. J. C. Robinson as the limit of their existence. 
 
 Later on, in the course of the correspondence which 
 followed, Mr. Robinson thus delivered himself : — 
 
 " It is, indeed, surprising, though I must say it is 
 exactly what I expected, that water colour painters 
 should point blank deny the fact that their productions 
 fade by exposure to the light of day. The fact, never- 
 theless, is certain and notorious, the proofs are every- 
 where in evidence, and the causes patent and capable 
 of exact scientific demonstration. There are none so 
 blind as those who will not see. If ivater-colour 
 artists shut their eyes to notorious facts, tvhich seem to 
 
VI 
 
 PREFACE. 
 
 tell against their art, it is no reason why the public, 
 who are also interested parties, should not be enlightened. 
 I fear I must — though much against my ivill — go into 
 this matter somewhat in detail." 
 
 Why Mr. J. C. Robinson should thus arrogate 
 to himself the position of Mentor to the Public and 
 Censor to the Profession is incomprehensible enough, 
 for it must be obvious to all, from the examples 
 displayed on the walls of this gallery, that his asser- 
 tions are of the most misleading character, and that 
 he possesses but the merest surface knowledge — as 
 regards condition, processes, and materials — of the 
 works he so rashly and absurdly condemns. Need I 
 deny that " watercolour artists shut their eyes 
 to notorious facts which seem to tell against their 
 art ? " Surely a reckless insult such as this levelled 
 promiscuously against the whole body of an honourable 
 profession recoils on him who flings it, and calls for 
 no reply. But Mr. Robinson's assertion, of a piece 
 with the remainder of his charge, necessarily includes 
 critics and collectors, as well as artists, who do not 
 agree with his peculiar views. Of these, one is 
 Professor Ruskin, who has come forward with the 
 weight of his testimony, born of a long and 
 intimate acquaintance with the subject, to bear 
 witness to the durability of watercolour drawings 
 in the following eloquent passage : — 
 
PREFACE. 
 
 vii 
 
 "Pure ivater -colour painting, on pure old paper, 
 made of honest old rags. 
 
 " There is no china painting, no glass painting, 
 no tempera, no oil, ivax, varnish, or twenty -chimney - 
 power -extract-of -everything painting ivhich can compare 
 with the quiet and tender virtue of watercolour in its 
 proper use and place. There is nothing that obeys the 
 artist's hand so exquisitely ; nothing that records the 
 subtlest pleasures of sight so perfectly. All the 
 splendours of the prism and the jeivel are vulgar and 
 feiv compared to the subdued blending of infinite 
 opalescence in finely inlaid watercolours ; and the 
 repose of light obtainable by its transparent tints 
 and absolutely right forms, to be rendered by practised 
 use of its opaque ones, are beyond rivalship, even by 
 the most skilful methods in other media. 
 
 "Properly taken care of — as a ivell-educated man 
 takes care also of his books and furniture — a 
 
 WATERCOLOUR DRAWING IS SAFE FOR CENTURIES ; Oltt 
 
 of direct sunlight, it ivill shoiv no failing on your room 
 wall till you need it no more." 
 
 Judging from the offers we have received, drawings 
 in perfect state could have been hung more than 
 sufficient in number to have covered our entire 
 gallery wall-space in addition to that of the council- 
 room alone ; but we have limited the exhibition to 
 those now exhibited, deeming them amply sufficient 
 
Vlll 
 
 PREFACE. 
 
 to afford as complete a refutation of Mr. Robinson's 
 baseless and mischievous assertions as any sensible, 
 impartial, and intelligent beholder could desire. 
 
 It is sad to think that our national art should be 
 put on its trial, even at the cry of one more or less 
 ignorant of its practice and character ; still, as the 
 denouncer has gained the ear of a certain section of 
 the public a defence has become necessary. The 
 display on the walls is that defence, and a glance is 
 all that is needed to determine the verdict. The 
 works that are here, works by artists well and little 
 known, speak for themselves. Are these pictures 
 " the pale ghosts of their former selves," or are 
 they not ? If the spectator bears in mind the 
 acknowledged and unquestioned fact that the early 
 masters of the art painted with a limited palette, he 
 will readily perceive that the drawings are all in a 
 perfect condition, brilliant, unfaded — beyond the con- 
 tradiction of even Mr. Church or Mr. Robinson. 
 For the keen pleasure with which every art lover 
 and connoisseur will view this superb collection, the 
 thanks of the community are due in the first instance 
 to these two gentlemen, but it is certainly deplorable 
 that the end, of which this is the means, should 
 be the vindication of our National Art. And for this 
 degradation Mr. Robinson is solely responsible. 
 
 JAMES D. LINTON. 
 
CATALOGUE. 
 
 PAINTER. LENT BY. 
 
 LAMBETH PALACE AND RIVER THAMES. 
 J. Varley. A. T. H oiling sworth, Esq. 
 
 DISTANT VIEW OF LONDON. 
 David Cox. James Orrock, Esq., R.I. 
 
 CARTING SAND. 
 David Cox. Henry Burton, Esq. 
 
 INTERIOR OF ST. ALBAN'S ABBEY. 
 T. Girtin. A. T. H oiling sworth, Esq. 
 
 THE RESTLESS SITTER. 
 Wm. Hunt. George James, Esq. 
 
 PASTORAL AND CATTLE. 
 P. De Wint. James Orrock, Esq., R.I. 
 
 HADDON HALL. 
 P. De Wint. James Orrock, Esq., R.I. 
 
 TINTERN ABBEY. 
 J. M. W. Turner, R.A. J. E. Sarson, Esq. 
 
10 
 
 CATALOGUE. 
 
 PAINTER. LENT BY. 
 
 9. GOODRICH CASTLE. 
 
 David Cox. George A. Musgrave, Esq. 
 
 10. FELLING TIMBER. 
 
 P. De Wint. F. Nettlefold, Esq. 
 
 11. ULVERSTON SANDS, WINDMILL, &c. 
 
 P. De Wint. James Orrock, Esq., BJ. 
 
 12. LANDSCAPE. 
 
 P. De Wint. George Lock, Esq. 
 
 13. HAYMAKING. 
 
 P. De Wint. James Orrock, Esq., R.I. 
 
 14. STACKING. 
 
 P. De Wint. James Orrock, Esq., R.I. 
 
 15. TINTERN ABBEY. 
 
 J. M. W. Turner, R.A. J. E, Sarson, Esq. 
 
 16. GREENWICH. 
 
 G. Chambers. F. Nettlefold, Esq. 
 
 17. LANDSCAPE. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 18. PLUMS AND BLACKBERRIES. 
 
 W. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9.) 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition. 
 
 19. VENICE. 
 
 Jas. Holland. Henry Burton, Esq. 
 
 20. ^r MARKET PLACE, VERONA. 
 
 S. Prout. $$VtOu A. T. Hollingsivorth, Esq. 
 
CATALOGUE. 
 
 11 
 
 PAINTER. LENT BY. 
 
 21. INTERIOR OF CHURCH. 
 
 James Holland. Henry Burton, Esq. 
 
 22. TWILIGHT. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 23. LAKE AND MOUNTAIN. 
 
 J. Varley. Dr. Dyce Brown. 
 
 24. BEDGELLERT BRIDGE. 
 
 J. Varley. J. Varley, Esq. 
 
 25. ROSS CASTLE, KILLARNEY. 
 
 J. Varley. Dr. Dyce Broivn. 
 
 26. CORNFIELD. 
 
 J. Varley. James Orrock, Esq., R.I. 
 
 27. LAKE SCENE. 
 
 J. Varley. James Orrock, Esq., R.I. 
 
 28. HARLECH. 
 
 J. Varley. James Orrock, Esq., R.I 
 
 29. NEAR BRISTOL. 
 
 W. Muller. James Orrock, Esq., R.I. 
 
 30. MILAN. 
 
 J. S. Cotman. George Lock, Esq. 
 
 31. VILLA NEGRONI. 
 
 John Cozens. 0. Morland Agnew, Esq. 
 
 32. MOUNTAINOUS COUNTRY. 
 
 John Cozens. Wm. Agnew, Esq., M.P. 
 
 33. MILLBANK. 
 
 John Varley. George A. Musgrave, Esq. 
 
12 
 
 CATALOGUE. 
 
 PAINTER. LENT BY. 
 
 34. PASTORAL WITH COWS. 
 
 G. Barret. James Orrock, Esq., RI. 
 
 35. LANDSCAPE WITH CATTLE AND SHEEP. 
 
 G. Barret. F. Fettle/old, Esq. 
 
 36. TEMPLE OF PHIL^E. 
 
 W. Muller. F. Nettlefold. Esq. 
 
 37. SCENE WITH SHIPPING. 
 
 S. Prout. Lady Lindsay, RI. 
 
 38. MACBETH. 
 
 Geo. Cattermole. James Orrock, Esq., RI. 
 
 39. BYLAND ABBEY. 
 
 J. S. Cotman. A. T. Hollingsworth, Esq. 
 
 40. EVENING, WITH SHEEP. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 41. PINE, MELON, AND GRAPES. 
 
 Wm. Hunt. A. T. Hollingsworth, Esq. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) 
 
 42. THE PILGRIMS. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 43. THE SHY SITTER. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) 
 
 44. ! APPLES AND GRAPES. 
 
 Wm. Hunt. A. T. Hollingsworth, Esq. 
 
CATALOGUE. 
 
 13 
 
 PAINTER. LENT BY. 
 
 45. X BLACK GRAPES AND STRAWBERRIES. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) Sibbeth. 
 
 46. FIGS, GRAPES, AND PLUMS. 
 
 Wm. Hunt. A. T. H oiling sworth, Esq. 
 
 47. MAGNUM BONUMS. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Arts Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) Sibbeth. 
 
 48. JIM CROW. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 49. v QUINCES. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) Sibbeth. 
 
 50. THE WANDERER. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition. ) 
 
 51. PINE APPLE, PEAR, AND BLACK GRAPES. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 52. \ BLUE ORCHIS AND PRIMROSES. 
 
 Wm. Hunt. A. T. Hollingsivorth, Esq. 
 
 53. GREEN GRAPES, &c. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 54. THE PITCHER GIRL. 
 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) 
 
14 
 
 CATALOGUE. 
 
 , /PAINTER. LENT BT. 
 
 55. V DEAD PIGEON. 
 
 Wm. Hunt. James Orrock, Esq., RJ. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition. ) 
 
 56. THE BLESSING. 
 
 Wm. Hunt. James Orrock, Esq., RJ. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition. ) 
 
 57. BIRD'S NEST AND MAY BLOSSOM. 
 
 Wm. Hunt. James Orrock, Esq., RJ. 
 
 58. LONDON FROM GREENWICH. 
 
 P. DE Wint. James Orrock, Esq., RJ. 
 
 59. THE TIMBER WAGON. 
 
 G. Barret. James Orrock, Esq., RJ. 
 
 U st J 1 / /O 
 
 60. ^* * <^Uf MORNING. 
 
 G. Barret. James Orrock, Esq., R.I, 
 
 61. -A >C CLASSICAL LANDSCAPE. 
 
 G. Barret. George James, Esq. 
 
 62. OLD PORT OF DOVER. 
 
 James Holland. Frank Dillon, Esq., RJ. 
 
 63. / A WATERFALL. 
 
 Fras. Nicholson. Marcus Huish, Esq. 
 
 64. RIVER SCENE WITH ROCKS. 
 
 J. Varley. Dr. Dyce Brown. 
 
 65. EASTERN COUNTIES. 
 
 P. DE Wint. James Orrock, Esq., R.I. 
 
 66. EVENING. 
 
 G. Barret. James Orrock, Esq., RJ. 
 
CATALOGUE. 
 
 15 
 
 PAINTER. LENT BY. 
 
 67. CALAIS PIER. 
 
 David Cox. A. T. Hollingsivorth, Esq. 
 
 68. ' SNOWDON. 
 
 Copley Fielding. James Orrock, Esq., R.I. 
 
 69. MOUTH OF THE THAMES. 
 
 G. Chambers. James Orrock, Esq., R.I. 
 
 70. LAKE OF THUN. 
 
 Sir Augustus W. Callcott, R.A. F. Dillon, Esq., R.I. 
 
 71. COPPER POT— STILL LIFE. 
 
 Wm. Hunt. Geo. A. Musgrave, Esq. 
 
 72. CARNARVON. 
 
 J. Varley. James Orrock, Esq., R.I. 
 
 73. -^ A LANDSCAPE. 
 
 J. Varley. A. T. Hollingsivorth, Esq. 
 
 74. CLASSICAL LANDSCAPE, WITH SHEEP. 
 
 G. Barret. James Orrock, Esq., RJ. 
 
 75. BOLTON ABBEY. 
 
 Copley Fielding. James Orrock, Esq., R.I. 
 
 76. ^ ?s LANDSCAPE, WITH COTTAGES. 
 
 Copley Fielding. George Lock, Esq. 
 
 77. READING THE BIBLE IN THE BARON'S CHAPEL. 
 
 G. Cattermole. James Orrock, Esq., R.I. 
 
 78. THE VISIT TO THE MONASTERY. 
 
 G. Cattermole. Henry Burton, Esq. 
 
 79. / ST. MARIA SALUTE. 
 
 S. Prout. James Orrock, Esq., R.I. 
 
1G 
 
 CATALOGUE. 
 
 80. - HERRING FISHING. 
 
 G. Chambers. James Orrock, Esq., RL 
 
 81. WILLESDEN CHURCH. 
 
 J. Varley. F. Nettlefold, Esq. 
 
 82. FLOWER PIECE. 
 
 James Holland. Henry Burton, Esq. 
 
 83. SHRINE OF ST. SEBASTIAN. 
 
 James Holland. F. Nettlefolcl, Esq. 
 
 84. THE MINSTREL ALARMED. 
 
 G. Cattermole. Henry Burton, Esq. 
 
 85. I C OFF MARGATE. 
 
 J. M. W. Turner, R.A. James Orrock, Esq., RL 
 
 86. GENOA. 
 
 R. R Bonington. F. Dillon, Esq., RL 
 
 87. LLANGOLLEN. 
 
 J. M. W. Turner, R.A. William Agnew, Esq., M.P. 
 
 88. LINLITHGOW ABBEY. 
 
 J. M. W. Turner, R.A. Arthur Severn, Esq., RL 
 
 89. V DEVONPORT. 
 
 J. M. W. Turner, R.A. Professor Ruskin. 
 
 Exhibited at the Turner Exhibition held at the Fine Art Society, 1878. 
 (See Notes by Professor Ruskin of above Exhibition. ) 
 
 90. SCENE IN SAVOY. 
 
 J. M. W. Turner, R.A. Professor Ruskin. 
 
 Exhibited at the Turner Exhibition held at the Fine Art Society, 1878. 
 (See Notes by Professor Kuskin of above Exhibition.) 
 
 9 1 . THE CHAPTER HOUSE, SALISBURY CATHEDRAL. 
 
 J. M. W. Turner, R.A. William Agnew, Esq., M.P. 
 
CATALOGUE. 
 
 17 
 
 PAINTER. LENT BY. 
 
 92. LAC DE JOUX. 
 
 J. M. W. Turner, R.A. William Agnew, Esq., M.P. 
 
 93. BUCKFAST LEIGH ABBEY, DEVON. 
 
 J. M. W. Turner, KA. Arthur Severn, Esq., R.I. 
 
 94. SALISBURY. 
 
 J. M. W. Turner, R.A. Professor Rushin. 
 
 Exhibited at the Turner Exhibition held at the Fine Art Society, 1878. 
 (See Notes by Professor Ruskin of above Exhibition.) 
 
 95. THE MINSTREL. 
 
 G. Cattermole. Henry Burton, Esq. 
 
 96. DOVER. 
 
 J. M. W. Turner, R.A. F. Nettlefold, Esq. 
 
 97. -^ >^ THE BRIDGE. 
 
 P. DE Wint. James Orrock, Esq., R.I. 
 
 98. FISHING BOATS OFF YARMOUTH. 
 
 J. S. Cotman. Geo. Lock, Esq. 
 
 99. CARTING HOME THE PLOUGH. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 j 100. INTERIOR OF COTTAGE. 
 
 Wm. Hunt. Geo. A. Musgrave, Esq. 
 
 j 101. HAVRE. 
 
 David Cox. Henry Burton, Esq 
 
 102. * COTTAGE WITH TREES. 
 
 David Cox. James Orrock, Esq., R.I 
 
 ,103. BARGE UNDER SAIL. 
 
 J. S. Cotman. F. Nettlefold, Esq. 
 
 B 
 
18 
 
 CATALOGUE. 
 
 PAINTER. LENT BY. 
 
 104. )< LOCH LOMOND. 
 
 Copley Fielding. Geo. A. Musgrave, Esq. 
 
 105. VENICE. 
 
 Jas. Holland. Henry Burton, Esq. 
 
 106. SEA PIECE. 
 
 J. S. Cotman. J. E. Sarson, Esq. 
 
 107. PISANI PALACE. 
 
 S. Peout. F. Nettlefold, Esq. 
 
 108. )C DRESDEN. 
 
 S. Prout. A. T. H oiling sworth, Esq. 
 
 109. VERONA. 
 
 S. Prout. George Loch, Esq. 
 
 110. FERN GATHERERS. 
 
 David Cox. Henry Burton, Esq. 
 
 111. SCARBOROUGH. 
 
 Copley Fielding. F. Nettlefold, Esq. 
 
 112. HAMPSTEAD HEATH. 
 
 J. S. Cotman. J. E. Sarson, Esq. 
 
 113. THE SKYLARK. 
 
 David Cox. F. Nettlefold, Esq. 
 
 114. CROSSING THE COMMON. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 115. THE FISHERS. 
 
 David Cox. James Orrock, Esq., R.I. 
 
CATALOGUE. 
 
 19 
 
 PAINTER. LENT BY. 
 
 116. PLOUGHING THE UPLANDS. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 117. POWIS CASTLE. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 118. MILKING TIME. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 119. THE DANCERS. 
 
 F. J. Lewis. Arthur Severn, Esq., R.I. 
 
 120. DUTCH CHURCH. 
 
 E. DE Witte. Collingwood Smith, Esq., R.W.S. 
 
 This drawing (although not by a British painter) is exhibited as a 
 powerful example of the durability of watercolour. 
 
 (See inscription on frame of drawing.) 
 
 121. PUTNEY BRIDGE. 
 
 P. DE Wint. Charles Wertheimer, Esq. 
 
 122. GREENWICH HOSPITAL. 
 
 E. Dayes. H. Pilleau, Esq., R.I. 
 
 123. THE MAGPIE. 
 
 David Cox. James Orrock, Esq., R.L 
 
 124. LANE SCENE. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 125. WAITING FOR THE FERRY. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 126. BOLSOVER CASTLE. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 127. A WINDY DAY. 
 
 David Cox. James Orrock, Esq., R.I. 
 
20 
 
 CATALOGUE. 
 
 PAINTER. LENT BY. 
 
 128. CHANGING PASTURES. 
 
 David Cox. F. Nettlefold, Esq. 
 
 129. SEA PIECE. 
 
 J. S. Cotman. Dr. Dyce Brown. 
 
 130. CARTING VETCHES. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 131. VASE OF FLOWERS, APRICOTS, PLUMS, &c. 
 Wm. Hunt. James Orrock, Esq., R.I. 
 
 Exhibited at the Fine Art Society's Exhibition, 1878-9. 
 (See Notes by Professor Ruskin in Catalogue of above Exhibition.) 
 
 132. ON THE THAMES. 
 
 David Cox. J. E. Sarson, Esq. 
 
 133. GOING TO MARKET. 
 
 David Cox. James Orrock, Esq., R.I. 
 
 134. THE BETRAYAL. 
 
 G. Cattermole. James Orrock, Esq., R.I. 
 
 135. SLOE BUSH AND PLUMS. 
 
 Wm. Hunt. A. T. Hollingsworih, Esq. 
 
 136. LONDON FROM HIGHGATE. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 137. CROSSING THE MOOR. 
 
 David Cox. James Orrock, Esq., RJ. 
 
 138. HARLECH CASTLE. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 139. EVENING. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
CATALOGUE. 
 
 21 
 
 PAINTER. LENT BY. 
 
 140. WHITBY ABBEY. 
 
 P. de Wint. James Orrock, Esq., R.I. 
 
 141. PULLING DOWN THE OLD HOUSE. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 142. DORT. 
 
 S. Austin. Thos. Gabriel, Esq. 
 
 143. THE FERRY. 
 
 David Cox. J. E. Sarson, Esq. 
 
 144. -^ SUNSET. 
 
 G. Barret. James Orrock, Esq., R.I. 
 
 145. ^ UNDERCLIFF— ISLE OF WIGHT. 
 
 P. de Wint. ^ James Orrock, Esq., R.I. 
 
 146. ANTWERP. 
 
 S. Prout. Henry Burton, Esq, 
 
 147. ROAD SCENE— TREES, COTTAGE, COWS, 
 
 RUSTIC BRIDGE, fee. 
 J. Yarley. Dr. Dyce Brown. 
 
 148. ON THE SOUTH COAST. 
 
 P. de Wint. James Orrock, Esq., R.J 
 
 149. MOUNTAIN COUNTRY. 
 
 J. Yarley. Geo. Lock, Esq. 
 
 150. YANWARTH, WESTMORLAND. 
 
 Lady Frederick Bentinck. 
 
 The Rt. Hon. Geo. Cavendish-Bentinck, M.P. 
 
22 
 
 CATALOGUE. 
 
 151. A WINDY DAY * 
 
 David Cox. J. W. Whymper, Esq., R.I. 
 
 This Drawing was purchased at the Exhibition of the Water Colour 
 Society, 1853. It hung for six years in the ordinary light of a 
 London drawing room, and subsequently it has been hanging for 
 twenty-seven years in an extreme light, uncovered . The indigo, 
 and other so-called fugitive colours, appear to be unchanged 
 under this severe trial. 
 
 J. W. Whymper. 
 
 Haslemere, 21st June, 1886. 
 
 152. PARK SCENE, MANSION, LAKE, &c. 
 
 J. Varley. Dr. Dyce Brown. 
 
 153. HIGHLAND RIVER WITH BRIDGE. 
 
 Cozens. Wm. Agnew, Esq., M.P. 
 
 154. AMONGST THE HILLS. 
 
 J. Varley. Dr. Dyce Brown. 
 
 155. AYSGARTH. 
 
 P. DE Wint. James Orrock, Esq., R.I. 
 
 156. TREES, WITH COTTAGE AND BRIDGE. 
 
 P. DE Wint. A. T. H oiling sworth, Esq. 
 
 157. RIVER SCENE, WITH WINDMILL. 
 
 J. Varley. Dr. Dyce Brown. 
 
 158. THE BAY OF NICE. 
 
 J. M. W. Turner, R.A. F. Dillon, Esq., R.I. 
 
 159. A CORNFIELD. 
 
 J. Varley. Dr. Dyce Brown. 
 
 * A note is appended to this Drawing by the owner, J. W. Whymper, Esq., 
 B..I. The picture is such a brilliant example of the durability of watercolour, 
 that, although I had decided not to publish the many verifications of the 
 periods to which Drawings in this Gallery have been exposed to light, I have at 
 Mr. Whymper's request made an exception in this case. — J. D. L. 
 
CATALOGUE. 
 
 23 
 
 PAINTER. LENT BY. 
 
 160. ON THE THAMES. 
 
 J. Varley. James Orrock, Esq., R.I. 
 
 161. SEA SHORE AND MOUNTAINS. 
 
 J. Varley. Br. Byce Brown. 
 
 162. VIEW FROM MOUNT CARMEL. 
 
 Sir A. W. Callcott, R.A. F. Nettle/old, Esq. 
 
 163. AN OLD ENGLISH COTTAGE. 
 
 S. Prout. Professor Ruskin. 
 
 164. THE HAYMAKERS. 
 
 J. Cristall. Lady Lindsay, R.I. 
 
 165. LANDSCAPE WITH CATTLE AND WATER. 
 
 Thos. Hearne. Wm. Agnew, Esq., R.I. 
 
 166. LAKE SCENE WITH CASTLE. 
 
 J. Varley. Br. Byce Brown. 
 
 167.4* MOUNTAINS AND SEA SHORE. 
 
 J. Varley. J. E. Sarson, Esq. 
 
 168. WINDSOR. 
 
 J. Varley. James Orrock, Esq., R.L 
 
 The Members of the Royal Institute beg to tender their 
 sincere thanks to those who have so kindly lent draivings, and 
 they are especially indebted to Professor Ruskin, who has 
 given such valuable aid in furthering the object they had in 
 view. 
 
24 
 
 INDEX. 
 
 INDEX, No. 1. 
 NAMES of the CONTRIBUTORS of WORKS. 
 
 Agnew, C. Morland, Esq., 31. 
 
 Agnew, William, Esq., M.P., 32, 87, 91, 92, 153, 165. 
 Burton, Henry, Esq., 3, 19, 21, 78, 82, 84, 95, 101, 105, 110, 146. 
 Cavendish-Bentinck, The Rt. Hon. Geo., M.P., 150. 
 Dillon, Prank, Esq., R.L, 62, 70, 86, 158. 
 
 Dyce-Brown, Dr., 23, 25, 64, 129, 147, 152, 154, 157, 159, 161, 166. 
 Gabriel, Thomas, Esq., 142. 
 
 Hollingsworth, Alex. T., Esq., 1, 4, 20, 39, 41, 44, 46, 52, 67, 73, 108, 
 135, 156. 
 
 Huish, Marcus, Esq., 63. 
 
 James, George, Esq., 5, 61. 
 
 Lindsay, Lady, 37, 164. 
 
 Lock, George, Esq., 12, 30, 76, 98, 109, 149. 
 
 Musgrave, Geo. A., Esq., 9, 33, 71, 100, 104. 
 
 Nettlefold, F., Esq., 10, 16, 35, 36, 81, 83, 96, 103, 107, 111, 113, 128, 
 162. 
 
 Orrock, James, Esq., B.L, 2, 6, 7, 11, 13, 14, 17, 18, 22, 26, 27, 28, 29, 
 34, 38, 40, 42, 43, 45, 47, 48, 49, 50, 51, 53, 54, 55, 56, 57, 58, 59, 60, 
 65, 66, 68, 69, 72, 74, 75, 77, 79, 80, 85, 97, 99, 102, 114, 115, 116, 
 117, 118, 123, 124, 125, 126, 127, 130, 131, 133, 134, 136, 137, 138, 
 139, 140, 141, 144, 145, 148, 155, 160, 168. 
 
 Pilleau, H., Esq., E.I., 122. 
 
 Ruskin, Professor John, LL.D., 89, 90, 94, 163. 
 
 Sarson, J. E., Esq., 8, 15, 106, 112, 132, 143, 167. 
 
 Severn, Arthur, Esq., RL, 88, 93, 119. 
 
 Smith, Collingwood, Esq., R.W.S., 120. 
 
 Varley, J., Esq., 24. 
 
 Wertheimer, Charles, Esq., 121. 
 
 Whymper, J. W., Esq., 151. 
 
INDEX. 
 
 25 
 
 INDEX, No. 2. 
 NAMES of the PAINTERS. 
 
 [The figures ivithin brackets indicate respectively the dates of the Birth 
 and Death of the Painter. ,] 
 
 Austin, Samuel [ -1834]; 142. 
 
 Barret, George [1774-1842] ; 22, 34, 35, 40, 42, 59, 60, 61, 66, 74, 136, 
 
 138, 139, 141, 144. 
 Bentinck, Lady Frederick [ - ]; 150. 
 Bonington, Richard Parkes [1801-1828] ; 86. 
 Callcott, Sir Augustus Wall, R.A. [1779-1844] ; 70, 162. 
 Cattermole, George [1800-1868] ; 38, 77, 78, 84, 95, 134. 
 Chambers, George [1803-1840]; 16, 69, 80. 
 Cotman, John Sell [1782-1842] j 30, 39, 98, 103, 106, 112, 129. 
 Cox, David [1783-1859]; 2, 3, 9, 17, 67, 99, 101, 102, 110, 113, 114, 
 
 115, 116, 117, 118, 123, 124, 125, 126, 127, 128, 130, 132, 133, 137, 
 
 143, 151. 
 
 Cozens, John Robert [1752-1799]; 31, 32, 153. 
 Cristall, Joshua [1767-1847] ; 164. 
 Dayes, Edward [ 1804] ; 122. 
 
 De Wint, Peter [1784-1849] ; 6, 7, 10, 11, 12, 13, 14, 58, 65, 97, 121, 
 
 140, 145, 148, 155, 156. 
 De Witte, Emanuel [1607-1692] ; 120. 
 Fielding, Copley [1787-1855]; 68, 75, 76, 104, 111. 
 Girtin, Thomas [1773-1802] ; 4. 
 Hearne, Thomas [1744-1817] ; 165. 
 Holland, James [1800-1870]; 19, 21, 62, 82, 83, 105. 
 Hunt, William [1790-1864]; 5, 18, 41, 43, 44, 45, 46, 47, 48, 49, 50, 
 
 51, 52, 53, 54, 55, 56, 57, 71, 100, 131, 135. 
 Lewis, John Frederick, R.A. [1805-1876] ; 119. 
 Muller, William John [1812-1845] ; 29, 36. 
 Nicholson, Francis [1753-1844]; 63. 
 
 Prout, Samuel [1783-1852]; 20, 37, 79, 107, 108, 109, 146, 163. 
 Turner, Joseph M. W., R.A. [1775-1851]; 8, 15, 85, 87, 88, 89, 90, 91, 
 
 92, 93, 94, 96, 158. 
 Yarley, John [1778-1842]; 1, 23, 24, 25, 26, 27, 28, 33, 64, 72, 73, 81, 
 
 147, 149, 152, 154, 157, 159, 160, 161, 166, 167, 168. 
 
APPENDIX. 
 
 The mingled spite and impertinence of Mr. Robinson's 
 letter in the Times of the 1 4th instant release me from 
 any farther notice of his endeavours to destroy the 
 most beautiful art of England : but to his request that 
 Mr. Ruskin should exhibit " the four drawings which 
 that gentleman contributed to the Manchester Exhibi- 
 tion in 1857," Mr. Ruskin replies that he never 
 contributed one ; neither to that, nor to any other 
 exhibition was ever drawing of Turner's sent by me, 
 until I allowed my whole collection to be seen at Bond 
 Street in 1878, when, if ever, Mr. Robinson's observa- 
 tions on the fading of Turners should have been 
 communicated to the public. He had the right, then, 
 to say what he chose — for I showed the drawings of 
 my own free will ; and he had the perfect materials for 
 observation, for I showed drawings of every time and 
 in every state. But he stained his ignorance with 
 the worst discourtesy in debating what he supposed 
 to be the defects in the noblest drawings ever made 
 by Turner in the full strength of his life, — permitted 
 by Mr. Fawkes, at the request of the Royal Academy, 
 
APPENDIX. 27 
 
 to be for the first time moved from the house in 
 which, and for whose walls, they were made. 
 
 The four drawings referred to in the Manchester 
 Exhibition were exhibited by I know not whom, and 
 there wrecked, as I wrote in the letter now reprinted 
 in "Arrows of the Chase," by exposure at once to damp 
 and sunlight. But the wrecks were still so lovely that 
 I afterwards gave Messrs. Colnaghi 130 guineas for the 
 vignette of Troy, the same firm £760 for the drawing 
 of Egglestone, and Messrs. Yokins £500 for that of 
 Langharne. The drawing which suffered most fatally 
 was the Virginia Water, from which the rose colour in 
 the sky literally disappeared ; but the wonder was, 
 under the treatment the drawings received at Man- 
 chester, that anything but soot stains on blank paper 
 survived at all. 
 
 I wrote at that time, energetically, to prevent 
 further bleaching of Turner drawings ; and under Sir 
 Charles Eastlake's authority, placed the National 
 Gallery collection of Turner drawings in the cabinets, 
 where they have remained safe to this day. I pre- 
 sented to Cambridge and Oxford the cabinets for 
 the Turner drawings I gave them, and would have 
 done the same for the Raphael drawings at Oxford 
 the moment I entered on my first professorship ; but 
 the lovers of Raphael insisted on the continual ex- 
 posure of the collection, and, to the best of my 
 
28 
 
 APPENDIX. 
 
 knowledge, I received no help by advice for its pro- 
 tection from Mr. Robinson, who drew up its catalogue. 
 
 To whom, here bidding final requiem, I take Sir 
 James Linton's leave to use the occasion of this present 
 display of old English drawings for a few general words 
 on the value and permanence of watercolour as a 
 means of national instruction. * 
 
 First in portraiture. All our popular taste has been 
 depraved, and all our best feelings vulgarized, by the 
 use of photography instead of miniatures, or water- 
 colour sketch. I find also numbers of students 
 losing their lives in vain efforts to paint in oil and get 
 into the Academy, when they might be earning an 
 honourable and happy livelihood by watercolour por- 
 traiture, if the public were taught to recognize its 
 value. 
 
 Again, in the representation of natural phenomena, 
 a watercolour sketch is, — I do not say the readiest, — it 
 is the only way of rightly noting effects of light colour, 
 aerial relation, and cloud form rapidly passing, and it 
 is also the only method of giving truthful detail in 
 landscape. Modern illustration by wood block, re- 
 presenting all effects of light as explosions, and all 
 foliage as black and white, have half destroyed the 
 ordinary observer's power of seeing nature, how much 
 more of enjoying it ! 
 
 Again, in the illustration of natural history; it has 
 
APPENDIX. 
 
 29 
 
 long been recognized by men of science that water- 
 colour laid by hand was necessary for all scientific 
 publications of the highest class. But it has never been 
 enough felt by them that the living beauty, whether of 
 flowers or animals, could only be represented by accom- 
 plished artists, and that the science of the future 
 should have, not only Bewick, but John Lewis in its 
 service, and train its rustic Wm. Hunts to the painting 
 of the kingfisher and butterfly. 
 
 Lastly, for cheerful and graceful room decoration 
 in domestic life, there is nothing comparable to water- 
 colour drawings. The useless and expensive decora- 
 tions of the upholsterer are merely an expression of 
 pride ; and as for fresco and arabesque — no one ever 
 heard of anybody's honestly enjoying them, — besides 
 that they are an insult to the guest who can never 
 hope to live in so fine a house. Oil pictures are very 
 grand, but cumbrous, and often gloomy ; while there is 
 no parlour so small but it may be dignified — and no 
 corner so dull but it may be lighted, by a pretty water- 
 colour. 
 
 Of the five examples in the present exhibition, the 
 good-natured reader may be not displeased to have 
 the precedents. The little Prout, No. 163, was the 
 first drawing we ever possessed at Heme Hill — copied 
 by my cousin Mary, as related in "Prseterita" for delight 
 of my father on his birthday. It has been an exhaust- 
 
30 
 
 APPENDIX. 
 
 less pleasure to us ever since — always in the rooms 
 most lived in — never protected from their quiet light — 
 and I know no change in it since I was ten years old. 
 
 The Lewis exhibited by Mr. Severn was bought by 
 my father about 1840, and has been the pride of 
 Heme Hill ever since. It was never protected from 
 the light until very recently, and I recognize no en- 
 feebling of any single hue or touch. 
 
 The Turner, No. 90, " Scene in Savoy," was Mr. 
 Dillon's, exposed on his walls to ordinary daylight, and 
 since, frankly shown on mine. It is a very early 
 drawing, certainly not much later than 1812 or 1814, 
 and I cannot conceive of it as ever more beautiful 
 than now. 
 
 The Devonport and Salisbury were hung in the ex- 
 cellent light of Mr. Windus's drawing-room at Totten- 
 ham, and came from Tottenham to Denmark Hill, 
 where before 1840, # though, like all the rest of our 
 Turner drawings, protected by covers when no one was 
 looking at them, they were always uncovered at break- 
 fast time, and often, when we had visitors, during the 
 day. 
 
 These two drawings contain passages of colour as 
 delicate and beautiful as can be seen by the masters' 
 hand. The sky of the Devonport I consider the 
 
 * The Devonport, No. 89, was engraved by T. Jeavons in 1830, 
 and the Salisbury, No. 94, by W. Radclyffe in 1830. 
 
APPENDIX. 
 
 31 
 
 loveliest in all my collection, and that of the Salisbury 
 is unrivalled among those expressive of sunshine 
 through rain. There is not a hue that I know of, 
 lost, in either work : there is not one that could be 
 deepened with advantage, and I see no reason why, 
 with ordinary care, the drawings should not be as 
 bright, when they are centuries old, as they are to- 
 day, after their first half-century of proper use and 
 protection. 
 
 JOHN RUSKIN. 
 
 Brantwood, June 19th, 1886. 
 
LIGHT AND WATERCOLOURS. 
 
 CORRESPONDENCE IN THE "TIMES." 
 
 To the Editor of the "Times." 
 
 {Appeared in the " Times," March 11, 1886.) 
 
 Sir, — I observe that the authorities of the National Gallery are 
 opposed to the opening of that institution in the evenings, on the ground 
 that certain effects, deleterious to the pictures, would be likely to accrue 
 from the crowds who would flock to the gallery at such times. 
 
 In this I think they are quite right ; the dangers they have pointed out 
 are real and cogent. 
 
 No one is more desirous than myself that our national collections should 
 be made to the fullest extent accessible to the masses of the population in 
 their few and scanty moments of opportunity, and the gist of this letter 
 is to promote that cause. 
 
 The first and paramount duty, however, of trustees and directors is to 
 preserve the treasures in their keeping, as completely as the nature of 
 things will allow, intact and unimpaired, not only for the benefit and 
 delectation of the present but future generations, let me add, not only 
 of Englishmen, but of civilised mankind in general. 
 
 The responsibility is great, and it involves questions of much difficulty 
 and complexity. I think, however, the time has come when the matter 
 should be fully debated. At the present moment I desire to call atten- 
 tion to one or two points only. They are in the nature both of warning 
 and suggestion. 
 
 Certain categories of our national art gatherings of great importance, 
 and of a specially popular nature, moreover, stand in this predicament : — 
 If the specimens are openly and continuously exhibited to the public in 
 the daytime, in a very few years, by the very fact of such exposure alone, 
 they will be practically ruined and worn out. The strong light of day, 
 indeed, causes such works to fade and wane away daily and hourly even. 
 I allude to modern watercolour drawings and certain classes of drawings 
 by the so-called old masters. 
 
 At the South Kensington Museum an important collection of English 
 watercolour drawings has been continuously exhibited in the full daylight 
 for twenty or thirty years past, and I have no hesitation in saying that 
 by the mere fact of such exposure all these drawings have been more or 
 
CORRESPONDENCE IN THE " TIMES." 
 
 33 
 
 less irrevocably injured, and that in many cases the specimens are now as 
 it were but the pale ghosts of their former selves. These treasures, then, 
 have sufficed for the delectation of one generation only, and we ourselves 
 have practically used them up. 
 
 At the British Museum, on the other hand, there is a noble — perhaps 
 unrivalled — collection of drawings by the ancient masters. These 
 drawings happily have been carefully stowed away in portfolios, and 
 sedulously kept from the light. Practically they have suffered no 
 deterioration in our own time. 
 
 This mode of keeping them is safe and proper, but it has this great 
 inconvenience, in that these treasures are invisible and remain practically 
 unknown to the mass of mankind, and so long as they are kept in that 
 way they must of necessity remain so. 
 
 Is there any alternative plan by which the evils pointed out in these 
 respective instances can be remedied and the one paramount raison d'etre 
 of the collections — their full and free exhibition to the public — secured 1 ? 
 I think there is. This is what I propose. Neither of these categories of 
 works suffers in any appreciable degree by exposure to artificial light. 
 If, indeed, the searching beams of the electric light, which for various 
 reasons is the only artificial illuminant which should be allowed in 
 museums and art galleries, were found to have any bleaching effect, it 
 would in any case be infinitely less than that of the full glare of day. 
 Exposure to it, however, would be for comparatively short periods only, 
 and the works being covered up at all other times, the fading effects 
 would be infinitesimal and might be practically disregarded. 
 
 Let, then, our national collections of drawings of all kinds, wherever 
 they may be located, be exhibited to the public in the evenings and at no 
 other time. 
 
 These things, moreover, would be put under glass, hermetically sealed, 
 so to speak, so that no amount of deleterious effluvia could affect them. 
 
 In conclusion, while there are undoubtedly certain categories of works 
 of art which it seems impossible, for valid reasons, to exhibit to the public 
 in the evenings, there are, I think, others besides the two now pointed out 
 which could, under proper arrangements and regulations, be quite as well 
 made accessible then as in the daytime. 
 
 I am, Sir, your obedient servant, 
 
 10, York Place, Portman Square. J. C. ROBINSON". 
 
 March 10, 1886. 
 
 ("Times," March 18.) 
 
 Sir, — I have read with interest not unmingled with surprise the 
 letter of Mr. J. C. Robinson of the 11th inst., on the subject of the 
 exhibition of national art treasures in the evening. It is not my intention 
 to enter into a controversy with Mr. Robinson as to the advantages of the 
 electric light over daylight, for the simple reason that the advantages of 
 lighting by electricity as yet have not been proved. As I may claim to 
 have had long practical experience in watercolour painting, and have had 
 
 C 
 
34 
 
 LIGHT AND WATERCOLOURS. 
 
 also an intimate acquaintance with the works of the English watercolour 
 school, including the examples at the South Kensington Museum, I must 
 protest against the sweeping and misleading statements of Mr. J. C. 
 Robinson as to their condition. 
 
 It is quite evident that Mr. J. C. Robinson's experience of watercolour 
 art is more limited than his accepted knowledge in other branches of 
 fine art. 
 
 After again carefully examining the works in watercolour at South 
 Kensington, I think it is only fair to the public that they should be 
 informed that his statements with regard to their condition are quite 
 erroneous. 
 
 As statements on either side can be of no value without proof I take 
 this opportunity of submitting some important facts which will prove that 
 the drawings have not suffered from the cause Mr. Robinson states in his 
 letter. The early drawings were, without exception, painted in mono- 
 chrome and afterwards slightly tinted — such, for instance, as those by 
 Cozens, Girtin, John Yarley, and Turner in his early works. As the 
 painters advanced in their work they discarded the monochrome method 
 and painted with pure colour direct. Examples in both methods are 
 numerous in South Kensington Museum, and any one who is thoroughly 
 conversant with the works will at once admit that with the exception of 
 being slightly lowered in tone, they are in other respects very little 
 changed. Indeed, it is not too much to say, for instance, that the 
 drawing of Warkworth, by Turner, and those by W. Ha veil, instead of having 
 been bleached by the action of light, are absolutely richer and deeper in 
 tone than when they were first painted. The more modern work, the 
 drawings by Hunt, as, to wit, "The Basket of Fruit," "The Spray of May 
 Blossom," and " The Doubtful Coin," are as brilliant as the day they were 
 painted. This applies with equal truth to the " Nottingham," by De Wint, 
 the " Windsor Castle " and " Windermere," by David Cox, and all the 
 Cattermoles. 
 
 Mr. J. C. Robinson states " that at the South Kensington Museum an 
 important collection of watercolour drawings has been continuously 
 exhibited for twenty or thirty years past, and 1 have no hesitation in 
 stating that by the mere fact of such exposure all these drawings have 
 been more or less irrevocably injured, and that in many cases the 
 specimens are now, as it were, but the pale ghosts of their former selves. 
 These treasures then, have sufficed for the delectation of one generation 
 only, and we ourselves have practically used them up." Mr. J. C. Robin- 
 son further states " that at the British Museum, on the other hand, there 
 is a noble, perhaps unrivalled, collection of drawings by the ancient 
 masters. These drawings, happily, have been carefully stowed away in 
 portfolios and sedulously kept from the light. Practically they have 
 suffered no deterioration in our own time." 
 
 Will it surprise Mr. Robinson to know that numberless drawings 
 which have not " been carefully stowed away in portfolios and sedulously 
 kept from the light," but to my personal knowledge have remained in 
 their frames since they were painted, have practically suffered no 
 " deterioration " whatever 1 As a proof of this perhaps Mr. Robinson 
 
CORRESPONDENCE IN THE " TIMES.' 
 
 35 
 
 would take the trouble to pay a visit to the galleries of Messrs. Agnew, in 
 Bond Street, and he will there see three important drawings by Barret, 
 De Wint, and Cox, of larger size than any in the South Kensington 
 Museum, which are in perfect condition and have remained in their 
 frames for a much longer time than the " twenty or thirty years " meted 
 out to them to become the "pale ghosts of their former selves." Number- 
 less other works could be mentioned, by the deceased masters in water- 
 colours, which hang in private collections in juxtaposition with works of 
 living artists, and which by comparison do not suffer in brilliancy or rich- 
 ness of colour. 
 
 Mr. Robinson evidently falls into the common error of confusing the 
 so-called fading of colour by the action of light with the chemical changes 
 chiefly caused by the unfortunate use of injudicious colours, particularly 
 of Indian red, which in the skies of some of the drawings of the masters 
 has had a deleterious effect. Where this colour has not been injudiciously 
 used the drawings remain unchanged. 
 
 My object in answering Mr. Robinson's letter is to combat the popular 
 idea that watercolours fade by the action of ordinary daylight. 
 
 I beg to remain, Sir, yours obediently, 
 JAMES D. LINTON, President of the Royal Institute of 
 Painters in Water Colours. 
 Ettrick House, Steeles Road, N.W. 
 March 13, 1886. 
 
 (" Times," March 26.) 
 
 Sir, — As for thirty years I have been studying pigments and methods 
 of painting from a scientific point of view, you may perhaps permit me to 
 give in your columns a few of the results of my experience. It is with 
 regret that I find myself unable to endorse the optimist opinions of Sir 
 J. D. Linton as expressed in The Times of the 18th inst. The deteriora- 
 tion in colour and in the relative emphasis of tones in many of the water- 
 colour drawings of the Ellison, W. Smith, Parsons, and Townshend 
 collections I have watched for years. In my public lectures I have 
 referred to individual works at South Kensington and elsewhere which 
 have suffered serious change from the hostile influences of exposure. 
 Even diffused daylight has wrought a good deal of damage, but direct 
 sunshine is responsible for more ; gas and faulty hygroscopic conditions 
 of the air have also not been wholly blameless. It must not, however, 
 be forgotten that many of the drawings in question had changed for the 
 worse long before their exhibition in the Museum. Indigo has faded into 
 gray, cochineal, carmine, and crimson lake have passed, or are passing, 
 into brown. F. Danby's "On the Avon," two drawings by W. Daniell, 
 the " Lion and Lioness " of S. Howitt, a flower and fruit piece by Anne 
 F. Byrne, a river scene in Devonshire by J. J. Chalon, W. Delamotte's 
 "View of Christ Church, Oxford," and the "Redgrave Hall" of John 
 Buckler are a few among the many drawings at South Kensington which 
 have greatly deteriorated from their pristine beauty. In these cases, as 
 
36 
 
 LIGHT AND WATERCOLOURS. 
 
 well as in several examples of the work of later or better-known artists, 
 I could specify, were space sufficient allowed me, some of the particular 
 pigments which have faded or changed in hue. I cite, as examples, the 
 large Cattermole, " The Diet of Spires," " The Snowdrift " of P. de Wint, 
 and "The Valentine " and "Grapes, Melons, and Plums" of William 
 Hunt. Independent trials, on paper of ascertained purity, of all the 
 pigments in common use have helped me to my conclusions, and compel 
 me to endorse much that has been advanced by Mr. J. C. Robinson as to 
 the disastrous effects, on many watercolour drawings, of free exposure to 
 daylight. But it is quite possible so to select and restrict the pigments of 
 the water-colourist's palette as to secure every desired nuance and richness 
 of hue, and yet to produce drawings which, with proper precautions, may 
 be exhibited freely without material change in colour or keeping. 
 
 Two other matters demand a few words of comment. First, the very 
 brilliant and white light of electric arc lamps is not without bleaching 
 effect upon many organic pigments, including even the madder reds. 
 Electric incandescent lamps do not, so far as I know, injure these madder 
 colours. Secondly, Sir J. D. Linton is labouring under a mistake when 
 he asserts that Indian red causes chemical changes in some other colours. 
 Indian red, light red, and Venetian red are not only themselves permanent, 
 but they are without action on other pigments. The hot patches in the 
 clouds of old water-colours are due to the fading away of the indigo and 
 of the other naturally evanescent organic pigments which once formed 
 gray with the permanent mineral reds in question. 
 
 I am, Sir, yours faithfully, 
 
 Kew. A. H. CHURCH. 
 
 ("Times," March 26.) 
 
 Sir, — Sir James Linton's letter raises a side issue in respect of the 
 museums evening opening question, which I had no desire to go into at 
 this moment, but it requires an answer and it is ready. One word in the 
 first place of a personal nature. Sir James Linton assumes that I know 
 but little of watercolour painting ■ in this the public will judge between 
 us. May I be allowed to say, however, that I began my professional 
 career, when a very young man, as a watercolour painter 1 This, alas 1 
 was in the days of Turner, David Cox, and De Wint, and the pigments,, 
 processes, and modus operandi in general of watercolour painting of thai 
 day, to which I apprehend but little of real improvement has been since 
 added, were very well known to me. 
 
 It is, indeed, surprising, though I must say it is exactly what I 
 expected, that watercolour painters should point blank deny the fact that 
 their productions fade by exposure to the light of day. The fact, never- 
 theless, is certain and notorious, the proofs are everywhere in evidence, 
 and the causes patent and capable of exact scientific demonstration. 
 There are none so blind as those who will not see. If watercolour artists 
 shut their eyes to notorious facts, which seem to tell against their art, it 
 
CORRESPONDENCE IN THE "TIMES." 
 
 37 
 
 is no reason why the public, who are also interested parties, should not be 
 enlightened. I fear I must — though much against my will — go into this 
 matter somewhat in detail. 
 
 The pigments used by painters at all times in the two principal methods 
 of painting — i.e., water and oilcolour painting, are of all degrees of 
 relative permanence. It is, perhaps, doubtful if any pigment whatever 
 is absolutely unchangeable under the influence of light. Some few, 
 however, may, for all practical purposes, be deemed indelible, others are 
 certainly of the most fleeting and evanescent nature, vanishing like a 
 dream under certain ordinary, indeed, indispensable, conditions of their 
 being. Unfortunately the more or less fugitive colours are not only by 
 far the most numerous, but they are also the most brilliant and useful to 
 the artist. If, indeed, the painter were restricted to the use of only those 
 colours of absolute or great relative permanence, his palette would be 
 revolutionised, and art would lose much of its glory. Let it be under- 
 stood, then, that the absolute unchangeability of pictures is a thing to be 
 desired but not attained. It is scarcely necessary to say that change is a 
 fundamental law of this universe, and that man can but fight against it. 
 I do not presume to explain the physical cause of the bleaching action 
 of the sun's light on painters' pigments ; this is a matter for scientists 
 artists themselves should take up the question and enlist the services of 
 their scientific brethren in a matter which is a grave and serious one to 
 both the producers and purchasers of pictures. But as to the facts and 
 the nature of the effects of the bleaching action I have for a long time 
 been a close observer, and have much more to say than I can now bring 
 forward in The Times. 
 
 Oil pictures, though, generally speaking, painted with precisely the 
 same pigments, although liable to fade more or less under the influence of 
 light, do so in a far less degree than watercolour drawings. The causes 
 of this greater relative permanence are mainly two, both very significant 
 in themselves, and bearing directly on the present controversy. In the 
 first place the colours used in oil painting are employed in much greater 
 volume than those in the other medium. The probability is that the 
 greater resisting power of oilcolours results in a certain measure from 
 this fact of their fuller volume of body, but a more direct and obvious 
 cause is the fact that the pigments are enveloped, or " locked up " as it is 
 technically termed, in a thick protecting medium of oil and varnish. 
 Now, this protecting medium, if even at first quite transparent and 
 colourless, does not remain so. Chemical change soon takes place, the oil 
 undergoes a process of oxidation, and it acquires a more or less rich yellow 
 or brown tone. This tone becomes deeper and more intense as time goes 
 on ; hence, mainly the notable difference in aspect between ancient and 
 modern pictures. It is significant, again, that oil pictures become darker 
 when kept from the light. It is also equally certain that they become 
 lighter again, by a natural bleaching process in fact, if again exposed to 
 full daylight. Now, this " atramentum " or dark-toned envelope is pre- 
 cisely of that hue which, as all photographers know, opposes the strongest 
 resistance to the action of light — namely, yellow or brown. This ever- 
 darkening veil, indeed, counteracts and neutralises the action of the light 
 
38 
 
 LIGHT AND WATERCOLOURS. 
 
 and the fading of the locked-up colours is thereby prevented, or, at all 
 events, greatly mitigated. 
 
 In watercolour painting, however, there is no such protection to the 
 pigments. The pictures have here no countervailing medium ; moreover, 
 the pigments themselves are applied in far less thickness or body than 
 in oil painting. They are, in fact, for the most part, mere washes or 
 stains of impalpable tenuity. When Sir James Linton says that he 
 knows instances of watercolour drawings which have actually gained in 
 brilliancy* and depth of tone by age, I can only say that I believe him to be 
 entirely mistaken, and that the fact is entirely impossible and contrary to 
 nature. What, then, happens to watercolour drawings 1 Let it be borne 
 in mind that they are painted with pigments of varying degrees of stability 
 or impermanence as the case may be put, that their great enemy is light, 
 worst of all direct sunlight ; their friend and preserver darkness. Not 
 only do watercolour drawings fade by exposure to light, but, worst of all, 
 they fade irregularly and unequally. This is so obvious as scarcely to 
 require demonstration. If all the colours employed in any given drawing 
 were of exactly the same degree of impermanence the work, although it 
 would gradually lose its force and brilliancy, would yet retain its relative 
 tone and keeping as at first. Unluckily, however, this can scarcely 
 happen to any but monochrome drawings — that is, to works executed in a 
 single colour. The numerous pigments employed in fully-coloured water- 
 colour drawings, as a matter of fact, change in the most uncertain and 
 irregular manner, and the ultimate result is often an entire loss of 
 coherence, harmony of effect, or even intelligible expression of fact in the 
 work. Sir James Linton unconsciously supplies me with a striking 
 instance in point. He alludes to certain drawings of early English 
 masters, in which the pigment called Indian red has been largely em- 
 ployed. He assumes that the chemical action of this colour upon the 
 others employed in the work has caused the extraordinary and striking 
 results which the drawings in question display. In these cases, the skies 
 and other portions of the drawings have become mere discordant patches 
 of fiery red colour, entirely out of harmony with the rest of the works, 
 and obviously quite different from the artist's original rendering. The 
 cause, however, is not what Sir James Linton thinks it is, but an entirely 
 different and simple one. Indian red is a very permanent and quite in- 
 nocuous colour, and it has simply stood its ground without perceptible 
 change. But originally this pigment was mingled with another colour, 
 the well-known dark blue colour, indigo, which is in its nature as fugitive 
 and impermanent as the Indian red is durable. What has happened? 
 The compound tint was originally a fine sombre purple gray, but the blue 
 has entirely evaporated and disappeared, and nothing but the raw crude 
 red remains. Your readers have simply to take note that a similar 
 process goes on in infinite degrees of complexity in every watercolour 
 drawing exposed to the light, to fully understand the exact nature of the 
 issue between Sir James Linton and myself. I have nothing whatever to 
 modify or retract. I re-affirm in the strongest manner that the drawings 
 
 * This word I did not make use of, neither did I infer it.— J. D. Linton. 
 
CORRESPONDENCE IN THE "TIMES." 
 
 3D 
 
 I have alluded to at South Kensington are day by day perishing from 
 undue exposure to the light. Further, I say that every fully- coloured 
 watercolour drawing, framed and exposed to the light, begins to fade and 
 change, to die in fact, from the very moment that it is so exposed ; that 
 the only remedy is either to keep such drawings in the dark in portfolios, 
 to exhibit them only by artificial light in the evenings, or else, in private 
 houses, to keep them covered with curtains of some thick opaque material 
 when they are not actually being examined. 
 
 It is unfortunate that this question was not raised a few weeks earlier, 
 while the splendid series of Turner drawings was being exhibited at the 
 Royal Academy. It would then have been easy to show in a striking and 
 convincing manner the extraordinary and most lamentable changes which 
 have taken place in these admirable productions, from the long-continued 
 exposure which they have for the most part undergone. As it is, I 
 recommend all possessors of engraved drawings of Turner to confront 
 them with fine impressions of engravings made from them during Turner's 
 lifetime. In many instances they would find that entire passages, and 
 those often the most exquisite and subtle, of Turner's original work in the 
 drawings have entirely vanished from the paper, and that their record 
 iioav exists only in the correspondent transcripts in the engravings which 
 have suffered no alteration. 
 
 I am, Sir, your obedient servant, 
 10, York Place, Portman Square. J. C. ROBINSON. 
 
 (" Times;' April 3.) 
 Sir, — In my reply to Mr. J. 0. Robinson's letter of March 11, 1 stated 
 that my only object in answering it was to prove to those interested in 
 watercolour art that Mr. Robinson's statements were unfounded. As I 
 am resolved not to be led away from the original subject of dispute, I feel 
 it my duty to my brother artists in watercolours, and to collectors gene- 
 rally, to return to the charge, and I calmly ask those who have knowledge 
 and experience of the subject to judge between us. 
 
 In the first place, I wish to express regret that Mr. Robinson should 
 feel that I had so greatly undervalued his skill and experience as a water- 
 colour painter, more especially as he practised his art, as he states, " alas, 
 in the days of Turner, David Cox, and De Wint," the " pale ghosts" of 
 whose drawings now so greatly trouble his mind. My object, however, is 
 to dispel those " pale ghosts," and in their place to bring forward the sub- 
 stance and not the shadow of " their former selves." 
 
 M r. Robinson's words are : 
 
 "At South Kensington Museum an important collection of English 
 watercolour drawings has been continuously exhibited in the full daylight 
 for 20 or 30 years past, and I have no hesitation in saying that, by the 
 mere fact of such exposure, all these drawings have been more or less 
 irrevocably injured, and that in many cases the specimens are now, as it 
 were, but the pale ghosts of their former selves. These treasures, then 
 
40 
 
 LIGHT AND WATERCOLOURS. 
 
 have sufficed for the delectation of one generation only, and we ourselves 
 have practically used them up." 
 
 I have already clearly shown, to any one who will take the trouble to 
 look, that a large majority of the drawings now at the South Kensington 
 Museum have not only not been used up in one generation, but are, on the 
 contrary, as brilliant and living as they ever were. The dates, too, of many 
 of those drawings will also prove that they have lasted many years beyond 
 the allotted span of time — viz., 20 or 30 years — which Mr. Robinson allows 
 for them to become the " pale ghosts of their former selves." 
 
 I fearlessly repeat, moreover, that the earlier works have not faded, but, 
 on the contrary, have deepened in tone ; and I instance those by Girtin, 
 Barret, De Wint, Ha veil, and others. That changes in some of them have 
 taken place from exposure to damp, smoke, and direct sunlight, but chiefly 
 from the use of Indian red, few people will question ; but that those 
 changes have taken place at the South Kensington Museum I calmly deny, 
 for I have known the drawings since they were placed there. May not 
 those which have changed by becoming "foxy" have been maltreated pre- 
 viously to their arrival at the Kensington Museum ? Personally I have 
 never known them in any other condition than they are now, and it may 
 be that before long Mr. Robinson may persuade himself, and of course try 
 to persuade the public, that the few drawings by Girtin and others so 
 recently added to the collection have also become red and patched in con- 
 sequence of their being at the Museum. To Mr. Robinson's grand charge, 
 that 20 to 30 years' exposure in the full daylight is required to make 
 drawings the "pale ghosts of their former selves," I would urge as proof 
 against this assertion that the public should examine the collection of 
 drawings now on exhibition at the galleries of the Royal Water Colour 
 Society in Pall Mall, such, for example, as " Changing the Pasture," " The 
 Skylark," and many smaller examples by David Cox, lent by Mr. Nettle- 
 fold, and judge whether, after exposure to the " full daylight" for more 
 than 20 or 30 years, those works are the " pale ghosts of their former 
 selves." Mr. Birket Foster, Mr. Moss, and others, have also contributed 
 numbers of faultless drawings, especially by William Hunt, and the fruit 
 pieces by that master are more brilliant than those recently painted 
 by the late Mrs. Angell, which hang in juxtaposition to them. The 
 Hunt figure subjects called the "Attack" and "Defeat," painted in 1834, 
 are also in perfect condition, although they have been in existence beyond 
 Mr. Robinson's prescribed time. This can fortunately be easily tested by 
 comparison with Walker's " Harbour of Refuge," which is hanging close 
 beside them. 
 
 I would also direct the attention of the public to the beautiful and brilliant 
 condition of the Cotmans which were painted about 1825. Above all, I 
 would ask the public to examine the beautifully preserved drawing by 
 DeWitte painted in 1669, and which to my knowledge has been hanging in 
 the "full daylight" for fifty-two years. But before leaving the gallery I 
 would request that visitors take note of the dates of the multitude of bright 
 drawings, especially those which are still in their original frames. 
 
 Damp, smoke, direct sunlight, and, above all, the indiscreet use of Indian 
 red, will of course seriously damage watercolour drawings, but collectors 
 
CORRESPONDENCE IN THE " TIMES." 
 
 41 
 
 can show numberless drawings which have been exposed to the " full day- 
 light" for a much longer period than twenty or thirty years, and which are 
 as fresh and brilliant as the works of the artists of to-day which are fre- 
 quently to be seen hanging side by side with them. 
 
 There is a point in Mr. J. C. Robinson's letter of March 26 which de- 
 mands attention — viz., the statement he makes in the following paragraph : 
 
 " I recommend all possessors of engraved drawings of Turner to confront 
 them with fine impressions of engravings made from them during Turner's 
 lifetime. In many instances they would find that entire passages, and 
 those often the most exquisite and subtle, of Turner's original work in the 
 drawings have entirely vanished from the paper, and that their record now 
 exists only in the correspondent transcripts in the engravings which have 
 suffered no alteration." 
 
 To all experts and collectors of Turner engravings, and to those who 
 know Turner's artistic life, this statement, which Mr. Robinson advances 
 as a proof of the fading of Turner's drawings, will be received with sur- 
 prise. It is notorious that no artist gave his engravers so much trouble 
 and perplexity as Turner, for he was constantly making alterations from 
 dark to light and vice versa, accompanied with copious marginal notes. I 
 leave it to the public to judge whether the possessors of engraved drawings 
 by Turner, unacquainted with these facts, would not from the above state- 
 ment be misled as to the true state of the argument. 
 
 In conclusion, I feel that Mr. Church has quite mistaken my meaning 
 when he states that I said " that Indian red caused chemical changes in 
 some other colours." As I cannot scientifically explain why the presence 
 of Indian red is seen so frequently in large red blushes of sky, and why the 
 other colours, particularly indigo, part company with it, I would respect- 
 fully ask him for a scientific explanation. Mr. Church says " Indian red, 
 light red, and Venetian red are not only themselves permanent, but they are 
 without action on other pigments." How does it happen that the grays 
 which are made by the mixture of Indian red and blues, especially indigo, 
 almost invariably turn " rusty," and in many instances leave the Indian 
 red master of the field ? Perhaps Mr. Church would also explain scientific- 
 ally how it is that the other reds he mentioned do not become dominant, 
 but, on the contrary, as in these beautiful skies of the "Changing of Pasture," 
 "The Skylark," and others, where indigo has been one of the ingredients, 
 live in peace and harmony with their neighbours 1 That such is the truth 
 after so many years' exposure to the "full daylight" is beyond dispute. 
 
 I beg to remain, yours faithfully, 
 
 JAMES D. LINTON. 
 
 Ettrick House, Steeles Road, N.W. 
 
 Sir, — I feel certain that Sir J. Linton is right and Mr. Robinson is 
 wrong as regards the deterioration of modern watercolour drawings. It 
 is not surprising that some of the earlier ones painted slightly (or tinted) 
 with badly made colours on poor paper should have faded ; but our mode 
 
42 
 
 LIGHT AND WATERCOLOURS. 
 
 of painting underwent a great change more than thirty years ago, and so 
 did our colours and our paper, which are now of a very superior kind. 
 
 Watercolour drawings, especially those of a large size, are much more 
 solidly painted than in the early days of the art. Much of the work is 
 done with the paper or prepared board lying in a horizontal position, so as 
 to let the wet paint sink well into it. Everything is done with a view to 
 secure permanence. Stronger and better brushes are used, even hogs'-hair 
 brushes, with which the paint is rubbed into the paper to get "quality" 
 and " tone." Formerly only light washes were made with the softest of 
 brushes, and the paper was not even properly prepared by tight stretching, 
 for fear of spoiling its surface by wetting. 
 
 Of course, all watercolour drawings which are exposed to view for any 
 time, instead of being preserved in portfolios, must be glazed ; but there is 
 ample proof that when once placed in frames and under glass, watercolours 
 remain unchanged quite as long as any oil pictures, and longer if the latter- 
 are unglazed. A watercolour drawing looks better under glass, but there 
 are serious objections to the glazing of oils : (1) An oil picture has already 
 a glazed surface, and the glass produces a second shiny surface, whiph pre- 
 vents the picture from being properly seen ; (2) the canvas must not touch 
 the glass, and the space between is apt to get filled with fine dust which 
 dims the glass. People often complain of oil pictures becoming darkened,, 
 and are surprised to find that dirty glass is the cause, and refuse to have 
 glass put back over the picture. 
 
 Watercolours are less likely to undergo chemical changes than oils. The 
 contents of old tubes or cakes which have become as hard as flint can be 
 pounded in a mortar and are as fresh and bright as ever ; whereas old 
 tubes of oils are often found to be hopelessly deteriorated. 
 
 When moist watercolours were introduced the art took quite a new 
 direction. With the old hard cakes, which needed frequent and irksome^ 
 rubbing down, it was next to impossible to paint directly from Nature.. 
 Rapidity of execution is essential for outdoor studies, especially in a. 
 changeable — may I not also call it a picturesque — climate like ours. 
 
 There are many who think that the purity and freshness of nature may 
 be more truthfully rendered by watercolours than by oils. Lightly framed 
 drawings are peculiarly suitable to the style of houses we live in, and will 
 last quite as long as the houses themselves, and longer than many of them. 
 
 Yours obediently, 
 
 WALTER SEVERN, 
 President of the Dudley Gallery Art Society. 
 March 28, 1886. 
 
 Sir, — I have read in The Times of yesterday a long letter from Mr. J. 
 Robinson, which contains the following passage : — " I say that every fully- 
 coloured watercolour drawing, framed and exposed to the light, begins to 
 fade and change — to die, in fact — from the very moment that it is so 
 exposed ; that the only remedy is either to keep such drawings in the dark 
 
CORRESPONDENCE IN THE " TIMES." 
 
 43 
 
 in portfolios, to exhibit them only by artificial light in the evenings, or 
 else, in private houses, to keep them covered with curtains of some thick 
 opaque material when they are not actually being examined." 
 
 Permit me to express a confident opinion that this sweeping allegation 
 is absolutely inaccurate. I have in my possession a large number of framed 
 and glazed watercolour drawings, which have been exposed to ordinary 
 daylight for forty and even fifty years, and I am prepared to prove before 
 any competent tribunal, that not one of these has suffered deterioration in 
 any particular whatever. It is, of course, perfectly true that innumerable 
 watercolour drawings and pictures have become the mere ghosts of their 
 former selves ; but in most cases, where proper precautions for preserva- 
 tion have been taken, I maintain that the evil results are due to the artists 
 themselves and to the defective colours and pigments of which they have 
 made use. 
 
 Mr. J. C. Robinson has, I know, an idea that oil pictures, in order to 
 be effectually preserved, should be smothered under glass ; but his views 
 on this subject, as well as those set forth in his letter to The Times, cannot 
 withstand the irresistible logic of fact. 
 
 If Messrs. Church and J. C. Robinson and any other critics will kindly 
 favour me with a visit, I think I can persuade them that there are many 
 exceptions to the arbitrary rules which Mr. Church has set forth, and that 
 Sir J. D. Linton is not so greatly mistaken as your readers are led to 
 suppose. 
 
 I have the honor to be, your obedient Servant, 
 
 GEORGE CAVENDISH BENTINCK. 
 
 3, Grafton Street. 
 
 March 28, 1886. 
 
 Sir, — A question as to the permanence of pigments used in art has 
 arisen in your columns. 
 
 Mr. J. C. Robinson contends that failure comes unavoidably from the 
 chemical action of light on completed work. 
 
 Sir James Linton — per contra — maintains that destruction of colour 
 results from avoidable chemical combinations in the executive use of the 
 pigments. 
 
 Being much interested in the question at issue, I write, not to join the 
 controversy, but to ask how, on Mr. Robinson's theory of the fugitive 
 nature of colour in pigments under daylight, we are to account for the fact 
 of perfect stability in the polychromy which has endured externally on the 
 temples of Egypt under scorching sunlight and other climatic influences 
 for thousands of years ? 
 
 I refer also for like illustration of fact against theory, to the abundant 
 evidence of paintings — from Simone Memmi to Raphael — after centuries 
 of exposure to dazzling light in sunny Italy. 
 
 I am, Sir, your obedient servant, 
 
 AN ARTIST. 
 
 March 30, 1886. 
 
44 
 
 LIGHT AND WATERCOLOURS. 
 
 ("Times" April 14.) 
 
 Sir, — You are much to be thanked for your judicial close on the late 
 controversy in your columns on the permanence of watercolour, but I wish 
 it were the pride of the leading journal of Europe not to admit controversy 
 into its pages at all, and to print on subjects admitting doubt only the 
 statements which narrow inquiry. 
 
 The public may justly sympathize with Sir James Linton in the love of 
 his art which beguiles him into the conviction of its immortality, and 
 pardon Mr. Robinson the care for the future which provokes him into 
 exaggeration of immediate loss. 
 
 But, on the one hand, the patronage of watercolours must not be 
 flattered by the idea that they enrich in flavour by keeping, like old wine ; 
 nor, on the other, is the entirely sound and authoritative protest of the 
 trustees of the National Gallery enforced in any wise by Mr. Robinson's 
 fallacious alarm-cry respecting the contents of the gallery at Kensington. 
 
 The Kensington Water Colour Gallery is still one of the most delightful 
 and instructive rooms in London ; and the most delicate and precious 
 drawing it contains, Turner's " Hornby Castle from Tatham Church," has 
 sustained, during the last ten or twelve years, no greater harm than I 
 might attribute my own instinct of, more to the failure of my old eyes 
 than of Turner's colour. 
 
 I may be permitted also to advise Mr. Robinson, in passing, that neither 
 Mr. Fawkes nor 1 sent, at the Academy's request, our chosen drawings to 
 London that we might learn from Mr. Robinson which were the best, or 
 which we had taken the most care of. 
 
 The drawing which was exclusively so fortunate to obtain Mr. Robinson's 
 approbation (Llanthony) was, indeed, none of ours ; and it certainly could 
 not be faded, as there never had been any colour in it. I praised it highly 
 for its gray effect, in the first volume of " Modern Painters " — bought it 
 some thirty years ago, and parted with it afterwards because it possessed 
 none of Turner's distinctive qualities, but was merely an effect of Copley 
 Fielding's better executed. 
 
 But the general point on which the natural feeling of the public needs 
 confirmation against troublesome gossip is the essential quality and value 
 of a watercolour painting as a piece of polite art. 
 
 Pure old watercolour painting, on pure old paper, made of honest old rags. 
 
 There is no china painting, no glass painting, no tempera, no fresco, no 
 oil, wax, varnish, or twenty-chimney-power-extract-of-everything painting 
 which can compare with the quiet and tender virtue of watercolour in its 
 proper use and place. There is nothing that obeys the artist's hand so 
 exquisitely ; nothing that records the subtlest pleasures of sight so per- 
 fectly. All the splendours of the prism and the jewel are vulgar and few 
 compared to the subdued blending of infinite opalescence in finely inlaid 
 watercolour ; and the repose of light obtainable by its transparent tints 
 and absolutely right forms, to be rendered by practised use of its opaque 
 ones, are beyond rivalship, even by the most skilful methods in other media. 
 
 Properly taken care of — as a well educated man takes care of his books 
 and furniture — a watercolour drawing is safe for centuries ; out of direct 
 
CORRESPONDENCE IN THE " TIMES. 
 
 sunlight, it will show no failing on your room wall till you need it no more ; 
 and even though, in the ordinary sense of property, it may seem less 
 valuable to your heir, is it for your heir that you buy your horses or lay 
 out your garden 1 We may wisely spend our money for true pleasures that 
 will last our time, or last even a very little part of it ; and the highest 
 price of a drawing which contains in it the continuous delight of years 
 cannot be thought extravagant as compared to that we are willing to give- 
 for a melody that expires in an hour. 
 
 I am, Sir, your faithful servant, 
 Brantwood. JOHN RUSKIN. 
 
 April 12, 1886. 
 
 ("Times," April 14.) 
 
 Sir, — A clinical demonstration in the very presence of faded drawings 
 and faded washes of watercolours, separate and mixed, is so conclusive and 
 so much more useful than mere discussion, that I feel some reluctance in 
 again trespassing on your space. Yet perhaps I may be permitted to 
 answer very briefly in your columns some of the questions raised or 
 reiterated in the letters which appeared in The Times of April 3. Let me 
 premise that my object in entering the arena of discussion was by no 
 means to discredit the exquisite art of watercolour painting, but rather to 
 point out how the practical permanence of works executed according to 
 this method may be secured. A restricted palette of pigments of ascer- 
 tained stability — such a palette as many painters have now adopted — is the 
 primary condition of success ; pure paper, free from the bleaching materials 
 and the noxious " antichlors " introduced of late years, is a second 
 necessity ; the third matter to be attended to is due seclusion from hostile 
 chemical and physical agencies. Properly to develop these three points 
 would not be possible in your columns, but I constantly endeavour to> 
 achieve this result by means of private correspondence and public lectures. 
 
 Turning once again to the contention of Sir J. D. Linton that I have 
 mistaken his meaning as to the effect of using Indian red, I would ask 
 him to look once more at his own words. He stated, in his letter of 
 March 13, that Mr. Robinson had fallen "into the common error of con- 
 fusing the so-called fading of colour by the action of light with the 
 chemical changes chiefly caused by the unfortunate use of injudicious 
 colours, particularly of Indian red." In his second letter Sir J. D. Linton 
 asserts that I have quite mistaken his meaning when I stated that, in 
 his opinion, " Indian red causes chemical changes in some other colours." 
 It is obvious that, save in its greater brevity, there is no difference of 
 meaning between my mode of expressing the view of Sir J. D. Linton, and 
 his own. I repeat that indigo, alone or mingled with other pigments, 
 fades by the action of light, leaving scarcely a gray "ghost" behind. 
 After six years of exposure to sunlight in a south aspect a rich streak of 
 this pigment had wholly disappeared ; strong daylight, without direct sun- 
 
46 
 
 LIGHT AND WATERCOLOURS. 
 
 beams, effects the same change, but of course requires a longer period. 
 But some grays, compounded of other pigments, do not alter, because their 
 constituents are individually, as well as collectively, unalterable. Such, 
 for example, is the gray made by mixing cobalt blue, light red, and yellow- 
 ochre. Even when rose madder is substituted for light red, the change of 
 hue which may occur does not take the direction of a foxy warmth, since 
 the red element is the only one affected by exposure. To describe in 
 detail the results of the action of air, moisture, and light upon other mixed 
 grays would need a much longer letter than you, Sir, would care to insert. 
 
 When Mr. Walter Severn affirms that watercolours are less likely to 
 undergo chemical changes than oilcolours he judiciously confines the 
 assertion to cakes and tubes of pigments. But the discussion does not 
 turn upon this point. We have to deal with washes and touches of colour 
 distributed in films, often of extreme tenuity, upon and in a hygroscopic 
 substance — namely, paper. Now it is this very moisture of the paper, 
 varying from ^ T to ^ of its total weight, which so greatly exhausts the 
 liability of our alterable pigments to change on exposure. Secluded from 
 air and light in solid cakes and opaque tubes, many alterable pigments 
 retain their pristine beauty indefinitely. Bring them in thin layers under 
 the triple influence of moisture, oxygen, and light, then chemical changes 
 occur, resulting in fading or in alteration of hue. Oilcolours generally 
 change less, mainly because the oils and resins mixed with them exclude, 
 in great measure, both moisture and oxygen. 
 
 Your correspondent " An Artist " forgets that the pigments used in the 
 ancient polychrome decorations to which he refers were, in almost every 
 case, unalterable natural minerals ; moreover, they were very few in 
 number, none of them was derived from organic sources. But I cannot 
 admit that the more numerous colours, including some of animal and 
 vegetable origin, which were used in sunny Italy from the time of Simone 
 Memmi to that of Raphael, have suffered no alteration. In later times we 
 have still further added to our list of pigments, mainly by the aid of 
 chemistry. Thus we have brought in fresh elements of weakness, although 
 at the same time we have acquired several valuable permanent pigments, 
 such, for instance, as aureolin and the various forms of green oxide of 
 chromium. I am, Sir, yours faithfully, 
 
 Kew. A. H. CHURCH. 
 
 April 14, 1886. 
 
 ("Times," April 14.) 
 
 Sir, — As you have opened your pages to a controversy respecting the 
 durability of works of watercolour art, you will perhaps grant me space for 
 a few remarks, the result of the experience of a good many years. 
 
 In the somewhat sweeping condemnation of the treatment to which the 
 drawings in South Kensington have been subjected, I think that Mr. J. C. 
 Robinson has not sufficiently discriminated between the different causes 
 
CORRESPONDENCE IN THE " TIMES." 
 
 47 
 
 that have been at work in bringing about the injury that has undoubtedly 
 accrued in certain cases. I think I shall be supported by the high 
 authority of Mr. Church in stating that the pigments in common use 
 which suffer by exposure to light are few in number, but the injury 
 resulting from impure air, humidity, and also from the juxtaposition of 
 colours which act chemically upon each other is much more patent. If we 
 eliminate indigo and gamboge, the number of pigments which suffer by 
 exposure to a strong light is very small, and the conditions under which 
 the drawings are exhibited at South Kensington in dry and well- ventilated 
 rooms and protected by glass are such that we may watch with equanimity 
 the very gradual change that the moderate light of our climate is likely to 
 bring about. 
 
 The chemistry of pigments, but little studied at the end of the last and 
 the beginning of the present century, has now for some time occupied the 
 attention of scientific men, who, it is to be hoped, will confer upon water- 
 colour artists the benefit of their special knowledge on this important 
 subject. I am, Sir, your obedient servant, 
 
 FRANK DILLON. 
 
 The Burlington Fine Arts Club, 17, Savile Row, W. 
 
 ("Times," April 14.) 
 
 Sir, — Mr. Robinson, in his letter in your paper of the 26th of March, 
 1886, alludes to the faded condition of many of the Turner drawings 
 exhibited in the Winter Exhibition at Burlington House. It is true he 
 does not mention by name the drawings sent by me, but your critic stated 
 early in J anuary that some of my drawings were much faded. Now, Sir, 
 I venture to dispute this statement. The large drawings I sent are ten 
 years earlier in date than the catalogue made them out to be, the two 
 upright Swiss scenes being signed and dated 1804, and they are painted in 
 the very low key of colour that Turner made use of at that early date. 
 I believe only Prussian blue, raw sienna, and light red were used in the 
 drawings, and though, of course, they have mellowed with time, there are 
 those living who remember them when they were exhibited in Grosvenor 
 Place in my grandfather's time, and they state they are practically un- 
 altered The extreme delicacy of the details must lead anyone to this 
 conclusion ; but people are so accustomed to the brilliancy of Turner's 
 later drawings, and perhaps your critic does not know that Turner ever 
 painted in a low tone. 
 
 My pictures have been exposed on the walls at Farnley for more than 
 sixty years, carefully preserved from the sun, but otherwise exposed to 
 light. 
 
 Yours faithfully, 
 
 Farnley Hall, Otley. AYSCOUGH FAWKES. 
 
48 
 
 LIGHT AND WATERCOLOURS. 
 
 ("Times," April 20.) 
 
 Sir, — It would be unreasonable at this busy time to ask you for space 
 sufficient to answer in detail all the points of objection to my former 
 letters raised by your other correspondents. Professor Church, moreover,, 
 has, I think, supplied conclusive answers to most of them. There are, 
 however, one or two matters which in justice to myself I think I ought to> 
 be allowed to notice. 
 
 In the first place, as regards the deterioration of the drawings at South 
 Kensington from continued exposure to the light, I adhere in the fullest 
 measure to my former statements. The drawings have, in fact, for the 
 last twenty or thirty years had no proper protection from direct sunlight. 
 Since this controversy commenced a high authority has indeed informed me 
 that on one occasion he took the trouble to count the exact number of 
 drawings on which the direct rays of the sun impinged at the moment of 
 his visit. It was upwards of one hundred, all, in fact, which hung on one 
 side of the room. 
 
 Turner collectors (I am, by the way, one myself) have mainly to thank 
 me for rescuing from destruction the noblest series of that great artist's 
 drawings he ever executed — the original bistre drawings for the " Liber 
 Studiorum " prints. These immortal works were formerly hung for a 
 series of years at South Kensington under the same evil conditions. At 
 that time I was officially in charge of all the art collections of the museum, 
 except the modern pictures and drawings. Day by day I watched with an 
 aching heart the visible deterioration of the " Liber " drawings, and it was 
 in consequence of repeated letters and warnings, and at last by actual 
 demonstration of the mischief in progress in presence of the works them- 
 selves, that the late Sir Charles Eastlake, in whose care they were, finally 
 consented to their removal. 
 
 I have certainly no pretension to teach Mr. Ruskin anything, but I 
 object to unnecessary advice on his part. It was your own art critic, not 
 myself, who alluded to the " Llanthony " and other faded drawings at the 
 Academy Exhibition. 
 
 I have always understood that Mr. Ruskin keeps his Turner drawings 
 secluded from the light, either in portfolios or in frames protected by 
 curtains or otherwise ; if it be not so he will correct me. If, however, he 
 does so preserve them, I would merely ask him if he keeps them in the 
 dark to protect them from " chemical change " or the fading action of day- 
 light. 
 
 I am, Sir, your obedient servant, 
 
 J. C. ROBINSON. 
 
 ("Times," April 28.) 
 
 S IRj — Had Mr. J. C. Robinson appeased his wrath by simply repri- 
 manding the South Kensington officials for neglect of duty in preventing- 
 the sun shining on the watercolour drawings under their care, there would 
 have been no controversy. 
 
CORRESPONDENCE IN THE "TIMES. 
 
 49 
 
 In his first letter, dated March 11, however, in speaking of water- 
 colour drawings generally in our "national art gatherings," he says: — 
 "If the specimens are openly and continuously exhibited to the public in 
 the daytime, in a very few years, by the very fact of such exposure alone, 
 they will be practically ruined and worn out. The strong light of day, 
 indeed, causes such works to fade and wane away daily, and hourly even. 
 I allude to modern watercolour drawings and certain classes of drawings 
 by the so-called old masters." This is the central fire of the whole con- 
 troversy, for it is a direct assertion, from one who assumes authority, that 
 watercolour drawings are so evanescent that their safety can only be 
 secured by being kept from exposure to ordinary daylight. An alarming 
 announcement certainly, if true, but, fortunately for artists and lovers of 
 watercolour art, a most fallacious one. Surely the testimony of even so 
 many collectors as those who have already joined in the controversy ought 
 to reassure the public against the effect of this false alarm, although Mr. 
 Robinson, of course, in spite of such an array of proof against him, will 
 no doubt still " adhere in the fullest measure to his former statements." 
 He will, among other of his statements, adhere, doubtless, to the following 
 (March 11) : — "I have no hesitation in saying that by the mere fact of 
 such exposure (full daylight) all the drawings at Kensington Museum 
 have more cr less been irrevocably injured;" and in his last letter, 
 April 20, he says that during a visit of a "high authority" to the Museum 
 it so happened that the direct rays of the sun impinged on 100 drawings 
 which hung on one side of the room. If this be true those drawings 
 which were so fortunate as to be out of the reach of Sol's rays on the 
 walls which face the north-east and north-west must have had a pleasant 
 time of it, and ought therefore to be still bright and cheerful. 
 
 If Mr. Robinson, however, will trouble himself to examine any wall 
 of drawings, including, of course, the sunlit walls, he may even yet be 
 surprised to find that sober, deep-toned, and what he may be pleased to 
 call faded drawings, are hanging side by side with the bright and brilliant 
 neighbours. In other words, the mass of drawings, say, on the walls 
 facing the south, and which, according to Mr. Robinson's "high authority," 
 had the direct rays of the sun impinging on them, instead of being like 
 portions of a curtain exposed to the sun and faded only where the sun- 
 light has reached them, are in the same happy condition as those on the 
 unexposed walls. 
 
 Mr. Robinson, in his last letter, informs the public that Professor 
 Church has "supplied conclusive answers" to most of the points of objec- 
 tion in his former letters. I can only say that Professor Church has not 
 answered my inquiries ; for instance, how it comes about that grays and 
 other tones which are made partly with light red and Venetian red never 
 turn rusty, whereas those made with Indian red, especially washes in skies, 
 invariably do 1 If there be no chemical change I again respectfully ask 
 Professor Church what is the cause That such changes with Indian red 
 do happen is known to all artists and collectors of experience. 
 
 In conclusion, re Turner's "Liber" drawings, as an artist and one of the 
 public, I beg to thank Mr. J. C. Robinson for " rescuing from destruction 
 the noblest series of that great artist's drawings," and I feel that all will 
 
 D 
 
50 
 
 LIGHT AND WATER COLOURS. 
 
 fully appreciate the feeling which he expresses that "clay by clay I watched 
 with an aching heart the visible deterioration of the 'Liber' drawings," 
 which, of course, was being effected by the custodians of the Kensington 
 Museum. Mr. Robinson seems to feel this acutely, and therefore considers 
 it his duty to keep a strict watch over them and chastize them if necessary. 
 
 Let us, however, be thankful that those peerless "Liber" monochromes 
 are still preserved to us in spite of the "visible deterioration," and really 
 in as lovely a state as when they were first painted, a consolation certainly 
 to the aching heart of Mr. J. C. Robinson. 
 
 I ask, with great reluctance, for the satisfaction of the art-loving public, 
 that you will again kindly allow me space in your columns to conclude my 
 part of the watercolour controversy which was brought on by Mr. J. C. 
 Robinson's daring attack on the South Kensington authorities. I have 
 not, however, the faintest hope of making any impression on one who is 
 even impervious to the reprimand and unanswerable statements of so great 
 an authority as Professor Ruskin himself. 
 
 I beg to remain, yours faithfully, 
 
 JAMES D. LINTON. 
 
 Ettrick House, Steeles Road, N.W. 
 April 22, 1886. 
 
 (" Times," April 28.) 
 
 Sir, — The controversy touching the effect of daylight on watercolour 
 drawings, which has recently been raging in your columns, seems to me to 
 have been carried either too far or not far enough. Mr. Robinson and 
 Professor Church have succeeded in alarming the possessors of such draw- 
 ings with regard to the durability of their treasures, and in placing an 
 additional (and surely, at the present time, a superfluous) difficulty in 
 the way of the sale of modern works at remunerative prices. Not only 
 artists and dealers, but such authorities as Messrs. Christie could bear 
 testimony to the disastrous effect of the scare which has been created. 
 On the other hand, Sir J. D. Linton is not unnaturally regarded more as 
 an advocate than a judge ; Mr. Ruskin and other owners are in a some- 
 what similar position, and the authorities at South Kensington, against 
 whom, in point of fact, Mr. Robinson's first letter was a direct attack, are 
 compelled to silence by their official position. It seems to me that it 
 would be highly advantageous if they were released from the restraint 
 thus imposed upon them, and were permitted to state all the facts bearing 
 upon the question which are within their knowledge. Although there can 
 be no doubt that some watercolour drawings have undergone deterioration, 
 I question whether this has occurred to anything like the extent supposed, 
 in respect either of the number of the examples or of the degree of injury 
 sustained. Unfortunately, we are so familiar with the bleaching effect of 
 daylight on things in general that the pessimists in this particular matter 
 do not appear to tax excessively the credulity of your readers, and very 
 strong evidence is required in order to support a more favourable con- 
 clusion. 
 
CORRESPONDENCE IN THE " TIMES. 
 
 5] 
 
 Superficial observers are apt, I fancy, to be misled by the circumstance 
 that many of the watercolour drawings of an earlier period never possessed 
 the depth and brilliancy of colour which are found in modern examples, 
 and to forget that the manifest differences between old and new may be 
 explicable on the ground that the former, even when painted, were "ghost- 
 like" as compared with the latter. I possess a figure drawing in water- 
 colour, done by a member of my own family about a century ago. It is 
 very pale, and was probably painted with a thin wash, but its outlines and 
 shading are perfectly distinct, and it has certainly not changed in the 
 twenty-five years during which it has hung in my drawing-room. I have 
 also two drawings by John Yarley, dated 1842, which show no trace of 
 fading. If the first-named drawing had been affected by light at all, it 
 would surely before now have disappeared altogether. We most of us, I 
 think, are acquainted with pictures by Hunt, David Cox, De Wint, and 
 Barret, the colours of which are absolutely brilliant ; and I chance to 
 know that a considerable collection of such will be exhibited on Monday, 
 May 2, by the kindness of Mr. Orrock, at 11, Chandos Street, Cavendish 
 Square, on the occasion of the annual conversazione of the Medical Society 
 of London. I do not doubt that the courteous honorary secretaries of the 
 society would willingly give admission to any one interested in the matter. 
 
 I have, however, strayed far away from my original object, which was 
 to suggest that the alarm excited by Mr. Robinson and Professor Church 
 should either be dispelled or shown to be well founded. Y/hy should not 
 an appeal be made to the Science and Art Department for an authori- 
 tative report on the South Kensington collection, such report to include a 
 description of the condition of the several works when acquired and before 
 they were placed in the galleries, and of the amount and character of the 
 changes, if any, which any of them had undergone while being exhibited % 
 The present keeper of the art collections, Mr. George Wallis, has now had 
 charge of them for many years, and his testimony on the matters of fact 
 connected with each single picture would be in the highest degree valuable, 
 and would far outweigh any number of vague statements about the effect 
 of light or other agencies upon pictures generally. If my lords could be 
 persuaded to listen to such an appeal, both artists and buyers might be 
 content to remain for a time in a state of suspended judgment ; but the 
 question is of such importance to the welfare of English art in one of the 
 most charming of its branches that it would probably be well if the depart- 
 ment were gently stimulated by judicious questioning in Parliament. 
 
 I am, Sir, your obedient servant, 
 
 F. R. C. S. 
 
 (" Times," June 11.) 
 
 Sir, — I beg to inform you that the Royal Institute of Painters in 
 AYater Colours will hold in their council room a small exhibition of works 
 by deceased masters of the Watercolour school. They will be fine examples, 
 and in an unexceptionable state of preservation, and will be a complete 
 
5^ 
 
 LIGHT AND WATER COLOURS. 
 
 answer to the statements contained in the correspondence between Mr. J. 
 C. Robinson and myself in your paper. The exhibition will open about 
 the end of this month. I should be obliged if you could kindly insert a 
 notice in your valuable paper to this effect. 
 
 I beg to remain, yours faithfully, 
 
 JAMES D. LINTON. 
 Ettrick House, Steeles Road, Haverstock Hill, N.W. 
 June 10, 1886. 
 
 (" Times^ June 12.) 
 
 Sir, — Let me offer a suggestion to Sir James Linton, in order that his 
 answer to my statements should be fair and straightforward as well as 
 " complete." It is now proposed to get together and exhibit certain early 
 watercolour drawings which are in an unexceptionable state of preserva- 
 tion. Undoubtedly there are still extant rare specimens, which, owing to 
 the unusually favourable conditions under which they have been kept, 
 are still in very perfect order, but it is notorious that there are a vast 
 number of other drawings which are woefully faded and dilapidated. Let 
 me advise Sir James Linton, then, to obtain from Mr. Ruskin, or whoever 
 may now possess them, and exhibit at the same time the four drawings by 
 Turner, which that gentleman contributed to the Manchester Exhibition 
 in 1857, and which, according to him, were utterly ruined and "reduced 
 to mere wrecks of what they were," by exposure to the light during that 
 "fatal year" only (see "Arrows of the Chase," 1880, section 4). 
 
 I do not suppose that Sir James Linton's simple assertion (for he never 
 offers any proofs) would be likely to convince Mr. Ruskin or any body else 
 that watercolour drawings do not fade, with such glaring instances to the 
 contrary under their eyes. 
 
 As it is, I await this exhibition with great equanimity. Exceptions 
 often prove the rule, and' I shall be much surprised if the assemblage of 
 the unusually well-preserved specimens now announced has any result 
 other than an adverse one to the views of its promoters. 
 
 I am, Sir, your obedient servant, 
 
 J. C. ROBINSON. 
 
 No. 10, York Place, Portman Square. 
 June 11, 1886. 
 
 PRINTED AT THE BEDFORD PRESS, 20 AND 21, BEDFORDBURY, LONDON, W.C. 
 
GETTY RESEARCH INSTITUTE 
 
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