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 https://archive.org/details/catalogueofpictuOOyoun_0 
 
A 
 
 CATALOGUE 
 
 OF THE 
 
 PICTURES AT GROSVENOR HOUSE, 
 
 LONDON; 
 
 WITH ETCHINGS FROM THE WHOLE COLLECTION. 
 
 EXECUTED 
 
 BY PERMISSION OF THE NOBLE PROPRIETOR, 
 
 AND ACCOMPANIED BY 
 
 HISTORICAL NOTICES OF THE PRINCIPAL WORKS. 
 
 JOHN YOUNG, 
 
 ENGRAVER IN MEZZOTINTO TO HIS MAJESTY, 
 
 AND 
 
 KEEPER OF THE BRITISH INSTITUTION. 
 
 LONDON: 
 
 J. DOW DING, 82, NEWGATE STREET. 
 
TO 
 
 ROBERT EARL GROSVENOR, 
 
 VISCOUNT BELGRAVE, BARON GROSVENOR, 
 
 SfC. 8fC. SfC. 
 
 THIS WORK 
 
 is 
 
 MOST RESPECTFULLY AND GRATEFULLY INSCRIBED, 
 BY HIS LORDSHIP'S 
 
 OBEDIENT AND OBLIGED SERVANT, 
 
 JOHN YOUNG. 
 
The following Catalogue has been prepared under the auspices 
 of the Noble Earl whose Pictures it describes; and who has per- 
 mitted Etchings to be executed from the various subjects in his 
 Splendid Collection. These Etchings are submitted to the public, 
 in the hope that they may serve as an agreeable and interesting 
 accompaniment to the Gallery, and a useful book of future 
 reference. 
 
 It may perhaps have been expected that, on this occasion, a 
 Catalogue Raisonne would be presented to the public, containing 
 critical remarks on the merits of the respective Pictures ; but 
 from that the writer has altogether abstained. Diffident of his own 
 abilities for such an undertaking, he has resigned the direction of 
 public taste to those whose talents and acquirements confer value 
 and authority on their opinions; and he has contented himself 
 with collecting such well authenticated facts and circumstances 
 relative to the Pictures, as appeared to him to be most useful 
 and interesting; subjoining, by way of Appendix, an account, 
 alphabetically arranged, of the several Masters whose works are 
 contained in the Grosvenor Gallery. 
 
 The basis of this Collection was laid by the late Earl Grosvenor, 
 who, with great judgment, selected some of the best Pictures 
 
formerly in the possession of Lord Waldegrave, and Sir Luke 
 Schaub ; to which he added some very fine works, purchased 
 for him in Italy, by Mr. Dalton, then Keeper of His Majesty's 
 Pictures. It is, however, still more creditable to his Lordship's 
 liberality and discrimination, that he discovered and patronized 
 the rising talent of the English School; and selected some of the 
 best productions of West, Gainsborough, Wilson, and Stubbs, 
 which will be found not merely to add to, but to adorn the 
 present Collection. 
 
 Happily for the Fine Arts, the taste as well as the liberality of 
 the Father has descended to the present Earl; who, at almost un- 
 limited prices, has enriched his Collection with some of the most 
 valuable productions of the Italian, Dutch, and Flemish Schools. 
 To the principal part of the Pictures of the late Marquess of 
 Lansdowne, he has added the entire Collection of Welbore Ellis 
 Agar, (purchased at the price of thirty thousand guineas); from 
 the Collection of the Marquess de Santiago, at Madrid, the 
 inestimable Picture of the Meeting of Jacob and Laban, by Mu- 
 rillo, particularly described by Cumberland in his " Anecdotes of 
 eminent Painters in Spain;" the Woman taken in Adultery, by 
 Titian, originally in the Barberini Gallery: the Gerrhard Douw, 
 from the Duke of Prseslin's cabinet: the Rembrandt, from the 
 King of Sardinia; the Paul Potter, from Mr. Crawford, of Rot- 
 terdam; and lastly, from the Convent of Loeches, those chef 
 d'oeuvres of Rubens, which are, perhaps, the most splendid 
 specimens in Europe of all that is grand and magnificent in Art. 
 
 London, 
 April 2, 1821. 
 
3TUBBS. 
 
r 
 
CATALOGUE. 
 
 No. 1. 
 
 CHAMBERLAIN. 
 PORTRAIT OF JANE, LADY GROSVENOR, 
 
 Grand-mother to the present Earl. 
 J( On Canvas. 3 ft. 10 in. high. 3 ft. 11 in. wide. 
 
 No. 2. 
 
 1>UUcf C^r/lif- STUBBS - 
 
 THE GROSVENOR HUNT. 
 
 The Scene is near Eton Hall. Portraits of the late Lord Grosvenor, and 
 of his Brother, Mr. Thomas Grosvenor, &c. are introduced. ^ 
 
 For this Picture, which has been considered as the best work of the Artist, he 
 received five hundred guineas. 
 
 Mr. Stubbs was the most eminent Animal Painter of his time. His work on the " Anatomy 
 of the Horse," with Plates, etched by himself, from his own Designs, is highly esteemed. 
 
 On Canvas. 4 ft. 11 in. high. 7 ft. 11 in. wide. 
 
 / N °' 3 * 
 
 • ft (>S Lis' SIR PETER LELY. 
 
 PORTRAIT OF SIR THOMAS GROSVENOR. 
 
 This Artist was State Painter to Charles the Second ; and although inferior to his predecessor 
 Vandyke, his Pictures have always been held in high estimation. 
 
 The instances of Artists accumulating property, are few; and a record of such carries with 
 it a considerable degree of interest, when the means which have been acquired by Art, are 
 employed in promoting its improvement. Sir Peter Lely employed the ample means acquired 
 by his professional labours in the Collection of Pictures and Drawings; and these at his death 
 were so numerous, and were held in such estimation, that his Sale lasted for forty days, and 
 produced twenty-six thousand pounds. 
 
 The Series of Beauties he painted for his Royal Patron are the most popular, if not the best 
 of his Works. 
 
 On Canvas. 4 ft. 1| in. high. 3 ft. 4 in. wide. 
 
 B 
 
2 
 
 ANTI ROOM. 
 
 No. 4. 
 
 WEST. 
 
 THE DEATH OF GENERAL WOLFE. 
 
 The wounded Officer on the right of General Wolfe, is Major General 
 Monckton, second in command, who was shot through the lungs, but who 
 recovered, and lived for many years. The General is supported by Mr. Adair, 
 the Surgeon, on his left, and on his right by his Aid-de-Camp, Captain 
 Hervey Smyth. Immediately above the General is Colonel Barre ; and 
 close to the Officer holding the Colours is Colonel Williamson. Captain 
 Debbieg is introduced behind General Monckton ; and the Officer in the 
 uniform of a native regiment, calling the attention of the General to the 
 French colours, is the late Sir William Howe. 
 
 The right of the Picture exhibits a Grenadier of the General's own regi- 
 ment, and his servant, lamenting his fate. 
 
 A prejudice was created against this Picture, during its progress, in 
 consequence of the Artist adopting the modern military costume, instead of 
 the classic dress of Antiquity ; but Earl Grosvenor agreeing with Mr. West, 
 that it would appear ridiculous to represent modern troops in the dress of 
 Greeks and Romans, in recording a victory, which added a great province 
 of America to the British dominions, purchased the Picture. His Majesty 
 afterwards ordered a duplicate for himself; a third is in possession of the 
 family of the Artist; and a fourth was painted for the Earl of Bristol. 
 
 On Canvas. 4 ft. 11| in. high. 7 ft. wide. 
 
 No. 5. 
 
 HOGARTH. 
 
 THE DISTRESSED POET. 
 
 This Picture was presented by the Painter to Mrs. Draper, Midwife to 
 Her late Majesty. At Mrs. Draper's death, it was sold for five guineas to 
 Mr. Ward, a Solicitor, who possessed a very considerable collection of 
 pictures; it was afterwards purchased by the late Lord Grosvenor at Mr. 
 Ward's Sale, for about twenty pounds. 
 
 On Canvas. 2 ft. \ in. high. 2 ft. b\ in. wide. 
 
 Engraved by the Painter. 
 
CAHALTETTl. 
 
ANTI ROOM. 
 
 No. 6. 
 
 HOPPNER. 
 
 PORTRAIT OF ROBERT EARL GROSVENOR. 
 
 On Canvas. 2 ft. 6 in. high. 2 ft. wide. 
 
 Engraved in Mezzotinto by J. Young, Engraver in Mezzotinto to His Majesty. 
 
 No. 7. 
 
 Mr I a . B &r/4^ DE LO uth ER berg. * ^ "> *■*"* ( /*> . 
 
 SEA SHORE, WITH FISHERMEN LAUNCHING THEIR BOAT. 
 
 Painted for the late Lord Grosvenor, as a Companion to the Sea Shore of Gains- 
 borough, No. 11. 
 
 On Canvas. 3ft. 2 in. high. 4 ft. 6 in. wide. 
 
 No. 8. 
 
 CANALETTI. 
 
 L-0>i~ tv Jhi vie- ' 
 
 A VIEW IN VENICE. WWjiu* 
 
 The Metropolis of the Adriatic has furnished subjects for the greater part 
 of the Woiks of this Artist. 
 
 They are generally exact copies of the spots they represent, which greatly 
 adds to the interest they possess ; and by a combination of nature and art, 
 they convey an idea of grandeur and magnificence. 
 
 On Canvas. 1 ft. 8 in. high. 2 ft. 9 in. wide. 
 
4 
 
 ANTI ROOM. 
 
 STUBBS. 
 
 PORTRAIT OF BROOD MARES, IN A LANDSCAPE, 
 
 Presents from Lord Clive and others, to the late Lord Grosvenor. 
 On Canvas. 2 ft. 8 in. high. 8 ft. 6 in. wide. 
 
 No. 10. 
 HOPPNER. 
 
 PORTRAIT OF THOMAS GROSVENOR, ESQ. 
 
 Uncle to the present Earl. 
 On Canvas. 2 ft. 11 in. high. 2 ft. 6 in. wide. 
 
 No. 11. 
 
 GAINSBOROUGH, 
 
 SEA SHORE, WITH FIGURES BUYING FISH. 
 
 This Picture receives additional value, from the consideration that the 
 Artist employed his pencil only on four subjects of the above description. 
 
 On Canvas. 3 ft. 3 in. high. 4 ft. 2 in. wide. 
 
BAEfSBOB-OTTG ,1 
 
WILSON. 
 
 NOB.THLCOT3B. 
 
 1. J. CHALOTT, 
 
19- 
 
ANTI ROOM. 
 
 No. 12. 
 
 WILSON. 
 
 VIEW ON THE RIVER DEE NEAR EATON HALL. 
 Painted for the late Lord Grosvenor. 
 On Canvas. 1 ft. 9 in. high. 2 ft. 11 in. wide. 
 
 No. 13. 
 
 NORTHCOTE. 
 
 A MAN WITH A HAWK. 
 
 The Portrait of the Artist's Brother; painted for the late Duke of 
 Dorset. This design was taken from a celebrated Picture by Titian, in 
 the Collection of the Earl of Carlisle, f- 
 
 On Canvas. 4 ft. 2 in. high. 3 ft. 3| in. wide. 
 
 Engraved by S. W. Reynolds. 
 
 No. 15. 
 
 JOHN JAMES CHALON. 
 LANDSCAPE, WITH CATTLE AND FIGURES. 
 
 Purchased by Earl Grosvenor, at the Gallery of the British Institution. 
 On Canvas. 3 ft. high. 3 ft. 11 in. wide. 
 
6 
 
 ANTI ROOM. 
 
 No ' 14 ' GL^J> t/^xu^ 
 
 WEST. 
 
 THE BATTLE OF THE BOYNE. 
 Painted for the late Earl Grosvenor. 
 This is the original Picture, from which Hall engraved his Print. In 
 the centre is King William, on a grey horse, crossing the Boyne, and fol" 
 lowed by his Staff ; amongst whom, immediately above the horsemen in 
 front, Prince George of Denmark and the Duke of Ormond are introduced. 
 On the right, supported by three officers, is the Duke of Schomberg, who 
 was mortally wounded ; and the Rev. George Walker, who was killed in 
 the battle, is seen in the back-ground. 
 
 On Canvas. 5 ft. high. 6 ft. 11 in. wide. 
 
 No. 16. 
 
 GAINSBOROUGH. 
 PORTRAIT OF MASTER BUTTALL, 
 Better known under the Name of the Blue Boy. 
 
 This Picture was painted in consequence of a dispute between Gains- 
 borough, Sir Joshua Reynolds, and several other Artists. The former 
 having asserted that he thought the predominant colour in a Picture ought 
 to be blue ; the others were of opinion that it was not possible to produce a 
 fine picture on such a principle ; and the Artist in consequence painted this 
 Portrait as an illustration of his opinion. It was considered that he had 
 proved his assertion ; and his performance having excited great attention, 
 and become a general theme of praise with the Artists of that day, tended 
 much to enhance the reputation he had already acquired. 
 
 This Picture was purchased at Mr. Buttall's sale by Mr. Nesbit ; it 
 became afterwards the property of Mr. Hoppner, who disposed of it to Earl 
 Grosvenor. 
 
 On Canvas. 5 ft. 10 in. high. 4 ft. wide. 
 
Plate 
 
 TP.*;. 
 
 WEST. 
 
ANTI ROOM. 
 
 7 
 
 No. 17. 
 HOPPNER. 
 PORTRAIT OF GENERAL GROSVENOR. 
 
 In the Uniform of a Lieutenant Colonel of the Grenadier Guards. 
 On Canvas. 4 ft. 5 in. high. 3 ft. 3 in. wide. 
 
 No. 18. 
 
 WEST. 
 
 THE BATTLE AT LA HOGUE, 
 
 • i/V/ v**< I ~) (T"**-w 
 
 Painted for the late Earl Groavenor. 
 
 This is the original Picture from which Woollet engraved his celebrated 
 Print. 
 
 The principal figure directing the attack is Sir George Rooke ; and the 
 small figure in the distance is King James the Second. 
 
 On Canvas. 5 ft. high. 6 ft. 11 in. wide. 
 
[8] 
 
 No. 19. 
 
 CARLO MARATTI. |<i M£ *U. lU 
 
 HAGAR IN THE DESERT. Wt.Wc** i^m 
 
 "And the Angel of the Lord found her by a fountain of water in the [ C\,vHr- ~J J J 
 
 wilderness. 
 
 " And he said Hagar, Sarai's Maid, whence comest thou? and whither 
 wilt thou go? And she said, I flee from the face of my mistress Sarai." 
 
 Genesis, ch. xvi. v. 7 and 8. 
 
 On Canvas. Oval. 4 ft. 6 in. high. 3 ft. 3 in. high. 
 
 No. 21. 
 
 \(\f DOMENICHINO. 1^2-^. ,^ 
 
 THE MEETING OF DAVID AND ABIGAIL. 
 
 From the Collection of the late Welbore Ellis Agar. 
 
 " Then Abigail made haste, and took two hundred loaves, and two bottles 
 of wine, and five sheep ready dressed, and five measures of parched corn, 
 and an hundred clusters of raisins, and two hundred cakes of figs, and laid 
 them on asses." 
 
 " And she came down by the covert of the hill, and behold 
 
 David and his men came down against her ; and she met them. 
 
 " And when Abigail saw David, she hasted and lighted off the ass, and 
 fell down before David on her face." 1 Samuel, ch. xxv. v. 18, 20, 23. 
 
 On Canvas. 3 ft. 5 in. high. 4 ft. 7 in. wide. 
 
Flate 8. 
 
 ©OMEKTC HIITO. 
 
 i 
 
FLAT2. 
 
 WW. 
 
 G, POUSSIH. 
 
* 
 
j 
 
DRAWING ROOM. 
 
 9 
 
 No. 20. 
 
 LIONARDO DA VINCI. 
 THE HOLY FAMILY. 
 
 On Wood. 2 ft. 5 in. high. 2 ft. 2 in. wide. 
 
 No. 22. 
 
 DOMENICHINO. 
 ST. AGNES. 
 
 Purchased in Italy by Mr. Dalton, for the late Lord Grosvenor. 
 On Copper. 9 in. high. in. wide. 
 
 No. 24. 
 
 PIETRO PERUGINO. 
 THE MARRIAGE OF ST. CATHERINE. 
 
 On Copper. 9| in. high. 1\ in. wide. 
 
 No. 23. 
 GASPAR POUSSIN. 
 
 LANDSCAPE, WITH FIGURES. 
 
 1 ft. 7J in. high. 2 ft. 5 in. wide. 
 
10 
 
 DRAWING ROOM. 
 
 No. 25. 
 
 SIR JOSHUA REYNOLDS. 
 THE HEAD OF A MADONNA. 
 Painted for the late Edmund Burke, at whose sale it was purchased. 
 On Canvas. 1 ft. 11 in. high. 1 ft. 6 in. wide. 
 
 No. 26. 
 
 TITIAN. 
 THE TRIBUTE MONEY, 
 
 erscription?" 
 
 " They say unto him, Caesar's. Then saith he unto them, Render there- 
 fore unto Caesar the things which are Caesar's ; and unto God, the things 
 that are God's. St. Matthew, ch. xxii. v. 20, 21. 
 
 On Canvas. 2 ft. 6 in. high. 2 ft. wide. 
 
 No. 28. 
 
 LUDOVICO CARRACCI. 
 THE VIRGIN WITH ST. FRANCIS, AND INFANT CHRIST. 
 Purchased by Mr. Dalton, in Italy, for the late Lord Grosvenor. 
 On Copper. 9f in. high. 7 in. wide. 
 
 No. 29. 
 
 CLAUDE LORRAINE. 
 
 MORNING; A VIEW IN ITALY, WITH A BRIDGE. 
 
 From the Collection of the late Mr. Agar. WvCv^C M«4 , 
 
 On Canvas. 1 ft. 7£ in. high. 2 ft. 2± in. wide. 
 
 No. 30. 
 
 PARMIGIANO. 
 
 THE MARRIAGE OF ST. CATHERINE. 1 *> ^ ™- zs~ 
 
 From the Orleans Collection. A small model for the Picture formerly in the ^ 
 Barberini Palace. 
 
 On Copper. 8± in. high. 6| in. wide. 
 
L 
 
IT? 26. 
 
 TITIAN, 
 
 JV." 2d. 
 
 V Jf . A V .ft) il . 
 
C. MAEATTI. 
 
 CX.AX7BE, , 
 
DRAWING ROOM. 
 
 11 
 
 No. 31. 
 
 CARLO MARATTI. ,„ . , , ^ 
 
 DAVID AND BATHSHEBA. £ ^ Wt^, (uOi - 
 
 «' And it came to pass in an evening tide, that David arose from off his bed, 
 ** and walked upon the roof of the King's house: and from the roof he saw a 
 " woman washing herself; and the woman was very beautiful to look upon." 
 
 2d of Samuel, v. 2. 
 
 Oval, on Canvas. 4 ft. 5 in. high. 2 ft. 2 in. wide. 
 
 No. 27. 
 
 CLAUDE LORRAINE. 
 LANDSCAPE, WITH PEASANTS DANCING. 
 
 Painted in 1651. / . . "X • Q , 
 
 From the Collection of the late Mr. Agar. 
 On Canvas. 3 ft. 2 in. high. 4 ft. 4 in. wide. 
 
12 
 
 DRAWING ROOM. 
 
 No. 32. 
 
 GIOVANNI BELLINI. 
 
 THE CIRCUMCISION. |* r >u/<) ,^(Th^ 
 
 This Picture was formerly in the possession of the celebrated Fenelon, Archbishop 
 of Cambray. 
 
 On Wood. 2 ft. 6 in. high. 3 ft. 4 in. wide. 
 
 No. 34. 
 
 NICOLO POUSSIN. 
 
 ARCAS AND CALISTO. 
 
 Calisto transformed into a Bear by Juno, is pursued by her son Areas, to 
 whom she was unknown. — Ovid Met. B. ii. 
 
 On Canvas. 2 ft. 10 in. high. 3 ft. 10 in. wide. 
 
 No. 37. 
 
 GUIDO - yt. ft. U., ft 
 
 THE VIRGIN, WITH THE INFANT CHRIST SLEEPING. 
 
 This Picture was formerly in the Collection of Sir Luke Schaub, at 
 whose Sale, about seventy years since, it was purchased by the late Lord 
 Grosvenor, at the price of three hundred guineas. The circumstance of a 
 small picture producing so liberal a price, was noticed by most of the peri- 
 odical publications of that day. 
 
 Sir Luke Schaub was the proprietor of the celebrated Sigismunda, by 
 Corregio; the picture which gave rise to the painting of the same subject by 
 Hogarth. 
 
 On Wood. 1 ft. 3^ in. high. 2 ft. 8 in. wide. 
 
 Engraved by Sir Robert Strange. 
 
\ 
 
PLA.TE 11 
 
 JV"3z. 
 
 & . BBIXOTI 
 
 it. Potts sitt. 
 
 RTTTD O , 
 
Plate 
 
DRAWING ROOM. 13 
 
 ^U^^d VELASQUEZ. tW t^ry 
 
 PORTRAIT OF HIMSELF. 
 
 On Wood. 1 ft. 10 in. high. 1 ft. 5 in. wide. 
 
 No. 35. 
 
 ANDREA DEL SARTO. 
 PORTRAIT OF THE CONTESSINA MATTEL 
 From the Agar Collection. 
 On Wood. 2 ft. high. 1 ft. 5 in. wide. 
 
 No. 36. 
 
 NICOLO POUSSIN. 
 
 THE ISRAELITES RETURNING THANKS FOR THE WATER U, ^ 
 
 IN THE DESERT. 
 
 This is considered to he a finished study for the picture in the Collection 
 of the Marquess of Stafford. 
 
 " And Moses lift up his hand, and with his rod he smote the rock twice: 
 " and the water came out abundantly, and the congregation drank, and their 
 " beasts also." Numbers, ch. xx. v. 11. 
 
 On Canvas. 1 ft. 7^ in. high. 1 ft. 5 in. wide. 
 
 No. 38. 
 NICOLO POUSSIN. 
 
 BOYS AT PLAY. 1 ^ ^ ^ ' 
 
 This celebrated picture was one of the Agar Collection, and has been ^ ' GA**+.t 
 successfully engraved by Mr. Smith, and also by Mr. Woodman for Foster 
 and Tomkins's British Gallery. 
 
 On Canvas. 1 ft. 9 in. high. 1 ft. Of wide. 
 
 Engraved by Capt. Baillie. 
 
 No. 39. 
 PAOLO VERONESE. 
 THE MARRIAGE FEAST. & 
 A Model for the celebrated picture in Venice. 
 
 On Canvas. 2 ft. 6 in. high. 5 ft. 10 in. wide. U. 
 
 Engraved by E. Smith. 
 
14 
 
 DRAWING ROOM. 
 
 No. 40. 
 
 GIOVANNI BELLINI. 'S 2 ^ ^ ' 3 ' . 
 
 THE VIRGIN, WITH THE INFANT CHRIST, ST. FRANCIS, 
 
 AND OTHER SAINTS. 
 
 Formerly the property of Archbishop Fenelon. 
 
 On Wood. 2 ft. 6 in. high. 3 ft. 4 in. wide. 
 
 No. 42. 
 
 GASPAR POUSSIN. 
 LANDSCAPE, WITH FIGURES: A MORNING SCENE. 
 
 From the Agar Collection. 3 W' 
 On Canvas. 3 ft. 1 in. high. 4 ft. 4 in. wide. 
 
 Engraved by S. Middiman. 
 
 No. 45. 
 
 FEDERIGO BARROCCIO. 
 
 THE REPOSO. ^ 
 
 Purchased bv Mr. Dalton. in Italv. for the late Lord Grnsvennr. « 
 
 Purchased by Mr. Dalton, in Italy, for the late Lord Grosvenor. 
 On Slate. 1 ft. 5± in. high. 1 ft. 10 J in. wide. 
 
 Engraved by the Painter. 
 
Irr'V 
 
FLJTE 14. 
 
 BATR'OC'L'IO . 
 
TZATE I 
 
 CLATDBE. 
 
k*** 
 
DRAWING ROOM. 
 
 15 
 
 RAPHAEL. 
 
 THE VIRGIN AND CHILD, WITH ST. JOHN. 
 
 On Wood. 2 ft. 1 in. high. 1 ft. 8 in. wide. 
 
 No. 43. 
 
 FRA. BARTOLOMEO. 
 HOLY FAMILY. 
 
 On Wood. 1 ft. 11 in. high. 1 ft. 6 in. wide. 
 
 No. 44. 
 
 GUIDO RENI. 
 THE SHEPHERD'S OFFERING. 
 A finished Model for one of his large Pictures. 
 Octagon, on Wood. 1 ft. 4 in. high. 1 ft. 4 in. wide. 
 
 P-u V. c<A* . u,r A . 
 
 No. 46. 
 
 CLAUDE LORRAINE. 
 A LANDSCAPE, WITH THE REPOSO, 
 
 Purchased about fifty years since, by the late Lord Grosvenor. A Plate of the 
 same size has been engraved from this Picture by Leprinier. 
 
 Octagon, on Copper. 11 in. high. 1 ft. ljin. wide. 
 
 No. 52. 
 
 MURILLO. 
 INFANT CHRIST, SLEEPING. 
 
 On Canvas. 1 ft. 8 in. high. 2 ft. 6 in. wide. 
 
16 DRAWING ROOM. 
 
 No. 47. 
 
 LE BRUN. 
 THE TENT OF DARIUS. 
 
 The original model for one of the series of pictures now in the Louvre, 
 representing the exploits of Alexander the Great. 
 
 On Wood. 1 ft. 9 in. high. 2 ft. 7 in. wide. 
 
 Engraved by Erlink. 
 
 GUIDO. o '.^u, 
 
 SAINT JOHN PREACHING IN THE WILDERNESS. 
 
 One of the distinguished pictures in the Agar Collection, engraved by R. Morghen, 
 and for Tomkins' and Foster's British Gallery, by Heath. 
 
 On Canvas. 4 ft. high. 3 ft. 1 in. wide. 
 
 No - 49 - <**JU y^j>, y) 
 
 RAPHAEL. ^ PUOwb fU^~ 
 
 SAINT JOHN IN THE DESERT. 8 
 
 The Pitti Palace, at Florence, contains a similar composition, by the 
 same Master, on a larger scale ; and a repetition was in the Collection of 
 the late Duke of Orleans. 
 
 On Wood. 1 ft. 3 in. high. 1 ft. li in. wide. 
 
 Engraved by Bervic. 
 
 No. 50. 
 
 RAPHAEL. 
 THE REPOSO, WITH ANGELS. 
 
 S K 0"\VT tAr^ This singular Cabinet picture formed one of the most distinguished 
 
 ornaments of the Agar Collection ; and from its size and form, appears to 
 Lf~*v Ca^vw^v/**\ I*-U.j have been intended as a companion to No. 56. 
 
 It is worthy of notice, that the extraordinary carving of the frame was 
 said to be executed by the Monks of the Convent for whom the picture was 
 painted. 
 
 .(U^U^iC On Wood. 1 ft. 6 in. high. 1 ft. 0| in. wide. 
 
 LuA)<^C Ac<^n j UJ' No. 51. 
 
 RUBENS. 
 
 THE CONVERSION OF ST. PAUL. 
 
 This appears to have been the first thought for the Grand Gallery picture, 
 in the Collection of Mr. Miles, of Bristol. 
 
 On Wood. 1 ft. 4| in. high. 11 in. wide. 
 
I 
 
BASS AIT. 
 
 Raphael. 
 
 GUIDO. BAPHAB1. BARROCHIO. 
 
DRAWING ROOM. 
 
 17 
 
 No. 53. 
 
 BASSAN. 
 
 THE SHEPHERD'S OFFERING. 
 
 The Pictures of this Master are seldom seen on so small a scale. 
 On Canvas. 1 ft. 61 in. high. 1 ft. 11 in. wide. Engraved by Stadler. 
 
 ft^M** RAPHAEL. ^'fr^ 
 
 THE VIRGIN, WITH THE INFANT CHRIST SLEEPING, 
 IWay<WM^ AND SAINT JOHN. 
 
 Purchased in Italy for the late Welbore Ellis Agar. 
 On Wood. 4 ft. 5 in. high. 3 ft. 7 in. wide. 
 
 No. 55. 
 GUIDO. 
 
 THE HOLY FAMILY, WITH ANGELS. 
 
 On Copper. 1 ft. \ in. high. 11 \ in. wide. 
 
 No. 56. 
 
 RAPHAEL. 
 ST. LUKE PAINTING THE VIRGIN. 
 
 Purchased in Italy for the late Lord Grosvenor, by Mr. Dalton, who, in announ- 
 cing the purchase to his Lordship, expressed himself as having been particularly t*\.^*-ei*-tJ+s 
 fortunate in obtaining a genuine Cabinet Picture of this great Master. 
 
 The Companion to No. 50. 
 On Wood. 1 ft. 6 in. high. 1 ft. \ in. wide. 
 
 No. 57. 
 
 BARROCCIO. 
 
 THE ENTOMBMENT OF CHRIST. 
 
 From the Agar Collection. Purchased on the Continent about sixty years since, 
 by Sir Charles Witvvorth. 
 
 On Wood. 1 ft. 1^ in. high. 9 J in. wide. 
 
 D 
 
[-18] 
 
 No. 58. 
 
 SNYDERS. 
 
 'tvUUCTH^A A BEAR HUNT - 
 
 This distinguished Picture was painted for a noble family in Venice ; and 
 being sent to this country about fifty years since, it was purchased by the 
 late Lord Grosvenor. An excellent line engraving has been executed from 
 it, for Foster's British Gallery, by Scott. 
 
 On Canvas. 6 ft. 6 in. high. 11 ft. 5 in. wide. 
 
 No. 59. 
 
 CLAUDE LORRAINE. 
 
 LANDSCAPE, WITH FIGURES: THE ISRAELITES WOR- 
 SHIPPING TFIE MOLTEN CALF. 
 
 From the Agar Collection. 
 
 " And they rose up early on the morrow, and offered burnt-offerings, and 
 " brought peace offerings; and the people sat down to eat and to drink, and 
 " rose up to play." — Exodus, chap. 32, v. 6. 
 
 AST* [(\\ 
 
 Sir Peter Lely, in giving the Artist a commission to paint this Picture, 
 requested him to introduce as few figures as possible. This appears to have 
 awakened in the mind of Claude a desire to wipe away the reproach cast 
 upon him by his professional patron. To a greater number of figures than 
 is generally met with in the Pictures of this Artist, he has given more than 
 common interest ; and so highly was it esteemed, that the offer of a hand- 
 some annuity, for the loan of the Picture, during her life, was made by a 
 Lady to Mr. Agar. 
 
 On Canvas. 4 ft. 7 in. high. 8 ft. 1 in. wide. 
 
 Engraved by Lerpinier. 
 
STTYBjEHS. 
 
 I'L.M'l ) !■"', . 
 
THE GALLERY. 
 
 19 
 
 No - 60 - W i^Shl/Si 
 
 RUBENS. 
 
 THE MEETING OF ABRAHAM AND MELCHISEDEK. 
 
 " And Melchisedek, King of Salem, brought forth bread and wine, and he 
 was the priest of the Most High God." — Genesis, ch. xiv. v. 18. 
 
 This is one of a series of six Pictures painted by order of Philip the Fourth 
 of Spain, and presented to his Minister the Due d'Olivarez, to decorate 
 his newly-built Convent at Loeches. These Pictures afterwards became 
 the property of the Duke of Alva by inheritance ; and this nobleman, 
 quitting Madrid when the French army took possession of it in 1808, 
 disposed of four of them, together with a valuable Picture by Raphael, to 
 M. de Bourke, Minister from the Court of Denmark to Spain. They were 
 added to this Collection in 1818. 
 
 The two remaining Pictures of the series are now in the Gallery of the 
 Louvre. 
 
 From these Pictures, a most magnificent set of Tapestry was worked for 
 the Court of Spain, which now forms one of the greatest ornaments of the 
 King's Palace at Madrid. 
 
 On Canvas. 14 ft. 4 in. high. 19 ft. wide. 
 
20 
 
 THE GALLERY. 
 
 No. 61. 
 
 TITIAN. 
 
 LANDSCAPE, WITH JUPITER AND ANTIOPE. 
 
 Being a view of the Castle and Town of Cadore, where Titian was born, 
 1477: painted for the Superior of a Monastery, where it remained until 
 1783. 
 
 This picture was purchased at a very high price, by the late Mr. Agar, 
 from Gavin Hamilton, who considered it to be one of the finest Landscape 
 specimens of the Artist ; and it was so highly esteemed by the purchaser, 
 that he freighted a vessel for the sole purpose of bringing it to this country. 
 On Canvas. 6 ft. in. high. 8 ft. 6 in. wide. 
 
 No. 62. 
 CLAUDE LORRAINE. 
 
 LANDSCAPE: CHRIST'S SERMON ON THE MOUNT. 
 
 " And seeing multitudes, he went up into a mountain : and when he was 
 sat down, his Disciples came unto him — St. Matt. ch. v. verses 6 and 7. 
 
 This extraordinary and noble Landscade was saved from a destructive 
 fire which consumed the magnificent seat of Mr. Beckford, at Fonthill. 
 Besides many other rare and valuable works of Art that were burnt on that 
 occasion, we have to regret the loss of the series of Pictures by Hogarth, o* 
 the Harlot's progress. 
 
 On Canvas. 5 ft. 6 in. high. 8 ft. 6 in. wide. 
 
N?6i 
 
 CLAUDE. 
 
- 
 
CL.AITBE. 
 
v 
 
THE GALLERY. 
 
 21 
 
 No. 63. 
 
 GUIDO RENI. 
 FORTUNE. 
 
 A repetition of the Picture in the Capitol, purchased in Italy for the late Lord 
 Grosvenor, by Mr. Dalton. 
 
 On Canvas. 5 ft. 2^ in high. 4 ft. 21 in. wide. Engraved by Sir Robert L' Estrange. 
 
 4 ft. 21 in. wide. 
 
 No. 64. 
 
 CLAUDE LORRAINE. 
 LANDSCAPE: EVENING. 
 
 This and the Companion Picture, were esteemed as the most valuable in the Agar 
 Collection, which was justly celebrated throughout Europe for containing eleven 
 fine specimens of Claude ; being only equalled, in this respect, by Mr. Coke's, at 
 Holkham. 
 
 After the death of Mr. Agar, it was determined to bring the whole of his Collection 
 to public sale ; and the disposal of it was confided to an agent, not less distinguished 
 for his fine taste and judgment, than for his honourable zeal in promoting the inte- 
 rests of those who consign property to his care. A considerable sensation was 
 produced by the announcement of the sale. The Pictures had already been removed 
 to Pall-mall : and notices of the intended auction having been transmitted to every 
 part of the Continent, many persons willing to become purchasers had arrived; but 
 only in time to learn, that the entire Collection was destined to add to the mag- 
 nificence of Grosvenor House. 
 
 For this Picture and its Companion, the sum of eight thousand pounds was offered 
 by a foreign dealer. 
 
 On Canvas. 3 ft. 21 in. high. 4 ft. 9 in. wide. 
 
 No. 66. 
 
 A. SACCHI. (Xd^ux/Huii^ 
 ST. BRUNO. 
 
 Founder of the Carthusian Order. 
 
 This Picture was formerly in the possession of Lord Bessborough, and is perhaps 
 the only one in the Grosvenor Collection which can be considered as not agreeable, 
 from the subject ; it was selected by the present Earl as a good specimen of this 
 scarce Master. 
 
 St. Bruno was born at Cologne, in 1030. In 1084 he went into voluntary retire- 
 ment, with six companions, to a desert, which was assigned to him by the Bishop 
 of Grenoble. They lived in separate cells, it being their practice to pass six days of 
 the week in seclusion. One of their rules enjoined perpetual silence. This retire- 
 ment continued for six years, when Pope Urban II. who had been Bruno's pupil, 
 invited him to Rome, and pressed him to accept the Archbishoprick of Reggio. 
 
 St. Bruno declined the offer, and was permitted to retire to a wilderness, among 
 the mountains of Calabria, where he settled in 1090, and died 1101. 
 
 3 ft. 11 in. wide. Engraved by Mitan. 
 
 5 ft. 8 in. high. 
 
 No. 67. 
 
 CLAUDE LORRAINE. 
 LANDSCAPE: MORNING. 
 The Companion to No. 64. 
 On Canvas. 3 ft. 3 in. high. 4 ft. 9 in. wide. 
 
 7 
 
22 
 
 THE GALLERY. 
 
 No. 65. 
 
 RUBENS. 
 
 THE ISRAELITES GATHERING THE MANNA. 
 
 This Picture was painted as a Companion to the Elisha, in the Louvre. 
 
 " And when the dew that lay was gone up, behold, upon the face of the wil- 
 derness there lay a small round thing, as small as the hoar frost on the ground." 
 
 " And when the children of Israel saw it, they said one to another, it is manna : 
 for they wist not what it was. And Moses said unto them, this is the bread which 
 the Lord hath given you to eat." 
 
 " And the children of Israel gathered some more, some less." 
 
 Exod. chap. 16, v. 14, 15, 17. 
 
 It may not be improper in this place, to notice the superior taste of the 
 female with the basket on her head, for which Rubens is indebted to Raphael. 
 His acquaintance with, and admiration of, the Cartoons, is well known ; 
 and it was through his influence that they were purchased by the Duke of 
 Buckingham, for Charles the First. 
 
 Rubens has, in several of his Pictures, availed himself of other parts of 
 the Cartoons, and particularly of the twisted columns, which, although 
 possessing no beauty in themselves, give an appearance of splendour to this 
 picture ; and to the " Gate of the Temple." 
 
 On Canvas. 16 ft. high. 13 ft. 7 in. wide. 
 
* • 
 
irt66. 
 
 RUBERS. 
 
TZATE 23. 
 
 N°6P. 
 
4+1*1 ) 
 
THE GALLERY. 23 
 
 No. 68. 
 
 RUBENS. 
 THE EVANGELISTS. 
 
 This is one of the series of Pictures presented to the Due d'Olivarez, by 
 Philip the Fourth of Spain, to decorate the Convent of Loeches. See 
 No. 60. 
 
 On Canvas. 14 ft. high. 14 ft. 6 in. wide. 
 
24 
 
 THE GALLERY. 
 
 No. 69. 
 
 MURILLO. tyAHk 
 THE MEETING OF JACOB AND LABAN. k\ itiVWv^ ^Jf^ 
 
 This Picture formed the centre of a series painted by Murillo for the Marquis of Santiago. 
 On the French Army taking possession of Madrid, it was selected, with many other works of 
 Art by General Sebastiani, as part of the contributions levied on that occasion. 
 
 On Canvas. 8 ft. high. 10 ft. 1 in. wide. 
 
 Mr. Cumberland, in his "Anecdotes of Eminent Painters in Spain," makes the fol- 
 lowing mention of these Pictures : 
 
 " The great historical paintings of the Life of Jacob, in the possession of the Marquis de Santiago, at Madrid, 
 are the finest compositions which I have seen of Murillo, and was I to follow no better authority than the 
 impression left on my feelings by those wonderful representations of nature, and put to make at once an 
 unstudied choice, I am inclined to think I should take those canvases before any I have ever seen, one miracle 
 of art alone excepted — The Venus of Titiano." See pages 101 and 102. 
 
 " There are many Pictures by Murillo in private hands throughout the Kingdom, but of these the most 
 valuable are in the hands of the Marquis de Santiago, at Madrid; they consist of five grand compositions, 
 exhibiting the life of Jacob in the different periods of his history ; these pictures were originally in the 
 Collection of the Marquis of Villamanrique ; the first design was to have had the life of David painted by 
 Murillo, and the back-ground by Ignacio Iriarte, of Seville, who excelled in that branch of the art. 
 
 " Murillo desired Iriarte to paint the landscapes, and he would afterwards place the figures; Iriarte, on the 
 other hand, contended for Murillo' s painting the figures before he filled up the back-ground. To remedy 
 this difficulty, Murillo executed the whole without Iriarte's assistance, taking Jacob's history instead of 
 David's; and thus it came to pass, that these extraordinary Pictures remain a monument of Murillo's genius 
 in every branch of the art, and a treasure truly inestimable in the possession of a family, which by the precau- 
 tion of an absolute entail, has guarded against any future possibility of alienation.'' Pages 124 and 125. 
 
 kjusu**- claud'e. ^ CT . ^M^^ker 
 
 LANDSCAPE, EVENING; THE DECLINE OF THE ROMAN EMPIRE. 
 A repetition, on a small scale, of the Picture at Longford Castle, in Wiltshire, the seat of 
 the Earl of Radnor. From the Agar Collection. 
 
 On Canvas. 2 ft. 7 in. high. 3 ft. 6 in. wide. Engraved by Woollett. 
 
 No. 71. 
 
 N1COLO POUSSIN. 'SM^ ^ iS- 
 
 HOLY FAMILY, WITH ANGELS. '^.U^ ( U'/^^ > 
 
 From the Lansdowne Collection. {-. j*Vs 
 
 On Canvas. 2 ft. 10 in. high. 2 ft. 2 in. wide. Engraved by Bartolozzi. 
 
 No. 72. BLr JoM-l 
 
 CLAUDE. • 
 LANDSCAPE, MORNING: THE RISE OF THE ROMAN EMPIRE ^ 
 The Companion to No. 70. From the Agar Collection. 
 
 On Canvas. 2 ft. 1 in. high. 3 ft. 2 in wide. 
 
r 
 
H\ Potus sift. 
 
THE GALLERY. 25 
 
 No. 73. 
 
 RUBENS. 
 
 THE FATHERS OF THE CHURCH. 
 
 Pope Gregory, St. Jerome, Ambrose, and Augustin , with the Arch- 
 Duchess Isabella Clara Eugenia, the great friend and patron of Rubens, in 
 the character of St. Clair, carrying the consecrated Host in a pix, attended 
 by the Dominican, Thomas Aquinas, and Saint Norbert. 
 
 This is one of the series of Pictures presented by Philip the Fourth to the 
 Duke d'Olivarez. See No. 60. 
 
 On Canvas. 14 ft. high. 14 ft. 6 in. wide. 
 
 E 
 
26 
 
 THE GALLERY. 
 
 No. 74. 
 
 A. DEL SARTO. U is 
 
 HOLY FAMILY, WITH SAINT JOSEPH AND SAINT 
 
 ELIZABETH. 
 
 A repetition of the Picture in the Louvre. From the Agar Collection. 
 On Canvas. 4 ft. 7 in. high. 3 ft. 2 in. wide. 
 
 No. 75. 
 TITIAN. 
 
 THE WOMAN TAKEN IN ADULTERY. 
 From the Barberini Gallery. 
 
 " And the Scribes and Pharisees brought unto him a woman taken in Adultery. 
 
 M>M K0.S2. 
 
 " Now Moses in the law commanded us that such should be stoned: but what \#> 
 sayestthou?" YH^«^ 
 " He that is without sin among you, let him first cast a stone at her." 
 
 St. John, chap. 8, v. 3, 5, 7. 
 
 The figure on the Left, with the paper in his hand, is supposed to be a 
 Portrait of the person for whom the Picture was painted. 
 
 This Picture was brought to Paris by a French Officer, and subsequently 
 purchased by Earl Grosvenor. It is in fine preservation, and few Pictures 
 of this great master of colour have remained in so pure a state. 
 
 On Canvas. 5 ft. 3 in. high. 6 ft. 8 in. wide. 
 
I 
 
TITIAN 
 
A 
 
THE GALLERY. 27 
 
 No. 76. 
 
 RUBENS. ^S^Sx^ 
 PORTRAITS OF HIMSELF AND HIS FIRST WIFE. 
 
 Rubens is represented as drawing the attention of his Wife to a distant 
 prospect ; the flowers were painted by Velvet Breughel, who was particu- 
 larly patronised by this great artist. 
 
 This Picture was purchased by the late Mr. Agar, from the celebrated 
 Collection of Sir Gregory Page Turner. 
 
 The learned connoiseur will not fail to recognize in this fine Picture an 
 allusion to the story of the celebrated Greek painter, Pausias, and Glycera 
 his Mistress. 
 
 On Canvas. 7 ft. 7 in. high. 6 ft. 2 in. wide. 
 
28 
 
 THE GALLERY. 
 
 No. 77. 
 
 LODOVICO CARRACCI. 
 
 HOLY FAMILY. l^lA v^> 
 
 From the Agar Collection. \\ , (VwLWu^ ' 
 
 The ancient Masters having devoted nearly the whole of their time to the 
 decoration of Churches and Monasteries, accounts for the frequent recur- 
 rence of this subject. The application of the Fine Arts to purposes of devo- 
 tion was not only permitted, but enjoined by the religion of their times. 
 
 On Canvas. 4 ft. 2 in. high. 3 ft. ^ in. wide. 
 
 Engraved by Raimbach. 
 
 No. 78. 
 
 RUBENS. 
 
 1XION EMBRACING THE FALSE JUNO. 
 
 Formerly in the celebrated Collection of Sir Gregory Page, of Blackheath ; from 
 whose son it was purchased by the late Mr. Agar. 
 
 On Canvas. 5 ft. 7 in. high. 8 ft. 1 in. wide. 
 
Z8 
 
 j 
 
 ■ 
 
1> 
 
 » 
 
Plate 
 
[29] 
 
 No. 79. 
 
 RUBENS. 
 TWO ANGELS. 
 From the Agar Collection. 
 
 This Picture is apparently a Study for one of his larger Compositions. 
 On Canvas. 3 ft. high. 2 ft. 5 in. wide. 
 
 No. 81. 
 
 THE TRIUMPH OF VENUS, 
 
 On Canvas. 3 ft. 7 in. high. 3 ft. 2 in. wide. 
 
 No. 80. 
 
 CORREGGIO. 1)14 
 
 HOLY FAMILY IN A LANDSCAPE. ^ 
 
 This exquisite Picture, in point of taste, colour, and composition, has not 
 been exceeded by the best examples of the Italian School ; it was held in 
 such estimation by Sir Joshua Reynolds, that he made an offer of two 
 thousand pounds for it to Mr. Agar. 
 
 On Canvas. 2 ft. 2 in. high. 1 ft. 7 in. wide. 
 
30 
 
 THE SALOON. 
 
 PIETRO DA CORTONA. 
 THE ANGEL APPEARING TO HAGAR. 
 
 v 
 
 Purchased many years since by the late Earl Grosvenor. 
 See Quotation, No. 19. Gen. chap. 16, v. 7 and 8. 
 On Wood. 3 ft. 8 in. high. 4 ft. 10 in. wide. 
 
 c 
 
 Mil 
 
 No. 83. 
 BERGHEM. /ol—Vv, 
 LANDSCAPE, WITH FIGURES AND CATTLE. 
 
 Formerly in the Collection of M. M. de Julienne ; de Gagnac, and de Gagny. 
 
 This Picture was disposed of at a public sale in Paris, about fifty years 
 since. Several English gentlemen appearing as competitors for it, agreed 
 that it should be purchased by one of their number, and that the possession 
 of it should be determined by drawing lots. Mr. Agar was the successful 
 adventurer, and we may form a judgment of the estimation in which the 
 Picture was held, by stating, that the price paid for it was twelve hundred 
 pounds. 
 
 On Canvas. 4 ft. 8 in. high. 6 ft. 10 in. wide. 
 
N'8z. 
 
THE SALOON. 
 
 31 
 
 No. 84. 
 
 P. VERONESE. f 5 2 ^ Ko . 
 
 THE SALUTATION. ^ fl tJJjtZ %4o 
 
 " And the Angel came in unto her, and said, hail, thou art highly favoured, 
 the Lord is with thee: blessed art thou among women." 
 
 " And when she saw him, she was troubled at his saying, and cast in her 
 mind what manner of salutation this should be." — St. Luke, ch. 1, v. 28, 29. 
 
 3 ft. 2 in. high. 2 ft. 5 in. wide. 
 
 No. 92. 
 
 PIETRO DA CORTONA. ' ^'(6, 
 
 THE MARRIAGE OF ST. CATHERINE. 
 
 On Canvas. 2 ft. 10 in. high. 2 ft. 5 in. wide. 
 
 No. 85. j 
 
 MURILLO. ^ ^ ^ ' ' 
 
 SAINT JOHN. Q&y fiy, 
 
 This Picture was brought from Genoa by Mr. Andrew Wilson, from whom it was 
 purchased by its present possessor. 
 
 On Canvas. 2 ft. 5 in. high. 2 ft. 9 in. wide. 
 
 No. 93. 
 
 \^ SASSO FERRATO. 5^ ^ ^ . 4f 
 
 VIRGIN AND CHILD, WITH SAINT JOHN. H NWU: ^r^*^ 
 
 From the Agar Collection. 
 On Canvas. 2 ft. 11 in. high. 2 ft. 4 in. wide. 
 
32 
 
 THE SALOON. 
 
 No. 86. 
 
 PHILIP DE KONING. 
 A VIEW IN NORTH HOLLAND. 
 
 On Canvas. 4 ft. 2 in. high. 5 ft. 6 in. wide. 
 
 No. 87. 
 
 JOHN ELIAS RIDINGER. 
 DEER IN A LANDSCAPE. 
 This Picture is the only known work of the Artist in this country. 
 On Wood. 8 in. high. 10 in. wide. 
 
 No. 90. 
 
 ALBANO. 
 THE VIRGIN AND CHILD. 
 
 On Copper. 9 in. high. 7 in. wide. 
 
 No. 89. 
 
 POLIDORO. 
 
 SAINT PETER. 
 
 This Picture, and the Companion, No. 91, were, originally, the doors of 
 a Cabinet, and have been esteemed the most exquisite works of the master in 
 his country. 
 
 On Wood. 8^ in. high. 3 in. wide. j P«AAvw ^> 
 
 No. 91. / U-.l^4(,Jv 
 
 POLIDORO. 
 SAINT PAUL. 
 Companion to No. 89. 
 On Wood. 8i in. high. 3 in. wide. 
 
J!-:>T. 
 
 Pox, ! ,".) OR O. 
 
 POLIDO ES.O. 
 
TRTfiYlSANI. 
 
« 
 
 7 
 
THE SALOON. 33 
 
 No. 94. 
 TREVISANI. 
 JOSEPH SOLD BY HIS BRETHREN. 
 
 " Then there passed by Midianites merchantmen : and they drew and lifted 
 up Joseph out of the pit, and sold Joseph to the Ishmaelites for twenty pieces of 
 silver : and they brought Joseph into Egypt. Genesis, ch. 37, v. 28. 
 
 On Canvas. 
 
 3 ft. 7 in. high. 5 ft. 2 in. wide. 
 
 No. 95. 
 TENIERS. 
 
 LANDSCAPE, WITH PORTRAITS OF THE ARTIST AND 
 
 HIS WIFE, 
 
 In conversation with a Gardener. O 
 In the back ground, across the water, is a view of the Castle of Teniers. 
 From the Collection of the late Marquess of Lansdowne. 
 
 On Canvas. 4 ft. high. 8 ft. 3 in. wide. ^Vt). \ (d^&t 
 
 Gvi/*S)KuLj ^T«->v-v»~^ fX/rf*^—, ^VW\ , 
 
 F 
 
34 
 
 THE SALOON. 
 
 No. 97. 
 
 ANDREA DEL SARTO. 
 HOLY FAMILY. 
 
 From the Agar Collection. 
 On Canvas. 2 ft. 6 in. high. 1 ft. 10 in. wide. 
 
 No. 96. 
 
 VANDYKE. 
 THE MARRIAGE OF ST. CATHERINE. 
 
 From the Agar Collection. 
 On Canvas. 3 ft. 7 in. high. 3 ft. wide. 
 
 no. 98. %$rcl . Bvtr 
 
 GASPAR POUSSIN. 
 VIEW OF THE SYBIL'S TEMPLE AT TIVOLI. 
 
 I 
 
 bra 
 
 This Picture was purchased at Lord Waldegrave's sale. The Compa- 
 nion, the Fall at Tivoli, was, at the same time, sold to the late Lord Ash- 
 burnham, and is now in the possession of the present Earl. 
 
 Both Pictures have been extremely well engraved for " Pond's Collec- 
 tion of Landscapes from Claude and Poussin. 
 
 Oval, on Canvas. 3 ft. 3 in. high. 2 ft. 8 in. wide. 
 
A.I3E3. SARTO. 
 
 Pot .so j ES . 
 
Both. 
 
[35] 
 
 No. 101. 
 
 RUBENS. £*X> 
 SARAH SENDING AWAY HAGAR. 
 From the Agar Collection. 
 
 Mrs. Siddons was so much struck with the dignified attitude of Sarah, 
 that she considered it as a model worthy of her imitation, and visited the 
 Agar Collection several times for the express purpose of studying it. 
 On Wood. 2 ft. 4 in. high. 3 ft. 4 in. wide. 
 
 CUYP. 
 
 LANDSCAPE, FIGURES AND CATTLE. 
 This Picture is exquisitely painted, and a true representation of nature. 
 On Wood. 1 ft. 4 in. high. 1 ft. 10 in. wide. 
 
 No. 100. 
 
 CUYP. 
 SHEEP. 
 
 This Picture is esteemed as a fine specimen of the Artist. 
 On Wood. 1 ft. 1§ in. high. 2 ft. 2 in. wide. 
 
 ft [f] icff) No. 105. 
 
 BOTH. 
 
 LANDSCAPE, WITH FIGURES. f ^ 
 
 V / H*-n ^ Canvas. 3 ft. 6 in. high. 4 ft. 3 in. wide. 
 
36 
 
 ANTI DINING ROOM. 
 
 No. 104. 
 
 WOUWERMANS. 
 A HORSE FAIR. 
 
 On Canvas. 1 ft. 11 in. high. 2 ft. 2 in. wide. 
 
 No. 103. 
 
 TENIERS. 
 
 A DUTCH FAMILY SAYING GRACE 
 
 On Wood. 1 ft. 2 in. high. 1 ft. 9± in. wide. 
 
 VW. 6tM~oAr*JL tJm^c^ \% .f«L 1774(61) 
 
 No. 102. 
 
 REMBRANDT. 
 HIS OWN PORTRAIT WHEN YOUNG. 
 
 From the Collection of M. de Calonne. 
 This Picture is said to be the earliest known representation of the Artist. 
 In point of finishing, it is equal to the finest works of Gerrhard Douw ; and 
 was one of the first Pictures added to this Gallery by the present Proprietor. 
 On Wood. 1 ft. 31 in. high. 11 in. wide. 
 
 L 
 
 No. 106. 
 
 RUBENS. 
 
 A VIEW IN HOLLAND, WITH HARVEST PEOPLE. 
 
 This Picture will be viewed with particular interest, being the work of 
 the celebrated Artist at the age of 1 8 or 20. 
 
 On Wood. 1 ft. 21 in. high. 1 ft. 10 in. wide. 
 
 No. 107. 
 
 TENIERS. 
 
 AN INTERIOR, WITH FIGURES SMOKING. 
 
 On Canvas. 1ft. 10 in. high. 2 ft. 2 in. wide. 
 
*. 
 
PLATE 3d 
 
 WOUWIRMAKS. 
 
 y°i07. 
 
. v. 
 
ANTI DINING ROOM. 
 
 37 
 
 No. 108. 
 
 FYT. 
 
 A HAWK AND OTHER BIRDS. 
 
 On Canvas. 3 ft. 1 in. high. 4 ft. 3 in. wide. 
 
 Iftr^o. tic To-At- 
 
 On Canvas. 
 
 No. 113. 
 
 FYT. 
 DEAD GAME. 
 
 3 ft. 2 in. high. 4 ft. 5 in. wide. 
 
 No. 112. 
 
 VANGOYEN. 
 VIEW OF A TOWN IN HOLLAND. 
 
 On Wood. 2 ft. 2 in. high. 3 ft. 1 in. wide. 
 
 £v4 t6^£- 
 
 No. 109. 
 
 HOBBEMA. 
 A FOREST SCENE: 
 
 WITH FIGURES PAINTED BY A. VANDEVELDE. 
 From the Agar Collection, and formerly in the possession of Mon. Fiziau of 
 
 Amsterdam. 
 On Canvas. 2 ft. 11 in. high. 4 ft. 1 in. wide. 
 
 No. 114. 
 
 HOBBEMA. 
 A FOREST SCENE: 
 
 v<r>V 
 
 From the Agar Collection, and formerly in the possession of Mon. Fiziau of 
 
 Amsterdam. 
 2 ft. 10 in. high. 3 ft. 11 in. wide. f\ 
 
 WITH FIGURES PAINTED BY A. VANDEVELDE. 
 
 On Canvas. 
 
38 
 
 ANTI DINING ROOM. 
 
 No. 110. 
 
 CUYP. 
 
 A MOONLIGHT, WITH CATTLE. 
 
 On Wood. 2 ft. 4 in. high. 1 ft. 7 in. wide. 
 
 No. 111. 
 
 CUYP. 
 
 A RIVER VIEW, WITH BOATS AND FIGURES. 
 
 This Artist has been justly celebrated for his correct representation of the 
 particular times of the day. The glow of heat in a calm summer's day is 
 given with all the truth of nature. 
 
 On Wood. 2 ft. 2 in. high. 1 ft. 6 in. wide. 
 
 No. 115. 
 
 PAUL POTTER. 
 
 LANDSCAPE; A VIEW NEAR THE HAGUE, WITH CATTLE 
 
 AND FIGURES. 
 
 This Picture was painted for Van Slinglandt, in whose possession it 
 remained until the year 1750, when it was purchased by a celebrated Col- 
 lector, and taken to Paris; it was afterwards sold to Mr. Crawford, of 
 Rotterdam, at a public auction in that city for £1350. It is worthy of 
 remark, that after a lapse of nearly two hundred years, the scenery remains 
 in the state the Artist saw it ; and the house with a turret in the distance, now 
 the property of a friend of Mr. Crawford, is scrupulously preserved unal- 
 tered ; exhibiting an uncommon instance of forbearance, and respect for a 
 spot which promises to be immortalised by the fascinating pencil of Potter. 
 On Wood. 1 ft. 6 in. high. 1 ft. 8 in. wide. 
 
 No. 116. 
 
 A. VANDEVELDE. 
 A FARM YARD, WITH CATTLE. 
 
 From the Le Brim Cabinet. 
 On Canvas. 1 ft. 7 in. high. 1 ft. 11 in. wide. 
 
> 
 
I'ZATE 
 
^ 
 
ANTI DINING ROOM. 
 
 39 
 
 No. 119. 
 
 LE NAIN. 
 
 AN ITALIAN SCENE, WITH FIGURES. 
 
 On Canvas. 1 ft. 9| in. high. 2 ft. 1 in. wide. 
 
 Hf2- No . 120. 
 
 REMBRANDT AND TENIERS. 
 
 LANDSCAPE, WITH FISHERMEN. 
 
 The Figures in the foreground of this Picture are from the Pencil of Teniers, who 
 afterwards selected it for his private Collection. 
 
 On Wood. 3 ft. 7 in. high. 5 ft. 2 in. wide. 
 
 r 
 
 No. 121. 
 
 CHEV. VANDERWERF. 
 
 HOLY FAMILY. 
 
 From the Agar Collection. 
 
 This Picture was painted for the Elector Palatine, who presented it to Cardinal 
 Ottoboni. 
 
 On Canvas. 1 ft. 9i in. high. 
 
 '■AAA. a 
 
 1 ft. b\ in. wide. 
 
 No. 122. 
 
 REMBRANDT. 
 THE VIRGIN AND SAINT ELIZABETH. 
 
 This celebrated Picture, which, on the Continent, was considered as the chef 
 d'oeuvre of the master, was formerly in the collection of the King of Sardinia, and 
 was added to this Gallery in 1812. 
 
 The date shews it to have been executed when the Artist was only thirty-four 
 years of age, and before he had adopted his latter style. 
 
 The subject is taken from the description given by Saint Luke, of Mary's visit to 
 Elizabeth, previous to the birth of our Saviour. 
 
 At the moment of Mary's Salutation, Elizabeth spoke out with a loud voice, 
 
 " BLESSED ART THOU AMONG WOMEN." 
 
 On Wood. 1 ft. in. high. 1 ft. 7 in. wide. Engraved by Burnett. 
 
 No. 123. 
 
 GERRHARD DOUW. 
 
 INTERIOR OF A CHAMBER; A WOMAN SUCKLING 
 
 A CHILD. 
 From the celebrated Cabinet of the Due de Praeslin. 
 
 Of all the Flemish Painters this artist holds the most conspicuous rank. He was 
 not less distinguished for the sweetness of his pencil, than by the truth of his co- 
 louring; while he is allowed to have excelled all others in delicacy and finishing. 
 His pictures have been equally the objects of admiration of his own countrymen, 
 and with the connoisseurs in Italy; and they have always been sold at high prices. 
 Many of the most celebrated collections boast the possession of even a moderate 
 specimen, while this is esteemed among the finest of his works. 
 
 The Companion Picture is in his Majesty's Collection. 
 
 On Canvas. 1 ft. 7 in. high. 1 ft. 3 in. wide. 
 
1 
 
 40 ANTI DINING ROOM. 
 
 No. 117. 
 
 REMBRANDT. 
 PORTRAIT OF THE WIFE OF BERGHEM. 
 
 On Wood. 2 ft. 1 in. high. 2 ft. 4 in. wide. 
 
 No. 124. 
 
 REMBRANDT. 
 
 PORTRAIT OF BERGHEM. 
 
 This Picture, and the Companion, No. 1 17, appear to have been painted 
 when Berghem was about thirty years old, and consequently, when Rem- 
 brandt was forty-eight. They were added to this Collection by the late 
 Earl Grosvenor. 
 
 The real name of this artist was Van Haerlem ; and it is said, that while 
 pursuing his studies under Van Goyen, he was one day followed by his 
 father to his master's house for the purpose of chastising him ; and Van 
 Goyen wishing to screen him from the effects of his father's rage, called out 
 to his other scholars, " Berg-hem," which means " hide him," by which 
 name he was afterwards known. 
 
 On Pannel. 2 ft. 8 in. high. 2 ft. 2 in. wide. 
 
 No. 118. 
 
 REMBRANDT. 
 A MAN WITH A HAWK. 
 
 On Canvas. 3 ft. 7 in. high. 3 ft. 1 in. wide. 
 
 No. 125. 
 
 REMBRANDT. 
 PORTRAIT OF A LADY. 
 
 On Canvas. 3 ft. 7 in. high. 3 ft. 1 in. wide. 
 
TE 40. 
 
HEMERANB.T. 
 
 REMBRANDT. 
 
*2?°128. 
 
 S ?AGNO L E T T €> , 
 
b3 
 
[41] 
 
 mining, maont 
 
 No. 126. 
 
 On Canvas. 
 
 GUERCINO. ^S'M ^ 
 
 A MADONNA. 
 
 2 ft. 11 in. high. 2 ft. 4 in. wide. ^ ft^Cu-j , ' 'J 
 
 No. 128. 
 
 ZUCCHERELLI. ^ 
 MACBETH, WITH THE WITCHES. 
 
 *> — -"/Vv <rv\ . 
 
 This is the original Picture; but an objection being taken to its shape by Woollet, 
 his Print was engraved from a repetition, in the Collection of the late Mr. Purling. 
 
 On Wood. 2 ft. 7 in. high. 4 ft. 7 in. wide. j ^p^, Jk^^^. 
 
 No. 127. 
 
 SPAGNOLETTO. 
 
 DIOGENES. w ^ _ . 
 
 On Canvas. 3 ft. 10 in. high. 3 ft. 2 in. wide. 
 G 
 
42 
 
 DINING ROOM. 
 
 No. 129. 
 
 VERNET. 
 
 A SEA PORT: VIEW IN THE MEDITERRANEAN. 
 
 ENRICHED WITH BUILDINGS, SHIPPING, AND FIGURES. 
 
 Painted for the late Marquess of Lansdowne, at the price of five hundred guineas, 
 and allowed to have been one of the finest Pictures of this Master. 
 
 On Canvas. 5 ft. 3 in. high. 8 ft. 6 in. wide. 
 
 No. 130. 
 
 MIGNON. 
 A FLOWER PIECE. 
 
 On Canvas. 11 in. high. 9 in. wide. 
 
TLAT£ 4Z. 
 
PLATE 
 
 17°i3z. 
 
*1 
 
 Z4 
 
DINING ROOM. 
 
 43 
 
 No. 131. 
 
 MENGS. 5 ; u ^ 
 
 JOSEPH'S DREAM. VK lr M W 
 
 " But while he thought on these things, behold the Angel of the Lord 
 appeared unto him in a dream, saying, Joseph, fear not to take unto thee Mary 
 thy wife : for that which is conceived in her, is of the Holy Ghost. 
 
 St. Matthew, ch. i. v. 20. 
 
 This Picture was presented to the Duke of Dorset, by the late Earl Cowper. 
 
 On Wood. 3 ft. 6 in. high. 2 ft. 8 in. wide. 
 
 No. 132. 
 
 CLAUDE. 
 
 LANDSCAPE. 
 
 From the Agar Collection. 
 On Canvas. 2 ft. 4i in. high. 3 ft. 2 in. wide. 
 
 No. 133. 
 
 MORALES. 
 
 SAINT VERONICA. C>~Ula 
 
 Although this Picture, from its strong resemblance to the Spanish School, ^ 
 has been given to Morales, the fact is not exactly ascertained ; but its merits 
 are such as entitle it the distinguished rank it has obtained. 
 
 On Canvas. 3 ft. 4 in. high. 2 ft. 5 in. wide. 
 
44 
 
 DINING ROOM. 
 
 No. 136. 
 
 RUBENS. 
 THE WISE MEN'S OFFERING. 
 
 From the Collection of the late Marquess of Lansdowne. 
 
 " And when they were come into the house, they saw the young child with 
 Mary his mother, and fell down and worshipped him : and when they had 
 opened their treasures, they presented unto him gifts, gold, frankincense, and 
 myrrh." Saint Matthew, ch. ii. v. 11. 
 
 This Picture was painted for the altar-piece of the Chapel of White Nuns, 
 at Lovain, and has been considered on the Continent, to be a chef d'ceuvre 
 of this great Master ; with the singular reputation of having been enti re- 
 painted by himself in eleven days. 
 
 On Canvas. 10 ft. 9 in. high. 8 ft. 1 in. wide. 
 
Rubens . 
 
\ 
 
Finite 
 
 „ , . 1 Wfi 3 7 
 
 SCHH>OITE . 
 
DINING ROOM, 
 
 45 
 
 V 
 
 No. 134. 
 
 SALVATOR ROSA. 
 HIS OWN PORTRAIT. 
 
 This Artist has been equally celebrated as a Poet and a Painter. He is 
 here exhibited as a poet, in the act of writing ; and from the strong marks 
 of individuality in the countenance, the Portrait has the appearance of 
 
 having been a correct resemblance. 
 
 On Canvas. 
 
 4 ft. 5 in. high. 3 ft. 1 in. wide. 
 
 R-Vrl 
 
 No. 137. 
 
 SALVATOR ROSA. 
 THE MARYS AT THE TOMB. 
 
 " In the end of the Sabbath, as it began to dawn, came Mary Magdalene, 
 and the other Mary, to see the sepulchre." 
 
 " The angel of the Lord descended from Heaven, and came 
 
 and rolled back the stone from the door, and sat upon it." 
 
 " And the Angel said unto the women, Fear not ye, for I know that ye seek 
 Jesus which was crucified." 
 
 " He is not here : for he is risen, as he said: Come, see the place where the 
 Lord lay. St. Matthew, c. xxviii. v. 1,2, 5, 6. 
 
 On Canvas. 4 ft. 4 in. high. 3 ft. in. wide. 
 
 1 U 
 
 1 
 
 / y 
 
 1^ 
 
 7 
 
 No. 135. 
 
 PARMIGIANO. 
 THE VISION OF ST. JEROME. 
 
 A model for the celebrated large Picture, now in the Collection of George 
 
 Watson Taylor, Esq. 
 
 On Wood. 
 
 1 ft. 5 in. high. 1 ft. 1 in. wide. 
 
 No. 138. 
 SCHIDONE. 
 
 MAGDALEN, WITH ANGELS. 
 
 l^o 1 r - (vl J 0n Canvas , j ft< 31 in- high, ! ft , l i in . wide . 
 
 3^ 5r^< 
 
46 
 
 DINING ROOM. 
 
 No. 139. 
 
 HORIZONTE. 
 LANDSCAPE. 
 
 On Canvas. 4 ft. 4 in. high. 3 ft. wide. 
 
 No. 142. ■ . . , 
 
 VELASQUEZ. ^3 ^ ^^J^ ' 
 
 PORTRAIT OF THE PRINCE OF ASTURIAS. 
 
 Son of Philip the IVth. attended by the Due d'Olivarez and other Officers 
 of State at the gate of the Palace. 
 
 On Canvas. 4 ft. 9 in. high. 3 ft. 2 in. wide. 
 
 No. 140. 
 
 ANDREA DEL SARTO. 
 HEAD OF ST. JOHN. 
 A Study for one of his large Pictures. 
 On Wood. 10 in. high. 8 in. wide. 
 
 No. 141. 
 
 TINTORETTO. 
 THE VIRGIN AND CHILD. 
 From the celebrated Collection of M. de Calonne. 
 On Canvas. 2 ft. 4| in. high. 2 ft. wide. 
 
 No. 143. 
 
 ANDREA DEL SARTO. ] *°) l ** ^"j 
 
 A HEAD OF CHRIST. \fl . |U~ 
 
 A Study ; Companion to No. 1 40 
 On Wood. 10 in. high. 8 in. wide. 
 
'J? LATE 46 
 
AN ALPHABETICAL LIST OF THE MASTERS, 
 
 WITH REFERENCES TO THEIR PERFORMANCES. 
 
 Place of Nativity. Date. Death. 
 
 Albano, Francesco, - Bologna, - - 1578 1640 
 Saloon, 81, 90. 
 
 Bartolomeo, Francesco, ^ ^^"nS*™ \ 1469 1517 
 
 Drawing Room, 43. 
 Bassano, Giacomo, - Bassano, - - 1510 1592 
 
 Drawing Room, 53. 
 Bellini, Giovanni, - Venice, - - 1422 1512 
 
 Drawing Room, 32, 40. 
 Be rretini, P. da Cortona, Cortona, - - 1596 1669 
 
 Saloon, 82, 92. 
 Berghem, Nicholas, - Haerlem, - - 1624 1683 
 
 Saloon, 83. 
 
 Both, John, - - - Utrecht, - - 1610 1650 
 
 Anti Dining Room, 105. 
 Barroccio, Frederick, - Urbino, - - 1528 1612 
 
 Drawing Room, 45, 57. 
 Bran, Charles Le, - Paris, - - 1619 1690 
 
 Drawing Room, 47. 
 
 C analetti, 
 
 - Venice, 
 
 Anti Room, 8. 
 Carracci, Lodovico, - Bologna, 
 
 Drawing Room, 28. Gallery, 77. 
 Chamberlain, Mason, - 
 
 Anti Room, 1. 
 Chalon, J. J. - - - 
 
 Anti Room, 15. 
 
 1697 1768 
 1555 1619 
 1787 
 
 1600 1682 
 
 Claude, ----- Lorraine, 
 Drawing Room, 27, 29, 46. Gallery, 59, 
 62, 64, 67, 70, 72. Dining Room, 132. 
 
 Correggio, - - - - 1494 1534 
 
 Saloon, 80. 
 
 Cuyp, - - - Dort, - - - 1606 
 
 Anti Dining Room, 99, 100, 110, 111. 
 
 Domenichino, - Bologna, - - 1581 1641 
 
 Drawing Room, 21, 22. 
 Douiv, Gerrhard, - - Leyden, 
 
 Anti Drawing Room, 123. 
 
 - 1613 1674 
 
 Fytt, 
 
 Place of Nativity. 
 - - - Antwerp, - 
 
 Date. Death. 
 1625 
 
 Anti Dining Room, 108, 113. 
 
 Gainsborough, Thomas Sudbury, - - 1727 1788 
 
 Anti Room, 11, 16. 
 Guido, Reni, - - - Bologna, - - 1575 1642 
 
 Drawing Room, 37, 44, 48, 55. Gallery, 63. 
 Guercino, - - - - Cento, - - 1590 1666 
 
 Dining Room, 126. 
 
 Hogarth, William, - London, - - 1698 1764 
 
 Anti Room, 5. 
 Hoppner, John, - - London, - - 1758 1810 
 
 Anti Room, 6, 10, 17. 
 
 Hobbema, - - - \ Antwerp or > a ^ QUt \q\\ 
 
 ( Haerlem. $ 
 
 Anti Dining Room, 109, 114. 
 
 Horizonte, - - Antwerp, - - 1656 1740 
 
 Dining Room, 139. 
 
 Koning, de, - 
 Saloon, 86. 
 
 - - Amsterdam, 
 
 1619 1689 
 
 Lehj, Sir Peter, - - Soest, Westphalia, 1617 1680 
 
 Anti Room, 3. 
 Loutherbourgh, J. P. Strasburg, - - 1734 1812 
 
 Anti Room, 7. 
 
 Marratti, Carlo. Camorara near Ancona, 1625 1713 
 
 Drawing Room, 19, 31. 
 Murillo,, - - Pilos, near Seville, 1613 1685 
 
 Drawing Room, 52. Gallery, 69. Saloon, 85. 
 Mignon, Ab. - - - Franckfort, - 1639 1679 
 
 Dining Room, 130. 
 Mengs,Antonio Raphael, Auszig in Bohemia,1728 1779 
 
 Dining Room, 131. 
 Morales, - Badajos, - - 1509 1586 
 
 Dining Room, 133. 
 
 Northcote, James, - 
 
 Anti Room, 13. 
 
AN ALPHABETICAL LIST OF THE MASTERS, &c. 
 
 Place of Nativity. Date. Death. 
 
 Poiissin, Gaspar, - - Rome, - - - 1600 1663 
 
 'Dining Room, '23, 42. Saloon, 98. 
 Poussin, Nicolo, - Andel in Normandy 1594 1665 
 
 Drawing Room, 34, 36, 38. Gallery, 71. 
 Pietro Perugino, - Perusia, - - 1446 1524 
 Drawing Room, 24. 
 
 Parmigiano, - Parma, - - 1504 1556 
 
 Drawing Room, 30. Dining Room, 135. 
 
 Polidoro, 
 
 Saloon, 89, 91. 
 Potter, Paul, - - - Enkhuysen, 
 
 1625 1654 
 
 Anti Dining Room, 115. 
 
 Reynolds,Sir Joshua, Plympton, Devon. 1723 1792 
 
 Drawing Room, 25. 
 Raphael, da Urbino, 1483 1520 
 
 Drawing Room, 41, 49, 50, 54, 56. 
 Ilubcns, Sir Peter Paul, Cologne, - - 1577 1640 
 
 Drawing Room. 51. Gallery, 60, 6/i, 65, 
 68, 73, 76. psaloon, 79. Anti Drawing 
 Room, 101. 106. Dining Room, 136. 
 Ridinger, John Elias, Ulm, in Swabia, 1695 
 
 Saloon, 87. 
 
 Rembrandt, near Leyden, - 1606 1668 
 
 Anti Dining Room, 102, 117, 118, 120, 
 122, 124, 125. 
 Rosa, Salvator, - - Naples, - - 1614 1673 
 
 Dining Room, 134, 137. 
 
 Stubbs, George, - - Liverpool, - 1724 1806 
 
 Anti Room, 2, 9. 
 
 Sarto, Andrea del, - Florence, - - 1488 1530 
 
 Drawing Room, 35. Gallery, 74. Saloon, 97. 
 
 Dining Room, 140, 143. 
 
 Snyder s, Francis, - - Antwerp, - - 1579 1657 
 
 Gallery, 58. 
 
 Schidone, Bartolomeo, Modena, - - 1560 1616 
 Dining Room, 138. 
 
 1'lace of Nativity- 
 - Rome, 
 
 Date. Death. 
 1594 1668 
 
 Sacchi, Andrea, 
 Gallery, 66. 
 
 Spagnoletto, - - - Sativa, in Spain, 1589 1656 
 
 Dining Room, 127. 
 Titian ----- Friuli,Ven. Terr. 1480 1576 
 
 Drawing Room, 26. Gallery, 75, Zfe 
 Trevisani, Francesco - Trieste, - - 1656 1746 
 
 In the Saloon, 94. 
 Teniers, David, - - Antwerp, - - 1610 1694 
 
 Saloon, 95. Anti Dining Room, 103, 107, 
 120. 
 
 Tintoretto, - - - - Venice, - - 1512 1594 
 Dining Room, 141. 
 
 Vinci, Lionardo da, - Florence, - - 1445 1520 
 Drawing Room, 20. 
 
 Vandevelde, A. - - Amsterdam, - 1639 1672 
 
 Anti Dining Room, 116. 
 Velasquez, Don Diego, Seville. - - 1594 1660 
 
 Drawing Room, 33. Dining Room, 142. 
 Veronese, Paolo, - - Verona, - - 1530 1588 
 
 Drawing Room, No. 39. 
 Vandyck, Sir Anthony, Antwerp, - - 1599 1641 
 
 Saloon, 96. 
 
 Vangoyen, John, - - Leyden, - - 1596 1656 
 
 Anti Dining Room, 112. 
 Vanderwerf, Adrian, - Rotterdam, - 1659 1727 
 
 Anti Dining Room, 121. 
 Vernet, Joseph, - - Avignon, - - 1712 1789 
 
 Dining Room, 129. 
 
 Anti Room, 4, 14, 18. 
 
 Wilson, Richard, - - Wales, - - 1714 1782 
 
 Anti Room, 12. 
 Wouivermans, Philip, Haerlem, - - 1620 1668 
 
 Anti Dining Room, 104. 
 Zuccherelli, Francis, - Florence, - - 1710 1788 
 
 Dining Room, 128. 
 
 London: Printed by R. J. Richards, 
 48, Crooked Lane. 
 
7,Wvb^*v% &4»ti3a . [<.IW noting Kx,y ^ V^^^uX 
 
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