I mm EXCURSIONS FROM BATH. BY THE Rev** Richard Warner. PRICE 8S, EXCURSIONS ^ FROM BATH. BY THE Rev** Richard Warner. «' Ea sub oculis posita negligimus ; proximorum incuriosi, longinqua 11 se&amur." PLIN. " Abroad, to see wonders, the traveller goes, " And neglefts the fine things that lie under his nosey BATH, PRINTED BY R. CRUTTWELL) AND SOLD BY G. G. AND J. ROBINSON, PATER-NO STER-R O W. LONDON, 1801. EXCURSION I. LETTER L To JAMES COMRIE, ESQ. dear sir, Bath, Sept. 1st, 1800* "VJTOU have imposed upon me so arduous a task, that I feel an almost insuperable diffidence at attempting to perform it. When I led you through the wild scenery of Wales, I proceeded without fear or hesitation; my work was easy; I had little else to do than to [ 2 ] describe the face which Nature wears in that incomparable country, where the features are in general so strong and well defined, that I must have been a miserable painter indeed, had my portrait been altogether without resem- blance. Besides, I had the field to myself, my plan had not been anticipated, and my letters consequently borrowed some interest and re- commendation from novelty; but in the pre- sent case I see formidable difficulties on every side. Here I must exchange the simplicity of Nature for the intricacies of Art ; and descend from the grand to the minute ; from the moun- tain, the precipice, and the cataraft, original manners and ancient customs, to the park and to the pi£lure gallery, to the refinements of luxury, and the elegancies of polished life. Innumerable examples of virtu, and exquisite specimens of the fine arts, present themselves for description ; and what is still more deterring, a line is chalked out for me, a great part of which has already been trodden by taste and science, by a Gilpin and a Maton. Your requests, however, have with me always the force of commands; I hasten, there- fore, to comply with them, and to lead you through a part of Wiltshire, in an excursion which must prove highly gratifying to you, if I am [ 3 1 fortunate enough to convey a tolerably accurate idea of the many beauties which it exhibits. The approach to Bath, on the west side, had for ages been down a steep rugged concavity, part of the Roman fosse road from Bath to Ilchester, called Holloway, a name sufficiently indicative of its nature and appearance. Mo- dern improvements have enabled the traveller to avoid this unpleasant descent, by carrying a circuitous road through the fields to the north- west of it, which meets the old way on the brow of the hill above. I mean not, however, to avail myself of this convenience, but to pur- sue the ancient road, as, although it be the residence of squalor and poverty, it will not- withstanding repay us for the labour of our ascent by some objefts of curiosity. To pass Holloway, indeed, without notice, would be in some degree an insult to Bath, since it is a legitimate child of that city, and connefled with it by the ties of interest and gratitude, as well as of relationship. , Upwards of four hundred years ago, the priory of Bath sent a small party of monks, and the city a little colony of citizens, to Holloway ; and in modern times, she has continued, with maternal care, to lend her fostering support to her offspring C * ] and its inhabitants. This vill reckons about seventy houses, which, for the most part, with the exception of some decent mansions, are small, mean, and wretched, consisting of petty chandlers' shops, dirty pot-houses, slop-sellers' residences, and that necessary adjundt to po- verty, a pawn-broker's shop, which, by the bye, under the auspices of its three balls, the ex- pressive emblem of the trade within, [two to one that the pledges will never be redeemed) wears a greater aspeft of respeftability than any of its neighbours. Contemptible, however, as these mansions may appear to be,, they not- withstanding afford a temporary asylum to a very numerous tribe of travellers, who, with the regularity of true fashionable felicity-hun- ters, pay their constant visits to the city of Bath, during the gay and crouded seasons of winter and spring. These personages, though they exhibit in their figures every malady and defeft to which the human frame is liable, do not appear to resort to the city of healing waters for the aid of its springs, or the benefits of its baths, but with a profane diffidence in the skill of our physicians, or a perverse contempt of the efficacy of our Therm*, they boldly discard every physical system, and place their hopes- of relief [ 5 ] in exercise alone. In pursuance of this plan, you see them pacing the streets of the city with patient perseverance from morning till night, and braving all the inclemencies of the weather, in spite of .the diseases "with which they are afflifled. Nay, they carry their im- prudence even further, observing, for the most part, the utmost carelessness with regard to cloatkingi and maugre the pelting shower or piercing wind, pursue their ambulations in a state as nearly approaching to nudity as the evening undress of a modern girl of fashion. Though from this singular conduct, which is so contrary to that of the generality of Bath visi- tors, and which (despising common opinions and modes of praftice) argues a sort of inde- pendence both in thinking and a£iing, we might imagine the personages under considera- tion would not stoop to communicate with those who are still held by the trammels of prejudice, yet this is by no means the case; on the contrary, availing themselves of that facility of forming acquaintance which characterises this city, they kindly accost every body they meet in the street, offer up prayers for their welfare, entrust them with their family secrets^ -cind, as the strongest proof of confidence an4 C 6 ] friendship, conclude their harangues with a fa- miliar request of trifling pecuniary boons. By this time, I presume, you have dete£ted my aenigma, and perceive that I allude to the respe&able community of Beggars; a race, of people not peculiar indeed to Bath, but found here in a much more numerous proportion than in any other place in the kingdom. As the season in which the city fills with visitors ap- proaches, these gentry flock to Holloway, and safe from the fangs of the beadle and the con- stable, (for the Mayor's jurisdiction does not extend to this place) they glide from their aerial entrenchments into the different streets of Bath, and levy contributions upon the feelings of the charitable to a considerable amount. As the trade of Bath depends in a great degree upon the visitors to its springs, so the commerce of Holloway is entirely kept alive by the de- mands of the beggars, who arrive here at stated times in the year; and I have been informed, by a respeclable wholesale and retail dealer in the grocery line in Bath, that the orders of the chandlers' shops for goods in this receptacle of mendicants are constantly double just previous to the seasons, to what they are at any other periods. As exact a system, also, is preserved [ 7 ] with respect to the rates of lodging at Hollo- way, as in its splendid parent; if in the latter there be different prices for the drawing-room and the bed-chamber, the parlour and the kit- chen; so in the former are there variations in the charges for more and less comfortable lodg- ing, for better and worse accommodation. Thus, for instance, the poor beggar who has been unfortunate in his avocation, and cannot afford the luxury of a bed, pays one penny per night for the privilege of sitting up in a room, the common dormitory of this lowest order of mendicants ; the sum of two-pence entitles the lodger to a pallet and a blanket; whilst the luxurious, jolly, and successful beggar reposes his remaining limbs in a pair of sheets, at the increased charge of four-pence. Lightly, however, as I have treated this sub- je6t, I notwithstanding consider the inundation of mendicants, who spread themselves from this fertile hive through the streets of Bath, as the greatest of those very few evils which at- tach to the city, and as highly deserving the vigilance and attention of its magistracy to remedy or prevent. The exposition of maimed limbs and chronic sores in the streets is a tax upon the feelings of the public, which in a C * ] country so amply providing for the poor and the distressed as that in which we live, should not be endured. Though sufficiently inclined to commiserate the situation of the lower or- ders of society, for whose hardships I feel, and whose privations I deplore, I am yet free to confess, that my compassion is not much ex- cited by the itinerant beggar and clamorous mendicant, because I consider these rather as volunteers in the profession, than as compelled to it by necessity. In England, parochial pro- vision is held out to all the wretched, with cer- tain reasonable restri&ions of liberty, or easy impositions of labour; and none are so destitute -of an asylum, provided for them by law, as to be obliged to importune the public for a pit- tance to preserve them from starvation. Be- sides, I look upon the mendicant trade as an infringement upon- the rights of a much more pitiable and deserving class of the community, the labouring poor. The hand of charity is tired, and its ability exhausted, by the repeated donations which the obstinate perseverence of the street-beggar extorts from the passenger ; whilst the sentiment of compassion is at length blunted, by discovering (as is too frequently the case) that it has been excited by the im- [ 9 ] postor and the ingrate ; and thus those bounties are withheld, and feelings checked, which would otherwise have been directed to the relief of industrious wretchedness or unfortu- nate desert. But our quarrel with Holloway does not terminate here, it wounds our sensibility in another shape, and exhibits scenes of oppres- sion which humanity can only vainly lament, as legal ordinances unfortunately are inadequate to the prevention of them. Together with shel- ter for the beggar, it affords a nofturnal retreat for a much more useful class of beings, the animals employed in the conveyance of coals from the pits to Bath. Wearied and panting with the labour of the day, here the wretched beasts are driven by crouds, as the even- ing closes, into yards hired for the purpose, not so much for the sake of rewarding their services with rest, as to prevent their escape from the toil of the morrow. As they pick a scanty pittance from the ditches and hedges during the day, the inhuman master thinks himself exempted from the necessity of giving them food at night; and what is still more barbarous, never removes from their backs the heavy and incumbering wooden saddle on which the coals are packed, t 10 ] but suffers it to continue girded on for weeks together, inflaming and increasing those galls which its pressure originally occasioned. The meek and unresisting are the objects on which cruelty and cowardice most delight to exercise their tyranny, for reasons sufficiently obvious; and the unfortunates is chiefly employed in the business of transporting the coals from the pits to the city. Full oft has my heart bled for this little, wasted, panting wretch, staggering under its unconscionable burthen, and labouring up the steep streets of Bath ; now dropping with fatigue, and again urged to exertion by reite- rated blows. Inhumanity in every shape is odious to the feeling bosom, but it never as- sumes so much deformity as when exercised against the helpless and the patient; nor is honest indignation ever more praise-worthy, than when it is levelled at the tyrant in the little way. As the law, however, unhappily does not in this case come in aid to the na- tural emotion, (since it makes no provision for the punishment of those who force their beasts to disproportionate labour, or treat with severity the animals by which they get their bread) all that we can do is to endeavour to alleviate the lot of the sufferers, by persuading the proprie- C n ] tors that their interest is conne£ted with the better treatment of their beasts. Should this method fail, I know of no other chord to touch that will vibrate to our wishes; we must be content to console ourselves with the rational idea for which a benevolent character, not many years since, was anathematized, that brutes, also, have their disproportion of tempo- ral misery to enjoyment, regulated and made up to them by a future state ; or if we consider this as heterodox, we may learn at least a lesson of patient endurance under inevitable evil, of re- signation under the incidental ills of mortality, from the more than philosophic ass, whose characteristic meekness Mr. Crowe has so beau- tifully and pathetically described: sixth, (in the left hand corner) Mary Hungerford, who married Thomas Shaa, esq; and whose monument is in the chapel above. The two children inclosed in lead, and lying on the breasts of the larger coffins, are the offspring of two of the wives of Sir Edward Hungerford, (for he had three in all) who both died in child- bed. One of the full-sized leaden coffins has a perforation on the right shoulder, through which a stick may be introduced, and the em- balming matter extra&ed 5 this appears to be a thick viscous liquid, of a brown colour, and C 35 ] resinous smell and consistence; the flesh is de- composed by the admission of the air, but the bones still retain their soundness. A shield of copper, which lies in the vault, is inscribed with a notification of Sir Edward Hungerford's re- posing in the vault : — - " Hie intus recondit r mortale totum inslgnis domini " Edw. Hungerford, dc Cossham in com. Wilts,, ho bms u orb. bal. mil. fil. nat. max. domini Antho. Hungerford, " de Blakbourton in com. Oxon. eq. aurat. et uxor, ejus Such, my dear sir, is Farley-Castle and its accompaniments ; a place curious to the anti- quary, pleasing to the painter, and which might be rendered of great utility to the public at large, since I know of no spot whither we could send, with so much advantage, those unfortunate patients who are under the influ- s ence of family pride, or of that inflation which worldly greatness is so apt to inspire. Returning again to the Warminster road, we proceed to Norton-St.-Philip's, a town of little [ 36 ] note, but of great antiquity; though of late years it has assumed some consequence from its employment in the woollen manufactory. A large stone building in the street, formerly a grange, points out its ancient connexion with Hinton-Abbey ; and its church affords some remnants of former superstition. The most remarkable amongst these are, the represen- tations of two female figures, cut in a stone which makes part of the floor of the nave ; they are close to each other, and the reason given for this union, is a wonderful circumstance that brings to the recolleftion a story in Mar- thas Scriblerus. They are the effigies, it is said, of a double female born in a neighbouring village, which consisted of two complete bodies at- tached to each other at the side. Nature, tradition assures us, allowed this strange birth to arrive at maturity, when one-half sickened and died; to separate this from the surviving moiety was impossible, the remaining half, therefore, was under the necessity of enduring the intolerable load of her deceased compa- nion, till the suffocating steams of putrefaftion deprived her at length of life. It must be con- fessed, the legend wants those minutia of date and place with which artful story-tellers al- [ 37 j ways corroborate their narrations; since the Cicerone observed, that the circumstance hap- pened at a village which had been long since destroyed, and (still more indefinite with re- spe£t to time) that it occurred " years ago." The road affords but little variety or beauty, till we pass Beckington ; a place that owes all its present importance to its connection with the neighbouring manufa&uring town Frome, which employs many of its inhabitants in scrib- bling wool, weaving yarn, and shearing cloth. It formerly flourished under the protection of the powerful family of St. Maur, or Seymour, the ancient lords of the manor, by whose name the old manerial house is still called. The church exhibits some specimens of Anglo- Norman masonry, in the zig-zag mouldings of its windows; and two curious effigies of John St. Maur and Elizabeth his wife, above three hundred years old. A poet-laureat also sleeps within its consecrated walls, Samuel Daniel, who succeeded the celebrated Spenser in that office. For once in his life, James the First made a mistake in favour of taste, and patro- nized a man who was no less a favourite of the muses than of his royal proteSor. His Works, if written in the present day, would, it is true, [ 38 ] place him but low on the roll of bards, but con- sidered as the produ&ions of an age when English versification had made but a small progress towards its present state of perfeftion, they lay claim to the praise of considerable ex- pression and harmony; at all events, he must be allowed to have soared far above the royal pedant, his master, for he too attempted to write verses, and printed a small folio contain- ing his dalliances with the Nine. It would be injustice to Daniel, indeed, to bring his effu- sions into a comparison with the stuff of. James, which (notwithstanding his excuse for them in the preface, where he tells us, in barbarous language, they were written in youth, and that afterwards he had no time to corre6l their faults, so that cc when his ingyne and age " could, his affaires and fashierie would not, cc permit him to correft them, scarslie, but at " stolen moments, he having the leizure to " bleak upon any paper") a school-boy of the seventeenth century deserved to be flogged for having produced. The country now becomes more hilly than of late, and an undulating road leads the tra- veller to Frome, two miles distant from Beck- ington. Here an agreeable appearance of [ 39 ] bustle and business catches the eye, every thing indicates the presence of manufactories and trade; and the labouring men, women, -and children, as deeply tinged as ancient Britons with a dark blue, discover the nature of the employment by which they get their bread — the dying and scribbling of the wool, and the weaving and shearing of the cloth of that co- lour. Frome has for many years been famous for working Spanish and English wool into broad-cloths and kerseymeres ; in the year 1789, three hundred and forty-eight thousand pounds weight of wool were wrought here into one hundred and sixty thousand yards of broad- cloth and kerseymere, of which quantity the former article composed about four-fifths; a business that employed two hundred and thirty- three scribblers, and two hundred and twenty- three shearmen. The quantity of wool manu- factured here is since considerably increased, but the number of people employed is dimi- nished, the introduction of machines having lessened, in a prodigious proportion, the call for manual labour. At present there are in the town of Frome twenty-seven manufac- turers of cloth, who make, of broad, narrow, and kerseymere, about two hundred pieces [ 40 ] weekly, of twenty-eight yards each ; or, calcu- lating by a different measure, about one hundred and sixty miles of cloth, in length, every year. The following slight sketch will shew you the process pursued in this branch of British manufactories, and, at the same time, give you an idea of the number of people, to whom we are obliged for every coat we wear: — The English fleece is sorted, according to its dif- ferent qualities, by the woolstapler, and the Spanish* has all its pitch-marks clipped off. It is then carried to the dye-house, and w r hen cleansed from its impurities, (by scouring it in a furnace of hot water) dyed, and re- turned to the manufacturer; afterwards scrib- bled; carded, and spun into yarn by machinery; twisted; woven in the loom; burled, by nip- ping off its knots and burs; milled by the ful- ler; dubbed with cards of teazle; stretched on the tenter hooks; dressed; sheared; pressed between heated planks and press paper; and packed for the markets. The town of Frome is situated on the descent and at the foot of a rapid hill, and though full of streets, they are all narrow, incommodious, and irregular, its population, in the year 1798, was estimated at seven thousand seven hundred L 41 ] and thirty-seven, who were between fifteen and sixty years of age. From the opulence which the woollen trade has thrown into -the place, its inhabitants have been enabled to form several generous institutions for the suc- cour of the helpless, and the comfort of the poor; and, perhaps, no place in England, of a similar size, affords so many instances of bene- volence applied in this laudable manner. The church, also, (for I cannot allow you to quit the town without accompanying me to this highly decorated building) bears testimony to the mu- nificence of the inhabitants of Frome; without , it is a plain substantial strufture, not attracting the attention by any beauty or singularity; but within, its splendid ornaments evince, that churchwardens' accounts are not here confined to those parsimonious limits by which most other parishes circumscribe them. All is uni- formity and elegance; and if we except the gingerbread ornaments of the seat appropri- ated for the churchwardens, with which a pef^ sonage, who filled that situation a few years since, in the pride of office, bedizened it ; the decorations are not out of chara£ier with the edifice. Indeed, I think it will be one of the handsomest parish churches in England, when [ 42 ] a large oval space over the altar is filled up by the transparency from the pencil of Mr. Bell, of Bath, which, it is said, he has engaged to contribute to the church. On leaving Frome, we quit the turnpike at the distance of three miles, and turn into the noble park of Longleat, the seat of the Mar- quis of Bath, through which passes the road to Horningsham. This princely demesne em- braces within the inclosure a circumference of twelve miles, and exhibits a beautiful variety of country; rich natural scenery heightened by the judicious exertions of art, in noble well-dis- posed plantations. All is on the great scale, and every thing around recalls the remem- brance of ancient English magnificence. A level road of straight dire£Hon, and nearly half a mile in length, forms the grand approach; this vista is terminated by one of the finest family residences in Britain. We survey a mansion of stone, stretching to a breadth of two hundred and twenty feet in front and one hundred and eighty in depth, and rising to a proud proportionate height; not indeed of Gothic or classical architecture, but built in that imposing stile, which, though inconso- nant to the stri£l notions of taste, and little, per- [ 43 ] haps, when surveyed in its parts, forms such an august whole as at once fills the mind with the ideas of grandeur and magnificence. Vestiges of the declining Gothic (which began to disap- pear towards the conclusion of Henry Vlllth's reign) may be traced in the vast projecting windows, remains of the ancient Oriel, and the form of the stone casements; and at- tempts at the Grecian discover themselves in the pilasters, crowned with rich capitals that cover the faces of the building, and the statues which ornament the top. This singular mix- ture of styles characterizes the English build- ings, from the age when Longleat-house was ere£ted to the time of James I. ; and was the effe£t of that struggle between the expiring Gothic, which our national architects endea- voured to keep alive, and the classical style im- ported from Italy by the foreign artists, who flocked hither in the sixteenth century. Full of those chaste architectural ideas, which the noble remains in their own country inspired, they would have " bid Britannia rival Greece" in her strudtures, had they been left to their own judgment; but, on their arrival in Eng- land, they found notions of beauty with re- gard to building diametrically opposite to their L 44 ] own. It was their business/ therefore, to be cautious in their proceedings; rather to con- ciliate than to oppose ; to sap long-rooted pre- judices by degrees, rather than attack them violently at once. Hence we find, in all the structures of the times we are speaking of, an admission of some of the features of the Gothic into the plan; producing that discordant com- bination of heterogeneous styles, which, for nearly a century, distinguishes the architecture of England from every other in the world. When this singular taste was in its meridian in this country, Sir John Thynne ereCted the mansion of Longleat ; and a noble specimen, we must confess, it affords. The knight had purchased the demesne of Longleat, the scite of its ancient priory, of Sir John Horsey, of Dorsetshire, in the thirty-fourth year of Henry VIII. ; but occupied in public and martial affairs, he did not attend to his purchase for five and twenty years after it was made. Tired at length of the shouts of armies, and the in- trigues of courts, he resolved to devote his lat- ter years to rural quiet, and to build a capacious mansion on his property at Longleat, where he might enjoy otium cum dignltate for the re- mainder of his life. He accordingly, it is said, [ * ] designed the plan of the building hirnself, and laid the foundation of it in January 1567. Twelve years were consumed before it was completed, and the sum of 801 61. 13s. 8d. ex- clusive of carriage, stone, and timber, which were his own, expended by the knight in its execution. But, ah! how vain are human an- ticipations of future enjoyments ! The splendid mansion had now received its noble owner, where, in the bosom of his large family, his eight sons and numerous daughters, he pur- posed to expend his income in that generous hospitality, which has attached to the English chara&er the exclusive praise of good living; but fate decreed otherwise, and he fell a victim to a fever in the spring of the year 1580, im- mediately ensuing that in which he had com- pleted the building. Longleat-house. forms a parallelogram, in the centre of which is a quadrangle; the chapel occupies one side, and dwelling-apartments and offices compose the others; the enormous extent of the whole may be best imagined, by simply mentioning the number of rooms, which are said to amount to one hundred and seventy. Our ancestors, for reasons, in point of taste, perhaps, as well as propriety, sufficiently judi- [ 46 ] clous, chose situations for their mansions very different from those which their descendants seleft. The flat and the bottom were preferred to the hill 5 their aim was quiet and seclusion ; the stillness of retreat, where, equally secured from the storms of the Heavens, and the imper- tinence of the world, they might enjoy undis- turbed that " dear delight," which springs from the cultivation of the domestic affeftions and the enjoyment of family union. Influenced by this taste, Sir John Thynne, neglefcling the many rising grounds and inviting hills within the park, placed his mansion in a flat, open only to the distant country on one side, but making a happy exchange for extensive pros- peels in quiet sylvan views within its own de- mesne. The cellars of this magnificent resi- dence are in unison with that chara£ter of greatness which every other part displays ; they form an immense range of catacombs, stretch- ing the whole length of the front, and not dis- gracing the ancient hospitality of the seat, con- tain between five and. six hundred hogsheads of different kinds of beer. But the richest treasure is above-ground, a vast colleftion of original portraits; exhibiting a tolerably com- plete series of the most illustrious characters of [ 47 ] the sixteenth and seventeenth centuries. That we may pay due respeft to these venerable personages, you must allow me to introduce you to them individually, in the different apart- ments which they have long occupied, mute and careless spe&ators of those political squab- bles and conflicting interests wherein they were once so busily employed themselves, and by which the sons of ambition are at present al- most universally engrossed. The hall is the first apartment of the mansion, a grand room, with a gallery at mm end, in- tended to accommodate the music, when the lord of old fed his tenantry, or entertained, on public days, his neighbours. It is appropri- ately ornamented with stags' horns and hunt- ing-pieces, and realizes the description of Thomson's f! ghostly hall of grey renown, with woodland honours graced." The paintings here are eight in number, representing some favourite horses of the former possessors of -Longleat ; and the portraits of the second Lord W eymouth, Lord Hyde, Rev. Mr. Villiers, and Do61or Jackson, equipped for the chace. It will be speaking sufficiently in their praise to say, that these pieces are the work of Wootton, who, about sixty years ago, obtained such celebrity E 48 ] for his masterly produ&ions in this line of painting. He has certainly lost none of it by his labours at Longleat ; the same skill of pen- cil, and fire of expression, are discerned here, as in his most esteemed pieces; indeed, the horses and dogs are all but alive. The dining-room adjoins the hall; an apartment of very large dimensions, including one of the ad- vanced bows or oriels, which I noticed before. Here several family portraits present them- selves, as well as some original ones of charac- ters celebrated or remarkable in former days; amongst the most curious are, Sir John Thynne^ the founder of Longleat, in the fifty-first year of his age, who was the senes- challus hospitii, or house-steward, to Proteftor Somerset. From this powerful patron he happily imbibed a warm zeal for the Reforma- tion, which he had the courage to assert, 'even under the implacable bigot Queen Mary. The widely-extended grief which his death occa- sioned, bears the most honourable testimony to the amiableness of his character; and the tears of sixty-one servants, and sixty poor men, who accompanied their master and friend to the church of Deverell-Longbridge, threw more real splendour over the funeral procession, than C 49 ] the numerous troop of heralds which attended, with all their frippery of pennons, plumes, and atchievements, could produce. Sir John Thynne, eldest son and heir of the founder of Longleat, knighted by James I. at the charter-house, May nth, 1603, four days after his Majesty's arrival in London ; an ho- nour which he survived only eighteen months. Thomas Thymic, esq-, the possessor of Long- leat estate towards the conclusion of the seven- teenth century, called Tom of Ten Thousand, from the generosity of his spirit, and the splen- dour of his mode of living. By his marriage with Elizabeth Countess of Ogle, the im-^ mensely rich heiress of the Earl of Northum- berland, he unfortunately excited the jealous rage of Count Coningsmark, who had intended the lady for himself. Determining to sacrifice Thynne to his fury, the Count engaged assassins to shoot him in his carriage; which service they performed on the 12th February, 1682-3. Two of the villains were apprehended and hanged, and the Count himself brought to a trial, at which, however, he was acquitted, after a tedious deliberation of the jurors. But, " Raro antecedentem scelestum u Deseruit pede poena claudo j" E [ 50 ] he afterwards met with the fate which his pro- fligacy deserved; attempting to intrigue with a lady of high rank in Germany, he was laid wait for by the order of the enraged spouse, liter- ally hewn in pieces, and his miserable remains buried in a house of office, which was imme- diately bricked up. The marble monument to the memory of Mr. Thynne is well known to the visitor of Westminster-Abbey; and, as every thing remarkable has some story attached to it, we may pardon tradition for tacking the following to this curious piece of sculpture:—- An old domestic happening to meet one day a crony of former times, who was hurrying for- wards at a very quick pace, after shaking him by the hand, begged to know whither he was going in such violent haste. " Going,'* said the other, " why to Westminster-Abbey, to " look at the figure of my father, which is just " put up there in white marble. " c Thy father's ' figure/ returned the questioner; ' what do'st ' mean, man?' " I mean," replied he, " that " they have been making a fine monument for " Mr. Thynne, where they've carved the coach, " the horses, and the coachman. Now my " father was driving his coach at the time he f the times, he resigned his situation, and retired into the country, to enjoy virtue and peace, where he died in 1686. Henry Coventry, elder brother of Sir William Coventry, a strenuous loyalist during the Com- [ 52 ] mon wealth, by_ which he suffered considerably fn his property. He was one of the few who experienced gratitude from Charles II. for an attachment to his cause, being made first groom of the bedchamber, afterwards envoy extraor- dinary to Sweden, and at length one of the principal secretaries of state ; this office he re- signed in 1679, and died in 1686. Richard Earl of Holland, one of the first vic- tims to the Commonwealth, after its settlement in 1649. He negociated the marriage between Charles I. and Henrietta of France; an adhe- rent by turns to the king and the parliament, but at length, having attached himself to the royal arms, he was taken at St. Neot's by the republican forces, and two years afterwards tried, condemned, and executed. John Lowther Viscount Lonsdale, the first peer of that line, and father of the last; an a£live partizan in the Revolution, when the English people asserted and established those great political truths which now form the basis of their liberty; that the power of the crown flows from no other fountain than an implied contrail between it and the people; and that allegiance and proteiiion are reciprocal ties. His lord- ship was so highly regarded by William III. [ 53 ] that having been made lord privy seal, and being obliged by indisposition to retire into the country, he was ordered by the sovereign to carry the seal thither with him. Edward Seymour Duke of Somerset, the pro- te£tor. This is a curious portrait, either an original by Holbein, or a copy from an original by this artist, to whom the Duke had sat for his pi£hire. It seems to be a rigid likeness, and enables us to form an interesting acquaintance with a man whose charafter was as motley as his fortunes. In early life, the turn of Seymour's mind appears to have been gentle and amiable; but ambitious prospers awakened, and eleva- tion matured, passions, which he probably would not have been influenced by, had his success been less, and his situation other than it was. Where, however, shall we find the character that is not ruined or injured by the possession of power? In the overbearing con- du£l of the proteftor, his pride and peculation, his hatred of the Howards, his severity towards his brother, and his injustice to his first off- spring, we only see the sad picture which human nature too frequently exhibits, when placed in similar dangerous circumstances with Somerset; we see the lust of domination C 54 ] absorbing the whole soul, bearing down con- science, exterminating sensibility, and hesitat- ing at no a£ts, however atrocious or dishonour- able, which appear to be necessary to confirm its rule or extend its influence. But let us not dwell upon the dark side of his chara6ter only; virtues he possessed, and those of the brightest water. His exertions in favour of the Refor- mation were ardent, sincere, and unremitting; and his humanity at times shone forth with the most amiable splendour. Nothing, indeed, can place his claim to this praise in a more striking point of view than one of the charges adduced by his enemies to criminate him; it was his setting up a " Court of Requests in his cc own house, to hear the petitions and suits of " poor men ; and upon the compassion he took " of their oppressions, if he ended not their " business, he would send his letters to chan- " eery in their favour." Nothing but the dis- torted eye of malice could have discerned causes of accusation in a praftice which rested upon the basis of humanity, which opposed itself to the cruelty of oppression, and endeavoured to counteraft an evil of no less magnitude, " the law's delay." Somerset, after experiencing every revolution of a favourite's life, fell a sa- [ 55 ] crifice to the ambition of another courtier, less amiable than himself, the Earl of Warwick, afterwards created Duke of Northumberland, and expiated all his public crimes upon the scaffold the 2 2d January, 1552. Thomas Lord Seymour of Sud/ey, the admiral, brother of the prote£lor; artist unknown. His powerful abilities, which raised him to the high office that he filled, his uncontroulable am- bition, which induced him to sacrifice himself to the Queen Dowager, and to attempt the hand of the Princess Elizabeth, and his fierce pride, which drove him to conspiracy and re- bellion, are 2 w r ell expressed in his penetrating eye and strongly-marked countenance. His enemies brought him to the block the 10th of March, 1549; though his trial was of that un- fair and secret nature as led the nation in ge- neral to believe, that he had been gotten rid of, rather as a troublesome person to the existing government than as a dangerous one to the state. Lord-Keeper Coventry, a most magnificent pic- ture. He was charged w r ith the seals by Charles I. November 1st, 1625, shortly after Charles's accession to the throne ; and was dignified with the degree of baron, by the title [ S6 ] of Lord Coventry, of Aylesbury, in the county of Worcester, and died 14th January, 1639-40. That admirable painter of moral portraits, the Earl of Clarendon, has given us the following charafter of this upright man : — " He discharged " all the offices he went through with great abi- " lities, and singular reputation of integrity; he " enjoyed his place of lord-keeper with an uni- " versal reputation (and sure justice was never ■ ff better administered) for the space of about " sixteen years, even to his death, some months Cf before he was sixty years of age. Which " was another important circumstance of his " felicity, that great office being so slippery, " that no man had died in it before for the space " of forty years j nor had his successors, for 9 some time after him, much better fortune, " He was a man of wonderful gravity and wis- " dom, and understood not only the whole " science and mystery of the law at least " equally with any man who had ever sat in " that place, but had a clear conception of the " w 7 hqle policy of government both of church " and state. He had, in the plain way of speak- " ing and delivery, without much ornament of " elocution, a strange power of making him- " self believed, (the only justifiable design of [ 57 ] " eloquence) so that- he used very frankly to €C deny, and would never suffer any man to de- * part from him with an opinion, that he was " inclined to gratify, when in truth he was not, " holding that dissimulation to be the worst of fC lying ; yet, the manner of it was so gentle " and obliging, and his condescension such, to r " in any child of man, for in them there is no " salvation." Lord Torrington, father to the present Mar- chioness; an excellent modern produftion, from the pencil of Hoppner. A massive oaken stair-case, the sides of which are hung with portraits, amongst which are, Algernon Earl of Northumberland, Count Teckley, and his wife, condufts us to the alcove bed- chamber, covered w T ith old tapestry. In this room is a good head of Bisho/i Kenn, the pious and the mild; a firm guardian of the reformed church, and one of the seven bishops who boldly dared the frowns [ 63 ] of James II. and the terrors of the tower, rather than assent to the declaration of indulgence. When William HI. was raised to the throne by the will of the English people, a fair path to dignity and promotion opened itself to Kenn, could he have tampered with his conscience, and betrayed his faith; but rather than falsify the oath of allegiance he had sworn to James, he magnanimously relinquished his bishopric of Bath and Wells, and retired to Longleat, the seat of his friend the Marquis of Bath. Little effeft, indeed, could worldly honours be supposed to have on the mind of one, who, like Bishop Kenn, always travelled with his shroud; an admonitory garment which he put on as soon as he arrived at Longleat, and wore ever * after. He died at his noble friend's mansion A.D. 1 71 1, and was buried at the eastern end of the church of Frome. The Head of Tintoret, painted by himself. This artist, whose real name was Giacomo Robusto, and who is frequently called the furious, was the. son of a dyer at Venice, and pupil of Titian; who, jealous of his genius, dismissed him from his family. Perhaps closer study of the w r orks of his master would have made his own more perfe£t; at present, we generally find C 64 j his compositions and dresses improper, and his outline incorre£i; but his colouring and its de- pendencies are admirable. Obiit 1 594, JEt. 82. Gerrard Earl of Macclesfield, one of the lords who accompanied the Prince of Orange to this country, when he was called to fill the throne by the will of the English people. Lord Beauchamfi. Mary Queen of Scots. John Fisher Bishop of Winchester, a martyr for the sake of conscience, though in a wrong cause. Refusing to take the oath of the king's supremacy, he was committed to the Tower, but he had the honour of having Sir Thomas More for his companion. Here the Pope con- ferred on him the dignity of cardinal, a title that hastened his end; Henry considering it as an insult upon himself, brought him to trial. The consequence was, as might be expe£ted, immediate execution. Jane Shore, shewn for an original, but pro- bably a copy; the too tender beauty of the day, first the mistress of Edward IV. afterwards the wife of Lord Hastings, and at length the viftim of the malignant Richard III. Delivered over by this hard-hearted tyrant to the disci- pline of the church, she expiated her frailties [ 65 ] in a white sheet, at St. Paul's cathedral. Here, it is supposed by most writers, that her amours terminated ; but we are informed, by a letter from Richard III. to the Bishop of Lincoln, (in No. I. appendix to the first volume of Hard- wicke's State Papers) that after her penance she had another admirer, one Mr. Thomas Lynom. His temporary protection, however, did not shield her from subsequent want 5 she lived many years in abjeft poverty, and died at length, if not, as the poet has described her, by being starved, at least in the extremity of pe- nury and wretchedness. The western gallery contains some of the finest originals in England; they are mostly whole lengths, and represent, amongst many others, Sir Walter Covert, of Slangham, in the county of Sussex ; of an ancient family there. Jane Shirley , wife of Sir Walter Covert; and after his death, Lady Holies. Henry the Fourth, of France* James the Second, when Duke of York. Catherine of Braganza, sister to Don Alphonso King of Portugal, and wife to Charles II. She was doomed to lament first the infidelity and indifference of her husband, and then to endure F [ K ] the insolence of his strumpets. The dress, in- deed, in which she gave the first meeting to that libertine prince, was not formed to capti- vate the head of a polished court, where beauty and elegance of attire were certainly not made secondary considerations; it is accurately pre- served in a scarce print, by Faithorne, and re- presents her in a black gown, with slashed sleeves, point handkerchief and ruffles, large farthingale, and laced petticoat. The hair for- mally curled like an old-fashioned peruke. Charles the Second. Finch Earl of Nottingham, first attorney-general, and afterwards lord chancellor, in the time of Charles II. by whom he was highly esteemed. In the midst of a profligate court, and a corrupt age, he conduced himself with honour and in- tegrity; and though a courtier, and in power, had few public a6ts with which to accuse his conscience, if we except his presiding (as lord high steward) in the court which condemned, contrary to evidence and equity, the unfortu- nate Lord Strafford, already oppressed with age and infirmities; the miserable viftim of a detes- table junto, and a deluded, or iniquitous court. William Duke of Somerset, second son of Edward Lord Beauchamp, and husband of C 67 ] Lady Arabella Stewart, mentioned before. He survived his unfortunate wife, lived to succeed to the title of Somerset, and became a firm friend and servant to Charles I. Bishop, Juxon, who administered consolation to the last moments of Charles L Bennet Earl of Arlington, made secretary of state 1663; one of the junto distinguished by the name of the cabal, in the reign of Charles II. which plunged the nation in an unjust and un-* necessary war with the Dutch, wherein his Majesty got little else than hard blows and disgrace. Is this instance, my dear sir, with- out a parallel in the English annals? The Earl of Essex, clad in white satin from head to foot, a most beautiful figure, though probably not an original. The elegant person and accomplishments of the favourite plead a powerful apology for the regard which Eliza- beth bestowed upon him ; her pride, indeed, got the better of it for one fatal moment, when she signed the warrant of his execution, and Essex fell a vi£Hm to a mingled emotion of Jealousy and ragcj but the triumph over affec- tion was only obtained by a struggle, that cost the queen, first her peace, and afterwards her life. Essex was a writer as well as a gallant ; [ 68 ] and Elizabeth found an additional induce- ment to love the hero, in his being adorned with the graces of a scholar, and the accom- plishments of a gentleman. " The elegant per- * c spicuity, (observes Mr. Walpole) the concise- " ness, the quick strong reasonings^ and the en- " gaging good-breeding of his letters, carry great " marks of genius. Yet his youth gave no y Poussin. — The Discovery of Achilles, by Vandyke. — The Finding of Moses, by Polem- berg.— AQaeon and Diana, by Francesco Schola. — Two Landscapes, by Zuccharelli. — A curi- ous Head, by Holbein.— Turk's ditto, by Van- dyke. — Child brought to Christ, by Lanfranc. St. Mark x. 13.— The Marriage of St. Cathe- rine, by Carlo Maratti.-^- Jacob and Rebecca, by Paul Veronese ; and a Head, by Rembrandt. —A fine antique Mosaic, about thirty inches [ 88 j high, exhibiting a female figure, hangs up in the passage. The library, well stocked with valuable books, contains the portrait of the Honourable Robert Boyle, the philosopher; dear to the scientific world from his numerous discoveries and deep researches in natural philosophy, and equally dear to the Christian world, for his la- bours in behalf of true religion. In the same room is the second air-pump that was con- strufted, the invention of this great man. The first was presented by himself to the Royal Society; it works with one piston only, and was so compleat in its design and con- struction, that nearly a century has been able to add no other improvement to it than a second piston. The original orrery also is preserved, thirty inches in diameter; but sadly out of order. The breakfast-room, displays much taste in its decorations, together with two curious speci- mens of delicate wax-work — landscapes, and figures. All the apartments above are fitted up with a neatness that pleases more than splendour, since it conveys the ideas of com- fort and utility, with which the glitter of gold, and the rustling of damask, are ever at variance. [ 89 ] A ride of four miles brings us to Maiden- Bradley, the seat of the Duke of Somerset, which came into the family toward the con- clusion of the sixteenth century; a plain sub- stantial stone mansion, with two large wings projecting at right angles from the body of the structure. A bare unadorned country spreads itself before the house, and nothing around it affords any traces of that magnificence for which the family was once so remarkable. The church, a lowly antique edifice, adjoins it on the left. I need not tell you, that I entered this pile with particular veneration, when you know that it holds the sacred dust of a patriot, to whose exertions my countrymen owe, in a great degree, that palladium of British freedom, the Habeas Corpus Aft ; which precludes the rigours of arbitrary imprisonment, by obliging the judge, under severe penalties, to grant a writ at the request of every prisoner, directing the iailor to oroduce him in court, and to cer- tify the causes for which he was committed. This character was Sir Edward Seymour, a senator who made a conspicuous figure in the reigns of Charles II. William, and Anne. It is true, indeed, that in other respe&s he inclined to Toryism ; but the rigid integrity of his poli- [ 90 ] tical conduft entitles him to our respe£t, though we cannot admire his creed ; and he at least claims a merit that every statesman cannot boast, of having preserved an unvarying consistency during his whole career in those sentiments which he avowed on his entrance into public life, and of never having sacrificed his principles for the sake of retaining his place, or extending his influence. The monument of Sir Edward Seymour is of marble, and con- tains the figure of the senator in a reclining attitude, and resting upon his arm. Above him are two cupids, the one holding an in- verted torch, as an emblem of extinguished life; the other, the figure of a serpent, as the emblem of immortality. A long inscription commemorates his virtues, and the obligations which he conferred on posterity. He was born in 1663, and died in 1707. A little silk manufa£tory enlivens Maiden- Bradley, established by Mr. Ward, of Bruton, about nine miles from this village. Fifty- three children, great and small, are employed in spinning two of the fine filaments, as pro- duced by the worm, together; this work is carried to Bruton, when, with the assistance of ingenious machinery, the silk thread for use [ 91 ] Is made, by uniting the requisite number of the threads manufa&ured at Maiden-Bradley, The children employed (who begin working before they are six years of age) earn wages proportioned to their expedition and ability; the youngest make about three half- pence or two-pence per day, and the most ex- perienced half-a-crown or three shillings per week; but for this they are expefted to work from five o'clock in the morning till six at night! The road from Maiden-Bradley to Stourton, for six or seven miles, is tame and unvaried ; an uniformity, however, which is amply recom- pensed by the beauty and variety of Stourhead grounds, the seat of Sir Richard Colt Hoare, bart. A situation the most judicious has. been chosen for this mansion, commanding in front a view that sweeps over a large cultivated tra£t of subjacent country, terminated by the distant plains of Wiltshire; and behind, the more con- fined, but more delicious, scenery of his own park. The road to the house follows the gentle descent of a hill, and pursues its darkling course through high hedges, rendered still more um- brageous by lofty trees; amongst which, the wide-spreading beech and tapering fir make a L 92 ] conspicuous figure, with their contrasted foliage, A most superb antique Gothic cross, rising out of a deep mass of shade, presents itself at the bottom of this hollow way; a little to the left the ancient tower of the village church is seen struggling through the trees; and on the steep declivity of a lofty hill above it, an elegant temple of the richest Grecian architecture, re- lieves the solemnity of the extensive wood that enriches and surmounts it. In this bottom is the little inn of the village of Stourton, which unites happily with the objects around, and ap- pears to be more an ornament of the grounds than a place of public accommodation. A tur- ret ted gateway forms the entrance into the park, and a short winding road, that seems to be in a state of improvement, leads to the house. This mansion, which occupies the scite of the old residence of the lords of Stourton, is built of free-stone, and consists of a body and two wings ; the former erected in the year 1720, by Henry Hoare, esq; (who purchased the estate in the beginning of the last century) from a design of Colin Campbell, and the latter by the present possessor, whose refined taste is exhi- bited in other additions and* improvements. To do justice to the valuable specimens of art 1 L 93 J within the house, it is necessary to condu£t you regularly through its several apartments. The entrance hall first claims our attention, a cube of 30 feet, furnished with a billiard-table, and ornamented with the following paintings: The portrait of Henry Hoare, esq; on horse- back, second possessor of Stourhead, by E. Dahl and J. Wootton. — Ditto of Sir Richard Colt Hoare, bart. the present owner, and his son Henry Hoare, byS. Woodforde. A fine allegorical pifture by Carlo Maratti, representing the Marquis Pallavicini, intro- duced by a genius to the painter, w r ho is sitting with a canvas prepared to paint his portrait. Above, an angel, with a crown of laurel over the head of the Marquis; three graces, one holding the painter's pallet, another pointing up to the temple of fame, situated on the sum- mit of a lofty rock. In the back ground are two figures, one in armour, relating the heroic aftions of the Marquis to another, who is re- cording them with his name on a shield, in letters of gold. Augustus visiting Cleopatra, after the death of Mark Antoily, by Raphael Mengs. The figure and countenance of the humbled queen are exquisitely graceful and tender. 4 The bril- [ 94 ] Jiancy of her charms is faded $ but she is trying the effect of more powerful agents with the conqueror, her tears. Two Landscapes, copied from the origi- nals, in the Pamphili palace at Rome, of Claude Lorrain, by Luccatelli. — Landscape of Rock and Water, by Rosa di TivolL— Land- scape with a Hermit praying, by Francesco Mola, — Landscape, by Gasper Poussin. — Land- scape, by Nicolo Poussin, in his first and dark manner when he studied at Rome. The drawing-room is a splendid apartment, thirty feet by twenty, fitted up with damask and gilded furniture, but unfortunate in the distribution of the light, which is intercepted by the additional wing. It contains, The Rape of the Sabines, one of the finest works of Nicholas Poussin, for which the sum of 2Qoo guineas has been offered. The most beautiful, interesting, and natural figures in this celebrated painting, are two children, both in tears, but from different causes, which are admirably discriminated and expressed by the magic pencil of this great master. One screams, because he has been thrown down in the con- fusion, and hurt; the other, because his mother is torn away from him. C 95 ] The Prophet Elijah raising the dead Child to life, by Rembrandt. The awful charafiter of the man of God is well preserved in his countenance, and a most natural representation of death in the figure and flesh of the child. The celebrated Bishop Atterbury is said to have presented this pi&ure to the. family. An altar-piece, representing the Madona and Child, St. John the Baptist, and St. Am- brogio, by Andrea del Sarto. The Daughter of Herodias, with St. John the Baptist's head in a charger ; a copy from Carlo Dolce, a most interesting pifiture. The damsel is represented with auburn hair, dressed in blue sattin, and slashed sleeves, and decorated with emeralds and amethysts. Her counte- nance expresses a mixture of regret and pity at the cruel gift which her savage mother had obliged her to exacr, as the reward of the fatal exertion of her art. A Holy Family^ by Fras. Bartolomeo di St. Marco. — A Madona and Child, by Palma Vec- chio. — The Judgment of Hefrules, by N. Poussin, engraved by Strange. — A Madona and Child, by Carlo # Cignani. — A Holy Family* old copy from an original of Raphael in the col- le£tion of the King of Naples, at Capo di Monte. [ 96 ] — Diana and her Nymphs, a very pleasing pic- ure, by Zuccharelli, in a frame carved by that exquisite worker in wood, Gibbons. — St. John the Baptist and Lamb, by Schidoni. — A Ma- dona, by Carlo Dolce; with all his charac- teristic softness and superlatively fine finishing. — A Holy Family, by Schidoni. — The Genius of History, by Sebastian Conca.--— Inside of St. Peter's church, Rome, by Paolo Panini. — Land- scape, by Domenichino. — Sea View of Rocks, by Salvator Rosa ; a most brilliant and beautiful picture. — Statue of Bacchus, by Rysbrack. The cabinet-room takes its name from a most elaborate and expensive piece of workmanship, a cabinet consisting of several stories, con- structed of ebony, agate, lapis lazuli, and or- namented with solid gold, and a profusion of every precious stone, except diamonds. It belonged to Pope Sixtus V. and contains in its front the portraits, in wax, of the Paretti fa- mily, of which the Pontiff bore the name. The head of Sixtus is in the centre. On it is a very scarce aftd curious gold medal, struck during the reign of Queen Elizabeth, upon the defeat of the Spanish armada; from which de- pends a beautiful George, richly enamelled. t [ 97 } In this room we also find, A View of St. Mark's Place, and two smal- ler views of Venice, by Canaletti. — Landscape, with peasants going to market at break of day, by Gainsborough. — St. John preaching in the Wilderness, by Breughel. — The four Elements, by Breughel and Van Balen, beautiful. — Por- trait of the Emperor Charles V. by Rubens, after Titian. — The Temptation of St. Anthony, by Teniers; a most curious and whimsical sub- jeer, full of monstrous and grotesque figures. — Portrait of Lady Hoare, widow of the late Sir Richard Hoare, bart. by Angelica Kauffman. — -A Landscape, by Claude Lorraine, engraved by Vivares. — Portrait in the chara&er of St. Agnes, by Titian. — A Holy Family,- supposed to be painted by Annibal Caracci, or by Guido, in his dark manner.— St. Catharine, by Lovino, scholar of Leonardo da Vinci. — Flight into Egypt, by Carlo Maratti. — -Tobit and the Angel, by Francisco Mola.- — Penelope and Euriclea, by Angelica Kauffman. — Portrait of an Old Woman, by Murillo; a very fine head. —Marriage of S. Catharine, by Frederico Ba- roccio, — Portrait of Henry Hoare, son to Sir Richard Colte Hoare, bart. by Sir Joshua Rey- nolds. — Democritus, the laughing philosopher. [ 93 ] by Salvator Rosa. — A Holy Family, exquisitely copied from the original by Raphael, which was formerly in the colle&ion of the King of France. The bed-chamber, adjoining the cabinet room, contains, 1 Noah sacrificing, by Imperiali.— Tts compa- nion, by ditto. — Battle-Piece, by Borgognone. — Bacchanalian Scene, a copy from Titian. — - A Peasant's Head, by Titian.— Moon Light, with gypsies sitting round a fire, by Rem- brandt, engraved by Earlom; a very fine pi6lure. — Cattle, &c. by Cuyp. — Four Family Portraits in crayons, by Hoare, of Bath. — - Four Historical Subje&s, by Lagrene. — -Study of two Boys, master uncertain. — A View of Florence, by Marlow. — Two small Land- scapes, by Mompert. — Head of St. Francis, a sketch on paper, by Guido Reni. — Design for an altar-piece, a spirited sketch, by Espag- noletto. — The Prodigal Son, by Sebastian Ricci. St. John in the Wilderness, a sketch on pa- per, by Titian; this appears to have been the first design for the pifture he painted in the church of Sancta Maria Maggiore at Venice, where he has altered the figure of St. John, in i [ 99 ] making it standing instead of sitting; the situ- ation of the lamb is exaftly the same. The Pastor Bonus, a sketch on paper, by Guercino. — Hope, &c. by Carlo Maratti.— * Mary Magdalen washing our Saviour's feet, a very fine sketch on paper, by Paolo Veronese •> the original design for his celebrated pi£hire in the Durazzo palace at Genoa. — A Holy Family, painted on vellum, by Leonardo da Vinci.- — An old Man's Head, a sketch on pa- per, by Schidoni. — A Magdalen, after Guido. — Drawing of Abelard and Eloisa, from An- gelica Kauffman. The dressing-room contains, the Marriage in Canaan, copied from the original of Paolo Ve- ronese, by Sebastian Ricci. — Our Saviour heal- ing the Blind, by Sebastian Ricci. — Landscape and Figures, by Luccatelli.— Landscape with cattle. — The Creation, by Roland Savery. — Rocks and Water, by Philip Hackert. — Land- scape, by D. Teniers.— View of the Amphi- theatre at Rome, by Gaspero d'Occhiali. — In- side of a Church, by H. V. Stein ; some other small landscapes and crayon pi£tures, by Hoare, of Bath. The outward hall contains, a Holy Family, by Trevisani. — Ditto, after Andrea del Sarto. - — Inside View of the Pantheon in the gardens at Stourhead, by Samuel Woodforde. — ^Grecian Lady at Work, by Angelica Kauffman. — Two Historical Subje&s, by Lagrene. — Antique Sta- tue of Jupiter^ ditto of Juno.— -Some Basso Relievos, by Rysbrack. The stair-case contains, a Landscape, by Wootton. — View of the Lake of Albano, by Gregorio Fidanza. — View from Frescati, by ditto. — Landscape, with hunters chasing the porcupine; master unknown.— Sea View, its companion, with rocks and figures; master unknown. — Moon Light, by Vernet. — Sun Rise, by Vernet.-— A Storm, with the story of Jonah, copied from the celebrated picture of Nicolo Poussin, in the colleftion of the King of France, by Taverner — View of the Lake of Bracciano, near Rome, by Moore. — View in Flanders, with figures, by D. Teniers. — View atTivoli, by Horizonte. — Landscape, by Mom- pert. — Landscape, by C. W. Bampfylde, esq. — View of the Convent of St, Cosimato, at Vicovaro, beyond Tivoli in Italy, with the re- mains of the Claudian Aqueduft, by Carlo Labr uzzi . — View of the Bay and City of Naples, with a Regatta, by Petro Antoniani. — Archi- tecture and Ruins; master unknown. — Two [ 101 ] Landscapes, by Wootton. — The Mole at Naples, with Mount Vesuvius, by Marlow. — A large Landscape, by C. W. Bampfylde, esq. — A Storm, by C. W. Bampfylde, esq. — The Lake of Nemi, by Wilson. — Castle of St. An- gelo at Rome, by Salvator Rosa.- — Two Land- scapes, by Luccatelli. — Storm at Sea, by Vernet. — Three Landscapes, by Wootton.— Land- scape, by C, W. Bampfylde, esq. The saloon, or dining-room, a superb room, forty-five feet by thirty, contains, Herodias's Daughter, with St. John the Bap- tist's head in a charger, after Guido Reni, by Pompeo Battoni, five whole lengths; but the countenance of the damsel has by no means so sweet or interesting an expression, as that of Carlo Dolce's, mentioned before. The Death of Dido, after Guercino. — The Rape of Helen, after Guido. — The Family of King Charles L after Vandyke. — Venus attired by the Graces, after Guido Reni; a most ex- quisite pi£ture, in which the contrast between the flesh of Cupid and Venus is very natural and judicious. — The Judgment of Midas, by Sebastian Bourdon. — Perseus and Andromeda, after Guido; almost too delicious for any apart- ment, unless a dining-room may be thought to [ 102 ] offer some excuse for a little elegant sensuality. — Wisdom, the companion of Hercules, after Paolo Veronese. The Adoration of the Magi, by Ludovico Cardi, commonly called Cigoli. This pifture was painted for the Albizzi family at Florence, and was placed in the chapel belonging to that family in the church of St. Pietro Maggiore, as an altar-piece. It bears the painter's name and date, and is esteemed one of his finest works. The Meeting of Jacob and Esau, by Rosa diTivoli. — The Triumph of Bacchus; the ori- ginal of this subjeft was painted by Annibal Caracci, for a ceiling in the Farnese palace at Rome ; this is supposed to be a copy from it, by Domenichino. — The Denial of St. Peter, by Michael Angelo de Caravaggio. — Gamesters, by ditto. — The Annunciation,- by Francesco Albani. — Portrait of aPrelate, by Domenichino. — David and Goliah, by Francesco Mola. — Portrait of the Cenci, after Guido; one of the most exquisite little pieces in the whole col- lection.- — St. Pietro Martyre, an old copy from Titian ; one of the best works of this master. — Figures, Cattle, &c. by Leandro Bassano. — A Charity, by Schidoni. The original of this beautiful pi£lure is in the collediion of the King [ 103 ] of Naples, at Capo di Monte, near Naples; the head of the female figure is life itself. — Sketch of an Apollo, by Paolo Veronese.— Christ in the Garden, by Giamoco Bassano. — A piece of G ilt Plate, representing the history of Cyrus and Queen Tomyris; presented by the city of London to Mr. Hoare, the grand- father of the present baronet. The library has a considerable colle£lion of well-chosen books, and contains the following paintings: — ■ A Madona and Child, by Guerchino, in his finest manner; but decaying from the effe£t of varnish. — The Marriage of St. Catharine; an enlarged copy from a beautiful little pi£ture of Correggio, in the palace of the King of Naples, at Capo di Monte, by Cavalucci. — A Charity, copy from Luca Cambiasi, in the Giustiniani palace at Rome, by Cavalucci. — Two Land- scapes, companions, figures by Bout, landscape by Baudouin. — Four Boys with Fruit, &c. a copy in crayons, from a pi£ture by Rubens, in the colle&ion of the Earl of Pembroke, at Wil- ton-House, by Hoare, of Bath. — A Holy Family, a copy from the celebrated pifture, by Raphael, called La Madona della Sedia, in the Pitti palace, at Florence, by Prince Hoare, esq. [ 104 ] A splendid bed-chamber adjoins this room, fitted up with painted taffeta furniture, and decorated with drawings from Rubens, by Hoare, of Bath, who, though no relation to the possessor of Stourhead, has been deservedly patronized by that family. But the entertainment which the inside of the mansion at Stourhead affords, is surpassed by the gratification that arises from a view of its pleasure-grounds ; which, to speak generally, I could say, exceed in tasty disposition and appropriate ornament any I have ever had the opportunity of seeing. Nature, it must be confessed, had already formed a spot every way capable of being converted into a perfect ely- sium, by the most agreeable variety of hill and valley, terrace and dale, when Mr. Hoare took * the canvas in hand, to add those masterly touches which give life, and spirit, and finish to the whole. He has, indeed, executed his work with judgment and taste, and produced a picture beautiful in its parts, and perfeft in the toute ensemble. Almost as soon as we quit the house, the path to the lake declines gently through a velvet lawn, sprinkled with firs and beech trees, and evergreens; the hill rising to the right and sinking to the left. These quickly [ 105 ] thicken, and form themselves into a wood, ad- mitting only occasional glances at the beautiful obje£is, in the dale to the left, and on the lake below. The little church, with its open worked battlements, and the magnificent tem- ple of Apollo swelling from the dark side of the hill above it, are caught through the first opening; these are succeeded by a view of the Pantheon, suddenly bursting upon the eye from the opposite side of the lake, which stretches at its feet in tranquil majesty, embosomed on all sides in wooded elevations, rising amphi- theartically around it. To the margin of this piece of water (which, though covering only twenty acres, is so judiciously lost in every part amongst the woods, as to allow the imagina- tion to stretch it to any extent) we are at length conduced, where a neat ferry boat offers, itself as the conveyance, to the opposite side of the lake. We now reach classic ground, and dropping all modern acquaintance, associate for a time, only with the gods and heroes of antiquity. Here we have the opportunity of surveying and admiring the first piece of water. This is supplied with copious never-failing springs, (amongst which, the chief one of the river Stour lends its powerful assistance) and [ 106 J preserves uniformly the same height, the waste water being carried off by an artificial cascade, so judiciously disposed as to form, from another point, a most beautiful feature in the scenery. The picture from the place of landing, assumes a new face 3 but equally interesting and magni- ficent with those we have already noticed. Be- fore us lies the lake, from whose verdant mar- gin the wooded hills shoot up in all the majesty of shade; to the right appears the temple of Apollo, which, from the low point where we view it, appears to hold a loftier situation than before; and on the opposite side of the water, the old stone bridge, and the Doric temple of the goddess Flora, disclose themselves. We now proceed to the grotto, (invisible till it be reached) constructed in the side of a hill, and consisting of a passage, and the small apartment to which it leads. This is illumi- ned by a circular hole at top, which, over- grown with ivy and other creeping plants, admits a sort of gloomy indistin£t light, well calculated to aid the other circumstances of the spot, in deeply impressing the imagination, and assisting the belief, that the figures which adorn the grotto are the living tutelary deities of the sacred waters within. On two sides of the [ 107 3 apartment are arches, one by which it is en- tered, and an opposite one by which it is quitted. To the right appears a deep recess, or cavern, within which is the figure of a sleeping nymph in white marble, reclining on a pedestal; and immediately under her a bath of crystalline water, supplied by a copious perennial spring issuing from the hill behind the statue. On a marble slab, which forms the first step of the bath, are the following lines by Mr. Pope, who frequently wooed the muses in the shades of Stourhead; they are the elegant translation of some Latin verses by Cardinal Bembo: — " Nymph of the Grot, these sacred springs I keep, " And to the murmur of these waters sleep; " Ah ! spare my slumbers, gently tread the cave, " And drink in silence, or in silence lave." ov A(>iqov" and manifested his regard for what is good and great in human charafter, by being the original proposer of a monument to the philanthropic Howard. 1 1 Your's, &c. R. W. LETTER II. TO THE SAME. dear SIR; Batb, Sept.5tb, 1800. T Am now to introduce you to one of the most splendid mansions in the kingdom, Fonthill, the seat of Mr. Beckford; where expence has reached its utmost limits in furniture and orna- ments 3 where every room is a gold mine, and every apartment a pi&ure-gallery. It stands [ 120 ] at the distance of one mile and a half from Hindon, to the right of the turnpike running from that town to Salisbury. The house is approached by a road, which, passing under a noble stone arch, proceeds through the park in a strait line to it; a fine sheet of water, nearly a mile in length, lying to the left, and a lofty wooded hill, rising behind and to the right of it. A superb portico, of the Corinthian order, ascended by a magnificent flight of steps, adorns the body of the mansion, to which are attached two wings, connefted with it by semi-circular Doric colonnades. Every thing bespeaks the presence of unbounded wealth and expensive ideas. It occupies the scite of an house built by Inigo Jones, which the late Mr. Beckford took down, in order to build a more modern one on the spot. Accident, however, reduced this to ashes, and he was obliged to go once more to work ; but, like the Phoenix, Fonthill rose with tenfold splendour from its ruins, and, in order to prevent a similar casualty, the new edifice was constructed on a plan, which, sepa- rating the stories from each other by arches, secured it from future devastation by fire. The large folding doors open into the Egyptian hall, a square apartment of great height, with a V [ 121 ] coved ceiling painted in compartments, by Cassali, a modern artist. This prepares one for the richness of the other rooms, by its mag- nificent ornaments; a stupendous organ on the right, a beautiful statue of Venus, and another of Apollo, in white marfotej with variegated pedestals of the same material, in front, and an antique bust of porphyry and black marble on the side, of the organ. The colle£tion of pictures begins in the ad- joining apartment to the right, called the cabinet- room, which contains, Two Views in Derbyshire, and a Storm, by Loutherbourg ; the latter is the finest of the three. — The Inside of a Church, by John Van Nikkelen, painted in 1688. — Duke de Bourbon, by Vandyke. — Head of a Madona, by Guido. — Small Landscape, by Polenberg. — Landscape, by Berghem. — Washer-woman, by Teniers. — • Holy Family, by Goltzius. — And several others of the Flemish school. From hence we pass into the ball-room, which, like all the other apartments, is hung w T ith rich crimson damask, and furnished with chairs and sophas, covered throughout with one sheet of burnished gold. The ceiling here, also, is painted by Cassali, with emblematical repre- [ 122 ] sentations of the arts and sciences; but unfor- tunately, the ribs or divisions of the compart- ments are so wide and heavy, that they subtract from the apparent height of the room, and give it the appearance of disproportion. It contains, A Holy Family, by Titian; a fine example of that exquisite method of colouring for which this master was famous.— A finely-sculptured white marble statue of the patriot Beckford, inscribed " The Right Honourable William Beckford, lord-mayor of London 17635" by J. F. Moore. — An admirable portrait of the painter John Bellini, by himself. Two Boys kissing each other, by Leonardo da Vinci ; the chara£ter of this artist was, that he expanded a tedious time upon his works, but sent them from his hands exquisitely fi- nished. The latter observation applies power- fully to the painting before us. The Wise-Men's Offering, a superb large pic- ture, by Titian. — The Inside of a Church, by Peters; the figures by Teniers. — An Old Wo- man's Head, by Dominichino; an artist remark- able for expressing in his faces the passions of the soul.— -St. Jerome and Angel, by Guercino. — Charity and Pleasure, two small allegorical figures,by Raphael. — Landscape, by G. Poussin, [ 123 ] —-Hugo Grotius, small head, by Cornelius Jansen. — The fall of Tivoli, and its companions, two fine landscapes, by G. Poussin. — Archi- medes, with a compass in his right hand, pro- bably when he was surprised at his studies, and destroyed by the Roman soldiers ; a masterly painting, by Rembrandt. — The taking down of Christ from the Cross, by Titian. — Salutation of Mary and Elizabeth, by Frazier. — Law and Physic, two small figures, with professional emblems ; incomparably finished, by Ostade. A Nativity, small, but excellent, by Ludovico Carracci. The chief beauty of this pi6lure is the management of the light, which emanates from the new-born infant, and illuminates the enrap- tured beholders in a manner surprisingly artful. Socrates taking the poison, by Salvator Rosa ; a clair obscnr> esteemed one of the most valuable in the colleftion. There is a harsh- ness, however, in it which, in my opinion, with deference be it spoken, renders it far from a pleasing pifture. The anti-room to the bed-chamber exhibits, The Siege of Rhodes, by Wyke. — Conway Castle, by Loutherbourg. — Welsh Landscape, by ditto. — View ijiOtaheite, a most picturesque scene, by Webber, [ 124 ] The saloon affords us the gems of the whole co!le£iion — the two famous Claudes, purchased by Mr. H. Tresham for Mr. Beckford, at the sum of seven thousand guineas; but their situ- ation is so injudicious, and the light so impro- perly thrown upon them, that they are not seen to advantage from any point in which the ob- server can place himself. They came from the Altieri colleftion, and were offered by that prince to Charles Heathcote Tatham, esq; but the many obstacles to their being conveyed from Rome, during the convulsions of the Papal territory, induced him to decline the purchase. Mr. Tresham accepted the second offer, and after many adventures, difficulties, dangers, and hair-breadth escapes, they were at length smuggled to Naples, and from thence safely conveyed to England. They are unquestion- ably exquisite, and display, to a striking degree, that delicacy of colouring, variety, and sweet- ness of tints, warmth of sky, and appropriate illumination, which have placed this young pastry-cook (for to that trade he was originally apprenticed) far beyond every other painter in the line of landscape; but are still considered by the cognoscenti as inferior to that other pair of landscapes, by the same artist, which are L 1 contained in the colleftion of Lord Radnor, at Longford-Castle. The pifture on the left represents the land- ing of JEneas in Italy; the gallies and river in front, on one side mountains, on the other buildings and trees. The pifture on the right displays a broad valley, with a river, bridge, distant mountains, and sea in front; the right screen is formed by trees, and the left by a palace and ruined temple ; of these the latter is unquestionably the finer. The other paintings in the apartment are some family portraits, especially a full length of Alderman Beckford, by Romney. The music-room is not yet finished, but the same splendour of decoration is intended to be bestowed on it as the other apartments have had. It is coved, and contains, the Fifth Plague of Egypt, by Turner; the subjeQ:, spirit, and exe- cution of which gained this young and promising artist so much credit in the Exhibition of 1800. Over the chimney in the morning drawing- room, is a pleasing pifture by Romney, from a scene in the Midsummer Night's Dream. The most prominent figure is Lady Hamilton, in the character of Queen Mab, with a happy ex- pression of archness in her countenance. It [ 126 ] contains, also, Maty washing the feet of Christ, by N. Poussin. — The Woman taken in Adul- tery, by ditto. — The Virgin, Child, and Angels, a finely-finished painting; the joint effort of Van Balen and Rodenaamer; the landscape by the former, and figures by the latter.-— Landscape, by C. Lorraine. — Two small Landscapes, with ruins and figures, by Polenberg. — Small paint- ing, rocks and trees, by S. Rosa. — John preach- ing in the Wilderness, its companion, by ditto. The only ornament of the dining-room, except its painted ceiling, is a noble antique statue of Bacchus, the arms and left foot modern. The nebris y or leopard's skin, is flung across his shoul- der, a panther stands at his side, and he sup- ports himself on the trunk of a vine with grapes, &x. and leaves at his root. The library is a large room, filled with choice and expensive books $ and decorated with ap- propriate paintings on the ceiling. Two superb pieces of Gobelin tapestry cover as many sides of the small drawing-room, the work of Neilson ; one representing Esther dress- ing for her interview with Ahasuerus 5 the other her acceptance by him as his queen. The Turkish tent concludes the splendid suite of apartments shewn to strangers 3 a room fitted [ 127 ] up with much fanciful magnificence, hung with yellow satin, &c. richly decorated with a pro- fusion of gilding. It may be proper tq inform you that this daz- zling scene cannot be viewed before the hours of twelve at noon, nor after four. We wished much to have been admitted to the stupendous building which Mr. Beckford is eretling upon a high hill, at the distance of a mile and a half from his house, but this is, properly enough, prohibited from being sur- veyed till it be compleated. The only informa- tion we could obtain respecting it was general; that it would be extensive and magnificent. As Mr. Wyatt is the archite£l, we may venture of ourselves to add, that it will also be elegant and chaste. Four miles from Fonthill we reach the parish and hamlet of Tisbury, wherein stands War- dour-Castle, the seat of the Earl of Arundel. A neat little inn offers comfort and civility to the traveller near the gate of the mansion, which may be viewed every day after tw r elve o'clock. The present *Lord Arundel, about thirty years ago, removed the family seat from its old scite under the walls of the castle to a [ 128 ] spot about a mile from it, on higher ground in- deed, but not of so favourable or beautiful a situation; it is built of free-stone, the wings proje&ing in a curved line from the body, and making with it one heavy whole. An addition to the right wing, of the chapel, since the first design, interrupts the uniformity of the build- ing; and a belt of trees 3 sweeping round a little lawn, precludes all prospeft in front. To the south a wider range is given to the eye, which takes in the plains and fields of Wiltshire, and rests upon the distant hills of Dorset. This also is the handsomer front of the two, being ornamented with pilasters and half pillars of the Corinthian order. From the simplicity and plainness of the entrance-hall, we do not expeft the splendid piece of architefture to which we are immediately afterwards intro- duced, the rotunda stair-case; the most ele- gant structure of the kind in England* and worthy of the magnificent apartments to which it leads. This is circular, and lighted from the dome that forms its summit; two flights of stairs take a semi-circular sweep to the right and left, and conduft to a gallery, or corridores, of which eight Corinthian pillars support the top, and where six uniform recesses C 129 ] contain within them the doors opening to the different bed-chambers ; a grand organ occu- pies one segment of the circular gallery, and a figured iron railing, with gilded ornaments, sur- rounds the whole. The first apartment to which this gallery carries us is the saloon, not remark- able for magnificence of furniture, but contain- ing within it a rich mine of paintings. They are as follows : — Head of St. Francis, by Dominichino. — Head of a Madona, by Carlo Dolce; finished with that incomparable sweetness which obtained to this artist the last addition to his name. — Landscape, Morning, by DeBruzzi. — Evening, its companion. — Head of a Hermit, by Salvator Rosa. — Portrait of one of the Cliffords, of Chudleigh, Devonshire, by Vandyke. Jacob's Departure from Canaan for Egypt, by N. Poussin. The chara&eristics of this artist were judgment and force of expression; both of which are sufficiently visible in the pifture be- fore us. The figure of the horse is incompa- rably fine and natural; its head and forehead appear to be starting from the canvass. Jacob's Meeting with Joseph, N. Poussin. — Joseph in Prison, interpreting the dreams of the K [ 130 ] butler and chief baker, by Murillo. — A Holy Fa- mily, uncertain whether an original by Raphael, or a copy from him ; but the doubt itself pro- claims that excellence which it displays. — An Infant Jesus and St. John, by Titian.' — Boy play- ing on Bagpipes, Ass and Dog, by Michael An- gelo da Carravagio; a very fine pifture, in which the fore-shortening of the ass is wonderful. — Two small Landscapes, by Salvator Rosa. — A Holy Family, by L. Giordano. — Two Architec- tural Paintings, by Babiani, both fine > that on the right hand remarkable for the artful intro- duction and scientific management of subordi- nate and different lights. Hagar in the Wilderness, Ishmael asleep, Angels comforting the mother, and pointing to a fountain of water to allay the thirst of herself and offspring; an interesting production by Pompeio Battoni, a modern artist. The ex- pression of unutterable anguish in the counte- nance of the disconsolate mother is very natural, and the turn of the arm, foot, and hand, is equally striking. Ruins at Rome, marked Heightenburgh, 1693.— Church at ditto, marked ditto. — Two Landscapes, by Le Croix. — Two Landscapes, by Rosadi Tivoli. r ] Henrietta Maria, by Vandyke ; the beautiful and amiable, but injudicious and bigotted, queen of Charles I. ; and hence, one great co- operating cause of her husband's misfortunes. Her detestation of heretic ceremonies was such, that when the king her husband was crowned, she would not assist at the profane rites; but only attended as a private spe£iator. Two small Landscapes, by Wouverman. — An Old Woman paring apples, by Teniers ; with his usual coarse accompaniments, a hog, &c. The drawing-room contains, Portraits of Mr. and Mrs. Arundel, by Sir G. JCneller. — A Pi£ture in black, miscalled the accomplished hero, Lord Viscount Falkland. It is at least unlike the undisputed portraits at Devonshire-House, Longleat, and the Duke of Queensberry's ; which last was from the Cla- rendon colle&ion. — John Arundel, of the Lan- herne family, translated from the see of Litch- field and Coventry to that of Exeter in 1 50 1 ; he died March 15th, 1503. — Lady Bedingfield. — The two Daughters of Savage Earl of Rivers, by Vandyke. — Mr. and Mrs. Arundel, two portraits by Sir Peter Lely. Villiers Duke of Buckingham. " The right high " and right mighty prince George Villiers, [ 132 ] " Duke, Marquis, and Earl of Buckingham ; " Earl of Coventry, Viscount Villiers, Baron of " Waddon; lord high-admiral of England, Ire- u land, and the principality of Wales ; governor 94 of all the castles and sea-forts and of the " royal-navy ; master of the horse to his Ma- "jesty; lord-warden, chancellor, and admiral " of the Cinque-ports and the members thereof; " constable of the castle of Dover; justice in " Eyre of all his Majesty's forests, parks, and M chaces, on this side of the river Trent; con- * c stable of the royal castle of Windsor; gentle- " man of the King's bed-chamber; counsellor " of estate of the kingdoms of England, Scot- " land, and Ireland ; knight of the most noble " Order of the Garter; lord president of the " council of war ; chancellor of the university " of Cambridge; and lord-general of his Ma- H jesty's forces in the isle of Rhee." A list of titles so long, and of places so numerous, was sufficient to excite jealousy and dissatisfa&ion, independently of personal demerits in him who bore them. The nation was disgusted with Buckingham's overbearing conduft; and an instrument for the expression of popular indig- nation appeared at length in Fellon, who mur- dered the Duke at Portsmouth, Aug. 23, 16280 [ 133 ] Three Children of Charles I. whole length, by Vandyke. — Head of a Woman, by Rubens. Sir Thomas More, by Hans Holbein; an admirable pitture, in which the features of one of the greatest men that ever lived are faith- fully preserved by the rigid pencil of this ac- curate artist. The produftion before us ap- pears to be equally entitled to the high enco- mium which Lord Offord has bestowed upon its companion at Kensington : — " Employed by " More, (says this writer of taste and spirit) " Holbein was employed as he ought to be. " This was the happy monfent of his pencil; ** from painting the author (Erasmus) he rose to " the philosopher (More), and then sank to work w for the king (Henry VIII.) I do not know a " single countenance into which any master has " poured greater energy of expression than in fC the drawing of Sir Thos. More at Kensington ; M it has a freedom, a boldness of thought, and " an acuteness of penetration, that attest the " sincerity of the resemblance. It is Sir Thos, " More in the reign of his sense, not in the ¥ sweetness of his pleasantry. Here he is the " unblemished magistrate; not that amiable * philosopher, whose humility neither power " nor bigotry could elate, and whose mirth even [ 134 ] " martyrdom could not spoil. Here he is rather " that single cruel judge whom one knows not " how to hate, and who, in the vigor of abilities, " of knowledge, and good humour, persecuted " others in defence of superstitions which he cc himself had exposed; and who, capable of dis- " daining life at the price of his sincerity, yet " thought that God was to be served by promo- " ting an imposture. Who triumphed over c< Henry and death, and sank to be an accom- " plice, at least the dupe, of the holy Maid of " Kent!" The execution of this accomplished statesman is one of the many instances of bru- tish cruelty which condemn the name of Henry VIIL to everlasting infamy. Miss Panton> by Sir Peter Lely. — Bishop St. Paul de Leon, a good pifture, by Danloo. Hugo Grotius, half-length, by Rubens; a large person, and rosy butcher-like face. This great man is well known to the learned world as a civilian, a poet, a critic, and a divine. In his last capacity he has laid an eternal obliga- tion on society by his incomparable work, " de Vcritate Christiana Religionist a work, from the perusal of which, no attentive, impartial, and unprejudiced reader can rise without convic- tion. What adds to the wonder of this com- [ 135 I position is, the circumstance of its Having been written under the miseries of imprisonment. He was a native of Delft in Holland,, and there called Huig de Grot, where his lineal de- scendant lived (in Rotterdam) till within these two years, but exhibited a striking proof of the truth of the adage, heroum filii noxa, being as de- ficient in intelleft as he was void of principle. In the picture before us, the figure of a large trunk is represented, allusive to his escape from the Castle of Lowestein, where he had been con- fined on account of his connexion with the il- lustrious and unfortunate Barnevelt The wife, anxious to liberate her husband, petitioned the magistracy that she might send him some books to amuse him during confinement ; which be- ing permitted, she packed them in a box sufficiently large to contain the prisoner, who, squeezing himself within it, was carried from the fortress during the time of her visiting him. All suspicion was of course precluded by the faithful partner of his heart remaining in the prison till he had escaped beyond the reach of his pursuers. He died August 8, 1645. The Inside of a Church, with rites celebra- ting in it, by De Neuf. The perspective of this pi&ure is so fine, and the relief so great, that a C 136 ] connoisseur who had, some months since, been contemplating it for a long time with great at- tention, at length moved a little to the right, in order to look round one of the pillars which appear in the front of the pi&ure. Cardinal Reginald Pole, a very fine head, by Hans Holbein. This learned, modest, and courteous prelate, w 7 as a younger son of Sir Richard Pole, by Margaret Countess of Salis- bury, daughter of George Duke of Clarence, brother to Edward IV. In Italy he numbered Sandolet and Bembo amongst his intimate friends; and upon the death of Paul III. was elefted Pope ; but the ele&ion taking place at midnight, he refused to attend the conclave till the morning, observing, that his exaltation to the pontifical chair should not be a work of darkness. The Cardinals, disgusted at the message, immediately proceeded to another ele&ion, and chose the prelate De Monte. They made but a bad exchange, however, for their former choice; for the new Pope, before he left the conclave, bestowed a Cardinal* s hat on his monkey. Pole arrived as legate in England in 1553, and shortly after obtained the see of Canterbury ;' in the possession of which he died November 17, 1558. [ 137 ] Thomas Arundel, killed at the battle of the Boyne, fighting for King James L In a small room adjoining, not generally shewn, we find, A large Landscape, Evening, Nymphs dan- cing ; an exquisite pi£ture, by De Bruzzi. — The Virgin Mary fainting after the Crucifixion of Christ, by Dominichino : a striking groupe, awful and afFe&ing. The blue bed-chamber next occurs, and presents us with the Portrait of a Nun, of the Arundel family, w>ith this inscription from the Psalms, Quid mihi est in ccelo, et a te quid voiui super terram. — A Dead Christ, by Hannibal Carracci; a pic- ture of admirable execution, in which the fore- shortening of Christ's body is the perfe&ion of art. — A Crucifixion, by Rubens ; sublime. The library has, two fine Views of the Erup- tion of Mount Vesuvius. — Albert Duke of Saxony. — Mr. John Arundel, by Vandyke. From this apartment we are carried into the western gallery of the chapel a strufture that displays superlative taste and magnificence. Crimson turniture, and gilded ornaments, pro- duce an immediate striking coup f ftti; but when the decorations are examined individually, the splendour and expence become more percep- [ 138 ] tible. Three immense piftures, by Rubens, cover the southern wall of the chapel; and one by this artist, and another by Guido, of the same majestic size, are their oppo- site companions. The altar-piece is a Dead Christ, by Cades. A large gallery is con- structed at the western end, superbly fitted up for Lord Arundel and his party; a second, at the east end of the south side, for the choir; and a third, at the east end of the north side, for the accommodation of visiters. Benches oc- cupy the middle of the chapel, for the reception of the domestics, and such of the villagers as profess the Romish faith; for there is a Catholic seminary here, the pupils of which pun£tually attend at morning and evening prayers. The eastern end of the chapel recedes into a semi- circular form, through the windows of which light is admitted ; but as these are placed high, and consist of coloured glass, the effect is ex- tremely striking and solemn. The central win- dow exhibits Angels, and the awful Tetra- grammaton, from which is an emanation of glory. Brought forward ffom the eastern end, sufficiently to allow the processions around it, stands the Altar, a most costly piece of work- manship, fixed on a splendid sarcophagus of C 139 1 ebony - r and constru&ed of porphyry, agate, and amber. A magnificent crucifix of silver surmounts the altar; and two censers of solid gold, embossed with silver, suspended over it, pour through the chapel odiferous clouds of ever-burning frankincense. Every thing, a- round, indeed, evinces, that the Romish ritual is observed here with the utmost rigour and magnificence ; and, doubtless, the celebration of its higher offices, amid such seducing ob- je£ts, must a£t with infinite force upon the imagination. The effeft produced by the ex- ternals of worship every man experiences who attends our Cathedral service, which has not been stripped of so much of its lace as the com- mon parochial ritual ; how much, then, must this be increased, when aided by exquisite ex- amples of sculpture and painting; amid the strains of angelical music, the glare of unnum- bered lights, and the Hallelujahs of numerous multitudes ! The tamest fancy must be roused by such a scene, and the coldest heart warmed into transport. It was on an occasion like this, you may reccjlefl:, when Lord Boling- broke was attending high mass at Versailles, that, on seeing the Archbishop of Paris elevate the Host, and hearing the sudden crash of i:> [ 140 ] struments which accompanied the solemnity, impressed with the awfulness of the prelate's figure whilst engaged in the a£t, he instantly exclaimed to his companion, Bishop Atterbury, Ci By heaven, my Lord, if I were the King of France,! would perform that ceremony myself/' An author, whose knowledge of human nature was profound, saw the powerful effects which decorated ritual would naturally produce on the general mind, and has thrown some little blame on the early reformers for despising the aid which it affords to the effusions of piety, and the exercise of devotion. " Even the Eng- " lish Church," says he, of Tisbury, who was brought to visit at the castle from the place of his residence when upwards of one hundred years old. Hussey drew his portrait, and Lord Arundel generously rewarded the old man's trouble by an annuity which he enjoyed nearly three years. Hussey was not only remarkable for the exquisite skill of his pencil, but for the singular principles on which he pradiised his art. Mr. Maton, ele- gant and correct, has given us the following ac- count of these anomolous professional opinions: " The notions entertained by this very inge- * nious artist, and the principles which he prac- " tised in the exercise of his profession, were cc very peculiar. He contended, that the prin- " ciples of harmony obtained generally, through- cc out nature, and even in the proportions of the " human form, these proportions being as de- f( lightful to the eye, in works of art, as they * c are, in sounds, to the ear; and that the for- [ 143 ] " mer sense was as capable of judging of these " harmonious proportions as the latter. Ideas " similar to these, indeed, were entertained by " many of the early philosophers, particularly " by Pythagoras; but it does not appear that " they were ever applied, or extended, in so " extraordinary a manner as by our artist. He " always drew the human head by the musical " scale, alleging, that every human face was " in harmony with itself; that however accu- " rate the delineation of it from nature might " be, in consequence of an artist having a very " nice eye ai:a ^and, yet some little touches, ft necessary to complete the likeness, would " be wanting, after all possible care ; and that f : the only true criterion by which it could be " known that any two things in drawing were " exactly alike, was to procure a third, as a " kind of mean proportional, by a comparison ■ff with which the exaft similarity of the other ff two might be proved. Accordingly, after " he had sketched a drawing of a face from ? nature, he applied thereto his musical scale, S€ and observed in what correspondent points " (taking the whole face, or profile, for the " ofiave, or fundamental) the great lines of the " features fell. Adhering to his principle, that I tu ] " every face was in harmony with itself, (though " sometimes it might be a concordia discors) after " the was found, he of course disco- " vered the correspondent ratios, or propor- €C tions; so that, if on applying the scale thus ff reftified, as it were, to the drawing, he found " any of the features or principal points of the " face out of their proper places, by making ?.! them correspond to the scale, he always per- " ceived that such correftions produced a bet- (i ter and more chara&eristic likeness. " A friend having once remarked to Mr. H. u that though this principle might hold true " respefting the whole of the human frame, " when drawn quite formal and upright, and " to the human face, (especially in profile) yet " he doubted, whether it would apply in all the *' various attitudes into which the human body " might be thrown; — he replied, you will find 66 that my principles hold good universally, if " you consider these different attitudes as dif- " ferent bars in music. Having produced a " Madona and Child of Carracci, he exempli- #c fied his meaning. The child was standing on " one leg, the other bent, and leaning on the " Madona's breast. ' This/ says he, c is a ' beautiful boy, and elegantly drawn, but now [ 145 ] • I will trace him exa&ly, apply the scale, and * corre6t every part thereby, and then we shall c see if he come not out more beautiful still, ' and more elegant 9 He did so, and the in- f? tended effe£t followed. Thus much must " certainly be allowed by all who have seen " Mr. Hussey's pencil drawings from life, that " he has preserved the best characteristic like* " nesses of any artist whatever ; and, with re- " spe£t to those of mere fancy, no man ever " exceeded him in* accuracy and elegance, " simplicity and beauty." An incomparable piece of workmanship in ivory, by Michael Angelo, the figure of Christ on the Cross, " which Jews might kiss, and in- f the latter age, but extremely well executed as to the breast, .... ' ' c 158 3 ; v iM right arm, and shoulder, which are naked and beautifully soft. Upon a sarcophagus, the figure of an Ama- zon, (marked by the circumstance of* the right breast being wanting) kneeling and covering herself with her shield. The knees and body below the breast are of the finest execution. A very remarkable statue of Bacchus, car- rying Silenus on his shoulders; he has grapes in his right hand, and on his head. The part wherethe figures of the two personages unite, may be considered as the best executed of the whole; though the contGur of the young god is very masterly. I cannot think the head of Bacchus at all equal to the other parts. At the bottom of the stair-case is A colossal statue of Hercules, seven feet ten inches high, one of the finest pieces in the col- lection; and in a good state of preservation. The artist has discovered much judgment in the choice of his attitude ; and much skill in the admirable expression of strength which he has thrown into every limb. A colossal bust of Alexander the Great. In the second window, a statue of Bacchus ; a youth, slender, graceful, and animated. [ 159 ] In the hunting-room is another fine statue of the same god^ of which the right leg is modern ; the arms and face are soft, round, and fleshy. Grace and elegance charafterise this statue. A statue of the Ephesian Diana, in the Egyp- tian style * her face, hands, and feet, the only parts which appear, are of black marble ; the rest of the figure is wrapped up and decorated in the grotesque Egyptian manner; on her head she wears a turreted crown. Aamgnificent groupe of modern workman- ship, representing the Rape of the Sabines, from the antique original. A noble statue of Shakespeare, by Schen- inaaker; with the following lines on the scroll: <( Life's but- a walking shadow* " A poor player €C That struts and frets his hour ee Upon the stage, u And then is heard no more." An exquisite copy of the dying Gladiator, standing till lately in the library, (which, by the bye, is now nearly empty, the antiques having been removed from thence.) Hercules and Philoffetes, a grand piece of sculpture, standing upon a sarcophagus. The hero, fainting and exhausted, (his club dropping [ 140 ] to the ground) is falling backwards, and, with much difficulty, supported by his friend; a smaller figure, who seems to be sinking under the weight of his gigantic form. Another groupe equally striking; Hercules engaging the river Achelous, represented under a form, the upper part of which is human, and the lower snakes. Hercules throws his arm round the neck of his antagonist, and is apparently strangling him ; whilst the latter entwines his serpents round the hero's thighs and the unguarded parts of his body. There is indescribable strength and spirit in this sculpture. The statue of Isis, of the ponderous Theban iron-stone. She is represented kneeling down, and sitting upon her heels, holding before her a small figure of Osiris, whom she is said to have found floating in a cista, or coffin, on the shores of Phoenicia, and rescued from his peri- lous situation. The face of Isis, and the figure of Osiris, are black, the costume of the statue is of white marble. The former is crowned with the sacred flower; her hair divides into two parts, which flow over each shoulder. Upon the. whole, this piece of sculpture has less stiffness than the Egyptian statuary generally exhibits. [ 161 ] A fine figure of Livia, third wife of Augustus. Another equally good, of Faustina,- wife of Antoninus Pius. The taste of the late lord for horsemanship, which he carried so far as to write a treatise on the subjefci, is manifested in the ornaments and decorations of many parts of the house, but more especially in the apartment called the manege, or hunting-room, which is wholly fitted up with paintings of horses in every attitude. But the boast of Wilton-House, in the line of original paintings, is the noble colleftion that it exhibits of the works of Vandyke. The family piece, consisting of Philifi Earl of Pembroke, his Countess, and eight more whole lengths, has ever been allowed to be a perfect school of that great master ; and though damaged by the criminal curiosity of the fellow, to whom it was ientrusted to be cleaned, (who, anxious to dis- cover the first colouring, scratched off the super- ficial tints with his knife) it still impresses the mind with admiration of the talents of Van- dyke ; talents which have been by no means done justice to, in Baron's engraving of this famous pifture. Were you to see the original, you would not only allow, I think, the justice of this remark, but at once give up the positive M I 162 ] opinion you have formed in favour of the por- traits of Lord Strafford and his secretary, at Wentworth-House; or, at least, you would be obliged to pronounce, with the Irishman, that they were both the chef cTceuvres of Vandyke. There are, also, a very fine laughing Demo- eritus. — An Old Man selling sugar-plumbs to children, all the figures laughing^ by Frank Hals.— Single Head, illuminated by a candle placed before the face, by Van Schalken. The grounds have much of their beauty from nature, and borrow some from art 5 distant ob- je£ts being introduced, and managed with con- siderable judgment and taste. The Palladian bridge, also, is shewn as a beautiful specimen of architefture, as well as a judicious ornament. The former claim to praise we may allow it, but must altogether deny the latter, since the incongruity of sticking a temple upon a bridge, over which a wise man would pass as quickly as possible without stopping to make vows or pour out petitions, however san&ioned by the authority of [iraSt'ice, is too obvious to be reconciled to nature, truth, or taste. Wilton is a borough town, returning two members to Parliament; but neither in size nor appearance retaining that grandeur which [ ^3 ] was formerly sufficient for it to impose a name upon the county, and to reckon within itself * twelve churches, only one of which at present remains. The beauty and superiority of the Wilton Carpeting are generally known and acknowledged. About one hundred looms are employed in making this article, and five hun- dred for the manufa£ture of Linseys ; one of the latter machines may be seen in the house of every poor inhabitant, by which a woman and boy are enabled, in three weeks, to earn the miserable pittance of ten shillings. With still less attention than I have paid tp Wilton, shall I pass through Salisbury, with its noble cathedral, (rendered the most finished piece of Gothic architecture by the liberality of Barrington the present Bishop of Durham, and the exquisite taste of Mr. Wyatt) since ample descriptions of it are in the hands of every one. You must, therefore, be content to refer to the numerous Guides with which the in- dustry of others have furnished the public, and accompany my route to Old Sarum, two miles from the city, of which it is the parent. The labours of our ancestors, the ancient Britons, assume in no part of England a more [ 164 ] majestic appearance than in two instances in the neighbourhood of Salisbury, OldSarum and Stonehenge, a city and a temple. The former is seen for miles round, lifting its proud head to an enormous height, and, after the tempests of Heaven have beaten upon it for more than two thousand years, still claiming admiration from its elevation, hugeness, and extent. It is a circular work of most regular plan, consisting of the following members— a vast vallum, with a ditch within it; a flat space, bounded by a second still larger vallum about ninety feet in its oblique ascent ; this falls into another more extensive flat space, measuring in breadth one hundred and forty-five paces, terminated by an immense ditch, and a third mighty vallum, rising obli- quely, in an angle of fifty degrees or more with the plane of the horizon, to the height of one hundred and fifty feet ; within this is the in- terior circular area, of eighty-five paces in dia- meter. Of the three parts into which the work is thus divided, the first, or outward one, seems to have been occupied by the suburbs; the se- cond, by the city; and the third, by the castle. The entrance into the outward area was to the eastward, by two narrow passes on each side of a curious horse-shoe mount, ditched and 0 165 ] banked, forming a rude but strong sort of horn- work. Opposite to this, at the western point, was another gateway of smaller dimensions, and somewhat different form. The interior vallum seems to have been walled entirely round, and part of a gateway to the west, where was the only entrance, is remaining to this day, con- sisting of an unintelligible congestion of flint stones and blocks of grit, cemented by a very strong mortar. Two dorsa, or banks, of great height and dimensions, run exactly north and south from the interior of the second vallum to the edge of the last ditch, terminating in a path way that takes an oblique and gentle descent into the hollow, for the accommodation of the garrison that inhabited the castle. In the north-east corner of the first area, a singular discovery was made at the breaking up of the frost in 1795, which may still be seen, though not in the perfe£tion wherein it ap- peared on its being found, as the farmer who rents the land partly destroyed it, to prevent the curious from treading down his corn in their visits to it. It is a subterraneous passage, cut out of the solid chalk rock, and dipping for the first twenty feet in a direftion nearly perpendi- cular. At the entrance it may be about six [ 166 ] feet high and five feet wide, but gradually as* sumes wider and higher dimensions, as well as a less abrupt descent, as it continues its course. We penetrated about forty yards under the earth by means of this excavation, and were then stopped by a quantity of rubbish, which had been cast into it by the parsimonious farmer. Its opening had been secured by oaken planks placed over it, and a strong door fixed on coarse stone-work just within it ; the descent had been facilitated by steps cut in the chalk rock, which appeared on the first discovery to have been little worn, and evinced that the passage was a very secret one ; probably designed either for a sallee port, a deposit for treasure, or a magazine for the materials of war. Due north of this hole, and in a situation exa£tly corresponding with it, in relation to the entrance, is another hollow or sinking of the ground, so^ perfe6lly similar to the appearance of the ground in the neighbourhood of the one just described, pre- viously to its discovery, that I cannot doubt a like subterraneous passage would be found there, if proper investigation were made for the pur- pose of dete&ing it. All our antiquaries, you know, my dear sir, agree in giving Old Sarum a British original, [ 167 ] though the name by which it was known for ages be of Roman fabrication. The faft is, this latter people very wisely availed them- selves of all the advantages that presented themselves on their arrival here; and whenever they found a British camp or fortress, which, from eligible circumstances of situation, might be converted to their purposes, they immedi- ately made use of it, Romanized its name, and turned it into a station. Such was their pro- ceeding in the instance before us. The wide extent of view which Old Sarum commanded on every side, made it an admirable quarter for thfe Roman military, who from its proud sum- mit might at once survey and awe. the distant country, and communicate with the other sta- tions spread over the extensive flats of Salis- bury plain. They, therefore, reared the eagle on the strong hold of the ancient Britons; and by softening and amplifying the old expressive Celtic name Sorfidun, or Dry-Hill, into Sorbio- dunum, attempted to deceive posterity with the opinion, that the enormous work had owed its origin to Roman labour. Delighted with this open and commanding elevation, the Emperor Severus is said to have occasionally resided at Sorbiodtinum ; and after it had yielded to the Saxon [ 168 ] arms under Kenric in 553, it became the fre- quent residence of the monarchs of that line. In 1003, it experienced all the waste of fire, and all the horrors of the sword from Canute the Dane, who captured it; but before the con- clusion of the same century, the proteflion and liberality of William the Conqueror raised it once more into consideration, by authorizing Herman Bishop of Sherborne to transfer within its ramparts the episcopal see of that diocese. Osmond, the successor of that prelate, adorned it with a cathedral, and nearly at the same time all the estates and orders of the kingdom were summoned to its walls, to take the oath of al- legiance imposed upon all his subje&s immedi- ately after the memorable compilation of the Domesday book. Increasing population, scar- city of water, and above all the insolence of the royal garrison which- filled the castle, and exercised at will upon the inhabitants below injury or impertinence, induced them in the reign of Richard L to abandon Old Sarum, and fix their residences in the valley to the south of it, the scite of the present Salisbury. From this period the ancient city declined, and be- fore the end of the fifteenth century wass en- tirely deserted. Nothing now remains of its [ 169 ] pristine magnificence; not even a house to tell the traveller that here once was a city ; all is solitude and silence, and the only vestige of its former bustle and business is a little manufactory of M of P ; a process carried on every seven years, under an old tree in the neigh- bourhood of the ramparts, by a seleft company of two gentlemen, (possessing between them thirteen votes) who have the exclusive privilege of pre- paring this article for the borough of OldSarum. We are now fairly upon Salisbury plain; a boundless extent of downs, tenanted only by the listless shepherd, his faithful dog, and their fleecy care. In vain the eye looks round for some obje£t to relieve the uniformity of the scene; all is flat, bare, and desolate, nothing interpo- sing between it and the distant horizon. In the midst of this solitude, the little valley in which Amesbury is situated at length appears, pleasingly contrasting the wide expanse of sterility through which we have been wander- ing, by the beautiful wooded hill sloping up from the mansion of the Duke of Queensbery; and crowned on its summit by a huge remain of Roman castrametation, a camp of Vespasian. His G race's house, the only ornament of a village that gave birth to the amiable Addison, was from [ 170 ] the design of Inigo Jones, and, like most of the other buildings of this architeft, is simple and classical Agreeably to the taste of the last age, it stands in a flat, through which the Avon winds its eccentric course; although the hill at its back offered a mdre commanding, and perhaps a more wholesome, situation. This, however, was reserved for the gardener to dis- play his skill upon; who has performed his work by forming its face into a zig-zag ascen- ding path, and cutting the woods on its head into rectilinear walks. On the scite of this mansion a nunnery formerly stood, (founded by Elfrida) whose inmates had imbibed so much of the spirit of their patroness, that they were expelled by Henry II. for their ill lives. But the prince quickly transplanted to the spot from Normandy another bevy of the same use- less beings, who continued here till Henry VIII. involved both nuns and monks in one ge- neral destru&ion. The scite of the monastery was then granted to Edward Earl of Hertford, from whose family it passed into that of the nobleman who at present possesses it. A new scene now exhibited itself at Amesbury, and in lieu of the senseless superstitions of monastic life, this seat, under the auspices of the Queens- [ mi;) bery family, became the theatre of wit and elegant literature; the spot where Pope occa- sionally indulged his satyrical muse; the gentle Gay pursued his moral song; and Addison un- bent his cultivated mind. At present such are the singular revolutions to which all human things are subjeft, it serves again the unholy purpose of marring the bountiful designs of Providence, and destroying the uses of youth and beauty, by affording a prison for thirty- three nuns, all of English families, and formerly settled in Lorraine in France. We went to visit the sisterhood, but it was a melancholy scene; the languor and sadness of every countenance too clearly marked that depressed state of mind, which is, of course, induced by the attempt to extinguish the feelings of nature; and to triumph over passions that, under proper regulation^ are so necessary to the state and circumstances of human beings; nor could we quit so many female ^charms in hopeless thraldom, without dropping an execration against that € \ Sad Institution ; which austerely draws " The female heart from nature's genial laws ; fC Strangles Heavn's bounty, and converts to woe " The plenteous source whence joy and life should flow." [ 172 ] Our visit to another monument of superstition,, in the neighbourhood of Amesbury, was at- tended with very different emotions; this is Stonehenge, constructed between two diverging roads, one running to Warminster, the other to Deptford Inn, at a short distance from this point of division. The distant effeft of this stupen- dous fabric is not so striking as the descrip- tion of its magnitude might lead us to imagine, since, being an isolated object, situated in the heart of the plain, without any thing around it for a standard of comparison, every impression of its greatness is swallowed up and over- whelmed in that idea of immensity which the prospe£l on every side presents to the mind* This very circumstance of unaccompanied loca- lity, however, heightens, perhaps, the effe£t of the fabric when we approach it; for the mind, not being interrupted or distra£ted by neigh- bouring obje&s, bends its undivided attention to the solitary wonder before it. The monu- ment consists of four concentric arrangements of stones, the two outward circular* the two inner elliptical; the whole surrounded by a ditch, at the distance of one hundred and five feet from the external circle of stones. Of the outermost circle the general dimensions are, [ W ] height, about fourteen feet; thickness, be- tween three and four; breadth, between six and seven ; they consisted of thirty rude upright pillars, standing between three and four feet apart from each other, crowned or conne£led together at the top by as many imposts or trans- verse stones, each about ten feet in length, and three feet in thickness; the whole forming a large circular inclosure, ninety-seven in diame- ter. The interval or space between the two stones, which point exactly north-east, is greater than between the other columniations, and seems to have been purposely widened in order to afford an entrance into the interior of the structure. Only seventeen of these upright stones, and six of the connefting ones, are now in their original situation. The second circular arrangement occurs at nine feet distance from the inner side of the one I have just described, consisting of smaller upright stones, none of them conne£ted together at the top by imposts, except that which fronted the entrance, and which was evidently intended for a second gateway or portal to the more sacred parts of the edifice. This circumstance, though never noticed before, is sufficiently demonstrable from the impost, furnished with mortices to re- [ 174 J ceive the tenons of the uprights, which lies in the immediate neighbourhood of the latter. The number of the smaller uprights seem to have been twenty-nine ; of these nine only re- tain their original position. Thirteen feet ^ within this second circle is the third arrange- ment of stones, which assume an oval shape, about sixty feet in its longer diameter, and fifty-two in its shorter; and was anciently formed by seven huge Trilithons, or combinations of stones, each consisting of two uprights, and an incumbent impost, separate and distin£t from each other. The height of the largest pair of uprights is twenty-eight feet, the breadth of each seven feet, and the thickness three feet, gradually tapering from the basis to the summit. The imposts, one with the other, measure about sixteen feet in length, four feet six inches in breadth, and two feet six inches in thickness ; each Trilithon is supposed to weigh about se- venty tons. Two only of these compages are now standing; one having given way and fallen after the thaw in January 1797. The south- western Trilithon, and indeed all the stones towards that point, are higher than the others, and seem to have risen, by a gradual elevation, [ 175 ] to a more majestic size, in proportion as they receded from the entrance into the pile. Within these enormous compages of stones another elliptical range of uprights occurs, smaller than those before mentioned, but gra- dually increasing in height and magnitude to- wards the back of the temple, and tapering from the basis upwards. They were nineteen in number; two feet and a half broad ; one and a half thick; and eight feet high. Towards the upper end of the last arrangement in the adytum stands the altar, or hearth-stone, origi- nally one vast stone, four feet broad and six- teen feet long, broken at present into three fragments, all imbedded deeply in the earth. On this, the carcases of the viftims, or at least such parts of them as the priests devoted to the gods, were consumed by fire. Every member of this vast fabric displays the marks of labour, and the contrivances of inge- nuity. Traces of the chissel, handled with skill, ^ are every where visible in the elegant forms into which the vast Trilithons, and lesser up- right pillars, have been wrought, and in the mortices which accommodated the transverse stones to the tenons of their supporters. The admeasurements also are exa£t, and seem to [ 176 ] have been uniformly taken from the ancient Egyptian cubit, of twenty inches and four-fifths, English, to each. One hundred feet from the outward arrange- ments of stone is, as I have before observed, a circular ditch, about thirty feet in breadth, formed by two parallel banks, entirely encir- cling the whole, except on the north-east point, where a gap occurs, affording entrance origi- nally into the pile. Close to this gap is a huge solitary stone, lying on the ground, tw r enty feet in length, and six feet seven inches in breadth, which seems to have been intended for the first process in the bloody rites of Druidism — the immolation of human and other vi&ims offered to their sanguinary gods. One hundred feet further to the north-east, and immediately opposite to the entrance just mentioned, another vast stone occurs, upwards of seventeen feet high, but standing a little out of the perpendicular, and bending towards the temple. This may be considered as the pillar of memorial, a customary appendage to the Gentile places of worship in the early ages, which the Jews, when about to take possession of the land of Canaan, were strittly enjoined to over- turn and destroy. H Ye shall utterly destroy [ 177 ] 11 all the places wherein the nations that ye shall " possess, served their gods, upon the high " mountains, and upon the hills, and upon every " green tree ; and you shall overthrow their " altars and break their pillars, and burn their " groves with fire ; and you shall hew down *f the graven images of their gods, and destroy " the names of them out of that place." Two other smaller stones are found on the inner bank of the surrounding ditch, exaftly opposite to each other, in a dire£iion east and west; as well as two circular depressions, about sixteen feet diameter, in the same bank, the one lying S. S. E. and the other W. N. W. pro- bably designed for the reception of the blood of the vi&ims which were slain ; according ta the description of a similar excavation mentioned by Homer, wher> Ulysses says, ** I from the scabbard drew the shining sword, " And turning the black earth on every side, " A cavern form'd, a cubit long and wide. as these parti- culars may serve to prove the immense exertions to which men can be stimulated, w T hen under the united influence of superstition and vanity. These materials consist of three sorts of stones, sarson, or silicious grit, green granite \ and micacious grit. The first used for the outer compages, or circle, and the Trilithons; the second in the small uprights - y the third for the altar, or hearth- stone. The grey wethers, as they are called, which cover Wroughton, Lockeredge, Clat- ford, and Kennet bottoms, in the neighbour- hood of Marlborough, fruitful only in enor- mous stones, furnished the sarson, or silicious grit y the granite must have been brought from Dartmoor in Devonshire, as there is none met with to the eastward of that place; the spot [ 180 ] from whence the micacious grit was brought is uncertain. Curiosity has in all ages been naturally ex- cited as to the designation of this stru&ure, the purpose for which such vast trouble and pains were exerted; and giants and conjurors, Bri- tons, Saxons, and Danes, have, in turn, been complimented with the arduous task. " Thou noblest monument of Albion's Isle ! " Whether by Merlin's aid from Scythia's shore " To Amber s fatal plain Pendragon bore, " Huge frame of giant-hands, the mighty pile, " T' entomb his Britons slain by Hengist's guilej u Or Druid priests, sprinkled with human gore, " Taught mid thy massy maze their mystic lore : ff Or Danim chiefs, enrich'd with savage spoil, " To Victory's idol vast, an unhewn shrine, * f Reared the rude heap j or, in thy hallow'd round, €C Repose the icings of Brutus' genuine line.5 " Or here those kings in solemn state were crown'd: €s Studious to trace thy wond'rous origin, ic We muse on many an ancient tale renown'd." Without troubling you, however, with a re- petition of what you know already; or if not, with what is not worth your knowing, I will just observe, that it seems now to be generally understood and allowed, that Stonehenge is a monument of Druidical superstition. Mr. King, indeed, with much learning and ingenu- [ 181 ] ity, in the first part of his noble work Muniment Antiqua, has established this beyond controversy; and at the same time endeavoured to prove, that the rites observed in it were precisely si- milar to the superstitious pra£tices of the an- cient Moabites ; that Stonehenge was the great, high place of British Paganism; that the outer stone was the fiillar of memorial-, the mass at the entrance of the ditch, the slaughtering-stone for killing' the vifitims; the excavations in the banks, pits for receiving the blood j the Trili- thons, high altars of oblation for placing the sacri- fices upon before they were consumed ; and the great stone within the whole, the spot on which the last rite was performed, that of consuming the vi&ims by fire. On considering most accu- rately the whole of this magnificent remain of antiquity, and reading with equal attention the observations of Mr. King upon it, I cannot but profess myself to be completely convinced by his arguments of the truth of what he wishes to establish $ but, in addition to his conclusion, I would further assert, that although Stone- henge be aDruidical monument, it still is of con- siderably later date than many other remains of a similar nature in the kingdom. Indeed I do not believe it to have been the work of the ori- [ 182. ] ginal inhabitants of Britain. Compared with that vast stru&ure at Abury, about eighteen miles from Stonehenge, it assumes a degree of elegance, that at once proves the arts must have made a considerable progress, between the construftion of the former and the latter. The one is more vast and majestic, but at the same time more rude and inartificial; the other, on a less stupendous scale, but more correft and elaborate. How is this to-be accounted for? I conceive in the following manner: that Stonehenge was built by the second large body of Belgic Gauls, (who passed over into this country about five hundred years after the aboriginal migrators had found their way here) and that Abury was constru&ed by the first party. Severe and manifold, doubtless, were the eonfli£ts between these new invaders and the old possessors of Britain, and long was the struggle, (as the numerous Celtic earth-works in the West of England evince) before the new comers obtained a permanent footing in Britain. But wearied at length with mutual slaughter, the opposing tribes, were brought to compromise; by which all Cornwall, Devonshire, Dorset- shire, Somersetshire, Hampshire, and a great part of Wiltshire, were ceded to the invaders ; [ 183 ] and the other parts of the kingdom adjudged to the earlier inhabitants. To ascertain the boundaries, and prevent further disputes, a line of demarcation was necessary, anothit vast vallum was cast up, called Wandsdyke^ (lite- rally the ditch of division, from the ^itish Gwakan, to divide) commencing at Posset- point, near Bristol, passing by Great-Bedwin in Wiltshire, and meeting the sea on the south- ern coast of the kingdom ; a boundary which still left their great national temple, Abury, in the possession of the aborigines. Deeply im- mersed in Druidical superstition, but at the same time possessing some knowledge of clas- sical rites from the Greeks, who had been long settled on the southern shores of Gaul, the new migrators brought with them into Britain a motley kind of worship, and a warm spirit of religion. Arrived at the eastern boundaries of their possessions, they beheld with astonish- ment the enormous pile which rose but a few miles on the other side of it, the great national theatre of the worship of their neighbours ; and were immediately seized with an emulation to excel, or at least to equal, this proud monu- ment of architecture. To surpass in magnitude the temple of Abury was beyond their hopes ; C 184 ) it could only be rivalled by elegance, which their better acquaintance with the arts enabled them to excel in. To the mighty labour, there- fore, the whole tribe 'went immediately, and produced Stonehenge, a work that at once blended majesty and beauty; and, at least, car- ried off the palm of archite&ural splendour from the neighbouring strufture, if it could not surpass it in vastness. Thus these two prodi- gious piles became rival temples, like those of Jerusalem and Mount Gerizim; and doubtless excited as much animosity in the breasts of their different worshippers as subsisted between the Jews and Samaritans of old. The little villages which imbed themselves in the hollows of Salisbury plain, and meet the traveller between Stonehenge and Heytesbury, would be infinitely beautiful, if their pi£hires- que effeft were not greatly lessened by the bar- barous practice .of depriving the trees of all their lateral branches, and converting them into hop-poles, with a tuft of verdure on their tops. It is much to be lamented, when a dearth of fuel in a country induces its inhabitants to adopt an (economy so totally at war with taste and natural beauty. Between two and three X 185 ] hundred people find support in the manufac- tories of Heytesbury, which exhibit every branch of the wool trade, from cleansing the article to packing the cloth for sale ; but, per- haps, its neighbourhood is still more interesting, from the variety of earth-works and military remains, Roman, Saxon, and Danish, which occur with endless repetition. The road from Heytesbury to Westbury is particularly fruitful in these vestiges of ancient warfare ; since almost every proud height which swells out of the down to the eastward of it is crowned by vallations. The most conspicu- ous of these works are Knook-Castle, Scratch- bury, Battlebury, and Old-Camps. The first lies between two and three miles to the east of Heytesbury, in form a parallelogram, con- taining within its mounds an area of two acres. Scratchbury lying three miles direftly west of Knook, is upon a rrtuch larger scale, containing within a single vallum, but of vast size, forty- one acres and a half. Battlebury lies a mile north-west of the last-mentioned camp, and is strengthened by a triple vallation. Old or Oldbury camp, as it is called, lies four miles east of Heytesbury, and near East-Codford, of [ 186 ] a circular form, and two hundred and sixteen yards in diameter, commanding from its flat summit a grand and extensive view. But no- tices of the Romans in this country are not confined to the monuments of their warlike operations alone, since 1 numerous traces of Ro- man civil life occur also in the same neighbour- hood. Porticoes and tessellated pavements have been discovered in a spot, called Pitmead, a little to the west of the Warminster road to Sarum, between the villages of Norton and Bishopstrow, which evince, that the elegances and comforts of polished society were practised here in the vale below, u^der the prote£tion of the military camps in the heights above. In the latter end of the year 1786, part of a Roman pavement was accidentally discovered, of which a Mrs. Down, who then resided at Warminster, being apprised, she visited the spot, examined it carefully, made further suc- cessful researches, took drawings of the re- mains, and transmitted them to the late Daines Barrington, who communicating the same to the Antiquarian Society, they were published in the Archaeologia of 1787, The additional dis- coveries of Mrs. Down consisted of a Mosaic pavement; part of a portico, fifty-six feet long [187 ] by ten feet wide; the flooring of a beautiful apartment, formed of tessera, on which lay a mutilated statue of Diana, as it was supposed, with a hare at her feet. Of this pavement the greater part was preserved, taken up, and conveyed to Longleat, by order of, the late Marquis of Bath, where it now is. After the curiosity of the public had been gratified, the discoveries were negle£ted and forgotten, and no person had spirit enough to pursue any researches in Pitmead, from the year 1787 to the present summer, when Mr. Cunnington, of Heytesbury, (a very respe£iable dealer in the woollen line, who has long pur- sued, with considerable success, antiquarian investigations) discovered another pavement, composed of tesserae, nineteen feet three inches square. Being much mutilated, great part of its original beauty was lost, but sufficient re- mained to prove that its design had been beau- tiful, and its execution good. It consisted of a circular area, inclosed within a square frame, edged on the inside with a neat border, and an- other on the outside with a labyrinth fret 3 a bird and flowers seemed to have formed the orna- ments of the area. A grand portico was found also at the same time, sixty feet in length and ten [ 183 ] in breadth ; and many circumstances occurred to render it probable, that it had stretched ori- ginally to the length of one hundred and forty feet. Remains of a sudatory, and a hypo- caust, tubellated bricks for heating the same, tiles, tesserae, &c. in vast profusion, and an- other unintelligible foundation, were laid open; which seemed to evinSe, that the villa to which they belonged was not inferior in size or ac- commodations to either of those of which Pliny the younger has left us such minute accounts. The, woollen manufactories of Trowbridge, famous for its cloth trade, and those of its rival Bradford, are worthy inspection; and in the church of the latter town, is a most beautiful window of painted glass, representing, in the p(jrfe6lion of the art, various portions of scrip- ture history, brought from abroad at consider- able expence by a Mr. Ferret, and presented to the parish. The liberal donor is comme- morated by a monument, placed beneath the window. The frequent recurrence of hill and dale no- tify our approach to the romantic country about Bath ; and the road passing through thesingu- [ 189 ] lar villages of Freshford and Stoke, offers in- numerable beauties to the traveller. The meandering Avon catches his eye occasionally, as well as the Canal, which, like a new friend, adheres most lovingly to its side, presenting its different aquedufts to our notice; particu- larly that which is called the Dundas aqueduct, a magnificent piece of architecture, with a large central semi-circular arch, and two lateral ellip- tical opes. Winding up the hill, the road then ascends to the Brass-Knocker, a neat public- house, and after indulging the admirer of na- ture w T ith one o£ the most varied landscapes in this part of Britain, drops gently down a long hill to Widcombe, and concludes the excursion, by conducing the traveller again into Bath, over the Old Bridge. Your's, &c. R. W, EXCURSION IL LETTER III. TO THE SAME. dear sir, Bath, Sept, l&tb, 1800. A MONGST the laws of the twelve Tables, . most of which are founded in the soundest sense, and bear the marks of the greatest po- litical wisdom, we meet with gne prohibiting the burying or burning of the dead within the walls of the city ; Hominem morttmm in urhe ne [ 192 ] sejielito neve urito. Salutary as this "practice was found to be in their own warm climate, the Romans adopted it wherever their arms gained them a 'settlement; and instead of that mon- strous association of the dead with the living, which modern customs exhibit, in burying the departed in the churches we frequent, or in the streets which we inhabit, they judiciously moved the remains of the deceased to be con- sumed or buried without the limits of popula- tion. But notwithstanding this ordinance, the religious spirit which characterised the Romans, and their superstitions respecting the departed, still induced them to be careful of their ashes, and of the memorials which affe£tion might ereft in remembrance of them. They, there- fore, established their burial-places in the im- mediate neighbourhood of their cities 5 and in order to strengthen the moral sentiment, and give corroboration to piety, they celebrated the obsequies/and ere6fed the monuments of the dead, on the side of the public roads, that the tra- veller might be brought to the contemplation of his own mortality, and led to refle£l, that his life, like his journey, nlust quickly come to an end . The road by which we leave Bath in the pre- sent excursion affords an illustration of these C 193 1 observations; it pursues the ancient military way from Aquae Solis to Durocovinium, or Cirencester, and, for the distance of half a mile from the point whence it extends itself beyond Walcot church, has afforded on each side of it ' (as circumstances have permitted investigation) various evidences of human sepulture in its immediate vicinity; such as monumental cififii, urns, ashes, and coins. In the common burial- place of Walcot parish, which we pass, in this excursion from Bath, a little to the eastward of the church, many funeral urns have at different times been turned up' in digging graves for the deceased of these days, which prove, beyond a doubt, that the same spot was used for the same purposes seventeen hundred years ago. The noble line of edifices, called Grosvenor- buildings, ranging themselves to the right of the road, and forming the north-eastern extre- mity to the elegant city of Bath, afford a stri- king warning to those who have the mania of building upon them, to resist so destructive a propensity • and not to extend their specula- tions beyond the population of the place where they commence them. To build houses and lay out streets may be easily and speedily done, but to find inhabitants to fill them afterwards, o [ m ] is a process of more trouble and time. A city or town has seldom such-a superfluity of people, as to be able to spare tenants for any consider- able addition of houses, and as to new settlers, they come individually and accidentally, and consequently cannot be looked up to by the builder as a sufficient dependence for the return of that money which he has expended on his speculation. Our road passes through the villages of Bath- easton and Bathford, ancient dependencies on the monastery of the neighbouring city, having to the right the river Avon flowing through rich meadows, and bounded by that belt of hills which defend the happy vale of Bath from the storms of the south and east. But as we pro- ceed and climb the lofty hill of Haselbury, on the further side of Box, the view becomes more wide and diversified. Bath is now removed into the distance, and appears at the termina- tion of the winding valley, u uncertain if be- held;" an indistin£iness that cloaths it with great majesty, as its crescents and higher streets blend into only one building, and give the idea of a solitary castellated edifice, of unlimited dimensions. On entering Pickwick, we turn C 195 ] to the right, and at the distance of a mile enter Corsham, a village which in former times was made part of the dower of the queens of Eng- land, at the time when it was customary to settle on the royal consort part of the demesnes of the crown, for providing hef with various articles of her attire, and other necessaries for her person and situation. To the faithful companion of Edward I. Corsham, together with Bath, were given in dower; and though the latter was shortly afterwards resumed, and bestowed upon Robert Burnell Bishop of Bath and Wells, yet the former seems to have con- tinued its services to this amiable princess as long as she lived. The Earls of Cornwall, in subsequent times, claimed it as a part of their extensive fiefs. Afterwards, the heroes of the Hungerford family became possessed of the village and manor, and made Corsham one of their residences. The latter at length vested in the Methuens, and is at present possessed by their lineal descendant Paul Methuen, esq. The mansion of this gentleman, containing one of the richest colleftions of pi£tures in the king- dom, is situated towards the eastern extremity of the park, which, though neither grand nor extensive, consisting entirely of level ground, af- fords some fine views, and a frequent recurrence of the pleasing scenery, which brings to mind the landscape of Poussin. The house, till within these three or four years, presented three fronts — the northern, the eastern, and the southern $ which, though built at different periods, had, all of them, some general resemblance of the Gothic chara&er, which its respeftive archite&s had preserved in their additions and alterations. At present the old northern front is no more, and upon its ruins have arisen one of the proudest and best-built specimens of modern Gothic that the kingdom can produce, the de- sign and execution of Mr. Nash, architect. It consists of three rooms, a dining-room to the west, a music-room at the opposite extremity, and in the centre a lofty oStagon apartment, rising above its lateral companions. This is supported without by flying buttresses, which give a surprising richness and grandeur to the plan. All these apartments are intended to ^finished and fitted up in the highest style of modern taste ; the music-room will exhibit a particularly beautiful specimen of grand de- sign, being coved, and lighted by oval win- dows disposed in the coving, and glazed w T ith coloured glass. At present the chief en- [ 197 ] trance is on the south, by an approach through an avenue as wide as the front, formed by two lofty clipped hedges, imbedded in which are bad vases and tasteless statues, extremely in- congruous to the Gothic edifice, that terminates the avenue. If we might venture to suggest any alterations in this part, they would be, to 1 rout out these bad imitations of classical sculp- ture from their leafy retreats, and to pull down the stables and offices which intrude themselves upon the eye, immediately in front of the house, without the gate of the avenue. The apartment now constructing for the re- ception of the pi&ures is a room new in de- sign and graTid in its effeft. It measures one hundred and six feet in length, to which the proportions of its height and breadth are hap- pily adjusted. A light gallery, supported by slender clustered shafts, with plain bases and capitals, runs round the sides of the room, and is ascended' at each end by a double flight of steps — one sweeping to the right, the other to the left, and both uniting at the top. Rich Gothic ornaments decorate its groined roof, and with an unusual association, unite great majesty with airy elegance. Destined to re- ceive Mr. Methuen's valuable paintings, this [ 198 ] sumptuous apartment is preparing with all ex- pedition for that purpose. As its intended fur- niture is at present lying in disorder and irregu- larity, scattered through the different rooms of the lower part of the house, they cannot, of course, be seen to advantage; a slight mention, therefore, of the most capital pieces, as they oc- cur in their present situation, must content you. We begin with the octagon-room, in which are the following choice works, Head of Christ, by L. Carracci.- — The Co- rinthian making ^ his will, by N* Poussin.— A Boy blowing bubbles ; very fine, by Hannibal Carracci. — Angel and Child, by Carlo Dolce. — Dead Christ, by Teniers, copied from Bourdon. In the adjoining bed-room, amongst many- others, is a large and most capital picture of Hounds and Foxes, by Sneyders. In the drawing-room are, A Head, by Corregio. — Virgin and Child, by Murillo. — St. Augustine's Ext&cy, clair ob+ scur, by Vandyke. -—Lot and his Daughters, by Lolli. — Landscape, by Claude Lorraine. — Christ blessing Bread, by Carlo Dolce. — Head of Christ, by Peruoneno— Crucifixion, by Tin- toret — Landscape, by G. iroussin. [ 199 ] Christ and Woman of Samaria, by Guercino. The head of Christ is touched in a most masterly manner; and that of the woman exhibits an expression of sweetness and placidity peculiarly interesting. It is generally supposed to be a portrait of the favourite female of Guercino; and what strengthens the suspicion is, that he has introduced the same head into some of hi§ other capital pictures, particularly that of Hagar's banishment by Abraham; where this striking- countenance, full of the most amiable expres- sion, occurs in the person of the unkindly-treated hind-maid.* A Portrait, by Quintin Matsis, of Antwerp, the far-famed blacksmith painter; whose pon- derous hammer was converted into an artist's pencil, in order to obtain the objeft of his affec- tions. But though he succeeded with his mis- tress, he wooed the imitative art in vain; for the coarse and heavy hand of the blacksmith, evident in all his works, manifests that he never attained to excellence as a painter. * An admirable study of this excellent picture may be seen at Mr. Solomon Williams', of Bath, (historical and portrait painter, and member of ^he Clementine Academy:) An artist who, by an attentive and long study of the best works in Italy, has caught no small portion of the conception and execution pf some of its first masters. [ 200 ] A Saint, by Carlo Dolce. Sir Brian Tuke, by Holbein. He was trea- surer of the chambers to Henry VIII. — Holy Family, by Parmegiano.— Landscape and Storm, by N. Poussin. One regrets that in so fine a pifture some of the figures should be dis- proportionably large, — Christ and Nicodemus, by Guercino. — Virgin and Child, by Raphael, in his first manner; exquisite softness in the countenance of the virgin, and a divine inno- cence in that of the child. — Taking Christ from the Cross, by Rubens. — Holy Family, by P. Ve- ronese ; the man in armour is said to be the artist himself. — -Portrait of a Woman, by Mabuse, In the large saloon* called the Jiitture-gallery, a magnificent apartment, " clara micante auro, fiammasque imitante fiyro/io" are as follow: David and Abigail, by Rubens. — Landscape, by Claude. — Tancred and Arminia, by Peter de Cortona. — Charity, by Vandyke, Ludowick first Duke of Richmond and Lenox * whole length, by Vandyke; lord great cham- berlain, and admiral, of Scotland; son to Esme Stuart Duke of Lenox, and grandson to John Lord De Aubigne, great-uncle to James I. With that monarch Ludowick had considerable influ- ence, and, unlike many of the favourites of the [ 20! ] " minion-kissing king," seems to have well de- served the honours which were conferred upon him by the futile monarch; the earldom of Newcastle, and dukedom of Richmond. He died siiddenly in 1623. Silenus and groupe, clair obscur, by Rubens. — - The Treachery of Judas, and seizing of Christ, a noble large pi&ure, by Vandyke. — Marriage of St. Catherine, by Guercino. Three Children, by Mabuse. Arthur, Henry, and Margaret, two sons and a daughter of Henry VII. The first died in the seventeenth year of his age ; the second succeeded to the throne ; and the third became Queen of Scotland. Ma- buse came to England in the end of Henry Vllth's reign, and continued here a short time. Mabuse is more famous for clearness of colour- ing, and high finishing, than cjelicacy, freedom, or softness; but he makes up for stiffness by powerful likeness. Wolf and Fox hunting, by Rubens ; in which are introduced the portraits of himself and family. — Holy Family, by Old Palma. — Baptism of Christ, by Lanfranc. — Head, by Guercino ; the powerful light and shade of this pifture evince, that it was painted by the artist, as was a frequent pra£Hce with him, by candle-light. C ] — Plague of Bologna, and Saints praying to the Virgin, by Guido. — Dead Christ, by H. Car- racci. — David and Coliah's head, by L. Spada. — Destru&ion of Innocents, by Vandyke. — Our Saviour at the Pharisee's house, by Carlo Dolce. < — Allegorical Painting, emblematical of theVir- tues, by Titian. — Inside of a Church, by Sten- wyck.— Head of a Rabbi, by Rembrandt. Large Landscape ; and Baptism of the Ethio- pian Eunuch; by John Both : the latter is remark- able for warmth of colouring, and may be reck- oned one of the best pictures in the colletlion. Lewis Prince Palatine > by Vandyke ; grandson of James I. by Elizabeth (his daughter) Queen of Bohemia, and wife of the Eledor Frederick. Killegrew, by Dobson, an artist called by King Charles I. the English Tintoret. Thomas Killegrew was the facetious droll of the licen- tious court of Charles II.; he had been page of honour to, Charles I. and continuing at- tached to the fortunes of his family, was made gentleman of the royal bed-chamber by his son ; who conferred on him the further honour of the envoyship at Venice. Killegrew, indeed, seems to have deserved the confidence of his master, as he more than once recalled him, by well-timed buffoonery, from- measures and con- [ 203 ] dufr as disgraceful as dangerous. Amongst other anecdotes of him, it is said, that percei- ving Charles to be too much engaged with his mistresses, and too little with his counsellors, he habited himself in the weeds of a pilgrim, and proceeding to the king's chamber, told him he had renounced the world, and was go- ing on a pilgrimage to hell. " What wilt thou " do there ?" said the Monarch. c I will desire ' the_devil,' replied Killegrew, c to send Oliver c Cromwell back again to England, to take 6 charge of the government ; as your Majesty c must be aware, that your own time is too '* much employed by this amusement, to attend c to such business/ Last Supper, by Tintoret. — Pilgrim's Head, by Guercino. — Fair at Mexico, a most curious pifture, by Murillo., In the library is a good portrait of Sir Charles Lucas , cc who, for his signal loyalty " and bravery during the civil wars, and gal- " lant defence of Colchester, was cruelly shot " to death, Aug. 28, 1648. He was uncle of u Charles Lord Lucas, the father of Mrs. Carye cc and Mr. Selfe." Lucas defended Colchester for three months, when the ammunition of the garrison being reduced to one barrel and a half. [ 2*04 j of powder, and the provision to two horses and a dog, he surrendered to Fairfax 3 who, pro- voked at the gallantry of this hero, ordered him, and his friend Sir George Lisle, to be shot on the very day the Parliamentarian army en- tered the town. Three miles from Corsham-house is Laycock Abbey, the seat of the Dowager Lady Shrews- bury, situated at the eastern extremity of a vil- lage of the same name. The mansion and its adjun&s, from the entrance gate, form a very pleasing pi&ure: a Gothic building, with an irregular but elegant front, situated in a wide and fertile flat, sprinkled with venerable trees, through which winds the Avon, yet an infant stream, leading its humble waters (to the right of the house) under a small old stone bridge with pointed arches; the whole backed by dis- tant hills, richly wooded. On passing on to the house, however, an or- nament occurs, close to the road on the left, which assimilates but badly with the Gothic costume of every thing around; two splendid classical pillars, of the Corinthian order, sup- porting on their entablature a very finely carved Sphynx ; the whole forming a choice specimen [ 205 ] of masonry, and only to be obje&ed against, because it is injudiciously placed, Formerly a nunnery, founded by Ela Countess of Salisbury in 1242, Laycock Abbey still preserves, almost entire, several members of the original building, such as its north and east fronts, and a qua- drangle and cloister, in perfect preservation; in the latter of which, under a slab, are said to be deposited the remains of the foundress. The dormitory also is shewn; such a wretched bole as fully justified the fair nun in her attempt to escape (according to the tradition in the family) from a place, where even fatigue could not find a comfortable place to repose its weary head in, and lessens our wonder at the desperate leap which she took from the parapet to the grass- plot below. The dwelling-rooms are neither elegant, nor curious in their contents, except that a few portraits, scattered through them, bring b ac lc recolledtion to the ancient renown of the Talbot family. In the [liEiiire gallery are, Henry VII. and Elizabeth, his queen ; by his marriage with whom he united the houses of York and Lancaster, and terminated the ru- inous jarrings which had subsisted so long be- tween them. [ 206 | Sir Gilbert Talbot, 1516, third son of John the second Earl of Shrewsbury. In early life he followed mercantile employments, being a mercer of London,, and merchant of the staple at Calais \ but afterwards attached himself to a military life, and commanded the right wing of the Earl of Richmond's army at the battle of Bosw'orth. High in the favour of Henry VII. he was, sent by him to the assistance of the Emperor Maximilian, and afterwards as ambas- sador to Rome ; and finally honoured with the Order of the Garter. He died Sept. 19, 1516. Sir Harry Slingsby, a steady adherent to Charles!.; for whose service he raised a body of six hundred horse at his own expence, and joined the royal army. Having served his un- fortunate master with the utmost gallantry and activity till his decapitation, he was equally faithful to his son ; but being at length taken prisoner, he was confined at Hull 5 where being convifted of tampering with some of the officers to deliver up that garrison to the king's forces, he was tried and beheaded June 8, 1658. Gilbert Talbot, son of George Talbot; an ad- mirable old portrait. Olivia, daughter of William Sharington, and wife of John Talbot, esq; 1580, setat 50. By* [ 207 ] this lady Laycock Abbey came into the Talbot family, she being the grand-daughter of Sir Henry Sharington, who received a grant of this religious house, and its demesne, from Henry VIII. In the dining-room are, Charles I. by Vandyke. — Henry VIII. said to be an original. Over the fire-place, a large allegorical paint- ing, probably by Dominichino ; containing a groupe of emblematical figures, intended to represent the different arts and sciences. Like all other allegorical pictures, it is obje£lionable because difficult to be understood ; for as Lord Orford well observes, since, if the draw- ing-room display the latter above-stairs, the servants'-hall affords a good specimen of the former below; a public regale of beef and ale being .given every Sunday to the tenants and farmers. In no other house in England do foreigners find their reception so cordial, and so agreeable, as at the Marquis of Lansdown's ; and the affability of the noble host, united with the intelleftual entertainment which a constant literary circle affords to the guest, have induced more than one illustrious emigrant to acknow- t 314 ] ledge, that ' the pains of memory' have been- suspended, and the sufferings of exile forgotten, during the hours they have passed in this Tus- culan retreat of taste and science. The contents of the library would be worthy particular mention, if belonging to any other person than the proprietor of that unrivalled colle£iion at Lansdown-House, who considers the library at Bowood only as the receptacle of duplicates, and the numerous volumes of prints there as mere drogues. In the same room is the portrait of Sir William Petty , by Closterman; one of those comma nding geniusses (the produ&ion of Nature in her happiest moments) who rise superior to the disadvantages of situation, and (to use an expression of the charafter before us) " hew out their fortunes for themselves," without any other aid than their own native energies of mind. At the early age of fifteen Petty had travelled through the whole round of science, and made himself master of all the abstruser branches of human knowledge. He chose physic for his profession, by which he at- tained honour, celebrity, and riches ; but shone more particularly in the line of political arith- metic and general (Economics. His essays on [ 215 1 these subje£ts will ever remain glorious monu- ments of the beneficial purposes to which he applied the powers of his gigantic mind. He died Dec* 16, 1687. In the anti- chamber are, Oliver Cromwell, by Walker; this portrait was heretofore in the collection of his present Ma* jesty ; given by him to Dalton, the late librarian, and afterwards purchased at his sale. John- , son has observed of Burke, " that if you met " him for the first time in a street, when you " were stopped by a drove of oxen, and you " and he stepped aside but for a few minutes, " he'd talk to you in such a manner, that when " you parted, you would say, this is an extraor- u dinary man." An original portrait of Crom- well impresses the mind with a similar ideaj we discern a cast of countenance that evinces deep penetration, acute sagacity, unconquer- ble resolution, and inflexible perseverance $ darkened at the same time with dissimulation, and scowling with cruelty. We acknowledge a mingled chara&er, one of those associatipns 5 N which, fortunately for human society, occur but seldom — of stupendous natural talent with equal mental deformity. [ 216 ] Dean Swift, a Full length, by Jarvis; ill- natured in his satire, petulent in his politics, and indecent in his wit. A writer whose works (though they exhibit constant examples of a powerful fancy, and comprehensive knowledge) are not calculated either to give confidence to virtue, or corroboration to morality. Sir Isaac Newton, so called, but doubtful. The sublime intelleft of this great man, which seemed to catch a light beyond the reach of humanity, is happily indicated in the following celebrated lines: — cc Nature, and Nature's laws, Jay hid in night: **■ God said, ' Let Newton be V and all was light." The ceiling and pannels of the drawing-room are painted by Cipriani, which are further adorned with, A Sea Beach, the joint work of three great modern artists — Barrett, S. Gilpin, and Cipri- ani; in which each seems to have endeavoured to excel the other. The landscape is by the first, the cattle by the second, and the figures by the third. Sea Piece, by Pococke. — A brilliant Land- scape, by Gainsborough. — A Sunset, by Deane.. — Landscape, by Wilson.-— Two Landscapes, C 217 ] by Zuccarelli. — Fall of Tivoli, by Julien. — St. George and Dragon, copy from Guido. The cube-room contains, Sophia Lady Granville > whole length, daughter of the nobleman represented in the next por- trait, viz. Thomas first Earl of Pomfret, half-length ; he married Henrietta Lousia, (half length) daughter of John Lord Jefferies, who purchased the Arundel marbles, and afterwards presented them to the University of Oxford. Family Piece, consisting of John Lord Jef- feries, <(son of the infamous Judge) his wife, son, and daughter. This nobleman, a fashionable profligate, is on record only for his vice and worthlessness. The following anecdote of a drunken frolic, at the funeral of Dryden, in which he made a conspicuous figure, will at once evince his want of decency and sense: " Mr. Dryden dying on the W ednesday morn- * ing, Dr. Thomas Sprat, then Bishop of Ro~ " Chester and Dean of Westminster, sent the " next day to the Lady Elizabeth Howard, Mr, 6< Dryden's widow, that he would make a pre- " sent of the ground, which was forty pounds, Ci with all the other abbey-fees. Th^ Lord [ 218 ] " Halifax lik'ewise sent to the Lady Elizabeth, " and Mr. Charles Dryden, her son, that if they " would give him leave to bury Mr. Dryden, he " would inter him with a gentleman's private " funeral, and afterwards bestow five hundred u pounds on a monument in the abbey; which, " as they had no reason to refuse, they accepted. " On the Saturday following the company came, ** the corpse was put into a velvet hearse, and " eighteen mourning coaches, filled with com- " pany, attended. When they were just ready " to move, the Lord Jefferies, son of the Lord cf Chancellor Jefferies, with some of his rakish " companions, coming by, asked whose funeral '"it was: and being told Mr. Dryden's, he " said, < What, shall Dryden, the greatest ho- ' nour and ornament of the nation, be buried^ c after this private manner! No, gentlemen, let c all that loved Mr. Dryden, and honour his c memory, alight and join with me in gaining c my lady's consent to let me have the honour ' of his interment, which shall be after another * manner than this ; and I will bestow a thou-. € sand pounds on a monument in the abbey for c him.' The gentlemen in the coaches, not " knowing of the Bishop of Rochester's favour, " nor of the Lord Halifax's generous design, r C 219 j c€ (they both having, out of respe£t to the family, 5 * enjoined the Lady Elizabeth, and her son, to " keep their favour concealed to the world, and " let it pass for their own expence) readily came " out of their coaches, and attended Lord Jef- cc feries up to the lady's bedside, who was then " sick. He repeated the purport of what he cc had before said ; but she absolutely refusing, " he fell on his knees, vowing never to rise till " his request was granted. The rest of the U company, by his desire, kneeled also; and the " lady, being under a sudden surprise, fainted " away. As soon as she recovered her speech, " she cried, No, no. 6 Enough, gentlemen/ re- plied he, c my lady is very good, she says, 6 Go, go. 9 She repeated her former words with " all her strength, but in vain, for her feeble " voice was lost in their acclamations of joy; " and the Lord JefFeries ordered the hearseman €C to carry the corpse to Mr. Russel's, an under- " taker in Cheapside, and leave it there till he " should send orders for the embalment, which, u he added, should be after the royal manner. " His dire&ions were obeyed, the company cc dispersed, and Lady Elizabeth and her son u remained inconsolable. The next day Mr. " Charles Dryden waited on the Lord Halifax [ 220 ] fC and the Bishop, to excuse his mother and him- " self, by relating the real truth. But neither " his Lordship nor the Bishop would admit of " any plea, especially the latter, who had the " abbey lighted, the ground opened, the choir " attending, an anthem ready set, and himself " waiting for some time without any corpse to " bury. The undertaker, after three days ex- " peftance of orders for embalment without " receiving any, waited on the Lord JefFeries;- " who, pretending ignorance of the matter, " turned it off with an ill-natured jest, saying, H that those who observed the orders of a " drunken frolic deserved no better; that he " remembered nothing at all of it; and that he " might do what he pleased with the corpse. |fi Upon this, the undertaker waited upon the " Lady Elizabeth and her son, and threatened " to bring the corpse home, and set it before " the door. They desired a day's respite, which " was granted. Mr. Charles Dryden wrote a " handsome letter to the Lord Jefferies, who " returned it with this cool answer:—' That he ? knew nothing of the matter, and would be € troubled no more about it.' He then ad- troubling the world c< By their mad quarrel 5 and in fields of blood cc Hail'd victors; thence renown'd, andcall'd on earth " Kings, heroes, demigods; but in high heaven and his Princess; with the Princesses of Hesse, of Orange, and Amelia \ a conversation, in the manner of Hogarth ; a very pleasing and interesting performance, through- out which a strong family likeness may be observed to prevail. [ 227 ] Pursuing our route by a course somewhat retrograde, we pass through Chippenham, a town of Saxon antiquity, and deriving its name from the large market which was held here as early as the eighth century. At present, it has no charms to detain the traveller from Malmsbury, another town, about ten miles distant 5 whose former fame not only lives in legendary story, but may be traced in the ruins of its monastery, which still remain. Geoffrey of Monmouth, the strenuous assertor of British antiquities, affirms, that both the town and its celebrated abbey owe their origin to Molmu- tius Dunvallo, a British monarch, some centu- ries previous to the Christian asra. But as the tales of Geoffrey are not now 7 considered as high authority on this side the 'Severn, 'we must be content to drop about a thousand years of the age of the latter, and adopt Leland's more pro- bable account, of its having been built by a West Saxon king, about twelve hundred years ago, at the solicitation of Maidulfihus, w 7 hose name, somewna t corrupted and contra£ted, and assuming the Saxon termination of burg or bury, imposed upon the town' its present appellation of Malmsbury. High in dignity, for he was a mitred abbot, and sat in the House [ 228 ) of Peers; and affluent in possessions, for the re- venue of his monastery amounted to eight hun- dred pounds per annum; the Abbot of Malms- bury ranked next in importance to his brother of Glastonbury in this part of England; and entertained such a suite of honourable de- pendants as would form a respeftable modern court. All the arts and sciences of the times were taught in his monastery; here Johannes Scotus instru&ed the Saxon youth in the muddy learning of the eighth century; and in the same society, the Monk William, librarian and pre- centor of the monastery, and surnamed of the place where he lived, wrote his valuable histo- rical work, the most able and authentic pro- duction of the twelfth century. The august remains, indeed, of the abbey, which strike upon the eye before we reach the town, evince that the establishment must have been magni- ficent and extensive. They stand near the edge of a high level, which drops suddenly into a bottom, watered by a small rivulet, from which the opposite bank' rises by a more gra- dual ascent. The part still existing of the old abbey is the greater portion of its cathedral, which, ^ince the Reformation, has been con- verted into a parochial church. Of this all [ 229 ] the members testify considerable antiquity ; the arches, pillars, and mouldings, exemplifying that style denominated the Saxon; pure and un- mixed with any later mode. The southern entrance claims particular attention from the peculiarity of its archite&ure, and the profusion and singularity of its ornaments; it exhibits two parts, a deep retiring arch, and a porch beyond it. Of these, the former exhibits eight mouldings, each about a foot in breadth, and gradually contrasting their semicircles as they recede from the outward o,ne. A waving branch, with lateral tendrils, occupies the first moulding; lozenges, overlaying each other, cover the second; sculptural representations of scripture history from the Old Testament, or- nament the third; a repetition of the waving branch and tendril is seen on the fourth; a con- tinuation of the scripture histories fills the fifth ; the lozenges as before, with tendrils interwoven, the sixth; scripture histories the seventh; and tendrils the eighth. The porch within this complicated arch measures about fifteen feet in length, over the sides of which are spread small Saxon arches, surmounted by the figures of the twelve Apostles, six on each side, with an angel stretched over their heads. The [ 230 ] portal which admits to the church, is formed of three mouldings similar to those before de- scribed. Within the building all is consonanj: to the external members; the heavy round pillars, with plain capitals, supporting three tier of arches, the lowest and highest pointed, and the centre one round, bespeak a very high antiquity. Over the first tier on the southern side, a little stone strufture projefits fro v m the wall into the nave, resembling a covered square balcony, with an opening or window towards the body of the church, grated ap- parently with iron bars. Various conjeftures have been formed with respeft t;p the original use of this additional stru£ture, for it is cer- tainly not coeval with the cathedral ; but that which considers it as a cage for the reception ef culprits condemned to do public penance, seems to come nearest to the truth. A still greater curiosity w r ouldapiece of ma- sonry be, (if the tradition told of it were authen- tic) in a little chapel at the south-east corner of the church. This is a cumbent figure, as large as life, in royal robes, with a lion at his feet, and a rich Gothic canopy at his head; the ciceroni is strenuous in maintaining it to be the repre 7 sentation of King Athelstone, who was buried [ 231 ] here; and, indeed, there is considerable re^ semblance between it and the figure of that monarch, on the reverse of his famous sea], of .which I have seen a cast from the original in the possession of the late Gustavus Brander, r sq; but at the same time it must be confessed, there are so many objections to the legitimacy of the tradition, as at best to leave the mind in a state of suspence. The altar-piece of the present church is formed by a wall closing up the great eastern arch of the nave, which, with three more towards the other cardinal points, supported the middle tower of this im- mense building. The northern arch, now without the church, is also perfeft to the pre- sent day, and assumes a singular sweep inclin- ing to the horse-shoe; the opposite hill, seen through its majestic opening, has a most agree- able and pi£turesque effeft. The only fragment which the church-yard affords us/ was the fol- lowing laudatory epitaph on a table tomb, com- memorating a medical charafter, of an uncom- mon name, but of great celebrity formerly in these parts:— " Here resteth the body of Abia Qui, gent, an eminent " physician, who departed this life the ixth day of Oc- ft tober, 1675." [ 232 ] *' He by whose charter XOOO ds held their breath, y whom she had no issue; but shortly after [ 237 ] his death, took another husband, Nicholas Lord Vaux, and had two sons. These assumed the name of Knollys and title of Banbury, but were never summoned to Parliament, nor has the title been acknowledged; though it be still borne by the descendants. v Charles I. (whole length) by Vandyke, with this motto — Laudesque manebunt. Thomas Earl of Suffolk, a very fine half length ; lord treasurer and chancellor of Cambridge, son of .Thomas fourth Duke of Norfolk. A variety of circumstances render his chara£ter remarkable; he w r as a volunteer in the memo- rable engagement with the Spanish Armada, and the subsequent expedition against Cadiz, where he distinguished himself by his courage and intrepidity. He suppressed the Earl of Essex's insurreftion ; attended Lord Monteagle in discovering the gunpowder plot; and built Audley-End, near Saffron- Walden, which, mag- nificent as it still appears, forms but a small part of the original stately structure, (according to Winstanley's 6 Rare Views' of it.) He had the misfortune to be the father of the aban- doned Frances Countess of Somerset, the di- vorced wife of Robert Earl of Essex; and the want of principle, to deserve dismissal from his [ 238 ] office of lord-treasurer, and to incur the fine of thirty thousand pounds, for accepting bribes, and embezzling theking's property. Obiit 1626. Craven Howard, grandson of Thomas Earl of Berkshire, and father of Henry Bowes fourth Earl of Suffolk. Elizabeth Countess of Northumberland, (whole length) wife of Algernon tenth Earl of Nor- thumberland, and daughter of Theophilus Earl of Suffolk. Obiit 1705, set. 97. From hence we pass into a room which may be called the royal bed-chamber, from the circum- stance of King James I. having slept in the old bed which still remains there. Here we find, Admiral Drake, (whole length;) one of the most distinguished characters in the reign of Elizabeth, whose annals are filled with the glo- rious achievements of our naval commanders. No one amongst them, however, appears more eminently conspicuous than this gallant admi- ral. He first encompassed the globe ; in 1587 he destroyed one hundred vessels in Cadiz har- bour, and took a rich East-India galleon, by which the English gained so much insight into the trade 'of that part of the world, as to occa- sion the establishment of what has since proved t 339 ] such a source of wealth to this country — the East-India Company. Obiit 1596. Sir Jerome Bozves, whole length, six feet two inches high. A chara&er well suited to the temper of Elizabeth, by whom he was appointed ambassador to Russia, 1583 ; where he appears to have had recourse to arts for the maintenance of his mistress's dignity, which would not have disgraced^ even a modern courtier. On his ar- rival in the capital, he was met by a cavalcade of the principal officers of state, who expe&ed that he would have alighted whilst' they re- mained on horseback ; but this sacrifice of his monarch's dignity he avoided with considerable dexterity. On his iiltroduftion to the Emperor, he was placed a few paces from him, and or- dered to send his credentials; this he refused, and was proceeding to deliver them into his Majesty's own hands, when the chancellor slept forward to receive them 3 but the gallant knight significantly told him, that the queen, his mistress, had not dire&ed any letters for him, and immediately advanced to the throne. He soon afterwards experienced insults from the Emperor himself, who loudly reviled the queen; which was so boldly resented by her represen- tative, that he received orders on the spot, [ 240 ] instantly to quit the Imperial presence. But the monarch soon repented his temerity ; and sent to assure Sir Jerome, " that he wished he " had an hundred such faithful servants in his " own dominions; and further to convince him " of his respe£t for the English sovereign, he " would, on his return home, send a greater " man with him than had ever before quitted " his dominions, with fine presents. " This Prince, however, dying before the departure of our embassy, Bowes efFe£ied his escape from the Russian territories with no small degree of danger, bringing with him a machlis, which is a species of elk, the first ever seen in England, and the Russian carriage, called a sled, which w^as drawn by fallow deer, of extraordinary swiftness. Elizabeth Countess of Exeter, daughter of Sir William Drury, and mother of Anne Countess of Stamford, (whole length.) - George Booth last Earl of Warrington, father of Mary Countess of Stamford, who was mother to the present Earl. Obiit 1758. An old portrait of a man in a black spotted dress. Ann, Dom* 1591, aged 57. In the alterations made in the house, due respect has been paid to a fine specimen of [ 241 ] Ini^go's architecture — the great gallery; an apartment which extends the whole length of the front; the cieling of which still remains, untouched, and may be justly considered as a wonder of art. Several little villages enliven the road be- tween Malmsbury and Badminton, a ride of eight miles; but none of them convey the ideas of rural happiness to the mind so forcibly as this place. Every thing here bespeaks the munificence of his Grace of Beaufort, w 7 hose mansion adjoins the village; and evinces the good effefts which arise from the residence of a nobleman on his estate, who has ability and inclination to contribute to the comfort of the lower orders in his neighbourhood. For- tunate, indeed, would it be for the country, were this practice more general: Were the lord, by a judicious expenditure of his rents on the spot whence they are derived, and by his re- sidence amongst his peasantry, to animate in- dustry, encourage exertion, assist desert, and diffuse felicity; instead of consuming them in the metropolis in ostentatious folly, or ruinous vice; were the great landholders once more to feel that interest which their forefathers R I 242 ] felt towards those who lived and laboured un- der them, our cottages would again smile with plenty, comfort, and content; those peculating miscreants, who are now filling their unblessed coffers, and building up their houses on the wants of the poor man, would hide their di- minished heads; that noblest feature of our country, u a bold peasantry," which is now fading fast away, would again revive and flou- rish; and the murmur of discontent, not loud indeed, but deep, which rolls like muttering thunder round the land, and seems to threaten an approaching storm, would be changed into the song of joy, or be hushed in the quiet of domestic peace. The park of Badminton is upwards of ten miles in circumference, and consists of ground agreeably varied with gentle risings and de- pressions, and well-managed plantations. An elegant building, called Worcester- Lodge, seen from the north-front of the house, at the dis- tance of three miles, marks the extent and ter- mination of the park, at this point- At the southern, end of the inclosure, and contiguous to the village, stands the residence of his Grace, with one regular and magnificent front looking towards the north; the other faces are irregu- [ 243 ] lar. Attached to the south-eastern corner of this structure, and connefted with it by a pas- sage room, (by which the family have access to the gallery appropriated to them) is the parish church, built at the expence of the pre- sent Duke, a little to the eastward of the scite of the ancient place of worship. Both the in- side and external of this edifice shew so much correctness of taste, and chastity of design, as place Mr. Evans, the archite£t ? very high on the roll of his profession. It is about sixty-four feet long, forty-four broad, and proportionably high, divided, by two rows of columns, into one principal middle aile, and two lateral ones; a third range, in a transverse dire&ion, supports an elegant oaken gallery at the w r estern end for the accommodation of the family. To the wall, at the back of their seat, is fixed a frag- ment of one of Raphael's cartoons, the sketch of his magnificent pidture of the transfiguration. The part preserved in the church is the lower moiety, representing- the boy whom -the dis- ciples were Unable to dispossess, struggling under the agonizing distra£lion of demoniacal phrenzy; and, in addition to the value which attaches to it in consequence of its being the produ6tion of the greatest master that the world [ U4f ] ever produced, it receives further interest from the circumstance of its having covered the bier of Raphael, when his remains were carried to be interred. A fine paintmgby Joseph Gezzins, in 1678, valued at one thousand guineas, forms the altar-piece; of which the subjeft is, our Saviour's disputation with the Doftors in the Temple. It has much justness of design, and power of execution 5 for nothing can transcend the more than mortal dignity, mingled with bland expression, which beams from the coun- tenance of our blessed Lord. Beneath the communion-table, a quarry of precious marbles spreads itself into a pavement twenty-six feet long and twelve broad, representing, upon a vast scale, the Duke of Beaufort's arms. You will be enabled to form an adequate idea of the immense expence of this costly Mosaic, when I tell you, that a small piece (about six inches long) of lapis lazuli, (a stone used in profusion in the work) necessary to compleat the pattern, cost the D'uke the sum of sixty guineas! On each side of the altar is a recess, con- taining a marble monument to the memory of branches of the Somerset family 3 that on 'the right commemorates Charles Noel Duke of Somerset, the father of the present possessor of • [ 245 ] Badminton, who died in 1756. It is executed by Rysbrack, who has represented the deceased by an upright figure, large as life^ clad in a toga, and standing in a speaking attitude, with an angel on one side supporting a coronet. A long and elegant Latin epitaph covers the tablet below, composed by the celebrated Dr. King, principal of St. Mary's Hall, Oxford, who was so conscious of his excellence in the line of classical Latinity, that when he presented the produftion for inscription, he declared, if a single w r ord were altered or omitted, he would withdraw the whole. A much more ably executed monument fills the left hand niche, by the same artist, and finished in 1754. This consists of several parts; the lowest is an oblong basis of white and grey marble, containing the arms and epitaphs; a beautiful sarcophagus of black veined marble surmounts this, supported by richly sculptured feet. Two figures in white marble are sup- ported by the sarcophagus, Henry Somerset the second Duke of Beaufort, (who died May 24th, 1714, in the 30th year of his age) rest- ing on a cushion, with the ducal mantle flow- ing from under it, his left hand supporting a medallion, relieved with the head of Rachael [ S46 ] Noel, his second wife, who died Sept. 13th,, 1709; and Henry, the son of this noble pair, the third Duke of Beaufort, who died February 24th, 1746, in the 37th year of his age. The jialudanientum, or Roman soldier's dress, de- notes his military honours, and the toga thrown over his shoulders points out his senatorial dignity. Two angels on the higher part of the pyramidal slab, at the back of the monument, support the ducal coronet, subscribed with the family motto. At the south-western corner of the church is a third recess, railed in and floored with the same costly materials as the pavement of the altar, containing a sumptuous cenotaph, commemorating the eleven children which the prolific Mary (widow of Henry Lord Beau- champ) presented to Henry Duke of Beaufort, her second husband. Under the family gallery stands a lofty font, of rich antique .purple mar- ble. The church was compleated in 1785. Entering the mansion at the hall, we are con- dueled into the north breakfast-room, where the first objeft which commands attention is a ' most splendid cabinet, made in Italy for Chris- tina Queen of Sweden, and brought from thence by Henry Duke of Beaufort, (grand- father of the present Duke) who also colle&ed, [ 247 ] at an immense expence, the vast profusion of precious marbles contained in the church, and in every room of the house. This cabinet is formed of black marble and ebony enriched with every precious stone, and fillagreed brass, double gilt. It is about fourteen fpet high, and terminated at the top by a clock ; the drawers are of cedar. This room contains also the fol- lowing pi£iures, to the right of the cabinet : — Christ accompanying his two disciples to Emmaus, a large landscape, by C. Lorraine; remarkable for its trees in the foreground, and its beautiful distances. Large Landscape, by Vander Steften. Over the chimney, Landscape, by Wootton, in imitation of C. Lorraine. The softness of the tints and glory of the sky, approach to the best manner of the great master whose style he has here attempted. Landscape, by Vander Ste£len \ a companion to the one above. — Landscape, by Romanelli; Pan in pursuit of Syrinx and her nymphs. — Landscape, by Suanevelt. — Landscape, by Wootton ; but here he worked without his great model, and has fallen short of the effort de- cribed above. —Landscape, by Claude Lorraine j x [ 248 ;■] representing the temptation of Christ by the Devil. — All these pi£iures are of a large size. In the entrance-hall \ are, A white marble sarcophagus, of vast dimen- sions, brought from Rome by Duke Henry, a present from Cardinal Alberoni. The sub- jetl, a Bacchanalian procession ; consisting of numerous figures, all of fine workmanship, and in high preservation. The youthful rosy god appears in the centre, mounted on his panther, and bearing in his hand a thyrsus. Four great Landscapes, by Wootton; one representing Stonehenge. Fine grey Arabian Horse, ,a Negro, and a Dog, by Wootton ; who was a protege of this noble family, and owed his success in life to their patronage. Common dining-room, The present Duke of Beaufort, when a child, on horseback, by Wootton. Admiral Boscawen, father of the present Duchess, (full length) by Ramsay. — A Dog, finished by Wootton, begun by another master.' The present Duchess Dowager of Rutland ; copy from a painting by Sir Joshua Reynolds. A Dog, by Stuart, a copy from Sir Joshua Reynolds. [ 249 ] South breakfast-room, Jesus at Simeon's house, by Basani.— .Basani and son, by himself; a curious pi£ture, with a difficult and singular double light. — Old Rag- man; the figure richly illuminated, by Michael Angelo Carravaggio. — Landscape, by Ppussin. — Two Sea Views in Holland. — Two Land- scapes, by Wootton. — Landscape, by Francesco Bolognese. — Landscape, by We nix, with a remarkably fine light. Great dining-room, , Henry first Duke of Beaufort, (half-length, by Vandyke) created so by Charles II. who added other dignities and honours to this represen- tative of a family that had been the steady ad- herents of his unfortunate father, and himself. James II. continued to bestow upon the Duke marks of royal favour; and his gratitude evinced, that he had deserved the prote&lon of his royal masters; for on the abdication of the latter, and the accession of William, he refused to take the oaths, and retiring from court, lived in seclusion till 1699, when -be died, aged 70. He married, Mary, widow of Henry Lord Beauchamp, and daughter of Arthur Lord Capel, who was be- headed in 1647, a f ter having gallantly de- fended Colchester against the Parliamentarian [ 250 ] forces. Obiit 17 14, aetat. 85. Whole length, by Dahh Henry second Duke of Beaufort, a distinguished' partizan of the Tories in the reign of Queen Anne, whom he entertained at his mansion in 1702. On the dismissal of the Whigs in 1710, he was made lord lieutenant of Hants and Glo- cestershire,' warden of the New Forest, knight of the garter, &c. He died 17 14, having mar- ried the lady that next occurs, Rachael Duchess of Beaufort, daughter of Wrio- thesly Baptist Noel 2d Earl of Gainsborough. Charles Lord Somerset, second son of Charles Marquis of Worcester; he died in Italy 17 10, and bequeathed five hundred pounds to Christ- Church College, Oxford. This room is ornamented with a profusion of carved wood-work, by Gibbons, the celebrated artist in that line, w r hose imitations of fruits, flowers, and birds, have justly excited the ad- miration and wonder of a century. Green dressing-room, Madona and Child, by Guercino.— Two paintings of Ruins, by Viviano. — -A very curi- ous Satyrical Pi£ture, by Salvator Rosa; it ex- hibits Fortune showering her favours upon the different nations of Europe, who are repre- [ 251 ] sented under the forms of various animals. Italy is pointed out by an ass covered with a cardinal's cloak, his fore-foot treading upon a painter's pallet, intending to adumbrate the opposition which the arts met from the church. The sheep, hog, eagle, cow, fox, and wolf, represent other countries. The hierarchy, however, whose motto has ever been Nemo me impme lacessit, rewarded the satire, by shutting up Salvator Rosa in the Castle of St. Angelo, from whence he was liberated with much diffi- culty. The figure of Fortune, though vulgar, has a wonderful deal of fire and spirit. Five years since the pifture was copied for engraving. The nursing of Jupiter, by Salvator Rosa. — Two pieces, Ruins, by Gazolpi.— View of Buildings in Rome, by Poussin. — Esther and Ahasuerus, by Pietro de Cortone. The chimney -piece i$ adorned by the pencil of Angelica KaufFman, who has painted upon marble, in a most agreeable manner, the Return of Tele ma ch us. The piEture-gallery. Here we have the family canvas not quite like the Surfaces, up to the Conquest, but to Old John of Gaunt, from whom the De Beauforts claim lineal descent 3 and with whose portrait [ 252 ] I shall begin the list. It was pointed oof by our guide as an undoubted original. As I never dispute with a man about his own pedi- gree, nor doubt the veracity of a cicerone when I have not the means of refutation; I could only express my satisfa&ion that the likeness of ' time- honoured Lancaster' had suffered so little from the ' mouldering hand of time.' The panne! preserves that haughty tone and carriage of this puissant prince, which rendered him so un- popular whilst exercising the authority of a regent, though not legally vested with the power, during the minority of Richard II. He gave to all his children, by the third wife, the name of Beaufort, from a castle so called in Anjou, where they were born; the eldest of whom, John ^ is richly clad in armour, profusely stud- ded with gold. He was created Earl of Somer- set 1396, and died 1410. Edmund, second son of John, was Earl of Mortein in Normandy, and created Duke of Somerset by Henry VI. slain at the battle of St. Albans 1455; an ^ was succeeded by his eldest son # Henry, who distinguished himself greatly in the wars in France, and in the various conten- [ 253 } tions between the rival Houses of York and Lancaster; he was taken prisoner at the battle of Hexham; and beheaded 1463, for his adhe- rence to the Lancastrians; having filled the office of lieutenant and goverrtor of the Isle of Wight and Carisbrook-Castle, and governor of Calais, under Henry VI. He left a natural son, named Charles, who was in high esteem with Henry VII. by whom he was appointed one of the privy council, admiral of the fleet, knight of the garter, and embassador to the Emperor Maximilian; first chamberlain, and captain of the guards. With this superiority of royal countenance, it is not astonishing that he could, obtain in marriage the heiress of Ragland, Eli- zabeth only daughter of William Earl of Hun- tingdon, in whose right he bore the title of Lord Herbert. The successor of Hsnry VII. continued Charles in his several offices, and made him his companion in his expedition to France, where he greatly distinguished himself by his valour and intrepidity. Henry after- wards created him Earl of Worcester ; and it may be stated as not the least remarkable cir- cumstance of the Earl's life/that he enjoyed his master's confidence till his death 1526. I 254 ] . Henry second Earl of Worcester signalized himself in the wars of France, for which he was knighted during his father's life-time; and soon after his accession to the title, was ap- pointed one of the commissioners for conclu- ding a peace, Obiit 1549. Sir Charles Somerset was eldest son, by the second wife, of Charles first Earl of Worcester, and captain of the tower of Rysebank in the haven of Calais. Sir G. Somerset, his brother, splendidly dressed in armour, probably the same that was worn by his father, who bequeathed it to him by will. William third Earl of Worcester accompanied Lord Northampton, in 1 55 1, to present Henry II. of France, with the order of the garter ; and was sent by Elizabeth, 1573, as her sponsor, with a font of pure gold, for the christening of Charles's ninth daughter, Obiit 1589; and was succeeded by his son Edzvard, fourth Earl, who went in 1591 on an embassy from Elizabeth to James VI. of Scotland, to congratulate him on his marriage and safe return from Denmark. Naunton re- ports him the best tilter and horseman of his day, in consequence of which he was nominated master of the horse; this appointment seems [ 255 ] rather more consistent with strift propriety than that of Sir Christopher Hatton, who was made lord chancellor because he was a fine dancer. Camden, the historian, who has re- ported the memorabilia of this reign, observes, " that Edward fourth Earl of Worcester died " 1627, leaving more children than all the Earls " in England besides." Elizabeth Hastings, (over the door) daughter of Francis Earl of Huntingdon, and wife of the aforesaid Edward, and mother of Henry fifth Earl and first Marquis of W ircester, one of the most interesting and disinterested chara£lers to be found in the history of the House of Stuart, to w r hich he manifested a sin- cere and steady attachment to the last hour of his life, and the material injury of his fortune. At the age of eighty, he raised a regiment of horse for Charles I. and defended his castle at Ragland, with eight hundred troops, from 1 642 to 1646, when he surrendered it to Sir Thomas Fairfax, on terms most honourable to the con- quered, but which were basely violated by the besiegers; and its gallant defender delivered up to the Parliament's black rod, in whose cus- tody he died 1647, a § ed 8 4; and was succeeded in title by his son [ 256 ] Edward, styled, Earl of Glamorgan in his father's life-time, by which name we frequently meet with him in the accounts of the civil wars of Charles I. This monarch entrusted the Earl with a most dangerous patent, w r hilst nego- ciating with the rebels in Ireland, whom he was commissioned to engage in the royal cause, with power of conferring titles and distinftions ad libitum : This was surrendered at the Restora- tion, in consequence of a vote of the Lords, who were properly alarmed at the increase which it might make in their House, and which they wisely declared was the most effe&ual method of bringing the Aristocracy into disrepute and contempt. He published " a Century of Inven- tions y containing many absurdities, some pos- sibilities, and few prafticabilities. He married Elizabeth daughter of Sir William Dormer, by whom he had three daughters and his successor, Henry, equally favoured by, and attached to, the family for whom his ancestors had made such signal sacrifices was created Duke of Beaufort by Charles II. as mentioned before. Over the door, Sir Charles Somerset, knight, second son of Charles Earl of Worcester. Charles Marquis of Worcester, son of the first Duke of Beaufort. Died 1698, setat 38;having [ 257 ] married Rebecca daughter to Sir Josiah Child, by whom he was father to Henry second Duke of Beaufort, the Tory partizan mentioned above. Over the chimney, three children of the Marquis of Worcester, by Murray. Henry third Duke of Beaufort, respe&ed for his public conduft, and beloved for his private munificence, he died without issue, 1745, aetat. 39; and was succeeded by his brother Charles, the late Duke, who died in 1756, having mar- ried Elizabeth Baroness Bottertourt; by whom he was father of Mary Isabella Duchess of Rutland. Over the door, Sir George Somerset, son of Charles Earl of Worcester, in splendid armour. He was not in the lineal succession. In the Duke's dressing-room are, Cardinal Alberoni, by Trevisani ; this dignitary of the Romish church, as famous for his talents as the perversion of them to contemptible poli- tical intrigues, made a conspicuous figure in the affairs of the Italian courts, during the early part of the eighteenth century. An intimate friendship subsisted between him and Duke Henry, who, by his assistance, procured many of the precious things which he brought from Italy. In Seward's c Anecdotes/ we find an s [ 258 ] engraving of the cardinal, from the portrait before us. Henry third Duke of Beaufort, by Trevisani. Charlotte, the present Duchess of Beaufort, who was second daughter of the Marquis of Stafford; painted by Coates. Lord Arthur Somerset, and his ladv. In the billiard-room we find, Over the fire-place, the Family of the first Duke of Beaufort, by Brown, (small whole lengths) finished in the most exquisite style. Marquis and Marchioness of Worcester, (whole lengths.) Mary Duchess of Orrnond, daughter of the first Duke of Beaufort, and her son Lord Ossory. Lord Charles Somerset. A small portrait, highly finished, in the man- ner of Holbein, on copper, supposed to be the first Earl of Worcester. Lord and Lady Coventry, by Sir P. Lely$ the latter was Lady Anne Somerset, fourth daughter of Henry first Duke of Beaufort, who died in 1 763, aged 90; having married Thomas Earl of Coventry in 169 1. Arthur Lord Cafiel, one of the amiable cha- ra£lers of the seventeenth century. Steadily attached to the early fortune of Charles I. he [ 259 ] scorned basely to abandon him in its decline ; and having long defended Colchester with the resolution of a man conscious of the goodness of the cause in which he had engaged, he was at length obliged to surrender the place; and in violation of the promise given by the Parlia- mentarian General, expired on the block. He met his fate on the scaffold with the same cool- ness and heroism he had displayed in the field. An old nameless portrait, of the time of Elizabeth or James I. Sir Thomas Somerset, as supposed. The ante-room is elegantly furnished with green damask, and contains, Scanderbeg, as Santo Amato, a fine pi£ture by Cavelliero Calabragi; the light is thrown in upon the forehead of the principal figure in such a manner as to produce a wonderful effe£L Scanderbeg was a distinguished Christian hero in the Turkish history; and such was the sur- prise with which his exploits filled the Sultan Mahomet, that he sent to request his scymeter, supposing it to , be magical, but on finding nothing remarkable in the weapon, it was re- turned, with an assurance " that the Sultan " had many better in his own armoury, but no " person who knew so well how to use them;" [ 260 J To this Scanderbeg replied, c he had only c sent his scymeter, and not his arm/ He died in the Venetian States 1467, aetat. 63. Guido, by himself, in the Flemish costume ; a black dress, with the shirt collar turned over it, a broad brimmed slouched hat, whiskers, and pointed beard. This admirable master of the Italian school, who excelled equally in the two lines of historical and portrait painting, amassed, by his labour, a considerable fortune, which he lost, by his folly, at play. He died 1642, aged 67. His most choice produ&ion was supposed to be the celebrated St. Michael, formerly in the Capuchins at Rome. Simeon and Christ, by Rubens. — Holy Fa- mily, "by P. de Cortone. — Lady and Gentleman at picquet, small and highly-finished, by Gon- zales. — Landscape, by Wootton. — Landscape, by Polonese. — The Judgment of Paris, an ex- quisite little pifture of the school of Raphael. Hawking piece, by Wenix. — Hunting piece, by Wouvermans. — Battle-piece, by Bourgagnogni. The Rape of the Sabines, improperly so called, as the subject is evidently different to this transa£iion, by P. de Cortone. The Women at the Sepulchre, a copy from Carlo Maratti, by Graaf. [ 261 ] Blue dressing-room^ so called from the blue satin hangings, and the elegant chairs of the same colour and materials, contains. The Church of Redemption at Venice, and another Church, by Cahaletti.** — Jesus and Woman of Samaria,' by H. Carracci. — A Holy Family, by Raphael. — Flight out of Egypt, and Head of a Virgin, by C. Maratti. St. Matthew writing his Gospel, by Guido; a very fine head, looking intently on an angel, who appears to be teaching him " the words of eternal life." Angel's Head, by C. Maratti. — Virgin suck- ling a child, by Carlo Vecchio.— Holy Family, by Julio Romano. — Holy Family, unknown. — Morning and Evening, two landscapes, by Wootton. — St. Mark, intent on a book; St. Luke, the eye turned up in extacy to heaven ; St. John, as if deeply in thought; by Guido.— Cupid and Bacchus, by Carlo Cigniani. — The Farnesian Bull, a groupe painted from an anti- que, on copper, by Andrea Sacchi. — Alehouse party, by Teniers. — A large Landscape, Saint Anthony preaching to the fish, by G. Poussin. — St. Anthony's Temptation, by Teniers; dis- tant landscape w r ell introduced through the opening of the cavern. [ 262 ] Holy Family, by Leonardo di Vinci; a very curious subje£t, an angel represented as weigh- ing souls, and the devil under the table pulling down those which " are found wanting." The library is a noble room, though some- what gloomy, from being fitted up with oak. At one end appears the bust of Nero, in por- phyry; at the other, that of his mother Agrip- pina, in white marble. The colle£Hon of books is great, and the arrangement admirable. Ascending the stairs, we reach the Duke's dressing-room, where we find, over the chimney, S ah at or Rosa, by himself, fierce and darjc as his own style. This artist was a man of great and varied talents, shining equally as a pain- ter, engraver, and poet; he was born at Naples in 1 6 1 5. Such was the rapidity with which he finished his pi6lures, that he might be said to have worked against time, of which the follow- mgfitaisanterie is recorded; that being employed by one of the Constables of France to paint a large picture, he begun, finished, and carried it home in a day ; this so pleased his employer, that he gave him a purse of gold, ancl bespoke a se- cond, which was produced within the period, and gained him the like reward, with orders for a third and fourth, which were finished as quickly. [ 263 ] and equally paid for; but on the production of the fifth, he received two purses, and a message, that the Constable gave up the contest. He died at Rome 1673. Baptism of Christ, exquisitely worked in ivory, from a picture of Poussin. Cornelius Jartsen, by himself; a native of Am- sterdam, in high esteem with James h His style was clear, lively, and natural; and though his portraits have not the freedom and grace of Vandyke's works, yet they are generally allowed to be as well finished. He died 1665. Head of a Philosopher, by Sal-vator Rosa. — Diana and Aftseon; and Venus riding on the waves ; by C. Maratti. Andromeda and Perseus, by Titian; defec- tive in the expression of countenance in the former, which being represented with the mouth open, crying for help, conveys the idea of a squalling brat. Silk Manufactory, by Basani. — Bacchus and Ariadne, by Signora Elenora Pansachia. — Diana and Dog, by Guido, in his early style. Sir Thomas More, a fine original portrait, by Hans Holbein. In addition to what I have be- fore, said of this august charafter, it may be worth while to observe, that on the publication [ 264 ] of his celebrated ' Utopia/ which gives the idea of a perfect republic > in a supposed newly discovered island in America, it was recom- mended by some very learned men of the day, that missionaries should be sent to convert so wise a people to Christianity. Landscape, by Poussin. — Storm at Sea, and its companion. — View of Tivoli, by Polemberg. — Large Landscape, by Suanevelt. — Four small Landscapes, by Berghem. — Egyptian Scene, pyramids, &c. by Wootton. Erasmus , with his hand upon his book, by Hans Holbein. The restorer of learning, and the reformer of religion ; erudite without affec- tation, pious without severity, and witty with- out libertinism. All the lovers of science, and all the admirers of virtue, revered the man who had made such progress in the one, and was so strenuous an advocate for the other; and though Henry VIII. had not much esteem for either, the excellencies of Erasmus were such as com- manded his respeft and regard. The follow- ing lines, written by Beza, and inscribed under a half length painting of Erasmus, by Holbein, express that general sense of his superiority, which was entertained by the literati of the sixteenth century : — [ 265 ] " Ingens ingentem quern personal orbis Erasmum* i f Haec tibi dimidium pi6ta tabella refert; At cur non totum ? Mirari desine, lector, " Integra nam totum terra nec ipsa capit." Beautiful Landscape, byDominichino. — Two Battle-pieces, by Bourgagnogni. — Large Land- scape, by Suanevelt. — Ruined Amphitheatre, by Wootton. Hannibal Carracci, (small) by himself; the most celebrated artist of a family of painters, who worked in common at the Farnese palace at Rome. He died in 1609, aged 49. Two Views of Ruins, by Viviano. Over the entrance door, a Venetian Courtezan, -by Michael Angelo Carravaggio ; this is a most exquisite picture, the diamond in a casket of jewels. She is represented playing on a man- dolin, a table near, with glass decanters on it, containing flowers. The management of lights in this pi£iure is scientific in the highest degree, and the execution of the hands, drapery, and subordinate parts, cannot be too highly ap- plauded. Hugh Bos caw en Viscount Falmouth, the upright representative of the boroughs of Truro, Pen- ryn, and county of Cornwall. His strenuous attachment to the House of Hanover, and his [ 266 ] aftive services in that rebellion which threat- ened their title, raised -him to the dignity of a peerage in 1720, by the name of Baron of Bos- cawen Rose, and Viscount Falmouth, in the county of Cornwall. He died 061. 25, 1 734. Henry Hyde Earl of Clarendon, son of the cele- brated historian. 'Notwithstanding: the ingra- titude of James II. who unjustly deprived him of the lord-lieutenancy of Ireland, and the privy-seal, he continued for some time a steady adherent to his fortunes; till perceiving that the infatuated condu£l of the king left no chance of the restoration of his affairs, he united himself to the Prince of Orange, and was ap- pointed, with the Earl of Oxford, on his behalf, to meet the commissioners of the king at Hun- gerford. In his senatorial duties he exhibited considerable eloquence in debate, and ingenu- ity in argument. He died in 1709. William S/iifi/ien, or, as he is called by Pope, " Honest Shiftmen" one of the " virtuous few" whose integrity was proof against the almost all-corrupting subtlety of Sir Robert Walpole. Firm, dignified, and inflexible, Shippen ever preserved a consistency of political condu6t, Animated, energetic, and pointed in debate, he always commanded attention in the House ; [ 267 ] whilst his sprightly manners, pleasing con- versation, and inoffensive wit, in the social intercourse of private life, procured him the esteem and regard of most of the characters of his time remarkable for worth, learning, or abilities. As a poet, his two works " Fac- tion displayed," and " Moderation displayed," give him~the praise of a caustic satyrist, rather than that of an harmonious versifyer. The Chinese bed-chamber receives its name from the fanciful furniture with which it is fitted up. It contains, Charles I. and his Queen, by Vandyke. Connected with this room are two small apartments, a little cabinet, where we find, The Duchess of Rutland, when a child, by Sir Joshua Reynolds. In the Duchess's dressing-room are^ome family portraits, by Opie ; and one stiff* and aukward one of Lady Elizabeth Talbot, eldest daughter of his Grace, by Sir Joshua Reynolds. The north front of Badminton-House is extremely grand; consisting of a body sur- mounted at the extremities by cupolas, and adorned in the centre with a tympanum, con- taining the Beaufort arms; and two extensive proje&ing wings. This commands the whole [ 268 ] extent of the park, which stretches three miles in a right line from it, terminated by s Worcester-Lodge. But the apparent distance is much less, a singular deceptiovisus, being pro- duced by some dips in the ground, that in- tervene between the house and the lodge. — A comfortable asylum for the decayed servants of the family, supported by the Duke of Beaufort, bears honourable testimony to his Grace's ge- nerous munificence. On our road to Bath, deviating a little to the right from the turnpike-road about two miles from Badminton, our route leads us to Old Sodbury, where we meet with a noble speci- men of Roman castrametation, taking the accustomed form of a long square, rounded at the corners. The length of the area from east to w T est is two hundred and sixty paces, the breadth one hundred and seventy. To the east, south, and west, it was defended by a double ditch and double vallum, through which were three porta or entrances; an abrupt natural sinking of the ground formed a barrier suffici- ently strong on the remaining side to preclude the necessity of artificial vallations. A grand view discloses itself from this commanding ele- [ 209 ] vation. Many attribute the encampment at Old-Sodbury to the Saxons or Danes, but it should seem with little propriety. Either of these people,, indeed, might have availed them- selves of so strong a work, in so happy a situ- ation, for the temporary accommodation of an army; as Edward IV. is recorded to have done, when he was marching to the field of Tewkes- bury, so fatal to Queen Margaret; but that it may be ranked amongst the labours of the Roman soldiers, originally, is obvious, at a single glance, to any one acquainted with the earth-works of this military people. The whole country, indeed, from hence to Bath has been the scene of ancient warfare. It was in this direftion that the Romans first marched to found the colony of Aqua So/is 9 nearly eighteen hundred years ago; and it was in the same line that the Saxon adventurers, Ceaulin and Cuth- win, five hundred years afterwards, led their troops to the attack of the city of " the Waters of the Sun.* 9 Rushing on in the spirit of the times, through blood and fire, " Amazement in their van, with flight combined, " And Sorrow's faded form, and Solitude behind ; they at length reached Dyrham, about eight [ 270 ] miles from Bath, the seat at present of William Blathwayte, esq. There an enemy was assem- bled to meet them; the three kings of Glocester, Cirencester, and Bath- — Cornmail, Candidan, and Forrinmail — prepared to contest, by one desperate effort, their crowns and lives. The hosts encountered with a dreadful shock; and, after a bloody contest, viftory declared for Ceaulin and his brother leader; the dispirited Britons fled, or were cut to pieces with their kings, and the triumphant Saxons marched down the hill to Bath, and took possession of the most splendid city in the West of England. Your's, &c. R. W. EXCURSION III. LETTER IV. , TO THE SAME. BEAR sir, Sept. 2gtb, 1800. 9 I ^HE city of Bath has been indebted to the Romans for at least two of its present public roads 5 both to the north-west and to the east, towards Bristol and towards London, the turnpike pursues for some distance the military ways formed by that extraordinary peo- [ 272 ] pie. What we now call the upper road to Bris- tol, avails itself, at its outset, of the durable foundation of a Roman causeway, which, run- ning from Bath through Hanham to Aust y crossed the Severn to Lydney, and afforded communication between the iron mines in the Forest of Dean and the city of Aqua Soils. This upper road I have preferred to the lower one, since it is not only venerable from its an- tiquity, but passing along the declivity of the high hills of Lansdown, which rise to the right, it opens a beautiful view to the west and north- west, of all the flat country through which the Avon winds his sluggish stream, and of the sweeping elevations beyond it, crowned w^n the riv^r, studded by trees of various kinds. This [ 273 ] mansion was built about thirty years ago, by the celebrated surgeon of that name, near the scite of the manor-house of Kilweston, the seat of the ancient family of Harington, and the work of James Barozzi, an architeft, of Vignola. Passing through the village of Bitton, we enter the Chase of Kingswood, formerly a royal forest; and now supplying, from its nu- merous pits, the coals consumed in the neigh- bouring city of Bristol. Amid the rugged inhabitants of this dingy distrifit did the inde- fatigable and conscientious John Wesley ad- venture his person in the service of the Gospel; and with an inflexible perseverance, that was nei- ther discouraged by toil, nor scared by danger, continued his exertions, till he had tamed that obduracy and savageness, which habits of life so distant from civilization, and ignorance so profound, as the colliers usually exhibit, may be expe&ed to produce. Regarding, as I do with abhorrence, the customary baneful eflfe&s produced in society by the preaching of Me- thodists, I should be far from encouraging in general their efforts amongst mankind; yet can- dour must allow, that in some cases it may be considered as beneficial; for as poisons are occa* T [ 274 ] sionally administered with efficacy in dispelling desperate diseases, so the strong doflrines of jVJJethodism may operate usefully with those classes of society whose hearts, hardened by profligacy, could not be affe£ted by the mild precepts of rational Christianity. Certain it is the condu£l of the numerous body of colliers in Kingswood is now marked by a decency and regularity, which one would hardly expeft to find in such a description of people; though the preserving of them in this state of quiet and order must be in a great measure attributed to the very praise-worthy and exemplary manage- ment of the parochial minister of St. George's parish, (a great part of which lies in Kings- wood) and to the energy of the magistrates of that distridt. Conham, a little village to the left of Han- ham, (to which place we now approach) affords an example of the judicious application of those improvements which the moderns have made in natural science, to the purposes of praftical utility. This is a manufa&ory near the river, belonging to Messrs. Lukins', called the Gibbes- ium 9 so named from Dr. Gibbes, a respe&able physician of Bath; who, improving upon a dis- t 275 ] covery first made public by Fourcroy, the great French chemist,* has invented and adopted a very ingenious process for the speedy conversion of animal matter into spermaceti, j" which he su- * The singular fa 1796. The difference in the substances, produced from the decom- position of animal bodies in water, and their changes by putre- faction in air, as well as under other different circumstances, is explained by the laws of chemical affinity; which also prove, how few the elementary substances are, which, by their various combinations and affinities as secondary laws under the infinite power of the greafTirst Cause, produce all the variety which we perceive in animated and inanimate bodies. Animal and vegetable matter, air, water, and many different solids and fluids, are resolvable by chemistry into the different attractions and affi- nities of a very few primary elements. The diamond is now demonstrated to be only pure charcoal; and the difference be- tween nitrous acid and the fluid, (atmospheric air) without which animal life cannot for a short period be supported, to consist only in different proportions of the same component parts. Thus philosophical investigation serves powerfully to enlarge our conception of final causes, and, consequently, of the infinite wisdom of the Creator, and the sublime simplicity of ftis works. [ 277 ] hoofs, and such parts of the animals as are not convertible into the spermaceti matter. The summit of Hanham hill discloses an au- * gust view, the most striking feature of which is the vast city of Bristol spread through the bot- tom, and rising with the acclivity to the right ; but, like a faded beauty, wearing only the sem- blance of former attractions, and deploring the daily decrease of a trade, that is now wafting to the more fortunate, spirited, and better situated town of Liverpool. From hence to Durdham-Down, the road may be considered as one large suburb to the great parent below, since it is a continuation of ham- lets, houses, and seats, for three or four miles ; the retreats of successful commerce and perse- vering industry. The villages of Westbury and Henbury succeed each other, at the distance of a mile; both deriving their names from the earth-works, which may be seen on the heights of these respective parishes. The former also is remarkable for its very ancient college, now almost obliterated, and the tremendous cavern called Pen-Park Hole, about a mile and half north- east from the village ; the fatal gulph into which the Rev. Thomas Newman, a minor canon of Bristol Cathedral, was precipitated [ 278 ] in 1775, in the sight of his sister, and the lady to whom he was engaged to be married. Per- haps no situation can be imagined more dis- tressing, than that of the agonized spe£tators, when they beheld, the youth to whom the one was bound by the ties of natural affe£tion, and the other by the stronger bonds of love, sud- denly hurried away to inevitable destru£Hon; to a destruction, of which the mind could forth no definite idea, and which imagination, therefore, clothed in tenfold horrors: — a severe and aw- ful instance of the uncertainty of human schemes of felicity, of the vanity of all antici- pated happiness. The search made after the body (which was not found till thirty-nine days after the melancholy event) first gratified the public curiosity with respeft to the interior of this terrible pit, when it was discovered to be two hundred and fifteen feet deep. A variety of appearances, also, were observed which con- curred to prove, that it was not a natural cavern, but an artificial excavation ; probably a lead mine, worked in very distant times. ... The traveller's eye, as he proceeds, is attrafted to the left by the beautiful park of Mr. Har- ford's seat, called Blaze-castle. From the cen- [ 279 ] tre of this inclosure rises a fine sugar-loaf hill, the dark wooded sides of which conceal the lower members of a Gothic castellated build- ing, whose stately turrets appear above the shade. It received the former part of its name of Blaze-castle from the tradition of an ancient, chapel having formerly existed on the summit of the hill, dedicated to St. Blasius, bishop of Sebasta, and patron of the wool-combers; the adjunct castle \s more appropriate, as the build- ing stands on the scite of a Roman castra, pro- bably the work of Ostorius, when he built the range of forts along the Avon and Severn, of which Tacitus makes mention. The lofty emi- nence on which the inn at King's-Weston is placed, overlooks a prospeft, the variety and beauty of which would well deserve descrip- tion, were it not transcended in both respedls by that seen from the park of Lord cle Clifford in its immediate neighbourhood. This mansion is a specimen of Sir John Vanburgh's architec- ture, and bears testimony to the truth of the satire on his style, implied in this epigram-* matic epitaph : " Lie light upon him, Earth, though he €C Laid many a heavy load on thee!" disgusting the eye, both within and without, by [ 280 ] its weight and clumsiness. Had Sir John tried his art in castles and pyramids, edifices which were to resist the shocks of military operations, and stru&ures that should endure as long as time itself, he probably would have succeeded; but he certainly mistook the path to fame, when his taste led him to design domestic mansions; in which, instead of massiveness and pondero- sity, we only look for lightness and elegance, just proportion and convenience. The ma- nagement of the grounds, also, is not always judicious. Nothing, indeed, could Spoil the situation, which is on the. broad top of a hill, with an immense traft of beautiful country beneath it ; but the views from the different fronts of the house are not sufficiently con- trasted. One stretches down the Bristol Chan- el nel, and sweeps over the hills of Monmouth- shire and Glamorgan; whilst another extends itself up the river as far as Glocester; a third is dire&ed to the park, which is here very auk- ward ly left bare of trees, whereas it should have been opposed to the variety and immen- sity of the others by a thick plantation, in which the vision, fatigued with distant objefts, might have reposed itself in the quiet of a sylvan scene. Upon the whole, however, the pleasure-grounds [ 281 ] are very beautiful; five- hundred acres are in- cluded within the paling, and several fine points of view > the chief of which is that from Pen- Pole, an eminence in the distant corner of the park. It must not be forgotten, also, that the green and hot houses are amongst the most magnificent in the kingdom. However disap- pointed we might have been with the house itself, we were amply recompensed by its con- tents ; many of the piftures and portraits being works of the first masters, and originals of re- markable chara£ters. A lofty square hall forms the entrance into the house, hung with three ranges of portraits. On the drawing-room, or right hand side, we find, Lewis Watson first Earl of Rockingham , who died 1723. Thomas sixth Earl of Thanet ; he established his claim in the House of Peers to the barony of Clifford in the year 1691; and was after- wards sworn of the privy-council, and lord- lieutenant of Salop. One instance, amongst many, of his beneficence, was^a donation of a large sum of money, during his life-time, to the increasing of small church livings in York- shire and Westmoreland. He married Catha- rine, daughter of Henry Duke of Newcastle. : [ 282 ] Another portrait of Lewis Watson first Earl of Rockingham, a whole length, by Ramsay; the drapery is by Van Baden.' Catherine Watson, married to Sir Edw. South- well. She was daughter of the lady whose portrait occurs next, namely, Catherine Countess of Rockingham, daughter of Sir George Sondes Earl of Feversham, who died Ann. Dom. 1695. The two last, also, are whole lengths by the same masters. On the side of the /W/ facing the entrance are, Whole lengths, by Sir P. Lely, of three Earls of Ardglass, Wingfield ^Cromwell, who married Catherine Hamilton; Vere Essex Cromwell, who died 1686, unmarried; and Thomas Cromwell, who was born 1594, and died 1652; Under these whole lengths are two half- lengths, by Sir Peter Lely : Heneage Finch Earl of Nottingham, every way qualified for the situation of lord-chancellor, to which he was appointed on the removal of the profligate Shaftesbury. To the particulars of this great man's character which I have already given you, I would just add, that his brilliant eloquence procured him the appellation of the English Cicero, and English Roscius. In our times, the title of the Farinelli of the bar has. [ 283 ] been as happily applied to the late Lord Mans- field, for his " honied periods/' and persuasive rhetoric. William Harvey. The painter has, in acute- ness and solemnity of countenance, admirably displayed the chara&er of this celebrated phy- sician, who first discovered the circulation of the blood. Steadily attached to the House of Stuart, he attended Charles I. at the battle of Edge-Hill, by whom he was rewarded with the wardenship of Merton college, Oxford; a situ- ation which he relinquished the year following his presentation to it, when the parliamentarian forces took possession of that city. Another original portrait of him is preserved at the Col- lege of Physicians, of which he was president. Obiit 1 657, aged 80. — This painting seems to have been made when he was advanced in years. On the left hand side are the following half-lengths: Lady Elizabeth Cromwell, daughter and heiress of Wingfield Cromwell Earl of Ardglass. On the demise of Vere Essex Cronlwell without issue, the title devolved to this lady, who mar- ried Edward, son of Sir Rob. Southwell, and at the coronation of Queen Anne was allowed pre- cedence as Baroness Cromwell. She died 1 705. [ 284 ] The Right Honourable Edward Southwell, born 1706, died 1755. Edward Southwell, son of Sir Robert South- well, born 1674; a finished gentleman, and an esteemed scholar, according to Anthony Wood, who calls him doStissirnusjuvenis. He was clerk ofthe council extraord. in 1693, and died 1734. Sir Richard Southzvell, of Woodrising ; a fine head, by Hans Holbein. Helena Gore, (a portrait by Vandyke) daughter of Major Gore, of Sherston, Wilts, who married Robert Southwell, and died 1679, aged 66. Robert Southwell, her husband; who died 1677, aged 70. Sir Robert Southwell-, knighted by Charles II. during whose reign he filled the office of envoy extraordinary at thfe courts of the King of Por- tugal, the Viceroy of the Spanish Netherlands, and the Ele&or of Brandenburgh. For this diplomatic service he obtained the appoint- ments of commissioner of the customs in Eng- land, of secretary of state for Ireland, and of a member of the privy council, an honour the more distinguished, as he had in early life been one of the clerks of that board. He was also president of the Royal Society, and father [of the accomplished Edward Southwell before [ 285 ] mentioned. He purchased King's- Weston of Sir Humphry Hook, and died 1702. Elizabeth Dering, wife of Sir Robert South- well, and eldest daughter of Sir E. Dering, of Surrenden-Dering, in the county of Kent, bart. She died in 1681, aged 33. From the hall we are introduced into the green-room, where we find portraits of, Edward Southzvell, by Sir Godfrey Kneller. James second Duke of Ormond y son of Thomas Lord Ossory. Having shared in a variety of events, both in support of, and in opposition to, the ruling powers, he was attainted by Parlia- ment, and died an exile in France 1746. His estates escheated to the crown ; but by a subse- quent aft of parliament were vested by pur- chase in his brother, Charles Butler Earl of Arran, who bore several high stations in the state and army, and attained the dignities of chancellor of the University of Oxford, and high-steward of Westminster. He resigned the office of master of the ordnance on the death of Queen Anne, and died 1758, aged 88. William Ashburnham, by Sir Peter Lely. Mrs. Southwell, maid of honour to Queen Elizabeth; a curious original portrait.- — Below her is Mary Queen of Scots, by Holbein. [ 528G J Thomas Cromwell Earl of Essex, by Holbein; engraved by Houbraken in his illustrious heads. Over this is, Sir Gawen Carey, or Carew, one of the knights of Henry Vlllth's reign of splen- dour, pageantry, feasting, and cruelty. Opposite to the windows' are, Sir John Per rival; a man whose talents were sufficient to recommend him to the favour of Oliver Cromwell, though his father remained a steady adherent to Charles. Being appointed, together with Fleetwood, to settle the divisions in Ireland, he conduced himself so much to the satisfa&ion of his employers, as to be re- warded on his return with the restoration of his sequestrated property, and the office of clerk of the Crown- and Common-Pleas. He married Catherine, daughter of Robert Southwell, of Kinsale. This portrait was painted 1665. John the first Earl of Egmont, he projedled the plan of a settlement of Europeans at Georgia^ then peopled by Indians only; for which pur- pose he obtained a charter in 1732, and was nominated the first president. He died 1748. Sir Philip Per rival, eldest son of Sir John Percival before mentioned ; a young man of great promise and expe&ation, but taken off in the prime gf life by poison, administered by a [ 287 ] hand unknown. Lord Egmont, in his history of the f House of Yvery,' has given a full ac- count of this transaction, and other particulars of Sir Philip's family. Thomas Earl of Ossory, equally qualified to shine in the camp or at court, in the tumult of war, or amidst the elegancies of peace; of un- bounded courage, singular modesty, and in- flexible integrity. He died in 1680, at the age of 46. The noblest testimony of his worth was given by his afflifted father, when he declared, that he would not exchange his dead son for any living son in Christendom. On the right hand side of the room, next the windows, is a curious painting, containing two portraits, Sir Edward Hyde, and his wife, with the initials E. H. and the date 1579. Sir Richard Southwell, 1585. Richard Southwell, a fine old head 3 probably the favourite of Henry VIII. who made him one of the executors of his will. Charles Howard Earl of Nottingham, lord high admiral of England; a deservedly-esteemed fa* vourite of Queen Elizabeth, to the splendour of whose annals, his abilities, as a naval com- mander, contributed largely, In 1588, he de- stroyed the Spanish Armada, the remembrance [ 288 ] of which atchievement is preserved in the ta<* pestry hangings of the House of Lords, exe- cuted by Francis Spiering, from designs of Cor- nelius Vroom. The year 1596 added another triumph to his list of victories— the capture of Cadiz, and the burning of the Spanish fleet. Being a man of great splendour and expence, he was sent by the peaceful James ambassador into Spain, where he made his entree with a retinue of five hundred persons, to the great astonishment, of the Spaniards, who did not ex- pect such taste and magnificence from a nation of heretics. He died 1624, aged 87; having married Catherine, daughter of Henry Lord Hunsdon, by whom he had two sons and three daughters, of which the eldest, Elizabeth, mar- ried Sir Robert Southwell, (before mentioned) of Woodrising in Norfolk. Thomas Earl of Strafford, 1640; painted the year before his execution. He forms a promi- nent feature in the reign of Charles I. distin- guished in the outset of life by professions of patriotism, which were soon converted into most determined support and furtherance of the measures pursued at the period when he lived. Whilst lord-deputy of Ireland, in the true spirit of a proselyte, he adopted a£ts of [ m ] rigour and oppression beyond all precedent and endurance ; the severity of his government drew forth the execrations of the nation, and could% not secure him the prote&ion of the sovereign; although whilst in confinement, he received assurances that he should not suffer in life, honour, or estate. When informed, therefore, that the king had granted a commission to pass the bill of attainder, he exclaimed, " Put not your trust in princes, nor in the sons of men, for in them there is no salvation. " Our detes- tation of b the crimes of the man must for the moment subside, whilst we admire the magna- nimity of the hero in the hour of expiation: the lieutenant of the Tower offered him a coach to convey him to the scaffold, lest he should be torn to pieces by the populace, but he replied, " I die to please the people, and am " willing to die in their own way!" Sir William Godolphin, under-secretary to Ben- net Earl of Arlington, and a zealous supporter of prerogative j he succeeded Edward Earl of Sandwich as ambassador to Madrid, where he embraced the Catholic faith, in which he died. Sir Nicholas Bacon, lord-keeper in the reign of Queen Mary, and the first of that title who ranked as lord-chancellor; more distinguished, [ 290 ] liowever, as the father of Francis Lord Vein- lam, to whom he was as inferior in legal and philosophical knowledge, as he was superior in rigid and inflexible integrity. He died 1 579. Edward Hyde Earl of Clarendon, lord-chancel- lor. In a colle&ian of portraits, we naturally look for the likeness of this nobleman; the ad- mission is a tribute indisputably due to the * greatest moral painter of the age in which he lived, such certainly was Lord Clarendon, who has left us full lengths. of the court of Charles I. drawn with less of the artist's licence than could be expected from one who had been so actively employed in those days of party jea- lousy and intrigue. Charles II. gave him the title of Chancellor of England; his writings have secured him that of chancellor of human nature. It has been said of him, that he wrote for prerogative; it must in truth be added, that he acted for liberty. Obiit 1674. Charles I. (small) by Vandyke. Charles If. by Sir Peter Lely; an extremely fine painting, particularly in point of drapery. Head of Saint Peter, and its companion, by Rembrandt. A very fine bronze antique, nearly as large as life, of Antinous, the pathic and freedman of > [ 291 ] Adrian; which our female cicerone, by a most whimsical string of misnomers, converted into Antoninus, the friend of Alexander the Great. Portrait of S' Gravesmaar, lieut.-general; a noble Dutchman, whose family is at present one of the most respe6table in Holland. In the breakfast-room are the portraits of Sarah Duchess of Marlborough, daughter of Richard Jennings, esq; of Sunbridge in Hert- fordshire. Her Grace's chara&er will be found in the busy political reign of the high church Anne, in almost e^ery year of which she ap- pears to have been a£lively employed. Guided by the mistaken policy of preferring gain to fame, she at last fell a sacrifice to the enemies which a favourite's situation naturally created, and which her unbounded avarice had too successfully encouraged. " She lived to feel herself the neg- lefted subjeft of that monarch to whom she had so long appeared as chief adviser; and died immensely rich,, but entirely unlamented, in 1744, aged 85. Mrs. Ashbumliam, afterwards the wife of > Edward Bering. Lady Clifford's dressing-room contains a choice colleftion of fine paintings and curious minia- tures; amongst the former are, [ 292 ] Landscape, by Salvator Rosa. — Four Views of Venice, by Carnaletti.— Landscape, by Poussin. — Sea-Piece, with setting sun, and a Landscape, by Claude Lorraine. — Two large Landscapes, by Poussin. — Dead Christ, by Mi- chael Angelo Buonarotti. — Dying Cleopatra, by Guido. — Holy Family, by Titian. The miniatures are inlaid in the doors of two cabinets; that on the right hand of the en- trance contains, George Earl of Cumberland, richly dressed in armour studded with gold, one of the distin- guished ornaments of Queen Elizabeth's court; he was amongst the many gallant noblemen of that reign, who volunteered aboard the fleet to oppose the invincible Armada, as it was styled; and performed no less than eleven voyages, at his own expence, in order to harrass the Spanish enemy. A whole length of this hero, clad for the tournament, and the rich armour in which he was accoutred upon these gala .occasions, are still carefully preserved at Appleby-Castle. Margaret Sackville Countess of Thane t, she married John second Earl of Thanet> who appears to have compounded for his estates in 1654 for the sum of nine thousand pounds, with the se- [ Q93 ] questrators appointed by the rebel Parliament. He died in 1676, and left twelve children. Lady Ann Clifford, daughter of the above- mentioned George Earl of Cumberland, and inheritor of all his spirit and generosity. Of the former, a lively trait is preserved in her let- ter to Sir Joseph Williamson, printed in the c Noble Authors to the latter, many founda- tions and endowments in Westmoreland and Yorkshire still bear testimony. She was first married to Richard Earl of Dorset, whose life she has written, and afterwards to Philip Earl of Pembroke and Montgomery. Lady Margaret Coventry, one of the twelve children of John second Earl of Thanet; she married George third J^ord Coventry. The cabinet to the left hand contains, Mrs. Pert ; and under it Queen Elizabeth, a very curious miniature, not larger than a sixpence ; probably a token be- stowed on and worn by one of her favourites. Mr s.Southwell, Lady liodney. Prince Rupert, nephew of Charles I. to whose assistance he came from Holland, about the time that the king erefted his standard at Not- tingham; if intrepidity and resolute courage had been the only essentials to secure viftory, he [ 294 ] would have been a more successful comman- der than he even proved. His temerity fre- quently lost him the advantage which his cou- rage generally procured him in the outset of a battle. Charles seems to have a£ted as in- temperately as unwisely, when he deprived Rupert of his commissions, for too early a sur- render of the city of Bristol to Sir Thomas Fairfax. Obiit 1682. General Monk. — Earl of Ardglass, very small and curious. — Charles % superbly dressed. Robert Southwell, of Kinsale. Ann of Denmark, queen of James I. with gold- en locks; one of those chara£ters mentioned by Mr. Granger, as never reaching beyond me- diocrity, by any other circumstance of her life than her rank as a queen. General Monk, smaller than the former. Henry Cavendish Duke of Newcastle, father of Catherine who married Thomas Earl of Thanet. Thomas W mtworth Earl of Strafford. Within this cabinet is a very costly and rare golden medal, bearing on the only side which we could see, the head of Thomas Lord Crom- well, with this inscription — -Imago D. Thoma Cromwell Reg. Secret. Created visitor-general of the monasteries, and Earl of Essex, Crom^ I 295 ] well was first made the instrument of Henry Vlllth's sacrilegious injustice, and then be- came the vi£iim of his cruelty and disappoint- ment, for having recommended to his throne and bed a Flanders mare, as the monarch styJed his unfortunate wife Anne of Cleeves. The ante-room contains, Venus and Cupid, a beautiful painting, by Correggio; the arch expression in the counte- nance of the former, and the childish roguery in that of Cupid, are incomparable. Madona and Child, by Guercino. — Samson and Dalilah,byG.Poussin. — Venus and Cupid, by Guido.— Christ and Woman of Samaria, large painting, by Carlo Maratti. Over the chimney-piece in the library is the whole length portrait of Sir Thomas Southwell, of Ireland, in a sporting dress, with his dog and gun. He was the son of Richard Southwell, and died 1626. The dining-room concludes the rich repast, and contains the jewels of the colle£Hon; they are, St. Jerome, by Hannibal Carracci. St. Cecilia, by Dominichino, which, in spite of the absurdity of the subje6f, cannot be con- templated without astonishment and delight. Cecilia is represented playing on a violon- [ .296 ] cello, with a boy before her holding up an open music-book. Nothing can be more exquisite than the countenance of the saint, whose eyes are lifted up to heaven in rapturous devotion. John in the Wilderness, a grand pifture, ex- hibiting, in a striking manner, the powerful effe£t of strongly contrasted light and shade. It is said to be by Raphael 3 but may, perhaps, with as much probability, be given to Andrea del Sarto, who is said to have copied the works of this artist so exquisitely, as sometimes to have deceived even the master himself. Susannah and Elders, by Rubens, with his usual strength of colouring. — Hermit and Rocks, by Salvator Rosa, in his darkest style. The Wise-Men's Offering ; a Head ; and a Cardinal's Head; by Titian. — Portraits of two Painters, by one of the Carracci. Holy Family, by Raphael. Returning through Henbury, w r e enter upon the road which, presently diverging, condufts by different ways to the Old and New Passages across the Severn, where travellers, their cattle, and carriages are accommodated with boats for their conveyance, of various sizes, according to the weather or the freight. Our route Jay [ 297 ] to the former, to which superior conveniences appear to induce a greater resort. Here the master of the inn, catching a hint from an enemy, has established a telegraph, which, com- municating by signals with a similar machine on the other side of the Severn, prepares every accommodation for the traveller, who is about to pass the river 3 whilst the opposite tele- graph performs the same kind offices for him who wishes to pass from the Monmouthshire to the Glocestershire bank. It was at this point of the Severn that Publius Ostorius Scapula, (who succeeded Aulus Plautius in the govern- ment of Britain in the year 5 1 or t%) established a passage into South- Wales for the conveyance of the legions over it; a faft acknowledged by all antiquaries, and corroborated by the ancient name of this place, Oster-Clive, an evident cor- ruption of the Prsenomen Ostorius. In little more than sixty years after its establishment, the passage became of greater importance, since it served for the conveyance of the iron ore which was dug up in the Forest of Dean, car- ried to Bath, and manufaftured there at the fabrica y or great military college, ere&ed by Hadrian, to supply the legionaries of the wes- ter^ parts of Britain with implements of war. [ m ] The Old-Passage, also, is memorable on ano- ther occasion. Here Edward the elder passed a night when he journeyed into Glocestershire to hold a conference with Leolme, prince of South- Wales. The pride of the \Velshman, however, would not allow him to cross the Severn in order to meet the Saxon ; and Edward was content to forego his own dignity, and pass the river to Beachley, the opposite point. This aft of condescension had its proper effe£t on Leoline, who, ashamed of his own condu6t, as the king approached the shore, rushed breast high into the water, and seizing the prow of the boat, is said" to have exclaimed, " Wisest of M monarchs, behold the victory of humility over " pride, of wisdom over folly. Ascend that u neck, which has been vainly exalted against " superior merit; and enter triumphantly into " a country which virtue like yours is alone " worthy to govern." Then taking Edward upon his shoulders, he carried him to the shore, placed him upon his owp royal robes, and did . him homage for the principality. The Severn, which spreads itself into a noble stream con- siderably above Aust, and extends above a mile in breadth in that point, would be a river of beau- ty equal to its magnitude, were it not deformed [ 299 ] by the muddy ochreous tinge of its waters; a circumstance that has occasioned it to be likened to the river Alpheus after it had performed the purgation of the Augean stables. This colour it receives from the ferruginous clay through which it flows; (for the forest of Dean, whose foundation it washes, is nothing more than one immense bed of iron ore; and the banks of the Severn, on each side, exhibit one dark stratum of red soil for many miles.) Its bottom is formed of grey limestone rocks, which having parted with the earth that filled their interstices, 'dis- play at the ebb a shaggy rugged bed, whose crags and prominences occasion the eddies and turbulence which continually disfigure its sur- face. In these rocky ledges are frequent hol- lows, where, at very low tides, a variety of vegetable and mineral articles are discovered jumbled together in singular confusion; such as beech-mast, acorns, filberts, the stones of the plumb, cherry, and all English fruits ; masses of wood, stone, and coal, rounded by attrition. Of this latter article the quantity is so great as to be sufficient for the purposes of the lime- kilns upon the banks of this part of the Severn. The Cliff at Aust Passage also exhibits some curious mineralogical appearances. It is com- [ 300 ] posed of two strata of clay; the upper of a blue, the under one of a red tinge. These rest upon a grey limestone rock ; but unbedded in the lower stratum is one of gypsum, of great depth, and astonishing extent, continued thro 5 the counties of Monmouth and Glamorgan, and stretching as far to the west as Tenby in Pembrokeshire; an inexhaustible mine to the plaisterers of Bath, Bristol, and the other neigh- bouring places ; who having previously calcined it, afterwards render it firm and solid, by pouring cold water upon it. It is then called alabaster, and becomes capable of receiving a fine polish ; or being mixed with lime is used as a finer kind of mortar. Its dip is to the south-east, and appears to be about thirty degrees. Two small veins of sulphate of strontian* occur like- f Sulphate of str@ntian, so called in the language of the new chemistry, (from its being a compound of sulphuric acid and strontian earth) is found in considerable quantities at Redland, near Bristol, at Aust-Passage, and at Sodbury in Glocestershire; as well as in the different parts of England, and in foreign coun- tries. The varieties found in the former situations have under- gone a very complete analysis, by that excellent chemist Mr. W. Clayfield, of Bristol; and he has published a paper on the sub iect in a volume of Contributions to Physical and Medical Knowledge, by Dr. Beddoes. Mr. Clayfield concludes that the fibrous variety of sulphate of strontian contains, in zoo parts, of Strontian 116.5 Acid 83 . 5 — 2 co With a small proportion of iron. [ 301 ] wise at this spot, running in a perpendicular dire&ion through the strata of clay. One of these is found at the commencement of the cliff close to the well of water, but this is very diminutive. The other presents itself opposite to the pier, and measures in breadth about four inches. The flat country that spreads from the Severn to the south, from Aust through Oldbury to Thornbury, displays as rich a soil, and as good husbandry, as any part of England; and their natural accompaniment, a wealthy yeomanry, and comfortable peasantry. As we approach the latter place the trap or toad-stone appears in great profusion, forming, indeed, the basis of the county ; and offering, from its situation, a strong proof against the opinion of those who consider it as a volcanic produ£Hon. Thornbury-Castle is a monument of the afflu- ence and splendour of Edward Duke of Buck- ingham, who fell a sacrifice to the tyranny of Henry VIII. Submission might probably have averted the vengeance of the king, but Buckingham scorned to save his life by losing his honour ; he was therefore beheaded ; and, amongst other magnificent unexecuted plans, t 303 ] left the castle' at Thornbury an unfinished struc- ture. The body of the castle, according to his design, would have formed a square, with three large polygonal towers and two smaller ones* in front; the former of these machicolated. Before this a large base court spreads itself, ninety-five yards in breadth and eighty-five in length, around which were constructed barracks for the soldiery; a similar area stretches to the back of the castle. One of these towers is fitted up to accommodate the steward of the estate and manor, which at present belong to the Duke of Norfolk, and over the entrance adjoining it is the following notification of the time when the building was constructed: — u This gate was begun in the yere of oure Lord Gode e< mcccccxi, the ii yere of the reyne of Kynge Henrie u the yiii, by one Edw. Duk of Bukkingham Erie of Hart- " ford, StrafForde, ande Northampton." Close to the south of the castle, (which stands quite at the northern extremity of the straggling town that it adorns) is the church, a regular and curious Gothic pile; the tow r er of which is particularly beautiful. The battlements, re- lieved by lancet-like perforations, assume an unusual appearance of lightness, which is in- creased by the elegant addition of an open- [ 303 ] Work stone lanthern at each corner of the pa- rapet, crowned with a sharp cymatium top. Buckingham, much pleased with this part of England, intended to have resided chiefly at this castle, and to have made the church colle- giate, with a dean and prebends; but the cruel caprice of Henry at once destroyed the Duke's speculations, and prevented the consideration that would have attached to Thornbury from the possession of a chapter. Much variety of country, and interesting scenery, are offered to the traveller in his ride from this place to Berkeley, a distance of nine miles; the Severn, with its playful windings and rich banks^ opening occasionally to the left* and the grand hills of Stinchcomb, Fro- cester, &c. swelling out of a highly-cultivated and populous country to the right. The au- gust castle attrafts attention as we approach the village, venerable on account of its antiquity, and awful from its haying been the scene of one of the most atrocious murders recorded in English history. It is situated at the southern extremity of the park, on a gentle ri- sing of the ground, whfch gives it a view not only over the grounds in its neighbourhood, [ 304 ] but also of a large tra£l of distant country — the fertile fields of Gloucestershire, the reaches of the Severn, and the mountains of Monmouth- shire. Founded originally in the reign of Henry I. by Roger de Berkeley, and compleated in that of Stephen, by Roger the third Earl of Berkeley, it has been preserved ever since en- tire and unaltered, except in some little circum- stances which modern ideas of convenience demanded; and exhibits, therefore, the most compleat specimen of ancient Norman military architecture in the kingdom. The noble owner has fitted up the interior in a manner consistent with the style of its venerable outside, judici- ously excluding ^11 modern knick-knacks, and admitting nothing in the line of furniture which does not associate with the ideas of feudal times, and old English grandeur. An ancient gateway opens into the base court; through which we enter the hall, a fine old raftered toom, with a gallery at one end, for the ac- commodation of the minstrelsy on days of high carouzing. From this apartment, a small passage condufts us to the ancient chapel of the castle, long since decayed, lined with oak; having a gallery for the heads of the family to sit in during prayers, and* a confessional [ 305 ] for their use, when the stock of sin, becoming too heavy for the conscience, was to be removed* by the wonder-working absolution of the ac- commodating priest. Connected with the chapel is the dining-room, wainscoated with oak, its cieling divided into square compartments by massive rafters of the same wood, and its walls decorated with ordi- nary full lengths, painted on wood, and pro- bably imaginary, of George Earl of Berkeley, great great grand- father to the present Earl. — Jamesl. — Jane Shore* — -Robert Fitzhar ding and a picture of Rubens over the chimney. Here too are seen a sopha and chairs, which, together with a bedstead in an adjoining room, made of ebony and cane- work, formed the cabin furniture of Sir Francis Drake, to whom the Berkeley family had the honour of being related. The drawing-room is low and small y but hand* somely, though judiciously, furnished; and or- namented with the following portraits : Thomas Earl of Strafford. Charles Earl of Berkeley. Mary Countess of Inchiquiri> a portrait rich* beautiful, and soft. She was daughter of Sir B* [ 306 ] Villiers, sister to the first Earl of Jersey, and wife of William Earl of Inchiquin, 1 700. Louisa Countess of Berkeley, grandmother to the present Lord. Ann Hyde Duchess of York, daughter of Lord Chancellor Clarendon, and the first wife of the bigotted James II. when Duke of York. An early death fortunately prevented her from par- ticipating the miseries of her husband's che- quered fortune. Obiit 1 67 1 .—This is probably the work of Sir Peter Lely. Mary D'Este> (over the chimney) the adopted daughter of Lewis XIV. by whom she was portioned to James II. before he ascended the throne of England. Her bigotry, haughty car- riage, and intriguing spirit, contributed greatly to encourage her besotted spouse in the pro- secution of plans which he had weakness enough to projeft, without ability to carry into effe£i. With every inclination to enslave the minds, and subvert the liberties, of his subje&s, he did not possess capacity or art to disguise his designs. When this combination of wicked- ness and folly (to which almost every page of his history bears testimony) obliged him to re- linquish a crown that he was unfit to wear, he retired, with his queen, to the palace of Saint L 307 ] Germains, where she died 171 8, having en- joyed many comforts from the generosity of the French monarch. Christina, wife of John first Lord Berkeley, of Stratton, daughter and co-heiress of Sir Andrew Riccard, president of the East-India Company, and widow of Henry Rich, son of Henry Earl of Holland. She died in 1698, leaving three sons and a daughter. Charles y eldest son of John first Lord Berkeley, of Stratton, and the above-mentioned Christina; he died on board his Majesty's ship Tyger, which he commanded, 1682. This portrait is by Sir Peter Lely. Lady Henrietta, fifth daughter of George first Earl of Berkeley ; a lady, for the ample detail of whose amours I must refer you to the State- Trials, where you will find a chara&er exhibit- ing a perfe£l model of all that can disgrace hu- man nature. After having alienated the affec- tions of her sister's husband, Ford Lord Grey,, from his wife, and brought indelible disgrace on her family by her own open criminal inter- course with him, her distracted parents still wished to recover their abandoned child, and summoned the paramour to surrender her in court, She accordingly appeared,, but shame- [ 308 ] lessly set aside her father's claim upon her per- son, by declaring herself the wife of a profli- gate wretch named Turner. Notwithstanding the previous marriage of this man to another woman was clearly proved, the court did not consider itself empowered to deliver the child to her natural guardian, by withholding the wife from her husband ; but recommended a pro- secution for bigamy and perjury, and committed him to prison; w r here being accompanied by Henrietta, they cohabited as man and wife. In the portrait before us, the lady is represented with a basket of flowers in her hand, which she has just received from a little black boy, who stands behind her. The eager enquiring coun- tenance of the latter well expresses his suspi- cions (which were too well founded) of a letter from her paramour, Lord Grey, being concealed under the flowers. John first Lord Berkeley, of Strait on, a title con- ferred on him by Charles II. because he had obtained at that place a signal vi£tory over the king's enemies. Though faithful, a£tive, and useful in his services to Charles I. he had never been countenanced by that monarch in propor- tion to his deserts. Not suffering, however, the ungenerous condu£t of the father to alienate [ 309 ] his regards from the son, he firmly attached himself to the fortunes of this monarch both before and after his restoration, and was re- warded for fiis fidelity by the lord-lieutenancy of Ireland, and by being appointed ambas- sador to the French King. He died in 1678, at the age of 71, The portrait is by Vandyke^ Frances Countess of Tyrconnel, daughter of R. Jennings, esq; of Sundridge, Herts, and widow of Sir George Hamilton, brother to the well- known writer of < Grammont's Memoirs/ In this work, the chara&er of Frances is drawn, together with all the other personages distin- guished at the period when Hamilton shone the gallant gay Lothario of Charles the Second's court. She was elder sister to Sarah Duchess of Marlborough, and wife of Richard Earl of Tyrconnel, viceroy of Ireland, whose annals ex- hibit innumerable instances of the complying spirit of this Popish delegate of a Popish prince. You may, perhaps, recolleft, that tyjhv Pennant, in his account of London, relates a singular anecdote of this lady; that she sup- ported herself for a few days, at the New Ex- change, in the charafter of a milliner, disguised in a white dress, and a white mask, which gained her the name of the white zvidow. [ 310 J A small beautiful whole length of a female, in Sir Peter Lely's best manner. Mary Lady Berkeley y one of the maids of ho- nour to Queen Mary, who married Thomas Chambers, esq> of Hanworth, Middlesex. A beautiful highly-finished small portrait, called Fair Rosamond^ evidently a fancy piece. The library contains a few books, and a mo- del in box- wood of the sixty-four gun ship in which Admiral Berkeley first hoisted his 'flag. The whole is curiously put together with pins, and bears a noble testimony to the perseve- rance and ingenuity of the Margravine of An- spach, (Lord B.'s sister) by whom it was con- strufted. In the breakfast-room we have a small paint- ing on marble, of the Wise-Men's Offering, said to have cost five hundred guineas. Landscape, by SalVator Rosa. — Two Land- scapes, by Wouverman. — Small Landscape, by Claude. — Landscape, by Polenberg, — A fine Circumcision, by Basani. — Fruit and Flower Piece, by Baptiste/ The white dressing-room contains the following curious miniatures, beginning from the left, and proceeding to the right: Baron Lord Berkeley. [ 3ii ] Oliver Cromwell-, an admirable head. Lady Margaret Berkeley, grand-daughter of Maurice Lord Berkeley, who married Sir Lewis Pollard. Earl of Berkeley ; in the costume of the com- mencement of the seventeenth century. Lord Berkeley, 1601. Queen Elizabeth playing on a guitar , small and curious. Lady Elizabeth Coke, sister of George first Lord Berkeley, and wife of Edward, grandson of the Lord Chief- Justice Coke. She died 1661. George Gary Lord Hunsdon, conne&ed with the Berkeleys by the marriage of his only daugh- ter and heiress, Elizabeth, with Thomas Lord Berkeley, who left her a widow in 161 o. This nobleman, who enjoyed various places of great profit and high honour, was son of Henry Lord Hunsdon, the near relation and distinguished ' favourite of Elizabeth, by whom he was in- dulged with a visit in one of her progresses 5 a method she adopted, not unsuccessfully, to diminish the accumulating wealth of her sub- je£ts. This politic precaution of the deep- thinking monarch would have been unnecessa- rily employed on the last peer of this family, who was bound apprentice to a weaver, and [ 312 ] had served as a private soldier, though raised from the ranks before the title devolved to him, A second miniature of Elizabeth, larger than the former, Elizabeth Countess of Berkeley, one of the co- heiresses of John Massingberd, of Lincoln- shire, and wife of George Earl of Berkeley; painted by Cooper iij 1644, Henry Lord Berkeley, An.Dom. 1601; painted when he was twenty-one years of age. A third miniature of Elizabeth-, exhibiting in the richness of her dress that vanity which made her at once ridiculous and contemptible, Her red perriwig is here very visible. George Lord Berkeley of Carye, Anno Domini 1 6 1 9 . He married Elizabeth, daughter and co- heiress of Sir Michael Stanhope, by whom he was father to George first Lord Berkeley. He died 1658. ' Jjady Elizabeth Berkeley, his wife. Lady Theophila, wife of Sir Robert Coke, daughter of Thomas Lord Berkeley and Lady Elizabeth Gary.— Queen Mary. Sir William Berkeley, son of Thomas fifth Lord Berkeley, of Stratton, with the words pig- nora amicitia. He died in 1677, and was buried at Twickenham. [ 313 ] Thomas fifth Lord Berkeley, of Stratton. Countess of Berkeley. Cardinal Ragbine, enamelled on a gold plate. Thomas Hobbes of Malmsbury, as he is usually styled, from his birth-place West/tort, within the liberties of that borough. He was a volumi- nous writer of infinitely better style than any of his contemporaries in the reign of Charles II. ; but it must also be acknowledged, that he was one in whose ethics and politics we can neither discover an inclination to mend the morals, nor extend the liberties, of mankind. He was in such repute with Charles II. to whom he had been mathematical tutor, that his pifture, by Cooper, was carefully preserved in his closet at Whitehall ; and so highly esteemed in France, that (according to his friend the traveller La Sorbiere) the virtuosi came as it were in pilgri- mage to contemplate his likeness, which he carried over with him from this country. Ha- ving been early patronised by the Devonshire family, he died at their seat at Hardwick, 1679, aged 92. Henry Lord Berkeley, 1601. Earl Goodwin. This name is affixed to a mi- niature purporting to be the "husband of Lady Elizabeth Berkeley, 1662. [ 314 ] The little state-bedchamber exhibits a most curious specimen of antique furniture, a massive wooden bedstead, standing under a recess, and purporting to have been made in the year 1330. Grotesque figures, and heavy ornaments, carved in wood, cover the whole of the back ; the front posts are cut into open-work, and prove that our ancestors, five hundred years ago, had more execution than taste in their works of art. A* solitary witch piece, in Old Franks' wildest man- ner, is the only pi&ure in this room. The great state-bedchamber contains a similar piece of furniture within the last room, though not of equal antiquity, since it was constructed for the accommodation of James L who made frequent visits to Berkeley-Castle. The oldest cabinet in England, formed of oak, and another, valuable on account of its antiquity, and made of tortoise-shell, are preserved in this room. Darin? s tent has t\yo pi£tures by Frederick Zucchero, who arrived in England 1574, and v/orked here for some years ; they represent Sir Maurice Berkeley, ofBruton, and his wife. Leaving the body of the building, we pass over the top of the keep to a small retired dark room, standing detached and solitary, and en- tered by a low strong door 5 where deeds of C 315 ] blood might be perpetrated without disturb- ance or discovery. This was the accursed scene of the last agonies of the ilnfortunate Edward II. where he expiated, by a horrible death, the errors of a weak, rather than a vi- cious, reign; leaving a solemn warning to suc- ceeding monarch s of the danger of favouritism. The appropriate hangings of the room and its furniture, crimson cloth embroidered with black, naturally lead the mind to a recolle&ion of the execrable cruelty of the Bishop of Here- ford, who invented and dire£led the method by which Edward was destroyed y an impres- sion that is heightened by the sight of an .in- strument like a file, kept in the apartment, and said to be the engine with which the deed was committed, alluded to by Gray in the best of his compositions, his " Bard." Mark the year, and mark the nighty " When Severn shall re-echo with affright, ee The shrieks of death through Berkeley's roof that ring, " Shrieks of an agonizing king." Where, by the bye, the passage is spoiled, by the use (in the last line) of the present participle for the preterite passive. Adjoining to the castle stands the church, and appears to have been built about the r sis ] commencement of the fourteenth century. The tower is placed at one corner of the church- yard, distinft from the edifice of which it usu- ally forms a member, and constru&ed within the last fifty years. Many old monuments of the Berkeley family are preserved within the church; the most curious is an ancient table tomb, surrounded by an iron railing, on which are stretched the full-length alabaster figures of a knight and his lady; the former in armour, the latter in the dress of the day. These are the effigies of Sir Thomas, second Lord Berke- ley, who died 136 1, and Margaret daughter of the Earl of March, his first wife. The splen- dour and princely magnificence in which this ba- ron lived at Berkeley, was not exceeded by any nobleman of his time. Three hundred people, consisting of knights, esquires, and pages, filled his hall every day; and seventy-four manors, the demesne of which .he kept in his own hands, supplied his table with the substantial hospi- tality of the times. To this lord the unfortu- nate Edward II. was delivered by the Queen's party Nov. 16, 1326; but his enemies fearing that the noble owner of Berkeley-castle would treat the royal prisoner with two much kind- ness, commanded Thomas to surrender his man- [ 317 ] sion and his charge into the hands of Johii Lord Maltravers and Sir T. Gournay; more fit instruments for the tragic violence that was shortly after perpetrated on the hapless monarch. Other ancient monuments, to the memory of different branches of this noble family, occur in different parts of the church. The church- yard also exhibits divers " frail memorials" of the departed, which, as is usual in country cemeteries, are all marked by one general pre- vailing taste in their construction and decora- tions. We may lament that the ornaments on the gravestones at Berkeley are not in har- mony with the simplicity of the scenery around. Fat-faced cherubs, and hideous death's-heads, emboss most of the grave-stones, which are further ornamented with golden crowns and silver glories, scythes, hour-glasses, and other emblems of mortality, painted in all the co- lours of the rainbow. One of these stones com- memorates Dickey Pearce, a village droll or buf- foon, who flourished at Berkeley half a century ago, and not only afforded amusement to his fellow-villagers, but also recommended him- self, by his well-timed buffoonery, to the patro- nage of the great. .The outline of his history and character is contained in the following epi- [ 318 ) taph on his grave-stone, the epigrammatic turn of which compensates in truth for its deficiency* in poetry: " Here lies the Earl of Suffolk's fool,* " Men called him Dickey Pearce; " His folly served to make folks laugh, (C When wit and mirth were scarce., ' " Poor Dick, alas ! is dead and gone, ce What signifies to cry \ &( Dickies enough are left behind " To laugh at by and bye/* The wit of Dickey was not, it seems, confined to oral observation, but frequently discovered itself in praftical jokes. Several of these are preserved in the records of parochial tradition ; amongst which, allow me to present you with the following, a proof that Dickey sometimes availed himself of the praftice of the seers of old, of imparting instruQion by the means of sensible types instead of verbal communication. An ancestor of the present Lord B. having * Fools* in early times, formed part of "the household of the great. Will Somers served Henry VIII. and history has preserved many traits of his influence with that monarch. In later times the occupation has not been so general, though Jack Creighto?i is still maintained at Althorpe, the seat of Earl Spencer; and probably the only noble family where that character is preserved in its pristine interpretation. E 319 ] considerably diminished his property by ex- pensive pursuits, Dickey began to fear that the whole of the noble patrimony would be dissi-. pated, and the venerable castle, with its princely demesnes^ be transferred from the family to strange purchasers. High as his privilege of speech was with my Lord, he could not, how- ever, venture to expostulate with him on so de- licate a subjeft; he therefore determined to hint to him the fatal consequences of his impru- dences by a visible sign. Procuring a rope, therefore, he placed himself at the great gate of the castle at a time when he knew his Lord- ship would pass through it, and as he ap- proached, began to apply the cord to the wall, as if he intended to surround the whole with it. " What art thou doing, Dick?" said my Lord. c Only tying a rope round the castle, c your honour, to prevent its running away after * and , (estates which his Lordship * had sold) to the top of Stinchcomb-hill/ His Lordship felt the force of the observation, and rewarded the droll with a piece of money for his foresight and wit. The town of Berkeley is one of the five anci- ent boroughs which subsisted in Glocestershire, in the time of Edward I.; but for some centuries [ 320 | it has ceased to return members to Parliament^ though it has a mayor ele&ed annually, " a shadctw of a shade/' with few privileges and no juriscli&ion. It gives name and title to the Earls of Berkeley; and has the honour of num- bering amongst its inhabitants Doftor Henry Jenner, the philosopher and philanthropist, the indefatigable promoter of " Vaccine Inocula- tion;" to the adoption and diffusion of which, every man who is anxious to (economize the hu- man raee^ will ardently endeavour to Contribute. The struggle between truth and prejudices deeply rooted and long indulged, will often- times be protra£ted to a tedious length, but fortunately for mankind, in the present instance the triumph of science has been obtained al- ready; and the utility of this mode of inocula- tion is now as universally acknowledged as it has been undeniably demonstrated* Pursuing the road to Stroud, we pass through Frocester, lying in a bottom, at the foot of the long winding hill which receives its name from the village beneath it, and enter on the Bath turnpike, which dropping down the hill, passes through Frocester in its way to Glocester, forming one of the great roads between the [ 321 ] two cities. The stupendous view from this tedious ascent, gradually opening, increasing, and varying, as we toil upwards, is well known ; and can be but inadequately described. Im- mediately under it, to the: right, is spread the widely-sweeping parish of Coaley, dis- playing a broad expanse df rich fertility; the residence of industry, wealth, and population. Around this the country rises in an amphi- theatrical form, shielding it to the south and east by a noble belt of hills thickly planted with beech woods, (belonging to Lord Ducie) which, having now assumed their autumnal mantle of sober russet, finely chastened the vivid green of the cultivated inclosures below. In the centre of this broad flat, the singular hill of Camley swells out of the vale, assuming the form of an oval conoid, and presenting a truncated summit, as if it had been levelled by human labour, Hitherto the eye has been confined to the south and east of this extraordinary scene, but if its excursions be direfted to the west and norths a wider field for admiration and delight is opened. Here it pursues the same broad car- pet of animated husbandry, till it reach the Severn ; traces the river for many miles, which now begins to assume the capricious serpen- Y [ 322 ] tine dire£Hon that it continues to its source on the head of Plinlimmon; surveys the diversified banks on the opposite side, and reposes either on the mountains of Glamorgan and Mon- mouth to the left, the hills of Malvern in front, or the more distant heights of Worcestershire and Glocestershire to the right. On reaching the summit of Frocester hill a cross-road occurs, running in a line dire&ly op- posite to the Bath turnpike. This, penetrating into a noble wood of beech, condu6ts the tra- veller along the brow of a lofty eminence, up- wards of a mile, when suddenly issuing from the shade it offers him another view of incom- parable beauty. The wood ceases, and the hill on the left, forming itself into a rapid se- mi-circular coomb, unfolds beneath it an un- bounded prospeft of fresh diversity, discover- ing a vast extent of bottom, ornamented with elegant houses, large manufa&ories, gay towns, and neat villages; the whole enlivened by long stripes of cloth, of various colours — red, blue, black, and white — stretched upon frames, for the purpose of dying. Again pe- netrating the wood, we pursue our darkling course through its shades for another half mile, and at length bid adieu to it on Silsly hill, [ 323 ] where, in addition to the other grand objefts with which we have before been regaled, we embrace to the right the winding and pictures- que valley in which Stroud is situated, with the flourishing manufactories and genteel man- sions in its neighbourhood. On dropping down CainVCross Hill, in our approach to Stroud, we have a peep into Wood- chester bottom, a place of Roman antiquity, where coins and tessellated pavements have been discovered in great abundance. At pre- sent, however, it offers more agreeable, as well as more useful, subje&s of speculation, than even these classical remains — a long range of noble woollen manufa&ories. The principal of these belongs to Mr. Wathen, who some time since introduced the Manchester fancy work, which is now carried on with great spirit and success. He invented and adopted, also, an improved machinery for the manufacture of the cloth, the principal feature of which is a shearing engine, consisting of a cylindrical rol- ler, round which the cloth passes. As the cy- linder revolves, the cloth is encountered by several shears, which being firmly fixed in a proper machine, perform their office with the utmost exaSness, no manual labour being re- [ 324 ] quired, and one person performing as much work as eight would execute in the same space of time. The dying works at Dudbridge, over which we pass in our way to Stroud, excite our astonishment at the extent of this noble branch of British manufactures, the woollen cloth. Here Mr. Hawker has seven furnaces continually at work, which frequently dye forty- two pieces in the course of one day. Large copper cauldrons, (heated by the furnaces be- neath them) containing the liquor, or dye, re- ceive the pieces of cloth, where they continue about two hours, being passed during the whole time round a cylindrical frame, that revolves a little above the surface of the liquor, in order to give the dying ingredients an opportunity of tinging the cloth regularly and uniformly. This process is performed twice, after which the piece is drawn through a body of cold water, to cleanse it from those particles which will not adhere, and fix themselves to the w r ool. It is then stretched on the tenters, and exposed to the air to be dried ; sheared, pressed, and packed for sale. The scarlet dye of Stroud and its neighbour- hood carries a preference to that of any other place, the water of its springs having some [ 326 ] properties peculiarly favourable to that parti- cular process. Its woollen trade also flourishes with a vigour unknown to the manufa&ories of Wiltshire, in consequence of the abundant streams which water the clothing country of Glocestershire, and afford the never-failing means of working the machinery, by which the business is carried on. Hence we see on every side a general appearance of affluence, an in- creasing population, a comfortable peasantry, and thickly sprinkled country seats, the snug retreats of the successful manufa&urers. This gratifying view of human happiness extends through the whole clothing country, as it is called, a traft of valley consisting of two bottoms ; that of Woodchester on the right, and Binscomb on the left; and stretching nearly fourteen miles from one extremity to the other. In this busy scene of industry, a great quantity of cloth is annually manufa&ured for home and foreign consumption ; the demand for which, war has rather increased than diminished. The far greater proportion of its cloth consists of four colours— blue, red, white and black ; the navy consumes a vast quantity of the first; the army, of the second and third; and the hapless sur- vivors, whom war has robbed of their protec- [ 32(5 ] tors—the orphan and the widow- — sufficiently explain the increased demand for the last colour. The town of Stroud lies partly in a bottom and partly on the declivity of a hill, in the midst of a country singularly beautiful and ro- mantic. Its girls are deservedly famed for their figure and charms; chiefly employed in burl- ing and picking the w r ool, and preparing the white cloth for the dye, their business allows the greatest personal cleanliness, so that a knot of these busy females frequently exhibits more interesting beauty and neatness, than the draw- ing-room affords. The road from Stroud to Cirencester, twelve miles, winds up the tedious hill at the bottom of which the former town is situated, but the wonderful views from its summit compensate all the toil of the ascent. Here all the cloth- ing country is seen following the foldings of the valleys on either hand, and, for the last time, the Severn river and its distant boundaries of Monmouthshire and Herefordshire. Very different, indeed, is the country on which we now enter; an open flat, laid out into large arable fields, separated from each other by stone divisions; the whole exhibiting a light hungry C 327 ] soil upon a basis of oolite, similar to the stone about Bath. In a tame scene, such as I have described, nothing occurs to interest the mind, nor is it relieved from the tiresomeness of dull uniformity till within five miles of Cirencester, when an example of human labour presents it- self that claims our admiration. This is a tunnel, or under-ground continuation of the canal that conne£ts theThames with the Severn, commencing about three-quarters of a mile to the right of the road, passing invisibly under the turnpike, and opening again into the light of day at a mile to the left hand of it. To visit the entrance into this curious perfora- tion, it is necessary to turn to the right to the hamlet of Coates, about half a mile from which in a bottom lies the canal. Here a large arch, with a handsome free-stone front, opens into a subterraneous passage, between three and four thousand yards in length, but so perfe&ly strait, as to afford a view of the opening at the other extremity, which appears like a distant star. As the tunnel is not sufficiently wide to allow two barges to pass each other, the following regulations are inscribed on a tablet affixed over the arch, to prevent such an unpleasant rencontre, as their meeting w r ithin the passage : — [ 328 ] (< Boats to enter the tunnel on this end, at two o'clock u or at ten o'clock in the morning; and at six o'clock in " the afternoon. If any boat enter the tunnel at the Coates- " field end at any other time than above-mentioned, or is fi longer than four hours in passing the tunnel, and by that *' means meets another boat which has entered it the re- " gular hour, such boat exceeding the limited time shall " be taken back to the end of the tunnel she entered at," &c. The arched passage is partly formed of stone, partly of brick, and partly of the natural rock ; about twelve feet wide, and upon the average sixteen feet high; the expence of constructing it may be conceived from the nature of the contracts entered into, which, in some instances, allowed the workmen five guineas upon every square yard. Great costs also attend the sup- plying of the canal with water, which is per- formed (the dearth of the springs in the ground through which it is cut rendering it necessary) by hydraulick machines pumping into it the water of the adjoining springs, night and day. On returning to the Cirencester turnpike, we availed ourselves of the privilege allowed to travellers by Lord Bathurst, of passing through Oakley wood, the extensive out-park of that nobleman ; which, though rather a cir- cuitous road, agreeably diversifies the ride. ' It [ 329 ] is about fifteen miles in circumference, and laid out into ten diverging avenues, in the man- ner of the woods of Chantilly, which meet, like the radii of a wheel, on a rising ground in the centre. This mode of disposing grounds (in high repute with our ancestors) was called the etoile, or star; and the example of it before us obtained from Pope a compliment, which the more correal notions of taste possessed by the moderns will probably consider as mis-applied: 4< Who then shall grace, or who improve the soil ? 4( Who plants like Bathurst, or who builds like Boyle ? ,J The home-park, or grounds in the immediate neighbourhood of Lord Bathurst's house, are also laid out in the same stiff manner; every where straight lines meet the eye, and in all the decorations an effort is seen to subdue the wildness and variety of nature to the uniformity of art. The mansion is a large and convenient family dwelling, built of free-stone, by Allen, the first Lord Bathurst. After running entirely through the out-park, the road joins the turn- pike about a mile from Cirencester, descending the gentle hill which drops into this ancient town, the Corinium of the Romans of Britain. [ 330 ] Various marks of antiquity, in different parts of this place, evince its former importance ; f particularly, a vestige of the presence of the first conquerors of our country, a beautiful fragment of a tessellated pavement, in the house of Mrs. Smith, in Dyer-street. The subje£l is astronomical, exhibiting in vivid colours, and very neat Mosaic, several of the constellations under their appropriate emblematic represen- tations. Fortunately for the lovers of Roman antiquity, this remain is in the possession of a lady who has taste to preserve it with care, and courtesy to allow the curious to contemplate it at their leisure. The church is a fine piece of ancient Go- thic architecture, with beautiful filagreed bat- tlements, and a variety of imagery on the outside; and several old chapels, curious monu- ments, and valuable painted glass, within. The glass had long been scattered through the dif- ferent windows of the pile, without any atten- tion to order or regularity, when Mr. Lysons was requested to arrange it. This labour he undertook, and finished the western window with the utmost judgment, propriety, and beauty, at the expence of Mrs. Catherine Cripps, of Cirencester; but a sufficient quan- [ 331 ] tity of glass remaining to furnish nearly an- other, the same gentleman was prevailed upon to compleat the work, by adjusting the eastern window also, which was put up about three months ago, at the expence of Mrs. Williams; and, together with its companion, form the richest ornaments of this venerable pile. The south porch of the church is as magnificent as it is singular, stretching nearly forty feet in front, and rising to the proud height of fifty feet. The rich open-work of its battlements and pinnacles, the imagery of its front, and its fine ribbed ceiling within, are all admirable examples of splendid Gothic architecture. Quitting Cirencester, on our return to Bath, about two miles from the former town, and one hundred yards to the left hand, we meet with the source of the river Thames. Little of his future majesty and greatness, however, can be discovered in his diminutive original; and the spring, robbed of almost all his waters by the steam engine, (which levies a contribution upon it night and day) would be in vain looked up to by the meadows of Oxfordshire for fer- tility, and the quays of London for wealth, if numberless tributary streams did not lend their [ 332 ] aid to support their venerable father*, and fill his nearly-exhausted urn. The same unadorned scenery here again spreads itself into ex- tensive flatness for qiany miles; hut at length the road conducting us through Tetbury, (the bridge of which stands half in Wiltshire and half in Glocestershire) proceeds to Wootton- under-Edge, where once more we get into interesting country. Situated upon the side of a bill, with a deep coomb below it, this town commands an extensive view, including the hill of Lans- down, near Bath, on one side, and the moun- tains of Wales on the other. Here, also, the beneficial effefts of the clothing manufaftory to individuals in particular, and the publick in general, are manifested, in great opulence, in- creasing population, and universal industry. Several woollen works are carried on within the place, but we find the largest and most cornpleat establishment of the kind about one mile and a half from the town, on the road to Bath. It is called New-Mill, belongs to Messrs. Austin, and employs under its roof about one hundred and ninety-five men, women, and chil- dren. The construction and arrangement of this large manufa&ory refleft much credit both [ 333 ] on Its architect and its managers; the plan be- ing singularly judicious, particularly in the con- trivance for the immediate suppression of fire, in case of an accident of that kind; and the regularity of the numerous inmates quite ex- emplary* Spanish wool is alone manufactured at this work, and prepared for the weaver of broad-cloth and kerseymere. The process is as follows: — The article being brought in its rough state to the manufactory is there, in the first place, /licked, or freed from its tags and other impurities ; then oiled upon a tin floor, in order to soften it for working. After this process it goes into the first scribbling machine, where the locks are loosened, detached, and divided ; from thence into a second similar machine, where the wool is reduced to a still finer consistence. It is now thrown into a third machine, constructed like the last, and experiences the same process, except that passing under a fluted cylindrical roller, it is discharged from it in long and thin masses, as a preparation for spinning, These being gathered up by children are car- ried to the spinning- billy ; by the curious and ra- pid operation of which they are lengthened, twisted into coarse threads, and wound up into cones. The sjrinning-jennies then receive these [ 33i ] threads; which, first untwisting them, twists them again in a contrary direction into finer and tighter threads, and forms them into cones as before. These are sent to the neighbouring weavers, and manufactured into cloth. Bat the mill has not yet performed all its operations; the cloth is again brought back, before it is dyed, to be rowed, a process for smoothing and cleasing it from all the ends of the thread, knots, &c. This is performed by its being passed over a cylinder wheeled round in a rapid man- ner, and armed with the heads of the teazle. After frequent repetitions of this process it goes to the fulling-mill, on the lowest floor of the building, where it is milled or pounded, which both thickens the cloth and deprives it of the oil that remained in the article of which it is composed. It is then stretched for dying, &c. An agreeable impression arises oh the con- templation of so much industrious exertion within so small a compass; nearly two hundred people busily employed under one roof; curious complicated machines above, moving with a velocity that defies the nicest vision to deteft their motions; and ponderous engines below, astonishing the mind in an equal degree by their simplicity and gigantic powers. It is an [ 335 ] additional pleasure to refleft, that the best sti- mulus is held out to industry, by its being re- warded with proportionate profits. The men and women work by the piece, and earn from one to two guineas per week, according to their exertions. A provision, likewise, is made for children, who at six years old are brought to the scribbling machines, and are enabled to earn one shilling and sixpence per week. Our gratification on surveying this capital manufac- tory is heightened by the appearance of health, which the younger part of its inhabitants ex- hibit, and the general decency, order, and regu- larity, observable among the adults; circum- stances which refleft particular credit on the the proprietors and their agents, as this is rarely seen in similar institutions of a like extent. Pursuing a road, which condufts for six- miles through a fiat rich grazing country, re- markable for the production of the dairy, we reach Tortworth-Court, the seat of Lord Ducie, situated in an extensive depression, surrounded by noble hills, whose gradually ascending sides offer an interesting variety of scenery; and whose undulating heights bound the view. The house is an old irregular building, not remark- [ 335 ] able for architectural beauty without, but fitted up in the inside with an elegance that testifies the cultivated taste bf its accomplished owner, it came into the possession of the present Lord's family, together with the manor,- the beginning of the seventeenth century, by the purchase of Sir Robert Dueie, baronet, alderman of London. His nephew, Sir William, was made knight of the bath, at the coronation of King Charles II. who created him also Viscount Down, in the kingdom of Ireland. This nobleman dying; without issue, the property vested in Elizabeth, the only child of Robert Ducie, esq; his youngeF brother, who marrying Edward Morton, esq; of Morton in Staffordshire, had a son, Matthew Ducie Morton. On the 13th of June, 1720* he was created Lord Ducie, a title that de- scended through his son Matthew to his grand- son Thomas, the present lord. The association of the church with the man^ sion-house evinces the piety of our ancestors, who, unlike their fastidious descendants, seem not to have considered the house of God as an inconvenient or disagreeable neighbour. The great park, called Cromwell-Park, belong- ing to the mansion, lies at one mile distance from it, and is famous for a considerable piece [ 337 ] of water, or lake, within its inclosure. But' the home, I pleasure, and garden grounds are - chiefly worth notice; where skill, beauty, and. neatness are equally manifest. The most ve- nerable ornament is an huge chesnut-tree, pro- bably as remarkable for antiquity as size, it ha- ving been mentioned (according to Sir= Richard Atkins) in King John's days, .six centuries ago, as the wonder of the neighbourhood, and mea- suring, at present* at the foot, fifty-seven feet in circumference. A friend of the noble owner has lately paid the following poetical tribute to this father of the woods, engraved on a copper plate affixed to its trunk: — * " THis tite supposed to be 600 years old, Jten. 1st, 1800. €( May man still guard thy venerable form '* And last, long last, the wonder of the clime." The votarist, however, might have added 1 at least two centuries to the supposed age- of the chesnut; and a more happy turn, it should: seem, ought to have been given to t\\tjewd J esfirit, by an allusion to the successive generations which had been swept aw T ay during the vigour z [ 338 ] of the uninjured tree ; and by a comparison be- tween the modes of domestic life, and the rude magnificence exhibited in the adjoining man- sion during the feudal times ; and the elegant comfort,jand polished courtesy, that it at present displays under the auspices of its respe&able possessor. As we approach Wickwar, the mineralogy of the country becomes interesting, its basis for some miles exhibiting that species of pon- derous stone, or barytes, called sulfihate of ' stron- tian-y a substance which, till within these two years, had been esteemed a white lyas. Coal, also, comes in again at this part in profusion, and traces of calamine and lead ore are disco- vered in the neighbourhood. The name of the little town is derived from the Saxon pic zvic y village, and the noble family De la Warr, who became possessed of this manor in the reign of Richard I. and held it till the seven- teenth century, when it was purchased by Sir Robert Ducie, and transmitted, with the other demesnes of that family, to the present Lord. It is a borough by prescription, but has long lost the substantial privilege of returning mem- bers to the Senate ; and retains the vox et Jira- [ 339 ] terea nihil, except the farce of a mace being carried before its mayor and twelve aldermen on festal days. Of the same titular dignity is Chipping-Sod- bury, five miles nearer Bath, a town made cor- porate by Charles in 1681, but disfranchised in 1 688, at the request of the inhabitants. It bears the disgrace of having been stained by the blood of a martyr, in the cause of the Pro- testant religion, John Pigott, who was offered up at the stake, a viftim to the bigotry of Queen Mary; and is said to have afforded a singular instance of the vengeance of Heaven on religious persecution, in the person of Dr. Whittington, vicar-general, who, having con- demned a woman to death for heresy, was gra- tifying his barbarity with a view of her torments, when a bull bursting from a neighbouring pas- ture, rushed into the midst of the assembled spe£lators, and without attempting to injure any of them, proceeded to the Do£tor, and with one stroke of his horns tore out his entrails. About four miles from Chipping-Sodbury we reach Pucklechurch, dignified by Camden with the name of Villa Regia, but having long since [ 340 ] dropped allappearanceof royalty, and degenera- ted into a village. A little to the east, onthe road to Dirham,, is a rising/ground, with some un- intelligible earth-works, said to be the scite ; of the palace which the Saxon Kings of this part of Britain occasionally inhabited; and-here. tra- dition also tells us, the murder of JCing Ed- mund * happened, who was slain by Leof. " While he sat at table," says the historian, " celebrating the feast of St. Augustine, at c f Pukelkurk in Glocestershire, he espied " amongst the crowd a notorious fellow, called " Leof, whom he. had banished for theft and " rapine. , He immediately commanded his " server to seize 'the presumptuous thief, who " had thus intruded himself even into the royal " presence 3 but perceiving that this officer was " not able to manage the. delinquent, he him-" u self started from the table, and pulled him to € i the ground by the hair of his head. Leof " knowing that an ignominious death awaited " him, drew forth a dagger, which was con- xt cealed under his clothes, and while the king " lay upon him, sheathed it in: the bosom :of " his prince, who immediately expired. The " death of the murderer, whom the noblemen " immediately hewed in pieces, was, but a poor L < 341 1 • " atonement for the loss of such a valuable " king, thus cutoff iq the flower of his youth." We now approach the roots of Lansdown, the great hill that rises to the north-west of Bath, and defends it from the cold blasts of that quar- ter. Near the northern foot of this elevation is the little village of Wick, picturesque in ap- pearance, and remarkable for the romantic valley in its neighbourhood; a deep rugged glen, about three-quarters of a mile in length, which opens suddenly in a low country, and presents in its rocky sides and stony bottom a singular contrast to the richness and fertility of the adjacent parts. Through this hollow a little stream forces its way, flashing over a stony bed, and forming a pleasing addition to the scene. Of late years, however, the glen has lost much of its picturesque interest, by the in- troduction of several manufactories within its quiet sequestered windings, the din and bustle of which by no means harmonize with the fea- tures around. But in spite of the opposition that taste may make to these encroachments of art, on a spot which Nature seemed to have marked for her own, policy is content to allow the propriety of the present application of the [ 342 ] brook, hitherto useless, since, in the course of two miles, it now works no less than six mills; a rolling or slitting, a paper, an iron, a cotton, and two grist mills. The geology of Wick rocks affords as much curiosity to the naturalist, as the beauty of the scene offers gratification to the man of taste. In the most lofty part they rise to the height of two hundred feet or upwards, and consist of a series of beds of lime-stone, and petrosilex, alternating with each other; exhibiting, to- wards the west, a vein of coal of fourteen inches thick, and another of lead, both formerly worked, shouldered on each side by a mass of petrosilex. In the centre of the glen we find a bed of lime-stone, nearly six hundred yards in breadth, inclosed between two beds of petro- silex, of nearly the same horizontal dimensions, all dipping to the w T est-north-west, in an angle of sixty feet with the plain of the horizon. Imbedded in this are lead ore, Sjiatkous iron ore, cauk or barytes, and that large species of anomia, of which a profusion is found in the rocks of Mendip, Hotwells, and Derbyshire. The division of petrosilex adjoining to this great bed on the east combines again with the lime rock on the road to Doynton, and at this union [ 343 ] becomes a mill-stone or padding-stone . Below the glen to the westward, by the side of the Bristol road, and a little under the surface of the red ground which is sufficiently obvious to the eye, are deposited a great profusion of geodes or nodules, containing within them beautiful quartz chrystal, with calcareous dog-tooth spar. A noble Roman camp crowns the summit of the northern cliff, forming a long square, and defended on three sides by a broad ditch and double vallum. Its area, which consists of more than twelve acres, contains within it the rock-house and three or four cottages. A sin- gular Druidical monument, also, is taken in our way to Lansdown, by following, for half a mile, Back-lane, which leads from the Crown Inn to the foot of that hill 3 and, (as is worth re- marking) in its way thither runs over the lime- stone rock, and petrosilex, above-mentioned. On the east side of this lane we find the Dru- idical remain, which consists of three large stones, about five feet high, standing distant from each other, and forming an equilateral triangle. The ground within them is raised into the form of a tumulus ; the stones are of a similar kind with those of the Druidical circles at Stanton- Drew, about twelve miles from this spot, sift* [ 344 ] ceoits iron-stone, including within it rounded quartz pebbles and crystals* Climbing the north-western steep of Lans- down, we pass the : eldgant free-stone monu- ment ere&ed by George Granville Lord Lans- down in 1726, to the memory of the Cornish heroes,. who' died fightirfg in the battle which took place at this spot between the*' King's forces, and those of the Parliament under Sir William Waller, July 5th, 1643. Sir Bevil Granville, who was killed on the part of the king, fell on the exaft spof where the monu- Ynent at present stands. To the south of this, at a small distance from the road, are the fatal breast-works, (described by Clarendon) that were thrown up by Waller on the morning of the battle; in attempting to force which Gran- ville lost his life. Like the Theban chieftain of old, or the no less celebrated modern hero of the heights of Abraham, he died in the mo- ment of vifitbry; and the last words which struck upon his ear were the joyful acclama- tions of his soldiers, " They fly, they fly !" But mournful was the triumph of the royal party y nor did the retreat of Waller from his ground, nor the military stores which he left behind Mriy however acceptable to the cavaliers, at all com- [ 345 ] pensate for the misfortunes they experienced in the dreadful effusion of blood to which their valour had exposed them; in the destru£iion of many of their best officers ; and in the loss of a leader (Sir Bevil Granville) who was at once the confidence of the army, and the boast of his party. His remains were removed to Kilkhampton in Cornwall, and no " stone of memorial" rose on the spot where he fell, till near a century had elapsed from the date of the battle; but Granville had built himself a mo- nument, areperenntuS) in the hearts of his friends; and the fairest meed of unfortunate valour, the tears of the brave, and lamentations of the good, soothed the shade of the departed hero. " How sleep the brave, who sink to rest " By all their country's wishes blest? ct When Spring, with dewy fingers cold, f° r the wife, r. favourite. 67, 1. 16, 17, r. and probably an original portrait. 159, 1. 11, r. magnificent. Published by the same Author y The HISTORY of BATH. One Volume Royal Quarto, with Plates. 21. 12s. 6d. WALKS through WALES, illustrated with Three fine Plates by Aiken, from the Drawings of Becker and Hulley. 2 vols. 14s. — The volumes may be had separate. A WALK through SOMERSET, DEVON, and Part of CORNWALL; embellished with Two Aquatint Views by Aiken, from the Drawings of Becker and Hulley. 7s. I I WvlUC (YH ((" GETTY CENTER LIBRARY 3 3125 00594 0222