Digitized by the Internet Archive 
 in 2019 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/catalogueofcurio00soth_3 
 
CATALOGUE 
 
 OF THE 
 
 CURIOUS AND VALUABLE COLLECTION 
 
 OF 
 
 Ancient anb IHobrrn (Lngrabings, 
 
 FORMED BY THE LATE 
 
 JOHN DILLON, ESQ., 
 
 COMPRISING 
 
 AN UNRIVALLED SERIES OF 
 
 TURNER’S LIBER STUDIORUM, 
 
 Etchings and Artists’ Proofs touched and drawn on by Turner ; 
 
 ENGRAVINGS OF ITALIAN ARTISTS, 
 
 ANDERLONI, GARAVAGLIA, LONGHI, MORGHEN, 
 
 Madonna del Lago; Correggio Magdalen; Parce Somnum Rumpere ; 
 
 The Transfiguration ; 
 
 MADONNA DI SAN SISTO, BY MULLER; 
 
 &c. &c. 
 
 5 fine anb nearly comjjkte (pollution of ijje Mortis of Moollett, 
 
 A LARGE ASSEMBLAGE OF 
 
 ANCIENT PORTRAITS & HISTORICAL ENGRAVINGS, 
 
 including 
 
 Queen Elizabeth in her jewelled dress, & Elizabeth of Bohemia, 
 
 by PASS ; 
 
 ®jc Senes of (Strings bij Stoop, in eommemoration of % grribal of 
 Catherine of §ragan^a in (Snglanb; 
 
 HIGHLY FINISHED DRAWINGS BY HARDING, 
 
 HOUBRAKEN PROOFS, &o. 
 
 WHICH WILL BE SOLD BY AUCTION, 
 
 BY MESSRS. 
 
 SOTHEBY, WILKINSON & HODGE, 
 
 'Sluctumms of ICitcratpD ro P frt B &2®orfes illustrattbc of tljc jFtnc?lris, 
 
 AT THEIR HOUSE, No. 13, WELLINGTON STREET, STRAND, W.C. 
 
 On WEDNESDAY, l6tli JUNE, 1869, and Three following Days, 
 
 at one o’clock precisely. 
 
 MAY BE VIEWED TWO DAYS PRIOR, AND CATALOGUES HAD. 
 
 J. Davy and Sons, Planters, 137, Long Acre, London. 
 
CONDITIONS OF SALE. 
 
 I. The highest bidder to be the buyer ; and if any dispute arise 
 
 between bidders, the lot so disputed shall be immediately 
 put up again, provided the seller cannot decide the said 
 dispute. 
 
 II. No person to advance less than Is.; above Five Pounds 2s.6d. 
 and so on in proportion. 
 
 III. The Purchasers to give in their names and places of abode, 
 and to pay down 5s. in the Pound, if required, in part of pay¬ 
 ment of the Purchase-money; in default of which, the Lot or 
 Lots purchased to be immediately put up again and re-sold. 
 
 IV. The Sale of any lot is not to be set aside on account of any 
 error in the enumeration of the numbers stated, or errors of 
 description. 
 
 V. The Lots to be taken away at the Buyer’s Expense, imme¬ 
 diately after the Conclusion of the Sale ; in default of which, 
 Messrs. Sotheby, Wilkinson & Hodge, will not hold 
 themselves responsible if lost, stolen, damaged or otherwise 
 destroyed, but they will be left at the sole risk of the 
 Purchaser. If at the expiration of Two Days after the 
 conclusion of the Sale, the Lots are not cleared or paid for 
 they will then be catalogued for immediate sale, and the 
 expense, the same as if re-sold, will be added to the amount 
 at which they were bought. Messrs. Sotheby, Wilkinson 
 and Hodge, will have the option of re-selling the Lots 
 uncleared either by public or private sale, without any notice 
 being given to the defaulter. 
 
 VI. Upon failure of complying with the above conditions, the 
 money required or deposited in part of payment shall be for¬ 
 feited ; and if any loss is sustained in the re-selling of such lots 
 as are not cleared or paid for all charges on such re-sale shall 
 be made good by the defaulter at this sale. 
 
 Gentlemen ivho cannot attend the Sale, may have their Com¬ 
 missions faithfully executed by their humble Servants , 
 
 SOTHEBY, WILKINSON & HODGE, 
 
 Wellington Street, Strand. 
 
CATALOGUE 
 
 OF THE 
 
 |gxrrtraifs imtr HKsalknmts (feitgntbinjs, 
 
 THE PROPERTY OF THE LATE 
 
 JOHN DILLON, ESQ. 
 
 FIRST DAY’S SALE, 
 
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 2 
 
 4 
 
 5 
 
 6 
 
 7 
 
 
 8 
 
 9 
 
 10 
 
 11 
 
 
 MISCELLANEOUS ENGRAVINGS. 
 
 Portraits of Eminent Persons, engraved for the Biographical 
 Magazine 
 
 Thurlow, Ireton, and Temple, by Houbraken ; and other portraits 
 various 
 
 Charles II. receiving the first pine apple cultivated in England; 
 and others various 
 
 Bishop Newton, and other portraits, &c. for illustration 
 
 Admiral Coligny, De Thou, and others 
 
 Charles Archduke of Austria; Dudley Earl of Leicester; and 
 others, by Custos 
 
 Coronation of William and Mary ; Embarkation of James II. and 
 others 
 
 George Clinton, Governor of New York ; Dr. Herschell, &c. 
 
 Drummond of Hawthomden ; Brown the Mathematician, rare 
 
 Sir Peter Lely, by Smith; Montague Earl of Sandwich, by 
 Blooteling; and others 
 
 Les Heros de la Ligue, ou La Procession Monacale, conduitte par 
 Louis XIV. pour la conversion des Protestans de son 
 Royaume, Paris Chez. Peters 
 curious and rare mezzotint caricatures 
 
 73 
 
 
 // 
 
 24 
 
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 63 
 
 / 
 
 1 
 
 73 
 
 / 
 
 /2 
 
 17 
 
 
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 34 
 
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 21 
 
 6 
 
 
 24 
 
 
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 4 
 
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applauded. X- ’ Afi/W 3&cl<. i&y 
 
 Turner’s Liber Studiorum.— The fine col¬ 
 lection of 80 of the plates belonging to the Liber of 
 Turner, which are now so rarely to be had, which had 
 been formed by Mr. S. Addington during many years 
 past, was sold by Messrs. Christie, Manson, and Woods 
 last week, realising very high prices, nearly all being 
 bought by the dealers. Those which brought the 
 highest prices were :—Basle, engraver’s proof, 26?. 6s.; 
 Mount St. Gothard, eng. pr., 34/. 13s.—Agnew ; The 
 Egremont, Sea Piece, eng. pr., 63?. 11 s.—Agnew; Land¬ 
 scape, with bridge (No. 13), eng. pr., 31?. 10s.; The 
 Little Devil’s Bridge, eng. pr., 43?. Is.—Colnaghi ; 
 Morpeth, eng. pr., 21?.; London from Greenwich, eng. 
 pr., 49?. 7s.—Colnaghi; Windmill and Lock, eng. pr., 
 80?. 17s.—Noseda ; Junction of the Severn and the 
 Wye, eng. pr., 43?. Is. ; Near Blair Athol, eng. pr., 
 43?. Is.; Inverary Pier, Loch Eyne, e. p., 42?. ; Procris 
 'and Cephalus, e. p. (No. 41), 61?. 9s.—Colnaghi; 
 Watercress Gatherers, e.p., 47?. 6s.—Agnew ; Twicken¬ 
 ham, 1st state (No. 63), 33?. 12s. ; Inverary Castle and 
 Town, e. p. (No. 65), 45?. 3s._; xEsacus and 
 
 Hesperie, 1st state (No. 66), /9?. 16s. ; Isis 
 
 (No. 68), eng. pr., from the collection of 
 I W. Say, 106?.—Colnaghi; Ben Arthur, e. p., 
 (No. 69), from Sir W. Tite’s collection, 84?.—Colnaghi; 
 Interior of a Church (No. 70), eng. proof, 37?. 16s.— 
 Noseda ; Apulseia in Search of Apuleius, e. p. (No. 72), 
 69?. 6s.—Agnew ; Glaucus and Scylla, e. p. (No. 73), 
 39?. 18s. — Agnew; Sheep Washing, Windsor Castle, 
 e. p. (No. 74), 31?. 10s.—Mr. Knowles; Dumbarton 
 Rock, e. p. (No. 75), 23?. 2s.; Temple of Jupiter, e. p. 
 (No. 77), 71?. 8s.—Agnew; Entrance to Calais Har¬ 
 bour, 1st state, 15?. 15s.; Norham Castle, 1st state, 
 18?. 18s.; Raglan Castle, 1st state, 22?.; Solway Moss, 
 e. p., 64?.—Noseda; Solitude, e. p., 19?. 19s. ; Prom 
 Spenser’s Fa.ery Queen, e. p. (No. 36), 19?. 19s.; 
 Watermill, e. p., 19?. 19s. ; The Frontispiece, 1st state, 
 15?. 15s. 
 

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 12 
 
 13 
 
 15 
 
 16 
 17 
 
 18 
 
 19 
 
 20 
 
 21 
 
 22 
 
 23 
 
 24 
 
 25 
 
 26 
 
 St. Peter's at Rome, and other topographical illustrations; 
 
 various 55 
 
 The Portraiture of the Sovereign of the Seas (Ship) built in the 
 year 1637 ; and other historical and various 14 
 
 The Church of St. Clement Danes, from Kipps’ views; Jesus 
 College, by Loggan ; and others various 41 
 
 View and Plan of Chatham Dockyard; Kensington Palace and 
 Gardens, engraved by Tinney ; and others various 14 
 
 King Street, Guildhall, and other topographical illustrations 120 
 
 View of the Savoy from the River Thames ; and other topographi¬ 
 cal illustrations. 125 
 
 AMMAN. 
 
 Admiral de Coligny, three quarters oval in armour, with a repre¬ 
 sentation of his massacre on St. Bartholomew’s Day, 1572, 
 brilliant impression of this most interesting portrait, published in 
 
 1573 1 
 
 ANDERLONI. 
 
 The “ Mater Dolorosa,” after Sasso Ferrato, 
 fine artists' proof 1 
 
 The Judgment of Solomon, after Raphael, 
 
 choice artist's proof 1 
 
 Head of our Saviour, from the Transfiguration by Raphael, 
 artist's proof, very rare 1 
 
 Dilexit Mundum, after Carlo Dolci; Dilexit Multum, after 
 Correggio ; 
 
 the pair uniform, proofs before letters 2 
 
 The Holy Family, after Nicholas Poussin, 
 fine proof before letters 1 
 
 Heliodorus, after Raphael, from the Stanze of the Vatican, 
 brilliant artist's proof before any letters, before the border and 
 with the remark 1 
 
 Attila, after Raphael, the companion print, 
 fine artist's proof with the remark, the white bridle 1 
 
 BALECHOU. 
 
 St. Genevieve, after Vanloo, 
 
 fine impression 1 
 
 3 0 / 7 - 7 - JUlAAk* 
 
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 BARTOLOZZI. 
 
 
 
 
 
 27 
 
 The Madonna del Sacco, after A. del Sarto, 
 
 
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 /4 
 
 
 
 
 fine proof before letters, with good margin 
 
 1 
 
 
 
 28 
 
 Venus, Cupid and the Satyr, after Giordano. “ Cupidon achette 
 
 
 - 
 
 
 
 
 
 trop cher,” and others various, some fine proofs 
 
 6 
 
 
 7 
 
 
 29 
 
 Orlando rescues Olympia, after Carracci; The Death of Dido, and 
 
 
 / 
 
 \ 
 
 
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 others, some fine proofs 14 
 
 
 
 
 30 
 
 A Sacrifice to Cupid. The Triumph of Beauty and Love; and 
 
 
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 others various, some fine proofs 
 
 7 
 
 
 / 
 
 
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 BAUDET. 
 
 
 
 
 
 31 
 
 Portsmouth, the Duchess of, seated on a couch with her son the 
 
 
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 Duke of Richmond as Cupid, rare 
 
 1 
 
 
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 BECIvET. 
 
 
 
 
 
 32 
 
 Albemarle, Christopher, Duke of, first state; and John Duke of 
 
 
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 7 
 
 
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 Lauderdale 
 
 2 
 
 
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 33 
 
 The Lady Williams, whole length, after Wissing, Cooper ex. 
 
 1 
 
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 BELLIN. 
 
 
 
 
 
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 34 
 
 Rustic Courtship, after Frank Stone, 
 
 
 
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 choice artist's proof 
 
 1 
 
 
 
 
 
 
 BLANCHARD. 
 
 
 
 
 
 9z<WJ e-JLe*^ 
 
 35 
 
 St. Juste, after Murillo 
 
 1 
 
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 36 
 
 The Angel Gabrielle, after Delaroche, 
 
 
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 fine proof 
 
 1 
 
 
 
 c^ra 
 
 
 BLOOTELING. 
 
 
 
 
 
 37 
 
 Cornelius Tromp, Admiral of Holland, large oval, after Lely; 
 
 
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 and the ORIGINAL ENGRAVER’S DRAWING 
 
 
 
 
 
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 very fine and extremely rare 
 
 2 
 
 
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 38 
 
 Prince Rupert, after Sir Peter Lely 
 
 
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 1 
 
 39 
 
 very fine and extremely rare 
 
 De Vries, Admiral of Holland, three quarter length, after Eckhout, 
 
 1 
 
 
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 40 
 
 very fine and rare 
 
 Edward Stillingfleet, Bishop of Worcester 
 
 1 
 
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 proof before any letters, very rare 
 
 1 
 
 
 
 
 41 
 
 Charles II. oval mezzotint in armour, after Lely 
 
 1 
 
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 42 
 
 Cornelius de Witt, three quarter length, after Sorch, 
 
 
 
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 fine and rare 
 
 
 1 
 
 
 43 
 
 Constantine Huygens, after Netscher, proof; and Bishop Wilkins 
 
 2 
 
 
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 44 
 
 Admiral de Ruyter, mezzotint after Lievensz ; and another 
 
 
 2 
 
 / 
 
 // 
 
 
 45 
 
 The Duchess of Portsmouth, mezzotint small oval, proof , rare ; 
 
 
 
 
 
 
 and Charles II. enthroned, by Loggan 
 
 
 2 
 
 
 & 
 
 
 46 
 
 Thomas Osborne, Earl of Danby, after Sir Peter Lely 
 
 
 
 
 
 
 
 brilliant proof before any letters; and an impression 
 
 with 
 
 
 
 
 
 
 the letters 
 
 
 2 
 
 
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 . 
 
 47 
 
 Van Nes, Admiral of Holland, three quarter length, after 
 
 De 
 
 
 
 
 
 
 Jongh 
 
 very fine and rare 
 
 
 1 
 
 / 
 
 
 
 
 CARON. 
 
 
 
 
 
 48 
 
 Marguerite leaving the Church, after Ary Scheffer 
 
 
 
 
 
 
 
 choice proof No. 14 
 
 
 1 
 
 
 
 
 
 CIPRIANI. 
 
 
 
 /, 
 
 1 W* 
 
 4, 
 
 
 49 
 
 The Holy Family, after Sir Joshua Reynolds 
 
 
 
 
 
 
 
 The original DRAWING by Cipriani for Sharp's engraving 
 
 
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 CLINT. 
 
 
 
 3 
 
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 50 
 
 Kemble Family, after Harlow 
 
 
 
 
 
 
 
 with large margin, in gilt frame, and patent plate glass 
 
 
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 COLLYER. 
 
 
 
 
 A3 
 
 
 51 
 
 The Village Fete, after Teniers 
 
 
 
 
 
 
 
 choice proof before letters, the artist's names etched 
 
 
 i 
 
 
 
 
 
 COUSINS. 
 
 
 
 
 
 
 52 
 
 Bolton Abbey, after Landseer 
 
 
 
 
 
 
 
 brilliant artist's proof before any letters, large margin, in 
 
 gilt 
 
 
 
 
 
 
 frame with patent plate glass 
 
 
 i 
 
 v3 
 
 
 
 53 
 
 The Return from Hawking, after Landseer 
 
 
 
 
 
 
 
 fine and rare artist's proof 
 
 
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 V 
 
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 54 
 
 Her Majesty Queen Victoria, whole length, after Chalon 
 
 
 
 
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 fine proof 
 
 
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 /4 
 
 
 55 
 
 Master Lambton, after Sir T. Lawrence 
 
 
 
 
 
 
 artist's proof before any letters, large margin, in oak frame 
 
 with 
 
 
 
 
 
 
 patent plate glass 
 
 
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 56 
 
 Mrs. Wolf; Mrs. Macdonald ; and Nature, after Sir Thomas Law- 
 
 
 
 
 
 
 rence 
 
 
 
 
 
 
 
 proofs before letters 
 
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 3 
 
 
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 57 
 
 58 
 
 59 
 
 60 
 
 The Abercorn Children, after Sir Edwin Landseer 
 fine artist's proof 
 
 The Portrait of Rosa Bonheur, after Dubufe 
 brilliant artist's inclia proof before all letters 
 The Sutherland Children, after Sir Edwin Landseer 
 brilliant artist's india proof and etching 
 
 DALEN (Cornelius Van). 
 
 61 
 
 62 
 
 63 
 
 64 
 
 65 
 
 66 
 
 67 
 
 Portraits of Boccaccio, Aretino, Giorgione, and Sebastian 
 del Piombo, after Titian 
 
 The complete set of four, superb proofs before any letters, and 
 with large margins, most rare 4 
 
 DEL ARAM. 
 
 Sir Thomas Gresham, “ to be sold by Sudbury and Humble and 
 George Withers, by William Peake 
 fine and rare 2 
 
 Henry Prince of Wales, Compton Holland exc. 1 
 
 DELLA BRUNA. 
 
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 3 
 
 
 68 
 
 /6 
 
 3 
 
 
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 The Virgin adoring the Infant Saviour, after Correggio 
 fine proof before letters 1 
 
 DESNOYER^ 
 
 Napoleon le Grand, whole length, in the Imperial Robes, after 
 Gerard 1 
 
 The Visitation, after Raphael 
 
 brilliant proof 1 
 
 DUP ONT. 
 
 Strafford going to Execution, after Delaroche 
 
 choice proof before letters 1 
 
 ELSTRACK. 
 
 James I. and Anne of Denmark, whole lengths, under two ff 
 
 arches, with arms above, and a genealogy of their family 
 between “ John Speed execudebat, Renold Elstrak sculp- 
 sit.” 
 
 fine and extremely rare 1 
 
 FAITHORNE. 
 
 Catherine OF Braganza, dressed as she came from Portugal 
 fine impression before the plate was damaged 1 
 
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 69 
 
 John Bulwer, and Samuel Bolton 
 
 
 2 
 
 Cjnuu JlurP/La 
 
 1 • ; 
 
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 70 
 
 John Pordage 
 
 
 
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 first state, before the inscription was effaced 
 
 
 1 
 
 cfif, crd/crcO 
 
 / 
 
 
 
 71 
 
 Henrietta Maria, engraved in the manner of Mellan 
 
 
 
 
 
 
 
 fine impression, from the Barnard collection 
 
 
 1 
 
 
 
 3 
 
 ^3 
 
 72 
 
 James Stewart, Duke of Richmond and Lennox 
 
 
 1 
 
 - 
 
 /& 
 
 
 73 
 
 Bishop’s Patric’s Pilgrim; Viscount Mordaunt; Samuel 
 
 Bolton; 
 
 
 
 
 
 
 
 and others 
 
 
 5 
 
 
 . 
 
 6~ 
 
 
 74 
 
 Catherine Phillips, John Wallis, and Thomas Stanley 
 
 
 3 
 
 / 
 
 
 
 75 
 
 Mary Princess of Orange, holding her mantle, after Van Dyck, 
 
 
 C/uto e-Jup^, 
 
 
 9 
 
 
 
 “ sould by Will Faithorne ” 
 
 
 1 
 
 
 
 
 76 
 
 Prince Rupert, Elector Palatine of the Rhine, oval in 
 
 armour, 
 
 
 
 
 
 
 
 with the address of Peter Stent 
 
 
 1 
 
 JUL 
 
 fJ'Couuu cjtfif 
 
 / 
 
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 77 
 
 Henry Rich Earl of Holland, Thomas Hobbes, and others 
 
 
 6 
 
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 78 
 
 John Ogilvie, John Kersey, and Sir Richard Fanshaw 
 
 
 3 
 
 bjLnJLzs-i 
 
 
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 79 
 
 An Illustration to Virgil, The Shepherds, Sityrus, and Melibceus 
 
 
 
 
 
 
 
 after F. Cleyne 
 
 
 
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 first state, before the letters, Ec. 1 /. 1 at the foot of the plate 
 
 
 
 
 
 
 
 below the right foot of the centre figure, from the Marshall 
 
 
 
 
 / 
 
 
 
 collection 
 
 
 1 
 
 Cjnjys 
 
 / 
 
 
 80 
 
 Sir Richard Fanshaw, Sir William Noy, and John Wallis 
 
 
 3 
 
 
 // 
 
 
 81 
 
 Thomas Mace, and Christopher Simpson 
 
 
 
 
 
 y£2 
 
 
 
 first state, before Nulla was altered to Neque 
 
 
 2 
 
 <fJ- p ouuO cjJlb 
 
 
 
 82 
 
 Noah Bridges, Edward Lord Lyttleton, and the Marquis of 
 
 
 
 
 
 
 Hamilton 
 
 
 3 
 
 
 
 // 
 
 
 83 
 
 Thomas Morton, Edward Boys, and Samuel Collins 
 
 
 3 
 
 Cjnjyx! 
 
 • 
 
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 84 
 
 William Sanderson, John Murcot, Queen Elizabeth between Bur- 
 
 
 
 
 
 
 
 leigh and Walsingham, and others 
 
 
 4 
 
 c3~& crQ/Lirujaj-f 
 
 
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 85 
 
 Henry More, first state, before the shading in the collar ; 
 
 and an 
 
 
 
 
 
 
 impression with the same 
 
 
 2 
 
 T 
 
 
 
 
 
 FALCK. 
 
 
 
 
 '' 
 
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 86 
 
 Frederick III. of Denmark 
 
 
 
 
 
 
 
 
 very fine and rare 
 
 
 1 ; 
 
 
 
 
 
 FELSING. 
 
 
 
 
 
 V 
 
 
 87 
 
 Christ in the Garden, after Carlo Dolci 
 
 
 
 eLjUijuu 
 
 / 
 
 
 
 
 choice artist's proof, rare 
 
 
 1 
 
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 . 
 
 
 88 
 
 Salvator Mundi, after Leonardo da Vinci 
 
 
 
 
 
 
 
 
 artist's proof before the border 
 
 
 1 
 
 V 1 
 
7 
 
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 FINDEN. 
 
 
 
 
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 89 
 
 The Soldier’s Return, after Wilkie 
 
 
 
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 artist's india proof before any letters 
 
 1 
 
 
 
 
 90 
 
 George IV. whole length seated, after Sir Thomas Lawrence 
 
 
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 india proof before letters 
 
 1 
 
 
 
 
 
 FIRENS. 
 
 
 
 
 
 91 
 
 Henry IV. touching for the King’s Evil 
 
 
 
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 very fine impressian, rare 
 
 1 
 
 
 
 
 
 FLIPART. 
 
 
 
 
 
 92 
 
 Le Gateau des Rois, after Greuze 
 
 1 
 
 - 
 
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 FORSTER. 
 
 
 
 
 
 93 
 
 La Vierge au Bas-relief, after Leonardo da Vinci 
 
 
 
 m 
 
 * 
 
 
 fine impression on india paper 
 
 1 
 
 
 
 
 
 FRANCOIS. 
 
 
 
 
 
 94 
 
 Bonaparte crossing the Alps, after Delaroche 
 
 
 - 
 
 /j 
 
 • 
 
 
 choice artist's unfinished proof 
 
 1 
 
 
 y 
 
 
 95 
 
 Le Gallant Militaire 
 
 
 
 / 
 
 
 
 fine proof before letters 
 
 1 
 
 
 
 
 96 
 
 Mignon et son Pere, after Ary Scheffer 
 
 1 
 
 / 
 
 . 
 
 
 artist's india proof 
 
 
 
 a 
 
 97 
 
 Portrait of Titian, after Titian 
 
 1 
 
 4 
 
 <=~2- 
 
 98 
 
 Napoleon at Fontainebleau, after Delaroche 
 
 
 
 
 
 choice artist's india proof 
 
 1 
 
 
 
 
 
 GAILLARD. 
 
 
 
 
 
 99 
 
 La Malediction Patemelle, after Greuze 
 
 1 
 
 . 
 
 
 
 
 GARAVAGLIA. 
 
 
 
 
 
 100 
 
 LA MADONNA DELLA SEGGIOLA, after Raphael 
 artist's proof before arms or any letters, with the remark ; 
 
 with 
 
 
 
 
 
 large margin , in gilt frame with patent plate glass 
 
 1 
 
 /o 
 
 
 Yc* 
 
 101 
 
 LA MADONNA DELLA SEGGIOLA, after Raphael 
 brilliant artist's proof before the arms 
 
 1 
 
 /■2 
 
 3 
 
 
 102 
 
 Hagar and Ishmael, after Barroccio 
 artist's proof with the remark, large margin , in oak frame 
 
 ivith 
 
 
 * 
 
 
 
 patent plate glass 
 
 1 
 
 
 _Q 
 
 
 103 
 
 David with the head of Goliah, after Guercino 
 
 1 
 
 1 
 
 
 
 proof 
 
 
 
 
8 
 
 3 3 
 
 104 The Magdalen holding a Vase, after Carlo Dolci 
 
 choice proof with the remark 1 
 
 GAULTIER. 
 
 =2 Co 105 Henry IY. OF France, whole length in rich armour, holding 
 “ Le sceptre de milice,’ at his feet a Hydra, from which the 
 seven heads are cut off 
 
 fine and rare 1 
 
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 / 
 
 
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 JJ 
 
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 3 
 
 106 Mary de Medicis, wife of Henry IY. of France, small oval, 
 
 le Clerc ex. 
 
 fine and extremely rare 1 
 
 107 “ Marie de Med. Royne Reg. de France et de Navarr,” le Clerc 
 
 ex., whole length with her hand on a table 1 
 
 brilliant impression, extremely rare 
 
 GIBBON (Tiielps). 
 
 108 The Twa Dogs, after Sir Edwin Landseer 
 fine proof on India paper 
 
 109 The Highland Shepherd’s Home, after Landseer 
 
 india proof before letters 
 
 1 
 
 1 | 
 
 1 
 
 1 
 
 GIRARDET. 
 
 110 Washington crossing the Delaware, after Seutze 
 
 india proof before letters 
 
 111 The Deposition, after Andrea del Sarto 
 
 choice proof before letters, the artists' names slightly etched 
 
 GOLTZIUS. 
 
 112 Robert Dudley, Earl of Leicester 
 
 brilliant impression of this exquisite portrait engraved on a silver 
 plate, of great rarity, from the Marriette collection 1 
 
 *** The impression in the Drugulin sale realised £3. 18s. 
 
 HALL (John). 
 
 113 William Penn treating with the Indians for the Province of Penn¬ 
 
 sylvania, in 1681, after West 
 
 choice artist's proof before any letters; very rare 1 
 
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 HARDING. 
 
 The following beautiful and highly finished Drawings, from the 
 
 MOST AUTHENTIC PICTURES, WERE EXECUTED FOR Mr. DlLLON FOR 
 
 purposes of Illustration ; some have been engraved. 
 
 114 Lord Burleigh riding on a mule l 
 
 115 Dudley Earl of Leicester, whole length 1 
 
 116 Henry IY. and James I. half lengths 2 
 
 117 Sir John Boys, and Lord Arlington, half lengths 2 
 
 118 Sir John Fortescue, and Sir Christopher Mingh, three- 
 
 quarter lengths 2 
 
 119 Dr. William Juxon, Archbishop of Canterbury, and Sir 
 
 Edward Montague, three-quarter lengths 2 
 
 120 Princess Louisa, daughter of the King of Bohemia; Sir 
 
 Thomas CHICHELEY; and Sir H. Capel, three-quarter 
 lengths 3 
 
 121 LACY, the Comedian, in three characters, from a picture at 
 
 Windsor, painted by order of Charles II. whole length 1 
 
 122 Lucy Waters, and the Countess of Sandwich, half lengths 2 
 
 123 Sir John Frederick, Lord Mayor, 1662; Major Wildman; 
 
 and John Felton 3 
 
 124 Humphrey Henchman, Bishop of London; Thomas Lord 
 
 Clifford, and William Lord Crofts 3 
 
 125 Mordaunt Earl of Peterborough ; Samuel Pepys ; and another 
 
 of Pepys, from the original in Christ Church Hospital 3 
 
 126 George Monk, Duke of Albemarle, and Sir John Minnes, 
 
 three-quarter lengths 2 
 
 127 Sir Thomas Tiddiman, William Lilly, and William 
 
 Prynne 3 
 
 128 The Earl of Sandwich, and Charles Stuart, Duke of Rich¬ 
 
 mond 2 
 
 129 Frederick Lord Cornwallis, and Lord Keeper Coventry, 
 
 three-quarter lengths 2 
 
 130 Sir John Cutler, and Mrs. Craythorne 2 
 
 131 Robert Devereux, Earl of Essex, and Thomas Earl of 
 
 Southampton, three-quarter lengths 2 
 
 132 Catharine of Braganza, Marie de Medici, Duke of Argyle, 
 
 and others 6 
 
 133 Sir John Minns, Sir Robert Southwell, and others 5 
 
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 135 
 
 Sir Charles Scarborough, first physician to Charles II. James 
 
 
 
 
 
 
 II., and William III. he died Feb. 26, 1693 ; and DOCTOR 
 Edward Arris, physician of Brazenose College, Oxford, 
 served in Parliament for St. Albans in 1661, drawn from the 
 original picture in the Barber Surgeons Hall 
 
 2 
 
 
 
 136 
 
 William Camden, and Henry Hyde, Earl of Rochester 
 
 2 
 
 
 
 137 
 
 Queen Elizabeth when Princess, after Holbein; and Nell 
 
 
 
 
 
 
 Gwynne, after Sir Peter Lely 
 
 2 ' 
 
 6? 
 
 
 138 
 
 Francis Atterbury, and James Usher, Archbishop of 
 
 
 
 
 
 
 Armagh 
 
 2 
 
 
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 HOGENBERG. 
 
 
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 139 
 
 Erasmus of Rotterdam 
 
 
 
 
 
 
 brilliant impression of this very fine and extremely rare portrait 
 
 1 
 
 9 
 
 
 
 
 HOLLAR. 
 
 
 ■ 
 
 
 140 
 
 The Royal Exchange in the year 1644, with the medal of 
 
 
 / 
 
 
 
 
 Sir Thomas Gresham, (1036) fine and very rare 
 
 1 
 
 // 
 
 
 141 
 
 View of London before the Fire in 1666 ; (1000) 
 
 
 
 
 
 
 first state, before the address of S. Sympson ; fine and very 
 
 
 
 
 
 
 rare 
 
 1 
 
 \/6 
 
 
 6=> 
 
 142 
 
 Views of the Houses of Parliament, Lambeth House, 
 
 
 
 
 
 
 Whitehall, and Westminster Hall, in the year 1647 
 (1037, 1040) 
 
 
 
 
 
 
 very fine impressions of the complete set before the plates were 
 
 
 
 
 
 
 cut 
 
 4 
 
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 • 
 
 143 
 
 The Royal Exchange, the Tower, the Piazza, Covent Garden, 
 
 
 
 
 
 
 and St. Ouers, in Southwark, (907-10) 
 very fine impressions, rare 
 
 4 j 
 
 - 
 
 // 
 
 
 144 
 
 London before and after the Fire ; the Prospect of London and 
 
 
 
 
 
 
 Westminster from Lambeth ; and London “ The glory of 
 Great Britain’s Isle ” 
 
 3 
 
 I ^ 
 
 
 
 145 
 
 Pembroke, Sir Philip Herbert, Earl of (1481) 
 first state before the hair was diminished on either side of the 
 
 
 
 
 
 
 head, rare 
 
 1 
 
 4 
 
 
 
 146 
 
 Ground Plan of the City of London and the Suburbs (1004) 
 indicating the ravages of the fire in 1666, 
 with the address of Overton, rare 
 
 1 
 
 eT 
 
 
 
 147 
 
 The Coronation of Charles II. The Cavalcade passing through 
 
 
 
 
 
 
 the City of London, the Procession, the Coronation in West¬ 
 minster Abbey (570-75) 
 
 
 
 
 
 
 the complete set, also the plates not engraved by Hollar 
 
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 155 
 
 156 
 
 157 
 
 158 
 
 159 
 
 160 
 
 161 
 
 162 
 
 163 
 
 164 
 1 165 
 
 166 
 
 167 
 : 168 
 
 Charles II. half length, with the Star of the Order of the Garter 
 (1439) ; and Charles II. after Van Dyck (1442) 
 
 Charles I. kneeling (477) 
 brilliant impression the plate not divided 
 Elizabeth, daughter of Charles I. of England (1396*) 
 
 Charles I. in an oval on a pedestal, supported by military trophies 
 (1434); Charles I. crowned by Fame; Henrietta Maria; 
 Marie de Medici; and others 
 
 John IV. King of Portugal, the Murder of Vasconcellos, and 
 the King’s Coronation (550) 
 
 the three subjects before the plate was cut, fine and extremely rare 
 
 View of London before and after the Fire, and of the Fleets off 
 Deal 
 
 Anne of Cleves, Henrietta Maria, and others 
 Interior of St. Paul’s, Lambeth, Windsor Castle, Westminster 
 Abbey, and others 
 
 Panoramic View of Greenwich, Richmond, and Plan of Breda 
 Charles II. on a pedestal, after Schut (1745) ; Hans Holbein; 
 
 portraits of Hollar, and others 
 Two Views of Albury in Surry, and another 
 Captain Kempthorn’s Engagement, and others 
 The Old Savoy Palace, 
 
 brilliant impression with large margin, of the greatest rarity 
 
 2 
 
 3 
 
 1 
 
 1 
 
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 12 
 
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 HOUBRAKEN. 
 
 Abbott, George, Archbishop of Canterbury, 
 
 
 
 // 
 
 proof before letters, very rare 
 
 1 
 
 
 
 Anne of Denmark, Queen of James I. 
 
 
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 3 
 
 proof before letters, very rare 
 
 1 
 
 
 
 Buchanan, George, 
 
 
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 proof before letters and before the engraver's name 
 
 1 
 
 
 
 Buckingham, Henry Stafford, Duke of 
 
 
 
 /3 
 
 proof before letters 
 
 1 
 
 
 
 Burleigh, William Cecil Lord, Oliver Cromwell, Sir 
 
 Fran cis 
 
 / 
 
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 Drake, and others 
 
 5 
 
 
 
 Clarke, Samuel, D.D. 
 
 
 
 /o 
 
 proof before letters and the engraver's name 
 
 1 
 
 
 
 Cromwell, Oliver, 
 
 
 
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 proof before letters, very rare 
 
 1 
 
 
 
 -BoiifiET, Edward Sackvill% Earl of 
 
 
 
 or 
 
 proof before letters ( 
 
 1 
 
 
 
12 
 
 1 J t 
 
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 169 
 
 Drake, Sir Francis, 
 
 proof before letters and the engraver's name , rare 
 
 1 
 
 
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 170 
 
 Essex, Robert Devereux Earl of, Mary Queen of Scots, Sir 
 
 
 
 
 
 
 Isaac Newton, and others 
 
 6 
 
 =2| 
 
 
 
 171 
 
 Garth, Sir Samuel 
 proof before letters 
 
 1 
 
 
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 172 
 
 George, Prince of Denmark 
 
 
 
 
 
 
 proof before letters 
 
 1 
 
 ' 
 
 
 
 173 
 
 Halifax, George Sayille, Marquis of 
 proof before letters 
 
 1 ! 
 
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 1 / 
 
 / 
 
 
 174 
 
 Hampden, John 
 
 proof before letters, very rare 
 
 1 
 
 
 175 
 
 Ireton, Henry 
 
 
 
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 proof before letters , rare 
 
 1 
 
 **■ 
 
 
 176 
 
 Mary Elizabeth Josephine of Austria 
 
 
 
 
 
 
 proof before any letters 
 
 1 
 
 - 
 
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 177 
 
 Mary, Wife of William III. 
 
 
 
 /4 
 
 
 
 proof before letters 
 
 1 
 
 
 
 178 
 
 Montrose, James Graham, Marquis of; Charles Mordaunt, Earl 
 
 
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 of Peterborough ; Sidney, Earl of Godolphin; Frederick, 
 Duke of Schomberg; and Robert Devereux, Earl of Essex 
 
 5 
 
 • 
 
 179 
 
 Sir Isaac Newton 
 
 
 / 
 
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 fine and rare proof 
 
 1 
 
 
 180 
 
 Nottingham, Charles Howard, Earl of 
 
 
 
 
 
 
 proof before letters 
 
 1 
 
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 181 
 
 Pym, John 
 
 
 
 
 
 
 proof before letters and before the engraver's name, very rare 
 
 1 
 
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 1 
 
 
 
 182 
 
 Pym, John, William Harvey, M.D., John Hampden, and Henry 
 
 
 
 
 
 
 Prince of Wales, son of James I. 
 
 4 
 
 / 
 
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 183 
 
 Russell, William Lord, 
 
 
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 proof before letters 
 
 1 
 
 
 184 
 
 Steele, Sir Richard, 
 
 
 
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 proof before letters, rare 
 
 1 
 
 \ 
 
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 185 
 
 Sunderland, Charles Spencer, Earl of 
 proof before letters 
 
 1 
 
 / 
 
 
 186 
 
 Thurlow, John, Secretary to Oliver Cromwell; General Ireton ; 
 
 
 
 
 
 
 Sir Francis Walsingham; James Earl of Morton; Sir Henry 
 Vane; and Sir Thomas More 
 
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 Tromp, Admiral, De Ruyter, Evertsen, and Princes of the House 
 
 
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 mostly proofs , rare 
 
 13 
 
 
 
 
 189 
 
 Vane, Sir Harry 
 
 
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 proof before letters 
 
 1 
 
 
 
 
 190 
 
 William III. 
 
 
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 3 
 
 
 
 proof before letters, very rare 
 
 
 
 
 
 
 HOVE (Paul de la). 
 
 
 
 
 
 191 
 
 Maximilien de Bethune Due de Sully 
 
 
 £ 
 
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 fine impression of this extremely rare portrait 
 
 1 
 
 
 
 
 
 LANDSEER (Thomas) 
 
 
 
 
 
 192 
 
 The Greyhound “ Eos,” after Landseer 
 
 
 
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 india proof before letters 
 
 1 
 
 
 
 
 
 LEEEVRE. 
 
 
 
 
 
 193 
 
 The Holy Night, after Correggio 
 
 
 
 9 
 
 
 
 fine impression 
 
 1 
 
 
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 Jeanne D’Arragon 
 
 
 
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 artist's proof before the border 
 
 1 
 
 
 7 
 
 
 
 LEVY. 
 
 
 
 
 
 195 
 
 The Concina Family, after Paul Veronese 
 
 
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 1 
 
 
 
 
 
 LOGGAN. 
 
 
 
 
 
 196 
 
 Charles II. in an oval on a pedestal, first state, before the alteration 
 
 
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 3 
 
 
 
 of the lace, rare; and an impression in the second state 
 
 2 
 
 
 
 
 197 
 
 Archibald Earl of Argyle, proof before any letters or the arms, 
 
 
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 and John Wallis 
 
 2 
 
 
 
 
 198 
 
 James Duke of Ormond, and Peter Gunning, Bishop of Ely 
 
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 SECOND DAY’S SALE. 
 
 Lot 
 
 ~T 
 
 - 
 
 
 199 
 
 Waste Water, Windermere, and other Views of the Lakes 
 
 
 
 
 
 
 some proofs 
 
 47 
 
 
 6 
 
 
 200 
 
 Various Photographic Views of Paris and Venice, contained 
 
 in a 
 
 
 
 
 
 half bound brown morocco portfolio with flaps 
 
 24 
 
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 201 
 
 Joseph Priestley, the Rev. George Clayton, William Smith, by 
 
 
 
 
 
 Ward, and others 
 
 7 
 
 
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 202 
 
 William Cobbett, by Bartolozzi ; Marguerite Cogni, and others 49 
 
 / 
 
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 203 
 
 William Shakespeare, by Vertue, and others 
 
 32 
 
 / 
 
 £ 
 
 
 204 
 
 Countess of Bedford, Lodge, india proof; William Butler, 
 
 and 
 
 
 
 
 
 others 
 
 36 
 
 / 
 
 £ 
 
 
 205 
 
 Dupin ; Davenant, by Faithorne, and others 
 
 36 
 
 
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 206 
 
 Major-General James Wolff, by Houston, and others 
 
 54 
 
 1 / 
 
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 207 
 
 Drummond of Hawthornden, and the Rev. Dr. Dodd 
 
 3 
 
 
 // 
 
 
 208 
 
 Andrew Marvel, Marie de Medicis, and others 
 
 29 
 
 
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 209 
 
 Lord Henry Pelham, by Houston, and others 
 
 23 
 
 / 
 
 3 
 
 
 210 
 
 Visit of Charles II., to the States, James II., Nell Gwynne, and 
 
 
 
 
 
 others 
 
 18 ; 
 
 
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 211 
 
 Views of Windsor and Oxford, by Hoefnagle, and others, 
 
 
 
 
 
 various 
 
 it 
 
 - 
 
 // 
 
 
 212 
 
 The Tomb of Sir Francis Vere, by Gay wood; Portraits by 
 
 
 
 
 
 Faithorne, and others various 
 
 14 
 
 
 /£ 
 
 
 213 
 
 Thomas Cecil Earl of Exeter ; Henry IV. after Porbus, 
 
 and 
 
 
 
 
 
 others 
 
 17 
 
 - 
 
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 214 
 
 James I., James II. and others 
 
 17 
 
 - 
 
 7 // 
 
 
 215 
 
 Marie de Medicis; Marguerite de Valois, by Moncornet 
 
 5 
 
 
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 216 
 
 Charles Fleetwood, John Holme, and others 
 
 53 
 
 / 
 
 / 
 
 
 217 
 
 Sir John Cotton, by White ; Joseph Moxon, by Van Hove, and 
 
 
 
 
 
 others 
 
 65 
 
 ! / 
 
 
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 218 
 
 William Cavendish, Duke of Newcastle, by Vertue; Sir Thomas 
 
 
 
 
 
 Gresham, and others 
 
 44 
 
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 The Rev. Thomas Scott and others, various 
 
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 220 The Monument of Mary Queen of Scots in Westminster Abbey, 
 
 and others, various 41 
 
 221 Loyola, Lorenzo de Medici, and others, various 30 
 
 222 Sir Thomas Overbury, Allan Ramsay, and others, various 30 
 
 223 Sir Thomas More, Lady Jane Grey, Sir Philip Sydney, Sir 
 
 Christopher Hatton, and other fine Lodge proofs 16 
 
 224 Robert Cecil Earl of Salisbury, Prince Rupert, the Earl of 
 
 Southampton, and other choice india proofs from Lodge, and 
 Harding’s Historical Portraits 13 
 
 225 Lord Palmerston, by Beilin, after Lucas, artist's proof, and 
 
 Joseph Hume, M.P. 2 
 
 226 Napoleon at Versailles, whole length, proof before any letters, 
 
 and another 2 
 
 227 Book Plates and Illustrations various, to Smollett and Gold¬ 
 
 smith, some proofs 28 
 
 228 Book Plates, various illustrations to Clarissa, Pamela, &c. mostly 
 
 choice proofs 68 
 
 229 Illustrations to Fielding, &c. mostly proofs 71 
 
 230 A. Durer ; the Knight of Death, and others, various 25 
 
 231 R. Burns, by Walker and Cousins, and other portraits, private 
 
 plates, &c. 6 
 
 232 Dr. Birkbeck, by Dawe, after Lane, fine proof; John Travers, by 
 
 Sharp, and other Portraits, private plates, &c. 7 
 
 233 W. Tooke, by C. Turner ; W. Ashurst, by Posselwhite, private 
 
 plates, Sfc. 6 
 
 234 Chevalier d’Eon, Fencing, Caricatures, &c. various 15 
 
 235 Representation of the Naval Engagement in the Downs between 
 
 the Dutch and English, June 1665, and others, various, 
 historical 9 
 
 236 The Declaration of the American Independence, with portraits of 
 
 Washington, Hancock, Jefferson, &c.; the same engraved 
 by Durand, after Trumbull, with key ; Washington’s Fare¬ 
 well Address 4 
 
 237 Interior and Exterior Views of St. Peter’s, Rome, by Piranesi 4 
 
 238 Lo Spasimo, by Selma, proof and others, various 11 
 
 239 Tilbury Fort, Wind against Tide, by Willmore ; and Werner, 
 
 after Maclise, by Sharp 3 
 
 240 The Procession of the Flitch of Bacon, by Watt, after Stothard 4 
 
 241 The Last Supper, after Leonardo da Vinci, by Fry, and others 5 
 
 242 The Rape of Europa, La Fruitiere, and others 12 
 
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 257 
 
 The Two Marys waiting at the entrance of the Tomb, lithograph; 
 Ave Maria, lithograph and engraving 
 
 Rev. Thomas Scott, Joseph Hughes, and various others, portraits 
 and topography 
 
 The Illuminations for Peace at the House of Mr. Otto, with an 
 autograph, &c. &c. 
 
 St. James’ House, by Kip, in the first state, and an impression 
 in the second state ; the brass Statue of Charles I. at Charing 
 Cross, Sutton Nichols 
 
 Banqueting House at Whitehall, in 1713, by Terasson, and other 
 London topographical illustrations 
 
 London during the Conflagration, and the Prospect of West¬ 
 minster, sold by J. Smith 
 
 64 
 
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 17 
 
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 View of Albermarle House, by Skillman; the General Post 
 Office, by Sutton Nichols, and others, various 6 
 
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 The Royal Exchange. “ Sir Thomas Gresham, knight, at 
 his owne costs and charges to the ornament and publike use 
 of this Royall citie of London, caused this place from the 
 fondacion to be erected the VII. of June Anno M.DLXVI. 
 and is full ended Anno MDLXIX.” 
 the extremely scarce original and a copy 2 
 
 Twenty illustrations to Boswell’s Journal of a Tour to the 
 Hebrides, and others, various 31 
 
 Westminster Abbey from the Broadway, pen and ink 
 drawing by Nutter, and other drawings illustrating 
 London 18 
 
 
 
 GARRICIvIANA._ 
 
 David Garrick, two etchings by Worlidge, Between Tragedy and 
 Comedy, and others, various, with playbills, &c. 10 
 
 Garrick’s Monument in Westminster Abbey , drawing by Ballard, 
 1819 ; Mrs. Garrick, Garrick’s Villa, and others 12 
 
 A new Prologue spoken by Mr. Garrick, Thursday, April 5, 
 1750, at the representation of Comus, for the benefit of Mrs. 
 Elizabeth Foster, Milton’s granddaughter, and only surviving 
 descendant 
 
 An Ode upon dedicating a Building and erecting a Statue to 
 Shakespeare at Stratford-upon-Avon, by D. Garrick 2 
 
 Mr. Woodward in the character of Mercutio 1 
 
 
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 Garrick in the character of Abel Drugger, by Dixon, proof ; in 
 the character of Richard III. by Hogarth, engraved by 
 Skelton, and others, various 10 
 
 Garrick in the character of Abel Drugger, with Mr. Burton and 
 Mr. Palmer, mezzotint, by Dixon and others 3 
 
 Garrick in the character of Abel Drugger, by S. W. Reynolds, 
 after Zoffany, brilliant proof before the artist's names; Garrick 
 as Sir John Brute in the Provoked Wife, proof ; and Knight, 
 by Dawe, proof 3 
 
 Miss Elliot, by Watson, proof 1 
 
 Depart des Comediens Italiensen 1697, by Jacob, after Watteau, 
 scarce , and others, various 5 
 
 Mrs. Siddons in the Grecian Daughter, and with her Son in the 
 Tragedy of Isabella, by Caldwall 2 
 
 Mr. Moody and Mr. Packer in the Registry Office; mezzotint, 
 by Saunders ; Garrick, by Finlayson, after Reynolds ; and 
 Mdme. Rose Didelot 3 
 
 Garrick, as Lord Chalkstone, in Lethe ; Mr. Yeates, as Launce; 
 
 and Miss Nailer, by Wilson 3 
 
 Samuel Foote, as Major Sturgeon, by Haid, proof; Lord and 
 Lady Spencer as Cecil and Lady Lambton 2 
 
 The Stage Mutiny, 
 
 fine and very rare 1 
 
 Garrick, as Richard III. by Dixon, after Dance ; Mrs. Jordan, 
 as the Comic Muse, by Park ; and others 7 
 
 The Beggar’s Opera, by Blake, after Hogarth; Mr. Shuter, Mr. 
 Beard, and Mr. Dunstall, in “ Love in a Village,” and Lord 
 and Lady Spencer as Colonel and Miss Rivers 3 
 
 Foote, as Dr. Last, with Weston, by Finlayson, proof; and Mrs. 
 
 Woffington, by MacArdell, after Pond 2 
 
 Miss O’Neill, in the character of Juliet, after Dawe ; Mrs. Yates, 
 after Parkinson; Miss Kemble, by Jones; and Mrs. H. 
 Siddons, Miss Murray, and Mrs. Jordan, by Jones, proof 4 
 John Bannister, by Smith, after Brown; and Johnson, as Gibby 
 Wonder, proofs 2 
 
 Dibdin, in the character of Mungo, by Clowes; Havard, by 
 Fisher, proof; Henderson, by Jones ; and others various 7 
 David Garrick, by Wood, after Pont; Garrick reciting the ode 
 
 in honour of Shakespeare, and others 5 
 
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 289 
 
 
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 Ground Plans of the Theatre in Goodman’s Fields, built by 
 William Gifford in 1737, draivings; the painted ceiling 
 over the pit of the Theatre drawing , and engraving, and 
 others various 9 
 
 Garrick in Hamlet, by MacArdell, after Wilson; by Collyer, 
 after Gainsborough; and others various 17 
 
 Garrick, in the character of Lord Chalkstone, in the farce of 
 Lethe, by Gabriel Smith, very fine and rare 1 
 
 Garrick, in the character of Abel Drugger, by Zoffany, after 
 Dixon, proof; in the character of Kitely, by Finlayson, after 
 Eeynolds, and others 12 
 
 Garrick, in Hamlet, by MacArdell, after Wilson ; and others 
 various 15 
 
 Garrick, by Dixon, after Hudson, mezzotint, proof; Between 
 
 Tragedy and Comedy, after Eeynolds ; and The Mask 3 
 
 Margaret Woffington, in the character of Phebe, by Van Bleeck, 
 fine and rare ; and Mrs. Baddely, by Lowrie 2 
 
 S£> cr&icruj 
 
 
 
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 KixrJ ex 
 
 
 LONGHI. 
 
 MADONNA DEL LAGO, after Leonardo da Vinci 
 artist's proof before any letters , with large margin , in a gilt 
 frame and patent plate glass 
 Holy Family, after Eaphael 
 proof before letters 
 
 La Madonna col divoto, after Leonardo da Vinci 
 fine artist's proof rare 
 Marriage of the Virgin, after Eaphael, 
 very fine old impression 
 The Holy Family, after Eaphael, 
 choice artist's proof 
 
 MAGDALEN, after COEEEGGIO 
 
 artist's proof with etched names excessively rare; large margin , 
 in gilt frame with patent plate glass 
 Triumph of Galatea, after Albano, 
 choice proof before letters, rare 
 The Infant St. John, after Caracci 
 artist's proof 
 
 Bust of Napoleon, with a Crown of Laurel, 
 proof before letters, rare 
 
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 LORICHON. 
 
 
 
 
 291 
 
 Ecce Homo, after Titian, 
 
 
 V 
 
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 fine proof before letters 
 
 1 
 
 
 4 
 
 
 LOUIS (Aristide) 
 
 
 
 
 292 
 
 Mignon aspirant au Ciel; and Mignon regrettant la Patrie, the 
 
 
 4 
 
 /O \ 
 
 
 pair after A. Scheffer, 
 
 
 
 
 
 choice numbered proofs (8) on india paper 
 
 2 
 
 
 
 293 
 
 Napoleon, after Delaroche 
 
 
 / 
 
 /4 
 
 
 india proof before letters 
 
 1 
 
 
 
 
 LUCAS (David). 
 
 
 
 
 294 
 
 The Grand Canal, Venice, after J. D. Harding 
 
 
 V 
 
 _o 
 
 
 artist's proof 
 
 1 
 
 
 
 
 MANDEL. 
 
 
 
 
 295 
 
 La Vedova, after Leopold Robert 
 
 
 
 / O 
 
 
 choice proof before letters 
 
 1 
 
 
 
 296 
 
 The Little Gardeners, after Magnus 
 
 
 4/ 
 
 
 
 the original DRAWING for the engraving in gilt frame with patent 
 
 
 
 
 
 plate glass 
 
 1 
 
 
 
 
 MARTINET. 
 
 
 
 
 297 
 
 Charles I. in the Guard-room, after Delaroche, 
 
 
 - 
 
 /o| 
 
 
 proof before letters 
 
 1 
 
 
 
 
 MASQUELIER. 
 
 
 
 
 298 
 
 The Entombment, after Raphael, 
 
 
 / 
 
 4 ' 
 
 
 beautiful proof before letters on india paper 
 
 1 
 
 
 
 
 MASSARD. 
 
 
 
 
 299 
 
 The Immaculate Conception, after Murillo 
 
 1 
 
 t 
 
 <3 
 
 300 
 
 La Dame Bienfaisainte, after Greuze 
 
 1 
 
 V 
 
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 MERCURI. 
 
 
 
 
 301 
 
 Les Moissoneurs, dans les Marais Pontins 
 
 
 cf 
 
 
 
 artist's proof india , rare , large margin, in gilt frame with patent 
 
 
 
 
 
 plate glass 
 
 1 
 
 
 
 302 
 
 Saint Amelie, after Delaroche 
 
 
 - 
 
 i / 
 
 
 fine impression 
 
 1 
 
 
 / 
 
 303 
 
 Sir Christopher Columbus 
 
 
 
 /fin 
 
 
 india proof before letters 
 
 1 
 
 
 
20 
 
 304 
 
 / 
 
 4 
 
 4 
 
 /o\ 
 
 305 
 
 306 
 
 307 
 
 * /4 
 
 a 
 
 
 /O 
 
 / 
 
 3 
 
 / 
 
 4 
 
 3 
 
 4 
 
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 308 
 
 309 
 
 310 
 
 311 
 
 312 
 
 313 
 
 314 
 
 315 
 
 316 
 
 METZMACHER. 
 
 Philippe de Champaigne 
 
 india proof before letters 1 
 
 MEYER. 
 
 Sir Roger de Coverley going to Church with the Spectator, after 
 Leslie 1 
 
 india proof 
 
 
 MILLER (James). 
 
 View of London. Westminster Bridge about 1770 
 large and important DRAWING in water colours 1 
 
 MORGHEN. 
 
 PARCE SOMNUM RUMPERE, after Carracci 
 
 artist's proof brilliant and rare, signed by the engraver, large 
 margin in gilt frame with patent plate glass 
 Madonna del Cardellino 
 choice proof on india paper, very rare 
 MADONNA DELLA SEGGIOLA 
 choice proof very fine and rare 
 THE TRANSFIGURATION, after Raphael 
 brilliant proof before letters 
 
 The Last Supper, after the fresco by Leonardo da Vinci 
 brilliant impression before the comma after the word “ Vobis," 
 with good margin 
 
 Lot and his Daughters, after Guercino 
 proof before letters 
 
 The Penitent Magdalen, after Murillo 
 fine impression before the dedication 
 Poesia, after Carlo Dolci 
 
 artist's proof before the arms or letters, with full margin , in 
 gilt frame with patent plate glass 
 Portrait of Michel Angelo 
 
 brilliant proof before letters, with large margin, and presenta¬ 
 tion from the engraver to Sig. Artaria 
 Theseus and the Centaur, after Canova 
 fine proof before letters 
 
 
 1 
 
 1 
 
 1 
 
 1 
 
 1 
 
 1 
 
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 317 
 
 The Four Italian Poets, after Tofanelli and Ermini 
 
 
 /4 
 
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 Petrarch, Tasso, Ariosto, Boccaccio 
 brilliant proofs, with full margins, before any letters or the 
 
 
 
 
 
 artist's names ; presque unique 
 
 4 
 
 
 
 318 
 
 Portrait of Dante, after Tofanelli 
 
 
 
 
 
 fine proof before letters 
 
 1 
 
 
 
 319 
 
 Lorenzo di Medici, after Vasari, proof 
 
 1 
 
 ■> 
 
 £ 
 
 320 
 
 Napoleon with a Crown of Laurels 
 
 
 / 
 
 /o 
 
 
 brilliant artist's proof with the remark, very rare 
 
 1 
 
 
 
 
 MULLER. 
 
 
 
 
 321 
 
 LA MADONNA DI SAN SISTO, after Raphael 
 
 
 v° 
 
 
 
 brilliant proof, with large margin in gilt frame and patent plate 
 
 
 / 
 
 
 
 glass 
 
 1 
 
 
 
 322 
 
 St. John, after Domenichino 
 
 
 
 J2J 
 
 
 fine print before the retouch, with large margin, in gilt frame and 
 
 
 
 patent plate glass 
 
 1 
 
 
 
 
 NANTEUIL. 
 
 
 
 
 323 
 
 Anne of Austria, fine impression 
 
 1 
 
 - 
 
 | 
 
 324 
 
 Francois de Bonne, Marechal de Crequi. fine 
 
 1 
 
 *- 
 
 = 2 ! 
 
 ff\ 
 
 325 
 
 Frederick Maurice de la Tour d’Auvergne, Vicomte de Turenne, 
 
 
 - 
 
 
 and Basile Fouquet 
 
 2 
 
 
 
 326 
 
 Jean Baptiste Colbert, fine and rare 
 
 1 
 
 - 
 
 ? I 
 
 327 
 
 Nicolas Fouquet, fine and rare 
 
 1 
 
 • 
 
 /A 
 
 
 PASS. 
 
 
 
 
 328 
 
 ELIZABETH, Queen of England, whole length, in the 
 
 
 32 
 
 
 
 MAGNIFICENT JEWELLED DRESS IN WHICH SHE WENT TO 
 
 St. Paul’s to return thanks for the destruction 
 of the Spanish Armada, after J. Oliver 
 
 
 
 ■ j 
 
 
 fine impression, extremely rare 
 
 1 
 
 
 
 329 
 
 ELIZABETH OF BOHEMIA, three quarter length, holding 
 
 
 / 
 
 / 
 
 
 a fan “ are to be sold by John Hind ” 
 very fine and extremely rare 
 
 1 
 
 
 
 330 
 
 Princess Elizabeth, Queen of Bohemia, “ Sold by Geo. Humble 
 
 
 / 
 
 5 
 
 
 in Popes head Alley,” very rare 
 
 1 
 
 
 
 \3 3 
 
22 
 
 
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 PAYNE. 
 
 
 1 
 
 4 1 
 
 c5~ , 
 
 
 331 
 
 Robert Devereux Earl of Essex, half length, in a hat, 
 
 holding a 
 
 
 
 
 
 
 truncheon, in a border, with two soldiers competing with 
 
 
 
 
 
 
 spears above 
 
 
 
 
 
 
 
 rare 
 
 
 
 
 
 
 
 PIOTTI. 
 
 
 
 
 JZ 
 
 
 332 
 
 Semiramis, after Guercino 
 
 
 
 
 
 
 
 choice artist's proof before any letters 
 
 
 1 
 
 
 cV 
 
 
 
 QUILLEY. 
 
 
 
 • 
 
 
 333 
 
 Off Calais, after Clarkson Stanfield 
 
 
 
 
 
 
 
 brilliant proof of this fine mezzotint, with full margin 
 
 
 1 
 
 
 
 
 
 REYNOLDS (S. W.) 
 
 
 i 
 
 / 
 
 <S 
 
 
 334 
 
 Kemble as Cato, after Sir T. Lawrence 
 
 
 
 
 
 
 
 brilliant proof before any letters, unpublished 
 
 
 1 
 
 - 
 
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 335 
 
 The same 
 
 
 
 
 
 
 
 proof before letters, with the artists' names 
 
 
 1 
 
 
 
 
 
 REYNOLDS (Sir Joshua) 
 
 
 
 f> 
 
 
 
 336 
 
 The Members of the Dilettanti Society, the 
 
 pair of 
 
 
 
 
 
 
 mezzotints engraved by Say and Turner 
 
 
 
 
 
 
 
 superb India proofs before letters, with full margins 
 
 
 2 
 
 
 
 
 
 RIBERA. 
 
 
 
 V 
 
 
 
 337 
 
 Cleopatra, after Guido 
 
 
 
 
 
 
 
 proof before letters 
 
 
 1 
 
 
 
 
 
 RICHOMME. 
 
 
 
 / 
 
 
 
 338 
 
 La Yierge au Silence 
 
 
 
 
 
 
 
 numbered proof before letters 
 
 
 I 
 
 
 
 
 
 ROBINSON. 
 
 
 
 / 
 
 s3~ 
 
 
 339 
 
 The Mother’s Embrace, after Leslie 
 
 
 
 
 
 
 
 proof before letters 
 
 
 1 
 
 
 
 ' 
 
 340 
 
 Her Majesty Queen Victoria, after Partridge 
 
 
 
 
 
 
 
 artists' proof 
 
 
 1 
 
 
 
 
 
 ROSASPINA. 
 
 
 
 v 
 
 /O 
 
 
 341 
 
 The Descent from the Cross, after Correggio 
 
 
 
 
 
 
 
 proof 
 
 
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 RYALL. 
 
 
 
 
 
 342 
 
 The Evening Prayer, after E. P. Frere 
 
 
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 choice artist's india proof 
 
 1 
 
 
 
 
 343 
 
 Columbus discovering the New World, after David Wilkie 
 
 
 • 
 
 7 ? 
 
 
 
 proof 
 
 1 
 
 
 / 
 
 
 
 SHARP. 
 
 
 
 
 
 344 
 
 The Doctors of the Church, after Guido 
 
 
 O 
 
 o 
 
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 choice proof before any letters, rare 
 
 1 
 
 
 
 
 345 
 
 The Infant Christ, after Carracci, proof, and the Head of our 
 
 
 ' 
 
 Jr 
 
 
 
 Saviour, after Guido 
 
 2 
 
 
 
 
 
 SMITH. 
 
 
 
 
 
 346 
 
 Duchess of Monmouth, the Earl of Doncaster, and Lord Henry, 
 
 
 / 
 
 92 
 
 
 
 after Kneller , fine 
 
 1 
 
 
 
 
 347 
 
 Charles, Earl of Dorset, after Kneller ; Sacheverell, after Russell, 
 
 
 ' 
 
 /&> 
 
 
 
 and Sir Robert Southwell 
 
 3 
 
 
 
 
 348 
 
 Duke of Gloucester with a Dog, after Kneller, and Madame 
 
 
 - 
 
 /G 
 
 
 
 Jane Skeffington, after Wissing 
 
 2 
 
 
 
 
 349 
 
 James Butler, Duke of Ormond after Kneller, 
 
 
 J2 
 
 Y 
 
 
 s 
 
 fine and rare proof 
 
 1 
 
 
 Y 
 
 
 350 
 
 Lady Elizabeth Carteret, after Kerzeboom, 
 
 
 jn 
 
 
 
 
 fine proof 
 
 1 
 
 
 
 
 351 
 
 Madam Jane Skeffington, after Wissing, proof and the Duke of 
 
 
 v 
 
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 Gloucester, after Kneller, proof 
 
 2 
 
 
 
 
 352 
 
 Mr. and Mrs. Gibbons, after Closterman 
 
 1 
 
 t 
 
 fT 
 
 ■ 
 
 353 
 
 Sidney Earl of Godolphin, and Mr. John Bannister 
 
 2 
 
 
 ? 
 
 
 354 
 
 Sir Cloudesley Shovel, 
 
 
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 9 
 
 / 
 
 
 
 fine and rare mezzotint proof 
 
 1 
 
 
 
 
 
 STEINLA^ 
 
 
 
 
 
 355 
 
 The Madoxna, after Holbeiu, 
 
 
 /6 
 
 6~ 
 
 
 
 proof before arms or letters, rare, large margin, in gilt frame 
 
 
 
 
 
 
 with patent plate glass 
 
 1 
 
 
 
 
 356 
 
 The Massacre of the Innocents, after Raphael, 
 
 
 - 
 
 U 
 
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 very fine impression on india paper 
 
 1 
 
 , 
 
 
 1 
 
24 
 
 STOOP. 
 
 357 A SERIES OF SEVEN ETCHINGS, IN COMMEMORATION OF THE 
 THE ARRIVAL OF CATHERINE OF BRAGANZA IN ENGLAND, ON 
 OCCASION OF HER MARRIAGE WITH KING CHARLES II. viz. 
 
 No. 1. The Entrance of the Lord Ambassador Montague into the 
 City of Lisbon, March 28th, 1662 
 
 ,, 2. The publique proceeding of the Queen’s Majestie of Great 
 Britaine through the citte of Lisbone 
 
 ,, 3. The Manner how her Majestie Donna Catherina embarketh 
 from Lisbon for England 
 
 ,, 4. The Duke of York’s meeting with the Royal Navy after 
 it came into the Channel 
 
 ,, 5. The manner of the Queen’s Majestie landing at 
 Portsmouth 
 
 ,, 6. The Coming of the King’s Majestie and the Queen’s from 
 Portsmouth to Hampton Court 
 
 „ 7. The Triumphal entertainment of the Kinge and Queene 
 by Lord Mayor and Citizens of London from Hampton 
 Court to Whitehall, on the river Thames 7 
 
 The complete set of the seven plates of the greatest rarity, 
 the last set sold in the Puibusque collection realizing £30 
 
 
 
 
 STRANGE (Sir Robert). 
 
 358 Fortune distributing her Gifts, after Guido, 
 
 brilliant proof before all letters and before the cross lines on the 
 globe, with full margin, very rare 1 
 
 359 Cleopatra, after Guido, 
 
 brilliant artist's proof before all letters, extremely rare 1 
 
 360 Mary Magdalen, after Correggio, 
 
 superb proof before any letters or the artists' names, with entire 
 margin, very rare 1 
 
 361 St. Agnes, after Domenichino, and Fortune, after Guido, 
 
 large margin, in oak frame with patent plate glass 
 
 362 The Apotheosis of the English Princes, after West, 
 
 artist's proof, rare 1 
 
 363 The Infant Saviour as the Good Shepherd, after Murillo, 
 
 and Sleeping, after VAN DYKE, 
 
 the pair superb proofs before any letters, with the entire margins 2 
 
 CTlJLxj J 
 
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 363 
 
 364 
 
 365 
 
 366 
 
 367 
 
 368 
 
 369 
 
 370 
 
 371 
 
 372 
 
 373 
 
 374 
 
 375 
 
 Virgin with the Infant Saviour sleeping, after Guido, 
 brilliant artist's proof before all letters, ivith entire margin 
 
 TOSCHI. 
 
 Chist bearing his Cross, called “ Lo Spasimo di Sicilia,” 
 after Raphael, brilliant proof before letters, and before the 
 S. P. Q. B. on the flag 
 
 The Descent from the Cross, after D. di Volterra, 
 fine old impression 
 
 Diana in her Car, after Correggio, 
 choice artist's proof 
 Groups of Heads of Angels, 
 the pair, superb proofs before any letters, very rare 
 The Coronation of the VIRGIN, from the fresco by Correggio 
 in the Cathedral at Parma, 
 very fine artist's proof 
 
 HISTORICAL, MISCELLANE OUS. 
 
 The Murder of Henry IV. of France, with the torture and 
 execution of Ravaillac 
 
 curious and extremely rare early French engraving 
 The Massacre of the Huguenots, 
 curious and extremely rare early French print 
 “ The Thankful remembrance, 7th August, 1588, from the 
 Spanish Armada, with a true description of their strength.” 
 Representation of the fleet off the coast, and the returning 
 thanks at St. Paul’s, very curious and perhaps unique 
 The Marriage of William II. Prince of Orange, to Mary 
 daughter of Charles I. Charles I. and Henrietta Maria 
 enthroned on the left. Frederick Henry of Nassau and 
 Amelia de Solms on the right, engraved by Persyn, 
 curious and rare 
 
 The Dutch Fleet in the Thames, an original drawing by 
 Shelling, and another drawing 
 The Synod of Dortrecht, Visscher ex., and another 
 The Execution of Charles 1. surrounded by four smaller 
 representations of the events previous to his execution, above 
 portraits of Fairfax and Cromwell in wreaths of laurel, and 
 Charles I. in an architectural border, curious and very rare 
 
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 376 
 
 377 
 
 4 
 
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 378 
 
 379 
 
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 / 
 
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 n 
 
 380 
 
 381 
 
 382 
 
 383 
 
 384 
 
 385 
 
 386 
 
 The Execution of Charles I. in front of Whitehall, curious 
 contemporary broadside with oval portraits of Fairfax, Charles 
 and Cromwell above, very rare 
 
 The Embarkation of Henrietta Maria at Schevening, 1643, and a 
 Dutch Allegorical representation of Charles II. 
 
 curious and rare 
 
 The Departure of Charles II. from the Dutch coast at Scheveling, 
 for England, June, 2nd, 1660, by P. Schut, rare 
 The Ceiling of the Banqueting House at Whitehall, representing 
 the Apotheosis of James I. painted by Rubens, in 1635 
 the three plates by Gribelin, fine impressions with margins 
 Representation of the execution of Thomas Yenner, with twelve 
 of his followers, on the 4th of February, 1661, 
 curious and rare contemporary flying sheet 
 Oliver Cromwell, half length, oval in an allegorical border, by 
 Cornelius Visscher, rare 
 
 Marriage of Frederick and Elizabeth of Bohemia, 
 whole length portraits beautifully engraved in the manner of 
 Wierix, with text in Latin and German , published in 1613, 
 very fine , and of the greatest rarity 
 Marriage of Charles I. with Henrietta Maria, “ Epitha- 
 lamium Gallo-Brittanicum, or a Discourse of ye Marriage 
 betwixt England and France, with the true pourtraitures of 
 ye Most Illustrious Princes, Charles Prince of Great Britain, 
 and of the Lady Maria Henrietta daughter of France with 
 ye arms and marriages betwixt England and France” 
 whole length portraits under an archway , surrounded by the arms 
 and marriages past between England and France; of the 
 greatest rarity. 
 
 LOUIS XIII. ON Horseback, View of Paris in the distance, 
 with a representation of the murder of Henry IV. and 
 execution of his murderer, Ravaillac ; at the top of the print, 
 small oval portraits of Henry IY. Mary de Medicis, and 
 Ravaillac, with descriptions in Dutch, published at Amsterdam 
 by Paulus Aerts Ravestein, 1610, fine and extremely rare 
 “ L’Aliance du Roy de France avec Marie de Medicis Princesse 
 de France,” 'whole length portraits of Henry IV. and Marie 
 de Medici, very fine and extremely rare 
 James 1. and Anne of Denmark, whole lengths, with eight Latin 
 - verses beneath, helmet on the gi’ound, in the manner of 
 Wierix, fine and rare 
 
 2 
 
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 Entree de Henry Quatre dans Paris.” 
 
 “ Comme le Roy alia incontinent a l’Eglise de Notre Dame 
 rendre graces solennelles a Dieu de cest admirable reduc¬ 
 tion de la ville Capitale de son Royaume.” 
 
 “ Comme sa Majeste le mesme jour estant a la Porte S. 
 Denis, veid sorter hors de Paris les garnisons estrangeres 
 que le Roy d’Espagne y entretenoit.” 
 the complete set of three plates, very fine impressions, of 
 excessive rarity 3 
 
 “ De Bloedighe t’ Samen—Spraak, van Fairfax an Cromwel,” 
 half length portraits of Cromwell and Fairfax, the former 
 with the wolf looking over his shoulder, the latter a lion, 
 curious and rare Dutch broadside in the first state 1 
 
 oT 
 
 CROMWELL wearing a triple crown, trampling on the Scotch, 
 squeezing the English under his arm, and disembowelling a 
 Dutchman, an illustration to “ Uyteeldinge van de Hoog- 
 moedige Republijk van Engelandt Cromwell with two 
 dogs attacking the Belgian Lion, “Leewen Honden Geveght” 
 
 2 
 
 
 CROMWELL in the Pulpit, returning thanks for the victory at 
 W orcester 
 
 curious contemporary flying sheet, extremely rare; 
 
 And “ Olever Cromwell's Cabinet Councell Discovered” 2 
 
 /Q 
 
 i 
 
 
 Coronation of Frederick of Bohemia, surrounded by seven smaller 
 Representations of the Events, and Portraits of Frederick and 
 Elizabeth 1 
 
 Charles I., whole length in armour, curious broadside 
 in reference to the Expedition against the Scotch in 1639, 
 with the names of the Earls, Lords, &c., that attend his 
 Majesty, and of the Ships under Sir John Pennington 
 very curious and rare. An impression in the Puibusque Collec¬ 
 tion realised £10 10s. 1 
 
 i 
 
 s-> 
 
 Charles I. “ Oh, horrible murder,” curious and rare, with copy 2 
 
 “ A perfect list of all the victories obtained (through the blessing l/- 6 /Q 
 of God) by the Parliament’s forces under the command of 
 His Excellency Robert Earl of Essex,” &c., “with the names 
 of the cities, towns, castles, and forts taken from the enemy 
 since the beginning of these unnatural wars to this present 
 moneth of August, 1646.” Contemporary flying sheet, with 
 

 
 
 28 
 
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 / / 
 
 
 Portraits of Essex, Lesley, Fairfax, Manchester, Skipton, 
 Oliver Cromwell (Lieutenant General of the Horse), Waller, 
 Brereton, Massy, and Brown 
 
 of excessive rarity, and great historical interest 1 
 
 396 Lords Justices in the absence of William III., and the Bishops’ 
 
 Council 2 
 
 397 The Seven Bishops confined in the Tower by James II., by 
 
 Haelweg 
 
 very fine and rare 1 
 
 '398 Portrait of Ravaillac, by Van Sichem ; and the Murder of 
 Henry IV., by Luiken 2 
 
 399 OLIVER Cromwell in armour, a Youth tying on his scarf, in 
 the centre of a curious English broadside, “ for constituting 
 of Oliver Cromwell Esqr. to be Captaine Generali, dated 
 1620” 
 
 very fine and rare 1 
 
 CL* 
 
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29 
 
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 VuTa 
 
 MISCELLANEOUS. 
 
 Duke of Albermarle, by Becket; Sir Richard Haddock, by 
 Faithorne, and others 7 
 
 Elizabeth of Bohemia, the Earl of Leicester, and the Earl of 
 Nottingham, Lodge proofs, and others 6 
 
 Elizabeth Queen of England, and Dudley, Earl of Leicester, by 
 Van Sichem; Entry of William III. into London, and 
 others 7 
 
 Frederick King of Bohemia, equestrian portrait in armour, a 
 town in the background 
 
 James I. and Anne of Denmark, old impressions from the silver 
 plates 5 
 
 Henrietta Maria and Charles I., by Suyderhoef and others, 
 various 7 
 
 Henry IV. of France, by Gaultier ; Andry Jeanne d’Albret, by 
 De Leu, and others 6 
 
 James Boswell of Auchinleck, by Jones, after Sir Joshua Rey¬ 
 nolds ; Mr. Munden, after Opie ; and William Godwin, after 
 Northcote 3 
 
 Tillotson, by Vandrebanc; Atterbury, by Loggan, and others 7 
 James Duke of Monmouth, by Schenk, and others 3 
 
 Henry IV. of France, by Moncornet, Tardieu, and others 12 
 
 John Rushworth, by White; Thomas Thynne, of Longleet; 
 
 Schiller, and others 11 
 
 Portraits of Monk, Cromwell, Essex, Lord Fairfax, and others 12 
 Nathaniel Greene, Joseph Gulston, by Watson, and others 20 
 
 Charles I. surrounded by his Adherents, by Nutting, rare 1 
 
 Mrs. Clive, and Knight, by Daulle, proof 2 
 
 Robert Earl of Ailsbury, the Earl of Athlone, proof; Lord 
 Chatham, proof; and Aldrich, by Smith 4 
 
 / 
 
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30 
 
 TURNER’S LIBER STUDIORUM. 
 
 416 The complete set of Seventy Plates, in the first 
 
 PUBLISHED STATES. 
 
 A matchless copy of this celebrated work; but few are known 
 to exist in this early state, and only in one or two instances 
 have they been sold publicly. There are five additional 
 proofs illustrating the variations made by Turner in the 
 effects of light and shade 
 
 in fine condition, with full margins, mounted and bound in half 
 russia, gilt edges 
 
 We print from Mr. Dillon’s Papers the following note in reference 
 to the present series : — 
 
 “ The history of the present series is as follows. I purchased 
 some time since a copy of the work, which, as I became 
 better acquainted with its contents, I found by certain marks 
 and variations to consist chiefly of late states of the plates ; 
 there was, indeed, but one impression which was clearly in 
 the first or earlier state. I set about, by purchase, ex¬ 
 change, &c., to improve the copy, and have at length, at 
 some expense and at no small trouble, succeeded in forming 
 a collection, every plate of which is in the first published 
 state, adding, by way of illustration, impressions where 
 remarkable variations have been made.” 
 
 The Frontispiece 
 
 1 iEsacus and Hesperi q, first state before the face was turned 
 The same, second state, with rays of light 
 
 2 Jason 
 
 The same, with alteration of letter H and shading 
 
 3 Procris and Cephalus 
 
 4 Spenser’s Faery Queen 
 
 5 The Fifth Plague of Egypt 
 
 6 The Tenth Plague of Egypt 
 The same, second state 
 
 7 Christ and the Woman of Samaria 
 
 8 Ri spall 
 
 9 Raglan Castle 
 
 10 Junction of the Severn and Wye 
 
 11 The Clyde 
 
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31 
 
 12 Okehampton 
 
 13 Sun, with bridge in middle distance 
 
 14 Woman playing Tambourine 
 
 15 Stone Bridge, with Goats 
 
 16 St. Catherine’s Hill, Guildford 
 
 17 The River Wye 
 
 18 Twickenham 
 
 19 Isis 
 
 20 A Hindoo Praying 
 
 The same, with alteration in sky 
 
 21 A Woman washing at a Fountain 
 The same, worked in different ink 
 
 22 The Magdalen—Solitude 
 
 23 Norham Castle 
 
 24 Solway Moss 
 
 25 The Farmyard 
 
 26 Pembury Mill, Kent 
 
 27 Winchelsea, Sussex 
 
 28 East Gate, Winchelsea 
 
 29 Water Mill 
 
 30 Lock and Wind Mill 
 
 31 Juvenile Tricks 
 
 32 Young Anglers 
 
 33 Rustic Bridge 
 
 34 The Rickyard 
 
 35 Hedging and Ditching 
 
 36 Watercress Gatherers 
 
 37 Calais Harbour 
 
 38 Calm 
 
 39 Shipping—Lord Egremont’s Picture 
 
 40 Sea Piece—Mr. Leader’s Picture 
 
 41 Sea Shore—Sir John Mildmay’s Picture 
 
 42 Flint Castle 
 
 43 Coast of Yorkshire 
 
 44 Marine Dabblers 
 
 45 Source of the Arveron 
 
 46 Mer de Glace 
 
 47 Inverary Pier 
 
32 
 
 
 48 
 
 Inverary Castle and Town 
 
 
 
 49 
 
 The Devil’s Bridge 
 
 
 
 50 
 
 Mount St. Gothard 
 
 
 
 51 
 
 Lake of Thun 
 
 
 
 52 
 
 Bonneville 
 
 
 
 53 
 
 The Alps, from Grenoble 
 
 
 
 54 
 
 Mill near the Grande Chartreuse 
 
 
 
 55 
 
 Ben Arthur, Scotland 
 
 
 
 56 
 
 Peat Bog, Scotland 
 
 
 
 57 
 
 Blair Athol 
 
 
 
 58 
 
 Hind Head Hill 
 
 
 
 59 
 
 Martello Towers, Bexhill 
 
 
 
 60 
 
 Crypt, Kyrkstall Abbey 
 
 
 
 61 
 
 Interior of Church 
 
 
 
 62 
 
 Basle 
 
 
 
 63 
 
 Holy Isle Cathedral 
 
 
 
 64 
 
 Dunstanborough Castle, before size of picture 
 
 
 
 65 
 
 Rivaulx Abbey 
 
 
 
 66 
 
 Dumblane Abbey 
 
 
 
 67 
 
 Yille de Thun 
 
 
 
 68 
 
 Morpeth 
 
 
 
 69 
 
 London, from Greenwich 
 
 
 
 70 
 
 Lauffenbourgh 
 
 
 ; 4 /£ 
 
 & 
 
 
 
 
 J. M. W. TURNER’S LIBER STUDIORUM. 
 
 1 
 
 The Etchings executed by Turner for the Published Plates. 
 
 
 
 ‘ This collection, formed with much difficulty and cost, is, I believe, 
 
 
 
 the only complete one of the etchings extant. They were all 
 
 
 
 by Turner’s own hand, except two, attributed to Dawe. It 
 
 
 
 has 
 
 been decided, upon apparently good authority, that no 
 
 
 
 etching exists of the Calais ; of the Calm, two impressions 
 
 
 
 only were taken, one of these I obtained after Turner’s death.” 
 
 
 
 Mr 
 
 . Dillon's MS. Note. 
 
 
 417 
 
 iESACUS AND HESPERIE 1 
 
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 420 
 
 421 
 
 422 
 
 423 
 
 424 
 
 425 
 
 426 
 
 427 
 
 428 
 
 429 
 
 430 
 
 431 
 
 432 
 
 433 
 
 434 
 
 435 
 
 436 
 
 437 
 
 438 
 
 439 
 
 440 
 
 441 
 
 442 
 
 443 
 
 444 
 
 445 
 
 446 
 
 447 
 
 448 
 
 449 
 
 450 
 
 451 
 
 452 
 
 453 
 
 454 
 
 
 455 
 
 Procris and Cephaltts 
 Spenser’s Faery Queen 
 The Fifth Plague of Egypt 
 The Tenth Plague of Egypt 
 Christ and the Woman of Samaria 
 Rispah 
 
 Raglan Castle 
 
 Junction of the Severn and Wye 
 
 The Clyde 
 
 Okehampton 
 
 Sun, with Bridge in middle distance 
 
 Woman playing Tambourine 
 
 Stone Bridge, with Goats 
 
 St. Catherine’s Hill, Guildford 
 
 The River Wye 
 
 Twickenham 
 
 Isis 
 
 A Hindoo Praying 
 
 A Woman washing at a Fountain 
 
 The Magdalen—Solitude 
 
 Norham Castle 
 
 Solway Moss 
 
 The Farm Yard 
 
 Pembury Mill, Kent 
 
 WlNCHELSEA, SUSSEX 
 
 East Gate, Winchelsea 
 Water Mill 
 Loch and Wind Mill 
 Juvenile Tricks 
 Young Anglers 
 Rustic Bridge 
 The Rick-yard 
 Hedging and Ditching 
 Water Cress Gatherers 
 Calm 
 
 Shipping—Lord Egremont’s Picture 
 Sea Piece—Mr. Leader’s Picture 
 
 f 
 
 1 
 
 
 
 1 
 
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 456 
 
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 457 
 
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 458 
 
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 459 
 
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 460 
 
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 461 
 
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 463 
 
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 470 
 
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 77 
 
 
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 472 
 
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 473 
 
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 474 
 
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 475 
 
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 476 
 
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 3 
 
 
 477 
 
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 478 
 
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 479 
 
 9 
 
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 481 
 
 
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 483 
 
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 484 
 
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 485 
 
 
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 486 
 
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 487 
 
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 73 
 
 
 488 
 
 Sea Shore—Sir John Mildmay’s Picture 
 
 Flint Castle 
 
 Coast of Yorkshire 
 
 Marine Dabblers 
 
 Source of the Arveron 
 
 Mer de Glace 
 
 Inverary Pier 
 
 Inverary Castle and Town 
 
 The Devil’s Bridge 
 
 Mount St. Gothard 
 
 Lake of Thun 
 
 Bonneville 
 
 The Alps, from Grenoble 
 
 Mill near the Grand Chartreuse 
 
 Ben Arthur, Scotland 
 
 Peat Bog, Scotland 
 
 Blair Athol 
 
 Hind Head Hill 
 
 Martello Towers, Bexhill 
 
 Crypt, Kirkstall Abbey 
 
 Interior of a Church 
 
 Basle 
 
 Holy Isle Cathedral 
 Dunstanborough Castle 
 Rivaulx Abbey 
 Dumblane Abbey 
 Yille de Thun 
 Morpeth 
 
 London from Greenwich 
 Lauffenbourgh 
 
 J. M. W. TURNER’S LIBER STUDIORUM. 
 
 Rare Artist’s Proofs^ 
 
 The Frontispiece, subject engraved by Turner 
 brilliant, from Mr. Stokes' Collection 
 The Clyde 
 
 Basle, effect of Moonlight, afterwards altered to sunshine 
 
 Ol ch. J 
 
 OL&t rruzjjC) 
 
 . 
 
 727 
 
 c5S crdUcnjO 
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 CXX-J 
 
 I 
 
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 OnJIMAO 
 
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 CLa cnjA.> 
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 J&- 
 
35 
 
 489 
 
 
 490 
 
 C'Lcra 
 
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 crCAiTLXj c^jy, 
 
 T&cJUo i 
 
 491 
 
 492 
 
 493 
 
 494 
 
 495 
 
 496 
 
 497 
 
 498 
 
 499 
 
 500 
 
 501 
 
 502 
 
 503 
 
 504 
 
 505 
 
 506 
 
 507 
 
 508 
 
 Lake of Thun 
 
 before the alteration in the clouds 1 
 
 Mer de Glace 
 
 drawn, etched, and engraved by Turner; rare early state, 
 before distant Peak and Bird 1 
 
 Shipping. Lord Egremont’s Picture 1 
 
 Water Mill, brilliant 1 
 
 Junction of the Severn and Wye 1 
 
 Juvenile Tricks 1 
 
 Lock and Wind Mill 1 
 
 Flint Castle 1 
 
 Inverary Castle and Town 1 
 
 The Crypt, Kirkstall Abbey 1 
 
 Rustic Bridge 1 
 
 Sea Shore. Sir John Mildmay’s Picture 1 
 
 St. Gothard 1 
 
 Coast of Yorkshire l 
 
 Jason 1 
 
 London from Greenwich l 
 
 Hindoo Praying 1 
 
 Young Anglers l 
 
 The Farm-yard 1 
 
 Twickenham 1 
 
 THE FOLLOWING ARTIST’S PROOFS HAVE BEEN 
 TOUCHED AND DRAWN UPON BY TURNER. 
 
 (f}€> crcl-irzjui 
 
 *7 
 
 C^-O 
 
 509 
 
 510 
 
 511 
 
 512 
 
 513 
 
 514 
 
 515 
 
 516 
 
 517 
 
 Sun between Trees, Bridge in middle distance 1 
 
 Woman playing Tambourine 1 
 
 NORHAM CASTLE, before the rays of light 1 
 
 The Devil’s Bridge, before introduction of light above 1 
 
 The same, printed in dark ink 1 
 
 Lake OF Thun, much worked upon, vide Turner's autograph 
 note 1 
 
 Basle, much worked upon, alteration in sky 1 
 
 Dumblane Abbey 1 
 
 Morpeth 1 
 
 f 
 
 6 
 
 
 J 
 
 / 
 
 
 
 /J2 
 
 . 
 
 
 
 
 /o 
 
 
 
 /A 
 
 76 
 
 
 / 
 
 
 
 /4 
 
 /4 
 
 
 /4 
 
 /4 
 
 
 // 
 
 // 
 
 
 AT 
 
 
 
 /n. 
 
 /2 
 
 
 /3 
 
 
 
 
 6 
 
 
 t-f 
 
 /o 
 
 
 / 
 
 
 
 4 
 
 /o 
 
 
 36 
 
 
 
 /S 
 
 
 
 /3 
 
 76 
 
 
 / 
 
 / 
 
 
 3/ 
 
 
 
 y 
 
 A 
 
 
 
 6 
 
 . 
 
 
 
 
 // 
 
 
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 3/ 
 
 /o 
 
 • 
 
 /& 
 
 7<P 
 
 
 3Q 
 
 
 
 l 
 
 
 
 /o 
 
 /o 
 
 
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 . 
 
3 6 
 
 j- 
 
 — 
 
 
 
 J. M. W. TURNER’S LIBER STUDIORUM. 
 
 
 
 
 
 
 The rare unpublished Plates and Etchings. 
 
 
 
 
 
 
 THE ETCHINGS. 
 
 
 J - 
 
 
 
 518 
 
 The Premium Landscape 
 
 1 
 
 Co 
 
 • 
 
 
 519 
 
 The Temple of Jupiter at Egina 
 
 1 
 
 S 
 
 \r 
 
 
 520 
 
 Windsor from Eton 
 
 1 
 
 no 
 
 
 
 521 
 
 Via Mala 
 
 1 
 
 f 
 
 /9I 
 
 
 522 
 
 Glaucus and Scylla 
 
 1 
 
 / 
 
 / 
 
 
 523 
 
 Ploughing, Eton College 
 
 1 
 
 S' 
 
 
 
 524 
 
 Crowhurst 
 
 1 
 
 1 ^ 
 
 
 
 525 
 
 Landscape, with Aqueduct and Stork 
 
 1 
 
 S ' 
 
 s ~ 
 
 
 526 
 
 Dumbarton 
 
 1 
 
 S' 
 
 5 
 
 
 527 
 
 Pan and Syrinx 
 
 1 
 
 
 
 
 
 THE FINISHED PLATES. 
 
 
 S ! 
 
 ' 
 
 
 528 
 
 The Premium Landscape, artist's proof brilliant and very 
 
 
 
 
 
 
 rare 
 
 1 
 
 3 
 
 3 
 
 
 529 
 
 The Temple of Jupiter at Egina, artist's proof 
 
 1 
 
 /o 
 
 /o 
 
 
 530 
 
 Windsor from Eton, choice artist's proof 
 
 1 
 
 /o 
 
 /O 
 
 
 531 
 
 THE SAME, artist's proof touched by Turner, with the introduc- 
 
 
 
 
 
 
 tion of additional drawn bough to tree on the right 
 
 1 
 
 T 2 L , 
 
 < 5 ~ 
 
 
 532 
 
 Glaucus and Scylla, brilliant artist's proof 
 
 1 
 
 /6 
 
 /o 
 
 
 5 33 
 
 Dumbarton, fine artist's proof 
 
 1 
 
 9° 
 
 . 
 
 
 534 
 
 Dumbarton, fine artist's proof, printed in black ink 
 
 1 
 
 
 
 
 * 
 
 This plate is said to have been lost, and but few proofs exist 
 
 
 £ L 6 
 
 
 
 535 
 
 Stonehenge, artist's proof 
 
 1 
 
 SO 
 
 
 
 536 
 
 The Felucca, artist's proof 
 
 1 
 
 
 
 
 The following Plates from the Liber Studiorum are later states :— 
 
 
 ? 
 
 
 
 537 
 
 The Farmyard 
 
 1 
 
 
 
 
 
 Winchelsea 
 
 1 
 
 
 
 
 
 Juvenile Tricks 
 
 1 
 
 
 
 
 
 Dunstanborougb Castle 
 
 1 
 
 
 
 
 
 Lauffenbourg 
 
 1 
 
 
 s ~ 
 
 L 
 
 
 538 
 
 Etchings of the Liber Studiorum, by Lupton, the set of seven 
 
 7 
 
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 CJ^T-O^O, ^l^JU 
 
 1 
 
 C?£cr£^o CX*—^ 
 
 7 
 
 Cj^xxcx C) 
 
 3b 
 
 
 ENGRAVINGS AFTER J. M. W. TURNER. R.A. 
 
 
 
 539 
 
 Hakewill’s Italy. 
 
 Florence from Fiesole, artist's proof India, with etching ; Gene- 
 
 / 
 
 /6 1 
 
 540 
 
 , ral View of Florence, by Cook, artist's proof india, and 
 etching 4 
 
 Florence from Ponte Caraia, by Rawle, artist's proof and etching ; 
 
 / 
 
 - 1 — 
 
 544 
 
 Venice, the Rialto, by Pye, artist's proof and etching 4 
 
 The Roman Forum, by George Cook, artist's proof and etching ; 
 
 ^2 
 
 
 545 
 
 Rome from Monte Mario, by Le Keux, artist's proof and 
 etching 4 
 
 Isola Bella, on the Lago Maggiore, by Fittler, artist's proof, 
 
 / 
 
 L 
 
 546 
 
 etching, and india proof; Lariccia, by Pye, artist's proof and 
 etching 5 
 
 Tomb of Cecilia Metella, by Byrne, artist's proof and etching ; 
 
 / 
 
 /& 
 
 547 
 
 Turin from the Superga, artist's proof and etching 4 
 
 Lake of Nemi, by Middiman, artist's proof and etching; the 
 
 
 
 548 
 
 Falls of Terni, artist's proof and etching 4 
 
 Pyramid of Caius Cestius, by Byrne, artist's proof and etching ; 
 
 
 // 
 
 549 
 
 the Bridge at Narni, by Middiman, artist's proof and 
 etching 4 
 
 Naples from the Sea, by George Cook, artist's proof and 
 
 / 
 
 a 
 
 550 
 
 etching; and Rome from Monte Mario, artist's proof and 
 etching 4 
 
 Rome, Bridge and Castle of Angelo, by Hollis, india proof and 
 
 
 /d 
 
 551 
 
 etching; and the Temples at Psestum, by Scott, artist'sproof; 
 Bolognia, by Scott, artist's proof india 4 
 
 Florence, by Cook, and Venice, by Pye, artist's proofs india, 
 
 V 
 
 £ 
 
 552 
 
 brilliant 2 
 
 Thr Roman Forum, by Cook ; Florence, by Cook, artist's proofs, 
 
 / 
 
 ex_> 1 
 
 553 
 
 brilliant 2 
 
 Naples, by Cook, artist's proof india; and the Roman Forum, 
 
 . 
 
 // 
 
 554 
 
 by Cook, artist's proof india 2 
 
 Tomb of Cecilia Metella, Roman Forum, Florence, india proofs, 
 
 
 / 
 
 555 
 
 and various others, from Hakewill’s Italy 13 
 
 Various india proofs, duplicate etchings from the same work, 
 
 ' 
 
 / 
 
 / | 
 
 
 Bridge at Narni, Roman Forum, Lake of Nemi, &c. 6 
 
 
 
38 
 
 
 
 
 
 
 
 
 Southern Coast. 
 
 
 ' 
 
 v6' 
 
 
 556 
 
 Teignmouth, by George Cook, artist's proof., brilliant; and 
 
 
 
 
 
 
 Torbay from Brixham, by W. B. Cook, artist's proof bril- 
 
 
 
 
 
 
 liant 
 
 2 
 
 - 
 
 // 
 
 
 557 
 
 Watchett, Somerset, by G. Cook, artist's india proof; Ilfracombe, 
 
 
 
 
 
 
 Devon, by W. B. Cook, artist's india proof 
 
 2 
 
 - 
 
 3~ 
 
 
 558 
 
 Bow and Arrow Castle, Portland, by W. B. Cook, artist's proof; 
 
 
 
 
 
 
 Corfe Castle, Derbyshire, by G. Cook, artist's proof; and 
 
 
 
 
 
 
 St. Mawes, Cornwall, by Allen, artist's proof 
 
 3 
 
 
 
 
 
 England and Wales. 
 
 
 ' 
 
 J“ 
 
 
 559 
 
 Saltash, Cornwall, by W. R. Smith; Glenham, Oxfordshire, by 
 
 
 
 
 
 
 Radcliffe, artist's proofs india , with full margins 
 
 2 
 
 ' 
 
 XT 
 
 
 560 
 
 Bolton Abbey, Yorkshire, by Wallis; Richmond, Yorkshire, by 
 
 
 
 
 
 
 Smith, artist'sproof india 
 
 2 
 
 / 
 
 4 
 
 
 561 
 
 Orford, Suffolk, by Brandon; and Dartmouth Cove, by Smith, 
 
 
 
 
 
 
 artist's proofs india 
 
 2 
 
 
 te ) 
 
 
 562 
 
 St. Mawes, Cornwall, by Kernot; Ashby-de-la-Zouch, by Rad- 
 
 
 
 
 
 
 cliffe, artist's proofs india 
 
 2 
 
 V 
 
 /c 
 
 
 563 
 
 Walton-on-Thames, by Yarrall; and Okehampton, Devonshire, 
 
 
 
 
 
 
 by Willmore, artist's proof 
 
 2 
 
 / 
 
 4 
 
 
 564 
 
 Ballycrusis Abbey, by Yarrall; and Hampton Court, by West- 
 
 
 
 
 
 
 wood, artist's proofs 
 
 2 
 
 / 
 
 
 • 
 
 565 
 
 Tam worth Castle, by Willmore ; and Warwick Castle, by Wallis, 
 
 
 
 
 
 
 artist's proof india 
 
 2 
 
 / 
 
 3 
 
 
 566 
 
 Rivaulx Abbey, by Goodall; Lancaster Sands, by Brandard; 
 
 
 
 
 
 
 Upnor Castle, by Allan 
 
 3 
 
 
 
 
 
 Views in Yorkshire. 
 
 
 V 
 
 ja 
 
 £> 
 
 567 
 
 Fall of the Tees, by Landseer, india proof with etching ; Hardraw 
 
 
 
 
 
 
 Fall, by Middiman and Pye, india proof with etching 
 
 4 
 
 ' 
 
 
 
 568 
 
 Richmond, Yorkshire, by W. R. Smith, india proof with etching; 
 
 
 
 
 
 
 Askrig, by Le Keux, india proof with etching 
 
 4 
 
 \. 
 
 & 
 
 
 569 
 
 Aysgarth Force, by Scott, india proof with etching ; and Ingle- 
 
 
 
 
 
 
 boro’ from Hornby Castle, by Heath, india proof with 
 
 
 
 
 
 
 etching 
 
 4 
 
 9"Ur 3 eolo^ 
 
 
 
 dr&Len-K 
 
 c2* 
 
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 3^*5 
 
 33« 
 
 c3~(b < r £ 4 n . 
 
 3c*-t_y 
 
 XUW e ctc^ T _~. 
 
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 1 
 
 l 
 
39 
 
 
 
 <3& cT&lerx, 
 
 x3 
 
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 ^Tu 
 
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 33 oXl tno,jJlJ 
 
 0 7 
 
 <3ffi ofiUtn^ a 
 
 570 
 
 St. Agatha’s Abbey, Easby, by Le Keux, india proof with etch- 
 
 
 
 3 
 
 — r~ 
 
 
 ing ; Brignall Church, by Rawle, india proof with etching 
 
 4 
 
 
 
 
 571 
 
 Weathercot Cove, by Middiman, india proof with etching ; 
 
 
 
 3 
 
 
 
 Junction of the Greta and Tees, by Pye, india proof with 
 
 
 
 
 
 
 etching 
 
 4 
 
 
 
 
 572 
 
 Aske Hall, by Scott; Crook, of Lume, by Archer; Merrick 
 
 
 - 
 
 3 
 
 
 
 Abbey, by Varrall, india proofs 
 
 3 
 
 
 
 
 
 MISCELLANEOUS. 
 
 
 
 
 
 573 
 
 Set of five plates engraved by Allen, of which only fifty copies 
 
 
 3 
 
 /O 
 
 
 
 were taken, after which the plates were destroyed 
 
 
 
 
 
 
 choice set of artist's proofs, on india] paper , with full 
 
 
 
 
 
 
 margins , and the etchings 
 
 
 
 
 
 
 Harbro Sands, Suffolk, 
 
 
 
 
 
 
 Lowestoft Lighthouse, 
 
 
 
 
 
 
 Orfordness Ness, 
 
 
 
 
 
 
 Aldborough, Suffolk, 
 
 
 
 
 
 
 Dimchurch, Kent, 10 
 
 
 
 
 574 
 
 The Golden Bough, by Prior, artist's proof india; and the 
 
 
 V. 
 
 c? 
 
 ■ 1 
 
 
 Dogana of Venice, by Prior, artist's proof india , with 
 
 
 
 
 
 
 etching 
 
 3 
 
 
 
 
 575 
 
 The Old Temeraire, by Willmore, india proof before letters 
 
 1 
 
 V 
 
 /e> 
 
 
 576 
 
 Oberwesel on the Rhine, by Willmore; the Lake of Nemi, by 
 
 
 
 • 
 
 ■ 1 
 
 
 Wallis, india proofs before letters, fine 
 
 2 
 
 
 
 
 577 
 
 Old London Bridge, by Goodall, india proof before letters 
 
 1 
 
 ' 
 
 
 
 578 
 
 Cologne on the Rhine, by Goodall 
 
 
 v 
 
 /o 
 
 ' 1 
 
 
 fine open letter proof 
 
 1 
 
 
 
 
 579 
 
 The same, india proof before letters 
 
 1 
 
 
 3' 
 
 
 580 
 
 Zurich, by Prior, india proof before letters 
 
 1 
 
 / 
 
 
 i 
 
 581 
 
 The Town and Castle of Heidelberg, by Prior 
 
 1 
 
 V 
 
 /3 
 
 
 582 
 
 Kilchurn Castle, Loch Awe, by Miller; and Ehrenbreitstein, 
 
 
 
 ? 
 
 
 
 by Pye 
 
 2 
 
 
 
 
 583 
 
 Mercury and Argus, by Willmore 
 
 
 
 
 j • 
 
 
 open letter india proof 
 
 1 
 
 
 
 
 584 
 
 The Golden Bough 
 
 
 J 
 
 3 
 
 1 ■ 
 
 
 artist's india proof 
 
 1 
 
 
 
 
 585 
 
 Prudhoe Castle, Orford Ness, and Beaumaris 
 
 
 
 3 
 
 
 
 artist's proofs , by Goodall 
 
 3 
 
 
 
 
 586 
 
 The Temple of Jupiter, by Pye; and Tivoli, by Goodall 
 
 2 
 
 
 < 5 ~ 
 
 ' 
 
 J_L 
 
40 
 
 
 
 
 (587 
 
 Ehrenbreitstein, by Allen, artist's proof india 
 
 1 
 
 
 
 
 ]588 
 
 Source of the Tamar, by W. B. Cook, artist's proof india 
 
 1 
 
 - 
 
 <jZ> 
 
 
 589 
 
 Venice, by Prior ; and Ehrenbreitstein, by Allen, 
 
 
 
 
 
 
 artist's proofs india 
 
 2 
 
 - 
 
 /o 
 
 
 590 
 
 Venice from St. Mark’s Place, by Miller, artist's proof india 
 
 1 
 
 _ 
 
 /o\ 
 
 
 591 
 
 Dunbar Castle, by Goodall, artist's proof india , rare 
 
 1 
 
 
 &\ 
 
 
 592 
 
 Gledhow ; Donnington Castle, by Byrne; and Westminster 
 
 
 
 
 
 
 Abbey, private photograph 
 
 3 
 
 
 
 
 
 PROOFS TOUCHED BY J. M. W. TURNER. 
 
 
 - 
 
 /o 
 
 ■ 
 
 593 
 
 Mont St. Jean, Waterloo, by Miller 
 
 
 
 
 
 
 much and most carefully worked on, from the engraver's 
 
 
 
 
 
 
 portfolio 
 
 1 
 
 - 
 
 /& 
 
 
 594 
 
 Marengo, by Miller 
 
 
 
 
 
 
 also very carefully touched, from the engraver's portfolio 
 
 1 
 
 
 /o 
 
 
 595 
 
 •Eddystone Lighthouse, by Lupton 
 
 
 9 
 
 Cl 
 
 
 
 curious artist's proof, printed in tint, with the birds white 
 
 1 
 
 6 J 
 
 
 596 
 
 Eddystone Lighthouse 
 
 
 
 /P 
 
 
 
 much touched upon, with masterly effect 
 
 1 
 
 P 
 
 6= 
 
 597 
 
 Eddystone Lighthouse 
 
 
 
 
 
 
 proof and rather earlier state of the plate, worked on nearly 
 
 
 
 
 
 
 all over , with marginal pencil notes by Turner 
 
 1 
 
 - 
 
 /C~ 
 
 
 598 
 
 The Falls OE Terni, early proof , by Landseer, much worked on 
 
 1 
 
 /O' 
 
 fay 1 
 
 • 
 
 599 
 
 The Falls of Terni, by Landseer 
 
 
 
 
 
 
 artist's proof of the plate nearly finished, with most careful 
 
 
 
 
 
 
 and exquisite touching on the waterfall and rainbow 
 
 1 
 
 - 
 
 1 /6 
 
 
 600 
 
 Rivaulx Abbey, by Goodall, touched proof 
 
 1 
 
 /o 
 
 y°. 
 
 
 601 
 
 Bass Rock, by Miller 
 
 
 
 
 
 
 rare artist's proof india, touched by Turner, and sent by post 
 
 
 
 
 
 
 to Edinburgh ; see envelope of letter at back 
 
 1 
 
 - 
 
 / 
 
 
 602 
 
 Temple of Jupiter, etching, by Pye ; Mercury and Argus, by 
 
 
 
 
 
 
 Willmore, etching 
 
 2 
 
 - 
 
 ■£- 
 
 * 
 
 603 
 
 Photographs, by Caldesi, of the unpublished prints and etchings 
 
 
 
 
 
 
 of the Liber Studiorum, in a half roan portfolio, with flaps 
 
 21 
 
 gT 
 
 J ■ 
 
 
 604 
 
 The Farnley Hall Collection of Turner’s drawings, photographed 
 
 
 
 
 
 L 
 
 by Messrs. Caldesi, in a half roan portfolio, with flaps 
 
 50 
 
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 MISCELLANEOUS. 
 
 LOT 
 
 605 
 
 James 21. in armour leaning on an anchor, proof, and in an oval, 
 
 
 / 
 
 
 
 
 by Smith 
 
 2 
 
 
 
 
 606 
 
 Jacob Hall, the rope dancer, etching, by De Brune 
 
 
 
 
 
 
 brilliant impression, rare 
 
 1 
 
 
 ' 
 
 607 
 
 Henry IY. of Prance, equestrian portrait, by Yenius, rare 
 
 1 
 
 
 / 
 
 
 608 
 
 George I. George II. Queen Caroline, and their Children, by 
 
 
 - 
 
 & 
 
 
 
 Muller, after Wael 
 
 1 
 
 
 
 
 609 
 
 Francis I. and Henry IY. of France, by Morin, fine and rare 
 
 2 
 
 / 
 
 / 
 
 
 610 
 
 Edward Cocker and Barbara Yan Beck, by Gaywood, rare 
 
 3 
 
 / 
 
 
 611 
 
 Edward Backwell, Alderman of London, three-quarter length in 
 
 
 V 
 
 <? 
 
 . 
 
 
 a flowered gown, a ship in the distance, fine and rare 
 
 1 
 
 
 
 
 612 
 
 Dr. Goldsmith, after Sir Joshua Reynolds, by Marchi 
 
 
 
 
 
 
 proof before letters 
 
 1 
 
 
 
 
 613 
 
 Mrs. Bonfoy, by MacArdell, after Sir Joshua Reynolds 
 
 
 
 f22 
 
 
 
 proof before letters 
 
 1 
 
 
 
 
 614 
 
 Don Antonius Barberinus, by Leoni, very fine and rare; and 
 
 
 - 
 
 4 
 
 
 
 Thadaeus Barberinus, by Natalis 
 
 2 
 
 
 
 
 615 
 
 Dolben Bishop of Rochester, sitting between John Fell and 
 
 
 22- 
 
 
 
 
 Richard Allestree, very fine and rare 
 
 1 
 
 
 
 
 616 
 
 Cornelius Tromp, Admiral of Holland, mezzotint after Sir Peter 
 
 
 
 /8> 
 
 
 
 Lely, sold by Alexander Brown, very fine and rare 
 
 1 
 
 
 
 
 617 
 
 Christina Queen of Sweden, by Lombart and Falck 
 
 2 
 
 £L 
 
 // 
 
 
 618 
 
 Charles I. on Horseback, proof 
 
 1 
 
 
 
 619 
 
 Catherine of Braganza, by Lommelin and Jode 
 
 2 
 
 / 
 
 /s 
 
 
 620 
 
 Catherine of Braganza, by Smith, and others ; Judge Jefferys, 
 
 
 
 
 
 
 Cooper ex. rare 
 
 4 
 
 / 
 
 /£ 
 
 
 621 
 
 Alderman Beckford, by Dixon, proof ; Canning, by Ward; 
 
 
 
 
 Samuel Parr, by Say 
 
 G 
 
 3 
 
 ... ..J, 
 
 
 
 
42 
 
 
 
 S 
 
 ■ 
 
 622 
 
 
 /a 
 
 
 623 
 
 
 /o 
 
 
 624 
 
 / 
 
 c5l 
 
 
 625 
 
 s 
 
 
 
 626 
 
 3 
 
 /2> 
 
 
 627 
 
 
 // 
 
 
 628 
 
 J 
 
 // 
 
 
 629 
 
 6> 
 
 
 • 
 
 630 
 
 / 
 
 JS 
 
 
 631 
 
 / 
 
 
 
 632 
 
 o 
 
 o 
 
 3 
 
 
 633 
 
 ' 
 
 n 
 
 
 634 
 
 / 
 
 /2> 
 
 
 635 
 
 
 3 
 
 
 636 
 
 
 S 
 
 
 CO 
 
 
 
 
 638 
 
 - 
 
 & 
 
 
 639 
 
 
 /a 
 
 
 640 
 
 Abraham Yan der Hulst, Admiral of Holland, by Jan de Vischer 
 fine and rare 1 
 
 William III. in an oval, surrounded by a wreath of laurel, on each 
 leaf of which is a description in Italian and French of one 
 of the important events of his reign ; and other portraits of 
 
 him, by Gunst and Elder 3 
 
 William II. Prince of Orange, by Hondius, after Maes ,fine, and 
 William III. by Falck 2 
 
 William Dobson, the etching by English 
 
 brilliant impression, very rare 1 
 
 Titus Oates, Sir William Bartley, Sir Joseph Jordan, and Madam 
 Davis, “ Thompson ex.” 4 
 
 St si 
 
 Cnxj cx^-t 
 
 St c rStjyi- 
 
 S3 o 
 
 Quyzi e JL 
 
 Thomas Killigrew seated, in a gown lined with female heads, by 
 A. Bosse, fine impression, rare 1 
 
 The Earl of Derby, by Keating, mezzotint, after Gainsborough ; 
 
 and James Smith, by Cousins, proof, with autograph 3 
 
 The Duchess of Marlborough, mezzotint, by Simon and others 3 
 The Duke of Monmouth in the print of the “ Anti-Papists,” 
 with the Duke of Argyle ; Earl of Essex ; Lord Russell; 
 Armstrong; Cornish ; Godfrey ; and Sidney ; in eight ovals, 
 
 by J. Savage, fine, and very scarce 1 
 
 Rubens, by Pontius ; Samuel Morland, by Lombart, and a drawing 
 of Camden, by Hutchinson 3 
 
 Robert Fielding, by Beckett, after Kneller, proof; and the 
 Duchess of Cleveland, after Lely, “ Allard ex.” 2 
 
 Richard Cromwell, large oval, " Allard ex.” 1 
 
 Jacob Hall, the rope dancer; John Speed, by Savery, and another 3 
 Invention of the Stocking Loom, after Elmore, by F. Hall, 
 
 artists' proof, with large margin, in gilt frame and patent plate 
 
 glass 1 
 
 II Penseroso, after Winterhalter, by Joubert 
 
 india proof before letters 1 
 
 Southwark Fair, by Hogarth 
 
 very fine impression with large margin 1 
 
 La Penitente del Tiziano, by Fusinati 1 
 
 
 c 
 
 
 f 
 
 ffd / h 
 cjfjLxrJ-tci 
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 St ouuJ c 
 
 
 The Vicar of Wakefield, after Newton, by Burnet; The Jews’ 
 Harp, after Wilkie ; and Christmas Eve, by Burnet 
 The Trial of Lord William Russell, after Hayter, by Bromley 
 proof 
 
 1 0 „ 
 
 ^(Vuyrt- 
 
 (I 
 
 SSt SJLcrzjJ i 
 
43 
 
 
 641 
 
 <4 ^CJULL) C C 
 
 642 
 
 <F$Lctljj> Oul^ 
 
 643 
 
 (j 
 
 tUk3 e-cLo^ 
 
 644 
 
 c2n> 
 
 645 
 
 f *LJLuJL 
 
 (I 
 
 646 
 
 JZu 
 
 647 
 
 p J 
 
 648 
 
 ( J4 3 
 
 649 
 
 <^o a^Lcruj a^-j 
 
 650 
 
 &h> 
 
 651 
 
 cj'cuuocdfc 
 
 652 
 
 < ^A-JkxdjLi 
 
 652* 
 
 c2ro 
 
 653 
 
 ^rvusnxJh_j 
 
 654 
 
 i cr^^xua^ 
 
 655 
 
 Ql^cJhz&U (J 
 
 656 
 
 M0-o<yvz4 
 
 657 
 
 [I 
 
 cfjfi g^fijyuja^j 
 
 658 
 
 9~uyv ciow. 
 
 659 
 
 dJ'ouua ud!d 
 <ffb ddficruj 
 
 660 
 
 661 
 
 O 
 
 V c o/tj i id 
 
 662 
 
 ( /"U cfn&ffLj 
 
 663 
 
 Mrs. Billington as St. Cecilia, after Sir Joshua Reynolds, by Ward 
 
 
 4 
 
 4 
 
 
 open letter proof 
 
 1 
 
 
 
 Landscape—view near Edinburgh, after Sir A. Callcott, R. A. by 
 
 
 
 
 
 Cooke, choice engraver's proof on india paper , and the 
 
 
 
 
 
 etching 
 
 2 
 
 
 
 
 The Gentle Warning, by Beilin, after Frank Stone 
 
 
 . 
 
 
 
 artist's proof and etching 
 
 2 
 
 
 
 
 Portrait of Macready, by Posselwhite, artist's proof 
 
 1 
 
 ■ 
 
 4- 
 
 
 Pepys’ Wife sitting for her portrait to Hals, after Elmore, by 
 
 
 
 4 
 
 
 Stock, artist's proof and portrait of Macready 
 
 2 
 
 8> 
 
 
 
 Madonna della Seggiola, after Raphael, by Scheffer, 
 
 
 /o 
 
 
 artists' india proof with the remark 
 
 1 
 
 
 
 
 Les bons Amis, after Meissonier, by Blanchard, india proof ; and 
 
 
 / 
 
 / 
 
 4 
 
 
 Pepys’ wife sitting for her portrait to Hals, by Stock, after 
 
 
 
 
 
 Elmore, artists' india proof 
 
 2 
 
 
 
 
 Jack in Office, by Gibbon, after Landseer, india proof 
 
 1 
 
 
 /4 
 
 
 Nature, by Doo, after Lawrence, and Lady Peel, by Cousins 
 
 
 - 
 
 /c> 
 
 
 proof 
 
 2 
 
 
 
 
 The Contadina, by Posselwhite, after Furze 
 
 
 V 
 
 4 
 
 
 three artists' india proofs , and one proof before letters 
 
 4 
 
 
 
 
 Sancho Panza, by Baker, after Leslie; Dulcinea, by Posselwhite, 
 
 
 
 /a 
 
 
 after Leslie; and Griselda, by Posselwhite, after Leslie 
 
 
 
 
 
 artists' india proofs 
 
 3 
 
 
 
 
 The Morning Kiss, by Zobel, after Brockey, artists' india proof 
 
 1 
 
 
 4 
 
 
 Another of the same, in the same state 
 
 1 
 
 
 jX 
 
 c= 
 
 The Soldier’s Dream, artist's india proof 
 
 L 
 
 
 Cd 
 
 
 The Stray Kitten, by Shenton, after Collins, artist's india proof 
 
 1 
 
 / 
 
 / 
 
 / 
 
 
 The Wolf and the Lamb, by Robinson, after Mulready, proof 
 
 1 
 
 
 /4 
 
 
 Winter, by Beilin, after Girardet, choice artist's india proof 
 
 1 
 
 
 
 
 The Spinning Wheel, after Buckner, by Wagstaff 
 
 
 
 
 artist's india proof 
 
 1 
 
 
 _o 
 
 
 The Visit of Her Majesty to the Arctic Ship “ Resolute,” 1856, 
 
 
 - 
 
 
 by Zobel, india proof, after Simpson 
 
 1 
 
 
 
 
 La Madonna Detta del Coniglio, after Correggio, by Porporati 
 
 
 / 
 
 - 
 
 
 fine impression 
 
 1 
 
 
 / 
 
 
 The Fisherman on the Look-out, after Collins, by Phelps, proof 
 
 1 
 
 
 
 The Holy Family, after Correggio, by Muller and Bartolozzi 
 
 
 ' 
 
 43 
 
 
 choice india proof before letters 
 
 1 
 
 
 4 
 
 c. 
 
 Head of our Saviour, engraved in a single circular line, by Mellan 
 
 1 
 
 - 
 
 Portrait of Marc Antonio, after Raphael, by Leisner 
 
 1 
 
 
 XI 
 
 
44 
 
 - 
 
 j2 
 
 
 664 
 
 The Tribute Money, after Titian, by Knolle 
 
 
 
 V 
 
 
 
 artist's proof, india paper 
 
 1 
 
 
 
 665 
 
 The Highland Home, by Finden, after Wilkie, artist's proof 
 
 1 
 
 - 
 
 
 666 
 
 The Momentous Question, by Beilin, after Setchel 
 
 1 
 
 - 
 
 £ 
 
 
 667 
 
 Ruth, by Hall, after Frith, artist's india proof 
 
 1 
 
 - 
 
 4- 
 
 
 668 
 
 The Miller’s Maid, by Beilin, after Corbould 
 
 
 
 
 
 
 artist's india proof 
 
 i 
 
 ' 
 
 /a 
 
 
 669 
 
 Sancho and the Duchess, by Humphreys, after Leslie; the Bite, 
 
 
 
 
 
 
 by Shenton, after Mulready, artist's proof; and another 
 
 3 
 
 - 
 
 cT 
 
 
 670 
 
 The Approaching Footstep, by Wagstaff, after Stone, artist's 
 
 
 
 4 
 
 
 
 india proof; and the Evening Prayer, after Frith, by Stocks 
 proof before letters 
 
 2 
 
 - 
 
 
 671 
 
 The Chelsea Pensioners reading the Gazette of the Battle of 
 
 
 
 
 
 
 Waterloo, by Burnet, after Wilkie 
 open letter proof and Tcey 
 
 1 
 
 
 /3 
 
 
 672 
 
 The Contest, or Bone of Contention, by Lupton, after Cooper; 
 
 
 
 
 
 
 and others, artist's proofs, by Shenton, after Landseer, 
 Frazer, &c. 
 
 4 
 
 
 <3 
 
 
 673 
 
 The Duke of Wellington, whole length, by Cousins, after Lucas 
 
 
 
 vV 
 
 
 
 artist's proof 
 
 1 
 
 - 
 
 . 
 
 674 
 
 Duncan Gray, by Englehart, after Wilkie, open letter proof 
 
 1 
 
 >. 
 
 
 675 
 
 Napoleon III. Emperor, and the Empress Eugenie, whole 
 
 
 
 
 
 
 lengths, engraved by Cousins, after Winterhalter 
 choice artist's india proofs 
 
 2 
 
 - 
 
 
 
 676 
 
 The Raising of Lazarus, by Yendramini, after Sebastian del 
 
 
 
 
 
 
 Piombo 
 
 1 
 
 
 /4 
 
 . 
 
 677 
 
 The Reading Magdalen, by Humphreys, after Correggio 
 
 
 
 4 
 
 
 
 fine artists' india proof 
 
 I 
 
 - 
 
 
 678 
 
 Philip Melancthon, curious woodcuts, and others, by Faber, &c. 
 
 5 
 
 
 /o 
 
 
 679 
 
 Lorenzo di Medici, by Morghen, proof; Guicciardini and Bembo, 
 
 
 
 4- 
 
 
 
 by Longhi, proofs ; Metastasio, by Caronni; Aretino, by 
 Gilon; and others 
 
 7 
 
 - 
 
 
 680 
 
 Henry IV. of France, lying in State, after Briot; Equestrian 
 
 
 4 
 
 4 
 
 
 
 Portrait, after Elstrack ; and others 
 
 6 
 
 
 681 
 
 Countess Whitmore, by Watson, after Lely ; Lady Middleton, by 
 
 
 / 
 
 16 
 
 
 
 MacArdell; Butler, proof; Nathaniel Crewe; and others 
 
 6 
 
 
 682 
 
 William III. and Mary, by Smith and Schenck 
 
 4 
 
 - 
 
 /& 
 
 
 683 
 
 William III. and Mary, three-quarters mezzotint, “ Nicholas 
 
 
 
 
 
 
 Yischer excudit” 
 
 2 
 
 ft 
 
 CJL 
 
 iT 
 
 cf£> cr££cru-> a -^-f 
 
 ==2r° (, 
 
 44° 
 
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 c_4w 
 
 Jr 
 
 4 
 
 n.<a/U <2-4 
 
 <$fi><rU#t. 
 
 *-[ CVuu-yn- cJ~i ., 
 
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 yi<w « 
 
 J4=- 
 
 \3^< ri-o.J c-t/J) ^ 
 
45 
 
 C> of) 
 
 is> cp~jc oix>ot*-f 
 
 684 
 
 William III. and Mary, mezzotints, by Blooteling, Schenck, and 
 
 
 / 
 
 J- 
 
 
 J 
 
 
 others 
 
 5 
 
 
 • 
 
 
 c3t> 
 
 685 
 
 William Henry Prince of Orange, by Blooteling and Jocelyn ; 
 
 
 / 
 
 
 t 
 
 
 
 Earl of Northumberland, by Brown 
 
 2 
 
 
 
 
 <3~° 
 
 686 
 
 Charles Montague, Marquis of Halifax, after Kneller, by Drevet 
 
 
 
 12 
 
 
 
 
 first state, proof before letters 
 
 1 
 
 
 
 
 c>> 
 
 687 
 
 Henry IV. of France, by Morin, fine 
 
 1 
 
 V 
 
 
 
 
 688 
 
 Prince Henry, the Apotheosis, with allegorical figures, by 
 
 
 - 
 
 JS 
 
 , 
 
 
 
 Haydock, very rare, the last impression sold realised £5. 5s. 
 
 
 
 
 
 
 
 in the Puibusque sale 
 
 1 
 
 
 
 
 
 689 
 
 Erasmus of Rotterdam, by Yisscher 
 
 
 3 
 
 - 
 
 ■ 
 
 C i 
 
 
 brilliant impression of this fine portrait 
 
 1 
 
 
 
 
 hxrD e oKcfc, 
 
 690 
 
 Theophilus Earl of Huntingdon, mezzotint, by Williams 
 
 
 / 
 
 3 
 
 
 
 
 fine and rare 
 
 1 
 
 
 
 
 vjtdfk 
 
 691 
 
 Henry Duke of Gloucester, by Yan Dalen, fine impression 
 
 1 
 
 V 
 
 (o 
 
 
 c54 &£lLcrTX>o^ 
 
 692 
 
 Portsmouth, The Duchess of, playing on a Violoncello, by 
 
 
 ' 
 
 /o 
 
 r 
 
 ( 
 
 
 Peter Schenck, rare 
 
 1 
 
 
 
 
 c=2b 
 
 693 
 
 Eleanor Gwynne, three-quarters, seated, with a lamb, after 
 
 
 4 
 
 /6> 
 
 - 
 
 
 
 Sir Peter Lely, by Valck, very fine and rare 
 
 1 
 
 
 
 
 C4j3 Q-oLsx^ 
 
 694 
 
 Eleanor Gwynn with her two sons, the Earl of Beaufort and the 
 
 
 / 
 
 9 
 
 . 
 
 
 
 Earl of Beauclerc, after Wissing, by Tompson 
 
 
 
 / 
 
 
 
 
 fine and rare 
 
 1 
 
 
 
 
 &^tUrv-i o<-1-* 
 
 f) r° 
 
 695 
 
 Charles II. at the Hague, by Matham, three plates 
 
 3 
 
 i 
 
 Cxi 
 
 
 
 696 
 
 Equestrian Portrait of Sir Thomas Fairfax, by Marshall 
 
 1 
 
 / 
 
 4 
 
 
 C ^ d3JUruj . 
 
 697 
 
 Henry IY. of France, oral bust in armour in an architectural 
 
 
 / 
 
 3 
 
 
 f 
 
 
 niche, after Fournier, by De Leu,^ne and rare 
 
 1 
 
 
 
 
 
 698 
 
 William III. and Mary, the pair, three-quarter lengths, by Gole 
 
 2 
 
 ' 
 
 2 
 
 
 
 699 
 
 William Prince of Orange, after Yan der Venne, 1623, by Delff 
 
 
 '\JX- 
 
 // 
 
 
 
 
 three-quarter length, seated, 
 
 
 
 
 
 
 
 brilliant impression of this fine portrait, extremely rare 
 
 1 
 
 
 
 
 
 700 
 
 Philip Melancthon, by Durer 
 
 1 
 
 ; / 
 
 y° 
 
 * 
 
 Q^alo^ 
 
 701 
 
 Jocelyn Earl of Northumberland, and Elizabeth Countess of 
 
 
 i 
 
 /& 
 
 
 
 
 Northumberland ; Sir Tretswell Hollis, and Sir John 
 
 
 
 
 
 
 
 Chichely, after Sir Peter Lely, by Brown 
 
 4 
 
 
 
 
 C^A^cw 
 
 701* 
 
 Madam Jane Middleton, whole length, after Sir Peter Lely ; 
 
 
 / 
 
 /o 
 
 ! • 
 
 / 
 
 
 and Elizabeth Countess of Northumberland, by Brown 
 
 2 
 
 
 
 
 So 
 
 702 
 
 Sir William Temple, by Vandrebanc, large oval, after Lely 
 
 
 / 
 
 /4 
 
 
 
 
 fine and rare 
 
 1 
 
 
 
 
 ~fr^ 
 
 0 , 
 
 703 
 
 Martin Van Tromp, after Pott, by Suyderhoef 
 
 1 
 
 V 
 
 k5" 
 
 } • 
 
 Mj c_da^ 
 
 704 
 
 Portrait by Pass, and another 
 
 3 
 
 
 
 
 
 
 
 
 
 
 J _ L 
 
46 
 
 1 
 
 3 
 
 - 
 
 / 
 
 / 
 
 
 3 
 
 cT 
 
 
 / 
 
 / 
 
 
 - 
 
 /P 
 
 - 
 
 - 
 
 // 
 
 
 / 
 
 4 
 
 
 / 
 
 ff 
 
 
 - 
 
 s 7 
 
 
 - 
 
 // 
 
 
 / 
 
 <n. 
 
 9 
 
 
 
 y 
 
 
 - 
 
 ‘/2> 
 
 
 - 
 
 / 
 
 - 
 
 - 
 
 y 
 
 
 
 /& 
 
 
 CA 
 
 
 
 / 
 
 Jr 
 
 
 4 
 
 // 
 
 
 f 
 
 
 
 l 
 
 
 
 705 
 
 706 
 
 707 
 
 708 
 
 709 
 
 710 
 
 711 
 
 712 
 
 713 
 
 714 
 
 715 
 
 716 
 
 717 
 
 718 
 
 719 
 
 720 
 
 721 
 
 722 
 
 723 
 
 724 
 
 725 
 
 The Four Poets, Dryden, Wycherly, Prior, and Pope, by Kyte; 
 
 and Chaucer, Spencer, and Johnson, mezzotints 2 
 
 Richard Penderill, by Houston, after Soust, proof 3 
 
 Philip Melancthon, by Lucas Cranach ; Melancthon and Luther, 
 by Diericks, both fine and rare 2 
 
 Peter Beckford, Governor of Jamaica, mezzotint by Murphy 1 
 
 Melancthon^ by Cranach ; Rubens, by Dickenson ; and others 4 
 
 Mary Queen of Scots and her Son, James I. by Bartolozzi ,proof; 
 
 and Count Gondomar, by Cooper 2 
 
 Mary de Medicis, by Yan Sompel and Pass ; and Henry IY. of 
 France 3 
 
 Luther, Melancthon, and the Elector of Saxony, by Troschel; 
 
 Melancthon, by Kilian; and another 3 
 
 Louis XIII. and Henry IV. of France, small ovals on one plate 
 Mary de Medicis, by Van Sompel; and others 5 
 
 Lingard, by Cousins, proof; Sir Robert Peel, proof; and other 
 private plates 4 
 
 John Duke of Marlborough, by Sherwin, Smith and Gunst 3 
 
 John Duke of Marlborough, mezzotints by Schenck and Simon ; 
 The Triumphal Arch erected to his honour, and Queen 
 Anne 4 
 
 James VI. of Scotland, a;tat 37, 1603, by De Jode ; and others 3 
 The Procession of the Flitch of Bacon, after Stothard 
 
 open letter proof 1 
 
 WEBER. 
 
 The Maid at the Well, after Keyser 
 
 artist's india proof signed by the engraver 1 
 
 Portrait of Holbein, after Holbein 
 
 fine impression 1 
 
 WHITE (Robe rt). 
 
 Anthony, Earl of Shaftesbury, very fine and rare 1 
 
 John Wilmot Earl of Rochester, after Lely 1 
 
 Lord Koningsmarke (tried for the murder of Thomas Thynne) 1 
 Prince Rupert, after Kneller, fine and rare 1 
 
 WIERIX^ 
 
 Henry IV. of France, and Marie de Medicis; the pair 
 
 very fine and extremely rare 2 
 
 c2>t> 
 
 fuyz e.dL&^=> 
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 < 3*3 (tPJ&ujc*- 
 
 eT^eruJ 
 
 3 a.u> cjD? ^ 
 
 C j 
 
 y (TO Q ^.Ovs, 
 
 7 
 
 
 
 
 1 
 
 
 
47 
 
 
 
 WILLE. 
 
 
 
 
 •C^^cluj oJ^h 
 
 726 
 
 Agar presentee a Abraham par Sara, fine artist's proof 
 
 1 
 
 
 Jo 
 
 
 727 
 
 Les Offres Reciproques, after Dietrich (53) 
 
 
 // 
 
 
 C 
 
 
 brilliant proof before any letters or the arms, also before the 
 
 
 
 
 
 
 etching on the left , UNDESCRIBED, and probably UNIQUE, not 
 
 
 
 
 
 
 in the Palmer collection 
 
 1 
 
 
 
 
 728 
 
 La Liseuse, after Gerard Dow (62) 
 
 
 <3 
 
 )S 
 
 
 
 superb proof before any letters or the arms, most rare 
 
 1 
 
 
 
 J^ru 
 
 729 
 
 MenaGeRE Hollandaise, after Mieris (63) 
 
 
 
 
 CZ&tfesV <LrriJ> 
 
 
 brilliant proof before any letters or the arms, excessively rare 
 
 1 
 
 
 
 730 
 
 La Petite Ecoliere, after Schenaw (69) 
 
 
 j 
 
 3 
 
 
 
 brilliant proof before all letters, very rare 
 
 1 
 
 
 
 J5^! 
 
 731 
 
 La Sceur de la Bonne Femme de Normandie, after P. A. 
 
 
 
 
 
 
 Wille (72) 
 
 
 
 
 
 
 brilliant proof before any letters beneath, “ Idth platte," above 
 
 
 
 
 q j-A 
 
 
 undescribed 
 
 1 
 
 
 
 C../' < ’ocjjJ CJt-H O 
 
 732 
 
 Marquis de Marigny, after Tocqufe (125) 
 
 
 / 
 
 / 
 
 
 
 proof before any letters 
 
 1 
 
 
 
 c76 a-tfbr^x*-*- i 
 
 733 
 
 Jean Baptiste Masse (Peintre), after Tocque (130) 
 
 
 N 
 
 JO 
 
 r 
 
 
 fine impression 
 
 1 
 
 
 
 
 
 WILLMORE. 
 
 
 
 
 
 734 
 
 The Highland Bride, choice artist's india proof 
 
 1 
 
 
 3T 
 
 
 
 WOOLLETT (William) 
 
 
 
 
 <h^dM 
 
 735 
 
 George III., after Ramsay, fine impression (1) 
 
 1 
 
 * 
 
 
 *U(lAjLnr>- ot kj 
 
 736 
 
 The Death of General Wolfe, after West (3) 
 
 
 
 /s 
 
 (1 r 
 
 
 brilliant proof before any letters, and before some extra work, 
 
 
 
 
 
 
 with the marks of the graver on the margin 
 
 1 
 
 
 
 c3~C o^JLcruJ a-^r 
 
 737 
 
 The same (3) 
 
 
 r-/ 
 
 
 l 
 
 
 brilliant proof before any letters, from the Marshall collec - 
 
 
 / 
 
 / 
 
 
 
 
 tion. Mr. Palmer's impression realised £16 
 
 1 
 
 
 
 4 fJ’ot-uu C-aJ! t) 
 
 738 
 
 The Battle of the Hogue, after West (4) ; the Battle of the 
 
 
 / 
 
 / 
 
 
 
 Boyne, after West (5) 
 
 
 
 
 
 
 the pair fine proofs before the dedications 
 
 2 
 
 
 
 <^ffc> c r^JcruSc^^, 
 
 739 
 
 Jacob and Laban, after Claude, “ Le Grand Pont ” (6) 
 
 
 / 
 
 /3 
 
 
 
 brilliant proof before letters, artists' names slightly etched 
 
 1 
 
 
 
 
 
 * % * This was the last plate finished by Woollett. 
 
 
 
 
 t *lr J i ' 
 
 
 
 
 
 
 
 740 
 
 Landscape with figures, after Carracci (8) 
 
 
 
 v3 
 
 
 
 an unfinished proof, and an etching 
 
 2 
 
 
 
48 
 
 / 
 
 
 
 741 
 
 
 /S 
 
 ' 
 
 742 
 
 // 
 
 - 
 
 * 
 
 743 
 
 ' 
 
 / 
 
 
 744 
 
 / 
 
 / 
 
 V-/ 
 
 
 745 
 
 / 
 
 
 
 
 G 
 
 \ 
 
 
 746 
 
 
 3 
 
 • 
 
 747 
 
 £ 
 
 3 
 
 
 748 
 
 <n r 
 
 . -W 
 
 
 
 749 
 
 
 / 
 
 
 750 
 
 
 
 
 751 
 
 
 /G 
 
 - 
 
 752 
 
 
 
 
 753 
 
 - 
 
 
 
 754 
 
 
 /G> 
 
 
 755 
 
 
 
 
 
 / 
 
 / 
 
 
 756 
 
 
 757 
 
 
 / 
 
 
 758 
 
 ' 
 
 /£ 
 
 
 759 
 
 / 
 
 
 
 760 
 
 The same (8), fine finished proof before letters 1 
 
 Tobias and the Angel, after Glauber (9), open letter proof 1 
 
 NIOBE, after WILSON (10) 
 
 brilliant proof before any letters or the artists' names, before 
 the dry point work over the fork of lightning. Mr. Clarke's 
 impression realised £54. 10s.; Mr. Marshall's £48. 1 
 
 Diana and Actseon, after Lauri (11) 1 
 
 Ceyx and Alcyone, after Wilson (12) 
 
 brilliant proof, with “ Alcione" and before the verses, also an 
 etching 2 
 
 It is believed there is no finished proof before the letters. 
 Phaeton, after Wilson (13) 
 
 fine proof before any letters 1 
 
 The same (13), print and etching 2 
 
 Sacrifice to Apollo. The “ Altieri Claude ” (14) 
 
 brilliant proof before any letters, the artists' names only slightly 
 etched 
 
 Roman Edifices in Ruins, after Claude (15) 
 
 fine proof before letters, with the arms, and an etching 
 Apollo and the Seasons, after Wilson and Mortimer (16) 
 superb proof before any letters, the artists' names slightly 
 etched, with marks of the graver in the margin 1 
 
 The same (16), ne impression 1 
 
 Cicero at his Villa, after Wilson (17) 
 
 very fine proof before letters, and an etching 2 
 
 Solitude, after Wilson (18) 
 
 very fine open letter proof, before the alteration of the arms 1 
 The same (18), fine impression 1 
 
 Dido and Aeneas, after Jones and Mortimer (19) 
 
 touched proof before the figures were finished, the state in 
 which the plate was left by Woollett at his death, before the 
 painters' or engravers' names 1 
 
 The SAME (19 ), fine open letter proof 1 
 
 Meleager and Atalanta, after Wilson (20) 1 
 
 Telemachus and Calypso, after West (21) 
 
 pure etching, the state in which the plate was left by Woollett 
 at his death 1 
 
 Macbeth, after Zuccarelli (22) 
 
 pure etching, and a fine impression 2 
 
 The SAME (22), fine open letter proof in the first state 1 
 
 <3&<£k" 
 
 a 
 
 -fCLa.n>€J 
 
 c ft J)') 
 
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 Qltys-eJL 1 
 
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 (I 1 
 
 
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 rtXt/vt-CJU. 
 
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49 
 
 *3 
 
 761 
 
 Celadon and Amelia (23) 
 
 
 > 
 
 /(o' 
 
 d 1 
 
 <4* c-eJi ' 
 
 
 y?ne proof, the shy not quite finished 
 
 1 
 
 
 
 762 
 
 The same (23) 
 
 
 
 AD. 
 
 
 
 pure etching, with autograph presentation from Mr. Woollett 
 
 
 
 
 
 
 to Mr. Athawes 
 
 1 
 
 
 
 c^TO 
 
 763 
 
 LA Chasse AU Sanglier, after Pillement (27) 
 
 
 
 // 
 
 <EfeaM*vo<^ t 
 
 J 
 
 
 pure etching, very fine and rare 
 
 1 
 
 
 
 764 
 
 The Enchanted Castle, after Claude (28) 
 
 
 / 
 
 s 
 
 (1 
 
 (X-o, (Tn-t- to- 
 
 
 brilliant proof before any letters, the artists' names etched 
 
 1 
 
 
 
 765 
 
 The Fishery, after Wright (29) 
 
 
 /4 
 
 
 (1 
 
 
 brilliant proof on india paper, before any letters, the artists' 
 
 
 
 
 4 A Ct/iO £4 
 
 <J 
 
 
 names slightly etched. Mr. Palmer's impression in this 
 state realised £19. 
 
 1 
 
 
 
 766 
 
 The Jocund Peasants, after Du Sart (30) 
 
 
 4 
 
 4 
 
 
 brilliant proof, with full margin, the artists names only slightly 
 
 
 
 
 CU^JLJ cjM 
 
 
 etched 
 
 1 
 
 
 
 767 
 
 The same (30), unfinished proof 
 
 1 
 
 / 
 
 A2 
 
 -@f f 
 
 1 f 
 
 768 
 
 Morning, after Swanevelt (33) 
 
 Evening, after Swanevelt (34) 
 
 
 /s 
 
 
 p 
 
 
 the pair, very fine proofs 
 
 2 
 
 
 
 769 
 
 Landscape, with figures in a forest, after Poussin (35) 
 
 
 V 
 
 /£ 
 
 ( 
 
 
 proof before any letters or the artists' names 
 
 1 
 
 
 
 pfc<xjuJ<Le~ffi?, 
 
 770 
 
 Boys at Play, after Murillo (36) 
 
 
 - 
 
 s 
 
 
 
 proof, and an impression with the letters 
 
 2 
 
 
 
 <p}(s> <r( > -(Lcr~ixj ao -^ 
 
 771 
 
 The Maid at the Mill, after Richards (37) 
 
 
 ! / 
 
 /s 
 
 } 
 
 QuraeJb*^- 
 
 
 brilliant proof before letters, artists' names etched 
 
 1 
 
 / 
 
 /£> 
 
 772 
 
 The Rural Cot, after Smith of Chichester (40) 
 
 
 $<UJUnclt-f 
 
 
 brilliant proof , with the artists' names etched 
 
 1 
 
 
 
 773 
 
 The same (40), unfinished proof 
 
 1 
 
 * 
 
 // 
 
 
 774 
 
 The Merry Villagers, after Jones (44) 
 
 
 - 
 
 // 
 
 
 
 fine impression, and an unfinished proof 
 
 2 
 
 
 
 775 
 
 Les Agrements de l’Ete, after Pillement (45) 
 
 1 
 
 • 
 
 
 0 
 
 f(LcxSU 
 
 776 
 
 The Spanish Pointer, after Stubbs (46) 
 
 
 4 
 
 JAP 
 
 (/ 
 
 
 fine proof, with the artists' names etched, but unfortunately 
 
 
 
 
 
 
 cut rather close 
 
 1 
 
 
 
 <^-0 £A>V ^3 
 
 777 
 
 Illustrations to Cook’s Voyages, proofs (58 — 60) 
 
 3 
 
 
 c 42 
 
 C^~Q) fi-djL&r'i-kJ Ci-j^ f 
 
 778 
 
 The Devil’s Bridge, after Pars (62) 
 
 
 ' 
 
 
 . r 
 
 
 brilliant proof before any letters, and the etching 
 
 2 
 
 
 
 fiurV e 
 
 779 
 
 The Great Frozen Valley near Chamouny (64) ; the Valley of 
 
 
 
 Co 
 
 
 
 Chamouny (65) 
 
 
 
 
 
 
 fine impressions , and an etching 
 
 H 
 
 3 
 
 
 1 
 
50 
 
 / 
 
 
 
 780 
 
 - 
 
 /s 
 
 > 
 
 781 
 
 
 /V 
 
 
 782 
 
 ' 
 
 /s 
 
 • 
 
 783 
 
 
 /a 
 
 
 784 
 
 - 
 
 ty 
 
 . 
 
 785 
 
 u 
 
 
 
 786 
 
 
 
 
 787 
 
 
 ? 
 
 
 788 
 
 
 
 
 789 
 
 ' 
 
 -o 
 
 o 
 
 
 790 
 
 
 J- 
 
 
 791 
 
 O) 
 
 J2 
 
 
 792 
 
 o 
 
 fa 
 
 
 793 
 
 ^0 
 
 s 
 
 
 794 
 
 The Hermitage at Warkworth, after Hearne 
 
 brilliant proof before any letters or the artists' names, etching, 
 and a fine impression 3 
 
 Views of the House and Garden of the Duke of Argyll at 
 Whitton ; Carlton House ; and others 5 
 
 Various, by Woollett and Vivares, etchings, &c. 10 
 
 ZEEMAN. 
 
 The Gates of Amsterdam 
 
 the complete set with margins, and the address of Dancfcerts 8 
 MISCELLANEOUS. 
 
 Thomas Percy, the Gunpowder Conspirator, in an oval, with two 
 historical vignettes beneath 
 
 very fine and rare 1 
 
 Examples of Venetian Architecture, by Ruskin 6 
 
 The Aberdeen Cabinet, after Gilbert, by Walker 
 
 open letter proof 1 
 
 A Literary Party at Sir Joshua Reynolds’s, after Doyle, by 
 Walker, open letter proof 1 
 
 The Ladies Foley and Howard, Lady Dalmeney, Mrs. Frederic 
 Milbank, and others, by S. Reynolds 
 choice artists' india proofs 5 
 
 The Earl of Clarendon, by Zobell; Sir F. Pollock, by Reynolds ; 
 and Lord Charles Scott, by Jackson 
 
 choice artists' india proofs 3 
 
 The Fish Girl, by Finden, after Sir Edwin Landseer, choice 
 artists' india prooj, and the etching; Bolton Abbey in 
 the Olden Time, the etching by Cousins 3 
 
 Wellington presenting a Casket to the Infant Prince, accom¬ 
 panied by her Majesty and Prince Albert, after Winterhalter 
 choice artists' india proof, and another 2 
 
 Photographs, by Alinari, from the original drawings by the great 
 masters contained in the Museums of Florence and Vienna, 
 in half blue morocco portfolio, cloth sides, and flaps 47 
 
 Leonardo DA Vinci, a volume illustrating some of the works 
 of Leonardo da Vinci, containing among several others 
 Longhi’s Madonna del Lago, unfinished proof ; and Bridoux 
 La Belle Joconde, artists' proof 1 
 
 Views of the English Lakes, original drawings, by 
 Delamotte 18 
 
 <£% crCQx tuj 
 
 
 J ruucrr~L <3. 
 
 1 
 
 crC-iLeruj o 
 
 ftro 
 
 a/ru. JX* 
 
 ci 
 
 I/ 
 
 O j 
 
 d 
 
 p 
 
 <1 O/'S <1*3 
 
 a 
 
 <56 sChn 
 
 T 
 
 W (XA^rrLuJL^-f 
 
 V x 
 
 cSf? (flULcrvJo^ 
 
51 
 
 • o ckj-/ 
 
 — 
 
 795 
 
 View of Thun, in Switzerland, original drawing, by Dela- 
 
 
 
 /<3 
 
 1 
 
 
 MOTTE 
 
 1 
 
 
 
 CK/Y~UJL d-L^ 
 
 796 
 
 Tell’s Chapel, and the Valley of Chamounie, by Delamotte; and 
 
 
 / 
 
 9 
 
 
 
 the Drinking Cow, by F. Muller. 1775, DRAWINGS 
 
 3 
 
 
 7 
 
 
 797 
 
 Sallanchi and Savoy, by the same 
 
 1 
 
 , 
 
 cT 
 
 QfXXXzJ e-dLc 
 
 798 
 
 Greenwich Hospital, original sketch by James Holland 
 
 1 
 
 / 
 
 / 
 
 
 799 
 
 Chalk drawing of a Head, by Metz, after Carlo Maratti 
 
 1 
 
 * 
 
 9> 
 
 
 800 
 
 Portfolio with guards, half hound morocco, gilt leaves, folio 
 
 1 
 
 v 
 
 /o 
 
 ff$Ta 
 
 801 
 
 Another, royal folio 
 
 1 
 
 
 /p 
 
 ^TO 
 
 802 
 
 Another, royal folio 
 
 1 
 
 / 
 
 
 'aCUU CtM> 
 
 803 
 
 Various portfolios 
 
 
 
 9 1 
 
 o a.* / 
 
 805 
 
 Rosewood portfolio stand 
 
 1 
 
 / 
 
 /o 
 
 — (7r —^~— - 1 - 1 
 
 THE END. 
 
 — l- atsJL 62 / 0 . /TTZ 
 
 J. Datt & Sows, Printers, 137, Long Acre, London. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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