Digitized by the Internet Archive in 2014 https://archive.org/details/exhibitionortherOOtarb THE EXHIBITION; OR, THERE IS NONE GREATER THAN Each mounted on his painting throne On brother Brufhmen looks contemptuous down, Like our great Admirals on a Gang of Swabbers. Peter Pindar. Now frormy fury rofe, And clamor fuch as heard in Heaven till now was never. Milton. LONDON : PRINTED FOR R. FAULDER, BOND STREET* NO NOT ONE. BY TIMOTHY TAR- BARREL. *793- TRICE ONE SHILLING. ADVERTISEMENT. The following pages were written, in the form of letters, for the Oracle, and meant as a reply to a Letter which appeared in that Paper on the 14th of March, containing, in the ironical manner of Swift, a Satire on the Council of the Royal Academy, which, if it had been well founded^ would have been fevere ; but the length ADVERTISEMENT. length of his letters, or the prefTure of political matter having prevented their infertion, the Author has adopt- ed this mode of publication, though fenfible that many faults will be ob- ferved and cenfured in a pamphlet, which would have been over-looked in a newfpaper. THE THE EXHIBITION, The opinion held by the Father of my immortal countryman, Shandy, that the names of men have a kind of magical influence in forming their characters, appears not to be fo abfurd as we have been led to imagine ; for however a few of the grey beards of the earth may ridicule the notion, the reft of mankind b feem ( 1° ) feem to acknowledge its truth, by conftantly annexing an idea of character to every new name. To thofe of rough, high-founding, manly mouthing, they involuntarily unite the ideas of courage, vigour, and magna- nimity; and are as much difappointed to find the noble names of George or Alexander attached to a muling chaunter of Italian Airs, as they would be to meet with the confiftent unconquerable daring of a ge- nuine Patriot, in the whipper-fnapper appel- lation Napper Tandy. Under the influence of this fage opinion, my eye cafually fell upon a Letter, figned Favonius, in the Oracle of the 14th day of March. Lured by this mellifluous name, I took up the Paper, expeding to be regaled with the melodious murmurs of falling waters, and the liquid lays of love ; when to my afto- nifhment, I found only the fcrannel founds of fatyr ( '1 ) fatyr. Such an incongruity would have fhaken my Shandean opinion from its bafe, if an- other incongruity had not happily reftored It to all its honours. I difcovered that the blafts of malice did not come from the Weft, as the name imported, but on the contrary, were directed full againft that quarter. That the writer, well acquainted with the value of a good name as a paflport to public regard, had aflumed one, to which his god-father had giv- en him no title, and that his name was not Favonius, but Solanus — no, not Solanu*-— there I am miftaken — but Eurus ; for the genius of this pretended Favonius bears no greater analogy to the biting keennefs of the Eaft wind, than to the latent malignity of the South. The letter of Favonius was addrefled to the Committee of the Royal Academy, whofe bufinefs it is to arrange the Pidures for the b 2 enfuing cnfuing Exhibition— As I followed him in his career of ironical direction, I could not, without pain, refledt how frequently cenfure was attached to the mod neceffary and labo- rious duties, whether fuch duties were, or were not difcharged uprightly^ I have been for feveral years no carelefs obferver of the proceedings of the Royal Academy, and as a lover of the Arts, attentive to its condudl with regard to the Exhibition ; and every year I have feen the Newfpapers teem with abufc on the Committee, which fober truth and candour declared to be ill- founded and un- merited. — Why is ic thus ? Do the writers of fuch abufe imagine they can terrify thofe, to whom the painful office of arrangement de- volves, from the fore-right path of re&itude and propriety, in favour of their own partial views and attachments ? Is it not rather to be feared, that fuch animadverfions, reiterated year after year, will make them parelefs of cenfure* cenfure, and callous to reproof? Happily for the Arts, the Committees of Arrangement has hitherto preferred the effe6l of the whole to the partial advantage of an individual per- formance. — And when the multiplied diffi- culties arifing from merit, fize, and manner of colouring are confidered, an impartial judge muft allow, that they have generally deferved praife, and rarely, if ever, have been cenfured with juftice. But difficult above all other works of dif- ficulty would it be, to reconcile the fituation of each individual performance, to the wiflies and vanity of its parent. Partial to himfelf, and partial to the children of his genius, he acknowledges no fuperior, and fees no dif- tin&ion to which he is not entitled. Where {hall I place your performance, Sir ? Let the Council afk of every one — in the befl place to be fure, will be every man's anfwer. Like the ( H ) the Grecian Captains, after the battle of Ma- rathon, however they might agree in difpofing of the fecond place, every one would claim the firft for himfelf. I love to laugh a little now and then, and think with my countryman before-mentioned, that life is lengthened by laughter. In this pleafureable employment I am occafionally affifted by a venerable friend, long noted for his fatyric humour, on which age has had no other effe6fc, than to abate its feverity, and to diredl its keennefs from individual to ge- neral nature* He, like Shandy's Father, has many whimfical opinions, which fometimes appear like the vagaries of an extravagant imagination, but they are frequently well- founded in the paflions and propenfities of men. One of his favourite notions is, that the letter I ought to ftand foremoft in the al- phabet ; and that an affediation of modefty in « >5 ) in the framers of alphabets has removed it from its place— but every man, he afferts, does it juftice in private. He hung over my fhoulder as I was writing the foregoing para- graphs — behold, he cries, a pregnant illuftra- tion of my opinion. The Artifts to a man will acknowledge that I is always the princi- pal figure on his own canvafs. The time of the Exhibition approaches. Every one is now on the tip-toe of expectation, anxious for the place his work is to occupy. It is his firft thought in the morning, and at night deprives him of " Nature s chief reJlorer y balmy Jleep" Extended on his pallat, or finking in a bed of down, the foliloquy is the fame in fubftance, and varies only in language, ac- cording to the education and manners of the artift. " O that the Exhibition were open ! c< Unlefs the malice of my evil genius pre- " vails, I fhall now be diftinguifhed among cc my fellows — I fhall occupy the moft con- cc fpicuous ( '6 ) Cf fpicuous fituation. I already hear the f Critics declare, that I defign with inex- " preffible energy — that I colour with fuper-