Burlington jfine Hrts Club. 
 
 EXHIBITION 
 
 OF 
 
 PORTRAIT MINIATURES. 
 
 LONDON: 
 
 PRINTED FOR THE BURLINGTON FINE ARTS CLUB. 
 
 1889. 
 
r 
 
 From the Library of 
 Frank Simpson 
 
Burlington jflne Hrts Club. 
 
 EXHIBITION 
 
 OF 
 
 PORTRAIT MINIATURES. 
 
 LONDON: 
 
 PRINTED FOR THE BURLINGTON FINE ARTS CLUB. 
 
 1889. 
 
The Committee , while making every effort to ensure accuracy, feel 
 that they cannot hold themselves responsible for all the names , whether 
 of the Artists or Subjects of the Portraits. 
 
LIST OF CONTRIBUTORS. 
 
 HER MAJESTY 
 The Duke of Abercorn, C.B. 
 
 *W. W. Aston, Esq. 
 
 T. O. Barlow, Esq., R.A. 
 
 Rev. James Beck. 
 
 Mrs. Bevan. 
 
 George Bonnor, Esq. 
 
 Charles Bowyer, Esq. 
 
 *G. P. Boyce, Esq. 
 
 *Bernard E. Brodhurst, Esq. 
 
 The Duke of Buccleuch, K.T. 
 
 Miss H. B. Buckley. 
 
 Mrs. Higford Burr. 
 
 *Charles Butler, Esq. 
 
 The Earl of Carlisle. 
 
 Sir Guy Campbell. 
 
 Mrs. Cartwright. 
 
 Charles Chichester, Esq., of Hall. 
 
 *The Marquis of Clanrikarde. 
 
 * Alfred Cock, Esq., Q.C. 
 
 Miss Lucy Cohen. 
 
 Henry A. De Colyar, Esq. 
 
 *Sir Francis Cook, Bart. 
 
 The Baroness Burdett-Coutts. 
 
 J. G. Crace, Esq. 
 
 Mrs. Hamilton Crake. 
 
 The Earl of Dartrey, K.P. 
 
 The Earl of Derby, K.C. 
 
 The Duke of Devonshire, K.G. 
 
 J. K. D. Wingfield Digby, Esq. 
 
 *Sir Charles W. Dilke, Bart. 
 
 Henry Drake, Esq. 
 
 THE QUEEN. 
 
 *Sir William Drake. 
 
 J. G. D. Engleheart, Esq., C.B. 
 
 Isaac Falcke, Esq. 
 
 J. H. Fitzhenry, Esq. 
 
 *C. Drury E. Fortnum, Esq. 
 
 *Henry Hucks Gibbs, Esq. 
 
 Aveling Green, Esq. 
 
 *E. Hamilton, Esq., M.D. 
 
 Lady Harlech. 
 
 The Lord Hastings. 
 
 C. H. Hawkins, Esq. 
 
 Rev. W. B. L. Hawkins. 
 
 E. C. Healey, Esq. 
 
 J. P. Heseltine, Esq. 
 
 *Sir Prescott Hewett, Bart. 
 
 Princess Victor Von Hohenlohe. 
 Rev. Dr. Holden. 
 
 *R. S. Holford, Esq. 
 
 *J. H. Hutchinson, Esq. 
 
 Miss Jaffray. 
 
 Edward Joseph, Esq. 
 
 Mrs. Keightley. 
 
 *S. Ernest Kennedy, Esq. 
 
 * Edwin H. Lawrence, Esq. 
 
 *Charles E. Lees, Esq. 
 
 The Duke of Leinster. 
 
 The Lady Leslie. 
 
 F. Locker-Lampson, Esq. 
 
 The Lord Lymington. 
 
 •^General Mackenzie. 
 
 *John Malcolm, Esq., of Poltalloch. 
 
IV. 
 
 *Colonel Harold Malet. 
 
 The Lord De Mauley. 
 
 Mrs. Robert Mayne. 
 
 The Earl of Mayo. 
 
 Captain H. B. Murray. 
 
 T. D. Murray, Esq. 
 
 Lady Dorothy Nevill. 
 
 Edward A. Nevill, Esq. 
 
 Mrs. James Nugent. 
 
 C. T. Pickford, Esq. 
 
 *Hon. Gerald Ponsonby. 
 
 Hon. Mrs. Frederick Ponsonby. 
 Hon. Sir S. Ponsonby-Fane. 
 
 The Duke of Portland. 
 
 *J. L. Propert, Esq., M.D. 
 
 *W. T. Radford, Esq., M.D. 
 
 F. T. Read, Esq. 
 
 *Fritz Reiss, Esq. 
 
 H. A. Rigg, Esq. 
 
 The Earl of Rosebery. 
 
 Francis J. Rouse, Esq. 
 
 *George Salting, Esq. 
 
 W. S. Salting, Esq. 
 
 Colonel H. C. Seddon, R.E. 
 
 T. Clifford Serjeant, Esq. 
 
 Sir Tollemache Sinclair, Bart. 
 Mrs. Singleton. 
 
 Major-General Sotheby. 
 
 The Earl Spencer, K.G. 
 
 Hon. R. Spencer. 
 
 The Lady Sarah Spencer. 
 
 His Honor Judge Stonor. 
 
 Mrs. Danvers Taylor. 
 
 Mrs. John Townshend. 
 
 The Lord Tweedmouth. 
 
 Miss H. E. Ward. 
 
 *W. Kemp Welch, Esq. 
 
 The Earl of Wharncliffe. 
 *Jeffery Whitehead, Esq. 
 
 Miss E. Horsley Whiteman. 
 Hon. Mrs. Percy Wyndham. 
 
 The Contributors whose names are marked with an asterisk are Members of the Club. 
 
INTRODUCTION. 
 
 HEN the Committee decided to hold an Exhibition of 
 Miniature Portraits in the Gallery of the Club, several 
 questions had to be considered. First, it seemed 
 advisable to decide what constituted a “ Miniature Portrait.” One 
 authority had attempted a definition, but had failed egregiously. 
 
 Redgrave, in the “ Century of Painters,” laid it down as follows: 
 “ I consider the term as strictly applying to portraits executed in 
 water colour on ivory, or in enamel on copper, and in some few 
 instances, on silver or gold.” Were these limitations to be accepted, 
 the great masters in miniature of the 16th and 17th centuries would 
 be entirely excluded. 
 
 In fact, it seems well nigh impossible to frame an accurate 
 definition. The Committee, therefore, have agreed to follow the 
 resolution adopted by Her Majesty’s Privy Council on Education on 
 the occasion of the Loan Exhibition of Portrait Miniatures at South 
 Kensington in 1865, and to accept all such works as were drawn to 
 a small scale, and were, in respect to manner, of a miniature character, 
 except paintings on porcelain. 
 
 With regard to the periods of the art to be represented, the 
 question was more easily settled. The Committee determined to 
 accept specimens from the earliest times to the death of Cosway in 
 1821. Few, if any, miniature portraits are known to us prior to the 
 time of Holbein, though, if the legend on the back of No. 44 (Case 
 XXXIV.) is to be accepted, written in old French characters, that 
 the portrait represents Francis de la Rochefoucault, god-father of 
 
VI. 
 
 Francis I. (and the costume bears out the legend), we could not 
 place the portrait at a much later date than 1495, and the scroll¬ 
 work surrounding the portrait seems to recal the illuminator’s art. 
 
 There is, however, one specimen in the present Exhibition which 
 certainly must be accepted as a miniature portrait, and which can 
 claim precedence of Holbein’s time by very many centuries. No. 45 
 (Case III.), contributed by Sir Charles Dilke, is apiece of surpassing 
 interest. It was originally found by Ficoroni in the ruins of Tivoli, 
 and afterwards belonged to Dr. Conyers Middleton. Like nearly all 
 the fine things known at that epoch, it found a home at Strawberry 
 Hill, in Walpole’s Collection, and was bought at the sale, in 1842, by 
 C. Wentworth Dilke, Esq. It represents a lady with her boy in her 
 arms, the latter wearing the bulla. Ficoroni thought that it belonged 
 to the age of Alexander Severus; Middleton contends for a yet 
 higher antiquity. It consists of two layers of glass cemented 
 together, and the circular border of the glass is entire, so that it does 
 not appear to have been the bottom of a patera, as has been 
 supposed, but to be complete in itself as a miniature portrait. The 
 lower piece of glass is throughout of a deep blue colour. The upper 
 layer is of the same deep blue, except where we observe a circle of 
 gold near the border and the figures of the mother and child. 
 These portions appear to consist of colourless glass. Thus the 
 figures painted on the under surface of this upper layer of glass are 
 seen as we look down upon it, and the under layer has preserved the 
 painting from injury, so that it is probably as fresh now as when it 
 came (1600 years ago) from the hands of the artist. The method of 
 fixing the gold to the glass, and of joining the blue glass, called 
 sapphire, to the white, colourless layer, was by placing the 
 composition in a furnace, by the heat of which the glass was 
 partially melted. 
 
 The death of Cosway in 1821, marks the end of the line of the 
 great artists who, for nearly three centuries, had contributed to this 
 
Vll. 
 
 charming branch of pictorial art, and though a few men continued to 
 gain an existence by its practice, the cheap mechanical processes of 
 photography completely took its place, and up to the present time 
 there are no signs of its revival. It was the earnest wish of the 
 Committee that the Exhibition should assume a chronological form, 
 and that as far as possible the works of each master should be placed 
 together for comparison, but a little thought compelled them to forego 
 the proposed arrangement. The natural objections on the part of 
 collectors and holders of family miniatures to have their treasures 
 separated and disposed in various classes, were found to be 
 insuperable, and the Committee have, in consequence, decided that 
 the specimens contributed by each exhibitor should be kept together 
 as much as possible, irrespective of epoch. 
 
 The fashion of painting single portraits “ in little ” undoubtedly 
 took its origin in the grand art of the illuminator; an art, which was 
 practised by all nations, both Eastern and W estern, from the rubrication 
 of capitals and headings, and occasionally true miniatures found on the 
 papyrus rolls of ancient Egypt, as far back as the 18th dynasty, down 
 to the magnificent missal in the Rouen Library, completed in the 
 year 1682 a.d. Every collection affords abundant evidence of the 
 introduction of individual portraits, amongst the gorgeous surroundings 
 of the general illuminated work. The Flemish illuminator especially, 
 carried the drawing and colouring of the heads to a degree of 
 perfection, which came very near that attained by the greatest 
 masters who subsequently practised the art of miniature painting, as 
 the term is understood in these later days. 
 
 Direct allusion to this point of contact between these two schools 
 of art, is difficult to obtain, but Vasari, in giving us the life of Giulio 
 Gravata, commonly known as Giulio Clovio, the great Italian 
 illuminator of the 16th century, after enumerating his principal works, 
 finishes thus:—“ Of these, I have desired to give the world this 
 notice, that such as cannot see these productions, for they are almost 
 
Vlll. 
 
 all in the hands of princes and other great personages, may at least 
 know something of them and of him. I say ‘ almost ’ all because I 
 know some private persons who have several cases containing 
 beautiful portraits, by his hand, of sovereigns, of their friends, or of 
 ladies whom they have loved.” 
 
 In connection with this point, attention may be drawn to 
 Case XXXIV., No. 14, Catherine de Medicis, with a gold back¬ 
 ground, setting forth this saintly personage, with the wheel and other 
 attributes of the martyr, from whom she derived her name. 
 
 Frame 13 might have been cut from an illuminated book. It 
 represents the Doge Andrea Vendramin and his Secretary 
 receiving the Pope’s Legate, the date being 1476 to 1478. It 
 has been ascribed to Giovanni Bellini, and the dates would bear out 
 the assertion. The illuminated border represents the very best 
 period of the Italian School. Frames 19 and 21, apparently 
 belong to the large class of portraits, which were frequently 
 attached to the Diplomas of State given to high officials on their 
 appointment by the Venetian Republic. The date is late, 1600, and 
 represents the epoch of decadence, but, as links in the chain of 
 miniature, they are interesting. No. 1 (Case XXXIX.), a drawing 
 founded on one of the celebrated pictures by Holbein, of the More 
 family, has a double interest. A group of portraits has been added on 
 the right of the picture, containing members of the More family not 
 represented in Holbein’s drawing, and the whole execution of the 
 piece, in the character of the heads, and the little landscape, 
 introduced at the back of the fresh group, bespeaks the hand of the 
 Flemish illuminator, somewhere about the close of the 16th century. 
 
 It has been already mentioned, that Johannes or Hans Holbein 
 has furnished us with the earliest specimens of the miniature portrait. 
 Mr. Wornum, in his life of the artist, expresses some doubt whether 
 he ever drew in miniature, but Van Mander, who published his life 
 of Holbein in Amsterdam in 1604, expressly tells us that “he 
 
IX. 
 
 worked equally well in oil and in water colours, he painted also 
 miniatures of especial excellence ; which last art he learned from 
 one, Master Lucas then in London, whom, however, he very soon 
 far surpassed.” 
 
 It is a pity that the biographer did not give us the surname of 
 this Master Lucas, who had the honour of being Holbein’s master, 
 an honour ascribed by Walpole to Lucas Cornelii. This artist 
 was born in the same year as Holbein, 1495. But as the wants of a 
 wife and seven children drove him from Leyden, to seek employment 
 in England, he could hardly have come as a young man, and 
 probably therefore followed, rather than preceded Holbein. There 
 was another Master Lucas, however, Lucas Horembout , or Hornebolt , 
 who was certainly settled here in 1529, and perhaps earlier. He 
 was one of a family of illuminators. His father Gerard, was a 
 native of Ghent, and came to England about 1525, subsequently 
 returning to Ghent where he died in 1540. His wife Margaret 
 was buried at Fulham, where there exists an interesting brass 
 to her memory. The son Luke or Lucas was a “ King’s servant’ 
 at a higher salary than Holbein ever had, namely, 55 s. 6 d. a month, 
 and his death is certainly fixed by a curious entry in one of the 
 household books of Henry VIII. In May 1544, it is stated 
 “ Item, for Leuke Horneboutte paynter, wages nil, quia mortuus.” 
 His sister Susannah also is spoken of in high terms as an artist, 
 by Guicciardini and Albert Durer. She married John Parker, 
 Treasurer to the King. We may then fairly conclude that Lucas 
 Hornebolt, rather than Lucas Cornelii, was the Master Lucas, 
 alluded to by Van Mander. 
 
 There is another witness to the fact that Holbein painted 
 miniatures, one who was more nearly a contemporary of his, than 
 Van Mander himself. Hilliard, his immediate successor, wrote thus : 
 “ Holbein’s manner of limning I have ever imitated, and hold it for 
 the best.” The real date of Holbein’s death, so long accepted as 
 
X. 
 
 occurring in 1554, was finally settled by the finding of his will, by 
 Mr. A. W. Franks, dated October 7th, 1543, with a note attesting 
 the administration of his goods, dated November 29th in the same 
 year. This change of dates is a factor of enormous importance, 
 when considering Holbein’s art work. Pictures and miniatures 
 during the reign of Edward VI. were invariably ascribed to him, but 
 as we now know that Edward was six years old when Holbein died, 
 we must turn elsewhere for the artists who produced them. 
 
 Before taking leave of the great name of Holbein, we would 
 direct attention to one specimen of his handiwork in the gallery 
 (No. 2, Case XXXIX.). Although perhaps, strictly speaking, it 
 can hardly be considered a miniature portrait, the Committee were only 
 too glad to accept it. It is a sketch in silver point, of a male head, so 
 tender, so lovely and yet so full of character, that further evidence is 
 hardly required of Holbein’s unrivalled power of drawing “ in little.” 
 
 With regard to the miniatures produced in Edward’s reign there 
 were two or three artists at work here, who were quite equal to 
 the work. Gwillim Streetes, the Dutchman, one of Edward’s court 
 painters, in point of technique closely resembled Holbein, and of 
 another artist, a lady too, we have written proof that she painted 
 miniature, viz., Levina Teerlinck , a daughter of Simon Benninck, of 
 Bruges, himself a celebrated illuminator. In 1538 she was in Henry’s 
 service at a higher salary than Holbein. She is spoken of in the 
 highest terms both by Vasari and Guicciardini. Mr. J. G. Nichols 
 gives many interesting details of her, extracted from the Trevelyan 
 papers, and other sources. At Midsummer, 1547, “ Maistris Levyn 
 Teerling, paintrix, was receiving quarterly wages of ^11.” In 1556 
 she presented to Queen Mary, as a new year’s gift, a small picture of 
 the “Trynitie.” In 1558 (the 1st of Elizabeth) she presented “ The 
 Queen’s picture finely painted on a card,” which remained with her 
 Majesty under the care of Mrs. Newton, and had in return “one 
 casting bottell guilt,” weighing 2| oz. In 1561 on the like occasion, 
 
XI. 
 
 there was presented “by Mrs. Lavina Teerling the Queen’spersonne 
 and other personages in a box finely painted.” Thepaintrix received 
 in return “ one guilt salt, with a cover,” weighing 5f ozs. This lady 
 artist, living in four reigns, evidently in high court favour all the time, 
 and painting in miniature entirely, must have produced many portraits 
 “ in little,” some of which ought certainly to have reached our day, 
 but, from want of signature, are probably classed under various 
 headings—Holbein, Hilliard, &c. Attention may be drawn to Case 
 XXXIV., No. 21, a portrait of Edward VI., thin and weak perhaps in 
 tone, but correct in drawing and colour, very probably by her hand. 
 Another artist .Justus Van Cleef, who was certainly painting here as 
 late as 1554, was just the artist to excel in miniature. Conscientious 
 in finish, correct in drawing, and according to Van Mander, the best 
 colourist of his time, he combined all the necessary qualities of the 
 miniaturist in oil. He was celebrated for the drawing of the hands, and 
 with the other artists just named may be answerable for some of the 
 numerous apocryphal Holbeins which are running about the world. 
 Sir Antonio More certainly painted miniatures. He was sent over to 
 England by Philip of Spain, to paint Queen Mary’s likeness. 
 Charles I. possessed a portrait of Mary painted by him on a small 
 round gold plate. The miniatures of this Queen are very scarce. 
 Her reign was short and troubled, too short to produce the inevitable 
 conventional portraits which invariably accumulate during a long 
 reign, such as Henry VIII., Elizabeth, George III., Louis XIV., &c. 
 Zucchero was for a short time in England, from 1574 to 1580. 
 He painted Elizabeth, Sir Nicholas Bacon, Charles Howard, Earl 
 of Nottingham, and others. Tradition associates him with 
 Nicholas Hilliard, as the joint instructors of Isaac Oliver in miniature 
 painting ; it is fair to presume, therefore, that he himself occasionally 
 produced a miniature portrait, and Case XXXV., No. 21, has always 
 been ascribed to him in the family whence it came ; but there is no 
 direct evidence that he painted miniatures. 
 
Xll. 
 
 Having now examined as far as possible, the dim and somewhat 
 speculative list of artists who may be regarded as the pioneers of 
 miniature painting, we may get to surer ground. 
 
 Up to the reign of Elizabeth, no artist seems to have devoted 
 himself exclusively to portrait miniature as a profession, and it is 
 gratifying to our national pride to think that from this point, for 
 nearly two centuries England stood alone among the nations in 
 keeping up an unbroken chain of artists, who raised the English 
 school of miniature to a higher level than has ever been subsequently 
 attained, either at home or abroad. 
 
 Nicholas Hilliard has the honour of heading the list. He was 
 the son of Richard Hilliard of Exeter, high sheriff in 1560. Nicholas 
 was born in 1547, and began life as a goldsmith, a profession which 
 has furnished so many artists to the school of miniaturists. What 
 first led him to try his hand at miniature portraits is uncertain, and 
 finding no instructor capable of directing his studies, he himself tells 
 us, in the tract already spoken of, that he adopted Holbein as his 
 model. He must have made rapid progress, as the Earl of Oxford 
 had his portrait by himself at the age of 13. The influence of the 
 illuminators is very marked in his portraits. His colours are opaque, 
 he employs gold to heighten the effect of jewels, dresses, &c., and his 
 faces present the flat shadowless appearance of the saints of the 
 Missal. A very fine portrait of him by himself is in the present 
 Exhibition, Case IX., No. 10. He was high in favour with Elizabeth 
 and James I. as goldsmith, miniaturist, medallist, &c., and died in 1619. 
 Charles I. purchased from his son, Laurence Hilliard, an extra¬ 
 ordinary jewel, bearing portraits of Henry VII., Henry VIII., 
 Edward VI. and Jane Seymour, enamelled on the top with a 
 representation of the Battle of Bosworth, and on the reverse, with 
 the red and white roses. The four portraits (by Nicholas Hilliard) 
 are now at Windsor, the jewel, alas ! has long gone the way of so 
 many others. One jewel remains to us, a pearl of great price, and an 
 
Xlll. 
 
 historic relic of great interest. By the kindness of Mr. Jeffery 
 Whitehead, its fortunate possessor, the Committee are enabled to 
 include it in the present Exhibition. It consists of a tiny book, 
 bound in shagreen, with lovely gold enamelled clasps, a ruby set in the 
 centre of each clasp ; a miniature of the Due d’Alengon at the com¬ 
 mencement and another of Elizabeth at the end, both by Hilliard. 
 The body of the book is of vellum, and contains prayers written in 
 six different languages in a beautiful hand, penned by the great 
 Queen herself. It fully bears out the assertion that Elizabeth was 
 the most cultured woman of her time, and one who must amply have 
 repaid the pains which old Roger Ascham bestowed on her tuition. 
 Few relics of the great past can compete with this tiny book in 
 appealing to our reverence and national pride. There would seem to 
 be some justification for the appellation of “Old Hilliard” given to 
 Nicholas by some of the old writers, for it seems certain that his son 
 Laurence followed in his footsteps. A warrant of the Council is 
 still extant, dated 1624, ordering the payment to him of £42, for 
 five pictures by him drawn. Laurence was still alive in 1634, but 
 nothing is known of any definite work done by him. One or two 
 other names occur about this time, of miniaturists, about whom little 
 is known. John Shute we are quite ignorant of, and the two artists 
 named Betts are almost as mysterious. Their Christian names were 
 John and Thomas. One miniature by Thomas, is in the present 
 Exhibition, Case XXXIV., No. 7, the Earl of Bristol, but whether 
 the two were brothers, or father and son, is quite unknown. 
 
 The next artists to be considered are Isaac and Peter Oliver , 
 father and son. Walpole thinks the family must originally have 
 been French, as Isaac occasionally signs his name “ Olivier,” and the 
 notes in his pocket book, which has been preserved, are partly in 
 French and partly in English-; but, on the other hand, he certainly 
 wrote a treatise on limning in English. Be this as it may, he was born 
 in Leicestershire in 1556, and died two years before Hilliard, in 1617. 
 
XIV. 
 
 He was taught drawing by Hilliard and Zucchero, and rapidly rose 
 to distinction. His son Peter is said to have been born in 1604, but 
 it must have been earlier. There is an entry in the catalogue of 
 Charles I. which plays havoc with the dates of the two Olivers. A 
 certain miniature painting is thus set down, “ A great limned piece 
 of” the burial of Christ, “which was invented by Isaac Oliver, and 
 was left unfinished at his decease, and now, by his Majesty’s 
 appointment, finished by his son Peter Oliver.” The size of this 
 great piece is given, n\ inches by 1 foot 3^ inches, and is signed by 
 Peter Oliver, and dated 1616. Isaac died in 1617 (his will was 
 proved by his widow, Elizabeth Oliver, at Somerset House, on 
 October 30th, 1617, and the entry of his burial is still to be found in 
 the register of St. Anne’s, Blackfriars, as October 2nd, 1617). 
 How, then, could his son finish and date the picture a year before his 
 father died ? Again, if Peter was born in 1604, he would necessarily 
 have been but 12 years of age when he finished and dated his 
 father’s picture, which of course is incredible. There must be an 
 error somewhere, but it seems incapable of solution. The same 
 register of St. Anne’s gives us also the date of Peter’s funeral, 
 December 22nd, 1647. As these three artists mark a sort of 
 epoch in miniature painting, it may be fair to attempt some 
 comparison between their performances. Hilliard tells us he copied 
 Holbein, and whilst, in certain details, he attained the exactitude 
 which marked the treatment of dress, jewels and accessories by the 
 great German, he never reached anything approaching the character 
 and firmness of treatment found in the tiny pictures of Holbein. 
 His faces were flat and shadowless, and entirely lacking in expression. 
 His drawing was correct, even when he attempted the whole length, as 
 in Case XXXIV., No. 23, but chiaroscuro was utterly wanting. Isaac 
 Oliver was immeasurably his superior in expression and general 
 modelling of features, especially in his later portraits, when he had freed 
 himself from the influence of his instructor. He produced some 
 
XV. 
 
 very noble large miniatures. The “ Henry Prince of Wales,” and full 
 length of “ Sir Philip Sidney,” at Windsor, the “ Earl of Dorset,” in the 
 Jones Collection at South Kensington, and the “ Frances Howard, 
 Countess of Essex” (Case III., No. 46), from Lord Derby’s Collection, 
 now exhibited at the Club, are as fine as any miniatures ever painted. 
 He occasionally painted also in oil. Vertue mentions portraits of 
 himself, his wife and children, a head of St. John the Baptist and 
 the Holy Family. At Welbeck is a portrait of T. Cavendish, the 
 great sea captain, and in Walpole’s time Lord Oxford possessed a 
 portrait of Sir Philip Sidney. His son Peter copied many of the 
 pictures in Charles I.’s Collection in miniature for the King, and his 
 small portraits compare favourably with those of his father, but he does 
 not appear to have attempted any original work which would, in point 
 of size or importance, come up to those we have just mentioned by 
 Isaac. One or two other names about this time may be just 
 mentioned. Cornelius Jansen copied many of his own pictures in 
 miniature size, and the celebrated miniature of Milton, at the age 
 of 10, is by him. Sir Robert Peake , originally a print-seller on 
 Holborn Bridge, received payment from the Council of State as 
 early as 1612, for “ limnings.” Sir Balthazar Gerbier was originally 
 a retainer in the service of the Duke of Buckingham, and is called by 
 Sanderson a common penman. He attended Buckingham in a 
 mission to Spain, and there is a curious letter extant from the 
 Duchess to her lord, wherein she says: “ I pray you, if you have 
 any idle time, sit to Gerbier for your picture, that I may have it well 
 done in little.” He wormed himself into the favour of Charles I., 
 and seems to have been as much employed in the diplomatic dirty 
 work of these intriguing times, as with his pencil. 
 
 John Hoskins was a fine miniature painter, but the only 
 allusion to him is contained in Graham’s English School, where we 
 are only told “ that he was bred a face-painter in oil, but, afterwards 
 taking to miniature, he excelled what he did before; that he drew 
 
XVI. 
 
 the king, his queen, and most of his court, and had two considerable 
 disciples, Ale-xander and Samuel Cooper, the latter of whom became 
 much the more eminent limner/’ There is a tradition of a son of the 
 same name, and the difference in the signature is supposed to mark 
 the two, but, unfortunately for this theory, there are at least three 
 different ways of writing the I.H., thus: N W I.H. If one son 
 is needed to account for the difference, why not two, seeing that there 
 are three known signatures. The son’s name is nowhere mentioned 
 in any book of reference, though Redgrave says he painted a miniature 
 of James II., but he does not give any authority for the assertion. 
 Just about this time the art of portraiture received quite a revelation, 
 by the presence in England of the great Antwerp painter, 
 Vandyck. He arrived, by Charles’s invitation, in April, 1632. 
 Previous to his time all portraiture had more or less followed the lines 
 of Holbein, and through him of the Van Eyck, or Flemish School. 
 Severe uncompromising treatment, combined with a certain stiffness 
 and want of atmosphere, produced an archaic effect, which, by its very 
 seriousness, compels the admiration of the art student, but in the 
 portraits of Vandyck, replete with life, full of delicate light and shade, 
 reproducing in all their natural grace the lovely models ready to his 
 hand at the court of Charles I., men must speedily have recognised 
 a new dispensation in the portrait art. As Holbein, in the 
 16th century, in the dawn of “face painting ” led the way for Hilliard 
 and Isaac Oliver, so in the 17th century, Vandyck gave the motif to 
 Samuel Cooper. No words of praise, however great, are too much 
 to bestow on this incomparable artist, and even Walpole’s eulogium, 
 pitched as it is in a high key, does not exceed the limits of truth. 
 “ If a glass could expand Cooper’s pictures to the size of Vandyck’s, 
 they would appear to have been painted to that proportion. If his 
 portrait of Cromwell could be so enlarged, I do not know but Vandyck 
 would appear less great by the comparison.” The literal truth of this 
 criticism must force itself upon the mind of anyone who has ever 
 
XVII.; 
 
 really studied the subject, for it is extremely doubtful whether Vandyck 
 ever produced a portrait, which for strength, broad delineation of 
 character and freedom could surpass many of Cooper’s tiny miniatures. 
 
 It is a little difficult to say which portrait Walpole had in his 
 mind when he made this comparison. There are several miniature 
 diawings and sketches of the Protector in existence, without doubt by 
 Coopers hand. The peculiarity of them is, that scarce one is 
 finished. This fact almost lends colour to the story that Cromwell 
 consented to sit to Cooper on condition that there should be no 
 repetition of the portrait. Cooper, one day, was so earnestly engaged 
 in surreptitiously copying the miniature he had commenced from life, 
 that he was aroused too late by the heavy step and stern voice of 
 the Protector, who stretched over the painter’s shoulder and took 
 possession of both the miniatures, saying, “ Ho! Ho! Master 
 Cooper, none of that, Sir.” 
 
 These two miniatures descended to Lady Falconberg, and were 
 afterwards parted for a time, but are now both in the Buccleuch 
 Collection. One is quite finished, a three-quarter face, with a white 
 collar and armour, the other has merely a patch of dark colour as 
 background round the head, which is fairly finished, but the 
 armour and collar are only sketched in. There are other portraits of 
 Cromwell in the same Collection, one finished, taken when he was 
 young, by Cooper, and two profiles, one in a corded coat, the other 
 in oil on copper, but these do not resemble Cooper’s work. 
 
 There are also two in the Devonshire Collection, one in the same 
 three-quarter position, the background entirely filled in with colour, 
 but the armour, &c., not commenced. The other is a profile sketch 
 in pen and indian ink. The background and dress untouched. This 
 sketch is the one from which Houbraken engraved the portrait of 
 Cromwell in the “ Heads of Illustrious Persons,” though the engraving 
 is a libel on the original. The same sketch probably formed the basis 
 for another profile in the Propert Collection, the latter about the 
 most finished of them all. The portrait in the possession of 
 
XV111. 
 
 Mr. Lawrence is almost identical with the unfinished portrait in the 
 Buccleuch Collection, three-quarter face, and a patch of dark colour 
 just round the head. There is also the picture at Cambridge, in 
 Sidney College, thus described: “ Crayon head, looking left, grey 
 hair, paper 14 by 12 inches.” There may be others hidden away in 
 quiet nooks, but the above are about all that are generally known. 
 Hardly any public man has suffered more at the hand of copyists 
 than Cromwell. Portraits on vellum, paper, ivory and in enamel, 
 many probably contemporary, or nearly so, others palpably bearing 
 the cloven hoof of fraud of a later date, are one and all as glibly 
 assigned to Cooper as are all Henry VIII.’s to Holbein, or all 
 enamels of Louis XIV. to Petitot. 
 
 He was born in 1619, and studied with his uncle, John Hoskins 
 and is said to have lived and painted for many years in France 
 and Holland before settling in his native country, and true it is, that he 
 must be looked upon rather as the painter of the Commonwealth and 
 Charles II., than of the period before the Civil War. 1643 is the 
 earliest dated miniature we have seen, though of course earlier ones 
 may exist. He died in 1672. His elder brother, Alexander, also 
 studied with his uncle, but he went abroad early in life and resided 
 some years in Amsterdam, and at last entered the service of Queen 
 Christina of Sweden, nothing more being recorded of him. 
 
 The works of Geoi'ge Jamesone are little known in England, but 
 he was called the Vandyck of Scotland, and indeed they are said to 
 have been fellow pupils under Rubens at Antwerp. Besides his 
 large portraits, he painted many miniatures, and a sample of his work 
 is in the Gallery, Frame 3. When Charles visited Scotland in 1633, 
 he sat to him, and rewarded him with a diamond ring off his own 
 finger. 
 
 Francesco Cleyn , himself the designer at the King’s tapestry 
 works at Mortlake, was the father of several artists in miniature. 
 On a small print of the father, etched by one of his sons, Evelyn 
 wrote “ a most pious man, father of two sons who were incomparable 
 
XIX. 
 
 painters in little, all died in London.” He also had a daughter 
 named Penelope. Vertue mentions a miniature “like Cooper’s 
 manner, but not so well ” of Dorothea, youngest daughter of Richard 
 Cromwell, October 4th, 1688, signed P. C., and miniatures of very 
 fair execution are occasionally met with, signed with these two 
 letters. It is an interesting question how far the Cleyn family may 
 be credited with many miniatures of the 17th century, which are 
 unsigned, and usually attributed to Cooper, Flatman, Nathaniel Dixon 
 and others. Cleyn taught drawing to that curious little person, 
 Richard Gibson , the dwarf, who was page to a lady at Mortlake, and 
 subsequently entered the King’s service, for whom he produced 
 miniature copies of the King’s pictures, besides original portrait 
 work. He married Anne Shepherd, the same height as himself 
 3 feet 10 inches, and had nine children, five of whom survived, attain¬ 
 ing a natural size. His son Edward, and his daughter Penelope, 
 who married a jeweller named Rose, were known as miniaturists. 
 David de Grange , or des Granges , was miniature painter to 
 Charles II. in Scotland; he was an engraver as well as miniaturist. 
 He signed his work D. D. G. He was a very unequal painter. 
 There are one or two specimens exhibited here of fair quality, but 
 others turn up occasionally, of by no means first-rate work. 
 
 With the restoration of Charles II., a new order of art set in. 
 Lely was now the presiding genius, eminently fitted to be the 
 delineator of the rather wanton beauties of the Court. He well pour- 
 trayed the reigning character and 
 
 “ On animated canvas stole 
 The sleepy eye, that spoke the melting soul.” 
 
 He taught nearly all the portrait painters of this period, both 
 in great and little, and by Pepys’s description in his diary, lived 
 in great state. Amongst the curiosities of miniature of this 
 century, may be mentioned portraits in needlework, an art which 
 has long since died out, but was much in vogue during the 
 Charles’s reigns. One specimen is shown here, a likeness of 
 
XX. 
 
 Charles I., Case XXXV., No. 36, worked by the Princess 
 Elizabeth, who shared her royal father’s last imprisonment at 
 Carisbrook Castle. Portraits of the Royal Martyr were also 
 wrought in his hair, cut off for the convenience of the executioner, 
 and dipped in his blood. 
 
 Mary Beale was a pupil of Lely’s, a daughter of a Mr. Cradock, 
 a clergyman at Walton-on-Thames. The details of her life are more 
 fully known than those of most artists, owing to the fact of her 
 husband keeping a most minute diary of all her doings. The most 
 lucrative year she ever had, realised to her ^429. One entry in the 
 diary is of special interest, “Sunday, May 5th, 1672. Mr. Samuel 
 Cooper, the most famous limner of the world, for a face, dyed.” 
 
 Her son, Charles Beale , also painted in miniature, but failing 
 sight soon obliged him to give up work. 
 
 Thomas Flatman , another of Lely’s pupils, combined miniature 
 painting with the law and writing poetry. His miniatures appear to 
 have been better than his poems. Indeed, Vertue ranks him equal 
 to Hoskins, and next to Cooper, and undoubtedly he painted 
 remarkably well, a very broad touch, sometimes almost bordering 
 upon coarseness, but full of colour and expression. 
 
 John Greenhill , the most promising of Lely’s scholars, painted 
 many miniatures, Case XXXV., Nos. 37 and 40, are by him. At 
 first very industrious, he soon fell into a dissolute course of life, 
 and died in the flower of his age. 
 
 Anne Killigrezv combined poetry and miniature painting, she 
 painted James II. and Mary of Modena, and was well thought of. 
 Gaspard Netscher, a pupil of Terburg, was invited to England by 
 Sir William Temple, and painted many admirable miniatures in oil 
 on copper. His rendering of female portraits is exceeding graceful 
 and his colour good. 
 
 John Dixon painted both in miniature and crayons. Late in life 
 he became concerned in a bubble lottery, Queen Anne, then Princess, 
 
XXI. 
 
 
 being a large ticket-holder. The affair turned out a failure, and 
 Dixon was ruined. He retired to the country, where he died in 
 1715. Of Nathaniel Dixon , signing himself N. D., nothing is known; 
 but he was an admirable miniaturist, somewhat approaching Cooper 
 in character of work, and especially in his fine treatment of the hair. 
 It is curious that so good an artist should have left no record behind 
 him. 
 
 Matthew Snelling was a gentleman who took to miniature 
 painting for amusement, and being evidently a lady’s man, would 
 never consent to pourtray the stronger sex. His miniatures are 
 seldom met with. 
 
 William de Keyser , a jeweller of Antwerp, painted in miniature, 
 enamel and oil. He came to England under the auspices of Lord 
 M effort, and was so well received here that he gave up his establish¬ 
 ment at Antwerp and settled in England. Shortly after, the 
 Revolution occurred ; his business left him, and the pursuit of the 
 philosopher’s stone, to which he had recourse in his despair, 
 completed his ruin. He died at the age of 45, but left a daughter, 
 who followed her father’s profession. He was not the only painter 
 who was diverted from his legitimate work by the “ ignis fatuus ” of 
 the philosopher’s stone; even the great Vandyck himself, led on 
 by Sir Kenelm Digby, neglected his pencil, and spent much time 
 and money in his later years in the futile search for this crowning 
 joy of life. 
 
 Thomas Sadler , son of a Master in Chancery, began by painting 
 miniatures for his own amusement. He was a pupil of Sir Peter 
 Lely, and, owing to reverse of fortune, took to drawing miniatures as 
 a profession. Amongst others he painted John Bunyan, which was 
 engraved in mezzotint, and very highly spoken of. 
 
 A very charming variety of miniature appears in the 17th 
 century, small portraits executed in lead pencil, then called 
 “ plumbago.” 
 
XXII. 
 
 The men who practised this method were really engravers, who 
 drew these portraits from life, for the purpose of subsequent 
 engraving. David Loggan , George White, and his son Robert, all 
 worked in this manner. Thomas Forster has left many signed 
 portraits in the same medium, but whether he was an engraver or 
 not is uncertain, as there is no account of him anywhere. No. 36 
 in Case XXXIV., may be commended to anyone who wishes to see 
 to what perfection this art could be brought. 
 
 John Faber , the older, worked in plumbago, as well as with 
 pen and ink on vellum. He was a native of the Hague, born about 
 1660. He came to England, probably about 1698. As a mezzotint 
 engraver, his fame has been overshadowed by that of his son. 
 
 Up to this period, miniature portraits, when painted in water 
 colour, were done on card or vellum, those in oil, on panel, silver, 
 copper and slate, but somewhere about the end of the 17th century, 
 ivory was first used as a basis for the painting. It is difficult to fix 
 the exact date, but it was probably during the reign of James II., or 
 early in the time of William III., Case XXXIV., No. 5, a portrait of 
 the Duke of Schomberg is done on a thick plate of ivory, left quite 
 rough at the back, and utterly unlike the thin ivory slips subsequently 
 used. It was supposed to give greater transparency to the translucid 
 colours of the flesh tints, but after all, there is something very 
 charming about the older vellum portraits. V/hen once ivory 
 became the generally accepted basis for water colour miniatures, 
 transparent colours were more freely used than when card or vellum 
 was in fashion. Certainly this was the case in England, but 
 the use of body colour lasted much longer abroad. Painting in 
 “ gouache’ 1 is to be seen in productions of the French School quite 
 up to the end of the 18th century, indeed it may almost be said 
 that artists who used transparent colour, such as Hall, Isabey, 
 Augustin and a few others were rather exceptions to the rule. 
 
 The word miniature, as applied to small portraits, is of com- 
 
XX 111 . 
 
 paratively recent introduction. Derived from the Latin word 
 “ Minium,” signifying red lead, in which material all the headings, 
 capital letters, &c., of the most ancient MSS. were drawn, the term 
 came gradually to mean the “ miniatura,” or picture painted by the 
 great artists—part of the illuminated book. 
 
 When first the fashion of single small portraits commenced, 
 they were called “limmings,” from the Latin verb “ illuminare,” 
 meaning “to decorate.” Dante uses the word “ illuminar ” in the 
 same sense. In early English we find the words “ enlomyne,” 
 “ luminen,”and “limnen.” Whence come to “ limn ” and “ limning.” 
 
 As late as the Catalogue of Charles I., drawn up by Vanderdoort, 
 the word occurs. The immortal Pepys in his Diary never mentioned 
 the word “ miniature,” always speaking of “painting in little.”* 
 
 The next author who treats of the subject is Horace Walpole, and 
 he invariably uses the word “miniature,” so that we may fairly place 
 its first introduction some time in the first half of the 18th century. 
 
 As we have now exhausted the 17th century, it may be as well 
 to digress for a while, and give some account of enamel portraits, 
 which first made their appearance during the century. 
 
 It is wholly unnecessary for us to enter into the question of the 
 antiquity of enamelling, that is, covering a metal surface with a 
 fusible colour. 
 
 A great contest has been waged on the subject. Labarte for 
 instance, upholds the theory that enamelling on metal was known to 
 and practised by the Phoenicians and Ancient Egyptians, whilst other 
 authorities contend that what passes for enamel, is nothing more 
 than the filling in of “ Champleve ” cavities with pieces of glass, 
 marble, &c., and that the true art of enamelling on metal was 
 unknown prior to the Christian era. 
 
 The year 1630 is generally assigned to the first beginning of 
 
 * Note.— Mr. Murray has been kind enough to give a note on the use of the word 
 “ miniature,” taken from “ Evrard’s Popish Plot,” page 3, which was published in 1679.— 
 “ She further produced a picture in mignature of the said Chancellor.” 
 
XXIV. 
 
 enamel portraiture, as we understand it. About that year, Jean 
 Tout in, a watch maker of Chateaudun, prepared a scheme of colours, 
 opaque and fusible, which, applied on a layer of white enamel spread 
 on a gold surface, were capable of passing through the fire 
 unchanged. He soon perceived the value of his process, if applied 
 to portraiture, but, not possessing the natural talent of a draughts¬ 
 man, he called in the aid of one Isaac G ribetin , who had at the time 
 established a reputation for his portraits in pastel, which Toutin 
 worked out in enamel. This Gribelin must not be confounded with 
 Simon Gribelin, who visited England about 1700, and amongst other 
 works executed a series of engravings from the Raphael cartoons at 
 Hampton Court. Toutin had a certain number of pupils, but they 
 would appear to have confined themselves to the production of watch 
 cases, rings, &c. Following close on the heels of Jean Toutin in 
 point of time, we come to the great high priest of enamel, Jean 
 Petitot , born in Geneva, in 1607. His father was a wood-carver, 
 named Paul Petitot. The family were originally French, but having 
 adopted the Protestant religion, retired to Geneva, where Jean 
 commenced life by enamelling the jewels then so much in vogue. 
 The reputation of Charles L, as the friend and protector of artists, 
 probably induced him to come to England somewhere about 1635, 
 and he showed the King’s jeweller specimens of his work far exceed¬ 
 ing in beauty anything which was then being produced in this 
 country. He was introduced to Charles by Turquet de Mayerne, a 
 Genevese settled in this country, the King’s physician, and a 
 celebrated chemist. Charles at once took Petitot into his service and 
 assigned him an apartment in Whitehall ; he ordered Sir Anthony 
 Vandyck to instruct him in the practice of portraiture, and Mayerne 
 to help him with his chemical knowledge to the acquisition of certain 
 colours which his palette still lacked. Petitot was probably accom¬ 
 panied to England by a fellow-worker named Bordier. There is 
 considerable confusion amongst the authorities about the two 
 
XXV. 
 
 Bordiers, Pierre and Jacques. If there were really two men of that 
 name connected with enamel painting they had both worked in 
 England. The only signed piece of Bordier’s work known, was the 
 wonderful enamelled jewel presented to General Fairfax after the 
 battle of Naseby, signed, “ P. Bordier, fecit.” This was in Walpole’s 
 Collection at Strawberry Hill. 
 
 During the last troubled years of Charles’s life Petitot left 
 England and went to Paris somewhere about the year 1645. He was 
 very well received by Anne of Austria, Cardinal Mazarin, and later 
 by Louis XIV. He was here joined by Jacques Bordier, and Pierre 
 passes from the scene. Louis XIV. gave Petitot an apartment in 
 the Louvre, and a pension. In 1650 Petitot and Jacques Bordier 
 married two sisters, Marguerite and Madeline Cuper, and from that 
 time to Bordier’s death in 1684, those two men lived and worked 
 together, painting every one of note in the French Court, chiefly 
 from the works of Le Brun, Champagne, Mignard, and the pastels 
 of Nanteuil, as they had done in England from Vandyck and Hont- 
 horst. Fearing the consequences of the Revocation of the Edict of 
 Nantes in 1685, Petitot begged permission to return to Geneva. 
 This was refused, and he was thrown into the prison at Fort 
 L’Eveque, where Bossuet endeavoured to convert him. Whether he 
 yielded to force and signed his recantation, or whether his failing 
 health induced the King to release him, is uncertain, but he returned 
 to Geneva in 1687, being then eighty years of age. Sitters still 
 flocked to him, and, to gain rest, he retired to Vevey, where he died 
 suddenly in 1691, aged eighty-four, whilst engaged on a portrait of 
 his wife. Petitot was forty-five years of age at the time of his 
 marriage, but nevertheless had seventeen children by Margaret 
 Cuper, nine sons and eight daughters. The only one of the family 
 who showed his father’s talent was Jean. He was born in 1652, and 
 at the age of sixteen was already at work on enamel portraits. His 
 father brought him to England in 1677, where he obtained 
 
XXVI. 
 
 the same favour with Charles II. that his father had enjoyed 
 with Charles I. 
 
 In 1682 he returned to Paris and married Madeline Bordier. 
 He returned to England in 1695, but the date and place of his 
 death are uncertain. 
 
 The great Jean Petitot perfected the art of enamel portraits. 
 From the time when he placidly drew his last breath in the quiet 
 little Swiss town, there is practically but little to say on the subject. 
 Such as he left it, such it is now, and after the lapse of two centuries 
 and a half, although the majority of miniaturists have tried their 
 hands at enamel, as well as water-colour portraits, he still remains 
 “ facile princeps.” No one has ever approached him. 
 
 His portraits of English characters are far scarcer than those 
 of the court of Louis XIV. His stay in England probably did not 
 exceed ten years, and during that time he was almost exclusively 
 employed by Charles I. As political troubles thickened, and men’s 
 minds were turned to sterner thoughts, he saw that England was no 
 longer a congenial soil for artistic work, and he retired to Paris. 
 Under the influence of Vandyck, his English portraits are drawn 
 with a freer and bolder touch than he exhibits in his later years. 
 
 The present Exhibition is peculiarly rich in the works of the 
 two Petitots, father and son, and especially in signed pieces. First 
 comes the celebrated full-length enamel of Rachel de Rouvigny, 
 Countess of Southampton, dated 1642, the largest portrait which it 
 is supposed Petitot produced. Unfortunately it has been sadly 
 injured. This comes from the Duke of Devonshire’s Collection, 
 which includes the Duke of Buckingham, signed and dated 1640, 
 and specially mentioned by Walpole. The Earl of Dartrey has 
 Petitot the younger and his wife, both signed and dated, and from 
 the Collection of Lord Rosebery come two magnificent full length 
 portraits of Louis XIV., and Marie Therese, his wife, in water colour, 
 signed J. Petitot. The “ Duchess of Portsmouth,” Case XXXIV. 
 No. 63, is signed Petitot fils. 
 
XXV11. 
 
 The 18th century commenced badly enough in matters pictorial. 
 It produced giants in literature, but contented itself with pigmies 
 in art. 
 
 Kneller was still at work as the leading portrait painter, but a 
 sorry substitute indeed for Vandyck, or even for Lely. The man had 
 undoubted talent, but deliberately sacrificed it on the altar of 
 Mammon. He must have been a past master in the art of what 
 modern art slang calls “ pot-boiling,” if it be true that, at his death, 
 500 canvases were found in his studio, the heads touched in by his 
 hand, but waiting for the journeymen assistants to complete them 
 from the stock costumes of the studio, and the wooden arms and 
 hands of the lay-figure. He passed away, but worse remained 
 behind. Jervas, Vanloo and Hudson succeeded in reaching yet 
 lower depths of mediocrity; but perhaps Hogarth was right when he 
 said, “ The artist and the age are fitted for each other, and the arts, 
 like water, will find their level.” The name of one miniaturist stands 
 out, however, brightly in the midst of the surrounding darkness. 
 Lawrence Crosse was really a great artist “in little,” not sufficiently 
 appreciated by collectors. Some very fine specimens are in the 
 present Exhibition, and a careful examination of their excellent 
 qualities will place him very near the greatest of the masters of the 
 17th century. He almost always signed his work with “ L. C.” 
 interlaced. Like his predecessor, Peter Oliver, he was celebrated 
 for his copies in miniature size of well-known pictures, and he 
 possessed a very fine collection of the works of Hilliard, the Olivers, 
 &c. Two enamellers were at work early in the century—Boit and 
 Zincke. Charles Boit , the son of a Frenchman, but born at 
 Stockholm, came to England to follow his trade as a jeweller, but 
 soon changed it for enamel portraits. At first he made so little way 
 that he went about the country teaching children to draw. An 
 escapade with one of his pupils caused his detention in prison for 
 two years, during which time he perfected himself in the art of 
 
xxvm. 
 
 enamelling. The prices he obtained for his work appear enormous, 
 receiving for some of his larger plates as much as ^ 5 °°* 
 greatest work was to be an enamel of Queen Anne, surrounded by 
 her court, the Duke of Marlborough, Prince Eugene, &c. The 
 size of the plate was to be 24 by 18 inches. Boit obtained an 
 advance of ,£1,000, and erected a special furnace in May Fair. As 
 no enamel had been made of that size since the old days of Limoges, 
 he wasted a large sum in ineffectual attempts to lay a perfect ground. 
 He obtained a further advance of £700, but before much progress had 
 been made, the Queen died, and the plate was never finished. His 
 goods were seized for debt, he fled to Franee, changed his religion, 
 and was well received by the Regent. As the French had known 
 no enamel painter since the days of Petitot, his works were much 
 sought after ; but he died suddenly in Paris in 1726. 
 
 Jean Zurich , son of a jeweller, practised both miniature and 
 enamel portraits, but was soon over-shadowed by his countryman, 
 Zincke. 
 
 Christian Richter , also son of a jeweller, came to England and 
 painted miniatures, strongly coloured, resulting from a study of the 
 works of Dahl. 
 
 The Genevese Jacques Antoine Artaud was a curious character. 
 He was designed for the church, but preferred miniature painting. 
 He copied the celebrated Leda of Correggio ; but in 1738* i n a fit °f 
 piety, he destroyed this picture in a singular manner. He cut up 
 Leda anatomically, and presented the different members to his 
 friends. His works were much admired, and he received many 
 medals, which are still preserved in the museum at Geneva. 
 
 There is considerable confusion about the various artists 
 belonging to the Lens family. Walpole, however, gives the history 
 of the family pretty clearly. The first of the name was Bernard 
 Lens , a painter, who died February 5th, 1708, and was buried at 
 St. Bride’s, aged seventy-seven. His son, also Bernard , was a 
 
XXIX. 
 
 mezzotint engraver and drawing master, and drew for Sturt and 
 other engravers. He died April 28th, 1725, aged sixty-six. It was 
 the son of this engraver, also Bernard , the third of the name, who 
 was, in Walpole’s words, “the incomparable painter in water-colours.” 
 He taught drawing to the Duke of Cumberland, the Princesses 
 Mary and Louisa, and to Walpole himself. He copied many works 
 of Rubens, Vandyck, &c., and, according to Walpole, his copies 
 had all the merits of the originals. He left three sons ; the eldest 
 was a clerk in the Exchequer, but the two younger became 
 miniaturists. Their names were Peter and Andrew Benjamin, and 
 their signatures as P. L. and A. B. L. are occasionally met with 
 on miniatures. The whole family were but poor performers. 
 
 The man who is best remembered in this reign is Christian 
 Frederic Zincke, born in Dresden in 1684, and who came to England 
 in 1706, where he studied with Charles Boit. Walpole goes so far 
 as to say he not only surpassed Boit, but rivalled Petitot. 
 
 Perhaps this comparison is best given in Walpole’s own words : 
 “ Zincke came to England in 1706, where he studied under Boit, 
 whom at length he not only surpassed, but rivalled Petitot. I have 
 a head of Cowley by him, after Sir Peter Lely, which is allowed to 
 excel any single work of that charming enameller. The impassioned 
 glow of sentiment, the eyes swimming with truth and tenderness, 
 and the natural fall of the long ringlets that flow round the 
 unbuttoned collar, are rendered with the most exquisite nature, and 
 finished with elaborate care.” Happily, this identical enamel is now 
 in the Gallery, Case XXIX., No. 9, and fully bears out all the panegyric 
 bestowed upon it by Walpole. It certainly is as fine as it can be, but 
 Walpole’s remark opens a very large question indeed, which applies 
 not only to Zincke, but to all enamellers, not even excluding the great 
 Petitot; and that question is, the difference between an artist and an 
 art workman. Petitot s “ Rachel de Rouvigny, Zincke s Cowley, 
 or Henry Bone’s “Lady Dysart,” all in the present Exhibition, 
 
XXX. 
 
 is each in its way perfect, but then Vandyck, Lely and Reynolds 
 furnished the originals, and in these cases the enamellers were 
 merely copyists, or art workmen. When we come to consider 
 the “original” work of these men “ad vwum ” in the old 
 phrase, could as much be said? In the case of Petitot it is 
 somewhat difficult to name any original work which can strictly 
 be put down to him. 
 
 In England, Vandyck, Honthorst and others supplied the 
 originals, whilst in France he copied the portraits of Philip de 
 Champagne, Porbus, Mignard, De Troy and others, and it is really 
 unknown whether Louis XIV., or any members _of his family or 
 Court, ever sat to him. In the case of Zincke, the evidence is more 
 easily attainable. His enamels are very plentiful, and he lived so 
 near to Walpole’s own time that we may trust his remark, that 
 Zincke increased his terms for a portrait from twenty to thirty 
 guineas, in order to limit the number of his sitters. But compare, 
 for instance, the perfect work of Cowley (copied from Lely) with 
 Case XXXIV., No. 98, a portrait of the Duchess of Buckingham 
 and her son, evidently arranged by Zincke from life. Can any 
 contrast be more complete than the grace of the one, and the bad 
 drawing, dreadful composition, and want of taste displayed in the 
 other? Doubtless, we must make all allowance for that numbing 
 curse which has attached to all artists, in all time, the fact of 
 becoming fashionable. So long as the artist’s name is connected 
 with the performance, the public is little apt, and indeed little fitted, 
 to examine the quality, but accepts scamped work and slovenly detail 
 as the evidence of genius ! 
 
 In the case of Henry Bone the circumstances are somewhat 
 different. He was essentially a copyist, and some of his work is 
 excellent. His “ Lady Dysart,” previously alluded to, is sufficient to 
 fill us with vain regrets, that Reynolds was not an enameller. 
 Could he but have wrapped his works in the sealing fusion of the 
 
XXXI. 
 
 enameller’s kiln, what dreams of beauty would have been secured to 
 the world for all time, and we should not be left to sigh over the 
 wrecks of his work, brought about by the sad tricks he played with 
 the chemistry of colours, and the destructive influence of his nostrums 
 in the shape of the mediums he used. 
 
 It was during this reign that the erratic meteor, John Stephen 
 Liotard, flashed into England, taking London by storm with his long 
 beard and Turkish fez. He painted admirable miniatures, and 
 occasionally tried enamel; but pastel was his favourite medium. After 
 painting all sorts of people abroad, from Maria Theresa, in Vienna, 
 to the Pashas of Constantinople, he succeeded here so well as to 
 make Reynolds look to his laurels. He paid two visits to this 
 country, leading a wandering life on the Continent during the 
 interval. His works are literally true to nature, but stiff and wanting 
 in ease and grace. He had no power of idealizing, or even refining 
 any portrait he undertook. Devoid of imagination, he appeared 
 incapable of rendering anything but what he saw before his eyes, 
 and yet he was an artist of great merit. We have seen specimens 
 in which the figure is as rigid as a marble bust, but the flesh tints 
 juicy as a Rosalba, and the jewels technically perfect as a Holbein 
 or a Janet. He died about 1790. 
 
 Joseph Goupy was celebrated in his time ; he taught the Princess 
 of Wales, and was cabinet painter to the King. His uncle Louis 
 Goupy, also taught and practised miniature. 
 
 Janies Deacon took Zincke’s house in Co vent Garden, and is 
 said to have painted miniatures in a masterly manner. He lost his 
 life by attending a case at the Old Bailey, the day that the gaol fever 
 carried off the Judge, the Lord Mayor, and many of the audience, 
 in May, 1750. 
 
 Gervase Spencer was a gentleman’s servant, who preferred art 
 to livery. He painted both in miniature and enamel, and especially 
 in the latter case produced many excellent portraits. He died in 1763. 
 
XXX11. 
 
 Thomas Worlidge was for many years of his life a miniaturist, 
 then he tried life-size portraits in oil, but with little success. 
 Ultimately he took to producing etchings in the manner of Rembrandt, 
 and made a very good living by them. He also drew heads in lead 
 pencil. 
 
 Andrt Ronquet, a Swiss by birth, resided here for many years, 
 and followed Zincke in enamel portraits. He wrote a book “ The 
 Present State of the Arts in England,” from which much valuable 
 information may be gleaned. 
 
 Art in general, and portraiture in particular, had now reached 
 the lowest point of the receding tide, towards the end of 
 the reign of George II., when happily a turn came, and the 
 flowing waters returned, not imperceptibly and gradually, but 
 with leaps and bounds. A noble band of artists arose almost 
 simultaneously, and names which have become household words in 
 art, Reynolds, Hogarth, Gainsborough, Romney and Wilson, brought 
 our national school of painting, by one great effort, to a higher level 
 than it had ever reached before. These sturdy Englishmen dared to 
 think for themselves, to trample under foot the inanities of their 
 immediate predecessors, and to brush aside the cobwebs of tradition 
 which had endeavoured to “ crib, cabin and confine ” portrait painting 
 within the four corners of a set of rules inexorable and unchanging as 
 the laws of the Medes and Persians. 
 
 It was not long before miniature painting felt the influence of this 
 great revival, in many respects the most surprising of all the upheavals 
 in the history of art. From this point, viz., 1760 to 1821, or about 
 sixty years, we shall find an uninterrupted succession of miniature 
 artists, quite bewildering in its number, and in the excellence of many 
 of its members. It is hopeless, in a short memoir like the present, 
 to notice them all; besides, in such a numerous body, there were 
 necessarily good, bad and indifferent. It is better to allude shortly to 
 some of the best and most representative artists, and as for the rest, 
 
XXX111. 
 
 the profaners of the human face divine, the daubers and dabblers in 
 this lovely branch of art, oblivion is the happiest fate. Amongst the 
 earliest names of the renaissance, are those of the three enamellers 
 Michael Moser, Jeremiah Meyer and Nathaniel Hone. Like so many 
 other artists in this branch, Mosers work was at first connected with 
 jewellery, but he possessed far too high an artistic feeling to content 
 himself long with this lesser occupation. He became manager of the 
 St. Martin’s Lane Schools, a Foundation Member and first Keeper 
 of the Royal Academy. He distinguished himself as a painter, 
 modeller, sculptor and medallist, and amongst other works executed 
 the Great Seal of England. His daughter, Mary Moser , was a 
 distinguished flower painter, and was also elected an Original Member 
 of the Royal Academy. 
 
 Jeremiah Meyer , R.A., born at Tubingen in 1735, died at 
 Kew in 1789, practised chiefly in enamel, but possessed the 
 double appointment of enamel painter to George III., and 
 miniature painter to the Queen. He was a foundation member 
 of the Royal Academy, and a capital artist; his enamels are very 
 tender in colour, the drawing excellent, and in finish remind one of 
 the beautiful work of John Smart. His style was founded upon the 
 work of his contemporary Reynolds, from whom he undoubtedly 
 drew the grace and elegance always found in his later works. These 
 remarks apply equally to his enamels and his water colour 
 miniatures. 
 
 Nathaniel Hone painted both in water colour and enamel. 
 He was a foundation member of the Royal Academy, but in 
 consequence of his hatred of Reynolds, formed a very turbulent 
 member of that body. He commenced to paint portraits in oil, 
 life-size, but met with no success, and as he failed to displace 
 Reynolds in popular esteem, he lost no opportunity of vilifying 
 and satirising him. His enamels are better than his water-colour 
 miniatures. He was born in Dublin in 1718, and died in 1784. 
 
XXXIV. 
 
 Horace Hone was the son, not the brother of Nathaniel, as has 
 been sometimes stated. He was elected Associate of the Academy, 
 but never quite equalled his father as a miniaturist. He died in 
 1825, aged 69. 
 
 William Prewitt was a pupil of Zincke's, who has left us a 
 signed piece, now at South Kensington, showing his masters 
 brilliant colour, but exhibiting the same faults of tonality, which 
 characterise Zincke’s work. 
 
 Richard Crosse, 1742-1810, born at Knowle, near Cullompton, 
 Devonshire. He was deaf and dumb, an affliction from which one 
 of his sisters also suffered. He came to London, and obtained a 
 premium at the Society of Arts in 1758. He first exhibited at 
 the Royal Academy in 1770, and in 1790 was appointed painter 
 in enamel to his Majesty. He formed an attachment to Miss 
 Cobley about 1778, who, however, refused him, and subsequently 
 married Benjamin Haydon, and was mother of B. R. Haydon, 
 the famous historical painter. This blow embittered Crosse’s life, 
 and caused him to shun general society. He died at Knowle in 
 1810. Few contemporary artists excelled him in certain qualities, 
 such as lovely delicacy of colour and conscientious finish, yet 
 retaining quite a character of his own. 
 
 Samuel Finney, 1719-1798, eldest son of Samuel Finney, of 
 Fulshaw, Cheshire. His family being in pecuniary difficulties, he 
 came to London to study law, but quitted that profession for 
 miniature painting. In 1765 he was appointed “enamel and 
 miniature painter ” to Queen Charlotte. He amassed a fortune 
 sufficient to pay off the incumbrances on the old family estate, 
 and in 1769 retired to Fulshaw, where he became a Justice of 
 the Peace and devoted the remainder of his life to quelling the 
 riots then so prevalent in that part of Cheshire, and in local 
 improvements. 
 
 There were two artists named Collins, Samuel and Richard. 
 
XXXV. 
 
 Samuel Collins was the son of a clergyman, and educated as an 
 attorney. He took to painting miniatures, and Ozias Humphry was 
 his pupil. He practised chiefly at Bath and Dublin, but details of 
 his later life are wanting. Richard Collins first exhibited miniatures 
 at the Royal Academy in 1777, and in 1787 was appointed principal 
 enamel and miniature painter to George III., and enjoyed a large 
 share of fashionable patronage. Considering the number of portraits 
 he must have painted it is somewhat curious that more of his work 
 does not appear in collections. Miniatures are occasionally met 
 with, signed R. C., and of course are set down to Richard Cosway, 
 but they probably represent the work of Richard Collins. He died 
 in London in 1831. 
 
 Adam Buck painted large portraits in oil, small portraits in 
 crayons, and water colour miniatures. His works as miniatures are 
 not very good, generally profiles, and hard in touch. He first 
 exhibited at the Academy in 1795. He had a brother Frederick, 
 who practised in Ireland. 
 
 Richard Cosway , R.A ., was born in Tiverton in 1741. He was 
 taken in, whilst a boy, by Mr. Shipley, the proprietor of the drawing 
 school in the Strand, to wait upon the students, and carry in the tea 
 and coffee, which Shipley’s housekeeper was allowed to provide, and 
 for which she charged threepence a head. Some of the students, 
 amongst whom where Nollekens, Smith, and others, gave Dick, as 
 the boy was called, instruction in drawing, and finding him to have 
 talent, advised him to try for a prize in the Society of Arts, and in 
 1755 he obtained a premium of ^5 5s. for a drawing, repeating the 
 performance each year up to 1760. Soon after this, he taught 
 drawing in Parr’s drawing school, also in the Strand, and painted 
 fancy miniatures, tops of snuff boxes, &c., for the jewellers. With 
 the money thus gained he transformed himself from a very dirty 
 little boy into the smartest of fops, which induced Mat Darley, the 
 famous caricature printseller, to put an etching of him in his window 
 
XXXVI. 
 
 in the Strand, as “ The Macaroni Miniature Painter,” a name by 
 which he was ever after known. He lived first in Orchard Street 
 Portman Square, then at No. 4 Berkeley Street, opposite the Duke 
 of Devonshire s wall. At that time he kept a black servant, who 
 seems to have been a literary character, having published an octavo 
 work on slavery. About this time Cosway married Maria Hadfield, 
 daughter of an hotel-keeper at Leghorn or Florence ; the celebrated 
 Charles lownley, giving the bride away. From Berkeley Street he 
 removed to Pall Mall, to a house which had previously known many 
 artist tenants. Jervas had lived there ; next was Ashley the 
 paintei, who married Lady Duckenfield j after him came Nathanie 
 Hone, who kept a famous black woman in it as his model. Cosway’s 
 immediate predecessor was the celebrated “Celestial Doctor Graham” 
 who is said to have exhibited there Emma Lyon, afterwards Lady 
 Hamilton, as Hygeia the Goddess of Health. Cosway’s next move 
 was to Stratford Place, the house at the south-west corner with a lion 
 outside it. Before he was really settled there, the terrible verses, 
 said to have been written by Peter Pindar (Doctor Wolcot) were 
 stuck upon his door :— 
 
 “ When a man to a fair for a show brings a lion, 
 
 ’Tis usual a monkey the sign-post to tie on ; 
 
 But here the old custom reversed may be seen, 
 
 For the lion s without, and the monkey’s within.” 
 
 He at once gave up the house and removed to No. 20 in the same 
 stieet, which he occupied up to his death. He furnished his new 
 abode in a most sumptuous manner. Everything of the rarest and 
 choicest description was there in profusion ; china, bronzes, inlaid furni¬ 
 ture, Persian carpets, old armour, tapestries, &c., filled every room. They 
 had one child, a daughter, who died young, and Cosway had the body 
 preserved in an embalmed state in a marble sarcophagus, which stood 
 in the drawing-room in Stratford Place. On Mrs. Cosway’s return 
 to England, after an absence of several years, she caused the body 
 
XXXV11. 
 
 to be interred in Bunhill Row Cemetery, and sent the sarcophagus 
 to Nollekens, the sculptor, to take care of for a time. It is a curious 
 coincidence, that at the very hour the sarcophagus was being removed 
 to the residence of Nollekens, Cosway died on the road to Edgware, 
 in the carriage of his old friend, Miss Udney, who frequently took 
 him for a drive in his old age. He was eighty years old, and was 
 buried in Marylebone Church. He hardly ever signed his portraits 
 on the front, but occasionally wrote on the back the pompous 
 announcement; “ Ric dus- Cosway, R.A., Primarius Pictor Serenissimi 
 Walliae Principis pinxit.” 
 
 The account here given of Cosway’s early life differs somewhat 
 from the generally received history of him. It is usually recorded, 
 that, sent up to London from Tiverton, he was placed with Hudson 
 the portrait painter, the master of Reynolds. The above has been 
 taken from Smith’s book, “ Nollekens and his times.” Mr. Smith's 
 father, together with Nollekens and others, was a pupil at Shipley’s 
 drawing school at the time “ Dirty little Dick ” was received there, 
 and helped to instruct him in drawing. It seems difficult to throw 
 aside evidence so direct and apparently trustworthy. Maria Cosway, 
 his wife, was a good artist. She painted in oil, in miniature, and 
 drew in pencil, designs for engraving. She left her husband for 
 some years, becoming the Superioress of a Nunnery at Lyons, but 
 returned to England shortly before his death. 
 
 Ozias Humphry , R.A., was a charming painter, his colour is as 
 brilliant as Petitot’s, and yet marked by the same exquisite tonality, 
 whilst the labour he bestowed on the finish of the surface almost 
 rivals the result obtained in the kiln of the enameller. John Smart 
 is the only other artist who reached the same curious enamel like 
 look in water colour. He belonged to an old family at Honiton, in 
 Devonshire, that county which has contributed so largely to the 
 brethren of the brush. He first studied with Samuel Collins, an 
 indifferent miniaturist and a very worthless fellow. Collins fled 
 
XXXV111. 
 
 from his creditors, and young Humphry returned to Honiton. 
 Determined to make his way, he borrowed a guinea from his mother 
 and set out on his travels, first to Exeter, and then to London, where 
 he entered Shipley’s drawing school, at that time the centre which 
 attracted all the men who afterwards became famous. Thence he 
 went to Bath, and lodged with Linley, the musician, whose lovely 
 daughter, afterwards Mrs. Sheridan, then in her ninth year, but 
 
 already possessing the sweetest of voices, cheered his painting hours 
 by singing to him. 
 
 After remaining at Bath for some time, he returned to London, 
 and being a devoted admirer of Reynolds, boldly showed him some 
 of his miniatures. When Reynolds heard that he was from Devon¬ 
 shire, and that his mother was a lace-maker, he exclaimed—" Born in 
 
 my county, and your mother a lace-maker. Why, Vandyck’s mother 
 was a maker of lace 1 ” and immediately took the young painter 
 under his protection. He rented lodgings near his patron at 21 
 Ivmg Street, Covent Garden, and soon got into the full tide of work. 
 In 1773, broken-hearted by the refusal of James Payne, the 
 architect, to accept him as the suitor of his daughter, he determined 
 
 to travel, and visited Rome with Romney. After an absence of 
 four years he returned to England, and soon after he received, by 
 post, one morning, a letter from Dr. Wolcot (better known as Peter 
 Pindar) dated from Truro, asking him as a personal favour to 
 receive into his house “ an uncouth, raw-boned, country lad,” about 
 fifteen years of age, with whom he had encumbered himself, and (to 
 use the Doctor’s own words) who had “run mad with paint.” This 
 youth offered his services to Mr. Humphry to clean his brushes and 
 palettes, and to make himself useful in the common concerns of his 
 house without wages, and all for the pleasure of being with a painter 
 of his knowledge and eminence. The raw-boned lad afterwards 
 became the celebrated John Opie, R.A., and lecturer on painting to 
 the Royal Academy. In 1785 Humphry went to India, and 
 
XXXIX. 
 
 painted the Rajahs and Begums. In 1788 he returned to England 
 and resumed his profession, and in 1790 was chosen a member of 
 the Royal Academy. He died in March 18 ro. Romney painted a 
 remarkably fine likeness of him, now at Knowle. 
 
 Why is it that so little mention is made in any work on art of 
 Andrew Ptimer? 
 
 Bryan knows him not, nor is he mentioned in Redgrave’s 
 “ Century of Painters,” and yet he was second only to Cosway, and 
 indeed, until comparatively recent times, his work was generally set 
 down to that vain little person. Even the date of his birth is 
 unknown.* 
 
 He was born at Bridgewater, and first exhibited miniatures at 
 the Royal Academy in 1786. He is said to have painted subject- 
 pictures in oil, and also to have tried his hand at enamel. He 
 exhibited at the Royal Academy up to 1819, and died in 1837. His 
 brother, Nathaniel Ptimer, was decidedly inferior to him in every way. 
 
 John Smart was at work early in the renaissance of miniature, 
 his first exhibited work bearing date in 1762. The distinguishing 
 features of his work are an exquisite finish of surface, and very 
 correct colour. Without the amalgamating influence of the enameller’s 
 kiln such absolute flatness of tints as was obtained by John Smart 
 and Ozias Humphry seems almost incredible. He was largely 
 employed by the Royal Family, and was deservedly one of the most 
 fashionable miniaturists of the day. Like Humphry he spent some 
 years in India, but returned to England, and died in London in 1811, 
 in his seventieth year. He almost always signed with his initials, J.S. 
 
 Samuel Shelley was a self-taught genius, born in Whitechapel. 
 He educated himself by copying the works of Reynolds, and has 
 left many historical and poetical subjects treated “in little.” In 
 miniature portraits he founded his style upon Cosway, and in the 
 
 * Since this was written, information has reached the Committee that Andrew Plimer 
 was born in Bridgewater, 21st December, 1764* and christened in the parish church. 
 
xl. 
 
 present day many a specimen from his hands passes muster as the 
 work of that artist. In the treatment of the hair, he somewhat 
 resembled him, but the flesh tints are generally in a greyer and 
 cooler key than Cosway’s. He died in 1808. 
 
 James Nixon mas appointed “limner” to the Prince Regent, 
 and “ miniature painter ” to the Duchess of York—the old word, 
 “limner” had so long passed away, that its revival sounds quite 
 strange. He was an excellent miniaturist, and a first-rate draughts¬ 
 man. Like nearly all the best artists of this period, he consciously 
 or unconsciously recalls Reynolds in pose, colour, and general 
 treatment. He became A.R.A., and died in 1812. 
 
 Henry Bone commenced life as a painter of flowers and 
 landscapes on china, and then came to London and worked as an 
 enameller of watches and the fashionable trinkets of the period. 
 
 Desirous of doing better things, he studied the chemistry of 
 fusible. colours, fluxes and other details of the enameller’s art, with 
 such success that his copy in enamel of Reynolds’s “Sleeping Girl,” 
 exhibited at the Academy in 1780, at once brought him into public 
 notice. The Prince of Wales, for many years, bought his finest 
 enamels, and he was appointed successively enamel painter to 
 George III., George IV. and William IV. He was elected A.R.A. in 
 1801, and R.A. in 1811. 
 
 The greatest part of his work consisted in copying the pictures 
 of others, both ancient and modern. Titian, Raphael, Murillo and 
 Reynolds supplied him with subjects. He was a prodigious worker, 
 and has left several series of portraits as evidences of his persevering 
 labour. The members of the Russell family, from the time of 
 Henry VII., the Royalists distinguished during the Civil War, eighty- 
 five portraits of the great men of Queen Elizabeth’s reign, are but 
 examples of his industry. He occasionally obtained large prices for 
 his enamels. 
 
 The “Bacchus and Ariadne” was sold for 2,200 guineas, and 
 
yet in his old age he was compelled to accept the Royal Academy 
 pension. He died in his seventy-eighth year, in 1834. 
 
 His son, Henry Pierce Bone , executed some enamels from life, 
 but he cannot be said to equal his father in colour or drawing. 
 
 One of the most graceful miniaturists of the time was Henry 
 Edridge , A.R.A . Many of his portraits remind one of the more 
 finished pencilled portraits of Cosway. The head is always wrought 
 up to the most careful finish, the figure gracefully, but somewhat 
 slightly touched in, the hands beautifully drawn, but sometimes left 
 quite uncoloured. He also executed many portraits on paper, with 
 a lead pencil, and thin washes of Indian ink. He had a great feeling 
 for landscape art, and some of his water-colour sketches, made in 
 France in 1817, possess very considerable merit. He became A.R.A. 
 in 1820, but was then in ill health, both mental and bodily. He had 
 lost, in rapid succession, his two children—a son and a daughter—in 
 the flower of their youth, and he never recovered the blow. He 
 died in 1821, and was buried in Bushey churchyard. 
 
 George Engleheart , 1752-1839. A younger son of Francis 
 Engleheart, a member of a noble Silesian family, who came to 
 England in the time of George II., and settled at Kew. Engleheart 
 was a pupil of Sir Joshua Reynolds. In 1790 he was appointed 
 miniature painter to the King. He exhibited numerous miniatures 
 at the Royal Academy between 1773 and 1812, and made a 
 considerable fortune by his art. His work is tender in colour 
 and correct in drawing. The treatment of the hair, the full large 
 eye, and juicy flesh colour, remind one at every turn of the 
 great Cosway. He generally signed E. He had a nephew 
 J. C. D. Engleheart , who first exhibited at the Royal Academy 
 in 1802. His works are by no means equal to those of his uncle. 
 
 Luke Sullivan , born in 1705, died in 1771, began life as an 
 engraver, and assisted Hogarth in the production of many of his 
 plates. The “March to Finchley” is by his hand. He afterwards 
 
xlii. 
 
 became a fashionable miniaturist. His female portraits were 
 especially successful. He possessed the happy faculty of idealising 
 whilst preserving a strict likeness. 
 
 Henry Spicer was one of the numerous art staff of the Prince of 
 Wales, chiefly practising in enamel. His work is marked by chaste 
 colour and correct drawing, and he stands high in the rank of 
 contemporary enamellers. 
 
 Charles Sheriff was deaf and dumb. His works are not 
 numerous, but he must have been a very tolerable artist if 
 Mrs. Siddons’s recommendation is to be trusted. She writes in 
 1785, that he was more successful in her portrait than any miniature 
 painter she had sat to. 
 
 Samuel Cotes was a younger brother of Francis Cotes, R.A. 
 His father was an apothecary in Cork Street, Burlington Gardens, 
 and Samuel was brought up to his fathers profession. He greatly 
 preferred art, and stimulated by his brother’s success, took to 
 miniature painting. He succeeded admirably in crayon portraits, 
 and produced some very good enamels; but his water colour 
 miniatures are fair, but not brilliant specimens. 
 
 John Plott had a varied experience. He commenced life as 
 clerk to an attorney. Finding art a more congenial employment, he 
 became a pupil of Richard Wilson as a landscape painter, and then 
 assisted Nathaniel Hone in miniature and enamel. He afterwards 
 practised independently, and was a frequent exhibitor at the Royal 
 Academy. 
 
 Sir Henry Raeburn , R.A. , must strictly be classed as a 
 miniaturist, seeing that his success in that branch of art induced him 
 to leave his trade as a goldsmith and take to portraiture. He 
 became President of the Scotch Academy. He was a vigorous 
 painter, a good colourist, and rarely failed to catch the characteristic 
 traits of his subject. 
 
 Anne Foldsone , better known as Mrs. Mee, began work at the 
 
xliii. 
 
 end of the 18th century, though she only commenced exhibiting at 
 the Royal Academy in 1804. She was the eldest daughter of John 
 Foldsone, a painter. There are miniatures signed on the back 
 “Anne Foldsone.” Judging by these specimens, her early work far 
 exceeded the efforts of her later years. Though rather too ruddy in 
 colour, the technique is excellent, and the drawing perfect, She was 
 extensively patronised by George IV., and many works by her are 
 at Windsor; but compared with the early work already alluded to, 
 they are but poor performances. They bear a sort of careless, 
 slipshod look, quite second-rate in quality. She lived to a great age, 
 and died in 1851. 
 
 John Bogle , who practised in Scotland in early life, moved to 
 London in 1772 and continued an exhibitor until 1792. He almost 
 caught the smooth enamel-like surface of Smart, though hardly 
 equalling him in beautiful colour. 
 
 William Grimaldi , born 1751, a pupil of Worlidge’s. He 
 practised his art in many provincial towns, and settled in London in 
 1788. He was miniature painter to George III., Duke and Duchess 
 of York, and George IV. Many specimens by his hand are at 
 Windsor, but he can hardly be placed in the same category as many 
 other artists of the time. He died in 1830. 
 
 Charlotte Jones, commenced as an exhibitor in 1801, and was a 
 special favourite of the Princess of Wales, whose portrait she 
 painted a good many times. She was a very good artist, correct in 
 colour and drawing. 
 
 Mary Benwell was another very fair miniaturist, first exhibiting 
 in 1761 ; several of her works were engraved by Houston, Charles 
 Knight, and others. 
 
 William Wood, born 1760, ought to be much better known than 
 he is. A recent sale at Ipswich, at the house occupied by his 
 descendants, has brought to light records of his work, and many 
 specimens from his brush come uncommonly near in technique and 
 
xliv. 
 
 beauty to the work of Cosway. By his note books he must have 
 painted an amazing number of most excellent portraits. 
 
 One of the curiosities of the period of which we are now 
 treating, was the outburst of female amateur talent. Whether or no 
 set on foot by the example of the fair Swiss, Angelica Kauffman, 
 who took the town by storm in 1765 ; certain it is, that many lady 
 artists were at work just then whose performances were in many 
 respects ecjgal to the professional work of the period. 
 
 Lady Lucan (Margaret Smith, wife of Sir Charles Bingham, 
 Baron Lucan in Ireland) was an accomplished miniaturist. She did 
 many original portraits, but also largely copied the works of the 
 Olivers, Hoskins, Cooper, &c. Two specimens of her work, signed 
 “ M. L.,” are in the present Exhibition. 
 
 Lady Spencer, a pupil of Sir Joshua Reynolds, was an excellent 
 artist, of the Kauffman school. Many of her classical drawings were 
 engraved by Bartolozzi. 
 
 Lady Diana Beauclerc, daughter of the Duke of Marlborough, 
 and wife of Popham Beauclerc, both drew and modelled in clay. 
 She painted a celebrated likeness of the beautiful Duchess of 
 Devonshire, and the Bartolozzi engraving of her two daughters, 
 from a drawing by her, became one of the fashionable prints of the 
 day. She drew and modelled many designs for Josiah Wedgwood, 
 which he produced as tablets in his jasper ware, some of which, 
 especially those of children, come very near Flaxman’s designs for 
 the great potter in grace of conception and beauty of form. 
 
 Miss Frances Reynolds, sister to Sir Joshua, took up miniature 
 painting as an amusement. Dr. Johnson said he sat to her ten 
 times. 
 
 Miss Theophile Palmer, niece of Sir Joshua Reynolds, the 
 “Offy” of their family life, and afterwards Mrs. Gwatkin, was a 
 very successful miniaturist. 
 
 Mrs. Darner succeeded in a more difficult walk of art than 
 
xlv. 
 
 painting. Walpole’s panegyric of her as a sculptress was probably 
 born rather in his heart than in his head. “ Mrs. Damer’s busts 
 from the life are not inferior to the antique.” She was a pupil of 
 Bacon’s. 
 
 Lady Templetown, Miss Crewe, and others, were really good 
 artists, and supplied Bartolozzi with subjects for engraving, and 
 Wedgwood with designs for his medallions and plaques. A review 
 of the 19th century artists will not detain us long. About the 
 first name met with in this century is that of Andrew Robertson. 
 He was born in Aberdeen in 1777. On his arrival in London in 
 1800, he attracted the notice of Benjamin West, P.R.A., who sat to 
 him for his portrait in miniature. This was the beginning of a 
 successful career, and for many years, on the decline of Cosway and 
 his contemporaries, he occupied the first place in the fashionable world. 
 Many of his pupils became distinguished miniaturists, Sir William 
 Ross amongst the number. Robertson possessed a cultivated mind 
 in many ways; he was a good writer, a first rate musician, and a 
 very charitable man. He died at Hampstead in 1845. His work 
 is always well finished, correct in drawing, but sometimes crude in 
 colour, is rather pretty than vigorous, hardly equalling the quality of his 
 immediate predecessors. 
 
 James Holmes was, like Andrew Robertson, possessed of many 
 accomplishments. He was born in 1777, and first apprenticed 
 to an engraver. Subsequently he painted both in oil and water 
 colour, exhibiting genre pictures, generally of a humorous character, 
 as well as portraits. His chief work, however, was that of a 
 miniaturist. He painted George IV. and most of the Royal 
 family. Lord Byron was especially partial to him, and sat to him 
 several times. The fine portrait of the poet, now in the Collection 
 of Isaac Falcke, Esq., was engraved for the collection of Byron’s 
 works, and is admirable in every way. His musical talents secured 
 to him the special intimacy of the King, whilst his great conversa- 
 
xlvi. 
 
 tional powers and genial nature endeared him to a wide circle of the 
 best society. 
 
 One of the most original of the miniaturists of the century was 
 Alfred Edward Chalon , R.A. He was born in Geneva in 1780, 
 and with his brother was placed in a mercantile house on the arrival 
 of his family in England. The drudgery of a commercial life was 
 highly distasteful to both brothers, and with his father s consent 
 Alfred entered as a student at the Royal Academy in 1797. He 
 soon acquired a bold dashing style of drawing, which he retained to 
 the end of his life. His miniatures on ivory are full of character, the 
 accessories, such as drapery, lace, &c., touched in with a spirit and 
 elegance peculiarly his own. He is, however, almost better known by 
 his small full-length portraits, nine or ten inches high. Hardly a 
 celebrity in the first half of this century escaped him, and from Her 
 present Majesty downwards, all passed under the hands of Alfred 
 Chalon. Though French in manner, he was a true Englishman in 
 heart, an accomplished musician, keen wit, and most genial host. 
 He survived to a good old age, surrounded by troops of friends, and 
 died in i860, aged eighty years. 
 
 Sir William Ross, R.A., has already been spoken of as a pupil of 
 Andrew Robertson. A delicate child, and debarred on that account 
 from following the usual rough games of boyhood, he amused himself 
 from his earliest years in taking likenesses. When quite young he 
 carried off gold and silver medals from the Society of Arts and 
 Royal Academy. Through his association with Robertson, his 
 daily work was miniature painting, but his ambition was to become 
 an historic painter. He had already gained a medal for an oil 
 painting, “The Judgment of Brutus,” and in 1825 he exhibited a 
 large oil painting at the Royal Academy, “ Christ casting out the 
 Devils from the Maniacs of the Tombs,” but his art-strength, if not 
 his inclination, lay in the direction of miniature portraits, and in that 
 branch he divided with Chalon and Sir William Newton all the 
 
xlvii. 
 
 work of the last years of miniature. He painted the whole of the 
 Royal Family of Engand, of Belgium, and Portugal, and a genera¬ 
 tion of the best and fairest of his own country sat to him. 
 
 It was not his fault if he fell on evil times in the matter of 
 female attire. The high combs, turbans, senseless ringlets half 
 covering the face, and loose slovenly dresses of a short half-century 
 back, contrasted too painfully with the flowing lines and graceful 
 coiffure which enabled Reynolds, Gainsborough, and Cosway 
 to present to us such marvels of female beauty during 
 the latter part of the 18th century. He had all the attributes 
 of a first-rate miniature painter. Refined and accurate drawing, 
 artistic composition, admirable colour, and tasteful arrangement of 
 accessories, would have placed him in the first rank at any epoch of 
 portraiture, whilst his amiable and simple manners and blameless life, 
 endeared him to all who shared his friendship. He died in the same 
 year as his bosom friend, Alfred Chalon, i860, in his sixty-sixth 
 year. 
 
 William Essex deserves mention as an enameller. He had 
 thoroughly studied the chemistry of the subject, and his brother 
 Alfred wrote a treatise on the art of enamelling. He was an 
 admirable draughtsman, and as great as an animal painter as he 
 was clever in delineating the human face. 
 
 William Egley, born in 1798 at Doncaster, was apprenticed to 
 a publisher in London. He taught himself the art of miniature 
 painting, and first exhibited at the Academy in 1824. From that 
 year up to 1869 he was a constant exhibitor, and is perhaps the 
 very last artist who did really good work. At this point the history 
 of miniature painting comes to a full stop. The advent of the 
 photographer’s camera put an end to the delightful cult which we 
 have been tracing through three centuries of existence. 
 
xlviii. 
 
 Jfortign hools. 
 
 FRENCH SCHOOL. 
 
 It seems hardly right to close this short history without some 
 reference to the foreign schools of miniature painting. The task is 
 by no means so easy as in the case of England, for here the new art 
 struck immediate root, and produced an unbroken series of brilliant 
 artists, who devoted their whole time and talents to painting 
 miniature portraits ; in the other case, it was pursued in a casual and 
 desultory manner. As a consequence, the literature relating to the 
 subject is almost nil , and until the general outburst in the 
 18th century, information is very scanty. And yet in France, 
 the art began well, and at about the same time as in England, with 
 the great family of Clouet. 
 
 In the year 1475, when Louis XI. was preparing to crush the 
 power of Charles the Bold, Duke of Burgundy, and to annex the 
 fair Duchy to the realms of France, a modest entry appears in the 
 Ducal accounts that a certain Jehan Clouet and Henry Bonem have 
 received the sum of 37 livres 4 sous, for work done. Bonem signs 
 the receipt as carpenter and cabinet worker, and Clouet as painter. 
 From this obscure record, tradition has sought to establish that this 
 Jehan or Jean Clouet was the first of this artistic family, who, in the 
 succeeding century, raised the French school of portraiture to a very 
 high standard. In the accounts of the French Household for the 
 year 1518, the name of Jean Clouet appears as “peintre ordinaire.” 
 
xlix. 
 
 This artist is generally known as Jean Clouet II. to distinguish him 
 from his Burgundian father. Whilst the Royal Court was held at 
 Tours (it was moved to Paris in 1525) Clouet married Jeanne 
 Boucault, the daughter of Gacien Boucault, a goldsmith of the town. 
 This marriage must have occurred much earlier than usually stated, as 
 the earliest known work of their celebrated son, Frangois Clouet, the 
 portrait of the Dauphin Frangois, eldest son of Francis I., now in the 
 museum of Antwerp, must have been painted about the year 1524. 
 From an early period in the history of the family, the name of Clouet 
 almost ceased to be used, and they gradually assigned the popular 
 application of Jannet, or Janet, by which name the son, Frangois, is 
 ordinarily known. 
 
 In the year 1529, another Clouet makes his appearance. 
 Marguerite of Valois, sister to Francis I., “ La bonne reine Margot of 
 the Troubadours,” had just married the King of Navarre. In a letter 
 written by her from Fontainebleau to the Chancellor of Alengon, she 
 says she has arranged to take into her service “le peintre, frere de 
 Jannet, peintre du Roy.” M. de Laborde thinks this must have been 
 a son of Jean Clouet II., and brother of Frangois ; but as the latter 
 only became “peintre du Roy” at his father’s death, which certainly 
 occurred long after 1529, there can be little doubt that this Clouet was 
 a brother of Jean Clouet II. and uncle of Frangois. Nothing further 
 is known of this artist, but No. 59, Case XXXIV., a portrait of 
 Margaret of Navarre, sober in tint, accurate in detail, with the heavy 
 impasto common in these early works, and a certain sharpness of out¬ 
 line, telling of Flemish influence, is very probably the work of this 
 unknown Clouet. Jean Clouet II. died in 1541, and Frangois Clouet 
 immediately succeeded him as “peintre ordinaire et valet de chambre.” 
 Various entries in the Royal Household accounts carry on the art 
 work of Frangois up to 1570, when he painted the portrait of 
 Elizabeth, daughter of Maximilian II., on her marriage with 
 
I. 
 
 Charles IX., son of Catherine de Medicis. Though no official record 
 tells us, he must have lived for some years after this. His portrait of 
 Henri III., at Stafford House, could not have been painted much 
 before 1580, judging by the apparent age of the King ; and the very 
 fine miniature of the Due d’Alenqon in the Jones Collection at South 
 Kensington, where he is represented holding the portrait of Elizabeth 
 of England, would date about the same time as the Duke’s visit to 
 England to solicit the hand of the Virgin Queen, in 1581. The 
 crayon portraits of the Clouet period form a very interesting, but 
 embarrassing, portion of the art work of the family. Altogether, in 
 the different collections of Europe, probably there are 3,000 known 
 and catalogued, and considering the destruction which has overtaken 
 all old art-work, this large mass would represent but a small portion 
 of what once existed. They vary from nearly life size to that of a 
 miniature and are unequal in merit. Some few, in the breadth and 
 freshness of touch, seem clearly taken from life ; others though highly 
 finished, betraying the more mechanical work of an artist versed in 
 engraving, whilst very many are so slovenly and coarse in execution, 
 that they evidently proceed from the hand of a mere copyist, and 
 a poor performer too. In several instances, the same portrait is seen 
 reproduced three or four times over in the same collection. Doubtless 
 some of this mass were actually drawn by the Clouets, but who shall 
 say to which the palm is to be awarded ? 
 
 As regards the true miniature work of the family the same 
 uncertainty prevails. Of Jean Clouet II. nothing is known; but 
 several specimens still exist, attributed to Francois. Such are the 
 six small whole-lengths, in the Hamilton Collection, of Henri II., 
 Henri III., Charles IX., Catherine de Medicis, Le Grand Dauphin, and 
 Claude of France ; the whole-length of the Due d’Alengon at South 
 Kensington ; the bust portrait of Francois I., which was sold in the 
 Addington Collection ; Francois II., in the present collection, No. 26, 
 Case XXXV., and last, though not least, the magnificent portrait 
 
li. 
 
 of Mary Queen of Scots at Windsor. These are all painted in oil 
 on copper, except the Francois II., which is on slate. Considering 
 that these two artists were continuously employed on portrait painting 
 for nearly a century, it is astonishing how few remain which can, 
 without doubt, be ascribed to either of them ; but a critical examination 
 of this point is outside the limits of our present purpose. Various 
 artists are named from this period up to the middle of the 17th 
 century as miniaturists, but they seem to have combined various 
 pursuits, such as illuminating, engraving, flower and landscape 
 painting, &c., and can hardly be classed in the same category as the 
 English artists of the same time, who executed miniature portraits 
 and nothing else. Hans Bol , for instance, 1534-1593, in addition to 
 portraits, seems to have been the forerunner of the Van Blaren- 
 bergnes, in his microscopic landscape, crowded with numerous figures. 
 Other artists, we find, are William Baur, 1600-1640, Samuel Bernard, 
 1615-1687, Louis Hans, 1615-1658, Richard Masson , and Jacques 
 Bailly. When the enamellers arose, Toutin and Petitot, a fresh start 
 took place, and the introduction of “ boites a portrait ” by Louis XIV., 
 as presents to diplomatic personages, often enriched by diamonds, 
 bearing the portrait of the great King in enamel, afforded plenty of 
 work to these artists and their successors. It has become so com¬ 
 pletely the habit to call every enamel portrait of the time a “ Petitot,” 
 that it seems almost a sacrilege to suggest that other contemporary 
 artists were employed by the State, as well as the celebrated 
 Genevese. Louis de Chatillon, 1639-1754, was engraver, enamel 
 painter and miniaturist. According to Mariette, his enamels were 
 in every respect perfect. He produced an amazing number, and yet 
 they are said to be very rare. It is not known that he signed 
 his work, and it is more than probable that many a Petitot portrait 
 really was the work of his hand. Another artist of the same class 
 was Jacques Philippe Ferrand, 1633-1732. He was the son of 
 Louis Ferrand, physician to Louis XIII., and attained a position 
 
lii. 
 
 (according to the French authorities) “hors ligne.” Perr atilt, of 
 whom no particulars are known, is spoken of in 1700 as a first- 
 rate enameller. Quite a long list of artists, enamellers and water¬ 
 colour painters, are found in the accounts of the Ministry of Foreign 
 affairs, as furnishing portraits of the reigning Monarch, for insertion in 
 these boxes. Mlademoiselle de la Boissiere, Bom dm, and Frederic 
 Bruckmann, a Swede, who seems to have painted enamels of the king 
 in quite a wholesale manner, judging by two entries in the ai chives. 
 Here is one of them—Nov. 20, 1696, “ Recu de M. de Pontchartrain 
 douze portraits emailles en bas-relief par Frederic Bruckmann, 
 Suedois a soixante francs, 720 francs.” What this enamelling in 
 bas-relief was, it is hard to say. Twice over, he furnished nineteen 
 portraits of the same kind. It is small wonder that portraits of 
 Louis XIV. are so commonly met with. Others of the state 
 artists were Mademoiselle Chateau, Jean Cotelle, Jean Ecman, the 
 family of Du Guernier, celebrated also for the lovely fans of the 
 Louis XIV. period, Henry Cher on, and his accomplished daughter, 
 Elizabeth Sophie Cheron, and Richard Van Orley. Amongst the 
 State artists of Louis XV., Jean Baptiste Masse, 1688-1767, was 
 the chief. He learned drawing of Jouvenet, and enamelling of 
 
 Chatillon. Madame Maubert, Jean Adam Matthieu, Oudry, 
 
 Penel, Jean Prevost, Raphael Bachi, a very wholesale purveyor 
 of Royal portraits, Andre Rouquet , who also wrote many works 
 on art, Peter Paul Seuin, who painted large portraits on 
 vellum. The Turenne, on horseback, in the Jones Collection in 
 South Kensington, is by him ; Nicolas Venevault, and many others. 
 As these artists rarely signed their work, we shall probably never be 
 able to trace their hands by any technical peculiarities. Hitherto, the 
 production of miniature portraits in France had been largely confined 
 to the reigning monarch and the court circle, but in 1720, the 
 talented Italian Rosalba Carrier a visited Paris, and created quite 
 a furore there. She was born in Chiozza, near Venice, in 1673, 
 
and died in Paris, 1757. She worked in oil, water colour and 
 pastel. On her arrival in Paris, she was elected with acclamation 
 a Member of the Academy, and gave quite an impetus to the 
 French school of miniature. She certainly merited all the praise 
 she received. She combined in an unusual degree, grace of 
 design with charming colour. There is a refinement, a tender¬ 
 ness of tint, and delicacy of handling in her portraits, surpassed 
 by no artist of the 18th century, and equalled by few. Ten 
 years before her death she lost her sight, from over application 
 during very many years, but she found consolation in a life of active 
 benevolence, and the sympathy and respect which surrounded her to 
 the last. 
 
 Jacques Charlier was of the same period, and worked much for 
 the Court. His portraits are in excellent colour, painted in a broad 
 manner with a full brush. The two Drouais were excellent artists. 
 The father, Hubert, 1699-1767, studied under De Troy, and painted 
 in oil, pastel and water colour. His son Francois Hubert was 
 appointed painter in ordinary to the King, and executed a large 
 number of State portraits for insertion in rings, bracelets and snuff 
 boxes. 
 
 We have now arrived at an epoch when miniatures had become 
 almost as numerous in France as in England. As this short memoir 
 is not intended to supply the place of a dictionary of miniature 
 painters, but merely to trace the successive steps in the development 
 of miniature portraits, we shall not attempt to name all the artists 
 who flourished under Louis XVI., and from that time to the melan¬ 
 choly advent of photography, but will merely mention briefly some 
 of the more celebrated. No French artist is better known, not only 
 amongst collectors, but even by the general public, than Jean Baptiste 
 Isabey. Born at Nancy in 1767, died in Paris, 1855. His intimate 
 connection with Napoleon, who was very fond of him, and the con¬ 
 sequent introduction he thus obtained to all the celebrated men and 
 
liv. 
 
 women of the time, placed him in a position probably unattained by any 
 other artist. It was said of him that he had painted every celebrated 
 character in Europe. His first introduction to Napoleon was owing 
 to the fact of his having taught drawing to the young Hortense 
 de Beauharnais at the celebrated school of Madame Campan at 
 St. Germain. Under Napoleon, he not only painted miniatures, but 
 arranged all the fetes and grand receptions of the Tuileries, and 
 invented the coats of arms of the Marshals and others ennobled 
 during that curious epoch in the world’s history. The coat of arms 
 provided for Massena is said to have been the joint production of 
 Napoleon and Isabey, a winged Victory figuring among its adjuncts. 
 His long life made him acquainted with various rulers of the French 
 nation. He painted Louis XVIII., Charles X., Louis Phillippe, and 
 was finally provided with a pension in 1854 by the nephew of his 
 first patron, Louis Napoleon. He died in the following year at the 
 age of eighty-eight. Of all the portraits of Isabey, the rarest and 
 most recherchds are of the period of the Directory, when Madame 
 Tallien was the queen of fashion, and arrayed herself and her 
 followers in the scantiest of classical costumes, the decolleU body and 
 the open skirt giving the beholder a view of as much of nature and as 
 little covering as was consistent with common decency. Isabey has 
 left memoirs of his life, which are of great interest. He thus 
 describes his first commencement:—“ I resolved to imitate the 
 example of several of my fellow-pupils (he learned in the studio of 
 David), who made a modest living by any means connected with 
 painting. I made friends with a maker of snuff-boxes, who gave me 
 orders for medallions to insert in the covers, generally copies from 
 Vanloo and Boucher. I received from six to eight francs for each 
 medallion, without the ivory. It was the fashion to wear buttons as 
 large as a five franc piece, painted to resemble cameos, with cupids, 
 flowers, landscapes, &c. I took to this mercantile art work, and 
 received twelve sols for each piece. I also painted pastels for a 
 picture dealer who had a shop under the Colonade of the Louvre.” 
 
lv. 
 
 Pierre Adolphe Hall hears a reputation in France analagous to 
 that of Cooper and Cosway amongst ourselves. He has been called 
 “ Le Vandyck de la miniature.” He was born at Stockholm in 
 1736 and died in Liege in 1793. He painted in oil, pastel, enamel, 
 and miniature. His father was physician to the King, and was 
 ennobled in 1743* Pierre was brought up to the profession, but at 
 the age of 19, found art so much more congenial to his tastes, that he 
 quitted his studies to follow it. He went to Paris in 1760, became a 
 Member of the Academy in 1769, and immediately took the first 
 place as miniaturist. He was never keen for work; devoted to music 
 and hunting, he missed many an appointment in pursuit of pleasure. 
 Gustavus III. sat many times to him, and endeavoured to persuade 
 him to return to Sweden, promising to appoint him Keeper of the 
 Royal Museum. At the approach of the Revolution, Hall found 
 his best customers leaving France among the emigres, and 
 remembering the King of Sweden’s promise, he decided to return to 
 his native land. Whilst travelling slowly homewards, he learned the 
 news of the death of his royal protector, and shortly after he himself 
 succumbed to an attack of apoplexy at Liege in 1793. He painted 
 much for the Menus Plaisirs, several of his portraits being set in 
 diamonds in boxes, bracelets, &c. One especially of the Dauphin 
 (Louis XVI.) is mentioned as having been sent to Marie Antoinette 
 on her arrival at Strasbourg in 1770. For the portrait, Hall was paid 
 hi louis (2,664 francs) and the box in which it was mounted, 
 surrounded by seventy-five brilliants, cost 78,678 francs. Another 
 portrait by him of the Count de Provence, sent amongst the other 
 jewels to the Princess of Savoy, his affianced bride, was set as a 
 bracelet, surrounded by sixteen large diamonds, at a cost of 
 15,552 francs. Certainly he deserves his high reputation; for light¬ 
 ness of execution, transparent shadows, vigour of tone, and luminous 
 colour, Hall had few equals and fewer superiors. 
 
 Louis Francois Aubrey , born in 1767, died in 1851. He learned 
 of Vincent and Isabey, but was decidedly inferior to the latter. 
 
lvi. 
 
 Jean Baptiste Augustin , born in 1759 , died of cholera in Paris 
 in 1832. He became chief miniaturist to Louis XVIII. He never 
 learned from any master, but formed his own style. He was 
 considered second only to Isabey, and the aid of poetry was 
 frequently invoked to extol the beauty of his portraits. 
 
 F. Bouro-oin , enameller and miniaturist. He worked for the 
 Menus Plaisirs, and in 1763 received 36 louis d’or for two enamels of 
 the King, painted on gold, one louis for each portrait being paid 
 extra for the gold. His works have sold for considerable prices ; 
 a box with medallions enamelled by him, sold by auction in Paris in 
 1872, realized 10,200 francs. 
 
 Charles Guillaume Bourgeois, born in 1759 , died in 1832. He 
 painted exquisite profiles on a back ground. He also wrote upon 
 the chemistry of colours used in painting. 
 
 Joseph Boze, born in 1746, died in 1831. Besides his talent in 
 miniature, he was a devoted Royalist. He had the courage to give 
 evidence in favour of Marie Antoinette, for which he was thrown into 
 prison, and only escaped the guillotine by the death of Robespierre. 
 
 F. Campana, died in Paris in 1786. He painted charming 
 portraits. He painted Marie Antoinette and other members of the 
 Royal family for diplomatic presents. His works have fetched large 
 prices. 
 
 Nicholas Andrd Courtois was one of the best enamellers of 
 Louis XVI.’s period. He became a member of the Academy in 
 17 70, and was much employed by the Court of France. 
 
 Maxinie David , not to be confounded with the painter of the 
 Revolution, was born in 1798. A pupil of Madame de Mirbel. 
 Early in his artistic career he found favour at the Tuileries, and in a 
 comparatively short time amassed a considerable fortune. 
 
 Regault seems to have struck out for himself an entirely novel 
 walk in art. He painted classical subjects in miniature to represent 
 onyx cameos, which were set inboxes, bracelets, &c. He carried his 
 
lvii. 
 
 love of the antique to such a length that he signed his name in 
 Archaic Greek characters. 
 
 Jean Baptiste Duchesne, born 1770, died 1855. His enamels 
 were the finest of his time. He came to England, and executed for 
 Queen Victoria a series of enamels of the Royal Family, after 
 Sir W. Ross’s miniatures. He was also employed to continue the 
 series of Petitot enamels in the Louvre, a work which had been 
 commenced by Welper. 
 
 Joseph Ducreu, born 1737, died 1803. He painted in oil, pastel 
 and miniature. In 1769, he was sent to Vienna to paint the 
 Archduchess Marie Antoniette when she became engaged to the 
 Dauphin. He certainly was occupied with the commencement and 
 end of that unfortunate reign, for he drew on a grey paper the portrait 
 of Louis XVI. just as he was leaving the Temple for the scaffold. 
 M. Charles Blanc, who saw the drawing, says that the courage, the 
 fixed eye and worn face, made him shudder as he gazed on it. 
 
 L. Durand was a clever artist, an enameller and sculptor in 
 mother-of-pearl. He worked under Louis XV., and furnished the 
 Minister of Foreign Affairs with many enamels of the King, for 
 the usual diplomatic snuff-boxes. A portrait medallion of the King, 
 sculptured in “ nacre,” and signed L. Durand, is spoken of in the 
 highest terms of praise. 
 
 Jean Francois Fontallard, born 1777, died 1858. A pupil of 
 Augustin. He almost rivalled Petitot in the length of his artistic 
 career, for he continued to paint miniatures up to his death at the 
 age of eighty-one. 
 
 Jean Gudrin, born 1760, died 1836. He was a fellow-pupil 
 with Isabey in the studio of David. He painted Louis XVI. and 
 the Queen, two large miniatures now in the collection of Count de 
 Germiny. As a member of the National Guard at the Tuileries on 
 June 20th, 1792, he assisted, at the peril of his life, in the protection 
 of the Royal family against the fury of the Paris mob. He com- 
 
Iviii. 
 
 menced a series of miniatures of the most prominent Deputies of the 
 National Assembly, and later on of the Generals of the Republic, 
 both of which were engraved by Fiesinger. The whole of the 
 original designs of both of these series appear to be lost. In spite of 
 his great talent he was scarcely appreciated during his lifetime. He 
 was never received at the Academy, nor was a single medal ever 
 awarded to him. 
 
 Madame de Mirbel , born at Cherbourg in 1796, died in Paris in 
 1849. Pupil of Augustin. Gifted by nature with charms of person 
 and intellect, she rapidly took the leading place as miniaturist with 
 Louis XVIII., Charles X., and Louis Philippe. Saint alone may 
 be considered to rival her at that epoch. She combined breadth of 
 treatment with delicate finish in a manner rarely met with. 
 
 Pierre Pasquier, born at Villefranche 1740, died 1806. Said to 
 be the best enameller of the reign of Louis XVI. It is curious that 
 none of his enamels are known. The Louvre does not possess a 
 single specimen. We are driven to the contemporary records for an 
 opinion as to his performances. 
 
 “ Le Mercure de France,” in 1769, speaks of an enamel portrait 
 of the King of Denmark done from memory, as being a chef 
 d'ceuvre of perfection of management in the enamelling kiln. His 
 name appears always with the most favourable notices in the various 
 exhibitions of the time; and he supplied Royal portraits for 
 diplomatic snuff-boxes, many of which have an historical interest. 
 One was given to M. de Vergennes, who brought the news to Paris 
 of the conclusion of a treaty with the Swiss Cantons ; another to 
 Messieurs Dean and Lee, American deputies, who in 1778 signed the 
 treaty of alliance between the King and the United States ; a third, to 
 the Spanish Admiral, Don Louis Cordova, for his assistance in the 
 operations of the French Fleet in the Channel. This cost 22,512 
 francs. 
 
 Daniel Saint , born at St. Lo 1778, died 1847. He was a 
 
lix. 
 
 worthy rival of Isabey and Madame de Mirbel. He painted all the 
 members of the Royal and Imperial families, and in various auctions 
 his miniatures have realised very considerable prices. 
 
 Jean Sicardi. Of all the first class miniaturists of the period, we 
 know less of Sicardi than any other. He was extensively employed 
 by the court, and probably painted Louis XVI. more frequently than 
 any other artist, for which he always received 360 and occasionally 
 450 francs, a larger sum than any contemporary artist except Hall. 
 The boxes in which they were mounted were sometimes very costly, 
 such sums as 6,580, 24,830, 9,580 francs being set down as their 
 value. 
 
 Jacques Thour on, born in Geneva 1737, died 1790. M. Chaussard, 
 author of “ Le Pausanias Franqais” names him as the sole artist 
 who revived the art of enamelling under Louis XVI., an assertion 
 having little foundation in fact considering that such enamellers 
 as Carteau, Vassal, Courtois, Jacques de Mailly, Pasquier, Weyler and 
 the illustrious Hall, were at work at the same time as Thouron. 
 
 The preceding names include all the celebrated artists who 
 belonged to the French School of miniaturists. During the latter 
 half of the 18th century, and early part of the 19th, they were quite 
 as numerous, if not more so, than in England, and considering the 
 mediocrity of many of them, it seems hardly worth while to give 
 details of them all. 
 
 Nearly all the leading portrait painters of the French School 
 amused themselves occasionally with miniatures, P or bus, Mignard, 
 De Troy, Santerre, Rigaud, Boullonge, &c., and small portraits by Philip 
 de Champagne, Jean Mark Nattier, Largilliere and others, are well 
 known. Nattier succeeded so admirably in gouache miniatures, that 
 he seems to the manner born ; Marshal Saxe, the Duchess de Villars, 
 Madame Deschapelles, Madame de Pompadour, and others by this 
 clever artist, have appeared here in different collections, in every respect 
 most admirable. Amongst the crowd of professed miniaturists of 
 
lx. 
 
 the late 18th century there are, perhaps, a few deserving a name 
 Roches , Duchastelet , Delmont , Lespiniere , correct in 
 
 drawing, but a very poor colourist; Hypolite and /. A. Sauvage, 
 who painted chiefly in grisaille on a black background; Boissieu, 
 inimitable for lead-pencil miniatures, sufficiently fine to be mounted 
 in boxes ; Joseph Bordes, a pupil of Isabey ; Joseph Boze ; Madame 
 Cadet , an enameller; S. G. Coudns , also an enameller, a pupil of 
 Girodet, somewhat resembling our John Smart. An artist named 
 Gonore was a very expeditious miniaturist. He advertises m the 
 newspapers, in 1786, that he takes perfect profile likenesses, which 
 
 only require a sitting of three minutes. 
 
 Nicholas Jacques , pupil of David and Isabey. He is historically 
 
 interesting, as it was from a miniature by him of Leopold, then 
 Prince of Saxe-Coburg, afterwards King of the Belgians, that the 
 eldest daughter of Louis Philippe decided to become the wife of 
 Leopold. A. F. Lagrenee, son of the charming artist, L. J. F. 
 Lagrenee commenced life as a history-painter, but settled later on to 
 devote himself to miniature. /. S'. Mosnier painted the Royal 
 family from life, and furnished the usual diplomatic portraits to the 
 Menus Plaisirs, Penel, Passot, Perm; Poumeyrac , pupil of Madame 
 de Mirbel; Prudhon, Le Tellier; Quaglia , much esteemed by the 
 Empress Josephine; Rouvier; Savignac , of whom lovers of 
 Blarenberghe must beware, as he nearly equalled the minute scenes 
 of the two masters ; Soiron , an enameller under the Empire, very 
 well spoken of in contemporary notices. Madame Villayer Coster , 
 wife of the genre painter, Coster, is said to have equalled Van 
 Spaendonck in flower painting, and to have succeeded as well in 
 portraiture. Violet frequently painted Louis XVI., but was a poor, 
 weak creature—flesh tints painted with port wine, and features 
 exaggerated almost to caricature. 
 
 Rudolph Bel , a pupil of Isabey, painted large miniatures in 
 
 water colour in Isabey’s later method. 
 
lxi. 
 
 FLEMISH AND GERMAN SCHOOL. 
 
 The great outburst of painting in Flanders, at the beginning of the 
 15th century, in the person of Jean Van Eyck , was in all respects a more 
 wonderful awakening than that which had commenced in Italy in the 
 previous century. There the Renaissance began with slow and 
 laborious steps. Ginnto of Pisa, Guido of Sienna, &c., sought painfully 
 and timidly to leave the beaten track, and although the great change 
 proceeded at a quicker rate when Cimabue and Giotto appeared upon 
 the scene, a century or more elapsed before perfection was attained. 
 The Flemish school sprang at once into the full vigour of manhood. 
 Happily for us it is not necessary to take part in the battle royal which 
 has raged almost from the time of Jean to the present, on the subjeet 
 of his invention of oil medium. Whether he actually invented it, or 
 only brought to perfection and practical use what was described 
 by the old monk, Teofilo, as far back as the nth century, “oleum 
 lini , sine aqua” is a point that can never be really settled. The 
 influence of the great triumvirate of Flemish art, Jean Van Eyck and 
 his successors, Roger Van der Weyden and Hans Memling, spread 
 to many lands, especially Holland, France and Germany, and even 
 perhaps tinged the early Venetian school of Italy. Holland’s earliest 
 master, Albert Van Ouwater, probably learned direct from Jean Van 
 Eyck himself, during his stay at the Hague, 1422-24. In Germany 
 the old Nordlingen painter, Frederic de Herlen, journeyed to Brussels 
 to study under Van der Weyden, and through Martin Schongauer, of 
 Colmar, Wohlgemuth’s great pupil, the mystic Albert Durer, became 
 connected with the originators of Flemish art. The point 
 we wish to establish by those few apparently irrelevant remarks 
 is this, that a school of art prevailed in Germany during 
 the 16th century, which produced artists displaying more or 
 less the same technical qualities as we recognise in Holbein , who, 
 together with Mabuse , may be said to have been the Apostles of 
 
lxii. 
 
 Van Eyck in this country. Even Lucas Cranach the elder, is 
 credited with miniature portraits, then again Christopher Amberger , 
 born 1485, was a pupil of the elder Holbein, and imitated the style 
 of Hans so exactly, both in large portraits and in miniatures, that he 
 could easily pose as the real painter of many a likeness that passes 
 for the work of the great Augsburg artist, Hans Asper , born 1499. 
 Hans von Meletn, Hans Baldung, George Penes , and others, come in 
 the same category. Later on in point of time, there are a few names 
 which are known to collectors, which may be shortly mentioned, but 
 as a rule specimens by Flemish or German artists are not often met 
 with in this country. Jean Baptiste Deynum ,, born at Antwerp, 
 1620, signs gouache miniatures of fairly good quality. Philip 
 Fruytiers, also born at Antwerp, in 1820, was selected by Rubens to 
 paint himself and family in miniature, which he did wholly to the 
 great man’s satisfaction. He died in 1677. Joseph Werner , 1637- 
 1710, was rather a distinguished miniaturist. He went to France, and 
 was largely employed by Louis XIV. Then he visited the Court of 
 Innsbruck, and finally settled down in Berlin 1696, as Director of the 
 Academy. Jacob Christop Le Blond\ born at Frankfort in 1670, visited 
 England and painted miniatures here, though the chief object of his 
 visit was to establish a process of printing mezzotints in colour, which 
 completely failed. Two lady artists tolerably well known in England 
 are Anna Vasser and Henrietta Wolters. The former, born in 
 Zurich in 1679, was a pupil of Werner, and practised at nearly every 
 Court in Germany. She died 17 1 3 * The latter was a Dutch artist, 
 born at Amsterdam in 1692. Peter the Great, whilst learning ship 
 building at Amsterdam, was so taken with her work, that he made 
 her the most handsome offers to go to St. Petersburg, and similar 
 offers were made to her from Berlin, but she declined both, and lived 
 and died at Amsterdam. There was a very good portrait signed 
 by her in the Hamilton Collection. 
 
 Peter Boy , of Frankfort, and his son, Peter the younger, are 
 
lxiii. 
 
 occasionally seen in collections, generally as enamellers. They both 
 painted well, drawing and colour both good. The Dinglinger family 
 are well known for a variety of art work in the 18th century. 
 Johann Metchior Dinglinger was an excellent enameller, but mostly 
 as applied to goldsmith’s work. His brother George Frederic was 
 painter and enameller to Augustus II., Elector of Saxony. His 
 colour is usually somewhat too glaring. Their sister Sophie painted 
 and enamelled many good portraits. 
 
 Carl Frederic Thienpondt , born in Berlin 1720, died 1796. 
 Pupil of a French artist named Pesne, who settled in Berlin. 
 Thienpondt was persuaded by Ishmael Mengs to give up large 
 subjects and devote himself to miniature and enamel, in which he 
 succeeded admirably. 
 
 Johann Samuel Blackner, born 1771, must have been a prodigy, 
 as he was already known as a miniaturist at the early age of fifteen. 
 He was much employed by the Court, and painted the Duchess of 
 Courland, no less than eleven times. The Brothers Chodowiecki, 
 Daniel and Gottfried, born at Dantzic in 1726 and 1728, were 
 excellent miniaturists both in enamel and water colour. The list 
 of artists practising miniature painting during the latter half of the 
 18th century could be extended very largely, but it seems hardly 
 worth while to load a short memoir with names which mean but 
 little to most English collectors. 
 
 One notable exception must, however, be made to this remark. 
 Henri Frederic Fiiger, justly called the Cosway of Vienna, was born 
 at Heilbronn in 1751, died in Vienna 1818. He began his artistic 
 career in Italy, but after seven years sojourn at Rome, fixed himself 
 permanently in Vienna, where he became a member of the Academy of 
 Fine Arts, and Director of the Imperial Gallery of Painting. For 
 delicacy of colour, correct drawing and general refinement, his 
 miniatures will compare favourably with our Cosway, or the charming 
 French artist, Hall. 
 
lxiv. 
 
 ITALIAN SCHOOL. 
 
 Considering the position occupied by Italy from early ages in 
 relation to all artistic matters, not only as the inheritor of the glories 
 of the classical times, but also as the chosen home of the great 
 protest against crystallised idealism which goes by the name of 
 “ Renaissance,” when men, wearied of the trammels of the 
 Churchmen, began to think for themselves, and to seek, amongst 
 the beautiful forms of the antique, worthier models than the 
 elongated evangelists of the Byzantine missal; when, even in the 
 sacred branch of art, including the miniature in the illuminated 
 manuscript, the Italian artists in many respects equalled their 
 competitors, it is somewhat strange that they should not have 
 excelled also in portrait miniature. Many names occur in the 
 earlier centuries as presumed painters of miniature portraits, but 
 their general work was probably as illuminators. 
 
 Sophonisba Anguisciola , born at Cremona in 1530, died at 
 Genoa about 1620. She belonged to a noble family in Cremona, 
 and was a pupil of Bernardo Campi. Her fame as a portrait painter 
 induced Philip II. of Spain, the great encourager of art at the time, 
 to invite her to Madrid, where she arrived about the year 1560. She 
 taught painting to the Queen of Spain and her sister, and the latter 
 would have risen to great excellence had she not died young. 
 Sophonisba’s three sisters, Lucia, Europa and Anna Maria, were 
 also miniature painters, but never rose to the same point of excellence 
 as their elder sister. 
 
 Johann Baptiste Anticone was a pupil of Sophonisba, and 
 flourished in Naples towards the end of the 16th century. He was 
 celebrated as a miniature portrait painter for his fine drawing and 
 powerful colour. 
 
 Giovanni Fratellini , another celebrated female miniaturist, 
 was born at Florence in 1666. She painted in oil, water colour and 
 
Ixv. 
 
 crayons, and at the court of Cosmo III. found abundant employment 
 as a miniature portrait painter. Her pastel portraits are said to have 
 been in no way inferior to those of Rosalba. 
 
 Ippolito Galantini , called II Cappucino, and sometimes II Prete 
 Genoese, born at Genoa in 1627. He was a monk of the order of 
 Capuchins. A good deal of his miniature work was probably 
 connected with missal illumination, but he taught the art of portrait 
 miniature to the foregoing artist, Giovanni Fratellini. 
 
 Padre Felice Ramelli was another ecclesiastic celebrated as a 
 miniaturist. He was born at Asti in 1666, and learned miniature 
 painting from another clerical artist, Padre Danese Rho. The King 
 of Sardinia invited him to his court, where he was largely employed 
 as a portrait miniaturist. Amongst other work, he painted for the 
 King the miniature portraits of the most celebrated painters, many 
 of which he copied from the originals painted by themselves in the 
 Florentine Gallery. 
 
 Scipio Capella , who flourished in Naples about 1740, was a very 
 good miniature painter. He was a pupil of Solimena, and, in 
 addition to portrait miniatures, copied many of his master’s pictures 
 “ in little.” 
 
 Giuseppe Baldrighi , born at Stradella in 1723, a pupil of Merrici. 
 He also studied in Paris under Boucher, and then returned to 
 Ravenna, where he established a school of miniature painting. He 
 died at Parma, at the age of 80. 
 
 Giuseppe Longlii , born at Monza in 1766. He was almost more 
 celebrated as an engraver than as a miniaturist; but, nevertheless, he 
 painted some excellent miniatures. One of Napoleon by him was 
 exhibited at South Kensington of considerable power. 
 
 Bianca and Matilda Festa were both celebrated as miniature 
 painters in Rome at the latter part of the 18th century. The eldest 
 sister, Bianca, was appointed Professor of Drawing in the Academy 
 of St. Luke. 
 
lxvi. 
 
 Giacomo Ardroli , a good miniaturist of the late 18th century. 
 He painted portraits of Napoleon and Josephine, which would have 
 passed muster as good work had not our ideas of the great Corsican 
 and his first Empress been formed on the miniatures of them by 
 Isabey, Aubrey, Saint, &c. The Cavaliere Pompeo Battoni ) born at 
 Lucca in 1708, died at Rome in 1787. Pupil of Domenico Brugieri 
 and G. Lombardi. He painted a vast number of the celebrities of 
 the time in miniature and in larger works almost rivalled Raphael 
 Mengs, then the most esteemed painter. Like so many other artists, 
 he commenced life as a jeweller, and his first essay in miniature 
 painting was the copying a miniature in a snuff-box, which had been 
 entrusted to him to repair. His copy far exceeded the original. 
 Sophia Giordano , born at Turin in 1799, died in 1829. A pupil of 
 Maron and his wife, who was a descendant of Raphel Mengs. Her 
 miniatures are excellent. There is a female portrait signed by her, 
 quite worthy to be classed amongst the works of the chiefs of the 
 art. The Queen of them all, Rosalba Carriera , has been already 
 mentioned whilst treating of the French School. 
 
 The thought may occur to some, that, having alluded to 
 certain Foreign Schools, the Committee ought to have completed 
 their task by including a notice of all countries where miniature 
 portraits were produced, as, for instance, Spain and Portugal, where 
 not only Flemish and Italian artists, but also native talent, was 
 extensively employed in the art of illumination; Sweden, where 
 Christina, Gustavus, and other monarchs largely patronised and 
 encouraged the arts ; and Russia, the direct successor to the Greek 
 art of Byzantium. 
 
 Such a survey, to be complete, ought to include the East, the 
 cradle of so many of the arts, as well as the West. Indeed, in the 
 case of Japan, the researches of a few experts have furnished us with 
 quite a long list of native artists, whose performances in portraiture, as 
 well as other branches, quite entitle them to be ranked as miniaturists. 
 
Ixvii. 
 
 The Committee, however, were most unwilling to load this 
 Introduction with unnecessary matter, and therefore decided to notice 
 only such schools and artists as are represented more or less in 
 English collections of miniatures. 
 
 In nearly all countries the individual miniature portrait made its 
 appearance about the same time, and as the result of the same 
 antecedent conditions, namely, the art of illumination ; and the same 
 cause and the same epoch saw its final extinction in most European 
 countries. The photographic lens left no room for the limner’s skill. 
 
 Miniature painting is still in abeyance, the tide still ebbing ; but 
 can it be always thus ? With the increased art-culture and apprecia¬ 
 tion of the beautiful and true, which is happily permeating the 
 intelligent classes of the present day, it is impossible to believe that 
 the faulty results of a mechanical process can continue to satisfy the 
 art aspirations of the future. The sons and daughters of men are as 
 noble and fair now as when Cooper painted the strong men of the 
 17th, or Cosway the beautiful women of the 18th, centuries. With 
 materials so worthy of the limner’s skill it can but be a question of 
 time when the fascinating art of miniature shall again flourish, 
 awaking from its slumber, refreshed and renewed, striving always 
 onward to greater and greater perfection. 
 
 In conclusion, the Committee tender their hearty thanks to the 
 Exhibitors, who have so generously placed their treasures at their 
 disposal. The gracious example set by Her Majesty the Queen, 
 has been followed by nearly all the possessors of historic collections, 
 with the result that the Committee have been enabled to place on 
 the walls of the Gallery some two thousand specimens, embracing 
 many of the finest works ever produced in this branch of art, and one 
 in which our own country has ever held a proud position. 
 
 Since the above was written, the Committee have been enabled, 
 through the kindness of the Baroness Burdett-Coutts and J. K. D. 
 
lxviii 
 
 Wingfield Digby, Esq., to exhibit one series of the art work of the 
 Olivers, of considerable historical interest. Probably it is now seen 
 in its entirety for the first time since the Strawberry Hill sale in 
 1842. In the “Anecdotes of Painting,” Walpole gives the curious 
 story thus : — 
 
 “ Since this work was first published, a valuable treasure of the works of 
 this master, and of his father Isaac, was discovered in an old house in Wales, 
 which belonged to a descendant of Sir Kenelm Digby. The latest are dated 
 1633, but being enclosed in ivory and ebony cases, and the whole collection 
 locked up in a wainscot box, they are as perfectly preserved as if newly 
 painted. They all represent Sir Kenelm, and persons related to or connected 
 with him. There are three portraits of himself, six of his beloved wife at 
 different ages, and three triplicates of his mistress, all three by Isaac Oliver 
 as is Lady Digby’s mother, which I have mentioned before. But the capital 
 work is a large miniature, copied from Vandyck, of Sir Kenelm, his wife and 
 two sons—the most beautiful piece of the size that I believe exists. There is 
 a duplicate of Sir Kenelm and Lady Digby from the same picture, and 
 though of not half the volume, still more highly finished. The last piece is 
 set in gold, richly inlaid with flowers in enamel and shuts like a book. All 
 these, with several others, I purchased at a great price, but they are not to be 
 matched.” 
 
 J. L. P. 
 
 March , 1889. 
 
1 
 
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 9 
 
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 13 
 
 14 
 
 CATALOGUE. 
 
 -+*+- 
 
 CASE I. 
 
 MARIE ANDRE CHENIER. 1763-1794. French Poet. Executed 1794. 
 
 Lent by G. P. Boyce. 
 
 A. P. BUCHAN. Son of W. Buchan. Vide 8. 
 
 Mitchell. 
 
 W. W. Aston. 
 
 PORTRAIT OF A GENTLEMAN, in a Ruff. 
 
 Oily on copper. 
 
 G. P. Boyce. 
 
 MRS. HUTCHINSON, afterwards COUNTESS OF DONOUGHMORE. 
 
 W. W. Aston. 
 
 MR. REYNOLDS. B. E. Brodhurst. 
 
 LADY MACKWORTH. 
 
 Mrs. Mce. 
 
 W. W. Aston. 
 
 PORTRAIT OF A GENTLEMAN, in large Wig. 
 Lawrence Crosse. 
 
 W. W. Aston. 
 
 WILLIAM BUCHAN. 1729-1805. Scottish Physician. 
 Medicine. 
 
 Mitchell. 
 
 Author of Domestic 
 
 W. W. Aston. 
 
 PORTRAIT OF A GENTLEMAN. Temp. James II. 
 Lawrence Crosse. Signed. 
 
 W. W. Aston. 
 
 SIR WILLIAM HAMILTON. 1730-1803. Ambassador at Naples, and 
 Antiquary. Married the celebrated Lady Hamilton. 
 
 Duke of Abercorn, C.B. 
 
 HON. ROBERT CECIL. Second son of James, 3rd Lord Salisbury. 
 Ob. 1716. 
 
 A rlaud. 
 
 W. W. Aston. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. G. Spencer. 1755. Signed. 
 
 W. W. Aston. 
 
 MRS. LLOYD, afterwards MRS. BECKFORD. 
 
 
 John Smart. 1780. Signed. Miss H. E. Ward. 
 
 Called MRS. SIDDONS. 1755-1831. 
 
 R. Cosway , R.A. 
 
 G. Bonnor. 
 
 G. Bonnor. 
 
Case I. 
 
 2 
 
 15 GEORGIANA, LADY COWPER, wife of William, 2nd Earl. 
 
 Enamel. N. Hone. 1750. Signed. Lent by W. W. Aston. 
 
 16 JAMES GIBBS. 1674-1754. Architect of St. Martin’s-in-the-Fields and 
 
 Radcliffe Library, Oxford. 
 
 Enamel. C. F. Ztncke. W. W. ASTON. 
 
 17 JOHN, 1st DUKE OF MARLBOROUGH. 1650-1722. 
 
 Enamel. C. E. Zincke. Signed “C. F. Z.” in monogram. W. W. Aston. 
 
 18 RACHEL, WIFE OF WILLIAM, LORD RUSSELL. 1656-1723. 
 
 Daughter and heiress of Thomas Wriothesley, Earl of Southampton. 
 
 W. W. Aston. 
 
 19 MAJOR AUBREY. 
 
 J. Smart. 1773. Signed. G. BONNOR. 
 
 20 MRS. HALLIDAY, nee MOSELEY. 
 
 George Engleheart. Mrs. Bevan. 
 
 21 PORTRAIT OF A GENTLEMAN. Circa 1650. 
 
 Oil , on copper. C. BOWYER. 
 
 22 PORTRAIT OF A GENTLEMAN. 
 
 Oil, on copper. Rev. James Beck. 
 
 23 WILLIAM, LORD RUSSELL. 1639-1683. Executed on charge of treason, 
 
 21st July, 1683. 
 
 Oil, on copper. T. O. Barlow, R.A. 
 
 24 DUTCH GENTLEMAN. 
 
 Oil, 071 copper. 
 
 25 SIR JOHN AUBREY, Bt. 1740-1826. 
 
 Grimaldi. 
 
 26 PORTRAIT OF A LADY, reclining. 
 
 27 COL. AUBREY. 
 
 Miss Lucy Cohen. 
 
 G. Bonnor. 
 G. Bonnor. 
 
 John Smarty Junr. 1808. Signed. G. BONNOR. 
 
 28 MADAME DE STAEL. 1766-1817. 
 
 Isabey , 1814. G. BONNOR. 
 
 29 LADY ATTENDANT ON THE PRINCESS CHARLOTTE. 
 
 Enamel. C. Muss. W. W. Aston. 
 
 30 ISABELLA BRANT, RUBENS’ FIRST WIFE. 
 
 Oil, on silver. Signed “N. K.” T. O. BARLOW, R.A. 
 
 31 JAMES GRAHAM, MARQUESS OF MONTROSE. 1612-1650. 
 
 Executed 1650. 
 
 David de Grange. 1650. Signed. 
 
 C. Butler. 
 
Case I. 
 
 3 
 
 32 ADMIRAL SIR WILLIAM PENN. 
 
 Pennsylvania. 
 
 Oil, on copper. 
 
 33 PORTRAIT OF A LADY, in black dress. 
 
 34 AN OFFICER. 
 
 A. Ptimer. 
 
 35 LORD EDWARD FITZGERALD. 1763-1798. 
 
 36 LUCIUS CARY, 2ND VISCOUNT FALKLAND. 
 
 at Newbury. 
 
 Oil , on copper. S. Cooper. 
 
 37 PAMELA, LADY EDWARD FITZGERALD. 
 
 Maris. 
 
 38 RICHARD CROMWELL. 1626-1712. Protector, 1658-1659. 
 
 S'. Cooper. 1643. Signed. 
 
 39 PORTRAIT OF A LADY. 
 
 G. Chinnery. Signed. 
 
 40 JOHN GAY. 1688-1732. Poet. 
 
 Signed “A.” 
 
 41 PORTRAIT OF A LADY. 
 
 French School. 
 
 42 CHARLES II. 1630-1685. 
 
 S. Cooper 
 
 43 PHILIPPE, DUC D’ORLEANS. 
 
 England. 
 
 French School. 
 
 44 HONORABLE MRS. TWISLETON. 
 
 Geo. Engleheart. 
 
 45 QUEEN CHARLOTTE. 
 
 Sketch on paper , Cosway. 
 
 Given by Cosway to Jane 
 
 1621-1670. Father of W. Penn of 
 
 Lent by The Rev. J. Beck. 
 
 C. Butler. 
 
 Sir Guy Campbell. 
 
 Irish Rebel. 
 
 Sir Guy Campbell. 
 
 1610-1643. Killed 
 
 C. Butler. 
 
 Ob. 1831. 
 
 Sir Guy Campbell. 
 
 C. Butler. 
 
 Rev. J. Beck. 
 
 C. Butler. 
 
 Miss Lucy Cohen. 
 
 Marquis of Clanrikarde. 
 1640-1701. Married Henrietta of 
 
 Miss Lucy Cohen. 
 
 Rev. J. Beck. 
 Queen of George III. 
 
 1744-1818. 
 
 Miss H. B. Buckley. 
 
 Smith , daughter of J. T. Smith , of the British Museum. 
 
 46 
 
 PORTRAIT OF A LADY. 
 A. Ptimer. 1786. Signed. 
 
 Rev. J. Beck. 
 
Case I. 
 
 4 
 
 47 MISS MARGARET NUGENT, of the Nugents of Donore, Westmeath. 
 
 J. Bogle. Lent by Mrs. James Nugent. 
 
 48 SARAH JENNINGS, DUCHESS OF MARLBOROUGH. Wife of 
 
 1st Duke of Marlborough. 1660-1744. 
 
 Gaspard Netscher. Signed. C. BUTLER. 
 
 49 CHARLES II. 1630-1685. 
 
 Rev. J. Beck. 
 
 50 NAPOLEON I. Whole length. 
 J. Read. Signed. 
 
 C. Butler. 
 
 51 OLIVER CROMWELL. 1599-1658. Mrs. Cartwright. 
 
 52 SIR BROWNLOW SHERARD, Bart. 1676-1736. 
 
 C. F. Zincke. 
 
 53 MARY, LADY SHERARD. 
 
 C. F. Zincke. 
 
 54 MRS. SCOTT. 
 
 John Bowyer. 1785. Signed. 
 
 55 GENERAL SCOTT. 
 
 R. Cosway. 
 
 Mrs. Cartwright. 
 
 Mrs. Cartwright. 
 Marquis of Clanrikarde. 
 
 Marquis of Clanrikarde. 
 
 56 PORTRAIT OF A GENTLEMAN. 
 
 Liike Sullivan. 1763. Signed. Mrs. CARTWRIGHT. 
 
 57 JAMES BERTIE, ist EARL OF ABINGDON. Ob. 1699. 
 
 Marquis of Clanrikarde. 
 
 58 PORTRAIT OF A GENTLEMAN, in armour. Rev. J. Beck. 
 
 59 SIR GUY JOHNSTONE. 
 
 A. Plimer. SIR G. CAMPBELL. 
 
 60 QUEEN MARIE ANTOINETTE. 
 
 61 PORTRAIT OF A LADY. 
 
 Arlaud. Signed. 
 
 62 SIR GUY JOHNSTONE. 
 
 A. Plimer. 
 
 63 PORTRAIT OF A LADY. 
 
 Enamel. 
 
 1 755- 1 793. Sir G. Campbell. 
 
 C. Butler. 
 
 Sir G. Campbell. 
 
 C. Butler. 
 
1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 5 
 
 CASE II. 
 
 HENRY CAREY, LORD HUNSDON. 1526-1596. Master of the Horse 
 to, and cousin of, Queen Elizabeth. Inscribed “ Ano. Dni. 1605.” 
 
 N. Hilliard. Lent by The Duke of Buccleuch. 
 
 SIR GEORGE CAREY. Nat. circa 1530. Lord Justice of Ireland temp. 
 Queen Elizabeth. Inscribed “Free from all filthie fraude. Anno Dni. 1581. 
 ZEtatis suae 57.” 
 
 Isaac Oliver. Duke OF BUCCLEUCH. 
 
 SIR FRANCIS WALSINGHAM. 1536-1590. 
 
 N. Hilliard. Duke OF BUCCLEUCH. 
 
 QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. Duke OF BUCCLEUCH. 
 
 ELIZABETH VERNON, COUNTESS OF SOUTHAMPTON. Wife of 
 Henry, 3rd Earl of Southampton. 
 
 John Hoskins. 1620. Signed. Duke of Buccleuch. 
 
 SIR FRANCIS KNOWLES. 1556. Inscribed “ Ano. Dni. ^Es. s. 29.” 
 
 N. Hilliard. DUKE OF BUCCLEUCH. 
 
 PORTRAIT OF A GENTLEMAN, in large ruff. Duke of Buccleuch. 
 
 JAMES STANLEY, 7TH EARL OF DERBY. 1606-1651. Devoted 
 adherent of Charles I. Beheaded at Bolton, 1651. His wife conducted 
 the famous defence of Latham House, 1644. (p. 62.) 
 
 Duke of Buccleuch. 
 
 SIR FRANCIS DRAKE. 1540-1596. Inscribed, “ Vive ut vivas.” 
 
 N. Hilliard. Duke of Buccleuch. 
 
 SIR EDWARD OSBORNE? (Lord Mayor of London, 1582.) 
 
 N. Hilliard. Duke of BUCCLEUCH. 
 
 CATHERINE CAREY, COUNTESS OF NOTTINGHAM. Wife of 
 Charles Howard, Earl of Nottingham. Ob; 1603. 
 
 Isaac Oliver. Duke of Buccleuch. 
 
 Named THOMAS CLINTON, EARL OF LINCOLN, but probably Edward, 
 1st Earl of Lincoln, Lord High Admiral. Inscribed “Anno Dni. 1565 
 
 ZEtatis suae 59.” Duke of Buccleuch. 
 
Case II. 
 
 6 
 
 13 HENRY DANVERS, EARL OF DANBY. 1573-1644. 
 
 Isaac Oliver. Lent by The Duke of Buccleuch. 
 
 14 PRINCE RUPERT. 1619-1682. 
 
 Nathaniel Dixon. Signed. Duke OF Buccleuch. 
 
 15 JAMES, 3RD MARQUESS OF HAMILTON. 1606-1649. Created Duke 
 
 of Hamilton, 1643. Supporter of Charles I. Beheaded in Old Palace Yard, 
 9th March, 1649. 
 
 P. Oliver. Duke OF BUCCLEUCH. 
 
 16 CHARLES II. 1630-1685. Duke of Buccleuch. 
 
 17 SIR WALTER RALEIGH. 1552-1618, Duke of Buccleuch. 
 
 18 EDMUND WALLER. 1605-1687. Poet. 
 
 Samuel Cooper. 
 
 Duke of Buccleuch. 
 
 19 
 
 THOMAS OSBORNE, EARL OF DANBY, 1ST DUKE OF LEEDS. 
 1631-1712. Lord High Treasurer of England. 
 
 Signed “S. C., 1685.” DUKE OF BUCCLEUCH. 
 
 20 SIR WILLIAM SCROPE, of Codrington. 
 
 Samuel Cooper. 1650. Signed. 
 
 Duke of Buccleuch. 
 
 21 CATHERINE OF BRAGANZA, when young. 1638-1705. 
 
 Duke of Buccleuch. 
 
 22 Called VENETIA, LADY DIGBY. 1600-1633 (?). 
 
 Samuel Cooper. 1655. Signed. Duke OF BUCCLEUCH. 
 
 23 PRINCESS MARY OF ORANGE. 1631-1660. Daughter of Charles I. 
 
 Samuel Cooper. 1647. Signed. Duke OF BUCCLEUCH. 
 
 24 WARREN PIASTINGS. 1732-1818. Governor-General of India. 
 
 Duke of Buccleuch. 
 
 25 ANDREW MARVELL. 1620-1678. Poet and Politician. 
 
 F. Cleyn. Oil , on copper. DUKE OF BUCCLEUCH. 
 
 26 STANISLAS LESCZINSKI. 1677-1766. King of Poland. 
 
 Duke of Buccleuch. 
 
 27 A DUTCH STATESMAN of the time of William III. 
 
 F. Cleyn (?). DUKE OF BUCCLEUCH. 
 
 28 GEORGE GORING, EARL OF NORWICH (named Lord Goring) 
 
 Ob. 1662. Duke of Buccleuch. 
 
Case II. 
 
 7 
 
 29 THE CHILDREN OF CHARLES I. 
 
 Samuel Cooper. After Vandyck. Lent by The Duke of Buccleuch. 
 
 30 NAPOLEON I. 1769-1821. 
 Signed “J. Parent, 1815 .” 
 
 Sir Guy Campbell. 
 
 31 MARY LEPEL, LADY HERVEY. Ob. 1768. 
 
 W. S. Salting. 
 
 32 JEAN BAPTISTE COLBERT. 1619-1683. French Minister of Finance. 
 
 W. S. Salting. 
 
 33 A LADY, AS DIANA. 
 
 Baroness Burdett-Coutts. 
 
 34 CARDINAL DE LA TOUR D’AUVERGNE. 
 
 Baroness Burdett-Coutts. 
 
 35 MADAME VICTOIRE. Daughter of Louis XV. 1733-1799- 
 
 Baroness Burdett-Coutts. 
 
 36 MARIE THERESE. 1638-1683. Queen of Louis XIV. 
 
 Enamel. BARONESS BURDETT-COUTTS. 
 
 37 A LADY. Temp. Charles I. Baroness Burdett-Coutts. 
 
 38 MRS. HARRIOT ELIOT. Daughter of Secretary Craggs. 
 
 Baroness Burdett-Coutts. 
 
 39 GEORGE MONK, 1ST DUKE OF ALBEMARLE. 1608-1670. 
 
 Baroness Burdett-Coutts. 
 
 40 HENRY, PRINCE OF WALES. 1594-1612. Eldest son of James I. 
 
 Baroness Burdett-Coutts. 
 
 41 JAMES CRAGGS, JUN. 1686-1721. Secretary of State. 
 
 Enamel. Christian F. Zincke. BARONESS BURDETT-COUTTS. 
 
 42 LOUISE DE LA VALLIERE. 
 
 Jean Petitot. BARONESS BURDETT-COUTTS. 
 
 43 CHARLES DE NEUVILLE. 1542-1616. 'Seigneur de Villeroi. Secretary 
 
 to Charles IX. Inscribed, “ZEtat. 45, 1615.” 
 
 Oil, on copper. Pourbus le Jeune. BARONESS Burdett-Coutts. 
 
 44 PORTRAIT OF A GENTLEMAN. Temp. Elizabeth. 
 
 Baroness Burdett-Coutts. 
 
 45 MADAME LA MARECHALE DE L’HOPITAL. 
 
 Enamel. J. Petitot, fils. 
 
 Baroness Burdett-Coutts. 
 
Case II. 
 
 8 
 
 46 GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 1st Wife of William, 5th Duke. 
 
 Davis Paton, of Edinburgh. Lent by J. G. CRACE. 
 
 47 LADY CAROLINE LAMB. Ob. 1828. Wife of Sir W. Lamb, afterwards 
 
 2nd Viscount Melbourne. 
 
 Charlotte Jones. J* CRACE. 
 
 48 PORTRAIT OF A GENTLEMAN. J. G. Crace. 
 
 49 Named MRS. FITZHERBERT. 
 
 R. Cosway. J* CRACE. 
 
 50 MISS REYNOLDS. Sister of Sir Joshua Reynolds. 
 
 By Herself. J- G. CRACE. 
 
 51 MADAME ELIZABETH. 1764-1794. Sister of Louis XVI. Guillotined. 
 
 J. G. Grace. 
 
 52 NINON DE L’ENCLOS. 1615-1705. Duke of Buccleuch. 
 
 53 MISS ANNE CATLEY. Actress. Afterwards Mrs. Lascelles. 1745-1789. 
 
 Signed “Gay, 1779.” J* CRACE. 
 
 CASE III. 
 
 1 JOOST VAN CLEEF (called SOTTO CLEVE). 1500-1536. Painter. 
 
 Enamel, after Cleve, by J. H. Hurter. Earl OF Dartrey. 
 
 2 WIFE OF SOTTO CLEVE. 
 
 Enamel, after Cleve , by J. H. Hurter , 1782. Earl OF DARTREY. 
 
 3 JOHN HENRY HURTER. Born 1734. Enamellist. 
 
 Enamel, by Himself, 1782. EARL OF DARTREY. 
 
 4 “ THE COALITION.” Half-masks of Lord North and C. J. Fox, from Sayer’ 
 
 Caricature. 
 
 Enamel. Earl of Dartrey. 
 
 5 JOSEPH ADDISON. 1672-1719. Statesman and man of letters. 
 
 Enamel. Christian F. Zincke. Earl OF Dartrey. 
 
 6 SIR ISAAC NEWTON. 1642-1727. Geometrician and philosopher. 
 
 Enamel , after Lely. Earl of Dartrey. 
 
Case III. 
 
 9 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 14 
 
 15 
 
 16 
 
 17 
 
 18 
 
 19 
 
 20 
 
 21 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Enamel , by Petitot. 
 
 MADAME PETITOT. Wife of Artist. 
 
 Enamel, by Petitot. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Enamel, by Petitot fils. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. 
 
 OLIVER CROMWELL. 1599-1658. 
 
 Enamel, after Cooper, by J. F. C. Hurter. 
 
 JEAN PETITOT FILS. Nat. 1652. 
 
 Enamel, by Himself. 
 
 AN ECCLESIASTIC. 
 
 Lent by The Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 In enamelledframe by Gilles Legarl. Enamel by Petitot. 
 
 PRINCESSE DE BERNONVILLE. 
 
 Enamel, by Petitot. 
 
 PORTRAIT OF A GENTLEMAN. Temp. Elizabeth. 
 
 N. Hilliard. Earl of Dartrey. 
 
 MADAME DE SAVIGNY. Temp. Louis XIV. 
 
 Enamel, by Petitot. Earl OF Dartrey. 
 
 GEORGE III. 1738-1820. 
 
 Enamel. J. H. Hjirter, 1781. Earl of Dartrey. 
 
 QUEEN CHARLOTTE. Queen of George III. 1744-1818. 
 
 Enamel , after Gainsborough, by J. F. C. Hurter. Earl OF DARTREY. 
 
 LADY ANNE WHALEY. Ob. 1826. Daughter of John, Earl of 
 Clanwilliam, wife of John Whaley, Esq. Earl OF DARTREY. 
 
 PHILIPPE, DUC D’ORLEANS. 1640-1701. 2nd son of Louis XIII. 
 Married Henrietta, daughter of Charles I. 
 
 Enamel , by Petitot. Earl of Dartrey. 
 
 RICHARD ROBINSON. 1709-1794. Lord Rokeby, Archbishop of Armagh. 
 
 Enamel, after Reynolds, by f. H. Hurter. Earl OF Dartrey. 
 
 22 PORTRAIT OF A GENTLEMAN. 
 
 Enamel, by Petitot. 
 
 Earl of Dartrey. 
 
Case III. 
 
 io 
 
 23 
 
 24 
 
 25 
 
 26 
 
 27 
 
 28 
 
 29 
 
 80 
 
 31 
 
 82 
 
 S3 
 
 34 
 
 35 
 
 36 
 
 JEAN PETITOT. 1607-1691. 
 
 Enamel, by Himself. Lent by The Earl of Dartrey. 
 
 LADY ANNE FERMOR. Ob. 1769. 6th daughter of Thomas, Earl of 
 
 Pomfret. Wife of Thomas, 1st Lord 
 Enamel. J. A. Sewe, 1754- 
 
 MISS R. BINGHAM. 
 
 Enamel. 
 
 LOUIS XIV. 1638-1715. 
 
 Enamel, by Petitot. 
 
 PORTRAIT OF A GENTLEMAN. 
 Enamel, by Petitot. 
 
 Dartrey and 1st Viscount Cremorne. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 THOMAS, ist LORD DARTREY. 
 
 Enamel. 
 
 LADY ANNE FERMOR. Vide 24. 
 Enamel, by J. F. C. Hurter , 1785- 
 
 ANNE, VISCOUNTESS PRIMROSE. 
 Enamel, by J. H. Hurter , 1785* 
 
 RALPH KNOX. 
 
 Enamel, by J. H. Hurter. 
 
 Called MARY QUEEN OF SCOTS. 
 
 Ob. 1813. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 Daughter of Dean Drelincourt. 
 
 Earl of Dartrey. 
 
 Earl of Dartrey. 
 
 1542-1587. 
 
 On Card. Inscribed “A.D. 1565. Alt at. suoe 24. 
 
 Earl of Dartrey. 
 
 LADY, with hat. 
 
 Earl of Dartrey. 
 
 THOMAS, ist LORD DARTREY and ist VISCOUNT CREMORNE. 
 Ob. 1813. Vide 28. 
 
 Enamel. J. F. C. Hurter. EARL OF DARTREY. 
 
 MISS BANKS. 
 
 Enamel , by C. F. Zincke. 
 
 PHILADELPHIA FREAME, 
 William Penn. 
 
 Enamel, by J. H. Hurter, 1780. 
 
 Earl of Dartrey. 
 
 LADY DARTREY. Grand-daughter of 
 
 Earl of Dartrey. 
 
 37 THE SAME. Eighteen years after. 
 
 Enamel, by II. Spicer, 1798- EARL OF DARTREY. 
 
 38 CHARLES I. 1600-1649. 
 
 Enamel, after C. Jansen , by J. F. C. Hurter. 
 
 Earl of Dartrey. 
 
Case III. 
 
 11 
 
 39 HON. RICHARD DAWSON. 
 
 Enamel , by J . H. Hurter, 1783. Lent by The Earl of Dartrey. 
 
 40 JAMES II. 1633-1701. 
 
 Enamel , by J. H. Hurter , 1782. Earl of Dartrey. 
 
 41 SIR PHILIP SIDNEY. 1554-1586. Poet and soldier. 
 
 Sir Charles W. Dilke, Bart. 
 
 42 FREDERICK V., KING OF BOPIEMIA. 1596-1632. Elector Palatine. 
 
 Peter Oliver. Signed “ P. 0 .” Sir Charles W. Dilke, Bart. 
 
 43 HEAD. 
 
 Ascribed to Holbein. Inscribed “A.D. 1539. ZEtat. 30.” 
 
 Sir Charles W. Dilke, Bart. 
 
 44 JOSEPH ADDISON. 1672-1719. Statesman and man of letters. 
 
 Oil, on copper. Sir Charles W. Dilke, Bart. 
 
 45 PORTRAIT OF MOTHER AND CHILD. Said to be of the time of 
 
 Alexander Severus. 3rd century. 
 
 Glass Medallion , with figures in gold leaf. Sir Charles W. Dilke, Bart. 
 
 46 FRANCES HOWARD, COUNTESS OF ESSEX. 1594-1632. After¬ 
 
 wards Countess of Somerset. Confessed to having poisoned Sir Thomas 
 Overbury, in the Tower, for which she was sentenced to death, but was 
 afterwards pardoned by the King, and died 1632. 
 
 Isaac Oliver. Signed. Earl of Derby. 
 
 47 WILLIAM COWPER. 1731-1800. Poet. 
 
 Sir Charles W. Dilke, Bart. 
 
 48 ANDREW MARVELL. 1620-1678. Poet and Politician. 
 
 F. Cleyn (?) Earl of Derby. 
 
 49 MARY SIDNEY, COUNTESS OF PEMBROKE. Ob. 1621. Sister of 
 
 Sir Philip Sidney. 
 
 Zucchero. Earl of Derby. 
 
 50 PORTRAIT OF A LADY. 
 
 Signed “ C . HI Sir Charles W. Dilke, Bart. 
 
 51 A SON OF SIR KENELM DIGBY. 1632. 
 
 P. Oliver. Sir Charles W. Dilke, Bart. 
 
 52 RACHEL DE RUVIGNY, COUNTESS OF SOUTHAMPTON. 1st wife 
 
 of Thomas Wriothesley, 4th Earl. Ob. 1640. 
 
 Enamel , by Petitot, After Vandyck. J. K. D. Wingfield Digby. 
 
Case III. 
 
 12 
 
 53 PORTRAIT OF A LADY. 
 
 Enamel. Petiiot fils (?). Lent by Sir CHARLES W. DlLKE, Bart. 
 
 54 JOSEPH COLLET. Anno yEtatis 48. 
 
 Enamel. C. F. Zincke , 1721. Sir Charles W. Dilke, Bart. 
 
 55 SIR HENRY VANE THE ELDER. 1589-1654. 
 
 Oily on copper. Sir Charles W. Dilke, Bart. 
 
 58 GERMAN LOVE MINIATURE. 16th century. 
 
 Sir Charles W. Dilke, Bart. 
 
 57 PORTRAIT OF A LADY. 
 
 C. F. Zincke. Sir Charles W. Dilke, Bart. 
 
 53 JOHN KEATS. 1795-1821. Poet. 
 
 Severn. Sir Charles W. Dilke, Bart. 
 
 59 MARY, daughter of Joseph Collet, wife of Richard WARREN. 
 
 C. F. Zincke. Sir Charles W. Dilke, Bart. 
 
 60 PORTRAIT OF A GENTLEMAN. 
 
 Mrs. Mee. J. K. D. Wingfield Digby. 
 
 61 PORTRAIT OF A LADY. 
 
 Mrs. Mee (Miss Anna Foldsone). J. K. D. Wingfield Digby. 
 
 62 MADAME ROLAND. 1754 - 1793 . 
 
 On wax. Alfred Cock. 
 
 CASE XV, 
 
 1 LADY ELIZABETH FOSTER. 1759-1824. 2nd wife of William, 5th Duke 
 
 of Devonshire. Daughter of 5th Earl of Bristol. 
 
 Enamel. ' Duke of Devonshire. 
 
 2 GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 1st wife of William, 5th Duke of Devonshire. 
 
 After Gainsborough. Signed and dated, but illegible. 
 
 Duke of Devonshire. 
 
 3 LORD RICHARD CAVENDISH, M.P. Ob. 1781. 
 
 Ozias Humphry. (After Reynolds.) Duke OF DEVONSHIRE. 
 
Case IV. 
 
 13 
 
 4 MARQUISE DE MAINTENON, nie D'AUBIGNE (?). 1635-1719. Privately 
 
 married to Louis XIV. 
 
 Signed and dated , but illegible. Lent by The Duke of Devonshire. 
 
 5 QUEEN CAROLINE, WIFE OF GEORGE II. 1682-1737. 
 
 Enamel. L. Carstairs. Duke OF DEVONSHIRE, 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 14 
 
 15 
 
 16 
 
 17 
 
 Called THOMAS HOBBES OF MALMESBURY. 1588-1679. Philosopher. 
 J. Hoskins. Signed. Dated. Inscribed “ JEtatis 81, 1661.” 
 
 Duke of Devonshire. 
 
 GEORGE JOHN, 2ND EARL SPENCER. 1758-1834. 
 
 Duke of Devonshire. 
 
 PORTRAIT OF A LADY, with violet shawl. 
 
 Emeste Berse de Riga (a Rome, 1819). Signed. Duke of Devonshire. 
 
 ELIZABETH CLAYPOLE. 1629-1658. Favourite daughter of Oliver 
 
 % 
 
 Cromwell. 
 
 S'. Cooper. Signed “1653.” Duke OF DEVONSHIRE. 
 
 PORTRAIT OF A GENTLEMAN, with pointed beard. 
 
 Oil , on copper. DUKE OF DEVONSHIRE. 
 
 PORTRAIT OF A LADY, in uniform. Duke of Devonshire. 
 
 PORTRAIT OF A GENTLEMAN, in a ruff. Duke of Devonshire. 
 PORTRAIT OF A LADY, in a ruff. Duke of Devonshire. 
 
 PORTRAIT OF A GENTLEMAN, in scarlet coat. 
 
 Oily on copper. DUKE OF DEVONSHIRE. 
 
 HENRIETTE D’ANGLETERRE. Daughter of Charles I. 1644-1670. 
 Duchesse d’Orleans. 
 
 Enamel. Petitot. DUKE OF DEVONSHIRE. 
 
 ROBERT DEVEREUX, EARL OF ESSEX. 1567-1601. Favourite of 
 Queen Elizabeth. 
 
 Isaac Oliver. Signed. DUKE OF DEVONSHIRE. 
 
 PORTRAIT OF A LADY, in red and gold dress. 
 
 Duke of Devonshire. 
 
 18 OLIVER CROMWELL. 1599-1658. (Compare No. 1, Case XXIII.) 
 
 S. Cooper. Duke of Devonshire. 
 
14 
 
 Case IV. 
 
 19 PORTRAIT OF A LADY, in blue dress. 
 
 Enamel. Petitot. 
 
 Lent by The Duke of Devonshire. 
 
 20 PORTRAIT OF A LADY. 
 
 Enamel. Petitot. 
 
 Duke of Devonshire. 
 
 21 PORTRAIT OF A GENTLEMAN, in blue coat. 
 
 Duke of Devonshire. 
 
 22 PORTRAIT OF A LADY, in hat and feathers. Duke of Devonshire. 
 
 23 CHRISTOPHER WANDESFORD. Lord Deputy of Ireland. 1592-1641. 
 
 Isaac Oliver. (?) Duke of Devonshire. 
 
 24 PORTRAIT OF A LADY, in blue dress and powdered hair. 
 
 Duke of Devonshire. 
 
 25 PORTRAIT OF A GENTLEMAN, in ruff and embroidered dress. 
 
 Duke of Devonshire. 
 
 26 PORTRAIT OF A GENTLEMAN, in lace collar and hat. 
 
 Dated 1615. Duke OF DEVONSHIRE. 
 
 27 ALBERT, ARCHDUKE OF AUSTRIA. 1559-1621. 
 
 Duke of Devonshire. 
 
 Duke of Devonshire, 
 
 28 PORTRAIT OF A YOUNG LADY. 
 
 29 LOUIS XIV. 1638-1715. 
 
 Duke of Devonshire. 
 
 N. Mignard. 
 
 30 PORTRAIT OF A YOUNG LADY. 
 
 Duke of Devonshire. 
 
 31 EDWARD VI. 1538-1553. 
 
 Peter Oliver. After Holbein. Signed. Inscribed “Edwardus Princeps Filius 
 Henrici Octavi Regis Anglia." Duke of Devonshire. 
 
 32 GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 R. Cosway . Duke of Devonshire. 
 
 33 PORTRAIT OF A LADY. 
 
 Sir W. Ross. Duke of Devonshire. 
 
 34 GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 1st wife of William, 5th Duke of Devonshire. 
 
 Enamel. H. Bone. After A. Ptimer. Signed. DUKE OF DEVONSHIRE. 
 
 35 PORTRAIT OF A GENTLEMAN, in black dress and white collar. 
 
 Oil. Duke of Devonshire. 
 
Case IV. 
 
 i5 
 
 36 ROBERT DEVEREUX, EARL OF ESSEX. 1567-1601. Favourite of 
 
 Queen Elizabeth. 
 
 Oil. Lent by The Duke of Devonshire. 
 
 37 GEORGIANA, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 Duke of Devonshire. 
 
 33 PORTRAIT OF A GENTLEMAN, in blue coat. 
 
 R. Cosway. Duke of Devonshire. 
 
 39 QUEEN MARIE ANTOINETTE. 1755-1793. 
 
 J. B. Sauvage. Duke OF Devonshire. 
 
 40 HENRIETTA MARIA. 1609-1669. Queen of Charles I. 
 
 John Hoskins. Duke of Devonshire. 
 
 41 PORTRAIT OF A LADY, with flowers. Duke of Devonshire. 
 
 42 GEORGIANA, DUCHESS OF DEVONSHIRE. 1757-1806. 1st wife of 
 
 William, 5th Duke of Devonshire. 
 
 R. Cosway. Duke OF Devonshire. 
 
 43 PORTRAIT OF A LADY. 
 
 Enamel. C. F. Zincke. Duke OF DEVONSHIRE. 
 
 44 THOMAS WENTWORTH, EARL OF STRAFFORD. 1593-1641. 
 
 Minister of Charles I. 
 
 Samuel Cooper. Duke OF DEVONSHIRE. 
 
 45 HENRIETTA MARIA. 1609-1669. Queen of Charles I. 
 
 Duke of Devonshire. 
 
 46 PORTRAIT OF A LADY, with a blue scarf. 
 
 Samuel Cooper. DUKE OF DEVONSHIRE, 
 
 47 PORTRAIT OF A GENTLEMAN, in armour. 
 
 Enamel. Petitot. DUKE OF DEVONSHIRE. 
 
 48 WILLIAM CAVENDISH, 1ST DUKE OF DEVONSHIRE. 1640-1707. 
 
 Lawrence Crosse. Signed. DUKE OF DEVONSHIRE. 
 
 49 CHARLES I. 1600-1649. 
 
 Enamel. D. B. Murphy. “1805.” Duke OF Devonshire. 
 
 50 MARY II., QUEEN OF ENGLAND. 1662-1694. Wife of William III. 
 
 Duke of Devonshire. 
 
Case IV. 
 
 16 
 
 51 PORTRAIT OF A YOUTH, in blue coat. 
 
 Enamel. C. F. Zincke. Lent by The Duke OF DEVONSHIRE. 
 
 52 RICHARD TEMPLE, VISCOUNT COBHAM. 1675-1749- 
 
 Duke of Devonshire. 
 
 ko PORTRAIT OP' A GENTLEMAN, in wig and cravat. 
 
 Signed Lawrence Crosse. DUKE OF DEVONSHIRE. 
 
 54 GEORGE VILLIERS, 1ST DUKE OF BUCKINGHAM. 1592-1628. 
 Favourite of James I. and Charles I. 
 
 Enamel. Petltot. DUKE OF DEVONSHIRE. 
 
 55 
 
 56 
 
 57 
 
 PORTRAIT OF A GENTLEMAN, in scarlet coat. 
 
 Duke of Devonshire. 
 
 Oil , on copper. 
 
 queen ANNE. 1664-17.4. Duke 0F Devonshire. 
 
 WILLIAM, 5TH DUKE OF DEVONSHIRE. 1748-1811. 
 
 Enamel by Henry Bone. After Sir Joshua Reynolds. Signed “H. BP 
 
 Duke of Devonshire. 
 
 58 PORTRAIT OF A NOBLEMAN, in red robe. 
 C. Richter. Signed “C. RP 
 
 Duke of Devonshire. 
 
 59 OLIVER CROMWELL. 1599-1658. 
 
 In Indian ink. S. Cooper. 
 
 Duke of Devonshire. 
 
 fiO FLIZABETH CECIL, wife of William, 3rd Earl of Devonshire. 
 
 Duke of Devonsfiire. 
 
 S. Cooper. 
 
 61 
 
 62 
 
 WILLIAM SPENCER. 
 Enamel , by Henry Bone. 
 
 GULIELMO FIGLIO 
 CASA NASSAU. 
 Attributed to Giorgione. 
 
 6th Duke of Devonshire. 1790-1858. 
 
 Signed “H. B. 1813.” Duke of Devonshire. 
 
 DI FILIBERTO, PRINCE D’ORANGE DI 
 
 Duke of Devonshire. 
 
 63 
 
 FILIBERTO, PRINCE D’ORANGE DI CASA NASSAU. 
 
 „ . Duke of Devonshire. 
 
 Attributed to Giorgione. 
 
l 7 
 
 CASE V. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 AUGUSTA, LADY CHARLES WELLESLEY. Daughter of the Right 
 
 Honorable Henry-Manvers Pierrepont. 
 
 Andrew Robertson. 
 
 2 GEORGE, LORD BYRON. 1788-1824. 
 
 Andrew Robertson. 
 
 3 VITTORIO, COUNT ALFIERI. 1749-1803* Italian Poet. On the back is 
 
 written by Lord Byron “ Alfieri, given to me by the Lady H. in 1813.” 
 
 4 MISS MARY MACLEOD. Daughter of The Rev. D. Macleod of St. Anne’s. 
 
 Andrew Robertson. 
 
 5 SOPHIA, LADY BROWNRIGG. Ob. 1837. Second wife of 1st Baronet. 
 
 C. Jagger. 
 
 6 LADY CAROLINE MONTAGU-SCOTT. Daughter of Henry 3rd Duke 
 
 of Buccleuch. Married to Charles, Marquis of QUEENSBERRY. 
 
 G. Hay ter. Signed. 
 
 7 MISS LOUISA SHARPE. Married to Dr. W. SeyfFarth, Artist, Member of 
 
 the Water Color Society. Ob. 1843. 
 
 Andrew Robertson. 
 
 8 LADY HARRIET MONTAGU-SCOTT. Daughter of Henry 3rd Duke 
 
 of Buccleuch. Married to William, 6th Marquis of LOTHIAN. 
 
 G. Hay ter. Signed. 
 
 9 PORTRAIT OF A LADY. 
 
 Sir William J. Newton. Signed. 
 
 10 LADY CHARLOTTE BENTINCK. (?) Afterwards LADY CHARLOTTE 
 
 GREVILLE. Ob. 1862. 
 
 Mrs. Mee. 
 
 11 G. J. W. AGAR ELLIS, ist LORD DOVER. 1797-1833. 
 
 A ndrew Robertson. 
 
 12 ANNE, COUNTESS OF CHARLEMONT. Ob. 1876. Daughter of 
 
 William Bermingham, Esq., Ross Hill, Co. Galway. Wife of Francis, 
 2nd Earl. 
 
 J. Comerford. 
 
Case V. 15 
 
 13 ROBERT SOUTHEY. 1774-1843- Poet and Writer. 
 
 Andrew Robertson. 
 
 14 LADY HARGRAVES. 
 
 H. Millet. 
 
 15 MISS FANNY KEMBLE. (Mrs. Butler.) 1809-living. Actress and 
 
 Authoress. 
 
 Charles Hayter. Signed. 
 
 16 H. ROSS. Father of the Artist. 
 
 Sir William Ross, R.A. 
 
 17 PORTRAIT OF A LADY. 
 
 A. Buck. 
 
 18 LADY MORGAN. Celebrated Writer. 1783-1859. 
 
 5 . Lover. 
 
 19 THE HONORABLE ADA BYRON. Afterwards Countess of Lovelace. 
 
 1815-1852. 
 
 20 PORTRAIT OF LADY. 1817. 
 
 James Holmes. 
 
 21 Named FANNY KEMBLE (MRS. BUTLER). 
 
 H. Millet. 
 
 22 LADY TALBOT. 
 
 A. Lover. 
 
 23 MRS. WHITWORTH. : 
 
 Mrs. Mee. 
 
19 
 
 CASE VI. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 DON JOHN OF AUSTRIA. 1545-1578. Spanish naval commander. 
 
 Natural brother to Philip II. of Spain, who gained the great battle of 
 Lepanto over the Turks in 1571. 
 
 2 PHILIP IV., KING OF SPAIN. 1605-1665. Son of Philip III., and brother 
 
 to the Infanta Maria, the intended wife of Charles I. of England. 
 
 3 DIEGO VELASQUEZ. Painter. 1599-1660. 
 
 4 LEOPOLD I., EMPEROR OF GERMANY. 1640-1705. Son of Frederick III. 
 
 Elected Emperor, 1659. 
 
 G. Leerman. Signed. 
 
 On the reverse is a miniature painting of Leopold I., Emperor of 
 Germany, entering Vienna after the siege, 1683. 
 
 5 MARIE LOUISE, QUEEN OF SPAIN. 1662-1689. Daughter of Philip, 
 
 Duke of Orleans, and Henrietta Stuart (daughter of Charles I., King 
 of England). Married, in 1679, Charles II., King of Spain. 
 
 6 ALBERT, ARCHDUKE OF AUSTRIA. 1559-1621. Son of the Emperor 
 
 Maximilian II., appointed by Philip II., 1596, Governor of the Low 
 Countries, and succeeded the Duke of Parma in the difficult task of carrying 
 on the war against the Dutch, who had revolted from Spain. 
 
 7 ISABELLA CLARA EUGENIA OF AUSTRIA. 1566-1633. Wife of 
 
 Albert, Archduke of Austria. Daughter of Philip II. of Spain. 
 
 8 JOHN SOBIESKI. 1629-T696. John IIP, KING OF POLAND. Distinguished 
 
 warrior and accomplished scholar. Proclaimed King, 1674. He raised the 
 siege of Vienna, when attacked by the Turks. 
 
 Enamel. 
 
 9 STANISLAUS LESCZINSKI. 1677-1766. King of Poland and Duke of 
 
 Lorraine. 
 
 10 RUDOLPH II., KING OF BOHEMIA. 1552-1612. 
 
Case VI. 
 
 20 
 
 11 MATTHIAS KING OF BOHEMIA. 1552-1619. Succeeded his brother 
 
 lldolph. ’ He had in his brother's lifetime seated himself on the throne of 
 Hungary and Bohemia, being assisted by the Protestants, whom he 
 
 favoured. 
 
 12 LEOPOLD I., EMPEROR OF GERMANY. 1640-1705. 
 
 Enamel. 
 
 13 MARGARET. Wife of Leopold I., Emperor of Germany. (No. 4) 
 
 14 FREDERICK II., KING OF PRUSSIA. Called “ the Great.” Son of 
 
 Frederick William I. 1712-1786. 
 
 15 MARIA THERESA, ARCHDUCHESS OF AUSTRIA. 
 
 Oueen of Hungary and Bohemia and Empress of Germany. Celebra e 
 fo the energy with which she defended her right to the Throne guaranteed 
 [o her by tie Pragmatic sanction. In mourning, such as she contmued to 
 wear after her husband’s death in 1765. 
 
 16 MARIA THERESA, ARCHDUCHESS OF AUSTRIA, EMPRESS OF 
 
 GERMANY. 1717-1780. 
 
 17 FREDERICK WILLIAM III., KING OF PRUSSIA. 1770-1840. Son of 
 
 William Frederick II. 
 
 18 FREDERICK WILLIAM IV., KING OF PRUSSIA. I 7 95-f86i. Son of 
 
 Frederick William III. 
 
 Fiorino. S igned. 
 
 19 PETER I., EMPEROR OF RUSSIA. 1672-1725. Called “the Great.” Son 
 
 of the Czar Alexis Mikhailovitch. 
 
 Enamel. Charles Bolt. Signed. 
 
 20 CATHERINE II., EMPRESS OF RUSSIA. I 7 29 -I 79 < 5 - Daughter of 
 
 Mac! Anhalt-Zerbst. Married to Charles, Duke of Holstein Gottorp, who 
 
 ascended the Throne as Peter III. 
 
 Enamel , on gold. 
 
 21 ALEXANDER I, EMPEROR OF RUSSIA. 1777 '^S- Son of Emperor 
 
 Paul. 
 
 J. B. Isahey. Signed. 
 
 22 MARIA FEODOROWNA. Empress of Nicholas I. 
 
 23 NICHOLAS I., EMPEROR OF RUSSIA. 1796-1855. Son of Emperor 
 
 Paul. 
 
Case VI. 
 
 21 
 
 24 ELIZABETH OF VALOIS. 1545-1568. Third Queen of Philip II. of 
 
 Spain. Daughter of Henry II. of France. Affianced to Edward VI. of 
 England, who died before the celebration of the marriage; afterwards, to 
 Charles, son of Philip II., King of Spain, but ultimately, in 1558, 
 married the King, his father. 
 
 Oil , on silver. 
 
 25 HENRY IV., KING OF FRANCE AND NAVARRE. 1553-1610. Son of 
 
 Antoine de Bourbon and Jeanne d’Albret, only daughter and heiress of 
 Henri d’Albret, King of Navarre. His life was repeatedly attempted 
 by assassins, and at last he was stabbed to death in his carriage by Ravaillac, 
 14th May, 1610. 
 
 26 MARIE DE MEDICI. 1573-1642. Daughter of Francis I., Grand Duke of 
 
 Tuscany. Queen of Henry IV. of France, and Regent during the minority 
 of her son, Louis XIII. 
 
 27 GASTON, DUC D’ORLEANS. 1608-1660. Youngest son of Henry IV. 
 
 and Marie de Medici ; brother of Louis XIII., and uncle to Philip, 
 Duke of Orleans. 
 
 28 ANNE OF AUSTRIA. 1602-1666. Daughter of Philip III. of Spain. 
 
 Queen of Louis XIII. of France, Regent during the minority of 
 Louis XIV. 
 
 ♦ 
 
 29 PHILLIPE, DUC D’ORLEANS. 1640-1701. Second son of Louis XIII. 
 
 and Anne of Austria. Brother of Louis XIV. 
 
 30 LOUIS XIV., KING OF FRANCE. 1638-1715. “Le Grand.” 
 
 31 FRANCIS MICHAEL LE TELLIER, MARQUIS DE LOUVOIS. 
 
 1641-1691. Prime Minister to Louis XIV. Directed the Administration of 
 War. Founded hospitals, erected Palace of Versailles, Place Vendome, Hotel 
 des Invalides, &c. 
 
 32 LOUISE ADELAIDE. Second daughter of the Regent Philippe d’Orleans, 
 
 afterwards Abbesse de Chelles. 
 
 Karl Klingstedt. Signed. 
 
Case VI. 
 
 22 
 
 33 PORTRAIT OF A FRENCH ABBE. 
 
 Enamel. 
 
 34 [Removed to Case XXXIX.] 
 
 35 PORTRAIT OF A LADY. 
 
 Enamel. 
 
 30 JACQUES BENIGNE BOSSUET. 1661-1743- Bishop of Troyes. 
 
 Enamel. 
 
 37 MARIE ADELAIDE DE SAVOIE. 1685-1712. Wife of the Due de 
 
 Bourgogne. 
 
 Enamel. Mathieu. Signed. 
 
 38 DUC DE BOURGOGNE. 1682-1712. Eldest son of Louis the Dauphin. 
 
 Grandson of Louis XIV., King of France. 
 
 Enamel. Mathieu. Signed . 
 
 39 PHILIP, DUKE OF ANJOU. Philip V. King of Spain. 1683-1746. 
 
 40 LOUIS, LE GRAND DAUPHIN (son of Louis XIV.). 1661-1711. 
 
 41 GUILLAUME LAMOIGNON. 1617-1677. President of the Parliament 
 
 of Paris. 
 
 Enamel. 
 
 42 [Removed to Case XXXIX.] 
 
 43 MICHEL BARON. 1653-1729. Celebrated French comedian. 
 
 44 CARDINAL DUBOIS. 1656-1723. Prime Minister to the Regent Due 
 
 d’Orleans. 
 
 Enamel. 
 
 45 [Removed to Case XXXIX.] 
 
 46 HYACINTHE RIGAUD. 1659-1743. French portrait painter. 
 
 By Himself. 
 
 47 and 48 [Removed to Case XXXIX.] 
 
 40 LOUISE DIANE D’ORLEANS. Daughter of the Regent. Married in 
 1732 Louis Francois de Bourbon, Prince de Conti. 
 
 50 PRINCE EUGENE OF SAVOY. 1663-1736. Son of Comte de Soissons. 
 Commander in the Austrian Army. 
 
 Signed “ C. T." 
 
Case VI. 
 
 23 
 
 51 and 52 [Removed to Case XXXIX.] 
 
 53 JOHN LAW OF LAURISTON. 1671-1729. Scotch financier. He went to 
 Paris and ingratiated himself with the Regent Duke of Orleans, and so 
 impressed him with his plans of finance, that by his persuasion the first 
 bank of circulation was established by the Regent in 1716, and also the 
 Mississippi Company. 
 
 Enamel. G. Emrich. 1713. Signed. 
 
 CASE VII. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 LOUIS XV. 17101774. Called the “Bien Aime.” On the death of 
 
 the Regent in 1723 Louis assumed the Government, which eventually was 
 left in the hands of Cardinal de Fleury and Madame de Pompadour. 
 
 2 LOUISE JULIE DE NESLE, COMTESSE DE M A ILLY. 1710-1751. 
 
 Favourite of Louis XV. 
 
 Klings tedt. 
 
 3 PORTRAIT OF A LADY. Unknown. 
 
 Rosalba Carriera. Signed. 
 
 4 JEANNE-ANTOINETTE POISSON, MARQUISE DE POMPADOUR. 
 
 1745. Celebrated favourite of Louis XV. 1721-1764. Madame Pompadour 
 exercised a great influence in artistic industries, also being a designer and 
 engraver of merit. 
 
 5 MARIE DE VICHY-CHAMBON. MARQUISE DU DEFFAND. 1697- 
 
 1780. Well known as a patroness of letters, and for her correspondence with 
 Horace Walpole and Voltaire. She became blind in 1753. 
 
 6 JEAN BAPTISTE MASSE. 1687-1767. Engraver and miniature painter. 
 
 By Himself. Signed. 
 
Case VII. 
 
 24 
 
 7 PORTRAIT OF A LADY, white dress and cap with blue ribbons. 
 
 Rosalba. Signed. 
 
 8 LADY, in red dress edged with fur, seated at a table. 
 
 9 LADY, in small circular diamond frame. 
 
 Kant. 
 
 10 LADY, with hat and wand, wearing a garland of flowers, A la bergfre. 
 
 11 MARIE JUSTINE BENOIT DURONCERAY. Madame Favart. 1727 - 1772 - 
 
 Actress. 
 
 12 JEAN MAUDET DE LARIVE. 1747-1827. Tragedian. 
 
 De Lasse. Signed. 
 
 13 LADY. Unknown. 
 
 14 ANTOINE VESTIER. 1740-1810. Portrait painter. 
 
 By Himself. 1786. Signed. 
 
 15 LADY, with pink dress and ermine, holding a piece of music. 
 
 Le Sage. 1777. Signed. 
 
 16 LADY, in blue dress ornamented with pink ribbons and roses, holding a book. 
 
 M. V. Coster. Signed. 
 
 17 LADY, in white dress and pink sash, holding a wreath of roses. 
 
 Dumont. Signed. 
 
 18 LADY, in pale green dress and pink ribbons seated at a table and holding a 
 
 miniature. 
 
 Chasselat. Signed. 
 
 19 LADY, white dress and lace shawl. 
 
 Heinsor. Signed. 
 
 20 LOUIS XVI. OF FRANCE. 1754 - 1793 - Second son of the Dauphin Louis, 
 
 succeeded to the Crown 1774. The King perished on the scaffold, 
 21 st January, 1793. 
 
 Richault. 
 
Case VII. 
 
 25 
 
 21 MARIE ANTOINETTE OF AUSTRIA. 1755-1793. Queen of Louis XVI. 
 
 Youngest daughter of the Emperor Francis I. and Maria Theresa. Married, 
 1770, the Dauphin Louis, and ascended the throne 1774. The courage and 
 devotion of the Queen to the King and family on their forcible return to 
 Paris, caused great sympathy. After a trial of two days, sentence of death 
 was pronounced upon her by the Convention, and carried out 16th 
 October, 1793. 
 
 22 MARIE THERESE-LOUISE DE SAVOIE CARIGNAN. 1748-1792. 
 
 Princess de Lamballe. The devoted friend of Marie Antoinette, who 
 appointed her superintendent of her household. Murdered September, 1792. 
 Martin. Signed. 
 
 23 MARIE ANTOINETTE. 1755-1793. In pink dress and lace, with pink 
 
 turban and white feathers, holding a pink rose. Wife of Louis XVI. 
 
 24 MADAME GERACON DUFFOUR. 1753-1835. Writer of romances. 
 
 A. Dubourg. Signed. 
 
 25 Called MADAME DE RAMBOUILLET. 
 
 26 MARIA LOUISA, COMTESSE DE RUTAUT. Married George Bryan, Esq., 
 
 of Jenkinstown. 
 
 27 LADY. 
 
 On tortoiseshell pique box. Hall. Signed. 
 
 28 LADY. Seated, with a child on her lap, and gentleman in background. 
 
 29 MADAME DE SABRAN. 
 
26 
 
 CASE VIII. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 HONORE GABRIEL DE RIQUETI, COMTE DE MIRABEAU. 1749 - 
 
 1791. Son of the Marquis de Mirabeau. The greatest orator of the 
 Revolution, and a fluent writer. This extraordinary man, while crushing 
 the old aristocracy on one hand, repressed the fury of the democratic 
 faction on the other. “ Our little mother Mirabeau ” was the endearing 
 nickname which the dames des Halles of Paris, who sometimes graced the 
 galleries of the Legislation with their presence, applied to him. 
 
 Signed “ Vien fils." Joseph Marie Vien. 
 
 2 MENIE. French historical painter. 
 
 3 JEROME PETION DE VILLENEUVE. 1753-1794- Lawyer, Member of 
 
 the States General, and Mayor of Paris. Notorious for his hostility to the 
 Royal Family. 
 
 4 FRANCOIS MAXIMILIEN JOSEPH ISIDORE ROBESPIERRE. 1759- 
 
 1794. Lawyer and celebrated Member of the States General. He vehe¬ 
 mently demanded the beheading of the King, and promoted unsciupulously 
 the execution of his whole family. After he had put a countless host of 
 victims to death, and raised a proportionate number of enemies, in July, 
 1794, his adversaries became too strong for him, and after a scene of 
 frightful excitement he was condemned to death, his brother, Couthon, 
 St. Just, and Lebas being included in the same condemnation. 
 
 5 JEAN LAMBERT TALLIEN. 1769-1820. Son of the house steward of the 
 
 Marquis de Bercy, and clerk in an attorney’s office at the outbieak of the 
 Revolution, which cause he embraced. He was secretary of the Commune 
 of Paris, and one of the organisers of the massacre of September. He voted 
 for the death of the King, and contributed to the downfall of the Girondins. 
 He was sent on a mission to Bordeaux, September, I 793 > wheie, duiing his 
 pro-consulship, he was notorious for his butcheries, cruelties and extortions. 
 On his return he was the leader of the coalition of paities by whom Robes¬ 
 pierre was overthrown. He died in extreme poverty, 16th Novembei, 1820. 
 
 Kent an. 
 
 6 ALEXANDRE, VISCOUNT DE BEAUHARNAIS. 1760-1794. Husband 
 
 of Josephine, who afterwards married Napoleon. Member of the National 
 Assembly, in which he embraced the popular side, and afterwards served 
 with distinction in the army of the Rhine, 1792. He was, however, accused 
 bv the Jacobins, taken before the Revolutionary Tribunals, condemned and 
 beheaded July, 1794, when he was only 34 years of age. 
 
Case VIII. 
 
 2 7 
 
 7 DR. JOSEPH IGNACE GUILLOTIN. 1738-1814. It was through him, 
 
 December, 1789, that the guillotine was introduced into France, but the 
 invention of the machine bearing his name was wrongly attributed to him. 
 The machine was made in Paris by a German machinist named Schmitt, 
 under the direction of Doctor Louis, and the guillotine was at first called 
 Louisette. 
 
 8 MADEMOISELLE PARISOT. 
 
 Bauzie. 1792. 
 
 9 JACQUES NECKER. 1732-1804. Celebrated financier. Son of a professor 
 
 of law at Geneva. He was sent to Paris in his youth, and employed in the 
 house of Thelusson, the great banker, and eventually taken into partnership. 
 He realised a very large fortune, and retired from business at forty years of 
 age. He wrote several works on financial affairs, and in 1776 he was 
 appointed by Louis XVI. Director of the Treasury, which office he held, 
 off and on, till 1790. 
 
 10 LOUIS ANTOINE DE SAINT JUST. 1767-1794. When the Revolution 
 
 broke out, Saint Just, filled with enthusiasm, became one of its 
 most ardent apostles. He voted for the death of the King, and in an 
 oration full of stern but exaggerated republican sentiments, gave his 
 “reasons.” It was this speech that made him famous, and he took a leading 
 part in all the fierce debates of this period. When the political reaction set 
 in, and the party of moderation had got the upper hand in the convention, 
 Saint Just was seized and imprisoned, 27th July, 1794, an d ordered to be 
 guillotined next day. 
 
 11 JEAN PIERRE BLANCHARD. 1753-1809. The first marine aeronaut. 
 
 Enamel. Fame pinxt. 1789. Signed. 
 
 12 EMANUEL JOSEPH, COUNT SIEVES. 1748-1836. L’Abbd Sieyes, 
 
 Canon of Chartres Cathedral, and afterwards Vicar-General and Chancellor 
 of the Diocese. He took a prominent part in the deliberations of the 
 National Assembly. 
 
 13 JEAN THOMAS THIEBAUT. Painter and architect. 1757-1826. 
 
 14 BERTRAND BARERE DE VIEUZAC. Depute du Bigone to the National 
 
 Assembly. 
 
Case VIII. 
 
 28 
 
 15 GILBERT MOTHER, MARQUIS DE LAFAYETTE. i 757 ' lS 34 - He 
 
 entered the American army at the age of nineteen with the rank of major- 
 general, and served therewith distinction during the War of Independence. 
 On the outbreak of the French Revolution he was appointed Commandant- 
 General of Paris, and organised the National Guard, and distributed among 
 the soldiers a tricoloured cockade, namely, blue and red, the colours of 
 the Commune of Paris, and white, the colour of the lilies of France, and these 
 became thenceforth the national colours. In 1815 he was returned to the 
 House of Representatives, convoked by Napoleon on his return from Elba. 
 After the defeat at Waterloo, he spoke strongly against any attempt to 
 establish a dictatorship. He was one of the first to propose Louis Philippe. 
 
 16 MADAME ANNE GERMAINE DE STAEL. 1766-1817. Was the only 
 
 child of Necker (No. 9). 
 
 17 ANDRE ERNEST MODESTE GRETRY. 1741-1813. Born at Liege. 
 
 Celebrated and most popular composer of French operas. At the period 
 of the Revolution he became a zealous Republican, and set some of the 
 revolutionary songs. 
 
 13 MADEMOISELLE CONSTANCE MAYER. Mistress of Prud’hon the 
 painter. Committed suicide, 1821. 
 
 19 MADAME GUIZOT (n/e Pauline de Meulan). 1773-1827. Authoress. First 
 
 wife of Francois Guizot, French statesman. 
 
 20 PORTRAIT OF A LADY. 
 
 21 LOUIS FRANCOIS AUBRY. 1770-1850. Portrait painter. 
 
 Jean Baptiste Augustin. Signed. 
 
 22 PORTRAIT OF A LADY 
 
 Victor Huet. 1803, London. Signed. 
 
 23 JEAN BAPTISTE ISABEY. 1767-1855. Portrait painter. 
 
 Jean Baptiste Augustin. 
 
 24 NAPOLEON, when GENERAL BONAPARTE. 1769-1821. 
 
 Enamel. On the back of a watch; on the side is engraved “Au Vainqueur 
 
 de VItaliel' 
 
 25 NAPOLEON I. 1769-1821. Emperor of the French. In coronation robes. 
 
 26 PRINCE EUGENE DE BEAUHARNAIS. 1781-1824. Viceroy of Italy 
 
 during the reign of Napoleon, and afterwards Duke of Leuchtenberg and 
 Prince of Reichstadt, son of the Viscount Beauharnais. 
 
 Jean Baptiste Isabey. 
 
Case VIII. 
 
 29 
 
 27 HORTENSE EUGENIE, QUEEN OF HOLLAND. 1783-1837. Daughter 
 
 of A. Beauharnais and Josephine. She married in 1802 Louis Bonaparte, 
 brother of the Emperor. 
 
 28 NAPOLEON I., when GENERAL BONAPARTE. 1769-1821. 
 
 Jean Baptiste Isabey. 
 
 29 THE EMPRESS JOSEPHINE. 1763-1814. 
 
 30 THE EMPRESS MARIE LOUISE. 1791-1847. The Archduchess Maria 
 
 Louisa, Empress of the French, daughter of the Emperor Francis of 
 Austria. Napoleon’s second wife. Married, 1810. 
 
 Agricola. 
 
 31 NAPOLEON I. 1769-1821. 
 
 J. Parent. Signed. 
 
 32 NAPOLEON II., DUC DE REICHSTADT. 1811-1832. Son of the 
 
 Emperor Napoleon I. and Maria Louisa of Austria. 
 
 Jean Baptiste Isabey. 
 
 33 JEROME BONAPARTE. 1784-1860. King of Westphalia. Youngest 
 
 brother of Napoleon. 
 
 34 MARIE ANNE-ELISA BONAPARTE. 1777-1820. Madame Bacciochi, 
 
 sister to Napoleon I. 
 
 Jean Baptiste Isabey, 1804. 
 
 35 MARIA PAULINE BONAPARTE. 1780-1825. Princess de Borghese, 
 
 sister to Napoleon I. 
 
 36 CAROLINE MARIA ANNUNZIATA BONAPARTE. 1782-1839. Queen 
 
 of Naples. Sister to Napoleon I. Married to Marshal Murat. 
 
 37 CAROLINE MARIA ANNUNZIATA BONAPARTE, Queen of Naples, 
 
 and CHILD. 1782-1839. 
 
 Janvier , 1803. 
 
 38 THE EMPRESS MARIE LOUISE. 1791-1847. Archduchess of Austria. 
 
 See No. 30. 
 
 39 JOSEPH BONAPARTE, KING OF SPAIN. 1768-1844* Eldest brother 
 
 of Napoleon. Created King of Naples 1806, and summarily transferred to 
 the throne of Spain, 1808. He was the only one of his brothers for whom 
 Napoleon professed to care anything. 
 
Case VIII. 
 
 30 
 
 40 GENERAL LAZARE HOCHE. 1768-1797. 
 
 41 GENERAL MOREAU. 1763-1813. General-in-Chief of the army of the 
 
 Rhine. 
 
 42 PIUS VII. (GREGORIO BARNABA CHIARAMONTI.) 1742-1823. 
 
 He officiated at the coronation of Napoleon at Paris, in the Cathedral of 
 Notre Dame. 
 
 43 CHARLES TRISTAN, COMTE (afterwards MARQUIS) DE 
 
 MONTHOLON. 1782-1853. He followed Napoleon to St. Helena, and 
 was one of his executors. Edited the “ Memoirs of France under Napoleon.” 
 
 Cheve.net. 
 
 44 Called TALMA THE YOUNGER. 
 
 Corbet. 1816. 
 
 45 MADEMOISELLE ANNE FRANCOISE MARS. 1779-1847. Celebrated 
 
 French comic actress. 
 
 Enamel. 
 
 46 MARQUIS DE NOAILLES. 1756-1804. 
 
 C. Henard. 1800. Signed. 
 
 47 MADAME JEANNE FRANCOISE RECAMIER. 1777-1849. The 
 
 daughter of M. Bernard, banker at Lyons. Married, 1792, to M. Jacques 
 Recamier, banker at Paris. 
 
 Jean Baptiste Augustin. 1801. Signed. 
 
 48 MARQUISE DE NOAILLES. (Wife of 46.) 
 
 C. He 7 iard. 1800. Signed. 
 
 49 LA MARQUISE D’HARCOURT. 
 
 Jean Baptiste Isabey. 1807. Signed. 
 
 50 PORTRAIT OF A LADY. 
 
 Jean Baptiste Augustin. Signed. 
 
 51 PRINCE AND PRINCESS OF ORANGE. About 1780. William VI., 
 
 Prince of Orange, came to England on invasion of Holland by the French 
 in 1796. He resided in Pall Mall, and died 1806. 
 
 52 PORTRAIT OF A LADY. 
 
 Bel. 
 
Case VIII. 
 
 3i 
 
 53 SUSAN HARRIET CATHERINE. Daughter of Alexander, 10th Duke of 
 
 HAMILTON. Married in 1832 to Henry, Earl of LINCOLN (afterwards 
 5th Duke of NEWCASTLE). 
 
 Bel. 1822. Signed. 
 
 54 ALEXANDER, ioth DUKE OF HAMILTON. 1767-1852. Lord-Lieu¬ 
 
 tenant of Lanarkshire. 
 
 Bel. Signed. 
 
 55 WILLIAM ALEXANDER, iith DUKE OF HAMILTON. 1811-1863. 
 
 Son of Alexander, ioth Duke. Married, 1843, the Princess Mary of Baden, 
 youngest daughter of Charles, Grand Duke of Baden, and the cousin of the 
 Emperor Napoleon III. 
 
 Bel. Signed. 
 
 56 PORTRAIT OF A LADY. 
 
 Huet Villiers , 1806. Signed. 
 
 CASE IX, 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 MARGARET TUDOR. Daughter of Henry VII. Married James IV. of 
 
 Scotland. 1489-1533. 
 
 2 MARIE OF GUISE. Daughter of Claude, Due de Guise. 2nd wife of 
 
 James V. of Scotland. 
 
 3 MARY OUEEN OF SCOTS. Inscribed “Ano. Dni. 1579, M. R.” Bale 
 
 collection. Black dress, ruff, and pearl necklace. 1542-1587. 
 
 N. Hilliard. 
 
 4 JAMES I. OF ENGLAND. 1566-1625. Inscribed “Ano. Dni. 1609. Reqm. 43 -” 
 
 I. Oliver. 
 
 5 ANNE OF DENMARK. 1574-1619. Queen of James I. Large lace collar, 
 
 hat with feathers. 
 
 I. Oliver. 
 
 6 Called JAMES I. OF ENGLAND. 1566-1625. 
 
 7 ANNE OF DENMARK. Queen of James I. 1574-1619. 
 
Case IX. 
 
 32 
 
 8 ANNE CLIFFORD, COUNTESS OF DORSET. 1589-1676. Wife of 
 
 3rd Earl. 
 
 Hilliard. 
 
 9 CATHERINE, COUNTESS OF SUFFOLK. 
 
 10 NICHOLAS HILLIARD. Inscribed “ Nicus Hillyard, Aurifaber. Sculptor 
 
 et Celebris illuminator, serenissimae, Reginae Elizabethae.” From Pensburst. 
 N. Hilliard. 1547-1619. Engraved in Walpole's “ Anecdotes ” (Dallaway and 
 Wo mum). 
 
 11 UNKNOWN. Inscribed “Ano. Dni. 1594. Etatis Suce 20.” 
 
 N. Hilliard. 
 
 12 LADY SHIRLEY. Wife of Sir W. Shirley. 
 
 I. Oliver. 
 
 15 HENRY PERCY, 9TH EARL OF NORTHUMBERLAND, K.G. 1563-1632. 
 
 N. Hilliard. 
 
 16 WILLIAM CAVENDISH, DUKE OF NEWCASTLE. 1592-1676. 
 
 John Hoskins. Signed “J. H., 1646.” 
 
 17 SIR KENELM DIGBY. 1603-1665. 
 
 18 SIR FRANCIS DRAKE. 1540-1596. 
 
 I. Oliver. 
 
 19 HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON. 1573-1624. 
 
 Patron of Shakespeare. 
 
 P. Oliver. 
 
 20 ROBERT CARR, EARL OF SOMERSET. 1589-1616. 
 
 Signed “P. O. 1619.” P. Oliver. 
 
 21 FRANCIS BACON, VISCOUNT VERULAM AND ST. ALBANS. 
 
 1561-1626. 
 
 Signed “/” or kl L. C. 1620.” 
 
 22 PORTRAIT OF A GENTLEMAN. 
 
33 
 
 CASE X. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 1 PORTRAIT OF A GENTLEMAN. 
 
 Samuel Shelley. 
 
 2 MRS. HESTER JANE SHERIDAN. 2nd wife of R. B. Sheridan. Daughter 
 
 of Dr. Ogle, Dean of Winchester. 
 
 Samuel Shelley. 
 
 3 HENRIETTA, wife of John O’NEILL, 1st Viscount O’Neill. Died 1793. 
 
 Samuel Shelley. 
 
 4 MRS. DELANY. 
 
 Samuel Shelley. 1784. 
 
 5 ELIZA (Miss Farren), COUNTESS OF DERBY, and DAUGHTER. 
 
 Celebrated actress. 1759-1829. 
 
 Samuel Shelley. 
 
 6 MRS. SIDDONS. 1755-1831. Actress. 
 
 Samuel Shelley. 
 
 7 PORTRAIT OF A GENTLEMAN. 
 
 Samuel Shelley. 1796. 
 
 8 SAMUEL SHELLEY. 1750-1808. Miniature painter. 
 
 Samuel Shelley. 
 
 9 MARY CHARLOTTE, wife of Dr. Casbird, and CATHERINE DIANA. 
 
 wife of Mr. Richards. Daughters of Robert Jones, Esq., of Fonmore 
 Castle, near Cardiff. 
 
 Samuel Shelley. 
 
 10 Called ANGELICA MARIA CATHERINE KAUFFMAN, R.A. 1740-1807. 
 
 Celebrated painter. 
 
 John Smart. 1764. Signed. 
 
 11 JOHN FITZGIBBON, EARL OF CLARE. 1749-1802. Lord Chancellor 
 
 of Ireland. 
 
 John Smart. 1767. Signed. 
 
 12 SHOLTO CHARLES, EARL OF MORTON. 1732-1774. And 
 
 KATHERINE, COUNTESS OF MORTON. 
 
 John Smart. 1769. Signed. 
 
Case X. 
 
 34 
 
 13 COLONEL MONTALBA. 
 
 John Smart. l? 7 l - Signed. 
 
 14 LADY CHARLOTTE JOHNSTON. 
 
 John Smart. 1772. Signed. 
 
 15 DUCHESS OF MONTROSE. 
 
 John Smart. 1773- Signed. 
 
 15 ADMIRAL SIR C. SAUNDERS, K.C.B. 
 
 John Smart. 1778. Signed. 
 
 17 PORTRAIT OF A LADY. 
 
 John Smart. 1 779. Signed. 
 
 18 PORTRAIT OF A YOUNG GENTLEMAN. 
 
 John Smart. 1780. Signed. 
 
 19 PORTRAIT OF A LADY. 
 
 John Smart. 1783. Signed. 
 
 20 RIGHT HON. RICHARD BRINSLEY SHERIDAN. 1751-1816. 
 
 Dramatic author, orator and statesman. 
 
 John Smart. 1785. Signed. 
 
 21 THE RIGHT HONORABLE JOHN PHILPOT CURRAN. 1750-1817. 
 
 Irish advocate, politician and orator. 
 
 John Smart. 1788. Signed. 
 
 22 PORTRAIT OF A CLERGYMAN. Painted in India. 
 
 John Smart. 1791. Signed. 
 
 23 PORTRAIT OF A LADY. Painted in India. 
 
 John Smart. 1793- Signed. 
 
 24 CHARLES, MARQUESS CORNWALLIS. 1738-1805. Distinguished 
 
 military commander, and Governor-General of India. Painted in India. 
 John Smart. 1792. Signed. 
 
 25 ADMIRAL SIR EDWARD PELLEW, VISCOUNT EXMOUTH. 
 
 Distinguished naval commander. Received the honour of knighthood for 
 his heroic conduct in capturing the “Cleopatra” French frigate, 1814, and 
 finally advanced to the title of Viscount Exmouth for his gallantry in 
 bombarding and destroying the fleet and arsenal of Algiers in 1816. 
 
 John Smart. 
 
 26 PORTRAIT OF A LADY. 
 
 John Smart. 1798. Signed* 
 
Case X. 
 
 35 
 
 27 PORTRAIT OF A GENTLEMAN. 
 
 John Smart. 1800. Signed. 
 
 28 PATRICK COLQUHOUN. 1745-1820. Economist and writer. 
 
 John Smart. 1807. Signed. 
 
 29 ANGELICA MARIA CATHERINE KAUFFMAN, R.A. 1740-1807. 
 
 Celebrated painter. On the top of the miniature is written, “ Kaufman 
 Angelica a son amie Adelina Rosalba. For ever. Bologne. 1783.” 
 
 A. Kauffman , R.A. Signed. 
 
 30 CAPTAIN G. H. TOWRY, R.N. 1767-1809. 
 
 John Smart. Signed. 
 
 31 THEOPHILA PALMER (MRS. GWATKIN). 1757-1848. Niece to 
 
 Sir Joshua Reynolds. 
 
 Ozias Humphry. After Reynolds. 
 
 32 MADAME GAETANO BARTOLOZZI. Wife of the engraver, and mother 
 
 of Madame Vestris. 
 
 33 FRANCESCO BARTOLOZZI, R.A. 1725-1815. Celebrated engraver. 
 
 34 ABRAHAM REES, D.D. 1743-1825. Professor of mathematics, theology, and 
 
 natural sciences. 
 
 35 GEORGE I. 1660-1727. 
 
 J. A. Arlaud. 
 
 36 SOPHIA DOROTHEA. Queen of George I. 1662-1726. Daughter of 
 
 George William, Duke of Zell. 
 
 37 FREDERICK LEWIS, PRINCE OF WALES. 1707-1751- Son of 
 
 George II., and Father of George III. Married Augusta, daughter of 
 Frederick, 2nd Duke of Saxe-Gotha. 
 
 38 GEORGE III. 1738-1820. 
 
 Enamel. 
 
 39 CHARLOTTE. Queen of George III. 1744-1818. Daughter of Charles 
 
 Louis, Duke of Mecklenburg-Strelitz. 
 
 Enamel. Henry Bone, R.A. 1801. Signed. 
 
 40 GEORGE IV., when Prince of Wales. 1762-1830. 
 
 Richard Cosway , R.A. 
 
Case X. 
 
 3 6 
 
 41 Called PRINCESS CHARLOTTE AUGUSTA OF WALES. 1796-1817. 
 
 Daughter of George IV. Married Prince Leopold of Saxe-Coburg. 
 
 42 FIELD-MARSHAL H.R.H. ADOLPHUS FREDERICK, DUKE OF 
 
 CAMBRIDGE. 1774-1850. 
 
 After a miniature by Saunders. Enamel. Henry Bone, R.A., 1814. Signed. 
 
 43 CHARITY. 
 
 Angelica Kauffman, R.A. 
 
 44 GEORGE IV., when Prince Regent. 1762-1830. 
 
 John G. P. Fischer. Signed. 
 
 45 FREDERICK, DUKE OF YORK AND ALBANY. 1763-1827. Field- 
 
 Marshal Commander-in-chief and Bishop of Osnaburg. 
 
 46 H.R.H. PRINCE EDWARD, DUKE OF KENT. 1767-1820. Son of 
 
 George III. Married Her Serene Highness Victoria of Saxe-Coburg- 
 Saalfeld. 
 
 47 QUEEN ADELAIDE. Ob. 1849. Wife of William IV. Daughter of 
 
 Duke of Saxe-Meiningen. 
 
 Samuel Raven. Signed. 
 
 43 WILLIAM IV. 1765-1837. 
 
 Enamel. Henry Bone, R.A. 1831. Signed. 
 
 49 WILLIAM IV. 1765-1837. 
 
 Andrew Robertson. 
 
 50 H.R.H. PRINCESS VICTORIA. 1786-1861. Duchess of Kent. Daughter 
 
 of His Serene Highness, PYancis Duke of Saxe-Coburg-Saalfield. 
 
 IV. Allison. 1819. Signed. 
 
 51 H.R.H. PRINCESS SOPHIA. Daughter of George III. 1777-1848. 
 
 52 SIR WILLIAM ROSS, R.A. 1794-1860. Miniature painter. 
 
 Sir William Ross, R.A , 
 
 53 Called SIR JOSHUA REYNOLDS. 1723-1792. The first President of the 
 
 Royal Academy in 1768. 
 
 On the back is the initial “Rf designed in floral mosaic. 
 
 54 SIR THOMAS LAWRENCE, P.R.A. 1769-1830. Portrait painter. 
 
 Andrew Robertson. 
 
37 
 
 CASE XI. 
 
 Lent by J. K. D. WINGFIELD Digby, Esq. 
 
 1 VENETIA, LADY DIGBY. 1600-1633. Wife of Sir Kenelm Digby. Repre¬ 
 
 sented as she was found dead in her bed. 
 
 Peter Oliver. After Vandyck. Inscribed “ The Ladye Digby. A.D. 1633. 
 ASt. 32, m. 4, d. 12.” 
 
 2 LADY CATHERINE HOWARD. Wife of Sir John, son of Sir Kenelm 
 
 Digby. 
 
 S'. Cooper. 
 
 3 ANNE DE ROHAN, PRINCESSE DE GUEMENE. 1584-1646. 
 
 4 GEORGE WILLIAM, 2ND EARL OF BRISTOL (?) 1721-1775. 
 
 Enamel. C. F. Zincke. 
 
 ! SIR KENELM DIGBY. 1603-1665. Philosopher. 
 
 Peter Oliver. Inscribed “ Vindica te tibi." 
 
 VENETIA, LADY DIGBY. 1600-1633. 
 
 Inscribed “ Ve. Digby , A.D. 1633. ZEtat. 32.” 
 
 6 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. C. F. Zincke. 
 
 7 PORTRAIT OF A LADY OF THE DIGBY FAMILY. 
 
 C. F. Zincke. 
 
 8 PORTRAIT OF A GENTLEMAN. 
 
 9 LADY ARABELLA STUART. 1575-1615. Cousin of James I., imprisoned 
 in Tower, where she died insane. 
 
 Isaac Oliver. 
 
 FRAME 1. 
 
 Lent by The Baroness Burdett-Coutts. 
 
 SIR KENELM and VENETIA, LADY DIGBY, and their TWO 
 SONS. 
 
 Inscribed “ Eq. Van Dyck. Imitatus est P. 0 ., 1635.” Peter Oliver. 
 
 On right hand side— 
 
 LADY ARABELLA STUART. 1575-1615. Died in the Tower. 
 
 Isaac Oliver. Signed. 
 
38 
 
 On left hand side— 
 
 VENETIA, LADY DIGBY. 
 
 Peter Oliver. 
 
 FRAME 2. 
 
 Lent by The Duke of Devonshire. 
 
 RACHEL DE RUVIGNY, COUNTESS OF SOUTHAMPTON. Ob. 1640. 
 1st wife of Thomas, 4th Earl of Southampton. 
 
 Petitot, 1643. Signed. 
 
 FRAME 3. 
 
 Lent by Sir William Drake. 
 
 JAMES DOUGLAS, EARL OF MORTON. 1531-1581. Chancellor of 
 
 Scotland. 
 
 George Jamesone. 
 
 CASE XII. 
 
 Lent by Her Majesty The Queen. 
 
 1 HENRY BRANDON, 2ND DUKE OF SUFFOLK. 153 0 - 1 55 Bearer of 
 
 the Orb at the Coronation of Edward VI. 
 
 Hans Holbein. Inscribed “HI tat is suae 5, 6 SepdeinAnno. 1535. 
 
 2 ISAAC OLIVER. 1556-1617. 
 
 By Himself. Signed. 
 
 3 ROBERT DEVEREUX, 2ND EARL OF ESSEX. 1567-1601. Favourite 
 
 of Queen Elizabeth. Beheaded 1601. 
 
 Isaac Oliver. 
 
 4 GEORGE, ist DUKE OF ALBEMARLE. 1608-1670. 
 
 S'. Cooper. 
 
 5 JAMES, DUKE OF MONMOUTH. 1649-1685. Son of Charles II, 
 
 Executed after the Battle of Sedgemoor, 1685. 
 
 S. Cooper. 
 
Case XII. 
 
 39 
 
 6 ARCHIBALD GEORGE, 9TH EARL OF ARGYLL. Executed, 1685. 
 
 Thomas Flatman. Signed. 
 
 7 FRANCIS, 2ND EARL OF GODOLPHIN. 1678-1766. Married Henrietta, 
 
 daughter of John, 1st Duke of Marlborough, who afterwards succeeded to 
 the title. 
 
 Bernard Lens. 1719. Signed. 
 
 8 GEORGIANA, DUCHESS OF DEVONSHIRE. 1757-1806. 1st Wife 
 
 of William, 5th Duke. 
 
 R. Cosway. 
 
 9 GEORGE FREDERICK COOKE. 1756-1812. Actor. 
 
 Ozias Humphry. Signed. 
 
 CASE XIII. 
 
 Lent by J. K. D. WINGFIELD DlGBY, Esq. 
 
 1 A SON OF SIR KENELM DIGBY. Compare No. 51, Case III. 
 
 Isaac Oliver. 
 
 2 PORTRAIT OF CHILD. 
 
 Pencil , on ivory. 
 
 3 PORTRAIT OF CHILD. 
 
 Pencil , on ivory . 
 
 4 LADY ARABELLA STUART. i 575 *i 6i S- Cousin of James I. Died in 
 
 the Tower. 
 
 Isaac Oliver. Signed. 
 
 5 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. 
 
 6 ANNE DE ROHAN, PRINCESSE DE GUEMENE. 1584-1646. 
 
 7 PORTRAIT OF A LADY, with yellow scarf. 
 
 Enamel. Gervas Spencer. 1758. Signed. 
 
Case XIII. 
 
 40 
 
 8 LADY LUCY STANLEY («/<? PERCY). Mother of Venetia, Lady Digby. 
 
 Isaac Oliver. 
 
 9 PORTRAIT OF A GENTLEMAN. 
 
 Gervas Spencer, 1740. Signed. 
 
 10 MARY, COUNTESS DIGBY. Ob. 1794. Wife of Henry, 1st Earl. 
 
 H. S. Signed. 
 
 11 HENRY, 1ST EARL DIGBY. 1731-1793. 
 
 Nathaniel Hone. 1767. Signed. 
 
 12 PORTRAIT OF A GENTLEMAN. Called Lord Digby. 
 
 Penelope Cleyn. Signed. 
 
 FRAME 4. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 PORTRAIT OF A LADY. Possibly la Comtesse de Feuquieres, to whom it 
 was presented by the artist in 1673. 
 
 Petitot. 
 
 FRAME 5. 
 
 Lent by Sir William Drake. 
 
 MARY TUDOR, QUEEN OF ENGLAND. 1516-1558. 
 
 Sir Antonio More. 
 
 FRAME 6. 
 
 Lent by The Baroness Burdett-Coutts. 
 
 SIR KENELM DIGBY, 1603-1665, and VENETIA, his Wife. (2.) 
 Peter Oliver. Signed. 
 
4i 
 
 CASS XIV. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 All Oil Miniatures. 
 
 1 PORTRAIT OF A LADY. Early French miniature. 
 
 2 SIR FRANCIS DRAKE. 1540-1596. The celebrated navigator and 
 
 admiral. 
 
 3 ANNCKE HERMANS-ZOON. Ob. 1615. Wife of Frank HALS, the painter. 
 
 De Keyser . 
 
 4 ROBERT BARNEVELT. Common Councilman of the Ward of Billingsgate. 
 
 Buried at Epping. 
 
 5 PORTRAIT OF AN ITALIAN NOBLEMAN. 
 
 6 MAURICE OF NASSAU. 1566-1625. Stadtholder of Holland and 
 
 Zeeland. 
 
 M iereveldt. 
 
 7 PORTRAIT OF A NOBLEMAN IN COURT DRESS. 
 
 8 PORTRAIT OF A DUTCH LADY. 
 
 9 F. DE MONTHOLON. 1490-1543. French lawyer. 
 
 10 PORTRAIT OF A GENTLEMAN HOLDING A BOOK. 
 
 Spanish. 
 
 11 Called ELIZABETH. Wife of Frederick V., King of Bohemia. 1596-1662. 
 
 Daughter of James I. Dated 1618. Aitat. 22. 
 
 12 PORTRAIT OF A LADY. 
 
 13 PORTRAIT OF A PRINCE. 
 
 Spa?iish. 
 
 14 RICHARD BAXTER. 1615-1691. Nonconformist divine and writer. 
 
 15 JOHN DE WITT. 1625-1672. Dutch Statesman. 
 
 16 PORTRAIT OF AN ITALIAN GENTLEMAN. 
 
Case XIV. 
 
 42 
 
 17 PORTRAIT OF A POPE. 
 
 18 PORTRAIT OF AN ITALIAN GENTLEMAN. 
 
 19 PIERMAN VAN SWANEVELT. Dutch painter. 1620-1690. On the 
 
 reverse is painted a landscape with lady and cavalier walking by a river. 
 Swanevelt. 
 
 20 JAMES STUART, DUKE OF RICHMOND AND LENOX. 1612-1655. 
 
 Master of the Household and Lord Warden of the Cinque Ports. 
 
 21 PORTRAIT OF A GENTLEMAN IN ARMOUR. 
 
 22 JAMES, MARQUESS OF MONTROSE. 1612-1650. Distinguished loyalist. 
 
 Executed, 1650. 
 
 23 PORTRAIT OF AN ITALIAN. 
 
 24 MILES CORBET. Parliamentary colonel and one of the judges of Charles I. 
 
 Executed at Tyburn, 1662. 
 
 25 ADMIRAL ROBERT BLAKE. 1 599 ~ i6 57* Celebrated Republican officer. 
 
 26 JOHN MILTON. 1608-1674. In enamel frame. On the reverse an enamel 
 
 of two figures. 
 
 27 PORTRAIT OF A GENTLEMAN. 
 
 28 PORTRAIT OF A GENTLEMAN. 
 
 29 PORTRAIT OF A GENTLEMAN. 
 
 30 JOHN, DUKE OF LAUDERDALE. 1616-1682. 
 
 31 PORTRAIT OF A GENTLEMAN. 
 
 32 PORTRAIT OF AN ITALIAN. 
 
 33 THOMAS, LORD CLIFFORD OF CHUDLEIGH. 1630-1673. Statesman. 
 
 One of the Cabal. 
 
 34 JOHN MILTON. 1608-1674. 
 
 35 PORTRAIT OF A GENTLEMAN. 
 
 36 PORTUGUESE LADY, 17TH CENTURY. Probably one of the ladies who 
 
 came to England with Catherine of Braganza. 
 
 37 PORTRAIT OF A GENTLEMAN. 
 
Case XIV. 
 
 43 
 
 38 GENERAL THOMAS FORSTER. Of Bambrough Castle. Jacobite 
 
 commander. Fought at Preston, 1715. Committed to Newgate, escaped, 
 and died in Italy. 
 
 39 SIR THOMAS ESMONDE, afterwards Viscount Bourke. Ob. 1660. 
 
 40 GENERAL DAVIDSON. Employed by Cromwell in Scotland. 
 
 41 CATHERINE OF BRAGANZA. 1638-1705. Wife of Charles II. 
 
 42 QUEEN MARY. 1662-1694. Wife of William III. 
 
 43 PORTRAIT OF A GENTLEMAN. 
 
 44 LOUIS AUGUSTE DE BOURBON. Due de Maine. 1670-1736. French 
 
 military commander. 
 
 45 WILLIAM, 2ND EARL OF CRAVEN. 1668-1711. 
 
 46 PORTRAIT OF A GENTLEMAN IN ARMOUR. 
 
 47 QUEEN MARY. 1662-1694. Wife of William III. 
 
 48 JOSEPH ADDISON. 1672-1719. English poet and essayist. 
 
 49 ADRIAN VAN DER WERFF. 1659-1722. Painter. 
 
 Van der Werff. Signed. 
 
 50 PRINCE RUPERT OF BAVARIA. 1619-1682. Nephew to Charles I. 
 
 51 NATHANIEL, LORD CREWE. 1633-1721. Bishop of Durham. 
 
 S. Cooper. 
 
 52 PORTRAIT OF A GENTLEMAN. 
 
 53 PORTRAIT OF A GENTLEMAN. 
 
 54 ROBERT HARLEY, ist EARL OF OXFORD. 1661-1724. Celebrated 
 
 statesman. 
 
 55 JOHN, 2ND DUKE OF ARGYLL. 1678-1743. Great military commander 
 
 and ambassador. 
 
 56 ARCHIBALD, ist DUKE OF ARGYLL. Ob. 1703. 
 
 PORTRAIT OF A FRENCH PRINCE. 
 
 “ S. du Bois, 1684.” Signed. 
 
 57 
 
44 
 
 CASE XV. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 Called WILLIAM II., PRINCE OF ORANGE. Married Mary, daughter 
 
 of Charles I. 
 
 5 . Cooper. Signed. 
 
 2 WILLIAM DOBSON. Portrait painter. 1610-1647. 
 
 3 LUCIUS CARY, 2ND VISCOUNT FALKLAND. 1610-1643. A 
 
 zealous Royalist, present with the King at Edgehill and the Siege of 
 Gloucester. He fell at Newbury, 1643, fighting in the front rank of 
 Lord Byron’s regiment. “ Thus Falkland died the generous and the just.” 
 John Hoskins. 
 
 4 PORTRAIT OF A GENTLEMAN. 
 
 D. de Grange. Signed. 
 
 5 GEORGE, 2ND EARL OF BRISTOL. 1612-1678. 
 
 S'. Cooper. 
 
 6 WILLIAM, ist EARL OF CRAVEN. 1606-1697. 
 
 S. Cooper. 
 
 7 GEORGE VILLIERS, DUKE OF BUCKINGHAM. 1592-1628. Favourite 
 
 of James I. and Charles I. 
 
 On the reverse — 
 
 THE DUCHESS. (Lady Catherine Manners.) 
 
 8 LUCY PERCY, COUNTESS OF CARLISLE. Wife of ist Earl. 
 
 Married 1617. 
 
 9 OLIVER CROMWELL. 1599-1658. Indian Ink. From the Gage collection. 
 
 Signed C. B., fecit, 1738. 
 
 10 JOHN HAMPDEN. 1594-1643. The Republican leader, killed in an action 
 
 with the Royalists under Prince Rupert, at Thame, in Oxfordshire. 
 
 11 JOHN THURLOE. 1616-1668. Secretary of State under the Protector, and 
 
 under his son Richard Cromwell. 
 
 12 RICHARD MAJOR. Of Hursley, in Hampshire. This miniature of his 
 
 father-in-law was bequeathed by Richard Cromwell to Mrs. Pengelley, the 
 wife of his lawyer. 
 
Case XV. 
 
 45 
 
 13 JOHN LOWTHER. ist Viscount Lonsdale. 1655-1709. 
 
 14 MISS BROOK. Afterwards Lady Whitmore. Ob. 1690. 
 
 Nathaniel Dixon. 1667. Signed. 
 
 15 WILLIAM, LORD RUSSELL. 1639-1683. Beheaded 1683. 
 
 16 WILLIAM, 1ST EARL CADOGAN. A general officer under the Duke of 
 
 Marlborough. Ob. 1726. 
 
 17 LUCIUS CARY, 2ND VISCOUNT FALKLAND. 1610-1643. 
 
 David de Grange. Signed. 
 
 18 CHARLES II., KING OF ENGLAND. 1630-1685. In long wig and armour. 
 
 Samuel Cooper. 
 
 19 CHARLES II. 1630-1685. 
 
 20 JAMES II., KING OF ENGLAND. 1633-1701. 
 
 21 Called JOHN GAUDEN, BISHOP OF WORCESTER, published the 
 
 “ Eikon Basilike.” 1605-1662. 
 
 John Hoskins. 1655. Signed. 
 
 22 MARY II., QUEEN OF ENGLAND. 1662-1694. Consort of William III. 
 
 23 JAMES II., KING OF ENGLAND. 1633-1701. 
 
 Enamel. De Keyser. 
 
 24 PRINCESS MARY. 1631-1660. Eldest daughter of Charles I. Married 
 
 William II., Prince of Orange, 1648. 
 
 25 MARY OF MODENA, 2nd wife of James II.. Ob. 1718. 
 
 Enamel. De Keyser. 
 
 26 QUEEN ANNE. 1664-1714. 
 
 27 Called WILLIAM III. OF ENGLAND, 1650-1702. 
 
 28 Called MARY II., QUEEN OF ENGLAND. 1662-1694. Consort of 
 
 William III. 
 
 29 PRINCESS CLEMENTINA SOBIESKI. Wife of Prince James Stuart, 
 
 the Old Chevalier. 
 
 30 JAMES EDWARD STUART, PRINCE OF WALES. 1688-1766. The 
 
 Old Chevalier, son of James II. and Mary Beatrix d’Este of Modena. 
 
Case XV. 4-6 
 
 31 JAMES EDWARD STUART, PRINCE OF WALES. 1688-1766. The 
 
 Old Chevalier. 
 
 In oil, on copper. 
 
 32 PRINCE CHARLES EDWARD. 1720-1788. The Young Chevalier. 
 
 Eldest son of James Stuart, the Chevalier of St. George and Mary Clementina 
 Sobieski. 
 
 Enamel. 
 
 33 PRINCE CHARLES EDWARD. 1720-1788. The Young Chevalier. 
 
 34 PRINCE CHARLES EDWARD. The Young Chevalier. 
 
 Enamel. 
 
 35 PRINCE HENRY BENEDICT. 1725-1807. Younger son of the Old 
 
 Chevalier and Mary Clementina Sobieski, named a Cardinal in 1747. 
 The last of the Stuarts. 
 
 36 JAMES, TWELFTH EARL AND FIRST DUKE OF ORMONDE. 
 
 1610-1688. A staunch adherent of the Stuarts during the civil war. Lord- 
 Lieutenant of Ireland. 
 
 Enamel. 
 
 37 MRS. SCROOP. 
 
 38 ANNE MASON, VISCOUNTESS BRANDON. 1686. Wife of Charles, 
 
 afterwards 2nd Earl of Macclesfield. 
 
 39 HAMLET WINSTANLEY. 1700-1761. Portrait Painter and Engraver. 
 
 Oil , by Himself. 
 
 40 Called SIMON FRASER, LORD LOVAT. 1668-1747. When the 
 
 second rebellion broke out in 1745, he joined the side of Charles Stuart, 
 the Young Chevalier, and was beheaded 1747. 
 
 Enamel. 
 
 41 ANNE, MARCHIONESS OF WPIARTON. Ob. 1685. Wife of Thomas, 
 
 1st Marquis of Wharton. Daughter of Sir H. Lee, of Ditchley. 
 
 42 JOHN TRENCHARD. 1662-1723. Son of Sir John Trenchard, who was 
 
 Secretary of the State, in the reign of William III. 
 
 Lawrence Crosse. Signed. 
 
 43 ANNE, COUNTESS OF WINCHILSEA. Wife of 4th Earl. 1660-1720. 
 
 Poetess. 
 
 Lawrence Crosse. Signed. 
 
Case XV. 
 
 47 
 
 44 FRANCIS ATTERBURY, BISHOP OF ROCHESTER. 1662-1733. 
 
 Suspended for treason and committed to the Tower 1722. Supporter of the 
 Jacobites. 
 
 45 Called WILLIAM PULTENEY, 1ST EARL OF BATH. 1682-1764. 
 
 Celebrated Minister. 
 
 46 REV. SAMUEL WESLEY. 1662-1735. Poet. 
 
 CASE XVI. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 ADMIRAL SIR GEORGE ROOKE. 1650-1709. 
 
 Enamel. 
 
 2 Called BARBARA VILLIERS, DUCHESS OF CLEVELAND. 
 
 1640-1709. 
 
 Enamel. C. F. Zincke. 
 
 3 JOSEPH ADDISON. 1672-1719. Statesman and man of letters. 
 
 Enamel C. F. Zincke. 
 
 4 ELIZABETH CHURCHILL, COUNTESS OF BRIDGEWATER. 
 
 -1714. 
 
 Enamel. C. F. Zincke. 
 
 5 JOHN, ist DUKE OF MARLBOROUGH. 1650-1722. English general 
 
 and statesman. 
 
 Enamel. C. F. Zincke. 
 
 6 CHARLES, 3RD EARL OF PETERBOROUGH. 1658-1735. Distinguished 
 
 statesman and general. 
 
 Enamel. 
 
 7 SIR RICHARD HOARE. Lord Mayor of London in the memorable year of 
 
 the Scottish rebellion, 1745. 
 
 Enamel. C. F. Zincke. 
 
Case XVI. 
 
 48 
 
 8 Called SIR ROBERT WALPOLE, EARL OF ORFORD. 1676-1745. 
 
 Prime Minister to George I. and George II. 
 
 Enamel. C. F. Zincke. 
 
 9 JAMES BUTLER, DUKE OF ORMONDE. 1665-1745. English general. 
 
 Enamel. C. F. Zincke. 
 
 10 CATHERINE COCKBURN. 1679-1749. Distinguished literary lady. 
 
 Enamel. C. F. Zincke. 
 
 11 Called SIR ROBERT WALPOLE, EARL OF ORFORD. 1676-1745. 
 
 Enamel. 
 
 12 CHARLOTTE-MARIA, COUNTESS OF NEWBURGH. Ob. 1755. 
 
 Married, 1724, Charles Radcliffe, 3rd but eldest surviving son of Francis, 
 Earl of Derwentwater. 
 
 Enamel. Signed “C. Boit.” 
 
 13 PORTRAIT OF A LADY. 
 
 Enamel. 
 
 14 HENRY ST. JOHN, VISCOUNT BOLINGBROKE. 1678-1751. Eminent 
 
 writer and statesman. 
 
 Enamel. C. F. Zincke. 
 
 15 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. Signed “G. Spencer , 175 3 -” 
 
 16 ADMIRAL EDWARD VERNON. 1684-1757. 
 
 Enamel. C. F. Zincke. 
 
 17 CHARLES SPENCER, 2ND DUKE OF MARLBOROUGH. 1706-1758. 
 
 Enamel. 
 
 18 ELIZABETH, DUCHESS OF MARLBOROUGH. Ob. 1761. Daughter 
 
 of Thomas, Lord Trevor, and wife of No. 17. 
 
 Enamel. 
 
 19 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. 
 
 20 MARIA GUNNING, COUNTESS OF COVENTRY. Ob. 1760. Wife of 
 
 6 th Earl. 
 
 Enamel. G. Spencer , 1757. Signed. 
 
 21 REV. SAMUEL MADDEN, D.D. 1687-1765. Irish clergyman and writer. 
 
 Enamel. 
 
Case XVI. 
 
 49 
 
 22 FARINELLI. Celebrated singer. 
 
 Enamel. C. F. Zincke. 
 
 23 RICHARD, 1ST EARL TEMPLE. 1711-1779. Celebrated statesman. 
 
 Enamel. C. F. Zincke. 
 
 24 WILLIAM PITT, 1ST EARL OF CHATHAM. 1708-1778. Celebrated 
 
 statesman. 
 
 Enamel. 
 
 25 WILLIAM FOLKES. Father of Martin Folkes. 
 
 Enamel. C. F. Zincke. 
 
 26 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. G. Spencer , 1799. Signed. 
 
 27 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. Signed “ Soret, 1783.” 
 
 23 CHARLES WATSON WENTWORTH, 2ND MARQUESS OF ROCKING¬ 
 HAM. 1730-1782. Prime Minister. 
 
 Enamel. W. B., 1786. Signed. 
 
 29 ELIZABETH CHUDLEIGH, DUCHESS OF KINGSTON. 1720-1788. 
 
 Enamel. 
 
 30 ELIZABETH GUNNING, DUCHESS OF HAMILTON AND ARGYLL. 
 
 Ob. 1790. 
 
 Enamel. 
 
 31 JAMES BOSWELL. 1740-1795. Scottish litterateur and biographer of 
 
 Dr. Johnson. 
 
 Enamel. N. Hone, R.A., 1763. Signed. 
 
 32 HORACE WALPOLE, 4TH EARL OF ORFORD. 1717-1797. 
 
 Enamel. N. Hone , R.A., 1760. Signed. 
 
 33 CLARE, Daughter of Sir Thomas GERARD. Ob. 1798. 
 
 Enamel. 
 
 34 GEORGE BRYDGES, LORD RODNEY. 1718-1792. Celebrated Admiral. 
 
 Enamel. C. F. Zincke. 
 
 35 CHARLES COMPTON, 9TH EARL and ist MARQUESS OF 
 
 NORTHAMPTON. 1760-1828. 
 
 Enamel. C. F. Zincke. 
 
Case XVI. 
 
 50 
 
 36 SIR JAMES LOWTHER, ist EARL OF LONSDALE. 1736-1802. 
 
 Enamel. P'errache , 1789- Signed. 
 
 37 THOMAS DAWSON, 1ST LORD DARTREY AND 1ST VISCOUNT 
 
 CREMORNE. Ob. 1813. 
 
 Enamel. J. H. Hurter, 1784. Signed. 
 
 CASE XVII. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 ANNE HILL, COUNTESS OF MORNINGTON. Ob. 1831. Mother of 
 
 Arthur, Ist Duke of Wellington, eldest daughter of Viscount Dungannon. 
 
 H. Edridge , A.R.A. 
 
 2 PORTRAIT OF A LADY. 
 
 H. Edridge ) A.R.A. 
 
 3 VICE ADMIRAL SIR JOHN POO BERESFORD, BART, M.P. 
 
 1769-1844. Escorted Louis XVIII. to Calais on his restoration. 
 
 H. Edridge , A.R.A. 
 
 4 ALEXANDER, 4TH DUKE OF GORDON, MARQUESS OF HUNTLY. 
 
 1743-1827. 
 
 W. Grimaldi. 1805. Signed. 
 
 5 PORTRAIT OF A LADY. 
 
 W. Grimaldi. 1791. Signed. 
 
 6 MISS TOBIN. 
 
 James Scouler. 1771. Signed. 
 
 7 LADY ELIZABETH FORTESCUE. 
 
 Barnard. 
 
 8 SIR CHARLES COCKERELL, M.P. 1755-1837. Postmaster-general in 
 
 India. 
 
 Andrew Plimer. 
 
Case XVII. 
 
 5i 
 
 9 Called MRS. MEE. Ob. 1851. Musician, poetess and miniature painter. 
 
 Andrew Plimer. 
 
 10 GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 1757-1806. 
 
 1st Wife of William, 5th Duke. 
 
 A ndrew Plimer. 1785. 5 igned. 
 
 11 PORTRAIT OF A LADY. 
 
 A ndrew Plimer. 
 
 12 MRS. WHITBREAD, afterwards Lady Elizabeth Whitbread. Daughter of the 
 
 first Lord Grey. 
 
 Andrew Plimer. 
 
 13 LADY IN BLUE HAT AND FEATHER. Called Georgiana, Duchess 
 
 of Devonshire. 
 
 Andrew Plimer. 
 
 14 JOHN ALLAN POWELL. Solicitor. 
 
 Andrew Plimer. 
 
 15 IGNACE PLEYEL. 1757-1831. German musical composer. 
 
 Richard Cos wag, R.A. 
 
 16 PORTRAIT OF A LADY. 
 
 Richard Cosway , R.A. 1795. 
 
 17 PORTRAIT OF A YOUNG LADY. 
 
 Richard Cosway, R.A. 
 
 18 MISS MALTBY. Mrs. Elliott, wife of Colonel Elliott, sister to Dr. Maltby, 
 
 Bishop of Durham. Miss Maltby calling one day at a friend’s house, where 
 Cosway was visiting, he proposed taking her likeness just as she was then 
 attired ; Cosway called this lady one of the three Graces. 
 
 Richard Cosway, R.A. 
 
 19 DR. W. PETHER. 
 
 Richard Cosway, R.A. 
 
 20 THE HONORABLE MISS BENTINCK. 
 
 Richard Cosway, R.A, 
 
 21 H.R.H. PRINCESS AMELIA. 1783-1810. 
 
 Richard Cosway, R.A. 
 
 22 Called JAMES TOWNLEY. 
 Richard Cosway, R.A. 
 
Case XVII. 
 
 5 2 
 
 23 MRS. GWYN. Wife of Colonel Gwyn. (Mary Horneck.) 
 
 George Engleheart. 
 
 24 MISS ELIZABETH YOUNG. Ob. 1797. (Mrs. Pope.) Actress. 
 
 George Engleheart. 
 
 25 MRS. GWYN. Wife of Colonel Gwyn. (Mary Horneck, the “ Jessamy Bride.”) 
 
 Ob. 1840. 
 
 George Engleheart. 
 
 26 PORTRAIT OF A LADY. 
 
 William John Thompson , R.S.A. 
 
 27 MRS. GARRICK. Actress. Wife of Garrick’s nephew. 
 
 Richard Cosway, R.A., 1795. Signed. 
 
 28 WILLIAM MEYER, IN HIS TENTH YEAR. On the back is engraved 
 
 “ Memorabilis Icon ! Hunc patrise pinxere manus. Meyer, R.A.” 
 
 Jeremiah Meyer , R.A. 
 
 29 MRS. MARY ROBINSON ( nee DARBY.) Actress and poetess. “ Perdita.” 
 
 1758-1800. 
 
 Ozias Humphry , R.A. 
 
 30 HARRIET MELLON. Duchess of St. Albans. Ob. 1837. Wife of 9th Duke. 
 
 31 QUEEN ADELAIDE. Consort of William IV. Ob. 1849. 
 
 H. Edridge, A.R.A. 
 
 32 PORTRAIT OF A LADY. 
 
 H. Edridge , A.R.A. 
 
 33 MRS. SIDDONS. 1755-1831. 
 
 Richard Cosway, R.A. 
 
 34 PORTRAIT OF A YOUNG LADY. 
 
 George Engleheart , 1816. 
 
 35 MISS SIDDONS. Daughter of the celebrated actress. 
 
 Richard Cosway, R.A., 1800. Signed. 
 
 36 SIR WILLIAM MUSGRAVE, BART. 
 
 Richard Cosway, R.A., 1792. 
 
 37 MRS. COWPER. 
 
 Maria Cosway. 
 
Case XVII. 
 
 53 
 
 38 PORTRAIT OF A GENTLEMAN. 
 
 39 JOHN RUSSELL, 6th DUKE OF BEDFORD. 1766-1839. Patron of letters. 
 
 Samuel Collins, 1786. Signed ,. 
 
 40 JOHN HORNE TOOKE, M.P., 1736-1812. Divine,philologist and political 
 
 writer. 
 
 Samuel Collins , 1786. Signed. 
 
 41 WILLIAM HAYLEY. 1745-1820. Poet and biographer. 
 
 Enamel. Jeremiah Meyer , R.A., 1744. Signed. 
 
 42 THE HONORABLE ADA AUGUSTA BYRON, COUNTESS OF 
 
 LOVELACE. 1815-1852. 
 
 Richard Cosway, R.A. 
 
 43 MISS BOLTON. Musician. 
 
 “ M., 1817.” Signed. 
 
 44 PORTRAIT OF A LADY. 
 
 Charles Hay ter, 1800. Signed. 
 
 45 FRANCES ANNE, MARCHIONESS OF LONDONDERRY. Ob. 1865. 
 
 2nd Wife of 3rd Marquess. 
 
 Signed “ R. C .” 
 
 46 WILLIAM SHIELD. Dramatic and musical composer. 1754-1829. 
 
 47 MISS A. C. A. SCHNEIDER. Niece of Sir W. Congreve, Bart. 
 
 William Wood. 
 
 48 THOMAS DAY. 1748-1789. Author of “ Sandford and Merton.” 
 
 49 SIR JOHN HOPE, BART. 1781-1853. 
 
 George Engleheart. 
 
 50 GEORGE, 2ND MARQUIS TOWNSHEND. 1755-1811. 
 
 S. Cotes. 
 
 51 COMMANDER OLIVER HAZARD PERRY. 1785-1820. American 
 
 naval officer and author. 
 
 William Wood. 
 
 52 RT. HON. SPENCER PERCEVAL. 1762-1812. Prime Minister. 
 
 William Wood. 
 
 53 ADMIRAL ROBINSON. 
 
 William Wood. 
 
Case XVII. 
 
 54 
 
 54 MRS. ROBINSON. 
 
 William Wood . 
 
 55 TURNER ROOPE. 
 
 Enamel. H. Spicer, 1797. Signed. 
 
 56 MRS. HESTER JANE SHERIDAN. Miss Ogle, daughter of the Dean of 
 
 Winchester, 2nd wife of Richard Brinsley Sheridan. 
 
 William Wood. 
 
 57 PORTRAIT OF A LADY. 
 
 William Wood. 
 
 CASE XVIII. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 PORTRAIT OF A GENTLEMAN. 
 
 2 PORTRAIT OF A GENTLEMAN. 
 
 3 PORTRAIT OF A LADY. 
 
 Luke Sullivan , 1765. Signed. 
 
 4 PORTRAIT OF A LADY. 
 
 5 PORTRAIT OF A LADY. 
 
 * 
 
 Nathaniel Hone, R.A., 1759. Signed. 
 
 6 PORTRAIT OF A LADY. 
 
 7 PORTRAIT OF A GENTLEMAN. 
 
 Luke Sullivan , 1764. Signed. 
 
 8 PORTRAIT OF A GENTLEMAN. 
 
 John Bogle , 1777. Signed. 
 
 9 EDWARD GIBBON. 1737-1794. Historical and miscellaneous writer. 
 
 10 LADY LOUISA LENNOX. Wife of Lord George Lennox. Ob. 1830. 
 Luke Sullivan. Signed. 
 
Case XVIII. 
 
 55 
 
 11 GENERAL SIR BANNASTRE TARLETON, Bart., G.C.B. Cavalry 
 
 officer in American War of Independence. 1754-1833. 
 
 12 PORTRAIT OF A LADY. 
 
 J. Bogle , 1796. Signed. 
 
 13 THOMAS TYRWHITT. 1730-1786. Critic and archaeologist. 
 
 14 PORTRAIT OF A LADY. 
 
 Gervas Spencer. 1749. Signed. 
 
 15 Called THE REV. WILLIAM DODD, LL.D. 1729-1777. Popular preacher 
 
 and writer, and aided by his assiduous courtship of persons of rank, procured 
 the patronage of high order. In 1763, he was entrusted with the education 
 of Philip Stanhope, afterwards the famous Earl of Chesterfield. In 
 February, 1777, he was arrested on a charge of having forged the signature 
 of his late pupil, Lord Chesterfield, to a bond for ,£4,000. He repaid the 
 money, but was brought to trial, and executed 27th July, 1777. 
 
 16 PORTRAIT OF A GENTLEMAN. 
 
 Gervas Spencer. 
 
 17 MRS. CATHERINE CLIVE. 1711-1785. Actress. 
 
 P.C. Signed. 
 
 18 PORTRAIT OF A GENTLEMAN. 
 
 19 PORTRAIT OF A LADY. 
 
 20 PORTRAIT OF A GENTLEMAN. 
 
 Nathaniel Ptimer, 1786. Signed. 
 
 21 EVA MARIA VIOLETTE, MRS. GARRICK. 1724-1823. Wife of David 
 
 Garrick. Austrian dancer, first appearance at Drury Lane Theatre, 3rd 
 December, 1746. 
 
 Luke Sullivan. 1761. Signed. 
 
 22 JOHANN WOLFGANG GOETHE. 1749-1832. 
 
 23 PORTRAIT OF A GENTLEMAN. 
 
 24 PORTRAIT OF A GENTLEMAN. 
 
 25 THE HONORABLE CATHERINE GORDON BYRON. Mother of Lord 
 
 Byron, the poet. 
 
 Henry Bone , R.A. 
 
 26 MRS. POPE. 
 
 Edward Dayes, 1761. Signed. 
 
Case XVIII. 
 
 56 
 
 27 ADMIRAL DONALD CAMPBELL. 
 
 Robert Bowyer. Signed. 
 
 28 COUNTESS OF SUFFOLK. 
 
 29 PORTRAIT OF A GENTLEMAN. 
 
 30 PORTRAIT OF A GENTLEMAN. 
 
 31 PORTRAIT OF A GENTLEMAN. 
 
 32 JOHN THOMAS STANLEY, M.P. 1st Lord Stanley of Alderley. 1766-1850. 
 
 33 PORTRAIT OF A LADY. 
 
 34 Called GENERAL SIR HENRY CLINTON. Ob. 1795. Commanded 
 
 the British Army in North America. 
 
 Richard Cosway. 
 
 35 PORTRAIT OF A GENTLEMAN. 
 
 36 PORTRAIT OF A GENTLEMAN 
 
 37 JOSIAH MARTIN, Last British Governor of Carolina. 
 
 38 MRS. ORGER. Actress. 
 
 G. P. Harding. Signed. 
 
 39 PORTRAIT OF A GENTLEMAN. 
 
 George Engleheart. 
 
 40 PORTRAIT OF A LADY. 
 
 C. Fox. Bristol ’ 1788. Signed. 
 
 41 PORTRAIT OF A GENTLEMAN. 
 
 42 THE HONORABLE MRS. WARD. Sister to the Countess of Clare. 
 
 Horace Hone , A.R.A. Signed. 
 
 43 GEORGE DE GREY, 3RD LORD WALSINGHAM. 1776-1831. 
 
 Richard Cosway , R.A. 
 
 44 ROBERT SMITH, M.P. Banker. 1st Lord Carrington. 1752-1838. 
 
 Samuel Shelley. 
 
 45 PORTRAIT OF A GENTLEMAN. 
 
 George Engleheart. 
 
 46 PORTRAIT OF A GENTLEMAN. 
 
Case XVIII. 
 
 57 
 
 47 PORTRAIT OF A GENTLEMAN. 
 
 48 ROBERT, ist LORD CLIVE. 1725-1774. Governor-General of India. 
 
 49 ISABELLA, COUNTESS OF CARLISLE. Ob. 1795. 
 
 50 ROBERT JEPHSON. 1736-1803. Irish dramatic author. 
 
 John Bogle . 1787. Signed. 
 
 51 MAJOR FRANCIS PIERSON. (?) Killed at St. Helier’s, 1781. 
 
 52 JAMES HEATH. Engraver. 1757-1834. 
 
 CASE XIX. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 1 CHARLES YOUNG. 1771-1856. Tragedian. 
 
 John S. Stump. 1819. Signed. 
 
 2 MRS. SIDDONS AND CHILD. 1755-1831. 
 
 George Chinnery , R.H.A. Signed. 
 
 3 DAVID GARRICK. 1716-1779. As Kitely in “Every man in his humour.” 
 
 From G. Daniels’ Collection. After Reynolds. 
 
 4 DR. THOMAS AUGUSTINE ARNE. 1710-1778. Musical composer. 
 
 5 C. KEMBLE. Eminent actor. 1775-1854. 
 
 6 BENJAMIN CHARLES^ INCLEDON. 1764-1826. Vocalist. 
 
 Horace Hone , A.R.A. 1773. Signed. 
 
 7 MRS. SARAH SIDDONS. 1755-1831. 
 
 Horace Hone, A.R.A. Signed. 
 
 8 DAVID GARRICK. 1716-1779. 
 
 G. Engleheart. 
 
 9 DAVID RICH, Manager to Garrick at Drury Lane. 
 
Case XIX. 
 
 53 
 
 10 JACK BANISTER (the younger). Actor. 1760-1836. 
 
 11 WILLIAM HENRY WEST BETTY. The young Roscius. Made his 
 
 debut 1804. 1791 -1874. 
 
 A. Huey. Signed. 
 
 12 HUGH, EARL PERCY. Afterwards 3rd Duke of Northumberland. 
 
 1785-1847. 
 
 William Wood. 
 
 13 P. JEAN. Miniature painter. 1755-1802. 
 
 By Himself. 
 
 14 MRS. SIDDONS. 1755-1831. 
 
 William Hamilton , R.A. 
 
 15 MRS. GRATTON. Authoress. 
 
 10 PORTRAIT OF A LADY. 
 
 Enamel. 
 
 17 ROBERT BLOOMFIELD. Pastoral poet. 1766-1823. 
 
 18 PORTRAIT OF A GENTLEMAN. 
 
 19 PORTRAIT OF A LADY. 
 
 Signed “ T. T. Barber A 
 
 20 LADY CHARLOTTE MURRAY. On the reverse is Beethoven’s mono¬ 
 
 gram, set with brilliants. 
 
 Stroely , of Vienna. Signed. 
 
 21 PORTRAIT OF A LADY. 
 
 22 LADY CHARLES SPENCER. Ob. 1812. 
 
 Enamel. 
 
 23 MISS LEAK. Actress. 
 
 24 Called FREDERICK, LORD NORTH. 1732-1792. 2nd Earl of Guilford. 
 
 Prime Minister during the American War. 
 
 25 LADY SELINA MEADE. Daughter of 2nd Earl of Clanwilliam. Married 
 
 to Count Martinitz, A.D.C., Austria, 1821. Ob. 1872. 
 
 28 MRS. MARY ANNE CLARKE. Mistress of the Duke of York. 1776-1852. 
 
 Richard Collins. 
 
 27 MISS DUNCAN. Afterwards Mrs. Davison. Actress. 
 
 Thomas Hargreaves , 1809 {of Liverpool). 
 
Case XIX. 
 
 59 
 
 28 SIR DAVID BAIRD, Bart. 1757-1829. He distinguished himself in India, 
 
 and pre-eminently at the taking of Seringapatam, 1799. 
 
 A ndrew Robertson. 
 
 29 GENERAL SIR CHARLES PHIPPS. 
 
 Andrew Robertson. 
 
 30 PORTRAIT OF A GENTLEMAN. 
 
 George Engleheart. 
 
 31 EMMA, LADY HAMILTON. Wife of Sir W. Hamilton, British Minister 
 
 at Naples. 1761-1815. 
 
 Atidrew Robertson. Signed. (Hamilton Palace Collection.) 
 
 32 CAPTAIN E. J. JOHNSTONE, R.N. 
 
 Andrew Robertson. 
 
 33 GEORGE, 9TH MARQUESS OF HUNTLY. 1761-1853. 
 
 Andrew Robert sort. 
 
 34 ARTHUR WELLESLEY, DUKE OF WELLINGTON. 1769-1852. 
 
 Enamel , by H. Bone, R.A., after Lawrence. Signed. 
 
 35 HENRY WILLIAM, 2 ND EARL OF UXBRIDGE, ist MARQUESS OF 
 
 ANGLESEY, K.G. 1768-1854. 
 
 Enamel. Henry Bone, R.A. Signed. 
 
 36 ARTHUR, DUKE OF WELLINGTON. 1769-1852. 
 
 Painted at Paris , by Isabey. Signed. 
 
 37 GENERAL SIR JOHN MOORE. 1761-1809. Died at Corunna. 
 
 F. Ferriere. Signed. 
 
 38 HORATIO VISCOUNT NELSON. Duke of Bronte. 1758-1805. 
 
 Enamel, after Abbot. Henry Bone , R.A. 1826. Signed. 
 
 39 ROBERT VISCOUNT CASTLEREAGH. 2nd Marquess of Londonderry. 
 
 1769-1822. 
 
 40 ADAM DUNCAN, VISCOUNT DUNCAN OF CAMPERDOWN. 
 
 1731-1804. Admiral. 
 
6o 
 
 CASE XX. 
 
 Lent by The Earl of Derby. 
 
 1 ELIZABETH, QUEEN OF BOHEMIA. Daughter of James I. of England. 
 
 1596-1662. 
 
 Isaac Oliver. 
 
 2 MRS. MARY BEALE. 1632-1697. Painter. 
 
 3 QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 4 MARIE THERESE. 1638-1683. Wife of Louis XIV. 
 
 Enamel. Petitot. 
 
 5 HENRIETTA MARIA. 1609-1669. Queen of Charles I. 
 
 John Hoskins. 
 
 6 SIR FRANCIS DRAKE. 1540-1596. 
 
 N. Hilliard. Inscribed “FEtatis suce 42. A no. dni. 1581.” 
 
 7 ROBERT DEVEREUX, EARL OF ESSEX. 1567-1601. Favourite of 
 
 Queen Elizabeth. 
 
 Isaac Oliver. 
 
 8 BEN JONSON. 1574-1637. 
 
 Oil, on copper. 
 
 9 SIR ROBERT WALPOLE, 1ST EARL OF ORFORD. 1676-1745. 
 
 Enamel. C. F. Zincke. 
 
6i 
 
 CASE XXI. 
 
 Lent by Major-General Sotheby. 
 
 1 THOMAS CROMWELL. Earl of Essex. 1490-1540. 
 
 Attributed to Holbein. 
 
 2 LEONARD BURR. 
 
 Inscribed “Leonardus Burr. Hi tat is suoe 20, 1549.” 
 
 3 THOMAS RATCLIFFE, 3RD EARL OF SUSSEX. Ob. 1583. 
 
 N. Hilliard. 
 
 4 GEORGE CLIFFORD, 3RD EARL OF CUMBERLAND. 1558-1605. 
 
 N. Hilliard. Inscribed “Fulmen aquas que ferol ’ 
 
 5 JAMES I. 1566-1625. 
 
 N. Hilliard. 
 
 6 QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 7 PETER OLIVER. 1601-1660. 
 
 By Himself. 
 
 8 LADY ARABELLA STUART. 1575-1615. Cousin of James I. Imprisoned 
 
 in Tower, where she died insane. 
 
 Isaac Oliver. 
 
 9 ANNE OF DENMARK. Ob. 1619. Wife of James I. 
 
 Isaac Oliver. Signed. 
 
 10 FRANCES HOWARD, COUNTESS OF ESSEX. 1594-1632. Afterwards 
 
 Countess of Somerset. Confessed to having poisoned Sir Thomas Overbury 
 in the Tower. 
 
 Isaac Oliver. Signed. 
 
 11 ST. JOHN. 
 
 After Leonardo da Vinci. Peter Oliver. 
 
 12 LADY AND CHILD AS VENUS WITH CUPID. 
 
 Peter Oliver. 
 
 13 MARY MAGDALEN. 
 Isaac Oliver. 
 
Case XXI. 
 
 6 2 
 
 14 SIR NICHOLAS CRISPE. Royalist. 1598-1666. 
 
 Oil ' on copper. Cornelius Jansen. 
 
 15 SIR CHARLES LUCAS. Executed 1648. 
 
 J. Hoskins. 1653. Signed. 
 
 16 SIR EDMONDBURY GODFREY. Murdered 1678. 
 
 J. Hoskins. 1663. Signed. 
 
 17 JOHN SELDEN. 1584-1654. 
 
 5 . Cooper. 
 
 18 JAMES II. 1633-1701 
 
 S'. Cooper. 1661. Signed. 
 
 19 CHARLES II. 1630-1685. 
 
 S. Cooper. 
 
 20 CATHERINE FITZGERALD, COUNTESS OF DESMOND. 
 
 Her age was uncertain; but the well known rhyme gives it thus :— 
 
 “ She lived to the age of a hundred and ten, 
 
 And died by a fall from a cherry tree then ! ” 
 
 Signed , but illegible. 
 
 21 CHARLOTTE DE LA TREMOUILLE, COUNTESS OF DERBY. Wife 
 
 of James, 7th Earl. Conducted the famous defence of Lathom House. 
 
 Thomas Flatman. 
 
 22 MRS. SOTHEBY. 
 
 Lawrence Crosse. 
 
 23 CHARLES BEAUCLERK, ist DUKE OF ST. ALBANS. 1670-1726. 
 
 Nathaniel Dixon. Signed. 
 
 24 LADY CRISPE. Wife of Sir Nicholas Crispe. (14). 
 
 Nathaniel Dixon. Signed. 
 
 25 ANNE HYDE, DUCHESS OF YORK. 1637-1671. First wife of James II. 
 
 S. Cooper. 
 
 FRAME 7. 
 
 Lent by Earl Spencer, K.G. 
 
 LOUISE DE QUEROUAILLE, DUCHESS OF PORTSMOUTH. 1647- 
 U 34 . 
 
63 
 
 FRAME 8. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 FRANCES BROOK, LADY WHITMORE. Ob. 1690. 
 Bernard Lens. 
 
 FRAME 9. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 HENRY BONE, R.A. 1755-1834. Enamel Painter. 
 
 Enamel. William Bone. 1842. Signed. 
 
 FRAME 10. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 PETER THE GREAT. 1672-1725. 
 
 Thomas Wright. 
 
 FRAME 11. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 LEOPOLD I. 1790-1865. King of the Belgians. 
 
 N. N. Carter , 1823. Signed. 
 
 FRAME 12. 
 
 Lent by E. C. Healey, Esq. 
 
 THOMAS, 3RD LORD FAIRFAX, 1611-1671, and HIS FAMILY (7). 
 Parliamentary General. 
 
 Oil, on copper. 
 
6 4 
 
 CASE XXII. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 The 22 Miniatures in this Case are all Painted by George Engleheart , but the 
 names are unknown. 
 
 FRAME 13. 
 
 Lent by J. P. Heseltine, Esq. 
 
 THE DOGE ANDREA VENDRAMINI AND HIS SECRETARY, 
 receiving the Papal Legate. 1476-1478. 
 
 Attributed to Giovanni Bellini. 
 
 FRAME 14. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 CATHERINE HENRIETTE D’ANGENNES, COMTESSE D’OLONNE. 
 1631-1714. 
 
 Petitot (?). 
 
 FRAME 15. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 MADAME DE MONTESPAN, MARQUISE DE ROCHECHOUART. 
 1641-1707. 
 
 Petitot (?). 
 
 FRAME 16. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 MARQUISE DE MAINTENON, nie D’AUBIGNE. 1635-1719. Afterwards 
 privately married to Louis XIV. 
 
 Petitot (?). 
 
1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 65 
 
 CASE XXIII. 
 
 Lent by Edwin H. Lawrence, Esq. 
 
 OLIVER CROMWELL. 1599-1658. This portrait was said to have been 
 painted when Cromwell was suffering from ague, and was long in the 
 possession of the Lane family, his descendants. A miniature in exactly the 
 same unfinished condition is in the possession of the Duke of Buccleuch. 
 
 5 . Cooper. 
 
 CHARLES II., when a boy. 1630-1685. 
 
 S'. Cooper. 
 
 CHARLES II. 1630-1685. 
 
 CHARLES II. 1630-1685. 
 
 S'. Cooper. 
 
 ROBERT, 2ND LORD BROOKE. Killed at Lichfield, 1643. 
 
 S'. Cooper. 
 
 SIR MATTHEW HALE. 1609-1676. Chief Justice of England. 
 
 THOMAS MAY. Historian of the English Parliament. 1594-1654 
 S'. Cooper. 
 
 FRANCIS BACON, VISCOUNT VERULAM AND ST. ALBANS. 
 1561-1626. 
 
 Isaac Oliver. 
 
 ALEXANDER POPE. 1688-1744. 
 
 EMMA, LADY HAMILTON. 1761-1815. 
 
 S'. Shelley. 
 
 PRINCESS AUGUSTA. 1768-1840. Daughter of George III. 
 
 R. Cosway. 
 
 MISS PITT. 
 
 PORTRAIT OF A YOUNG LADY. 
 
 R. Collins (?). 
 
66 
 
 14 ) Called DR. JOHNSON. 1709-1784. 
 
 15 j HIS WIFE. 
 
 Miss Reynolds. 
 
 16 | HORATIO, LORD NELSON. 1758-1805. 
 
 17 | LADY HAMILTON. 1761-1815. 
 
 13 MISS PATON. 
 
 Nathaniel Dance , R.A. 
 
 CASE XXIV. 
 
 Lent by MRS. SINGLETON. 
 
 (By George Engleheart.) 
 
 1 LORD MOUNTJOY. 
 
 2 JANE BLENNERHASSET, LADY HEADLEY. Ob. 1863. 2nd Wife of 
 
 George, 1st Lord. 
 
 3 PORTRAIT OF A LADY, in green hat. 
 
 4 PORTRAIT OF A LADY, in blue hat. 
 
 5 MRS. FISHER. 
 
 6 MISS JANE BEDINGFIELD. 
 
 7 MRS. ABDY. 
 
67 
 
 FRAME 17. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 _,HARLES II. 1630-1685. 
 
 Nathaniel Dixon. 
 
 FRAME 18. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 LOUIS XIV. 1638-1715. 
 
 P. P. Seuin. 
 
 FRAMES 19 & 21. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 VENETIAN DIPLOMA PORTRAITS. Circa 1600. 
 
 FRAME 20. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 JACOUE DE LUCCA. Seigneur de Verbecque. 1584. Hitat. 23. Treasurer 
 to Cardinal Due Albert of Austria and Archduchess Isabella. Ob. 1625. 
 
 CASE XXV. 
 
 Lent by Mrs. Singleton. 
 
 1 JOHN SINGLETON. 
 
 J. Scouler. Signed. 
 
 2 MRS. JANE BALDWIN. 
 
 Jeremiah Meyer. 
 
 3 SYDENHAM SINGLETON, M.P. 
 
 J. Scouler, 1791. Signed. 
 
Case XXV. 
 
 68 
 
 4 CAROLINE ELIZABETH VILLIERS, MARCHIONESS OF ANGLESEY; 
 
 and afterwards Duchess of Argyll. Ob. 1835. 
 
 A. Ptimer. 
 
 5 HONORABLE ELIZABETH RUSHOUT. Daughter of 1 st Lord Northwick. 
 
 Afterwards MRS. BOWLES and MRS. GRIEVE. Ob. 1862. 
 
 A. Ptimer. 
 
 6 PORTRAIT OF A GENTLEMAN, in uniform of the Guards. 
 
 George Pnglelieart. 
 
 7 PORTRAIT OF A BOY. 
 
 A. Ptimer. 
 
 8 PORTRAIT OF A GENTLEMAN, in uniform. 
 
 A. Ptimer. 
 
 9 PORTRAIT OF A GENTLEMAN. 
 
 C. F. Zincke. 
 
 10 MISS PEARSON. 
 
 /. Nixon (?) 
 
 11 EMMA, LADY HAMILTON, 1761-1815. 
 
 Mrs. Mee. 
 
 12 FRANCOISE MAGDALENE DE CLERMONT D'AMBOISE. Marquise 
 
 de Gallerand. Married Vicomte de Ruvignee. 
 
 Fiiger. 
 
 13 Called JOHN GAY. 1688-1732. 
 
 Enamel. C. F. Zincke. 
 
 14 LADY LOUISA CORNWALLIS. 
 
 A. Ptimer. 
 
 15 THOMAS VILLIERS, 1ST EARL OF CLARENDON. 1709-1786. 
 
 10 LADY MADELINA PALMER. 
 
 A. Ptimer. 
 
69 
 
 CASE XXVI. 
 
 Lent by Mrs. Singleton. 
 
 (By Richard Cosway, R.A.) 
 
 1 MARIA COSWAY. 
 
 2 ELIZABETH, COUNTESS OF ALBEMARLE. Wife of 4th Earl. 
 
 3 ELIZABETH VASSALL. Married (1st) Sir Godfrey Webster, and (2nd) Lord 
 
 Holland. 1770-1845. 
 
 4 GEORGE IV., when PRINCE OF WALES, in fancy dress. 1762-1830. 
 
 5 MRS. DANIEL. Wife of J. Daniel, Governor of Masulipatam. 
 
 6 SIR GODFREY WEBSTER, of Battle Abbey. Ob. 1800. 
 
 7 FREDERICK, DUKE OF YORK. 1763-1827. 
 
 FRAME 22. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 WILLIAM HI. 1650-1702. 
 
 Oil , on copper. 
 
 CASE XXVII. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 ELEVEN SKETCHES ON IVORY. 
 
 J. Comerford ’ of Dublin. 
 
70 
 
 FRAME 23. 
 
 Lent by Jeffery Whitehead, Esq 
 
 WILLIAM THE SILENT, PRINCE OF ORANGE 1 533 - 1 584. Stadt- 
 holder. Assassinated by Balthazar Gerard. 
 
 Michel Miereveldt. 
 
 FRAME 24. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 MAURICE OF NASSAU. 1567-1623. Stadtholder. 
 
 Michel Miereveldt. 
 
 CASE XXVIII. 
 
 Lent by Sir Francis Cook, Bart. 
 
 1 LOUIS XIII. 1601-1642. 
 
 2 PORTRAIT OF A GENTLEMAN, in ruff. , 
 
 Peter Oliver , 1620. Signed. 
 
 3 OLIVER CROMWELL. 1599-1658. 
 
 Enamel. C. Perrot. 
 
 4 A GENTLEMAN WITH THE ORDER OF THE GARTER. 
 
 Lsaac Oliver. 
 
 5 PORTRAIT OF A GENTLEMAN, with large collar. 
 
 Oil, on copper. 
 
 6 PORTRAIT OF A GENTLEMAN, in armour. 
 
 Oil , 071 copper. Samuel Cooper. 
 
 7 PORTRAIT OF A LADY, in blue dress. 
 
Case XXVIII. 
 
 7i 
 
 8 THOMAS WRIOTHESLEY, ist EARL OF SOUTHAMPTON. 
 
 1550. 
 
 Hans Holbein. 
 
 9 LADY, in blue dress. 
 
 Samuel Cooper . 1656. Signed, 
 
 10 Called QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 11 PORTRAIT OF LADY, in black dress. 
 
 John Hoskins. 1656. Signed. 
 
 12 HENRY, PRINCE OF WALES. 1594-1612. Son of James I. 
 
 13 Called CHARLES THE BOLD. 1433-1477. 
 
 Peter Oliver , after Giorgione. 
 
 14 HENRY WRIOTHESLEY, 3RD EARL OF SOUTHAMPTON. 
 
 1624. 
 
 Peter Oliver. Signed. 
 
 15 FRANCES CECIL, COUNTESS OF CUMBERLAND. Married 
 
 Wife of Henry Clifford, 5th Earl. 
 
 S. Cooper. Signed. 
 
 16 PHILLIP IV. 1605-1665. King of Spain. 
 
 Juan de Miranda Careno. 
 
 17 PHILLIP IV. 1605-1665. King of Spain. 
 
 Enamel . Petitot. 
 
 18 LOUIS XIV. 1638-1715. 
 
 Enamel. Petitot. 
 
 19 PORTRAIT OF A GENTLEMAN. 
 
 N. Hilliard. Inscribed “Anno Dni. 1578. Ait. 32.” 
 
 20 PORTRAIT OF A GENTLEMAN. 
 
 Velasquez. 
 
 21 PORTRAIT OF A LADY. 
 
 Petitot. 
 
 1500- 
 
 15 / 3 - 
 
 1611. 
 
 22 PORTRAIT OF A LADY. 
 
Case XXVIII. 
 
 72 
 
 23 PORTRAIT OF A GENTLEMAN, in blue cloak. 
 
 T. Flatman. Signed. 
 
 24 PORTRAIT OF A LADY. With Order. 
 
 25 PORTRAIT OF A BOY. Probably son of No. 19. 
 
 N. Hilliard. Inscribed “ Anno Dni. 1575, sEtatis 5.” 
 
 28 PORTRAIT OF A LADY. 
 
 Attributed to J. Toutin. 
 
 27 PORTRAIT OF A LADY IN BLUE. 
 
 Lawrence Crosse. Signed . 
 
 FRAME 25. 
 
 Lent by Jeffery Whitehead, Esq. 
 FRANCIS I. 1494 - 1547 . 
 
 FRAME 26. 
 
 Lent by Sir William Drake. 
 
 NAPOLEON I 1769-1821. Painted at Berlin, where Isabey was summoned 
 for the purpose, and sent to Josephine. Was in the Collection at Malmaison. 
 
 J. B. Isabey , 1806. Signed. 
 
 FRAME 27. 
 
 Lent by Sir CHARLES WENTWORTH DlLKE, BART. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Attributed to a brother of A. Cuyp , but more probably by his father , Jakob 
 Gerritz Cuyp. 1578-1649. 
 
 FRAME 28. 
 
 Lent by Jeffery Whitehead, Esq 
 
 NICOLAS BOILEAU. 1636-1711. 
 
73 
 
 FRAME 29. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 JEAN LOUIS DE NOGARET, DUC D’EPERNON. 1554-1642. 
 Painted on alabaster. 
 
 FRAME 30. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 JEAN BAPTISTE POQUELIN DE MOLIERE. 1622-1673. 
 
 FRAME 31. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 MARGARET, DUCHESS OF SOMERSET. Ob. 1880. 2nd wife of 
 Edward Adolphus, nth Duke, and eldest daughter of Sir Michael Shaw 
 Stewart, Bt. In Coronation robes. 
 
 Sir William Ross , R.A. 
 
 FRAME 32. 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
 HENRI IV. OF FRANCE. 1553-1610. 
 
 Francois Pour bus le Jeune. 1610. 
 
 FRAME 33. 
 
 Lent by J. GARDNER D. ENGLEHEART, Esq., C.B. 
 
 WILLIAM CHARLES MACREADY, as Richard III. 1 793 -^ 73 - 
 J. C. D. Engleheart . 
 
74 
 
 FRAME 34. 
 
 Lent by J. Lumsden Propert, Esq. 
 
 MADAME LA DAUPHINE CHRISTINE DE BAVIERE. Ob. 1690. 
 
 After De Troy. 
 
 ANNE D’AUTRICHE. 1602-1666. Queen of Louis XIII. 
 
 After Pourbus. 
 
 LOUIS LE GRAND DAUPHIN. 1661-1711. 
 
 After Rigaud. 
 
 MARIE THERESE. 1638-1683. Wife of Louis XIV. 
 
 After Mignard. 
 
 LOUIS XIV. 1638-1715- 
 
 After Rigaud. 
 
 LA DUCHESSE DE BOURGOGNE. 
 
 After De Sanierre. 
 
 GASTON, DUC D’ORLEANS. 1608-1660. 
 
 After Michel Anna. 
 
 LE DUC DE BOURGOGNE. 1682-1712. 
 
 After Rigaud. 
 
 FRAME 35. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 MISS MARY BARKER (Mrs. J. C. D. Engleheart) and MISS JANE 
 BARKER (Mrs. Mylne). 
 
 J. C. D. Engleheart. 
 
 FRAME 36. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 ROBERT BANKS JENKINSON, 2ND EARL OF LIVERPOOL. 
 1770-1828. 
 
75 
 
 FRAME 37. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 MRS. MILLS. 
 
 George Engleheart. 1786. 
 
 FRAME 38. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 PORTRAIT OF A LADY. 
 
 George Engleheart. 
 
 FRAME 39. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 PORTRAIT OF A CHILD, in a hat. 
 
 George Engleheart. 
 
 FRAME 40. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 GEORGE ENGLEHEART. 1752-1829. 
 
 J. C. D. Engleheart. 1814. Signed. 
 
 FRAME 41. 
 
 Lent by J. Gardner D. Engleheart, Esq., C.B. 
 
 MILLICENT ENGLEHEART. Niece of the Artist. 
 
 George Engleheart. 
 
 FRAME 42. 
 
 Lent by Jeffery Whitehead, Esq. 
 
 H. FUSELI, R.A. 1741-1825. 
 
 Enamel. Copy after G. Harlow. J. W. Heigham. 1828. Signed. 
 
76 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 CASE XXIX. 
 
 CATHERINE II., EMPRESS OF RUSSIA. 1729-1796. 
 
 Lent by Miss J affray. 
 
 FRANCIS, 2nd EARL OF GODOLPHIN, 1678-1766, and his Wife 
 HENRIETTA, afterwards DUCHESS OF MARLBOROUGH. 
 
 Enamel. C. Boit. 1697. Signed. R - S - HOLFORD. 
 
 MISS JANE HARDING. 
 
 T. Hargreaves , of Liverpool. Signed 1808. 
 
 NAPOLEON I. 1769-1821. 
 
 MR. AND MRS. KEIGHTLEY. 
 
 T. Hargreaves , of Liverpool. 
 
 Mrs. Keightley. 
 R. S. Holford. 
 
 Mrs. Keightley. 
 
 SIR NICHOLAS POYNTZ. Of Iron Acton, Gloucestershire. 
 
 Attributed to Holbein , but probably by Isaac Oliver , after Holbein's drawing 
 at Windsor. R - S. Holford. 
 
 PORTRAIT OF A LADY. 
 H. Hone. 1783. Signed. 
 
 C. E. Lees. 
 
 JAMES I. 1566-1625. 
 N. Hilliard. 
 
 Inscribed Ano Dni. 1608. yEtatis suce, 42. 
 
 R. S. Holford. 
 
 ABRAHAM COWLEY. 1618-1667. Poet. 
 C. F. Zincke. 
 
 R. S. Holford. 
 
 THOMAS CROMWELL. Earl of Essex. 
 Monachorum.” 
 
 Attributed to Holbein. 
 
 1490-1540. “Malleus 
 C. E. Lees. 
 
 DUCHESSE DE LONGUEVILLE. 1619-1679. 
 Petitot. 
 
 R. S. Holford. 
 
 12 EMPRESS JOSEPHINE. 1763-1814. 
 /. B. Isabey , 1809. Signed. 
 
 C. E. Lees. 
 
 13 MRS. TICKELL {nee LINLEY). 
 
 T. Gainsborough (?) R EES. 
 
 14 CAROLINE OF BRUNSWICK. 1768-1821. Queen of George IV. 
 
 Duke of Leinster. 
 
Case XXIX. 
 
 77 
 
 15 PORTRAIT OF A LADY. Lent by C. E. Lees. 
 
 16 MR. TICKELL. 
 
 T. Gainsborough (?) C. E. Lees. 
 
 17 TERESIA, LADY SHIRLEY. Born in Persia. Wife of Sir Robert Shirley, 
 
 Ambassador in Persia. 
 
 N. Hilliard. Earl OF CARLISLE. 
 
 18 ALEXIS MICHELOVITZ, CZAR OF RUSSIA. 1630-1676. Father 
 
 of Peter the Great. Nicon’s Ecclesiastical Reforms carried out in his 
 reign. Entered into close diplomatic relations with Western Powers. 
 Nathaniel Dixon, 1660. Signed. Painted for Lord Carlisle while Minister at 
 
 his Court. Earl of Carlisle. 
 
 19 MARGARET LEVESON GOWER, COUNTESS OF CARLISLE. 
 
 Ob. 1824. Wife of Frederick, 5th Earl of Carlisle. 
 
 J. Meyer. Earl OF Carlisle. 
 
 20 COUNTESS OF PEMBROKE. 
 
 Peter Oliver. C. E. Lees. 
 
 21 ELIZABETH-LAURA, COUNTESS OF WALDEGRAVE. Ob. 1816. 
 
 Wife of 4th Earl. R. S. Holford. 
 
 22 PORTRAIT OF MAN, with collar. Inscribed Ano. 1639. ZEtatis suoe 57. 
 
 Signed “ L. HI' Earl of Carlisle. 
 
 23 JAMES, ist DUKE OF HAMILTON. 1606-1649. 
 
 Earl of Carlisle. 
 
 24 LADY FRANCES RADCLIFFE. 
 
 Samuel Ccllins, 1770. Signed. Earl OF CARLISLE. 
 
 25 PORTRAIT OF A LADY, in high ruff. 
 
 N. Hilliard. Earl OF CARLISLE. 
 
 26 WILLIAM LENTHALL. 1591-1662. Speaker of Long Parliament. 
 
 Samuel Cooper , 1652. Signed. R- S. HOLFORD. 
 
 27 MARY, COUNTESS OF KILDARE. 1692-1780. Wife of Robert, 19th 
 
 Earl. Duke of Leinster. 
 
 28 RICHARD CROMWELL. 1626-1712. 
 Samuel Cooper, 1653. Signed. 
 
 C. E. Lees. 
 
Case XXIX. 
 
 73 
 
 29 LOUIS XIV. 1638-1715. 
 
 Petitot. 
 
 30 PORTRAIT OF A LADY, in lace ruff. 
 
 N. Hilliard. 
 
 31 LADY ARABELLA STUART. I 575 -K>i 5 - 
 
 N. Hilliard. 
 
 32 PORTRAIT OF A LADY, with long hair. 
 
 N. Hilliard. 
 
 Lent by R. S. Holford. 
 Earl of Carlisle. 
 
 Earl of Carlisle. 
 
 Earl of Carlisle. 
 
 33 LA COMTESSE DE GRIGNAN. 1646-1705. 
 
 Petitot. 
 
 R. S. Holford. 
 
 34 ELIZABETH, COMTESSE DE GRAMMONT. “ La Belle Hamilton.” 
 
 Duke of Leinster. 
 
 Signed I.C. 
 
 35 PORTRAIT OF A GENTLEMAN, in blue coat. 
 
 John Smart. 1772- Signed. 
 
 36 EMILY, DUCHESS OF LEINSTER. 
 
 Gervas Spencer. 1739- Signed. 
 
 T. Clifford Serjeant. 
 
 Duke of Leinster. 
 
 37 COUNTESS OF PETERBOROUGH. Wife of 3rd Earl. ^ ^ ^ 
 
 Lawrence Crosse. 
 
 38 THOMAS FLATMAN. 1633-1688. 
 
 By Himself. Signed. 
 
 39 CATHERINE HENRIETTE D'ANGENNES, COMTESSE D’OLONNE. 
 
 Inenlnelled frame by Gilles Legarrf of Chaumont, considered his chef dceuvre. 
 
 R. S. Holford. 
 
 Petitot. 
 
 Earl of Carlisle. 
 
 40 GEORGE F. HANDEL. 1684-1759- 
 
 William Hogarth. 
 
 41 THOMAS SACKVILLE, LORD 
 
 DORSET. Ob. 1608. 
 
 Isaac Oliver. 
 
 Earl of Carlisle. 
 BUCKHURST, ist EARL OF 
 
 C. E. Lees. 
 
 42 OLIVER CROMWELL. 1599-1658. 
 
 R. S. Holford. 
 
 43 PORTRAIT OF A LADY, in black cap. 
 
 Gervas Spencer. 1757- 
 
 C. E. Lees. 
 
 44 LADY KEPPEL. 
 
 C. E. Lees. 
 
Case XXIX. 
 
 79 
 
 45 MR. TICKELL, Junior. 
 
 Thomas Gainsborough (?). 
 
 Lent by C. E. Lees. 
 
 45 a PORTRAIT OF A LADY, in blue hat and white feathers. 
 
 Engleheari. 
 
 S. E. Kennedy. 
 
 46 RICHARD BRINSLEY SHERIDAN. 1751-1816. 
 
 T. Gainsborough (?). 
 
 C. E. Lees. 
 
 47 JANE, LADY HAREWOOD (?). 
 
 W. Wood. 
 
 Duke of Leinster. 
 
 48 PORTRAIT OF A LADY, in black dress and white ruff. C. E. Lees. 
 
 49 HUMPHREY YATES. 
 
 Plumbago. David Loggan. 1676. Signed. 
 
 Mrs. Keightley. 
 
 50 A MEMBER OF THE YATES FAMILY. 
 
 Oil. 
 
 Mrs. Keightley. 
 
 51 HESTER YATES. 
 
 Plumbago. T. Forster. 
 
 Mrs. Keightley. 
 
 52 LETITIA, BARONESS OFFALY. 1579-1658. 
 Digb y. 
 
 Wife of Sir Robert 
 
 Duke of Leinster. 
 
 53 JAMES GRAHAM, MARQUESS OF MONTROSE. 1612-1650. 
 
 Enamel. C. E. Lees. 
 
 54 DOROTHY YATES. 
 
 Plumbago. T. Forster . 1690. Signed. 
 
 Mrs. Keiglitley. 
 
 55 ASHURST YATES. 
 
 Plumbago. George White. 
 
 Mrs. Keightley. 
 
 56 ARTHUR YATES. 
 
 Plumbago. T. Forster. 1710. 
 
 Mrs. Keightley. 
 
 57 OLIVER CROMWELL. 1599-1658. 
 
 Isaac Falcke. 
 
 58 QUEEN ANNE. 1664-1714. 
 
 
 Enamel. Charles Bolt. Signed. PRINCESS VICTOR VON HOHENLOHE. 
 
 59 LADY. Temp. Francis I. 
 
 Ascribed to Ja?iet. 
 
 J. P. HESELTINE. 
 
 60 JOHN MAITLAND, DUKE OF LAUDERDALE, 
 of Charles II. 
 
 1616-1682. Minister 
 
 Penelope Cleyn. 
 
 Rev. W. B. L. Hawkins. 
 
Case XXIX. 
 
 80 
 
 01 
 
 WILLIAM DANVERS. Nat. 1653. 
 
 Lawrence Crosse. Lent by The Rev. W. B. L. Hawkins. 
 
 62 
 
 63 
 
 LADY HOLDING A BOOK. 
 
 Jacques Charlier. 
 
 PORTRAIT OF A GENTLEMAN, in a wig. 
 
 Lawrence Crosse. 
 
 J. P. Heseltine. 
 Rev. W. B. L. Hawkins. 
 
 64 PORTRAIT OF A LADY. 
 
 Signed “S. CL 
 
 60 LADY MARY SACKVILLE. 
 
 Rev. W. B. L. Hawkins. 
 Rev. W. B. L. Hawkins. 
 
 60 BERNADOTTE. 1764-1844. King of Sweden. 
 
 E. Staniforth ( after Way). 1820. 
 
 Dr. Hamilton. 
 
 67 COL. HENRY WALLOP. Parliamentarian General, and one of the Judges 
 of Charles I. Member of Cromwell’s Council of State. Died in the Tower 
 
 1667. 
 
 Samuel Cooper. 1654* Signed. 
 
 Lord Lymington. 
 
 63 HENRY JERMYN, LORD DOVER. 
 
 Samuel Cooper. 1667. Signed. 
 
 69 A SON OF LOUIS XIV. 
 
 1636-1708. 
 
 Rev. W. B. L. Hawkins. 
 Rev. W. B. L. Hawkins. 
 
 70 JOHN DIGBY, ist EARL OF BRISTOL. 1586-1653. 
 
 Rev. W. B. L. Hawkins. 
 
 71 
 
 72 
 
 73 
 
 74 
 
 75 
 
 76 
 
 MRS. MOORE (nie HAMILTON). 
 Gervas Spencer. 1755. Signed. 
 
 PORTRAIT OF A LADY. 
 
 A. Plimer. 
 
 LADY MARGARET COVENTRY. 
 Signed “ H. 1655.” 
 
 PHILADELPHIA, MRS. STEPHEN 
 
 PORTRAIT OF A GENTLEMAN. 
 
 5 . Cooper. 
 
 PORTRAIT OF A GENTLEMAN. 
 Samuel Cooper. 1655. Signed. 
 
 Ob. 1815. 
 
 Mrs. Hamilton Crake. 
 
 Rev. W. B. L. Hawkins. 
 
 Rev. W. B. L. Hawkins. 
 
 PAYNE GALLWEY. Ob. 1785. 
 
 Rev. Dr. Holden. 
 
 Rev. W. B. L. Hawkins. 
 
 Rev. W. B. L. Hawkins. 
 
Case XXIX. 
 
 81 
 
 77 W. N. W. HEWITT. 
 
 R. Cosway. Lent by Sir PRESCOTT Hewett, Bart. 
 
 78 PORTRAIT OF A DUTCH GENTLEMAN ; on the reverse, his wife. 
 
 Enamel. J. P. Heseltine. 
 
 79 FRANCIS ATTERBURY. 1662-1733. Bishop of Rochester. 
 
 Enamel. C. F. Zincke. J. H. HUTCHINSON. 
 
 80 ELIZABETH, COUNTESS WALDEGRAVE. Ob. 1816. Wife of 
 
 George 4th Earl. 
 
 Samuel Shelley. 
 
 S. E. Kennedy. 
 
 81 GOVERNOR BANSE. 
 
 Enamel. C. F. Zincke. 
 
 Dr. Hamilton. 
 
 82 MAJOR GEARE. 
 
 Enamel. C. E. Zincke. 
 
 J. H. Hutchinson. 
 
 83 PORTRAIT OF A GENTLEMAN. 
 
 J. H. Fitzhenry. 
 
 84 MARY LEVINGE, LADY FERRERS. Ob. 1740. Wife of Washington, 
 2nd Earl. 
 
 C. Richter. 
 
 Dr. Hamilton. 
 
 85 PORTRAIT OF A LADY. 
 
 Rev. Dr. Holden. 
 
 86 STEPHEN PAYNE GALLWEY. 
 
 Rev. Dr. Holden. 
 
 87 PORTRAIT OF A GENTLEMAN. Rev. W. B. L. Hawkins. 
 
 88 PORTRAIT OF A GENTLEMAN. 
 
 R. Cosway. 
 
 S. E. Kennedy. 
 
 89 PORTRAIT OF A GENTLEMAN. 
 
 Plumbago. A. Bosse. Signed. 
 
 Rev. Dr. Holden. 
 
 90 PHILADELPHIA, MRS. STEPHEN PAYNE GALLWEY. Ob. 1785. 
 
 Enamel. After Sir Joshua Reynolds. Rev. Dr. Holden. 
 
 91 CONCINO CONCINI COMTE DELLA PENNA, MARECHAL 
 
 D’ANCRE. Assassinated, Paris, 1616, by the order of Louis XIII. 
 
 92 ELEANOR CALLIGALI. His wife. 
 
 J. P. Heseltine. 
 
 J. P. Heseltine. 
 
 93 LOUIS XVI. As a boy. 1754-1793. 
 
 Thour on. 
 
 Miss J affray. 
 
Case XXIX. 
 
 82 
 
 94 DR. JOHN HEWITT. Tried for treason and beheaded, 1658. 
 
 Lent by Miss J affray. 
 
 95 
 
 J. BERSON. 
 
 Jean Mussard. 
 
 Gentleman of the Chamber to the Chevalier St. George. 
 
 1715. Signed. D R * Hamilton. 
 
 96 LETITIA BONAPARTE. Madame M^re. 1750-1836. 
 J. B. J. Augustin. Signed. 
 
 Mother of Napoleon I. 
 Miss Jaffray. 
 
 97 PORTRAIT OF A LADY. 
 
 Nathaniel Hone. 17 5 6. X igned. 
 
 93 MRS. CAPEL LOFFT. 
 
 George Engleheart. 
 
 99 DUCHESSE DE DURAS. 
 
 Wilpes. Signed. 
 
 100 MARIE LESCZINSKA. Wife of Louis XV. 
 
 S. E. Kennedy. 
 
 Rev. Dr. Holden. 
 
 J. H. PTtzhenry. 
 J. P. Heseltine. 
 
 101 SIR THOMAS LAWRENCE, P.R.A. 1769-1830. 
 
 By Himself. Mrs. Keightley. 
 
 102 MADAME ELIZABETH (?). 1764-1794. Sister of Louis XVI. Executed 
 
 I794 J. H. Hutchinson. 
 
 103 NAPOLEON I. 1769-1821. 
 
 J. B. Isabey. Signed. 
 
 104 LADY ANNE HORATIA SEYMOUR. 
 
 Waldegrave. Wife of Lord Hugh Seymour. 
 
 R. Cosway , R.A, 
 
 105 LORD BYRON. 1788-1824. 
 
 James Holmes. 1816. Signed. ISAAC Falcke. 
 
 Lord Byron observes in a letter, dated Genoa, May 19th, 1823 “ A painter of the 
 
 “name of Holmes made, I think, the very best one of me in 1815 or 1816, and from this 
 “ there were some good engravings taken.”— Life and Times oj Lord Byron, vol. iii. 
 
 106 H.R.H. PRINCE REGENT. (George IV.). 1762-1830. 
 
 H. Bone. 1805. Signed. Rev. W. B. L. Hawkins. 
 
 107 GUILLIAUME BUDE. 1467-1540. Librarian of Francis I. 
 
 J. P. Heseltine. 
 
 Rev. W. B. L. Hawkins. 
 Daughter of 2nd Earl of 
 
 Lady Harlech. 
 
1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 14 
 
 15 
 
 83 
 
 CASE XXX. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil', on copper. Lent by SIR W. Drake. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil , on copper. 
 
 Sir W. Drake. 
 
 A MAN’S HEAD. 
 
 Oil, on copper. 
 
 Sir W. Drake. 
 
 A CAPUCHIN MONK. 
 
 Oil, on copper. 
 
 Sir W. Drake. 
 
 PORTRAIT OF A MAN, in a grey cap and dress. 
 Oil, on copper. 
 
 Sir W. Drake. 
 
 COMTESSE DE BENIRON. 
 
 A ttributed to Palamedes. 
 
 Sir W. Drake. 
 
 LADY, in ruff and red dress. 
 
 Oil, on copper. 
 
 Sir W. Drake. 
 
 ANNE COPLEY, LADY MANNERS. Ob. 1814. 
 
 H. Drake. 
 
 MRS. (AFTERWARDS LADY) HARCOURT. 
 Harcourt. 
 
 Wife of the 3rd Earl 
 H. Drake. 
 
 COMTESSE DE TOURVILLE. 
 
 Sellier. 
 
 H. Drake. 
 
 MRS. FITZHERBERT. 1756-1837. 
 
 • H. Drake. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 A. Plimer. 
 
 H. Drake. 
 
 MRS. WHITTINGTON. 
 
 R. Cosway. 
 
 H. Drake. 
 
 PORTRAIT OF A LADY. 
 
 R. Costvay. 
 
 H. Drake. 
 
 THREE CHILDREN WITH A DOG. 
 
 N. Shelley. 
 
 H. Drake. 
 
 H. Drake. 
 
Case XXX. 
 
 84 
 
 
 16 
 
 MISS BUTLER. 1810. 
 
 H. Edridge. 
 
 Lent by H. Drake. 
 
 17 
 
 MRS. FINCKE. 
 
 H. Hone. 
 
 
 H. Drake. 
 
 18 
 
 ELIZABETH FOSTER, DUCHESS OF DEVONSHIRE. 1759-1824. 
 
 A. Plimer. Drake. 
 
 19 
 
 WILLIAM BECKFORD (?) 
 A. Plimer. 
 
 When young. 1760-1844. 
 
 H. Drake. 
 
 20 
 
 PORTRAIT OF A GENTLEMAN. 
 
 G. Engleheart. 
 
 H. Drake. 
 
 21 
 
 MRS. BUTLER. 
 
 
 H. Drake. 
 
 22 
 
 MISS JOHNSTONE. 
 
 
 H. Drake. 
 
 23 
 
 EMPRESS JOSEPHINE. 
 Isabey. 
 
 1763-1814. 
 
 H. Drake. 
 
 24 
 
 COLONEL FULLER. 
 
 A. Plimer. 
 
 
 H. Drake. 
 
 25 
 
 GEORGE, ist DUKE OF ALBEMARLE. 1608-1670. 
 
 Oil, on copper. Bestland. 
 
 H. Drake. 
 
 26 
 
 MRS. FULLER. 
 
 A. Plimer. 
 
 
 H. Drake. 
 
 27 
 
 MRS. ELIZABETH FRY. 
 
 1780-1845. 
 
 H. Drake. 
 
 28 
 
 AIME, DUC DE JOYEUSE. 1561-1587. Admiral of France. 
 
 Oil } on copper. SIR W. DRAKE. 
 
 . 
 
 29 
 
 MARGARET, DUCHESS 
 
 OF PARMA. 1522 1586. 
 
 Sir W. Drake. 
 
 30 MARIA THERESA OF AUSTRIA, EMPRESS OF GERMANY. 
 1717-1780. 
 
 J. S. Liotard. SIR W. DRAKE. 
 
 31 PORTRAIT OF A LADY, in large ruff and grey dress. 
 
 Oil, on copper. SIR W. DRAKE. 
 
 32 PORTRAIT OF A GENTLEMAN. 
 
 Oil , on copper. 
 
 Sir W. Drake. 
 
Case XXX. 
 
 85 
 
 33 BIANCA CAPELLO. Wife of Francesco de Medici. 1542-1587. 
 
 Attributed to Bronzino. Lent by SIR W. Drake. 
 
 34 ARMAND DE GONTAUT, DUKE OF BIRON. 1524-1592. Marshal 
 
 of France. 
 
 Oil, on copper. Sir W. Drake. 
 
 35 JEAN LOUIS DE NOGARET, DUKE D’EPERNON. 1554-1642. 
 
 Oil', on copper. Sir W. Drake. 
 
 36 BEATRIX DE BOURBON, DUCHESS OF MILAN. 1418- 
 
 Oil, on copper. Sir W. Drake. 
 
 37 ANNE OF ARRAGON. 
 
 Oil, on copper. Sir W. Drake. 
 
 38 PORTRAIT OF A LADY. 
 
 Oil, on copper. SIR W. DRAKE. 
 
 39 PORTRAIT OF A GENTLEMAN. 
 
 Oil, on copper. SIR W. DRAKE. 
 
 40 COUNT VAN DEN BERGHE. After Vandyck. 
 
 Oil, on copper. SlR W. DRAKE 
 
 41 PORTRAIT OF A GENTLEMAN. 
 
 Oil, on copper. Sir W. Drake 
 
 42 ISABELLA CLARA EUGENIA. 1566-1633. Daughter of Philip II. 
 
 Oil, on copper. Attributed to Coello. Sir W. Drake. 
 
 43 PORTRAIT OF A LADY. 
 
 Enamel. Edward Shiercliff, Bristol, 1765* 
 
 44 PORTRAIT OF A LADY. 
 
 Crayon sketch. Attributed to S. Cooper. 
 
 45 PORTRAIT OF A LADY. 
 
 46 PORTRAIT OF A LADY. 
 
 Vestier. 
 
 47 PORTRAIT OF A GENTLEMAN. 
 
 Oil, on copper. 
 
 48 PORTRAIT OF A LADY. 
 
 Enamel. Thour on. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
Case XXX. 
 
 86 
 
 49 
 
 50 
 
 51 
 
 52 
 
 53 
 
 54 
 
 55 
 
 56 
 
 57 
 
 58 
 
 59 
 
 60 
 61 
 
 62 
 
 63 
 
 64 
 
 65 
 
 66 
 
 67 
 
 68 
 
 MARIE DE MEDICI, QUEEN OF FRANCE. 2nd wife of Henri IV. 
 I573-I642. 
 
 Attributed to Pourbus. Lent & SlR W * DrakE * 
 
 MARQUISE DE VILLETTE. 1757-1822. 
 
 r c Sir W. Drake. 
 
 L. Sicardi. 
 
 MARIE JOSEPHE DE SAXE. Wife of Louis, Dauphin, son of Louis XV. 
 
 J. Dumont . SlR W> Drakk 
 
 ANNE LOUISE BENEDICTE, DUCHESSE DU MAINE. 1676-1753- 
 Hall Sir W. Drake. 
 
 MARQUISE DE LA FEUILLADE. 
 
 Signed “ D.” Dumont. (?) Sir W. Drake. 
 
 PORTRAIT OF A LADY. 1786. 
 
 rr rj SlR W. DRAKE. 
 
 H. Hone. 
 
 PORTRAIT OF A LADY. 
 
 o- j «»7 thaa” Sir W. Drake. 
 
 Signed “Nattier, 1744- 
 
 CATHERINE OPALINSKI. 1680-1747- Wife of Stanilaus, King of 
 Poland. SlR W ' DRAKE ' 
 
 BEAUVILLIERS, COMTE DE ST. AIGNAN. 1574-1656- 
 
 Attributed to Palamedes. 
 
 MARGARET. Wife of Philip III., King of Spain. 
 
 Oil , on copper. Gerbier. 
 
 PORTRAIT OF A BURGOMASTER OF BASLE. 
 
 Holbein. 
 
 MADAME DE CHATENAY. 
 
 Lefevre. 
 
 HENRY, MARQUIS OF WORCESTER. Afterwards 7th Duke of Beaufort. 
 1792-1853. 
 
 F. Rochard. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 MADAME DE ST. LEON. 
 
 Saint. 
 
 FREDERICK THE GREAT ON HORSEBACK. 1712-1786. 
 
 Sir W. Drake. 
 
 PORTRAIT OF A LADY. 
 
 A. Vestier. 
 
 PORTRAIT OF A LADY. 
 
 Oil , on copper. 
 
 COMTESSE ST. ROMAIN. 
 
 Lazinska Mirbel. 1822. 
 
 PORTRAIT OF A LADY. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 Sir W. Drake. 
 Sir W. Drake. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 
Case XXX. 
 
 87 
 
 69 
 
 70 
 
 71 
 
 72 
 
 73 
 
 74 
 
 75 
 
 76 
 
 77 
 
 78 
 
 79 
 
 80 
 81 
 82 
 
 83 
 
 84 
 
 85 
 
 86 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. Signed “ F. N. Barbette, pinxit. 1689.” Lent by Sir W. Drake. 
 
 PORTRAIT OF A LADY. 
 
 Signed “ Lie'-Louis PcrinL SIR W. Drake. 
 
 PRINCESS SOPHIA. 1777-1848. 
 
 R. Cosway. Sir W. Drake. 
 
 MRS. SHERIDAN (n/e LINLEY). 
 
 Samuel Collins. Signed. 1778. Sir W. Drake. 
 
 JEAN DUMONT. 1700-1731. 
 
 By Himself. Sir W. Drake. 
 
 CHARLOTTE, MARQUISE DE MONTESSON. Afterwards Duchesse 
 d’Orleans 
 
 Signed “ M. V. Coster. 1777.” Sir W. Drake. 
 
 MARGARET LUCAS, DUCHESS OF NEWCASTLE. 1624-1676. 
 
 Sir W. Drake. 
 
 FREDERICK HENRY OF NASSAU. 1584-1647. 
 
 Pen and indian ink , on vellum . Signed “ Johan Wierix f: Anno. 1612.” 
 
 Sir W. Drake. 
 
 MRS. SIDDONS. 
 
 Horace Hone. Signed. 1784. 
 
 PORTRAIT OF A LADY. 
 
 ANNE DE GONZAGUES. 
 
 Keman. Signed. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 Sir W. Drake. 
 
 KITTY FISHER. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 GENERAL WEBB, in armour. 
 
 C. F. Zincke. Signed. 1715 - 
 
 PORTRAIT OF A GENTLEMAN. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Ozias Humphry , R.A. 1782. 
 
 MADAME DE VILLETTE. 
 
 Hall. Signed. 
 
 MAURICE OF NASSAU, PRINCE OF ORANGE, AND HIS WIFE. 
 Johan Wierix. SIR W. DRAKE. 
 
 Sir W. Drake. 
 
 Sir W. Drake. 
 Sir W. Drake. 
 
88 
 
 CASE XXXI. 
 
 1 THREE PORTRAITS OF MEMBERS OF THE PICKFORD FAMILY. 
 1 THRtMWUinuj u Lent by C. T. PICKFORD. 
 
 J. Nixon. (?) 
 
 Lord Hastings. 
 Lord Hastings. 
 
 2 PORTRAIT OF A LADY. Temp. Louis XIV. 
 
 3 SIR JACOB ASTLEY, Bart. 1630-1724. 
 
 4 SIR JACOB HENRY ASTLEY. BART. . 75 6-.8. 7 . ^ 
 
 George Engleheart. 
 
 k MAURICE QUENTIN DE LA TOUR. 1704-1788. 
 
 & MAumr. yu teffery Whitehead. 
 
 By Himself. J 
 
 6 SIR EDWARD ASTLEY. 1604-1653. 
 
 John Hoskins, 1651. Signed . Inscribed -Mm 47 - l65 ' T np 'Hastings. 
 
 7 CAPTAIN BRANSBY. 
 
 Thomas Flatman. Signed. 
 
 8 CHARLES II. 1630-1685. 
 
 Jacob Astley, 1660. 
 
 Lord Hastings. 
 
 This miniature was given by Charles II. to Sir 
 
 Lord Hastings. 
 
 9 LADY MARY WORTLEY MONTAGU. 
 Bernard Lens. 1726. Signed. 
 
 1690-1762. 
 
 Jeffery Whitehead. 
 
 10 MADAME DE PARABERE. 
 
 Enamel. 
 
 11 WALGRAVE ASTLEY. 
 
 Thomas Flatman. Signed. 
 
 12 PORTRAIT OF A LADY. Temp. Louis XIV. 
 
 Enamel. Petitot. 
 
 Lord Hastings. 
 
 Lord Hastings. 
 
 Lord Hastings. 
 
 13 
 
 14 
 
 15 
 
 LORD BYRON. 1788-1824. Given by himself to R. H. Hoppner, British 
 Consul at Venice. J EFFERY WHITEHEAD. 
 
 PORTRAIT OF A LADY, leaning on a table. 
 
 Campana. 
 
 Lord Hastings. 
 
 PORTRAIT OF A LADY, in red dress. 
 A ugustin. 17 86. 5 igned. 
 
 Lord Hastings. 
 
Case XXXI. 
 
 89 
 
 16 PORTRAIT OF A LADY. 
 
 Enamel. Soiron. 1798. Signed. 
 
 17 PORTRAIT OF A GENTLEMAN. 
 
 Inscribed “1564. A. 38.” 
 
 18 PORTRAIT OF A LADY, reading music. 
 
 Hall. Signed. 
 
 19 LOUIS XIV. 1638-1715. 
 
 Petitot. 
 
 20 PORTRAIT OF A LADY, in pink dress. 
 
 Augustin. 1795. Signed. 
 
 21 SIR T. ISHAM. 
 
 David Loggan. 1681. Signed. 
 
 22 PORTRAIT OF A LADY. 
 
 E. Antissier. 1820. Signed. 
 
 23 PORTRAIT OF A LADY. 
 
 Lent by LORD HASTINGS. 
 
 Jeffery Whitehead. 
 
 Lord Hastings. 
 
 Lord Hastings. 
 
 Lord Hastings. 
 
 Jeffery Whitehead. 
 
 T. D. Murray. 
 T. D. Murray. 
 
 24 CHARLES JAMES FOX. 1749-1806. 
 
 Ozias Humphry (?). After Sir J. Reynolds. Jeffery Whitehead. 
 
 25 QUEEN MARY II. 1662-1694. 
 
 Plumbago. 
 
 Inscribed “ Maria , D. G. Anglice , Scoticz, Francicz & Hibernicz , reginaP 
 
 Jeffery Whitehead. 
 
 20 ADMIRAL SIR GEORGE ROOKE. 1650-1709. 
 
 Plumbago. J. Faber. Signed. Inscribed “ J. Faber , delineavit in Chatham, 
 A.D. 1705.” Jeffery Whitehead. 
 
 27 HENRIETTA, DAUGHTER OF 1ST DUKE OF MARLBOROUGH, 
 
 AFTERWARDS 2ND DUCHESS. Married 2nd Earl of Godoiphin. 
 Ob. 1733. 
 
 Plumbago. T. Forster. Jeffery Whitehead. 
 
 28 ADMIRAL SIR JAMES WISHART. 
 
 Plumbago. J. Faber. Inscribed "J. Faber, delineavit, A.D. , 1704. May 4.” 
 
 Jeffery Whitehead. 
 
Case XXXI. 
 
 90 
 
 29 CHARLES II. 1630-1685. 
 
 Plumbago. R. White, 1702. Signed. Lent by Jeffery Whitehead. 
 
 30 WILLEM DE REIDE DE GINKELL, EARL OF ATHLONE. 1640- 
 
 1703. 
 
 J. Faber. 1703. JEFFERY WHITEHEAD. 
 
 CASE XXXII. 
 
 1 MARGARET LUCAS, DUCHESS OF NEWCASTLE. 1624-1676. Wife 
 
 of William Cavendish, 1st Duke. DUKE OF PORTLAND. 
 
 2 HENRY CAVENDISH, 2ND DUKE OF NEWCASTLE. Ob. 1691. 
 
 Signed “ H.B ” DUKE OF PORTLAND. 
 
 3 PORTRAIT OF GENTLEMAN. 
 
 Oil, on copper. Inscribed “ Jidii 24, Aitat. 24.” DUKE OF PORTLAND. 
 
 4 MARGARET LUCAS, DUCHESS OF NEWCASTLE. 1624-1676. Wife 
 
 of 1st Duke. Duke of Portland. 
 
 5 JAMES II. 1633-1701. Duke of Portland. 
 
 6 HUMPHREY WANLEY. 1671-1726. English Antiquary and Palaeographer. 
 
 Duke of Portland. 
 
 7 JOHN PHILIPS. 1676-1708. Poet. Author of “ Splendid Shilling.” 
 
 Duke of Portland. 
 
 8 LADY WITH PEARL EARRINGS. 
 
 Enamel, on gold. DUKE OF PORTLAND. 
 
 9 SIR HORACE VERE, LORD VERE OF TILBURY. 1565-1635. General. 
 
 Duke of Portland. 
 
 10 LOUIS XIV. 
 
 Petitot. Duke of Portland. 
 
 11 PORTRAIT OF A GENTLEMAN. 
 Samuel Cooper. 
 
 Duke of Portland. 
 
Case XXXII. 
 
 9 i 
 
 12 Named LADY JANE GREY. 1537-1554. Probably MARY TUDOR. 
 1516-1558. 
 
 Attributed to Holbein. Lent by The Duke OF PORTLAND. 
 
 13 Called QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 Duke of Portland. 
 
 14 LA COMTESSE DE GRIGNAN (?) 1646-1705. 
 Petitot. 
 
 Duke of Portland. 
 
 15 WILLIAM DRUMMOND OF HAWTHORNDEN. 1585-1649. 
 
 Isaac Oliver. Inscribed “JEtatis suce XX. 1606.” 
 
 Duke of Portland. 
 
 16 QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 Duke of Portland. 
 
 17 Called QUEEN ELIZABETH. 1533-1603. 
 
 N. Hilliard. 
 
 Duke of Portland. 
 
 18 LORD RICHARD CAVENDISH. Ob. 1781. 
 
 W. Pether, 1770. Signed. 
 
 Duke of Portland. 
 
 19 SIR RICHARD STEELE. 1671-1729. 
 
 Peter Lens. Signed. 
 
 Duke of Portland. 
 
 20 RICHARD HALL. Named JOSEPH ADDISON. 
 
 B. Lens. Signed. Duke of Portland. 
 
 21 MARIE JEANNE, COMTESSE DU BARRY. 1746-1793. 
 
 
 Duke of Portland. 
 
 22 PORTRAIT OF A GENTLEMAN. 
 
 C. F. Zincke. 
 
 Duke of Portland. 
 
 23 WALTER, 1st LORD ASTON. Ob. 1639. 
 
 Isaac Oliver. 
 
 Duke of Portland. 
 
 24 BIANCA CAPELLO. 1542-1587. Married Francesco dei Medici. 
 
 Duke of Portland. 
 
 25 PORTRAIT OF A GENTLEMAN, in black dress and turned-down collar. 
 
 Isaac Oliver. Signed. Duke OF PORTLAND. 
 
 26 DUC DE PENTHIEVRE. 1725-1793. Amiral de France. 
 
 27 PORTRAIT OF A GENTLEMAN, In lace collar. 
 
 Duke of Portland. 
 
 In locket. 
 
 Duke of Portland. 
 
Case XXXII. 
 
 92 
 
 28 
 
 29 
 
 30 
 
 31 
 
 32 
 
 33 
 
 34 
 
 35 
 
 36 
 
 37 
 
 38 
 
 39 
 
 40 
 
 41 
 
 42 
 
 43 
 
 PRINCE MAURICE OF NASSAU. 
 
 LADY PYE. 
 
 Samuel Cooper. Signed. 
 
 GILBERT SHELDON. 1598-1677. 
 
 1604-1679. 
 
 Lent by The Duke of Portland. 
 
 Duke of Portland. 
 
 Archbishop of Canterbury. 
 
 Duke of Portland. 
 
 Wife of Robert, 19th Earl. 
 
 Duke of Portland. 
 
 Lady Sarah Spencer. 
 
 Ob. 1831. Wifi? of 
 
 Lady Sarah Spencer. 
 
 Lady Sarah Spencer. 
 Lady Sarah Spencer. 
 
 Hon. R. Spencer. 
 
 Lady Sarah Spencer. 
 
 Hon. R. Spencer. 
 
 1758-1834. Collected the 
 Lady Sarah Spencer. 
 
 Lady Sarah Spencer. 
 
 Samuel Cooper. 
 
 MARY, COUNTESS OF KILDARE. 
 
 Nathaniel Dixon. Signed. 
 
 WILLIAM POYNTZ, in a fancy dress. 
 
 LAVINIA BINGHAM, COUNTESS SPENCER. 
 George John, 2nd Earl. 
 
 R. Coszvay. 
 
 WILLIAM POYNTZ. 
 
 A. Plimer. 
 
 PORTRAIT OF LADY IN BLUE DRESS. 
 
 LADY ANNE HORATIA SEYMOUR. 
 
 R. Coszvay. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 A. Plimer. 
 
 SIR HORACE SEYMOUR. 1791-1851. 
 I.B.Isabey. 1820. Signed. 
 
 GEORGE JOHN, 2ND EARL SPENCER. 
 Althorpe Library. 
 
 EDMUND, 8tpi EARL OF CORK. 1767-1856. 
 
 R. Coszvay. 
 
 STEPHEN POYNTZ. 
 
 J.H.Hurter. 1780. Signed. Lady Sarah Spencer. 
 
 MARGARET GEORGIANA POYNTZ, 1ST COUNTESS SPENCER. 
 Wife of John, ist Earl. 
 
 J. C. D. Englelieart. After H. Howard, R.A. 1814. Signed. 
 
 Lady Sarah Spencer. 
 
 GEORGIANA, DUCHESS OF DEVONSHIRE. 1757-1806. Wife of 
 William, 5th Duke. 
 
 A Sketch from Nature. By Ozias Humphry. 1783. Signed. 
 
 Earl Spencer. 
 
Case XXXII. 
 
 93 
 
 44 OLIVER CROMWELL. 1599-1658. 
 
 After S. Cooper. By Margaret , Lady Lucan. Signed. 
 
 Lent by Earl SPENCER. 
 
 45 PORTRAIT OF A GENTLEMAN. 
 Oil, on card. S. Cooper. 
 
 Earl Spencer. 
 
 46 GEORGE I., KING OF ENGLAND. 1660-1727. 
 
 Bernard Lens. 1724. Signed. Earl Spencer. 
 
 47 CHARLES, 3RD EARL OF PETERBOROUGH. 1658-1735. 
 
 Earl Spencer. 
 
 48 PORTRAIT OF A LADY, in yellow gown. Earl Spencer. 
 
 49 PORTRAIT OF A GENTLEMAN, in wig and lace ruffle. 
 
 Lawrence Crosse. Signed. Earl Spencer. 
 
 50 PORTRAIT OF A GENTLEMAN. Earl Spencer. 
 
 51 SARAH JENNINGS, ist DUCHESS OF MARLBOROUGH. 1660-1744. 
 
 C. F. Zincke. Earl SPENCER. 
 
 52 PORTRAIT OF A CLERGYMAN. 
 
 Margaret Lady L^ucan. Signed. Earl Spencer. 
 
 53 LOUIS XIV. 1638-1715. 
 
 Petitot. Earl Spencer. 
 
 54 FRANCES WORSLEY, COUNTESS GRANVILLE. Ob. 1743. ist wife 
 
 of John Carteret, ist Earl. 
 
 Enamel. A. Leeman. 
 
 55 CARDINAL RICHELIEU. 1582-1653. 
 
 Enamel. After Philippe de Champaigne. 
 
 56 PORTRAIT OF A GENTLEMAN. 
 
 A. Plimer. 
 
 57 PORTRAIT OF A LADY AND CHILD. 
 
 Nathaniel Dixon. Signed. 
 
 58 PORTRAIT OF A LADY. 
 
 Samuel Cooper , 1661. Signed. 
 
 59 PORTRAIT OF A LADY. 
 
 Penelope Cleyn , ’ 74 - Signed. 
 
 Earl Spencer. 
 
 Earl Spencer. 
 
 Earl Spencer. 
 
 Earl Spencer. 
 
 Earl Spencer. 
 
 Earl Spencer. 
 
Case XXXII. 
 
 94 
 
 60 
 
 61 
 
 62 
 
 63 
 
 64 
 
 65 
 
 66 
 
 87 
 
 63 
 
 69 
 
 70 
 
 71 
 
 72 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil,, painted on gold coin . Lent by Earl Spencer. 
 
 PORTRAIT OF A GENTLEMAN, in a wig. 
 
 Enamel. Petitot. Earl Spencer. 
 
 PORTRAIT OF A GENTLEMAN, in lace collar. 
 
 Oil, on card. Earl Spencer. 
 
 PORTRAIT OF A GENTLEMAN, in a wig. 
 
 Oil, on copper. Earl Spencer. 
 
 PORTRAIT OF A GENTLEMAN, with light beard and ruff. 
 
 Earl Spencer. 
 
 JOHN CARTERET, ist EARL GRANVILLE. 1690-1763. 
 
 C. F. Zincke. Earl SPENCER. 
 
 PORTRAIT OF A YOUTH. 
 
 Nathaniel Hone. 1761 Signed. Earl SPENCER. 
 
 PORTRAIT OF A LADY, in black cloak. 
 
 H. Peters. Signed. Earl Spencer. 
 
 SARAH JENNINGS, DUCHESS OF MARLBOROUGH. 1660-1744. 
 
 Earl Spencer. 
 
 RACHEL WRIOTHESLEY, LADY RUSSELL. 1636-1723. Wife of 
 William, Lord Russell, the Patriot. 
 
 C. Bolt. Signed. Earl Spencer. 
 
 ANNE ST. JOHN, COUNTESS OF ROCHESTER. Wife of Henry 
 Wilmot, ist Earl. 
 
 Samuel Cooper , 1647. Signed. Earl SPENCER r 
 
 NAPOLEON I. 1769-1821. Cameo by Morelli. This cameo was given by 
 Madame Mere to Dr. O’Meara. Earl Spencer. 
 
 LADY GEORGIANA SPENCER. Afterwards Duchess of Devonshire. 
 
 Earl Spencer. 
 
 73 PORTRAIT OF A LITTLE GIRL. Earl Spencer. 
 
 74 GEORGIANA, COUNTESS COWPER. 2nd wife of William, 2nd Earl. 
 
 g Boit . Earl Spencer. 
 
 75 ANNE CHURCHILL, COUNTESS OF SUNDERLAND. 2nd wife of 
 
 Charles, 3rd Earl. Ob. 1716. 
 
 C. Boit. 
 
 Earl Spencer. 
 
Case XXXII. 
 
 95 
 
 76 JOHN CHURCHILL, DUKE OF MARLBOROUGH. 1650-1722. 
 
 C. F. Zincke. Lent by Earl Spencer. 
 
 77 PORTRAIT OF A MAN, in a wig. 
 
 Bernard Lens. Signed. 
 
 Earl Spencer. 
 
 73 JOHN, ist DUKE OF MARLBOROUGH. 1650-1722. 
 
 C. F. Zincke. Earl Spencer. 
 
 79 PORTRAIT OF A LADY, in brown gown. 
 
 Earl Spencer. 
 
 80 ADMIRAL JOHN BENBOW (?). 1653-1702. 
 
 F. Cleyn. 
 
 Earl Spencer. 
 
 si r 
 
 || 1 SKETCHES. 
 
 34 R. Cosway. Purchased at his sale. 
 
 85 ^ 
 
 Miss Jaffrey. 
 
 86 MRS. FITZHERBERT. 1756-1837. 
 
 A. Plimer. 1785. Signed. 
 
 Princess Hohenlohe. 
 
 87 PAMELA, LADY EDWARD FITZGERALD. 
 
 As Diana. 
 
 Mieris. The Hon. Mrs. Percy Windham. 
 
 CASE XXXIII. 
 
 1 ADRIENNE LECOUVREUR. Actress. 1692-1730. 
 
 Rouvier, 1782. Signed. Sir William Drake. 
 
 2 MARIE SOPHIE LAGUERRE. Singer. 1755-1783. 
 
 Hall , 1776. 
 
 Sir William Drake. 
 
 3 THE FAMILY OF THE AMBASSADOR 
 LOUIS XV. IN 1744. 
 
 Hall, 1744. Signed. 
 
 OF DENMARK TO 
 
 Earl of Rosebery. 
 
 4 LOUIS XIV. 1638-1715. 
 
 J. Petitot. Signed. 
 
 Earl of Rosebery. 
 
Case XXXIII. 
 
 96 
 
 5 
 
 PORTRAIT OF A LADY, as Marchande d’Amour. 
 F. Boucher. Lent by The 
 
 Earl of Rosebery. 
 
 6 MARIE THERESE. 1638-1683. Queen of Louis XIV. 
 
 /. Petitot. Signed. Earl of Rosebery - 
 
 7 MARQUISE DE MONTESPAN. 1641-1707- Mistress of Louis XIV. 
 
 / Petitot. EARL 0F R0SEBERY - 
 
 8 JOHN, LORD CARTERET, EARL GRANVILLE. 1690-1763. 
 
 j -. , Earl of Rosebery. 
 
 Enamel. 
 
 9 GENERAL BENEDICT ARNOLD. Ob. 1801. Delivered up West Point to 
 
 the English in the American War of Independence. 
 
 Earl of Rosebery. 
 
 10 MARIE ANTOINETTE. I 755 -U 93 - 
 
 Earl of Rosebery. 
 
 11 GEORGE WASHINGTON, 1732-1799, and MARIE J. P. MARQUIS 
 
 DE LA FAYETTE. (?) 1757-1834. This watch was presented to George 
 Washington by the French colony of Montreal, probably in commemoration 
 of the Declaration of Independence, 4th July, 1776. 
 
 Earl of Rosebery. 
 
 12 FRANCOISE MARIE DE BOURBON. Mademoiselle de Blois. 1677- 
 
 "1749. Daughter of Louis XIV. and Madame de Montespan; married 
 
 Philippe, Due d’Orleans, Regent. 
 
 J. A. Arlaud. Eare 0F R0SEBERY - 
 
 13 AN OFFICER OF THE “ GARDE ROYALE.” 
 
 14 OLIVER CROMWELL. 1599-1658. 
 
 Earl of Rosebery. 
 Earl of Rosebery. 
 
 15 LOUISE MARIE ADELAIDE DE BOURBON DE PENTHIEVRE. 
 
 1753-1821. Duchesse d’Orleans, wife of Philippe Egalitd. 
 
 Earl of Rosebery. 
 
 16 DUCHESSE DE LA VALLIERE. 1644-1710. Mistress of Louis XIV. 
 
 Earl of Rosebery. 
 
 17 DUCHESSE DE CARIGNAN. 
 
 Hall. Signed. 
 
 Earl of Rosebery. 
 
 18 RICHARD CROMWELL. 1626-1712. 
 
 Earl of Rosebery. 
 
Case XXXIII. 
 
 97 
 
 19 MARQUISE DE MONTESPAN. 1641-170;. Mistress of Louis XIV. 
 
 Lent by The Earl of Rosebery. 
 
 20 PORTRAIT OF A LADY. Temp. Marie Antoinette. 
 
 Lequay. SIR WILLIAM DRAKE. 
 
 21 PORTRAIT OF A LADY. Temp. Marie Antoinette. 
 
 Sicardi. Signed. SIR WILLIAM Drake. 
 
 22 MADAME SALTIRE. Dame d’honneur to Marie Antoinette. 
 
 Sicardi. Sir William Drake. 
 
 23 PRINCESSE DE LAMBALLE. Friend of Marie Antoinette. 1748-1792. 
 
 J. Dumont. Sir WILLIAM Drake. 
 
 24 MADAME DE ROHAN. 
 
 J. E. Heinsius. Sir William Drake. 
 
 25 BARBARA VILLIERS, DUCHESS OF CLEVELAND. 1640-1709. 
 
 After Lely. Jeffery Whitehead. 
 
 26 NAPOLEON I., 1769-1821, and JOSEPHINE, 1763-1814. 
 
 Aubrey. Signed. J. LUMSDEN PROPERT. 
 
 27 HENRIETTA, COUNTESS OF ROCKINGHAM. 
 
 After Lely. Jeffery Whitehead. 
 
 CASE XXXIV. 
 
 Lent by J. LUMSDEN PROPERT, Esq. 
 
 1 QUEEN ANNE. 1664-1714* 
 
 2 CHARLES II. 1630-1685. 
 
 S'. Cooper. 
 
 3 PRINCE RUPERT. 1619-1682. 
 
 4 JEAN DE WIERT, BARON DE CROON. Was the first to teach French 
 
 ladies to take snuff. 
 
Case XXXIV. 
 
 98 
 
 5 FREDERIC ARMAND, DUKE OF SCHOMBERG. 1618-1690. 
 
 Marshal of France. Killed at the Boyne. 
 
 One of the earliest miniatures on ivory. 
 
 6 JOHN THURLOE. 1616-1668. Secretary of State to Oliver Cromwell. 
 
 5 . Cooper. 
 
 7 JOHN, ist EARL OF BRISTOL. 1586-1653. 
 
 Thomas Betts. Signed “ T. BT (A very rare master) 
 
 8 JOHN FREDERIC, DUKE OF BRUNSWICK-LUNEBURG. Father of 
 
 George the 1st of England. 
 
 9 MAN IN ARMOUR. In long wig. 
 
 Nathaniel Dixon. Signed. 
 
 10 ROBERT DUDLEY, EARL OF LEICESTER. 1532-1588. Favourite of 
 
 Queen Elizabeth. 
 
 Isaac Oliver. 
 
 11 ULRICH VON HUTTEN. 1488-1523. 
 
 12 Called DAVID RIZZIO. 1540-1566. Secretary to Mary Queen of Scots. 
 
 13 CHARLES I. 1600-1649. 
 
 Gibson (the dwarf). 
 
 14 CATHERINE DE MEDICI. 1519-1589. Queen of Henry II. of France. 
 
 Probably cut from an Illuminated Book. 
 
 15 JAMES I. 1566-1625. 
 
 N. Hilliard. 
 
 16 MAN IN BROWN VELVET, with white collar. 
 
 17 SIR JOHN MAYNARD. 1602-1690. Lawyer. Commissioner of Great Seal, 
 
 1689. 
 
 A. Cooper. 
 
 18 ALGERNON SIDNEY. 1622-1683. English Republican. 
 
 Thomas Flat man. 
 
 19 ANDREW MARVELL. 1620-1678. Poet and Politician. 
 
 Mary Beale. 
 
Case XXXIV. 
 
 99 
 
 20 GEORGE VILLIERS, ist DUKE OF BUCKINGHAM. 1592-1628. 
 
 Minister of Charles I. 
 
 Isaac Oliver. 
 
 21 EDWARD VI. 1538-1553. 
 
 Levina Teerlinck. (?) 
 
 22 Called QUEEN ELIZABETH. 1533-1603. 
 
 Gold enamelled frame. N. Hilliard. 
 
 22 a QUEEN JANE SEYMOUR. Ob. 1537. 3rd wife of Henry VIII. 
 
 Holbein. 
 
 23 SIR CHRISTOPHER HATTON. 1540-1591. Minister of Elizabeth, Lord 
 
 Chancellor of England. 
 
 N. Hilliard. 
 
 24 JEAN JOUVENET. 1644-1717. French Artist. 
 
 Louis de Boullongne , Peintre du Roi. Signed. 
 
 25 THOMAS MAY. 1594-1654. Historian of Long Parliament. 
 
 Samuel Cooper. 1653. Signed. 
 
 26 DR. JOHN DONNE. 1573-1631. Dean of St. Paul’s. 
 
 Isaac Oliver. 
 
 27 HENRIETTA OF ENGLAND, DUCHESSE D’ORLEANS. 1644-1670. 
 
 Jean Petitot. 
 
 23 DUCHESS OF QUEENSBERRY. Temp. Queen Anne. 
 
 29 QUEEN ELIZABETH. 1533-1603. 
 
 Attributed to Simon de Pass. 
 
 30 CHARLES II. 1630-1685. 
 
 Jean Petitot. Signed. 
 
 31 JAMES EDWARD STUART. 1688-1766. The Old Pretender. 
 
 A ttributed to Petitot fils. 
 
 32 THE SOMERVILE SHAKESPEARE. 1564-1616. 
 
 N. Hilliard. 
 
 33 SIR FRANCIS DRAKE. 1539 - 1596 . 
 
 Isaac Oliver. 
 
Case XXXIV. 
 
 ioo 
 
 34 WILLIAM CAVENDISH, ist DUKE OF DEVONSHIRE. 1640-1707. 
 
 Built Chatsworth. 
 
 Bernard Lens. 
 
 35 LOUIS XIII. 1601-1642. 
 
 36 SAMUEL BUTLER. 1612-1680. Author of Hudibras. 
 
 David Loggan. 
 
 37 CHARLES I. 1600-1649: 
 
 38 JEAN BAPTISTE COLBERT. 1619-1683. French Minister of Finance. 
 
 Sketch by Jean Petitot. 
 
 39 CHARLES II. 1630-1685. 
 
 Jean Petitot. 
 
 40 OLIVER CROMWELL. 1599-1658. 
 
 N. Cooper. 
 
 41 MONTAGUE BERTIE, 2ND EARL OF LINDSEY. 1608-1666. Scottish 
 
 Captain of the Guards, Charles I. 
 
 Peter Oliver. 
 
 42 MARIE THERESE 1638-1683. Queen of Louis XIV. 
 
 Sketch by Petitot. 
 
 43 GEORGE, 4TH EARL OF DARTMOUTH. Supporter of James II. 
 
 Died in Tower, 1691. 
 
 S. Cooper. 1656. Signed. 
 
 43 a ROBERT DEVEREUX, 2ND EARL OF ESSEX. 1567-1601. 
 
 Isaac Oliver. 
 
 44 FRANCOIS DE LA ROCHEFOUCAULD. Godfather of Francis I. 
 
 Ob. 1528. 
 
 45 WILLIAM HERBERT, 3RD EARL OF PEMBROKE. Ob. 1630. 
 
 Peter Oliver. Signed. 
 
 46 HENRY WRIOTHESLEY, 3RD EARL OF SOUTHAMPTON. Ob. 1624. 
 
 Friend of Shakespeare. 
 
 Isaac Oliver. 
 
 HENRY, PRINCE OF WALES. 1594-1612. Son of James I. 
 
 N. Hilliard. 
 
 47 
 
Case XXXIV. 
 
 IOI 
 
 48 THOMAS WRIOTHESLEY, 4TH EARL OF SOUTHAMPTON. 
 
 Ob. 1667. Lord Treasurer. 
 
 S'. Cooper. Signed “S'. C., 1642.” 
 
 49 ELIZABETH, QUEEN OF BOHEMIA. 1596-1661. Daughter of James I. 
 
 N. Hilliard. 
 
 50 COL. LILBURNE. 
 
 Signed “ Samuel Cooper 
 
 51 MRS. HOLLOND. Maid of Honour to Queen Elizabeth. 
 
 N. Hilliard. 
 
 52 MARY. Consort of William III. 1662-1694. 
 
 Lawrence Crosse. Signed. 
 
 53 HENRIETTA CHURCHILL, COUNTESS OF GODOLPHIN. 2nd 
 
 Duchess of Marlborough (ob. 1733), daughter of John, 1st Duke. 
 Nathaniel Dixon. Signed. 
 
 54 GERMAN SCHOLAR. 
 
 Holbein. 
 
 55 LOUIS XIV. 1638-1715. 
 
 56 JAMES LIVINGSTON, EARL OF CALLENDER. Attempted to rescue 
 
 Charles I. from Carisbrooke Castle. Died 1672. 
 
 John Hoskins. Signed. 
 
 57 MADAME VICTOIRE. Daughter of Louis XV. 1733-1799. 
 
 58 ANNE CLIFFORD, COUNTESS OF DORSET, PEMBROKE AND 
 
 MONTGOMERY. She was the lady who rebuilt Skipton, after Lambert’s 
 Siege, and Barden Tower, and returned the famous answer to Sir J. 
 Williamson, Secretary of State to Charles II., when he attempted to dictate 
 to her the choice of a member for Appleby, “ I have been bullied by an 
 usurper, I have been neglected by a Court, but I won’t be dictated to by a 
 subject. Your man shan’t stand.” 1589-1676. 
 
 Peter Oliver. 
 
 59 MARGARET, QUEEN OF NAVARRE. 1553-1615. 1st wife of Henry IV. 
 
 Painted by the brother of Jean Clouet II. See Introduction, p. xlix. 
 
 60 GABRIELLE D’ESTREES. 1571-1599* Mistress of Henry IV. 
 
Case XXXIV. 
 
 102 
 
 61 A DAUGHTER OF THE EARL OF SUFFOLK. 
 
 J. Hoskins. Signed. 
 
 62 CHARLES BRANDON, DUKE OF SUFFOLK. 1484-1 545 - Married 
 
 Mary, sister of Henry VIII., Queen of France (widow of Louis XII). 
 
 63 LOUISE DE QUEROUAILLE. Duchess of Portsmouth. 1647-1734. 
 
 Mistress of Charles II. 
 
 Enamel. Petitotfils. 1685. Signed. 
 
 64 JOHN DE WITT. 1625-1672. Grand Pensionary of Holland. 
 
 Enamel. 
 
 65 HENRI DE LA TOUR D’AUVERGNE. 1611-1675. Vicomte de Turenne. 
 
 Marshal of France. 
 
 Enamel. Jean Petitot. 
 
 66 LOUISE, DUCHESS DE LA VALLIERE 1644-1710. In dress of 
 
 Carmelite Order. 
 
 Enamel. Bordier (?) 
 
 67 GASTON, DUC D’ORLEANS. 1608-1660. 
 
 Enamel. Toutin (?) 
 
 68 AUGUSTUS II. 1670-1733. Elector of Saxony. King of Poland. 
 
 Enamel. George Frederick Dinglinger. 
 
 69 PHILIP IV., KING OF SPAIN. 1605-1665. 
 
 E?iamel. Prienr. Signed “ 1658.” 
 
 70 NICHOLAS FOUQUET, VICOMTE DE VAUX. 1615-1680. French 
 
 Superintendent of Finance. 
 
 Enamel. 
 
 71 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. P. Huaitd. 1678. Signed. 
 
 72 COMTESSE DE BRISSAC. Temp. Louis XIV. 
 
 Enamel. Petitot. 
 
 73 Called QUEEN ANNE. 1664-1714. 
 
 Enamel. Carl Boit. 
 
 74 NINON DE L’ENCLOS. 1616-1706. 
 
 Enamel. Petitot. 
 
Case XXXIV. 
 
 103 
 
 75 LOUIS XIV. 1638-1715. 
 
 Enamel. Petitot. 
 
 76 Called GEORGIANA SPENCER, DUCHESS OF DEVONSHIRE. 
 
 i 757~ i 8o6. 1st Wife of William, 5th Duke. 
 
 Enamel. H. Bone. “ Oct. 1794.” Signed. 
 
 77 PRINCESS DE CONTI. Temp. Louis XIV. 
 
 Enamel. Petitot. 
 
 78 LOUIS XIV. 1638-1715. 
 
 Enamel. Petitot. 
 
 79 LOUIS XIV. 1638-1715. 
 
 Enamel Locket , with portrait of the King in Wax. 
 
 80 MARIE DE RABUTIN CHANTAL, MARQUISE DE SEVIGNE, 
 
 1626-1696. Writer of the Famous Letters. 
 
 Enamel. Petitot. 
 
 81 A LADY. Temp. Louis XIV. In enamelled Locket. 
 
 Enamel. Petitot. 
 
 82 A LADY. Temp. Louis XIV. 
 
 Enamel. Petitot. 
 
 83 CUPID AND PSYCHE. 
 
 Enamel. 
 
 84 GENTLEMAN. Temp. Louis XIV. 
 
 Enamel. Petitot. 
 
 85 OLIVER CROMWELL. 1599-1658. JOHN HAMPDEN. 1594-1643. 
 
 Enamels. Attributed to Petitot fils. 
 
 86 PHILIP, 4TH LORD WHARTON (Ob. 1696), and JANE GOODWIN, 
 
 2nd Wife. 
 
 Enamels. Petitot fils. 
 
 87 LOUIS XIV. 1638-1715. 
 
 Enamel. Petitot. 
 
 88 JOHANN M. DINGLINGER. 
 
 Enamel. Thienpondt. 1763. Signed. 
 
 89 GIRL WORKING BY CANDLE LIGHT. 
 
 “ G. M. F. 1756.” Signed. 
 
Case XXXIV. 
 
 104 
 
 90 NICOLAS DE LARGILLIERE. 1656-1746. French painter. 
 
 Enamel. Thienpondt. 1763. Signed. 
 
 91 LOUIS, PRINCE DE CONDE. 1621-1686. (Le Grand Cond£) 
 
 Toutin (?) 
 
 92 WILLIAM III. 1650-1702. 
 
 Enamel. 
 
 93 JAKOB VAN SCHUPPEN. Painter. Ob. 1751. 
 
 Enamel. Thienpondt. 1763. Signed. 
 
 94 WILLIAM THOMPSON. A beggar of Dublin. Aged 114. 1744* 
 
 Enamel. R. Barber. Signed. 
 
 95 MOCH. Painter. 
 
 Enamel. Thienpondt. 1763. Signed. 
 
 96 MEMORIAL PORTRAIT. 
 
 Enamel. 
 
 97 JOHN KEMBLE. 1757-1823. 
 
 Enamel. Horace Hone. 1790. Signed. 
 
 98 CATHARINE. DUCHESS OF BUCKINGHAM. AND HER SON. 
 
 Daughter of James II. 3rd Wife of John Sheffield, 1st Duke. 
 
 Enamel. C. F. Zincke. 1726. Signed. 
 
 99 SALVATOR MUNDI. 
 
 Reliquiaire. 16th century. 
 
 100 MRS. SIDDONS. 1755-1831. 
 
 Enamel. Horace Hone. 1790* Signed. 
 
 101 MARIA THER.ESA. 1717-1780. FRANCIS I. 1708-1765. Parents of 
 
 Marie Antoinette. 
 
 Enamel. 
 
1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 io5 
 
 CASE XXXV. 
 
 Lent by J. Lumsden Propert, Esq. 
 
 (Oil Miniatures. Sixteenth and Seventeenth Centuries.) 
 
 GASTON DUC D’ORLEANS. 1608-1660. 
 
 Oil, on copper. Unknown. 
 
 GEORGE, 1ST DUKE OF ALBEMARLE. 1608-1670. 
 
 Oil , on copper. Sir P. Lely. 
 
 CHARLES MORDAUNT, 3rd EARL OF PETERBOROUGH. 1658-1735. 
 Oil , on copper. Gonzalez. 
 
 PRINCE RUPERT. 1619-1682. Nephew of Charles I. 
 
 Oil , on copper. Sir P. Lely. 
 
 HENRIETTE DUCHESSE D’ORLEANS. 1644-1670. 
 Charles I. 
 
 Oil , on copper. Unknown. 
 
 HENRY VIII. 1491-1547. 
 
 Oil , on copper. Unknown. 
 
 JOHN SELDEN. 1584-1654. 
 
 Oil, on copper. S. Cooper. 
 
 THOMAS, 3RD LORD FAIRFAX. 1611-1671. 
 Oil , on copper. S. Cooper. 
 
 HENRIETTA MARIA. Queen of Charles I. 1609-1669. 
 
 Oil , on copper. Vandyck , 
 
 Daughter of 
 
 SHAICSPEARE. 1564-1616. 
 
 Oil, on copper. Unknown . 
 
 JAMES DRUMMOND, 4TH EARL OF PERTH. Lord Chancellor of 
 Scotland. Ob. 1716. 
 
 Oil, on copper. Unknown. 
 
 QUEEN ELIZABETH. 1533-1603. 
 
 Oil, on copper. Unknown. 
 
 SHAKSPEARE. (Engraved by Wivell). 1564-1616. 
 
 Oil, on gold. Unknown. 
 
Case XXXV. 
 
 106 
 
 14 GOVERNOR OF BREDA. 
 
 Oil, on gold. Velazquez. 
 
 15 CATHERINE CAREY, COUNTESS OF NOTTINGHAM. Wife of 
 
 ist Earl. Ob. 1603. 
 
 Oil , 071 copper. P. Oliver. Sighted. 
 
 10 JAMES, DUKE OF MONMOUTH. 1649-1685. Son of Charles II. 
 Beheaded, 1685. 
 
 Oil, on copper. Uiiknown. 
 
 17 PRINCESS ELIZABETH. 1533-1603. 
 
 Oil, 07i slate. Sir A 7 ito 7 iio More. 
 
 18 JOHN EVELYN. 1620-1705. 
 
 Oil, 07 i copper. Unk 7 iozv 7 t. 
 
 19 CHARLES BRANDON, DUKE OF SUFFOLK. 1484 - 1545 - Married 
 
 Mary Queen of France, sister of Henry VIII. 
 
 Oil, 07 i pa 7 iel. Holbein. 
 
 20 ADRIAN VAN DER WERFF. 1659-1722. 
 
 Oil, 071 copper. By Hi 77 iself. 
 
 21 WILLIAM DUCKETT. 
 
 Oil, 07 i copper. Zucchero. 
 
 22 Called MARIE STUART. 1542-1587. 
 
 Oil, 071 copper. N. Hilliard. Sig7ied. 
 
 23 JAMES I. 1566-1625. 
 
 Oil , on copper. 
 
 24 COLONEL JOHN DUCKETT. 
 
 Oil, on copper. Fra 7 icesco Cleyn. 
 
 25 PRINCE CHARLES, 1630-1685, and PRINCE JAMES, 1633-1701. After¬ 
 
 wards Charles II. and James II. 
 
 Oil, 071 a Brunswick dollar. Unknown. 
 
 26 FRANCIS II. OF FRANCE. 1543-1560. 
 
 Oil, on slate. Janet. 
 
 27 JOHN MILTON. 1608-1674. 
 
 Oil, 071 copper. S. Cooper. 
 
 28 MALE PORTRAIT. In ivory box. 
 
 Oil, 07 i copper. Unknown . * .. 
 
Case XXXV. 
 
 107 
 
 29 FEMALE PORTRAIT. Unknown. 
 
 Oil, on copper . Unknown. 
 
 30 DON JOHN OF AUSTRIA. 1545-1578. 
 
 Oil, on copper. Janet. 
 
 31 AN INFANTA OF SPAIN. 
 
 Oil , on copper. Unknown. 
 
 32 ROBERT NANTEUIL. 1623-1678. Engraver. 
 
 Gouache, on paper. By Himself. 
 
 33 GERARD TERBURG. 1608-1681. 
 
 Oil, on copper. By Himself. 
 
 34 CARLO DOLCE. 1616-1686. 
 
 Oil, 071 silver. By Hwiself. 
 
 35 WILLIAM LENTHALL. 1591-1662. Speaker of the House of Commons. 
 
 Oil, on copper. S. Cooper. 
 
 36 CHARLES I. 1600-1649. 
 
 Needlework. Princess Elizabeth. 
 
 37 CATHERINE OF BRAGANZA. 1638-1705. Wife of Charles II. 
 
 John Greenhill. Signed. 
 
 38 PIERRE MIGNARD. 1610-1695. French Painter. 
 
 Oil, on copper. By Himself. 
 
 39 QUEEN MARY I. 1516-1558. 
 
 Oil, 071 copper. Sir A ntonio More. 
 
 40 CHARLES II. 1630-1685. 
 
 Jolm Gree7ihill. Signed. 
 
CASE XXXVI. 
 
 Lent by J. Lumsden Propert, Esq. 
 
 ( Water Colour Miniatures. Eighteenth and Nineteenth Centuries.) 
 
 1 MARQUIS DE CONDORCET. 1743-1794- 
 
 Unknown. 
 
 2 CHARLES JENKINSON, 1ST EARL OF LIVERPOOL. 1727-1808. 
 
 R. Cosway. 
 
 3 CHRISTINA, QUEEN OF SWEDEN. 1626-1684. 
 
 Latinville. Signed. 
 
 4 EMPRESSES JOSEPHINE and MARIE LOUISE. Wives of Napoleon I. 
 
 Isabey. 
 
 5 GENERAL BERTHIER. Prince of Wagram. »733 -i 8 i 5* General under 
 
 Napoleon I. 
 
 Isabey. Signed. 
 
 6 PIETRO METASTASIO. 1698-1782. 
 
 Unknown. 
 
 7 FEMALE PORTRAIT. Temp. Directoire. 
 
 Unknown. 
 
 8 MADAME ELIZABETH. Sister to Louis XVI. 1764-1794* Guillotined. 
 
 Dumont. Signed. 
 
 9 LADY ANNE HORATIA SEYMOUR. Wife of Lord Hugh Seymour. 
 
 A. Ptimer. 
 
 10 FEMALE PORTRAIT. 
 
 Rosalba Carriera. 
 
 11 FEMALE PORTRAIT. 
 
 R. Cosway. 
 
 12 MARIE ADELAIDE, DUCHESSE DE BOURGOGNE. 1685-1712. 
 
 N. L. 1712. Signed. 
 
 13 MADAME DU BARRY. 1746-1793- 
 
 Ormolu frame by Gouthiere Campana. Signed. 
 
Case XXXVI. 
 
 109 
 
 14 A COUNTRY FAIR. 
 
 Van Blarenberghe. Signed: 
 
 15 DAME GRACE DUCKETT. 
 
 Ozias Humphry , R.A. Signed. 
 
 16 ANTONIO CANOVA. 1775-1822. 
 
 Fiiger. 
 
 17 ROBERT BURNS. 1759-1796. 
 
 Unknown. 
 
 18 MADAME LE BRUN (and CHILD). 1755-1842. 
 
 Le Brun. 
 
 19 MONSIEUR J. A. CHAPTAL. Comte de Chauteloup. 1756-1832. 
 
 A rlaud. Signed. 
 
 20 LADY O’NEILL, Wife of 1st Viscount. 
 
 Hamilton. Signed. 
 
 21 MARIE CAROLINE, QUEEN OF NAPLES. (Wife of Ferdinand IV.) 
 
 1752-1814. Sister of Marie Antoinette. 
 
 Fiiger. 
 
 22 PORTRAIT OF A GIRL IN GIPSY DRESS. 
 
 Unknown. 
 
 23 MARIA THERESA, OF AUSTRIA, EMPRESS OF GERMANY. 
 
 1717-1780. 
 
 Liotard. 
 
 24 PRINCESS ELIZABETH. Daughter of George III. 1770-1829. (Wife of 
 
 Landgrave of Hesse Homburg.) 
 
 Smart . Signed. 
 
 25 FEMALE PORTRAIT. Unknown. 
 
 R. Cosway. 
 
 26 ROSALIE DUGAZON. 1755-1821. Actress. 
 
 Sicardi. 
 
 27 COMTESSE DE CAYLA. 
 
 Augustin. Signed. 
 
 28 ELIZABETH GUNNING. Duchess of Argyll. (Wife of 5th Duke.) 
 
 Ob. 1790. 
 
 N. Plimer. 
 
Case XXXVI. 
 
 i io 
 
 29 GUILLAUME ANDRE REAL. 1752-1832. 
 
 Dumont. Signed. 
 
 30 PORTRAIT OF A GENTLEMAN. 
 
 A. Ptimer. Signed. 
 
 31 MADAME COUTTEAU. 
 
 Isabey. Signed. 
 
 32 MALE PORTRAIT. 
 
 R. Cosway. 
 
 33 GEORGE IV. (As an infant.) 1762-1830. 
 
 R. Cosway. 
 
 34 ELEANOR, COUNTESS OF EGLINTON. (Wife of Hugh, 12th Earl.) 
 
 (Married in 1772.) 
 
 R. Cosway. 
 
 35 MARIA LINLEY (MRS. RICHARD TICKELL). 
 
 R „ Cosivay. 
 
 36 JOHN KEMBLE. (As Hamlet.) 1757-1823. 
 
 R. Cosway. 
 
 37 REBECCA BOWLES, LADY NORTHWICK. (Married in 1766.) Wife 
 
 of 1st Baron. 
 
 N. Plimer. 
 
 38 MADAME RECAMIER. 1777-1849. 
 
 A ugustin. 
 
 39 MADAME ROYALE. Daughter of Louis XVI. Riding on a Goat. Nat. 1778. 
 
 Drouais. Signed. 
 
 40 MRS. MOFFATT. 
 
 R. Cosway. Signed. 
 
 41 MR. MOFFATT. 
 
 R. Cosway. Signed. 
 
 42 LADY MELBOURNE {nee MILBANICE). 
 
 R. Co sway. 
 
 43 CHARLES MAURICE DE TALLEYRAND. Prince de Benevent. 
 
 1754-1838. 
 
 Unknown. 
 
Case XXXVI. 
 
 111 
 
 44 PORTRAIT OF A LADY. 
 
 Unknown. 
 
 45 LOUIS XVI. Marie Antoinette and the Dauphin. 
 
 In Ivory Etui. Unknown. 
 
 46 PORTRAIT OF A LADY. 
 
 R. Cos way. 
 
 47 SIR E. PAGET. 
 
 R. Cosway. 
 
 48 RICHARD COSWAY, R.A. 1740-1821. 
 
 By Himself. 
 
 49 LADY E. PAGET. 
 
 R. Co sway. 
 
 50 PORTRAIT OF A LADY. 
 
 R. Cosway. 
 
 51 GEORGES LOUIS LECLERC, COMTE DE BUFFON. 1707-1788. 
 
 In Ivory Etui. Unknown. 
 
 52 MEMORIAL LOCKET. Containing Hair of Lord Nelson. Presented by 
 
 Lady Hamilton to Admiral Collingwood. 
 
 R. Collins. Signed. 
 
 53 JEAN PAUL MARAT. 1744-1793. (Assassinated by Charlotte Corday.) 
 
 Unknown. 
 
 54 RING. Containing Portraits of Napoleon, Marie Louise and The King of Rome. 
 
 Isabey. 
 
 55 FIVE RINGS. 
 
 56 PORTRAIT OF A LADY. 
 
 R. Cosway. 
 
 57 CHARLOTTE GORDON, DUCHESS OF RICHMOND. Ob. 1842. 
 
 Wife of Charles, 4th Duke. 
 
 R. Cosway. 
 
 58 MISS NEWCOME. 
 
 R. Cosway. 
 
 59 GEORGE IV. 1762-1830. 
 
 R. Cosway. Signed. 
 
Case XXXVI. 
 
 I 12 
 
 00 MALE PORTRAIT. 
 
 R. Cosway. 
 
 61 PORTRAIT OF A LADY. 
 
 Unknown. 
 
 02 VARIOUS MINIATURES, set as Rings, Lockets, &c. 
 
 63 PORTRAIT OF AN EYE. 
 
 Unknown. 
 
 64 ELIZABETH, COUNTESS GROSVENOR. (Married in 1819.) Wife of 
 
 Richard, 2nd Marquess of Westminster. 
 
 Sir T. Lawrence. 
 
 65 LADY HAMILTON. 1761-1815. 
 
 N. Plimer. 
 
 66 MISS RUSHOUT. 
 
 N. Plimer. 
 
 67 JEAN BAPTISTE GREUZE. 1725-1805. 
 
 Unknown. 
 
 63 MARY, DUCHESS OF MONTAGU. (Married in 1730.) 
 
 A rtist unknown. 
 
 69 JOHN TILLOTSON. 1630-1694. Archbishop of Canterbury. 
 
 Mrs. Beale. 
 
 70 MRS. HARLOWE. Actress. 1765-1852. 
 
 Janies Nixon. Signed. 
 
 71 GIRL’S HEAD. Engraved as “ La Coquette.” 
 
 Fragonard. 
 
 72 JACK BANNISTER. Actor. 1760-1836. 
 
 H. Edridge. 
 
 73 DAVID GARRICK. 1716-1779. 
 
 Unknown. 
 
 74 BUST OF A LADY IN PROFILE. Black background. 
 
 Bourgeois. 
 
 75 MALE AND FEMALE PORTRAITS. Unknown. 
 
 In enamel and green frame. Unknown. 
 
Case XXXVI. 
 
 113 
 
 76 MRS. FITZHERBERT. 1756-1837. 
 
 R. Coszvay. 
 
 77 MRS. ROBINSON. “Perdita.” 1758-1800. 
 
 Miss Offie Palmer. 
 
 78 RICHARD BRINSLEY SHERIDAN. 1751-1816. 
 
 G. Engleheart. 
 
 79 OFFICER IN VOLUNTEER UNIFORM. 
 
 R. Cosway. 
 
 80 MRS. MEYER. 
 
 J. Nixon. 
 
 81 MRS. C. J. FOX AND CHILD. 
 
 Ozias Humphry , R.A, 
 
 82 PORTRAIT OF A GENTLEMAN. 
 
 R. Cosway. 
 
 83 FRANCES BURNEY. (Mme. d’Arblay.) 1752-1840. 
 
 Shelley. 
 
 84 GEORGE ROMNEY. 1734-1802. 
 
 By Himself. 
 
 85 MISS GUTHRIE. 
 
 R. Cosway. 
 
 86 MRS. REID. 
 
 Unknown. 
 
 87 A LADY AND HER BABY. 
 
 Shelley. 
 
 88 ANDREAS HOFER. 1767-1810. Tyrolean Insurgent Bard. 
 
 Unknown. 
 
 89 PORTRAIT OF A LADY, 
 
 Smart. 
 
 90 SIR JOHN PRICE. 
 
 Smart. 
 
 91 PORTRAIT OF AN OFFICER. 
 
 Shelley. 
 
Case XXXVI. 
 
 114 
 
 92 LADY MARY WORTLEY MONTAGU. 1690-1762. 
 
 Turkish Artist. Unknown. 
 
 93 MADAME DE POMPADOUR. 1721-1764. 
 
 Charlier. 
 
 94 JAMES MACPHERSON. (Author of Ossian.) 1738-1796- 
 
 Unknown. 
 
 95 ELIZA FARREN. Countess of Derby. 1759-1829. 
 
 J. Nixon. 
 
 96 MADAME RECAMIER (?) i777- l8 49- 
 
 Unknow?i. 
 
 97 PRINCE CHARLES EDWARD STUART. 1720-1788. 
 
 Sz> Robert Strange. 
 
 98 SIR HARRY VANE. 1612-1662. Parliamentarian leader. 
 
 After Sir P. Lely. 
 
 99 PORTRAIT OF A GENTLEMAN. 
 
 Gervas Spencer. Signed. 
 
 100 J. J. ROUSSEAU. 1712-1778. 
 
 In tortoiseshell box. Unknown. 
 
 101 PORTRAIT OF A LADY. 
 
 S'. Cotes. Signed. 
 
 102 EMPEROR AND EMPRESS OF AUSTRIA. 
 
 Unknown. 
 
 103 PRINCE CHARLES EDWARD STUART. 1720-1788. 
 
 Unknown. 
 
 104 MR. PARSONS. Last Auditor of the Exchequer. 
 
 Unknown. 
 
 105 PORTRAIT OF A LADY. 
 
 Unknown. 
 
 106 PORTRAIT OF A LADY. 
 
 J. Meyer , R. A. 
 
1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 9 
 
 10 
 
 11 
 
 12 
 
 13 
 
 CASE XXXVII. 
 
 SAMUEL HORSLEY. 1733-1806. Bishop of St. David’s, Rochester, 
 St. Asaph. Lent by Miss Horsley Whiteman. 
 
 JOHN BRAHAM. 1774-1831. English vocalist and composer. 
 
 Saint . 1816, Signed. C. BUTLER. 
 
 RIGHT HONORABLE SIR JOHN SINCLAIR, 1ST BARONET. Author 
 of the Statistic Account of Scotland. 1754-1835. 
 
 A. Plimer. Sir Tollemache Sinclair. 
 
 THOMAS TOMKINS. 
 
 Enamel. Henry Bone. 1801. Signed. After Sir Joshua Reynolds. 
 
 Earl of Mayo. 
 
 PORTRAIT OF A LADY. 
 
 Huet Villiers. 1809. Signed. C. Drury E. Fortnum. 
 
 FRANCIS HORSLEY. Brother of No. 1. 
 
 F. Gillis. Signed. MlSS HORSLEY WHITEMAN. 
 
 LADY SINCLAIR. (Wife of No. 3.) 
 
 W. Wood. Sir Tollemache Sinclair. 
 
 HONORABLE MRS. WILLIAM CAVENDISH. Ob. 1863. (Wife of 
 No. 9.) Mother of present Duke of Devonshire. 
 
 Hon. Mrs. Frederick Ponsonby. 
 
 WILLIAM CAVENDISH. 1783-1812. Father of present Duke of 
 Devonshire. 
 
 R. Coszvay. Hon. Mrs. Frederick Ponsonby. 
 
 LADY MACDONALD. 
 
 Sir Tollemache Sinclair. 
 MARIA COSWAY. Married Richard Cosway, 1781. 
 
 W. Kemp-Welcii. 
 
 PORTRAIT OF A LADY. Temp. Louis XVI. 
 
 E. Donzel. Signed. Sir Tollemache Sinclair. 
 
 THOMAS SEDDON. As a child. 1821-1856. Painter. 
 j - T.jj Colonel H. C Seddon, R.E. 
 
Case XXXVII. 
 
 116 
 
 14 PORTRAIT OF A GENTLEMAN. 
 
 Jeremiah Meyer, R.A. (?). Lent by C. DRURY E. FORTNUM. 
 
 15 WILLIAM CAVENDISH. 1783-1812. Father of present Duke of Devonshire. 
 
 Hon. Mrs. Frederick Ponsonby. 
 
 16 LOUISA TOLLEMACHE, COUNTESS OF DYSART. 1745-1840. 
 
 H, Bone. After Sir Joshua Reynolds. Sir Tollemache Sinclair. 
 
 17 WILLIAM CAVENDISH, 1783-1812, and his brother GEORGE 
 
 CAVENDISH. 1784-1809. 
 
 R; Cosivay . Hon. Mrs. Frederick Ponsonby. 
 
 18 CHARLES BUTLER, Q.C. 1750-1832. Author and lawyer. 
 
 j'Barry. His HONOR JUDGE STONOR. 
 
 19 PORTRAIT OF A GENTLEMAN. 
 Samuel Collins, of Bath. 1785. 
 
 Miss Horsley Whiteman. 
 
 20 CHARLES BUTLER, Q.C. 1750-1832. Author and lawyer. (Same as 
 No. 18.) 
 
 Samuel Collins , of Bath. 1774. Signed. HlS HONOR JUDGE STONOR. 
 
 21 PORTRAIT OF A LADY. Temp. Louis XIV. 
 
 Enamel sketch. Petitot fils. 
 
 R. S. Holford. 
 
 22 MUNGO PARK. African traveller. 1771-1805. 
 
 Henry A. De Colyar, 
 
 23 PORTRAIT OF A GENTLEMAN. 
 
 R. M. Tautz , 1761. Signed. J • H. FlTZHENRY. 
 
 24 WILLIAM LYGON, LORD ELMLEY, afterwards EARL BEAUCHAMP. 
 
 1747-1816. 
 
 W. Behnes. HON. GERALD PONSONBY. 
 
 25 MRS. MARY TIGHE. 1773-1810. Poetess. 
 
 J. Comerford. EARL OF MAYO. 
 
 26 HENRIETTA, COUNTESS OF BESSBOROUGH, Ob. 1821, and two 
 
 sons, JOHN WILLIAM, EARL OF BESSBOROUGH, and SIR 
 FREDERICK PONSONBY. 
 
 S'. Shelley. LORD DE MAULEY. 
 
 27 RIGHT HON. SPENCER PERCEVAL, M.P. 1762-1812. Prime Minister. 
 
 A. Plimer. Signed. CAPTAIN H. B. MURRAY. 
 
Case XXXVII. 
 
 ii 7 
 
 28 HON. ROBERT BOYLE. 1626-1691. 
 
 Peter Lens. Signed. Lent by F. T. Read. 
 
 29 MADEMOISELLE MARS. 1779-1847. Actress. 
 
 Chapon. 1820. Signed. H. A. RlGG. 
 
 30 DR. HICKS. Dean of Worcester. 
 
 C. Richter. F. T. Read. 
 
 31 CHARLES MORDAUNT. 
 
 George Engleheart. F. T. Read. 
 
 32 MARY WEBB, COUNTESS OF SHAFTESBURY and LADY BARBARA 
 
 ASHLEY (afterwards LADY DE MAULEY). Wife and daughter of 
 
 5th Earl. 
 
 Richard Collins. LORD DE MAULEY. 
 
 33 JOHN, ioth EARL OF WESTMORLAND. 1759-1841. 
 
 George Engleheart. Hon. Sir S. PONSONBY Fane. 
 
 34 PORTRAIT OF A GENTLEMAN. 
 
 Roch , of Bath , 1782. Signed. COLONEL Malet. 
 
 35 
 
 HORACE WALPOLE, 4TH EARL OF ORFORD. 1717-1797. 
 Nathaniel Hone. LADY DOROTHY Nevill. 
 
 36 CHEVALIER D’EON. 1728-1810. 
 Scotti. 
 
 Earl of Mayo. 
 
 37 HONORABLE GEORGE NEVILL. Lady Dorothy Nevill. 
 
 38 PORTRAIT OF A GENTLEMAN. 
 
 A. Plimer. CAPTAIN H. B. MURRAY. 
 
 39 C. LOUIS LEBOULANGER. F. T. Read. 
 
 40 ANNA MARIA, COUNTESS OF MINTO. Ob. 1829. Wife of 1st Earl. 
 
 Mrs. Robert Mayne. 
 
 41 COMTE DE CHASTELLAIN. 
 
 Poirier. Earl OF Mayo. 
 
 42 LADY HAMPSON. 
 
 G. Engleheart. HON. SIR S. PONSONBY FANE. 
 
 43 PORTRAIT OF A LADY. H. A. Rigg. 
 
 44 MISS POOLE. 
 
 J. Naish. Signed. 
 
 F. T. Read. 
 
Case XXXVII. 
 
 118 
 
 45 
 
 46 
 
 47 
 
 48 
 
 49 
 
 50 
 
 51 
 
 52 
 
 53 
 
 54 
 
 55 
 
 56 
 
 57 
 
 58 
 
 59 
 
 60 
 
 LADY MILBANK. 
 
 Lawrence Crosse. 
 
 LADY MALET. 
 
 NELL GWYNNE. 
 Lawrence Crosse (?) 
 
 Lent by F. T. Read. 
 Colonel Malet. 
 
 F. T. Read. 
 
 JOHN, ioth EARL OF WESTMORLAND. 1759-1841. 
 
 A. Plimer. Captain H. B. Murray. 
 
 CATHERINE HYDE, DUCHESS OF QUEENSBERRY. 1700-1777- 
 Wife of 3rd Duke. 
 
 C. F. Zincke. 1717. Signed. Earl of Mayo. 
 
 FRANCIS, 2ND EARL OF GODOLPHIN. 1678-1766. 
 
 N. S. Signed. Possibly N. Salway. Edward A. Nevill. 
 
 SARAH SOPHIA, COUNTESS OF JERSEY. Ob. 1867. Granddaughter 
 of Robert Child, wife of 5th Earl. 
 
 Richard Collins. COLONEL MALET. 
 
 HONORABLE CATHERINE NEVILL. 
 
 Samuel Collins. Edward A. Nevill. 
 
 ELIZABETH, DUCHESS OF SUTHERLAND. 1765-1839- Wife of 
 1 st Duke. 
 
 A. Plimer. 1786. Signed. F. J. ROUSE. 
 
 NANCY PARSONS, VISCOUNTESS MAYNARD (MRS. ANNE 
 HORTON). General Mackenzie. 
 
 LADY ANNE LINDSAY OF BALCARRES. Author of song “ Auld 
 Robin Gray.” Afterwards LADY ANNE BARNARD. 1750-1825. 
 
 Captain H. B. Murray. 
 
 CATHERINE SHORTER, LADY WALPOLE. 1st wife of Sir Robert 
 Walpole. 
 
 Possibly N. Salway. Edward A. Nevill. 
 
 MISS WILKES. 
 
 Ozias Humphry, R.A. Earl of Ma\ o. 
 
 LUKE PEAD. 
 
 Thomas Flatman. Signed “ T. FA JOHN Malcolm OF POLTALLOCH. 
 
 ADMIRAL SIR C. SAUNDERS, K.C.B. Ob. 1775. 
 
 J. Smart. 1773. Signed. HON. SIR S. PONSONBY FANE. 
 
 SIR JAMES RUSHOUT, 2nd Bart. Ob. 1705. 
 
 Enamel , on gold. Hon. Gerald Ponsonby. 
 
Case XXXVII. 
 
 1 19 
 
 61 PORTRAIT OF DUTCH GENTLEMAN. 
 
 L. G. Terburg. 
 
 Lent by G. SALTING. 
 
 62 HONORABLE MRS. G. DAWSON DAMER. 
 
 /. Isabey. Londres , 1820. Signed. Lady Leslie. 
 
 63 JOSEPH ADDISON. Mt. 32. 1672-1719. 
 
 C. F. Zincke. C. E. Lees. 
 
 64 P. RADFORD. 
 
 J. Leakey , Exeter . 
 
 W. T. Radford. 
 
 65 WILLIAM WORDSWORTH. 1770-1850. 
 
 D. B. Murphy. 
 
 Earl of Mayo. 
 
 66 MRS. RADFORD. 
 
 J. Leakey , Exeter. 
 
 W. T. Radford. 
 
 CASE XXXVIII. 
 
 1 PORTRAIT OF A LADY. 
 
 A. Ptimer. 
 
 Earl of Wharncliffe. 
 
 2 MRS. FITZHERBERT. 1756-1837. 
 
 Earl of Wharncliffe. 
 
 3 PORTRAIT OF A LADY. 
 
 Rock (?) 
 
 Earl of Wharncliffe. 
 
 4 HENRI IV. OF FRANCE. 1553-1610. 
 
 Earl of Wharncliffe. 
 
 5 THOMAS, LORD SEYMOUR, of Sudeley. Beheaded 1549. 
 
 Earl of Wharncliffe. 
 
 6 J. EDWARD WORTLEY MONTAGU. 1713-1776. Husband of Lady 
 
 Mary Wortley Montagu. 
 
 Earl of Wharncliffe. 
 
 7 LADY MOUNTJOY. 
 
 Earl of Wharncliffe. 
 
 8 LADY MARY WORTLEY MONTAGU. 1690-1762. 
 
 Earl of Wharncliffe. 
 
 9 JAMES, ist LORD WHARNCLIFFE. 1776-1845. 
 
 Earl of Wharncliffe. 
 
Case XXXVIII. 
 
 120 
 
 10 LUCY PERCY, COUNTESS 
 
 James Hay, ist Earl. 
 
 J. Hoskins (?) 
 
 11 PORTRAIT OF A LADY. 
 
 12 MRS. DANIEL. 
 
 A. Ptimer. 
 
 13 PORTRAIT OF A LADY. 
 
 R. Cosway. 
 
 14 MRS. ROBINSON. “ Perdita.” 
 
 A. Ptimer. 
 
 15 PORTRAIT OF A LADY. 
 
 A. Ptimer. 
 
 16 MADAME DE GENLIS. 1746 
 
 OF CARLISLE. Married 1660. Wife of 
 
 Lent by The Earl of Wharncliffe. 
 
 Earl of Wharncliffe. 
 
 1758-1800. 
 
 Earl of Wharncliffe. 
 
 Earl of Wharncliffe. 
 Earl of Wharncliffe. 
 
 Earl of Wharncliffe. 
 
 -1830. French authoress. 
 
 Earl of Wharncliffe. 
 
 17 ELIZA FARREN, COUNTESS OF DERBY. i 7 S9-iS2 9 . 
 
 11 ^ (S Earl OF Wharncliffe. 
 
 R. Cosway. 
 
 18 MADAME STORACCI. 
 
 W. Grimaldi. 179 5- Signed. 
 
 Earl of Wharncliffe. 
 
 19 CATHERINE II. OF RUSSIA. 1729-1796. Earl of Wharncliffe. 
 
 20 MADAME DE POMPADOUR. 1721-1764- 
 
 Mademoiselle Vallayer del Academic. 1771- Signed. 
 
 Earl of Wharncliffe. 
 
 Earl 
 
 21 RICHARD CROMWELL. 1626-1712. 
 
 John Hoskins. 1655. Signed. 
 
 22 GEORGIANA, DUCHESS OF DEVONSHIRE. 
 
 William, 5th Duke. 
 
 j ! ’ b Earl of Wharncliffe. 
 
 R. Cosway. 
 
 of Wharncliffe. 
 1757-1806. Wife of 
 
 1616-1682, 
 of Wharncliffe. 
 
 23 JOHN MAITLAND, DUKE OF LAUDERDALE. 
 
 Lawrence Crosse. Signed. EARL 
 
 24 ROSALIE DUGAZON. 1755-1821. Actress. 
 
 /. B. J. Augustin. Earl 0F Wharncliffe. 
 
 25 PORTRAIT OF A LADY. 
 
 F. Dumont. 
 
 Earl of Wharncliffe. 
 
Case XXXVIII. 
 
 I 2 I 
 
 26 
 
 27 
 
 28 
 
 29 
 
 30 
 
 31 
 
 32 
 
 33 
 
 34 
 
 35 
 
 36 
 
 37 
 
 38 
 
 MARIA JOSEPHE DE SAXE. Married in 1747 to the Dauphin, son of 
 Louis XV. 
 
 Sicardi. Lent by The Earl of Wharncliffe. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Sicardi, 1785. Signed. Earl OF WHARNCLIFFE. 
 
 PORTRAIT OF A LADY. 
 
 Hall. Signed. Earl OF WHARNCLIFFE. 
 
 SOPHIE ARNOULD. 1744-1803. Actrice de l’opera. 
 
 Earl of Wharncliffe. 
 
 PRINCESS DE LAMBALLE. 1748-1792. Murdered 1792. 
 
 Earl of Wharncliffe. 
 
 PORTRAIT OF A LADY. 
 
 Chasselat. Signed. Earl of Wharncliffe. 
 
 ANGELICA CATALANI. 1782-1849. 
 Saint. Signed. 
 
 MARIE ANTOINETTE. 1755-1793. 
 Madame Villayer Coster, 1782. Signed. 
 
 MRS. CHAPMAN. 
 
 George Engleheart. Signed. 
 
 The famous singer. 
 
 Earl of Wharncliffe. 
 
 Earl of Wharncliffe. 
 
 Miss Horsley Whiteman. 
 
 FREDERICK CHARLES WILLIAM, DUKE (AFTERWARDS KING) 
 OF WURTEMBERG. Ob. 1816. Married Charlotte Amelia, Princess 
 Royal of England. Hon. Gerald Ponsonby. 
 
 JANE, COUNTESS OF WESTMORLAND. Ob. 1857. 2nd Wife of 
 John, 10th Earl. Hon. Sir S. Ponsonby Fane. 
 
 FRANCOISE, COMTESSE DE GRIGNAN. 1646-1705. Daughter of 
 Madame de Sevignd. 
 
 Petitot. R. S. HOLFORD. 
 
 GENERAL THE HONORABLE E. P. LYGON. Ob. i860. 
 
 John Smart, junior, 1806. Signed. Hon. GERALD PONSONBY. 
 
 39 ARCHDUKE ALBERT OF AUSTRIA. 1559-1621. 
 
 Oil, on copper. Hon. Gerald Ponsonby. 
 
Case XXXVIII. 
 
 122 
 
 40 CATHERINE DENN, COUNTESS BEAUCHAMP. Ob. .844. Wife of 
 
 j ISt Ear1 ’ Lent by The Hon. Gerald Ponsonby. 
 
 41 ISABELLA CLARA EUGENIA. 1566-1633. Daughter of Phillip II. of 
 
 Soain. Wife of Archduke Albert of Austria (No. 39). 
 
 Hon. Gerald Ponsonby. 
 
 Oil , on copper. 
 
 42 SIR CHARLES E. KENT. 
 A. Plimer. 1785- Signed. 
 
 Hon. Gerald Ponsonby. 
 
 43 BRIDGET IRETON. Married in 1646. Daughter of Oliver Cromwell. 
 
 F. T. Read. 
 
 Nathaniel Dixon. Signed. 
 
 44 WILLIAM LYGON, 1ST EARL BEAUCHAMP. 1747 - 1816 . 
 
 George Engleheart. Signed. Hon. Gerald PONSONBY. 
 
 4A REBECCA LADY NORTHWICK. Wife of 1st Lord. Married in 1766. 
 
 4& hLBLt > . hon. Gerald Ponsonby. 
 
 R. Cosway. Pencil drawing. ^ 
 
 46 JOHN, ist LORD HUTCHINSON OF ALEXANDRIA, G.C.B. 1757 - 
 
 1832. 2nd Earl of Donoughmore. 
 
 b _ , . , c . 7 Hon. Gerald Ponsonby. 
 
 George Engleheart. Signed. 
 
 47 ANTHONY, 2ND EARL OF SHAFTESBURY. .652-1699. 
 
 11 ’ Earl of Mayo. 
 
 Lawrence Crosse. \t) 
 
 48 HENRIETTA, COUNTESS OF BESSBOROUGH. Ob. .82.. Wife of 
 
 Fiedenck, 3rd Earl. GERALD PONSONBY. 
 
 C. J agger, of Bath. 
 
 49 WILLIAM F. PALMER. Ob. 1828. 
 
 Short. 
 
 F. J. Rouse. 
 
 50 HOFRATH BAUER, M.D. Of Nuremberg. 1796. {Pasted' 
 
 Hon. Gerald Ponsonby. 
 
 51 PORTRAIT OF A GENTLEMAN. 
 
 52 FRAU BAUER. Wife of No. 50. ( Pastel '.) 
 
 J. H. Fitz-Henry. 
 
 Hon. Gerald Ponsonby. 
 
 53 J. C. W. A. MOZART, 1756-1791. and his wife ’ CONSTANCE WEBER. 
 
1 
 
 2 
 
 3 
 
 3a 
 
 4 
 
 5 
 
 6 
 
 8 
 
 9 
 
 10 
 
 123 
 
 CASE XXXIX. 
 
 FAMILY GROUP OF THE MORE FAMILY, founded on one of the 
 Holbein drawings for the large picture. Contains portraits of SlR John 
 More, one of the Justices of the Queen’s Bench (1518), ob. 1533. SlR 
 Thomas More, nat. 1480, Lord Chancellor of England, 1530-1533 ; 
 beheaded in the Tower, 1535. John More. Anne CRESACRE (afterwards 
 married to John More). MARGARET Roper, daughter of Sir Thomas, and 
 married to William Roper, of Canterbury, ob. 1544. Elizabeth Dauncey 
 (second daughter of Sir Thomas, married to John Dauncey). Calcilia 
 Heron, third daughter of Sir Thomas, and married to Giles Heron, of 
 Shacklewell. (Behind the curtain). Henry Pattenson (Sir Thomas More’s 
 family fool, and presented on his fall “ to my Lord Mayor and his suc¬ 
 cessors ”). These figures were all in Holbein’s picture, but the artist has 
 added to the present picture, Thomas More (son to John More), Maria 
 SCROOP, his wife, and their two sons, of whom the eldest, Thomas, renounced 
 the family estates, joined the priesthood, and wrote the Life of Sir Thomas, 
 published 1627. 
 
 This group was probably the work of a Flemish illuminator. See Intro¬ 
 duction , p. viii. Lent by Major-General SOTHEBY. 
 
 A PORTRAIT OF A YOUNG MAN, in silver point. 
 
 Hans Holbein, 1543. Signed. P'REDERICK LOCKER LAMPSON. 
 
 ANNA MARTOFFIN. Inscribed “ Anna Martoffin Johan von Reines Fraw 
 was. 23 Jar Altt. 1528.” FREDERICK LOCKER LAMPSON. 
 
 EDWARD HYDE, EARL OF CLARENDON. 1608-1674. 
 
 Pierre Duguernier. Mrs. Danvers Taylor. 
 
 SIR BEVILE GRENVILE. 1595-1643. Killed at the Battle of Lansdowne. 
 
 David de Grange. Signed. CHARLES CHICHESTER. 
 
 FRAME, CONTAINING SIXTEEN ORIGINAL SKETCHES FOR 
 MINIATURES. 
 
 Richard Cosway, R.A. 
 
 FRAME, CONTAINING 
 MINIATURES. 
 
 Richard Cosway , R.A. 
 
 MR. BUTTS. 
 
 Ozias Humphry , R.A. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 PORTRAIT OF A LADY. 
 
 Petitot. 
 
 Lord Tweedmouth. 
 
 FIFTEEN ORIGINAL SKETCHES FOR 
 
 Lord Tweedmouth. 
 
 17th century 
 
 Aveling Green. 
 
 Gold enamelled frame. 
 Jeffery Whitehead. 
 
 Jeffery Whitehead, 
 
Case XXXIX. 
 
 124 
 
 11 
 
 12 
 
 13 
 
 14 
 
 15 
 
 MLLE. DE BORCELE. 
 
 Petitot. On Vellum. 
 
 LOUIS XIV. Petitot. Enamel. 
 LOUIS XIV. Petitot. Enamel. 
 MADAME DE DREUX. Petitot. 
 
 Lent by JEFFERY WHITEHEAD. 
 
 Jeffery Whitehead. 
 Jeffery Whitehead. 
 On Vellum. Jeffery Whitehead. 
 
 Jeffery Whitehead. 
 
 JEAN PETITOT. 1607-1691. 
 
 By Himself. Enamel. From George IV. collection. 
 
 15A, 15B & 15c. Three Miniatures by J. Smart. Lentby Mrs. John Townshend, viz.: 
 
 15 a ELIZABETH TOWNSEND. Wife of Col. Samuel Townsend. 1772. 
 
 15 b GILBERT FORD, Esq. 1765. 
 
 15c MRS. GILBERT FORD, afterwards MRS. SAMUEL TOWNSEND. 
 
 1765. 
 
 16 GEORGE III. Richard Collins. Mrs. Higford BURR. 
 
 17 MARGARETTA COLLINS. 1776. Richard Collins. Mrs. Higford Burr. 
 
 18 MRS. SALES. 1771. Richard Collins. Mrs. Higford BURR. 
 
 19 PORTRAIT OF A LADY. Ozias Humphry. Sigtied. Mrs. Higford Burr. 
 
 20 MR. BONEYMAN. 1778. Richard Collins. Mrs. Higford Burr. 
 
 21 MRS. GIPPS. 1773. Richard Collins. Mrs. Higford Burr. 
 
 22 PORTRAIT OF A CHILD. Richard Collins. Mrs. Higford Burr. 
 
 23 AN OLD MAN, after Sir Joshua Reynolds. Richard Collins. 
 
 Mrs. Higford Burr. 
 
 24 PORTRAIT OF A GENTLEMAN. Richard Collins. 
 
 Mrs. Higford Burr. 
 
 SNUFF BOXES (in Case XXXIX.)* 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 ANGELICA CATALANI. 1782-1849. Singer. 
 
 Enamel. 
 
 PORTRAIT OF A LADY. Temp. Louis XV. 
 PORTRAIT OF A SPANISH LADY. 
 PORTRAIT OF A LADY. Fuger. 
 
 MRS. FITZHERBERT. 1756-1837. 
 
 A. Plimer. 
 
 Jeffery Whitehead. 
 Jeffery Whitehead. 
 Jeffery Whitehead. 
 
 H. Drake. 
 
 George Bonnor. 
 
 PRINCESS ELIZABETH PARAKANOFF. Daughter of Empress 
 Elizabeth of Russia and Prince Ragumowski. Murdered by order of 
 
 Catherine II. 
 
 Hall. Signed. 
 
 Jeffery Whitehead. 
 
Case XXXIX. 
 
 125 
 
 SNUFF BOXES (continued). 
 
 7 NINON DE L’ENCLOS. 1615-1705. 
 
 8 MARIE ANTOINETTE. 1755-1793. 
 
 Hall. Signed. 
 
 9 NINON DE L’ENCLOS. 1615-1705. 
 
 Enamel. 
 
 10 PORTRAIT OF A LADY. Enamel. 
 
 Lent by SIR WILLIAM DRAKE. 
 Sir William Drake. 
 
 10 a GEORGE III. and QUEEN CHARLOTTE. 
 
 Jeffery Whitehead. 
 Lord Hastings. 
 
 H. H. Gibbs. 
 
 11 PORTRAIT OF A GENTLEMAN. Temp. Louis XIV. 1622-1673. 
 
 Enamel. JEFFERY WHITEHEAD. 
 
 12 GASTON, DUC D’ORLEANS. 1608-1660. 
 
 Enamel. Petitot. R. S. HOLFORD. 
 
 13 MARIE ANTOINETTE. 1755-1793. This miniature formerly belonged to 
 
 Madame Touriel, Gouvernante des Enfants de France. 
 
 Madame Campana. Lord Hastings. 
 
 14 ARMAND, DUC DE RICHELIEU. 1696-1788. 
 
 Duke of Buccleuch. 
 
 15 
 
 16 
 
 17 
 
 18 
 
 19 
 
 20 
 21 
 
 22 
 
 23 
 
 24 
 
 GEORGE IV. 1762-1830. 
 
 Richard (dosway, R.A. 
 
 PORTRAIT OF A LADY. 
 
 Samuel Shelley. 
 
 JOSEPH BONAPARTE, KING 
 his wife. 1768-1844. 
 
 Enamel. Constantin. Signed. 
 
 PORTRAIT OF A GENTLEMAN. 
 Hall. Signed. 
 
 HONORABLE MISS WARD. 
 
 Edridge. 
 
 LOUIS XV. 1710-1774. 
 
 PORTRAIT OF A LADY. 
 
 Sicardi. 
 
 MISS SUTHERLAND. 
 
 G. Engleheart. 
 
 DUCHESSE DE VENTADOME. 
 Vestier. 1782. Signed. 
 
 MADAME LOUISE DE FRANCE. 
 Enamel. Nattier. 
 
 S. E. Kennedy. 
 
 Jeffery Whitehead. 
 SPAIN, and JULIE CLARY, 
 
 Jeffery Whitehead. 
 
 Lord Hastings. 
 
 Sir William Drake. 
 Jeffery Whitehead. 
 
 H. Drake. 
 
 H. Drake. 
 
 Lord Hastings. 
 
 1 737- 1 787. Daughter of Louis XIV. 
 
 Sir William Drake 
 
 When Prince of Wales. 
 
 OF 
 
126 
 
 CASE XL. 
 
 Collection of Miniatures by Richard Cosway , R.A., 
 and Contemporary Miniaturists. 
 
 Lent by E. JOSEPH, Esq. 
 
 The Names being copied from his Catalogue. 
 
 In Centre of Case. 
 
 HONORABLE ANN, HARRIET, AND ELIZABETH RUSHOUT. 
 Three daughters of John Rushout, 1st Lord Northwick. 
 
 A. Plimer. 
 
 1 RICHARD COSWAY, R.A. 1740-1821. 
 
 Inscribed on the back: “Richard Cosway , Esq., R.A. The first of painters , 
 and my particular friend. Draivn in London by Stubble , 1792. Belonging 
 to Maria Cologan." 
 
 2 MRS. COSWAY. Maria Hadfield. 
 
 R. Cosway. 
 
 3 PORTRAIT OF A GENTLEMAN. 
 
 4 PORTRAIT OF A LADY. 
 
 5 PORTRAIT OF A YOUNG LADY, with black hat and feathers. 
 
 6 PORTRAIT OF A LADY, in a white dress. 
 
 7 PORTRAIT OF A LADY, in a frilled dress. 
 
 8 HONORABLE ELIZABETH RUSHOUT. Third daughter of Lord North¬ 
 
 wick. 
 
 A. Plimer. 
 
 9 PROFILE OF A LADY, in a yellow dress. 
 
 f. Nixon. 
 
 10 PORTRAIT OF A LADY. 
 
 11 PORTRAIT OF A LADY. 
 
 12 PORTRAIT OF A LADY. 
 
 13 PORTRAIT OF A LADY. 
 
Case XL. 
 
 127 
 
 14 PORTRAIT OF A LADY. 
 
 15 PORTRAIT OF A LADY. 
 
 16 PORTRAIT OF A LADY, in a white hood. 
 
 R. Cosway. 
 
 17 SOPHIA, LADY YARBOROUGH. Ob. 1786. Wife of C. A. Pelham, 
 
 1st Lord Yarborough, with their eldest daughter. 
 
 18 PORTRAIT OF A LADY 
 
 John Smart. Signed. 
 
 19 PORTRAIT OF A LADY, in a white mob cap. 
 
 20 PORTRAIT OF A LADY, in a white dress. 
 
 21 ELEANOR, COUNTESS OF EGLINTON. Wife of Hugh, 12th Earl. 
 
 22 SIR WILLIAM TWYSDEN. 
 
 23 LADY ELIZABETH FOSTER. 1759-1824. Second wife of William, 
 
 5th Duke of Devonshire. 
 
 24 MARCHIONESS OF SALISBURY. 
 
 25 MRS. DAWSON DAMER. 
 
 26 PORTRAIT OF A LADY, in a white dress. 
 
 27 PORTRAIT OF A GENTLEMAN, in a blue coat. 
 
 R. Cosway , 1791. Signed. 
 
 28 PORTRAIT OF A LADY. 
 
 R. Cosway. Signed “ R. C.” 
 
 29 MRS. SIDDONS. 1755-1831. 
 
 30 PORTRAIT OF A LADY, in a white frilled dress. 
 
 31 PORTRAIT OF A LADY, in a white frilled dress. 
 
 32 PRINCESS CHARLOTTE AUGUSTA OF WALES. 1796-1817. 
 
 Signed “ R. Cosway, February , 1807.” 
 
 33 MRS. NIXON, of Jamaica. 
 
Case XL. 
 
 128 
 
 34 PORTRAIT OF A LADY. 
 
 35 ELIZA FARREN, COUNTESS OF DERBY. 1759-1829. 
 
 36 HARRIET MELLON, DUCHESS OF ST. ALBANS. 
 
 37 GEORGIANA, DUCHESS OF DEVONSHIRE. Holding a child. 
 
 38 PORTRAIT OF A LADY, with high head-dress. 
 
 39 PORTRAIT OF A LADY. 
 
 40 PORTRAIT OF A LADY. 
 
 41 PORTRAIT OF A LADY. 
 
 42 PORTRAIT OF A LADY, in a brown dress. 
 
 43 PORTRAIT OF A LADY. 
 
 44 REBECCA, LADY NORTHWICK. 
 
 45 PORTRAIT OF A LADY, with powdered hair. 
 
 46 PORTRAIT OF A LADY. 
 
 47 GEORGE IV., when PRINCE OF WALES. 
 
 48 PRINCE LOUBOVMIRSKY. 
 
 49 PORTRAIT OF A LADY. 
 
 50 PORTRAIT OF A LADY, in a black dress. 
 
 51 PORTRAIT OF A LADY. (Maria Edwardes.) 
 
 52 PORTRAIT OF A GENTLEMAN. 
 
 53 PORTRAIT OF A GIRL. 
 
 54 PORTRAIT OF A LADY. 
 
 55 COMMANDER BOND, of the Chinese Expedition. 
 
 56 LADY ELIZABETH FOSTER. 2nd wife of 5th Duke of Devonshire. 
 
 Horace Hone. Signed. 
 
 57 THE RIGHT EYE OF MRS. FITZHERBERT. Cosway set the fashion 
 
 of painting the eye alone in a miniature, which was set in a ring or locket. 
 
Case XL. 
 
 129 
 
 53 PORTRAIT OF A LADY. 
 
 59 PORTRAIT OF A LADY. 
 
 60 MRS. MARY ROBINSON. “ Perdita.” 1758-1800. 
 
 R. Cosway. 
 
 61 PORTRAIT OF A LADY. 
 
 A. Plimer, 1757. Signed. 
 
 62 LADY WALDEGRAVE. 
 
 63 SIR WALTER SCOTT. 
 
 64 GEORGE, PRINCE OF WALES, in fancy dress. 
 
 65 PORTRAIT OF A GENTLEMAN. 
 
 66 LADY NORTHWICK. 
 
 A. Plimer. 
 
 67 PORTRAIT OF A LADY. 
 
 63 PORTRAIT OF A GENTLEMAN. 
 
 R. Cosway, 1789. Signed. 
 
 69 PORTRAIT OF A LADY. Nelson’s daughter. 
 
 70 GEORGE IV., when PRINCE OF WALES. 
 
 71 ELIZABETH, LADY PORCHESTER. Wife of Henry, Lord Porchester. 
 
 Countess of Carnarvon. Ob. 1813. 
 
 72 HENRY, LORD PORCHESTER, 2ND EARL OF CARNARVON. 
 
 73 MARIA COSWAY, with a chapeau de paille. 
 
 74 LADY STUART OF CASTLE MILK. 
 
 75 LADY PULTENEY. 
 
 76 ANDREW STUART OF CASTLE MILK. 
 
 77 CAROLINE OF BRUNSWICK. 1768-1821. Queen of George IV. 
 
 R. Cosway , 1795. Signed. 
 
130 
 
 CASE XLI. 
 
 FRAME 1. 
 
 Lent by C. H. Hawkins, Esq. 
 
 PORTRAIT OF A LADY. 
 
 Oil. Van dcr Heist. 
 
 PORTRAIT OF A LADY. Dated 1600. Aitatis 23. 
 
 Oil. 
 
 ROBERT HARLEY, EARL OF OXFORD. 1661-1724. 
 
 Oil. 
 
 JACOB HALL. The rope dancer and comedian. Temp. Charles II. 
 
 Oil. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 FRAME 2. 
 
 Lent by C. H. Hawkins, Esq. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 BARTOLOME GONZALES. 1564-1627. Painter. 
 
 Oil. By Himself. 
 
 THE EMPEROR FERDINAND II. OF GERMANY. i 573 " l6 37 - 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 PORTRAIT OF A LADY. 
 
 Oil. 
 
 PORTRAIT OF A GENTLEMAN. 
 
 Oil. 
 
 PORTRAIT OF A GENTLEMAN, in a ruff. 
 
 C. Janssen. 
 
Case XLI. 
 
 131 
 
 ANONYMOUS. 
 
 Per E. Joseph, Esq. 
 
 1 DUCHESS OF DEVONSHIRE. 
 
 Meyer. 
 
 2 FANNY DAWSON. 
 
 3 PORTRAIT OF A LADY. 
 
 Engleheart. 
 
 4 PORTRAIT OF A LADY. 
 
 J. Smart , 1775. 
 
 5 PORTRAIT OF A LADY. 
 
 J. Smart. 
 
 6 R. B. SHERIDAN. 
 
 R. Coszvay. 
 
 7 R. B. SHERIDAN. 
 
 R. Cosway. 
 
 8 MRS. COSWAY. 
 
 R. Cosway. 
 
 9 PORTRAIT OF A GENTLEMAN. 
 
 R. Cosway. 
 
 10 PORTRAIT OF A GENTLEMAN. 
 
 S'. Shelley. 
 
 11 PORTRAIT OF A LADY. 
 
 S'. Shelley. 
 
 12 MRS. ROBINSON (an Actress). 
 
 13 PORTRAIT OF A LADY. 
 
 A. Buck. 
 
 14 PORTRAIT OF A LADY. 
 
 A. Buck. 
 
 15 PORTRAIT OF A GENTLEMAN. 
 
 W. Wood. 
 
Case XLI. 
 
 132 
 
 16 PORTRAIT OF A LADY. 
 
 17 MADAME DE POMPADOUR. Represented as Ganymede. 
 
 Boucher. 
 
 18 PORTRAIT OF A LADY. 
 
 19 PORTRAIT OF A LADY. 
 
 20 PORTRAIT OF A GENTLEMAN. 
 
 Largillicre. 
 
 21 PORTRAIT OF A LADY. 
 
 22 PORTRAIT OF A LADY. 
 
 23 LOUIS XIV. 
 
 Enamel. Petitot. 
 
 24 DUC DE BOURGOGNE. 1682 - 1712 . 
 
 Enamel. Petitot. 
 
 25 CARDINAL MAZARIN. 
 
 26 POPE CLEMENT IX. 
 
 27 PORTRAIT OF A GENTLEMAN. 
 
 28 MADAME DE LA VALLIERE. 
 
 Enamel. Petitot. 
 
 29 PORTRAIT OF A GENTLEMAN. 
 
 Enamel. C. F. Zincke. 
 
 30 PORTRAIT OF A GENTLEMAN. 
 
 31 MADAME DE LA VALLIERE and MADAME DE MAINTENON. 
 
 Enamels. Petitot. 
 
 32 PORTRAIT OF A LADY. 
 
 Enamel. C. F. Zincke. 
 
 33 PORTRAIT OF A GENTLEMAN. 
 
 34 BISHOP OF MAYENCE. 
 
 P. Boy. 
 
Case XLI. 
 
 i 33 
 
 FRAME Lent by Edwin H. Lawrence, Esq. 
 
 Containing Fifteen finished and unfinished Miniature Sketches by SAMUEL 
 COOPER. On the back of some of them can be traced Cooper’s signature, 
 and in the same hand the names of some of the persons they represent. 
 
 1 MRS. PRICE PHILLIPS. 
 
 2 BARBARA VILLIERS, DUCHESS OF CLEVELAND. 1640 - 1709 . 
 
 3 PORTRAIT OF A LADY. 
 
 4 CATHERINE OF BRAGANZA. 
 
 5 ELIZABETH ROSSE. 
 
 6 PORTRAIT OF A GENTLEMAN. 
 
 7 COUNTESS OF SUSSEX. 
 
 8 PORTRAIT OF A LADY. 
 
 9 MRS. PRIESTMAN. 
 
 10 W. WIGNALL. Painter. 
 
 11 HEAD OF A LADY. 
 
 12 MRS. FRYBERGE. 
 
 13 MY FATHER ROSSE. 
 
 14 MRS. ROSSE. 
 
 15 PORTRAIT. Unknown. 
 
 Above the Frame is COOPER’S POCKET BOOK, in which these Miniatures 
 have been preserved, which is a fine example of the binder s art of the period, 
 with original silver clasp. 
 
Case XLI. 
 
 134 
 
 A FRAME containing 2 J Miniatures , lent by H. H. Gibbs, Esq., viz: 
 
 1 LADY FRANCES COOPER, daughter of David, 3rd Earl of Exeter, and wife 
 
 of Sir Anthony Ashley Cooper. Shaftesbury and Addington Collections. 
 
 Samuel Cooper. 
 
 2 ANNE, eldest daughter of Robert HUCKS, of Aldenham, wife of Oliver 
 
 Cramer COGHILL. In a Ring set with Diamonds. 
 
 Samuel Finney. 
 
 3 SARAH, youngest daughter of Robert HUCKS, of Aldenham, wife of Thomas 
 
 Buckeridge NOYES. In a Ring set with Diamonds. 
 
 Mrs. Carwardine. 
 
 4 HARRIETT, eldest daughter of Antony GIBBS, of London, wife of George 
 
 Gibbs, of Belmont, co. Somerset. Painted in May, 1814. 
 
 Richard Coszvay. 
 
 5 DOROTHEA BARNETTA, 2nd daughter of William HUCKS, of Knares- 
 
 borough, and Eleanor, his wife (No. 26). 
 
 Richard Crosse (?). 
 
 6 THE RIGHT HONOURABLE SIR VICARY GIBBS, Lord Chief Justice 
 
 of the Common Pleas, 1813. 
 
 Belonging to his granddaughter, Mrs. Hayley, of Catsfield Place, Sussex. 
 
 7 ROBERT HUCKS, of Aldenham, M.P. for Abingdon, 1722. Painted 
 
 about 1720. 
 
 An Italian Enamelist. 
 
 8 ELEANOR, eldest daughter of William HUCKS, of Knaresborough, and 
 
 Eleanor, his wife (No. 26). The hair is dressed with pink powder. 
 
 Richard Crosse. 
 
 9 GEORGE HENRY GIBBS, of London and Aldenham. Painted about 1804, 
 
 in Oil. 
 
 James Leakey , of Exeter, 1773-1863. 
 
 10 THOMAS NOEL, 2ND LORD BERWICK. 
 
 Richard Coszvay. 
 
 11 PORTRAIT of (one of the Bristol family of Farre?), dressed in a furred gown 
 
 and bands. 
 
 Unknozvn. 
 
 12 SARAH, daughter of Henry COGHILL, of Aldenham, wife of Robert 
 
 HUCKS (No. 7). 
 
 Mrs. Carzvardine. Signed P. (the C. probably hidden by the Frame). 
 
 13 SIBELLA, daughter of George Abraham GIBBS, of Exeter. Painted in Oil. 
 
 James Leakey, of Exeter. 
 
Case XLI. 
 
 i35 
 
 14 GEORGE, PRINCE OF WALES. Ivory, slightly shaded. The ground black. 
 
 H. de Janvry. Signed H. J., 1J96. 
 
 15 ROBERT HUCKS, of Aldenham, son of Robert Hucks (No. 7 ), and Sarah, 
 
 his wife (No. 12 ). Painted in 1762 . 
 
 Samuel Finney. 
 
 16 LADY ARABELLA STUART. Shaftesbury and Addington Collections. 
 
 Peter Oliver. 
 
 17 HARRIETT, 6 th daughter of Robert HUCKS, of Aldenham (No. 7 ), and 
 
 Sarah, his wife (No. 12 ). Painted about 1760 . In a Brooch set with Rubies. 
 Unknown. 
 
 18 ELIZABETH, QUEEN OF BOHEMIA, daughter of King James I. 
 
 Addington Collection. 
 
 J. Hoskins , sen. 
 
 19 PRINCE JAMES EDWARD STUART. Hamilton Collection. 
 
 Unknown. 
 
 20 CAROLINE, PRINCESS OF WALES. A Companion Picture to No. 14 . 
 
 II. de Janvry. 
 
 21 SARAH, COUNTESS OF SUFFOLK (afterwards Viscountess FALK¬ 
 
 LAND), daughter of Thomas INWEN, and Sarah (Hucks), his wife. 
 Hamilton Collection. 
 
 Zincke. Enamel. 
 
 22 CATHERINE, COUNTESS OF ANGLESEY (afterwards Duchess of 
 
 BUCKINGHAM), daughter of King James II. and Catherine Sedley. 
 Normanby Collection. 
 
 Zincke. Enamel. 
 
 23 CHARLES THE SECOND. Hamilton Collection. 
 
 S. Cooper. 
 
 24 FRANCES CERJAT KENNETH, daughter of Major MACKENZIE, wife 
 
 of Sir Vicary GIBBS (No. 6 ). 
 
 Richard Cosway. 
 
 25 OLIVER CROMWELL. Grindlay Collection. 
 
 N. Cooper (?). Signed (apparently) S.C. interlaced , and dated 1656. 
 
 26 ELEANOR, daughter of Thomas BARNETT, of Knaresborough, wife of 
 
 William HUCKS, of the same town. 
 
 Richard Crosse (?). 
 
 27 CHARLES THE FIRST. In Oil. 
 
 4fr 
 
 Unknown. 
 
Case XLI. 
 
 136 
 
 THE FAIRFAX JEWEL. 
 
 This enamel was presented to Sir Thomas Fairfax by Parliament, after the battle 
 of Naseby, in November, 1645. (J. Sprigge, Anglia Rediviva, p. 256.) The work was 
 
 carried out entirely by Pierre Bordier , and with the diamond sides, not now in 
 existence, cost £ 700. After the death of Fairfax it was sold to John Thoresby, and 
 in 1764, at the sale of the Thoresby Collection, was bought by Horace Walpole for 
 £10 iol At the Strawberry Hill sale it was sold (1 ith day, Lot 41), for £21 to John 
 P. Beavan. It now belongs to Lord Hastings. It is signed “ P. B. fecit,” and there is 
 a representation of the Battle on the back of the portrait of Fairfax. 
 
 Lent by Lord Hastings. 
 
 On Table in Centre of Gallery. 
 
 QUEEN ELIZABETH’S PRAYER BOOK. 
 
 “ With six prayers composed by Her Majesty, in a spirit of true devotion, 
 “ and written by herself in English, French, Latin, Greek and Italian, on vellum, 
 “ in a charmingly neat hand, on 65 pages. At the beginning is a beautiful 
 “ miniature of the Duke d’Alen^on, and at the end another of Queen Elizabeth, 
 “ both by Nicholas Hilliard , circa 1570, and of the highest possible quality. It 
 “ is 3 in. high by 2 in. wide, bound in shagreen, with gold enamelled clasps. 
 “ In the centre of each is a ruby. 
 
 “ It formerly belonged to James II., who gave it to the Duke of Berwick, from 
 “ whom it passed to Horace Walpole, then to the Duchess of Portland, at whose 
 “ sale, 24th May, 1786, Lot 2950, it was bought for Queen Charlotte for £106 is., 
 “ who left it to one of her ladies-in-waiting, through whom it came to the Dowager 
 “ Duchess of Leeds, from whom it passed into the late owner’s hands. 
 
 “ It is described in Vol. 79, 1786, of the ‘Universal Magazine.’ 
 
 “ Also ‘Walpole’s Anecdotes of Painting,’ 1826 edition, Vol. 1, p. 290, under 
 “ the head of ‘ Nicolas Hilliard,’ states that at Strawberry Hill there was her (Queen 
 “ Elizabeth’s) prayer-book, with the heads of herself and the Duke of Anjou (an 
 “ error, as it is the Duke d’Alen^on), and was sold at the Duchess of Portland’s sale.” 
 
 Lent by JEFFERY WHITEHEAD, ESQ. 
 
LIST OF ARTISTS. 
 
 -♦- 
 
 The Biographical Notes are extracted from Redgrave’s Dictionary of Artists of the English 
 School; Graves Dictionary of Artists, 1760-1880 ; Bryan’s Dictionary of Painters and Engravers ; 
 Siret's Dictionnaire des Peintres; and the Catalogue of the Miniature Collection exhibited at the South 
 Kensington Museum, 1865. 
 
 The Nos. refer to the pages of the preceding Introduction and Catalogue . 
 
 A 
 
 “A,” 3. 
 
 “A., 1564,” 89. 
 
 Abbott (After), 59. 
 
 Agricola, Charles Joseph. German school. 
 1779. 29. 
 
 Allison, W. Portrait painter, who exhibited 
 1S17. 36. 
 
 F. Ailison was a miniature painter, who 
 exhibited 1790-1799. 
 
 Antissier, E. 1820. 89. 
 
 Arlaud, Benoit. Ob. 1719. 
 
 Arlaud, James Anthony. 1668-1743. Born 
 at Geneva 1668, employed at Paris by the 
 Due d’Orleans, and came to London 1721, 
 where he met with much encouragement, 
 xxviii., 1, 4, 35, 96, 109. 
 
 Arlaud, Louis-Aime. Born 1752. Much in vogue 
 at the Court of Louis XVI. 
 
 Aubrey, Louis Francis. 1767-1851. Pupil 
 of Vincent and Isabey. He exhibited at the 
 Salon from 1798 to 1833, obtained several 
 medals, and was decorated in 1832. lv., 97. 
 
 Augustin, Jean Baptiste Jacques. 1759-1832. 
 Painter to Louis XVI., the Imperial Court,and 
 succeeding royalty in 1819, exhibited 1791- 
 1831. He is stated to have worked in enamel 
 and ivory. Madame Augustin, wife of the 
 above, was also a miniature painter, and ex¬ 
 hibited in the Salons of 1822 to 1827. lvi., 28, 
 30, 82, 88, 89, 109, no, 120. 
 
 B 
 
 “ C. B.,1738,” 44. 
 
 “H. B.,” 90. 
 
 “ W. B., 1786,” 49. 
 
 Barber, T. T. Exhibited 1794 to 1829. 58. 
 
 Barber, R., 104. 
 
 Barbette, F. N. 1689. 87. 
 
 Barnard, 50. 
 
 Barry, J., 116. 
 
 Bauzie. 1792. 27. 
 
 Beale, Charles, xx. 
 
 Beale, Mary. 1632-1697. Pupil of Sir P. Lely. 
 She also painted oil portraits, xx., 98, 112. 
 
 Beauclerc, Lady Diana, xliv. 
 
 Behnes, W. 1794-1864. Began life as a Portrait 
 painter, and finally adopted sculpture. Ex¬ 
 hibited 1820 to 1840. 116. 
 
 Bel, Rudolphe. Pupil of Isabey. Exhibited in 
 the Salons, 1822-1824. Signed “Bel.” 30, 31. 
 
 Bellini, Giovanni, viii., 64. 
 
 Bellini, Jacopo. 1400. Venetian painter. 
 
 Benwell, Mary, xliii. 
 
 Berse, Ernest, di Riga. 1819. Painted at 
 Rome. 13. 
 
 Bestland, 84. 
 
 Bettes, John, xiii. 
 
 Bettes, Thomas. 16th century. Brother of 
 John Bettes, and described as an illuminator of 
 church books, xiii., 98. 
 
 Blarenberghe, Louis Van. 1719-1780. The 
 most perfect miniaturist in the production of 
 microscopic pictures of the 18th century. One 
 of his tiny pictures, representing a fete 
 champetre, with numerous figures, was set in a 
 finger ring. I09. 
 
 Blarenberghe, Henri Joseph Van. 1741- 
 1825. French painter in water colour, son of 
 the preceding. He helped his father in his 
 work, and nearly equalled him in minuteness. 
 
 Bogle, John. Practised in Scotland 1769-70. 
 Came to London 1772, and exhibited to 1794. 
 xliii., 4, 54, 55, 57- 
 
 Bois, Simon DU. 1684. Pupil of Wouverman, 
 and is said to have died in England. 43. 
 
 Boit, Charles. Enamel painter. Came to 
 London 1683. On the death of Queen Anne, 
 he went to Paris and died there, 1727. xxvii., 
 20, 48, 76, 79, 94, 102. 
 
 Bone, Henry, R.A. 1779-1855. Enamel 
 painter. He first worked at the Bristol China 
 works, and came to London 1779, where he 
 made enamels for watches and jewellery. 
 Subsequently he practised painting miniatures 
 on ivory, but ultimately adopting enamelling, 
 he was appointed enamel painter to George 
 III., and exhibited up to 1834. He copied 
 numerous pictures of Vandyke and Reynolds, 
 xxx., xl., 14, 16, 35, 36, 55, 59, 82, 103, 
 115, 116. 
 
LIST OF ARTISTS. 
 
 >38 
 
 Bone, Henry Pierce, xli. 
 
 Bone, William, 63. 
 
 Bordier, Jacques. French enameller, and 
 brother-in law of J. Petitot, whom he assisted 
 in his miniatures, executing the hair and 
 backgrounds, xxv., 102, 112. 
 
 Bordier, Peter. Nothing of this artist is known, 
 except that he executed the “ Fairfax Jewel,” 
 presented to General Fairfax after the battle 
 of Naseby, which is in the present exhibition, 
 136. 
 
 Bosse, A. 1610-1678, Pupil of J. Callot. 81. 
 
 Boucher, Francois. 1704-1770. French painter 
 and engraver. 96, 131. 
 
 Boullongne, Louis de. 1609-1674. Pupil of 
 Blanchard, and painter to Louis XIV., 99. 
 
 Bourgeois, C G. A. 1759-1832. French artist, 
 celebrated for his profile portraits on a black 
 ground. He wrote a book on the chemistry 
 of colours. His portraits are thus described: 
 “ Les figures semblent pretes a parler et les 
 moindres details en sont executes avec une 
 verite saisissante.” lvi., 112. 
 
 Bourgoin, F., lvi. 
 
 Bowyer, John, 4. 
 
 Bowyer, Robert. 1758-1834. Probably a pupil 
 of J. Smart. Exhibited 1783-97, and was ap¬ 
 pointed water colour painter to George III. 
 56 . 
 
 Boy, Peter. Enameller. Lived in Erankfort in 
 the middle of the 18th century, lxii., 132. 
 
 Boze, Joseph, lvi. 
 
 Bronzino. Angiolo Allori. 1502-1572. This 
 Florentine painter did portraits of the most 
 celebrated people of his time. 85. 
 
 Buck. Adam. Born in Cork, and exhibited at 
 the R.A., 1795-1833. He had a brother, 
 Frederick, who also painted miniatures, 
 xxxv., 18, 13 1 • 
 
 Burr, Leonardus, 61. 
 
 C 
 
 “ I. C., 1764,” 78. 
 
 “I.” or “ L. C., 1620,” 32. 
 
 “P. C.,” 55. 
 
 “R. C.” 53. 
 
 “S. C., 1685,” 6. 
 
 “S. C.,” 80, 135. 
 
 “ W. C.,” 62. 
 
 Campana, F. 1786. lvi., 88, 108, 125. 
 
 Carrif.ra Rosalba. 1675-1757- Studied at 
 Venice, and travelled over Europe, producing 
 miniatures and pastels of notabilities at the 
 various Courts. She became blind ten years 
 before her death. Her sister Jeanne Camera 
 also painted pastels and miniatures, lii., 23, 
 24, 108. 
 
 Carstairs, L. Enamel. 13. 
 
 Carter, Noel, N. 1826-1833. Exhibited oil 
 portraits. 63. 
 
 Carwardine, Mrs., 134. 
 
 Chalon, Alfred Edward, xlvi. 
 
 Chapon. 1820. 117. 
 
 Cliarlier, Jacques. Stated to be a pupil of 
 Boucher, whose works he copied in minia¬ 
 ture. He was miniature painter to the King, 
 liii., 80, 114. 
 
 Chasselat, Pierre. Pupil of Vien. Ob. 
 1814. 24, 121. 
 
 Cpiatillon, Louis de, 1 . 
 
 Chevenet, 30. 
 
 Chinnery, George, R.IT.A. First exhibited 
 pastels 1766. and miniatures in 1791 to 1846. 
 He spent 50 years in India and China, and 
 died at Macao. 3, 57. 
 
 Cleef, Justus Van, xi. 
 
 Cleve (After), 8. 
 
 Cleyn, Francis. He had two sons. Francis 
 (1625-1650), and John who died young. 
 Penelope Cleyn, his daughter, painted 
 miniatures in the manner of S. Cooper. 
 Signed “ P.C.” xviii., 6, II, 95, 106. 
 
 Cleyn, Penelope, xix., 40, 79, 93. 
 
 Clouet, Francis (son of Jean Clouet, the 
 younger). Painter to Francis I., Henry II., 
 Francis II., Charles IX., and Henry III. of 
 France. He inherited the surname of his 
 father Jehannet, called Janet. xlviii., 79, 
 101, 106, 107. 
 
 Clouet, Jean, xlviii. 
 
 Coello, Alonzo Sanchez. 1515-1 59 °- Pupil of 
 Raphael and Antonio More, painter to the 
 Court of Portugal, and Philip II. of Spain. 
 Coello had a daughter who painted oil portraits. 
 1564-1612. 85. 
 
 Collins, Richard. 1755-1831. Pupil of J. 
 Meyer, and exhibited 1777-1818. He divided 
 with Cosway and Shelley, the fashionable 
 sitters of the day. xxxv., 58, 65, ill, 117, 
 118, 124. 
 
 Collins, Samuel. Practised at Bath about 1750, 
 and went to Dublin about 1762. Signed 
 “ S. C,” with a date, xxxv., 53, 77, 87, 116, 
 118. 
 
 CoMERFORD, John. I 773 ‘ l8 35 - practised at 
 Dublin, where he attained a high reputation, 
 especially for his male portraits. 17,69,116. 
 
 Constantin, 125. 
 
LIST OF ARTISTS. 
 
 139 
 
 Cooper, Alexander, xviii. 
 
 Cooper, Samuel. 1609-1672. Pupil of his 
 brother Alexander, and of J. Hoskins, both 
 miniature painters. He lived much abroad, 
 where, as in his own countiy, his works were 
 and are much valued. Many oil miniatures 
 on copper are attributed to this artist. Signed 
 *’S. C.,” with date. xvi.. xvii., xviii., 3, 6, 7, 
 13- IS. 16, 37, 38, 43, 44, 45, 62, 65, 70, 71, 
 77, 80, 85, 90, 92, 93. 94, 97, 98, 99, 100, 
 101, 105, 106, 107, 133,134, 135. 
 
 Corbet. 1816. 30. 
 
 Cornelli, Lucas, lx. 
 
 Coster, Madame Villayer. 1744-1818. Nee 
 Anne Vallayer. Painter of portraits, and 
 flowers, and fruit in vases, lx., 24, 87, 120, 
 
 121. 
 
 Cosway, Richard, R.A. 1740-1821. Began 
 practising his art by drawing heads and fancy 
 miniatures for snuff boxes, and was elected to 
 the R.A. in 1771. His miniatures were 
 the fashion of the day, and he also excelled 
 in full length portraits in pencil, the faces 
 being finished in colours. Occasionally signed 
 in full on the back, xxxv., 1, 3, 4, 14, 15, 
 35 . 39 . 5 1 . 5 2 - 53 . 5 6 > 6 5 . 69, 81, 82, 83, 87, 
 92. 95, 108, 109, no, hi, 112, 113, 115, 116, 
 120, 122, 123, 125, 126, 127, 129, 131, 134, 
 135 - 
 
 Cosway, Maria Cecilia Louisa. A native 
 of Italy, where she studied art, and at her 
 father’s death came to England and painted 
 miniatures. She married in 1781. xxxvii., 52. 
 
 Cotes, Samuel. 1734-1818. Brother of Francis 
 Cotes, R.A., under whom he studied. He 
 worked in pastel, enamel and ivory, and 
 ranked high in his art. Exhibited 1760-1789. 
 xlii., 14, 53, 114. 
 
 Courtois, Nicholas Andre, lvi. 
 
 Crosse, Lawrence. Ob. 1724. Painter of the 
 time of Queen Anne. Signed “ L. C.” 
 interlaced, xxvii., 1, 15, 16, 46, 62, 72, 78, 
 80, 93, 101, 118, 120, 122. 
 
 Crosse, Richard. Ob. 1810. Enamel painter 
 to the King, and also produced miniatures on 
 ivory, and small whole lengths in water 
 colours. He exhibited 1760-1796. xxxiv., 
 134 , 135 - 
 
 Cuyp, Jakob Gerritz, 72. 
 
 D 
 
 “ D.,” 86. 
 
 Damer, Mrs., xliv. 
 
 Dance, Nathaniel, R.A. 1734-1811. Portrait 
 painter, who studied under F. Hayman. 
 Acquiring a large fortune by his marriage, 
 he entered Parliament, took the name of 
 Holland, and renounced his profession. In 
 1800 he was made a Baronet. 66. 
 
 David, Maxime, lvi. 
 
 Dayes, Edward. 1761-1804. Pupil of William 
 Pether, the mezzotinter and miniature painter. 
 Dayes became a well-known painter in water 
 colours, and Thomas Girtin was his pupil. 
 55 - 
 
 Deacon, James, xxxi. 
 
 De Grange. David. 17th century, Engraver. 
 Signed “ Dd. G.” xix., 2, 44, 45, 123. 
 
 De Santerre (After), 74. 
 
 De Troy (After), 74. 
 
 Dinglinger. Sophie Freidericke. 1736-1791. 
 Practised as a miniature painter at Dresden, 
 lxiii., 102. 
 
 Dixon, John, xx. 
 
 Dixon, Nathaniel. There is no account of 
 this painter of 17th century. Signed ‘‘N. D.” 
 with a date, xxi., 6, 45, 62, 67, 77, 92, 93, 
 98, 101, 122. 
 
 Dolce Carlo, 107. 
 
 Donzel, E. French, Louis XVI. 115. 
 
 Drouais, Hubert. French artist. 1699-1767. 
 Worked in oil, pastel and miniature. Pupil 
 of de Troy. lii. 
 
 Drouais, Franqois Hubert, son of the pre¬ 
 ceding artist, but the dates of his birth and 
 death are uncertain. He was painter in 
 ordinary to Louis XVI. liii., 10. 
 
 Dubourg. A. Second half of 18th century. 
 French school. 25. 
 
 Duchesne, Jean Baptiste, lvii. 
 
 Ducreu, Joseph, lvii. 
 
 Duguernier, Pierre, 123. 
 
 Dumont, Francois. 1751-1831. Pupil of 
 Girardet. Exhibited 1789-1830. 
 
 Dumont, Jean, 24, 86, 87, 97, 108, no, 120. 
 
 Durand, L., lvii. 
 
 E 
 
 Edridge, Henry, A.R.A. 1769-1821. Pupil 
 of W. Pether, as an engraver. His early 
 works are on ivory, and he made full length 
 miniatures in pencil, finishing the face in 
 colours. He also painted landscapes in water 
 colours, xli., 50, 52, 84, 112,125. 
 
 Egley, William, xlvi. 
 
 Elizabeth, Princess (Needlework), 107. 
 
 Emrich, G. 1713. French enameller. 23. 
 
 Engleheart, George. 1752-1829. Pupil of 
 Sir J. Reynolds. Exhibited R.A. 1773 to 
 1812. In 1790 he was appointed miniature 
 painter to the King, and his works were 
 mostly on ivory, but occasionally enamel, 
 xli., 2, 3, 52, 53, 56, 57, 59, 64, 66, 68, 75, 
 79, 82, 84, 88, 113, 117, 121, 122, 125, 131. 
 
140 
 
 LIST OF ARTISTS. 
 
 Engleheart, John Cox Dillman. 1783-1862 
 Nephew and pupil of George Engleheart 
 and exhibited 1S0I-1828, when owing to 
 failing health, he retired from his profession. 
 
 xlb, 73 , 74 , 75 , 92 . 
 
 Essex, William, xlvii. 
 
 F 
 
 “G. M. F., 1756,” 103. 
 
 I'aber, John. 1721. Engraver, who was one of 
 the first workers in mezzo-tint. He drew 
 pencil portraits on vellum which are signed 
 in full, xxii., 89, 90. 
 
 Favre. 1789. French enamel. 27. 
 
 Ferrand, Jacques Philippe, 1 . 
 
 Ferriere, F. Of Swiss extraction. He exhibited 
 1793-1822. Signed in full. His son L. 
 Ferriere exhibited miniatures, 1817-1828. 59. 
 
 Finney, Samuel, xxxiv., 134,135. 
 
 Fiorino, 20. 
 
 Fischer, John George Paul. 1786-1875. 
 Tupilof H. Bamberg, of Hanover. Came to 
 England 1810, and painted Queen Charlotte 
 and the Royal Family. Exhibited 1811-1875. 
 36 . 
 
 Flatman, Thomas. 1633-1688. Educated for 
 the legal profession, he took up the study of 
 art and distinguished himself as a miniature 
 painter, after the manner of S. Cooper. 
 Signed “ F.” xx., 39, 62, 72, 78, 88, 98, 118. 
 
 Foldsone, Anne (afterwards Mrs. Mee). 1851. 
 Was painter to George IV., and exhibited 
 1804-1837. xlii., 1, 12, 17, 18, 68, 
 
 Fontallard, Jean Francois, lvii. 
 
 Forster, Thomas. Beginning of 18th century. 
 Pencil portraits on vellum, signed and dated. 
 No particulars of the artist are known, xxii., 
 79 , 89 - 
 
 Fox, Charles. 1749-1809. Began life as a 
 bookseller at Bristol, and then, through mis¬ 
 fortune, took to art, producing landscapes, 
 portraits and miniatures. Signed “ C. Fox, 
 Bristol, 1788.” 56. 
 
 Fragonard, Jean IIonore. 1732-1806. Pupil 
 of Chardin and Boucher. His wife, Marie 
 Ann Gerard, was distinguished as a miniature 
 painter. 112. 
 
 Fuger, Freiderich Heinrich. 1751-1818. 
 German painter who chiefly lived at Vienna, 
 lxiii., 68, 109, 124. 
 
 G 
 
 Gainsborough, T. 1727-1788. Certain minia¬ 
 tures are attributed to this artist. 76, 77, 79. 
 
 Gainsborough (After), 12. 
 
 Gay. 1779. 8. 
 
 Gerbier, Sir Balthazar. 1591-1667. Painter 
 and architect. Came to England 1613, and 
 accompanied Prince Charles and Buckingham 
 to Spain, xv., 86. 
 
 Gibson, Richard. 1615-1690. Known as the 
 “Dwarf.” Studied under F. Cleyn, and 
 afterwards imitated the manner of Lely. He 
 painted Cromwell’s portrait, and taught draw¬ 
 ing to Queen Anne, xix., 98. 
 
 Gillis, F., 115. 
 
 Giorgione, 16. 
 
 Giorgione (After), 71. 
 
 Gonzales, B. 1564-1627. 105,130. 
 
 Goupy, Joseph, xxxi. 
 
 Grange, David de (see De Grange). 
 
 Greenhill, John. 1649-1676. Pupil of Lely, 
 xx., 107. 
 
 Gribelin, Isaac, xxiv. 
 
 Grimaldi, William. 1751-1830. Enamel and 
 water colours. Pupil of Worlidge. Miniature 
 painter to George III. and IV., and exhibited 
 1768-1830. Signed “ Grimaldi.” xliii., 2, 50, 
 
 I20. 
 
 Guerin, Jean, lvii. 
 
 H 
 
 “H.,1655,” So. 
 
 “ C. H.,” II. 
 
 “L. II.” 77. 
 
 Hall, Pierre Adolphus. 1739-1794. Pupil 
 of d’Eckhard and Reichart. He displayed 
 a wonderful delicacy of outline and great 
 taste in colour. lv., 25, 86, 87, 89, 95, 
 96, 121, 124, 125. 
 
 Hamilton, William, R.A. 1751-1801. Por¬ 
 trait painter. 58, 109. 
 
 Harding, George Perfect, F.S.A. Son of 
 Sylvester Harding, miniature painter. He 
 exhibited 1802-1840, and copied, in water 
 colours, portraits for illustrating historical 
 works. 56. 
 
 Hargreaves, Thomas, 58, 76. 
 
 Harlow, G. (After). 75. 
 
 PIayter, Charles. Portrait painter, who 
 practised in crayons and miniatures. Ex¬ 
 hibited 1786-1832. 18, 53. 
 
 Hayter, Sir George. 1792-1871. Son of 
 Charles Hayter. Portrait painter, and prac¬ 
 tised miniature painting, and in 1815 was 
 appointed painter of miniatures to the 
 Princess Charlotte. 17. 
 
 Heigham, J. W. Enamel. 1828. 75. 
 
 Heinsius, J. E. German painter, who painted 
 for the Court of Louis XV. 97. 
 
 Heinsor, 24. 
 
LIST OF ARTISTS. 
 
 Henard, C., 30. 
 
 Helst, B. van der. 1613-1670. Dutch portrait 
 painter. Stated to be a pupil of Rembrandt. 
 There were two sons who painted portraits. 
 130. 
 
 Hilliard, Nicholas. 1547-1619. Apprenticed 
 to a goldsmith. He studied miniature painting 
 from the works of Holbein, and was appointed 
 painter to Queen Elizabeth and James I. 
 His miniatures are minutely careful and true, 
 the jewelled ornaments being exquisitely 
 finished, xii., 5, 9, 31, 32, 6o, 61, 71, 72, 
 76, 77. 78, 9 r > 98, 99. 100, 101, 106, 136. 
 
 Hilliard, Lawrence. Son of N. Hilliard, 
 and succeeded him as the Royal painter. 
 
 Hogarth, William. 1697-1764. This cele¬ 
 brated artist is claimed as the painter of 
 No. 40, p. 78. 
 
 Holbein, Hans. 1495-1543. Came to England 
 1526, and painted Elenry VIII. and his Court, 
 viii., ix., II, 38, 61, 71, 76, 86, 91, 99, 101, 
 106, 123. 
 
 Holmes, James. 1777-1860. Educated as a 
 water colour painter, and attempted oil 
 portraits. His chief practice was in minia¬ 
 tures. Exhibited 1798-1849. xlv., 18, 82. 
 
 Hone, Horace, A.R.A. 1755-1825. Practised 
 both in enamel and water colours, and was 
 appointed miniature painter to the Prince of 
 Wales, and exhibited 1772-1822. Signed 
 “ H. H.” with date, xxxiv., 56, 57, 76, 84, 
 86, 87, 104, 128. 
 
 Hone, Nathaniel, R.A. 1718-1784. Practised 
 both in oil and mainiature, and was the first 
 artist of his day, especially in enamel. Signed 
 “N. II. 1 ' xxxiii., 2, 40, 49, 54, 82, 94, 117. 
 
 Hornebolt, or Horembout, Lucas, ix. 
 
 Hoskins, John. 1664. Painted miniatures of 
 Charles I. and his Court. Signed “J. H.” 
 It is stated that he had a son—John—who 
 painted James II. in 1686, and that he signed 
 “J. H.,” but this is not certain, xv., xvi., 
 5. !3» I 5. 3 2 > 44. 45. 6 o, 62, 71, 88, 101, 102, 
 120, 135. 
 
 Huaud. 1678. Two brothers, natives of Geneva, 
 studied enamel under Petitot, after his 
 retirement from France. They subsequently 
 painted in Berlin. 102, 
 
 Huet, Victor. 1803. 28. 
 
 Huey, A., 58. 
 
 Hull, 115. 
 
 Humphry, Ozias, R.A. 1742-1810. Pupil of 
 Samuel Collins, of Bath, and in 1766 painted 
 miniatures of the Royal Family. After 
 spending some years in India he returned to 
 London, and was much patronised. He 
 possessed much of the character of Reynolds, 
 xxxvii, 12, 35, 39, 52, 87, 89, 92, 109, 113, 
 118, 123, 124. 
 
 141 
 
 Hurter, John Henry. 1734. Native of 
 Switzerland, who practised enamel. 8, 9, 
 10, 11, 50, 92. 
 
 Hurter, J. F. C. Brother of above, and also 
 painted in enamel. 9, 10. 
 
 I 
 
 Isabey, Jean Baptiste. 1767-1855. Pupil of 
 Girardet, Claudot, Dumont and David. 
 Painter to Napoleon I. and the Imperial 
 Family, and subsequent Kings of France, 
 liii., 2, 20, 28, 29, 30, 59, 72, 76, 82, 84, 92, 
 108, no, in, 119, 122. 
 
 J 
 
 Jacques, Nicholas, lx. 
 
 Jagger, Charles, 1800-1827. Practised at Bath. 
 17, 122. 
 
 Jamesone, George, xviii., 38. 
 
 Janet (see Clouet). 
 
 Jansen, Cornelius, xv., 62, 130. 
 
 Janvier. French School. 1803. 29. 
 
 Janvry, H. de, 135. 
 
 Jean, P. 1755-1802. Exhibited 1787 to 1802. 
 
 58 . 
 
 Jones, Charlotte. Died 1847. Miniature 
 painter to Princess of Wales, and exhibited 
 up to 1823. xliii., 8. 
 
 Juan de Mirando Careno, 71. 
 
 K 
 
 “N. K.,’' 2. 
 
 Kant. French school, Louis XV. period. 24. 
 
 Kauffman, Angelica Maria Catherine, R.A. 
 1740-1S07. Swiss by birth, but studied art in 
 Italy, and came to England in 1765. Pier 
 principal works are in oils. 35, 36. 
 
 Keman. End of 18th century. French. Signed 
 in full. 26, 87. 
 
 Keyser, William de. 1647-1692. Brought up 
 as a jeweller, he practised in miniature, 
 enamels and oils. He came to England in 
 the reign of James II., but his business was 
 ruined by the revolution. He left a daughter, 
 who painted oil miniatures, xxi., 41, 45. 
 
 Killegrew, Anne, xx. 
 
142 
 
 LIST OF ARTISTS. 
 
 Klingstedt, Karl Gustave. 1657-1734. 
 Painted small pictures for snuff-boxes, and is 
 said to be the inventor of painting in Indian 
 ink (?). 21, 23. 
 
 Kneller, xxvii. 
 
 L 
 
 “ N. L., 1712,” 108. 
 
 Lagrenee, A. F., lx. 
 
 Largilliere, Nicolas. 1656-1746. This 
 French portrait painter visited England 
 several times, and eventually settled at Paris, 
 where he painted the principal men of the 
 day, and was called the Vandyk of France. 
 132. 
 
 Lasse, de. Second half of 18th century. French 
 school. 24. 
 
 Latinville. 108. 
 
 La Tour, Maurice Quentin, 88. 
 
 Lawrence, Sir Thomas, P.R.A. 1769-1830. 
 Pupil of N. Hone, and well known as portrait 
 painter to George III. and IV. 82, 112. 
 
 Lawrence, Sir Thomas (After), 59. 
 
 Leakey, James, 1773-1865. Painted miniatures 
 in oil at Exeter. 119, 134. 
 
 Lebrun, Marie Loiuse E. 1755-1842. Wife 
 of S. B. Lebrun. Pupil of Joseph Vernet, 
 and painted portraits at the early age of 16. 
 After her marriage, she travelled in Europe 
 and painted portraits of the principal European 
 royalties. 109. 
 
 Leeman, A., 93. 
 
 Leerman, G. German. End of 17th century. 
 Oil. 19. 
 
 Lefevre, Robert. 1756-1830. Pupil of Reg- 
 nault,and exhibited portraits up to 1827. 86. 
 
 Lely, Sir Peter, xix., 105. 
 
 Lely, Sir Peter (After), 8, 97, 114. 
 
 Lens, Bernard. 1680-1740. Miniature painter 
 and enameller to George II. He left two 
 sons, who were miniature painters—Andrew 
 Benjamin and Peter Paul. xxviii., 39 » 63, 
 88, 91, 93, 95 . io°* 
 
 Lens, Peter, 91, 117. 
 
 Leonardo da Vinci (After), 61. 
 
 Lequay, Charles Etienne. 1762. Pupil of 
 'the Sevres China Manufactory, and painted 
 chiefly on porcelain. 97. 
 
 Le Sage (see Sage). 
 
 Liotard, John Stephen. 1702-1790. Of Swiss 
 birth. He travelled much in the East, but 
 eventually came to London, and painted the 
 Princess of Wales and her sons. He practised 
 on ivory and enamel, xxxi., 84, 109. 
 
 Loggan, David. 1630-1693. This engraver 
 studied under De Pass and Hondius, and 
 drew miniature portraits in plumbago with 
 great delicacy and truth, xxii., 79, 89, 100. 
 
 Lover, Samuel. 1797-1868. Practised at Dublin 
 and exhibited in London, 1832-1848. 18. 
 
 Lucan, Margaret, Lady, xliv. 93. 
 
 Lucas, ix. 
 
 M 
 
 “ M., 1817,” 53. 
 
 Maris, 3. 
 
 Martin. Second half of 18th century. French 
 school. 25. 
 
 Masse, Jean B. 1687-1767. Pupil of Jouvenet 
 and Chatillon. French engraver and minia¬ 
 ture painter. 23. 
 
 Mathieu, Jean Adam. 1698-1753- Enamel. 
 22. 
 
 Mee, Mrs. {see Ann Foldsone). 
 
 Meyer, Jeremiah, R.A. I 735 _I 789 - Of 
 German birth and pupil of Zincke. In 1764 
 he was miniature painter to the Queen and 
 enameller to the King. He studied Reynolds, 
 and attained great power and elegance, 
 xxxiii., 52, 53, 67, 77, 114, Il6, 131. 
 
 Michel, Anna (After), 74. 
 
 Miereveldt, Michel J. 1568-1641. Pupil of 
 J. Wierix, the engraver, who painted portraits 
 of the House of Nassau and others. He came 
 to England during the reign of Charles I. 
 4 1 , 70 - 
 
 Mieris, 95. 
 
 Mignard, Nicolas. 1605 -1668. Portrait 
 painter to Louis XIV. and his Court. 14. 
 
 Mignard. Pierre. 1610-1695. Brother of above, 
 Painted much in Italy, and was recalled to 
 France by Louis XIV., and succeeded 
 Le Brun as painter to the King. 107. 
 
 Mignard (After). 74. 
 
 Millet, H. 18. 
 
 Mirbel, Madame de. Pupil of Augustin. French 
 school, lviii., 86. 
 
 Mitchell, i. 
 
 More, Sir Antonio. 1519-1576. This eminent 
 Flemish painter came to England to paint the 
 portrait of Queen Mary, for Philip II. xi., 40, 
 I06, 107. 
 
 Morelli, 94. 
 
 Moser, Michael, xxxiii. 
 
 Murphy, D. B. 1805. Lived in Dublin, end of 
 18th century, and was afterwards painter to 
 Princess Charlotte. He exhibited miniatures 
 in London, 1800-1827- I 5 > 
 
LIST OF ARTISTS. 
 
 H3 
 
 Muss, Charles. 1779-1824. Enamel painter to 
 George III. and IV., and chiefly copied the 
 old masters. Exhibited 18001823. 3. 
 
 Mussard, Jean. Exhibited 1763-1768. 82. 
 
 N 
 
 Naish, John. Brother of William Naish. 
 Miniature painter, who exhibited 1783-1800. 
 There was also Edward Naish, who exhibited 
 miniatures 1811 to 1820, and also practised in 
 India. 117. 
 
 Nanteuil, Robert, 107. 
 
 Nattier, Jean Marc. 1685-1766. French 
 portrait painter of Louis XIV. period. He 
 lost his fortune in the speculations of Law, 
 during the Regency, lix., 86, 125. 
 
 Netscher, Gaspard. 1636-1684. Pupil of G. 
 Terburg. He painted historical and fabulous 
 pictures, but was more successful in portraits, 
 and came to England in the reign of Charles 
 II. xx., 4. 
 
 Newton, Sir William John. 1785-1869. 
 Miniature painter to Queen Adelaide, and 
 exhibited 343 miniatures. 1808-1863. 17. 
 
 Nixon, James, A.R.A. 1741-1812. Miniature 
 painter to the Duchess of York, and ex¬ 
 hibited 117 miniatures, 1765-1807. xl., 68, 88, 
 112, 113, 114, 126. 
 
 o 
 
 Oliver, Isaac. 1556-1617. Pupil of Hilliard 
 and also studied under Zucchero. He painted 
 Queen Elizabeth, Mary Queen of Scots and 
 many other celebrities—some full lengths. 
 He sometimes practised in oils. Signed with 
 the monogram “ I.O.” xiii., xiv., 5, 6, II, 13, 
 14, 31, 32, 37, 38, 39, 40, 60, 61, 65, 70, 76, 
 78, 91, 98, 99, 100. 
 
 Oliver, Peter. Birth uncertain, ob. 1647. 
 Son of above, whom he equalled as a minia¬ 
 ture painter. He made water colour copies 
 of celebrated pictures. Signed P. O.” xiii., 
 xiv., 6, II, 14. 32, 37, 38, 40, 61, 70, 71, 77, 
 100, 101, 106, 135. 
 
 P 
 
 Palamedes, 83, 86. 
 
 Palmer, Miss Theophile, niece of Sir Joshua 
 Reynolds, xliv., 35, 113. 
 
 Parent, J. 1815. 7,29. 
 
 Pasquier, Pierre, Iviii. 
 
 Pass, Simon de. 1591 1644. Well-known en¬ 
 graver of portraits of the time of Queen 
 Elizabeth and James I. 
 
 Paton, Davis. Scotch portrait painter about 
 1750, who painted miniatures. 8. 
 
 Peake, Sir Robert, xv. 
 
 Perin, Lie Louis. 1753-1817. Pupil of Sicardi. 
 He also painted pastels. 87. 
 
 Perrache. 1789. Enamel. 50. 
 
 Perrot, C., 70. 
 
 Peters, H., 94. 
 
 Pether, William. 1731-1795. Mezzo-tint en¬ 
 graver, who commenced as a portrait painter, 
 both in oil and miniature. Exhibited 1781- 
 1794. 91. 
 
 Petitot, Jean. 1607-1691. Son of Paul 
 Petitot, a wood carver in Geneva. Came to 
 England in 1635, accompanied by one of the 
 Bordiers, probably Jacques. He immediately 
 entered the service of Charles I., and copied 
 the works of Vandyck, &c., in enamel. He 
 left England about 1645, when the Civil War 
 commenced, and went to Paris. He painted 
 Louis XIV., and all the celebrities of his 
 Court. At the Revocation of the Edict of 
 Nantes in 1685, being a Protestant, he retired 
 to Geneva, and died suddenly, whilst painting 
 a portrait of his wife, in 1691. xxiv., xxv., 
 xxvi., 7, 9, 10, 11, 12, 13, 14, 15, 16, 22, 38, 
 40, 60, 64, 71, 76, 78, 88, 89, 90, 91, 93, 94, 
 95. 96, 99> 100, 102, 103, 116, 121, 124, 125, 
 132. 
 
 Petitot, John. 1650-1754. Son of above. 
 Practised with success in London. His 
 colours are not so delicate as his father’s, 
 whom he did not equal. 7, 9, 102,103, 116. 
 
 Philippe de Champagne (After), 93. 
 
 Plimer, Andrew. 1837. Nothing is stated of 
 this popular artist, except that he exhibited 
 in ivory and enamel, 1786-1830. Sometimes 
 signed A. P. xxxix., 3, 4, 14, 50, 51, 68, 
 80, 83, 84, 92. 93, 95, 108, 110, 115, 116, 
 117, 118, 119, 120, 122, 124, 126, 129. 
 
 Plimer, Nathaniel. 1751-1822. Brother of 
 above, who exhibited 1787-1815. Signed N. P. 
 55, 109, no, 112. 
 
 Plott, John, xiii. 
 
 Poirier, 117. 
 
 Pourbus, Francis le Jeune. 1570-1622. 
 French portrait painter, who also produced 
 historical and religious pictures. 7, 73, 86. 
 
 Pourbus (After), 74. 
 
 Prewitt, William, xxxiv. 
 
 Prieur, Peter. An enamellist, of Genoa, in 
 the 17th Century. He is said to have married 
 the sister of Petitot—Marie Petitot. Three 
 signed pieces of his work are known. 102, 
 103. 
 
144 
 
 LIST OF ARTISTS. 
 
 R 
 
 Raeburn, Sir Henry, xlii. 
 
 Raven, Samuel. Not mentioned. Portrait of 
 Queen Adelaide. 36. 
 
 Read, J. Not mentioned. Miss Katherine 
 Read is mentioned as the painter of a minia¬ 
 ture of Hayley, the poet. 4. 
 
 Regault, lvi. 
 
 Reynolds, Miss Frances. 1729-1807. The 
 youngest surviving sister of Sir J. Reynolds, 
 who copied her brother's pictures in miniature, 
 xliv., 8, 66. 
 
 Reynolds, Sir Joshua (After). 12, 16, 35, 81, 
 89, 115, 116,124. 
 
 Richault, 24. 
 
 Richter, Christian. Ob 1732. Native of 
 Sweden. Came to England 1702, and 
 painted oil portraits, but is best known by his 
 miniatures. He also tried enamel. Signed 
 “ C. R.” xxviii., 16, 81, 117. 
 
 Rigaud, Hyacinthe, 22. 
 
 Rigaud (After), 74. 
 
 Robertson, Andrew. 1777-1845. Pupil of 
 Alexander Nasmyth. Came to London in 
 1801, and entered the school under the 
 patronage of B. West. Pie attained a great 
 great reputation as a miniature painter. His 
 brother Alexander was a pupil of Shelley, 
 and followed his brother as a miniature 
 painter, xlv., 17, 18, 36, 59. 
 
 ROCH. 1782. S. T. Roche painted miniatures 
 at Bath early 19th century. 117, 119. 
 
 Rochard, Franqois. 17981858. French artist, 
 who came to London about 1820, succeeding 
 his brother, Simon James Rochard, as a min¬ 
 iature painter, and exhibited 1820-1855. 86. 
 
 Romney, George. 1734-1802. Portrait painter. 
 11 3 * 
 
 Rosalba [see Carriera). 
 
 Ross, Sir William Charles, R.A. 1794- 
 i860. Pupil of Andrew Robertson. Failing 
 in historic pictures, he successfully adopted 
 miniature painting, and was appointed painter 
 to Her Majesty and many European royalties. 
 In his time photography appeared, and 
 arrested all further progress in this beautiful 
 art. xlvi., 14, 18, 36, 73. 
 
 I 
 
 Rouquet, Andr e , xxxii. 
 
 Rouvier. 1782. French miniature painter. 
 Exhibited 1779-1782. 95. 
 
 s 
 
 “ H. S.,” 40. 
 
 N. S., (?) N. Salway. Mentioned as a mezzo¬ 
 tint engraver of portraits, about 1750. 118. 
 
 Sadler, Thomas, xxi. 
 
 Sage, P. Le. 1763. Established himself in 
 Holland. 24. 
 
 Saint, Daniel. 1778-1847. Pupil of Regnault 
 and D’Aubry. Exhibited 1804-1839. lviii., 
 86, 115, 121. 
 
 Saunders (After), 36. 
 
 Sauvage, Joseph B. 1733. French painter 
 in pastel, miniature and ivory, 15. 
 
 Scott 1, 117. 
 
 Scouler, James. Exhibited 1761-1787. Signed 
 in full. 50, 67. 
 
 Sellier, 83. 
 
 Seuin, P. P., 67. 
 
 Severn, 12. 
 
 Sewe, J. A. 1754. 10. 
 
 Shelley, Samuel. 1750-1808. Founded his 
 style on Reynolds, and often treated his 
 miniatures allegorically, xxxix., 33, 56, 65, 
 81,83,113,116,125,131. 
 
 Sheriff, Charles, xlii. 
 
 Shif.rcliff, Edward. 1765. Practised at 
 Bath, end of 18th century. 85. 
 
 Short, 122. 
 
 Shute, John, xiii. 
 
 Sicardi, Jean. Louis XVI. period, lix., 97, 
 109, 121, 125. 
 
 Sicardy, Louis, or Secard. Died 1825. 
 Exhibited miniatures at the Salon, 179I-1819. 
 86 . 
 
 Simon de Pass, 99. 
 
 Smart, John. 1740-1811. Pupil of Daniel Dodd, 
 and fellow student of Cosway, and practised 
 exclusively in miniature. He exhibited 1760- 
 1811, and spent above five years painting in 
 India. Signed “J. S.,” with a date, adding 
 “ I.” *to his Indian pictures. xxxix., I, 2, 
 33, 34, 35, 78, 109, 113, 118, 124, 127, 131. 
 
 Smart, John, jr. Ob. 1809. Son of above. 
 Exhibited 1800-1808. Signed “J. S., jr.” 
 2, 121. 
 
 Smart, Samuel Paul. Exhibited miniatures, 
 1774-1797. 
 
 Snelling, Matthew, xxi. 
 
 Soiron, Francois. 1755-1813. Enamel painter 
 of Geneva. 89. 
 
 Soret. 1763. Enamel. 49. 
 
LIST OF ARTISTS. 
 
 145 
 
 Spencer, Gervas. D. 1763. Began life as a 
 gentleman’s servant, and afterwards success¬ 
 fully practised miniature painting on ivory 
 and enamel. Signed “G. S.” xxxi., I, 39, 
 40, 48, 49, 55, 78, 8o, 114. 
 
 Spencer, Lady, xliv. 
 
 Spicer, Henry. Pupil of G. Spencer, and 
 practised on ivory and chiefly enamel. 
 Exhibited 1765-1804. xlii., 10, 54. 
 
 Staniforth, E., 80. 
 
 Strange, Sir Robert. 1721-1792. Of Scotch 
 birth. He fought for Prince Charles, and 
 escaped to Paris, where he studied under Le 
 Bas. Returning to London, 1751, he be¬ 
 came the first engraver of his day. II4. 
 
 Streetes, Gwillim, x. 
 
 Stroely, of Vienna. 58. 
 
 Stump, John S. Ob. 1863. He exhibited minia¬ 
 ture portraits, often of theatrical characters, 
 1802-1849. 57. 
 
 Sullivan, Luke. 1705-1771. Pupil of T. Major, 
 engraver, and was an assistant to Hogarth. 
 He also excelled in miniature painting and 
 exhibited 1764-1770. Signed initials “ L. S.” 
 xli., 4 , 54 , 55 - 
 
 Swanevelt, Herman. 1620-1690. Dutch land¬ 
 scape painter and engraver. 42. 
 
 T 
 
 “ C. T. 22. 
 
 Tautz, R. M. 1761. 116. 
 
 Teerlinck, Levina. Daughter of Simon 
 Benninch of Bruges, a well known illuminator. 
 She painted miniatures during the reigns of 
 four monarchs, Henry VIII., Edward VI., 
 Mary and Elizabeth, but no signed piece of 
 her work is known, x., 99. 
 
 Terburg, L. G. (? Gerard). 1608-1681. Dutch 
 painter of genre pictures, who excelled in 
 small portraits. 107,119. 
 
 Thienpondt, C. F. 1720-1796. Enameller of 
 Berlin, lxiii., 103, 104. 
 
 Thompson, William John, R.S.A. 1771-1845. 
 Scotch portrait painter, who produced a few 
 miniatures. Exhibited 1796-1843. 52. 
 
 Touron (Thouron), Jacques. I 737 ' I 79 °- Of 
 Geneva. He came to Paris early in life 
 and exhibited enamels, 1781-1782. lix., 
 
 81, 85. 
 
 Toutin, Jean. A watchmaker of Chateaudun in 
 the 17th century. About 1632 he first pro¬ 
 duced portraits in enamel, assisted by Isaac 
 Gribelin, a pastel painter. He is generally 
 considered the first artist who painted small 
 enamel portraits, though he can hardly be 
 said to have invented a process, which had 
 been employed by the artists of Limoges for 
 generations, xxiv., 72, 102, 104. 
 
 Toutin, Henri. Son of the preceding. No 
 particulars are known of him, except that he 
 lived at Blois, and assisted his father in artistic 
 work. The Imperial Treasure Chamber 
 at Vienna possesses the portraits of Anne of 
 Austria and Louis XIV. Signed “H. Toutin.” 
 
 V 
 
 Vallayer de l’Academie, Mile .{see “Coster”). 
 
 Van der Helst (see Heist). 
 
 Vandyck, 105. 
 
 Vandyck (After), 7, 37, 85. 
 
 Velasquez, Diego. 1594-1660. Pupil of 
 F. Herrera and F. Pacheco, and celebrated 
 Spanish portrait painter. 71, 106. 
 
 Vestier Antoine. 1786. French portrait 
 painter. 24, 85, 86, 125. 
 
 Vien, Joseph Marie, the elder Vien. 1716- 
 1809. French painter of history and 
 portrait. A pupil of Legrand and Girot. He 
 was named painter to the King, 1788. His 
 daughter, Maria Joseph Vien, painted portrait 
 and miniature. 26. 
 
 Villiers, Huet. French painter, who exhibited 
 1799-1812. 31, 115. 
 
 w 
 
 Werff, A. Van der. 1659-1722. Dutch painter. 
 His brother, Peter Van der Werff (1665-1718), 
 copied the works of Adrian and painted small 
 portraits. 43, 106. 
 
 White, George. 1671-1734. Son and pupil of 
 Robert White, who practised in oil and 
 miniature, but chiefly as an engraver, es¬ 
 pecially mezzo-tint, xxii., 79. 
 
 White, Robert. 1645-1704. Pupil of David 
 Loggan, engraver. He engraved portraits on 
 copper from the life, and drew small portraits 
 on vellum, xxii., 90. 
 
 Wierix, Johan. 1550. Eminent Dutch en¬ 
 graver. 87. 
 
146 
 
 LIST OF ARTISTS. 
 
 WlLPES, 82. 
 
 Winstanley, Hamlet. 1700-1761. Engraver 
 and pupil of Sir G. Kneller, and painted 
 several portraits. 46. 
 
 Wood, William. 1760-1809. Exhibited 1788 
 to 1807. xliii., S3, 54, 58, 79, 115, 131. 
 
 Woklidge, Thomas, xxxii. 
 
 Weight, Thomas. 1792-1849. Engraver and 
 portrait painter. Pupil of Henry Meyer, the 
 engraver. 63. 
 
 z 
 
 Zincke, Christian Frederick. 1684-1767. 
 Came to England 1706, and studied enamell¬ 
 ing under C. Boit. His enamels were much 
 patronised, and he painted George II., the 
 Royal Family, and the leading people of that 
 day. In 1746 his eyesight failed, and he 
 retired from his profession, xxix., 2, 4, 7> 
 8, 10, 12, 15, 16, 37, 47, 48, 49, 60, 68, 76, 
 81, 87, 91, 93, 94, 95, 104, 118,119, 132,135. 
 
 Zucchero, xi., II, 106. 
 
 Zurich, Jean, xxviii. 
 
INDEX TO THE PORTRAITS. 
 
 - + - 
 
 The Nos. refer to the pages of the preceding Catalogue. 
 
 A 
 
 Abdy, Mrs., 66. 
 
 Abingdon, James Bertie, 1st Earl of, 4. 
 
 Addison, Joseph, 8, II, 43, 47, 119. 
 
 Adelaide, Queen, 36, 52. 
 
 Albemarle, Duke of, 7, 38, 84, 105. 
 
 Albemarle, Elizabeth, Countess of, 69. 
 
 Alenin, Due d’, 136. 
 
 Alexander I., Emperor of Russia, 20. 
 
 Alfieri, Vittorio, Count, 17. 
 
 Amelia, H. R. H. Princess, 51. 
 
 Anglesey, Caroline Elizabeth, Marchioness of, 68. 
 Anglesey, Catherine, Countess of, 135. 
 
 Anglesey, William Henry, 1st Marquis, 59. 
 Anjou, Philip, Duke of, 22. 
 
 Anne of Arragon, 85. 
 
 Anne of Austria, wife of Louis XIII,, 21, 74. 
 Anne of Denmark, wife of James I., 31, 61. 
 
 Anne de Rohan, Princesse de Guemene, 37, 39. 
 Anne, Queen, 16, 45, 79, 97, 102. 
 
 Argyll, Archibald, 1st Duke of, 43. 
 
 Argyll, Archibald George, 9th Earl of, 39. 
 
 Argyll, Caroline Elizabeth, Duchess of, 68. 
 
 Argyll, Elizabeth Gunning, Duchess of, 49, 109. 
 Argyll, John, 2nd Duke of, 43. 
 
 Armagh, Archbishop of, 9. 
 
 Arne, Dr. Thomas Augustine, 57. 
 
 Arnold, Benedict, 96. 
 
 Amould, Sophie, 121. 
 
 Ashley, Lady Barbara, 117. 
 
 Astley, Sir Edward, 88. 
 
 Astley, Sir Jacob, Bart., 88. 
 
 Astley, Sir Jacob H., Bart., 88. 
 
 Astley, Walgrave, 88. 
 
 Aston, Walter, 1st Lord, 91. 
 
 Athlone, Earl of, 90. 
 
 Atterbury, Francis, Bishop of Rochester, 47, 81. 
 Aubrey, Colonel, 2. 
 
 Aubrey, Major, 2. 
 
 Aubrey, Sir John, 2. 
 
 Aubry, Louis Francois, 28. 
 
 Augusta, Princess, 65. 
 
 Augustus II., King of Poland, 102. 
 
 Austria, Albert, Archduke of, 14, 19, 121. 
 
 Austria, Don John of, 19, 107. 
 
 Austria, Emperor and Empress of, 104, 114. 
 
 Austria, Isabella Clara Eugenia of, 19, 122. 
 Austria, Maria Therese, Empress of, 20, 84, 104, 
 109. 
 
 Austria, Marie Antoinette of (see Marie Antoinette). 
 Austria, Marie Louise, Archduchess of, 29. 
 
 B 
 
 Bacon, Francis, 32, 65. 
 
 Baird, Sir David, Bart., 59. 
 
 Baldwin, Mrs. Jane, 67. 
 
 Banks, Miss, 10. 
 
 Bannister, Jack, 58, 112. 
 
 Banse, Governor, 81. 
 
 Barere de Vieuzac, Bertrand, 27. 
 
 Barker, Miss Mary, and Miss Jane, 74. 
 
 Barnard, Lady Anne, 118. 
 
 Barnett, Eleanor, 135. 
 
 Barnevelt, Robert, 41. 
 
 Baron, Michel, 22. 
 
 Bartolozzi, Francesco, R.A., 35. 
 
 Bartolozzi, Madame Gaetano, 35. 
 
 Bath, William, 1st Earl of, 47. 
 
 Bauer, Frau, 122. 
 
 Bauer, Hofrath, M.D., 122. 
 
 Bavaria, Madame La Dauphine Christine de, 74. 
 Bavaria, Prince Rupert of, 43. 
 
 Baxter, Richard, 41. 
 
 Beale, Mrs. Mary, 60. 
 
 Beauchamp, Countess, 122. 
 
 Beauchamp, Earl, 116, 122. 
 
 Beaufort, 7th Duke of, 86. 
 
 Beauharnais, Alexandre, Viscount de, 26. 
 Beauharnais, Prince Eugene de, 28. 
 
 Beauvilliers, Comte de St. Aignan, 86. 
 
 Beckford, Mrs., I. 
 
 Beckford, Wiliam, 84. 
 
 Bedford, John, 6th Duke of, 53. 
 
 Bedingfield, Miss Jane, 66. 
 
 Benbow, Admiral, 95. 
 
 Benedicte, Anne Louise, Duchesse Du Maine, 86. 
 Beniron, Comtesse de, 83. 
 
 Bentinck, Lady Charlotte, 17. 
 
 Bentinck, The Honourable Miss, 51. 
 
 Beresford, Vice-Admiral Sir John Poo, 50. 
 Bernonville, Princess de, 9. 
 
 Berson, J., 82. 
 
148 
 
 INDEX TO THE PORTRAITS. 
 
 Berthier, General, 108. 
 
 Bertrand, Barere de Vieuzac, 27. 
 
 Berwick, Thomas Noel, 2nd Lord, 134. 
 Bessborough, Earl of, 116. 
 
 Bessborough, Henrietta, Countess of, 116, 122. 
 Betty, William Henry West, 58. 
 
 Bingham, Miss R., 10. 
 
 Biron, Duke of, 85. 
 
 Blake, Admiral Robert, 42. 
 
 Blanchard, Jean Pierre, 27. 
 
 Blennerhasset, Jane (Lady Headley), 66. 
 Bloomfield, Robert, 58. 
 
 Bohemia, Elizabeth, Queen of, 41, 60, 101, 135 * 
 Bohemia, Frederick, King of, II. 
 
 Bohemia, Matthias, King of, 20. 
 
 Bohemia, Rudolph II., King of, 19. 
 
 Boileau, Nicholas, 72. 
 
 Bolingbroke, Viscount, 48. 
 
 Bolton, Miss, 53. 
 
 Bonaparte, Caroline Maria Annunziata, 29. 
 Bonaparte, General, 28, 29. 
 
 Bonaparte, Jerome, 29. 
 
 Bonaparte, Joseph, King of Spain, 29. 
 
 Bonaparte, Joseph, King of Wirtemberg, and Julie 
 Clary, his wife, 125. 
 
 Bonaparte, Letitia, 82. 
 
 Bonaparte, Maria Pauline, 29. 
 
 Bonaparte, Marie Anne-Elisa, 29. 
 
 Bond, Commander, 128. 
 
 Bone, Henry, R.A., 63. 
 
 Boneyman, Mr., 124. 
 
 Bossuet, Jacques Benigne, 22. 
 
 Boswell, James, 49. 
 
 Bourbon, Beatrix de (Duchess of Milan), 85. 
 Bourbon, Louis Auguste de, 43. 
 
 Bourbon, Louis Diane de, 22. 
 
 Bourbon, Fran^oise Marie de, 96. 
 
 Bourgogne, Due de, 22, 74, 132. 
 
 Bourgogne, Marie Adelaide, Duchesse de, 22, 
 74, 108. 
 
 Bourke, Viscount, 43. 
 
 Boyle, Hon. Robert, 117. 
 
 Braham, John, 115. 
 
 Brandon, Anne, Viscountess, 46. 
 
 Bransby, Captain, 88. 
 
 Brant, Isabella, 2. 
 
 Breda, Governor of, 106. 
 
 Bridgewater, Countess of, 47. 
 
 Brissac, Comtesse de, 102. 
 
 Bristol, George William, 2nd Earl of, 37. 
 
 Bristol, George, 2nd Earl of, 44. 
 
 Bristol, John, 1st Earl of, xiii., 80, 98. 
 
 Brooke, Robert ,2nd Lord, 65. 
 
 Brook, Miss, 45, 63. 
 
 Brownrigg, Sophia, Lady, 17. 
 Brunswick-Luneburg, John Frederic, Duke of, 98. 
 Bryan, Mrs. Maria Louisa, 25. 
 
 Buchan, A. P., I. 
 
 Buchan, William, 1. 
 
 Buckhurst, Lord, 78. 
 
 Buckingham, Duchess of, 44, 104, 135. 
 Buckingham, George Villiers, Duke of, 16, 44, 99. 
 Bude, Guilliaume, 82. 
 
 Buffon, Comte de, III. 
 
 Burgomaster of Basle, 86. 
 
 Burney, Frances, 113. 
 
 Burns, Robert, 109. 
 
 Burr, Leonard, 61. 
 
 Butler, Charles, Q.C., Il6. 
 
 Butler, Miss, 84. 
 
 Butler, Mrs., 84. 
 
 Butler, Samuel, 100. 
 
 Butts, Mr., 123. 
 
 Byron, George, Lord, 17, 82, 88. 
 
 Byron, The Honourable Ada Augusta, 18, 53. 
 Byron, The Honourable Catherine Gordon, 55 * 
 
 c 
 
 Cadogan, William, 1st Earl, 45. 
 
 Callender, Earl of, 101. 
 
 Cambridge, Adolphus Frederick, Duke of, 36. 
 Campbell, Admiral Donald, 56. 
 
 Canova, Antonio, 109. 
 
 Capello, Bianca, 85, 91. 
 
 Carey, Sir George, 5. 
 
 Carignan, Duchess de, 96. 
 
 Carlisle, Isabella, Countess of, 57. 
 
 Carlisle, Lucy, Countess of, 44, 120. 
 
 Carlisle, Margaret, Countess of, (wife of 5th Earl), 
 
 77 - 
 
 Carnarvon, Henry, 2nd Earl of, 129; Wife of, 129. 
 Caroline, Marie, Queen of Naples, 109. 
 
 Caroline, Queen, 13, 76, 129, 135. 
 
 Casbird, Mrs. Mary Charlotte, 33. 
 
 Castlereagh, Robert, Viscount, 59. 
 
 Catalani, Angelica, 121, 124. 
 
 Catherine of Braganza, 6, 43, 107, 1 33 - 
 Catherine II., Empress of Russia, 20, 76, 120. 
 Catley, Miss Anne, 8. 
 
 Cavendish, George, 116. 
 
 Cavendish, Lord Richard, M.P.. 12, 91. 
 
INDEX TO THE PORTRAITS. 
 
 149 
 
 Cavendish, William, 115, 116; Wife of, 115. 
 Cayla, Comtesse de, 109. 
 
 Cecil, Hon. Robert, 1. 
 
 Chapman, Mrs., 121. 
 
 Chaptal, Monsieur J. A., 109. 
 
 “ Charity,” 36. 
 
 Charlemont, Anne, Countess of, 17. 
 
 Charles I., xx., 10, 15, 98, 100, 107, 135. 
 
 Charles I., Children of, 7. 
 
 Charles II., 3, 4, 6, 45, 62, 65, 67, 88, 90, 97, 99, 
 100, 107, 135. 
 
 Charles the Bold, 71. 
 
 Charlotte, Princess, Lady Attendant on, 2. 
 Charlotte, Queen of George III., 3, 9, 35, 125. 
 Chastellain, Comte de, 117. 
 
 Chatenay, Madame de, 86. 
 
 Chatham, William Pitt, Earl of, 49. 
 
 Chelles, Louise Adelaide, Abesse de, 21. 
 
 Chenier, Marie Andre, I. 
 
 Christina, Queen of Sweden, 108. 
 
 Clare, John Fitzgibbon, Earl of, 33. 
 
 Clarendon, Edward, Earl of, 123. 
 
 Clarendon, Thomas, 1st Earl of, 68. 
 
 Clarke, Mrs. Mary Anne, 58. 
 
 Claypole, Elizabeth, 13. 
 
 Clermont, D’Amboise, Frangoise Magdalene de, 68. 
 Cleve, Solto, 8; Wife of, 8. 
 
 Cleveland, Duchess of, 47, 97, 133. 
 
 Clifford, Thomas, Lord, 42. 
 
 Clinton, General Sir Henry, 56. 
 
 Clive, Mrs. Catherine, 55. 
 
 Clive, Robert, 1st Lord, 57. 
 
 “ Coalition,” The (Lord North and C. J. Fox), 8. 
 Cobham, Richard Temple, Viscount, 16. 
 
 Coghill, Anne, 134. 
 
 Coghill, Sarah, 134. 
 
 Cockburn, Catherine, 48. 
 
 Cockerell, Sir Charles, 5 °- 
 Colbert, Jean Baptiste, 7, IOO. 
 
 Collet, Joseph, 12. 
 
 Collet, Mary, 12. 
 
 Collins, Margaretta, 124. 
 
 Colquhoun, Patrick, 35. 
 
 Conde, Louis Prince de, 104. 
 
 Condorcet, Marquis de, 108. 
 
 Conti, Louis Frangois, Prince de, Wife of, 22. 
 Conti, Princess de, 103. 
 
 Cooke, George Frederick, 39. 
 
 Cooper, Lady Frances, 134. 
 
 Corbet, Miles, 42. 
 
 Cork, Edmund, 8th Earl of, 92. 
 
 Cornwallis, Charles, Marquess of, 34. 
 
 Cornwallis, Lady Louisa, 68. 
 
 Cosway, Maria, 69, 115, 126, 129, 131. 
 
 Cosway, Richard, R.A., in, 126. 
 
 Coventry, Lady Margaret, 80. 
 
 Coventry, Maria Gunning, Countess of, 48. 
 Coutteau, Madame, no. 
 
 Cowley, Abraham, 76. 
 
 Cowper, Mrs., 52. 
 
 Cowper, The Countess (wife of 2nd Earl), 2, 94. 
 Cowper, William, n. 
 
 Craggs, James, 7; Daughter of, 7. 
 
 Craven, William, 1st Earl, 44. 
 
 Craven, William, 2nd Earl, 43. 
 
 Cremorne, Lady, 9. 
 
 Cremorne, Viscount (see Dartrey, Lord). 
 
 Crewe, Nathaniel, Lord, 43. 
 
 Crispe, Lady, 62. 
 
 Crispe, Sir Nicholas, 62. 
 
 Cromwell, Oliver, xvii., 4, 9, 13, 16, 44, 65, 70, 
 78 , 79 , 93 , 96, 100, 103, 135 ; Daughter of, 
 122. 
 
 Cromwell, Richard, 3, 77, 96, 120. 
 
 Cromwell, Thomas, Earl of Essex, 61, 76. 
 
 Croon, Baron de, 97. 
 
 Cumberland, Frances, Countess of, 71. 
 Cumberland, George Clifford, 3rd Earl of, 61. 
 Cupid and Psyche, 103. 
 
 Curran, The Right Honourable John Philpot, 34. 
 
 D 
 
 Danby, Henry, Earl of, 6. 
 
 Danby, Thomas Osborn, Earl of, 6. 
 
 D’Ancre, Concino Concini, Comte Della Penna, 
 Marechal, 81; Eleanor Calligali, his Wife, 81. 
 D’Angennes, Catherine Henriette, Comtesse 
 D’Olonne, 64, 78. 
 
 Daniel, Mrs., 69, 120. 
 
 Danvers, William, 80. 
 
 Dartmouth, George, 4th Earl of, 100. 
 
 Dartrey, Thomas, 1st Lord, 10, 50. 
 
 Dartrey, Philadelphia, Lady, 10. 
 
 Davidson, General, 43. 
 
 Davison, Mrs., 58. 
 
 Dawson-Damer, Hon. Mrs. G., 119, 127. 
 
 Dawson, Fanny, 131. 
 
 Dawson, Hon. Richard, 11. 
 
 Day, Thomas, 53. 
 
 De Borcele, Mademoiselle, 124. 
 
 D’Eon, Chevalier, 117. 
 
 D’Epernon, Due de, 73, 85. 
 
 Deffand, Marquise du, 23. 
 
 Delany, Mrs., 33. 
 
 De la Tour D’Auvergne, Cardinal, 7. 
 
INDEX TO THE PORTRAITS. 
 
 150 
 
 De la Tour D’Auvergne, Henri (Vicomte de 
 Turenne), 102. 
 
 Della Penna, Comte, 81. 
 
 Denmark, the Family of the Ambassador of, 95. 
 Derby, Charlotte, Countess of, 62 
 Derby, Elizabeth, Countess of, 33, 114, 120, 128. 
 Derby, James, 7th Earl of, 5. 
 
 Desmond, Catherine Fitzgerald, Countess of, 62. 
 De Stael, Madame, 2, 28. 
 
 D’Estrees, Gabrielle, 101. 
 
 Devonshire, Elizabeth Cecil, Countess of, 16. 
 Devonshire, Elizabeth Foster, Duchess of, 12, 84, 
 127, 128. 
 
 Devonshire, Georgiana, Duchess of, 8, 12, 14, 15, 
 39 . 5 D 92 , 94 . 103, 120, 128, 131. 
 
 Devonshire, William Cavendish, 1st Duke of, 15, 
 
 100. 
 
 Devonshire, William, 5th Duke of, 16, 
 
 Devonshire, William Spencer, 6th Duke of, 16. 
 
 De Witt, John, 41, 102. 
 
 D’Harcourt, La Marquise, 30. 
 
 Diana, A Lady as, 7. 
 
 Digby, Henry, Earl, 40. 
 
 Digby, Sir Kenelm, 32, 37, 40. 
 
 Digby, Sir Kenelm, a son of, XI, 39. 
 
 Digby, Venetia, Lady, 6, 37, 38, 40. 
 
 Digby, Lord, 40. 
 
 Digby, Mary, Countess, 40. 
 
 Dinglinger, Johann M., 103. 
 
 Dobson, William, 44. 
 
 Dodd, The Rev William, 55. 
 
 Dolce, Carlo, 107. 
 
 D’Olonne, Comtesse, 64, 78. 
 
 Donne, Dr. John, 99. 
 
 Donoughmore, Countess of, I. 
 
 Donoughmore, Earl of, 122. 
 
 Dorset, Anne Clifford, Countess of, 32, 101. 
 Dorset, Thomas, 1st Earl of, 78. 
 
 Dover, G. J. W. Agar Ellis, Lord, 17. 
 
 Dover, Henry Jermyn, Lord, 80. 
 
 Drake, Sir Francis, 5, 32, 41, 60, 99. 
 
 Dreux, Madame de, 124. 
 
 Drummond, William, of Hawthornden, 91. 
 
 Du Barry, Comtesse, 91, 108. 
 
 Dubois, Cardinal, 22. 
 
 Duckett, Colonel John, 106. 
 
 Duckett, Dame Grace, 109. 
 
 Duckett, William, 106. 
 
 Duffour, Madame GeraQon, 25. 
 
 Dugazon, Rosalie, 109, 120. 
 
 Dumont, Jean, 87. 
 
 Duncan, Miss, 58. 
 
 Duncan of Camperdown, Admiral Viscount, 59. 
 
 Duras, Duchesse de, 82. 
 
 Durham, Crewe, Bishop of, 43. 
 Duronceray, Marie J. B., 24. 
 
 Dysart, Countess of, xxix., xxx., 116. 
 
 E 
 
 Edward VI., xi., 14, 99. 
 
 Edwardes, Maria, 128. 
 
 Eglinton, Eleanor, Countess of, no, 127. 
 Elizabeth, Madame, 8, 82, 108. 
 
 Elizabeth of Valois, Queen of Spain, 21. 
 
 Elizabeth, Princess (1533-1603), 106. 
 
 Elizabeth, Princess, daughter of George III., 109. 
 Elizabeth, Queen, xiii., 5, 60, 61, 71, 91, 99, 105. 
 
 136; Prayer Book of, 136. 
 
 Elizabeth, wife of Frederick V., King of Bohemia, 
 41, 60, 101, 135. 
 
 Eliot, Mrs. Harriot (nee Craggs), 7. 
 
 Emlyn, Miss, 2. 
 
 Engleheart, George, 75. 
 
 Engleheart, Millicent, 75. 
 
 Esmonde, Sir Thomas, 43. 
 
 Essex, Frances, Countess of, xv., 11, 61. 
 
 Essex, Robert Devereaux, Earl of, 13, 15, 38, 
 60, 100. 
 
 Evelyn, John, 106. 
 
 Exmouth, Viscount (Admiral Sir Edward 
 Pellew), 34. 
 
 Fairfax, Lord, 63, 105, 136. 
 
 Falkland, Lucius Cary, 2nd Viscount, 3, 44, 45. 
 Falkland, Viscountess, 135. 
 
 Farinelli, 49. 
 
 Farre, —, 134. 
 
 Farren, Eliza, Countess of Derby, 33, 114, 120, 
 128. 
 
 Favart, Madame, 24. 
 
 Ferdinand II., Emperor of Germany, 130. 
 Fermor, Lady Anne, 10. 
 
 Ferrers, Lady, 81. 
 
 Feuillade, Marquise de la, 86. 
 
 Feuquieres, La Comtesse de, 40. 
 
 Fincke, Mrs., 84. 
 
 Fisher, Kitty, 87. 
 
 Fisher, Mrs., 66. 
 
 Fitzgerald, Catherine, Countess of Desmond, 62. 
 Fitzgerald, Lady Edward, 3, 95. 
 
INDEX TO THE PORTRAITS. 
 
 * 5 ' 
 
 Fitzgerald, Lord Edward, 3. 
 
 Fitzherbert, Mrs., 8, 83, 95, 11 3, 119, 1 24, 128. 
 Flatman, Thomas, 78. 
 
 Ford, Gilbert, and Mrs., 124. 
 
 Folkes, William, 49. 
 
 Forster, General Thomas, 43. 
 
 Fortescue, Lady Elizabeth, 50. 
 
 Foster, Lady Elizabeth, 12, 84, 127, 128. 
 
 Fox, Charles James, 8, 89. 
 
 Fox, Mrs. C. J., and Child, 113. 
 
 Francis I., 72, 104. 
 
 Francis II. of France, 106. 
 
 Frederick the Great, 20, 86. 
 
 Frederick William III., King of Prussia, 20. 
 Frederick William IV., King of Prussia, 20. 
 
 Fry, Mrs. Elizabeth. 84. 
 
 Fryberge, Mrs., 133. 
 
 Fuller, Colonel, 84. 
 
 Fuller, Mrs., 84. 
 
 Fuseli, H., R.A., 75. 
 
 G 
 
 Gallwey, Mrs. Stephen Payne, 80, 81. 
 
 Galhvey, Stephen Payne, 81. 
 
 “ Garde Royale,” An Officer of, 96. 
 
 Garrick, David, 57, 112; Wife of, 52. 
 
 Garrick, Mrs. Eva Maria Violette, 55. 
 
 Gauden, John, Bishop of Worcester, 45. 
 
 Gay, John, 3, 68. 
 
 Geare, Major, 81. 
 
 Genlis, Madame de, 120. 
 
 George I., 35, 93; Queen of, 35. 
 
 George III., 9, 35, 124; Queen of, 3, 9, 35, 125. 
 GeorgeIV., 35, 36,69, 82, no, ill, 125, 128, 129, 
 135 - 
 
 Gerard, Clare, 49. 
 
 Gibbon, Edward, 54. 
 
 Gibbs, Frances C. K., 135. 
 
 Gibbs, George Henry, 134. 
 
 Gibbs, Harriett, 134. 
 
 Gibbs, James, 2. 
 
 Gibbs, Sibella, 134. 
 
 Gibbs, Sir Vicary, 134.' 
 
 Gipps, Mrs., 124. 
 
 Godfrey, Sir Edmondbury, 62. 
 
 Godolphin, Francis, Earl of, 39, 76, 118. 
 Godolphin, Henrietta, Countess of, 76, 89, 101. 
 Goethe, Johann Wolfgang, 55. 
 
 Gonzagues, Anne de, 87. 
 
 Gonzales, Bartholome, 130. 
 
 Gordon, Alexander, Duke of, 50. 
 
 Goring, Lord, 6. 
 
 Grammont, Elizabeth, Comtesse de, 78. 
 Granville, Frances, Countess, 93. 
 
 Granville, John Carteret, 1st Earl, 94, 96. 
 Gratton, Mrs., 58. 
 
 Grenville, Sir Bevile, 123. 
 
 Gretry, Andre Ernest Modeste, 28. 
 
 Greuze, Jean Baptiste, 112. 
 
 Grey, Lady Jane, 91. 
 
 Grignan, Fran^oise, Comtesse de, 78, 91, 121. 
 Grosvenor, Elizabeth, Countess, 112. 
 Guillotin, Dr. Joseph Ignace, 27. 
 
 Guizot, Madame, 28. 
 
 Gunning, Elizabeth, 109. 
 
 Guthrie, Miss, 113. 
 
 Gwyn, Mrs., 52. 
 
 Gwynne, Nell, 118. 
 
 H 
 
 Hale, Sir Matthew, 65. 
 
 Hall, Jacob, 130. 
 
 Hall, Richard, 91. 
 
 Halliday, Mrs, 2. 
 
 Hamilton, Alexander, 10th Duke of, 31. 
 
 Hamilton and Argyll, Elizabeth Gunning, Duchess 
 of, 49, 109. 
 
 Hamilton, James, 3rd Marquess and 1st Duke of, 
 
 6 , 77 - 
 
 Hamilton, Lady, 59, 65, 66, 68, 112. 
 
 Hamilton, Sir William, 1. 
 
 Hamilton, Susan Harriet Catherine, daughter of 
 Alexander, 31. 
 
 Hamilton, William Alexander, nth Duke of, 31. 
 Hampden, John, 44, 103. 
 
 Hampson, Lady, 117. 
 
 Handel, George F., 78. 
 
 Harcourt, Lady, 83. 
 
 Harcourt, La Marquise d’, 30. 
 
 Harding, Miss Jane, 76. 
 
 Harewood, Lady Jane, 79. 
 
 Hargraves, Lady, 18. 
 
 Harley, Robert, Earl of Oxford, 43, 130. 
 
 Harlowe, Mrs., 112. 
 
 Hastings, Warren, 6. 
 
 Hatton, Sir Christopher, 99. 
 
 Hayley, William, 53. 
 
 Headley, l ady, 66. 
 
 Heath, James, 57. 
 
 Henrietta Maria, Queen of Charles I., 15, 60, 105. 
 Henry IV., 21, 73, 119 ; Wife of, IOI. 
 
 Henry, Prince of Wales, 7 1 ) *00. 
 
 Henry VIII., 105. 
 
152 
 
 INDEX TO THE PORTRAITS. 
 
 Hermans-zoon, Anncke, wife of Frank Hals, 41. 
 Hervey, Lady, 7. 
 
 Hewitt, Dr. John, 82. 
 
 Hewitt, W. N. W., 81. 
 
 Hicks, Dr., 117. 
 
 Hilliard, Nicholas, 32. 
 
 Hoare, Sir Richard, 47. 
 
 Hobbes, Thomas, of Malmesbury, 13. 
 
 Hoche, General Lazare, 30. 
 
 Hofer, Andreas, 113. 
 
 Holland, Elizabeth, Lady, 69. 
 
 Holland, Hortense Eugenie, Queen of, 29. 
 Hollond, Mrs., 101. 
 
 Hope, Sir John, 53. 
 
 Horneck, Mary, 52. 
 
 Horsley, Francis, 115. 
 
 Horsley, Samuel, 115. 
 
 Horton, Mrs. Anne, 118. 
 
 Howard, Lady Catherine, 37. 
 
 Hucks, Anne, 134. 
 
 Hucks, Dorothea Barnetta, 134. 
 
 Hucks, Eleanor, 134, 135. 
 
 Hucks, Harriett, 135. 
 
 Hucks, Robert, 134, 135. 
 
 Hucks, Sarah, 134. 
 
 Hucks, William, 134. 
 
 Hunsdon, Lord, 5. 
 
 Huntly, Alexander, Marquess of, 50. 
 
 Huntly, George, 9th Marquess of, 59. 
 
 Hurter, John Henry, 8. 
 
 Hutchinson, Mrs., I. 
 
 Hutchinson, John, 1st Lord, 122. 
 
 Hutton, Ulrich von, 98. 
 
 Hyde, Anne, 62. 
 
 I 
 
 Incledon, Benjamin Charles, 57. 
 
 Inwen, Sarah, 135. 
 
 Ireton, Bridget, 122. 
 
 Isabella Clara Eugenia of Austria, 19, 85, 122. 
 Isabey, Jean Baptiste, 28. 
 
 Isham, Sir T., 89. 
 
 J 
 
 James I. of England, 31, 61, 76, 98, 106. 
 James II., 11, 45, 62, 90. 
 
 Jean, P., 58. 
 
 Jephson, Robert, 57. 
 
 Jersey, Sarah Sophia, Countess of, 118. 
 Johnson, Dr., 66; Wife of, 66. 
 
 Johnston, Lady Charlotte, 34. 
 
 Johnstone, Captain E. J., R.A., 59. 
 Johnstone, Miss, 84. 
 
 Johnstone, Sir Guy, 4. 
 
 Jones, Daughters of Robert, 33. 
 
 Jonson, Ben, 60. 
 
 Josephine, Empress, 29, 76, 84, 97, 108. 
 Jouvenet, Jean, 99. 
 
 Joyeuse, Aime, Due de, 84. 
 
 K 
 
 Kauffman, Angelica Maria Catherine, R.A., 33, 35. 
 Keats, John, 12. 
 
 Keightley, Mr. and Mrs., 76. 
 
 Kemble, C., 57. 
 
 Kemble, John, 104, no. 
 
 Kemble, Miss Fanny, 18. 
 
 Kent, H.R.H. Prince Edward, Duke of, 36. 
 Kent, H.R.H. Princess Victoria, Duchess of, 36. 
 Kent, Sir Charles E., 122. 
 
 Keppel, Lady, 78. 
 
 Kildare, Countess of, 77, 92. 
 
 Kingston, Duchess of, 49. 
 
 Knox, Ralph, 10. 
 
 Knowles, Sir Francis, 5. 
 
 L 
 
 Lafayette, Marquis de, 28, 96. 
 
 Laguerre, Marie Sophie, 95. 
 
 Lamb, Lady Caroline, 8. 
 
 Lamballe, Princesse de, 25, 97, 121. 
 
 Lamoignon, Guillaume, 22. 
 
 Largilliere, N. F., 104. 
 
 Larive, Jean Maudet de, 24. 
 
 La Tour, Maurice Quentin de, 88. 
 
 Lauderdale, John Maitland, Duke of, 42, 79, 120. 
 Law of Lauriston, John, 23. 
 
 Lawrence, Sir Thomas, P.R.A., 36, 82. 
 
 Leak, Miss, 58. 
 
 Leboulanger, C. Louis, 117. 
 
 Le Brun, Madame, 109. 
 
 Lecouvreur, Adrienne, 95. 
 
 Leeds, Duke of, 6. 
 
 Leicester, Robert Dudley, Earl of, 98. 
 
 Leinster, Emily, Duchess of, 78. 
 
 L’Enclos, Ninon de, 8, 102, 125. 
 
 Lennox, Lady Louisa, 54. 
 
 Lenthall, William, 77, 107. 
 
 Leopold I., Emperor of Germany, 19, 20. 
 
 Leopold I., King of the Belgians, 63. 
 
INDEX TO THE PORTRAITS. 
 
 153 
 
 Lepel, Molly (Lady Hervey), 7. 
 
 Lesczinska, Marie, 82. 
 
 Lesczinski, Stanislas, 6, 19. 
 
 Lilburne, Colonel, 101. 
 
 Lincoln, Countess of, 31. 
 
 Lincoln, Thomas Clinton, Earl of, 5. 
 
 Lindsey, Montague Bertie, 2nd Earl of, 100. 
 Lindsay of Balcarres, Lady Anne, 118. 
 
 Linley, Maria, no. Plate xvi. 
 
 Liverpool, Earl of, 74, 108. 
 
 Lloyd, Mrs., I. Plate xxi. 
 
 Locker-Lampson, F., Esq., 123. 
 
 Lofft, Mrs. Capel, 82. 
 
 Londonderry, Marchioness of, 53. 
 
 Londonderry, Marquis of, 59. 
 
 Longueville, Duchesse de, 76. 
 
 Lonsdale, Earl of, 50; Viscount, 45. 
 
 Lothian, Marchioness of, 17. 
 
 Loubovmirsky, Prince, 128. 
 
 Louis Le Grand Dauphin, 22, 74. 
 
 Louis XIII., 70, 100. Plate xxxi. 
 
 Louis XIV., 10, 14, 21, 67, 71, 74, 78, 89, 90, 93, 
 95, 101, 103, 124, 132. Plates xxviii., xxx. 
 Louis XIV., Queen of, 7, 60, 74, 96, 106. 
 
 Louis XIV., Son of, 80; Daughter of, 125. 
 
 Louis XV., 23, 125. 
 
 Louis XV., Daughter of, 7. 
 
 Louis XVI., 24, 81, in. 
 
 Louvois, Marquis de, 21. 
 
 Lovat, Lord, 46. 
 
 Lovelace, Countess of, 53. 
 
 Lowther, Sir James, 50. 
 
 Lowther, John, 45. 
 
 Lucas, Sir Charles, 62. Plate xii. 
 
 Lucas, Jacque de, 67. 
 
 Lygon, General The Honourable E. P., 121. 
 
 M 
 
 Macdonald, Lady, 115. 
 
 Mackenzie, Frances Cerjat Kenneth, 135. 
 Mackworth, Lady, 1. 
 
 Macleod, Miss Mary, 17. 
 
 Macpherson, James, 114. 
 
 Macready, W. C. (as Richard III.), 73. 
 
 Madden, Rev. Samuel, 48 
 Madly, Louise, Comtesse de, 23. 
 
 Maine, Duchesse du, 86. Plate xxxv. 
 
 Maintenon, Marquise de, 13, 64, 132. 
 
 Major, Richard, 44. 
 
 Malet, Lady, 118. 
 
 Maltby, Miss, 51. 
 
 Manners, Lady, 83. 
 
 Marat, Jean Paul, in. 
 
 Marechale de l’Hopital, Madame la, 7. 
 
 Margaret, Queen of Navarre, 101. Plate xxxi. 
 Margaret Tudor, 31. Plate ii. 
 
 Margaret, wife of Leopold I., Emperor of 
 Germany, 20. 
 
 Margaret, wife of Philip III., King of Spain, 86. 
 Plate xxvi. 
 
 Marie Antoinette, Queen, 4, 15, 25, 96, III, 121, 
 125. Plate xxxvi. 
 
 Marie Feodorowna, Empress of Alexander I., 20. 
 Marie Josephe de Saxe, 86, 121. 
 
 Marie Louise, Empress of the French, 29,108, in. 
 Plate xxxiii. 
 
 Marie Louise, Queen of Spain, 19. 
 
 Marie of Guise, 31. Plate xxxi. 
 
 Marie Therese of Austria, Empress of Germany, 
 20, 84, 104, 109. Plates xxx., xxxiv. 
 
 Marie Therese of Austria, Oueen of Louis XIV., 
 7, 60, 74, 96, 100. Plate xxxii. 
 
 Marlborough, Charles Spencer, 2nd Duke, 48. 
 Marlborough, Elizabeth, Duchess of, 48. 
 Marlborough, Henrietta, Duchess of, 76, 89, ior. 
 Marlborough. John, 1st Duke of, 2,47.95. Plate xxix. 
 Marlborough, Sarah, Duchess of, 4,93,94. Plate xxxii. 
 Mars, Mademoiselle, 30, 117*. 
 
 Martin, Josiah, 56. 
 
 Martoffin, Anna. 123. 
 
 Marvell, Andrew, 6, 11, 98. Plate xxv. 
 
 Mary Magdalen, 61. 
 
 Mary of Modena, wife of James II., 45. 
 
 Mary of Orange, Princess, 6, 45. 
 
 Mary Queen of Scots, 10, 31. Plate iv. 
 
 Mary I., Queen of England, 40, 91, 107. Plate ii. 
 Mary II., Queen of William III., 15, 43,45, 89, 101. 
 Plate xiv. 
 
 Masse, Jean Baptiste, 23. Plate xxxii. 
 
 Mauley, Lady de, 117. 
 
 May, Thomas, 65, 99. 
 
 Mayence, Bishop of, 132. 
 
 Mayer, Mademoiselle Constance, 28. 
 
 Maynard, Viscountess, n8. 
 
 Maynard, Sir John, 98. 
 
 Mazarin, Cardinal, 132. 
 
 Meade, Lady Selina, 58. 
 
 Medici, Catherine de, viii., 98. Plate xxxi. 
 Medici, Marie de, 21, 86. 
 
 Mee, Mrs., 51. 
 
 Melbourne, Lady, 8 , no. Plate xvii. 
 
 Menie, 26. 
 
 Metastasio, Pietro, 108. 
 
 Meyer, Mrs., 113. 
 
 Meyer, William, 52. Plate xv. 
 
 Michelovitz, Alexis, Czar of Russia, 77. 
 
i54 
 
 INDEX TO THE PORTRAITS. 
 
 Mignard, Pierre, 107. 
 
 Milan, Duchess of, 85. 
 
 Milbank, Lady, 118. 
 
 Mills, Mrs., 75. 
 
 Milton, John, 42, 106. 
 
 Minto, Countess of, 117. 
 
 Mirabeau, Comte de, 26. 
 
 Mock, 104. 
 
 Moffatt, Mr. no. 
 
 Moffatt, Mrs. no. Plate xvi. 
 
 Moliere, Jean Baptiste Poquelin de, 73. 
 
 Monk, General, (see Albemarle). 
 
 Monmouth, James, Duke of, 38, 106. Plate x. 
 Montagu, Duchess of, 112. 
 
 Montagu, Lady Mary Wortley, 88, 114, 119. 
 Montagu, J. Edward Wortley, 119. 
 
 Montagu-Scott, Lady Caroline, 17. 
 
 Montagu-Scott, Lady Harriet, 17. 
 
 Montalba, Colonel, 34. 
 
 Montespan, Marquise de, 64, 96, 97. 
 
 Montesson, Charlotte, Marquise de, 87. 
 Montholon, Charles Tristan, Comte de, 30. 
 Montholon, F. De, 41. 
 
 Montrose, Duchess of, 34. 
 
 Montrose, James Graham, Marquess of, 2, 42, 79. 
 Moore, General Sir John, 59. 
 
 Moore, Mrs. (nee Hamilton), 80. 
 
 Mordaunt, Charles, 1x7. 
 
 More Family, Group of the, viii., 123. 
 
 Moreau, General, 30. 
 
 Morgan, Lady, 18. 
 
 Mornington, Countess of, 50. 
 
 Morton, James Douglas, Earl of, 38. 
 
 Morton, Sholto Charles, Earl of, and Katherine, 
 Countess of, 33. 
 
 Mountjoy, Lady, 119. 
 
 Mountjoy, Lord, 66. 
 
 Mozart, J. C. W. A., and his Wife, 122. 
 
 Murray, Lady Charlotte, 68. 
 
 Musgrave, Sir William, 52. 
 
 N 
 
 Nanteuil, Robert, 107. 
 
 Naples, Caroline Marie, Queen of, 29, 109. 
 Napoleon I., 4, 7, 28, 29, 72, 76, 82, 94, 97, hi. 
 
 Plate xxxiii. 
 
 Napoleon II., 29. 
 
 Nassau, Filiberto di, 16. 
 
 Xassau, Frederic Henry of, 87 (see Orange). 
 
 Nassau, Gulielmo di, 16 
 
 Nassau, Maurice of, 41, 70, 87, 92. 
 
 Necker, Jacques, 27. 
 
 Nelson, Lord, 59, 66, III ; Daughter of, 129. 
 
 Neuville, Charles de, 7. 
 
 Nevill, Hon. Catherine, 118. 
 
 Nevill, Hon. George, 117. 
 
 Newburgh, Countess of, 48. 
 
 Newcastle, Henry, Duke of, 90. 
 
 Newcastle, Margaret, Duchess of, 87, 90. 
 Newcastle, Susan Harriet Catherine,Duchess of, 31, 
 Newcastle, William Cavendish, Duke of, 32. 
 Newcome, Miss, hi. 
 
 Newton, Sir Isaac, 8. 
 
 Nixon, Mrs., of Jamaica, 127. 
 
 Noailles, Marquis de, 30. 
 
 Noailles, Marquise de, 30. 
 
 North, Lord, 8, 58. 
 
 Northampton, Marquess of, 49. 
 
 Northumberland, Henry, Earl of, 32. 
 
 Northwick, Lady, no, 122, 128, 129. Plate xix. 
 Norwich, George Goring, Earl of, 6. 
 
 Nottingham, Catherine Carey, Countess of, 5, 106. 
 
 Plate xxv. 
 
 Noyes, Sarah, 134. 
 
 Nugent, Miss Margaret, 4. 
 
 o 
 
 Offaly, Letitia, Baroness, 79. 
 
 Oliver, Isaac, 38. Plate vi. 
 
 Oliver, Peter, 61. Plate viii. 
 
 O’Neill, Lady, 33, 109. 
 
 Opalinski, Catherine, 86. 
 
 Orange, Filiberto, Prince of, 16. 
 
 Orange, Mary, Princess of, 6. 
 
 Orange, Maurice de Nassau, Prince of, 87. 
 Orange,WilliamII.,Princeof,44,Wifeof,45. Platexi. 
 Orange, William VI., Prince and Princess, 30. 
 Orange, William, son of Filiberto, Prince of, 16. 
 Orange, William, the Silent. 70. 
 
 Orford, Horace Walpole, Earl of, 49, 117. 
 
 Orford, Sir Robert Walpole, Earl of, 48,60. Plate xv. 
 Orger, Mrs., 56. 
 
 Orleans, Charlotte, Duchess of, 87. 
 
 Orleans, Fran<joise Marie, Duchess of, 96. 
 
 Orleans, Gaston, Duke of, 21, 74, 102, 105, 125. 
 Plate xxx. 
 
 Orleans,Henrietta,Duchess of, 13,99,105. Plate xxxii. 
 Orleans, Louise Adelaide, daughter of Philip 
 de, 21. Plate xxxii. 
 
 Orleans, Louise Diane de, 22. 
 
 Orleans, Louise Marie Adelaide, Duchess of, 96. 
 Orleans, Marie Louise, Daughter of Philip de, 19. 
 Orleans, Philip, 1st Duke of, 3, 9, 21. 
 
 Ormonde, James, 1st Duke of, 46. 
 
 Ormonde, James Butler, Duke of, 48. 
 
INDEX TO THE PORTRAITS. 
 
 155 
 
 Osborne, Sir Edward, 5. 
 
 Oxford, Robert Harley, 1st Earl of, 43, 130. 
 
 P 
 
 Paget, Lady E., in. Plate xvi. 
 
 Paget, Sir E., III. Plate xvi. 
 
 Palmer, Lady Madelina, 68. 
 
 Palmer, Theophila, 35. 
 
 Palmer, William E., 122. 
 
 Parabere, Madame de, 88. 
 
 Parakanoff, Princess Elizabeth, 124. 
 
 Parisot, Mademoiselle, 27. 
 
 Park, Mungo, 116. 
 
 Parma, Duchess of, 84. 
 
 Parsons, Mr., 114. 
 
 Parsons, Nancy, Countess of Maynard, 118. 
 Paton, Miss, 66. 
 
 Pead, Luke, 118. 
 
 Pearson, Miss, 68. 
 
 Pembroke, Countess of, II, 77 - 
 
 Pembroke, William, 3rd Earl of, ioo. Plate viii. 
 
 Penn, Admiral Sir William, 3. 
 
 Penthievre, Due de, 91. 
 
 Penthievre, Louise Marie Adelaide, De Bourbon 
 de, 96. 
 
 Perceval, Right Hon: Spencer, 53, 116. 
 
 Percy, Hugh, Earl, 58. 
 
 Percy, Lady Lucy, 40. 
 
 Perry, Commander Oliver Hazard, 53. 
 
 Perth, James, Earl of, 53. 
 
 Peterborough, Countess of, 78. Plate xiv. 
 Peterborough, Earl of, 47, 93. 105. 
 
 Peter the Great, 20, 63. Plate xxix. 
 
 Pether, Dr. W., 51. 
 
 Petitot, Jean, 10, 124. Plate xxviii. 
 
 Petitot, Jean, Fils, 9. 
 
 Petitot, Madame, 9. Plate xxviii. 
 
 Philipo, John, 90. 
 
 Philip IV., King of Spain, 19, 71,102. Plates xxvi., 
 xxx. 
 
 Philip V., King of Spain, 22. 
 
 Phillips, Mrs. Price, 133. 
 
 Phipps, General Sir Charles, 59. 
 
 Pickford Family, Portraits, 88. 
 
 Pierson, Major Francis, 57. 
 
 Pitt, Miss, 65. 
 
 Pius VII., 30. 
 
 Pleyel, Ignace, 51. 
 
 Poland, Augustus II., King of, 102. Plate xxx. 
 Poland, John Sobieski, King of, 19. 
 
 Pompadour, Madame de, 23, 114, 120, 132. 
 Ponsonby, Sir Frederick, 116. 
 
 Poole, Miss, 117. 
 
 Pope, A., 42. 
 
 Pope, Alexander, 65. 
 
 Pope, Clement IX., 132. 
 
 Pope, Mrs., 52, 55. Plate xx. 
 
 Porchester, Henry, Lord, 129. 
 
 Porchester, Lady, 129. 
 
 Portsmouth, Duchess of, 62, 102. Plate xxviii. 
 Powell, John Allan, 51. 
 
 Poyntz, Sir Nicholas, 76. 
 
 Poyntz, Stephen, 92. 
 
 Poyntz, William, 92. 
 
 Price, Sir John, 113. 
 
 Priestman, Mrs., 133. 
 
 Primrose, Anne, Viscountess, 10. 
 
 Prince Charles, and Prince James, 106. 
 
 Princess Amelia, 51. 
 
 Princess Augusta, 65. 
 
 Princess Sophia, daughter of George III,, 36, 87. 
 Pulteney, Lady, 129. 
 
 Pye, Lady, 92. 
 
 Q 
 
 Queensberry, Duchess of, 99, 118. 
 
 Queensberry, Marchioness of, 17. 
 
 Querouaille, Louise de, 62, 102. Plate xxviii. 
 
 R 
 
 Radcliffe, Lady Frances, 77. Plate xxiv. 
 Radford, Mrs., 119. 
 
 Radford, P., 119. 
 
 Raleigh, Sir Walter, 6. 
 
 Rambouillet, Madame de, 25. 
 
 Real, Guillaume Andre, 110. 
 
 Recamier, Madame Jeanne Fran^oise, 30, HO; 114. 
 Rees, Abraham, D.D., 35. 
 
 Reid, Mrs., 113. 
 
 Reynolds, Miss, 8. 
 
 Reynolds, Mr., I. 
 
 Reynolds, Sir Joshua, 36. 
 
 Rich, David, 57. 
 
 Richards, Mrs. Mary Diana, 33. 
 
 Richelieu, Armand, Due de, 125. 
 
 Richelieu, Cardinal, 93. 
 
 Richmond and Lenox, James Stuart, Duke of, 42. 
 Richmond, Duchess of, III. Plate xvi. 
 
 Rigaud, Hyacinthe, 22. 
 
 Rizzio, David, 98. 
 
 Robespierre, Francis Maximilien Joseph Isidore,26. 
 Robinson, Admiral, 53. 
 
 Robinson, Mrs, 5 2 > 54 > 1 * 3 j I20 > I2 9 > I 3 I * 
 Plates xix., xxiv. 
 
156 
 
 INDEX TO THE PORTRAITS. 
 
 Robinson, Richard, Lord Rokeby, Archbishop of 
 Armagh, 9. 
 
 Rochefoucauld, Francois de la, vi., 100. Plate xxxi. 
 Rochester, Anne, Countess of, 94. 
 
 Rochester, Atterbury, Bishop of, 47, 81. 
 Rockingham, Henrietta, Countess of, 97. 
 Rockingham, Marquess of, 49. 
 
 Rodney, Lord, 49. 
 
 Rohan, Anne de (Princess de Guemene), 37, 39. 
 Plate vii. 
 
 Rohan, Madame de, 97. 
 
 Rokeby, Lord, Archbishop of Armagh, 9. 
 
 Roland, Madame, 12. 
 
 Rome, King of, 111. 
 
 Romney, George, 113. 
 
 Rooke, Admiral Sir George, 47, 89. 
 
 Roope, Turner, 54. 
 
 Ross, H., 18. 
 
 Ross, Sir William, R.A., 36. 
 
 Rosse, Elizabeth, 133. 
 
 Rosse, Mr., 133. 
 
 Rosse, Mrs, 133. 
 
 Rousseau, J. J., 114. 
 
 Royale, Madame, no. Plate xxxv. 
 
 Rubens’ 1st Wife, 2. 
 
 Rudolph II , King of Bohemia, 19. 
 
 Rupert, Prince, 6, 97, 105. Piste xiii. 
 
 Rushout, Hon. Ann, Harriet, and Elizabeth, 126. 
 Plate xviii. 
 
 Rushout, Hon. Elizabeth, 68, 126. 
 
 Rushout, Miss, 112. Plate xix. 
 
 Rushout, Sir James, Bart., 118. 
 
 Russell, Lady, wife of William, Lord, 2, 94. 
 Russell, William, Lord, 2, 45. 
 
 Russia, Alexander I., Emperor of, 20. Plate xxxiii. 
 Russia, Catherine II., Empress of, 20, 76, 120. 
 Russia, Nicholas I., Emperor of, 20, 63. Plate xxix. 
 Russia, Peter I., Emperor of, 20, 63. Plate xxix. 
 Rutaut, Comtesse de, 25. 
 
 Ruvignee, Viscountess, 68. Plate xxxv. 
 
 Sabran, Madame de, 25. 
 
 Sackville, Lady Mary, 80. 
 
 Saint Just, Louis Antoine de, 27. 
 
 Sales, Mrs., 124. 
 
 Salisbury, Marchioness of, 127. 
 
 Saltire, Madame, 97, 
 
 Salvator Mundi, 104. 
 
 Saunders, Admiral Sir C., K.C.B., 34, 118. 
 
 Savigny, Madame de, 9. 
 
 Savoy, Prince Eugene of, 22. 
 
 Saxe, Marie Joseph de, 86, 121. 
 
 Schneider, Miss. A. C. A., 53. 
 
 Schomberg, Frederic Armand, Duke of, 98. 
 Schuppen, Jakob Van, 104. 
 
 Scott, General, 4. 
 
 Scott, Mrs., 4. 
 
 Scott, Sir Walter, 129. 
 
 Scroop, Mrs., 46. 
 
 Scrope, Sir William, 6. 
 
 Seddon, Thomas, 1x5. 
 
 Selden, John, 62, 105. Plate xxv. 
 
 Sevigne, Marquise de, 103. 
 
 Seymour, Queen Jane, 99. Plate i. 
 
 Seymour, Lady Anne Horatia, 82,92.106. Platexix. 
 Seymour, Thomas, Lord, 119. Plate ii. 
 
 Seymour, Sir Horace, 92. 
 
 Shaftesbury, Anthony, 2nd Earl, 122. 
 
 Shaftesbury, Countess, 117. 
 
 Shakespeare, 99, 105. 
 
 Sharpe, Miss Louisa, 17. 
 
 Sheldon, Gilbert, 92. Plate x. 
 
 Shelley, Samuel, 33. Plate xxii. 
 
 Sherard, Sir Brownlow, Bt., 4. 
 
 Sherard, Lady, 4. 
 
 Sheridan, Mrs., 33, 54. Plate xxii. 
 
 Sheridan, Mrs. (nee Linley), 87. 
 
 Sheridan, Rt. Hon: Richard Brinsley, 34, 79, 113, 
 131. Plate xxi. 
 
 Shield, William, 53. 
 
 Shirley, Teresia, Lady, 32, 77. 
 
 Siddons, Miss, 52. 
 
 Siddons, Mrs., 1, 33, 52, 57, 58, 87, 104, 127. 
 Plate xv. 
 
 Sidney. Algernon, 98. 
 
 Sidney, Sir Philip, 11. 
 
 Si£yes, Emanuel Joseph, Count, 27. 
 
 Sinclair, Lady, 115. 
 
 Sinclair, Right Hon. Sir John, 115. 
 
 Singleton, John, 67. 
 
 Singleton, Sydenham, 67. 
 
 Smith, Robert, M.P., 156. 
 
 Sobieski, John, King of Poland, 19. 
 
 Sobieski, Princess Clementina, 45. 
 
 Somerset, Robert Carr, Earl of, 32. Plate viii. 
 Somerset, Frances Howard, Countess of, 61. 
 Somerset, Margaret, Duchess of, 73. 
 
 Sophia Dorothea, Queen of George I., 35. 
 
 Sotheby, Mrs., 62. 
 
 Southampton, Elizabeth, Countessof, 5. Plate xii. 
 Southampton, Henry Wriothesley, 3rd Earl of, 
 32, 71, too. Plate viii. 
 
INDEX TO THE PORTRAITS. 
 
 T 57 
 
 Southampton, Rachel, Countess of, n, 38. 
 Plate xxvii. 
 
 Southampton, Thomas Wriothesley, 1st Earl of, 71. 
 Plate i. 
 
 Southampton, Thomas Wriothesley, 4th Earl of, 101. 
 Southey, Robert, 18. 
 
 Spain, Infanta of, 107. 
 
 Spain, King of, 19, 22,71,102,125. Plates xxvi., xxx. 
 Spain, Queen of, 19, 21, 86. Plate xxvi. 
 
 Spencer, George, 2nd Earl, 13, 92. Plate xxiv. 
 Spencer, Lady Georgiana (see Devonshire). 
 Spencer, Lavinia, Countess, 92. 
 
 Spencer, Margaret Georgiana, 1st Countess, 92. 
 Spenser, Lady Charles, 58. 
 
 Stael, Madame de, 2, 28. 
 
 St. Albans, Charles, 1st Duke of, 62. 
 
 St. Albans, Duchess of, 52, 128. 
 
 Stanley John Thomas (Lord Stanley of Alderley),56. 
 Stanley, Lady Lucy (nee Percy), 40. Plate vii. 
 Steele, Sir Richard, 91. 
 
 St. John, 61. 
 
 St. Leon, Madame de, 86. 
 
 Storacci, Madame, 120. Plate xvii. 
 
 Strafford, Thomas Wentworth, Earl of,15. Plate xi. 
 St. Romain, Comtesse, 86. Plate xxxvi. 
 
 Stuart, Andrew, of Castle Milk, 129. 
 
 Stuart, James Edward, Prince of Wales, 45, 46, 99, 
 
 135 - 
 
 Stuart, Lady Arabella, 37, 39, 61, 78, 135. Plate vi. 
 Stuart, Lady, of Castle Milk, 129. 
 
 Stuart, Marie, 106. 
 
 Stuart, Prince Charles Edward, 46, 114. 
 
 Stuart, Prince Henry Benedict, 46. 
 
 Suffolk, a Daughter of the Earl of, 102. Plate xii. 
 Suffolk, Charles Brandon, Duke of, 102, 106. 
 Suffolk, Countess of, 32, 56, 135. 
 
 Suffolk, Heniy Brandon, 2nd Duke of, 38. Plate i. 
 Sunderland, Anne, Countess of, 94. 
 
 Sussex, Countess of, 133. 
 
 Sussex, 3rd Earl, 61. Plate vi. 
 
 Sutherland, Elizabeth, Duchess of, 118. 
 
 Sutherland, Miss, 125. 
 
 Swanevelt, Herman Van, 42. 
 
 Sweden, Bernadotte, King of, 80. 
 
 Sweden, Christina, Queen of, 108. 
 
 T 
 
 Talbot, Lady, 18. 
 
 Talleyrand, Charles Maurice de, no. 
 
 Tallien, Jean Lambert, 26. 
 
 Talma, the younger, 30. 
 
 Tarleton, General Sir Bannastre, 55. 
 
 Temple, Richard, 1st Earl, 49. 
 
 Terburg, Gerard, 107. 
 
 Thiebaut, Jean Thomas, 27. 
 
 Thompson, William, 104. 
 
 Thurloe, John, 44, 98. Plate xi. 
 
 Tickell, Mr., 77. 
 
 Tickell, Mr., Jun., 79. 
 
 Tickell, Mrs. 76, no. Plate xvi. 
 
 Tighe, Mrs., 116. 
 
 Tillotson, Archbishop, 112. 
 
 Tobin, Miss, 50. 
 
 Tomkins, Thomas, 115. 
 
 Tooke, John Horne, M.P., 53. 
 
 Tourville, Comtesse de, 83. Plate xxxvi. 
 Townley, James, 51. 
 
 Townsend, Elizabeth, Col. Samuel, and Mrs. 
 Samuel, 124. 
 
 Townshend, George, 2nd Marquis, 53. Plate xxii. 
 Towry, Captain G. H., 35. 
 
 Trenchard, John, 46. Plate xiv. 
 
 Turenne, Marshal, 102. Plate xxx. 
 
 Twisleton, Honourable Mrs , 3. 
 
 Twysden, Sir William, 127. 
 
 Tyrwhitt, Thomas, 55. 
 
 V 
 
 Valliere, Louise, Duchess de la, 7, 96, 102, 132. 
 Plate xxx. 
 
 Van den Berghe, Count, 85. 
 
 Vane, Sir Harry, 114. 
 
 Vane, Sir H. (the elder), 12. 
 
 Vassall, Elizabeth, Lady Holland, 69. 
 
 Vaux, Nicholas Fouquet, Vicomte de, 102. 
 Velasquez, Diego, 19. 
 
 Vendramin, The Doge Andrea, and his Secretary, 
 viii. 64. 
 
 Venetian Diploma Portraits, 67. 
 
 Ventadome, Duchesse de, 125. 
 
 Venus with Cupid, Lady and Child as, 61. 
 
 Vere, Sir Plorace, Lord Vere of Tilbury, 90. 
 Vernon, Admiral Edward, 48. 
 
 Verulam and St. Albans, Francis, 1st Lord, 65. 
 Vestier, Antoine, 24. 
 
 Victoire, Madame, 7, 101. 
 
 Villeneuve, Jerome Petion de, 26. 
 
 Villette, Madame de, 87. 
 
 Villette, Marquise de, 86. Plate xxxvi. 
 
 W 
 
 Waldegrave, Countess, 77, 81, 129. 
 
 Wales, Caroline, Princess of, 129. 
 
 Wales, Charlotte Augusta, Princess of, 36, 127. 
 
INDEX TO THE PORTRAITS. 
 
 158 
 
 Wales, Frederick Lewis, Prince of, 35. 
 
 Wales, George, Prince of, 128, 129, 135. Plate xvi. 
 Wales, Henry, Prince of, 7. 
 
 Waller, Edmund, 6. Plate xi. 
 
 Wallop, Colonel Henry, 80. 
 
 Walpole, Catherine, Lady, 118. 
 
 Walpole, Horace, 49, 117. Plate xv. 
 
 Walpole, Sir Robert, 48, 60. 
 
 Walsingham, George de Grey, Lord, 56. 
 Walsingham, Sir Francis, 5. 
 
 Wandesford, Christopher, 14. 
 
 Wanley, Humphrey, 90. 
 
 Ward, Hon. Miss, 125. 
 
 Ward, The Hon. Mrs., 56. 
 
 Warren, Mary, 12. 
 
 Washington, George, 96. 
 
 Webb, General, 87. 
 
 Webster, Sir Godfrey, 69 ; Elizabeth (Vassal) his 
 wife, 69. 
 
 Wellesley, Lady Charles, 17. 
 
 Wellington, Arthur Wellesley, Duke of, 59. 
 
 Werff, Adrian Van Der, 43, 106. Plate xxvi. 
 Wesley, Rev. Samuel, 47. 
 
 Westminster, Elizabeth, wife of 2nd Marquis, 112. 
 Westmorland, Countess of, 121. 
 
 Westmorland, John, 10th Earl, 117, 118. 
 
 Whaley, Lady Anne, 9. 
 
 Wharncliffe, James, 1st Lord, 119. 
 
 Wharton, Anne, Marchioness of, 46. 
 
 Wharton, Philip, Lord, and Jane, his wife, 103. 
 
 Whitbread, Lady Elizabeth, 51. Plate xix. 
 Whitmore, Lady, 45, 63. 
 
 Whittington, Mrs., 83. 
 
 Whitworth, Mrs., 18. Plate xxiii. 
 
 Wiert, Jean de (Baron de Croon), 97. 
 Wignall, W., 133. 
 
 Wilkes, Miss, 118. 
 
 William III., 45, 69, 104. 
 
 William IV., 36 ; Queen of, 36, 52. 
 Winchelsea, Anne, Countess of, 46. 
 Winstanley, Hamlet, 46. 
 
 Wishart, Admiral Sir James, 89. 
 
 Witt, Jean de, 41, 102. Plate xxx. 
 
 Worcester, John Gauden, Bishop of, 45. 
 Worcester, Henry, Marquis of, 86. 
 Wordsworth, William, 119. 
 
 Wurtemberg, Frederick, Duke of, 121. 
 
 Y 
 
 Yarborough, Lady Sophia, 127. Plate xvii. 
 Yates, Arthur, 79. 
 
 Yates, Ashurst, 79. 
 
 Yates, Dorothy, 79. 
 
 Yates, Hester, 79. 
 
 Yates, Humphrey, 79. 
 
 York and Albany, Frederick, Duke of, 36, 69. 
 York, Anne, Duchess of, 62. 
 
 Young, Charles, 57. 
 
 Young, Miss Elizabeth, 52. Plate xx. 
 
INDEX OF CONTRIBUTORS. 
 
 -♦- 
 
 HER MAJESTY THE QUEEN, 38, 39. 
 
 A 
 
 Abercorn, The Duke of, C.B., 1. 
 
 Aston, W. W., Esq., 1, 2. 
 
 B 
 
 Barlow, T. O., Esq., R.A.,2. 
 
 Beck, Rev. James, 2, 3, 4. 
 
 Bevan, Mrs., 2. 
 
 Bonnor, George, Esq., 1, 2, 124. 
 
 Bowyer, Charles, Esq., 2. 
 
 Boyce, G. P., Esq., 1. 
 
 Brodhurst, Bernard E., Esq., r. 
 
 Buccleuch, The Duke of, K.T., 5, 6, 7, 8, 125. 
 Buckley, Miss H. B., 3. 
 
 Burr, Mrs. Higford, 124. 
 
 Butler, Charles, Esq., 2, 3, 4, 115. 
 
 c 
 
 Campbell, Sir Guy, 3, 4, 7. 
 
 Carlisle, The Earl of, 77, 78. 
 
 Cartwright, Mrs., 4. 
 
 Chichester, Charles, Esq., 123. 
 
 Clanrikarde, The Marquis of, 3, 4. 
 
 Cock, Alfred, Esq., Q.C., 12. 
 
 Cohen, Miss Lucy, 2, 3. 
 
 Colyar, Henry A. de, Esq., 116. 
 
 Cook, Sir Francis, Bart., 70, 71, 72. 
 
 Coutts, The Baroness Burdett-, 7, 37, 38, 40. 
 Crace, J. G., Esq., 8. 
 
 Crake, Mrs. Hamilton, 80. 
 
 D 
 
 Dartrey, The Earl of, K.P., 8, 9, 10, II. 
 
 Derby, The Earl of, K.G., II, 60. 
 
 Devonshire, The Duke of, K.G., 12, 13, 14, 15, 
 16, 38. 
 
 Digby, J. K. D. Wingfield, Esq., II, 12, 37, 39, 
 40. 
 
 Dilke, Sir Charles W., Bart., II, 12, 72. 
 
 Drake, Henry, Esq., 83, 84, 124, 125. 
 
 Drake, Sir William, 38, 40, 72, 83, 84, 85, 86, 87, 
 
 95 , 97 , 125. 
 
 E 
 
 Engleheart, J. G. D., Esq., C.B., 64, 73, 74, 75. 
 
 F 
 
 Falcke, Isaac, Esq., 79, 82. 
 
 Fitzhenry, J. H., Esq., 81, 82, 116, 122. 
 
 Fortnum, C. Drary, E., Esq., 115, 116. 
 
 G 
 
 Gibbs, Henry Hucks, Esq., 125, 134, 135. 
 
 Green, Aveling, Esq., 123. 
 
 H 
 
 Hamilton, E., Esq., M.D., 80, 81, 82. 
 
 Harlech, The Lady, 82. 
 
 Hastings, The Lord, 88, 89, 125, 136. 
 
 Hawkins, C. H., Esq., 130^ 
 
 Hawkins, Rev. W. B. L., 79, 80, 81, 82. 
 
 Healey, E. C., Esq., 63. 
 
 Heseltine, J. P., Esq., 64, 79, 80, 81, 82. 
 
 Hewett, Sir Prescott, Bart., 81. 
 
 Hohenlohe, The Princess Victor von, 79, 95. 
 Holden, Rev. Dr., 80, 81, 82. 
 
 Holford, R. S., Esq., 76, 77, 78, 116, 121, 125. 
 Hutchinson, J. H., Esq., 81, 82. 
 
 J 
 
 Jaffray, Miss, 76, 81, 82, 95. 
 
 Joseph, Edward, Esq., 126, 127,128, 129, 131, 132. 
 
 K 
 
 Keightley, Mrs., 76, 79, 82. 
 
 Kennedy, S. Ernest, Esq., 79, 81, 82, 125. 
 
 L 
 
 Lawrence, Edwin H., Esq., 65, 66, 133. 
 
 Lees, Charles E., Esq., 76, 77, 78, 79, 119, 
 Leinster, The Duke of, 76, 77, 78, 79. 
 
INDEX OF CONTRIBUTORS. 
 
 160 
 
 Leslie, Lady, 119. 
 Locker-Lampson, F., Esq., 123. 
 Lymington, The Lord, 80. 
 
 M 
 
 Mackenzie, General, 118. 
 
 Malcolm, John, Esq., of Poltalloch, 118. 
 
 Malet, Colonel Harold, 117, 118. 
 
 Mauley, The Lordde, 116, 117. 
 
 Mayne, Mrs. Robert, 117. 
 
 Mayo, The Earl of, 115, 116, 117, 118, 119, 122. 
 Murray, Captain H. B., 116, 117, 118. 
 
 Murray, T. D., Esq., 89. 
 
 N 
 
 Nevill, Lady Dorothy, 117. 
 Nevill, Edward A., Esq., 118. 
 Nugent, Mrs. James, 4. 
 
 P 
 
 Bickford, C. T., Esq., 88. 
 
 Ponsonby, Hon. Gerald, 116, 118, 121, 122. 
 Ponsonby, Hon Mrs. Frederick, 115, 116. 
 Ponsonby-Fane, Hon. Sir S., 117, 118, 121. 
 Portland, The Duke of, 90, 91, 92. 
 
 Propert, J. L., Esq.,M.D., 74, 97, 98, 99, 100, 
 IOI, 102, 103, 104, 105, 106, 107, 108, 109, 
 no, nr, 112, 113, 114. 
 
 R 
 
 Radford, W. T., Esq., M.D., 119. 
 Read, F. T., Esq., 117, 118, 122. 
 
 Reiss, Fritz, Esq., 122. 
 
 R igg, H. A., Esq., 117. 
 
 Rosebery, The Earl of, 95, 96, 97. 
 Rouse, Francis J., Esq., 118, 122. 
 
 s 
 
 Salting, George, Esq., 119. 
 
 Salting, W. S., Esq., 7. 
 
 Seddon, Colonel H. C., R.E., 115. 
 
 Serjeant, T. Clifford, Esq., 78. 
 
 Sinclair, Sir Tollemache, Bart., 115, 116. 
 Singleton, Mrs., 66, 67, 68, 69. 
 
 Sotheby, Major-General, 61, 62, 123. 
 Spencer, The Earl, IC.G., 63, 92, 93, 94, 95. 
 Spencer, Plon. Robert, 92. 
 
 Spencer, The Lady Sarah, 92. 
 
 Stonor, His Honour Judge, 116. 
 
 T 
 
 Taylor, Mrs. Danvers, 123. 
 Townshend, Mrs. John, 124. 
 Tweedmouth, The Lord, 123. 
 
 W 
 
 Ward, Miss H. E., 1. 
 
 Welch, W. Kemp, Esq., 115. 
 
 Whamcliffe, The Earl of, 119, 120, 121. 
 Whitehead, Jeffery, Esq., 17, 18, 19, 20, 21, 22, 
 
 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 
 
 35> 36, 4°> 4L 4 2 , 43> 44> 45> 4^, 4 - 7 > 4^, 49. 
 
 5o. 5L 52. 53. 54, 55, 56, 57 , 58, 59 , 63, 64, 
 
 67, 69, 70, 72, 73 , 74 , 75 , 88, 89, 90, 97, 124, 
 125, 136. 
 
 Whiteman, Miss E. Horsley, 115, 116, 121. 
 Wyndham, Hon. Mrs. Percy, 95. 
 
 Metchtm dr 5 Son, 20, Parliament Street , S.IV., and32, Clement's Lane, E.C. 
 
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