ENGRAVINGS, AFTER T. Rowlandson, Gr. Morland, &c., THE PROPERTY OF A GENTLEMAN; CHOICE PROOFS AFTER SITR, E. XjAATSTTDSEEE., Sold by Order of Trustees j Brttst proof Engravings; AND ETCHINGS AFTER SIR E. LANDSEER, SIR J. MILLAIS, MEISSONIER AND OTHERS, FROM VARI0U3 PRIVATE SOURCES: WHICH ffiltll be feolb by auction by Messrs. CHRISTIE, IANS0N & WOODS, AT THEXR GREAT ROOMS, 8 KING STREET, ST. JAMES’S SQUARE, On WEDNESDAY, MAY 16, 1894, AT ONE O’CLOCK PRECISELY. May be viewed Friday the 11th and Tuesday 15th preceding, and Catalogues had, at Messrs. Christie, Manson & Woods’ Offices, 8 King Street , St. James's Square, S. IF. CONDITIONS OF SALE - o - 1. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. 1 r. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. t HI. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson, and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no lot can on any account bo removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above conditions, the money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE. On WEDNESDAY, MAY 16, 1893, AT ONE O’CLOCK PRECISELY. ENGRAVINGS— In the Folio. 1 Proserpine and Aesculapius, by E. Yico— -first state; &c. 3 2 Thomas Cavendish, by C. Passe— proof before the verses; Jacobus Stamer, &c., by Hollar 8 3 The Massacre of the Innocents, after Guido, by Bartolozzi; Abraham’s Sacrifice, by F. Bol; &c.— proofs 3 4 St. Catherine, after Raffaelle; and The Visitation, by Desnoyers —proofs on India paper 2 5 The Three Graces, after Raffaelle, by Forster— sixth trial proof 6 Napoleon Crossing the Alps, after David— proof before letters ; and other portraits 4 7 La Sevillana, after J.F. Lewis, R.A.— 'proof before letters ; Titian’s Daughter; &c. 4 8 The Spanish Flower Girl, after Murillo, by Doo ; &c. 4 9 The Fair Forester, after Wyatt— India proof before letters', and The Dutch Girl, by G. Doo 2 10 Nature, after Sir T. Lawrence, by Doo— proof before letters, on India paper 11 Miss Macdonald, after ditto, by S. Cousins, R.A.— proof before letters 4 12 Facsimiles of Drawings by Sir T. Lawrence 13 Book plates, after Moreau, by De Latmay— proofs & 14 Les Soins Tardifs ; and La Fille Surprise, after Baudouin, by Delaunay 2 15 Le Lever; and La Toilette, after ditto, by Massard and N. Ponce 2 16 Le Danger du Tete-a-tete; and La Soiree des Tlniileries, after ditto, by Simonet 2 17 J’y passerai, after Borel, by De Launay; La Crainte, after Le Prince; and La Solicitation Amoureuse 3 18 La Liberte Perdue, after Le Brun; La Belle Grecque, after Lancret; Ac. 3 19 Le Conteur, after Watteau; L’Amonr Maternelle, after Do Peters; Ac. 3 19a Fifteen etched copper plates, by T. S. Good ; and fifty-two etchings, Ac. T1IE PROPERTY OF A GENTLEMAN. ENGRAVINGS— Framed. 20 Noon ; and Sheep-shearing, after D. Cox, by Peeve 2 21 Le Dejeuner ; Le Diner; Ac., after ITuet— a set of four—printed in colours 4 22 Le Petit Jour, after Freudeberg ; and Le Soir, and the Com¬ panion, by Eisen 3 23 Illustrations to Shakespeare, after A. Kauffmnnn— a pair — circles , in red 2 24 Phoebe and Lydia, after Peters, by W. Dickinson—- a pair—printed in red 2 25 The French and English Firesides, by P. W. Tomkins 26 Painting, after J. R. Smith 27 The Love Letter, after Wheatley, by R. Stainer 5 28 The Delightful Story, after Morland, by W. Ward 29 The First Pledge of Love, after ditto, by ditto 30 The Romance, after Westall, by J. R. Smith ; &c. 2 31 Travellers, after Morland, by W. Ward —coloured 32 Mrs. James, after Sir J. Reynolds, by J. Blackmore 33 St. Cecilia, after ditto, by T. Watson ; and Contemplation (Hon. Mrs. Stanhope), after ditto, by C. Watson 2 34 Lady Grammont, after Sir P. Lely, by J. McArdell 35 A View of Highgate Archway ; The Western Exchange, Old Bond Street, after Smith ; and Inside the Public Library, Cambridge —coloured 3 36 Going to Cover, after Cooper Henderson —coloured AFTER T. ROWLANDSON. 37 Wet Parsons and Fast Day; and College Scenes 4 38 Opera Boxes— set of four Jin two frames 2 39 Married and Single— a pair, coloured 2 40 Intrusion on Study; and The Graceless Apprentice, by J. R. Smith 2 41 Luxury ; Nap in Town ; and Nap in the Country 42 New Shoes ; and Liberality and Desire— coloured 2 43 Damp Sheets; and The Married Man, after Wigstead colouied 2 44 The Comforts of Bath— complete set , coloured l- 1 45 Studious Gluttons ; and “ 0 tempora 0 Mores ! a pair , coloured 2 46 Four o’clock in the Country; and Housebreakers ditto 47 Card Sharpers, by J. K. Sherwin; and A Carousal, by Carey 2 48 Vauxhall —trial proof, printed in colours 49 Box Lobby Loungers, after Wigstead* by Rowlandson B 3 6 WATER-COLOUR DRAWINGS. 50 F. Wheatley : A Girl, sleeping— circle 51 F. G. Byron: A Wet Night, coming from the opera From Charles Mathew's Sale 52 J. F. Green, 1762: The Pantiles, Tunbridge Wells, with portrait of Dr. Johnson From Strawberry Hill 53 Ditto : The Companion 54 Sheppard : Marine Parade, Dover 55 H. Alken : The Death of Tom Moody 56 D. Cox, Jun.: Eastwell 57 S. Prout : Coast Scenes— a pair, sepia 2 58 C. Henderson : A Post Chaise •:*9 Tayleb: The Pass of Glencoe; and A River Scene 2 60 Pasqtjier, 1804: L’Audience du Boudoir; &c. 3 61 Thal, 1807 : Coryphees d’une Bal; &c. 3 62 Boilly : Interior, with a lady playing a guitar; and The Companion 9 M 63 Rowlandson : Twickenham Church 64 Ditto : Thames Ditton 65 Ditto : Malines 66 Ditto: The Hague 67 Ditto: Queen’s College, Oxford ; and St. John’s College Gardens x 68 Ditto : A Stag Hunt 2 PICTURES. 69 A. Kauffmann, R.A.: Feeding the Swan ; and The Companion— a pair—circles 70 Ditto: Ariadne; and Penelope 9 71 Ditto: Aglae and Cupid r2 Ditto: Mythological Figures —a pair—circles 2 73 IIondecoeter: Poultry 7 The Property of WILLIAM WALTON', Esq., of Harrytoiun Hall, Homiley. 74 The Woodman, after Morland— coloured 75 The Fruits of Industry; and The Effects of Extravagance, after ditto, by W. Ward— ditto 76 Thunder (an old English setter), after Chalon, by Ward— coloured 77 The Gipsy Fortune Teller, after Beechey, by J. Young 78 The Duke of Hamilton, after Garrard, by W. Ward 79 Black Grouse, after Sillett, by Turner 80 Lady Beauchamp Procter, after B. West, by J. Watson— first state ; and Lady Mary Campbell, after Ramsay 2 81 Lady Charles Spencer, after Sir J. Reynolds, by J. Pott 82 Lady Caroline Russell, after ditto, by McArdell— -first state 83 Sir Abraham Hume, after ditto, by J. Jones— first state 84 Mrs. Tollemaohe, as Miranda, after Sir J. Reynolds, by J. Jones —second state 85 Nature, after Sir T. Lawrence, by G. T. Doo— proof before letters 86 Ancient Carthage, after J. M. W. Turner, R.A., by Wilson— proof be j ore letters 87 Venice, after ditto, by W. Miller— ditto 88 The Temple of Jupiter in the Island of Egina, after ditto, by J. Pye— before all letters 89 Mercury and Argus, after ditto, by J. T. Willmore, A.R.A.— proof before letters 90 Crossing the Brook, after ditto, by R. Brandard— proof before letters 91 Tasso and Ariosto, after Ermini, by R. Morghen; &c. 3 92 Raffaelle ; and La Fornarina, by R. Morghen 2 8 93 The Madonna di San Sisto, after Raffaelle; The Assumption of the Virgin, after Murillo; and The Reading Magdalen, by Longhi " 3 94 L’Accord de Mariage, after Eisen; &c. 4 95 Goats, after T. S. Cooper, R.A.; Mice, after E. M. Downard 96 A Grecian Votary, after Poussin, by W. Pether A DIFFERENT PROPERTY. . 97 Peter Paul Rubens, after Rubens, by G. Maile— printed in colours 98 Albertus, son of Rubens, after ditto, by ditto— ditto 99 Catherine, first wife of Rubens, after ditto, by ditto— ditto 100 Helena, second wife of Rubens, after ditto, by ditto— ditto 101 The Marquis of Anglesey, after Hon. H. Graves— coloured lithograph 102 The Riot in Broad Street, 1780, after Wheatley, by J. Heath ; and A View in Smith field 2 103 A Country Race Course, after Mason, by Jenkins 104 A Meet of the Coaching Club, after Dickinson— artist's proof 105 Moretta, after Sir F. Leighton, by S. Cousins, R.A.— artist's proof, signed 106 No ! after Sir J. Millais, by ditto— ditto 107 The Princes in the Tower, after ditto by ditto— ditto 108 Free Trade and Protection— lithographs touched by Sir E. Landseer 109 Portrait of Jacob Bell, after Sir E. Landseer, by T. Landseer, A.R.A.— artist's proof, signed by painter and engraver 110 Pixie, after ditto— before all letters 9 111 Connoisseurs, after ditto, by S. Cousins, R.A.— artist's proof, signed by the ‘painter 112 Free Kirk, after ditto, by T. L. Atkinson— artist's proof 113 Cat’s-paw, after ditto, by C. J. Lewis— before all letters 114 Horses at a Fountain, after ditto, by J. H. Watt— proof 115 Geneva, after ditto, by T. Landseer, A.R.A.— artist's proof 116 Browsing, after ditto, by ditto— presentation proof, signed by the engraver 117 The Stag at Bay, after Sir E. Landseer, by T. Landseer, A.R.A. —proof before letters 118 The Best Run of the Season, after Sir E. Landseer, by T. Landseer, A.R.A. 119 The Stag at Bay, after ditto, by ditto— before all letters 120 The Sanctuary, after Sir E. Landseer, R.A., by C. G. Lewis— before all letters 121 Feeding Rabbits, after Sir E. Landseer, by T. Landseer, A.R.A. —proof before letters, signed 122 Dignity and Impudence, after ditto, by ditto 123 Kight; and Morning, after ditto, by ditto 2 124 Jack in Office, after ditto, by B. P. Gibbon— artist's proof 125 The Stag at Bay, after ditto, by T. Landseer, A.R.A.— proof before letters 326 Bolton Abbey, after ditto, by Cousins— unframed 127 Tbe Order of Release, after Sir J. Millais, R.A., by S. Cousins , R.A. 128 The Horse Fair, after Rosa Bonkeur 129 Salisbury Cathedral, after Constable 130 The Showman ; and The Pedlar— a pair — coloured 2 131 Lady Hamilton as Sensibility, after Romney— coloured—un¬ framed 10 THE PROPERTY OF A GENTLEMAN. 132 The Pied Piper of Hamelin, after G. J. Pinwell, by R. W. Macbeth, A.R.A.— a pair — artist's proofs 2 133 Eomeo and Juliet, after F. Dicksee, R.A., by C. Waltner— artist's proof, signed 134 The Wayfarers, after F. Walker, A.R.A., by ditto— ditto 135 The Hay Wain, after J. Constable, E.A., by B. Debaines— ditto 136 Thisbe, after E. Long, R.A., by Bertinot— artist's proof , signed 137 An Ancient Custom, after ditto, by C. Deblois— ditto 138 Moretta, after Sir F. Leighton, by S. Cousins, R.A.— artist's proof, signed 139 A Bacchante; and A Dancing Girl, after L. Alma Tadema, E.A., by A. Blanchard— artist's proofs 2 140 Lady Acland, after Sir T. Lawrence, by S. Cousins, R.A. 141 Lady Godiva, after J. van Lerius, by T. L. Atkinson 142 Christ in the Temple, after Holman Hunt, by Blanchard— artist's proof 143 The Light of the World, after ditto— ditto 144 The Fighting Temeraire, after Turner, by Prior— artist's proof 145 Balaclava, after Lady Butler, by F. Stacpoole, A. R.A.— artist's proof, signed 146 Hunters at Grass (smaZZ plate), after Sir E. Landseer, by C. G. Lewis —signed by the engraver 147 The Monarch of the Glen, after ditto, by T. Landseer, A.R.A. 148 The Sentinel, after ditto, by ditto— proof before letters 149 The Honeymoon, after ditto, by J. B. Pratt— artist's proof 150 The Cover Hack, after ditto, by J. C. Webb—ditto 151 The Reaper, after ditto— artist's proof 152 lhe Indian Tent, after ditto, by ditto— artist's proof 11 THE PROPERTY OF A GENTLEMAN. 153 Jews receiving Stolen Goods 154 On the Road from Waterloo, after M. Stone, R.A., by J. Scott— artist's proof 155 The Soul’s Awakening, after J. Sant, E.A., by H. J. Bridgewater —ditto 156 The same— open letter proof 157 LeYoyageur, after J. L. E. Meissonier, by A. Boulard— remarque proof 158 1812, after ditto, by J. Jacquet— artist's proof 159 1806, after ditto, by ditto— remarque proof 160 1807, after ditto, by ditto— artist's proof 161 1806, after J. L. E. Meissonier, by J. Jacquet— artist's proof 162 La Rixe, after ditto, by Bracquemond— remarque proof signed by painter and etcher 163 Rembrandt’s Mill, after Rembrandt, by B. Debaines— remarque proof 164 Evening and Morning on the Marne, after Daubigny, by Gautier —remarque proofs 2 165 The Banquet of the Civic Guard, after Van der Heist, by Kaiser —proof before letters 166 The Return from the Warren, after Sir E. Landseer, by T. Landseer, A.R.A.— touched by the painter 167 The Monarch of the Glen, after ditto, by ditto— artist's proof, signed by the engraver 12 THE PROPERTY OF A GENTLEMAN. (Sold by Order of Trustees .) AFTER SIR E. LANDSEER. Artist's Proofs. 168 The Childben of the Mist, by T. Landseer, A.R.A. signed by the engraver 169 The Deeb Pass, by ditto— signed 170 An Event in the Fobest, by T. Landseer, A.R.A —signed 171 Bolton Abbey, by S. Cousins, R.A.— dated 1st May , 1856, with a letter from Cousins 172 The Challenge, by C. G. Lewis— signed 173 The Sanctuaby, by C. G. Lewis— signed 174 The Maid and the Magpie, by S. Cousins, R.A.— signed 175 Chevy, by T. Landseer, A.R.A.— signed 176 Ptabmigan Hill, by ditto— signed 177 A Dialogue at Watebloo, by T. L. Atkinson— signed 178 Pipeb and Paib of Nutobaokebs, by S. Cousins, R A.— signed by the painter 2 finis. Loudon: Printed by William Clowes** Sons, Limited, Stamford Street and Charing Ctobs. : I IK m U I GETTY CENTER UBRARY 4 2194