\ CATALOGUE PHOTOGRAPHS EXHIBITED IN CLASS XIV. PUBLISHED UNDER THE SANCTION OF ECER MA.J]ESTY'S COMMISSIONERS AND ALLOWED BY THEM TO BE SOLD IX THE BDILDINO. LONDON : PRINTED BY W. TROUNCE, 9, CURSITOR-STREET, CHANCERY-LANE, W.O. PRICE SIXPENCE. ROYAL PORCELAIN WORKS, WORCESTER, March, 1862. LUPORTASfT SALE. WORCESTER PORCELAIN. Messrs. KERB, and CO. Beg to iaform the Nobility and Gentry, and Families Furnishing, that a Change of Partnership being about to take place, they have deteimined on disposing of the whole of their Manufactuied Stock by Private Sale, at Reduced Prices, or Discount, at the Works, consisting of BREAKFAST, \ DINNER, DESSERT, TEA, and TOILET SERVICES, J In Fine Porcelain and Stone China. The above are made into SeiTices, for 12, 18, or 24 Persons, and all marked in Plain Figures, at Kedueed Prices. I'he Ornamental Stock will be sold subject to Discount, according to amount puixihased. The Stock is chiefly of the newest and most elegant Patterns, and almost every variety of Prices, in value amounting to from £20,000 to £30,000. S.i^LES FROM 9 .i^.M. TO 6 P.M. E^CEC D^Y, FOR A LIMITED PERIOD. SAMPLES FORWARDED, CARRIAGE FREE, IF REQUIRED. ^ ALL SERVICES PURCHASED AT THE ABOVE SALES CAN BE MATCHED HEREAFTER AT THE MANUFACTORY. N.B.-visrroRS admitted to inspect the works as tjsttai. LONDON OFFICE: 91, GANNON-STREET, CITY. DUBLIN: 114 & 115, CAPEL-STREET, J S A M B ] ■WHOLESALE PRICiS LIST OF ^hotog] Plain and Prepared Papers, made expressly for 18, RED IIOF-SQUAaS, KOLBOEU, W.C. In consequence of great alterations in tlie whole of tlie dL&'erent Photogi-apliic Papers, I hare brouglit out this New List, and shall only put down those Papers that gire the best result, as many are now no longer able to be used, being so full of iron spots and other impurities. PLEASE TO ORDER BY THEIR NUMBER. No. 1. Whatman's Negative 2. Hollingsworth's thin Negative or ) Positive j 3. Do. (Towgood's) for Positives 4. Do. ( Turner's) Photographic Negative 5. Do. (Turner's) Negative — large 6. Towgood's plain for Solar Camera ... [Sizes. 19 hj 15J Quire. s. d. 3 22 1)7 IS i 19 by 15 19 liy 15 2i 1)V 19 51 l)"y 33 2 6 6 10 10 Ream. £ s. 2 10 3 10 2 6 1 10 U ID 3?OIi 23 iy IS 23 liy 13 22 iy 17 i 6 3 4 3 6 4 3 5 3 10 3 6 "^V^SZBX) <& IODIZED I>^I»EE,S EOIE X,E GieA.X'S I>EOCESS. Sizes. iNegative, TTaxed only Dp. Wased and" Iodized Iodized, "Waxed, made seneitire, ready "I for use in Camera ... J 23 by 18 23 by 18 11 iy 9 Quire, j £ s. 14 1 10 Doz. Bromized or Chloride paper for Soda \ ci i oo i i Camera, size up to j- 51 Uy 23 | | Papier Saxe, Positive Do. Negative Papier Le Rive, Positive Do. Do. Kegative ALBUMENIZED PAPER OF SUPERIOR QUALITY. These Papers are prepared under Mr. Sanbfobd's own superintendence, by the best formulas known, and give purer whites and better definition than any other offered to the notice of Photographers. I'^?i^I>IEB LE i>A.i>iEE sa.:x:e, best quality. Ream. Negative, Saxony Stereoscopic Positive, salted only (Sodium, Ammo- 1 nium, Barium) J Tapioca and Arrowroot papers Positive Saxony, slightly Albumenised... Do. do. highly do. Do. do. Stereoscopic for Ste- \ reoscopes J Double size salted ditto Positive ditto Albumenised Size. 23 by 13 23 by 18 23 by IS 23 by IS 23 by IS 23 by IS 36 by 23 36 by 23 Quire. s. d. 12 11 5 10 6 10 5 10 9 10 RIVE. Size. 22ibyl7J Quire, s. d. 12 22ibyl7i 6 224byni 12 Ecam, £ s. 11 5 10 11 Ihfse Papers win onhj do as Stereoscopic. Negative Rive, Saxony Stereoscopic Positive, salted only (Sodium, Ammo- ) nium, Barium), j Do. do. Stereoscopic lODIZEID :P.f^X>JSIiS Fon THE C^i^X.OTYI'E OR T.^LBOT"5ri*E FliOCJESS. Hollingsworth's thin Negative .... Turner's Negative Ditto, ditto, large size Whatman's Negative 22 by 13 25 19 by 15 21 24 by 19 25 12 by 15 21 Post-office Orders made payable to Jons Santifobd, SEoney Order Office, High Ilolborn, W.C, mil meet with immediate attention. Gentlemen waited on. with specimens. A Libee-\j. Discount to tee Pkofession. FIRST PRIZE, " THE DANGING-&IRL REPOSINS-/' Valued at 700 Guineas. A R T - U N I OF LO a SET of E%'ery Subscriber of One Guinea will receive an ENGRAVING, L,.A_BOXJR OF LOV E," SIXTEEN DESIGNS in OUTLINE from TENNYSON' In addition to the chances of gaining one of the To be allotted at the Annual Meeting, which will include the ORIGINAL MARBLE STATUE by W. 0. MARSHALL, E.A., "THE DANOING-aiEL REPOSINGf^," Valued at Seven Hundred Guineas, NOW PLACED IN THE PICTUEE-GALLEKT OF THE INTERNATIONAL EXHIBITION ; The Right to Select for himself a valuabla Work of Art from one of the Public. Exhibitions ; STATUETTES IN BROHZE OF " CAMCTACUS/' BY J» H* FOLEY, R^A.J TAZZAS, commemorative of H.E.H. the late PEINCE COITSOET; STATUETTES IN PORCELAIN FROM THE GROUP BY J. DURHAM, ENTITLED " GO TO SLEEP." B^S-RELIEES IN EICTILE IT^ORY ; ETCHINGS A F T JE R DAVID COX; ANP OXHEB WOURS, 44t, West Steand, May, 1S62. CAETE DE VISITS PORTRAITS TAKEN DAILY BY Mr. EDWIN SUTTON, 204, EEGENT-STREET, W. (OPPOSITE CONDUIT-STREET). Price— 6 for 10s. 6d. ; 20 for 21s. The GUINEA MINIATURE, for Lockets, Broodies, Bracelets, Pins, ^c, Coloured from the Cartes de Visite by Mr. EDWIN SUTTON. Taken in eveiy style, by Mr. EDWIN SUTTON personally. SPENCER'S ALBUMENIZ E B PAPER. The demand for this paper, the excellence and imiformity of which is now well-known, has rendered an enlarge- ment of Premises for its manufacture absolutely necessary. Mr. SPENCEK has therefore recently added the adjoining house to his Establishment, and has, where practicable, adapted Machinery to take the plkce of hand- labour— a step that has materially improved the quality of the Paper. It is made with perfectly fresh and pure Albumen, and is therefore especially suited for Toning in a Neutral or slightly Alkaline Gold Bath. Wholesale Agents : — Messrs. W. and H. S. WARE, 63, High Holborn, London, W.C; Messrs. GAUDIIT, o, Sermon-lane, St. Paul's, London ; and 9, Rne de la Perle, Paris ; And may be obtained through any Dealer in Photographic Materials. MANUFACTORY AND PHOTOGFAPHIC PEINTING ESTABLISHMENT:- 5, e, -Sz, •7, GOLI> ELA-"VV:^K:-TEEE^CE, SHTEPHIEEDS'-BXJSH:, LON230aSr, AV. THE SOLAR CAiVIERA. TO X" H:;o:T O G- E, j^ !» EC E E S ^^ ^ D A. E T I S T S I IS" G- E IST E E .A. X.. SYDNEY SMYTH Regs to acquaint the Profession that he is now in a position to enlarge, from their own Negatives, Piiuts from 22 X 17 to 40 X 27, by aid of the Solar Camera. From long experience, S. S. guarantees to produce the best possible results in this branch of Photographic Art. Every description of Photographic Printing undeiiaken by the Alkaline process. Price-list forwarded on receipt of business card. Old and Modern Paintings copied. The Solar Camera Printing Establishment, Athensenm, George-st., Euston-road. VICTOR -A.. FEOXJT, PHOTOGRAPHIC ARTIST, 13, bj%.k:ee-steeet, poetman-squaee W. '^ \^ ^A ^^ CATALOGUE PHOTOGRAPH EXHIBITED nt CLASS XIV. PUBLISHED UNDER THE SANCTION OF HER MAJESTY'S COMMISSIOI^ERS AND ALLOWED BY THEM TO BE SOLD IN THE EUILDINQ. LONDON : PRINTED BY W. TROUNCE, 9, CURSITOR-STREET, CHANCERY-LANB, W.O. PREFACE. In the Great Exhibition of 1851, Photography had not sufficiently advancecl to be j)laced in a separate Class, — Photographs, and the apparatus used in producing them, were included among Philosophical Instruments. It has now a class of itself (XIV) . The Art was, in 1851, represented by a large number of Daguerreotypes, some Talbottypes, or Sun Pictures, as they were then frequently termed, and by a few specimens of the Albumen process on glass. The Collodion process, to which is due the enormous development which has taken place since 1851, Avas not known previously to the opening of the Exhibition in that year. Photographers v^ere anxiously looking for some material Avhich should be free from the defects of the paper on which the Talbottype negatives were taken. Albumen on glass had been tried Avith some success. Archer turned his attention to the use of a film of Collodion, and was experimenting upon it previous to the opening of the Exhibition, and Dr. Diamond, in company Avitli him, took a portrait Avith some Collodion given him by tliat gentleman, as early as September, 1850. A Collodion portrait, taken by Mr. Archer, assisted by Messrs. Fry and Home, early in May, 1851, and Avhat is termed a positive picture,"!' ^"^^^ placed in Messrs. Home and Thornthwaite's case in the Exhibition, Avith their Daguerreotype and Talbottype apparatus. ToAvards the end of June in that year, Mr. Rippingham, by per- mission, placed in this case some prints from negative Collodion plates, the Collodion for the purpose having been given him by Mr. Archer. The description of the process was published by Archer, in March, 1851, when it appeared in " The Chemist." In the Jury report, no other notice is taken of these pictures than that " Rippingham has exhibited several Talbottypes, being a series of untouched positives from Collodion negatiA^es on plate- glass." No medal was given — indeed no one could have then foreseen the influence Avhich these experiments were to exercise on the Photographic Art — and the Jury may Avell be pardoned for passing them OA'er. In a short time, hoAvever, the simplicity of the process and the beauty of the results caused its almost universal adoption, though numerous im- provements had, in the mean time, been made in the negative paper processes, more espe- cially that knoAvn as the Wax Paper process, invented by Le Gray. The Photographs in the present collection are, with some few exceptions, all produced by the Collodion process. The exceptions are noted in the Catalogue, and they consist of a few Daguerreotypes (Nos. 900 to 905) VicAvs of the International Exhibition of 1851, Talbottypes (Nos. 101, 423, 436 to 444), pictures from Albumen negatives on glass (Nos. 7, 8, 9, 10, 101), and from Wax Paper negatives (Nos. 134, 174*, 180, 181. 184 to 195, 199, 200, 203 to 206, 564 to 566), the others being modifications of the Collodion process, known as dry or preservative processes, the object being to set the operator free from the encumbrance of tents or other contrivances necessary Avhen Avorking with Collodion away from home. Nos. 16*, 29, 88, 91, 103, 104, 105, 113 to 118, 124 to 126, 133, 139, 143 to 145, 296, 297, 308, 333, 347, 369, 388, 390, 428, 461, 465, 479, 480, 502* 661, 652, 688, 705 to 707, 725, 729 to 731, 746 to 749, 751 to 753, refer to specimens pro- duced by such processes. The early positive prints on paper were produced by the Nitrate of Silver process, still in use, but were untoned and of a reddish colour, and were liable to fade. The toning process first adopted gave more agreeable tints to the pictures, but rendered them even more liable to fade f Very few pictures of this character are sliowii in tlio present Exliibitioii, thongh the process is that by which the c!ioap portiaits, so common now-a-c!ays, are taken. Some may be seen in frame No. 43. PEEFACE. lil than before, though, with very careful manipulation and good washing, there are pictures which, under favourable conditions, have resisted change. Photographers and Chemists have endeavoured to investigate the causes of this change, and the alkaline gold toning process now in use produces pictures which, if not absolutely permanent under every possible condition, are, with ordinary care, sufficiently so for all practical purposes. Many experiments have been made to use other materials for printing than nitrate of silver ; a series of such experiments is shown in Nos. 778 to 783, 785 to 788, and 79i to 797. The silver process, however, is that universally adopted by Photographers. Many attempts have been made, with more or less success, to print from the negative in carbon, the basis of printer's ink, or other indestructible materials, and thus give the Photograph the permanence of a print from an engraved plate. This has been sought to be accomplished either by producing photographically an eugraved metal plate or prepared lithographic stone, from which prints may be taken in the ordinary way with printer's ink, or by so treating the paper chemically that when submitted to the action of light under a positive or negative print, as the case may be, carbon or some other finely-divided material shall adhere only where required to form the picture. Fox Talbot sho.TS photographic etchings, both on copper and steel, entirely produced by Photo- graphy, and etching, but untouched by the graver (Nos. 507 to 532). Paul Pretsch calls to the aid of Photography the electrotype process, and shows specimens obtained by these processes combined. He produces not only the engraved plate, but also blocks for surface printing, capable of being used with letter-press ; his specimens are numbered 39 to 42, 45 ' to 48, 161, 162, 505, 506, and 539 to 544.]- Sir Henry James, the Director-General of the Ordnance Survey, also shows a process which he terms Photozincography, by which the Photograph becomes transferred to a zinc plate, and can thus be multiplied in printing ink. This process is used by the Government in the Ordnance Survey for the production of maps, plans, etc., enlarged or reduced in the camera, and 2;reat economy both in time and money is effected by it. Specimens of it, including a modification termed Photopapyrography, as well as of Photolithography, and showing its adaptation to the re- production of engravings, printed matter, and MSS., whether old or modern, are seen in ISTos. 69 to 77. Pouncey (No. 44), Cecil Walker and Son (No. 547), and Jouberfc (on the table at the east end of room, under the name of Phototypes), exhibit specimens of direct printing in carbon from the photograph, without the intervention of any inetallic plate or stone. The basis of all these processes is the peculiar action which light causes upon a mix- ture of gelatine and bichromate of potash. Contencin (No. 62), Field (78), and Ramage (50 i), show specimens of Photolithography, the image being impressed photographically on the stone. Field's pro-cess is based on the special action of light on a surface of bitumen of Judea covering the stone, an action investigated in the early days of Photography l)y Daguerre, who subsequently abandoned it for that process which now goes by his name. The printing of positive transparent pictures on glass was, for a long time, exclusively practised in France ; it is now done iu England, and specimens are shown on the tables of Mr. Breeze and of Messrs. Negretti and Zamljra. A statue in one of Mr. Breeze's pic- tures is taken by moonlight. Mr. Joubert, on a table at the east end of the room, shows specimens of photographs in vitrifiable colours burnt in on glass, both monochrome and polychrome. Microscopic Photography, i.e., microscopic objects enlarged, is shown by Nos. 545, 546, and 548 to 563, whilst Nos. 17, 18, 22*, and 927, refer to microscopic photographs, or photographs which require the aid of the microscope to inspe-jt them. En- largements by the solar camera are represented in Nos. 166, 277, 278, 282, 283, 288, 294, 295, 645, 646, 650, 657, and 658 ; whilst Warner (102, 106, 123, and 127) shows ar- chitectural and other views printed from enlarged negatives. On the south wall and on tables are exhibited the painted and coloured photographs and stereoscopic Daguerreotypes. f Some of these are entirely untouchei with the graver, aiiLl some have been so assisted. They are diatiuguished by labels on the specime]is. LIST OF EXHIBITORS. Adams.A., 268, 276. Alfieri, C, 250, 256, 267, 488, 704, 764. Amateur Photo.?iaphic Association. 304 — 308, 318, 314, 325—328, 333, 346, 317, 348, 387, 426—435, 455, Angell, Owen, 94, 95, G57, 658. [457. Barnes, E.F., 33, 163, 168, 882. Bassano, Alex., 460, 842, 844, 852, 856, 857. Beard, E , 284, 289. Bedford, Francis, 596—598, 604—627, 630, 631, 634—636. Bennett, A.W., 174. Bird, P. H., 101, 134. Bimstingl, L., 766—776. Booth, H. C, 466. Bourne, S., 29, 88,91. Bowers, H. T., 319, 320, 334—336, 424, 537, 648, 809, BramBell, J. A. C, 332. [811, 883-886. Breeze, C. S., Two Tables, East End of Eoom. Brothers, A., 272, 808, 881. Brownrigg, T. M., 240—243, 247. Burnett, C. J. 778—783, 785-788, 794-797. Burton, John, and Pateson, Eobert W. 777. Cade, E., 264, 266, 481—486, 628, 629, 632, 633. Caithness, Earl, 97, 98, 99, 100.* Caldesi, L., 19—21, 63, 92, 107, 110, 119, 120, 137, 141, 147, 197, 701,702, 713-722, 733—737. Campbell, D., 492— 501. Carr, T., 784, 789—793, 798—800. Church, W., jun., 332. Claudet, A., 172, 176, 179, 198, 209, 252—255, 277, 278, 282, 283, 288, 294, 295, 300, 801, 803—805, 853—855, 865—868,871-879,887,912—925, and a Stand, West End of Eoom. Contencin, J., 62, 108, 122, 148, 392, 533, 653, 712. Cramb, Bros., 7—10, 467, 640. Critchett, Charles, 445, 446, 564—566. Cmttenden, J., 25, 36, 292, 676. Cundall & Downes, 23, 32, 38, 149, 380 -386, 599, 641 , 711. Dancer, J. B., 17, 18. Dolamore and Bullock, 11—16, 80, 86, 140, 331, 389, Downes, G., 1. [407—413. Eastham, John, 196, 279, 280, 296, 297. Fenton, Eogee, 656, 660, 662—673. Field, John, 78. Foster, P. Le Neve 174.* Fountaine, C. G., 169, 170, 177, 207. Frith, F., 89, 90, 154. Gandy, T., 637, 638, 833. [478, 503. Gordon, Eobert, 269, 270, 275, 377, 378, 379, 464, 476— Gordon, Eusaell Manners, 3, 287, 301, 471, 472, 474. Graham, J., 159, 180, 181, 184—195, 199, 200, 203, 206. Green, B. E., 820. Griffiths and Barber, 926. Gush and Ferguson, 851. Hamilton, A. E., 53, 54. Harmer, E., 906, 907. Hart, F. AV., 4—6. Heath and Beau, 273, 463, 814. Heath, Vemon, 341—345, 462, 585. Hemphill, Dr., 37, 691—693, 695—700. Hennah, T. H., 182, 183, 201, 202, 415—422. Bering, H., 210, 281, 815. Hill, D. 0., 112. Holden, Eev. Dr., 351, 352, 368, 372, 374, 375. James, Col. Sir Henby, 69—77. Jeffrey, W., 238. Jocelyn, Viscountess, 100. Jones, Baynham, 369, 388, 423, 661, 743. Joubert, F., Table, East End of Centre Counter. Kater, E., 87. Keene, Eichard, 239, 654, 655, 674, 675, 677—680, 682— 686, 689, 690. Kilburn, W. E., 286, 290, 291, 806, 807, 813, 817, 818, 830, 832, 846, 860, 880. King, H. N., 211-225, 274, 574—584, 587—589, 708— 710, 841, 843, 843, 848, 849, 850, 862—864. Lamb, John, 43. Lock and Whitfield, 816, 845, 847, 858, 859, 861, and Table, West End of Centre Counter. London School of Photography, 167, 173, 175. London Stereoscopic Company, 229, 234, 244—246, 248, M' Andrew, J., 349, 350, 458, 459, 468, 469. [251. Maodonald, Sir A. K., Bart., 226—228, 230—233, 235— McLean and Melhuish, 271, 831. [237. Maull and Polyblank, 726, 750, 754, 755, 757—763, 765, 819, 836—839. Mayall, J. E., 152, 153, 888-905. Mayer, Brothers, 249, 293, 298, 299, 569, 570, 810, 812, 834. Mayland, W., 265, 405, 406, 473, 739—742, 744, 745. Moens, W. J. C, 642—644,* 647, 649, 723, 724. Moule, John, 535, 536. Mudd, J., 103, 104, 113, 115—117, 125, 126, 133, 480, 502,* 652, 688, 705—707, 749, 751, 753. Negretti and Zamera, Centre of North Counter. Newcombe, C. T., 171. Nicholson, A., 105, 124, 651. Noverre, W. L., 67, 68, 82, 83, 567, 568. Olley, W. H., 548—563. Penny, G. S., 302, 461. Piper, J. Dixon, 138. Pouting, T. C, 487, 645, 646, 650. Poulton, S., 802. Pouncy, John, 44. Pretsch, Paul, 39—42, 45—48, 161, 162, 505, 506, 539—544. Price, T., 864,* 864.** Prout, v., 93, 111, 136. Pyne, J. B., 164, 165, 687. Eamaqe, J., 504. Reeves, A., 927. Rejlander, O. G., 2, 84, 160. Eobinson, H. P., 128—132, 142, 572, 594, 595, 703. Eoss and Thomson, 34, 35, 732. Rouch, W. W., 263. Eussell, J., 109, 121, 376, 425, 456, 502, 534, 538, 571, Sands, J., 16.* [694. Sedgfield, W. E., 337—340, 393-398. Sidebotham, Joseph, 114, 118, 143, 144, 390, 465, 479, 752. Smith, Lyndon, 146, 354—357, 364—367, 391. Smyth, Sydney, 79, 81, 659, 840. Spackman, B. L., 27, 28, 303, 681, 756. Spode, J., 30, 31, 353, 586, 727, 738. Stovinand Co., 22,* 470, 573, 590—593, 600-603, 728. Sutton, Edwin, Table, West End of North Counter. Talbot, H. Fox, 507—532. Telfer, W., 869, 870. Thompson, C. Thurston, 178, 208, 3fe8— 363. Tliompson, Steplien, 257—262, 329, 330, 370, 371, 373, Traer, J. R., 545, 546. [447—454. Turner, B. B., 436—444. LTndekwood, W. Elphinstone, 908 — 911. Versohoyle, Col., 139. Walker, Cecil, and Son, 547. Wardley, Geo., 26, 145, 475, 725, 729—731, 746—748. Warner, W. H., 102, 106, 123, 127. Watkina, Herbert, 24, 85, 96, 135. Watkins, J. and C, 58—60, 64—66, 489—491, 639. White, H., 309—312, 315—318, 321—324. Williams, T. R., 49-52, 55—57, 166, 399—404, 414, 821-829, 835. Wilson, G. W., 155—158, 285. Wilson, Sir T. M., Bart., 61. Wortley, Col. Stuart, 150. Wright, Chas., 151. Wright, Dr. H. G., 22. CATALOGUE. *»* The numbers begin at the South- West Comer of the Room, and are at the Right-hand Corner of the Pictures. Where not otherwise expressed the Collodion process is tmderstood. 8, 9 10, 11. 12. 13, 14, 15. 16, 16 17, 18, 19 20. 21, 22, 22, 23. , G. Dowries— EDlarged Copy of a Map. 0. G. Rejlander — Portraits, &c. ; 9. Declaring her Fu-st Love; 10. The Lecture; 11. None Such ; 12. Portrait of a Young Lady; 13. Madonna a la Sassaferato; 14. Female Chatterton ; 13. Mother and Child Asleep; 16. The Uplifted Eye ; 17. The Swing; 18. Studies of Children (No. 1) ; 19. Studies of Children (No. 2) ; 20. Absence of Mind. Eussell Manners Gordon — Moimt Church, Madeira. F. W. Hart— Portishead Manor-house, Somerset. F. W. Hart— Tickenham Manor House, Somerset. F. W. Halt — Clapton Manor House, Somerset. Cramb, Brotliers — Views in Palestine — -The Mosque ofOmer; The " Via Dolorosa" ; The Valley of Gihon ; Beyrout — Illustrations for the Queen's Bible, exhibited in Class XXVIIL, by W. Mac- kenzie — Ar.umen. . Cramb, Brothers — The Mosque of Omer, Temple Area ; Jerusalem from the North Acra ; Beth- lelrem ; The Nativity ; Hebron — Albumen. Cramb, Brothers — Jerusalem from the Mount of Olives, Southern half; Jerusalem from the Mount of Olives, Northern half; The Shepherd's Plain, Bethlehem ; The Valley of Siloam, Jerasalem — ■ Illustrations for the Queen's Bible, exhibited in Class XXVIU., by W. Mackenzie— .4?6«»!«n. Cramb, Brothers — Jerusalem from Bezetha ; Jera- salem from the Sepulchre Church ; Pool of Heze- kiah, Sepulchre Church, Jerusalem ; Jericho and the Moab Mountains — Illustrations for the Queen's Bible, exhibited m Class XXVIU., by W. Mac- kenzie — Albumen. Dolamore and Bullock — Two views of Bonchurch. Isle of Wight. Dolamore and Bullock — Two views of Bonchurch, Isle of Wight. . Dolamore and Bullock— Chiist Church College, Oxford. Dolamore and Bullock — Merton College, Oxford. Dolamore and Bullock — Kelliam Hall, Notts. Dolamore and Bullock. — Kelham-hall, Notts. ,*J. Sands — Wharves on theTiiames Bank — Collodio- Albumen. J. B. Dancer. — Microseopie Photographs. . J. B. Dancer. — Microscopic Photogi'aphs. . L. Caldesi — Piaffaelle Cartoon — Peter and John healing the lame man at the Beautiful Gate of the Temple. L. Caldesi. — Raffaelle Cartoon — Paul Preaching at Athens. L. Caldesi. — Eaifeelle Cartoon — The ^Sacrifice at Lystra. , Dr. Wright — Pictures taken with the apparatus ex- hibited near. *Stovin and Company — Microscopic Photographs. Cundall and Downes — Hurstmonceux Castle. 24. Herbert Watkins — Brains of Chimpanzee. 25. J. Crattenden — Landscapes. 26. G. Wardley— Eagle Crag, Borrowdale — Collodio- Albumen. 27. E. L. Spaekman — Progi'ess of the International Ex- hibition Building of 1862. 28. B. L. Spaekman — Progress of the International Ex- hibition Building of 1862. 29. S. Bourne — 7. Fountains Abbey ; 8. View on the Llugwy, N. Wales; 9. Cottages at WUford, Notts — Fotkergill Process. 30. J. Spode — View in Stoneleigh-park. 31. J. Spode — View in Stoneleigh-park. 32. Cundall and Do\vnes — Waifs and Strays. 33. R. F. Barnes— Portraits of: 1. Madame Weiss; 2. W. H. Weiss ; 3. Madame Clai-a Novello ; 4. J. Sainton ; 5. Madame Sainton-Dolby ; 6. W. Balfe ; 7. Wilbye Cooper ; 8. Jules Benedict : 8. H. Blagrove. 34. Ross and Thomson — Cartes de Visite. 35. Ross and Thomsou^Portraits of ChUdren. &c. 36. J. Crattenden— Groups. 37. Dr. HemphUl — Round Tower, Rock of Cashel, 38. Cundall and Downes — Manuscript of Gray's Eleg3\ 39. Paul Pretsch — Cathedral at Rheims — Engraving by Photography and the Electrotype — Copper-plate Printing. 40. Paul Pretsch — Engi'aving \>y Photography and the Electrotj-pe — Smface Printing from Blocks. 41. Paul Pretsch — Engraving by means of Photgoraphy and the Electrotype — Copper-plate Printing. 42. Paul Pretsch — Engraving by Photography and the Electrotype — Surface Printing from Blocks. 43. John Lamb— No. 1. Bridge Peter Culter, Aberdeen- shire — Developed Print ; 2. Portrait on Plain Salted Paper; 3. Portrait on Plain Salted Paper; 4. Foliage, on the river Don, Aberdeen — JDeve- loped Print; 5, 6, 7, 8. Card portraits; 9. Huntly Castle, from the Garden Huntl}' Lodge ; 10. Brig O'Balgownie, Aberdeen; 11. Aberdeen Harbour; 12, 13, 14, 15, 16. Portraits on Glass ; 17. Garden from Haddo House — Developed Print : 18, 19. Por- traits of Lady and Gentleman ; 20. American Log House, Huntly Lodge; 21, 22, 23, 24. Card por- traits. 44. John Pouney — Speceimens of Printing in Carbon. 45. Paul Pret.sch — Engraving by means of Photography and the Electrotype — Surface Printing from Blocks. 46. Paul Pretsch — Engraving by means of Photography and the Electrotype— Copper-plate Printing. 47. Paul Pretscli — Engi'aving by Photogi'aphy and the Electrotype — Copper-plate Printing. 48. Paul Pretsch — Engi'aving by Photography and the Electrotype — Copper-plate Printing. 49. T. R. Williams— Portrait of the Chancellor of the Esohequer, the Right Hon. W. E. Gladstone, M.P, Catalogue of the Fhotographs Exhibited in Glass XIV. 50. T. R. Williams— Portrait of the Bishop of Gibraltar. 51 . T. E. Williams— Portrait of Lord Douglas. 62. T. R. Williams— Portrait of the Earl Giflbrd. 53. A. K. Hamilton — Pistrucci's Waterloo ftledal. 54. A. Pl. Hamilton — Pistrucci's Waterloo Jledal. 55. T. E. Williams— Portrait of the Earl of Tankerville. 56. T. R. Williams— Portrait of Ladv Radstock. 57. T. R. Williams— Portrait of Earl Granard. 58. John and Charles Watkins^Portraits. 59. John and Cliarles Watkins — Portraits. 60. John and Cliarles Watkins— Portraits. 61. Sir T. M. Wilson, Bart.— From Sketches of an Erup- tion of a Geyser, Iceland. 62. J. Contenciu — Gatewav — FTioiolUhograpli. 63. L. Caldesi— Eaffaelle Cartoon— The Death of Ana- nias. 64. Jolm and Cliarles Watkins — Portraits. 65. John and Charles Watkins — Cartes de Visite. 66. John and Charles Watkins— Portraits. 67. W. L. Noverre — Part of the City of Sriniigger, on the bank of the Jhelum, in Cashmere. GS. W.L. Novene — The Port of Mooltan, showing the Dome of the Shrine of Rukiu Alum, built 500 years ago. 69. 1 o f The Canvassing for Votes ; painted by AV. Hogarth ; engraved by C. Grignion — Photoziiicograpk. The Canvassing for Votes ; painted by W. Hogarth ; engraved by C. Grignion — ■ Photograph. A Panel in the Vatican : painted by liaphael ; engraved by Volpato in 1776 — phoio- zincogra-ph. Plan of Edinburgh Castle and Environs — ^ Photograph and J'hotozincograph. 73. 1-S P: -| Specimens illustrative of tlie Photozinco- ^-jg graphic process ; Specimens illustrative of the process of PhotopapjTography. 74. ^3 Domesday Book — Facsimile cf part relating to Hampshire — Fhoiozincograph. 75. e> Two Pages of the 1623 Edition of Shak- spcare — Photozinc^graph. 76. f^ Antique Vases ; drawn by Piranesi — Photo- lithograph. 77. " APanelin the Vatican; painted by Raphael; engraved by Volpato in 1776 — Photo- zincograph. 78. John Field — ^Views in Rome — Specimens of Photo- lithography ; The Image impressed bi/ Photography on the stone. 79. Sydney Smyth — Portrait enlarged by Solar Camera. 80. Dolamore and Bullock— Kelham Hall, Notts — Seat of J. H. Manners-Sutton, Esq. SI. Sydney Smyth — Instantaneous Views of London, the Thames, Isle of Wight, ic. _S2. W. L. Koveixe— Upper Barah DuiTee of the famous Shalimah Gardens iu Cashmere. 83. W. L. Noverro— The principal street in the Citj' of Mooltan. 84. 0. G. Rejlander— Portraits, &c. ; 1. God Speed Him ; 2. Wayfarer; 3. Companion to Cogitation; 4. Scripture Reader ; 5. Cogitation ; 6. You can't do this, Grandmama; 7. Home, Sweet Home; 8. The Little Sisters. 85. Herbert Watkins — Portraits of Eistori in various cha- racters. 86. Dolamore and Bullock — Early Flowers, from a Pic- ture by W. M. Egley. 87. Ed. Kater — Ancient Annour in Mr. MejTick's Col- lection. 88. S. Bourne — 1. View from Pont-y-Pair, K. Wales; 2. Lledr Bridge, K. Wales ; 3." View on the Con- wav — Pothergill Process. 89. F. F>ith— Views in the East. 80, F.. Frith -Views in the East. 91. S. Bourne — i. View near Aber, N. Wales ; 5. Pont Aberglaslyn, jST. Wales ; 6. Rapids on the Llugwy, N. "\V'ales — Fothergill Process. 92. L. Caldesi — Eaffaele Cartoon — The Miraculous Draught of Fishes. 93. V. Prout — Flood in the Highlands, from the original Picture by Landseer. 94. Owen Angell — Portrait, enlarged by Solar Camera. 95. Owen Angell — Porti-ait, enlarged by Solar Camera. 96. Herbert Watkins— Portraits. 97. Earl of Caithness — Windsor Forest. 9S. Earl of Caithness — Windsor Forest. 99. Earl of Caithness — Druidical Stones, North Scotland. 100. Viscountess Jocelyn — Broadlands, seat of Viscount Palmerston —Four Views. 100*Earl of Caithness — Snow scene. 101. P. H. Bird— 8, 9, 10, 11. Views from a Gentleman's Country Seat ; 12. College Gateway, Bristol — Albumen; 13. View at Bath — Albumen; 20. Olney Lodge, Battei'sea, printed in 1851 — Calotype; 21. Still Life, printed in 1857 — Albumen. 102. W. H. Warner — Architectural and other Views — From enlarged Negatioes. 103. James Mudd — Landing Steps, Worsley, Man- chester — Collodio-Albumen. 104. Jame5 Mudd — Hermitage Bridge, Dimkeld — Collo- dio-Albumen. 106. A. Nicholson — Landscapes — Fothergill Dry Process. 106. AV. H. Warner — Architectural and other Views — From enlarged Negatives. 107. L. Caldesi — Copy ofa Print ofHer Majesty the Queen. 108. J. Contencin — Copy of a Drawing. 109. J. Russell — Ruins of Chichester Cathedral. 110. L. Caldesi— Elgin ilarbles. 111. V. Prout — \V'estminster Abbej', North Aisle ; Westminster Abbey, North Nave ; Westminster Abbey, South Aisle; Aymer de Valence ; Alethe, by Doherty ; Glaucus and lone ; Erin ; House of the Tragic Poet ; Street of the Baths ; Forum ; House of the Fawn. 112. D. 0. HUl — Contributions in Photography. 113. James Mudd — Farm in Ennerdale, Cumberland — Collodio-Albumen. 114. Joseph Sidebotham — Fountains Abbey — Collodio- Albumen. 115. James Mudd — On the Greta, Eokeby-park — Collo- dio-Albumen. 116. James Mudd — Buttennerc Lake — Collodio-Albumen. 117. James Mudd — On the Braan, Perthshire — CbZZorfio- Albumen. 118. Joseph Sidebotham — South Stack Lighthouse — Col- lodio-Albumen. 119. L. Caldesi— Elgm Marbles. 120. L. Caldesi— Copy of Print of H.E.H. the Prince Consort. 121. J. Russell — Ruins of Chichester Cathedral. 122. J. Contencin — Copy of a Drawing. 123. W. H. Warner— Architectmal and other Views — From enlarged Negatives. 124. A. Nicholson — Landscapes — Fothergill Dry Process. 126. James Mudd — The Tay above Dunkeld — Collodio- Albumen. 126. James Mudd — On the Ulverston Sands — ColUdio- Albunun. 127. W. 11. AVarner — Architectural and other Views — From enlarged Negatives. 128. H. P. Robinson— Top of the WlVl— Printed from several JVegatives. 129. H. 1>. Robinson— Early Spring. 130. H. P. Robinsou — " She never told her love." 131. H. P. Robinson — Holiday in the Wood — Printed from several Negatives. 132. H. P. RDbinson- The Lady of Shallott— Prafet/ frcm several Negatives. 133. James Mudd — Eskdale from Birker Fell — Collodio- Albumen. Catalogue of the Photographs Exhibited in Class XIY. 134. P. H. Bird—The " Ferry Boat" of Tottenham— Wax Paper Negative. 135. Herbert Watkins — Portraits. 136. V. Prout — Fatal Duel, from the original Pictm-e by Landseer. 137. L. Caldesi— EaffaUe Cartoon— Christ's Charge to Peter. 138. J. Dixon Piper — Ancient House, Ipswich ; An inte- rior ; Early Morning, from an oil painting, Stratton, Suffolk ; In Memoriam ; Old Curiosity Shop, Buiy St. Edmund's; BrignaU Banlcs, on the Greta ; Lock Gates. 139. Colonel Verschoyle — Glastonbury ; Lynmouth ; Bide- ford ; Glastonliimy ; Avenue Down Auney ( Collodio Albumen); Glastonbury (Coll. Alb.); Down Auney Church (CoiZ. Alb.); Cheddar ( CoZZ. Alb.)\ Glas- tonbury ( Coll. Alb.) ; Cheddar ( Coll. Alb.) ; Down Auney (Co/Z. Alb.); Portraits ( CoH. Alb. Instan- taneous) ; Cave, Freshwater {Coll. Alb. Tannin) ; Portrait ( Coll. Alb. Instantaneous) ; Portraits ( Coll. Alb.) ; Portraits ( Coll. Alb.); Portraits ( Coll. Alb.); Yarmouth, Isle of Wight ( Tannin) ; Freshwater, Isle of Wight ( Tannin) ; Sheep ( Coll. Alb. Instan- taneous) ; Cow and Calf ( Coll. Alb. Instantaneous) ; Rock at Freshwater ( Tannin) ; Portrait ( Coll. Alb.) ; Children {Coll. Alb. Instantaneous); Cave, Fres- water ( Tannin) ; Portrait ( Collodio- Albumen Instan- taneous). 140. Dolamore and Bullock — The Blind Beggar, National Gallery. 141. L. Caldesi — Copy of Triptych. ■ 142. H. P. Eobinson — Fading away — Printed from several Negatives. 143. Joseph Sidebotham — Chepstow Castle — Collodio- Albumen. 144. Joseph Sidebotham — Tintern Abbey — Coll.-Albumen. 145. George Wardley — Ambleside, Collodio-Albumen. 146. Lyndon Smith — Ponty Pair. 147. L. Caldesi — Eaffaelle Cartoon — Elymasthe Sorcerer struck with Blindness. 148. J. Contencin — Copy of a Drawing. 149. Cundall and Downes — Silver Dessert Service. 150. Col. Stuart Wortley — Views of Vesuvius and of the Town of Torre del Greco, during the Eruptions of 1861-1862. 151. Charles Wright — Portraits. 152. J. E. Mayall— Portraits. 153. J. E. Mayall— Portraits. 154. F. Frith — Views in the East. Illustrations for the Queen's Bible, exhibited in Class 28, by W. Mackenzie. 155. G. W. Wilson— Sis views— H.M.S. Royal Adelaide; Balmoral Castle ; On the Thames at Greenwich ; Loch of Park, Evening ; Bridge on the Cluny, Braemar ; Loch of Park, Evening. 156. G. W. Wilson— Six views— The Great Eastern ; Balmoral Castle (two negatives) ; Pike Fishing ; Duck Shooting ; Loch-in-dorbh ; Loch-in-dorbh. 157. G. W. Wilson — Six instantaneous views — Torpoint Feny, Devonport ; Loch-in-dorbh ; Land's End, Cornwall ; Princes-street, Edinburgh ; ■ Union- bridge, Aberdeen (two negatives); Princes-street, Edinburgh. 158. G. W. Wilson — Six instantaneous views — H.M.S. Cambridge ; Great Gun Practice ; '1 he Channel Fleet in Plymouth Sound ; H.M.S. Revenge ; H.M.S. Revenge; The Royal Albert Bridge, Saltash (two negatives) ; Plymouth Sound. 159. J. Graham — Jerusalem, from the Mount of Olives, "which is before Jerusalem on the East," Zeoh. xiv., 5 — Wax Paper. 160. 0. G. Rejlander— Portraits ; 21. The Supplicants; 22. A West-end Belle ; 23. The Task : 24. The Street Fiddler ; 25. A Day in Town ; 26. A Night in Town ; 27. Morning ; 28. The Andalusian ; 29. Evening Sun. 161. Paul Pretsch — Cathedral at Strasburg — Engraving by means of Photography and the Electrotype — Copper-plate Printing. 162. Paul Pretsch — Engraving by means of Photogi'aphy and the Electroiype — Copper-plate Printing. 163. R. F. Barnes — Portraits and Card Pictures — Plai7i and Tinted. 164. J. B. Pyne — Copies of Antique Cai-vings and Pic- tures ; 1,3, 6, and 8. Antique China Carvings ; 2. Rome (from an oil painting by J. B. Pyne, Sen. ; 4. An Antique China Vase ; 5. The Tomb Re- visited (sculptured by J. A. Foley, R. A.); 7. A Canon and Figures, carved in ivory. 165. J. B. Pyne — Copies of Pictures; 1. Crossing the Ford, painted by Herring and Cole; 2. Venice, painted by J. B. Pyne, Sen.; 3. An English Horse • Fair, painted by Benjamiu Herring ; 4. Major Proby, painted by J. W. Desanges ; 5. The Tod^ Hunter's Return, painted by Ansdell; 6. A Swiss Valley, drawn by J. B. Pyne, Sen. ; 7. The Gipsy Tinker, painted by Mclnnis ; 8. The First Love Letter, painted by Craig. 166. T. R. Williams — Portrait of a Lady — Unlarged Photograph. 167. London School of Photography— Views. 168. R. F. Barnes— Portraits. 169. C. G. Fountaine — Temple of Jupiter, Olympus, Athens. 170. C. G. Fountaine— Hypasthral Court, Fils. 171. C. T. Newcombe — Portraits. 172. A. Claudet— Portrait. 173. London School of Photography— Portraits. 174. A. W.Bennett — Application of Photography to the illustration of Books. 174.*P. Le Neve Foster — Battersea Suspension Bridge— Turpentine Wax Paper — Printed 1858. 175. London School of Photography — Cartes de Visite. 176. A. Claudet— Portrait. 177. C. G. Fountaine — Temple of Komombo. 178. C. Thurston Thompson- Raffaelle Cartoon — The Death of Ananias. 179. A. Claudet— Portrait. 180. J. Graham — Jerusalem ; Spring of the Arch of the Bridge from the Temple to Mount Zion — Wax Paper. 181. J. Graham — Jerusalem ; the Huldah Gate of the Temple — Wax Paper. 182. T. H. Hennah— Portrait. 183. T. H. Hennah— Portrait. 184. J. Graham — Beyroot, from the Ottoman Bank^- Wax Paper. 185. J. Graham — Jerasalem ; Enrogel, King's Gardens, ' Ophil and Mount Moriah — Wax Paper. 185. J. Graham. — -Jerusalem ; the Sepulchre of David dn Mount Zion — Wax Paper. 187. J. Graham^Jerusalein ; the Golden Gate — Wax Paper. 188. J. Graham — Jerusalem ; the Brow of Mount Mo- riah, supposed scene of the Cracifixion — Wax Paper. 189.' J. Graham^Jerusalem ; Minbar in the Holy Place — Wax Paper. 190. J. Graham-^Bethlehem, from the Greek Convent— Wax Paper. 191.- J. Graham— Jerusalem ; Fountain at the Gate of the Holy Place — Wax Paper, 192. J. Graliam^ — Jerusalem ; South-east corner of the wall of the Holy Place — Wax Paper, 193.' J. Graham^Jerusalem ; Min-bar-ed Din-kady— ^ Wax Paper, 194. J.Graham — Jerasalem; Gethsemane — Wax Paper, 195. J. Graham — Jerusalem and the Holy Place on Mount Moriah, where Solomon built tlie House of the Lord — Wax Paper, 196.' JohnEastham— Treaty of Commerce with France, 1860 — Composed from various negatives, 197. L. Caldesi— ^Elgin marbles. Catalogue of the P}wtograph& Exhibited in Class XIV. 198. A. Claudet— Fortvait. 199. J. Graham — Jenisalem ; DomeofMosesin the Holy Place — Wax Paper. 200. J. Graham— Pool of Bethesda—TFra Paser. 201. T. n. Hennah— Portrait. 202. T. H. Hennah— Portrait. 203. J. Graham — Jerusalem from the south-east descent of Mount of Olives — ^Yax Faper. 204. J.Graham — Jerusalem; Mosque El Aksa, the Holy Place, aud Mount of Olives — ^Yax Faper. 205. J. Graham — Jerusalem, Dome of the Kock, Wail- ing Wall and Holy Place — ^Vax Paper. 206. J. Graham — Jerusalem, Old Wall of Wailing — Wax Paper. 207. C. G. Fouutaine — Temple of Luxor. 208. C. Thurston Thompson— Eaffaelle Cartoon— Peter and John at the Beautiful Gate of the Temple. 209. A. Claudet— Portrait. 210. H. Hering— Portraits. 211. H. N. King — Portrait of Sims Reeves. 312. H. jSr. King— Portrait of W. Harrison. 213. H. N". King— Portrait of Madame Celeste. 214. H. N. King— Poiti-ait of Mons. Costa. 215. H. N. King — Portrait of iladame Sherrington. 21G. H. N. King— Portrait of Miss Hodson. 217. H. N. King — Portrait of Signor Gassier. 318. H. iSf. Kmg — Portrait of Allan In'ing. 219. E. N. King— Portrait of G. Peabody. 220. H. N. King— Portrait of Kev. J. iSI. Bellew. 221. H. N. King— Portrait of Rev. Dr. Winslow. 223. H. N. King — Portrait of Sir J. Emmei-son Tennent. 223. H. S. King — Stereoscopic Views. 224. H. N. King— Portaait of Miss Banks. 225. H. N. Kuig — Portrait of Lewis Thomas. SOREEJ^ NEXT ENTRANCE STAIRCASE. 226. 227. 228. 229. 230. 231. 232. 233. 234. 235. 236. 237. 238. 239. 240. 241. 242. 243. 244. 245. 246. 247. 248. 249. 250. .-251. 252. 253. 254. 5!55. .256. 257. Sii' A. K. Macdonald, Bart.— Victoria Tower, Wind- sor. Sir A. K. Macdonald, Bart. — East Terrace, Windsor. Sir A. K. Macdonald, Bai-t — Spring Pond Cottage. London Stereoscopic Company — Quebec. Sir A. K. Macdonald, Bart. — -Netlev. Sir A. K. Macdonald, Bart.— Netley Abbey. Sir A. K. Macdonald, Bart. — Waverley, Surrey. Sir A. K. Macdonald, Bart. — Italian Views. London Stereoscopic Company — RusfieBridge,Sleep}' Hollow — American View. Sir A. K. Macdonald, Bart — ^Woolmer-lodge, Hants. Sir A. K. Macdonald, Bart — Hampshire Lane. Sir A. K. Macdonald, Bart — Wishhanger. W. Jeffrey — Copies from Busts of Baiah Brooke, A. Tennyson, Rev. F. D. Maurice, WiUiam Shaen, William Fairbair-n, and Professor Sedgwick. Richard Keene — Haddon Hall. T. M. Brownrigg — Rock Scenery, County Wicklow. T. M. Brownrigg — Ivy Bank, Phoenix Park, Dublin. T. M. Brownrigg — Fisherman's Bed, County Wick- low. T. M. Brownrigg — Rock Scener)', Howth, Dublin. London Stereoscopic Company — Stereoscopic Views of Paris — Iiistantaneoits. London Stereoscopic Company — Stereoscopic Views of Paris — Instantaneous. London Stereoscopic Company — Natm'al Bridge, Kentuck}'. T. M. Brovrarigg — In a Hawthorn Grove, Phcenix Park, Dublin. London Stereoscopic Company — Niagara Falls. Mayer Brothers — Portraits. C. Altieri — Bridge and Aqueduct, North Wales : Clock Tower, Chirk Castle. London Stereoscopic Company — KauterskUl Cavern — American View. A. Claudet — Portrait. A. Claudet — Portrait. A. Claudet — Portrait. A. Claudet — Portrait. C. Alfieri — Castell Dinas Braw, N. Wales ; Bridge of Llangollen. Stephen Thompson — High Street, Oxford. 258. 259. 260. 261. 262. 263. 264. 265. 266. 267. 268. 269. 270. 271. 272. 273. 274. 275. 276. 277. 278. 279. 280. 281. Stephen Thompson — Radcliffe Libi'ary, Oxford. Stephen Thompson — Melrose Abbey. Stephen Thompson — Garden Front, St. John's Col- lege, Oxford. Stephen Thompson — Statue of Newtou,New Museum, Oxford. Stephen Thompson — Hadlow Castle — Two Views. W. W. Rouch — Twelve Views. Lobster Pots ; On the Beach, Ventnor : Cattle — Instantaneous ; The Chine Hoase, Shanklin ; The Pond, looking West, Bonchurch ; Bonchurch Village ; The Pond, Bon- church : Steep-hiU Cove ; The Old Church, Bon- church ; Sea View — Instantaneous ; Cliff and Cattle — Instantaneous ; Study of Trees. R. Cade — Cartes de Visite. W. Mayland— Portraits. R. Cade — Cartes de Visite. C. Alfieri — 1. Llangollen ; 2. Valle Cnieis Abbey, East View. A.Adams — Twelve Stereoscopic Views; 1. Balmoral Castle (from Sonth-West ; 2. Falls of the Gar- rawalt, Aberdeenshire (No. 1) ; 3. Falls of the Garrawalt, Aberdeenshire (No. 2) ; 4. Brechin Castle (from North- West) ; 5. View in Banchory Woods, near Aberdeen ; 6. Elgin Cathedral, West doorway ; 7. Castle Street, Aberdeen ; 8. Chapel and Buiying-place, Oldbar ; 9. Elgin Cathedral, Mo- rayshire ; 10. Timny Market, Castle-street, Aber- deen — Instantaneous; 11. Gunnachy Bridge, North Esk ; 12. View in Nortlr Esk, Forfarshire. Robert Gordon — View in Isle of Wight. Robert Gordon — View in Isle of Wight. McLean, Melhuish, and Co. — Portraits. A. Brothers — Portraits. Heath and Beau— Portraits. H. N. King— Portrait. Robert Gordon — View in the Isle of Wight. A. Adams— Cartes de Visite. A. Claudet — Portrait of P. Le Neve Foster — En- larged by Solar Camera. A. Claudet — Portrait — Enlarged by Solar Camera. John Eastham — Portraits on Glass — Tannin. John Eastham — Portraits on Glass — Tannin. H. Hering — Portraits, Cartes deVisite, andMiuiatnres. Catalogue of the PJiotograplis ExMhited in Class XIV. 282. A. Claudet — Portrait — Enlarged by Solar Camera. 283. A. Claudet— Portrait of himsell—Enlarr/ed by Solar Camera, and Tinted in Chalks. 284. E. Beard— Portraits— PaciiaZZ?/ Tinted. 285. G. W. Wilson— Twelve Album Portraits. 286. W. E. Kilburn— Cartes de Visite. 287. Russell Manners Gordon — Stereoscopic Views. 288. A. Claudet — Portrait of Sir David Brewster — En- larged by Solar Camera. 289. R. Beard— Portraits -PflrCMHj/ Tiiiied. 290. W. E. Kilburn— Cartes de Visile. 291. W. E. Kilburn— Cartes de Visite. 292. J. Cruttenden — Cartes de Visite. 293. Mayer, Brothers — Cartes de Visite. 294. A. Claudet — Portrait — Enlarged by Solar Camera. 295. A. Claudet— Portrait of Sir C. Wentworth Dilke, Bart. — Enlarged hj Solar Camera. 296. John Eastliam — Portraits on Glass — Tannin. 297. John Eastham — Portraits on Glass — Tannin. 298. Mayer, Brothers — Cartes de Visite. 299. Mayer, Brothers — Cartes da Visite. 300. A. Claudet— Cartes de Visite. 301. Russell Manners Gordon — Funchal, from the West. 302. G. S. Penny — Illustrations of various preservative processes. 303. B. L. Spackman — Royal Horticultural Society's Gardens. SOUTH-WEST SCREEN. 804. Amateur Photographic Association ^ Stereoscopic Views. 305. Amateur Photographic Association — Views in China. 306. Amateur Pliotographio Association — Views. 307. Amateur Photographic Association — Cologne Ca- thedral. 308. Amateur Photographic Association — Views — Collo- dion and Collodio-Albumen. 309. Henry White — Foss Nolyn on the Conway, N. Wales. 310. Heniy White— View down the Llugwy, from the Miners' Bridge, near Bettws y Coed, N. Wales. 311. Henry White — Lledr Bridge (from below), near Bettws y Coed, N. Wales. 312. Henrj' White— Cottage, near Foss Nofyn, on the Conwaj', N. AVales. 313. Amateur Photographic Association — Stereoscopic Views. 314. Amateur PhotogTaphic Association — Stereoscopic Views. 315. Henry White — Cottage and Stepping-Stones at Pentre Dha, Bettws y Coed, ^. Wales. 316. Henry White — View on the Llugwy, below the Miners' Bridge, N. Wales. 317. Henry White — The Miners' Bridge, on the Llugwy. 318. Henry White— The Lledr Cottage, Bettws y Coed, N. Wales. 319. H. T. Bowers — Frescoes, Higham Church,Gloucester. 320. H. T. Bowers— West Wmdow Gloucester Cathedral. 321. Henry White— Falls on the Llugwy, above the Miners' Bridge, near Bettws y Coed, N. Wales. 322. Henry AVhite — Lane Scene, Surrej'. 323. Hemy White — The Lledr Bridge (from above), near Bettws y Coed, N. Wales. 324. Henry White — View on the Llugwy, near Bettws y Coed. 325. Amateur Photographic Association — Stereoscopic Views. 326. Amateur Photographic Association — Furness Abbey — Wax Paper. 327. Amateur Photographic Association— Cheddar. 328. Amateur Photographic Association — Views. Prize Pictures of 1862. 329. Stephen Thompson — Hall and Chapel, Oriel College, Oxford, 330. 331. 33: 833 334. 335. 336. 837. 338. 339. 340. 341. 342. 343. 344. 345. 346. 347. 349. 350. 351. 352. 353. 354. 355. 856. 357. 358. 359. 860. 361. 362. 363. 364. 365. 366, 367. ■{ Stephen Thompson — Queen's College, Oxford. Dolamore and Bullock — 1, Ely Cathedral; 2, Win- chester Cathedral. AV. Church, Jun. — On the Teitli near Callander — I. A. C. Branibell — Pont Aherglaslyn. Amateur Photographic Association — Portrait and Views — Collodion and Collodio Albumen. H. T. Bowers — Southam Chapel. - H. T. Bowers — Southam de la Bere. H. T. Bowers — Southam de la Bere. W. R. Sedgfield — Dovedale and Ashbourne. W. E. Sedgfield— English Scenery — Instantaneous. W. E. Sedgfield — Views of Cambridge. W. E. Sedgfield— Views of Ely Cathedral. Vernon Heath — Old Mill on the Almond ; Peasant's Cottage, Monzie. Vernon Heath — View in Perthshire. Vernon Heath — Landscape — Endsleigh, Devon. Vernon Heath — Penshurst, Endsleigh, Lock Gates, Ray Mill Taplow. Vernon Heath^View in Perthshire. Amateur Photographic Association — Views. Amateur Photographic Association — Views — Mill Norris Process. Amateur Photographic Association — Views. James M' Andrew — Portrait. James M' Andrew — Portrait. Eev. Dr. Holden^Noon, from the Prebendaries' Bridge, Durham. Rev. Dr. Holden — Diu-ham School. J. Spode— The Landslip, Isle of Wight. Lyndon Smith— Rising Mist. Lyndon Smith — Lyn Peris. Lyndon Smith — Turner's Eock, Yorkshire. Lyndon Smith — Oratory, Conway Castle. C. Thurston Thompson — From a Picture by Turner. C. Thurston Thompson — From a Picture by Turner. C. Thurston Thompson— From a Picture by Turner C. Thurston Thompson — From a Picture by Turner. G. Thurston Thompson — From a Picture by Turner. 0. Thurston Thompson — From a Picture by Turner. Lyndon Smith— Old Mill, N. Wales. Lyndon Smith — View in North Wales. Lyndon Smith— Llanberis Pass. Lyndon Smith — Llanberis. 10 Catalogue of the Photographs Exhibited in Class XIV. 368. Rev. Dr. Holden — Midsummer, Dmham. 369. Baynham Jones — Gloucester Cathedral — Taiiiu/i and Malt. 370. Stephen Thompson — Melrose Abbey. 371. Stephen Thompson — Jlehose Abbey. 373. EeT. Dr. Holden— Durham. 373. Stephen Thompson — Garden front, Knowle HouEe. 374:. Eev. Dr. Holden — Spring, Durham. 375. Eev. Dr. Holden — From the Banks, Dm-ham. 376. J. Russell — Ruins of Chichester Cathedral. 377. Robert Gordon— View in Isle of Wight— The Keeper's Cottage. 878. Robert Gordon — View in Isle of Wight. 379. Robert Gordon — Yiew in Me of Wight. 380. CundaU and Downes — Terrace Gardens, Windsor Castle. 381. Craidalland Downes— St. Michael. 882. Cnndall and Down^ — Terraces at Osborne, Isle of Wight. 383. Cnndall and Downes — Copies of Ra&elle Drawings. 384. Cnndall and Downes — Bas Relief, Bronze. 385. Cnndall and Downes — Copies of Raffaelle Sketches. 386. Cnndall and Downes — From a Painting by Le Jeune. 387. Amatem' Photographic Association — Copy of Etch- ings. 388. Baynham Jones — Gloucester Cathedral — Tannin and Mall. 3S9. Dolamore and Bullock — Windsor Castle, and War- wick Castle. 390. JoEeph Sidebotham — Falls of the Ogwyn, JJ. Wales — CoUodio-Allumeii. 391. Lj-ndon Smith— Tintem Abbey. 392. J. Contencin — Copv of a Drawing. 393. W. R. Sedtrfield- Views of Lincoln. 394. W. R. Sedgfield— Views of WeUs. 395. W. E. Sedgfield— Views of Canterbmv. 396. W. R, Sedgfield— Views of Great Tafmonth. 397. W. R. Sedgfield — Views of PeteiboTXSUgh. 398. W. E. Sedefield— Views of Cambridge. 399. T. E. WiUiams— Portrait of Ladv Black. 400. T. E. WiUiams— Poi-ti-ait of Eev! F. Hardwich. 401. T. R. Williams— Portrait of W. H. Gregory-, M.P. 402. T. R. AViliiams— Portrait of Lord Lifford. " 403. T. R. Williams— Portrait of G. Freeling. 404. T. R. Waiiams— Portrait of Earl Foilescue. 405. W. Mayland — The ATcnue, Trinity College, Cam- bridge. 406. W. Mayland — King's College Chapel, Cambridge. 407. Dolamore and Bullock — The Flower Girl, Muiillo, Dulwich. 408. Dolamore and Bullock — Clewer Park. 409. Dolamore and Bullock — Martyrs Memorial, Oxford. 410. Dolamore and Bullock — High-street, Oxford. 411. Dolamore and Bullock — Rydal Water. 412. Dolamore and Bullock— Stoneleigh Abbey. 413. Dolamore and Bullock— GallEe-e Porch, Ely Ca- thedral. 414. 415. 416. 417. 418. 419. 420. 421. 422. 423. 424. 425. 426. 427. 428. 429. 430. 431. 432. 433. 434. 4-35. 436. 437. 439. 440. 441. 442. 443. 444. 445. 446. 447. 44S. 449. 450. 451. 452. 4-53. 454. 455. 456. 457. T. E. Williams— Portrait of William Copeland. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. T. H. Hennah— Portrait. Baynham Jones — Cartshed — Caloit/pe. H. T. Bowers — Fountain, Alton Towers. J. EnsseU — Ruins of Chichester Cathedral. Amateur Photographic Association — Views. Amatem- Photographic Association — Views. Amatenr Photographic Association — Views — Tau- penoi — CoV.odw-Albumen — Tannin. Amateur Photographic Association — ( W. H. Vernon) Views in Rome. Amateur Photogiaphic Association — Views. Amatenr Photographic Association — Views in Corfu. Amatem- Photographic Association — Views. Amateur Photographic Association — Copies of En- gravings. Amateur Photographic Association — ^Views. Amateur Photographic Association — ^Views of Italy and Eome. B. B. Turner — ^Berry Pomeroy Castle — Talbot-iype. B. B. Turner — Bredieot, Worcestershire, Garden Poich — Talbot-type. B. B. Turner — ^BJockend Qoairy, Torquay — Talbot- type. B. B. Turner — Crowle Court, Worcesterehire. Tal- hoi-type. B. B. turner — ^Anstey's Cove, Torquay — Talbot-type. B. B. Turner — Crowle Court, Worcestershire — T-A. Claudet — Portraits. 911. W. Elphinstone Underwood J Madras Piesidency. 925. J 912. A. Claudet— Portrait. 926. Griffiths and Barber— (F. Sargent colorist)— Por- 913. A. Claudet — Portrait. traits plain and colored. 927. A. Beeves — Microscopic Photographs. BURFIELD AND ROUGH, WHOLESALE, RETAIL, AND EXPORT MANUFACTURlNa CHEMISTS, OPTICIANS, AND PHOTOGRAPHIC INSTRUMENT MAKERS, ISO, STRAND, W.Cm LONDON, "AND CLASS XIV. IKTEEWATIONAL EXHIBITION. In (lirecting the attention of Amateur and Professional Photographers to the Collection of important and extensively-used Photographic specialities exhibited by them in the above Class, BURFIELD and ROUGH refer with much pleasure to the following facts : — 1st. That since the earliest days of Photographic Art, their attention has been directed to the study of the yarious appliances best adapted for Amateur and Professional Photographers ; and having introduced a large number of the most important improvements in Apparatus, as well as sustained the high character of the well-known Chemical Preparations for which they have been so long celebrated, they con- scientiously believe that they can best meet all the requirements of the art. 2nd. The whole of their Instruments are manufactured by their own workmen, at their Factory, and are constructed vnOx mafhejiiaiical jvecision, and absolutely of the best possible materials, carefully selected to withstand effects of climate, etc. 3rd. The last -mentioned conditions being frequently made a pretest for excessive charges, B. and R. would mention that the prices affixed to these manufactm-es are exceedingly moderate for that essential desideratum, first-class workmanship. In proof of the above, it is well-known that BURFIELD and ROUCH have supplied agrcat many of the most important sets of Appai-atus yet consti-ucted, and they would further st-ate that their Apparatus has been sent to nearly every part of the globe, and in no instance has a complaint of bad construction evei'*reached them. A NEW AND ADMIRABLY-CONTRIYED DARK TENT, Moderate in Price, and far' superior to any other substitute/or a Dai-k Room, EDWARDS'S REGISTERED NEW MODEL TENT, ManufacttiTed only by W. W. EOTJGH, 180, Strand, London. By meajls of this admii-able contrivance the trouble of worldng the Wet Collodion Process is gi-eatly reduced,— in fact many of the Dry Processes involve fai* more trouble, and it is ^veil-known that the result is greatly inferior. See descriptions affixed to Tent. BUEFIELD and EOUCH continue to manufactme also the -nell-known KBGISTEKED OPERATING CHAMBEK, and also the REGISTERED DARK BOX, both of vrhich are used by hundi-eds of Photogi-aphers. ROUGH'S N:EyW TJIN-IVERS^L O^MER_^, By far the most shtaele Ca.uera for Hot Climates. During the past two years this Insti-ument has been supplied to most of out best Photographers, as well as the various Government Departments, and is acknowledged by all to be the only really light, fii-m, and portable Camera yet devised. It can be made of any size. The same Camera can be used for either short-focus Porthajt or long-focus Lajntscape Leases, It is fitted with a most excellent screw adjustment, thus rendering rack and pinion to Lens unnecessary, and possesses all the ad- vantages of a swing hack. ROUGH'S MODEL "CARTE DE VISITE" CAMERA. In proof of the superiority of the Model " Carte de Visite" and Stereoscopic Camera, it may be stated that, although only recently intro- duced, it is at the present time in daily use at the leading Meti'opoUtan Ateliers. It mil produce, with a pair of Lenses, four (or, if desired, sLx) Carte de Visite Pictm-es on one Plate. It is fitted with a perfect rack-work adjustment, and possesses a range of focus from 3^ inches to 7 inches. The Dark Slide and Focusing Screen have each new and special advantages, the latter being permanently attached to the Camera, so that it is always in its place, and cannot be mislaid or broken. PHOTOGRAPHIC LENSES. BURFIELD and ROUCH are the appointed Agents for the most celebrated Lens Makers, including Ross, Dallmeyer, and Grubh, many of whose productions ai*e known to possess separate and distinct advantages, and having a most intimate knowledge of the same, they will always take care to select only such, as will best fulfil the requirements specified. French Lenses (advertised by many as " own manu- factui-e") at Parisian prices. ROUGH'S NEW REGISTERED PARALLEL INSTANTANEOUS SHUTTER AND SUN SHADE Is acknowledged to be the only really efficient arrangement for taking childi-en, animals, waves, etc. ROUCH^S MODEL OPERATING ROOM. STAND, No studio should be without one of these stands. BURFIELD and ROUCH are manufactm-ing largely the New BINOOIJLAR CAMERA, WITH MOVEABLE OEMAL PARIiliOEi, Combining in one Instrument, at a moderate cost, .all the advantages of a Landscape, Portrait, " Carte de Yisite" and Stereoscopic Camera, and producing the most charming Panoramic Landscapes, 12 specimens of which may be seen'on the Screen next the staircase. No. 263 in the Catalogue, or one will be forw-arded by post, with particulars of esposm-e, collodion, and development, on receipt of 2s. 8d. in postage- stamps. Size of Pictui'e, 74 by 4J, mounted on Plate, India-tinted Paper. Every Photographer ought to possess one of these instruments. COMPLETE SETS OF PHOTOGRAPHIC APPARATUS, WITH EVERT OTHER PHOTOGRAPHIC REQUISITE. IMPORTANT MAH^UFACTURES BY W. W. ROUCH XOKE ARE GESTJIXE UNLESS STAMPED WITH BED LABEL A^T) TRADE JLiRK. NEGATIVE COLLODION, with USUAL lODIZER. NEGATIVE COLLODION, -with CADMIUM lODIZER. NEGATIVE COLLODION, with BROMO -lODIZER. This Col- lodion remains unchanged for a lengthened period, and with an Iron Developer produces the most exquisite results. COLLODION for the FOTHERGILL, TANNIN, and other DRY PROCESSES. NEW EXTRA-SENSITIVE ElEEPING COLLODION, pre- pai-ed especially for Poi*traitm-e and Instantaneous Photography, retains its sensitiveness, and is considerably improved by age. POSITIVE COLLODION, formerly prepared by Mr. Hardwich, late Lecturer on Photography, King's College, London, and Author of " Photographic Chemistry," etc. The above well-known and universally- esteemed Preparations are manufactui-ed by Sir. W. W. ROUCH, and may be obtained as hereto- fore at the Establishment, ISO, Sti-and. The Laboratory, lately occupied by IVIr. Hardwich, and fitted with the most complete appliances, is devoted exclusively to their manufacture. Every sample is tested, and the utmost care is taken to secure perfect uxiformtt. Every bottle is accompanied with a new and comprehensive Paper of Directions. The uniform character, persistence, and absolute purity of these collodions, theii- greatly increased employment by a very lar^ e number of our fij-st Professional and Amateur Photographers, justify the assertion that they cannot be sui-passed; and that, whether for xise in this counti'y or abroad, they will he found to possess, in theii" various combinations, a universal applicability for any of the wet or dry processes. The Collodion Committee {see Photographic Journal, Feb. 15, 1S60), nmnerous correspondents at ho/ne, on the Continent, in India, China^ Amtralia, North and South America, Egypt, PHOTO aRA.F>H:iG INSTRUMENT MAKERS, 121, 132, and 123, NEWGATE-STREET, LONDON, E.G. Illustrated Catalogues in eveiy Branch of Science on Application. J. SOLOMON, FHOTO GRAPHIC "V^^RE H OXJSE, 22, RED LION-SQUARE, LONDON, W.O. Illustrated Catalogues Gratis. P. MEAGHER, PHOTOGRAPHIC APPARATUS MANUFACTURER, 1, COPPICE-ROW, CLERKENWELL, LONDON, E.C. Carte de Visite, Kinnear, and every other form of Camera, with all the Latest Improvements. Illustrated Catalogue sent post-free. ILITTSTEATED GITIDE, Second Edition, to SKAIFE'S TEN-GUINEA PISTOLGEAPH, By which a Lad3' can take -A. BEA.TJTIFXJX. LOCKIET LIKIENESS OF HER B.A.BY, At her ovra residence, in the twinkling of an eye, without staining the tingera. Forwarded on receipt of Thirteen Stamps, addressed to T. SKAIPE, Pistolgraph Depot, 47, Baker-street, London, W. Whiting's Photochemical Cameras (Registered.) W. WHITING and SONS can, with the utmost confidence, recommend these PORTABLE CAMERAS to the notice of Tourists, Amateurs, and Professional Photographers, as by their use first-class Pictures (either positive or negative) can be talien in the field or elsewhere, on wet Collodion Plates, and developed and examined in the open light, without tlie inconvenience and absurdity of being shut up in a dark room, smotliered iu a tent, or of having to^Mt your ]iead in a lag ; and with the especial advantage to the Tourist, that if on examination the negative is found to be im- perfect, others can be then and there taken, until a satisfactory one is obtained, thereby enabling the operator to insure a good Picture before leaving the spot, which, be it observed, can never be the case with the Dry Plate Photo- grapher, who is unable to discover an error until he has left the field, and consequently too late to correct it. At the last meeting of the London Photographic Society, presided over by Peter Le Neve Foster, Esq., it was suggested by Mr. Vernon Heath, that " the future of Landscape Photograpliy would lie in taking small pictures, for the purpose of after enlargement." Now, if this be true, and tlrere are many arguments in its favour, an inspection of these PHOTOCHEMICAL CAMERAS will show that nothing could be better adapted for the purpose. To be obtained, with full instructions for use, only of ^V^. "VST^HITIlSrGh ^ISTjD soists, SURGICAL AND PHILOSOPHICAL INSTRUMENT MAKERS & PHOTOGRAPHERS 28, HIGH-STREET, CAMDEN-TOWN, N.W. NEWMAN'S PHOTOGRAPHIC COLOURS. rOSITIVE COXiOTXRING VA.KNISII, Is. and 2s. 6d. per bottle. For the Non-Inverted Coloured Positives, Is. 6d. and 3s. SIZING I'EEF.i^EA.TIOlSr I^OR SALTED «Sc j^LBXIMENIZED I'.A.I'EK. PHOTOGRAPHIC BRUSHES. N E "\v m: A. N ' s HAEMONIOUS COLOUEINa AS APPLIED TO PHOTOaRAPHS. Price Is. Catalogues and every information may be had at 24, SOHO-SaUARE, LONDON. Second-hand Photographic Lenses and Apparatus. C. BAKER, 244, HIGH HOLBORN, Begs to call the attention of Photographers to his Large Assortment of SECOND-HAND LENSES AND APPARATUS OP ALL KINDS' BY THE MOST ESTEEMED MAKEKS, AT VERY LOW PEICES. N.B.—EYEBT LENS WARRANTED, AND A TRIAL ALLOWED IF WISHED. ARTISTS AMD PHOTOGRAPHERS. CARTES DE VISITE 24 for One Guinea. PHOTOGRAPHIC MINIATURES From One Guinea upwards. Gallery— 179, REGENT-STREET, W. J. H, DALLMEYER, OPTICIAN, (Son-in-Law and PnpiL of the late ANDREW BOSS,) Respectfully begg to call the attention of Photogvaphera and the Public to his several New and Improved Photographic Lenses, as described in the various Photographic Journals. BALLMEfEE'S NEW TMPLE AGHE0MATIG LEHS, (INTEODUCED AUGUST, 1860), Is acknowledged to be the most perfect Lens for Architectural Views, Copying, &o. It reproduces straight marginal lines, gives perfect definition at the centre and margin of the picture, and includes a large angle of view. " In Lenses, tlie Year lias been marked Iiy the introduction of Mr. Dallmeyer's Triple Combination. The dofiui- tion affoi'ded by this Lens in Copying is unexceptionable, and tlie lines are perfectly free from distortion." — See Annual Report of the j\laneliester Pliotographic Society [Uritish Journal of Photoijraphij, Oct. 15, 1861). i^g" For its LANDSCAPE ca|iabilities, reference need only be made to tlie various favourable notices of Mr. Wilson's pictures, taken with the No. 1 Triple Achromatic Lens of 7J in. (equivalent) focus length. The Instanta- neous Views, taken with the same Lens, fidl aperture, on the same size plate, viz., Txiji- prove its rapidity of action. D^LLMEYER'S JSTE'W STEREOSCOPIC EEISTS, (Introduced May, 1860), constructed for Instaxtaxeous Views, Stereoscopic Portraits, Interiors, &c. (free from Dis- tortion). Focal length, 3i in. (iJ^ equivalent). The front Combination can be used alone as an ordinary view lens, in the same mounting. g^ The Instantaneous Views, exhibited in the French Exhibition by MM. Barrier and Soulier, were taken with tlie above Lens. — See Le Moniteur or Photographic News, May 2-1. Also some Instantaneous Views of Paris, by Blr. England, may be seen at 19, Bloomsbuiy- street. DALLWiEYER'S INSTANTANEOUS SHUTTER is desciiljed in the Photographic Journal, January 15, 18C0. Also, another New Shutter, in the same paper, No- vember 15, 1861. DALLMEYEE'S OniCK-AGTIME fORTHAIT LEISSS, (See Catalogue.) Among which may be mentioned No. 1 B, diameter of combinations, 2 in. ; back focus, 4 J in. ; and No. 2 B, diameter of combination 2J in,, hack focus, 6 in., especially constructed for CARTES DB VISITE PORTRAITS, " We have seen these (Carte de Visite) pictures taken almost instantaneously hy a small Lens, made by Mr. Dallmeyer, we believe, specially for this kind of work. — Photographic Journal, August 15, 1861. J^l BINOCXJE-A.R CA^MER^, WITH KACK AND PmiON, OR EKDLESS-SCRE¥ MOYEMEfllTS, Capable of focusing from 3 J to 7 inches. This Camera is very portable, and having a (moveable) central partition, can be used eitlier for Stereoscopic Views, Cartes de Visite, or, when furnished with No. 1 Triple Acliromatic Lens, focus 7 in., for Single Pictures on the full-sized plate, viz., 7| X 4J. J. H. D. is indebted to Mr. Wilson for the suggestion Astronomical Telescopes, (See " Trophy.") MICROSCOPES AND MICROSCOPIC OBJECT GLASSES, &c., &c, (See Class XIV.) Catalogues may be obtained at 19, BLOOMSBURY-STREET, NEW OXFORD-STREET, W.O. FHOTOGRAFHIG APPARATUS. PPIILOSOPHICAL & PHOTOGEAPHIG INSTRUMENT MAKERS, 153, FLEET- STREET, LOHDON, E. C, All the Apparatus supplied by BLAJND and CO. is manufactured under their immediate superintendence, to suit the varied requirements for which it may be intended, and is oi warranied first-class workmanship. BLAND and CO. enumerate a few of their wcll-knoion articles, and respectfully refer to their Illustrated Catalogue (which is sent on application) for a complete list of all Apparatus and Chemicals required in the practice of all brandies of Photography. CAMERAS (Bland and Co's Ordinary) of the Eigid, Sliding Body, Folding and Expanding form combined, for Portraits or Views. CAMERAS (Blaud and Co.'s Special) for Landscape Photograpliy, the Wet or Dry Process, with Bellows or Cloth Bodies of the lightest and most portable construction consistent with strength, CAMERAS (Bland and Co.'s Special) for Carte de Visite Pictures, to take two, four, or eight pictures at one exposure, with short-focus Compound Achromatic Lenses, with Central Stops for use in an operating room of ordinary length. CAMERAS (Bland and Co.'s Special) of the Binocular form for Stereoscopic Pictures, with rising and double-action adjusting fronts for separating Lenses, having short-focus Compound Acliromatic Lenses, witli Central Stops or View Lenses. %* Suited also for Carte de Visite Pictures. CAMERAS, Stereoscopic, on Latimer Clarke's principle. CAMERAS (Bland and Co.'s Special) for Stereoscopic Pictures, of the most portable kind, for use witli any of tlio Dry-plate Processes for Landscape Pliotography. CAMERAS (for Copying) of every form, and adapted to any kind of Lens. CliANGlNG-BOXES. — Bland and Co.'s New Forms for use, with Dry Plates for clianging one or two Plates at one operation. LENSES. — Achromatic Portrait, or View Lenses (Bland and Co.'s warranted), with Central Stops; very rapid in action. LENSES — Achromatic Lsnses, by Ross and other eminent makers, either in stock or obtained to order. TENTS of newest and most portable forms, combining extreme portability with lightness and convenience in use. BATHS for containing Nitrate of Silver Solution, of Glass, Porcelain, or Gutta Perclia, either plain or with water-tiglit tops. GLASS PLATES, Patent Plates for Ner/ativcs, or Flatted Crown for Positives. PLATE BOXES, for holding Wet or Dry Plates, in Metal or Wood. ALBUMENIZED PAPER (Bland and Co.'s), of the finest textm-e and quality, specially prepared for use with the Alkaline Toning Bath, and for Stereoscopic or Carte de Visite Pictures. CAMi5RA S I'ANDS, Rigid and Folding, of eveiy form and variety, for the Operating Room or Field-work. PRINTING FRAMES, Dishes of Glass, Porcelain, or Gutta-percha ; Plate-holders and Cleaners ; Collodion Bottles, Plain or Graduated ; Collodion Frames, &e, CHEMICALS of Absolute Purity, VARNISHES. — Benzoin, Amber, Crystal, and Sffihnee Varnishes for Positive and Negative Pictures. COLLODIONS for Negative, Positive, Dry Process, or Copying purposes. WHOLESALE AlTD RETAIL AGEEJT3 FOE PONTING'S COLLODIONS, Negative and Positive, for Portraits, Landscapes, and Dry Processes. KEENE'S COLLODIONS for Fothergill, Tannin, and other Dry Processes, and for Negative and Positive uses, RAMSDEN'S COLLODION for Positive Pictures. For other Requisites in Photography, see Catalogue, BLAND and CO., 153, Fleet-street, London, E.G. PHOTOGRAPHERS TO THE INTERNAT IONAL EXHIBITION, 1862. To the LONDON STEREOSCOPIC COMPANY. please insert my name in your Suhscription List for a Set of — 'FOJJlEt I*I3:OTOGEA.I>IIIC VIEAVS OF THE OPENING OF THE GREAT INTERNATIONAL EXHIBITION, Pi-ice £1 lE., Or Set of FOUR STEREOSCOPE, 5a. Name • Date Address 54, Cheapside, and 110, Regent-street. Album Poetbaits daily. VOIGTLANDEE'S LENSES. The Reduction of the Import Duty in 1860, combined with the gi'eat economy of labour effected by the erection of improved machineiy, has enabled Messi's. VOIGTLANDER and SON to offer their New Lenses (with the Visual and Chemical Foci coincident) at prices considerably lower than anj' of the best English makers, thus securing to Photographers the most perfect Instrument (eveiy Lens being guaranteed) at the cost of a common one. VOIGTLANDER'S NEW CARTE DE VISITE LENS Is immeasurably superior to all others for its great light and sharpness. Its Pictures, samples of which will be sent on application) are really perfect specimens of the Photographic Art. It is also the best Lens for taking Portraits of Children. DETAILED CATALOGUES MAY BE HAD ON APPLICATION AT CALLAGHAN'S (Sole Agent), 23a, New Bond-street (corner of Conduit-street), London, S.W. Manufactured and Sold, Wholesale and Retail, by FREDERICK J. COX, OPTICIAN, 22, SKINNER-STREET, SNOW-HILL, LONDON, E.G. As Illtjstbated Catalogue sent post-fkee fob Two Stamps. *^* A Descriptive Prospectus may be had of the Attendant in Class 14, containing prices of the Apparatus, and Requisites for the New Processes. PHOTOGRAPHIC MOUJ^^TING AND FRAMING. On and after Monday, the 2nd of June, E. FOX'S Business will be carried on at his New Premises, No. 12, LITTLE BRITAIN, directly facing Lis present address. " I now invite inspection of a variety of specimens I have brought to illustrate my remarks, and add that the bulk of them — all those with the India paper tint — were mounted by Mr. Fox, of Little Britain, whose neatness, skill) and taste, in mounting generally, I can commend in the highest terms." — Lecture on Photograph Mourding, by 0. W. Simpson, Esq., in " Photographic News," Nov. 22, 1861. E, FOX, 75a and 12, Little Britain, London, E.G. SUTTON'S PATENT PANORAMIC LENS AND APPARATUS, 5IANUPACTDKED ONLY BY THOMAS ROSS, 2 & 3 Feaiheksione Buildings, OPTICIA]^, High Holboen, London. The Panoramic Lens gives nearly three times the amount o( subject given by other Lenses, and includes an angle of upwards of 100 degrees on the base line. ROSS'S IMPROVED PORTRAIT, LANDSCAPE, ORTHOGRAPHIC, k STEREOSCOPIC LENSES. EOSS'S ISTEAV SEEIES OF EXTE^-L^RG-E ^I>EETTJ:BE LENSES, SPECIALLY CONSTRtrCTED FOR OAETES DE VISITS POETRAITS. Cameras and all Photographic Requisites kept in stock or made to order. For further particulars see CataloguSg, which may be had on application at 2 t& 3, FE^THEESTONE-BXJILjDINGS, holborn, LONDON, W. 0. 73 ml To all who court the Gay and Festive Scenes, the following are indispensable. H P O O Ph < O Ph H O p=( o M o w <1 p^ « o ( ) P5 o |3 H N r/) Pi < ROWLAND'S MACASSAE OIL la a deligbtfully fragrant and transparent preparation for the Hair ; and as an invigorator and beautiSer beyond all precedent. In dressing the Hair nothing can equal its effect, rendering it so admirably soft that it will lie in any direction, imparting a transcendent lustre, and sustaining it in decorative charm during the heated atmospheie of crowded assemblies. Price 3s. 6d., 7s., Family Bottles (equal to four small), 10s. 6d. ; and double that size, 21s. per bottle, ROWLAND'S KALYDOR Fob the Skin and Complexion. Is unequalled for its rare and inestimable qualities- The radiant bloom it imparts to the Clieek, the softness and delicacj' which it induces of the Hands and Arms, its capabilitv of soothing iiTitation, and removing cutaneous defects, discolorations, and all unsightly appearances, render it INDISPENSABLE TO EVERY TOILET Price 4s. 6d. and 8s. Cd. per bottle. K O "W^ T^J^NU'S 0I30:N'T0 OR PEARL, DEITIFRICE, Compounded of the choicest and most recherche ingTcdieuts of tlie Oriental Herbal, and of inestimable value in Preserving and Beautifying the Teeth, imparting to tliem a pearl-lilie Whiteness, strengthening the Gums, and in rendering the Breath sweet and pure. Price 2s. 9d. per box. Sold by A. EOWLAND and SONS, 20, Hatton-garden, London, and by Chemists and Perfumers. *i* Ask for ■• ROWLANDS' " Article;. SiiKil rai u WHOLESALE PASSE-PAETOUT AND MOUNT MANUFACTUEEES. FRA[\,1ES OF ALL DESCRIPTIONS, SHOW MOUNTS FOE SPECIMENS. SMjjpinr/ Orders executed with punetuality. PHOTOGEAPHS AUD DEAWIITG3 MOUNTED lU EYEEY STYLE. S61, HI&H: HOLBORit^, "W^.C., L O IN" D O IST. ''CAETE DE VISITE^^ POETEAITUEE, 11^9 lii 9 ti3>j9 i^'y u ^>^ i£^ u (Tl Qua <^ Begs to infoiTn his Friends that, in addition to his USUAL STYLES OF F H O T O G-R-A, P H I C F O JR T E .A. I T S HE IS NOW TAKING THE ABOVE. Mr. TVlUiairs still gives his Personal Superintendence to every Sitter. 236, REdBNT-STBEET, W. SOUTHGATE'S SOLID LEATHBE POETMAMTEAUS. LADIES' DRESS AND BONNET TRUNKS. LADIES' WEDDING TRUNKS. LADIES' DRESS IMPERLA.LS.- LADIES' TRAVELLING TRUNKS, LADIES' JAPANNED, ZINC, OR TIN AIR-TIGHT DRESS TRUNKS FOR INDIA, &t. BULLOCK TRUNKS, WITH METAL AIR-TIGHT LININGS. OVERLAND TRUNKS, WITH METAL AIR-TIGHT LININGS. Southgate's New Wide-Opening Carpet and Leather Bags, WITH WIDE SQUARE MOUTHS, TO OPEN THE PULL SIZE OP THE BAG. VEEY CONVENIENT FOE PACKING. SOLID LEATHER PORTMMTEAO, ENAMELLED, HIDE LEATHER BAG, AND MILITARlf AND OTHER TRUNK MANUFACTURER. JOHN SOUTHGATE, 75 & 76, WATLING-STMET, LONDON. MESSRS. BOURQUIN & CO., EXHIBITORS AND MANUFACTUKEES OF The Best Partout and Show Mounts known or seen, ALSO OF THE Elegant Mosaic Albums, and oih&i' Fancy Goods ; ALSO OP ALBUMENIZED PAPER, &c., &c. THE GREATEST VARIETY OP ERA MING ARTICLES. BEST ROLLnSTG PRESSES, jiVRTME]SrT OE THE EXBCIBITION, CLi^-SS 3S. THOMAS NELSON and SONS, London, and aU BookseUera. Mr. HERBERT WAT KINS, One of the earliest manipulators in Collodion Portraiture, respectfully invites an inspection of his Gallery of C elebrities, at 215 , Regent-street. CARTE DE VISITE PORTRAITS Twelve fok One Guinea. Additional Copies , Twenty-five fok One Guinea.