. , https ://arch i ve .org/detai Is/ven icebrideofseaOOki ra * 6RIAT HISTORICAL ROMANTIC SPICTACLI cmyMPiA WILHELNj inv- . \Z<)\ GEO. NEWriES L^.°, Southampton Street &. Exeter Street. Strand RIZINE! RIZINE! RIZINE! Delicious for Puddings, Cakes, Blancmanges, Custards, &c. ASK FOR THE BEAUTIFUL RIZINE DISHES AT THE REFRESHMENT ROOMS AT “■VE3STIOE I3ST LOlSriDOlSr.” WORKS:- 87, BOROUGH HIGH STREET, LONDON, S.E. FACTORY FOVWDED A.D. 1733. WALKDEN’S WRITING AND GOPYING INKS. WALKDEN’S EXTRA BLACK INK. WALKDEN’S BLUE-BLACK WRITING FLUID. WALKDEN’S BLUE-BLACK COPYING FLUID. WALKDEN’S SCARLET INK FOR STEEL PENS. These celebrated Inks are prepared with great care from the purest materials^ and are adapted to the wants of all writers. OF ALL STATIONERS THROUGHOUT GREAT BRI TAIN AND COLONIES. SOLE MANUFACTUBEKS : COOPER, DENNISON, & WALKDEN, LIMITED, 5, 6, & 7, SHOE LANE, LONDON, E.C. LADIES! A brighter picture than a young lady in frosty weather, with her sprightly step and rosy cheeks and flashing eyes, it is impossible to conceive. It implies comfortable clothing, suitable nourishment, and sufficient exercise. Sluggish digestion or insufficient nutriment would spoil all. The blood must be kept coursing briskly through the veins. A little will agree with the most delicate organism, and will make the eye sparkle and the cheek tingle ; whilst tea or coffee, delightful as we confess them to be, would blanch the complexion and disturb the nerves. A young gentleman, trying to explain the secret of success in love matters, broke into verse : we forbear quoting in full, but the refrain was — “BOVRlLi DID IT!” As we cannot expect ladies to be equally communicative on such themes, never till the end of time, mayhap, will it be known how much Bovi^m has aided them in their conquests and completed their triumphs. SALVINE SCIENTIFIC DENTIFRICE. Especially designed by an Eminent London Dental Surgeon after some years patient experiments. NOT ONLY WHITENS BUT ALSO PRESERVES THE TEETH. DECEIT OF THE TEETH is now proved to be caused by combined ACID and PARASITIC influence.” {Extract from Lecture delivered at the Congress of Hygiene). THE Jt./aZVCjET’ reports;— “SALVINE DENTIFRICE a delicately scented paste ... It is perfectly free from injurious elements ... It is A.NT-ACID, ASTRINGENT and ANTI-PARASITIC.” Is.; Is. 6d. and 2s. 6d. SALVINE TOOTH BRUSH, facilitates the ready cleansing of the Teeth in remote positions, Is. SALVINE SCIENTIFIC SOAP For Delicate Skins— The Toilet, Nursery and Bath. CONTAINS EXTRA CREAM Emollient. Soothing. Bland. Very Choice. Purity absolute. Entirely innocent of coloring or extraneous matter. 2s. per Box of STablets. “SALVINE” SHAVING SOAP is. and 2s. 6d. per stick. “ Q A 1 VT wr ” ror A M For the SKIN and COMPLEXION. Affords immediate 1 I V £■ \>lvJLAifl and grateful relief in all Skin Irritation. For Chaps Redness, Roughness, Eruptions, Inflamation, and Eczema, &c Is. 9d. j 3s. 6d. ; 6s. “SALYINE” TOILET POWDER. An Impalpable Dusting Powder. PURE, INNOCUOUS. SOLUBLE, SAFE. Does not obstruct the pores of the Skin. For all toilet and nursery purposes. Is. 6d. ; 3s. & Ss. (White, Pink, Cream.) OIE’ CHEnVEISTS. I FINDLATER, MACKIE & CO., CXiine and Spimt fHePchants, 33, WELLINGTON ST. .STRAND, W.C.;] 219, BROMPTON ROAD. S.W., LONDON. FINDLATER’S WHISKIES are the Grennine ProJaction of the Old-Fashioned Pot-Stills matured and mellowed by Age Only. FINE OLD SCOTCH WHISKEY. Five Years Old. 42s. per doz. "OUR SPECIAL BLEND.” Seven Years Old. 46s. per doz. “OUR GLENLIVEF BLEND.” Ten Years Old. 52s. per doz. BEST OLD IRISH WHISKEY Five Years Old. 42s. per doz. JOHN JAMESON & SON’S. Seven Years Old, 46s. per doz. JOHN JAMESON & SON’S. Ten Years Old. 52s. per doz. One Dozen Carriage Paid to any Railway Station in England. TERMS NET CASH. Country Orders to contain remittance. WIBIDZDIHNrQ- “ So whenever the Missus smashes anything, I just takes my DAVY’S DIAMOND CEMENT and splices the timbers, making them stronger than new. In fact, all our crockery has been broken over and over again, but always in fresh places.” DAVY’S DIAMOND CEMENT can be obtained at any Chemists ; or from the Proprietors, BARCLAY & SONS, LTD., 95, -FJ^JR-RTI^arlDOIs: EOlSTIDOISr^ E-G. Post Free for Is. 2d. Dk. J. COLLIS BROWNE’S CHLORODYNE C UUVj^S, ^OLDS, STHMA, B RONCHITIS. D B J. COLIilS BBOWNE' _ CHLOBODYNE. — Dr. J. C. BROWNE (late Army Medical Staft) DISCOVERED aREMEDYto denote which he coined the word CHLORO- DYNE. Dr. Browne is the SOLE IN- VENTOR, and, as the composition of Chlorodyne cannot possibly he disco- vered by Analysis (^organic substance - defying elimination),and since the for- mulaha s never been published ,it is evi- dent that any statement to the efl'ect that a compound is identical with Dr. Browne’s Chlorodyne must be false. This Caution is necessary, as many persons deceive purchasers by false representation s. bTj. COLLIS BROWNES CHLORODYNE. - Vice Chan cellor Sir W. PAGE WOOD stated publicly in Court that Dr. .T. COI.TJ BROWNEwasUNDOUBTEDLYthe INVENTORof CHLORODYNE.that the whole story of the defendant Free- man was deliberatelv untrue, and he regretted to say it had been sworn to. — See The Times, July I3th, 1864. IS THE GREAT SPECIFIC FOR CHOLERA, D rARRHCEA, DYSENTERY. GENERAL BOARD of HEALTH, London, REPORT that it ACTS as a CHARM,onedose generally sufficient. Dr. GIBBON, Army Medical Staff, Cal- cutta.states: “ 2 DOSES COMPLETE- LY CURED ME of DIARRHOEA.” From Symes & Co., Pharmaceutical Chemists, Simla. Jan. 5, 1880. To J. T. Davenport, London. Dear Sir,— We congratulate you upon the widespread reputation this justly- esteemed medicine has earned for itself all over the East. As a remedy of general utility, we much question whether a better is imported, and we shall be glad to hear of its finding a placein every Anglo-Indian home. The other brands, we are happy to say, are now relegated to the native bazaars, and, judging from their sale, we fancy their sojourn there will be but evanes- cent. We could multiply instances ad infinUum of the extraordinarv efficact of DR. COLLIS BROWNES CHLORODYNE in Diarrhoea and Dysentery, Spasms, Cramps, Neuralgia the Vomiting of Pregnancy, and as a general sedative, that have occurred under our personalobservationduring many years. In Choleraic Diarrhoea, and even in the more terrible forms of Cholera itself, we have witnessed its surprisiii gly controlling power. We have never used any other form of this medicine than Collis Browne's, from a liriu conviction that it is debi- dedly the best., and alsofi oma spnseof duty we owe to the pi ofession and tbe public, as we are of opinion that the substitution of any other than Collis Browne’s is a deliberate breach of fait h on thepart of the chemist to presciiber and patient alike. - W’e are. Sir, faith- fully yours, SYMES A CO. , Members of the P arm. Sncietii of Great Britain, His F.xre.Uencn the Vice/ of s Chemists. 1 ) R. J. COLLIS BROWNE’S CHLOR. DYNE is the TRUE PALLIATIVE in E JE AliGIA, GOUT, CANCER, TOOTii AUTI RH E UM ATISIV! . O R. J. COLLIS BROWNE’. CHLORODYNE is a liquid me- dicine which assuages PAIN of EVERY LIN'D, >.tlords a calm, re- freshitig slet p WI'l HOUT HEAD- A' HE, and INVIGORATES the ner vous svsti m v hen exhausted. D R. J. CO.LLTS BROWNE’S CHLORODYNE rapidly cuts short i'll attacks of E pilepsy, spasms, colic. PALP IT A TIP N . JH t ST E i . I A . I M OR TAN T CAUTTON. -Tie IMMENSE SALE of this REMEDY has given rise to many UNSCRUPU- LOUS IMITATIONS. Be careful to observe Trade Mark. Of all Chemists, Is. l^d., 2s. 9d., and 4s. t d. Sole Manufacturer, J. T. DAVENPORT, 33. Gt.RusseL st.,V/.C. 4 WORKS BY JOHN RUSKIH.^ H^damples of the Atfehiteetupe of Venice. Selected and Drawn to Measurement from the Edifices. With the Text and the Sixteen Plates as originally published. The Plates and Text (unbound), in cloth cover, on atlas folio (about 25 inches by 17J inches), price £-^ 3s. The Stones of Venice. A New and Complete Edition (imperial 8voi in 3 Vols. With the 53 Plates and all the Woodcuts and Text as originally issued, gs. Cloth. A History of the rise, prosperity, and decline of Venice, as manifested in the architecture of the City. The Stones of Venice. Selections for Use of Travellers in Venice and Verona. In 2 vols., small post 8vo, cloth, 5s. each. Fourth Edition. St. mark’s l^est. The History of Venice. Written for the help of the few Travellers who still care for her Monuments. i2mo, complete in cloth, 6s. Guide to Pictures in the Picademy of pine Rvts, Venice. New complete Edition, revised and corrected. In one part, is., 8vo. fllopnings in plopence. Being Simple Studies of Christian Art for English Travellers. Third Edition, cloth, 4s. J^oadside Songs of Tuscany. Translated and Illustrated by Francesca Alexander, and Edited by John Ruskin. With articles by Mr. Ruskin on Domestic Usefulness, the Virtues necessary to Sainthood, the Priest’s Office and Gipsy Characcer, &c. ; also Preface and Editorial Notes. In Ten Parts, each containing Two Illustrations by the Platinotype Process, from Draw- ings by Miss Alexander 7s., each Part ; or the Complete Work, in cloth, £^ los., medium 4to. GEORGE ALLEN, Orpington; and 8, Bell Yard, Temple Bar, London. ESTABLISHED 1784. PERFECT PURITY GUARANTEED, OLD BUSHMILLS N Pure Malt Whiskey Is the only Imsh LClhiskey sold at the bat^s of “ Venice in Liondon” Awarded the only Gold Medal for Whiskey, Paris EMiibition, i88g. The OLD BUSHMILLS DISTILLERY CO., Ltd., DISTILLERY, BUSHMILLS, CO. ANTRIM. London Agency and Depot — 3, CAMOMILE ST., E.C. ENTRAWCE TO MODERN VENICE. LAMBERT & BUTLER'S FlflEST SMOKING TOBACCOS ORIGINAL ❖ PRIZE ❖ MEDALISTS London, 1851. Paris, 1855. London, 1873. May Blossom, Jessamine, Prize Medal Bird’s-Eye, Sun-Dried Honey Dew, Gold Flake, Golden Valley, Waverley, Mixture, Navy, Cut, Garrick, etc.. Are now supplied in Patent Air-tight Self-fixing Tins and Packets, bearing ou Name and Trade Mark. Of all respectable Tobacconists and Dealers throughout the United Kingdom and Colonies. UmillEIIT i ilLEII. LONDON. To be obtained at all Refreshment Bars at this Exhibition. CADBURYS COCOA ABSOLUTELY PURE THEREFORE BEST ! The laie editor of the Sanitary Rc vu’w, w riting on “ 1 he Consumption of Cocoa,’’ warns the public against the tise of foreign cocoas containing alkali, and makes the lollowinsr allusion to the him of Cadbury Brothers ; — “ It is the aim and practice of this famous hrm to send out cocoa absolutely pure, of the highest quality which art will permit.” TTo o,H:Envrxa.A.2i,s xjsbx). THE ONLY COCOA & CHOCOLATE SOLD AT OLYMPIA IS CADBURY’S. II W. CLARKSON, COURT COSTUMIER, PERRUQUIER AND HAIRDRESSER, BY SPECIAL APPOINTMENT TO HER MAJESTY. COSTUMES, WIGS, AND EVERY REQUISITE ON HIRE OR PURCHASE. Special Care given to Accuracy and Originality. Nett Cash Prices charged. CLARKSON’S Lillie Powder, i/6 per box. Rouge, i/-. Golden Fluid, 3/- By Post, 2d. extra. MASKS OF ALL DESCRIPTIONS. DOMINOS. COMPETENT ASSISTANTS SENT WITH COSTUMES, SCENERY, LIME-LIGHT, FIT-UPS, and every requisite for effectively mounting Amateur Performances, Tableaux- Vivants, Living Chess, &c. CATALOGUES FREE. ESTIMATES GIVEN. Costume & Wig by W'. Clarkson. 45 & 44, WELLINGTON 8T., STRAND, LONDON, & ZDiENra?, Watchmakers to the Admiralty, the Shah, and Court of Persia, &c., 106, CHEAPSIDE, LONDON, E.C. Gold Medal ENGLISH LEVERS. Gold Medal ENGLISH LEVERS. Very massive 18 ct. GOLD ENGLISH LEVER WATCH, Demi Hunter Cases, fully Jewelled, best quality movement, 5 years’ warranty, £25. Specialities —OtQnt’s or Lady’s Silver Horizontal Watch, Jewelled, &c., 3 years warranty, 30/- CELEBRATED GOLD MEDAL ENGLISH LEVERS IN STERLING SILVER CASES, FROM 75/- UPWARDS. AGENTS WANTED to form Clubs. Write for terms, and large Illustrated Catalogue, to KENDAL & DENT, 106, Cheapside, London, E.C. Gold Medal, Paris International Exhibition. 12 NO OUTRAGEOUS NAMES, OR PRICES, BUT CEYLON TEA (PURE AND SIMPLE), PER I OUR OWN POUND, J„/0 PACKING. Compare it with that sold in Fancy Packets, with Fancy Names, at nearly double the Price. 1-lb- Sample, free by Post including Wraps, for Is- 9d ; 2 i Ibs- net., 4s- 3d- 5 lbs-» 7s- 6d- j lbs-i 10s. 9d- No Charge for Carriage of Parcels of 10 Ibs. and over in England, or for Plain Tin Canisters. For early Breakfasts we recommend the Siftings of Choice Fine Black Teas, Is. and Is- 2 d. per lb. Ready for use as soon as made. Also the French Coffee, Is. per lb. Tin— a Luxury no longer unknown. See that you have none other, since there are many base imitations. 2 Tb. Sample Tins, free by post, for 2 s. 6d. to all post towns in England. Remittances to be crossed “ National Provincial Bank.” Postal Orders, from is. 6d. to los. 6d. may now be had for id. from all Post Offices, and may be crossed same as cheques for protection. (THE ORIGINAL). Established in the Last Century, 1797, ^ 2 74, REGENT CIRCUS, W. 61, Bishopsgate Street, City, E.C. ; 102, Westbourne Grove, W. ; 67, Brixton Road, S.W. 42, Great Titchfield Street, W. ; BR!GHT 0 N:~i 47 > North Street, & 75, East Street.; HOVE:— 60, Church Road. DEWAR’S PERTH WHISKY. The only Scotch Whisky sold at Olympia. loQiioiioniGes; I 8 , iipiE sv, eg. VENICE THE BRIDE OF THE SEA. A GRAND HISTORIC AND ROMANTIC SPECTACLE AND AOUATIC PAGEANT. IMRE K1 RALEY, Author and Producer of NERO, COLUMBUS, BABYLON, ETC., ETC. PUBLISHED BY GEORGE NEWNES, LIMITED, SOUTHAMPTON STREET AND EXETER STREET, STRAND, LONDON, W.C. COPYRIGHTED BY IMRE KIRALFY. H The Pure Water Co, ltd, ARE SOLE C0KTRAGT0R8 FOR AERATED WATERS VENI CE IN LO NDON. ORANGE CHAMPAGNE, KOLA CHAMPAGNE, KOLA TONIC, AND GINGER PUNCH 03ST S^XjE TKE B-A.es. Ask for HOT DRIMKS at the Temperance Bar. NOTICE TO ADVERTISERS. * All communications respectin ADVERTISING MATTERS of any kind in connection with “ Venice at Olympia ’’ must be addressed to Mr. JOHN HART, Advertising Agent and Contractor, 17 & 18, street, STRAND, LONDON. W.C. IMRE KIRALFY pom Wl)o suffer I nJ DIGESTION. ' p General Debiliby . Los s OF Appetite. Dys{ae^sia . Liver Complaint. NerVons Headach es. ■ lOUSNE SS. (^ostiA^eness. Should use Camomile in its most convenient Form, [K • 6) VIZ (p noctons-Camomile-pi lls Trade REGISTERED. NORTON’S! Mark. Sold everywhere, price 13^d., 2s. 9d. & lls. INTRODUCTORY. N my childhood’s days Venice was well known to me from frequent residences there, and the spell that the erstwhile Queen of the Adriatic cast over me has never been charmed away by contact with more modern or pretentious cities. The general surroundings, the silence of the streets of water, the exquisite tone of the noble buildings, so dear to the artistic eye, the historic and legendary associations, the very movements and liquid accents of the inhabitants had, and still have, an indescribable charm for me. So strong was the glamour, that it has always been my ambition to present to the public a spectacle which should have for its foundation some stirring incident in the remarkable history of what was once the centre of European commerce and civilization, combined with a realistic reproduction, on a somewhat reduced scale, of the City itself. i8 In all my travels and sojournings throughout the world, I never, until I saw Olympia, beheld an edifice that I could deem suitable for the production of such a spectacle ; and my association with Olympia, in con- nection with my production of “ Nero” there in i88g, convinced me that at last I had found a structure that would answer all my requirements. It was not, however, until July last that I seriously turned my attention to what I had long determined should be my chef d' oeuvre. To think was to act, and within the short space of six months the stupendous work has been created, elaborated, and perfected. Many and frequent visits of late to Venice have stilkmore impressed on my mind the beauties which now remain of her ancient grandeur, and these I have endeavoured faithfidly to reproduce in our Modern Venice at Olympia.” Here is an exact copy — true to scale, a fac-simile in colouring — of Venice of to-day ; her bridges, buildings, streets and canals are accurately copied, even to the fact of her watery highways having Venetian gondolas floating on them, steered and propelled by expert native gondoliers, who here ply their vocation in the same manner as they have been accustomed to do on the palace-lined canals of their home. It would seem bombastic were I here to recount all the enormous difficulties that had to be overcome, in order to bring within one covered edifice so vast an undertaking, for it has been practically the building of a city ; not an ideal city, but a city that is now replete with life and activity, a city of the living, not of the dead. As usual, before commencing the construction of ig one of my historic spectacles, I made myself thoroughly acquainted with the history of the country with which I proposed to deal, and in the pursuit of my studies I found that the epoch of the Chioggian wars was not only most suitable for the purpose of spectacular production, but that it contained exceptionally strong situations. This period was one of the most remarkable and in- teresting in the history of Venice, for she then passed through her greatest crisis, and emerged from these wars weakened and crippled in forces, it is true, but covered with glory arising from some of her most famous naval and military victories. The period of 1378 to 1380 was truly a remarkable one. Beset by powerful foes, Venice seemed doomed, but the spirit of patriotism was strong, and when an appeal was made to the citizens for men to fight for the preservation of their city, it was found that every man who was capable of bearing arms had subscribed his name as being willing and ready to fight for his country. Nay, more than that, when it was found that the public treasury needed replenishing, being depleted by pro- tracted campaigns, the women of every class brought their last jewels to the public coffers. Still more noticeable was this period on account of the three great heroes who lived contemporaneously, namely the Doge, Andrea Contarini, who, at the advanced age of 72, fired by the wonderful result of his appeal to the citizens, in person led them to battle and victory; Vettore Pisani, one of the bravest and most successful Admirals Venice ever boasted of, and Carlo Zeno, their brave and renowned General. Having decided to select this period as the date of my historic spectacle, my next care was to find some 20 romantic story which could be advantageously inter- woven with the historic truths. Where could I better turn than to the pages of the greatest poet the world has ever produced — England’s immortal vShakespeare. And what story so fitting as the one so exquisitely told in his sublime play of the “ The Merchant of Venice.” But before I could positively decide that I might consistently combine this beautiful romance with the stern facts of history, I made a careful collation of all the authorities on Shakespeare, as well as a study of the sources from whence he drew the story. To my intense delight I found that not only was there not anything incongruous, but that everything tended to make my selection as happy as I could possibly desire. Having thus the materials for my story ready, I set to work to elaborate and construct the spectacle with an earnest enthusiasm ; an enthusiasm such as never fired me in any of my previous labours, and I leave it to a discerning and appreciative British public to judge my work, and trust that it will be as well received as was my first production in England — “ Nero.” IMRE KIRALFY. London, yth December^ i8gi. 21 DRAM/^TIS PERSONS. 3 — -•>- Andrea Contarini Vettore Pisani Carlo Zeno Michealo Steno Taddeo Giusiniani Pietro Mocenigo Gasparo Spinola Antonio Bassanio ^ Lorenzo I Gratiano J Marino Corbano Matteo Faseolo Giuseppe and Giovanni Shylock Tubal A Notary. Valentina Visconti Portia Nerissa Jessica Bianca Doge of Venice. Admiral of the Fleet. Captain-General. A Venetian Noble. Captain-General. Secretary to the Doge. A Genoese General. A Venetian Merchant. His Friends. An old Seaman and Patriot. A Townsman of Chioggia. His Sons. A Money Lender. His Friend. A Gaoler. Bride of Pietro II. of Cyprus. A Wealthy Heiress. Companion to Portia. ShylocFs Daughter. Corbano's Daughter. Venetian, Genoese, Paduan, Dalmatian, and Greek Soldiers, and Mercenaries. Nobles, Citizens, Pages, Artizans and Labourers, etc., etc., etc 22 The following EMINENT MASTERS of their respective arts have assisted in the Spectacular Production of this MASTERLY CREATION OF IMRE K I RALEY, ENTITLED VENICE: The Bfide of the Sea. The Music Specially Composed by Signor ANG-ELO VENANZI. Composer of the Charming Music of Imre Kiralfy’s Nero, Columbus, etc. The Italian Poetry and Words of Songs by Signor ANGELO BIGNOTTI. Costumes and Accessories Specially Designed by WILHELM, To whom the Author is indebted for some valuable suggestions. The Scenery Designed and Painted by MM. AMABLE & GARDY. Stage and Choreographic Director Signor ETTORE COPPINI. Musical Leader and Vocal Conductor Sig. B. LOMBARDI. Stage Mechanism and General Illuiminations under the Direction of Mr. W. A. BOND. The Structures in MODERN VENICE Erected by the Following Firms : TEE PLASTIC DEOOPATIOE CO., Messrs. J. & E. BEOWN, Mens. ALBIEET, Signor CASANOVA, and Signor ALBEETI. The Interior Decorations of the Cafe Rialto and Royal Box BY THE LIGNOMUE CO. 23 The Architectural Work under the Direction of Mr. WILSON BENNISON. The Male Costumes and Accessories by Mons. EDMOND LANDOLFP. The Ladies’ Costumes Executed by Miss FISHER. The Costumes of the Carnival Ballet and Aquatic Pageant OF THE Seasons by Mons. ALIAS. The Costumes of the Rainbow Effect by Messrs. J. SIMMONS & SON. Cartonage, Statuary and Sculpture of the entire Spectacle by Mons. CHARLES HALLE. The Venetian Illuminating Effects and Grand Finale by RANCATI & CO. The Wigs by CLARKSON. The Stained Glass by Mr. EDWARD FRAMPTON. The Peal of Bells by Messrs. HABBINGTON, LATHOM & CO, THIS ENTIRE GIGANTIC PRODUCTION, CONCEIVED, CREATED AND DESIGNED BY IMEE KIEALPY, AND PRODUCED UNDER HIS PERSONAL DIRECTION AND SUPERVISION. IMRE KIRALFY, LIMITED, COMMITTEE OF MANAGEMENT JOSEPH LYONS, ESQ. (Chairman) JOHN HART, ESQ. MONTAGUE GLUCKSTEIN, ESQ. HAROLD HARTLEY, ESQ. Secretary a/7flf 7reaswrer.—H ER MAN HART ESQ. 2 MELTONIAN BLACKING (>ls used in the Royal Household.) Eenders the Boots Soft, Durable, and Waterproof. MELTONIAN CREAM (White or Black.) Cannot be Equalled for Renovating all kinds of Glac6 Kid Boots & Shoes. ROYAL LUTETIAN CREAM. The best for Cleaning aud Polishing Russian and Brown Leather Boots, Tennis Shoes. &c. 7, GARRICK STREET, LONDON, W.C., AND AT 26, RUE BERGERE, PARIS. BOOT PKEPABATI0N8 FOLD EVERYWT^F.'^'R’.. NONPAREIL DE GUICHE Parisian Polish For Dress Boots and Shoes is more elastic and easier to use thananj- other. NfVTIONAL PROVIDENT I NSTITUTION Invesl-ed Funds, ^4,500,000. Profils Divided, ^-4,000,000 Paid in Ciaims, £ 8,000,000. ALLTHE PROFITS ARE divided: AMONGST the ASSURED For Mutual Life Assurance. The ne\l‘ Division of Profit's wiil be made'as af SO!'!? Nov. 189Z, and all now assuring; will parhcipahe. Arthur Smithen Actuary 8cSecreta(y,48,Gracechurch StLondon.E.C. HOOPER & CO. BY APPOINTMENT TO HER MAJESTY THE QUEEN. H.I.M. THE EMPEROR OP GERMANY. H.R.H. THE PRINCE OP WALES, K.G. H.R.H. THE DUKE OF EDINBURGH, K.G. | H.R.H. THE PRINCESS LOUISE. H.R.H. THE DUKE OF CONNAUGHT, K.G. | H R.H. THE DUCHESS OF ALBANY. H.R.H. THE DUKE OP CAMBRIDGE, K.G. 107, VICTORIA STREET, LONDON, S.W. “SWIFT & “ CLUB CYCLES. THE MOST POPULAR AND HIGH-CLASS MACHINES. THE “SWIFT ” SAFETY HOLDS OYER 270 RECORDS. Sole Manufacturers by Special Appointment To H.R.H. THE PRINCE OF WALES. COVENTRY MACHINISTS CO. Ltd., 15 Sz le, LOisri:>o isr. Works-COVENTRY. Any Machine supplied on gradual payments. Illustrated Catalogues free by post. 28 ^'GENERAL SYNOPSIS-^ OF SCENES & INCIDENTS OF THE GEE AT SPECTACLE. ACT I. SCENE I. A Public Place before Arsenal of Venice, A.D., 1378. Grand Chorus of Artizans. Victorious Procession. Reburn of Pisani. Ceremony of the Launch of “The Adriatica.” Valentina’s Imposing Departure from Venezia la Bella. mimic Hattie upon the RpEene^l Bmdge. SCENE II, Portia’s Palatial I(onie. Terpsichorean Revels. Reception of the Suitors. The Ordeal of the Caskets. The Triumph of Love. The Departure for Venice. SCENE III. Grand View of the Plazzetta San Ufarco. Approaching Trial of the Merchant. Bianca, the Mad Girl. Result of the T rial. GRAND AQUATIC CARNIVAL BALLET INVEN'IED, DESIGNED, AND PRODUCED BY IMRE KIRALFY. 1 , ENTRANCE OF MASKERS by the Grande Corps de Ballet. 2 , DANGS OF MUSICAL BELLS by the 32 Secondes danscuses. 3 , GREAT XYLOPHONE DANCE by 32 BalUnere distincie. 4 , SUPERB MARINE BALABILETTO by 350 dansmses. Peal of Alarm from the Bells of the Campanile. Nows of the Fall of Chioggia. The deliverance of Admiral Pisani from Prison. Doge Contarini’s Promise to Lead the Venetians to Victory. Blessing the Banner of St. Mark. Departure for the Final Struggle. INTERVAL OF FIFTEEN MINUTES. 29 ACT II. SCENE I. The Fortress of Cl|ioggia. The Genoese Bivouac. Military Dances. Approach of the Venetian Fleet. View of a Naval encounter and Genoese Victory. General Rejoicing and Military Fete. The Approach of Zeno’s Fleet. The Last Defence of the Genoese. STORMING OF CHIOGGIA AND TRIUMPH OF THE VENETIANS. SCENE n. Tljo Island of Lido. Aquatic Games, Sports and Tournaments. MAJESTIC AQUATIC PAGEANT And Return of the Victors. Impressive Ceremony of the Marriage of the Adriatic. Ancient Venetian Regatta. Realistic Gondola Races. SCENE III. Terrace near Portia’s Palace. THE GRANDEST SCENIC REPRESENTATION EVER PRESENTED. Grand Banquet given to the Conquerors. Departure of the Liberated Genoese Captives. Enchanting Ballet of the Triumph of Love. Bewitching Divertissement— Morning, Noon, Evening, Night. TERMINATING WITH A MOST GORGEOUS ILLUMINATED AL FRESCO FETE. Hessrs. J, LYONS & CO., LIMITED, Having been entrusted with the supply of the ^ REFRESHMENTS ^ to ‘‘ Venice in London,” have the honor to inform the Public that recherche liOHCHEOtlS 8t will be served daily at popular prices in the magnificent Venetian Dining and Grill Rooms. Tables for Luncheons and Dinners maybe retained by Wire or Telephone. Telephone No. : — 8675. Telegraphic Address : — “ LYONS, OLYMPIA.” In the FINE ART TEA ROOM an excellent T B A, L CONSISTING OF A Pot of Fresh-made Tea, Bread and Butter, and Cake, WILL BE SERVED AT SIXPENCE PER HEAD. ARGUMENT. ACT I. Scene I. THE ARSENAL OF VENICE. A.D 1378. HE opening displays an animated scene in the Venetian Arsenal, where the numerous work-people, who have been employed in building ‘‘The Adriatica,” are making great preparations for a national I holiday on the completion of their work The final j touches are being given to the vessel, and each department is using every endeavour to be the first to complete its share of the work. 32 Male Chorus. Come, haste, our task is nearly done, Su presto ; I’opra — e omai finita ; Cessano I’ansie — cessa il lavor. Su batti; batti — che il ferro incita Con nova vita — novo valor. Uomini. And all the work now joins in one. Strike, strike upon the iron glowing. Swift through our veins new life is flowing. Female Chorus. Donne. winds howl ; When pirates round, like sea-wolves. prowl ; Sail on, proud bark, all dangers scorn. Sail on, through night to breezy morn. When tossed by waves, when wild In mezzo all’onda, — in mezzo al mare Di sponda in sponda — di cielo in ciel. Da mane a sera — dovrai vogare Placida, altera — nave fedel. United Chorus. Tutti. Our songs of joy will reach the sky, Strike ! ’neath your blows the anvils ring- steady ! keep time with measured swing. Su batti ; all’opra — presto il lavoro Gagliardo e fiero — dovra finir ; E s’alzi all’etra — di festa un coro ; Venezia libera — potra — gioir. And “ Venice Free ” shall be our cry. A general rejoicing takes place, the ship being nearly ready for the launch. Bassanio, Lorenzo, and Gratiano enter and meet their friend Antonio. Antonio is ill at ease, having all his fortune embarked on the sea ; and has just received bad news concerning one of his ships. Bassanio confesses that he has impoverished himself, and that he owes much to Antonio ; and, acknowledging his love for Portia, a wealthy lady of Belmont, asks Antonio to once more assist him, so that he may present himself in a fitting manner to equal the other suitors for Portia’s hand. Antonio, rich merchant as he is, again explains that he has all his fortunes embarked at sea, and cannot himself provide the money his friend needs, but that his credit is at his friend’s disposal. Shylock, a money-lender of Venice, passing, is applied to by Bassanio for the loan of three thousand ducats, for the repayment of which Antonio is willing 35 to be surety. After some apparent hesitation, Shylock agrees to lend the money required, but, to the surprise of all, offers it without interest. The proposal, however, has a condition, which is that Antonio, as surety, shall, in a merry sport,” sign a bond, stipulating that a pound of his flesh shall be cut off by Shylock if the money be not paid within the time agreed upon. Bassanio declares that he would rather dwell in his necessity than his friend should seal such a bond for him, and place his life in such jeopardy. But Antonio, confident of his ability to repay the money within the time, over-rules his objections. A Notary is summoned to prepare the bond, the requisite instructions are given him, and the party then proceed to his office to sign the document. Shylock, in high glee, for his proposal to lend the money without interest is hut a scheme to get Antonio into his power, rubs his hands, and congratulates himself on the opportunity he has of feeding the ancient grudge he bears Antonio. While these negotiations are in progress, Jessica, Shylock’s daughter, is seen handing a letter to her father’s servant, to be delivered by him to Lorenzo, who is in love with her. She returns his passion, and in this letter is agreeing to elope with him. She re- enters the house, and from a window sees the servant call Lorenzo aside, just as he is going with Antonio and the others to the Notary’s, and gives him the letter. Lorenzo reads it and is delighted, and, following his friends, throws kisses to Jessica at her window. The action now changes, and the Venetian Admiral, Pisano, who has just achieved a great sea- 36 victory over the Genoese Admiral, Luigi Fieschi, in which he captured five vessels and a large number of prisoners, including Fieschi himself, and the flower of the Genoese nobility, returns to Venice, and a GRAND TRIUMPHAL PROCESSION appears. The work-people, excited and flushed with the victory, rush tumultuously to see the pageant, and the populace accord a welcome to the conquering heroes worthy of the deeds done. The work on the Ship being now completed, the consummation of all the toil is attained by the “LAUNCH OF ADRIATICA,” which takes place amidst general rejoicings. This Launch is looked upon as a great event, for it is confi- dently anticipated that the supremacy of Venice will be well and worthily sustained by this important addition to their already powerful fleet. The assembled citizens unite in a (i)ti77ing Proud vessel, glide unto the sea, And safely ride the dashing foam. Far, far to other shores may she In all her strength and beauty roam. The helmsman sings a song of pride To greet thee, challenge thrown to fate. Dolphins shall play around thy side. Sea nymphs thy victories relate. ©fi07Ux^>, Scendi in mar e via per I’onda Voga, voga ad altri lidi ; Lieta a flutti va e confidi La tua forza e il tuo poter. Scendi in mar, sfida gioconda Gitta ai torbidi destini ; Va, fra najadi e delfini Sposa canto abil nocchicr. 37 Noble bark, tbou art our glory ! To Venice thou wilt honour brin-g Distant nations hear the story, How of “ Venice free ” we sing. Salve, della repubblica Vanto ed onor sei tu. Canta ai lontani popoli Dell’ Adria le virtu. Noble bark, bear forth our standard Flutt’ring proudly in the breeze. Venice, by her fleet defended. Rules supreme on all the seas. Or di Venezia libera Narra qual sia il valor. Voga ; della repubblica Gloria sei tu ed onor. THE ADIEU OF TAIEHTINA TO YE8ICE is made in the midst of the nobility and wealth of the City. Valentina, the lovely daughter of the proud Visconti, is embarking to meet with her royal betrothed, Peter II. , of Cyprus. The departure is signalised with marked honors by the Venetian Government, and Valentina is escorted to her royal and luxurious state barge by Admiral Pisani himself, and representatives of the leading noble families of Venice. Special guards and a brilliant retinue of gaily clad pages accompany the bride elect to her new home. A tearful leave-taking casts a slight gloom over the brilliant party, but under sunny skies, and in such a gay scene, tears soon give place to happy looks, and amidst the good wishes and congratulations of her friends, Valentina bids farewell to her native city. Shylock now appears at the threshold of his house and gives Jessica his keys, as he is going out, and knowing that the night will be devoted to festivities, he strictly enjoins her not to show herself at the windows, or to leave the house, after which he departs. Lorenzo, accompanied by a few friends, approaches Shylock’s house. He calls, and Jessica appears at a window, and after handing him a casket of Jewels 38 goes off with Lorenzo and his friends in the Gondola to be married. Darkness has long since fallen, but the closing of the people’s gaieties and revels culminates in a night’s festive sports. Two rival factions, Castelani and Nocolotti, are represented by volunteers, and they engage in a Znimic Battle on tt^e 2lrsenal Bribge, in the course of which, many of the contestants are hurled from the bridge into the water below. The object in this mock combat being to effect a cross- ing of the bridge over the prostrate bodies of opponents. The vanquished party, annoyed at their defeat, recommence hostilities, but not in the same spirit, and the Mimic Battle speedily turns into a real, and very fierce one, which is only ended by the Military Authorities separating the now enraged contestants. Whilst all this has been going on Shylock returns, and finds that his daughter has fled, taking with her a very considerable portion of his wealth. He frantically seizes a torch, and, half maddened at the loss of his -wealth and his daughter, forces his way into the midst of the revellers. At the same time a festive party, re- turning from a Banquet, join the crowd, and continue their festivities with the populace. 39 Scene II. PALATIAL HOME OF PORTIA. The friends and attendants of the lovely Portia, amongst whom are the newly married Lorenzo and Jessica, assemble at her Villa at Belmont, where the magnificence of the surroundings rival the brilliancy of a regal Court. Her beauty, goodness and virtues are extolled in a MAIDEN’S CHORUS. Fair maiden, pure and mild — with love thou hast beguiled, All those who scan thy face — thou dame of noble race. As fair as rose new born — just burst- ing forth at morn. Thy virtues are a charm — to shield thee from all harm. Soon wilt thou feel love’s dart — im- planted in thy heart. But healed with lover’s kiss — thou’lt prove all earthly bliss. O mesta vergine — bella e gentile Come una rosa — nata in aprile ; Dagli occhi belli — piove I’incanto Placido e santo — d’un casto amor. Le tue virtudi — la tua dolcezza Come carezza — scende a ogni cor. With a brilliant escort, the swarthy Prince of Morocco comes to swell the already large number of those who have been attracted to Belmont by the fame of Portia’s beauty and wealth. The charms of the fair hostess have evidently not been exaggerated to him, and he is captivated by his reception. Quickly following him comes the Prince of Arragon, a proud Spaniard, who arrives with an imposing retinue, befitting his high rank. Dazzled by the pomp and splendour around him as well as by the graces of Portia, he, like all the others, is a willing victim to love. 40 Last among the arrivals is Bassanio, who, en- riched with the ducats lent by Shylock, under Antonio’s bond, comes in a style worthy of the occasion. Portia and Bassanio had met before, and the favourable impression he had then made upon her heart had been a lasting one, as is evinced by the warmth of his reception. To entertain her guests Portia has made arrange- ments for a dance, and at a signal given by her all the maidens present join in TERPSICHORE’S REVELS. The dance ended, Portia relates the story of her father’s will, by which she is debarred from making her own selection of a husband. She must marry the suitor who is fortunate enough to select the casket which contains her portrait, there being three caskets, one each of gold, silver, and lead. The terms upon which selection is made are hard, compelling the suitor who selects the wrong one to depart instantly, never to divulge the secret of the casket he had chosen ; and “ Never to speak to lady afterward in way of marriage.” When all the suitors for the hand of their beautiful entertainer had assented to these conditions, and while the air resounds with the melodies of his native land, sung by sweet-voiced girls, the Prince of Morocco, hopeful and courageous, proceeds to make his selection of one of the caskets which shall bring him joy, or despair. ' V' '-'i '. 43 All that glitters may not be gold, So says a proverb, ’tis true though d. This proverb truly may have a charm. Oh, Prince, beware, beware. To shield thee from 11, to save from harm. Oh, Prince, take care. Quel ch’ e lucente — non e tutt’or, Proverbio e questo— in uso ancor Proverbio strano — che a un talismano Virtude ha ugual. Oh ! Guarda ! Principe ; ti adesca il vano Baglior del mal. Hidden from the gaze of the other suitors he chooses the casket of gold, and then pauses for an instant to summon his resolution to calmly abide the result. He unlocks the casket, raises its lid and is horror-stricken at the contents. He sees that he was unfortunate in his choice, and bows his respectful adieu to Portia as he retires from her presence. The Prince of Arragon, the flower of Spanish clnvalry, is the next to take the step which shall bring to his heart happiness or misery, and the gentle maidens seek to inspire him by singing the melodies of his own romantic land. Behold ! who comes his fate to learn Of Spain, the hope and pride. ’Twixt love and war in that fair land Swiftly the days do glide. The Andalusian beauties dark On thee their smiles do bend ; May fortune good thy portion be, And joy thy steps attend. Ecco il principe cortese D’Aragona giunto, or, or . E la Spagna il bel paese Della guerra e dell’amor. L’Andalusa ardita e bruna Ti sorride, o giovin Sir . T’ accompagna la fortuna I Coir ardente tuo desir During this song he makes his choice and opens the casket of silver to find in it only disappointment for his fondest dreams. He sadly bids farewell to all, and retires with his impressive escort. Now comes the poor, brave, and hopeful Venetian youth, Bassanio, who has long adored the lovely Portia. With trepidation he approaches the recess which hides the caskets from view. He pauses, and then raising the cover of the leaden receptacle of his 44 future fate for joy or sorrow, a vision of ecstacy meets his gaze in the picture of her in whom all his blissful hopes are centred. His most extravagant dream of happiness is to be realized, and overcome by his emotions he kneels before the portrait of his idol in a whirl of bewildering delight. We see every hour — love’s wonderful power, None can escape his dart. Of young and of old — the story is told, Love’s arrows pierce the heart. Both humble and great all share the same fate. Portia now greets him with effusion and he claims her as his bride. Gratiano and Nerissa request to have their affec- tions sealed in matrimony. Gratiano explains that Nerissa had promised to be his bride if Bassanio is successful in his choice. Portia joyfully assents, and Gratiano also expresses his approval. Portia and Nerissa each place on their lover’s finger a ring, and extract the promise that the ring will never be parted with while life remains. This scene of joy is interrupted by the sudden arrival of a gondola which brings a hurried messenger from Antonio with tidings of his perilous position. His ships have been delayed at sea and, he is, con- sequently, unable to meet his obligations to Shylock, who now demands his bond. While Bassanio is reading this intelligence, Portia, his fair intended, perceives his agitation, and on her entreaty, he hands the letter to her. Portia on reading it urges his instant departure, no time is to be lost, the friend must be Salve d’amore — bel vincitore ; Tu vittorioso alter Voile il destin— forte, divin Che il gaudio ed il mister Ti scendessero in core —bel vincitore. 45 rescued; and bidding his love a hasty farewell, himself and companions depart to plan the rescue of Antonio. Portia now places Jessica and Lorenzo in charge of her household, while she orders her barge to be prepared for a journey. Meanwhile, Nerissa brings some legal robes for their disguise. Portia is already aboard her barge anxiously awaiting her return, which is followed by their immediate departure for Venice. Scene III. Attention is now directed to the THH PiflZZETTA SR^ mR^CO. A throng of people are hovering between anxiety and expectation caused by the APPROACHING TRIAL OF THE MERCHANT. Contarini, the aged and noble DOGE OF VENICE, now appears in state cortege, preceded by THE PATRIARCH, THE NOBILITY & DIGNITARIES, and followed by the Ambassadors, the Council of Three, the Council of Ten, etc., etc., and proceeds to the Ducal Palace to preside at the legal proceedings. A gaoler brings in Antonio followed by his dear friends Bassanio and Gratiano, while Shylock is seen crossing the bridge leading to San Marco. 3 46 The populace, filled with anger against the holder of the bond, endeavour to force their way into the Hall of Justice, but are prevented by the Ducal Guard. A barge now approaches, and from it disembarks the fair Portia robed as a doctor of laws, and Nerissa clad as her clerk. The latter disappears for a moment into the Ducal Palace to deliver a letter, but soon returns, and both then hurry into the Palace. Bianca, the beautiful daughter of Corbano, has suddenly become demented on account of the news she has received that her betrothed has been captured, and probably killed, in a melee with the Genoese. The poor girl rushes upon the Piazza and is followed by the populace, who are surprised and filled with sympathy to see their favourite in such distress. Her father, Marino Corbano, passing by chance, recognises his daughter with the most poignant grief, for she does not appear to know him. Gazing on the mass of people who have gathered round her, she at length recognises her bosom friend Coralia, and for a few moments her reason returns. Half choked with tears and sobs she tells those present that her lover, Carlo Cavaro, who had joined the army of the Republic, has been captured by the enemy, and that probably by this time death has been his doom. Bianca makes an heroic vow to disguise herself in male attire, join the soldiery at the first opportunity, and either find her lover or avenge his death. Prostrate and overcome by the mental strain, the beautiful Bianca is led away by her father and her friends to her parental home. Shouts of joy are now heard within the palace and Antonio’s victory is assured. Shylock, defeated, pale. 47 haggard, and almost frantic with despair, emerges from the trial, and is only rescued from the fury of the mob by the interference of the Ducal Guards, when his intended victim and friends are seen, and the wrath of the throng is replaced by shouts of applause. The young and brilliantly successful lawyer and his clerk now appear, are boisterously congratulated, and offered great pecuniary rewards, but the youthful advocate will only accept as momentoes, the much prized rings worn by Bassanio and Gratiano. This request is strenuously objected to by Bassanio, but when urged by Antonio, they yield, with heavy forebodings, and regretfully surrender the rings. The lawyer and his assistant hastily leave, going in the direction taken by the unhappy money-lender. This happy finale to what might have been a wicked tragedy is signalized by general rejoicing which culminates with Qllanne TOGETHER WITH ECCENTRIC DANCES AND MUSICAL GEMS, INVENTED BY MR. IMRE KIRALFY. THE HEEAT BELL OF THE CAMPANILE NOW TOLLS NOTES OF ALAEM, the dancers fly in terror, while armed and partially 3 * 48 armed citizens dash on in wild confusion owing to the arrival of a courier with the depressing news of the FALtli OF CHIOGGIA. t The consternation caused by this announcement could not have been exceeded if Venice herself had been captured. Terrified women rush frightened through the streets, expressing their grief by shrill cries and vehe- ment gesticulations of despair. The men whom the alarm bell had called to arms are, for the most part, silent and dejected, but a large number are fired with a burning desire to defend their homes and families even with their lives. Doge Contarini also responds to his country’s needs, and summons his Council to consider and act at once, so as to alleviate the desperate situation. Merchants, burghers, marines, artizans, and soldiers now eagerly crowd to the palace gates, inspired by the noble impulse of patriotism, and demand the immediate release of their admiral and idol, Vettore Pisani. This is emphasized by the voices of the men in AN EFFECTIVE VOCAL DEMONSTRATION. Soon our hero, our great leader, Must be free from prison’s chain, We demand it, and the people. Like the gods, ne’er ask in vain. II grand’ eroe, — il nostro capitan Sia tosto in liberta Iddio lo vuol ; e il popolo, no, in van Chiesto giammai non ha. Pietro Mocenigo now brings the welcome tidings that the Senate has conceded the popular demand, which is further confirmed by the appearance of Michel Steno. 51 Yes, in answer to our cry, Our great chief again is free. Without him our hopes would die. Now we’ll fight for liberty. Doge and Senate have agreed Our great leader must be freed. Long live the Doge, Hurrah ! hurrah ! Now all our troubles soon will be done, Brightly to cheer us shineth the sun. Chains fall asunder, doors open fly, Rulers must bow low, when people cry. Del popolo al voler Che brama il gran guerrier Libero ancor . . . II Doge ed il Senato Hanno la liberta tosto accordato Pel suo valor— al grande condottier, {Popolo I parte).—Wiwa. il Doge. 2 ,, — Evviva, evviva. Tutti. Oh alfin cessino le pene Splenda il sol libero in ciel ; Siano sciolte le catene Al campion forte e fedel. The people then flock to the prison to bear to Pisani the news of his freedom. In the meantime the Doge’s ambassadors, with seven noble prisoners, who are to be unconditionally restored to the enemy, depart for the Genoese Camp, with the view of securing peace at any price. After Mocenigo and Steno have passed the prison gates, Pisani is seen behind the bars endeavouring to pacify the populace, but the enthusiasm becomes so great that all barriers are passed and PISANI IS BORNE IN TRIU»[PH TO THE PALACE on the shoulders of the patriotic sailors, and the multitude join in a joyous martial refrain. Hurrah ! hurrah ! with vict’ry crowned The rhythm of our song shall rise Like golden music to the skies. Our fav’rite is no longer bound. Hurrah ! hurrah ! hurrah ! Vittoria, vittoria, S’innalzi per I’etra Il suon di aurea cetra Coll’inno di gloria Vittoria, vittoria. . The Doge’s Secretary calls upon the citizens for volunteers. 52 Come, citizens, defend your land, Danger is threatened all around. Our foemen press on every hand. To silken fetters he not bound. Let each man strive to be the first To answer this, my call to arms. A coward is a thing accursed. Brave men rejoice in war’s alarms. Cittadini la patriae in periglio Forti in armi accorete a pugnar, La miseria ci opprime ; e ogni figlio Corra ardito la patria a salvar. Su presto, 6 cittadini, Ch’io non vimplori invan ; Pei vecchi e pei bambini Offrite obolo e pan. Pietro Mocenigo, standing upon an elevated dais, is seen receiving the signatures of those ’who are willing to volunteer to fight for the defence of their country, and he soon exhibits the lists. The throng is very great, every man in Venice having affixed his sig- nature to that document. The women in great masses are also on hand to contribute to the general safety by donating their money, jewels, and other valuables for the public weal. Portia and Nerissa veiled, followed by a numerous retinue, bring treasures of great value to the Government representatives. They recog- nize their lovers among the volunteering patriots, and are deeply impressed by their self-sacrifice. The Doge Contarini now arrives, and being shown the great donations and the list of subscribers to the National War Fund resolves to take part in the conflict by leading the fleet into action against his country’s foes. He recognizes Bassanio and Gratiano, and com- pliments them upon their devotion to their flag; but when he sees Portia surrounded by her maids of honor, and notes the wealth she has bestowed upon the national cause, he blesses her and kisses her hand in token of his great esteem. Then THE OLD FLAGS OF SAN MARCO ARE UNFURLED and the Doge reminds his people that under these same 53 banners the Venetians had brought defeat and dis- comfiture to the powerful Barbarossa. At this instant ambassadors in quest of peace return from their mission to Doria, and proclaim that they have failed. Amid excited plaudits, the Doge enters San Marco, followed by his supporters, and receives a blessing prior to his departure for the scene of battle. The booming of cannons is now heard in the dis- tance, and all the warriors present, inspired by heroic courage, unsheath their swords, and on their knees implore heaven’s aid in the impending struggle, in a VOCAL APPEAL TO THE THRONE OF GRACE. Mejiy on the square. Almighty Father, throned on high, To vict’ry be our guide. Oh, hear us when to Thee we cry, In Thy strength we confide. Women, in church. Oh, Blessed Virgin, ’tis through thee We reach the mercy seat. Before thee, lo, we bow the knee. And worship at thy feet. Hear, holy mother, hear. Combined Chorus. Oh, heavenly Father, mercy shew. And help us in our need. Strengthen our arms in battle’s blow. That Venice may be freed. Uomini {sulla piazza). Possente Iddio ci guida Alla vittoria ancor. Un popolo confida Nel Tuo potere ognor. Donne (nel tcmpio). Saiga o madre del del La nostra prece a te. Qui SI prostra al tuo pie II Popolo fedel. Salve o madre del ciel Tutti — (Sulla piazza e in chiesa). Signor a noi sorrida La Santa tua pieta ; Signor ! Tu ancor ci guida Al sol di liberta. Contarini now appears with his sword in his right hand, holding aloft the banner of San Marco in his left. Though old in years, he is young in heart and courage. He then vows never to return alive except as a victor, and amid martial music and the blare of trumpets 54 preparations are made for the departure of the Doge, Pisani, the Senate, and the nobles, on the barges which are to bear them to the fleet, which is anchored in the waters of the Lido, near Venice. Gondolas filled with ladies and children, the wives and families of Venetian soldiers who are about to embark, flit around the war barges, while other boats, filled with maidens whose smiling faces conceal sad hearts, as they bid a fond good-bye to those to whom they have pledged eternal love. The marine cortege is now formed, and Doge Contarini encased in glittering armour, with a helmet on his head, amid the fanfare of trumpets, the ringing of bells, and the shouts of his people, together with Pisani and followers embark on the Ducal barge. As it leaves the quay, the Doge, standing erect as a pine tree, grasps the flag of San Marco, his sword is sheathed and a determined smile of heroism illumines his face. All who are able to fight are ready to go on aboard, and the great naval procession moves slowly away amid MARTIAL SONGS AND INSPIRING MUSIC. Hail to the Doge, may vict’ry on him shine ! Hail t thee, Prince, may fortune good be thine. Our leader great, he is our champion bold. His prowess long in story will be told. Not only chief, he is our father kind. All hail, oh, warlike chiet. Tutti. Salve al Doge ; a lui vittoria, A te sia laude o nostro principe Sia laude a te Campione e duce ; sei tu dell’ Adria II padre e il Re. Salve al Doge nostra gloria. End of Act I. 55 ACT II. Scene I . THE FORTRESS OF CHIOGGIA. Here is disclosed a bivouac of the Genoese soldiers and sailors, now, as they fondly imagine, freed from further warfare for a while. They are endeavouring to pass away their spare time by gaming, chatting, and lounging about. Not having any active duties on hand, they indulge in a MILITARY DANCE, which is scarcely ended when, in the far distance, the Venetian Fleet is seen approaching, and the Genoese are, for a time, in the utmost confusion. Hurried preparations are made to meet the coming attack, and the men are soon at their posts in battle array. An attack is made by the Venetian Fleet on Chioggia, but the Genoese, fighting bravely under the command of their intrepid officers, succeed in repelling it. The Venetians, discomfited, but not discouraged, are seen to retreat. The Genoese, flushed with victory, although ex- hausted with the heat and toil of battle, celebrate their successful defence in a true soldier-like fashion. They have been closely besieged by the Venetians in the City and Fortress of Chioggia for some time, and hunger, and even thirsi, has been pressing them. Some of the soldiers, having made a foray, had captured an ox and some sheep, and these they speedily prepare to cook, together with a supply of vegetables brought by the village girls. 56 Fruit has also been brought by the villagers, who join the soldiers in their gaiety. Despite the privations they have suffered, they are gay and jovial, and when a cask of wine is found in a hitherto unsuspected hiding place by some of the men, their spirits burst forth in BACCHANALIAN SONG, Come, empty the cup ! For strength is in wine, and coura[e ’twill bring. The gohlet fill up. With juice of the vine, we laugh, dance and sing. Hark! the drum, rataplan! rataplan! So let the toast pass, and empty your glass. Rataplan ! rataplan ! Replenish the flask ! To Bacchus we’ll yield, but ne’er in the fight. Let’s empty the cask ; We’ll die in the field, but drink until light. Hark! the drum, rataplan! rataplan! Etc., etc. With heauty and wine No man can repine; They make our heads turn, they make our hearts burn. Huzza for the strife and pleasures of life. Hark ! the drum, etc., etc. Beviam, beviamo ; Nel vin cerchiamo forza e valor Coll’ alma in festa Viva si desta la gioja in cor. Ed ora rantaplan — battiamo plan, plan Lieti o fratelli, beviam, beviam E . . . . rantaplan, plan, plan. . . . I Beviam, godiamo. ! Se nelle lotte — noi morirem I Vuotiamo la botte ' Che tutta notte — lieti sarem j Ed ora il rantaplan, ecc., ecc. Donnine belle Coll’ alma in festa Gira la testa — ci batte il cor Viva la guerra E I’allegria Giuoco e follia — donne ed amor Ed ora il rantaplan — battiam, ecc. in which they are joined by their fair companions, accompanied by the martial roll of drums. This unaccustomed merriment is rudely interrupted by the arrival of Zeno’s fleet in the offlng, and, strengthened by this reinforcement, which has been long and eagerly looked for, the Venetians once more advance to the attack. A terrific onslaught now ensues, in which the Venetians, struggling as they are for home "j 59 and liberty, fight with the energy of despair, and gain a complete victory. Despite the gallant resistance of the besieged army, the hurling of huge stones, the rain of hot pitch by Greek and Dalmatian mercenaries, and the determined stand made at every point by the Genoese, the Venetians succeed in placing their scaling ladders. By impetuous charges they effect the storming of Chioggia amid a wild and fierce scene of hand to hand fighting, in which the flower of Venetian nobility, clad in complete steel, lead the way. The warriors rush over all obstructions, and, amidst the deafening shouts of the elated Venetians, the banner of St. Mark replaces the Genoese flag on the ramparts ; and the Doge Contarini, despite his great age. Admiral Pisani, General Zeno, and all the chiefs, assemble on the battlements of the fortress they have so gallantly won. Scene II. AN ISLAND NEAR VENICE. News of the great victory, and the fall of Chioggia, having been received at Venice, great preparations are made to receive the victors in a manner befitting their feats of arms. Pending their arrival, the day is devoted to NATIONAL REJOICINGS & AMUSEMENTS. All kinds of sports are indulged in, including the ever popular Aquatic Tournament by the senior apprentices of rival Glass Manufacturers, the victors in which receive their reward as much in the glances of appro- bation from the eyes of their fair friends as from the more tangible spoils of victory. 6o The approach of the GRAND AQUATIC VICTORY PROCESSION is now heralded, and a welcome of extraordinary en- thusiasm is accorded to the triumphant conquerors by the beauty of Venice. After the approach of the gay festival gondolas of the nobility, the ceremonial barges representing the FOUR SEASONS Winter, Spring, Summer and Autumn, appear, the occupants of which, in symbolic attire, sing a tuneful ode to the seasons. Male Chorus on In low and mournful accents, Does the forest sing its song — This is the saddest season ; Ah, the golden days are gone. The trees were gay and happy. Now the snow has dressed them white. And earth’s soft velvet cov’ring Is hidden from our sight. And tears of ice the branches weep. Nature is wrapped in slumber deep. Female Chorus on Sweetly does the throstle sing, Heralding the gentle spring. Buds of April now are seen, Bursting forth in tender green. Gaily now the meadows bloom. Joyous after winter’s gloom ; And the dawn, the birds, the flowers. All are brightened by love’s powers. Female Chorus on See, the fruitful valley heaves, Glitt’ring in a sea of sheaves ; From the mighty mountain’s brow Calmness spreads to plains below. The blazing sun at noontide smiles, The ocean calmly sleeps. the Barge of Winter. [ Mormora la foresta La sua cupa canzon ; Compagne, e questa, e questa La piu triste stagion. Alberi un giorno arditi Or vi copre la neve Col suo lenzuolo bianco j Di gelo il manto greve Vi ha resi intirizziti . . . I E il cuore e triste e stanco. I the Barge of Spring. I Canta la capinera : I Giunge la primavera. j Spunta col dolce april I II fiorellin gentil. ; Vago verdeggia il prato, Palpita il cor beato ; Idaugello, I’aura, il fior i Han fremiti d’amor. the Barge of Summer. Gia per le valli apriche Dardeggia in mar di spiche La calma alta sorride Su dalla vetta al pian. Il sol gagliardo ride . E dorme I’ocean. mMM Male Chorus ( The golden fruit of the vine In garlands we will entwine ; To heaven our hymn will rise, Praise God, Almighty and wise. The birds are silent with grief. The trees soon lose their last leaf. For now ’twixt earth and sky A thick grey veil doth lie. 63 the Barge of Autumn. Coi bei grappoli d’oro Nor ci intrecciamo il crin. S’alza per I’etra un coro A1 nume alto e divin. Ma tristi son gli augelli. Son mesti gli arboscelli Perche d’un grigiovel Si copri terra e ciel. Grand Ensemble. This world is merely folly. And turns as pleasures pass ; And mirth and melancholy. Are in the emptied glass. II mondo e una follia Che gira col piacer. . . . II pianto o I’allegria Sta in fondo del bicchier. These are followed by barges emblematic of the Adriatic and of the Arts, that and containing the Ambassadors, and the Ecclesiastical Barge. Female Chorus on Barge of The Arts." Glory shall follow us along, A golden prize. But art is like fleeting song. That quickly dies. La gloria ci accompagna Coi raggi d’or. E I’arte una chimera Che, sorge e muor. Female Chorus on Barge of “ The Adriatic." Thrice happy sea of azure hue, O mar giulivo e placido The sun hath thee embraced. The glowing orb greets thee with joy And burning kisses chaste. Azzuro e lieto mar, Ti bacia dolce e vivido II sol che or lieto appar. We, ambassadors from nations Distant far from Venice great. Feel our hearts and senses dazzled, By the splendour of the State. Male Chorus on the Ambassadors’’ Barge. ' Noi Siam di estrani lidi Guerrieri ambasciator Cotanta gloria i fascino Ci ammalia sensi e cor. Male Chorus on the Ecclesiastical Barge. Oh, protect us mighty Lord, Watch o’er us all our days. We, inspired by love divine, Will ever sing thy praise. Ci guida tu Signore, Deh ! Ci proteggi Tu, E noi con santo amore Cantiam le tue virtu. Grand Ensemble. This world is merely folly. And turns as pleasures pass. And mirth and melancholy Are in the emptied glass. II mondo e una follia Che gira col piacer II pianto o I’allegria Sta in fondo del bicchier. 64 The State Barge of Venice, “THE BUCENTAUR,” now appears, bearing the grey-headed Doge, surrounded by his warrior chiefs, nobles and others. At the con- clusion of this grand pageant, the Doge, standing in the prow of the superb barge, performs the annual ceremony of THE MARRIAGE OF THE ADRIATIC, when the assembled concourse of people break forth into song. Bride of the sea, so mighty is thy power, Too great to be contained by land. Thy prowess spread to foreign strand ; Thy fame and glory increase hour by hour. Beneath thy mighty standard here unfurled, Queen of the Adriatic sea. Thy children ever shall be free. And tell thy glory to the wondering world. Sposa al Mar la tua forza e il tuo poter E a I’azzurro infinito Alza il vessillo ardito Ch’e simbolo di gloria e di Saper. Salve, Salve o Venezia, o tu regina Dell’ Adriaco mar, A te Salve o divina La tua gloria nessun potra offuscar. This grand and impressive ceremony concluded, and the Doge having retired, the populace continue their amusements, and now Venice is seen in her brightest, and in a joyous holiday mood. The people abandon themselves entirely to enjoyment, and a VENETIAN REGATTA takes place, with realistic gondola races, etc., etc. 1 1 i mi 67 Scene III. TERRACE OF PORTIA’S PALACE. The scene discloses a O^FLf^1D BAJSlQUET given by Portia to the conquering heroes on the terrace of her Palace. In rich and gorgeous robes, and glittering with rare jewels, are the Doge Contarini, and the chief nobles of Venice. Bassanio and Gratiano are once more by the side of those they love, and the universal happiness is musically rendered by a FESTIVE CHORUS. Brindisi. See, the foaming, sparkling wine. In the bowl it bubbles. Golden essence, thou’rt divine. Wine drowns all our troubles. Ah, golden wine. Raise we now a song of pleasure. While of love we think. Love, ah, love, our heart’s chief treasure. Quickly — let us drink. Wine to us the path will show Where love lies mid laughter, In the cup the bubbles glow. Pleasures follow after. Ah, golden wine. Thus we sing of joy and gladness Pleasure without pain. How with love we’ll banish sadness. And — the cup we’ll drain. Tutti I. Giii vivido spumeggia E circolando ondeggia Entro il bicchiere Color dell’ ambra e I’or L’almo licor. Inneggiassi all’ amore Ed al piacere Che parlano al mia core Presto, da here . . . 2 . Col vin s’apre la via Al riso e alia follia, Entro il bicchiere Color dell’ambra e I’or Danza il licor Sia gloria al biondo amore Ed al piacere Che parlano al mio core ; Versa da here. While the guests are thus expressing their happi- ness, Portia and Nerissa have been asking their lovers the reason why the rings they have vowed so solemnly to keep were not on their fingers. Their assertions that this was the only recompense that would be 68 accepted by the Advocate who rescued Antonio from his perilous position, and his clerk, are received with incredulity, but the promise breaking lovers are forgiven. The Venetians, in the exultation and enthusiasm of the victory, have generously freed their Genoese prisoners, and these are seen wending their weary way back to their native city. Their dejected appearance touches the noble heart of Portia, and she stops the rejoicings for a time to minister to the more pressing needs of the travellers, whom she asks to remain during the remainder of the festivities, and on whom she bestows rich gifts, in which she is joined by her friends. After this episode the gaieties are resumed, and a QBAND FJESTAL DANCE, specially prepared by Portia as the crowning piece of her entertainment, is performed by the maidens of the Venetian Isles. Here is portrayed the mimic storming and capture of the CASTLE OF LOYE, and the triumph in succession of MORNING, NOON, EVENING AND NIGHT, terminating in a grand after the conclusion of which, to the infinite surprise of all present, the young and successful Doctor of Laws and his clerk appear, and to the great astonishment, and not less to the joy of all, Portia and Nerissa are 6g recognised on the disguising habilaments being thrown aside. The fete is concluded by a GRAND VENETIAN AL FRESCO CARNIVAL, concluding with a grand national chorus Venice, dear city, hail ! May victories great Be showered by fate And fall on thee. May thy fame never pale See, people and king. As tribute they bring. All bow the knee. Salve a te, o. patria; Nova vittoria Piu viva gloria Fulge su te. Salve dell’ Adria Fata e regina A te s’inchina Popolo e re. 4 70 MODERN VENICE Exhibits a perfect representation of the choicest portions of this unique city as it is to-day. Each building is a solid facsimile of some one world-renowned Palazzo of the Queen City of the Adriatic. The famous Rialto Bridge, with its shops on either side, forming a delightful Children’s Paradise. GONDOLAS, propelled by native Gondoliers, are at the disposal of the visitors. Two landing-stages are provided, one near the Addison Road entrance, and the other near the entrance to Modern Venice. For the small charge of Sixpence per person, a trip through all the ways of Venice may be enjoyed, landing near the Rialto Bridge, close to the Cafe Rialto. If Modern Venice be entered on foot, the return trip, of an equal distance, may be taken. Special Venetian officials are stationed on the different streets and places to guide the public, and to give such information as may be desired. THE FINE ART GALLERY, situated on the upper floor, at the East end of the Building, contains a superb collection of Pictures and Sculpture, by the leading artists of Italy, including some choice specimens from the easel of the late Sig. Favretto, a young Venetian artist, recently deceased, whose works are already very difficult to obtain and rarely met with outside his native land. THE EXHIBITS are shown by the leading manufacturers of Venice, and include fine examples of the various Arts and Crafts for which the Venetians are so deservedly famous, including Ham- mered Iron, Mosaic Work, Glass, Toys, Filigree Work in Silver, High-class Jewellery, &c., &c. THE CAFE RIALTO, at the foot of the Rialto Bridge, will supply the visitor with the choicest Italian dainties, wines, etc., and tables and chairs are placed on the terrace, close down to the water’s edge. VENETIAN GLASS WORKS. A special and important Annex has been erected by Dr. Salviati for the purpose of shewing in course of production, his world-renowned Art-work in Venetian Glass, to this Exhibit a charge of 6d., will be made by him. THE PEAL OF BELLS. By Messrs. Harrington, Lathom & Co., of Coventry, manufacturers of Harrington’s Patent Tubular Bells. REFRESHMENTS. — The greatest possible care has been, and will be exercised in this department, so that visitors may rely upon obtaining really good refreshments at moderate charges. THE AIJHNDEL JOmm EXpiTS. The exhibits of the Arundel Society include some of the best of the Water Colour copies of Frescoes, Monuments and other artistic treasures in Italy, which have been made for the Council by thoroughly trained Artists, working under careful supervision. It is remarkable that the work of this Society, which has for more than forty years been rescuing from oblivion some of the most important works of the Early Italian School, notably those that are neglected, or are in out of the way localities, should be so little known to the general public, but for the advantages it offers to those becoming members, by the return in the form of reproductions, are so great that Annual Subscribers receive more than the value of their Subscriptions in admirable copies of early Italian works of A.rt, and at the same time they are justified in thinking that they are materially helping in the work of preserving records of works of Art which are often inaccessable, and, unfortunately, even more often suffering from the neglect or ignorance of their custodians. It is of course indisputable that Frescoes and Mural Paintings generally are specially exposed to injury, and unlike panel pictures, and other portable works of Art, can, with rare exceptions, only be studied on the spot. It has been the endeavour therefore of the Council of the Arundel Society to bring these before the public by means of Chromo-lithography, it having been found possible, by the employment of the most elaborate form of this process, to obtain almost absolute fac-similes of the Water-colour Copies which, as mentioned above, are made on the spot by the highly trained Artists. When it is added that on the Council of the Society may be found, among others, the names of Sir A. H. Layard, G.C.B., Sir William Gregory, K.C.M.G., Lord C/arlisle (all trustees of the National Gallery), Sir Frederick Burton (Director of the National Gallery), and E. J. Poynter, R.A., it will be seen that the affairs of the Society are sure to be administered with due regard to the Artistic value of the subjects which may be copied or which may be reproduced by Chromo-lithography. The offices of the Society are at 19, St. James’ Street, S.W.; and full information as to membership, &c., can be obtained there from the Secretary, Douglas H. Gordon, Esq., or from the attendant in charge of the Society’s exhibit in “Venice in London.” 4 - THE PAINTED GLASS 'iN THE HALL OF THE DOGE’S RESTAURANT Consists of a number of Historical, Mythological, and Allegorical Figures. Over the principal entrances occur four of the Doges in full ducal costume. On either side are the figures of Homer, Cervantes, Chaucer, Dante, Milton and Shakespeare. On the opposite side are figures of the Greek Mythology, viz., Jupiter and Juno, Venus and Minerva, Paris and Helen, Proserpine and Pluto, Apollo and Diana. The Allegorical Figures represent Music, Painting, Sculpture and Science. The lower windows contain a representation of the Lion of St. Mark’s. The glass is for sale as a whole, or in separate panels, or replicas can be had, the cost of which can be ascertained at the Office. The Glass is designed and executed in the highest type of glass painting ; and it has been specially painted for the “ Hall of the Doges,” and is the work of the well-known artist, Mr. Edward Frampton, no, Buckingham Palace Road, S.VV., the designer of many important works. The window in the building across the canal, facing the Rialto, is also lent by the same artist ; and another window illustrating yacoi’s Dream. VENICE AT OLYMPIA. PRICES OF ADMISSION To all parts, including Numbered and Reserved Seat: Amphitheatre, 1/-; Upper Circle, 2/-; Balcony Stalls, 3/-; Dress Circle, 3/- ; Stalls, ^/- ; Fauteuils, 5/- & 6/- ; Private Boxes, £1 11s. 6, £2 2s, and £3 3s. 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WEEKLY. 86 TIT-BITS i a3S0S0S00SiE®®2 Edited by GEORGE NEWNES, The Iiegal Page in Tit-Bits is written by a Barrister, and contains valuable information. The Inquii^y Column in Tit-Bits contains answers to some of the most curious and interesting quCvStions it is possible to ask. The Continental Page in Tit-Bits gives the wittiest paragraphs from the Press of Europe. The Genet^al Infot^mation Page in Tit-Bits is enter- taining and instructive. TIT-BITS is a Journal of pure Literature, contributed by the most entertaining Writers of the day. One Guinea per column (about 700 words) is paid for Original Articles. Litterateurs desiring to contribute should examine the pages of Tit- Bits, so as to fall in with the general tone and style of the Paper. Contributors should send nothing that will bore, nothing that will pollute — only that which will brighten, amuse, and instruct. The circulation of “ TIT-BITS ” is considerably more than HALF A MILLION each week. 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The date of the First Number is uncertain, but it will not be long delayed. OXJT FQT?, it r)0 3STOT IcdlISS IT REQUEST YOUR NEWSAGENT TO ORDER IT FOR YOU IN ADVANCE. THE MILLION THE MILLION THE MILLION 'J WILL PUBLISHED BY GEORGE NEWNES, Ltd., 8, 9, 10 &. 11, Southampton St., and Exeter St., Strand, London, 88 ROYAL STANDARD MOSIC HALL 1S6^ ^lOTOIilA. STI^EET, (FACING VICTORIA STATION). Proprietor & Manager- ----- Mr. R. WAKE. This Establishment is one of the most elegant, comfort- able, and best appointed places of Entertainment in London, and was entirely re-built in 1885 under the supervision and control of the late Board of Works, forming the most complete example of a Variety Theatre extant. It is entirely lit by Electricity, and the Seating Accommodation is perfect. The Management have devoted great care to the DEPAFXmEflT, EVERYTHING BEING OF THE BEST AND FINEST QUALITY. Visitors will find this Hall worthy of patronage, the entire Entertainment being always of refined, superior, and high-class nature It is also easy of access by Rail or Road from Olympia. Reserved Seats, is. 6d. Stalls, is. Balcony, 6d. Doors open at 7.30 p.m. Commence at 8 p.m. 89 ^ HOW TO REilCH “OLYM PIA.” TRAVEL BY THE DIS TRICT RAILW AY. MOST DIRECT, BEST AND QUICKEST ROUTE f:r(D1s/l NEW CROSS, AND ALL EAST LONDON STATIONS, WHITECHAPEL, ALDGATE EAST, MARK LANE, MONUMENT, CANNON ST., ALSO FROM HOUNSLOW, OSTERLEY, EALING, ACTON, RICHMOND, KEW CARDENS, CHISWICK PARK, TURNHAM GREEN, &C. AND FROM 'CENTRAL CITY BOOK TO WEST KENSINGTON. ), MANSION HOUSE ( STATION BLACKFRIARS, TEMPLE, OHAEING- CEOSS, WESTMINSTER, ST. JAMES’ PARK, SLOANE SQUAEE, SOUTH KENSINGTON, EARLS COURT, &c., &c., WALHAM GREEN, PUTNEY, SOUTHFIELDS, WIMBLEDON. BOOK TO ADDISON ROAD OR WEST KENSINGTON. 10 TRAINS HOURLY from MANSION HOUSE, k. FREQUENT TRAINS from ALL OTHER STATIONS- EXTRA LATE TRAINS AS REQUIRED. THE “YOUR TONS AND TOUCH IS SUPERB,”-/^(/6m5/^fz;;. WINKELMANN “Fulfil all that is required, both as regards their beautiful singing tone and excellent touch.” — Wagner. “Worthy of the best traditions of your old established firm.” — Liszt. PIANOFORTES. OVERSTRUNG VERTICAL GRANDS, FROM 65 GUINEAS. OVERSTRUNG HORIZONTAL GRANDS, FROM 110 GUINEAS. Descriptive Price Lists, &c., post free on application. Sole Importers: ROBERT COCKS & CO., 6, NEW BURLINGTON STREET, REGENT STREET, LONDON. TEAS COFFEES 0 SUPPLIED TO “VENICE IN LONDON,” AT OLMYPIA, And used at all Refreshment Rooms and Bars, are specially SELECTED and SUPPLIED by MOORE BROTHERS, 35, KING WILLIAM STREET, CITY, E.C. And can also be obtained at 81, BROMPTON ROAD, KNIGHTSBRIDGE. S.W. and all their other Branches. the “imPEHiflE” Sanitary Steam Laundry AND CLEANING WORKS, INGESTRE ROAD, DARTMOUTH PARK, Ne(H‘ HIGHGATE, N.W. SPECIALLY ADAPTED FOR THE WASHING OF PRIVATE FAMILIES. PRICE LISTS ON APPLICATION. By appointment to “VENICE” in London. Awarded DIPLOMA and GOLD MEDAL at The Cookery and Food Exhibition, November, 1891, for Excellence of Work. A WAT IOWAL WORK. Ifaifs anb SUays Society. Presidents— THE ARCHBISHOPS OF CANTERBURY AND YORK. Provides Homes for Orplian, Outcast, and Destitute Boys and Girls from all parts of England and Wales. k-rCh Cflo t (tgy . ^ MEANS ADOPTED - 1. -BOARDING OUT IN FAMILIES. 2. - ESTABLISHING SMALL HOMES. 3. EMIGRATION. V. rO-i . HELP URGENTLY NEEDED FOR THE SUPPORT OF 1,600 CHILDREN UNDER THE SOCIETY’S CARE. the kind peiT'mission of the Boated of management, COIiIiECTIflG BOXES have been placed in the Exhibition Building. You ean^ not fail to notice them. DO JiOT PASS THBm BY, but dpop in at least a Sixpence. Subscriptions and Donations of larger amounts will be gratefully received by E. de M. Rudolf, Esq., Secretary, Waifs and Strays Society, Church House, Dean’s Yard, Westminster, S.W. Bankers— LLOYD’S BANK, LIMITED. St. James’s Street Branch. 93 Contractors to Messrs. IMRE KIRALFY, Ltd., for Lighting the Main Building and Modern Venice. THE, IrUlGlllil (Hewi EleClriG LlQllI & POWGI Gompany, Liiyiiei BATTERSEA FOUNDRY, S.W., MANUFACTURERS OF ELECTRIC LIGHTING MACHINERY, INCLUDING ALTERNATORS, CONTINUOUS CURRENT DYNAMOS, MOTORS, MINING PLANTS, SHIP PLANTS, ARC LAMPS, SWITCHES, &c. CONTRACTORS TO The ADMIRALTY, Whitehall. ,, WAR DEPARTMENT, Whitehall. ,, CRYSTAL PALACE, Sydenham. „ BRAZILIAN GOVERNMENT, Rio de Janerio. „ ROYAL INSTITUTION, Albemarle Street. „ SPANISH EXHIBITION, West Brompton. „ FRENCH EXHIBITION, West Brompton. ,, GERMAN EXHIBITION, West Brompton. ,, CORPORATION OF WELLINGTON, N.Z. „ SOCIETA GENOVESE di ELETTRICITA, Genoa. ALL PARTICULARS OF The MANAGER, Battersea Foundry, S.W. Branch Houses— WELLINGTON, N.Z , GENOA, ITALY. 94 By Appointment to all tlie Principal Theatres. E. LAN DO IFF, Costumier, 8, RUE DE LA ,i^OTOGYBGYl)(»YBGYI»JYi)<*XO V. CHAUSSEE D’ANTIN, 8, PARIS. AMABLE & GAP, •7, I5/TJE Xj^XTZIIT, PARIS, Artist Decorators. PAINTERS OF THE SCENERY OF VENICE” AT OLYMPIA ‘ii;, iiJJkJi uiiiniii/, ^ LONDON, W. ARE NOW SHOWING SPECIALITIES IN %% LLAMA,VICUNAS, AND SHETLAND WOOL ^ § GOODS for Gentlemen’s Suits at 50/-. ANGOLA, SCOTCH TWEED and CASHMERE TROUSERS, 13/. Boys’ Eton Suits, to Order, 42/- And Evening Dress Suits, lined Silk, 70/- Inbian anb Colonial Outfits inabe at 4S l^ours notice. N.B. — IVe are the makers of the Venetian Uniform worn by the Ushers at “ Venice in London.” PATENT BOLL SCREENS. To be obtained from Furniture Dealers. OR WHOLESALE ONLY. FROM E. & 0. QUITMANN, 18, City Road, Finsbury Square, London. BEACH & SONS, LTD., WHOLE FRUIT JAMS, GLOUCESTERSHIRE AND EALING. THE ONLY JAMS USED AT VENICE AT OLYMPIA. The Newest and most Artistic DADOS, WALLS AND CEILINGS — THIS — Material has been decorated and hung Messrs. CAMPBELL, SMITH & CO. , IN THE Venetian Restaurant, Royal and other Boxes, &c., IN “VSNICE IN LONDON,” 1S01— 2. THE EMBOSSED WOOD FIBRE CO., LTD, 178a, OXFORD STREET, LONDON, W. 1 TOBACCO 1 1 SALMON & GLUCKSTEIN 1 1 SAVE ALL SMOKERS OF THIS 1 HERB , AND 1 HERB AT LEAST | , NOT A 1 OO PER 1 1 OO CENT. WEED, 97 The following entirely unsolicited letter has been receved ly the Frame Food Co., Ltd. The original may be seen on application to the Company. “ Dyrock Cottage, Prestwick, Ayrshire, November i 6 th, 1891. “ Gentlemen, Please forward a 41b, tin of “ F'rame Food ” Diet. The sample tin you kindly sent me I tried upon my little daughter, aged 17 months, who had become CONSIDERABLY EMACIATED from an attack of whooping cough, I am glad to say it had an IMMEDIATELY BENEFICIAL EFFECT. She had been vomiting everything from the violence of the cough ; but the “ Frame Food ” Diet stayed upon the stomach and she began to take on FLESH AGAIN AT ONCE, and now is almost as heavy as she was before her illness. I have therefore formed a VERY HIGH OPINION OF ITS DIETETIC VALUE. “You can make use of this if you like, only don’t publish my name. Yours truly, F.R.C.P.Ed., S--C., &c. “FRAME FOOD” DIET is a cooked food, strengthened with the “FRAME FOOD” EXTRACT of Wheat Phosphates, and therefore the MOST NUTRITIOUS FOOD IN THE WORLD for CHILDREN of all AGES, developing Bones, Muscles, Teeth, Brain. For INVALIDS, can be taken and retained when all other food is refused: for ADULTS, a delicious Breakfast and Supper Dish. Increases vigour, restores strength. “ :FTCA.1VEE IFOOD ” diet is ECOITOIvIIC.A.D. HJ\LF-AN-0UN0E makes a BREAKFAST CUP. A BREAKFAST CUP makes a MEAL Sold by Chemists and Grocers at i/- per i-lb., yd. per and 3/g per 4-lb. T ins. Sample i-lb. Tin sent Carriage Free, with full particnlars., for 15. FRAME FOOD CO Ltd,, Lombard Road, Battersea, London S.W. “MILAK,” PONOHE MILITAIRE. THE BON BOUCHE OF LIQUEURS. SOLE AGENT— CLEMENT-HAMMACK, 2, FOWKES’ BUILDINGS, GREAT TOWER STREET, E C. MESSRS. CORDON, RAMIREZ & CO., UXine Shippet?s FROM THE PENINSULA, HAVE THE SOLE SUPPLY OF ALL PORTS AND SHERRIES IN Penicc in Conbon. Agent: —CLEMENT HAMMACE, 2, FOWKES’ BUILDINGS, GREAT TOWER STREET, E.C. HUDSON BROTHERS, Provision fllerehants, 160, NEW BOND STREET, W. Sole Purveyors of Fresh Butter to “ Yei[ice Londoij,” OT.Y3yn^>iA.. Chief Depot— 50 & 52, LUDGATE HILL, E.C. 99 Telegrams,! “RETSOF, LONDON.” TELEPHONE No. 3777. THE “BUGLE” BRAND. M. B. FOSTER & SONS, LTD (ESTABLISHED 1829,) Head Offices: 27 & 29, Brook Street, Bond Street, W. FIRST I BOTTLED BEERS, QUALITY { PURE MINERAL WATERS, FOR HOME AND EXPORT. THE LARUEST BOTTLERS AND SHIPPERS OF BEERS IN THE WORLD. BY SPECIAL APPOINTMENT— Purveyors to the INDIAN AND COLONIAL, ROYAL MILITARY, AND ROYAL NAYAL EXHIBITIONS. THE KING OF PHYSICIANS- JEOPARDY OF LIFE- THE GREAT DANGER OF VITIATED AIR. PURE AIR. “ Former generations perished in venial ignorance of all sanitary laws. When Black Death massacred Hundreds of Thousands, neither the victims nor their rulers could be ac- counted responsible for their slaughter.” — Times. After breathing inipm’b air for two minutes and a-half, every drop of blood is more or less poisoned. There is not a point in the human frame but has been traversed by poisonous blood ; not a point but must have suffered injury. END’S “ FRUIT SALT ” is the best known remedy ; it removes fcetid or poisonous matter (the groundwork of disease) from the blood by natural means, allays nervous excitement, depression, and restores the nervous system to its proper condition. Use END'S “ FRUIT SALT.” It is pleasant, cooling, and in- vigorating. Yon cannot overstate its great value in keeping the blood pure and free from disease. “T US3D my ‘FRUIT SALT’ freely in my last '*■ severe attack of fever, and I have every reason to sav I believe it saved ray life.” — J. C, Eno. THE SECRET OF SUCCESS.-Sterling Honesty of Purpose.— Without it Lite is a Sham !— “A new invention is brought before the public, and com- mands success. A score of abominable imitations are immediately introduced by the unscrupulous, who, in copying the original closely enough to deceive the public, and yet not so exactly as to infringe upon legal rights, exercise an ingenuity that, employed in an original channel, could not fail to secure reputation and profit.” — A dams. Every Travelling Trunk and Household ought to contain a Bottle of lEISrO’S “ IFELTJZT S.A.XjT.’^ — I t is not too much to say that its merits have been published, tested, and approved literally from pole to pole, and that its cosmopolitan popularity to-day presents one of the most signal illustrations of commercial enterprise to he found in our trading records. CAUTION. — Examine each Bottle, and see that the Capsule is marked ENO’S ‘‘FRUIT SALT. Without it, you have been imposed on by a worthless imitation. Sold by all Chemists. Prepared' only at ENO’S FRUIT SALT” Works, Hatcham, London, S.E., by J. C. ENO’S Patent. lOO NOTE. — Special attention is given to LOANS on LIFE INTERESTS AND REVERSIONS, Full particulars on application to the Actuary. D. CHARTERI& OHUKOHES, CHAPELS, MISSION HALLS, PAVILIONS, SHOOTING LODGES, MANUFACTURER OF | IRON BUILDINOSi OF i Improved Construction AND 1 DECORATIVE FIHISHp SUITABLE FOR All Purposes & All Climates. EXHIBITION GALLEEIES, SAW-MILLS, ' t WOEKMEN’S , COTTAGES, 1 STABLES, COW HOUSES, EAKM SHEDS, AND BUILDINGS OF ALL KINDS. BIVEESIDE BUNGALOWS, STOKES. ESTIMATES AND DESIGNS POST FREE. 1 1 0fficc5 an^ IDorks: — LILLIE BRIDGE, LONDON, W, Riddle & Couchinan, Printers, 22, Southwark Bridge Road, London. OPEN TO KEEP PACE WITH THE CIVIL SERVICE STORES. SCHOOL OUTFITS ^SUNDERSPRK^ COMPLETE PRICE LISTS POST FREE. All Goods are forwarded Carriage Paid ' to any part of the United Kingdom, and, if not approved, are exchanged, or the money returned, whichever preferred. Eton Jackets and Vests. In Black, Super, and Diagonal Cloths. Quality i. — 17/9 to 25/9 „ 2.— 22/6 to 31/6 „ 3.— 27/6 to 41/6 White Flannel Outfits. Knickers, 3/11 to 5 6. Shirts, 4/6. Striped Jackets, 4/11. Boys’ Norfolk Suits. In Tweeds and Cheviots. 8/11, 10/9, 12/11, 14/11, 16/11, 19/11. Rugby Suits. In Tweeds, &c. 8/11, 10/9, 12/11, 15/9, 17/9, 21 6, 23/6, 26/'6, 29/6. Tweed Suits. 10/9, 12/11, 14/11, 16,11, 19/11, 22/6. In Real West of Eng- land Cloths. 27/6, 33/9, 37/6, 41/6. Head Depot — 271 & 272, HIGH HOLBORN (City side of the inns of Court Hotel). City Branch-82, FLEET 8T. West End Branches-192 & 194, OXFORD 8T., 137 to 140. TOTTENHAM COURT ROAD. To H.R.H.The PRINCE of WAL] GETTY RESEARCH INSTITUTE 3 3125 01001 8493 'SM^- '%fPw' tiimJ:':