Digitized by the Internet Archive 
 in 2019 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/catalogueofvalua00chri_46 
 
CATALOGUE 
 
 
 OF THE 
 
 /o7. 
 
 I?R? 
 
 JweZQ 
 
 Lot kM/ 
 
 VALUABLE COLLECTION OF 
 
 OLD SPORTING PRINTS 
 
 FORMED BY THAT 
 
 WELL-KNOWN AMATEUR AND CONNOISSEUR, 
 
 CHARLES WILKINSON, ESQ. 
 
 DECEASED, 
 
 Late of 70 AYENUE DES CHAMPS ELYSEES, PARIS: 
 
 WHICH (by Order of the Representative) 
 
 Mill be fag Jlurtion bu 
 
 Messrs. CHRISTIE, MANSON & WOODS. 
 
 AT THEIR GREAT ROOMS, 
 
 8 KINCt STREET, ST. JAMES’S SQUARE, 
 
 On WEDNESDAY, JUNE 29, 1898, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 May be viewed Two Days preceding, and Catalogues had, 
 t Messrs. Christie, Manson and Woods’ Offices, 8 King Street, 
 t. James's Square , S. W 
 
 
CONDITIONS OF SALE. 
 
 
 -— 0 - - 
 
 I. THE highest Bidder to be the Buyer; and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall be 
 immediately put up again and re-sold. 
 
 11. No person to advance less than Is.; above Five Pounds, 5s.; 
 and so on in proportion. 
 
 III. In the case of Lots upon which there is a reserve, the Auctioneer 
 shall have the right to bid on behalf of the Seller. 
 
 IV. The Purchasers to give in their Names and Places of Abode, 
 and to pay down 5s. in the Pound, or more, in part of payment, 
 or the whole of the Purchase-Money, if required ; in default 
 of which, the Lot or Lots so purchased to be immediately put 
 up again and re-sold. 
 
 V. Tlio Lots to be taken away and paid for, whether genuine and 
 authentic or not, with all faults and errors of description, at 
 the Buyer’s expense and risk, within Two days from the Sale ; 
 Messrs. Christie, Manson and Woods not being responsible 
 for the correct description, genuineness, or authenticity of, 
 or any fault or defect in, any Lot; and making no warranty 
 whatever. 
 
 VJ. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account he 
 removed during the time of Sale; and the remainder of the 
 Purchase-Money must absolutely be paid on the delivery. 
 
 VII. Upon failure of complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited; all Lots un¬ 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency (if any) attending such re-saio 
 shall be made good by the Defaulter at this Sale. 
 
CATALOGUE. 
 
 -- 
 
 On WEDNESDAY, JUNE 29, 1898, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 In the Folio. 
 
 o 
 
 O 
 
 o 
 
 4 
 
 1 King George III. Returning from Hunting, after Pollard, by 
 
 Dubourg —in colours ^ 
 
 2 Two Hacks, after Stubbs, by G. T. Stubbs —printed in colours 
 
 3 Minister, after Sartorius; and Mare and Foal, after Ansell 2 
 
 4 Refreshing; and Going Home, after H. Aiken, by Sutherland— 
 
 in colours 2 
 
 5 Going Out, after Jones, by C. Turner; and Setter and Partridges, 
 
 after Seymour 2 
 
 O G Two of His Majesty’s State Horses ; and The Earl of 
 Chesterfield’s State Carriage, after Chalon, by W. Ward —a 
 pair 2 
 
 O 7 Chaise Horses ; and Coach Horses, after Garrard, by J. Young 
 —a pair 2 
 
 0 8 Lambert’s Leap, after Pollard, by P. Dawe 
 
 
4 
 
 COACHING. 
 
 / 
 
 2 . o 
 
 / - / . 0 10 
 rll 
 
 /, /<* ' * 
 
 , 0 12 
 
 ^C/ . /0 . O 13 
 
 /a • AA * u 
 
 Ac 
 
 15 
 
 /. / . ^ 16 
 
 -v, S'. a 17 
 
 A Fine Young English Gentleman, after Aiken; A Stanhope 
 Phaeton; &c. -*-/* 4 
 
 The Chaise Match, after Seymour ; and two others ^ jr ^ /> 3 <r _ ! 
 
 The Modern Phaeton; and A Coach and Six, after Rowlandson— 
 
 in colours 
 
 The Taglioni, alter C. Henderson; The Original Bath Mail * 
 
 Coach ; and one other 
 
 Coaching Subjects—a set of four , in colours , on two sheets 
 
 Postboys Watering their Horses; Approach to Christmas; and A 
 Four-in-Hand, after Pollard— in colours 3 J 
 
 Four-in-Hand ; Royal Mail Coach ; and A Stage Coach, after 
 Pollard— ditto 3 v 
 
 Relay in the Snow; Mail Coach Delayed; and Mail Coach in a 
 Storm, after ditto— ditto 3 
 
 Mail Coach behind Time, after Walter; and Stage Coach, after 
 
 Jones— in colours 
 
 2 £ 
 
 A 7 
 
 18 
 
 Lioness Attacking the Exeter Coach, after Pollard ; and two others 
 
 —in colours 3 
 
 7- 
 
 19 
 
 / • / • ° 20 
 . O 21 
 
 , /<? , & 
 
 22 
 
 2^/* L? . 0 23 
 
 / 2 * *24 
 
 /2. 6 25 
 
 Stage Coach with News of Peace and News of Reform, after < 
 Pollard, by Havell —a pair, in colours 2<^* 
 
 Mail Coach by Moonlight; and two others— in colours 
 
 Mail Coach in a Storm, after Newton, by G. Aiken —ditto fy 
 
 The Duke of Beaufort’s Coach, after Shayer: and The 
 Resolute Team, after C. Henderson— ditto 2 A 
 
 Scenes on the Road to Epsom, after Pollard, by J. Harris —a ^ 
 set of four, in colours 4 
 
 Scenes during the Snow Storm, 1836, after ditto —a set of four, 
 
 4 a 
 
 ditto 
 
 Mail Coach in a Flood, In a Drift of Snow, and In a Thunder- ^ 
 storm, after ditto —in colours 3 
 
5 
 
 X/ 26 Stage Coach; and Mail Coach, after Pollard —in colours 2 
 
 r & 27 Four-in-Hand, after Pollard, by Gleadah ; Mail behind Time, after 
 ditto; and one other —in colours 3 
 
 ? 28 Stage Coach ; and Mail Coach, by M. Dubourg — ditto 2 — 
 
 29 Stage Coach Arriving; Changing Horses ; and Setting Off, after 
 Pollard, by Havell —a set of three, in colours 3 
 
 t? 30 Stage ; and Mail, after M. E., by C. Hunt —in colours 
 
 O 31 The Roadsters ; and The Birthday Team, by ditto —ditto 2 
 
 ,32 Under Weigh without a Pilot; and No Time for Refreshment, 
 
 2 — 
 
 after Newhouse —in colours 
 
 ^3 Stage Coach Travelling; and Opposition Coaches at Speed, after 
 Pollard —ditto 2 
 
 r Royal Mail Coach, by and after ditto ; and one other —in colours 
 
 c - - 
 
 -2735 Manchester and London Coach ; Stage Coach in a Fog ; and one \ 
 
 other —in colours 3 7 
 
 , o 
 
 
 36 Manchester Day Coach ; The New London Royal Mail; and The 
 
 Blenheim —ditto 3 
 
 37 The Edinburgh Express; The Reading “ Telegraph ” ; and two 
 
 others —ditto 4 
 
 
 ^ 38 The Windsor Coach ; The Southampton Coach ; and The “ Age ” ^ 
 
 (Brighton) — ditto 3 
 
 £ 39 The London and Birmingham Tally-ho ; the Red Rover ; and one 
 other— ditto 3 
 
 £,40 The Reading Coaches; Paris and Dover Coach ; and The “ Eagle ” 
 
 —ditto 3 
 
 O 41 The Liverpool “ Umpiie The Manchester Day Coach ; and one 
 other— ditto 3 
 
 C? 42 The Cambridge “ Telegraph ” ; the Old Birmingham Coach ; and 
 one other— ditto 3 
 
 jy 43 The Four-in-Hand Club, after Pollard, by Harris ; and East India 
 House— in colours 2 
 
 A 
 
6 
 
 /, 0 44 
 
 t?0. a - ^ 45 
 
 7 . * 46 
 
 47 
 
 //'//.* 
 
 ^ 
 
 /*/. /J. ^ 
 
 *r. £ 60 
 
 51 
 
 . ^~7 » 
 '/&,/&, ^62 
 
 Hyde Park Corner, after Pollard, by Rosenberg— ditto 
 
 General Tost Office, nortb-east view, after Pollard, by Ryall; 
 and one other— ditto 2 / 
 
 The New General Post Office, 1829, after ditto— in colours 
 
 The General Post Office, with mails departing, after ditto, by _ 
 Reeves— ditto 7^2 
 
 North Country Mails ; and West Country Mails, after Pollard, 
 by Sutherland and Rosenberg— in colours 2 ^ 
 
 London Fire Engines, after ditto, by Reeve— ditto J*t 
 
 Regent Circus ; and The Angel Inn, after ditto by ditto— ditto 2^ 
 
 Highgate Tunnel ; and Yiew on the Higbgate Road, after ditto, 
 by Hunt— ditto 2 
 
 Mails Arriving at Temple Bar; and Mails Starting from the 
 Post Office— in colours 2 
 
 / 
 
 53 Mail Changing Horses ; and Mails Preparing to Start, after 
 
 Pollard— ditto 
 
 •Z „ . a 54 
 
 / » /<? . O 55 
 
 «T\ 0™ 
 
 /, 0 , * 57 
 
 if / 58 
 
 / 4 J? * & 61 
 
 PORTRAITS OF RACE-HORSES. 
 
 A Grey Horse in a Stable— proof before all letters 
 
 Eclipse, after Stubbs; and three others 
 
 Grey Diomed ; and Smolensko, after Sartorius 
 
 Gimcrack, after Sartorius; Eclipse, after Stubbs ; Buzzard; 
 Skyscraper 
 
 Bay Bolton ; and Sedbury, after Seymour ; and two others 
 Gold finder, after Sartorius ; Tantrum ; Diamond ; and others 
 
 and ^ 
 1L/ 
 
 Highflyer, after Gilpin— proof before all letters ; and Potatoes^ , 
 after ditto 2 / 
 
 Diamond ; and Ilambletonian, after Sartorius, by Whessell 3 / 
 
 Memnon, after J. Pollard; Haphazard; and Vandyke —in colours 
 
 3 
 
7 
 
 63 Mambrino; and Sweet William, after Stubbs; and Bcllario, after 
 Sartorius —ditto 3 
 
 O 64 Antonio, after Herring, by Sutherland; and one other —in colours 
 
 2 
 
 
 65 Two Coach-Horses ; and Rookstone and Trusty, after Fellows— 
 ditto 2 
 
 r -ernJ 
 
 66 Rowton; and Dangerous, after J. Ferneley —in colours 2 
 
 ^ 67 Cedric ; and The Colonel, after J. Pollard— ditto 2 
 
 O 68 Phenomena, after Sartorius, by Whessell; and Tarrare, after (A ^ 
 
 Dolby— proof—ditto 2 ' 
 
 69 Figaro, after J. Pollard ; aud two others— in colours 
 
 RACING AND STEEPLECHASING. 
 
 O 70' Epsom (The Derby); and Ascot (The Oatlands Sweepstakes), 
 after Sartorius, by J. Edy 2 
 
 71 Racing Subjects : a set of four etchings ; and two, after Rowland¬ 
 son —in colours 6 
 
 & 72 The High Mettled Racer, after Aiken, by Sutherland —a set office, 
 in colours 5 
 
 O 73 The Derby Pets, after Pollard— a set of four—ditto 4 
 
 ^74 The Walk; Starting; The Race; and Rubbing Down, after 
 Aiken, by Sutherland —a set of four—ditto 4 
 
 ^75 Training ; Starting; Running; and After Running, after Pollard, 
 by Hunt— ditto—ditto 4 
 
 76 Mr. Osbaldeston’s Match against Time; and Coming in, after 
 Aiken, by Harris— in colours 2 
 
 ^ 77 Sir Joshua and Filho da Puta; and A Match for One Thousand - 
 
 Pounds, after Pollard— ditto 2 ' S 
 
 78 A Country Rage Course : Preparing to Start; and Horses 
 Running, after Mason, by Jenkins— a pair, in colours 2 
 
 
8 
 
 ^ ’ 0 79 Mr. Coventry’s “ Sacripant ” winning at Epsom —in colours 
 
 y y £ 80 A Country Race Meeting : Preparing to Start; and Horses , 
 
 Running —a pair, in colours 2 Xj. 
 
 /y ^ 81 Epsom Races, by J. Pollard — in colours 
 
 yy — ^ & 82 Epsom Races (The Derby) by ditto — ditto 
 
 _ _ 83 Ascot (The Catlands Sweepstakes) after Sartorious, by Edy —iw /? 
 
 7 o/jr 
 
 colours 
 
 6 * 
 
 84 Epsom Grand Stand ; and Goodwood Grand Stand, after Pollard, 
 by Reeve— ditto 2 
 
 £ * £ # 85 The Derby of 1839, after Pollard ; and The Derby of 1820, after A 
 
 Aiken —ditto 2 1 ^ 
 
 ? 
 
 86 View of Worcester Race Course, after Ziegler; and St. Albans , ? 
 Tally-ho Stakes, after Pollard —ditto 2 
 
 ^ 87 The I je S er > 1812 ; and Start for the St. Leger, 1816, after n 
 
 P.ll-pf ATI HPIa rvTYY _ 0 n nrilr\MX*Q 9 r * 
 
 Clifton Thomson —in colours 2 
 
 ^t-^-^88 The Derby Stakes of 1828 and 1829; and The Ascot Gold 
 
 Cup, 1829, after J. Pollard —a set of three, in colours 
 
 3 
 
 yy 89 Chantilly Races, 1841, after Campion and Herring — proofs, in * 
 
 colours 2 va. 
 
 6 
 
 yy v- x ? '*0 Epsom, after J. Pollard, by C. Hunt — a set of six, in colours 
 
 / ^ j 91 Doncaster Races, after Pollard ; and The St. Leger of 1839, after > „ 
 
 J. F. Herring —in colours 2 / * 
 
 ^92 Doncaster Races : t The St. Leger of 1836, after Pollard, by > 
 Harris—a set of three, in colours 3 yr 
 
 /?• /£>. J93 Epsom, Goodwood, and Ascot Races, after Pollard, by Pyall— a- 
 
 ditto , ditto 3 
 
 l?/* A* . O 94 Epsom Races, after Pollard, by Smart and Hunt — a set of three , in 
 
 colours 3 
 
 y^ y# ' o 95 The Liverpool Great National Steeplechase, 1839, after Harris— /y 
 
 plates 1 and 4, in colours 2 
 
 • & 96 Newton Races, 1831, after C. Towne, by Hunt —in colours 
 
 /97 -The Wolverhampton Stakes, 1839, after F. C. Turner —ditto 
 
9 
 
 0 98 The Grand Stand, Goodwood, by 0. Hunt— ditto (S' 
 
 0 98a Epsom : The Great Derby Stakes; and Ascot : His Majesty’s s 
 
 Gold Plate, after J. Pollard —in colours 2 
 
 » ^100 Epsom Paces, after Aiken, by Sutherland— a pair, in colours 2 ’ ^ 
 
 0 101 A Steeplechase, after H. Aiken— in colours 2 
 
 O 102 Steeplechase Incidents —in colours 3 ^ -n—*' 
 
 103 The First Steeplechase on Record, after Aiken, by J. Harris— / ^//S 
 
 a set of four, in colours 4 f 
 
 104 Chances op the Steeplechase, after J. Pollard — a set °f ^ / 
 
 seven , in colours 7 / ” * 
 
 O 105 Aylesbury Grand Steeplechase, after Pollard, by Harris— a 
 set of four, in colours 4 
 
 0 106 The Leamington Grand Steeplechase, after Turner, by 
 C. Hunt— ditto, ditto 4 
 
 O 107 St. Albans Steeplechase, after Pollard, by Peeves and Hunt , .j, 
 
 — a set of four, with key 4 
 
 HUNTING. 
 
 O 108 Hunting Subjects : a set of four etchings; and two, after Pollard rf) s* * 
 
 g ) 
 
 , O 109 Going Out in the Morning ; and The Death, after Seymour, by j? / / * 
 Walker 
 
 & 110 The Hunter’s Annual, after Davis— a set of seven lithographs 7 di 
 
 O HI Francis Astley and his Harriers, after B. Marshall; and Break- ? •// ? 
 
 ing Cover, after Reinagle —proof 2 ^' 
 
 & 112 Fox-Hunting Scenes, after H. Aiken —a set of four, in colours ; 
 
 &c. 
 
 113 Another Set, after ditto, by J. Clark— in colours 
 
 0 
 
 114 Hold Hard! Going at a Stone Wall; and two others, after ditto 
 —ditto 4 
 
 
10 
 
 J /„ n 115 Going Down; Coming Up; A Hunter; and The Death, after 
 /''V' ditto —ditto 
 
 y^ <^116 A Slapping Pace; Topping a Flight of Rails; and two others^ ^ 
 
 /. J. Hunting Subjects —a set of three , in colours 
 
 /<vC 118 Charging the Brook ; and one other —ditto 
 
 4 
 
 3 
 
 2 
 
 h r / & 
 
 119 Treeing the Fox; and The Meeting Place, after Davis — in 
 
 colours 
 
 y t £?120 Mr. Delme Radcliffe and his Harriers, 1833 —in colours 
 
 
 .^121 Breaking Cover; Morning, or A Few of the Right Sort; and 
 The Refreshment, after Aiken —ditto 3 
 
 /* /£ , O 122 Going to Cover; Full Cry ; and The Death, after Aiken, by 
 
 C. Bentley— in colours 3 
 
 2/, « -a 123 Hunting Subjects, after Loraine Smith—a set of six, in colours 
 
 6 
 
 O 124 Hunting Accidents—a set of four, in colours 4 
 
 y ft 4 ft— Unpleasant; The Scramble ; &c., after H. Aiken —a set of five. 
 
 ditto 
 
 /. ^ ^126 Drawing a Cover; Gone Away ; The Leap ; &c., after ditto —a 
 
 set of five, ditto 5 
 
 / y f~ 127 Hunting Subjects, after H. Aiken, by J. Gleadah —a set of four, 
 ' * in colours 4 
 
 A 7 - t A, ^128 Hunting Scenes— fourteen subjects on six plates, in colours on 
 
 vellum 6 
 
 ft t O 1^9 Meeting at Cover ; Breaking Cover ; Full Cry ; and The Death, 
 after Aiken, by Sutherland— a set of four , in colours 4 
 
 Jc * ' ftioO Fox-Hunting Scenes— a set of five, in colours on vellum 5 
 
 /. /£ 0 <^131 Breaking Cover; Full Cry ; A Check; and The Death— a set 
 
 of four, in colours 4 
 
 *, y ft * <^32 View near Oakham; and A View near Melton Mowbray, after 
 Aiken —a pair, in colours fft . % 
 
 k A > > . k ^ f k kk 
 
11 
 
 , ^133 
 
 Z7 134 
 1 135 
 
 r J 136 
 137 
 
 An Easter Hunt, after Pollard, by Dubourg; and Easter 
 
 JP y 
 
 Monday —both in colours % 
 
 Yellowham Wood; and The Cock-Tails Done, after Hodges, 
 
 by Aiken and Reeve —a pair, in colours 2 
 
 The Chase; and Death of the Roebuck, after ditto, by ditto- 
 
 ditto 
 
 
 Hare-Hunting : Finding; and Ware Turnips! after ditto, by 0^ „ 
 
 Reeve —ditto 2 
 
 Full Cry ; and Going Home by Moonlight, after Pollard, by 
 
 t 138 
 139 
 
 Havell —ditto 
 
 Hunting Scenes: a set of four coloured etchings 
 
 2 
 
 JS- 
 
 A Hunting Scene, after Sartorius, by Pollard; and Death of the 
 
 2 zrtu 
 
 . O 140 
 0 141 
 TP 142 
 , *7 143 
 
 ^-*^144 
 
 145 
 
 , ^ 
 
 . Z 146 
 
 : 2? H7 
 
 y 
 
 . ^148 
 . 2 ? 1^9 
 
 150 
 
 Fox— both in colours 
 
 Full Crv ; and The Death, after Pollard and Gill— a pair, in 
 colours, 'proofs 2 
 
 Breaking Cover ; and The Death, after Pollard, by Havell— y 
 
 proofs, in colours 2 
 
 The Leap; The Death ; and one other, after Aiken, by Bentley/ 
 
 —in colours 3 
 
 The Chase, alter Davis; and The Death, after Aiken, by 
 T. Sutherland —in colours 2 
 
 Unkennelling, after Aiken, by Sutherland— proof, in colours 00^ 
 
 Hunting in Cover ; The Chase ; and The Death, after Davis, / 
 
 by Sutherland— a set of three, in colours 3 00 , 0- 
 
 A Fox Chase, after Wolstenholme, by B. Reeve —set of four, ~ 
 
 in colours 
 
 The Quoun Hunt, after Aiken, by F. C. Lewis— a set of eight, . - 
 in colours —with original wrapper T 
 
 A Village Meet —proof before all letters, in colours 
 
 Sir Masterman Sykes and his Hounds, after Chalon, by 
 W. Ward— in colours 
 
 Fox-Hunting, after Rowlandson —a set of four, aquatints ^y4 ' 
 
12 
 
 /2, /a. & 1 FoxrlTuntcrs Meeting; Breaking Cover; Fox Chase; and The ^ 
 
 Death, after Pollard, by C. Hunt— a set of four , in colours 4 7 ^ 
 
 so A 
 2 
 
 
 /• . O 152 First Introduction to Hounds; and Renewal of Acquaintance 
 
 with Hounds, after Aiken, by J. Harris —in colours 
 
 A <J 153 Going to Cover ; Breaking Cover; Full Cry; and Treeing the 
 Fox, after Aiken, by Sutherland —a set of four , in colours 4 
 
 Z7154 A Similar Set— ditto 4 ^ 7 , 
 
 , B55 Worcestershire: a set of four hunting subjects, after Wood- 
 
 7 r ' ward, by Fielding— in colours 4 
 
 p ^56 Leicestershire : a set of four hunting subjects, after J. Dean f * 
 ' Paul— in colours 4 i/ f 
 
 157 A Similar Set 
 
 jZ £> • ^ 
 
 k /k 
 
 CELEBRITIES OF THE PRIZE RING. 
 
 Portraits of John Jackson — proof -, James Figg ; and Polkin- 
 horn 3 
 
 °C 
 
 Portraits of Baldwin ; Holt; E. Turner ; and others 6 
 
 Portraits of Tom Cribb ; John Langan ; Curtis; and others 
 
 Mendoza, after Gillray ; Tom Cribb, after D. Guest; &c. 4 
 
 Dutch Sam, by P. Roberts; Molineaux; and Richmond— in 
 
 colours 3 
 
 Johnny Walker, after Henning, by C. Hunt —in colours-, and 
 
 one other 2 27 
 
 Heenan; and Tom Sayers— in colours 2 
 
 Tom Cribb, after Jackson; and Owen Swift, by H. Meyer— in 
 
 colours 2 ' ^ 
 
 Molineux, after D. Guest, by J. Young —open letter proof lA 
 
 James W aril, after Daniells, by Mclnnes— proof, coloured 
 
 Humphreys, after Whitley, by J. Young ; and John Broughton 4 
 
 2 
 
13 
 
 X 169 The Fight between Broome and Hannan, after Heath— in cohurs 
 —with key 
 
 & 170 Interior of the Fives Court, with Randall and Turner sparring, * y , 
 
 after Blake— in colours 
 171 Coloured Caricatures referring to the Prize Ring ^ ^ 
 
 - 172 The Fights between Humphreys and Mendoza ; Mendoza and y 
 
 Ward; and two others 4 
 
 173 The Champion Triumphant— in colours; The Bruiser Bruised ; __ 
 
 and Sparring, by Cruickshank 3 
 
 O 174 The Fives Court, after Collins ; The Bruiser Bruised— in colours 
 
 3 
 
 175 A Milling Match, after Rowlandson— in colours; and The o / • 
 
 3 f 
 
 Triumph ; &c. 
 
 , O 176 The Fight between Spring and Langan, by Clements and Pitman 
 —in colours 
 
 * & 177 Boxing Match between Humphreys and Mendoza, after Einsle, 
 by Grozer 
 
 , & 178 The Fight between Heenan and Sayers, 1860, after Walton^-r 
 
 coloured, framed —with key 
 
 & 179 The Same Fight, by Jem Ward —coloured, framed 
 
 FINTS. 
 
 London: Printed by William Clowes and Sons, Limited, Stamford Street 
 
 and Cliaring Cross.