NOYES. Digitized by the Internet Archive in 2016 https://archive.org/details/historicaldescri00wrig_0 ACCOUNT OF THE CARICATURES OF JAMES GILLRAY. AS AN ACCOMPANIMENT TO HIS COLLECTED WORKS PUBLISHED IN A SINGLE VOLUME BY H. G. BOHN. HISTORICAL AND DESCRIPTIVE ACCOUNT OE THE CARICATURES OF JAMES GILLR AY, COMPRISING A POLITICAL AND HUMOROUS HISTORY OF THE LATTER PART OF THE REIGN OF GEORGE THE THIRD. BY THOMAS WRIGHT, ESQ. F.S.A. AND R. H. EVANS; ESQ. LONDON : HENRY G. BOHN, YORK STREET, COYENT GARDEN. 1851. LIFE OF GILLRAY. ( Extracted from the sketch given in Stanley's new edition of Bryan's Dictionary of the Painters .) James Gillray, the most eminent of English carica- turists, was horn in 1757- His father, James Gillray, who was horn at Lanark, in Scotland, September 3, 1720, entered the army, and was present at the battle of Eontenoy, where he lost an arm. On his return to England, he became an out-pensioner of Chelsea Hospital, and filled the office of sexton to the Moravian burying-ground at Chelsea for forty years, and was buried there in 1799. Like the illustrious Hogarth, and the celebrated engraver Sharp, young Gillray began his career as a letter engraver, but we have been unable to meet with any specimens of his work in that department. Being disgusted with this monotonous occupation, he ran away from his employer, joined a company of strolling players, and, after undergoing the various hardships which this course of life invariably entails upon its followers, returned to London, and became a student of the Boyal Academy, where he most energetically pursued his studies in the art of design. That he must have attained consider- able proficiency is evident from several plates which he engraved after his own designs, particularly two sub- jects from Goldsmith’s Deserted Village, inscribed “ The Village Train,” and “ The Deserted Village,” published in 1784. These are designed with great freedom and pic- turesque effect, and have some resemblance to the earlier works of Stotliard. They are exceedingly well engraved VI LIFE OF GILLRAY. in the dotted manner, and though we are not acquainted with the name of his instructor they so much resemble the works of the unfortunate Ryland, that we have little hesitation in asserting that he must have communicated his art to Gillray. Among other works of this class, and executed about the same time, are two portraits of William Pitt : which, though admirable representations of the man, are nevertheless somewhat approaching to caricature. He also engraved a few plates after Lady Spencer's drawings, and, either for the purpose of amusement or mystification, occasionally adopted fictitious names. On many of his earlier caricatures, he made use of a monogram composed of the letters J. S. interlaced, very much resembling that used by Sayer the caricaturist, probably with the intention of misleading the public as to the real designer. Gillray appears to have continued working as an engraver long after his career as a caricaturist had commenced, as, in 1792, he produced a large plate after Northcote, represent- ing the delivery of the prisoners from the Bastille, inscribed, “ Le Triomphe de la Liberte, ou, L'elargissement de la Bastille;" and in 1794, “ Marquis Cornwallis receiving the Ptoyal Hostages at Seringapatam," after the same painter : probably the last of his productions of this description. Admirable as are many of these works, it is as a caricatur- ist that Gillrayis best known. In this art he has no rival; and the exquisite tact with which he seized upon points, both in politics and manners, most open to ridicule, is only equalled by the consummate skill and wit with which he satirized them. His earlier works are more carefully than spiritedly executed, and look like the productions of an engraver only. The earliest of his undoubted caricatures, though many others antecedent have been with great reason attributed LIFE OF GILLRAY. Vll to him, is dated 1?79; it is probably a satire on the Irish Fortune-hunter, and is called “ Paddy on Horseback,” the so-called horse being a hull, on which he is riding with his face to the tail. But his improvement was rapid and ex- traordinary, and he soon attained a marvellous freedom both of design and in the management of the etching needle. It is believed he etched his ideas at once upon the copper without making a previous drawing, his only guides being sketches of the distinguished characters he intended to introduce made on small pieces of card which he always carried about him, and many of which we have seen. His caricatures are so numerous that it would be quite impos- sible to give any thing like a list of them in this sketch we shall, therefore, merely notice a few of the more im- portant, arranging them according to the dates at which they appeared. A New Way to pay the National Debt. Greorge III. and his queen are coming out of the Treasury loaded with money, which is overflowing their pockets ; on the right is the Prince of Wales in a very shabby condition, gratefully receiving money from the Due d’ Orleans. April 21, 1786. Ancient Music. A capital caricature of the king and queen in ecstasy at a concert performed by the ministers. May 10, 1787. Monstrous Craws ; a powerful satire on the grasping avarice of Greorge III. and Queen Charlotte. May 29, 1787. March to the Bank. A capital etching, executed in the most masterly style. August 22, 1787. There are two states of this plate ; in the first , the female who is thrown down in front has less drapery. Market Bay. Lord Thurlow, as a grazier, is attending Smithfield Market, and examining the beasts, the heads of which represent the leading political characters of the day. May 2, 1788. Vlll LIFE OF GILLRAY. Election troops bringing in their Accounts to the Pay Table ; J. Gillray invt. et fecit , 1788. A satire on the means employed by ministers, unsuccessfully however, to frus- trate the election of Fox for Westminster. This we •believe is the first caricature on which the name of Gillray appears. Frying Sprats: — Toasting Muffins. 1791. Two small but very clever caricatures on the parsimonious habits of George III. and his queen. In the first the queen is represented carefully frying her own sprats ; and in the second the king is in the full enjoyment of toasting his own muffins. Anti-SacchariteSy or John Bull and his Family leaving off the use of Sugar. 1792. The king and queen, from economical motives, are enjoying and praising their tea without sugar, while the princesses are evidently very much disgusted, and take no pains to conceal it. The royal family, it is said, were highly delighted with this caricature. A Connoisseur examining a Cooper. A very bold and happy idea, capitally carried ont. George III. is represented almost purblind looking with great attention at a miniature of Oliver Cromwell , which he holds in one hand, and has a candle in the other. The bitterness of this satire was occasioned by the disparaging observations the king made on the portraits Gillray had sketched during his tour in Flanders with Loutherbourg. The king had said, “ I don’t understand these caricatures.” The exasperated artist made this drawing, and said, “ I wonder if the royal connoisseur will understand this ?” Temperance enjoying a frugal Mealy and A Voluptuary under the Horrors of Digestion. 1792. Two most admirable productions, unsurpassed either in humour, design, or execution. The temperate habits of George III. in the former, and the Epicurean manners of the Prince of Wales in the latter, are portrayed with the most con- summate ability. Bengal Levee , from an original drawing made on the spot by an amateur. 1792. Avery large and skilfully executed plate. LIFE OF GILLRAY. IX The Dagger Scene, or the Plot discovered . 1792. The capital representation of a well-known scene in the House of Commons, in which Edmund Burke was the chief per- former. Fatigues of the Campaign in Flanders . 1793. The Duke of York luxuriating in the company of the Elemish frows, attended by his soldiers, who are bringing in large bowls of punch. The Loyal Toast. 1798. The Duke of Norfolk giving his celebrated toast, “ The majesty of the people/’ at the Crown and Anchor Tavern, for which he was dismissed from his offices. The consequences of a successful French Invasion ; a set of four, plates, in which the horrors to be expected are given with extraordinary spirit. No doubt these and other similar caricatures produced a . great and powerful effect on the minds of the English public, inspiring the people to a determined resistance. The Cow-pock, or the wonderful effects of the new Inoculation. A very humorous burlesque on the popular opinions respecting Jenner’s invaluable discovery. V Assemblee Nationals, or a grand co-operative Meeting at St. Anne's Hill , (the residence of Charles James Eox,) respectfully dedicated to the admirers of a Broad Bottom! d Administration . 1801. This we have no hesitation in asserting to be the most talented caricature that has ever appeared. The king is supposed to have been executed, the republic proclaimed, and Eox, as first consul, is hold- ing his levee at his house at St. Anne’s Hill. All the leading Whigs are present, of whom the likenesses are most admirable, and in the right corner is seen a portion of the figure of the Prince of "Wales. This caricature gave so much offence to the prince that he offered a large sum of money for its suppression, which being accepted, he ordered the plate to be destroyed. It was the misfor- tune of the prince and those by whom he was surrounded to place reliance on each other ; the plate was not de- stroyed, it was secreted, and still exists. It will be found in the collection published by Mr. Bohn. X LIFE OF GILLRAY. The King of Brobdingnag (sic) and Gulliver (George III. and Buonaparte) ; two plates. 1803 and 1804. The Middlesex Election. 1804. Sir Brands Burdett dragged in his carriage to the poll by the Duke of Norfolk, Charles Box, and other leading Whigs. The Reconciliation between George III. and the Prince of Wales, 1804. Admirably treated. The Life of William Cobbett, written by himself ; eight sati- rical plates. 1809. Installation of the Chancellor of Oxford , (Lord Grenville,) Ang. 8, 1810 ; a large plate, and the last political engrav- ing having his name. Other pieces not of a political nature, but full of humour, and sometimes severely satirical on the fashionable frivoli- ties of the time, wherein he did not spare the persons of the prime leaders of the ton , may be added : A Pic-Nic Orchestra, in which are introduced the portraits of the Marchionesses of Buckinghamshire and Salisbury, Lord Cholmondcley, Charles Grenville, &c. Dilettanti Theatricals , in which the same characters are in- troduced. Blowing up the Pic-Nics ; the same parties assailed by Sheridan in the character of Harlequin, assisted by Mrs. Siddons and John Kemble. The Bulstrode Siren. Mrs. Billington and the Duke of Portland, Push-pin. Duke of Queensberry and Miss Yanneck, Portraits innumerable of leaders of the fashions then in vogue, both males and females, with whose names the editor has been made acquainted, but which had better be consigned to oblivion. Twopenny Whist. The party consists of Betty Marshall, the assistant to Mrs. Humphreys, Mrs. Turner, Mr. Mortimer, and a German of the name of Schotter. Betty Marshall is showing the trump card. Cockney Sportsmen , in four plates ; 1800. Elements of Skating, in four plates ; 1805. Rake's Progress at the University , five plates ; 1806. LIFE OF GILLRAY. XI The last plate from the burin of Gillray is, A Barber’s Shop in Assize time ; it is dated May 15th, 1818, but was probably engraved January 9th, 1811, the date figured in the corner. It is from a drawing by Bunbury. Gillray’ s works have been always highly esteemed; some time since they were produced in a collected form, and have lately passed into the hands of Mr. II . G. Bohn, by whom they have been re-published at a price that renders them generally attainable. Gillray was unfortunately an example of the imprudence that so frequently accompanies genius and great talent — his habits were in the highest degree intemperate. For many years he resided in the houses of his publisher Mrs. Humphrey, in New and Old Bond Streets, and lastly, in St. James’s Street, by whom he was most liberally supplied 'with every indulgence. During this time he produced nearly all his most celebrated works, which were bought up with unparalleled eagerness, and circulated not only throughout England, but all over Europe. Though under a positive engagement not to work for any other publisher, yet, to satisfy his insatiable desire for strong drink, he now and then etched plates for Mr. Fores of Pic- cadilly, disguising, in some instances very successfully, both his style and handling. It has been whispered that there was a liaison between Gillray and Mrs. Humphrey not essential to their relation as designer and publisher; it is due to the memory of the lady to contradict that slander ; such a liaison did not exist. The writer asserts this from information derived from persons of the strictest morals, who were intimately acquainted with Mrs. Hum- phrey for more than thirty years, and at whose family table Gillray and Mrs. Humphrey dined on Christmas day regularly for more than the last twenty years of his life, previous to his insanity. Xll LIFE OF GILLRAY. It has been before observed that the last of his works is dated 1811; soon after this he sank into a state of mingled imbecility and delirium, and once during a paroxysm attempted self-destruction, by throwing himself from an upper window of the house in St. James’s Street, a fact which the writer of this perfectly well remem- bers, as he happened to be passing at the time, and witnessed the struggle between Gillray and the parties who prevented him. He at length expired in 1815, and was buried in the churchyard of St. James, Piccadilly, near to the Rectory House. A flat stone is placed over his grave, on which is inscribed, “In Memory of Mr. James Gillray the Caricaturist, who departed this life 1st June, 1815, aged 58 years.” There exists a specimen of his knowledge of the art of lithography. It represents a Domestic Musical Party ; the mother is playing on the piano-forte, the husband stands behind her playing the flute, the children are singing. It exhibits considerable ability, and is excessively rare ; only one impression has come under my notice. He engraved on wood a medallion portrait of William Pitt, placed against a rustic monument overshadowed by the branches of an oak, with an anchor and other emblems at bottom. (See vignette on the title-page of the folio volume.) He also engraved a few small woodcuts, among which are, A Woman Crying Fish, A Boy near a Cottage drinking, and A Beggar at a Door. Of these last, the only impres- sions we have seen are in the collection of Mr. Haviland Burke. GEORGE STANLEY. PREFACE. The history of Gillray’s Caricatures, affords a remarkable iustance of the vicissitudes of literary property. The En- gravings to which the present volume forms a descriptive accompaniment, belonged, for the most part, to the late Mrs. Humphrey, the well-known publisher of Caricatures in St. James’s Street. For many years they produced her a considerable income, and were accordingly valued at a large sum — several thousand pounds. When the trade in them began somewhat to decline, Mrs. Humphrey had occasion to raise money, and obtained a loan of upwards of a thousand pounds upon a deposit of the coppers. After vainly endeavouring for some years to sell these for suffi- cient to cover principal and interest, with a residue to herself, she put them up to auction, but bought them in for want of a sufficient bidding. Subsequently, she offered them, with consent of the lien-holder, to the present Publisher for eight hundred pounds, and actually refused five hundred. After the lapse of about three years she would have accepted the five hundred, or even less, but the time having then past for expensive publications as a judicious investment, the Publisher declined any further negociation, and the coppers remained in statu quo till the day of her death. The executors, probably not aware of what had passed, and unable to meet with a purchaser at the value of engravings, sold them for old copper, that is, for about as many shillings as Mrs. Humphrey had once XIV PREFACE. refused pounds. By mere accident the Publisher heard of this transaction just in time to rescue them from the melting pot, and the public in consequence are now pre- sented, for a few guineas, with a volume, which, under ordinary circumstances, would have cost four or five times as much. Upon obtaining possession of these coppers, the Pub- lisher made diligent search for those which he found to be missing, and discovered a considerable number in dif- ferent places, but principally with Mr. Fores of Piccadilly. Among these were those capital and highly finished compositions, ct The National Debt,” “ Ancient Music,” “ Monstrous Craws,” “ March to the Bank,” “ Wife and no Wife,” “ The Morning after Marriage,” “ Hopes of the Party,” & c. After collecting together whatever plates he could meet with, the Publisher proceeded to arrange them in two divisions — the one Political, the other Humorous — each according to the date of publication. He then wrote out their respective titles, and identified the characters as far as his own knowledge and the information he could gain permitted, and with the MS. thus far prepared, sought an editor. Mr. Wright, who had just then published his “ History of the House of Hanover, illustrated by Caricatures,” kindly undertook the task, and is responsible for the embryo of most of the articles. His numerous avocations however rendering it impossible for him to carry out the labour of investigation to its full extent, Mr. B. H. Evans, long known as a bibliopole of high attainments, as well as for his energetic advocacy of political liberty and familiar knowledge of all that concerns the history of the Whig party, consented to lend his valuable aid. To this gen- tleman we are accordingly indebted for some very inter- PREFACE. XV esting articles, especially those relating to Fox, Sheridan, Lord Holland, the Duke of Bedford, Duke of Norfolk, Grattan, Tierney, &c. &c. Besides these, he has very successfully elucidated the plates relating to Boy dell, the Ireland forgeries, the Gunnings, Lord Petrels dinner, &c. Among his more important contributions, the follow- ing deserve particular mention : Nos. 6, 96, 139, 154, 161, 164, 173, 174, 182, 195, 198, 199, 201, 202, 207, 214, 245, 253, 256, 259, 269, 293, 303, 305, 319, 329, 331, 335, 343, 349, 351, 352, 356, 366, 368, 377, 378, 380, 382, 385, 394, 441. Independent of the labours of his editors, the Publisher has taken every opportunity of consulting those who were likely to be versed in the political and social history of the period, or were collectors of Gillray’s engravings ; and he has to thank his friend Mr. Wm. Smith the well known connoisseur of etchings, Mr. Haviland Burke, and Mr. Hawkins of the British Museum, all enthusiastic admirers and collectors of Gillray’s Works, for several valuable communications. H. G. B. DESCRIPTION OF GILL RAY’S CARICATURES. POLITICAL SERIES.— (Plates I to 366.) 1 . PADDY ON HORSEBACK. March 4th , 1779. During the year 1779, the trade of the Irish merchants was in a very depressed state, owing partly to the American war, and an outcry was raised for new commercial regula- tions for the relief of the sister island. The Irish, indeed, seemed inclined to imitate the proceedings of the mer- chants of Boston. The consequence was, that the question of relief for Ireland was very much agitated in England. This early production of Gillray seems to refer partly to the question thus agitated, and to the popular notion then prevalent that the Irish came into England as successful fortune-hunters, and that they were well received among the ladies. 2 . BANCO TO THE KNAVE. April 12th, 1782. wilkes. north , (in the centre.) Rockingham, fox. keppel. DUNNING. DUKE OF RICHMOND. SIR GREY COOPER. LORD CHANCELLOR THURLOW. On the defeat of Lord North, and the formation of the Rockingham Administration at the end of March, 1782. Fox is very evidently the gainer at this political game, B 2 gillray’s caricatures. while Lord North is completely bankrupt. The ex- premier was subject to a constitutional somnolency, which attacked him even on the Treasury Bench with irresistible force, and which neither the animated declamations of Fox, nor the pathetic invocations of Burke could always prevent. He seldom or never took notes, trusting to his memory for retaining the principal facts which occurred during the preceding discussion. Sir Grey Cooper, how- ever, one of the Secretaries of the Treasury, who com- monly sat on his left hand, supplied on particular occasions that deficiency, by giving the word or subject, “the Parole ,” Gillrav has here bestowed upon him the sobriquet of Parole. The despair depicted on the features of the master is reflected on those of his dejected follower, who appears to be sunk in despondency at the loss of his occu- pation. Sir Grey Cooper is represented as saying, “ I want a new master,” and he got one the next year, when the Coalition Ministry was arranged, being appointed one of the Lords of the Treasury by the influence of Lord North. Lord Chancellor Thurlow, who retained his office in both Administrations, is supposed to be the “ shuffler” seated with his back to the spectator. It is difficult at this distant period to identify the other characters, but no doubt they represent the leading politicians of the day. 3. RODNEY INTRODUCING DE GRASSE. June ‘Jth , 1782. DE GRASSE. ADM. RODNEY. FOX. GEORGE III. ADM. KEPPEL. Rodney^s great naval victory of the 12th of August, 1782, in which the French Admiral De Grasse was taken prisoner and brought to England, occurred just at the mo- ment of a change of Ministry. The Whigs, while out, had attacked bitterly the management of the Admiralty under Lord Sandwich, whose place, on the resignation of the Tories, was given to the Whig Admiral Keppel. The POLITICAL SERIES. 3 first act of the Whig Administration was to recall Rodney, and the order for his recall had departed from the British shores when the news of this victory arrived. The victor was rewarded with a very moderate pension, and the lowest peerage, a barony, but he was deprived of the command of the fleet. Fox and Keppel, on each side of the throne, here shew their embarrassment at the unfortunate occur- rence of Rodney’s victory. 4. ST. GEORGE AND THE DRAGON. June 13th, 1782. FOX. RODNEY. The allusions are the same as in the preceding plate. Fox’s haste to reward the victorious admiral is a happy burlesque. The dragon (France) is disgorging frogs (the diet for which our neighbours were then famed), compelled by the new St. George (Admiral George Rodney). 5 . THE CHURCH MILITANT. Sept, 5th , 1779. The allusion appears to be the zeal shewn by the Church in supporting the Government in the war against the Ame- rican colonies, and in the new war against Spain, which broke out in the autumn of 1779. Cornwallis Archbishop of Canterbury, Markham Archbishop of York, and Butler Bishop of Oxford, all political partizans of Lord North, are probably among these clerical warriors. Horace Walpole, in a letter dated rather earlier, writes: — “ Our Abbots and Whitgifts now see with what suc- cesses and consequences their preaching up a crusade against America has been crowned! Archbishop Mark- ham may have an opportunity of exercising his martial prowess. I doubt he would resemble Bishop Crewe more than good Mr. Baker. Let us respect those only who are Israelites indeed.” b 2 4 gillray’s caricatures. 6 . IRISH GRATITUDE. Junel3th, 1782. grattan. e, s. perry, (Speaker of the Irish House of Commons.) In 1782, on the 31st of May, the Irish Parliament voted the sum of £50,000 for purchasing an estate, and erecting a mansion thereon, to be settled on Grattan, and his heirs, as a reward for his exertions in the cause of Irish independence. The circumstances attending this Parliamentary grant to the Right Hon. Henry Grattan were so extraordinary and unprecedented in the annals of our history, that we shall give a rapid sketch of the events that preceded and produced it. In the year 1780, the resources of Great Britain seemed nearly exhausted by the long and unsuccessful war with America and France. Spain and Holland had recently joined her enemies. To crown her embarrassments, the armed neutrality of the Northern Powers of Europe was announced, which was little less than war in disguise. The invasion of Ireland was menaced. At this crisis was formed the celebrated body of Irish Volunteers, consisting of many of the nobility, persons of the largest landed property, merchants and tradesmen of Ireland. Their avowed object, at first, was to guard against the dangers of foreign invasion. It soon, however, became evident, that the Volunteers constituted an armed delibe- rative body, which it was almost impossible to control, and dangerous to disband. The peril was greatly increased by their invitations to all parts of the country to reinforce them with delegates. Even Ulster, the loyal and peaceable Ulster, furnished its quota. Lord Charlemont might be considered the organiser and director of the military move- ments, and Mr. Grattan the suggester and framer of their political demands. The Volunteers now declared their intention to confine their efforts to two points ; the defence of the empire, and the restoration of the Constitution. POLITICAL SERIES. 5 But in 1781, they assumed a bolder tone, and declared that nothing could or ought to satisfy Ireland, but com- plete legislative independence, and the solemn renunciation of Great Britain of any claim to legislative control. The most exciting language was used. Mr. Grattan declared he would not accept even Magna Charta itself, if it were the gift of Great Britain. Mr. Flood exhorted them to secure their liberties : “ They had the Constitution in their hands, they had the Constitution in their arms/” The House of Commons voted an address to the King stating “No power on earth can bind them, but the King, Lords and Commons of Ireland, and they would not part with their liberties but with their lives.” Even the Earl of Carlisle, the Lord Lieutenant, privately informed the English Ministers he could not answer for the safety of Ireland if some considerable concessions were not made to the people. The Ministers, however, seemed infatuated, and the British House of Commons was prorogued without any redress of Irish grievances. An explosion might now be reasonably expected, and a civil war might have taken place, when fortunately, early in 1782, Lord North’s Administration was removed, and the Rockingham Admi- nistration succeeded. Without loss of time, the Duke of Portland was appointed Lord Lieutenant of Ireland. The Marquis of Rockingham wrote a private letter to Lord Charlemont, assuring him that the Duke had received the most ample instructions on the part of his Majesty to make a complete renunciation of the Legislative authority of Great Britain, and to confirm the Legislative independence of Ireland. He conjured him by their ancient friendship, and still more by the patriotic love of his country to tran- quillize Ireland, now all their grievances would be redressed. Mr. Fox wrote to Mr. Grattan to the same effect. The answers to each letter were firm, but most courteous and conciliatory. On the 14th of April the Duke of Portland arrived in Dublin. On the 2 7th of May he opened both Houses 6 GILLRAY^S CARICATURES. with a speech from the Throne. The first paragraph will long be remembered in the history of Great Britain and Ireland. “ It gives me the utmost satisfaction that the first time I have occasion to address you, I find myself enabled by the magnanimity of the King, and the wisdom of the Par- liament of Great Britain to assure you that immediate attention has been paid to your representation, and that the British Legislature has concurred in a resolution to remove the causes of your discontents and jealousies, and are united in a desire to gratify every wish expressed in your late addresses to the throne.”* On the return of the Commons to their own House, a tumult of joy was displayed and the utmost delight was expressed by every section of the Assembly. Mr. Grattan rose to move the address. In the course of his speech, he observed, cc The great magnanimity in the conduct of Britain is that every thing is given up un- conditionally. This must for evermore remove suspicion. We have now recovered a Constitution , and our business is not to advance , but maintain it” Mr. Flood said, Nothing appeared to him, at present, that could disturb the general harmony.” The Address was carried, with only two dissentient voices. No sooner was the Address declared to be carried than Mr. Bagenal, without the slightest communication with any party, rose, and testifying his great joy at the trium- phant establishment of the Legislative Independence of Ireland, asked, But to whom does the Empire owe all this? To a man who has resolved to take no reward from Government. Shall every body have what they ought except him alone, to whom every individual is so much indebted, and by whose example every individual in the universe may be so much benefited ? He has saved the 9 See Parliamentary Register of the Commons of Ireland, Vol. I. p. 334. Dublin, 1784. POLITICAL SERIES. 7 Empire from an iron age, and restored an unequivocal golden one.” fC I believe there is no one, who would not blush to think that a Grattan’s child might point to a statue or monument, and say, that was my father, your benefactors only reward.” He then gave notice that on the next day, he would move for a Committee to state what sum we should grant for the purchase of an estate, and building a suitable man- sion for our illustrious benefactor. On May 30, Mr. Bagenal moved in the Committee, “ that £100,000. be granted to purchase an estate, and building a mansion for Henry Grattan, Esq. and the heirs of his body.” Sir Henry Cavendish said, the nation could not bear such a sum, nor would Mr. Grattan* s own delicacy permit him to accept it. Half the money moved for would purchase £2000 per annum, and £10,000 would be amply sufficient to erect a house, and provide a proper equipage.” Sir Boyle Roche observed, ec England rewarded the Duke of Marlborough, and she rewarded the Earl of Chat- ham, but we have more abundant cause to reward our great patriot , and if yesterday it was right to vote £100,000 to England for restoring our rights,* surely this day it is right to vote the same sum to him who caused the resto- ration.” Mr. Bagenal then rose and said, “ When he made the motion, he could not for the dignity of the nation think of a less sum, but as gentlemen differed from him, and as it came from Mr. Grattan’s particular friends, he should alter his motion to £50,000.” Mr. Conolly was happy to inform the House, a that the Lord Lieutenant did most perfectly coincide in their * The House had voted 20,000 seamen for his Majesty's navy, and it was ostentatiously announced that the Volunteers cheerfully engaged to contribute their aid towards raising that sum. See Hardy's “ Life of Charlemont,” vol. ii. p. 23. 8 GILLKAy’s CARICATURES. generous intentions, so congenial to his own feelings, and that the memory of such great events might he perpe- tuated, he wished to relinquish to the nations esteem that house in the park, which Parliament has lately purchased for the country residence of his Majesty’s repre- sentative.’’ Rt. Hon. Col. Fitzpatrick, (Secretary for Ireland) said, u The power of rewarding merit was one of the noblest branches of the Royal prerogative of the Crown. He could wish to have seen it come from the Royal hand. But as the merit of the man was unprecedented, he hoped that the present reward would not be admitted as a precedent in future.” On the following day, May 31, the House agreed to the report from the Committee,