/UtMC C lc<Ji U-iyc^u: 
 
 
 1 
 
 
 A 
 
 Jc - 
 
 LUC ^ ^ 
 
 JurU^U' fr fa ^ 
 
 (rf U- 
 
 \lx>^d l&. /y 
 
 frrf fhJ^ C^cyi^^ 
 
 *f 
 
 ffc2. Cctyi^L^-^^h 6/ /ut^b^i*--* 
 
 1 
 
 -^'f&4.-4<f r- 4 - 
 
 flu, ^ ^U^A., &&<ri<. 
 
ion . pjso * 
 

 
Digitized by the Internet Archive 
 in 2016 
 
 https://archive.org/details/catalogueofpictuOObohn 
 

 
 
 
 
 
 '■V 
 
 'i. >; v. : 
 
 
 

 
 
 
CATALOGUE 
 
 OF THE 
 
 PICTURES, MINIATURES, 
 
 AND 
 
 ART BOOKS, 
 
 COLLECTED DURING THE LAST FIFTY YEARS 
 
 BY 
 
 HENRY GEORGE BOHN, 
 
 LONDON: PRIVATELY PRINTED. 
 1884. 
 
LONPON : 
 
 R. Clay, Sons, and Taylor, 
 
 BREAD STREET HILL. 
 
 WE GETTY CENTER 
 LIBRARY 
 
PREFACE. 
 
 Some fifty years ago I became an earnest collector of the 
 Fine Arts, beginning with choice specimens of Pottery and 
 Porcelain — to which I had paid great attention — at the 
 same time buying Pictures. I had previously, during several 
 years’ travel in Germany and France, acquired a tolerable 
 knowledge of the subject. 
 
 Later on Miniatures claimed my especial attention, 
 as they seemed to be selling at very low prices, in 
 consequence of the rising influence of photography. 
 
 In 1875-8 I parted with my Pottery and Porcelain, &c., 
 which was catalogued and sold by Messrs. Christie, Manson, 
 and Woods, and produced some twenty-five thousand 
 pounds. I had no further intention of selling anything, 
 and certainly not of undertaking a catalogue ; but several 
 intimate friends pressed me so urgently, that at last I 
 yielded, and — deep in my eighty-ninth year — I have found 
 it a very trying task; one, indeed, which I could not 
 possibly have performed without the valuable assistance of 
 my dear daughter, Mrs. F. K. Munton, wife of my 
 solicitor. 
 
( Vi ) 
 
 The great trouble has been in identifying the Miniatures 
 with the auction catalogues and invoices, inasmuch as I 
 had never taken any proper measures for doing so. Even 
 now I have been obliged to leave many portraits unnamed ; 
 some of them the best in the collection. A slight index 
 of leading names will be added, so as to bring important 
 historical characters together. 
 
 The edition is extremely limited, and quite insufficient to 
 gratify more than a very small number of my friends. 
 
 Henry G. Bohn, 
 
 Twickenham, S.W, 
 August, 1884, 
 
NOTE. 
 
 The foregoing Preface was penned by my father in his 
 own handwriting a few days before he died ; indeed, the 
 proof was only corrected on the Monday prior to his 
 death, which occurred on Friday, 22 August, 1884. I have 
 endeavoured in the following pages to carry out his 
 unfulfilled intention as regards the index to portraits. 
 
 I believe it was in contemplation, sooner or later, 
 to extend the Catalogue so as to comprise the several 
 Marble, Buhl, and Marqueterie tables, together with some 
 two or three hundred specimens of Old China, reserved 
 from time to time for decorative purposes. As, however, 
 my father only expressly desired me to compile the index, 
 I leave all else to Messrs. Christie, who will probably 
 sell the whole Collection in the coming spring. 
 
 Elizabeth Munton. 
 
 WlLLESDEN, N.W. 
 
 November , 1884. 
 

 
 
INDEX TO PORTRAITS.* 
 
 A 
 
 Abington, Mrs. Frances, 256 (161), 
 312 (607) 
 
 Addison, 248 (86) 
 
 Alexander of Russia, Emperor, 
 258 (179) 
 
 Amadeus, First Duke of Savoy, 
 3 00 (5H) 
 
 Anglesey, Marquis of, 243 (53) 
 Anguisciola, Sophonisba, 5 
 Anne, Queen, 312 (606) 
 
 Arthur, Prince, 250 (103), 317 
 (637) 
 
 Arundel, Fitz Alan, Earl of, 96 
 Arundel of Wardour, Sir Thomas, 
 82 
 
 Austria, Anne of, 285 (393), 287 
 (411) 
 
 Austria, Empress of, 266 (247) 
 
 B 
 
 Baldwin, Mrs. Jane, 40 
 Barkham, Sir Edward, 316 (634) 
 Barlow, Lucy, 247 (74) 
 
 Barnevelt, John van Olden, 123 
 Baron, Michel, 283 (380) 
 
 Beck ford, Master, 299 (504) 
 Bedford, Katherine Bridges, Count- 
 ess of, 162 
 
 Bedford, Duchess of, 161 
 
 Bedford, Duke of, 165 
 Blake, Wm., 251 (106) 
 
 Bohemia, King of, 238 (5) 
 
 Boleyn, Queen Anne, 156, 265 (245), 
 286 (404) 
 
 Bolingbroke, Lord, 246 (69) 
 Bonaparte, Madame, mother of 
 Napoleon, 304 (544) 
 
 Bonaparte, Pauline, sister of 
 Napoleon I., 299 (51 1) 
 
 Boucher, F., 314 (622) 
 
 Brandon, Henry, son of Charles, 
 Duke of Suffolk, 290 (440) 
 Brunswick, Geo., Duke of, 288 
 (421) 
 
 Brunswick, Sophia, Duchess of, 
 280 (355-356) 
 
 Buckingham, Duke of, 185 
 Buckingham, Elizabeth, daughter of 
 Duke of, 262 (218) 
 
 Burdett, Sir Francis, 318 (643) 
 Burgundy, Margaret of York, 
 Duchess of, 147 
 
 Butler, Lady Elizabeth, 273 (303) 
 Byron, Lord, 314 (620) 
 
 C 
 
 Calvin, John, 159 
 Cambridge, Adolphus Frederick, 
 Duke of, 280 (358) 
 
 Canning, George, 294 (470) 
 
 * The Miniatures are distinguished from the Pichires by a number in 
 brackets in addition to the page. 
 
 b 
 
X 
 
 ) 
 
 Camera, Rosalba, 318 (645) 
 Castlehaven, Elizabeth Barnham, 
 Countess of, 127 
 Castlemaine, Lady, 254 (141) 
 Catalani, Madame, 279 (349) 
 Catherine of Aragon, 290 (438) 
 Catherine of Braganza, Queen of 
 Charles II«, 248 (84), 272 (291), 
 277 (334) 
 
 Catherine II,, Empress of Russia, 
 262 (215) 
 
 Champion, Mademoiselle, 303 (536) 
 Charles I., 246 (71), 249 (91), 257 
 (170) 
 
 Charles II., 290 (433) 
 
 Charles IX., 185 
 
 Charlotte, Princess, 301 (520) 
 
 Charlotte, Princess of Belgium, 
 
 315 (629) 
 
 Chatham, Lord, 254 (138) 
 
 C heron, Elizabeth, 251 ( 1 1 7) 
 Clairon, Madame, 305 (551) 
 Cleveland, Barbara Villiers, Du- 
 chess of, 107 
 
 Cleves, Ann of, 293 (458) 
 
 Clive, Kitty, 310 (593) 
 
 Coke, Mildred, 269 (274) 
 
 Colpani, Guiseppe, 293 (461) 
 Conde, Prince de, 272 (293), 278 
 (337) 
 
 Cooper, 256 (162) 
 
 Cornwall, Dr. T. H. W., 259 
 
 (187) 
 
 Cosway, Mrs., 279 (345) 
 
 Cowley, Abraham, 245 (61) 
 
 Cowper, Countess, 281 (366) 
 
 Coypel, Antoine, 143 
 Craven, Lady Ann, 247 (78) 
 Cromwell, Oliver, 245 (64) 
 Cromwell, Richard, 253 (137), 
 
 279 (347) 
 
 Crouch, Mrs., 252 (128), 267 (260) 
 Cumberland, Duke of, 259 (185) 
 
 D 
 
 D’Aiguillon, Madame, la Duchesse, 
 
 274 (3°8) 
 
 D’Alent^on, Franfois de Valois, 
 258 (182) 
 
 D’Angennes, Julie, 285 (394) 
 
 D’Angouleme, Duchesse, 308 (578) 
 D’Arguison, Marquis, 241 (34) 
 
 D’ Auvergne, Cardinal de la Tour, 
 
 303 (535) 
 
 Dante, 1 1 7 
 
 Darnley, Henry Stuart, Lord, 264 
 (229), 279 (346), 294 (467) 
 D’Artois, Madame la Comtesse, 
 274 (313) 
 
 De Belle-Isle, Marechal de, 30 3 
 
 (537) 
 
 De Berri, Duke, 263 (226), 288 
 
 (424) 
 
 De Biron, Marquis, 317 (641) 
 
 De Bouillon, Duchesse, 255 (150) 
 De Bourbon Conti, Mademoiselle, 
 3°6 (560) 
 
 De Bourbon, Louis Joseph, Prince 
 de Conde, Due, 290 (435) 
 
 De Brederode, Femme de Monsieur, 
 
 95 
 
 De Bourgogne, Marie, 95 
 De Castellani, Comte, 272 (294) 
 
 De Chateaurouge, Duchesse, 296 
 (486) 
 
 De Chevreuse, Madame de Rohan, 
 Duchesse, 264 (234) 
 
 De Choiseul, Etienne Francis, 
 Due, 261 (209) 
 
 De Conti, Prince, 268 (270) 
 
 De Coigny, Duke, 290 (439) 
 
 De Crequi, Mademoiselle, 302 
 
 (534) 
 
 De Crillon, Madame, 280 (353) 
 D’Eon, Chevalier, 290 (437) 
 
 De Foe, Daniel, 163 
 De Genlis, Madame, 264 (231) 
 
 De Gualt, Madame, 282 (375) 
 
 De Grammont, Countess, 247 (79) 
 De Guise, Mademoiselle, 266 (252) 
 De Guise, Claude, 96 
 De Hauterive, Madame, 273 (307) 
 De l’Hospital, Madame la Mare- 
 chal, 278 (341) _ 
 
 D’lsraeli, Benjamin, 272 (296) 
 
 De Lamballe, Princesse, 297 (488) 
 De Lorraine, Madame Claude, 108 
 De Luxembourg, Marechal, 219 
 De Mailly, Madame, 315 (627) 
 
 De Maintenon, Madame, 126, 281 
 (362), 285 (401), 308 (576) 
 
 De Medici, Catherine, 199, 273 
 ( 304 ) 
 
( xi ) 
 
 De Medicis, Marie, 280 (357), 284 
 ( 392 ) 
 
 De’ Medici, Bianca Capella, wife of 
 Como, 287 (415) 
 
 De Medicis, Jean, 72, 158 
 De Montbason, Madame, 257 (168) 
 De Montespan, Madame, 240 (29) 
 De Montpensier, Duchesse, 287 
 (412) 
 
 De Montpensier, Madame, 155 
 De Morlat, Monsieur, 161 
 De Neuville, Charles, 288 (420) 
 D’Olonne, Comtesse, 270 (282) 
 D’Orleans, Duchesse, 268 (265) 
 D’Orleans, Fran^ise Marie de 
 Bourbon, Duchesse, 31 1 (599) 
 D’Orleans, Princesse Louise, 237 (4) 
 D’Orsini, Princess, 280 (352) 
 
 De Pompadour, Madame, 272 
 (292), 285 (399), 286 (408), 297 
 
 (489) 
 
 De Parabere, Madame, 285 (400) 
 
 De Penthievre, Louis Jacques 
 Marie de Bourbon, 268 (268) 
 
 De Poitiers, Diane, 232 
 De Rambouillet, Mademoiselle, 
 311,(601) 
 
 De Sevigne, Madame, 305 (558) 
 
 De Sollange, Madame, 239 (18) 
 
 De Tollendal, Thomas Arthur 
 Lally, Baron, 263 (222) 
 
 De Valois, Margaret, 318 (642) 
 
 De Villette, Madame la Marquise, 
 305 ( 555 ) 
 
 De Vendome, Louis Joseph, Due, 
 258 (178) 
 
 De Villars, Louis Hectoi - , Due, 
 258 ( 177 ) 
 
 De Villa r s, Duchesse, 287 (414) 
 
 De Voys, Ary, 215 
 De 1 ’Enclos, ISiuon, 292 (455), 
 295 ( 478 ) 
 
 De la Fayette, Comtesse, 277 (330) 
 De la Rochefoucauld, Duke, 294 
 (469) 
 
 De la Valliere, Duchesse, 212, 244 
 (57), 277 (331), 278 (343), 302 
 (533), 3i5 (626) 
 
 Defray, Madame, 267 (262) 
 
 Delany, Mrs. Mary, 159 
 Denmark, Anne of, 269 (273) 
 Denmark, Frederick, King of, 257 
 (172) 
 
 Derby, Charlotte de Tremouille, 
 Countess of, 246 (70) 
 Deschappelles Madame, 295 (473) 
 Devonshire, William, Earl of, 261 
 (208) 
 
 Dickens, Charles, 66 
 Dorn, Baron, 288 (423) 
 
 Dorset, Anne Clifford, Countess of, 
 
 316 (635) 
 
 Du Barry, Comtesse, 286 (409) 
 Duchange, Madame, 296 (485) 
 Dudley, Countess of, 253 (132) 
 Dumont, Mademoiselle, 308 ( 577 ) 
 Duncan, Viscount, 164 
 Dundee, Viscount, 164 
 Differ, Albert, 51, 52 
 
 E 
 
 Edward VI., 161, 162, 249 189), 
 25 ° (105), 3 r 6 (632) 
 
 Edwin, John, 305 (556) 
 
 Eleanora of Castille, 240 (25) 
 Elizabeth, Princess, 263 (219) 
 Elizabeth, Queen, 161, 233, 249 
 (90), 255 (151), 269 (275), 316 
 (630 
 
 Elizabeth, Queen of Bohemia, 69, 
 257 (171), 255 (153) 
 
 England, Kings and Queens of, 
 314 (621) 
 
 Erasmus, 159 
 
 Eugenie, Empress, 264 (228) 
 Evelyn, John, 274 (309) 
 
 F 
 
 Ferdinand V., 262 (213) 
 
 Ferrers, Lady Elizabeth, 263 (221) 
 Feuquieres, Countess, 153 
 Fitzherbert, Mrs., 276 (327) 
 
 Ford, Elizabeth, 274 (312) 
 Fortescue, Lady Campbell, 172 
 Fox, Charles James, 318 (648) 
 France, Louis Philippe, King of, 
 292 ( 454 ) 
 
 Francis I., 185 
 
 Franklin, Benjamin, 274 (314), 275 
 ( 315 ) 
 
( xii ) 
 
 Frederick the Great, 270 (279), 
 308 (580) 
 
 Fuentes, Duke of, 252 (121) 
 
 G 
 
 Gall, Dr. F. J., 160 
 Garrick, David, 273 (3c 5) 
 
 Gay, John, 239 (21), 282 (368) 
 George I., 108 
 
 George II., two infant children of, 
 246 (67) 
 
 George III., 307 (570), 318 (649) 
 George III. and his wife, 283 (377), 
 306 (565) 
 
 George III., children of, 223 
 George IV., 247 (77), 276 (326) 
 Godsalve, Edward, 91 
 Graham, Mrs., 271 (290) 
 
 Granby, Marquis of, 256 (155) 
 Grand ison, Viscount, 163, 243 (52) 
 Greuze’s Niece, 290 (436) 
 
 Grey, Lady jane, 161, 278 (342) 
 Grey, Lord, 317 (640) 
 
 Greffe, Madame, 253 (135) 
 Gwynne, Nell, 101, 107, 262 (214), 
 269 (272) 
 
 H 
 
 Hampden, John, 160, 261 (210) 
 Handel, 108, 138 
 Flartley, Mrs., 294 (468) 
 Hawkesworth, Dr., 242 (44) 
 Helena, Princess, 250 (103) 
 Henrietta Maria, 243 (48) 
 
 Henrietta Maria, Princess, 1 77 
 Henri IV., King of France, 316 
 ( 633 ) 
 
 Henry II., Eleanor of Guienne, 
 Queen of, 310 (594) 
 
 Henry II. of France, 270 (283) 
 Henry VIII., 16 1, 249 (92), 265 
 (244), 271 (287) 
 
 Henry VIII. and his Six Wives, 
 251 (110-116), 317 (639), 
 
 Herbert of Cherbury, Lord, 164 
 Hill, Thomas, 113 
 Hood, Viscount, 165 
 Howe, Earl of, 164 
 
 Huberti, Mademoiselle de Saint, 
 
 305 ( 557 ) 
 
 I 
 
 Innes, Lady, 292 (452) 
 
 Isabella Clara Eugenia, 150 
 Isabella of Castille, 262 (213) 
 Isabella, sister of Francis I., 96 
 Italy, Victor Emanuel, King of, 
 252 (122) 
 
 J 
 
 James I., 249 (93) 
 
 James I. and family, 149 
 Jeffreys of Wem, Lord John, 157 
 Joachim, Elector of Brandenburg, 
 
 161 
 
 John of Leyden, 2 
 Joseph II., Emperor of Germany, 
 307 ( 571 ) 
 
 Jousson, Count, 91 
 
 K 
 
 Kauffman, M. A. C., 99 
 Kempenfeldt, Admiral, 259 (188) 
 Kent, Duchess of, 248 (81) 
 
 L 
 
 Lady of the Bonfigliola Family of 
 Bologna, 15 
 
 Laguerre, Marie Josephine, 262 
 
 (217) 
 
 Lane, Mrs. Jane, 289 (425) 
 Largilliere, NicoLs, 309 (587) 
 
 Law, John, 284 (386) 
 
 Leicester, Robert Dudley, Earl of, 
 289 (426) 
 
 Leo X., or Lorenzo de Medici, 309 
 
 ( 590 ) 
 
 Leopold I., Emperor of Germany, 
 299 (510) 
 
 Lindsey, Robert Berke, Earl of, 
 31 1 (603) 
 
 Linley, Miss, 257 (163) 
 
( xiii ) 
 
 Louis IX., 185 
 
 Louis XI. of Bourbon, 318 (646) 
 Louis XIII., 284 (391) 
 
 Louis XIV., 157, 254 (140), 313 
 
 (615) 
 
 Louis XIV. and family, 293 (456) 
 Louis XV., 184, 277 (335), 304 
 (548) 
 
 Louis XVIII., 276 (323), 302 (532) 
 Louise, Princess, 250 (103) 
 
 Lucas, Sir Charles, 320 (661) 
 
 M 
 
 Manchester, Earl of, 164 
 Mancini, Mademoiselle, 126 
 Manley, Mrs., 272 (295) 
 
 Maria Theresa, 298 (502), 302 (531) 
 Maria Theresa of Austria, 300 
 (515), 312 (608) 
 
 Marie Antoinette, 128, 239 (19), 
 
 293 (457). 
 
 Marie Louise (daughter of Louis 
 XV.), 95 
 
 Marigny, Madame, 281 (363), 
 
 285 (396) 
 
 Margaret, daughter of Charles V., 
 Emperor of Germany, 95 
 Marlborough, John Churchill, 
 
 Duke of, 257 (166), 281 (365) 
 Marlborough, Sarah Jennings, 
 
 Duchess of, 255 (148) 
 
 Marlowe, C., 144 
 Marrnontel, Madame, 252 (123) 
 Mary, Princess, 258 (180), 275 (3 1 7) 
 Mary, Queen, 316 (632) 
 
 Mary Queen of Scots, 96, 256 
 (154), 276 (328), 291 (449), 294 
 ( 467 ). 315 (630), 318 (647) 
 Mazarin, Hortense Mancini, Duch- 
 ess of, 251 (108) 
 
 Mecklenburg - Strelitz, Louise of, 
 
 300 (517) 
 
 Merian, Maria Sybilla, 124 
 Mieris, John, 124 
 Milton, John, 247 (80) 
 
 Monckton, Hon. Miss, 319 (658) 
 Monmouth, Duke of, 245 (63), 
 
 313 (613) 
 
 Montagu, Duke of, 163 
 
 Montagu, Lady, 157 
 Montagu, Lady Mary Wortley, ioi, 
 260 (192) 
 
 Montagu, Viscount, 157 
 Montrose, Marquis of, 163 
 Moore, Tom, 244 (59), 314 (620) 
 More, Hannah, 279 (344), 310 (592) 
 Morland, Mrs. George, 133, 282 
 (373) 
 
 Murillo, 138 
 
 Mussard, Jean, 308 (581), 
 
 N 
 
 Naples, Caroline Murat, Queen of, 
 283 (378) 
 
 Napoleon, 50, 94, 256 (159) 
 Napoleon III., 263 (227) 
 
 Nelson, Lord, 277 (336) 
 
 Newark, Lord, 164 
 Ney, Marshal, 247 (76) 
 
 Norton, Hon. Mrs., 193 
 Nottingham, Countess of, 248 (87) 
 
 O 
 
 Olivier, Madame, 302 (528) 
 
 Orange, Frederick Henry, Prince 
 of, 246 (72) 
 
 Orange, William, Prince of, 249 
 
 (95) 
 
 Orleans, Duke and Duchess of, 126 
 Orleans, Henrietta, Duchess of, 20 
 Otway, Thomas, 245 (62) 
 
 Oxford, Earl of, 164 
 
 P 
 
 Palliser, Admiral Sir Hugh, 257 
 
 (167) 
 
 Parma, Duchess of, 244 (56) 
 
 Parr, Rev. Dr. Samuel, 259 (186) 
 Pembroke, Countess of, 165 
 Pembroke, Philip, Earl of, 248 
 (83) 
 
 Pembroke, William Herbert, Earl 
 of, 257 (165) 
 
{ X 'V ) 
 
 Peter the Great, 271 (284) 
 
 Philip, King of Spain, 95 
 Philip V., King of Spain, 295 (477) 
 Philippa of Hainault, Queen of 
 England, 156 
 Phipps, Mrs., 193 
 Piron, Alexis, 305 (554) 
 
 Poland, Frederick Augustus, King 
 of, 300 (518) 
 
 Poland, JohnCasimir, King of, 279 
 ( 350 ) , 
 
 Poland, Marie Leczmski, daughter 
 of King of, 283 (379), 287 (413) 
 Poland, Stanislaus II., King of, 
 254 (144) 
 
 Poelemburg, Counsellor, Two In- 
 fant Children of, 250 (104) 
 Polignac, Archbishop, 256 (156) 
 Pomfret, Countess of, 253 (129) 
 Portsmouth, Duchess of, 173, 254 
 (HO 
 
 Pretender, 252 (125) 
 
 Pretender, Old, 105, 270 (280), 
 313 (619) 
 
 Pretender, Prince Charles Edward 
 Stuart, son of Old, 271 (288) 
 Pretender, Old, wife of, 270 (281) 
 Pretender, Young, and wife, 238 
 (10) 
 
 Pritchard, Mrs., 160 
 Prussia, two daughters of King of, 
 298 (496) 
 
 Q 
 
 Queensberry, Duchess of, 275 (320) 
 
 R 
 
 Raleigh, Sir W., 233 
 Recamier, Madame, 256 (158) 
 Regent, Prince, 244 (58) 
 
 Reynolds, Sir Joshua, 251 (109), 
 
 31. 0 (59i). 
 
 Rhein, Christina Pfalzgravine bei, 
 161 
 
 Richard III., 159 
 Richmond, Duke of, 312 (609) 
 Richmond, Duchess of, 247 (75) 
 Rizzio, David, 284 (38 8) 
 
 Robinson, Mrs. Maria Durey, 259 
 (189-190), 277 (333), 298 (501), 
 31 1 (598) 
 
 Rochester, Earl of, 268 (267) 
 Rogers, Samuel, 193 
 Roland, Madame, 243 (51) 
 Romanus, Pirrus Baleonius, 158 
 Rosalba, Madame Camera, 238 
 (8), 262 (21 1), 
 
 Rossi, Proper! ia, 62 
 Rousseau, Jean Jacques, 31 1 (600) 
 Rubens, two sons of, 177 
 Rudyerd, Sir Benjamin, 237 (3) 
 Rupert, Prince, 162, 243 (49), 252 
 (127) 
 
 Russell, Lady Rachel, 308 (579) 
 Russell, William Lord, 246 (68) 
 Rutland, Duchess of, 277 (332) 
 Ruysch, Rachel, 178 
 
 S 
 
 St. Alban’s, Henry Jermyn, Earl of, 
 
 254 (139) 
 
 St. Alban’s, Lady Diana Vere, 
 Duchess of, 292 (453) 
 
 St. Vincent, Earl of, 48 
 Salisbury, Earl of, 162 
 Santa Croce, Countess of, 215 
 Saxe Marechal, 257 (169) 
 
 Saxe Meiningen, Amelia Adelaide, 
 274 (310) 
 
 Saxony, Frederick William, Duke 
 of, 316 (636) 
 
 Saxony, Sybilla, Duchess of, 43 
 Scott, Sir Walter, 314 (620) 
 
 Selden, John, 249 (98) 
 
 Seymour, Lady Jane, 269 (271) 
 Shaftesbury, Anthony Ashley 
 Cooper, first Earl of, 309 (589) 
 Shaftesbury, Lady Ashley, Countess 
 of, 251 (119) 
 
 Shakespeare, 185 
 
 Sheridan, Richard Brinsley, 275 
 (3i6) 
 
 Shore, Jane, 95 
 Siddons, Mrs., 282 (267)’ 
 
 Sidney, Algernon, 248 (82) 
 
 Smith, Admiral Sir Sydney, 309 
 
 (583) 
 
 Smyth, Sir J./lfio 
 
( XV ) 
 
 Sobieski, Marie Clementine, 286 
 (403), 288 (422) 
 
 Somerset, Duchess of, 251 ( 1 1 8) 
 Sorel, Agnes, 243 (53) 
 
 Spain, Marguerite, Queen of, 292 
 
 (45i) 
 
 Spelman, Sir Henry, 159 
 Stuart, James, 318 (650) 
 
 Stuart, Lady Arabella, 157, 233 
 Stuart, Lord Bernard, 185 
 Stuart, Lord John, 185 
 Stubbs, George, 249 (99) 
 
 Surrey, Earl of, 16 1 
 Surrey, Thomas Howard, Earl of, 
 266 (246) 
 
 Sweden, Bernadotte, King of, 254 
 
 (143) 
 
 Sweden, Charles XII., King of, 
 
 303 (538) 
 
 T 
 
 Thomson, James, 273 (306), 274 
 
 (3 11 ) 
 
 Tuscany, Victoria de Rovere, Du- 
 chess of, 158 
 Tyndale, William, 160 
 Tyrconnel, Duchess of, 246 (73) 
 
 V 
 
 Vere, Catherine, 90 
 Vernon, Lady Diana, 258 (176) 
 Victoire, Madame, 304 (545) 
 Victoria, Queen, 250 (102) 
 
 W 
 
 Waldegrave, Elizabeth, Countess of, 
 280 (354) 
 
 Waldegrave, Lady, 264 (232), 313 
 (614) 
 
 Wales, George, Prince of, 306 
 
 (56i) 
 
 Wales, Henry, Prince of, 69, 158, 
 249 (94), 264 (230) 
 
 Wales, Princess of (afterwards 
 Queen Caroline), 252 (120) 
 Walpole, Horace, 226 
 Walpole, Lady, 160 
 Walpole, Sir Edward, 313 (618) 
 Walpole, Mary Elizabeth, 238 (6) 
 Ward, Mrs., 255 (146) 
 
 Watthier, Mademoiselle, 286 (402) 
 Wellington, Duke of, 245 (60) 
 Wells, Miss, 268 (269) 
 
 Whitgift, Archbishop, 163 
 Wilkes, Miss, 257 (164) 
 
 William IV., 269 (276) 
 
 Willoughby D’Eresby, Lord, 309 
 
 ( 584 ) 
 
 Winchester, Marquis of, 284 (385) 
 Woffington, Peg, 259 (191), 281 
 ( 359-360 
 
 Woodville, Lady Elizabeth, Queen 
 of Edward IV., 315 (625) 
 
 Wren, Sir Christopher, 254 (145) 
 Wurzburg, Archbishop of, 124 
 
 Y 
 
 York, Duchess of, 279 (351) 
 
NOTE 
 
 ON AUCTION SALE. 
 
 A public sale of the pictures, miniatures, &c., comprised in this 
 catalogue took place at the auction rooms of Messrs. Christie, 
 Manson, & Woods, in the month of March, 1885. There were 
 1621 lots, besides the Art books, The highest price obtained for 
 a single lot was ^257 55-., and the entire sale realised close upon 
 Twenty Thousand Pounds. The uncatalogued objets d'art , alluded 
 to in the supplementary preface, were not offered for sale, the family 
 intending to retain same for the present. 
 
 The auction attracted considerable attention. Some experienced 
 art collectors were of opinion that the prices realised were fairly 
 good, whilst others regarded the result as very disappointing. 
 Having regard, however, to the marked depreciation in prices at 
 subsequent auctions of art property during the 1885 season, there 
 would seem to be no substantial ground for treating the general 
 result of the sale as unsatisfactory. 
 
 There were extraordinary anomalies, some articles fetching less 
 than one-tenth of their original cost, whilst many fetched ten times 
 as much, and, in one instance, thirty times as much as the original 
 cost. 
 
 Whilst the sale was proceeding, many misleading statements were 
 circulated in regard to the pictures, and the artists’ names under 
 which they were sold ; some writers even implying that the deceased 
 had fancifully changed the names. In justice to his memory, it was 
 thought desirable to analyse and compare a few of the Lots (see next 
 page) with the original invoices or other memoranda in the family 
 possession, showing not only the prices given by the deceased, but 
 in most instances the source through which the pictures were obtained, 
 and the artists’ names as bought and as recently sold. In point of 
 fact it seems that the greatest depreciation of prices was in 
 respect of pictures bought at the best-known sale rooms, and if the 
 articles were wrongly described in the present catalogue the fault 
 lay in their being erroneously designated when the deceased originally 
 acquired them. 
 
FIFTY LOTS SELLING AT PRICES LARGELY BELOW THE ORIGINAL COS' i 
 
 No. of Lot 
 in Auction 
 Catalogue. 
 
 Page in 
 this 
 
 Volume. 
 
 Artist, bought and sole 
 as. 
 
 Where bought. 
 
 Date bought. 
 
 Prices paid. 
 
 Prices 1 
 realised in 
 1885. 
 
 
 
 
 
 
 £ 
 
 s. d. 
 
 £ d ' 
 
 3 
 
 21 
 
 Boucher 
 
 Phillips’s 
 
 1873 
 
 25 
 
 4 0 
 
 400 
 
 9 
 
 35 
 
 Claude Lorraine 
 
 Christie’s 
 
 1875 
 
 25 
 
 0 0 
 
 10 10 0 
 
 18 
 
 62 
 
 Fragonard 
 
 Christie’s 
 
 l88l 
 
 31 
 
 10 0 
 
 13 13 0 
 
 27 
 
 103 
 
 Laneret 
 
 Phillips’s 
 
 1869 
 
 40 
 
 19 0 
 
 !3 13 0 
 
 33 
 
 107 
 
 Le Clerc 
 
 Christie’s 
 
 1868 
 
 223 
 
 13 0 
 
 105 0 0 
 
 37 
 
 109 
 
 Le Sueur 
 
 Unknown 
 
 Unknown 
 
 25 
 
 0 0 
 
 770 
 
 44 
 
 150 
 
 Pater 
 
 Phillips’s 
 
 1865 
 
 23 
 
 0 0 
 
 8 18 6 
 
 47 
 
 151 
 
 Pater 
 
 Robinson’s 
 
 1878 
 
 25 
 
 0 0 
 
 660 
 
 58 
 
 212 
 
 V ernet 
 
 Puttick’s 
 
 1876 
 
 25 
 
 0 0 
 
 11 11 0 
 
 59 
 
 212 
 
 Vernet 
 
 Christie’s 
 
 1882 
 
 28 
 
 0 0 
 
 10 10 0 
 
 61 
 
 217 
 
 Watteau 
 
 Robinson’s 
 
 1869 
 
 168 
 
 0 0 
 
 50 8 0 
 
 63 
 
 218 
 
 Watteau 
 
 Christie’s 
 
 1866 
 
 6 7 
 
 4 0 
 
 6 60 
 
 66 
 
 218 
 
 Watteau 
 
 Phillips’s 
 
 1865 
 
 110 
 
 0 0 
 
 52 10 0 
 
 75 
 
 1 
 
 Albano 
 
 Christie’s 
 
 1878 
 
 54 
 
 0 0 
 
 5 i 5 6 
 
 77 
 
 4 
 
 Fra Angelico 
 
 Phillips’s 
 
 1869 
 
 40 
 
 19 0 
 
 21 00 
 
 96 
 
 32 
 
 Caracci 
 
 Christie’s 
 
 1875 
 
 15 
 
 15 0 
 
 440 
 
 IOI 
 
 48 
 
 Dolci 
 
 Christie’s 
 
 1878 
 
 52 
 
 10 0 
 
 32 11 0 
 
 105 
 
 6 3 
 
 Francia 
 
 Unknown 
 
 Unknown 
 
 89 
 
 5 0 
 
 22 1 0 
 
 106 
 
 6 3 
 
 Francia 
 
 Christie’s 
 
 1872 
 
 39 
 
 18 0 
 
 10 10 0 
 
 128 
 
 106 
 
 Lauri 
 
 Christie’s 
 
 1878 
 
 39 
 
 18 0 
 
 12 12 0 ; 
 
 132 
 
 117 
 
 Maratti 
 
 Phillips’s 
 
 1869 
 
 34 
 
 13 0 
 
 8 18 6 
 
 136 
 
 H 9 
 
 Masaccio 
 
 Christie’s 
 
 i860 
 
 53 
 
 11 0 
 
 7 7 0 
 
 141 
 
 169 
 
 Raffaelle 
 
 Christie’s 
 
 1878 
 
 120 
 
 i 5 0 
 
 22 1 0 
 
 M 3 
 
 170 
 
 Raffaelle 
 
 Christie’s 
 
 1872 
 
 45 
 
 3 0 
 
 10 10 0 
 
 147 
 
 174 
 
 Salvata Rosa 
 
 Christie’s 
 
 1876 
 
 49 
 
 7 0 
 
 15 15 0 
 
 148 
 
 J 75 
 
 Salvata Rosa 
 
 Christie’s 
 
 1876 
 
 52 
 
 10 0 
 
 15 4 6 
 
 149 
 
 175 
 
 Salvata Rosa 
 
 Christie’s 
 
 i860 
 
 18 
 
 7 6 
 
 I 10 
 
 152 
 
 181 
 
 Sassoferrato 
 
 Christie’s 
 
 1869 
 
 26 
 
 5 0 
 
 10 10 0 
 
 153 
 
 182 
 
 Schidono 
 
 Christie’s 
 
 1878 
 
 27 
 
 6 0 
 
 4 14 6 | 
 
 164 
 
 209 
 
 De Vargas 
 
 Christie’s 
 
 1872 
 
 40 
 
 19 0 
 
 7 17 6 J 
 
 187 
 
 15 
 
 Berghem 
 
 Christie’s 
 
 1877 
 
 42 
 
 0 0 
 
 26 15 6 % 
 
 227 
 
 45 
 
 Cuyp 
 
 Christie’s 
 
 1873 
 
 49 
 
 7 0 
 
 12 12 0 
 
 239 
 
 56 
 
 Elslieimer 
 
 Christie’s 
 
 1867 
 
 6 3 
 
 0 0 
 
 4 14 6 
 
 252 
 
 64 
 
 Old Francks 
 
 Christie’s 
 
 1872 
 
 39 
 
 18 0 
 
 16 5 6i 
 
 276 
 
 86 
 
 Van der Heyden 
 
 Phillips’s 
 
 1865 
 
 73 
 
 10 0 
 
 38 17 0 1 
 
 285 
 
 93 
 
 Van Huysum 
 
 Christie’s 
 
 1861 
 
 115 
 
 10 0 
 
 60 18 0 J 
 
 328 
 
 127 
 
 Mommers 
 
 Phillips’s 
 
 1862 
 
 24 
 
 0 0 
 
 10 10 0 
 
 355 
 
 143 
 
 N etscher 
 
 Christie’s 
 
 1880 
 
 52 
 
 10 0 
 
 26 5 0 j 
 
 423 
 
 200 
 
 Van Tol 
 
 Christie’s 
 
 1878 
 
 66 
 
 6 0 
 
 14 14 0 i| 
 
 464 
 
 2 
 
 Aldegrever 
 
 Christie’s 
 
 1879 
 
 46 
 
 4 0 
 
 24 3 0 
 
 470 
 
 42 
 
 Cranach 
 
 Christie’s 
 
 1873 
 
 34 
 
 13 0 
 
 18 7 6 
 
 479 
 
 53 
 
 Diirer 
 
 Christie’s 
 
 1844 
 
 28 
 
 17 0 
 
 11 06 
 
 492 
 
 84 
 
 Hemling 
 
 Christie’s 
 
 1876 
 
 73 
 
 10 0 
 
 40 19 0 
 
 512 
 
 147 
 
 Van Orley 
 
 Christie’s 
 
 1877 
 
 28 
 
 7 0 
 
 10 10 0 
 
 600 
 
 248 
 
 Hoskins 
 
 Christie’s 
 
 1874 
 
 33 
 
 0 0 
 
 10 10 0 
 
 611 
 
 251 
 
 Cooper 
 
 •Phillips’s 
 
 1862 
 
 12 
 
 12 0 
 
 1 12 0 
 
 1059 
 
 307 
 
 Kugler 
 
 Christie’s 
 
 1867 
 
 18 
 
 0 0 
 
 650 
 
 1376 
 
 137 
 
 Murillo 
 
 Christie’s 
 
 1864 
 
 39 
 
 18 0 
 
 2 12 6 
 
 1507 
 
 1 13 
 
 Linnell Senr. 
 
 Christie’s 
 
 1879 
 
 43 
 
 1 0 
 
 15 15 0 
 
 1618 
 
 211 
 
 V erboeckhoven 
 
 Christie’s 
 
 1866 
 
 42 
 
 0 0 
 
 26 5 0 
 
 
 
FIFTY LOTS SELLING LARGELY IN ADVANCE OF THE ORIGINAL COST. 
 
 No. of Lot 
 in Auction 
 Catalogue. 
 
 Page in 
 this 
 
 Volume. 
 
 Artist, bought and sold 
 as. 
 
 Where bought. 
 
 Date bought. 
 
 Prices paid 
 
 Prices 
 realized in 
 1885. 
 
 28 
 
 103 
 
 Lancret 
 
 Christie’s 
 
 1872 
 
 £ 
 
 9 
 
 s. d. 
 0 0 
 
 £ s- d. 
 29 8 0 
 
 29 
 
 I04, 
 
 Lancret 
 
 Christie’s 
 
 l86l 
 
 10 
 
 10 0 
 
 3° 9 o' 
 
 34 
 
 139 
 
 Le Nain 
 
 Phillips’s 
 Phillips’s 
 t Christie’s 
 
 1862 
 
 13 
 
 13 0 
 
 52 10 0 
 
 60 
 
 219 
 
 Watteau 
 
 1869 
 
 32 
 
 11 0 
 
 81 18 0 
 
 65 
 
 21 8 
 
 Watteau 
 
 1869 
 
 35 
 
 10 0 
 
 136 10 0 
 
 93 
 
 30 
 
 Canaletti 
 
 Christie’s 
 
 1882 
 
 37 
 
 16 0 
 
 89 5 0 
 
 113 
 
 70 
 
 Giorgione 
 
 Christie’s 
 
 1872 
 
 73 
 
 10 0 
 
 1 15 10 0 
 
 115 
 
 71 
 
 Giottino 
 
 Christie’s 
 
 i860 
 
 10 
 
 10 0 
 
 35 *4 0 
 
 191 
 
 16 
 
 De Beyer 
 
 Phillips’s 
 
 Christie’s 
 
 1869 
 
 26 
 
 0 0 
 
 52 10 0 
 
 247 
 
 60 
 
 Ferg 
 
 l86l 
 
 14 
 
 0 0 
 
 31 10 0 
 
 248 
 
 60 
 
 Ferg 
 
 Christie’s 
 
 1 865 
 
 20 
 
 0 0 
 
 54 12 0 
 
 * 278 
 
 86 
 
 Van der Heyden 
 
 Phillips’s 
 
 Christie’s 
 
 1873 
 
 21 
 
 0 0 
 
 42 00 
 
 279 
 
 86 
 
 Van der Heyden 
 
 1865 
 
 22 
 
 11 6 
 
 39 18 0 
 
 324 
 
 125 
 
 Mieris (F.) 
 
 Sotheby’s 
 
 1882 
 
 13 
 
 2 6 
 
 31 10 0 
 
 325 
 
 125 
 
 Mieris (W. ) 
 
 Christie’s 
 
 1861 
 
 15 
 
 4 6 
 
 32 11 0 
 
 358 
 
 147 
 
 Van Ostade 
 
 Phillips’s 
 
 Foster’s 
 
 1863 
 
 8 
 
 18 6 
 
 45 3 0 
 
 360 
 
 148 
 
 Ouwater 
 
 1877 
 
 10 
 
 10 0 
 
 48 6 0 
 
 428 
 
 210 
 
 Van de Velde 
 
 Christie’s 
 
 1864 
 
 34 
 
 13 0 
 
 63 0 0 
 
 439 
 
 215 
 
 De Voys 
 
 Christie’s 
 
 1866 
 
 10 
 
 0 0 
 
 31 10 0 
 
 450 
 
 228 
 
 Wouvermans 
 
 Christie’s 
 
 1872 
 
 3 i 
 
 10 0 
 
 84 0 0 
 
 499 
 
 no 
 
 Van Leyden 
 
 Foster’s 
 
 1869 
 
 55 
 
 13 0 
 
 131 5 0 
 
 508 
 
 116 
 
 Mabeuse 
 
 Christie’s 
 
 1877 
 
 55 
 
 13 0 
 
 257 5 0 
 
 5*0 
 
 1 17 
 
 Mabeuse 
 
 Phillips’s 
 
 1862 
 
 i 5 
 
 15 0 
 
 45 3 0 
 
 '542 
 
 238 
 
 Oliver 
 
 Christie’s 
 
 1861 
 
 4 
 
 15 0 
 
 32 1 
 
 1 0 
 
 608 
 
 250 
 
 Ross 
 
 Christie’s 
 
 i860 
 
 21 
 
 0 0 
 
 38 17 0 
 
 621 
 
 252 
 
 Unknown 
 
 Christie’s 
 
 1864 
 
 12 
 
 12 0 
 
 44 2 0 
 
 817 
 
 2 76 
 
 Cosway 
 
 Christie’s 
 
 1868 
 
 12 
 
 15 0 
 
 63 00 
 
 820 
 
 277 
 
 Courtois 
 
 Phillips’s 
 
 1862 
 
 17 
 
 17 0 
 
 44 2 0 
 
 823 
 
 277 
 
 Cosway 
 
 Christie’s 
 
 1871 
 
 9 
 
 16 0 
 
 46 14 6 
 
 831 
 
 278 
 
 Petitot 
 
 Phillips’s 
 
 1861 
 
 8 
 
 12 0 
 
 60 00 
 
 840 
 
 279 
 
 Cos way 
 
 Christie’s 
 
 1868 
 
 12 
 
 1 6 
 
 42 0 0 
 
 900 
 
 287 
 
 Nattier 
 
 Phillips’s 
 
 1862 
 
 15 
 
 0 0 
 
 46 40 
 
 958 
 
 294 
 
 Unknown 
 
 Christie’s 
 
 i860 
 
 11 6 
 
 23 20 
 
 984 
 
 298 
 
 Flail 
 
 Christie’s 
 
 1865 
 
 3 
 
 15 0 
 
 108 3 0 
 
 988 
 
 298 
 
 De Mailly 
 
 Phillips’s 
 
 1861 
 
 9 
 
 0 0 
 
 32 11 0 
 
 1037 
 
 304 
 
 Unknown 
 
 Christie’s 
 
 1865 
 
 4 
 
 0 0 
 
 22 
 
 1 0 
 
 1067 
 
 308 
 
 Seyre 
 
 Christie’s 
 
 1867 
 
 6 
 
 0 0 
 
 29 8 0 
 
 1105 
 
 314 
 
 Essex 
 
 Christie’s 
 
 1866 
 
 56 
 
 10 0 
 
 106 
 
 1 0 
 
 1182 
 
 250 
 
 Bone 
 
 Christie’s 
 
 1866 
 
 89 
 
 5 0 
 
 215 5 0 
 
 1192 
 
 243 
 
 Bone 
 
 Christie’s 
 
 1862 
 
 16 
 
 0 0 
 
 40 19 0 
 
 1346 
 
 91 
 
 Holbein 
 
 Christie’s 
 
 1865 
 
 17 
 
 10 0 
 
 44 2 0 
 
 1420 
 
 35 
 
 Cleveley 
 
 Foster’s 
 
 1879 
 
 22 
 
 11 6 
 
 89 5 0 
 
 1465 
 
 61 
 
 Fielding 
 
 Unknown 
 
 1850 
 
 10 
 
 10 0 
 
 49 7 0 
 
 1517 
 
 115 
 
 De Loutherbourg 
 
 Foster’s 
 
 1879 
 
 15 
 
 46 
 
 40 19 0 
 
 1519 
 
 129 
 
 Morland 
 
 Christie’s 
 
 1862 
 
 33 
 
 12 0 
 
 73 10 0 
 
 1542 
 
 134 
 
 Morland 
 
 Christie’s 
 
 1878 
 
 25 
 
 4 0 
 
 52 10 0 
 
 1547 
 
 136 
 
 Muller 
 
 Sotheby’s 
 
 Christie’s 
 
 1882 
 
 13 
 
 2 6 
 
 32 11 0 
 
 1558 
 
 143 
 
 Nollekens 
 
 1878 
 
 16 
 
 16 0 
 
 34 r 3 0 
 
 1578 
 
 190 
 
 Stark 
 
 Christie’s 
 
 1861 
 
 8 
 
 8 0 
 
 36 15 0 
 
 1611 
 
 226 
 
 Wilson 
 
 Brighton 
 
 1879 
 
 20 
 
 0 0 
 
 45 3 0 
 
CATALOGUE OF THE PICTURES 
 
 AT . 
 
 NORTH END HOUSE , TWICKENHAM. 
 
 FRANCESCO ALBANO. 
 
 Born at Bologna in 1578, died there in 1660. This admired 
 painter, called by Lanzi the Anacreon of Painting, was fellow- 
 student and intimate friend of Guido and Domenichino, and all 
 three subsequently became contemporary students at the school of 
 Annibale Carracci. Bolognese School. 
 
 The Apoteieosis of the Magdalen. Seven figures. 
 
 Canvas — 16| in. by 11J. From the Novar Collection , Christie's , 
 June 1, 1878. 54/. 
 
 MARIOTTO ALBERTINELLI. 
 
 Born at Florence in 1475, died in 1520. Pupil of Cosimo Rosselli, 
 and fellow-student with Fra Bartolommeo di San Marco. “ His 
 works, according to Bryan and Nagler, are held in considerable 
 estimation in Italy, and are rare even in Florence.” Tusca?i 
 School. 
 
 Flagellation of our Saviour, with numerous figures. 
 
 Panel , circular — 1 5^ in. 
 
 B 
 
( 2 ) 
 
 HENRY ALDEGREVER. 
 
 This celebrated Artist was born at Soest in Westphalia in 1502, 
 died 1562 or later. He was one of the most proficient of Albert 
 Differ’ s pupils, both in painting and engraving. German School. 
 
 Portrait of John of Leyden in full costume, the famous 
 leader of the Anabaptists of Munster, who in 1533 was hailed 
 as King, and became supreme ruler in the town for two years, 
 fie had previously resided for four years in England. In 1535 
 he was captured, after a six months’ siege by the Bishop, and 
 put to death with red-hot pincers, stabbed and mutilated, and 
 then hung up in an iron cage on the tower of the Cathedral 
 Church of St. Lambert, where the cage is still seen. The 
 following elaborate inscription in Westphalian German ( i.e . 
 platt-deutsch) is in capitals, at foot of the picture — 
 
 Johan . van . Leiden . EyN . Koninck . der . Wederdoper . 
 
 tho . Monster . waehrhaftich . conterfeit . 
 
 HAEC . FACIES . HIC . CULTUS . ERAT . CUM . SEPTRA . TENERE . 
 
 Rex etc, etc . Sed beeve tempus ego . 
 
 Anno m.d.xxxvi . 
 
 Gottes . Macht . ist . Ayn . Cracht . 
 
 With this is an engraving of the Portrait, by J. de Wit, but 
 with a different inscription and reversed. The original en- 
 graving is a facsimile of the Portrait, signed by Aldegrever, and 
 dated 1536, which is much valued by collectors,, and, I believe 
 worth 50/. With the present picture is included a Quarto 
 Manuscript of 248 pages of which the title is “ John of Leyden, 
 the Prophet King of the Anabaptists of Munster,” an historical 
 sketch of the sixteenth century (apparently by John Rees). 
 
 Panel — 26 in. by 18. Baron Heath's Collection , Christie* s ’, March 
 8th, 1879. 44 guineas. 
 
 Lot Receiving the Angels. Three richly-dressed figures 
 with an architectural background. Engraved in 1555. 
 
 * 
 
 Copper— 5 in. by 4 
 
( 3 ) 
 
 JOSEPH WILLIAM ALLEN. 
 
 Born at Lambeth in 1803, died 1852. Landscape painter, much 
 in the manner of Patrick Nasmyth ; at one time he painted scenes 
 with Clarkson Stanfield. A leading promoter and Vice-President 
 of the Society of British Artists, Suffolk Street Gallery. English 
 School. 
 
 A Small Upright Landscape, richly foliaged, with a horse- 
 man and two figures on a road. 
 
 Panel — 9 in. by 8. 
 
 ALBERT ALTDORFER. 
 
 Born at Altdorf in Bavaria in or before 1488, died at Regensburg, 
 1538. An eminent painter and engraver, regarded as one of the best 
 pupils of Albert Diirer. Highly praised by Lord Lindsay, vol iii., 
 p. 387. German School. 
 
 Judas Receiving the Price of his Treason. Eight 
 figures within a small frame, with a medallion portrait on 
 each side, within floriated scrolls ; dated 1523 at top. 
 
 Panel — 6 in. by 6, in a diamond-shaped frame. 
 
 JOST AMMAN. 
 
 Born at Zurich in 1539, died at Niirnberg in 1591. Painter and 
 engraver. “ His oil paintings,” says Nagler , “are highly esteemed, 
 and rarely met with.” German School. 
 
 Portrait of a Lady Abbess, with her hands clasped in 
 prayer, a missal in red binding, an hour-glass, and a death’s 
 head before her ; a landscape background. 
 
 Panel — 10 in. by 8. Lord Willoughby de Eresby , May 1st, 
 
 1865. 10/. 
 
 HENRY ANDREWS. 
 
 Born about 1810, died November 30th, 1868. A subject-painter 
 of considerable talent, generally in the style of Watteau, but he was 
 unfortunately too much in the hands of unscrupulous dealers. It is 
 
( 4 ) 
 
 HENRY ANDREW S — continued. 
 
 said of him that he once painted a picture in the style of Wouver- 
 mans so closely as to deceive an eminent connoisseur, and he had to 
 prove it was his work by showing his signature under the frame. 
 
 A Garden Scene with a Fountain, and sporting dogs 
 reposing, the principal figures being a French lady on a white 
 horse with a hawk on her shoulder, and her attendant, on a 
 brown horse, with cap in one hand and a glass of wine in the 
 other, making his obeisance to her. 
 
 Panel — 9 in. by 8. 
 
 FRA ANGELICO DA FIESOLE. 
 
 Born at Vicchio, near Florence, in 1387, and in 1407 joined the 
 Order of the Predicants at Fiesole , whence he acquired his surname, 
 died at Rome, 1455. For an account of this extraordinary artist, 
 see Lord Lindsay, letter vi., Lanzi, vol. 1., and Vasari. Florentine 
 School. 
 
 The Crucifixion and Taking Down from the Cross, 
 and the Entombment, with numerous figures and soldiers, 
 exquisitely painted on gold ground. A diptych in a richly- 
 carved and gilt case. 
 
 A choice and beautiful example of this great Christian painter, 
 whom Lord Lindsay calls “ the especial voice and exponent in 
 painting of that religious rapture or ecstasy produced by the 
 action of Spirit, or of the moral principle, on Sense through 
 the medium of the Imagination, and which finds but an 
 insufficient expression even in poetry.” 
 
 Panel — Each painting 15^ in. by io|. Phillips’s, May nth, 1869, 
 Augustus Stevens. 40/. 19^. Reported to have been bought in 
 Italy by Marshal Soult. 
 
 The Virgin and Child. The Virgin in a light blue robe 
 richly gilt, the child in an amber dress enriched with gold, the 
 background a curtain spangled with gold ornaments. 
 
 Panel — i6i in. by 11. 
 
 r 
 
( 5 ) 
 
 FRA ANGELICO — continued. 
 
 A Procession of Choristers, consisting of fifteen youthful 
 figures in rich costume, exquisitely painted on a gold ground 
 within a floriated circle, probably the chief miniature of a large 
 Choral Service, forming the letter O. 
 
 Vellum — 8| in. by 8J, in square frame , glazed. From the Woodburn 
 Collection. 
 
 PETER ANGELIS. 
 
 Born at Dunkirk in 1685, died at Rennes, in Bretagne, 1734. 
 He came to England in 1712, and met with great encouragement, 
 remaining here for sixteen years. “ His style,” says Bryan, “is a 
 mixture of Teniers and Watteau, with more grace than the former, 
 and more nature than the latter.” Flemish School of French 
 character. 
 
 A Fruit and Vegetable Market. A seated female figure 
 in foreground, a gardener with a basket of fruit and flowers in 
 his hand. — Signed, P. Angelis, 1726. 
 
 Panel — 20* in. by 17. 
 
 A Fish Stall, with a variety of fish and lobsters on a board 
 in front, and a basket of oysters, etc., on the floor; with a 
 female bargaining with the salesman for a lobster. — Signed, 
 P. Angelis, 1725. 
 
 Panel — 20% in. by 17, a companion to the preceding picture . 
 
 This pair appears to have come from the Earl of Derby’s 
 Collection, who bought them (according to Meyer) at an auction 
 in 1842. 
 
 SOPHONISBA ANGUISCIOLA. 
 
 Born at Cremona, 1533 — 35, died at Genoa in 1626. A dis- 
 tinguished portrait-paintress. Cremonese School. 
 
 Portrait of Herself, a full-sized three-quarter length, 
 probably in her twenty-fifth year, clad in rich costume, her 
 
( 6 ) 
 
 SOPHONISBA ANGUISCIO LA — continued. 
 
 right hand resting on a book, near a vase of flowers, her left 
 holding gloves and a handkerchief, exquisitely painted with the 
 finish of a miniature. 
 
 Said to be the Portrait sold by auction at the dispersion of 
 the Galerie Thibandeau, Paris, 1857, for between five and six 
 hundred francs. All art critics and biographers, from Vasari to 
 the present time, agree in extolling the works of this celebrated 
 portrait-paintress. Examples are very rare. Siret and Nagler 
 say, “very rare even in Italy, where they are much valued,” 
 the chief being in Madrid, where she was invited by Philip 
 the Second, and during her long residence there immensely 
 appreciated. 
 
 Canvas — 3 ft. by 2 ft. 5 in. Formerly in the Watson Taylor 
 Collection , where it sold for 26/. 5.?. 
 
 GEORGE ARMFIELD. 
 
 Born April 12th, 1811, still living and in the enjoyment of 
 good health. He was apprenticed when fourteen years of age 
 to a trading firm in the City of London, but he did not like the 
 trade, and with the advice and assistance of an artistic member 
 of the firm, who perceiving that the boy had a pronounced taste 
 for painting, not only gave him colours, but taught him how to 
 mix them ; young Armfield thereupon devoted himself assiduously 
 to the department of Art for which he has since become celebrated, 
 and has arrived at excellence by the attentive study of nature 
 and animal life, without any other master. From 1840 to 1869, 
 that is, for thirty years, he exhibited pictures annually at the 
 Royal Academy, the Society of British Artists, and the British 
 Institution, as will be seen by the Catalogues, and always found 
 customers. They were generally small pictures, well drawn and 
 carefully finished, and the prices affixed, as far as the printed 
 evidence tells us, varied according to the number of figures intro- 
 duced from 18 to 70 guineas. In 1870 the sight of Armfield’s right 
 eye began to fail, and he had to undergo an operation, which, how- 
 ever, was so successful, that he was merely reduced to the necessity 
 of temporarily using glasses, and has of late so far recovered that 
 he can now paint without them, and continues to do so. The 
 current report that he is, or was, blind, or has been so, is a 
 fabrication. 
 
 A Pair of Cabinet Pictures of Interiors, each with a 
 group of five dogs in the foreground, and dead game, etc., in 
 
( 7 ) 
 
 GEORGE ARM FIELD— continued. 
 
 the background, exquisitely painted.— Signed, G. Armfield, 
 1859. 
 
 Copper — 7 in. by 9. In glazed frames. 
 
 These firstrate specimens of George Armfield’s work were 
 painted expressly, by the agency of Messrs. Jennings & Co., of 
 Cheapside, for my late friend, Mr. Thomas Brown, partner and 
 cashier in the great bookselling firm of Longman & Co. They 
 cost him, he told me, about 20 guineas each. At the sale of 
 his pictures at Christie’s, June 4th, 1869, I obtained them at 
 the low price of 18/. 18^. 
 
 An Interior, with Four Dogs, and a Puppy, three of 
 them prominently in the foreground, the others behind with a 
 horn powder flask and other accessories. 
 
 7 in. by 11. In glazed frame. Bought of Messrs. Jennings , 
 Armfield' 1 s agents. 15/. 15^. 
 
 A Sporting Dog, with Game alongside Him, and a gun 
 at his back. — Signed, G. Armfield, 1869. 
 
 Canvas — 10 in. by 12. In glazed frame. 
 
 Two Dogs Coursing a Hare over a green sward ; with an 
 old tree in the background. 
 
 Canvas — 14 in. by 14. A circular picture in square frame. 
 
 The Border of a Richly Foliaged Plantation, with two 
 small dogs in the foreground chasing a hare. A clever early 
 work. 
 
 Canvas — 9 in. by 12. 
 
 ARTOIS AND VAN DER MEULEN. 
 
 Jacques Artois born at Brussels, 1613, died about 1684. A. F. 
 Van der Meulen born at Brussels, 1634, died at Paris, 1690. 
 Flemish School. 
 
 A Woody Landscape at Evening, with cattle being driven 
 home by a peasant, a pair of horses with a rider on one, and a 
 dog near him. Highly finished. — Signed, J. Artois. 
 
 Panel — n in. by 17. 
 
( 8 ) 
 
 JOHN ASSELYN. 
 
 Born at Antwerp, 1610, died at Amsterdam in 1660. Painter of 
 landscapes, generally with figures and cattle, in the manner of 
 Berghem. His skies and distances are tenderly coloured, and there 
 is generally a charming effect of sunshine in his pictures resembling 
 the warmth of John Both. His pictures are highly esteemed, and 
 worthy a place in the choicest collections, and, according to Nagler , 
 sell for high prices in Italy. Flemish School . 
 
 An Italian River Scene, with massive buildings on the 
 bank, a passage on the river, and a ferry-boat with peasants and 
 cattle preparing to cross. 
 
 Canvas — 15 in. by t.\\. Christie 1 s, Winstanley Collection , May 9th, 
 1865. 13/. I3J-. 
 
 An Evening Landscape on the Side of a River, with 
 a massive ruined archway, and two peasants driving cattle 
 through it towards a ford. Ships in the distance. Highly 
 finished. 
 
 Panel — 11 in. by 15. 
 
 A Ruined Tower and a Lighthouse on the banks of 
 a stream (or the ocean), with a carrier and other figures in 
 front. 
 
 Canvas — 14 in. by 17. 
 
 An Upright Landscape, with a horseman on the road, a 
 tower in the distance. 
 
 Panel — 12 in. by 10. Christie's , Munro of Nov ar, May \%th, 1867. 
 
 GABRIEL JACQUES DE SAINT AUBIN. 
 
 4. 
 
 Born at Paris in 1724, died 1780. Brother of the celebrated 
 engraver. Pupil of Boucher. « 
 
 A Pair of Small, French Landscapes. 
 
( 9 ) 
 
 LUDOLPH BACKHUYSEN, 
 
 Born at Embden, 1631, died 1709. A first-class painter of 
 marine subjects in his mature years. He was a pupil of Albert 
 van Everdingen, the celebrated landscape painter, and afterwards 
 received some instructions in marine painting from Hendrik 
 Dubbels. Dutch School. 
 
 A Woody Landscape, at the mouth of a river, with ruins of 
 a tower, peasants and goats in the foreground. An early and 
 carefully painted picture, in the manner of his first master, 
 Everdingen. — Signed, L. B., 1656. 
 
 Panel — ii -| in. by 165. 
 
 Four Vessels in a Breeze, on the Dutch Coast. From 
 the Collection of Arthur O. S. Cave, Esq , of Rosbrin Manor, 
 Co. Cork. 
 
 Canvas — 20 in. by 2o|. January z^th, 1881. 27/. 6s. 
 
 A Sea Piece, with shipping in moonlight, on the Dutch 
 Coast. A cabinet picture, highly finished, in the manner of 
 Wm. van de Velde. 
 
 Panel — 9 in. by iq§. Christie' s, December 11 th, 1875. 16/. 16.?. 
 
 THOMAS BAKER. 
 
 Of Leamington. Landscape painter, highly esteemed in the 
 Midland Counties, where he chiefly practised. Born 1809, died 
 1873. He exhibited a View in Warwickshire at the Royal Academy 
 in 1831, Views on the Clyde in 1847, in 1858 a View of Leamington, 
 giving his residence then as Church Street, Leamington. 
 
 A View of Stoneleigh Park, Warwickshire, the seat 
 of Loyd Leigh, showing cows in the foreground, and a bridge 
 in the distance. — Signed and dated, i860. 
 
 8 in. by 10, glazed. 
 
 Mr. Redgrave is in error as to the death of Thomas Baker, 
 which he gives as 1844. He died in 1873, and his pictures, 
 chiefly of a cabinet size, were sold at Birmingham in November 
 of that year at from 50 to 100 guineas each. 
 
 c 
 
( 10 ) 
 
 THOMAS BAKER — continued. 
 
 A Landscape View of the Village of Lilington in 
 Warwickshire, with castle and buildings in the distance. — Signed, 
 T. Baker, 1842. 
 
 Canvas — 10 in. by 12. Bought , February 25th, 1865, at Christie' s-> 
 Samuel Cartwright , Esq. 10/. iol 
 
 HENRY VAN BALEN. 
 
 Born at Antwerp, 1560, died 1632. This distinguished painter, 
 who is ranked by art critics as among the excellent artists of his 
 country, was a pupil of Adam van Oort , the master of Rubens. 
 On leaving which School he resided for several years in Italy, where 
 his cabinet pictures were greatly admired and sought for. On his 
 return to Antwerp he became the first instructor of Vandyck. Van 
 Balen’s pictures were generally of the cabinet size, with small, 
 undraped figures in groups, illustrating mythological or scriptural 
 subjects, the colouring having much the characteristics of Rubens 
 Flemish School. 
 
 The Holy Family ; i.e. the Virgin, Child, and St. John with 
 an angelic Infant presenting fruit, and Saint Francis looking on. 
 Painted in the manner of Rubens. 
 
 Panel — 14 in. by 18. Christie's, Matthew Anderson' s Collection , 
 June qth, 1861. 10/. ioj. 
 
 The Holy Family ; i.e. the Virgin, Child, and St. John, with 
 two winged Cherubs, one on a lamb, the other with a staff 
 encircled by a snake ; Joseph in the background. 
 
 Copper — 6f in. by 9^. 
 
 VAN BALEN AND VELVEL BREUGHEL. 
 
 The Golden Age. A woody landscape with numerous 
 figures, mostly semi-nude, in various attitudes, surrounded* by 
 beasts and animals. 
 
 Copper — 17 in. by 22. Christie's , June ijth , 1876, Lord Beecham. 
 9/. 19L 6 d. 
 
( II ) 
 
 JOHN VAN DER BANK. 
 
 Born 1693, died. 1739. Long resident in this country and much 
 patronised. English School. 
 
 Sancho and the Duchess, with other figures. One of the 
 designs painted by Van der Bank for Lord Carteret’s edition of 
 Doji Quixote > published in 1738. It was engraved by John 
 Van der Gucht, and afterwards used in Jarvis’s translation, pub- 
 lished 1756 in 2 vols. 4to. 
 
 Canvas — 16 in. by 12. 
 
 PIERRE BARBERI. 
 
 A skilful worker in Mosaics, pupil of Aguatti, lived long in Italy, 
 where he was much employed by Prince Eugene ; afterwards he 
 went to Paris, where he worked for the Emperor Alexander, and 
 many of his mosaics are in the Museum of St. Petersburg. He 
 was alive in 1830. 
 
 A Coloured Mosaic, of high quality, representing Ruins 
 in Rome. Framed. 
 
 6 \ in. by 8. 
 
 BENJAMIN BARKER. 
 
 Brother of Thomas ; landscape painter much in the manner of 
 the old masters. Born at Bath in 1776, died at Totnes, March 2nd, 
 1862. He exhibited at the Royal Academy in 1800, 1801, 1810, 
 1813, and 1821, and at the British Institution. “His works (says 
 Redgrave) have considerable merit/’ 
 
 A Pair of English Cottage Landscapes with a peasant 
 in front of each. 
 
 Panel — 10 in. by 8. 
 
 A Pair of Cabinet Landscapes, with trees, buildings, and 
 cattle. 
 
 Panel — 6 in. by 4^. 
 
( 12 ) 
 
 THOMAS JONES BARKER. 
 
 Son of Thomas, called Barker of Bath, born there in 1815, and 
 still living. 
 
 A Pair of Cabinet Pictures, one an open landscape with 
 cattle, horses, and peasants, the other a similar landscape with a 
 cottage, a milkmaid driving a cow, a horse and cart, cattle, &c.‘ 
 Painted in 1854 for Vice-Admiral Lysaght. 
 
 Pa?iel — 9 in. by 12. Christie's, Admiral Lysaght , April 2 nd, i860. 
 
 81. 8s. 
 
 FEDERIGO BAROCCIO. 
 
 Born at Urbino in 1528, died there in 1612. A painter of 
 religious and sentimental subjects in the manner of Correggio. The 
 Holy Family subjects are considered the happiest of his produc- 
 tions. Roman School. 
 
 The Head of a Cherub looking down from the clouds. 
 In a richly carved Italian frame. 
 
 Canvas — 10 in. by 8£. 
 
 Holy Family ; a small picture. 
 
 Christie’s, November 2$th, 1871. 61. 10s. 
 
 A Pair of Elaborately Carved Italian Frames of the 
 sixteenth century, one of which incloses a picture of the 
 Madonna with the Child on a cushion in her lap, with a saint 
 on each side at the back of her, painted by Baroccio on copper ; 
 the other, the Madonna and Child, after Raphael , painted on 
 porcelain. 
 
 8 in. by 7. 
 
 FRA BARTOLOMEO DE SAN MARCO, i.e. Baccio 
 della Porta. 
 
 Born at Savignano, near Florence, in 1469, died in 1517. This 
 eminent painter was a student of the works of Leonardo da Vinci. 
 He became intimate with Raphael in 1504, to whom he gave some 
 instruction, and received some from him in return. He is said to 
 have destroyed all his studies and designs of nude figures at the 
 instance of the unfortunate Savonarola, who was burned by order 
 of Pope Alexander VI. in 1498. Tuscan School. 
 
( 13 ) 
 
 FRA BARTOLOMEO — continued. 
 
 A Large Bacchanalian Group of Nude Children, 
 numbering fourteen, in fantastic positions. 
 
 Panel— 17 in. by 36. Christie's, June \th, 1859. 
 
 The Holy Family, the Virgin, Child, St. John, and Joseph ; 
 a miniature picture with a richly enamelled frame, round which 
 are scriptural figures and emblems. 
 
 Cardboard — 5 in. by 4. 
 
 J. BARTHELEMY VAN BASSEN. 
 
 A distinguished architectural painter, particulars of whom are 
 unknown, but he flourished before and after 1624. Most of his 
 pictures are in England, but there are two esteemed ones in the 
 Berlin Gallery. Flemish School. 
 
 Interior of the Jesuits’ Church, Antwerp, with numer- 
 ous figures. — Signed and dated, 1613. 
 
 Panel — 27 in. by 14. 
 
 An Interior of the Stadt House, Leyden, with several 
 Rubenesque figures promenading or seated, added probably by 
 Van Thulden. — Signed in full and dated, 1625. 
 
 Panel — 14 in. by 20. Christie's , May 21 st, i860. 18 \ guineas. 
 
 POMPEO BATTONI. 
 
 Born at Lucca in 1702, died at Rome in 1787. “ His portraits 
 
 are remarkable for firmness and neatness of touch, and are clever 
 pictures of their kind.” 
 
 The Annunciation, represented as an Angel addressing the 
 Virgin, and pointing with her right hand to heaven. 
 
 Canvas — 28 in. by 30. 
 
 Santa Margarita, with her usual emblems and indications, 
 her left hand on the head of the dragon. 
 
 Canvas — 3 ft. by 2 ft. 6 in. 
 
 The Magdalen, an enamel. 
 
 12 in. by 9. Christie's , Behrens, July 1, 1861. 
 
( 14 ) 
 
 LIEUTENANT-COLONEL ROBERT BATTY. 
 
 An amateur draughtsman, died in London, November 20th, 1848, 
 aged 59. His industry was great, his works carefully and truthfully 
 drawn, his architecture correct in its proportions and outlines, and 
 his merits as a topographical draughtsman deserve recognition. 
 He edited, with some of his own drawings, French Scenery , in 1822, 
 German Scenery , 1823, Scenery of the Rhone , Belgium, and Holland, 
 1826, Hanoverian , Saxon, and Danish Scejiery, 1828, and Select 
 Views of the Principal Cities of Europe , 1833. 
 
 Edinburgh Castle from the Grass Market, with figures, 
 engraved in Batty’s Select Views of the Cities of Europe , but 
 there reduced to half the present size. A highly finished 
 cabinet work. 
 
 Panel and Oval — 7 in. by 11. Christie? s, Batty's Sale , July <^th, 
 1864. 10/. IOJ. 
 
 CORNELIUS BEGA. 
 
 Born at Haarlem in 1620, died there in 1664. Pupil of Abraham 
 Ostade. Dutch School. 
 
 The Little Hunchback Fiddler, with a group of seven 
 figures listening. Painted about 1650. — Signed, C. Bega. 
 
 Panel — 11 in. by 9. Bought in 1848. 
 
 ABRAHAM BEGYN. 
 
 Born at the Hague in 1650, died suddenly in 1697. Nagler and 
 Bryan say his excellent landscapes painted in the style of Berghem, 
 and his pictures of that class, are very justly admired, and are held 
 in considerable estimation in Holland. Dutch School. 
 
 A Woody Landscape, with tall trees and three large goats 
 behind green leaves and felled timber. The foreground signed, 
 A. Begyn. 
 
 Canvas — 22^ in. by 26. Sold as Berghem , 14/./ notwithstanding 
 the signature. 
 
( T 5 ) 
 
 GIOVANNI ANTONIO BELTRAFFIO. 
 
 An amateur of noble birth. Favourite scholar of Leonardo 
 da Vinci. Born 1467, died 1516, in his forty-ninth year. His 
 works are highly praised by Vasari, Lanzi, and others, and are ex- 
 tremely rare. Milanese School. 
 
 A Small Life Portrait of a Lady of the Bonfiglioli 
 family of Bologna, very highly finished after the manner of 
 Leonardo da Vinci. An engraved 'picture in an ancient black 
 frame, richly inlaid with arabesque ornaments of velvet. 
 
 Panel — 13J in. by io|. 
 
 NICHOLAS BERGHEM. 
 
 Born at Haarlem 1624, died there 1683. This eminent land- 
 scape and cattle painter was pupil of John van Goyen and J. B. 
 Weenix. Dutch School. 
 
 An Italian Landscape, with cattle and figures fording a 
 stream. A wide plain, bounded by a range of flat-topped hills, 
 is intersected by a shallow wending stream washing the base 
 of a mass of rocks surmounted by trees, and a long low-roofed 
 building. The figures, which are a conspicuous feature in the 
 picture, are a peasant woman with a basket of linen on her 
 head, a bag under her arm, and two dogs at her feet, whilst 
 a peasant on horseback, who is driving several cows before 
 him, appears in the act of stopping to converse with the 
 woman, who, from her animated expression, seems to be ex- 
 changing a friendly greeting with him. 
 
 “This admirable picture,” says Mr. J. C. Robinson, “is 
 a singularly clear and lightsome example of the master, and 
 is entirely free from that darkness of tint which time has 
 induced in so many of his precious works. It was evidently 
 painted in his most careful period, while in the full maturity 
 of his powers.” 
 
 Panel— 1 ft. n\ in. by 2 ft. 3^ in. Christie' s, Robert Napier of 
 Shandon Collection, April \\th, 1877. 42/. 
 
( 16 ) 
 
 GERARD BERKHEYDEN. 
 
 Born at Haarlem, 1645, died at Amsterdam, 1693. (i His pictures 
 (says Seguier) are drawn almost as tastefully as Van der Heyden’s, 
 and are exceedingly clever. He was very happy in the manage- 
 ment of light and shade.” Dutch School. 
 
 View of the Parliament House at the Hague, with 
 carriages and numerous figures in the courtyard. 
 
 Panel — i\ bn. by 18. Phillips's, Lord Willoughby de Eresbv , June 
 24th, 1869. 26/. ss. 
 
 View of the Stadt House at Leyden during an emeute , 
 with numerous figures. 
 
 Panel — 15 in. by 19. Christie’s, Hon. F. By tig, July 1st, 1871. 
 
 47b. 
 
 The companion picture, An Architectural Representa- 
 tion of Buildings in Amsterdam. 
 
 Panel — 15 in. by 19. 
 
 JOHN FRANCIS BESCHEY. 
 
 Born at Antwerp, 1717, died 1799. Pupil of his brother Baltha- 
 zar, who was Director of the Antwerp Academy. A distinguished 
 student of Teniers, Pynacker, and Wynants. Flemish School. 
 
 A Skating Scene, with numerous figures, leafless trees in 
 the foreground, and a windmill in the distance. — Signed. 
 
 Panel — 9 in. by 12. 
 
 JAN DE BEYER. 
 
 Born at Aaron in Switzerland in 1705, died at Cleves about 1770. 
 Studied chiefly at Amsterdam under J. M. Quinkhart, historical 
 painter. u His works,” says Nagler, “are highly esteemed in 
 Holland and Flanders, and were always sought after and well paid 
 for.” Dutch School. 
 
 A Pair of Architectural and Picturesque Views in 
 Holland, one the Mint at Amsterdam, with the adjacent 
 buildings, the other a view of the Orphan House, Gardens, and 
 
( ) 
 
 JAN DE BEYER — continued. 
 
 Bridge on the Amstel ; both highly finished in the manner of 
 Van der Heyden, and, I believe, engraved. — 'Signed, J. D. B., 
 I 7°5- 
 
 Panel— 1 2 in. by 16. Phillips's , Lord Willoughby de Eresby, June 
 24 th, 1869. 26 1 . 
 
 EDWARD BIRD, R. A. 
 
 A subject painter, born at Wolverhampton, 1772, died at Bristol, 
 1819. Elected R.A. in 1815, and afterwards appointed historical 
 painter to the Princess Charlotte. Adolphe Siret says of him, 
 “ Beaucoup de gout, execution habile, facility extraordinaire.” 
 
 A Cottage Interior, with three figures, one the cottager 
 feeding a little bird on his thumb, while a boy is stirring up 
 food and a child is examining the contents of a wicker basket 
 containing probably a bird’s nest. 
 
 Canvas — 10 in. by 8. 
 
 B. BLAKE. 
 
 Still-life painter, died about 1831. He exhibited at the Royal 
 Academy in 1807, and occasionally there until 1824, when he 
 became one of the founders of the Society of British Artists, and 
 afterwards exhibited only there up to 1830. In his later years he 
 painted little else than dead game and vegetables, which were in 
 general exquisitely finished and very pleasing. 
 
 Dead Game, etc., in a Larder, consisting of a pheasant, 
 wild duck, vegetables, bottles, &c. Highly finished. — Signed 
 in full and dated, 1827. 
 
 Panel — 8 in. by 10. Christie's , Charles Cope , June 8 th, 1872. 
 
 15/. 15s-. 
 
 Dead Game and Still-Life. A pair of cabinet pictures. 
 
 Christie' s, Sir George Staunton, March 10th, i860. 
 
 A Large Picture of Dead Game in a Kitchen, with 
 vegetables, a basket of eggs, jugs, and other kitchen utensils, 
 &c. Highly finished and a very fine specimen. 
 
 Panel — 20 in. by 24. 
 
 D 
 
( i8 ) 
 
 WILLIAM BLAKE. 
 
 Born November 28th, 1757, died August 12th, 1827, a spiritualist, 
 artist, and poet ; of great celebrity. He made numerous drawings 
 (of which more than two hundred have passed through my hands), 
 but he made few attempts at oil painting. See Gilchrist’s life of him, 
 vol. 2, p. 119, et seq. I knew him well, and under the direction of 
 my friend, the late John Linnell (who acted as his executor), super- 
 intended the removal of his artistic property immediately after his 
 death. 
 
 A Miniature Oil Painting on copper of a visionary subject, 
 said to be engraved by him in one of his small volumes. It 
 represents a female figure in apparent conversation with a horse, 
 and pointing with her right hand to a child by her side. With 
 trees in the background. — Signed, B., over the child’s head. 
 
 4 1 in. by 2f. Bought many years ago at the suggestion of my friend , 
 John Linnell, for 5 1. 
 
 HENRI DESIRE VAN BLARENBERGHE. 
 
 Born 1734, died in Paris, 1812. Little is known of this talented 
 artist except that his works are very beautiful and highly finished. 
 Flemish School. A 
 
 Baron Rothschild was an enthusiastic collector of this talented 
 artist’s works, and agreed some twenty years ago to give 3,000/. to 
 a Paris dealer for a large pair of his pictures, which, however, fell 
 into the sea in transit, and got spoilt. An action was brought for 
 indemnification, and I was the only one who seemed to know any- 
 thing about the artist, as he is not named in Stanley’s Bryan, 
 or any of the usual works of reference, but there is an ample account 
 of him in Jal’s Dictionnaire critique , &>c., four Supplement a tous 
 les Dictiomiaires , Paris, 1872, from which the following is extracted : 
 “ Ses peintures tres-estimes et tres-recherches par les amateurs de 
 gouaches delicates, fines, spirituellement touchees, et remarquables 
 par le charme de la composition, sont a present extremement rares, 
 et sur le marchd ont une valeur vraiment extraordinaire.” The last 
 forty or fifty years of Blarenberghe’s life were spent in Paris, where 
 he obtained a Brevet de Peintre in 1775, but be appears to have 
 found opportunities of painting in Holland, Flanders, Germany, 
 
( "9 ) 
 
 BLARENBERGH E — continued. 
 
 and Italy, especially at Rome, where he painted the Entry of 
 the French Ambassador and a View of the Vatican. 
 
 He had a son named Louis Nicholas , who is said to have been 
 as talented as the father, and worked with him in his latter days. 
 A snuff-box, decorated with a painting by them, sold at the Demidoff 
 sale in 1863 for 11,000 francs, and in later days one painted by the 
 son sold for 6,050 francs. 
 
 The Ruins of P^estum in a Landscape, with figures in the 
 foreground, mountains in the distance, exquisitely painted “ en 
 couleurs gouaches.” The picture is surrounded by an elegant 
 Raphaelesque border, evidently by the same hand. 
 
 On Cardboard, protected with glass — 8^ in. by 15^. Bought 
 privately , cost 40/. 
 
 HENRY BONE, R.A., and his sons, HENRY PIERCE BONE, 
 and ROBERT TREWICK BONE. 
 
 Enamel painters, whose works, of which I have a great many, are 
 reserved for my Catalogue of Miniatures ; with the exception of one 
 very large enamel of Diana and Calisto, after Titian, which see 
 under that painter’s name. 
 
 RICHARD PARKES BONINGTON. 
 
 Born at Arnold, near Nottingham, in 1801, died of a brain fever 
 in London in 1828. “His works (says Siret) are deservedly 
 admired and will probably continue to increase in value ; they 
 exhibit great originality and a great feeling for colour.” 
 
 Portrait of the Corsair (Byron’s) in his cap and robes, 
 with an immense scymitar in his hand. 
 
 Canvas — 18 in. by 15. Christie's , from the Earl of Pembroke' s 
 Collection , 1863. 
 
 Albanian Figures, about twenty, in a Landscape showing 
 a lofty rock and five ruined columns in the background. A 
 sketch in oils. 
 
 Canvas— 12^ in. by 18. Christie's, F. Sargent's Collection, i860. 
 
( 2 ° ) 
 
 JOHN BOTH. 
 
 Born at Utrecht in 1610, where he died in 1650. ‘‘The celebrated 
 painters, John and Andrew Both, were brothers, and their histories 
 as well as their works are so closely connected that it would be 
 difficult to do justice to either in a separate account. The sympathy 
 of their affections blended itself with the exertion of their talents ; 
 and in their work everything was warm, tender, and harmonious.’’ 
 — Bryan. Dutch School . 
 
 A Sunny Landscape, showing an archway through a rock 
 with a muleteer driving a flock of sheep, a dog following. — 
 Signed, J. Both, 1634. 
 
 Panel — 9 in. by 12. Bought privately of Mr. Dufton of Brighton, 
 November 1878. 20/. 
 
 A Hilly 
 muleteers. 
 
 Landscape, with cattle and sheep driven by 
 Panel — 9 in. by 7. 
 
 FRANCOIS BOUCHER, 
 
 Born at Paris in 1704, died there 1 770. Scholar of Francis le 
 Moine, and the most admired artist of his time among the 
 Parisians. French School. 
 
 A Pair of Large Sopra-Porte Pictures ; one representing 
 a Child with Flowers and a Bird ; the other a Child playing 
 with a Lap-dog. 
 
 Canvas — 31 in. by 45. I?i arched frames. Woolley’s Sale. 
 
 Portrait of Henrietta, Duchess of Orleans, daughter 
 of the Regent Philip, Duke of Orleans, who died 1723. 
 
 Canvas — 20 in. by 35. 
 
 A Cabinet Landscape, showing a cottage in the midst of 
 trees, with figures and sheep in the foreground. — Signed, F. B., 
 I 75°* 
 
 Canvas — 9 in. by 13. Bought of Re dfern, Warwick , in 1845. 20/. 
 
( 21 ) 
 
 FRANCOIS BOUCHER— continued.. 
 
 A Pastoral Subject of Children Feeding Birds. A 
 small oval picture exquisitely painted, being the original design 
 for a pendule in the antechamber of Louis XVI., now in the 
 Louvre. 
 
 Panel— in. by 5I. Phillips's , Brook's Sale , May 21st, 1873. 
 
 25/. 4 ^. 
 
 Four Small Pastoral Landscapes, with love scenes. 
 
 Copper — 5 in. by Phillips's , Lord Willoughby de Eresby , 
 
 June 24, 1869. 24/. 
 
 A Pair of Pastoral Subjects of an amatory character.—- 
 Signed, and dated 1722. 
 
 Copper— 5 in. by 4. 
 
 FRANCIS BOUT and N. BOUDEWYNS. 
 
 Natives of Brussels, flourished about the year 1700. These 
 well-known artists usually painted in conjunction — the landscapes 
 by Boudewyns, the figures by Bout. Flemish School. 
 
 A Pair of Small Circular Landscapes, &c. 
 
 Phillips' s, February 13 tli } 1863. SI. 8 j\ 
 
 A Small Landscape with Figures. 
 
 Phillips's , February 13th, 1863. 5/. 15.?. 
 
 A Verdant Landscape, with water, rocks, and castle in the 
 distance, and horsemen and peasants in the foreground. No 
 indication, perhaps the preceding. 
 
 Panel — 10 in. by 15. 
 
 ADRIAN BRAUWER, or BROWER. 
 
 Born at Haarlem in 1608, died at Antwerp in 1640. Favourite 
 pupil of Frank Hals at the same time as Adrian Van Ostade. “ The 
 
( 22 ) 
 
 ADRIAN BRAUWER— continued. 
 
 works of this extraordinary and eccentric artist,” says Bryan, “ are 
 admirable ; they are extremely scarce and are greatly valued for 
 their uncommon excellence.” Rubens is said to have been an 
 enthusiastic admirer of his works. Dutch School . 
 
 Interior of a Cabaret Cafe, with three Boors smoking 
 and drinking at a round table. 
 
 Panel — 6 in. by 6. Christie' s,J as. Hughes Anderson. 81 . 8s. 
 
 Interior with Three Figures, one a Dutch Boor, with 
 tobacco-pipe and cards before him, making love to the waiting- 
 maid ; the other a Lad, with a red cap, seated on a four-legged 
 stool in front of them. — Signed in full. 
 
 Canvas — 15 in. by 12. Glazed. Sotheby's , 1881. 15/. 15^. 
 
 Two Peasants, one in a drunken condition with an empty 
 pot and glass in his hand, while an old woman is yawning 
 behind him. 
 
 Panel — 8 in. by 6. Christie's, June 15M, 1881. 17 i guineas. 
 
 P. L. BQUVIER. 
 
 Born at Geneva. A first class Miniature painter. 
 
 Miniature Portrait of a Lady in undress, 
 finely executed. 
 
 3 in. by 2|. 
 
 A drawing 
 
 RENIER BRAKENBURG. 
 
 Born at Haarlem in 1650, died there in 1702. Pupil of Hendrik 
 Mommers and Bernard Schendel. His better works remind us of 
 Ostade. Dutch School. 
 
 Interior of an Inn, with numerous figures of Boors merry- 
 making, some inebriated. Painted much in the manner of 
 
( 23 ) 
 
 RENIER BRAKENBURG — continued. 
 
 Jan Steen. Signed with his monogram. An engraved 
 picture. 
 
 Canvas — 1 6 in. by 1 94. Christie ’ s, from the Collection of Baron 
 de Laage^fuly 6th, 1865. 42 1 . 
 
 An Interior, with Eight Figures, at an Inn, the principal 
 ones being a male and female seated together in amatory 
 conversation, a landlady attending a clerical figure in the 
 background, smoking, and a child seated near an empty bottle 
 in a corner of the foreground. — Signed in full, and dated 
 1696. 
 
 Canvas — 13 in. by 154. Christie's^ fitly 10th , 1869. 15/. 15^. 
 
 BARTHOLOMEW BREEMBERG. 
 
 Born at Utrecht in 1620, died in Italy 1663. A distinguished 
 Landscape painter of the Dutch School. 
 
 Saint John Preaching in the Wilderness, mounted on 
 a rocky eminence and surrounded by numerous listeners, some 
 on horseback, some in martial costume, in all upwards of 72. 
 “ Ce tableau est de la plus grande consequence tant par la 
 rich esse de sa composition que par sa belle touche et son ton 
 couleur. Clair et agreable.” A capital specimen. This was 
 sold at Paris, Vente Randon de Boisset, 1777, for 5,019 francs 
 (which, with the French auction , duty, would be upwards of 
 250/.). — Signed, B. 
 
 Panel — 22 in. by 30. Christie's , Lord Scarisbricke, May 24th, 1861. 
 
 A Circular Landscape, with ruins of a tower, castle, etc., 
 an arched terrace on one side, and a distant cottage and cattle 
 on the other. Very highly finished. 
 
 Copper — 15 in. Christie's , April 24th, 1869. 15/. 15^. 
 
 A Landscape with Figures. From the Collection of the 
 late Sir A. W. Calcott. 
 
 Christie's , February 22 nd, 1862. 5/. 1 5 v. 
 
 
( 24 ) 
 
 QUIRIN VAN BREKELENKAMP. 
 
 Birth and death unknown. Flourished, according to Nagler, 
 about 1650 — 1668. A scholar of Gerard Douw, but his works have 
 more the character of Jan Steen. “His works (says Bryan) are 
 found in the choicest collections in Holland, and are there held in 
 considerable estimation.” Dutch School . 
 
 An Interior with Figures ; an elderly female drinking 
 soup, while a youth at a small refreshment table, with clasped 
 hands, appears to be saying grace. A spinning-wheel in the 
 background. 
 
 Pa?iel — 20 in. by 24. Christie s, Arthur O. S. Cave’s Sale, January 
 2.2nd, 1881. 17! guineas. 
 
 JOHN BREUGHEL, called VELVEL BREUGHEL. 
 
 Born at Brussels in 1565, died there, after a long sojourn in Italy, 
 in 1642, aged 77. Flemish School. 
 
 Returning from Market. An engraved picture. 
 
 Phillips’s , Lord Willoughby de Eresby , May 1st, 1865. 12/. 
 
 A Cottage Landscape, with cottages, Dutch peasants, and 
 trees ; a spire in the extreme distance. 
 
 Panel — 5 in. by 7. 
 
 A Merry-Making, with numerous figures, some dancing on 
 a meadow in front of a village, with cattle and a driver on one 
 side, and a cart and horse on the other ; a church spire in the 
 distance. 
 
 Copper — 7 in. by 9. 
 
 A Musical Festival, with numerous figures playing various 
 instruments at the foot of a mountainous landscape, Pegasus 
 flying high above them. 
 
 Copper — 12 in. by 8. 
 
 A Landscape with Cavaliers and Figures. 
 
 Phillips’s , February 12th, 1863. 61 . 6s. 
 
( 2 5 ) 
 
 JOHN BREUGHEL — continued. 
 
 View of a Village in Flanders, with numerous peasants 
 assembled to enjoy the ancient custom of shooting at the Fete 
 of Popinjay. A cabinet gem. 
 
 Copper — 6 in. by 7. Christie’s, G. H. Morland , May 12th, 1866. 
 
 1 1 /. IOJ“. 
 
 A Small Oval Landscape of a Village by the water-side, 
 with boats and numerous figures. 
 
 Panel — 6 in. by 7. 
 
 A Concert of Birds, about fifty of all kinds, some of them 
 on a large tree in centre of the picture, others on the ground 
 or on the water. 
 
 Copper — 8 in. by 10. Christie's, Sir Richard Frederick, Bart., 
 February 7th, 1874. 12/. 12 s. 
 
 A Village Scene, with a cart drawn by four horses, horse- 
 men, figures, cattle, goats, etc. ; a prominent windmill in the 
 background. 
 
 Panel — 12 in. by 14. Christie's, J. Latty Bickley, February 14th, 
 
 1863. 14/. 
 
 A Village Scene on the side of a River, with numerous 
 figures of peasants and children in the foreground, a caravan 
 with a pair of horses and a gentleman on a white horse in the 
 middle ground, a windmill, trees, and boats in the distance. 
 Copper — 12 in. by 14I. 
 
 A Village on a River, with a prominent lighthouse and 
 numerous boats and figures. 
 
 Copper — 6 in. by 9. Christie's, J. Latty Bickley , 1863. 
 
 The companion to the preceding picture, being a continua- 
 tion of the village and river scenery, with numerous boats and 
 figures and a jetty. 
 
 Copper — 6 in. by 9. 
 
 A Village Scene, with tall trees, figures, waggons, and 
 pedestrians. Exquisitely painted. 
 
 Copper — 7\ in. by 10. Christie's, J. Latty Bickley, February 14th, 
 1863. 2 5^ 4-r- 
 
 E 
 
( 26 ) 
 
 JOHN BREUGHEL — continued. 
 
 A Dutch Village Scene on a Canal, with waggoners, 
 horses, cattle, woodcutters, and other figures in the fore- 
 ground. 
 
 Panel — 16 in. by 13. 
 
 A Landscape, with tall trees and a hill in the centre, Dutch 
 peasants and cattle in the foreground, a village on one side, 
 and water ; boats and a church on the other. Highly- 
 finished. 
 
 Panel — 8 in. by 10. 
 
 A River Scene, with boats and sailing vessels, a village 
 with trees in the distance, with numerous figures in the 
 foreground. 
 
 Copper — 10 in. by 12. Phillips's , February 12 th, 1863. 8/. 5^. 
 
 Saint John Preaching in the Wilderness, with numerous 
 figures. A miniature, very highly finished. 
 
 Vellum — 5 § in. by 6|. Christie's , Lord Cadogan , April yd, 1865. 
 
 10 /. ioj-. 
 
 A Frost Scene. 
 
 Phillips's , Lord Willoughby de Eresby , May 1st, 1865. 5/. $s. 
 
 FREDERICK LEE BRIDELL. 
 
 Bom at Southampton, November 1831, died ire Rome, August 
 1863. There is a very full account of this artist in Ottley’s Dic- 
 tionary of Recent and Living Painters , in which it is said “ Mr. 
 Bridell seems to us to occupy a place among British artists only 
 second to Turner.” 
 
 The Ruined Bridge. Highly praised by Ottley in his 
 Biographical Dictionary of Painters. 
 
 1 6h in. by 1 1\. Christie' s, at the Bridell Sale , May 2yrd, 1865. 
 
 Rustic Landscape in the Tyrol, with tall trees, a moun- 
 tain stream, and peasants, — Signed in full, and dated 1856. 
 
 Canvas — 14 in. by 1 8. Christie's , Artist’s Sale, February 26th, 1 864. 
 
 16/. 1 6s. 
 
( 27 ) 
 
 PAUL BRIL. 
 
 Born at Antwerp in 1554, died at Rome in 1626, aged 72. A 
 distinguished Landscape painter of the Flemish School. 
 
 A River Scene, with the Fable of Latona ? the Mother 
 of Apollo and Diana. 
 
 Panel — 7 in. by 10. Christies. From the Redleaf Collection. 
 December 10th, 1868. 16/. 
 
 This seems to have been intended as a companion to the 
 story of Diana and Actaeon, which was sold at Sir Samuel 
 Clarke’s sale in 1846 for 315/. 
 
 A Pair of Woody Landscapes, with horsemen, peasants, 
 and cattle. 
 
 Copper — in. by 10J. Phillips 1 s , Marquis of Hastings , i860. 
 
 10/. 
 
 AGNOLO BRONZINO 
 
 Born 15 11, died in 1580. An eminent and esteemed Florentine 
 painter, who excelled in Portraits. He was a pupil of Pontormo 
 and a student under Michael Angelo. 
 
 Portrait of Lorenzo de Medici. 
 
 Christie's, John Harris , March Jth, 1842. 5/. 1 5s. 6d. 
 
 Virgin and Child, attended 'by two female saints above, 
 and two apostles below. A note on the back, signed by the 
 late Mr. J. O. Smith, the eminent picture dealer in Bond 
 Street, says : “ This picture by Bronzino was purchased at 
 Archdeacon Brymer’s sale at Bath, and I understood at the 
 time that he brought it from Italy.” 
 
 Panel — 18 in. by 13. Bought privately. 10/. iol 
 
 The Vision of Saint Francis, an angel above playing on 
 a lute, and other figures. 
 
 Alabaster — 12 in. by 9. Foster's , May 1872. 
 
( 28 ) 
 
 CHARLES BROOKING. 
 
 Bora 1723, died in 1759. An eminent English Marine painter, 
 much extolled by Bryan, Redgrave, and others. 
 
 A Calm on the Sea-coast, showing a large three-masted 
 man-of-war in the front, and half-a-dozen vessels in the 
 distance. 
 
 Canvas — io| in. by 16. 
 
 JOHN BURNET. 
 
 Born in Edinburgh, March 20, 1784, died 1868, aged 84. Painter 
 and engraver, of the English School , a fellow student with Wilkie, 
 and engraver of the principal of Wilkie’s pictures. 
 
 A Dutch Dairy Farm, a woman milking a cow, a peasant 
 leaning against the stem of a tree, and cattle near a shed. 
 
 Panel — 14 in. by 21. Christie' s, John Allnut, Esq. June 18th , 1863. 
 
 22I. is. 
 
 HENRY WILLIAM BUNBURY. 
 
 Amateur artist and caricaturist, son of Sir William Henry 
 Bunbury, born at Mildenhall, Suffolk, in 1750, died at Keswick in 
 1 8 1 1. Highly praised by Sir Joshua Reynolds. 
 
 An Old Man on Horseback, while following a carriage 
 and pair, loses his balance and hat, in front of a dead horse. 
 Painted much in the manner of George Morland. I believe 
 engraved in his Hints to Bad Horsemen. 
 
 Canvas — 18 in. by 13J. 
 
 BYZANTINE AND EARLY GREEK SCHOOL. 
 
 The Virgin and Child enthroned in a golden canopy in 
 the heavens, with numerous figures of saints and angels. An 
 allegorical picture. 
 
 Panel — 5 in. by 4. Christie's, from Bramhope Manor , February 
 loth, 1865. 5/. 
 
( 29 ) 
 
 BYZANTINE AND EARLY GREEK SCHOOL — continued. 
 The Death of the Virgin, with Christ in glory pointing 
 to the corpse, surrounded by numerous figures of saints. 
 Above is the Deity, curiously represented amid a host of 
 angels. With Russian and Greek inscriptions. 
 
 Panel — 8| in. by 7. In an elaborately carved frame . Christie's , 
 April 1 8th, 1864. 81 . 1 os. 
 
 PEDRO CAMPANA. 
 
 Bora at Brussels in 1503, and died there in 1570. He is supposed 
 to have been one of the disciples of Raphael when he was scarcely 
 j seventeen. He went early to Spain, where he resided many years 
 I and greatly distinguished himself. 
 
 The Magdalen, with her hand on her bosom. From 
 Mr. Hoskins’s Collection, exhibited at Manchester in 1857. 
 
 Pajiel — 23 in. by 17. Christie's , Henry White's Sale. 
 
 \ 
 
 JOSEF CAMARON. 
 
 Bora in Madrid about 1760, his death uncertain, but some time 
 i after 1815. A Spanish painter of considerable celebrity, director 
 | of the Royal- Academy of Fine Arts, and an especial favourite of 
 [i the king. 
 
 The Virgin and Child. A fine painting of the old 
 Valencian School. Sir W. Stirling gives an engraving of a 
 i Saint after J. Camaron, representing the Virgin and Angels 
 ! appearing to Nicolas Factor, and a design entitled, Fffigie del 
 i B. Fra Nicolas Factor , and the present picture is probably by 
 1 the same artist, whose pictures of The Virgin and Child are 
 I very highly praised. See Vol. I. pp. 368 et seq. and Cean 
 Bermudez. 
 
 Panel — 22-g in. by 17. Christie' s, Earl of Clare's Collection, fune 
 17 th, 1864. 12/. 1 2S. 
 
( 3 ° ) 
 
 ANTONIO CANALETTI. 
 
 Born at Venice in 1697, died there in 1768. He was the most famous 
 Venetian painter of the eighteenth century, and was especially dis- 
 tinguished for his perspective and architectural views of Venetian 
 scenery, which are remarkable for their fidelity, clearness of tone, 
 and brilliancy of sunlight. He visited England for two years in 
 1746-7, and his views of Thames scenery and picturesque spots in 
 its vicinity during that period are highly valued, and show London 
 to great advantage. Venetian School. 
 
 A Large and Comprehensive View of the Grand Canal, 
 Venice, with the adjacent buildings, and numerous figures. 
 
 Canvas — 25 in. by 34. 
 
 This picture formerly belonged to the Marquis of Ailsa, at 
 the sale of whose effects I bought it more than thirty years ago. 
 
 A Pair of Views in Venice, the Rialto and St. Mark’s, with 
 surrounding buildings, boats, and numerous figures. Rich in 
 colour and highly finished. 
 
 Canvas — 9! in. by 15. Christie's , 1867. 32/. 10 s. 
 
 Three Architectural Views of the palaces and buildings 
 in Venice, including St. Mark’s Quay, the Doge’s Palace, and 
 /.St. George’s Church, with numerous figures. 
 
 Canvas — 17 in. by 13^. In the origmal Venetian frames. Elle?i- 
 borough Sale. 36 guineas. 
 
 ALONZO CANO. 
 
 Born at Grenada in 1601, died at Madrid in 1667. Pupil of 
 Francesco Pacheco. “Some of the compositions of this master 
 are very grand, and many of his pictures are as delicately finished 
 as Carlo Dolci’s.” Spanish School. 
 
 Christ on the Cross, with Mary at the foot sleeping. An 
 oval. Highly finished. 
 
 Marble — 9 in. by 6J. 
 
 A Saintly Female praying in a church at the base of a 
 flight of stone steps, while a bishop is caressing a child ; an 
 angel flying towards them. 
 
 i Copper — 10 in. by 7. 
 
( 3 1 ) 
 
 ALONZO CANO — continued. 
 
 The Annunciation. An Angel appearing to the Virgin Mary, 
 a lovely figure, who is praying with her hands clasped, while 
 her head is surrounded by glory ; the Almighty, surrounded by 
 numerous angels and seraphs, is represented with a globe in 
 His hand. Very highly finished. 
 
 Copper — ii in. by 8|. 
 
 An Angel in Flowing Robes, with large yellow and crimson 
 wings, holding a child in her left hand and pointing with her 
 right to Heaven ; with a circular picture in each of the four 
 corners indicating the life and death of a saint. 
 
 Copper — 1 6 in. by 12. 
 
 SIMONE CANTARINX, called SIMONE DA PESARO. 
 
 Born in Pesaro in 1612, died at Mantua, 1648, in his thirty-sixth 
 year. Pupil chiefly of Guido, afterwards studied the works of 
 Raphael at Rome. Bolognese School. 
 
 The Virgin with the Infant Jesus in her Arms, who 
 is presenting a staff to St. John, on which is inscribed Ecce 
 Agnus Dei , with St. Joseph in the distance. 
 
 Copper — 1 3 in. by w. In a most elaborately carved Italian frame. 
 
 Bought 1850. Waldegrave Collection. 33/. 12 s. 
 
 JAN VANDER CAPELLA, or CAPPELLE. 
 
 Born about 1635, period of death unknown. An eminent Dutch 
 painter of Marine subjects 1J and River views, who may be classed 
 among the most celebrated painters in that department, but of 
 whom very little is known. His pictures generally have the 
 character of Wm. Van de Velde or De Vlieger, and many have 
 been brought to England, where their merit has been justly 
 appreciated, and some of them have sold as high as 500/. 
 
 A Calm off the Dutch Coast, with vessels and boats. 
 Formerly in the gallery of Wm. Wells, Esq., of Redleaf, at 
 whose sale in 1848 it sold for 325/. 10s. 
 
 Canvas — 24 in. by 32. 
 
( 3 2 ) 
 
 ANNIBALE CARACCI. 
 
 Born at Bologna in 1560, died at Rome in 1609, The eminent 
 pupil of Lodovico Caracci. Bolognese School. 
 
 The Virgin Nursing the Infant Saviour. Joseph, with 
 a book in his hand, looking on earnestly, while St. John, with 
 a cross in his hand, is grasping the Virgin’s cloak. Highly 
 finished. 
 
 Copper — 14 in. by 11. 
 
 LODOVICO CARACCI. 
 
 Bom in Bologna 1555, died there in 1619. Bolognese School. 
 
 The Madonna and Child, with a group of four angels 
 above blessing them. Highly finished. 
 
 Panel — 7 in. by 5I. Christie's , December nth, 1875. 15/. 15^. 
 
 JOHN JAMES CHALON, R.A. 
 
 Born in Geneva, 1778, died at Camden Hill, Kensington, 1854. 
 English School. 
 
 The Intruder Rejected. A composition of nine figures, 
 full of clever character, apparently illustrating Don Quixote. — 
 Signed in full, J. J. Chalon, and dated 1836. 
 
 Canvas — i8i in. by 23. Christie's , March nth , 1861, at the 
 sale of his brother Alfred Chalon' s effects , after his death. 
 
 A Lady in a Large Black Hat and Feathers, the same 
 lady as introduced in his favourite picture, “ Getting Up Stairs,” 
 for which I bid largely against my friend Gambart without 
 success. 
 
 Vellum — 7 in. by 7. Christie's, Artist's Sale, March nth , 1861. 
 
 LOUIS CHALON. 
 
 Born at Amsterdam in 1687, died there, 1741, Pupil and follower 
 of Griffier. An able painter of Landscapes, chiefly on the Rhine. 
 
 Three Landscapes on the Banks of the Rhine, with 
 buildings, trees, and boats. — Signed, L. Chalon, and dated 
 1739 - 
 
 Canvas — 7 in. by 9 b 
 
( 33 ) 
 
 JEAN BAPTISTE SIMEON CHARDIN. 
 
 Bora in Paris, 1699, died there, 1779. A painter of Portraits 
 and Pieces de Genre. Pupil of Noel Nicolas Coypel. “Grande 
 verite d’expression ; naivete charmante ; coloris frais et agrdable ; 
 clair-obscur savant, touche ferme, effet harmonieux et pittoresque.” 
 — Adolphe Siret. ik Depuis quelques annees ses tableaux se payent 
 au poids de Tor.” — T. Lejeune. French School. 
 
 A Pair of Ovals, one painted with a garden pic-nic party, 
 the other Blind Man’s Buff, with numerous figures. 
 
 Panel — 5 in. by y\. 
 
 A Harbour Scene, with six figures, the principal ones a 
 tall female and a boy by her side, with fish in their hands. 
 
 Canvas — 15 in. by ii|. Christie 1 s , Lionel Lawson's Sale , February 
 \\th , 1880. 7/. vjs. 6 d. 
 
 Broken Eggs. A smart French Petit-Maitre forcing his 
 caresses on a pretty kitchen-maid who has an apron full of 
 eggs which are falling out of it, while a dish of vegetables is 
 upset, and a cat, unobserved, is seizing a bird half plucked, 
 with a swing kettle on the fire, and other kitchen utensils. A 
 highly finished gallery picture. 
 
 Canvas — 41 in. by 34. Lord Kilmorey's Collection. 26% guineas. 
 
 ALEXANDER CHISHOLM. 
 
 Born at Elgin, 1792 or 3, died at Rothesay, 1847. A Portrait 
 and Subject painter, practising chiefly in London between 1818 
 and 1846. 
 
 Shakespeare Before Sir Thomas Lucy for Deer- 
 Stealing, with numerous figures. A highly effective water- 
 colour drawing, with an engraving of it by James Egan, 
 dated 1838. 
 
 Panel — 13 in. by 16. 
 
 This picture was formerly sold as being 11 effectively drawn 
 and coloured by Sir David Wilkie ,” but though it is worthy of him 
 the engraving disputes the assertion. 
 
 F 
 
( 34 ) 
 
 CARLO CIGNANI. 
 
 Born at Bologna in 1628, died at Forli in 1719. A distinguished 
 painter of the Bolognese School. Pupil of Francesco Albano. 
 
 The Assumption of the Virgin, with three heads of 
 angels above. Exquisitely painted. 
 
 Copper — 11 in. by 18. Christie' s, Sir Wm. H. Fielding's Collection , 
 March 3rd, 1877. 15 1. 13s. 
 
 LODOVICO CARDI, called CIGOLI. 
 
 Born at Cigoli in Tuscany, 1559, died in 1613. An eminent 
 painter of the Florentine School. 
 
 Saint Francis Kneeling in Prayer. 
 
 Christie 1 s, July 3rd ’ 1869. 
 
 GIOVANNI BAPTISTA CIPRIANI. 
 
 Born at Florence, 1727, died at Hammersmith, London 1785. 
 u His drawings are full of graceful invention and fancy ; his 
 females are exquisitely elegant, his children unrivalled.” — Redgrave. 
 English School. 
 
 Two Children with a Dove. Circular picture in richly 
 carved frame. 
 
 Panel — 8| in. Christie's , February 21st, 1857. 10/. 
 
 The Virgin seated on a cushion with a dove on her lap, 
 while a nude child is offering it food with his left hand and 
 holding up an olive branch with his right. A circular picture 
 in a richly carved frame to match the preceding. 
 
 Panel — 85- in. 
 
 CLAUDE DE LORRAINE. 
 
 Claude Gelee, called Claude de Lorraine, the most distinguished 
 of landscape painters, was born in Lorraine at a castle on the 
 banks of the Moselle in 1600, and died at Rome in 1682. French 
 School. 
 
( 35 ) 
 
 CLAUDE DE LORRAINE — continued. 
 
 A Landscape, with lofty trees, a goatherd and flocks. “ A 
 charming picture,” as described by Mr. Waagen, Art Treasures, 
 vol. ii. p. 294. Engraved in the Liber Veritatis. 
 
 Canvas — 20 in. by 17. Christie's , Wynn Ellis' s Collection . 
 
 25/. 
 
 z. w ~ o ^ •L.n"' t $ Z ~ 
 
 Sea Pieces, after Claude. Miniatures. 
 
 Christie's, January 28th , i860. 
 
 JOHN CLEVELEY. 
 
 Born in London about 1743, died there 1786. A distinguished 
 marine painter, much in the manner of Samuel Scott, under whom, 
 as well as Paul Sandby, he is said to have studied. He exhibited 
 at the Royal Academy in 1770, and afterwards excelled in water- 
 colours, to which he chiefly devoted himself, painting but rarely 
 in oil. 
 
 Old London Bridge, with the houses upon it, boats and 
 shipping alongside, and numerous figures. — Signed and dated 
 1760. 
 
 Canvas — 17 in. by 40. Foster's , April 2nd, . 1879. 22/. II ' y - &d. 
 
 S. D. COLKETT. 
 
 A painter of the Norwich School , pupil of Old Crome. 
 
 An Upright Landscape, with rabbit-shooting. Exhibited 
 at the British Institution, 1829. 
 
 Canvas — 1 1 in.' by 12I. 
 
 EVRARD COLEYER. 
 
 Born at Leyden. An esteemed painter of still life, only known 
 by his works. Nagler mentions one, dated 1691. 
 
 Still Life, a skull alongside an open Dutch book, headed 
 Beschrey van de Doodt , an hour-glass, a dial in front, and an 
 
( 36 ) 
 
 EVRARD COLEYER— continued. 
 
 engraved portrait of Jo. Cassar Octavianus Augustus. Highly 
 finished. — Signed Coleyer, and dated, 1687. 
 
 Canvas — 1 3 in. by 10. 
 
 ALFRED CLINT. 
 
 Son of George Clint, A.R.A., was bom in London, 1807. His 
 principal pictures have been selected from coast scenery, one of 
 which, sold to the late Mr. Bicknell for 40 guineas, fetched 136 
 guineas at his sale. He began to exhibit at the British Institution 
 about 1830, afterwards at the Royal Academy, and in 1849 was 
 elected a member of the Society of British Artists, of which he 
 became honorary secretary for about ten years. 
 
 A Folkestone FI arbour Scene, with shipping in a rough 
 sea, intended for a series of Coast Sketches, which, owing to 
 the death of Mr. Bogue, the publisher, was not continued. 
 This picture, which was exhibited at the Royal Academy in 
 1841, and is mentioned in Ottley’s life of him, is accompanied 
 by the beautiful engraving of it by Finden-, which is rare. 
 
 Canvas — 13 in. by 19. 
 
 FRANCIS CLOUET, see JANET. 
 
 GIULIO GEORGIO CLOVIO. 
 
 Born at Croatia in 1492, or in 1498, died in 1578. Pupil of 
 Giulio Romano, and a student in the school of Raphael. He 
 studied miniature painting under Girolamo dai Libri. 11 This 
 distinguished painter had extraordinary abiiity in designing 
 small figures with a taste, an accuracy, and a firmness, that gave 
 grandeur to miniature painting, qualifications which rank him 
 with the greatest of masters. His works are numerous, and a 
 description of them would fill a large volume.” — Stanley's Bryan. 
 
 The Marriage of Joseph and Mary, the latter being a 
 portrait of Beatrice d’Este ; a composition of fifteen figures. 
 
 Vellum —6 in. by 7J. Phillips' s, December iytk, 1862. 10/. ioj . 
 
( 37 ) 
 
 GIULIO GEORGIO CLOVIO — continued. 
 
 The Last Judgment, a grand picture, with an immense 
 j number of figures, exquisitely finished in brilliant colours. 
 
 j Panels glazed — w\ in. by *]\. Chi'istie' s , Theodore Williams , i860. 
 
 20 guineas. 
 
 JOHN BAPTIST INNOCENZ COLOMBA. 
 
 Bom at Arcegno, in Lombardy, 1 7 1 7^ but practised chiefly in 
 Germany, at Munich, Frankfort, and Stuttgard. He was nephew 
 and pupil of the great fresco painter, Luca Anton Columba, deco- 
 rator for twenty-four years to Prince Eugene of Savoy. 
 
 View in the Environs of Rome, a rich landscape, with 
 a wooden bridge in the distance, an angler, male and female 
 equestrians, and other figures in the foreground. — Signed 
 J. B. I. Colomba. 
 
 Canvas — 17 in. by 21. 
 
 JAN TEN CGMPE. 
 
 Born at Amsterdam 1713, died in or before 1781, some bio- 
 graphers say 1761, others 1789. A highly esteemed painter 
 of architectural views of cities, villages, etc., much in the manner 
 of Berkheyden and Van der Heyden. His pictures have always 
 been in much request, and during his life-time sold at from 300 to 
 2,000 florins each, according to their size. 
 
 View of the Moat and Walls qf Leyden, with trees and 
 figures. Very highly finished. — Signed in a monogram, J. T. C., 
 and dated 1761. 
 
 Panel — 13 in. by 15. 
 
 A View in the Hague, with trees, buildings, a windmill, 
 cattle, and figures. — Signed in full, and dated 1750. 
 
 Panel — io| in. by 14. 
 
 JOHN CONSTABLE, R. A. 
 
 Landscape painter, born at East Bergholt, in Suffolk, 1776, died 
 in London, 1837. “ The works of this painter,” says Seguier, “are 
 
 great ornaments to the English School.” English School. 
 
( 3 » ) 
 
 JOHN CONSTABLE, R.A . — continued. 
 
 View near Weymouth, coast of Dorsetshire, with boats 
 and figures. Bought direct from the artist by Mr. W. B. Tiffin, 
 and sold to the late T. Garle, Esq., father-in-law of John 
 Smith, Esq., of Bond Street, who authenticated the picture 
 to me. 
 
 Canvas — 14 in. by 20. 
 
 A Landscape, with tall trees in the centre, a brook on one 
 side, and figures of peasants on the other, a spire in the 
 distance. 
 
 Canvas — 16 in. by 21. 
 
 RICHARD COOK, R.A. 
 
 Born in London, 1784, and died there, March 1 ith, 1857. Painter 
 chiefly of historical and classical subjects. In 1832 he received 
 the Society of Arts’ Gold Medal. 
 
 A Pair of Classical Compositions, one representing a 
 female on her knees appealing to the Roman emperor; the 
 other embracing the emperor, who is seated on a couch, with 
 figures looking on. 
 
 Panel — 5 in. by 4. 
 
 EDWARD WILLIAM COOKE, R.A. 
 
 Born in London, March 27th, 1811, died at Groombridge, near 
 Tunbridge Wells, January 4th, 1880. He is recognized as one of 
 the best and most learned landscape painters of our time. 
 
 A Sea Breeze off the Coast, with boats, sea-gulls, and 
 a storm signal off the jetty. — Signed E. W. Cooke, date about 
 1832, as shown in his letter to me, appended at back, dated 
 July 28, 1866. 
 
 Copper — 13 in. by 18. 
 
 Sunset on the Lacune at Venice. Exhibited at the 
 Royal Academy, 1858. 
 
 Christie 1 s, February 22 nd, 1862. 47/. 5 s. 
 
( 39 ) 
 
 
 THOMAS SIDNEY COOPER 
 
 Born at Canterbury, September, 1803. Still living. He married 
 an amiable and accomplished lady at Brussels, and made the 
 acquaintance of the celebrated animal painter Verbeckhoven, and 
 gratefully acknowledges that he owes much to him. A very in- 
 teresting account of this talented cattle painter will be found in 
 Ottley’s Supplement to Bryan . 
 
 Six Sheep in a Landscape. Highly finished. — Signed 
 T. S. Cooper, R.A. 
 
 Panel— 12 in. by 14, glazed in front. 
 
 Cattle and Sheep in a Landscape, with tall trees. — Signed 
 and dated, 1839. 
 
 Canvas — 20 in. by 24. 
 
 ANTONIO ALLEGRI CORREGGIO. 
 
 Born in Correggio, 1494, died there suddenly in 1534, in his 
 fortieth year. Of all the great masters who adorned the schools of 
 Italy in the early part of the fifteenth century, no one excelled 
 Correggio. Lombard School . 
 
 Head, in the manner of Correggio. 
 
 In an inlaid ivory fra?ne — Bought of F. Brocke , Lyons , fanuary 
 
 th , 1870. 
 
 Mercury Instructing Cupid in the Presence of Venus. 
 A reduced copy of the famous picture in the National Gallery, 
 which is considered one of Correggio’s masterpieces. — Signed 
 by that distinguished miniature painter, Peter Oliver, 1633, 
 who died in 1660. The back of the picture is marked C. R., 
 surmounted by the Royal crown, showing that like the original 
 it had been in the possession of Charles I. 
 
 8 f in. by 5f — In an ebony frame. 
 
 Venus and Cupid Sleeping, with Pan alongside, who with- 
 draws a blue drapery which was covering them. — Signed Peter 
 
( 4 ° ) 
 
 ANTONIO ALLEGRI CORREGGIO —continued. 
 
 Oliver, 1633, and marked C. R., with a crown, as having 
 belonged to Charles I. 
 
 9 in. by 6J — In an ebony frame. 
 
 Where the original picture, from which this is a drawing, 
 now is, my means of reference have not enabled me to ascer- 
 tain. 
 
 PIETRO BERRETINI DA CORTONA. 
 
 Bom at Cortona in 1596, died at Rome in 1669. Roman School. 
 
 Christ and St. Margaret of Cortona. Very richly 
 coloured. 
 
 Copper, glazed front — 144 in. by 12. 
 
 RICHARD COSWAY, R. A. 
 
 Born at Tiverton, 1740, died in London, 1821. A distinguished 
 miniature painter. 
 
 Portrait of Mrs. Jane Baldwin, called “The Beauty of 
 Egypt,” wife of the Vice-consul George Baldwin, in a fancy 
 dress, reclining on a couch and reading. Her mother was 
 Greek, and her father an English merchant. She was born at 
 Smyrna about 1755, married to Mr. Baldwin in 1770, at the 
 early age of fifteen, and then went with him to Egypt, whence, at 
 later periods, she travelled tc Italy, France, and England. She 
 was one of the reigning beauties of the court of George III., 
 and is the Greek travelled lady referred to by Dr. Johnson in 
 his Letters , 1780, and by Madame d’Arblay in her Memoirs. 
 She survived her husband, and died in the environs of London 
 in 1836. Her portrait, painted by Sir Joshua Reynolds, was 
 sold about 1857 for 250 guineas. 
 
 Panel — 11 in. by 15. 
 
 Lin account of the miniatures of Richard and Maria Cosway , 
 of which I have several , will be found in my intended Catalogue of 
 Miniatures , should I live to compile it. 
 
( 4i ) 
 
 JOHN SELL COTMAN. 
 
 Landscape and marine painter, born at Norwich in 1782, died in 
 London, July 28th, 1842, while he held the appointment of drawing 
 master at King’s College School, to which he had been elected in 
 1834. I knew him intimately, and bought of him all his copper 
 plates and copyrights, which I republished in a handsome form. 
 He used to give artistic soirees , and there exhibited his drawings, 
 which were greatly admired and coveted. English School. 
 
 The Port of London, an elaborate picture, with shipping 
 and boats, containing many figures. The Monument and 
 St. Paul’s are seen in the distance. — Signed J. S. Cotman, on 
 the larger boat. Canvas — 25 in. by 30. 
 
 View at Stapleton, near Bristol. Canvas. 
 
 WILLIAM COWEN. 
 
 Born about 1800 or earlier, died about 1853, but in 1848 his six 
 works on Corsica were published by Newberry. Landscape painter. 
 He exhibited some clever Irish landscapes at the British Institu- 
 tion in 1823, and some Swiss and Roman views at the Royal 
 Academy in 1824 and for several successive years up to 1839, 
 when he exhibited a View in Normandy. English School. 
 
 Allonville Oak, in Normandy, with a prie-dieu within its 
 stem, and figures worshipping. — Signed in full. 
 
 Canvas — 24 in. by 30. 
 
 This picture was exhibited at the Royal Academy in 1839, 
 and is fully described in the Catalogue. The oak is supposed 
 to be eight or nine hundred years old, and the chapel built 
 | in 1696. 
 
 The Room in which Napoleon was Born, at Ajaccio, in 
 the island of Corsica, showing him in his childhood, at the 
 knees of his mother. Engraved in Cowen’s book, Six Weeks 
 | in Corsica. Panel — 8J in. by 12. 
 
 A View of the Gulf of Genoa, with figures in the fore- 
 ground, and the castle of Ajaccio, where Napoleon was born, 
 in the distance. Canvas — 15 in. by 2r. 
 
 a 
 
( 42 ) 
 
 ANTOINE COYPEL. 
 
 Born at Paris in 1661, died there in 1722. Son and pupil of Noel 
 Coypel, regarded as one of the ablest artists of France. Antoine, 
 when only nineteen, painted a picture of the Assumption, on account 
 of which he was taken into the employment of the Court, and next 
 year elected a member of the Academy. French School. 
 
 A Mythological Subject, with numerous figures. A very 
 highly finished copy, by Margaret Cabbacy, an artist men- 
 tioned favourably by Siret, under the name of Cabassi, born 
 1 663, died 1734. 
 
 Panel , glazed — 9 in. by 1 3. 
 
 A Dramatic Scene, from some French drama (probably 
 Racine), in which an actress in the centre is lifting her right 
 hand in astonishment, and a little man in black, a kind of 
 hunchback, is also raising his hand ; and a clown and female 
 appear to be waltzing. On a panel in the room is shown a 
 small painting of the Crucifixion. 
 
 Panel — 12 in. by 9. 
 
 LUCAS CRANACH. 
 
 Born at Cranach in 1470, died 1553. The friend and contem- 
 porary of Albert Diirer, and one of the most distinguished painters 
 of the German School. “ As a portrait painter (says Bryan) he 
 takes a high place for his faithful adherence to the forms of 
 Nature.” 
 
 The Madonna and Child, the latter with a bunch of grapes 
 in his hand, from which he is eating. An exquisitely finished 
 picture. — Signed with the painter’s monogram. 
 
 Panel — 20 in, by 13^. Christie's , J. M. Par sods sale , November 
 22nd, 1873. 34/. 13s. 
 
 This picture is mentioned in Schuckhart’s Life of Lucas 
 Cranach , with an engraving of it. My friend, the late Mr. 
 Gruner of Dresden, was enraptured with the picture, said it was 
 
( 43 ) 
 
 LUCAS CRANACH— continued. 
 
 the finest Cranach he had ever seen, and was anxious to buy it 
 at a large price for the Dresden Gallery ; but on principle 1 
 declined to part with it, as I have always refused to break into 
 my collection, although often solicited. 
 
 Portrait of Saint Catharine, her right hand on the 
 wheel, her left holding up a sword. 
 
 Panel , with glass front — 12 in. by 9. 
 
 Portrait of Sybilla, Duchess of Saxony, in a richly em- 
 broidered and jewelled dress, with a jewelled headdress. — 
 Signed with his monogram, a flying dragon, and dated 1515. 
 
 Panel — 22 in. by 15. Christie's , Farrer's sale , Jime 15th, 1866. 
 
 21/. io.y. 
 
 Portrait of a Princess of Saxony, in a rich dress, as 
 Judith, holding the sword in her right hand, and the head of 
 Holofernes in her left. With Cranach’s monogram. 
 
 Panel — 8 in. by 6. Christies , Countess of Clare , February 22nd, 
 1866. \o\ guineas. 
 
 Judith, with the Head of Holofernes, a nude figure, 
 with a naked boy standing alongside, holding a crowned 
 winged serpent, or flying dragon, in his left hand, and a 
 similar animal in his right, indicative of the arms of the 
 Elector of Saxony. Sold as by Albert Diirer, but undoubtedly 
 Cranach’s, as is proved by having one of his monograms. 
 
 Panel — 36 in. by 21. Sotheby's , Pigotf s Collection , December 
 20th, 1876. 
 
 The Duke of Hamilton had a similar picture, 31 in. by 22, 
 which sold for 115/. 10 s. (See Waagen’s Art Treasures in 
 Great Britain , vol. iii. p. 298.) 
 
( 44 ) 
 
 THOMAS CRESWICK, R.A. 
 
 Landscape painter, born at Sheffield in 1811, died at Bayswater, 
 1 869. English School. 
 
 A Glade in the Forest, with a Waterfall. Fully 
 signed. Exhibited at the Royal Academy in 1851, upon which 
 he was elected to his full membership. 
 
 Panel, glazed — 14^ in. by 12. 
 
 CARLO CRIVELLI. 
 
 A nobleman who became an important painter of the Venetian 
 School, flourished between 1450 and 1490. 
 
 The Virgin Enthroned, holding the infant Saviour, with 
 St. John by her side, a copy of the famous Altar-piece at Milan, 
 painted with a very high finish, by Signor Eliano Fattorini, of 
 Todi, near Rome, who is preferentially employed by the 
 Arundel Society for their copies. He is said to have received 
 more than 50 guineas for this picture. 
 
 Cardboard , protected by glass — 18 in. by 12. Bought at the sale of 
 
 my friend Alexander Barker's choice Collection for 22 guineas. 
 
 JOHN CROME, called OLD CROME. 
 
 Born at Norwich, December 22nd, 1768, died there April 22nd, 
 1821. Father of the Norwich landscape painters. 
 
 A Pair of Cottage Scenes, with figures. 
 
 Canvas. 
 
 A Moonlight Scene on a River, showing a windmill, with 
 rural scenery, in the manner of Ruysdael. Painted for Mr. I 
 Hudson Gurney, at the sale of whose pictures it was 
 purchased by me for 50 guineas. My friend, E. W. Cooke, j 
 the artist, greatly admired this picture, and would have ex- 
 changed with me for anything in his studio. 
 
 Canvas — 17 in. by 25. 
 
( 45 ) 
 
 OLD CROME — continued. 
 
 A Hilly Landscape, with tall trees, a sportsman in the 
 foreground, on his knees, shooting through a preserve at wild 
 rabbits, his dog behind him. 
 
 Canvas — ii\ in. by n. 
 
 A Norfolk Landscape, with a cottage embowered in the 
 trees, and a watermill, rocky boulders, and two peasants in 
 the foreground. Canvas — 23 in. by 26. 
 
 A Rich Woody Landscape, apparently a forest scene, with 
 a female figure in the foreground. Panel — 20 in. by 24. 
 
 ALBERT CUYP. 
 
 Born at Dort, 1606, time of death uncertain, but he was living 
 in 1672. Pupil of Jacob Gerritze Cuyp, called Old Cuyp, a clever 
 landscape painter. Dutch School. 
 
 A River Scene, with Cows and Boats. Highly finished. 
 
 Panel — 10^ in. by i6|-. Christie' s, Thomas Norris , May gth, 1873. 
 47 guineas. 
 
 A Red Cow Reposing, with the head and shoulders of a 
 black one looking on, in a landscape, with a cascade in the 
 distance. 
 
 Panel — 9 in. by 12. Bought 1872. 1 5 guineas. 
 
 JOHN CHRISTIAN DAHL. 
 
 Born in 1788 at Bergen in Norway, went in 1811 to Copenhagen 
 to study at the Academy, and subsequently to Dresden, where he 
 became a member of the Academy, and professor of painting. In 
 1820 he went to Italy, and painted the Eruption of Vesuvius at 
 Naples, which was greatly admired. He died at Dresden in 1857. 
 
 A View of the Park in Copenhagen, showing Inigo 
 Jones’s famous monument, with numerous ladies and gentlemen, 
 some in English costume, promenading. 
 
 Canvas — 14 in. by 19. 
 
( 4 6 ) 
 
 WILLIAM DANIELL, R. A. 
 
 Painter chiefly of Oriental subjects. Nephew of Thomas Daniel], 
 R.A., with whom he worked for many years in India. Born 1773, 
 died 1837, aged sixty-four. English School . 
 
 A Pair of Ornithological Subjects : One — A Woodpecker 
 of Ceylon and a Pheasant in a Floral Landscape. The other — 
 A Paradise Fly Catcher of Ceylon, perched on a tree, with a 
 landscape background. 
 
 Copper — in. by 1 1 Christie's, July nth, 1863. 
 
 A Pair of Animal Subjects : One — A Bear of Ceylon, 
 with her Cub, and various accessories. The other — The Indian 
 Rhinoceros and young. 
 
 Copper — 8ijr in. by ii|. Christie's , July nth, 1863. 
 
 JOHN DEARMAN. 
 
 Born probably about 1800, at Shiere, near Guildford, and died 
 about 1857. Animal painter, with landscape backgrounds, par- 
 taking of the combined merit of Patrick Nay smith and Sidney 
 Cooper. He exhibited at the Royal Academy from 1842 to 1856. 
 
 A Tree Landscape, with cattle and figures in the fore- 
 ground. Highly finished. — Signed Jno. Dearman, 1842. 
 
 Panel — 10 in. by 14. 
 
 FRANCIS CORNELIS DEKKER. 
 
 A native of Holland, probably Haarlem, of whom but little is 
 known. According to Bryan, “ He painted landscapes in a very 
 pleasing and natural style, resembling the charming productions of 
 Ruysdael, De Vries, and Waterloo, without the servility of an 
 imitator, and with whom he was probably contemporary.” Dutch 
 School. 
 
 A Watermill on the Banks of a River, with boats in the 
 distance. 
 
 Panel — 16 in. by 20. Bought privately, 20 guineas. 
 
( 47 ) 
 
 WILLIAM DE LA MOTTE, 
 
 Born in 1780, died at Oxford, February 13th, 1863, aged eighty- 
 three. A landscape painter, distinguished for his trees, examples 
 of which he published in a series of etchings. 
 
 Very Hot Indeed ! a landscape of tall trees, on the banks 
 of the river Thames, Oxford. Painted from nature on the spot , 
 June 19-21, 1806, as signed by him on the back. 
 
 Canvas — 17 in. by 14. Bought at the Artists' Sale , Sotheby's, May, 
 1863. 5/. 5*. 
 
 HENRY DELL. 
 
 Apparently living. 
 
 A Pair of Landscapes — in one of which Children are 
 Christening the dog Pompey, and in the other Three Children 
 are Riding “tip-me-cap” on a plank, across a felled tree. 
 Pleasing pictures. — Signed H. D. i860. 
 
 Panel — 9! in. by 8. Christie's, December 1st, i860. 15/. 10.9. 
 
 JEAN LOUIS DEMARNE, 
 
 Born at Brussels in 1744, and died near Paris in 1829. An 
 esteemed Landscape painter. French School. 
 
 View in Rome, with workmen carrying a statue. 
 
 Canvas. 11 in. by 15. Christie’s , Henry Chaworth, June 12th, 
 1869. 10/. ioj . 
 
 A Coast Scene, with shipwreck in the distance, and a dog 
 in the foreground in apparent distress guarding a man’s 
 hat. 
 
 Canvas — 9^ in. by 12. Christie's, White's Collection, April 5 th, 
 
 1872. 
 
 A Landscape, with cattle and figures. 
 
 Christie's, July 15th, 1867. 10/. 
 
( 48 ) 
 
 WILLIAM DERBY. 
 
 Born January loth, 1786, died January 1st, 1847. Drew many 
 of the portraits for Lodge, and considered the best artist employed 
 on that work. 
 
 Portrait of Earl St. Vincent, painted for Lodge’s 
 Portraits, where it is engraved. 
 
 7 in. by 6. 
 
 CHRISTIAN WILHELM ERNEST DIETRICH, or 
 DIETRICY. 
 
 Born at Weimar, 1712, died in 1774 at Dresden, where he 
 had long practised and was highly patronised. A distinguished 
 colourist and very ingenious artist, who was fond of painting 
 Pasticci and successfully imitated several of the old masters, 
 Salvator Rosa, Ostade, Poelemburg, and especially Watteau and 
 Lancret. German School. 
 
 A Fete Champetre, having ten figures, chiefly females, 
 in a landscape. Painted much in the manner of Watteau. 
 An upright cabinet picture, the engraving of which, according 
 to Weigel’s Catalogue , is rare, and priced by him at 7J dollars. 
 
 Canvas — 15^ in. by 12. Christie's , G. C. Heath , February 16th, 
 1861. 19/. 19J. 
 
 CARLO DOLCL 
 
 Born at Florence in i6i6 ; died 1686. The favourite painter of 
 pious subjects. “ Coloris suave et harmonieux, touche pleine de 
 douceur, pinceau fibre et facile, execution d’un fini precieux ; tel est 
 le jugement que Ton peut porter sur ce grand artiste.’’ — R. Lejeune. 
 Tuscan School. 
 
 Mater Dolorosa. A female saint in a dark-blue hood, 
 with hands clasped in prayer. Exquisitely painted. Of a 
 beauty of form and expression, clearness of colouring and 
 delicacy of finish, which are unsurpassed and not often 
 united. From the Montcalm Collection in 1849, where 
 I am told it was bought in at 100 guineas. Since bought by 
 me at Christie’s, June 29th, 1878, for 52/. iol 
 Copper, glazed — 14 in. by io^-. 
 
( 49 ) 
 
 DOMENICO ZAMPIERI, called DOMENICHINO. 
 
 Born at Bologna in 1581, died at Naples in 1641. This eminent 
 painter of figure subjects and figures in landscapes studied in the 
 Academy of Ludovico Caracci at the same time as Guido and 
 Albano. Bolognese School. 
 
 The Triumph of Love. Three nude figures of Amorini, 
 the centre one in a chair supported by two doves, the group 
 surrounded by a garland of flowers painted by Daniel Seghers. 
 A beautiful cabinet specimen. There is a similar picture in 
 the Louvre, see Musee Napoleon , V'ol. IX. p. 11, and another 
 in the Stafford Gallery. 
 
 Canvas — 26 in. by 19. Christie's , Sir Geo. Staunton's Sale , March 
 10th , i860. 14/. 5^. 
 
 DIONYSIUS VAN DONGEN. 
 
 Born at Dort in 1748, died at Rotterdam in 1819. Scholar of 
 J. Xavery at the Hague, where he painted landscapes and cattle in 
 the manner of his master for some time, but afterwards studied 
 the works of Paul Potter, Albert Cuyp, Wynants,’ and other great 
 masters. His pictures found ready purchasers in England, 
 France, and Germany. Dutch School. 
 
 A Pair of Landscapes, with cattle and figures. Very 
 highly finished. 
 
 Panel — 4 in- by 6. Phillips , Lord Willoughby de Eresby , June 
 24th, 1869. 29/. 
 
 GERARD DOW, or DOUW. 
 
 Born at Leyden in 1613, died 1674. Pupil of Rembrandt, and 
 during Dow’s lifetime his pictures were held in higher estimatior 
 than those of his master. “At the present day (says Seguier) 
 many of his pictures are worth from nine to fifteen hundred 
 pounds.” Dow’s great pupil was Van Tol, which see. Dutch 
 School. 
 
 Two Figures, male and female, with utensils at a window, 
 and a sculptured relief beneath them. The top of picture 
 arched. Described in Smith’s Catalogue , Vol. I. p. 20, No. 57. 
 
 Panel — 9 in. by 6. 
 
 H 
 
( 5 ° ) 
 
 GERARD DOW — continued . 
 
 Still Life. A larder, with a large barn-door fowl hanging 
 up, a duck, basket of eggs, and vegetables on the table, and 
 an old woman and boy at the back. Described in Smith’s 
 
 Catalogue. 
 
 Patiel — 8 in. by 7. Christie's , Wynn Ellis , May, 1876. 28/. Js. 
 
 Head of an Old Man, with grey hairs and beard. Signed 
 with the artist’s monogram. See Smith’s Catalogue , No. 139. 
 
 Panel — 8 in. by 7. 
 
 The Water Doctor. An interior with five figures. An 
 admirable and highly finished replica of this famous picture, 
 the original of which is in the Hermitage at St. Petersburg. 
 
 Canvas — 16 in. by 13. 
 
 A Pair of Mythological Subjects. A Musical Entertain- 
 ment, with satyrs dancing and playing ; and the Rape of the 
 Sabines, with numerous figures (painted probably by Jacques 
 Stella). Highly coloured. Panel — Oblong , 4J in. by 10. 
 
 A DRAWING. 
 
 A beautiful drawing of the Virgin caressing the Child, a 
 cradle with swaddling clothes on her right, St. John on her left 
 leaning on her knee and holding a staff in his left hand, in- 
 scribed San. Dei on the flag, while touching with his right 
 hand a lamb leaning on him, Joseph behind them. Cardboard — 
 9 1 in. by 7 j. Framed and glazed. 
 
 For other Drawings see Fielding, Shaw, Stothard, 
 Westall, etc. 
 
 MARTIN DROLLING. 
 
 Born at Oberbergheim in 1752, died at Paris in 1817. A painter 
 of recognised talent, chiefly employed at Paris, where he became 
 a member of the Academy, and painted Napoleon in his coro- 
 nation robes, size of life. Stanley says : ei His works were popular 
 during his life, and owing to their merit are likely to continue so.” 
 
 Napoleon in his Coronation Robes, his right hand on 
 the crown and cushion. A choice highly finished picture. 
 
 Canvas — 16 in. by 12. 
 
( 5 1 ) 
 
 JAN LE DUCQ. 
 
 Born at the Hague in 1636, died in 1695. Pupil of Paul Potter. 
 His figures are very highly finished and remind us of Palamedos. 
 Dutch School. 
 
 An Interior, with a group of three soldiers off duty, 
 apparently a corps de garde. 
 
 Panel — 9 in. by 7. Christie's, July i6lh, 1867. 5/. 15^. 6 d. 
 
 CHARLES DUKES. 
 
 Living in London in 1829 and later, and at Chiswick in 1863. 
 A constant exhibitor at the Society of British Artists, where his 
 pictures found a ready sale. 
 
 An Interior of a Porch, in which two infant children 
 are seated reading. Highly finished. 
 
 Panel — 14 in. by 10. Christie' s, December 1 st, i860. 61 . 6s. 
 
 Portrait of a Handsome Greek Girl, with exposed 
 bosom and in loose attire, reclining, a lyre by her side. 
 
 * Panel — 6\ in. by io|. 
 
 FRANCOIS DUMONT. 
 
 Born at Luneville, 1751. Pupil of Girardet. Member of the 
 Academy in 1788. French School. 
 
 A Lady as a Haymaker. 
 
 Christie's , February 2 1st, 1865. 5/. 5s. 
 
 ALBERT DURER. 
 
 Born at Nuremberg, May 20th, 1471, died there in 1528. Pupil 
 of Michael Wohlgemuth, and one of the most distinguished of 
 German artists. German School. 
 
 Portrait of Albert Durer, with long flowing bronze 
 hair falling over his shoulders under a white falling cap inter- 
 sected with black stripes, his costume a loose under dress of 
 brown and white, exposing his bosom. Inscribed on a 
 
( 5 2 ) 
 
 ALBERT DURER — continued. 
 
 pedestal, “ Imago Alberti Diireri . Aetatis suae . 32 . 1503 
 obiit . 6. Aprilis . Anno . 1527.” — Signed with Albert Diirer’s 
 usual monogram, A. D. in a triangle. Panel — 13 in. by 10J. 
 
 It is agreed by all known authorities that Albert Differ died 
 April 6, 1528, while the portrait, of which the painter is 
 unknown, but probably Italian or Spanish, makes it 1527, 
 owing to some difference in chronology. 
 
 Portrait of Himself, painted in 1490 when twenty-two 
 years old. A handsome man, with auburn hair, gaily dressed 
 in a green cap hanging on one side, and embroidered vest 
 partly covered by a cloak, with a ring on his left thumb. The 
 inscription around a contemporary black frame is : “ Nach 
 Xti giburt als man zelt 1490 wan ich 22 yar alt war fiir 
 welt/’ Panel — 20 in. by 14. 
 
 A Pair of Small Full-Length Portraits of Himself, 
 as afterwards painted in the corner of the famous Vienna 
 picture : in one frame. On one is inscribed, “ Albertu^ Differ 
 Alemannus faciebat post Virginis partu 1511,” with the usual 
 monogram of D inclosed in an A which forms a triangle. 
 (This is engraved as a frontispiece to Thausing’s Life of Albert 
 Diireri) The other, Albertus Differ, 1517. 
 
 Copper — Each 8J in. by 6. Christie' s, fohn Mount joy Smith , 
 fune \oth , 1876. 5/. 
 
 The Annunciation. Two figures, representing an angel and 
 the Virgin Mary in a cottage. Exquisitely painted. 
 
 Panel — 13 in. by 9. Christie's, fohn Watkins Brett's fine 
 Collection , April $th, 1864. 
 
 This was sold as an Albert Differ, and is quite worthy of 
 him, but it seems to me more in the manner of Hemling or 
 Van Eyck. 
 
 An Engraving, on Panel, of the Virgin with the Child 
 in her arms and a monkey at her feet, usually called “ Mary 
 
( S 3 ) 
 
 ALBERT DURER —continued. 
 
 with the Monkey,” being No. 42 of Heller’s List, as well as 
 No. 42 of Bartsh’s. This engraving is not a transfer, but appears 
 to have been made direct from the wood-block, most likely as 
 an experiment. In the corner of it is a fragment of a German 
 almanack printed from type, about 1500. The frame, which 
 is ebony and coloured wood, is of the period and highly 
 ornamental. 15 in. by 12. 
 
 The Little Bagpiper leaning against a tree and blowing 
 his pipe. Exquisitely finished. A cabinet gem, with the rare 
 engraving of it on the back, signed, A. D. 1514. See Thausing, 
 Vol. II. p. 230. 
 
 Panel — 5 in. by 4. Christie's. Bought at the Sale of Jeremiah 
 Harman's fine Collection , 1844. 28/. ijs. 
 
 Jeremiah Harman, I allow myself to say, because he was 
 a man of congenial pursuits, married my cousin, Miss Bohn 
 of Groningen in North Holland, and fifty years ago her 
 maiden sister always stayed with us. 
 
 The Descent from the Cross, with numerous figures, 
 Mary washing our Saviour’s feet. Beautifully painted on slate. 
 Exhibited at Leeds, 1868. 
 
 9 in. by"]. Christie's , Wynn Ellis's Collection, June 1876. 7/. lys. 6d. 
 
 *** Possibly the picture of which all trace is lost. See Thausing’s 
 Albert Purer, Vol. I. p. 175. 
 
 The Repose of the Holy Family, i.e. the Virgin and 
 Child, with a dog and lion at her feet, and an angel leaning 
 on a staff ; trees and buildings in the distance. With Sadeler’s 
 engraving of it on the back. 
 
 Panel— 9 in. by 7. Christie's , Wynn Ellis , May 1876. 18/. 18^. 
 
 The Virgin on a Richly Carved Seat and Canopy, with 
 the Child on her knee, who has a string of pearls on his neck 
 and has cherries in his hand. 
 
 Panel — 25 in. by 18. Christie" s, Nqvember $th, 1871. 17/. 5 s. 
 
( 54 ) 
 
 ALBERT DURER — continued. 
 
 Saint Anthony of Padua, with a book in his hand, sitting 
 before the old city of Niirnberg, with the engraving signed 
 and dated 1519. The original painting, from Walmarana’s 
 collection, bought by me from De Jonghe for something less 
 than the price he marked it, which was 60 /. Accompanied 
 by Albert Biker’s engraving of the same there is another of 
 it by Wierx. 
 
 Panel — 6 in. by 6. 
 
 The Nativity, with St. Joseph filling a vessel with water. 
 Engraved in 1504, and commonly called the Little Nativity. 
 
 Copper — 8 in. by 5. 
 
 The Virgin Nursing the Child, who has a bird in his 
 hands ; a monkey at the Virgin’s feet. — Signed, A. D. An 
 engraved picture. 
 
 Pa?iel — 9 in. by 6 . Christie’s , Wm. Middleton, January 1872. 7/. 
 
 The Flagellation — Christ Scourged in a Church, with 
 a broom and whip in His hands, the Madonna and others 
 looking on deploringly. With the engraving at back. 
 
 Panel — 7 in. by 44. Christie’s , Hon. F. By ng, July 1871. 1 1 /. 
 
 The Holy Family. A facsimile of the engraving. 
 
 Panel — Phillips’s, March 29 th, i860, a distinguished amateur. 
 
 A Pair of Finely Executed Pictures, one representing 
 Christ taken down from the Cross (with the engraving) ; the 
 other, St. Peter washing the feet of Christ in presence of the 
 Apostles, both with numerous figures. 
 
 Marble, glazed — each 5! in. by 
 
( 55 ) 
 
 CORNELIUS DUSART. 
 
 Born at Haarlem about 1630, died there 1704. One of the best 
 pupils of Adrian Van Ostade. His pictures are deemed worthy of 
 being placed in the choicest collections, and there are several 
 preserved in the Museum at Amsterdam, dated 1653. 
 
 A Small Pair of Interiors, with Figures. Exhibited at 
 Manchester. 
 
 Christie's , Rev. Isaac Spenser , February 23 rd, 1861. 
 
 A Village Scene in the Interior of a Cabaret, with 
 numerous figures of Dutch peasants merry-making. — Signed 
 in full. 
 
 Panel, glazed— \3\m. by 22. Sotheby's , 1881. 13/. 10s. 
 
 C. DYKES. 
 
 Living. 
 
 A Greek Girl. A coloured drawing, framed and glazed. 
 
 Phillips's , March 3rd, 1863. 
 
 EARLY GERMAN OR ITALIAN. 
 
 The Crucifixion, finely painted on gold ground, probably 
 by Meister Stephan, which see . 
 
 HENRY EDRIDGE, A.R.A. 
 
 Born at Paddington, August, 1769, died April 23, 1821. Minia- 
 ture painter of great excellence, patronised by Sir Joshua Reynolds, 
 and a frequent exhibitor at the Royal Academy after 1786. 
 
 Portrait of Hannah More. 
 
 Christie's , S. Redgrave , March 23 rd, 1 877. ill. 
 
 WILLIAM MAW EGLEY. 
 
 Born at Doncaster in 1798, died in London, March 19, 1870. 
 His works were almost exclusively miniatures, which were marked 
 by careful finish, truth, and purity of colour. 
 
 A Pair of Interiors, *one representing a scene from 
 Moliere’s Tartuffe , between Laurent (his valet), Dorina, and 
 Tartuffe ■ the other, Moliere and his housekeeper. 
 
 Panel — 6 in. by 6J-. 
 
( 5 6 ) 
 
 JAN EKELS. 
 
 Born at Amsterdam, 1722, died there 1781. A first-class painter 
 of Landscapes, generally of small size, in the manner of Jan Ten 
 Compe, Berkheyden, and Van der Heyden. Dutch School. 
 
 View of a Dutch Town. 
 
 Phillips' s, Lord Willoughby de Eresby, June 2\th, 1869. 6 L io^. 
 
 View at Delft, on the Canal. 
 
 Phillips’s , Lord Willoughby de Eresby, June 24 th, 1869. 7/. ioj. 
 
 EGYPTIAN PAPYRUS. 
 
 A very ancient picture, representing Thoth and other figures 
 in colours, with numerous inscriptions. Brought from Egypt 
 by the late Mr. David Roberts, R.A., at the sale of whose 
 effects I purchased it. 
 
 15 in. by 9! — 7nounted on an ancient oak panel. 
 
 ADAM BLSKEXMER, or ELZHEIMER 
 
 Born at Frankfurt in 1574, died at Rome in 1620. Bryan says, 
 “The merit of the works of Elsheimer consists in an excellent 
 taste of design, an admirable disposition of his objects, a neat and 
 spirited touch, a precious finish, and a lively and harmonious 
 colouring. The scenery in his Landscapes is of a happy choice, 
 and the effect in his moonlight pieces and torchlights is managed 
 with good success.” Waagen calls him “ a very rare and pleasing 
 master,” and Nagler says his works, on account of the extreme 
 labour he has bestowed upon them, are rare, and only found in the 
 Cabinets of wealthy amateurs. German School. 
 
 The Flight into Egypt, showing the Virgin, Child, Joseph, 
 Angels, &c. An exquisite Cabinet example, said by Bryan to 
 be his masterpiece. 
 
 Copper — 13 \ in. by 11. Christie s, J une 8th, 1867. 63/. 
 
 A Mythological Subject, ' consisting of eight figures 
 crowded together, and two Cupids above with wreaths in 
 their hands. Finely painted. 
 
 Copper — 12^ in. by 10. 
 
( 57 ) 
 
 ADAM E L S H E I M E R — continued. 
 
 The Day of Judgment, in which the Almighty and a male 
 and female Saint are represented on clouds above a figure 
 of Justice, with helmet and wings, holding a fiery sword in one 
 hand and scales in the other, while a multitude of human 
 beings are ascending to heaven in groups, or descending to 
 hell. There are nearly 150 figures in the picture. 
 
 Copper — 9 in. by 15. Bought of Merit, the picture dealer at 
 Cologne , many years ago. 
 
 A Scriptural Subject, crowded 'with figures; the Virgin, 
 Child, and St. John in the centre, an Angel with large wings 
 standing at her side, the Paschal Lamb in front carrying a 
 staff, with angels and numerous cherubims aloft, and at the 
 side Tobias leading his blind father. 
 
 Copper — 1 5 in. by 9b 
 
 The Deluge, consisting of upwards of fifty figures in 
 various postures, some in the water, some climbing, and others 
 lifting up their hands in prayer ; while in a corner above there 
 is a group of Angels apparently directing the storm. 
 
 Canvas — 12 in. by 15J. Christie's, P. C. Crespigny , April 23rd, 
 1 869. 7/. 1 5^. 
 
 The Adoration of the Magi, represented with an unusual 
 number of figures. Highly finished. Signed, and dated 
 1610. 
 
 Copper — 9|- in. by 13. Christie's, Charles Martin, March 27th 
 1 876. 15/. 4 s. 6d. 
 
 ESPINOSA DE VALENCIA (JACINTO GERONIMO). 
 
 Born at Cocentayna in 1600, died in Valencia, 1680. Scholar oi 
 Francisco Ribalta, one of the greatest historical painters of Spain. 
 Spanish School. 
 
 The Virgin and Saints, honouring the member of a saint 
 (probably St. Ignatius Loyola), who is painted on a scroll with 
 a book in one hand and lilies in the other. Two figures in 
 all. 
 
 Copper — 16 in. by 12. 
 
 I 
 
( 58 ) 
 
 ALBERT VAN EVERDINGEN. 
 
 Born at Alkmaer in 1621, died in 1675. Pupil of Roland Savery 
 and Peter Molyn, both of whom he greatly surpassed. He was a 
 distinguished landscape painter, but also a lover of sea pieces, and 
 was the master of Ludolph Backhuysen. Dutch School . 
 
 A View in Norway, with a waterfall. 
 
 Canvas — 12 in. bv 15. 
 
 HUBERT AND JAN VAN EYCK. 
 
 The former supposed to have been born in 1366, and to have 
 died in 1426 ; the latter born in 1370, and died 1441, but these 
 dates have been controverted and are somewhat uncertain. These 
 great painters are supposed to have been the originators of painting 
 in oil, but though this has been much disputed, they were very dis- 
 tinguished in their application of it at this early period. They 
 appear to have often painted conjointly. Flemish School. 
 
 Portrait of Two Females in Prayer. Apparently the 
 wing of a Tryptich. Beautifully painted, and believed to be 
 by Hubert Van Eyck. From the Martiningo Collection. 
 
 Panel — 22 in. by 15. Christie's , Baron de Laages ’ Collection , 
 July $th, 1865. 26/. 
 
 Full-Length Portraits of Two Female Saints seated 
 in a landscape, under architectural canopies ; one with a cup 
 in her hand, the other with a book before her ; and on the 
 reverse of the panel are two Saints painted in grisaille. Sup- 
 posed to be the two outer wings of a Tryptich. From the 
 Collection of my highly distinguished and lamented friend 
 Lady Stirling Maxwell, who valued these specimens highly, as 
 I had done, and for which I was afterwards offered 50 guineas. 
 
 Panel — 32 in. by 11. Robinson &r> Fisher , Lady 
 Maxwell's Sale, 1857. 
 
 The Virgin and the Saviour enthroned in front of an 
 Altar, with two figures in the distance. Painted on a gold 
 ground. 
 
 Panel— 6 in. by 4|. Phillips's , March 2 8th, i860. 1$ guineas. 
 
HUBERT AND JAN VAN EYCK— continued. 
 
 The Vision of St. Gregory. Showing the interior of a 
 Cathedral with seven saints worshipping the undraped figure 
 of Christ, two of them kneeling in front of the altar, the 
 others with sacred emblems. 
 
 Panel — 20 in. by \\\. 
 
 A Polyptich of Five Subjects ; the large centrepiece of 
 the interior represents the Adoration of the Magi in the Stable, 
 the two side pieces the Birth of Christ and the Delivery of 
 Him to the Priest for Circumcision, the two outside pieces 
 our Saviour and the Lamb, and the Virgin unfolding a white 
 sheet on which His head is shown subsequent to the Crucifixion. 
 On the margin of the polyptich are H. J. E. and arms, a lion 
 rampant, etc. See the engraving of this subject in Passavant’s 
 Tour of a German Artist in England, 2 Vols., 1836, Vol. I. 
 p. 281 et seq. 
 
 15 in. by 18. 
 
 CHARLES VAN FALENS. 
 
 Born at Antwerp in 1684, died at Paris in 1733. His pictures 
 are generally of the Wouvermarfs type and highly finished. 
 Dutch School. 
 
 A Landscape, with a prominent white horse whose foreleg 
 is being examined by a farrier with a view to shoeing, while 
 the rider, nobly dressed, is looking on ; and alongside is a shed 
 with a brown horse at a shoeing forge, with various horsemen 
 and figures, including children in a goat-chaise, in the fore- 
 ground. 
 
 Panel — 12 in. by 15. 
 
( 6o ) 
 
 PAUL CONSTANTIN LA FARGUE. 
 
 Born at the Hague, uncertain when, but died at an advanced 
 age at Leyden in 1782. Inscribed in the Confrerie Pictura of the 
 Hague in 1761. His pictures are generally small and pleasing, 
 and he was a first-rate copier of the old Dutch masters. Dutch 
 School. 
 
 View of Montauban Tower and Entrance of the 
 Canal at Amsterdam, with boats and figures ; shipping in 
 the distance. 
 
 Pa?iel — io| in. by 15. Phillips ' , Willoughby de Eresby. 10 1. ion 
 
 A Pair of Topographical Views of the Hague. One 
 signed in full, Paulus Constantin La Fargue, 1780. Bought 
 of a first-class dealer for 21/. in 1852. 
 
 Canvas — io| in. by 14. 
 
 PAUL FRANCIS FERG. 
 
 Born at Vienna, 1689, died in London, where he had sojourned 
 for twenty years, in 1740. u Excellent peintre, spirituel, arrange- 
 ment pittoreque, ton claire et energique, execution libre et soignee.” 
 — Adolphe Siret. More could not be said in his favour. 
 
 A Village Fair, with Italian peasants dancing; a landscape 
 with ruins. 
 
 Copper — 8| in. by 11. Christie' s, C. Scarisbricke , May 24.H1, 1861. 
 
 14/. 
 
 A Charlatan holding forth from an eminence, with 
 numerous figures, and ruins in the distance. Very fine. 
 
 Copper — 8| in. by 11. Christie’s, July 18th, 1865. 20I. 
 
 The Building of Solomon’s Temple. Numerous figures 
 in the foreground. From Gen. Creed’s Sale in 1810. 
 
 Canvas — 11 in. bv 15. 
 
 A Castellated Chateau on the Sea-Coast, with 
 numerous figures in front ; one a lady on a camel, others 
 gaily dressed and amusing themselves, apparently on some 
 occasion of rejoicing; with a ship alongside. 
 
 Panel — 7 in. by 12. Christie' s, July, 1865. 2 61. 
 
( 6 : ) 
 
 ANTHONY VANDYKE COPLEY FIELDING. 
 
 Born in 1787, and died March 3rd, 1855, in his sixty-eighth year. 
 
 Loch Etive, Argyllshire, an inlet of the Atlantic. A 
 landscape, with trees and cattle in the foreground, and moun- 
 tains in the distance. A highly finished drawing in water-colours. 
 
 7 in. by 10. Bought in 1850. 10/. iol 
 
 THEODORE HENRY FIELDING. 
 
 Born 1781, died July nth, 1851, aged seventy. Elder brother ot 
 Copley, Thales, and Newton Fielding. Early in life he exhibited 
 at the Royal Academy, and soon after was appointed Teacher of 
 Drawing and Perspective at the Military College at Addiscombe, 
 and retained that appointment till his last days. 
 
 A Large Landscape, with tall trees, a river, in which three 
 cows are drinking, mountains in the distance. A highly 
 finished drawing in colours. — Signed T. H. Fielding, 1833. 
 Glazed with plate glass. 
 
 19 in. by 24. 
 
 The companion picture, A River View at Sunset, with a 
 fishing-boat and fishermen in the foreground, ships and a moun- 
 tain in the distance. — Signed, and dated 1833. 
 
 19 in. by 24. 
 
 *** These two fine drawings were executed on commission to suit 
 my gaily decorated drawing-room in York Street. 
 
 MARIO DA’ FIORI, alias MARIO DELLA PENNA NUZZI. 
 
 Born at Penna in 1603, died at Rome in 1673. A distinguished 
 flower painter, usually encircling figures of virgins, saints, and 
 other religious subjects by other masters. Roman School. 
 
 A Large Oval Wreath of Flowers, highly coloured, 
 surrounding a figure of the Intant Saviour which is painted by 
 Domenichino. 
 
 Canvas , with glass front — 20 in. by 16. Christie’s , Hugh Ker 
 
 Cotsbarner , March ind, i860. 61 . 6 s. 
 
 A duplicate of this picture is in the great Stafford Gallery 
 Collection. 
 
 
( 62 ) 
 
 LAVINIA FONTANA. 
 
 Born at Bologna in 1552, died at Rome. Distinguished portrait 
 painter and highly praised by Lanzi, who says some of her 
 portraits might pass for the works of Guido. 
 
 Portrait of Propertia Rossi, a celebrated sculptress, 
 bom at Bologna about 1550, with a compass and statuette 
 before her. — Signed in full, and dated 1578. 
 
 Copper , a circular picture — Si Az. 
 
 JEAN HONORE FRAGONARD. 
 
 Born at Grasse in Provence, 1732 or 1733, died at Paris in 1806. 
 Pupil of Chardin and Boucher. “ Visita l’ltalie apres avoir obtenu 
 le grand prix de FAcademie. Malheureusement la plupart de ses 
 sujets sont extremement licencieux.” French School. 
 
 Chagrin d’ Amour ; a girl reading a letter which evidently 
 distresses her. (I believe an engraved picture.) 
 
 Panel —IS) in. by 10. Phillips's , May 20th , 1873. 7/. Js. 
 
 The Lovers ; a cavalier caressing a lady in an evening dress 
 near a bed, while a female servant is peeping from behind a 
 door. 
 
 Panel — 12 in. by 9-jr. 
 
 The Source of Love ; a male and female figure, semi-nude, 
 looking at a fountain stream from which a number of infants 
 are descending, Cupid above, and another cooing cherub 
 superintending. 
 
 Panel — 8 in. by 6^. Christie's , February 21 st, 1865. 81 . 15^. 
 
 La Lecon de Musique ; a garden scene with five prominent 
 figures in the foreground, the two principal of these being a 
 gentleman playing the flute to a lady who holds the music, 
 to which another lady seated on the ground is listening, while 
 two others, a lady and gentleman, are in earnest conversation 
 behind them. In the background are two small figures 
 apparently courting. 
 
 Canvas — 14 in. by 17^. Christie? s, February 1 8 th, 1881. 30 guineas. 
 
( 63 ) 
 
 JEAN HONORE FRAGONARD— continued. 
 
 A Lady at Her Toilette, half dressed, her waiting-maid 
 alongside with a tray of tea-things in one hand, and a large 
 jug in the other. 
 
 Copper — 9 in. by q\. 
 
 Abduction. A richly dressed cavalier carrying off a young 
 lady, partly undressed, by moonlight ; a servant looking 
 on. 
 
 Panel, glazed — 15 in. bv 12^. 
 
 A Cavalier seated in an arm-chair, having his naked leg 
 strapped and dressed by a lady. A picture of which there is 
 an engraving. 
 
 Panel — 5 in. by 5-jr. 
 
 FRANCESCO RAXBOLINI FRANCXA. 
 
 Born at Bologna about 1450, died, it is said generally, in 1518, 
 but more probably, according to Nagler, about 1535. This 
 master holds a high rank in the early Italian school. His works 
 are greatly admired for the intense feeling and refined sentiment 
 displayed in them. Nagler says there are but few of them in 
 England. Umbrian School. 
 
 The Holy Family (the Virgin Child and St. John), with a 
 landscape background. Mentioned in Waagen’s work, vol. ii. 
 p. 235. This picture was once valued at 400/. 
 
 Panel — 24 in. by 18. 85 guineas. 
 
 The Madonna and Child, with four Angels. The Virgin, 
 seated on a throne with red tapestry, holds the Infant Jesus ; 
 in the background right and left are angels. 
 
 Panel — 8^ in. by 6|. Christie's, from the Collection of the late 
 Marquis de Bla'isel , May lyth , 1872. 39/. 1 8s. 
 
( 6 4 ) 
 
 JOHN BAPTISTE FRANCK. 
 
 Son of Sebastian Franck, born at Antwerp in 1600, died 1653. 
 Flemish School. 
 
 There is great confusion about the seven or eight members 
 0/ the Franck family , all artists of distinction , the earlier being 
 Hans, contemporary of Albert Diirer , of whom no particulars are 
 known. 
 
 The Birth of Christ in a Stable, with numerous sur- 
 rounding figures ; a cow in the distance. 
 
 Copper — 12 in. bv 9. 
 
 FRANCIS FRANCK, called OLD FRANCKS. 
 
 Born in or before 1540, died in 1606. A painter of the highest 
 class, equal in drawing and finish to Albert Diirer. German 
 School. 
 
 The Emperor Charles V. receiving the Monastic 
 Habit, with numerous figures. The picture is surrounded by 
 a border representing subjects from the Life of Christ. A 
 painting of the highest class, very similar in dressing and finish 
 to the works of Albert Diirer. 
 
 Panel — 21 in. by 17. Christie's , Gallery of the Marquis de Blais el, 
 May 17 th, 1872. 39/. 1 8s. 
 
 The Tribute Money. Eight figures, exquisitely painted. 
 
 Panel — \\ in. bv 9. Christie's, F. Sargent , December 1st, i860. 
 
 7/. $s. 
 
 Mater Dolorosa. A miniature oval on copper. 
 
 Christie's , Sir George Staunton , March 10th, 1861. 2/. 12s. 6 d. 
 
 Death and the Senator, a Dance of Death. Painted in 
 the style of Holbein, and possibly by him, as it is of his time 
 and of vigorous execution. 
 
 Oak Panel , glazed — 7 i?i. by 5^. 
 
( 65 ) 
 
 J FRANKLIN. 
 
 A talented artist who successfully illustrated Harrison Ains- 
 worth’s Old Saint Paul's; I believe living. 
 
 A Coloured Drawing. Dramatic scenes from real life, in 
 illustration of Lady Morgan’s book entitled Dramatic Scenes , 
 in the chapter called “ Manor Sackville.” It is where Galbraith, 
 the old roguish Irish agent, has let loose a rat to frighten Lady 
 Emily Sackville, who with her husband and a large party visit 
 their Irish estates for the first time, his object being to make it 
 appear that the house was infested with rats. 
 
 Glazed io 4 in. by 13. Bought at Lady Morgan's Sale in 1859. 
 
 *** On the back is a very elaborate account of the whole 
 scene, communicated to me in a letter written by Mrs. Sidney 
 Inwood Jones, Lady Morgan’s niece. 
 
 ALEXANDER FRASER, A.R.S.A. 
 
 Born at Edinburgh, April 7th, 1786, died at Wood Green, Horn- 
 sey, February 15th, 1865. For more than twenty years assistant 
 to David Wilkie, who had been his fellow pupil in Edinburgh, and 
 for whom he painted the details and still-life in his pictures. 
 
 The First Day of Oysters, with numerous figures; a 
 reduced replica of the original picture by the artist himself.— 
 Signed in full, with the engraving by Greatbach. 
 
 Canvas — 7^ in. bv 9^. Christie's , Thomas G. Mackinlay, F.S.A 
 March *]th, 1866. 15/. 15^. 
 
 FRENCH SCHOOL. 
 
 The Swing and Blind Man’s Buff; a pair of ovals. 
 Phillips ' , February 12th, 1863. 61. 
 
( 66 J 
 
 FRESCOES AT HERCULANEUM AND POMPEII. 
 
 Three beautiful drawings on cardboard by an Italian artist, 
 the two largest from Herculaneum, the third from Pompeii. 
 Framed and glazed. 
 
 Two , 15 in. by 28, the third , 15 in. by 10. From Lord Rutherford* s 
 Collection , sold at Christie's , May 30 th, 1863. 30/. 
 
 Two Frescoes from Pompeii, painted on stone, brought 
 to England by Sir William Gell, and bought by me from 
 Mr. J. P. Gandy, from whom, in 1851, I bought the copyright 
 of Gell and Gandy’s Pompeii. 
 
 One represents a female figure with a dagger in her right 
 hand, and a lighted torch in the left, on her way down stone 
 steps into a vault. 9 in. by 7. The other, a group of three 
 figures, the centre one, who is helmeted, holding some trophy 
 in his hand which the other two seem desirous of having. 
 
 7 by 51. 
 
 Fresco, painted on slate, of the Marriage at Cana in 
 Galilee, with the miracle of Christ turning the water into wine ; 
 numerous figures. Beautifully painted, evidently by one of the 
 old masters. 10 J in. by 2 5. 
 
 For Frescoes of the Vatican and elsewhere in Rome, see 
 Rome , Giulio Romano, and Raphael. 
 
 J. J. FREY. 
 
 A landscape painter who flourished early in the present century, 
 and frequently painted storms, of which there is an example in the 
 Munich Gallery. 
 
 A Storm in the Desert, with the Sphinx and Arab 
 horsemen. 
 
 Christie's, January \<)th, 1861. 
 
 WILLIAM POWELL FRITH, R. A. 
 
 Born at Studley, near Ripon in Yorkshire, in 1819. A dis- 
 tinguished painter of Sujets de Genre , whose talent is universally ( 
 recognised. Living. 
 
 Portrait of Charles Dickens in his Study, painted in 
 1859. This is a study for the portrait which was exhibited at 
 the Royal Academy in 1859. It was given by Frith to my 
 

 
 e I 
 
 y, 
 
 ie 
 
 ab 
 
 iis- 
 
 allyj 
 
 lin: 
 
 dal 
 
 my 
 
 ( 67 ) 
 
 WILLIAM POWELL FRITH, R. A . — continued. 
 
 early schoolfellow and friend the late Serjeant Thomas, in 
 exchange for a picture by F. W. Topham. The exhibited 
 picture was sold for several hundred guineas, and is now in 
 the South Kensington Museum ; the portrait by Maclise sold 
 at Dickens’ sale for 693/. I knew Dickens intimately, and 
 can vouch for the present being a very striking likeness. 
 
 Canvas —14 in. by 12. 
 
 Dolly Varden, a richly-coloufed lithograph, after his 
 celebrated picture, executed by G. Risdon, and expressly signed 
 by Mr. Frith for the publisher, the late Mr. Gilbert, from whom 
 I obtained it. 16 in. by 13. 
 
 THOMAS FROWD. 
 
 Living at Windsor in and after 1849, and at Richmond from 
 i860 to 1864. A frequent exhibitor at the British Institution. 
 
 Twickenham Old Church, seen from Petersham meadows, 
 showing fine lofty trees and a female in a red dress passing 
 through the turnstile ; painted much in the manner of Creswick. 
 
 Canvas — 17 \ in. by 13^. Richmond , 1866. 10/. 10.9. 
 
 FRANCESCO FURINI. 
 
 Born at Florence in 1604, died in 1646. This eminent painter 
 is styled by Lanzi the Guido and Albano of the Florentine School, 
 who says that he sometimes painted Magdalenes which were not 
 more veiled than his nymphs. He drew with elegance and correct- 
 ness the forms of women and children. Florentine School. 
 
 The Death of Lucretia, who is represented with her 
 hand raised after having wounded herself with the stiletto. A. 
 gallery picture admirably painted in the manner of Guido. 
 
 Canvas — 5 ft. by 4 ft. 
 
 TADDEO GADDI. 
 
 Born at Florence in 1300, time of death uncertain, but according 
 to Rumohr living in 1366. He was the favourite and principal 
 scholar of Giotto. Vasari states him to have surpassed his master 
 in the expression of heads and in the delicacy of his colouring 
 
( 68 ) 
 
 TADDEO GADDI — continued . 
 
 Nagler, who gives a very full account of him, says his pictures are 
 very rare. Florentine School. 
 
 Two Angels performing on musical instruments. Finely 
 painted on gold ground. From the collection of William 
 Young Ottley, with whom this was a favourite picture and 
 reserved to the last. 
 
 Panel — 18 in. by 28. Christie's, January 2 8th, 1865. 16/. 5J. 6d. 
 
 THOMAS GAINSBOROUGH, R.A. 
 
 Born at Sudbury, in Suffolk, in 1727, died in London, 1788. 
 “ Portrait and landscape painter who will always occupy one of 
 the highest places in the English School, and his works now 
 command almost fabulous prices/ 5 Pupil of Frank Hayman. 
 English School. 
 
 A Peasant Hiring Animals.. Painted in the manner of 
 Berghem. 
 
 Christie’s, White's Collectio?i, April 5 th 1872. 17/. ioj. 
 
 A Woody Landscape, with two market-carts being drawn 
 through and a female peasant carrying a bundle of firewood. 
 18 in. by 16. Christie' s , J anuary 19th, 1861. 8/. ioj. 
 
 A Ruined Castle, with an arch, trees, &c. 
 
 Canvas — 12 in. by 18. Christie' s, John Allnutt, June 1863. 7/. 5J. 
 
 The Choristers. Two Children singing in a church with 
 a large hymn-book before them. A highly-finished, first-class 
 picture. Canvas~2 5 in. by 21. 
 
 A Landscape, with felled trees, houses, and figures, a monu- 
 ment in the extreme distance ; richly painted. This is an 
 authenticated picture bought direct from the artist by Mr. George 
 Smith, as his nephew assured me. 
 
 Canvas — 17 in. by 23. Christie's , George Smith , March 1880. 20/. 
 
 The Peasant Girl, with a pitcher in her right hand, and a 
 lap-dog under her left arm ; an unusually large enamel, by 
 Henry Bone, R.A., after the picture formerly in the collection 
 of Lord de Dunstanville, 11 in. by 8-L 
 
( 69 ) 
 
 BENVENUTO TISIO GAROFALO. 
 
 Born at Ferrara in 1481, and died there in 1559. Pupil of 
 Raphael, under whom he studied for two years. Bryan says : “ This 
 eminent painter is deservedly placed at the head of the Ferrarese 
 School ; his works approach the beautiful style of Raphael in the 
 expression of his heads and in the correctness of his design. His 
 colouring is distinguished by warmer tones and more vigorous 
 shadows.’' To which Sequier adds: “The beautiful forms of his 
 infants, and the charming dignity and gracefulness of his female 
 figures, are quite Raphaelesque in character.” Ferrarese School. 
 
 The Virgin and Child, -the latter with flowers in his 
 hand. 
 
 Panel — 12 in. by 10. Christie's , Wynn Ellis , June 17th, 1876 
 
 33/. \2S. 
 
 The Virgin and Child, with a cut lemon and a knife at 
 their feet, St. Joseph alongside at a reading-desk, with a manu- 
 script before him. Exquisitely painted on gold ground. 
 
 Panel — 19 in. by 14. Christie's , Sir William H. Fielden, Bart., 
 March 3 rd, , 1877. 28/. Js. 
 
 MARK GARRARD (variously called GUERRARDS, 
 GERARD, or GERARDO). 
 
 Born, according to Bryan and Nagler, at Bruges about 1560, 
 and died in England in 1635. An eminent portrait painter at the 
 court of Queen Elizabeth. Flemish School. 
 
 Portrait of Henry, Prince of Wales, in a lace collar ; 
 son of James I. by Anne of Denmark, born 1594, died 
 1612. 
 
 Panel , ebony frame — 13 in. by 9. Sotheby's , Mrs. George Oftor, 
 January 16th, 1874. : 5 ^ 
 
 Portrait of Elizabeth, Queen of Bohemia, in a rich 
 dress and large lace ruff, with pearl necklace and pearls in her 
 hair. 
 
 Panel— 22 in. by 18. 
 
( 7 ° ) 
 
 ARTHUR GILBERT. 
 
 A landscape painter of considerable merit, one of the six 
 artistic sons of Edward, called Old Williams, and considered the 
 ablest. 
 
 A Landscape View on the Banks of the Thames, with 
 cattle. 
 
 Canvas — io^ in. by 24. Christie's , Henry Wallis , November \6th, 
 i860. 7/. I OF. 
 
 LUCA GIORDANO. 
 
 Born at Naples in 1632, died there in 1705. Pupil of Piedro da 
 Cortona. In composition this eminent artist was very great. 
 
 Neapolitan School. 
 
 Bacchus and Ariadne. An oval picture in an elaborately 
 carved frame. From the Collection of Lucien Bonaparte, 
 who appears to have bought it in Rome in 1801. 
 
 Canvas — 26 in. by 18. Chi'istie's , 1823. l 9?- % s - 
 
 Giordano occasionally repeated his own pictures in con- 
 sequence of the great demand for them. There are two of 
 the present subject in the Dresden Gallery. He made (ac- 
 cording to Bellori, in his Life of him) twelve different copies 
 of the Loggie and paintings of Raffaelle in the Vatican ; and 
 Bryan says it was with difficulty he could keep pace with the 
 avidity of his fellow citizens who desired to possess his works, 
 although he painted with extraordinary rapidity. 
 
 GIORGIO BARBARELLI, called GIORGIONE. 
 
 This distinguished painter was born at Castelfranco nearTrevigi 
 in 1477, died of the plague in the prime of life in 1511. Pupil of 
 Cimabue, fellow-student with Titian under Bellini, and afterwards 
 a professed student of the works of Leonardo da Vinci, whose 
 models were those he most consulted. Venetian School . 
 
 Solomon and Attendants, one of whom is playing on 
 a lute, in a landscape with animals and birds. From the 
 Aldobrandini Palace at Rome. Bought there by Mr. Day, 
 the eminent picture dealer, at a large price for the late Marquis 
 of Bristol, who died in 1859; but it appears the picture, in 
 consequence of some opposition to its export, did not reach 
 
( 7i ) 
 
 GIORGIO BARBARELLI GIORGIONE —continued. 
 
 
 
 
 
 England in time, and was afterwards sold by Messrs. Christie 
 with Mr. Day’s effects, and then described as by Raphael, and 
 it is so marked on the picture. It passed into the hands of the 
 late Mr. Edward White, an amateur picture collector at 
 Twickenham. 
 
 Panel — 24 in. by 19. Christie’s , Edward White's Collection , April 
 $th , 1872. 73/. iof. 
 
 GIOTTO., 
 
 Born at Vespignano, near Florence, in 1276, died in 1336. 
 Pupil of Cimabue. “ The first painter (says Bryan) who gave to 
 portraits the air of truth and resemblance.” But for this distin- 
 guished painter the reader should consult Lord Lindsay’s delightful 
 work on Christian Art. Florentine School. 
 
 Allegorical Marriage of the Virgin, with numerous 
 surrounding figures, in rich colours and gold. 
 
 Panel — 9 in. by 15. Phillips ’ , March 2%th, i860. 
 
 This was a favourite picture with the late Solomon Alex- 
 ander Hart, R.A., who would gladly have bought it from 
 me. 
 
 TOMMASO STEFANO, called GIOTTINO. 
 
 Born at Florence in 1324, and died there in 1356. Pupil of his 
 father Stefano, called il Fiorentino , grandson of Giotto , whose 
 style Tommaso followed so closely as to be styled Giottino. 
 
 A Small Altar-Piece, painted on gold ground, in the 
 centre of which is the Virgin and Child, St. Catherine kneeling 
 and three angels in adoration, while two infant angels are 
 playing musical instruments. In a curious contemporary 
 arched frame, around which are inserted eighteen circular 
 miniatures of Saints. This curious and interesting specimen 
 exhibits much of the manner of Cimabue. 
 
 Panel — 21 in. by 12. Christie' s, Samuel Woodburn's Sale , June 
 gth, i860. 10/. ioa ? v 
 
 The Crucifixion, with eight standing figures at the foot of 
 the cross. Painted on a gold ground, with an inscription. 
 From the Dennistown Collection. 
 
 Panel — 14 in. by 8. Christie’s , Hoskins' Collection, June 17 th. 12 1 . 
 
( 72 ) 
 
 JOHN GLOVER. 
 
 Born at Haughton-on-the-Hill, Leicestershire, February 1 8th, 
 1767, and died at Launceston, Tasmania, December 9th, 1849, 
 aged eighty-two. For his subjects Glover usually selected charming 
 spots ; his style of painting is careful and elaborate, and he had a 
 good eye for painting the varied gradations of foliage. English 
 School. 
 
 Ulleswater, showing the lake, with tall trees, cattle and 
 figures. A gallery picture. A favourite spot with the painter, 
 where he purchased a house and some land, contemplating 
 his retirement there, in which however he was thwarted. In 
 1824 he was one of the founders of the Society of British 
 Artists, where he exhibited from that year to 1830. Among 
 his large works in oil, most of which have been exhibited, his 
 Durham Cathedral sold for 500 guineas; and his Loch Katrine 
 and some other large works of the same class sold for liberal 
 prices. 
 
 Canvas — 22 in. by 28. Christie s, Thos. Norris, 1873. 32 guineas. 
 
 HENRY GOLTZIUS. 
 
 This distinguished engraver and painter was born at Miilebrecht 
 in 1558, died at Haarlem in 1617. He travelled through Germany 
 to Italy, where, after studying the works of Michael Angelo and 
 Raphael, he returned to Holland and settled at Haarlem. He 
 imitated with great success the style of Albert Diirer and Lucas 
 van Leyden. 
 
 The Adoration of the Magi. In imitation ot Lucas 
 van Leyden. See Leyden. 
 
 COQUES GONZALES. 
 
 Born at Antwerp in 1618, died 1684. This extraordinary artist 
 devoted himself chiefly to painting small portraits, but they have 
 all the breadth, freedom of touch, and animated character of 
 Vandyck. Dutch School. 
 
 Portrait of Jean de Medicis. A small whole length. 
 Very highly finished. See Smith’s Catalogue , Vol. iv. 
 
 Phillifts\ November 2isf, 1865. 5/. 
 
( 73 ) 
 
 JOHN VAN GOYEN. 
 
 Born at Leyden in 1596, died at the Hague in 1656. A pupil 
 chiefly of Esaias Vandevelde of Haarlem. An esteemed landscape 
 painter whose works have for some time past been rising in the 
 market. His favourite subjects were River-views, enlivened with 
 fishing and pleasure boats, and on the banks or in the distance 
 he often introduced picturesque cottages and churches. “ His 
 pencil,” says Bryan, “ is surprisingly light and sportive.” Dutch 
 School. 
 
 A Small Green Landscape, with cottages, a church, and 
 a peasant on horseback. 
 
 Panel — 6 in. by 9. Phillips ' , Lord Willoughby , June 1869. 8/. ior. 
 
 A Dutch Landscape on the Banks of a River, with 
 rustic figures, and two small church spires in the distance. 
 
 Panel — 17 in. by 24. Richmond , Robert Laurie, March 1880. SI. 
 
 A View on the Coast of Holland, with fishing-smacks 
 in the distance, and numerous figures in the foreground buying 
 and selling fish. A village and lighthouse in the distance. 
 
 Panel — 18 in. by 22. Bought privately, October l^rd, 1882. 15/. 
 
 A Scene on the Dutch Coast, probably Schedam, with 
 boats and shipping. A spire and windmill in the distance. 
 
 Panel — 14 in. by 12^, 
 
 DIE GRAILLY, 
 
 Living. French School . 
 
 A Fete Champetre. 
 
 A small picture. Phillips ' , February 12th, 1863. 5/. 5 s. 
 
 A Sporting Scene. 
 
 Small. Phillips \ February 12 th y 1863. 
 
 L 
 
( 74 ) 
 
 JEAN BAPTISTE GREUZE. 
 
 Born at Tournns, near Macon, in 1725, died at the Louvre in 
 1805. Of this favourite painter Bryan says, “'His pictures are 
 highly prized by his countrymen, and no less by English amateurs ; 
 enormous prices have been given for them in public sales.” French 
 School. 
 
 A Domestic Interior, in which an old man is sleeping 
 on a chair, a woman blindfolded is feeling about near him, 
 and a young couple are seated together apparently courting. 
 
 Panel —7 in. by 12. Bought 1850. 21 1. 
 
 *** This little picture was much admired by the late Mrs. 
 Jameson. 
 
 An Interior, with Figures of a Mother and Two 
 Children, a drawing in red chalk, framed and glazed. 
 
 8| in. by 6. Robinson Co., Fre?ich Sale , March loth , 1871. 
 
 61. 6s. 
 
 An Interior at the Palace of Versailles, containing 
 portraits of Marie Antoinette, wife of Louis XVI., the Princesse 
 de Lamballe, the youthful Maria Theresa, and Louis XVII in 
 the arms of his mother, with a nurse at the cradle, and two female 
 attendants. Painted probably about 1787-88 at Versailles. 
 
 Panel— 2 o in. by 25. 
 
 The Blind Father, an old man seated near a kitchen 
 table (on which there are utensils) grasping the right hand of 
 his daughter, who is seated on a low stool close to him, with 
 her left hand on the shoulder of a youth who is kneeling beside 
 her ; apparently a matrimonial consent and blessing. At the 
 back is a painter’s sketch of a juvenile portrait. 
 
 Panel — 16 in. by 13. Christie's , from the choice collection of John ■ 
 Wardell, Esq. of Dublin. March 19 th, 1881. 27 guineas. 
 
 La Bonne Maman. A lady in the full dress of the Louis 
 XVI. period giving alms to a child, with a first proof of the 
 rare engraving by Beauvarlet, in a separate frame. 
 
 Panel with glazed front — 18 in. by 15. Sotheby’s, May 3 rd } 1862. 
 
 44 guineas. 
 
( 75 ) 
 
 JEAN BAPTISTE GREUZE — continued. 
 
 La Crughe Cassee, a reduced replica of the famous picture 
 in the Louvre. Exquisitely painted, and signed Greuze. 
 Apparently of the time. 
 
 *** The original has been valued by the Louvre experts at 
 60,000 francs, but would probably fetch more, seeing that the 
 picture of a Child Fondling a Dog, which sold at Watson Taylor’s 
 sale in 1832 for 70 3/. io.y., has since been sold for 6,200 guineas. 
 
 Panel, glazed , in an oval — 17 in. by 14. 
 
 JOHN GRIFFIER, called OLD GRIFFIER. 
 
 Born at Amsterdam in 1656, died in England (at Millbank) in 
 1718. According to Nagler “an excellent painter who studied 
 under Breemberg, Ruysdael, and Teniers. He devoted himself 
 chiefly to marine landscapes and spent the best part of his life 
 between England and Rotterdam. He particularly excelled in 
 views on the Rhine, which were much admired and found a ready 
 sale. Dutch School. 
 
 A View on the Rhine, with a cottage building, and figures 
 in the foreground, mountains and boats in the distance. 
 
 Panel — 11 in. by 15. Christie' s, John Bowman, Jan. 1876. 61 . 16s. 
 
 A View on the Rhine, with trees, cattle, and figures, 
 buildings in the distance. Highly finished. 
 
 Panel — 5 in. by n. 
 
 A Winter Scene on the banks 'of the Rhine, with a cottage 
 in the foreground, and peasants on the ice, with a rock and 
 spires in the distance. 
 
 Canvas — io| in. by 13. 8/. 8s. 
 
 A View on the Rhine, with shipping in the foreground, 
 and a castle and hills in the background. Copper — 6 in. by 7^. 
 
 A View on the Rhine, with shipping and two passage 
 boats full of passengers in the foreground, trees, &c in the 
 distance. Copper — 6 in. by 9. 
 
( 76 ) 
 
 MATTHIAS GRUNEWALD. 
 
 Born at Aschaffenburg in 1450 according to some writers, but in 
 1480 according to Fiorello, died in 1510 according to Fuessli, but 
 after 1532 according to others. Said by Nagler to have been 
 regarded as the rival of Albert Diirer, and like him he was both 
 painter and engraver, but there is much uncertainty about his 
 works, most of which seem to have been destroyed in the thirty 
 years’ war. German School . 
 
 Portrait of a Man in a Red Cap, dated in large figures 
 1492, supposed to be a portrait of Albert Diirer when he was 
 twenty-one years of age. 
 
 Panel — 15^ in. by 1 1. 
 
 ANTHONY GRYFF. 
 
 Flourished in Holland about the middle of the seventeenth 
 century, but no particulars of his life are recorded. Presumed to 
 have been a pupil of F. Snyders. Nagler calls him a talented 
 painter of wooded landscapes, dead game, &c. Dutch School. 
 
 A Pair of Landscapes, crowded with dead game of all 
 kinds, especially birds and hares, with sportsmen holding some 
 to dogs. 
 
 Panel — 10 in. by 13. Christie s , April 16th, 1861. 10/. 105-. 
 
 FRANCESCO GUARDI. 
 
 Born at Venice in 1712, died in 1793, aged eighty-one. Pupil of 
 Canaletti, but varying considerably in his pencilling from that of his 
 master, it being more spirited and less mechanical ; indeed, in his 
 high spirited style he may be considered original. His views of 
 the Venetian canals are wonderfully full of life and motion. 
 Venetian School. 
 
 St. Mark’s Place, Venice, with numerous figures and tents 
 in the foreground. 
 
 Canvas — 15 in. by 20. Bought in 1879. 10/. ioj. 
 
 Carnival at Venice, with tents and numerous figures in 
 the foreground. 
 
 Canvas — 5^ in. by 8£. Chancellor , March 20th, 1863. 14/. 
 
( 77 ) 
 
 FRANCESCO GUARDI — continued, 
 
 A River Scene, with boats and figures in the foreground, 
 and Italian buildings in the background. Panel — 5J in. by 8. 
 
 The Companion Picture, with a bridge over the Arno, and 
 boats, figures, and buildings. 
 
 Panel — sh i n - by 8. The pair from the Hon. Mrs. Rushoufs sale. 
 
 A Small Italian River Landscape, with boat and figures. 
 Copper — 4! in. by 6. 
 
 RENI GUIDO. 
 
 Born at Calvenzano, near Bologna, in 15 75, died in 1642. The 
 sweetest and most refined pupil of the Caracci. He was the most 
 powerful painter of his School, and especially excelled in representa- 
 tions of the Holy Family attended by infant angels. The Italians 
 say of him “ that grace and beauty dwelt on his pencil. ,, Bolognese 
 School. 
 
 The Nativity. Painted on marble. 
 
 Christie s, Rev. Theodore Williams , April 2 nd, i860. 7/. 15 S'. 
 
 The Virgin, Child, and St. John, with the Lamb. A 
 cabinet work of high art. 
 
 Copper, glass front — 10J in. by 8. Christie's , May 29th, 1869. 
 
 10/. I OS'. 
 
 St. John the Baptist Preaching in the Wilderness, 
 an exquisitely finished work, painted on marble, with a water- 
 fall represented in lapis lazuli. The whole surrounded by a 
 border of lapis lazuli, within an ornamental bronze border. 
 A perfect gem in a mahogany frame glazed. 
 
 16 in. by 21. Christie's , fune 16th, i860. Matthew Wyatt's 
 
 Collection. 16 1 . 5^. 
 
 The Transfiguration, showing Christ in the heavens with 
 a Saint on each side, and three Apostles on the earth gazing up 
 with shaded eyes at the glory. Painted on marble, the circular 
 veins in which form a halo encompassing the principal figures. 
 1 1 in. by 9^. 
 
( 78 ) 
 
 REN I GUIDO — continued, 
 
 A Beautiful Child, with long hair, holding up her hand 
 and touching an arm of the Cross. In an ebony frame richly 
 inlaid with ivory. Canvas — 9 in. by 6. 
 
 Apollo Slaying Marsyas, with a landscape background, 
 formerly in the collection of Mons. Baisonvalle, Colonel of the 
 Swiss guards of Louis XIV., and afterwards of the late Samuel 
 Woodburn, Esq. 
 
 Copper — 9 in. by 8J. Christie' s, June 28th, 1879. 15/. 
 
 The Virgin, reclining with her left hand on a skull, while 
 angels are exhibiting to her the Infant Christ. A highly finished 
 miniature copy of the celebrated picture in the Madrid Gallery. 
 
 Panel , glazed front— 7 in. by 5. 
 
 PETER GYSELS, GYZEN, or GHEYSELS. 
 
 Born, according to Nagler, at Antwerp in 1610, but later ac- 
 cording to others ; and died some time after 1687. Pupil of Peter 
 Breughel, whose highly finished style he successfully adopted. 
 “His works (says Stanley) are very rare and precious.” Mr. H. T. 
 Hope and Mr. Morrison have some good specimens. Flemish 
 School. 
 
 A View near the Gateway of a German Town, with 
 figures and cattle, and men working a winepress under a shed, 
 with a view of the Rhine in the background. Highly finished. 
 — Signed in full. This rare example is from the collection of the 
 Prince Michceal Radziwill of Warsaw. 
 
 Copper — 11 in. by 14. Christie's, June 4th, 1853. 7/. Js. 
 
 A Small Landscape, introducing the fable Cephalus and 
 Procris, very highly finished. 
 
 Panel — 7 in. by 8|. Christie's , Sir Geo. Stauntoji, March 1 860. 
 
 A Rocky Scene, with a little village surrounded by water 
 on which there are boats, figures in the foreground. Painted 
 much in the style of Breughel. Patiel — 12 in. by 17. 
 
( 79 ) 
 
 PETER GYSELS — continued. 
 
 A Village Scene, with water and ducks in the foreground, 
 a carriage and pedestrian on the main road. — Signed P. Gysels. 
 
 Panel — 6J in. by 8J. 
 
 JAN HACKERT. 
 
 Born at Amsterdam about 1635, time of death uncertain. “The 
 works of this charming painter (says Sequier) may be recognised by 
 his fondness for painting avenues of ta]l trees, or lakes richly wooded 
 on every side. His finest works are adorned with figures and 
 animals by the exquisite pencil of Adrian Van de Velde.” Dutch 
 School. 
 
 A Landscape, composed of high trees, with figures of a 
 hawking party by Adrian Van de Velde. A picture of high 
 quality. — Signed, J. H. 
 
 Pa?iel — 17 in. by 14. Christie’s^ C. Harrington , 1861, 20 guineas. 
 
 JOHN VAN DER HAGEN. 
 
 Born at the Hague in 1635, died in 1679. An esteemed painter 
 of landscapes and views chiefly in the environs of Cleves and 
 Nimwegen, much in the manner of Waterloo, and generally very 
 small. Dutch School. 
 
 A Small Pair of Dutch Village Scenes, buildings and 
 figures, in circular frames. Panel — 5 in. by 5. 
 
 GAVIN HAMILTON. 
 
 Born at Lanark in T730, died at Rome, where he had spent 
 the principal part of his life, in the summer of 1797 ; his death 
 was occasioned, it is said, by anxiety on the entry of the French. 
 English School. 
 
 A Nymph and Cupid, in a small circular carved frame. 
 
 Christie’s , February 21st , 1857. 5/. 5^. 
 
 Gavin Hamilton published at Rome, in 1 773, an interesting 
 folio volume containing forty-one engravings of the great Italian 
 masters, entitled Schola Italica Pictures , which I am glad to 
 possess. 
 
( 8 ° ) 
 
 WILLIAM HAMILTON, R.A. 
 
 Of Scotch parentage, born at Chelsea in 1751, died in 1801. This 
 eminent artist went early to Italy, and studied for a few years under 
 Zucchi, which must have been Lorenzo, who lived till 1783, as his 
 father Andrea and his elder brother were both dead. Hamilton’s 
 great reputation in this country was for his illustrations contributed 
 to Boydell’s great edition of Shakespeare , Macklin's Bible , and 
 Thomson's Seasons , all 'editions de luxe . His style is very similar 
 to that of Angelica Kaufmann. He received 600 guineas for 
 painting the panels of Lord Fitzgibbon’s state carriage, still on 
 view at the South Kensington Museum. English School. 
 
 The First Interview of Edward IV. and Elizabeth 
 Woodville, afterwards Queen of England. Nine figures and 
 a pair of greyhounds, highly finished. A gallery picture. 
 
 26 in. by 38. Christie' s, Norton Hall Collection , 
 February 26th, 1880. 
 
 Illustrations to Shakespeare. Merchant of Venice , 
 Act iv. Scene 1 : “ Shy lock. Most learned judge ! a sentence, 
 come, prepare. Portia. Tarry a little : there is something 
 else.” Engraved in Heath's Shakespeare . 
 
 Canvas , Oval — 84 in. by it. 
 
 Celadon and Amelia reclining on the bank of a garden ; a 
 scene from Thomson's Seasons. A richly coloured drawing. — 
 Signed, and dated 1799. 
 
 Framed and glazed — 12 in. by 9. 
 
 CORNELIUS VAN HAERLEM, or HAARLEM. 
 
 Born at Haarlem in 1562, died in 1638. His contemporaries, 
 including Van Mander, had a very high opinion of his works. 
 Flemish School. 
 
 Angelica and Medora, two nude figures in an ethereal 
 blue landscape, with water. 
 
 Panel — 6 in. by 8£, protected by glass. 
 
 On the back is the following MS. inscription : — 
 
 “ This exquisite and matchless performance was painted anno domini 
 1620 by Cornelius van Haerlem (the master of Rubens), and is presumed 
 to be the finest specimen of the pencil in Europe. The aid of a powerful 
 lens is required to discover its minute beauties.” 
 
( 8i ) 
 
 WILLIAM HARVEY. 
 
 Born at Newcastle-on-Tyne, July 13th, 1796, died at Richmond, 
 Surrey, where he had long resided, January 13th, 1866. After the 
 expiration of a seven years’ apprenticeship to Thomas Bewick, he 
 came to London in 1817, and soon distinguished himself as a wood- 
 engraver, obtaining full employment from publishers. But after 
 1824 he abandoned wood engraving and at once found full employ- 
 ment in designing book illustrations, in which department he stood 
 pre-eminent. Among his designs were those in the large edition 
 of the Arabian Nights , published by Charles Knight, Northcote' s 
 Fables , and Southey’s edition of CowpePs Poems , 1833-37, re- 
 published in Bohn’s Standard Library! English School. 
 
 Four Illustrations to Cowper’s poem of “ The Cottage 
 Homes of England,” viz. Cottages at Olney, Buckinghamshire ; 
 the Lime Walk at Weston, Bucks ; the Wilderness at Weston, 
 with Pope’s monument, and Portraits of Sir George and Lady 
 Throckmorton, with her dog ; Easthamby, Sussex, the residence 
 of Harley. All painted as frontispieces to Southey’s edition ot 
 Cowper’s works and engraved. 
 
 Phillips's , Lord Willoughby de Eresby , May $th, 1865. Bought in 
 
 at 100 guineas , and afterwards sold to me for less than half 
 
 WILLIAM HAVELL. 
 
 Born at Reading, February. 9th, 1782, died at Kensington, 
 December 16th, 1857 ; elder brother of Robert Havell who so 
 successfully superintended Audubon’s grand work, Birds of 
 America. “ William Havell was one of the real founders of our 
 water-colour school, his manner original, true to nature, and charac- 
 teristic. His oil pictures show much excellence, and the effect of 
 sun and sunshine in them is admirably expressed.” He frequently 
 exhibited at the Royal Academy after 1804. English School. 
 
 A View of Twickenham Ait and Meadows, with the well- 
 known trees, anglers alongside in a punt, and a group of 
 swans. A fine sunny specimen of Thames scenery. — Signed, 
 W. Havell. Panel — n in. by 16. 
 
 A View of Petersham Meadows, on the banks of the 
 Thames, opposite Twickenham, with workmen felling timber. 
 A very sunny picture. — Signed, W. Plavell. 
 
 Canvas — ii£ by 16. 
 
 M 
 
( 82 ) 
 
 LUCAS DE HEERE. 
 
 Born at Ghent in 1534, and died there in 1584. He visited 
 England early in the reign of Queen Elizabeth, and was much 
 employed there in painting portraits of the court and nobility. He 
 is said by Nagler to have been the most perfect portrait painter of 
 the day and to have earned the title of the Flemish Raphael. 
 
 Portrait of Sir Thomas Arundel of Wardour, with his 
 armorial bearings in one corner, and in the other an inscrip- 
 tion Anno Domini 1580, aetatis suck 20, and the motto, “ Non 
 spirar qui non aspirat.” He went abroad about this time, 
 with Elizabeth’s consent, and on his return married the 
 daughter of Wriothesley, Earl of Southampton, Shakespeare’s 
 friend. 
 
 Panel — 23 in. by 19. 
 
 *** This picture was sold at Christie’s in 1874, by a descendant 
 of the family, who afterwards, finding what it was, tried hard to get 
 me to part with it at a considerable profit. 
 
 WILLIAM HEKKING. 
 
 Born at Amsterdam in 1796, as it would appear by a long 
 extract from the New York Herald describing the present picture 
 in high terms as “ among the very first of our landscape 
 paintings.” Nagler says he was a pupil of A. van der Bosch, and 
 that his pictures were favourably received. 
 
 Moonlight Scene on the Elbe. — Signed, W. Hekking. 
 
 Canvas — 8 in, by 10. 
 
 PIERRE JEAN HELLEMANS. 
 
 Born at Brussels in 1 787, died there in 1845. Pupil of J. B. de 
 Roy. Highly praised by Nagler , who calls him an enchanting 
 landscape painter, as well as by Siret , who says the cattle in 
 his landscapes are usually added by Verbeckhoven. Flemish 
 School. 
 
 A Richly Wooded Landscape, with cattle and a shep- 
 herd. — Signed in full. 
 
 Panel — 15^ in. by 20. 
 
( «3 ) 
 
 JOHN HEMLING, HEMMELINCK, or MEMLING. 
 
 Born at Damme, near Bruges, about 1450, living in 1499, and 
 apparently in 1509, death uncertain. Pupil of Roger de Bruges, 
 and one of the best artists in the school of Van Eyck. (It has 
 been a fashion of recent date to call this great artist Memling, 
 but all the early and most reliable authorities call him Hemling. 
 In my early days, three-quarters of a century ago, I was dis- 
 tinguished at school for my German handwriting, and I remember 
 well that my decorative capital H was always made with an 
 angular dip in the centre which gave it the appearance of an M. 
 A.nd this is the character of the early German decorative writing 
 as regards the capital H.) Flemish School. 
 
 The Annunciation. An angel appearing to the Virgin, 
 who is kneeling at prayers in a church with an open book 
 before her. 
 
 Panel — 18 in. by 13. 
 
 The Crucifixion and the Agony in the Garden. A 
 pair of small highly finished pictures in one frame, the border 
 of which is beautifully carved with cherubs’ heads, vine leaves, 
 and grapes. 
 
 Panel — 7 in. by 14. Christie's , May 29th, 1869. 63/. 
 
 This was the property of the wife of Dr. Archibald 
 Campbell Tait, the late Archbishop of Canterbury, who had 
 received it as a gift towards her Orphan Home. It was then 
 called an Albert Diirer and valued at 100 guineas, but was 
 bought in at Christie’s, June 10th, 1869, at 60 guineas. She 
 afterwards sold it to me for 70 guineas. 
 
 Portrait of Saint Catherine, in a richly jewelled 
 costume and head-dress of lilies; her wheel shown in the 
 corner. 
 
 Panel— 15! in. by 10. Phillips' , W. W. Pearce , April 24.H1, 1872. 
 
 36/. 15J. 
 
 The Virgin and Child Enthroned under a Golden 
 Crown by two Angels. Exquisitely painted. 
 
 Panel — 74 in. by 5. 
 
( »4 ) 
 
 JOHN HEMLING — continued. 
 
 The Presentation in the Temple, the infant Christ on 
 the altar, a pair of birds in a basket alongside Him, the Virgin 
 on her knees in adoration, and three saints in full costume. 
 From the well known Brussels Collection formed by the late 
 Wm. Middleton, Esq., at whose sale, January 26th, 1872, a 
 fine Hemling Tryptich sold for 910/. 
 
 Panel — 20 in. by 1 3. 
 
 The Madonna and Child Enthroned, seated under an 
 arched canopy, attended by two angels, one of whom has a 
 violin in his left hand and is offering fruit to the child with his 
 right ; the other is playing on a lyre. A landscape background 
 shows a church, houses, and trees. 
 
 Panel— 'll in. by 21. Christie's, Wynn Ellis , May 2.7th, 1876. 
 
 73/. 10s. 
 
 MARTIN VAN VEEN HEMSKERK. 
 
 Born at Hemskirk, a village near Haarlem, in 1498. Died in 
 1573. Pupil of Schooreel, under whom his progress was so great 
 as to excite the jealousy of his instructor. Dutch School. 
 
 Interior, with figures. 
 
 8i in. by 11J. Sotheby's, December 1 ^th, 1881. 61 . 15s 1 . 
 
 Christ Driving the Money-Changers out of the 
 Temple. Numerous figures. 
 
 Copper — 14 in. by 11. Christie's , Edward Wright Anderson, May 
 jth, 1864. 7/. js. 
 
 EGBERT HEMSKERK THE YOUNGER. 
 
 Born at Haarlem in 1645, died in London 1704. He was an 
 esteemed painter of humorous and drunken scenes and drolls, 
 and was much patronised by Lord Rochester. Dutch School. 
 
 The Interior of a Cabaret, with five figures, apparently 
 Quakers ; one of them a very tall man in the centre looking 
 up funnily, a female at a table handing a glass of liquor to a 
 dwarf, the fourth and fifth figures in the background. 
 
 Panel, glazed — 12 in. by 8£. 
 
( 85 ) 
 
 WILLIAM HEMSLEY. 
 
 Son of an architect. Born at Little Chelsea in 1819. He had 
 a natural taste for the humorous, and many of his pictures have 
 been exhibited at the British Institution and at the International 
 Exhibition. Living. 
 
 A Practical Joke. Showing an elderly lady leaning on 
 her work-table asleep, while a boy, by means of a small 
 looking-glass, is reflecting the sun on her face, and two female 
 children are enjoying it. — Signed in full. 
 
 Panel, glazed front — 7 in. by 9. 
 
 JOHN FREDERICK HERRING, Senior. 
 
 Born in 1795 , died at Tunbridge Wells, September 23rd, 1865. 
 A painter of animals, especially horses, of considerable celebrity ; 
 originally self-taught, and merely practising on signboards or the 
 heraldry of coach panels, but he afterwards received help in the 
 studio of Abraham Cooper, R.A., and then established himself as an 
 animal painter. His Derby Day , Market Day , and Horse Fair , 
 are well known by the engravings, which were very popular. He 
 was a frequent exhibitor at the Royal Academy and the British 
 Institution, of which he was elected a member in 1841. 
 
 Ducks and Ducklings, twelve figures in all, with trees in 
 the background. — Signed, J. F. Herring, Senr., 1861. 
 
 Panel — 9J in. by 12. 20 guineas. 
 
 WILLIAM DE HEUSCH. 
 
 Born at Utrecht in 1638, died in 1702. This excellent landscape 
 painter was the pupil of John Both, and one of his most successful 
 scholars, indeed, his compositions are considered equal to his 
 master’s. Dutch School. 
 
 A Rich Woody Landscape, with travelling peasants, and 
 figures at an Inn. 
 
 Panel — 14 in. by 18. Christie' s, January imd, 1881. 30 guineas. 
 
 A Landscape, with high rocks, tall trees, and camels, with 
 peasants in the foreground. 
 
 Panel — 25 in. by 22. 
 
( 86 ) 
 
 JOHN VAN DER HEYDEN. 
 
 Born at Gorcum in 1637, died in 1712. This celebrated painter 
 is remarkable for the extreme neatness, precision, and exquisite 
 finish which are seen in all his pictures, which chiefly represent 
 the most picturesque views of the different towns in Holland 
 and adjacent countries. Dutch School. 
 
 View of the Nieuwe Kircke (New Church) at 
 Amsterdam, with the bridge over the neighbouring canal. 
 The figures added by Adrian Van de Velde. — Signed in 
 full. 
 
 Panel — 10 in. by 14J. Phillips ’, Lord Willoughby de E res by, 
 May 1st, 1865. 73/. 10s. 
 
 The next day Lord Willoughby repented selling it, and offered 
 me a hundred guineas for it back again. 
 
 A V iew in Holland, with buildings on the banks of a 
 canal, and several figures in the foreground. 
 
 Canvas — 85 in. by 10. Phillips ' , March 17 th, 1873. 20 guineas. 
 
 A Landscape, with a cottage, peasants, and sheep. Very 
 highly finished. 
 
 Panel — 10 in. by 12. Christie’s, Wynn Ellis , May 2.7th, 1876. 
 
 17/. 17 s. 
 
 An Interior, showing a Globe, an open Bible, Hour- 
 Glass, and other objects on a table. Very highly finished. 
 
 Panel — 8j in. by 10. Christie’s, April 1 st, 1865. 22/. in. 6d. 
 
 The Chateau and Gardens of the Prince of Orange, 
 with a summer-house covered with foliage. Several figures 
 in the foreground, one of whom is a gardener at work along- 
 side his barrow. — Signed in full. From Mr. Emmerson’s 
 Collection. Sold in 1829. 
 
 Canvas — 9 in. by 12. 
 
( s 7 ) 
 
 RICHARD HILDER. 
 
 Pupil of Patrick Naysmith. Living. 
 
 A Woody Landscape, with a female driving a cow, and a 
 peasant seated on the greensward with a dog at his side. 
 This pleasing picture is not signed, and has been attributed to 
 Callcott. 
 
 Panel — 7 in. by 8. 
 
 MINDERHOUT HOBBEMA. 
 
 Born at Amsterdam in 1638, as has been recently ascertained 
 by the discovery of his marriage settlement, which shows him to 
 have been thirty years old in 1668, and it has been ascertained 
 that he died at Amsterdam in 1709. But very little is known of 
 the career of this captivating painter, save that he was a scholar 
 of Jacob Ruysdael and flourished in the latter half of the seven- 
 teenth century, and was a contemporary of Berghem, Lingelbach, 
 and Adrian Van de Velde. Dutch School. 
 
 A Woody Landscape, with winding road, cottages, a 
 wagon, and figures. A fine example. — Signed in full. 
 
 Canvas — 28 in. by 38. Phillips' , May \st, 1877. 50/. 8j. 
 
 A River Scene, with cottage^ on the bank embosomed in 
 a clump of trees ; with two boats and some ducks on the 
 river. Dated in an early inscription on the back, Anno 
 1663. 
 
 Panel — 13 in. by 18. Chancellor’s , C. B. Lee Main waring’ s Sale, 
 Old Palace, Richmond ', September 24 th, 1875. 53/. 1 is. 
 
 My friend, the late Mr. Lee Mainwaring, a wealthy collector 
 of unquestionable taste and judgment, gave more than three 
 times as much for the preceding picture. 
 
( 88 ) 
 
 THOMAS CHRISTOPHER HOFLAND. 
 
 Born at Worksop. Nottinghamshire, December 25th, 1777; 
 died at Leamington in 1843. Sequier says : “ The important works 
 of Hofland, like those of Vincent, possess so much merit, that it 
 is to be regretted we see so few of them.” He was a capital 
 landscape painter. Hofland lived for several years after 1817 at 
 Twickenham, where many of his pictures are still preserved at 
 Radnor House, the residence of my late friend, Mr. Wm. Chilling- 
 worth, who was one of his principal patrons. They have since 
 descended to his daughter, Mrs Alfred Stearns, and continue to be 
 appreciated and well preserved. Hofland was an enthusiastic angler, 
 and wrote the British Angler s Manual in 1839, with numerous 
 illustrations after his own drawings, which I afterwards bought of 
 his son and published in my Illustrated Library. English 
 School. 
 
 View of a Portion of Lord Holland’s Park at 
 Kensington, with figures and a dog in the foreground. 
 
 Panel — 15 in. by 12. Chancellor , Richmond , December \2th, 1862. 
 
 2 1 . 12 s. 6 d. 
 
 View in Scotland. 
 
 Chancellor , Richmond , December 12th, 1862. 2/. 12s. 6 d. 
 
 Richmond Park. 
 
 Chancellor , Richmond , December 12th, 1862. 2/. 12s. 6 d. 
 
 WILLIAM HOGARTH. 
 
 Born in London, December 10th, 1697, and died there at his 
 house in Leicester Square, October 26th, 1764. In 1730 he ran 
 away with the daughter of Sir James Thornhill, who was then in 
 her nineteenth year. Her father at that time inhabited a large 
 house at the corner of Mercer Street and Long Acre, which is still 
 standing, and now occupied by Messrs. Silk and Sons, coach- 
 builders. I think it worth mentioning that the large room on the 
 first floor, about 60 by 40 feet, and about 15 feet high, is painted 
 on every side by Richard Wilson, the human figures by James 
 Barry, the ceiling by Sir James Thornhill. The pictures are on 
 canvas and belong to the Mercers’ Company, or would probably 
 long since have disappeared. I rented these rooms for about forty 
 years, and Cunningham, with my aid, has given some account of 
 them in his Handbook of London. It is a curious fact that at the 
 time I bought the original copper plates of Hogarth’s works, with a 
 large stock of his engravings, they were deposited in this very 
 room which for some years previously had been tenanted by me. 
 
( §9 ) 
 
 WILLIAM HOGART H — continued. 
 
 Modern Midnight Conversation, containing Eleven 
 
 Figures variously employed at or under the Table. 
 
 %• This was formerly in possession of Hogarth’s con- 
 temporary, the celebrated Lord Chesterfield, and was sold 
 some years ago by his descendant, with other pictures, in 
 consequence of a fire on the premises. 
 
 Canvas — Gallery size, 3 ft. by 3 ft. 9 in. 
 
 The eleven figures are all supposed to be portraits, and the 
 names of ten of them are given by Nichols, but not that of 
 the sprawling one, which has hitherto baffled critical inquiry, 
 and is here shown to be the Prussian Ambassador. The 
 reason why this portrait has not been so indicated in any of 
 the several replicas of the picture, or even in Hogarth’s own 
 engraving, is clearly that to have published it at the time would 
 not only have been very offensive to the Ambassador, but even 
 a libel. This picture appears to have been painted expressly 
 for the celebrated Philip Dormer, Earl of Chesterfield, who 
 must have been on friendly terms with Hogarth, as he had 
 one of the famous pair of Chelsea Vases, of which Hogarth 
 had the other and gave it to the Foundling Hospital, where it 
 was a great attraction. Both the Vases are now in the 
 possession of Lord Dudley and Ward at a cost of about 
 5,000/, Baron Heath, as Treasurer of the Foundling Hospital, 
 having sold one to a dealer for 1,500 1 . and the present Lord 
 Chesterfield sold him the other "at the same price or more. 
 The picture came to auction in 1868 in consequence of the 
 said fire, without any pedigree, and I became the purchaser. 
 
 The Auction of Pictures at Christie’s, with a Por- 
 trait of Sir Andrew Fountaine and Miss Lavinia Fenton, 
 afterwards Duchess of Bolton, with other figures in the 
 background. See references to this picture in Nichols’ 
 
 N 
 
( 9 ° ) 
 
 WILLIAM HOGARTH— continued. 
 
 Hogarth , Yol. II., Nichols’ Anecdotes of Hogarth, p. 368, and 
 more fully at p. 387. It had, I believe, been Watson Taylor’s, 
 at whose sale in 1832 it sold for fifty guineas. 
 
 Panel, glazed— 11 in. by 9J. Christie's , March 2nd, 1865. 
 i? i guineas. 
 
 On the back of this picture is inscribed, “ Sketch by W. 
 Hogarth, for the principal figures in his design of the Auction of 
 Pictures, engraved in Ireland’s graphic illustrations, and now in the 
 possession of Nollekens the sculptor ; the front figures are those of 
 Sir Andrew Fountaine and the Duchess of Portsmouth.” 
 
 A Study of Figures for the March to Finchley, 
 showing the prominent female with a drum, and others. 
 
 Canvas — 12 in. by 9I. Christie's, J. M. Leather, February gth, 
 1867. 31/. 10 s. 
 
 A Pair of Male and Female Portraits, supposed to be 
 the host and hostess of “ Old Slaughters ” in St. Martin’s Lane 
 where Hogarth frequently spent his evenings. Canvas — 
 
 8 in. by 6. 
 
 This picture was found in the secret room in York Street, 
 Covent Garden, in 1830, when I had become tenant of the house, 
 and it must have been there from an early period, as my prede- 
 cessors had not discovered it. 
 
 A View of Windsor Castle, with numerous figures, in 
 the costume of the time, promenading on the opposite bank of 
 the Thames. 
 
 Canvas — 27 in. by 36. Puttick Simpson , May 10 th, 1869. 14/. 
 
 Portrait of Catherine, only child and heiress of Sir 
 William Vere (or Weir), second and last Baronet of Blackwood 
 (near Lanark), and Rachel Hamilton, second daughter of Lord 
 James Hamilton of Pencaitland. She married in 1733 the 
 Hon. Charles Hope of Craigie Hall (near Edinburgh), second 
 son of Charles, first Earl of Hopetoun, by whom she had four 
 sons and two daughters. The family name is now Hope-Vere. 
 There is, or was, a fine collection of family portraits including 
 several by Hogarth, at Craigie Hall. The present portrait is 
 supposed to have been painted about 1745. 
 
 Canvas — 30 in. by 24. Christie's, December 7th, 1878. 1 1 /. 1 is. 
 
( 9i ) 
 
 WILLIAM HOGARTH — contimted. 
 
 Hogarth painted Byron in 1736, Coram in 1739, Bishop 
 Hoadley in 1743, Archbishop Hering in 1745, Lord Lovat and 
 Garrick in 1746, and Daniel Lock, Governor of the Foundling 
 Hospital, which was engraved by James Ardell. 
 
 A Landscape, supposed to be A View of Ranelagh 
 Gardens, with figures. ^ . 
 
 Canvas — 22 in. by 30. Bought privately. 
 
 HANS HOLBEIN. 
 
 This celebrated portrait painter was born at Augsburg or Basle 
 in 1495 or 1498, and came to England in 1526, but returned to 
 Basle in 1529, and afterwards came back to England. Died in 
 London in 1554. German School. 
 
 Portrait of Count Jousson, with a skull before him on 
 which he lays his left hand, while holding Holbein’s favourite 
 carnation in his right. A German town in the distance, 
 apparently Basle. 
 
 Panel — 26 in. by 21. Christie's , Bra 7 ihope Manor Collection , 
 
 Febntary 10 th, 1865. 17/. ioa 
 
 Portrait of Edward Godsalve, an English divine and 
 author, who died 1568. — Dated mdxxxviii. 
 
 Panel — 1 6 in. by 12. 
 
 There is an ancient inscription on the back, besides the 
 name, but it is no longer legible. 
 
 MELCHIOR DE HONDECOETER. 
 
 Born at Utrecht in 1636, died in 1695. Pupil of his father, 
 Gysbrecht Hondecoeter, and afterwards of his uncle, Jean Baptiste 
 Weenix. He was one of the most distinguished painters of birds 
 and animals, foreign and domestic. Dutch School. 
 
 A Pair of Miniature Pictures of Birds, one of 
 Cockfighting, the other of a Peacock and Peahens. Painted 
 with great spirit. 
 
 Copper — 4J in. by 8J-. 
 
 A Live Peacock, Peahen, Turkey, Domestic Fowls, and 
 a PIawk, in a landscape. 
 
 Canvas — 13 in. by 17. 
 
( 9 2 ) 
 
 JOHN ADAM HOUSTON. 
 
 Member of the Scottish Academy. A painter of considerable 
 talent, chiefly in bold figure subjects. He has exhibited at the 
 Royal Academy, with fair success, since 1842. 
 
 A Swiss Soldier of the Sixteenth Century (time of 
 the Swiss League), with cross-bow and arrow in hand, on the 
 look out from the top of a precipice. Probably intended to 
 represent William Tell. Painted in 1842. 
 
 Canvas — 24 in. by 19. Christies , May 12th , i860. 10/. iox. 
 
 SAMUEL HOWITT. 
 
 Born about 1765, died suddenly in Somers Town, 1822. A 
 capital painter of animals and sporting scenes in landscapes. He 
 frequently exhibited at Spring Gardens in and after 1783, and at 
 the Royal Academy in and after 1793. English School. 
 
 Deer Fighting for the Lead in Windsor Park, with 
 numerous figures. A spirited drawing in colours. — Signed. 
 
 17 in. by 27 — Glazed front. 
 
 This was one of the few pictures in my father’s possession 
 in 1810, when I was about fourteen years old, and I constantly 
 drew from it till I made a tolerably successful imitation. At 
 that time I knew Howitt’s daughter, a fine tall girl, who went to 
 a dancing academy, where I also went, and as we often danced 
 together, we were nicknamed Venus and Adonis. 
 
 Grouse and Partridges. A pair. 
 
 Panel— fh in. by 2-|. Christie's , February 2 8th, 1863. 
 
 WILLIAM HUGGINS. 
 
 Born May 20th, 1820, at Liverpool. “ He has regularly exhibited 
 at the Royal Academy since 1846, chiefly horse and cattle subjects, 
 and of late years fowl pieces, which latter, while they evince a 
 strong feeling for the beautiful and picturesque, have established 
 him as a colourist.” — Ottley. 
 
 Chuck, Chuck, Chuck. A group of barn-door fowl. 
 Richly coloured. — Signed, W. Huggins, i860. 
 
 Cardboard — n in. by 15. Christie's , February 23 rd, 1861. 
 
 1 1 /. 1 IX. 
 
( 93 ) 
 
 JAN VAN HUYSUM. 
 
 Born at Amsterdam in 1682, died there in 1749. Usually con- 
 sidered the prince of flower painters. Pupil of his father, Julius 
 van Huy sum. Dutch School. 
 
 A Pair of Exquisitely Beautiful Paintings of Flowers, 
 including roses, lilies, etc. ; and Fruit, including pine-apple, 
 peaches, grapes, etc., interspersed with Insects. — Signed in 
 full. In carved and gilt frames. 
 
 Panel — 2 7 in. by 21. Christie's , Charles Harrington , Esq ., a 
 
 highly esteemed connoisseur , February gth, 1861. 1 10 guineas. 
 
 An Arcadian Landscape, with Nymphs sacrificing to 
 Bacchus, Silenus on the right. An exquisitely finished work. 
 — Signed, Huysum fecit. 
 
 Canvas — 15 in. by 21. Christie's , May 29th, 1869. 29/. Ss. 6d. 
 
 JULIUS CLESAR IBBETSON. 
 
 Born in Yorkshire, December 29th, 1759, died i n London, 
 October 13th, 1817. Landscape and figure painter of the English 
 School. Pupil of George Morland. Sequier says : “ There is a 
 refinement about Ibbetson in his own style which pleases us, and 
 his figures are very clever and stand out well in his pictures.’ J I 
 think it worth while to notice here what is but little known, that 
 J. W. M. Turner joined Ibbetson in a series of Views in England, 
 one to paint the landscapes, the other the figures ; but after old 
 Landseer had-engraved half-a-dozen plates, they fell out, and they 
 never were published till I bought them at Landseer’s sale, and 
 printed off a few impressions. 
 
 View in the Town of Langollen, North Wales, with a 
 peasant and wife riding on a pillion, and other figures in the 
 foreground ; an ancient church and cottages in the distance. — 
 Signed in full. 
 
 Canvas — 13! in. by 18. Christie's , April nth , 1861. 61. 15^ 
 
 The South End of Tenby, Pembrokeshire. A party of 
 eight fishermen drawing in a large net, while a shower is 
 coming on; a basket of fish in the foreground. — Signed in full. 
 
 Canvas — 14 in. by 18. Christie's , April nth , 1861. 9 1. 
 
 Landscape, with a ruined castle, and peasants taking re- 
 freshment. — Signed in full, 1801. 
 
 Panel— \ o \ in. by 15. Christie' s, Jwie nth , 1881. 1 9 guineas. 
 
( 94 ) 
 
 JEAN BAPTISTE ISABEY. 
 
 Born at Nancy, T770, died 1855. Miniature painter. Pupil of 
 David. Appointed Court Painter by the Emperor Napoleon. 
 
 Portrait of the Emperor Napoleon in his Youth. 
 A drawing commenced by Isabey and finished by his pupil 
 Ines d’Esmenard, a French portrait painter of good reputa- 
 tion, from whom a former possessor states that he got it in 
 1816. 
 
 8 in. by 6. 
 
 ITALIAN COSTUMES. 
 
 A Series of Thirteen finely executed Drawings, 
 with numerous figures, and the following inscriptions in 
 Italian : — Donna della Tore del Greco — Donna del Isola di 
 Procida— Verdumaro Padulono — Donna del Borgo di Santa 
 Lucia — Donna delle Colini di Posilipo — Come mangiano i 
 Maccaroni li Lazari Napolitani — Solachianello, Venditori di 
 mela cotte, e Yenditrice di Pesce — Venditrice di Pesce 
 Posilipana — Suonatore Calabrese — Donna del Isola d’lschia 
 — Omo e donna di fuori Grotta — La Carita del Vino che riche 
 vona li Capucin — Uomo dell Isola de Lipari. All neatly 
 mounted , framed , and glazed. 
 
 FRANCOIS CLOUET JANET, or JEHANNET, familiarly 
 known as JANET. 
 
 Born at Tours about 1500, died about 1572. Grandson of 
 Clouet le Vieux. An eminent and favourite portrait painter, many 
 of whose works are scarcely distinguishable from the miniature- 
 sized works of Zucchero and Holbein. Pupil of his father, Jean 
 Clouet. 
 
 Portrait of Charles the Bold, Duke of Burgundy, 
 born in 1433, died in battle 1477 ; in regal costume, with a 
 black hat and long black pendant, who married Margaret of 
 York, sister of Edward IV. 
 
 Panel — 7 in. by 5. 
 
( <95 ) 
 
 FRANCOIS CLOUET JANET — continued. 
 
 Portrait of Marie de Bourgogne, richly attired, and 
 with a remarkably large headdress covered with jewels. — In- 
 scribed with the name, and dated 1476. 
 
 Panel — 13 in. by 10. Phillips ' , Marquis of Hastings, February 
 
 25th, 1869. 26/. 5.s\ 
 
 This must be by Jean Clouet le Vieux, who was attache to 
 the Bug de Bourgogne in and before 1476. He was born in 1420, 
 and lived some years after 1476, and probably died before Janet 
 was born. 
 
 Portrait of Margaret, daughter of Charles V., Emperor 
 of Germany, and sister of Philip II. of Spain ; married to 
 Alexander de Medicis, first Duke of Florence, in 1536, and 
 on his death, to Octavius Farnese, 1538. She became Duchess 
 of Paima, and was appointed Governess of the Netherlands 
 from 1559 to 1567, when she retired to Italy and died at 
 Aguela in the Abruzzo in 1580. 
 
 Panel— 10 in. by q\. 
 
 *** A very similar portrait is that of Diane de Poitiers, the 
 mistress of Henry II. of France, painted by Taddeo Zucchero, of 
 which see particulars under Zucchero. 
 
 Portrait of Jane Shore. A half-length nude figure, her 
 head and bosom dressed with large jewelled ornaments. 
 Highly finished. With an engraving of it on the back called 
 Jane Shore. There is a similar portrait in the Provost’s Fodge 
 at King’s College, Cambridge, but it has a small pearl neck- 
 lace in addition. A French dealer once offered me 150/. for 
 this picture. 
 
 Pa?iel — 19 in. by 14. 
 
 Portrait of Philip, King of Spain, father of Charles V., 
 in armour. The name inscribed in French. 
 
 Panel — 7 in. by 5J. 
 
 Portrait of the Femme de Monsieur de Brederode. 
 
 Panel — 7 in. by 5 b 
 
( 96 . ) 
 
 FRANCOIS CLOUET JANET— continued. 
 
 Portrait of Isabella, sister of Francis I. 
 
 Panel — 7 hi. by 5 J. 
 
 Portrait of Fitz-Alan, Earl of Arundel. 
 
 Panel— 6 in. by \\. 
 
 The four preceding portraits were bought at the. sale of 
 my old and esteemed friend John Webb, at Christie’s, many 
 years ago, but I have lost or mislaid the catalogue, and do 
 not remember the cost. 
 
 Henry the Second of France conferring the Order of 
 the Saint Esprit in a chapter of the order, with numerous 
 figures. A very interesting picture. 
 
 Copper — 9 in. by 7. 
 
 Portrait of Mary Queen of Scots, three-quarter length, 
 in the black dress of her captivity, embroidered with a 
 jewelled neck chain, both hands touching a golden chain. A 
 contemporary picture. In carved frame of the period, with 
 the Royal crown over it. 
 
 Panel — 15 in. by 10. 
 
 Portrait of Lady Jane Seymour. 
 
 Christie's, January 25th, 1868. 
 
 Portrait of Claude de Guise, Abbot of Cluny, natural 
 son of Claude de Lorraine, first Duke of Guise, born at Dijon 
 about 1538, died at Paris, March 1612. The portrait is 
 inscribed, An. 1570 cetat 32, and is so like his relation, 
 Charles IX., that it was at one time carelessly assumed to be 
 him, and his engraved portrait is on the back. Janet painted 
 a portrait of the Due de Guise which was sold in 1863 for 
 33 guineas. 
 
 Panel— in. by 7b. 
 
( 97 ) 
 
 JACOB JANSON. 
 
 Born, according to Nagler, at Amboyna, in the Dutch East 
 Indies, in 1729, but came to Holland in his early years, and after 
 a successful career as a topographical painter and engraver, died 
 there in 1784. He occasionally painted in the style of A. Van de 
 Velde and Paul Potter. His pictures were much esteemed in 
 Holland. Dutch School. 
 
 A Miniature Landscape, with Cattle and Figures. 
 
 Phillips ' , April 28th, 1863. 4/. 
 
 A Pair of Pleasing Landscapes. Scenes in Holland, 
 buildings, trees, cattle, water, and figures. — Signed, J. Janson. 
 I believe these have been engraved. 
 
 Both on copper — 12 in. by 17. Phillips 1 , Lord Willoughby de 
 Eresby,June z^th , 1869. 17/. 
 
 The Gate and Moat at Leyden, with cattle and figures, 
 in imitation of Paul Potter — about 1785. 
 
 Phillips ' , Lord Willoughby de Eresby , May $th, 1865. 13/. 
 
 VICTOR HONORIUS JANSZENS, or JANSENS. 
 
 Born at Brussels in 1664, and died there, after visiting Rome, 
 Vienna, and London, in 1739. Praised by Nagler and Bryan. 
 
 A Woody Landscape, with a cart and horse in the centre, a 
 pedestrian and his dog on a bank in the foreground. — Signed. 
 
 Canvas — 19 in. by 17. 
 
 KAREL DU JARDIN. 
 
 Born at Amsterdam in 1640, according to Bryan and Seguier, 
 but according to Nagler and others, born about 1634 or 1635, which 
 seems much the most likely, as several of his engravings are dated 
 1652 and 1653, between which time and 1685 he appears to have en- 
 graved a good many. He was the most successful and distinguished 
 pupil of Nicholas Berghem. Dutch School. 
 
 A Landscape representing Two Travellers, one on 
 horseback, the other on foot, fording a stream which flows at 
 the foot of precipitous rocks, and in which cattle are drinking. 
 Mountains are seen in the distance. An exquisite, sunny 
 little picture. 
 
 Canvas— \ 1 in. by 14. Chancellor’s , C. B. Lee Mainwaring’s fine Col- 
 lection , The Old Palace, Richmond, September z\th, 1875. 147/. 
 
 o 
 
( 98 ) 
 
 KAREL DU JARDIN — continued. 
 
 A Landscape, with Ruins. A milkmaid, with a pail on her 
 head, by the side of a white horse ; a boy on a bay horse, 
 and a dog drinking at a stream. — Signed, and dated 1667. 
 
 Canvas— 164 in. by 144. Christie’s , Albert Levy , April 6th, 1876. 
 
 56/. 14^. 
 
 An Italian Landscape, with cattle, sheep, a goat, and dog 
 in the foreground, and a peasant woman with child bathing 
 their feet at a pool. 
 
 Panel — 154 in. by 20. Christie's, Sha?idon Collection , April 
 i\th, 1877. 19 gumeas. 
 
 A River Scene, with Animals. 
 
 Christie's, J no. Bowman, Ja?inary 2 Zth, 1876. 
 
 Garden Entrance to a Palace, with figures and a boat 
 in the foreground, a mansion in the distance. 
 
 Copper — 6 in. by 9. Phillips’, July i$th, 1862. 
 
 Cattle in a Landscape. Three cows and a sheep, with 
 a peasant and his wife in the distance. — Signed in full. 
 
 Panel, glazed— Z\ in. by 1 1. 25 guineas. 
 
 JUAN BAUTISTA DE JUANES, or JOANNES. 
 
 So named according to Palomino, but according to Nagler, 
 Stirling, and others, Vicente de Joanes. Born at Bocarente, near 
 Valencia, in 1523, and died there in 1579. This distinguished 
 Spanish painter may be considered the head and founder of the 
 Valencian School. Sir Wm. Stirling Maxwell gives a portrait of 
 him as Vicente Juan Macip, commonly called Joanes, in Vol. I. 
 page 354. Spanish School. 
 
 Vision of Saint Francis. Three figures, one an angel 
 playing on a lute above the Saint, who is at Prayers. 
 
 Canvas — 16 in. by 14. 
 
 Saint Barbara (or Saint Martha). A small full-length 
 figure, with a cross in her left hand and a lighted torch in her 
 right, a dragon at her feet ; with castles in the distance. 
 
 Panel — 9 in. by 7. 
 
( 99 ) 
 
 MARIA ANGELICA CATHERINE KAUFFMAN, R.A. 
 
 Born at Coire, the capital of the Orisons, October 30, 1741, died 
 at Rome, November 5th, 1807. Pupil of her father, John Joseph 
 Kauffman. She is famed throughout Europe for the gracefulness 
 of her drawings, and among her most ardent admirers was the 
 Abbd Winkelman, the celebrated writer on art. The principal part 
 of her artist life was spent in England, and between 1769 and 1797 
 she contributed as many as eighty-two pictures to the Royal 
 Academy. English School. 
 
 Portrait of Sterne’s “ Maria,” on the Roadside, in 
 Pensive Mood, with a spaniel at her side. 
 
 Copper , oval — 11 in. by 8. Bought privately in 1865. 10/. ioj. 
 
 The Companion Picture, A Female, with Sacred Lamp 
 in Her Hand, Sacrificing at an Altar (probably Helen of 
 Troy). Greek costume. Copper , oval — 11 in. by 8 . 10/. 10s. 
 
 A Girl with a Tambourine. Painted in 1793. 
 
 Canvas , oval — 7 in. by 5. Lord Willoughby , May, 1865. 3/. 13^. 6 d. 
 
 An Allegory. A small picture. 
 
 Phillips' , February 2 8th, 1865. 3 1 . ioi'. 
 
 The Story of Cornelia, the Mother of the Gracchi, 
 who shows her three surviving children to the Campanian lady, 
 who, after displaying some very beautiful ornaments, had 
 challenged Cornelia to display hers. A story told by Valerius 
 Maximus. 
 
 Canvas — 12 in. by 14. 
 
 A Pair of Mythological Subjects ; one with five 
 figures, i.e. Venus and Cupid, Paris handing her the apple, 
 Minerva and a female seated on a car, with two peacocks 
 beside her; the other picture, A Female (probably Helen of 
 Troy) nursing a child, with naval implements, an anchor and 
 ropes behind her. 
 
 Copper — 6 in. by 12. Christie's , marked W. 57 and W. 58. 
 
 Portrait of Herself, with a sketch in her hands, and a 
 piece of sculpture and compasses on a table before her. A 
 highly finished miniature. Glazed— 5J in. by 4-J. 
 
( IOO ) 
 
 JOHN VAN KESSEL. 
 
 Born at Antwerp in 1626, died at Madrid in 1708. A celebrated 
 landscape and animal painter, especially of humorous subjects. A 
 favourite pupil of Teniers, although he at first adopted the finished 
 style of Breughel. Stanley ranks him with Jacob Ruysdael. 
 Flemish School. 
 
 Interior of a Cabaret, filled with a great number of 
 monkeys variously occupied, some on a large table devouring 
 fruit out of a glass dish, others playing at cards, etc. ; upwards 
 of thirty-five grotesque figures. 
 
 Copper — 10J in. by 14. 
 
 A Monkey Festival on a great scale, introducing numerous 
 caricature apes of humanity in peasant dresses. 
 
 Canvas — 14 in. by 18. Christie’s, February ijth , 1864. 
 
 A Barber’s Shop, consisting entirely of monkeys in various 
 positions, the centre one trimming a moustache. 
 
 Canvas — 14 in. by 18. Christie’s , February \th, i860. 5/. 
 
 A Group of Cats with Violins and other musical instru- 
 ments, gazing earnestly at an open music-book before them, as 
 if studying. 
 
 Copper — 34 in. by 5. 
 
 HENDRIK KEUN. 
 
 Born at Haarlem in 1738, and died there in 1788. An esteemed 
 painter of views of the streets, buildings, markets, and canals of 
 Holland, especially of Haarlem, in the manner of Berkheyden, 
 whose pupil he is supposed to have been. Stanley says : “ He 
 shows a good knowledge of perspective in his views of cities, 
 which are enlivened with numerous figures so as to form very fine 
 pictures.” Dutch School. 
 
 A Scene in Holland, apparently Haarlem, with build- 
 ings on the banks of a canal, a cathedral in the distance, and 
 numerous figures in the foreground. Signed, and dated 
 1776. Panel — -14 in. by 19. 
 
 JAMES KIERINGS, or CIERINCX. 
 
 Born at Utrecht in 1590, died in 1646. A landscape painter of 
 some celebrity. He came to England in the time of Charles I. by 
 
( ) 
 
 JAMES KIERINGS — continued. ' 
 
 whom he was employed to paint views of his majesty’s houses in 
 Scotland. The landscapes he painted in Holland are generally 
 embellished with figures by Cornelius Poelemburg. Dutch School. 
 
 View of the Exterior of a Palace, a richly embellished 
 architectural faQade with sculptured fleurons and portraits of 
 kings, with figures by Poelemburg. — Signed in full. 
 
 Canvas — 12 in. by 17. Christie’s, Norton Hall Collection , 
 February ibth, 1880. 17/. 6j. 6 d. 
 
 SIR GODFREY KNELLER, Bart. 
 
 Born at Lubeck in 1648, died at Kneller Hall, Whitton, near 
 Twickenham, November 7th, 1723, and was buried at St. Mary’s 
 Church, Twickenham. An eminent English portrait painter, pupil 
 of Rembrandt and Carlo Maratti. 
 
 Portrait of Lady Wortley Montague (half-length) in 
 her Turkish costume, with pearl ear-rings. 
 
 Canvas , oval — 25 in. by 21. 
 
 Portrait of Nell Gwynne in a morning dress, her long 
 hair flowing over her left shoulder. 
 
 Canvas — 13^ in. by 11. 
 
 JAN KOBELL. 
 
 Born at Utrecht in 1782, died 1814. An eminent landscape and 
 animal painter, who made Paul Potter his model, and of whom he 
 became a worthy rival. His pictures are highly appreciated in his 
 own country, and in every other where there is a love of nature and 
 art. Dutch School. 
 
 A Dutch Landscape, with Cattle in the Centre, painted 
 much in the manner of Paul Potter. 
 
 Panel — "}\ in. by 9. 
 
 A Landscape, with two prominent castles in the foreground, 
 and several small ones in the distance. — Signed, J. Kobell, 1812. 
 
 Pa?iel — 10 in. by 12. Christie' s, June 30 th, 1877. 8/. 8 s. 
 
 A Dutch Landscape, with Two Cows and an attendant in 
 the centre ; tall trees behind them 
 
 Panel — 13s iiy. by 12. 
 
( I°2 ) 
 
 HERMANN KOEKKOEK. 
 
 Born in 1815 at Middelbourg, and still living ; son of John Her- 
 mann, a distinguished marine painter, who was born in 1778, and 
 died in 1851. The reputation of his sons is said (by Stanley) to 
 have thrown that of their father into the shade. Dutch School . 
 
 A Marine View on the Coast of Holland, with a passage 
 full of people alongside a jetty.— Signed, H. Koekkoek, 1859. 
 
 Panel — 8 in. by 12. 
 
 MARIN A. KOEKKOEK. 
 
 Son of John Hermann, born 1807, and still living. Dutch 
 School. 
 
 A River View, with trees and cattle on the banks, and a 
 sailing boat in the distance. — Signed, M. A. Koekkoek, 1848. 
 
 Panel — 10 in. by 12. 
 
 E. FRANCOIS LACROIX. 
 
 Of the eighteenth century, long resident in Italy ; a painter of 
 marine subjects in the manner of Vernet, under whom he originally 
 studied, and of whom he was considered one of the best imitators. 
 French School. 
 
 A Bay Scene, with buildings, boats, and figures fishing or 
 angling. 
 
 Canvas — 13 in. by 16. 
 
 PETER DE LAER, or LAAR. 
 
 Called Bamboccio because he usually painted what the Italians 
 called Bambocciale , such as fairs, rural festivals, huntings, masque- 
 rades, and subjects of humour. Born at the village of Laaren, 
 near Naarden, in 1613, died at Haarlem in 1674. He spent the 
 greater part of his life in Italy, especially Rome, where for sixteen 
 years he was the familiar friend of Nicolo Poussin and other 
 artists. Dutch School. 
 
 The Interior of a Stable, with several horses in stalls, 
 and a white horse in front with a rider in the saddle and a 
 groom attending. — Signed in a monogram. 
 
 Panel — 9^ in. by w. 
 
( io 3 ) 
 
 LOUIS JEAN FRANCOIS LAGR&NEE. 
 
 Born at Paris in 1724, and died there in 1805. Pupil of Karl 
 Vanloo. In 1755 he was elected a member of the French Academy, 
 where he had gained the first prize, and in 1781 he was appointed 
 director of the Academy at Rome. French School. 
 
 A Mythological Subject. Two female figures before a 
 statue, probably of Priapus, with an altar and incense near 
 them. 
 
 Panel — 4 in- by 5. Phillips’ , Lord Willoughby, May , 1865. 61 . 15^. 
 
 GEORGE LAMBERT. 
 
 Born in Kent in 1719, died November 30th, 1765. Landscape 
 and scene painter, practising in England, but with a strong feeling 
 for Italian art, his Gallery pictures partaking of Gaspar Poussin 
 and Orizonti. Pupil of William Hassell. There are some good 
 specimens of his landscapes at the India House and at the Found- 
 ling Hospital. He was the intimate friend of Hogarth, who is. said 
 to have painted the figures in his landscapes for him. English 
 School. 
 
 A Landscape, with Classical Figures in the Fore- 
 ground, and a dog. A fine gallery picture. 
 
 Canvas — 27 in. by 36. 
 
 *** This picture was sold at Christie’s many years ago as 
 an Orizonti. 
 
 NICHOLAS LANCRET. 
 
 Born at Paris in 1690, died there in 1743. A pupil of Claude 
 Gillot at the same time as Antoine Watteau, with whom he after- 
 wards studied, and with whose pictures Lancret’s are still often 
 confounded. P'rench School. 
 
 A Garden Scene, called Polichinelle, in which harlequin 
 is lifting his mask to a lady, and the clown exhibits himself to 
 three children seated in the background. 
 
 Canvas — n in. by 14. Phillips ’ , Augustus Stevens , May nth, 
 1869. 40/. 19^. 
 
 A Musical Conversation a la Champetre. A gaily 
 dressed youth or troubadour is playing on a guitar to a young 
 
( I0 4 ) 
 
 NICHOLAS LANCRET — continued. 
 
 lady who expresses her delight by touching him lovingly under 
 the chin. 
 
 Canvas — 18 in. by 14. Christie's , Edward White, April $th, 
 
 1872. 9/. 
 
 A Garden Scene, with six figures, one kneeling to a harpsi- 
 chord player. 
 
 Christids , Edward White , April 5 th , 1872. SI. 15J. 
 
 A Garden Fete, with numerous figures in playful attitudes, 
 apparently actors and actresses. 
 
 Cajivas — 28 in. by 33. Christie's, Matthew Anderson of Newcastle , 
 June 7 th, 1861. 10/. 1 os. 
 
 A Sketch on Vellum, for his picture of Youth in the 
 National Gallery. 
 
 Phillips', Lord Willoughby de Eresby , May 1st, 1865. 
 
 A Fete Champetre, at which the musician, seated on a 
 lawn, is playing the lute, while two couples are waltzing and 
 others looking on; in all ten figures. — Dated on the frame, 
 
 1736. 
 
 Panel — 8 in. by 10. 
 
 Two Figures from the ancient collection of Beaupaire, 
 Hampshire, for many years the seat of the Brocas family. 
 Sold as Watteau, Christie’s, June 10th, 1876, but I believe to 
 be Lancret. 
 
 SIR EDWIN HENRY LANDSEER. 
 
 Born in London, March 7th, 1802, and died at his house in St. 
 John’s Wood, October 1st, 1873. The great animal painter of 
 this country. I knew him in my earlier days, when he used to 
 come with his father (who was very deaf, like his son Thomas') to 
 my father’s house in Frith Street, Soho, about 1814. I often met 
 him pleasantly in later years, and a few months before his death he 
 told his brother Charles he would like to see me, but it happened 
 that I was going abroad at the time and could not call. Excepting 
 his sister, Mrs. Mackenzie, all the artists, including my friends Tom 
 and Charles, are dead. English School. 
 
( IO S ) 
 
 SIR EDWIN HENRY LANDSEER — continued. 
 
 Dogs Setting a Hare. An early work, engraved by his 
 brother Thomas for the Sporting Magazine. See plate 24 of 
 Engravings of Animals, published by me in 1853. 
 
 Panel — 7 in. by 8£. 
 
 The Poacher (a Polecat?). A companion to the pre- 
 ceding picture, likewise engraved by his brother Thomas for 
 the Sporting Magazine. See plate 2^ of Engravings of Animals , 
 published by me in 1853. 
 
 Panel — 7 in. by 8J. 
 
 Highlanders Returning from Deerstalking. With the 
 fine engraving by Finden. 
 
 Canvas — 1 if in. by 13^. 
 
 The present reduced copy of this celebrated picture, 
 which was painted for the late Duke of Northumberland, and 
 is still in the possession of the present Duke at Alnwick Castle, 
 must, it is supposed, have been made in the artist’s studio 
 before the picture left it, as it has been ascertained that long 
 after the original went direct to Alnwick no copy of it had 
 then been made. But the picture may have been copied when 
 it was exhibited in 1827, as a pencil note on the back of it 
 says “ copied by consent of the Duke of Northumberland by 
 the talented Wm. Derby, for the engraving.” 
 
 NICHOLAS DE LARGILLIERE. 
 
 Bom at Paris in 1656, came to London in the reign of Charles II. 
 and painted the king and some of the nobility, and then re- 
 turned to Paris and was introduced to Louis XIV., who sat to him, 
 and he then was elected a member of the Academy. Cn the 
 coronation of James II. he again visited England, and painted the 
 king and queen, and others. He died at Paris in 1746. French 
 School. 
 
 Portrait of the Old Pretender, in a red dress, wearing 
 the Order of the Garter, his right hand on the neck of a grey- 
 
 p 
 
( iq 6 ) 
 
 NICHOLAS DE LARGILLIERE — continued. 
 
 hound, and near him his sister, dressed in white satin, in the 
 gardens of the Palace of Saint Germains. With the mezzo- 
 tint engraving by J. Smith. 
 
 Canvas — 15 in. by 12. Christie's , Jarman , June 30th, 1864. 
 
 1 1 /. $s. 
 
 NICOLAS LAUDIN. 
 
 Flourished in the 17th century. According to Siret : “ Artiste 
 rFun grand talent et Paine de la famille de ce mode. Execution 
 ravissante, composition, dessein, couleur, rien ni laisse a ddsirer.” 
 
 St. Augustine, with the arms in colours and borders, in 
 rich relief. 
 
 The companion picture, Sainte Barbe, Virgin and 
 Martyr, with the arms in colours, in rich relief. 
 
 A pair of Limoges enamels — in. by 5 \. Sotheby's, January 16th, 
 
 1874. 16/. 
 
 FILIPPO LAURI. 
 
 Born at Rome in 1623, died in 1694. Seguier says : “A cheerful 
 and pleasing artist. The contours of his infant angels and Amo- 
 vini are very beautiful.” Roman School. 
 
 Diana and Acteon. A Bathing Scene Landscape, with 
 numerous figures. Brilliantly coloured. 
 
 Copper — 13! in. by 19^. Christie' s, Novar Collection , June 1st, 
 1878. 39/. i8j. 
 
 NICOL LAURENCE, or LARREINCE. 
 
 Peintre du Roi de Suede et de lAcaddmie Royale de Stockholm. 
 Ecole Frangaise, XVIII sidcle. Genre en petit style de PEpoque. 
 
 A Pair of Interiors, with Half-a-Dozen Female 
 Figures and one gentleman apparently courting the lady of 
 the house and showing her what appears to be a cap. Painted 
 in the manner of Watteau and about the same period. At the 
 back is a large and fine engraving after the same master, 
 entitled “ L’Assemblee au Concert.” 
 
 Pa?tel — 12 in. by 9. 
 

 ( i°7 ) 
 
 SIR THOMAS LAWRENCE, R.A. 
 
 Born at Bristol, May 4th, 1769, died January 7th, 1830. One 
 of the most eminent of our portrait painters. English School. 
 
 Rustic Children. A pair of pictures in one frame, sup- 
 posed to be painted in conjunction with his talented pupil, 
 Wm. James Muller ; at least, it was so stated in the catalogue. 
 
 Canvas — 14 in. by 21. Christie's , Febntary 25th, i860. 
 
 / 
 
 JACQUES SEBASTIEN LE CLERC. 
 
 Born 1734, died 1785. Son of Sebastien le Clerc, member of 
 the French Academy, and grandson of the celebrated engraver. 
 Fine Art Professor of perspective drawing, and superintendent of 
 the Gobelin manufactory. His oil paintings are extremely rare, 
 and are much sought after in France. French School. 
 
 A Fete Champetre, Representing Nine Figures in a 
 Rich Landscape, with a sculptured monument in the back- 
 ground surmounted by nude figures. A. subject treated much 
 in the manner of Watteau. Exquisitely painted. 
 
 Canvas , imder glass — 13 in. by 13. Christie's , Charles Plumley , 
 December \oth, 1868. 223 1 . 13^. 
 
 There was a great fight for this picture between myself and 
 some French experts. 
 
 SIR PETER LELY, Bart. 
 
 Born at Soest in Westphalia in 1617, died in London in 1680. 
 This charming portrait painter is familiarly known by his Beauties 
 of the Court of Charles the Second now at Hampton Court, and 
 by my publication of them with letterpress by my valued friend the 
 late Mr. Jameson. As a rule Lely’s portraits of ladies are his best. 
 English School. 
 
 Portrait of Nell G Wynne. Small size. 
 
 Christie's , February i8th, 1861. 3/. i8j. 
 
 lA* Z ( Z 1 a - 
 
 Portrait of a Lady as Diana (Barbara Villiers, Duchess 
 
 of Cleveland, mistress of Charles II.). 
 
 Canvas — 2 ft. 10 in. by 2 ft. 2 in. Foster’s, April 1879. 30/. 9 s. 
 
( io8 ) 
 
 JAN LB DUC, 
 
 Born at the Hague in 1636, died in 1695. Pupil of Paul Potter. 
 His figures are very highly finished, and his favourite subjects 
 remind us of Palamedes. Dutch School. 
 
 An Interior, with Three Figures round a Table, 
 apparently guardsmen, in consultation. Highly finished. 
 
 Panel — 9 in. by 7. 
 
 ROBERT LE FEVRE. 
 
 Born at Bayeux about 1600, died 1677. A painter of portraits 
 and gallant subjects, who came to England in the time of Charles II. 
 
 A Miniature Portrait of Madame Claude de Lorraine, 
 Abbesse de Jouarre, 1615, fully inscribed. Panel — 6 in. by 4J. 
 
 BERNARD LENS, the Younger. 
 
 Born in London in 1680, died at Knightsbridge, December 30th, 
 1740. Son and grandson of artists of the same name. He was 
 drawing master to Horace Walpole and several members of the 
 royal family, and became very celebrated for his fine copies in 
 water-colours from Rubens, Vandyk, and others, and especially 
 excelled in miniature portraits. English School. ' 
 
 Portrait of George the First in his Robes, with the 
 regal emblems in his hands. Painted on vellum. — Signed, 
 B. Lens fecit 1719. 10 in. by 7 L 
 
 Portrait of Handel reclining on a Seat in his 
 Garden, with a clarionet in his right hand. 
 
 Panel — 7 in. by 5L 
 
 JEAN BAPTISTE LE PRINCE. 
 
 Born at Metz in 1733, died at Lagny, 1781. Pupil of Boucher. 
 In 1757 he went to St. Petersburg, where his portraits and paintings 
 were in great demand, and many of them have been engraved by 
 St. Auben, Le Bas, and other of the best artists of the time ; these 
 to the extent of 160 were collected and published by Basan, Paris, 
 1782, under the title of CEuvres de J. B. Le Prince , etc. 
 
 Interior : A Lady and Child. Highly finished. 
 
 Panel — 18 in. by 15. 
 
( I0 9 ) 
 
 EUSTACHE LE SUEUR. 
 
 Born at Paris in 1617, died there in 1663. Pupil of Simon 
 Vouet. Siret says he deserves the name by which he is known, 
 “The Raphael Frangais,” and adds that he has always been 
 regarded as an able designer, and an industrious master of an 
 important school, but in England his grand works are rarely 
 met with. We admire his compositions, we find in them pleasing 
 drawings, and he gave a semi-Guido sweetness to the female 
 faces.” French School. 
 
 Taking Down from the Cross, with numerous figures. 
 Finely painted. 
 
 Canvas — 18 in. by 13. Bought privately. 25 1 . 
 
 CHARLES J. LEWIS. 
 
 Still living. u A painter of domestic interiors and rural subjects, 
 which are generally executed with taste and finish. He has been 
 a constant exhibiter at the Royal Academy since 1856, and is a 
 favourite artist.” 
 
 A Fisherman with his Wife and Child in a Well-Fur- 
 nished Cottage. — Signed, and dated 1858. Exhibited at 
 the Dublin Fine Arts Exhibition. 
 
 Canvas — 16 in. by 22. 
 
 LUCAS VAN LEYDEN. 
 
 Born at Leyden in 1494, died there in 1533. He was the son 
 and pupil of Hugo Jacobs, a painter, according to Nagler, highly 
 esteemed. Bryan, speaking of Lucas, says : “ This extraordinary 
 artist may be regarded as the patriarch of the Dutch School. He 
 had scarcely reached his ninth year when he engraved some plates 
 after his own designs, and he astonished the artists of the time by 
 his picture of St. Hubert when he was only twelve years old, as 
 well as by his celebrated picture of Mahomet drunk , having killed 
 the monk Sergius. Contemporary with Albert Diirer there existed 
 between these distinguished artists the most intimate friendship 
 and correspondence, which was not interrupted by any jealousy 
 occasioned by their noble emulation of excelling each other in the 
 art. He is allowed to have surpassed Diirer in his composition, 
 though inferior to him in design.” He painted the portrait of the 
 Emperor Maximilian, when at an early period he was in Leyden, 
 but did not engrave it till 1520. Dutch School. 
 
( 110 ) 
 
 LUCAS VAN LEYDEN — continued, 
 
 Christ on a High Platform, Exhibited to the People 
 as an innocent man by Pontius Pilate, with numerous figures in 
 the foreground and architectural surroundings. With the en- 
 graving marked L. 1510 at the back, but the picture is marked 
 A. D. in the corner, probably by some one intending to pass 
 it for Albert Diirer. 
 
 Panel — 11 in. by 18. 
 
 The Temptation of Christ. Two prominent figures with 
 a mountain, buildings, and several figures in the background. 
 With the engraving dated 1518, recorded by Bartsch. 
 
 Panel , in a glazed case — 8|- in. by 6 %. Bought privately. 25/. 
 
 The Crucifixion. The Magdalen at the foot, and other 
 figures painted on gold ground. 
 
 Panel — 20 in. by 15. 
 
 I believe engraved. 
 
 The Crucifixion. A Gallery Picture, Introducing 
 the Emperor Maximilian, the Empress, and his Court as 
 Mourners. 
 
 Panel — 3 ft. 3 in. by 2 ft. 7. in. 
 
 A fine picture, which was greatly admired by my friend the 
 late Mr. Christian John Nieuwenhuys, who frequently looked at 
 it when at my fine-art or garden parties, and snubbed me for once 
 undervaluing it, which he ascribed to my having accidentally got it 
 a bargain, and that I did not know how to value it. 
 
 Saint Katharine, in a rich crimson and white costume, 
 with an ornamental black and gold coiffure, holding a missal 
 in her left hand, with a wheel, buildings, and numerous figures 
 in the distance. (This picture has been engraved by the 
 artist.) On the back of it is an early picture, finely painted, 
 of an angel, inscribed Donwius Gracia plena , painted by 
 Grisalle in the manner of Jan Van Eyck. 
 
 Panel — 36 in. by 20^. Foster’s, April 3 oth, 1869. 55/. 13L 
 
( 111 ) 
 
 LUCAS VAN LEYDEN — continued. 
 
 Christ before Pilate and The Descent from the Cross. 
 A pair of small pictures. These pictures have been engraved as 
 Lucas Van Leyden, and no doubt are so, but on them they 
 are inscribed “ By Albert Diirer, from Godoy’s celebrated 
 collection in Spain.” 
 
 Panel — 6 in. by 3|. Christie’s , G. H. M or land, May \2th , 1866. 
 
 Adoration of the Magi, with numerous figures and an 
 architectural background. Painted in distemper on satin, and 
 subsequently surrounded by a Gothic border, which is highly 
 finished in gold. With the engraving of it by Henry Goltzins 
 in 1513, which, according to Weigel and Nagler, is very rare. « 
 24 in. by 1 8, framed and glazed. Christie's, April 3rd, 1852. 25/. 
 
 A long note on the back of this picture assumes it to be an 
 original picture by Lucas Van Leyden in distemper, of which but 
 few were executed, and are therefore of extreme rarity. The Gothic 
 border was added about 1826. 
 
 The Four Evangelists, painted on panel probably about 
 1508 — 15 1 1, but see Bartsch. They have been engraved, and 
 the original engravings, according to Nagler , are very rare. 
 They were copied in later years, with the addition of the names 
 of the Evangelists, which are sometimes cut off to make them 
 pass for the original engravings. 
 
 Christie's, July 13 th, 1867. 20/. 
 
 The Decollation of St. John. The head, which is raised 
 on a pole, is surrounded by eight figures, chiefly female. 
 Painted in distemper and glazed. Exhibited by me at the 
 Archaeological Institute, June 28th, 1869. 
 
 Panel — 10 in. by 7 . 
 
 The Virgin, in a Rich Crimson Robe, with the Child 
 in her Lap Handling Flowers, in the centre of a rich land- 
 scape with various accessories. 
 
 Panel — 24 in. by 19. 
 
 This picture has been in Twickenham time out of mind, 
 and was formerly in Lord Bacon’s Park. It is, I believe 
 mentioned by Ironside in his History of Twickenham. 
 
( H2 ) 
 
 JOHN LINGELBACH, 
 
 This eminent painter was born at Frankfurt on the Maine in 
 1625, and died at Amsterdam in 1687. He went to Amsterdam 
 when very young, and in 1642, when he was seventeen years of 
 age, went to Paris for two years, where he found many admirers, 
 and by means of the profits on his works he went to Italy and 
 passed six years at Rome, where his seaports and small costume 
 subjects became much in demand. His ability in painting small 
 figures induced Wynants and Ruysdael to have recourse to him for 
 filling up their pictures. Dutch School . 
 
 An Italian Market Scene, with Numerous Figures. On 
 the right is a lady with an attendant purchasing vegetables, in 
 the background are buildings, a carriage and horses, etc. 
 
 Phillips', July 15 th, 1862. 15/. 15A 
 
 An Italian Cobbler and other figures near Roman ruins. 
 
 Panel — 7! in. by 7. Christie's , Albert Levy ', April 6th) 1876. 
 
 16/. 1 6a 
 
 A Seaport in the Levant, with shipping and numerous 
 figures. Very highly finished. — Signed in full, and dated 1670. 
 
 Pajiel , glass front — 26 in. by 1 8. 
 
 This, or a similar picture, appears to have been sold at 
 Zachary’s sale in 1828 for the large sum of 257/. 55. 
 
 A Hawking Party, with two ladies on horseback, one 
 conspicuously on a white horse after the manner of Nouver- 
 mans, with dogs and other emblems of a chase. 
 
 Copper— 11 in. by 15. Foster's, April 2nd , 1869. 81 . 8s. 
 
 CH. LINKERT. 
 
 A pleasing Dutch artist. Probably living. 
 
 Frost Scene on the Dutch Coast, with windmills, figures, 
 and skating.— Signed in full, and dated 1818. 
 
 Panel — 10 in. by 13. 
 
( JI 3 ) 
 
 JOHN LINNELL, Senior. 
 
 Born in London, June, 1792, died at Redhill, Surrey, January 20th, 
 1882. Pupil of John West in 1805, and of John Varley in 1806. 
 An eminent portrait and landscape painter, universally acknow- 
 ledged as a master of rare excellence. As early as 1808 he gained 
 the Royal Academy premium of 50/. He was fond of books, and 
 I had the pleasure of being on friendly terms with him for nearly 
 half a century. See William Blake. English School . 
 
 Portrait of Thomas Hill, Esq., seated with a book in his 
 hand. The original Paul Pry amusingly recorded in Theodore 
 Hook’s Reminiscences, Crabb Robinson’s Diary , Vol. II. p. 103, 
 the Mirror, Fraser' s Magazine , etc. I knew him intimately, 
 and consider it a capital likeness. Exhibited at the Royal 
 Academy, 1832. — Signed, and dated 1831. 
 
 Panel — \2\ in. by 10. Christie's , W. Browne White , May 2\th 
 1879. 4 l guineas. 
 
 WILLIAM LINTON. 
 
 Born in Liverpool in 1788, and died in the neighbourhood of 
 London, September 18th, 1876, in his eighty-eighth year. An 
 eminent landscape painter, who travelled through England and 
 Wales, as well as France, Italy, and Greece, in search of the 
 picturesque, which he delineated faithfully. The Examiner, in 
 reviewing his pictures when a collection of them was on exhibi- 
 tion in March 1881, ranks him with “the first landscape painters 
 of the day.” The Times described them as ‘‘exquisite land- 
 scapes which excited general admiration ” ; the Morning Post 
 as follows: “We have seldom seen so interesting a collection, 
 and the many distinguished persons who have visited it have 
 expressed their unqualified approbation and delight. The scenery 
 is exceedingly beautiful, while feeling, freshness, and fidelity per- 
 vade the sketches generally.” He used to exhibit at the British 
 Institution, the Society of British Artists, and the Royal Academy. 
 His pictures sold at ridiculously low prices at the Artists’ Sale, 
 March 30th, i860, in consequence of their number. English 
 School . 
 
 View of the Vale of Lune. A river which rises in the 
 mountains of Westmoreland and flows through the north of the 
 county of Lancaster into the Irish Sea, which it enters at 
 Sunderland Point by a broad estuary ; a flock of sheep and 
 
 Q 
 
( ”4 ) 
 
 WILLIAM LINTON — continued. 
 
 shepherd in the foreground. — Signed. Called by the Times 
 “ a powerful study.” 
 
 Panel — 13 in. by 20. Christie’s , Artists’ Sale , 1 81. 18^. 
 
 Old Houses and Mill-Dam at Brecon, South Wales — 
 Signed. 
 
 Panel — 12 in. by 16^. Christie’ s, Artists’ Sale , March , i860. 13/. 
 
 Broughton Tower, on the Duddon, Northumberland. 
 Cardboard — 94 in. by 13. Christie’ s, A rtists’ Sale , i860. 5/. ioj. 
 
 The Ferry -House on the Windermere Lake, with a boat 
 and figures. 
 
 Cardboard — 9-5 in. by 13. Christie’s, Artists’ Sale, i860. 5/. 15 a 
 
 The Cascades, near Loch Katrine. — Signed. 
 
 Panel — 10 in. by 13. Artists’ Sale, i860. 
 
 Subiaco Church, near Tivoli. 
 
 Panel — 9! in. by 134. Christie’s, March 30th, i860. 
 
 A pair: Lime Kilns on the River Duddon, Cumberland, 
 also A View of Wallesley Pool, Birkenhead, with 
 shipping. 
 
 Panel — 8 in. by 13. Artists' Sale. 81. 8s. 
 
 Mill and Lake in Epping Forest. — S igned. 
 
 Pa?iel — 9-4 in. by 13L Christie’s, Artists’ Sale, March, i860. 
 
 FRA FILIPPO LIPPI. 
 
 Born at Florence in 1412, died in 1469. Studied the works of 
 Masaccio in the monastery of the Carmelites at Florence, where 
 he had adopted the monastic life. A painter of extraordinary merit. 
 Tuscan School. 
 
 Two Full-Length Figures of Saints, one, St. Matthias, 
 carrying a book in his left hand and a scimitar in his right ; 
 the other a female carrying a feather as her emblem (probably 
 St. Barbara). Richly painted and gilt. 
 
 Paiiel — 28 in. by 14^. 
 
 Mr. Young Ottley highly valued this picture, and reserved 
 it to the last. I bought it at the sale of a few of his pictures after 
 his death. 
 
( n5 ) 
 
 PHILIP JAMES DE LOUTHERBOURG, R.A. 
 
 Born at Strasburg, October 31st, 1740, died at Chiswick, March 
 nth, 1812. Son of a miniature painter established at Paris, and 
 pupil of Tischbein, Vanloo, and Casanova. An eminent landscape, 
 marine, and battle painter. He exhibited as many as 155 works at 
 the Royal Academy. E7tglish School . 
 
 The Universal Deluge, showing several figures on a rock, 
 surrounded by water. A beautiful cabinet work painted for 
 Macklin’s Bible, and engraved there. Bryan says of it, “ Con- 
 sidered as his best performance in that department.” 
 
 Canvas — 17 in. by 13. Christie's, M. Anderson, June 7th, i86r. 
 
 A River View, with Cattle and Dogs, and a peasant 
 attending them ; a ruined castle and trees in the distance. 
 
 Canvas — 18 in. by 24. Foster’s , April 2nd, 1879. 1 5 ?- 4 s - 6d. 
 
 A Large Landscape, with Women and Donkeys in the 
 Centre, and other figures. 
 
 1 Phillips’ , June 5 th , 1872. 14/. 14J. 
 
 BERNARDINO LUINI. 
 
 Born at Luino on the Lago Maggiore, about 1460 or earlier; 
 death uncertain, but he was living in 1530, according to Nagler 
 and others. Pupil of Leonardo da Vinci, whose works he so 
 closely followed as often to be mistaken for him. There are 
 but examples of this great master in England. Lojnbard School. 
 
 The Holy Family. The Virgin and Child, St. John 
 and the Lamb. A grand composition. From Cardinal Fesch’s 
 Collection, where it sold in 1846 for 4,021 crowns. Ex- 
 quisitely painted. Panel — 36 in. by 34. 
 
 SAINT LUKE. 
 
 Siret, in his Dictionnaire des Peintres , says : a On croit que 
 Saint Luc, Evangeliste, fut peintre. II est reconnu que les Madones 
 de Bologne qu’on lui attribue sont des peintures du moyen age.” 
 
 A very Early Greek Representation of the Virgin 
 and Child seated in a curiously carved arm-chair, with Greek 
 lines and monograms above. Painted on a gold ground. On 
 the back is inscribed, “ Quaesta e la vera Effigie di M. V. Madre 
 di Dio, cosi diccono le parolle scrittavi sopra, et crede esser 
 fatta per mano di S. Lucca.” 
 
 Panel — 8 in. by 6. Christie' s v Wellesley's Sale. 5/. 10s. 
 
( n6 ) 
 
 NICHOLAS MAAS, or MAES. 
 
 Born at Dort in 1632, died in 1693. A distinguished Dutch 
 portrait and genre painter. Pupil of Rembrandt. Dutch 
 School. 
 
 Portrait of a Young Prince (? Prince of Orange) in a 
 crimson silk dress and plume of feathers, a spaniel by his 
 side. This appears to be the picture, No. 783, sold at the sale 
 of the Bernal Collection in 1855 for 23/. 2 s. 
 
 Canvas — 16 in. by 12. Phillips' 1 , Lord Willoughby de Eresby , 
 May 1st , 1865. 
 
 JEAN DE MABUSE. 
 
 His family name was Gossaert, and he was born at Mauberge 
 in Hainault about 1470, according to Theodore Lejeune and others, 
 and died at Antwerp, October 1st, 1532. Of this extraordinary 
 artist very little is accurately known ; his works are of sufficient 
 merit to have excited the curiosity and obtained the applause of 
 Albert Diirer and Lucas van Leyden, both of whom visited him 
 and expressed the most marked admiration of his works, and 
 with the latter he was long a boon companion. Flemish School. 
 
 The Virgin and Child. An Exquisitely Beautiful 
 Picture. — Signed. Sir Charles Eastlake, who examined this 
 picture with Mr. Miindler, a German expert, was anxious to 
 have it for the National Gallery. 
 
 Panel — 21 in. by 16. Christie's, from the Hollingworth Collection , 
 June 30th, 1877. 55/. 13^. 
 
 Christ Crowned with Thorns. Four figures, with an 
 architectural background. — Signed Joannes Malbodius 
 inventi, and dated 1527. This dated picture is marked in 
 Stanley’s Bryan as among his best pictures, and as bearing the 
 latest date discovered. Bought at Richmond, on the death of 
 the proprietor, for 52/. io.s\ He had, during his life, refused 
 100 guineas for it. 
 
 Panel — fk in. by 7. 
 
( n7 ) 
 
 JEAN DE MABUSE — continued. 
 
 The Virgin and Child, on a Gold Ground, surrounded 
 by angels. 
 
 Panel — 14 in. by n. Phillips' , H071. Mrs. Green , 1862. 15/. 15A 
 
 Christ Crowned with Thorns, holding his cross, with a 
 mocking figure on each side and various indications. 
 
 Panel — 13 in.py 10. 
 
 The Virgin and Child Seated on a Richly Sculptured 
 Gothic Stone Throne, with landscape background. In a 
 chased metal gilt frame. From the Bernal Collection, lot 650, 
 where it sold, March 1855, for 40/. 19L, and was bought by 
 G. H. Morland, at whose sale in 1866 I became the possessor. 
 
 Copper — 82 in. by 6\. Christie's , G. H. Morland, May , 1866. 
 
 18/. js. 6 d. 
 
 ANDREA MANTEGNA. 
 
 Born near Padua in 1431, died at Mantua in 1505. His famous 
 series of the Triumphs of Julius Caesar, nine tempera pictures, 
 now at Hampton Court, is familiarly known to every lover of 
 art. Paduan School. 
 
 Portrait of Dante, with a floral wreath round his head. 
 Painted in tempera. 
 
 Canvas — 13^ in. by 11J. Bought prom Samuel Woodburn in 1830. 
 
 CARLO MARATTI. 
 
 Born at Camurano, May 13th, 1625, died at Rome in 1713. 
 Pupil of Andrea Sacchi, and for nearly half a century recog- 
 nised as the most famous painter in Rome. His cabinet pictures 
 of the Holy Family are especially admired for their tenderness and 
 delicacy of treatment. Roman School. 
 
 The Madonna, with the Infant Jesus on her Lap. A 
 fine example, which an eminent connoiseur once pronounced to 
 be a first-class Baroccio. 
 
 Canvas — 30 in. by 28. Phillips ' , Marquis of Hasting's Collection , 
 February 25 th, 1869. 34/. 13^. 
 
( 118 ) 
 
 CARLO MARATTI — continued. 
 
 The Ascension of the Virgin, or The Immaculate 
 Conception. Numerous figures. 
 
 Copper , octangular — 14 in. by 14. 
 
 The Virgin and Child, and The Glorification of the 
 Virgin. A pair of small pictures. 
 
 Phillips', July 1st, 1869. 5/. $s. 
 
 MICHELE MARIESCHI. 
 
 Born in Venice, uncertain when, probably before 1700, died in 
 1743. He excelled in painting architectural views and perspective, 
 and is seen best in his pleasing views in Venice, which are much 
 in the style of Canach. Venetian School. 
 
 View in Venice, with buildings and numerous figures. 
 Canvas — 13 in. by i6|. Eckford, Scarisbricke Collection. 10/. ioj. 
 
 A View in Venice, with Boats and Figures. 
 
 Canvas — 14 in. by 16. Bought at Brighton , 1875. 
 
 WILLIAM MARLOW. 
 
 Born in Southwark, 1740. Resided for many years at Twicken- 
 ham, where, after travelling in France and Italy by the advice of 
 the Duchess of Northumberland, who admired his works, he died, 
 January 14th, 1813. Pupil of Samuel Scott, the marine painter. 
 His landscapes are pleasing and good, and were exhibited at the 
 Royal Academy from 1788 to 1807. 
 
 View of Old Richmond Bridge as seen from Twickenham, 
 with landscape surroundings. 
 
 Canvas — 13^ in. by 17. 
 
 JOHN MARTIN. 
 
 Born at Haydon Bridge, near Hexham, in the Isle of Man, 
 July 19th, 1789, died February 17th, 1854. Historical landscape 
 painter, especially celebrated for his Belshazzar’s Feast, for which 
 he obtained the premium of 200 guineas, and of which I have the 
 first proof of the Engraving, signed by himself. 
 
 The Destruction of Tyre. A small picture of a storm 
 at sea.— Signed, and dated 1834, in sepia. 
 
 Cardboard — 3^ in. by 5J. 
 
 
( ”9 ) 
 
 MASACCIO, called MASO DI S. GIOVANNI. 
 
 Born at the Castel San Giovanni, in the Upper Valdarno, Floren- 
 tine territory, in 1402, died in 1443, in his forty-first year. One of 
 the greatest painters of the fifteenth century, especially famed for 
 his frescoes. Sir Joshua Reynolds alludes to him as the first who 
 discovered the path that leads to every excellence at which the art 
 afterwards arrived. Tuscan School. 
 
 Miracle of the Cross. A Dominican monk holding up 
 a gilt cross while standing calmjy and unhurt on a pile of 
 burning wood ; a group of six figures, four on one side and 
 two on the other, in cloaks looking on, while at a short distance 
 a priest is kneeling and holding a cross before an abbot, whose 
 attendants are near a doorway. 
 
 Original panel — 10^ in. by 27. Christie's , Samuel Woodburn , 
 June gth, 1 860. 53/. iu. 
 
 QUENTIN MATSYS. 
 
 Born at Antwerp in 1450, died there in 1529. Known as the 
 Blacksmith of Antwerp, and famous for his pictures of sacred as 
 well as humorous subjects, especially his misers, userers, card- 
 players, and beggars. Flemish School. 
 
 Interior of a Dutch Beer-House, with Boors drinking 
 and giving alms to a bagpiper and his wife, whose youthful 
 son is exhibiting the feat of standing on his head on the top 
 rail of a three-legged stool. With the engraving of the same 
 taken from Le Brun’s Gallerie des Peintres Flamands , Vol. I. 
 page 5, where the picture is fully described. 
 
 Panel — 18 in. by 34. 
 
 J. KENNY MEADOWS. 
 
 Born in Cardiganshire, November 1st, 1790, died in August, 
 1874. A popular designer of humorous subjects, much patronised 
 by publishers. He exhibited up to 1834 at the Society of British 
 Artists, and afterwards at the Royal Academy. English School. 
 
 A Landscape, with Figures. 
 
 Chancellor , December \2th , 1862. 5/. 
 
( 12 ° ) 
 
 ISRAEL VON MECHELN, or MECKENEN, 
 
 Supposed to have been born in Mecheln, near Munster, about 
 1424, and to have died about 1 503. An eminent painter classed 
 as of the school of Van Eyck and Martin Schoen. His pictures 
 are generally painted on a gold ground, and, according to an 
 authority quoted by Nagler, were admired throughout Europe, 
 and were especially esteemed by painters. He is usually designated 
 Master of the Passion in consequence of his celebrated series of 
 pictures formerly at Cologne. 
 
 The Crucifixion, Curiously and Elaborately Treated, 
 with numerous figures, the whole painted on gold ground. A 
 picture which appears to have been engraved. 
 
 Panel — 28 in. by 12. 
 
 SIMONE MEMMI or MARTINI, of SIENA. 
 
 Born at Siena, according toZani and others, in 1274, and accord- 
 ing to Vasari and others, in 1284 or 1285, died in 1344. Supposed 
 by some to have been a scholar of Giotto, and although he may 
 not have been his scholar, he is known to have co-operated with him 
 in his works and to have aided him at Rome in the celebrated 
 mosaic of the Navicella. He painted the portrait of the famed 
 Laura, for which he is celebrated by Petrarch in two of his 
 sonnets. Florentine School. 
 
 Two Saints. Small pictures from the Alton Towers Col- 
 lection. 
 
 Christie's , Bravihope Manor, February loth , 1865. 3/. 8s. 
 
 GABRIEL METZU. 
 
 Born at Leyden in 1615, died at Amsterdam about 1669. “This 
 charming painter appears to have made the works of Terburg his 
 model, whom he equalled in the silky softness of his pencilling, and 
 surpassed in the elegance and correctness of his design. His style 
 may be compared to that of Vandyek in the correct drawing of the 
 heads and hands, the delicacy of his carnations, and the breadth 
 and facility of his pencil The works of Metzu may justly be con- 
 sidered as models of perfection in the particular branch of art in 
 which he excelled.” — Stanley’s Bryan. Dutch School. 
 
 Preparing for a Duet, or, The Singing Lesson. A 
 gentleman playing on the violin, while a lady seated alongside 
 is listening with a sheet of music in her hand and a favourite 
 spaniel at her feet Apparently the picture described by John 
 Smith, No. 31, and engraved in the Choiseul Gallery. 
 
 Panel — 19 in. by 14I. Christie’s , November 26th, 1881. 20 guineas. 
 
( 121 ) 
 
 ANTHONY FRANCIS VAN DER MEULEN, 
 
 Born at Brussels in 1634, died at Paris, 1690. This distinguished 
 artist is celebrated for his tree-landscapes and battle pieces, in 
 which the figures of horses are always correctly drawn and touched 
 with great spirit. He was greatly admired by Louis XIV., who 
 made him court-painter and gave him apartments in the Gobelins. 
 Flemish School. 
 
 A Woody Landscape, supposed to be the Forest of 
 Ardennes, with the Story of the Conversion of St. 
 Hubert of Liege, who has dismounted his white horse and is 
 at prayer before a stag bearing a crucifix between its horns, 
 with three sporting dogs near him. 
 
 Canvas — 20 in. by 34. Christie’s , White's Collection , April $th, 
 1872. 13/. 2 s. 6 d. 
 
 FELIX MEYER. 
 
 Born at Winterthur, in Switzerland, in 1653, died in 1713. A 
 very pleasing painter of landscapes, chiefly in Switzerland or on 
 the Rhine, always neatly and carefully finished. Bryan gives a very 
 interesting account of him. German School, 
 
 A Pleasing Landscape, with a Cottage between lofty 
 Trees, and pedestrian figures in the foreground. 
 
 Panel — 10 in. by 13. Bought of Mr. Eckford, with others. 
 
 HENDRIK MEYER. 
 
 Born at Amsterdam in 1737, came to England in 1775, and died 
 in London, where he had long been established, in 1793. His 
 works are held in great estimation. Dutch School. 
 
 A Woody Landscape, with Cattle and Figures, a wood- 
 bine cottage in the centre with a peasant’s family at the door, 
 a cathedral in the extreme distance. — Dated 1777. 
 
 Panel — 17 in. by 21. Christie’s, July \$th, 1864. 10/. 
 
 R 
 
 1 
 
( 122 ) 
 
 THEODORE, or THEOBALD MICHAU. 
 
 Born at Brussels in 1676, died in 1755. A painter of landscapes 
 and merry-makings, much in the style of Breughel and occasionally 
 of Teniers. Flemish School. 
 
 A View on the Rhine, with Cottages, Sailing Boat, 
 and numerous figures. Apparently a cattle fair. Painted on 
 copper and signed. 
 
 12 in. by 16. Christie's , Ralph M. Bienard , June 29th, 1872. 
 
 19 1 . Ss. 6 d. 
 
 A Pair of Landscapes on the Banks of a River, with 
 sailing boats, cattle, and numerous figures. Painted on copper 
 and signed in full. 
 
 5 in. by 7. Phi llip s\ John Swaby , March $th, i860. 9 1 . 9 s. 
 
 A Landscape, with Figures. 
 
 Phillips' , July i$th, 1862. 4/. 
 
 A View of a Foreign Seaport, with numerous Figures. 
 In carved frame. 
 
 Sotheby, Canon Benson, January 16th , 1874. 7/. 
 
 MARIE OVIDE MICHEL. 
 
 Born at Paris in 1753. Landscape painter and engraver, of 
 whom little else is known. 
 
 A Landscape, with Cattle and a Goatherd, surrounded 
 by rocky scenery. — Signed. 
 
 Phillips ' , February 12th, 1863. 4/. 14J. 
 
 JAN MIEL, 
 
 Born in the castle of Vlaerdergen, near Antwerp, in 1 599 ? 
 died at Turin in 1664. This eminent painter, whom the Italians 
 call “ Giovanni della Vite,” was the scholar of Gerard Seghers and 
 
( I2 3 ) 
 
 JAN MIEL — continued. 
 
 one of his ablest disciples. He afterwards went to Rome, where 
 he was received into the academy of Andrew Sacchi, with whom 
 he worked on some of his most important pictures. Flemish 
 School. 
 
 A Monk (probably St. Francis) distributing Bread 
 and Soup, at the Gate of a Convent, to Poor Italian 
 Peasants. Sixteen figures. Apparently the Choiseul picture, 
 which sold in 1772 for 2,000 francs, or one of the same 
 subject which Seguier records as having sold in London in 
 1801 for 22 guineas. 
 
 Copper — 20 1 in. by 28. 
 
 MICHIEL JANSZ MIEREVELDT. 
 
 Born at Delft in 1568, died there in 1641. Nagler says, “ He 
 began as an engraver under Jerome Wierx, but soon took to portrait 
 painting, at which he became so successful, that in a few years he 
 obtained the reputation of being the greatest portrait painter of 
 his time.’’ Charles I. invited him to England in 1625, but as the 
 plague was then raging in London, he declined to accept the 
 invitation. Dutch School. 
 
 Portrait of John van Olden Barnevelt. Painted on 
 a black panel and surrounded by inscriptions reciting the 
 names and particulars of the twenty-four judges who con- 
 demned him to death, which unjust sentence was carried out 
 May 1619. This interesting portrait is signed, Aetatis suce 
 70, anno 1617. 
 
 Panel — \$\in. by 12\. Christie's, January 12 th, 1861. 
 
 *** I lent this picture to Mr. Motley while he was engaged in 
 writing his Memoir of Olden Barnevelt , and he was much in- 
 terested with it, and besides his thanks, I had the pleasure of 
 receiving a presentation copy of the book presented to me, at his 
 instance, by Mr. John Murray. 
 
( I2 4 ) 
 
 FRANCIS VAN MIERIS, called THE ELDER. 
 
 Born at Leyden in 1635, died in 1681. After studying under 
 Abraham Toornevlied, an eminent painter on glass, he became the 
 scholar of the celebrated Gerard Douw, and was not only the 
 ablest of his scholars, but is considered by some as being superior 
 to his instructor. Dutch School. 
 
 Portrait of Maria Sybilla Merian, the celebrated flower 
 painter and naturalist (daughter of Matthew Merian, equally 
 celebrated), born April 2nd, 1647, died 1717. An oval. 
 Painted about 1680, and engraved in Weyermann’s Lives of 
 the Painters. 
 
 Copper — 7 5- in. by 6. 
 
 Portrait of a Gentleman in a Full-Bottomed Wig 
 and Robes, seated in a garden ; apparently a judge. Very 
 highly finished. 
 
 Panel — 20 in. by 16. 
 
 Portrait of the Archbishop of Wurzberg as an 
 Architect, measuring a plan before him with a compass, 
 while an open book, apparently Vitruvius, with wonderfully 
 minute letters worthy of Vander Hey den, is at his elbow. 
 
 Pa?iel — 15 in. by 12. 
 
 Portrait of a Dutch Senator, in a Black Dress with 
 lace collar and ruffles. Probably one of the judges who con- 
 demned Olden Barnevelt to death. 
 
 XI- ( 2 - - /jrfr'Hj Panel — 7 in. by 6. 
 
 Portrait of John Mieris the Artist, son of Francis 
 Mieris the elder, by whom it is supposed to have been painted. 
 In a circle. 
 
 Panel — 4 j in. by \\. Christie' s, February \ 6 th, 1861. SI. 
 
 Portrait of a Danish Nobleman, in a cuirass partially 
 covered by his robe, holding a baton in his right hand, and 
 leaning on his helmet and feathers with his left arm. With 
 his armorial bearings, under which is the signature, Franz 
 
( I2 5 ) 
 
 FRANCIS VAN MIERIS —continued. 
 
 Mieris, 1662. With a long German inscription on the 
 back. 
 
 Panel — 12 in. by 8. Phillips', May 3rd, 1865. 7/. ijs. 6 d. 
 
 The Charlatan Worm Doctor. A quack with his hands 
 upraised and medicine on a table before him, professing to 
 cure a femme malade , while hali-a- dozen figures are looking 
 on. — Signed in full. 
 
 Canvas, glazed — 18 in. by 14. Sotheby's, May 3rd, 1882. 
 
 1 2\ guineas. 
 
 WILLIAM MIERIS. 
 
 Son of Francis Mieris the elder. Born at Leyden in 1662, died 
 therein 1747. Pupil of his father. “Neither the great Gerard 
 Douw, nor Wm, Mieris’s famous father, could excel William in the 
 microscopic finish which he bestowed on the minutice of his 
 pictures.” Dutch School. 
 
 A Female Dealer in Poultry, Game, Vegetables, Etc., 
 standing at a slab near an open window, with two boys, one 
 holding up a cage containing pigeons, the other holding a 
 basket of partridges, to which he points, as if wishing to sell ; 
 a large hare hanging in the foreground. 
 
 Panel — 16 in. by 14. Christie's, G. C. Heath's Sale, February 16th, 
 1861. 15/. 4.S. 6 d. 
 
 A Musical Party of Four Figures, two male and two 
 female, the younger gentleman playing on a lyre to music 
 which a lady has before her. — Signed in full. 
 
 Panel, glazed — 18 in. by 14. Sotheby's, December 15 th, 1881. 
 
 19/. 
 
 The Music Lesson. A lady standing before a pianoforte 
 with music before her, while a signor, with music in his hand, 
 seems to be watching her performance ; with two other figures, 
 
( 126 ) 
 
 WILLIAM M I E R I S — continued. 
 
 male and female, in the background. Exquisitely finished, on 
 Dresden porcelain. Marked, K. P. M., and signed, G. Pertz, 
 Dresden. 
 
 13 in. by 1 1. 
 
 A Female Figure, in a Blue and Yellow Dress, holding 
 up her right hand in astonishment at a man who seems to bring 
 her some unpleasant tidings ; a large bird-cage between them. 
 
 Panel — 10 in. by 8. 
 
 NICHOLAS MIGNARD. 
 
 Born at Troyes in Champagne in 1608, died at Paris 1668. He 
 was greatly patronised by Cardinal Mazarin and Louis XIV., and 
 was officially appointed to paint the portraits of all the court as 
 well as several works for the palace of the Tuileries. French 
 School. 
 
 Portrait of Mlle. Mancini, niece of Cardinal Mazarine, 
 in an open blue dress fastened with pearls, her head adorned 
 with a large red feather. Painted in the manner of Sir Joshua 
 Reynolds. Apparently Marie Anne Mancini, Duchesse de 
 Bouillon, born 1649, died 1714. Came to England to visit 
 her son, the Prince de Turenne. 
 
 Canvas — 29 in. by 23. 
 
 PIERRE MIGNARD. 
 
 Younger brother of Nicholas, born at Troyes in 1610, died in 
 Paris, 1695. Pupil of Boucher and of Vouet. Freiich School. 
 
 The Duke and Duchess of Orleans, in full Costume, 
 Very highly finished. A pair of ovals. 
 
 Copper — 10 in. by 7J. Christie's , John Bowman , January 28th, 
 1876. 22 1 . is. 
 
 Portrait of Madame de Maintenon, in rich attire, with 
 a mirror in her left hand ; Cupid looking over her right 
 shoulder. — Signed on the mirror. 
 
 Copper — 19 in. by 16. 
 
( I2 7 ) 
 
 MISSAL ORNAMENTS. 
 
 Three large Italian Missal Ornaments of the 
 Fifteenth Century, painted on vellum and mounted in 
 an oblong frame. 
 
 1. The Virgin, surrounded by winged seraphs, ascending to 
 heaven. 
 
 2. The Virgin and Child, with a saint in adoration. 
 
 3. The Crucifixion. ; 
 
 Framed and glazed — 13 in. by 25. 
 
 *** Other Missal Ornaments are reserved for the Miniature 
 Catalogue. 
 
 HENDRIK MOMMERS. 
 
 Born at Haarlem in 1623, died in 1697. Balkema says that he 
 was a pupil of Karel du Jardin. Dutch School. 
 
 An Italian Landscape, with a Female Peasant Milking 
 a Goat ; near her is a herdsman and sheep, cattle in the 
 distance, with figures. A fine example. 
 
 Canvas — 26 in. by 23. Phillips', July 15th, 1862. 24/. 
 
 KAREL DE MOOR, 
 
 Born at Leyden in 1656, died at the Hague in 1738. Pupil of 
 Gerard Douw, Francis Mieris, and Schalken. Dutch School. 
 
 Portrait of Elizabeth Barnham, Countess of Castle- 
 haven, richly attired in a blue dress, her long brown hair 
 falling over her shoulders. 
 
 Panel — 7 in. by 5. Christie' s, Edw. White's Collection , 1872. 
 
 The Toilet. A lady in a white silk dress seated before a 
 looking-glass, at which her attendant is pointing. — Signed in 
 full. 
 
 Panel — 13^ in. by ni. Christie's, June nth, 1881. 17 guineas. 
 
( ) 
 
 JOHN MICHAEL MOREAU, called LE JEUNE, 
 
 Born at Paris in 1741, and died there in 1814. Painter and 
 engraver. Pupil of Louis Joseph le Lorrain, with whom he went 
 to St. Petersburg in 1758, and remained there until the death of 
 his master in 1760. He afterwards devoted himself to engraving 
 under Le Bas, and became celebrated. French School. 
 
 Le Petit Souper. An interior, with four figures, two ladies 
 and two gentlemen, in full costume, round a table. A scene 
 in one of Moliere’s plays. 
 
 Panel — 6 in. by 5. Phillip s’, November 21st, 1865. 10/. ioj. 
 
 Marie Antoinette, accompanied by the Comte d’Artois, 
 visits Cagliostro in his library, by whom she is foretold the 
 events of her destiny. A richly coloured opaque drawing. 
 
 Panel, glazed front — 8$ in, by 10J. 
 
 Marie Antoinette, born 1755, married Louis XVI. 1770, the 
 diamond necklace affair 1785, brought to Versailles October 12, 
 1789, imprisoned 1792, executed December 13, 1793. 
 
 JOHANN LUDWIG ERNST MORGENSTERN. 
 
 Born at Rudelstadt in 1738, died at Frankfurt, 1819. Stanley 
 says of him : “ An excellent painter of the interior of churches, 
 similar to Peter Neefs, but with no appearance of imitation. They 
 are painted with a full rich pencil, spirited touch, and -a true 
 knowledge of light and shade, and are ornamented with figures 
 very skilfully introduced. Some few were brought to England 
 about thirty (now sixty) years ago, and were much prized. Since 
 that time they have become rare and have considerably increased 
 in price.” Dutch School. 
 
 Interior of an Italian Church, with Figures in the 
 Foreground. Very highly and minutely finished. — Signed. 
 
 Copper — 14 in. by 18. Christie's , R. Hume , May 31 st, 1876. 
 
 7 . 7 . 1 . iij. 6 d . 
 
 *** This picture was intended for the late Duke of Hamilton, 
 and would have been worthy of his collection, but before it could 
 reach him he died. 
 
{ I2 9 ) 
 
 GEORGE MORLAND. 
 
 Born in the Haymarket, June 26th, 1763, died in Eyre Street, 
 Coldbath Fields, October 29th, 1804. The most popular animal and 
 subject painter of English domestic life. Pupil of his father, Henry 
 Robert, called Old Morland, a painter in crayons, who died in 1797, 
 at the advanced age of eighty- five. George exhibited at the Royal 
 Academy as early as 1779, an d occasionally up to 1794, and at the 
 Associated Society of British Artists even four years earlier. 
 E7iglish School. 
 
 *** George Morland died when I was nine years old. I was at 
 school with his nephew, George Henry, whose father had become 
 sole agent for George’s pictures, which gave me an opportunity of 
 more than once seeing him. 
 
 Duck-Shooting from a Boat, in a Verdant Landscape. 
 One of the figures seated in the boat is a portrait of George 
 Morland himself, the one shooting is his boon friend, John 
 Raphael Smith, who was an excellent miniature painter and a 
 first-class engraver. 
 
 Canvas — 16 in. by 20. Christie's , March 15th, 1862. 33/. 12s. 
 
 The Fisherman’s Hut. He Smoking a White Pipe, 
 while his Wife is Showing Him a Young Child ; with two 
 other children behind her, and a basket of fish in the fore- 
 ground ; the fisherman’s boat in the background. With the 
 fine mezzotint engraving by J. Raphael Smith, dated 1799. 
 
 *** Bought, in 1868, of Mrs. Healy, Little Gonerby, near 
 Grantham, Lincolnshire, whose father had it direct from the artist. 
 Cost 30/. 
 
 Canvas — 20 in. by 19. 
 
 A Highly Finished Coloured Drawing of the same 
 subject, apparently made for the engraver. In the Artist’s 
 ungilt frame. 
 
 1 7 in. by 22. 
 
 A Small Landscape, with a Man Driving a Horse and 
 Cart, canvas-covered, and two figures within a cottage door. 
 —Signed, C. Md. 
 
 Panel — 7 in. by 6. Phillips ’ , Col. Bu7ibury ) May Zth , i860. 61 . 10s. 
 
 s 
 
( * 3 ° ) 
 
 GEORGE HOR LAND — continued. 
 
 A Cottage Interior, with a Female Seated near the 
 Fireplace, Holding a Jug, and Talking to a Little Girl 
 alongside her ; at her back, on the floor, is a boy caressing a 
 spaniel, with a cat at his feet. — Signed, G. Morland. 
 
 Canvas— i6\ in. by 13b Christie’s , May 25th, 1867. 19/. 15^. 
 
 An Ass in a Stable, with a cottage in the distance. — 
 Signed, G. Morland. Praised by Hassell, p. 147. 
 
 Canvas — 10 in. by 12. Christie’s , Shanaon of Nov ar Collection , 
 April 14th , 1877. 16 guineas. 
 
 A Lecture on Gadding. An Interior Showing an old 
 Woman seated in an Arm-Chair with an Open Book on 
 her Lap Lecturing a Handsome Girl probably Letitia, 
 gaily dressed with black hat and feathers, who is standing at 
 phe back of a chair on which a dog is leaning, while a cavalier, 
 in a scarlet coat, is listening at an open door. 
 
 With two engravings of the picture at the back of it ; one 
 a proof before the letters, the other a coloured engraving which 
 represents the painting as the work of John Raphael Smith, the 
 celebrated engraver and the boon frieildTof George MorlanflJ and 
 this engraving is signed G. Bartolotti. The painting, however, is 
 exactly in the style of Morland, and tallies with his set of “ The 
 Progress of Seduction,” a series of six plates. 
 
 Mkmo % 4^0 V<w 
 
 Canvas - — 18 in. by 14. Christie’ s^JDecember 13th, 1867. 36/. 15 a 
 ffy ■ fy&Ur- Miff > 1 i4r y AM- 
 
 An Interior, with a Woman and Dog. 
 
 Christie’s , John Greaves , Esq., June 3th, 1865. SI. 
 
 A Coast Scene, with a Fishing-Smack and Fishermen 
 in the foreground, and vessels and a rock in the distance. 
 
 Cardboard — 9 in. by 1 3. 
 
( I 3 I ) 
 
 GEORGE MORLAND — continued. 
 
 A Small Woody Landscape, in the Centre of which 
 is a Pedestrian Female in a Scarlet Cloak. 
 
 Panel — 6 in. by 9. 
 
 A Butcher Thrown from his Horse, and Spilling 
 Meat from his Tray. A Winter Scene. — Signed, G. Md. 
 An engraved picture. 
 
 Canvas — 10 in. by 12. Bought of Mr. Cribb , picture dealer , 
 London , in 1 850. 
 
 Cymon and Iphigenia. The First Interview, and the 
 Sequel. A pair of ovals. 
 
 Canvas — 10 in. by 1 \\. Robinson , Son , Foster , May nth, 1869. 
 
 21 1. 
 
 A Woody Landscape, with a Male and Female Peasant 
 in the Foreground, and a Man on a White Horse in 
 the Distance. Highly finished. 
 
 Panel — 9 in. by 8. 
 
 A Small Woody Landscape, with a Cottage, in front of 
 which is a female and a boy, with a tub before them. 
 
 Panel — 7 \ in. by 6. 
 
 Striking a Bargain. A Fish-Dealer on a White Horse 
 and a Woman on the Sea-Shore, with a Basket of 
 Mackerel and other Fish. Two vessels are in the dis- 
 tance, the largest of which is being pointed at by what would 
 appear to be the captain. With two other figures in the rear. 
 
 Canvas — 20 in. by 26. Christie's , General Dutton, July 3rd , 1863. 
 
 A Large Coloured Drawing of the Same Subject, with 
 some slight variations in the distance. In the Artist’s ungilt 
 frame. 
 
 17 in. by 22. 
 
( 132 ) 
 
 * GEORGE MORLAND — continued. 
 
 A Market Man on a White Horse, with a Basket 
 under his Arm, a Dog alongside, in front of a Rock on 
 the Sea-Shore, bargaining with a woman for some fish just 
 landed from a boat With the fine mezzotint engraving of 
 the same by his brother-in-law Ward at the back. Also a 
 finely coloured engraving of same. 
 
 Panel — 12 in. by 14. 
 
 A Forest Scene, with a Wooden Bridge in the Centre, 
 with peasants crossing ; one of them a girl leaning over it. A 
 fine specimen. — Signed. 
 
 Canvas — 12 in. by 10. Henry Graves, February Zth , i860. 
 
 An Old Clothesman Bargaining for a Pair of 
 Breeches from a Servant Maid, and showing how much 
 they are worn by poking his hand through a fundamental 
 part. A copy of Rowlandson’s picture, but evidently painted 
 by Morland. 
 
 *** This picture has been twice engraved, one bearing the name 
 of Rowlandson, the other, I think, that of George Morland. 
 
 Canvas — 12 in. by 14^-. Christie's, February 11th, 1861. 
 
 A Landscape, in which a Man on a White Horse, with 
 a Dog, is Crossing a Wooden Bridge. In the front are 
 two men, with nets, dragging a stream. A cottage in the 
 distance. — Signed, G. Morland. 
 
 Canvas — 10 in. by 12. Phillips', June i$th, 1862. 7/. 15J. 
 
 A Milkmaid Surprised by a Young Gentleman, who 
 touches her on the shoulder and causes her to upset her pail, 
 which she had just been filling from a cow alongside her. 
 The portraits are evidently Morland and his wife, and may 
 be representative of their first interview. — Signed, G. Morland. 
 
 Canvas — 1 1 in. by 13. 
 
( *33 ) 
 
 GEORGE MORLAND — continued. 
 
 Figures at a Stile. A large drawing in red chalk. 
 
 Framed. Christie's. J . H. Smith , of Twickenham, July \\th , 1877. 
 
 2l. 15^. 
 
 Setters. A Pair, in Woody Landscapes. 
 
 Panel — 6 in. by 8. Christie' s, J. H. Smith , of Twickenham , July 
 14th, 1 877. 5/. 5s. 
 
 A Winter Scene, with a Pair of Horses. — Signed, G. M. 
 
 Panel — 7 in. by 9. Christie's , J. H. Smith , July 14th, 1877. 
 
 61 . 6s. 
 
 Portrait of a Venerable Old Farmer-Like Man, 
 in breeches and gaiters, sitting under a tree; with a white 
 throated black dog by his side. 
 
 Canvas — 24 in. by 17. 
 
 The Lucky Sportsman. A woody landscape, in which a 
 sportsman is carrying a gun, with a retriever at his feet ; while 
 two females, seated, seem in conversation with him. With 
 the engraving by Scriven. 
 
 Panel — 1 1| in. by 9I. 
 
 Travellers, Male and Female, probably Gipsies, 
 Reposing under Trees; with a loaded donkey near them. 
 An oval. 
 
 Canvas — 8 in. by 10. Christie's , G. H. Morland (qiephew of the 
 painter ), May 12 th, 1866. 15/. 4s. 6d. 
 
 Portrait of Mrs. George Morland Sitting on a 
 Couch in a Cottage, with a spaniel at her feet, and a parrot 
 in a cage on the wall. An engraved picture (of which my 
 friend, Mr. Capron, has a copy in colours). 
 
 Canvas — 12 in. by gi. John Greaves , Esq., June 6th, 1865. 
 
 81 . 
 
( r 34 ) 
 
 GEORGE MORLAND — continued. 
 
 A Shipwreck in a Gale on the Cornish Coast, with 
 figures on the rocks, and sea gulls. — Signed in full, G. Morland, 
 and dated 1785. 
 
 Canvas — 13 in. by 17. Christie’s, Norton Hall Collection , February 
 26th, 1880. 25 1. 4i\ 
 
 Horses and Figures before an Inn, with a Thatcher 
 on Roof and a Pig in the Foreground. — Signed in full, 
 G. Morland, 1795. 
 
 Canvas — 24 in. by 30. Christie's , December 14th , 1878. 
 
 24 guineas. 
 
 A Pair of Miniature Landscapes. One a Winter Scene, 
 with a female pedestrian, and a cottage in the distance ; the 
 other, A Man on a White Horse, and a red tiled house in the 
 distance. — Both signed, G. M. 
 
 Panel — 3 in. by 4. 
 
 W. W. MORRIS. 
 
 Living at New Cross, Deptford, in i860. 
 
 No Quarter. A Dog Killing a Rat, with accessories. 
 Painted 1854. A clever and striking picture. Circular. 
 
 Canvas — 14 in. February 25th, i860. Bought privately. 5/. 5s. 
 
 A Sea Piece. A small picture. 
 
 Phillips ' , John Swaby , March $th, i860. 2 1. 15^. 
 
 FREDERICK MOUCHERON. 
 
 Of an Antwerp family. Born at Emden in 1633, 'died, it is 
 supposed, in 1686, or some years later, as there is a picture in the 
 Dresden Gallery signed by him, and dated 1713. Pupil of John 
 Aselyn. His landscapes exhibit very pleasing scenery much in 
 the manner of John Both, Hobbema, and other distinguished 
 
( *35 ) 
 
 FREDERICK MOUCHERON — continued. 
 
 artists of the Dutch School. His works were much admired in 
 Paris during his several years residence there, and quite as much 
 in Holland after his return there, and they are now found in the 
 choisest collections. The figures in his landscapes are usually by 
 Adrian Van de Velde, but occasionally by Lingelbach. Dutch 
 School. 
 
 A Woody Landscape, with Figures by Adrian Van de 
 Velde. From Lord Gwydyr’s, Collection, sold in 1829 for 
 52/. 1 os. 
 
 Panel — 1 Sh by 12J. 
 
 A Small Classical Landscape, with Nymphs Bathing, 
 and boys with flowers. The figures by Lairesse. From the 
 Count de Morny’s Collection. 
 
 Canvas — 11 in. by 9. Christie's , Charles Martin , March , 2~]th, 
 1876. 23/. 2 s. 
 
 A Large Woody Landscape, with very Tall Trees in 
 the Foreground, and pedestrian figures, with a dog on one 
 side, and horse and cart on the other, the figures by Adrian 
 Van de Velde. — Signed in full. From Lord Gwydyr’s Col- 
 lection, where it sold in 1829 for 50 guineas. 
 
 Canvas — 35 in. by 30. Christies , Thos. Norris , November gth , 
 1873. 29 guineas. 
 
 A Small Flemish Landscape, with Water, and a Man 
 in a Red Coat, Shooting. 
 
 Panel — 12 in. by 19. Phillips ' , July 15th , 1862. 61. 
 
 WILLIAM JAMES MULLER. 
 
 Born of German parents at Bristol in 1812, and died there, after 
 much travelling in Germany, Switzerland, Italy, Greece, and 
 Egypt, September 8th, 1845. A distinguished landscape and 
 figure painter. Pupil of J. B. Pyne. He was a constant exhibiter 
 at the Royal Academy from 1833 till his death, with the exception 
 only of the years he was abroad, and his pictures found ready 
 sale. English School. 
 
( 136 ) 
 
 WILLIAM JAMES MULLER — continued. 
 
 View at the Top of Brockley Combe, near Bristol. 
 — Signed in full, W. Muller. 
 
 O 
 
 Panel — 7 in. by 9. Christie's, Rev. C. H. Craufurd s choice 
 Collection , February 2)th, 1864. igl. 19^. 
 
 Temple of Paestum, with surrounding Landscape. — 
 Signed in full, and dated 1842. 
 
 Canvas, glazed — 17 in. by 27. Sotheby's , May 3 rd , 1882. 
 
 12 \ guineas. 
 
 A Bedouin Arab, with a Wand in his Hand. An 
 Egyptian Study. 
 
 Panel — 10 in. by 7. Christie's , J. Anderson Rose , March 23rd, 
 
 1867. 
 
 A View of Grand Architectural Buildings in Greece 
 or Egypt, with boats and numerous figures in the foreground. 
 A large, richly coloured drawing, protected with plate glass. 
 
 Cativas — 22 in. by 30. 
 
 Bought at the sale of the Rev. Theodore Williams’s pictures, 
 sometime about 1850, at Christie’s. 
 
 MUNICH FRESCO, 
 
 Representing Christ Blessing Little Children. A 
 group of numerous figures, illustrating Matthew xix. 13, et seq. 
 Beautifully painted in colours on a gold ground. Framed 
 and glazed. 
 
 14 in. by 27. 
 
 BARTOLOME ESTEBAN MURILLO. 
 
 Born at Seville, January 1st, 1618, died there, April 3rd, 1682. 
 Pupil of Juan del Castillo and Juan Velasquez. His earliest 
 pictures are chiefly illustrations of humble life, his latter works 
 are in a more elevated style, and almost exclusively devoted to 
 scriptural subjects. Spanish School. 
 
( 137 ) 
 
 BARTOLOM^ ESTEBAN MURILLO —continued. 
 
 The Holy Family. The Youthful Saviour standing 
 between the Virgin and Joseph, the Holy Spirit descending 
 upon them. In an elaborately carved frame. 
 
 Canvas — 1 in by 9^. Christie's, Hon. F. Byng , July 1st , 1871. 
 
 1 7/. 17 s. 
 
 *** Supposed to be a highly finished sketch for the famous 
 picture now in the National Gallery. Mentioned by Sir Wm. 
 Stirling as formerly in the possession of some English collector, 
 and he afterwards recognised it at my house. See page 1425 of 
 his Artists of Spam, where this sketch is described. It has since 
 been fully described by Mr. Charles B. Curtis in his new work 
 called Velazquez and Murillo , page 175. 
 
 The Infant Jesus, with a Globe in His Left Hand, and 
 Cherubs Floating Above and Below Him, appearing in a 
 golden flood of glory to Saint Anthony of Padua (“ the shaven 
 brown -frocked saint,” as Sir W. Stirling calls him), who is on 
 his knees, with outstretched arms, gazing with rapture at the 
 dazzling vision. On the table at his side is a death’s head, a 
 book, and some lilies, and on the floor a large open book. 
 
 Canvas — 11 in. by 9. Christie's, Henry Farrar, Jime 1 5 th, 1866. 
 
 *** Sir Wm. Stirling Maxwell, with whom I was on friendly 
 terms, often looked at this picture, and considered it to be a 
 finished sketch for the great picture painted in 1656, for which 
 Murillo received 10,000 reals, and which is still the gem of the 
 cathedral. See Stirling’s Artists of Spain, pages 841-2. 
 
 Saint Francis of Assisi at the Foot of the Crcss 
 embracing Christ, who is Fastened with His Left Hand 
 to the Cross, and places his right hand on the shoulder of the 
 saint, whose right foot rests on a globe ; probably intended to 
 signify that he contemned the world and its snares. Two 
 pretty celestial choristers flitter near the cross on Christ’s left, 
 holding an open music book. This is a sketch for the cele- 
 brated picture in the museum at Seville. Murillo’s pictures 
 are fully described by Sir Wm. Stirling in his Annals of the 
 
 t 
 
( 138 ) 
 
 BARTOLOME ESTEBAN MURILLO —continued. 
 
 Artists of Spain, and at pages 875-6 and 1436 this picture is 
 mentioned. 
 
 *** It is also described by Mr. Charles B. Curtis at page 235. 
 Mr. Cox, picture dealer, of Pall Mall, had a fine gallery picture of 
 this subject (now in the possession of George Salting, Esq.), and 
 offered me a large price for this sketch, I think 80/., which I refused. 
 
 Canvas — 11 in. by 8. Christie's , G. A. Hoskins , June 1 8 th, 1864 
 {formerly from the Collection of King Louis Philippe'). 39 1. i8j. 
 
 Saint Anthony of Padua Kneeling at Prayer, and 
 the Infant Jesus ; a golden flood of glory above them. 
 Highly finished. 
 
 Panel — n in. by 8. Christie' s, Louis Philippe. 
 
 ***. Described by Mr. Charles B. Curtis at page 214 of his 
 
 Velazquez and Murillo. 
 
 Portrait of Murillo in his Youth, with his Palette 
 before him, and a Picture which he appears to have been 
 painting, with a Statuette on a table. In a Spanish carved frame. 
 
 Panel — 12 in. by 8^. 
 
 The Immaculate Conception, or, as it is generally called, 
 The Assumption of the Virgin. A very fine Munich enamel, 
 by Meinelt, of the famous picture in the Museum of the Louvre, 
 which cost at the sale of Marshal Soult’s Collection, upwards 
 of 25,000 guineas. Richly framed. 20 in. by 15. 
 
 *** I bought this of the exhibitors of Munich enamels, at 16, 
 Berner’s Street, Oxford Street, in 1859, who priced it in the catalogue 
 a 135/., but I afterwards got it with others for less. Prince Albert 
 and the Queen admired it very much, but they seemed to think it 
 too dear. I was present at the time. 
 
 HERMAN VAN DER MYN. 
 
 Born at Amsterdam in 1684, died in London in 1741. A painter 
 at first of flowers and fruit, but afterwards of portraits, for which he 
 became so eminent, that he obtained very large prices. The Duke 
 of Chandos gave him 500/. for his life-size portrait, and he painted 
 the Prince of Wales on the same terms. Dutch School. 
 
 Portrait of George Frederick Handel, the great 
 composer. Highly finished. 
 
 Panel — 11 in. by 8^. Christie's , December 1st , 1860, 
 
( J 39 ) 
 
 LOUIS and ANTOINE LE NAIN. 
 
 Supposed to be natives of Laon, in France. Born respectively 
 1583 and 1585, and both died about 1648. Painters chiefly of 
 domestic subjects and assemblages of peasantry, in which they 
 excelled, and are supposed to have worked conjointly on them. 
 French School. 
 
 A Family Party, consisting of Four Female Children 
 assembled round an Old Woman, who is seated with a basin 
 in her lap, and a jug and glass before her held by a youth, 
 who is also seated. Carefully finished. 
 
 Panel — 11 in. by 13. Phillips ' , May 13th, 1862. 13/. 13J. 
 
 This picture had belonged to Bryant, the picture dealer of 
 St. James’s Street, who valued it at 50 guineas. 
 
 PATRICK NASMYTH. 
 
 Born at Edinburgh, January 7th, 1787, died at Lambeth, August 
 17th, 1831. Pupil of his father, Alexander'Nasmyth. A first-class 
 painter of English and Scottish scenery, much in the manner of 
 Ruysdael and Hobbema. He exhibited at the Royal Academy 
 from 1809 to 1830, and at the Society of British Artists from its 
 foundation in 1 824 to the time of his death. E?iglish School. 
 
 A Rich Landscape at Abbotsford, showing a river and 
 bridge, with figures and shee'p in the foreground. — Signed, 
 P. Nasmyth. 
 
 Panel — 10 in. by 13^. Christie's, W. Curling , March 16th, 1866. 
 
 24/. 13J. 6d. 
 
 A Cottage, Trees, and a Traveller, in a highly finished 
 landscape. — Signed, P. Nasmyth. 
 
 Panel — 9J in. by 13L Puttick Sr 3 Simpson , May 10th, 1869. 
 
 21/. 5-y. 
 
 An Early Landscape, with a Castellated Mansion in 
 the Distance, and Cattle in the Foreground. — Signed. 
 
 Canvas — 6\ in. by 9. 
 
( ! 4 ° ) 
 
 PATRICK NASMYTH — continued. 
 
 A Woody Landscape, with a Cottage on the Banks 
 of a River, in the manner of Hobbema. 
 
 Panel — io in. by 13. 
 
 A Green Woody Landscape, with Cottages between 
 the Trees ; a windmill in the distance, two cottagers in front, 
 and a peasant crossing a stile. 
 
 Panel — 8 in. by 11. Christie's , February 1 Zth. 
 
 A Landscape, with a Cottage alongside a Lake in 
 which a Peasant is Angling ; trees in the background and 
 geese in the water. 
 
 Canvas — 13 in. by 17. Pu flick Simpson, May 10 th, 1869. 
 
 A Small Woody Landscape, with a Cottage, Windmill, 
 and Two Peasants in the Distance. 
 
 Panel — 3^ in. by 4L 
 
 A Small Woody Landscape, with Two Cottages in the 
 Centre, Three Figures of Peasants, a flight of birds, and 
 sheep in the extreme distance. 
 
 Panel — 8 in by 12. 
 
 *** Bought privately from a widow lady, who said her husband 
 had it direct from the artist. 
 
 A Green Landscape, with a Cottage in the Centre, a 
 turnstile, and a male and female angler in front, and several 
 small figures in the distance. — Signed, P. Nasmyth, 1807. 
 
 Canvas — 14 in. by 17. From Owen Cambt'idge 1 s Collection , sold 
 by Cain , of Richmond, about 1852. 25 guineas. 
 
 A Woody Landscape, with a Home Stall for Cattle 
 and a cottage in the distance ; water in the foreground, with a 
 youth angling. — Signed, P. N. 
 
 Panel — 6 in. by 10. Bought privately at Lambeth in i860. 
 
( X 4 T ) 
 
 MARY NASMYTH. 
 
 Sister of Patrick, and pupil of her father Alexander Nasmyth. 
 A painter of landscape scenery. English School. 
 
 A Landscape at Dolbadarn in North Wales, showing 
 mountains, a cottage, cattle, and figures. A pleasing and 
 clever picture. — Distinctly signed, M. Nasmyth, 1854. 
 
 Canvas — n| in. by 15^. Chancellor , December 12 th, 1862. SI. Ss. 
 
 PETER NEEFS. 
 
 Born at Antwerp in 1570, died in 1651. Pupil of Henry Steen- 
 wyck the elder. An eminent architectural painter, especially of 
 churches and cathedrals, in whose pictures the figures are generally 
 contributed by Old Francks, the elder Teniers, John Breughel, and 
 others. Flemish School. 
 
 Interior of a Church, with Numerous Figures near 
 the Altar and in the foreground, the most prominent of 
 which are two smartly dressed females. 
 
 Panel — 11 in. by 11. Phillips ' , December yth f 1871. 12 guineas. 
 
 An Interior of a Church, with Several Figures in 
 the Foreground. An exquisitely finished specimen. Signed, 
 and dated 1653. 
 
 Copper , oval — 64 in. by 5. Christie' s, June 30th, 1877. 9 1 . 19^. 6d. 
 
 Interior of a Cathedral, with Figures in the Fore- 
 ground. 
 
 Panel — 13 in. by 16. Christie's , May 12 th, 1866. 13/. $s. 
 
 Interior of a Cathedral, with Numerous Figures in 
 the Foreground. Highly finished. 
 
 Panel — 7 in. by 9. 
 
 The Interior of Antwerp Cathedral, showing the 
 celebrated Rubens picture over the altar, and other paintings 
 and decorations, with a procession of nuns and numerous 
 figures in the foreground. Dated, Anno 1613. The figures by 
 Old Francks. A remarkably fine Gallery picture. 
 
 Panel — 27 in. by 41. 
 
 / 
 
( 142 ) 
 
 ARNOLD VAN DER NEER. 
 
 Born at Amsterdam about 1613 or 1619, died, it is supposed, 
 about 1683. The exact date is not known, and according to some 
 he was still living in 1691. Among the old masters Arnold Van der 
 Neer was, according to Bryan and Segm'er, the prince of moonlight 
 painters, and is always spoken of as a wonderful sky painter. 
 Dutch School. 
 
 A Dutch River Scene by Moonlight, with Shipping in 
 the Distance and a figure with a red cap in the foreground. 
 — Signed. 
 
 Panel — 9 in. by 12\. Christie's , R. Baxter, Jan. 1881. 50 guineas. 
 
 EGLON VAN DER NEER. 
 
 Born at Amsterdam in 1643, died in 1703. Pupil of his father, 
 Arnold Van der Neer, and afterwards of Jacob Vanloo. His 
 pictures are justly held in great estimation ; they are very highly 
 finished, well coloured, and touched with great delicacy, and, ac- 
 cording to Stanley, are very rare. Dutch School. 
 
 Portrait of a Lady in a Blue Corset, her Hand resting 
 on a Crystal Globe in which are represented Subjects 
 from the Life of Christ, an Angel tending behind it. With 
 a picturesque background. Esteemed the chef-tT ceuvi'e of the 
 artist. A very fine specimen. — Signed, and dated 1693, from 
 the Contarini Collection, described in Smith’s. Catalogue 
 Raisonne , Vol. IV. page 177. 
 
 Panel , with glass front — 10 in. by 8. Christie's , Charles Plumley , 
 December 10th, 1868. 81/. 1 S-v. 
 
 GASPAR NETSCHER. 
 
 Born at Heidelberg in 1639, died at the Hague in 1684. This 
 eminent painter was a scholar of the famous Terburg, and worthy 
 of his name. Though his works are highly finished there is nothing 
 tame or feeble about them. 
 
 A Pair of Portraits of Moors, one of them with an 
 umbrella in his hand. From Sir Joshua Reynolds’ collection. 
 Apparently portraits of Omar, of whom Sir Joshua made a 
 sketch, which sold in 1826 for 31 guineas. 
 
 Ovals on panel— 9 in. by 6|. Christie's , K. B. Osborn , Feb. 1853. 
 
( U3 ) 
 
 CASPAR NETSCHER — continued . 
 
 A Portrait of Antoine Coypel, the celebrated painter, in 
 a crimson velvet dress, with a pencil in his right hand, a 
 painting under his left. 
 
 Panel — in. by ”j\. 
 
 A Young Girl, Richly Dressed, Nursing a Spaniel of 
 King Charles’ Breed. — Signed in full. 
 
 Canvas — uj in. by io. Christie's , Norton Hall Collection , 
 February 26th, 1880. 52/. ioj\ 
 
 AEGIDIUS NEYTS. 
 
 No particulars of his birth or death are on record, but he is 
 supposed to have been born in Holland, and according to Nagler 
 and Stanley he flourished between 1650 and 1690. One of the 
 present pictures is dated 1681, and there are two likewise dated 
 1681 in the Dresden Gallery. Nagler calls him a rare master. 
 
 A View on the Rhine, showing Two Castles on the 
 Side of a Mountain, and a multitude of figures, including 
 horsemen. Highly finished. 
 
 Copper — 12 in. by 15. 
 
 Musicians, etc., apparently on a Gala Day. Highly 
 finished. — Signed in full, Aegidius Neyts, and dated 1681. 
 
 Christie's , A. C. Billings , March 23rd, 1863. 
 
 JOSEPH FRANCIS NOLLEKENS. 
 
 Born at Antwerp, June 10th, 1702, came to London in May, 
 1733, and died there January 21st, 1748. He studied under Peter 
 Tillemans, and painted landscape, figure, and conversation subjects, 
 particularly children, often after the models of Watteau, but not as 
 imitations of that master. At the Wanstead House sale in 1822, 
 one of his pictures, a Conversazione, fetched 127/. English 
 School. 
 
 A Garden Festival on the Banks of the Thames, with 
 numerous figures, especially of ladies, painted in the manner 
 of Watteau. 
 
 Copper — 20 in. by 26. Christie's , December 7 th, 1878. 16/. i6j\ 
 
( 144 ) 
 
 JAMES A. O’CONNOR. 
 
 Born in Dublin, 1793, died at Brompton, January 7th, 1841. 
 “ His landscapes are boldly painted, show a fine eye and great 
 feeling, and are good in tone. He displayed a peculiar richness of 
 impasto, particularly the foliage, and is spoken of by Count Rac- 
 zynski in juxtaposition with Lee, Stanfield, and Callcott ; and 
 Seguier says, “ Many of his woody landscapes class very well with 
 the works of P. Nasmyth and his sisters, and his carefully finished 
 pictures are now in considerable request with collectors.” He was 
 a frequent exhibitor at the Royal Academy, and at Suffolk Street. 
 English School. 
 
 A View on the Dargle, County of Wicklow. A green 
 woody landscape, with water in the centre and three figures in 
 the foreground, one an angler with his rod, the others a female 
 and child. — Signed in full, J. A. O’Connor, 1827. 
 
 Panel — 14^ in. by 15. Bought privately. 40/. 
 
 Landscape of Green Trees near a Lake, with peasants 
 and cattle in the foreground. 
 
 Panel — 12 in. by 16. Bought of Mr. Eyre. 20/. 
 
 ISAAC OLIVER. 
 
 Born in 1556, died at his house in Blackfriars 1617, aged 61. 
 Pupil of Nicholas Hilliard and Federigo Zucchero. A celebrated 
 miniature and portrait painter, whose memory is entitled to a 
 distinguished place in the annals of art. English School. 
 
 Portrait, supposed to be of Christopher Marlowe, 
 the great English dramatist, born in 1564, the same year as 
 Shakespeare, and contemporary with him till 1593, the time of 
 his death. No authenticated portrait of Marlowe is known, 
 but Oliver painted many of the principal portraits of the 
 period, i.e. Elizabeth, Mary Queen of Scots, Henry Prince 
 of Wales, Ben Jon son, Sir Philip Sidney, Sir Thomas Lucy, 
 &c. 
 
 Canvas , transferred from panel, oval — 12 in. by 10. From the 
 sale of Lady Morgan’s effects , July 21st, 1859. 
 
 *** Oliver’s miniature portraits are reserved for the special 
 catalogue of Miniatures and Enamels. 
 
( 145 ) 
 
 BALTHASAR PAUL OMMEGANCK. 
 
 Born at Antwerp in 1755, died there 1826. u A distinguished 
 painter of landscapes with sheep and other animals, which he 
 painted to perfection. During his life his works were in such 
 request that only the rich could obtain them, and though he was 
 liberally paid, his pictures are now of threefold value when found 
 in commerce.” — Stanley' 's Bryan. Flemish School. 
 
 / 
 
 A Landscape, with a Shepherd or Peasant Attending 
 a Flock of Sheep. Beautiful sunny effect. — Signed in 
 full. 
 
 Panel — 18 in. by 24. Christie "s, Kean Brown Osborne' s sale , 
 February 18th, 1853. 17/. 
 
 HENRY O’NEILL, R. A. 
 
 Born at St. Petersburg in 1817, brought over to England in 
 1822, and in 1837 became a student at the Royal Academy, 
 exhibited his first picture there in 1839, and in 1849 produced one 
 of his most important pictures “ The Last Moments of Mozart.” 
 He died March 13th, 1880. English School. 
 
 The Last Moments of Mozart, who, reclining on his bed, 
 is supported by two female attendants, and is surrounded by 
 musical friends, who are performing his sublime Requiem. 
 
 Canvas — 12 in. by 16. Bought 1856, I believe at Christie' s. 
 
 G. B. O, O’NEILL. 
 
 I believe son of Henry, and living, but I can find no account of 
 him. 
 
 No Trust. A landscape, in which a farmer and his wife 
 driving a market-cart are stopped at a turnpike for payment of 
 the toll. 
 
 Copper — 6i in. by 8. 
 
 U 
 
( M6 ) 
 
 ANDREA ORCAGNA, called DI CIONE. 
 
 Born at Florence in or before 1329, died, according to Stanley , 
 in 1375, but according to others, in 1389. A first class painter 
 and one of the most distinguished of the immediate successors 
 of Giotto, and, according to Lord Lindsay, a painter of consummate 
 excellence. His conceptions are grand, the contours of his figures 
 very elegant, and the dresses and accessories finished in an 
 elaborate and curious manner. Florentme School. 
 
 The Triumph of Love, in Illustration of Petrarch, 
 with Numerous Figures, the female portrait in centre very 
 much like the accepted portrait of Laura. The arms of 
 the Strozzi family, patrons of Orcagna, are elaborately painted 
 on the back. An extremely interesting picture in the original 
 Italian frame. 
 
 Panel, octag 07 ial — 24 in. by 24. 
 
 *** Orcagna painted the Triumph of Death, Triumph of 
 the Resurrection and Judgment, and the Triumph of Hell, 
 in the Campo Santo of Pisa. See Lord Lindsay, vol. iii., 
 127 et seq. 
 
 JOHN FRANCIS VAN BLOEMEN, called ORIZONTI. 
 
 Born at Antwerp in 1656, died in 1740. The pictures of this 
 eminent painter bear no resemblance to the taste of his country, 
 which may be accounted for by his having visited Italy when very 
 young, where he passed the remainder of his life. 
 
 A Richly Wooded Landscape, with Classical Figures 
 in the Foreground, and a dog. 
 
 Canvas — Gallery size , 2 ft. 3 in. by 3 ft. 
 
 BERNARD VAN ORLEY, called BERNARD of BRUSSELS. 
 
 Born, according to Bryan, at Brussels about the year 1490, and 
 died in 1560, which are the probable dates, but Michiels and others 
 give 1471 as the date of his birth and 1541 or 1587 as that of 
 
( J 47 ) 
 
 BERNARD VAN ORLEY — continued, 
 
 his death. He entered the school of Raphael and studied for some 
 time under that distinguished master, and is supposed to have 
 worked on his cartoons. His design and the air of his heads bear 
 resemblance to the early works of Raphael, and the pictures are 
 very highly finished. 
 
 Virgin, Child, and St. Joseph, with a Cut Lemon on a 
 Marble Slab at their Feet. The Virgin, who is standing 
 within an architectural portico, is nursing the Child at her open 
 breast. On gold ground. 
 
 Panel — u in. by 8. Christie's , Sir William H. Fielding , Bt., 
 March 3rd, 1877. 2 SI. js. 
 
 Portrait of Margaret of York, Duchess of Burgundy, 
 Patroness of Caxton the Printer, richly attired in brocade, 
 with a pearl head-dress and holding an ornamental drinking-cup 
 in her right hand ; a landscape seen in the distance. I11 a 
 beautifully carved frame by Rogers. 
 
 Panel — 1 1 in. by 8^. 
 
 ADRIAN VAN OSTADE. 
 
 Born at Haarlem in 1610, died at Amsterdam in 1685. Pupil of 
 Frank Hals. One of the greatest of the Dutch painters of domestic 
 figure subjects with occasional accessories of foliage. Dutch School. 
 
 Musical Party, consisting of an Old Man Playing the 
 Violin, with another Playing the Flute, and an old 
 woman between them reading the music. A circular picture. 
 Panel — 9 in. by 9. Christie's, White's collection, April 3th, 1872. 
 
 The Village School. A Composition of Numerous 
 Figures. 
 
 Panel — 14 in. by 13. Phillips' , April 2 8th, 1863. 81 . i8l 6d. 
 
 The Interior of a Dutch Cabaret, with Two Muske- 
 teers on the Floor Playing Cards, two others looking on, 
 and another at the door. Painted much in the manner of Jan 
 Steen. 
 
 Panel — 9 in. by 1 1. 
 
( 148 ) 
 
 ISAAC OUWATER. 
 
 Born at Amsterdam in 1747, died there in 1793. An esteemed 
 painter of pleasing and picturesque views in Haarlem, Utrecht, and 
 Amsterdam, somewhat in the manner of Van der Heyden. Dutch 
 School. 
 
 A View on the Road from Haarlem to Amsterdam, 
 showing the buildings on the banks of the canal, and the 
 treckschuyts, boats, & c. — Signed in full, and dated 1778. 
 
 Canvas — 13 in. by 16L Phillips * , Lord Willoughby de Eresby, 
 June 24 th f 1869. 37/. 
 
 A View of Rotterdam, with the Lighthouse, Canal, 
 Boats, and Peasants. — Signed in full, and dated 1777. 
 
 Canvas — 15 in. by 18. Foster s, January 31st, 1877. 10/. 10s. 
 
 View of a Dutch Town and Canal (probably Amster- 
 dam), with peasants in the foreground variously occupied, one 
 of them pumping, and a boatman ; said to have been painted 
 in 1777. 
 
 Canvas — 16 in. by 18. 
 
 ANTHONY STAEWERTS, or STEVERS, called 
 PALAMEDES. 
 
 Born at Delft in 1604, died there in 1680 in his 76th year. 
 According to Nagler , an important painter of interiors with soldiery, 
 musical conversations, &c., much in the manner of Le Due, from 
 whom it is not easy to distinguish his compositions. Dutch 
 School. 
 
 The Fortune Teller. A Group of Six Figures, Richly 
 Coloured and Fine. 
 
 Copper — 7 in. by 9. Phillips', July 15th, 1862. 8 guineas. 
 
 The Interior of an Auberge, with Four Full-Dressed 
 Cavaliers, with Spurs and Swords and Tobacco Pipes, 
 Playing at Cards, the host at the back of them. A fine 
 specimen of the master. 
 
 Canvas — 12^ in. by 15L Bought in Brighton. November 12th, 1879. 
 
 23 /• 
 
( r 49 ) 
 
 GIOVANNI PAOLO PANNINI. 
 
 Born at Piacenza in 1691, died, according to some, in 1758, but 
 more probably in 1764. A distinguished painter of architectural 
 subjects and vestiges of antiquity. Roman School. 
 
 Roman Ruins, Columns, and Figures, with shipping in 
 the distance ; a small circular picture. 
 
 Panel— in. 
 
 WILLIAM PASS, or DE PASSE. 
 
 Eldest son of Crispin de Passe. Born at Utrecht between 1572 
 and 1580, some say about 1590, died in England, it is supposed, 
 about 1660. A first class miniaturist and portrait painter. Pupil of 
 his father. 
 
 James I. and his Family, including Henry Prince of 
 Wales and his Family, in all Fifteen Portraits with names 
 inscribed on tablets held aloft by winged cherubs. The children 
 who have died are represented as holding skulls. A miniature 
 painting on vellum, of high quality, the engraving from which 
 is so rare that it sold at Mr. Anderson Rose’s sale, July 1876, 
 for SI. $s. 
 
 Vellum, glazed front — 7 in. by 10. Christie's , December 1 ith, 1875. 
 
 JOACHIM PATENIER. 
 
 Born at Dinant, near Liege, in 1490, died about 1548. A painter 
 much admired by Albert Diirer, who became acquainted with him 
 at Antwerp, and continued on friendly terms with him. 
 
 The Virgin Nursing the Child, with an Angel above 
 about to Crown her with a Wreath of Roses. Ascribed 
 to Patenier, but may be by Van der Goes. See Lord Lindsay , 
 Waagen, and Nagler. 
 
 Panel , arched top — 10 in. by 7J. 
 
( = 5 ° ) 
 
 PANTOJA DE LA CRUZ. 
 
 Born at Madrid in 1551, died there in 1610. Pupil of Alonzo 
 Sanchez Coello. Eminent as a portrait painter. Spanish School. 
 
 Portrait of Isabella Clara Eugenia, in Richly 
 Jewelled Dress with Lace Collar. She was daughter of 
 Philip II., King of Spain, and grand-daughter of Charles V., 
 born 1566, married to Albert, Archduke of Austria, 1598, and 
 became Sovereign of the Netherlands, and governed alone 
 after the death of Albert in 1609. She died 1638. Engraved 
 as a frontispiece to Mr. Palliser’s work on Lace. 
 
 Canvas— 27 in. by 21. Christie's, November 25^/2, 1871. 8/ 
 
 JEAN BAPTISTE PATER. 
 
 Born at Valenciennes in 1696, died in Paris 1736. He went early 
 to Paris, where he became a scholar of Anthony Watteau, and 
 painted similar subjects, representing battles, gallant assemblies, 
 fetes champetres, and pastorals. Seguier says, u When we see the 
 best works of this painter we are hardly disposed to feel that the 
 question of Watteau’s superiority is decided beyond dispute. Any- 
 how, we are quite prepared to admit that many may prefer the 
 pictures of Pater because they are so extremely taking and pretty. 
 But in speaking of Pater’s pictures it is desirable to remember 
 that they are scarce and we do not feel surprised that so little is 
 known of them.” French School. 
 
 A Fete Champetre, with Numerous Figures. Highly 
 finished. 
 
 Canvas — 24 in. by 19. Christie's , John Bowman , January 2 8th y 
 1876. 77/. 145-. 
 
 Le Repas Champetre or Retour de Chasse. Numerous 
 full-dressed figures, some seated on the greensward with a 
 repast spread before them on a white cloth. 
 
 Panel — 7\ in. by 10. Phillips ' , November 2 1st, 1865. 23/. 
 
( I 5 I ) 
 
 JEAN BAPTISTE PATER — continued. 
 
 A Garden Scene, with Female Figures Bathing. A 
 Man Looking on, and a Pair of Lovers in the Rear. 
 
 Canvas — 12 in. by 17. Robinson , Sons, Fisher , 1878. 25/. 
 
 A Garden Scene of Amatory Character, as seen in the 
 two prominent persons, while others are seated round a 
 refreshment table, or looking on. In all, ten figures. Dated 
 on the frame 1720. See Lancret, page 104, for a companion 
 picture of same size and dated on the frame 1736. 
 
 Panel — 8 in. by 10. 
 
 A Lady at her Toilette. 
 
 Copper. Christie's , July 3rd, 1869. 12/. 5 s. 
 
 A Garden Scene, with Ladies and Gentlemen Gather- 
 ing Flowers. 
 
 Christie's, Matthew Anderson, June 7th, 1861. gl.gs. 
 
 The Repast. 
 
 Phillips', Lord Willoughby de Eresby, June 24 th, 1869. 12/. 12 s. 
 
 A Garden Scene, with Four Figures, one a Beautiful 
 Female in the Centre, with Hat and Feathers, the 
 others a Group of Three on her Right Hand. 
 
 Canvas — 16 in. by 19J. Christie' s, Lord Beaconsjield (one oj the 
 best oj his pictures'), July 13th, 1881. 24 guineas. 
 
 A Landscape, in which a Cavalier is Lifting a Lady 
 from off the Ground, apparently an Elopement, a large 
 tree behind them and buildings in the distance. 
 
 Canvas — 165 in. by 13. Christie's, December 7th, 1878. From the 
 Wynn Ellis collection. 
 
 A Woody Landscape, with a Cavalier and Lady in the 
 Foreground, and water and rocks in the distance. 
 
 Canvas — 18 in. by 30, 
 
( r 5 2 ) 
 
 JEAN BAPTISTE PATER — continued. 
 
 A Pair of Garden Scenes, with Numerous Figures, 
 richly coloured, being apparently the pictures which are en- 
 graved in the Choiseul Gallery, plates 1 14 and 115, the first 
 of which, a proof impression, is on the back of the picture. 
 
 Panel — 6\ in. by 9. 
 
 PIETRO VANNUCCI, commonly called PERUGINO. 
 
 Born at Cittk della Pieve about 1446, died in 1524 at the advanced 
 age of 78. He was one of the principal quatre-cento masters and 
 his scholars were numerous, including Raphael, who was placed 
 with him when only twelve years of age. Tuscan School. 
 
 The Virgin and Child. A Small Circular Picture. 
 
 Phillips ' , the Hon. Mrs. Grieve , March 24th, 1862. 
 
 The Madonna and Child Enthroned, with Saints, Six 
 Figures in all. Finely executed in colours. Probably a 
 copy of the picture at the Pinacoteca at Bologna, or the 
 Berlin Museum. Richly coloured. 
 
 Cardboard , circular — 15 in. 
 
 SEBASTIAN PETHER. 
 
 Born in 1790, died in 1844 at the age of 54. <c A painter of 
 moonlights, conflagrations, and sunsets, which exhibit fine feeling 
 and judgment in the selection and harmony of the colouring. His 
 pictures are not numerous, but by means of dealers they have 
 been very much copied. His real works are well worth having.” — 
 Stanleys Bryan. English School. 
 
 A River Scene by Moonlight, with a Round Tower 
 surmounted by a flag, a cottage showing fire through a small 
 window, trees, and figures. — Signed, S. Pether.. 
 
 Panel — 10 in. by 13. Christie's , T. Norris , May ()th, 1873. 
 
 12/. 12 s. 
 
 The Companion Picture : A River Scene by Moonlight, 
 with Figures, trees, mountains, and men caulking a boat. 
 
 Panel — 10 in. by 13. Christie's , Thos. Norris , May 9 th, 18 73. 
 
 1 °2 guineas. 
 
( T 53 ) 
 
 JEAN PETITOT. 
 
 Born at Geneva in 1607, died at Vevay, in the Canton of Berne, 
 in 1691. A distinguished miniaturist and enamellist of the French 
 School. 
 
 A Portrait of Madame la Comtesse de Feuquieres, 
 1673, with an inscription on the back, probably in the hand- 
 writing of the artist. In a richly gilt frame with the armorial 
 bearings of the lady, 
 
 An ovcu — 44 in. by 34. 
 
 *** For other miniatures of Petitot, see the separate Catalogue 
 of Miniatures and Enamels. 
 
 JEAN PILLEMENT. 
 
 Born, according to Siret , at Lyons in 1728, and died there, after 
 a long residence in London, about 1808 or later, as one writer 
 states that he attained the age of ninety. Chiefly celebrated for 
 drawings of landscapes. French School. 
 
 A Pair of Landscapes, with Figures. Richly coloured 
 drawings, framed and glazed. 
 
 9! in. by 12. Christie’s, April 6th, 1852. 
 
 FRA SEBASTIANO DEL PIOMBO, 
 
 Born at Venice in 1485, died at Rome in 1547. Pupil of Giovanni 
 Bellini and of Giorgione. A friend and fellow-workman with 
 Michael Angelo. “ One of the grandest and most powerful painters 
 of the period. His portraits are boldly designed and full of 
 character ; the heads and hands are admirably drawn, with an 
 exquisite tone of colouring, and extraordinary relief.” Venetian 
 School. 
 
 Portrait of the Virgin, with her Hands Clasped in 
 Prayer. Exquisitely painted, and in a very rich and 
 elaborately-carved frame, glazed. 
 
 Canvas — 20 in. by 16. Christie’s, April 2nd, i860, sale of the 
 pictures of the Rev. Theodore Williams ( who married Miss Master- 
 man, the rich banker's daughter ), and I happen to know that he 
 gave a very large sum for this picture. 
 
 X 
 
( r 54 ) 
 
 VITTORE PISANO, or PISANELLO. 
 
 He flourished in the first half of the fifteenth century, as 
 pictures and medals by him are quoted as bearing the dates 1406, 
 1420, and 1488. Vasari says he died at a great age. 
 
 San Quirico and his Sister before Domitian. Ten figures 
 in rich costumes. Highly finished. 
 
 Panel — n in. by 15. 
 
 JOHN GEORGE PLATZER. 
 
 Born at Epan, in Tyrol, in 1702, and died about 1760. His 
 pictures, which are generally in glowing colours, high finish like 
 enamels, with numerous figures, possess considerable merit. 
 
 Abraham Entertaining the Angels, with a landscape 
 background. An important and exquisitely finished example. 
 
 Copper — 14 J in. by 19. Christie's , Matthew Anderson , June 7th, 
 1861. 19/. 19.?. 
 
 CORNELIUS POELEMBURG. 
 
 Born at Utrecht in 1586, and after spending much time in Rome 
 and Florence and several years in England by the invitation of 
 Charles I. in 1637, he returned to Utrecht and died there in 1660. 
 “ Poelemburg excelled in painting small, nude figures chiefly of 
 nymphs and cupids, the treatment of which is delicate and un- 
 affected, and they are finished so highly in fine enamel surfaces 
 as to have the appearance of Sevres work.” He occasionally 
 painted figures in the landscapes of Claude and Both . — Dutch 
 School. 
 
 The Adoration of the Magi. A Composition of 
 Numerous Figures before Ruins. A charming example 
 of the highest quality. From the collection of M. C. Wyatt, 
 Esq. 
 
 Panel — 16 in. by 12. Christie’s , April 17th, 1861. 36 1 . 15L 
 
( *55 ) 
 
 CORNELIUS POELEM5U RG — continued, 
 
 A Sacrifice to Antinous, with Numerous Figures, 
 chiefly Females and Children, and Two Cherubs aloft 
 carrying Incense. 
 
 Canvas — 15 \in. by 21. Christie's , 'John Winstanley , Esq., May 
 
 qth, 1865. 13 1. 13^. 
 
 A Full Length Portrait of Madame de Montpensier 
 
 in the costume of Diana, with a staff in her hand. 
 
 Copper — iott in. by q\. 
 
 A Female Saint at Prayer in a Garden, with the 
 Bible before her, looking up at a Vision of Winged 
 Cherubs who are exhibiting the Holy Cross to her. The fore- 
 ground is richly foliaged by Kierings, who was in the habit 
 of working with Poelemburg. 
 
 Panel — 13 in. by 17. 
 
 The Island of Calypso, with Five Figures in the 
 Front of a Castellated Building. 
 
 Copper — 7 in. by 8^. 
 
( *56 ; 
 
 PORTRAITS 
 
 *** It is difficult to draw a line between Portraits as described, 
 hereafter, and Miniatures, of which I have nearly a thousand ; 
 but those which occur here are hung among the pictures instead 
 of being in the miniature cases, and I have found it convenient to 
 describe them according to their places in the rooms without any 
 attempt to arrange them chronologically. I intend, if I live, to 
 make a special catalogue of them. 
 
 Portrait of a Saint, with a Crown surmounted by a 
 Fleur-de-Lis Ornament, an ermine cope, and robed in 
 purple covered with fleurs-de-lis, bearing a staff in each hand 
 tipped with fleurs-de-lis. Probably intended for Saint Louis IX. 
 Richly framed. 
 
 Copper — 8 in. by 6J. 
 
 An Ancient Portrait of St. Gregory the Great, in 
 Ecclesiastical Costume, with a tall double-barred cross and 
 book in his left hand and a pen in his right. An early inscrip- 
 tion on the back of the picture. 
 
 Copper — 7 1 in. by sb 
 
 A Large Ancient Portrait, apparently of a Dutch 
 Clergyman, dressed in black with a fluted ruff round his 
 neck, and two books before him, one of them marked with 
 chapters and verses. His armorial bearings, which are con- 
 spicuously displayed, are quarterings of hearts and fleurs-de-lis. 
 This picture is somewhat damaged by time and neglect. 
 
 Panel — 28 in. by 23. 
 
 Portrait of Queen Anne Boleyn, second wife of Henry 
 VIII., dressed in black, with a pearl necklace from which a 
 large B is suspended. Inscribed on the top margin, “ Anna. 
 Regina. Uxor 2. H. 8.” 
 
 Panel — 22 in. by 16 b 
 
 Portrait of Philippa of Hainault, Queen of Edward 
 III. and mother of John of Gaunt, who brought weaving into 
 Coventry. She is richly attired in highly ornamental brocade, 
 the sleeves trimmed with pearl gauntlets, etc. 
 
 Panel— 26 in. by 17. 
 
( i57 ) 
 
 PORT RAITS — continued. 
 
 Portraits of Anthony Viscount and Lady Montagu, 
 who are said to have resided at Twickenham. The costume 
 is apparently of the time of Elizabeth or James I. In 
 elaborately carved ebony frames. 
 
 Panel — 6J- in. by 
 
 Portrait of John Lord Jeffreys of Wem. Painted on 
 ivory, in a box frame with lock and key. 
 
 5 in. by 4. 
 
 An ancient inscription on the back says, ‘‘John Jeffreys, 
 Baron Jeffreys of Wem, in the county of Salop, born in 1674, 
 married the Lady Charlotte Herbert, daughter and heiress of 
 Philip Herbert, Earl of Pembroke, etc., in 1688, and died in 1702, 
 leaving one daughter, Henrietta Louisa, who was married in 1720, 
 to Thomas Farmer, Baron of Lempster, who became Earl of 
 Pomfret in 1721.” 
 
 Portrait of a Nobleman in Armour. 
 
 Copper — in. by 5. 
 
 Portrait of Lady Arabella Stuart in a Richly 
 Brocaded and Jewelled Dress, with rings on her fingers, 
 which are shown prominently in front of her waist. Ex- 
 quisitely finished. Painted probably by Van Somer. 
 
 Panel — 21 in. by 15! Bought June 25, No. 104, at Christie* s, date 
 of year and cost forgotten. 
 
 Portrait of Louis XIV. in Armour, half-length. An 
 oval surrounded by floral decorations. With a similar engraving 
 of him at back of the pictur'e. 
 
 Panel — 1 1 in. by 8h. 
 
 Portrait of Louis XIV. in Sporting Costume, with a 
 gun on his shoulder and a spaniel dog before him, when 
 Louis was in his twenty-sixth year. — Signed, and dated 1665 ; 
 the name of the painter is indistinct, but apparently Ary de 
 Voys, who was born at Leyden in 1641, and died, it is supposed, 
 in 1698. His portraits and hunting subjects, according to 
 Nagler , are highly valued and rare, selling at from 400 to 
 1,200 florins. I believe an engraved picture. 
 
 Panel — 18 in by 14. December 3rd, 1870. 20 guineas. 
 
158 ) 
 
 PORTRAITS — continued. 
 
 Portrait of Victoria de Rovere, Grand Duchess of 
 Tuscany, with a sword in her right hand and a palm branch 
 in her left, round which is an inscription indicating her name. 
 Painted by Mario Balassi, a famous painter of the period, who 
 was born 1604, and died 1670. 
 
 Copper— 64 in. by si- 
 
 n** The Cardinal della Rovere was the patron of the great 
 painter Baroccio, who was born 1528, and died 1612. 
 
 The Companion Picture, a Portrait of Jean de Medicis 
 in a black dress with a lace ruff, and a sword or dagger in 
 each hand. 
 
 Copper — 64 in. by 54. 
 
 The above pictures are described by Baldinucci in his Life oj 
 Mario Balassi , Vol. xii. p. 190. 
 
 Portrait of a Female Beauty, Richly Dressed, De- 
 corating a Lamb with Flowers, and holding up a forked 
 staff. Highly finished and probably painted by Gaspar Netcher. 
 
 Copper — 7 in. by 6. 
 
 Portrait of Henry, Prince of Wales, eldest Son of 
 James I., who died November 6th, 1612, in his nineteenth 
 year, and is supposed to have joined in the Shakespearian 
 Revels. Painted probably by My tens about 1610. 
 
 Panel — 74 in. by 6. 
 
 Portrait of Pirrus Baleonius Romanus, Scipriani 
 Comes sub Maximiliano Imperatore Dux, in Carignani Ob- 
 sidione strenuus Defensor, etc. 
 
 Panel — 6 in. by 5. 
 
 A long inscription relating to this heroic Count on the back of 
 the picture gives fuller particulars and refers to Pauli Jovii Elogia, 
 lib. vi. et Historia, lib. 44, 45. 
 
( 159 ) 
 
 PORTRAITS — continued. 
 
 Portrait of Mrs. Mary Delany, with a book in her hand, 
 born 1700, died 1788. Artist and scholar. A highly finished 
 miniature on ivory. 
 
 4 in. by 3. 
 
 Portraits of Erasmus and John Calvin, with books in 
 their hands, and inscriptions at foot. A pair of highly finished 
 miniatures. 
 
 Panel — '5 in. by 4. 
 
 Portrait of Fitzallan, Earl of Arundel. By Janet. 
 
 Christie’s, J ohn Webb , March 20th, 1869. 1 3^ guineas. 
 
 Portrait of Isabella, Sister of Francis I. By Janet. 
 
 Christie's, John Webb, March 20 th, 1869. 21 guineas. 
 
 See note respecting these portraits by Janet at page 96. 
 
 Portrait of Richard III., with the Collar of the 
 Golden Fleece, and other decorations, and three rings on 
 the fingers of his right hand, while with his left hand he is 
 sliding a ring up and down the little finger of his right hand. 
 Panel — 22 in. by 17. Christie's, December 7th, 1878. 9 1 . 19s. 6d. 
 
 “ This no doubt is an authentic picture, and of the same 
 character as those described in the Athenceum. Richard is with 
 his left hand sliding a ring up and down the little finger of his right 
 hand, an expressive action which was undoubtedly true to life. 
 Why Lodge did not include him in his portrait gallery is remark- 
 able.” — See Athenceum , August 19th, 1882. 
 
 Portrait of Sir Henry Spelman, with a ruff and point 
 nightcap, who was born in 1562 and died 1641, the original 
 painting ascribed to Vandyck, from which the fine and rare 
 engraving by Faithone was made. 
 
 Canvas— 27 in. by 20. 
 
 This interesting portrait had been for many years in the Herald’s 
 College, in the office of Sir Charles Young, Lancaster Herald, 
 where I became familiar with it. After the death of Sir Charles I 
 bought it at the sale of his effects, October 30th, 1869, and was 
 next day offered 25/. for it. 
 
( i6o ) 
 
 PORTRAIT S— continued. 
 
 Portrait of Lady Walpole, Wife of Horace Walpole, 
 Earl of Orford, in a light blue silk dress and a crimson 
 velvet mantle. 
 
 Ca?ivas — 29 in. by 24. Sotheby’s, December i$th, 1881. 7/. 5.9. 
 
 Portrait of Dr. Franz Joseph Gall, the Phrenologist, 
 born near Wiirtemberg in 1758, died at Paris 1828; the con- 
 temporary and companion of Dr. Spurzheim. Exquisitely 
 painted on panel in an oval mahogany frame, richly carved, 
 surmounted with two angels supporting a coat of arms. 
 
 16 in. by 13. Christie’ .9, December 6th, 1862. 8/. 
 
 Portrait of John Hampden, the Patriot. Born 1594, 
 died 1643. A small early miniature. 
 
 Christie’s , Baron Heath , March 8th, 1879. 4/. 
 
 Portrait of William Tyndale, Martyr, with a book in 
 his hand, and two inscriptions. A coloured drawing framed 
 and glazed. 
 
 5! in. by 4b Sotheby’s , George Offer, January \6th , 1874. 
 
 Portrait of Sir John Smyth, Knight, in full costume, 
 with his halbert, and his armorial bearings and motto in an upper 
 corner of the picture. Beautifully painted by G. P. Plarding, 
 after the original picture of William Hammond, Esq., St. Alban’s 
 Court, Canterbury. 
 
 Panel a?id glazed. — 8^ in. by 7. 
 
 Portrait of a Lady, richly attired in a Blue Silk 
 Dress, with white lace on the sleeves, hat and feathers, and a 
 blue necklace, seated, with a fan in her right hand and pointing 
 with the left to a writing table on which there is pen and ink 
 and two books. Beautifully painted with very high finish, 
 supposed to be by Hogarth or his friend Francis Hayman, R.A. 
 
 Canvas — 30 in. by 24. 
 
 This fine portrait must be of a lady of some celebrity, either a 
 blue stocking, or the celebrated Mrs. Prichard. There is an 
 inferior coarse copy of it in one of the rooms of the Bedford Hotel, 
 Brighton, but like this without any name. 
 
( 161 ) 
 
 PORTRAITS — continued. 
 
 Portrait of Lady Jane Grey, with an Illuminated 
 Missal open before her on her right hand, and a tall 
 ornamental vase on her left. In an expensively carved frame 
 by William Gibbs Rogers, inclosed in a rich tortoiseshell 
 frame with glass front. After Lucas de Heere, engraved in 
 Dibdin’s Decameron. 
 
 Panel — 9 in. by 7. 
 
 Portrait of a Saint with a Glory, her hands folded in 
 prayer, in the manner of a Mater Glorioso. An oval, highly 
 finished. 
 
 Copper — 6 in. by \\. 
 
 Portrait of V.G.G. Christina Pfalzgravine bei Rhein, 
 1 5 95. Said, in a memorandum on the back, to be the mother 
 of the Count Palatine of the Rhine, King of Bohemia, who 
 married the Princess Elizabeth. 
 
 Copper , an oval . — 5 in. by 3L 
 
 A Pair of Small Oval Portraits, one apparently Spanish, 
 inscribed on the back Monsieur de Morlat, or some such 
 name, the other a German nobleman, apparently Joachim, 
 Elector of Brandenburg. 
 
 Copper — 5 in by 4. Bought of Dom. Colnaghi Co. in 1850. 
 
 Four English Miniature Portraits in One Frame, 
 namely, Henry VIII. (after Holbein), Edward VI. (after 
 Holbein), Queen Elizabeth (after Zucchero), and Harry 
 Howard, Earl of Surrey (after Titian). Highly finished, and 
 surrounded by a narrow carved frame. 
 
 Panel — each of the miniatures in. by 5. 
 
 Portrait of Lady Diana Spencer, Duchess of Bedford, 
 seated in her boudoir, richly dressed in white satin with crimson 
 scarf. A highly finished drawing in colours by Henry Shaw. 
 Framed and glazed. 
 
 Y 
 
 7 in., by 6. 
 
( 162 ) 
 
 P O R T R A I T S — continued. 
 
 Portrait of Katherine Bridges, Countess of Bedford, 
 in a many-coloured brocaded vest and crimson mantle. She 
 was daughter and co-heir of Giles Bridges, third Lord Chandos, 
 and married Francis, fourth Earl of Bedford. She died January 
 29th, 1653-4, in her 60th year, after giving birth to four sons 
 and four daughters. A small whole length. 
 
 Panel , in an ancient ebony frame — io| in. by 
 
 A Set of Eight Ancient Woodcut Portraits of the 
 Electors of Germany, all on horseback with their armorial 
 bearings above them ; in one frame, with the signature of 
 W. G. Rogers the eminent wood-carver, who highly valued this 
 old collection. 
 
 Each portrait 6 in. by 34, the frame , glazed , 21 in. by 14 in. 
 
 A Portrait of William Montacute, Second Earl of 
 Salisbury, in complete armour, his armorial bearings shown on 
 his breast-plate. A coloured drawing by Sir Samuel Rush 
 Meyrick. Framed and glazed. 
 
 1.7 in. by 12. 
 
 Portrait of Edward VI., in Full Costume, after 
 Holbein. A picture in the possession of Sir George Osborne, 
 Chicksands Priory, enamelled by Henry Bone, R.A., a fine 
 large specimen, richly framed and glazed. 
 
 12 in. by 8. — Christie’s. 85 guineas . 
 
 Portrait of Prince Rupert, with Lace Collar and 
 Cuffs, Ribbon of the Garter, and Sword and Truncheon, 
 after the original by Vandyck in the collection of the Earl of 
 Craven, at Combe Abbey. Enamelled September 1837 for 
 J. P. Ord, Esq., by PIenry P. Bone. 
 
 9 in. by 7. 
 
( i6 3 ) 
 
 PORTRAIT S — con tinued. 
 
 Portrait of William Villiers, Viscount Grandison, 
 after the picture by Vandyck in the collection of the Earl of 
 Clarendon. Enamelled for J. P. Ord, Esq., by Henry 
 P. Bone. 
 
 8 in. by 6|. 
 
 Portrait of Archbishop Whitgift, from the picture at 
 Lambeth Palace. Enamelled by Henry Bone. 
 
 Copper — *]\ in. bv 6. 
 
 Portrait of James Graham, First Marquis of Montrose. 
 After the picture by Vandyck in possession of the family. 
 Enamelled by Henry Pierce Bone. 
 
 Copper — 6 in. by \\. 
 
 Portrait of Margaret, Duchess of Burgundy, the 
 Patroness of Caxton, painted on vellum, with her arms. 
 The frontispiece to a small missal of the period. 
 
 Portrait of Daniel De Foe, author of Robinson Crusoe, 
 by Van der Gucht, with an engraving placed on the back. 
 Framed and glazed. 
 
 Panel , oval — 4 in. by 3. 
 
 The following twelve portraits are painted by various dis- 
 tinguished artists for engraving in Lodge’ s Portrait Gallery, 
 all finely executed in colours on Cardboard, and uniformly framed 
 and glazed. 
 
 Portrait of John, Duke of Montagu, born in 1688, 
 obit. July 1 6th, 1749, after the picture by Sir Godfrey Kneller, 
 at Petworth. He for some time resided at a small summer 
 house on the banks of the Thames at Twickenham called 
 Ragman’s Castle, surrounded by trees, where Mrs. Pritchard 
 afterwards lived. Framed and glazed. 
 
 7 in. by 6. 
 
( 164 ) 
 
 PO R TRAITS — continued . 
 
 Portrait of Adam, First Viscount Duncan, born 
 July 1731, died August 1804. After Hoppner, from the 
 picture at Guildhall. Framed and glazed. 
 
 7 in. by 6. 
 
 Portrait of John Graham of Claverhouse, First 
 Viscount Dundee, eldest son of Sir William Graham of 
 Claverhouse, born in 1650 died 1689. After Sir Peter Lely’s 
 picture at Glammis Castle. Framed and glazed. 
 
 7 in. by 6. 
 
 Portrait of David Leslie, First Lord Newark, born 
 about 1600, died 1682. From the Duke of Hamilton’s picture, 
 which sold at the Hamilton Palace sale for 388/. io.r. Painted 
 by Sir P. Lely. Framed and glazed. 
 
 7 in. by 6. 
 
 Portrait of Edward Montagu, Second Earl of Man- 
 chester, born in 1602, died May 5th, 1671. From the 
 picture at Woburn Abbey. Framed and glazed. 
 
 7 in. by 6. 
 
 Portrait of Robert Harley, Earl of Oxford, born 
 December 5th, 1661, died May 21st, 1724, after Sir Godfrey 
 Kneller’s picture in the British Museum. Framed and glazed. 
 
 7 in. by 6. 
 
 Portrait of Edward, Lord Herbert of Cherbury, 
 born in 1581, died August 20th, 1648. Painted for Lodge’s 
 Portraits from Lord Clive’s picture at Powis Castle. Framed 
 and glazed. 
 
 7 in. by 6 . 
 
 Portrait of Richard, Earl Howe, born 1725, died 
 August 5th, 1799. Glazed. Painted from Gainsborough’s 
 Portrait at Trinity House. Framed and glazed. 
 
 7 in. by 6|. 
 
( i6s ) 
 
 PORT R AITS — continued . 
 
 Portrait of Mary Sidney, Countess of Pembroke, 
 born about 1550, died September 25th, 1621. Painted after 
 Gerard’s picture in the possession of Sir John Shelley Sidney, 
 Bart. Framed and glazed. 
 
 7 in. by 6 \. 
 
 ***, Ben Jonson immortalised this lady by his famous epitaph— 
 Underneath this jnarble hearse 
 Lies the subject of all verse, 
 
 Sidney’s sister, Pembroke’s mother : 
 
 Death, ere thou hast slain another 
 Wise, and fair, and good as she, 
 
 Time will throw a dart at thee. 
 
 Portrait of Admiral Viscount Hood, born December 
 12th, 1724, died 1816. After Sir Joshua Reynolds’ picture in 
 the collection of the late Viscountess Bridport. Framed and 
 glazed. 
 
 7 in. by 6£. 
 
 Portrait of John Jervis, Earl St. Vincent, in military 
 costume, with the baton in his hands. After the picture by 
 Hoppner in her Majesty’s possession. Framed and glazed. 
 
 7 in. by 6|. 
 
 Portrait of John Russell, Fourth Duke of Bedford, 
 born September 30th, 1710, obit. 1771, after the picture by 
 Sir Joshua Reynolds at Woburn Abbey. Framed and glazed. 
 
 7 in. by 6. 
 
 *** The portraits ^described under this general heading, rom 
 pages 156 to 163, form but a small portion of what are described 
 throughout the Catalogue under the names of the painters. 
 
 PAUL POTTER. 
 
 Born at Enkhuysen in 1625, died in 1654, in the twenty-ninth 
 year of his age. Pupil of his father, Peter Potter, an able painter 
 of landscapes and scriptural pieces. This admirable painter of 
 animals had acquired great reputation for his works before he had 
 attained his fifteenth year, and they were so eagerly sought for 
 that he could with difficulty keep pace with the demands for them. 
 
( 166 ) 
 
 PAUL POTTER — continued. 
 
 Stanley, in his supplementary notice to Bryan, gives an interesting 
 account of the extraordinary rise in the price of his pictures, and 
 even his drawings, when they occur for sale. For instance, four 
 oxen in a meadow which sold in 1750 for about 25/. was sold to 
 the Emperor of Russia in 1815 for 2,800/. A small view near 
 Haarlem with two cows and some sheep, measuring 14 in. by 18, 
 sold at the Poullain Sale in 1780 for about 15/., fetched 840/. at 
 the sale of Jeremiah Harman, Esq. (who, by the by, married my 
 Dutch cousin, Miss Bohn of Groningen). With respect to his 
 drawings, Woodburn gave 200/. for one8£ in. by 13L and another, 
 
 in. by 104, sold for 163/. Dutch School. 
 
 A Dutch Dairy Farm, with Cattle and Peasants; a 
 windmill in the extreme distance. 
 
 Canvas — 10 in. by 13. Christie's , Greaves Collection , June $th, 
 1865. 13/. 13A 
 
 A Horse and Cow in a Meadow. A highly finished 
 drawing in Indian ink. From the choice collection of the 
 Hon. Arthur Wellesley, sold by Messrs. Christie some thirty 
 years ago. — Signed, Paulus Potter, f. 1645. Framed and 
 glazed. 
 
 6 in. by 9. 
 
 An Ox in a Landscape, with Cattle in the Distance. 
 — Signed, P. Potter. 
 
 Panel — 12 in. by 134. Christie's, June 28th, 1879. 2 3 guineas. 
 
 GASPAR POUSSIN. 
 
 Born at Rome in 1613, died there in 1675. Pupil of Nicolo 
 Poussin, the great painter of classical landscapes which some 
 prefer to Claude’s. The figures are often added by Nicolo Poussin. 
 Roma?i School. 
 
 An Italian Landscape, with a Lake, Bridge, and 
 Figures in the Foreground, and a Cascade in the distance. 
 Richly coloured. 
 
 Canvas — 18 in. by 26. Christie' s, Jr om Lord de Clifford's 
 Collection , April $th, 1872. 18/. ioa 
 
( i6 7 ) 
 
 NICOLO POUSSIN. 
 
 Born at Andeley, in Normandy, June 19th, 1594, died at Rome 
 on the 19th of November, 1665. This distinguished painter, who 
 excelled as a landscape as well as a figure painter, was of a noble 
 family, and after he had been taught painting by Quintin Varin of 
 Andeley, he attended the academy of Domenichino in Rome. On 
 his return to Paris he was appointed painter in ordinary to Louis 
 XIII. at a liberal salary with apartments in the Tuileries. French 
 School. 
 
 Quintus Cincinnatus Refusing the Senate of Rome 
 when Solicited by them to become Dictator, “ I prefer 
 (said he) my family and farm to the wealth and honour of the 
 State.” — Signed in full. 
 
 Canvas — 9 in. by 18. Christie's , Charles Martin , from the Col- 
 lection of Cardinal Piccolomini , March 2.7th, 1876. 1 1 /. oj. 6 d. 
 
 JOHN HUBERT PRINS. 
 
 Born at the Hague about 1758, died in 1805 by drowning in a 
 canal on his way home from visiting various parts of Holland and 
 the Brabant. “ His pictures are generally small and faithful re- 
 presentations of the cities of Holland, and painted in a lively 
 and spirited manner and have a pleasing dioramic effect. The 
 figures are introduced with judgment ; the contrast of light and 
 shade is striking ; the reflection of objects in the water is illusive ; 
 and the combination satisfactory.” His works are much valued 
 and eagerly sought for in Holland. Dutch School. 
 
 View at the Hague, with Houses behind Tall Trees 
 and Three Sheep Grazing. 
 
 Panel — 14 in. by 16. Phillips ’ , Lord Willoughby de Eresby , May 
 1st , 1865. 21I. 
 
 View of a Street in Antwerp, in which is seen the 
 Spire of the Cathedral, with numerous travelling figures in 
 the foreground. Painted much in the minute manner of Van 
 der Heyden. 
 
 Canvas — 12 in. by 14. Christie’s , February nth , i860. 5/. 5^'. 
 
( 168 ) 
 
 PIERRE PAUL PRUDHON. 
 
 Born at Clugny in 1758, died in Paris, 1823. “An eminent 
 French painter, who, on account of the elegance of his designs 
 and the beautiful delicacy of his colouring and pencilling, obtained 
 the title of the French Corregio.” 
 
 Gathering the Vintage. Twelve Figures. On a small 
 scale. 
 
 Panel — 3 in. by 7. Christie's , March or April 6th 1852. 
 
 ADAM PYNACKER. 
 
 Born at Pynaker, a small town between Delft and Schiedam, in 
 1621, died in 1673. “This distinguished painter’s ideas are al- 
 together Italian, his pencil only is Dutch, and that of the highest 
 quality, with a breadth, a brilliancy, and richness almost unequalled 
 by any other landscape painter, except Cuyp.” — Stanley. Dutch 
 School. 
 
 A Mountainous Coast Scene, with Numerous Figures 
 in a Passage-Boat, and a tall tree in the foreground. Highly 
 finished. From Lord Ashburnham’s Collection, at whose sale 
 in 1850 it sold for 120/. — Signed, A. Pynacker, in full. 
 
 Pa?iel — 12 in. by 15. Christie' s, Executors of Mr. Edward Romilly, 
 March 23rd , 1878. 33 guineas. I was afterwards offered 150/. 
 
 for it in the room by a member of the family, which was intended to 
 be the resawed price. 
 
 Interior of the Bois de Boulogne, tall trees, and a 
 cavalier, lady, and child in the foreground. From the collection 
 of the late Rev. John Mitford. 
 
 Canvas — 10 in. by 13J. 
 
( i6g ) 
 
 RAPHAEL SANZIO. 
 
 Born at Urbino in 1483, died prematurely at Rome in 1520. 
 Pupil of his father, Giovanni Santi, and of Pietro Perugino. The 
 greatest of Italian painters, whose name is more familiar than that 
 of any other painter in connection with early Italian art. Roman 
 School . 
 
 A Dance of Cupids, Nine Figures, with a Tenth as a 
 Predella. In a circular frame imbedded in a large square 
 one elaborately carved, of early Italian workmanship. 
 
 Panel — 8 hi. Christie’s , Munro of Nov ar {who, I happen to know , 
 had great faith in this picture), June 1 st, 1878. 120/. 15J. 
 
 This interesting picture was engraved by Marc Antonio before 
 the Predella had been added by one of Raphael's pupils, probably 
 Giulio Romano, and the original engraving is so rare that an early 
 impression of it was sold at the sale of Mr. Sacville Bale’s effects 
 by Messrs. Christie, June 10th, 1881, for no less a sum than 
 241/. ioi-. That engraving has been frequently copied, and three 
 indifferent copies accompany the present picture. Marc Antonio 
 was constantly employed by Raphael in engraving from his designs 
 while they were on the easel, and Raphael is said to have often 
 traced the outlines himself on the plate that the correctness of the 
 drawing might be duly observed. There is no known replica or 
 copy of the picture. 
 
 The Virgin Seated in Front of a Portico, with the 
 Infant Christ giving a Dish of Water to St. John, 
 behind whom is the Paschal Lamb ; and on the other side, 
 behind the Infant Christ, are flowers and a flowing fountain 
 with dolphin heads at its foot. The painting, though assumed 
 to be by Raphael, is much in the character of that dis- 
 tinguished miniaturist, Julio Clovio, the pupil of Raphael, 
 whose miniature in the Vatican, which is somewhat similar to 
 the present, has been engraved and illuminated in Baron 
 Silvestre’s great work on the pictures in the Vatican. In a 
 Roman frame of the time. 
 
 Panel — 12! in. by 9I. Christie's , Dr. Kean Brown Osborne's 
 Sale , 1853. 
 
 The Aldobrandini Marriage, represented in ten figures, 
 chiefly females. A highly finished and beautiful drawing in 
 body colours, after the celebrated painting in the Vatican. 
 Framed and glazed. 
 
 9 in. by 20. 
 
 z 
 
( * 7 ° ) 
 
 R A P H A E L — continued. 
 
 The Repose of the Holy Family, the Virgin supporting 
 the infant Christ on a lamb, while Joseph, leaning on his staff, 
 is earnestly gazing at Him. 
 
 Panel — 13 in. by 10. Christie's, Marquis de Blais el, May 17th, 
 
 1872. 4 si. 3*- 
 
 La Belle Jardiniere, i.e., the Virgin, Child, and Saint 
 John in a landscape. A reduced copy of the famous picture 
 in the Louvre. Beautifully enamelled on Sevres porcelain, 
 and framed. 
 
 9 in. by 6. 
 
 The Madonna, in Crimson and Purple, Nursing the 
 Child, who is reclining undraped on her lap, and with his right 
 hand clutching her shawl, known as the Colonna Virgin, 
 which is now in the Berlin Museum. Beautifully painted. A 
 Munich enamel. Valued at the Berners Street Exhibition in 
 1859 at too/. 
 
 Panel — 16 in. by 13. 
 
 The Madonna and Child, Both with their Hands on 
 a Book. A circular picture. 
 
 Panel— 7 in. by 7. 
 
 The Virgin Seated, Prickly Dressed in a Scarlet and 
 Purple Robe, with a white scarf over her head and neck, 
 nursing the Child, whose hands are crossed on her lap. 
 (Something like the Orleans Madonna.) A highly finished 
 coloured drawing on cardboard, in ebonized and richly gilt 
 frame. Glazed. 
 
 12^ in. by 11. 
 
 The Madonna della Casa Tempi, representing the 
 Virgin in a Standing Position, Dressed in Scarlet and 
 Purple, caressing the Child, whose face is close to hers. 
 A highly finished coloured drawing on cardboard, after the 
 picture at Munich. In an ebonized and richly gilt frame, 
 glazed. A companion picture to the preceding. 
 
 12 in. by 10. 
 
( I 7 I ) 
 
 RAPHAEL — continued. 
 
 The Virgin, Child, and St. John, known as the Madonna 
 della Sedia, now in the Pitti Palace at Florence. Painted in 
 enamel by William Bone, 1843. 
 
 Circular — 5 in. by 5. Christie's , Wynn Ellis , Jime 17th, 1876. 
 
 27 guineas. 
 
 The same Subject, known as the Madonna della 
 Sedia, now in the Pitti Palace. Beautifully enamelled on 
 Sevres porcelain. , 
 
 Oval — 7 in. by 5. 
 
 The Madonna Nursing the Infant Christ while 
 accompanied by an Angel showing Him a Fish, which 
 a youth with long fair curls, the young Tobit, is about to 
 present to her. By her side is St. Jerome, with an open book in 
 his hand and a lion at his feet, reading. A very highly finished 
 replica of the famous Madonna della Pesce, the original of 
 which is in the Madrid Gallery, and of which I have a proof 
 engraving. In an ebony frame. 
 
 Panel — 12 in. by 10. 
 
 A Pair of Miniature Pictures, after Raphael. One 
 the Sibilla Cumana, the other the Fornarina. Exhibited at 
 the Royal Dublin Society in 1861 by the late Mr. Wm. Sotheby. 
 
 Pa?iel — 3i in. by 3I. 
 
 GEORGE PHILIP REINAGLE, R. A. 
 
 Born in 1749, died in London, December 6th, 1835. Son °f 
 Ramsay Richard Reinagle, from whom he received his first in- 
 structions, but he afterwards placed himself under AllamRamsay, 
 and became an animal and landscape painter of the first class. 
 His pictures are usually very pleasing and rank with the Nay- 
 smiths. He was a member of the Royal Academy, and exhibited 
 there in 1824 and till the year of his death. He is well known in 
 literature for the production of that splendid work, The Sportsman' s 
 Cabinet , published 1830-34. English School. 
 
 Grouse-Shooting, with Pointers. This was sold by 
 Pearce the picture-dealer as Stubbs, but a good judge has 
 pronounced it Reinagle. 
 
 Canvas— 12 in. by 15. Phillips', W. Pearce , April 24th, 1872. 
 
 8/. i8j\ 6 d. 
 
( 172 ) 
 
 SIR JOSHUA REYNOLDS, R A. 
 
 Born at Plympton, in Devonshire, in 1723, died in 1792. Pupil 
 of Thomas Hudson. This illustrious portrait painter has very 
 deservedly been called the great luminary of the English School. 
 
 Portrait of Lady Campbell Fortescue, in a White 
 Dress and Blue Cloak Trimmed with Fur, with pearl 
 earrings and pearls in her head-dress. Purchased at Sir 
 Joshua’s Sale by Mr. C. Tumour and presented by him to 
 my highly esteemed friend, the late Mr. John Wood, a dis- 
 tinguished artist, who in 1836 obtained the Manchester premium 
 of 1,000/. for his picture ‘ The Baptism of our Saviour.’ He 
 died April 19th, 1870. 
 
 Canvas — 30 in. by 24. Christie's, Edward White , 1872, 57/. 1 5^. 
 
 A Young Girl with a Dove, called the Age of 
 Innocence. A sketch probably of his celebrated picture 
 exhibited by my friend, Jeremiah Harman, at the British 
 Institution in 1813, and which sold at his sale in 1844 for the 
 large sum of 1,506/. 
 
 Canvas — 30 in. by 25. Christie's , Echvard White , 1872. 
 
 17/. IOJ. 
 
 DOMENICO RICCIO, called BRUSASORCI. 
 
 Born at Verona in 1494, died in 1567. An earnest and suc- 
 cessful student of the works of Giorgione and Titian. Venetian 
 School. 
 
 The Ecstasy of St. Francis, showing the Virgin, Child, 
 and St. John, with four angels above curiously locked to- 
 gether. Painted on Taragona marble, in an ebony frame. 
 Purchased at Ferrara by G. A. Hoskins, Esq., and exhibited 
 at Manchester. 
 
 16 in. by 10. Christie's , Executors of G. A. Hoskins, June 1 8 th, 
 1864. 16/. 16 s. 
 
( 173 ) 
 
 HYACINTHE RIGAUD. 
 
 Born at Perpignan in 1659, died in Paris in 1743. “ Ce peintre 
 
 est une des plus belles gloires de l’^cole Frangaise, surnommd le 
 Van Dyck de la France.” French School . 
 
 Portrait of the Duchess of Portsmouth, in Full 
 Length. — Inscribed, Me. la Duchesse de Portsmouth. 
 
 Canvas — 21 in. by i6|. 
 
 EDWARD VILLIERS RIPPINGILLE. 
 
 Born at King’s Lynn in 1798, died suddenly at Swan Village, 
 Staffordshire, April 22nd, 1859. He exhibited successfully at the 
 Royal Academy as early as 1813, 1815, and 1819, went to Italy in 
 1837 and returned in 1841, after which he remained here and 
 devoted himself to English scenery. His pictures are highly 
 esteemed and rarely occur for sale. English School. 
 
 The Fortune-Teller. An Old Woman with Spectacles 
 
 EXAMINING THE HAND OF A YOUNG LADY WHOSE LOVER IS 
 looking on, while a gentleman behind is tickling the fortune- 
 teller’s ear with a straw. An exhibited and engraved picture, 
 mentioned by Ottley. 
 
 Panel — 12 i?i. by 13. 
 
 GIULIO ROMANO. 
 
 Frescoes of the Vatican, after the Designs of Raphael. 
 Eight copies exquisitely pairlted in colours on a dark back- 
 ground. — Signed on one side, Giulio Romano, and on the 
 other, Felice Santolani. The subjects are treated very 
 elaborately, giving full mythological representations of every 
 subject instead of single figures, and are named in Italian as 
 follows : — 
 
 Cerere, Plutone, Europa, Nettuno, Medea, Trionfo di 
 Bacco, Trionfo di Sileno, Anfitrite. 
 
 All on Panel — 18 in. by 23 , framed and glazed. 
 
 These finely executed copies of the famous Frescoes in the 
 Vatican— I believe in the Villa Madama, or in the Villa Lanti — 
 
( 174 ) 
 
 GIULIO ROM AN O — continued. 
 
 were brought from Italy by the Marchioness de Canizaro, at the 
 sale of whose property, many years ago at Evans’s in Pall Mall, 
 I bought them for about eighty pounds. 
 
 The Meeting of the Gods and Goddesses. A Group 
 of more than Twenty Figures. A beautiful and highly 
 finished drawing. 
 
 Panel — 12 in. by 28. 
 
 PHILIP DE RODS, called ROSA DA TIVOLI. 
 
 Born at Frankfurt in 1655, died at Rome in 1705. His pictures 
 usually represent pastoral subjects, and are composed with much 
 judgment and taste, and his cattle in particular are designed with 
 much real truth and spirit. German School. 
 
 The Shepherd Family. A Landscape with Cattle and 
 Figures in the Foreground, an Urn and Ruins in the 
 Background. A highly finished enamel on porcelain by 
 Bauer of Munich. Bought at the Munich Exhibition at 16, 
 Berners Street , in 1839, where it was priced in the Catalogue 
 4c/. 
 
 Enamel — 9 in. by 1 1 . 
 
 SALVATOR ROSA. 
 
 Born at Borgo di Renella, near Naples, in 1615, died at Rome in 
 1673. A distinguished landscape painter whose works are uni- 
 versally admired ; his scenes are remarkably wild, and his solitudes 
 grand, and whether he introduced banditti, shepherds, or goat- 
 herds, he always contrived to give a repose to his landscapes. 
 Neapolitan School. 
 
 Banditti Attacking Travellers in a Forest. 
 
 Mentioned by Waagen , vol. ii. p. 294, as a characteristic speci- 
 men of the wild nature of Salvator Rosa. 
 
 Canvas — 16 in. by 24. Christie's , Wynn Ellis , June 17th , 1876. 
 
 49/. 7 A 
 
( i75 ) 
 
 SALVATOR ROSA — continued. 
 
 A Rocky Landscape, with a Lake, Trees, Figures, 
 and Dogs. 
 
 Canvas — 20 in. by 26. Christie s , Wynn Ellis , June 17 th, 1876. 
 
 52/. IOJ. 
 
 A Rocky Bay Scene, with Numerous Figures ; a 
 romantic and beautiful composition, very clear in tone. A 
 miniature example of high quality. 
 
 Canvas — 6 in. by 10. Christie' s, May igth, i860. 18/. Js. 6 d. 
 
 CARRIERA ROSALBA. 
 
 Born at Chiozza in the Venetian States, in 1675, and after visiting 
 several of the European Courts, and becoming at Paris a Member 
 of the Academy, where she painted the royal family, she confined 
 herself to Miniature painting which she carried to an unusual pitch 
 of perfection. She died at an advanced age in 1757. 
 
 Portrait of a Lady in Fancy Costume standing in 
 a Garden (probably a portrait of herself). Exquisitely painted 
 on ivory and glazed. 
 
 7 in. by 
 
 CHARLES ROSSXTER. 
 
 Born in London, October 29th, 1827. Well known as a painter 
 oi genre subjects, generally small and of a pleasing character. He 
 has been a frequent exhibitor at the Royal Academy, where his 
 pictures generally found purchasers, and one in 1861 was hung on 
 the line with great commendation. After 1864 he exhibited chiefly 
 at the British Institution. 
 
 Knuckle Down. Five Figures, with Boys Playing at 
 Marbles. A village scene. 
 
 Canvas — 6 in. byy\. 
 
( * 7 6 ) 
 
 JOHN ROTTENHAMER. 
 
 Born at Munich in 1564, and died at Augsburg, according to 
 Nagler , on satisfactory evidence, in 1623, not 1606 as given by 
 •Stanley, Seguier , and others. Pupil chiefly of his father, Thomas 
 Rottenharner, after which he studied for many years in Italy. A 
 highly esteemed artist. German School. 
 
 The Annunciation, an Angel appearing to the Virgin 
 Mary, with an Indication of the Godhead, a Dove, 
 and Angels above. Highly finished. 
 
 Copper — 16 in. by 12. Christie's , Wynn Ellis , May 17th, 1876. 
 21/. 1 or. 6 d. 
 
 The Virgin and Child in Glory, surrounded by a 
 Festoon of Flowers which is suspended by two Angels. 
 Beautifully finished. 
 
 Copper — 12 in. by 9^. Christie's, Matthew Anderson , June 7th , 
 1861. 9 1. 9 s. 
 
 Eight Small Scriptural Subjects. Exquisitely painted 
 on copper and bound together in a case covered with crimson 
 velvet, with gilt ornaments and clasps. 12 in. by 9. 
 
 This very interesting collection is said to have belonged to 
 Marshal Soult, who probably meant it, like other of his gatherings, 
 for Napoleon. It cost me, I think, at one of Phillips’ sales, about 
 80/., in 1858, a year after Soult’s death. I bought on the same day 
 a very fine French Missal which had belonged to him, and this I 
 afterwards sold to a French dealer at a considerable profit, who 
 resold it for twice as much, and it is now I believe in the French 
 National Gallery. 
 
 St. John Preaching in the Wilderness, with Numerous 
 Figures, the landscape background by Paul Bril. 
 
 Copper — 14 in. by 12. Christie's, March ind , 1871. Formerly at 
 Charles Griffin's sale, 1813, where it was bought i?i at 105/. 
 
 The Marriage at Cana. An oval surrounded by sacred 
 figures above and below it. Mentioned by Nagler , vol. xiii. 
 p. 470. 
 
 Copper — 12 in. by 9. 
 
( i77 ) 
 
 SIR PETER PAUL RUBENS. 
 
 Born at Siegen, or Cologne, in Westphalia, June 29th, 1577, 
 died at Antwerp, May 30th, 1640. Pupil for a short time of Tobias 
 Vertraecht, landscape painter, then of Adam Van Oort, but 
 principally and finally of Otho Vaenius. After spending several 
 years in Venice and Rome, and some time in Spain, he came to 
 England in 1629, and was knighted by Charles I. Flemish School. 
 
 Liberality Overcoming Avarice. An admirable study. 
 
 Christie's , May iSth, i860. No. 168. 31/. io.y. 
 
 Portrait of the Infanta Princess Henrietta Maria, 
 Daughter of Henri Quatre and Maria de Medici, in 
 her childhood, represented as spinning, with a large cat at her 
 feet. She was born in 1609, married in 1624 to Charles I., 
 and died 1669. 
 
 Canvas — 22 in. by 18. 
 
 This must have been painted about 1614-15, when Rubens was 
 at Antwerp. 
 
 The Holy Family — The Virgin and Child with 
 Elizabeth, and St. John riding on a Lamb. Exquisitely 
 painted on panel in a richly carved frame. Said to be engraved 
 as ‘The Divine Introduction.’ 
 
 18 in. by 133. Christie's , Lord Beaconsfield , July 13 th, 1881. 
 
 27 guineas. 
 
 The Two Sons of Rubens, which he had by his first wife, 
 a reduced copy of his famous picture in the Lichtenstein 
 Gallery at Vienna, beautifully enamelled. 
 
 9 in. by 6. 
 
 The Circumcision in the Temple. Consisting of the 
 Jewish Rabbi, the child, and six surrounding figures, with a boy 
 in front of the table carrying a brace of birds on a stick over 
 his shoulder. Finely painted in the manner of Rubens. 
 
 6J in. by 8J. 
 
 RUINED MARBLED PICTURES. 
 
 A Pair of Battle Pieces, painted on the geological deposit 
 called ruined marble, which after being polished, produces, 
 probably with a painter’s help, various kinds of scenery. 
 
 In gilt frames — 6J in. by 9. Christie' s , January 25 th, 1868. 4 1 . 4 s. 
 
 A A 
 
( i78 ) 
 
 RUSSIAN, or EARLY GREEK. 
 
 An Elaborate Representation of the Russian Church, 
 in the centre of which is the figure of Jesus Christ surrounded 
 by angels and saints, the Godhead above, with innumerable 
 figures, illustrative of the Russian creed. The whole carefully 
 painted on gold ground, in more than twenty divisions, each 
 with inscriptions in the Russian character. 
 
 Panel — 12 in. by io|. 
 
 RACHEL RUYSCH. 
 
 Born at Amsterdam in 1664, died therein 1750 in her eighty-sixth 
 year, still retaining a handsome appearance. She was the daughter 
 of Frederick Ruysch, the celebrated professor of anatomy, and pupil 
 of William Van Aelst, a distinguished painter of flowers and fruit. 
 “ The works of this paintress (says Seguier) are highly esteemed. 
 Her style of painting flowers is richer and more agreeable than 
 those of Van Os, and is more like an amalgamation of the styles of 
 Van Huysum and Mignon. Her groups of flowers and fruit are 
 beautifully painted.” Stanley in Bryan says that “ the pains she 
 bestowed on her flower pieces, in which she was the most successful, 
 prevented their being numerous, two, a flower and fruit piece, are 
 said to have occupied her for seven years. It must, however, be 
 confessed that her pictures have lost their pristine lustre and 
 become dark. They continue, however, to command large prices 
 when brought to public competition.” She married, when young, 
 a distinguished portrait painter named Jurian Pool, and lived with 
 him more than fifty years, bearing many children, but continued to 
 sign her pictures with her maiden name. He died in 1745 in his 
 seventy-ninth year. The present portrait appears to have been 
 painted about the time of her marriage, that is when she was 
 thirty-one, but whether entirely by herself or in conjunction with 
 her husband, who is known to have painted her portrait repeatedly, 
 is uncertain. Dutch School. 
 
 Portrait of Rachael Ruysch, with Flowers and 
 Pearls in her Hair, large pearl necklace, and holding roses 
 and flowers in both hands. 
 
 Canvas — 20 in. by 14. 
 
 A Pair of Richly Painted Groups of Roses, Tulips, 
 and other Flowers, represented in Glass Vases. Signed 
 in full on one of them. From the collection of Prince Zinsendorf, 
 No. 78 and 79, where they sold for 150/. 
 
 Canvas — 21 in. by 16. 
 
( 179 ) 
 
 JACOB RUYSDAEL. 
 
 Born at Haarlem about 1625, died there, November 1 6th, 1681. 
 Supposed to have received instruction from Berghem. u Ruysdael 
 (says Stanley ) is a sovereign both by land and sea, and the number 
 of his productions in both departments and in all their varied 
 aspects, must continue his supremacy against every competitor.” 
 The figures in his landscapes are said to have been inserted 
 generally by Ph. Wouwerman, Lingelbach, or Adrian Van de Velde. 
 Dutch School. 
 
 The Bleaching Grounds near Haarlem, with a 
 Cavalier and Dogs upon the Road. The Roofs and 
 Spires of Haarlem are seen in the Distance. — Signed, 
 J. Ruysdael. See Smith’s Catalogue Supplement , No. 16, 
 where the figures are attributed to Wouwerman, and the picture 
 as having been imported by Mr. Chaplin in 1840. 
 
 Panel — 21 in. by 27. Christie's , Shandon Collection , April 13th, 
 1877. 1 31/. 5j. 
 
 An Upright Rocky Landscape, with a Stream Falling 
 on a Cascade, and a large felled Tree in the Foreground. 
 From the Earl of Dunmore’s Collection, sold May 13th, 1870, 
 at Christie’s, and previously from Lord Gwydyr’s, in 1829, 
 where it produced 115/. iol 
 
 Panel — 13 in. by 14. 
 
 A Dutch River Scene in a Rich Woody Landscape, 
 with a Man Angling in the Foreground and a Windmill 
 in the Distance. — Signed, R. 
 
 Canvas — 16| in. by 2oj>~. 
 
 JACOB FERDINAND SAEYS. 
 
 Architectural painter, who flourished about 1680-1700. 
 
 Interior of a Cathedral, apparently the Marble 
 Columns of the Doria Palace, with figures. Elaborately 
 and beautifully painted. — Signed, and dated 1682. On the 
 back of the frame is a comparatively recent mark, Fr. W. 
 surmounted by a royal crown (no doubt Frederick William, 
 King of Prussia). 
 
 Canvas — 14 in. by 18. 
 
( i8o ) 
 
 GIOVANNI BATTISTA SALVI, called SASSOFERRATO. 
 
 Born at Sassoferrato, near Urbino, in 1605, died at Rome 
 in 1685. Pupil of his father, Tarquino Salvi, and then of 
 Domenichino, afterwards studying closely the works of Albano, 
 Guido, Baroccio, and Raphael. Seguier says, “ There is a charm 
 and a Raphaelesque simplicity about the designs of this painter, 
 particularly in his well known pictures of the Madonna with 
 her hands clasped, or the Madonna with the Infant.” Roman 
 School. 
 
 The Madonna in a Crimson and Purple Dress, with a 
 White Scarf over her Head, Nursing the Child in her 
 Lap. A large Munich enamel of high quality, on porcelain, 
 by Carl Muller. Bought at the Munich Enamel Exhibition, 
 Berners Street, 1839, where it was described as a Sasso- 
 ferrato, and priced 60/. 
 
 Oval — 12 in. by 13V 
 
 The Virgin Nursing the Child, who is Caressing St. 
 John, while Joseph is looking on with Clasped Hands 
 on one side, and St. Catharine of Alexandria on the other. 
 A Munich enamel, on porcelain, by Carl Muller. Bought 
 at the Munich Exhibition, 16, Berners Street, in 1839, 
 where it was priced 100/., but I got it in a lump lot for 
 much less, 
 
 12 in. by 14. 
 
 Head of the Madonna in Prayer, with her Hands 
 
 CLASPED IN ADORATION. SHE IS CLAD IN BLUE AND RED 
 
 Drapery with a Linen Veil on her Head. The fellow 
 to this picture, measuring 19 in. by 15^, sold in the Hamilton 
 Palace Sale for 383/. 5^. Sassoferrato was in the habit of 
 duplicating his pictures. 
 
 Panel — 19 in. by 15^. Christie's , Uzielli, May iSih, i860. De- 
 scribed by J. C. Robinson in the privately printed Catalogue , 
 
 page 36. 
 
( i8i ) 
 
 SASSOFERRATO — -continued. 
 
 Parce Somnum rumpere, the Madonna with her Hands 
 Clasped in Prayer over the Sleeping Infant. A fine 
 Raphaelesque picture. 
 
 Canvas , oval — 24 in. by 28. Christie's , Philip Champeon 
 Crespigny , April 23rd, 1869. 25 guineas. 
 
 ANDREA DEL SARTO. 
 
 Born at Florence in 1488, died there about 1550. Pupil chiefly 
 of Piero de Cosimo, but afterwards an earnest student of the 
 works of Masaccio, Ghirlandao, Leonardo da Vinci, and Michael 
 Angelo. One of the most distinguished of Italian painters. 
 Tuscan School. 
 
 Mary and Elizabeth caressing each other. Painted 
 on copper, with an inscription in gold beneath and a long 
 Italian inscription on the back. 
 
 4 in. by 5. 
 
 ROLAND SAVERY. 
 
 Born at Courtray in 1576, died at Utrecht in 1639, aged sixty- 
 two. He visited France in the reign of Henry IV., and was em- 
 ployed by him in ornamenting the royal palaces. He was afterwards 
 invited to the court of Prague by Rodolphus II., in whose service 
 he passed the greater part of his life. By direction of the emperor 
 he travelled through the grand and picturesque scenery of the 
 Tyrol where nature exhibits her wildest as well as her richest 
 beauties. The !most interesting of his pictures are those which 
 contain a number of figures of animals and birds, which are 
 exceedingly curious and interesting, and not inferior in brilliancy 
 and finish to any of the works of that peculiar style and period of 
 art. Flemish School. 
 
 An Extensive Woody Landscape filled with Numerous 
 Birds of every description, with water in the foreground 
 and an archway on a rock in the distance. A gallery picture. 
 
 Canvas — 26 A in. by 36. 
 
 A Forest Scene, with a Stag, Fox, and Foxhounds in 
 the foreground. Highly finished. 
 
 Panel —6 in. by 9. 
 
( 182 ) 
 
 BARTOLOMEO SCHIDONE. 
 
 Born at Modena about 1580, died at Parma in 1615. “ Although 
 this captivating painter is generally allowed to have been brought 
 up under the Caracci, he rather appears to have formed his ideas 
 by an attentive study of the works of Raffaelle and Correggio.’’ — 
 Bryan . Lombard School. 
 
 The Holy Family, treated as a domestic Subject. 
 The Virgin is at Needlework, Joseph, with Uplifted 
 Axe, is Carpentering, and the Child, with a Scroll in 
 His Hand, gazing at a Wooden Cross which is beneath 
 Joseph’s left Foot. An apparent forerunner of Holman 
 Hunt’s famous picture. It is mentioned by Waagen, Vol. II. 
 p. 135, as ‘very powerful in colour and finished like a 
 miniature.’ 
 
 Panel — io| in. by 8j. Christie’s , Munro of Novar, June 1878. 
 
 27/. 6j-. 
 
 MARTIN SCHOEN, or SCHOENGAUER. 
 
 Born at Colmar, Ulm, or Augsburg, between 1420 and 1445, 
 Ottley says 1453 — died at Colmar in or before 1499, some say 
 1488. Nagler calls this distinguished artist the most spirited 
 painter of the period. There is great uncertainty both as to his 
 birth and death. Gennan School. 
 
 St. Joseph before the High Priest, with Three other 
 Figures. — Signed with his monogram on a gold tablet above 
 the altar on which is inscribed Abraham, Isaac, Jacob. 
 
 Panel — 36 in. by 18. Christie’s , William Middleton , July 26th, 
 1872. Bought at a low figure, but I was ojfered a profit of 100 
 guineas for it before it left the room. 
 
 Christ Scourged. A small picture. 
 
 Christie’s , Bramhope Manor , February 10th, 1865. 5/. 55-. 
 
 The Crucifixion, with Numerous Figures. Highly 
 finished. An engraved picture. Glazed. 
 
 Panel— 9 in. by 7. Christie’s , W. Russ elf Esq., March 6th, 
 1863. 8/. 
 
( i8 3 ) 
 
 MARTIN SCHOEN —continued. 
 
 Christ Bound and Scourged. With the engraving at 
 back. For the companion to this picture see Albert Diirer. 
 
 Panel — 7 in. by 5. Christie's , H071. F. By ng {where it was described 
 as bemg the original painting), July 1st , 1871. ill. os. 6 d. 
 
 The Nativity. Representing the Virgin Mary seated, 
 with a Distaff in her Hand, the Infant Christ in a 
 Cradle in front of her, and Joseph behind her; two 
 angels near them, one holding a vase containing lilies of the 
 valley, with other figures. At their feet are four winged 
 cherubs, one holding a triangle. Finely painted on gold 
 ground. An engraved picture. 
 
 Copper — 7 in. by 5. Christie' s, Hamilton Palace Sale, January 
 17 th, 1882. 16/. 16s. 
 
 JOHN SCHOOREEL. 
 
 Born at Schoorl, near Alkmaer, in 1495, died at Utrecht in 1562 
 according to Bryan , but according to others in 1 569. Pupil of 
 John de Mabuse. Bryan and Nagler accredit this painter with 
 having been the master of Sir Anthony More. Flemish School. 
 
 Virgin and Infant Saviour seated in a tall decora- 
 tive Chair before an Altar, with very elaborate architectural 
 surroundings. 
 
 Very old pa?iel — 13 in. by 12. Bought at Christie's in 1861, I think 
 for 2.5 guineas. 
 
 M. SCHOEVAERTS. 
 
 Supposed, by Balkema , to have been born about 1667 at Ingol- 
 stadt, and to have been painter to the King of Bavaria, and sub- 
 sequently to have settled in the Netherlands. His pictures are 
 generally small and crowded with figures, highly finished. Flemish 
 School. 
 
 A Landscape, with Numerous Figures, Equestrian and 
 Pedestrian, in front of large castellated ruins. — Signed in 
 full. 
 
 Panel — 12 in. by 16. Phillips' , July i$th, 1862. 5 1 . 15^. 6d. 
 
( *$4 ) 
 
 JACQUES VAN SCHUPPEN, 
 
 Son of Peter van, bom at Paris about 1673, died at Vienna, 
 where he was appointed painter to the emperor, in 1751. Pupil of 
 Largilli&re. 
 
 Portrait of Louis Quinze, ‘ Le bien Aime/ in his 
 Youth, in Regal Robes, flying a Dove in a Garden from 
 a String which he holds in his hand ; his black valet 
 behind him holding his cocked hat and a parasol. 
 
 Canvas — 18 in. by 15. 
 
 CHRISTIAN GEORGE SCHUTZ. 
 
 Born at Floersheim, in the electorate of Mentz, in 1718, died 
 1792. He chiefly studied at Frankfurt on the Maine, where he 
 afterwards continued to reside, and painted small pictures of views 
 of the Rhine, neatly touched and very highly finished, and in 
 Germany they are much sought after. 
 
 A View on the Rhine between Coblentz and Mayen ce. 
 A landscape with trees, buildings, water, and peasants, A highly 
 finished picture. Signed Schiitz, and dated apparently 1760. 
 
 Copper — 12 in. by 11. 
 
 A View on the Rhine between Coblentz and Mayence, 
 with a tower on the coast and shipping in the harbour. Signed 
 in full and dated 1755. 
 
 Copper — 7 in. by 10 
 
 CHRISTOPHER SCHWARZ. . 
 
 Born at Ingolstadt in 1550, and died at Munich in 1594. He 
 studied for some years at Venice in the school of Titian, and after- 
 wards returned to Germany, when Albert V., Duke of Bavaria, 
 invited him to Munich, where he spent the remainder of his life. 
 He was appointed painter to the court, and Nagler says he is 
 deservedly a highly esteemed painter, and that he has obtained 
 the title of the Raphael of Germany. Others have compared him 
 to Van Dyck. 
 
 The Adoration of the Magi, with Numerous Figures, 
 beautifully painted. A fine specimen of this rare artist. A 
 favourite picture with the late Mr. Henry Farrer, the picture 
 dealer, who had refused to sell it to me under 100 guineas. 
 Panel — 28 in. by 20. Christie’s, Henry Farrer, June 16th, 1866. 
 
 33 ^- 
 
( 185 ) 
 
 SHAKESPEARE, PORTRAIT OF. 
 
 A Very Early and perhaps Contemporary Painting, 
 in an elaborately carved frame, but which is of a somewhat 
 later date. 
 
 Oak Panel — 6 in. by Sb Christie's , February 21st , 1857. 7/. 
 
 Philip II. and his Court. Seven miniatures in oils, in 
 one gilt frame. 
 
 9 in. by 6f. 
 
 Landscape with Tall Tree — Two Sportsmen in 
 the Foreground, and Hills in the Distance. After 
 Hobbema. 
 
 Painted on porcelain — 5! in. by 6. 
 
 HENRY SHAW, F.S.A. 
 
 Born in London, July 4th, 1800, died June 12th, 1873, aged 
 seventy-three. Architectural designer and antiquarian draughts- 
 man, distinguished for his illuminated works of Ornament and 
 Costume. I became proprietor of the copyrights of most of his 
 published works at a cost of some 3,000/., and republished them 
 successfully. 
 
 Whole Length Portrait of George Villiers, Duke of 
 Buckingham, highly finished, in colours, framed and glazed. 
 
 Cardboard — 11 in. by 7. Christie's , February 23 rd, 1874. 4/. 4-y. 
 
 A Pair of Historical Portraits after Vandyke, one 
 Lord John Stuart and Lord Bernard Stuart, sons of Esme, 
 Duke of Sussex, in Court costume with a long account of 
 them at the back ; the other two Court Portraits of the same 
 period. 
 
 Panel — 1 1 2 in. by 8J. 
 
 Another Pair of Historical Portraits, Francis I. and 
 Charles IX., kings of France. 
 
 Panel, glazed front — 1 1 in. by 9. 
 
 B B 
 
( i86 ) 
 
 WILLIAM SHAYER, called OLD SHAYER. 
 
 Born at Southampton in 1788, and died at Shirley, near South- 
 ampton, December ilst, 1879. Painter of landscape and cattle 
 subjects, which are generally pleasing in composition and correct 
 in drawing. He exhibited for more than forty years at the British 
 Institution. English School. 
 
 Interior of a Stable, with Two Cows, a Calf, Donkey, 
 and Goat, with a Saddle hung near the Hay Rack, and 
 various stable indications. 
 
 Canvas — 20 in. by 24. Christie’s, February 2 Zth, 1863. 7/. 5^. 
 
 A Woody Landscape, with Water and a Wooden Bridge 
 in the centre, and rocks and figures on the sides. 
 
 Canvas — 12 in. by 16. Christie’s, February nth, 1861. 5/. 15^. 6 d. 
 
 HENRY SINGLETON. 
 
 Born in London, October 19th, 1766, died at Kensington, Septem- 
 ber 15th, 1839. A history painter of great talent and refinement, 
 much praised by Sir Joshua Reynolds. 
 
 The Poor Poet, who is presenting his Petition to a 
 Civic Dignitary in Full Robes. Exhibited at the Royal 
 Academy and engraved. 
 
 Canvas — 16^ in. by 13. Christie’s, July gth, 1864. 
 
 PETER VAN SLINGELANDT. 
 
 Born at Leyden in 1640, died in 1691, in his fifty-first year. Pupil 
 of Gerard Douw. He followed the highly finished style of his 
 master, and, as far as patience and polish are considered, he may 
 be said to have equalled, if not, in some instances, surpassed his 
 instructor. He is said by Houbraken to have spent three years in 
 the extreme finish of a small picture of the Meerman family, now in 
 the Louvre. His pictures, according to Nagler , are rare in con- 
 sequence of the time he bestowed on their extreme finish. Dutch 
 School. 
 
 An Interior. A Musician in Gay Costume playing the 
 Violin to a Lady, who is dressed in White Satin with 
 a Blue Shawl over one Shoulder, seated at a table on which 
 
( 187 )- 
 
 PETER VAN SLINGELANDT— continued. 
 
 there are music books and wine, a brown and white spaniel at 
 her knees. Highly finished. Signed P.V.S. 1685. 
 
 Panel — 20 in. by i6|. Bought of a picture dealer for 40/. who 
 afterwards offered me 80 1. for it. 
 
 The Five Senses, viz. Touching, Seeing, Hearing, 
 Smelling, Tasting, represented in five spirited and humorous 
 cabinet paintings. — All signed. 
 
 Panel — 4! in. by 6. Sotheby's', December 15th, 1881. 9 1. 15Y. 
 
 ROBERT SMIRKE, R.A. 
 
 Born at Wigton, near Carlisle, in 1752, died in London, January 
 5th, 1845, in his ninety-third year. “ His conversations and small 
 pictures are admired by collectors ; there is a great deal of 
 character and humour in them, and they repay study. He avoided 
 the introduction of many colours, and was fond of painting chiaros- 
 curo or lake coloured pictures.” — Seguier. English School. 
 
 Una and the Lion in a Landscape, a mule in the distance. 
 
 Panel, oval — 13^ in. by 11. 
 
 Engraved for Tales of the Genii j on the back it is stated that 
 Taylor the publisher paid Smirke 25 guineas for it. It was used in 
 my edition of the book. 
 
 A Cavalier in Scarlet Cloak, with a Sword by his Side 
 and an attendant behind him, admiring a handsome lady whose 
 spaniel is at her feet ; in a landscape. Engraved, but I forget 
 where. Panel — 7 in. by 9. 
 
 Scene from Shakespeare, engraved in his ILustrations of 
 Shakespeare, published in 1807. 
 
 Panel— 5^ in. by 4. 
 
 The Mouse in the Telescope, six figures painted in 
 chiaroscuro from the engraved picture. 
 
 Panel — 9 in. by 7. 
 
 Four Small Pictures, Illustrative of Shakespeare. 
 Painted in bistre, for Ballantyne’s edition of Shakespeare, 
 Edinburgh, 1807, where they are engraved. 
 
 Panel — 6 in. by 4J. 
 
( i88 ) 
 
 PETER SNAYERS. 
 
 Born at Antwerp in 1593, died about 1670. Pupil of Henry Van 
 Balen. Although an esteemed painter of portraits and history, his 
 pictures of battles and landscapes were held in greater estimation, 
 and decorate the choicest collection in the Netherlands, and are 
 valued in England when they are met with. Flemish School. 
 
 A Skirmish of Cavalry, a Landscape with Figures 
 in the Foreground, in the distance is seen a town on a 
 mountain. 
 
 Phillips' , June 5th , 1872. 4/. io.r. 
 
 ANDREA SOLARIO. 
 
 Born at Milan about 1458. Little is known of this painter, 
 excepting that he flourished about 1530, and was a pupil of 
 Leonardo da Vinci, and contemporary of Correggio. 
 
 Virgin giving the Breast to the Child who is lying 
 on a Cushion. A miniature picture exquisitely painted, with 
 papal arms on the frame and the engraving by E. Legrand. 
 
 Pci7iei — 3 in. by 2\. 
 
 There is a similar picture in the Louvre for which see Filhol, 
 
 Galerie du Musee de France, vol. x. plate 656. 
 
 A SPANISH PICTURE OF THE VIRGIN AND CHILD. 
 
 Painted on gold ground, apparently by Vicente de Joanes, 
 born in 1523, died December 21st, 1579. 
 
 Panel — 9 in. by 7. 
 
 Brought to me direct from Seville by Mr. Warren. 
 
 ARETINO SPINELLO. 
 
 Born at Arezzo in 1308, a disciple of Jacobo de Casentino, whom 
 he surpassed before he had reached his twentieth year. He died 
 in 1400. See for an interesting account of him Lord Lindsay’s 
 History of Christian Art, vol. ii. p. 307 et seq. 
 
 Pentecost, the Solemn Festival of the Jews. Numerous 
 figures. 
 
 Panel — 10 in. by 4. Christie’s, Hoskins' sale, June lyth, 1864. 
 
( i8 9 ) 
 
 BARTHOLOMEW SPRANGHER. 
 
 Born at Antwerp in 1546, died about 1627 or 1628. The works 
 of this master, though decidedly Flemish, display great refinement 
 and taste in his adaptation of early Italian types. His small 
 sacred compositions are especially lovely. Flemish School. 
 
 Christ Blessing little Children in the Temple, in 
 which are seen numerous figures of females with children in 
 their arms, and the disciples who had rebuked them in the 
 rear. In illustration of Mark x. 13 — 15, and Luke xviii. 
 15, 16. Painted at the age of twenty-six, and formerly in the 
 cabinet of Mon. Ricardi at Florence. 
 
 Panel — 13 in. by 18. 
 
 WILLIAM CLARKSON STANFIELD, R.A. 
 
 Born at Sunderland, of Irish parentage, in 1794, died at Hamp- 
 stead May 1 8th, 1867. A marine painter of great celebrity. 
 English School. 
 
 Dutch Boat in a Squall. A small picture. 
 
 Chancellor , Richmond , March 20th, 1863. 
 
 JAMES STARK. 
 
 Born at Norwich in 1794, died in London, March 24th, 1859. 
 The favourite pupil of Old Crome and one of the most pleasing and 
 artistic landscape painters of his time. He was a constant and 
 successful exhibitor, first at the Norwich Society, and then at the 
 Royal Academy and the British Institution, from 1824 to 1859. 
 I bought from him his fine work 4 The Scenery of the Rivers of 
 Norfolk,’ which though it failed to remunerate him, when published 
 in Norfolk, paid me handsomely. 
 
 Castle on the Banks of a River, in the middle some 
 buildings. Fine effect. Engraved in Stark’s Norfolk Scenery. 
 
 Panel— 9^ in. by 12\. Christie's, sale of Norfolk Painters , February 
 \ 26th , 1863. 10/. 
 
( i9° ) 
 
 JAMES STARK — continued. 
 
 A Woody Landscape in Norfolk, with Woodmen at their 
 Repast under a Cleft Tree, a dog and two horses near them. 
 
 Panel — 15 in. by 21. Christie's , Rev. Isaac Spencer February 2377/, 
 1861. 81 . 8 s. 
 
 The Island at Coltishall, Norfolk, a verdant land- 
 scape with six cattle at the waterside. Engraved in Stark’s 
 Norfolk Scenery. 
 
 Panel — 9! in. by 13. 
 
 JAN ADRIAN VAN STAVEREN. 
 
 Flourished towards the latter part of the seventeenth century, 
 especially about 1675, when some dated pictures are known. The 
 subjects in which he excelled were a Hermit contemplating a 
 skull, reading a book, or at his devotions, Portraits of philosophers, 
 Dutch interiors, and Familiar scenes, in the highly finished manner 
 of Gerard Douw, of whom he is supposed to have been a pupil. 
 Dutch School. 
 
 Portrait of a Venerable Ppiysician, or Anatomist, 
 represented as placing his right hand on a skull. Very highly 
 finished. 
 
 Panel — 1 1 hi. by 9 . 
 
 JAN STEEN. 
 
 Born at Leyden in 1636, died in 1689. “All his works display 
 more or less the painter’s forte as one of the greatest humorists 
 of the Dutch School. Many of his pictures are crowded with 
 figures, and notwithstanding their number we usually find something 
 to interest us in all his groups. 
 
 A Charlatan, Seated on a Raised Table covered 
 
 WITH CLOTH, AND HOLDING UP HIGH ONE OF HIS NOSTRUMS, 
 
 while surrounded by a crowd of figures, many of them highly 
 grotesque. Signed, J. Steen on a label. 
 
 Panel — 27 in. by 26. Bought 1853. 50 1 . 
 
 Extremely like the picture called ‘ The Mountebank,’ engraved 
 in Cunningham’s Cabinet Gallery , vol. ii. p. 145, then in the posses- 
 sion of that distinguished connoisseur, the late Charles Heusch, 
 Esq. 
 
( 1 9 I ) 
 
 HENRY STEENWYCK. 
 
 Born at Steenwyck in 1550, died in 1603. Pupil of John de 
 Vries. Generally, the works of the Steenwycks, father and son, 
 exhibit the most elaborate finish of Peter Neefs’ and others’ 
 Church pieces. Dutch School. 
 
 Interior of a Church, with Figures in the Foreground. 
 
 Panel — 13 in. by 15. 
 
 JACQUES STELLA. 
 
 Born at Lyons in 1596, died at the Louvre in 1657. “The works 
 of this painter (says Seguier) are rarely seen in this country, but 
 in France he ranks among the best artists of the seventeenth 
 century.” French School. 
 
 Death of Joseph, a Group of Five Figures. 
 
 Canvas — 19 in. by 11. Phillip s', Marquis of Hastings , February 
 26th, 1869. SI. 
 
 The Virgin, at full length, with the Child in her 
 Arms, painted on agate. 
 
 Oval — 4! in. by 3V Christie's , Willia?n Goldsmith' s , February 
 
 2 Sth, 1866. 
 
 A Pair of Cabinet Pictures of Female Figures and 
 Playful Children. Very highly finished. 
 
 Copper — 7 in. by 10. 
 
 Bought privately of a French dealer, I think for about 20/. I 
 believe they have been engraved by Stella’s niece as Sports. 
 
 STEPHAN LOCHNER, or MEISTER STEPHAN, of 
 COLOGNE. 
 
 Born at Constance, exactly when is not known, but probably a 
 few years before 1400, as his best attested picture is dated 1410. 
 There is evidence that he resided at Cologne in a house of his own 
 in 1442, and also that in 1448 he represented the guild of St. Luke, 
 and was then a member of the Senate, and remained so till 1451, 
 soon after which he died in poverty. Albert Diirer thought so much 
 of him that he paid two silver pennies to have opened for his 
 inspection his famous Altar-piece in Cologne Cathedral, known as 
 the Dombild , a triptych, dated 1410, which is richly painted on a 
 gold ground. Another grand work of this master is the Madonna 
 in the Rose Arbour in the Cologne Museum. 
 
( ! 9 2 ) 
 
 MEISTER STEPHAN — continued. 
 
 The Crucifixion, in which the two Thieves have, as 
 
 CUSTOMARY AT THE TIME, THEIR LEGS BROKEN, the Spear 
 
 and sponge, as applied to Christ, are exemplified, with numerous 
 figures at the foot of the Cross. Beautifully painted on gold 
 ground, a remarkable specimen of this early period. 
 
 Canvas — 27 in. by 12. 
 
 There is much uncertainty about the three old masters of Cologne, 
 Meister Wilhelm, Meister Stephan, and Christophorus, all of great 
 celebrity, and the present Crucifixion, though attributed to Meister 
 Stephan, may be the famous lost picture of a Crucifixion by Meister 
 Christophorus, formerly in the Rathhaus of Cologne. It is a very 
 interesting work of art. 
 
 FRANCIS PHILIP STEPHANOFF. 
 
 Born at Brompton in 1788, died at West Hannam, Gloucester- 
 shire, May 1 5th, i860. He was considered the best figure painter ot 
 the day, and exhibited constantly at the Royal Academy from 1810 
 to 1845. He was largely employed by me in that sumptuous 
 volume, The Coronation of George IV. English School. 
 
 The Death of Robin Hood. Engraved as a frontispiece 
 to Hansard’s Book of Archery , which was first published by 
 Longmans and afterwards by me. 
 
 Panel— 10 in. by 8. Christie s, P. W. Leather , February gth, 1867. 
 
 SI. Ss. 
 
 CHRISTIAN STOEC KLEIN. 
 
 Born at Geneva, 1741. After taking lessons of a portrait painter 
 he went in 1757 to Italy, where he studied for seven years, and 
 then came to Germany and settled in Frankfurt, where he died 
 in 1804. Nagler says he was great in his architectural interiors, 
 quite equal to Peter Neefs. 
 
 An Architectural View of the Interior of a Picture 
 Gallery or Palace, in which the numerous- pictures, books, 
 and articles of vertu are distinctly represented, with eight 
 figures in the foreground variously employed. — Signed, 
 Stoecklein, pinxit 1775. 
 
 Panel — 13 in. by 14. Christie’s , sale of T. Garle , Esq., May 24 th, 
 
 1 862. 9/. 
 
( 193 ) 
 
 FRANK STONE, A.R.A. 
 
 Born at Manchester, August 22nd, 1800, died suddenly in 
 London, November 1 8th, 1859. An eminent and popular subject 
 painter. He began to exhibit at the Royal Academy in 1837, and 
 was elected an associate in 1851. 
 
 Portrait of Samuel Rogers, the Banker Poet, sitting 
 in his Studio, with the Hon. Mrs. Norton (afterwards 
 Lady Stirling Maxwell) on one side of him, and her cousin, 
 Mrs. Phipps, on the other, both granddaughters of Richard 
 Brinsley Sheridan. 
 
 Canvas, glazed front - — 21^ in. by 30. 
 
 DIRK STOOP. 
 
 Born in Holland, it is supposed at Dordrecht, about 1610, 
 sojourned for some years in Portugal, then came to England in 
 the retinue of Queen Catharine of Braganza, returned to his 
 native country in 1678, and died there in 1686. Brya?i and 
 Stanley give a long and very flattering account of this eminent 
 artist. 
 
 Cheval qui sent. A Horse Sniffing at the necessary 
 
 OPERATIONS OF HIS RlDER. 
 
 Panel — 12 in. by 10. Christie's , T. Garle , Esq., May 2\th, 1862. 
 
 9/. 
 
 A Piebald Horse in a Stable, with a Groom raising a 
 Sack of Corn by means of a pulley ; a dog in front of 
 him. 
 
 Panel— in. by q\. 
 
 *** This picture was sold to me as Philip Wouwerman’s, and is 
 very like his work, but a first-rate judge of Dutch pictures pro- 
 nounced it Dirk Stoop. 
 
 ABRAHAM STORCK. 
 
 Born at Amsterdam in 1650, died there about 1712. A marine 
 painter of the Dutch School. He painted much in the manner of 
 Wm. Van de Velde. “ His pictures (says Stanley) have not yet 
 attained their just value ; some are truly excellent. ’’ 
 
 c c 
 
( 194 ) 
 
 ABRAHAM STORCK —continued. 
 
 Vessels off Amsterdam. Highly finished. 
 
 Christie's, C. Van Os, November 29th, 1874. 15/. 
 
 A Seaport on the Dutch Coast (apparently Helvoet- 
 sluys), with a Man-of-War and several sailing boats ; a 
 windmill in the distance and figures in the foreground. 
 
 Canvas — 12 in. by 15. Christie's, Edward White's Collection , 
 April $th, 1872. 10 \ guineas. 
 
 A River Scene on the Scheldt, with Shipping and 
 Boats crowded with Figures, a lighthouse with clock on 
 the coast of Holland, in the distance. Very highly finished in 
 the manner of W. Van de Velde. 
 
 Copper — 8 in. by 13^. Lee Mainwaring' s Collection , Chancellor, 
 November 2nd, 1874. 23/. 
 
 THOMAS STOTHARD, R. A. 
 
 Born in Long Acre, August 17th, 1755, died- in Newman Street, 
 April 27th, 1834. li He was an exceedingly graceful designer, and 
 there is a singular charm about his female figures.” He was 
 largely employed by publishers for book illustrations, in which he 
 stands unrivalled. After 1778, when he became a student at the 
 Royal Academy, he was a constant exhibitor there. English 
 School. 
 
 Sabrina releasing the Lady from the Enchanted 
 Chair. Six figures. Highly finished. A first-rate specimen 
 of the master. In illustration of Milton’s Comus, with the 
 engraving by E. Scott. 
 
 Canvas — 15 in. by 19. Chins tie's, Chas. Whiting's Sale, March 
 27 th, 1876. 22/. 17 s. 
 
 The Meeting of Jacob and Rachel, with attendants. 
 In all six figures. 
 
 Canvas — 17 in. by 13L Christie's, Allnutts , June 18th, 1863. 
 
 10/. 
 
( *95 ) 
 
 THOMAS STOTHARD — continued. 
 
 A Scene from the * Old English Baron.’ Seven figures. 
 An engraved picture. 
 
 Panel — 8 in. by 6. Christie's , M. Hutchinson , February 22 nd, 
 
 1861. 10/. 
 
 Illustration to Shakespeare’s ‘Twelfth Night,’ Act 
 II. Scene 3. Sir Toby. — ‘ Dost thou think because thou art 
 virtuous there shall be no more cakes and ale ? ’ An engraved 
 picture in Heath’s Shakespeare. 
 
 Canvas , oval —9 in. by 11. Sotheby's. 
 
 Fora companion to the above see Hamilton (Sir Wm.), Illustra- 
 tions to Shakespeare , page 80. 
 
 Two Ladies seated in earnest Conversation, being a 
 scene from Mrs. Barbauld’s Letters. An engraved picture. 
 
 Canvas — 12 in. by 10. Christie's , from G. C. Heath's Collection , 
 February nth , 1861. 3/. 13.L 6 d. 
 
 A Schoolroom, in which Two Schoolmistresses are 
 Superintending a number of young ladies kneeling at prayer. 
 A sketch in bistre, engraved. 
 
 Panel — 8 in. by 9^. 
 
 JURIAN VAN STREEK. 
 
 Born at Amsterdam in 1632, died in 1678. An esteemed painter 
 of still life, whose portrait has been painted by Houbraken 
 Dutch School. 
 
 A Large Skull placed on a Table in the centre of 
 the Picture, with a sheet of music and part of a Dutch map 
 hanging beneath it, with numerous surroundings, consisting of 
 a broken candle, a parcel of coins, a rose and flowers in 
 a vase, etc. 
 
 Panel — 18 in. by 21. Bought of Mr. Eckford, picture cleaner , etc. 
 
( ! 9 6 ) 
 
 GEORGE STUBBS, A.R.A. See REINAGLE. 
 
 Portrait of Stubbs, after the original in crayons by Ozias 
 Humphrey, R.A. Enamelled on copper by Henry Bone, R.A. 
 A very fine miniature. 
 
 Oval — 5J in. by 44. Cost 20 guineas. 
 
 HERMAN VAN SWANEVELT. 
 
 Born at Woerden in 1620, died at Rome, where he had spent 
 the greater part of his life, in 1690. Landscape painter, said by 
 Nagler to have studied at first under Gerard Douw and afterwards 
 under Claude. His landscapes are said to combine a great deal 
 of the feeling both of Claude and John Both. Dutch School. 
 
 A Landscape, with Travellers on Horseback, and 
 other Figures ; a Chateau in the Distance. — Signed in 
 full, and dated 1669. 
 
 Canvas — 12 in. by 17. Christie's , Novar Collection , June 1st , 
 1878. 27/. 6s. 
 
 A Woody Landscape, with Travellers and other 
 Figures, besides horses and cattle. 
 
 Pa?iel — 11 in. by 16J. 
 
 JAMES SWEBACH, called DES FONTAINES. 
 
 Born at Metz in 1769, and after practising for many years chiefly 
 in Paris, but for a short time in England, he died in 1833. Painter 
 of battles, marches, and encampments, which were favourably 
 received both abroad and at home. 
 
 A Landscape, with a Military Cavalcade. 
 
 Phillips’ , February 12///, 1863. 9 1 . 
 
 NICOLAS ANTOINE TAUNAY. 
 
 Born at Paris in 1755, an d died there in 1830. Pupil of Cassa- 
 nova. Patronised by Napoleon and highly praised by Nagler , 
 who says most of his pictures have been engraved. Fre?ich School. 
 
 A Fete on the Banks of a River, with horsemen and 
 numerous figures ; an archway and trees in the background. 
 
 Panel — 7 in. by 9. 
 
( J 97 ) 
 
 DAVID TENIERS, the Younger. 
 
 Born at Antwerp in 1610, died in 1690. This celebrated and 
 prolific painter was pupil of his father, David Teniers, the elder, 
 but he is supposed to have afterwards studied with profit under 
 Adrian Brauwer, and to have had the advantage of receiving 
 lessons from Rubens on the principles of colouring. French 
 School. 
 
 The Temptation of St. Anthony, in which an old en- 
 chantress is drawing his attention to a smart lady, in white 
 satin, who is about to hand him a glass of wine, with various 
 surrounding figures of demons, sprites, monkeys, etc. — Signed 
 with a T on St. Anthony’s shoulder. From the collection of 
 Wm. Cave, Esq. 
 
 Copper — 21 in. by 37. 
 
 This seems to have been a very favourite subject with Teniers, 
 as no less than ten are quoted by Seguier as having sold since 
 1801 at various sales, some for considerable sums. For instance, 
 the Duke of Bridgwater’s in 1802 for 262 1. ioj ., John Knight’s 
 in 1819 for 105/., Westall’s in 1830 for 315/., and Zachary’s in 1838 
 for 102/. i 8 j . 
 
 Interior of a Laboratory in which a Doctor, dressed 
 in a Grey Jacket edged with Fur, seated at a Table, is 
 examining the contents of a Bottle, which he sagaciously 
 holds up to the light ; his opinion being anxiously awaited by an 
 old woman who stands by. An open book and a variety of 
 appropriate objects are on a table, and three figures of peasants 
 in a distant corner .— Signed in full. From the collection of 
 Mons. Van Sheik, Louvain. Described in Smith’s Catalogue 
 Supplement, No. 97. 
 
 Panel — 11 in by 14^. Christie's, June 29th, 1878. 22 1. ioj . 
 
 A Cottage in a Landscape, with Two Figures in 
 Conversation on the Road; a Church is seen in the 
 distance. — Signed, T. 
 
 Phillips' , July 15th, 1862. 81 . 
 
 The Interior of an Auberge, with Two Boors playing 
 at Cards while Three are looking on, two of whom are 
 smoking. In the distance, near a fireplace, are two other 
 
( J 9 8 ) 
 
 DAVID TENIERS— continued. 
 
 Boors, one smoking. Bought privately ; a picture dealer had 
 valued it at ioo /. 
 
 Paiiel — 13 in. by 19. 
 
 A Landscape, with a group of Six Parrots on a Tree 
 in the Foreground, and a Falconer with a Hawk on 
 his Arm in the Distance. — Signed, D. Teniers, in full. 
 
 Panel — 12 in. by 8^. Christie's , Ed. Wright A?iderson , May yth , 
 
 1864. 10J guineas. 
 
 A Large Picture of a Dutch Kermesse or Fair, called 
 a Village Merry-Making. A Grand and Important 
 Picture, in which numerous figures are introduced, some 
 near the ale-house, others dancing to a man playing the 
 bagpipes. In the middle distance are other groups of 
 villagers.— Signed, D. Teniers , P. This does not appear to 
 be a copy of any known picture. If not actually by Teniers 
 it may be by Peter Angelis, a Flemish artist of great talent, 
 who painted in the style of Teniers and Watteau, and was very 
 popular at Rome as well as in England, where he long resided! 
 
 Paiiel — 3 1 in. by 30. 
 
 It was sold at Christie’s many years ago, and has their chalk 
 mark, No. 203, on the back, but of the date and price I have lost 
 all recollection, and merely remember that it was called an 
 important composition. 
 
 A Cottage Scene, with Laundry hanging out of the 
 Windows, and villagers in the foreground. Painted much in 
 the manner of Marieschi. 
 
 Cardboara — 4 hi. by 6. 
 
 Exterior of an Auberge, called the Disputed Score, 
 showing five figures round a beer-table, with the host near 
 them, and several other figures. — Signed, D. T. 
 
 Pa 7 iel , glazed— 1 1 in. by 15. 
 
 Two Miniature Pictures of Cottage Scenery, with 
 numerous figures. From the collection of the Hon. Mrs. 
 Rushout, sister of Lord Northwick. 
 
 Pa 7 iel — 3 in. by 4^. 
 
( 199 ) 
 
 GERARD TERBURG. 
 
 Born at Zwoll, in the province of Over-Yssell, in 1608, died in 
 1681. Pupil of his father. In respect of his clear and silvery 
 colouring he may be conveniently classed with Eglon van der 
 Neer, and Netscher. He had a lovely eye for finish. Dutch 
 School. 
 
 Full Length Portrait of a Handsome Lady in a 
 Crimson Corset trimmed with Ermine, and a White 
 Satin Dress richly trimmed/ in Gold, apparently admiring 
 herself in a large glass, while a servant is peeping at her 
 from behind a door. 
 
 Panel — 1 5 in. by 9. 
 
 JACOBO ROBUSTI, commonly called TINTORETTO. 
 
 Born at Venice in 1512, died there in 1594. A successful pupil 
 of Titian. His portraits may be described as dark and rich in 
 colour, but although richly toned, they hardly appear dark because 
 of the drapery and rich furs with which he decorated them. 
 
 Venetian School. 
 
 Portrait of Catherine de Medici, with pearl head-dress 
 and necklace, and a richly embroidered lace collar — very like 
 the engraved frontispiece to Mrs. Palliser’s History of Lace , 
 1864. 
 
 Canvas — 24 in. by 18. Christie's, John Harris , March 4th, 1872. 
 
 5/- 15.?. 6 d. 
 
 TIZIANO VECELLIO, called TITIAN. 
 
 Born at Capo del Cadore in 1477, died at Venice in 1576. 
 Pupil of Zuccatti, Bellini, and Giorgione. One of the greatest of 
 historical and figure painters, as well as a great landscape painter 
 Venetian School. 
 
 Portrait of Titian’s Mistress, richly dressed. A copy 
 of the famous picture at St. Petersburg. 
 
 Canvas — 10 in. by 8. Christies, Edward White , April $th, 1875. 
 
 4/. 6s. 
 
( 200 ) 
 
 TITIAN — continued. 
 
 The Sleeping Venus, Titian’s ‘ Celebrated and Inimi- 
 table Picture/ beautifully enamelled on copper by Joseph Lee, 
 enameller to the Princess Charlotte and the Duke of Sussex. 
 
 5i i?i. by 7^. 
 
 For Titian’s picture of the Sleeping Venus enamelled by Henry 
 Bone, see the Catalogue of Miniatures and Enamels. 
 
 The Judgment of Diana in re Calisto, after the 
 
 CELEBRATED PICTURE IN THE GALLERY OF THE MARQUIS OF 
 Stafford. An unusually large Enamel, being 12 inches 
 square , by Henry Bone, R.A., dated April, 1826, for which he 
 was to have received 750 guineas, but because it had warped, 
 as large enamels on copper often do, it was rejected, and 
 I obtained it on easy terms after his death. Henry Bone’s 
 enamel of Bacchus and Ariadne, after Titian, 18 in. square , 
 the largest he ever attempted, was sold by Mr. G. Brooks for 
 2,200 guineas. 
 
 DOMINICK VAN TOL. 
 
 Flourished in the seventeenth century and was living in 1680. 
 “ Nephew and pupil of Gerard Douw and one of his most suc- 
 cessful imitators. His pictures are better known than his history ; 
 some of them approach so near to his uncle’s that they have 
 obtained in public sales prices from 150 to 350/. sterling.” — Stanley. 
 Dutch School. 
 
 The Violin Player, with a Music-Book before him, 
 and a Bird-Cage above, in a cottage where two men in the 
 distance are drinking and smoking. Very highly finished. 
 
 Panel — 8 in. by 6. Bought of Dr. Cooper , Brentford Butts , 
 October 10th , 1877. 20 guineas. 
 
 An Interior, called Refreshment, showing a Dutch- 
 man and his Wife at their humble Repast, a metal- 
 mounted jug on the table, with a bunch of carrots and some 
 onions beneath it ; a bird-cage above them, and a flower-pot at 
 their back. 
 
 Panel — 14 in. by 13 Christie's , December qth , 1878. 66/. 6 s. 
 
( 201 ) 
 
 CHARLES TOWNE. 
 
 A painter of small landscapes and cattle subjects of considerable 
 talent, whose pictures are better known than any particulars of 
 himself. He exhibited occasionally at the Royal Academy between 
 1806 and 1812, and in 1813 was elected a Vice-President of the 
 Liverpool Academy, and died at an advanced age about 1850. As 
 a painter of the English School he may rank with Loutherberg 
 and Ibbetson. 
 
 A Pair of Landscapes, ohe a Rocky Scene in the 
 Neighbourhood of Snowdon, North Wales, with cattle 
 drinking from a brook and a traveller, in a red coat, on 
 horseback, followed by his dog. The other, A Forest Scene, 
 showing a village near Birnam Wood, Scotland, covered with 
 snow, with cattle and sheep being driven home by a drover 
 accompanied by his dog, and other figures. Both painted to 
 order for John Greaves, Esq., Banker, Manchester, December 
 1822, and signed Charles Towne, pinxit 1822. 
 
 Canvas — 12 in. by 15. Christie' s , John Greaves' Collection , June 
 5th, 1865. 17/. ioj-. 
 
 A Mountainous Landscape, with a Wooden Bridge 
 over a Ravine in the Centre on which cattle are being 
 driven, with cattle and drivers in the foreground. A highly 
 finished and beautiful enamelled specimen. 
 
 Canvas — 11 in. by 13. Christie' s, 1866. 16/. i6j\ 
 
 Portrait of a Dog, apparently a Newfoundland, in 
 a Landscape, Rocks in the Distance. Highly finished. 
 Signed — C. Towne, 1828. 
 
 Canvas — 12 in. by 17. Christie's , Reed Bevan , July 10th, 1869. 
 
 Si. 5s. 
 
 Interior of a Stable, with Two Horses close to the 
 Rack, the saddle of one of them marked S. and a pail marked 
 T.S., the ostler, with a sieve in his hands, chatting to a dairy- 
 maid, a dog in front. 
 
 Canvas — 12 in. by 15. Christie's, April 1st, 1862. 4/. JO,r. 
 
 D D 
 
( 202 ) 
 
 JOSEPH MALLORD WILLIAM TURNER, R.A. 
 
 Born April 23rd, 1775, in Maiden Lane, Covent Garden, where 
 he resided till 1800, he died December 19th, 1851. A celebrated 
 landscape painter. English School. 
 
 I knew Turner intimately, and he always sought me in our 
 Saturday journeys to Margate, generally taking a glass of wine 
 with me at my dinner table, bringing his own food with him out of 
 his pocket. The life of him, prefixed to my illustrated volume 
 called Liber Fluviorum , was virtually written by me, and I was 
 the first to give exact particulars of his birth, which had been 
 erroneously engraved on his coffin. 
 
 A Breeze, with Vessels in Distress, or Wrecked, 
 Sea-gulls above. 
 
 Canvas, protected by glass — 12 in. by 16. 
 
 The Sunrise. A Woody Landscape, with Three Figures 
 in the Foreground. Signed on the back, and dated 1799. 
 
 10 in. by 16. 
 
 Bought privately from a lady who said her husband had it direct 
 from Turner. 
 
 A Shipwreck in a Gale on the Sea Coast, near a 
 Lighthouse. An early picture. 
 
 Caiivas — I7 jr in. by 23^. 
 
 I have no recollection of where I purchased this picture, but 
 my friend, the late Edward William Cook, the distinguished marine 
 artist, pronounced it an early Turner. 
 
 A large Vessel in Full Sail on the Ocean, with a Boat 
 like a Billy-boy at her Stern, several small vessels in the 
 distance, and sea-gulls above. 
 
 Canvas — 14 in. by 18. 
 
 This was sold at the sale of the late Mr. Wardrop, surgeon, I 
 think in 1869, who was an ardent picture collector. He told me he 
 had attended Turner for his eyes, and got this picture for his fee. 
 
( 203 ) 
 
 JACOB VAN DER ULFT. 
 
 Born at Gorcum about 1627, died, according to Nagler , in 1688. 
 Bryan questions whether he ever was in Rome, but A agler records 
 numerous pictures of Roman and Italian subjects, chiefly archi- 
 tectural, which are preserved in the Louvre, at Amsterdam, in the 
 cabinet of Sir Thomas Hope in London, and several other places. 
 Bryan says his pictures are rarely met with out of Holland, and are 
 highly esteemed. 
 
 A Composition of celebrated Roman Buildings and 
 Sculpture, with an immense multitude of figures, some on 
 horseback in the foreground, and shipping in the extreme 
 distance. Exquisitely finished. 
 
 Pa7iel — 16 in. by 24. Christie’s , Matthew A nderson, i86r. 15/. 
 
 UNKNOWN. 
 
 Circular Picture of an Angel with a Green Stalk in 
 her Hand, while ascending to Heaven with a Child by 
 her side. Painted much in the manner of Angelica Kauffman. 
 
 Pa 7 iel — 12 in. 
 
 Landscape, with a Bridge, Donkey, and Figures. 
 
 Christie's , Edward White , Ap7il 5th, 1872. 2/. 15L 
 
 A Pleasing Landscape with Tall Trees on each side, 
 small Figures of a Horseman and Dog in the foreground, 
 and cattle in the distance. Copper — 7 in. by 6. 
 
 A pair of Garden Scenes, with many figures in French 
 costume; some promenading, others at a fete chai 7 ipetre. 
 Painted much in the manner of Pater. 
 
 Head of the Virgin and of the Announcing Angel. 
 
 Christie’s , H071. F. Byng , July 1st, 1871. 
 
 Virgin, Child, Joseph, and Two Angelic Infants. 
 Painted on vellum. 6 in by 4^- 
 
( 2°4 ) 
 
 U N KN OWN— continued. 
 
 A VERY ANCIENT PAINTING OF CHRIST, PARTLY NUDE, 
 
 seated on a Bench, His Hands showing Blood, where they 
 had been nailed to the cross. 
 
 Pa?iel — 13 in. by 5^. 
 
 A small Italian Landscape, with a view of St. Peter’s 
 in the distance. Beautifully painted on porcelain. 
 
 44 zTz. by 6 . 
 
 TWO REMARKABLY FINE SCRIPTURAL DRAWINGS IN OPAQUE 
 
 Colours, one representing The Virgin Mary seated on a 
 Stone with the infant Christ in her lap, St. John resting his 
 hand on her knee; the other representing Christ in Mature 
 Age, seated on a similar stone, blessing two little children. 
 No doubt after some great master. Glazed. 
 
 14 in. by 12. 
 
 The Virgin nursing the Child who has his Hand on 
 her ' Neck, St. John at her knees with the Cross in his left 
 hand, a cradle on the side of the Virgin, St. Joseph looking on. 
 An early coloured drawing on cardboard, framed and glazed. 
 
 10 in. by 8. 
 
 The Virgin, Child, and St. John, exquisitely painted, 
 with a Latin inscription of five lines in an architectural orna- 
 ment at base, and a French translation of it at back. 
 
 Panel — 7 in. by 5I. 
 
 The Virgin, with the Child on her Lap, who is pointing 
 with his left hand, apparently to a vase on a table. A highly 
 finished enamel on copper. 
 
 Oval — ioi in. by 8£. 
 
 The New Born Child, laid on a white cloth in the midst 
 of surrounding figures, all of whom are looking on. A very 
 early picture. 
 
 Panel— 3 h in. by 5. 
 
( 2 °5 ) 
 
 U N KNOWN — continued. 
 
 Four Scriptural Subjects, with numerous Figures. 
 Exquisitely finished like illuminations, with inscriptions in gold. 
 On the back they are inscribed ‘ Anciennes Miniatures que 
 Mons. VVocher voulait restaurer, achetes a sa vente, 1831/ 
 
 Panel — 8 \ in. by 6. 
 
 A Pair of small Scriptural Subjects, i. the Flagella- 
 tion of Christ, 2. Christ Bearing His Cross. Of very 
 early date, probably time of Albert Diirer. Painted on copper 
 with glass fronts. 
 
 5 in by 4. 
 
 Samson and Delilah, with the Philistines standing 
 
 AROUND READY TO BlND HIM AS SOON AS HIS HAIR IS CUT OFF. 
 An elaborate picture in brilliant colours, painted on Majolia. 
 
 10 in. by 14. 
 
 A Saint (? Lucretia or Cecilia,) full Draped and 
 Jewelled, with an open bosom, and a sword at her hand. 
 Early and fine, like Lucas Cranach. 
 
 Panel - — 16 in. by io|. 
 
 A Lady at pier Toilet, with several Figures, including 
 a page bringing in her head-dress, in the time of Louis XIV. 
 A French picture. 
 
 Panel , with glass front — 6 in. by 5. 
 
 An ancient Painting of Christ’s Entry into Jerusalem, 
 with numerous figures spreading their garments. Finely exe- 
 cuted, and probably by Jan Miel, about 1659. 
 
 Panel — 17 in. by 36. 
 
( 20 6 ) 
 
 PIERINO DEL VAGA. 
 
 Born at Florence in 1500, died at Rome in 1547. Pupil of 
 Raphael and of Ridolfo Ghirlandajo. He is ranked by Vasari as 
 the most distinguished of the disciples of Raphael, and after the 
 death of that master, was employed in conjunction with Giulio 
 Romano to finish the great works in the Vatican. Roma?i 
 School. 
 
 The Virgin in a Crimson Dress with Blue and Green 
 Drapery, seated with the Infant Christ standing on 
 her Lap, with landscape background. A beautiful cabinet 
 work from the collection of Signor Tachinardi of Florence. 
 
 Panel — 10J in. by 8J. Christie’s , July 3rd, 1869. 50/. 
 
 SIR ANTHONY VANDYCK. 
 
 Born at Antwerp in 1599, died in London in 1641. Pupil of 
 Rubens and Henry van Balen. Distinguished as a portrait and 
 history painter. Flemish School. 
 
 Christ on the Cross, with Mary Magdalen, deploring, 
 standing by the side of St. Joseph, with a soldier in complete 
 armour on a grey horse and his equerry on a brown one, while 
 a man is holding up a sponge with vinegar and hyssop at the 
 end of a long pole towards Christ’s nose. There is an en- 
 graving very like this picture. 
 
 Panel — 28 in. by 36. Christie's , May i&th, i860. 
 
 Portrait of Elizabeth Barnham, Countess of Castle- 
 haven, in a Black Dress, with her Long, Brown Hair 
 falling over her Shoulders. Very elegant. Miniature 
 form. 
 
 HENRY VAN LINT. 
 
 Flourished about the end of the seventeenth century. “ The 
 Italian landscapes of this painter are much admired by collectors, 
 particularly his views in the vicinity of the Capitol. 
 
 A Pair of Small Views of Rome. 
 
( 20 7 ) 
 
 CHARLES ANDRE VANLOO. 
 
 Born at Nice in 1705, died at Paris in 1765. There were 
 several distinguished painters named Vanloo between 1614 and 
 1771, all related to each other, as will be seen in Bryan. The 
 present one, Charles, called Carlo, is described by his countrymen 
 as having “ the design of Raphael, the grace of Coreggio, and the 
 colour of Titian.” 
 
 Portrait of an English Lady in a Turkish Costume 
 (supposed to be Lady Mary Wortley Montagu) playing 
 on the Guitar. 
 
 Canvas — 32 in. by 25. Christie’s, Bernal Sale , March \2tJ1. 
 
 22 1 . is. 
 
 A Full-Length Female Figure, with a Mallet in her 
 Right Hand and a Chisel in her Left, with a large open 
 book before her and a pen and ink ; apparently representing 
 Sculpture. On a board is the inscription, ‘ Gratitudo in corde 
 a . re . perennior.’ 
 
 Canvas — 3 ft. by 27 L Phillips ' , Matthew Anderson , February 
 2%th, 1871. 1 guineas. 
 
 *** This is one of an allegorical series of which there are several 
 in the Louvre, e.g. Painting, Architecture, etc. 
 
 LUCAS VAN UDEN. 
 
 Born at Antwerp in 1596, died, according to Descamps , in 1662. 
 There is a very long and flattering account of this distinguished 
 landscape painter in Stanley's Bryan , where it is said that his 
 extraordinary merit recommended him to Rubens, who assisted him 
 with his advice and frequently employed him to paint landscapes 
 in his historical pictures, and in return occasionally embellished 
 Van Uden’s pictures with his admirable figures. Flemish 
 School. 
 
 Summer and Winter. A Pair of highly finished 
 Landscapes, with numerous Figures by Teniers. 
 
 Panel — 10 in. by 14. Christie's , W. B. Tiffin , May 28 th, 1877. 
 
 2 SI. ys. 
 
( 208 ) 
 
 LUCAS VAN U DEN — continued. 
 
 A Landscape, with Shepherd and Sheep, Tall Trees 
 and Rocks. The figures probably by Teniers. Very highly 
 finished. 
 
 Panel— 7 m. by g\. 
 
 A Small Verdant Landscape, with Water and Small 
 Figures in the Foreground, and a Spire in the Distance. 
 Highly finished. 
 
 Panel — 9 h in. by 13^. Christie's , John Mountjoy Smith , Jime 
 
 10th, 1876. 
 
 GASPAR VANVITELLI, called OCCHIALE. 
 
 Born at Utrecht in 1647, died at Rome in 1736. “ He excelled 
 
 in painting architectural and perspective subjects, and has repre- 
 sented the views of modern Rome with the precision of Canaletti, 
 and they are generally enlivened with numerous figures and 
 carriages.” Roman School. 
 
 View of the Piazza del Popolo Romano on a Fete 
 Day, with upwards of a Thousand Small Figures, and 
 Numerous Carriages. Painted in chiara-oscuro on card- 
 board. 
 
 Glazed— 9 in. by 15. Originally from Lord Gwydyrs Collection, 
 1829. 15/. 15^. 
 
 A Pair of Architectural Views in Rome. One, the 
 Colosseum and the Arco de Constantine; the other, the 
 Palace of the Quirinal and the Equestrian Statues, both with 
 carriages and numerous equestrian and pedestrian figures in 
 the foreground. From the collection of Cardinal Fesch. 
 
 Canvas — 15 in. by 30. Christie's, July 15th, 1864. 9/. 1 5.9. 
 
( 2 °9 ) 
 
 LOUIS DE VARGAS. 
 
 Born at Seville in 1502, died there in 1568. “Amongst the 
 Andalusian painters the first place must be given to Louis de 
 Vargas, the best painter of the Sevillian line from Sanchez to 
 Castro de Velasquez. He is remarkable for the grandness and 
 simplicity of his designs, and for the purity and grace of his 
 female heads ; for correctness of drawing and agreeable freshness 
 of colour.” — Stirling, Annals of the Artists of Spain. 
 
 The Virgin and Child seated on a Sculptured Throne 
 with St. John at her Knee, and a Saint (supposed to be 
 St. Domenic) at her Feet. — Signed in full, and dated 
 
 15 66. 
 
 Panel — 18 in. by 13. Christie's , Davenport Bromley , June %th, 
 1872. 40/. 19^. 
 
 This picture was an especial favourite with the late Sir William 
 Stirling Maxwell, who would willingly have bought it of me. 
 
 DON DIEGO DE SILVA VELASQUEZ. 
 
 Born at Seville in the Spring of 1599, died at Madrid, August 
 7th, 1660. Pupil of Francesco Herrera the elder, and afterwards 
 of Francis Pacheco. A painter of great eminence. Spanish 
 School. 
 
 A Boar and Stag Hunt, with a number of Sportsmen, 
 including apparently the King Philip IV. and the 
 Princes, on Horseback, with dogs and spears. A Winter 
 Scene in a Forest. Painted on marble. 
 
 14 in. by 16J. 
 
 All the hunting scenes by Velasquez were painted before his 
 first visit to Italy. See some account of them in C. B. Curtis’s 
 Velasquez and Murillo , p. 23, et seq. 
 
 ESAIAS VAN DE VELDE. 
 
 f 
 
 BoPn at Leyden about the year 1597, or some years earlier, died 
 in 1648. Nagler thinks he must have been born before 1597, as 
 already in 1614 he had attained great celebrity for his battle pieces, 
 skirmishes of cavalry, etc. Dutch School. 
 
 An Infantry Review in a Dutch Town, with numerous 
 Spectators, many of them on Horseback. An elaborate 
 and interesting picture, highly finished. Pa?iel — 24 in. by 34. 
 
 E E 
 
( 210 ) 
 
 ADRIAN VAN DE VELDE. 
 
 Born at Amsterdam in 1639, died there in 1672. Pupil of Jan 
 Wynants. As a painter of figures and animals on a small scale 
 his admired painter was greater than all the Dutch and Flemish 
 masters of the day. His pictures of late years have sometimes 
 sold at auction for more than 800/. Dutch School. 
 
 A Woody Landscape with a Sportsman on Horseback 
 in the Foreground speaking to a Peasant, who is leaning 
 on his cow, a goat standing in front of them, while on the 
 right a cow and three sheep are lying down, and to the left, 
 under a tree, is a sheep feeding. — Signed in full. From the 
 Montcalm Collection, where it sold for 70 guineas. 
 
 Panel — gh in. by 11L Christie's , Jime nth, 1864. 34/. 13,9. 
 
 WILLIAM VAN DE VELDE, the YOUNGER. 
 
 Born at Amsterdam in 1633, died in London, 1707. Pupil of his 
 father William, and of Simon de Vlieger. He has been de- 
 nominated the Prince of Marine Painters, and Walpole says that 
 he is the greatest man that has ever appeared in this branch of 
 painting. As a rule in his finest works he avoided contrasts and 
 bright colours, and some of his small thousand guinea pictures, which 
 are generally in exquisite simplicity of treatment, are not inferior to 
 his most highly finished and important works. Dutch School. 
 
 A Sea Piece, with Men of War. A small exquisitely 
 painted picture on panel. Signed. 
 
 Chancellor , Lee Manwaring’s sale , Old Palace , Richmond , 
 September 24th, 187 5. 28/. js. 
 
 A Calm, with some Half-dozen Ships at Bay, and Two 
 Boats with Figures in the Foreground. 
 
 Panel— 8£ in. by 1 2. 
 
 A Calm, with Shipping and Boats, mostly engaged in 
 Fishing. Signed in full and dated 1667. 
 
 Canvas — 13 in. by 15. 
 
 A Sea Piece, Three Large Vessels and Two Small 
 ones in a Storm. Exquisitely painted on panel. This 
 picture was sold at Richmond, in 1879, as William van de 
 Velde, and may easily be mistaken for him as it is in his 
 
( 2 1 I ) 
 
 WILLIAM VAN DE VELDE — continued. 
 
 manner, and equal to him in finish and execution, but it is 
 signed W. U. S., 1776, and I know of no painter with those 
 initials; the nearest is William Schellinks, of Amsterdam, who 
 was a first-class marine painter, and was in England during 
 the reign of Charles II. His pictures are very rare and 
 highly valued. 
 
 Panel — 18 in by 26. 
 
 EUGENE JOSEPH VERBECKHOVEN. 
 
 Born at Warneton, in West Flanders, June 8th, 1798, died 
 January 9th, 1881, at Brussels, in a house which he had built for 
 himself in 1847, and where he had continually resided. A highly 
 esteemed painter of sheep, cattle, and other animals. Pupil of 
 Ommeganck, and to some extent teacher of Sidney Cooper, who 
 acknowledged his very great kindness. See Ottley, page 36. I 
 knew Verbeckhoven intimately, and used to call on him in Brussels, 
 and the last time, now more than twenty years ago, I gave him a 
 commission for two pictures, selected from among his numerous 
 sketches, but with certain alterations which he approved, but I 
 never got them, and was told by a friend, a well known picture 
 dealer, that as soon as they were painted, and were repeated, they 
 were snapped up on the spot, and carried off by dealers. Dutch 
 School. 
 
 Sheep and Lambs, with Poultry, in a Landscape. Signed 
 in full, Eugene Verbeckhoven, 1849. 
 
 Panel — 7! in. by g\. Christie's , March 16th, 1866. 43/. is. 
 
 A Woody Landscape, with Peasants, Cattle, and Sheep. 
 The landscape by J. Hackaert, the cattle by E. Verbeckhoven. 
 Signed by both, and dated 1845. 
 
 Panel— 12 in. by i6|. Christie's , W. Curling, May 5 th , 1866. 
 
 g 40 guineas. 
 
 Sheep, Lambs, and a Goat, with a Shepherd, in a 
 Landscape,^ a Castle in the Distance. Exquisitely 
 painted. 
 
 Canvas — 8^ in. by 11. Christie' s , M arch 15 th, 1853. 
 
 Three Sheep in a Landscape, an early Picture. 
 
 Panel— 6 in. by 
 
( 212 ) 
 
 SIMON VERELST. 
 
 Born at Antwerp in 1664, died in 1710. A distinguished painter 
 of flowers and fruit, who came to England in the time of Charles II., 
 and was greatly patronised. “ At the instigation of the Duke of 
 Buckingham, aided by his own vanity, he took to painting portraits, 
 which were finished with as much delicacy as his flowers, and for 
 a time engrossed the fashion, being paid as much as no/, for a 
 half-length.” — Bryci7t. 
 
 Portrait of the Duchesse de la Valliere, repre- 
 sented as Flora, being crowned with a Wreath of 
 Roses by a Child behind her, who holds a mirror in the 
 other hand. Signed in full. Highly finished on copper. 
 
 8 in. by 6b. Fosters, Cox's sale, April 30 th, 1879. 1 H. os - 6r/. 
 
 CLAUDE JOSEPH VERNET. 
 
 Born at Avignon, in 1714, died in Paris, 1789. An eminent and 
 admired painter of seaports and river scenes, often in the manner 
 of Claude. He seems to have had a predilection for small cabinet 
 pictures, which are extremely pleasing, and he occasionally painted 
 on snuff boxes, which in consequence usually sold for large prices. 
 French School. 
 
 A View in the Levant, with a large Rock, Shipping, 
 
 AND A NUMBER OF FISHERMEN IN THE FOREGROUND PULLING 
 
 in their Nets. 
 
 Canvas — 18 in. by 30. P attic k' s, Charles Braham's sale , 
 
 May 1876. 25/. 
 
 A Pair of Italian Seaports, with Shipping and 
 Figures. 
 
 Canvas — 10 in. by 13. Ellenborough sale, 1882. 28 1. 
 
 A Beautiful Miniature Drawing of a Seaport, with 
 Shipping, a Tower, and Figures. Signed C. J. Vernet, 
 1770. From the collection of William Beckford, Esq., of 
 Fonthill Abbey. 
 
 Cardboard, with glass protection — 9 in. by 15. 
 
( 2I 3 ) 
 
 VICENTE DE JUANES. 
 
 Born at Valencia in 1523, died in 1579. According to Sir 
 William Stirling, pp. 354-367, and all Spanish authorities, he was 
 one of the most perfect of Spanish painters, and Palomeno does not 
 hesitate to prefer him to Morales, and even to Raphael himself. 
 His works are scarcely to be seen out of Spain, most of them being 
 immured in the convents of Valencia. 
 
 St. Barbara. A small picture. 
 
 Christie’s , Wynn Ellis, January 17th, 1876. 4/. 14s 1 . 6 d. 
 
 ALFRED VICKERS. 
 
 Born September 10th, 1786, died in 1862, aged eighty-two. A 
 landscape painter, chiefly of small pictures of English scenery, 
 which were truthful and pleasing. He was a frequent exhibitor at 
 the Royal Academy from 1813 to 1859. 
 
 An English Landscape (Petersham Park ?), with Trees, 
 a Cottage, Cattle, and Sheep. Signed A. Vickers, i860. 
 
 Panel — 10 in. by 14. 
 
 1 bought this picture direct from my esteemed artistic friend 
 Alfred Vickers, in the autumn of the year it was painted, and 
 commissioned him to paint half-a-dozen more small representations 
 of English scenery, as highly finished as his aged eyes would permit, 
 but he was then in feeble health, and died soon afterwards. 
 Pictures for which he used to charge 10/. or 15/. rose to 40/. or 50/. 
 immediately after his death. 
 
 LEONARDO DA VINCI. 
 
 Born at Vinci in the Val d’Arno, below Florence, in 1452, died 
 at Cloux in 1519. This great Italian painter was pupil of Andrea 
 Verqcchio, and contemporary of Raphael. Tuscan and Milanese 
 Schools. 
 
 The Last Supper. A miniature copy beautifully painted 
 in oils, attributed to the celebrated John Luyken, about 1680, 
 on oak panel. 
 
 7\ in. by 12. Christie’s , Kean Brown Osborne’s sale , February 
 \qth , 1853. 61 . 6s. 
 
 I am glad to say I have a first impression of the original 
 picture engraved by Raphael Morghen. 
 
( 2I 4 ) 
 
 DAVID VINCKENBOOMS. 
 
 Born at Mechlin in 1578, died at Amsterdam in 1629. Pupil ot 
 his father, a miniature painter. A painter of scriptural and 
 mythological subjects and landscapes. Nagler speaks very 
 highly of him and thinks he must have been in England as he 
 painted Richmond Hill, and mentions my picture of ‘ The Victory 
 of Death,’ which he calls a remarkable composition. German 
 School. 
 
 A Woody Landscape on the Banks of a Lake, with 
 Classical Figures in the Foreground representing the 
 story of Pyramus and Thisbe. 
 
 Panel — 8 in. by 101. 
 
 The Victory of Death, with numerous Human 
 Figures, Male and Female, in various attitudes, animals 
 in the distance, the figure of Death in the foreground. A 
 curious picture, engraved by Bolswert in 1610, which I have. 
 
 Panel — 21 in. by 26. 
 
 PIERRE VIOLET. 
 
 A French miniature painter to Louis XVI. and Marie Antoinette, 
 of considerable reputation in his time. After the assassination of 
 his patrons in 1793, he left his native country and came to London 
 and remained there in good practice till he died, December 9th, 
 1819, in the seventy-first year of his age. He exhibited occasion- 
 ally at the Royal Academy, and among other works, a portrait of 
 George, Prince of Wales, and portraits of his friends Bartolozzi 
 and Cipriani. 
 
 A Group of Three Infant Bacchanalians, two of them 
 supporting the other in a horizontal position, who is balancing 
 three goblets on a plateau. A beautiful drawing in colours, 
 exquisitely finished. 
 
 9 in. by 7. 
 
 OTTAVIO VIVIANI. 
 
 Born at Brescia, and flourished about the middle of the seven- 
 teenth century. A painter of architecture and perspective. 
 Venetian School. 
 
 A Pair of Small Views in Venice. 
 
 Christie's, Edmund Higginson, Esq., June \^th i860. 3/. ^s. 
 
( 21 5 ) 
 
 SIMON DE VLIEGER. 
 
 Born at Amsterdam about the year 1612 ; time of his death 
 uncertain, but it is known that he was painting in Amsterdam in 
 1640 and then giving lessons to Win. van de Velde the younger. 
 
 A Sea Piece, with Six Ships in Full Sail, and a Boat 
 full of Figures. 
 
 Panel — 18 in. by 26. Christie's , December 2.0th, 1875. 7/. 
 
 JOHN CHRISTIAN VOLLERDT. 
 
 Born at Leipzig in 1708, died at Dresden in 1769. An esteemed 
 landscape painter, chiefly of views on the Rhine and in Switzerland, 
 enlivened with figures and animals. German School. 
 
 A Pair of rich Landscapes, apparently Views on the 
 Rhine, with Figures and Animals. 
 
 Canvas — 13 in. by 10. Christie' s, January 25 th, 1868. 
 
 25! guineas. 
 
 ARY DE VOYS. 
 
 Born at Leyden in 1641, died in 1698. Pupil of Adrian van 
 der Tempel, instructor of Francis Mieris the elder. Dutch 
 School. 
 
 PORTRAT OF HlMSELF IN FULL DRESS, WITH A TURBAN ; A 
 
 Scroll in his Hand. — Signed in full. 
 
 Copper — 6f in. by 6J. Christie's , Win. Goldsmith , February 10 th, 
 1866. 10/. 
 
 Portrait of the Countess of Santa Croce, richly 
 attired in a Black Dress, a lace cap, large ornamental v 
 ruffle and lace cuffs, holding gloves in her left hand, and 
 resting her right on an ebony chair. Highly finished in the 
 manner of Mieris. Sold as Vandyck, but signed A. De Voys 
 on the back of panel. 
 
 Panel — 14 in by 12. Christie's. 
 
( 216 ) 
 
 HANS VREDEMAN DE VRIES. 
 
 Born at Leowarden in 1 527, died, according to Immerzeel ’ at 
 Antwerp, in or after 1604. An eminent architectural painter, al- 
 though, according to Nagler and Van Mander , he at different times 
 painted Scriptural pieces, and among others the Tower of Babel and 
 an altarpiece. Dutch School. 
 
 The Hall of Judgment. A Columnar Building with 
 Numerous Figures. — S igned in full. 
 
 Panel — 14 in. hy 20. Christie's, Sir Richard Frederick , Bart., 
 February Jth, 1874. 21/. 
 
 Architectural View of the Interior of a Cathedral, 
 with Figures. — Signed, and dated 1603. 
 
 Panel — 14 in. by 20. 
 
 JOHN RENIER DE VRIES. 
 
 Son of John Fredeman de Vries, but of whose birth and death 
 nothing is known excepting that he flourished about the middle of 
 the seventeenth century, and one of his pictures bears the date of 
 1657. Supposed to have been a pupil of Jacob Ruysdael. Dutch 
 School. 
 
 A Rich Woody Landscape, with a River Scene, where 
 a Peasant is Watering Cattle, and an Angler is 
 Fishing. The figures by Adrian van de Velde. 
 
 Panel — 15 J in. by 14. Christie's, Munro of Novar, May 18///, 
 1867. 31/. 1 or. 
 
 JAMES WARD, R.A. 
 
 Born in Thames Street, London, October 23rd, 1769, died at 
 Cheshunt, November 17th, 1859, in the ninety-first year of his 
 age. A distinguished painter and engraver. Brother-in-law of 
 George Morland. I had the pleasure of being acquainted with 
 him as well as his son, who died recently at an advanced age. 
 His son’s daughter married the late Mr. E. M. Ward (no relation) 
 and is still alive, and I hope prospering as a paintress. 
 
 River-Side Scene on the Banks of the Thames at 
 Wapping, with Cottages and Figures. — Signed. 
 
 Canvas — 12 in. by 16. 
 
ANTHONY WATERLOO. 
 
 Bryan and Stanley say that this admirable painter and engraver 
 was probably born at Utrecht about 1618, and that it is at least 
 certain he resided there the greater part of his life, and died there 
 in the Hospital of St. John, about 1679. His oil-paintings, which 
 are usually of the most interesting simplicity, are of extreme 
 rarity and seldom met with in common. Mr. C. J. Niewenhuys, 
 the eminent connoisseur of Dutch pictures, says that he never met 
 with a genuine picture by Waterloo signed with his name. 
 
 A Grand Woody Landscape, with Water in the Fore- 
 ground and a Boatman Rowing. 
 
 Panel — 17 in. by 20. Christie's , November 27th, 1875. 
 
 54 guineas. 
 
 This has already been catalogued as Ruysdael, and was bought 
 as such at Christie’s, November 27th, 1875, No. 38, for 54 guineas, 
 but I am under the impression that my friend Niewenhuys said it 
 was a fine Waterloo, and I have so named it. 
 
 ANTOINE WATTEAU. 
 
 This eminent painter was born at Valenciennes in 1684, and 
 died at Nogent-sur-Marne, near Vincennes, in 1721, in his thirty- 
 seventh year. Pupil of Claude Gillot. His drawing is very 
 masterly, his scenes are wonderfully real, and his different cha- 
 racters are delineated with so much spirit and with such per- 
 fect ease, that we can readily feel we are enjoying the company of 
 the gay people before us. French School. 
 
 Pierrot and the Italian Comedians. A Group of Ten 
 Figures, in which Pierrot is the Centre and most 
 prominent. Known in France as ‘ La Troupe Italienne.' 
 This picture tallies exactly with Watteau’s own engraving. 
 These is a known duplicate of it in the possession of Sir 
 Thomas Baring, and no doubt by Watteau, which has been 
 valued at several thousand pounds, but it has eleven figures, 
 being one more than is represented, and therefore of later 
 date than Watteau’s own engraving, which accompanies the 
 present picture. 
 
 Canvas — 25 in. by 30. Robinson , Son , Sr 3 Fisher , May nth, 1869 
 
 168/. 
 
( 2I 8 ) 
 
 ANTOINE WATTEAU — continued. 
 
 A F&te Champetre in a Garden, with a Company of 
 Actors, including Harlequin and Pierrot, and Two 
 seated Ladies who are asked by one of the Company, 
 Cap in Hand, for a Money Contribution. Ten figures 
 in all. Engraved in vol. i. of Watteau’s works as ‘ La Fete 
 Venetienne.’ 
 
 Canvas — 18 in. by 22. 
 
 The Fortune-teller, an Old Woman with Three 
 Ladies before her. A charming cabinet work. Engraved 
 in Watteau’s works, vol. i., by Cars, as ‘La Diseuse 
 d’Avanture.’ 
 
 Panel — 10 in. by 7. Christie' s, Henry Farrar , June 16th, 1866. 
 
 67/. 4s. 
 
 A Fete Champetre on a Lawn in Front of a Cottage, 
 consisting of ten figures, male and female, seated round a white 
 tablecloth, on which are grapes and refreshments, while a lady 
 and gentleman, standing, and the cottager are looking on. A 
 dog and poultry are alongside. The whole scene of an amatory 
 character, much in the character of Fragonard. Very highly 
 finished. 
 
 Copper — 15 in. by 18. 
 
 The Island of Cythera, with Venus and the God- 
 desses Bathing, with amatory accessories, in all thirteen 
 figures. A poetical composition of high quality. With the 
 engraving by Picot at the back. 
 
 Canvas — 18 in. by 22. Christie’s, May 29 th, 1869. 35 1 . ioj. 
 It had hreviouslv been sold i?i Emerson's Collection , 1829, for 
 100 guineas. 
 
 A Fete Champetre, with numerous Figures, mostly 
 Females, Refreshments are spread on the Lawn, and 
 a Man in the Centre of the Picture is holding up 
 an Empty Bottle. 
 
 Canvas — Phillips ' , Mav 23rd, 1865. no*. 
 
( 21 9 ) 
 
 ANTOINE WATTEAU — continued. 
 
 A Dramatic Fete Champetre, in which the Italian 
 Comedians are Acting before Numerous Figures in Full 
 Costume. 
 
 Canvas — 20 in. by 27. 
 
 A Garden Scene, in which are Two Prominent Figures, 
 one a Young Lady reclining on the Lap of Another, 
 while a gentleman behind is placing his hand on her bosom. 
 
 Panel — 7 in. by 6 . Phillips * , Augustus Stevens , May nth, 1869. 
 
 15/. 15^. 
 
 An Oval Picture, representing Two Handsome Female 
 Figures in the Centre of a Woody Landscape, with 
 several figures behind them. Somewhat out of condition. 
 
 Panel — 17 in. by 13. Phillips*, Lord Willoughby de Eresby, May 
 1st, 1865. 10/. ioj-. 
 
 Portrait of Madame la Marechale de Luxembourg, in 
 Full Dress, reclining on a seat in the garden. A charming 
 work. 
 
 Panel — 10 in by it.. Phillips' 1 , Augustus Stevens, May nth , 1869 
 
 32 1. ns. 
 
 A Garden Scene, in which a Youth is playing the 
 Guitar, and Five Figures, apparently Dramatic, are 
 alongside listening. With the engraving by Cochin. 
 Engraved in Watteau’s works, vol. i., as ‘ Le Consent.’ 
 
 — » Canvas — 12 in. by 10. 
 
 A Red Chalk Drawing of a Garden Scene, with five 
 figures, chiefly female, and a dog. 
 
 Cardboard, frame a and glazed — io| in. by 15. 
 
 Scene de Pasquin, Five Figures in Dramatic Costume, 
 with a monumental vase and parrot in a landscape in the 
 
( 220 ) 
 
 ANTOINE WATTEAU — continued. 
 
 background. A drawing, highly finished, in opaque colours. 
 From the cabinet of Mons. le Comte de Julienne. 
 
 In glazed frame— 5! in. by 7. 
 
 A Small Garden Scene, with Three Figures, Two of 
 them Seated in the Foreground. An oval, with glazed 
 front. 
 
 Cardboard — 5 in. by 3|. Robinson , Son, &■* Fisher , November 
 29th, 1878. 10/. ioj -. 
 
 EMILE WATTIER. 
 
 Born in Paris in 1803. A French painter of genre subjects, in 
 the manner of Watteau and Boucher, pupil of Baron Antoine Louis 
 Gros. Nagler speaks very highly of him, calls him the modern 
 Watteau, and says that Prince Gallitzin (renowned for his taste) 
 gave him a commission in 1847 to paint the boudoir of his Princess 
 with subjects which he names. His picture of ‘ Ninon de 1 ’Enclos, 
 and le Marquis de la Chartre/ is in the Louvre. 
 
 A French Cavalier in Full Costume Courting a Lady 
 who is Seated in a Garden. 
 
 Panel — 14 \in. by 12. Bought in 1852. 10/. ioj \ 
 
 JAN WEENIX. 
 
 Born at Amsterdam in 1644, died in 1719. Pupil of his father 
 Jean Baptiste Weenix. As a painter of birds and game he has 
 never been surpassed by any of the old Dutch masters. Stanley, 
 in his addition to Bryan, alludes especially to his admirable treat- 
 ment of the plumage of the Swan, and accidentally adds that the 
 pictures of this master are constantly progressing in value, and are 
 only found in the collections of tasteful and opulent amateurs. 
 Dutch School. 
 
 A Waterside Landscape, in which Two Large Swans 
 are being disturbed by a Dog who is swimming towards 
 them, while a man in the distance is looking on. Plighly 
 finished. Signed J. W. 
 
 Canvas — 16 in. by 22. Christie's, November 27th, 1875. 37/. 16s. 
 
( 221 ) 
 
 ADRIAN VAN DER WERF. 
 
 Born near Rotterdam in 1659, died in 1722. Pupil of Eglon 
 van der Neer. A distinguished painter in various departments, but 
 especially of fancy subjects. Butch School. 
 
 Boys with a Bird’s Nest under a ruined Arch. Highly 
 finished. Originally from the Earl of Besborough’s Collection, 
 sold at the sale of William Esdaile’s Gallery in 1838 for 
 75 1 - l2S - 
 
 Panel — 7 in. by 54. 
 
 Zephyr and Aurora ; the Former with Wings, pointing 
 Upwards with her Right Hand ; the Latter nearly 
 nude, placing her hand on a large cluster of flowers. Highly 
 finished. 
 
 Panel , with glass front — 14 in. by 12. 
 
 *** Sold originally as ‘ Vertumnus and Pomona/ by Wm. 
 Mieris. 
 
 JOSEPH WERNER. 
 
 Born at Berne, in Switzerland, in 1637, died there in 1710. 
 Studied at first under Matthew Merian at Frankfurt, and then for a 
 long period at Rome, after which he spent some time at Munich, 
 and then came to Paris, where he was patronised by Louis XIV., for 
 whom he painted his portrait, and many others at Versailles, and 
 subsequently was appointed by the King of Prussia Director of the 
 Berlin Academy. 
 
 Paris and the Three Graces, with Accompaniments. 
 Exquisitely painted on copper. On the back it is inscribed 
 ‘Presented by George IV. to the Duke of York, and sold at 
 his sale for 132/., bought by me, J. H. S. Pigott.’ 
 
 5 in. by 10. 
 
 BENJAMIN WEST, R. A, 
 
 Born at Springfield, in Pennsylvania, October 10th, 1738, came 
 to London in 1763, and died there March nth, 1820. West was 
 greatly patronised by George III., and received from him more 
 than thirty-four thousand pounds. He was one of the four artists 
 who in 1768 submitted to the king a plan for a Royal Academy, 
 which received the sanction of his Majesty. There are many of 
 his pictures at Hampton Court. 
 
( 222 ) 
 
 BENJAMIN WEST — continued. 
 
 The Death of King Lear, his Daughter Cordelia 
 Pressing his Hand, with other Figures. Signed in full, 
 and dated 1792. A fine specimen of the master, from the 
 Wanstead Grove Collection. 
 
 Canvas — 19 in. by 24. 
 
 This picture was exhibited at the Royal Academy, and was 
 afterwards engraved for Boydelbs grand Edition of Shakespeare. 
 
 Venus Rising from the Sea, and attired by the 
 Graces. Painted in 1799, and retouched by himself in 
 1 806. — Signed. Engraved by Moses in the West Gallery. 
 
 Panel — 16 in. by 14. From John Allnutt's Collection , Clapham, 
 Jwie 1863. 23/. 2s. 
 
 RICHARD WESTALL, R. A. 
 
 Born at Hertford in 1765, died in London, December 4th, 1836, 
 aged seventy-one. An elegant painter, chiefly in water-colours, 
 largely employed by London publishers for book illustrations, in 
 which department he was extremely popular. His last employment 
 was in giving lessons to the Princess Victoria. English School. 
 
 A Girl at a Stile in a Wood, with a Brown Pitcher 
 in her Hand, a large Dog by her Side. A fine drawing 
 in water-colours. — Signed. Framed and glazed. 
 
 21 in. by 16. 
 
 A Pair of Richly Coloured Drawings; one, Christ 
 blessing little Children ; the other, The Virgin with 
 the Child on her Knees, and St. John alongside with the 
 Cross in his left hand. Framed and glazed. 
 
 14 in. bv 12. 
 
 A Nymph reclining in a Wood at the Mouth of a 
 Stream, while being covered with a floral wreath by Cupid. A 
 fine large drawing in water-colours. — Signed. Framed and 
 glazed. 
 
 17 in. by 22. Sola at Sir Thomas Lawrence' s sale , in 1830, as Flora 
 Reclining, &c.,for 13/. 13s. 
 
( 22 3 ) 
 
 RICHARD WE STALL — continued. 
 
 A Girl in a Woody Scene, with a Market Basket on 
 her Left Arm, and a long stick, pointing to the green sward, 
 in her right hand. A fine drawing in water-colours. — Signed. 
 Framed and glazed. 
 
 21 in. by 16. 
 
 ROGER VAN , DE WEYDEN. 
 
 Born at Brussels about the year 1401, died at Brussels, June 
 16th, 1464. There is great uncertainty as to whether this eminent 
 painter is identical with Roger de Bruges or not. Both Nagler 
 and Stanley go at great length into the question, but do not settle 
 it. Flemish School. 
 
 Portrait of a Princess. A beautiful Woman in a 
 richly Brocaded Dress, with a Turban and Coronet on 
 her Head. Exquisitely painted. 
 
 Panel , oval — 10 in. by 9. Christie's , December 6 th , 1862. SI. 
 
 FRANCIS WHEATLEY, R.A. 
 
 Born in London (Wild Court, Covent Garden) in 1747, died 
 June 28th, 1801, aged fifty-four years. “ The works of Wheatley 
 merit good places among the masters of the early English School. 
 His pictures class well with Morland’s, yet are not imitations, and 
 we like them all the better on that account. His small portraits 
 and figures of children are very pleasing.” English School. 
 
 ^he Children of George III. in a Landscape, Three 
 Girls, including the Princess Amelia in the Arms 
 of the Princess Royal, and Two Boys, one of whom, 
 afterwards George IV., is trundling a hoop. 
 
 Canvas — 16 in. by 20. 
 
 A Landscape, with a Laitiere attending a Cow, sheep 
 alongside her, and a horseman in the distance. 
 
 Panel — 5 in. by 6. 
 
( 22 4 ) 
 
 FRANCIS WHEAT LEY — continued. 
 
 A pleasing Pair of Cottage Scenes ; one of them 
 representing a lady in a morning dress, introducing her chil- 
 dren, a little boy and girl, to a gentleman in a red coat, who 
 apparently has just arrived, as he keeps his hat on ; the other 
 shows the same gentleman in evening dress, seated and hearing 
 the little boy, who is on his knees before him, say his prayers, 
 the girl standing alongside the mother, who is in an evening 
 dress, with a servant behind them. 
 
 Panel , ovals — 5 in. by 6. 
 
 Three Children in a Garden, the centre one a girl with 
 a flower in her hand, on her right is a boy with a basket of 
 flowers, the other boy is behind grasping the branch of a tree. 
 Enamelled on Worcester porcelain. 
 
 Oval — 34 in. by 4^. 
 
 SIR DAVID WILKIE, R.A. 
 
 Born at Cults, in Fifeshire, November 18th, 1785, died at sea on 
 leaving Malta, June 1st, 1841, when his body was committed to 
 the deep. Wilkie was a frequent visitor at North End House, my 
 present residence, when it was occupied by Admiral Hawke Locker, 
 and he painted there a small domestic scene, including the portrait 
 of Miss Locker, who was afterwards burnt to death. For this 
 picture I offered 50/. in 1849. It no doubt remains in the posses- 
 sion of his son, Frederick Locker, Esq., who is literary, and a 
 member of our Philobiblon Society. 
 
 A Group of Pensioners playing Cards in the Gardens 
 of Greenwich Hospital, with two others looking on ; a large 
 dog alongside them. An early sketch. 
 
 Panel — 9 \ in. by 13. Bought privately. 10/. ior. 
 
 $ oP 
 
( 2*5 ) 
 
 EDWARD WILLIAMS, called OLD WILLIAMS. 
 
 Born in Lambeth in 1782, died at Barnes, June 24th, 1865, 
 leaving six sons, all of whom followed the arts, but three of them 
 changed their names. Pupil of James Ward, R.A. In the later 
 years of his life he devoted himself to painting scenery on the 
 banks of the Thames. 
 
 A Richly Wooded Landscape, with an embowered 
 Cottage, Peasants and a Dog in the foreground, water 
 and willows in the distance. 
 
 Panel — 19I in. by 24. Bought in Westminster. 
 
 A richly Wooded Landscape on the side of a River 
 or Canal, on which there is a boat with two figures angling, 
 and several ducks on the water. 
 
 Canvas — 18 in. by 24. 
 
 A Landscape with a Wooden Bridge over a Pond of 
 Water, on which are fourteen geese being driven by a farmer 
 a cottage and windmill in the distance. 
 
 Panel — 11 in. by 18. 
 
 RICHARD WILSON, R.A, 
 
 Born August 1st, 1714, at Pinegas, in Montgomeryshire, and died 
 suddenly at Llanberis in May, 1782. Pupil for six )ears of Thomas 
 Wright, a portrait painter. Wilson began his career as a portrait 
 painter, and after about seven years’ practice in that department, 
 during which he was employed in 1749 to paint full-length portraits 
 of the Prince of Wales, the Duke of York, and others, several of 
 which are preserved in the Garrick Club, he went to Venice. Here, 
 with the companionship of Zuccarelli and Claude Vernet, he became 
 a landscape pointer, and after seven years’ travel in Italy he re- 
 turned to England. It may be interesting to mention here that a 
 large and lofty room over the Queen’s coachmaker’s at the corner 
 of Long Acre and Rose Street, which I used as a warehouse for 
 about forty years, is painted all round with large landscapes by 
 Richard Wilson, and with figures the size of life by James Barry, 
 R.A. The ceiling had been painted by Sir James Thornhill some 
 time previous to 1730, and he resided in the house when Hogarth 
 ran away with his daughter. English School. 
 
 G G 
 
( 226 ) 
 
 RICHARD WILSON — continued. 
 
 A View on the Thames from the Petersham Meadows, 
 
 SHOWING THE ORIGINAL POPE’S VlLLA AT TWICKENHAM, with 
 swans and figures bathing. 
 
 Canvas — 1 5^ in. by 22. 
 
 A River Scene, with a Ruined Tower and Trees on 
 its Banks, and a boat with two men in it near the shore. 
 
 Panel — 13 in. by 17. 
 
 An Italian Landscape, with Figures in the Foreground, 
 while the Artist is taking a View ; on the Left is 
 Tivoli, and in the Distance the Campagna di Roma. 
 Painted in a silvery tone. From the collection of Septimus 
 Prowett, a retired picture dealer, who, when in trade, de- 
 voted himself especially to .Richard Wilson’s pictures, and in 
 whose printed catalogue this picture is marked 180 guineas. 
 
 Canvas — 20 in. by 28. Chancellor, Septimus Prowetfs Collection , 
 Richmond , July 15th, 1881. 60 guineas. 
 
 The Bridge of Augustus, with Towers, Trees, and 
 Figures. Midday Scene. Companion to the previous 
 picture. Marked 150 guineas. 
 
 Canvas — 17 in. by 29I. Chancellor, Septimus Prowetfs Colleclio?i, 
 July x 5 th, 1881. 60 guineas. 
 
 An Italian Landscape, with an Arched Ruin in the 
 Foreground, partly surmounted by a cottage, with figures. 
 Painted much in the manner of Guardi. 
 
 Canvas — 14 in. by 12. 
 
 Full Length Portrait of Horace Walpole, in his 
 Garden at Strawberry Hill, with a Dog at his Feet 
 Drinking from the old Marble Fountain. Signed in 
 full. 
 
 Canvas — 30^ in. by 2i\. Bought privately in Brighton , November 
 \Zth, 1879. 2 °^ 
 
( 22 7 ) 
 
 JOHN WILSON, Junior. 
 
 Distinguished as Young Jack, pupil of his father John H., R.S.A., 
 and a landscape and marine painter of considerable talent. His 
 colouring is rich, firm, and transparent, and his drawing unex- 
 ceptionable. He exhibited regularly at the Royal Academy, and 
 some of his pictures are equal to those of Nasmyth or Muller. 
 
 A Farmyard, with Buildings, Figures, and Ducks in a 
 Pool of Water. Painted much in the manner of P. Nasmyth. 
 Signed. Exhibited at the Exposition Universelle, at Paris, 1855. 
 
 Canvas— 12 in. by 20. Christie’s, J. L. Bickley , February 14 th 
 1863. 12/. ioj-. 
 
 JODOCUS, or JOOS VAN WINGHEN. 
 
 Born at Brussels in 1544, studied for some years in Italy and 
 France, and died at Frankfurt in 1603. He was a distinguished 
 painter of his day, and his pictures, which are chiefly sacred, 
 display a combination of the Italian and Flemish types, and are 
 especially admired for his female figures. His early years were 
 spent in Rome, where he was much patronised, and on his return 
 to Brussels he was made court painter to the Duke of Parma. His 
 pictures are extremely rare, but are found in the Vienna and several 
 other picture galleries. Flemish School. 
 
 The Madonna and Child. Very highly finished. 
 
 Panel — 10 in. by 8. Sotheby's , George Offer , June 1 6 th, 1874. 
 
 1 Si. 1 5s. 
 
 Offer, whom I knew intimately, valued this very highly, and his 
 family were very anxious to get it back from me at an advance. It 
 had been sold without reserve. 
 
 JACOB DE WIT. 
 
 Born at Amsterdam in 1695, died there in 1754. Bryan 
 says that l^e devoted himself principally to the decorations of 
 splendid apartments, and painting ceilings with emblematical and 
 allegorical subjects which he composed with great ingenuity, and 
 was much employed. Stanley adds that his decorative pictures 
 of children sporting, painted in chiaroscuro, are remarkably fine, 
 and are held in the highest estimation. 
 
 Five Cherubins in different Attitudes, Two at the 
 Base carrying Fuel apparently for Lighting a Fire. 
 Painted in chiaroscuro. A gallery picture. Signed and dated 
 1741. 
 
 Canvas — 6 ft. 10 in. by 22. 
 
( 228 ) 
 
 MICHAEL WOHLGEMUTH. 
 
 Bom at Niirnberg in 1434, died there in 1519. He was the 
 master of Albert Diirer, and a great employer of artists for his 
 grand work the Chronicon Niirenbergense, printed in 1493, which 
 I have. 
 
 Portrait of a Saint (? St. Sebastian or St. Christopher), 
 in Crimson and Green Robes, with a richly bound Missal 
 in his left hand, and touching with his right hand what appears 
 to be charred timber. 
 
 Panel — 26 in. by 18. Christie's , Willia?n Middleton , Esq., oj 
 
 Brussels, January 26th, 1872. 17/. 
 
 SAMUEL WOODBURN. 
 
 A distinguished picture dealer not known as an artist, but he 
 frequently visited Italy. 
 
 View of the Castle St. Angelo and the Bridge, with 
 St. Peter’s in the Distance. 
 
 Canvas— 1 1 in. by 15. 
 
 Presented to me by himself a few years before he died. 
 
 PHILIP WOUWERMAN. 
 
 Born at Haarlem, in 1620, died there in 1668, in the forty- eighth 
 year of his age. This charming and eminent painter was pupil of 
 his father Paul Wouwerman, and afterwards of John Wynants. 
 He was a splendid painter of horses, usually white, and of dogs and 
 other animals, which he designed with a correctness and spirit 
 which has never been surpassed, or even equalled, in landscapes. 
 
 A Peasant Boy holding a White Horse, with a Dog at 
 his Feet, near a decayed tree, in a landscape. 
 
 Panel — 13 in. by 14. Christie's , May igth. i860. 
 
 Mr. Farrer told me he had sold this picture for 50/., but I bought 
 it for less than half. 
 
 A Landscape, with a White Horse, and a Horseman 
 Drinking at a Cottage Door. 
 
 Pa?iel — 12 \ in. by g\. Christie's, John Harris, of Prince' s Gate, 
 Hyde Park, March 2nd, 1872. 30 guineas. 
 
( 22 9 ) 
 
 PHILIP WOUWERMAN — continued. 
 
 A Village Emeute, with Numerous Figures Shooting 
 
 EACH OTHER, OR FIGHTING HAND TO HAND, SEVERAL LYING 
 Dead. On the right is the usual white horse mounted by a 
 soldier in a red coat. Signed P. W. 
 
 Canvas — 13^ in. by 18. 
 
 A Hawking Party, with, Numerous Figures, a White 
 Horse in the Centre. Signed P. W. 
 
 P anel — 13 in. by gh. Christie s, Robert Goff, June 7th, 1866. 
 
 25/. 5s. 
 
 Going out Hawking, several Horses and Figures of 
 Sportsmen, one in the centre holding up the hawk. 
 
 Panel — 12 in. by 18. 
 
 A Dutch Coast Scene, with Smugglers Unloading a 
 White Horse which is in the Centre of the Group. 
 Boats in the distance. Signed P. W. 
 
 Panel — 12 in. by 16. Bought of Mr. Button at Brighton , 
 
 November , 1878. 25/. 
 
 JOHN WYNANTS. 
 
 Born at Haarlem, in 1600, died about 1677. It is not known 
 by whom this eminent landscape painter was instructed, but he 
 was one of the most distinguished artists of his time, and established 
 an Academy which has produced some of the ablest painters of the 
 Dutch School. He has the credit of ranking among his pupils 
 Philip Wouwerman and Adrian van de Velde, who afterwards 
 contributed to the embellishment of his landscapes, as did also 
 Adrian van Vie Velde and Karl du Jardin. Dutch School. 
 
 A Landscape, with Peasants and Dogs on a Sandy 
 Road, the trunk of a tree lying on the ground in front of a hill, 
 a clump of trees in the centre, and a horse and cart in the 
 extreme distance. The figures by Adrian van de Velde. 
 Signed J. W. 
 
 Panel — 16 in. by 22. Bought in 1850. 
 
( 2 3 ° ) 
 
 WYNANTS, of BRUSSELS. 
 
 I believe still living. 
 
 View of Prince Mauritz's House at the Hague, where 
 his fine Collection of Pictures is shown. 
 
 Canvas — 8 in. by 10. Bought of Woodin for io l. ioj. in 1855. 
 
 A Pair of Architectural Views in Amsterdam on its 
 principal Canal. On the back of one of these views is a 
 small engraving of Prince Mauritz’s house, similar to the 
 preceding picture. 
 
 Panel — 6 in. by 7. 
 
 A Pair of Flemish Landscapes of Ruins, with Water 
 and a few Figures. 
 
 Panel — 5 in. by 7I. 
 
 JACOB XAVERY. 
 
 Born at the Hague in 1736. Death uncertain, but some time 
 after 1769, when, having made a fortune by the sale of his pictures 
 in Holland, he retired to Paris and settled there with his family. 
 He was a pupil in his earlier years of Jacob de Wit, who died in 
 1754, and was regarded (according to Nagler) as one of the ablest 
 masters of his time. 
 
 A pleasing Landscape, with Cattle and Figures. 
 Painted much in the manner of Berghem. — Signed. 
 
 Panel — 15 in. by 19. Christie's , February 7th, 1863. 11 /. m. 
 
 HERMAN ZACHTLEBEN. 
 
 Born at Rotterdam in 1609, died at Utrecht in 1685. Pupil of 
 Jan van Goyen. His pictures are mostly views on the Rhine, and 
 are very pleasing and greatly esteemed ; his cattle are much in the 
 manner of Cuyp. Dutch School. 
 
 A Mountainous and sunny Landscape, with a Castle 
 in the Distance, and Trees, Cattle, Equestrian, and 
 Pedestrian Figures in the Foreground ; apparently a view 
 
( 2 3 > ) 
 
 HERMAN ZACHTLEBEN— continued. 
 
 from the Bergstrasse on the Rhine. The Bohn Castle, the 
 Hunt and miles of grounds connected therewith, Hospital, and 
 the beautiful meadows were the property of my ancestors, lost 
 by religious persecution in early days, my grandfather and 
 father having become Lutheran. On the occasion of a visit 
 there I was presented with rpy armorial bearings, beautifully 
 carved in stone many hundred years ago, which are now at 
 Twickenham. 
 
 Paitel — 8| in. by 12. Bought privately for 20/. 
 
 A River Landscape, apparently on the Rhine, with 
 Boats and Figures in the Foreground, an eyot in the 
 middle ground, and mountains in the distance. 
 
 Panel — 6 in. by 7. 
 
 P. J. V. ZIENGEN. 
 
 A Dutch painter of topographical subjects, much esteemed in 
 Holland. Still living. 
 
 A View of the Potter’s Gate, at Gouda, with Trees 
 Boats, and Figures in the Foreground, and a windmill 
 and shipping in the distance. — Signed P. J. V. Ziengen, 1817. 
 
 Panel — 12 in. by 17. Phillips", Lord Willoughby de Eresby , May, 
 
 1st, 1865. 
 
 HENRY MARTIN ROCHES ZORG, called ZORG. 
 
 V 
 
 Born at Rotterdam in 1621, died in 1682. Pupil of David Teniers 
 the younger, and according to Nagler, a first-rate master of his 
 art. 
 
 A Landscape, with Soldiers, Gun-Waggons, Horses, 
 Cattle, and Male and Female Figures. 
 
 Panel — 19 in. by 23. 
 
< 2 32 ) 
 
 FRANCESCO ZUCCARELLI. 
 
 Born at Pitigliano, in Tuscany, in 1702, died in Florence in 1788. 
 A pleasing landscape painter of the Tuscan School. In 1752 he 
 visited England, and at the foundation of the Royal Academy he 
 was chosen as one of its original members. He remained here for 
 the next twenty years, painting landscapes in a pleasing and elegant 
 style, which were greatly admired throughout Europe. 
 
 A Woody Landscape, with Diana and her Nymphs 
 bathing ; a huntress and companions with a sheath of arrows 
 in the distance. 
 
 Canvas — 13 in. by 17. Christie’s , J. Laity Bickley , February 14th , 
 1863. 16/. i6j-. 
 
 TADDEO ZUCCARO, or ZUCCHERO. 
 
 Born at Sant Angelo, in Vado, near Urbino, in 1529, died at 
 Rome in 1566 in the thirty-seventh year of his age. Pupil of 
 Pompeo da Fano and Giacopone de Faenza. “The compositions 
 of this master (says Seguier ) are grand, his figures well arranged, 
 and his female figures very elegant, and some Venetian in character 
 give evidence of the influence of Raphael.” Roman School. 
 
 Portrait of Diane de Poitiers, Mistress of Henry, 
 Duke of Orleans, afterwards Henry II. of France, in 
 full Dress, with Pearl and Jewelled Necklace. Very 
 similar in every respect to the picture of Jane Shore by Janet. 
 See page 95. 
 
 Panel — 20 in. by 16. Phillips’ , March 27th , i860. 37/. 16s. 
 
 FEDERIGO ZUCCARO, or ZUCCHERO. 
 
 Born at St. Angelo, in Vado near Urbino, in 1539, died according 
 to Zani, at Ancona, in 1619. Pupil of his brother, Taddeo Zucchero. 
 He came to England in 1574, and was very favourably received. 
 He painted the portrait of Queen Elizabeth and several of her 
 courtiers, as also that of Mary Queen of Scots. After a few years’ 
 residence here he returned to Italy, where he was chiefly employed 
 in painting scriptural subjects. Roman School. 
 
( 233 ) 
 
 FEDERIGO ZUCCHEEO-*/«i 
 
 Portrait of Queen Elizabeth, in a richly embroidered 
 Crimson and White Dress enriched with Pearls. A 
 small three-quarter length. Very highly finished. 
 
 Panel — 14 in. by 1 1. 
 
 Three-quarter length Portrait of Lady Arabella 
 Stuart very richly attired, with a jewelled Necklace, 
 Lace Collar, and long Strings of Pearls ; a fan in her 
 right hand. Painted probably when she was about twenty-one. 
 
 Canvas — 3 ft. 8 in. by 3 ft. 3 in. Bought at Twickenham , where it 
 
 had been time out of mind. Clement Swanston's Sale. 30/. 
 
 Portrait of Princess Elizabeth, daughter of James I., 
 afterwards Queen of Bohemia, in a rich dress and large 
 lace ruff, with pearls in her hair and pearl necklace. She was 
 born in 1596, married to Frederick, Elector Palatine, in 1613, 
 and died February 13th, 1662, at Leicester House. 
 
 Panel — 22 in. by 18. Lady Morgan's Sale, July 21st , 1859. 
 
 10/. IOJ 1 . 
 
 Portrait of Sir Walter Raleigh (half-length) in full 
 Costume, with Hat and Feathers, a large Lace Collar, 
 and jewelled Neck Chains. He was born in 1552, dis- 
 covered Virginia in 1584, therewith introducing Tobacco into 
 England ; and after various vicissitudes, was cruelly beheaded 
 in 1618, at the instance of James I., for endeavouring to raise 
 Arabella Stuart to the throne. 
 
 Canvas — 29 in. by 21. 
 
 H H 
 
( 2 34 ) 
 
 OMISSIONS. 
 
 Note. — The following articles were overlooked until after 
 the preceding portion of this catalogue had been put into type 
 — too late to conveniently introduce them under their proper 
 titles. 
 
 A Polyptich, containing five divisions, the middle one, 
 an allegorical treatment of the Crucifixion with numerous figures 
 — Saints, Apostles, Dignitaries of the Church, and Jews. In 
 the centre, the Lamb crowned with glory on an altar. The 
 other divisions depicting incidents in the life of Christ. 
 After the celebrated painting by Van Eyck, at Ghent. 
 Coloured engraving made for the Arundel Society. Mounted 
 in ebony. 
 
 Missal Drawing with Large Centre Miniature of 
 Christ and the Virgin in the Clouds; the Almighty 
 with extended hands blessing them, and the twelve Apostles 
 worshipping at their feet ; surrounded by fifteen smaller 
 miniatures containing episodes in the life of our Saviour. 
 
 9| in. by 7 |. 
 
 Prospero and Miranda, original Enamel by H. P. Bone, 
 dated 1834. 
 
( *35 ) 
 
 Portrait of Algernon Percy, Duke of Northumber- 
 land, in cuirass with blue scarf and slashed sleeves, holding 
 baton in one hand and sword in the other. After the picture 
 by Vandyck in the collection of the Earl of Essex. By 
 Henry Bone, R.A, 
 
 Enamel — 7^ in. by 
 
 Two Vignette Portraits of Lord and Lady HunsdeN, 
 attributed to Hilliard. , 
 
 3 in. by 2. Ebony and ormolu frames. 
 
 Portrait of Sophia, Duchess of Gloucester, in dark 
 blue dress and long brown veil falling behind, resting her head 
 on her left hand ; background a dark red curtain. Signed, 
 R. Higs. 
 
 Enamel— 3 in. by 2\. 
 
 Peaches and Grapes on a Marble Table, surmounted by 
 Flowers in a Vase. Signed, le Bel, and dated 1799. 
 
 Painted on porcelain — 5 in. by 4. Ebony frame. 
 
 A Pair of Drawings, exquisitely finished, representing the 
 expulsion of Adam and Eve from the Garden of Eden, and the 
 descent from the Cross. By Giulio Clovio. 
 
 4 in. by 2\. 
 
 Portrait of Jacques de Lucca in 1584, aged 23; with 
 long inscription on back. 
 
 in. by 3. Ebony frame. 
 
 Portrait of a Gentleman, in brown coat, wearing order ; 
 temp. Shakespeare, 
 
 6 in. by $. 
 
 Sporting Scene, with, dog in the foreground ; attributed to 
 George Stubbs, A, R.A. 
 
 3i in > h' 4i * 
 
( 236 ) 
 
 A Gilt Frame Containing Seven Miniature Portraits 
 of Turkish Sultans with Names at back. 
 
 Each miniature 2I in. by 21 — inside measureme?it of frame 1 3 | in, 
 
 by n|. 
 
 BELLINI, GIOVANNI. 
 
 Born, according to Julius Meyer, in the Algemeines Kiinstler - 
 Lexicon , at Venice in 1428, died there in November, 1516. The 
 first Venetian painter in oil, and the instructor of t-he two greatest 
 masters of the Venetian School, Giorgione and Titian. He main- 
 tained his powers to the last, and at an advanced age was visited by 
 Albert Diirer, who pronounced him the best painter of the time. 
 
 The Holy Family, in the centre of which the Madonna sits 
 enthroned, holding the Child in an upright position on her 
 left knee, Joseph standing alongside on her right. Two Saints 
 are in adoration, one on her right, next to Joseph, holding a 
 scroll in his left hand inscribed Ecce Agnus Dei , and in his 
 right a long wand surmounted by a cross, indicating, no doubt, 
 St. John the Baptist, of full age, who is often so represented 
 by the old masters, including Raphael, as seen in his famous 
 Blenheim picture ; the Saint on the other side, probably 
 St. Thomas, holds a long stout staff in his left hand, of which 
 the top is not seen. Signed in full , Johannes Bellinus. 
 
 Panel — 25 in. by 37. Carved and gilt frame. 
 
 Bought at the late Strawberry Hill sale for considerably less 
 than its value. There is a picture very similar to it in the Munich 
 Gallery. 
 
 HERMANN SAFTLEVEN, 
 
 Born at Rotterdam in 1609, and died at Utrecht in 1685. Nagler 
 speaks very highly of his works. 
 
 Lake and Mountain Scene, with vessels unloading ; 
 6 in. by 6f. 
 
 numerous figures 
 
( 2 37 ) 
 
 CATALOGUE OF THE MINIATURES, 
 ENAMELS, including Limoges, 
 
 MISSAL ORNAMENTS, AND VARIOUS CORRELATIVE 
 ILLUSTRATIONS OF ART, 
 
 AT 
 
 NORTH END HOUSE , TWICKENHAM , 
 
 COLLECTED DURING THE LAST FIFTY YEAR 
 BY HENRY GEORGE BOHN. 
 
 1. Portrait of a Lady, apparently Henrietta Maria, 
 
 in a low grey dress, with a background of crimson 
 curtains. 
 
 Vellum — 3 in. by 2\. Gold frame. 
 
 2. Portrait of a French Lady, in a crimson bodice, with 
 
 long curls entwined Avith flowers. Signed, de Massey, 
 1781. 
 
 Ivory — 3 in. by 2. Ormolu frame. Christie's , May \6th i 1870. 
 
 9 1. 9 s. 
 
 3. Portrait of a Gentleman in Armour, apparently Sir 
 
 Benjamin Rudyerd, M.P., inscribed on the back, 
 C. Coello. 
 
 Copper — 2 in. by i\. Gold frame. 
 
 4. Portrait of the Princesse Louise d’Orl£ans, in a dove- 
 
 coloured dress, with a blue scarf. 
 
 Ivory — 2 in. by if. Gold frame. 
 
 Miniatures, are.] b 
 
 r 
 
( 2 3 8 ) 
 
 5. Portrait of the King of Bohemia, Son-in-law of 
 
 James I. Signed, Peter Oliver. 
 
 Ivory — 2 in. by 1^. Ormolu frame. Christie’' s, April 12th, 1861. 
 
 4/. 1 5 j. 
 
 6. Portrait of Mary Elizabeth Walpole, in a square 
 
 mauve dress, with powdered hair. 
 
 Ivory — 4 in. by i|. Gold frame. 
 
 7. Venus rising from the Sea on a Shell. 
 
 Ivory — 3 m. by 2\. Gold frame. 
 
 8. Portrait of Madame Carriera Rosalba, in a mauve 
 
 dress, with a muslin cap and fichu, a black velvet band 
 round her throat. 
 
 Ivory — 2 in. by i|. Gold frame. 
 
 9. Portrait of a youthful French Lady, in a low pink 
 
 dress, with powdered hair, and a small straw hat, temp. 
 Louis XVI., and probably his daughter. By Hall. 
 
 Ivory — 1 1 in. by i\. Gold frame. 
 
 10. Portrait of the Young Pretender, James Francis 
 
 Edward Stuart, son of James II., and his Wife, 
 Clementina Sobieski, daughter of the King of 
 Poland. Half-lengths, in full Court dress. 
 
 Copper — Ovals , 4J in. by 3. Decorative ormolu frames. Christie's , 
 June 2fih^ \Z^. 15/. 15^. 
 
 11. Portrait of a Bacchante, inscribed “d’apres Greuze,” 
 
 1828. 
 
 Very highly finished enamel — 4! in. by 3I. Decorative ormolu 
 frame , bearing the monogram A.M. 
 
 *** From the collection of Prince Demidoff, Florence. 
 
 12. A Group of Flowers, painted in oil. 
 
 Ivory — 2 in. by if. Ormolu frame. 
 
 13. A Pair of Allegorical Subjects of Cupids. 
 
 1 2 in. by 2b In filigree gold frames . 
 
 14. Ships in a Breeze. 
 
 Vellum — 3 in. by 3f. Ormolu frame. 
 
( 2 39 ) 
 
 15. Ships in a Calm, companion to the preceding. 
 
 Vellum — 2\ in. by 3. Ormolu frame. 
 
 16. Portrait of a Lady in a Blue Dress. 
 
 E7iamel — 3 in. by 2\. Ornamental ormolu frame. 
 
 17. A Pair of Winged Cherubs embracing, one holding up 
 
 a torch. 
 
 Enamel — 2\ in. by 2\ In a large gilt metal frame. 
 
 18. Portrait of Madame de Sollange, in a low dress, 
 
 with a large hat, pearls, and feathers. 
 
 Ivory — 2\ in. by 2\. Ormolu frame. Christie' s, April 6th, 1852. 
 
 ll. 7s. 
 
 19. Portrait of Marie Antoinette when a Child. Three- 
 
 quarter length. In an ornamental blue silk dress, cap 
 and feathers. Signed, Hall. 
 
 Ivory — 2\ in. by 2\. Ormolu frame. Christie's , April 6th, 1852. 
 
 ill. 11s. 
 
 20. An Allegorical Subject of Truth, apparently Cupid 
 
 and Psyche, the latter holding a flambeau in her right 
 hand while Cupid lifts her veil. By Kingstet. 
 
 Ivory — 2\ in. by 2\. Ormolu frame. April 6th, 1852. 4/. 
 
 21. Portrait of John Gay, the Poet, in a red cap and a 
 
 coat trimmed with fur. 
 
 Enamel — 2 in. by 1%. Ebony frame. 
 
 22. Portrait of a Nobleman in full dress, wearing a star, 
 
 the order of the Golden Fleece, and a broad blue sash. 
 Signed, Rocher, 1785. 
 
 Ivory — 2\ in. by 2\. In a morocco case. 
 
 23. A Gentleman in Full Dress, scarlet coat, and cocked 
 
 hat, having his fortune told by a young lady, to whom 
 he gives his hand. 
 
 Ivory — i\ in. by 3. Ormolu frame. 
 
( 24 ° ) 
 
 24. A Pair of Ancient Miniatures in raised work, the 
 
 Annunciation and Virgin and Child. Dated on the 
 back, 1642. 
 
 2 \ in. by 3. Ormolu frames. 
 
 25. Portrait of Eleanora of Castille, daughter of 
 
 Ferdinand III., and consort of Edward I., in a 
 jewelled dress and coif. Inscribed with her name. 
 K very early miniature. 
 
 Panel — 4! in. by 3I. Carved and gilt frame. 
 
 26. A Lady, in a low buff dress and crimson scarf, with 
 
 flowers in her hair. Apparently French, temp. Louis 
 XIV. 
 
 Ivory —2j in. by 3. Ormolu frame. 
 
 27. Vertumnus disguised as an Old Woman addressing 
 
 Pomona in her Garden, while Cupid partially hid 
 under her dress is showing a mask. Painted in 
 Indian ink. 
 
 Ivory — 2\ in. by 3. Ormolu frame. Christie's , April , 1862. 
 
 12/. 12s. 
 
 28. A Double Enamel representing Minerva, with helmet, 
 
 spear, and shield, with two Seraphs on one side, and 
 two Amorini on the other. 
 
 Copper — 2 in. circular. Filigree frame , richly jewelled. 
 
 29. Madame de Montespan, in a low grey dress, with muslin 
 
 hood tied with pink ribbon, and a blue cloak thrown 
 across her arm. 
 
 Enamel, copper — 2f in. by 2. Ormolu frame. Christie's, June 13th, 
 
 1867. 
 
 30. A Miniature Landscape, with three figures in the 
 
 centre. Exquisitely finished. 
 
 Copper — if in. by 2. Ormolu frame. 
 
 31. Portrait of a Lady, with light hair in curls dressed 
 
 with pearls and roses, white muslin dress, with 
 French stay bodice of dark blue, and a rose in her 
 bosom. 
 
 Ivory — 2 in. by if. Gold frame. 
 
( 2 4 I ) 
 
 32. Portrait of Lady Arabella Stuart, with flowing hair 
 
 and pearl necklace, her dress scarlet trimmed with white 
 lace. 
 
 Enamel — 2 in. by if. Filigree gold frame. 
 
 33. Portrait of Elizabeth Montagu, in a muslin cap over 
 
 her long brown hair, in a low white muslin dress. 
 Enamel — 2f in. by if. Gold and enamelled frame. 
 
 34. Portrait of Le Marquis d’Arguison, with powdered 
 
 wig, in a pale red velvet coat, and lace ruffles, with a 
 Maltese cross on his breast, playing with a dog. By 
 Rigaud, metal back. 
 
 2f in. by 3. Ormolu fr ante. Christie’s, April 6 th, 1852. lit. 
 
 35. Portrait of a Gentleman with a lace collar over a 
 
 breastplate, temp. Henri IV. By Francis Porbus. 
 Enamel — if in. by if. Ormolu frame. 
 
 36. Portrait of Lord Grey, in armour, with lace tie over a 
 
 red cravat. Painted by Samuel Ford. 
 
 Panel — 2\ in. by if. Ormolu frame. 
 
 37. The Mater Dolorosa, in a blue mantle, yellow hood, 
 
 and red cuffs, with hands clasped. 
 
 Enamel — if in. by if. Silver frame. 
 
 38. A Child in a White Dress Nursing a Dove, exquisitely 
 
 painted, and signed S. V. 1771. After Greuze. 
 
 Ivory — if in. by i|. Gold frame. Phillips’s, February 1 st , 1866. 5/. 
 
 39. A Mythological Subject, a nude female reclining at 
 
 full length with a youth behind tying her arm to a 
 tree. Richly coloured. 
 
 Enamel — if in. by 2f. Surrounded by velvet in an ormolu frame, 
 
 40. Portrait of a Lady, in a low sea-green dress trimmed 
 
 with pearls, her hair dressed with shells and coral. 
 
 Enamel — if in. by if. Gold frame. 
 
( M2 ) 
 
 41. A Dramatic Scene of three figures, a lady richly dressed 
 
 seated in a chair, a letter in her hand, with a Waiting- 
 maid behind it whispering to her, and a Cavalier in front 
 apparently waiting for an answer. An early French 
 miniature, exquisitely painted. 
 
 3| in. circular. Ormolu frame. 
 
 42. Mieris, William, An Interior, with the Portrait 
 
 of a Lady in a yellow satin dress, with a blue velvet 
 mantle, sleeping on a chair with her bosom exposed ; 
 figures of an old man and woman in the background. 
 Exquisitely painted. 
 
 Ivory — 3 in. circular. Ormolu frame. Christie’s, Afril 6th, 1852. 
 
 7/. I2,y. 6d. 
 
 43. Four French Miniature Plaques of Mythological 
 
 Subjects. Painted on porcelain. 
 
 2§ in. circular. Ormolu frame. 
 
 44. Portrait of Dr. Hawkesworth, in powdered wig, blue 
 
 velvet coat and waistcoat, and white lace cravat. 
 Enamel by Zincke, dated 1773. 
 
 2 in. by ij. Gold frame. Christie's , April \Zth , 1864. 2/. 6s. 
 
 45. Four French Pastoral Subjects. Painted on porcelain. 
 
 2 in. by 2 %. Two gilt frames. 
 
 46. Portrait of a Gentleman, in a powdered w r ig, with 
 
 brown velvet coat, embroidered waistcoat, and white 
 muslin cravat (apparently one of the Walpoles). 
 
 Enamel — 1 | in. by i|. Ormolu frame. 
 
 47. A Lady in a low Yellow Dress, with a blue scarf, her 
 
 head dressed with vine leaves, while she is holding up 
 a mask; probably some celebrated actress. Signed, 
 W. B. 1783, after Sir J. Reynolds. 
 
 Enamel — 4 in. by 3I. Broad gilt frame sunk in a glazed mahogany 
 
 frame. 
 
( 243 ) 
 
 48. Portrait of Henrietta Maria, in a crimson dress 
 
 richly ornamented with jewels, and a pearl comb and 
 necklace. Highly finished. 
 
 Ivory — 3 in. by 2\. Ormolu and mahogany fra?ne. 
 
 49. Portrait of Prince Rupert, three-quarter length, in a 
 
 buff dress, with slashed sleeves and lace collar, wearing 
 an Order suspended from a blue ribbon, sword on his 
 left side, a baton on / the other. After Vandyck, 
 Enamel by Henry S. Bone. 
 
 9 in. by 7. Carved and gilt frame. 
 
 50. Portrait of a Lady, temp. Queen Elizabeth, in a low 
 
 blue dress with a red cloak over her arm, powdered 
 hair and feathers. 
 
 Copper — 5 in. by 3|. Carved and gilt frame. 
 
 51. Portrait of Madame Roland, her hair in long curls, 
 
 in a white dress and fichu. 
 
 Enamel - — 6 in, by 4|. Carved and gilt frame. 
 
 52. Portrait of William Villiers Viscount Grandison, 
 
 in a full Court dress, with large lace collar and cuffs, 
 a crimson satin cloak thrown over his arm. After 
 Vandyck, Enamel by Henry S. Bone. 
 
 9 in. by 7. Carved and gilt frame. Christie's, March 22 nd, 1862. 
 
 1 61 . 
 
 53. Portrait of Agnes Sorel, in a low velvet dress, laced 
 
 with gold braid, ermine cloak, and large muslin veil 
 falling over her shoulders. 
 
 Enamel — 6 in. by 4I. Carved and gilt frame. 
 
 53*. Portrait of Henry William Paget, Marquis of 
 Anglesey, of Waterloo celebrity, in regimental costume, 
 wearing various Orders. Painted by W. E. Bates for 
 Lady Morgan. 
 
 Canvas — 6 in. by \\. Carved and gilt frame . 
 
( 244 ) 
 
 54. Flora, in White Drapery, after Titian. Highly 
 
 finished. 
 
 Ivory — 4! in. by 3I. Ormolu and crimson velvet frame. Christie’s , 
 February iyth } 1866. 10/. 5^. 
 
 54*. A Sybil, after Guido, with a blue scarf round her head, 
 and a book in her left hand, inscribed, Nascitur de 
 Vivine. A companion to the previous picture, in a 
 similar frame. 
 
 4! in. by 3T Christie' s, February lyth, 1 866. 15/. 
 
 55. The Magdalen in Prayer before the Cross, a death’s 
 
 head, an open book, &c. With a companion picture 
 of a Saint on her knees, praying, with uplifted eyes 
 towards heaven. 
 
 Vellum — 34 in. by 3. Mahogany frame within a border of ormolu. 
 
 56. Portrait of the late Duchess of Parma when a child, 
 
 kneeling on her bed in her night-dress, nursing a kitten. 
 Exquisitely finished, and signed, F. Delmont. 
 
 Ivory — 5 1 in. by ef. Ormolu frai 7 ie. Christie's , March 12th, 1864- 
 
 15/. i8j. 
 
 57. Portrait of the Duchesse de la Yalli^re, in a white 
 
 dress with a blue scarf, the neck enriched by a garland 
 of flowers, with a broad gold belt round her waist, 
 holding an antique mirror in her right hand. Enamel 
 by Duchastelet. 
 
 6 \ in. by 5b Ormolu frame . Phillips’s , May $th, 1864. 18/. i8j. 
 
 58. Portrait of His Royal Highness the Prince Regent 
 
 in 1815, in full regimentals, with Orders. Enamel by 
 Henry Bone, R.A. 
 
 Oval — 4 in. by 3. Ornamental carved gilt frame. 
 
 59. Portrait of Tom Moore in a dark brown velvet coat, 
 
 by W. E. Bates. Painted for Lady Morgan. 
 
 Enamel — 6 in. by 4!. Ornamental gilt frame . 
 
( 245 ) 
 
 60. Portrait of the Duke of Wellington in 1840, after 
 
 Sir Thomas Lawrence, Enamel by H. P. Bone. 
 Ornajnental gilt frame. 
 
 61. Portrait of Abraham Cowley, the Poet, in a 
 
 red cloak, showing a white shirt on an open bosom, 
 with flowing hair, after Mrs. Mary Beale. Enamel 
 by Henry P. Bone. 
 
 6 in. by 5. Ornamental gilt frame. 
 
 62. Portrait of Thomas Otway, the Dramatic Poet, in a 
 
 reddish brown cloak, showing a white shirt, after the 
 picture by Mary Beale in Earl Spencer’s collection. 
 Enamel by Henry P. Bone. 
 
 6 in. by 5. Ornamental gilt frame. 
 
 63. Portrait of James, Duke of Monmouth, in 1845, 
 
 dressed in armour, after the picture by Tyssens in the 
 possession of Lord Lyttelton. Enamel by H. P. Bone. 
 6 in. by 5. Ornamental gilt frame . 
 
 64. Portrait of Oliver Cromwell in Armour, after the 
 
 picture by Robert Walker (who is celebrated as 
 Cromwell’s portrait painter), in the collection of Earl 
 Spencer. Enamel by Henry P. Bone. 
 
 6 in. by 5. Ornamental gilt frame. 
 
 65. Ricci, Sebastian, Arrival of Camillus in Rome; dis- 
 
 pute respecting the gold which led to the battle between 
 the Romans under Camillus and the Gauls under 
 Brennus. An early miniature copy of the original 
 picture. 
 
 3 in. by 4^. Ormolu frame surrounded with ebony . 
 
 66. An Allegorical Representation of the Infant 
 
 Saviour in the heavens holding up the Cross, with His 
 feet on the globe, surrounded by seraphs. An early 
 Italian painting on marble. 
 
 5! in, by 4. Gilt frame. 
 
 Miniatures , 6°o] 
 
 c 
 
( 246 ) 
 
 67. The Two Infant Children of George II., Anne, 
 
 Princess Royal, who married William, Prince of 
 Orange, March 14th, 1734; and Margaret, his second 
 daughter, who married Frederic, Prince of Hesse- 
 Cassel, May 18th, 1740. Exquisitely painted by 
 A. S. Belle, an eminent French portrait painter, 
 born in 1674, died 1734, pupil of Francis de Troy. 
 Ivory — 5 in. by 7. Gilt frame , glazed. 
 
 68. Portrait of William, Lord Russell, with long flowing 
 
 curls and lace cravat. Enamel by Henry P. Bone. 
 
 4| by 3. Ornamental gilt frame. 
 
 69. Portrait of Lord Bolingbroke in a crimson velvet 
 
 coat and white cravat, after John Hoppner. Enamel by 
 Henry P. Bone. 
 
 5 in. by 4. Oma 77 iental gilt frame. 
 
 70. Portrait of Charlotte de Tremouille, Countess of 
 
 Derby, in a low grey dress with shaded blue scarf. 
 After the picture by E. H. Fleshier, in the possession 
 of Earl Spencer. Enamel by Henry P. Bone in 1840. 
 4 \ in. by 3^. Ornamejital gilt frame. 
 
 71. Portrait of Charles I. in Court Dress, with large lace 
 
 collar and the Order of the Garter. After Vandyck. 
 Enamel by Henry P. Bone in 1855. 
 
 5 in. by 4. Orna 77 iental gilt frar 7 ie. 
 
 72. Portrait of Frederick Henry, Prince of Orange, in 
 
 cap and feathers. After Frank Hals. Enamel by 
 Henry P. Bone, May 1853. 
 
 4! in. by 3. Orna 77 iB 7 ital gilt fra 7 ne. 
 
 73. Portrait of the Duchess of Tyrconnel (La Belle 
 
 Jennings of Grammont). After the original by Mary 
 Beale in the possession of Earl Spencer. Enamel 
 by Henry P. Bone, August 1845. 
 
 4^ in. by 3. 07 ma 77 iental Jit frame. 
 
( 247 ) 
 
 74. Portrait of Lucy Barlow, with pearls in her hair and a 
 
 pearl necklace, in a white satin dress and blue cloak. 
 After E. H. Fleshier. Enamel by Henry P. Bone. 
 
 4l in. by 3^. Ornamental gilt frame. 
 
 75. Portrait of the Duchess of Richmond, in a low blue 
 
 dress with a gauze scarf striped with gold, pearls in her 
 hair. After Sir Peter Lely. Enamel by Henry P. 
 Bone in 1843. 
 
 4 j in. by 3^. Qrnamental gilt frame. 
 
 76. Portrait of Marshal Ney in Full Uniform, with 
 
 Orders. From the collection of the Empress Josephine. 
 Painted by Girardet. 
 
 Ivory — 4 j in. by 3^. Ormolu frame. 
 
 77. Portrait of George IV., in a black cravat, dressed in 
 
 black, with broad fur trimmings, and the Order of the 
 Golden Fleece, &c. After Sir Thomas Lawrence. 
 Enamel by William Bone, 1842. 
 
 4 in. by 3J. Ornamental gilt frame. 
 
 78. Portrait of Ann, Lady Craven, in a low blue dress, 
 
 with a rose-coloured cloak swung over her shoulder, and 
 a fose in her hair. After the original by Michael Dahl 
 in the collection of the Earl of Craven at Combe 
 Abbey. Enamel by Henry P. Bone, 1850. 
 
 4\ in. by 3^. Ornamental gilt frame. Christie' s, March i^rd, 
 18.63. 12/. \2S. 
 
 79. Portrait of the Countess de Grammont, in a low 
 
 dress, with pale green and gold scarf, pearl earrings, and 
 necklace. After Sir Peter Lely. Enamel by Henry 
 P. Bone, .1843. 
 
 4 in. by 3b Ornamental gilt frame. 
 
 80. Portrait of John Milton, with flowing hair and a large 
 
 white collar. After a picture in the possession of 
 Mrs. Dymoke of Wells. Enamel by Henry P. Bone, 
 1845. 
 
 4 \ in. by 3?. Ornamental gilt frame. 
 
( 248 ) 
 
 8 1. Portrait of Her Royal Highness the Duchess of 
 
 Kent, in a low white dress, with a large hat and 
 feathers. After the picture by H. Collen in 1829. 
 Enamel by Henry P. Bone, 1832. 
 
 41 in. by 3 Ornamental gilt frame. 
 
 82. Portrait of Algernon Sidney, with flowing hair, broad 
 
 white collar, and a velvet coat. After Sir Peter Lely. 
 Enamel by Henry P. Bone, 1841. 
 
 4f in. by 4. Ornamental gilt frame. Christie's, March 6 th, t 867. 
 
 14/. 14^. 
 
 83. Portrait of Philip, Earl of Pembroke, with flowing 
 
 hair and a large lace collar, wearing a large Order 
 (? red cross). After a picture by Vandyck in the 
 possession of the Earl of Clarendon. Enamel by 
 Henry P. Bone, 1853. 
 
 42 by 3I. Ornamental gilt fraine. Christie's , March 6 th } 1867. 
 
 14/. 14 s. 
 
 84. Portrait of Catherine of Braganza, Queen of Charles 
 
 the Second, in a low white satin dress with mauve trim- 
 mings ; and pearl ornaments. After a picture by P. 
 Burstaer in the collection of Earl Spencer. Enamel 
 by Henry P. Bone. 
 
 42 in. by 3b Ornamental gilt frame. 
 
 85. Miniature Portrait of an Early Poet, about the time 
 
 of Shakespeare, dressed in red, with a red skull-cap 
 and broad white collar. 
 
 Enamel on copper — 2 in. by if. Ornamental gilt frame. 
 
 86. Portrait of a Gentleman, apparently Addison, in a 
 
 large flowing wig and blue brocaded dress, and white 
 necktie with a red ribbon. 
 
 Enamel — 4^ in. by 3^. Ormoltc frame , with Cupids. 
 
 87. Margaret, Countess of Nottingham, in 1592, in the 
 
 thirtieth year of her age. She was the wife of Earl 
 Charles, better known as Lord Howard of Effingham, 
 and is said to have secreted the ring intrusted to her 
 by Essex to be given to Queen Elizabeth in 1602. A 
 
full-length portrait, in a richly jewelled dress, with 
 ornaments and a large ruffle, holding a pink rose in 
 her left hand. By John Hoskins. Signed with his 
 usual monogram, J. H. 
 
 7 1 in. by 6 . Gold filigree frame. Christie’s , June 6 th , 1874. 
 Barker Collection. 33/. 
 
 88. The Virgin and Child in Glory, exquisitely finished, 
 with a perforated border showing clouds. 
 
 Vellum — 4 in. by 4. Ormolu frame. 
 
 89—94. Six Early Miniature Portraits painted on copper, 
 viz., Edward VI., Queen Elizabeth, Charles I., Henry 
 VIII., James I., and Henry, Prince of Wales, son of 
 James I. 
 
 Copper — 4! in. by 3J. Framed in ivory , surrounded by eight 
 carbuncles set in gold. 
 
 95. Portrait of William, Prince of Orange, afterwards 
 
 William III., after Rembrandt. Enamel by H. P. 
 Bone. 
 
 3l in. by z\. Tortoiseshell frame. 
 
 96. Portrait of a French Lady, in a low red dress with 
 
 lace fichu tied with blue, and a wreath of roses and 
 blue ribbons in her hair. 
 
 Sevres porcelain — 8 in. by 6. Ormolu frame. 
 
 97. The Salutation, i.e. the Congratulation of the Virgin by 
 
 Elizabeth. After Andrea del Sarto. Exquisitely 
 finished. 
 
 Copper — 6 in. by 4 |. Carved and gilt frame. 
 
 98. Portrait of John Selden, called by Hugo Grotius “the 
 
 Glory of the English Nation,” born 1584, died 1654. 
 Enamel by William Bone, after Sir Peter Lely. 
 
 5 7? in. by 4^. Gold frame , surrounded by ivory. 
 
 99. Portrait of George Stubbs, the Eminent Painter of 
 
 Animals (born 1724, died 1806). Enamel by Henry 
 Bone, after a picture by Ozias Humphrey, R.A. 
 
 in. by \\ — Gold frame , surrounded by ebony. Christie’s , 1875. 
 17/. 6 s. 6 d. 
 
( 2 5 ° ) 
 
 100. Mater Dolorosa, in a blue cloak forming a hood. 
 
 Exquisitely painted on ivory by William Wood, the 
 eminent miniature painter. 
 
 4 in. by 4. Ormolu frame , surrounded by velvet. 
 
 1 01. The Holy Family. After Raphael. Seven figures, 
 
 exquisitely finished ; enamelled miniature of early date. 
 5 in. by 4. Ormolu frame , surrounded by ebony. Foster's , April 1st, 
 1869. 15/. 15^. 
 
 102. Portrait of Her Majesty Queen Victoria, seated on 
 
 a high-back chair, dressed in white, with the blue Ribbon 
 of the Garter, diamond ornaments, and a miniature 
 portrait of Prince Albert on her right arm. By Sir 
 William Ross. 
 
 Ivory — 7i in. by 5. Ormolu frame , in a glazed case. Christie's , 
 February 2nd, 1874. 30/. 
 
 103. Portraits of the Royal Children of Her Majesty 
 
 Queen Victoria and His Royal Highness Prince 
 Albert, i.e. Princess Helena, Princess Louise, and 
 Prince Arthur, with flowers in a garden. Enamel by 
 Sir William Ross, in 1858. 
 
 7 in. by 8§. Ormolu frame, glazed and sunk in a ?nahogany and 
 velvet case. Christie's, April 15th, 1861. 63 1 . 
 
 It had previously been bought against me at 100/. Prince 
 Albert told me that these were better portraits of his 
 children than he had himself. 
 
 104. Portraits of Two Infant Children of Counsellor 
 
 Poelemburg. By Sir William Ross. Highly finished 
 in oils (engraved in the Juvenile Forget-me-not by 
 J. Thomson). 
 
 4I in. circular. Richly carved and gilt frame , with engraving. 
 Christie's, June 2.2nd, i860. 21/. 
 
 105. Portrait of Edward VI. in full costume. After a 
 
 picture by Holbein, in the possession of Sir George 
 Osborne at Chicksands Priory. Enamel by Henry 
 Bone, R.A. A fine large specimen. 
 
 1 2 in. by 8. Very richly decorated frame, ormolu ornaments on 
 ebony. Christie’s, February 22nd, 1866. 85 guineas. 
 
( 251 ) 
 
 106. Blake, William, a miniature oil painting, catalogued 
 
 among my pictures. See page 18 of the “Picture 
 Catalogue.” 
 
 107. Portrait of a French Lady (? La Valliere), in a low 
 
 red dress with white muslin fichu, tied with blue ribbon, 
 her hair in ringlets, and pearl necklace. 
 
 Ivory — 3 in. by 2. Ormolu frame. Christie's , April 18th, 1864 
 
 7/. 4s. 
 
 108. Portrait of Hortense Mancini, Duchess of Mazarin, 
 
 in a low black dress, with jewels (born 1646, died 
 1699). Painted by Samuel Cooper. 
 
 4 in. by 3. Gilt metal frame. Phillips's , February 1st , 1862. 
 
 12/. 1 2S. 
 
 109. Portrait of Sir Joshua Reynolds, in a red coat and 
 
 waistcoat, white cravat, and large velvet cap. Signed, 
 C. Smith, on right arm. 
 
 Ivory — 4 in. by 3. Gilt metal frame. 
 
 no — 116. Portraits of Henry VIII. and his Six Wives, 
 in full costume. Apparently after Holbein. 
 
 Vellum — The King , 2f in. by 2 j the Ladies , 2\ in. circular. 
 
 Unfra7iied. 
 
 1 17. Portrait of Elizabeth Cheron, Miniature Painter, 
 
 poetess, and musician, aged twenty-nine, in a point lace 
 head-dress. Painted by herself, and dated 1677. 
 
 2-| in. by 2. Gold frame mounted on ebony. 
 
 1 1 8. Portrait of the Duchess of Somerset, Queen Anne’s 
 
 favourite, in a low flesh-coloured dress. After Sir 
 Peter Lely. 
 
 3! in. by 3. Unfra7ned. 
 
 1 19. Portrait of Lady Ashley, Countess of Shaftesbury, 
 
 in a low white dress and flowing hair. By Sir William 
 Charles Ross, R.A. 
 
 Ivory — 3 in. by 2\. Gilt fra7ne. 
 
( 2 5 2 ) 
 
 i2o. Portrait of Her Royal Highness the Princess of 
 Wales (afterwards Queen Caroline), in a low white lace 
 dress, three-quarter figure, holding a book on a table 
 with flowers. After Winterhalter. 
 
 Ivory — 3J in. by 3. Gold frame mounted on velvet. 
 
 1 2 t. Portrait of the Duke of Fuentes, the Spanish general 
 and statesman (born 1560, died 1643), i n a large lace 
 collar. By Alonzo Cano. 
 
 24 in. by 2. Ormolu frame. 
 
 122. Portrait of Victor Emmanuel, King of Italy, in 
 
 evening dress, with Orders ; three-quarter figure. 
 Porcelain — 4 in. by 3. Gold frame. 
 
 123. Portrait of Madame Marmontel, in a white dress, 
 
 with flowing hair and blue ribbons, seated at a tea- 
 table. 
 
 Ivo?y — 3 in. circular. Ormolu frame. Christie' s, March gth , 1868. 
 
 1/. 13^. 
 
 124. Portrait of a French Lady, in a low red dress trimmed 
 
 with white, seated on a blue couch. Highly finished. 
 3 in. circular. Enamelled gold frame. Christie's , April 1 8th, 
 1 864. 1 2/. 1 2 s. 
 
 125. Portrait of the Pretender in Armour. Painted by 
 
 Richard Cosway. 
 
 Ivory — 34 in. by 2f. Gold and ebony frame. Bought at G. W. 
 Callended s Sale , Christie's , May 6th, 1880. 16 guineas. 
 
 126. Portrait of a French Lady (? Henrietta Maria), with 
 
 flowing hair tied with pink ribbons. 
 
 Ivory — 2 in. by 14. Ormolu frame. 
 
 127. Portrait of Prince Rupert in Armour. 
 
 Grisaille ivory — 24 in. by 2. Ormolu fra7ne. 
 
 128. Portrait of Mrs. Crouch, the celebrated actress, 
 
 dressed in white muslin tied with blue ribbons ; her 
 hair in profuse curls. 
 
 4 in. by 3. Shagreen case. Christie's, March 2nd, 1869. 5/. ioj. 
 
( 2 53 ) 
 
 129. Portrait of the Countess of Pomfret, in a low 
 white dress, with pearls in her hair. Enamel by 
 Zincke. 
 
 2 in. by 1 J. Ormolu frame. 
 
 130. Portrait of a Lady in a blue and white dress, and 
 
 straw hat with ostrich feathers. Signed, C. Caspar. 
 
 3 in. by 'i\. Gold frame. 
 
 131. Portrait of an Empress of Russia, in a low dress, with 
 
 pearl necklace, hair dressed with ostrich feathers. 
 
 Ivory — 1\ by if. Enamelled tgold frame. Christie's , June 15th, 
 1868. 7/. Js. 
 
 132. Portrait of the Countess of Dudley, in a low white 
 
 lace dress, with a rose and feather in her hair, and a 
 pearl necklace. 
 
 Ivory — 3 in. by 2\. Ormolu frame a?id glazed case. Phillips ' , 
 
 3/. 1 $ s . 
 
 133. Portrait of a Nurenberg Lady, with a yellow head- 
 dress and a square black lace dress, with white muslin 
 sleeves and a pearl necklace of five row's. By P. C. 
 Lutzenkirchen. 
 
 Ivory — 2 \ in. by 2. Gold frame mounted in velvet. Phillips ' , June 
 12th, 1871. 5/. ioj. 
 
 134. Portrait of a Lady, with powdered hair and a jewelled 
 
 head-dress, with roses, in a low yellow dress trimmed 
 with sable. 
 
 Enamel— 2 in. circular. Gold frame. 
 
 135. Portrait of Madame Greffe, a German lady, with 
 
 powdered hair, a lace cap with yellow ribbons, and a 
 square low dress. 
 
 Ivory — 2 in. by i|. Ormolu frame. Robinson' s, March 10th, 
 
 1871. 4 1 . 
 
 J36. Portrait of a Lady in deshabille , with powdered hair. 
 Painted by Hall, and signed. 
 
 Ivory — 2\ in. by 2. Gold frame. Christie' s, June 14th , 1861. 
 
 137. Portrait of Richard Cromwell, eldest son of Oliver, 
 in armour. 
 
 In oils on metal — 2\ in. by 1 f . Gilt frame. 
 
 Miniatures , arc.] 
 
 D 
 
( 2 54 ) 
 
 138. Portrait of Lord Chatham, in a brown velvet coat, 
 
 white cravat, and powdered wig. 
 
 Enamel — 2 in. by 1 J. Gold frame. Christie's , March 2.2nd, 
 
 1865. 4/. 
 
 139. Portrait of Henry Jermyn, Earl of St. Alban’s, with 
 
 flowing hair, in armour (who died 1682). Painted by 
 Cooper, and signed S. C. 
 
 2 in. by if. Gold frame. 
 
 140. Portrait of Louis XIV. in armour, with flowing hair. 
 
 1 2 l n - by ii. Framed. Christie's , June 30th, 1864. 14/. 14^. 
 
 141. Portraits of the Duchess of Portsmouth and Lady 
 
 Castlemaine ; a pair of miniatures on the lid of a 
 tortoiseshell box. 
 
 1 in. circular. Gold frames. Christie's , April 2 6th, 1871. 
 
 5/. ys. 6 d. 
 
 142. Portrait of a Gentleman in a grey coat and waistcoat, 
 
 and powdered hair; dated 1758. Signed, G. S. 
 (? Gerard Scotin). 
 
 Ivory — 1 f in. by 1 \. Gold frame. 
 
 143. Portrait of Bernadotte, King of Sweden, in full 
 
 uniform, with orders. 
 
 Ivory — 2f in. by 2. Thin gold frame. Phillips' , February yth, 
 1861. 2/. 12s. 6d. 
 
 144. Portrait of Stanislaus II., King of Poland, in 1770, 
 
 in a blue neglige trimmed with fur, seated at a writing- 
 table with an hour-glass and book before him. 
 
 From the collection of Elizabeth, Princess of Hesse-Homburg, 
 daughter of George III., sold in Paris, 1868. 
 
 Ivory — 4 in. by 3^. Narrow gold frame. Christie’s, June 15th, 
 
 1868. 7/. 
 
 145. Portrait of Sir Christopher Wren, in a blue coat 
 
 and white cravat, with a powdered wig ; in his library, 
 with a book in his hand. Signed, H. de Valk, 
 1709. 
 
 Copper — 4! in. by 4. Unframed. 
 
( 2 55 ) 
 
 146. Portrait of Mrs. Ward, wife of the Rev. Ward, of 
 
 Tenterden, Kent, daughter of Lady Hamilton by Lord 
 Nelson, in a low white muslin dress and cap. 
 
 3i in. by 2%. Mounted in aflat gilt frame in a morocco case. 
 
 147. Portrait of a Gentleman, something like Shakespeare, 
 
 in the costume of that period. 
 
 Ivory — 4 in. by 3. Narrow gold frame. 
 
 148. Portrait of Sarah Jennings, Duchess of Marl- 
 
 borough, in an open blue dress with a white flower in her 
 hair. After Sir Godfrey Kneller. Enamel by Zincke. 
 
 2 in. by if. Gold frame mounted on ebony. Christie's , March 
 
 \\th 9 1871. 16/. 16.?. 
 
 149. A Girlish Head and Bust undraped, wearing curls 
 
 entwined with flowers. By Fragonard. 
 
 Ivory — 24 in. by 2. Gold frame . 
 
 150. Portrait of the Duchesse de Bouillon, apparently 
 
 Elizabeth of Nassau, a daughter of William, Prince 
 of Orange, in an amber-satin dress, with an allegorical 
 figure of a child alongside, roses in her hand and wings 
 On her shoulders. 
 
 2\ in. by 3. Ormolu frame. Robinson's , April 28th, 1871. 
 
 4 1 . ' 16^. 
 
 1 5 1. Portrait of Queen Elizabeth, in a richly jewelled 
 
 dress, and high lace ruff. By Nicholas Hilliard. 
 
 2\ in. by t 2. Gold frame. 
 
 152. Portrait of a Gentleman, with powdered hair, in a 
 
 grey velvet coat bordered with gold and a white 
 cravat (temp. George HI.). 
 
 Enamel — if in. by if. Morocco case. 
 
 153. Portrait of Elizabeth Stuart, Queen of Bohemia, 
 
 daughter of James I., in a low dress trimmed with 
 point lace, jewels in her hair. Born 1596, married 
 Frederic V., Elector Palatine, 1613, afterwards King of 
 Bohemia. Supposed by Oliver. 
 
 2 in. by 1 Ormolu frame. 
 
( 2 56 ) 
 
 154 * Portrait of Mary, Queen of Scots, in a richly- 
 brocaded dress, with a broad lace collar and head- 
 dress. 
 
 Vellum — 3 in. by i\. Crystal frame , with gilt metal back. 
 Christie's , February 2 nd , 1874. 14/. 
 
 155. Portrait of the Marquis of Granby, in Court dress. 
 
 By Richard Cosway. 
 
 Ivory — 2 1 in. by 2\. Gold frame. 
 
 156. Portrait of Archbishop Polignac, in clerical robes 
 
 suspended from his neck. Born 1661, died 1742. 
 
 Ivory — 2 1 in. by 2. Gold frame. 
 
 157. Portrait of a Lady, apparently Catherine of 
 
 Braganza, in a low white satin dress and dark blue 
 cloak, with pearl ornaments. 
 
 Ivory — 2 1 in. by 2. Gold frame , glazed. 
 
 158. Portrait of Madame Recamier, in a bonnet and blue 
 
 ribbons, in a white muslin dress and a striped scarf. 
 By Louis Leopold de Boilly. 
 
 Ivory — 2 1 in. circular. 
 
 159. Portrait of Napoleon, in uniform, with orders. By 
 
 Jean Baptiste Isabey, and signed. 
 
 Ivory — 1% in. by ij. Gold frame. Christie's, February 2nd, 1874. 3/. 
 
 160. Portrait of a Gentleman, apparently Royal, with 
 
 grey hair, in a dark blue coat, white waistcoat, and 
 cravat, wearing several orders. 
 
 Fine enamel — 1 \ in. by i\. Ornamental gold frame , surmounted 
 by a small crown, jewelled. 
 
 1 6 1. Portrait of Mrs. Frances Abington, a celebrated 
 
 actress, in the character of Beatrix. Signed, Sicardi. 
 Ivory — 1 1 in. by i|. Christie's , March gth, 1868. 5/. 5>?. 
 
 162. Portrait of Cooper, an actor in Shakespeare’s time, 
 
 in flowing hair, with a large white collar. 
 
 Oils — 2 in. by 1 J. Gold frame. 
 
( 2 57 ) 
 
 163. Portrait of Miss Linley, afterwards Mrs. Sheridan, 
 
 in a low brown dress and blue scarf. 
 
 Ivory— 2\ in. circular. Gilt frame. Christie's , March 14-th, 1871. 
 
 4/. 4*. 
 
 164. Portrait of Miss Wilkes, daughter of the celebrated 
 
 John Wilkes, in a pale pink dress. By Ozias Humphrey. 
 Ivory — i\in.,by if. Gold frame. 
 
 165. Portrait of William Herbert, Earl of Pembroke, in 
 
 a broad lace collar. 
 
 Ivory — 2 in. by i\. Gold frame. Christie's , June iSth, 1866. 
 
 Si. 5s. 
 
 1 66. Portrait of John Churchill, Duke of Marlborough, 
 
 in a long flowing wig, white cravat, and blue scarf. 
 
 Enamel — if in. by ii. Gold fra7ne. 
 
 167. Portrait of Admiral Sir Hugh Palliser, in full 
 
 naval uniform. 
 
 Enamel — 2 \ in. by if. Gold frame. 
 
 168. Portrait of Madame de Montbason, in a low white 
 
 dress, with flowers in her hair. By Lespiniere. 
 
 Ivory — 2 ini by i|. Gold jewelled frame. Phillips', February 1st, 
 
 1866. 15/. 
 
 169. Portrait of Marshal Saxe, in armour, with orders. 
 
 By J. M. Nattier. 
 
 Ivory— if in. by if. Gold frame. 
 
 170. Portrait of Charles I., with flowing hair and broad 
 
 lace collar. Highly finished. 
 
 Vellum — 1 h in. by if. Onnolu frame. Christie' s, May sth, 1859. 
 
 2>l. 5 s - 
 
 1 7 1. Portrait of Elizabeth, Queen of Bohemia, in long 
 
 flowing hair surmounted by a crown, in a low white 
 dress, with pearls. Enamel by Corn. Soelemburg. 
 Enamel — 2f in. by if. Gold frame. Christie's, November 29 th, 
 1867. 4 1. 4s. 
 
 172. Portrait of Frederick, King of Denmark, in full 
 
 Court dress. 
 
 Enamel — 1 f in. by li. Gold frame. 
 
( 2 5 8 ) 
 
 173. Portrait of a French Nobleman (temp. Louis XIV.), 
 
 in a crimson dress and yellow waistcoat. 
 
 Porcelain — if in. by 1. Unf rained. 
 
 174. Portrait of a Youthful French Beauty, with long 
 
 curls and head-dress of feathers and ribbon, and low 
 blue and white dress with slashed sleeves. 
 
 Ivory — 2 in. by ij. Gold rim. Christie's , June 1 $th, 1868. 
 
 10/. 
 
 175. A Lady, in a blue dress, with pearls in her hair. 
 
 Ivory — 1 1 in. by if. Gold frame. 
 
 176. Portrait of Lady Diana Vernon, in a blue and white 
 
 striped dress, with roses in her hair. 
 
 Ivory — 1 f- in. by 1. Unframed. 
 
 177. Portrait of Louis Hector, Due de Villars, with 
 
 flowing hair and a fur collar. By Petitot. 
 
 1 \in. by 1. Gold frame. Christie's , March nth , 1867. 4 1 . 
 
 178. Portrait of Louis Joseph, Due de Vendome, in 
 
 powdered wig and point lace cravat. 
 
 Enamel — 1 in. by f. Gold rim. 
 
 179. Portrait of the Emperor Alexander of Russia, in 
 
 full uniform, with orders. 
 
 Ivory — 2\ in. by 1 f . Broad gold frame. 
 
 180. Portrait of a Lady in Spanish Costume, apparently 
 
 Princess Mary previous to her marriage with Philip. 
 By Sir Anthony More. 
 
 2 in. circular. Gold frame. 
 
 181. Two Young Ladies, with clasped hands, in rich Swiss 
 
 costume. 
 
 Enamel — if in. by if. Ormolu frame. 
 
 182. Portrait of Francois de Valois, Due DAxen£On, 
 
 in full Court dress, dated 1561 in gold on the miniature. 
 Probably by Hilliard. 
 
 2 h in. by 2. Gold frame. Christie' s, April 18th , 1864. il. 13L 
 
( 2 59 ) 
 
 183. Portrait of a Lady, in a low black dress, with a muslin 
 
 cape trimmed with point lace, pearl necklace, &c. 
 i\ in. by 2. Gold frame. With monogram at back. 
 
 184. Portrait of a Clerical Gentleman, in an embroidered 
 
 cloak, with a red ribbon round his neck, inscribed and 
 dated 1675. 
 
 2\ in. by 2. Silver frame. 
 
 185. Portrait of the Duke of Cumberland, in Court 
 
 costume. 
 
 Enamel — if in. by i\. Unframed. 
 
 186. Portrait of the Rev. Dr. Samuel Parr, of Hatton, 
 
 Warwickshire, born 1746, died 1825, in his usual black 
 cap and costume. 
 
 Ivory — 3 in. by 2\. Carved wooden frame. 
 
 187. Portrait of Dr. F. H. W. Cornwall, Bishop of 
 
 Bristol in 1797, Hereford 1803, and Worcester 1808 
 to his death in 1831 ; in canonicals. 
 
 Ivory — 3 in. by 2\. In a carved wooden fra?ne. 
 
 188. Portrait of Admiral Kempenfeldt in 1780, in full 
 
 naval costume. He was one of the 900 who perished 
 by the sinking of the Royal George at Spithead, August 
 29, 1782. 
 
 Ivory — 2 f in. by 2\. Ormolu frame. 
 
 189. Portrait of Mrs. Robinson, mistress of George IV., 
 
 when Prince of Wales, about 1781. She first attracted 
 his notice as Perdita in the “Winter’s Tale.” 
 
 Ivory — 1 1 in. by i\. Ormolu frame. 
 
 190. Another Portrait of Mrs. Robinson in a blue sac 
 
 and powdered hair, dated 1784. 
 
 Ivory — 1 1 in. by ij. Ormolu frame. 
 
 19 1. Portrait of Peg Woffington, the celebrated actress, 
 
 in theatrical costume. 
 
 3 in. by 2. Ebony frame 
 
( 260 ) 
 
 192. Portrait of Lady Mary Wortley Montagu, in Turkish 
 
 costume. 
 
 Ivory — in. by 2§. Old shagreen case , mounted with silver. 
 
 193. Two Young Bacchanals, one with a bunch of grapes, 
 
 the other with a bottle and glass. Signed, B. Lampi, 
 Roma, 1601. 
 
 Ivory — 2\ in. by if. Ormolu frame. 
 
 194. Portrait of a Gentleman, in a dark blue coat and a 
 
 large white cravat. Inscribed J. Russell, R. A., pinxit. 
 (This miniature-painter was contemporary with Cosway 
 and equally esteemed. He died 1806.) 
 
 Ivory — 3 in. by 2\. Ebony frajne. 
 
 195. Portrait of a Lady, in a low white dress, with pearls 
 
 and a pink scarf. Signed, J. Spencer, 1749. 
 
 Ivory — 2| in. by 2. Shagreen case. 
 
 196. Samson carrying the Gates of Gaza. 
 
 Enamel — 2\ in. by 2. Ormolu frame. Christie's , June 13 th, 1867. 
 
 2/. 8j\ 
 
 197. Leda and the Swan. 
 
 French enamel on porcelain — 2 in. by 3. Unframed. 
 
 198. Portrait of a Lady, apparently French, with pow- 
 
 dered hair, in a striped dress and muslin fichu fastened 
 with a ruby brooch. 
 
 Ivory — 2 in. by if. Ormolu frame. 
 
 199. Portrait of a Lady, with powdered hair and head-dress 
 
 of feathers, in a low dress. 
 
 Ivory — 2 in. by if. Ormolu frame. 
 
 200. Portrait of a Gentleman, in a powdered wig, blue 
 
 coat and white cravat (temp. George III.). 
 
 Ivory — if by if. Gold frame , surrounded by an ormolu trefoil 
 
 border. 
 
 200*. Portrait of a Lady, in a low dress with powdered hair, a 
 companion picture to the preceding, in a similar frame. 
 
 1 1 in. by if. 
 
( 26l ) 
 
 201. Venus and Cupid, reclining on a sofa, with rich blue 
 
 draperies, a nude figure looking on. 
 
 Fine enamel — 1\ in. by 3. Gilt metal frame. 
 
 202. Portrait of a French Gentleman, a large flowing wig 
 
 and armour {temp. Louis XIV.). 
 
 Ivory — ii in. by i\. Ebony frajne. 
 
 203. The Assumption of the Virgin, with surrounding 
 
 cherubs on the reverse side. The figure of a Saint or 
 Martyr, with one hand on a skull alongside a book 
 and crucifix. A very early miniature. 
 
 3 in. by 2\. Silver frame. 
 
 204. A Pair of Japanese Miniatures, enamelled, each 
 
 containing two female figures in the costume of the 
 country. 
 
 Porcelain — 2\ in. by 2. Ebony frame. 
 
 205. A Pair of Japanese Portraits of Ladies, in full 
 
 costume, named Zeenut Mahul and Hosainee Begun, 
 with Japanese inscriptions under each. Exquisitely 
 painted. 
 
 Ivory — 2\ in. by 2. JJnframed. 
 
 206. An Allegorical Subject of Horses and a Driver, 
 
 apparently Phaeton in the chariot of the Sun in the act 
 of letting go the reins. 
 
 Grisaille ivory — 2\ in. circular. Gold frame. 
 
 207. A Very Early Miniature of the Virgin and Child, 
 
 on the back of which is the monogram A.M. interlaced. 
 Panel — 2 in. by 2\. Silver frame. 
 
 208. Portrait of William* Earl of Devonshire, in a large 
 
 flowing wig, lace cravat, and light blue scarf, 1637. 
 Painted by John Dixon, pupil of Sir Peter Lely. 
 
 2 in. by if. 
 
 209. Portrait of Etienne Francois, Due de Choiseul, 
 
 born 1719, died 1785, in a green coat. 
 
 2\ in. by 2. Gold frame. 
 
 210. Portrait of John Hampden, in armour. 
 
 Panel — 3! in. by 2%. - Carved and gilt frame. 
 Miniatures , e 
 
( 262 ) 
 
 21 1. Portrait of Madame Rosalba (Carriera) Artist, in 
 
 a low mauve dress with powdered hair, and pearl 
 necklace. Probably painted by her sister, a distinguished 
 miniature painter. 
 
 Ivory — 2i in. by 2. Gold frame. 
 
 212. Portrait of a Young Lady, in a low pink dress with 
 
 black lace, and roses in her hair. 
 
 Ivory — 2i in. by if. Mahogany frame. 
 
 213. Portrait of Ferdinand the Fifth and Isabella of 
 
 Castille in point lace ruffs of the period. Painted 
 in oils. 
 
 Panel — i\ in. by if. Elaborately carved and gilt frames of 
 Spanish workmanship. 
 
 214. Portrait of Nell Gwynne, in a low white dress, her 
 
 hair in curls. 
 
 Ivory — 2 in. by if. Unframed. Phillips ’, February 16th, 1867. 3/. 
 
 215. Portrait of Catherine the Second, Empress of 
 
 Russia, in a Russian dress, scarlet and pearls. 
 
 Ivory — 2f in. by 2\. Gold frame. Robinson' s, November qth, 
 
 1871. 61 . 
 
 216. The Building of Solomon’s Temple, in which is seen 
 
 Solomon and numerous figures. Painted by Paul 
 Ferg, and signed. 
 
 Silver — 2\ in. by 4. Carved gilt frame. 
 
 217. Portrait of Marie Josephine Laguerre, a celebrated 
 
 cantatrice, Paris 1755 — 83. 
 
 Grisaille — 3f in. by 3. Tortoiseshell frame. Christie's , March 4th, 
 1880. 5/. 15^ 6 d. 
 
 218. Full-length Portrait of Elizabeth, daughter of 
 
 Edward Strafford Strafford, Duke of Buckingham, wife 
 of Thomas Howard, Duke of Norfolk, mother of the 
 celebrated Henry Howard, Earl of Surrey, in a 
 brocaded dress and jewelled coif. Named and dated 
 1525, with the initials of the painter L. H. in gold. 
 
 7! in. by 5. Ebony frame. 
 
( 263 ) 
 
 219. Full-length Portrait of Princess Elizabeth, 
 
 daughter of James I., when young, in a blue and gold 
 dress, and white tablier, with jewelled head-dress and 
 velvet in the form of a crown. 
 
 Si in. by 2f. Carved and gilt frame of the period. 
 
 220. A Miniature of the Magdalen, seated with the cross 
 
 on her knees. 
 
 4i in. by 2\. Ebony frame. 
 
 2 2i. Portrait of Lady Elizabeth Ferrers, in a low pink 
 dress, with pearls in her hair. 
 
 Ivory — 2\ in. by 2. Silver frame. Christie 1 s, April 26th, 1871. 
 
 2 1. 2 s. 
 
 222. Portrait of Thomas Arthur Lally, Baron de 
 
 Tollendal, governor of the French Indies. Died 1766. 
 
 Ivory — 2 in. by if. Gold frame. 
 
 223. Landscape with a Tower, near which is a woman 
 
 at a well, and a man in a red jacket on a white horse 
 which is drinking. Apparently by Van Blarenberghe. 
 Panel — 2f in. circular. Gold frame. 
 
 224. Portrait of an English Divine, in clerical robes, 
 
 about the time of the Commonwealth. By Cooper. 
 With a monogram in gold, apparently S. C. 
 
 Vellum — 3i in. by 2\. Ormolit frame. Christie's , April 18th, 
 1864. 13/. 
 
 225. Portrait of a Dutchman, in a clerical habit. 
 
 2? in. circular. Gold frame. 
 
 226. Portrait of the Duke de Berri, son of Charles X., 
 
 in full uniform, with orders. Signed, Augustin and 
 dated 1814. 
 
 Glazed enamel — 3! in. by 3. Gold frame. 
 
 227. Portrait of Napoleon III., in full uniform, with orders. 
 
 By Conradi. 
 
 Ivory — 3^ in. by 3. Ormolu frame . Phillips\ February yth, 
 
 1861. 2 1 . 
 
( 264 ) 
 
 228. Portrait of the Empress Eugenie, in full evening 
 
 dress, a companion to the previous. 
 
 Ivory — 3! in. by 3. Ormolu frame. Phillips' , February "]th, 
 
 1861. 4/. 
 
 229. Portrait of Henry Stuart Darnley, married to 
 
 Mary, Queen of Scots, in 1565, murdered in 1567. 
 
 Ivory — 2 1 in. by 2\. Gilt and velvet frame. 
 
 230. Portrait of Henry, Prince of Wales, eldest son of 
 
 James I., born 1593, created Prince of Wales in 1603, 
 died November 6th, 1612. With long flowing hair and 
 a lace collar. 
 
 Vellum — 2-| in. by 1 f. Gold frame. 
 
 231. Portrait of Madame de Genlis, as a muse, in a very 
 
 low dress, with a pen and book in her hands. 
 
 Ivory — 3 in. circular. Gilt frame, mounted on crimson velvet. 
 Christie’s , March 1st, 1864, 5/. 
 
 232. Portrait of Lady Waldegrave, in a green and gold 
 
 dress, and a crimson cloak. 
 
 2 1 in. by 2\. Ebony and gold frame. 
 
 2 33. The Flight into Egypt, exquisitely painted by 
 
 Frederic Brentel, who died in 1651. 
 
 3^ in. by 3. Carved and gilt frame. Christie's, May 10 tli, 1869. 
 
 3/. 13L 6 d. 
 
 234. Portrait of Madame de Rohan, Duchesse de 
 
 Chevreuse, French Intriguer, born 1600, died 1679. 
 In a blue dress with flowers in her hair. By Du 
 Chatel, pupil of D. Teniers. 
 
 Ivory — 3! in. by 2|. Old silver frame. 
 
 235. A Pair of Miniature Landscapes, with numerous 
 
 figures, exquisitely painted by Le Bel. 
 
 2 in. by if Ormolu fr antes. 
 
 236. Portrait of a Gentleman, with powdered wig, blue 
 
 coat, white cravat, and crimson cloak, temp. George I. 
 Ivory — 2\ in. by 2. Ormolu frame. 
 
( 26s ) 
 
 237. Portrait of a Lady, in a blue dress and white cap, 
 
 with flowers in her bosom, and a spaniel in her lap. 
 Signed, Hall. 
 
 Ivory — 2 1 in. by i\. Ormolu frame. 
 
 238. Venus clipping the Wings of Cupid. 
 
 Enamel — 2f in. circular. Gold frame. 
 
 239. A Miniature of an Historical Subject, in which 
 
 horsemen are crossing, a bridge (qy. the Battle of 
 Worcester). 
 
 Enamel — 3 in. circular. Gilt metal frame. 
 
 240. A Forest Scene, showing an ancient tree with figures at 
 
 its base. 
 
 Panel — 3 in. circular. Ebony frame . 
 
 241. Le Couronnement de J. P. Rameau, French musician 
 
 and composer, a bust surrounded by his three children, 
 who are decorating it with roses. By Jean Baptiste 
 Vanloo. 
 
 Ivory — 3 in. "circular. Gold frame. Phillip ! , May 7th, 1861. 
 ill. m: 
 
 242. A Miniature Landscape, with a castle, water, and 
 
 figures. 
 
 1 f in. by 2\. Gold and ebony frame. 
 
 243. Portrait of a French Gentleman, in a richly 
 
 brocaded dress and point-lace cravat, temp. Louis XV. 
 Copper — 3? in. by 2\. Carved and gilt frame . 
 
 244. Portrait of Henry VIII., in a jewelled black cap with 
 
 white ostrich feathers, and full regal costume. 
 
 Ivory — ^ n - by 2|. Red morocco case , glazed. 
 
 „ 245. Portrait of Queen Anna Boleyn, in the conventional 
 cap with pearls, and a crimson velvet dress richly 
 jewelled, and a dark blue cloak. 
 
 Ivory — 32 in. by 2\. Red morocco case , glazed. 
 
( 266 ) 
 
 246. Portrait of Thomas Howard, Earl of Surrey, 
 
 afterwards Duke of Norfolk, in a black cap, and dark 
 blue, cloak trimmed with sable, wearing the collar 
 of S.S. 
 
 Ivory — 3 1 in. by 2\. Red jnorocco case , glazed. 
 
 247. Portrait of the Empress of Austria, in a low white 
 
 satin dress trimmed with lace, a tiara of diamonds in 
 her hair. Signed, M. Conradi, 1854. 
 
 Ivory — 3^ in. by 3. Phillips ' , February *]th, 1861. 4 1 . 
 
 248. Portrait of a French Lady as Diana, in a low white 
 
 dress and leopard skin, fondling a dog. Attributed to 
 Napier. 
 
 Ivory — 2 in. by 3. Ebony frame. Phillips ' , February 1 si, 1863. 
 
 4 1 . ioj. 
 
 249. Apollo with his Lyre, standing in front of a temple. 
 
 Exquisitely painted. 
 
 Enamel — 3 in. by 2\. Gold frame , mounted on crimson velvet 
 and glazed. 
 
 250. The Companion, Flora and Cupid, the former in pink 
 
 drapery with roses in her hair, Cupid carrying his 
 sheath. Uniformly framed. 
 
 3 in. by 2\. Christie's , July 5th, 1864. The pair 14 1 . 14s. 
 
 251. Portrait of Madame Victoire, daughter of Louis XV., 
 
 born 1733, died 1799, i n a white satin dress with roses, 
 and blue cloak. By Watteau. 
 
 Ivory — 2 in. by 3. Ormolu frame. Phillips ' , February 12 th, 1863. 
 
 3 1 - 5 s - 
 
 252. Portrait of Mademoiselle de Guise, represented as 
 
 Diana, in the usual leopard skin, with bow and arrow. 
 A companion to the preceding. 
 
 Ivory — 2 in. by 3. Ormolu frame. 
 
 253. Portrait of a Gentleman, apparently time of the 
 
 Commonwealth, with flowing hair and large white 
 collar, tied with cord and tassels. 
 
 Ivory — 3! in. by 2\. Red morocco case, glazed. 
 
( 2 67 ) 
 
 254- Portrait of a beautiful French Lady, time of 
 Louis XV., with powdered hair, blue head-dress and 
 pale green dress. Signed A. Z. S. E. Paris, 1772. 
 
 Ivory — in. by i\. Gold frame and velvet. 
 
 255. A French Lady, in pale blue dress, showing a medallion 
 
 portrait to a child in white frock (qy. time of Louis 
 XVI.). 
 
 Ivory — 3i in. by 2§. Ebony frame. 
 
 256. Portrait of a French 'Grisette, in a white dress, and 
 
 blue bodice, with flowers in her hair. 
 
 Ivory — 3 in. circular. Square decorative ormolu frame by Gautier. 
 
 257. A Sleeping Beauty in Dishabille, reclining on a 
 
 pillow. Exquisitely painted, attributed to Cosway. 
 Ivory — 2 1 in. by 34. Gilt frame and morocco case. 
 
 258. Vue de l’Eglise de St. Silvestre, situee sur le Mont 
 
 Quirinal h Rome. Peint en miniature par Nicol. 
 
 2 f in. circular. Square carved and gilt frame. 
 
 259. A Mythological Subject, representing two Nymphs 
 
 and a Satyr restrained by Cupid, and many other 
 figures. A water colour drawing. 
 
 2\ in. by 3. Ormolu and ebony frame. 
 
 260. Portrait of Mrs. Crouch, in powdered hair, and 
 
 blue ^dress, a celebrated English vocalist of the early 
 part of present century. Painted by Hall, and signed. 
 Ivory — 2\ in. by if. Ormolu frame. 
 
 261. Portrait of a Lady, in a low blue dress, with a 
 
 profusion of lace and ermine cloak, a rose in her hair. 
 
 2i in. circular. Ormolu frame. 
 
 262. Portrait of Madame Defray, niece of the Duke of 
 
 Orleans, dressed as a flower girl. 
 
 Ivory — 2 in. by 2f. Carved and gilt frame. 
 
 263. Portrait of a Lady, in a Spanish dress, with high- 
 
 point lace ruffle, counting her rosary. In oils. 
 
 Panel — 4 in. by 3I. Old carved and gilt frame. 
 
( 268 ) 
 
 264. A Pair of Italian Landscapes, apparently Views of 
 
 Naples, with Vesuvius in the distance. Minutely 
 finished in oils. 
 
 Copper — 2I in. by 3|. Carved and gilt frames. 
 
 265. Portrait of the Duchesse d’Orleans, Mother of 
 
 Louis Philippe, in a low white dress and yellow 
 shawl. 
 
 Ivory — 2 1 in. circular. Chased gold octagonal frame. Christie's , 
 
 July $th, 1864. 18/. 
 
 *** Supposed to be the Duchesse de Berri, daughter of the Regent 
 Philip d’Orleans. Painted by Boucher. 
 
 2 66. Portrait of a French Beauty, in a low green dress, 
 with powdered hair. 
 
 2 in. by i\. Ormolu frame. 
 
 267. Portrait of a Gentleman, apparently the Earl of 
 
 Rochester, in a long flowing wig, red cloak, and lace 
 cravat. Ascribed to S. Cooper. 
 
 3 in. by 2-J. 
 
 268. Portrait of Louis Jacques Marie de Bourbon, Due 
 
 de Penthievre, in ornamental armour with lace cravat. 
 By Largilliere. 
 
 Ivory — 2 in. by i|. Ormolu frame. Phillips' , February 12 th, 
 
 1863. 5/. 
 
 269. Portrait of Miss Wells, temp. Charles II., in a low 
 
 blue dress, her hair in long curls. Signed, B. L., i.e. 
 Bernard Lens. 
 
 Ivory — 3I in. by 2\. Gold fi'ame. Phillips ' , November 2 1st, 
 
 1865. 61. 
 
 270. Portrait of the Prince de Conti, in a French grey 
 
 coat, lace cravat, and various orders. By Antoine 
 Vestier. 
 
 Ivory — 2 in. by 1^. Ormolu frame. 
 
( 26 9 ) 
 
 271. Portrait of Lady Jane Seymour, in a dark red dress, 
 
 a jewelled angular cap, the coif of the period, jewelled 
 necklace and brooch. A highly finished drawing, 
 attributed to Holbein, and like the engraved picture 
 in Chamberlaine’s Imitations of Original Drawings . 
 
 7 \ in. by 6. Ebony frame. 
 
 *** This has been marked 80/. 
 
 272. Portrait of Nell Gwynne, in a pale pink dress and 
 
 blue cloak, playing with a lamb. A drawing. 
 
 5 in. by 4. Ebony frame. 
 
 273. Portrait of Anne of Denmark, in a dark grey dress 
 
 tied with blue ribbons, a black corsage, richly jewelled, 
 and a high lace collar, the name inscribed. A drawing 
 on the back of an ancient MS. 
 
 Vellum — 7I in. by 4|. Ebony and gold frame. 
 
 274. Portrait of Mildred Coke, daughter of Sir Anthony 
 
 Coke, and second wife (1546) of William Cecil, Lord 
 Burleigh, in a lace dress with blue velvet corsage 
 worked with gold, and a high point lace ruff, the 
 name inscribed. An early drawing. 
 
 Vellum— 7! in. by 4f. Ebony and gold frame. Christie's, March 
 gth, 1868. 2 1 . 4-y. 
 
 275. Portra/t of Queen Elizabeth, in her youthful days, 
 
 in a richly jewelled dress. 
 
 Ivory — si in. by 2 J. Carved and gilt frame within a glazed case. 
 
 276. Portrait of William IV., in full uniform, wearing 
 
 his various orders. After the original by Morton. 
 Enamel by Henry Bone. 
 
 7 in. by 5!. Carved a 7 id gilt frame. 
 
 277. A French Interior with Four Figures, the centre 
 
 being a lady at her toilet, seated in a gold chair, 
 attended by her waiting-maid, a gentleman is present- 
 ing her with flowers, a page bringing in her head-dress. 
 Time of Louis XIV., very highly finished. 
 
 Vellum — si i n - by 4 ?- Ebony and gilt frame. 
 Miniatures , 6°c] f 
 
( 270 ) 
 
 278. A Pair of French Pastoral Scenes, in one of which 
 
 a gentleman on a white horse is in the centre 
 surrounded by numerous figures, a lady and cavalier, 
 and horses. The other represents a shepherd and 
 shepherdess surrounded by sheep. Highly finished 
 in oils. 
 
 Panel — 3^ in. by 4! Old ormolu frame. 
 
 279. Portrait of Frederick the Great, in military 
 
 costume. A coloured drawing. 
 
 5 1 in. by 4^. Carved and gilt frame. Christie's , April i8tk, 1864. 
 
 4 1 - 15 * 
 
 280. Portrait of James Frederick Edward Stuart, the 
 
 Old Pretender, in full Court dress, velvet embroidered 
 with gold. A coloured drawing. 
 
 5 1 in. by 4b Carved and gilt frame. Christie's , July \th^ 1864. 
 With the following , 10 1 . 
 
 281. Portrait of Princess Maria Clementina Sobieski, 
 
 wife of the Old Pretender, in a richly embroidered 
 dress, with lace chemisette and sleeves. A companion 
 drawing to the preceding, in a similar frame. 
 
 5f <». by 4 |. 
 
 282. Portrait of Catherine Henriette d’Angennes, 
 
 Comtesse d’Olonne nee (1683, morte 1714). Beaute 
 celebre. A vignette portrait, surrounded by a broad 
 border of flowers. 
 
 5f in. by \\. Carved and gilt frame. Christie's , July 5th, 1864. 
 
 5/. ioj. 
 
 283. Henry the Second of France, conferring the Order 
 
 of Saint Esprit, in a Chapter of the Order, showing 
 seventeen portraits. A highly finished picture, attri- 
 buted to Janet, of which, I believe, there is an 
 engraving. 
 
 Copper- 9 in. by 7. Enamelled frame. 
 
( 2 7 I ) 
 
 284. Portrait of Peter the Great, in military costume, 
 
 showing a battle in the distance. A water-colour 
 drawing, signed apparently M. S. 
 
 5 1 in. by 4J. Carved and gilt frame. Christie's , fitly 4th, 1864. 
 
 3/. 1 Si-. 
 
 285. Portrait of a Youth', in embroidered white satin and 
 
 lace ruffle, dated 1509, probably Henry VIII. when 
 Prince of Wales. 
 
 Enamelled on copper— 5 in. by 4. Carved and gilt frame. 
 
 286. An Evening Pastoral Scene, sheep in the foreground, 
 
 a church in the distance, at Newport, South Wales. 
 In oils. Attributed to Old Crome. 
 
 3 in. by 4. Carved and gilt frame. 
 
 287. Portrait apparently of Henry VIII., in his eighteenth 
 
 year, in a white satin doublet embroidered in red, with 
 lace ruffle. Dated 1509. 
 
 Copper — 5 in. by 4. Carved and gilt frame. 
 
 288. Portrait of Prince Charles Edward Stuart, son of 
 
 the Old Pretender, in full uniform with a broad blue 
 sash. o//er his shoulders. 
 
 Ivory — 3 in. by 2\. Carved and gilt frame. Christie's , May 6th, 
 1880. III. 1 is. 
 
 289. The Sybilla Cum ana and Sybilla Persica, after 
 
 Domenichino, a pair. Formerly the property of 
 Shelley the poet. 
 
 Ivory — 3! in. circular. Carved and gilt frames. 
 
 *** Bought from my friend Sidney Whiting, who valued them 
 highly. 
 
 290. Portrait of Mrs. Graham, in a white satin dress, lace 
 
 ruff, hat and ostrich feathers. By Henry Bone, after 
 the original picture by Horace Stone. 
 
 Ivory — 32 in. by 2%. Carved and gilt frame , glazed 
 
( 272 ) 
 
 291. Portrait of Catherine of Braganza, in a brocaded 
 
 dress, with green scarf, pearls in her hair. 
 
 Enamel — 3f in. by 3. Very elaborately carved frame. 
 
 292. Portrait of Madame de Pompadour, in a blue dress, 
 
 with flowers in her bosom. 
 
 Ivory — 2 1 in. by 2\. Wrought gold frame , glazed. Christie's , 
 May 5th, 1859. 5/. ioj. 
 
 293. Portrait of Louis de Bourbon, Prince de Cond^, 
 
 in armour, with blue scarf. 
 
 Ivory — 2 in. by 2%. Gilt metal frame. 
 
 294. Portrait of the Comte de Castellani, Marshal and 
 
 Senator. Stated to be by Poirier. 
 
 Vellmn — 2 in. by 2\. Gold frame. 
 
 295. Portrait of Mrs. Manley, temp. Queen Anne, in a 
 
 very low dress, with a basket of flowers in her hand. 
 Enamel by Nathaniel Hone. 
 
 2 1 in. by if. Velvet case. 7/. 
 
 296. Portrait of Benjamin D’ Israeli, in a dark velvet coat. 
 
 By J. W. Bailey. 
 
 Enamel on copper — 2\ in. by 2. Unframed. 3/. 1 $s. 
 
 297. A Farmyard, showing a woman at the barn-door, 
 
 feeding poultry, with cattle, &c., in the distance. 
 By E. F. Degault. 
 
 Vellum — 1 J in. by 3. Gold frame and red morocco case. Phillips, 
 February Jth, 1861. 5 1. 
 
 298. The Sea-coast with Shipping and a Tower, apparently 
 
 Neapolitan. 
 
 ii in. by 2\. Gold and ebony frame. 
 
 299. A Pair of Pastoral Scenes, exquisitely finished. By 
 
 Blarenberghe. 
 
 Each 1 in. by 2\. Gold frames , in a red morocco case. Phillips , 
 February 7 th, 1861. 10/. 15^. 
 
( 2 73 ) 
 
 300. Another Pair of Miniature Landscapes, with 
 
 buildings, apparently Parisian, by Blarenberghe. 
 
 Each 1 in. by 2. Gold frames. 
 
 301. The Entombment, after Vandyck, six figures. 
 
 Enamel on copper — 2! in. by 2. Ormolu frame. Christie's , July 
 6 th , 1864. 3/. ioa 
 
 302. Christ in the Manger, surrounded by the Virgin and 
 
 shepherds. 
 
 Copper — 3J in. by 2J. Unframed. 
 
 303. Portrait of Lady Elizabeth Butler, afterwards 
 
 Countess of Chesterfield (temp. Charles II.), with 
 flowing hair, pearl necklace, and a low yellow dress. 
 
 2\ in. by 2. Old paste frame. Christie's , April 1 8 th, 1864. 
 
 3 1. 10s. 
 
 304. Portrait of Catherine de Medici, Queen of Henry II. 
 
 of France (born 1519, died 1589). In mourning, 
 probably for her husband ? who died 1559. 
 
 Ivory — 2\ in. vy 2. Ormolu frame. Christie's, March 2nd , 1869. 
 
 5/. 15.L 6 d. 
 
 305. Portrait of David Garrick, in a blue coat, holding up 
 
 the miniature of a lady. 
 
 Enamel — 2 in. by 1 f . Gold frame. 
 
 306. Portrait of James Thomson, the poet, gaily dressed in 
 
 a red velvet cap and coat trimmed with fur. 
 
 Enamel — 2\ in. by if. Gold frame. Christie's , November 1 3 th, 
 1866. 12/. ioa 
 
 307. Portrait of Madame de Hauterive, in a brown 
 
 velvet dress embroidered with gold, blue sleeves, and 
 a grey cloak. By Mignard. 
 
 Ivory — 3 in. by 3I. Old ormolu frame. Phillips ' , June 26 th, 
 
 1868. 8/. 
 
( 2 74 ) 
 
 308. Portrait of Madame la Duchesse d’Aiguillon, 
 
 sister of Cardinal Richelieu, in a blue and pink dress, 
 with open bodice, attended by a black page. By 
 Louis de Chatillon. 
 
 Vellum — 2? in. by 3b Gold frame. Phillips’, July 1st, 1869. 
 
 5/. 
 
 309. Portrait of John Evelyn, the Royalist and author, 
 
 (born in 1620, died 1706 ; not 1699, as inscribed on the 
 back). In oils. 
 
 Panel — 2\ in. by if. Gold frame. Christie' s, May 10th , i860. 
 
 2 1 . 
 
 310. Portrait of Amelia Adelaide of Saxe-Meiningen 
 
 who married the Duke of Clarence in 1818, and 
 became Queen of Great Britain in 1830. By Joseph 
 Lee. 
 
 Enamel — if in. by ij. Ormolu frame. Christie' s, July fh, i860. 
 
 14 1 . 
 
 3 1 1. Portrait of James Thomson, the poet, in his youth, 
 
 dressed in a blue velvet coat and black cap. 
 
 Ivory — if in. by lb Gold frame. Christie's , April 1 8 th, 1864. 
 
 4/. iij. 
 
 312. Portrait of Elizabeth Ford, of musical celebrity, in 
 
 a blue and yellow dress. 
 
 2 in. by ib Ebony frame. 
 
 313. Portrait of Madame la Comtesse d’ Artois, painted 
 
 as Autumn, with wheat and cornflowers in her hand 
 and hair. Enamel by Pierre Pasquier. 
 
 2\ in. by if. Gold frame . 
 
 314. Portrait of Dr. Benjamin Franklin, in a green coat 
 
 trimmed with fur, white cravat, and white waistcoat. 
 Enamel by De Bria, signed. 
 
 2 \ in. by if. Gold frame. Phillips', February 20th, 1863. 61 . 
 
( 2 75 )- 
 
 315. Another Portrait of Dr. Benjamin Franklin, exactly 
 
 like the preceding, but in grisaille. Enamel ascribed 
 to E. A. Thouron. 
 
 2\ in. by if. Ormolu frame. Christie's , March 6 th, 1867. 
 
 2 1 . $s. 
 
 31 6. Portrait of Richard Brinsley Sheridan, in a black 
 
 coat and white cravat, dated 1805. Signed, R. 
 Cosway. 
 
 Ivory — 2f in. by 2\. Gold frame. Sotheby's , November Zth, 
 1867. ‘ 12I. I2J-. 
 
 317. Portrait of Princess Mary (daughter of Charles I., 
 
 married to the Prince of Orange) with long flowing 
 hair and pearl necklace in a low dove-coloured dress. 
 By Sir Peter Lely. 
 
 2\ in. by if Gold frame. 
 
 318. Portrait of a French Lady, with powdered hair and 
 
 in a light grey dress. 
 
 Ivory — if in. by if. Chased gold frame, with enamelled border. 
 
 319. Portrait of Louise Marie, daughter of Louis XV. 
 
 and Marie Leczinski (born 1737, died 1787); her hair 
 tied with blue ribbons, in a white muslin dress, with 
 blue bodice. 
 
 Ivory — 2 in. by if. Gold frame. Phillips', February *]th, 1861. 
 
 7 1 7 s - 
 
 320. Portrait of Catherine Hyde, Duchess of Queens- 
 
 berry, in a low pink dress (temp. George I.). Enamel 
 by C. J. Zincke, 1717, signed. 
 
 if in. by I j. Gold frame. 
 
 321. Portrait of a Lady, in the character of a shepherdess, 
 
 seated, and playing with a lamb. 
 
 Porcelain — 2f in. by 1 J. Ornametital Wedgwood and cut steel 
 
 frame. 
 
 322. Portrait of a Lady, in a low white dress, with 
 
 powdered hair. 
 
 Ivory — if in. by if. Gold frame. 
 
( 2 T 6 ) 
 
 323. Portrait of Louis XVIII., surnamed Le D£sir£, in a 
 
 crimson dress, with flowing hair. With the monogram 
 L. L. D., surmounted by a crown in silver on a 
 shagreen back. By Artaud. 
 
 Ivory — 2\ in. by if. Gold frcune. Phillips February \st , 
 
 1866. 5/. 
 
 324. Miniature of a Lady, in a morning dress, seated with 
 
 her hand stretched towards her two children. Enamel 
 by Greuze. 
 
 if in. circular. Ormolu frame. Christie's , May 5th, 1859. 
 
 12/. 1 8s. 
 
 325. Portrait of a Lady, in an open dress, with muslin cap, 
 
 with a distaff in her hand, and two doves on a table 
 before her. 
 
 Ivory — 1 \ in. by ip Gold frame. 
 
 326. Portrait of George IV. when Prince of Wales, in 
 
 a light dove-coloured coat, and powdered hair. 
 Enamel by Cosway. 
 
 2\ in, by 2. Gold fra7ne. Christie's , July 2nd, 1868. 17/. 6a 6 d. 
 
 327. Portrait of Mrs. Fitzherbert, in a high white dress, 
 
 and powdered hair, with a row of pearls. By 
 Cosway. 
 
 Ivory — 2\ in. by 2\. Gold frame , glazed , in a morocco case. 
 Christie's , June 22nd , 1868. 12/. 1 5 a 
 
 328. Full Length Portrait of Mary Queen of Scots, in 
 
 a black dress richly embroidered with gold, high collar 
 and a pyramidal cap, a gold crucifix in her right hand 
 and a prayer-book in the other. The crown and 
 sceptre on a table by her side. 
 
 3 in. by 2\. Decorative ormolu frame. Robinson's , March 10th , 1871. 
 With Marie de Medicis, which is on a subsequent page, 1 3 1 . 
 
 329 Portrait of a Lady, in a white dress with yellow sash, 
 seated, with her arm round a little child. Apparently 
 by Zincke. 
 
 Enamel — 2\ in. by 1 f . Gold frame. 
 
( 2 77 ) 
 
 330. Portrait of Marie Madeleine de la Vergne, 
 
 Comtesse de la Fayette, a celebrated French 
 authoress (1634 — 1693). Enamel by Courtois. 
 
 2 in. by ij. Ornamental ormolu fra?ne. Phillips ’ , December 
 17 th, 1862. 17/. 17 s. 
 
 331. Portrait of Madame de la Valli^re, with long flow- 
 
 ing hair, in a low crimson dress, brocaded with gold, 
 and bordered with purple and velvet, and a pearl 
 necklace. ' 
 
 Ivory — 3 in. by 2\. Rich ormolu frame. Christie’s , July \th, 
 1 864. 3/. 8i-. 
 
 332. Portrait of the beautiful Duchess of Rutland, in 
 
 a pale blue dress, with ostrich feathers in her hair. 
 By Cosway, after Sir Joshua Reynolds. 
 
 Ivory — 34 in. by 2 1 . Gold frame. Christie’s , May 16th , 1870. 
 
 12/. IOJ. 
 
 333. Portrait of Mrs. Robinson, celebrated as Perdita , in 
 
 a low -white dress, tied with a bunch of blue ribbons, 
 powdered hair. By Cosway, with a monogram on 
 the back. 
 
 Ivory— 2\ in. by 2. Gold frame. Christie’s , April 2 6th, 1871. 
 
 9 1 . i6j-. 
 
 334. Portrait of Catherine of Braganza, in a blue dress 
 
 and red cloak. 
 
 Ivory — 2\ in. by 2. Ormolu frame. 
 
 335. Portrait of Louis XV., when young, in armour, with a 
 
 red necktie. 
 
 Enamel — if in. by i|. Gold frame. Phillips ’ , February 7th , 
 1859. 3 1 . 10s. 
 
 336. Portrait of Lord Nelson, in full naval uniform. 
 
 Mounted as a locket. 
 
 Ivory — 2 in. by 1 k Gold frame. 
 
 Miniatures , &>c.] g 
 
( 2 78 ) 
 
 337- Portrait of Louis de Bourbon, Prince de Conde, 
 called Le Grand Conde (born 1621, died 1686), in 
 armour, with lace cravat. Enamel by Petitot. 
 
 1 1 in. by 1. Filigree gold frame. Phillips \ February 1 si, 1866. 
 
 19/. 19J. 
 
 J. C. Bordier, a descendant of the celebrated enameller, the 
 master and brother-in-law of Petitot, and who seemed 
 familiar with his enamels, knew this portrait and said it was 
 unique, but did not give me the exact name, and eventually 
 offered me fifty guineas for it, which, being much more 
 than it cost me, I should have accepted, but declined on the 
 principle never to sell any of my miniatures. 
 
 338. Portrait of a Gentleman, with powdered hair, in a 
 
 lavender coat and waistcoat, and white embroidered 
 necktie. By Bernard Lens, signed with his usual 
 monogram. 
 
 Ivory — 1 \ in. by 1. Unframed. 
 
 339. Portrait of a Scottish Nobleman, in Court dress 
 
 embroidered with thistles in gold and a broad white 
 lace collar (temp. Queen Elizabeth). 
 
 2 in. by i\. Gold frame. 
 
 340. Portrait of a Lady, in a white dress, a marble monu- 
 
 ment in the background (temp. George III.). 
 
 Ivory — 2 in. by 1 J. Gold frame. 
 
 341. Portrait of Madame la Mar£chale de l’Hospital, 
 
 in a low red dress. Enamel by Petitot. 
 
 I in. circular. Gold frame. Phillips \ Jime 6 th, 1861. SI. 12 s. 
 
 342. Portrait of Lady Jane Grey, in a richly brocaded 
 
 pink dress and a jewelled coif. Enamel by Wm. Bone, 
 after the original picture. 
 
 I I in. by i£. Beautiful Italian enamelled and gold frame. 
 
 Foster 3 s, May \/yth, 1862. SI. 5^. 
 
 343. Full-Length Portrait of Madame la Valliere as 
 
 the Magdalen looking up to Heaven, in a loose white 
 satin robe and a red satin cloak. Enamel by J. J. 
 Chalon, signed. 
 
 3! in. by 2f. Decorative ormolu frame. Foster 3 s, April 1st, 1869. 
 
 18/. iSs. 
 
( 2 79 ) 
 
 344. Portrait of Hannah More, in a black dress and white 
 
 fichu and cap. By H. Edridge, signed with his initials 
 and dated 1794. 
 
 Ivory — 2\ in. circular. Gold frame. 
 
 345. Portrait of Mrs. Cosway, when young, in a low white 
 
 dress, and powdered hair. Apparently by her husband, 
 Richard Cosway. 
 
 Ivory — 1 1 in. by \\ Ormolu frame , with Cufids. 
 
 346. Portrait of Lord Darnley, in a black dress with high 
 
 ruffle. 
 
 Enamel — 2! in. by 2. Gold frame. 
 
 347. Portrait of Richard Cromwell, in armour, with 
 
 flowing hair and a large white collar. By S. Cooper. 
 
 2 1 in. by 2\. Gold fra7ne. 
 
 *** Bought at the Strawberry Hill sale, 14th day, lot 11, cost 25 
 guineas. 
 
 348. Portrait of a Lady with powdered hair, in a low white 
 
 dress v By Cosway. 
 
 Ivory — 2 in. by if. 
 
 349. Portrait of Madame Ca-talani, in a low white dress, 
 
 with a music-book in her hand and a gentleman 
 behind her. 
 
 Enamel — 2 f in. circular. Gold frame. Robinson’s, April 28 th, 
 1871. 3 1. 15^. 
 
 350. Portrait of John Casimir, King of Poland from 
 
 1648 to 1668, with a large flowing wig and lace cravat. 
 By Terburg. 
 
 Vellum — 14 in. by i\. Ormolu frame. 
 
 351. Portrait of the beautiful Duchess of York, in a 
 
 white dress, and powdered hair. She was the Crown 
 Princess Fredericka Charlotte Ulries, eldest daughter 
 of the King of Prussia, married to Frederick, Duke of 
 of York and Albany, September 29, 1791. By Cosway. 
 
 Ivory — 3 in. by 2\. Gold frame. Christie’s, June 15th, 1868. 
 
 12/. is. 6 d. 
 
 *** From the collection of the Princess of Homburg. 
 
( 28 o ) 
 
 352. Portrait of the Princesse D’Orsini (the favourite 
 
 of Philip V. of Spain), in a low yellow dress. Enamel 
 by J. C. Bordier. 
 
 2! in. by i£. Enamelled gold frame and case. Christie's , March 
 22?id, 1865. 9/. 
 
 353. Portrait of Madame de Crillon, dressed as Diana. 
 
 in. circular. Ormolu frame. 
 
 354. Portrait of Elizabeth, Countess of Waldegrave, in a 
 
 low white satin dress, with pink ribbons and a blue 
 cloak. Indistinctly signed. 
 
 Fine ena?nel — 2\ in. by if. Gold frame. Christie's , March 2nd, 
 
 1869. 7/. 
 
 355. Portrait of Sophia, Duchess of Brunswick, daughter 
 
 of the Elector Palatine and granddaughter of James I., 
 mother of George I., in a white satin dress embroidered, 
 and a crimson cloak, holding a medallion portrait. 
 
 3 in. by 2\. In a frame mounted for table exhibition. 
 
 356. The Companion Portrait of the Preceding, evidently 
 
 of the same lady, somewhat older, the dress somewhat 
 differing. 
 
 3 in. by 2\. Mounted like the preceding. 
 
 357. Portrait (Full-Length) of Marie de Medici, wife 
 
 of Henry IV., King of France, in a yellow dress richly 
 embroidered with gold, wearing the Medici collar, and 
 long white veil. The arms of France worked on the 
 back of chair. 
 
 3 in. by 2\. Decorative ormolu frame. Robinson's , March 10th , 
 1871. With Mary Queen of Scots, at page 276, 14/. 
 
 358. Portrait of Adolphus Frederick, Duke of Cambridge, 
 
 son of George III., in full uniform (born 1774, died 
 1850). By Cosway (?). 
 
 Ivory — 3 in. by 2J. Gold frame. Christie's , January 2 6th, 1871. 
 
 5/. 10s. 
 
( 28 1 ) 
 
 359. Portrait of Peg Woffington, in a white dress, 
 
 embroidered, and a white cap. Enamel after Hogarth. 
 2 in. by if. Unframed. Christie 1 s, February 1st, 1866. 9/. 
 
 360. Another Portrait of Peg Woffington, in a yellow 
 
 dress, black lace shawl, and straw hat with yellow 
 ribbons. 
 
 Enamel — 23 ift. by 1 f . Unframed. 
 
 361. Portrait named “ Le Jeune £colier,” in a scarlet 
 
 coat, with a portfolio under his arm. By Greuze. 
 
 Ivory — 2 in. by i|. Unframed. Phillips’, February 1st, 1866. 
 
 7/. IO.T. 
 
 362. Portrait of Madame de Maintenon, in a white dress, 
 
 with a bunch of roses in her bosom, nursing a French, 
 poodle, with a collar of roses. Signed, Le Tellier, 
 1 7 74 * 
 
 Ivory — 2\ in. circular. Ormolu frame. Phillips’, July 1st, 1869. 
 
 61 . 
 
 363. Portrait of Madame Marigny, in a blue dress, seated 
 
 in an arbour, and nursing a dog. 
 
 Ivory — 2! in. circular. Gold frame. Robinson’s, March 10 th, 
 1871. 9 1 . gs. 
 
 364. Portrait of a Gentleman, with dark flowing hair, 
 
 black coat, and broad white collar (temp, the Common- 
 wealth). In oils. 
 
 Metal — 2! in. by 2. 
 
 365. Portrait of John Churchill, Duke of Marlborough, 
 
 with flowing hair, and broad white collar, wearing a 
 blue ribbon. 
 
 Enamel — 1| in. by if. Gold frame. 
 
 366. Portrait of the Countess Cowper, in a white dress, 
 
 and long veil, a lock of her hair mounted with pearls 
 on the back. By Cosway. 
 
 Ivory— 2 1 in. by 23. Gold frame. Christie’s, April 26 th, 1871, 
 
 9/. 15s. 
 
( 282 ) 
 
 367. Portrait of Mrs. Siddons, in a white dress, and white 
 
 turban. Enamel by Cosway. 
 
 3 in. by i\. Unframed. 
 
 368. Portrait of John Gay, the poet, in a bright blue dress 
 
 and powdered wig. Enamel by Zincke. 
 if in. by Unfra?ned. Phillips ' , June 2 6 th, 1868. 5/. 15^. 6 d. 
 
 369. Portrait of a Lady, with flowing hair, in a low dress 
 
 trimmed with point lace. In oils. 
 
 Panel — 2| in. by 1 f . Gilt frame. 
 
 3 70. The Magdalen seated in a Landscape, an open book 
 on her knees. In oils, by Giacomo Tumicelli, Padua, 
 1823 (where he died in 1824). 
 
 3I in. circular. Chased gold frame. Christie’s, June 13 th, 1867. 
 
 61 . 
 
 371. Portrait of La Belle Chalonnaise, in a low blue 
 
 bodice with white sleeves, her hair tied with a blue 
 ribbon. By Michellet. 
 
 Ivory — 31 in. circular. Unframed. Christie's , May 10th, i860. 
 
 2 1 . IOJ. 
 
 372. Portrait of a Lady, in a high lace cap with lavender 
 
 ribbons, an open dress. Signed, J. Lambert. 
 
 Ivory — 2 in. by i|. Shagreen case. 
 
 373. Portrait of Mrs. George Morland (the painter’s 
 
 wife), in an open dress and a high white bonnet. 
 Her hair on the back of the miniature mounted with 
 pearls. 
 
 23 in. by if. Gold frame. Christie's, May 16 th, 1870. 2/. 15J. 
 
 374. Portrait of Madame (name indistinct), in a dark 
 
 red dress, with powdered hair, playing the guitar. 
 
 2 in. circular. Gold frame , mounted in crimson velvet. 
 
 375. Portrait of Madame de Gualt (signed, as regards her 
 
 name). In grisaille. 
 
 Ivory — i| in. by il- Gold frame. 
 
( 283 ) 
 
 376. Portrait of a Lady Artist, in a brown dress with 
 
 white muslin fichu, holding a palette in one hand, a 
 male bust by her side. 
 
 Ivory — 2\ in. circular. Gold frame. Christie’s , April iS/k, 1864. 
 
 2/. 2 s. 
 
 377. A Miniature Portrait apparently of George III. 
 
 and his wife Queen Charlotte, when young. 
 
 Enamel — il in. by 1. Mounted as a gold locket. Phillips ’ , June 
 25th, 1868. 7/. js. 
 
 378. Portrait of Caroline Murat, Queen of Naples, 
 
 surrounded by four children. Ascribed to Carteret. 
 
 Enamel — 2\ in. by 3. Ormolu franie. Phillips\ Februaiy 7th, 
 1861. 8/. $s. 
 
 379. Portrait of Maria Leczinski, daughter of Stanislaus, 
 
 King of Poland, married to Louis XV. in 1725, in a 
 low white satin dress, with embroidered stomacher, and 
 a blue cloak embroidered with fleur-de-lys. Inscribed 
 and dated 1733 in gold letters. 
 
 I Ivo?y — 3 in. by 2\. Ormolu frame. 
 
 380. Portrait of Michel Baron, celebre comedien du Roi 
 
 (Louis XV.) mort en 1729. By LARGiLLikRE. 
 
 21 in. by 2. Carved and gilt frame. Phillips’ , February 1st, 1862. 
 
 10/. IOJ. 
 
 381. A Pair of Portraits, both apparently of the same 
 
 Lady at different periods ; one in white satin and blue 
 cloak, the other in a white lace dress with diamond 
 ornaments, and a red cloak. 
 
 Ivory — 2! in. by 2. Carved and gilt frames. 
 
 382. A Roman Battle-piece with numerous figures ; buildings 
 
 in the distance. 
 
 Vellimi — 2 1 in. by 3. Ormolu and ebony frame. 
 
 383. A Sporting-piece, in which a horse is attended by a 
 
 groom, while the rider dismounted is offering birds to 
 a gentleman, all in full costume. 
 
 Vellum — 2\ in. circular. Ornamental ormolu frame. 
 
( 284 ) 
 
 384. Capo di Monte. A pair of old plaques finely executed, 
 
 containing 22 minute cameo portraits of the emperors, 
 all inscribed with names on scrolls. 
 
 Si in. by 4. 
 
 385. Portrait of John Pawlett, Marquis of Winchester, 
 
 Earl of Wiltshire, and Lord of Basing. 
 
 Ivory — 3 in. by 2. Ebony frame. 
 
 386. Portrait of John Law, the famous financial projector, 
 
 in a red coat and blue velvet waistcoat embroidered 
 with gold. 
 
 Ivory — 3 in. by 2. Old French paste frame set in silver. Phillips ' , 
 Jwie 10th , 1865. 7/. 
 
 387. A Set of Four Miniatures of sporting and racing 
 
 subjects. 
 
 i| in. circular. Decorative ormolu frames. 
 
 388. Portrait of a Nobleman of the time of Queen 
 
 Elizabeth, probably David Rizzio, in a cuirass, 
 with satin sleeves and lace ruff, holding a miniature 
 of Mary Queen of Scots in his right hand. 
 
 Copper — 4I in. by 3. Carved and gilt frame. 
 
 389. Portrait of a Lady, in the fancy dress of a shepherdess, 
 
 blue with laced bodice, a crook in her right hand. 
 
 Ivory — 2f in. by 3. Ormolu frame. 
 
 390. Portrait of a Lady, in a low red dress, white cap, and 
 
 blue ribbons, nursing a lapdog. 
 
 Ivory — 2 in. by i|. Ormolu frame. 
 
 391. Portrait of Louis XIII., in complete armour, with blue 
 
 cloak embroidered with fleur-de-lys, and lined with 
 ermine, surmounted by the Royal crown monogram. 
 Ivory — 3 ill. by 2p Ornamental ormolu frame. 
 
 392. Portrait of Marie de Medicis, Queen of France. 
 
 3 in. by 21. A companion picture to the preceding in a similar 
 frame. Christie's , March \\th, 1871. 61 . 15.$-. 
 
( 285 ) 
 
 393 * Portrait of Anne of Austria, in a low black dress, 
 with point lace trimmings. 
 
 Copper — 3 in. by 2§. Ebony and ornamental ormolu frame. 
 
 394. Portrait of the Celebrated Beauty, Julie d’An- 
 
 gennes, who married the Duke de Montausier in 1645, 
 in a lavender dress,/ with an open book in her hand, 
 on which is written “ Honi soit qui mal y pense.” 
 
 Ivory — if in. by 1 \. Ornamental ormolu frame. Robinson's , 
 April 22 >th,iiSyi. 3 1 . 3.?. 
 
 395. Portrait of a Lady, in a low muslin dress, with a rose 
 
 in her hair. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 396. Portrait c Madame Marigny, in a red dress, with 
 
 white lace stomacher and cap, nursing a dog. 
 
 Ivory— 1\ in by if. Richly ornamented ormolu frame. Robinson's, 
 March 10 th, 1871. 5/. io.y. 
 
 397. Portrait of a French Lady, in a very low dress, with 
 
 a bunch of roses in her bosom and another in her 
 hair. Dated 1614, and apparently signed Boucher. 
 
 Ivo?y — in. by 14. Ormolu frame, with Cupids. Christie's, 
 Mi ay lyth, 1859. 15 -f- 
 
 398. Portrait of a Lady, in a lavender dress, and powdered 
 
 hair, with two children on her knees. 
 
 Ivory — 2 \ in. circular. Ormolu frame. 
 
 399. Portrait of Madame de Pompadour, in a low dress 
 
 with pink ribbons, and white muslin hood, tied with 
 pink ribbons. 
 
 Sevres — 3I in. by 2\. Ormolu frame. 
 
 400. Portrait of Madame de Parabere, in a low white 
 satin dress, with a large bouquet of roses. 
 
 Slvres — 3I in. by 2 f. Ormolu frame, uniform with the preceding. 
 
 401. Portrait of Madame de Maintenon, in a low dress, 
 
 richly brocaded, and a long white muslin veil. 
 
 Sevres — 3I in. by 2f. Ormolu frame , uniform with the preceding. 
 Miniatures , H 
 
( 2§ 6 ) 
 
 402. Portrait of Mademoiselle Watthier, a celebrated 
 
 cantatrice, in a low white dress, with blue ribbons and 
 roses. Attributed to Scotti. 
 
 Ivory — 2 1 in. by 2. Ormolit frame. Phillips ' , February i6lh, 
 
 1 866. 2 1 . 2 s . 
 
 403. Portrait of Princess Clementine Sobieski, wife of 
 
 the Pretender, in a low blue velvet dress, with ermine 
 cloak. _ r Surmounted by an eagle. 
 
 Ivory — 3 in. by 2J. Ormolu frame. 
 
 t i f $ ; "" ' “"Ti 
 
 404. Portrait of Anne Boleyne, in a red brocaded dress, 
 
 with a large point lace ruff and jewelled coif. Inscribed, 
 “ Gratia Dei, sum quod sum.” A contemporary 
 miniature. 
 
 3l in. by 3. Ormolu frame. Christie's , May 5th, 1859. 4^ 
 
 405. A Young Man, carrying a broom, while a young lady 
 
 holds back a large dog. 
 
 Enamel — i£ in. circular . Old ormolu frame. 
 
 406. Portrait of a Lady, in a very low blue dress with red 
 
 border, and red turban. 
 
 Ivory — 2I in. circular. Ormolu f?'ame. 
 
 407. Portraits of Two Young Ladies, one playing on a 
 
 guitar, the other holding up music. 
 
 Ivory — 2\ in. by 3J. Ormolu frame. 
 
 408. Portrait of Madame de Pompadour, in a brocaded 
 
 dress, lace hood, red ribbon, carrying a white muff. 
 Ivory — 3 in. by 2J. Fine ormolu frame. 
 
 409. Portrait of Madame la Comtesse du Barry, 
 
 mistress of Louis XV., in a white dress embroidered 
 with blue, and a red cloak. 
 
 Ivory — 3 in. by 2\. Fine ormolu frame, a companion to the pre- 
 ceding. Christie's , May 17 th, 1869. 4/. 151. 
 
( 28 7 ) 
 
 410. Portrait of a French Lady, in a low white dress, with 
 
 a pale violet cloak, seated, in pensive attitude, leaning 
 on her left hand, with a garland of flowers in her right. 
 By P. Pasquier. 
 
 Ivory — 2\ in. circular. Oval ormolu frame. 5 1 . $s. 
 
 41 1. Portrait of Anne of Austria, wife of Louis XIII., in 
 
 a low white dress, with lace and pink ribbons, and blue 
 cloak. Surmounted by the Royal Crown and a mono- 
 gram of L.L. 
 
 Ivory — 3 in. by 2\, Oval ormolu frame. 
 
 412. Portrait of Mademoiselle Anne Marie Louise 
 
 d’Orleans, Duchesse de Montpensier, born 1627, 
 died 1692. The Royal Crown and a monogram of 
 L.L. above. In oils. 
 
 3! in. by 2?. Ormolu frame. 
 
 413. Portrait of Marie Leczinski, daughter of Stanislaus, 
 
 King, of Poland, married to Louis XV. in 1725, in a 
 low white dress with gold stomacher, and cloak lined 
 with ermine. 
 
 Ivory — 2 in. by 2 f. Elegant ormolu frame. 
 
 414. Portrait of the Duchesse de Villars, as Diana, 
 
 dressed with a bow in her right hand, and a greyhound 
 under her left. By Rattier. 
 
 Ivory — 3 in. by 2\. Ormolu frame. Phillip ! , December 17th , 
 
 1862. 15/. 
 
 415. Portrait of Bianca Capella, wife of Cosmo de’ Medici, 
 
 in a low dress trimmed with lace. Attributed to Leonardo 
 da Vinci. 
 
 1 1 in. by 1 T Ancient curiously gilt and ebony frame. 
 
 416. Portrait of a Girl, in a loose white scarf. Attributed 
 
 to Greuze. 
 
 Ivory — 3 in. by 2\. Ormolu and ebony frame. Christie's , March 
 2nd , 1869. 5/. 55. 
 
( ^88 ) 
 
 417- Portrait of an Eastern Chief, in an ermine cloak. 
 Ivory — 3 in. by 2\. A?icient silver frame. 
 
 418. Portrait of a French Lady, n a low white dress, 
 
 and blue cloak. By Boucher, signed and dated 
 1761. 
 
 Ivory — 2 in. by 2\. Ormolu frame. 
 
 419. Portrait of a Lady, in a low blue dress. 
 
 Enamel — 3! in. by 2\. Carved and gilt frame. 
 
 420. Portrait of Charles de Neuville Seigneur de 
 
 Villeroi, French provost of Paris and governor of 
 Pontoise. Inscribed aetat 45, and dated 1615. By 
 F. Porbus le Jeune. With a long inscription on the 
 back. 
 
 Copper — 3I in. by 3b Gilt metal frame. 
 
 421. Portrait of George, Duke of Brunswick, afterwards 
 
 King of England, as George L, in armour, with red 
 cloak lined with ermine, powdered wig. By Rogers. 
 Ivory — 2 >i bn. by 2 \. Elaborately carved frame. 
 
 422. Portrait of Marie Clementine Sobieski, daughter 
 
 of the King of Poland, married to James III., the 
 Pretender, in 1719, in a low yellow dress and blue 
 cloak. 
 
 3 in. by 2\. Curious carved and gilt frame. 
 
 423. Portrait of Baron Dorn, in an embroidered crimson 
 
 velvet coat with fur collar, on which is a German order ; 
 a broad blue sash hangs in front. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 424. Portrait of Charles, Due de Berry, grandson of Louis 
 
 XIV., in ornamental armour, with a blue sash and white 
 lace cravat. Painted by Augustin. 
 
 Ivory — 2 in. by if. Ormolu frame. Phillips ’, February yth, 1861. 
 
 4 1. 14-5-. 6 d. 
 
( 2§ 9 ) 
 
 425. Portrait of Mrs. Jane Lane, who assisted in the 
 
 escape of Charles II., in a blue dress, with black hood 
 lined with pink. 
 
 7 .\ in. by 2. Square ormolu frame , glazed with crystal. 
 
 426. Portrait of Robert Dudley, Earl of Leicester, in 
 
 armour as a Knight Templar, holding a staff in his 
 left hand. Surmounted by a coronet, with a long 
 inscription on the back, dated 1571. 
 
 Coffer — 3 in. by i\. Curious contemforary ormolu frame. Christie’s, 
 February lyth, 1869. 4 1 . 2 s. 6 d. 
 
 427. Portrait of a Lady, with profuse curls, in white satin 
 
 and gold trimmings, and red sleeves, wearing a coronet, 
 holding an open music-book in her left hand and a 
 musical instrument in her right. On the back is an 
 elaborate monogram surmounted by a crown. 
 
 Vellum — 3 in. by 2. Ancient ivory and tortoise-shell frame, with 
 rubiesdn the four corners. 
 
 428. Portrait of a Matronly Lady, in a pale blue dress, 
 
 with a large lace collar and stomacher, and violet cloak 
 trimmed with ermine, seated in an armchair with a crown 
 set with pearls by her side. Probably Marie Amelie de 
 Bourbon. On the back is a monogram, apparently M.A., 
 surmounted by a crown. 
 
 Ivory — 3I in. by 3. Ormolu frame. 
 
 429. Portrait of a Lady, with powdered hair, in a low 
 
 white dress, with a blue fichu. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 430. Portrait of a Lady, in a low blue velvet dress, with a 
 
 very quaint coiffure, holding a mask in her hand, 
 seated on a crimson velvet couch. 
 
 Ivory — 2\ in. by 3I. Ormolu frame. 
 
 431. Portrait of a Lady, in a low white dress, and ribbons 
 
 in her hair. Surmounted by doves cooing. Signed, 
 Hall. 
 
 Ivory — 2 in „ by \\. Ormolu frame. 
 
( 290 ) 
 
 432. Portrait of a Gentleman, in a blue velvet dress, with 
 
 pink silk linings over a cuirass. 
 
 Ivory — 2 in. circular. Ormolu frame. 
 
 433. Portrait of Charles II., King of Great Britain, in 
 
 his coronation robes, the crown by his side. In oils. 
 
 2 1 in. by 2\. In a contemporary ormolu fra 7 ne. 
 
 434. Portrait of a Lady, in the fancy dress of a shepherdess, 
 
 with crook in her right hand. Signed, Hall. 
 
 Ivory — 2<jj in. circular. Ormolu a?id ebony frame. 
 
 435. Portrait of Louis Joseph Prince de Conde, Due de 
 
 Bourbon (born 1736, died 1818), in armour, and red 
 cloak. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 436. Portrait of Greuze’s Niece, her hair bound with a 
 
 green ribbon, in a loose white dress. Signed, Greuze. 
 
 Ivory — i£ in. by lb Ortnolu frame. Christie's , April 6 th , 1852. 
 
 4 1. 4 ^. 
 
 437. Portrait of the Chevalier d’Eon, in a blue coat, 
 
 Court dress, born 1728, died 1810. Said to be by 
 SCOTTI. 
 
 Ivory — 2\ in. by 2. Ormolu frame. 
 
 438. Portrait of Catherine of Aragon, in a black hood 
 
 and dress, cut square at the throat, corded with red. 
 Signed, H. H. (i.e. Holbein). In oils. 
 
 3I in. by 2%. Gold frame. 
 
 439. Portrait of Francois Due de Coigny, Marechal de 
 
 France, nd en 1670, mort en 1759, in armour. 
 
 Ivory — 2 in. by i|. Ormolu frame. 
 
 440. Portrait of Henry, eldest son of Charles Brandon, 
 
 Duke of Suffolk, in a black cape and cap, with ostrich 
 feather. After Holbein. 
 
 2 in. circular. Ebony frame. 
 
( 2 9 1 ) 
 
 441. A Pair of Richly Finished Miniatures, representing 
 
 the Chateau de Mendon, and the port of Madeira. By 
 P. Lesage. 
 
 Vellum — 2 in. by 3. Square ormolu frame . Phillip s\ June 6th, 
 1861 . 4 1 . 15 J. 
 
 442. Four Cavaliers, two of them on horseback taking 
 
 refreshments at the door of an inn. Signed, Milano. 
 In oils. 
 
 3 in. circular. Ormolu frame. 
 
 443. A Cottage Interior, in which a mother is attending 
 
 her three children. Signed, Boucher, 1725 . 
 i\ in. by 3. Gold and ebony frame. 
 
 444. A Lady, in pensive attitude leaning on the top of an 
 
 anchor, and looking earnestly at something in the 
 distance. Surmounted by a pair of doves. 
 
 Ena7nel — 2 \ in. by if. Ormolu frame. 
 
 445. A Sportsman, in gay costume, reclining on a bank, with 
 
 game by his side, and his horse tended by a groom. 
 
 2f in. circular. Ormolu frame. 
 
 446. A Pair of Military Subjects. By Blarenberghe. 
 in. circular. Or77iolu fra7ne. Phillips May 1 st, 1867, 
 
 IO/. 1 05“. 
 
 *** For some account of this rare artist see my “Picture Cata- 
 logue,” page 19. 
 
 447 . The Worship of Eros, two young females presenting 
 
 roses and a dove to a nude figure of Cupid on a 
 decorated pedestal. Signed, Charlier, 1774. 
 
 Ivory — 2 \ in. circular. Or77iolu frame. 
 
 448 . A Dutch Interior, with six figures regaling. 
 
 E7iamel — 2 in. circular. Omnolu fra77ie. 
 
 449. Portrait of Mary Queen of Scots, in a black dress 
 
 with gold chains, white muslin ruff and hood, with a 
 red crown. 
 
 Ena7nel — 3^ in. by 2f Gold 77ietal fra77ie. 
 
( 2 9 2 ) 
 
 450. Portrait of an Officer, in a richly embroidered 
 
 uniform with silver, wearing orders. Enamel by A. 
 Carpiret, signed. 
 
 if in. by i|. Ormolu frame. 
 
 451. Portrait of Marguerite Queen of Spain, wife of 
 
 Philip III., in a white satin dress, richly decorated 
 with a treble ruff of point lace. Attributed to Janet. 
 In oils. 
 
 2f in. by 2\. Ormolu and ebony fra?ne. Phillips ' , February 16 th, 
 
 1866. 12/. 
 
 452. Portrait of Lady Innes, in a low white muslin dress, 
 
 with white ribbon in her hair. By Cosway. With 
 plaited hair on the back. 
 
 Ivory — 2\ in. by 2}. Gold frame, in a red morocco case. Christie' s, 
 November 30th, 1866. 13/. 5 s. 
 
 453. Portrait of Lady Diana Vere, Duchess of St. Alban’s, 
 
 in a low blue dress. Signed P.L. in a monogram, and 
 attributed to Sir Peter Lely. 
 
 Ivory — 3 in. by 2\. Unfrajned , but glazed. Christie's , March 20 th, 
 1867. 3/. 15.L 
 
 454. Portrait of Louis Philippe, King of France, in a 
 
 black coat, white necktie, and frilled shirt. Signed, 
 Duchesne de Gisors, pt. 
 
 Enamel — 2\ in. by 2. Morocco case. Christie's , March nth , 1867. 
 
 5 1 . 1 5-y. 6 d. 
 
 455. Portrait of Ninon de l’Enclos, in a blue dress, with 
 
 a pearl necklace and long flowing hair, surmounted by 
 a bunch of roses. By Zincke. 
 
 Ivory — 2\ in. by 2. Gold frame. Foster's , April 12 th, 1869. 
 
 13/. 13 s. 
 
 *** A portrait extremely like the above is at Hampton Court, 
 painted by Sir Peter Lely, and named Margaret Lemon, 
 Vandyck’s mistress. 
 
( 293 ) 
 
 456. Portrait of Louis XVI. and Family (i.e. Marie 
 
 Antoinette and her two children) in Court costume 
 By Greuze. 
 
 Ivory — -2\ in. circular. Gold frame. Foster’s, April ist , 1869. 
 
 13/. 5s. 
 
 457. Portrait of Marie Antoinette, wife of Louis XVI., 
 
 with coronet and veil. Signed Hypolite, and dated 
 1789. 
 
 Ivory — 2\ in. by 2. Gold frames surrounded with a crimson velvet 
 border. Phillips’, June ist, 1864. 1 1 /. 
 
 458. Portrait of Anne of Cleves, fourth wife of Henry 
 
 VIII., in a dress richly embroidered with gold, and 
 a jewelled coif. 
 
 Vellum — 2\ in. circular. Red morocco case. 
 
 *** From the collection of Jeremiah Harman, who married my 
 cousin, Miss Bohn, of Groningen. Her sister sojourned 
 with us for a few weeks yearly in our London establishment. 
 
 459. Portrait of a Gentleman, with flowing hair and white 
 
 lace cravat. Apparently Flemish. 
 
 Copper — 2 in. by i|. Ebony frame. 
 
 460. Portrait of a Dutch Gentleman, in a black coat 
 
 and broad white collar. Inscribed “Aetatis suae 35, 
 
 A.D. 1606.” 
 
 Copper — 2\ in. by if. Highly decorated silver frame. 
 
 461. Portrait of GuisePpe Colpani, Italian litterateur, 
 
 born 1738, died 1822, in a crimson coat and powdered 
 wig, with a pen in his hand. 
 
 Enamel — 2 in. by 1 J. Gold frame. 
 
 462. Portrait of a Lady, in a low black dress, with white 
 
 sleeves, blue ribbon, and roses in her hair. Mounted 
 in the lid of a tortoise-shell box. 
 
 Ivory — 2\ in. circular. Gold frame. 
 
 463. Portrait of a Lady, in a low lavender dress, with 
 
 powdered hair. Attributed to Cosway. 
 
 Enamel — 2 in. by 1 f . Ormolu and ebony frame. 
 Miniatures , 6°c] 1 
 
( 294 ) 
 
 464. Portrait of a Young Lady, in a loose white dress and 
 
 blue scarf, with a full head of hair. 
 
 Enamel — 1 J in. by 1^. Octagonal gold frame. 
 
 465. Portrait of a Senator, in a Court dress, with a 
 
 large lace collar (temp. James II.). Signed, J. H., in 
 gold ( i . e . J. Hoskins). 
 
 2 \ in. by 1 1. Ormolu and eboivy frame. 
 
 466. Portrait of a Lady, in a low blue dress, trimmed with 
 
 ermine, a rose in her bosom. 
 
 Etiamel — 2 in. by 1^. Ebony frame. 
 
 467. A Pair of Miniature Full-Length Portraits of 
 
 Darnley and Mary Queen of Scots, both in Court 
 costume. 
 
 2 in. by i£. Filigree silver frames , each surmounted by a crown , 
 and inclosed in a morocco case. Christie's , Afrit iZth , 1864. 5/. 
 
 468. Portrait of Mrs. Hartley, the actress, in a low white 
 
 dress, pink scarf, and hair falling over her shoulder. 
 After Sir Joshua Reynolds. 
 
 Ivory — 3 1 in. by 2$. Ormolu frame , glazed. In a maroon morocco 
 case. Christie's , April 6 th, 1872. 5/. 15*9. 6 d. 
 
 469. Portrait of the Duke de la Rochefoucauld, born 
 
 1613, died 1680, author of the Maxims , in a black 
 velvet cloak, velvet cap with white ostrich feather. 
 
 Vellum — 2 \ in. by if. Carved and gilt frame, glazed. Christie's, 
 May 10th, i860. 1 1 . 11$. 6 d. 
 
 470. Portrait of the Right Honourable George Canning, 
 
 Prime Minister of England, born 1771, died 1827, in 
 a black coat, with white cravat. Enamel by Wm. 
 Essex, after Sir Thomas Lawrence. Signed, and 
 dated 1828, in which year it was exhibited at the 
 Royal Academy. 
 
 2 hi. by i|. Gold frame and red morocco case. 
 
( 2 95 ) 
 
 f 7 1. Portrait of a Young Lady, in a low grey dress, her 
 bodice laced with blue, flowers in her hair. 
 
 Ivory — if in. circular. Gold frame , forming the top of a tortoise- 
 shell snuff-box. 
 
 472. Portrait of an Elderly Lady, in a blue dress and 
 
 white cap. Inscribed on the back of the miniature, 
 apparently as Augusta, Countess of Sicily. 
 
 Ivory — 1 1 in. by 1. Filigree silver frame and morocco case. 
 
 473. Portrait of Madame 'Deschappeller, in an elegant 
 
 costume, seated in a garden, with her son on her 
 knee, as Cupid. By Nattier. 
 
 Ivory — 2 in. by 2%. Square ebony frame. Phi llip s\ February 12 th, 
 1863. 4/. 15^. 
 
 474. A Cottage Exterior, in which is seen a woman showing 
 
 an infant to a man seated at a table with four other 
 figures, and sheep. 
 
 Enamel — 2 in. by 2\. Gold frame. 
 
 475. Portrait of Catherine M (name indistinct), a 
 
 literary lady, in a black dress and white cap, with 
 flowers in her hair. Signed J.C. in a monogram. 
 
 Ivory — 3 in. by 2\. Ornamental ebony frame. 
 
 476. A Bacchante, with a bunch of grapes in her right hand. 
 
 By Rosalba Carriera. 
 
 Ivory — 2 \ in. circular. Gold frame. 
 
 477. Portrait of Philip V., King of Spain, in black robes 
 
 and white collar, with an open book in his right hand. 
 
 Copper — 2 1 in. by 2\. Unframed. 
 
 478. Portrait of Ninon de l’Enclos, in a low yellow dress, 
 
 with a blue and red scarf, pearls in her hair. 
 
 Ivory — if in. by ii. Floreated carved and gilt frame. 
 
 479. Portrait of a Lady, in a low lavender dress, white 
 
 ostrich feathers in her hair, and a miniature portrait in 
 her bosom. After Sir Joshua Reynolds. 
 
 Ivory — 2 in. by 1 f . Gold frame and morocco case. 
 
( 296 ) 
 
 480. Portrait of a Young Lady, in a low white dress, and 
 
 blue ribbons, flowers in her hair. 
 
 Ivory — 2\ in. by if. Gold frame. 
 
 481. The Blind Fiddler, after Sir David Wilkie, highly 
 
 finished in opaque colours. 
 
 Cardboard — 3I in. by 4^. Glazed over a frame. 
 
 482. Companion Picture — Interior of an Inn, with 
 
 numerous figures regaling, after the picture by Teniers, 
 known as “The Smokers,” in the possession of Lord 
 Kinnaird. Highly finished in opaque colours. 
 
 Cardboard — 3i in. by 4^. Glazed over a frame. This and the 
 ■ preceding , Phillips’, February yth, 1861. 9 1 . 
 
 483. Venus Reclining with Amorini, one showing her a 
 
 glass. Signed, Joseph Hegner Winterthur. 
 
 Enamel — if in. by 2\. Morocco case. 
 
 484. An Italian Landscape, with a gentleman on horseback, 
 
 from whom a mendicant priest is begging, with other 
 figures. Signed, J. B., 1745. 
 
 E?iamel — 2\ in. by 3. Gold frame. 
 
 485. Portrait of Madame Duchange, in a low white dress, 
 
 straw hat, and ostrich feathers. 
 
 Ivory — 2f in. circular. Ormolu frame , and morocco case. 
 Christie’s, March 20 th, 1865. 4/. 5^. 
 
 486. Portrait of the Duchesse de Chateaurouge, in a 
 
 Polish dress. By Grimoux, a Swiss painter, 1680 to 
 1740. 
 
 Ivory — 3 in. by 2\. Wrought gold frame mounted in silver , in a 
 red morocco case. Christie’ s, March 20th, 1865. 81 . 
 
 487. Portrait of a Lady, after Sir Thomas Lawrence, in a 
 
 very high white dress and white veil, fastened by a 
 ruby, her hair bound with red velvet, dated March, 
 1808. Enamel by H. Bone. 
 
 2! in. by 2{. Unframed. 
 
( 297 ) 
 
 4B8. Portrait of the Princesse de Lamballe, in a white 
 satin dress, with muslin chemisette. 
 
 Ivory — if in. by ij. Gold frame mounted in silver. Christie's , 
 April iSth, 1864. 5/. 
 
 489. Portrait of Madame de Pompadour, in a brown dress 
 
 with blue trimmings, and a blue and white hood, in a 
 garden, playing on a guitar. By J. M. Nattier. 
 
 Ivory — 2! in. by 3. Unfratned , but glazed. Christie's , June i^th, 
 
 1860, 14/. 14^. 
 
 490. Portrait of a Mother and Child, the former with 
 
 music in her right hand, inscribed, “Variete,” the 
 child holding a basket of roses. By L. L. Boilly, 
 1797 - 
 
 Ivory — 2\ in. circular. Gold frame. 
 
 491. A Pair of Scriptural Subjects, one “ Ecce Homo,” i.e. 
 
 our Saviour, crowned with thorns, and covered by a 
 scarlet mantle, the other “ Mater Dolorosa,” with a sword 
 in her bosom, an attendant supporting her. Apparently 
 missal paintings, richly mounted on boule, w 7 ith silver 
 ornaments, in folding frames, in the form of a book. 
 Vellum. Christie's , March \2th, i860. 4/. 
 
 492. Andromeda Chained to a Rock. 
 
 Ivory — 4i in. circular. Morocco case. Christie's , March 22 nd> 
 
 1865. 4/. 
 
 493. A Mythological Subject, representing Minerva, Venus, 
 
 and Mars. 
 
 Enamel — \\ in. circular. Unframed. Phillips ' , P'ebruary jth, 
 i86l 5/. 17s. 6d. 
 
 494. A Mythological Figure of a Nymph, slightly draped, 
 
 probably Terpsichore. 
 
 Ivory — 2! in. by 2\. Ormolu frame. 
 
 495. Portrait of Lord Byron’s Maid of Athens. By 
 
 Bate. 
 
 Ivory — 2\ in. circular. Carved and gilt frame . 
 
( 29 s ) 
 
 496. Two Daughters of the King of Prussia, in white 
 
 muslin dresses, with blue sashes, and blue ribbons in 
 their hair. Signed, Hall. 
 
 Ivory — 3 in. by 2\. Gold frame , and green morocco case. 
 Christie’s, March 20th, 1865. 3 1. 15s. 
 
 497. A Knight Leading a Lady to an Altar on which 
 
 incense is burning. 
 
 Enamel. Ormolu frame. 
 
 498. Portrait of a Foreign Prince, in blue velvet coat, 
 
 embroidered with gold, yellow' waistcoat, and white 
 lace cravat. 
 
 Enamel — 2\ in. circular. Gold frame , and morocco case. 
 
 499. Diana and Nymphs Bathing, surprised by Action. 
 
 Signed, Rocher, 1772. 
 
 Enamel — 4 in. by 3I. Maroon morocco case. 
 
 500. Cupids Leading the Infant Bacchus. Grisaille 
 
 Enamel by De Mailly. 
 
 1 1 in. by 2\. Gold frame , and morocco case. Phillips\ February 
 7 th, 1861. 9/. 
 
 See Blake, William, in “Picture Catalogue,” page 18. 
 
 501. Portrait of Mrs. Maria Durey Robinson, an actress 
 
 and poetess, called the English Sappho, bom 1758, 
 died 1800, in a white dress, with a large black hat, 
 surmounted by ostrich feathers. By Cosway. 
 
 Ivory — 2\ in. by 2. Ormolu frame. 
 
 502. Portrait of Maria Theresa, in a low grey dress, with 
 
 crimson scarf. The figure is raised in the manner of 
 Capo di Monte. 
 
 A fine example of Dresden Porcelain — 3! in. by 2|. Unframed 
 
 503 Portrait of a French Lady, in a low white dress, 
 blue sash, w r hite felt hat, and ostrich feathers. By 
 Bordier. 
 
 Ivory — 2\ in. by 1 f. Ormolu fra?ne. 
 
( 299 ) 
 
 504. Portrait of Master Beckford in His Youth, a 
 
 sketch with the head finished. By Richard Cosway, 
 R.A. 
 
 6 in. by 5. Ormolu and ebony f rame. 
 
 505. Titian’s Picture of Human Love, a full-length nude 
 
 female, with crimson drapery over her left arm, in 
 which she holds an incense burner. Cupid is on her 
 right side. 
 
 Ivory — 5 in. by 3b Glazed , in a, morocco case. Christie's , April 
 
 ‘ibth, 1871. 5 1. 1 js. 6 d. 
 
 506. A Pair of Very Early Sacred Figures, of the 
 
 Byzantine or Greek Church, one representing the 
 Almighty, the other the Virgin and Child. Apparently 
 of the fifteenth century. 
 
 Metal — 2| in. by 2. Ancient oak case , clasped. 
 
 507. A Mythological Subject, apparently Venus, reclin- 
 
 ing in a garden, with Cupid between her knees, while 
 Hebe is pouring wine into a goblet, followed by the 
 infant Bacchus with a basket of grapes, and Anteros. 
 Ivory — 3! in. square. Maroon morocco case. 
 
 508. A Very Early Byzantine Representation of a male 
 
 and female Saint. In gold. 
 
 Glass — if in. circular. Silver case. 
 
 509. The Worship of Eros, a youthful shepherdess offering 
 
 up doves at his shrine'. 
 
 Enamel — if in. by ij. Ormolu frame. 
 
 510. Portrait of Leopold I., Emperor of Germany, in a 
 
 large flowing wig, and lace cravat. By Bordier. 
 
 2 in. by if. Ormolu frame. 
 
 5 1 1. Portrait of Pauline Bonaparte, sister of Napoleon I., 
 
 born 1780, died 1825, in a low white dress spangled with 
 gold, and pearl necklace. By Isabey, signed and dated 
 1806. 
 
 Ivory — if in. by ii. Ormolu frame. Phillips ' , February 16th , 
 1866. 15/. 15.L 
 
( 3°o ) 
 
 512. A Boy Blowing Bubbles, in a striped dress, and muslin 
 
 jabot. By Greuze. 
 
 Ivory — 2 \ in. circular . Ormolu frame. Phillip s\ February \st , 
 1866. 4 1. 153-. 
 
 513. Portrait of a Spanish or Venetian Lady, in 
 
 a black dress, with a high white lace ruffle. By 
 Coello. 
 
 Panel — 2 \ in. by if. Gold and tortoise-shell frame. Phillip ! , 
 February 1st , 1866. 9/. 
 
 514. Portrait of Victor Amadeus I., Duke of Savoy, in 
 
 armour, and a red scarf, wearing orders, born 1587, 
 died 1637. 
 
 Ivory — 2\ in. circular. Ancient ormolu frame. 
 
 515. Portrait of Maria Theresa of Austria, in a low 
 
 blue dress trimmed with lace, a red cloak over her 
 shoulders. 
 
 Ivory — 1| in. by 1. Ormolu frame. 
 
 516. Venus Leaning on an Altar on which doves are 
 
 alighting, Cupid at her feet with a garland of flowers. 
 Ivory — 2 in. by i|. Ormolu frame . 
 
 517. Portrait of Louise of Mecklenburg-Strelitz, wife 
 
 of Frederick the Great, King of Prussia, with powdered 
 hair, a low white dress, and pink cloak embroidered 
 with gold and trimmed with ermine. Surmounted by 
 the crown of Prussia. 
 
 Porcelain — 2 in. by i|. German ormolu frame. 
 
 518. Portrait of Frederic Augustus, King of Poland (and 
 
 Elector of Saxony) from 1733 to 17 63), powdered wig, 
 blue velvet coat embroidered with gold, wearing an 
 order on a red ribbon. Surmounted by the crown of 
 Poland. 
 
 Ivory — 2 \ in. by if. Ormolu frame . 
 
( 301 ) 
 
 519- Portrait of a General Officer in the Hanoverian 
 Service, who appears to have visited England, which 
 is implied by an obliterated inscription on the back. 
 Habited in a steel cuirass, blue velvet sleeves, and light 
 blue sash, and star. 
 
 2 \ in. by 2. Ormolu frame. Christie’s, March 23 rd, 1863. 
 4/./ 14 s. 6 d. 
 
 520. Portrait apparently of the Princess Charlotte, 
 
 daughter of George iy., a wreath of blue flowers, a 
 low blue dress, and necklace of pearls and turquoises. 
 Signed, Mirabel, 1820. 
 
 Ivory — 2\ in. by 2. Or?nolu frame. 
 
 521. Portrait (half-length) of a Lady, in a point lace cap 
 
 with diamond aigrette, pink dress, white lace stomacher, 
 and bouquet of roses. 
 
 Ivory — 2\ in. by if. Ormolu frame. 
 
 5 22. Portrait of a Gentleman, in flowing powdered wig, 
 habited in a steel cuirass, blue velvet coat embroidered 
 with gold, wearing an order and scarlet ribbon. 
 
 Ivory — 3i in. by if. 
 
 523. Portrait of a Lady, with powdered hair, in a low 
 
 white satin dress, and blue satin cloak. 
 
 Ivory — 2\ in. by if. Ormolu fra?ne. 
 
 524. The Virgin Seated in a Landscape, with the child at 
 
 her breast. Highly finished in colours. Inscribed 
 Surzana. 
 
 31 in. by 3. Ormolu and ebony frame. 
 
 525. Portrait of a Young Lady, with flowing curls, in a 
 
 low white dress, with belt round her waist, and chate- 
 laine, her left arm leaning on a pedestal. Surmounted 
 by doves. Signed, Hall. 
 
 Ivory — 3 in. circular. Ormolu and ebony frame. 
 Miniatures , &=c. k 
 
 
( 3° 2 ) 
 
 526. Portrait apparently of a French Senator, time of 
 
 Louis XVIII., in a frilled shirt and an overcoat. Signed, 
 Augustin, 1826. 
 
 3| in. circular. Ormolu a?id ebony frame. 
 
 527. Portrait called “ Le Petit Ecolier,” in a white 
 
 ruffle, pink dress, and blue cloak. By Fragonard. 
 Ivory — 3 in. by 2\. Ormolu frame. 
 
 528. Portrait of Mdlle. Olivier, celebre actrice de 
 
 la Comedie Frangaise, in a black hat lined with blue, 
 lavender bodice laced with green, white sleeves. Signed, 
 Hall. 
 
 Ivory — 2| in. circular. Ormolu fra?ne. 
 
 529. Portrait of a Lady, in a lavender dress, with a white 
 
 muslin fichu, seated at a table with a letter in her hand. 
 Signed, Hall. 
 
 Ivory — 2| in. circular. Ormolu frame. 
 
 530. Portrait of a Young Girl, in a white dress, with blue 
 
 trimmings. By Fragonard. 
 
 Ivory — 2| in. by 2. Gilt frame. 
 
 531. Portrait of Maria Theresa, in a black cap and dress, 
 
 with a crown by her side. 
 
 Enamel — 14 in. circular. Ornamental ormolu and ebony frame. 
 
 532. Portrait of Louis XVIII., in full uniform, with orders. 
 
 Enamel — 3 in. circular. Signed Mulnier, fils, a Nantes , 1817. 
 Ormolu frame. 
 
 533. Portrait of the Duchess de la Vallii£RE, in a low blue 
 
 dress. 
 
 Sevres porcelain — 2f in. by 2. Ormolu frame , surmounted by doves. 
 
 534. Portrait of Mdlle. de Creiqui, as Diana, in a white 
 
 dress, with leopard skin. By Nattier. 
 
 2 in. by 2\. Square ormolu frame. Phillip s’, February 16th, 
 
 1866. 3/. 
 
( 3°3 ) 
 
 535. Portrait of Cardinal de la Tour d’ Auvergne, 
 
 in full canonicals, holding a book in his hands. 
 
 2% in. circular. Gold and ebony frame. 
 
 536. Portrait of Mdlle. Champion, a celebrated opera 
 
 dancer, in a jaunty blue hat, and a low blue dress 
 with yellow ribbons. Inscribed on the miniature, “ Par 
 son ami Fragonard.” 
 
 2\ in. by i|. Gilt frame. 
 
 537. Portrait of le Marechal de Belle-Isle, 1684 — 1761, 
 
 in armour, with red cloak. Signed, De Sompsois. 
 Cardboard — ij in. by i\. Ormolu frame. 
 
 538. Portrait of Charles XII., King of Sweden, in military 
 
 costume, wearing orders, and pointing to a battle-field. 
 Ascribed to Louis Kugler, a German miniature painter 
 of the eighteenth century. 
 
 2\ in. by 3. Gold frame. 
 
 539. View of the City of Florence, taken from the River 
 
 Arno, numerous figures in a boat, bridge and buildings 
 in the distance. V. J. Nicolle. 
 
 Cardboard — 3 in. circular. Ormolu f?'ame. Phillips February 
 ibth, 1866. 3 1. 13J. 6 d. 
 
 540. A Forest Scene, with, a huntsman pursuing a stag. 
 
 Enamel — 2| in. circular. Ormolu fraine. 
 
 541. A Garden Scene, with nymphs dancing. 
 
 Enamel — 3 in. circular. Ormolu frame. 
 
 542. A Bouquet of Roses, Tulips, and other flowers, in a 
 
 vase. Signed, G. Van Spaendonck, 1782. 
 
 Cardboard — 32 in. circular. Rich ormolu frame. Phillips\ 
 November $th, 1865. 5 1 . 
 
 *** Les tableaux de ce peintre cdlebre etaient richement payes, et 
 mettent son nom a cotd de ceux des grand maitres de ce 
 genre. Vente Lafontaine. Bouquet de Fleurs 2,550 francs. 
 
( 3°4 ) 
 
 543. A Pair of Beautiful Enamels, one a concert, con- 
 
 sisting of a lady, playing on a guitar, and a child with 
 a bird in a case, and a gentleman holding music. The 
 other, three female figures at a balcony. By Charlot. 
 
 3i in. by 2 f. Unifor?n ormolu frames each surmounted by a 
 crow?t, and the monograin L. L. Phillips ’ , November 10th, 
 1865. SI. 1 
 
 544. Portrait of Madame Buonaparte, mother of Napoleon, 
 
 in a low white dress, blue waistband, and a long veil. 
 Signed, J. Isabey. 
 
 Ivory — 3 in. circular. Or?nolu frame. Christie’s , March 20 th, 
 
 1865. 61 . 10 s. 
 
 545. Portrait of Madame Victoire, daughter of Louis XV., 
 
 as Diana. Signed, Halle. 
 
 Ivory — 3 in. circular. Ormolu frame. Christie’s , March 20 th, 
 
 1855. 1 1 . iij. 6 d. 
 
 546. Portrait of a French Gentleman, in a black coat, 
 
 white waistcoat, and cravat. By Isabey. 
 
 Porcelain — 3 in. by 2\. Blue enamel frame sprmkled with golden 
 stars, inserted in an ormolu frame. 
 
 547. Portrait of a Gentleman, in a brown velvet coat, 
 
 powdered wig, and a cocked hat under his arm. 
 
 Ivory — 2§ in. by 2\. Ormolu frame , inside a morocco case. 
 
 548. Portrait of Louis XV., when a child, in a pink dress, 
 
 and pink hat and feathers, playing w r ith a gun. By 
 Vestier. 
 
 2\ in. by 2 f . Ormolu fra?ne. 
 
 549. Portrait of a Lady as a water nymph, a lightly draped 
 
 figure. 
 
 Ivory — 2 in. by 3. Ormolu frame. Christie’s , March 22nd, 
 
 1865. 4 1. 
 
 550. Portrait of a Lady, with powdered hair, confined with 
 
 pearls, and a red and white satin dress trimmed with 
 sable. 
 
 Ivory — 2I in. by if. Ormolu frame. 
 
( 3°5 ) 
 
 551. Portrait of Madame Clairon, a French actress, bom 
 
 1723, died 1803, in a richly brocaded dress, and 
 purple velvet cloak. 
 
 Ivory — 2\ in. circular. Ormolu fra 7 ne. 
 
 552. Portrait of a Cavalier, with long flowing hair, lace 
 
 cravat, and blue shoulder knot. Qy. temp. Elizabeth. 
 
 Copper — 3^ in. by 3. Early ormolu frame. 
 
 553. Portrait of a Hurdy-Gurdy Player, in a blue dress, 
 
 and white lace cap. Signed, Palquier pinxit. 
 
 Ivory — 3 in. circular. Ormolu frame. 
 
 554. Portrait of Alexis Piron, dramatic author and poet, 
 
 born 1689, died 1773, in a lavender coat, and powdered 
 wig. By J. M. Nattier. 
 
 Cardboard — if in. by 2.\. Ormolu frame. 
 
 555. Portrait of Madame la Marquise de Villette, a 
 
 celebrated French beauty, and admirer of Voltaire, 
 dressed as a shepherdess in blue, with a pair of doves 
 on her knees. By Vestier. 
 
 Ivory. Ormolu frame. Bought privately , 1866. 61 . ioj. 
 
 556. Portrait of the Celebrated Comedian, Mr. John 
 
 Edwin, inscribed, “ Presented as a small token of 
 regard, to J. P. Harley, by Charles Mathews, July 
 20th, 1832.” Signed, H. Edridge. 
 
 2 in. by 1 %. Elaborately carved and gilt frame. 
 
 557. Portrait of Mdlle. de Saint Huberti, a celebrated 
 
 French singer and actress, in a white satin dress, with 
 garlands of roses, and a blue satin cloak. Signed, 
 SCOTTINI. 
 
 Cardboard — 2! in. by 3. Ornamental ormolu frame. 
 
 558. Portrait of Madame de S£vigne, as Venus, with 
 
 Cupid and an attendant pouring perfume on her 
 head. By Perotti. Signed, C. A. 
 
 Ivory — 2\ in. circular. Very ornamental ormolu frame. Christie’s , 
 February 2 1st, 1865. 10/. ioj. 
 
( 3^6 ) 
 
 559 * Portrait of an Amorino, standing on a cloud, inscribed 
 at foot, “ Veni sponsa mea.” 
 
 4 in. by 3. Old silver frame with filigree top . 
 
 560. Portrait of Mdlle. de Bourbon Conti, in a low white 
 
 satin dress, and blue cloak lined with ermine. 
 
 2 in. by i\. Ormolu frame. 
 
 561. Portrait of George, Prince of Wales, in a dress coat, 
 
 with lace cravat, wearing an order, his hair powdered. 
 Enamel by Cosway. 
 
 in. by 2. Ebony fra?ne. 
 
 562. Portrait of what appears to be a Jewish Rabbi, 
 
 with a long beard, a green cap and collar over a 
 brown robe. 
 
 Panel — 3 in. circular. Ormolu frame. 
 
 563. Portrait of a Nobleman, in powdered hair, in a 
 
 blue dress coat trimmed with ermine, wearing an order 
 and a broad red sash, a staff in his right hand. Enamel 
 by Kugler. 
 
 2 1 in. by 3. Ormolu frame. 
 
 564. Portrait of Susannah, in a low white dress and 
 
 turban, with one of the Elders, whose head is on her 
 breast. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 565. A Pair of Portraits, apparently George III. and 
 
 his Wife, Charlotte Sophia, of Mecklenburg-Strelitz, 
 the King in a Court dress, wearing the Guelphic order, 
 the Queen in a low dress, with a cap and feathers, 
 
 2 i in. circular. Uniform ormolu frames. 
 
 5 66. Portrait of a French Gentleman, time of the Revo- 
 lution, in a prune-coloured coat with fancy buttons, 
 grey hair, and white cravat. Signed, L. S. Fouquet. 
 Ivory — 2 in. circular. Ormolu frame. 
 
( 3°7 ) 
 
 567. Portrait of a Lady, in a low white dress and blue 
 
 cloak, with powdered hair and diamond aigrette. 
 
 2 in. circular. Ormolu frame. 
 
 568. A Mythological Subject of many Figures, probably 
 
 the punishment of Juno, who is seated on a throne. 
 Enamel — 2! in. circular. Old ivory frame. 
 
 569. A Mythological Subject of Bacchanalian Games. 
 
 Signed De la Pierre. 
 
 Grisaille — 3 in. circular. Gold and ebony frame. 
 
 570. Portrait apparently of George III., when he was 
 
 Prince of Wales, in a Court dress of blue velvet, 
 wearing the Guelphic order. 
 
 Ivory — if in. by \\. Enamelled and ormolu frame. 
 
 571. Portrait of Joseph II., Emperor of Germany, in full 
 
 Austrian uniform. Enamel by L. Kugler. 
 
 3I in. by 2%. Austrian ormolu frame. Christie’s, June 13th, 1867. 
 
 18/. 
 
 572. Portrait of a Lady, in a grey dress cut low in front, 
 
 seated on a sofa, and holding a rose in her left hand. 
 By A. Vestier. 
 
 Ivory — 2 h in circular. Ormolu frame. 
 
 573. An Ornamental Frame containing portraits of Louis 
 
 XV. and three ladies of the Court, all in full costume. 
 
 8 in. by 6. 
 
 574. A Pair of Mythological Subjects of an Amatory 
 
 Character. By Boucher. 
 
 Sevres porcelain — 3 in. by 4^. Carved and gilt frames. 
 
 575. An Exquisite Miniature of the Apostles, kneeling 
 
 in devotion at the foot of a mountain, of which the top 
 is not visible. 
 
 Vellum — if in. by 3^. Carved gilt and glazed frame. Christie’s, 
 April 3rd, 1867. 12/. 
 
( 3°8 ) 
 
 576. Portrait of Madame de Maintenon, first the mistress, 
 
 and afterwards Queen of Louis XIV., in a low dress of 
 gold brocade, a blue cloak lined with ermine, and a veil. 
 By R. Van Orley. 
 
 Vellum — 3^ in. by 3. Gilt metal frame. 
 
 577. Portrait of Mdlle. Dumont, of “La Comedie Fran- 
 
 ^aise,” as Venus, with Cupid, in a very low white dress, 
 and crimson scarf. By Charlier. 
 
 Ivory — 3 in. circular. Gold frame within crimson velvet. Phillip s’, 
 July 1st, 1869. 1 1 . ys. 
 
 >578. Portrait of the Duchesse d’Angoul£me, daughter of 
 Louis XVI., in a white muslin turban with a spray of 
 heather in it, a striped dress and yellow fichu, wearing 
 an order. Ascribed to Campagna. 
 
 Ivory — 3 in. circular. Ormolic frame. 
 
 579. Portrait of Lady Rachel Russell, wife of Lord 
 
 William (born 1636, died 1723), in a low dress with a 
 blue scarf and pearl necklace. By S. Cooper. 
 
 4 in. by 3 b Gilt metal frame. 
 
 580. Portrait of Frederick the Great, when a boy, in a 
 
 blue robe, holding a drum. A miniature of the time. 
 By A. F. Seyre. 
 
 Ivory — 4 in. by 3. Gold frame, with gilt metal back. Christie's 
 March nth, 1867. 61 . 
 
 581. Portrait of Jean Mussard, age de quarante ans, in a 
 
 long flowing powdered wig, lace cravat, and crimson 
 cloak embroidered with gold. Inscribed, Jean 
 Antoine Mussard pinxit en Fevrier, 1724. 
 
 Enamel — 2| in. by 2\. Rich ormolu frame. Christie's, April 22 nd, 
 
 1867. 17/. 
 
 582. A Pair of German Female Portraits, in the dress of 
 
 the country, one with a gun on her shoulders and long 
 feathers in her hat, the other returning from Church 
 with a prayer-book in her hand. Beautifully painted, 
 with a gilt margin of it forming the frames, bearing the 
 special mark of K. P. M., first used for Royal specimens 
 in 1830. 
 
 Berlin porcelain — 3! in. by 3. 
 
( 3°9 ) 
 
 583. Portrait of Admiral Sir Sydney Smith, in full 
 
 uniform, wearing numerous orders. Signed, E. 
 Antissier, Paris, 1823. 
 
 Ivory — 3 1 in. by 3. Silver gilt frame. 
 
 584. Portrait of Lord Willoughby D’Eresby, in armour, 
 
 with flowing hair, large white collar, and while scarf. 
 By Samuel Cooper. 
 
 3 in. by 2\. Carved and gilt frame. 
 
 585. A Small and Curious Early Picture of a Sorceress 
 
 performing her rites. 
 
 2\ in. by 3. Carved and gilt frame. 
 
 586. Portrait of a Courtier, temp. Queen Elizabeth, in a 
 
 decorative costume, striped red and black, and a full 
 ruff of the period. 
 
 Copper — 3 in. by 2\. Early carved and gilt frame. 
 
 587. Portrait of Nicolas Largilliere, the celebrated 
 
 painter, born 1656, died 1746, in long powdered hair, 
 peach coloured dress, and dark blue velvet cloak. 
 Painted by Jean Baptiste Masse. 
 
 3 in. by 2\. Gold and ebony frame. Phillips ' , February \$th, 
 
 1866. 5/. 
 
 588. An Italian Picqu£ Figure, in tortoise-shell, of a 
 
 Troubadour, performing on a musical instrument. 
 
 3 in. by 2. ' Ebony frame. 
 
 589. Portrait of Anthony Ashley Cooper, first Earl of 
 
 Shaftesbury, born 1621, died 1683, in armour, with 
 white cravat and large flowing wig. By Samuel 
 Cooper. 
 
 3 in. by 2\. Contemporary ormolu and ebony frame. Robinson's , 
 April 2%th, 1871. 61 . 
 
 590. Portrait of a Pope, in full canonicals, crimson velvet 
 
 and gold, seated in an arm-chair (qy. Leo X. or Lorenzo 
 de’ Medici). A beautiful miniature. 
 
 Vellum — 3 in. by 3J. Ormolu frame. Christie's , June 13th, 1867. 
 
 12I. 
 
 Miniatures , &c. l 
 
( 3 10 ) 
 
 59 i- Portrait of Sir Joshua Reynolds, half length, full 
 face, wearing spectacles, dress black coat, white cravat, 
 and waistcoat. Signed, J. R. in the folds of his 
 shoulder, presumed to indicate his contemporary John 
 Russell, R.A. 
 
 Ivory — 4 in. by 3b Gilt and ebony fra7ne. 
 
 592. Portrait of Hannah More, in a white turbaned cap, 
 
 blue dress, and yellow shawl. 
 
 Ivory — 2 >h i n - by 2J. Gilt and ebony frame. 
 
 593. Portrait of Kitty Clive, in a low blue dress fastened 
 
 with pearls, and a pink jacket. 
 
 3! in. by Gilt and ebony frame. 
 
 594. Portrait of a Lady, supposed to be intended for 
 
 Eleanor of Guienne, Queen of Henry II., with a staff 
 entwined with vine-leaves and bunches of grapes in her 
 right hand, and a ball of thread in her left in reference 
 to fair Rosamond. 
 
 Ivory — 4 in. by 3. Gilt and ebony frame. 
 
 595. Portrait of a Cardinal, in full canonicals. 
 
 Ivory — 3 in. circular. Ormolu frame. Christie's , June 13th, 
 1867. 7/. 5-y. 
 
 596. A Silver Plaque, representing a castle surmounted by 
 
 soldiers, with soldiers and cannon in the foreground. 
 Inscribed, “ Castile prise le 14 Juillet.” 
 
 3 in. circular. Gilt and ebony frame. 
 
 597. The Interior of an Auberge, in which a cavalier 
 
 holding up a tall drinking glass with one arm has the 
 other round the neck of a young woman in the dress of 
 a German peasant, both seated, with a tankard on the 
 table before them. Painted on china, much in the 
 manner of Brauwer. 
 
 Enamel — 6 in. by 5. Narrow mahogany frame. 
 
( 3 11 ) 
 
 598. Portrait of Mrs. Robinson, called Perdita, in a white 
 
 dress and muslin cap, her right hand raised to her 
 shoulder. By R. Cosway. 
 
 2,h in. by 3. Gilt and ebony frame. 
 
 599. Portrait of Francoise-Marie de Bourbon, Duchesse 
 
 D’Orleans, 1749, in a white satin dress and blue cloak, 
 with a diamond crescent in her hair. 
 
 2! in. by 2. Richly chased ormqlu frame. Christie's , March 2nd-, 
 
 1869. SI. 
 
 600. Portrait of Jean Jacques Rousseau, in a light brown 
 
 coat trimmed with white fur. By Fragonard. 
 
 Ivory — 2\ in. circular. Ormolu frame. 
 
 601. Portrait of Mdlle. de Rambouillet, called La belle 
 
 Julie, maid of honour to Marie Therese, and afterwards 
 Duchesse de Montausier. Enamel by Weiller. 
 
 4 i?i. by 3. Gilt and ebony frame. Phillips ' , May 1st , 1866. 15/. 
 
 602. A Rich Landscape, with huntsmen and hounds in the 
 
 distance, and boatmen in the foreground. Enamel by 
 Wynants. 
 
 2,2 in. circular. Very weighty ormolu frame. 
 
 603. Portrait of Robert Berke, Earl of Lindsey, in armour, 
 
 with red sash and ' a white lace collar. With the 
 engraving at back. 
 
 Copper — 3! in. by 2\. Ebony frame . 
 
 604. A Group of Five Figures, in front of what appears to 
 
 be the Palais de Justice, in which a lady on her knees, 
 apparently petitioning, is being raised by a cavalier in 
 the presence of two gentlemen, one evidently a judge, 
 the other in Court costume, a female attendant behind 
 the lady. 
 
 Ivory — 3i in. circular. Ormolu frame. Christie's , June 13th, 
 186 9 1. $s. 
 
( 312 ) 
 
 605. Three Royal Children, the two boys in pink coats, 
 
 the girl in a white lace dress and green apron, all with 
 powdered hair. 
 
 Ivory — 3 in. circular. Gilt and ebo?iy frame. 
 
 606. Portrait of Queen Anne, in a low yellow dress and 
 
 ermine cloak. After Michael Dahl, to whom Queen 
 Anne sat. By H. P. Bone. 
 
 E?iamel — 4 in. by 3. Gilt metal frame. 
 
 607. Portrait of Mrs. Abington, an English actress, born 
 
 1731, died 1815, in a gipsy hat with lavender ribbons, 
 blue dress, and muslin fichu. 
 
 Ivory — 3 in. by 2\. Ormolu frame. 
 
 608. Portrait of Maria Theresa of Austria, Empress of 
 
 Germany, in a pale blue dress and cloak lined with red, 
 seated in an arm-chair, and holding the miniature of a 
 gentleman before her. 
 
 Ivory — 4 in. by 3. Carved a?id gilt frame. 
 
 609. Portrait of James Stuart, Duke of Richmond, in 
 
 purple velvet slashed with white satin, blue sash and 
 broad white collar. After Vandyck, in the collection 
 of the Earl of Clarendon. Enamel by H. P. Bone. 
 
 4! in. by 3. Carved and gilt frame. 
 
 610. Portrait of San Carlos Borromeo, at prayer, with a 
 
 book and crucifix before him. Inscribed par Don 
 Juan de Alfaro. Painted on silver. 
 
 22 in. by 2. Silver filigree frame. Christie's , April 2 Sth, 1859. 
 
 4/. 4s. 
 
 61 1. A Girl at her Toilet, in brown skirt and white 
 
 bodice, holding a large white lace veil over her head. 
 Enamel by Vanuse. Beautifully painted. 
 
 4 in. by 3. Rich ormolu frame. Robinson's, March 10 th, 1871. 
 
 SI. i$s. 
 
( 3'3 ) 
 
 612. Bacchanalian Figures, about fourteen, in grisaille and 
 
 pink. Painted by Poulet, 1755, and signed. 
 
 2 in. by z\. Gilt metal frame. Christie's , June 14 th, 1867. 
 
 9 1. 15^. 
 
 613. Portrait of James, Duke of Monmouth, in armour, with 
 
 a blue sash, white collar, and long flowing black hair. 
 Attributed to Samuel Cooper. 
 
 in. by 2. Ebony frame. 
 
 614. Portrait of Lady Waldegrave, born 1761, afterwards 
 
 Duchess of Grafton, in a blue dress, white fichu and 
 black hat, and ostrich feathers, with fair hair. 
 
 Ivory — 3 in. circular. Gilt frame. Robinson's , April iZth, 1871. 
 
 61 . 
 
 615. Portrait of Louis XVI., when young, in a light green 
 
 coat, blue waistcoat, and white cravat. Signed, 
 Dumont. 
 
 Ivory — 3 in. circular. Gilt metal frame. 
 
 616. The Sacrifice of Iphigenia, who is reclining on the 
 
 altar, while Diana appears above her substituting the 
 hind, with surrounding figures. Beautifully painted. 
 
 Ivory. Chased gold frame. Christie's , June 13th, 1867. 
 
 1 5/. 4 s. 6d. 
 
 617. A Nobleman, in Court dress, wearing orders. 
 
 Ivory — 3 in. circular. Gilt metal frame. 
 
 618. Portrait of Sir Edward Walpole, in a crimson velvet 
 
 coat, white cravat, and powdered wig. Dated 1725, 
 and signed F. M. D. G. Enamel by Garth. 
 
 Chased gilt frame. Phillips', June 25/^, r 868. 61 . 
 
 619. Portrait of a Royal Person, apparently James Stuart, 
 
 the Old Pretender, in armour, crimson cloak lined with 
 ermine, blue sash and powdered wig, wearing the Order 
 of the Garter. Attributed to Sir Godfrey Kneller. 
 
 Ivory — 2i in. by 2. Ebony frame. 
 
( 3 r 4 ) 
 
 620. A Large Ormolu Frame, surmounted by the rose, 
 
 thistle, and shamrock, containing three highly finished 
 Portraits, namely, Lord Byron, Sir Walter Scott, 
 and Thomas Moore. Enamel by William Essex. 
 
 Each 3! inches by 2 f. The whole ui a mahogany and velvet 
 case, glazed. Christie's, November 15th, 1866. 56/. 10s. 
 
 621. Portraits of the Kings and Queens of England, 
 
 from the time of Egbert to William III., including 
 Oliver Cromwell, being the original coloured drawings 
 by George Virtue for the series afterwards published 
 in 1796, to illustrate Rapin and Tindall’s History of 
 England. Bought unframed, packed in a box at the 
 late Duke of Buckingham’s fine collection, where in 
 consequence of a knocking out among the brokers 
 many things were virtually given away. 
 
 Ivory — each miniature 3I in. by 2\. Gold frames , mounted on 
 white velvet in two large carved and gilt frames , 1 ft. 9 in. by 
 1 ft. 5 in. Glazed , surniounted by the Royal crown. 
 
 622. Portrait of F. Boucher, the celebrated painter, in a 
 
 brocaded dressing-gown, his right arm leaning on his 
 sketch-book with pencil in his hand. Painted by 
 himself. 
 
 6 in. by \\. Gilt metal frame, glazed. Phillips’, July 1st, 1869. 
 
 9/. iss. 
 
 623. Portrait of a Lady, in black dress and hat, with red 
 
 ostrich feather, a long fan in one hand, a handkerchief 
 in the other. 
 
 Ebony frame. 
 
 624. Blarenberghe, a pair of beautifully painted Landscapes, 
 
 in body colours, both with figures hawking and stag- 
 hunts. 
 
 52 in. by \\. Ebony frames. Phillips’, February 7 th, 1861. 10/. 
 
 *** For an account of this celebrated artist, see my “Picture 
 Catalogue,” pages 18 — 19. 
 
( 3 1 5 ) 
 
 625. Portrait of Lady Elizabeth Woodville, Queen of 
 
 Edward IV., in a low blue velvet dress, ermine cloak, 
 crown and sceptre. Enamel by P. Bone. 
 
 4 in. by 3b Carved and gilt frame. Christie’s, February , 28 th, 
 
 1866. 61 . 
 
 626. Portrait of the Duchfssede la Valliere, Mistress of 
 
 Louis XIV., as Diana, in a blue dress. 
 
 Ivory — 4! in. by 3b Ebony and opnolu frame. Christie’s , March 
 9th, 1868. 10/. iox. 
 
 627. Portrait of Madame de Mailly, afterwards Duchesse 
 
 de Chateauroux (Mistress of Louis XV.) in a white 
 satin dress, with flowers in her hands, and a red cloak 
 over her knees. By Nattier. 
 
 Vellum — 4I in. by 3f. Ormolu frame. Phillips’ , July 1st, 
 
 1869. 10/. 
 
 628. Portrait of a Venetian Nobleman, in a cloak trimmed 
 
 with fur, inscribed, “ Aetatis suae 48, anno 1579.” 
 
 Copper — 3! in. by 2 f. Carved and gilt frame. 
 
 629. Portrait of the Princess Charlotte of Belgium, as 
 
 ... ’ ? 
 a child, in a crimson velvet frock, afterwards Empress 
 
 of Mexico. By Sir William Ross, being No. 125 of t ,/ 
 
 his pictures exhibited after his death, in i860, at the 
 
 Society of Arts, and soon afterwards sold at Christie’s, 
 
 June 22nd, i860, for thirty-three guineas. 
 
 Ivory — 5i in. by 4. Gilt frame , glazed. Christie’s , April $th, 
 
 1.852. 
 
 630. Portrait of Mary Queen of Scots, in the twenty- 
 
 third year of her age, in a richly jewelled dress, lace 
 ruff and cap, wearing a crucifix. Inscribed with name 
 Foote. From Charles lids collection, marked as 
 usual, C. R., on the back. 
 
 Panel — 4 in. by 2\. Orna?nental oak frame , carved with the rose , 
 shamrock, and thistle , the Royal crown at top. Christie’s, 
 
 April \Zth, 1864. 11 1 . 1 ox. 
 
( 3 l6 ) 
 
 631. Portrait of Queen Elizabeth, in a jewelled dress 
 
 brocaded with gold, a high laced ruff, long net veil, and 
 jewels in her hair. 
 
 4 in. by 3^. Richly ornamental ormolu frame , with the Royal 
 crown supported by Cupids at top, inlaid in ebony. Christie's , 
 July $th, 1864. 9/. 
 
 632. Portrait of Edward VI., King of England from 1547 
 
 till his death in 1553, in a full Court dress trimmed 
 with ermine, wearing his cap and feathers. Also 
 Portrait of Mary I., Queen of England from 1553 
 to 1558, married to Philip II. of Spain in 1554, in a 
 blue velvet dress, trimmed with white fur. 
 
 3 in. by 2}. Ornamental ebony frames , uniform. Christie's , July 
 Ajh, 1 864. 61. 
 
 633. Portrait of Henri IV. of Bourbon and Navarre, 
 
 King of France from 1589 to 1609, in armour, covered 
 with a cloak of ermine and blue velvet, worked with 
 fleur-de-lys in gold, wearing an order. 
 
 Enamel — 2\ in. by 2. Ornamental ormolu frame, surmounted by a 
 floral wreath. 
 
 634. Portrait of Sir Edward Barkham, of Westacre, co. 
 
 Norfolk, Sheriff of London, 1611 ; Lord Mayor, 1621 ; 
 in a crimson cloak and large flowing wig. By Thos. 
 Flatman. Signed, F. over the shoulder. 
 
 Cardboard — 4 in. by 3I. Ebony frame, glazed. 
 
 635. Portrait of Anne Clifford, Countess of Dorset, Pem- 
 
 broke, and Montgomery, born 1580, died 1675, i n a 
 low yellow dress and black velvet trimmings, long 
 flowing hair, and pearl ornaments. By Simon J acques 
 Rochard. 
 
 Ivory — 3I in. by 2 f. Gilt frame inlaid i?i ebony. 
 
 636. Portrait of Frederick William, Duke of Saxony? 
 
 Crown Prince of Brandenburg, born 1620, died 1688, 
 in a green dress, with black cloak and high ruffle. 
 With a long inscription round the frame. An early 
 picture. 
 
 Panel — 5 in. by 4. Black frame. 
 
( 3 ! 7 ) 
 
 637. Portrait apparently of Prince Arthur, in a scarlet 
 
 jacket and blue cloak, carrying a hat and feathers in 
 his right hand, a greyhound by his side. 
 
 Copper — 5! in. by 35. Ebony frame. 
 
 638. Full-Length Portrait of a Lady, supposed to be 
 
 Maria Clementina Sobreski, wife of James Stuart, the 
 Pretender, in a green dress, with red satin cloak. 
 
 6 in. by 4I. Gilt metal frame. 
 
 639. Portrait of Henry YIII. in regal costume, with 
 
 jewelled black cap, and long white ostrich feather. 
 
 Also portraits of his Six Wives, namely : — 
 
 1. Katharine of Aragon, married June 7th, 1509. 
 divorced June 14th, 1531, mother of Queen Mary. 
 
 2. Anne Boleyn, married November 14th, 1531, 
 mother of Queen Elizabeth, falsely accused and 
 executed, May 19th, 1535. 
 
 3. Jane Seymour, married May 20th, 1535, mother of 
 Edward VI., died October 24th, 1537. 
 
 4. Anne of Cleves, married January 6th, 1540, 
 divorced, July 28th. 
 
 5. Katharine Howard, married August 8th, 1540. 
 
 6. Katharine Parr, married July 12th, 1543. 
 
 All in Court costume. 
 
 Vellum — All 3 in. by 2\. Seven uniform ebony frames , with 
 ormolu borders , surmounted by crowns, glazed with crystal. 
 Christie’s , July \ih, 1864. 23/. ioj. 
 
 640. Portrait of Lord Grey, in a black coat and white 
 
 cravat. 
 
 Cardboard — 3! in. by 2 1 . Oval gilt metal and ormolu frame . 
 
 641. Portrait of the Marquis de Biron, in a light blue 
 
 cloak, white cravat, and powdered hair (qy. reign of 
 Louis XVI.) exquisitely finished. Signed, C. A. 
 
 Cardboard — 2\ in. circular. Rich ormolu frame. Robinson’s , 
 March 10 th, 1871. SI. 5s. 
 
 Miniatures, eve.] 
 
 M 
 
( 3i» ) 
 
 642. Portrait of Margaret de Valois, in a dark green 
 
 velvet dress, gold stomacher, and very high ruff trimmed 
 with gold lace. 
 
 Panel — 4 in. by 3b Carved and gilt frame. 
 
 643. Portrait of Sir Francis Burdett, in a blue coat 
 
 with brass buttons, and white cravat. By W. Derby. 
 Ivory — 2| in. by 2. Unframed, in a morocco case. 
 
 644. The Head of the Virgin and the announcing Angel, 
 
 their heads are decorated with glories. 
 
 Copper — 2tj in. by 2. Unknown , but apparently Venetian. 
 
 645. A Beautiful Miniature of Rosalba Carriera, by 
 
 herself, and so signed, in blue and pink draperies, with 
 a wreath of laurels in her hand. 
 
 Ivory — 6f in. by 4f. Unframed , but glazed and mounted in a 
 maroon morocco case. Phillips', November 2.1st, 1865. 12/. 
 
 646. Portrait of Louis XI. of Bourbon, Prince de Conde, 
 
 1621 — 1686, in armour, flowing wig, and lace cravat. 
 By Petitot. 
 
 Enamel — 1 \ in. by 1. Richly ornamented gold frame. Christie's , 
 January nth, 1869. 19/. ioj. 
 
 647. Portrait of Mary Queen of Scots, in a blue velvet 
 
 dress, white lace ruffle, and cap. 
 
 Ivory — 2 in. by if. Mounted as a brooch , in a gold and enamelled 
 
 frame. 
 
 648. Portrait of Charles James Fox (born 1747, died 
 
 1806), in a lavender coat and white waistcoat. 
 
 Ivory — if in. by ij. Ebony frame. 
 
 649. Portrait of George III., in full uniform, born 1760, 
 
 died 1820. By William Bone, enamel painter to His 
 Majesty the King of Hanover, dated 1844. 
 
 Enamel — 2\ in. by if. Unframed. 
 
 650. Portrait of James Stuart, F.R.S., commonly called 
 
 “Athenian Stuart,” architect, and painter and author, 
 aged 68, in a crimson coat and powdered wig. By 
 W. Croft, 1782. 
 
 Enamel — if in. by if. 
 
( 3 : 9 ) 
 
 651. Portrait of a Lady at her toilet, wearing a pink 
 
 petticoat. 
 
 E7iamelled on porcelain — 2\ in. by 2. Gilt metal frame. 
 
 652. Portrait of a Lady, semi-nude, with roses in her 
 
 hair. 
 
 Ena7nel on copper — 2p in. by 2. Unfra77ied. 
 
 653. A Miniature of the Magdalen, reclining on a rock 
 
 and reading, with an hour-glass by her side, apparently 
 after Correggio. 
 
 E7ia7iiel on Dresden china — 2 in. by 2\. Unframed. 
 
 654. Portrait of a Lady, in very large hat, white ostrich 
 
 feathers, and powdered hair. 
 
 Ivory — 2\ in. by if. Shagreen case. 
 
 655. Portrait of a Lady, in a low blue dress, and powdered 
 
 hair. 
 
 Ivory — 1 1 in. circular. Gold fra77ie , encircled by crimson velvet , 
 and an ormolu fra 7 ne. 
 
 656. Portrait of a Lady, in a light brown dress trimmed 
 
 with fur. 
 
 Ivory — ij in. by 1-4. Gold fra77ie . 
 
 657. Portrait of a Lady (qy. Elizabeth Browning), in a 
 
 low white dress, with grey and white flowers in her 
 hair. 
 
 Ivory — ij in. by X\. Or77iolu fra77ie. 
 
 658. Portrait of the Hon. Miss Monckton, afterwards 
 
 Countess of Cork and Orrery, in a white dress, with 
 lavender fichu and blue cloak, her left hand raised to 
 her face. By Ozias Humphreys. 
 
 Ivory — 3 in. by 2\. Carved fra7?ie. 
 
 659. A Set of Seven Coloured Miniature Drawings of 
 
 popular Landscapes, the show specimens of Baxter's 
 process. 
 
 Averaging 2% in. by 3^. Ormolu fra77ies 77iounted on velvet. 
 Christie's , June 26th , 1862. 3 1. 15.9. 
 
( 3 20 ) 
 
 660. Missal Ornaments. Six exquisite illuminated miniatures 
 
 from the life of Christ. Attributed to J. Hemling. 
 In colours and gold. 
 
 85- in. by 11. Ebo?iy and to?‘toise- shell frame. Christie’s , June 
 
 1 8th, 1 866. 20 1 . 
 
 661. Portrait of Sir Charles Lucas, in armour, with 
 
 a broad white collar, from the original by Walker, 
 in Lord Lyttelton’s collection at Hagley, from the 
 Northwick collection. Enamel by H. P. Bone. 
 
 5 in. by 4. Richly gilt frame. 
 
 66 2 . Missal Ornaments, in one large frame, containing 
 
 eleven highly finished miniatures, all relating to the 
 Passion, cut out of a very early Italian or German 
 Missal. Probably of the fourteenth century, or earlier. 
 
 6 J in. by 4! . Christie’s, June 1 8 th, 1 866. 30/. 
 
 663. Missal Ornaments. A series of Six very highly finished 
 
 miniatures relating to the Passion, cut out of a Missal. 
 Apparently early German or French work. 
 
 Averaging 5! in. square. Carved and gilt frames, glazed. 
 
 664. The Virgin and Child, sculptured in rock crystal, in- 
 
 laid in a filigree silver frame, apparently Venetian. 
 
 3^ in. by 2\. 
 
 665. A Saint, with the nimbus round his head, and placing his 
 
 hands on an apron on which fruit is depicted. Signed, 
 Laudin, Amailleur , Limoges. 
 
 Enamel — 2\ in. by 2\. Ebony and ormolu frame. 
 
 666 . A Landscape, after Berghem, mounted as a brooch on 
 
 mother-of-pearl set in gold. 
 
 2 in. by ij. 
 
 667. Missal Ornament. Saint Martha delivering the 
 
 inhabitants of Tarascon from the dragon. Apparently 
 early French work. 
 
 6 in. by 5. Carved and gilt frame. 
 
( 3 21 ) 
 
 668. Pietra Dura, a choice specimen, representing a combat 
 
 of warriors. A pair of fantastically dressed dwarfs, 
 each with two swords. 
 
 in. by 7. Mahogany and gilt frame. 
 
 669. A Bronze Sculpture of the Virgin and Child, 
 
 seated on a golden throne, with Seraphs above holding 
 a canopy over them. Mounted on green malachite. 
 Attributed to Donatello. 
 
 9 i in. by 6f . Ebony a 7 td gilt frame. 
 
 671. Limoges Enamel, in Grisaille , by Pierre Raymond 
 
 (signed, P. R.), representing the Battle of Troy. 
 Numerous figures. 
 
 3 in. by 6L Ebony frame. 
 
 672. Limoges Enamel of the Annunciation, in colours 
 
 and gold. Signed, P. R. 
 
 4 in. by 3L Ormolu and ebony fra 7 ne. 
 
 673. Limoges Enamel. Christ being taken down from the 
 
 Cross and laid on the knees of the Virgin, the two 
 Marys on either side. In grisaille and gold. 
 
 3i in. by 2\. Velvet frame. 
 
 674. Limoges Enamel. Christ on the Cross, with the 
 
 Virgin Mary and St. John standing at the foot. In 
 gold and colours. 
 
 4! in. by 2 f. Ancient ormolu frame. 
 
 675. Limoges Enamel of the Virgin and Child, seated on 
 
 a golden throne with Angels on each side. Inscribed in 
 gold letters, Santa Maria. 
 
 3 in. by 2\. Maroon morocco case. 
 
 676. King Charles I. seated on a throne, surrounded by his 
 
 nobles, eight in number, all in scarlet and ermine robes, 
 their names indicated by the armorial bearings above 
 them. Inscribed beneath the throne R. G. B. 1629, 
 
( 3 2 2 ) 
 
 under which are the Royal Arms supported by two 
 female figures, one Justice holding the scales, the other 
 Truth holding up a mirror. 
 
 Vellum — 7 1 in. by 6. Early ebonized frame. 
 
 677. Missal Ornament of the Virgin and Child, seated 
 
 in glory, surrounded by floral representations. In gold 
 and colours. 
 
 Vellum — 4 in. square. Ormolu frame , inlaid in velvet. 
 
 678. A Small Enamel Book-Cover, with Scriptural subjects 
 
 on the back and sides. Highly finished. 
 
 4 in. by 5I. Gold frames , inclosed in a red morocco case. 
 
 679. Limoges Enamel. The Virgin Seated, the Child 
 
 standing on her knee, St. John at his feet. Highly 
 finished. By Laudin. Signed, J. L. 
 
 8 in. by 7. Ornamental border of Limoges. 
 
 680. Limoges Enamel. A Companion to the preceding. 
 
 St. John baptizing our Saviour, an Angel kneeling at his 
 back. By Laudin. Signed, J. L. 
 
 in. by 6J. Ornamental border of Limoges. 
 
 681. Limoges Enamel. Tazza, a subject apparently from 
 
 Roman history, in which a Soldier, in armour, is sub- 
 mitting to the test of fire, which is burning on an altar, 
 numerous figures. With a cover on which are four pro- 
 jecting Roman heads intersected with trophies. Signed, 
 P. Reymon, 1547. 
 
 Height 9! in ., width 8 in. 
 
 682. Limoges Plate, the centre painted with an allegorical 
 
 representation ot November, the back with a portrait of 
 Domitian, Consul IX. 
 
 9! in. circular. 
 
 683. Limoges Enamel in Grisaille, a Scriptural subject in 
 
 which the Almighty is emerging from the clouds, and 
 a reclining figure is before Him. 
 
 7 f in. circular. Ormolu frame. 
 
( 323 ) 
 
 684. Limoges Enamel of Saint Peter, holding the key of 
 
 Pleaven in his right hand. 
 
 5 in. circular. 
 
 685. Limoges Enamel. A Sexagonal Saucer, ornamented 
 
 with mythological subjects, a cottage on the back. 
 
 6 in. Morocco case. 
 
 686. Limoges Enamel. The Rival Sacrifices to Baal 
 
 and Jehovah, in grisaille and gold, a female portrait 
 on the back. , 
 
 7i in. circular. 
 
 687. Limoges Enamel. Cup Ornamented with Four 
 
 Portraits, two of the Emperors, and two Zenobia and 
 Arria. By Laudin. Signed, J. L. 
 
 Height 3i in., diameter 2 in. 
 
 688. Limoges Enamel. Portrait of a Roman Emperor, 
 
 apparently Vespasian. 
 
 5 in. circular. Black ground surrounded by a floral border. 
 
 689. Limoges Enamel. A Pair of Cups, ornamented with 
 
 four large mythological subjects. 
 
 Height 3J in., diameter 2b 
 
 690. An Enamelled Plate of Moorish Design, richly 
 
 decorated in colours. 
 
 ioi in. circular. 
 
 691. An Enamel Painted with the Story of Judith and 
 
 Holofernes, highly finished in rich colours. 
 
 4I in. by 5b Ormolu frame. 
 
 692. Wedgwood Ware. The Marriage of Cupid and 
 
 Psyche, after the Marlborough gem, pale blue, with 
 five figures in bold relief. 
 
 5 1 in. by 8b Carved and gilt frame. 
 
 693. Wedgwood Ware. The Marriage of Cupid and 
 
 Psyche, and Sacrifice to Ceres. A pair, on a pale 
 blue ground, with nine figures and a goat in bold 
 relief. 
 
 5 1 in. by 8b Tortoise-shell frames. 
 
( 324 ) 
 
 694- Enamels. A Pair of Small Gold Tazzas, beautifully 
 executed in colours, with rural amatory scenes. 
 
 Height 4i in ., diameter 3b 
 
 695. Enamels. A Pair of Pierced Gold Cups, beautifully 
 
 enamelled with flowers. 
 
 Height 2\ in., diameter 2 in. Maroon morocco case lined with 
 green velvet. 
 
 696. Enamels, apparently Italian, of a Cup and Saucer, 
 
 beautifully decorated with views in Venice, with floral 
 borders. 
 
 Saucer 4| in. diameter; cup, height if, diameter 2f. 
 
 697. An Ancient Enamelled Casket and Cover, probably 
 
 Byzantine, painted with the Crucifixion and the twelve 
 Apostles, all in gold and colours. 
 
 Height 8 in., width 6f, diameter 3f. 
 
 698. Limoges Enamel. Cup and Saucer, painted with 
 
 flowers on a blue ground. 
 
 Height 4 in., dia 7 )ieter 4 in. 
 
 699. Limoges Enamels. A series of twelve Scriptural 
 
 medallions illustrative of the New Testament, highly 
 finished. 
 
 Each 2 in. circular. Old carved and gilt frame. 
 
 700. Limoges Enamel of the Crucifixion with the Thieves 
 
 on each side, with numerous figures on horse and foot, 
 very highly finished. 
 
 8 in. by 7. Gilt and ebony frame. 
 
 701. Limoges Enamel of the Crucifixion, very similar to 
 
 the preceding, but earlier and introducing much gold. 
 
 8 ^ in. by 6 b Ancient and ormolu frame. 
 
 702. Limoges Enamel of Taking Down from the Cross, 
 
 ten figures, highly finished. 
 
 5^ in. by 4b Ebony and tortoise-shell frame. 
 
 703. Limoges Enamel of the Crucifixion, elaborately 
 
 treated, very early and highly finished. 
 
 8 in. by 6 b Gilt and ebony frame. 
 
( 325 ) 
 
 704. Limoges Enamel of the Last Supper, with all the 
 
 figures, an upright plaque in gold and colours. By 
 L. Limousin. Signed, L. L. 
 
 61 in. by 5L Ebony frame. 
 
 705. Limoges Enamel Plaque. The Betrayal of Christ, 
 
 the Exposition, the Crucifixion, and the Resurrection, in 
 colours and gold. By J. Courtois. 
 
 in. by 5B Walnut frame. 
 
 706. Limoges Enamel of Christ on the Cross, with the 
 
 three Marys at the foot. In shaded red. 
 
 6J in. by 4^. Ormolu frame. 
 
 707. A Domestic Interior, with four figures at a refreshment 
 
 table, and infants in a cradle, and one being bathed by 
 the nurse. An early and fine German carving in wood, 
 richly coloured. 
 
 8 in. by 4^. Carved ebony frame. 
 
 708. Joseph and the Infant Saviour. A Capo di Monte 
 
 plaque. Richly coloured. 
 
 6 in. by 4. Ebony frame. 
 
 709. A Pastoral Scene of Six Figures, in richly coloured 
 
 dresses. After Watteau. A pate tendre Sevres plaque , 
 marked H. 1760. 
 
 6 i?i. by 6, circular. Ebony frame. 
 
 710. Limoges Enamel. Christ with Martha and Mary, 
 
 and another Saint. After Albert Durer. In grisaille. 
 6 in. by 4J. Carved and gilt frame. 
 
 7 1 1. Limoges Enamel. Christ on the Mount with sur- 
 
 rounding figures. In gold and colours. A very fine 
 specimen, 
 
 8 in. by 6|. Carved and gilt frame. 
 
 712. Enamel on Copper. A Rural Landscape with a Classic 
 
 Temple, figures and cattle in the foreground. 
 
 6 in. by 8|. Carved and gilt frame. 
 
 Miniatures , 6 rc. n 
 

 
 
 
 
 
 
 
 
The following Catalogue was printed from a manuscript 
 compiled lotig ago. Many of the Works were presented 
 to friends or otherwise eliminated in Mr. Bohn's life 
 time, as not being strictly art Books. The de ceased'* 
 miscellaneous library will not be sold. 
 
 CATALOGUE 
 
 OF 
 
 THE FINE-ART BOOKS, 
 
 AND 
 
 BOOKS OF REFERENCE CONNECTED THEREWITH, 
 
 FORMING A PORTION OF THE LIBRARY AT 
 
 NORTH END HOUSE , , TWICKENHAM , 
 
 COLLECTED DURING THE LAST FIFTY YEARS 
 BY FIENRY GEORGE BOHN. 
 
 Addison’s Works, with much additional matter, including 
 above ioo unpublished letters, and with the notes of Bishop 
 Hurd, edited by Henry G. Bohn. 6 Vols. Post Svo. Calf 
 extra. London, Bohn’s Standard Library, 1856. 
 
 Albert, Prince, for an account of his pictures of Early 
 German Art, see Waagen. 
 
 Alberti, Leon -Battista, De la Statue et de la Peinture ; 
 traduits du Latin par Cl. Popelin. Svo. With vignette 
 illustrations. Paris, 1868. 
 
 Amsterdam and Bruges, Notice des Tableaux du Musee, 
 avec fac-similes des monogrammes. Amsterdam, 1858. — 
 Catalogue du Musee de l’Academie de Bruges, par James 
 Weale. Bruges, 1861. 2 Vols. in one. i2mo. Cloth. 
 
 Fine- Art Books .1 b 
 
 H 
 
( 2 ) 
 
 Anabaptisticum et Enthusiasticum Pantheon und Geist- 
 liches Riist-Haus, wider den alten Quacker, Neuen Drey- 
 Geister, Wider-Tauffern, &c. 4 Yols. in one. Folio. With 
 
 numerous portraits and plates. Half bound vellum. 
 
 Frankfurt, 1702. 
 
 *** This amusing and rare volume contains portraits of John 
 of Leyden (of which I have the original), his companion, 
 Knipperdolling, Naylor of Bristol, Armenius, Socinus, Hugh 
 Peters, Spinoza, Oliver Cromwell, and many others. 
 
 Anacreon, the Odes of, translated by Thomas Moore ; ex- 
 tensively illustrated with engravings after the old and modern 
 masters, including Boucher, Angelica Kauffmann, Westall, 
 Cipriani, Bartolozzi, &c. 2 Vols. 4to. Red morocco , broad 
 
 borders , leather joints , blue silk linings , and gilt edges. 
 
 London, 1822. 
 
 Andressen, Andreas, Handbuch der Kupferstichsammler, 
 oder Lexicon der Kupferstecher, Maler-radirer und Form- 
 schneider aller Lander und Schuler; fortgesetzt von J. E. 
 Wesseley. 2 Vols. in 4 parts. 8vo. 
 
 Leipzig, Weigel, 1870 — 73. 
 
 *** The Fourth Volume stops at SH, but no more has been 
 published. 
 
 Angelico, Fra da Fiesole, Artist-Biographie. i8mo. Cloth. 
 See Arundel Society. Boston, 1879. 
 
 Angerstein Gallery, Catalogue of the celebrated collection 
 of pictures of the late John Julius Angerstein, Esq., con- 
 taining a finished etching of every picture, with historical 
 and biographical notices, by John Young, engraver. 4to. 
 With portrait and forty-one engravings. Half bound, uncut \ 
 
 London, 1829. 
 
 Annals of the Fine Arts. Original essays and communica- 
 tions, reviews of public exhibitions, descriptive and critical 
 catalogues of splendid collections and of celebrated works 
 of art in Great Britain, biographical memoirs of artists, 
 &c., &c. 4 Vols. Plates. London, 1817-19. — Library 
 
( 3 ) 
 
 of the Fine Arts, a continuation of the Annals, edited 
 by M. Arnold. 4 Vols. in three, 1831 — 32. Portraits of 
 Painters. — Arnold’s Library of the Fine Arts (a sequel 
 to the two previous works). 4 Vols. in three. Portraits 
 and plates. 1832 — 34. Forming the complete series as far as 
 published. 12 Vols. in ten. 8vo. Half bou?id calf gilt. 
 
 Anthon, Charles, Classical Dictionary containing an account 
 of the principal proper names mentioned in ancient authors ; 
 intended to elucidate all the important points connected 
 with the geography, history, biography, mythology, and fine 
 arts of the Greeks and Romans. 8vo. Calf gilt. 
 
 New York, 1850. 
 
 Antwerp Museum, Le Musee d’ Anvers, collection des quarante 
 Tableaux principaux, photographies par R. Fierlandts, et 
 accompanies d’un text descriptif par W. Burger. Atlas folio. 
 Half bowid red morocco , uncut. Bruxelles, s.d. (qy. 1850.) 
 
 Catalogue du Musee d’ Anvers, par l’Academie Royale des 
 Beaux- Arts. i2mo. Cloth. Anvers, 1849. 
 
 The same, second edition. i2mo. Cloth. Anvers, 1857. 
 
 Archives de l’Art Fra^qais, et Abecedario de P. J. Mariette, 
 Recueil de Documents inedits relatifs a i’Histoire des Arts 
 en France, publie sous la direction de Ph. de Chennevieres, 
 Inspecteur des Musees de Provence. 6 Vols. 8vo. 
 
 Paris, 1853 — 62. 
 
 Art Chretien en Hollande r et en Flandre depuis les 
 freres Van Eyck jusqu’a Otho Venius et Pourbus, represente 
 en gravures sur acier par C. Ed. Taurel, et decrit par 
 W. Moll, W. H. James Weale, et autres. 31 Livraisons. 
 Folio. With 31 fine engravings on India paper. 
 
 Amsterdam, 1872 — 79. 
 
 Art du Dixhuitieme Siecle, par Edmond et Jules de 
 Goncourt. Deuxieme edition, augmentee. 2 Vols. 8vo, 
 
 Paris, 1873—74. 
 
( 4 ) 
 
 Art du Dixhuiti^me SikcLE, par Edmond et Jules de 
 Goncourt. Nouvelle edition, (i) Watteau, (2) Boucher, (3) 
 Chardin, (4) Greuze, (5) Moreau, (6) Fragovrard. 6 Parts, 
 4to. Paris, 1880 — 83. 
 
 Art, Pictorial and Industrial, an Illustrated Magazine ; 
 with which is incorporated the Photographic Art Journal , 
 from its commencement, July 1st, 1870, to May 1872. In 
 all 21 Numbers, forming 3 Vols. folio. With above 100 fine 
 engravings of ancient and modern artists. 
 
 London, S. Low & Co., 1870 — 72. 
 
 This series was discontinued June 1872, and a smaller one 
 dedicated exclusively to modern art started July 1872. 
 
 Art Journal, Illustrated Catalogue of the Industry of all 
 Nations exhibited in 1851, folio, with several hundred 
 engraved illustrations, some coloured. Richly bound in red 
 morocco , with broad leather joints , blue silk linings , gilt edges. 
 
 London, Virtue, 1851. 
 
 Art Treasures of the United Kingdom, from the Art 
 Treasures Exhibition at Manchester in 1857, edited by J. B. 
 Waring, chromo-lithographed by P. Bedford, with Essays by 
 Owen Jones, Digby Wyatt, A. W. Franks, J. C. Robinson, 
 &c. Folio, with upwards of 150 plates, mostly coloured. 
 Calf super extra , full gilt sides a?id gilt edges. Lond., 1858. 
 
 ART MANUALS, or Illustrated Biographies of Great 
 Artists, published by Messrs. Sampson Low, Marston, 
 Searle, and Rivington, a popular and well edited series, 
 illustrating the history of painting, sculpture, and archi- 
 tecture, arranged according to countries, and all richly illus- 
 trated with engravings. Published in small volumes, crown 
 8vo, at from 2s. 6d. to 3s. 6d. each. London, 1879 — 83. 
 
 ENGLISH PAINTERS. 
 
 Sir Joshua Reynolds, by F. S. Pulling. 
 
 William Hogarth, by Austin Dobson. 
 
 Gainsborough and Constable, by G. Brook-Arnold, M.A. 
 
( 5 ; 
 
 ART MANUALS — Continued. 
 
 Sir Thomas Lawrence and George Romney, by Lord 
 Ronald Gower. 
 
 J. W. M. Turner, by Cosmo Monkhouse. 
 
 Sir David Wilkie, by J. W. Mollett, B.A. 
 
 Sir Edwin Landseer, by F. G. Stephens. 
 
 ITALIAN PAINTERS. 
 
 Giotto, by Harry Quilter, M.A. 
 
 Fra Angelico, Masaccio, and Botticelli, by C. M. 
 Phillimore. 
 
 Fra Bartolommeo, Albertinelli, and Andrea del Sarto, 
 by Leader Scott. 
 
 Ghiberti and Donatello, by Leader Scott. 
 
 Mantegna and Francia, by Julia Cartwright. 
 
 Leonardo da Vinci, by Dr. J. Paul Richter. 
 
 Michelangelo Buonarotti, by Charles Clement. 
 
 Raphael, by N. D’ Anvers. 
 
 Titian, by R. F. Heath. 
 
 Tintoretto, by W. R. Osier. 
 
 Correggio, by M. Compton Heaton. 
 
 SPANISH PAINTERS. 
 
 Velasquez, by E. Stowe, M.A. 
 
 Murillo, by Ellen E. Minor. 
 
 GERMAN PAINTERS. 
 
 Albrecht Durer, by R. F, Lleath. 
 
 Little Masters of Germany (Altdorfer, Sebald Beham 
 Bartel Beham, Aldegrever, Pencz, &c.), by William Bell Scott. 
 Hans Holbein, by Joseph Cundall. 
 
 Overbeck, a Memoir by J. B. Atkinson. 
 
 FLEMISH AND DUTCH PAINTERS. 
 
 Rembrandt van Ryn, by J. W. Mollett, B.A. 
 
 Sir Peter Paul Rubens, by Charles W. Kett, M.A. 
 
( 6 ) 
 
 ART MANUALS — Continued . 
 
 Sir Antony van Dyck, and Frank Hals, by P. R. Head, 
 R.A. 
 
 Figure Painters of Holland (Honthorst, Brouwer, Ostade, 
 Gerard Douw, Wouvermans, Jan Steen, Metzu, N. Maes, 
 P. de Hooge, Mieris, Netscher, &c.), by Lord Ronald 
 Gower. 
 
 FRENCH PAINTERS. 
 
 Horace Vernet and Paul Delaroche, by J. R. Rees. 
 
 Meissonier, by John W. Mollett, B.A. 
 
 Watteau, by John W. Mollett, B.A., author of the Life of 
 Wilkie. 1883. 
 
 Claude Lorraine. At Press. 
 
 ART TEXT BOOKS, published by Messrs. Sampson Low, 
 Marston, Searle, and Rivington, at 5L. each : — 
 
 Classic and Italian Painting, including painting in Egypt, 
 Greece, Rome, and Pompeii ; the Renaissance in Italy, 
 Schools of Florence, Siena, Rome, Padua, Venice, Perugia, 
 Parma, Ferrara, Naples, and Bologna, by Ed. J. Poynter, 
 R.A., and Percy R. Head. Crown 8vo. With 78 engraved 
 illustrations. Cloth. London, 1880. 
 
 Art Union, from its commencement in 1839 to 1848, 10 Vols. 
 in six. Afterwards enlarged under the name of Art Journal, 
 1849 to 1883 inclusive, with the Illustrated Catalogues of 
 the London Exhibition in 1851, the Paris Exhibition in 1867, 
 the International Exhibition in 1871, and the Paris Ex- 
 hibition in 1878, with numerous first class illustrations. In 
 all 44 Vols. bound in 40, folio. Handsomely half bound red 
 morocco , marbled edges. The subsequent volumes to the 
 present time are in monthly parts. 
 
 London, Virtue & Co., 1839 — 83. 
 
( 7 ) 
 
 Artist Biographies : Michael Angelo and Leonardo da 
 Vinci. 2 Vols. i8mo. Cloth. Boston, U.S. 1878 — 79. 
 
 Artist’s Portfolio, containing elaborate engravings of the 
 principal productions of the different schools of painting and 
 the most interesting remains of ancient sculpture, edited by 
 James Duncan. 2 Vols. Imperial 4to. With 240 engraved 
 illustrations. Half bound morocco. London, 1837. 
 
 Arts and Artists, or Anecdotes and Relics of the Schools 
 of Painting, Sculpture, and Architecture, by James Elmes. 
 3 Vols. i2mo. Portraits and Plates. Cloth. Lond. 1825. 
 
 Artistisches Magazin, enthaltend das Leben und die Ver- 
 zeichnisse der Werke hiesiger und anderer Kiinstler, & c., 
 von H. Sebastian Hiisgen. 12 mo. With two plates. Cloth. 
 
 Frankfurt, 1790. 
 
 ARUNDEL SOCIETY. 
 
 A Complete Collection of the fine large Chromo- 
 lithographs, woodcuts, and occasional publications, from 
 the commencement in 1849 to the end of 1883. In two 
 very large portfolios, containing upwards of 26 large coloured 
 plates and 20 plain ones, with the letterpress explanations. 
 Being my subscription set as an original subscriber from 
 the first year, at one guinea, and afterwards as a second or 
 supplementary subscriber at an additional guinea. 
 
 *** A full account of the Arundel Society, and a Catalogue of its 
 publications from the first year, 1849 — 50, to 1864, will be 
 found at page 101 in the eleventh or supplementary part of my 
 Bibliographical Manual. Later Catalogues up to the present 
 time, with Lists of the Members are regularly published by 
 the Society, and are in my collection. 
 
 Descriptive Notice of the Drawings and Publications 
 of the Arundel Society, from 1849 to *873 inclusive. 
 Illustrated by photographs of all the publications by F. W. 
 Maynard, Secretary. 2 Vols. Folio. With several hundred 
 small engravings on 57 sheets. Gilt cloth. 1869-73. 
 
( 8 ) 
 
 ARUNDEL SOCIETY — Continued. 
 
 The Life of Fra Giovanni Angelico da Fiesole; trans- 
 lated from the Italian of Vasari by G. A. Bezzi, with Notes 
 and ii engraved illustrations. Royal 8vo. London, 1850. 
 
 Giovanni Sanzio and his Fresco at Cagli, by A. H. 
 Layard, M.P. Royal 8vo, 1859. 
 
 Domenico Ghirlandaio and his Fresco of the Death of 
 St. Francis, by A. H. Layard. Imp. 8vo. Plates, i860. 
 
 Hans Hemling, his Life and Works, by W. H. James 
 Weale. Royal 8vo. Plates. Blue doth, gilt edges. 1865. 
 
 Notice of the Brancacci Chapel and of Masolino, 
 Masaccio, and Filippino Lippi, by A. H. Layard, M.P., 
 to which is added the Martyrdom of St. Sebastian, by P. 
 Perugino. With engraved illustrations. Imperial 8vo. 1868. 
 
 Henri Deux Ware, Photographs of twenty examples, chiefly 
 in English collections. Folio. With 20 plates. Cloth. 1868. 
 
 Hans Holbein and the Meier Madonna, by Ralph N. 
 Wornam. 8vo. 1871. 
 
 The Life of Pope Pius II. (Piccolomini), as illustrated by 
 Pinturiccio’s frescoes in the Piccolomini Library at Siena, 
 by the Rev. W. Kitchin. With 10 engravings by Professor 
 Gruner. Imperial 8vo. 1881. 
 
 Scharf, George, Description of the Wilton House Diptych, 
 containing a contemporary portrait of King Richard the 
 Second. Imperial 8vo. 1882. 
 
 Descriptive Notice of the Drawings and Publications of 
 the Arundel Society, by Fred. W. Maynard. Royal 8vo. 
 Frontispiece. Cloth boards. 
 
 For other publications of the Arundel Society see Ruskin, “Giotto 
 and his Works ” 
 
 Atkinson, J. Beavington, an Art Tour of Europe. 8vo. 
 Half bound blue morocco , top edges gilt. London, 1873. 
 
( 9 ) 
 
 Audubon, John James, the Naturalist, his Life and Adven- 
 tures, by Robert Buchanan. 8vo. Portrait. Green cloth , 
 
 London, 1868. 
 
 I met Audubon at Liverpool while he and I were sojourning for 
 a short time in the autumn of 1826 at the house of Mr. Rath- 
 bone, where Mr. Roscoe, Dr. Traill, and other literary and 
 scientific men, frequently met. Mr. Audubon advised with 
 me about the best mode of publishing his great work, the 
 Birds of America , which I had agreed to undertake on my 
 return from the Continent in 7 the following year, but he could 
 not wait, and wisely made Messrs. Daniell his publishers. 
 
 Aumale, le Due d’, Histoire des Princes de Condd, pendant 
 les 16 and 17 Sibcles. 3 Yols. 8vo. With portraits. Pre- 
 sentation copy from the Duke d’Aumale, with autograph. 
 
 Babbage, Charles, Observations on the Temple of Serapis at 
 Pozzuoli, near Naples. 8vo. Privately printed. Presenta- 
 tion copy with the autograph of my old and esteemed friend 
 the author. Red cloth. 1847. 
 
 Baldinacci, Filippo, Notizie de’ Professore del Disegno da 
 Cimabue. 14 Vols. 8vo. Half bound calf extra, marbled 
 edges. Milano, 1808 — 12. 
 
 Barry, James, R.A., Account of a Series of Pictures in the 
 Great Room of the Society of Arts, at the Adelphi. 8vo. 
 
 London, 1783. 
 
 Letter to the Dilettanti Society, respecting the obtension 
 
 of certain matters essentially necessary for the improve- 
 ment of Public Taste, and the original views of the Royal 
 Academy. Second Edition, with an appendix on matters 
 lately agitated. 8vo. London, 1799. 
 
 Barlandi, Hadriani, Ducum Brabantiae Chronica, &c. 
 Folio, with map and many full-length portraits. Bound in 
 vellum. Antwerp, 1600. 
 
 Bartolozzi and his Works, by Andrew W. Tuer, a 
 biographical and critical account of the life and career 
 of Francesco Bartolozzi illustrated. 2 Yols. 4to. With 
 
 Fine- A rt Books. ] 
 
 c 
 
( IO ) 
 
 frontispiece and other engravings. Bound in ivory white 
 cloth , gilt. Presentation copy with the publisher's autograph. 
 
 London, 1881. 
 
 Bartsch, Adam, Copies des Estampes tres rares de differens 
 Maitres, descrites dans les volumes i, 4, et 5, du “Peintre 
 Graveur.” 16 plates. Vienne, 1805. 
 
 Bartsch, Adam, Le Peintre Graveur. 21 Vols. 8vo. Vols. 
 1 to 5, contents: Vieux Maitres Flamands. Vols. 6 to n : 
 Vieux Maitres Allemands, with a Table generate to the 
 previous six volumes. Vols. 12 to 21 : Les Vieux Maitres, 
 Peintres, et Dessinateurs Italiens, with an alphabetical index 
 of the names of the artists contained in the 21 Vols. 
 
 Leipzig, 1854—70. 
 
 Basan, S., Recueil d’Estampes gravees d’apres les Tableaux du 
 Cabinet de Monseigneur le Due de Choiseul. Royal 4to. 
 With 128 engravings Half bound brown calf, uncut. 
 
 Paris, 1771. 
 
 Basan, Fr., Recueil d’Estampes gravees d’apres les Tableaux 
 de Mons. Poullain. Royal 4to. With 120 engravings. 
 Half bound brown calf \ uncut. Paris, 1781. 
 
 Beaconsfield, Lord, a biography by T. P. O’Connor, M.A. 
 Second Edition. Post 8vo. Gilt cloth. London, 1879. 
 
 *** I contributed to this Biography some account of Mr. W. 
 Meredith Jun., the betrothed of Miss Sarah D’Israeli, Lord 
 Beaconsfield’s sister, who died of fever at Gibraltar, on his 
 way home, after making the grand tour with the then Mr. 
 Benjamin D J Israeli. 
 
 Beaumont and Fletcher, their finest scenes, lyrics, and 
 other beauties, by Leigh Hunt. Post 8vo. Cloth. 
 
 Bohn’s Standard Library, 1865. 
 
 Beauties of England and Wales, or original delineations, 
 topographical, historical, and descriptive of each county, 
 by E. W. Brayley and John Britton. With an additional 
 volume, called an Introduction, by Norris Brewer. In all 
 26 Vols. 8 vo. Early impressions of the numerous plates. 
 Half bound Russia, marbled edges. London, 1801 — 1818. 
 
( II ) 
 
 Beauties of Scotland, containing a full account of its agri- 
 culture, commerce, mines, manufactures, &c., and of the cities, 
 towns, villages, &c., by Robert Forsyth. 5 Vols. Royal 
 8vo. With numerous plates. Half bowid Russia. 
 
 Edinburgh, 1805 — 8. 
 
 Beckford Collection, Fonthill, Catalogue of the Fonthill 
 Library of Books, Pictures, &c., the property of William 
 Beckford, Esq., sold by Mr. Phillips, September 9, 1823, 
 and twenty-seven following days. 3 Parts in 1. 8vo. 
 Half bound. 
 
 Bell, Sir Charles, Essays on the Anatomy of Expression in 
 Painting connected with the Fine Arts. 4to. First edition, 
 with plates. Half bound morocco. London, 1806. 
 
 The same, sixth edition, enlarged. Imperial 8vo. 
 
 Plates. Red cloth. London, Bohn, 1872. 
 
 Bell’s New Pantheon, or Historical Dictionary of the gods, 
 demi-gods, heroes, and fabulous persons of antiquity ; also 
 of the images and idols adored in the pagan world, &c., 
 with descriptions of their figures, representations, and sym- 
 bols. 2 Vols. in 1. 4to. Many plates. Bound i?i old 
 green calf. London, 1790. 
 
 Bellori, Gio Pietro, Vite dei Pittori, Scultori, et Archi- 
 tetti Moderni. Small 4to. With portraits. Bound in 
 vellum. Roma, 1673. 
 
 The same, second edition, with the addition of the Life 
 
 of Luca Giordano. Small 410. With portraits. Bound in 
 vellum. Roma, 1728. 
 
 Benkard, J. R., Historical Sketch of the German Emperors 
 and Kings, whose portraits are painted in the Kaisersaal, at 
 Frankfurt-on-the-Maine. Small 8vo. With 52 full-length 
 portraits. Red cloth, gilt. Frankfurt, 1855. 
 
 Berlin Gallery and Museums, Jahrbuch der Koniglich 
 Preussischen Kunstsammlungen. Erster band, mit sup- 
 plement. 5 parts. Folio. Many plates. Berlin, 1880. 
 
( 12 ) 
 
 Berlin Gallery, Beschreibendes Verzeichniss der Kunst- 
 werke der National Galerie zu Berlin, von Dr. Max Jordan. 
 
 1 2 mo. Berlin, 1871. 
 
 Berlin Gallery, Gemalde Galerie zu Berlin, beschrieben 
 von Dr. Julius Meyer und Dr. Wilhelm Bode. Post 8vo. 
 Boards. Berlin, 1878. 
 
 Berlin Museum, 6 fine large lithographic engravings of 
 principal pictures. In my Dresden Gallery Portfolio. Imperial 
 4to. Berlin, n. d. (1850?) 
 
 Berlin and its Treasures, being a series of views of the 
 principal buildings, churches, monuments, &c., with a 
 selection of subjects from the Royal Picture Gallery and 
 other collections of paintings, &c. 4to. With 114 fine 
 engravings. Half bou?id green morocco , gilt edges. 
 
 Leipzig and London, A. H. Payne, n. d. (1850?) 
 
 See Waagen. 
 
 Bernasconi, Dr. Cesare, Studi sopra la Storia della Pittura 
 Italianadei Secoli 14 et 15, e della Scuola pittorica Veronese. 
 Royal 8 vo. Half bound calf. Verona, 1864. 
 
 Biographie Universelle, ancienne et moderne, ou Diction- 
 naire de tous les hommes qui se sont fait remarquer 
 par leurs ecrits, leurs actions, leurs talents, &c., depuis le 
 commencement du monde jusqu’a ce jour, par une Societe 
 de gens de lettres. 21 Vols. in 7. 4to. Calf extra , 
 marbled edges. Bruxelles, 1843 — 47. 
 
 Biographical Dictionaries. The Imperial Dictionary of 
 Universal Biography, a series of original memoirs of all 
 ages and all nations, by writers of eminence in the various 
 branches of literature, science, and art. Published by 
 William Mackenzie, of Glasgow. 16 Vols. Imperial 8vo. 
 With numerous portraits. Brown cloth , gilt. 
 
 Glasgow, n. d. (1870?) 
 
 *** l am included in this well-executed Biographical Dictionary. 
 
 Biographical Dictionary of Reference, containing 1,000 
 names, together with a classed index of the biographical 
 
( i3 ) 
 
 literature of Europe and America, by R. Lawrence Phillips, 
 8vo. Half bound. London, 1871. 
 
 *** This book is fairly compiled, and includes living people, 
 including myself. 
 
 Biography. Cates, Wm. L. R., Dictionary of General Bio- 
 graphy, third edition, revised. 8vo. Cloth. London, 1881. 
 
 This does not give living people. For other Biographical 
 Dictionaries see Chalmers, and Gorton. 
 
 Biography. Contemporary, continued under the title of Men 
 of the Time, &c., from 1856 to 1875. 6 Vols. Post 8vo. 
 
 (In most of which my name is given.) Cloth boards. 
 
 Biographical Magazine, or Complete Historical Library, 
 by a society of gentlemen. 2 Vols. in 1. 4to. With 
 numerous miniature portraits, including George III. and 
 Queen Charlotte. Half bound calf. London, 1756. 
 
 Blackness Gallery, Catalogue of Paintings by the Old 
 Masters in the Gallery at Blackness (my friend John 
 Hunter, Esq.). 4to. Dundee, 1867. 
 
 Blair’s Chronological Tables, revised and enlarged, com- 
 prehending the chronology and history of the world from 
 the earliest times to the Russian Treaty of Peace, 1856, 
 with the accompanying volume, called an Index of Dates, 
 comprehending the principal facts in the chronology and 
 history of the world, from the earliest to the present time 
 (1859), by J. Willoughby Rosse (and Henry G. Bohn). 2 
 thick Vols. Post 8vo. Half bound morocco. 
 
 London, 1856 s — 59. 
 
 Blake, William, Five Book Illustrations, engraved by himself 
 from his own designs, illustrating his old friend Mr. Hayley’s 
 Ballads, with the letterpress. i2mo. Old calf binding. 
 
 Chichester, Sir Richard Phillips, 1805. 
 
 Blanc, Charles, Le Tresor de la Curiosite tire des Catalogues 
 de Ventesde Tableaux, Dessins, Estampes, Porcelaines, &c. 
 2 Vols. 8vo. Paris, 1857 — 58. 
 
( 14 ) 
 
 Bohn, Henry G., Guide to the Knowledge of Pottery 
 and Porcelain, and other objects of vertu , comprising an 
 Illustrated Catalogue of Mr. Ralph Bernal’s Collection, with 
 the prices at which they were sold by auction, in 1855, and 
 names of the buyers. Post 8vo. With 72 plates. Cloth. 
 
 London, 1857. 
 
 The same, with coloured plates. Half hound calf extra. 
 
 The same, with the plates richly illuminated by Harris, of 
 
 which kind only 6 copies were produced. Red morocco , 
 extra gilt edges. 
 
 Bohn’s, Henry G., Standard, Illustrated, Classical, Scientific, 
 Reference, and other Libraries, upwards of 700 Vols. Post 
 8vo. These contain many books of artistic and historical 
 reference, of which it has been thought unnecessary to name 
 more than a few in this Catalogue. 
 
 Book of British Ballads, edited by Samuel Carter Hall. 
 Royal 8 vo. With numerous engravings of popular subjects, 
 beginning with Chevy Chace. Red cloth , extra gilt edges. 
 
 London, H. G. Bohn, 1853.- 
 
 Boucher, Francois, Les CEuvres reproduits par Emile 
 Wattier d’apres la gravure des dessins originaux. Royal 
 folio. 64 plates in bistre. In a portfolio. Paris, n. d. 
 
 Boucher, Francois, Francois Lemoyne, et Charles Nataire, 
 par Paul Mantz. Royal folio. With 90 engraved illustra- 
 tions. Cloth boards. Paris, 1880. 
 
 Boutell, Charles, Manual of Heraldry, historical and 
 popular. With 700 engraved illustrations. 8vo. Red 
 cloth , gilt. London, 1863. 
 
 Boydell, John, History of the River Thames (the letterpress 
 by William Coombe). 2V0ls.ini. Folio. With numerous 
 coloured plates, from drawings by J. Farrington. Russia, gilt 
 edges. London, 1794 — 96. 
 
( i5 ) 
 
 Boydell, John and Joseph, Alphabetical Catalogue of plates 
 engraved by the most esteemed artists after the finest 
 pictures of the Italian, Flemish, German, French, English, 
 and other schools, with the prices. 4to. Half bound. 
 
 London, 1803. 
 
 Boydell’s, Messrs., Collection of mezzotint portraits of 
 Royal and illustrious personages, after pictures in the Royal 
 and other galleries. With several select specimens from 
 British, Flemish, and Italian schools; in all upwards of 150 
 plates. Fine impressions, some proofs. In a large portfolio. 
 Half bound , uncut. 1805. 
 
 Breughel, Giovanni, Pittor, Fiammingo o sue Lettere e 
 Quadretti esistenti presso l’Ambrosiana, per Giovanni Cri- 
 velli. 8 vo. Milano, 1 868. 
 
 Breviaro Grimani, Photograph facsimile of this magnificent 
 Breviary, preserved at St. Mark’s, Venice, consisting for the 
 most part of the masterpieces of that great mediaeval 
 miniature painter and illuminator, Memlin (Hemling). Folio. 
 With 16 specimen plates on India paper. Half bound green 
 morocco , gilt edges. London, n. d. 
 
 British Galleries of Art: the National Gallery, the 
 Angerstein Gallery, the Royal Gallery at Hampton Court, 
 the Titian Gallery at Blenheim, Lord Egremont’s Gallery at 
 Petworth, the Royal Gallery at Windsor Castle, the Fonthill 
 Gallery, &c., &c. Post 8vo. Half bound green morocco. 
 
 London, 1824. 
 
 British Institution, Catalogues of British artists and old 
 masters placed in the gallery at Pall Mall from its com- 
 mencement in 1806 to 1852. 4to. 
 
 British Institution, an account of all the pictures exhibited 
 there from 1813 to 1823, belonging to the nobility and 
 gentry of England, with critical remarks. Post 8vo. Boards. 
 
 London, 1824. 
 
( ) 
 
 British Museum, Handbook to the Department of Prints and 
 Drawings there, with notices of the various Schools, by 
 Louis Fagan. 8vo. Frontispiece after Raphael. Green 
 cloth . London, 1876. 
 
 British Poets and Poetical Translations, edited by 
 Alexander Chalmers. 21 Vols. Royal 8vo. Calf gilt. 
 
 London, 1810. 
 
 British Poets, from Milton to Kirke White. Cabinet 
 edition. Printed in very small type. 4 Vols. Post 8vo. 
 Red morocco , extra gilt edges. London, 1831. 
 
 British Essayists, with a general index and prefaces, bio- 
 graphical and critical, by Alexander Chalmers. 45 Vols. 
 i2mo. Calf gilt. London, 1803. 
 
 Britton, John, Historical Account of Corsham House, Wilt- 
 shire, the seat of Paul Methuen, with a descriptive catalogue 
 of the celebrated collection of pictures. 8vo. Frontispieces. 
 Boards. London, 1806. 
 
 Britton, John, Architectural Antiquities of Normandy, with 
 engravings by John and Henry Le Keux, after drawings by 
 Augustus Pugin. In 5 Parts. Imperial 4to. With 80 
 plates. London, 1828. 
 
 See Stafford Gallery. 
 
 Britton, John, and A. Pugin, Illustrations of the Public 
 Buildings of London, with historical and descriptive accounts. 
 2 Vols. 4to. With numerous engravings. Half hound , 
 iincut. London, 1825. 
 
 Bromley, Henry, Catalogue of engraved British portraits 
 from Egbert the Great to the present time. Interleaved 
 with large manuscript additions. 2 Vols. 4to. Half hound, 
 uncut. London, 1793. 
 
 Brouwer, Adrian, Leben, mit kritische beleuchtung von W. 
 
 Schmidt. 8vo. Leipzig, 1873. 
 
 Bruges Gallery. See Amsterdam and Delepierre. 
 
< r 7 ) 
 
 Brulliot, Francois, Dictionnaire des Monogrammes, Marques 
 figurees, Lettres Initiates, Noms abreges, &c., des Peintres, 
 Dessinateurs, Graveurs, &c. 3 Vols. in 1. 4to. Half 
 
 bound calf . Munich, 1832 — 34. 
 
 Brussels Museum, Catalogue des Tableaux exposes au Mus^e 
 de la ville de Bruxelles. Bruxelles, 1835. Musee Royal 
 de Peinture, ibid., 1846. Tableaux de Bruges, 1842. In 
 
 1 Volume. i2mo. Cloth. , 
 
 Catalogue descriptif et historique du Musee Royal 
 
 de Belgique a Bruxelles, par Ed. Fetis. Post 8vo. Cloth. 
 
 Bruxelles, 1865. 
 
 Catalogue illustre de l’Exposition historique de l’Art 
 
 Beige et du Musee imoderne de Bruxelles, d’apres les Des- 
 sins originaux des Artistes, publie par F. G. Dumas. 8vo. 
 With numerous plates. Bruxelles, 1880. 
 
 Bryan, Michael, Biographical and Critical Dictionary of 
 Engravers, from the revival of the art under Cimabue to 
 the present time, with indexes alphabetical and historical. 
 Extensively illustrated with choice engravings selected from 
 the Choiseul, Poullain, Le Brun, and other galleries. All 
 fine impressions, and many of them proofs. 2 Vols. bound 
 in 4. Royal 4to. Half bound red morocco , top edges gilt. 
 
 London, 1816. 
 
 Bryan, Michael, Biographical and Critical Dictionary of 
 Painters and Engravers from the revival of art under 
 Cimabue, with the ciphers, monograms, and marks used 
 by painters and engravers. New Edition, revised, enlarged, 
 and continued to the present time, by George Stanley. 
 Royal 8vo. Calf gilt. London, H. G. Bohn, 1853. 
 
 Buchanan, W., Memoirs of Painting, with a Chronological 
 History of the Importation of Pictures by the Great 
 Masters into England since the French Revolution. 
 
 2 Vols. 8vo. Half canvas boards. London, 1824. 
 
 Fine- Art Books. \ 
 
 D 
 
( i8 ) 
 
 Bullart, Isaac, Academie des Sciences et des Arts, contenant 
 les Vies et les £loges historiques des Hommes Iilustres qui 
 ont excelle en ces professions depuis environ quatre Siecles 
 parmi diverses Nations de FEurope. 2 Vols. in 1. Folio. 
 With upwards of 300 fine copper-plate portraits of painters, 
 poets, artists, theologians, &c., of all countries. In old 
 calf binding. Amsterdam, 1682. 
 
 Burke, John, Genealogical and Heraldic History of the 
 Commoners of Great Britain and Ireland enjoying territorial 
 possessions or high official rank. 4 Vols. 8vo. Full of 
 plates of arms. Half bound brown calf extra. 
 
 London, 1836 — 38. 
 
 Burke, John Bernard, Visitation of the Seats and Arms of 
 the Noblemen and Gentlemen of Great Britain and Ireland. 
 4 Vols. Royal 8vo. With numerous engravings of seals and 
 coats of arms. Red cloth , gilt. London, 1852 — 55. 
 
 Burke, John and John Bernard, Genealogical and 
 Heraldic History of the Extinct and Dormant Baronetcies 
 of England, Scotland, and Ireland. Second Edition. 8vo. 
 Red Cloth. London, 1844. 
 
 Burke, John and John Bernard, Encyclopaedia of Heraldry, 
 or General Armoury of England, Scotland, and Ireland, 
 comprising a registry of all armorial bearings from the 
 earliest to the present time. Third Edition, with Supple- 
 ment. 8vo. Cloth boards. London, 1851. 
 
 *** My armorial bearings are fully described in the Supplement. 
 
 Burnet, John, Practical Essays on various branches of the 
 Fine Arts, to which is added a critical inquiry into the 
 principles and practice of the late Sir David Wilkie. Post 
 8vo. Frontispiece. Cloth. London, 1848. 
 
 Burtin, F. X. De, Treatise on the Knowledge necessary to 
 .. Amateurs in Pictures, translated from the French by Robert 
 White. 8 vo. With 4 plates. Cloth boards. London, 1846. 
 
( i9 ) 
 
 Burty, Philippe, Chef s-d' oeuvre of the Industrial Arts, Pottery, 
 Porcelain, Glass, Enamel, Metal, Goldsmiths’ work, Jewel- 
 lery, and Tapestry. Edited by William Chaffers. Svo. 
 Many plates. Gree?i cloth . London, 1869. 
 
 Butler, Rev. Alban, Lives of the Fathers, Martyrs, and . 
 other principal Saints, compiled from original monuments 
 and other authentic records, and arranged in months. 
 12 Vols. 8vo. With portraits and plates. Bound in blue 
 morocco, gilt edges. ' London, 1812 — 15. 
 
 Butler’s Hudibras, with variorum notes, a biography, and 
 general index. Edited by Henry G. Bohn. 2 Yols. Post 
 Svo. With 30 wood-cut illustrations and 62 additional 
 portraits. Cloth. Bohn’s Illustrated Library, 1865. 
 
 Byron’s, Lord, Poetical Works. Original edition, with the 
 suppressed poems. 8 Vols. 8vo. Portrait Half bound , 
 calf gilt. J. Murray and Leigh Hunt, 1823 — 25. 
 
 Byron’s, Lord, Poetical Works. Complete in 1 Volume. 
 Collected and arranged with illustrative notes by Thomas 
 Moore, Sir Walter Scott, Samuel Rogers, and others. Royal 
 8 vo. Portrait and view of Newstead. Half bound green 
 
 morocco , extra. London, John Murray, 1846. 
 
 Cabinet de Crozat, Recueil d’Estampes d’apres les plus 
 beaux Tableaux et d’apres les plus beaux Dessins qui sont 
 en France dans le Cabinet du Roy, dans celui de Monseig- 
 neur le Due d’Orleans, et dans autres Cabinets ; divise 
 suivant les differentes Ecoles, avec un Abrege de la Vie 
 des Peintres, &c. 2 Vols. Imperial folio. Containing 
 
 179 engravings. Half bound, red morocco. Paris, 1729 — 42. 
 
 Calmet’s Dictionary of the Holy Bible, Edited by Mr. 
 Charles Taylor. Royal 8vo. With maps, &c. Boards. 
 
 London, 1865. 
 
( 20 ) 
 
 Calvi, G. L., Notizie sulla Vita e sulle Opere dei principal! 
 Architetti, Scultori, e Pittori, che fiorirono in Milano durante 
 il governo dei Visconti degli Sforza. 8vo. Half bound calf. 
 
 Milan, 1859. 
 
 Canaletti. Urbis Venetiarum Prospectus celebriores ex 
 Antonii Canal ; Tabulis XL. aere expressi ab Antonio 
 Visentini. Royal oblong folio, with 40 large and fine 
 engravings. Cloth. Venetiis, 1742. 
 
 Catalogue des Tableaux anciens et modernes, de diverses 
 Ecoles, Dessins, et Statues, formant la Galerie de feu sa 
 Majeste Guillaume II., vendus Aout 12, 1850, et jours 
 suivantes a La Haye. 8vo. Interleaved with prices and 
 purchasers’ names. Half bound red morocco. 
 
 Amsterdam, 1850. 
 
 Catalogue des Tableaux et Desseins precieux des 
 Maitres celebres des trois Ecoles, etc., par Pierre Remy. Le 
 Vente se fera 27 Fevrier, 1777 . With MS. prices of the 
 time. Small 8vo. Old French binding. Paris, 1777 . 
 
 *** This interesting old auction catalogue describes minutely the 
 picture by Breemberg, St. John Preaching in the Wilderness . , 
 No. 96 of the sale, which sold for 5019 francs, and is now 
 mine. See page 23 of my Catalogue of Pictures. It also 
 describes exactly my Ruysdael , “ an upright rocky landscape,” 
 No. 1 27, which sold for 899 francs. See my Picture Catalogue, 
 page 179. 
 
 Catalogue d’une riche et precieuse collection de 
 Tableaux des plus celebres Maitres des Ecoles dTtalie, 
 des Pays-Bas, et de France, qui composent le Cabinet de feu 
 Gabriel Frangois de Verhulst, vendus par Henri de Neck. 
 Small 4to. Portrait, with MS. prices and purchasers’ names. 
 Half bound. Bruxelles, 1779 . 
 
 Catalogue Raisonne des Tableaux et Objets de Curiosite 
 de feu M. Mariette. 8vo. Plates. Priced throughout in 
 MS. Calf gilt. Paris, 1775. 
 
 Catalogue Raisonn£ des Estampes du Cabinet de M. le 
 Comte Rigal, par F. L. Regnault de la Lande. 8vo. At 
 
( 21 ) 
 
 the end is a printed list of the prices at which they sold, 
 December io, 1817, by auction. Half bound. 
 
 Paris, 1817. 
 
 Catalogues. A large parcel of catalogues of picture galleries 
 and museums in Holland, Flanders, Germany, France, and 
 Italy, collected by R. N. Wornum, Esq., and bought by me 
 at the sale of his effects. Upwards of 100. Many of them 
 have his autograph and notes. 
 
 Catalogues. Miscellaneous old catalogues of pictures and 
 works of art, e.g. Kensington Palace, 1778; Sir Ashton 
 Lever’s Museum, 1790; Stowe House, 1848; the Soulages 
 Collection by J. C. Robinson, 1856 (to which I liberally 
 contributed) ; and many other catalogues, English and 
 Foreign. A large parcel. 
 
 Catalogues of Picture Sales from 1771 to 1840, sold by 
 Messrs. Christie and Manson, Phillips, Foster and Son, and 
 others, some with prices and purchasers’ names ; collected 
 by Mr. Chaplin, a celebrated picture dealer, who imported 
 the King of Holland’s gallery of pictures. 3 Vols., 4to, and 
 4 Vols., 8 vo. Half bound. 
 
 Catalogues of the Pictures, miniatures, enamels, draw- 
 ings, works of art and vertu generally, sold by Messrs. 
 Christie, Manson, and Woods, from 1841 to the end of 
 1883. In all, 35 large parcels; the early years up to 1867 
 bound in cloth. Many of the catalogues are priced by 
 myself. 
 
 Catalogue of the Pictures and objects of fine art and vertu 
 sold by Messrs. Phillips and Messrs. Foster from 1831 to 
 1883. Several thousands. In large parcels. 
 
 Catalogue of the Valuable Collection of Pictures and 
 other works of art of the late John Watkins Brett, Esq., 
 sold by Messrs. Christie, Manson, and Woods, April 5th, 
 1864, and nine following days. Illustrated with 45 en- 
 gravings. With prices and purchasers’ names. 8vo. Green 
 cloth. London, 1864. 
 
( 22 ) 
 
 Catalogue of the Valuable Collection of Prints and 
 Portraits, the property of the late Sir Mark Masterman 
 Sykes, sold by Messrs. Sotheby, March 29, 1824, and 
 thirty-three following days, to July 1st. With prices and 
 purchasers’ names. Four parts in 2 Vols. 4to. Half bound 
 calf. London, 1824. 
 
 Catalogue of the Fine Collection of Engravings formed 
 by the Rev. J. Burleigh James, sold by auction, March 19th, 
 1877, and twenty-seven following days. Royal 8vo. With 
 engravings. London, 1877. 
 
 ***■ I have Largilliere’s painting of Henry, Prince of Wales, and 
 his sister, figured here after John Smith’s mezzotints, and 
 sold as a proof impression at No. 4691. See my Catalogue 
 of Pictures, p. 105. 
 
 Catalogue of the Works of Art and Vertu the property 
 of Mr. David Falcke, sold by Messrs. Christie and Manson, 
 April 19th, 1858, and eighteen following days. Royal 8vo. 
 Many plates. Half bound red morocco , gilt edges. 
 
 London, 1858. 
 
 Catalogue of the Celebrated Collection of works of art 
 and vertu known as the Vienna Museum, the property ot 
 Messrs. Lowenstein, Brothers, of Frankfort on the Maine, 
 sold by Messrs. Christie, Manson, and Woods, March 12th, 
 i860, and nine following days. With numerous engraved 
 illustrations. 8vo. Red cloth. London, i860. 
 
 Catalogues of the Picture Galleries and Art Exhibitions 
 in Holland, Flanders, Germany, and France, including the 
 Hague, Amsterdam, Lisle, Brussels, Diisseldorf, Munich, 
 Dresden, Vienna, Frankfurt, Prague, the Louvre, Luxem- 
 bourg, Versailles, &c. Upwards of 250. 1816 — 1882. 
 
 Catalogues of English Exhibitions of pictures and works 
 of art, many of them pocket manuals sold at the door, 
 including the National Picture Gallery, Portrait Gallery, 
 South Kensington Museum, Hampton Court, Dulwich Gal- 
 
( 2 3 ) 
 
 lery, National Gallery of Scotland, International Exhibition, 
 Turner Gallery, &c., &c. Upwards of ioo, in two large 
 parcels. 1816 — 1883. 
 
 Caulfield, James, Portraits, Memoirs, and Characters ol 
 Eccentric and Remarkable Persons, from the reign of 
 Edward the Third to the Revolution. 2 Vols. in one. 4L0. 
 With 62 portraits. Calf gilt. London, 1794 — 95. 
 
 Eccentric Magazine, or Lives and Portraits of Remark- 
 able Persons. 2 Vols. in one. 4to. Large paper, with 
 91 portraits. Half bound calf London, 1814. 
 
 Calcographiana, or Printsellers’ Chronicle and Col- 
 lectors’ Guide to the knowledge and value of engraved 
 English portraits. 8vo. Portrait. Boards. 
 
 London, 1814. 
 
 Cean-Bermudez, Don Augustin, Diccionario historico de 
 los mas illustres professores de las Bellas Artes en Espana. 
 6 Vols. i2mo. In old Spanish binding. Madrid, 1800. 
 
 Celebrated English Pictures reproduced by a permanent 
 process (Woodbury type) from celebrated engravings. 
 3 Vols. Small folio. With 90 finely executed plates, which 
 have all the appearance of the original line engravings. 
 Bound in crimson cloth , gilt edges. 
 
 London, Woodbury & Co., 1878. 
 
 Chaffers, William, Marks and Monograms of Pottery and 
 Porcelain of the Renaissance and Modern Periods. Fourth 
 Edition, considerably augmented, with 300 potters’ marks. 
 Royal 8vo. Boimd in green cloth. London, 1874. 
 
 Chalmers, Alexander, General Biographical Dictionary, com- 
 prising an historical and critical account of the lives and 
 writings of the most eminent persons in every nation. 
 32 Vols. Calf gilt. London, 1812—17. 
 
( 24 ) 
 
 Chantrey, Sir Francis, Recollections of his Life, Practice, 
 and Opinions, by George Jones. Small 8vo. Cloth. 
 
 London, 1849. 
 
 Memorials of, by John Holland. Post 8vo. Cloth. 
 
 London, 1851. 
 
 *** The early life of Sir Francis was spent at Twickenham, in the 
 house of Jones Burdett, Esq., at which time, in 1811, he 
 married his cousin, Miss Wale, with whom he soon after 
 received 0,000. He was then an amateur carver in wood, 
 and I have a fine set of chimney-pieces of his carving. He 
 used to visit North End House (now mine) when Admiral 
 Hawke Locker was living there, and he was very intimate 
 with J. M. W. Turner, the artist, who lived close by. 
 
 Chaucer’s Poetical Works, edited, with a memoir, notes, 
 and a glossary, by Robert Bell. 4 Vols. Post 8vo. Cloth. 
 
 London, Bohn’s Standard Library, 1878. 
 
 Chesneau, Ernest, Les Chefs d’Ecole de la Peinture 
 Franqaise au i9 me Siecle. Post 8vo. Paris, 1862. 
 
 Choiseul Gallery. See Basan. 
 
 CHRISTIAN ICONOGRAPHY. 
 
 Didron, AinE, Iconographie Chretienne ; l’Histoire de Dieu. 
 4to. With numerous engraved illustrations. Paris, 1843. 
 
 Christian Iconography, or the History of Christian 
 
 Art in the Middle Ages. Translated by E. J. Millington. 
 Vol. 1. Post 8vo. With numerous illustrations. Green 
 doth. Bohn’s Illustrated Library, 1851. 
 
 The same, Vol. 2, as far as page 80. Unpublished. 
 
 With arms. MS. Red cloth. 
 
 Annales Archaeologiques, continue'es par Edouard 
 
 Didron. 28 vols. 4to. With numerous plates. The first 
 18 volumes are half bound calf, the remainder unbound. 
 
 Paris, 1844 — 81. 
 
 Manuel d’Iconographie Chretienne Grecque et 
 
 Latine, avec une Introduction et des Notes; traduit du 
 Manuscrit Byzantine, le Guide de la Peinture. Royal 8vo. 
 
 Paris, 1845. 
 
( 2 5 ) 
 
 CHRISTIAN ICONOGRAPHY. — Continued. 
 
 Didron, Edouard, Etude sur les Images ouvrantes et la 
 Vierge en Ivoire du Louvre. 4to. With 9 large copper- 
 plate engravings. Paris, 1870. 
 
 Grimouard de Saint-Laurent, Manuel de l’Art Chretien. 
 Royal 8vo. With numerous engraved illustrations. 
 
 Paris, 1878. 
 
 Audsley, W. and G., Handbook of Christian Symbolism. 
 Small 4to. With plates, plain and coloured. Gilt cloth. 
 
 London, 1865. 
 
 Twining, Louisa, Symbols and Emblems of Early and 
 Mediseval Christian Art. Royal 4to. With 93 engravings. 
 Cloth boards. London, 1852. 
 
 Types and Figures of the Bible, illustrated by the Art 
 
 of the early and middle ages. Small 4to. With 54 outline 
 engravings. Cloth boards. London, 1855. 
 
 Crosnier, l’Abbe, Iconographie Chretienne, ou, Etude des 
 Sculptures, Peintures, etc., qu’on rencontre sur les Monu- 
 mens Religieux du Moyen Age. 8vo. Plates. 
 
 Paris, 1848. 
 
 Alt, Heinrich, Die Heilingenbilder, Oder die Bildende Kunst 
 und die Theologische Wissenschaft in ihrem gegenseitigen 
 Verhaltniss historisch dargestellt. 8vo. Berlin, 1845. 
 
 Piper, Ferdinand, Mythologie der Christlichen Kunst, von 
 der altesten Zeit bis in’s sechszehnte Jahrhundert. 2 Vols. 
 8vo. Cloth. Weimar, 1847 — 51. 
 
 Durandus, William, The Symbolism of Churches and 
 Church Ornaments. Translated from the Latin, with an 
 Introductory Essay and Notes, by J. M. Neale and the Rev. 
 Benjamin Webb. Crown 8vo. Cloth. Leeds, 1843. 
 
 Inman, Thomas, Ancient Pagan and Modern Christian Sym- 
 bolism exposed and explained. Second edition, revised and 
 enlarged. 8vo. With 19 plates. Cloth. Loridon, 1874. 
 
 Fine- Art Books. ] e 
 
( *6 ) 
 
 CHRISTIAN ICONOGRAPHY. — Continued. 
 
 Parker, John PIenry, Calendar of the Anglican Church, 
 illustrated. With brief accounts of the Saints who have 
 churches dedicated to them, and whose images are most 
 frequently met with in England. i2mo. Numerous en- 
 graved illustrations. Cloth. Oxford, 1851. 
 
 Clay, Rev. J. C., The Virgin Mary, and the Traditions of 
 Painters, nmo. Cloth. London, 1873. 
 
 Christliche Kunstsymbolik und Ikonographie. Frank- 
 furt, 1839. — Die Attribute der Heiligen, alphabetisch 
 geordnet. Hanover, 1843. — Ikonographie der Heiligen, von 
 J. von Radowitz. Berlin, 1834. — Die bildlichen Darstel- 
 lungen im Sanctuarium der Christlichen Kirchen, von 
 5 ten bis i4 ten Jahrhundert. Trier, 1835. Plates. 4 Vols. 
 in 1 . 8vo. Half boitnd. 
 
 Husenbeth, F. C., Emblems of Saints, by which they are 
 distinguished in Works of Art. Post 8vo. First Edition. 
 
 London, 1850. 
 
 The Same. Second Edition. Extended and improved. 
 
 Post 8vo. Red cloth. London, i860. 
 
 The Same. Third Edition. Considerably enlarged from the 
 
 author’s MSS., and edited by the Rev. Augustus Jessopp, D.D. 
 To which are added two Appendixes. 1. Iconography of 
 the Sibyls by W. Marsh, 2. Sword Heraldry, with Arms 
 appropriated to Saints, by J. Blackburne. With coloured 
 plates. 8vo. Green cloth. Norwich, 1883. 
 
 Saints and their Symbols, a Companion to the Churches and 
 Picture Galleries of Europe, by E. A. G. Second Edition. 
 Square i2mo. With woodcuts. Cloth. 
 
 London, S. Low & Co., 1882. 
 
 Il Perfetto Leggendario, ovvero Vite dei Santi per ciascun 
 Giorno dell’ Anno, ornate ed arrichite di altrettante Tavole 
 all’ acquarello. 12 Vols. 4to. With upwards of 365 
 engravings. Boards. Roma, 1841. 
 
( 2 7 ) 
 
 CHRISTIAN ICONOGRAPHY.— Continued. 
 
 Il Perfetto Leggendario, ovvero Storia della Vita di Maria 
 Santissima, scritta da Monsignor Emidio Gentilucci. 4to. 
 With 54 engravings. Boards. Roma, 1848. 
 
 Il Perfetto Leggendario, ovvero Vita di Gesu Cristo, 
 ornata ed arricchita con Tavole all’ acquerello. 3 Vols. 
 4to. With 120 engravings. Boards. Roma, 1847. 
 
 *** See Butler’s Lives of the Sainfs , Fox’s Book of Martyrs , and 
 Mrs. Jameson’s Works. 
 
 Chronicon Nurembergense, i.e. Registrum Historicum ab 
 Initio Mundi usque ad hanc temporum, auctore Schedel 
 Hartman. Cum figuris Michaelis Wolgemut et Wilhelmis 
 Pleydenwurff. Royal folio. With several hundred finely 
 executed wood engravings, in some of which Albert Diirer 
 is supposed to have taken part. In old rough calf. 
 
 Nuremberg, Ant. Koberger, 1493. 
 
 Chronological Table of the Principal Schools of 
 Painting, their epochs, with the year of birth of the most 
 eminent masters. Folio. A Manuscript, distinctly written 
 in 1834. Bound in green cloth. 
 
 Clarendon’s History of the Grand Rebellion, completed, 
 containing the heads of the great men on both sides, &c. 
 8vo. With 85 portraits and three maps. Old calf. 
 
 London, 1715. 
 
 Clayton, Ellen, English Female Artists. 2 Vols. 8vo. 
 Green cloth , gilt. London, 1876. 
 
 Coesvelt Gallery. Collection of Pictures, by W. G. Coes- 
 velt, Esq., of London, with an Introduction by Mrs. Jameson. 
 90 outline engravings accompanied by artistic summaries. 4to. 
 Half bound red morocco , gilt edges. London, 1836. 
 
 Cohen, Henri, Guide de PAmateur de Livres k Figures et 
 Vignettes. Troisieme edition refondue et augmentee par 
 Charles Mehl. Royal 8vo. Paris, 1876. 
 
( 28 ) 
 
 Collins, William, Memoirs of a Picture, containing the adven- 
 tures of many conspicuous characters, and interspersed with 
 a variety of amusing anecdotes of several extraordinary 
 personages connected with the arts, including the late 
 George Morland. 3 Vols in 2. nmo. Half bound calf. 
 
 London, 1845. 
 
 Collins’s Peerage of England, genealogical, biographical, 
 and historical, greatly augmented, and continued to the 
 present time, by Sir Egerton Brydges. 9 Vols. 8vo. Plates 
 of arms. Half bound calf. London, 1812. 
 
 Conversations-Lexicon fur Bildende Kunst, begriindet von 
 J. A. Romberg, fortgefiihrt von Friedrich Faber. 6 Vols. 
 8 vo. in cloth , and parts 49 to 52 unbound. 
 
 Leipzig, 1845—57. 
 
 Cook, Dutton, Art in England, Notes and Studies. Post 8vo. 
 Green cloth. London, 1869. 
 
 Cooke, W. B., Select Views of Richmond, Hampton Court, 
 and Strawberry Hill, with a concise account of Richmond, 
 and a walk through Twickenham meadows. 4to. 28 fine 
 engravings, chiefly after J. D. Harding. Half bound. 
 
 London, 1852. 
 
 Cooper, Elizabeth, Life and Letters of Lady Arabella Stuart, 
 including numerous original, and unpublished documents. 
 2 Vols. Post 8 vo. Portrait , maroon cloth. 
 
 London, 1866. 
 
 Correggio. Pitture di Antonio Allegri detto il Correggio, 
 esistente in Parma nel Monistero de San Paulo. Folio. 
 With 35 engravings, printed in bistre, proofs before the 
 letters. Boards. Parma, Bodoni, 1800. 
 
 Corsham House Pictures. See Britton. 
 
 Cowen, William, Six Weeks in Corsica, illustrated with 14 
 highly-finished etchings. 8vo. Red cloth. London, 1848. 
 
 *** I have oil paintings of two of the etchings, i.e. the frontispiece 
 showing the room in which Napoleon was born, and the 
 Castle of Ajaccio. See Picture Catalogue, page 41. 
 
( 2 9 ) 
 
 Cowper, Wm., Complete Works and Translations, edited with 
 a Memoir of the Author, by Robert Southey. 8 Vols. Post 
 8vo. With 45 engravings after Stothard. Cloth . 
 
 London, Bohn’s Standard Library, i860. 
 
 *** I have the original drawings for the frontispieces. 
 
 Coypel’s Illustrations of Don Quixote, 31 copper-plate 
 engravings, by Bernard Picart, J. von Schley, and others. 
 4to. Half hound morocco. 1742 — 45. 
 
 Cranach, Lucas, Passionael Christi und Antichristi von 
 Dr. Martin Luther, mit Bildern. 8vo. With 26 woodcuts. 
 
 Leipzig, n. d. (1873). 
 
 Sechs blatter nach Werken von, mit Erlauterungen 
 
 von E. A. Brockhaus. 6 large etchings with descriptions. 
 In an imperial portfolio. Leipzig, 1851. 
 
 Leben und Werke, nach Urkundlichen Quellen, bear- 
 
 beitet von Christian Schuckhardt. 3 Vols. Small 8vo. 
 
 Leipzig, 1851— -70. 
 
 Leben und Werke, von Joseph Heller. 8vo. Zweite 
 
 verbesserte Auflage. With portrait, facsimile of his writing, 
 and table of descent. Cloth boards. Niirnberg, 1854. 
 
 Crico, Canonico Lorenzo, Lettere sulle Belle Arti Trivigiane. 
 8 vo. Half hound calf. Trivigo, 1823. 
 
 Crowe, J. A., and G. B. Cavalcaselle, Early Flemish 
 Painters, with notices of their lives and works. Post 8vo. 
 With 15 engraved illustrations. Cloth. London, 1857. 
 
 The same. Second Edition. Post 8vo. With engraved 
 
 illustrations. Cloth. London, 1872. 
 
 History of Painting in Italy, from the second to the 
 
 fourteenth century. 3 Vols. 8vo. With about 80 outline 
 plates. Green cloth hoards. 
 
 London, 1864 — 66. 
 
( 3 ° ) 
 
 Crowe and Cavalcaselle, History of Painting in North 
 Italy, Venice, Padua, Vicenza, Verona, Ferrara, Milan, 
 Friuli, Brescia, etc., from the fourteenth to the sixteenth 
 century. 2 Vols. 8vo. With 25 engraved illustrations. 
 Blue cloth boards. London, 1871. 
 
 Titian, his life and times, with some account of his 
 
 family, chiefly from new and unpublished records. 2 Vols. 
 8vo. With 19 engraved illustrations. Brown cloth boards. 
 
 1877. 
 
 Life of Raphael. See Raphael. 
 
 Cunningham, Allan, Lives of the most eminent British 
 Painters, Sculptors, and Architects. 6 Vols. i2mo. Por- 
 traits and plates. Cloth boards. London, 1829 — 33. 
 
 Cabinet Gallery of Pictures, by the first masters in 
 
 the English and foreign schools, with biographical and 
 critical illustrations. 2 Vols. Royal 8vo. With 73 fine 
 line engravings. Half bound morocco , gilt edges. 
 
 London, 1836. 
 
 Daniell, Thomas and William, 25 unpublished drawings 
 of Indian Antiquities. With MS. descriptions. Folio. 
 
 Dante, The Vision of Hell, Purgatory, and Paradise, translated 
 by the Rev. H. T. Cary. Post 8vo. Cloth. 
 
 H. G. Bohn’s Standard Library, i860. 
 
 Debry, Theodore, Bibliotheca Chalcographica, hoc est virtute 
 et eruditione Clarorum Virorum Imagines. 9 parts complete, 
 with the letterpress. Small 4to. Containing upwards of 
 500 copper-plate portraits of Scholars of all ages and 
 countries, especially England. In the original calf binding. 
 
 Heidelberg et Frankfurt, 1652 — 69. 
 
 *** This includes many portraits not found elsewhere, besides 
 familiar ones, such as Aldus, Dante, Buchanan, Copernicus, 
 Archbishop Cranmer, Erasmus, Bishop Fischer, Luther, 
 Machiavelli, Petrarch, Savonarola, Sassoferrato, Thuanus, 
 Wicklif, Zwinglius, Theodore Beza, King James I., &c. &c. 
 
( 3t ) 
 
 Debie, Cornelius, het Gulden Cabinet van de edele Vry 
 Schilder Const der twee machtighe Croonen van Spagnien en 
 Vrankryck. Small 4to. With portraits and plates. Bound 
 in vellum. Antwerp, 1662. 
 
 Defer, M. S., Catalogue Gene'ral des Ventes publiques de 
 Tableaux et Estampes depuis 1737 jusqu’h nos Jours, 
 contenant 1. les prix des plus beaux Tableaux, Dessins, 
 Miniatures, Estampes, &c. ; 2. des Notes biographiques. 
 Premiere partie, Estampes; Secohde partie, Tableaux Dessins 
 et Miniatures, & c., &c. In all 12 parts. Royal 8vo. 
 
 Paris, 1863 — 68. 
 
 Delepierre, Octave, Galerie d’ Artistes Brugeois, ou, Biographie 
 concise des Peintres, Sculpteurs, et Graveurs celebres de 
 Bruges. 8vo. With portrait and plates. Bruges, 1840. 
 Also , Les trois Freres, Van Eyck et Jean Hemling. 2 Vols. 
 in 1. 8vo. Cloth. Bruges, 1848. 
 
 *** M. Delepierre does not accept the name of Memling instead 
 of Hemling, or even allude to this modernised change. 
 
 Descamps, Vie des Peintres Flamands Hollandais, Italiens et 
 Fran^ais. 5 Vols. 8vo. Numerous portraits. 
 
 Marseille, 1840 — 43. 
 
 Deutscher Wald und Hain in Bild und Wort, von 
 J. Fischbach und H. Masters. Oblong 4to. With 28 fine 
 plates of trees in landscapes, described in German but with 
 a list of contents in Latin, English, and French. Oblong 
 4to. Green morocco extra, gilt edges. Munich, 1868. 
 
 Dibdin, Thomas Frognall, Bibliophobia, Remarks on the 
 present languid and depressed state of Literature and the 
 Book Trade. Extensively illustrated with portraits of all 
 nations, including Walpole, Hogarth, Sir Francis Chantrey, 
 Albert Durer, Luther after Holbein, Shakespeare, and my 
 humble self, also fine proof engravings after Wilkie, 
 autographs of Lord Byron, Baron Humboldt, &c. Inlaid in 
 a 4 to volume. - Half hound Russia , uncut. 
 
 London, H. G. Bohn, 1832. 
 
( 32 ) 
 
 Didot, Ambr. Firmin, Essai typographique et bibliographique 
 sur l’Histoire de la Gravure sur Bois, pour faire suite aux 
 Costumes de Cesar Vecellio. 8vo. Paris, 1863. 
 
 Dohme, Dr. Robert, Kunst und Kiinstler Deutschlands und 
 der Niederlande bis gegen die mitte des achtzehnten Jahr- 
 hunderts. 4 Vols in 3. Imperial 8vo. With numerous 
 woodcut illustrations. Half bound red morocco, gilt edges . 
 
 Leipzig, 1877—79. 
 
 Domenici, Fernando De, Vite de Pittori, Scultori, ed 
 Architetti Napoletani. 3 Vols. in 2. Small 4to. With v 
 Mrs. Anna Jameson’s autograph. Half bound calf 
 
 Napoli, 1742 — 45. 
 
 Dresden Gallery — Being a Selection of Subjects, engraved 
 after pictures by the great masters, with accompanying 
 notices. Published by A. H. Payne. 2 Vols. 4to. Con- 
 taining 136 fine engravings. Half bound, calf gilt. 
 
 London, n. d. (? 1850). 
 
 Gems of the, with explanatory text by Charles Clauss. 
 
 Royal folio. With 30 copper-plate engravings. Red cloth, 
 extra. London, 1871. 
 
 Catalogue de la Galerie Royale de Dresde, 
 
 par Julius Hiibner, quatrieme edition augmentee, 1872. 
 Do. in German, 1876. Do. in English, translated by 
 J. Pond, 1876. i2mo. Dresde, 1862. 
 
 See Galerie Royale de Dresde. 
 
 Duchesne Aine, Essai sur les Nielles, Gravures des Orfbvres 
 Florentins du XV me siecle. 8v r o. Plates. Brown morocco , 
 
 gilt edges. Paris, 1826. 
 
 Dulwich Gallery, a series of 50 beautifully coloured plates 
 from the most celebrated pictures in this remarkable 
 collection, executed by R. Cockburn (custodian). All 
 mounted on tinted card board in the manner of drawings. 
 Atlas folio. In a handsome portfolio. Half morocco. 
 
 Beauties of the, a descriptive Catalogue of 347 
 
 pictures. Post 8vo. Boards. London, 1824. 
 
( 33 ) 
 
 Duplessis, Georges, Histoire de la Gravure en Italie, en 
 Espagne, en Allemagne, dans les Pays-bas, en Angleterre, 
 et en France; contenant 73 Reproductions de gravures 
 anciennes par le Procede de M. Amaud Durand. Royal 
 8 vo. Plates. Cloth. Paris, 1880. 
 
 Duppa, Richard, History of the Spanish School of Painting, 
 to which is added an historical sketch of the rise and progress 
 of miniature illuminations. i2mo. Cloth. London, 1843. 
 
 Durer, Albert, Apocaliptis cum Eiguris. The Apocalypsis, 
 a complete set of sixteen impressions, in an early state, 
 Latin text on the reverse, with date, 1511. Imperial folio. 
 Christie's, S. Boddington , Esq., May 22nd, 1877. ^9. 
 
 Epitome in Div^e Parthenices per figuras, cum versi- 
 
 bus an. Xtis Chelidonii, i.e. The Life of the Virgin. A 
 complete set of the twenty ancient engravings in an early state, 
 with the Latin text. Imperial folio. Mounted on drawing 
 paper. Christie' s, S. Boddington, Esq., May 22nd, 1877. ^'20. 
 
 Passio Domini nostri ex Hieronymo Domenico Man- 
 
 cino sedulio, et Baptismo Mantuano, per fratrem Chelido- 
 nium collecta, cum figuris Alberti Dureri Norici Pictoris. 
 The Large Passion, a complete set of twelve impressions, 
 with the Latin text on the reverse. Mounted on drawing 
 paper. Imperial folio. Niirnberg, 15 1 1. 
 
 Christie's , S. Boddington, Esq., May 22nd, 1877. Jf 8 . 
 
 The Passion of Our Lord Jesus Christ, edited by 
 
 Henry Cole. Post 8vo. With 37 woodcut engravings of 
 what is known as the “ Small Passion,” taken from the wood- 
 blocks which are preserved in the British Museum. Half 
 hound morocco, uncut. London, 1844, 
 
 Kleine Passion, getreu in Holz nachgeschnitten von 
 
 C. Deis. 6 Parts. 4to. Containing 37 well-executed 
 woodcuts. Stuttgart, n. d. (1850?) 
 
 — — - Thirty Large Engravings on Wood of Sacred 
 Subjects, mostly marked A.IT, and one of them dated 1523, 
 Bought singly at the sale of S. Boddington , Esq., at Christie's 5 
 May 22nd, 1877 , <§ ross cos * about £12 1 2 s. 
 
 Fine Art Books.] 
 
 F 
 
( 34 ) 
 
 Djrer, Albert, De Symmetric Anatomic^ Institutiones 
 Geometric^ ; &c. 3 Yols. in i. Folio. With numerous 
 
 anatomical and geometrical illustrations. Old calf . 1532-35. 
 
 Oeuvres de, reproduits et publies par Amaud Durand; 
 
 texte par Georges Duplessis. 10 Parts. Royal Folio, con- 
 taining 108 plates, mounted on stout drawing paper. 
 
 Paris, Durand, n. d. (1850?) 
 
 — - La Vie de Sainte Vierge Marie en vingt gravures 
 sur bois, decrites en vers Latins par Chelidonius. Repro- 
 duction, procdde de P. W. Vande Weher. Imperial 4to. 
 With 20 facsimile engravings. Utrecht, n. d. (1850?) 
 
 — Designs for the Prayer Book. Folio. With 
 portrait and 43 marginal plates. Half bound cloth. 
 
 London, 1817. 
 
 — - The PIumiliation and Exaltation of our Redeemer, 
 in 32 prints representing the original wood-blocks now in 
 the British Museum ; edited by Archdeacon Allen. i2mo. 
 Half bound. London, 1856. 
 
 Das Gedechtniss Albert Durer, zum f.hren eines 
 
 DER VOLKOMMENSTER KUNSTLER SEINER ZEIT. 121110. 
 
 Cloth. Goslar, 1728. 
 
 Reliquien. 32010. Portrait and engraved autographs. 
 
 Half vellum. Nurnberg, 1828. 
 
 Leben und Werke, von Joseph Heller, in drei 
 
 Biinden. Vol. II. in 3 parts (all published). 8vo. Half 
 bound calf. Leipzic, 1831. 
 
 *** This enthusiastic admirer of Albert Durer, whom I visited 
 annually at Bamberg for several years before he published 
 this book, worked hard in his cause, but died before he could 
 complete the first volume which was to have contained Diirer’s 
 life. He had some of his finest engraved works in his studio, 
 and allowed me to buy his duplicates which I did with con- 
 siderable advantage. 
 
( 35 ) 
 
 Durer, Albert, und Seine Kunst, bearbeitet von G. C. 
 Nagler. 8vo. With portrait. Cloth. Miinchen, 1837. 
 
 In de Nederlanden, door Frederic Verachter. 8vo. 
 
 Antwerp, 1840. 
 
 Leben und Werken, von Dr. A. v. Eye, zweite durch 
 
 einen Anhang verbesserte Ausgabe. 8vo. With a large 
 historical table of his works. Nordlingen, 1869. 
 
 Life and Works, including autobiographical papers 
 
 and complete catalogues, by W. B. Scott. With six etchings 
 by the author, and other illustrations. Crown 8vo. Bound 
 in cloth. London, 1869. 
 
 History of the Life of, with a translation of his letters 
 
 and journal, and some account of his works, by Mrs. Charles 
 Heaton. Royal 8vo. With 31 finely executed autotype 
 illustrations. Bound in crimson cloth , richly gilt. 
 
 London, 1870. 
 
 Geschichte seines Lebens und seiner Kunst, von 
 
 Moritz Thausing, mit Illustrationen. Royal 8vo. With an 
 engraved title-page containing Diirer’s full-length portrait as 
 painted on the corner of the famous Vienna picture, and 52 
 woodcuts. Leipzig, 1876. 
 
 Sa Vie et ses Oeuvres, par Moritz Thausing, traduit 
 
 de l’allemand par Gustave Gruyer. Imperial 8vo. With 75 
 plates. Paris, Didot, 1878. 
 
 Life and Works, by Moritz Thausing, translated 
 
 from the German by Fred. A. Eaton. With about 60 
 portraits and illustrations. 2 Vols. 8vo. Cloth hoards. 
 
 London, 1882. 
 
 Etude sur le Triptique d’Albert Durer dit le 
 
 Tableau d’Hotel de Heller, par Charles Ephrussi. Royal 
 4to. With 25 engravings. Paris, 1876. 
 
 — Catalogue d’une Collection Extraordinaire 
 d’Estampes, de Dessins, et de Sculpture formee par 
 Alex. Posonyi, a Vienne, vendues a Munich, November 
 nth, 1867. Royal 8vo. Munich, 1867. 
 
( 3<5 ) 
 
 Eastlake, Sir Charles Lock, Contributions to the Literature 
 of the Fine Arts, with a Memoir compiled by Lady Eastlake. 
 2 Vols. 8 vo. Brown cloth. London, 1870. 
 
 Edwards, Edward, Anecdotes of Painters who have resided 
 or been born in England, with critical remarks on their 
 productions ; intended as a supplement to Horace Lord 
 Orford’s Anecdotes of Painting. 4to. With 32 portraits and 
 Plates. Half bound calf . London, 1808. 
 
 Ellet, Mrs. E. F., Women Artists in all Ages and in all 
 Countries. 12 mo. Cloth. London, 1859. 
 
 Ellis, George Agar, Catalogue of the principal Pictures in 
 Flanders and Holland, 1822. Post 8vo. Cloth. 
 
 Privately printed, 1826. 
 
 Emeric, David, Notices Historiques sur les Chefs-d’oeuvres de 
 la Peinture moderne. Post 8vo. Paris, 1862. 
 
 English Connoisseur, containing an account of whatever is 
 curious in painting, sculpture, &c., in the palaces and seats 
 of the nobility and gentry of England. 2 Vols. i2mo. 
 Old calf binding. London, 1766. 
 
 English Painters of the Georgian Era, from Hogarth to 
 Turner, with biographical notices. 4to. With 48 permanent 
 photographs after the most celebrated pictures. Richly gilt 
 cloth, gilt edges. London, 1876. 
 
 Engravings, A Portfolio of various, including the following, 
 of all of which I have the original pictures, e.g. Two different 
 etchings, one a mezzo-tint inscribed “ Traffic,” and signed 
 Wigstead, the other an etching without inscription, signed 
 Rowlandson, being exactly the same subject, which I 
 attribute, and I think correctly, to George Morland. See 
 p. 13 1 of my Picture Catalogue. Sterne’s Maria, after 
 Angelica Kauffman, an oval. A coloured drawing of an 
 Indian Bird in a Landscape. Shakespeare before Sir 
 Thomas Lucy, after A. Chisholm. See Picture Catalogue, 
 
( 37 ) 
 
 page 33. The Deluge, after Loutherbourg, engraved for 
 Macklin’s Bible. The Victory of Death, an elaborate and 
 curious engraving after David Vinckenbooms. See Picture 
 Catalogue, page 214. 
 
 Este, House of, see House. 
 
 Etruria Pittrice, ovvero Storia della Pittura Toscana, 
 dedotta dai suoi Monumenti che si esibiscono in Stampa 
 del Secolo X fino al presenter 2 Vols. Royal folio, con- 
 taining 120 fine line engravings of pictures after the old 
 Italian masters. Half bound in old morocco. 
 
 Firenze, 1791 — 95. 
 
 Evans, G. W. D., Classic and Connoisseur in Italy and Sicily; 
 with an appendix containing an abridged translation of 
 Lanzi’s Storia Pittorica. 3 Vols. 8vo. Half bound calf. 
 
 London, 1835. 
 
 Evans, Edward, Catalogue of a Collection of Engraved British 
 Portraits, comprising about 30,000 portraits of persons con- 
 nected with the history and literature of Great Britain, the 
 British Colonies, and the United States of America, accom- 
 panied by concise biographical notices, with prices affixed 
 to each print. 2 Vols. 8vo. Half green cloth. 
 
 London, n. d. (1850 — 60?) 
 
 Evans, A. E., Fine Art Circular and Print Collector’s Manual, 
 a catalogue of 6,000 etchings and engravings by artists of 
 every school and period, with prices ; and a descriptive 
 catalogue of 400 engravings unknown to Bartsch. 8vo. 
 Cloth. London, 1857. 
 
 Exhibition Catalogues of the Royal Academy of Arts 
 from the commencement in 1769 to the present time (1883), 
 115 parts, with the addition of various guides and pamphlets 
 relating thereto. Three of the early years, 1772, 1774, and 
 1777, are partly MS. neatly written, j Half bound, red morocco , 
 uncut, in 6 volumes , up to 1879, the re7?iaining parts are un- 
 bound. 
 
( 3 « ) 
 
 Exhibition Catalogues, Another set, complete from the 
 commencement in 1769 to 1833, in which the first 
 10 catalogues, that is up to 1778, are bound in one volume 
 in old calf, the remainder to present time unbound. 
 
 *** In this set the old bound volume contains besides the 10 Royal 
 Academy Catalogues : The plan of an Academy and abstract 
 of a Royal Charter, 1755. Incorporated Society of Artists of 
 Great Britain Catalogues from the commencement in 1760 to 
 1778, inclusive. Also Catalogues of the Free Independent 
 and other Societies of Artists from 1767 to 1778. A?i in- 
 teresting and probably unique collection , a volume which cost 
 me at an artist's sale £ 1 5 ioa 6 d. 
 
 Royal Academy Notes, with Illustrations of the principal 
 
 Pictures, by Henry Blackburn, 1875 to 1880, with others. 
 8vo. 
 
 Catalogues of the British Institution for Promoting 
 the Fine Arts in the United Kingdom, founded June 4th, 
 1805, opened January 18th, 1806, and exhibited annually in 
 Pall Mall. British Artists and Old Masters from 1806 to 
 1 85 2. 4to. Three large parcels. 
 
 Catalogues of the Society of British Artists at 
 
 Suffolk Street, Pall Mall, East, from the commence- 
 ment in 1824 to 1867, wanting 1826, 1835, 1853, 1859, 
 1865, and the third winter exhibition for 1834. A large 
 parcel. 
 
 Catalogues of the Institute of Painters in Water- 
 
 Colours, with prices which include frame and glass. Various 
 years from the commencement in 1834 to the present time. 
 4to. 
 
 — Industrial and Fine Art Exhibition, Richmond, 
 Surrey, 1881. Catalogue. 8vo. At which I exhibited 
 several pictures and articles of vertu. 
 
( 39 ) 
 
 Exhibitions ( continued ). Grosvenor Gallery, an Illustrated 
 Catalogue, Winter Exhibition, 1877 — 78, of Drawings by the 
 Old Masters, &c., with a critical introduction by J. Comyns 
 Carr. Royal 4to. With 14 engravings. London, 1879. 
 
 See Ironmongers’ Hall, Kensington (South) Museum, and 
 
 Catalogues. 
 
 Eyck, John van. See Delepierre, Schopenhauer, We ale. 
 
 Felibien, M., Entretiens sur les Vies et sur les Ouvrages des 
 plus excellens Peintres anciens et'modernes. 4 Vols. i2mo. 
 Old calf binding. London, 1705. 
 
 Fesch (Cardinal), Gallery. See Galerie. 
 
 Fine Arts Quarterly Review, from its commencement in 
 May 1863 to June 1867. The two series, being all published. 
 5 Vols. Imperial 8vo. Half bound Russia, top edges gilt. 
 
 Chapman & Hall, 1863 — 67. 
 
 Fine Arts. A volume so called containing seven pamphlets 
 of various dates, and among them Uvedale Price’s letter to 
 H. Repton on the practice and principles of landscape 
 painting. 
 
 Fiorillo, J. D., Geschichte der Zeichnenden Kunste, in 
 Deutschland und der Vereinigten Niederlanden. 4 Vols. 
 8 vo. Brown calf marbled edges. Hanover, 1815 — 20. 
 
 Geschichte der Zeichnenden Kunste, von ihrer 
 
 Wiederaufhebung bis auf die neuesten Zeiten. 5 Vols. 
 8vo. Brown calf, marbled edges. 
 
 Gbttingen, 1798 — 1808. 
 
 Fisher, George, Companion and Key to the History of 
 England, with genealogical details, charts, and armorial 
 bearings. Royal 8vo. With numerous engraved illustra- 
 tions and genealogical tables. Half bound calf. 
 
 London, 1832. 
 
 Flaxman’s Lectures on Sculpture, as delivered before the 
 President and Members of the Royal Academy. 8vo. With 
 52 plates. Cloth. London, Bohn, 1838. 
 
( 4 ° ) 
 
 Flemish and French Pictures, with notes concerning the 
 painters and their works, by F. G. Stephens. Small 4to. 
 With 16 engraved illustrations, mostly from the Gazette des 
 Beaux Arts. Brown cloth , gilt edges. London, 1875. 
 
 Florence Gallery — Catalogo della R. Galleria di Firenze. 
 2 Parts, Firenze , 1863 — Guida della R. Galleria del Palazzo 
 Pitti, Firenze, 1864. 3 Parts in 1 Vol. Post 8vo. Cloth. 
 
 See Galerie de Florence. 
 
 Fonthill Collection. See Beckford. 
 
 Forni, Ulisse, Manuale de Pittore Restauratore. Firenze , 
 1866 — Manuale ragionato per le parte mecanica dell’ arte del 
 Restauratore dei Depinti, del Conte Giovanni Secco-Suardo. 
 Milano , 18 66. 2 Yols. in 1. Post 8vo. Half bound calf. 
 
 Forster, Ernst, Geschichte der Ueutschen Kunst von Ein- 
 fiihrung des Christenthums bis zur gegenwart. 5 Vols. in 
 2. Post 8vo. With 57 engraved illustrations. • Half bound, 
 red morocco. Leipzig, i860. 
 
 Fox, John, Book of Martyrs, or Acts and Monuments of the 
 Church. New edition, edited by the Rev. John Cumming, 
 D.D. 3 Vols. Imperial 8vo. With numerous wood-engravings. 
 Bound in crimson cloth , gilt backs. London, 1875. 
 
 Frankfurt Gallery. See Galerie. 
 
 French and Spanish Painters, with illustrations on steel 
 from famous pictures, and a critical and biographical account 
 of the artists, by James Stothert. Small 4to. With 24 en- 
 graved illustrations. Brown cloth , richly gilt, and gilt edges. 
 
 London, 1877. 
 
 Fussli, J. R., Allgem eines Kiinstler-Lexicon, oder kurzer 
 Nachricht von dem Leben und den Werken der Mahler, 
 Bildhauer, Baumeister, Kupferstecher, &c. Folio. Old calf 
 gilt. Zurich, 1779. 
 
 Fussli, Wilhelm, Zurich und die wichtigsten Stadte am Rhein, 
 mit bezug auf alte und neue Werke der Architektur, Skulptur, 
 und Malerei. 2 Vols. Post 8vo. Cloth boards. 
 
 Zurich, 1842 — 43. 
 
Gabet, Ch., Dictionnaire des Artistes de l’Ecole Frangaise du 
 i9 e Siecle. 8vo. Half bound red morocco. Paris, 1831. 
 
 Gainsborough, Thomas, Life of, by the late G. W. Fulcher, 
 edited by his son. i2mo. With 3 plates. Green cloth. 
 
 London, 1856. 
 
 Galerie de Florence et du Palais Pitti, Tableaux, 
 Statues, Bas-Reliefs, et Camees, dessines par Wicar, peintre, 
 et graves sous la direction de C. L. Masquelier. Avec des 
 Explications par Mongez. 4 Vols. in 2. Folio. With 
 upwards of 200 engravings. Fine impressions. In old 
 Russia binding , marbled edges. Paris, 1819. 
 
 Galerie du Palais Pitti, gravee sur cuivre par les meilleurs 
 Artistes Italiens, et illustree par une Societe de Gens de 
 Lettres sous la direction de Louis Bardi. 4 Vols. Royal 
 folio. With 500 fine copper-plate engravings. Half bound 
 red morocco, gilt edges. Florence, 1842 — 43. 
 
 Galleria dell’ Reale Accademia delle Belle Arti de 
 Firenze, pubblicata con Incisioni in Rame da una Societa 
 Artistica. Royal folio. With 60 engravings after the early 
 Italian masters from Cimabue and Giotto to Raphael. Royal 
 folio. Half bound morOcco. Firenze, 1845. 
 
 Galleria Reale di Firenze. 13 Vols. 8vo. Containing 
 upwards of 600 outline engravings. Half bound calf, gilt 
 edges. Firenze, 1817 — 31. 
 
 Galerie de Madrid, Colleccion Litografica de Cuadros del 
 Rey de Espana, litografiata por habiles artistas bajo la 
 direccion de Jose de Madrazo. 3 Vols. Atlas folio. With 
 198 fine lithographic engravings. Half bound red morocco 
 gilt edges. M adrid , 182 6 — 3 6. 
 
 And see Madrid Gallery. 
 
 Galerie du Palais Royal, gravee d’apres les Tableaux des 
 differentes Ecoles qui la composent, avec un abrege de la 
 vie des peintres et une description historique de chaque 
 
 Fine Art Books.] 
 
 G 
 
( 42 ) 
 
 Tableau, par J. Couche. 3 Vols. Folio. With 355 fine 
 line engravings, early impressions. In old half binding. 
 
 Paris, i;86 — 1808. 
 
 Galerie du Palais Royal, gravee d’apres les Tableaux des 
 differentes Ecoles qui la composent, par J. Couche, avec 
 un abrege de la vie des peintres par M. l’Abbe de 
 Fontenai. Vol. 1 et seq. Royal folio. Containing 191 fine 
 engravings, early impressions. Half bound old red morocco. 
 
 Paris, 1786. 
 
 Galerie du Musee de France, publiee par Antoine Michel 
 Filhol, graveur, et redigee par Joseph Lavallee. 10 Vols. 
 Royal 8vo. With 720 fine line engravings by leading French 
 Artists. Green morocco extra, gilt edges, with the French 
 Eagle on each side. Paris, 1814. 
 
 Galerte Royale de Dresde, Recueil d’Estampes d’apres les 
 plus celebres Tableaux, avec une Description de chaque en 
 Frangais. 3 Vols. Elephant folio. Containing 150 fine 
 engravings. Half botind green morocco. Dresde, 1753. 
 
 Der Vorziiglichsten Gemalde der Koniglichen Galerie in 
 
 Dresden nach den originalen auf Stein gezeichnet ; heraus- 
 gegeben von Franz Plantstaeing. Parts 1 to 43. Containing 
 129 fine large lithographic engravings on India paper. 
 Vignettes in the letterpress. In three atlas porfolios. 
 
 Dresden, 1837 — 43. 
 
 *** The first issue was in 50 parts of 3 plates each. The second 
 and concluding issue 51 to 60 of 4 plates each, at 15J. each 
 part. The complete work makes 191 plates, which are sold 
 separately. 
 
 See under Dresden Gallery for other books relating 
 
 thereto. 
 
 Galerie de Vienne, Galerie Imperiale et Royale de Belvedere 
 a Vienne, gravee par les meilleurs Artistes, avec Explication 
 par Charles Haas. 4 Vols. in 2. 4to. Containing upwards 
 of 200 engravings. Half bound red morocco , uncut 
 
 Frankfurt, n. d. 
 
( 43 ) 
 
 Galleries of Vienna, a Selection of Engravings after the 
 most celebrated Pictures in the Imperial Gallery of the 
 Belvedere, and from other renowned Collections in Vienna. 
 With descriptive text by Adolphus Goerling, translated from 
 the German by W. C. Wrankmore. 4to. With upwards of 
 120 fine engravings. Half bound calf, gilt edges. 
 
 London, n. d. (1850 ?) 
 
 Galerie Electorale de Dusselporff, Catalogue raisonne 
 et figure de ses Tableaux, gravees par Chretien de Michel, 
 avec Notices, See., par Nicolas de Pigage. 2 Vols. Oblong 
 folio. With 365 small engravings. Bound in old calf. 
 
 Basle, 1778. 
 
 *** From the Carlton House Library, with the King's Book- 
 Plate. 
 
 Galerie Aguado, Choix des principales Tableaux de la 
 Galerie de Mons. le Marquis le las Maresmas del Guadal- 
 quiver, par Ch. Gavard. Atlas folio. With 38 fine en- 
 gravings. Half bound red morocco. Paris, n. d. 
 
 Letterpress to the preceding work. Royal 8vo. 
 
 Galerie Lithographiee de son Altesso Royale Mon- 
 seigneur le Due d’Orleans, Vol. 1 (all published). With 
 numerous fine lithographic engravings after modern French 
 masters, especially Horace Vernet. Royal folio. Calf 
 gilt. Paris, 11. d. 
 
 See Orleans Gallery. 
 
 Galerie de l’Hermitage a St. Petersbourg, grave'e au trait 
 d’apres les plus beaux Tableaux qui la composent, avec la 
 description historique, &c., par Camille de Geneve et F. X. 
 Labensky. 2 Vols. 4to. With numerous outline plates. 
 
 St. Petersburg, 1845 — 49. 
 
 See Houghton Gallery, now at the Hermitage, St. 
 
 Petersburg. 
 
( 44 ) 
 
 Galerie zu Braunschweig in ihren Meisterwerken, nach 
 den originalgemalden radirt von W. Unger. With 18 fine 
 engravings. Leipzig, 1876. — Die Galerie zu Cassel in 
 ihren Meisterwerken. Mit 40 Radirungen von W. Unger. 
 Leipzig, 1872. — La Chasse de Sainte Ursule de Jean 
 Hemling, gravee au trait par C. Onghena, avec texte par 
 Octave Delepierre et Aug. Yoisin. With 13 engravings . 
 Bruxelles, 1842. 3 Yols. in 1. Imperial 4to. Half bound 
 
 old morocco, gilt edges. 
 
 Galerie, die St^edelsche zu Frankfurt am Main, in ihren 
 Meisterwerken alterer Malerei. 32 Radirungen von Johann 
 Erssenhardt ; Text von Dr. Veit Valentin. Imperial 4to- 
 Fine impressions of the 32 engravings after old masters. 
 
 Leipzig, 1877. 
 
 Galleria Reale di Torino illustrata da Roberto 
 D’Azeglio, Direttore della medesima, &c. 2 Vols. Royal 
 
 folio. With 164 fine engravings. Proof impressions. Half 
 bQicnd red morocco, top edges gilt. Torino, 1864. 
 
 Galleria Estense, Cenni Storici e descrittivi intorno alte 
 Pitture. 8vo. Modena, 1854. 
 
 Galerie du Cardinal Fesch, ou Catalogue raisonne des 
 Tableaux de cette Galerie, accompagn^ de notices historiques 
 et analytiques. Collection vendu en 1845. 3 Yols. in 2. 
 
 8 vo. Cloth. Rome, 1844 — 45. 
 
 Ditto. Vol. 1. qto. Being the earlier complete Cata- 
 logue without notes. Rome, 1843. 
 
 Galerie de Lucien Bonaparte, Choix des gravures h l’eau 
 forte d’aprhs les peintures originales et les marbres. Royal 
 4to. With 142 engravings. Bound in old red morocco, gilt 
 edges. London, 1812. 
 
 Galeries publiques de l’Europe, par J. G. D. Arminaud. 
 Rome. — Folio with numerous plates of Sculpture, Frescoes, 
 and Pictures. Half red morocco , gilt edges. Paris, 1859. 
 
( 45 ) 
 
 Gallery of British Artists, illustrated by 109 steel en- 
 gravings from their most popular works, as exhibited in the 
 National Gallery, Royal Academy, &c., &c., with biographical 
 sketches and critical remarks by John Sherer. 4to. Half 
 red morocco extra, gilt edges. London, n.d. (but 1872). 
 
 Galerie Historique des Hommes les plus celebres de tous 
 les Siecles et de toutes les Nations, contenant leur Portraits 
 graves au trait d’apres les meilleurs originaux, avec l’abrege 
 de leurs Vies, par C. P. Landon. 13 Vols. i2mo. Con- 
 taining 936 outline portraits of all nations, alphabetically 
 arranged. Half bound cloth, uncut. Paris, 1805 — n. 
 
 For other Galleries see Berlin, Dulwich, Grosvenor, Le Brun, 
 
 Leigh Court, Leuchtenberg, Munich, Musee, National, Royal 
 Gallery, Stafford, etc. 
 
 Galofre, Don Jose, El Artista en Italia y demas Paises de 
 Europa, atendino el estado actual de las Bellas Artes. 
 Small 4to. With several large folding plates. Cloth gilt. 
 
 Madrid, 1851. 
 
 Gay, John, Trivia, or the Art of Walking the Streets of London, 
 a Poem. Expensively illustrated with rare and curious 
 engravings and printed extracts, showing the street pastimes, 
 trades, customs, &c., of London. First Edition, inlaid in 
 folio. Half bound Russia. London, 1718. 
 
 Gaye, Dr. Giovanni, Carteggio inedito D’Artisti del Secoli 
 XIV., XV., XVI., pubblicato ed illustrato con Documenti 
 puri inediti ; con facsimile. 3 Vols. 8vo. Half bound 
 brown morocco, uncut. Firenze, 1839 — 40. 
 
 German, Flemish, and Dutch Painting, including an account 
 of the works of Albrecht Diirer, Lucas Cranach, Hans 
 Holbein, Van Eyck, Van der Weyden, and Hemling; 
 Rubens, Snyders, Van Dyck, Rembrandt, Frank Hals, Jan 
 Steen, Wynants, Ruysdael, Hobbema, Cuyp, Paul Potter, 
 Berghem, Backhuysen, Van de Velde, Van Huysum, &c., 
 &c. Crown 8vo. With 98 engraved illustrations. Cloth. 
 
 London, 1881. 
 
( 46 ) 
 
 German Heraldry, Spiegel der Ehren des H. K. Erzhauses 
 Oesterreich. Folio. Illustrated with numerous portraits 
 and armorial bearings of the House of Austria. Old calf 
 binding . Niirnberg, 1668. 
 
 German Heraldry, Das erneurte und vermehrte Teutshe 
 Wappenbuch, in welchem des H. Romischen Reichs Hohe 
 Potentaten, Fiirsten, Grafen, Herren, Freiherren, &c. ; mit 
 Wappen, Schilde, &c., ausgebildet sind. 5 Vols. and a 
 supplement bound in 3 thick Vols. Oblong 8vo. With 
 upwards of 23,000 coats-of-arms on 1,441 plates. Half bound. 
 
 Niirnberg, 1657 — 67. 
 
 *** My ancestral arms are ranked among the “ Ritter und Adels- 
 personen,” and are engraved in Vol. 3, plate 129, as “die von 
 Bohn zu Weinheim.” I have the original carving in stone of 
 a very ancient date, given to me at Weinheim, but the estate, 
 a very considerable one, had been forfeited apparently be- 
 cause my grandfather became Lutheran. 
 
 — Siebmacher’s (Johann) Allgemeines grosses und voll- 
 standiges Wappenbuch, in welchem alter Hohen Potentaten, 
 Fiirsten, Grafen, Herren, &c. ; mit Wappen und Schilde, 
 ausgebildet sind. 6 Vols. and 2 Supplements, bound in 4 Vols. 
 folio, containing nearly 20,000 coats-of-arms, with a general 
 Index. Half red morocco , gilt backs. Niirnberg, 1772, &c. 
 
 *** This is an exact repetition of the preceding work, enlarged only 
 by the addition of 12 supplements. 
 
 German Scenery, Der Rhein und der Rheinkende dargestellt 
 in Malereschen Ansichten von Ludwig Lange und anderen, 
 und in stahl gestochen von Johan Poppel, J. Appel, und 
 anderen. 3 Vols. Royal 8vo. With a profusion of plates. 
 Half bound green morocco, gilt edges. 
 
 Darmstadt, 1850 — 54. 
 
 Das Rheinbuch, Landschaft, Geschichte, Sage, Volks- 
 
 leben, von W. Muller und Konigswinter. Royal 8vo. With 
 numerous engravings. Cloth. Brussel, n. d. (1850 ?) 
 
 Das Kcenigreich Hannover in Malerischen Original 
 
 Ansichten seiner interessantesten Gegenden, von Georg 
 
( 47 ) 
 
 Osterwald, Adolph ITornemann, &c. Royal 8vo. With 
 146 engravings on steel. Half bound red morocco, gilt edges. 
 
 Darmstadt, 1847. 
 
 Germany, Holland and Belgium, described by Professor van 
 Kampen, illustrated by W. H. Bartlett. 8vo. With map 
 and 62 engravings. Cloth, gilt edges. London, 1836. 
 
 Gibbon’s, Edward, History of the Roman Empire, with 
 variorum notes from Guizot, Wenck, Schreiter, and Hugo 
 by an English Churchman (Archdeacon Bland), but chiefly 
 selected and edited by J. Willoughby Rosse and Henry G. 
 Bohn. 7 Vols. Post 8vo. Calf extra. 
 
 London, Bohn, 1853 — 55. 
 
 *** I sincerely believe this to be much the best edition of Gibbon, 
 and venture to say so now that I have no longer any interest 
 in its sale. 
 
 Gillray, James, Works of, consisting of upwards of 600 
 Caricatures printed from the original copper plates, some for 
 the first time. Atlas folio. Half bound green morocco. 
 
 London, H. G. Bohn, 1851. 
 
 This is an original copy ; the plates have since been printed 
 from transfers. 
 
 Historical and Descriptive Letterpress to the above 
 
 collection, by Thomas Wright, R. H. Evans, and H. G. Bohn. 
 8 vo. Half bound morocco , gilt edges. 
 
 London, H. G. Bohn, 1851. 
 
 Gilpin’s, Sawrey, Essays on the mode of executing Rough 
 Sketches. John Britton’s Cursory View of the origin of 
 Caryatides. Two Tracts in one volume. 8vo. Half bound 
 calf. London, 1795 — 1822. 
 
 Giotto and his Works. See Ruskin. 
 
 Gobelins Tapisseries, Notice Historique, et de Tapis de la 
 Savonnerie, &c., par A, L. Lacordaire. 8vo. Paris, 1853. 
 
 Gool, Johan Van, Nieuwe Schouburg der Niderlandsche 
 Kunstschilders en Schilderessen. 2 Vols. 8vo. Many 
 portraits. Bound in vellum. Gravenhaghe, 1850 — 51. 
 
( 48 ) 
 
 Gorling, Dr. Adolph, Geschihte der Malerei von den 
 friihesten Kunstanfangen bis zur bliite der Kiinste ins gegen- 
 vvart. 2 Vols in i. 8vo. With many plates. Half bound 
 calf. Leipzig, 1866 — 67. 
 
 Gorton, John, General Biographical Dictionary, with a 
 supplementary volume completing the work to the present 
 time (1850). 4 Yols. 8vo. Calf extra marbled edges. 
 
 London, 1851. 
 
 Gotofredi, J. Ludovici, Archseologia Cosmica, sive Im- 
 peratorum, Regnorum, Principalium, Rerumque Publicarum, 
 Commentarii Excellentissimi. 3 Yols folio. With numerous 
 maps and views, including a few early large ones of London 
 in four sheets. Bound in vellum. Frankfort, 1649. 
 
 Gould, John, Biographical Sketches of Eminent Artists, com- 
 prising Painters, Sculptors, Engravers, and Architects. Thick 
 1 2 mo. Boards. London, 1834. 
 
 Gould, John, Biographical Dictionary of Painters, Sculptors, 
 Engravers, and Architects from the earliest age to the 
 present time. New edition with an appendix by C. J. 
 Nieuwenhuys. 2 Yols. 12 mo. Boards. London, 1839. 
 
 Gower, Lord Ronald, Three Hundred French Portraits 
 representing Personages of the Courts of Francis I., Henry 
 II., and Francis II., by Francis Clouet, commonly known 
 as Janet. Autolithographed from the originals at Castle- 
 Howard, Yorkshire, by Messrs. Maclure and Macdonald. 
 2 Vols. Folio. Blue cloth , gilt. London, 1875. 
 
 Granger, Rev. J., Biographical History of England from 
 Egbert the Great to the Revolution. Fourth edition, London, 
 1804. 4 Vols. Numerous portraits. — Noble (Mark), con- 
 tinuation of Granger from the Revolution to the end of 
 George the First’s reign. 3 Yols. London, 1806. With 
 numerous portraits. In all 7 Vols. Royal 8vo. Calf gilt, 
 uniform. 
 
( 49 ) 
 
 Granger ( continued ), Fifth Edition, with upwards of four hun- 
 dred additional Lives. 6 Vols. 8vo. 1824. Noble’s conti- 
 nuation. 3 Vols. 1806. In all 9 Vols. 8vo. Half cloth. 
 
 Catalogue of Richardson’s Collection of English 
 
 Portraits, engraved from rare prints or original pictures, 
 as described by Granger. Royal 8vo. Three hundred and 
 eleven portraits with printed list. London, 1798 — 1800. 
 
 ! Collection of Portraits, forming a supplement to 
 
 Richardson’s copies, &c. 2 Vols. in 1. Royal 4to. Containing 
 fifty-two fine portraits. Cloth. London, 1824. 
 
 Graphische Darstellung der Geschichte der Maleret, 
 von Giunta Pisana und Guido da Siena, bis auf Louis 
 Jacques, David und Jacob Asmund Carstens, in 10 Tableaux. 
 Atlas folio. A series of very large engraved plates, giving 
 a History of Painters in historical parallels, from the earliest 
 period to Angelica Kaufmann, 1808. Wien, 1853. 
 
 Grimm, Herman, Uber Kunstler und Kiinstwerke. 2 Vols. in 
 1. 8 vo. With 15 tinted photographs after old masters. 
 
 Half bound calf . Berlin, 1865 — 67. 
 
 Grosvenor Gallery, Catalogue of the Pictures of Earl 
 Grosvenor at Grosvenor House, with etchings from the 
 whole collection and historical articles by John Young, 
 engraver. 4to. With 125 plates. Half bound. 
 
 London, 1821. 
 
 Gruner, Lewis, Descriptions of the Plates and Fresco 
 Decorations and Stuccos of Churches and Palaces in 
 Italy, during the Fifteenth and Sixteenth Centuries. 
 With an Essay on the Arabesques of the Ancients, as 
 compared with those of Raphael and his School, by A. 
 Hittorff. 4to. In old red morocco. London, 1844. 
 
 *** I see i n this volume that the Giulio Romano Frescoes, the 
 locality of which perplexed me at page 173 of my Catalogue 
 of Pictures, are as I suspected in the Villa Modena. See 
 pages 14 and 15 of Gruner’s book. 
 
 Fine- Art Books.] 
 
 h 
 
( 5 ° ) 
 
 Guide de Florence et de ses Environs, avec la Description 
 des Galeries, par FAbbe A. Bulgarini. 12 mo. Plates. 
 Boards . Florence, 1840. 
 
 Guide Pittoresque et Artistique du Voyageur en Hol- 
 lande. Frontispiece and Maps. i8mo. Cloth. 
 
 Bruxelles, 1845. 
 
 Guide through the Galleries of Paintings of the Imperial 
 Museum of the Louvre. Post 8vo. Cloth. 
 
 Paris, 1867. 
 
 Guides to Cities and Picture Galleries in various parts of 
 Europe. A large parcel, not worth cataloguing separately. 
 
 Guildhall Collection, Catalogue of Engraved Portraits, 
 Topographical Drawings and Prints, Coins, Gems, Auto- 
 graphs, and Works of Art in the Guildhall Library. 8vo. 
 
 London, 1872. 
 
 Guizot, M., The Fine Arts, their Nature and Relations. 
 Translated by George Grove, with 18 illustrations drawn on 
 wood by George Scharf. Second edition. 8vo. Half bound 
 double morocco, top edges gilt. London, 1855. 
 
 Gwinner, Ph. Frs., Kunst und Kiinstler in Frankfurt am 
 Main vom 13 ten Jahrhundert bis zur eroffnung des Stadeh 
 schen Kunst-Xnstituts. 8vo. With two portraits, one of 
 which is that of Maria Sibylla Mirian. 8vo. Half bound 
 green calf. Frankfurt, 1862. 
 
 Hague Museum, see Musees. 
 
 Hamerton, P. H., Contemporary French Portraits, ah Essay. 
 4to. With 16 engraved illustrations, including Meissonier, 
 Rosa Bonheur, Gerome, Bigres, &c. Blue cloth , gilt sides 
 and edges. London, 1868. 
 
 Hamburgisches Kunstler- Lexicon, Erster band, die Bilden- 
 den Kiinstler. 8vo. Half bound calf . Hamburg, 1854. 
 
 Hamilton Palace Collection (sold June 17th to July 20th, 
 1882, by Messrs. Christie, Manson, and Woods) of pictures, 
 
( SI ) 
 
 porcelain, and fine art works. The Illustrated Catalogue, 
 with prices and purchasers’ names. 4to. Many plates. 
 Cloth. 1882. 
 
 Hamilton, G., The English School of Painting and Sculpture, a 
 series of the most approved productions executed by British 
 artists from the days of Hogarth to the present time 
 (letterpress in English and French). 4 Vols. i2mo. 
 Numerous plates in outline. Greeif cloth hoards. 
 
 London, 1832 — 33. 
 
 | Hamilton, H. C., Index to the Pictorial History of England, 
 with a complete chronological key to the civil and military 
 events, &c. Royal 8vo. Cloth. London, 1850. 
 
 ; Hampton Court, Historical Catalogue of the Pictures in the 
 Royal Collection there, with notes descriptive, biographical^ 
 and critical, by Ernest Law, B.A., &c. London, 1881. 
 
 Handbooks to various parts of Great Britain, France, 
 Germany, Belgium, Switzerland, Italy, &c., including John 
 Murray’s, Adam Black’s, Galignani’s, and others. Upwards 
 of 100 volumes in two large parcels. 
 
 *** Useful for accounts of the picture galleries and private col- 
 lections of works of art. 
 
 Handmaid to the Arts, teaching a thorough knowledge of 
 the materia pictoria, &c. 8vo. Old calf . London, 1758. 
 
 Hanover. Das Konigreich Hannover in malerischen Original 
 Ansichten seiner interessantesten Gegenden, nach der 
 Natur aufgenommen von Georg Osterwald, &c. 8vo. 
 Numerous steel engravings. Half bound , red morocco , gilt 
 edges. Darmstadt, 1847. 
 
 Harding, E., Biographical Mirrour, comprising a series of 
 ancient and modern English portraits of eminent and dis- 
 tinguished persons, from original pictures and drawings, with 
 some account of their lives and works. 3 Vols. in 1. 4to. 
 With 151 portraits. Old calf London, 1795 — 98. 
 
( 5 2 ) 
 
 Harding, J. D., Eight original drawings of cottages and villas, 
 highly finished in Indian ink. Unpublished. Size, 6 in. 
 by 8 . Mounted on \to cardboard. 
 
 Harford, John S., Poetry of Michael Angelo Buonarotti, to 
 which are added Memoirs of Vittoria Colonna and Savona- 
 rola. 8vo. With 9 portraits. Half bound morocco. Lond. 1858. 
 
 Harms, Antoine Frederic, Tables Historiques et Chrono- 
 logiques des plus fameux Peintres anciens et modernes. 
 Folio. Cloth. Bronsvic, 1842. 
 
 *** This is a chronological list of painters, giving their births, 
 deaths, and other particulars, besides references to his 
 authorities and a complete alphabetical index. 
 
 Havard, Henri, L’Art et les Artistes Hollandais. 4 parts. 
 Royal 8vo. Paris, 1872 — 81. 
 
 Histoire de la Peinture Hollandaise. Crown 8vo. With 
 
 numerous engraved illustrations. Cloth. Paris, 1882. 
 
 Haydn’s Dictionary of Dates, or Universal Index of Bio- 
 graphy from the Creation to the present time ; edited by 
 J. B, Payne. 8vo. Cloth. London, 1870. 
 
 The Same, Seventeenth Edition, enlarged and continued 
 
 by Benjamin Vincent. 8vo. Cloth. 1881. 
 
 Haydon, Benjamin Robert, Correspondence and Table-Talk, 
 with a Memoir by his son Fred. Wordsworth Haydon. 
 2 Vols. 8vo. With portraits of him by Wilkie and Park, 
 and facsimile sketches. Cloth boards. London, 1876. 
 
 *** I have two beautifully coloured drawings, executed in Haydon’s 
 Academy, presumably by himself for the use of his pupils. 
 I bought them at Phillips’ auction rooms many years ago 
 under that representation. The subjects, are, “ The Sybilla 
 Cumana,” after Domenichino, and “Ecce Homo,” after 
 Carlo Dolce. 
 
 Head, Sir Edmund, Handbook of the Spanish and French 
 Schools of Painting ; intended as a sequel to Kugler’s 
 
( S3 ) 
 
 Handbooks of the Italian, German, and Dutch Schools of 
 Painting. Post 8vo. Red cloth. London, 1848. 
 
 Heemskerck, Martin, Catalogue of the prints which have 
 been engraved after him, by Thomas Kerrich, M.A. 8vo. 
 Portrait. Half bound, calf gilt. Cambridge, 1829. 
 
 Heller, Joseph, Monogrammen-Lexicon, enthaltend die 
 bekannten, zweifelhaften, und unbekannten Zeichen, &c. 
 8vo. Numerous woodcuts. Half bound calf . 
 
 Bamberg, 1831. 
 
 Geschichte der Holzschneidekunst von den altesten bis 
 
 auf die neuesten Zeiten ; nebst zwei Beilagen enthaltend den 
 Ursprung der Spielkarten und ein Yerzeichniss der sammt- 
 lichen xylographischen Werke. 8vo. With numerous wood- 
 cuts. Half bound calf. Bamberg, 1823. 
 
 Praktisches Handbuch fiir Kupferstichsammler, oder 
 
 Lexicon der vorzuglichsten und beliebtesten Kupfersticher, 
 Formschneider, Lithographen, &c., &c., zweite vermehrte 
 Auflage. 8vo. Portrait. Half bound calf. Leipzig, 1850. 
 
 See Durer, Albert. 
 
 Hemling, Memoires Inedits sur la Vie et les Ouvrages des 
 Membres de l’Academie Royale de Peinture et de Sculpture, 
 par MM. Dussieux, Soulie, Chennevieres, &c. 2 Vols. 8vo. 
 
 Half bound calf. Paris, 1854. 
 
 Chasse de Sainte Ursule, par Jean Mending. 75 large 
 
 lithographic plates. Atlas folio. Half bound. 
 
 Bruxelles, n. d. 
 
 See Delepierre, Galerie zu Braunschweig, Keller- 
 
 HOVEN, NlEUWENHUYS, &C. 
 
 Hendersyde Park Gallery, Catalogue of the pictures, 
 statues, bronzes, &c., at Hendersyde Park (John Waldie, 
 Esq.). Small 8vo. Frontispiece. Half bound calf . Pre- 
 sentation copy, with my friend Waldie’s autograph. 
 
 Kelso, 1859. 
 
( 54 ) 
 
 Herbst, M. F., Notice des Tableaux du Musee Napoleon III. 
 exposes dans les salles de la Colonnade au Louvre. — Notice 
 des Tableaux exposes dans les Galeries du Musee Imperial 
 du Louvre, par Fred. Villot. Deux parties. 3 Vols. in 1. 
 Post 8vo. Cloth. Paris, 1864 — 66. 
 
 Histoire des Peintres de toutes les Ecoles, par MM. 
 Charles Blanc, Paul Mantz, Auguste Demmin, Marius 
 Chaumelin, et G. Lafenestre. 13 Vols. Folio. Containing 
 several thousand engravings. Half bound red morocco . 
 
 Paris, Renouard, 1861 — 1876. 
 
 Vols. 1, 2, 3. Ecole Frangaise. 4, 5. Ecole Hollandaise. 
 
 6. Ecole Flamande. 7. Ecole Anglaise et Espagnole. 8. 
 
 Ecole Allemande. 9. Ecole Venitienne. 10. Ecole Ombrienne 
 
 et Romaine. 11. Ecole Polonaise. 12. Ecole Milanaise, 
 
 Lombarde, Ferraraise, Genoise, et Napolitaine. 13. Ecole 
 
 Florentine. 
 
 Historic Gallery of Portraits and Paintings ; or Bio- 
 graphical Review, containing a brief account of the lives of 
 the most celebrated men in every age and country, and 
 graphic illustrations of the finest specimens of the arts, 
 ancient and modern. 7 Vols. 8vo. With upwards of 500 
 outline engravings. Cloth boards. London, 1807—1819. 
 
 Hobbes, James R., Picture-Collector’s Manual, adapted to the 
 Professional Man and the Amateur. 2 Vols. 8vo. Vol. 1 
 contains a dictionary of names of painters, &c. ; Vol. 2 an 
 alphabetical arrangement of scholars and masters, with a 
 classification of subjects. Cloth boards. London, 1849. 
 
 Hogarth’s (William) Works, from the original plates, 
 restored by James Heath, with the addition of many 
 subjects, to which are prefixed a Biographical Essay and 
 explanations of the subjects of the plates, by John Nichols, 
 F.S.A. Atlas folio. Containing 119 fine engravings, in- 
 cluding India proofs of “ Before and ' After,” and the Snuff 
 
( 55 ) 
 
 box plate of “ Feeding Poultry,” all in the first state of the 
 plates after the original repairs. Half bound in old Russia. 
 
 London, Baldwin, 1821. 
 
 *** This is the sample copy upon which I bought the copper plates 
 and the entire stock of books from the trustees of Baldwin’s 
 insolvent estate. The plates have since been several times ex- 
 tensively repaired, but on jy once under my direction, and that 
 was well performed by Wm. Radclyffe of Birmingham. To this 
 copy have been added several rare engravings by Hogarth in 
 early states, including “The Doctors in Labour,” a set of 12 
 small engravings never published in his works. 
 
 Hogarth, Illustrated by John Ireland, with the supplementary 
 volume. 3 Vols. Royal 8vo. With 136 engravings, Board f 
 uncut. London, 1791 — 98. 
 
 Graphic Illustrations of, from pictures, drawings, and 
 
 scarce prints in the possession of Samuel Ireland. 2 Vols. 
 Royal 8vo. With 106 engravings. Calf extra gilt edges. 
 
 London, 1794 — 99. 
 
 Works, including the “Analysis of Beauty,” elucidated by 
 
 descriptions, critical, moral, and historical, by Thomas Clerk. 
 
 2 vols. 8vo. Numerous plates. Half bound. London, 18 to. 
 
 Moralized, by John Trusler. 8vo. With 57 copper 
 
 plates, and sundry wood engravings. Old calf. Lond. 1768. 
 
 The same, new edition by John Major. 8vo. Boards. 
 
 London, 1841. 
 
 Genuine Works, with biographical anecdotes, a chrono- 
 logical catalogue, and commentary, and a Clavis Hogarthiana, 
 &c., by John Nichols and the late George Steevens. 3 Vols. 
 4to. With above 200 copper-plate engravings. Boards , 
 uncut. London, 1808 — 17. 
 
 The same, Vol. 3 only, containing the Clavis Hogarthiana 
 
 and illustrative pages, with 50 additional plates, not contained 
 in previous editions. 4to. Boards , iincut. London, 1817. 
 
 Complete Works, with Life and anecdotal description of 
 
 his pictures, by John Ireland and John Nichols, F.S.A. 
 
 3 vols. Post ovo. Numerous plates. Cloth gilt. Ib. 1874. 
 
( 56 ) 
 
 Hogarth, William, Analysis of Beauty, written with the view 
 of fixing the fluctuating ideas of taste. Royal 8vo. With 
 17 Plates. Boards , uncut. London, 1810. 
 
 Frolic, the five days’ peregrination by land and water 
 
 around the Isle of Sheppey in 1732. Small 4to. With 30 
 Illustrative engravings. Red cloth , gilt. 
 
 London, n. d. (1850?) 
 
 Illustrated from passages in authors he never read and 
 
 could not understand. 8vo. London, Nichols, 1816. 
 
 Anecdotes of, written by himself, with essays on his 
 
 life and genius, and criticisms on his works, selected from 
 
 Walpole, Gilpin, J. Ireland, Lamb, Phillips, and others, by 
 J. B. Nichols, to which are added a catalogue of his 
 
 paintings, prints, &c. Post 8vo. With 48 engravings. 
 Boards , uncut. London, 1833. 
 
 Holbein, Hans, Portraits of Illustrious Persons of the Court 
 of Henry VIII. in the collection of his Majesty, imitations 
 of the original drawings by John Chamberlaine, with bio- 
 graphical notices. Elephant 4to. With 70 coloured portraits, 
 proof impressions. Richly hound in green morocco , with borders 
 and gilt edges. London, 1812. 
 
 Album, text von Dr. Alfred Woltmann. Royal 4to. 
 
 With numerous plates. Gilt cloth. Berlin, 1865. 
 
 Dance of Death, and Bible Cuts, with Intro- 
 duction and descriptions by the late Francis Douce, Esq., 
 and Dr. Thomas Frognall Dibdin. Post 8vo. With upwards 
 of 150 facsimile engravings. 
 
 London, Bohn’s Illustrated Library, 1858. 
 
 Some Account of his Life and Works, by Ralph 
 
 Nicholson Wornum. Imperial 8vo. With 34 engraved 
 illustrations, including portrait. Green cloth , gilt sides. 
 
 London, 1867. 
 
( 57 ) 
 
 Holbein, Hans, and the Meier. Madonna, by Ralph 
 Wornum, keeper of the National Gallery. Imperial 8vo. 
 Plates. Arundel Society, 1871. 
 
 und Seine Zeit, von Alfred Woltmann, zweite 
 
 umgearbeitete Auflage. Royal 8vo. With numerous en- 
 graved illustrations. Leipzig, 1874. 
 
 Mittheilungen der Antiquarischen Gesellschaft 
 
 in Zurich. Wandgemalde im Bischoflichen Palast zu Chur, 
 mit Darstellungen der Holbeinischen Todesbilder. Imperial 
 4to. Plates, the Dance of Death, &c. Zurich, 1878. 
 
 Holland, Henry, Heroologia Anglica hoc est Clarissimorum 
 et Doctissimorum aliquot Anglorum, qui florerunt ab anno 
 Christi MD. usque ad presentem Annum MDCXX., Vivse 
 Effigies, Vitae et Elogia. Folio. With 67 fine portraits and 
 monuments by Crispin de Pass. Maroon morocco , gilt edges. 
 
 Londinum, impensis Crispin de Pass, 1620. 
 
 Holland and Belgium, their History and Topography, by 
 Professor van Kampen, with numerous engravings on steel 
 by W. H. Bartlett. 8vo. Extra cloth boards, gilt edges. 
 
 London, n. d. (? 1859). 
 
 ITotho, H. G., Malerschule , Hubert’s van Eyck, nebst 
 Deutschen Vorgangern und Zeitgenossen. 2 Vols. i2mo. 
 
 Berlin, 1855—58. 
 
 Houghton Gallery, a Collection of Prints engraved after 
 the most capital Paintings in the Collection of her Imperial 
 Majesty Catherine II., Empress of Russia, formerly in the 
 possession of the Earl of Orford, at Houghton in Norfolk. 
 2 Vols. Atlas folio. With portraits of the Empress and Sir 
 Robert Walpole, afterwards Earl of Orford, vignette Titles by 
 Bartolozzi, and 129 fine engravings, early impressions, in all 
 133. Half bound, uncut. London, Boydell, 1788. 
 
 Fine- Art Boohs. ] 
 
 1 
 
( 58 ) 
 
 Houbraken, Arnold, Groote Schonburgh der Nederlandsche 
 Konstschilders en Schildereien, een Vervolg op het Schilder- 
 boek van K. v. Mander. 3 Yols. 8vo. With numerous 
 well-engraved portrits, fine impressions. Bound in old Dutch 
 calf. Gravenhaghe, 1753. 
 
 Houbraken and Vertue’s Heads of Illustrious Per- 
 sonages of Great Britain, with their Lives and Characters, 
 by Thomas Birch. Folio. With 108 portraits from Chaucer 
 to Alexander Pope. Half bound calf London, 1813. 
 
 House of Este, Degli Eroi della Serenissima Casa d’Este, 
 ch’ebbero il Dominio in Ferrara, Memorie dei Francesco 
 Eerni. 4(0. With frontispiece and two portraits, one of 
 Matilda d’Este, ancestress of the Royal House of Great 
 Britain ; the other of Azzo Ottavo. Ferrara, 1640. 
 
 PIistoria dePrincipi di Este, Libri VIII. ; de Gio. Batt. 
 
 Pigna a Donna Alfonso Secondo Duca di Ferrara. Folio. 
 Old Italian calf binding. Ferrara, 1570. 
 
 *** The history of the Guelphs and Ghibellines is contained in 
 this volume. 
 
 Howard, Henry, R.A., Course of Lectures on Painting, 
 delivered at the Royal Academy of Fine Arts ; edited, with 
 a memoir of the author, by Frank Ploward. Post 8vo. 
 Cloth. London, H. G. Bohn, 1848. 
 
 *** This edition was strictly suppressed on account of a bitter and 
 somewhat libellous passage against Mr. Samuel Carter Hall, 
 who threatened me with an action unless I suppressed the 
 book. There may be a copy in the British Museum, but 
 perhaps not, as I happened to send my friend Mr. Hall the 
 first copy without having been aware of the passage. 
 
 Huber, M., et C. C. H. Rost, Manuel des Curieux et des 
 Amateurs de l’Art, contenant une Notice abre'ge'e des prin- 
 cipaux Graveurs, et un Catalogue raisonne de leurs meilleurs 
 Ouvrages, depuis le Commencement de la Gravure jusques a 
 nos Jours. 9 Vols. bound in 5. Small 8vo. Old calf gilt. 
 
 Paris, 1797 — 1808. 
 
( 59 ) 
 
 Hubner, Emil, Die Antiken Bildwerke in Madrid beschrieben. 
 8 vo. Berlin, 1862. 
 
 Huchtenburg, Jean, Batailles gagnees par le Serenissime 
 Prince Eugene de Savoye sur les ennemis de la Foi et sur 
 ceux de l’Empereur et de l’Empire. Royal folio, with many 
 large plates and maps. In old French binding , with the 
 Royal Arms inside. La Haye, 1820. 
 
 Hughes, John, Horae Britannicse, 'or Studies of Ancient British 
 History ; containing various disquisitions on the national 
 and religious antiquities of Great Britain. 8vo. 
 
 London, 1819. 
 
 Immerzeel, J., C. H., et C., Levens en Werken der Hol- 
 landsche en Ylaamsche Kunstschilders, Beeldhouwers, Grav- 
 eurs, et Bouromeesters, von het begin der vyfteende Eeuw 
 tot heden. 3 Yols. in 1. 8vo. With portraits in the 
 letterpress. Half bound morocco. 
 
 Amsterdam, 1842 — 43. 
 
 Introduction to the Knowledge of Eminent Painters, 
 with the years and places of their birth and death, the 
 subjects they painted, and the masters under whom they 
 studied. Alphabetically arranged. 8vo. Half bound. 
 
 London, 1878. 
 
 Ironmongers’ Hall Exhibition ; Catalogue of the Antiqui- 
 ties and Works of Art exhibited May, 1861. Compiled by 
 a Committee of the London and Middlesex Archaeological 
 Society. 4 parts. Royal qto. Large Paper, with 331 
 engraved illustrations. London, 1863 — 69. 
 
 *** I lent, besides early glass and porcelain, a great many minia- 
 tures, among which were Sir William Ross’s portraits of 
 Princess Alice, Prince Arthur, and Princess Helena, which 
 Prince Albert said were better than any he had got, and wished 
 to purchase them from me, but I declined to sell them. 
 
 Italian Art in the National Gallery, by Jean Paul 
 Richter. With 41 full-page engravings. 4to. Boards. 
 
 London, 1883. 
 
( 6 ° ) 
 
 Italian Art. The Renaissance of Art in Italy, an illus- 
 trated sketch by Leader Scott. 4to. With numerous 
 engraved illustrations. Blue cloth hoards , gilt edges. 
 
 London, 1883. 
 
 Les Chefs-d’CEuvre de la Peinture Xtalienne, par 
 
 Paul Mantz, ouvrage contenant 20 planches chromolitho- 
 graphiques par J. Kellerhoven, 30 planches sur bois, et 40 
 culs de lampe. Folio. Numerous plates. Green cloth , 
 richly gilt. Paris, 1870. 
 
 Jack, J. H., Leben und Werke der Kiinstler Bambergs. 
 2 Vols. in 1. 8vo<, With portrait of Lucas Cranach. 
 
 Cloth boards. Erlangen, 1821. 
 
 Jackson, John, Treatise on Wood Engraving, Historical and 
 Practical, with upwards of 300 illustrations engraved on 
 wood, and an historical portion by W. H. Chatto. Second 
 edition, with a new chapter on the artists of the present day 
 by Henry G. Bohn, and 145 additional wood engravings. 
 Royal 8vo. Half hound red mot'occo. London, 1866. 
 
 Jal, A., Dictionnaire Critique de Biographie et d’Histoire ; 
 Errata et Supplement pour tous les Dictionnaires historiques. 
 Avec 218 facsimiles d’autographes. Deuxieme edition. 
 
 Thick royal 8vo. (1368 pages). Paris, 1872. 
 
 *** This is an extremely well-executed and valuable supplement to 
 all Biographical Dictionaries, and has often been useful to 
 me in matters of reference, especially on one occasion in 
 reference to the artist Blarenbergue, which enabled me to 
 give evidence in the important Rothschild case alluded to 
 in page 18 of my Picture Catalogue, when none of our 
 leading picture dealers knew anything about him. 
 
 James, Rev. J. T., Italian Schools of Painting, with Observa- 
 tions on the present State of the Art. London, 1820. 
 Flemish, Dutch, and German Schools. Ih. 1822. 2 Vols. in 1. 
 8 vo. Red cloth. 
 
 Jameson, Mrs. Anna, Companion to the most celebrated 
 Private Galleries of Art in London, containing accurate 
 catalogues arranged alphabetically for immediate reference, 
 & c. Post 8 vo. Cloth. London, 1844. 
 
( 6i ) 
 
 Jameson, Mrs. Anna, Memoirs of Early Italian Painters, 
 and of the Progress of Painting in Italy, from Cimabue 
 to Bassano. 2V0ls.ini. i8mo. With woodcut illustrations. 
 Cloth. London, 1845. 
 
 Handbook of the Public Galleries of Art in and 
 
 near London, with critical, historical, and biographical 
 notices of the painters and pictures (National Gallery, 
 Windsor Castle, Hampton Court, Dulwich, Barry’s Pictures, 
 and Soane’s Museum). Post 8vo. Red cloth. 
 
 London, 1845. 
 
 Sacred and Legendary Art ; First Series, containing 
 
 legends of the angels and archangels, the evangelists, the 
 apostles, the doctors of the Church, and St. Mary Magda- 
 lene. Second Series, the patron saints, the martyrs, the 
 early bishops, the hermits, and the warrior saints of Christen- 
 dom : all as represented in the Fine Arts. Third edition. 
 2 Vols. 8 vo. With 187 woodcuts and 19 etchings. Blue 
 cloth , gilt. Lon don, 1857. 
 
 — — Legends of the Monastic Orders as represented in 
 the Fine Arts, forming the Second Series of Sacred and 
 Legendary Art. Second edition, corrected and enlarged. 
 8vo. With 88 woodcuts and 1 1 etchings. Blue cloth , gilt. 
 
 London, 1852. 
 
 — r — Legends of the Madonna as represented in the Fine 
 Arts, forming the Third Series of Sacred and Legendary Art. 
 Second edition, corrected and enlarged. 8vo. With 165 
 woodcuts and 27 etchings. Blue cloth , gilt. 
 
 London, 1857. 
 
 History of our Lord as exemplified in Works of Art, 
 
 with that of his types, St. John the Baptist, and other 
 persons of the Old and New Testaments ; with a continua- 
 tion by Lady Eastlake. Second edition. 2 Vols. 8vo. 
 With 281 woodcut illustrations, and 31 etchings. Red cloth , 
 gilt. London, 1865. 
 
( 62 ) 
 
 Jameson, Mrs. Anna, Memoirs and Essays illustrative of 
 Art, Literature, and Social Morals. 121110. Cloth. 
 
 London, i860. 
 
 Memoirs of the Beauties of the Court of Charles the 
 
 Second, with their portraits after Sir Peter Lely and other 
 eminent painters. Fourth edition, enlarged. Imperial 8vo. 
 With 21 portraits engraved by Holl, Scriven, and others. 
 Proof impressiojis. Red morocco extra , gilt edges. 
 
 London, H. G. Bohn, 1861. 
 
 See Coesvelt Collection. 
 
 *** Mrs. Jameson was one of the cleverest women in matters of 
 Art I ever knew. She frequently paid me a visit at North 
 End House, and was always instructive. Had she lived, 
 her assistance would have been invaluable to me in my 
 Catalogues of Pictures and Miniatures. 
 
 Jay, L. J., Recueil de Lettres sur la Peinture, la Sculpture, et 
 rArchitecture ; ecrites par les plus grands Maitres et les 
 plus illustres Amateurs depuis le i5 me Siecle jusq’au i8 me . 
 Publiees a Rome par Bottari en 1754, traduites et aug- 
 mentees. Svo. Half bound calf . Paris, 1817. 
 
 Katalog der Bibliothek der Konigliche Academie der 
 Bildenden Kiinste in Wien. 8vo. 525 pages. Wien, 1876. 
 
 *** This is the most complete and well-arranged Catalogue of 
 books on the Fine Arts and books of reference connected 
 therewith which has ever come before me. 
 
 Kauffmann, Angelica, Vita di, scritta dal Cav. Giovanni 
 Cherardo de Rossi. 8vo. Printed 011 deep blue paper, 
 with portraits. Half bound, uncut. Firenze, 1810. 
 
 Memoria delle Pitture fatte da, dopo suo ritorno 
 
 dTnghilterra Octobre 1781, che si trovo a Venezia. A 
 Manuscript of the time in which her pictures are named, 
 who bought them, and the prices she received for them, with 
 elaborate remarks . Venezia, date about 1798. 
 
 Kellerhoven, F., et J. B. Ducron, La Legende de Sainte 
 Ursule, Princesse Britannique, et de ses onze mille Vierges, 
 d’apres les Tableaux de l’Jlglise Saint Ursule a Cologne. 
 Royal 4to. Containing, besides the woodcut borders of 
 
( 63 ) 
 
 portraits which surround every page, 18 richly illuminated 
 lithographs of the pictures. Half bound red morocco , top 
 edges gill. Paris, x 86 1. 
 
 Kensington (South) Museum, Catalogue of the Special 
 Exhibition of Works of Art of the Mediseval, Renaissance, 
 
 . and more recent periods on loan at the South Kensington 
 Museum, June, 1862 (to which Exhibition I contributed). 
 Edited by J. C. Robinson, F.S.A. Revised edition. Royal 
 8vo. Half bound calf. London, 1863. 
 
 *** Presented to me in consequence of my rather large contri- 
 butions of Works of Art. 
 
 Kensington (South) Museum, Handbook of the Collection 
 of John Jones, bequeathed to the South Kensington Museum, 
 with portrait and woodcuts (chiefly rare porcelain, furniture, 
 and miniatures). Post 8vo. London, 1883. 
 
 See Portrait Exhibition, Ironmongers’ Hall, and 
 
 Miniature Exhibitions. 
 
 Kirby’s Wonderful Museum, or Magazine of Remarkable 
 Characters, including all the Curiosities of Nature and Art 
 from the remotest period to the present time. 6 Yols. 
 8vo. Numerous portraits and plates. Boards , uncut. 
 
 London, 1803 — 20. 
 
 Kitcat Club, Memoirs of the Celebrated Persons composing 
 it, with an account of its origin. Royal 4to. With 48 
 portraits from the original paintings by Sir Godfrey Kneller. 
 Russia , marbled edges. London, 1821. 
 
 Kobell, Ferdinand, Radirungen, 178 Platten, nebst einem 
 einleitenden Vorworte von Franz Kugler. Folio. With 
 178 fine etchings from the original copper plates. Half 
 bound red morocco. Stuttgart, n. d. 
 
 Kramm, Christian, Geschiedenis van de Beeldende Kunsten 
 in de Nederlanden, Hollandsche en Belgische School, van 
 den vroegsten tot of onzen tijd. Arranged alphabetically 
 in the form of a Dictionary. 6 Vols. in 3. 8vo. Half 
 bound calf gilt. Amsterdam, 1857 — 64. 
 
( 64 ) 
 
 Kraussen, Johann Ulrich, Historischer Bilder-Bibel. 5 
 Parts in 1 Volume. Folio. Containing several hundred 
 copper-plate engravings illustrative of the Old and New 
 Testaments. Old calf. Augsburg, 1705. 
 
 Kugler, Dr. Franz, Handbuch der Geschichte der 
 Malerei in Deutschland, den Niederlanden, Spanien, Frank- 
 reich, und England. 8vo. Half bound calf . Berlin, 1837. 
 
 Handbuch der Geschichte der Malerei seit Con- 
 stantin dem Grossen. Zweite Aunage, umgearbeitet und 
 vermehrt von Dr. Jacob Burckhardt. 2 Vols. 8vo. Half 
 bound calf gilt. Berlin, 1847. 
 
 The Same. Third edition. 2 Vols. in 9 Parts. 
 
 Stuttgart, 1848 — 59. 
 
 Kleine Schriften und Studien zur Kunst Ges- 
 chichte. 3 Vols. 8vo. Half calf gilt. Stuttgart, 1853 — 58. 
 
 Handbuch. Denkmaeler der Kunst zur Uebersicht 
 
 ihres Entwickelungs-ganges von der ersten Zeiten bis Gegen- 
 wart; von Ernest Guhl, Joseph Caspar, und W. Liibke. 4 Vols. 
 in 1. Oblong folio. Containing several hundred engravings 
 illustrative of Kugler’s Handbook. Half bound red morocco , 
 uncut. Stuttgart, 1851 — 56. 
 
 Handbook of the History of Painting, from the Age 
 
 of Constantine the Great to the Present Time. Part 1, the 
 Italian Schools, edited by Sir Charles Eastlake, R.A. Part 2, 
 German, Flemish, and Dutch Schools, by Sir Edmund Head. 
 2 Vols. Post 8vo. Cloth. London, 1842 — 46. 
 
 Presented to me, with his complimentary autograph, by my 
 valued and esteemed old friend the late Mr. John Murray. 
 
 Handbook of Painting ; German, Flemish, and Dutch 
 
 Schools, remodelled by the late Dr. Waagen. New 
 edition. Thoroughly revised by J. A. Crowe. 2 Vols. 
 Post 8vo. With 58 engraved illustrations. Bound in cloth. 
 
 London, 1874. 
 
( 6 s ) 
 
 Lacroix, Paul, Annuaire des Artistes et des Amateurs. 
 8vo. With a portrait of Madame Merian and several vig- 
 nettes. Paris, 1862. 
 
 The Arts of the Middle Ages, and at the period of the 
 
 Renaissance. Illustrated with 19 chromolithographic plates 
 by F. Kellerhoven, and 400 engravings on wood. Royal 8vo. 
 Gilt cloth. London, 1870. 
 
 Dix-huitiIsme SihcLE, Institutions, Usages, et Costumes. 
 
 France, 1700 — 1789. Ouvrage illustre de 21 chromolitho- 
 graphies, et de 350 gravures sur bois d’apres Watteau, 
 Vanloo, Boucher, Lancret, J. Vernet, Chardin, et d’autres. 
 Imperial 8vo. Many plates, some coloured. Cloth. 
 
 Paris, 1875. 
 
 Lambert, Aylmer Bourke, Description of the Genus Pinus, 
 with directions relative to cultivation, &c. 8vo. With a 
 royal folio Atlas containing 90 coloured plates. Half hound 
 green morocco. London, 1842. 
 
 Landon, C. P., Vies et CEuvres des Peintres les plus celebres 
 de toutes les Ecoles. Containing Michel Angelo, Ban- 
 dinelli, Domenichino, et Albano. 2 Vols. 4to. Half 
 hound calf. Paris, 1804 — 5. 
 
 F or the other volumes see Raphael. 
 
 Landscapes from the Best Old Masters, a Select Col- 
 lection, engraved by J. Zentner, and published with short 
 biographical notices by J. Thane. Oblong folio, with 18 
 portraits and 18 landscapes. Half hound. London, 1791. 
 
 Landseer, John, Descriptive, explanatory, and critical Cata- 
 logue of fifty of the earliest pictures in the National Gallery. 
 8vo. Half cloth. London, 1834. 
 
 Landseer, Thomas, Life and writings of William Bewick, 
 artist. 2 Vols. Post 8vo. Portrait Cloth. 
 
 London, 1871. 
 
 Fine- Art Books. ] 
 
 K 
 
( 66 ) 
 
 Lanzi, Abate Luigi, History of Painting in Italy, from the 
 period of the revival of the Fine Arts to the end of the 
 eighteenth century, translated from the Italian by Thomas 
 Roscoe. With three indexes. 3 Yols. Post 8vo. Portraits. 
 Half bound calf gilt. London, H. G. Bohn, 1847. 
 
 Lawrence, Sir Thomas, Life and Correspondence, by D. E. 
 Williams, Esq. 2 Vols. 8vo. With 2 portraits. Half 
 bound red morocco. London, 1831. 
 
 Lazari, Vincenzo, Notizia delle Opere d’Arte e d’Antichita 
 della Raccolta Correr di Venezia. 8vo. Half bound calf. 
 
 Venezia, 1859. 
 
 Lebrun, M., Galeriedes Peintres Flamands, Hollandats, 
 et Allemands, avec un texte explicatif. 3 Vols. in 2. Folio. 
 Containing 201 fine engravings. Richly bound in red 
 morocco, gilt edges. Paris, 1792 — 96. 
 
 Leigh Court Gallery, Catalogue of the Pictures at Leigh 
 Court, near Bristol, the seat of Philip John Miles, Esq., with 
 engravings of the whole collection, and historical and 
 biographical notices by John Young, engraver. 4to. With 
 81 engravings. Half bound, uncut. London, 1822. 
 
 Lejeune, Theodore, Guide theorique et pratique de 
 F Amateur de Tableaux; Etudes sur les Imitateurs et les 
 Copistes des Maitres de tous les Ecoles dont les CEuvres 
 forment la base ordinaire des Galeries. 3 Vols. Royal 8vo. 
 Signatures and monograms, with numerous engravings of 
 painters. Half bound brown morocco. Paris, 1863 — 65. 
 
 *** This is an interesting book, as it gives the localities of many 
 important pictures, and the auction prices of those which, 
 during more than a century and a half, have come before the 
 public for competition. 
 
 Leonardo da Vinci’s Treatise on Painting, translated from 
 the Italian by J. F, Rigaud, R.A. ; with a Life, and an 
 Account of his Works, by J. Wm. Brown. Post 8vo. 
 Plates. Cloth. London, 1878. 
 
( 67 ) 
 
 Leslie, Charles Robert, R.A., Handbook for Young Painters, 
 with Illustrations. Post 8vo. With 24 engravings after the 
 old masters. Cloth . London, 1855. 
 
 Autobiographical Recollections, editedbyTomTaylor, 
 
 Esq. 2 Vols. i2mo. Cloth boards. London, i860. 
 
 Lessing, G. E,, Laocoon, or the Limits of Poetry and Painting. 
 Translated by Wm. Ross. 8vo. Cloth boards. 
 
 , London, 1836. 
 
 Leuchtenberg Gallery, a collection of pictures forming the 
 celebrated Gallery of His Imperial Highness the Duke of 
 Leuchtenberg at Munich; engraved by J. N. Musell, curator 
 of the Gallery ; with biographical and critical notices by 
 J. D. Passavant. qto. With 262 outline engravings. Half 
 bound red morocco. London, 1852. 
 
 Lights in Art, a review of ancient and modern pictures, with 
 critical remarks on the present state, treatment, and preser- 
 vation of oil paintings. By an Artist. Post 8vo. Gilt 
 cloth. Edinburgh, 1865. 
 
 Lincolnshire, Howlett’s (Bartholomew) Selection of Views 
 in the county of Lincoln, comprising the principal towns 
 and churches, castles, seats, &c. With map and 75 en- 
 gravings. London, 1805. — Turnor’s (Edmund), Collections 
 for the history of the town and soke of Grantham, its picture 
 galleries, &c. With map and 10 engravings. London, 1806. 
 2 Vols. in 1 ; both on large paper. Purple morocco extra , 
 leather joints and gilt edges ; bound by my father , John Bohn y 
 about 1809. 
 
 Lindsay, Lord, Sketches of the History of Christian 
 Art. 3 Vols. 8vo. Cloth , uncut. London, 1847. 
 
 *** Presentation copy from my valued friend and early customer 
 the author. 
 
 Linton, E. Lynn, The Lake Country, with a map and ico 
 illustrations, drawn and engraved by W. J. Linton. Small 
 4to. Green cloth gilt. London, 1864. 
 
( 68 ) 
 
 Linton, William, Records of several of his works which have 
 appeared in the London Exhibitions in the course of half 
 a century, with the opinions of the public journals. 8vo. 
 
 London, 1872. 
 
 Living Painters of the English School, their Lives and 
 Works. 12 mo. Cloth . London, 1859. 
 
 Locker, Admiral Edward Hawke, F.R.S., F.S.A., &c., 
 Memoirs of celebrated Naval Commanders. Illustrated by 
 engravings from original pictures in the Naval Gallery of 
 Greenwich Hospital. Royal 8vo. With 20 portraits. Blue 
 doth. London, 1832. 
 
 Admiral Locker lived for many years at my present residence, 
 North End House, Twickenham, and died there (see p. 24). 
 He had a fine collection of naval pictures for which I offered 
 his executors ,£5,000. 
 
 Lodge, Edmund, Portraits of Illustrious Personages of 
 Great Britain, engraved from authentic pictures in the 
 galleries of the nobility and the picture collections of the 
 country, with biographical and historical memoirs of their 
 lives and actions. 12 Vols. bound in 6. Royal 4to. With 
 240 portraits engraved on steel ; proof impressions on India 
 paper. Red morocco extra , broad borders and gilt edges. 
 
 London, 1835. 
 
 The same Series, on a reduced scale, published in Bohn’s 
 
 Illustrated Library. 8 Vols. Post 8vo. With 240 portraits 
 finely engraved. Green cloth. London, 1849 — 50. 
 
 Illustrations of British History, Biography, and 
 
 Manners, in the Reigns of Henry VIII., Edward VI., Mary, 
 Elizabeth, and James I., &c. Second edition, with additions. 
 3 Vols. 8 vo. Portrait and sheets of autographs. Boards. 
 
 London, 1838. 
 
 London and its Environs Described, containing an account 
 of whatever is most remarkable for grandeur, elegance, 
 curiosity, or use in the City and twenty miles round it. 
 
( 69 ) 
 
 6 Vols. 8vo. Numerous copper-plate engravings. Old 
 calf \ gilt. London, Dodsley, 1761. 
 
 *** This amusing old book is alphabetically arranged, and includes 
 Richmond, Twickenham, and Windsor. 
 
 London, edited by Charles Knight. 6 Vols. in 3. Royal 
 8 vo. With numerous engraved illustrations. Half bound 
 green morocco, gilt edges. London, 1841 — 51. 
 
 Louis Philippe D’Orleans, Les Associations Ouvrieres de 
 l’Angleterre (Trade-Unions), par le Comte de Paris. Cin- 
 quieme edition. Post 8vo. Presented my copy by the 
 Comte de Paris with his autograph. Paris, 1869. 
 
 Louis Philippe, Life and Times of, by the Rev. G. N. Wright. 
 8vo. Portraits and plates. Cloth. London, n.d. 
 
 Louvre Gallery, Guide through the Galleries of Paintings in 
 the Imperial Museum of the Louvre. Post 8vo. Boards. 
 
 1855- 
 
 Notice des Tableaux expose dans les Galeries du Musee 
 
 Imperial, par Fr. Villot. Partie 3. Ecole Fran^aise. i2mo, 
 
 Paris, 1864. 
 
 Lubke, Dr. Wilhelm, Ecclesiastical Art in Germany during 
 the Middle Ages, translated by L. A. Wheatley, with an 
 Appendix. Royal 8vo, with 184 engravings. Red cloth . . 
 
 Edinburgh, 1876. 
 
 Lucas van Leyden, The Passion of Jesus Christ, a series 
 of fourteen engravings dated 1421. 8vo. Half cloth. 
 
 A Collection of Large and Small Engravings, by 
 
 and after this celebrated master, many of them rare, with 
 M.S. introduction, &c. Imperial folio. Portrait and 132 
 original engravings. In a portfolio. 
 
 Madrid Gallery, Notice des Tableaux exposes jusqu’a present 
 dans les Galeries du Musee du Roi. i2mo. Half bound. 
 
 Madrid, 1828. 
 
( 7 ° ) 
 
 Madrid Gallery, Catalogo Descriptivo e Historico del 
 Museo del Prado de Madrid, por Don Pedro de Madrazo. 
 Yol i. Escuelas Italianas y Espanolas. Post 8vo. Cloth . 
 
 Madrid, 1872. 
 
 ■ Catalogo de los Cuadros del Real Museo de Pin- 
 
 tura y Esculturu de S. M., per Don Pedro de Madrazo. 
 Post 8vo. Half bound calf. Madrid, 1843. 
 
 The Same. Second edition. Post 8vo. Half bound calf. 
 
 Madrid, 1845. 
 
 Catalogo de los Cuadros del Museo del Prado de 
 
 Madrid, por Don Pedro de Madrazo. Post 8vo. Red 
 cloth. Madrid, 1873. 
 
 See Galerie de Madrid. 
 
 Major’s Cabinet Gallery of Pictures in the National 
 Gallery, Hampton Court, Dulwich, Windsor, and private 
 collections. A series of 72 finely engraved pictures, proofs 
 before the letters ; in a large portfolio. Half calf. 
 
 London, 1834. 
 
 Maniaco, Conte Fabio di, Storia delle Belle Art! Friulane. 
 8vo. Portrait of Irene di Spilimbergo. Half bound calf. 
 
 Udini, 1823. 
 
 Manuel du Museum Fran^ais, avec une Description analy- 
 tique et raisonnee de chaque tableau, indique au trait par 
 une gravure a l’eau forte, tous classes par Ecoles. Vol. 1, 
 Ecole Flamande — Rubens, Ostade, Gerard Dow, Van Dyk. 
 Vol. 2, Raphael, Domeniquin, Spada, Titien, Paul Veronese. 
 2 Vols. 8 vo. Half bound green morocco , uncut. 
 
 Paris, 1803 — 6. 
 
 Manuel du Museum Fran£Ais, avec une description analy- 
 tique et raisonnee de chaque tableau, indique au trait par 
 une gravure a l’eau forte, tous classes par Ecoles. 6 Vols. 
 8vo. With several hundred outline plates. Calf gilt. 
 
 Paris, 1802 — 8. 
 
( 7i ) 
 
 Marchese, P. Vincenzo, San Marco Convento dei Padri 
 Predicatori in Firenze, illustrato e exciso principalmente nel 
 Depinta del B. Giovanni Angelico. Royal folio, with 40 
 engravings. Half bound red morocco, top edges gilt. 
 
 Firenze, 1853. 
 
 Marcenay de Ghuy, peintre et graveur, ses oeuvres. Folio. 
 With 54 portraits and plates. Half bound, uncut. 
 
 , Paris, 1787. 
 
 Masaccio, Le Pitture di, esistenti in Roma nella Basilica die 
 S. Clemente, colle teste lucidate dal Sig. Carlo Labruzzo. 
 Royal folio. With 31 plates. Half bound calf. 
 
 Roma, 1809. 
 
 Masterpieces of Flemish Art, including examples of the 
 early German and the Dutch Schools, with memoirs of the 
 Artists, by Mr. Charles Heaton. 4to. With 24 photographs 
 of fine pictures. Richly gilt, cloth. London, 1869. 
 
 Mayor, William, A brief chronological description of his 
 collection of original drawings and sketches of the most 
 celebrated masters of the different Schools of Europe, from 
 the revival of Art in Italy to the middle of the 18th century. 
 Second edition. Imperial 8vo. Cloth. 1875. 
 
 Memorie degli Intagliatori Moderni in Pietre dure, 
 Cammei, e Gioje ; dal secolo xv. al sec. xviii. Small 4to. 
 Half bound calf. Livorno, 1753. 
 
 Memorie Originali Italiani risguardanti le Belle Arti. 
 6 Parts in 2 Vols. 8vo. Half bound calf. 
 
 Bologna, 1840 — 45. 
 
 Memorie die Pittori Messinesi e degli Esteri che in Messina 
 fiorirono del secolo xii. al secolo xix. 8vo. With many 
 portraits. Half bound vellum. Messina, 1821. 
 
 Mengs, Raphael, First Painter to his Catholic Majesty 
 Charles III. ; translated from the Italian by Don Joseph N. 
 D’Azara. 2 Vols. 8vo. Half bound calf . London, 1796. 
 
( 72 ) 
 
 Men of the Time, eleventh edition, revised and continued by 
 Thompson Cooper. Post 8vo. Cloth. London, 1884. 
 
 For previous editions see Biography (contemporary), page 13. 
 
 Merlo, Joh. Jac., Nachrichten von dem Leben und den 
 Werken Kolniscber Ktinstler. Mit 174 Monogrammen 
 abbildungen. 8vo. With 3 plates containing 174 mono- 
 grams. K51n, 1850. 
 
 Die Meister der Altkolnischen Malerschule, mit 
 
 riicksichtnahme auf die verwandten Kunstzweige, mit 
 Kalligraphen, Rubricatoren, Xlluminatoren, &c. 8vo. 
 Frontispiece. Koln, 1852. 
 
 Meyer, Dr. Julius, Geschichte der Modernen Franzosischen 
 Malerei seit 1789. 8vo. With 31 woodcut illustrations, 
 after distinguished modern painters, including Meissonier. 
 
 Leipzig, 1867. 
 
 *** Meissonier is here classed among the Kleinmeister , although 
 very highly praised. 
 
 Allgemeines Kunstler-Lexicon, zweite ganzlich 
 
 neubearbeitete Auflage von Nagler’s Kunstler-Lexicon. 
 Parts 1 to 3, forming 2 Yols. and part of a third. Royal 
 8 vo. Leipzig, 1870 — 83. 
 
 *** This is a very comprehensive and, as far as it goes, satisfactory 
 reproduction of Nagler, but it has already been 14 years in 
 hand and has only arrived at “ Bernh.” 
 
 Michiels, Alfred, Histoire de la Peinture Flamande depuis 
 ses debuts jusqu’a 1864. Seconde edition. 10 Vols. 
 Volume Supplementaire : L’Art Flamand dans l’Est et le 
 Midi de la France. In all n Vols. 8vo. Paris, 1865 — 77. 
 
 Etudes de l’Allemagne, renfermant une Histoire de la 
 
 Peinture Allemande. 2 Vols. 8vo. Bruxelles, 1845. 
 
 Milton’s Paradise Lost and Regained, with his other 
 Poetical Works. Edited, with a selection of explanatory 
 notes, by Henry G. Bohn. 2 Vols. Post 8vo. With 120 
 wood engravings by Thompson and others, after drawings 
 by Wm. Harvey. Morocco, gilt edges. 1861. 
 
( 73 ) 
 
 Miniatures, Les Emaux de Petitot du Musde Imperial du 
 Louvre ; Portraits des Personnages historiques et des Femmes 
 celebres du Siecle de Louis XIV. Grave'es au burin par 
 M. L. Ceroni. 2 Vols. Royal qto. Containing 50 
 
 engraved portraits. Half bound red morocco , gilt edges. 
 
 Paris, 1864. 
 
 Photographic Historical Portrait Gallery, con- 
 sisting of a series of Portraits, principally from Miniatures in 
 the most celebrated galleries of England. Photographed by 
 Caldesi & Co. With illustrative letterpress by Amelia B. 
 Edwards. Vol. 1, folio (all published), containing 50 
 engraved miniatures. Half bound red morocco , gilt edges. 
 
 London, Colnaghi, 1864. 
 
 - — — A Catalogue of the Special Exhibition of Portrait 
 Miniatures on loan at the South Kensington Museum, 
 June, 1865. Royal 8vo. London, 1865. 
 
 Monarchy Revived, being the Personal History of Charles 
 the Second from his earliest History to his Restoration to 
 the Throne. 8vo. With 14 fine portraits. Boards. 
 
 London, 1822. 
 
 Moniteur des Dates, Biographisch, Genealogisch, und 
 Historisches Welt Register, enthaltend der Personal Akten 
 der Menschheit aller Zeiten und Nationen von Erschaffung 
 der Welt bis auf den heutigen Tag, von E. M. Pettinger. — 
 Also Moniteur des Fa its and Supplement au Moniteur des 
 Dates, par Dr. Hugo Schramm. 3 Vols. Folio. 
 
 Leipzig, 1869 — 1887. 
 
 *** A bulky work, forming, according to the publisher’s distribution, 
 about nine volumes, but would bind well in three. It begins 
 with scriptural names, e.g. Saint Luke, &c. The last, or 
 supplementary part, includes my name, copied, it would seem, 
 from Biographical Memoirs of the time. 
 
 Montagu, Lady Mary, Letters and Works, edited by her 
 great-grandson, Lord Wharncliffe. Third edition, with 
 additions and corrections by W. Moy Thomas. 2 Vols. 
 8vo. Portraits. Cloth boards. London, H. G. Bohn, 18 66. 
 
 Fine- A rt Books. ] l 
 
( 74 ) 
 
 Morelli, D. Jacopo, Notizia d’Opere di Disegno nella prima 
 Meta del Secolo xxi. esistente in Padova, Cremona, Milano, 
 Venezia, &c. 8vo. Half bound broivn calf. Bassano, 1800. 
 
 Giovanni, Italian Masters in German Galleries, a critical 
 
 Essay on the Italian Pictures in the Galleries of Munich, 
 Dresden, Berlin, &c., translated from the German by Mrs. 
 Louise M. Richter. Post 8vo. With a few woodcut 
 engravings. Red cloth. London, 1883. 
 
 Morgan, Lady, Life and Times of Salvator Rosa. i2mo. 
 Portrait. Half bound green morocco fop edges gilt. Ib. 1855. 
 
 *** A presentation copy from the authoress, with whom during her 
 latter years I was on very friendly terms. 
 
 Morland, George, Memoirs of a Painter, being a genuine 
 Biographical Sketch of that celebrated and eccentric genius, 
 by Wm. Collins. i2mo. Mezzotint portrait by Wm. Ward 
 (his brother-in law). 1805. 
 
 *** George Morland, whom I had the pleasure of knowing person- 
 ally, died when I was nine years old then at a school in 
 Soho with his nephew Henry Morland, a man of taste and 
 a picture collector, whose father kept a tavern in the neigh- 
 bourhood, and whose mother had a liberal income which she 
 bequeathed to him. 
 
 Memoirs of the Life of, with Critical and Descriptive 
 
 Observations on the whole of his Works hitherto before the 
 public. 4to. With portrait and 8 engravings. Half bound 
 calf. London, 1806. 
 
 Life of, with remarks on his works, by Mr. G. Dawe, who 
 
 was his intimate friend to the last. 8vo. Portrait and 
 7 engravings. Half bound , green morocco. London, 1807. 
 
 Motley, John Lothrop, Life and Death of John of Barne- 
 veld, with a view of the primary causes and movements 
 of the Thirty Years’ War. 2 Vols. 8vo. Portrait of 
 Hugo Grotius, and plates. Cloth boards. London, 1874. 
 
 *** Presentation copy with the autograph and letter of my friend 
 John Murray, thanking me, in the name of Mr. Motley, for 
 the inspection of my interesting portrait of John of Barneveld 
 
( 75 ) 
 
 by Miereveld, regretting that circumstances had prevented 
 its being used ; — and it unfortunately happens that the 
 book is not illustrated with his portrait. 
 
 Muller, C. O., Ancient Art and its Remains, or a Manual of 
 the Archaeology of Art. New edition, with numerous 
 additions by F. G. Welcker; translated by John Leitch. 
 8 vo. Blue cloth. London, 1852. 
 
 Fr., Die Kunstler aller Zeiten und Volker, oder 
 
 Leben und Werke der beriihmsten Baumeister, Bildhauer, 
 Maler, Kupferstecher, Formschneider, &c. 4 Vols. in 2. 
 
 Small 4to. Half bound red morocco , gilt edges. 
 
 Stuttgart, 1857 — 70. 
 
 Munich Gallery of Old Masters of all Schools, 
 Koniglich - Bairischer Gemalde -Saal zu Miinchen und 
 Schleisheim, eine Sammlung ausgezeichneter Gemalde der 
 Pinacothek in Miinchen, lithographirt von Strixner, Piloty, 
 Hohe, &c. 2 Vols. Atlas folio. Containing 204 litho- 
 
 graphic plates on India paper. Half bound red morocco , gilt 
 edges. Miinchen, 1817 — 36. 
 
 Gallery of Old German Masters, Die Sammlung Alt- 
 
 nieder und Ober-Deutscher Gemalde der Bruder Boisseree 
 und Bertram, lithographirt von J. W. Strixner. Elephant 
 folio. Containing 118 large and fine lithographs mounted 
 on tinted drawing-paper. Half bound red morocco. 
 
 Stuttgart und Miinchen, 1821 — 36. 
 
 Catalogue des Tableaux de la Pinacotheque 
 
 Royale a Munich, par M. George de Dittis, directeur-en- 
 chef. 1 2 mo. Boards . Munich, 1845. 
 
 Murillo and the Spanish School of Painting, by Wm. 
 B. Scott. Illustrated by 15 engravings on steel and 19 on 
 wood, with an account of the School and Early Masters. 
 Imperial 4to. Green cloth , richly gilt. London, 1873. 
 
 Murillo, Leben und Werke, herausgegeben von T. Stromer 
 und Dr. Max Jorden. i2mo. Portrait. 
 
 Berlin, 1879. 
 
( 76 ) 
 
 Murillo and Velasquez, a Descriptive and Historical Catalogue 
 of their Works, comprising a classified list of their paintings, 
 with descriptions; their history from the earliest known 
 dates, names of the present and former owners, Sales in 
 which the pictures have appeared, and engravings after 
 them ; with prices, &c., by Charles B. Curtis, M. A. Royal 
 8vo. With four full-page engravings. Cloth boards. 
 
 New York and London, 1883. 
 
 *** Mr. Curtis, an American cultivator of the Arts, who has been 
 working indefatigably for many years on this subject, at 
 first in Spain and subsequently in England and other 
 countries, has in addition to his own researches, incorporated 
 all the information which has hitherto appeared in print. 
 At pages 175, 214, and 235, he describes three of my 
 Murillos which he came to my house to see, namely, the 
 Holy Family, St. Francis of Assisi, and St. Anthony of 
 Padua, which are named in my Picture Catalogue at pp. 137 
 and 138. 
 
 Mus£e Royal a la Haye, les principaux Tableaux graves au 
 trait, avec leurs descriptions. 4 Vols. in 1. 8vo. With 
 100 outline plates. Half bound red morocco. 
 
 La Haye, 1826 — 30. 
 
 Mus£e Royal de Belgique, Bruxelles, Catalogue descriptive 
 et historique par Ed. Fetis. i2mo. Bruxelles, 1865. 
 
 Mus£e de Peinture et de Sculpture, ou Receuil des 
 principaux Tableaux, Statues, et Bas-reliefs, des Collections 
 publiques et particulibres de l’Europe ; dessine et grave a 
 l’eau forte par Reveil, avec des notices descriptives, critiques, 
 et historiques par Louis et Rene Menard. 10 Vols. post 
 8vo. With about 1,000 outline engravings. Half bound 
 red morocco, top edges gilt. Paris, 1874 — 75. 
 
 *** This comprehensive series includes all the Schools, Italian, 
 Spanish, Flemish, Dutch, German, English, French, & c. 
 Raphael alone is illustrated by 155 engravings. 
 
 Musses de la Hollande, Amsterdam, et La Haye, Etudes 
 sur FEcole Hollandaise par W. Burger. i2mo. Half 
 bound calf. Paris, 1858. 
 
( 77 ) 
 
 Nagler (Dr. G. K.), Neues allgemeines Kiinstler - Lexicon, 
 oder Nachrichten von dem Leben und den Werken der 
 Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, 
 Lithographen, Zeichner, Medailleurs, Elfenbeinarbeiter, etc. 
 22 Vols. bound in 21. Half calf gilt, marbled edges. 
 
 Miinchen, 1835 — 52. 
 
 *** An extremely well executed and most indispensable dictionary 
 of Painters and Artists generally, absorbing pretty well all 
 that had been done previously in any part of Europe, whether 
 in the form of Lexicons, Biographies, Art Journals, or Reviews. 
 The book is now very scarce. 
 
 * und A. Andressen, Die Monogrammisten, und dieje- 
 
 nigen bekannten und unbekannten Kiinstler aller Schulen 
 welche sich zur Bezeichnung ihrer Werke eines figiirlichen 
 Zeichens, etc. bedient haben. 4 Vols. 8vo. And five parts 
 which seem to complete the work to Z. 
 
 Miinchen, 1871 — 79. 
 
 *** This elaborate work of Monograms includes marks on Gold and 
 Silver, Majolica, Porcelain, etc. 
 
 Napier of Shandon Collection, Catalogue of the Works of 
 Art forming the Collection of Robert Napier, of West Shan- 
 don, Dumbartonshire, compiled by J. C. Robinson, Esq., 
 F.S.A. Royal 8vo. Gilt cloth. Privately printed. 
 
 London, 1865. 
 
 *** A presentation copy from my valued friend the late Robert 
 Napier, Esq., with his autograph dated September 18, 1867. 
 In or about 1875 I spent a delightful week with Mr. Napier, 
 and could hardly get away. His pictures sold for much less 
 than they were worth. I bought his Ruysdael for ^131 5^., 
 which was within one the highest prices of the day. On the 
 second day I fought hard for his Tryptych called Jan de 
 Mabuse, and lost it at £519 15^., and it is now in the 
 Gallery of my friend Frank Cook, Esq., of Richmond 
 Hill. 
 
 Catalogue of the Celebrated Assemblage of Works 
 
 of Art known as the Shandon Collection, formed during the 
 last half century by that well-known amateur, Robert Napier, 
 Esq., of Shandon and Glasgow, deceased, sold by Messrs. 
 
( 78 ) 
 
 Christie, Manson, and Woods, April n, 1877, and thirteen 
 following days, with prices and purchasers’ names. 
 
 Napier, Lord, Notes on Modern Painters at Naples. i2mo. 
 Cloth . London, 1855. 
 
 Nash, Frederick, Picturesque Views of the City of Paris 
 and its Environs, consisting of views on the Seine, Public 
 Buildings, Characteristic Scenery, &c., with descriptive letter- 
 press by John Scott. 2 Vols. Royal 4to., with 62 engravings 
 by Burne, Lowry, G. Cooke, Pye, Goodall, etc. Proofs on 
 India Paper. Cloth boards. London, 1823. 
 
 National Gallerv, Pictures of the Old Masters, photo- 
 graphed by Signor L. Caldesi, with letterpress descriptions, 
 historical, biographical, and critical, by Ralph Nicholson 
 Wornum, keeper and secretary of the National Gallery. 
 30 parts. Royal 4to. Containing 360 well-executed 
 engravings. (Published at 30 guineas). 
 
 London, Virtue and Co., n.d. 
 
 Pictures of the Great Masters, Trafalgar Square. 
 
 2 Vols. 4to. With 87 fine engravings. Half bound red 
 morocco. London, n.d. (1850 ?) 
 
 Pictures by the Great Masters. 2 Vols. qto. 
 
 Frontispiece and 114 fine engravings. Half bound calf. 
 
 London, n.d. (?i86o). 
 
 Catalogues of the Pictures in the National 
 
 Gallery, both English and Foreign Schools, with 
 biographical notices of the deceased Painters. From the 
 years 1843 to 1882. A large parcel. 
 
 Neergard, T. C. Bruan, Sur la Situation des Beaux Arts 
 en France. 8vo. Frontispiece. Calf gilt. 
 
 Paris, 1801. 
 
 Nieuwenhuys, Christian John, Review of the Lives and 
 Works of some of the most eminent Painters, with remarks 
 on the opinions and statements of former writers. Royal 8vo. 
 Cloth boards. London, 1834. 
 
( 79 ) 
 
 Nieuwenhuys Description de la Galerie des Tableaux 
 de S. M. le Roi des Pays-bas, avec quelques remarques sur 
 l’histoire desPeintres et sur les progres de Fart. Imperial 8vo. 
 
 Bruxelles, 1843. 
 
 *** Nieuwenhuys gives a chapter on Hemling and a facsimile of his 
 signature showing the peculiar German H with a dip in the 
 centre, which has been misunderstood by those who cailed 
 it an M, and have assumed the name to be Memling. 
 
 Catalogue des Tableaux 'anciens et modernes, dont 
 
 la Vente aura lieu 4 me Mai, 1883, a Bruxelles. Royal 8vo. 
 
 Bruxelles, 1883. 
 
 *** My valued friend Mr. C. J. Nieuwenhuys died January 8, 1883, 
 at Oxford Lodge, Wimbledon, in the 84th year of his age. 
 I had a long letter from him only five days previously, 
 “ hoping to pay me a visit in the spring, and have the 
 happiness of seeing me and my pictures again.” 
 
 Nollekens and his Times, Comprehending a life of that 
 celebrated Sculptor, and memoirs of several contemporary 
 Artists, from the time of Roubiliac, Hogarth, and Reynolds, 
 to that of Fuseli, Flaxman and Blake, by J. T. Smith. 2 Vols. 
 8 vo. Cloth. London, 1828. 
 
 Northwick Collection, Catalogue of the late Lord North- 
 wick’s extensive and magnificent collection of Ancient and 
 Modern Pictures, Miniatures and Enamels, sold at Thirlestane 
 House, Cheltenham, July 26, 1859, and twenty-one following 
 days, by Mr. Phillips. Small 4to. Frontispiece. Cloth. 
 
 London, 1859. 
 
 Lord Northwick was one of my earliest patrons in the purchase 
 of Fine Art Books, and often invited me to make a holiday 
 with him at Cheltenham, but I could never find time for it. 
 
 Nurnberg’s Kunstleben in Seinen Denkmalen, dargestellt 
 von E. von Restberg. 8vo. With engraved illustrations. 
 Half hound calf . Stuttgart, 1854. 
 
 Oram, William, Precepts and Observations on the Art 
 of Colouring in Landscape Painting, edited by Charles 
 Clarke, F.S.A. 4to. Plates. Green cloth. London, 1810. 
 
( 8o ) 
 
 Orcagna, the Painter, II Tabernacolo della Madonna 
 D’or San Michele lavoro insigne da Andrea Orcagna e 
 altre Sculture di eccellente Maestri. 12 Tavole dodici incisi 
 da G. P. Lavinio, Fire?ize 1851 . — Also II Tabernacolo del 
 Beato Angelico nella Sagrestia di Santa Maria Novella di 
 Firenze, 1854, con 5 Tavole. Atlas folio. Half bound 
 green morocco. 
 
 Orleans Gallery, Notices Plistoriques et descriptives des 
 Tableaux appartenant a S. A. S. le Due D’Orleans, par J. 
 Vatout. 4 Vols. 8vo. Half bound calf Paris, 1823 — 26. 
 
 Orleans, Robert, Due de Chartres, Une Visite a quelques 
 Champs de Bataille de la Vallee du Rhin. Post 8vo. One 
 of twelve copies printed on vellum paper , with a kind letter 
 from the Duke addressed to me personally. Post 8vo. 
 
 Bruxelles, i860. 
 
 Ottley, William Young, The Italian School of Design, 
 being a series of Facsimiles of Original Drawings of the most 
 eminent Painters and Sculptors of Italy, with biographical 
 notices of the artists and observations on their works. 
 Imperial folio. With 84 engravings. Half bound green 
 morocco. London, 1823. 
 
 A Series of Plates engraved after the Paintings 
 
 and Sculptures of the most eminent masters of the early 
 Florentine School ; intended to illustrate the history of 
 the restoration of the arts of design in Italy. English and 
 French letterpress. Imperial folio. With 54 engravings. 
 Half bound green morocco. London, 1826. 
 
 Notice of Engravers and their Works, being the 
 
 commencement of a new dictionary which it is not intended 
 to continue (A to Bal). 8vo. 1831. 
 
 Collection of One Hundred and Twenty-Nine Fac- 
 similes of scarce and curious Prints by the Early Masters of 
 the Italian, German, and Flemish Schools. With twelve 
 duplicate plates of Niellos finished in silver. Royal 4to. 
 Half bound red morocco. London, 1828. 
 
( 8x ) 
 
 Ottley, William Young, Twelve Stories of the Life of Christ, 
 engraved after his designs by Thomas Piroli. Folio. 
 
 London, 1796. 
 
 PIenry, Biographical and Critical Dictionary of Recent 
 
 and Living Painters and Engravers, forming a supplement 
 to Bryan’s Dictionary of Painters and Engravers as edited 
 by George Stanley. R.oyal 8vo. Cloth. London, 1866. 
 
 *** The Preface will show that I employed Ottley for compiling this 
 Dictionary, as he professed to have made collections for that 
 very object, but that much of it had to be done by myself. 
 
 Painting and Celebrated Painters, ancient and modern, 
 including historical and critical notices of the Schools of Italy, 
 Spain, France, Germany, and the Netherlands. Edited by 
 Lady Jervis White Jervis. 2 Vols. Post 8vo. Green cloth. 
 
 London, 1854. 
 
 Palais San Donato, Catalogue Illustre des Tableaux 
 anciens et modernes, Bronzes, Sculpture, Meubles, et autres 
 Objects d’Art, &c., (i.e. la Galerie de Prince Demidoff), vendus 
 Mars i5 me 1880, et jours suivans jusqu’a Mai 20, par M. 
 Charles Pillet et coliaborateurs. Imperial 4to. with numerous 
 engravings. Paris, 1880. 
 
 Palgrave, Francis Turner, Essays on Art, The Royal 
 Academy, 1863, 4, 5, Mulready, Herbert, Holman Hunt, 
 &c. Post 8vo. Brown calf, gilt. London, 1866. 
 
 . Palisser, Mrs. Bury, History of Lace, second edition, 8vo. 
 ■yVith portrait of Isabella Clara Eugenia, daughter of Philip 
 II., and granddaughter of Charles V., born 1566, married 
 to Albert, Archduke of Austria, in 1598, and brought him the 
 Low Countries as her Dower. She afterwards, as Archduchess 
 of Austria, became Governor of the Netherlands, governing 
 alone after her husband’s death in 1600, until her death in 
 1638. Numerous other plates. In cloth. London, 1869. 
 
 ***■ I have what appears to be her original portrait by Pantoja de 
 la Cruz, as will be seen in my Picture Catalogue, page 150. 
 
 Fine- Art Books . ] 
 
 M 
 
( 82 ) 
 
 Palisser, Mrs. Bury, Historic Devices, Badges, and War Cries. 
 8 vo. many plates. Green cloth gilt. London, 1870. 
 
 Pamphlets on Fine Art Subjects, bound in 1 vol. 4to. 
 Containing among others Du Fresnoy on the Art of Painting, 
 translated in verse with notes by Mr. Wells, 1754. High- 
 more’s Critical Examination of two Paintings on the Ceilings 
 of the Banqueting-house, Whitehall, 1754. — Jackson’s Essay 
 on the Invention of Engraving and Painting in Chiaro-oscuro, 
 as practised by Albert Diirer, etc., with plates, 1854. I?i 
 vellum. 
 
 Parker, John Henry, Glossary of Terms used in Grecian, 
 Roman, Italian, and Gothic Architecture. Second Edition, 
 With 400 wood-cut illustrations. 8vo.- Cloth boards. 
 
 Oxford, 1837. 
 
 Passavant, M., Tour of a German Artist in England, with 
 notices of private galleries and remarks on the state of art. 
 2 Vols. Portrait and plates, including the Van Eyck Altar- 
 piece, a polyptick. 2 Vols. Post 8vo. Cloth. 
 
 London, 1836. 
 
 J. D., Le Peintre-graveur, contenant l’histoire de la 
 
 Gravure sur bois, sur metal, et au burin, jusque vers la fin 
 du i6 me siecle, l’histoire du Nielle, &c., et un Catalogue 
 supplementaire aux Estampes du 15 and 16 siecle du 
 Peintre-graveur de Adam Bartsch. 6 Vols. 8vo. 
 
 Leipzig, i860 — 64. 
 
 Christliche Kunst in Spanien. 8vo. Leipzig, 1853. 
 
 Passeri, Giambattista, Vite de’ Pittori, Scultori, ed 
 Architetti che anno lavorato in Roma, morti del 1641, fino 
 al 1673. 4to. Half bound calf. Roma, 1772. 
 
 Paston Family, Original Letters written during the Reigns of 
 Henry VI., Edward IV. and Richard III., by various 
 persons of rank and consequence, preserved in the Paston 
 
( 8 3 ) 
 
 Family, edited by John Fenn, M.A. &c. 2 Vols. in. 1. 
 
 4to. With a pedigree of the Paston Family and numerous 
 engravings of autographs, seals, &c. Old calf. 
 
 London, 1787. 
 
 *** The frontispiece to the Second Volume contains a coloured 
 frontispiece of Charles the Bold of Burgundy, and his wife 
 Margaret, Duchess of Burgundy, with their Armorial Bearings, 
 interesting to me as I have a small Missal bearing the 
 portrait of the Duchess with hfer Armorial Bearings. 
 
 Peintres Primitifs, Collection de Tableaux rapportee d’ltalie 
 et publiee par M. le Chevalier Artaud de Montor, Membre 
 de l’lnstitut; reproduite par nos premiers Artistes sous la 
 direction de M. Challamel. Illustrated by nearly 100 
 engraved examples from the earliest period, including 
 Guido of Sienna, Cimabue, Giotto, Simon Memmi, Buffal- 
 maceo, Taddeo Gaddi, Orcagna, ^Masaccio, Paul Uccello, 
 Meister Stephan, Fra Angelico, Botticelli, Ghirlandao and 
 Perugino. 4to. Red morocco extra , gilt edges. 
 
 Paris, 1843. 
 
 Peintres les plus celI:bres de toutes les Ecoles, 
 contenant l’Oeuvre complete des Peintres du premier rang 
 et leurs Portraits, &c. 2 Vols. 4to. With several hundred 
 
 outline plates. Half bound calf. Paris, 1804 — 5. 
 
 These two vols., which are portions of a long series, contain 
 Domenichino, Albano, Michel Angelo, Baccio, Bandinelli, &c. 
 
 Pennant, Thomas, Some Account of London. Royal 4to. 
 Large paper, extensively illustrated with portraits and old 
 engravings. Half bound morocco, uncut. London, 1791. 
 
 A copious Index to Pennant’s London by Thomas 
 
 Downes. Royal 4to, London, 1814. 
 
 Penny Cyclopaedia of the Society for the Diffusion of Useful 
 Knowledge. 27 Vols. and three Supplements. In all, 30 
 Vols. bound in 17 Vols. Half bound Russia extra , 7 narbled 
 edges. London, 1833 — 58. 
 
( 8 4 ) 
 
 Petersburg Gallery, Catalogue de la Galeriedes Tableaux de 
 FErmitage Imperial. Vol. i, les Ecoles d’ltalie et d’Espagne. 
 Post 8vo. Half bound calf, Petersburg, 1869. 
 
 See Galerie de l’Hermitage and Houghton Gallery. 
 
 Petitot, see Miniatures. 
 
 Picart, Bernard, Temple of the Muses, or the Principal 
 Plistories of Fabulous Antiquity, represented in 60 engravings 
 with explanations, &c. Royal folio. In old calf binding, 
 
 Amsterdam, 1733. 
 
 Pictures by Great Masters of the French, Dutch, and 
 Flemish Schools, with historical and critical descriptions by 
 James DafForne. Royal 4to. With upwards of 200 en- 
 graved illustrations. In red cloth gilt edges. 
 
 London, n. d. (? 1870). 
 
 Pilkington’s Dictionary of Painters. New edition, with 
 supplement by James Barry, R.A. 4to. Old calf 
 
 London, 1879. 
 
 The same. New edition, with considerable alterations 
 
 and additions, by Henry Fuseli, R.A. 4to. Old calf 
 
 London, 1805. 
 
 The same. New edition, with an introduction, historical 
 
 and critical, by Allan Cunningham. 8vo. Cloth boards. 
 
 London, 1857. 
 
 PlNACOTECA DEL PALAZZO REALE DELLE SCIENZE E DELLE ArTI 
 di Milano, pubblicata da Michele Bisi, incisore, col Testo 
 di Robustiano Gironi. 3 Vols. Small folio, with 236 
 copper-plate engravings. Half bound red 7 noi'occo, top edges 
 gilt. Milano, 1812 — 33. 
 
 Pinkerton, John, Iconographia Scotica, or Portraits of 
 Illustrious Persons of Scotland, with Biographical Notices. 
 Royal 8vo. Numerous portraits. Half bound, uncut. 
 
 London, 1797. 
 
 Piot, Eugene, Cabinet de F Amateur, nouvelle serie, Tableaux, 
 Dessins et Estampes anciennes, &c., et Bulletins des- 
 Ventes. Imperial 8vo. With woodcuts. Paris, 1861. 
 
( «5 ) 
 
 Pittura Cremonese descritta dal Conte Bartolommeo de 
 Soresina Vidoni. Folio. Portrait and 26 plates. Bound, 
 uncut. Milano, 1824. 
 
 Playing Cards, Die Spielkarten der Weigelschen Samm- 
 lung, von T. O. Weigel. Folio. Containing 30 facsimiles 
 of ancient Cards dated from 1430 to 1600. Boards. 
 
 Leipzig, 1865. 
 
 Presentation copy to me from my valued friend the author, 
 T. O. Weigel, the most intelligent book and printseller in 
 Germany ; with his autograph, and in addition a compli- 
 mentary note to me in German, dated July 4, 1866. 
 
 Four and twenty very early and curious Cards 
 
 apparently German, engraved on two large wooden blocks. 
 15 in. by 12. With impressions transferred on cardboard 
 in a frame carved by Rogers. 
 
 Popelin, Claudius, l’Email des Peintres. 8vo. With plates, 
 chiefly vignettes. Cloth boards. Paris, 1866. 
 
 Pope, Alexander, Works with Notes and Illustrations, by 
 Joseph Warton, D.D. and others. 9 Vols. 8vo. With two 
 portraits. Calf gilt. London, 1797. 
 
 Pope’s Poetical Works and Translations, with Extracts 
 from his Correspondence and a biographical Memoir, by 
 Robert Carruthers. 4 Vols. Post 8vo. With numerous 
 wood engravings. Cloth. 
 
 Bohn’s Illustrated Library, 1858, &c. 
 
 Portfolio, an Artistic Periodical, edited by Philip Gilbert 
 Hamerton (published monthly). Nos. 85 to 97, January, 
 1877 to January, 1878. 13 Nos. with about 50 fine plates 
 
 after the old masters. London, Seeley and Co., 1871-— 73. 
 
 Portland Museum, Catalogue of the, lately the property 
 of the Duchess Dowager of Portland. Sold by auction 
 by Messrs. Skinner and Co., April 24, 1786, and the 37 
 following days. Priced throughout. 4to. Frontispiece. 
 Half bound. London, 1786. 
 
 *** Three days of the Sale are devoted to Drawings, Prints, 
 Miniatures and Missals, many of them very fine and 
 interesting. 
 
( 86 ) 
 
 Portraits, Serie degli Uomini i piu Ulustri nella Pittura, 
 Scultura, e Architettura, con i loro Elogi, e Ritratti incisi 
 in rame, dalla sua prima Restaurazione fino al tempi presenti. 
 12 Vols. in 4. With upwards of 300 portraits. Calf gilt, 
 Italian binding. Firenze, 1769 — 75. 
 
 The Biographical Magazine, containing Portraits of 
 
 Eminent and Ingenious Persons of every Age and Nation, 
 with their Lives and Characters. 2 Vols. 8vo. With 
 upwards of 200 miniature portraits. Calf gilt. 
 
 London, 1819. 
 
 Portraits of Distinguished Characters, ioo, engraved 
 on copper by eminent British artists. 8vo. 
 
 London, 1824. 
 
 Portrait Exhibitions, Catalogues of the Three special 
 Exhibitions of National Portraits on loan to the South 
 Kensington Museum, April 1, 1866, May 2, 1867, and 
 April 3, 1868. 3 Vols. 4to. Half bound red morocco , top 
 
 edges gilt. London, 1866 — 68. 
 
 Portraits at Woburn Abbey (the Duke of Bedford’s 
 mansion), with Descriptive Notes by H. W. Folio. 
 Privately prin ted. 1791. 
 
 Portrait Gallery of the Crystal Palace, by Samuel Phillips. 
 i2mo. 1874. 
 
 Pottier, Andre, Llistoire de la Faience.de Rouen. Royal 4to. 
 With 60 portraits and coloured plates. Half bound red 
 morocco, gilt edges. Rouen, 1870. 
 
 Poullain Gallery, see Basan. 
 
 Price, John E., Roman Antiquities, illustrated by Remains 
 recently discovered on the Site of the National Safe Deposit 
 Company’s premises, Mansion House, London. 4to. Plates. 
 Cloth boards. London, 1873. 
 
 Pugin’s Examples of Gothic Architecture, a Series of 
 Views by Joseph Nash, with Letterpress by W. H. Leeds. 
 4to. Cloth boards. London, 1830. 
 
( 8 7 ) 
 
 Pye, John, Patronage of British Art, an Historical Sketch, 
 giving an Account of the Rise and Progress of Art and 
 Artists in London, &c. 8vo. Green cloth. London, 1845. 
 
 Quilliet, F., Dictionnaire des Peintres Espagnols. Post 8vo. 
 Half bound calf. Paris, 1816. 
 
 Quandt, J. G. von, Briefe aus dem Mittaglicen Frankreich 
 iiber Menschen, Natur, und Kunst. Neue Ausgabe. 8vo. 
 
 Leipzig, 1853. 
 
 Raccolta di Letters sulla Pittura, Scultura, ed Archi* 
 tettura, scritte da’ piu celebri Professori che in delle Arti 
 Fiorirono dal secolo 15 al 7. 7 Vols. in 3. Small 4to. 
 
 Half bound calf \ gilt. Roma, 175 4 — 7 3 . 
 
 delle piu celebre Pitture esistente nella Citta di 
 
 Siena, disegnate ed incise da Valenti Artisti, con illus- 
 trazioni. Atlas folio. With 25 fine large engravings, in- 
 cluding 9 by Raphael. Half bound calf. Firenze, 1825. 
 
 DELLE MIGLIORI COMPOSIZIONI DI RaFFAELLO, PoUSsinO, 
 
 Domenichino, e di altri celebri Pittori, disegnate ed incise 
 da Gio. F. Ferrero. 152 outline plates. Oblong 4to. 
 Half vellum. Roma, n. d. 
 
 Raczynski, Le Comte Athanase, Histoire de l’Art moderne 
 en Allemagne. 3 Vols. 4to. With numerous engraved 
 illustrations. Half bound calf . Paris, 1836 — 41. 
 
 Dictionnaire d’ Artistes, pour servir k l’histoire de 
 
 FArt moderne en Allemagne. 8vo. Berlin, 1842. 
 
 Les Arts en Portugal, Lettres addressees a la Societe 
 
 Artistique et Scientifique de Berlin, et accompagnees de 
 Documens. 8vo. Half bound calf Paris, 1846. 
 
 Dictionnaire Historico-Artistique du Portugal, 
 
 pour faire suite a Fouvrage ‘Les Arts en Portugal.' 8vo. 
 With a large engraved frontispiece of a Crucifixion. Cloth. 
 
 Paris, 1847. 
 
 Rademaker, Abraham, Kabinet van Nederlandsche en 
 Kleefsche Outheden. 6 Vols. Small 4to. Containing 
 
( 88 ) 
 
 300 engravings of towns, villages, palaces, churches, 
 monasteries, gates, &c. Bound in old tree-marbled calf, 
 gilt edges. Fonthill copy. Amsterdam, 1717 — 33. 
 
 Rademaker, Abraham, Het verheerlykt Nederland, of Kabinet 
 van Hedendaagshe Gezigten van Steden, Dorpen, Sloten, 
 Adelyke Huizen, Kerken, &c. 9 Vols. in 3. Small 4to. With 
 upwards of 1000 pleasingly engraved views. Half bound, 
 uncut. Amsterdam, 1745 — 74. 
 
 Ramsay’s (Allan) Poems, First edition, Edinburgh, 1721. — 
 The Gentle Shepherd, a Pastoral Comedy, First edition, 
 Glasgow, 1788. With 2 portraits and 12 copperplate 
 engravings by David Allan, the Scotch Flogarth. 2 Vols. 
 in 1. 4to. Elegantly bound in Russia , with leather joints 
 and gilt edges, by my father, John Bohn , about 1801, who at 
 that time was the best binder of his day. 
 
 Raphael, Imagines Veteris ac Novi Testamenti aRaphaele 
 Sancto Urbinate in Vatican i Palatii Xystis mira picturae 
 elegantia expressae, J. Jac. Rubeis cura ac sumptibus 
 delineatae et incisae. Royal oblong folio. With 55 fine 
 engravings. Half bound calf. Roma, 1674. 
 
 *** Dedicated to Christina, queen of Sweden, whose portrait is 
 prefixed. 
 
 Loggie nel Vaticano da Jo. Volpato, comprising the 
 
 Arabesques, Stuccoes, Ceilings, Bas-Reliefs, and Bible plates, 
 &c. 4 Parts in 1 Vol. Atlas folio. 95 very large and fine 
 
 engravings. Half bound red morocco , gilt edges. 
 
 Roma, 1772 — 90. 
 
 *** The first three parts, containing 43 very large folding plates, 
 completed the work as far as regards the Loggie, in 1777. 
 The fourth or supplementary part was added in 1 79° an d 
 contains the Biblical subjects in 52 plates. 
 
 Freschi delle Loggie Vaticane, illustrati per cura di 
 
 Agostino Valentini. Folio. With 41 shaded outline en- 
 gravings. Half bound red morocco. Roma, 1851. 
 
( «9 ) 
 
 Raffaelle Sanzio, Recueil des meilleures Compositions de 
 Raphael, Poussin, Domenichino, et des autres celebres 
 Peintres, gravees par J. F. Ferreno. Oblong folio. Containing 
 162 outline engravings. Half bound vellum. Roma, n. d. 
 
 Raphael D’Urbino, a Volume containing twenty-nine finely 
 executed Autotypes of Raphael’s Madonnas, including the 
 Madonna di San Sisto, the Madonna del Pesce, Madonna 
 della Sedia, the Orleans and ; Cardellino Madonnas, La 
 Belle Jardiniere, La Vierge aux Candelabres, La Vierge au 
 Diademe, &c. All measuring about 8^ in. by 6J. Mounted 
 on drawing paper and bound in a 4to. volume. Half green 
 morocco. London, n. d. 
 
 Landon, C. P., Vies et CEuvres des Peintres les plus 
 
 celebres de toutes les Ecoles. 4 Vols. 4to. Containing 
 475 outline engravings of the works of Raphael exclusively. 
 Half bound calf. Paris, 1803 — 9. 
 
 — his Drawings and Studies in the University Galleries, 
 Oxford, etched and engraved by Joseph Fisher. Imperial 
 8vo. With 102 full-paged engravings and 27 vignettes in 
 the letter-press. Small 4to. Half bound red morocco. 
 
 London, 1879. 
 
 A Critical Account of the Drawings by Michel 
 
 Angelo and Raffaello in the University Galleries, Oxford, by 
 J. C. Robinson, F.S.A., &c. .Post 8vo. Cloth gilt. 
 
 Oxford, 1870. 
 
 Passavant, J. de, Rafael von Urbino und sein Vater 
 
 Giovanni Santi. 3 Vols. 8vo. With folio atlas of 13 
 plates. Calf gilt. Leipzig, 1839 — 58. 
 
 Raphael D’Urbin et son pere Giovanni Santi par J. D. 
 Passavant. Edition Frangaise conside'rablement augmentee 
 par M. P. Lacroix. 2 Vols. 8vo. Paris, i860. 
 
 Raccolta delle opere di Raffaello, disegnate ed 
 
 incise da Niccola Consoni. Folio. Containing 50 outline 
 plates on India paper. Half bound red morocco. 
 
 Roma, n. d. 
 
 Fine- Art Books . ] 
 
 n 
 
( 9 ° ) 
 
 Raphael of Urbino and his father Giovanni Santi, trans- 
 lated from the German of J. D. Passavant. Imperial 8vo. 
 With 20 photographic engravings by the Woodbury process, 
 fine specimens of the art. To which are added Cattermole’s 
 Book of Cartoons, 7 plates. Half bound red morocco , top 
 edges gilt. London, 1872. 
 
 sa Vie, ses CEuvres et son Temps, par Eugene Muntz. 
 
 Imperial 8vo. With 41 plates. Paris, 1881. 
 
 His Life, Works, and Times, translated from the 
 
 French of Eugene Muntz, and edited by Walter Armstrong. 
 Imperial 8vo. With 154 engravings in the text and 43 full- 
 page plates. Half morocco, top edges gilt. London, 1882. 
 
 His Life and Works, with particular reference to 
 
 recently discovered records and an exhaustive study of 
 extant drawings and pictures, by J. A. Crowe and G. B. 
 Cavalcaselle. Vol. 1 (all yet published). Boards. 
 
 London, John Murray, 1882. 
 
 See Raccolta, Musee des Peintres. 
 
 R-Apin’s History of England, translated by N. Tindal. Fourth 
 Edition. With maps, genealogical tables, portraits, and 
 monuments. 21 Vols. 8vo. Old calf London, 1757 — 59. 
 
 Rapin and Tindal’s History of England, abridged. 3 Vols. 
 8 vo. With 70 copper plates. Half bound. 
 
 London, 1748. 
 
 Raspe, R. E., Critical Essay on Oil-painting, proving that the 
 Art was known previous to the time of John and Hubert 
 Van Eyck. 4to. London, 1781. 
 
 Rathgeber, Georg, Annalen der Niederlandischen Malerei, 
 
 Formschneider-und Kupferstecherkunst, von den Brudern 
 
 Van Eyck bis auf Rembrandt’s Tod. 4 Vols. in 1. Folio. 
 Half bound green morocco. Gotha, 1842 — 44. 
 
 Redgrave, Richard and Samuel, Century of Painters of the 
 English School, with critical notices of their works and an 
 account of the progress of art in England. 2 Vols. 8vo. 
 Gilt cloth. London, 1866. 
 
( 9 1 ) 
 
 Redgrave, Samuel, Dictionary of Artists of the English School, 
 Painters, Sculptors, Architects, Engravers, and Ornamentists, 
 with notices of their lives and works. New edition, revised 
 to the present date. 8vo. Cloth. London, 1878. 
 
 Renaissance of Art in Italy, an illustrated sketch by Leader 
 Scott. 4to. With numerous engravings. Cloth. 
 
 London, 1883. 
 
 Reynolds, Sir Joshua, Notes apd Observations on Pictures 
 chiefly of the Venetian School, being extracts from his 
 Italian sketch-books, with an appendix containing a tran- 
 script of Sir Joshua’s account book, showing what pictures 
 he painted and the prices paid for them, edited by Wm. 
 Cotton, Esq. 8vo. Cloth. 1859. 
 
 Catalogue of his Portraits, compiled from his auto- 
 graph memorandum books and printed Catalogues, by Wm. 
 Cotton, Esq. 8vo. London, 1857. 
 
 Seven Discourses delivered at the Royal Academy, 
 
 January 1, 1769. 8vo. Old calf. London, 1788. 
 
 Discourses on Painting and the Fine Arts delivered 
 
 at the Royal Academy. i2mo. Half hound calf. 
 
 London, n. d. 
 
 Catalogue of the Portraits painted by him. 8vo. 
 
 , London, 1794. 
 
 Life and Times of, with Notices of some of his 
 
 Contemporaries, by C. R. Leslie, R.A., and Tom Taylor, 
 M.A. 2 Vols. 8vo. Portraits and plates. Red cloth 
 hoards. London, 1865. 
 
 Literary Works, with a Memoir and Remarks on his 
 
 Professional Character, illustrative of his Principles and 
 Practice, by IT. W. Beechy. 2 Vols. Post 8vo. Portrait. 
 Cloth. London, Bohn’s Standard Library, 1851. 
 
 An Index to the Portraits engraved in the 3 Vols. 
 
 Folio. First published by Messrs. Graves & Co., and 
 afterwards by Henry G. Bohn. 
 
( 92 ) 
 
 Rhine Scenery. Der Rhein und die Rheinlande vorgestellt in 
 malerischen original Ansichten von Ludwig Lange, und in 
 Stahl gestochen von Johann Poppel. 3 Vols. Royal 8vo. 
 Numerous engraved views. Half bound green morocco , extra , 
 gilt edges. Darmstadt, 1849— 54. 
 
 Das Rheinbuch, Landschaft Geschichts-sage, Volks- 
 
 reden, & c., von Wolfgang Muller. Royal 8vo. With 
 numerous engravings. Red cloth gilt. 
 
 Brussels, n. d. (1850 ?). 
 
 Richmond and its surrounding Scenery in Twickenham, 
 Isleworth, Syon House, Strawberry Hill, &c. Engraved by 
 or under the direction of W. B. Cooke, with letterpress by 
 Mrs. Hofland. 24 copper-plates and n vignettes. 4to. 
 Half bound calf London, 1832. 
 
 Ridolfi, Giovanni Sign., Le Maraviglie dell’ Arte, overo le 
 Vite degl’ Illustri Pittori Veneti e dello Stato, &c. 2 Vols. 
 
 in 1. Small 4to. With portraits. Bound in vellum. 
 
 Venetia, 1648. 
 
 The same. Second Edition. 2 Vols. 8vo. Portraits. 
 
 Half bound calf. Padova ,1835 — 3 7 • 
 
 Riegel, PIerman, Geschichte der Deutschen Kunst seit Carstens 
 und Gottfried Schadow. 4 Parts. 8vo. All published. 
 
 Hannover, 1874 — 76. 
 
 Rio, A. F., The Poetry of Christian Art ; translated from the 
 French. i2mo. With engraved frontispiece after Fra 
 Angelico. Red cloth boards. London, 1854. 
 
 Ritratti dei piu celebri Professori di Pittura, depinti di 
 propria mano esistenti nel Imperial Galleria di Firenze. 
 Imperial folio. With 50 fine portraits of painters. Calf 
 extra. Firenze, 1748. 
 
 Roberts, David, R.A., Life of; compiled from his journals 
 
 and other sources, by James Ballantine ; with etchings &c., 
 by the artist. 4to. Portrait and plates. Broivn cloth , top 
 edges gilt. Edinburgh, 1866. 
 
( 93 ) 
 
 Robertson, John Forbes, The Great Painters of Christendom 
 from Cimabue to Wilkie. Elephant 4to. With 260 fine 
 engravings. Bound in richly gilt cloth , with gilt edges. 
 
 London, n. d. (1870 ?). 
 
 Robinson, J. C., Catalogue of the Italian Sculpture of the 
 Middle Ages and period of the Revival of Art. 8vo. Gilt 
 cloth. London, 1862. 
 
 Memoranda on Fifty Pictures, selected from a collec- 
 tion of works of the Ancient Masters, with notices of some 
 Italian, Spanish, German, Flemish, and Dutch painters. 
 Small 4to. Crimson cloth. London, privately printed, 1868. 
 
 Roeinson, Henry Crabb, Barrister-at-Law, Diary, Reminis- 
 cences, and Correspondence ; edited by Thomas Sadler, 
 Ph.D. 3 Vols. 8 vo. Portrait. Half bound red morocco , 
 top edges gilt. London, 1869. 
 
 *** I place this among my books of reference because it gives 
 anecdotes of many of my friends, and especially (at p. 403, 
 vol. 2) of my old friend, Tom Hill, the original Paul Pry, 
 whose portrait, painted by John Linnell, is in my collection. 
 Frequent mention is also made of Linnell and his friend, 
 Wm. Blake, the artist, of whom I have a picture. 
 
 Rogers’ (Samuel) Collection, Catalogue of the celebrated 
 collection of works of art and vertu , of the late Samuel 
 Rogers, Esq., comprising pictures, drawings, the library, &c., 
 sold by Messrs. Christie and Manson, April 28th, 1856, and 
 18 following days; with the printed prices and purchasers’ 
 names. 8vo. Portrait. Half bound red morocco. 
 
 Romano, Giulio, Istoria della Vita e delle Opere di Giulio 
 Peppi Romano, scritta da Carlo D’Arco. Royal folio. 
 With portrait and 62 plates. Half bound calf. With an 
 autograph letter of the author, addressed to Raoul Rochette, 
 dated Mantoua, April 23rd, 1843. Mantoua, 1838. 
 
 Rosaspina, Francesco, Pinacoteca della Ponteficia Accademia 
 delle Belle Arti in Bologna. (The letterpress is in French 
 and Italian.) Royal folio. With 72 fine line engravings. 
 Half bound Russia , marbled edges. Bologna, 1830. 
 
( 94 ) 
 
 Ross, Alexander, View of all Religions in the "World, irom 
 the Creation till these times ; also a discovery of all the 
 known Heresies. Fifth edition. i2mo. With portrait of 
 the author, and portraits of the heretics Knipperdolling, 
 John of Leyden, Thomas Muntzer, John Mathias, Mahomet, 
 Michael Servetus, Melchior, Hofman, John Hut, and others. 
 Old calf binding. London, 1654. 
 
 Rosini, Giovanni, Storia della Pittura Italiana, esposta 
 coi Monumenti. 2 Vols. Folio. With 216 fine engravings. 
 Half bound Russia, gilt edges. Pisa, 1839 — 47. 
 
 Storia della Pittura Italiana, esposta coi Monu- 
 menti. Seconda edizione. 7 Vols. 8vo. Containing 
 1,574 outline engravings, artistically shaded. In green 
 boards , uncut. Pisa, 1848 — 52. 
 
 Royal Gallery of Art, ancient and modern engravings from 
 the private collections of Her Majesty the Queen and His 
 Royal Highness Prince Albert, and the heirlooms of the 
 Crown at Windsor Castle, Buckingham Palace, and Osborne. 
 Edited by S. C. Hall, F.S.A. 4 Vols. Folio. Green 
 morocco extra , gilt edges. London, n. d. 
 
 Royal Gallery of Pictures, being a selection of the cabinet 
 paintings in Her Majesty’s private collection at Buckingham 
 Palace. Edited by John Linnell. Royal 4to. With 33 
 fine engravings. Half bound morocco , gilt edges. 
 
 London, 1840. 
 
 Royal Collection of Pictures, in the Gallery of Buckingham 
 Palace, photographed by Caldesi, Blandford, & Co. Royal 
 4to. Plates. Red cloth. 
 
 Rubens, Sir Peter Paul, Original unpublished papers of, 
 illustrative of his life, with an appendix of documents 
 respecting various celebrated collections, edited by W. Noel 
 Sainsbury. 8vo. With coloured frontispiece. Brown cloth 
 gilt. London, 1859. 
 
 * et L’ficoLE d’ Anvers, par Alfred. Michiels. 8vo. 
 
 Paris, 1854. 
 
( 95 ) 
 
 Rubens, Sir Peter Paul, Catalogue des Estampes gravees 
 d’aprhs, avec l’indication des Collections ou se trouvent 
 les Tableaux et les Graveurs, par C. G. V. Schneevogt. 8vo. 
 
 Harlem, 1873. 
 
 Catalogue of the Works of Art in the possession of 
 
 Sir Peter Paul Rubens at the time of his decease; by 
 Dawson Turner, Esq. 8vo. With a facsimile of an original 
 unpublished letter. , Yarmouth, 1832. 
 
 Rumohr, E. F. von, Italienische Forschungen. 3 Vols. in 1. 
 8vo. Half bound calf . Berlin, 1827 — 31. 
 
 Rusicin, John, Notes on the Construction of Sheepfolds. 
 Second edition. 8vo. London, 1851. 
 
 Notes on so much of the Catalogue of the Present 
 
 Exhibition of the Royal Academy as relates to the 
 Works of the Members, with a report of the Private View 
 and the Dinner, 1855. An amusing farrago, not published. 
 
 Lectures on Architecture and Painting, delivered 
 
 at Edinburgh in November, 1853. Second edition. i2mo. 
 Cloth . London, 1855. 
 
 Political Economy of Art, being the substance (with 
 
 additions) of two Lectures, delivered at Manchester, July 
 1857. i2mo. Cloth. London, 1857. 
 
 The Two Paths, being Lectures on Art, and its appli- 
 cation to Decoration and Manufacture, delivered in 1858 — 
 59. Post 8vo. With 2 plates. Cloth. London, 1859. 
 
 Modern Painters, by a Graduate of Oxford. 5 Vols. 
 
 Post 8 vo. With engraved illustrations. Brown cloth. 
 
 New York, 1871. 
 
 *** This was presented to me by an American, but I gave notice 
 that it was English copyright, and therefore could not be 
 sold here. 
 
 Notes on the principal Pictures of the Royal 
 
 Academy, 1875. 8vo. 
 
( S6 ) 
 
 Ruskin, John, Notes on the principal Pictures exhibited at 
 the Royal Academy and' the Society of Painters in Water 
 Colours; No. 2, 1856, second, third, and sixth editions; 
 No. 3, 1857 ; No. 4, 1858. 
 
 Pre-Raphaelitism. New edition. 8vo. London, 1862. 
 
 Notes on the Turner Gallery at Marlborough 
 
 House, 1856 — 57. 8vo. London, 1857. 
 
 Notes on his Drawings, by the late J. M. W. Turner, 
 
 R.A., exhibited at the Fine Art Gallery, New Bond Street, 
 in 1878 ; with an appendix containing a list of Turner’s 
 engraved works. 8vo. February, 1878. 
 
 — Notes, Part 1, on the Drawings of the late J. M. W. 
 Turner, R.A.; Part 2, On his own handiwork illustrative of 
 Turner. 8vo. February, 1878. 
 
 Fors Clavigera, Letters to the Workmen and Labourers 
 
 of Great Britain, consisting of 84 separately published letters, 
 commencing January 1, 1871, and ending December 1, 1877. 
 New Series, January 1, 1878, to March 1, 1878. Index to 
 Vols. 1 and 2, and 3 and 4. In all 89 parts, forming 7 Vols. 
 8vo. London, 1871 — 79. 
 
 Mornings in Florence, from simple studies of Christian 
 
 Art, for English Travellers. 6 Parts. Post 8vo. Cloth. 
 
 Orpington, C. Allen, 1875 — 77. 
 
 Guide to the Principal Pictures in the Academy of 
 
 Fine Arts at Venice, arranged for English travellers. 
 
 2 Parts. 8vo. 
 
 Giotto and his Works in the Arena Chapel at 
 
 Padua. 3 Parts in 1 Volume. Imperial 8vo. Cloth. 
 
 Arundel Society, 1853 — 60. 
 
 *** The 38 large wood engravings, after Giotto, illustrating the 
 Lives of the Virgin and our Saviour, are in a separate 
 portfolio, and they are reproduced in a diminished form in 
 Mr. Maynard’s Descriptive Notices, see ante , page 7. 
 
( 97 ) 
 
 Ruskin, John, Selections from his Writings. Post 8vo. Portrait. 
 Half bound blue calf gilt edges . London, 1872. 
 
 Ruskinism. Ruskin, his Art and Art Critics, by J. A. 
 MacNeill Whistler. Post 4to. 1878. 
 
 Saint Germain, Gault de, Guide des Amateurs de Tableaux 
 pour les Ecoles Allemande, Flamande, et Hollandaise. 
 2 Vols. 1 2 mo. Paris, 1808. 
 
 Salsthalen Gallery, Catalogue des Tableaux de la Galerie 
 Ducale a Salsthalen. Small 8vo. Old brown calf 
 
 Brunswic, 1776. 
 
 Saltmarsh Gallery, A descriptive Catalogue of the Gallery 
 of Edmund Higginson, Esq., of Saltmarsh Castle, with 
 biographical and critical notices, by Henry Artaria. 8vo. 
 
 London, 1841. 
 
 — - Descriptive Catalogue of the Gallery of Pictures 
 collected by Edmund Higginson, Esq., of Saltmarsh. The 
 edition printed for private distribution. 4to. Half bound. 
 
 London, 1842. 
 
 Sandell, Joseph, Memoranda of Art and Artists, anecdotical 
 and biographical. Post 8vo. Green cloth . London, 1871. 
 
 Sandrart, Joachim von, Academia Todesca della Architec- 
 tura, Scultura, et Pictura, oder Deutsche Academie der Bam 
 Bild und Mahlerey Kiinste. 2 Vols. in 1. Folio. With 
 370 plates, of which 38 illustrate architecture, 68 sculpture, 
 74 medals and coins, and 180 painting; containing several 
 hundred portraits. Old calf binding. Niirnberg, 1675. 
 
 Sans-Souci, Bildergallerie und Kabinet Beschreibung von, 
 8 vo. Cloth. Potsdam, 1770. 
 
 Sansovino, Francesco, Venezia citta nobilissima e singolare 
 descritta in 14 libri, con Tavole copiosissime. Small 4to, 
 Half bound. Venetia, 1663. 
 
 *** The fifth Index is Catalogo de gli Pit tori, etc. 
 
 Fine- Art Books. \ 
 
 o 
 
( 9 » ) 
 
 Schepeler, R. P., Beitrage zu der Geschichte Spaniens ; 
 enthaltend Ideen und Notizen iiber Kiinste und Spanische 
 Maler. 8vo. Cloth. Leipzig, 1828. 
 
 Schleisheim Gallery. Verzeichniss der Gemalde in der 
 Koniglich Bayerischen Gallerie, etc. Von Georg von Dillis. 
 i2mo. Half hound. Munich, 1831. 
 
 Schiller’s Song of the Bell, translated into English Verse, 
 and illustrated with 12 fine large engravings by C. Jaeger 
 and A. Muller. Imperial 4to. Morocco , gilt edges. 
 
 Munich, n. d. (i860?). 
 
 Schiller’s Song of the Belt., illustrated by 43 outline 
 engravings by M. Retzsch. The original proof impressions 
 with poetical letterpress in manuscript, adapted to the music 
 of A. Romberg by J. W. Rossi. Oblong folio. Morocco , 
 gilt edges. No date. 
 
 Schoen, Martin, Chefs-d’oeuvres de, graves exactement en 
 taille-douce d’apres les originaux, par A. Petrak. Royal 4to. 
 With 31 representations on 24 plates. In a portfolio. 
 
 Ratisbon, 1857. 
 
 Schopenhauer, Johanna, Johann van Eyck und seine Nach- 
 folger. 2 Vols. in 1. 12 mo. Cloth. Frankfurt, 1822. 
 
 Scott’s (Sir Walter) Exhibition. — Catalogue of the Works 
 of Art and Literature in commemoration of the Centenary 
 of Sir Walter Scott, held at Edinburgh, July and August, 
 1871. 4to. With 32 portraits and plates, and many 
 facsimiles of letters, &c. Gree?i cloth , extra gilt. 
 
 Edinburgh, 1872. 
 
 *** Presentation copy, in virtue of my having contributed several 
 manuscripts by Sir Walter Scott and various other 
 illustrations. 
 
 Sebastian del Piombo, Memorie storico-critiche di F. Sebas- 
 tiano del Piombo, scritte da P. D. Biagi. Small folio. 
 Frontispiece. Venezia, 1826. 
 
( 99 ) 
 
 Seguier, Frederick Peter, Critical and Commercial Dic- 
 tionary of the Works of Painters, comprising 8,850 sale 
 notes of pictures, and notes on the subjects and styles of 
 artists from the years 1250 to 1850. Royal 8vo. Cloth. 
 
 London, 1870. 
 
 A book which I have found very instructive and amusing. 
 
 Selvatico, Sietco Estense, Scritte d’Arte. Post 8vo. Half 
 bound calf Firenze, 1859. 
 
 Seubert, A., Allgemeines Kiinstler-Lexicon, oder Leben und 
 Werke der beriihmtesten Bildenden Kiinstler. Zweite 
 Auflage umgearbeitet und erganzt. 3 vols. 8vo. 
 
 Stuttgart, 1878 — 79. 
 
 Seymour’s Humorous Sketches, First edition, before the 
 letterpress descriptions were added. 152 plates. In 1 Yol. 
 Red morocco , extra gilt edges. London, n. d. 
 
 Seymour’s Humorous Sketches, containing 86 caricature 
 etchings, illustrated in prose and verse by Alfred Crowquill. 
 8vo. Cloth, gilt edges. London, H. G. Bohn, 1843. 
 
 The same. New edition, with descriptive notices and a 
 
 biographical sketch of the author by Henry G. Bohn. 
 Royal 8vo. Crimson cloth , gilt edges. 
 
 London, H. G. Bohn, 1872. 
 
 Shakespeare’s Dramatic Works, edited, with notes, by 
 Samuel Weller Singer; and a life of the poet by Charles 
 Symmons, D.D. With 60 engravings on wood by John 
 Thompson, and numerous engravings on steel, after drawings 
 by Stothard, &c. 10 Yols. i2mo. Red morocco, extra 
 
 broad borders and gilt edges. Chiswick, 1826. 
 
 I have several other editions of Shakespeare’s Plays, but this is 
 my special favourite, and has extra illustrations. 
 
 Shakespeare. The biography and bibliography of Shake- 
 speare, by Henry G. Bohn. Small 4to. With 2 portraits and 
 17 plates. Cloth boards. 1863. 
 
 Printed under the auspices of the Philobiblon Society for pre- 
 sentation to its members and my personal friends. The 
 edition was limited to 100 copies, and the only one which has 
 hitherto come to auction fetched 15 guineas. 
 
( 100 ) 
 
 Shaw, Henry, Illuminated Ornaments, selected from 
 manuscripts and early printed books, from the sixth to the 
 seventeenth centuries ; with descriptions by Sir Frederic 
 Madden. Folio, large paper. With 40 plates, illuminated 
 in gold and colours. Half bound morocco^ uncut. 
 
 London, 1833. 
 
 — Dresses and Decorations of the Middle Ages. 
 2 Vols. Imperial 8vo. With 98 coloured engravings. Half 
 bound ?norocco , uncut. London, H. G. Bohn, 1858. 
 
 Handbook of Medieval Alphabets and Devices. 
 
 Imperial 8vo. With 36 plates of alphabets, monograms, 
 book covers, and heraldic badges. Blue cloth. 
 
 London, H. G. Bohn, 1856. 
 
 Encyclopaedia of Ornament. Folio. With 59 coloured 
 
 plates. Large paper. Half bound morocco , uncut. 
 
 London, 1842. 
 
 Shee, Martin Archer, Life of his father, Sir Martin Archer 
 Shee, President of the Royal Academy. 2 Vols. 8vo. 
 Blue cloth boards. London, i860. 
 
 Sillig, Julius, Dictionary of the Artists of Antiquity. Trans- 
 lated by the Rev. H. D. Williams, with additions by Ed. H. 
 Barker. 8vo. Cloth. London, 1837. 
 
 Silvestre, M. J. B., Universal Palaeography, or facsimiles 
 of writings of all nations and periods, copied from the most 
 celebrated and authentic manuscripts in the libraries and 
 archives of France, Italy, Germany, and England ; accom- 
 panied by an historical and descriptive text, &c. Translated 
 from the French and edited by Sir Frederic Madden. 
 2 Vols. Royal 8vo. Half bound red morocco , gilt edges. 
 
 London, H. G. Bohn, 1849. 
 
 Siret, Adolphe, Dictionnaire historique des Peintres de toutes 
 les Ecoles depuis l’origine de la Peinture jusqu’a nos jours. 
 Nouvelle edition. 2 vols. 8vo. Paris, 1874. 
 
( 101 ) 
 
 Smith, John, Catalogue raisonne of the works of the most 
 eminent Dutch, Flemish, and French painters, to which is 
 added a short biographical notice of the artists, with a 
 copious description of their principal pictures, the prices at 
 which they have been sold, and a reference to the galleries 
 and private collections where they are at present, also names 
 of the artists by whom they have been engraved. 9 Vols., 
 interleaved with numerous MS. additions by the late 
 Mr. Chaplin, who was concerned in many large purchases of 
 pictures from the Continent. Forming 13 Vols. Half bound 
 morocco , marbled edges. A most interesting set of books 
 which I had direct from Mr. Chaplin. 
 
 *** I was on very friendly terms with John Smith whom I often 
 visited in his famed establishment in Bond Street, and after 
 his retirement to within a few miles of Twickenham I often 
 visited. He was the most discerning and intelligent picture- 
 dealer I ever knew, and he valued my judgment, which of 
 course was very gratifying. 
 
 William, Catalogue of the works of Cornelius Visscher, 
 
 reprinted from The Fine Arts Quarterly Review , for private 
 circulation only. Imperial 8vo. Cloth. 1864. 
 
 William, LL.D., New Classical Dictionary of Biography, 
 
 Mythology, and Geography. 8vo. Boards. Lond., 1850. 
 
 Solario, Antonio de, Pittore Veneziano, Memorie della Vite 
 di. 8vo. Frontispiece. Firenze, 1831. 
 
 Spooner, Dr. S., Biographical and Critical Dictionary of 
 Painters, Engravers, Sculptors, and Architects, from ancient 
 to modern times. With the monograms, ciphers, and marks 
 used by them. Royal 8vo. Cloth. New York, 1852. 
 
 V This includes my copyright edition of Stanley’s Bryan and 
 some other copyright works, which has prevented its sale in 
 England. 
 
 Solly, N. Neal, Memoir of the life of Wm. James Muller, 
 a native of Bristol, landscape and marine painter, with an 
 account of his travels and principal works. Imperial 8vo. 
 With portrait and 17 plates. Blue cloth, full gilt. 
 
 London, 1875. 
 
( 102 ) 
 
 Soprani, Raffaello, Vite de’ Pittori, Scultori, ed Architetti 
 Genovevi, seconda edizione, revediete, accresciute ed 
 arrichite de note da Carlo Guiseppe Ratti. 2 Yols. 4to. 
 With portraits. Half bound calf. Genoa, 1768 — 69. 
 
 Soulages Collection, Catalogue of the Soulages Collection 
 of works of art, enamels, &c., by J. C. Robinson, F.S.A. 
 8vo. With engraved illustrations. Cloth boards . 1856. 
 
 Spence, Rev. Joseph, Polymetis, or an Enquiry concerning 
 the agreement between the works of the Roman poets and 
 the remains of the ancient artists. Folio. With numerous 
 fine plates. Calf gilt. 
 
 the same, abridged, or, a Guide to Classical Learning, by 
 
 N. Tindal. i2mo. With plates, chiefly mythological. Old 
 calf. London, 1802. 
 
 Springer, Anton, Geschichte der Bildenden Kiinste im 
 i9 ten Jahrhundert. 8vo. Cloth. Leipzig, 1858. 
 
 St. John, Bayle, The Louvre, or Biography of a Museum. 
 Post 8 vo. Cloth. London, 1855. 
 
 Stafford Gallery, Catalogue of the Collection of Pictures of 
 the Most Noble the Marquis of Stafford, at Cleveland House, 
 London, with historical and critical notices by John Young, 
 engraver. 2 Vols. 4to. With 282 well executed engravings. 
 Half bound morocco , uncut. London, 1825. 
 
 Catalogue raisonne of the Pictures of the Marquis of 
 
 Stafford, at Cleveland House, by John Britton. 8vo. 
 Frontispiece. Half cloth. London, 1808. 
 
 The Lenoir Collection of original French Portraits at 
 
 Stafford House, auto -lithographed by Lord Ronald Gower. 
 Atlas folio. With 136 portraits. Bound in red cloth gilt. 
 
 London, 1874. 
 
 Stanley, George, Classified Synopsis of the principal painters 
 of the Dutch and Flemish Schools, their scholars, imitators, 
 
( I0 3 ) 
 
 and analogists ; including an account of some of the early 
 German masters. Post 8vo. Calf extra , marbled edges. 
 
 London, H. G. Bohn, 1855. 
 
 Stanley, Arthur Penrhyn, Historical Memoirs of West- 
 minster Abbey. Second edition, revised. 8vo. Cloth boards. 
 
 London, 1868. 
 
 Stark, James, Scenery of the Rivers Yare, Waveney, and the 
 Bure, Norfolk, from pictures painted by him, with historical 
 and geographical descriptions, by J. W. Roberts. Imperial 
 4to. With 36 highly-finished engravings by Goodall, Burnet, 
 Cooke, and others. India proofs. Norwich, 1834. 
 
 Stern, Adolf, and And. Oppermann, Leben der Maler, nach 
 Vasari und neueren Kunstschriftstellern, fur Kiinstler und 
 Kunstfreunde bearbeitet, vom i4 ten bis zum i6 teri Jahr- 
 hundert. 8vo. Portraits. Leipzig, 1862. 
 
 Leben der Maler, nach aelteren und neuern Kunst- 
 schriftstellern fur Kiinstler und Kunstfreunde bearbeitet, 
 vom i6 ten bis zum i9 ten Jahrhundert. 8vo. Portraits. 
 
 Leipzig, 1864. 
 
 Stirling, William (afterwards Sir Wm. Stirling Maxwell), 
 Annals of the Artists of Spain. 3 Vols. 8vo. Boards , 
 uncut. London, 1848. 
 
 *** A presentation copy. The book has now become so scarce and 
 valuable as to sell for ^15. I on more than one occasion 
 spent some very pleasant days at his delightful estate at Kier, 
 and happened to be able to introduce him to an inspection of 
 Hamilton Palace, which contiguous as it was he had never 
 had an opportunity of inspecting. 
 
 Velasquez and his Works. Post 8vo. Portrait. 
 
 Cloth boards. London, 1855. 
 
 Stokes, Margaret, Early Christian Architecture in Ireland. 
 Imperial 8vo. With 100 well-engraved woodcuts byBranston, 
 Jewitt, Swain, and others. Green cloth. 
 
 *** Presentation copy from the talented authoress. 
 
( I0 4 ) 
 
 Storer, James, History and Antiquities of the Cathedral 
 Churches of Great Britain, exhibiting views, ground plans, 
 and all the architectural features and ornaments, &c. 4V0IS. 
 With several hundred copper-plate engravings. Half bound 
 blue morocco , uncut . London, 1814 — 19. 
 
 Stothard, Thomas, Life of, with personal Reminiscences 
 by Mrs. Anne Eliza Bray. Small 4to. With portrait and 
 55 engraved illustrations. Cloth. London, 1851. 
 
 Stothert, James, French and Spanish Painters. With illus- 
 trations on steel from famous pictures, and a critical and 
 biographical account of the artists of the French and 
 Spanish Schools. Small 4to. With 21 engravings. Gilt 
 cloth. London, 1877. 
 
 Stowe Collection, Catalogue of the Duke of Buckingham’s 
 collection of pictures, articles of vertu, and miscellaneous 
 effects, sold at the Stowe Mansion, by Messrs. Christie, 
 Manson & Co., August 15th, 1848, and thirty-nine following 
 days. Edited by H. H. Forster. 4to. With plates. Red 
 morocco, extra gilt edges. London, 1848. 
 
 Strange, Sir Robert, Memoirs of, and of his brother-in-law, 
 Andrew Lumisden, by James Dennistoun. 2 Vols. Post 
 8 vo. With 2 portraits. Cloth. London, 1855. 
 
 Strawberry Hill Collection, Catalogue of the valuable 
 contents of the renowned seat of Horace Walpole, sold by 
 auction by George Robins, April 25th, 1842, and twenty- 
 three following days. Also the subsequent Catalogue of 
 Engraved Portraits and Drawings, sold June 13th, 1842, and 
 nine following days. With prices and purchasers’ names. 
 4to. Portrait. Half bound. London, 1842. 
 
 *** I bought largely at these interesting sales. 
 
 Summerley, Felix, Events in Sacred History, with pictures 
 after Holbein, Raffaelle, and Albert Diirer. i2mo. With 
 18 woodcuts. Green cloth. London, 1845. 
 
 Syon House, Isleworth, seat of the Duke of Northumberland, 
 its Picture Galleries, &c. 12 mo. London, 1851. 
 
( io 5 ) 
 
 Tales of the Genii, or the Delightful Lessons of Horam, 
 the son of Asmar, translated from the Persian by Sir Charles 
 Morell, and edited by Henry G. Bohn. Post 8vo. With 
 numerous woodcuts and 12 steel engravings. London, 1864. 
 
 Tassi, Francesco Maria, Yite de’ Pittori, Scultori, e Archi- 
 tetti Bergamoschi. 2 Vols. 4to. Portrait. Bergamo, 1798. 
 
 Thompson, James, The Seasons, very extensively illus- 
 trated with first class engravings by or after the Old and 
 Modern Masters, including Berghem, Wouvermans, Hackert, 
 Gainsborough, Angelica Kauffman, Sir. Wm. Hamilton, 
 J. M. W. Turner, Singleton, Westall, Cipriani, Bartolozzi, 
 and others. 2 Vols. 4to. Handsomely bound in green 
 morocco , broad borders , leather joints and crimson silk linings , 
 by John Bohn (my father), in 1822. London, 1822. 
 
 Thompson, Kate, Handbook to the Public Picture Galleries 
 of Europe, with a brief sketch of the history of various 
 Schools of Painting, from the thirteenth century to the 
 eighteenth inclusive. Third edition, with numerous outline 
 illustrations. Post 8vo. Red cloth, gilt. London, 1880. 
 
 Thornbury, Walter, British Artists from Hogarth to Turner, 
 being a series of Biographical Sketches. 2 Vols. Post 8vo. 
 Red cloth . London, 1861. 
 
 Ticozzi, Stefano, Dizionario degli Architetti, Scultori, Pit- 
 tori, &c., d’ogni Eta e d’ogni Nazione. 4 Vols. 8vo. 
 
 Milan, 1830 — 33. 
 
 Tiffin, Walter F., Gossip about Portraits, principally en- 
 graved ones. Post 8vo. Green cloth. London, 1866. 
 
 Timperley, C. H., Encyclopaedia of Literary and Typo- 
 graphical Anecdote. Second edition, with a continuation 
 of Lives of Booksellers, by Henry G. Bohn. Imperial 8vo. 
 Calf gilt. London, 1842. 
 
 Triomphe des Graces, ou Elite en prose et en vers des 
 meilleurs ecrits qui ont ete faits a la louange des Graces par 
 les auteurs Grecs, Latins, Francis, et Etrangers. Avec 
 
 Fine- A rt Books .] 
 
 p 
 
( 106 ) 
 
 Reflexions sur la Grace dans les Ouvrages de l’Art. Recueil 
 fait par M. De Querlon. 8vo. With 6 fine engravings after 
 Boucher and Moreau. Old French calf, gilt edges. 
 
 Paris, 1775. 
 
 Tuckerman, Henry F., Mental Portraits, or Studies of 
 Character. Post 8vo. Cloth. London, 1853. 
 
 Turner, J. M. W., Liber Fluviorum or River Scenery of 
 France, depicted in 61 line engravings, with descriptive 
 letterpress by Leitch Ritchie and a biographical sketch by 
 Alaric A. Watts (but chiefly by Henry G. Bohn). Royal 
 8vo. Proof impressions. Green morocco extra , gilt edges. 
 
 London, H. G. Bohn, 1857. 
 
 The Works of, illustrated with examples from 
 
 his pictures, with critical remarks on his principles of 
 painting, by John Burnet, F.R.S., and a memoir by Peter 
 Cunningham, F.S.A. 4to. Illustrated by 10 well-executed 
 engravings. With MS. notes on the margins by the late 
 Mr. R. N. Wornum. Cloth. London, 1852. 
 
 Life of, founded on letters and papers furnished by his 
 
 friends and fellow Academicians, by Walter Thornbury. 
 2 Vols. 8vo. Cloth boards. London, 1862. 
 
 Twickenham, Ironside’s History and Antiquities of, with 
 many additional plates, and supplemented by extracts from 
 Lyson’s Environs of London, and other books, and especially 
 a MS. plan of Pope’s garden as it was left at his death, 
 including a perspective view of the Grotto, by J. Serle, his 
 gardener, 1745. 4to. Many plates. Half bound morocco, 
 uncut. London, 1797. 
 
 *** It appears that Lady Wortley Montagu and Edward Wortley 
 Montagu lived in 1743 and some ten years later, at No. 17, 
 Montpelier Row, now known as Holyrood House, which 
 many years ago became my property. Alfred Tennyson lived 
 there for seven years, and told me, at one of Mrs. Gladstone’s 
 London parties, that he would like to return to it whenever 
 the house became vacant. 
 
( 10 7 ) 
 
 Twickenham, Memorials of, by R. S. Cobbett, parochial, 
 topographical, and historical. 8vo. Cloth. London 1872. 
 
 *** Mr. Cobbett devotes some half dozen pages to an account of 
 my Art Collections. 
 
 A Parcel of Old Engravings, &c., illustrative of 
 
 Twickenham, including Pope’s house. 
 
 Twining, Henry, on the Elements of Picturesque Scenery 
 considered with reference to Landscape Painting. Printed 
 for private distribution. Royal 8vo. With plates, mostly 
 coloured. Blue Cloth. London, 1846. 
 
 Miss, see Christian Iconography. 
 
 Universal Biography. — Biographie universelle ancierme et 
 modern e, 52 Vols. ; Mythologie, Vols. 53 to 55 ; Supplement, 
 Vols. 56 to 85. Together, 85 Vols. with the set of outline 
 portraits. Half bound calf, \ gilt. 
 
 Paris, Michaud, 18 11 — 62. 
 
 Upton, Nicolai, de Studio Militari, Libri IV. — Johan, de Bado 
 Aureo, Tractatus de Armis — Henrici Spelmanni Aspilogia. 
 e Codicibus MSS. pub. et illustravit Ed. Bissseus. Folio. 
 With a fine portrait of Spelman by Faithorne, and numerous 
 plates of arms, &c. Old Russia Binding. London, 1654. 
 
 *** I have the original portrait from which Faithorne’s fine en- 
 graving was made. See Picture Catalogue, page 1 59. 
 
 Uzielli Collection, Catalogue of the various Works of Art 
 forming the collection of the late Matthew Uzielli, Esq., 
 of Hanover Lodge, Regent’s Park. Sold by Messrs. Christie, 
 Manson, and Woods, April 12, 1861, and seven following 
 days. 8vo. Frontispiece. Green cloth . London, 1861. 
 
 Catalogue of the various Works of Art forming 
 
 the collection of the late Matthew Uzielli, Esq,, by J. C. 
 Robinson, F.S.A. 8vo. Cloth. London, 1862. 
 
 Valle, P. M. G. della, Vite dei Pittori Antichi Grechi e 
 Latini. 4to. With portraits. Half bound. Siena, 1795. 
 
( 108 ) 
 
 Van Dyck, Sir Anthony, Pictorial Notices, consisting of a 
 Memoir with a descriptive Catalogue of the Etchings executed 
 by him &c., by W. H. Carpenter. 4to. Portrait. Bound 
 in cloth. London, 1844. 
 
 Van Dyck et ses Eleves, par Alfred Michiels. Imperial 8vo. 
 With portraits and plates. Paris, 188 r. 
 
 Van Eyck, Schopenhauer, Johanna, Johann van Eyck und 
 seine Nachfolger. 2 Vols. 12 mo. Half bound Frank f. 1822., 
 
 Van Mander, Karel, Leven der Nederlandsche und einige 
 Hoogdeutsche Schilders, vollendiger gemaakt door Jac. De 
 Jongh 2 Vols. 8vo. Many portraits. Half bou?id. Amst. 1764. 
 
 Vapereau, G. Dictionnaire Universel des Contemporains, 
 contenant toutes les Personnes notables de la France et de 
 Pays etrangers. 8vo. (1800 pages). Half bound. Paris, 1858. 
 
 Vasari, Giorgio, Lives of the most emine*nt Painters, Sculp- 
 tors, and Architects, translated from the Italian by Mrs. 
 Jonathan Foster, with illustrations selected from various 
 editions, &c. 5 Vols. Post 8vo. Portrait. Cloth. 
 
 London, H. G. Bohn, 1850 — 52. 
 
 Velasco, Palomjno, Account of the Lives and Works of 
 Spanish Painters, &c. 121110. Old calf. London, 1739. 
 
 Versailles Gallery, Notice historique des Peintures et des 
 Sculptures du Palais de Versailles. 2 Vols. Post 8vo. 
 Broivn calf gilt. Paris, 1837. 
 
 Notice des Peintures et Sculptures composant le 
 
 Musee Imperial de Versailles, par Eud. Soulie', conservateur. 
 2 Vols in 1. Post 8vo. Green cloth. Versailles, 1854. 
 
 Vienna Gallery, Catalog der Gemalde-Gallerie im Belvedere 
 zu Wien, von Erasmus Engert. Post 8vo. With frontis- 
 piece. Green cloth, gilt edges. Wien, 1864. 
 
 Vinet, Ernest, Bibliographie des Beaux Arts. 2 Parts. 
 8vo. Paris, 1874 — 77. 
 
( I0 9 ) 
 
 Waagen, Dr. G. F., Works of Art and Artists in 
 England. 3 Vols. Post 8vo. Half cloth. London, 1838. 
 
 Treasury of Art in Great Britain, being an account 
 
 of the chief collections of Paintings, Drawings, Sculptures, 
 Illuminated Manuscripts, &c., &c. 3 Vols. and a Supple- 
 
 mentary Volume. In all 4 Vols. 8vo. Cloth. 
 
 London, 1854 — 57. 
 
 Kunstwerke und Kunstler in Paris. Small 8vo. 
 
 Half bound calf. Berlin, 1839. 
 
 Descriptive Catalogue of a collection of Byzantine, 
 
 Early Italian, German, and Flemish Pictures, belonging to 
 H.R.H. Prince Albert. 8vo. London, 1854. 
 
 *** An interesting Catalogue of early Art, especially German. 
 At page 20, a picture attributed to Martin Schoen, but 
 not signed, is said to be “ not only the only known picture 
 by this master in England but with the exception of those 
 at Colmar, the finest known any where. ;; But see my 
 Catalogue of Pictures, pp. 182-3. 
 
 Konigliche Museum zu Berlin, Verzeichniss der 
 
 Gemalde-Sammlung. 12 mo. Berlin, i860. 
 
 Walpole, Sir Robert, ^Edes Walpolianse, or a Description 
 of the Collection of Pictures at Houghton Hall, in Norfolk. 
 4to. With manuscript prices and portraits of Sir Robert and 
 Lady Walpole. London, 1767. 
 
 See Houghton Gallery. 
 
 Walpole, Horace, Historic Doubts of the Life and Reign of 
 King Richard the Third. 4to. With two portraits. Calf 
 gilt. London, 1768. 
 
 Walpole, Horatio, Lord, Memoirs of, as connected with the 
 
 History of the Times from 1678 — 1757, by William Coxe, 
 M.A., &c. 4to. With 20 portraits. Calf gilt. 
 
 London, 1802. 
 
 — — The same. Second edition. 2 Vols. 8vo. With 
 20 portraits. Green calf. London, 1808. 
 
( 110 ) 
 
 Walpole, Horace, Earl of Orford, Reminiscences, written 
 in 1788 for the amusement of Miss Mary and Miss Agnes 
 Berry. Folio. Illustrated with numerous fine portraits and 
 plates. Calf extra. Strawberry Hill, 1819. 
 
 Memoirs of the Reign of King George the Second, 
 
 edited from the original MSS., with a preface and notes by 
 Lord Holland. Second edition revised. 4 Yols. 8vo. 
 Portraits. Cloth boards . London, 1846. 
 
 Memoirs of the Reign of King George the Third, 
 
 now first published from the original MSS. Edited with notes 
 by Sir Denis le Marchant. 4 Vols. 8vo. Portrait. Cloth 
 boards. London, 1845. 
 
 Journal of the Reign of King George the Third, 
 
 from the year 1771 — 1783, now first published from the 
 original MSS. Edited with notes by Dr. Doran. 2 Vols. 
 
 8vo. Portraits. Cloth boards . London, 1859. 
 
 Anecdotes of Painting in England, with some account 
 
 of the principal Artists ; also a Catalogue of Engravers who 
 have been born or resided in England, collected and digested 
 from the MSS. of the late George Vertue, with additions by 
 the Rev. James Dallaway. New edition, with notes by 
 Ralph N. Wornum. 3 Vols. 8vo. Many portraits. Cloth. 
 
 London, H. G. Bohn, 1862. 
 
 Private Correspondence with George Montagu, 
 
 Esq., the Hon. H. S. Conway, Gray the poet, David Hume, 
 and others. New edition, with numerous illustrative notes. 
 3 Vols. 8 vo. Cloth boards. London, 1837. 
 
 Earl of Orford, Letters, edited by Peter Cunningham, 
 
 now first chronologically arranged. 9 Vols. 8vo. Portraits. 
 Cloth boards. London, H. G. Bohn, 1861 — 66. 
 
 Waterloo, seven large etchings by this esteemed artist. 
 Atlas folio. 
 
( III ) 
 
 Watteau, Antoine, Ornamental Designs, collected from 
 his works and lithographed by W. Nichol. Royal folio. With 
 88 plates. Half bound, green morocco. Edinburgh, 1841. 
 
 Twelve Original Engravings, mostly very large. One 
 
 of these is Les Plaisirs de l’Ete, semi-nude female figures 
 bathing, of which I have the picture. 
 
 We ale, W. H. James, Notes sijr Jan van Eyck, Refutation des 
 Erreurs de M. L’Abbe Carton, &c. 8vo. 
 
 Bruxelles, 1861. 
 
 See Amsterdam and Bruges. 
 
 Wedgwood, Josiah, Catalogue des Cam£es, Intaglios, 
 Medailles, Bas-Reliefs, Bustes, et petites Statues. 8vo. With 
 two plates. Red calf . Etrurie, 1788. 
 
 Wedmore, Fred., The Masters of Genre Painting. Small 
 8vo. With 16 plates, after De Hooghe, Terburg, Metzu, 
 Jan Steen, Watteau, Lancret, Pater, Fragonard, Hogarth, 
 and others. Small 8vo. Red cloth. London, 1880. 
 
 Weigel, Rudolph, Kunstlager-Catalog, dritte vermehrte 
 Auflage. 6 Vols. 8vo. Half bound calf , richly gilt, marbled 
 edges. Leipzig, Weigel, 1849 — 66. 
 
 *** This is a very remarkable list of Engravings and Books on 
 Art of all Schools and Countries, with prices and valuations 
 annexed and a complete Index. I became familiar with 
 this great bookselling and art-dealing firm when I first went 
 to Leipzig in 1816, and bought largely and profitably from 
 them. Rudolph is now the manager. 
 
 Wessely, J. E., Supplemente zu den Handbiichern der 
 Kupferstickkunde. Royal 8vo. Stuttgart, 1881. 
 
 West, Benjamin, Gallery of Pictures painted by, engraved 
 in outline by Henry Moses. Folio. Large Paper. 12 plates. 
 Half bound calf . London, 1811. 
 
 *** Plate 2 is “ Venus Rising from the Sea,” of which I have the 
 picture. 
 
( I 12 ) 
 
 Westall and Martin’s Pictorial Illustrations of the Old and 
 New Testaments, with descriptions by the Rev. Hobart 
 Counter. 8vo. With 144 engraved illustrations. Gilt cloth. 
 
 London, H. G. Bohn, 1838. 
 
 I designed the gilt back for this volume, and sent it to my 
 friend John Linnell to improve, but he said it was as well 
 drawn as he could do it and therefore declined ; but he 
 drew it for me on brass, which was more than I could venture 
 to do. 
 
 Westmacott, C. M., British Galleries of Painting and Sculp- 
 ture, comprising a general, historical, and critical Catalogue, 
 with notices of every work of Fine Art in the principal 
 collections. 8vo. With portraits and plates. Half bound 
 calf London, 1824. 
 
 Weyerman, Jacob Campo, Levensbeschryvingen der Neder- 
 landsches Konst-Schilders en Konst-Schilderessen. 4 Vols. 
 Small 4to. Numerous portraits. In old Dutch calf. 
 
 Gravenhage, 1729 — 69. 
 
 Wiegmann, R., Malerei der Alten in ihrer anwendung als 
 Decorations-malerei. Small 8vo. Cloth. 
 
 Hanover, 1836. 
 
 Wilkie, Sir David, Life of, with his journals, tours, and 
 critical remarks on works of Art, and a selection from his 
 correspondence, by Allan Cunningham. 3 Vols. 8vo. 
 Portrait. Half bound, uncut. London, 1843. 
 
 Wilson, Henry, Wonderful Characters, comprising memoirs 
 and anecdotes of the most remarkable persons of every age 
 and nation. 3 Vols. 8vo. With numerous portraits. 
 Half bound morocco. London, 1821. 
 
 This contains a good many Memoirs not given in Kirby’s 
 \V onderful Museum , published between 1803 and 1820. 
 
 Wilson, John W., Collection de M. John W. Wilson, exposee 
 dans la Galerie du Cercle Artistique et Litteraire de 
 Bruxelles. Imperial 4to. With 68 fine engravings after 
 pictures of all Schools. Royal 4to. Cloth. Paris, 1873. 
 
\ "3 ) 
 
 Wilson, John W., Galerie de, Catalogue des Tableaux de 
 Premier Ordre Anciens et Modernes, composant la Galerie de 
 Mods. John Wm. Wilson, dont la vente aura lieu Mars 14, 
 15,16,1881. Royal 4to. 62 fine engravings. Cloth. 1881. 
 
 Wilson, Richard, R. A., Some Account of his Life, and Remark s 
 on his Landscapes, &c., by T. Wright, Esq. 4to. Boards , 
 uncat. London, 1824. 
 
 Windsor Castle and its Environs, including Eton College, 
 by Leith Ritchie, Esq. Second edition. With additions by 
 
 ■ Edward Jesse, Esq. 8vo. Numerous engravings. Red 
 morocco extra , gilt edges. London, 1848. 
 
 Winstanley, Thomas, Observations on the Arts, with tables 
 of the principal painters of the Italian, Spanish, French, 
 Flemish, Dutch, and German Schools. 8vo. Boards. 
 
 Liverpool, 1828. 
 
 Woodburn, Samuel, Gallery of Rare British Portraits, 
 consisting of original plates by Delaram, Elstracke, Droeshout, 
 Faithorne, Loggan, Pass, Vertue, and others, being the 
 rarest and most curious illustrations of Granger, Clarendon, 
 &c., & c. 2 Vols. Folio. 200 portraits. London, 1816. 
 
 Wornum, Ralph Nicholson, Epochs of Painting Cha- 
 racterised, a Sketch of the History of Painting, ancient 
 and modern. i8mo. Cloth. London, 1847. 
 
 The Epochs of Painting Characterised, a Sketch of 
 
 the History of Painting, ancient and modern. i2mo. 
 Second edition. With 20 engraved illustrations. Brown 
 cloth. 1859. 
 
 Catalogue of Ornamental Casts in the possession of 
 
 the Board of Trade Department of Science and Art. 8vo. 
 With illustrations on wood. Cloth boards. London, 1854. 
 
 Wornum, Ralph N., and Maria Farquhar, Biographical 
 Catalogue of the principal Italian Painters, designed as a 
 Handbook to the National Picture Gallery. i2mo. With 
 
 Fine- A rt Books. ] Q 
 
( 1 *4 ) 
 
 a large synchronistical Table of the Masters of the Italian 
 Schools from the 13th to the 1 8th century. Cloth boards . 
 
 London, 1855. 
 
 Wouvermans, Philipe, CEuvres de, gravees d’apres ses 
 meilleurs Tableaux qui sont dans les plus beaux Cabinets de 
 Paris et ailleurs. Atlas folio. 104 fine line engravings, 
 
 Half bound ?norocco, gilt edges. Paris, 1737. 
 
 Young, Rev. Edward, Pre-Raffaellitism, or a popular inquiry 
 into some newly asserted Principles connected with the 
 Philosophy, Poetry, Religion, and Revolution of Art, 
 Post 8 vo. Cloth, London, 1857. 
 
 Zanj, I). Pietro, Enciclopedia Metodica critico-razionata 
 delle Belle Arti. Parte prima, 19 Vols. Parte seconda, 
 9 Vols. In all 28 Vols. 8vo. Parma, 1819 — 22. 
 
 Zanotti (Francesco), Pinacoteca della Imp. Reg. Accademia 
 Veneta delle Belle Arti. 2 Vols. Royal folio. Numerous 
 engravings, Half bound calf , Venezia, 1830 — 34. 
 
 finis. 
 
LONDON i 
 
 Clay, Sons, and Tayj.i 
 
 BREAD STREET HILL. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 * * 
 

 
 
 
 
 
 
 
 

 
 
 
 
 
 
> 
 
 
 
 

 
 
 
 
 
 
 
 
 
GETTY CENTER LIBRARY MAIN 
 
 N 5247 B67 B67 BKS 
 
 c. 2 Bohn, Henry George, 
 
 Catalogue of the pictures, miniatures, a 
 
 3 3125 00358 7447