\m '"* M. B, A, CATALOGU O F A Collection of Pi&ures. H A \ CATALOGUE O F A Collection of Pidhires, SELECTED From the Roman, Florentine, Lom- bard, and other Schools. CONSISTING OF The Works of the following Masters: Correggio, Primaticcio, Annibale Carracci, Mi- chael Angelo. da Carravaggio, Domenichino, Guido, Guercino, Francefco Mola, Bolognefe, Carlo Cignani, Carlo Maratti, Cavalier Cala- brefe, Luca Giordano, Solimeni, Paolo da Matei, Rubens, Vandyke, Nicolas and Gafpar Poufiin, Bourdon, Le Brun, De la Hire, Boul- lougne, Coypel, Jouvenet, Le Moin, Vanloo, Reftout, &V. The whole collected abroad, By ROBERT STRANGE. To be fold by Mr. Christie, at his Great Room in Pall- Mall, on Thurfday, the 20th of February, and the two following Days. 'Vf&Cl*— To be viewed ©n Tuefday the 18th, and till the Time of Sale, which will begin at 12 o'clock. CATALOGUE O F Mr. S T R A N G E's Collection of Pictures. Firft Day's Sale. Lot C H A V A N. i. CT'HE Morning.-^-? ainted with freedom and "*■ effect. — 22^ inches wide, by \6{ high. GHAVAN. 2. The Evening. — 22^ inches wide, by 16^ highj LE PINE; 3. A Storm. — In the manner mf Vernet. — 29^ inches wide, by 24! high. C R E P I N. 4. A Moon-Light.^- -In this picture thtre is much of the genius of a Salvator Rofa. The artift is yet alive, and held in confiderable elteem.— - 17^ inches high, by 14^ wide. HORISONTI. £. A View of the Ponte Mola.-^-Its Companion.— Both thefe are painted with freedom, and with force of colour. — 12 inches wide, by 9 high. A FER- 2 A CATALOGUE OF TERBURGH. 6. Figures Singing. — There is a general warmth of colour in this picture, and it is penciled with freedom. — 15^ inches high, by 12.1 wide. SCHOEVAERDTS. 7. A Land/cape. — This and the following picture are enriched with a compofition of a number of figures, ingenioufiy put together, and charac- teriftic of what they are meant to reprefent.— 18^ inches wide, by 12^ high. SCHOEVAERDTS. S. A Land/cape. — 18^ inches wide, by n~ high. MARTIN. 9. A View of the Cqftle of Vincent. — This profpect appears to be painted with accuracy; the per- fpective true, and the whole agreeable in point of effect. — 21 inches wide, by 16^- high. MATTHEW BRILL. 10. A Landfcape. — This and the following picture coniift of a variety of objects well difpofed, the plans well understood, and the whole painted with facility. — 10^ inches wide, by 9 high. MATHEW BRILL. 11. A Landfcape. — io^ inches wide, by 9 high. GERARD LAIRESSE. 12. Bacchanalian Boys. — This, and the following picture areweli compofed; the characters areex- preffive, and the whole is painted with round- nefs and effect. — 16I inches high, by 154- wide. 3 GE- Mr. STRANGER PICTURES. GERARD LAIRESSE. 13. Bacchus and Venus afleep. — 16-£ inches high, by i5i wide. CLAUDE AUDRAN. 14. The Adoration of the Shepherds. — This artifl: was a fcholar of Le Brun, and an imitator of Pouflin. The light which proceeds from the child has conliderable effect. The fhepherds behind are well drawn, and the reflections well underftood. — 18^ inches high, by 15^ wide. LOUIS C HERON. 15. The Virgin^ with our Saviour ajleep. — The atti- tudes of thefe figures are natural and eafy. It appears that the painter has taken his idea of the Chrift from that of Raphael, in the picture commonly known by the name of the Madonna della Sedia. This, in all probability, has been the ftudy for a large picture. — An oval, 14^ inches high, by 1 i~ wide. JEAN BAPTIST FOREST. 16. A Land/cape. — Painted evidently in the man- ner of Nicolas and Gafpar Pouflin. The figures are well drawn. — 29-- inches wide, by 24I high. JOHN BAPTIST WEENINX. jy. A Landfcape. — This compofition is enriched with a variety of figures and cattle. It demon- ftrates great knowledge of the effects in nature. The animals in general are finely painted. — 31 inches wide, by 26^ high. DAVID TENIERS, the Father. 18. A Ben of Lions. — It were to be wifhed that the painter had varied a little more the colour- A 2 ins 4 A CATALOGUE OF ing of thefe animals •, in other refpects they ara painted with fpirit and with freedom.— 3 1 inches wide, by 26- high. NICOLAS POUSSIN. 19. Beys Sporting. — Thefe figures form an agreeable groupe, and are, upon the whole, preferable in point of colouring, to many of the pictures of this mailer. — 16-i inches wide, by 17 high. BOULLOUGNE. V so. Our Saviour praying in the Garden. — This painter peffefied, in a great meafure, the fame talent as did Luca Giordano, viz. that of imi- tating the great matters. Every judge in paint- ing will perceive in the angel dreifed in white an affinity to the works of Guido. Several of the others are likewife characteristic of that ma- iler, Albani, &c. — 214 inches high, by 16 wide. ANDREA DEL SARTO. 21. Tbi Holy Family. — This groupe is well com- posed, and characteristic of the mafter. The whole appears to be painted with freedom and a breadth of pencil. — A circle, of 17 inches diameter. ROMANELLI. 22. The general effect of this compofition is plea- fing j and the two female figures are particularly agreeable. 284 inches wide, by 22^ high. ELIZABETH CHERON. 23. 'The Virgin, xottb our Saviour and St. Jofepb, from Raphael. — This picture is painted with, Mr. STRANGE's PICTURES. the delicacy of a female hand, that was equally fufceptible of the beauties of Raphael and of the Antique. — A circle, 16-^ inches diameter. ALEXANDER VERONESE. 24. The Death of Adonis. —There is great expref- fion in the two living characters in this picture. The attitude of the Adonis is natural and eafy. — 26 inches wide, by 19^ high. F O U QJJ I E R. 25. A Land/cape. — Painted with great facility of pencil, and, to all appearance, after nature.— 30 inches wide, by 22 high. GIOVANNI BATTISTA MOLA. 26. A Landfcape. — This picture has brilliancy, effect, and force of colour. The oppofitions in it are pleafing, and the diftant profpect is well introduced. — 274 inches wide, by 28 high. A R T O I S. 27. A Landfcape, with Figures and Cattle.-— The, general effect of this picture is agreeable. The profpect is open ; the trees are painted with freedom •, the water is tranfparent ; and the moft remote objects are well underftood.— 35^ wide, by 25^ high. O S T A D E. 28. Boors Drinking. — As nature was folely the guide of this artift, we find in his works fuch fubjects as the generality of his countrymen ex- hibited, and of which this picture is an exam- ple.— 144 high, by n^-wide. VAN- 6 A CATALOGUE OF VANGOYEN. •2.9. A Sea-Piece. — One of the mod fpirited per- formances which I have feen of the matter.— ij~ inches wide, by 1 1^ high. DAVID TENIERS. ._^ — jjo. A Landfcape, with Figures Dancing. — This fubject is well compofed, and has in general a very agreeable effect. \o\ wide, by y~ high. VANGOYEN. 31. A View cf Schiedam. — The whole of this pic- ture is exceedingly tranfparent. It is painted with an eafy and expeditious pencil. — An oval, 15^ inches wide, by 1 1^ high. MOUCHERON. 32. A Land/cape. — There is a general air of truth in the compofitions of this matter. The view before us is Angular and pifturefque ; nor is it poffible to reprefent more naturally the various effects which are introduced into it. — 20- inches high, by 19-i wide. VANGOYEN. 33. A Calm, with a dijiant View of the City of Delft. — Painted with force, and even with brilliancy, of colour. — 134 inches wide, by 12- high, L E B R U N. 4. 'The Vifion andConverJion of St. Augufiine. — This feems to have been the ftudy for a large pic- ture. The attitude of the figure is well com- pofed, and the character of the head is fpirited and expreffive. -— A circle, 16 ~ inches diameter. VER- Mr. STRANGE's PICTURES. V E R D I E. 35. The Flight into Egypt. — Verdie was one of the fchoiars of Le Brun who did him moft honour. He had a facility of invention ; and was befides an imitator of Pouflin, as may be JTe&rt by this picture, which is painted with great delicacy and care. — 25 inches high, by 204- wide. SOLIMENI. 36. The S:udy for the lower part of an Altar-piece at Naples. — This ftudy is one of the mafterly per- formances of Solimeni. The principal figures feprefent St. John, St. Jerom, St. Stephen, St. Francis, &c. The latter is one of the molt ex- preffive characters we meet with in painting.— 18 inches-^ high, by i6-|wide. LANFRANC. 37. A Dead Chrijl attended by Angels, andfupported by one of the Fathers of the Church. — This fu eject, although of the melancholy kind, unites genius, freedom, and effect. — 18 inches J high, by 13-i. wide. CHAVAN. 38. ALandfcape. — This compofition is open, the diftances well underftood, and the effect of. the whole agreeable. — 494 inches long, by 37-L high. VAN-ROMAIN. 39. A Landfcape, the figures by Parocell.— The whole of this picture is painted with force. It is varied with great judgment, and the diftances in general are well obferved. — 47 inches -i wide, by 34 high. VANLOO. 40. An Hiftorical Piclure. — There is an elegance in the principal figure of this pifture which does honour t A CATALOGUE OF honour to the artift. The whole is painted with facility and richnefs of colouring. — 53 inches -£ high, by 44 wide, GIOVANNI BATTISTA LANGETTl. 41. Rinaldo and Armida. — Langetti was by birth a Genoefe. He ftudied in the Venetian School j the ftile of colouring and the freedom with which this picture is painted are evident marks of it. — 60 inches high, by 514 wide. RESTOUT. 42. Tobias rejfored to Sight. — The compofition of this picture in general pleafes, and the effect is agreeable. The whole is painted with that fa- cility which we find in the generality of the French matters. — 5% inches ~ high, by 44 wide. MOUCHERON. 43. A Land/cape i the figures by Vandervelde. This and No. 45. have the appearance of being painted after Nature. The trees are loofely handled, the distances properly kept, the Ikies ferene, and throughout the whole there is a ge- neral good effecl;. — 24 inches £ high, by 21^ wide. BATTISTA FERY. 44. A View upon the Coaft of Baio. — This picture reprefents the fetting fun. It is painted with tafte, warmth of colour, and an effect: which we frequently meet with in the compofitions of Claude. — 28 inches 4- wide, by 23 high. MOUCHERON. 45. A Land/cape, the figures by Vandervelde. — 24^ inches high, by 2 14 wide, TRE~ Mr. STRANGE's PICTURES. 9 TREMOLILIERE. 46. A Margaret attended by Angels. — An ingenious invention, which indicates a knowledge in that part of the principles of painting which regards both the effect of colours, and the oppofition of light and fhadow. An oval, 20 inches high, by 15^ wide. TREVISANI. 47. Our Saviour praying in the Garden. — One of the mod defireable pictures which we meet with of the Matter. The character of the principal figure is interefting, and the whole is painted with the utmoft delicacy and tafte. — 16 inches wide by i ii high. STELLA. 48. Our Saviour, with the Virgin and St. Jofeph, attended by Angels. — -This Subject is painted with great freedom, brilliancy, and force of colour. The head 6f the Madona is beautiful, and the action of the whole figure is eafy and gracefuL In the figure of the St. Jofeph, we find much of the manner of Pouflin, which is eafily ac- counted for-, when we confider that they were connected together in the ftricteft friendship.— i - 19 inches 4 wide, by 1-5 high. VANDERMEULEN. 49. The Seige of Si. Omers. — There is in general an agreeable effect in this picture. The principal figure on horleback is remarkably elegant, and feprefents Louis the Fourteenth, attended by his generals; — 17 inches | wide, by 13-i- high. HALLE. £0*. The Widow's Child brought to Life by the Pre phet. — It muft be allowed, that the French pain* B ters so A CATALOGUE OF ters in general, have not only underflood the rules of compofition, but that they have like- wife poffeiTed an uncommon facility of pencil. The fubject before us will verify what has been- laid. It appears to be treated with propriety. The dignity and compofure of the prophet, the apparent joy and gratitude of the mother, and the pleafure with which the child views its bene- factor, are objects which engage our attention. ■—57 inches wide, by 44 high. BATTISTA FERY. D U Telemachus in the Ijland of Cyprus. — The fcene of this fubjecl: is romantic, and is judicioufly calculated to give effect to the hiftorical part of the compofition. The figures are agreeable, well coloured, and painted with tafte.-— 57 inches- wide, by 44 high. GUIDO and GESSI. 52. The Virgin with, cur Saviour afleep. — Many ex- cellent pictures painted by able fcholars of the great artifts, and rimmed by the mailers them- felves, have found their way to pofterity •, and are with jufrJce efteemed as a fecondary fpecies of originals. This before us is by Geffi, the favourite fcholar of Guido ; by whom it appears that the Madona has been painted % and Guido's pencil is no lefs apparent upon the whole of the child, which is the principal part of the picture. This figure has likewife more of the colouring of Guidb, than the Maricna. The whole has a> and the character of the Chrift ■ ] 4.5 inches high, by 34-J ENS. Mr. STRANGE's PICTURES, n RUBENS. "53- The Virgin, with our Saviour and St. Jofeph, attended by an Angel. — There is a noblencfs which is peculiar to the compofitions of this great artift. The picture before us is an ex- ample of it: it has a ftriking effect, and is fu- periorly well coloured. — 254- inches wide, by 19 high. ROTHENAMER and BRUEGHEL. t' r 34. The Holy Family attended by Angels , and fur- rounded with a Garland of Flowers. — Two artifts of diftinguilhed abilities have jointly contribu- ted to render this picture a mafter-piece. The former of thefe has prefented us with one of the mod agreeable compofitions in painting. The other, to decorate this fubjtct, has exhi- bited an affemblage of the mod beautiful part of the vegetable creation. Rothenamer has joined to his compofition, graceful forms, agree- able ideas, and all that richneis of colouring and effect which he had acquired in the Vene- tian fchool. Brueghel, by ftudying the beau- ties of nature, has reprefented them with a live- ly imagination, with a delicacy and freedom of pencil which is much eafier perceived than de- icribed. It is to be remarked that the land- fcape, fruit and flowers, of the hiftorical fubject, are likewife painted by this artift. — 32-7 inches high, by 24$ wide. This picture was purchafed out of the famous collection of the late Mr. Bramcamps of Amfterdam. VANDERMEULEN. ~& — 55. A Profpetl of Mount Albano, in the Province of Languedoc. — The conqueftsof LouisXlV. open- ed a vaft field to the pencil of Vandermeulen. B 2 Protected 12 A CATALOGUE OF Protected by Colbert, that father of the arts, he had the honour of following the King in many of his conquefts, and of receiving even his Particular inftru&ions. No body underflood etter the effects of nature than this artift, nor has given us more faithful portraits of thofe for- tified cities and their environs, which were the objects of the military enterprizes of a great and ambitious monarch. Thtfe pictures were enriched with a variety of figures, where the perfon of the King, attended by his principal officers, were generally introduced ; and this in particular may be conlidered as one of the capi- tal works of Vandermeulen. — $6- inches wide, by ^5 high. ROMANELL1. §6. The Rape of Europa. — There is an agreeable, and at the fame time a ftriking effect, through- out the whole of this picture. It is well colour- ed, the figure finely relieved, and the character of the head is beautiful.— 69 inches wide, by 49i high. ANTOINE COYPEL. 57. Adam and Eve reprehended by the Almighty.— This picture may be ranked amongft the moft capital which 1 have hitherto met with of Coy- pel. It is compofed w;th great dignity, painted with tafte and correctnefs, and is of a tone of colouring fuperior to the generality of the French painters. We find in it a considerable refem- blance to the works of Annibal Carracci, Dome- nichino, and Albsni. The ingenious Piere Drevet has favoured us with a print of it, which is effeemed one of the moft elegant en- gravings that has ever appeared. — 46- inches high, by 36 wide. End of the First Day's Sale. Second Mr. STRANGE's PICTURES. i$ Second Day's Sale, Lot. C H A V A N. 58. A Land/cape. — This and the following picture (No. 60.) are painted with freedom, and appear to be after nature. — 217 inches wide, by 17-^ high. DANKERS. $g. A Landfcape. — We find here an agreeable effecT, and a facility in the execution. — 23 inches wide, byi8f high. C H A V A N. j5o. A Landfcape. — 21^ inches wide, by i?i high; RENPU. 61. A Landfcape. — This painter was a fcholar of Fouquier, and, as fuch, did him credit. — 21.^ jnches wide, by 17-?- high. J A C QJJ E VANUDEN. 62. A Landfcape. — This, and the following pi&ure, leem real views, and they are painted with great neatnefs. — 15 inches wide, by io^- high. J A C Q_U E VANUDEN. £3. A Landfcape. — 15 inches wide, by iof high. SUCKLING. 64. Two Moon-Lights. — Both are painted with free- dom, and with a confiderable effect. — -137 inches high, by 9^ wide. VOUET. ft A CATALOGUE OF V O U E T. 65. Mary Magdalene. — Her attitude is eafy, and the colouring not unlike many pictures which I have feen of Guido. — 7 inches high ,by 5^ wide. LOIR. 66. The Holy Family, with Angels. — A well com- pofed picture, painted with tafte, and very much in the manner of Francefco Mola. — An oval. — 14-i inches wide, by nf high. DE-HEUSCH. 6y. A Land/cape. — We find a general good keep- ing in this picture, and freedom in the pencil- ing. — 1 5-^ inches wide, by 12- high. ANTONIO LEISMAN. 68. A Sea- Piece. — Painted with tafte, and the general effect well underftood. — 16^ inches wide, by 10-i high, PE LA HIRE. 69. The Repofe in Egypt. — The figures which make part of this picture are ingenioufly compoied, and the landscape is touched with fpirit. — 13* inches wide, by io|- high, FRANCISCO MILE. 70. A Landfcape\ — There is a general good effect and fimplicity in the compofition of this pic- ture.— 13^ inches wide, by 10^ high. NICOLAS POUSSIN. 71. The Virgin. — The idea of this head is agree- able, and very much characteriftic of the paint- er. — 11 inches high, by 8^ wide. NOEL Mr. STRANG E's PICTURES. U NOEL COYPEL. 72. The Virgin, with our Saviour. — There is a ftyle of painting in this fubject luperior to the gene- rality of the French fchool. It appears that the artift has endeavoured to imitate Annibal Ca- racci. — An oval, 18 inches high, by 14^ wide. GASPAR VANVITELLT. 73. A View of the Grotto of Pofilippo, with tht 'Tomb of Virgil. — This fcene of the grotto of Po- filippo, is one of the moll faithfu-1 portraits which I have feen in painting. There is great truth in the colouring, as well as precifion in the penciling of it. — 16 inches wide, by 12^ high-. S WANEFELD. [. A Landfcape. — This romantic fcene appears' to be taken from fbme part of the cafcade of Tivoli. — 247 inches wide, by 1 2 high. A R T O I S and ASSELYN. 75. Two Landfcapes. — Thefe pictures are painted with freedom and brilliancy of coiour. — 12^ inches wide, by 9. high. CARLO CIGNAN'I. 76. Venus, with Cupid and a Satyr. — This picture, prefumed to be one of the juvenile performances of the painter,.is finely coloured, and the character of the Venus is beautiful. It appears that Ago- ftino Carracci has furnifhed the idea for this com- petition, for we have an engraving of his nearly fim-ilar to it. — 24 inches high, by 18^ wide. LA G RENE E. 77. The Virgin, with our Saviour and St. Jofeph.— We find in this picture a ftyle of colouring which it A CATALOGUE OF which approaches the Italian fchools. The Sd Jofeph is well characterifed, and the Madontf is agreeable.— 28 inches high, by 22-r wide. PATE L L. ^8. A Land/cape. — This and the following, Nov 80. are enriched with a variety of objects, which' contributes to render landfcape-painting agree- able. — 30 inches wide, by lyf high. CASPAR POUSSIN. 79. A Land/cape. — One of the rural compofitions of this painter. It will recommend itfelf by its natural appearance and fimplicity, and the tafte with which it is painted. — 23^ wide, by 18 high.- P A T E L L. 80. A Landfcape. — 30 inches wide, by 17! high; See No. 21. HORATIO PAULYN. 8irf Portrait of Admiral De Ruyter. — This head irf all appearance is extremely characteristic of the man. It is well coloured, and upon the whole produces a fine effect. — 124 high, by 10^ wide. LOIR, £2.- The Marriage of St. Catharine.—- The ftudy of the works of Paul Veronefe gave a richnefs of colouring to the paintings of this artift. The picture before us is likewife well compofed.-— * 1 14- inches high, by 9 wide. SASSO FAR AT A. 83. The Virgin, with our Saviour. — There is a bril- liancy of colouring v/hich is peculiar to the 2 works Mr. STRANGE's PICTURES. i 7 works of this artift. Raphael and Guido feem to have been his favourite matters, and who have furnifhed him with many of his ideas. — 12 inches high, by 9^ wide. > BOLOGNESE. 84. A Land/cape. — One of the rich and pleafing inventions of this mafter. — 20^ inches wide, by 1 61 high. D E LA HIRE. 85. Tfofeus proving himfelf to be the Son of Mgeus y by lifting up with Eafe the Stone, under which his Mother JEthra told him his Father had concealed his Sword, &c. — See Plutarch's life of Thefeus. This ftory appears to be told with great pro- priety; and the fepulchral monument here in- troduced adds a folemnity to the icene. — 22^ inches wide, by 15 high. GASPAR POUSSIN. $6. Part of the Ruins of the Temple of Concord. — Simplicity and elegance ever attend the compo- fitions of this artift. The picture before us is likewife penciled with great tafte. — 29^ inches wide, by 23^ high. MONBEILARD. 87. Trajan's Column, Sepulchral Monument, &rV.— The whole of this picture is highly f.niihed, the baflb-relievos in particular are painted with remarkable fpirit. — 34^ wide, by 2~'~ high. LE-CLERC. 88. Two agreeaBle Landfcapcs. zvilb the Ruins of en ancient Build ng, and enriched with Figures bathing. — n~ inches wide, bv 8 high. C VANFAL. 18 A CATALOGUE OF VANFALLENCE. 89. A Land/cape with Figures. — There is an ele- gance in the principal group of figures which compofe this picture. The painter was a fcho- lar of Wouverman's, and did credit to the maf- ter. — 24? inches wide, by 20 \ high. CANALETTI. 90. A View at Venice. — This, and No. 92. will Efficiently recommend themfelves, from the elegancy of the buildings, the tranfparency of the water, the propriety of the reflections, and the tafte with which the whole is painted. — 38 inches long, by 24 high. ANTONIO LEISINAN. re I. A Seaport, with the View of a Fortification. — It appears that Vernet has been no ftranger to the works of this ingenious artift. The whole is painted with great freedom, and the various accefiaries which compofe it, are properly intro- duced. — 36 inches high, by 33f wide. CANALETT I. 92. A View at Venice. — 38 inches long, by 24 high. See No. 33. LE-BRUN. 93. The Magdalen. — Few painters have pofiefied more the power of reprefenting the paffions than Le-Brun, of which this picture is a proof.- — An oval, 12 inches high, by 9^ wide. FILIPPO Mr. STRANGE's PICTURES. i# FILIPPO LAURA. 94. The four Seafons. — Thefe are agreeable, well coloured, and poetic inventions of the painter. — 10 inches high, by 8 wide. A L B A N I. $5. Our Saviour with the V/oman of Samaria. — There is great tafte and fimplicity throughout the whole of this pidure. The attitudes are natural, the draperies well compofed, and, in general, it approaches nearly to the manner of Annibale. — 147 inches high, by u wide. FRANCESCO MILE. 96. Two Landfcapes. — Painted in the manner of Gafpar Pouffin. — 10 inches wide, by 6 high. LE-FEVRE. 97. Portrait of Marifhal Twine. — It was with juf- tice that Le-Fevre was not only patronized by the princes of his own country, but that he ac- quired during a fhort ftay in London, the ap- pellation of a fecond Vandyke. His portraits are in general admired for their great refem- blance to nature, and for the delicacy with which they are painted. — 14 inches high, by 1 if wide. SEBASTIAN BOURDON. 98. A Landfcape. — This fin all, but ineftimable picture of the kind, cannot fail of engaging the attention of the fpectator. It is compofed and painted with infinite tafte, elegance and fim- plicity .~i i\ wide, by 7-;- high. C 2 S E B A S- 20 A CATALOGUE OF SEBASTIAN BOURDON. 99. The Holy Family. — In the firft ideas of matters, there is a purity which always carries with it an air of truth. This, I hope, is verified in the picture before us, it being the original fludy for that which was purchafed a few years fince, by a gentleman of this city, whofe love and tafte for the fine arts is univerfally acknow- ledged. — An oval, i^~ inches wide, by 12 high. BOLOGNESE. 100. A Landscape. — This composition is agreeably varied, the colouring brilliant, and the general effect ftriking and picturefque. — nf inches wide, by 7-*- high. VANDYKE. 1 o 1 . Our Saviour attended by Angels. — A mongft the moft agreeable and interesting cabinet pictures which I have feen of Vandyke. The figures are finely penciled and are characterise of the mailer. The back ground is compofed of a landfcape, viewed through a cavern, which ap- pears to be painted by Vanuden. — 1 if inches wide, by cjf high. MIGNARD. 102. The Holy Family from Raphael, in the Colleffion at Verfailles — The merit of this competition is fufriciently known to the world. 1 mall only obferve, tjiat the picture before us appears to be qne of the ftudied works of Mignard, and e fame neatnefs of pencil, which is fre- ely to be found in thofe of his own inven- r e characters or Raphael, throughout hole, are finely preferred. — 25^ inches JOUVENET, Mr. STRANGE's PICTURES. 21 JOUVENET. 103. The Angds adminiftering to our Saviour. — It was the cafe with this artilt, as with Le-Sueur, that he never vifited Italy •, to merit and abili- ties alone did they owe their reputation. This picture is remarkable for great freedom of exe- cution, a knowledge in the local colours of painting, and what regards the effect of light and (hadow. The angel in particular, which is cloathed in white, is worthy of the greateft matter. — 50 inches high, by 377 wide. FREMINET. 104. St. Paul in the JJland of Mal^Hsafter his Ship- wreck. — Freminet was one of the early painters in France, and even prior to Vouet ; he formed himfelf in the Venetian fchool, and in ftudying the works of Michael Angekvjofepin, and Carra- vaggio. His cabinet pi&urc^tmim are extremely fcarce, having been chiefly employed by Henry IV. and Louis XIII. to decorate the palace of Fontainbleau. The fubject before us is well compofed, painted with great freedom, force, and brilliancy of colour •, and the mafies of light and fhadow are well imagined. — Oof in- ches wide, by 39-*- high. BOULLOUGNE. j 05. Rebekah at the Well. — We meet with few pictures, even of the fir ft mailers, painted with greater facility, better compofed, cr that convey to us a more thorough knowledge in the prin- ciples of colouring — 50 inches high, by 37 wide, CARLO CIGNANI. 106. Sufav.11 ah and tie Elders. — Carlo Cignani has painted this picture in the manner of Guercino. Ic 22 A CATALOGUE OF It has confiderable effect, and a breadth of light and fhadow. — 75 inches high, by $$ wide. HENRY LANKRINK. 107. A Land/cape. — This picture is in general finely coloured •, the compofition is romantic ; the trees are penciled with freedom ; and the Iky beautiful and ferene. — 61 inches wide, by 44 bigh. PAOLO DA MATTEL 108. Rinaldo and Armida. — The compofitions of this painter are in general agreeable, and of the poetic kind. The whole of this picture is treat- ed with a delicacy which is peculiar to the fub- jeet. The characters of the two principal figures are expreffive, and they are even beautiful. — • 38 inches wide, by 32 high. CARLO MARATTI. 109. The Annunciation, — Carlo has, on other occa- sions, repeated this figure of the Virgin with the head elevated. This before us is painted with great delicacy, and there is a remarkable fweetnefs in the countenance.— 19 inches high, by 14 wide. G U I D O RENT. J 10. Mary Magdalene. — The character of this pic- ture has great affinity to that in the Barberini palace at Rome. The latter, which is a whole length figure, has her head reclined upon one hand, and the other is extended, leaning upon a fkull. The hands in the picture before us are ingenioufly compofed, drawn with great tafie, and indicate that contrition of mind fo confpi- euous Mr. ST RANGE'S PICTURES. 23 cuous in the countenance. — 28^ inches high, btr 22f wide. FRANCESCO PRIMATICCIO. 111. Ulyjfes and Penelope. — A ftudied picture, by Primaticcio, which was afterwards painted ill frefco, by his favourite difciple, Niccoio del* Abbate, in the gallery of Ulyffes at Fountain- bleau. Vide the print by Van Gulden, No. 48. There is an elegance and fimplicity in the ge- nerality of the works of the Italian artifts of merit, which will ever take the lead in painting. The genius of Primaticcio led him entirely to what may be termed the Beautiful and the Agree- able. My obfervaiions, I hope, are verified in this picture, which, added to the natural graces of the painter, unites the characters of Michael Angelo and Parmegiano. — 47 { inches wide, by 43 wide. G U E R C I N O. =2fc^ii2. tfhe Return cf the 'Prodigal Son. — There is a greatnels of def.gn in the character of the principal figure. The oppohtions of light and fhadow are ftroho;. The whole is in the ftyfe of Michael Angela Carravaggio, whofe manner. was very much followed by this aniit. — ^3 inches wide, by 3 9 -J- high. 1 FRANCESCO MOL A. 113. Narcijjus. — This picture may with propriety be elteemed one of the Superior performances of 1 he painter. The whole cf the Narciffus is finely drawn, and the extremities, in particular, are determined with that facility and precision S which 24 A GATALOGUEOF which is only to be met with in the works of the greateff. mailers. — 47 inches high, by 35- wide. ANNIBALE CARRACCI. .■ j 114. The Death of St. Francis. — St. Francis laying upon his death-bed, is accompanied by three friars of the fame order, in attitudes equally noble and expreffive. That on the fore-ground does particular honour to the pencil of Anni- bale. In the clouds is a glory of angels. The whole is treated with dignity, drawn with great tafte and correctnefs, and executed with that force and mafterly freedom which we feldom meet within painting. This picture, which may be cfteemed amongft the capital works of Annibale, was formerly the property of that munificent patron of the arts, the great Colbert ; in whofe collection it was, when engraved by that cele- brated artift Gerard Audran : It was lately pur- chafed out of the collection of Mr. Bramcamp at Amflerdam. — 26^ inches high, by 19 wide. MICHAEL ANGELO DA CARRAVAGGIO. 115. The Fortune-teller. ---There is a fpecies of magic in the management, and in the effect of co- lours, in this picture, which muft lurprife the generality of fpectatois. Carravaggio's manner, fo prevalent in his own life-time, drew with it aimoft all the fchool of the Carracci. — Guido and Dominichino, on many occafions, were in- duced to attempt it ; and Guercino never lolt fight of it. This iubject repreients a corps- de-garde, one of whom is getting his fortune told : the character of this head is admirable, and appears fired with a military enthuilafm. The Mr. STRANGE's PICTURES. 25 The figure in the center of the picture, with his back turned, is managed with all the arc that a knowledge in the principles of painting can pofiibly infpire. The fortune-teller is painted in a ftyle which may difpute with that of the Carracci. One would imagine that Sal- vator Rofa had particularly ftudied this figure. That behind her is exceedingly characteristic 5 and whilft he imagines himfelf fecure in his theft, a little boy is artfully employed in Heal- ing his purle. The other figures are likewife remarkably expreffive. The whole is finely drawn, and painted with the utmoft force and tranfparency of colour. It meafures 92 inches' wide, by 59 high. End of the Second Day's Sale, tf ?m i6 A CATALOGUE OF Third Day's Sale. Lot. RIETSCHOOF. 1 1 6. A Sea-Piece. — Painted with great brilliancy ■^ of colour. — 13 inches wide, by 7 high. F R A N C I S QU E. 117, A Land/cape. — This and the following n amber,, are painted in the ftile both of Nicolas and-Gai- parPouffin. — A circle lof inches diameter. FRANCIS QJJ E. x 1 S. A Land/cape. — A circle icf inches diameter. PERELL. . j 1 9. Two agreeable compofitions enriched with architecture, figures,.^, and painted with brilli- ancy of colour. — Ovals, 4-i inches wide, by 3^ high. B A T T I S T A M O L A. 220. A Land/caps, with Tobit and the Angel. — This and the following number are painted with great force and tranfparency of colour. — 14+ inches wide, by 117 high. BATTI3TA MOLA. -I2T. A Sea-Piece^ with St. Peter walking on the Water. — 147 inches wide, by iijhigh. LE^CLERC. 122. A Land f cape. — Painted in the manner ofBac- celpmeo. — icf inches wide, by 8^ higfi. SCHOE- Mr. STRANGE's PICTURES. 27 SCHOEVAERDTS. * 23. A Landfcape with figures. — This and the fol- lowing picture are pleating compositions, well coloured, and have a general good eifeCc. — 127 inches wide, by 9! high. S C J I OEVAERDT S. 124. A Landfcape with Figures. — 1 2 1 inches wide, by 9t high. ASSELYN. 125. A View of the Lucrian Lake, with the Ruins of the 'Temple of Apollo. — There is in general a pleafing effect in this picture, inch as we meet with in the Compofitions of Claude. — 14^ inches wide, by 1 1 \ high. JEAN BATTISTE FOREST. 126. The Tomb of Phaeton. — The fcene is upon the banks of the-Po, and the figures remarkably elegant. — 12 inches wide, by yl high. ANTONIO MARIA DAL SOLE. 127. Part of the Ruins of the Temple of Peace. — This artift was a fcholar of Albani's, but appli- ed himfelf intircly to landfcape painting The colouring of this picture is tranfparent, the com- pofition agreeable, and the whole penciled with freedom. — 14-i inches wide, by io~ high. PIETRO MONTANINI. 12S. A Landfcape with Figures. — This and No. 130, are ingenioufly compofed and painted with great facility. They are very much in the manner of Salvator Rofa, the painter having ftudied under him. — 247 wide, by 17I high. D2 GIUSEPPE * 8 A CATALOGUE OF GIUSEPPE CHIARI. j 29. The Marriage of St. Catharine. — This fpirited and agreeable compofition has doubtlefs been the ftudy for a large picture.?— An oval 10 in- ches high, by 9^ wide. PIETRO MONTANINI. 130. J Land/cape with Figures. — -24-*- inches wide, by 1 jl high. L E - C L E R C. J 3 1 . A Land/cape with Figures reprefenting Spring. — This artift is yet alive, although of an advan- ced age; it appears that he was a fchc^ar of Wa- teau's, whofe manner he has imitated.— 14^ inches wide, by lot high. HORISONTI. 132. Two Views upon the Tiber, penciled with free- dom and agreeably coloured. — 12 inches wide, by 9 high. LUC A TELL I. 13 3. A Land/cape. — This and No. 135, are two excellent pictures of Lucatelli •, the figures maf- ^ terly, and the trees, buildings, &c. very much in the manner of Gafpar PoufTin. — An oval, 26 inches high, by 21 wide. GIOVANNI GRISOLFI. i»k. A Land/cape. — A romantic compofition, and painted with uncommon freedom. — 27-i inches wide, by 22^ high. LUC ATELLI. 135-, A Land/cape. — An oval 26 inches high, by 21 wide. See No. 133. a MATHEW. Mr. STRANGE's PICTURES. 29 MATHEW BRILL. l%6. Two rich compofuions of this matter, con- fiding of a variety of objects, penciled with great freedom, and a general good effect throughout the whole. 8 inches fquare. ANDREW BOTH. ... j 3 7. A Painter with his Wife and Children. — This comic reprefentation of the arr, may no doubt have fuited many whofe abilities were noc al- ways diftinguifhed by their fuccefs. This pic- ture has great character of nature, and is paint- ed with an amazing freedom. — 12 inches high, by 9^ wide. SIMON DE PESARO. I38. The Virgin attended by Angels. — It appears that the painter has taken his idea of this agreeable composition, from a fmall picture painted by Guido, which is now in the King of France's Collection. Upon my comparing them, I found a confiderable dirTerence, not only in the action of feveral of the figures, but in the compofition and colour of the draperies. There is like- wife in this picture, towards the left of the Ma- donna, an additional figure more than in the one I have mentioned. This had originally been painted upon a thick pannel, but io rent in the middle when I purchafed it, that the reparation could eafily contain the thicknefs of near half a crown ; it is now upon a thin gaufe, pafted upon cloth, and the original colours of the mailer fo iuccefsfully joined, that there appears not the Jeaft blemiffo. — io inches £ high, by 8 wide. CAVA- 9 8 p A CATALOGUE OF CAVALIER CALABRESE. 139. St. Jofeph warned by the Angel in a Dream. — There is a general good keeping and effect throughout the whole of this picture ; it ap- proaches even the manner of Carravaggio. No- thing can be more delicate nor graceful than the ; character and the attitude of the Virgin. — 15-i. inches high, by 12 ~ wide. ERASMUS QUELLINUS, the young. 1.40. The Adoration cf the Shepherds. — Many ex- cellent painters of the Flemifh ichool, who ftu- died in Italy, did fo adopt the manner of thofe times, that their works are frequently confound- ed with the Italians themfelves. We find in this picture a mixture of the Flemifh, Venetian, and other fchools. Even the characters of Ra- phael and Pouffin, enter into the head of the ihepherd kneeling. The whole is finely com- pofed and painted with one of the mod fpirited pencils can be imagined. — An oval, 9 inches high, by 74 wide. DOMENICHINO. 141. St. Jerom. — This figure is extremely cha- racteriftic of the fchool of the Carracci •, it h well coloured, drawn with a purity of out-line, and knowledge in the anatomy of the human body. The character of the head is devoutly pious. — 12^ inches high, by 10 wide. VANJEMMEL. 142. A Land/cape, with the Fragment of an ancient Building. — The ruins of ancient Rome furnilhed this painter with many agreeable acceflbries which he introduced into his compofitions. The picture before us is fingular of its kind, and Mr. ST RANGE'S PICTURES, ji and it is painted with a mafterly freedom.— 23 inches wide, by i6|- high, NETSCHER. ^^as-143. Portrait of Queen Mary, when Prineefs of Orange. — There is a richnefs in the attire, and - , . in the colouring of this picture, which is fuited to the character of a great perfonage. The whole is painted with delicacy and with freedom. The linen in particular can only be exceeded by nature. — 18^ inches high, by 15 wide. NETSCHER. 144. Portrait of the Prineefs of Conty. — This pic- ture is highly finifhed, without the appearance either of ftirTnefs or labour. There is a truth irk it which approaches nearly to nature. The local colours in particular are well underftood, and the general effect of the whole is not inferior to Rem brant. We meet with feveral of the ena- mels of Petitot, which were painted about the time with this portrait, with the head drefs in- tirely fimilar to this. — 18^ inches high, by 15 wide. GERARD DOUW. ■ — jfr 11^145. Portrait of his Mother. — The generality of the works of this ingenious artift are efteemed for their great refemblance to nature •, the de- licacy and the precifion with which they are painted. This picture, by the date upon ir, has been done in the 22d year of the painter's life, about the time he had left the ichocl of Rembrant, when he united to the qualities I have mentioned, a firmnefs of pencil which is frequently more dcfiiable than we find ir, even in many of the reputed fine works of Gerard Douvv. — 9 inches high, by 7 wide. MARU- i p. A CATALOGUE Of MARUCHI. 146. A Land/cape, with its Companion. — When we' confider the form of thefe pictures, their com- politions are agreeable, and they pleafe from their general effect. — 18 inches wide, by y-i high. VANDERHELST. ,^147. A Man playing upon the Flute. — This figure is doubtlefs one of the moll expreflive of the kind to be met with. It is finely drawn, and painted with uncommon relief. — 23 inches hi»h, by 19^ wide. NICOLAS COYPEL • -148. Venus drawn by Dolphins ', and attended hy Cupids^ a Water Nymph and 'Trident. — This picture is agreeably compofed, painted withr freedom, and a purity of colour. — 30^ inches high, by 23^ wide. DE LA HIRE. 149. A Land/cape, with figures and architecture.— » The general effect of it is agreeable, it is well coloured, and painted with great facility. — 44 inches wide, by 277 high. JAN MIEL 150. A Land/cape, enriched with a variety of figures. — There are fome excellent hiftoricai pictures of this artift in Italy. His natural ge- nius, however, led him to paint fimilar compo- fitions to this, which is treated with great free- dom, the colouring is vigorous,, and the figures well drawn. The back ground has great effect^ and is painted more in the ftile of the Carracci, than * Mr. STRANGE's PICTURES. 33 than in that of any other painters I can name. — 37i inches wide, by 23 high. V AN LOO. 151. The Marriage of St. Jofeph arid the Virgin ; being the original itudy for an altar-piece, which is engraved by Dupuis. — This has more the ap- pearance of an Italian, than a French picture, it unites beauty of compofition, force of colour, and correclnefs of defign ; added to thefe, it is painted with great freedom. — 23 inches high, by 14 wide. A S S E L Y N. 152. A Land/cape with Figures. — Painted with a general warmth of colour, and that facility which is peculiar to the works of this mafter. — 24-^ inches wide, by i8-|- high. SWANEVELT. 153. A Landfcape. — Every object in this picture partakes much of the warmth of a fetting- fun. The fcene is romantic, and like many of the compositions of this artift, it is enriched with ruins of ancient buildings, architecture, &c. — 36 inches wide, by 27 high. GASPAR POUSSIN. JMk. 154. A Landfcape. — There is in this picture a ge- neral union of colours, which approaches nearly to nature. It is painted with great delicacy ; the figures appear to be by fome other artift, which is frequently the cafe in many of the pictures of Gafpar. — 24^ inches wide, by 18I high. E JOUVEr 3 4 A CATALOGUE OF JOUVENET. 155. The Death of St. Nicandre. — During the per- fecution of Dioclefian, Nicandre, who had been a commander in the army of that prince, and a convert to chriitianity, had rejected the orders of his lbvereign in facrificing to Jupiter. He is brought 10 execution, accompanied by his wife Daria, and his friend Marcian, both of whom feem overwhelmed with affliction. Nicandre bears his fentence with the utmoft fortitude. The painter ingenioufly introduces a choir of angels crowning his virtue. The other figures have great expreiTion. The whole is an excellent pic- ture, painted with great freedom, effect, and bril- liancy of colour. — 46 inches high, by 30^ wide. CHAMPAGNE. 156. Our Saviour on the Crofs. — This picture is amongft the fineft things of Champagne. The figure is correctly drawn, and there is great dig- nicy and compr.fure in the countenance. The back ground is judicicufly imagined, and adds, if pofiible, a greater folemnity to the fubject.— 36 inches high, by 27 wide. CORN EI LE. 157. The Virgin with our Saviour and St. Jofeph. — A highly lludied and finifhed picture. The characters are agreeable, and the whole pleafcs in compofition, colouring, and effect. — 33 inches high, by 2.4 wide. BATTISTA FERY. 158. Diana attended by her Nymphs. — The figures in general which eompofe this picture are agree- ably interefting; and the landfcape is calculated to render them, with propriety, the principal pa*c Mr. STRANGE's PICTURES. 35 part of it. The whole is rich in colouring, and painted with a facility of pencil. — 4.6]- inches high, by 35 ± wide. L E - M O I N E. 159. Jofeph interpreting the Dreams of Pharaoh's Butler and Baker. — The gradation of light upon the principal figure gives a peculiar fweetnefs to the character, and even an elegance to the reft of the body. The draperies are in general finely compofed, and the whole painted with that tafte and facility of pencil, lb peculiar to this artift. — $y\ inches wide, by 51^ high. D E - H E U S H. 160. A Land/cape, the figures by Poelemburg.— It is not eafy to conceive a picture painted either with more delicacy or tranfparency of colour, — 17-^ inches high, by 16 wide. WOUVERMANS. «**-yi6i. A Land/cape with Pan and Syrinx. — The hifto- rical inventions of this painter are rarely to. be met with. This picture is remarkably fpirited, and produces a ftriking oppofition of light and lhadow. — 15T inches high, by ig| wide. DE-HEUSFI. 162. A Land/cape. — This artift has been no Gran- ger to the local colours of painting: the trees, the rocks, the water, the mountains, the fky, in the picture before us, are evidene proufs of it. It is one of the mod agreeable conrpoiitions of the, painter. — 25 ' T inches wide, by 2 i± high. £ 2 PIEMON T 5 36 A CATALOGUE OF P I E M O N T. 163. A Landfcape. — The general effect of this picture is exceedingly picafing, and throughout the whole there is great harmony of colours. — • 38-*- inches high, by 3 if wide. C U Y P. 164. A Landfcape with Figures and Cattle. — It is not eafy to conceive a picture of this kind better painted, treated with greater force and relief, or more knowledge in the harmony of colours. — 414- inches wide, by 34. high. SEBASTIEN BOURDON. 165. Le Marefchal de la Meiileraye, Du'y 37i hi S h - GIOVANNI BATTISTA MOLA. 172. A Land/cape. — An agreeable compofition of the mafler, painted with great effect and force of colour.— 52^ inches wide, by 37^- high. BARTOLOMEO. 173. A Land/cape, with the Story of Ceres in quejl of Profer pine. —This Landfcape, which is admi- rably painted, exhibits a fcene amongfl the moft claffic of antiquity. It is in the ifland of Sicily, and contains a profpect of mount iEtna, with a view of the ancient city of Syracufe. It is a capital picture of the mailer. — 50^ inches wide, °y 37i hi S n - GUER. Mr. STRANGE's PICTURES. 39 G U E R C I N O. .^ 174. Mary Magdalen. — The action of this figure is finely compofed, and the whole is remarkable for chara&er, and noblenefs of exprefiion. Ic is painted in Guercino's firil manner. — 48 inches high, by 374 wide. DOMENICHINO. i_i fr--*T75 The Def cent from the Crofi, from Daniel da Volterra. — It was the opinion of Nicolas Pouffin, that this compofition, which was painted in frefco, as an altar-piece in the church of the Trinita del Monte j was, next to the transfigu- ration of Raphael, the fecond in the city of Rome. Whoever has vilited that capital, knows, that it is with regret we now view the the almoft bare remains of that celebrated per- formance. The merit of the picture before us can belt convey an idea of its ancient beauties. The flile of painting in this picture, the tafte with which the characters are made out, and the freedom, delicacy, and precifion, with which the extremities are in general painted (and which is peculiar to the works of Domenichino) gives us ample authority to afcribe it to the pencil of this incomparable artift. — 67 inches high, by 474. wide. As many of the capital pictures in Iialy have been copied from time to time, even by the greateft mailers •, either for their own fluey and improvement, or at the requeft of feveral noble perfonages in Europe •, I judged it an ac- quilkion of importance to obtain a few of thefe, as they have not only done credit to their au- thors, but may with propriety be deemed a fe- condary fpecies of originals ; being principally taken from fuch frelcos or pictures, which can 7 never 4 o A CATALOGUE OF never be removed, either from the altars of the churches, or the cabinets of the princes, where they are now preserved. LUCA GIORDANO. i ij6. The Adoration of the Shepherds. — This picture is one of the maiterly performances of Luca Giordano, and has been painted at a period when his ideas were enriched with having ftu- died the works of the great matters, and before he had formed to himfelf any particular manner. We find in it much of the character of Pouflin, Andrea Sacchi, and others. It has great warmth and force of colour. The light pro- ceeding from the child, has a fine effect towards the center of the picture ; it is ingenioufly con- tracted by the fnepherd behind, the woman with the bafket of pigeons, and the angels in the clouds, who all receive it from another quarter. The whole is finely compofed, and is moft in- telligent in the principles of light and fhadow. — 67 inches high, by 47^ wide. G TJ I D O R E N I. 177. The Magdalen, 'St. Lucia, &c. attended by Angels. — This picture confifts of a compofition of no lefs than nine figures, the whole agreeable and intereftino;. On the foreground are the Magdalen, and St. Lucia, holding in their right hands the fymbols of their characters. Theie figures are remarkable for that grace, elegance, and fimplicity which ever accompany the works of this amiable painter. In the clouds is feated the virgin with our Saviour, encompaflcd by angels, in attitudes of adoration. The drape- ries in particular of this picture are admirably difpofed j the colouring of the whole is brilliant, and Mr. STRANGE's PICTURES. 41 and the character of the heads, with the extre- mities in general, are not only beautiful* but they are painted with a delicacy and freedom of pencil which almofi: exceed imagination. The lcene confifts of a larfdfcape, and at a diftance, is a profpect, intended, it is prefumed, to repre- fent the city of Jerufalem. — 22-| inches high, by 17^ wide. It was purchafed at the fale of the late Mr. Bramcamps of Amlterdam. NICOLAS POUSSIN. fr Adonis, NarciJJus, Hyacinthus, and others, meta> morphofed into various flowers. — The goddefs furrounded with little cupids, is dancing with great joy, and fcattering her treafure amongfl: her devotees. The whole of this picture forms a moft: delightful fcene, and is one of the moft elegant compofitions of PoufTin j of an outline pure as the antique, and of a ftile of colouring greatly exceeding the generality of his works. Particular mention is made of this picture by Filibien in the life of Poufiin ; and the world has been favoured with a print of it, engraved by that celebrated and able artift Gerard Audran. — 71 inches wide, by 50- inches high. End ©f the Sale# CATA* CATALOGUE O F Mr. ST RANGE'S Works. Engraved after Pi&urcs of the moft celebrated Painters of the Roman, Florentine, Lom- bard, Venetian, and other Schools. 3. d. C Le Retour du Marche Wouvermans 2 6 C Cupid - VanJoo 2 6 In the Drefden colle&ion. r Cleopatra - - Guido Reni 4 o s in the collection of the Prlncefs of Wales. i Magdalene - - Guido Reni 4 o In the collection of the late Roger Harene, Efq; C Liberality and Modefty - Guido Reni 7 6 I Apollo rewarding Merit - Andrea Sacchi 7 6 In the collection of the Earl of Spencer. < Madona - - - Guido Reni 2 O C Angel - - Guido Reni 2 » In the collection of Dr. Ghauncy. t The Finding of Romulus and J pietfo ^ Cortona 6 < Remus \ L Caefar putting away Fompeia Pietro da Cortona 7 6 In the gallery of the Ho(eJ de Tonloufe. 1 Three A CATALOGUE,^. 43 Three Children of K. Charles I. Vandyke 6 o la the Royal collection. { St. Agnes - Domemchino 7 6 < In tiie Royal collection. * JBelif&rius - - Salvator Rofa 7 & la the collection of Lord Townlhend. € Venus attired by the Graces - Guido Reni 10 6 < In the Royal collection. .==-*• Judgment of Hercules - Nicolas Pouflia 7 6 la the collection of Henry Hoare, Efqj f "St. Caecilia attended by Angels - Carlo Maratc 6 <* } In the collection of the Earl of Orford. ' Holy Family with Angels - Carlo Marrat 6 4 In the collection of Dr. Chauncy. ff Juftice <- - - Raphael 7 6 I Meeknefs - Raphael 7 6 In the Vatican palace. f Abraham putting away Hagar - Guercino to 6 A In the Sampieri palace at Bologna. * Efther before Ahafuerus - Guercino 10 t> In the Barberini palace at Rome. C Cupid fleeping ' - Guido Reni 7 5 % In the collection of Sir Laurence Dundas. C The Offspring of Love - Guido Reni 7 6 Now in the collection of Dr. William Hunter. r Venus - Titian 10 6 \ In the Medici collection. CDanae - Titian 10 6 In the collection of the King of Naples/ Jofeph 44 A CATALOGUE,^. s. d. f Jofeph and Potiphar's Wife - Guido Reni 10 6 < In the Baronelli palace at Naples. C Venus blinding Cupid - - Titian 10 6 In the Berghefe palace at Rome. Whole length of K. Charles I. - Vandyke io 6 Now in the collection of Sir Laurence Dundas. r St. Cecilia attended by the Mag-^ ! dalen, St. Paul, St. Auguftin, >Raphael io 6 Vc J J In the church of St. Giovanni in Monte at Bologna, i The celebrated Madonna, with 7 c ; I0 6 I the Magdalen, St. Jerom, &c. S 5& L In the Royal Academy at Parma. - £.11 2 6 To be had feparately, or in complete Sets. * * Thofe comprehended within braces arc Companions to each other. FINIS. ^/la-OTO TJollr&lO U/U