.awWw H apj vfl mt&Sik !4^P ! ^Afv£ SriM^dn*hj ... 12 fbtei ! f>)nhs 4 k;.‘ ' Tvist* w» <- 4)1776^ I £t£wv^ ^ tHvfcfA. ?}' $Ufffa *1 f c^.;\-'' i . •'. w- - THE • ANATOMY or P A I N TI N G: ORA SHORT AND EASY INTRODUCTION TO ANATOMY : BEING A NEW EDITION, ON A SMALLER SCALE, OF SIX TABLES OF AlBISUS, WITH THEIR LINEAR FIGURES: ALSO, A NEW TRANSLATION OF AlBINUs’s HISTORY OF THAT WORK, AND OF HIS INDEX TO THE SIX TABLES TO WHICH ARE ADDED THE ANATOMY OF CELSUS, WITH NOTES, AND THE PHYSIOLOGY OF ClCERO : WITH AN INTRODUCTION, GIVING A SHORT VIEW OF PICTURESQUE ANATOMY. By JOHN BRISBANE, M. .D. SIC ECO NUNC, QUONIAM H«C RATIO F1ERU.M Q_U E VIDETUR TRISTIOR ESSE, QUIBUS NON EST TRACTATA, RETRO QU E VOLGUS ABHORRET AB HAC: VOLUI TIBI S U A VILO QU E N TI CARMINE PIERIO RATIONEM EXPONERE NOSTRAM, ET QUASI MUSEO DULCI CONTINGERE MELEE, SI TIBI FORTE ANIMUM TALI RATIONE TENERE VERSIBUS IN NO ST RI S POSSEM, DUM PERSPICIS OMNEM NATURAM RERUM, QUA CONSTET COMPTA FIGURA. Lucret. LONDON: Printed by George Scott, And sold by T. Cadell bookseller, successor to Mr. Millar, in the Strand M DCC LXIX. THE GENERAL PREFACE. I T is doing fervice to mankind, to extend the knowledge of any ufeful art, and to render it more eafy and delightful. Many M ould incline to have fomc knowledge of the ftructure of the human frame, who cannot bear dead bodies, and actual diflection, and who cannot relifh the common dry and tedious method of treating anatomy. Diffedtions of the human body, in fthools of anatomy, are by far too frequent, and often to very little purpofe ; on the contrary, it would be an eafy mat¬ ter to teach the mod ufeful part of anatomy, by models and figures alone, properly explained ; Purely fo far as to fiitisfy e- very one, except thole who lludied it as a preparation for the practice of phyfic and furgery ; and even in that cafe, anatomy might be taught in a much lliorter and more agreeable man¬ ner than is commonly done. Many writers upon arts and Ici- ences, and particularly on anatomy, feem to have no juft idea of the nature and utility el figures, and moft anatomifts confine that art, almoft entirely, to the purpofes of phyfic and fiirgery ; whereas it is neceflary in a particular manner, to thofe who ftu- dy and piactife the arts ut .UcL— i, ^ nnd ought to be taught and wrote upon vv-ith that view, by men fkilful in thefe arts. p or tho’ phyficians and fiirgeons have, for a long time, in a manner engrafted the whole bufinefi of teaching anatomy; yet painters ftatuaries, and engravers, Ihould affert their rights, and teach, and write upon this fcience, in a picturefque manner, fuited to their own art ; in which it is as immediately and eflentially ufeful, as even in phyfic or furgery ; for no one can poflibly treat of anatomy for the ufe of painters, fo as to fatisfy and be agreeable to true judges and lovers of the arts of defign, unlefs he himfelf is iltilled in thefe arts, and in the true application of anatomy to painting. Let none however imagine, becaufe from experience of their great utility, 1 fo much recommend models and figures, as a good introduction to anatomy, that I a do 4h' i I t ;• i do not fee the ufe and necefiity of adhxal diffection, to thofe who would be complete matters of this feience ; and efpecially in the art of medicine, in order to difeover the feats and caufes of difeafes. I want only to control the manifeft abufes ot dife lection, as the ufeful part of the ftruclure of the human body is now fully afeertained, and to fhow, that good figures are on many occafions much more proper, ufeful, and inftrudtive, as an introduction to anatomy, tho’ little underftood or recom¬ mended by moft teachers of that art, who are feldom judges of good or bad figures, tho’ dime have given pompous ones, wherein they have been totally milled by artifts unlkilful in tliefe matters. The greateft men of antiquity, looked upon it as part of a liberal education, to have feme idea of every im¬ portant feience, and among the reft of anatomy ; accordingly We find a lllort but elegant fyltem of the animal oeconomy, in Cicero’s fecond book of the Nature of the Gods ; and the like of anatomy in the works of Celfus, comprehended in the compafs of a few pages, in fiich a manner, as mult give the greateft pleafure to every lover of that art. How different from the te¬ dious manner of moft anatomical authors i For it is to be la¬ mented, that not only the common herd, but even feme great anatomifts, carried away by the irrefiftible torrent of cuftom, have often defeendfJ great minutenefs ; but what is to¬ lerable, and femetimes ufeful and agreeable, in tliefe firfl rate men, in a vulgar anatomift, who has minutenels alone to re¬ commend him, is in the higheft degree tirefeme and difguftful; as he is not capable to adorn his fubjcct with any thing either ufeful or elegant. As to anatomical figures, tho’ at prefent too much neglected, they were not only ufed by the ancients, and early introduced by the great reltorers of modern anatomy, but are purfued and improved to this day, with great judgment and fkill, by the moft learned and elegant anatomifts ; and their conftruction and ufe ought in a particular manner to he un¬ derftood, by thofe who teach or who ftudy anatomy with a view to the arts of defign, tho’ they are moft worthy of the ftudy and attention of anatomifts of every kind. Accordingly Vefalius. L v ] Vefalius, phyfician to the emperor Charles V. the great reflor- er of anatomy and furgery among the moderns, in his immor¬ tal work bn the fabrick of the human body, gave admirable fi¬ gures of the bones and mufcles, cfpecially the external orders: he lived at a time, when painting flourilhed in Italy to a very high degree ; and many of his figures, not only give the greateft delight and inftrudtion to an anatomift, but allb to a painter. His great rival Euftachius purlued a different plan, more accu¬ rate in anatomical truth, diligent in the liiglieft degree, learn¬ ed and ingenious; but without the noble fire, and manly free¬ dom of Vefalius. The figures of Euftachius are the molt valu¬ able part of his remains, and, tho’ as to the painter’s art Am¬ ple and unadorned, are mofl clear and inftructivc to an anato¬ mift, and executed with great judgment; fo that even in om- days, they are held in the higheft efteern ; and indeed neither the particulars they contain (and they may be laid to contain ahnoft an entire fyftem of the anatomy that was then known) nor the fkilful manner in which they were conitructcd, were underftood, till pointed out and explained by the great Albi- ntts ; who, together with the utmofl judgment and accuracy, has added true elegance to every part of anatomy, but in a particular manner to anatomical figures, and has even in a manner accomodated them to the art of painting. And if I may judge from the labour it coft me, to follow hlo footfteps, in an exatl copy of forne part of his works, the labours he him- felf has undergone, mull have exhaufted the utmoft extent of human patience; efpecially in one fo eminent for elegance of genius, a character generally fo impatient of tedious and labo¬ rious purfuits. The fix tables of Albinus, which are now publifhed in a final- ler form, tho’ they may ferve as an introduction to anatomy, and as an ornament to hang up in the ftudies of fuch as love that fcience, are chiefly intended for the ufe of thofe, who pur- fue the arts of clefign, in order to awaken their attention to this part of their profeflion, and as a fpecimen to form the tafte of youth, C Vi ] youth, early, to a love of elegance in anatomy, anti to blow them how milch lliorter, more ealy, and agreeable it is, to be introduced to that fcience by means of figures, than by tedious lyftems, and lectures upon dead bodies alone. The work was alio undertaken for the amufement of the editor at his leifiire hours, who is a profefled lover of anatomy, and of the arts of defigri. It was likewife undertaken from a veneration of the great Albinus, in order Hill further to Ipread the knowledge of his admirable works, fo juftly defer ving to be known ; but particularly to recommend the regular ule of figures in ana¬ tomy, and the true manner of applying that fcience to the ufes of the arts of defign. The fmaller form was cliofen, to make the tables more portable, more fit for ftudy, and at the fame time to come at a lower price. Tho’ fin all, they are of fitch a fizc as to contain, in the dillinctefi manner, whatever is ex- prefi’ed in the large originals from which they were copied, feme entirely, and others partly with my own hand ; and en¬ graved, under my own eye and conftant direction, by a young engraver, who I hope will one day be eminent in his profefe lion. No time or expence was Ip axed to give them all the per¬ fection, that copies of luch inimitable originals are capable of. The back grounds were omitted, not only to lave labour and expence, but as tables of fo ftnall a form did not fo much re¬ quire theft: ornaments; and by want of them, the figures feern- cd to appear with more diftinctnels and perfpicuity, and to be fitter for the ufe of fcience. To the outlines or linear figures, on account of the fize, I was obliged to add figures of parti¬ cular parts as large as the originals; otherwife I could not have found room for the letters or marks of reference ; this I hope will be thought a good contrivance, and will not be inconvenient to the reader, the feparate parts being placed all around, near the correlponding members of the entire figure, and as it were in the feme attitude and direction, fo that the eye palfes eafily from the one to the other ; and what let¬ ters are not found on the entire figure, mult always be looked for on the feparate correlponding parts. And it is hoped that very [ vii ] very few errors will be found, even in the linear tables, and letters or marks upon them, which were examined with the fame attention as every other part of the work ; and indeed, in my care of printing the tables, choice of the workmen, and of the paper, and in every other particular, I followed, as nearly as I was able, the excellent method purltied and defcribed by Albinus bimfelf. "file tranflation, both of the general preface of Albinus, con¬ taining the liiltory of the work, and alio of his explication of the tables, is entirely new; in which I have not only endea¬ voured to exprefs the fenfe, but alfo the graces of Albinus ; and in the index, or explication of the tables, his elegant brevity. I had too much pleaffire in endeavouring to imitate that threat anatomifl, and to try to exprefs the beauty and elegance of his manner, to weary of the laborious talk of tranflating him anew ; efpecially as the former Englifli tranflator, befides miffing almoft every where the character and elegance of the author, is erroneous in many places, and in lome pages of the liiltory of the work hardly to be underflood; chiefly becaufe the tranflator feems not to feel the beau¬ ty of the Original, and to be totally ignorant of the pain¬ ter’s art, fbme knowledge of which is 16 neceffioy to one th?r undertakes a work of this kind. I have taken the liberty to divide Albinus’s liiltory of the work into chapters and lections, and alfo have added an epitome of it; for tho’ nothinsr can be more methodical, and more worthy the ftudy both of painters and anatomifts, than that hiftory, in order to judge of the merit and defects of anatomical figures, and in what man¬ ner they ought to be conftructed ; yet as the nature of the iiib- ject, and the minutenefs of the author, require an attentive reader, I thought tliefe fmaller helps, by rendering every thing more clear and cafv, might be ufeful to young painters and ana¬ tomifts. I confefi however, notwithftanding all the pains I have beftowed, that my copies, both of the tables and of the words of Albinus, are many degrees inferior to the originals ; but I flatter k myfelf inyfelf they are lels unworthy of them, than foine former at* tempts; tho’ perhaps others may difcover errors and defects in my tranflation and copies, that I myfelf am inlenfible of. Such errors I fliall ever he ready to own and to correct; and I fhall proceed to give the remaining mulcular tables of Albinus, fo as to complete the work ; likewile other anatomical tables and treatiles, according as I find tliev w ill be agreeable to the public. As an ornament to this little work, I have added the anatomy of Celfits, to lerve for a Ipecimen of that fine author ; with in* tendon to fliow, in how fltort a compafs lo important and difficult a (abject as anatomy may be treated, in a clear and elegant manner; if my tranllation of this part of Celfus is ap* proved, I fliall afterwards exhibit other parts of that accom* plifhed author in an Englifli drels. 1 have likewile added a tranflation of the anatomy and phyfiology of Cicero ; in order, if poffible, by fo bright an example, to recommend the ftudy of ufeful and elegant learning, to the great of our own age and country, and thereby revive the manners of greater and more virtuous times. Laftly, 1 have ventured to premile a fliort introduction to anatomy, in a manner fuited to the ufe of the lovers and practilers of the arts of defign ; and as the attempt is fomewliat new, 1 hope its faults and imperfections, with the others found in this work, w ill meet w ith the favour and indulgence of learned and candid judges. Great Titchfifld-Street, January i. mdcclxix. INTRODUCTION TO THE TABLES GIVING A SHORT VIEW OF PICTURESQUE ANATOMY. A N A T O M Y, like many other parts of learning, has often been defcribed with too much minutenels, fo as to make it tedious and difagreeable, even to the lovers of that art. Great judgment and Ikill are required to rejeCt the ufelefs, and to retain, arrange, and adorn the ufeful parts of fcience, and apply them to practice, fo as to be agreeable to men of genius, and fit. for the generality of mankind, leaving the minute and lefs ufeful things to the ftudy of the curious. In this method of treating every fubjedt, the works of the ancients afford the moft admirable models, while the bulk of modern fyftems, tho’ rich in matter, too often confound us with a load of ill digefted particulars, heaped together without tafte or judgment, and defcribed without perfpicuity or elegance. A great reformation in this is therefore much required, and on no fubject more than ana¬ tomy-, fo that notwithstanding the many large fyftems and abridgments already publifhed, a fhort and elegant fyftem of anatomy is ftill greatly wanted, fitted for general ufe, and for men of liberal education, and particularly for the pradtifers and lovers of the arts of defign : and indeed it would appear, that a method chiefly by good figures and explications, would belt of all anfwer that pur- pofe : for what more natural, fhort, and agreeable way can be devifed, to explain the mechanical ftrudlure of any machine, than by prefenting it to the eye in a feries of proper figures ? nor could the fabrick of the human body be fooner or more agreeably learned, or deeper fixed in the memory, than by copying the beft anatomical figures, and indeed many other parts of knowledge might be fooner and more agreeably taught by the afliftance of drawing, than by any other method ; for which reafon, drawing ought to be an univerfal piece of education, and conftantly taught along with writing, which is only a fpecies of it. On thefe accounts I have often wifhed, not only that anatomy were commonly taught in a very different manner from that now in ufe, and tnai iig ur c» better under- ftood, and more ufed, but alfo that fome learned, judicious, and elegant anatomift, would take the trouble to compofe fuch a fhort fyftem as I have defcribed, attended with a complete fet of fi¬ gures properly explained: by which means anatomy would be rendered eafy, and much more a- greeable, and therefore become a more general ftudy, as a part of liberal education ; and not, as it is at prefent, be in a manner totally confined to phyficians and furgeons, and even to them, too often taught in a dull, tedious and difagreeable manner. I have alfo wifhed, that fome perfon {killed both in anatomy and in the art of painting, would treat of anatomy in a manner particular¬ ly fuited to the arts of defign; a thing much wanted by the profeffors and lovers of thefe arts, and little underftood by the generality of anatomifts : and I confefs, I had once fome thoughts of trying what I myfelf could perform in that way, but finding that it required more abilities than I was matter of, to give a complete and regular treatife upon that fubjeCt, and alfo more time than I could fpare from other avocations, I altered my defign, and inftead thereof, by way of introduction to the following tables, before the particular explication is confulted, I thought it might be of fome ufe to lay a few obfervations on that fubjeCt before the reader. I According { [ X ] According to the views that thefe have who apply to the fludy of anatomy, their attention mui be applied to different things, and in a different manner. Thus, according to the prefent fyflem o medical education, a phyfician muff ftudy anatomy on an extenfive plan, and with very enlarge* v.ews, fo as to underftand not only the larger parts, and grofs mechanifm of the animal, but M to penetrate into its mod intimate ftrufture, fo as to difeover, if poffible, the mod minute veffels cells, pores and fibres, upon which the various funftions of the animal depend, and which are thi feats of particular difeafes, or by means of which, remedies may be applied to the whole body, 01 its particular parts : nor mud he underdand the folids only, but alfo the fluid parts, which nou’rid the former, and are themfelves the feats of difeafes, and aft upon the folids fometimes as poifons ; and fometimes as remedies; nor ought the finer parts by which the body is governed, and even the mind itfelf, fo far as it afts upon and is conneSed with the body, to be lefs the fubjeft of medical fludy than the body itfelf; otherwife, a phyfician mud have very imperfeft ideas of his profeffion, and of the animal machine, and often fail in his cures, becaufe many difeafes are wholly, or partly cured by the movements of the mind, or by applying the remedy firff to the mind, and thereby producing the withed for effeft upon the body. And in like manner, the whole extent of nature, in fo far as it can any way influence or affedl the animal machine, either to injure or reffore it, is alfo the true and neceffary fubjeft of medical fludy ; from all which may be feen, the importance of the medical profeffion, and the great extent and difficulty of it, efpecially as fo much judgment, honour, humanity, and induflry, are conftantly required in the praftice of it; otherwife, opportu¬ nities mud be lod, and the greated mifehief done; and an art dedined for the fafety and’proteftion of mankind, be converted into the greated curfe to fociety. But to return to anatomy. A furgeon on the other hand, tho’ he ought to have at lead a general idea of the animal ceco. nomy, and indeed of every part of medicine, yet his chief anatomical dudy fhould be confined to know exactly the bones, with their joints, and the mufcles, together with the large blood veffels and nerves, and the fituations and mechanical druflure of thefe parts, which are to be the fubjeft °’. or ought to be fhunned in performing operations, or are the feats of chirurgical difeafes, or to which external remedies are moft properly applied. But a painter or a I— or the arts of defign, mud fludy anatomy with other views. As th reprefentation of the outf.de or furface of the human body, is the chief object of his art, h ought to ftudy the ftrufture of the body and its inward parts, chiefly for the fake of or as the affea or are referred to the external furface, and make their appearance there, or ’are afiiftan m the better drawing and reprefentation of it. Hence the parts which (how themfelves upon or affea the furface of the body, ought to be the foie or chief objed of the ftudy of a painter The parts therefore that he neared to the furface or outfide of the body, and confequendy thai are mod immediately concerned ,n forming its outline, are fird to be confidered by a painter vrf the external layer of mufcles, efpecially the larger ones, and thefe that] are mod fleS to appear m the movements and attitudes of the body: as to the fldn and fat under it thefe are uniformly fpread over the whole body, and are to be confldered merely as a drapery ’or cover¬ ing to the more inward parts, which appear every where more or lefs thro’ them at fome times and places in a dronger, and at others in an obfeurer manner. But tho’ the parts neared to the furface, ate the fird and mod obvious that belong to the dudy of a painter, yet nature has fo contrived the human body, that the external parts cannot be well underdood, without a jud idea of the internal ones, even of thofe which are as it were buried in the center of the body: I mean [ ] I mein the bones, or Ikeleton, which are the foundation and frame on which the whole fabrick is built, and to which, as abafis, all the other parts are mediately or immediately referred, particularly the mufcles, fo neceffary to be known by painters, which are chiefly inferted into the bones, and make confiderable marks and imprelflons upon them; and confequently, without the knowledge of the bones, the mufcles and other foft parts cannot be underftood : but there is another reafon why the bones mull be ftudied by a painter, viz. becaule parts of the bones, tho covered by the integu¬ ments, appear not oblcurely to the eye in many places of the body, and like the large mufcles, are there the caufe of the outline, and of the charafter, proportion, beauty, and appearance of many parts; and when properly confidered and underftood, the bones, by fo many fixed points, give the fineft direftion to a painter, not only how to find and place the mufcles, but alfo how to draw the human body ; nor can it be fo juftly or readily drawn by any painter, as by one that un- derftands anatomy in a mafterly manner, and particularly the bones and external mufcles, and can point them all out upon a living man, and by means of that knowledge, determines all his points, and the forms and proportions of every part and member, adding one part to another as he knows they lie upon the body: this is the true and natural method of drawing the human figure, and is a much eafier and compleater way, to one that underftands anatomy, than any artificial or mechanical method by fquares, or by dividing the body into fo many heads, or by trufting merely to praftice and memory, or a fcrvile imitation of any mailer. But tho’ the bones and external mufcles are the moll neceffary part of the anatomical ftudy of a painter, yet it mud be confeffed, that at leafc a general knowledge of the whole fabrick is of great ufe, in order to a more complete and mafterly reprefentation of the human body, and in order to be able to diverfify, and give a reafon for every appearance; and not only the folids mull be known by a painter, but he ought likewife to have fome idea of the fluids, as on thefe chiefly depend the various tints and colours of the (kin, that appear in the different fexes and ages of life, in different charafters and occafions, climates and nations, even to that of the Blacks or ^Ethiopians. And as nature has fo contrived the human frame, that the movements and paffions of the mind affeft the body, and are evidently feen and diftinvuiihed upon the countenance, and are expreffed there and in other parts of the body by ftrong and certain charafters, and as this is the moll delicate and higheft part of the painter’s art, by which he is capable to move, to delight, to inftrua mankind, and to recommend himfelf and his nrr to their efteem and admiration; therefore, the ftudy of the mind, and its various charac¬ ters, paflions, and movements, in fo far as they are marked upon, and expreffed by the body, ouvht to be above all things the ftudy of a painter: for as the members of the human body, in a ctood pifture, beautifully appear thro’ the drapery, and as the bones and mufcles appear thro’ the fkin fo the mind itfelf in all its charafters and paflions appears upon the countenance, and in the expreffive proportions, attitudes, and tints of various parts; by which, as in a pantomime or dumb reprefentation, a painter can as it were fpeak to the beholders, and by lines and colours alone, can perform the fame effefts with the mufician, the poet, the orator, or the after upon the ftage of mimic, or of real life. A lover of the arts of defign, or indeed any anatomift of true tafle, will look upon the human body and all its parts with the eye of a painter, otherwife, he will fee and deferibe it in an ignorant and ruftic manner : this pifturefque turn we obferve in few modern anatomifts, but rather a great ianorance of it, the generality feldom rifing above mechanical ideas, and many of them have even been ignorant of geometry, and every polite and liberal fcience, though abfolutely neceffary to a true knowledge of anatomy. Obferving the human body with the eye of a painter, enables us c to } to fee it in ail its beauty and perfeftion, and raifes in our minds a thoufand ideas of the ufes and propnety o the feverai parts, whereof one ignorant of painting will be totally infenfible : and in defcninng the human body upon this plan, we naturally do it in the moft clear, tort and acree able manner far different from the dull pedantic defctiptions and tedious trifling of vulgar anato- nults. It,s from bad habits alone, and mere want of genius, that any noble fcience, or any def cription of nature can become tedious or difagreeble, or be born and relitod by the hearers • hence the works of the ancients, and of thofe who follow their footdeps, are read and feen with delight and adm.rat.on, wh.le we are apt to fall alleep over the works of many accurate and la¬ borious modern writers, and wonder how men can be fo blind and infenfible to true beauty when nature and fuch admirable models are conftantly before their eyes. Having premired theft few obfervations, I might remit the reader to the tables themfelves with their explication ; by the careful perufal of which, a tolerable idea may be formed of the Ikeleton and external mufcles, at leaft, for the ufes of painting, but the young anatomift and painter will perhaps better underftand them, and with more eafe and pleafure, and be able more fully to conneft the particulars, and apply them to the arts of def,gn, by means of the following tort etch of pi&orefque anatomy, which, m its turn, will alfo be better underftood by confulting all along the tables and the explication, this introduffion and the tables mutually tending to ex plain and llluftrate each other. ° j n c. IV X, L, i u i\ . The fyftem of the bones or Ikeleton, is as it were the folid frame that contains, defends, and gives ftability to the fofter parts, and to which they are ultimately attached; and confequently this bonv fabrick has of itfelt the general form, fize, and appearance of the entire body (Tab. I. II. III.). This folid frame is moft artfully compofed of different parts jointed one to anodier, fo as to be capable of every ufeful and graceful motion, in the whole and in all its parts ; and the various bones and pieces ofwhichitis compofed, differ in fize, form and ftrength, in pofition, connexions and motionf ac cording to the ufes and exigencies, and even the beauty of every part, to which they often add a certain grace and charafter. hy oWi„„-I y appearing here and there throueh the to even in the living body. The head, which the painters conf.der as an oval (Tab I n m , ? ’ it were, the dome or cupola to the whole edifice. In this higheft part the fenfcs are placed "i d the brain defended by folid bone ; the head, like the reft of the body, derives its fize for ’ portions, and principal charafters firrt from the bones, but the foft parts that cover tom Zj the life, the motions, and the finilhing beauty, in which Iaft, the hair alfo concurs ; and it i f pnfing how fo few Ample organs, and fo thin a covering of foft parts, are capable offish infinite Z riety of forms and expreffions as we fee in the human countenance, affording an endlefs field of ftudy. In the head the bony part is a more complete fabrick, and comes nearer to the form J T entire body than in any otor part of the Ikeleton ; and being the feat of fo many nobft “d the chief part to be ftudied by a painter, it deferves the firft place, according to the common cuf tom of anatomifts. Here veftiges of the fmooth policed bone fhew themfelves on the forehead in the tilings all around the eye, in the hollow of the temples, on the nofe and cheek bones and’ margin of the lower jaw giving great pleafure to a painter that underftands anatomy Ne xt comes the elegantly bent pillar of the fpine, (Tab. III.) ft rong , yet flexible, b Q parts firmly tied together. This bony column, at the fame time, gives fize, ftreng and motion to the body, attachment to many furrounding parts, and being hollow through fts ^o C *iii ] length, ferves to condu 6 t and fecure the fpinal marrow, and to tranfmit nerves to every part of the trunk and extremities. The fpine confifts of four and twenty vertebras, (Tab. I. II. III.) generally increafing in fize as they defcend, and gradually varying in their figure: feven of thefe vertebras belong to the neck, which admit of peculiar and confiderable motions, and allow of many graceful movements to the head and neck. The next twelve belong to the back, thefe are almoft rigid, and admit of veiy little motion •, to thefe, as to a folid bafts, the twelve ribs of each fide are attached, which toge¬ ther with the fternum, and their own cartilages, form a kind of yielding cage or balket, to contain, the heart and lungs, (Tab. I. II. III.). This bony cage admits of a fmall motion when we breath ; and to the lower margin of it all around, is fixed the diaphragm, a tranfverfe mufcular partition, dividing the thorax from the abdomen, a main organ of refpiration and of other functions. The five lower vertebra; belong to the loins, and admit of confiderable motion, of great ufe in the firm and graceful attitudes and flexions of the trunk, and in many offices of common life. Between the ribs and pelvis there is a great void in the fkeleton, efpecially before, (Tab. III.). In this fpace lie many of the abdominal vifeera, with the parts that contain and cover them, making on the forepart the beautiful fwell of the abdomen, elegantly marked by the containing parts (Tab. IV.). To the fupe- rior part of the thorax, by means of the tranfverfe clavicles and of large and ftrong mufcles, are ap¬ pended the upper extremities, which at the fhoulders give breadth to the thorax above, and ferve many noble purpofes of flrength, of art, of defence, of exprellion, and o f beauty. Thefe are divided into the fhoulder, confifting of the clavicle before, and the thin broad fcapula behind, which moving free among the mufcles, by their means governs the motions of the whole arm •, and its triangular form has a molt beautiful effeft,] feen floating among the foft parts in the naked figure (Tab. V.) : and indeed the whole ffioulder is a molt noble part, and a fine exercife to a painter that underftands anatomy, for befides many fine large mufcles, the bones themfelves alfo moll beautifully and dif- tin&ly appear. Next comes the arm bone, capable of a large and free motion, whofe round head at the fhoulder in lean perfons obfeurely appears, and at the lower end its condyles are evidently feen, where it is joined to the forearm •, this confifts of the radius and ulna, which move upon the arm bone with the more confined motion of flexion and extention, but for the fake of the hand and its various and important ufes, the radius and ulna likewife revolve upon each other length¬ ways, in a very curious and Angular manner, turning the hand alternately prone and lupine, as upon an axis. Laftly comes the hand itlelf, the moft Ample and curious mudnno In nature ; it confifts of the carpus, metacarpus, and five fingers, the thumb being as it were an antagonift to the other four •, the whole by its general form, and different parts and motions, ferving almoft every poffible ufe, and its various attitudes being capable of great beauty and variety, an infinite field to painters, and moft worthy of their ftudy, and indeed, next to the countenance and the voice, the moft beautiful and expYeffive part of the human body. We come now to the'pelvis and lower extremities. The pelvis fupports and defends the lower vif¬ eera. The back part or os facrum (with its coccyx) of a triangular form, is at it were the bafis and continuation of the fpine, whofe vertebra; it obfeurely refembles, and performs its offices, by re¬ ceiving the extremity of the fpinal marrow, and tranfmitting nerves to the lurrounding parts. The lateral and foreparts of the pelvis, though fixed and immoveable, anfwer in fome refpeft to the fcapula; and clavicles, as they afford lockets for the thigh bones, and alfo a feat to many ftrong mufcles that belong to the trunk and extremities. The upper margins of the offa ilium appear gracefully in the living body on the forepart, and form a kind of boundary between the belly and the thighs. The fpines of the os facrum, as of the vertebra;, obfeurely appear in bodies not loaded with fat, as alfo the great trochanter of the thigh, the reft of which bone, till you come to the [ xiv ] the knee, is deeply immerfed among large and ftrong mufdes : but at the knee, the bones make a very fine appearance, viz, the condyles of the thigh bone, the tops of the tibia and fibula, and the round patella, (Tab. I. II.) a bone fo beautiful and fo ufeful in the government and defence of this joint. Here fkilful painters and fculptorf- never fail to Ihew their art, not only in the entirely naked figure, but in fome ancient roman habits, in which this beautiful joint appears, and indeed the ancient dreffes, and even fome of the gothic ones, greatly excel the modern, as they not only cloath, but adorn the human body, fhewing its feveral parts to advantage, and giving a noble field to painters and fculptors, who, when they want to add dignity and beauty to their figures, are obliged to borrow from the dreffes of the ancients, as we do from their languages, architedture, and the other arts of antiquity. The bone of the tibia appears through the whole length of the leg, and at the lower part of the tibia and fibula, the two ankles elegantly appear, and fix the bounds between the leg and foot. The foot, a thick and folid part, ferves as a bafis and fupport to the whole body, and therefore its parts are only capable of obfcure motion ; it confifts of the tarfus, metatarfus and toes : in the whole, and in every part, it in fome fort rcfembles the hand ; and tho’ much inferior, comes next to it in beauty, and therefore great artifts feldom cover this part, but like the hand, take pleafure in Ihewing it naked in all its varieties. The various conformation of certain parts, chiefly at the extremity of bones, is the principal caufe of all the variety of the joints; which are compleated by means of ligaments that bind them together, and of fmooth cartilages, and a certain lubricating moilture to enable the articulated parts to Hide quickly, fmoothly, and gently upon each other. By means of the joints, the human body becomes a moving fabrick, a thing neceffary in the common offices and arts of life, alfo for health, defence, and amufement. By the joints, mod of which fo elegantly appear to the eye, the body is not only fubdivided into a multitude of well pro¬ portioned parts and members, compofing one harmonious whole, beautiful to the eye, but is thereby capable of an infinite variety of ufeful, expreffive, and graceful attitudes and motions ; and though every joint has its peculiar ufe and extent of mobility, determined by the nature and confor¬ mation of the parts that compofe it ; yet the joints, as we Ihall fee afterwards of the mufcles, feldom aft feparately and alone, but like thefe, beautifully co operate one with another, in all the princi¬ pal attitudes and movements of the body ; fo that in many pofitions, almoft all the joints, as well as principal*mufcles, are more or lefs concerned, and aft in harmony one wiiti another, havinn each a certain fhare in thefe ufeful and beautiful movements. But a particular defeription of the diffe rent joints, with fuch obfervations on them as properly belong to the painter’s art, thouo-h a moll curious and ufeful part of anatomy, would be too tedious for a Ihort introduflion of this kind Though there are only male and adult fkeletons reprefented in thefe figures, we may obferve, that the difference of fexes and of ages is feen even in the (keleton, as well as in the entire body; not to mention the difference of ftature, and of the fize, ftrength and form of particular bones, even to the fingers, the different proportion of the Ihoulders and pelvis in the two fexes is remarkable. In the male, the (houlders are broader and the pelvis more narrow; the contrary is the cafe in the female (keleton : and befides, the whole has a more feminine appearance, the bones are fmoother and more delicate, with much lefs roughnefs from the impreffions of the mufcles and furrounding parts. The like may be obferved of the fkeletons of children, the whole of which have the famt appearance, and the parts the fame proportions with the correfponding parts of the entire child. The large globol'e head, the round face, the (hortened trunk and extremities, the bones thick, foft and [ XV ] and almoft every where imperfeft, the proceffes, protuberances, and marks or impreffions, left evident, and the bones confining of many parts and diviiions, which are afterwards united in the hard and perfedt bones of adults. But the differences of age and fex are not the only ones we can perceive upon the Ikeleton-, a fkilful perron can eafily diftinguilh the ikeleton of a well made delicate body from that of one of a more rude or homely make, and all the different degrees of deformity : we may with Vefalius diftinguilh the ikulls of different nations ; and in like manner, by a more nice and accurate attention, we may go a great way to obferve almoft every charafter and diftinftion, that is perceivable in the entire man ; for the impreffions of early habits, which from the mind, or from other quarters, affeft the general appearance of the entire body, generally communicate themfelves even to the bones, which being long in a foft and growing ftate, are evidently fufceptible of changes and impreffions of many kinds, from the nature and adtion of the furrounding parts. So much for the bones andtheir joints, in fo far as may fuffice to give a faint idea of thefe parts for the ufes of painting and fculpture, and to ferve the lovers of thefe arts as an intrcduftion to the explication of the following tables. We now proceed to give a like idea of the mufcles. OF THE MUSCLES. The Ikeleton is one fimple fyftem of folid patts, feen as it were at one view, and ferving as a jointed frame on which to build the reft of the body. But the mufcular or flelhy parts, that cloath and move the Ikeleton, are foft, and form a more various and complicated fyftem, confifting of dif¬ ferent ftata or layers, one covering another, and divided into numerous portions of different flze and fio-ure, regularly difpofed over the whole body, compofing a great part of its bulk, and the chief caufe of the fize and form of the members ; for when ftript of its uniform coverings, viz. the fkin and cellular or fatty membrane, the external mufcular figure nearly refembles that of the entire body. The mufcles differ greatly in their fize, figure, and other particulars, according to the parts where they are fituated, and the ufes to which they are applied. But in general they are compofed of fibers- the middle part or belly being large, foft and red, ana ul«. ««n,mes or tendons, which are generally inlerted in bones, being fmaller and harder, white and Ihining ; the red part is pro¬ perly the moving power, and ads by contraflion, during which it fwells, becomes hard and ffiorter, fometimes to a great degree, and thereby pulls the parts to which its extremities are affixed. The mufcles are governed by the power of the will, except the fibers of the heart and of the inteftines, which of all°others are moft irritable ; the mufcles of refpiration aft in both ways. The mufcles can aft in the moft gentle and delicate manner, and alfo with great ftrength and velocity, though much of their power is loft, by the places and manner in which they are often fituated and inferred on the parts to be moved. The caufes of mufcular motion, are difficult to be accounted for from the known ftruSure of mufcles -, great velocity communicated to the nervous fluid by the mind, fo as to ftimulate the fibrils, feems the moft probable account. The mufcles are arranged in their places, and allowed to Hide upon each other, by means of the cellular or fatty membrane, and their fibres are lubricated every where by the oil it contains ; and in the fabnek of the body, and of the mufcles themfelves, many contrivances are ufed to affift their aftions. The mufcles are in fufficient number, and fo difpofed and contrived, as to be a warm covering and defence to the more inward parts, as well as to move the joints in all the direflions they are capable of, to affift in many d functions L XV1 J funftions of the body, and to place and retain it in every poffible attitude; in doing which, the particular mufcles feldom aft alone, but in the mod: various manner co-operate with or oppofe each other: lb that the whole mufcular fyflem may be confidered as one mufcle, every fibre bein°- entirely under the power of the will, at the pleafure of which, the whole body and all its parts are at once or alternately moved and governed, as it were by fo many bridles. Befides this grand purpofe of the mufcles, they l.kew.fe ferve the general ufes of the animal machine, being the chief caufe of refpiration, and of the circulation of the blood and juices, alfo promoting digeftion, abforption ecret’on excretion, nutrition and growth ; hence they likewife prevent and cure obftruftions and other thfeafes, and by their inceflant aftion are one great caufe of the hardening and waftinv of the body, and the decays of old age. ° 1 his is a general idea of the mufcular fyftem ; but a painter mud Ihidy it with particular views to hts own art. He mud confider, that the mufcles chiefly form the five and outline of the body; that many of the external mufcles have regular forms, and beautifully appear at all times under the (kin, but efpecially when in violent aftion j that in that cafe, even deep feated mufcles fomeumes appear, as alfo more clearly the bones and other parts, that the different parts of the Ikeleton bearing obliquely upon each other, and upon the feet or common bafe, even in the mod Ample attitudes, many mufcle, am therefore condantly in aftion, fuccelfively relievino- furflce of'theb r d Crt ° P r ferVethe;£qUilibriUm ’ Cha " ging thdr “0 prances on the face of body, as the various podures, attitudes, or exertions require. Thefe appearances he ought diligently to obferve, even in different bodies, and compare them with his knowledge of anatomy, ,n order to apply them judly on proper occafions to adorn his figures. In this the an¬ cient amds far excelled the moderns; and indeed, not to mention their other advantages, they had better opportunities of obferving the naked body in the gymnafia, when employed in the manly exercilesofthepatedra. But why are not thefe inditutions revived along with the other noble difcipline of antiquity, founded on nature and reafon, and aiming at the perfeftion of the human kind . It this were done upon a proper plan, as our lights and opportunities are fuperior to theirs we might in time not only equal, but even excel them. Is it not the difgrace of a nation that fo much dud.es and admires, and above all others refembles the antients, and feems fond to rival them, to be fo long funk i. partial, and felfilh ideas, thar retard its glory and progrefs to true greatneis. Not only men of genius, but the people in general W fo, aic JL f this defirable event, and wait only for leaders worthy of them. The ancients were perfeft m ft " in applying anatomy to the arts of defign, they not only knew the general form and places of th mufcles, but how to vary their appearance in every degree of aftion and of charafter Tl cles of a Hercules, for example, differ from thefe of an Apollo, and of an Apollo from Thefcof a Venus, in the fame charafter and ftile as the figures themfelves: the mufcles of tl • gladiator feem to die along with him, and in the fighting one, and the wreftlers they are Lul'd like the figures themfelves, and the parts to which they belong. In the Laocoon they feem to be convulfed and trembling. In beautiful bodies they are beautiful, as they ought to be b in the deformed, as in Silenus, the mufcles are deformed like his whole figure and fo ^ varieties; whereas in many modem works, not only thefe judicious and delicate expreffions'am unknown, but the greateft ignorance in anatomy often appears, either by falfe reprefentations or by a dull and injudicious oftentation of anatomical knowledge, on every occafion; the fame mufcles appearing, and almoft ,n the fame charafter in every figure, and either inanimated like the Ample diffeftion of a dead body, or fwelled and contorted in an extravagant manner; while feme more prudent [ xvii ] prudent, and confcious of their ignorance of anatomy, reprefent the human body like a fkin ftufici! with wool, without any marked diftinflion of bone or mufde: others are totally ignorant of the co-operation of mufcles, and how to allow their general effects to appear, without bringing the particular mufcles to view, as, in many fine expreflions about the eyes and mouth, and in other parts of the body. So that after being perfeftly mailer of common anatomy, much (kill and judg¬ ment is Hill required, in order to apply it properly to the arts of painting and fculpture, if an artift has ambition to pleafe judges above the vulgar. Many more oblervations might be made, with regard to the general fyltem and anatomy of the bones and mufcles, and other parts of the human body, with the application thereof to the arts of defio-n, did the bounds preferibed to this flrort introduftory (ketch allow of it. Referving thefe therefore for fome other occafion, we (hall conclude what we have to fay of the mufcles, with a flrort view of the external layers, as they appear in the three mufcular tables now publilhed; con¬ fining ourfelves chiefly to the ufe of painters and fculptors. In order to underftand thefe figures aright, the three mufcular tables muft beconfidered and com¬ pared together.as one, under the idea of a folid figure,, which can be turned round and prefented to the eye in different views ; efpecially the front and back, which are in the fame attitude, and contain in themfelves the entire round of the body. And in the like manner may be compared the three views of the fkeleton. This being done with care and attention, each (keleton mult be compared with its cor- refponding mufcular figures and both the one and the other, with the entire living body placed in the fame attitude 5 by which a tolerable knowledge will be acquired of the anatomy of the human body, in fo far as it belongs to the arts of defign. Though much might be faid for the ufe of painters, not only on thfc different ftrata or layers of mufcles, but alfo upon particular mufcles s yet at prefent we (hall confine ourfelves chiefly to the external layers that appear in thefe tables, and which lie immediately under the fkin and cellular membrane, and retain fo much the entire figure or outline of the body, that painters generally in- feribe thefe mufcles upon that outline as a bafis. However, as fome deep feated mufcles on- fome oc- cafions more or lefs appear, at lead by their cSV.ru,, p,rtr„ilarly, the diaphragm that as an antagq- nift fuftains the beautiful fwell of the abdomen, and the mufcles that fupport the trunk and govern the fpine, alfo the mufcles concealed in the orbits of the eyes, fo ufcful in expreffing the paffions and movements of the foul s I (hall only juft mention that fuch mufcles exift, and ought to be known by painters, though they do not appear in thefe tables. But as to the layers or ftrata of mufcles, and particularly the external one, we may obferve in general, that though they might have effeflually ferved the purpofes of moving powers, and indeed all the other ufes of mufcles, by being formed of lefs regular figures, and placed on the body with lefs exaft order and compofidon ; yet nature, confulting grace and beauty as well as utility in all her works, has fo contrived the mufcular fyftem, that while It effeftually performs its feveral funflions, not only the particular mufcles are formed with great variety, into beautiful and regular figures, of a fize and appearance fijited and propor¬ tioned to the feveral parts, but the whole together is fo difpofed, as to exhibit an agreeable compofi- tion to a lover of anatomy ; and they are fo placed and fecured, that in their moil violent adtions, they cannot ftart up fo far from their true places, as to hurt or deface the form of the body or of its feveral parts; but rather by their gentle fwellings and depreffions, tend to encreafe its beauty; and to gain this end, nature has made a great wafte of mufcular ftrength. Of the different ftrata of muf- clcs. xviii ] cles, the external one reprefented in thefe figures is more beautiful than the hidden and inter¬ nal ones, becaufe it confifts of larger and more regular maffes than the internal ftrata, and as the whole comes nearer to the form of the entire body. Again, of the three external views that of the front is moll beautiful, not only on account of the face, and becaufe the limits of the trunk are more exafily determined both above and below, and as the extremities feem more to be¬ long to the foreparts, and are there more beautiful; but alfo, becaufe in the front there is more variety and elegance in the mufcular appearances. The back view, though in fome refpeft more rude and Am¬ ple, likewife has its beauty, efpecially about the neck and fhoulders; alfo about the hips and the whole lower extremities, whofe bones and mufcles are larger and ftronger than thefe of the fuperior, fuited to the fize and office of the parts. The profile or fide view, both in the fkeleton and mufcular figure (hews many particulars that cannot be fo well perceived in the others; for example, the direftion and bearing of the parts one upon another, and how far they projeft both before and behind; as the head over the neck, the various curvatures of the fpine, and fo of other parts ; it alfo fhews fome parts more fully, and others in a more pleafing attitude; and from the profile, you may likewife compare the proportions of the narrow lateral view of the body, to thefe of the front and back._In this lateral view, Ihould not the right arm have been more elevated backwards, (fee Tab. III. VI.) in order to Ihew the internal parts of that arm, as fully in the mufcular figure as they are feen in the (keleton ? By thefe figures we perceive, that the number and ftrength of the mufcles, are every where fuited to the feveral parts they ferve, and the joints they move. Thus the mufcles on the trunk are few, but generally large, broad and flat, ferving for walls and coverings as well as moving powers ; but on the extremities the mufcles are numerous, and moftly oblong, fuited to the fize, form and aftion of thefe parts, and the many joints to be moved. About the Ihoulders and hips,' the mulcles are Ihort, large, thick and. ftrong, giving the idea of that ftrength necelTary for ftrong and violent aftion, and to command large members that are fo conftantly in motion : whereas about the fingers, which befides the ftrong, are alfo intended for arts and delicate movements, we find many fmaller mufcles; and ftill more fo on the face, and about the organs of the fenfes and of the voice. Laftly, the deep feared mufcles that command the fpine, run as it were parallel to that bony pillar, and are beautifully fubdivided like the fpine itfelf, fo as equally to govern every part of it. 7 ^ As to the defcription and ufes of the particular mufcles, efpecially of thefe that afford the mod ftrong and beaut,ful appearances, not only in thefe three views, but in every different attitude and aftion of the body, we cannot enter into it in this Ihort introduftion; but the principal things may be underftood by what has been already faid, and by examining thefe, and other good figures and com paring them with nature and the works of the belt artifts: and in cafe this little effay is approved filch particulars, attended with proper figures, may be added on a future occafion. In the mean time we may obferve, that of the mufcles that are feen evidently in thefe figures, the moft remark¬ able are ; on the head : the mufcles of the face that govern the features, the temporal and maffe ter that move the lower jaw ; on the neck: the fternomaftoid of each fide before, covered by the latif fimus colli, that fo beautifully Ihow themfelves in the motions of the head and neck ; on the Ihoul ders: below the clavicles, the pefloral and deltoid; and behind, the large triangular cucullares that chiefly fupport and govern the fcapute, reaching to the head; on the trunk: the abdominal mufcles, and the beautiful indentations of the great ferrati; and behind, the latiffimus dorfi, and ftve- ral mufcles that lie upon the fcapula, viz. the teres major, teres minor, and infrafpinatus; on the * [ xix ] the thighs before, appear the redi and vafti that extend the knee, and chiefly fupport the thigh on that joint when we ftand, the beautiful tranfverfe band of the fartorius, and on the upper part the tenfor vaginae, and more internally, part of the internal iliacs, pfox’, pectinei, great and long adductors, that chiefly govern the thigh and fupport the trunk upon it ■, on the hips and thighs behind . lie the great glut®, and below thefe, befides part of feveral, mufcles juft now mentioned, appear the mufcles that bend the knee, and likewife help to fupport the thigh and trunk when we ftand, viz. on the outfide the bicipites, and internally the femitendinofi, on each fide of which are feen the femi- membranofi, alio the graciles ; the infections of feveral of thefe mufcles aie more diftindly ieen nearthe knee in the profile figure, and by comparing all the figures, we may form an idea of the beautiful articulation of the knee and the other joints, the hollow of the ham and axilla, the various depreflions between the mufcles, the mufcles that bend and extend the fore arm, and compofe the calf of the leg, many mufcles that move the hands and feet, the fingers and toes, with their tendons and ligamentary bands; laftly, the parts of the bones that make their appearance here and there between all thefe parts. But for tile particular defcription, we (hall at prefent refer to Albinus’s own explication of thefe tables, and other anatomical works. The three Ample views of the fkeleton and mufcular figure prefented in thefe tables, though in themfelves not ungraceful, are chofen chiefly for the ufes of elementary anatomy, to (hew all the parts fucceffively in a plain and diftind manner, and the mufcles are reprefented as they appear in the dead body, without the imitation of life and adion, yet from thefe figures, well underftood and compared with nature, joined to obfervations and experiments on the naked living body, and on the works of great artifts, a fkilful painter or fculptor will be able to reprefent the anatomical ap¬ pearances of the human body in every other poficion, and alfo to add thefe fwellings and finkings, and other marks that always accompany life and adion, efpecially in lean and athletic bodies; in do¬ ing which, though the truth of nature ought to be the general rule, yet certain licences may often be ufed here as in the other parts of painting, (provided they are conduded with judgment and (killj of reprefenting thefe appearances rather ftronger on certain occafions than they adually are in nature; whereby an artift may not only exercife his genius and invention, but give great pleafure and de¬ light to the truly learned in anatomy and the arts of defign. However, ordinary artifts ihould be very cautious not to abufe thefe liberties, as is but too often ihc c u r=, and fhould always take care to have reafon, and ifpoffible the authority and example of fome great mailer on their fide. Though the bones and mufcles are the chief objed of the ftudy of a painter, yet other parts muft not be nevleded, particularly the tkin and the cellular or fatty membrane, and the large veins that appear on the furface of the body. The ikin is not only die feat of thefe tints and colours that on many occafions charaderife and adorn the outfide of the body, and efpecially the countenance, but is alfo the feat of the folds and wrinkles of different ages, and that charaderife different parts, and of thefe that exprefs the paflions and movements of the foul (for in the Ikin many fmall mufcles of the face are fixed), and according as the ikin is looker or tighter on the parts, or more or lefs bound down or fupported by the cellular or fatty membrane, the appearances of the parts below them alter every where. I may likewife add, that painters, but efpecially thefe whofe particular profeflion it is to paint the brute animals, ought to be acquainted with atleaft the general principles of what is called compara¬ tive anatomy, otherwife they never can completely exprefs the charaders, the beauties and varieties of e thefe thefe animals, which is only to be done by comparing their fabrick with the outward appearance^ prefented to the eyes; and indeed it is a general rule that no fubjedl whatever can be truly painted, without underftanding as a philofopher the nature and properties of it: for which reafon, hiftorical, and even portrait painters, fhould at leaft be acquainted with the anatomy of thefe animals which are moft commonly introduced into their works, particularly of that noble and uleful animal, the horfe, and of that faithful companion of mankind, the dog: as for other animals, as they more rarely appear in pictures, and are lefs particularly known and attended to, a ilighter reprefentation may generally fuffice, efpecially as nature having cloathed the brute animals with various coverings that hide the inward parts, the anatomical appearances in them are not l'o vifible, nor indeed fo beautiful as in the naked body of man. And in general, as to the human body, tho’ its outward beauty in all its feveral parts and members (which is of itfelf a large and ample field) is one great and neceffary part of the ftudy of a painter, yet as thefe outward appearances can neither be perfectly underftood, nor exprelfed, without a confiderable knowledge of all the internal parts of the body, and even of the foul , therefore a general knowledge of anatomy, and of human nature, along with many other ufeful ftudies, both in the fields of nature and of art (which I (hall not particularly enumerate in this place) truly belong to the arts of defign, and fhould be known by every artift, who is ambitious to underftand the true principles of his art, and to pradtife it according to thefe principles : nor is this great field of ftudy fo tedious or difficult, as at firft fight it appears, if purlued upon a proper plan, efpecially as a great part of it may be learned by drawing and modelling alone, and as the pleafure and advantages it affords are a conftant fpur to the induftry of the artift, who fhould con- fider, that by fuch methods alone, he can truly excel in his profeffion, and by fuch alone, the great mailers of ancient and modern times, were able to arrive at the perfection fo much admired by true judges. As to the method of ftudy : The bed way to begin that of anatomy, or of any art, is by the help of an able mailer, who perfectly underftands the fubject, and the art of teaching it in a fhort and agreeable manner; after which, the ftudy of authors and figures will be eafy and delightful. In anatomy, the befi: authors for a young painter, are Heifter’s Compend, Haller’s Outlines of Phyfio- logy, the Tables of Vefalius and Eullachius publilhed and explained by Albinos; but above all, Albinus’s original tables of the human fkeleton and mufcles to which may be added, the Anatomy of Celfus, fome parts of Winfiow’s anatomical work, and of Albinus’s Hillory of the Mufcles, alfo his Ofteology, which contains an exact defcription of the bones, written in an elegant and piturefque manner. Many other works might be added, by thofe who have time and curiofity to apply to the ftudy of this fcience, but for the generality, thefe I have mentioned may fuffice. So much for elementary anatomy, but in order to apply it to the arts of painting and fculpture, the works of the bell artifts mull be confulted and ftudied, both of thofe who have adtually applied it in pradlice, and of thole who have written on this part of the principles of the arts of defign. Tho’ the works of the ancients, as has been faid, excel all others in moft particulars, fo alfo in the judicious and delicate application of anatomy to thefe arts; yet modern times have produced many learned and accomplilhed artifts, who have lliown great genius and ikill in this as in other parts of their profeffion. At the reftoration of painting, Da Vinci was fully fenfible of the ufe and importance importance of anatomy •, the great Michael Angelo ufed anatomy even to excefs, but in a bold and manly character, and in this refpeft may be looked upon as the Vefalius of painters; Raphael, his frreat rival, like Euflachius, foftened anatomy more to the truth of nature, and to the beauty of the antique, giving it at the fame time the graces peculiar to his own genius •, Hannibal Carrachi is juft and mafterly in his anatomical expreffions, and knew thereby how to give both ftrength and beauty to his figures. Many other great artifts might be named of different chara&ers, in refpeCt to ana¬ tomy, as in other parts of their art: thus Rubens was fully matter of anatomy, as of every art that could form an accompliflied painter, and gave it the richnefs and ftrength peculiar to his manner, producing a new and riper jera of the painter’s art, which the tables and works of Albinus may be faid to have done in anatomy. It were much to be defired, that two fuch noble arts as painting and anatomy, were always in the hands of fuch artifts as I have mentioned, and like other liberal arts were not too often difgraced by the men who profeffed them. However, notwithftanding all that has been done by the great in thefe arts; it were ftill to be wiflied, for the fake of learners, as I obferved at the beginning of this introduction, that a complete compend of anatomy with figures, fitted to the ufe of the lovers of the arts of defign, was compofed by fome able anatomift, who at the fame time underftood the principles of the art of painting, and the works of the great artifts both ancient and modern, at leaft in fo far as concerns anatomy, and its ufe and application to the arts of defign. , Before I conclude, I cannot but congratulate our country, on the great efforts that have been made of late years in this capital, to promote and encourage the arts of defign in all their bran¬ ches which had been hitherto fo much negleCted in this nation—-Arts fo ufeful and ornamental to every people, but efpecially to a commercial one—Arts which have been the delight of the great- eft princes in all ages, and which have flourilhed along with politenefs, or funk in times of barbarity _Arts which nature fo ftrongly recommends in all her works, by exhibiting to our eyes an endlefs field of ftudy and delight—Arts by which the great nations of antiquity polifhed themfelves, adorned their cities, and handed down their fame to diftant ages, by buildings, by ftatues, coins, and other monuments—Arts by which modern Italy has attracted the attention and veneration of foreigners— Arts that like eloquence and poetry may be univerfally applied to every purpofe, both of public and of private life, to difplay and record the wonders and beauties of nature and arc, to inftruCt and to polifh mankind, to recommend wifdom and virtue, to punifh and ridicule folly and vice, to enoble reli¬ gion by adorning the temples of the Gods, to add dignity to the ftate, to record great aCtions, to honour and reward private virtue, tJBujtrate fciences, to improve arts and manufactures of every kind, from the greateft to the leaftWnd confequentlv to increafe wealth and commerce. In a word, as vifible nature affords to the eyes an infinite field of inftruCtion and delight, in every fcene of her works, fo art, by following her footfteps, may as it were rival her in ne\* and endlefs fcenes of ufe and beauty. However, tho’ by the encouragement and patronage of the great, by the ex¬ ertion of the artifts themfelves, by premiums, by exhibitions, by private fchools of defign in the capital, and even in diftant parts of the .kingdom, and by other means, thefe arts have been of late years greatly advanced, and the tafte am attention of the public awakened thereto, yet much is ftill wanting to eftablifh them upon a complete and regular plan, fo as to produce their full effeCt, fuited to the dignity and demands of a great and commercial nation : nor can this great end be accompliflied, till education in thefe arts is conducted on new and more extenfive principles, fuited to the prefent ftate of this age and nation ; a grand national academy Ihould therefore be ereCted in the [ ] the capital, upon the mod extenfive and generous plan, not only for the arts of defign, but for the improvement of every other art and fcience, and for finilhing the education of the noble youth, in every ufeful and elegant art, that can ftrengthen and form the body or the mind either for war or peace, for public or for private life ; on the model of which, our public fchools would loon be obliged to reform themfelves: by which, in the next generation, we might expeft to fee a very dif¬ ferent race of men from what we are likely to have, when things are left merely to chance, upon the prefent fyftem of indolence and difiipation. id P. S. Since this little work was fent to the prefs, we are informed, that his Majefty has been pletfed to eredt an academy for the arts of defign, in their full extent; a thing long and ardently wifhed for in this nation •, by which it is to be hoped, that'the above great and defirable ends, and every other noble effedt that thefe arts are capable of, will in due time be attained by the artifts and genius of the Britifli nation, united under the immediate influence of their Sovereign. SIX TABLES OF ALBINUS WITH THEIR LINEAR FIGURES; ALSO, ALBINUS’S HISTORY OF THAT WORK, AND HIS INDEX TO TFIE SIX TABLES. THE CONTENTS OF THE FOLLOWING HISTORY OF THIS WORK. INTRODUCTION. HP HE imperfeElion of the common methods of making anatomical figures, and by what Jleps the author was led to the true methodviz. making the Jkeleton the rule and foundation of his figures. — Eufla- chius ufed a like method. Chap. I. Of the Skeleton and its Futures. o Sect. I. ExaCl figures of the Jkeleton firjl to be procured. — I'hefe can only be had by clearing a Jkeleton of the foft parts, leaving only the natural ligaments, then placing it in a proper attitude, and fixing it fo.—How this was done, by means of a tripod to fupport the pelvis below and by firetching ropes to the ceiling and walls, from the head, trunk, and extremities, to fix the other parts ■, and afterwards comparing and correcting the whole, by a naked man placed in the fame attitude. Sect. II. ’The method contrived by the author, of drawing the general figures of the Jkeleton, thus placed and fixed, with the articulations ■, fo as to be feen diflinClly by the artifi, and yet as at the difiance of forty feet.—His precautions, and the accidents and difficulties that occurred,—Particular parts afterwards added, from the Jingle bones when cleaned. •Sect. III. Reafonjor the attitudes that were chofen.—An exaCl and beautiful defcription of the atti¬ tudes, and of the pofition and bearing of each part and member, firjl of the front and back, and then of the lateral view of the Jkeleton, mofl ufeful both to anatomifls and to painters. Sect. IV. From what kind of body the Jkeleton was taken-, the precautions ufed to procure a complete one, and even that corrected in the drawing. Chap. II. Of the Mufcles and their Fi' cd > and many bodies ufed, and tho 1 no doubt the mufcles could from any body be referred to the figures of the flceleton, yet as fame bodies are much fuller than others, for I could not expea to find them all nearly alike, it was difficult to contrive how, taking and arranging the mufcles from bodies of different fulnefs, I could reduce the whole to an equality and proportion one to another, for the fkeleton alone was not Efficient for this purpofe; therefore befides this, feme other fixed thing muft be found, for to truft merely to opinion, was neither fafe nor pleafed me ; now this was chiefly wanted for the great thick mufcles, efpecially for thefe fituated upon the trunk and neck, and above all upon the extremities. I therefore took care from the firft body to have an exaft drawing of the exterior circumference of the trunk, neck, and extremities, as it is made by the mufcles, within which they were arranged, and alfo referred to the fkeleton, from whatever kind of body they were taken, yet in drawing thefe mufcles, I ftill ufed bodies as like as poffible to one another. But it being difficult, in drawing the exterior order of mufcles to difeover what pofition they have with regard to the flceleton, becaufe it is almofl totally covered by them; therefore, tho’ the greateft care was taken, we were afterwards obliged to correft the exterior orders, accord¬ ing as the interior ones directed us, when the fkeleton was more expofed to view. To apply the mufcles accurately to the figures of the fkeleton, each mufcle ought to be feparately applied, but in this way it would have been no eafy matter to arrange them properly into a fyftem. In order to give this arangement, we muft begin with the exterior mufcles, and in this way, as has been faid, it was difficult to place the exterior ones aright in regard to the fkeleton, it being totally covered'by them. It was likewife difficult to place thefe mufcles that were almoft totally covered by others; both [ i7 ] both difficulties were overcome by beginning with the exterior order, and proceeding gradually to the moll interior, afterwards always correding the exterior as the more inward pointed out. In diffefting the mufcles, and expofing them to the painter’s view, care was taken to hurt nothing. In order to this, when it was needful, I ufed bodies that were rather fat, the fat fupporting the mufcles, and I took no more of it away, than was neceffary to lliow what I wanted to expref's, leaving the reft untouched, in order to fuftain. It was neceffary to diffed many mufcles, and to draw them by parts, efpecially thefe which would have been fpoiled, or in great danger of it, had I laid them bare and expofed the whole at once; and on occafion I was obliged to call various methods to my aid ; thus, in order to give the figure of the caracohyo'ideus, which is the 35th of the Xlth table, its exterior part was firft laid bare, and its figure taken, next the interior part of its origin; to exhibit which I took away the fat with the greateft care, without hurting any thing, leaving fo much as neither flood in our way, nor allowed that origin to fink. The concave and convex parts of the diaphragm, as they are expreffed in the IVth and XIVth tables, cannot be feen at one and the fame time in the body; for to fhow the concave part, the abdominal vifcera, which conceal it, mull be removed; and to fliow the convex part, the thorax mull be opened. But when both thefe cavities are open at the fame time, the diaphragm is relaxed, and exhibits a falfe appearance, both above and below; therefore removing the abdominal vifcera, I firft expofed the concave part, and after the figure of it was taken, I replaced the vifcera, to fupport it in its true pofition ; then opening the thorax, I added the convex fide of the figure; and in order to render it complete, I opened the thorax of another body, the abdomen being entire, and its vifcera fup¬ porting the diaphragm. Many contrivances were neceffary to procure a proper view and figures of the mufcles of the anus, and efpecially of the pharynx, the foft part of the palate, and the face ; by which, if I am not miftaken, many things are truly reprefented, of which fome can with difficulty be fully feen in the body, others by no means without thefe contrivances. But it would be too tedious to narrate the methods I ufed, to fhun every falfe reprelentation. Adult bodies were made ufe of, and of thefe fuch as feemed moil proper for our purpofe, and the mufcles were exhibited according to their mol frequent appearances, and fuch were chofen, that we had reafon to believe were moft perfedt and preferable. It would have been endlefs to purfue all the varieties, that are obferved in them, as in the outlines of the body. And even palling thefe {lighter ones, had I been difpofed to purfue the more finking and remarkable varieties, I Ihould have found it a very tedious affair; nor was it proper, in this univerfal map or plan of the mufcles to infert many varieties, even of thefe that were frequent and remarkable. Yet fome are inferted even fome few that rarely occur, as the fmall pfoas, and the mufcle of the bladder, which I have very rarely feen, and altho’ I took the utmoft pains, to diffcct and paint them all, in the moft full, accurate, and fubtile manner, yet I omitted certain things of lefs moment; thus fome that are a little tendinous at botli extremities, are not fo in the figures, and certain fiffures are omitted, thro’ which fmaller arteries, veins, and nerves pafs ; and other things of the like kind, becaufe they feemed of fmall moment, or would have rendered the figures and general courfe of the mufcles obfcure, at leaft would have fpoiled that fimplicity which I aimed at. For it is fure- ly proper to ufe moderation, and a certain judgment in thefe matters, as reafon and the nature of the thiner require. The fituation, the figure, the magnitude, the origin, the infertion, the cohefion, the flelhy and tendinous nature, the general courfe of the fibres, to which their direction may be referred, were the chief things I aimed at in thefe figures. E Sect. IV. [ i8 ] Sect. n. I comprehended the whole relating to the mufcles in two kinds of tables: the one contains the fenes of the mulcts over the whole body; the other contains the figures of the particular mufcles. The feries contains front, back, and fide views, as in thefe of the ficeleton ; and the muicles are reprefented by orders; firft, the exterior, and afterwards the more interior, one after another, and every fubfequent figure is a continuation of the preceding one. And becaufe the fore and back parts of the body are of greateft extent, and fuller at lead in general, and as by comparing thefe two, we may in a great meafure judge of the fide view, for thefe reafons the enes ot the feveral orders have been exhibited from before and behind. But we have added a fide yen or the exterior mufcles, that thefe might appear more fully, than by a mere comparifon of the fore and back parts; this the pofition of the mufcles there feemed to require. And I thought this firft fide vrew was fufficient, as the general nature of the feries was eafily feen from thence, efpecially it t ic fore and back views be compared, and likewife when needful the figures of particular mufcles. But certain orders of the mufcles, Unrated on the neck, and under the head, are re- prefented in a fide view, as they could not be exprefied in a fore or back view, or indeed in any or ier, lo well as in a lateral one; and lor the fame reafon the orders of mufcles on the foie of the foot are reprefented, and alfo thefe in the eye-focket. Now, tho’ according to the varieties of pofture and fituation of the members, as well as points of view, the fyftem of the mufcles fhows it- felfm an infinity of different appearances ; fo that figures might have been multiplied without end 5 yet we have made choice of the mod convenient pofition, and as there is no pofition in which feme part or other does not imperfedtly appear, I have chofen that, which fhows the fyftem in general in the beft manner; and even in this way I could have made many more orders, but as the few which I exhibit fuffice in my opinion, for giving ageneral view of the whole fyftem, and if any thing be wanting it may e eafily lupphed by comparing the orders with the particular mufcles, for that reafon I kept within certain bounds ; and was at pains to limit the number, left a multitude fhould produce confufion. And I found it a more difficult task thus to reprefent the whole fyftem with propriety, in a few orders, than merely to have multiplied the orders. But as none of the mufcles, except a few can wholly appear ,n thefe orders, it became neceflary to add complete figures of the particular mufcles ; and even tho' I had fo multiplied the orders, that every particular mufcle would have been fomewhere ieen totally naked, yet all of them would nor have been fo rightly known, at left not fo eafily and readily, from thefe, as from the particular figures, which are in no refpeft difturbed or obfeured by neighbouring mufcles. Befides, the figures that reprefent the fyftem muft not be too large, that they may be under the view at once, and eafily handled; fo that they could fcarce be larger than they are in thefe tables, and even thefe may perhaps be thought too large However the fize is a proper one, for expreffing moft, even of the fmall mufcles, in fo far as to Ihow their connexion as a fyftem ; and ,t would alfo have been a fufficient fize, to give a fuller knowledge of the larger mufcles by particular figures, and even for many of the fmaller ; but in others not a ew either from their fmallnefs, or the manner of their compofition, it would not have anfwered- befides the nature of the light and fhades could not, in the fyntaffic figures, be fo well exprefied’ by that fimphety of lines, which is beft fitted to exprefs the courfe of the fibres, (and which for that reafon we have chofen ,n the figures of the particular mufcles) as they are by the decufiated manner there ufed. It was neceffary therefore, to reduce the fyntaaic figures to as few orders as was able, and to fimffi them ,n their own manner, and befides to exhibit the particular mufcles in In ****»*“• In the figures of the particular mufcles, I have followed the fynta&ic ones, wherever I was able, to the end that the former might ferve to illuftrate the latter, and to ffiow more fully and clearly, what in thefe laft was, by reafon of incumbent or adjacent parts, hid and obfcure, or could not there be fo well exprefled ; befides, in this manner, every thing was more coherent. But when the pofition taken from the fyntadlic figures was not fufficient, I added another more convenient pofition of the fame part. Some mufcles, whofe pofition was improper in the fyntadlic figures, and feme few, which could not at all be feen there, I exhibited in the pofition that feemed molt proper. I could have greatly multiplied the figures, had I inclined to ffiew the fame things in every pofition, as they appeared on the exterior, interior, and lateral parts i but I rather choofed to proceed with a certain judg¬ ment, and to exhibit only fuch views as were fufficient to the intention of this work. The figures of the particular parts are double the fize of the fvntadlic ones, that they might be the fitter to exprefs every thing, but efpecially the fmall parts, in a fuller and more perfpicuous manner-, and tho’ the great mufcles did not demand this, yet for the fake of uniformity, the fame proportion is there re¬ tained. The mufcular parts of the internal ear, as they are called, being themfelves fmall, are ex- prefled in their natural fize •, and the figures are all of intire parts, unlefs that fome detruncated were added, from the neceffity of expreffing certain remarkable things. But as to their compofition, and internal ftrudture, they are omitted, not to fwell too much the fize of this work. chapter hi. THE EXCELLENCY OF THE TABLES. OF THE LINEAR FIGURES, MARKS OF REFERENCE, PRESS WORK, AND INDEX. S£CT. I. jy/J'OREOVER, I not only ftudied the accuracy of the figures, but likewife their perfpicuity, and their beauty. Therefore I employed an artift, that excelled both in drawing and engraving things of this kind, and who (which is very rare) had a remark- able paflion for works of anatomy, and who was confirmed therein, by my never refufino- him the price he demanded. This artift, who for many years paft, devoted his work to few befides myfelf, and for the laft ten years (during which, except fome little intervals, he was wholly employed on thefe tables) almoft to me alone; and he drew and engraved every thing under my conduft, and I laboured, from time to time, that he might as much as pofiible underftand the things he was to exprefs. I was afterwards prefent while he made the drawings, direfting him how every thing was to be drawn, affifting him, and correfting what he had drawn: and he was form’d, condufted, and even governed by me, as if I myfelf, - by his hand, had drawn the figures; and afterwards when he came to engrave, much care was required, that he might com¬ mit no error in imitating the figures on the copper; and we frequently confulted, what was the beft [ 20 ] bed manner to engrave each particular. And as even with thefe precautions, errors were inevitable, I reviewed the figures after they were engraved, and he expunged the erroneous parts I pointed out, and reftored them according to the truth. The principal care was to exprefs every thing truly, and in the cleared manner ; but the artid likewife exerted his skill, not only in the outlines, and the light and Ihade, but likewife in the fymmetry and proportion, and in the particular appearances of every part. He aimed at dignity in the outlines, clearnefs and force and grace in the light and fhades, and likewife a proper harmony, fo that every thing fhould be fully feen, and at the fame time the whole figure, tho* confiding of many united parts, fhould feem no where interrupt¬ ed, as far as the nature of the thing could bear. In the fymmetry he dudied a certain congruity and equality, fo that all the parts agreed one to another; in the particular appearance of the parts, that diflindtion and diffimilitude, that bone, flefh, tendon, cartilage, and other parts have to each other ; and in the whole figures he dudied even a certain pleafing appearance. To the fyntadlic figures he added back grounds, not only to fill up the blank of fo large a table, and that the ap¬ pearance might be milder, but alfo, by means of the temperament of the light and fhades of thefe back grounds, that the light and fhades of the figures themfelves might be preferved; fo that they might feem to rife and dand out from the tables, and thereby all'o, tho’ the figures are as it were broken, by confiding of fo many parts, yet they appear folid and entire. And this was a thing that required no fmall art in all the tables, but chiefly in thefe of the skeleton; the effect whereof will be bed perceived by viewing the tables at a proper didance, applying the hand to the eye, in fuch a manner as to prevent didurbance from the furrounding light; nor do I imagine that the back grounds can hinder any one that ufes the hand, and is not a very carelefs obferver, from readily perceiving whatever is reprefented in the tables. Sect. II. Not to diminifh thefe excellencies of art, we abdained from inferibing the marks re¬ ferred to in the explication ; becaufe they would not only have appeared fo many blots upon the figures, but would have rendered many things obfeure, and would have even entirely oblite¬ rated not a Jew; as there are many parts fo fmall, that thefe marks would either have entirely filled them, or nearly fo ; and the marks themfelves, when placed in the fhade, would either have been obfeure, or even quite invifible. To all this a remedy was found, by adding the lineary figures, and inferibing the marks upon them ; from which we have alfo this advantage, that the extent and limits of every thing are readily and diftindtly feen, in thefe lineary figures ; whereby all doubt is removed, caufed fometimes by the fmallnefs of parts, the nature of the fhades, or of the engraving itfelf in the fliaded figures. But the marks are inferibed upon the figures themfelves of the particular mufcles, for as they chiefly reprefent fingle mufcles, and in a larger fize, and are engraved by one ftroke, in a fimple manner, thefe marks can eafily be inferibed upon them, and can as eafily be feen and found ; nor could they at any rate fo much hurt thefe figures, where fo many affiffances of art were not required. As to the bones, and other things exhibited with the mufcles, in order to fhow the parts they touch, or are connected with, thefe are only exprefled by outlines; not only becaufe it was fufficient, but alfo as in this way the outline, extent, and limits of the mufcles, more clearly appear. However, the mufcles themfelves are exprefled with no lefs fkill in thefe figures, whether you regard the exadtnefs of the outline, or the light and fhades, or the diflindtion of the tendinous and flefhy parts* There is likewife a different maner of engrav¬ ing, than in the fyntadlic figures, advantageous in exprefling the courfe of the fibres by fimple lines inftead of decuflation. This fimple manner was preferred, in order more clearly to exprefs the courfe of the fibres, which is only exprefled in a general manner, as I did not chufe to reprefent the c ] the fibres, and the nature of mufcular compofition in a curious manner ; for befides the impoffibility of giving a true reprefentation of it, I thought a general idea of the courfe of the fibres was fuffi- cient, in this fyftem of general figures. Sect. III. To engrave the marks, I made ufe of a fkilful engraver, who could execute it with judgment, by infcribing them exadlly upon their true places, and by proportioning the fize and fulnefs of the mark to the nature of the part •, by which the parts were accurately pointed out, the marks themfelves were confpicuous, and did no harm, efpecially by not obfcuring fmall parts. I afterwards took care, that the tables lhould be printed off in the beft manner, a thing (as artifts well know) of great moment, not only for elegant neatnefs, but to exprefs the full force and grace- fulnefs of art. Therefore I made ufe of the fittell paper, whereon much depends, and alfo I employed an intelligent and experienced printer. As to the explications, I thought fhort ones in the manner of an index might fuffice, but thefe belonging to the fingle figures are fomewhat more full: for the reft I refer to my hiftory of the mufcles. CONCLUSION. r TPHE above I thought proper to fay relating to the nature of this work. But that perfon will *“■ underftand it beft, and will feel the difficulty of the undertaking, who lhall heartily engage in a work of the like kind. It may be thought I lhould have treated, in a particular manner, of the advantages I have attained, and can promife myfelf, above the works of thefe excellent and praife- worthy men, who have gone before me in this road, by all thefe efforts, this labour and expence I have bellowed, which I mull confefs have been greater than any one would imagine. But fuch as love and cultivate thefe ftudies, by confidering what I have faid of the nature of the w r ork, will eafily fee, what I would wifh to have done for their advantage. And if any are defirous to know, exclufive of the general plan I have followed, wherein I differ, in real things, in my figures and writing, from thefe of former anatomifts, and what things are either amended, or added; as fuch perfon may be fatisfied by comparifon, I thought I might be filent on that fubjedt; efpecially as the labour I mull employ on it, may be better bellowed, as it mull needs be very great, in fo great variety of things. But if any lhould be of opinion, that it is fuperfluous, with fo great efforts, to feek after fuch accuracy and perfedlion, in a thing of no necelfary ufe, let fuch people confi- der, befides the necelfary utility, what the greatnefs and dignity of the thing itfelf requires * and then, I dare fay, their wonder will be lefs, that I efteem thefe tables the more worthy of praife, not only on account of their fidelity and truth, but alfo in proportion as they are more excellent and perfedt. Leidew, MDCCXLVII. THE it-JL'at- THE EXPLICATION OF THE FIRST ANATOMICAL TABLE THE HUMAN SKELETON. This firft table contains chiefly a front view of the human Ikeleton. Some ligaments and cartilages are added, without which the lyftem of the bones would be interrupted. IN THE HEAD AND SPINE. A The frontal bone. B B The fuperciliary holes; the left one is entire, the right is only a notch, and fo partly defe&ivc. C D The coronal future, C here it is a true future, D here only fquamous. E The left parietal bone. F The fquamous future, made by the conjunftion of the parietal bone with the fquamous part of the temporal. G The fquamous future formed by the conjunction of the parietal with the great lateral proccfs of the mul¬ tiform, fphenoidal, or wedge-lilce bone. H The fquamous future, by the conjunction of the frontal with the fame procefs of the multiform bone. I The great lateral procefs of the multiform bone. K The future common to that procefs and the fquamous bone. L The fquamous part of the temporal bone. M The entry into the bonny parts which compofe the organ of hearing. N The mammillary procefs of the temporal bone. O The Zygomatic procefs of the temporal bone. P The future common to the ckeek or jugal bone, with the zygomatic procefs of the temporal bone. Q_ Q_ The cheek or jugal bones. R R The futures common to the frontal and cheek bones near the tails of the eyebrows. S S The futures which appear upon the cheeks by the conjunction of the check or jugal and fuperior maxillary bones. T T That part of the cheek bones, which aflifts in compofing the fockets of the eye. Between T and W, the future which is formed in the focket of the eye, by the conjurtaion of the cheek bone with the fuperior maxillary. Between T and C : T and C, the future common to the cheek and frontal bones within the orbit. Between T and Y : T and Y, the futures common to the cheek bones, with the great lateral procefs of the multiform. V V The Allures in the bottom of the fockets of the eyes. W X The part of the fuperior maxillary bone, which compofes the bottom of the fockct of the eye. Between m bV II Between W and X, the future running along the canal, that is ftretched along the bottom of the eye-focket, which future likewife palTes over the margin of that focket, and reaches to the exit of that canal, which exit is on the cheek a little below that margin. Between X and d, the future common to the fuperior maxillary bone and os planum (d). Between X and e, the future common to the fuperior maxillary bone and os unguis (ef). Y Y The parts of the great lateral procefles of the multiform bone which help to compofe the fockets of the eyes. Between Y and c: Y and , a kind of future made by the connexion of the vomer with the lamina of the fieve-bone. q The part of the fuperior maxillary bone that belongs to the inferior part of the nofe. r The future common to the fuperior maxillary bones. s s The fuperior maxillary bones where they form the cheeks. t t The holes or exit of the canals that run along the inferior part of the eye-fockets. u The aliform procefs of the multiform bone. xu x y z The lower jaw, x the hole or exit of the nerve and veflels from the canal in the lower jaw; y the coronoid or lharp procefs ; z the neck above which is the little head articulated with the temporal bone, cc The cartilaginous lamella in the joint of the lower jaw with the temporal bone. (3 j' J c £ Q ' ■ (3 y 2 £ £ 7i 0 i, The left te^th in each jaw, (3 (3 the firft incifors, y y the fecond incifors. 5 S the canini or dog teeth, f £ the firft molares or grinders, £ £ the fecond, n n the third, 0 0 the fourth, i i the fifth. The right teeth anfwering to thefe are eafily underftood. I N V I: ■-^8 —U, C 25 ] IN THE SPINE. sc The body of the atlas or firft vertebra, where it refts upon the epiftropheus and fupports the head. A The body of the epiftropheus or fecond vertebra, where it fupports the atlas. f * The inferior oblique procefs of the fifth vertebra of the neck. *Jc7T The fourth vertebra of the neck, v the fuperior oblique procefs, £ the inferior oblique procefs, o the tranfverfe procefs, 7r the body. p The hole between the third and fourth. $ ¥ The twelfth vertebra of the back, II ri the fuperior oblique proceffes, 2 the tranfverfe, $ $ the inferior oblique, ¥ the body. IN THE SPINE, THORAX, CLAVICLES, SCAPULA, SHOULDERS. Ha abb The eleventh vertebra of the back, H the body, a a the fuperior oblique proceffes, b b the tranfverfe. c The tranfverfe procefs of the fixth of the back. J dee The third vertebra of the back, d d the body, e e the tranfverfe proceffes. f g g The fecond vertebra of the back,/the body, g g the tranfverfe proceffes. h The body of the firft vertebra of the back. i k k The fifth vertebra of the loins, i the body, k k the tranfverfe proceffes. / mm fi The fourth of the loins, l the body, m m the tranfverfe proceffes, n the fuperior oblique. 0 p p The third of the loins, 0 the body, p p the tranfverfe proceffes. qqrrs The fecond of the loins, q q the fuperior oblique procefles, r t the tranfverfe, s the body. ttuuvvw The firft of the loins, / / the fuperior oblique proceffes, u u the tranfverfe, v v the inferior ob¬ lique, zv the body. x xyy z z z z z z : A A A A The os facrum, * * the fuperior oblique proceffes of its firft vertebra, yy the fides of the os facrum, z z z ; z z z the three firft holes on the fore fide right and left, A A A A the four fuperior bodies, between which are the bony lines that were formerly ligaments. B The fourth little bone of the coccyx. C D E F the fternum or breaft bone, C the upper portion, D the middle one, E the inferior, or that con- ne&ed with the fword-like cartilage, fo called, F the fword-like cartilage. G H The ligaments by which the bones of the fternum are bound together, G by which the middle with the inferior bone, H by which the middle with the fuperior. IKLM: IKLM The firft pair of ribs, K the little head by which it is articulated with the tranf¬ verfe procefs of the twelfth vertebra of the back, L the beginning by which it is articulated with the body of the fame vertebra, M the cartilaginous extremity by which it is continued with the fternum. NNOP: NNOP The fecond pair of ribs, O the beginning by which it is joined with the bodies of the nth and 12th vertebrje of the back, P the griftly extremity. Q_(LQ_ R : Q-Q-Q- R ^ ie third pair of ribs, R the griftly extremity. SSST: SSST The fourth pair of ribs, T the griftly extremity. VVVVWX: VVVVW The fifth pair of ribs, W the griftly extremity, X here it becomes broad and is joined to the cartilage of the feventh rib to which it reaches. YYYYZT: YYYYZT The fixth pair of ribs, Z the griftly extremity, T becoming broad at this part and connefted to the cartilage of the feventh rib to which it reaches. G A A A 0 A : A A A 0 A The feventh pair of ribs, 0 the griftly extremity, A here it becomes broad and is- joined to the cartilage of the eighth rib. E H H H II £ : ~ ~ ~ Yl The eighth pair of ribs, IT the griftly extremity, 2 at this part becoming broad in fome fubje£ts, and reaching to the cartilage of the feventh rib and united to it. $ <1> $ <1> ¥ : $ 3> ¥ The ninth pair of ribs, ¥ the griftly extremity. X2 X2 X2 X2 X2 X2 a : X2 X2 X2 X2 X2 a The tenth pair of ribs, « the griftly extremity. (3 (3 (3 (3 y : (3 (3 (3 (3 y The eleventh pair of ribs, y the griftly extremity, f: S e The twelfth pair of ribs, t the griftly extremity. £ « ‘: £ » ‘ The clavicles or collar-bones, n the head that refts upon the fternum, i the head that reaches to the fuperior. proccfs of the fcapula. 9 9 The cartilages in the articulations of the clavicles with the fternum. x x The cartilages in the articulations of the clavicles with the fuperior proceftes of the fcapulae or fhouldcr blades. XXXXXXXXX/xv£»7r: X X X X X X X X X X p v J o?r The fcapulte or fhoulder blades, fx the fpine, » the coracoid or crow bill procefs, £ the acromion or fuperior procefs, o the neck, tt the cartilaginous cruft, by which the neck is augmented. IN THE ARMS, FORE ARMS AND HANDS. pa-TvCpp^xpcaab: p ir t u

the fpine. w T A The third vertebra of the back, u the body, T the inferior oblique procefs, A the fpine. 0 0 a S The fecond vertebra of the back, 0 0 the body, A the fuperior oblique procefs, 2 the fpine. n E The firft vertebra of the back, n the body, $ the fpine, T i 1 ' £1 The fifth vertebra of the loins, T T the body, D. the lpine. IN THE SPINE. AAiEBCCD The fourth vertebra of the loins, A A the body, SE the fuperior oblique procefs, B the tranfverfe, C C the inferior oblique, D the fpine. E F G H I The third vertebra of the loins, E the body, F the tranfverfe procefs, G the fuperior oblique, H the fpine, I the inferior oblique. K The fecond vertebra of the loins, its parts are known by the former. L M The firft vertebra of the loins : L the fuperior oblique procefs, M the fpine. NOP The os facrum, N the unequable lateral part below the os ilium, O the third fpine, P the inferior oblique procefs, articulated with the fuperior oblique of the firft bone of the coccyx. Q_R The firft bone of the coccyx, Q_the fuperior oblique procefs, R the body. S T The little bones of the coccyx, S the fecond, T the third. [ 35 ] IN THE THORAX, SCAPULA, CLAVICLES. V W X The firft rib on the left fide, V its beginning where it is articulated to the body of the twelfth vertebra of the back, W the little head articulated with the tranfverfe procefs of the fame vertebra, Y Z a a b The fecond rib on the left fide, Y its beginning where it is articulated in the finus common to the bodies of the eleventh and twelfth vertebrae of the back, Z the little head by which it is articulated with the tranfverfe procefs of the eleventh, b its cartilaginous extremity. c The fecond rib on the right fide. d d c The third rib on the left fide, e its cartilaginous extremity. f f The third rib on the right fide. g b The fourth rib on the left fide, h its cartilaginous extremity. i i k The fourth rib on the right fide, k its cartilaginous extremity; / 77i The fifth rib on the left fide, m its cartilaginous extremity. 7i » o o The fifth rib on the right fide, o o its cartilaginous extremity. p p q The fixth rib on the left fide, q its cartilaginous extremity. r r s s The fixth rib on the right fide, s s its cartilaginous extremity. t t u The feventh i ib on the left fide, u its cartilaginous extremity. v v w w The feventh rib on the right fide, w w its cartilaginous extremity. x y The eighth rib on the left fide, y its cartilaginous extremity. z z z, i, i The eighth rib on the right fide, i, i its cartilaginous extremity. 2 , 3 The ninth rib on the left fide, 3 its cartilaginous extremity. 4 > 4 ) 4 > 5 ’ 5 The ninth rib on the right fide, 5 , 5 its cartilaginous extremity. 7 The tenth rib on the left fide, 7 its cartilaginous extremity. 6 , 6 , 8 , 8 , 9 The tenth rib on the right fide, 9 its cartilaginous extremity. 10 , 10 , 11 The eleventh rib on the left fide, 11 its cartilaginous extremity. 12 , 12 , l 3 The eleventh rib on the right fide, 13 its cartilaginous extremity. J 4> r 5> *6 The twelfth rib on the left fide, 14 its beginning whereby it is articulated with the body of the firft vertebra of the back, 16 its cartilaginous extremity. 17 The inner fide of the right fcapula; 18 , 19 , 20 , 21 , 22 The left fcapula, 19 the neck, 20 the cartilaginous part by which the neck is augmented and the finus’is covered that is articulated with the head of the arm bone, 21 the fpine, xl the fuperior procefs. 23 The left clavicle. 24 , 24 , 24 The breaft bone. IN THE ARMS AND HANDS. A B C D E F : A F G H The arm bones. A in the left, the eminence where the deltoid mufcle ends B C D the fuperior head, B the lelTer rough tubercle of the fuperior head, C the greater rough tubercle of the fame head; between B and C, the finus in which is contained the tendon of the longer head of the b.eeps mufcle, D the fmooth cartilaginous cruft, with which that part of the head is covered, that is arti culated with the fmuofity of the fcapula, E the lefter condyle, F the head covered with a fmo’oth cartilage, to which the radius is articulated! G the circumference covered with a fmooth cartilage, with which The ulna is articulated ; H the greater condyle. I K L : IKLM The ulme, I the olecranon, L the little head covered all round with a fmooth cartilage, which is articulated with the radius ; M the ftyloi'd procefs. N O P Q_Q_i N O P R S The radii, O the fuperior head, P the tubercle at the pofterior part of which is inferted the tendon of the biceps mufcle : this tubercle is turned forward in the pronation of the hand. Q.Q.: R S the inferior heads, R the finus, thro’ which pafs the tendons of the Idler extenfor and long abdu&or 1 abdu&or of the thumb, S the firms again divided into two, through which pafs the tendons of the radiale3 externi mufcles. T V : T The navicular bones of the carpi, V the head covered with a fmooth cartilage, by which it is ar¬ ticulated to the multanguli. W W The lunated bones. X Y The os triquetrum, X the part covered with a fmooth cartilage, where it is articulated with the ulna ; a ligament interveening, which extends from the bottom of the little head of the ulna, to the bottom of the radius, where that bone is joined to the ulna. Z Z The roundifh bones. a a The greater multangular bones. b b The lefler multangular bones. c c c The offa capitata. dd e f The cuneiform bones of the wrifts, the fmooth cartilaginous cruft, covering the inferior head, where it is articulated to the fecond phalanx : the like in the reft. X y z r : X y zTA The fecond phalanges of the fingers ; x the index, y of the middle fingfcr, z of the ring finger, r of the little one, A the inferior head covered with a fmooth cartilage, where it is articulated with the third phalanx : the fame in the reft. © A H II : 0 AH The third phalanges of the fingers, 0 of the index, A of the middle finger, S of the ring finger, n of the little one. IN THE HAUNCHES AND LOWER EXTREMITIES. Z ¥ D. a b The left os coxae or haunch bone, Z ¥ the os ilium, $ te crifta, Y the tubercle, from which rifes the redtus cruris mufcle, II a the ifehion, a the acute procefs, b the os pubis. c d e f f The right os coxa: or haunch bone, c the crifta of the ilium, d the tubercle, from which rifes the redlus cruris, e the acute procefs of the ifehion, f f the os pubis. gh i k l m The left thigh bone, g the head, covered with a fmooth cartilage, which is articulated with the acetabulum, h the neck, i the greater trochanter, / the exterior condyle, m thus far extends the fmooth cartilaginous cruft that covers the part of the condyle belonging to the joint of the knee. n n o p p The right thigh bone, o the inner condyle, p p thus far extends the fmooth cartilaginous cruft that covers that part of the condyle which is articulated with the tibia and patella. q r : qr The patella:, r on this part, which belongs to the joint of the knee, covered with a fmooth cartila¬ ginous cruft. s s The exterior femilunar cartilages inferted between the joints of the knees. t The interior femilunar cartilage inferted between the fame joint. u v v u> x y z: uvwxyz The tibiae, u the fuperior head, v here where it belongs to the joint of the knee covered with a fmooth cartilage, w the eminence where the ligament proceeding from the patella is inferted, binding that bone to the tibia. y z The inferior head, z the internal ancle, t 57 ] ABC: ABC The fibulae, B the fuperior head, C the external ancle. D E F G : DEG The tali, E here at the joint with the leg it is covered with a finooth cartilage, F the finus through which pafTes the tendon of the long flexor of the great toe, G the cartilaginous cruft with which the head of the talus is covered. H : H I K The heel bones, I the knob by which it begins, at the lower and pofterior part of which are in- ferted the tendo achillis and that of the plantaris. It is bent backwards and upwards when we bend the joint of the leg with the extremity of the foot forwards, K the riling part that fupports the head of the talus. L L The cubiform bones. M M The navicular bones of the tarfus. N The middle-fiz’d cuneiform bone of the tarfus. O O The lefler cuneiform bones of the tarfus. P P The larger cuneiform bones of the tarfus. Q_R S T V : Q_S T V W The metatarfal bones, Q_ of the great toe, R of the firftof the fmall toes, S of the fccond, T of the third, V of the fourth, W the head of the metatarfal bone of the great toe, covered with a fmooth cartilage where it is joined with the firft bone of that toe, and with the fefamoidal bones. The fame in the others. X The fefamoidal bones, placed at the joint of the great toe with its metatarfal bone. YZ«: YZ.jlyi The firft phalanges of the great and fmall toes, Y of the great toe, Z of the firft of the fmall toes, * of the fecond, |3 of the third, y of the fourth, A the head covered with a fmooth cartilage where it belongs to the articulation with the next bone. The fame in the other toes. S e ? i 8 The fecond phalanges of the fmall toes, t of the firft, { of the fecond, n of the fhird, 9 of the fourth. i t The laft bones of the great toes. x x : x x y v The third phalanges of the fmall toes, x of the firft, X of the fecond, y of the third, v of the fourth, K THE EXP LICATION OF THE FIRST ANATOMICAL TABLE 0 F THE HUMAN MUSCLES. In this table I exhibit the external mulcles, as they appear over the whole body in this pofition, after the common in- teguments and tendinous vaointe are removed, together with fome ligaments belonging to them; allb certain por¬ tions of the Ikeleton, and of other parts, as the liole, ear, and private parts, which are not covered with mulcles. IN THE HEAD, NECK, AND TRUNK. aaabbcdefgh: de f g b i k l The epicraniuc miifcle, a a a the middle aponeurofis between the occipital and frontal mufcles, b b , &c. the frontal mufcles, b b the points by which they begin, c their conjunction along the middle of the forehead, d-e d-e here the frontal mufcles end at the orbicular mufcles of the eye¬ lids, e-f e-f here they are bent along the eye-brows to the greater angles of the eyes in the manner of the orbiculares, g g the points which bend into the greater angles of the eyes, h h the portions that accede to the levators of the upper lip and alas of the nofe, i the part that runs along the glabella and nofe, k l its conjunction with the comprefTors of the nofe, with which it is interwoven at k, and is continued with them at /. jn m n o o p q r : m o o p The orbicular mufcles of the eye-lids, m m the part that incircles the circumference of the orbit, n the part that comes from the corrugator of the eye-brow, o o the part that covers the eye¬ lids, p the implication of the fibres that come from the eye-lids and meet near the lefler angle, q r the origin from the ligament by which the meeting of the eye-lids is joined to the nofe in the larger angle of the eye. s The ligament by which the meeting of the eye-lids in the greater angle is joined to the nofe, and to that part of it that is formed by the fuperior maxillary bone, t u The compreflor of the nofe, t its flefhy portion, u the aponeurofis by which the right and left are joined along the ridge of the nofe. wxy\ y The levators of the upper lip and wings of the nofe, jr the part that proceeds to the ala along the fide of the nofe, y the extremity which becoming thin is loft on the upper lip. z : A z The levators of the upper lip, A its thin’d extremity by which it vanifhes along the upper lip. B B The portions proceeding from the orbicular of the eye-lids to the upper lip. C C The lefler zygomatic mufcles, which become thin and vanifh along the upper lip. D D : D The levators of the angles of the mouth, D D it is in part continued with the depreflor of the an¬ gle, and partly bends itfelf round the angle of the mouth to the under lip, and there makes the exterior part of the orbicularis of the mouth. E F G : E The greater zygomatic mufcle9, F their origin from the jugal or cheek bone, G their extremity continued with the depreflor of the angle of the mouth. ' _ [ 40 ] H H The nafal mufcles of the upper lip. Their origin from the nofe appears and the manner they join them - felves to the orbicular of the mouth. 1 The part of the orbicular of the mouth that is upon the upper lip, where it goes round the angle of the mouth, it receives a portion from the levator of the angle going round along with it. K R- The part of the orbicular of the mouth that is in the red margin of the lips. LL Subtile fafcicuh, that proceed partly from the greater zygomatics extending hither; partly from the deprelTors of the angles of the mouth as it were ftraying. They crofs or decuflate the falciculi of the de- preflors of the lower lip that lie under them. M: M N The deprelTors of the lower lip, N here they crofs each other. O P The levators of the chin, P fafciculi which they mix with the fat of the chin. Q_R R S : Q_ The deprelTors of the angles of the mouth, R R their origin from the lower jaw, S their con¬ tinuation with the greater zygomatic. T The buccinator. V W x Y : V The mafleter mufcles, V the fore and exterior part, W the origin of that part from the jugal bone, X the pofterior part where it is not covered by the other, Y the origin of this part from the jugal bone, and from the zygomatic procefs of the temporal bone. Zj The anterior mufcle of the external ear. T A The raifer up of the ear, r its tendinous origin where it rifes from the epicranius, A its flelhy pare. © The greater mufcle of the helix. A The tragicus. E The lefler mufcle of the helix, II The antitragicu?. 2 The biventer mufcle of the lower jaw. *I» The fternomaftoideus and cleidomaltoi’deus united together. ¥ ¥ The cucullares mufcles. flccoca.fiPP'yyJti^nQ: il x a u ^ r, 9 The latiflimi colli or platyfmo-myoides mufcles, a. x u its origin, confifting of llender and chiefly of fcattered fafciculi, (3 j3 ft fafciculi, that fometimes accede from the fide of the neck, y y fcattered fafciculi vanilhine on the cheek by which it ends, S a fafciculus ftreached along the fore part of the depreflor of the angle of the mouth towards the angle of that fide, t c the lower jaw, appear¬ ing under this thin mufcle, and in the fame manner £ the fternomaftoi'deus, n the cleidomaftoi'deus, and S the claviculae appear. * 1 The fternohyoidei. x The afpera arteria, or wind-pipe. ^ y : y. The fternoinaftoidei, y the tendinous origin riling from the fternum. v m The fternothyroi'dei. % go 7r p ( (: £ 0 0 7T p ? r The pe&oral mufcles, 0-0 the origin from the fternum, tt from the cartilage of the fixth rib, p from that of the feventh rib by a (lender thin and for Tome time tendinous origin, j its cohe- fion with the aponeurofis of the external oblique of the abdomen, r a portion acceding from the aponeurofis of the external oblique; here tendinous and thin, in others flelhy and thicker, and in others otherways varying. c o" The teres major. T»p:ru(f> The Iatiffimi dorfi, v (p the heads riling, e from the tenth rib, ) their tendinous furface. The long flexors of the toes, » * their origin from the tibia, x the beginning of the tendon. X \ The tendons of the tibiales poftici. ix jix The tendons of the plantares. L • ft V 1 1 1 I- 1 i i A 1 * Vv, ;) I i 1, : it X x L 4- J v v: v The tendons of achilles. £ £ The folei mufcles. ■ ' p : * ' ■' The per ° nei l0nEi> T thcir ori S in fr °“ *e head of the fibula, , the tendon rifing from the ex tenor part of the flefh. 6 c The pofterior tail of the fhort flexor of the thumb. Y The addu&or of the thumb. X2 The firft lumbricalis. a The firft interofleus of the index. b The abdu&or of the index inferted by its tendinous extremity in the firft bone of the index. c d e The abduftor of the little finger, d its origin from the ligament of the carpus, t from the roundifh bone of the carpus. f The adductor of the metacarpal bone of the little finger. f 45 ] gg The palmaris brevis. h The final! flexor of the little finger. i The fourth lumbricalis. k The third. / The fecond. m The firft interofleus of the middle finger. n The firft of the ring finger. o The firft of the little finger. p The common tendon of the fmall flexor and the abdu&or of the little finger. q The common tendon of the fourth lumbricalis and the firft interofleus of the little finger, r The tendon of the pofterior interofleus of the ring finger. s The tendon common to the third lumbricalis and the firft interofleus of the ring finger. t The tendon of the pofterior interofleus of the middle finger. u The common tendon of the fecond lumbricalis and the firft interofleus of the middle finger. v The tendon of the pofterior interofleus of the index. w The tendon of the firft lumbricalis. x The tendon of the fublimis, on rite part of which next the thumb is the tendon of the profundus, whereon no letter is put by reafon of the fmallnefs of the part. y z The tendon of the profundus fplit as it were length-ways, z inferted in the third bone. 2 , 2 The horns of the tendon of the fublimis. 3 The ligament that covers the tendon of the fublimis and profundus, where they run along the firft phalanx, fixed to both margins of the firft bone. 4 , 4 , 4 Three ligaments that retain the tendons of the fublimis and profundus at the joint of the finger with the metacarpus. They are thick, and by their middle thinner parts they are not only continued to one ano¬ ther, but alfo to the next ligament 3 of the fame finger. 5 The ligament that covers the tendon of the profundus and the extreme tails of the tendon of the fublimis, about the middle of the fecond bone, fixed to both margins of the fecond bone. The fame, x y z 2 , 2 , 3 , 4 , 4 , 4 , 5 alfo in the other fingers, which cafily appear tho’ no letters are inferibed. To the parts of the fkeleton, that rife or are confpicuous between the mufcles, I have' put no marks j becaufe they may be eafily known from the firft table of the fkeleton, which figure is intirely the fame, and the foun¬ dation of this, lying as it were or hid under it; for in order to conftrudt this figure the mufcles and other parts were placed upon that fkeleton. M THE explication OF THE SECOND ANATOMICAL TABLE THE HUMAN MUSCLES TL lie figui e of this table is the back part of what is reprefented in the firft. It like wife exhibits the whole mufcular fyflem, after the common integuments and tendinous vagina: are re¬ moved: and moreover the ligaments belonging to the muf- cles ; the ears, and part of the fcrotum, and the naked parts of the fkeleton. IN THE HEAD, NECK, BACK, HIPS, AND THIGHS. ,a b C : a b c d d c Tho cpicnmiun or mufwlc of the fcalp, « i tho oceioitol t , . . occ.p.tai mufrle, a its tendinous beginning, h the flelhy part, edd the aponeurofis between the occipital and frontal mufcle, d d here the temporal muf- clc a PP ears and rifes behind * the membranous part by which the occipitals and their aponeurofes are united together; arifing above the origin of the cucullares from the os occipitis. f g The raifer of the ear, /its tendinous beginning where it rifes from the epicranius, g its flefhy part. h The frontalis. i The orbicular of the eye-lids. k The anterior of the ear. / The letter of the helix. m n o The three retractors of the ear. pq The mafleter, p the pofterior part of the interior portion, which is naked from the exterior portion, q the exterior portion. r The greater zygomatic. f The internal pterygoid. s The mylohyoi'deus. t The latiflimus colli. UW -. u w X The fternomaftoi'd with tho cleidomafto'id united together, w the tendinous extremity, x inferted in the occipital bone. y y The biventers of the neck, inferted in the occipital bone. G z z The fplenii of the head. A The levator fcapulas. BCDEFGHH: BCDEFGHH The cucullares, B the flelhy part, C D E F the tendinous origin, C in this part riling from the occipital bone, D E F in this whole courfe it externally coheres with its fellow, below j if ; [ 48 ] below riling from nil the fpines of the back, the two inferior of the neck, and the ligament of the neck be¬ hind, E the large tendinous portion of the beginning at the lower part of the neck and upper part of the back, F another of the fame kind in the lower angle, G the tendinous part of the extremity where it is inferted in the fpine of the fcapula not far from its bafis, H FI the tendinous part of the extremity inferted in the fpinc and l'uperiorprocefs of the fcapula. I K : I K The infrafpinati, K the origin from the bafe of the fcapula. L : L The greater rhomboidei, inferted in the bafes of the fcapulx. M : M The facrolumbales. N : N The teres minor right and left. O : O The teres major right and left. P Q_R RSTV: P Q_R R S T V The latiflimi dorfi, P the flelhy part, Q_ the broad tendon by which it begins, R R its origin from the fpines of the loins and of the os facrum, S its origin from the oblique pro¬ cess, which lie at the fide of the open of the os facrum, T its cohefion with the great glutaeus, V its origin from the crifta of the ilium. \y x ; W X The flelhy parts of the external oblique mufcles of the abdomen, X X inferted in the crifts of the ilium. Y Z : Y Z at The glutxi medii, Z their origin from the os ilium, a. the tendon. {3 j3 The tenfors of the vaginse of the thighs. ySS-.ySi The g]uea;i magni, J 1 here it arifes from the crifta ilium and the facrum, and coheres with th« latifiimus dorfi. , The levator of the anus. There is alfo a final! part of the right one upon the right fide. Between £ and v the tranfverfe of the perinieum. n The external fphincter of the anus. 6 6 The great addu&ors of the thighs. in: ix The graciles, x the tendon. X X The fartorii. The vafti interni. . . The femimembranofi, £ the origin of the tendon from the flelhy part, . the tendon. P I V V £ 0 : r .. 7r . The femitendinnfi, t tho-tciiilvn. , , , f ' m V- e T — offl v The bicipites of the legs, tr the longer head, r T the fhorter head, » V X *= "■ \Zon , '» firft arifing from the furface of the flelhy part of the longer head, then augmented by the acceffion of the fhorter (?, and by its extremity x inferted in the fuperiot head of the fibula. The vafti externi, 4 the tendininous furface. IN THE LEGS, EXTREMITY OF THE FEET, AND SHOULDERS. 0 I. n : r c The plautares A The poplitaei. f.-f■ © /, &c The peronei lorrgi. _nj £j] . ASSnSS® The gemelli, A 2 3 the exterior head, 2 2 the tendinous furfac , ; £ the interior head, t S the tendinous furface, fc the tendon. , J: *• n The tendons of achilles, SI SI inferted in the heel bones. a a b'. aab The folei, b the tendinous furface. C C The tendons of the plautares. .... - *.™ - - *•—«*•—- - "• , “C"- tr. tz. .. -——• ■«- - ferted in the fifth metatarfal bone. ff rv *^ p V* [ 49 ] tt <11 I m m m : l m m m The peronei longi, m m m the tendon. n n The ligaments that bind down the tendons of the peronei longi and breves at the external ancles. o o The ligaments proper to the peronei breves. The ligaments proper to the peronei longi. The ligaments by which the tendons in the confines of the leg3 and infteps arc bound down, r r The tendons of the long extenfors of the toes. s s The tendons of the peronei tertii, inferted in the metatarfal bones of the little toes. II The fhort extenfors of the toes. u tv x y z: u tv x y z The abdudtors of the little toes, u here covered with an aponeurofis, vj the origin from the heel, x the aponeurofis by which the part is covered that is inferted in the metatarfal bone of the little toe, y the tendon of the abduiftor, inferted in the firft bone of the little toe, z the aponeurofis acceding to that tendon of the long extenfor of the toes, that belongs to the little toe. a (3: a The fliort flexors of the fmall toes, a the part inferted in the metatarfal bone of the little toe, f3 the part inferted in the firft bone of the little toe by a tendinous extremity. y y The tendon of the long flexor of the great toe, running between the fefamoi'dal bones. J The abdu&or of the great toe. £ The lhort flexor of the toes. firft order whereof that mufcle confifts, n n arifing from the fpine and fuperior procefs of the fcapula, 9 i the pofterior portion of the fecond order, i arifing from the fuperior procefs, x \ the fourth portion of the firft order, X arifing from the turn of the arm of the fuperior procefs, y. v the middle portion of the fecond order, v arifing from the fuperior procclsi ^o7rp(TTolpp^: % 0 TTpiTTv(Px l The tricipites of the arms, £ the brevis, othe longus, i r the brachialis externus, p the common tendon of thefe three heads, o- the tendinous part made by the longus, and which is joined to the common tendon, r of the right arm, the tendinous part made by the brachialis externus and joined to the common tendon : the t of the left arm is placed at the rife of the tendinous from the flefhy part, uthe tendinous part arifing from the furface of the brachialis externus, and reaching to the greater con¬ dyle of the us humeri,

° the ar, its fuperior part coming from the capfular ligament of the joint of this finger with its metacarpus; its inferior produced from the tendon , of the pofterior into- rofleus of the little finger. Thc P° fteri ° r iuteroffeus of the ring finger, , the tendon that afterwards is joined J with the tendon, x, and being augmented by a portion from it, o runs to the third bone. T The “pou'urofo that accedes to the tendon x, its fuperior part coming from the capfular ligament of thc joint of this finger with its metacarpus : the inferior being produced from the tendon , of the fore interoffeus of the little finger, with which tendon is joined the tendon of the third Iumbricalis. f The tendon of the fore interoffeus of the little finger, to which is joined the tendon of the third lum- bricalis. [ 5 * ] II united » r The tendon common to the fore interolTeus of the little finger and the third Iumbricalis, .conjoined with the tendon *, and being augmented by a portion from it, r it runs to the third bone. ” The common extremity of the united tendons . t reaching to the third bone. The aponeurofis that accedes to the tendon », its fuperior part coming from the capfular ligament of the joint of this finger with „s metacarpus : the inferior being produced from the tendon J, of the polfcrior in- terofleus of this middle finger. F in Zt “”h' P ° fte ™ r , im ' rofleUS ° f the middk + '»e tendon which is united „ with the tendon . and being augmented by a portion from it, T runs to the third bone A - The aponeurofis that aeeedes to the tendon to, its fuperior part coming from the capfular ligament of the jo nt of this finger w„h its metacarpus : the inferior being produced from the tendon * of the L interop o this middle finger, with which tendon is united that of the fecond Iumbricalis ©00 AS The fore interofTeus of the middle finger, 0 0 0 A the heads arifing 000 f rom ths metacarpal bone of the index, A from that of the middle finger, S the tendon with wlf b ■ • 7 u of the fecond Iumbricalis. * h 15 umtcd that n X The tendon common to the fore interolTeus of the middle finger and the fecond Iumbricalis with the tendon to, and being augmented by a portion from it, X runs to the third bone. ’ I he common extremity of the united tendons T I, reaching to the third bone * . ~ thM aCCCdeS “ the " nd ° n * itS coming from the capfular ligament of this index" " S metaClrP “ S: " S infai0r Pr ° dUCCd fr ° m "" d °" 2 ° f th = InterolTeus of the — - - — 7 “ is united 8 with *■—- - ” Th e T mity ° f thC UniKd KndMS «* 9 "““"8 to the third bone. 11 I he fore interoileus of the index. 12 The abdu&or of the index. 13 The tendon of the great extenfor of the thumb. I 4 , IS The ligament that binds down the tendon of the ulnaris externus arifi™ f ,u a- ulnaris and the extenfor of the little finger endin l ’ “ rom the radius between that united with the ligament ,6. § ’ § “ 46 KnJ ° n ° f ^ ~. and here r s 16, .7, 18 . »9 The exterior armillary ligament, arifing ,y from the roundilh bone, ,g from the triannul the r 2 le s 7*“ ° ‘ * ** “ "" *" P “ t " rminaKS the f ‘"“ s aI °"g run the tendons^ 20 The ligament by which are bound down the tendons of the lone ahdudW .J,, in one part rifing from the fame eminence of the radius as J^ 21, 22, 23, 23 The long abdudtor of the thumb, 22 the tendon of the • 24, 2 S The leffcr extenfor of the thumb, 25 the tendon. ” Paf ’ ^ 23 ' ° f inferior - 26 The common extremity of the united tendons of the greater . 2 and the l.tr reaching to the third bone. & ^ e er exten ^ ors 25 of the thumb 27,28 The aponeurofis that is joined to the common extremity 26 of the ten,! thumb : part of which aponeurofis 2 7 furrounds the capfular ligament ofl , ' Xtenf ° rS ° f ^ tacatpus, and is connedbed with that ligament. part o ! 0CC e f T n ^ itS “■ flexor of the thumb. P P d ‘ fr ° m the 'a 1 ' of the ihort Between 27 and 29 the pofterior tail of the Ihort flexor of the thumb. 29, 30- The addudlor of the thumb, 30 the tendinous extremity inferred in the firft bone of the thumb. . rT IN THE EXTREME PART OF THE LEFT FORE ARM, AND IN THE LEFT HAND. a (3 The exterior armillary ligament, (3 inferted in theroundifh bone, and continued with the ligament y 3 . y 3 The ligament that binds down the tendon of the ulnaris extcrnus, 3 ending at the tendon of the ulnaris internus. £ The pronator quadratus. £ The ligament that makes a canal with the flnus of the carpus, by which the tendons are inclofed that pro¬ ceed from the fore arm to the hand, viz thefe of the fublimis, profundus, and long flexor of the thumb, n The portion of the tendon of the long abdudlor of the thumb, that it gives to the fhort abductor. The fhort abdu&or of the thumb, i here it receives a portion from the aponeurofis of the palmaris lon- gus, x the tendinous extremity, with the aponeurofis that it gives to the tendon of the extenfors of the thumb. X The part of the fhort flexor of the thumb, which may be looked upon as a fecond fhort abdudlor of it: in- ferted by its tendinous extremity in the firft bone of the thumb. y. Two ligaments, by which is bound down the tendon of the long flexor of the thumb : one of them higher at the joint of the thumb with its metacarpus: the other immediately below it, fixed to the margins of the firft bone, at firft Angle, afterwards bifurcated, v v The tendon of the long flexor of the thumb, inferted in the laft bone of the thumb. £ The poftcrior tail of the fhort flexor of the thumb, inferted in the firft bone, and in the pofterior fefamoi'dal. o The firft lumbricalis. 97* The addu&or of the thumb. The aponeurofis of the palmaris longus. cr . p » £ „ The redtus of the leg, fa the tendinous part of the origin, v the tendon, £ the place where it is in¬ ferted in the patella, s the aponeurofis from the tendon of the reflus that runs along the fore part of the patella, and afterwards joins itfelf to the fore part of the 1 igament that reaches from the patella to the tibia. tt p The vaftus internus, p the tendon. IT T u The ligament going from the patella to the tibia, r the place where it rifes from the patella, u under all this fpace it is inferted in the tibia.

« n origin from the tibia, * the tendon rifing from the flefliy part. 0 0 y ^he tendon of the tibialis pofticus, y its extremity inferted in the tuberofity of the navicular bone. S i £ The ligament that covers the tendon of the long flexor of the toes, and that of the tibialis pofticus, £ f here fixed to the internal ancle. £ The ligament that binds down the tendon of the tibialis pofticus. n 0 9 0 The tibialis anticus, 0 0 9 its tendon. i x The fuperior horn of the ligament inferted in the tibia by which the tendons are bound down, in the con¬ fines of the leg and inftep, inferted in the tibia, x the inferior horn of the fame lio-ament. [a. The tendon of the proper extenfor of the great toe, p inferted in the laft bone of the great toe. v A branch of the tendon of the P ro P er extenfor of the great toe, inferted in the firft bone of that toe and found in fome fubjc&s. £ The aponeurofis added to the tendon of the proper extenfor of the great toe. o Upon thefe toes the common tendons of the extenfors. X X The two horns of the ligament, by which the tendon of the long flexor of the great toe is bound down here. p The tendon of the long flexor of the great toe running under that toe. , belonging to the third bone of the index and inferted in it. The tendon common to the fecond lumbricalis and the firft interofleus of the middle finger: which tendon being augmented by a portion received from the tendon of the extenfor of the middle finger, runs to the third bone of that finger, in the end joined into a common extremity with a like tendon coming from the other fide of that finger, which is inferted in the third bone of the fame finger. w The tendon common to the fourth lumbricalis and the firft interofleus of the little finger : which tendon be¬ ing augmented by a portion received from the extenfor tendon of that finger, runs to the third bone of the fame. Along the internal parts of the fingers run the tendons of the fublimis and profundus, bound down by their ligaments, but they are more clearly feen in the firft table of the mufcles. IN THE RIGHT ARM. « (3 y f i The triceps of the arm, a. the part called longus, (3 the part called brachialis externus, y the ten¬ don of the triceps, d 1 inferted in the olecranon, t the thin tendon, rifing from the furface of the brachialis ex¬ ternus, and reaching to the upper part of the greater condyle of the arm bone. £ The brachialis internus. »i 9 » The biceps of the arm, 9 the aponeurofis cut off", near » the tendon. x The fupinator longus. X The pronator teres. ju The radialis internus. v £ Thepalmaris longus, immediately below £ the beginning of the tendon. o The fublimis. 7r p ESIDES, as in the inward parts pains and various kinds of difeafes arife, they are of opinion that no man can apply a remedy to parts he is ignorant of, and therefore that it is neceflary to cut open dead bodies, and to examine their inward parts, and they extol Herophilus and Erafiflratus who. differed criminals alive,given from prifons by the authority of kings,and while the breath yet remained, examined parts that nature had concealed; their fituation, their colour, their figure, their fize, their ar¬ rangement, their firmnefs, their ioftnefs, their fmoothnefs, their procefTes and their cavities, their con¬ nexions, received by or receiving each other. Without this knowledge of the inward parts, how could any one diftinguifh what bowel was affeCted in any inward pain ? and how could the cure be per¬ formed by one ignorant of the part affefted ? and if a man’s bowels were expofed by a wound, how could the found parts be otherwife diftinguilhed from the injured ones, and the proper remedies ap¬ plied, than by an exaCt knowledge of the natural colour of each part ? Befides, by knowing the fitu¬ ation, the figure, and the fize of the inward parts, external remedies can be more fitly applied -, and the like reafons can be given for the other things that have been mentioned : nor can it be called cruelty, as fome vainly fuppole, by the lufferings of a few criminals, to find remedies for the deferv- ing people of all ages. JN oppofition to the former, the empyrics, a fett equally refpeftable, who contended that experience in the prattice of medicine was the only true foundation of the art , fpeak of anatomy in the following r OW thefe things we have been talking of are only ufelefs; but to open men alive is not only ufe- lefs, but the greateft cruelty, and to pervert an art that has the glory of protecting the health of mankind. [ ] mankind, to tormenting them, and that in the moft terrible manner ; efpecially when what is fought for with fo much brutality, partly cannot be known at all, and partly may be learned without this barbarity : for the colour, the fmoothnefs, the foftnefs, the hardnefs, and all fuch things are not the fame in the body thus cut open as it was in the entire man, becaufe even without fuch violence, athoufand accidents, even of a fmaller kind, make great changes upon the body; as fear, pain, hunger, crudity and lalfitude, and it is much more probable that the inward parts are changed un¬ der fuch terrible wounds and butchery, as they are of a fofter nature, and new even to the light; and is it not abfurd to imagine that the itate of parts is the fame in life, as in a dying, yea even in a dead man ? and allowing that while a man was yet breathing the abdomen could be opened, which is not the principal part, yet as foon as the knife advances towards the breaft, and there cuts the tranfverfe divifion [a membrane which divides the upper cavity of the trunk from the lower, the Greeks call it diaphragm) the man immediately expires, and fo the butchering operator fees only the bowels and thorax of a dead man, becaufe the parts mud neceffarily appear as in the ftate of death, not as when the man was alive; fo the phyfician can only boaft of cruelly murdering a man, not of knowing the ftate of the vicera during life : but if any thing ufeful can be feen while a man is alive, chance often puts that in our way in the courfe of practice; for fometimes a gladiator on the ftage, a foldier in the field, or a traveller attacked by robbers, is wounded in fuch a manner, that in diffeient men various inward parts appear, and fhow to a prudent phyfician, their fituation, their pofition, their arrangement, their figure, and the like, not performing a murder, but a cure ; and fo he learns by humanity, what the others do by the utmoft cruelty. And for the like reafon, mangling dead bodies is by no means neceffary, (which tho* it is not cruel, yet is loathfome) as moft parts appear different after death, and what can be known from living bodies, we learn while we are curing them. lytST L T, Celfus delivers his own opinion in a few words , agreeable to the fentiments of humanity , and of the greatejl wafers of the art: A S thefe queftions have been often and keenly handled by phyficians in numerous volumes, and ^ as the difpute ftill lubfifts, we muft here fubjoin what appears moft probable, without partiality to either fide, but taking a middle way, which is eafy to be found, in this as in moft difputes, by thofe that fearch after the truth in a fair and candid manner.- '[VT OW to return, I am of opinion that medicine fhould ufe reafoning, butlhould be founded upon ™ evident caufes ; the obfeure ones being removed, tho’ not from the thoughts of the artift, yet from the practice of the art: but to cut open live bodies is both ufelefs and cruel, tho’ diffeftions of dead ones are neceffary to learners ; for they ought to know the pofition and arrangement of the parts,which dead bodies can better exhibit than living and wounded men ; but the other things which can only be feen in living bodies, praftice in the cure of wounds will difeover, tho’ more flowly, yet with more mildnefs and humanity. NOTES C 70 ] NOTES ON TIIE ANATOMY OF CELSUS. B O O K IV. C H A P. I. N. B. The pages and lines are cited as they are found in all the Latin editions of Celfus fwce that of Vandcr Linden in 1657. Page 182 , line 5 . J HA VE added the titles of the chapters, tho' it evidently appears by many of them, that they are not from Celfus ; befides, the moll ancient manufeript of Celfus, of the feven in the Medicean library at Florence , neither has thefe titles nor any pun&uation. There is no manufeript of Celfus that 1 know of in any Britifh library. Ibid. 1. 14 . I have taken the liberty to add here, at the end of the firft paragraph, a few words taken from the beginning of the next chapter, as they fhow the intention and opinion of the author in this and the other ana- mi cal parts of his work. Ibid. 1. 15 — 18 . The Italian verfion, publifhed at Venice in 1747 , feems to favour the meaning I have given this paflage. Page 183 , l. ij Ctf’r. TUc the of ilic. afper* artcrl* tw the vertebrse of the fplne is natural and beautiful, tho’ the refemblance is imperfect. Thefe kind of comparifons are common with the ancients and with moll fine writers, particularly Celfus, and have their ufe and beauty in fcience; thus the lungs are after¬ wards compared to an ox’s hoof, an idea that has been retained by future anatomifts. As to the particulars of the anatomy of Celfus, contained in this chapter, befides the general beauty and ele¬ gance of the whole, I might mention feveral deferiptions more juft than thofe commonly received ; for exam¬ ple, his concluding inftead of beginning with the omentum, after having deferibed the parts it covers, his confi- dering the cefophagus, or gullet, as the beginning of the inteflines, and his dividing the inteftines into three, viz. the jejunum (commonly called the duodenum) the fmall, and the great inteftines ; a divifion which long ago occurred to me from nature and the fimple view of the parts, when I was a very young anatomift, and before I had read Celfus, therefore I had more pleafure to find it in that admired author, who deferibes like a painter, as every true anatomift ought to do. On the whole, how inftrudlivc and delightful is it to an anatomift, to fee all the vifeera of the thorax and ab¬ domen thus prefented to the eyes as it were in one view, and deferibed in fofhort, clear, and natural a manner? I am perfuaded that a good judge, who knows how difficult it is to deferibe in this mafterly way, will be more pleafed with this manner of Celfus, than with many tedious, unconnefted, tho’ laborious deferiptions, which are too common in anatomy. The ancients were ignorant of the minute ftru&ure of animals, and of many fmall, tho’ fometimes important parts, known to the moderns; nor were they accuftomed to obferve and deferibe with fo much minutenefs and accuracy, which indeed the moderns have carried to trifling and excefs; but for judi¬ cious and elegant defeription, no modern can compare with the fine writers of antiquity. Education among them was complete and univerfal ; eloquence was their peculiar ftudy, and defeription is one part of eloquence, bringing things as it were before the eyes like the art of painting ; and as the ancients did not know engraving, nor trufted fo much to figures to fupply the defe&s of their verbal deferiptions, they were obliged to labour thefe to greater perfe&ion. BOOK [ 7t ] BOOK VIII. CHAP. L Page 499. /. 3. and 4. Offaque ejus , £sV. Thefe words muft either be tranflated in the fenfe I have given them, which I find is alfo the fenfe of the Italian verfion, fo as to underftand by ab interioribus quibus inter fe connecluntur molliora funt , the foft fpungy diploe, or internal fubftance that connedts the two tables, or in the fenfe exprelTed by the French verfion (Paris 1754), which no doubt the words will bear, but it is not confirm¬ ed by anatomy, nor is it even fo agreeable to the natural meaning of the words : thus,