'UvLLOYR mSSL tfjV**- •; \ ( , y&&f it & v • is&jm r*''SS’Pf*- '‘^Sr *i ^S 1 %3*&* ^'ECf ^K Pf ^ &M n fc "• "jpqsSjK H s . "•V :*•' >c -/■a f J, \ . •; ■- ; ■ CATALOGUE OP (PW 26 UtdiM THE VALUABLE COLLECTION OF MODERN ETCHINGS & ENGRAVINGS l OP DR. A. D. MED WIN, DECEASED, LATE OF 34 BRUTON STREET: WHICH (by Order of the Executors and by Direction of the Will ) IStill ht Solfr bg hu Messes. CHRISTIE, MANSON AND WOODS, AT TXXKIB <£EKAY KQOM8, 8 KING STREET, ST. JAMES’S SQUARE, On WEDNESDAY, JUNE 20, 1894, AT ONE O’CLOCK PRECISELY. May be viewed Two Days preceding, and Catalogues bad, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street , St. James's Square, S. W, ?C iV3 °o CONDITIONS OF SALE. - 0 - T. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall bo made good by the Defaulter at this Sale. CATALOGUE. On WEDNESDAY, JUNE 20, 1894, AT ONE O’CLOCK PRECISELY. ETCHINGS AND ENGRAYINGS— Framed. H. J. ANGLAY. 1 Sonniiig-on-Tliames ; and Benley-on-Thames— a pair — artist's proofs 2 T. G. APPLETON. 2 Fanny Kemble, after Sir T. Lawrence, P.E.A. ; and Marcia, after J. Hoppner, R.A.— artists' proofs 2 3 Lady Mansfield, after J. Hoppner, R.A.— artist's proof 4 Duchess of Devonshire, after T. Gainsborough, R.A.— ditto 5 Isabel, after Sir H. Raeburn— ditto EUGENE DE BLAAS. 6 Flirtation; and Vexation —a pair — artist's proof 2 A. BOULARD 7 My Old Regiment, after E. Detaille —remarque proof 8 Le Voyageur, after E. Meissonier —remarque proof 9 Piquet, after E. Meissonier —remarque proof B 2 4 i F. BRACQUEMOND. 10 Partie Perdue, after E. Meissonier— remarque proof E. BOIL YIN. 11 Generals in the Snow, after E. Meissonier— remarque proof H. SCOTT BRIDGWATER. 12 The Soul’s Awakening, after J. Sant, R.A.— artist's proof R. S. CLOUSTON. 13 Age of Innocence; and The Little Fortune Teller, after Sir J. Reynolds— artist's proofs 2 TH. CHAUVEL. 14 Summer Showers, after Vicat Cole, R.A.; and Stratford Lock, after B. W. Leader, A.R.A.— vellum proofs 2 15 Conway Bay, after B. W. Leader, A.R.A. ; and Lingering Autumn, after Sir J. E. Millais, R.A.— vellum proofs 2 16 Sabrina’s Stream, after B. W. Leader, A.R.A.; and Still Waters, after K. Heffner— vellum proofs 2 17 February Fill Dyke; and Banks of the Ivy O’, after B. W. Leader, A.R.A.— Japanese proofs 2 18 The Ferry Boat; and Solitude, after Corot— vellum proofs 2 19 Autumn Leaves, after Vicat Cole, R.A.; and Evening Glow, after K. Heffner— vellum proofs 2 L. LE COUTEUX. 20 Le Colza ; and Midday Meal, after J. Breton— remarque proofs 2 5 S. COUSINS, It.A. 21 Biondina, after Sir F. Leighton, P.R.A.— artist proof 22 Ninette; and The Little Pouter, after Greuze— artist proofs 2 23 The Dauphin, after Greuze— artist proof 24 Cherry Ripe, after Sir J. E. Millais, R.A.— artist proof 95 Pomona, after Sir J. E. Millais, R.A.— artist proof 26 Playmates, after H. Merle; and Miss Rich, after Hogarth — artists' proofs 2 27 Princess Sophia, after Sir J. Reynolds— artist proof 28 The Duchess of Rutland ; and The Countess Spencer and Lord Althorp, after ditto— artist's proofs 2 BRUNET DEBAINES. 29 Rembrandt’s Mill, after Rembrandt— remarque proof 30 Worcester; and The Mill, after T. Gainsborough, R.A.— vellum proofs 2 31 Chill October; and Over the Hills and Far Away, after J. E. Millais, R.A.— Japanese proofs 2 32 At Evening Time ; and Glimmering Light, after B. W. Leader, A. R.A.— artist's proofs 2 33 Parting Day; and When Morning gilds the Skies, after B. W. Leader, A.R.A — artist's proofs 2 34 Great Marlow, after Yicat Cole, R.A.; and Windsor, after K. Heffner— artists' proofs 2 35 The Old Mill, after J. Constable, R.A. ; and Venice, after Ziem — artists' proofs 2 36 Cornfield, after J. Constable, R.A. ; and The Burial of Wilkie, after J. M. W. Turner, R.A.— vellum proofs 2 37 The Lock, after J. Constable, R.A.; and Carnarvon Castle, after Karl Heffner- -—vellum proofs 2 38 When Willows Whiten, after Keeley Halswelle; and Fingal’s Cave, Staffa, after C E. Johnson— artists'proofs 2 6 M. DAMMAN. 39 The Gleaners, after Millet— vellum proof G. H. EVERY. 40 For the Squire; and Bubbles, after Sir J. E. Millais, R A.— artist'8 proofs 2 41 Viola, after Sir F. Leighton, P.R.A.— artist proof G. FLAMENG. 42 Professor Huxley ; and Darwin, after Hon. J. Collier— remarque proofs 2 BIRKET FOSTER. 43 Driving Geese, Cookbam— artist proof PETER GRAHAM, R.A. 44 Spate in the Highlands— artist proof A. H. HAIG. Artists' Proofs. 45 Durham Cathedral 46 Interior and Exterior of Burgos 2 47 The Giralda Tower ; and The Corner of Seville Cathedral 2 48 Intorior of Toledo 49 St. Gillcs at Arles 50 Exterior of Rheims 51 Cathedral of Chartres, North Porch 52 The Cathedral of Chartres 53 St. Edmund’s Chapel, Westminster 54 North Chancel Aisle, Poet’s Corner 7 55 Segovia 56 Pampeluna 57 The Aisles of Chartres 58 Magdalen College 59 Peterborough Cathedral 60 Set of Five Small Westminsters 5 61 Old Hause Town ; and the Washerwomen of Chartres 2 62 Towing in the Prize ; and St. Mary di Capitol 2 63 The Interior of Upsala 64 The Pulpit of Yerona ; and Toledo by Moonlight 2 65 Stockholm ; and Arles 2 66 Trompenberg ; and Navarre 2 67 A Moorish Archway; and A Norman Archway 2 68 Eegent’s Canal; and In Church 2 69 Mont St. Michel 70 Limburg on the Lahn 71 Exterior of Upsala 72 A Quiet Hour 73 Morning of the Festival 74 The Yesper Bell AFTEE K, HEFFNEE. 75 The Gloaming— artist's proof 76 A Misty Morn ; aud Noon— artist’s proofs 2 H. HEEKOMEE, E.A. 77 An American Lady— remarque proof 78 Professor Euskin— ditto 79 Lord Tennyson— artist proof 80 Portrait of Wagner— vellum proof 8 \ SEYMOUR HADEN. Artists' Proofs. 81 Breaking up the Agamemnon 82 A Water Meadow; and The Sisters 2 83 On the Test; and Windmill Hill 2 84 Harlech Castle; and Purfleet 2 JULES JACQUET. 85 Meadow Sweet, after F. Morgan— vellum proof 86 1806, after E. Meissonier— remarque proof 87 1807, after E. Meissonier— remarque proof 88 1814, after E. Meissonier— remarque proof 89 Sergeant’s Portrait, after E. Meissonier— remarque proof ACHILLE JACQUET. 90 Les Renseignemekts, after E. Meissonier— remarque proof 91 The Sign Painter, after E. Meissonier— remarque proof 92 Sacrod to Pasht, after E. Long, R.A.— artist's proof L. LOWENSTAM. 93 An Apodyterium; and Welcome Footsteps, after L. Alma Tadema, R.A. —remarque proofs 2 94 The Secret; and Expectations, after ditto— remarque proofs 2 95 The Morning Ride, after Heywood Hardy; and Pass Mother’s Grave, after J. Israels— artists' proofs 2 96 Suspense, aftor S. E. Waller— remarque proof L. LHERMITTE. Artists' "Proofs. 97 Haymaking ; and Past Work 2 98 Interior of Churches at Rouen 2 i 99 St. Maclou ; and Rouen Cathedral 2 LAGUILLERMIE. 100 Clarissa, after Sir J. E. Millais, R.A.— remarque proof 101 La Bella, after Van Dyck— vellum proof 102 The Duchess of Lorraine, after ditto— ditto 103 Helena Forment, after Rubens— vellum proof 104 The Two Families; and The First Visit to Baby, after M. de Munkacsv— vellum proofs • 2 105 The Young Duke, after W. Q. Orchardson, R.A.— artist proof AFTER SIR F. LEIGHTON, P.R.A. 106 Solitude —artist proof 107 Wedded —artist proof DAVID LAW. 108 Glebe Farm; and Bridge of Sighs— artist's proofs 109 Greenwich ; and St. Paul’s —ditto 110 Seville ; and The Windmill, after Linnell —ditto 111 Westminster —artist proof 112 Wordsworth’s Country —set of artist's proofs 2 5 2 2 LHUILLIER. 113 The Jolly Post-boys, after H. S. Marks, R.A. —remarque proof 10 R. W. MACBETH, A.R.A. Artists' Proofs. 114 Pied Piper op Hamelin (Children and Rats), after G. J. Pinwell —a pair 2 115 The End of the Day; and A Cambridgeshire Ferry, after G. Mason, A.R.A. 2 116 Marlow Ferry, after G. Mason, A.R.A. 117 The Cast Shoe, after G. Mason, A.R.A.; and The Fishmonger’s Shop, after F. Walker, A.R.A. 2 118 Harvest Moon, after G. Mason, A.R.A.; and The Elixir of Love, after G. J. Pinwell 2 119 Return from Milking; and The May of Life, after G. Mason, A.R.A. 2 120 A Rainy Day, after F. Walker, A.R.A.; and Only a Shower, after G. Mason, A.R.A. 2 121 Bacchus and Ariadne, after Titian; and The Tapestry Workers, after Velasquez 2 122 The Harbour op Refuge, after F. Walker, A.R.A. 123 A Pastoral Symphony, after G. Mason, A.R.A.; and Christmas Eve, after Sir J. E. Millais, R.A. 2 124 If Music be the Food of Love, after W. Q. Orchardson, R.A.; and Alonzo Cano, after Velasquez 2 125 The Plough, after F. Walker, A.R.A. J. D. MILLER. Artists' Proofs. 126 A Vestal ; and Letty, after Sir F. Leighton, P.R.A. 2 127 Cynthia; and Sylvia, after F. Dicksee, R.A. 2 128 Invocation, after Sir F. Leighton, P.R.A. A. MATTHEY. 129 Children of Charles I., after Van Dyck— vellum proof 11 L. MONZIES. 130 Post Horses, after J. L. E. Meissonier— remarque proof M. MEMPES. 131 The Archers of St. Adrian, after Rembrandt— artist proof E. MEISSONIER. 132 L’Annibal; and L’homme a epee —vellum proofs 2 133 Napoleon, by Courtry ; and Gentilhomme Louis XVI., by Rajon — artist's proofs 2 134 The Brothers Van der Velde, Solferino and Halberdier— artist’s proofs 3 J. PARK. 135 Rocked in the Cradle of the Deep ; and A Kiss from the Sea, after Hamilton Macullum —remarque proofs 2 AFTER C. E. PERUGINI. 136 First Words of Love— artist's proof P. RAJON. 137 The Smoker and the Toper, after Seymour Lucas, A.R.A.— special remar que proofs 2 LE RAT. 138 The Doge, after Bellini —remarque proof F, STACKPOOLE, A.R.A. 139 Playfellows, after Briton Riviere, R.A.— artist's proof 140 Balaclava, after Miss Thompson— artist’s proof 141 Quatrc Bras, after ditto —ditto 12 L. J. STEELE. 142 The Poacher, after B. Riviere, R.A.— remarque proof H. YION. 143 La Chanson, after E. Meissonier— remarque proof 144 La Confidence, after ditto— ditto C. WALTNER. 145 Harmony ; and Romeo and Juliet, after F. Dicksee, R.A.— vellum proofs 2 146 Lady Camden, after Sir J. Reynolds— vellum proof 147 Clarissa, after J. Hoppner, R.A.— artist proof 148 ’ Twixt Love and Riches, after J. Vely— vellum proof 149 Le Doreur, after Rembrandt— vellum proof 150 Jewish Rabbi, after Rembrandt; and Rickaert, after Velasquez —vellum proofs 2 151 Master Lambton, after Sir T. Lawrence— remarque proof 152 Dr. Harvey, after C. Jansen— remarque proof 153 Vagrants, after F. Walker, A.R.A.— vellum proof 154 The Wayfarers, after F. Walker, A.R.A.— artist proof 155 Madam Bas, after Rembrandt— remarque proof 156 Besieged, after F. Holl, R.A.; and The Young Angler, after F. Walker, A.R.A.— vellum proofs 2 157 The Hon. Mrs, Graham, after T. Gainsborough, R.A.— vellum proof 158 Waning of tho Day, after J. Breton— vellum proof W. L. WYLLIE. 159 Collier Unloading— artist proof 13 E. G. HESTER. 160 The Peacemaker, after Marcus Stone, R.A. —remarque proof T. 0. BARLOW, A.R.A. 161 Lord Salisbury, after Sir J. E. Millais, R.A.— artist proof W. HENDERSON. 162 The Rt. Hon. Joseph Chamberlain, after E. Holl, R.A.— artist proof P. BERTINOT. 163 Thisbe, after E. Long, R.A, —artist proof C. E. DEBLOIS. 164 Interviewing the Member, after E. Nicol, A.R.A. —vellum proof A. LALAUZE. 165 The Love Story, after F. Dicksee, R.A. —artist proof T. C. FARRER. 166 Great Marlow— artist proof AFTER M. OOURANT. 167 The Coming Storm —artist proof FINIS. London: Printed by Wm. Clowes & Sons, Limited, Stamford Street and Charing Cross. X