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Digitized by the Internet Archive 
 in 2017 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/classifiedlistof00arun_1 
 

 
 
 
 
 

CLASSIFIED LIST OE PHOTOGRAPHS 
 
 OF 
 
 DRAWINGS, PAINTINGS, AND SCULPTURE. 
 
 ETCHINGS OF OBJECTS OF ART. 
 
 Specimens of the Photographs enumerated in this Catalogue may be seen in the 
 Arundel Society’s Sale Rooms at the South Kensington Museum, and at the Office 
 of the Arundel Society, 24, Old Bond Street. 
 
 A complete collection may be consulted in the National Art Library, South 
 Kensington Museum. 
 
 PUBLISHED BY THE ARUNDEL SOCIETY FOR PROMOTING THE 
 KNOWLEDGE OF ART, 24, OLD BOND STREET. 
 
 15929.— 1. 
 
J&EU 
 
 195 EP N tents. 
 
 National Portraits, from the Exhibition of 1866 - 
 
 National Portraits, Selections of - 
 
 National Portraits. — Large Size - 
 
 Bays of the National Portrait Exhibition of 1866 
 
 Miniature Portraits, from the Exhibition of I860 
 
 Raphael’s Cartoons. — In five different sizes 
 
 Studies from Raphael’s Cartoons - 
 
 Raphael Drawings in the Louvre - 
 
 Raphael Drawings at Oxford 
 
 Michael Angelo Drawings at Oxford 
 
 Holbein Drawings at Windsor - 
 
 Tudor Portraits. — In the New Palace of Westminster 
 
 Turner’s Liber Studiorum - 
 
 Mulready’s Drawings and Paintings - 
 
 Designs for Gold and Silver Plate - 
 
 Paintings and Drawings (. Miscellaneous ) 
 
 Italian Sculpture of the Middle Ages 
 Sculpture ( Miscellaneous ) - 
 
 Page 
 
 - 9 
 
 - 52 
 
 - 53 
 
 - 53 
 
 - 54 
 
 - 66 
 - 66 
 - 68 
 
 - 70 
 
 - 82 
 
 - 85 
 
 - 87 
 
 - 89 
 
 - 90 
 
 - 92 
 
 - 93 
 
 - 94 
 
 - 96 
 
 Etchings of Objects of Art by Students in Training - 100 
 
 Many of the Photographs included in this Catalogue 
 may be had on application . Those which are not in 
 stock will be delivered {except under special circumstances ) 
 in fourteen days. All must be paid for previous to de- 
 livery . 
 
 Orders by post should be addressed to Mr. F. W. 
 Maynard , Secretary of the Arundel Society , 24, Old Bond 
 Street; or to Mr. Cundall , Agent for the Arundel Society 
 at the South Kensington Museum. 
 
PREFACE. 
 
 This division of the Classified List of Photographs contains a catalogue 
 of those Portraits in the National Portrait Exhibition of 1866 which 
 the owners kindly permitted to be published, and which it was found 
 possible to render with any degree of faithfulness ; and a selection of 
 two hundred Portraits from the Exhibition of Miniature Portraits of 
 1865. 
 
 Then follow lists of Photographs of Raphael’s Cartoons, and of the 
 well-known Raphael Drawings in the Louvre and in the University 
 Galleries at Oxford ; of the Michael Angelo Drawings at Oxford ; the 
 celebrated Holbein Heads in the Royal Collection at Windsor ; the 
 Tudor portraits in the new Palace at Westminster ; the series of Draw- 
 ings by Turner known as his t( Liber Studiorum $” and of thirty of 
 Mulready’s most important pictures. 
 
 Besides these, there are Photographs of Italian Sculpture of the 
 Middle Ages, in the South Kensington Museum ; and a series of 
 Etchings done by Students in training in the Schools of Art. 
 
 The NATIONAL PORTRAIT EXHIBITION of 1866, which 
 owed its origin to a suggestion made by the Earl of Derby, contained 
 1,031 portraits of eminent persons from the time of the Plantagenets to 
 the end of the reign of James II. These were contributed by 306 
 lenders, among whom were Her Majesty and many of the principal 
 nobility, and a great number of country gentry who have inherited 
 portraits of their ancestors. With but few exceptions, all readily 
 allowed their pictures to be copied ; but some of the paintings were so 
 much discoloured by age that it was found to be beyond the power of 
 the photographer to reproduce them. The result is that only 964 por- 
 traits are included in the published lists. Many of these are by the 
 best known painters : Holbein, Sir Antonio More, Lucas do Heere, 
 Zucchero, Cornelius Jansen, Rubens, Vandyke, Dobson, Lely, Kneller, 
 and others. 
 
 a 2 
 
4 
 
 Preface. 
 
 With a view of giving examples of the Court costume of the period, 
 nine of the most important portraits of the Tudor period were photo- 
 graphed on a large scale. 
 
 A series of seventy -seven views of the BAYS OF THE EXHI- 
 BITION were taken in order to show the general appearance of the 
 galleries and corridors, and the position in which the pictures were 
 hung. 
 
 The Exhibition was very successful, and during the 18 weeks it was 
 open was attended by 73,000 visitors. It will be followed by an Ex- 
 hibition of Portraits which will commence with the reign of William 
 and Mary. 
 
 The EXHIBITION OF PORTRAIT MINIATURES in the South 
 Kensington Museum in 1865 contained 3,081 examples of the work of 
 the most eminent miniature painters of England and France, five of 
 whom lived in the 16th century, twenty-one in the 17th century, forty- 
 two in the 18th century, and eighteen in the 19tli century. 
 
 With the consent of the owners of the miniatures, a selection of 200 
 were copied by photography, and impressions of these may now be 
 obtained. 
 
 “ The miniature art of England possesses this distinguished peculi- 
 “ arity, that while no native painter had attained excellence in life-sized 
 “ oil portraiture before the time of Vandyke, we have in miniature art a 
 “ succession of eminent 4 painters in little,’ commencing with Nicholas 
 “ Hilliard in the reign of Queen Elizabeth, and continued by John Hos- 
 “ kins, the two Olivers, father and son, down to the inimitable Samuel 
 u Cooper, in the reign of Charles I. 
 
 “ The works of these men became the treasures of their own and of 
 “ succeeding generations. Unlike the larger portraits of their foreign 
 “ competitors, which, in the troubled days that ensued, were exposed to 
 “ all the mutations of our great families, the miniature was mostly a 
 “ cherished decoration worn about the person and easily concealed. 
 “ Many have thus descended to us, inestimable both for their art and as 
 “ the sole recollections of several of England’s most distinguished men, 
 “ while others, despoiled in times of need of their jewelled settings, 
 “ have been lost or destroyed.” 
 
 Of the RAPHAEL CARTOONS there are five series of photographs 
 of different sizes, all of which were taken from the originals by Mr. 
 Thurston Thompson when they were at Hampton Court. 
 
 These celebrated cartoons, which are drawn with chalk upon strong 
 paper and coloured in distemper, are the original designs executed by 
 Raphael and his scholars for Pope Leo X., in the year 1513, as copies 
 
5 
 
 Preface. 
 
 for tapestry work. Each cartoon is about 12 feet high. There were 
 originally ten ; but three — viz.. The Stoning of St. Stephen, The Con- 
 version of Saul, and St. Paul in his Dungeon at Philippi* - — are lost. 
 
 The tapestries, worked in wool, silk, and gold, were hung in the 
 Sistine Chapel at Rome in 1519, the year before Raphael died, and 
 excited the greatest applause. The Pope paid Raphael 434 gold ducats 
 for his designs, and the workmen of Arras 50,000 gold ducats for the 
 tapestries. These tapestries are now in the Vatican. 
 
 The cartoons remained neglected in the warehouse of the manufac- 
 turer at Arras, and were seen there by Rubens, who advised Charles I. 
 to purchase them for the use of a tapestry manufactory which was then 
 established at Mortlake. On the death of Charles I. Cromwell bought 
 them for 300/. for the nation. They remained for a long time in a 
 lumber-room at Whitehall, till, by command of William III. Sir Chris- 
 topher Wren erected a room for them at Hampton Court, in which (after 
 many removals to Buckingham House, Windsor, and Frogmore) they 
 were hung in the year 1814, where they remained until Her Majesty 
 permitted them to be removed to South Kensington, where they may 
 now be seen to advantage in a well-lighted gallery. 
 
 Of Photographs of DRAWINGS BY RAPHAEL several large 
 collections may be consulted in the National Art Library in the South 
 Kensington Museum. 
 
 The most important of these are from — 
 
 The Academy of Fine Arts, Venice - 
 The Gallery of Duke Albrecht, Vienna 
 The Gallery of the Uffizi, Florence 
 The Gallery of the Louvre, Paris 
 The Hotel de Ville, Lille ( Wicar Col- 
 lection ) - - - 
 
 The Royal Library, Windsor - 
 The British Museum - 
 The University Galleries, Oxford 
 The Duke of Devonshire’s Gallery, 
 Chatswortli - 
 
 90 photographs. 
 
 80 
 
 JJ 
 
 35 
 
 
 33 
 
 
 67 
 
 
 54 
 
 ?> 
 
 12 
 
 » 
 
 188 
 
 
 12 
 
 » 
 
 Besides these there are photographs from Raphael Drawings in the 
 Dresden and Sienna Galleries and from several private collections, so 
 
 * The Arundel Society has published engravings of “ The Stoning of St. Stephen'’ 
 and the “ Conversion of Saul” from careful drawings made from the tapestries in 
 the Vatican. 
 
6 
 
 Preface. 
 
 that authentic copies of at least 600 examples of Raphael Studies in 
 ink, chalk, silver-point, and sepia, may be examined in this Library. 
 
 At present only the photographs from the Drawings in the Louvre 
 and the Oxford Galleries can be offered to the public. 
 
 The celebrated collection at Oxford formerly belonged to Sir Thomas 
 Lawrence, and at his death was bought by the Messrs. Woodburn, who 
 subsequently sold it for 7,000/. to the University of Oxford. The 
 money was raised by subscription, to which Lord Eldon contributed 
 no less than 4,100/. 
 
 Many of these Drawings can be traced back to the possession of 
 Timoteo della Yite, a friend and pupil of Raphael, and his executor ; of 
 George Vasari, the artist, who wrote the well-known series of “ Lives 
 of Italian Painters and of the Marquis Antaldi, a lineal descendant 
 of the Della Yite family. This collection is now in the University 
 Galleries, where students of the Royal Academy are gratuitously ad- 
 mitted. This privilege was purchased by William IV., who gave for 
 this purpose a donation of 50 guineas. 
 
 Of the well-known DRAWINGS BY HOLBEIN in .the Royal 
 Library at Windsor there are 65 photographs. These are portraits of 
 the chief personages at the Court of Henry VIII., and in many 
 instances were doubtless studies for oil paintings. In the National 
 Portrait Exhibition the portraits of Sir Thomas More, and of his father, 
 and Nicholas Poyntz were evidently painted from the drawings at 
 Windsor. 
 
 In noticing this collection, Horace Walpole says : — “At present an 
 “ invaluable treasure of the works of this master is preserved in one 
 “ of our palaces. Soon after the accession of the late king (George II.) 
 “ Queen Caroline found in a bureau at Kensington a noble collection 
 “ of Holbein’s original drawings for the portraits of some of the chief 
 “ personages ot the Court of Henry VIII. How they came there is 
 “ quite unknown. After Holbein’s death they had been sold into 
 “ France, from whence they were bought and presented to Charles I. 
 “ by Monsieur de Liencourt. Charles changed them with William, 
 “ Earl of Pembroke, for a St. George, by Raphael, now at Paris. Lord 
 “ Pembroke gave them to the Earl of Arundel, and at the dispersion of 
 “ that collection they may have been bought by or for the king. There 
 “ are 89 of them, a few of which are duplicates. A great part are ex- 
 “ ceedingly fine, and in one respect preferable to his finished pictures, 
 “ as they'are drawn in a bold and free manner ; and, though they have 
 “ little more than the outlines, being drawn with chalk upon paper 
 “ stained of a flesh colour and scarce shaded at all, there is a strength 
 “ and vivacity in them equal to the most perfect portraits. The heads 
 
Preface. 7 
 
 <{ of Sir Thomas More, Bishop Fisher, Sir Thomas Wyat, and Broke, 
 “ Lord Cobham, are masterpieces.” 
 
 In the Museum at Basle and in the Albrecht Gallery at Vienna there 
 are many similar portraits by Hans Holbein. Photographs of these 
 drawings may be seen in the National Art Library ; among those from 
 the Basle Museum will be found the original sketch for the celebrated 
 painting of “ Sir Thomas More and his Family.” 
 
 The series of PORTRAITS OF THE TUDOR FAMILY were 
 painted from authentic contemporary works to decorate the Prince’s 
 Chamber in the new Palace at Westminster, by Richard Burchett, Head 
 Master of the Central Training School of the Science and Art Depart- 
 ment. They are chiefly taken from the works of Holbein, Mabuse, 
 Lucas de Heere, Janet, and miniatures of the period. 
 
 Fifty-one of the original Drawings made by J. M. W. TURNER, 
 R.A., for the engravings of his “ LIBER STUDIORUM,” are now in 
 the Picture Galleries of the South Kensington Museum. Of these a 
 complete series of photographs may be had. 
 
 In his ‘‘Life of Turner ” Mr. Walter Thornbury says “There can 
 “ be no doubt that the ‘ Liber Studiorum ’ was begun by Turner in 
 “ rivalry of Claude’s ‘ Liber Veritatis,’ published by the Duke of 
 “ Richmond after his return from Italy. 
 
 “ Turner’s ‘ Liber ’ undoubtedly utterly weighs down the book of 
 “ Claude ; but then we must not forget that the comparison is an unjust 
 “ one. Claude’s was not a show book and never intended for publica- 
 4< tion ; it is merely a volume of sketches of sold pictures, kept as 
 “ remembrances. Turner’s was a book the produce of some years, 
 “ elaborated with extreme care, engraved for the most part with his 
 “ own hands, and watched in all its processes with the most jealous and 
 “ sagacious care. It was intended to show his command of the whole 
 4e compass of landscape art and the boundless and matchless richness 
 “ of his stores, both of fact and invention. 
 
 “ The drawings for the ‘ Liber ’ mezzotints were of the same size as 
 “ the plates, and were carefully finished in sepia. The proofs were 
 “ sometimes also touched all over with the brush in sepia.” 
 
 The publication of the engravings of the “ Liber Studiorum ” was 
 commenced in 1807 and discontinued at the fourteenth number in 1816. 
 It comprised 71 plates. The subjects, embracing the whole domain of 
 landscape art, were divided into six heads — Historical, Pastoral, 
 Elegant Pastoral, Mountain, Marine, and Architectural. 
 
 Of MULREADY’S PAINTINGS there are at present only 30 
 Photographs. These, however, include all his most celebrated works, 
 
8 
 
 Preface. 
 
 such as “ Choosing the Wedding Gown,” ie The Whistonian Contro- 
 versy,” “ The Hayfield,” “ The Seven Ages,” “ The Wolf and the 
 Lamb,” “ Giving a Bite,” &c., some of which the art of photography 
 has, most unexpectedly, reproduced with great truthfulness. This series 
 will be added to from time to time. 
 
 The examples of ITALIAN SCULPTURE consist of Photographs 
 of fifty choice works of the middle ages and the period of the revival of 
 art, now in the possession of the South Kensington Museum, by J acopo 
 della Quercia, Lorenzo Ghiberti, Donatello, Luca and Andrea della 
 Robbia, and several other great Italian masters. 
 
 The series of ETCHINGS OF OBJECTS OF ART in the South 
 Kensington Museum have been executed by students in the Training 
 Class for Etching, under the direction of Mr. Richard J. Lane, A.R.A. 
 Fifty of these Etchings have been carefully printed by M. Delatre of 
 Paris and Mr. Martin of Hampstead Road, and are now ready for 
 publication. They embrace a great variety of objects, such as Coffers, 
 Caskets, Cups, Lamps, Croziers, Diptychs, &c. &c., all of which have 
 been selected for their interest as works of art. 
 
DRAWINGS AND PAINTINGS. 
 
 NATIONAL HISTORICAL PORTRAITS. 
 
 A Series of NINE HUNDRED AND SIXTY-FOUR POR- 
 TRAITS selected from the First Special Exhibition of National Por- 
 traits at South Kensington, from the Reigns of the Plantagenet Kings 
 to the Abdication of James II. (1152 to 1688). 
 
 Price, One Shilling and Sixpence Each. 
 
 1. ROSAMOND CLIFFORD. Lent by Her Majesty (Hampton 
 Court). 
 
 3. EDWARD III. Lent by Her Majesty (Hampton Court). 
 
 4. JOHN OF GAUNT, Duke of Lancaster. Painted by Luca Cor- 
 
 nelli. Lent by the Duke of Beaufort . 
 
 5. WILLIAM OF WYKEIIAM, Bishop of Winchester. Lent by 
 
 Mr. Baldwin J. P. Bastard. 
 
 6. JOHN WYCLIFFE. Lent by the Earl of Denbigh. 
 
 7. RICHARD II. IsCiit by the Dean and Chapter of Westminster. 
 
 8. GEOFFREY CHAUCER. L,ent by the Bodleian L,ibrary r 
 
 Oxford. 
 
 9. GEOFFREY CHAUCER. Lent by Mr. J. P. Seddon. 
 
 10. HENRY IY. Lent by Her Majesty (Windsor Castle). 
 
 11. THOMAS ARUNDEL, or FITZALAN, Archbishop of Canter- 
 
 bury. Lent by Lord De L'lslc and Dudley. 
 
 12. JAMES, EARL OF DOUGLAS. I^ent by the Marquis of 
 
 Quccnsbury. 
 
 13. HENRY IV. Lent by the Earl of Essex . 
 
 14. HENRY Y. Lent by Eton College. 
 
 15. HENRY VI. Lent by Eton College. 
 
 16. MARRTAGF OF HENRY VI. WITH MARGARET OF 
 
 ANJOU. Lent by the Duke of Sutherland , K.G. 
 
10 
 
 Plantagenet Reigns, 1154 - 1485 . 
 
 17. EDWARD GRIMSTON. Painted by Petrus Christus. Lent by 
 
 the Earl of Verulam. 
 
 18. SIR JOHN DONNE; and LADY DONNE. Painted by Van 
 
 Eyck or Hans Memling. Lent by the Duke of Devonshire , K. G. 
 
 19. JOHN TALBOT, first Earl of Shrewsbury. Lent by the Marquis 
 
 of Northampton . 
 
 20. MARGARET BEAUCHAMP, Countess of Shrewsbury. Lent 
 
 by the Marquis of Northampton. 
 
 21. SIR JOHN FORTESCUE, Kt. Ascribed to Hans Memling. 
 
 I^ent by the Earl Fortescue. 
 
 23. RICHARD NEYILL, Earl of Warwick, K.G. Lent by the Mar- 
 
 quis of Hastings . 
 
 24. EDWARD IV. Lent by Her Majesty (Windsor). 
 
 25. GEORGE PLANTAGENET, Duke of Clarence, K.G. Lent by 
 
 the Marquis of Hastings. 
 
 26. ISABEL NEYILL, Duchess of Clarence. Lent by the Marquis 
 
 of Hastings. 
 
 27. HUMPHREY PLANTAGENET, Duke of Gloucester, and JOHN 
 
 KEMPE, Archbishop of Canterbury. Lent by the Duke of 
 Sutherland , K.G. 
 
 28. MARGARET PLANTAGENET, Countess of Salisbury. Lent 
 
 by the Marquis of Hastings. 
 
 29. QUEEN ELIZ ABETH WOODYILLE. Lent by Her Majesty 
 
 (Hampton Court). 
 
 30. QUEEN ELIZABETH WOODYILLE. Lent by Her Majesty 
 
 (Windsor Castle). 
 
 31. QUEEN ELIZABETH WOODYILLE. Lent by Queen’s Col- 
 
 lege, Cambridge. 
 
 32. MARGARET PLANTAGENET, Duchess of Burgundy. Lent 
 
 by the Society of Antiquaries. 
 
 33. JANE SHORE. Lent by Her Majesty (Hampton Court). 
 
 34. JANE SHORE. Lent by Eton College. 
 
 35. JANE SHORE. Lent by King’s College, Cambridge. 
 
 36. SIR THOMAS LYTTELTON, K.B. Painted by Arthur Pond. 
 
 Lent by Lord T^yttelton . 
 
 .37. SIR HENRY WENTWORTH, K.B. Lent by Lord De L’Isle 
 and Dudley. 
 
 38. RICHARD III. Lent by Earl of Derby, K. G. 
 
 39. HENRY CHICHELEY, Archbishop of Canterbury. Lent by 
 
 Viscount Strangford. 
 
 40. HUGH OLDHAM, Bishop of Exeter. Lent by Corpus Christi 
 
 College, Oxford. 
 
 41. SIR ROBERT CHESTER, Kt. (1510-1574). Lent by Mr. Harry 
 
 Chester . 
 
Reign of Henry VII., 1485 - 1509 . 
 
 11 
 
 42. THOMAS STANLEY, first Earl of Derby. Lent by the Earl of 
 
 Derby, K.G. 
 
 43. QUEEN ELIZABETH OF YORK (1466-1502). Lent by Mr . 
 
 Charles Winn. 
 
 44. EDWARD STAFFORD, third Duke of Buckingham, K.G. Lent 
 
 by the Marquis of Bath. 
 
 45. JOHN HOWARD, Duke of Norfolk, K.G. Lent by Her Majesty 
 
 (Windsor Castle). 
 
 46. RICHARD FOX, Bishop of Winchester. Painted by Johannes 
 
 Corvus. Lent by Corpus Christi College, Oxford. 
 
 47. MARGARET BEAUFORT, Countess of Richmond and Derby. 
 
 Lent by St. John’s College , Cambridge . 
 
 48. MARGARET BEAUFORT, Countess of Richmond and Derby. 
 
 Lent by the Earl of Derby, K.G. 
 
 49. ARTHUR, Prince of Wales (1486-1502). Lent by Her Majesty 
 
 (Windsor Castle). 
 
 50. RICHARD FOX, Bishop of Winchester. Lent by Mr. Reginald 
 
 Cholmondeley , 
 
 51. QUEEN ELIZABETH OF YORK. Lent by Christ Church, 
 
 Oxford. 
 
 52. HENRY VII. Painted by Jan de Mabuse. L,ent by Hon . Mrs. 
 
 Greville Howard. 
 
 53. MARGARET TUDOR, Queen of Scotland. Lent by Her Majesty 
 
 (Hampton Court). 
 
 54. HENRY VII. and FERDINAND OF ARRAGON. Painted 
 
 by Hans Holbein. Lent by Mr. Henry Musgrave. 
 
 55. HENRY VII. Lent by Her Majesty (Windsor Castle). 
 
 56. HENRY VII. Lent by Christ Church, Oxford. 
 
 57. QUEEN ELIZABETH OF YORK. Ascribed to Jan de Ma- 
 
 buse. Lent by Mr. B. J. P. Bastard. 
 
 58. THREE CHILDREN OF HENRY VII. Painted by Jan de 
 
 Mabuse. Lent by Her Majesty (Hampton Court). 
 
 59. PIENRY VII. Lent by Mr. Charles Winn. 
 
 61. JAMES IV. OF SCOTLAND. Painted by D. Mytens. Lent by 
 
 Sir William Stirling Maxwell, Bart., M.P. 
 
 62. HENRY VII. Lent by Christ Church, Oxford. 
 
 63. JAMES IV. OF SCOTLAND. Painted by Hans Holbein. Lent 
 
 by the Marquis of Lothian. 
 
 64. JOHN ALCOCK, Bishop of Ely. Lent by Jesus College, Cam- 
 
 bridge. 
 
 65. SIR CHARLES SOMERSET, first Earl of Worcester, K.G. 
 
 T^ent by the Duke of Beaufort. 
 
 66. MARY HUNGE11FORD, Baroness Ilungerford, and afterwards 
 
 Hastings. Lent by the Marquis of Hastings. 
 
12 
 
 National Portraits. 
 
 67. GEORGE HASTINGS, third Baron and first Earl of Huntingdon, 
 
 Painted by Fran§ois Clouet (Janet). Lent by Mr. Reginald 
 Cholmondeley. 
 
 68. SIR THOMAS WYAT, Kt., the elder. Lent by the Bodleian 
 
 Library , Oxford. 
 
 69. GEORGE LORD STRANGE. Lent by the Earl of Derby, K.G. 
 
 70. THOMAS, second EARL OF DERBY, K.G. Lent by the Earl 
 
 of Derby, K.G. 
 
 71. EDWARD STAFFORD, third Duke of Buckingham, K.G. 
 
 Painted by Hans Holbein. I^ent by the Marquis of Hastings. 
 
 72. NICHOLAS KRATZER. Painted by Hans Holbein. Lc?it by 
 
 Viscount Galway , M.P. 
 
 73. HANS HOLBEIN. Painted by Hans Holbein. Lent by Her 
 
 Majesty (Hampton Court). 
 
 74. QUEEN KATHARINE OF ARRAGON. Painted by Hans 
 
 Holbein. Lent by Mr. Walter Moseley. 
 
 75. HENRY VIII. Painted by Hans Holbein. Lent by the Duke of 
 
 Manchester. 
 
 76. CHARLES BRANDON, Duke of Suffolk, K.G., and his Wife 
 
 the PRINCESS MARY TUDOR. Painted by Hans Holbein. 
 Lent by Mrs. Bran/ill. 
 
 77. HENRY VIII. Lent by Her Majesty (Windsor Castle). 
 
 78. QUEEN KATHARINE OF ARRAGON. Painted by Hans 
 
 Holbein. Lent by Countess Delawarr . 
 
 79. QUEEN KATHARINE OF ARRAGON. Lent by the Na- 
 
 tional Portrait Gallery. 
 
 80. CHARLES BRANDON, Duke of Suffolk, and his Wife the 
 
 PRINCESS MARY TUDOR. Painted by Jan de Mabuse. 
 J^ent by the Earl of Yarborough . 
 
 81. SIR WILLIAM CAVENDISH, Kt. Lent by the Duke of De- 
 
 vonshire, K.G. 
 
 82. ARCHIBALD DOUGLAS, Earl of Angus. Painted by Francis 
 
 Clouet (Janet). I^etit by Her Majesty (Windsor Castle). 
 
 83. QUEEN MARY OF GUISE (1515-1560). Lent by Her Majesty 
 
 (Windsor Castle). 
 
 84. HENRY VIII. Painted by Hans Holbein. Lent by I^ady Sophia 
 
 Des Vceux. 
 
 85. HENRY SOMERSET, second Earl of Worcester. Lent by the 
 
 Duke of Beaufort. 
 
 86. WILLIAM WARHAM, Archbishop of Canterbury (1456-1532). 
 
 Painted by Hans Holbein. Lent by the Archbishop of Canter- 
 bury. 
 
 87. MARGARET DOUGLAS, Countess of Lennox. Lent by H. W, 
 
 Diamond, M.D. 
 
Reign of Henry VIII., 1509 - 1547 . 
 
 13 
 
 88. JOHN FISHER, Bishop of Rochester. Painted by Hans Holbein. 
 Lent by Major J. II. Brooks . 
 
 90. MARGARET TUDOR, Queen of Scotland. Painted by Hans 
 
 Holbein. Lent by the Marquis of Lothian . 
 
 91. SIR THOMAS WYAT, Kt. (the elder). Lent by the Marquis 
 
 of Hastings. 
 
 92. JOHN FISHER, Bishop of Rochester. Painted by Hans Hol- 
 
 bein. Lent by St. John's College , Cambridge . 
 
 93. THOMAS CRANMER, Archbishop of Canterbury. Painted by 
 
 Flans Holbein. Lent by Jesus College , Cambridge . 
 
 94. PETER MARTYR (1500-1562). Lent by Christ Church , Oxford . 
 
 95. HENRY HOWARD, Earl of Surrey. Painted by Hans Holbein. 
 
 Lent by the Bodleian Library , Oxford. 
 
 96. THOMAS LINACRE, M.D. Painted by Hans Holbein or 
 
 Qu. Matsys. Lent by Her Majesty (Windsor Castle). 
 
 97. QUEEN ANNE BOLEYN. Lent by Hon. Mrs. Greville 
 
 Howard. 
 
 98. SIR THOMAS WYAT, Kt. (the elder). Lent by Mr. John 
 
 Bruce. 
 
 99. HENRY VIII. Lent by the Earl of Warwick. 
 
 100. SIR ANTHONY FITZHERBERT, Kt., afterwards Lord Fitz- 
 
 herbert. Lent by Sir William Fitzhei'bert , Bart. 
 
 101. SIR THOMAS BOLEYN, Earl of Wiltshire and Ormonde, K.G. 
 
 Painted by Hans Holbein. Lent by Mr. W. B. Stopford. 
 
 102. HENRY HOWARD, Earl of Surrey. Lent by Her Majesty 
 
 (Hampton Court). 
 
 103. QUEEN ANNE BOLEYN. Lent by the Earl of Warwick. 
 
 104. CHRISTINA OF DENMARK, Duchess of Milan. Painted by 
 
 Hans Flolbein. Lent by Her Majesty (Windsor Castle). 
 
 105. MARY BOLEYN. Lent by the Earl of Warwick. 
 
 106. JAMES V. OF SCOTLAND and his second Queen MARY 
 
 OF GUISE. Lent by the Duke of Devonshire , K. G. 
 
 107. QUEEN ANNE BOLEYN. Painted by Flans Holbein. Lent 
 
 by Sir Montague J. Cholmeley , Bart., M.P. 
 
 108. SIR RICHARD SOUTFIWELL, Kt. Painted by Hans Hol- 
 
 bein. Lent by Mr. II. E. Chetwynd Stapylton. 
 
 109. HENRY VIII. Painted by Flans Flolbein. Lent by Her 
 
 Majesty (Windsor Castle). 
 
 110. SIR WILLIAM BUTTS, Kt. Painted by Ilans Flolbein. Lent 
 
 by Mr. W. II. Pole Carew. 
 
 111. SIR NICFIOLAS (called “ WILLIAM ” ) POYNTZ. Lent by 
 
 the Marquis of Ormonde. 
 
 112. SIR RICHARD SOUTHWELL. Painted by Micheli, after 
 
 Holbein. Lent by Mr. Ralph N. Wornum. 
 
14 
 
 National Portraits. 
 
 113. THOMAS CROMWELL, Earl of Essex, K.G. Painted by Hans 
 
 Holbein. Lent by the Duke of Manchester. 
 
 114. QUEEN ANNE BOLEYN. Painted by Hans Holbein. Lent by 
 
 the Earl of Denbigh. 
 
 115. LADY BUTTS. Painted by Hans Holbein. Lent by Mr. TV. H. 
 
 Pole Carew. 
 
 116. ANNE ASKEW, or ASCOUGH. Lent by Mr. Reginald 
 
 Cholmondeley. 
 
 117. CHIEF JUSTICE SIR EDWARD MONTAGU, Kt. Lent 
 
 by Mr. Andrew Montagu. 
 
 418. HENRY VIII. Lent by Viscount Galway , M.P. 
 
 119. QUEEN JANE SEYMOUR. Lent by the Duke of Northum- 
 
 berland. 
 
 120. MARY TUDOR, Queen of France, afterwards Duchess of Suffolk. 
 
 Lent by the Earl Brownlow. 
 
 121. HENRY HOWARD, Earl of Surrey (1518-1547). Painted by 
 
 Hans Holbein. Lent by the Countess Delawarr. 
 
 122. JOANNA FITZALAN, Lady Abergavenny. Painted by Hans 
 
 Holbein. Lent by Mr. John Webb. 
 
 123. CHARLES BRANDON, Duke of Suffolk, K.G. Lent by the 
 
 Earl Brownlow. 
 
 124. HENRY VIII. Painted by Hans Holbein. Lent by Her Majesty 
 
 (Hampton Court). 
 
 125. QUEEN JANE SEYMOUR. T^ent by Countess Delawarr. 
 
 126. THOMAS CROMWELL, Earl of Essex, K.G. Painted by Hans 
 
 Holbein. Lent by the Countess of Caledon. 
 
 127. SIR RICHARD BROKE, Kt. Painted by Sir Antonio More. 
 
 Lent by Admiral Sir G. Broke Middleton , Bart. 
 
 128. SIR WILLIAM PETRE, Kt. Lent by Rev. C. P. Peters. 
 
 129. SIR HENRY GUILDFORD, Kt. Painted by Hans Holbein. 
 
 Lent by Mr. John Webb. 
 
 130. CARDINAL WOLSEY (1471-1530). Lent by the Royal Col- 
 
 lege of Physicians. 
 
 131. QUEEN KATHARINE PAR (1512 ?-1548). Painted by Hans 
 
 Holbein. Lent by Mr. Richard Booth. 
 
 132. QUEEN ANNE OF CLEVES. Painted by Hans Holbein, 
 
 Lent by Mr Charles Morrison. 
 
 133. SIR HENRY WYAT, Kt. Lent by the Earl of Romney. 
 
 134. HENRY VIII. Painted by Hans Holbein. Lent by the Duke 
 
 of Devonshire , K. G. 
 
 135. HENRY VIII. AND QUEEN JANE SEYMOUR. Painted 
 
 by Van Remee, after Holbein, Lent by Her Majesty (Hampton 
 Court). 
 
Reign of Henry VIII., 1509 - 154 7 . 
 
 15 
 
 136. THOMAS RADCLYFFE, Earl of Sussex, K.G. Painted by Sir 
 
 Antonio More. Lent by Mr. Martin H. Colnaghi. 
 
 137. FRANCES SIDNEY, Countess of Sussex. Lent by Sidney- 
 
 Sussex College , Cambridge. 
 
 138. WILL SOMERS. Painted by Hans Holbein. Lent by Her 
 
 Majesty (Hampton Court). 
 
 139. THOMAS RADCLYFFE, Earl of Sussex, ICO. Painted by 
 
 F. Zucchero. Lent by Sir Brook W. Bridges , Bart., M.P. 
 
 140. THOMAS LORD AUDLEY, K.O. Lent by Magdalen College , 
 
 Cambridge. 
 
 141. SIR WILLIAM SIDNEY, Kt. Painted by Hans Holbein. Lent 
 
 by Lord De Elsie and Dudley. 
 
 142. THOMAS CRANMER, Archbishop of Canterbury. Painted by 
 
 Hans Holbein. Lent by Captain H. Byng. 
 
 143. ERASMUS (1467-1536). Painted by O. Penz. Lent by Her 
 
 Majesty (Windsor Castle). 
 
 144. HENRY VIII. Painted by Hans Holbein. Lent by Mr. H. 
 
 Danby Seymour , M.P. 
 
 145. JAMES V. OF SCOTLAND. Lent by the Duke of Devon- 
 
 shire, K.G. 
 
 146. HENRY VIII. Lent by the Royal College of Physicians. 
 
 147. NICHOLAS WOOTTON, LL.D., Dean of Canterbury. Lent by 
 
 the Dean of Canterbury. 
 
 148. THOMAS CARDINAL WOLSEY 4 (1471-1530). Lent by 
 
 Christ Church, Oxford. 
 
 149. SIR HENRY GUILDFORD, K.G. (1478- ). Painted by 
 
 Hans Holbein. Lent by Her Majesty (Windsor Castle). 
 
 150. SIR JOHN MORE and SIR THOMAS MORE. Painted 
 
 by Hans Holbein. Lent by Sir Henry R. Vane, Bart. 
 
 151. SIR THOMAS POPE. Painted by Hans Holbein. Lent by 
 
 the Countess of Caledon. 
 
 152. HENRY VIII., PRINCESS MARY, and WILL SOMERS. 
 
 Lent by the Earl Spencer, K. G. 
 
 153. EDWARD STANLEY, third Earl of Derby, K.G. Painted by 
 
 Hans Holbein. Lent by the Earl of Derby, K.G. 
 
 154. SIR JOHN CIIEKE, Kt. (1514-1557). Painted by Hans 
 
 Holbein. Lent by the Duke of Manchester. 
 
 155. LADY HELEN LESLIE. Painted by Sir Antonio More. 
 
 Lent by the Marquis of Lothian. 
 
 156. HENRY VIII. L^ent by Christ Church, Oxford. 
 
 157. SIR THOMAS MORE (1480-1535). Painted by Hans Holbein. 
 
 Lent by Mr. Henry Iluth. 
 
 158. LADY DOROTHY DEVEREUX ( -1566). Lent by 
 
 Mr. Reginald Cholmondcley. 
 
16 
 
 Reign of Edward VI., 1547 - 1553 . 
 
 160. MARK KER, Abbot of Newbattle. Painted by Sir Antonio 
 
 More. Lent by the Marquis of Lothian. 
 
 161. SIR JOHN THYNNE, Kt. Painted by Hans Holbein. Lent 
 
 by the Marquis of Bath. 
 
 165. THOMAS HOWARD, third Duke of Norfolk. Painted by Hans 
 
 Holbein. Lent by Her Majesty (Windsor Castle). 
 
 166. PHILIPPE DE VILLIERS DE LTSLE-ADAM. Lent by 
 
 the Earl of Clarendon , K. G. 
 
 167. HENRY VIII. Lent by Mr. Andrew Fountaine. 
 
 168. EDWARD SEYMOUR, Duke of Somerset, K.G., “The Pro- 
 
 tector.” Lent by Mr. H. Danby Seymour , M.P. 
 
 169. THOMAS, first LORD WENTWORTH. Lent by Mr. F. Vernon 
 
 Wentworth. 
 
 170. HENRY VIII. AND HIS FAMILY. Painted by Hans Holbein. 
 
 Lent by Her Majesty (Hampton Court). 
 
 171. SIR EDWARD MONTAGU, Kt. Lent by the Duke of 
 
 Manchester. 
 
 172. EDWARD VI. Painted by Hans Holbein. T^ent by Her Majesty 
 
 (Windsor Castle). 
 
 173. SIR THOMAS SMITH, Kt., LL.D. Painted by P. Fischer 
 
 after Hans Holbein. Lent by Eton College. 
 
 174. EDWARD SEYMOUR, Duke of Somerset, K.G., “The Pro- 
 
 tector.” Lent by Mr. Reginald Cholmondeley. 
 
 175. EDWARD VI. Painted by Hans Holbein. Lent by the Earl of 
 
 Hardwicke. 
 
 176. EDWARD VI. Painted by Hans Holbein. Lent by the Earl of 
 
 Yarborough. 
 
 177. EDW7ARD VI. Painted by Hans Holbein. Lent by Christ's 
 
 Hospital. 
 
 178. THOMAS, second LORD WENTWORTH. Lent by Mr. F. 
 
 Vernon Wentworth. 
 
 179. EDWARD VI. Painted by Hans Holbein. Lent by Christ's 
 
 Hospital. 
 
 180. EDWARD VI. Painted by Hans Holbein. Lent by the Duke 
 
 of Manchester . 
 
 181. THOMAS, LORD SEYMOUR OF SUDELEY, K.G. Painted 
 
 by Hans Holbein. Lent by the Marquis of Bath . 
 
 182. SIR THOMAS WYAT, Kt. (the younger). Lent by the Earl 
 
 of Romney. 
 
 183. LADY JANE GREY (1537-1554). Painted by Lucas de 
 
 Heere. Lent by the Earl Spencer , K.G. 
 
 184. LADY JANE GREY. Painted by Mark Garrard. Lent by 
 
 Colonel Tempest. 
 
Reign of Queen Mary , 1553— 1558. 
 
 17 
 
 185. REGINALD, CARDINAL POLE (1500—1558). Lent by the 
 
 Archbishop of Canterbury . 
 
 186. SIR ANTONIO MORE (1519-1575). Painted by Sir Antonio 
 
 More. Lent by the Earl Spencer , K. G. 
 
 187. EDWARD VI. (1537-1553). Lentby King's College, Cambridge, 
 
 1-88. HENRY DE LA POLE, Lord Montacute. T^ent by Mr. Regi- 
 nald Cholmondeley. 
 
 189. HENRY GREY, third Marquis of Dorset and Duke of Suffolk. 
 
 Painted by Mark Garrard. Lent by the Marquis of Salis- 
 bury , K.G. 
 
 190. LADY JANE GREY (1537—1554). Lent by the Rodleian 
 
 Library , Oxford. 
 
 191. LORD GUILDFORD DUDLEY. Lentby Colonel and Raroness 
 
 North. 
 
 193. LADY JANE GREY (1537-1554). Lent by Lord Houghton. 
 
 194. SIR EDWARD GRIMSTON, Kt. Lent by the Earl of Verulam. 
 
 195. REGINALD, CARDINAL POLE (1500-1558). Painted by 
 
 Titian. I,ent by Lord Arundell of Wardour. 
 
 196. QUEEN MARY (1515-1558). Painted by Sir Antonio More. 
 
 Lent by Mr. Charles Winn . 
 
 197. HENRY FITZALAN, Earl of Arundel, K.G. Lent by the 
 
 Marquis of Bath. 
 
 198. LADY ELEANOR BRANDON. Painted by Lucas de Heere. 
 
 Lent by Mr. F. Vernon Wentworth. 
 
 199. QUEEN MARY (1515-1558). L,ent by Her Majesty (Windsor 
 
 Castle). 
 
 500. PHILIP II. OF SPAIN. Painted by Sanchez Coello. Lent by 
 
 Sir William Stirling Maxwell , Bart ., M.P. 
 
 501. STEPHEN GARDINER, Bishop of Winchester. Lent by 
 
 Trinity Hall , Cambridge. 
 
 202. STEPHEN GARDINER, Bishop of Winchester. Painted by 
 
 Hans Holbein. Lent by Lord Taunton. 
 
 203. WILLIAM POWLETT, first Marquis of Winchester. Painted 
 
 by F. Zuchero. Lent by Mr. John Webb. 
 
 204. HUGH LATIMER, Bishop of Worcester. Lent by the Dean of 
 
 Canterbury. 
 
 206. REGINALD, CARDINAL POLE. Painted by Pierino del Yaga. 
 
 Lent by Earl Spencer , K. G. 
 
 207. WILLIAM POWLETT, first Marquis of Winchester, K.G. 
 
 Lent by the Society of Antiquaries. 
 
 209. PHILIP II. OF SPAIN. Painted by Sir Antonio More. I,ent 
 by Her Majesty (Hampton Court). 
 
 15929.— 1. B 
 
18 
 
 National Portraits. 
 
 210. SIR EDWARD GRIMSTON, Kt. Lent by the Earl of 
 
 Verulam. 
 
 211. EDWARD, first LORD NORTH. Lent by Colonel and Baroness 
 
 North. 
 
 212. QUEEN MARY (1515-1558). Painted by Lucas de Heere. 
 
 Lent by Mr. W. B. Stopford. 
 
 213. ALICE JUDDE, wife of Thomas Smythe. Lent by Viscount 
 
 Strangford. 
 
 214. SIR THOMAS WILSON, Kt. Lent by Sir T. M. Wilson, 
 
 Bart. 
 
 215. WILLIAM WHITAKER, D.D. (1547-1595). Lent by St. 
 
 John's College , Cambridge. 
 
 216. SIR WALTER HUNGERFORD. Lent by Sir Hungerford 
 
 Pollen , Bart . 
 
 217. QUEEN ELIZABETH (1533-1603). Painted by F. Zuchero. 
 
 Lent by Her Majesty (Hampton Court). 
 
 218. SIR GAWEN CAREW, Kt. Painted by N. Hilliard. Lent bij 
 
 Mr. W. H. Pole Carew. 
 
 219. QUEEN ELIZABETH (1533-1603). Painted by Lucas de 
 
 Heere. Lent by Her Majesty (Hampton Court). 
 
 220. FRANCOIS, DUC D’ALENCON, D’ANJOU, &c. Painted by 
 
 Francis Clouet (Janet). Lent by Mr. John Bruce. 
 
 221. THOMAS SMYTHE (1522-1591). Lent by Viscount Strang- 
 
 ford. 
 
 224. HENRY FITZALAN, Earl of Arundel, K.G. Lent by the Duke 
 
 of Devonshire , K.G. 
 
 225. WILLIAM SOMERSET, third Earl of Worcester, K.G. Lent 
 
 by the Duke of Beaufort. 
 
 226. QUEEN ELIZABETH. Painted by Nicholas Hilliard. Lent 
 
 by Sir John Salusbury Trelawny, Bart. 
 
 227. JOHN WHITGIFT, Archbishop of Canterbury (1530-1604). 
 
 I^ent by St. Peter's College , Cambridge. 
 
 228. JOHN BULL, Mus. Doc. Lent by the University of Oxford. 
 
 229. QUEEN ELIZABETH. Painted by F. Zucchero. Lent by the 
 
 Duke of Devonshire , K.G. 
 
 230. SIR HENRY UMPTON or UNTON. Painted by Mark Gar- 
 
 rard. Lent by Mr. Henry Nugent Bankes. 
 
 231. SIR EDWARD SOMERSET, fourth Earl of Worcester, K.G. 
 
 Lent by the Duke of Beaufort . 
 
 232. SIR JONATHAN TRELAWNY, Kt. Painted by F. Zucchero. 
 
 Lent by Sir John Salusbury Trelawny , Bart. 
 
 233. EDMUND GRINDAL, D.D., Archbishop of Canterbury, Lent 
 
 by the Dean of Canterbury. 
 
Reign of Queen Elizabeth , 1558 - 1603 . 19 
 
 234. SIR WILLIAM PADDY. Lent by St. John’s College , Oxford. 
 
 235. LADY HUNSDON. Painted by F. Zucchero. Lent by Mr. W. 
 
 B. Stopford. 
 
 236. MARGARET DOUGLAS, Countess of Lennox. Painted by 
 
 Hans Holbein. Lent by Her Majesty (Hampton Court). 
 
 237. SIR ROBERT CAREY, afterwards Earl of Monmouth. Painted 
 
 by Mark Garrard. Lent by Mr. D. Laing. 
 
 238. HENRY CAREY, Lord Hunsdon, K.G. Painted by F. Zucchero. 
 
 Lent by Mr. W. B. Stopford. 
 
 239. SIR CHRISTOPHER HATTON, K.G. (1539-1591). Lent by 
 
 the Earl of Winchilsea and Nottingham. 
 
 240. ELIZABETH, LADY WENTWORTH. Painted by Lucas de 
 
 Heere. I^ent by the Marquis of Salisbury , K. G. 
 
 241. ROBERT DUDLEY, Earl of Leicester, K.G., and PAGE. 
 
 Painted by F. Zucchero. Lent by the Marquis of Bath. 
 
 243. SIR PHILIP SANDYS, Kt. Lent by Mr. Charles Winn. 
 
 244. SIR WALTER MILDMAY, Kt. Lent by Sir He?iry B. P. 
 
 St. John Mildmay , Bart. 
 
 245. WILLIAM CECIL, Lord Burghley, K.G. Lent by the Bodleian 
 
 Library , Oxford. 
 
 246. THOMAS CECIL, Earl of Exeter, with his half-brother, 
 
 ROBERT, EARL OF SALISBURY. Painted by F. Zucchero. 
 Lent by the Marquis of Salisbury , K. G. 
 
 247. QUEEN ELIZABETH (1533-1603). Painted by Hans Hol- 
 
 bein. Lent by Her Majesty (St. James’s Palace). 
 
 248. JANE HECKINGTON, Mrs. Cecil. Lent by the Marquis of 
 
 Salisbury , K. G. 
 
 250. SIR WALTER RALEIGH, Kt. (1552-1618). Lent by the 
 
 Marquis of Bath . 
 
 251. ROBERT DUDLEY, Earl of Leicester, K.G. Painted by Mark 
 
 Garrard. Lent by the Marquis of Salisbury , K. G. 
 
 252. QUEEN ELIZABETH (1533-1603). Lent by the Earl of 
 
 Hardwicke. 
 
 253. ROBERT DEVEREUX, second Earl of Essex, K.G. Lent by 
 
 the Earl oj' Derby, K.G. 
 
 254. MILDRED COKE, Lady Burleigh. Painted by F. Zucchero. 
 
 Lent by the Marquis of Salisbury , K. G. 
 
 255. THOMAS SACKYILLE, Earl of Dorset. Painted by Mark 
 
 Garrard. Lent by the Countess of Delawarr. 
 
 256. QUEEN ELIZABETH CARRIED IN STATE TO HUNS- 
 
 DON HOUSE, 18th September 1571. Painted by Mark 
 Garrard. Lent by Mr. G. Vigby Wingfield Digby. 
 
 b 2 
 
20 
 
 National Portraits. 
 
 257. QUEEN ELIZABETH. Lent by the Earl of Warwick. 
 
 258. SIR FRANCIS WALSINGLIAM, K.G. (1536-1590). Lent by 
 
 Her Majesty (Hampton Court). 
 
 259. ROBERT CECIL, Earl of Salisbury, K.G. (1560-1612). Painted 
 
 by F. Zucehero. Lent by the Marquis of Salisbury , K. G. 
 
 260. SIR GEORGE CAREW, Kt. Lent by Her Majesty (Hampton 
 
 Court). 
 
 261. ROBERT DUDLEY, Earl of Leicester, K.G. Lent by Corpus 
 
 Christi College , Cambridge. 
 
 262. ROBERT DUDLEY, Earl of Leicester, K.G. Lent by the 
 
 University Library , Cambridge. 
 
 263. WALTER DEYEREUX, first Earl of Essex. Painted by Sir 
 
 Antonio More. Lent by the Earl of Yarborough. 
 
 264. JOHN GLANYILLE. Lent by Lincoln’s Inn. 
 
 265. GEORGE BUCHANAN (1506-1582). Lent by the University 
 
 of Edinburgh. 
 
 266. GEORGE BUCHANAN. Painted by F. Pourbus. Lent by the 
 
 Royal Society. 
 
 267. QUEEN ELIZABETH (1533-1603). Painted by F. Zucehero. 
 
 Lent by the Marquis of Salisbury , K. G. 
 
 .26 8. THOMAS HOWARD, fourth Duke of Norfolk. Painted by 
 F. Zucehero. Lent by the Earl of Carlisle. 
 
 269. MATTHEW PARKER, Archbishop of Canterbury (1504-1575). 
 
 Lent by Corpus Christi College , Cambridge. 
 
 270. JOHN FOXE (1517-1587). Lent by Corpus Christi College, 
 
 Cambridge. 
 
 271. QUEEN ELIZABETH (as Princess). Painted by Sir Antonio 
 
 More. Lent by Mr. Andrew Fountaine. 
 
 272. HUBERT LANGUET (1518-1581). Lent by Lord de L’Isle 
 
 and Dudley. 
 
 273. SIR THOMAS GRESHAM (1519-1579). Lent by the Mercers’ 
 
 Company. 
 
 274. SIR PHILIP SIDNEY (1554-1586). Lent by the Earl of 
 
 Warwick. 
 
 275. SIR PHILIP SIDNEY (1554-1586). Painted by F. Zucehero. 
 
 Lent by the Marquis of Lothian. 
 
 27 6. LADY MARY DUDLEY, wife of Sir Henry Sidney. Lent by 
 
 I^ord De L’Isle and Dudley. 
 
 277. SIR RICHARD CLOUGH, Kt. Lent by the Rev. J. Williams 
 
 Ellis. 
 
 278. COUNTESS OF DERBY. Painted by Lucas de Heere. Lent 
 
 by Her Majesty (Hampton Court). 
 
 279. SIR THOMAS GRESHAM (1519-1579). Painted by Sir 
 
 Antonio More. Lent by Mr. G. W. G. Lev e son Gower , M.P. 
 
Reign of Queen Elizabeth, 1558-1603. 21 
 
 280. SIR NICHOLAS THROCKMORTON, Kt. (1513-1570). Lent 
 
 by Sir William Throckmorton , Bart. 
 
 281. RICHARD COX, Bishop of Ely (1499-1581). Lent by Trinity 
 
 Hall , Cambridge. 
 
 282. FRANCES WALSINGHAM, as Lady Sidney. Lent by Lord 
 
 De L’Isle and Dudley. 
 
 283. SIR JAMES DUNDAS, of Arniston. Lent by Mr. Robert 
 
 Dundas, of Arniston. 
 
 284. MARY SIDNEY, Countess of Pembroke. Lent by Lord De 
 
 LLsle and Dudley. 
 
 285. CHIEF JUSTICE SIR JOHN POPHAM, Kt. (1531-1606). 
 
 Lent by the Duke of Manchester. 
 
 287. HENRY STANLEY, fourth Earl of Derby. Lent by the Earl 
 
 of Derby, K.G. 
 
 288. ALICE SPENCER, Countess of Derby. Lent by the Earl of 
 
 Derby , K.G. 
 
 289. FERDINANDO STANLEY, fifth Earl of Derby, K.G. Lent by 
 
 the Earl of Derby, K.G. 
 
 290. SIR ANTHONY SHIRLEY. Lent by Sir Thomas Western, 
 
 Bart., M.P. 
 
 291. SIR JONATHAN TRELAWNY, Kt. (1569-1604). Painted by 
 
 Mark Garrard. Lent by Sir John Salusbury Trelawny, Bart. 
 
 292. SIR CHRISTOPHER WRAY, Kt. (1524-1592). Lent by Mr. 
 
 W. T. Snossivell. 
 
 293. HENRY HOWARD, Earl of Northampton, K.G. Lent by Mr. 
 
 J. G. Nichols. 
 
 294. ROBERT CECIL, first [Earl of Salisbury, K.G. Lent by the 
 
 Earl of Derby, K. G. 
 
 295. HENRY HASTINGS, third Earl of Huntingdon, K.G. Lent by 
 
 the Marquis of Hastings. 
 
 296. ROBERT DEVEREUX, second Earl of Essex, K.G. Painted by 
 
 Isaac Oliver. Lent by Earl Spencer , K. G. 
 
 297. SIR THOMAS CHALONER, Kt. (1515-1565). Painted by 
 
 Sir Antonio More. Lent by Mrs. M. G. Edgar. 
 
 298. AMY GAINES, Lady Popliam. Lent by Mr. F. L. Popham. 
 
 299. FULKE GREYILLE, first Lord Brooke. Painted by Patoun. 
 
 Lent by the Earl of Warwick. 
 
 300. SIR PHILIP SIDNEY, Kt. Painted by Sir Antonio More. 
 
 Lent by Mr. F. Vernon Wentworth. 
 
 301. SIR PHILIP SIDNEY AND HIS BROTHER, afterwards Earl 
 
 of Leicester. Lent by Lord De LPsle and Dudley. 
 
 302. AMBROSE DUDLEY, Earl of Warwick. Painted by Hans 
 
 Holbein. Lent by the Marquis of Salisbury, K.G. 
 
22 
 
 National Portraits. 
 
 303. SIR HENRY WALLOP, Kt. Painted by Nicholas Hilliard. 
 
 Lent by the Earl of Portsmouth. 
 
 304. SIR HENRY SIDNEY, Kt. Lent by Lord De Elsie and 
 
 Dudley. 
 
 305. MARY STUART, Queen of Scots (1542-1587). Painted by 
 
 Nicholas Hilliard. Lent by the Marquis of Salisbury , K. G. 
 
 306. GENERAL HARRY VAUGHAN. Lent by Lady Frances 
 
 Harcourt. 
 
 307. QUEEN ELIZABETH (1533-1603). Lent by the Head Master 
 
 of Westminster. 
 
 308. WILLIAM WICKHAM, Bishop of Winchester. Painted by 
 
 Mark Garrard. Lent by Mr. William Wickham . 
 
 309. MARY STUART, Queen of Scots. Lent by Earl Cathcart . 
 
 310. MARY STUART, Queen of Scots. Lent by Mr. F. Vernon 
 
 Wentworth. 
 
 311. MARY STUART, Queen of Scots. Painted by Francis Clouet 
 
 (Janet). Lent by the Earl of Leven and Melville. 
 
 312. MARY STUART, Queen of Scots (1542-1587). Lent by Jesus 
 
 College , Cambridge. 
 
 313. RICHARD CAREW. Lent by Mr. W. H. Pole Carew. 
 
 314. MARY STUART, Queen of Scots. I^ent by Mr. Stewart Mac- 
 
 kenzie of Seaforth. 
 
 315. ELIZABETH HARDWICK, Countess of Shrewsbury. Lent by 
 
 the National Portrait Gallery . 
 
 316. MARY STUART, Queen of Scots. Lent by Captain G. H. W. 
 
 Carew. 
 
 317. DAVID RIZZIO. Lent by Mr. Stewart Mackenzie of Seaforth. 
 
 318. MARY STUART, Queen of Scots (1542-1587). Lent by the 
 
 Bodleian Library , Oxford. 
 
 319. MARY STUART, Queen of Scots. Painted by F. Zucchero. 
 
 Lent by the Scottish Corporation. 
 
 320. MARY STUART, Queen of Scots. Painted by Luca Cornelli. 
 
 Lent by Lord Taunton. 
 
 321. MARY STUART, Queen of Scots. Painted by Francis Clouet 
 
 (Janet). Lent by Her Majesty (Hampton Court). 
 
 322. HENRY STUART, Earl of Darnley, and his Brother, CHARLES 
 
 STUART. Painted by L. de Heere. Lent by Her Majesty 
 (Hampton Court). 
 
 323. HENRY STUART, Earl of Darnley (1546-1567). Lent by Mr. 
 
 Stewart Mackenzie of Seaforth. 
 
 324. MARY STUART, Queen of Scots. Lent by Mrs. Michie Forbes. 
 
 325. QUEEN ELIZABETH (1533-1603). Painted by Mark Garrard. 
 
 Lent by Mr. David Laing . 
 
Reign of Queen Elizabeth, 1558 - 1603 . 23 
 
 326. HENRY STUART, Earl of Darnley (1546-1567). Lent by the 
 
 Earl of Home, 
 
 327. MARY ANNE WALTHAM. Painted by Francis Clouet 
 
 (Janet). Lent by the Earl Spencer , K.G. 
 
 329. JOHN KNOX (1505-1572). Lent by Lord Torphichen, 
 
 330. WILLIAM SHAKSPEARE (1564-1616). Lent by Mr. J. 
 
 Heywood Hawkins. 
 
 331. MARY BEATOUN. Painted by Sir Antonio More. Lent by 
 
 the Earl of Suffolk. 
 
 332. BEN JONSON (1573-1637). Painted by Jacob Jordaens. Lent 
 
 by Sir John Lawson , Bt. 
 
 335. WILLIAM SHAKSPEARE (1565-1616). Painted by Taylor 
 
 or Burbage. Lent by the National Portrait Gallery. 
 
 336. EDMUND SPENSER (1553-1599). Lent by the Earl of 
 
 Kinnoull. 
 
 338. MICHAEL DRAYTON (1563-1631). Lent by Dulwich College. 
 
 341. WILLIAM SHAKSPEARE. Lent by Mr. H. Danby Sey- 
 
 mour , M.P. 
 
 342. WILLIAM SHAKSPEARE. Lent by Her Majesty (Hampton 
 
 Court). 
 
 343. MARGARET RUSSELL, Countess of Cumberland. Lent by 
 
 the Bodleian Library. 
 
 344. ELIZABETH VERNON, Countess of Southampton. Painted by 
 
 Cornelius Jansen. Lent by Mr. G. Digby Wingfield Digby. 
 
 345. SIR WALTER RALEIGH, Kt. (1552-1618). Lent by the Earl 
 
 of Hardwicke. 
 
 346. SIR FRANCIS DRAKE (1541 P-1595). Lent by Lord 
 
 Houghton. 
 
 347. RICHARD HOWLAND, Bishop of Peterborough. Lent by the 
 
 Bishop of Peterborough. 
 
 348. QUEEN ELIZABETH (1533-1603). Lent by Lord Methuen. 
 
 349. QUEEN ELIZABETH. Lent by Viscount Strangford. 
 
 350. QUEEN ELIZABETH. L,ent by Christ Church , Oxford. 
 
 351. SIR MARTIN FROBISHER, Kt. ( -1594). Lent by the 
 
 Governors of Dulwich College. 
 
 352. THOMAS SUTTON (1530-1611). Lent by Sir Thomas 
 
 Bateson , Bart. M.P. 
 
 353. SIR RICHARD GRANVILLE, Kt. ( -1561). Lent by the 
 
 Rev. Lord John Thynne . 
 
 354. SIR WILLIAM PELHAM, Kt. ( -1587). Painted by F. 
 
 Zucchero. Lent by the Earl of Yarborough. 
 
 355. ROBERT DEVEREUX, second Earl of Essex. Lent by the 
 
 Earl of Vcrulam , 
 
24 
 
 National Portraits. 
 
 356. QUEEN ELIZABETH (1533-1603). Lent by Mr. Reginald 
 
 Cholmondeley . 
 
 357. CHARLES, second LORD HOWARD of Effingham, Earl of 
 
 Nottingham, K.G. Lent by the Lords of the Admiralty. 
 
 360. CHARLES CHUTE. Lent by Mr. TV. Wiggett Chute. 
 
 361. SIR FRANCIS DRAKE, Kt. (1541 P-1595). Lent by the Cor - 
 
 poration of Plymouth. 
 
 362. QUEEN ELIZABETH (1533-1603). Lent by the Earl of 
 
 Verulam . 
 
 363. QUEEN ELIZABETH. Lent by the University Library , 
 
 Cambridge. 
 
 364. SIR WILLIAM HARRIS, Kt. Painted by Gerard Lucas 
 
 Horebout. Lent by Rev. J. M. St. Clere Raymond. 
 
 365. THOMAS SACKVILLE, Earl of Dorset. Lent by the Bodleian 
 
 Library ) Oxford. 
 
 366. HENRY WRIOTHESLEY, third Earl of Southampton. Lent by 
 
 Mr. G. D. Wingfield Digby. 
 
 367. PORTRAIT OF A K.G. (Name unknown). Lent by Mr. F. 
 
 Leyborne Popham. 
 
 368. SIR HENRY PALMER, Kt. Painted by Mark Garrard. 
 
 Lent by Mr, David Laing. 
 
 369. EDWIN SANDYS, Archbishop of York. Lent by the Bishop 
 
 of London. 
 
 370. WILLIAM CAVENDISH. Painted by Cornelius Jansen. Lent 
 
 by Mr. Charles Winn. 
 
 371. SIR JOHN SPENCER. Painted by G. Stretes. Lent by the 
 
 Earl Spencer , K.G. 
 
 37 2. MRS. VERNON (1543-1583). Lent by Mr. Reginald Chol- 
 
 mondeley. 
 
 373. ADMIRAL SIR JOHN WALLOP, K.G. Painted by Hans 
 
 Plolbein. Lent by the Earl of Portsmouth. 
 
 374. LADY HARRIS. Painted by Gerard Lucas Horebout. Lent 
 
 by the Rev. J. 31. St. Clere Raymond. 
 
 375. HUGH O’NEILL, Earl of Tyrone. Lent by Mr. C. De Gernon. 
 
 376. SIR EDMUND VERNEY, Kt. I^ent by Sir Harry Verney , 
 
 Bart., M.P. 
 
 377. SIR MARTIN BOWES (1500-1566). Painted by William 
 
 Faithorne. Lent by the Goldsmiths ’ Company. 
 
 378. HUGH O’NEILL, Earl of Tyrone. Lent by Mr. C. De Gernon. 
 
 379. LADY OWEN AND CHILD. Lent by 3Ir. Reginald Chol- 
 
 mondeley. 
 
 380. EDWARD SOMERSET, fourth Earl of Worcester, K.G. Lent 
 
 by the Duke of Beaufort. 
 
Reign of Queen Elizabeth, 1558-1603. 25 
 
 381. SIR- EDWARD TRAFFORD, Kt. Lent by Sir Humphrey 
 
 de Traffordy Bart. 
 
 382. THOMAS OWEN, Judge Common Pleas. Lent by Mr. Reginald 
 
 Cholmondeley. 
 
 383. COUNTESS OF SHREWSBURY. Lent by St. John’s College, 
 
 Cambridge. 
 
 384. JOHN NAPIER of Merchiston (1550-1617). Lent by the 
 
 University of Edinburgh. 
 
 385. SIR OLIVER WALLOP, Kt. Painted by N. Hilliard. Lent by 
 
 the Earl of Portsmouth. 
 
 386. HENRY DE BEAUFORT, third Duke of Somerset, KG. Lent 
 
 by the Duke of Beaufort. 
 
 387. ELIZABETH LADY TRAFFORD. Lent by Sir Humphrey de 
 
 Traffordy Bart. 
 
 388. SIR CHRISTOPHER YELVERTON, Kt. Lent by the Mar- 
 
 quis of Hastings. 
 
 389. SIR THOMAS HOLTE, Bart. (1571-1654). Painted by Van 
 
 Somer. Lent by Mr. J. Yeomans Robins . 
 
 390. LORD CHANCELLOR SIR THOMAS BROMLEY, Kt. Lent 
 
 by Mr. Reginald Cholmondeley. 
 
 393. J OHN BANISTER, M.D. Painted by Cornelius Jansen. Lent 
 
 by the Royal College of Surgeons. 
 
 394. HENRY, fifth LORD WINDSOR. Lent by the Baroness Windsor. 
 
 395. SIR MARTIN FROBISHER (1535-1594). Painted by Cor- 
 
 nelius Ketel. Lent by the University Galleries , Oxford. 
 
 396. CHIEF JUSTICE SIR JOHN POPHAM, Kt. (1531-1606). 
 
 Lent by Mr. F. Leyborne Popham. 
 
 397. GEORGE CLIFFORD, third Earl of Cumberland, K.G. Lent 
 
 by the Bodleian Library , Oxford. 
 
 398. SIR BERNARD GRANVILLE, Kt. (1563-1636). Lent by the 
 
 Rev. Lord John Thynne. 
 
 399. EDWARD LORD HASTINGS (of Loughborough), K.G. Lent 
 
 by the Marquis of Hastings. 
 
 400. SIR JEROME BOWES. Painted by Lucas de Heere. T^ent 
 
 by the Earl of Suffolk. 
 
 401. SIR HENRY NEVILLE, Kt. T.ent by the Earl of Yarborough. 
 
 402. LORD CHANCELLOR SIR CHRISTOPHER IIATTON, Kt. 
 
 Lent by Mrs. Henrietta Coffin. 
 
 403. ROBERT SCARLETT. Lent by the Dean and Chapter of 
 
 Peterborough. 
 
26 
 
 National Portraits. 
 
 404. SIR ROBERT SHIRLEY. Lent by Sir Thomas B . Western , 
 
 Bart., M.P . 
 
 405. LORD WILLIAM HOWARD. by the Earl of Carlisle . 
 
 406. LADY THERESIA SHIRLEY. % Sir Thomas B. 
 
 Western, Bart., M.P. 
 
 407. SICELE TRAFFORD. Lent by Sir Humphrey de Trafford, 
 
 Bart . 
 
 409. JANE FITZGERALD, Countess of Desmond. Painted by 
 
 Rembrandt. Lent by Her Majesty (Windsor Castle). 
 
 410. SIR JOHN HARRINGTON. Painted by Van Jan. Lent by 
 
 Mr. J. W. Townroe. 
 
 411. SIR NATHANIEL BACON, KB. Painted by Sir Nathaniel 
 
 Bacon. Lent by the Earl of Verulam. 
 
 413. HENRY, PRINCE OF WALES (1594-1612). Painted by Isaac 
 Oliver. T^ent by the Bodleian Library, Oxford. 
 
 415. LADY BACON. Painted by Sir Nathaniel Bacon. Lent by the 
 
 Earl of Verulam. 
 
 416. LADY ARABELLA STUART (1577-1615). Lent by the Duke 
 
 of Northumberland. 
 
 Lent by the Earl of Craven. 
 
 418. QUEEN ANNE OF DENMARK (1574-1619). Painted by 
 
 P. Yan Somer. Lent by Her Majesty (Hampton Court). 
 
 419. QUEEN ANNE OF DENMARK (1574-1619). Lent by St. 
 
 John’s College, Cambridge. 
 
 420. JAMES I. (1566-1625). Ascribed to Zucchero. Lent by the 
 
 Society of Apothecaries. 
 
 421. JAMES I. Lent by Mr. David Laing. 
 
 422. LADY ARABELLA STUART (1575-1615). Lent by the Duke 
 
 of Devonshire, K. G. 
 
 423. HENRY, PRINCE OF WALES (1594— 1612). Painted by Lucas 
 
 de Heere. Lent by Her Majesty (Hampton Court). 
 
 424. SIR THOMAS HAMILTON, first Earl of Haddington. Lent by 
 
 the Earl of Home. 
 
 425. SIR THOMAS FAIRFAX. Lent by Mr. Charles Wykeham 
 
 Martin, M.P. 
 
 426. JOHN SWINBURNE. Lent by Sir John Swinburne, Bart . 
 
 427. HENRY, PRINCE OF WALES. Lent by the Earl of Hardwicke. 
 
 428. SIR JULIUS OESAR (1557-1636). Lent by Mr. Harry Chester. 
 
Reign of James I., 1603 - 1625 . 
 
 27 
 
 429. LADY ELIZABETH D ACRES, wife of “ Belted Will.” Lent 
 
 by Mr. Charles G. Fairfax. 
 
 430. WILLIAM HERBERT, third Earl of Pembroke (1580-1630). 
 
 Lent by the Countess Delawarr. 
 
 431. WILLIAM PARKER, Lord Monteagle. Painted by Yan Somer. 
 
 Lent by Mr. John Webb. 
 
 432. GEORGE VILLIERS, first Duke of Buckingham and Family. 
 
 Painted by Cornelius Jansen. Lent by Her Majesty (Bucking- 
 ham Palace). 
 
 435. GEORGE VILLIERS, first Duke of Buckingham, K.G., and 
 various Members of his Family. Painted by Gerard Honthorst. 
 L,ent by Her Majesty (Hampton Court). 
 
 437. THOMAS HOWARD, Earl of Suffolk, K.G. Lent by the 
 
 Countess Delawarr. 
 
 438. GIDEON DE LAUNE, M.D. Lent by the Society of Apothe- 
 
 caries. 
 
 440. LUCY HARINGTON, Countess of Bedford, and Child. Painted 
 
 by Mark Garrard. Lent by Mr. Alexander Barker. 
 
 441. JOHN KING, Bishop of London. Lent by Christ Church , 
 
 Oxford. 
 
 442. RICHARD, first EARL OF CORK (1566-1643). Lent by the 
 
 Duke of Devonshire , K.G. 
 
 443. QUEEN ANNE OF DENMARK (1574-1619). Painted by P. 
 
 Yan Somer. Lent by Her Majesty (Hampton Court). 
 
 444. JAMES I. (1566-1625). Painted by P. Yan Somer. Lent by 
 
 Her Majesty (Hampton Court). 
 
 445. ELIZABETH, QUEEN OF BOHEMIA, “the Queen of Hearts.” 
 
 Painted by Gerard Honthorst. Lent by Her Majesty (Hampton 
 Court). 
 
 446. HENRY, PRINCE OF WALES (1594-1612). Painted by 
 
 P. Yan Somer, Lent by the Earl of Craven. 
 
 447. RICHARD BANCROFT, Archbishop of Canterbury. I^ent by 
 
 the University Library , Cambridge . 
 
 448. SIR DAYID MURRAY, Kt. Painted by Cornelius Jansen. 
 
 Lent by Mr. David Laing . 
 
 449. SIR CECIL TRAFFORD. Lent by Sir Humphrey de 
 
 Tr afford, Bart. 
 
 451. FREDERICK, ELECTOR PALATINE, KING OF BOHEMIA. 
 Painted by Gerard Honthorst. I^ent by the Earl of Craven. 
 
 453. HENRY HOWARD, Earl of Northampton, K.G. Painted by 
 P. Yan Somer. Lent by the Earl of Carlisle . 
 
28 
 
 National Portraits, 
 
 454. PRINCESS LOUISE OF BOHEMIA. Lent by the Earl of 
 
 Craven . 
 
 455. GEGRGE VILLIERS, Duke of Buckingham. Painted by Cor- 
 
 nelius Jansen. Lent by Her Majesty (Hampton Court). 
 
 456. JOHN LYTTELTON. Painted by F. Zucchero. Lent by Lord 
 
 Lyttelton . 
 
 457. ELIZABETH, QUEEN OF BOHEMIA. Painted by Gerard 
 
 Honthorst. I^,ent by the Earl of Craven. 
 
 458. SIR ROGER WILBRAHAM, Kt. (1554-1616). Lent by Mr. 
 
 George Wilbraham. 
 
 459. ESME STUART, first Duke of Lennox. Lent by the Earl of 
 
 Home. 
 
 460. WILLIAM, first EARL OF CRAVEN. Painted by Vandyck. 
 
 L,ent by the Earl of Craven. 
 
 461. SIR JAMES DUNDAS, Lord Arniston. Painted by George 
 
 Jamesone. Lent by Mr. Robert Dundas of Arniston. 
 
 462. MICHAEL HARCOURT. Lent by the Rev. W. Vernon 
 
 Harcourt. 
 
 463. ROBERT SIDNEY, Earl of Leicester, K.G. Painted by Van 
 
 Somer. Lent by Lord De IJIsle and Dudley. 
 
 464. FRANCIS BEAUMONT. Lent by the Rev. W. Vernon 
 
 Harcourt. 
 
 465. THOMAS, first LORD ARUNDELL of Wardour. Painted 
 
 by Vandyck. Lent by Lord Arundell of Wardour. 
 
 466. SIR GEORGE CAREW, Earl of Totness. Painted by F. 
 
 Zucchero. Lent by Captain G. H. W. Carew. 
 
 467. CHIEF JUSTICE SIR HENRY HOBART, Bt. Lent by the 
 
 Marquis of Lothian. 
 
 468. LORD BACON (1561-1626). Painted by Van Somer. Lent by 
 
 the Earl of Verulam. 
 
 469. LADY HOBART. Painted by Cornelius Jansen. Lent by 
 
 Mr. W. W. B. Beach, M.P. 
 
 470. JOHN FLETCHER (1576-1625). Lent by the Earl of Cla- 
 
 rendon, K.G. 
 
 471. SIR ROBERT BRUCE COTTON, Bt. (1570-1631). Lent by 
 
 Trinity College , Cambridge . 
 
 472. THOMAS EGERTON, Baron Ellesmere. T^ent by St. John’s 
 
 College , Cambridge. 
 
 473. WILLIAM CAMDEN. Painted by Mark Garrard. Lent by 
 
 the Bodleian Library. 
 
 474. SIR DUDLEY CARLETON, Lord Dorchester. Painted by 
 
 Cornelius Jansen. Lent by the Hon. R. Carleton. 
 
 475. SIR HENRY SAVILE, Kt. Lent by Eton College. 
 
Reign of James I., 1603 - 1625 . 
 
 29 
 
 476. THOMAS EGERTON, Baron Ellesmere, Viscount Rraekley. 
 
 Lent by the Earl Brownlow. 
 
 477. JAMES I. ( 1566 - 1625 ). Painted by Van Somer. Lent by the 
 
 Earl of Craven. 
 
 478. SIR HUGH MYDDLETON, Bt. Painted by Cornelius Jansen. 
 
 Lent by the Rev . J. M. St. Clere Raymond . 
 
 479. CHIEF JUSTICE SIR EDWARD COKE ( 1550 - 1634 ). Lent 
 
 by Trinity College , Cambridge. 
 
 480. SIR HENRY YELVERTON, Kt. Lent by the Marquis of 
 
 Hastings. 
 
 481. ELIZABETH, QUEEN OF BOHEMIA, and ber Husband. 
 
 Painted by J olm Breughel. Lent by the Earl Spencer , K. G. 
 
 482. JAMES I. Painted by Cornelius Jansen. Lent by Sir Henry 
 
 B. P. St. John Mildmay , Bart. 
 
 483. ELIZABETH OLMSTED, Lady Myddleton. Painted by Cor- 
 
 nelius Jansen. Lent by the Rev J. M. St. Clere Raymond. 
 
 484. LUDOVICK STUART, Duke of Richmond and Lennox, K.G. 
 
 Painted by Van Somer. Lent by Her Majesty (Hampton 
 
 Court). 
 
 485. EDWARD, first Lord Montague of Boughton. Lent by the Earl 
 
 of Sandwich. 
 
 486. SIR WILLIAM DRUMMOND of Hawthornden. Painted by 
 
 Cornelius Jansen. Lent by the Earl of Home. 
 
 487. SIR HORACE VERE, Lord Vere of Tilbury. Painted by 
 
 Cornelius Jansen. Lent by the Marquis Towns hend. 
 
 488. FRANCES HOWARD, Duchess of Richmond and Lennox. 
 
 Painted by Vandyck. Lent by the Marquis of Bath. 
 
 489. SIR W. DRUMMOND of Hawthornden. Lent by All Souls 
 
 College , Oxford. 
 
 490. WILLIAM CAMDEN. Lent by the Marquis Camden , K. G. 
 
 491. WILLIAM BISHOP, D.D., Bishop of Chalcedon. T^ent by 
 
 Archbishop Manning. 
 
 492. HENRY HERBERT, second Earl of Pembroke, K.G. Painted 
 
 by Van Somer. Lent by the Marquis of Salisbury , K.G. 
 
 493. SIR RICHARD BROKE, Knight. Painted by Cornelius Jansen. 
 
 Lent by Admiral Sir G. Broke Middleton , Bart. 
 
 494. JOHN WILLIAMS, Archbishop of York, Lord Keeper. I^ent 
 
 by the Dean of Westminster. 
 
 495. THOMAS JONES, Archbishop of Dublin. Lent by Sir Charles 
 
 Compton W. Domvilc, Bart. 
 
 496. SIR HENRY WOTTON, Kt. Lent by Eton College. 
 
30 
 
 National Portraits. 
 
 497. SIR WILLIAM STANLEY, sixth Earl of Derby. Lent by the 
 
 Earl of Derby , K. G. 
 
 498. HENRY PERCY, ninth Earl of Northumberland. Painted by 
 
 Yandyck. Lent by the Earl of Denbigh. 
 
 499. JAMES HAY, Earl of Carlisle, ICG. Painted by Yandyck. 
 
 Lent by the Earl of Kinnoull. 
 
 500. HENRY PERCY, ninth Earl of Northumberland. Lent by the 
 
 Earl of Carlisle. 
 
 501. SIR THOMAS CONINGSBY, and “ CRICKET,” his Dwarf. 
 
 Lent by the Earl of Essex. 
 
 502. CORNELIUS JANSEN. Painted by Cornelius Jansen. Lent 
 
 by Lord Ravensworth. 
 
 503. ROBERT CAR, Earl of Somerset, K.G. Lent by the Duke of 
 
 Devonshire , K.G. 
 
 504. ROBERT DEYEREUX, second Earl of Essex, K.G. Lent by 
 
 the Rev. Lord John Thynne. 
 
 505. FRANCES HOWARD, Countess of Essex, afterwards of 
 
 Somerset. Lent by the Earl of Essex. 
 
 506. CHIEF JUSTICE SIR HENRY HOBART, Bart. Lent by 
 
 Mr. W. W. B. Beach , , M.P. 
 
 507. LUCY HARINGTON, Countess of Bedford. Lent by the Duke 
 
 of Devonshire , K.G. 
 
 508. FRANCES HOWARD, Countess of Essex, afterwards of 
 
 Somerset. Lent by Edward Kenealy , LL.D. 
 
 509. REY. RICHARD CRAKANTHORPE, D.D. Lent by Queen's 
 
 College , Oxford. 
 
 510. EDWARD SOMERSET, fourth Earl of Worcester. Lent by the 
 
 Duke of Beaufort. 
 
 511. SIR THOMAS OYERBURY, Kt. Painted by F. Zucchero. 
 
 Lent by the Marquis of Bath. 
 
 512. ANNE CLIFFORD, Countess of Dorset. Painted by Daniel 
 
 Mytens. Lent by the Countess Delawarr. 
 
 513. SIR GODFREY RODES, Knight of Great Houghton. Lent 
 
 by Lord Houghton. 
 
 514. RICHARD SACKYILLE, third Earl of Dorset. Painted by 
 
 Daniel Mytens. Lent by the Countess Delawarr. 
 
 515. SIR HENRY MONTAGU, first Earl of Manchester. Lent by 
 
 the Duke of Manchester. 
 
 516. LADY BASSET. Lent by Lord Houghton. 
 
 517. GEORGE YILLIERS, first Duke of Buckingham. Lent by 
 
 Mr. F. Leyborne Popham. 
 
Reign of James L, 1603 - 1625 . 31 
 
 518. LIONEL CRANFIELD, Earl of Middlesex. Painted by Daniel 
 Mytens. Lent by the Countess Delawarr. 
 
 520. GEORGE ABBOTT, Archbishop of Canterbnry. Lent by the 
 Earl of Verulam. 
 
 522. JAMES, second MARQUIS OF HAMILTON, KG. Lent by 
 
 HerMajesty (Hampton Court). 
 
 523. SIR HORACE VERE, Lord Tilbury. Painted by Cornelius 
 
 Jansen. Lent by Sir IT. B. P. St. John Mildmay , Bart. 
 
 524. ARTHUR LAKE, Bishop of Bath and Wells. Painted by 
 
 Greenbury. Lent by New College , Oxford. 
 
 525. SIR FRANCIS VERNE Y. Painted by Velasquez. Lent by 
 
 Sir Harry Verney , Bart., M.P. 
 
 526. FRANCIS GODWIN, Bishop of Hereford. Lent by Christ 
 
 Church , Oxford. 
 
 527. SIR WILLIAM ROPER, Kt. Lent by the Duke of Man- 
 
 chester. 
 
 529. ANNE STANLEY, Countess of Ancram. Lent by the Earl of 
 
 Derby , K.G. 
 
 530. REV. ROBERT BURTON. Lent by Brasenose College , 
 
 Oxford. 
 
 531. COUNT GONDOMAR. Lent by Mr. J. H. Gurney. 
 
 532. INFANTA OF SPAIN. Lent by St. John's College , Cam- 
 
 bridge. 
 
 533. INFANTA MARIA OF SPAIN, Lent by Earl of Denbigh. 
 
 536. ROBERT DE VERE, nineteenth Earl of Oxford. Painted by 
 
 Cornelius Jansen. Lent by Mrs. M. G. Edgar. 
 
 537. JOSEPH HALL, Bishop of Norwich. Lent by Emmanuel 
 
 College , Cambridge. 
 
 538. JAMES HAY, Earl of Carlisle, K.G. Painted by Vandyck. 
 
 Lent by Lord Lyttelton. 
 
 539. JOHN DIGBY, first Earl of Bristol. Painted by Cornelius 
 
 Jansen. Lent by Mr. G. Digby Wingfield Digby. 
 
 540. WILLIAM LORD COMPTON, first Earl of Northampton. 
 
 Painted by Cornelius Jansen. L.ent by the Marquis of 
 Northampton. 
 
 541. SIR JOHN FINETT (1571-1641). Painted by Cornelius Jansen. 
 
 ’Lent by Mr. Gervase Wright. 
 
 542. THOMAS WENTWORTH, first Earl of Cleveland. Painted 
 
 by Vandyck. Lent by the Earl of Verulam. 
 
 543. MARGARET, LADY CROKE. Lent by the Earl of Verulam. 
 
32 
 
 National Portraits. 
 
 544. CHRISTOPHER GIBBONS, Mus. Doc. Lent by the Univer- 
 
 sity of Oxford. 
 
 545. SIR JOHN COKE. Painted by Cornelius Jansen. Lent by 
 
 Colonel Holden . 
 
 547. RICHARD CORBET, Bishop of Norwich. Painted by Corne- 
 
 lius Jansen. Lent by Christ Church , Oxford . 
 
 548. CHARLOTTE BRABANTINE DE NASSAU. Lent by the 
 
 Earl of Derby , K. G. 
 
 549. HENRY LAWES (1600-1662). Lent by the University of 
 
 Oxford . 
 
 550. ISAAC BAR GRAVE, Dean of Canterbury. Painted by Corne- 
 
 lius Jansen. Lent by the Dean of Canterbury . 
 
 551. WILLIAM FIENNES, first Viscount Saye and Sele. Painted 
 
 by P. Van Somer. Lent by the Rev. Lord Saye and Sele. 
 
 552. CECILIA CROFTS, Mrs. Killigrew. Painted by Vandyck. 
 
 I^ent by Mr. R. H. Cheney. 
 
 553. LADY FRANCES CECIL, Countess of Cumberland. Painted 
 
 by Henry Stone (Old Stone). Lent by the Marquis of Salis- 
 bury , K.G. 
 
 554. CHARLOTTE DE LA TREMOUILLE, Countess of Derby. 
 
 Painted by Rubens. Lent by the Earl of Essex. 
 
 555. THOMAS, first LORD FAIRFAX. Lent by Mr. Thomas 
 
 Fairfax. 
 
 556. CHARLES II., JAMES II., AND PRINCESS MARY. Painted 
 
 by Vandyck. Lent by Her Majesty (Windsor). 
 
 557. CHARLES I. Painted by ^Vandyck. Lent by Her Majesty 
 
 (Buckingham Palace). 
 
 558. HENRY SEYMOUR, Page of Honour to Charles I. I^ent by 
 
 Mr. H. Danby Seymour , M.P. 
 
 559. ALEXANDER, first LORD FORBES, of Pitsligo. Painted by 
 
 George Jamesone. Lent by Sir John H. Forbes , Bart. 
 
 560. PHILIP, first Earl of Pembroke, and second of Montgomery. 
 
 Painted by Vandyck. Lent by Viscount Galway , M.P. 
 
 561. KING CHARLES L Painted by Vandyck. Lent by Her 
 
 Majesty (Hampton Court). 
 
 562. SIR EDWARD SEYMOUR, third Bart. Lent by Mr. H. 
 
 Danby Seymour , M.P. 
 
 563. SIR BEVIL GRANVILLE, Kt. L,ent by Mr. Bernard Gran- 
 
 ville. 
 
 564. GEORGE VILLIERS, first Duke of Buckingham. Painted by 
 
 Vandyck. Lent by the Marquis of Northampton. 
 
 565. ADMIRAL SIR JOHN PENNINGTON, Kt, Painted by 
 
 Vandyck. Lent by Mrs. JY. JVilles. 
 
Reign of Charles I., 1625 - 1649 . 
 
 33 
 
 566. HENRIETTA MARIA, Queen of Charles I. Fainted by Vandyck. 
 
 Lent by Her Majesty (Windsor Castle). 
 
 567. CHARLES I., QUEEN HENRIETTA MARIA, AND IN- 
 
 FANT. Fainted by Daniel Mytens. Lent by Her Majesty 
 (Buckingham Palace). 
 
 568. PRINCE CHARLES (Charles I.) as Duke of York. Lent by 
 
 St. Jolm’s College, Cambridge. 
 
 569. GRACE, LADY GRANVILLE. Lent by Rev. Lord John 
 
 Thynne. 
 
 570. YENETIA, LADY DIGBY (1600-1633). Painted by Vandyck. 
 
 T^entby the Lari Spencer , K.G . 
 
 571. ANNE, COUNTESS OF MORTON. Painted by Vandyck. Lent 
 
 by the Earl Spencer, K. G. 
 
 572. SIR ANTHONY VANDYCK, Kt. Painted by Rubens. Lent 
 
 by the Earl Spencer , K.G. 
 
 573. JAMES GRAHAM, Marquis of Montrose. Painted by Robert 
 
 Walker. Lent by Colonel Tempest. 
 
 574. HENRY RICH, first Earl of Holland. I^ent by the Earl of 
 
 Verulam. 
 
 575. SIR KENELM DIGBY, Kt., AND FAMILY. Painted by 
 
 Vandyck. Lent by Mr. G. Digby Wingfield Digby. 
 
 576. LADY DOROTHY SIDNEY, Countess of Sunderland. Painted 
 
 by Vandyck. Lent by the Earl Spencer, K.G. 
 
 577. HENRY HASTINGS, Lord Loughborough. Lent by the Mar- 
 
 quis of Hastings. 
 
 578. SIR WILLIAM BRERETON. Lent by Colonel Tempest. 
 
 579. THOMAS WENTWORTH, first Earl of Strafford. Painted 
 
 by Vandyck. Lent by the Earl of Home. 
 
 580. PRINCESS ELIZABETH, daughter of Charles I. Painted by 
 
 Sir Peter Lely. Lent by the Duke of Northumberland. 
 
 581. ELIZABETH RODES, Countess of Strafford. T^ent by Lord 
 
 Houghton. 
 
 582. HENRIETTA, DUCHESS OF ORLEANS ; “ La Belle Hen- 
 
 riette.” Painted by Sir Peter Lely. Lent by Her Majesty 
 (Buckingham Palace). 
 
 583. WILLIAM LAUD, Archbishop of Canterbury. Painted by 
 
 Vandyck. Lent by the Archbishop of Canterbury . 
 
 584. FRANCIS LORD COTTIN GTON. Lent by the Earl of 
 
 Clarendon , K.G. 
 
 585. LADY BYRON. Painted by Jan Van Ravensteyn. Lent by 
 
 Mr. J. Whatman, M.P. 
 
 586. ANNE ARUNDELL, Lady Baltimore. Painted by Vandyck. 
 
 Lent by I.ord Arundell of War dour. 
 
 15929 .— 1 . 
 
 C 
 
34 
 
 National Portraits. 
 
 587. HENRIETTA MARIA AND PRINCESS ELIZABETH. 
 Painted by Henry Stone (Old Stone). Lent by Mr. Edivard 
 Wood. 
 
 590. CECIL CALYERT, second Lord Baltimore. Lent by Earl of 
 
 Verulam. 
 
 591. FAMILY OF CHARLES I. Painted by Tandy ck. Lent by 
 
 Her Majesty (Windsor Castle). 
 
 592. HENRIETTA MARIA AND HER SISTER. Lent by Mr. 
 
 Edward Wood. 
 
 593. SIR CECIL TRAFFORD. Painted by Yandyck. Lent by Sir 
 
 Humphrey de Trafford , Bart. 
 
 594. LORD JOHN AND LORD BERNARD STUART. Lent by 
 
 the Duke of Richmond. 
 
 595. SPENCER COMPTON, second Earl of Northampton. Painted 
 
 by Cornelius J ansen. Lent by the Marquis of Northampton. 
 
 596. LETTICE, YISCOUNTESS FALKLAND. Painted by Cornelius 
 
 Jansen. Lent by Mr. G. B. Lambert. 
 
 597. COLONEL WILLIAM STRODE. Painted by William Dobson. 
 
 Lent by Mr. E. C. Strode. 
 
 598. RICHARD WESTON, Earl of Portland, K.G. Painted by 
 
 Yandyck. Lent by Mr. Henry J. Percival Banhes. 
 
 599. THOMAS LORD COVENTRY, Lord Keeper (1578-1640). 
 
 Painted by William Dobson. Lent by Mr. W. H. Pole Carew. 
 
 600. ROBERT DAYIES of Gwysaney. Painted by T. Leigh. Lent 
 
 by Mr. Whitehall Bod. 
 
 601. SIR HENRY YANE, the elder (1587-1654). Painted by Mire- 
 
 velt. Lent by Mr. Henry M. Vane. 
 
 602. PRINCE RUPERT, K.G. (1619-1682). Painted by Daniel j 
 
 Mytens. Lent by Her Majesty (Hampton Court). 
 
 603. PRINCE RUPERT, K.G. Painted by Yandyck. Lent by the 
 
 Earl of Graven. 
 
 604. JOHN PYM (1584-1643). Lent by Sir Henry Wilmot , Bart. 
 
 605. HENRIETTA, DUCHESS OF ORLEANS. Painted by Lar- 
 
 gilliere. Lent by the Earl of Home. 
 
 606. JOHN HAMPDEN (1594-1643). Painted by R. Walker. Lent 
 
 by the Earl of St. Germans. 
 
 607. ATTORNEY-GENERAL SIR WILLIAM NOY, Kt. Painted 
 
 by Cornelius Jansen. I^ent by Hon. Mrs. Davies Gilbert. 
 
 608. PRINCE MAURICE, K.G. Painted by Yandyck. Lent by the 
 
 Earl of Craven. 
 
 609. JOHN PYM (1584-1643). Lent by the Marquis Townshend. 
 
 610. SIR JOHN ELIOT, Kt. Painted by P. Van Somer. Lent by 
 
 the Earl of St. Germans. 
 
 
35 
 
 Reign of Charles I., 1625 - 1649 . 
 
 641. ROBERT BERTIE, first Earl of Lindsey, K.G. Lent by the 
 Earl of Warwick. 
 
 612. SIR RALPH VERNE Y, Bart. Painted by Cornelius Jansen. 
 
 Lent by Sir Harry Verney , Bart., M.P. 
 
 613. JOHN HAMPDEN (1594-1643). Lent by the Bishop of 
 
 Hereford. 
 
 614. LORD KIM BOLTON, second Earl of Manchester. Painted by 
 
 Vandyck. Lent by the Duke of Manchester. 
 
 615. PRINCE RUPERT. Painted by Jan Steen. Lent by the Mar- 
 
 quis of Lansdowne , K.G. 
 
 616. JOHN SELDEN. Painted by Daniel Mytens. L^ent by the 
 
 Bodleian Library, Oxford. 
 
 617. ROBERT BERTIE, first Earl of Lindsey, K.G. Painted by 
 
 Cornelius Jansen. Lent by Lady Stuart de Rothesay. 
 
 618. SIR HARRY LEE. Painted by Cornelius Jansen. Lent by 
 
 Sir Harry Verney, Bart., M.P. 
 
 619. LUCIUS CARY, second Viscount Falkland. Painted by Van- 
 
 dyck. Lent by Lord Arundell of Wardour. 
 
 620. SIR THOMAS MALET, Kt. Lent by Miss Gerard. 
 
 621. COLONEL THOMAS HOWARD. Lent by Mr. Philip H. 
 
 Howard. 
 
 622. EDWARD, first LORD HERBERT of Cherbury. Lent by the 
 
 Earl of Powis. 
 
 623. GEORGE VILLIERS, second Duke of Buckingham, AND HIS 
 
 BROTHER FRANCIS. Painted by Vandyck. Lent by the 
 Earl of Warwick. 
 
 624. EARL OF STRAFFORD AND HIS SECRETARY SIR 
 
 PHILIP M AINWARIN G, Kt. Painted by Vandyck. Lent 
 by Sir H. Mainwaring, Bart. 
 
 625. CHIEF JUSTICE SIR JOHN BANKES, Kt. I,ent by Mr. 
 
 Henry J. Percival Bankes. 
 
 626. SIR BULSTRODE WHITELOCKE (1605-1676). Lent by Mr. 
 
 George Whitelocke Lloyd. 
 
 627. SIR WILLIAM NOY, Kt. (1577-1634). Lent by Exeter Col- 
 
 lege, Oxford. 
 
 628. EDWARD, first LORD HERBERT of Cherbury, K.B. Lent 
 
 by the Earl of Powis. 
 
 629. ROBERT DEVEREUX, third Earl of Essex. Lent by the Earl 
 
 of Denbigh. 
 
 630. COLONEL RICHARD LOVELACE (1618-1658). Lent by 
 
 Dulwich College. 
 
 631. HENRY, DUKE OF GLOUCESTER. Painted by Vandyck. 
 
 T^ent by Her Majesty (Windsor Castle). 
 
 632. SIR EDMUND VERNEY, Kt. Painted by Vandyck. Lent by 
 
 Sir Harry Verney, Bart., M.P. 
 
 c 2 
 
36 
 
 National Portraits. 
 
 633. HENKY DANVERS, Earl of'Danby, K.G. Painted by Vandyck. 
 
 Lent by Mr. F. Vernon Wentworth . 
 
 634. JAMES STUART, Duke of Richmond and Lennox. Lent by 
 
 the Duke of Richmond . 
 
 63 5. SIR JACOB ASTLEY — LORD ASTLEY. Lent by Mrs. 
 
 Bran fill. 
 
 636. COLONEL THOMAS DAVIES. Lent by Mr. Whitehall Dod. 
 
 637. SIR ROBERT HEATH. Lent by the Earl of Home. 
 
 638. MRS. USHER. Lent by Mrs. Stowe. 
 
 639. JAMES USHER, Archbishop of Armagh. Lent by the Bodleian 
 
 Library , Oxford. 
 
 640. HENRY SOMERSET, first Marquis of Worcester. Painted by 
 
 Cornelius Jansen. Lent by the Duke of Beaufort. 
 
 641. GEORGE HAY, first Earl of Kinnoull. Painted by Daniel 
 
 Mytens. Lent by the Earl of Kinnoull , 
 
 642. THOMAS LORD COVENTRY, Lord Keeper. Painted by Cor- 
 
 nelius Jansen. Lent by the Earl of Clarendon , K. G. 
 
 643. SIR JOHN BOYS. Lent by the Rev. Thomas Boys. 
 
 644. SIR GEORGE LISLE, Kt. Painted by Sir P. Lely. Lent by 
 
 the Earl of Carlisle. 
 
 645. HENRY SPENCER, first Earl of Sunderland. ’ Painted by 
 
 Robert Walker. Lent by Earl Spencer , K.G. 
 
 646. SIR KENELM DIGBY (1603-1665). Painted by Vandyck. 
 
 Lent by Her Majesty (Windsor Castle). 
 
 647. EDWARD SOMERSET, second Marquis of Worcester. Painted 
 
 by Vandyck. I^ent by the Duke of Beaufort. 
 
 649. SIR CHARLES LUCAS. Painted by Robert Walker. Lent 
 
 by Lord Lyttelton, 
 
 650. SIR CHARLES LYTTELTON, Bart. Painted by Lefevre. 
 
 Lent by Lord Lyttelton. 
 
 651. SIR HENRY VANE, the elder. Painted by Vandyck. Lent by 
 
 Sir Henry R. Vane, Bart. 
 
 652. CHIEF JUSTICE SIR JOHN BRAMSTON. Lent by the 
 
 Earl of Home. 
 
 653. VENETIA, LADY DIGBY. Painted by Vandyck. Lent by 
 
 Her Majesty (Windsor Castle). . 
 
 654. FAMILY OF ROBERT DORMER, first Earl of Caernarvon. 
 
 Lent by the Rev. George Musgrave. 
 
 655. SIR HENRY VANE, the younger. Painted by Vandyck. Lent 
 
 by Sir Henry R. Vane, Bart. 
 
 656. LORD KEEPER, EDWARD LYTTELTON. Lent by the Earl 
 
 of Home. 
 
 657. ELIZABETH LADY HERBERT. Lent by the Duke of 
 
 Beaufort. 
 
Reign of Charles I., 1625 - 1649 . 
 
 37 
 
 658. LUCIUS CARY, Lord Falkland. Lent by the Earl of Claren- 
 
 don , K.G. 
 
 659. JAMES GRAHAM, Marquis of Montrose. Lent by Mr. C . E. 
 
 Dalrymple. 
 
 660. EDMUND WALLER, tlie poet (1605-1687). Lent by Mr. 
 
 Andrew Fountaine . 
 
 661. PRINCE RUPERT. Lent by Her Majesty (Windsor Castle). 
 
 662. LADY DOROTHY SIDNEY, Countess of Sunderland. Painted 
 
 by Vandvck. Lent by the Earl of Bradford. 
 
 663. SIR JOHN MINNES, Kt. Painted by Vandyck. Lent by the 
 
 Earl of Clarendon , K.G. 
 
 664. SIR J OHN GLANYILE, Kt. Lent by Lincoln's Inn . 
 
 666. SIR RICHARD FANSHAWE, Bart. Lent by Mr. J. G. Fan- 
 shawe. 
 
 668. SIR JOHN HOBART. Lent by Rev. Sir Cavendish Foster , 
 
 Bart. 
 
 669. SIR GEOFFREY HUDSON, Kt. (the King’s dwarf). Painted 
 
 by D. Mytens, landscape by Jansen. Lent by Her Majesty 
 (Hampton Court). 
 
 670. SIR EDWARD SEYMOUR, Bart. Lent by Mr. H. Danby 
 
 Seymour , M.P . 
 
 671. COLONEL JOHN KYNASTON. Lent by Mr. John Kynaston 
 
 Edwards. 
 
 672. DOROTHY KILLIGREW, Lady Seymour. Lent by Mr. II. 
 
 Danby Seymour , M.P. 
 
 673. FRANCES, LADY YANE. Painted by Yandyck. Lent by Sir 
 
 Henry Ralph Vane , Bart. 
 
 674. WILLIAM HERBERT, third Earl of Pembroke. Lent by Earl 
 
 of Verulam. 
 
 676. LUCY DAYIS, Countess of Huntingdon. Lent by Marquis of 
 
 Hastings . 
 
 677. DAYID ROTII, R.C. Bishop of Ossory. Lent by Mr. G. L. 
 
 Bryan. 
 
 678. ANNE, LADY FANSHAWE. Lent by Mr. J. G. Fanshawe. 
 
 679. CHARLES I. Painted by Yandyke. Lent by Sir Charles E. 
 
 Isham , Bart. 
 
 680. SIR BEYIL GRANYILLE, Kt. Lent by Rev. Lord John 
 
 Thynne. 
 
 681. SIR HENRY MARTEN, or MARTIN, LL.D. Lent by Trinity 
 
 Hall , Cambridge . 
 
 682. SIR JOHN SUCKLING, Kt. Painted by W. Dobson. Lent 
 
 Ashmolean Museum , Oxford . 
 
 683. SIR THOMAS POPE, afterwards third Earl of Downe (1598- 
 
 1667). Painted by W. Dobson. Lent by Mr. C. M. Caldecott . 
 
38 
 
 National Portraits. 
 
 684. LADY DOROTHY SIDNEY, Countess of Sunderland. Painted 
 
 by Sir Peter Lely. Lent by the Earl Spencer , K. G. 
 
 685. GENERAL THOMAS PRESTON, Viscount Taragh. Lent by 
 
 Viscount Gormanston. 
 
 686. SIR WILLIAM FAIRFAX, Kt. Lent by Mr. Thomas Fair- 
 
 fax. 
 
 687. CHARLES STANLEY, eighth Earl of Derby. Painted by Henry 
 
 Stone (Old Stone). J^ent by Miss Ffarington. 
 
 688. SIR JOHN BYRON, first Lord Byron, K.B. Painted by 
 
 Cornelius Jansen. Lent by Mr. James Whatman , M.P. 
 
 689. JAMES STANLEY (Lord Strange, seventh Earl of Derby, K.G.) 
 
 Painted by Vandyck. Lent by the Earl of Derby , K.G. 
 
 690. LETTICE, BARONESS OF OFFALY. Lent by Mr. G. Digby ! 
 
 Wingfield Digby. 
 
 691. JAMES STANLEY, seventh Earl of Derby, K.G. Painted by 
 
 Vandyck. Lent by the Earl of Derby, K.G. 
 
 893. JULIAN, LADY MUSGRAVE (1606-1659). Lent by the Rev. 
 George Musgrave. 
 
 694. CHARLOTTE DE LA TREMOUILLE, Countess of Derby. 
 
 Lent by the Earl of Derby , K.G. 
 
 69 5. BLANCHE SOMERSET, Lady Arundell of Wardour. Painted 
 
 by Sir Peter Lely. Lent by the Duke of Beaufort. 
 
 696. CHARLOTTE DE LA TREMOUILLE, Countess of Derby. 
 
 Painted by Vandyck. Lent by the Earl of Derby , K.G. 
 
 698. SIR SIMON HARCOURT, Kt. Lent by the Rev. W. Vernon 
 
 Har court. 
 
 699. JAMES, first DUKE OF HAMILTON, K.G. Painted by 
 
 Vandyck. Lent by the Earl of Carlisle. 
 
 700. ROBERT BERTIE, first Earl of Lindsey, K.G. Lent by the 
 
 Earl of Home. 
 
 701. ANNE VERE, Lady Fairfax. Painted by Mary Beale. Lent 
 
 by Mr. E. Wood. 
 
 702. ROBERT WALLOP. Lent by the Earl of Portsmouth. 
 
 703. COLONEL JOHN PENRUDDOCK. Lent by Miss Gerard, 
 
 704. THOMAS PARR. Lent by Mr. Reginald Cholmondeley. 
 
 705. COLONEL THOMAS SANDERS. Painted by Robert Walker. 
 
 Lent by Mr. John Sanders. 
 
 706. THOMAS, third LORD FAIRFAX. Lent by Mr. Thomas 
 
 Fairfax. 
 
 707. FERDINANDO, second LORD FAIRFAX. Painted by F. 
 
 Bower. Lent by Mr. Thomas Fairfax. 
 
 708. SIR THOMAS, afterwards third LORD FAIRFAX, and LADY 
 
 FAIRFAX. Painted by William Dobson. T.ent by Mr. Charles 
 Gregory Fairfax. 
 
Reign, of Charles I., 1625 - 1649 . 
 
 39 
 
 709. RICHARD GIBSON, ( 1615 - 1690 ). Painted by Cuyp. Lent 
 by the Rev. J. E. Waldy. 
 
 711. WILLIAM CAVENDISH, Duke of Newcastle, K.G. Painted 
 
 by Vandyck. Lent by the Earl Spencer , K.G. 
 
 712. THOMAS HOWARD, Earl of Arundel and Surrey, K.G., 
 
 ALETHEIA, his Countess, and their CHILDREN. Painted 
 by Vandyck and Fruytiers. Lent by Lord Stafford. 
 
 713. NICHOLAS LANIERE (1568-1646). Painted by N. Laniere. 
 
 Lent by the University of Oxford. 
 
 714. SIR THOMAS LEIGH, first Baron Leigh of Stoneleigh. Lent 
 
 by Sir Charles E. Isham, Bart. 
 
 716. WILLIAM, second DUKE OF HAMILTON. Painted by G. 
 Honthorst. L,ent by Her Majesty (Windsor Castle). 
 
 716. JAMES COMPTON, third Earl of Northampton. Painted by 
 
 Vandyck. Lent by the Countess Delawarr. 
 
 717. HENRY LAWES ( 1600 - 1662 ). Lent by the Rev. Richard 
 
 Okes , D.D. 
 
 718. MARGARET LEMON. Painted by W. Dobson. Lent by the 
 
 Earl Spencer , K.G. 
 
 719. ALGERNON, tenth EARL OF NORTHUMBERLAND, K.G., 
 
 COUNTESS and CHILD. Painted by Vandyck. L^ent by the 
 Marquis of Salisbury , K.G. 
 
 720. JAMES STUART, Duke of Richmond and Lennox. Painted 
 
 by Vandyck. Lent by Mr. W. H. Pole Carew. 
 
 721. PETER OLIVER. Painted by Adrian Hanneman. Lent by 
 
 Her Majesty (Hampton Court). 
 
 722. ROBERT GREVILLE, second Lord Brooke. Lent by the Earl 
 
 of Warwick. 
 
 723. THOMAS HOWARD, Earl of Arundel and Surrey, K.G. 
 
 Painted by Rubens. Lent by the Earl of Warwick. 
 
 724. SIR RICHARD LANE, Kt., Lord Keeper. Painted by Daniel 
 
 My tens. Lent by Mr. G. N. W. Heneage. 
 
 725. DRS. DOLBEN, ALLESTRY, and FELL. Painted by Sir 
 
 Peter Lely. Lent by the Dean of Christ Church , Oxford . 
 
 726. SIR THOMAS BROWNE, Kt., M.D. (1605-1671). Lent by 
 
 the Royal College of Physicians. 
 
 727. JOHN MILTON. Painted by Mary Beale. T^ent by the Countess 
 
 Delawarr. 
 
 728. GEORGE DIGBY, Earl of Bristol (as Lord Digby), and 
 
 WILLIAM, EARL OF BEDFORD (as Lord Russell). Painted 
 by Vandyck. L^ent by the Earl Spencer , K.G. 
 
 729. COLONEL JOHN HUTCHINSON. Lent by Earl Manvers . 
 
 730. SIR HENRY SPELMAN. Lent by the Earl ofHardwicke . 
 
40 
 
 National Portraits. 
 
 731. SIR HENRY SPELMAN. Lent by Mr. Andrew Fount ciine. 
 
 732. FAMILY OF THE FIRST EARL OF BOLINGBROKE. 
 
 Painted by Vandyck. Lent by the Earl of Morley. 
 
 733. WILLIAM HARVEY, M.D. Painted by Cornelius Jansen. 
 
 Lent by the Royal College of Physicians. 
 
 734. SIR WILLIAM ST. LEGER, Kt, Painted by W. Dobson. 
 
 Lent by Mr. W. H. Blaauw. 
 
 735. COLONEL FRANCIS HACKER. Lent by the Earl Cathcart. 
 
 736. JOHN PETTIWARD. Painted by F. Cleyn. Lent by Mr. R. 
 
 J. Pettiward. 
 
 737. JOHN BRADSHAW. Painted by Robert Walker. Lent by 
 
 Mr. George J. A. Walker. 
 
 738. COLONEL MATTHEW TOMLINSON. Painted by Daniel 
 
 Mytens. Lent by Mr. T. E. Twisden. 
 
 739. WILLIAM JUXON, Archbishop of Canterbury. Lent by St. 
 
 John's College , Oxford. 
 
 740. CHARLES I. Lent by All Souls College , Oxford. 
 
 741. ARTHUR, first LORD CAPELL. Lent by the Duke of Beaufort. 
 
 742. CORNET JOYCE. Painted by fm. Dobson. Lent by Mr. G. J. 
 
 A. Walker. 
 
 743. WILLIAM PRYNNE. Lent by the Marquis of Hastings. 
 
 744. DR. WILLIAM DENTON. Lent by Sir Harry Verney, Bart., 
 
 M.P. 
 
 745. SIR THEODORE TURQUET DE MAYERNE. Lent by the 
 
 Royal College of Physicians. 
 
 746. WILLIAM SEYMOUR, Marquis of Hertford, K.G., afterwards 
 
 Duke of Somerset. Lent by the Duke of Beaufort. 
 
 747. LORD KIMBOLTON, second Earl of Manchester. Lent by 
 
 Colonel Holden. 
 
 748. JAMES HARRINGTON. Lent by Mr. Gervase Wright . 
 
 749. WILLIAM VILLIERS, Viscount Grandison. Painted by Van- 
 
 dyck. Lent by the Earl of Clarendon , K. G. 
 
 750. WILLIAM HARVEY, M.D. Lent by Jesus College, Cambridge. 
 
 751. INIGO JONES. Painted by Vandyck. Lent by Lieut.-Col. 
 
 Inigo W. Jones. 
 
 752. INIGO JONES (1572-1 652), Painted by Vandyck. Lent by 
 
 Lieut.-Col. Inigo W. Jones. 
 
 753. LADY ALICE EGERTON. Lent by the Earl Brownlow. 
 
 754. THOMAS CAREW AND SIR WILLIAM KXLLIGREW, Kt. 
 
 Painted by Vandyck. Lent by Her 3Iajesty (Windsor Castle). 
 
 755. SIR HENRY LYTTELTON, Bart. Painted by John Greenhill. 
 
 Lent by Lord Lyttelton. 
 
 756. WILLIAM HARVEY, M.D. Painted by Mirevelt. Lent by 
 
 University College , London . 
 
Reign of Charles I., 1625 - 1649 . 
 
 41 
 
 757. ABRAHAM COWLEY. Lent by St. John's College, Cambridge. 
 
 758. JOHN TAYLOR, tho Water Poet. Painted by Jolm Taylor 
 
 Lent by the Bodleian Library , Oxford. 
 
 759. JOHN TAYLOR, the Water Poet. Painted by John Taylor. 
 
 Lent by the University Galleries , Oxford. 
 
 760. ALGERNON PERCY, Earl of Northumberland. Painted by 
 
 Vandyck. Lent by the Lari of Essex. 
 
 761. LADY CHUTE. Painted by Cornelius Jansen. I^ent by the 
 
 Lev. N. Toke. 
 
 762. SIR GEORGE CHUTE. Painted by Cornelius Jansen. I^ent 
 
 by the Rev. N. Toke. 
 
 763. MAJOR-GENERAL EDWARD MASSEY. Painted by Van- 
 
 dyck. I^ent by Mr. J. F. Basset. 
 
 764. JAMES SHIRLEY. I^ent by the Bodleian library, Oxford. 
 
 7 65. WILLIAM DOBSON AND HIS WIFE. Painted by William 
 
 Dobson. Lent by Her Majesty (Hampton Court). 
 
 766. SIR WILLIAM WALLER, Kt. Painted by Sir Peter Lely. 
 
 Lent by the Duke of Richmond. 
 
 767. HENRY CALVERLY. Lent by Sir Walter C. Trevelyan, Bart. 
 
 768. REV. JOHN OWEN, D.D. Lent by the Baptist College , Bristol. 
 
 770. SIR PHILIP MONCKTON, Kt. Lent by the Viscount Galway, 
 
 M.P. 
 
 771. REV. WILLIAM BATES, D.D. .Lent by the Baptist College , 
 
 Bristol. 
 
 773. DOROTHY SIDNEY, Countess of Sunderland. Painted by 
 
 Vandyck. Lent by Lord Be Lisle and Dudley. 
 
 774. RALPH, LORD HOPTON. Lent by Mr. W. B. Stopford. 
 
 775. DR. EDWARD POCOCK. Lent by the Bodleian Library , 
 
 Oxford. 
 
 776. REV. JOSEPH CARYL. Lent by the Baptist College , Bristol. 
 
 777. SIR ROGER TWYSDEN, Kt. and Bart. Lent by the Rev. 
 
 Lambert B. Larking. 
 
 778. ADMIRAL SIR FRANCIS BASSET. Painted by Vandyck. 
 
 Lent by Mr. J. F. Basset. 
 
 779. SIR HENRY MILDMAY, Kt. Lent by Sir Henry B. P. St. 
 
 John Mildmay , Bart. 
 
 780. PHILIP SIDNEY LORD LISLE, ALGERNON, AND 
 
 ROBERT SIDNEY. Painted by Vandyck. Lent by Lord 
 De IJIsle and Dudley. 
 
 781. MRS. JANE LANE. Painted by Mary Beale. Lent by Mr. 
 
 Andrew Fountainc. 
 
 782. HENRY IRETON, L.D., Deputy of Ireland. Painted by Win. 
 
 Dobson. Lent by the Farl of Sandwich. 
 
42 
 
 National Portraits. 
 
 783. COLONEL PHILIP JONES (1618-1674). Lent by Mr. Robert 
 
 Oliver Jones. 
 
 784. SIR OLIVER CROMWELL, K.B. Lent by Mr. Reginald Choi- 
 
 mondeley. 
 
 785. BRIDGET CROMWELL, Mrs. Ireton. Lent by Mr. Charles 
 
 Polhill. 
 
 786. ELIZABETH STEWARD, Mrs. Cromwell. Painted by Rt. 
 
 Walker. Lent by the Earl of Sandwich. 
 
 787. HENRY CROMWELL (1628-1675). Painted by Theodore 
 
 Russel. Lent by Mr. G. B. Lambert. 
 
 788. LADY ELIZABETH CROMWELL. Lent by Mr. Reginald 
 
 Cholmondeley . 
 
 789. HENRY IRETON, Lord Deputy of Ireland. Painted by Rt. 
 
 Walker. T^ent by Mr. Charles Polhill. 
 
 790. OLIVER CROMWELL, the Protector. Painted by Rt. Walker. 
 
 Lent by the Earl of Sandwich. 
 
 791. MR. ROBERT CROMWELL. Painted by Rt. Walker. Lent 
 
 by the Earl of Sandwich. 
 
 792. COLONEL NATHANIEL FIENNES. Painted by Mirevelt. 
 
 Lent by the Rev. Lord Saye and Sele. 
 
 793. SIR FRANCIS ROUSE (1579-1659). Lent by Eton College. 
 
 794. ARTHUR, first LORD CAPELL, AND HIS FAMILY. 
 
 Painted by C. Jansen. Lent by the Earl of Essex. 
 
 795. ANDREW MARVELL. Painted by Adrian Hanneman. Lent 
 
 by Mr. John Rhodes . 
 
 796. JOHN BUNYAN. Painted by T. Sadler. Lent by the Rev. 
 
 John Olive. 
 
 797. ROBERT WALKER. Painted by Robert Walker. Lent by 
 
 Her Majesty (Hampton Court). 
 
 798. OLIVER CROMWELL, the Protector. Painted by Sir Peter 
 
 Lely. Lent by Mr. G. J. A. Walker. 
 
 799. OLIVER CROMWELL, the Protector. Painted by Robert 
 
 Walker. I^ent by Mr. Charles Polhill. 
 
 800. GENERAL LAMBERT. Painted by Robert Walker. Lent by 
 
 the Earl of Hardwiche. 
 
 801. THOMAS BELLASYSE, Earl of Falconberg. Painted by Van 
 
 der Heist. Lent by Mr. George Handford. 
 
 802. WILLIAM LENTHALL. Lent by the National Portrait 
 
 Gallery. 
 
 803. OLIVER CROMWELL. Painted by Samuel Cooper. Lent by 
 
 Sidney- Sussex College , Cambridge. 
 
 804. ANDREW MARVELL. Painted by Gaspar Smitz. Lent by 
 
 Mr. E. If. Reynard. 
 
 805. WILLIAM PRYNNE. Lent by the Marquis Townshend. 
 
Commonwealth, 1649 - 1660 . 
 
 43 
 
 806. COLONEL WILLIAM CEOMWELL. Pained by P. Van Somer. 
 
 Lent by Mr. Reginald Cholmondeley. 
 
 807. GENERAL CHARLES FLEETWOOD. Lent by the Society 
 
 of Antiquaries. 
 
 808. JOHN MILTON. Lent by the Rev. R. C. Jenkins. 
 
 809. ROBERT WALKER. Painted by Robert Walker. Lent by the 
 
 University Galleries , Oxford. 
 
 810. CFIALONER CHUTE. Lent by Mr. W. Wiggett Chute. 
 
 811. SIR JOHN MAYNARD. Lent by Colonel Tempest. 
 
 812. JOHN THURLOE. Painted by Henry Stone (Old Stone). Lent 
 
 by Mr. Charles Polhill. 
 
 813. GENERAL JOHN DISBROWE, or DESBOROUGH. Lent 
 
 by Miss Disbroive. 
 
 814. JERRY WHITE, Chaplain to Oliver Cromwell. Painted by 
 
 Vandyck. Lent by Mr. G. J. A. Walker. 
 
 815. GEORGE MONK, Duke of Albemarle, K.G. Lent by Mr.J. B. 
 
 Monck. 
 
 816. ADMIRAL ROBERT BLAKE (1599-1657). Painted by Adrian 
 
 Hanneman. Lent by Mr. Andrew Fountaine. 
 
 817. HENRY CROMWELL (1628-1675). Painted by Sir Peter Lely. 
 
 Lent by Mr. E. W. Field. 
 
 819. JOHN MILTON. Painted by Jonathan Richardson. Lent by 
 
 the Countess Delawarr. 
 
 820. JOHN MILTON. Painted by William Faithorne. Lent by 
 
 Mr. Edmund F. Moore. 
 
 821. ELIZABETH CROMWELL, Mrs. Clay pole. Painted by Robert 
 
 Walker. Lent by Mr. G. B. Lambert. 
 
 822. SAMUEL DISBROWE, or DESBOROUGH. Lent by Miss 
 
 Disbrowe. 
 
 823. GEORGE FOX (1624-1690). Lent by Mrs. Watkins. 
 
 824. MRS. CLAYPOLE. Painted by Sir Peter Lely. Lent by 
 
 Mr. G. J. A. Walker. 
 
 825. ADMIRAL ROBERT BLAKE. Lent by Mr. Raymond Felly. 
 
 826. SIR THOMAS YYNER, Bart. Lent by the Goldsmiths ’ Com- 
 
 pany. 
 
 827. SIR THOMAS ISILAM, Bart. Painted by Sir Peter Lely. 
 
 T^ent by Sir Charles E. Isham, Bart. 
 
 828. MOLL DAVIS. Painted by Sir Peter Lely. Lent by the Earl 
 
 of Essex. 
 
 829. EDWARD MONTAGU, first Earl of Sandwich. Painted by Sir 
 
 Peter Lely. L^ent by the Earl of Sandwich. 
 
 830. CHARLES BEAUCLERK, first Duke of St. Albans. Lent by 
 
 Lord De Elsie and Ducllcy. 
 
44 
 
 National Portraits . 
 
 831. CATHERINE OF BRAGANZA. Lent by Sir G. Hamilton 
 
 Seymour, Bart., G.C.B. 
 
 832. SIR FRANCIS THROCKMORTON, second Baronet. Painted 
 
 by Gerard Zoest. Lent by Sir William Throckmorton, Bart . 
 
 833. NELL GWYN (1650-1587). Painted by Sir Peter Lely. Lent 
 
 by Her Majesty (Hampton Court). 
 
 834. CATHERINE OF BRAGANZA. Lent by the Earl of Cla- 
 
 rendon, K.G. 
 
 83 5. WILLIAM CHIFFINCH or CHEFFING. Lent by the Town 
 
 Council, Salisbury. 
 
 836. JAMES, DUKE OF MONMOUTH, K.G. Lent by the Earl of 
 
 Essex. 
 
 837 . CATHERINE OF BRAGANZA. Painted by Jacob Iluysman. 
 
 Lent by Her Majesty (Buckingham Palace). 
 
 838. WILLIAM CHIFFINCH or CHEFFING. Lent by the Earl 
 
 of Verulam. 
 
 839. LUCY WALTERS or BARLOW. Lent by the Earl of Essex. 
 
 840. HORTENSIA MANCINI, Duchess of Mazarin. Painted by 
 
 Pierre Mignard. Lent by Mr. H. Mitsgrave. 
 
 841. NELL GWYN (1650-1687). Painted by Sir Peter Lely. Lent 
 
 by the Marquis of Hastings. 
 
 842. BARBARA VILLIERS, Duchess of Cleveland. Painted by Sir 
 
 Peter Lely. Lent by Her Majesty (Hampton Court). 
 
 843. CHARLES II. Painted by Sir Peter Lely. Lent by the Corpo- 
 
 ration of Winchester. 
 
 844. ELIZABETH HAMILTON, Comtesse de Grammont. Painted 
 
 by Sir Peter Lely. Lent by Her Majesty (Hampton Court). 
 
 845. LOUISE RENEE DE KERIIOUEL, Duchess of Portsmouth. 
 
 Painted by Gascar. I^ent by Her Majesty (Hampton Court). 
 
 846. ANNE, LADY FANSHAWE. Painted by Sir Peter Lely. Lent 
 
 by Sir William. Stirling Maxwell, Bart. , M.P. 
 
 847. VICE ADMIRAL SIR JOHN LAWSON, Kt. Painted by Sir 
 
 Peter Lely. Lent by the Lords of the Admiralty . 
 
 848. WILLIAM RICHARD GEORGE STANLEY, Lord Strange, 
 
 afterwards ninth Earl of Derby. Lent by the Earl of Derby , 
 
 K.G. 
 
 849. ROBERT THOMAS STANLEY (1656-1686). Lent by the 
 
 Earl of Derby, K. G. 
 
 851. BARBARA VILLIERS, Countess of Castlemaine, Duchess of 
 
 Cleveland. Painted by Sir Peter Lely. Lent by Mr, Andrew 
 Fountaine. 
 
 852. SIR RICHARD FANSHAWE, Bart. (1608-1666). Painted by 
 
 Sir Peter Lely. Lent by Sir William Stirling Maxwell, 
 Bart., M.P. 
 
 855. GEORGE VILLIERS, second Duke of Buckingham. Lent by 
 Mr. C. Wykeham Martin, M.P. 
 
Reign of Charles II., 1660 - 1685 . 
 
 45 
 
 857. MRS. MARY BEALE. Painted by Sir Peter Lely. Lent by 
 
 Mr. George Ilondford . 
 
 858. GEORGE MONK, Duke of Albemarle, K.G. Painted by Robert 
 
 Walker. Lent by the Earl of Sandwich. 
 
 859. SIR WILLIAM MORRICE, Kt. Lent by Mr. W. H. Pole Carew . 
 
 860. MARGARET LUCAS, Duchess of Newcastle. Painted by Sir 
 
 Peter Lely. Lent by Mr. F. Vernon Wentworth. 
 
 861. ANDREW MARYELL (1620-1678). Ascribed to Daniel 
 
 Mytens. Lent by Mr. Reginald Cholmondeley. 
 
 862. SIR GEORGE CARTERET, Bart. Painted by Sir Peter Lely. 
 
 Lent by the Rev. Lord John Thynne. 
 
 863. SIR WILLIAM DUGDALE, Kt., Garter King of Arms. Lent 
 
 by Mr. John Gough Nichols. 
 
 864. MRS. APIIRA BERN. Painted by Sir Peter Lely. Lent by 
 
 Mr. Philip H. Hoivard. 
 
 865. SIR WILLIAM DOMYILE, Kt. Lent by Sir Charles Compton 
 
 W. Domvile, Bart. 
 
 866. ELEANOR, LADY BYRON, Painted by Sir Peter Lely. Lent 
 
 by Pier Majesty (Hampton Court). 
 
 867. RICHARD WISEMAN. Painted by Sir Balthazar Gerbier. 
 
 Lent by the Royal College of Surgeons. 
 
 868. SIR HARBOTTLE GRIM STONE. Painted by Sir Peter Lely. 
 
 Lent by the Earl of Verulam. 
 
 869. DOROTHEA HELENA YON RUPA, wife of Charles, eighth 
 
 Earl of Derby. Lent by the Earl of Derby , K.G. 
 
 <870. CHARLES STANLEY, eighth Earl of Derby. Lent by the Earl 
 of Derby, K.G. 
 
 871. CHIEF JUSTICE SIR RICHARD RAIN SFORD, Kt, Painted 
 
 by Gerard Zoest. Lent by Lincoln’s Inn. 
 
 872. SIR HENRY LYTTELTON, Bart. Painted by John Greenhill. 
 
 Lent by Lord Lyttelton. 
 
 873. ANNE HYDE, Duchess of York. Painted by Sir Peter Lely. 
 
 Lent by Jler Majesty (Hampton Court). 
 
 874. CHARLES II. Painted by John Greenhill. Lent by Dulwich 
 
 College. 
 
 875. FRANCES THERESA, Duchess of Richmond and Lennox. 
 
 Painted by Sir Peter Lely. Lent by the Duke of Richmond. 
 
 876. JAMES CROFTS, Duke of Monmouth, K.G. Painted by 
 
 William Wissing. Lent by the National Portrait Gallery. 
 
 878. SIR WILLIAM DUGDALE, Kt., Garter King of Arms. Lent 
 
 by the Earl of Warwick. 
 
 879. SIR THOMAS CHICHELEY, Kt. Tainted by William Dobson. 
 
 Lent by Mr. Andrew Fountaine. 
 
46 
 
 National Portraits. 
 
 880. NELL GWYN. Painted by Sir Peter Lely. Lent by the Earl 
 Spencer , K.G. 
 
 881/ COUNTESS OF PORTLAND. Painted by Yandyck. Lent by 
 Lord Lyttelton. 
 
 882. SIR PETER LELY, Kt. (1617-1680). Painted by Sir Peter 
 
 Lely. Lent by the Earl of Derby , K. G. 
 
 883. PHILIP, CARDINAL HOWARD. Painted by Millar. Lent 
 
 by Lord Arundell of War dour. 
 
 884. LOUISE RENEE DE KERHOUEL, Duchess of Portsmouth. 
 
 Painted by Sir Peter Lely. Lent by the Duke of Richmond. 
 
 885. CHARLES II. Painted by Sir Peter Lely. Lent by Mr. J. 
 
 Heywood Hawkins. 
 
 886. WILLIAM, sixth LORD PAGET (1637-1713). Lent by Lieut.- 
 
 Col. Leopold Paget. 
 
 887. SIR ROBERT HOWARD, Kt. Lent by the Earl of Home. 
 
 888. JOHN WILMOT, second Earl of Rochester. Lent by the Earl 
 
 of Warwick. 
 
 889. HON. CHARLES STANLEY. Painted by Sir Godfrey Kneller. 
 
 Lent by the Earl of Derby , K.G. 
 
 890. HENRY MORE, D.D. Painted by Sir Peter Lely. Lent by the 
 
 Royal Society. 
 
 891. SIR GEORGE MACKENZIE, Bart. Lent by Mr. Steiv art 
 
 Mackenzie , of Seaforth. 
 
 892. HENRY SIDNEY, first Earl of Romney. Painted by Sir Peter 
 
 Lely. Lent by Lord De IS Isle and Dudley. 
 
 893. EDWARD PIYDE, Lord Chancellor Clarendon. Painted by 
 
 Sir Peter Lely. Lent by the Earl of Clarendon, K. G. 
 
 894. SIR CHARLES STANLEY of Chelsea, K.B. Lent by the 
 
 Earl of Derby , K.G. 
 
 895. CHARLES II. Painted by Gaspard Netscher. Lent by Mr. J. 
 
 Heywood Haivkins. 
 
 896. ANTHONY ASHLEY, first Earl of Shaftesbury. Painted by 
 
 John Riley. Lent by the Countess Delawarr. 
 
 897. JOHN GRAHAM of Claverhouse, Viscount Dundee. Lent by 
 
 Mr. Charles Winn. 
 
 898. ANNA MARIA, COUNTESS OF SHREWSBURY. Painted 
 
 by Mary Beale. Lent by the Earl Spencer , K. G. 
 
 899. SIR ORLANDO BRIDGEMAN, Lord Keeper. Paiuted by 
 
 John Riley. Lent by the Earl of Bradford. 
 
 900. HENRY, LORD CORNBURY, AND THEODOSIA, his wife. 
 
 Painted by Sir Peter Lely. Lent by the Earl of Clarendon , K. G. 
 
 901. EDWARD MONTAGU, first Earl of Sandwich. Lent by Her 
 
 Majesty (Hampton Court). 
 
Reign of Charles II., 1660 - 1685 . 
 
 47 
 
 902. MARY FAIRFAX, Duchess of Buckingham. Painted by 
 
 Vandyck. Lent by Lord Lyttelton. 
 
 903. HENRY BENNET, first Earl of Arlington. Painted by Sir 
 
 Peter Lely. Lent by the Earl of Tanker ville. 
 
 904. GEORGE VILLIERS second Duke of Buckingham. Painted 
 
 by Michael Wright. Lent by the Earl of Malmesbury. 
 
 905. JOHN MAITLAND, first Duke of Lauderdale, K.G. Painted 
 
 by Sir Peter Lely. Lent by the Scottish Corporation. 
 
 906. THE “ CABAL ” MINISTRY. Painted by Sir John B. Medina. 
 
 Lent by Mr. Charles Winn. 
 
 907. JAMES SHARP, Archbishop of St. Andrews. Painted by Sir 
 
 Peter Lely. I^ent by the Rev. F. G. Sandy s-Lumsdaine. 
 
 908. ANTHONY ASHLEY, first Earl of Shaftesbury. Painted by 
 
 John Greenhill. I^ent by the Earl of Malmesbury. 
 
 909. JAMES BUTLER, first Duke of Ormonde. Lent by the Marquis 
 
 of Ormonde. 
 
 910. THOMAS GALE, F.R.S., Dean of York. Lent by the Royal 
 
 Society. 
 
 911. DANIEL WHISTLER, M.D. Lent by the Royal College of 
 
 Physicians. 
 
 912. JACOB HALL. Lent by the Rev. IV. Vernon Harcourt . 
 
 913. CHARLES LENNOX, first Duke of Richmond, K.G. Painted 
 
 by Sir Peter Lely. Lent by the Earl of Belmore. 
 
 914. ANTHONY ASHLEY, first Earl of Shaftesbury. Painted by 
 
 John Greenhill. Lent by the National Portrait Gallery. 
 
 915. THOMAS, EARL OF OSSORY, K.G. Painted by Sir Peter 
 
 Lely. Lent by the Marquis of Ormonde. 
 
 916. THOMAS HOBBES of Malmesbury (1588-1679). Lent by the 
 
 Royal Society. 
 
 917. THOMAS SYDENHAM, M.D., (1624-1689). Painted by Mary 
 
 Beale. Lent by the Royal College of Physicians. 
 
 918. SIR MATTHEW HALE (1609-1675). Painted by Michael 
 
 Wright. Lent by Lincoln's Inn. 
 
 919. IIENEAGE FINCH, first Earl of Nottingham. Painted by Sir 
 
 Peter Lely. Lent by the Earl of Verulam. 
 
 920. WENTWORTH DILLON, fourth Earl of Roscommon. Painted 
 
 by Carlo Maratti. Lent by the Earl Spencer , K.G. 
 
 921. THOMAS FLATMAN (1633-1688). Painted by T. Flatman. 
 
 Lent by the Countess Delawarr. 
 
 922. THOMAS OTWAY. Painted by John Riley. Lent by the 
 
 Rev. W. Vernon Harcourt. 
 
 923. THOMAS KrLLlGREW, the Jester. Lent by Sir James 
 
 Puller East , Bart. 
 
 924. ARTHUR ANNESLEY, Earl of Anglesey. Painted by Sir 
 
 Peter Lely. Lent by Mr. G. Pearse. 
 
48 
 
 National Portraits. 
 
 925. SIR GEOFFREY PALMER, Bt. Lent by Mr. G. L. Watson. 
 
 926. LADY FRANCES FINCH, Viscountess Weymouth. Painted 
 
 by Sir Peter Lei}'. Lent hy the Marquis of Bath. 
 
 927. HENRIETTA BOYLE, Countess of Rochester. Painted by Sir 
 
 Peter Lely. Lent hy the Earl of Home. 
 
 928. GEORGE SAVILLE, first Marquis of Halifax. Painted by Sir 
 
 Peter Lely. Lent by the Duke of Devonshire , K.G. 
 
 929. LAWRENCE HYDE, Earl of Rochester, K.G. Lent hy the Earl 
 
 of Home. 
 
 930. ROBERT DOD. Painted by Sir Peter Lely. I^ent hy Mr. 
 
 Whitehall Docl. 
 
 931. SIR THOMAS THYNNE, first Viscount Weymouth. Painted 
 
 by Sir Peter Lely. Lent hy the Marquis of Bath. 
 
 934. ROBERT SPENCER, second Earl of Sunderland. Painted by 
 
 Carlo Maratti. .Lent hy the Earl Spencer , K. G. 
 
 935. ISAAC BARROW, D.D. T^ent hy the Earl of Hardwiche. 
 
 936. ABRAHAM SIMON. Painted by Sir Godfrey Kneller. Lent 
 
 hy Mr. Henry Mus grave. 
 
 937. THOMAS OTWAY. Painted by Mary Beale. Lent hy the 
 
 Earl Spencer , K.G. 
 
 938. SIR HENRY BLOUNT, Et. Lent hy the Countess of Caledon. 
 
 939. HORATIO, VISCOUNT TOWNSHEND. Lent hy Viscount 
 
 Sidney , G. C.B. 
 
 940. SIR ROGER PRATT, Kt. Painted by Sir Peter Lely. Lent 
 
 hy the Bev. Jermyn PrcUt. 
 
 941. SIR CHRISTOPHER WREN, Kt, Lent hy the Royal Society. 
 
 942. MATTHEW LOCK. Lent hy the University of Oxford. 
 
 943. RICHARD BUSBY, D.D., AND MATTHEW HENRY. Lent 
 
 hy Christ Church , Oxford. 
 
 944. JOHN COSIN, Bishop of Durham. Lent hy the Bishop of 
 
 Durham. 
 
 945. BRIAN DUPPA, Bishop of Winchester. Lent by Christ Church , 
 
 Oxford. 
 
 946. SIR ROBERT LONG, Bart. Painted by Sir Peter Lely. Lent 
 
 hy the Earl Brownlow. 
 
 947. ROBERT SANDERSON, Bishop of Lincoln. T^ent hy the 
 
 Bishop of Lincoln. 
 
 948. GRINLING, or GRILLING, GIBBONS. Painted by Sir God- 
 
 frey Kneller. Lent hy Viscount Galway , M.P. 
 
 949. CHARLES COTTON (1630-1687). Painted by Sir Peter Lely. 
 
 Lent by Colonel Robert Holden. 
 
 950. SAMUEL PEPYS, F.R.S. (1631-2-1703). Painted by Sir God- 
 
 frey Kneller. Lent by Mr. S. Pepys Cockerell. 
 
Reign of Charles II., 1660 - 1685 . 
 
 49 
 
 951. SIR JOHN MARSHAM, Bart. (1603-1685). Lent by the Earl 
 
 of Romney. 
 
 952. JOHN GANDER, Bishop of Worcester. Lent by Mr. T.H. Bates. 
 
 953. LADY LUCY THERESA HERBERT. Lent by Earl of 
 
 Poivis. 
 
 954. THOMAS HOBBES, of Malmesbury ( 1588 - 1679 ). Lent by the 
 
 Dnhe of Devonshire , K. G. 
 
 955. ROBERT PLOTT, LL.D. (1641-1696). Lent by the Ashmolean 
 
 Museum , Oxford. 
 
 956. BALDWIN HAMEY, Jun., M.D. (1600-1676). Painted by M. 
 
 Snelling. Lent by the Royal College of Physicians. 
 
 957. SIR PAUL RYCAUT, Kt. Painted by Sir Peter Lely. Lent 
 
 by Lord Methuen. 
 
 958. IZAAK WALTON (1593-1683). Painted by Jacob Huysman. 
 
 Lent by the National Gallery. 
 
 959. GILBERT SHELDON, Archbishop of Canterbury. Painted by 
 
 David Loggan. Lent by the Earl of Home. 
 
 960. SAMUEL BUTLER, author of “ Hudibras ” Lent by the Bod- 
 
 leian Library , Oxford. 
 
 961. THOMAS WHARTON, M.D. Painted by Vandyck. Lent by 
 
 the Royal College of Physicians. 
 
 962. JEREMY TAYLOR, Bishop of Down and Connor. Lent by All 
 
 Souls College , Oxford. 
 
 963. SIR WILLIAM MORTON, Kt., Justice, K.B. Painted by 
 
 Vandyck. Lent by Mr. T. B. Bulheley Owen. 
 
 964. SIR JUSTINIAN I SHAM, second Baronet of Lamport. Painted 
 
 by Gio. Battista. Lent by Sir Charles E. Is ham, Bart. 
 
 9 65. — — SIMON. T.ent by Sidney- Sussex College, Cambridge. 
 
 966. LADY ELIZABETH BUTLER, Countess of Chesterfield. 
 
 Painted by Sir Peter Lely. Lent by the Earl Stanhope. 
 
 967. JOHN WILKINS, F.R.S., Bishop of Chester. Painted by Mary 
 
 Beale. Lent by the Royal Society. 
 
 968. SIR SAMUEL BARNARDISTON, Bart. Painted by Sir God- 
 
 frey Kneller. Lent by Mr. Nathaniel C. Barnardiston. 
 
 969. WILLIAM, VISCOUNT BROUNCKER. Painted by Sir Peter 
 
 Lely. T^cnt by the Royal Society. 
 
 970. JOHN WALLIS, D.D. Painted by Gerard Zoest. Lent by the 
 
 Royal Society. 
 
 971. SETII WARD, Bishop of Salisbury. Lent by Oriel College, 
 
 Oxford. 
 
 973. IION. ROBERT BOYLE, F.R.S. Painted by Kcrseboom. Lent 
 by the Royal Society. 
 
 15929. — 1. D 
 
50 
 
 National Portraits. 
 
 975. THOMAS HOBBES, of Malmesbury (1588-1679). Lent by Sir 
 
 TV. C. Trevelyan , Bart. 
 
 976. LORD CHIEF JUSTICE SIR FRANCIS PEMBERTON. 
 
 Lent by Emmanuel College , Cambridge. 
 
 977. SIR EDMUND BERRY GODFREY, Kt. Lent by the Vestry 
 
 of St. Martin’ s-in-the- Fields. 
 
 979. WILLIAM, LORD RUSSELL. Lent by the Earl of Essex. 
 
 980. NATHANIEL TILSON AND FAMILY. Painted by Henry 
 
 Tilson. Lent by Mr. Thomas Shaen Carter. 
 
 981. SIR RICHARD NEWMAN. Painted by W. Dobson. Lent by 
 
 the Rev. E. II. Rogers. 
 
 982. WILLIAM CROONE, M.D. Painted by Mary Beale. Lent by 
 
 the Royal College of Physicians. 
 
 983. LADY MARGARET WENTWORTH. Painted by Sir Peter 
 
 Lely. Lent by Lord Houghton. 
 
 984. JOHN WALLOP. Painted by John Riley. Lent by the Earl 
 
 of Portsmouth. 
 
 985. HENRY TILSON. Painted by Henry Tilson. Lent by Mr. 
 
 Thomas Shaen Carter. 
 
 986. SIR JOHN GRANVILLE, afterwards first Earl of Bath. Lent 
 
 by the Rev. Lord John Thynne. 
 
 987. FATFIER JOHN HUDDLESTON. Lent by Mr. TV. B. 
 
 Stopford. 
 
 988. TRADESCANT FAMILY. Painted by W. Dobson. Lent by 
 
 the Ashmolean Museum , Oxford. 
 
 989. WALTER CHARLETON or CHARLTON, M.D. Lent by the 
 
 Royal College of Physicians. 
 
 990. FRANCIS GLISSON, M.D. Lent by the Royal College of 
 
 Physicians. 
 
 991. ELIAS ASHMOLE (1617-1692). Lent by the Ashmolean 
 
 Museum , Oxford. 
 
 992. REV. JOHN FLAMSTEED, F.R.S. Painted by R. Gibson. 
 
 Lent by the Royal Society. 
 
 993. HENRY COMPTON, Bisliop of London. Painted by John Riley. 
 
 Lent by the Marquis of Northampton. 
 
 995. THOMAS LAMPLUGH, Archbishop of York. Lent by Queen’s 
 
 College , Oxford. 
 
 996. RICHARD BUSBY, D.D. Lent by the Head Master of West- 
 
 minster. 
 
 997. THOMAS KEN, Bishop of Bath and Wells. Lent by the 
 
 Marquis of Bath. 
 
Reign of James II., 1685 - 1688 . 
 
 51 
 
 998. WILLIAM BANCROFT, Archbishop of Canterbury. Painted by 
 
 P. Lens. Lent by Emmanuel College , Cambridge. 
 
 999. ROBERT CREIGHTON, Bishop of Bath and Wells. Lent by 
 
 the Corporation of Wells. 
 
 1000. JOHN DRYDEN. Painted by Sir Godfrey Kneller. Lent by 
 
 Mr. W. R. Baker. 
 
 1001. MARY FAIRFAX, Duchess of Buckingham. Lent by Mr. C. 
 
 Wyheham Martin , M.P. 
 
 1002. THOMAS BARLOW, Bishop of Lincoln. Lent by Queen's 
 
 College , Oxford. 
 
 1003. LORD KEEPER FRANCIS NORTH, Lord Guildford. Painted 
 
 by John Riley. Lent by Coloiiel and Baroness North. 
 
 1005. JOHN GREEN HILL. Painted by John Greenhill. Lent by 
 
 Dulwich College. 
 
 1006. WILLIAM LLOYD, Bishop of Worcester. Lent by the Arch- 
 
 bishop of Canterbury. 
 
 1007. REBECCA HELE, Lady Treiawny. Painted by Sir Godfrey 
 
 Kneller. Lent by Sir John Salusbury Treiawny , Bart. 
 
 1008. RICHARD BAXTER. Lent by the Congregation of Inde- 
 
 pendants , Kidderminster. 
 
 1009. JUDGE JEFFREYS. Painted by Sir Godfrey Kneller. Lent 
 
 by the Earl of Tanherville. 
 
 1010. THOMAS CARTWRIGHT, Bishop of Chester. Lent by Queen's 
 
 College , Oxford. 
 
 1011. SIR JONATHAN TRELAWNY, Bart., Bishop of Bristol. 
 
 Painted by Sir Godfrey Kneller. Lent by Sir John Salus- 
 bury Treiawny , Bart. 
 
 1012. SIR EDMUND KING, Kt., M.D. Painted by Sir Peter Lely. 
 
 Lent by the Royal College of Physicians. 
 
 1013. HUMPHRY HENCHMAN, Bishop of London. Painted by 
 
 Sir Peter Lely. Lent by the Earl of Clarendon , K.G. 
 
 1014. JOHN, LORD CUTTS. Painted by William Wissing. Lent by 
 
 Mr. Thomas Ball. 
 
 1015. ROGER PALMER, Earl of Castlemaine. Lent by the Earl 
 
 of Powis. 
 
 1015a. JOHN EVELYN (1620-1706). Painted by Robert Walker. 
 Lent by Mr. W. J. Evelyn. 
 
 1016. RICHARD TALBOT. Earl and Duke of Tyrconnell. Lent by 
 
 Lord Talbot de Malahule. 
 
 1017. JOHN HOUGH, Bishop of Worcester (1657-1743). Lent by 
 
 Magdalen College , Oxford. 
 
 1018. ARABELLA CHURCHILL, Mrs. Godfrey. Painted by Sir 
 
 Peter Lely. Lent by the Earl Spencer, K.G. 
 
 i) 2 
 
52 
 
 National Portraits. 
 
 1019. JAMES II. Painted by Sir Godfrey Kneller. Lent by Mr, S. 
 
 Pepys Cockerell. 
 
 1020. JAMES, Duke of Monmouth. Painted by Tyssens. Lent by 
 
 Lord Lyttelton. 
 
 1021. QUEEN MARY OF MODENA. Painted by Sir Peter Lely. 
 
 Lent by Earl of Denbigh. 
 
 1022. CATHERINE SEDLEY, Countess of Dorchester. Painted by 
 
 Mary Beale. L,ent by the Earl Spencer , K. G. 
 
 1023. JAMES II. Painted by William Wissing. Lent by the Earl 
 
 of Clarendon , K.G. 
 
 1024. HENRY SOMERSET, first Duke of Beaufort, K.G. Painted 
 
 by Sir Peter Lely. Lent by the Duke of Beaufort. 
 
 1025. PRINCESS MARY OF ORANGE, afterwards Queen of Eng- 
 
 land. Painted by Sir Peter Lely. Lent by Her Majesty 
 (Hampton Court). 
 
 1026. SIR GODFREY KNELLER. Bart. Painted by Sir Godfrey 
 
 Kneller. Lent by the Earl of Derby , K. G. 
 
 1027. QUEEN MARY OF MODENA. Painted by Sir Godfrey 
 
 Kneller. Lent by Her Majesty (Hampton Court). 
 
 1028. PETER MEW, D.C.L., Bishop of Winchester. Lent by the 
 
 Bishop of Winchester. 
 
 1029. JAMES II. as Duke of York. Painted by Honthorst. Lent 
 
 by Her Majesty (Hampton Court). 
 
 1030. CHARLES MONTAGU", first Earl of Halifax, K.G." Painted 
 
 by Sir Godfrey Kneller. Lent by the Earl of Hardwicke . 
 
 A SELECTION of Sixteen of the Photographs of the NATIONAL 
 PORTRAITS may be had for One Guinea. 
 
 A SELECTION of One Hundred of the Photographs of the NA- 
 TIONAL PORTRAITS maybe had, half bound in Morocco, price 
 Six Guineas. 
 
 The COMPLETE SERIES of 964 PORTRAITS, may be had in ten 
 volumes, half bound in Morocco, price 621. 
 
53 
 
 Bays, dec. 
 
 NATIONAL PORTRAITS, LARGE SIZE. 
 
 Nine of tlie above portraits were photographed on a larger size (19 
 inches high) in order to illustrate the Court Costume of the first half of 
 the 16th century. 
 
 HENRY YIIL— Catalogue of National Portraits, No. 99. Lent by 
 the Earl of Warwick. 10s. 6cl. 
 
 QUEEN KATHARINE PAR.— Painted by Hans Holbein. Cata- 
 logue of National Portraits, No. 131. Lent by Mr. Richard Booth. 
 
 10s. 6d. 
 
 EDWARD VI. — Painted by Hans Holbein. Catalogue of National 
 Portraits, No. 172. Lent by Her Majesty (Windsor). 10s. Gd. 
 
 QUEEN MARY. — Catalogue of National Portraits, No. 199. Lent by 
 Her Majesty (Windsor). 10s. Gd. 
 
 QUEEN MARY. — Painted by Lucas de Heere. Catalogue of National 
 Portraits, No. 205. T^ent by the Society of Antiquaries. 10s. Gd. 
 
 QUEEN ELIZABETH at the age of 16. Painted by Hans Holbein. 
 Catalogue of National Portraits, No. 247. Lent by Her Majesty 
 (St. James’s Palace). 10s. Gd. 
 
 LADY ELEANOR BRANDON.— Painted by Lucas de Heere. Ca- 
 talogue of National Portraits, No. 198. I.ent by Mr. F. Vernon 
 Wentworth. 10s. Gd. 
 
 MARY OF GUISE, Queen of James V., of Scotland. Catalogue of 
 National Portraits, No. 106. Lent by the Duke of Devonshire , 
 
 K.G. ' 10s. Gd. 
 
 FRANCES SIDNEY, Countess of Sussex. Catalogue of National 
 Portraits, No. 137. Lent by Sidney Sussex College , Cambridge. 
 
 10s. Gd. 
 
 THE BAYS OF THE NATIONAL PORTRAIT EXHIBITION. 
 
 SEVENTY-SEVEN VIEWS OF THE BAYS.— Showing nearly all 
 the Pictures in Miniature and the position in which they were 
 hung in the galleries. Bound in one volume, price 51. 5s. 
 
54 
 
 Minia lure Portraits. 
 
 MINIATURE PORTRAITS. 
 
 A series of two hundred portraits chosen from the “ Special Ex- 
 hibition of Portrait Miniatures ” on loan at the South Kensington 
 Museum in 1865. 
 
 For further descriptions of the Miniatures see the 44 Catalogue of the 
 Special Exhibition of Portrait Miniatures on loan at the South Ken- 
 sington Museum, June 1865,” published by the Science and Art 
 Department, price 5s. 
 
 The Number at the end of each paragraph refers to the Official 
 
 Catalogue. 
 
 Price One Shilling each. 
 
 1. PORTRAIT OF A LADY. Early 18th century. Ivory. Lent 
 
 by Lady Dorothy Nevill. No. 70. 
 
 2. HORACE WALPOLE AS A BOY. From the Strawberry 
 
 Hill Collection. Ivory. Lent by Lady Dorothy Nevill. No. 
 73. 
 
 3. MRS. THOMAS SOMERS COCKS ; signed 44 A. P., 1787.” 
 
 Ivory. By Andrew Plimer. Lent by the Misses Somers Cocks. 
 No. 122. 
 
 4. MRS. THOMAS SOMERS COCKS, ivory. By R. Cosway-, 
 
 R.A. Lent by the Misses Somers Cocks. No. 124. 
 
 5. PORTRAIT OF A LADY in black dress. Present cent. Lent 
 
 by the Misses Somers Cocks. No. 128. 
 
 6. MRS. THOMAS SOMERS COCKS. Signed 44 A.P. 1787.” 
 
 Ivory. By Andrew Plimer. Lent by the Misses Somers Cocks. 
 No. 132. 
 
 7. PORTRAIT OF A LADY in black lace scarf. Signed and dated 
 
 44 S. C.‘ 1773.” Lent by Mr. C. B. Carruthers. No. 209. 
 
 8. KING- CHARLES II., with mantle and collar of the Order of the 
 
 Garter. Signed 44 S. C. 1665.” Vellum. By S. Cooper. Lent 
 by the Duke of Richmond . No. 274. 
 
 9. THOMAS MAY, the poet and historian in the time of the 
 
 Commonwealth. Signed and dated 44 S. C. 1653.” By Samuel 
 Cooper. Lent by Mr. Samuel Addington. No. 304. 
 
 10. DR. JOHN DONNE, Dean of St. Paul’s (1573-1631). Signed 
 
 and dated 44 1. O. 1610.” Vellum. By Isaac Oliver. Lent by 
 Mr. Samuel Addington. No. 305. 
 
 11. QUEEN ELIZABETH, born 1533, died 1603. Enamelled frame 
 
 of the period. By Nicholas Hilliard. Lent by Mr. Samuel 
 Addington. No. 308. 
 
Miniature Portraits. 
 
 55 
 
 12. MRS. HOLLAND, Maid of Honour to Queen Elizabeth. Signed 
 
 and dated “ Ano Dni 1593. zEtatis suas 26.” By Nicholas 
 Hilliard. Lent by Mr. Samuel Addington. No. 309. 
 
 13. EARL OF PEMBROKE, By Samuel Cooper. Lent by Mr. 
 
 Samuel Addington . No. 310. 
 
 14. MARY IS ABELLA, Duchess of Rutland. 1782. Ivory. Ascribed 
 
 to R. Cosway, R.A, Lent by the Duke of Rutland. No. 338. 
 
 15. LORD ROBERT MANNERS, Captain of the 44 Resolution 
 
 died of wounds received in Lord Rodney’s action, 1782. Ivory. 
 R, Cosway, R.A. Lent by the Duke of Rutland. No. 340. 
 
 16. SIR JOHN CAREW, BT., of East Antony, co. Cornwall. Card. 
 
 By S. Cooper. Lent by Mr. Wm. If. Pole Carew, of Antony. 
 No. 361. 
 
 17. LADY CAREW. Signed 44 S. C.” Card. By S. Cooper. l,ent 
 
 by Mr. Wm. H. Pole Carew , of Antony. No. 364. 
 
 18. DUC D’ANJOU, suitor of Queen Elizabeth. Vellum, half length. 
 
 Lent by Dr. Edivard F. Gray. No. 379. 
 
 19. GABRIELLE D’ESTREES and two children, b. 1571, d. 1599, 
 
 mistress of Henry IV., of France. Painted in oil. By Benjamin 
 Foulon. Lent by H.R.H. the Due d’Aumale. No. 382. 
 
 20. PORTRAIT OF A GENTLEMAN in costume of the time of 
 
 Queen Elizabeth, Ano Dni 1595. Card. By Nicholas Hilliard. 
 Lent by H.R.H. the Due d' Aumale. No. 388. 
 
 21. HENRI DE LORRAINE, Due de Guise, called ‘ 4 Le Balafre.” 
 
 Card. Lent by H.R.H. the Due d* Aumale. No. 389. 
 
 22. HENRY, Twelfth Earl of Suffolk, ICG. (1739-1779.) Ivory. 
 
 Lent by the Hon. Mrs. Greville Howard. No. 450. 
 
 23. MRS. HARGREAVES, painted 1794 by her husband. Ivory. 
 
 By T. Hargreaves. I^ent by Mr. Hargreaves. No. 450. 
 
 24. GEORGE FREDERICK HANDEL, the Composer, b. 1684, d. 
 
 1759. Enamel. L,ent by Messrs. Hunt and Roskell. No. 502. 
 
 25. WIFE OF JACOB RUYSDAEL, the Painter. Painted in oil 
 
 on copper. By Jacob Ruysdael. T^ent by the Hon. William 
 Ashley. No. 522. 
 
 26. ADMIRAL LORD NELSON. Ivory. T^ent by Mr. John Myers. 
 
 No. 530. 
 
 27. A DAUGHTER of. the late Charles Ross, Esq. and’ the Lady 
 
 Mary Ross. Ivory. About 1837. Anthony Stewart. I^entby 
 Lady Mary Ross. No. 545. 
 
 28. PORTRAIT OF MRS. TINLING. Lent by Major Newbery. 
 
 No. 555. 
 
 29. MAJOR PIERSON, who fell in the defence of Jersey against the 
 
 French, 1780. Ivory. T^ent by Major Newbery. No. 561. 
 
 30. PORTRAIT OF MRS. FRANCILLON. Lent by Major New- 
 
 bery. No. 563. 
 
56 
 
 Miniature Portraits. 
 
 31. PORTRAIT OF MISS PIERSON. Lent by Major Newbery . 
 
 No. 564. 
 
 32. PORTRAIT OF MRS. ANSTEY CALVERT. Lent by Major 
 
 Newbery . No. 565. 
 
 33. GEORGE, Prince of Wales, afterwards King George IV. Ivory. 
 
 By R. Cosway, R.A. Lent by Sir T. William Holburne, Bt. 
 No. 624. 
 
 34. FRANQOISE D’AUBIGNE, Madame ds Maintenon, 1635-1719. 
 
 Vellum. Lent by Mr. F. Myers. No. 628. 
 
 35. MARY, Queen of England, daughter of Henry VIII., by Catherine 
 
 of Arragon, 1517-1558. Dated “ 1555.” In oil. By Luis de 
 Vargas. Lent by the Rev. Walter Sueyd. No. 629. 
 
 36. PHILIP II., of Spain, husband of Queen Mary, 1526-1598. Dated 
 
 “ 1555.” In oil. By Luis de Vargas. Lent by the Rev. Walter 
 Sneyd. No. 630. 
 
 37. ELIZABETH, daughter of King J ames I., wife of Frederick V., 
 
 King of Bohemia, born 1596. Signed “I. O.” Card. By Isaac 
 Oliver. Lent by Mr. Hollingworth Magniac. No. 631. 
 
 38. GASPAR DE COLIGNI, Admiral of France ; born 1516, mur- 
 
 dered in the Massacre of St. Bartholomew, 1572. Card. By 
 Isaac Oliver. Le?it by Mr. Hollingworth Magniac. No. 633. 
 
 39. MARIE THERESE DE SAVOIE CARIGNAN, Princesse de 
 
 Lamballe. Ivory. Lent by Mr. Hollingworth Maaniac. No. 
 635. 
 
 40. MARY STUART, Queen of Scots, born 1542, executed 1586. 
 
 On panel inscribed “ La Rovne Daulphine.” Lent by Mr. Hol- 
 lingworth Magniac. No. 643. 
 
 41. CATHERINE DE’ MEDICI, only child of Lorenzino de’ Medici, 
 
 born 1519, died 1589. Signed “B.” In oil. Lent by Mr. 
 Hollingworth Magniac. No. 644. 
 
 42. MARY STUART, Queen of Scots, a half-length portrait, in a 
 
 black hat over a lace cap. Vellum. Lent by Mr. Hollingworth 
 Magniac. No. 645. 
 
 43. KATHARINE OF ARRAGON, Queen of Henry VIII., born 
 
 1485, died 1535. Vellum. By Hans Holbein. Lent by Mr. 
 Hollingworth Magniac. No. 648. 
 
 44. THE EMPEROR CHARLES V., of Spain, 1500-1558. Vellum. 
 
 Lent by Mr. Hollingworth Magniac. No. 649. 
 
 45. PHILIP, Duke of Orleans, 1674-1723, known as the “ Regent 
 
 Orleans.” Vellum. Lent by Mr. Hollingworth Magniac. No. 
 650. 
 
 46. LADY ARABELLA STUART, only child of Charles, fifth Earl 
 
 of Lennox. Vellum. By Nicholas Hilliard. Lent by Mr. Hol- 
 lingworth Magniac. No. 651. 
 
Miniature, Portraits. 
 
 57 
 
 47. HENRY VIII. A three-quarter bust portrait, painted in 1526. 
 
 Formerly in the Strawberry Hill Collection. Ry Hans Holbein. 
 Lent by Mr. II. Magniac. No. 652. 
 
 48. JAMES, twelfth Earl and first Duke of Ormonde ; Lord Lieu- 
 
 tenant of Ireland, 1661-1668, died 1688. Card. . By T. Flatman. 
 Lent by Mr. C. W. Reynolds. No. 669. 
 
 49. MADAME LA COMTESSE D’OLONNE as Diana. From 
 
 Strawberry Hill Collection. Enamel. By Petitot. Lent by 
 Mr. R. S. Mol ford, M.P. No. 747. 
 
 50. WILLIAM LENTHALL, 1591-1682, Speaker of the Rump Par- 
 
 liament. Signed and dated “ S. C. 1652.” Card. By S. Cooper. 
 Lent by Mr. R. S. Ilolford, M.P. No. 760. 
 
 51. SIR NICHOLAS POYNTZ, of Iron Acton. Vellum. By Elans 
 
 Holbein. Lent by Mr. R. S. Ilolford, K.P. No. 763. 
 
 52. PHILIP DORMER, fourth Earl of Chesterfield, the writer of the 
 
 well-known “Letters” to his Son, 1694-1773. Ivory. Lent by 
 the Earl of Chesterfield. No. 769. 
 
 53. CHARLES XII., of Sweden. Lent by the Earl of Chesterfield. 
 
 No. 770. 
 
 54. BARBARA VILLIERS, Duchess of Cleveland, daughter of Wil- 
 
 liam Villiers, Viscount G-randison in Ireland. Died at Chiswick 
 1709. Lent by the Earl of Chesterfield. No. 772. 
 
 55. JULES CARDINAL MAZARIN, born 1602, d. 1661 ; succeeded 
 
 Cardinal Richelieu as Prime Minister of Louis XIV. Enamel. 
 By Petitot. Lent by Mr. John Jones. ' No. 774. 
 
 56. QUEEN ELIZABETH (1533-1603) in a very richly jewelled 
 
 dress and lace ruff. From the Strawberry Hill Collection. By 
 Nicholas Hilliard. Lent by Mr. John Jones. No. 805. 
 
 57. LA DUCHESSE DE BERRI. Euamel. By Jean Petitot. Lent 
 
 by Mr. John Jones. No. 824. 
 
 58. CHARLES I. when Prince of Wales, wearing the collar of the 
 
 Garter. Signed “ Gerbier fee*,” and dated “ 1616.” By Sir 
 Balthazar Gerbier. Lent by Mr. John Jones . No. 835. 
 
 59. COMTE DE VERMANDOIS, natural son of Louis XIV. and 
 
 Madame de la Valliere. Enamel. By Jean Petitot. Lent by 
 Mr. John Jones. No. 854. 
 
 60. RICHARD CROMWELL, eldest son of the Protector. Signed 
 
 “ S. C.” and dated “ 1664.” Vellum. By Samuel Cooper. Lent 
 by Miss Talbot. No. 880. 
 
 61. LAVINIA COUNTESS SPENCER, and her Son J. C. LORD 
 
 ALTIIORP ; after the picture by Sir J. Reynolds. Enamel. 
 By W. II. Craft. Lent by Earl Spencer ', K. G. No. 920. 
 
 62. ARMAND JEAN DU PLESSIS, Cardinal Richelieu, 1585-1642, 
 
 a celebrated French Minister in the time of Louis XIII. Enamel. 
 By Jean Petitot. Lent by Earl Spencer, K.G. No. 927. 
 
58 
 
 Miniature Portrait e. 
 
 63. HENRIETTA BOYLE, Countess of Rochester, daughter of 
 
 Richard Boyle, Earl of Cork, and wife of Lawrence Hyde, Earl of 
 Rochester. By S. Cooper. Lent by Earl Spencer, K.G. No. 938. 
 
 64. LADY G-EORG-IANA SPENCER, wife of William, fifth Duke 
 
 of Devonshire. A profile sketch from nature on ivory, 1783. 
 By Ozias Humphrey. Lent by Earl Spencer , K.G. No. 949. 
 
 65. SIR JOHN BOLING- HATTON and his mother. Signed and 
 
 dated “ L. 1525.” By Lucas de Heere. L^ent by Earl Spencer , 
 K.G. No. 950. 
 
 66. JOHN HAMPDEN (1594-1643). In oil on copper. By Samuel 
 
 Cooper. T^ent by Earl Spencer , K.G. No. 951. 
 
 67. BARBARA VILLIERS, DUCHESS OF CLEVELAND. 
 
 Vellum, Samuel Cooper. T^ent by Earl Spencer , K G. 
 No. 961. 
 
 68. PORTRAIT OF A LADY AND CHILD, temp. Charles IT. 
 
 Signed “ N.D.” L^ent by Earl Spencer , K.G. No. 962. 
 
 69. SIR GODFREY KNELLER (1648-1723). Signed and dated 
 
 “B.L. 1724.” By Bernard Lens. Lent by Earl Spencer, K.G. 
 No. 964, 
 
 70. SARAH JENNINGS, DUCHESS OF MARLBOROUGH. 
 
 Enamel. Bv C. F. Zincke. Lent by Mr. TV. B. Stopfer d. 
 No. 979. 
 
 71. LADY ELIZABETH GERMAINE. Enamel. By C. F. 
 
 Zincke. I„ent by Mr. W. B. Stopford. No. 985. 
 
 72. ELIZABETH, daughter of Lieut.-General W. P. Colyear, and 
 
 wife of Lionel Cranfield, first Duke of Dorset. Enamel. By 
 C. F. Zincke. Lent by Mr. W. B. Stopford. No. 986. 
 
 73. THE LADY ARABELLA STUART, daughter of Charles 
 
 Stuart, Earl of Lennox, and wife of William Seymour, Earl of 
 Hertford. By N. Hilliard. Lentby Mr. W. Maskell. No. 1,009, 
 
 74. MADAME DU BARRY (1746-1793). Lent by Mr. W 
 
 Meyrick. No. 1,018. 
 
 75. THE RIGHT HON. W. E. GLADSTONE AND HIS SISTER, 
 
 as children. Ivory. By T. Hargreaves. I^ent by the Right 
 Hon. IV. E. Gladstone , M.P. No. 1,028. 
 
 76. ELIZABETH CLAYPOLE, the favourite daughter of the 
 
 Protector. Signed and dated “ S.C. 1653.” Card. By S. Cooper. 
 'Lent by the Duke of Devonshire , K.G. No. 1,033. 
 
 77. EDWARD VI. (1537-1553), when a child. Signed “ P.O.” 
 
 Card. By Peter Oliver. Lent by the Duke of Devonshire , 
 K.G. No. 1,034. 
 
 78. OLIVER CROMWELL ; profile drawing, from which Houbraken 
 
 engraved his portrait. Paper. By Samuel Cooper. T^ent by 
 the Duke of Devonshire , K.G. No. 1,037. 
 
Miniature Portraits. 
 
 59 
 
 79. SIR JOHN SHELLEY, fourth Bart., of Michelgrove, co. 
 
 Sussex, painted in 1726, died 1771. Enamel. By C. F. 
 Zincke. Lent by the Dowager Lady Shelley. No. 1,061. 
 
 80. FRANCES DOWAGER LADY SHELLEY, daughter of Thomas 
 
 Winckley, Esq., of Brockholes. Ivory. By Sir G. Hayter. 
 Lent by the Hon. Mrs. Edgcumbe. No. 1,062. 
 
 81. PORTRAIT OF KING CHARLES I. This interesting relic 
 
 is formed of the king’s hair dipped in his blood on the scaffold. 
 Lent by the Dowager Lady Shelley. No. 1,064. 
 
 82. PROFILE PORTRAIT OF ELIZA LINLEY, wife of Richard 
 
 Brinsley Sheridan. Enamel. T^ent by the Doivager Lady 
 Shelley. No. 1,065. 
 
 83. DAVID TENIERS the elder, born at Antwerp 1582, died there 
 
 1649. Signed and dated “B. G. 1627.” By Sir Bal. Gerbier. 
 Lent by Mr. J. H. Hawkins. No. 1,158. 
 
 84. WILLIAM CECIL LORD BURLEIGH (1520-1598), Lord 
 
 High Treasurer and Secretary of State to Queen Elizabeth. 
 Card. Lent by Mr. J. H. Hawhins. No. 1,162. 
 
 85. FRANCES HOWARD, wife of Robert Devereux, Earl of Essex, 
 
 the Parliamentary general. Card. Ascribed to Peter Oliver. 
 T^ent by Mr. J. H. Hawhins. No. 1,163. 
 
 86. MRS. IVES, of Catton, Norfolk. Signed and dated “ J. D. 
 
 1780.” Crayons. By J. Downman. J^entby Lord Boston. 
 No. 1,168. 
 
 87. THOMAS SACKVILLE, FIRST EARL OF DORSET. By 
 
 Caldicate. Lent by the Countess of Caledon. No. 1,184. 
 
 88. BARBARA VILLIERS, DUCHESS OF CLEVELAND, d. 
 
 1709. Signed and dated “ S. C. 1664.” Card. By S. Cooper. 
 T^ent by the Countess of Caledon. No. 1,187. 
 
 89. PORTRAIT OF A YOUNG MAN, perhaps that of Richard 
 
 Cromwell. Signed and dated “ S. C. 1653.” Card. By Samuel 
 Cooper. J^ent by the Countess of Caledon. No. 1,190. 
 
 90. SIR HENRY BLOUNT. Inscribed “Sir IT. bt. JEtat. 58.” 
 
 Vellum. Lent by the Countess of Caledon. No. 1,192. 
 
 91. KATHARINE BUTLER, LADY BLOUNT. Signed and 
 
 dated 1700. Pencil on vellum. By T. Forster. J^ent by the 
 Countess of Caledon. No. 1,193. 
 
 92. JOYCE LADY LAKE., daughter of John Crowther, Esq., 
 
 married Sir James Lake, Bt., about 1782. Ivory. By R. 
 Cosway, R.A. L.ent by Mr. I^ea. No. 1,248. 
 
 93. MRS. GEORGE HARDINGE, about 1780. After Sir Joshua 
 
 Reynolds. Ivory. By Ozias Humphrey. Lent by Mr. Lea. 
 No. 1,250. 
 
 94. SIR ROBERT STRANGE, the Engraver. Medallion portrait. 
 
 By J. B. Greuze. Lent by Mr. Alexander Trotter. No. 1,263. 
 
60 
 
 Miniature Portraits . 
 
 95. H.R.H. GEORGE AUGUSTUS FREDERICK, PRINCE OF 
 
 WALES. Full length portrait in pencil. By R. Cosway, 
 R A. Lent by the Hon. William Ashley. No. 1,279. 
 
 96. H.R.H. FREDERICK DUKE OF YORK AND ALBANY. 
 
 Full length portrait in pencil. By R. Cosway, R.A. Lent by 
 the Hon, William Ashley. No. 1,287. 
 
 97. MR. B ARBOR, who had the accompanying jewel made, in com- 
 
 memoration of his deliverance from the stake by the death of 
 Queen Mary. Card. Lent by the Rev. E. E. Blencowe. No. 3,319. 
 
 98. SIR FRANCIS DRAKE, the celebrated naval commander and 
 
 navigator (1545-1596). Vellum. By John Hoskins. Lent by 
 the Earl of Gosford. No. 1,341, 
 
 99. ISAAC OLIVER, the Miniature Painter (1556-1617), pupil of 
 
 Nicholas Hilliard, and father of Peter Oliver. Vellum. L^ent 
 by the Earl of Gosford. No. 1,347. 
 
 100. GENERAL CHARLES FLEETWOOD, son of Sir W. Fleet- 
 
 wood. Signed and dated “ S. C. 1656.” By Samuel Cooper. 
 Lent by the Earl of Gosford. No. 1,349. 
 
 101. ANNE MARIE LOUISE DUCHESSE D’ORLEANS, known 
 
 as cc Mademoiselle.” Enamel. By Jean Petitot. L,ent by the 
 Earl of Gosford. No. 1,352. 
 
 102. FIENRIETTE DUCHESSE D’ORLEANS, known as “ La 
 
 Belle Henriette.” Enamel. By Jean Petitot. Lent by the 
 Earl of Gosford. No. 1,353. 
 
 103. LOUIS XIV. OF FRANCE. Enamel. By Jean Petitot. 
 
 Lent by the Earl of Gosford. No. 1,354. 
 
 104. JOHN FL AXMAN, R.A., the Sculptor ( 1 755-3 826). By himself. 
 
 J^entby Mr. George Smith. No. 1,389. 
 
 105. DR. SAMUEL JOHNSON. Ivory. By Miss Frances Rey- 
 
 nolds. Lent by the Rev. James Beck. No. 1,431. 
 
 106. MRS. SAMUEL JOHNSON. By Miss Frances Reynolds. 
 
 Lent by the Rev. Jamies Reck. No. 1,432. 
 
 107. MARGARITA MACDONALD, 1801. Ivory. By Mrs. Mee. 
 
 Lent by the Misses Robertson Macdonald. No. 1,442. 
 
 108. LIEUT.-COL. ROBERTSON MACDONALD, of Kinlochmoi- 
 
 dart, 1801. Ivory. By Mrs. Mee. Lent by the Misses Robert- 
 son Macdonald. No. 1,443. 
 
 109. MARY, daughter of Charles I. Married in 1648, to William II., 
 
 Prince of Orange, by whom she had an only son, who became 
 William HI. Oil. Lent by the Rev. J. Beck. No. 1,447. 
 
 110. CHARLES I., drawn in fine brush lines on. paper prepared with 
 
 a thin coating of plaster. Signed “ M. S. sc. 1647.” By 
 Matthew Snelling. Lent by the Rev. James Beck. No. 1,450. 
 
 111. THE INFANTA MARY OF SPAIN. Lent by the Rev. James 
 
 Beck. No. 1,452. 
 
Miniature Portraits. 
 
 61 
 
 112. JULES CARDINAL MAZARIN (1602-1661). By J. Petitot. 
 
 Lent by Lord Fitzhardinge . No. 1,477. 
 
 113. EDMUND SPENSER, the Poet, author of the “Faerie Queen” 
 
 (1553-1599). By Nicholas Hilliard. Lent by Lord Fitzhardinge. 
 No. 1,485. 
 
 114. I-IENRY WRIOTHE SEE Y, EARL OF SOUTHAMPTON. 
 
 Signed and dated “I. O. 1616.” By Isaac Oliver. Lent by 
 Mr. C. Sackvillc Bale. No. 1,640. 
 
 115. EDMUND WALLER, the Poet, born 1605, died 1687. By 
 
 Samuel Cooper. Lent by Mr. C. Sackville Bale. No. 1641. 
 
 116. HENRY DUKE OF RICHMOND, ICG. (1519-1536). This 
 
 miniature is inscribed “ Henry Dvck off Riche mod states 
 sviE xv°.” Card. Lent by Mr. C. Sackville Bale. No. 1,643. 
 
 117. LADY JANE SEYMOUR, third wife of King Henry VIXI. 
 
 Inscribed A°NXXY. By Holbein. Lent by Mr. C. Sackville 
 Bale. No. 1,645. 
 
 118. LADY LEIGH. Signed “ S. C. 1648.” Card. By Samuel 
 
 Cooper. Lent by Mr. C. Sackville Bale. No. 1,647. 
 
 119. QUEEN ELIZABETH (1533-1603). Card. By Nicholas 
 
 Hilliard. Lent by Mr. C. Sackville Bale. No. 1,650. 
 
 120. LADY SARAH NAPIER, daughter of Charles, second Duke of 
 
 Richmond, and wife of the Hon. George Napier. Ivory. Lent 
 by Mr. John Moore Napier. No. 1,658. 
 
 121. MISS CLAYTON. Signed and dated “A. P. 1786.” Ivory. 
 
 By Andrew Plimer. Lcntby Mr. John Moore Napier. No. 
 1,661. 
 
 122. GEORGIANA CAROLINE, daughter of' Charles, second Duke 
 
 of Richmond. Ivory. Ascribed to A. Plimer. Lent by 
 Mr John Moore Napier. No. 1,679. 
 
 123. PRINCE CHARLES EDWARD STUART. Indian ink on 
 
 card. By Giles Hussey. Lent by Lord Arundell of JVardour. 
 No. 1,685. 
 
 1 24. PORTRAIT OF A LADY. Card. Lent by the Rev. William 
 
 Vernon Harcourt. No. 1,710. 
 
 125. THE LADY DOROTHY PERCY, wife of Robert Sidney, 
 
 second Earl of Leicester, and mother of Algernon Sidney. Lent 
 by the Rev. William Vernon Ilarcourt. No. 1,712. 
 
 126. QUEEN ELIZABETH, portrait in profile. Lent by the Rev. 
 
 William Vernon Ilarcourt. No. 1,713. 
 
 127. ROBERT DUDLEY, EARL OF LEICESTER (1532-1588), 
 
 the favourite of Queen Elizabeth. Lent by the Rev. William 
 Vernon Ilarcourt. No. 1,714. 
 
 128. THE LADY MARY SYDNEY, COUNTESS OF PEM- 
 
 BROKE. Card. By N. Hilliard. Lent by the Rev. William 
 Vernon Ilarcourt. No. 1,715. 
 
62 
 
 Miniature Portraits. 
 
 129. PORTRAIT OF A GENTLEMAN, time of Queen Elizabeth, 
 
 in a black quilted dress. Card. Lent by the Rev. William 
 Vernon Har court. No. 1,716. 
 
 130. ROBERT DEVEREUX, EARL OF ESSEX (1567-1601), the 
 
 the unfortunate favourite of Queen Elizabeth. Lent by the Rev. 
 William Vernon Har court. No. 1,717. 
 
 131. MRS. FITZHERBERT (1756-1837). Signed “A. P.” Ivory. 
 
 By Andrew Plimer. Lent by Mr. Percy Hoyle , C.B. No. 
 1,754. 
 
 132. JEAN PAUL MARAT. Lent by Mr. Percy Doyle , C.B. No. 
 
 1,771. 
 
 133. ANNE, daughter of Charles!.; died an infant. Oil, on panel. 
 
 By Yandyck. Lent by Earl Spencer , K.G. No. 1,790. 
 
 134. FRANCES HOWARD COUNTESS OF ESSEX AND 
 
 SOMER SET. By Isaac Oliver. Lent by the Earl of Derby , 
 K.G. No. 1,811. 
 
 135. LADY ELIZABETH HAMILTON, daughter of James sixth 
 
 Duke of Hamilton and Elizabeth his Duchess. Card. By W. 
 Derby. Lent by the Earl of Derby , K.G. No. 1,845. 
 
 136. ELIZABETH GUNNING, Duchess of Hamilton and afterwards 
 
 of Argyll. Card. By W. Derby. Lent by the Earl of Derby , 
 K.G. No. 1,846. 
 
 137. PORTRAIT OF THE ARTIST’S SON. End of the 17th 
 
 century. Crayons tinted. By Mrs Maria Beale. I Ant by the 
 Rev. Dr. Wellesley. No. 1,897. 
 
 138. PORTRAIT OF THE ARTIST’S SON. End of the 17th 
 
 century. Crayons tinted. By Mrs. Maria Beale. Lent by the 
 Rev. Dr. Wellesley. No. 1,898. 
 
 139. KING CHARLES I. Ascribed to J. Hoskins. Lent by Mr. 
 
 W. C. Morland. No. 1,932. 
 
 140. HENRIETTA MARIA, Queen of Charles I. Card. Ascribed 
 
 to J. Hoskins. Lent by Mr. W. C. Morland. No. 1,933. 
 
 141. EDWARD COURTENAY EARL OF DEVON. Card. Lent 
 
 by Mr. W. C. Morland. No. 1,934. 
 
 142. OLIVER CROMWELL. By Samuel Cooper. Lent by the Earl 
 
 of Warwick. No. 1,942. 
 
 143. ROBERT LORD BROOKE, a leader of the Parliamentary 
 
 forces. Signed “ S. C.” Card. By Samuel Cooper. Lent by 
 the Earl of Warwick. No. 1,947. 
 
 144. MRS. CROMWELL, daughter of Sir Richard Stewart or Stuart, 
 
 mother of the Protector. Died 1653. Signed. Card. By A. 
 Hertocks. Lent by Mr. R. G. Clarke. No. 1,962. 
 
 145. THE DUCHESS OF ST. ALBANS. By Richard Gibson. 
 
 Lent by Mr. J. II. Haivkins, No. 1,989. 
 
Miniature Portraits. 
 
 63 
 
 146. AUGUST F. F. YON KOTZEBUE, the German Writer ancl 
 
 Dramatist, b. 1761, assassinated 1819. By Sene. Lent by Mr. 
 J. H. Hawkins. No. 1,995. 
 
 147. CHARLES II. (1630-1685). Vellum. By David Logan. Lent 
 
 by the Rev. James Beck. No. 2,017. 
 
 148. FREDERICK THE GREAT OF PRUSSIA, born 1712, came 
 
 to the throne in 1740, died 1786. Ivory. Lent by the Bodleian 
 Library , Oxford. No. 2,023. 
 
 149. A. H. SUTHERLAND, ESQ., a liberal benefactor to the Bod- 
 
 leian Library. Ivory. I^ent by the Bodleian Library. No. 2,024. 
 
 150. FRANCES BECKWITH, first wife of A. H. Sutherland, Esq. 
 
 Ivory. Lent by the Bodleian Library , Oxford. No. 2,025. 
 
 151. PROFILE PORTRAIT OF THE EMPEROR NAPOLEON I. 
 
 Signed “Longhi f . a Milan.” Crayon. Lent by the Bodleian 
 Library , Oxford. No. 2,026. 
 
 152. KING CHARLES II. when young. Card. Lent by the Duke 
 
 of Richmond. No. 2,032. 
 
 153. KING CHARLES II. in armour. Enamel. ByJ. Petitot. Lent 
 
 by the Duke of Richmond. No. 2,034. 
 
 154. FRANCOIS I. of France. Oil. By Francois Clouet, called 
 
 Janet. T^ent by Mr. Joseph Bond. No. 2,059. 
 
 155. KING HENRY VIII. Oil. By Hans Holbein. Lent by Earl 
 
 Spencer , K.G. No. 2,082, 
 
 156. PORTRAIT OF A LADY. Signed “ P. O.” Card. By Peter 
 
 Oliver. Lent by the Earl of Shaftesbury, K. G. No. 2,088. 
 
 157. SIR ANTHONY ASHLEY COOPER FIRST EARL OF 
 
 SHAFTESBURY in his robes as Lord Chancellor. By S. 
 Cooper. Lent by the Earl of Shaftesbury , K. G. No. 2,092. 
 
 158. PORTRAIT OF A GENTLEMAN in a furred dress. Begin- 
 
 ning of 16th century. By Hans Holbein. lucnt by the Earl of 
 Shaftesbury , K.G. No. 2,093. 
 
 159. LADY MARY WORTLEY MONTAGUE. Painted in a 
 
 Turkish costume. Probably the work of J. S. Liotard. L,ent 
 by Capt. L. Seymour Dawson Darner, M.P. No. 2,127. 
 
 160. LADY HORATIO SEYMOUR, daughter of James second 
 
 Earl of Waldegrave. By R. Cosway, R. A. T.cnt by Capt. A. 
 S. Dawson Darner, M.P. No. 2,128. 
 
 161. MRS. FITZHERBERT (1756-1837). Ivory. By. R. Cosway, 
 
 R.A. Lent by Capt. A. S. Dawson Darner, M.P. No. 2,131. 
 
 162. H.R.H. GEORGE FREDERICK AUGUSTUS PRINCE OF 
 
 WALES, b. 1762, crowned 1820, d. 1830. Ivory. By R. Cos- 
 way, R.A. Lent by Capt. A. S. D. Darner, M.P. No. 2,132. 
 
 163. LORD GEORGE AUGUSTUS CAVENDISH, died 1794. 
 
 A sketch by Sir Joshua Reynolds. Paper. I^cnt by Mr, 
 Clifford W. Chaplin. No. 2,137. 
 
64 
 
 Miniature Portraits. 
 
 164. MARIA COUNTESS OF W ALOE GRAVE, wife of James, 
 
 Earl of Waldegrave, and afterwards of H.R.H. the Duke of 
 Gloucester. Ivory. By R. Cosway, R.A. Lent ' by Capt. 
 L. S. D. Lamer , M.P. No. 2,142. 
 
 165. SIR ANTHONY ASHLEY COOPER (1621-1683). An ori- 
 
 ginal sketch. Paper. By Samuel Cooper. Lent by the Hon. 
 William Ashley. No. 2,144. 
 
 166. MARIE ANTOINETTE, Queen of Louis XVI. of France. 
 
 Vellum. By Dumont. Lent by Mr. Durlacher. No. 2,153. 
 
 167. LADY ARABELLA STUART. Signed “1.0/’ By Isaac 
 
 Oliver. Lent by Mr. G. Ligby Wingfield Ligby. No. 2,169. 
 
 168. SIR KENELM DIGBY. After Vandyck, by Peter Oliver. 
 
 Lent by Mr. George Ligby Wingfield Ligby. No. 2,172. 
 
 169. LADY VENETIA DIGBY. After Vandyck, by Peter Oliver. 
 
 Lent by Mr. George Ligby Wingfield Ligby. No. 2,173. 
 
 170. SARAH, daughter of R. Bodicoate, Esq., and wife of Samuel 
 
 Tyssen, of Narhorough Hall. Signed and dated “ J. S. 1781.” 
 Ivory. By J. Smart. Lent by the Rev. J. Yelloly. No. 2,183. 
 
 171. SARAH, daughter of W. Hougham, Esq., wife of Samuel Little. 
 
 Esq., and afterwards of Samuel Tyssen, Esq. Enamel. By C. 
 Zincke. Lent by the Rev. J. Yelloly. No. 2,185. 
 
 172. PORTRAIT OF A CHILD. Ivory. By Andrew Plimer. Lent 
 
 by Miss Carpenter. No. 2,199. 
 
 173. LADY THERESA STRANGE WAYS. Ivory. By A. Plimer. 
 
 Lent by Miss Carpenter. No. 2,200. 
 
 174. GENERAL SIR ROWLAND HILL, created Viscount Hill. 
 
 Lent by Miss Carpenter. No. 2,201. 
 
 175. PORTRAIT OF A LADY. Signed “ C. H.” Ivory. Lent 
 
 by Sir C. Wentworth Lilke, Rt. 2,225. 
 
 176. RT. HON. EDMUND BURKE, statesman and orator. Enamel. 
 
 By H. Spicer, after Ozias Humphrey. Lent by Mr. T. Moreton 
 Wood. No. 2,228. 
 
 177. RT. HON. EDMUND BURKE when young. Ivory. By Sir 
 
 Joshua Reynolds. Lent by Mr. T. Moreton Wood. No. 2,229. 
 
 178. PORTRAIT OF A LADY. Ivory. Lent by Mr. Ludley Coutts 
 
 Marjoribanhs , M.P. No. 2,236. 
 
 179. PORTRAIT OF A LADY. Ivory. Lent by Mr. Ludley Coutts 
 
 Marjoribanhs , M.P. No. 2,246. 
 
 180. LADY HAMILTON, wife of Sir William Hamilton, and the 
 
 friend of Lord Nelson. Ivory. By R. Cosvray, R.A. Lent by 
 Mr. J. Hughes Anderdon. No. 2,298. 
 
 181. MRS. JANE MIDDLETON, one of the beauties at the court 
 
 of Charles II. Enamel. By Jean Petitot. Lent by Lord 
 Taunton. No. 2,350. 
 
Miniature Portraits . 
 
 65 
 
 182. LUCIUS CARY SECOND VISCOUNT FALKLAND (1610- 
 
 1643). Card. By J. Hoskins, the younger. Lent by Lord 
 Taunton . No. 2,352. 
 
 183. EMILY OGrILVIE. Signed by the artist and dated 1800. 
 
 Enamel. By H. Bone, R.A. Lent by Mrs. Aldridge. No. 2,362. 
 
 184. MADAME LA DUCHESSE DE BRISSAC. Ivory. By 
 
 Campana. Lent by Lady Sophia Des Vceux. No. 2,544. 
 
 185. MARIA LESZCZINSKA (1703-1760), daughter of Stanislaus 
 
 King of Poland, and married in 1725 to Louis XV. of France. 
 Lent by Lady Sophia Des Vceux. No. 2,545. 
 
 186. PORTRAIT OF A LADY. L^ent by Lady Sophia Des Vceux . 
 
 No. 2,547. 
 
 187. PORTRAIT OF A LADY. “Anno JEtatis suse 23.” Card. 
 
 By Hans Holbein. Lent by Mr. J. 11. Hawkins. No. 2,627. 
 
 188. GEORGrIANA DUCHESS OF DEVONSHIRE AND CHILD, 
 
 after Sir Joshua Reynolds. Ivory. Lent by the Hon. Ashley G. 
 Ponsonby, M.P. No. 2,726. 
 
 189. THOMAS HOWARD FOURTH DUKE OF NORFOLK 
 
 (1536-1572). Inscribed “ ^Etatis 25, 1562.” Oil. By Sir 
 Antonio Moore. Lent by Mr. P. H. Howard. No. 2,746. 
 
 190. ELIZABETH, daughter of James I., and wife of Frederick King 
 
 of Bohemia. Signed “ P. O.” By Peter Oliver. Lent by Sir 
 C. Wentworth Dilke , Bt. No. 2,754. 
 
 191. LUCY PERCY COUNTESS OF CARLISLE, sister of 
 
 Algernon Percy Earl of Northumberland. Card. By Samuel 
 Cooper. Lent by Mr. Joseph Bond. No. 2,835. 
 
 192. THOMAS OTWAY, the English dramatic writer. Signed and 
 
 dated “ 1680.” In pencil on vellum. By R. White. Lent by 
 the Rev. Dr. Wellesley. No. 2,853. 
 
 193. ARABELLA FERMOR, the heroine of Pope’s “Rape of the 
 
 Lock.” In oil. Lent by the T^ord Herries. No. 2,854. 
 
 194. MIRANDA, from a head by Romney. 1790. By J. W. Slater. 
 
 Lent by Mr. J. H. Anderdon. No. 2,877. 
 
 195. ALEXANDER POPE, the Poet (1688-1744). A profile por- 
 
 trait in crayons. Lent by the Bodleian Library. No. 2,883. 
 
 196. RICHARD CROMWELL, son of the Protector, died 1712. By 
 
 Samuel Cooper. Lent by Mr. J. T. Gibson Craig. No. 2,884. 
 
 197. THE DUCHESS OF RUTLAND. Ivory, Lent by Mr. J. T. 
 
 Gibson Craig . No. 2,885. 
 
 198. THOMAS ALCOCK. A crayon sketch. By Samuel Cooper. 
 
 Lent by the Bodleian Library , Oxford. No. 2,894. 
 
 199. LADY CHARLOTTE DUNCOMBE. Paper. By R, Cosway, 
 
 R.A. Lent by Mr. W. B. Stopford. No. 2,913. 
 
 200. PORTRAIT OF A LADY. Signed. Ivory. By Sene. Lent 
 
 by Mr. A. Barker. No. 2,930. 
 
 15929 .— 1 . 
 
66 
 
 Raphael's Cartoons . 
 
 RAPHAEL’S CARTOONS, 
 
 Photographed from the Originals, in five different sizes. 
 
 1. CHRIST’S CHARGE TO ST. PETER. No. 5 Size, 8 in. by 
 
 5 in. (Matthew xvii. v. 16.) Is. 
 
 2. THE MIRACULOUS DRAUGHT OF FISHES. No. 5 Size, 
 
 8 in, by 5 in. (Luke v. y. 8.) Is. 
 
 3. PAUL PREACHING AT ATHENS. No. 5 Size, 8 in. by 5 in. 
 
 (Acts xvii. v. 22.) Is. 
 
 4. THE DEATH OF ANANIAS. No. 5 Size, 8 in. by 5 in. Is. 
 
 (Acts v. v. 5.) 
 
 5. ELYMAS THE SORCERER STRUCK WITH BLINDNESS. 
 
 No. 5 Size, 8 in. by 5 in. (Acts xiii. v. 11.) Is. 
 
 6. ST. PETER AND ST. JOHN AT THE BEAUTIFUL 
 
 GATE OF THE TEMPLE. No. 5 Size. (Acts iii. v. 1.) Is. 
 
 7. SACRIFICE AT LYSTRA. No. 5 Size, 8 in. by 5 in. (Acts 
 
 xvi. v. 13.) Is. 
 
 The Set of Seven Cartoons. No. 5. 7s. 
 
 8 THE SEVEN CARTOONS, 
 to 
 
 14. Separately 
 
 No. 4 Size, 15 in. by 11 in. 
 
 18s. Hd. 
 each 2s. 8 d. 
 
 15 THE SEVEN CARTOONS. No. 3 Size, 23 in. by 15 in. 
 to 21. 2s. 
 
 21. Separately each 6s. 
 
 22 THE SEVEN CARTOONS. No. 2 Size, 31 in. by 21 in. 
 to 31. 10s. 
 
 28. Separately each 10s. 
 
 29 THE SEVEN CARTOONS. No. 1 Size, 48 in. by 30 in. 
 to 29/. 8s. 
 
 35. Separately each 4 L 4s. 
 
 STUDIES FROM RAPHAEL’S CARTOONS. 
 
 Chrises Charge to St. Peter. 
 
 36. THE HEAD OF CHRIST. 6s. 
 
 37. HAND OF CHRIST AND HEAD OF ST. PETER. 6s. 
 
 38. HEADS OF ST. JOHN AND THREE APOSTLES. 6s. 
 
 39. HEADS OF THE THREE APOSTLES IN CENTRE. 6s. 
 
 40. HEADS OF THE THREE OLDER APOSTLES. 6s 
 
Studies from Raphael's Cartoons . 
 
 67 
 
 The Miraculous Draught of Fishes. 
 
 40a. HEAD OF CHRIST. 6s. 
 
 41. HEAD OF SIMON. 6s. 
 
 42. HEAD OF ANDREW. 10s. 
 
 Paul Preaching at Athens. 
 
 43. HEAD OF ST. PAUL. 6s. 
 
 44. HEADS OF SEVEN OF THE AUDIENCE. 6s. 
 
 45. HEADS OF SIX OF AUDIENCE TO THE LEFT. 6s. 
 
 46. HEADS OF MAN AND WOMAN KNEELING. 6s. 
 
 47. FIGURE SITTING BEHIND ST. PAUL. 6s. 
 
 The Death of Ananias. 
 
 48. HEADS OF THREE APOSTLES. 6s. 
 
 48a. HEADS OF TWO APOSTLES AND HAND OF ST. PAUL. 
 
 6s. 
 
 49. SAPPHIRA COUNTING THE MONEY. 6s. 
 
 50. HEAD OF ST. PAUL AND TWO APOSTLES. 6s. 
 
 50a. TWO HEADS OF THE PEOPLE. 10s. 
 
 Elymas the Sorcerer Struck with Blindness. 
 
 51. HEAD OF ST. PAUL. 6s. 
 
 52. HEAD OF ST. PAUL AND TWO OTHERS. 6s. 
 
 53. HEAD OF SERGIUS PAULUS. 6s. 
 
 54. HEAD OF ELYMAS. 6s. 
 
 55. HEADS OF SIX OF THE SPECTATORS. 6s. 
 
 Peter and John at the Beautiful Gate of the Temple. 
 
 55a. HEAD OF ST. JOHN. 10s. 
 
 56. BOY WITH DOVES. 6s. 
 
 57. HEAD OF LAME MAN. 6s. 
 
 58. MOTHER AND CHILD. 6s. 
 
 58a. HEAD OF WOMAN WITH BASKET OF FRUIT. 
 
 The Sacrifice at Lystra. 
 
 59. BOYS AT THE ALTAR. 6s. 
 
 60. HEADS OF BOYS AT THE ALTAR. 6s. 
 
 £ 2 
 
68 
 
 Raphael Drawings . 
 
 ORIGINAL DRAWINGS BY RAPHAEL IN THE MUSEUM 
 OF THE LOUVRE, PARIS. 
 
 61. SAINT CATHARINE OF ALEXANDRIA, a study for the 
 
 picture now in the National Gallery. 2s. 8 d. 
 
 62. « CHRIST’S CHARGE TO ST. PETER,” a study differing in 
 
 a few details from the cartoon at the South Kensington 
 Museum. 2s. 8 d. 
 
 63. “ FINDING THE CUP IN BENJAMIN’S SACK ; ” a pen 
 
 and ink drawing. 2s. 3d. 
 
 64. THE PASSAGE OF THE RED SEA, a study for the painting 
 
 in the Loggie of the Vatican. 2s. 3d. 
 
 65. MOSES RECEIVING THE TABLES ON MOUNT SINAI, 
 
 a study for the painting in the Loggie of the Vatican. 2s. 3d. 
 
 66. THE VIRGIN AND THE THREE MARYS LAMENTING 
 
 OVER THE BODY OF CHRIST, with figures of St. John and 
 St. Joseph of Arimathea ; a pen drawing with tints. Is. 10 d. 
 
 67. THE SALUTATION OF THE VIRGIN, a study with outline 
 
 pierced either for painting or engraving from. 2s. 8 d. 
 
 68. MALE STUDY, apparently for the figure of Christ in the 
 
 “ Charge to St. Peter.” 2s. 3d. 
 
 69. SITTING FIGURE OF A SAINT, with his left hand resting 
 
 on a hook ; a pen sketch. Is. 6d. 
 
 70. THE “ TRANSFIGURATION,” a study of two nude figures. 
 
 In the painting these figures are draped. 2s. 3d. 
 
 71. HEAD OF THE FIRST AVENGING ANGEL in the 
 
 “ Heliodorus driven from the Temple.” 2s. 3d. 
 
 72. HEAD OF THE SECOND AVENGING ANGEL in the 
 
 u Heliodorus driven from the Temple.” 2s. 3d. 
 
 73. POPE JULIUS II. borne in his chair on the shoulders of four 
 
 men with numerous attendants, pen study for a portion of the 
 “ Heliodorus driven from the Temple.” 2s 3d. 
 
 74. THE “ REPULSE OF ATTILA,” a drawing. The group 
 
 of the Pope and his attendants was brought to the foreground 
 in the painting. 2s. 3d. 
 
 75. THE BATTLE OF CONSTANTINE AGAINST MAXEN- 
 
 TIUS. The fresco from this composition was painted by Giulio 
 Romano after the death of Raphael. 2s. 8 d. 
 
 76. “ THE DISPUTE OF THE SACRAMENT.” Detail studies 
 
 for the figure of Bramante. 2s. 3d. 
 
 77. PORTRAIT OF A FEMALE, in pen and ink ; apparently the 
 
 model for Raphael’s Madonnas. Is. 10 d. 
 
Raphael Drawings. 
 
 69 
 
 78. A YOUNG FEMALE with left arm elevated, a study. 2s. 3d. 
 
 79. MALE HEAD, a study. 1.9. 10<#. 
 
 80. « CUPID AND PSYCHE,” a study. 2s. 3d. 
 
 81. MERCURY, with, two other figures and a boy blowing a horn, 
 
 with a goat standing behind him ; pen and ink studies. 2s. 3d. 
 
 82. VENUS VXCTRIX AND CUPID, and HYGIEXA, two pen and 
 
 ink studies. 2s. 3d. 
 
 83. SAINT JOHN THE BAPTIST, several pen sketches for the 
 
 figure. 2s. 3d. 
 
 84. GROUP OF NUDE FIGURES attacking a fortification, a pen 
 
 drawing. 2s. 8 d. 
 
 85. THE VIRGIN AND CHILD seated in an open landscape, with 
 
 buildings in the distance ; a tinted drawing. 1.9. lOd. 
 
 86. THE VIRGIN AND CHILD, a pen drawing, highly finished. 
 
 1 . 9 . 6d. 
 
 87. MOTHER AND CHILD, a sketch from nature. Is. 6d. 
 
 88. MOTHER AND CHILD, and a head of an old man, two 
 
 sketches. Is. lOd. 
 
 89. MOTHER AND CHILD, the face of the mother in profile ; a 
 
 pen sketch. Is. 10 d. 
 
 90. MOTHER AND CHILD, the upper part of the figures only ; a 
 
 slight pen sketch. 1.9. 6d. 
 
 91. TWO CHILDREN, and part of the head of a third one ; a highly 
 
 finished pen sketch. Is. 6d. 
 
 92. CHRIST SEATED IN GLORY between the Virgin Mary and 
 
 St. John, with St. Paul and St. Catharine beneath. 2s. 3d. 
 
 93. DENUNCIATION. Apelles having been falsely accused as a 
 
 conspirator against Ptolemaeus, composed a picture to demon- 
 strate the dangers of denunciation under a suspicious prince. 
 This drawing was made by Raphael from Lucian’s description 
 of the picture. 2s. 8 d. 
 
 The complete Set of Photographs of the DRAWINGS by RA- 
 PHAEL in the LOUVRE may be had, half bound in morocco, price 
 
 31. 135. 6d. 
 
70 
 
 Raphael Drawings . 
 
 ORIGINAL DRAWINGS BY RAPHAEL IN THE COL- 
 LECTION OF THE UNIVERSITY OF OXFORD. 
 
 94. GROUP OF FOUR SOLDIERS, being slight sketches for figures 
 
 in one of the frescoes in the Libreria of Siena, painted from 
 Raphael’s designs, by Pinturicchio. Early or “ Perugino ” 
 period. Silver point drawing on grey prepared ground. 2s. 3d. 
 
 95. TWO FIGURES, studies from the life for two soldiers, intended 
 
 for a composition of the Resurrection. Early or “ Perugino ” 
 manner. Metal point drawing on prepared ground heightened 
 with white. 2s. 8 d. 
 
 96. A YOUNG MAN SEATED HOLDING A BOOK, study 
 
 from nature. Early or “ Perugino ” manner. Metal point 
 drawing on prepared ground. Is. 6d. 
 
 97. A MONK PREACHING ; sketch in metal point on prepared 
 
 ground. Early period. Is. 10c?. 
 
 98. A KNEELING SAINT, probably St. Francis ; sketch in metal 
 
 point on prepared ground. “ Perugino ” period. 2s. 3d. 
 
 99. TWO YOUNG MEN WITH MUSICAL INSTRUMENTS, 
 
 intended for angels in the picture of the Coronation of the 
 Virgin, now in the Vatican Museum. Studies from nature. 
 Metal point on prepared ground. “ Perugino ” period. 2s. 3c?. 
 
 100. A YOUNG MAN HOLDING UP A CUP, probably for one 
 
 of the Magi in a composition of the Adoration of the Kings ; 
 drawing in Italian chalk, also partly outlined with the pen in 
 bistre. Study from the life. “ Perugino ” period. 2s. 3d. 
 
 101. TOBIT AND THE ANGEL; metal point on prepared ground, 
 
 heightened with white. Study, probably from the life. Early 
 or “ Perugino ” period. Is. 10c?. 
 
 102. A YOUNG MAN STANDING ; Italian chalk. Study from the 
 
 life. Early or “ Perugino ” period. 2s. 8c?. 
 
 103. A YOUNG MAN PLAYING A GUITAR; pen outline. Early 
 
 or “ Perugino” period. Is. 2d. 
 
 104. A SHEPHERD WITH A BAGPIPE ; bistre pen drawing. 
 
 Early or “Perugino ” period. Is. 6d. 
 
 105. ST. JOSEPH LEANING ON HIS STAFF, for a composition 
 
 of the Nativity ; bistre pen drawing. Early period. Is. 6d. 
 
 106. A SHEET OF STUDIES, various slight sketches on a small 
 
 scale of a Holy Family, amorini, standing figures of saints, a 
 church and other buildings for a background ; bistre pen 
 drawing. Early period. 2s, 3d. 
 
Raphael Drawings. 
 
 71 
 
 107. A YOUNG MAN, probably a study for an angel, in a composi- 
 
 tion of the Coronation of the Virgin ? A slight drawing in black 
 chalk. Early period. 2s. 3 d. 
 
 108. A SHEET OF STUDIES, slightly indicated figures of a young 
 
 man standing and a kneeling draped figure ; Italian chalk and 
 bistre pen. Early period. Is. 10 d. 
 
 109. ST. JEROME ON HIS KNEES DOING PENANCE ; in the 
 
 background an elaborate view of a city, having some resem- 
 blance to Perugia ; pen drawing in bistre. Early or “ Perugino” 
 period. 2s. 3 d. 
 
 110. THE VIRGIN AND THE INFANT SAVIOUR, and a 
 
 landscape ; bistre pen. Sheet of studies. Early period. 2s. 3 d. 
 
 111. SEATED CHILDREN ; two studies in bistre wash. Early 
 
 period. Is. 6d. 
 
 112. THE INFANT SAVIOUR SEATED, holding a book; bistre 
 
 pen. Early period. (On the reverse of No. 113.) Is. 2d. 
 
 113. THE VIRGIN WITH THE INFANT SAVIOUR ON HER 
 
 LAP (on the same sheet as No. 112). Early or “ Perugino ” 
 period. Is. 6d. 
 
 114. SHEET OF SLIGHT STUDIES of landscape and buildings, 
 
 bistre pen. Early period. Is. 6d. 
 
 ] 15. ST. GEORGE ON HORSEBACK ; bistre wash heightened with 
 white. Early period. 2s. 3d. 
 
 116. MILO OF CROTONA CARRYING OFF AN OX; pen sketch 
 
 in bistre. Early period. Is. lOd. 
 
 117. SHEET OF STUDIES of two young men, the lower one for a 
 
 recumbent soldier, in a composition of the Resurrection ; the 
 upper one for a kneeling angel. Metal point heightened with 
 white on prepared ground. “ Perugino ” period. 2s. Sd. 
 
 118. RAPHAEL’S OWN PORTRAIT when young; black chalk 
 
 heightened with white. Early or “ Perugino ” period. 2s. 8 d. 
 
 119. OUR SAVIOUR AND THE SAMARITAN WOMAN AT 
 
 THE WELL, cartoon for a predella picture painted by his 
 master Perugino, and now in the collection of Alexander 
 Barker, Esq. ; outline in black chalk. Early period. 2s. 8 d. 
 
 120. FEMALE HEAD ; probably a study for the Virgin ; a slight 
 
 drawing in black chalk. Early period. Is. 2d. 
 
 121. A WOMAN SUCKLING A CHILD ; pen drawing in bistre. 
 
 “ Florentine ” period. Is. 2d. 
 
 122. THE VIRGIN AND CHILD AND ST. JOHN; drawn and 
 
 shaded in bistre with the point of the brush. A first thought 
 for the picture at Vienna, called the “ Madonna of the Belvi- 
 dere.” “ Florentine ” period, circa 1506. Is. 10c?. 
 
72 
 
 Raphael Drawings. 
 
 123. SHEET OF STUDIES of Amorini; also a study of the head of 
 
 St. Catherine for the picture now in the National Gallery ; pen 
 drawing in bistre. “ Florentine ” period, circa 1507. 2s. 3d. 
 
 124. SHEET OF STUDIES for the picture of St. Catherine, now in 
 
 the National Gallery (drawn on the reverse of No. 123) ; pen 
 drawing in bistre. “ Florentine ” period, circa 1507. 2s. 3d. 
 
 125. THE VIRGIN AND THE APOSTLES mourning over the 
 
 body of our Saviour, the three Marys and other figures attend- 
 ing. A first thought for the celebrated picture of the Entomb- 
 ment in the Borghese Gallery, Rome ; a vigorous pen drawing 
 in bistre. “ Florentine ” period, 1507. Is. 10c?. 
 
 126. SHEET OF STUDIES for the picture of the Entombment of 
 
 Christ, now in the Borghese Palace, Rome ; pen drawing in 
 bistre. “ Florentine ” period, 1507. 2s. 3d. 
 
 127. SHEET OF STUDIES for the Madonna with the infant Christ 
 
 and St. John ; metal point on prepared ground. Early or 
 “ Perugino ” period. Is. 10 d. 
 
 128. THE ENTOMBMENT IN THE BORGHESE PALACE, 
 
 study for part of the composition ; drawn with the pen in bistre. 
 44 Florentine” period, 1507. Is. 10c?. 
 
 129. THE MADONNA AND CHILD, sketch for a picture ; pen 
 
 drawing in bistre. “ Florentine ” period. Is. 6d. 
 
 130. SHEET OF STUDIES, probably from the life ; two standing 
 
 figures, one reading in a book, a head of a monk, and two lions’ 
 heads; silver point on prepared ground. “ Florentine” period. 
 
 2s. 3d. 
 
 131. SHEET OF STUDIES, a head of a monk, probably an idealised 
 
 portrait of Fra Bartolommeo ; a profile head of an aged man, 
 after Leonardo da Vinci ; two studies of hands from nature, and 
 a slight sketch or reminiscence of Leonardo da Vinci’s cartoon 
 of the “Fight for the Standard;” metal point on prepared 
 ground. Evidently executed during his residence in Florence, 
 circa 1506. 2s. 3c?. 
 
 132. SHEET OF STUDIES of heads and a hand for the fresco of 
 
 the “ Dispute of the Sacrament,” painted in the Vatican ; metal 
 point on prepared ground. On the reverse of this sheet is a 
 sonnet in Raphael’s handwriting. “ Roman ” period, circa 
 1508-1513. 2s. 3d. 
 
 133. SONNET, in the handwriting of Raphael (written on the reverse 
 
 of No. 132). 2s. 3d. 
 
 134. SAMPSON breaking the jaws of the Lion ; a vigorous pen 
 
 drawing in bistre. “ Roman ” period. 2s. 3c?. 
 
 135. SHEET OF STUDIES of children at play, a woman carrying 
 
 a child, details of acanthus leaves, &c. ; pen drawing in bistre. 
 “ Roman ” period. * 2s. 3c?. 
 
Raphael Drawings. 
 
 73 
 
 136. DRAPED FEMALE in a walking attitude; pen drawing in 
 
 bistre. “ Roman” period. 2s. 3d. 
 
 137. THE HOLY FAMILY, a sheet containing two separate studies ; 
 
 reed pen drawing in bistre. “ Roman ” period. 2s. 3d. 
 
 138. THE VIRGIN, THE INFANT SAVIOUR, AND ST. JOHN; 
 
 reed pen in bistre. “ Roman ” period. Is. 10c?. 
 
 139. STUDY OF A MAN STANDING, holding a book; pen draw- 
 
 ing in bistre. “ Roman ” period. Is. 6c?. 
 
 140. THE HOLY FAMILY, with an architectural back -ground. 
 
 Study for a picture ; pen drawing in bistre. “ Roman” period. 
 
 Is. 6d. 
 
 Ul. A MOTHER EMBRACING HER CHILD, probably intended 
 as the Virgin and infant Christ ; sketch for the composition 
 engraved by Marc Antonio ; metal point heightened with white 
 on prepared ground. “ Roman ” period. Is. 6d. 
 
 142. STANDING NUDE FIGURE OF A WARRIOR, with a lance 
 
 and shield, probably for a statue of Mars ; pen drawing in bistre 
 (on the reverse of No. 1797). “Roman” period. 2s. 3d. 
 
 143. A SHEET OF STUDIES of nude figures, one of them holding 
 
 a book and a sword, probably a preliminary undraped study for 
 a St. Paul ; pen drawing in bistre. “ Roman ” period. 2s. 3d. 
 
 144. A STANDING DRAPED FEMALE FIGURE, probably a 
 
 study for a St. Margaret; pen drawing in bistre. “Roman” 
 period. 2s. 3c?. 
 
 145. STUDY OF A DRAPED FEMALE in an animated attitude ; 
 
 vigorous pen sketch in bistre. “ Roman ” period. Is. 6d. 
 
 146. STUDY OF A MAN, also a slight sketch of a female head; pen 
 
 drawing in bistre. “ Roman ” period. 2s. 3c?. 
 
 147. HERCULES AND CERBERUS; a vigorous pen sketch in 
 
 bistre. “ Roman ” period. Is. 6c? . 
 
 148. FOUR STANDING FIGURES OF WARRIORS, with shield, 
 
 &c. ; the centre one is a study from the statue of St. George, 
 by Donatello, in Florence ; pen drawing in bistre. “ Roman ” 
 period. 2s. 3c?. 
 
 149. STUDIES OF TWO STANDING NUDE FEMALE 
 
 FIGURES and a faun with his back to the spectator ; pen 
 drawing in bistre. “ Roman ” period. 2s. 3c?. 
 
 150. A GROUP OF FOUR NUDE STANDING FIGURES, 
 
 apparently the sorrowing disciples, in a composition of the 
 Entombment, (on the reverse of No. 151) ; pen drawing in 
 bistre. “ Roman ” period. 2s. 8c?. 
 
 151. A RECUMBENT FIGURE OF THE DEAD CHRIST, appa- 
 
 rently for a picture of the Entombment ; pen drawing in bistre, 
 (on the reverse of No. 150). “ Roman ” period. 2s. 8c?. 
 
74 
 
 Raphael Drawings. 
 
 152. STUDY OF THREE FIGURES in the act of carrying the 
 
 body of our Saviour. For the Borghese Entombment ; pen 
 drawing in bistre. 44 Florentine ” period, 1507. 2s. 3d. 
 
 153. ADAM IN THE ACT OF RECEIVING THE FORBIDDEN 
 
 FRUIT FROM EVE, the first sketch for a portion of the com- 
 position engraved by Marc Antonio ; pen drawing in sepia. 
 44 Roman ” period. 2s. 8 d. 
 
 154. THE ENTOMBMENT ; pen drawing in bistre (on the reverse 
 
 of No. 153). 44 Roman ” period. 2s. 8 d. 
 
 155. BUST OF A FEMALE SAINT, probably from the life; finished 
 
 drawing in black chalk. Early period. 2s. 8 d. 
 
 156. SEVEN FIGURES SEATED AT A TABLE, probably for a 
 
 portion of a composition of the 44 Last Supper ;” metal point 
 heightened with white. 44 Roman” period. 2s. 8 d. 
 
 157. OUR SAVIOUR CROWNING THE VIRGIN, with attendant 
 
 saints and apostles; pen drawing in bistre. 44 Roman ” period. 
 
 3 s. 
 
 158. THE ADORATION OF THE SHEPHERDS ; pen drawing in 
 
 bistre. 44 Roman ” period. 2s. 8 d. 
 
 159. FIVE SKETCHES ON ONE MOUNT, in the centre the head 
 
 and outstretched arm of one of the slayers in the Massacre of 
 the Innocents, beneath it a slight sketch of one of the angels of 
 the ceiling of the Farnesina. 44 Roman ’’ period. 4s. 6d. 
 
 160. DISPUTE OF THE SACRAMENT, sketch for the upper part 
 
 of the fresco; bistre wash drawing heightened with white. 
 44 Roman ” period, circa 1508-1513. 3s. 
 
 161. DISPUTE OF THE SACRAMENT, a sheet of flying angels 
 
 for the composition ; pen sketch in bistre. 44 Roman ” period, 
 1508-1513. 2s. 3d. 
 
 162. DISPUTE OF THE SACRAMENT, a sketch of one of the 
 
 Apostles in the fresco painting ; black chalk heightened with 
 white. 44 Roman ” period, 1518-1513. 2s. 8 d. 
 
 163. A STUDY OF DRAPERY ; bistre wash heightened with white. 
 
 44 Florentine ” period. 2s. 8 d. 
 
 164. TWO STUDIES OF DRAPERY; black chalk heightened with 
 
 white. 44 Roman ” period. 2s. 8 d. 
 
 165. FIGHT FOR THE STANDARD, a design for a portion of the 
 
 fresco of the victory over the Saracens at Ostia; pen drawing 
 in bistre. 44 Roman ” period, 1514-1517. 3s. 
 
 166. A GROUP OF NUDE MALE FIGURES, a study for the 
 
 Saracens at Ostia, painted in fresco in the Vatican ; pen draw- 
 ing in bistre. 44 Roman” period, 1514-1517. 2s. Sd. 
 
 167. A GROUP OF NUDE MALE FIGURES, a study for the 
 
 Saracens at Ostia, painted in fresco in the Vatican ; pen draw- 
 ing in bistre (on the reverse of No. 166). 44 Roman ” period, 
 
 1514-1517. 3s. 
 
Raphael Drawings < 
 
 75 
 
 168. A GROUP OF THREE FIGURES, a draped female playing 
 
 the harp, with two undraped men, one playing the violin, the 
 other blowing a trumpet. On the reverse of this drawing is a 
 sketch of the “ Rorghese ” Entombment ; pen drawing in bistre. 
 “ Florentine ” period, 1507. Is. 10 d. 
 
 169. THE ANGEL APPEARING TO THE SHEPHERDS ; pen 
 
 and bistre wash. “ Roman ” period. 3s. 
 
 170. STUDIES OF THE UPPER PART OF A NUDE FIGURE 
 
 and outline of a head in profile (drawn on the reverse of No. 
 148) ; pen drawing in bistre. “Roman ” period. Is. 10 d. 
 
 171. A WARRIOR STANDING OYER A FALLEN FOE, a study 
 
 for part of the composition known as the Victory over the 
 Saracens at Ostia, painted in fresco in the Vatican ; black 
 chalk. “ Roman” period, 1514-1517. 2s. 8c?. 
 
 172. A DESIGN FOR A BED ; a vigorous pen drawing in bistre. 
 
 (. Ascribed to Raphael , hut more probably by Baccio Bandinelli .) 
 
 2s. 3d. 
 
 173. STUDY OF THE BACK OF A MAN in violent action ; red 
 
 chalk. “ Roman ” period. 2s. 3d. 
 
 174. SKETCH FOR A COMPOSITION OF THE RESUR- 
 
 RECTION ; slight pen drawing in bistre. “ Roman ” period. 
 
 2s. 3d. 
 
 175. ONE OF THE SYBILS, painted in fresco in the church of Santa 
 
 Maria della Pace in Rome ; drawing in red chalk. “ Roman ” 
 period, 1514. 2s. 8c?. 
 
 176. SHEET OF STUDIES, two female heads, flying amorini in fore- 
 
 shortened attitudes, and two studies of an opened book ; metal 
 point on prepared ground. “ Roman ” period. 2s. 3c?. 
 
 177. MELPOMENE, in the fresco of “ Parnassus ; ” pen drawing in 
 
 bistre. “ Roman ” period 1508-1513. 2s. 8c?. 
 
 178. SCHOOL OF ATHENS, a group of figures for the fresco, painted 
 
 in the Vatican ; metal point drawing heightened with white on 
 a prepared ground. “Roman” period, 1508-1513. 2s. 8 d. 
 
 179. SCHOOL OF ATHENS, study for two of the figures on the 
 
 steps in the fresco in the Vatican ; also the head of Medusa 
 introduced on the shield of Minerva in the same work ; metal 
 point drawing heightened with white on prepared ground. 
 “ Roman ” period, 1508-1513. 2s. 3c?. 
 
 180. THE STATUE OF MINERVA standing in a niche, &c. 
 
 introduced into the architectural background of the fresco of 
 the “ School of Athens ; ” metal point drawing on prepared 
 ground. “ Roman ” period, 1508-1513. 2s. 3d. 
 
 181. A GROUP OF FIGHTING MEN, study for one of the 
 
 bas-reliefs in the fresco of the “ School of Athens ; ” drawing in 
 red chalk. “Roman” period, 1508-1513. 2s. 8c?. 
 
76 
 
 Raphael Drawings. 
 
 182. STUDY OF DRAPERY for a standing male figure ; pen drawing 
 
 in bistre (on the reverse of No. 177). “ Roman ” period. 
 
 2s. Sd. 
 
 183. STUDIES FOR A KNEELING FEMALE FIGURE in the 
 
 fresco of the “ Heliodorus,” painted in the Vatican ; drawing in 
 black chalk. “ Roman ” period. 2s. Sd. 
 
 184. STUDY OF A FEMALE FIGURE in the fresco of the 
 
 “Heliodorus,” in the Vatican ; drawn in black chalk (on the 
 reverse of No. 183). “ Roman ” period, 1512-1514. 2s. Sd. 
 
 185. TWO SWIMMING FIGURES, a sketch for the fresco of the 
 
 “ Battle of Constantine,” painted in the Vatican; black chalk 
 heightened with white on brown paper. “ Roman ” period, 
 circa 1520. 2s. 8 d. 
 
 186. ONE OF THE SOLDIERS in the fresco painting of the History 
 
 of Constantine in the Vatican ; black chalk sketch. “ Roman ” 
 period, circa 1520. 2s. Sd. 
 
 187. RECUMBENT NUDE FIGURE OF A SOLDIER for one of 
 
 the subjects of the History of Constantine in the Vatican ; black 
 chalk sketch. “ Roman ” period, circa 1520. 2s. Sd. 
 
 188. JUDGMENT OF SOLOMON, a sketch for the painting in 
 
 grisaille, in the Vatican ; metal point on prepared ground. 
 “Roman ” period, 1508-1513. Is. 2d. 
 
 189. “CHARITY,” a group of a draped female with three naked 
 
 children, painted in the Vatican ; drawing in black chalk. 
 “ Roman ” period. Ascribed by M. Passavant to Gio. Francesco 
 Penni. 2s. Sd. 
 
 190. THE HEAD OF ST. ELIZABETH IN THE HOLY FAMILY, 
 
 called “ La Perla,” now at Madrid ; drawing in red chalk, 
 probably from the life. “ Roman ” period. 2s. 3 d. 
 
 191. SKETCH OF AN ANGEL for the Mosaic of the cupola of the 
 
 Chigi chapel in the church of Santa Maria del Popolo, Rome ; 
 red chalk. “Roman ” period. Is. 10 d. 
 
 192. THE FIGURE OF THE “ ALMIGHTY ” for the cupola of 
 
 the Chigi chapel in Santa Maria del Popolo, Rome. On the 
 reverse is a more finished study for the same figure, see No. 193 ; 
 red chalk. “ Roman ” period. Is. 10 d. 
 
 193. THE FIGURE OF THE “ ALMIGHTY,” with two cherubim, 
 
 for the cupola of the Chigi chapel in Sta. Maria del Popolo, 
 Rome (drawn on the reverse of No. 192) ; sketch in red chalk. 
 “ Roman ” period. 2s. 3 d. 
 
 194. DRAWING OF A FOOT for one of the figures in the “Trans- 
 
 figuration ; ” black chalk. “ Roman ” period. 2s. 3 d. 
 
 195. STUDY OF HANDS for the “ Transfiguration ; ” black chalk. 
 
 “ Roman ” period. 2s. 3c?. 
 
 196. STUDY OF A FOOT for the “ Transfiguration ; ” black chalk. 
 
 “ Roman ” period. 2s. 3 d. 
 
Raphael Draivings. 
 
 77 
 
 197. HEAD OF ONE OF THE APOSTLES from the “Trans- 
 
 figuration ; ” black chalk. “ Roman ” period. Date about 1520. 
 
 2s. 3d. 
 
 198. A SHEET OF STUDIES of two heads and several hands for 
 
 the “ Transfiguration ; ” black chalk heightened with white 
 chalk. “Roman” period. Date about 1520. 4s. 6d. 
 
 199. SHEET OF STUDIES, various slight pen sketches of figures, 
 
 apparently for recumbent soldiers in a composition of the 
 “ Resurrection.” “ Roman ” period. 2s. 8 d. 
 
 200. STUDIES OF AMORINI PLAYING; a pen drawing much 
 
 damaged, and apparently coarsely retouched by a later hand. 
 
 2s. 8 d. 
 
 201. NUDE FIGURES IN VIOLENT ACTION, probably for a 
 
 composition of the Rape of Helen; pen drawing. “Roman” 
 period. 2s. 8 d. 
 
 202. A SHEET OF STUDIES OF ARCHITECTURE, with two 
 
 small sketches of a female figure reading ; pen drawing in bistre 
 (on the reverse of No. 225). 2s. 3d. 
 
 203. THE VIRGIN SEATED, -WITH A BOOK IN HER HAND, 
 
 the infant Saviour standing at her knees ; reed pen drawing in 
 bistre. Is. 6d. 
 
 204. ST. JEROME ON HIS KNEES DOING PENANCE ; draw- 
 
 ing in black chalk, strengthened in parts with the pen in bistre. 
 “ Roman” period. Is. lOd. 
 
 205. THE HAND AND PART OF THE FORE-ARM .OF A 
 
 FIGURE OF OUR SAVIOUR, of colossal size ; painted in 
 distemper in colours ; a fragment of a large cartoon. 6s. 
 
 206. STUDY OF A SEATED FEMALE, apparently a peasant, in 
 
 costume of the 16th century ; pen drawing in bistre. Is. 10c/. 
 
 207. THE ALMIGHTY, WITH ANGELS, surrounded by flames ; 
 
 a study for part of the subject of the Almighty appearing to 
 Moses in the burning bush, painted in fresco in the Loggie of 
 the Vatican ; pen drawing in bistre. 3s. 
 
 208. A SHEET OF STUDIES of tritons and sea-nymphs, amorini, 
 
 See., forming a portion of a circular frieze ; probably a design 
 for the border of a large salver ; pen drawing in bistre. 3s. 
 
 209. THE PRESENTATION IN THE TEMPLE ; a highly- 
 
 finished drawing in pen and bistre wash heightened with white. 
 
 2s. 3d. 
 
 210. STUDY OF DRAPERY for the portrait of Leo X., now in the 
 
 Palazzo Pitti, Florence ; black chalk heightened with white, on 
 grey paper. 3s. 
 
 211. THE HOLY FAMILY, WITH JOSEPH AND ST. ELIZA- 
 
 BETH, angels above ; bistre wash heightened with white, on 
 blue paper. 2s. 3d. 
 
Raphael Drawings. 
 
 78 
 
 212. PORTION OF A CIRCULAR FRIEZE of tritons, sea- 
 
 nymphs, sea-monsters, &c. ; a design for the border of a salver ; 
 pen drawing in bistre. 2s. 8 d. 
 
 213. THE RESURRECTION OF OUR SAVIOUR ; finished 
 
 drawing in pen and bistre wash heightened with white. 6s. 
 
 214. THE BACK OF A MALE FIGURE ; pen drawing in bistre. 
 
 Is. 6d. 
 
 215. PROFILE HEAD AND BUST OF A YOUNG MAN clad 
 
 in an antique mantle ; a beautiful drawing in red chalk. 
 
 2s. 8 d, 
 
 216. ABRAHAM OFFERING UP ISAAC ; pen and bistre wash 
 
 heightened with white. 2s. 8 d. 
 
 217. THE ADORATION OF THE KINGS ; finished drawing in 
 
 pen and bistre wash heightened with white. 3s. 
 
 218. THE ENTOMBMENT OF OUR SAVIOUR ; drawing in red 
 
 chalk. 2s. 8 d. 
 
 219. SKETCH OF NUDE FIGURES for the fresco of the “Par- 
 
 nassus” painted in the Vatican; pen drawing in bistre. 4s. 6d . 
 
 220. THE “ TORSO OF THE BELVEDERE;” two studies in red 
 
 chalk. Third period. 3s. 
 
 221. A STORM, figures in a boat praying ; drawing in pen and bistre 
 
 wash. Is. 6d . 
 
 222. SKETCHES OF ELEPHANTS, for the composition known as 
 
 the “ Battle of the Elephants ; ” red chalk. 2s. 8 d. 
 
 223. SKETCHES FOR A STANDING FIGURE OF ST. 
 
 MICHAEL ; drawing in silver point and bistre wash height- 
 ened with white on prepared ground. 2s. 3d. 
 
 224. STUDY OF A HEAD AND OF A HAND ; pen drawing in 
 
 bistre. 2s. 3c?. 
 
 225. THE VIRGIN reading at a desk within an interior of grandiose 
 
 architectural character ; pen drawing in bistre. 2s. 3c?. 
 
 226. STUDY FOR FEMALE FIGURES in the “ Finding of Moses ” 
 
 painted in fresco in the Vatican ; red chalk. 2s. 8c?. 
 
 227. A STANDING FIGURE OF HERCULES AND THE 
 
 TORSO OF AN APOLLO ; two studies from the antique ; 
 red chalk. 3s. 
 
 228. THE JUDGMENT OF MOSES ON THE SONS OF LEVI; 
 
 pen drawing washed with bistre and heightened with white. 
 
 3s. 
 
 229. THE “ PASSAGE OF THE RED SEA,” study for a portion 
 
 of the fresco painted in the Loggia of the Vatican ; pen drawing 
 in bistre. 3s. 
 
 230. IIYGIEIA AND VENUS VICTRIX, WITH CUPID STAND- 
 
 ING NEAR ; two studies from the antique ; pen drawing in 
 bistre. 2s. 8c?. 
 
Raphael Drawings. 
 
 79 
 
 231. THE “MASS OF BOLSENA,” a finished drawing of the 
 
 fresco painted in the Vatican; pen and bistre wash. 3s. 
 
 232. THE “ MASS OF BOLSENA,” drawing of the fresco painted 
 
 in the Vatican; pen and bistre wash. 3s. 
 
 233. A FLYING FIGURE OF VICTORY, from an antique bas- 
 
 relief ; pen drawing in bistre. 2s. 8 d. 
 
 234. A SHEET OF STUDIES of grotesque monsters ; pen drawing 
 
 in bistre. 3s. 
 
 235. JACOB WRESTLING WITH THE ANGEL ; pen and bistre 
 
 washed drawing heightened with white. 3s. 
 
 236. DRAPED FEMALE STATUE, wanting the head (from the 
 
 antique). 2s. 8 d. 
 
 237. THE “INCENDIO DEL BORGO ;” the man letting himself 
 
 down from a wall. Painted in fresco in the Vatican; bistre 
 washed drawing, much injured. 3s. 
 
 238. DAVID GIVING HIS CHARGE TO SOLOMON (1 Kings, 
 
 ii. 3) ; washed drawing heightened with white. 2s. 8 d. 
 
 239. HEAD OF A FEMALE ; drawing in coloured chalk. 2s. 3d. 
 
 240. THE MASS OF BOLSENA, painted in fresco in the Vatican ; 
 
 bistre washed drawing heightened with white. 3s. 
 
 241. FIGURE OF VICTORY, from the antique ; pen drawing in 
 
 bistre. 2s. 8 d. 
 
 242. DESIGN FOR AN ARCH OF TRIUMPH ; pen drawing in 
 
 bistre. 6s. 
 
 243. FINISHED DRAWING FOR THE “ATTILA,” painted in 
 
 fresco in the Vatican ; bistre wash heightened with white. 6s. 
 
 244. ARCHITECTURAL STUDY, the fayade of an edifice ; pen 
 
 drawing slightly shaded with bistre. 2s. 8^. 
 
 245. FIGURES FROM THE ANTIQUE, Mercury, Vesta, &c. ; 
 
 pen drawing in bistre. 3s. 
 
 246. A STANDING STATUE AND A TORSO OF VENUS, 
 
 from the antique ; pen drawing in bistre. 2s. 8 d. 
 
 247. LANDSCAPE with a castle or city ; slight pen drawing in bistre. 
 
 Is. 10 d. 
 
 248. A NUDE MALE FIGURE, seated with one foot on an urn or 
 
 vase from which water is flowing. Probably a sketch for a 
 statue of a river god for a fountain ; pen drawing in bistre. 
 
 Is. 6d. 
 
 249. LANDSCAPE, a view of a villa or convent ; pen drawing in 
 
 bistre. Is. 2d. 
 
 250. A SHEET OF SKETCHES of figures, architecture, &c. with an 
 
 inscription ; pen drawing in bistre. 2s. 3d. 
 
 251. THE MADONNA AND CHILD, a sheet containing two sepa- 
 
 rate sketches ; pen drawing in bistre. Is. 10J. 
 
80 
 
 Raphael Drawings. 
 
 252. A DRAPED STATUE OF VENUS, from the antique ; bistre 
 
 wash drawing. 2s. 3 d. 
 
 253. LANDSCAPE, a farm or villa surrounded with trees ; slight pen 
 
 drawing. Is. 6d. 
 
 25 4. LANDSCAPE with buildings ; slight pen drawing. Is. 6d. 
 
 255. THE ARRIVAL OF THE CARDINAL DE’ MEDICI (LEO 
 
 X.) AT ROME, painted in fresco in the Vatican ; pen and 
 bistre wash drawing. 2s. 3c?. 
 
 256. A MALE AND FEMALE FIGURE SALUTING EACH 
 
 OTHER, probably the meeting of Joachim and Anna ; pen 
 drawing in bistre. 2s. 3 d. 
 
 257. A PORTION OF A COMPOSITION OF THE ENTOMB- 
 
 MENT ; metal point drawing on prepared ground. 2s. 3d. 
 
 258. THE ADORATION OF THE MAGI ; pen and bistre wash 
 
 drawing heightened with white. 2s. 8 d. 
 
 259. THE SALUTATION OF THE VIRGIN; bistre washed draw- 
 
 ing heightened with white, engraved by Caraglio. 2s. 8 d. 
 
 260. THE MIRACULOUS DRAUGHT OF FISHES ; pen and 
 
 bistre washed drawing. 2s. 8 d. 
 
 261. MOSES STRIKING THE ROCK, drawing for one of the 
 
 frescoes in the Loggie of the Vatican ; finished drawing in 
 
 bistre heightened with white. 2s. 3d. 
 
 262. THE FINDING OF MOSES, drawing for one of the frescoes in 
 
 the Loggie of the Vatican ; pen and bistre wash. 2s. 3d. 
 
 263. A KNEELING MALE FIGURE with patron saints, St. Paul(?) 
 
 and St. John; bistre wash heightened with white. Is. 10 d. 
 
 264. JACOB AND REBECCA preparing the savoury meats; pen and 
 
 bistre wash drawing. 2s. 3d. 
 
 265. DAVID GIVING HIS LAST CHARGE TO SOLOMON 
 
 (1 Kings, ii. 3) ; pen drawing in bistre. 2s. 3d. 
 
 266. THE LAST SUPPER, for one of the frescoes in the Loggie of 
 
 the Vatican ; finished drawing in bistre heightened with white. 
 
 2^. 3d. 
 
 267. HERCULES GAULOIS, or ELOQUENCE ; pen and bistre wash 
 
 drawing heightened with white. 2s. 3d. 
 
 268. A SHEET OF STUDIES of eagles and other birds for the 
 
 arabesques of the Loggie of the Vatican ; pen drawing in 
 bistre. 2s. 3d. 
 
 269. OUR SAVIOUR AND THE TWO DISCIPLES AT EM- 
 
 MAUS ; pen and bistre wash drawing heightened with white. 
 
 25. 3d. 
 
 270. CLEOPATRA, a study from the antique, engraved by Marc 
 
 Antonio ; pen drawing in bistre. 2s. 8 d. 
 
Raphael Rraivings. 
 
 81 
 
 271. ONE OF THE “ CARYATIDES,” painted in fresco in the 
 
 Vatican ; pen and bistre wash heightened with white. 2s. 8 A 
 
 272. ARABESQUE ORNAMENTATION, a sheet of studies ; pen 
 
 drawing in bistre. 2s. 8 A 
 
 273. ARABESQUE ORNAMENTS ; pen drawing in bistre (on the 
 
 reverse of No. 272). 2s. 8 A 
 
 274. FOUR STANDING NUDE FEMALE FIGURES; pen draw- 
 
 ing in bistre. Is. 10 A 
 
 27 5. A ROMAN EMPEROR ON HIS THRONE ; pen drawing in 
 
 bistre. Is. 6 A 
 
 276. A HORSE’S HEAD ; in black chalk. Is. 10 d. 
 
 277. THE VIRGIN standing at a desk or prie-dieu, probably for a 
 
 composition of the Salutation ; pen drawing in bistre. Is. 1QA 
 
 278. A FORE-SHORTENED FIGURE OF AN ANGEL FLYING, 
 
 for a composition of Abraham offering up Isaac ; pen drawing in 
 bistre. Is. 10 d. 
 
 279. A FEMALE CARRYING TWO VASES OF WATER, from 
 
 the fresco of the “ Incendio del borgo bistre wash heightened 
 with white. 2s. 3 A 
 
 280. SOLOMON’S IDOLATRY ; a slight pen sketch. Is. 10 A 
 
 281. ARCHITECTURAL STUDY for the background of the fresco 
 
 of the “ School of Athens pen drawing washed with bistre. 
 
 Is. 10 A 
 
 The complete set of 188 Photographs from the DRAWINGS by 
 RAPHAEL, in the UNIVERSITY of OXFORD, may be had, bound 
 in two volumes, price 20/. 
 
 15929.— -1 . 
 
 1 ?' 
 
82 
 
 Drawings by Michael Angelo. 
 
 ORIGINAL DRAWINGS BY MICHAEL ANGELO, IN THE 
 COLLECTION OF THE UNVERSITY OF OXFORD. 
 
 282. MICHAEL ANGELO AND HIS FRIEND ANTONIO 
 
 DELLA TORRE dissecting a, human body ; pen drawing in 
 bistre. 2s. 3d. 
 
 283. HEAD OF A WOMAN IN PROFILE, with a fantastic head- 
 
 dress or turban; study in red chalk. Is. 10c?. 
 
 284. HEAD OF AN AGED FEMALE wearing a turban or cap ; 
 
 pen drawing in bistre. Is. 10c?. 
 
 285. FEMALE HEAD, probably from the life ; highly finished draw- 
 
 ing in red chalk. 2s. 8 d. 
 
 286. SEATED FIGURE OF AN AGED PEASANT WOMAN, 
 
 probably a study from nature for one of the sibyls, painted in 
 fresco in the Sistine Chapel ; red chalk. 2s. 3d. 
 
 287. ONE OF THE SYBILS painted in the Sistine Chapel ; pen 
 
 drawing in bistre. 2s. 3d. 
 
 288. A WOMAN PLAYING WITH A CHILD ON HER KNEES, 
 
 painted in fresco in the Sistine Chapel; black chalk slightly 
 washed with bistre. Is. 6d. 
 
 289. THE VIRGIN SEATED, with the infant Saviour standing at 
 
 her knee in an animated attitude, in the background are three 
 singing angels ; black chalk heightened with white chalk . 
 
 2s. 8c?. 
 
 290. A SHEET OF STUDIES of male and female heads; red chalk. 
 
 2s. 8c?. 
 
 291. TWO SEPARATE STUDIES OF A HORSE, and a small 
 
 sketch of a combat. On the reverse of this sheet are several 
 verses in the autograph of Michael Angelo ; pen drawing in 
 bistre. 3s. 
 
 292. A GROUP OF THREE FIGURES, apparently in animated 
 
 conversation or disputation, one of them in military costume ; 
 pen drawing in bistre. 25 . 8c?. 
 
 293. STUDIES OF HANDS, also the back of a male figure; pen 
 
 drawing in bistre. 2s. 3d. 
 
 294. STUDIES OF HANDS, also several sketches of seated figures ; 
 
 pen drawing in bistre. 2s. 8c?. 
 
 295. STUDY OF A MAN’S HEAD IN PROFILE with a malig- 
 
 nant expression of countenance ; finished drawing in red chalk. 
 
 2s. 8c?. 
 
 296. AN AGED WOMAN clad in a voluminous cloak walking with 
 
 a stick, near her is a child ; reed pen drawing in bistre. 
 
 Is. 10 d. 
 
Drawings by Michael Angelo. 
 
 83 
 
 297. A DRAGON OR CHIMERA ; pen drawing in bistre ; on the 
 
 reverse of this sheet are studies of eyes, and a head drawn by 
 M. Angelo as a lesson for his scholar Andrea Mini. 2s. 3d. 
 
 298. STUDIES OF HEADS and the back of a figure ; pen drawing 
 
 bistre. Is. 10c?. 
 
 299. A SHEET OF SKETCHES, an anatomical study of a leg and 
 
 various caricature heads ; pen drawing in bistre. 2s. 3d. 
 
 300. ANATOMICAL STUDIES of a back and two arms of a figure ; 
 
 pen drawing in bistre on the reverse of No. 298. Is. 10c?. 
 
 301. SKETCHES OF HEADS, and a seated nude torso ; pen draw- 
 
 ing in bistre. Is. 10c?. 
 
 302. A SHEET OF STUDIES OF EYES, and a head, drawn as a 
 
 lesson for his pupil Andrea Mini, who has copied them on 
 the same sheet ; black chalk. 2s. 8c?. 
 
 303. A SHEET OF STUDIES of horses, a trophy of arms, a head 
 
 in profile, &c. ; pen drawing in bistre. 2s. 3d. 
 
 304. THE VIRGIN AND CHILD AND ST. ELIZABETH ; pen 
 
 drawing in bistre. 2s. 3d. 
 
 305. FOUR NUDE FIGURES in animated attitudes; black chalk. 
 
 Is. 6c?, 
 
 306. A SHEET OF STUDIES of details of architecture, apparently 
 
 a design for a chimney-piece, also the upper part of a female 
 figure ; pen drawing in bistre. 2s. 3d. 
 
 307. SLIGHT SKETCH OF HORSES, &c. ; pen and black chalk. 
 
 Is. 10c?. 
 
 308. THE CRUCIFIXION, one of the crucified thieves on the cross, 
 
 and a group of the Virgin fainting, surrounded by sorrowing 
 disciples ; highly finished drawing in red chalk. 2s. 3d. 
 
 309. CHRIST ON THE CROSS, with figures of the Virgin and St. 
 
 John; black chalk heightened with white. 2s. 3c?. 
 
 310. THE TAKING DOWN FROM THE CROSS ; sketch for a 
 
 composition not otherwise known ; red chalk. 2s. 3d. 
 
 311. GROUP OF THREE FIGURES in violent action; reed pen 
 
 drawing in bistre. Is. 2c?. 
 
 312. NUDE MALE FIGURE; slight sketch in red chalk. Is. 6c?. 
 
 313. ANATOMICAL STUDIES of two legs, one of which shows 
 
 the bones and superficial muscles, also a sketch of an eye ; pen 
 drawing in bistre. 2s. 3d. 
 
 314. A SHEET OF STUDIES, a slight sketch of a standing nude 
 
 figure, various slight sketches of architectural mouldings, &c. 
 black chalk and pen. 2s. 3d. 
 
84 
 
 Drawings by Michael Angelo. 
 
 315. STUDY OF THE TORSO of a recumbent figure in profile; 
 
 black chalk. 2s. 3d. 
 
 316. SKETCH OF A FIGURE holding up a hog ; drawn in 
 
 red chalk. 2s. 3d. 
 
 317. A SHEET FORMED OF FOUR SQUARE LEAVES of a 
 
 sketch-book pasted together and containing various slight studies 
 of figures, being first thoughts for figures in the ceiling of the 
 
 Sistine Chapel ; red chalk. 2s. 3d. 
 
 318. A COLOSSAL RECUMBENT MALE FIGURE, also a nude 
 
 figure of a woman, probably for a composition of Samson and 
 Delilah ; red chalk. 3s. 
 
 319. SKETCH FOR THE TORSO OF A CUPID or amorino; 
 
 black chalk. Is. 10 d. 
 
 320. A SHEET OF STUDIES, the head and upper part of a nude 
 
 figure, in red chalk; also a study of a hand, various small 
 sketches of caryatides in pen, and a sketch for a cornice. 
 
 Is. 10 d. 
 
 321. A SHEET OF STUDIES, the back of a standing male figure, 
 
 various slight sketches of caricature heads, &c.; pen drawing in 
 bistre. Is. 10c?. 
 
 322. A DEMON GNAWING THE LEG OF ONE OF THE 
 
 DAMNED, study for a group in the fresco of the Last Judg- 
 ment ; red chalk. 2s. 3d. 
 
 323. ANATOMICAL STUDY of a leg, and a female head ; drawing 
 
 in chalk. Is. 10c?. 
 
 324. OL r R SAVIOUR ON THE CROSS, a highly finished drawing 
 
 for the picture afterwards painted by Marcello Venusti; black 
 chalk. 2s. 3d. 
 
 325. A NUDE MALE FIGURE; finished drawing in black chalk. 
 
 2s. 3d. 
 
 326. THE FIGURE OF JONAH painted in the ceiling of the Sis- 
 
 tine Chapel; highly finished drawing in black chalk. 2s. 8c?. 
 
 327. THE FIGURE OF ADAM in the fresco of the Creation of 
 
 Eve in the ceiling of the Sistine Chapel ; black chalk. Is. 10c?. 
 
 328. STUDY FOR A CUPID ; black chalk. Is. 6d. 
 
 329. JUPITER AND GANYMEDE, a study for a composition ; pen 
 
 drawing in bistre. 2s. 3c?. 
 
 The complete set of 48 Photographs of the DRAWINGS by 
 MICHAEL ANGELO, in the UNIVERSITY of OXFORD, may 
 be had, bound in one volume, price 51. 5s. 
 
Holbein Drawings . 
 
 85 
 
 HOLBEIN DRAWINGS. 
 
 Portraits of Persons at the Court of Henry VIII., by Hans Hol- 
 bein, photographed from the original drawings in the Royal 
 Collection at Windsor Castle.* 
 
 330. WENTWORTH. 
 
 331. THE LADY AUDLEY. 
 
 332. CHARLES ELIOTT, Knight, 
 
 333. THE EARL OF DARBEY. 
 
 334. THE LADY VAUX. 
 
 335. WILLIAM, Marquis of Northampton. 
 
 336. JOHN POINES. 
 
 337. M. SOUCH. 
 
 338. THE LADY MONTEGLE. 
 
 339. THE LORD VAUX. 
 
 340. WILLIAM SHARINTON. 
 
 341. PHILIP MELANCTHON. 
 
 342. THE LADY MARCHIONESS OF DORSET. 
 
 343. THOMAS, Earl of Surry. 
 
 344. N. POINES, Knight. 
 
 345. THE LADY SURRY. 
 
 346. THE DUCHESS OF SUFFOLK. 
 
 347. THE LADY MEUTAS. 
 
 348. THE LORD VAUX. 
 
 349. THE LADY PARKER. 
 
 350. PHILLIP IIOBBIE, Knight. 
 
 351. THE LADY HENEGHAM. 
 
 352. RESKEMEER, a Cornish gentleman. 
 
 353. PRINCE EDWARD. 
 
 354. EDWARD, Prince of Wales. 
 
 355. A LADY, close-fitting head-dress and flat hat. 
 
 356. A LADY, with diamond-shaped head-dress and kerchief. 
 
 357. A LADY, with jewelled head-dress, bodice open. 
 
 358. A GENTLEMAN with slight beard and moustache, 
 
 359. A GENTLEMAN with full beard, wearing flat cap. 
 
 360. A GENTLEMAN looking to the left, thick dark beard ; 
 
 square flat cap. 
 
 s. d. 
 2 3 
 
 2 3 
 2 3 
 2 3 
 2 3 
 
 2 3 
 
 2 3 
 2 3 
 
 2 3 
 2 3 
 2 3 
 2 3 
 2 8 
 2 3 
 
 2 3 
 2 3 
 
 2 3 
 2 3 
 
 2 3 
 2 3 
 2 3 
 2 3 
 2 3 
 2 3 
 2 3 
 2 3 
 
 2 3 
 
 2 3 
 
 2 3 
 2 3 
 
 1 10 
 
 '* The names are spelt as they are written on the Drawings. 
 
86 
 
 Holbein Drawings. 
 
 s. d. 
 
 361. A GENTLEMAN wearing jewelled hat and feather. 1 10 
 
 362. A GENTLEMAN with thin light hair, no moustache. 1 10 
 
 363. A LADY in dress of a recluse. 1 10 
 
 364. A LADY, full face ; diamond-shaped jewelled head-dress. 2 3 
 
 365. A LADY, three-quarter face ; close-fitting head-dress. 2 3 
 
 3 65a. A LADY, three-quarter face ; with cap. 2 3 
 
 366. THE LADY BOROW. 1 10 
 
 367. THOMAS, Earl of Surry. 1 10 
 
 368. JOHN COLET, Dean of St. Paul’s, 2 3 
 
 369. EDWARD VI. 2 3 
 
 370. GAWIN CAROW, Knight. 2 3 
 
 371. THE LADY HOBBEI. 2 3 
 
 372. THE LADY OF RICHMOND. 2 3 
 
 373. THE LADY ELIOT. 2 3 
 
 374. THOMAS HOWARD, Earl of Surry. 1 10 
 
 375. THOS. STRANGE, Knight. 1 10 
 
 376. S. GEORGE of Cornwall. 2 3 
 
 377. N. POINES, Knight. 2 3 
 
 378. CLINTON. 1 10 
 
 379. ANNA BOLLEIN, Queen. 2 3 
 
 380. FRANCIS RUSSEL, Earl of Bedford. 1 10 
 
 381. THE LADY RATCLIF. 2 3 
 
 382. THOMAS PARRIE. 1 io 
 
 383. CHARLES WINFIELD, Knight. 2 3 
 
 384. A LADY, full face, cap with wide crown. 1 10 
 
 385. BROOKE, Lord Cobham. 2 3 
 
 386. JUDGE MORE, Sir Thomas More’s father. 2 8 
 
 387. SIR THOMAS MORE. 2 8 
 
 388. JOHN MORE, Sir Thomas More’s son. 2 8 
 
 389. HARRY GULDEFORD, Knight. 2 8 
 
 390. ARAMUS, Archbishop of Canterbury. 4 6 
 
 391. THOMAS MOOR, Lord Chancellor. 4 6 j 
 
 392. SIR JOHN GODS AL YE. 2 8 
 
 393. A LADY, three-quarter face, diamond-shaped cap. 2 8 
 
 394. THE LADY LISTER. 2 3 
 
 The complete set of 65 Photographs of the DRAWINGS by HOL- 
 BEIN in the ROYAL COLLECTION at WINDSOR, may be had, 
 bound in one volume, price 8/. 8s. 
 
Tudor Portraits. 
 
 87 
 
 TUDOR POETEAITS. 
 
 Portraits of the Tudor Family, executed from authentic contem- 
 porary works, for the Prince’s Chamber in the New Palace at 
 Westminster, by Richard Burchett, Plead Master of the Central 
 Training School of the Science and Art Department. 
 
 3 94 a. HENRY VII., from Remee’s copy of Holbein’s picture, which 
 was destroyed in the fire at Whitehall, and the bronze figure by 
 Torrigiano on the tomb in Plenry VII.’s chapel. Is. 10 d. 
 
 395. ELIZABETH OF YORK, Queen of Henry VII., from the same 
 
 authorities as the above. Is. \0d. 
 
 396. PRINCE ARTHUR, eldest son of Henry VII., from a picture 
 
 by Mabuse, in the collection at Hampton Court. Is. 10 d. 
 
 397. KATI-IARINE OF ARAGON, after a contemporary miniature, 
 
 in the collection of the Duke of Buccleuch. Is. 10 d. 
 
 398. HENRY VIII., from a Holbein, in the Royal collection at 
 
 Windsor, and one at Hampton Court. Is. \0d. 
 
 399. ANNE BOLEYN, from a small contemporary picture, the pro- 
 
 perty of Sir John Boileau, Bt. Artist unknown. Is. 10 d. 
 
 400. JANE SEYMOUR, from Remee’s copy of Holbein’s picture, a 
 
 small Holbein belonging to the Society of Antiquaries, and a 
 picture in the Marquis of Ailesbury’s collection. Is. 10 d. 
 
 401. ANNE OF CLEVES, from an etching by Hollar, a miniature, 
 
 probably by Holbein, belonging to Colonel Meyrick, and a 
 miniature in the Duke of Buccleuch’s collection. Is. 10 d. 
 
 402. KATHARINE PIOWARD, from a miniature of the time, in the 
 
 collection of the Duke of Buccleuch. Is. 10J. 
 
 403. KATHARINE PARR, from a full-length life-size picture of the 
 
 time, in the collection of the Earl of Denbigh. Is. 10 d. 
 
 404. EDWARD VI., from a three-quarter length portrait by Holbein, 
 
 in the Royal Collection at Windsor. Is. 10J. 
 
 405. QUEEN MARY, from two portraits by Lucas de Heere, one in 
 
 the possession of Mr. Charles Wynne Finch, the other in the 
 collection of the Society of Antiquaries. Is. 10 d. 
 
 406. PHILIP II. of Spain, from a picture ascribed to Titian, in the 
 
 collection of Earl Stanhope. Is. 10 d. 
 
 407. QUEEN ELIZABETH, from a small full-length portrait by 
 
 Lucas de Heere, at Hampton Court. Is. 10 d. 
 
 408. LOUIS XII. of France, from a miniature in a missal belonging 
 
 to the Right Hon. II. Labouchere, and a figure in the collection 
 of Count Veil-Castel. Is. 10 d. 
 
88 
 
 Tudor Portraits. 
 
 409. PRINCESS MARY (youngest daughter of Henry VII., first 
 
 married to Louis XII. of France, and afterwards to Charles- 
 Brandon, Duke of Suffolk), from a contemporary painting, in the 
 collection of the Duke of Bedford. Is. 10c?. 
 
 410. CHARLES BRANDON, Duke of Suffolk, from a contemporary 
 
 picture, in the collection of the Duke of Bedford. Is. 10c?. 
 
 411. THE MARCHIONESS OF DORSET (daughter of the Princess 
 
 Mary and the Duke of Suffolk, and mother of Lady Jane Grey), 
 from a picture by Lucas de Heere, in the possession of Mr. 
 Charles Wynne Finch. Is. 10 d. 
 
 412. LADY JANE GREY, from a picture in the possession of Earl 
 
 Spencer, and Lodge’s portraits. Is. 10c?. 
 
 413. LORD GUILDFORD DUDLEY", from a picture in the posses- 
 
 sion of Colonel North. Is. 10c?. 
 
 414. JAMES IY. of Scotland, from several scarce and authentic old 
 
 line engravings. Is. 10c?. 
 
 41 5. PRINCESS MARGARET (the eldest daughter of Henry VII., 
 
 and wife of James IV. of Scotland), from a picture in the 
 collection of the Marquis of Lothian. Is. 10c?. 
 
 416. DOUGLAS, Earl of Angus, from a picture in the Royal collection, 
 
 Windsor. Is. 10c?. 
 
 417. JAMES V. of Scotland, from a picture in the collection of the 
 
 Duke of Devonshire. Is. 10c?. 
 
 418. MARY OF GUISE, from a picture in the collection of the Duke 
 
 of Devonshire. Is. 10c?. 
 
 419. QUEEN MARY OF SCOTS, from a miniature by Janet at 
 
 Windsor, a fac-simile of a drawing by the same artist in the 
 Louvre, and a portrait of the period of James I. or Charles I. at 
 
 Hampton Court. Is. 10c?. 
 
 420. FRANCIS II. of France (the first husband of Mary Queen of 
 
 Scots), from a picture by Janet in the collection at Hampton 
 Court. Is. 10c?. 
 
 421. LORD DARNLEY (the second husband of Mary Queen of 
 
 Scots), from portraits by Lucas de Heere and an old engraving 
 by Elstracke. Is. 10c?. 
 
 The complete series of 28 Photographs may be had in a volume, half 
 
 bound in morocco, price, 3?. 3s. 
 
Turner- 's Liber Studiorum. 
 
 89 
 
 TURNER’S LIBER STUDIORUM. 
 
 Turner’s Liber Studiorum, a set of fifty-one photographs from the 
 original drawings, by J. M. W. Turner, now in the South Kensington 
 Museum. Price, Is. \0d. each. 
 
 422. ST. CATHARINE’S HILL. 
 
 423. MORPETH. 
 
 424. THE RIVER WYE. 
 
 425. GREENWICH HOSPITAL. 
 
 426. MARTELLO TOWERS. 
 
 427. RIVAULX ABBEY. 
 
 428. WINCHELSEA. 
 
 429. HINDHEAD HILL. 
 
 430. NORHAM CASTLE. 
 
 431. HOLY ISLAND CATHEDRAL. 
 
 432. DUNSTANBURGH CASTLE. 
 
 433. NEAR BLAIR ATHOL. 
 
 434. PEAT BOG, Scotland. 
 
 435. INVERARY CASTLE. 
 
 436. BRIDGE IN MIDDLE DISTANCE. 
 
 437. THE CLYDE. 
 
 438. FLINT CASTLE, smugglers. 
 
 439. LITTLE DEVIL’S BRIDGE, Altdorf. 
 
 440. THUN, Switzerland. 
 
 441. LAKE OF THUN. 
 
 442. THE ALPS FROM GRENOBLE. 
 
 443. MOUNT ST. GOTHARD. 
 
 444. BONNEVILLE, Savoy. 
 
 445. SOLITUDE. 
 
 446. HINDOO DEVOTIONS. 
 
 447. PASTORAL SCENE. 
 
 448. WOMAN PLAYING TAMBOURINE. 
 
 449. THE WOMAN OF SAMARIA. 
 
 450. THE TENTH PLAGUE. 
 
90 
 
 Turner's Liber Studiorum. 
 
 451. JASON. 
 
 452. COAST OF YORKSHIRE. 
 
 453. CEPHALIS AND PROCRIS. 
 
 454. PASTOBAL WITH CATTLE. 
 
 455. THE WYE AND THE SEVEKN. 
 
 456. LAUFENBEEG, Rhine. 
 
 457. DLALBLANE ABBEY. 
 
 458. EAST GATE, Winclielsea. 
 
 459. SKETCH FOR SEA PIECE. 
 
 460. YOUNG ANGLERS. 
 
 461. JUVENILE TRICKS. 
 
 462. BRIDGE AND COWS. 
 
 463. PE MB UR Y MILL, Kent. 
 
 464. WATERMILL. 
 
 465. HEDGING AND DITCHING. 
 
 466. STACKYARD. 
 
 467. FARMYAJRD, with pigs. 
 
 468. MARINE DABBLERS. 
 
 469. HINDOO ABLUTIONS. 
 
 470. CRYPT, Kirkstall. 
 
 471. BRIDGE WITH GOATS. 
 
 472. SKETCH FOR SHIPPING. 
 
 The complete series, comprising 51 drawings, in a volume half-bound 
 in morocco, 51. 
 
Paintings by W. Mulready,R.A . 
 
 91 
 
 PAINTINGS AND DRAWINGS BY W. MULREADY, R.A. 
 
 473. CHOOSING THE WEDDING GOWN, from the painting. 
 
 In the South Kensington Museum . 3s. 
 
 474. THE SEVEN AGES, from the painting. In the South Ken- 
 
 sington Museum. 3s. 
 
 475. THE FIGHT INTERRUPTED, from the painting. In the 
 
 South Kensington Museum. 2s. 3d. 
 
 476. THE BUTT. SHOOTING A CHERRY, from the painting. 
 
 In the South Kensington Museum. 2s. 3d. 
 
 477. THE WHISTONIAN CONTROVERSY, from the painting. 
 
 Lent by Mr. Thomas Baring , M.P. 2s. 8 d. 
 
 478. HA YMAKTN G, from the painting. Lent by Mr. Thomas Baring , 
 
 M.P. ' 2s. 3d. 
 
 479. “ TRAIN UP A CHILD IN THE WAY HE SHOULD GO,” 
 
 from the painting. Lent by Mr. Thomas Baring , M.P. 
 
 2s. 3d. 
 
 480. THE LAST IN, from the painting. Vernon Collection , in the 
 
 South Kensington Museum. Is. 10 d. 
 
 481. GIVING A BITE, from the painting. In the South Kensington 
 
 Museum. Is. 10 d. 
 
 482. PUNCH, from the painting. Lent by Mr. Thomas Ashton. 
 
 Is. 10 d. 
 
 483. THE WOLF AND THE LAMB, from the painting. Lent by 
 
 Her Majesty. Is. 10 d. 
 
 484. INTERIOR OF AN ENGLISH COTTAGE, from the painting. 
 
 Lent by Her Majesty. 2s. 3d. 
 
 485. THE CARELESS MESSENGER DETECTED, from the 
 
 painting. Lent by the Earl of Durham. 2s. 3d. 
 
 486. HORSES BAITING, from the painting. Lent by Mr. Joseph 
 
 Gillott. Is. 6d. 
 
 487. THE DOG OF TWO MINDS, from the painting. Lent by 
 
 Mr. William Wells. Is. 6d. 
 
 488. THE TRAVELLING DRUGGIST, from the painting. Lent 
 
 by Mr. John Chapman. 2s. 3d. 
 
 489. THE CANNON, from the painting. Lent by the Right Hon. 
 
 Sir Robert Peel , Bart ., M.P. 2s. 3d. 
 
 490. THE CONVALESCENT FROM WATERLOO, from the 
 
 painting. Lent by Mr. John Jones. Is. 10<L 
 
 491. FATHER AND CHILD, from the painting. Lent by II.R.H. 
 
 The Duke of Cambridge. Is. 2d. 
 
 492. THE VILLAGE BUFFOON, from the painting. Lent by the 
 
 President and Council of the Royal Academy. Is. 2d. 
 
92 
 
 Paintings by W. Mulready , R.A. 
 
 493. RETURNING FROM THE HUSTINGS, from the painting. 
 
 Lent by Mr. Conrad Loddiges. Is. 2d. 
 
 494. NOW JUMP, from a sketch. Lent by Mrs. Bacon. 1 s. 2d. 
 
 495. OLD HOUSES IN LAMBETH, from the painting. Lent by 
 
 Mrs. Hope. Is. 6d. 
 
 496. A VIEW OF ST. ALBAN’S, from the painting. Lent by 
 
 Mrs. Hope. Is. 6d. 
 
 497. CHOOSING THE WEDDING GOWN, from a drawing for 
 
 the picture. Lent by Mr. Thomas Baring , M.P. 2s. 8 d. 
 
 498. THE RATTLE, from the painting. Lent by Mr. Joseph Gillott. 
 
 Is. 6d. 
 
 499. AN INTERIOR, including a portrait of the late John Sheep- 
 shanks, Esq., from the painting. In the South Kensington 
 Museum . Is. 10c?. 
 
 500. A COTTAGE AT ST. ALBAN’S, from the painting. In the 
 
 South Remington Museum. 2s. 3 d. 
 
 501. WOMEN BATHING, a drawing. Lent by Mr. Thomas Baring, 
 
 M.P. " 2s. 6d. 
 
 502. WOMEN BATHING, a drawing. 
 M.P. 
 
 Lent by Mr. Thomas Baring , 
 Is. lOd. 
 
 503. THE BATHERS, or the Nymph, a drawing. 
 
 Thomas Baring , M.P. 
 
 504. THE BATHERS, or the Nymph, a drawing. 
 
 Thomas Baring , M.P. 
 
 Lent by Mr. 
 
 2s. 3d. 
 Lent by Mr. 
 2s. 8 d. 
 
 A Series of Thirty of the Photographs from PAINTINGS by MUL- 
 READY may be had, half bound in morocco, price 31. 3s. 
 
Designs for Gold and Silver Plate. 
 
 93 
 
 DESIGNS FOR GOLD AND SILYER PLATE, 
 
 By an unknown French or German Artist. Selected from a collection 
 in the possession of the Earl of Warwick, 
 
 521. AN EWER, &c., two pieces ; Etruscan shapes ornamented with 
 
 lions’ heads. Is. 6d. 
 
 522. A STAND FOR FRUIT or FLOWERS supported on satyr 
 
 legs, with lions’ heads holding rings for handles. Is. 6d. 
 
 52 3. A CUP AND COYER, ornamented with bosses and pendent 
 
 jewels. Is. 6d. 
 
 524. A CENTRE PIECE, Neptune in a car drawn by sea-horses. Is. 10 d. 
 
 525. AN OYIFORM EWER, with raised handle ; ornamented with 
 
 classical subjects. Is. 10 d. 
 
 526. AN OYIFORM VASE AND COYER, ornanamented with 
 
 Medusa heads and strap work. Is. 6d. 
 
 527. A STRAPWORK CARTOUCH with draped festoons. Is. 6d. 
 
 528. AN OYIFORM YASE AND COYER, with curved handles 
 
 springing from lions’ heads, and the figure of an angel in the 
 centre. Is. 6d. 
 
 529. A TABLE ORNAMENT, Amphitrite with trident seated in a 
 
 car drawn by dolphins. Is. 6d. 
 
 530. AN EWER, with raised handle supported on a turtle’s head, which 
 
 forms the spout, ’and the foot or stand composed of fish tails. Is. 6d . 
 
 531. A YASE AND COYER, ornamented with amorini dancing on 
 
 wreaths and holding the horns of grotesque goats’ heads. Is. 6d. 
 
 532. THREE SMALL YASES, with stoppers, richly ornamented and 
 
 jewelled. Is. 10 d. 
 
 533. A CUP, with quatre foil lip and cover surmounted by a fir cone. 
 
 Is. 6d. 
 
 534. THREE PILGRIM’S BOTTLES. Is. 6d. 
 
 535. A LARGE OYIFORM YASE, ornamented with a broad band 
 
 of dancing amorini holding hands. Is. 6d. 
 
 536. THREE EGG STANDS. Is. lOd. 
 
 537. A STAND FOR FRUIT or FLOWERS, supported on Satyr 
 
 legs, with lions’ heads holding rings for handles. Is. 6d. 
 
 538. A CANDLESTICK formed of bulbs and leaves. Is. 6d. 
 
 539. A CANDLESTICK, with renaissance ornament. Is. 6d. 
 
 540. TWO LAMPS of Etruscan form. Is. 6d. 
 
 541. AN EWER, with raised spout and handle, ornamented with shell 
 
 fish and reptiles. Is. 6d. 
 
 542. A YASE AND COYER, with raised handles springing from 
 
 grotesque birds’ heads. Is. 6d. 
 
 543. A LAMP formed of two bulbs, with two burners springing from 
 
 the mouths of grotesque inverted heads. Is. 6d. 
 
 544. A PILGRIM’S BOTTLE, with raised strapwork ornament. 
 
 Is. lOd. 
 
 545. A CANDLESTICK, ornamented with Neptune and sea nymphs. 
 
 Is. 6d. 
 
94 Paintings and Drawings , Miscellaneous . 
 
 PAINTINGS AND DRAWINGS, MISCELLANEOUS. 
 
 546. DESIGN FOR A CUP. Pen drawing by Holbein. Said to have 
 
 executed for Queen Anne Boleyn. Lent by the Bodleian 
 Library , Oxford. 2s. 8 d. 
 
 547. PORTRAIT OF QUEEN ELIZABETH, standing on the Sword 
 
 of Justice, by Mark Gerrard. Loan Catalogue, No. 2,573. 
 Lent by the Duke of Portland. Is. 10c?. 
 
 548. THE VIRGIN AND CHILD, painting in oil on panel, by John 
 
 Van Eyck. Loan Catalogue, No. 1,051, Lent by A. J. B. Beres- 
 ford Hope. 2s. 8 d. 
 
 549. VIRGIN AND CHILD ; a tempera painting by Benozzo Gozzoli, 
 
 in the original carved frame. Lent by Mr. E. Kaulbach. 2s. 3d. 
 
 550. SIR JOHN DONNE AND LADY DONNE; a triptych, painted 
 
 by Hans Memling. National Portrait Catalogue, No. 18. 
 Lent by the Duke of Devonshire , K.G. 2s. 3d. 
 
 551. DESIGN FOR A COVERED FLAT VASE or TAZZA. 
 
 An original pen drawing by Perino del Vaga. Loan Catalogue, 
 No. 7,891. Lent by the Rev. H. Wellesley , D.D. 2s. 8 d. 
 
 552. LANDSCAPE from a Chinese drawing. Lent by the Earl of 
 
 Elgin and Kincardine. 2s. 3d. 
 
 553. DRAWING of beasts and birds, from a book for children. 
 
 Japanese. Lent by the Earl of Elgin and Kincardine. Is. 10 d. 
 
 554. DRAWING of horsemen, from a book for children. Japanese. 
 
 Lent by the Earl of Elgin and Kincardine. Is. 10<?. 
 
 555. DRAWING of travellers, from a book for children. Japanese. 
 
 Lent by the Earl of Elgin and Kincardine. ls 3 10c?. 
 
 556. DESIGN FOR A VASE, with classic bas-relief j above are 
 
 sketches for the bas-reliefs. By Flaxman. Lent by Mr. Henry 
 Vaughan. Is. 10c? 
 
 557. DESIGNS FOR A FRIEZE IN BUCKINGHAM PALACE; 
 
 the four seasons. By Stothard. I^entby Mr. H. Vaughan. 2s. 3c?. 
 
 558. DESIGNS FOR FRIEZES IN BUCKINGHAM PALACE. 
 
 By Stothard. Lent by Mr. Henry Vaughan. 2s. 3d. 
 
 559. DESIGNS FOR A FRIEZE IN BUCKINGHAM PALACE ; 
 
 scenes from Shakespeare’s Henry VI. By Stothard. Lent by 
 Mr. Henry Vaughan. 2s. 3d. 
 
 560. DESIGN FOR A SILVER SALVER, with cupids and fruit. 
 
 By Stothard. L,ent by Mr. Henry Vaughan. Is. 10c?. 
 
 561. DESIGNS FOR FRIEZES IN BUCKINGHAM PALACE. 
 
 By Stothard. Lent by Mr. Henry Vaughan. 2s. 3d. 
 
Sculpture. 
 
 95 
 
 SCULPTURE. 
 
 Italian Sculpture in the South Kensington Museum. 
 
 661. SANTA BARBARA, alto-relievo in marble ; ascribed to Andrea 
 
 or Nino Pisano. Date about 1340. Is. 10 d. 
 
 662. “ TABERNACOLO ” or Mural Shrine, alto-relievo, in terra- 
 
 cotta ; by Jacopo della Quercia. (Gigli-Campana coll). 2s. 3d. 
 
 663. VIRGIN AND CHILD, group in terra-cotta ; by Jacopo della 
 
 Quercia. (Gigli-Campana coll.) Is. 6d. 
 
 664. VIRGIN AND CHILD, group* in terra-cotta ; by Jacopo della 
 
 Quercia. (Gigli-Campana coll.) 2s. 3d. 
 
 665. FRONT OF A CHEST OR CASSONE, inlaid with relievos of 
 
 Scriptural subjects, in glazed terra-cotta; by Jacopo della 
 Quercia. (Gigli-Campana coll.) 2s. 3d. 
 
 666. THE CRUCIFIXION, relievo in terra-cotta ; ascribed to Lorenzo 
 
 Ghiberti (b. 1381, d. 1455). 2s. 3d. 
 
 667. THE BIRTH OF ST. JOHN THE BAPTIST, alto-relievo in 
 
 terra-cotta; ascribed to Ghiberti. (Gigli-Campana coll.) Is. 10 d. 
 
 668. THE VIRGIN AND AN ANGEL, with two kneeling maidens, 
 
 marble relievo. Tuscan sculpture. Date about 1440. Is. 10c?. 
 
 669. CHRIST IN THE SEPULCHRE, supported by angels, basso- 
 
 relievo in marble ; by Donatello (b. 1383, d. 1466). (Gigli- 
 Campana coll.) 2s. 8c?. 
 
 670. CHRIST GIVING THE KEYS TO ST. PETER, frieze 
 
 in marble in low relief ; by Donatello. (Campana coll.) 2s. 8c?. 
 
 671. THE FLAGELLATION AND THE CRUCIFIXION, bas- 
 
 relief sketch in terra-cotta ; in two compartments ; by Donatello. 
 (Gigli-Campana coll.) 2s. 3d. 
 
 672. BUST OF ST. CECILIA, in terra-cotta; by Donatello. (Gigli- 
 
 Campana coll.) 2s. 3c?. 
 
 673. THE VIRGIN AND CHILD standing in a niche, relievo, in 
 
 terra-cotta ; ascribed to Donatello. 2s. 3d. 
 
 674. THE VIRGIN AND CHILD, relievo in stucco ; period of 
 
 Donatello, about 1450. 2s. 3c?. 
 
 675. FRIEZE OF A CHIMNEY PIECE in “ pietra serena,” or 
 
 Florentine black stone ; ascribed to Donatello or Desiderio da 
 Settignano. Date from 1440-1460. 6s. 
 
 676. “ TABERNACOLO ” from the Tribune or Capella Maggiore of 
 
 the church of Santa Chiara, Florence, in marble ; ascribed to 
 Desiderio da Settignano. Is. 10 d. 
 
 677. THE VIRGIN AND CHILD, alto-relievo in marble ; ascribed 
 
 to Desiderio da Settignano. (Gigli-Campana coll.) 2s. 8c?. 
 
 678. BUST OF GIOVANNI DI SAN MINIATO, in marble ; by 
 
 Antonio Rossellino (b. 1427, d. 1490). Dated 1456. Is. 10c?. 
 
96 
 
 Sculpture, 
 
 679. THE VIRGIN AND CHILD, basso-relievo in marble; by 
 
 Antonio Rossellino. Is. 10 d. 
 
 680. MARBLE FRIEZE IN MEZZO-RELIEVO, the predella of 
 
 an altar peice ; ascribed to Rossellino or Mino da Fiesole. Date 
 about 1470. (Gigli-Campana coll.) 2s. 8 d. 
 
 681. THE VIRGIN AND CHILD, terra-cotta group in the round ; 
 
 ascribed to Antonio Rosellino. Is. 6d. 
 
 682. TWO AMORINI LIOLDING UP A DOLPHIN, terra-cotta 
 
 group in the round ; ascribed to Antonio Rosellino. 2s. 3d. 
 
 683. THE VIRGIN AND CHILD, alto-relievo in terra-cotta ; 
 
 ascribed to Andrea del Verrocchio. (Gigli-Campana.) Is. 10 d. 
 
 684. THE VIRGIN KNEELING IN PRAYER, marble statue ; by 
 
 Matteo Civitale. (Gigli-Campana coll.) 2s. 8 d. 
 
 685. MARBLE FRIEZE FROM A TOMB ; ascribed to Matteo 
 
 Civitale. 2s. 8 d. 
 
 686. SKETCH IN CLAY OR STUCCO for a portion of the frieze 
 
 executed in marble for the cantoria of the cathedral at Florence ; 
 by Luca della Robbia. (Gigli-Campana coll.) 2s. 3d. 
 
 687. MONK READING AT A DESK OR LECTERN, relievo in 
 
 terra-cotta unglazed ; ascribed to Luca della Robbia. (Gigli- 
 Campana coll.) Is. \0d. 
 
 688. THE ADORATION OF THE MAGI, relievo in enamelled 
 
 terra-cotta, in varied colours, by Luca della Robbia. 2s. 3d. 
 
 689. THE VIRGIN ADORING THE INFANT SAVIOUR, relievo 
 
 supported on a triangular bracket, ascribed to Luca della 
 Robbia. (Gigli-Campana coll.) 2s. 3d. 
 
 690. CIRCULAR MEDALLION, in enamelled terra-cotta, painted 
 
 in chiaroscuro (one of a series of twelve, representing impersona- 
 tions of the months). (Gigli-Campana coll.) 2s. 3d. 
 
 691. THE VIRGIN AND CHILD, group in enamelled terra-cotta ; 
 
 by Andrea della Robbia. (Campana coll.) 2s. 8 d. 
 
 692. THE VIRGIN AND CHILD, in enamelled terra-cotta ; ascribed 
 
 to Andrea della Robbia. 2s. 3d. 
 
 693. THE ANGELIC SALUTATION, relievo in enamelled terra- 
 
 cotta ; ascribed to Andrea della Robbia. 2s. 8 d. 
 
 694. BRACKET OF A “ TABERNACOLO,” in “pietra serena.” 
 
 Florentine sculpture of the 14th century. 2s. 3d. 
 
 695. FRONTISPIECE OF A “ TABERNACOLO,” in carved and 
 
 gilded wood. Florentine sculpture of the 14th century. 2s. 3d. 
 
 696. ALTAR PIECE in Carrara marble, from the church of San 
 
 Girolamo at Fiesole, near Florence. Executed about 1490, by 
 Andrea Ferrucci. 2s. 3d. 
 
 697. MARBLE “ TABERNACOLO,” from the Church of San Giro- 
 
 lamo, at Fiesole. By Andrea Ferrucci. 2s. 3d. 
 
Sculpture. 
 
 97 
 
 698. MARBLE CANTORIA or Singing Gallery, from the Conventual 
 
 Church of Santa Maria Novella, Florence. Executed about 
 1500, by Baccio d’ Agnolo (b. 1460, d. 1543). 2s, 3 d. 
 
 699. POETEAIT BUST, in terra-cotta ; supposed to be of a member 
 
 of the Capponi family. Florentine sculpture. Date about 1470. 
 (Gigli-Campana coll.) 2s. 3d. 
 
 700. PORTRAIT BUST of a man wearing a “ beretta,” in terra-cotta. 
 
 Florentine. Date about 1470. (Gigli-Campana coll.) 2s. 3d. 
 
 701. ST. JOHN THE BAPTIST, life-sized bust, in terra-cotta. Flo- 
 
 rentine sculpture. About 1470. (Gigli-Campana coll.) Is. 10 d. 
 
 702. THE VIRGIN AND CHILD, in an ornamental shrine, relievo 
 
 in stucco. Florentine sculpture ; ascribed to one of the Maiani 
 family. Date about 1480. (Gigli-Campana coll.) 2s. 3d. 
 
 703. “STEMMA,” or COAT-OF-ARMS, in Istrian stone, from a 
 
 palace at Cesena. North Italian (?) Date about 1500. 2s. 3d. 
 
 704. PORTRAIT-RELIEVO IN MARBLE. Date about 1450 ; name 
 
 of sculptor unknown. (Gigli-Campana coll.) Is. 6d. 
 
 705. CUPID, life-sized statue in marble ; by Michael Angelo (b. 1475, 
 
 d. 1564). (Gigli-Campana coll.) 2s. 3d. 
 
 706. CUPID, statue in marble; by Michael Angelo (side view). 2s. 3d. 
 
 707. ST. SEBASTIAN (unfinished), small statue in marble; by Michael 
 
 Angelo. (Gigli-Campana coll.) Is. 10c?. 
 
 708. DEFORMED DWARF, statuette in bronze; ascribed to Pierino 
 
 da Vinci (b. 1520, d. 1554). Is. lOd. 
 
 709. DESIGN FOR THE TOMB OF GASTON DE FOIX, an 
 
 original drawing ; by Agostino Busti, called II Bambaja. The 
 drawing was executed about 1515. 3s. 
 
 710. PROFILE PORTRAIT OF THE EMPEROR RUDOLPH II. 
 
 Relievo in bronze. Dated 1609 ; by Adrian Fries. Is. 10 d. 
 
 ITALIAN SCULPTURE OF THE MIDDLE AGES, the 
 complete work, comprising 50 photographs, with letter-press 
 description by J. C. Robinson. Half bound, price 61. 6s. 
 
 SCULPTURE, MISCELLANEOUS. 
 
 711. HERCULES, &c., original model in wax; by Michael Angelo. 
 
 (Gherardini coll.) In the South Kensington Museum. 2s. 3d. 
 
 712. HERCULES AND CACUS, original model in wax ; by Michael 
 
 Angelo. In the South Kensington Museum. Is. 10 d. 
 
 713. HERCULES AND CACUS, original model in wax ; by Michael 
 
 Angelo. In the South Kensington Museum. 2s. 3d. 
 
 a 
 
 15929.— 1. 
 
98 
 
 Sculpture. 
 
 714. CHIMNEY PIECE FROM ANTWERP. Date about 1550. In 
 
 the South Kensington Museum. 2s. 3 d. 
 
 715. “ LAVELLO,” or Fountain, in Istrian marble. Date about 1500. 
 
 In the South Kensington Museum . 2s. 3 d. 
 
 716. BAS-RELIEF ; the meeting of Francis I. and Henry VIII. at 
 
 the Field of the Cloth of Gold. In the Louvre. 2s. 3d. 
 
 717. RELIEVO IN BLACK STONE ; attributed to Jean Goujon, and 
 
 said to be the portrait of his daughter. In the Louvre . Is. 10 d. 
 
 718. VENUS; bas-relief by Jean Goujon. In the Museum of the 
 
 Louvre , Paris . Is. 10 d. 
 
 719. LIFE-SIZED MARBLE BUST. Antique Roman work. Loan 
 
 Catalogue, No. 32. Lent hy Mr. J. C. Bobinson. 2s. 3d. 
 
 720. PORTRAIT OF HENRY VHI., carved in hone stone. (From 
 
 the Strawberry Hill coll.) Loan Catalogue, No. 2,219. Lent 
 by Mr. J. C. Dent. Is. 10 d. 
 
 721. MARBLE RELIEVO of the youthful St. John the Baptist ; 
 
 ascribed to Donatello. From Strawberry Hill. Loan Catalogue. 
 No. 26. Lent by Sir C. Wentworth Dilhe, Bart. 3s. 
 
 722. THE NATIVITY, AND THE ADORATION OF THE 
 
 SHEPHERDS ; panel from one of the six sides of the pulpit of 
 the Cathedral of Pisa, ruined in the fire of 1596. By Giovanni 
 Pisano. Late 13th century. Is. 6d. 
 
 723. THE ADORATION OF THE MAGI, and the Angel warning 
 
 them in a dream ; panel from one of the six sides of the pulpit of 
 the Cathedral of Pisa, ruined in the fire of 1596. By Giovanni 
 Pisano. Late 13th century. Is. 6d. 
 
 724. THE CRUCIFIXION, Swoon of the Blessed Virgin, and Salva- 
 
 tion of the Penitent Thief ; panel from one of the six sides of 
 the pulpit of the Cathedral of Pisa, ruined in the fire of 1596. 
 By Giovanni Pisano. Late 13th century. Is. 6d. 
 
 725. THE MASSACRE OF THE INNOCENTS; panel from one of 
 
 the six sides of the pulpit of the Cathedral of Pisa, ruined in the 
 fire of 1596. By Giovanni Pisano. Late 13th century. 1 s.6d. 
 
 726. THE PRESENTATION IN THE TEMPLE, Warning and 
 
 Flight of the Holy Family ; panel from one of the six sides of 
 the pulpit of the Cathedral of Pisa, ruined in the fire of 1596. 
 By Giovanni Pisano Late 13th century. Is. 6d. 
 
 727. THE BETRAYAL IN THE GARDEN, Mocking and Scourging 
 
 of our Lord ; panel from one of the six sides of the pulpit of 
 the Cathedral of Pisa, ruined in the fire of 1596. By Giovanni 
 Pisano. Late 13th century. Is. 6d . 
 
 728. RELIEVO in hard plaster ; the Virgin and Child ; ascribed to 
 
 L. Ghiberti. Dated 1428. Lent by Mr. C.D. E. Fortnum . 2s. 3d. 
 
 729. MASK of a female head, the eyes and mouth pierced ; in terra- 
 
 cotta. Ancient Greek or Roman, Lent by Mr. C. D. E. 
 Fortnum . 
 
Sculpture. 
 
 99 
 
 HEAD, in flesh-coloured marble, of an aged bearded man crowned 
 with ivy. Ancient Greek or Roman. Lent by Mr. C. D. E. 
 Fortnum. Is. 6d. 
 
 730. STATUETTE in white marble ; a male figure in the costume of 
 
 a citizen of the loth century; said to be one of the weepers 
 from the tomb of Charles the Bold, Duke of Burgundy, at 
 Dijon. In the South Kensington Museum . Is. 2d. 
 
 731. GROUP OF AN INFANT TRITON SEATED ON A 
 
 LOBSTER, plaster cast, bronzed. From the Fountain in one 
 of the Courts of the Old Palace, Munich. German, 17th cen- 
 tury. In the South Kensington Museum . Is. 6d. 
 
 732. GROUP OF A SEA LION AND A SEA LAMB, plaster cast, 
 
 bronzed. From the Fountain in one of the Courts of the Old 
 Palace, Munich. German, 17th century. In the South 
 Kensington Museum . Is. 6d. 
 
 733. GROUP OF A SEA LION AND A BASILISK, plaster cast, 
 
 bronzed. From the Fountain in one of the Courts of the Old 
 Palace, Munich. German, 17th century. In the South 
 Kensington Museum . Is. Qd. 
 
 734. GROUP OF AN INFANT TRITON SEATED ON A TOR- 
 
 TOISE, plaster cast, bronzed. From the Fountain in one of 
 Courts of the Old Palace, Munich. German, 17th century. 
 In the South Kensington Museum . Is. 6d. 
 
 73 5. GROUP OF AN INFANT TRITON SEATED ON AN 
 
 ALLIGATOR, plaster cast, bronzed. From the Fountain in 
 one of the Courts of the Old Palace, Munich. German, 17th 
 century. In the South Kensington Museum . Is. 6d. 
 
 736. GROUP OF A SEA GRIFFIN AND SEA HARE, plaster 
 
 cast, bronzed. From the Fountain in one of the Courts of the 
 Old Palace, Munich. German, 17th century. In the South 
 Kensington Museum. Is. 6d. 
 
 737. GROUP OF A SEA DOG AND A SEA GOAT, plaster 
 
 cast, bronzed. From the Fountain in one of the Courts of the 
 Old Palace, Munich. German, 17th century. In the South 
 Kensington Museum . Is. 6d. 
 
 738. GROUP OF AN INFANT TRITON SEATED ON A FROG, 
 
 plaster cast, bronzed. From the Fountain in one of the Courts 
 of the Old Palace, Munich. German, 17th century. In the 
 
 South Kensington Museum. Is. 6d. 
 
 739. GROUP in high relief in hone-stone, of the Virgin and 
 
 Child surrounded by Angels playing on musical instruments. 
 French (?), date about 1540-50; in frame of carved walnut 
 wood, with an escutcheon bearing the Medici arms. In the 
 
 South Kensington Museum. Is. 2d. 
 
 740. RELIEVO in alabaster : the Adoration of the Magi, in wooden 
 
 frame with gilt stucco ornament. (Pourtales coll.) In the 
 South Kensington Museum. Is. 
 
100 
 
 Etchings. 
 
 ETCHINGS. 
 
 Etchings of important Works of Art in the South Kensington Museum, 
 by Students of the Etching School. Directed by Richard J. Lane, 
 A. R. A. 
 
 The Series of Fifty, half-bound in morocco, price 51. 5s. 
 
 1 . COFFER, carved walnut wood, resting on couching lions. Italian, 
 
 about 1550. Etched by A. F. Brophy. 
 
 2. CABINET, or “ BUFFET,” chestnut wood, in two stages ; carved 
 
 in relief, and inlaid with marquetry ; four terminal figures at the 
 two angles in front of the upper stage. French, about 1560. 
 Etched by J. Randall. 
 
 3. MIRROR, polished metal, with frame and stand of walnut wood 
 
 carved with emblematical devices, palmette ornaments, &c. 
 Italian, about 1450. Etched by A. F. Brophy. 
 
 4. PASTORAL STAFF (head of), gilt metal, enamelled ; in the 
 
 volute is a group of the Virgin and Child and a kneeling Saint, 
 and on the knop are six busts of Saints. Italian, 14th century. 
 Etched by J. D. Campbell. 
 
 5. CASKET, incised leather ; circular top, with name and mottoes in 
 
 gothic characters ; steel lock, clamps and bands ending in shell 
 ornaments. German, 15th century. Etched by J. D. Campbell. 
 
 6. KNIFE, steel, chiselled steel handle of a lion holding a shield ; in 
 
 an engraved pewter and wood sheath. Dutch, 17th century. 
 Etched by J. P. Fraser. 
 
 7. CUP, or “ METHER,” known as “ The Dunvegan Cup ; ” yew 
 
 wood mounted in silver-gilt and niello work, and decorated with 
 repousse or beaten and filigree work ; standing on four rudely- 
 formed representations of human legs ; round the mouth is a rim 
 of silver bearing a Latin inscription dated 1493. The wooden 
 cup is believed to be much more ancient. Irish. Lent by 
 MacLeod of MacLeod. ( See Special Loan Catalogue, No. 902.) 
 Etched by J. D. Campbell. 
 
 8. VASE, crystal, oviform, with long neck, mounted in gold, 
 
 enamelled and set with pearls and rubies ; detached scroll orna- 
 ments on the neck, the cover surmounted by a bunch of flowers. 
 Italian, 16th century. Lent by the Marquess of Salisbury , 
 K.G. Etched by J. S. Dominy. 
 
 9. CUP AND COVER, silver-gilt, on baluster stem, chased with 
 
 foliage, strap work, and cherubs’ heads ; the cover surmounted 
 by a pine cone. German, about 1560. Etched by J. S, Dominy. 
 
101 
 
 10. KNOCKER, wrought-iron, in form of a canopy ; male and female 
 
 figures in full relief on the columns ; straight projecting hammer, 
 on which is a kneeling figure under a canopy. German, about 
 1520. Etched by W. M. M‘Gill. 
 
 11. COFFER, steel, semicircular top, etched all over with masks and 
 
 scrolls in panels, borders of vine leaves and grapes. German, 
 16th century. Etched by J. S. Goepel. 
 
 12. KNIFE, steel blade, silver parcel-gilt handle, divided into four 
 
 compartments on each side, occupied with scriptural and classi- 
 cal subjects, in low relief ; the shield of arms of the Della 
 Rovere family in one of the upper compartments. Attributed 
 to Pollajuolo. Italian, about 1470. Etched by J. S. Dominy. 
 
 13. FRAME of a picture or mirror in carved oak, flanked by statuettes 
 
 of Adam and Eve .; architectonic ornament in perspective. 
 Flemish, 16th century. Etched by J. Randall. 
 
 14. CASKET, ebony, barrel-shaped, on square plinth, with silver 
 
 plaques in repousse or beaten work. German, about 1600. 
 Etched by S. L. Fildes. 
 
 15. CUP, Nautilus shell, with scrolls carved in relief in front, mounted 
 
 in silver-gilt, on a circular stem and foot, chased with fish in 
 medallions, fruit between, three projecting scrolls on the stem 
 and pendants between each ; on the top is a figure of Neptune 
 holding a trident. Dutch, about 1580. Etched by J. P. Fraser. 
 
 16. PASTORAL STAFF (head of), carved ivory and gilt metal; in 
 
 the centre of the volute is a double group of the Crucifixion and 
 of the Virgin attended by angels. French, 14th century. Etched 
 by W. M. M‘Gill. 
 
 17. TRIPTYCH, silver-gilt frame work, enclosing three plaques of 
 
 translucent champleve enamel. French or German, 2nd half of 
 the 14th century. Etched by J. S. Dominy. 
 
 18. LOCK, chiselled iron; enriched with tracery and foliage work. 
 
 About 1480. Etched by J. D. Campbell. 
 
 19. DIPTYCH, gilt bronze and silver, encircled with niello work; the 
 
 interior represents the Annunciation, the figures carved in bone 
 in high relief on background of black horn ; borders inside and 
 out surrounded with inscriptions in silver letters on gilt metal 
 ground. Italian, about 1470. Etched by J. P. Fraser. 
 
 20. PLAQUE, champleve enamel ; figure of the Prophet Jonas sur- 
 
 rounded by foliated ornament, and bearing an inscribed tablet ; 
 arched top. Rhenish (?), 12th or 13th century. Etched by 
 W. M. M‘Gill. 
 
 21. PANEL, carved oak, pierced gothic tracery; on a medallion the 
 
 sacred monogram I. H. S. English, 15th century. Etched by 
 W. J. Glenny. 
 
102 
 
 Etchings. 
 
 22. VASE AND COYER, silver-gilt ; chased with scrolls of ara- 
 
 besques and set with ten onyx cameos of classical heads, the 
 cup fluted at the base, three S brackets on the stem. German, 
 16th century. Etched by W. M. McGill. 
 
 23. KNOCKER, wrought-iron ; a lion’s head in the centre of the 
 
 striking part. French, 17th century. Etched by J. S. Goepel. 
 
 24. KNIFE AND FOUR-PRONGED FORK, steel, the handles 
 
 chiselled with statuettes of Bacchus and Cupid, gilt ferules. 
 17th century. Etched by J. S. Dominy. 
 
 25. PANEL, carved oak ; in the centre the bust of a king in high 
 
 relief, grasping a sword ; on either side the royal arms of 
 England. English (?), about 1540. Etched by W. J. Glenny. 
 
 26. BOWL, silver, chased in repousse or beaten work, with birds and 
 
 animals. Ancient Persian, or other Oriental work. Etched by 
 W. M. M‘Gill. 
 
 27. KNIFE ; a trencher knife, steel blade, engraved and damascened, 
 
 chased gilt bronze ferule, ebony handle ; in a stamped and gilt 
 leather sheath. Italian, 16th century. Etched by J. S. Dominy. 
 
 28. SNUFF BOX, steel, chased and pierced with foliage, flowers, and 
 
 a crowned cipher. Italian, 17th century. Etched by W. M. 
 M‘Gill. 
 
 29. WINDER for a wheel-lock gun, steel, chased. German, 17th 
 
 century. Etched by A. Fisher. 
 
 30. SCISSORS or SHEARS, pair of steel, in a steel case, chiselled 
 
 with floriated scrolls. 17th century. Etched by J. S. Goepel. 
 
 31. LAMP, bronze, in shape of an ancient galley, on the sides of 
 
 which are groups of sea-gods and medallions in low relief, and 
 on the cover a statuette of a cupid mounted on a dolphin ; the 
 stand is of Spanish broccatello marble. Italian, 16th century. 
 Etched by W. M. M‘Gill. 
 
 32. PLAQUE, brass, repousse or beaten work ; a tulip surrounded 
 
 with floriated scroll-pattern. Dutch (?), 17th century. Etched 
 by Z. Pritchard. 
 
 33. INKSTAND, bronze, circular, enriched with masks and foliated 
 
 ornament in relief. Italian, 16th century. Etched by S. G. 
 Thomas. 
 
 34. LAMP, bronze, supported on a dolphin and surmounted by a figure 
 
 blowing a pair of bellows. Florentine, 16th century. Etched 
 by D. Jones. 
 
 35. BOX, with cover, boxwood, with necking and knop of chased 
 
 silver, intended to hold the altar beads for the mass ; the body 
 of the box is carved with events in the Passion of our Lord, in 
 twelve compartments, the cover with scroll ornament. Vene- 
 tian (?), 2nd half of 14th century. Etched by S. G. Thomas. 
 
Etchings. 
 
 103 
 
 36. BELL, bronze, a hand-bell decorated with zones of arabesque 
 
 ornament in relief, and with three shields of arms ; around the 
 upper part is an inscription. Italian, dated 1561. Etched by 
 D. Jones. 
 
 37. STAFF or WAND OF OFFICE; incised ivory. Italian, about 
 
 1600. Etched by S. G. Thomas. 
 
 38. CUP, cocoa-nut, mounted in silver-gilt, the nut carved with re- 
 
 presentations of the Annanciation, the meeting with Elizabeth, 
 and the Nativity. German, or Flemish, carving, about 1500 ; 
 setting, 17th century. Etched by D. Jones. 
 
 39. ASTEONOMICAL INSTRUMENT, or SUN DIAL, bronze- 
 
 gilt, formed by an upright sliding stand flanked by two columns 
 engraved with scales, in which a pendulum is enclosed for 
 levelling ; on the summit is a compass ; open scroll supports at 
 the sides. German, dated 1617.* Etched by S. G. Thomas. 
 
 40. VASE AND COYER, bronze, elliptic, the body supported on four 
 
 lions’ paws, and ornamented with chased strap-work, medallions, 
 and foliage; on the cover a statuette of a boy holding an 
 armorial shield, Italian, 16th century. Etched by W. M. 
 M‘Gill. 
 
 41. ROOD CROSS, silver parcel-gilt, with quatre-foils of enamel; on 
 
 either side are figures of the Virgin and St. John. German, 
 early 11th century. Etched by J. S. Goepel. 
 
 42. BOTTLE or PILGRIM’S FLASK, with suspensory chain, silver, 
 
 ornamented with strap and cartouche pattern in beaten work. 
 French or German, 17th century. Etched by D. Jones. 
 
 43. DAGGER, steel, with carved ivory handle in form of a terminal 
 
 figure and arabesques. Italian, 16th century. Etched by J. S. 
 Goepel. 
 
 44. LAMP, bronze, in shape of a grotesque dragon, on serpentine 
 
 plinth. Italian (Florentine), 16th century. Etched by Z. 
 Pritchard. 
 
 45. CROSS, silver plates, mounted in gilt metal; a processional cross. 
 
 15th century. Etched by J. S. Dominy. 
 
 46. CUP, cocoa-nut, mounted in silver-gilt, with crossed bands, 
 
 malachites on the intersecting points, masks and rings in the 
 spaces between ; the rim, stem, and foot chased with small 
 figures, masks, &c. German, dated 1585. Etched by J. S. 
 Goepel. 
 
 47. CUP, formed of a shell, mounted in silver-gilt, with pedestal 
 
 stem and cover of open strap-work ornament. German (Augs- 
 burg), about 1600. Etched by S. Thomas. 
 
104 
 
 Etchings. 
 
 48. MIRROR, polished metal, in walnut-wood frame, carved in relief 
 
 with an angel, a skeleton, and various animals, each accom- 
 panied by a capital letter in gold ; these letters form the words 
 “Bonum” and “Malum.” Italian, second half of 15th century. 
 Etched by D. Jones. 
 
 49. WATCH ; the movement enclosed in an octagonal escalloped case 
 
 of crystal, mounted in engraved gilt metal, with silver dial, 
 and indexes for months, hours, days, and minutes ; supported 
 on a crystal baluster stem or pedestal ; maker, “ J. Wolf, 
 Vienna.” German, dated 1609. Etched by S. Thomas. 
 
 50. PAX, niello work on silver, in gilt metal frame, with pilasters at 
 
 the sides inlaid with silver plaques, chased with scrolls ; between 
 these pilasters is a square niello plaque with the subject of the 
 Nativity ; above which is a semicircular plaque with a repre- 
 sentation of the Almighty surrounded by cherubim. Italian, 
 16th century. Etched by W. M. McGill. 
 
 LONDON : 
 
 Printed by George E. Eyre and William Spottiswoode, 
 Printers to the Queen’s most Excellent Majesty. 
 
 Eor Her Majesty’s Stationery Office.