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 i 
 { 
 f 
 Va 
 
 
 
 
 
 
 

 
 REPOSE. 
 
 E ORIGINAL PAINTING IN THE GALLERY OF THE 
 
 
 
 EMBOURG. ) 
 
 
 
 
 
 Ernest-R.-H. Lenmany, Pine. Gouri & Co., Gravure. 
 
 
 
 LL thoughtful observers must often have remarked that there is such a thing as 
 
 thorough weariness without drowsiness; and no luxury is greater than repose at 
 
 
 
 such a time Then it is that soul and body yield to the bliss of relaxation, 
 and are completely satisfied with the sense of rest. For the time, nothing more 
 is desired—neither speech, nor food, nor music, nor beauties for the eye,—but 
 
 
 
 only complete, silent, self-forgettin; 
 
 
 
 yet conscious, rest, 
 
 
 
 
 
 Is it not such repose as this that these Italian peasants are enjoying on 
 
 the roadside after their weary tramp? We detect in them no disposition to 
 
 
 
 sleep, yet how pe ly the sense of rest is expressed in their countenances and 
 
 
 
 their attitudes. Both faces are typical: that of the man is not a pleasing one, 
 
 but the woman's is sweet and noble. She, in fact, well represents in both form and feature, that 
 
 
 
 largeness and grace of contour, and that unstudied dignity of pose that are so often witnessed among 
 
 
 
 t sweet souvenirs 
 
 
 
 the lowliest inhabitants o! land full of the memorials and traditions of art. Wh 
 
 
 
 are awakened by the picturesque draperies and the pure, thoughtful face of this peasant woman! 
 
 What visions of madonnas, and saints, and beautiful idyllic scenes come floating through the mind | 
 
 
 
 In departing from his customary subjects to paint the picture of “Repo M. Lehmann has 
 
 
 
 given fresh proof of the comprehensiveness of his 
 
 
 
 ius. The original is in the Gallery of the 
 
 
 
 Luxembourg. 
 
 
 

 

 
 
 
 THE Last MOMENTS OF MAXIMILIAN, EMPEROR 
 OF MEXICO. 
 
 
 
 Pina 
 
 PIL & Co., Gravure. 
 
 
 
 Jwan-Paut Lau 
 
 
 
 {ED us here contemplate the tragic ending of the empire established in Mexico by 
 
 
 
 Napoleon II. Betrayed into the belief that he was the choice of the 
 Mexican people, Ferdinand Maximilian Joseph, Archduke of Austria, brother 
 
 of the Austrian Emperor, accepted the throne proffered him by Napoleon, 
 
 and in so doing abdicated his right of succession to the Austrian crown. 
 
 Having paid farewell visits to the principal European Courts, and received 
 the Papal benediction, Maximilian hopefully set sail for his new empire, Hi 
 landed at Vera Cruz May 28, 1864, and was received with civic festivities 
 triumphal arches, flowers and poetry. His illusions with reference to the attitude of the Mexican 
 people were soon dispelled.  Repelling the Church-party, who were his chief adherents, he sought to 
 win the Republican leaders to his side, but with small success; so that ere long he found himself 
 without the support of either party, and, to make matters worse, he quarrelled with the French 
 generals, whose military successes afforded the principal prop of his throne. The fall of the Southern 
 
 Confederacy foreshadowed the fate of his tottering empire. In 1866 the rapid decline of the Imperialist 
 
 
 
 cause was accelerated by the withdrawal from Mexico of the French forces. Advised by Napoleon to 
 
 
 
 abdicate, Maximilian, in October 1866, had proceeded to Orizaba, on his way to Europe, when he was 
 
 
 
 
 
 induced by the Church party to return again and throw himself upon th nservatives.” That step 
 
 
 
 sealed his doom. In a few months the army that he recruited was defeated, and himself and his chief 
 
 
 
 generals were captives. One of the prime errors of his administration was the issue of an edict order- 
 
 
 
 ing the execution as bandits of the Republican leaders who should be captured That extreme measure 
 i I 
 
 
 
 no doubt determined his own fate; for, after trial by a military council, the young Emperor was 
 
 condemned to be shot, and no influence could secure a mitigation of the sentence. The execution took 
 
 place near Querétaro, June 18, 1867, just three years after his joyous and triumphant entry. 
 Despite their hatred of his government, Maximilian himself was admired by the people for his 
 
 ist faith 
 
 
 
 chivalric bearing and winning manners He met his doom with heroic fortitude, as our ar 
 
 
 
 fully represents. His calmness is effectively contrasted with the uncontrollable grief of his secretary, 
 and with the emotion of the father confessor who has come to support the prisoner's last moments 
 with religious consolations. The pictorial narrative is completed by the presence of the Mexican offi 
 cer in the doorway, with the soldiers at his back. The scene bears the very impress of reality. 
 This picture was one of the features of the Salon of 1882. M. J.-P. Laurens has been honored 
 
 with the highest awards of the Salon. 
 
 
 

 

 
 
 

 
 
 
 La PLACE SAINT GEORGES PARIS. 
 
 Epmonp-Grorcrs GRaNpdt 
 
 
 
 Pins Gouri & Co., Gravure 
 
 
 
 @ Vi 
 
 
 
 
 
 or to Paris walk from the Opera House across the Boulevard des Italiens and he 
 
 
 
 ~ 
 
 is 
 
 ey will reach the scene of our picture. So consummate is the art that it is difficult to 
 
 
 
 
 
 that we are gazing upon a scene painted on canvas. One could more readily 
 
 
 
 believe it to be a view from nature obtained by instantaneous photography, but for the 
 
 
 
 fact that it is so finished and well-studied a picture. That would be a rare photo- 
 
 
 
 indeed, that should yield a result like thisx—such admirable distribution of 
 
 parts, comprehensive variety of details, and naturalness of movement. There is not a 
 
 
 
 ail of the picture that does not reward the most careful  s¢ rutiny All is wrought with intelligent ot 
 
 
 
 T= 
 
 
 
 vation and conscientious care, 
 
 
 
 ad every part is in its just relation to the whole, The blouse 
 
 
 
 laborer and his hoi 
 
 
 
 and the trotting cab-horse and its driver, are masterly. And scarcely Jess so are 
 
 
 
 the policeman by the dripping 
 
 
 
 fountain, the omnibus advancing slowly up 
 
 
 
 the various 
 
 
 
 
 
 roups of pedes 
 
 ine p 
 
 true panorama. To those familiar with the spot and its characteristic appearance during the 
 
 trians, the cream-colored houses, the carefully-wrought trees, and the 
 
 
 
 spective—all of which conspin 
 
 
 
 to for 
 y hours, the scene is absolutely real 
 
 M. Grandjean is justly disting 
 
 
 
 1 for his success in treatir 
 
 
 
 The present 
 
 work was exhibited in the Salon of 1879. 
 
 
 
aa) 
 
 
 
 THE DEVISA. 
 
 ROM THE ORIGINAL PAD 
 
 
 
 
 
 NG IN THE GALLERY OF THE LUXEMBOURG.) 
 
 
 
 Prprre-FRrancots- = Grraup, Pine Gourit & Co., Gravure. 
 
 
 
 
 
 brothers in taste, if not in we ini 
 
 
 
 y the accusing 
 
 
 
 
 
 phrase ‘butchered to make a Roman _ holid: in spirit to 
 
 
 
 Spaniards 
 as well as to the Romans, As the populace of ancient Rome—women as well as 
 nessed 
 
 bats between man and beast and man 
 
 
 
 with de 
 
 
 
 men—crowded the arena and wi 
 
 
 
 light bloody and mortal com- 
 
 
 
 n, and surveyed with heartless 
 
 unconcern the ma: 
 
 
 
 sled corses that strewed the ground, even so the people 
 
 
 
 of Spain flock with enthusiasm to their national sport of bull-fighting and find 
 
 
 
 torture and slat of the animals, and a still 
 
 
 
 a savage delight in 
 
 
 
 more exquisite thrill in the wanton destruction of human lives. 
 
 
 
 Our artist introduces us to one of it is. A torreador 
 
 
 
 unusements, and a painful scer 
 
 
 
 
 
 mortally wound is conducted into the chapel (str combination of chapel and arena!) to die. 
 
 
 
 film is seen, turn with 
 
 
 
 Pausing at the door of the sanctuary, his eyes, in which the de: 
 
 
 
 
 
 1 one, while he reaches towards her, as a of honor and 
 
 the bull 
 
 lingering fondness to his fainting lov 
 
 devotion, the devisa (a knot of ribbons) which he has torn fror 
 
 
 
 home. But not so, 
 1 
 
 the multitude as the sport goes madly 
 
 Such a scene might well sober the excited crowd and send them in sadne: 
 
 
 
 Th 
 
 sport is not even interrupted. Look but a few paces beyond this dying man and this agoniz 
 
 
 
 caps and hear the 
 
 woman, and see the wavir frenzied shouts 
 
 
 
 
 
 on. Surely this picture tells its story and points its moral with signal power. 
 
 
 
 M. Eugdne Giraud was represented in the Luxembourg Gallery by three important works until 
 
 
 
 1879, when one of them—Dance in a Grenada Poseda—received the higher honor of admission to the 
 
 
 
 
 
 Louvre. He died in 1 during the siege of Paris 
 
 
 
 
 
 
 

 

 

 

 
 THE EMPEROR AT SOLFERINO. 
 
 FROM THE ORIGINAL PAINTING IN THE GALLERY OF THE LUXEMBOURG). 
 
 
 
 y-Lovis-Ernest Merssoniur, Pins. Gouri, & Co., Gravure. 
 
 
 
 
 
 EW artists, if any, equal Meissonier in the faculty of executing the minutest 
 
 
 
 
 
 pictures in a large manner, and of securing an abundance of space in the 
 
 
 
 narrowest frames. ‘‘He stowed fifty French guards,” says Edmond About, “ very 
 life-like and very stirring, on a canvas where two cockchafers would be too 
 crowded.” Even in his larger pictures this rare command of atmosphere and 
 
 space is remarkable. What truth of perspective and reality of distance in the 
 
 
 
 picture before us! he figures have all the effect of natural size; every linea- 
 
 ment and detail is perfect; and the spectator takes in the vast area of the 
 
 
 
 battle field as truly as if he were with the Emperor on the hill. It is a 
 
 picture, the excellence of which becomes apparent in proportion to the study it 
 
 
 
 receives. Like nature it is neither comprehended nor exhausted at a glance. 
 The French critic, Fourcaud, thus dilates on this original work : > subject is the simp in 
 the world. The Emperor and his officers occupy a post of observation on a hillock that commands the 
 
 field of battle. From the height of their mettlesome horses they consider with an attentive eye the corps 
 
 
 
 
 
 in the distance amidst the smoke of the cannonade, There is not the 
 
 
 
 d'armée that are percei 
 slightest anecdotal or sentimental diversion. The master confines himself inflexibly within the terms 
 of his gift, resolved not to extend them save by the sincerity of his execution. It is not a legend- 
 
 ary or picturesque battle that has been demanded of him; it is a modern combat—one of those contests 
 
 
 
 in which slaughter is cted at a distance by virtue of wise combinations elaborated long in advance. 
 
 of to-day—war of artillery and polities, of 
 
 
 
 In my opinion, a more accurate view of the 
 
 geometri surprises and cold calculations—could not be shown All these figures of generals and 
 
 
 
 al 
 officers are portraits made from life. I recognize without difficulty Lebceuf, Regnault de Saint-Jean 
 WAngely, Vaillant, Fleury, F 
 and Kdga Ney Duke d’Elchingen, and the doctor Baron Larrey, and, finally, M. Meissomier in 
 
 person, spectator of the drama he has immortalized Tt is a miracle to see in what manner the 
 
 sard. Here is the Duke de Rivoli; there the Prince Joachim Murat, 
 
 
 
 
 
 
 
 sentiment of the situation moves and works these different heads.” 
 
 
 
 The picture, painted in 1864 (on wood), is among the national treasures in the Gallery of the 
 
 Luxembourg. 
 
 
 

 

 
 = 
 
 
 
 FORTUNE AND THE INFANT. 
 
 NG IN THE GALLERY OF THE LUXEMBOURG.) 
 
 
 
 
 
 
 
 AL PAIN 
 
 
 
 (PROM THE ORIG) 
 
 Paut-Jacqurs-Aimé Baupry, Pina. Gourm & Co., Gravure. 
 
 N depicting Infancy caressed by Fortune, our artist has responded to the involuntary 
 prayer of every kindly heart. A little child is the most interesting of objects, from 
 
 the fact that all things are possible unto it. Its life is all unlived, and what will be 
 
 
 
 be success or failure, virtue or vice, happiness 
 
 or misery? Who can surely tell? What cause for rejoicing then when the budding 
 
 the unfoldings of its destiny? Will 
 
 ife is favored by auspicious circumstances; and how sad the spectacle of an infancy 
 
 
 
 clouded by adversity, and frowned upon by Fortune 
 
 
 
 Happy child in the picture before us! The serene and sunny sky, the sheltering 
 trees, the refreshing fountain, the endearments of Fortune, all affirm a blissful present and prophesy a 
 happy future. 
 
 There are reminiscences at once of Titian and of Correggio in this pleasing composition. The 
 child is notably fine in all its traits, and both of the figures exemplify that mastery in  flesh-paint- 
 ing for which M. Baudry is distinguished. The original was first exhibited in the Salon of 1857, 
 
 It is now one of the treasures of the 
 
 
 
 when the artist was awarded a medal of the first c 
 
 Luxembourg. 
 
 <a —— = —— 2 —— 
 
 
 

 
 
 
 
 
| 
 
 
 
 
 
 
 
 ee 
 
 ——— 
 

 

 
 FALCON CHASE IN ALGERIA: 
 
 THE HAWK'S REWARD. 
 
 
 
 ALLERY OF THE LUXEMBOURG.) 
 
 (FROM THE ORIGINAL PAINTING 
 
 Eveine Fromentin, Pine Gourr & Co., Gravure. 
 
 \LCON-HUNTING was introduced into Europe from the East, and the pastime has 
 
 
 
 a peculiar interest from the fact that it was almost the only out-door 
 sport in which women of rank in the Middle Ages took an active part. 
 aft - While this sport has now almost disappeared from Europe, it is still in 
 high favor in its ancient home, the East. The Italian historian, Cibrario, 
 
 gives the followi 
 
 
 
 g interesting account of a falcon-chase : 
 
 
 
 The sportsmen rode out with their falcons ing on their strongly- 
 
 
 
 gloved wrists. When a bird was discovered suited to the nature and the habits of the falcon, the 
 
 little hood which covered its eyes was drawn off, and the falcon rose in rapid circles above 
 
 
 
 its destined prey; if the quarry was a small bird, she then suddenly swooped (or stooped as the 
 phrase was) directly upon her victim; but if the latter was a large and powerful bird, formidable 
 in beak and wing, the falcon was cautious and cunning in her advances, turned and wheeled with 
 
 great dexterity, seizing only the favorable moment to strike. Having secured the prize, she swept 
 
 
 
 in large circles over the head of the falconer, and finally presented him the booty; the falconer put 
 and then set before his falcon the food prepared for her. Falcons which soared 
 
 1 
 
 it in the game-t 
 
 
 
 high and pursued birds of lofty flight were called altani; others took a lower but more extend 
 range; some were for the inland country, others for aquatic birds. These last were assisted by dogs. 
 When, for example, a flock of herons is discovered, the falconer approaches them secretly and sud- 
 
 denly beats a drum before the herons can get sight of the falcon, otherwise they would not dare to 
 
 
 
 rise. Frightened by the drum, they take to flight; then the sportsman lets loose his falcon, and 
 
 
 
 
 
 while she prepares to seize the herons in the air, the barking of the dogs pr the poor birds 
 
 
 
 from hiding again in the water. Bagles and falcons of the largest species may be trained for this 
 chase, and they will even take foxes and hares.” 
 
 In M. Fromentin’s spirited painting we observe on the right a group of mounted chiefs with 
 falcons on their wrists, watching some Arabs in the foreground who deliver to the falcons the hare that 
 
 they have just seized. The picture is replete with charms of color. The brilliant costumes and rich 
 
 
 
 caparisons, and the luminous landseape, form a harmonious ensemble. M, Fromentin is unequalled in 
 
 the delineation of African subjects. He has achieved literary as well as artistie renown. 
 
 
 
 
 

 
 
 
 —— 
 

 

 
 i 
 
 MASSACRE OF THE MAMELUKES. 
 
 
 
 
 
 
 
 
 
 
 
 E GALLERY OF THE LUXEMBOURG.) 
 
 
 
 RIGINAL I 
 
 ALEXANDRE Bipa, Ping Gourtt & Co., Gravure. 
 
 
 
 
 Although the Mamelukes (as the name imports) were originally a 
 
 
 
 
 s in Egypt, they became, about the middle of the thirteenth century, 
 masters of the country, and maintained their dominance until the beginning of 
 the present century Napoleon found them formidable antagonists at the battle 
 of the Pyramids, and in subsequent encounters, but he almost annihilated 
 them. When Mehemet Ali became Viceroy of Egypt he found the proud and 
 turbulent Mamelukes a serious obstacle to the peace and prosperity of the 
 
 length, in 1811, he adopted a decidedly Asiatic remedy for 
 
 
 
 country, and 
 
 the evil. Inviting a great number of the Mameluke chiefs to a banquet in 
 
 
 
 ro, the guests, after being feasted, were shot down in the corridors and courts of the palace. About 
 one thousand were thus massacred. 
 
 M. Bida has given us a vivid picture of this high-carnival of death. Hemmed in on every side 
 
 the helpless victims are shot at from the housetop and the windows. ‘Terrified and plunging horses 
 
 iders and horses in one red burial blent'”; the groans of the dying; the shrieks of despair and of 
 
 
 
 
 
 defiance and hate; the pitiless rain of death-dealing bullets—such are the elements of t graphic and 
 bloody episode. 
 The original is one of a number of M, Bida’s crayon drawings that have been honored with a 
 
 place in the Luxembourg 
 
 
 
 aia 
 
 
 

 
 
 
 
 

 
 
 
 THE ABDUCTION OF AMYMONE. 
 Féurx-Henrt Gracomorti, Pins. Gouri, & Co., Gravure. 
 
 N the classic myths, offspring of a fervid imagination, half religious and half romantic, 
 
 
 
 ustles: 
 
 
 
 poets and artists find a peculiar fascination and an ¢ supply 
 of themes for poetic and pictorial representation. The gods of those early 
 days were almost everything but moral; and that being the ease we ean 
 only wonder that the people were in any degree strict in their virtues; for 
 it is not usual for votaries to equal, much less to exceed, the morality of 
 the divinities they worship. 
 
 Our artist depicts an incident in the life of Amymone, the beautiful 
 daughter of Danaus and Elephantis. Her parents had just moved into 
 Argos, which country, in consequence of some offence given to Poseidon 
 (the chief sea god,—the Neptune of the Romans), was suffering from a 
 drought. Amymone was therefore sent out in search of water. While on this quest, she espied a 
 stag, and being something of a huntress she could not resist the temptation to have a shot at it 
 Alas! she little dreamed of the trouble that this attempt to combine business and pleasure was to 
 sl 
 
 
 
 make for her. Missing the stag, her arrow struck a sping satyr, who at once furiously pursued 
 her. The terrified maid cried aloud to the god Poseidon for succor. Her cries were heard; the 
 god appeared; and he delivered her, did he not? Oh, yes! but only that he might appropriate 
 her to his own use, A great deliverance, truly! As disinterested as that of the friendly shark who 
 took the poor sailor in out of the wet. 
 
 The artist has conceived the heroine as borne over the waves by Poseidon’s ministers, the 
 
 tritons, towards his abode beneath the sea. The grouping of the figures, the skillful treatment of 
 
 the drapery, the liquid and transparent water, the effect of distance and, above all, the superb draw- 
 
 ing, form an admirable ensemble. 
 
 
 
 
 

 

 

 
 THE Hours. 
 
 (OVER THE CLOCK ON THE FRONT OF THE BOURSE AT LYONS.) 
 
 
 
 Gourm & Co., 
 
 
 
 Jean Manip Bonnassii 
 
 
 
 
 
 
 
 
 
 “TRANDLY su 
 
 
 
 group of 
 
 The three females symbolize the 
 
 
 
 r in outline and pure in conception, 
 
 The Future represents the idea of Hope budding into Reality 
 
 
 
 The Present on the apex, hand in hand with t 
 
 sents Reality accomplished, Beauty perfected and Active Life. 
 
 
 
 
 
 The ded from the pedestal and is 
 
 gretting the 
 
 A more } 
 
 
 
 has left in the world behind 
 
 
 
 pleasures she 
 
 
 
 
 
 , pleasing and beautiful repre: 
 executed. 
 
 M. Bonr 
 
 Sculpture in 1836, with his now celebrated Statue Socrates drinking the Hemlock, and s 
 
 
 
 ssicux’s career has been especially brilliant, winnmg the grand prize of Rome 
 
 
 
 the no less celebrated Zove Cutting his Wings, which won the Medal of Honor at the Salon of 
 and the double honor of the Luxembourg, after winning all the grades of the Legion of Honor, 
 
 honor of election as a member of the Institute 
 
 
 
 was, in 1866, distinguished by the crowning 
 
 phases of human life—the Past, 
 
 t, and the Future. The work is one of infinite grace, the composi- 
 
 ist and the Future, 
 seretfully surrendering herself to her eternal sleep, re- 
 
 itation of the eternal drama of human life, has never been 
 
 equently 
 
 
 
 
 

 
 
 
 
 
RENE DE SAINT-MARCEAUX 61 
 
 
 
 
 
 
 ibited in 1875, Florentine 1S) in 1880 Har 
 
 of the Tomb, to which the Med 
 
 
 
 FM. Meisson 
 
 of Honour was 
 
 
 
 and in 1879 Ins famous Gem Guarding the 
 
 Mar 
 
 
 
 awarded. M. 8 nd class in 1872, one of the first 
 
 
 
 class in 1879, and the decoration of onour in 1880. 
 
 CAIN (AUGUS' 
 are: Hagle De| 
 
 bronze (1861) 
 
 Pupil of Rude. Ar 
 State; Malcon Pursuing Rabbits, bas-relief in 
 Tigers, pl 
 1876 and placed in th the Tuileries Lion and Lioness Disputing over a Boar (1875) 
 Group of St. Hubert Dogs (1881). M. Cain received a third medal in 1850, 
 
 ng his numerous works 
 
 
 
 
 
 ar (1873), reproduced in bronze in 
 
 
 
 Family 
 
 
 
 rappel in 1863, a 
 
 medal in 1864; a third medal at the Universal Ex tion of 1867; a bronze medal at London in 
 
 
 
 1851, and the decoration of the Legion of Honour in 1869. 
 
 FALGUIERE (JEAN-ALEXANDRE-JOSEPH). — | 
 
 
 
 
 
 Toulouse, Sept. 7, 
 
 
 
 Rome in 1859, havir y made his début at 
 
 
 
 f a While at Rome he produced the Victor in the Contes 
 
 vy in the Luxembou His Zureinius, Christian Martyr (plaster 1867, ma 
 in the Luxembour His other worl tatue of Corneille 1 
 Switzer 1 Welcoming busts of Carolus 
 
 
 
 le Paul (1879), 
 
 
 
 
 
 (1880). M. Falguiére i 
 
 His picture 0 
 
 
 
 37; a medal of the first class at the Univers 
 
 
 
 received Salon 
 
 867; the Salon Medal of Honour in 1868; and a rappe 
 
 sition of 1878. He was made Chevalier of the Legion of 
 
 
 
 As painter he received a second class medal in 1875 
 
 GAUTHERIN (JEAN). Born at Ouroux (Niévre). Pupil of Gumery, A. Dumont and P. Dubo 
 
 
 
 He has exhibited statue of eph, for the Church of St. Joseph, Paris (1875). Clot 
 
 
 
 <eteh of the statue after 
 
 
 
 
 
 ble 1880); Paradise 
 
 
 
 ng numerous p busts. M. Gautherin 
 
 
 
 received medals in 1868 and 1870; a third class medal in 18 und a third class medal at the 
 
 Universal Exposition of 1878. He was made Chevalier of the Legion of Honour in 1878 
 
 VASSELOT (ANATOLE MARQUET DE) Born in Paris, 1840. Pupil Jouffroy, Le 
 and Bonnat. He made his début at the Salon of 1866. He has produced among other wor 
 
 note Chloe, exhibited in 1869 in pl 
 
 
 
 the School of I 
 
 
 
 Arts; Bust of Balzac, on the grand stairway of the Comédie-Frangaise; Country, 
 d for the Court of the Grand Chancel 
 f (1875); Theseus (1876), purel 
 to Thiers at Nar 
 cellent portrait busts. In 1868 he made a 
 
 third cle 
 
 e of the Legion of Honour; Honour to our Dead, 
 
 
 
 iased by the State; Labor (1879), one of tk 
 ning and Morning (1881). He has « 
 
 sdallion portrait of Abraham Lincoln, He 
 
 
 
 monument 
 
 
 
 
 
 s medal in 1873; a second medal in 1876, and medals and honours from various cities of 
 
 ‘] 
 
 
 
 o from the cities of Bru: 
 
 
 
 
 
 France, and al 
 
 and Philadelphia. 
 
 
 
 
 
 
 
 
 
 aster, and afterwards put in marble, now in the Museum of 
 
 
 
 
 

 
 62 A COMPLETE HISTORY OF FRENCH ART. 
 
 CHATROUSSE (EMILE). Born at Paris in 1830. Pupil of Rude. His noted works include 
 
 
 
 Dust to Dust, and Spirit to Spirit, bas-relicf in bronze, at Turin, (1852); Autumn (1855), in the 
 
 
 
 
 
 
 
 
 Church of Saint-E Paris; Christian Art (1859), in the 
 
 
 
 Louvre; Resignation (1 
 Louvre; The Renaissance 
 Instructor of Deaf Mutes, 
 
 Crimes of War (1876), a work of 
 
 
 
 the Antique (1863), in the Louvre; Jacob-R 
 
 
 
 se and Abélard at the Puraclete 
 
 
 
 
 
 te; A Young 
 
 ful type of girlhood; and Reading (1880). M. Chatrousse received a third 
 
 and feeling, purchased by the 
 
 
 
 power 
 
 Parisienne (1876), a 
 
 
 
 medal in 1863; medals in 1864 and 1865; and in 1879 the decoration of the Legion of Honour. 
 
 BARTHOLDI (FREDERIC-AUGUSTE). Born at Colmar, April 2, 1834. He studied painting 
 
 Genius in 
 
 under Ary Scheffer, but afterward devoted himself to sculpture, Among his works are 
 the Talons of Misery (185s 
 (1870); The Leisures of Peace, in plaster, 1868, in bronze, 1873. M. Bartholdi i 
 
 
 
 Young Alsacian Vine-Grower (1869); Verei 
 
 
 
 ‘orix, equestrian statue 
 
 however, best 
 
 
 
 s which include: A Fountain in honor of Martin Sehen, in Colmar; 
 
 «l Rapp; the famous Lion for the 
 
 
 
 known by his monumental w 
 
 
 
 a 
 
 
 
 ‘ountain surmounted by statues of Admiral Bruat and Gen: 
 
 statue of Ziberty, for the harbour 
 
 
 
 city of Belfort, and the equally celet 
 of New York. He received the d 
 
 
 
 of Honour in 1865, 
 
 
 
 CHAPU (HENRI-MICHEL-ANTOINE). Born at Méec, (Seine-et-\ § 29, 1833. Pupil of 
 
 Pradier and of Duret. He tw: 1851 and 1853, obtained the 
 
 
 
 smpetition for 
 m. lle made his 
 
 Among 
 
 
 
 the Prize of Rome, and in 1855 carried the Grand with 
 
 
 
 début at the Salon of 1863 with Jfercury Inventing the Caduceus, 
 
 
 
 
 
 his s of note are: Jeanne-d Are at Domrémy (marble k Luxembou Youth 
 (1875), for the monument erected in a court of the School of Fine Arts to Henri Regnault 
 and other pupils who fell during the war; Thought, a statue for the tomb of Mme, d’Agoult: a 
 statue of Berry th ace of Justic Death of Clytie (1878); and the monument of JF 
 
 
 
 Schneider. M. received a third medal in 1863; medals in 1865 and 1866; the Medal of 
 
 Honour in 1875; and in 1877 the biennial prizi 
 
 
 
 of twenty thousand francs awarded by the In- 
 
 
 
 stitute He was made valier of the Legion of, lLonour in 1867 and of 
 
 Member of the Institute. 
 
 DUBOIS (PAUL). Born at Nogent-sur-Seine, July 18, 1829. He 
 
 
 
 Toussaint in 1856, and from 1859 to 1862 so 
 Naples and Florence. His Florentine Singer of the XVih Century was the 
 1865, and | 
 and The 
 
 (1867); The 
 
 joumned in Italy, studying the 
 
 
 
 
 
 ently copied, It is in the Luxembot 
 The 
 
 
 
 
 
 1864). His other works include: Virgin and the 
 
 
 
 A aaa 7 1s } 
 wb of Genera: , Which comprises, b 
 
 
 
 cal figures, This 
 
 
 
 clining statue of the is regarded as on 
 
 pieces of modern sculpture. M, Dub 
 
 
 
 
 
 s has executed numerous portrait busts, and has 
 
 por 
 He obtained a second class medal in 1863; the Medal of Honour in 1865; and a new imedal of 
 Honour in 1876. At the Universal Ex 
 the Uni 
 
 
 
 of the old. masters 
 
 
 
 the Salon various drawings and paintings, including origi 
 
 
 
 tion of 1867 he was awarded a second class medal, and at 
 
 
 
 rsal Exposition of 1878, the Medal of Honour. He was made Chevalier of the Legion of 
 
 
 
——— 
 
 
 
 Honour in 1867 
 
 
 
 Luxembourg; in 1876 he was elected a Me 
 
 
 
 
 
 
 
 
 
 Sch Fine Arts. 
 CARPEAUX (JEAN-BAPTIST sor t Valenciennes, May 14, 1827. Pupil of Rude, Duret, 
 and of Abel de Pujol. In the School of Fine Arts he won fourteen medals, and n 1854 the Prize of 
 His Young Fisher, bronze statue, « inusual talent, and also indi- 
 v i Ugolino and his Children 
 nmer the Garden of the Tuileries 
 rl noted avorks aré Neapolitan 
 hn a 9g Nero Wounded 
 Cando numerous busts, in 
 
 
 
 
 
 ed the group repre 
 
 
 
 g Agriculture and Science (1869) 
 
 
 
 
 
 1 for f he New Opera Mouse, was placed in position, and 
 se and censure being equally extrem Whatever may be said on 
 v f great realistic power, informed with the most ardent 
 8 ] So lel rrosive ink upon the group; but the stains were eff 
 in molested. Another important work bur Quarters of the 
 which four women Chinese, an African, a European, and a Peruvian, ip a glol 
 
 
 
 lin relief, This group is in the Garden of the Luxembourg 
 
 v second medal in 1859; a first medal in 1863: a first 
 
 
 
 dal of Honour at the Exposition of Brussels, In 
 
 
 
 THOMAS (GABRIEL-JULES). Born in Paris in 1821. Pupil of M. Dumont. In 1855 he 
 won the Prize of Rome, with Philoctetus Starting for Troy. Among his subsequent works are: Virgil 
 (1861), in ¢l Luxembourg Death of St 
 
 Etienne du Mont We Vars 
 
 (1864), on a tympanum of the Church of Saint 
 
 
 
 
 
 Thought (1870); The Four Quarters of the World (1872) 
 
 
 
 statu n wood { he Bank of Fran Toulous + Landriot (1880), statue in marble 
 
 ird medal in 1857 first medal in 
 
 
 
 ition of 1867 he received a 
 
 
 
 made Chevalier of the Le 
 
 
 
 nd in 1875 was elected a Member of the Institut 
 
 
 
 CARRIER-BELLEUSE (ALBERT-ERNEST), Born at Anisy-le-Chateau (Aisne), June 12, 1824 
 rks ar Jupiter and Hebe, in bronze; Death of 
 Luxembourg); Psyche Abandoned; A Grand Roma 
 celebrated persons, including 
 
 Baron James de FE 
 
 
 
 Pupil of David d’Anget Among his principal 
 
 General Desi, in plaster; Hebe SI 
 
 
 
 (in t 
 
 
 
 Lady. We has made portrait busts, in br 
 
 t Renan, Jules Simon. Eug 
 
 
 
 
 
 H ited a Mor shal Massena of 
 he sar class. H tain in 1861, w 
 1866. 1 the Medal of Honour in he latter y 80 
 ion of Honom 
 cpr NS 
 
 
 

 
 qi 
 
 
 
 64 A GOMPLETH HISTORY OF FRENCH ART. 
 
 
 
 PEINTE (HENRD. Born at Cambrai (Nord Pupil of MM. Duret, Guillaume, and Cavelier. 
 
 
 
 M. Peinte is chiefly known by his statue of Sarpedon, exp 
 
 
 
 in plaster at the Salon of 1 
 nd r 
 
 ly planted 
 
 and in bronze the This work was honoured with the Prize 
 
 
 
 and 
 
 the highest encomiums of the critics, Mario Proth s 
 
 
 
 The attitude the movement are exact and correct. . The ensemble is irreproachable, and the 
 
 will become classic M. Peinte also received a third medal in 1877. 
 
 
 
 Sarpedon’ ir 
 
 MARIOTON (CLAUDIUS). Born in Paris. Pupil of MM. A. Dumont and 
 
 
 
 vasseur, The 
 
 
 
 more recent works of M. Marioton includ Young Faun, (bronze, 1878 Lov the World 
 
 ter, 1879; bronze, 1880); Pleasure, (plas 
 
 
 
 1880) Youth Carried away by 
 
 
 
 as also exhibited a number of portrait busts. 
 
 
 
 LEVY (CHARLES-OCTAVE). Born in Paris. Pupil of Toussaint At first chiefly devot d to 
 portraiture. He apy 
 
 infrequently at the vlons 
 
 
 
 to America without being exhibited at the Salon. Latt 
 
 MILLET (AIME). Born in Paris in 1816 
 
 
 
 
 practiced both paintin, 
 
 
 
 
 
 Tus n f the first » MW y i t 
 th Youth Stripping Leaves from Roses; the 
 colossal group of Apollo and th [uses of try und Dancing (bronze), for the New Opera House 
 
 and the statue of Chateaubriand at St. Malo. M. Millet received a first medal in 1857, and was 
 
 made Chevalier of the Legion of Honour in 1859, and Officer in 1870. 
 
 
 
 HIOLLE (ERNEST-EUGENE), 
 
 
 
 Born at Valenciennes, May 5, 1834. Pupil of MM. Grandfels 
 
 ffroy. He won the Prize of Rome in 1862, and made his début in 1867 with a bust of 
 
 
 
 Brutus, and a sketch in plaster of Arion and the Dolphin. The latter reappeared in marble in 
 I I 
 
 
 
 1870, and was purchased for the Gallery of the Luxembourg. His Marcissus (1869), is also in the 
 Luxembourg. Among his other notable works are an allegorical statue of the Children of Cambrai 
 w Died for their th Prussian War, erected at de Matha 
 statue in plaster, for on of MM. Carpeaur and Jo statue of 
 
 
 
 General Foy, erected 
 Medal of Honour in 1870; tl 1c 
 
 
 
 
 
 
ADDITIONAL PAINTERS. 
 
 
 
 FEYEN-PERRIN (FRANCOIS - NICOLAS -AUGUSTIN). Born 2 in 1829, Pupil 
 
 ool of Fine 
 
 Bey -sur-Seille, 
 
 
 
 of Cogniet and of Yvon. He studied at the School of Design in Nancy and at the 
 
 
 
 Arts, Paris, and made his début by the execution of a grand curtain for the Théatre an. Among 
 
 his notable Sale lowing: The Barque of Charon (1857), now in the Museum of 
 
 Nanc Venitian Féte (1861); the Anatomy Lesson of Doctor Velpeau (1864 Wreck of th 
 
 
 
 Star (1868); Return of the 
 
 Return Bi 
 
 in the Luxembourg Death of Orpheus (1878 
 (1881); Lntowicat 
 number of portraits Mr. Han 
 
 not to be so much to make brilliant hits as to reach a good 
 
 
 
 vn and The om Corniche 
 
 
 
 
 after expressing the opinion 
 
 
 
 
 
 that the aim of an artist 
 
 
 
 mean,’ adds: “M. Feyen-Perrin has decidedly attained the bonne moyenne which he thought desirable, 
 
 M. Feyen-Perrin received medals in 1865 and 1867; a third 
 
 
 
 both as a painter and ar 
 
 class medal in 1874, and the decoration of the Legion of Honour in 1878 
 
 BRION (GUSTAVE), Born at Rothau, Vosges, October 24, 1824. 
 
 
 
 
 
 Strasbourg. Among his earliest pictures of note were Gather 
 ny of Poted the Inundation, (Salon ¢ he exhibitec Iding 
 {isace (1861) : of Scint-Odile (1863) anc whi 
 
 
 
 Deluge (1864 
 
 
 
 ral in Ve 
 
 
 
 ire in the Luxer 1 
 n of Victor 
 
 M. Brion furnished two hundred designs on wood for an 
 
 Hugo's Miserables and a number of desi 
 
 
 
 gns for another romance by the same author. Paul Mantz 
 , Brion is one of our good workmen. His painting is always full, solid and well balanced. 
 Thanks to his powers of observation, Brion is in the path of modern art; his sincerity stands instead 
 
 second class in 1853, witl in 1859 and 1861; a 
 
 
 
 died November 4, 1877. 
 
 MARCHATL (CHARLES FRANCOIS. Born in Paris in 1826. Pupil of Frangois Dubois and of 
 Drélling He made his début in 1852 with A Misunderstanding Fc 
 
 
 
 
 
 
 
 
 
 pondeney caused his eyesight and an accumulati t 
 tool vn | He was awarded medals in 1864 and 1866, and a third-class 
 medal in 187 
 
 BONNEGRACE (ADOLPHE CHARLES). Born at Toulon, April 2, 1812 Pupil of the School 
 of Fine Arts and of Baron Gros, He made his début in 1834, with a portrait, Among his pro- 
 65 
 
 an se —— se = 
 
 
 

 
 66 ADDITIONAL PAINTERS. 
 
 ductions may be named: St. Peter in Chains (1839); Christ in the Tomb (1842); The Child Jesus 
 
 
 
 
 
 
 
 among the Doctors (1855), for the city of Toulon; Bashfulness Overcome by Love (1861), ordered by 
 the Emperor; The Manna in the Desert (1864), for the Church of St. Louis in the Isle; he Birth 
 of Venus (1875). M. Bonnegrace has devoted himself largely to portraiture, and some of his works 
 of this class have been purchased b government. He received a medal of the third class in 
 1839, one he second class in 1842, and the decoration of the Legion of Honour in 1867. 
 
 
 
 VAN MARCKE (EMILE). Seine -et- 
 eminent cattle and landscape painter include: The IE (1 
 
 1875) 
 
 
 
 Pupil of Troyon, ‘The works of this 
 rd (1878); The Meaclows of 
 
 (1880); Zhe Water-Gate (1881); Swiss Cow and Normandy Cow (1882). M. Van Marcel 
 
 
 
 
 he Cliff (1876); The Spring at Neslette (1877): Ti 
 
 medals in 1867, 1869 and 1870, and a medal of the first class at the Universal Exposition of 1878 
 
 In 1 
 
 
 
 72 he was made Cheyalier of the Legion of Honour 
 
 VOILLEMOT (CHARLES). Born at Paris, December 13, 1822. Pupil of Drélling, He made 
 Zephyr and The Dream (1859) 
 
 
 
 
 xhibite 
 
 
 
 his début in 1855 with several portraits, Subseque ntly he 
 
 
 
 ete Galante (1863); The Grasshopper and the Ant (1870); We with 
 
 
 
 s (1874); Twilight 
 including portraits. M. Voille- 
 
 
 
 (1876); Jnnocence in Danger (1878); Reverie (1880): and other wor 
 mot has decorated several buildings, both public and private, and has furnished designs for books, In 
 
 gion of Honour, 
 
 1870 .he received a medal and the decoration of the 
 
 
 
 MAILLART (DIOGENE-ULYSS 
 
 
 
 I-NAPOLEON). Born at la Chaussée-du-Bois-del’Neu, He won 
 
 
 
 the Prize of me in 1864 Among his works are: Baptism of St. Augustin (1874); Lhetis Arming 
 
 
 
 Achilles (18 Manon Lescaut (1876); Death of St. Monica (1877); Love as a Shepherd (1878) 
 
 
 
 Judgment of Paris (1879 Prometh Bound (1882 M. Maillart was awarded a medal in 1870 
 
 and a medal of the second class in 1873. 
 
 
 
 January 5, 1821. Pupil of Abel de Pujol and of Q, L 
 arized 
 
 CARAUD (JOSEPH). Born at C 
 Miller His we f 
 of “Athalie” before Lowis XTV. 
 
 Great Condé after the Bi 
 
 
 
 , Many 
 
 
 
 engravings, include: The Representation 
 
 t Valhiere Taking the Veil (1861); Re 
 
 
 
 
 
 Mile 
 
 Senef (1863); Blessing the Bread (1867); Soubretle Sleepin 
 
 
 
 ceived a third medal in 1859; a second medal in 1861; a rappel in 1863; and the decora- 
 
 
 
 f the Legion of in 1867. 
 
 CLATRIN (JULES-VICTOR-GEORGES). Born in Paris Sept. 11, 1843. Pupil of Picot and of 
 
 Pils, In the School of Fir 
 
 
 
 s he was the intimate associate of Henri Regnault and Ed. Théophile 
 
 
 
 Blanchard. Subsequently he accompanied Regnault to Brittany 
 
 
 
 Spain and Moroeeo, and was with him at 
 the battle of Buzenval. His first picture that attracted marked attention was the ZL 
 then he has exhibited: Massacre of the Aben 
 Story Teller (1874); Moses, the Sheik's Son (1878); Hrou-Frou, and A 
 
 
 
 
 at G 
 
 
 
 
 
 some portraits 
 
 
 
ra 
 
 INDEX 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 F Li 
 re 
 VERE Vinnrase Zt 
 
 Bo! ir T pre F 
 
 Rouraxarr, Lour 
 
 Beth op geo bp Oa s oko e oe 
 
 E 
 
 Sor SSS eee 
 
 AINTER 
 
 
 
 OF 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ite, J Pex I. 49 
 I, 62 c Lane I, 49 
 I : I 
 I. 61] E I ADELARI I 
 
 15 | Br Anorpue-Armé-Lovrs I. 9 
 I, 62|E ( i 
 I, 76 | Bros, Ext és L 2 
 I. 72) I. 29 
 I. 17| ¥ Li rE mi ES 
 Burrvra, I Fee I, 68 
 I. 50 
 I. 26 | cx 1 um 
 I. 32} I ren ik. 
 I Cars, Gr I 
 II. 10 | Garner, A : 1 I. 32 
 gue 2 : I 
 54 | Caraun II 
 I ( or I, 29 
 T, 18 | Casey x E iat ) 
 I, 44 J R I 49 
 I. 4 
 APE Huekwe I. 39 
 II. 40 | cn ie I 
 Onarprs, StweoN I 
 I. 48 | on EAU, T I. 7 
 78 Craver Il, 35 
 i. 2 Rn 1 I 
 I i : I. 28 
 83) Gur : I 42 
 I nor, Fx fpemy-Micurt-Bi I. 4 
 I i 
 1 cies-Vi ai 
 82 | Gua F AINE ; 
 I ve, J [ 12 
 iy V7 I I 
 I, 82 ster, 1 
 I. 4 : ; | 
 IT, 48 I i I 
 I ) | Come 1x, I br I. 69 
 115 Pierre Cu T. 3¢ 
 i INCK, PIERRE DE I. 30 
 1. 66 | ¢ Ey I. 2 
 Frew ans (27 
 I ernne, Mrcx 4 
 I Jnan-E Caan I, 40 
 I I A : Tre 
 I creer, G : I 
 I, 80 
 uly al 
 ) I 
 if I : 
 1 THOMA 70 
 " 1 1 Il, 4 
 I Toe 
 e I 
 PAavt-ALFREI Dery 
 I, 64] D, Bouve y TEA L 2 
 I. 20 | D. 1 I 
 18 | Dawa . PE Il. 34 
 67 
 
 
 
 
 
 
 

 
 INDEX OF PAINTER: 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 INDEX OF PAINTERS 69 
 
 
 
 
 
 
 
 
 
 
 Tacquer, Jeax-Gustave Saige IL. 19 | Merze, Hueve AQAA Oe oto 8 
 JaLasent, CHarLes-FRranor ‘ + Cr * I. 75 | Mrcwaunoy, AcHILLE-ETNA «2 1 ee ee ee eee . I 10 
 Jazer, Pavu-Léox AS oad .u Miosarp, Preene BRE cata Caal Occ ees 
 Jeaxnox, PaiuiPe-Aveuste I M “ieee aut Pw eee era 
 Jouaxsor, ALFRED a 5, cuashatt poitite I Minter, Jean-FRaxgor 
 Jou#annot, Tony I Moncuanton, XAVIER-ALPHONSE 
 Jouvenet, JEAN I A RRR eh as ets a Fe insets ee tae aol 
 Juxpt, Gustave ee Sree eee Mes AD, Au pe T Gorse 
 
 n, Arwé-Nr TI. 34 
 Kazwaener, Feépertox-Heser II, 38 - Lov: bak 
 La fx, Lovis-Jxa. aNgors (THE ELDER mivastt ss Luts ee 
 SIO aoa Nevvitne, Avouene-Marre-Aponpne DE 1 
 Lampert, B 
 annixen, £ ) prist I 24 
 ast, Louts-Hucbsr 
 dee ive 6a 28 Gm Ot AU nnov, PHILirrE 5 wees i 
 
 TEL, PETER ee} 
 
 
 
 I 
 Axovg, Fentx-Hrrronyre ERE ERE: 
 . Parrois, Istp0Rk I, 5 
 Per Lovis-Ger Il 1s 
 ‘ Punravur, Lé ul 
 I Per Ar i. 26 
 Perrier, FRAxgot Lol 
 ay Purmivporeaus, Fétax-Exmaxven-Hennr Pees 
 
 
 
 
 
 or, Fraxers 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Lepauy, Cuaruz I 
 Lecowre vv Novy, Juurs-Jean-ANtoise 2... oe ee fii, 53) |e mis 
 tj RENE I - 11s, IstpoRE-ALE ORE il 4 
 Lereayre, Cuannes L 67 Bet 
 Lerenyre, Junrs-Josepn oe ee 1. 21 zs BaD Bune a Lonel 
 Jisrryne, Chaupe! ae (sole alle 2 ttes susie de qjearennrates I. 21 SUE g : 
 Leonos, At I. 4¢ poe 
 Lenwass, Cuannes-Ensest-Ronore Il. 38 BAU oe 
 Lenoux, Peren-Frasct I BORER URN ' 
 Lewoux, PIERRE-ADRIEN-PASCAL 0 ee eee mt 29 |? ey te ey 
 ieneuy AMGLuAi wee Seen ead ae ie Mectncnes sea Eh) fea eae a ess : 
 Le.ev ARMRMD ce 4 fe ye) $i on ce cet em Ke | ay 
 Leon, Joux-Barmist-Avauerus........... 3 Tous) ieee eMuiteee eae dpe ae OL ie 
 Decor, Dour:Auguere «22. aac¢s0 5 - ene IL 20 SN ee arte Bilt area af 
 Letom, Maven en en aot 25 EES see 
 Learre, Jacaurs-Frasgos FERNAND. <0. 2 ee ee eth. 45 ! 
 Le Moyye (on Morsn), Fuasgos.. 2... 2 ee Ite any ae 
 i Frines 2 2 I, 22 abe we 
 
 Bt s-Buakse i. 4 a 
 Lesore, Pacn-Mat (if, 2} | EES ues oaks sae 
 Leroux. CRAntES-Manre-W r L 69 Ronert-PLevry, Tox 2 . II 4 
 ie Roux, Huees Ul 45 Rosert, Huser pena . * al 0 
 Lesceur, Evsracre [1s | Rosert, Leororr ) 
 Lermiiee, Guinnacme-Gurn [. 29 | Bouts Anpenr-Far Mi 2 
 
 Bare ¥ 5 1 31 | Rovex Junes-TAMES IL x 
 Lévy, Huser-Léoron : mr. 20! ees ae ee 
 Lomucuos, Trtontos ies Nr | Se Ueepos: s 
 paueene pe Repacx, Et Ul 
 wisars, fiyarisre-Vira 
 
 8. i Arp-AL F IT 8 
 
 scarp, Tunes. Lout 5 : I Sar I. 48 
 MaiGnan, ALBER I 4 Sarsr-J il 4 
 MAtunan Diogesr-Ut e-N (ON 2 Il. 66 Saumsox I 22 
 Maver, Epovant I. 45 Sarr Lx 
 Manrcuat, Cuar Fr Ir, 6 Savurar uL-Enr. an 
 Manéonan, Cuannes-Lacrns ... Te 65) Sommprun, A I. 40 
 Martenan, Raprar.-Crart. I 7 ScHENc Avevs’ I peRto-A ROH oil 
 Mut eaS-Lowis Bus I 1 Sonorrs, £1 rc T. 6 
 Méuiseur, Brresse Liver If. 37 | Senuoy, Hreronyrr ieee Ta 68 
 
 
 
 
 

 
 
 
 70 
 ALEXANDRE 
 wr, Lucren-Pre 
 IGATON, XAVIER 
 1 
 Sremuer, ADOLPHE 
 Sremvmen, Lours-Cu 
 Srenua, Jacques 
 
 Supneynas, Prerre 
 
 TassanRr 
 Turn 
 Te 
 Your 
 
 
 
 
 
 Nicuor 
 
 Avaus 
 
 Toque, Louis 
 
 
 
 
 
 
 
 E-Lours 
 
 Cuarr 
 
 ARLES-At 
 
 
 
 
 
 INDEX 
 
 
 
 INDEX 
 
 
 
 Gavrnter, 
 
 Caries 
 
 OF 
 
 OF 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Vassetor, ANATOLE-MANQUETDE........... 2 1 
 
 END. 
 
 
 
 
 
 
 
 
 
 
 
 SCULPTORS. 
 Marcxe, Eume.......... ¥ II. 66 
 Véwy, Awarons re mien eA AU 9 ee SS 8 got, 3) 
 LONG SCNT eno Gio Gp Dob Ame ew tL 2 
 wet, Eurue-Jean-Horace .......4455% . yl 
 Vevnasser, Junes-Jacques eae Sails! 
 Viner, Jewan-( a 
 Vis, Josery 1 
 Vicée- Leroy ISE I 
 Vicen, Hroron-Juan-liouis ....,. ..-...-.> II, 45 
 Vine As 1. 49 
 VornEn I. 6 
 Vo. I. 83 
 Vor I 
 Vurierroy, Domryique-FEuix ve . oa . -i BA 
 Warreau, ANToINE 
 Wonns, Je meaner ee eres 
 ata eine ct ust I. 72 
 I 19 
 es-PHILIBERT I, 46 
 WAP BA YP) [De 
 SC UME AMOR Ss 
 I 
 I 
 I 
 AupE-Bu ul 
 ll 
 ul 
 Fr I. 60 
 Tran I 52 
 Leanos, Prerre. . .. . 2 Il 6 
 Leaaree, Parurrre-Hexnt cyclers 
 Lévy, Onannes-Oora : Rees eee 
 Mantoros, Chante I, 64 
 Minter, Ant Ii. 64 
 I AvaustixE 3 Seb aseng wll 
 Pervte, HEN on ce ke ens II 
 PiGat JeAN-BApriste II 0: 
 Pinon, GERMAIN tc ert « ae Bi ftar tia) al ee veces Il 
 Praprer, Jean-Jacques 2 Son . ats ety on Ae: OB: 
 Prreve, Barraiceny 53 
 Puoer, Prerre o4 
 
 
 
 
 
 
 

 
 PAINTINGS. 
 
 VOLUME I, 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 TITLE RIIST LOCATION OF THE ORIGINAL. 
 BI HE BARETI syste 2 Lovise Annem i 
 TERRACE OF THE VILLA DORIA PAMFILE A ANAS 
 YOUTE : ‘ eG Jean-Ensest Aubert 
 RAH BERNHARDT i P 
 RTUNE AND THE CHILD ees aee vi-dacuue-Atme 
 PERSEUS AND ANDROMEDA Cuarnes-Epovarn ve BE 
 THE CAPTAIN'S SHARE * Cuarnes-Epovarp pe Br 
 THE GARDEN OF MONSIEUR LE CUR of se-E n Bere-t r 
 MARGARET TEMPTED a Jars Benrras 
 MARGARET BETRAYED . ‘ 4 Berre 
 Coco's T RATIO: : Prerre-Marm Beyie 
 MASSACRE OF THE MAMELUKES 3 ALeXapee Bir 
 THE CASTLE TERRACH, XVrn CENTURY ppn-Cenestin Br 
 PLOL N IVERNAIS Rosa 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 PROMENADE IN THE STREET OF TOMBS POMPEIT . Gr : 
 
 THE DAY OF BAPTI t 
 
 WAIt : uvsse-Lowts-AvoustE 
 
 PORTIA: SCENE FROM “MERCHANT O \ pri CABANEI 
 
 THE ENGLISH PROMENADE AT NICE 5 : se EPH CASTIGLIONE Galler ( g. V 
 EPISODE IN THE SIEGE OF NAUMBURG Janosiav CEnatak 
 
 A GOOD POINT OF VIE\ Vi Crevit 
 
 SMOKE AFTER VES Viscesr ¢ TARE 
 
 POO OVE * cer: E soors-CLarprys ( C LI 
 
 MARIE TOUCHED. . : Prenne-Cirannes Cos e is 
 
 LES CONFETTI s : Prenne DE ( Jon of 18 
 
 THE WOMAN AND THE PAROQUET . . . Gustave Covrne Salon of 1866. 
 
 ) LESCAUT PASI. Daoxax-Bovvernt ollection of Hon. H. P, Mortor York 
 EMBARKATION OF MANON LES! r ¢ RLES-Epovarn DELor’ taller 1 
 THE PASSING REGIMENT A Evovarp Derarnue ry, Washingte c 
 THE MARSBILLAISEHYMN,............ Gustave D 
 
 CHARITY ot L-Epovann Dunvre 
 
 MADAME CROIZE us Dona ngais, Pari 
 
 RETURN OF THE FISHERS AT LOW TIDE : axgors-Nrconas-A, Peven-PEnnis 1880, 
 
 THE WARM HAND : ath Frarra . . 7 
 
 FAL oH ALGERIA : : Evaise Prowestrs he Luxembourg 
 
 THE DA JF THE FET + JoLEs GARNIER > Gallery of Mr, F gow, Scot 
 THE TRIBUTE TO THE MINOTAUR . . . Auguste GE + + «Gallery of M. ( Par 
 
 THE TWO AUGURS . Jean Liox Génome rs Salon of 1861 
 
 ALCIBIADES AT THE HOUSE OF ASPASIA EA iEROME f 1861 
 
 THE WALL OF SOLOMON J EE 1868, 
 
 PHRYNE BEFORE THE TRIBUNAT : Tr Génowe f 
 
 THE PLAIN OF THEE GEROME 
 
 THE ABDUCTION OF AMYMO: Tnxnr Gracomorr ur 
 
 THE GOD-MOTHER'S GARDE Prrars Grrarr Ga : 
 
 EPISODE IN THE SIEGE OF SARAGOSSA .. . Toes GHRARDET . Gallery of M k v7, Seat 
 THE DEVISA : Prenne isEvaine Gav. . . . Gallery of the Lu 
 
 THE CONJURATION . . . eee . . . Promre-Pavu-Léox Grau . Gallery of the Luxembourg 
 HERCULES AND OMPHALE : res-Gamnrer, GLEvRY Museum of Neufehatel 
 
 PRESENTING THE TROPHY OF THE ROOT... . .Juax-Rrowa 1 . Gallery of Mr, J. H. Stebbins, N 
 
 
 

 
 J 
 
 
 
 LIST OF WOOD ENGRAVINGS AFTER PAINTINGS 
 
 TITLE 
 Porrrarr or Hexey II 
 
 PLEASURES oF THE GA 
 Tue Lasr Joy ° 
 Te PERrEot MasTeR «2 - <---> +: 
 Hurovnes Coy 
 
 
 
 
 
 
 
 THE CENTAURS 
 
 Susawnau av tue Barn 
 
 Tue Orrerixa to VeNus 
 
 WMine oa ae Senco eee hebews 
 
 Lasour axp Famrny Reet On KO Oat 
 
 
 
 suns Desrroyrye Cacus 
 Tue Vauury oF 1 
 
 Gax 
 
 
 
 
 
 arpep By a Dog 
 Cuerp Qurrrr 
 Dears or Vr 
 Hannour or Rrrerra 
 
 Diocexes THRowine AWAY HI 
 
 
 
 
 
 
 
 Teagan Givive Avprenc 
 
 ‘Tue Saute Women 
 
 
 
 rest CHAPTER oF THE OnpER oF THE Hony Guo: 
 
 
 
 
 
 TORMING OF CONSTANTINE 
 
 Tue Baruers 
 
 
 
 Tue BuacksMrre ar His 
 
 Venus Brspise tH 
 
 
 
 AND GALATE 
 
 
 
 First Coxsut 
 
 
 
 Bentsarrus 
 
 Epvoatios or AcHILLES 
 Eyrraxce or Hexey LV. rxro Pant 
 Napoteos ox rae Barrne-Gnrousp or Erna’ 
 
 
 
 Jusricn asp Divise VeNceance Por: 
 
 
 
 Tue Rarr or THe Mepusa 
 Mowasrery py 1HE Meprrernaxeay Sea 
 
 Tue Rer F Marous Sextus 
 
 
 
 
 
 Locvsra T 
 
 N 
 
 A Siav 
 
 
 
 SsINATIC rué Duke or Guise 
 
 
 
 
 
 BANCE OF ALEXANDER INto Banyno: 
 Arrival or tHe Reavers N Postise Mansues . . 
 Tue Dears or Ronasp 
 
 Dox ( 
 
 INTE A 
 
 
 
 
 
 OME IN ITs DECADENCE 
 
 Oxpaevs 
 
 Anan GAvatter Srartise vor rae Fayrasta 
 
 
 
 VOLUME I 
 
 
 
 Jean-Baptiste Santer 
 Joseph-Marie Vien 
 
 Hyacinthe Riga 
 Jac Li 
 
 . Fra: 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Paul Di h 
 a Le Br 
 
 ld Ee 
 Ach 2 Mich 
 Anne-Louis G 1 
 Tean- Bu, Cor 
 E 
 Joseph R 
 Te Auguste L 
 C Taoquand 
 
 
 
 - Salon of 
 
 . Gallery of Re 
 
 . Gallery of the L 
 
 . Ga 
 
 - Gall 
 
 
 
 LocaTIo: 
 Louvre 
 
 
 
 
 
 alte 6 agen aco e 4 
 
 Gallery of the Louvre ......... 
 
 
 
 an Chabot 
 
 
 
 Gallery of the I 
 Gallery of Dre 
 f Ver 
 Gallery of Vers 
 Gallery of the 
 
 
 
 
 
 
 
 
 
 
 
 f the 
 
 . Gallery of the Louvre 
 
 Gallery of the Louvre 
 Gallery of the I 
 
 Gallery of the Louvr 
 
 
 
 
 
 
 
 Gallery of the 
 
 
 
 Gallery of the Louvr 
 Gallery of the 
 
 Museum of Nim 
 
 
 
 « Gallery of the Duke d’Aumal 
 
 it, N 
 a f the Luxembour 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
LIST OF PHOTOGRAVURE: 
 
 
 
 AFTER PAINTINGS. 
 
 
 
 WOO) IE AUP Wa EI 
 
 TITLE ARTIST 
 
 
 
 IGINAL, 
 LA PI 
 
 SAINT-GEORGES, PARIS......... af ves GRANDIFAN .. . . Salon 
 
 
 
 
 INNOCENCE . F G artal 
 AFTER HIGH TIDI THE Gallery of the Lu: 
 THE FUGITIVE A MAN Gallery of M. Georges Petit, Paris, 
 
 
 
 THE JUGGLERS 
 A GOOD STORY . : 
 AWAIT ME UNDER THE ELM . . 
 
 DIPUS AND THE SPHYNX 5 + + . Jeax-Domrniqve-Avavstix Ixore 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 THE DISPUTE penio-Heser Kannaeren 
 TACK, SAM, SHOT Lovis-Buaise Lastae hild, Paris, 
 A WOMAN OF THE Cuannes La : 
 THE MERMAID Ls CHARLE ELLE 
 WIODEITH ». 5. ora fee. ss» AcHtene Lavres 
 LAST MOMENTS OF MAXIMIL mn OF MExI Jr I Lac 
 YMPH AND BACCHUS 3 ce Jens-Joszpn Lerenvyet 
 CC. Cuanues-H.-} EB LE E-VERNET 
 : P seek : On Hesns Sal 1 
 GRANDFATHER'S BIRTH-DAY ‘x .. . Anexanpre-1 101 Collecti 
 THE JAPANESE FERRY Guo sh tinhedn Pavi-Marre Lesom. .. . Salon of 
 THE DEATH OF ORPHEUS Boies fwrue Levy the Luxembou 
 JACK IN THE BOX iallery of M. Dumont, Pari 
 THE DEATH OF CHRAMM...... Jon of 1879. 
 CHRIST'S INVITATION T0 THE AFFLICTED. . . . St. Nicholas-in:the Fiel 
 FAIR OF SERVANTS AT BOUXWILLER, ALSACE he In 1 
 
 
 
 
 
 
 
 
 
 THE EMPEROR AT SOLFERINO . i Luxembourg. 
 VICTOR HUGO oudeted . .. . . Xayrer-Anpuoxse Monon apron Epinal, Fran 
 THE RECEPTION BY RICHELIEU... .. . theo Apmiex MonrAU «1... ee ee D. W.F Rochester, N. Y 
 
 
 
 BLANCHE OF CASTILE 4 A go 4 alee 
 THE GOOD SAMARIT 
 THE T ATION OF SAIN 
 
 THE LAST CARTRIDGES. . . ° Somes AupHoxse pp Nevvinig ..... . . . Gallery of M. Lefevre, Chateau de Chamant, 
 
 
 
 
 
 
 
 
 
 
 
 
 EADING LESSON n of 1862 
 
 YET DE LIS INGING THE SEILLAISI sustin Pins Gallery of the Luxembourg. 
 THE JETTY, TROUVILLE Salon ¢ 
 THI CY OF BACCHUS EI +++ ++ . Gallery of the Luxembourg, 
 IXCAVATORS AT POMPEII or . . . - Bovarp-Anexasprr Sars Gallery of the Luxen 
 
 
 
 THE ARRES' 
 IN THE STU 
 ETING OF F. 
 FORBIDDEN FRUIT....... 
 THE CHICKEN W¢ 
 
 
 
 Huao Sanasos een aye Gallery 
 
 
 
 
 
 
 
 
 
 
 
 
 an, Paris, 
 
 
 
 TIE HOURS 
 JOAN OF AF 
 
 ons, France. 
 
 Luxembour; 
 
 
 
 
 
 
 
 
 
 THE CRIMES OF WAR LE aux Arts, Paris, 
 CLOTILDE DE SURVILLE as J 
 
 YOUNG GIRL TELLING HER SECRET TO VENUS, Fr F L 8. 
 
 I RNS THE WORLD AT HIS CAPRICE Cr RIOT! 
 
 SARPEDON : : : sae Tes 
 
 GENI GUARDING THE § Revit pe Satwr-Manceau uxembourg. 
 CHLOE LE-MARQUE Vassenor Institute di aux Arts, P 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 a A OM AD ATTN ADT ATMTIN AG 
 LIST OF WOOD ENGRAVINGS AFTER PAINTINGS. 
 V-OLUME IT: 
 
 TITLE. LOCATION OF THE ORIGINAL PAGE 
 Tae Vipers on { Mr. T, R. Butler, New York 1 
 
 Spnise-r0t Duke d’Aumal 
 
 ‘Tae Rowaxce atA Move. . he Luxembourg... 
 
 Sarst iE AND Wis Moruer . Collection of the Duked'Aumale . 4 
 Lov: ar -Salon of 1878... on 
 Avesve or Caesrsur Trexs Gallery of Mme. Cassin. . : 6 
 Excosustoatios or Ropert tHe Provs . Gallery of the Luxeml ates 6 
 Popries . Gallery of Mime. Arnoult Plessy, Paris... 8 
 Tue ( Museum of St, Etienne, France... .. 8 
 
 
 
 ARistipEs AND THE PEASANT 
 
 
 
 Rerurn oF THE Frock... =... « 
 
 
 
 ‘Tue Last D. 
 
 
 
 A Kw F 
 Foyer ABSIT us ay ee Hector De Feu) ea) se 
 Twrercur rs N Nai 
 wo Foscarr ..... 3 L Hil oig oe 
 Buvg Mosau Rod & eee Jules-Joseph Laurene. .. . 
 
 
 
 p Laatns 
 
 
 
 
 
 Youre Gren Watcury 
 
 
 
 Os tHe Curr... ..- Bic on psBed tet 
 Av tHe Sprixc 
 
 ‘Tue Soar-Busse 
 
 Last Day or Mapa Roranp's Capriviry 
 
 A Srreer ry Jenvsane 
 
 Tue Day or tHe Deap 
 
 2 BerrorHa P 
 THe Toner 
 
 Tue Woop-Curren or SEN 
 
 Avr 
 
 
 
 
 
 
 
 ire pGie Ue) Oy es ee So pe pene se 
 ‘Tue Recrvirixe Parr BOG a Beate, Goo 
 ‘Tue Basker-Maken 
 
 Tutrst; Prisoners tx Monocco..........+. 
 
 
 
 Tue A , 
 A Weppise 1s Bercuspy, XVII [1n Cextory 
 
 
 
 
 
 LIST OF WOOD 
 
 
 
 Perrerr Teacninc A Dear Mure ........ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Salon t : 10 
 Museum of Dijon, France Reser 12 
 . Gallery of M. Georges Petit 4 
 of the Luxembourg 4 
 f the Luxembourg 16 
 of the Luxemb 16 
 of the Luxembourg . z ee 
 Sa ) 18 
 Gallery of Mme, F. De Langa, Paris. . . . 20 
 Museum Wiear, Lille, France oo) 
 Salon of 18 22 
 
 
 
 Gallery o! Rothschild, Paris 
 
 
 
 VINGS AFTER SCULPTURES. 
 
 Deaf and Dumb Asylum, Paris 
 
 
 
 
 
 
 
 
 
 
 
 MUTWTAE! 2 504) aigtetasle Sn siampasptn. yore] a ('5y gh ue 9 Michel Clodion . . . . . . « Palace of San Donato, Floren 
 Au Puajotine repli ncen ue teste Palace of San Donato, Fl 52 
 
 Francois Rude... 0 0 0 oes . Gallery of Mme. Thier at 
 
 « Jean Gather os ee es Museum of the Institu' 54 
 
 a Crocoprre Louis Bary . Gallery of the Luxembc 5 
 
 3; wER Home of 18 5 
 
 Fre Monument at Beli 58 
 
 Tuli -C tion of Rosa 8 
 
 Tea Gallery of the Luxembourg... . . 60 
 
 
 
 
 
 
 
IMPERIAL EDITION 
 
 VEASTERPIECES OF FRENCH ART 
 
 VOLI. 
 PIES OF 
 
 
 

 
 
 
IMPERIAL EDITION 
 
 MASTERPIECES-OF FRENCH ART 
 
 WOE, It 
 
 OUSAND COPIES OF TH DITION PRINTED FOR SALI 
 
 THIS COPY IS No 31 
 
 
 
[/UPERIAL EDITION] 
 
 THE 
 
 
 
 MASTERPIEGIE 
 
 OF 
 
 FRENCH ART 
 
 PEC Si VATED: 
 
 BEING 
 
 A BIOGRAPHICAL HISTORY OF ART IN FRANCE, FROM THE EARLIEST 
 PERIOD TO AND INCLUDING THE SALON OF 1882. 
 
 BY 
 
 FOUISSVIARDOW 
 
 AND OTHER WRITERS 
 
 EDITED BY WM. A. ARMSTRONG 
 
 PHILADELPHIA: 
 GEBBIE & CO., PUBLISHERS. 
 1882 
 
 
 

 
 
 
 | 
 
 Philadelplaa, March roth, 1883. 
 
 Posrscrier.—The present List of Subscribers will be supplemented by 
 
 
 
 one page containing the names of purchas of the 80 copies unallotted 
 to subscribers at this date, as soon as the last copy is subscribed for. For 
 example, we have this morning received the names of three subscribers, 
 
 which we record below: 
 
 798. THOS. WILKS, - .New York. 
 801. W. WILSON, . . é 
 952. L. E. WEIMER, a8 Lxpanon, Pa. 
 
 GEBBIE & CO. 
 
 
 
LIST OF SUBSCRIBERS 
 ) THE 
 
 IMPERIAL EDITION 
 
 MASTERPIEHCHS OF FRENCH AR’ 
 
 PHILADELPHIA: GEBBIE & CO. 
 
 ne —Tie wore One Tuovsaxp ( NOT BEING 8 BET OS THE COMPLETION OF RK, WE PUBLISH THE Lust 
 
 
 
 
 
 Sn 
 
 
 

 
 vi LIST OF SUBSCRIBERS TO THE IMPERIAL EDITION. 
 
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 18. G St. ( Ist 245, Mrs. J. ( and, 0. 09, H I y Y 
 182, Eng I { 246. Mrs. W. I. Fitek t, Mich u 0 Hobok I 
 183. R. W. ( 7. David I 11. 0. W. Ha I 1 
 184, Mrs, Henry Ta Lafa 248 I hi 12 I n, A 1 Pa 
 { 185. Mrs. Geo, H, Hammond, I 249 1. E ter gs 1 I Tr., Ga 
 ! 186, FW c Mich 250, 8 kerson, Chi 1 14, W c n 
 i 187, Micha Peoria, I cl 15, Th 
 188, J. C, Hansel, Peoria, IL 16, Fr ( 
 89, 1 I. Day, E ml 253. Mrs. M Chicag it a8 
 | 190. GM 254. E au E adelphia, Pa 18. Tames H. Lind 
 191, L, B. Kenda M J. Drexel, Phil Pa Harry B: I e Pa 
 2. HL A. Ha niel I LE 0. Th lelph 
 193, J Ba I Buffalo, N. ¥ 1. Rev. ¥ I 
 19h, A ay, Detroit \ Y 22, Jes I H 1 
 195. G.I r M n a 23, Hon. R, W. I I 
 198. S. F.S 0. 0. H, Clark, F Bauecenn urg 
 W. Robertson San 0 261, M 4 Thos. A. E 1; , 
 198. H. J. Donahoe, Sandusky. Ohi 262 1, Ph I frs. H {1 
 199. W. R. Reynolds, Jackson, Mict 263 bS.1 phia, I 27, J. A. L. Whittier, I 
 
 
 
 
 
LIST OF SUBSCRIBERS TO THE IMPERIAL EDITION vil 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 28, 8. A, Vannevar, Boston, M I ord. Y 55. Mrs. J. 1. Case, Racine, Wi 
 29. Marshall K, Abk J A Ir. E ile, N.Y ( is, Cin 0) 
 0. F. H. Ir DJ Brad Y nnati, O. 
 Mrs, ( , Y 4 foline, I 
 M Seb 0 ( nati, O 
 t oni 7, Mrs. J. 8, L'Ami l Y 461 adely 
 John 1 y 18. James R. Ch Y 1 Philadelphia 
 Mrs. Henry ( Tk Y ( lelphia, I 
 Alban 400. John Kellogg, A 1 Y ; r, Pa 
 ; 1 01, Hi R. Br t I Philadelphia, T 
 1 : 02. 0. : A ro, Ma ‘ Provid 
 w Yor 10) ards, North A M Pr 
 York 104. Charles A. Trafford R.1 1 all River, 
 Albany, N (05. John H. Hopki ler I 169, Win. H. Tillinghast, E 
 43, Th I 6, William El lence, R. 1 470. Wathinson Library, Ha ( 
 44. Hon, L. G. Hun, Alba Y h A. Stone, Mel 471. W. H. ( Baltimore, M 
 45, H. McK. T New Y It, Tubbs, East Oakland, ( 2, Lee Walter Summer, Baltimore, Md 
 46. Dr. Wm. Macpli Philadelphia, I Re Conn 73. Mrs.Senator John E told Hill,Ne 
 47. Fannie V. Wai v ary, N I F 4 atterson, H 1, Con 
 48 411. Mi Cincinnati, Oh 17 i Au 
 349. M12, J. WL. E Ind 476, Mrs. O, H. Allerton, Newark, N, J 
 n, Conn 113. George 8. Albee, O: Wi $77 Sheerar, D.D.S i 
 35 n, ( H. E : City, Mick 178 s Macken, Wellsvill 
 2 1 e Mi 179 {. Green Syracn: y 
 Laura I i N ©. L. Olds, Fort Wayne, Ind 180, 
 J. ( a n, Lockp Y 7. Mrs, ( H.8 Evanst 1 81 
 hn G Tr., Syracu Y 8. Wi En ght, Oshkosh, W 2, 
 Stephen D. , ( i, N.Y ). R. P. Gustin, E fic: 48 
 7. Joshua Mather, Utica, N.Y 420. W [ Bay Cit n 
 The Misses M. E. & T. 1 Ww l Jol Pittsburg, Pa 1 
 nN. Y BE. P. D: Vilkesbar 48¢ 
 1 E dalvest 8. 487. 
 124. PLS 48) 
 12. Kauffman, ( 1 uJ 18: t 
 12 Riehl, G 8 490, Geo. Brook boro, E 
 427 \ t 7 491, D, A. A. Buck in 1 
 428, Chas. 0. 8 ral 1 192. 8. Chew, Philadelphia, Pa 
 3. Win. BJ 4 I J.C, Haydon, Jan Pa 
 ( Hilbert, ( Te 194. R IL. Sayre, I 
 ( ta Doxa 495. Hamilton Di Pa 
 t pper n, T 1 
 V. Corbett, E Oreg 433, L. H, Taylor hiladelphia, Pa Pa 
 S. Burrell, Portland, Oregon 434, 8, W. A ( I hia, Pa 
 $, add 1, ( 5. H Chicago, TI 
 2, Lewis Irwin, E I ( r, Chi I 
 73. J. 0 1 I 7. W.S n, Chieago, Ill a, Pa 
 i. ( k Harri n W I ( I 
 Mrs. Senator W.B.A Wash d( ! E hout, East’ 
 neh arg, Pa 140. icago, I 
 f : ) 441, Al £ go, Il 
 k I 442, Henry Ora Chicago, I 
 Providence, F 443, I ack, Chicago, I 
 ley, Provid R. I 1. 5.0 Pittsl , 
 Smith i ati I Library, Cin 
 id R. I 146, Isaac ( 1 I 
 William H, Pope, Providence, R. I 47 side, O, or 
 4 Weeden 1 I 8. Mrs, E Chivago, 1) 
 85. C, A. Hopkins, Providence, R. I 149, F E. Durkee, ( 
 6. Edmund W. R 450, Mrs. I, P. Ch Flint, Mich 
 7. Walter M. J R.I 451, Mrs. J. S Saginaw, Mich 
 B. J. An, J McDonald, F 1 V ul 
 >. Manfred CG. ( ‘ D. Rana, Burling; Phi hia, Pa 
 90, Wm. E 454, Thor nr h, W Readin 
 
 
 
 
 

 
 | 
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 vill 
 
 LIST 
 
 OF 
 
 
 
 SUBSCRIBERS 
 
 TO 
 
 THE 
 
 IMPERIAL 
 
 EDITION. 
 
 
 
 
 
 
 
 
 

 
 LIST OF SUBSCRIB TO THE IMPERIAL EDITION ix 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 11. B.B.E Glens I ( N.Y 3 Pa 
 ¢ 77! 8. Ontar + M Vv 
 g 777. A. T. H. Ball, Galt, On ), FSi Co., Chica 
 i 778. Ben ( I Ontari J. 0. Cr B. 
 Onta E. J Bu: Y Helen Howard, V 
 16, T I St her M 780. G W.H I ( Depere, W 
 717. V H ( 78 We I u Ad h Wi 
 71 A, I Si O01 2. am, O1 N E Wi: 
 719, Chi St. ( 0 patham, Ont f B. HL, Stim ppleton, W 
 i lea 8 ( 784, I bel gal AL ham, 47, F ( ay, W 
 VW. k ( 785, 1 I I f 1 1 W 
 I 8 n Ca i S.I B Y 1 3. al, Canada 
 Horace I i800, ( ) 
 L,I San 788. I I 5 rd 
 M f 8a: T C.R.I Bu Y 8 N E Bra I 
 frs, ( ( I I A. Lindsay, Montreal, Cana 
 D.s n a ct 7 J F Y 854. M Da Y 
 n. I ( 792. WV E a nt ( aula 
 31, Gu: F ( A. G.I Bu Y h al, Canada 
 732, M i if k 8 ( 1 C. ¢ 1 H 
 L, Ban Co,, San I 1 7 y 60. BLT N.Y 
 1, Baner ( 8 I Ca Y i 1.D., Brad A 
 liam A, ( j 09 ( 62, Mrs. L, E. Hamel iford, Pa 
 s ( a J 5 863. N rd, 1 
 737. R. HI nda, Pa 01. John E ! 86 A.B. W Bradford 
 738. Wm. B. 8 I 02, Win. I rN 865. H. Adams, M W 
 ». § ury 8. Gould, & I C I I ae 
 0. Mrs. H.C. E gton, D 804. I i 
 74 T. W Wil on, Dy 805 i \ N.Y 
 742. II 1 I 80 +. War r,NLY 
 E 
 
 
 
 
 
 
 
 
 
 
 
 
 
 La 
 Roel: y 
 U 
 : 1 Vt 
 yu Y 
 M duet 
 Baltimore, Md 890. D.C. McCallum, M, D., Montreal, Cu 
 Baltimore, Md 891, James Burnett, Montreal, Ca 
 St. Louis, M 892, Richard R. Dobelle, Quebec, Can 
 ( daign 893. Wm. M person, Quebec, Can 
 pellsyill 
 0. F. Watson, M So, Orange 3.4 snandai 4 
 Jam 8 8 St. Alt 
 JM W ek, Ontar 834. R. GN Rochester, N, Y an 
 John Labbatt, London, Ontaric 8 I N.Y 
 773, W.J. Elliot Ontari sJ rey, Bradf 
 774. Ernest K. Weaver, Buffalo, N. Y R.G.E i, Pa 
 
 
 
 
 

 
 
 
 LIST 
 
 
 
 
 
 OF 
 
 
 
 SUBSCRIBERS 
 
 
 
 
 
 7 
 
 
 
 
 
 IMPERIAL EDITION 
 
 mery, Cincinnati, O 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 970. Smart, ntgomery, Cincinnati, ( 
 , Ma 
 7 Md. 
 73. N Co., New Orleans, La. 
 Denar New Orleans, La 
 Mel Co,, New Orleans, Lin 
 I Philadelphia, Pa 
 ii D. Iphia, ¥ 
 7 I Iphia, Pi 
 V adelphia, I 
 82. J m Y 
 z Beach Y 
 185, John E y 
 Smart, Caie & Montgomery, Cincinnati, O. 
 igomery, Cincinnati, 0. 
 8 atgomery, Cincinnati, O. 
 4 ati, O. 
 94 tgomery, Cincinnati, O. 
 I Baltim 
 1 Orleans, ba 
 ( w Orleans, La 
 ( Orleans, I 
 ( N.Y 
 RG gin, Rochester, N 
 y. E 1 N.Y 
 00. B Rochest 
 
 
 
 
 
 
 

 
 
 
 —— 
 
 eS 
 

 
 
 
 0 SHL Wout 
 
 SAHOIN ANV FACT “YHHLOW SIH CNV ANILSI 
 
 
 
 LNI¥d IyNIomMo SHL wou 
 
 
 
 
 INV LNIVS 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 FROM THE ORI 
 
 
 
 
 
 
 
 
 
 NTING BY 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 BENJAMIN 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 THE ANTE-CHAMBI 
 
 FROM THE OR’ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 FROM THE 
 
 
 
 
 
 
 
 
 
 CHARLES V. AT THE MONASTERY OF SAINT-JUSTE. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 LION DEVOURING A GOAT. 
 
 N THE GALLERY OF THE L 
 
 
 
 
 
 NE DELACRC BOURG. 
 
 
 
 IGINAL PAINTING BY JOSEPH-NICOLAS ROBERT-FLEURY, IN THE COLLECTION OF M. PERIERE, PARIS. 
 

 
 
 
 THE AWAKENING: 
 
 FROM THE ORIGINAL PAINTING BY ¢ 
 
 
 
 ENCAMPMENT OF PILGRIMS ON MOUNT SAINT-ODILE. 
 
 
 
 BRION. 
 
 
 
 
 
 LLERY OF T 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 TIGER DEVOURING A CROCODILE. 
 FROM THE ORIGINAL (BI BY ANTOINE-LOUIS BARYS, IN THE GALLERY OF THE LUXEMBOURG. 
 : 
 LIONESS CHANGING HER HOME. 
 FROM THE ORIGINAL SCULPTURE BY AUGUSTE-NICOLAS CAIN 
 ewe - — ——— = = SS SE ATSSTITTT 
 
 
 

 

 

 
 
 
Semi