Humorous Illustrations BY George Cruikshank Four Hundred Humorous Illustrations BY George Cruikshank With Portrait and Biographical Sketch SECOND EDITION LONDON SIMPKIN, MARSHALL, HAMILTON, KENT & CO GLASGOW: THOMAS I). MORISON ■ ■ ..-.Lil Biographical Sketch EORGE CRUIKSHANK was born in London on the 27th of September, 1792. His parents were of Scotch nationality. The father, namely, Isaac Cruikshank, was an artist by profession, having considerable skill in water-colour painting and etching. The mother was a Miss Macnaughten, of Perth, a protege of the Countess of Perth, and the possessor of a small sum of money. She was a person of energetic temper and strong will, and so thrifty that by saving she added con- siderably to her original pecuniary possession. She was also careful to bring up her children in a pious manner, being, along with them, a regular attendant at the Scotch Church in Crown Court, Drury Lane. The couple took up house in Duke Street, Bloomsbury, where two sons and one daughter were born. The elder son was born in 1789, named Isaac Robert, and ultimately became an artist of considerable reputation, but of much less originality in character and design than his younger brother. George was born about three years later. In artistic work he struck out in a new line, and although the difference between his work and that of his father and brother was not in every case strongly marked, still it was always sufficient to enable experts to select the productions of the youngest from those of his two seniors, a distinctly new and original vein appearing in them from the first. While the three children were still quite young, the family removed to No. 1 17 Dorset Street, Salisbury Square, Fleet Street, where the parents let a portion of the house to lodgers. Here the father continued to work on his plates, while his wife coloured them by hand, soon, however, obtaining help in that respect from her sons. The boys went to school at Mortlake, and afterwards to Edgeware, but not for long, so that they owed little to school- masters. The elder brother went to sea, and not returning when expected, was supposed to be lost, and mourned for as such. But after three years he suddenly re-appeared, and was welcomed home with joy, — resuming engraving for a livelihood Unfor- tunately for the family, the father died in 1811. Up to the time of his decease he appears to have had a steady and good business, having produced an immense number of sketches, coloured 8 CRUIKS HANK'S HUMOROUS ILLUSTRATIONS etchings, engravings, and designs produced in various modes, many of them in connection with the stage. At the time of his father’s decease, the oldest son was twenty-two years of age, and George, the second son, nineteen. They were both well-advanced in their profession, and were quite capable of taking up and prosecuting their father’s business connection. Previous to all this, there is no doubt that George began to draw when he was a mere child. Some of his productions of 1799 are still extant. “George’s first playthings,” says Mr. Bates, “were the needle and the dabber;” but play insensibly merged into work, as he began to assist his hard-worked father. His earliest inclination, it is said, was to go to sea, but his mother opposed this. The earliest job in the way of etching, for which he was employed and received payment, was a child’s lottery ticket. This was in 1804, when he was about twelve years of age. In 1805 he made a sketch of Nelson’s funeral car, and whimsical etchings of the fashions of the day. His earliest signed work is dated two years later, and represents the demagogue Cobbett going to St. James’s. His father’s early death threw the lad on his own resources, and he quickly found that he must fight for a place in the world, as Fuseli told him he would have to do for a seat in the Academy. Anything that offered was acceptable- - headings for songs and halfpenny ballads, illustrations for chap books, designs for nursery tales, sheets of prints for children — a dozen on the sheet and a penny the lot — vignettes for lottery- tickets, rude cuts for broadsides, political squibs — all trivial records, but now of the utmost rarity and value. While still very’’ young, and before his father’s decease, young George, with a view to becoming an Academy student, took specimens of his work to Fuseli for his inspection, when that official told him that he would just have to “fight for his place,” and at same time gave him permission to attend the lectures on painting. He attended two of the lectures and then stopped going, as his father held that if he was destined to be an artist he would become one without instruction, so that he never became a real student of that institution, nor had he a regular training in any way, so that his education, both so far as art and ordinary schooling was concerned, was very irregular and de- ficient. In fact, as a lad and young man he appeared to have been too full of animal spirits and too fond of sight-seeing to settle down to a hard course of study. The goings-on of the two brothers were severely condemned by their pious and strict mother. Occasionally she even went the length of castigating George when he returned home in the small hours from fairs and horse races, or the prize ring, and sometimes not quite sober BIOGRAPHICAL SKETCH 9 He is described at this early age as filled with a reckless love of adventure, emulating the exploits of Tom and Jerry, with wild companions. His field of observation extended from the foot of the gallows to Greenwich fair, through coal-holes, cider-cellars, cribs, and prize-fighters’ taverns, Petticoat Lane, and Smithfield. Its centre was Covent Garden Market, where the young bloods drank, and sang, and fought under the piazzas in those days. Such was pretty much the sort of education the young men had, and luckily George had the sense and talent to turn it all to good account later on with his pencil. In course of time the artist was firmly established in business, and had numerous patrons among the publishers, some of whom were thriving to a considerable extent through Cruikshank’s labours. After numerous isolated sketches, which brought him no small amount of fame, the first considerable series of designs by him appeared in Dr. Syntax’s Life of Napoleon , consisting of thirty illustrations. Another long series was twenty-three illustrations to Pierce Egan’s Life in London. As also twenty- seven etchings to Grimm’s Popular Stories. These were followed by numerous other lengthened series, such as Mornings at Bozo Street , Three Courses and a Dessert , Punch and Judy, Gil Bias, My Sketch Book, Scott’s Novels, Sketches by Boz, The Omnibus, and very numerous others. In all, he appears to have produced the illustrations for no fewer than three hundred and twenty volumes, not to speak of an immense number of isolated sketches of all sorts. In 1847 and 1848 there came from his pencil his first direct and outspoken contribution to the cause of temperance in “The Bottle” and the “Drunkard’s Children,” although in some of his earlier designs he had satired the prevalent vice of drunkenness ; he capped them all, however, in the eight plates of “ The Bottle,” in which he depicts the terrible down- ward march of degradation in the tragedy of an entire family, from the easy temptation of “a little drop” to the final murder of the wife. In “The Drunkard’s Children,” eight more plates, the remorseless moral is continued, the son becomes a thief, and dies in the hulks ; the daughter, taking to the streets, ultimately throws herself over Waterloo Bridge. The two works had a great success. Moreover, they were dramatised in eight theatres at once, and were sold by tens of thousands. Hitherto Cruikshank had not been a strict abstainer, but now he became one with all the energy of his nature. In Cruikshank’s later years he made a good many attempts at oil painting, and exhibited quite a number of paintings at the Royal Academy, all with more or less success. But the 10CRU IKS HANK’S HUMOROUS ILLUSTRATIONS largest and best known of these is the “ Worship of Bacchus;” it is a work of inexhaustible detail and invention, and was received by the public with great favour ; the size is 7 feet 8 inches high by 13 feet 3 inches long, and it is now in the National Gallery. However, to return to the affairs of the family. In time the brother Isaac Robert having got married, the whole family removed to King Street, Holborn. Soon afterwards the mother, George, and sister took a house in Claremont Square, Penton- ville, at that period partially in the country. Later on, becoming married, George removed to Amwell Street, where he remained for thirty years. He afterwards resided in several suburban localities, but finally settled down at 263 Hampstead Road, where he died on the 1st of February, 1878, and in the following November his remains were finally deposited in the crypt of St. Paul’s Cathedral. In person Cruikshank was a broad-chested man, rather below the middle height, with a high forehead, blue-grey eyes, a hook nose, and a pair of strong whiskers. In his younger days he had been an adept at boxing and all manly sports, as also an enthusiastic volunteer, ultimately becoming lieutenant-colonel of the 48th Middlesex Volunteers. He preserved his energy almost to the last day of his life. Even at eighty he was ready to dance a hornpipe, or sing a song. “ He was,” says one who knew him well, “a light hearted, merry, jolly old gentleman, full physically of humorous action and impulsive gesture, but in every word and deed a God-fearing, queen-honouring, truth- loving, honest man.” ' The old school of caricaturists in which the names of Gilray, Rowlandson, Woodward, and Bunbury are most prominent, was noted chiefly for the broad, and in many cases, vulgar treatment cf the subjects which were dealt with. The later school of caricaturists, in their mode of treating similar subjects, differed considerably from their predecessors. The leading member of the new school was George Cruikshank. He lived and worked during two generations, and may be considered as the connecting link between the old school and the new. At first Cruikshank to some extent followed Gilray and Rowlandson, but gradually fell off from their style of art, and in its stead produced work of a more serious and more artistic nature, which was the beginning of a new era in the history of caricature. His illustrations to innumerable works are of the highest order, and have made for him an everlasting reputation. Sr* CONTENTS January — Sumeihing like Winter . Pare 17 18 February — Change of Weather • March— East Winds 19 April — Sunshine and Showers 20 May— The First of the Month • 21 June— The Picture Galleries 22 July — The Parks - 2 3 August — Visiting in the Country - 24 September — The Shows - 2 5 26 October — The Return to Town - November — Guy Fawkes Day 27 28 December — The Christmas Dinner January — “Hard Frost”- 29 February— “Transfer Day at the Bank 3 ° March— “Day and Night Nearly Equal” 3 1 April — Greenwich Park - 32 May— Old May Day 3 > June— Holiday at the Public Offices 34 July — “Dog Days” 35 August — Bathing at Brighton 3 ° September — Michaelmas Day 37 - 38 October— St. Crispin’s Day November — Lord Mayor’s Day - 39 December — Boxing Day - 40 January — Last Year’s Bills 41 February — Valentine’s Day 42 March — Tossing the Pancake 43 April — Return from the Races • 44 May — Beating the Bounds 45 June— Haymaking 46 July — Fancy Fair ... 47 . 48 August — Regatta - September— Cockney Sportsmen 49 October — Brewing 50 November — St. Cecilia’s Day 51 December— Christmas Eve • * 52 January— Twelfth Night— Drawing Characters February — Frost Fair • March— St. Patrick’s Day 53 54 55 12 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Seasons — April — Low Sunday ..... „ May -“All A-Growing” ,, June --Striking a Balance .... ,, July — Pic-Nics and Flying Showers ... ,, August— “Sic Omnes” ..... ,, September — Michaelmas Gander • ,, October — Battle of A-gin-court (Petty France) - ,, November — “Sees-unable Weather” ,, December — “A Swallow at Christmas” ( Kara avis in terris ) 57 58 59 60 61 62 63 64 January — New Year and New Arrivals - February — First Rout March — A Day with the Surrey Hounds April — Old Lady Day May — Settling for the Derby — Long Odds and Long Faces June — The Unlicensed Victuallers’ Dinner July — Long Odds and Long Ears August — Touring - September — Back to School October — Stormy .... November — Guys in Council December — Christmas Bustle John Gilpin’s Ride — (1) The Morning came, the Chaise was brought (2) Away went Gilpin, and away went Hat and Wig (3) “Stop, stop, John Gilpin, here’s the House” • (4) “ My head is twice as big as yours, they therefore needs must fit ” (5) A Braying Ass did sing most loud and clear (6) And now the Turnpike Gates again flow open - The Greatest Plague of Life — (1) Nearly “Worried to Death ”83 (2) “Are you not Irish?” - 84 (3) “The Cat did it” - 85 (4) “ Followers !!! ” - 86 (5) “ It’s my Cousin, M’am ! ” 87 (6) Going out for a Holiday 88 The Eccentric Man - - 94 Monument to Napoleon - - 95 Street Nuisances - - - 96 An Election Squib - - 97 A Rigid Sense of Duty • • 98 A Great Black Beetle • - 99 A Kangaroo and Sailor Dance - 100 Sunday in London — (1) “Miserable Sinners 1 ” - ic8 (2) Divine Service - - 109 (3) Workings of the Spirit - no (4) The Sunday Market • ill (7) The Morning Gossip - (8) The Sentimental Novel Reader (9) Out for an Airing (10) “Oh, ah! let ’em ring again ( 1 1 ) “Do you know as your stree door is open ? ” A Sea side Dance Thieves ! ! ! The “Strange” Cat Ghosts (1) » (2) Skating (1) „ ( 2 ) (5) “Thou shah do no manner of work — thou, nor thy cattle” (6) “ People of Condition ” on a Sunday 65 66 67 6S 69 70 7 « 72 73 74 75 76 77 78 79 80 81 82 89 90 91 92 93 101 102 103 104 105 106 107 1 1 2 M3 •• CONTENTS 13 (7) “The Servants within our Gates” - • 1 14 (8) Gin-temple Turn-out at Church Time - 1 5 5 Whom to Marry — (1) The YoungMaidandher Pets 1 1 9 (2) A Lady of Considerable Attractions - - 120 (3) Blind-man’s Buff - 121 (4) Angling— Landing your Fish 122 Caught on the Towing Path - 128 Something like a Mutton Chop ! - 129 Relieving a Gentleman - - 130 A Leaf from Lempriere - - 13 1 Guy Greenhorn by the Sea • 132 Fashions in the East - 1 33 Felix and his Family - - 134 On the Ice - - • 135 The Music Master Abroad - 136 A Young Lady’s Vision - - 1 37 The Stage Countryman - - 138 Jealousy - - - 139 The Ups and Downs of Railway Speculation - - - 140 The Stage Assassin - - 141 Mr. Lambkin’s Adventures (1 to 24) Mornings at Bow Street — (1) Defendant Taking Things Easy - - - 181 (2) Tipsters Getting Bundled up 182 (3) Cheap Dining - 183 (4) Petticoat Government - 184 (5) A Dun at Supper-Time • 185 (6) Discovery of Molly Lowe’s Drummer Boy- - 186 (7) Mr. Jonas Junks out on the Spree - - 1S7 Phrenological Illustrations — (1) Amativeness (Physical Love) 196 (2) Self Love - 197 (3) Philoprogenitiveness - 10S (4) Adhesiveness - 199 (5) Combativeness - - 200 (6) Destructiveness - 201 (7) Order - • - 2C2 (81 Coveteousness - - 203 (9) Sunday Ruralizing - - 116 (10) The Pay-Table - 1 1 7 ( 1 1 ) Sunday “Soiree Musicale” - 1 18 (5) Deer-Stalking - - 123 (6) Awkward for Proposing - 124 (7) The Widow’s Cap - 125 (8) The Declaration - 126 (9) The Wedding - - 127 The Lily of Park Lane - - 142 Heads of the Table - - 143 The Vulgar Notion of an Editor - 144 The Stage Lover (1) - - 145 ,, „ (2) - - 146 An Appreciative Audience - 147 A Good Man, but a Bad Sailor - 148 A Mouthful of Fresh Air - - 149 On Board Ship - - - 150 A Surprise Meeting - - 1 5 1 I’ve Dwelt in Marble Halls - 152 The Return from the Rhine - 153 Never Trust to Outward Appearances 154 O! Meet me by the Moonlight - 155 Bad News about Investments - 156 157-180 (8) A Difference at Covent Garden - - 188 (9) A Studio Incident - - 189 (10) The Three Thimbles - - 190 (11) Michael in Search of His Wife 191 (12) Mrs. Carter Keeping the Peace 192 (13) How to Discharge a Waiter - 193 (14) Flying Dustmen - - 194 (15) Seeing Themselves as Others See Them • - - 195 (9) Ideality ... 204 (10) Wit .... 205 ( 1 1 ) Language • - - 206 (12) Comparison • - - 207 (13) Conscientiousness - • 208 (14) Veneration ... 209 (15) Cautiousness - - - 210 < 16) Hope - - 2ii hCRUIKSHANK’S humorous illustrations Bombastes Furioso — (i) Begone, Brave Army ! • 212 (4) I’ll follow him - 215 (2) Duke of Strombelo 213 (5) Ha ! Dost thou dare me - 216 (3) Whose Hat is this 214 (6) O ! Fusbos, Fusbos • 217 A Dog Fight ... 218 Greenwich Pensioners Fighting New Style Dentistry 219 their Battles over again 225 The Deaf Postilion 220 What Jack and Bill saw ashore - 226 Bat Boroo in a Tight Place 221 Custom House Officer pursuing Jack 227 The Witch’s Switch 222 Concluding a Dispute - 228 See-Saw .... 223 An Old, Old Friendship - - 229 Mr. Purcell caught by the Toe - 224 A Surprise Meeting • 230 The New Bath Guide — (1) The Doctor’s Call 231 (4) Off to the Bath 234 (2) The Doctor’s Stuffs 232 (S) Bag-wig, Ruffles, and Riband 235 (3) Practice makes Perfection 233 (6) The Hairdresser 236 Virgo — Unmatched Enjoyment - - . 237 False Weights and Measures - . 238 Sagittarius — The Archer — (Not “Venus’ Son Divine”) 239 Capricornus — A Caper-o’-corns - • - 240 Where can the Police be ? 241 The Spring Quarter 266 Scholastic Hen and her Chickens 242 Twelfth Night, or What You Will 267 Desecration of the Bright Poker - 243 Summer-y Justice 268 John Bull among the Lilliputians 244 The Fall of the Leaf 269 “ My Wife is a Woman of Mind ” 245 Court of Young England - 270 Born a Genius and Born a Dwarf 246 Boxing Night 271 “ I Dreamt I Slept at Madame Aquarius — Jolly Young Watermen 272 Tussaud’s” - 247 Pisces — Too Deep 273 The Sick Goose and the Council Aries — Ram-pant Jollities 274 of Health - 248 Taurus — A Literary Bull 275 The Banquet of the Black Dolls • 249 The Land Crab - 276 A Good Penny-worth 2 SO The Postman in Olden Times 277 Something like a Valentine 251 The Barber inherits a Fortune 278 A Good Cup of Tea 252 St. Patrick’s Day in the Morning 279 Sea-side Entomology 253 The Cold Water Cure 280 Yachting for Ladies 254 Defore Dinner and After 281 The Universal Philanthropist 255 Ringing a Peal and Ringing a Belle 282 Various Kinds of Parliament 256 But Glory is a kin’ 0’ thing I New Harmony - 257 shan’t pursue no furder 2S3 Quarter Day 258 High and Low Water 284 Guy Fawkes treated Classically - 259 Over -head and Under-foot 2S5 Father Mathew - 260 The Shop and the Shay - 286 Humbugs of the Day 261 Blood-heat and Freezing-point 287 Horticultural Fate 262 The Ups and Downs of Life 288 Going to St. Paul’s 2b3 Going ! — Gone 1 ! 289 Flying Artillery - 264 Premium and Discount - 290 Lady Day — Old and New Style • 265 The Parlour and the Cellar 291 CONTENTS The Charter— A Common’s Scene 292 New Saint Giles’s - - 293 Curiosities of Ancient Times - 294 A Set — of China, 1943 • - 295 Show of Hands for a Liberal Candidate • • • 296 A New Drop Scene at the Opera 297 Curiosities of Ornithology Christmas Eve Theatrical Fun-dinner The Unpopular Schoolmaster Summery Proceedings The Finishing Touch Sharp Proceedings An Interrupted English Dinner Party at Paris The Monster Sweeps — “ A Toss up for the Derby” Cheap Excursions of the Future .... The Crinoline Rage ...... A Splendid Spread ...... Ultimate Effects of Feeding John Bull upon Foreign Produce The Lord Mayor’s Show and the Lord Mayor’s Feast in Ireland The Happiest Moment of my Life Fellows of the Zoological Society - Taking the Census ...... The Sick British Lion and the French Quack Monkey Alarming Sacrifice ...... Over Population ...... Monster discovered by the Orang-Outangs Scarcity of Domestic Servants ; or, Every Family their own Cooks 1 “Taking care of Number One” - - - - - A Good Supply of Water ..... Anticipations of the Golden Age now coming - . - Advice “ To those about to Marry ” - The Peace Society ...... The Jolly Beggars — (1) The Song (2) The Courtship 325 326 (3) The Rivals - (4) A Night in Barn or Stable The Slippery Steps - A Midnight Cooking Greatly Astonished, — but Why ? Domestic Medicine ... The Fox and the Goose - The Pillars of a Gin Shop “Call you that, backing of your Friends ” Montpellier Rotunda, Cheltenham “ May your shadow never grow less ” - St. Swithin’s Chapel — “Cold Bath Fields” Abstraction ... 339 Mathews at Home - - 340 Opening of the Shooting Season - 341 Honorary Members of Temperance Society - - - 342 A Surprise Meeting The Written Apology The Love of Strong Drink First Steps Pushing Business 16 CRUIKSH ANK’S HUMOROUS ILLUSTRATIONS Conversation at Afternoon Tea - 34 ** The Toad Eater - - - 349 A Self-satisfied Lady - - 35 ° “Making the Green one Red” * 351 R-.ther Backward in Going Forward 352 First Steps in the career of Glory ! 353 An Attractive Subject - - 354 Weeds of Witchery — (1) The Poppy - • 362 (2) Forget-me-not - - 363 (3) Water Lilies - - 364 (4) Wall Flowers - - 365 John Quill at Work - - 37 ° Jack sailing under False Colours- 37 1 Marcel’s Last Minuet - - 37 2 A Marriage-day Disaster- - 373 The Self-playing Organ - - 374 A Cure for Conceit - . - 375 The Force of Habit - - 376 The Witch’s Cat - - - 377 A Pleasant Dream - - 37 ** A Jolly Meeting - - - 379 | The Romance of a Day - - 3 ^° Man was Born to Trouble - 38 1 The Confessions of an Elderly Gentleman - - - 3 ** 2 Getting a Surprise - - 383 Midnight Alarms - - 384 Jack among the Mummies - 385 “ Veterinary Infirmary ” ■ 355 Doing it Legally - 35 ® Tit-for-Tat - - 357 Lumper-Troopers • 35 ** Cockney Whips - - • 359 Pit, Boxes, and Gallery • - 36° The Three Mr. Rodds - - 36 f (5) Chick-weed - - * 366 ( 6 ) Corn Flowers - - 367 (7) Deadly Nightshade - - 368 (8) Heartsease - • 3®9 The Battle of the Nile • 3**6 Sling the Monkey - 3**7 The Black Robbers 3 **** Harmonious Owls • 3**9 Sucking the Monkey - 39 ° An Irish Piper - - 39 1 An Irish Row - • • 39 2 An Irish Militiaman - • 393 An Irish Dance - - - 394 An Irish Election - 395 The Elves and the Cobbler 39 ^ A Somersetshire Chawbacon - 397 The Cheapside Nimrod - - 398 Baron Von Boots making a Proposal 399 The Newly-bought Parrot 400 The Good Old Times - 401 Preparatory School for Fast Men — (1) Drinking Class— by Professor Boosey Swizzle - - - - 402 (2) Smoking Class— by Puffenough Puffin ----- 403 (3) Gaming Class — by Professor Sauter Lecoup ... - 404 (4) Fighting, Betting, and Swearing — by the “Young Russian” - - 405 (5) Finance — by Professor Swindle ..... 406 (6) Finishing Class — by Professor Scamp ----- 407 Mrs. Humphrey’s Window ----*•* 408 Giles Scroggins and Molly Brown - 409 The Old Commodore 4 ■ ' ' ' " 26 CRUIKSH ANK’S HUMOROUS ILLUSTRATIONS The Seasons. — CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 27 The Seasons. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 29 1 January “ Hard Frost . 1 V - 30 CRUIKS HANK’S HUM JROUS ILLUSTRATIONS he Seasons. 32 CRUIKSHANK’S HUMOROUS I ILLUSTRATIONS \ P R l L G K E K M W I C H PARK. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 33 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 35 The Seasons. 36 C'RUIKSHANK’S HUMOROUS ILLUSTRATIONS 1 August Bathing at Brighton, CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 37 1 he Seasons September Michaelmas Day. 38 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Tiie Seasons. October St. Crispin’s Day. ILLUSTRATIONS 39 CRUIKSIIANK'S HUMOROUS I November Lord Mayor’s Day. 40 CRUIKSHAXK’S HUMOROUS ILLUSTRATIONS Kl j The Seasons. Dec em her Boxing Day. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 41 The Seasons. January Last Year’s Bills. 1 42 CRUIKSHANK’S HUMOROUS ILLUSTRATION'S The Seasons. F E B R U A K V Y A L E N T I N V URUIKS HANK’S HUMOROUS ILLUSTRATIONS 43 March Tossing the Pancake. 44 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS April Return from the Races - CRUIKSHANK'S HUMOROUS ILLUSTRATIONS 45 May— — Beating the Bounds. 46 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Seasons. Tune Haymaking. Tiie Seasons. July Fancy Fair. The Seasons. — CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 49 5 September Cockney Sportsmen. October Brewing. Ti-ie Seasons. November St. Cecilia’s Day 52 CRUIKSHAXK’S HUMOROUS ILLUSTRATIONS > i CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 53 The Seasons. February Frost Fair. The Seasons. ,\ncn St. Patrick’s Day. 56 CRUIKSIIANK’S L' MO ROUS LLU ST RATIONS K April Low Sunday. June Striking a Balance. C RUIKSHANK’S HUMOROUS 1 LF.USTRATIONS 59 August “Sic Omnes. CRUIKSI TANK’S 1UMOROUS ILLUSTRATIONS 61 The Seasons. September Michaelmas Gander. CRUIKSHANK S HUMOROUS ILLUSTRATIONS 63 - November “ Sees- unable Weather. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 65 6 The Seasons. January New Year and New Arrivals. The Seasons. February First Rout. CRUIKSHANK'S HUMOROUS ILLUSTRATIONS 67 The Seasons. March A Day with the Surrey Hounds 68 CRUIKSHANlv S HUMOROUS ILLUSTRATIONS The Seasons. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 6g The Seasons. ■Settling for the Derby Long Odds and Long Faces. 70 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS June The Unlicensed Victuallers’ Dinner, CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 71 The Seasons. 72 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Seasons. August Touring. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 73 The Seasons. September Back to School. CRUIKSHANK'S HUMOROUS ILLUSTRATIONS 75 The Seasons. 76 CRUIKSH ANK’S HUMOROUS ILLUSTRATIONS December Christmas Bustle. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 77 The Morning came, the Chaise was brought. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 79 John Gilpin’s Ride (3). Stop, stop, John Gilpin, here’s the House C R UI KS H A N K \S HUMOROUS ILLUSTRATIONS 81 7 John Gilpins Ride (5). Braying Ass did Sing most Loud and Clear. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 83 The Greatest Plague of Life (i). Nearly ‘Worried to Death” by the “Greatest Plague of One’s Life." 84 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Greatest Plague of Life (2). “Are you not Irish?” “Och! no Ma’am, I’m Corrnwall sure! CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 85 The Greatest Plague of Life (4). “ Followers ! ! ! '* CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 87 The Greatest Plague of Life (5). “It’s my Cousin, M'am!” 88 CRUIKSI iANK’S HUM )ROL'S ILLUSTRATIONS The Greatest Plague of Life (6). Going out for a Holiday CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 89 The Greatest Plague of Life (7). The Morning Gossip go CRL'I KSHANK’S HUMOROUS ILLUSTRATIONS The Greatest Plague of Life (8). The Sentimental Novel Reader. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 91 The Greatest Plague ok Life (9). Out for an Airing. 92 CRUIKSII.'XK’S I ! rMOROl'S ILLUSTRATIONS The Greatest Plague of Life (io). “Oh, ah! let 'em ring again!” CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 93 The Greatest Plague of Life (ii). “Do YOU KNOW AS YOUR STREET DOOR IS OPEN? CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 95 g6 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Street Nuisances. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 97 tfUtnW f, tkaUimx a (/tsH to ih* t.qv^' ' > An. Election. y Serial) tv Uim}U^\ l*J*fxrtdtrU \ YoCu- ' Srtiuft.i,. 1 « Jihuc \ / T\ 4 .-Uk.ruht **4 f luAlfllnlint j CU*d*rdAt C I S*6c tf> »«y * t ‘ b 9 8 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Duty. ( RUIKSIIA HUMOROUS ILLUSTRATIONS 99 Great Black Beetle. 1QO IUMOROUS ILLUSTRATIONS ioi CRUIKSHA XL s j A Sea-side Dance. Thieves \ \ ! CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 103 v - The “Strange” Cat <. RUIKSHANK’S HUMOROUS ILLUSTRATIONS 105 Ghosts (2). io6 CRUIKSHANIv’S HUMOROUS ILLUSTRATIONS CRUIKSHANK/S HUMOROUS ILLUSTRATIONS 107 Skating i°8 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Sunday in London (i). “Miserable Sinners!" CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 109 Sunday in London (2;. Marching to Divine Service. IIO CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS iii The Sunday Market. 1 12 CRUIKS HANK’S HUMOROUS ILLUSTRATIONS Sunday in London (5). Thou shalt do no manner of Work — thou, nor thy cattle. CRUIKSHANK S HUMOROUS ILLUSTRATIONS 1.3 9 Sunday in London (6). People of Condition” on a Sunday. ii 4 CRU IKS HANK’S HUMOROUS ILLUSTRATIONS The Servants within our Gates. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 115 Sunday in London (8). Gin-temple Turn-out at Church Time. n6 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Sunday in London (9). Sunday Ruralizing. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 117 Sunday in London The Pay-Table. ii8 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Sunday in London (ii). Sunday “Soiree Musicale. Whom to Marry (i). The Young Maid and her Pets. Whom to Marry (2). A Lady of Considerable Attractions. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 121 Whom to Marry (3). Blind-man’s Buff. Whom to Marry ( 4 ). Angling Landing your Fish. CRUIKSH ASK’S HUMOROUS ILLUSTRATIONS 123 Whom to Marry (5). Deer-Stalking. Whom to Marry (6). Awkward for Proposing. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 125 Whom to Marry (7). Tiie Widow’s Cap. 126 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Whom to Marry (8) The Declaration. ( RUIKSMANK’S HUMOROUS ILLUSTRATIONS 127 Whom to Marry (9). The Wedding. Caught on the Towing Path. CR U I KS H AN K ’S H U M O RO US I L LUST R A T IONS 129 10 i3o CRU IKS HANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 131 Leaf From Lempriere. CRUIKSHANK S HUMOROUS ILLUSTRATIONS 133 Fashions in the East. .134 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Felix and his Family. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 135 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Music Master abkoad. A Young Lady’s Vision of the London Season. 1 38 CR U I KS HANK’S HUMOROUS ILLUSTRATIONS Tiie Stage Countryman. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 139 J EALOUSV. 140 CRUIKSHAXK’S HUMOROUS ILLUSTRATIONS r-R. EM1UM The L ps and Downs of Railway Speculation i . J CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 141 Tiie Stage Assassin. CRUIKSHAXK’S HUMOROUS ILLUSTRATIONS 143 HEADS Of THS TABLE, CRU IKS HANK S HUMOROUS ILLUSTRATIONS 145 1 1 The Stage Lover (i). CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 147 An Appreciative Audience. 148 C'RUIKS HANK’S HUMOROUS ILLUSTRATIONS \ A Very Good Man. no doubt, but Sailor. a Bad CRUIKSIIANK’S HUMOROUS ILLUSTRATIONS 149 A Mouthful of Fresh Air. 150 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 151 Surprise Meeting. 1 15 * CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 153 he Return from the Rhine. i54 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Never Trust to Outward Appearances. CRUIKSH ANK’S HUMOROUS ILLUSTRATIONS 157 Mr. Lam ijk in's Adventures (i). Mr. Lambkin having come into his property, enters the world upon the very best possible terms with himself, and makes his toilet to admiration. i5Yt' 196 CRUIKS HANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (i). Amativeness (Physical Love). CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 197 Phrenological Illustrations (2). Self Love. 198 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (3). Philoprogenitiveness. CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 199 | < I Phrenological Illustrations (4). ADI! ESI VEN ESS. 200 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS * '( I Phrenological Illustrations (5). Combativeness. CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 201 Phrenological Illustrations (6). Destructiveness. 202 CRUIKSH ANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (7). Order. 204 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS PHRENOLOGICAL ILLUSTRATIONS ( 9 ). I DEAL1TV. CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 205 Wit. 206 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (ii), Language. CRUIKSIIANK’S HUMOROUS ILLUSTRATIONS 207 Phrenological Illustrations (12). Comparison. 208 C'RU IKS HANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (13). Conscientiousness. CRUIKSIIANK’S HUMOROUS ILLUSTRATIONS 209 m f * J ^ ' » • * 1 . ' ' . ! ! 1 • • i I Phrenological Illustrations (14). Veneration. 15 2io CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Phrenological Illustrations (15). Cautiousness. Phrenological Illustrations (16). Hope. 2i2 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS BOMliASTES FURIOSO (l). Begone, Brave Army and don’t kick up a Row 1 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 213 Bombastes Fukioso (*)• 214 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Bombastes Furioso (3). Hell and the Devil! — Say whose CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 215 Bom bastes Furioso (4,. I’LL FOLLOW HIM, ALL DANGER SCORNING. Ha! Dost thou dare me, vile obnoxious Elf. CRUIKSHAN K’S HUMOROUS ILLUSTRATIONS 217 O! FU.SBOS, FUSBOS, I AM DIDDLED QUITE 2 18 CRUI KS HANK’S HUMOROUS ILLUSTRATIONS Dog Fight. 220 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The Deaf Postillion. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 221 222 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Thi Witch’s Switch. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 223 1 See-Saw. ' TTi 224 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS I jfc Mr. Purcell caught BV the Toe. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 225 Greenwich Pensioners Fighting their Battles over again. 16 ■: * ~~ - • • - - 226 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS What Jack and Bill saw ashore after a good Glass of Grog CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 227 The Custom-House Officer pursuing Jack and the Rag. 228 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Concluding a Dispute. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 229 230 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 231 The New Bath Guide (i\ The Doctor’s Call. 23 2 CRU IKS HANK’S HUMOROUS ILLUSTRATIONS r CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 233 The New Bath Guide (3). Practice makes Perfection, 2J4 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 235 The New Bath Guide (5). Bag-wig, Laced Ruffles, and Throat Riband. 236 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS The New Bath Guide The Hairdresser. ( 6 ). CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 237 VlKUO U N MATCHED ENJOYMENT. -2 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 239 Sagittarius The Archer (Not "Venus’ Son Divine. CRUIKSI-IAXK’S HUMOROUS ILLUSTRATION'S 241 The Scholastic Hen and her Chickens. Miss Thimblebee loquitur— “Turn your heads the other way, my dears, for here are two horridly handsome Officers coming. ** CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 243 The Desecration of the Bright Borer. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 249 a O Z o H < v O a 3 s o u z 73 o z o 73 J o Q a u < a M a X H > H X Q a o z o H O X a a v a o a x H H a a O' z < m a x H CRUIK SHANK’S HUMOROUS ILLUSTRATIONS 251 Something like a Valentine. Good Cup ok Tea (when the Duty is taken off;. Extraordinary Flight of Lady Birds on the Sea Coast 254 CRUIKSIIANK’S HUMOROUS ILLUSTRATIONS Yachting for Ladies Mayfair in the Mediterranean. CRUIKSI I.WK’S HUMOROUS ILLUSTRATIONS 255 he Universal Philanthropist. m — I 256 C R UIKSHANK’S HUMOROUS ILLUSTRATIONS Various Kinds OI' Parliament. CRU IKS HANK’S HUMOROUS ILLUSTRATIONS 257 New Harmony All Owin’, no Payin’ 2 5 «S CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Quarter Day. An-ice man for a small party. Humbugs of the Day. Horticultural Fate. Going to St. 1'aul’s. Aiiv Day Old and New Style. 2(6 CRUIKSHANK’S HUMOROUS ILLUSTRATION'S 2 h s t'RUIKSHANK’S HUMOROUS ILLUSTRATIONS Summer-y Justice The Heat of Argument. The Court of Young England. 272 CRUIKSIIANK'S HUMOROUS 1 1. LUSTRATIONS Aquarius Jollv Young Watermen. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 273 Pisces — Too Deep! 1 9 I i' 274 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS Aries— Ram-pant Jollities. r C'RUIKS HANK’S HUMOROUS ILLUSTRATIONS 275 AURUS — A LlTKRAKV liULL, 276 C RUIKSHANK’S HUMOROUS ILLUSTRATIONS The Country here is swarmin’ with the most alarmin’ kind o’ Varmin. The Tost man in Olden Times. I'm-; Bakblk Inherits a Fortune. 28o CRLJJKSHANK’S HUMOROUS ILLUSTRATIONS a>nt ’n. — - A coot, Tankaro ok 'bui LS Suck. a. utfiUl remedy fab ToerOo - Oud .' (?*%*£) — Wa to- ti ufctr -i'thc * iio. nit UiuStv i**tisPhL, rx ^ tv Siotfe ■ hreii ‘ ScvuMi not A***, -toty+Hd j *+* fan* “PucnfictL ufum m . _ / JtulJ K tuXU.Mj !- U JO tX+tft-iL* I bhbto OuaJc Xtt JO -jjBod * jhe**. fuJJkc\ti, have ban tkrv*m ****y *S^T ^ afcnuys , JJlrdinc^ antCcs , a^. fix * -fsotkek / ^ ^ 2 ?u^ryh . y<*u. A" K^/j; /ruffruA. - luit prp 0. Int Trurrc lUZ Uto J •*UJ fLjkt caji oajL ca.cjv Sskall fift fo'iuatlL c — *. #4. ok,, you. see T <^e fffZJXuk htdA. CBUlscie.datn.fia. ^ . CktlU * LS Vefy \ Hh} & tm*t V i The Cold Water Cure. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 281 Be fork Dinner and After 282. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 283 PURSUE 284 CRUIKSHANK’S HUMOROUS ILLUSTRATIONS High and Low Water. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 285 AND Oter-head Under-foot. 286 CRUIKS HANK’S HUMOROUS ILLUSTRATIONS The Shop AND THE SlIAV. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 287 1 '^^^T t J The Ups and Downs of Life; or, The Balloon and the Diving Bell. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS 289 2 9 o CRUIKSHAXK’S HUMOROUS ILLUSTRATIONS CRUIKSi TANK’S HUMOROUS ILLUSTRATIONS 291 The Parlour and the Cellar. British Museum 2043 Curiosities of Ancient Times. A Set— of China, 1943. 2 >" btc/ s u^ r S ulL^ AtasUs U — 4 c n c/j 3 & O v Z 3 O Z >* W s »r-l W K H H 75 < >* PQ I O 1 O z J *— « O O < — H W O £ C/) in >< Q as z O CRUIKSII AN K’S HUMOROUS ILLUSTRATIONS 408 CRUIKSIIAXK’S HUMOROUS ILLUSTRATIONS Mrs. Humphrey’s Window. CRUIKS HANK’S HUMOROUS ILLUSTRATIONS Giles Scroggins and Molly Brown CRUIKSHANK’S HUMOROUS ILLUSTRATION'S 411 Robinson Crusoe at Home. CRUIKSHANK’S HUMOROUS ILLUSTRATIONS 413 414 C'RUIIvSHANKS HUMOROUS ILLUSTRATIONS Gkf.at Horse-Shoe Discovery Outwitted. The Evil One Punch and Judy.