0-A.T-A.LOGrXJE OF TII1S VERY CHOICE COLLECTION OF ENGRAVINGS, AFTER SIR EDWIN LANDSEER, THE PROPERTY OF SIR GEORGE JOHNSON, Deceased, late of 11 Savile Row, (Sold by Order of the Executors ) ; A VALUABLE COLLECTION OF MODERN ARTIST-PROOF ETCHINGS AND ENCRAYINCS, Including a number of the early Works of SAMUEL COUSINS, R.A., THE PROPERTY OF GEORGE JAMES, ESQ. Deceased, late of 3 Trafalgar Square (Sold by Order of the Executors ) .• AND A VALUABLE COLLECTION OF ETCHINGS after J. L. E. MEISSONIER, THE PROPERTY OF A GENTLEMAN: WHICH Mtill Ir by Auction bn Messrs. CHRISTIE, MANSON & WOODS, AT THEIR ©SEAT RQ@MS, 8 KING STREET, ST. JAMES’S SQUARE, On TUESDAY, APRIL 27, 1897, AT ONE O’CLOCK PRECISELY. May be viewed the Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, Manson and Wood’s Offices, 8 King S/red, St. James’s Square, S. W. *Y\ i\N ? G ((o - ^63 CONDITIONS OF SALE. 0 I, THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s .; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IY. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. Y. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Chkistie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. YI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely he paid on the delivery. YI1. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited ; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE. On TUESDAY, APRIL 27, 1897, AT ONE O’CLOCK PRECISELY. The following are Sold hj Order of the Executors of GEORGE JAMES, Esq., deceased, late of 3 Trafalgar Square. In the Folio. 1 La Source, after Ingres, by Calamatta— proof; and Fumeur Flamand, after Meissonier 2 2 La Cigale, after Lefebvre— artist’s proof 3 The Golden Stairs, after Sir E. Burne Jones, by Jasinski— artist’s proof, signed 4 An Apodyterium, after L. Alma-Tadema, R.A., by L. Lowenstam —selected rem argue proof , signed 5 Secrets, after ditto, by ditto— remarque proof, signed 6 Viola, after Lord Leighton, by G. H. Every— artist’s proof, signed 7 Atalanta, after ditto— ditto 8 The Gambler’s Wife, after Sir J. Millais, by C. Waltner— artist’s proof 9 The Vale of Clwydd, after D. Cox, by B. Debaines— artist's proof 10 Rembrandt’s Mill, after Rembrandt, by B. Debaines— remarque proof 4 Framed. 11 The Approach to Venice, after J. M. W. Turner, R.A.— artist's proof 12 Mercury and Argus, after ditto, by Willmore— proof before letters 13 Lake Nemi; and Oberwesel, after J. M. W. Turner, R.A.— proofs 2 14 The Wayfarers, after F. Walker, A.R.A., by C. Waltner—- artist's proof 15 The Vagrants, after ditto, by ditto— artist’s proof 16 The Fishmonger’s Shop, after ditto, by Macbeth— proof 17 Marlow Ferry, after ditto, by ditto— proof 18 A Rainy Day, after F. Walker, A.R.A., by Macbeth— proof 19 Christmas Eve, after Sir J. Millais, by ditto— remarque proof 20 The Proposal, after E. de Blaas— artist’s proof , signed 21 Marcia, after J. Hoppner, R.A., by T. G. Appleton— artist’sproof , signed 22 Isabel, after ditto, by ditto— ditto 23 Among the TIills, after P. Graham, R.A., by J. B. Pratt— artist’s proof, signed 24 Morning, after Sir E. Landseer, by T. Landseer, A.R.A.— proof before letters 25 The Challenge, after ditto, by J. Burnet— first state, before all letters 26 Dignity and Impudence, after ditto, by T. Landseer, A.R.A.— first state 27 Salisbury Cathedral, after J. Constable, R.A., by David Lucas —first state 28 I he Lock, after J. Constable, R.A., by David Lucas— ditto 29 The Cornfield, after ditto, by ditto— ditto 30 The English Landscape, after J. Constable, R.A., by David Lucas —a set of twenty-five proofs before all letters 5 BY S. COUSINS, R.A. Unframed. 31 The Abercorn Children, after Sir E. Landseer— proof, signed hy the engraver 32 New Laid Eggs, after Sir J. Millais— artist's 'proof , signed by painter and engraver 33 Clierry Ripe, after ditto— artist’s proof, signed by painter and engraver 34 Pomona, after ditto— artist's proof, signed by painter and engraver 35 Cherry Ripe; and Pomona, after ditto— artist's proofs, signed by painter and engraver 36 The Dauphin, after Greuze— artist’s proof, signed 37 Ninette, after ditto— artist's proof, signed 38 The Dauphin; and Ninette, after Greuze— artist’s proofs, signed by the engraver 2 39 Zeyra, after Lord Leighton— artist’s proof, signed 40 Little Pouter, after G. Greuz— artist’s proof, signed 41 Miss Julia Peel, after Sir T. Lawrence— selected proof, signed by the engraver 42 Countess Spencer and Lord Althorpe, after Sir J. Reynolds— artist's proof, signed by the engraver 43 The Same— ditto 44 The Duchess of Rutland, after Sir J. Reynolds— artist’s proof, signed by the engraver Framed. 45 Lady Dover, after Sir T. Lawrence, by S. Cousins, R.A. first state, signed by the engraver 46 Countess Grosvenor, after ditto— proof, signed by the engraver 47 Master Lambton, after ditto —first state, signed by the engraver B 3 6 48 Countess Gower and Child, after ditto— selected proof, signed by the engraver 49 Mrs. Braddyll, after Sir J. Reynolds, by S. Cousins, R.A.— signed by the engraver 50 The Strawberry Girl, after ditto, by ditto— artist's proof, signed by the engraver 51 The Age oe Innocence, after ditto— artist's proof, signed by the engraver 52 Countess Spencer and Child, after Sir J. Reynolds— artist's proof signed by the engraver 53 Lady Anne Bingham, after Sir J. Reynolds; and Ninette, after Greuze 2 54 New Laid Eggs, after Sir J. Millais— artist's proof, signed by painter and engraver 55 Pomona, after ditto— ditto 56 The Order of Release, after ditto— artist's proof 57 The Minuet, after ditto— last worlcing proof, signed by the engraver 58 A Piper and Pair of Nutcrackers, after Sir E. Landseer— proof before letters 59 A Portfolio, with lock and key THE PROPERTY OF A GENTLEMAN. AFTER J. L. E. MEISSONIER. 60 Le Connoisseur, by A. Blanchard —remarque proof 61 La Chanson, by H. Yion —remarque proof 62 L Homme a la Fenetre, by P. le Rat —remarque proof 63 Une Lecture chez Diderot, by L. Monzies —remarque proof 64 Le Dragon, by A. Boulard— remarque proof 7 65 Les Renseignements, by A. Jacquet— remarque proof 66 La Paetie Perdue, by F. Bracquemond— remarque proof 67 Generals in the Snow, by E. Boilvin— remarque proof 68 The Sign Painter, by A. Jacquet— remarque proof 69 Portrait op the Sergeant, by Jules Jacquet— remarque proof 70 Piquet, by A. Boulard— remarque proof 71 Dimanche, by A. Boulard— remarque proof 72 “ Napoleon, 1814,” by A. Mignon— remarque proof 73 Post Horses, by L. Monzies— remarque proof 74 Le Guide, by A. Jacquet— remarque proof 75 Le Voyageur, by A. Boulard— remarque proof 76 La Confidence, by H. Yion— remarque proof 77 “ 1806,” by Jules Jacquet— remarque proof 78 “ 1807,” by Jules Jacquet— remarque proof 79 Les Bons Amis, by A. Blanchard— artist's proof 80 The Chess Players, by A. Blanchard— artist's proof 81 La Rixe, by F. Bracquemond— remarque proof 82 “ 1814,” by Jules Jacquet— remarque proof 83 La Chanson, by H. Yion— remarque proof 84 An Apodyterium, after L. Alma-Tadema, R.A., by L. Lowenstam —remarque proof 85 Wedded, after Lord Leighton, P.R.A., by F. Flameng —remarque proof 86 Hard Hit, after W. Q. Orchardson, R.A., by E. Cbampollion— artist's proof 87 The Vanguard, after J. HacWhirter, R.A., by W. Murray— artist'8 proof 8 88 Young Anglers, after F. Walker, A.R.A., by C. Waltner— artist's proof SS The Elixir of Love, after G. J. Pinwell, by E. Macbeth, A.E.A. — artist's proof 90 The Harvest Moon, after G. Mason, A.R.A., by E. Macbeth, A.E.A.— artist's proof 91 Marlow Ferry, after F. Walker, A.E.A., by E. Macbeth, A.E.A. — artist's proof 92 Harbour of Refuge, after F. Walker, A.R.A., by R. Macbeth, A.E.A.— artist's proof Sold hy Order of the Executors of SIR GEORGE JOHNSON, M.D., F.R.S., deceased, late of 11 Savile Row „ ENGRAVINGS— Framed. AFTER SIR E. LANDSEER. 93 My Horse; and My Dog, by H. T. Eyall— artist’s proofs ; and Rabbits 3 91 Mischief in Full Play, by W. Eaddon —proof 95 Nero, by J. Landseer, A.E.A. 98 Little Strollers, by T. 0. Barlow, E.A.— artist's proof , signed by the engraver 99 Roebuck and Rough Hounds, by B. P. Gibbon—artist’s proof 0 100 The Shepherd's Grave ; and Shepherd's Chief Mourner, by B. P. Gibbon— -first states, with the Jamb 2 101 The Naughty Boy, by W. Finden— remarque proof 102 Little Bed Biding Hood, by J. B. Bobinson — first published state 103 Jack in Office, by B. P. Gibbon —proof before letters , with the arm 101 Suspense, by B. P. Gibbon —rare state, with the lamb 105 The Sleeping Bloodhound, by T. Landseer, A.B.A. —rare state, with the lamb 106 “ Be it ever so humble,” by B. P. Gibbon— first published state 107 The Twins, by T. Landseer, A.B.A.— artist's proof 108 Lion and Lamb, by ditto— ditto—presentation from, and signed by the engraver 109 Breeze, by C. G. Lewis —first published state 110 Children with Babbits, by T. Landseer, A.B.A— first slate, signed by the engraver 111 Lion Dog of Malta, by ditto —engraver s proof 112 Good Doggie, by ditto— artist's proof, signed by the engraver 113 Saved, by S. Cousins, B.A.— artist'sproof, ditto 114 Ptarmigan Hill, by T. Landseer, A.B.A.— artist's proof — presentation from, and signed by the engraver 115 To-ho ! (pointers), by ditto— ditto, ditto 116 A Midsummer Night’s Dream, by S. Cousins, B.A.— artist’s proof, signed by the engraver 117 Doubtful Crumbs, by T. Landseer, A.B.A.— artist's proof 118 Best Bun of the Season, by ditto —ditto 119 Well-Bred Sitters, by W. H. Simmons— artist’s proof, signed by the engraver 120 Alexander and Diogenes, by T. Landseer, A.B.A. —artist s proof 121 Connoisseurs, by S. Cousins, B.A. —remarque proof with the white spots, selected by the engraver 10 122 Time of Peace; and Time of War, by T. L. Atkinson— artist's proofs 2 123 The Shoeing, by C. G. Lewis — artist’sproof 124 The Maid and the Magpie, by S. Cousins, R.A.— ditto, signed by the engraver 125 The Coveu Hack, by C. G. Lewis— first state, signed by the engraver 126 Piper and Pair of Nutcrackers, by S. Cousins, R.A.— artist’s proof, signed by the engraver 127 The Lost Sheep ; and An Event in the Forest, by T. Land¬ seer, A.R.A. — artist's proofs, ditto 2 128 Chevy, by ditto— artist's proof, ditto 129 Braemar, by T. Landseer, A.R.A. — artist’s proof , with round top, signed by the engraver 130 Wild Deer; and Wild Cattle of Chillingham, by ditto— ditto, signed by the engraver 2 131 The Deer Pass, by T. Landseer, A.R.A.— artist’sproof From the Bolclcow Collection 132 Not Caught Yet, by ditto —ditto 133 A Drive of Deer, by T. Landseer, A.R.A.— artist’sproof 134 The Challenge; and The Sanctuary, by ditto— artist's proofs, signed by the engrarer 2 135 Night; and Morning, by T. Landseer, A.R.A.— artist's proofs, signed by the painter 2 From the Collection of F. Robinson, Esq. 136 Dignity and Impudence, by T. Landseer, A.R.A.—first published state 137 Laying Down the Law, by ditto— ditto 138 A Distinguished Member, by ditto— ditto 139 Spaniel and Pheasant ; and Retriever and Woodcock, by ditto —artist’s proofs 2 From the Bolclcow Collection 11 140 Bolton Abbey, by S. Cousins, R.A.— artist’s proof with second date, signed by the engraver 141 Otter and Salmon, by J. R. Jackson— artist’s proof, signed by the painter 142 “There’s Life in the Old Dog Yet,” by H. T. Ryall— artist's proof, signed by the engraver 143 Odin, by T. Landseer, A.R.A .—first state From the Collection of Daniel Cooper, Esq. 144 Hafed, by C. G. Lewis— first state From the same Collection 145 Hunters at Grass, by C. G. Lewis— artist’s proof From the Duke of Buccleugh’s Sale 146 The Monarch of the Glen, by T. Landseer, A.R.A.— artist's proof Presented by the painter to Sir F. Grant, with his inscrip¬ tion and initials From the Collection of Daniel Cooper, Esq. 147 The Stag at Bay, by T. Landseer, A.R.A.— artist’s proof, signed by the painter and engraver 148 Taking a Buck; and Eos, by T. Landseer, A.R.A.— artist's proofs, unframed 2 149 Breeze, by C. G. Lewis; and The Rescue— etchings, ditto 2 150 Bolton Abbey, by S. Cousins, R.A.; and Portrait of a Lady— ditto 2 151 Hunter and Cob, by Alais; and Pixie, by J. C. Webb 2 finis. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross.