THE GETTY CENTER LIBRARY X ” / • V i r ‘■o' • ^ ■:& ."isi No. I. PORTRAIT OF AN OLD MAN SEATED WITH LONG BEARD. FORMERLY CALLED REMBRANDT’S FATHER Red chalk. Signed R. 1630. Size, 157 by 147 mm. Michel, 14. Colle(flion : De Vos. Compare Vosmaer P. 487. ■I *. >2 1 I r;: : t ■ ■, i No. 2. STUDIES OF SIX HEADS On the reverse a landscape with two cottages. Silver point on vellum; the only other two drawings in silver point on vellum are in Berlin Museum. One of these came from the collecStion of C. S. Bale, No. 2434. Size, 135 by 81. Michel, 3 Collecftion : Sir W. W. Knighton, Bart. b I I i I I ' y ' . '» r . '‘V; >f' ■ No. 3 and No. 6. TWO STUDIES OF A WOMAN CARRYING A CHILD, STANDING Bistre, pen. Size, 89 by 41 and 104 by 88. Michel, 8. Collection : Sir W. W. Knighton, Bart. No. 4. A SHEET OF VARIOUS STUDIES Bistre, pen. Size, 136 by 65. Michel, 7. Collection: Sir W. W. Knighton, Bart. No. 5. STUDY OF TWO OLD MEN, POSSIBLY THE ELDERS IN THE “SUSANNA” PICTURE AT BERLIN Bistre, pen. Size, 124 by 121. Michel, 7. Collection : Sir W. W. Knighton, Bart. i 1 No. 7. SLIGHT SKETCHES OF A WOMAN HOLDING A BABY, AND OF THE SAME WOMAN SEATED WITH HER HANDS CLASPED On the reverse is a slight sketch of a woman in bed (? Saskia) and of a man wearing a hat in profile : possibly this man is the Do( 5 tor, Ephraim Bonus. Bistre. Size, 209 by 136. Michel, 64. Collecftion : Sir W. W. Knighton, Bart. No. 8. STUDY OF A CHILD ASLEEP IN A CRADLE Pencil. Size, 77 by 108. Collections : W. Esdaile. Cheney. Sir F. Leighton. ■ft • r' *«:■ V K' r 2l. r ^*v , '. '4ir* - No. 9. AN OLD WOMAN ASLEEP SEATED WITH HER HANDS CROSSED ON A BOOK Bistre, pen and wash. Size, 136 by 139. Michel, 46. Lippmann, 93. Collecftions : Baron Denon. J. Gigoux. No. 10. AN OLD WOMAN SEATED ASLEEP, HOLD- ING A BOOK AND SPECTACLES Pencil, washed with bistre. Size, 165 by 154. Michel, 47. CollecStion : Baron Denon. ' \ ■Ij \ No. II. STUDY OF A GIRL SEATED AND ASLEEP WITH HER HEAD RESTING ON A CUSHION: PROFILE TO LEFT Bistre. Size, 140 by gg. Michel, g2. Colledtions : De Vos, 1833. Goll. van Falkenstein, De Vos. No. 12. AN OLD MAN SEATED IN AN ARM-CHAIR WITH HIS LEGS CROSSED: LOOKING TO LEFT NEARLY FULL FACE Black chalk. Size, 166 by no. Michel, 15. Collecftion : Baron Verstolk, 1847. c I \ No. 13. YOUTH STANDING, SEEN FROM BEHIND Bistre, wash. Size, 160 by 92. Colle( 5 lions: Bouverie. Sir J. C. Robinson. No. 14. CHRIST ON THE MOUNT OF OLIVES Bistre. Size, 118 by 160. Michel, 32. Colle( 5 tion: Baring. \ No. 15. STUDY OF OLD MAN STANDING TO RIGHT Bistre, reed pen. Size, 169 by 126. Michel, 75. Colle( 5 tions : Sir Thomas Lawrence. W. Esdaile. W. Mayor. No. 16. STUDY OF AN OLD MAN Resembling the elder in the picTture of “ Susanna and the Elders” at Berlin. Bistre, reed pen. Size, 173 by 135. Michel, 6. Collecflions: Sir Thomas Lawrence. W. Esdaile. C. S. Bale. I TSi'. ' • '• ‘‘,v* :*’/'■ • '-^ Ir-h' % 7 4: I ■ ’■' b^' ' '. .. .■/ - ^ -C; ■IM i 1 1 No. 17. COPY OF A PERSIAN MINIATURE Bistre. Size, 94 by 86. Michel, I. Colle( 5 lions : T. Hudson. J. Richardson. R. Holditch. Lord Selsey. R. P. Roupell. No. 18. THE CRUCIFIXION Small study for the etching, B. 86. Bistre, pen. Size, 106 by 123. Michel, 19. \ No. 19. OLD MAN TO RIGHT IN PROFILE LEANING ON A STICK Bistre. Size, 83 by 70. Collecftions : R. Dumesnil. De Vos. No. 20. HEAD OF AN OLD MAN: THREE- QUARTER FACE TO LEFT Bistre, pen and wash. Size, 84 by 81. Michel, 4. No. 21. SLIGHT SKETCH OF A BALD-HEADED MAN, FULL FACE: STUDY FOR AN APOSTLE OR PHILOSOPHER Bistre. Size, 83 by 74. Collecftions: R. Dumesnil. De Vos. d \ \ No. 22. THE BLESSING OF JACOB Sepia, washed with white and Indian ink. Size, 174 by 220. Michel, 53. Colle( 5 tion: Sir W. W. Knighton, Bart. No. 23. STUDY OF AN OLD WOMAN Resembling the woman in the “ Menage du Menuis- ier ” at the Louvre. Size, 108 by 93. Michel, 59. y Colle( 5 tions: Sir Thomas Lawrence. W. Esdaile. C. S. Bale. No. 24. WOMAN READING Bistre, wash. Size, 67 by 87. Michel, 2. Colle( 5 tion : Sir W. W. Knighton, Bart. T ■V No. 25. STUDY FOR AN OLD MAN WEARING A TUR- BAN : HE IS SEATED AT A TABLE ON WHICH IS A LARGE BOOK AND A CANDLESTICK Bistre, wash. Compare the etching of the Goldweigher and the Ashburnham Rembrandt in Berlin. Size, 185 by 172. Michel, 38. Lippmann, 89. t ■ i No. 26. LION SEATED Bistre, wash. Size, 1 15 by 155. Michel, 34. CollecSlion : Sir W. W. Knighton, Bart. No. 27. LION SEATED Bistre, wash. Size, 106 by 202. Michel, 33. Colledtion: Sir W. W. Knighton, Bart. e Sr V "^, , , a V • . Jiji T- /hr -» 7 ( j i * 4 j 0 A LANDSCAPE WITH A FARM SUR- ROUNDED WITH TREES BLOWN BY THE WIND Bistre, pen, on brown paper. Size, 159 by 240. Michel, 35. Lippmann, 40. Colle( 5 Iions : J. P. Zoomer. Woodburn. Barron Grahame. '‘'Si* 1 . tty-- t 'I I' ' ' ■% i*. , v; [; A,;. ’■ f*, h /•" No. 29. LANDSCAPE. HOUSE WITH TREES ON THE BORDERS OF A CANAL Indian ink, wash. Size, no by 200. Top corners cut. Michel, 26. Colle( 5 Iion, J. P. Zoomer. ■7 •••A h: . , ■ k A // \ \- / 4 /» ji m 1 No. 30. A MAN FEEDING A CHILD Inscribed on the mount “ The Widower.” Bistre. Size, 173 by 142. Michel, 60. Lippmann, 45. Colledlion: Woodburn. No. 31. STUDY, PROBABLY FOR THE VIRGIN FAINTING AT THE FOOT OF THE CROSS Bistre, pen and wash. Size, 95 by 153. Michel, 12. Collection: De Vos. No. 32. WOMAN ASLEEP IN BED Bistre : reed pen. Size, 129 by 178. Michel, 72. Collection: De Vos. f STUDY FOR THE DISCIPLES AT EMMAUS Bistre, pen. Size, 175 by 158. Michel, 64. Collecftions : Sir Joshua Reynolds. J. Richardson. Barron Grahame. 'tCr No. 34. SKETCH OF AN INTERIOR WITH OLD MAN SEATED, WHILE A WOMAN PULLS OFF HIS BOOTS: ANOTHER WOMAN PREPARES THE BED Size, 165 by 163. Michel, 62. This drawing is not at Stockholm as stated in Michel’s work. See plate P. 148. Collection: R. P. Roupell. I I No. 35. VIEW IN A TOWN WITH A BRIDGE OVER A CANAL Bistre, washed with Indian ink. Size, 145 by 194. Michel, 24. Collecftions : Sir Thomas Lawrence. W. Esdaile. f: f ft O'- '* < < j:'; '■ , > Hr>. No. 36. LANDSCAPE WITH HOUSES BY A ROAD-SIDE Bistre. Size, 143 by 202. Michel, 60. The cottage on the left seems to be the same as that in the signed drawing No. 37. g I ( V- i jjoo 3. 'IT C; a? V “• % K •'ll ir|,S ' . J No. 37. A LARGE LANDSCAPE WITH A COTTAGE AND TREES Possibly the same cottage as in No. 36. Bistre, wash. Signed and dated “ Rembrandt f* 1644.” Size, 298 by 452. Michel, 27. CollecTtions: John Barnard. A. Pond (“ True ” A. Pond). Sir Benjamin West. Sir Thomas Lawrence. W. Esdaile. Barron Grahame. << a \‘ 1 .K it ■u (tv I'l .■^ V y_ ’■i ■'.V f •V' i' 4 ^ u No. 38. LANDSCAPE, VIEW OVER A FLAT COUNTRY: A COTTAGE ON THE LEFT Bistre, on brown paper. Size, 80 by 210. wm Mil t — III till i'TV, \ n I v. " No. 39. A LONG LANDSCAPE VIEWED FROM THE TOW-PATH BESIDE A RIVER Several sketches of the same place are in the collecftion of the Duke of Devonshire. On the reverse a slight sketch in pencil and the following verse : “ Dees tekeningh vertoont de buiten amstelkant Soo braaf getekent door heer Rembrants eygen hant.” P. Ko. Bistre. Size, 271 by 158. Michel, 34. CollecfliQns : Goll. van Falkenstein. Sir Thomas Lawrence. W. Esdaile. Mr. James, 1875. R. P. Roupell. No. 40. A LANDSCAPE WITH A CLUMP OF TREES REFLECTED IN WATER Bistre. Size, 146 by 252. Michel, 44. Lippmann, 50. Colledtions : T. Hudson. Earl of Portarlington. h ■ li,’ -i . is _ *‘ .•*•• t , LANDSCAPE WITH A STORMY SKY Bistre, wash. Size, 132 by 189. Michel, 21. Collec 5 tion: Sir W. W. Knighton, Bart. V c >- . ■J ■1 No. 42, HOUSES ROUND A COURTYARD WITH A TREE IN THE FOREGROUND Bistre, pen and wash. Size, 125 by 251. Michel, 22. Colle( 5 tions: Bouverie. R. P. Roupell. !i m Ti/at’’ 4 > >f\ 4 "<■ T. 1 m. ji No. 48. WOMAN SEATED HOLDING A CHILD Study for the picfture at Cassel, “ The Woodcutter’s Family.” Bistre. Size, 104 by 87. Michel, 18. Colledtion : R. Dumesnil. De Vos. No. 49. WOMAN SEATED, HER HEAD RESTING ON HER HAND Black chalk. Size, 124 by 86. Michel, 17. CollecTtion : De Vos. 1 .. No. 50. HOLY FAMILY Bistre, wash. Size, 151 by 163. Michel, 57. The Virgin and Child are no doubt drawn from nature; the S. Joseph is drawn without a model. Collection : Hibbert. L.1 itr f, r. s' Ir it liT £■ ' >7 Ap No. 51. VIEW OF A VILLAGE SEEN FROM A JETTY Inscribed on the reverse “ Sparendam.” Possibly the same place as in No. 45. Bistre. Size, 82 by 138. Michel, 57. Lippmann, 42. Collec 5 tion : Suermondt. k Os •r.V .d No. 52. LANDSCAPE: VIEW OF AMSTERDAM FROM OUTSIDE THE FORTIFICATIONS Bistre, wash, slightly touched with red and Indian ink. Inscribed on the reverse : “ Het bolwerk, by d. s. Antonius poort in Amsterdam.” Size, 171 by 247. Michel, 22. Collecftion : Woodburn. 'h No. 53. STUDY OF YOUNG MAN NUDE, SEATED ON LOW SEAT WITH A RED CUSHION Bistre and red chalk. Size, 140 by 181. Michel, 42. Colle( 5 tions: E. Utterson. W. Russell. y i tf: E.X-- ^ 4 / '■ .V J4» _ '•••i. • • ' V No. 54. STUDY OF A NAKED YOUNG MAN STAND- ING, HIS RIGHT ARM LEANING ON THE BACK OF A CHAIR Bistre, wash. Size, 232 by 162. Michel, 9. Colledlion : Nieuwenhuys, 1887. % ■ ' 'mahTriK No. 55. STUDY OF A YOUTH NAKED WITH WHITE CLOTH ROUND HIS LOINS AND WITH HIS HANDS CLASPED IN THE ATTITUDE OF PRAYER; SEATED ON A CUSHION PLACED ON A BOX: THREE- QUARTER FACE TO RIGHT Bistre and Indian ink. Size, 275 by 161. Arched top. Michel, 67. Lippmann, 44. Colle( 5 tion: Nieuwenhuys. 1 / IF .*»■ ifK:., , V' ' ' ' Wfi, i4i rf: „ ^ : ■' »■ I I No. 56. STUDY OF A YOUNG MAN STANDING NAKED WITH HIS LEFT ARM RAISED Bistre, wash. Size, 125 by 54. Michel, 10. Colledtion : Utterson. No. 57. NUDE STUDY OF A YOUTH STANDING ON A CUSHION Bistre, wash. Size, 205 by 84. Michel, 5. Collecftion : R. P. Roupell. No. 58. STUDY OF A NAKED WOMAN SEATED, HER HEAD RESTING ON HER RIGHT HAND, SMILING: PROFILE TO LEFT This powerful study is believed to be a portrait of Hendrickje Stoffels. Bistre and Indian ink. Size, 264 by 185. Michel, 51. Lippmann, 91. Collecftion : Sir W. W, Knighton, Bart. 'I t 4 s '•'.^11 No. 59. STUDY OF A MAN SEATED ON A LOW STOOL APPARENTLY WARMING HIS HANDS AT A FIRE: PROFILE TO LEFT Bistre. Size, 137 by 120. Collecftion : Earl of Warwick. No. 60. STUDY OF AN OLD MAN SEATED IN AN ARM-CHAIR: IN PROFILE TO RIGHT Bistre. Michel, 53. CollecStions : Bouverie. Nieuwenhuys. Compare the figure of the High Priest in No. 61. •s : ■ .4 I. I. ( \ i,- .'1: h i 1 • “REMBRANDT. i No. 6i. THE PRESENTATION IN THE TEMPLE Bistre and Indian ink touched with white. Size, 236 by 250. Arched top. Michel, 54. Collecftions : Sir Thomas Lawrence. W. Esdaile. J. W. Brett. J. de Vos. Compare No. 60. m THE NATIVITY Study for the pic 5 ture in the National Gallery, No. 47. Bistre, wash. Size, 203 by 232. Michel, 37. Lippmann, 88. Collecftions : T. Dimsdale. Sir Thomas Lawrence. W. Esdaile. F. T. Palgrave. d < i ■ .'ivV'- • ■■■ ' ?) I '< A SHEET OF STUDIES OF NINE HEADS One in red chalk, the others in bistre. Size, 222 by 232. Michel, 42. Colle( 5 tion : R. P. Roupell, i • » ! y it. . • U ObVOtJr- , i [ ? u .'i' v;,; No. ea JOSEPH PROCLAIMING HIMSELF TO HIS BRETHREN Bistre, wash. Size, 330 by 212, A . ' ’ t V\' ■ ■4 ■* ‘-V • ■■ I'-' is a ;/'■ 'ty . *\ 'r V ,• 1^.' I No. 69. STUDY OF A WOMAN SEATED WITH HER HEAD SUPPORTED BY HER LEFT ARM AT AN OPEN WINDOW : SHE IS SEEN FULL FACE FROM WITHOUT Bistre, Size, 237 by 176, Michel, 45. Colle(ftions : Marquis de Vende. T. Dimsdale. Sir Thomas Lawrence, W. Esdaile. C. S, Bale. 1 No. 70. STUDY OF A WOMAN LOOKING OUT OF AN OPEN WINDOW Bistre, largely treated with a coarse brush. Size, 296 by 162. Michel, 43. Lippmann, 92. o \ 4 I 'V'- No. 71, PORTRAIT OF AN OLD LADY SEATED HOLDING AN OPEN BOOK ON HER KNEE Study for the picture in the colle( 5 tion of Lady Wantage. Engraved in C. Rogers’ work by W. W. Ryland 1763, and called Rembrandt’s mother. Size, 127 by 109. Michel, 48. Lippmann, 90. Colle( 5 Uons : Richardson. Sir Joshua Reynolds. Sir Thomas Lawrence. W. Esdaile. C. S. Bale. « MB-*?'**.' >■ '■ f I No. 72. A LONG LANDSCAPE WITH MANY WINDMILLS Bistre. Size, 121 by 260. Michel, 55. Lippmann. CollecTtions : Baron Verstolk. De Vos. T * J % 'M u "1 No. 73. LANDSCAPE WITH A BARN BESIDE A ROAD, MAN SEATED SKETCHING IN FOREGROUND Bistre, wash. Colledtion : Sir J, C. Robinson. No. 74. LANDSCAPE Bistre, wash. Size, 120 by 226. Michel, 31. No. 75. LANDSCAPE The same place as the subjecft above. Bistre, wash. Size, 160 by 230. Michel, 30. CollecTtions: Desperet. De Vos. p TH, f fr : SJ 0 iy •4 « L ( No. 76. LANDSCAPE ON THE BANKS OF A RIVER Bistre, wash. Size, 132 by 314. Michel, 70. Collecftion; Crozat. f:- c p?' a- 4 i '^rf: liitc | fe ' 6 I' It: 4 ,y u ' ■■'r| f. 1 No. 77. WOMAN RECLINING NUDE Bistre, painted with rough brush. Size, 138 by 282. Michel, 5I0 Lippmann, 87, Collecftions : Sir Thomas Lawrence. W. Esdaile. Woodburn. R. P. Roupell. % c : •n ■. I- k i*^ ( ^ { i'^' .■■i <1 ■ i ■ -j No. 78. MOSES AND THE BURNING BUSH Bistre, wash. Size, 242 by 176. Michel, 74. An indifferent copy of this drawing is exhibited at the Museum of Grenoble. Colle( 5 tion : R. P. Roupell. ,yj' No. 79. CHRIST ON THE MOUNT OF OLIVES Bistre, wash. Size, 185 by 280. Michel, 72. CollecTlion : R. P. RoupelL q ■ - ' \ n il i. 1 I ■ ‘‘f V f? ...‘» ' .'.'• ■' ** No. 8o. STUDY OF NAKED WOMAN SEATED Bistre, wash. Size, 287 by 193. Michel, 50. Lippmann, 86. Collecftions : Lord Spencer. William Russell. Chiswick Press : Charles Whittingham and Co. Tooks Court, Chancery Lane, London. V $ ■ i f r ■ / i I yj I I . ■■■! I 1? ’"j ,.r ' T.l i i J-f. , Ipi,' f y ■'v It \ t Y " '^.■^:ii' ■ V- ' \'' '''V:''.V: ■•^' ‘•'t'-x^,\f> -' .' . '.\ : " f- $ % fr.- ■1 , 4 .1 "■i . . .... -'I .■ ».•••■ m 'i ' I'j ' ^ y- ■i'( '* f 5/ •''7WWC- TA?w-^r-F-i^ ’Tvrr:v 'f- .1 7 . <. - '..r: '■ ' - ^ € 8 ' ^^;'iV;..v%j#‘f i. s; .4=:': V.;^ -'■• ; vvV t ' ' .-1 ^ '- * r --' ' 1 '^<1. ^I*- >( < •‘j. , \*'’t •/„' f ' I n > ^ r Hi. > ^ ^ ^ ^ / 4%, ^ >- > ^ r ■? * - ^ ^ ' e*, «• ir„ ;:fe: 4 .~4 i- > f'«.t - '''' ^ •fesa^ti >"<. >4*', \ z i , 4' ' 4?^ '' ^ £^Vi- ' - , 11 Zr > . Z . ^ - K . - ,, r/ ^ ' -1 4 ’; , yr ^ -■~' ^ •^’sgi'Z "44 4 t.*’''3 '^*" ' -.^ ? n 4 ^ *1, .* t*^ 1 •v’’?\. Ifa ^ ^ r u ] ^ ^ V. ^ r4 V . f J, >-/>’' ^ ^ ^ X‘>' ^ « -i. f ■' 'VZ vs?'r' V . ^ 4 ^ 4;^«ss ,. '1?,. ,\ >. :vi, .,i.'-"v»- ■'■<■:. ',»«>••!