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 https://archive.org/details/catalogueofchoic00chri_1 
 

 
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CATALOGUE 
 
 OF THE 
 
 CHOICE AND VALUJBLE COLLECTION 
 
 OF 
 
 ANTIENT AND MODERN 
 
 PRINTS, 
 
 THE PROPERTY OF 
 
 JOHN WOODHOUSE, Esq. 
 
 SELECTED WITH THE HIGHEST TASTE FROM ALL 
 THE COLLECTIONS AT HOME AND ABROAD, 
 
 AT A LIBERAL EXPENSE : 
 
 CONSISTING OF SPECIMENS OF 
 
 ALBERT DURER, LUCAS VAN LEYDEN, 
 
 AND OTHER ANTIENT MASTERS. 
 
 IHE DUTCH SCHOOL COMPRISES NEARLY THE WORKSHOP 
 
 IMBRANDT, 
 
 fBENS, 
 
 JORDAENS, 
 
 VANDYKE, 
 
 BERGHEM, 11 HOLLAR, 
 The VISSCHERS,!! &c. &c. 
 
 AND nearly THE ENTIRE WORKS OF THE ENGLISH SCHOOL—ViZ. 
 BARTOLLOZZI, 11 EARLOM, and 
 WOOLLETT, II SIR ROBERT STRANGE. 
 
 PROOF IMPRESSIONS j 
 
 WHICH WILL BE SOLD BY AUCTION, 
 
 By Mr, CHRISTIE, 
 
 AT HIS GREAT ROOM, PALL-MALL, 
 THURSDAT, the 2^d of JA NU A R T, iSoi, 
 AND FOLLOWING DAYS, AT TWELVE O’CLOCK, 
 
 To be viewed two Days preceding the Sale, 
 i When defcriptive Catalogues may be had at the ROOMS. 
 
 LONDON 
 
 Priatei by H. D. S T E E L, No. 51, Lothbury. 
 
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ADVERTISEMENT 
 
 The amateurs of the fine arts will find, in this 
 icolledion, the choicefl works of each mailer, feleded, 
 
 by Mr. Woodhoufe, with the greatefl tafte, from the 
 cabinets of Gulflon, Blackburn, Earl of Bute, Bernard, 
 
 Rogers, Marquis Donegal, and Daulby, with large 
 additions from the continent. 
 
CONDITIONS OF SALE 
 
 I. 1 H E higheft bidder to be the buyer; and if anydifputc 
 arife between two or more bidders, the lot fo difputed fhall be 
 immediately put up again, and re-fold. 
 
 IT. No perfon to advance lefs than is. above five pounds, 
 2S. 6d. and fo in proportion. 
 
 III. The purchafers to give in their names and places of 
 abode, and to pay down 5s. in the pound in part of the purchafe- 
 money; in default of which, the lot or lots fo purchafed to be 
 immediately put up again, and re-fold. 
 
 IV. The lots to be taken away, with all faults, at the buy- 
 er’s expenfe, within three days after the conclufion of the fale; 
 and the remainder of the purchafe-money to be abfolutely paid 
 on or before delivery. 
 
 V. Upon failure of complying with the above conditions, 
 the money depofited in part of payment fliall be forfeited ; and 
 all lots uncleared within the time aforefaid, fhall be re-fold by 
 public or private fale, and the deficiency (if any) attending fuch 
 re-fale ihall be made good by the defaulters at this fale. 
 
 (/ 
 
Firft Day’s Sale. 
 
 
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 C<rt^>r p 'fJ i/y . 
 
 ■.y 
 
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 FRENCH SCHOOL. 
 
 PORTRAITS. 
 
 r 
 
 NANTEUIL, EDELINCK, and DREVET. 
 
 /xa 1 T WO— J. B. Steenbergen, the advocate of Holland, and 
 Pomponius de Bellievre, both fine 
 ^^"^2 Three — Marquis deSt. Briflbn, &c. fine 
 
 3 Three — Jean Francois Sarrafin, confeiller ordinaire du roy, and 
 two others, fine 
 
 /y'-.O^ Three — Fran 9 ois Tortibat, madame Helyot, &c. by Edelinck, 
 fine 
 
 0 ^ Two — Fran 9 ois Beauvau and Charles Gafpard, by Drevet, ex^ 
 tremely fine 
 
 ' Z”0 5 Onp — Djic de Villars, by Drevet, fine 
 ■ /"C 7 One — Nathaniel Dilgerus, byEdelinck, extremely fine 
 '/O'OZ Two — Martin Vanden Bougart, &c. byEdelinck, extretnely fine 
 f(^’ 0 9 Gne— Cardinal Polignac before the Crofs, brilliant proof, rare 
 One— Bilhop Boduet, by Drevet, extremely fine 
 ^"0 1 1 One — Fenelon, a proof, extremely fine 
 
 iz One — Moliere, tbe befi likenefs, by Bcauvarlet, a proof , extremely 
 fine 
 
 HISTORICAL. 
 
 Three — From Pouffin, one a proof, extremely fine 
 Two — From Dittp, fine 
 
 //••O 13 
 
 j" ^ 
 
FRENCH SCHOOL. 
 
 ill Day. 
 
 LOT 
 
 - Z? 1 5 T wo — From Poilffin, fine and rare 
 ' 7 ''^i 6 One — From Ditto, before the drapery on the loy^ fine 
 Two — From Ditto, fine and rare 
 Two — By Audran, fine 
 ^ 19 One — From Raphael, 
 
 20 Two — From Ditto, op/e a proof ^ <very fine 
 
 2 1 One — By Pitau, fine 
 
 0 0 22 One — By Van Schuppen, extremely fine 
 
 e-/S..a 
 
 23 Two — From Albano, n>ery fine 
 
 r-/a-o 24 Two— By Peter de jode, fvjith d variation in the man^s cap 
 25 Two — From Albanus, 
 
 ^ '• 26 T wo — By Morin, fine 
 
 27 One — From Raphael, by Poilly, extremely fine 
 /'O-'O 28 One — From Raphael, a hr HU ant proof 
 
 /•• 29 One — The marriage of St. Catherine, by Poilly, a moft beautiful 
 
 ''Y"CP One— La Coufeufe, from Guido, by Edelinck, 
 
 31 One — St.John, from Le Brun, 
 
 /’' Z '' O 32 One — From Raphael, fine and rare 
 
 One — From Raphael, by Raymond, a brilliant proof 
 A^'- 0 34 One — By Charles Gregari, after Raphael, a mofi beautiful proc-f 
 
 \Y’ /S ^ -6 35 One — The Nativity, by Poilly, aftey Guido, before the angels, 
 extremdy rare 
 
 ■' /Z pj 36 Two — Holy Families, from Stella, fine 
 P^-'/Pd-O 37 One — From Le Brun, 
 
 3 38 Two— From Ciro Ferri 
 
 6 39 One — From Raphael, the filence before the crofs flrokes, by 
 Poilly, fine 
 
 0 •'///■'() One— By Poilly, from Pouffin, a proof y wry fine 
 0 "/Y’3 41 One— From Stella, by Poilly, a proofs uncommonly fine. 
 
 42 One — The holy family with angels, from Albano, a moft brilliant 
 
 . proof • 
 
 43 One — The woman of Samaria, by Baudet, a proof remarkably fine 
 
 44 One — From Raphael, by Chereau, a brilliant proof 
 Z'-Z'-J 45 One- The filence, after Raphael, by Heinzelman, extra fine 
 0 '’ /fi’ P} 46 One — Virgin and child, by G. Chafteau, a fine proof y ra^e 
 
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FRENCH SCHOOL, 
 
 ift Day. 
 
 LOT 
 
 47 One — The holy family with St. John, from Raphael, by Poilly, 
 
 extremely fine — ' — — 
 
 ^ 4g Two— Holy families, from Guido and Carracci, by PoilIy> 
 
 49 One — Virgin and child, from Raphael, by Van Schuppen, 
 
 the arms, <very fine and rare — 
 
 50 One— -The fame print, nuith the arms, fine - — — - .> 
 
 51 Three — From Raphael - . 
 
 52 Four— From Ditto, byDrevet, &c. — - . . 
 
 53 Two — From Stella and Carracci, by Poilly, ^ery fine — - _ . 
 
 54 Two — FromVanloo, by Mechel — 
 
 55 Two — From Gafper Pouffin, by Hackert 
 
 56 Two — Landfcapes, by Daudel, njoith variations — 
 
 57 One — Indians lamenting the lofs of their child, by Ingouf, 
 
 BEAUTIFULL PROOF, and very rare — $ 
 
 58 One — St. Bruno, by Poilly, a brilliant froofi , — . 
 
 59 One — Venus careffing Cupid, by Porporati, a fine -proof 
 
 60 One — From Pompeo Battoni, by Mark, a fine proof — 
 
 61 One — The adoration of the Ihepherds, from Mignard, by Poilly, 
 
 a proof, remarkably fine - — - — — - 
 
 62 One — From Raphael, byVitali, a fine proof — " 
 
 63 One — From Anibal Caracci, by Bouvilliard, a fine proof' 
 
 64 Two — By Mallard and Porporati, fine proofs — 
 
 65 One— Adam and Eve lamenting the death of Abel, by Porporati, ) 
 
 a fine proof — — — - — •) 
 
 66 One — Le repos, by Bervic ~ — 
 
 67 One — From Raphael, by Edelinck, before the arms, extremely fine 
 
 68 One — The celebrated Magdalen, by Edelinck, a mofi beautiful 
 
 proof, extremely fcarce ' 
 
 69 One — The fame, before the border, very fine and fcarce 
 
 70 One — St. Genevieve, by Balechou, a brilliant and curious proofs 
 
 before the plate vjas cleaned at the bottom, remarkably rare — 
 
 71 One^ — The ftorm, by Balechou, a proof, before the lines, ex^ 
 
 7 2 One— The fame, nvith the lines, very fine - * > 
 
 73 One — Thecalm, by Ditto, remarkably fne — 
 
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FRENCH SCHOOL. 
 
 I ft Day. 
 
 LOT 
 
 74 Two — Le fanal extiaufle, from.Vernet, by Byrne, a proof , and 
 one from Ditto, bv Charpentier 
 
 C../S..6 75 One — The grey-headed man, by Ant. Maffon, a moft beautiful 
 
 / proof 
 
 * fj" 6 76 One — The holy family, from Mignard, by Ant. MalTon, ^ery 
 fine and rare 
 
 ^ J O'-'O One — Chrilt and his difciples at Emmaus, commonly called, the 
 table-cloth, by Ant. Maffon, extremely fine 
 /'V2-.(^78 One — The fame print, fine 
 
 79 One — Marfhall Harcourt, from Mignard, by Ant. Maifon, un- 
 common y fine 
 
 Q gQ dauphin and his fider, by Maurice, fine 
 
 /■■//■•€ u Four-^From Terburg, Sec, by Romanet, proofs 
 82 One — From Greufe, a proof 
 / • /f'O g^ — From Ditto, a proof 
 /•• ^'-0 84 One — From Ditto, a proof 
 Z" Qj^g — From Ditto, a proof 
 
 ^ ^••^86 One— From Dhto, a proof ‘ 
 
 87 One — The head of Chrift, by Mellan, fine ^ 
 
 ^"^" 0 88 One — St. Pierre Nolasque, by Ditto, fine, the rarefi print 
 of the mafitr 
 
 Sg Two — The annunciation, after Dominichino, and St. Cecilia* 
 after Mignard, by Duflos 
 
 C Three — The Nativity, from Corregio, by Surugue, and tw# 
 
 others 
 
 One- 
 
 WILLE’s WORKS 
 
 Portrait of Wille, proof, '<very beautiful 
 
 9 „ 9 ^ 
 
 ^"O ^2 One — Fred. King of PrufTia, proof, rare 
 
 93 One — Les foins materneles, proof, 9?;?^ 
 
 /■.//.. <r 94 One — Girl with a bird, proof, fine, from the colledlion of Mr 
 \ .WoolUtt 
 
 ^ One— 'Sarah prefenting Agar to Abraham, before the arms, ^ery 
 
 . fine and rare, proof 
 
 g 6 One — The fame fubject, <vjith the arms , alfo extremely fine, proo^ 
 97 One — Les bons amis, after Oflade, extremely fcarce ^ 
 
 55^" I" 0 
 
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FRENCH SCHOOL. 
 
 I ll Day. 
 
 LOT 
 
 9b’ One — L’inftru( 5 lion patcrnelle^ beautiful proof, and tx^ 
 tremely rare ^ — - 
 
 99 One — The fame fubjedl, •with the Utters , Jine _ . 
 
 100 One — Le jeune jouer d’inftrument, proof, rare and beautiful ~ 
 
 101 Two — Sapeiir dn garde, and companion, proofs, ^ery fne — ■ 
 
 102 One — The old woman reading, proof, _/?//<? and <ve>y rare — ~ 
 
 103 One — Les muficiens ambulans, a tnofi brilliant proof, *uery 
 
 104 One — The fame fubje^i, nvith the letters, firji imprefion, before 
 
 the e 'ivqs added to the nxord eledioral. fhis <was prefented to 
 Mr, Woollett by Mr. Wille — — — — ^ — . 
 
 105 One — The pancake-woman, eeautfful proof, ^cry rare ^ 
 
 106 One — Same fubjedt, ^ith the letters, fine — 
 
 
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 110 One — Le petite cuifiniere, after Dow, proof, extremely fine ' ^ .* (9 
 
 111 One — Le concert de famille, — ” />* fO'^O 
 
 1 12 Two — Les bons amis, and Tobfervateur didrait. The lafi im- 
 
 prejfon ^joas prefented to Mr. Woollett by Mr. Wille — — ^ " f 0 " Q 
 
 113 One — A lady’s chaniber, a proof. — / Q 
 
 107 One — La gazetterrere Hollandoife, proof 
 
 108 One — Boy blowing bubbles, proof, rare and fine 
 
 109 One — Repos de la yierge, proof, <very fine 
 
 
 (I 
 
 0 
 
 END OF THE FIRST DAY’s SALE, 
 

 J •■/£>■. 0 
 
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 10 
 
 11 
 
 12 
 
 S'' 7^-6 ,3 
 - J ••0 15 
 
 ]6 
 
 7 -/p.o 17 
 3 :/ 3 ..(; 18 
 S •• // -£' 19 
 /•■ • j 20 
 
 ^ -^-O 2 , 
 
 /"/S'-ff 22 
 
 Second Day’s Sale. 
 
 ^ '7 
 
 DUTCH ^HOOL. , 
 
 OIXTEEN — Bears, by de Bie 
 Eight — Lions, fine 
 
 Twelve — Vanden Hecke, fine old imprejjions 
 Four— ~Molyn, ditto y •very fear ce 
 Twenty-one — John Wyke, a complete fet, •very fine 
 Four— de Vleeger, finey and •very rare 
 Four — Van Uden, fine old impreffions 
 Five — P. Boel, Nainwinox, 
 
 Three — De Heufeh, extremely fine 
 Two — Vandermeer, '-with fheep, •veryfcarce 
 Twelve — Views, after Van Goyen, John VilTcher 
 Six — Waterloo, •very fine 
 
 Thirteen — Swaneveldt, •vie^ws of Rome, •very fine 
 Four— Ditto, Cupids and Satyrs, ditto 
 Five — Adrien Van de Velde, three large cows, and one of ll'c 
 proofs y •very file 
 
 Ten — Ditto, fmall cows, ditto y extremely rare 
 One- the large plate of cows, remarkably fine, ar^drare^ 
 One— the Inn, •very rare 
 Three— John Miel, •very fine 
 Three— Jonckheer, dogs, fine 
 Five — Begeyn, proofs y •very rare, and fine 
 Five — John Both, the five fenfes, fine 
 
J 
 
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2d Day. DUTCH SCHOOL. 
 
 LOT 
 
 23 Four — Theodore de Maas — 
 
 24 Thirteen — Du Jardin, proofs before the numbers j extremely rare, 
 
 25 Eight — John Fyt, of dogs, moft uncommonly fine _ — 
 
 26 Eight — Ditto, the complete fet, 'very rare 
 
 27 Two — Vandermeer, fine - - 
 
 28 Four — Neyts, 'very brilliant ' 
 
 29 Fifteen— Wm. Baur, beautiful and complete fet — — 
 
 30 Twelve— Stoop, afmotll fet, mofi brilliant imprejfions 
 
 3 1 Six — Theodorus Roos, mofi uncommonly rare and fine 
 
 32 Three — Bouts, and two others ' ’ 
 
 33 Three — Breenberg, 'very fine ~~ 
 
 
 
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 34 Nine — Dufart, by and after ditto, moftly fcarce — 
 
 35 Twelve — Ditto, mezzontintos, by ditto, rare ’ - — 
 
 36 Twelve — Ditto, ditto, fenfes, 8 cc. fenjen proofs y rare-- 
 
 37 ’^iviQ—rDiXXOj mofi beautiful imprefilons — 
 
 38 Thirteen— Is. Oftade, fine 
 
 39 Thirty-lix— Bega, the complete fet y 'very fine . 
 
 40 Four — Boel, &c. - — 
 
 41 Two — Ditto, after Teniers, 'very fine — 
 
 42 Six — Teniers, •very fine and fcarce ' 
 
 43 Eight — Potter, proofs, called the Bull-book .. ^ 
 
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 44 Nine — Bloteling, after ditto, 'with a 'variation — 
 
 45 One — Potter, a cow’s head, extremly fcarce — _ 3 ‘ 
 
 46 Two — Ditto, fheep and cows, before the plates nwere reduced, 
 
 uncommonly fine - — ■ • 3 
 
 47 Five — horfes — exceedingly fcarce, and fine beautiful impreJpoTV! 
 
 48 Six — Nicolas Berchem, Iheep, -- y. 
 
 49 Eight-Ditto, ditto, proofs -- — : — — — ^ 
 
 'tto 
 a-c 
 
 50 Five — cows, one a proof , •very fine — - 2 , y JZ,, Q 
 
 5 1 Six — fmall cows, called the Milk-pails, 'very fine, and uncommonly ' 
 
 fcarce — — - ^ 
 
 52 Six — The five fenfes, one a pro f, 'very fine 
 
 5 3 One — A man playing on a flute, -very fine — % 
 
 34 One— A landfcape, with three cows, fine proof y rare ■ — G f> 
 
 
DUTCH SCHOOL. 
 
 7 ^ 
 
 2d Day. . 
 
 . LOT 
 
 -^55 Seven — Oblongs, after ditto, by VilTcher, beft addrejs 
 56 Four— Ditto, ditto, by John Viffcher, very fine 
 ^ 0 57 Four— Ditto, ditto, by D. Dankerts, ditto 
 Z 0 58 Six — Ditto, ditto, by Gronfvet, ditto 
 
 59 Six — Ditto, ditto, by John VifTcher, proofs y very fi7ie 
 %’-C'0 60 Four — Ditto, ditto, by ditto, very fine 
 O 61 Four — Ditto, ditto, by C. Viflcher 
 /"s-'O 62 Four — Ditto, ditto, by Dankerts 
 
 63 Four — Four times, ditto, by J. Viflcher, very fine 
 
 64 One — The bird-catchers, rare 
 /" /"‘O 65 Two— Ditto, and flag-hunt, 
 
 66 Four — The times of the day, by Dankerts, extre^nely fine 
 /’•/Q'-O 67 Five — Animals, by John Viflcher, diverfa animalia, three proofs, 
 with a variation, mcft uncomf?ionly fine and rare 
 68 One— The man with a naked back, by J. ViiTcher, a brilliant 
 proof 
 
 S 6g T wo — The goat-milker, and companion, by John de Viflcher, 
 ve?y fine 
 
 70 Two — The bag-piper, and companion, by ditto, very fine 
 
 71 Two — Capital landfcapes, by ditto, from the fale of Marriett^, 
 
 MOST SUPERB 
 
 72 One — The ball, by J. de Viflbher, moft beautiful proof 
 
 73 Three — After Berchem, one a proof 
 ^ 74 Two — Ditto, by Major, &c. very fine 
 
 75 Two — Ditto, by Le Bas, ditto 
 0 76 Two — Ditto, by ditto, &c. ditto 
 
 CORNELIUS DE VISSCHER. 
 
 ^ 77 Two — The angel ordering Abraham to (juit his country, antj 
 companion, after Bafano 
 
 /’•/O-f) 78 Two— Sufannah and the Elders, after Guido, dead Chrifl, after 
 Tintoret 
 
 /■■D-O 79 The refurrefrion of Chrifl, after P. Yeronefe, and the four 
 n Evangelifts, fine 
 
 80 The repofe, ohlong, fine 
 %\ Madonaand child, proof 
 
( 
 
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2d Day. DUTCH SCHOOL. 
 
 LOT 
 
 82 Pan-cake woman, before the addrefs of Clement de Jonghe, 
 
 83 Strolling muficlans, after Oifade, 'very fine - — — ’ - - 
 
 84 Rat-catcher, a proofiy very fine - .. ^ _ 
 
 85 Gipfy family, 7?//^ — - - - ^ 
 
 86 The Kiln, and robbery in the cave, very fine - ^ 
 
 87 Convoy attacked, ditto . ... 
 
 88 The robbery by moon-light, ditto - _ _ _ 
 
 89 The young peafants, ditto - 
 
 90 A tabagie of fix men, called the Skaters, a very fine proof 
 
 91 A ditto of two men and a woman, very fine — — ^ " 
 
 92 A ditto, after Brower, called the Fidler, proof ^ 
 
 93 A ditto, ditto, of five men, and two more ^ 'll; 
 
 94 The country furgeon, after Brower, fine proof - 
 
 93 The Antiquary, fuppofed after Corregio, extremely fine 
 
 96 The card-players near a kiln, after de Laer, very fine, and one of 
 
 the rareft prints of this great mafter ' - ~ — 
 
 97 The liable, after Peter de Laer, fine ^ - 
 
 98 Boy and girl with a rat-trap, proof, extremely fine' 
 
 99 Woman and boy, with a lighted candle andpanier, after Rubens, 
 
 very fine, before the name of C. ViJJ'cher - •" — - - - " 
 
 100 The cat, very fine ' — — — — ■ — — - • 
 
 101 Cornelius Viffcher, by B. Audran, and the palm-tree - ~ 
 
 102 Cornelius Visscher, 1649, extremely rare — - 
 
 .103 Ditto, 165 I, fine, and very rare — , 
 
 104 Gellius de Bouma,_/f;y? imprejfion, before the date — — — 
 
 105 William de Ryck, the oculill, on vellum, very fine and rare -v 
 
 106 Pope Alexander VII. and Joannes Wachtelaer, remarkably -- 
 
 107 Vondell, the celebrated Dutch poet, first froof;, voith 
 
 the favjn, or fiut e-player, and before the figures on the map that 
 hangs on the vjall, or the tovjn on fire, extremely rare - 
 
 108 Ditto, vjith the letters — the ordhiary imprejjion, but very fine ^ 
 
 109 Two — C op PE NO l, the writing-maker, proof and letters, 
 
 very fine and rare • — ■ ^ 
 
 1 10 Petrus Scriverius, very fne 
 
 6 - 
 
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 jdDay. DUTCH SCHOOL. 
 
 LOT 
 
 111 Jo. de Paep, with a view of the Exchange of Amflerdam, fine 
 
 and rare 
 
 1 12 Robertas lunius, njeryfine 
 
 j 13 Three — Domicella M.Moonha^Valdefius, and Doufa, all fine 
 
 114 Four portraits of kings, Charles V. and Phillip II. III. IV* 
 
 Counts of Flanders 
 
 115 Two — Man with a high-crowned hat, a proofiy ^ery rarcy and a 
 
 portrait with a llriped handkerchief, C. de ViiTcher, ad ^injum 
 I. de VifTcher fculp. 
 
 116 Four — The large heads, after Titian — cab. de Reynft- 
 
 1 1 7 Two — John de Witt, and P. Proelius, fine 
 3 18 The prodigaPs feaft, J. de Vifscher,//?^ 
 
 1 19 Three — After Oflade, by ditto, moft uncommonly fine 
 
 120 The BACK-GAMMON PLAYERS, after Oilade, by J. deViffcherii 
 
 p R o o F i extremely fii ne and rare 
 
 END OF THE SECOND DAY’s SALE. 
 
 , / 
 
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Third Day’s Sale. 
 
 
 (/ C'^ 
 
 REMBRANDT VAN RYN. 
 
 I'he Numbers are by Mr, Daiilby' s Catalogue, 
 
 LOT — D AULBY, 
 
 1 — y-^TPwO — Young man, refembling Rembrandt, rare 
 
 21 — A buft, very much refembling Rembrandt . - ^ 
 
 2 — 27 — The portrait of Rembrandt, drawing ^ 
 
 3 — 28— A portrait of Rembrandt, in an oual» very fcarce 
 
 *4 — 28 — Ditto, the angles are cleared a<ivay ^ 
 
 5 — 3c — Abraham entertaining the three angels, very fine, voith the 
 
 burr, on India paper ^ 
 
 6 — 32— Abraham with his fon Ifaac, on India paper, vjith the burr, 
 
 very fine, and copy of the fame ' — - 
 
 y — 23 — Three— Jacob lamenting the fuppofed death of Jofeph, 
 original, reverfe, and copy, one of the befi performances of 
 thismafter, very brilliant — ' • 
 
 8 — 37 — Jofeph telling his dream to his brethren, in the prefence of 
 
 his father and mother, firft imprejfion, very fine - 
 
 9 — 39— ‘Hamanand Mordecai, this is eficemed one fi the mofi beaut i-- 
 
 ful prints of this mafier, extra fine ^ 
 
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Rembrandt’s etchings. 
 
 3d Day. 
 
 LOT D AULBY. 
 
 10 — 43 — The angel appearing to the fhepherds, <veryjinei pre/que 
 ^ unique 
 
 {j ’'/S ' ‘0 1 1 — 51 — The prefentation with the angel, 
 
 Z ’ ' C ''' 0 12 — 32— The little flight into Egypt, and the re-verfey very fcarce, 
 
 ^ and extra fine 
 
 0 *^ / i> " 0 1 3 — 54 — The flight to Egypt, vjith variations 
 
 5 5 — The return from Egypt, fine, Rvitb the burr, fcarce 
 — 56 — The flight into Egypt, in the fiile of Elflieimer, on India 
 , paper, the fir ft imprejjion, extremely rare 
 
 15 — 66— -Little la Tombe, very fine 
 
 16 — 67 — The tribute to Cicfar, a moft beautiful little piece^ and this 
 imprejjion, vohich is the firfi, is extraordinary piqnant 
 " 0 17 — 69 — Jefus Chrifl: driving the money-changers out of the temple* 
 y . firfi imprejjion, very fine 
 
 r'eU "0 |g — 5^ — JfiXXo, Jecond imprejjion, on India paper, fine 
 0 " /cJ "0 I 9 — 70 — The prodigal fon, a piece vjell def,gned and executed, very 
 ^ brilliant 
 
 ftp - 0 20 — 71 — Two — Jefus and the Samaritan woman at the well, on India 
 fine imprejjion, voith variations 
 72 — The fame fubjedl, an upright, fine 
 
 iJ ' ' /i/ • • 0 “^ ^ — 7 3 — Small refurredion of Lazarus, fhis piece is voell dejigned, in 
 td a pidurejque Jiile, a fine imprefijicn, on India paper 
 
 /j Z * *tJ '"i) — 75 — The Hundred Guilder Piece. This impression, 
 
 ON INDIA PAPER, WITH THE BURR,ISACKNOWLEDGED, 
 BY THE GREATEST CONNOISSEURS IN THIS KINGDOM, 
 TO EE THE MOST BRILLIANT EXTANT. 
 
 —75 — Ditto, refiored plate, by Capt. Bailie, likevoife on India pa^. 
 paper, and very fine 
 
 IJ 24 — 76 — Jefus Chrifl healing thefick 
 
 ^ 25 — 77 — The good Samaritan, the firfi imprejjion, voith the white tail, 
 
 mofi beautifully finijked, voith a light point, and fine hand, 
 very fine and rare 
 
 78— Two — Our Lord in the garden of olives, one voith the 
 burr, uncommonly brilliant, the other, on India paper, v.ry fine 
 
 0 26- 
 

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i 
 
Rembrandt’s etchings. 
 
 3d Day Rembrandt’s etchings. 
 
 LOT — daulby. 
 
 27 — 79 — Our Lord before Pilate, imprejjion} on India paper ^ 
 
 fine and fcarce ^ - - * 
 
 28 — 79 — Same fubje6l, third imprejfiony njuith the majky extremely 
 
 rareyfrom the collediion of the Burgo-mafter’y Six 
 
 29 — 82 — The little crucifixion, frotn the collediion of Houbraken 
 
 30 — 84 — The Descent from the Cross. — This print u 
 
 BEAUTIFULLY EXECUTED, THE COMPOSITION IS 
 grand, AND THE HEAD FULL OF CHARACTER, 
 
 FIRST AND MOS*** BRILLIANT IMPRESSION. 
 
 N. B. The print, in this ftate, was not in Barnanrs nor Rogers’s colledlions. 
 
 
 
 31 — 85 — Two — The defcent from the crofs, a Sketch, . 
 
 86 — Same fubjedl, a night piece, njery fine - — - 
 
 32 — 90 — Three — Our Lord and his difciples at Emmaus 
 
 91— -The fame fuhjeift, the little print, extraordinary fine y nvith 
 areverfey very rare - >. — - — ... — 
 
 33 — 94— -St. Peter and St. John at the beautiful gate of the temple, 
 
 a moft brilliant impre! non y on India paper - 
 
 34 — 97— The death of the virgin, fhe compofition of this fubjedl is 
 
 grand, executed in a mafterly manner y and produces a fine 
 effeSiy firfi itnprejfiony very brilliant — — 
 
 35 — g’j—~D\tX.Qyfecondimp'‘fiiony very fine - — — — - 
 
 36 — 98 — Three — The martyrdom of St. Stephen, 
 
 IOC— St. Jerome fitting at the foot of a tree, original and copy y 
 
 both fine and fcarce ' - — ^ 
 
 7 — 10 1 — St. Jerome kneeling, arched at the top, fine - 
 
 ,8 — 102 — St. Jerome fitting before the trunk of an old tree, re- 
 markably fine r. . - A 
 
 9 — 1 17 — The Rat-killer, a mofi beautiful imprejfion - 
 
 o — 1 19 — The little goldfmith, fine ola imprejfion y on India paper 
 I*— 122 — The Jews fynagogue. This piece is very vjell executed:,, 
 
 an uncommonly fine impreffion — — - •... 
 
 2 — 126— The marriage of Jafon and Creufa, a firfi imprejfiony 
 
 vjithout the irovin^ on India paper, very brilliant 
 
 C 2 
 
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Rembrandt’s etchings^ 
 
 6 
 
 / 
 
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 3d Day. 
 
 LOT DA 
 
 43 — 129 - 
 
 44 — 132 — 
 
 139 ’ 
 
 141- 
 
 152- 
 
 -■y 'v'^ '■ d 47 — 178— 
 
 48 — 179 - 
 .^9 — i8o- 
 
 Z J so— lio— 
 
 /"/*? '-/J? J I — 1S2— 
 x.') 52 — 183 — 
 
 53— ’Ss- 
 
 ./'/p^.-^Sd— 19 >- 
 * 192- 
 
 /••/ P -0 55—193- 
 
 ^-/.?^^-. 56 -ri 94 - 
 /'. /•• ^ 57-^-195- 
 
 Z ^ 0 ^ 58 200- 
 
 59—201- 
 
 202- 
 
 / /. / > ’ 0 — 203- 
 
 ' b' o 
 
 ULBY. 
 
 -T WO — The peafants travelling 
 The Jew, with the high cap, ^ery fine 
 Four — An old man, with a boy, •very fine, and a rev erf e 
 of ditto 
 The Polander 
 
 An old man feen from behind 
 
 The Hog, a remarkable fine imprefjton, from Houhraken's 
 colleSiion, fcarce 
 The Shell, ^his piece is finely executed, and this 
 impreffion, n.mth the Vi niT y. ground, may he regarde d\ 
 as prefque unique 
 Ledikant, or French bed. This is the entire plate, andi 
 is a very great rarity j 
 
 TheFriarin the Straw, very fcarce i 
 
 T ViEYhVTE-Y'L AY liK, fiifl imprtfiion, before the foliage.^ 
 
 above the •wotnan* s hat voas darkened, very fcarce 
 Same fubjedl, fecond impreffion, the foliage darkened, very 
 fine ■ 
 
 •A man making •^2Xtx,fine, and fcarce 
 ■A woman crouching under a tree, a companion to the laft, 
 a remarkable fine impreffion, and is extremely rare 
 An Academical figure of a man, called (in Holland) 
 the Prodigal Son, fine impreffion, fcarce 
 T wo — A woman preparing to drefs after bathing 
 •A woman with her feet in the water, on India paper, 
 fine 
 
 A woman bathing near the foot of a large tree, extra 
 fine 
 
 The woman with the Arrow, very fcarce 
 A woman fieeping, a fatyr peeping, fcarce 
 Six’s bridge, very fcarce 
 T wo — A viev/ of Omval, fcarce 
 View of Amfierdam, ditto 
 The Sportsman, 
 
 ■ 1 
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 1 
 
3d Day Rembrandt’s etchings. 
 
 LOT— D AU LB Y. 
 
 61 — 204 — The Three Trees, as fine as pojjille — 
 
 62 — 205 — The peafant carrying the milk-pails, fir ft imprefitoHi ok 
 
 Indiapapery nvtth the burry ^very fcarce 
 
 63 — 209 — A village near a high-road, arched, fir ft imprejfiony on 
 
 India papery before the crofts hatchings , ftcarce — — 
 
 64 — 209 — Ditto, the ftecond impreftfion, ojery fine — ■ 
 
 65 — 210— A village, with a fcjuare tower, arched, firfi hnprejfion, 
 
 'with the burr — 
 
 66 — 21 1 — A farm-houfe and barn, a good ftuhjedl ^ nvell etched — -- * 
 
 67 — 213 — A landfcape, of an irregular form, nwith 
 
 the burry ojery ftcarce _ 
 
 68 — 215 — The landfcape, with the iovtexy firfi imprejfwny exiremeby 
 
 69 — 216 — An arched landfcape, with cattle, ^ery fine 
 
 70 — 217 — A large ditto, with a cottage, and a Dutch barn, fine 
 
 imprcjjiony ftcarce - - . - — - - 
 
 71 — 21 8 — An arched landfcape, with an obelifk,yf^y? imprcjjiony nwiiJp 
 
 the burry ojsry ftcarce — 
 
 72 — 221 — An orchard, with a barn, firfi imprcjjiony large plate 9 
 
 A cottage, with white pales, ftcarce 
 
 Two — Rembrandt’s father’s mill, ftcarce 
 
 •Landfcape, with a cow drinking, fine ■ 
 
 •Two — A man in an arbour ' ~ - 
 
 73— 224- 
 
 74— 225- 
 228- 
 
 75— 237- 
 240- 
 
 76 — 242- 
 
 77— 243- 
 
 78— 244. 
 245. 
 
 '79 — 246- 
 80—248- 
 249- 
 ’81- 2sO- 
 
 -Bull of an old man, with a long beard — 
 
 -An old man, with a large white beard, fine - 
 -Portrait of a man, with a Ihort beard, with and •with-. 
 
 out thehaudy extremely rare — 
 
 -Two — Abraham Vanden Linden, on India paper, fine 
 •An old man, in a fur-cap, divided in the middle, fine - 
 
 ■Janus Sylvius—T?;/^ 
 
 -Two — A young man muling, andreverfe ^ 
 
 -Manalfeh Ben Ifrael -■ 
 
 -Dodor Faullus — — - 
 
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Rembrandt’s etchings. 
 
 3d Day. 
 
 L 0 T D A U L E Y . 
 
 Z • -0 82—252 — Clement de Jonge, frji unpreffion^ the upper bar of ths 
 
 chair is left nxihiiey extremely rare 
 3 — 252 — Ditto, fecond impreffion, very Jcarce 
 Z ' — 252 — Ditto, third i 7 nprc.[jion, very fr.e 
 
 253 — Abraham France, with the curtain, on India paper 
 — 253 — Ditto, with the chair 
 
 54 — Ditto, with the figures on the paper, which he holds in 
 his hand. Ailthefe iinprejjions are rare, and fine 
 
 / / 
 
 ^88 — 254 — Old Haaring, or Haring, the Burgo-mafter, beautiful \ 
 
 prefiiin, on India paper, veith the burr, extremely rare 
 6 ..<^89 —255 — Young Haaring, beautiful imprejfion, frojn Houlraken^s 
 collefiion, farce 
 
 /f ^ (} — 256 — ]oh.n Ijitrm., firjl itnprejfion, before the voindovj, ific, ex^ 
 trcrnely rare 
 
 91—256 »-Ditto, fecond imprejfion, likevjife before the voindovj. If c, 
 very fine, and fcarce 
 
 — 256 — Ditto, thipdfimprefiion, on India paper , from the colie fiion 
 of Sir ’Jofioua Reynolds, very fine 
 
 — 257 — John Affelyn, firjl imprejjhn, voith the eafel, extremely 
 !/ W rare 
 
 Z>*^ 0 " 0 94 - — 2 fecond imprejfion, from Houhraken* s colledion, very 
 fine 
 
 95 — 257 — YJixXo, fecond impreAion, on India paper , fine 
 
 — ^ 5 ^ — Ephraim Bonus, beautifulimprefsion, very fine and fcarce 
 ^ — 259— Wtenbogardus, the Dutch minifler, a moft beautiful and 
 
 %J tA 4 brilliant imprefsion, oval, on a Jquare plate, proof, before 
 
 the pillar, arch, verfes, or any injcription, prefque unique 
 J / t//t •> 698 — 260 — John Cornelius Sylvius, fcarce ^ 
 
 /D 6 () — 261 — The Gold-Weigher firfi imprelfon, vjith the face 
 
 blank, extremely rare 
 
 ff - O-d 100 — 261— Ditto, a moft beautiful and brilliant imprefsion, and 
 efieemed the fineji extant, from the collefiion of Captain 
 Baillie 
 
 7 , t'y, .0 loi — 262 — The little Coppenol, with the pi<ilure, the fecond and 
 rarefi imprefsion, generally efieemed the firfi, from the Earl 
 J 3 ' ^''^‘'3 of Bute'* s colic flion 
 
\ 
 
 I 
 
1 
 
 
3d Day. Rembrandt’s etchings. 
 
 LOT — D AULEY. 
 
 102 — 262 — Ditto, without the pi£lure, ‘very fine 
 
 103 — 263 — The great Coppenol, remarkably fine — 
 
 104 — 265-~The advocate Tolling, a supere impres- 
 sion, EXTREMELY RARE, WITH THE COPY 
 
 145 — 265'~-The Bu rgo-Master -Six, a xMost extraordi, 
 
 NARY impression, THE NAME AND ACE OF THE 
 BuRGO-MaSTER are WANTING, AND THE TWO 
 MIDDLE FIGURES IN THE DATE ARE REVERSED 
 A VERY GREAT RARITY. .... — — ... 
 
 v '• -k ^ 
 
 iD, ,0 /* 
 
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 END OF THE THIRD DAY’s SALE. 
 
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 Fourth Day’s Sale. 
 
 - 2 ^ /iw 
 
 REMBRA 
 
 .NDT’ 
 
 s ETCHINGS. 
 
 T D AULBY. 
 
 LO 
 
 ,_28o_Two— 
 
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 <3 '-/S'-Sif 
 
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 7 
 
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 12 
 
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 280 — i W O — Bull of a man, feenin front, in a cap, 'veryfne 
 283 — Buft of a man, in a fur cap. Hooping 
 286 — Two — An old man, with a large white beard, fine 
 290 An old man, in a rich veh^et cap, extra fine 
 ■294 — A full-face, laughing, copy andreverfe, fine, and Jcarce 
 — 299 — Three — A man, with mouHachesj in a high cap, fittings 
 FIRST tmprefsion, large plate ^ery rare^ and fiecond im- 
 prefsion, <vjith a re-utrje 
 
 — 303— Anold man, lleeping, <v cry fine, and ficarce 
 -^304 — Two — An old man, with a very large beard, fine, ^vith 
 the date 
 
 309 — A portrait of an officer, remarkably fine 
 — 31 1 — The great Jewilh bride, fine 
 312— Saint Catherine, remarkahly fine 
 — 313 — Two portraits of old women, one, firfit imprefislon, •very 
 ficarce^ and the other fine 
 
 3 1 3 — Ditto, fiecond and third imprefsion, •very fine 
 — 314 — A young woman, reading, very fine, and ficarce 
 
 3 1 8 — T wo — Rembrandt’s mother 
 
 319 — Head of an old woman, etched no lower than the chin, 
 fcarce 
 

 
 
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4th Day. school of rembrandt. 
 
 LOT D AULEY. 
 
 12— 321 — Bull of an old woman, lightly etched 
 
 322 — An old woman, in a black veil, fcarce 
 
 14 — 331 — Rembrandt’s wife, and five other heads, Jim - — 
 
 13 — 333— Three heads of women, fcarce, and extra fine ^ — 
 
 16 — 334 — Three heads of women, one a-fleep - 
 
 17 — 335 — Two women, in feparate beds, and other /ketches, - 
 
 This piece is lightly etched, with great fpirit. 
 
 9 
 
 '(l-ll'-O 
 
 /'• £ 0 
 6 -/ 3.~0 
 
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 DISCIPLES OF REMBRANDT. 
 
 FERDINAND BOL. 
 
 18 Philofopher, in contemplation, proof, before the pillar, - / » 
 
 19 Two — Woman fitting in a room, fuckling her^child, proofiS 
 
 before the name ^ , ' / ' • 0 
 
 Aftrologer, with globes, &c. ^ery fine / 
 
 20 Three — Portrait, in a high-crowned hat -V 
 
 Portrait, in a mezetin cap ^ ^ , r ^ 0 
 
 Portrait of a woman, in an oval, all fine / 
 
 2 1 Abraham’s facrifice, fine ^ — i 
 
 
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 JOHN LIEVENS. 
 
 22 St. Francis, fitting on a bank, large plate, fine — 
 
 23 Y>iX.to, fmall plate - — 
 
 24 Two portraits, Jacob Gruter and Lutma 
 
 25 Two ditto, Ep. Bonus and Von dell 
 
 26 The raifing of Lazarus, fine — — — 
 
 27 Ditto, by Louis, 'very brilliant — 
 
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 - /-’/Q'-ff 
 
 J. G. VAN VLIET. 
 
 28 Three heads, by ditto, after Rembrandt - 
 
 29 Six — The palfions, a complete fet, very rare ' — - 
 
 30 St. Jerome, at the foot of a tree, very fine - - 
 
 31 St. Jerome, in the cave, the chef d^ouvreof this ma/ter, an im* 
 
 prefsion of the greatejl beauty — 
 
 32 Lot and his daughters, extremely fine — ' 
 
 33 Portrait of Rembrandt’s mother, reading, very fine — ^ 
 
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4th Day. 
 
 SCHOOL OF REMBRANDT. 
 
 LO 
 
 /'» i) 
 
 Z ''/Z • • <^36 
 /" (y>^i) 37 
 t^'-v3'-c7 38 
 Z'' 2.'.^ 39 
 40 
 6 --4* 
 ’'Z f’ J' : 4^ 
 
 44 
 
 /" O - i/ 45 
 
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 47 
 
 0 ^>/y..O 48 
 />'Z"3 49 
 
 • /./£i/ so 
 
 A'/Ai ?'53 
 
 54 
 
 JV >■< 55 
 
 /i-C'/ 
 
 60 
 
 v/ 
 
 HOLLAR’S WORKS, 
 r 
 
 Two— Hollar’s portrait, one a curious proof 
 One — The fun-flower, a brilliant imprefsion 
 One — Elias Allen, rare 
 One — Nathaniel Nye, rare and fine 
 
 One — Lady Catherine Howard, extremely ficarce, and wry fine 
 One — Henry Howard, Earl of Surry, rare and fine 
 One — Sir Samuel Morland, fine and curious 
 One — Edward Calver, fine and rare 
 One — Jacob Stanier, rare, and uncommonly fine 
 One— Mary, Queen of Scots, fine and curious 
 Four — King Henry VIII. Princefs Maria, Henry Guilford, and 
 Lord Denny, rarcy and ‘ve.ry fine 
 Two — Wm. Oughtred, and John Price, <very fine 
 Two — The Earl and Countefs of Arundell 
 Three — Maximilian, A.lbert Durer, and Hans Von Zurch 
 Four — Wm. Burton, John Spotifwoode, Marc Garrard, and 
 Jacob Franquart, •very fine 
 
 Tliree — Adam EKheimer, Bonavontur Peters, and Adriaen Van 
 V enne, extremely fine 
 
 Three — William Fenner, Arthur Lake, and Alexander Hender- 
 fon, fine 
 
 Three — Brandon, Duke of Suft'olk, Lady Butts, and^ Hans^ 
 Holbein, fine 
 
 Six — Willim Laud, Richard Bernard, and four others 
 One — John Price, extremely fine 
 One — Francis Junius, very fine 
 
 Sixteen — Portraits of Ladies, fiome proofs, uncomsnonly fine 
 Three — ^Maximilian, and two others 
 
 Five — The fmall four feafons, and one a reverfe, brilliant proofs 
 Four — The large feafons, uticommonly fine 
 Four — The feafons, whole-length figures, brilliant imprejfions 
 T wo — Of Ladies, with muffs, rare, and curious 
 
II 
 
 
% 
 
 V 
 
4th Day. school of rembrandt. 
 
 LOT 
 
 6 1 Five — Mary, Queen of Scots, and four from the Arundell col* 
 
 ledlion ' ' — 
 
 62 Twelve — From the Arundell colleftion, fine — _ 
 
 63 Three — The blacks-heads, rare and fine -r- — ^ 
 
 64 Six-Ditto, with variations - — — 
 
 65 Death’s DANCE, with the borders, extremely pne - ^ 
 
 66 Two — St. Francis, and a dead Chrift, — — 
 
 ^7 One — The Magdalen, a brilliant imprejfion ~ 
 
 68 Nine — Various fubjeds, from Elfneimer, fine and curious — r-" " 
 
 69 Four — From Holbein, curious ■' — — ' — 
 
 70 One — The Hare, from Peter Boel, uncommonly fine 
 
 71 Two — The cup, from Andrea Mantenio, original and copy — - - 
 
 72 Thirty-eight — TheShells, remarkably scarce and- 
 
 N. B. The Shells are the mofl rare of Hollar’s Works. 
 
 73 Seven — T he muffs, rare, and fine — 
 
 74 Eight — The large flies, fine and rare * — 
 
 75 Fourteen — The fmall flies, ditto . . , t -, — 
 
 76 Fourteen— Of Animals, with three variations in the title, ex^ 
 
 ' tremely fine and curious ^ 
 
 77 Twelve — Of Birds, brilliant imprefisions ■, — — 
 
 (7 'fif 
 
 /" S-t? 
 
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 78 Four — The feafons, from Vanden Velde, remarkably fine^ and 
 
 79 Twelve — "TXxq fcarce and curious — 
 
 10 Eight — Views in London, four imprefions, before the plates ^ere 
 
 cut^ extremely fine ' — 
 
 11 Four — Ditto, fmall plates, •very fine ^ ^ 
 
 2 Six — Views of London from Iflington, taken at the time of the 
 
 plague, 1665, remarkably fine ' ~ 
 
 3 Two — Views of Arundell-Houfe in the Strand, extremely fine an 4 
 
 4 One — The Royal Exchange, a proof imprefsion, before the h ad 
 
 of Sir 'Thomas Grejhatni rare ' 
 
 D2 
 
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 — /'■ Oj'-O 
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 6- /j’-j 
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 6 
 
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ITALIAN SCHOOL. 
 
 4th Day. 
 
 LOT 
 
 85 Six-^Views of Albury, remarkahly rare and fine 
 86 One — The large view of Albury, with the coach, remarkahly 
 
 rare 
 
 2 k " 87 Sixteen — Englilh fea-ports, fine and curious 
 
 /.//. ) 6 88 Two — Views of Richmond and Greenwich 
 /'• 89 One — The Cathedral at Stralburg, fine 
 
 go Eight — Landfcapes, from P. Brill, Scz.fine 
 91 Nine — Ditto, from Artois, remarkably fine 
 2 -Z --0 92 Two — Ditto, from Brueghel, extremely fine 
 — Ditto, from ditto, rare and fine 
 3 ,, / 3 ’^ ^94 One — Ditto, from Teniers, ditto 
 J A ' • J 95 Twelve — Ditto, of fea-ports, fine 
 J tk JP^'* 0 96 Twelve — Views of Stralburg,^^^ 
 
 J " / 2 >>' 0 97 Nine — Views of Tangier, old imprefslons 
 / 98 Eight — The fmall view of London, and feven others 
 
 n 4 lkk J 99 
 .. i 9 . .t? 100 
 
 & lOI 
 
 4-40 "if 102 
 
 0 *'/ o7-0 103 
 /f. /o< 0 ^ 104 
 
 P -0 j 06 
 3 *' p •' P 107 
 Cl /O " 0 108 
 
 ^ /^‘/i09 
 
 / ' ’//' ^6 110 
 
 lU 
 
 It" it'' i 
 
 ITALIAN SCHOOL. 
 
 Eight — The fet of fmall etchings, Bourgognone, ^ery fine and 
 rare 
 
 Four — The large fet of ditto 
 
 Three — The fieges, in Sluys, Auden Aerde, and battle ofStcen- 
 hergam, Iheet prints, extremely rare 
 Two — Villamina, fine 
 One — Diana 
 
 One —Dead Chrift, after Parmegiano, by Eneas Vico, fine 
 
 One — Ditto, ditto, byVofterman 
 
 One — Niobe, after Julio Romano, by Galle,^?;?^ 
 
 One — The Grimpeurs, after Mich. Angelo, extremely Jine 
 Two — Francifco Vanni, extra fine 
 
 Last judgement, by Martin Rota, most uncom- 
 monly FINE AND RARE 
 
 Venus and Adonis, by G. Ghih, of Mantua, extra fine 
 The judgement of Paris, ditto, 'very fine 
 
 END OF THE FOURTH DAY’s SALE. 
 
 // // ■ 
 
 ‘I (, , , 4 ? 
 
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Fif^ Day’s Sak. 
 
 1.x kl. A XL-r- XX V •I^IXX'W* 
 
 
 (j^y 
 
 GERMAN SCHOOL* 
 
 LOT 
 
 I 
 
 J 
 
 f' OUR— The paflion of Chrlft, Albat Glockinthon, facrifice to 
 
 Priapus, and one more, curious — , 0 ^ 
 
 2 Chrift in the garden. Bar. Schoen, fine and rare ■” / " X. , 0 
 
 3 Chrift entering into Jerufalem, curious — — — — . 0 
 
 4 Two — Adoration of the fhepherds, and the wife men’s offering, 
 
 Louis Krug, with reverfes, rare ~ — — ^ ” / ■^/ ' ' i/ 
 
 5 One — Maths. Zagel, rare — — — ^ ^ ^ 
 
 6 Two — Various, (not in Strutt) “ 4^,,^ 
 
 7 Two — The lover in a landfcape, and the martyrdom of St. Ca- ^ 
 
 fine and rare — /i\ ^ ^ 
 
 8 Two — The lover and his miftrefs embracing, and one curious 
 
 and rare i 1500 ■ — — "" ~ ^ ^ " i) 
 
 9 Two — The decollation of St. John, and a holy family, 'very fine^ 
 
 fcarce — = — — — ~ ^ 
 
 10 The martyrdom of St. Catherine, n}ery fine 0 n 
 
 11 The Tournament, extraordinary fine ~ 
 
 12 Two — David Hopfer, one by J. Hopfer, and another by B. 
 
 Montagna — — . — „ / • • / y' " J 
 
 13 One — Uncommon, a holy family, the imprellion marked with a 
 
 caduceus - ~ 
 
 14 Fourteen— Chrift, the Virgin, and the Apoftles, by Ifrael Vajt / /y ; 
 
 Meek, extremely fine and rare - __ ^ 
 
 ‘1 
 
GERMAN SCHOOL. 
 
 5 th Day. 
 
 LOT 
 
 15 One — By IJrael Van Meek, a Madona in glory ^ Jlanding on a 
 
 crefeenty furrounded by emblems of the pajjiony curious and 
 rare 
 
 16 Coronation of the Virgin, by Ditto, ditto 
 
 Wife men’s offering, by Ditto, ditto 
 
 Herod’s cruelty, by Ditto, ditto 
 
 19 Chrift fcourged, by Ditto, ^jery fine 
 /" t7**^20 Marriage of the Virgin, by Ditto, ditto 
 /) I'/O’' ^2\ Virgin and child, by Ditto, ditto 
 Z " 0 " D' 2 -' 2 . Prefentation in the temple, by Ditto, ditto 
 / '• //" S The large portement de croix, by Ditto, capitaly and re- 
 
 markably rare 
 
 '/ • • Jy • Judas returning the thirty pieces of filver, by Ditto, apery fine. 
 
 Three — A leaf of foliage, with figures; and two fubjedts of 
 ^ children, by Ditto, extrepnely curious 
 
 ///0'.^26 Two — The wife-mens’ offering, and the flight into Egypt, by 
 Martin Schoen, apery fine 
 
 Two — Virgin and child, and Chrift in thp manger, by Dittos 
 fime 
 
 ^ Two — The crucifixion, and Chrifl in the garden, by Ditto, 
 
 curious 
 
 Christ carryip^g the CROSS, by Ditto, remarkably fine 
 Q The death of the Virgin, by Ditto, exceedingly fine 
 /’• 2 , 0 St. George and the Dragon, and an Owl killing a Pigeon, by 
 Ditto, fcarce 
 
 /'' Five — F, V- Bockholt, aiery rare 
 
 /•• //'' ^33 Four — St. Sebaftian, crucifixion, and two others, by Wolgemuth, 
 the mafier of A, Durer, rare 
 
 A. DURER. 
 
 1/ ■■/()■' 6 34. Three— A. Durer’s portrait, by Kellian, and Hondius 
 0 " dS — Albert, archbifhop of Mentz, 1519, and 1523 ; and Blili, 
 
 Pirkemeyer, 1524; and P. Melandon 
 /'^ *.'^'^36 Erafmus, 1526, apery fine 
 
 Z 0 " 0 ''f Two — The nativity, and Jofeph at the well, original and copy 
 
 I • 0 
 
4thDay. german school. 
 
 LOT 
 
 38 Two — A lady on horfeback, with a large feather in her bonnet; 
 
 and a man with a bird on his Ihoulder. ^ — - 
 
 39 Two— * A fatyr, piping to a naked woman and child, 1505 ; and 
 
 a naked man, drawing his bow 
 
 40 Two — A madona and child, 1503; another, 1513 
 
 41 Two — A madona and child, 1511; and the angels bearing. the 
 
 holy handkerchief, 1513 ; - — - 
 
 42 One — The crucifixion, 1508 - 
 
 43 Three — One, madona and child, 1516; and the copy; another 
 
 madona and child, 1508 — — ^ 
 
 44 Five — The apoftles, upright figures, 1514, 1523, 1526 
 
 N. B. No more of this fet was ever engraved. 
 
 45 One — Madona, nAjith the monkey j no date — * - 
 
 46 Two — Madona and child, 1514; another, with angels crowning, 
 
 47 One — Madona, fuckling the child, in a landfcape ; above is the 
 
 reprefentation of God the Father, 1520 — — — 
 
 48 Two — One, madona crowned by an angel, 1520; the other, the 
 
 child a-fleep, 1520 ^ ^ — 
 
 49 One — A holy family, etched in the manner of Rembrandt, and 
 
 by fome eileemed the work of that mailer, ^ery fne 
 
 50 Two — Virgin and child, and Jofeph a-fieep — - — -- 
 
 51 Two — Saint Chriilopher, both dated 1521 — — — — — - 
 
 52 Three — Two St. Seballian, and an emblematical figure of Chrift 
 
 53 Two — St, George ftandingy the Dragon at his feet^ and fuftice 
 
 feated on a lion ^ -- 
 
 54 Two — St George on horfeback, original and copy y 1308 — 
 
 55 Two — The forcerefs, with little angels ; and the little fortune, 
 
 no date • 
 
 56 Two — The fna?i on horfeback j galloping, and an enfgn — < . 
 
 57 Two^ — One a converfation, and the egg-merchant, 1512 ^ 
 
 7 
 
 i-o-d 
 
 /' •//'• 0 
 ■ O-Jy-o 
 
 0- /2,..o 
 
 h 0 
 Z../J..0 
 
 0 -/J..P 
 
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 0 ■\ /Z .> d 
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 4 - 0 
 
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 5 th Day. 
 
 GERMAN SCHOOL. 
 
 LOT 
 
 I 
 
 / / 
 
 A •• 0 5S Two — ^he <white horfet one under an arch, both dated, 1505 
 / • • Z'^-O 59 Three — A favage mal-treating a woman, the monflrous hog, 
 and a group of hounds, copied from the St. Hubert 
 60 Two — The group of four naked women, date 1497 on a globe 
 at the top, with the fame fubjedl, by Is. Van Meek 
 f *• O Q 61 Two — The ecce homo, Chrift fitting near an arcade, with ruins, 
 ^ an etching, ‘very rare ^ and a converfation 
 
 /'• O ,.0 (^2 The entombing of Chrift, dark manner, 1507 
 63 Two— Albert’s dream, andthefcuU, 1503 
 t?'* Sixteen — The paflion of Chrift, extremely fine 
 
 ^ / . £ ,, 0 65 A woman carried off by a fea-monfter 
 The MELANCOLIA, 1514, capital 
 /•’ p 67 Two — The SATYR caught in adultery, and the copy 
 £ ''P 6 S St. Jerome in his chamber, 1514 
 ^ Z ‘‘P ^9 The LARGE St. Jerome in a landfchape 
 
 Jj ,, The laroe fortune, winged; called byfome Pandora, by 
 
 others Te m p e r a n c e, holding a cup 
 ^71 St. Hubert, kneeling 
 
 72 ADAM AND EVE, 1504, the fines.t extant 
 
 73 Twelve — The months, after Wildens, by Hondius 
 
 Zi' 74 Fifteen— Bo NORUM et Malorum consensio, feripture fub- 
 
 jefts. Old Teftament, by Sadelerand Martin de Vos 
 ^ ^0 75 One — Emblem of the ftate of the Low-Countries, in 1602, by 
 
 Sae 7 iredam, njery fine, and rare 
 
 76 Three — Califto difeovered, and two more, by Saenredam 
 
 LUCAS VAN LEYDEN. 
 
 7,7 Nine — His portrait, and eight others, fine 
 78 Three — Abraham putting away Hagar, Efau, and St. Chrifto- 
 pher, ‘very fine 
 
 i) t JPt. ^ 79 Four — The temporal virtues, fine 
 
 P /P •> £ 80 Three — The cardinal virtues, ditto 
 Ip Fifteen — Chrift’s paflion 
 
 j) P %z Two — Sufannah, and the elders ; Abraham, and three angels, 
 fcarce 
 
 2'^ D 
 
.f - 9 i 
 
 i::z.4^mx- ?.isf 
 
 ^ - v0^;; 
 
 t< ' 
 
 *; ■4..,, ^ i ' ' 
 
 ' ■;: . ..-: . Ars-,- ., -^ • ^ ,. „ 
 
 K^ o.,#^T«i ;*■? > ‘^:„#'--#*‘‘?^f ^ li ■., ■ '■: * • • *?> =■ . ■:^p. 
 
 - s-i^ 9.'£feS.' i . ,, '».' " 
 
 ;>."■■'■'"• ' ■'; fe’i^ 
 
 ■■ ■ '^■^^"V '■ »| 
 
 t^_r. '•- ■ _- ^ 
 
 ... i... ■ -.' ' ■■"'■i"' ^iw^rt^\t-*^#jf''j'ii'' ■ '■v '■^ '• 'ili. ' ^' ' 
 
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 afe. -^'“, ■■■ 
 
 y- -,• . i'' VIP? »/••■';•• V*i-TV‘ ‘ ■’ 
 
 w.* 
 
 
I 
 
GERMAN SCHOOL. 
 
 5th Day. GERMAN SCHOOL. 
 
 LOT 
 
 83 Two — Samfon and Dalilah, and the triumph of Mordecai, ^jery 
 
 fcarce 
 
 84 One— Abraham sendino'away Hagar, the large 
 
 PRrNT. It is mentioned by Marriette, that 
 he had only a drawing of it, and that it 
 IS AS SCARCE AS THE L’EsPIEGLE , WHICH HAS SOLD 
 FOR FIFTY DUCATS - 
 
 85 Twelve— The labours of Hercules, hy H, S. Beham, ^very fine - 
 
 86 Eighteen — Various, by ^ery fine ^ 
 
 87 Sixteen— By Ditto, the liberal arts. Sec. — 
 
 88 Two — Imago Henrici Aldegrever, by Aldegrever, original and 
 
 GOLTIUS, BLOEMAERT, MULLER, &c. 
 
 89 Three — His portrait, and two others 
 
 90 Five— Three portraits, and two of foldiers 
 
 91 Three — Holy families ' 
 
 92 Three — Statues, ' 
 
 93 One— Faith, Hope, and Charity, ditto 
 
 94 Fourteen — The Creed, extra fine 
 
 95 Two — Dead Chrift in the virgin’s lap, original and copy 
 
 96 Seven — The planets, complete, •^jery fine 
 
 97 Twelve — Chrift’s paffion, ditto — - — - 
 
 98 Six— The mafter-piece, •^ery fine 
 
 99 One — The fool 
 
 100 One — The boy and dog, uncommonly fine 
 
 101 One — The large Flerculcs, rare — — 
 
 102 One — The Galatea, after Raphael, extra fine, 
 
 AB. BLOEMAERT* 
 
 103 Two — Chrift appearing to a faint, kneeling, and three more . - 
 
 1 04 T wo — A holy family, called the Spedlacles ; and Saint Roch 
 
 fupplicating the virgin ^ - — - -• — ^ 
 
 105 Four— Madonas and children, after Titian, &c. — 
 
 le-s. 
 
 •> J '' 
 
 ■y.. 
 
 / 
 
 d- a-B 
 
CE?.MAN SCHOOL. 
 
 
 5th Day. 
 
 LOT 
 
 //? One— St. Peter raifing Tabitha, a brilliant vnprejlJton 
 
 2 .. 0 John preaching, by Falck 
 
 Two — The circumcifion, and the crucifixion, by Blondeaqi 
 
 ^ JOHN MULLER. 
 
 ^ ,^/S "6 109 Three — Hagar, Reporo, and Mercury, njery fine 
 2 •' / 2.“ ^iio Two — The fhepherds offering, after Spranger, and Bellonaa 
 after Ditto, remarkably fi7ie 
 
 I >' 0 0 I * I — St. Sebaftian, after John Ab, Achy njery fine 
 
 If-!* /8" 0 — Thewifemens^ offering, a proof, ^ery rare 
 
 2 ' * 2'^ 0 * *3 Two— BaKhazzar’s feaff, and wifemens’ offering, ‘very fine 
 
 — The raifing of Lazarus, most vncommonly fin£ 
 
 ll" 
 
 IJ, 
 
 END OF THE FIFTH DAY’S SALE. 
 
 /A"/Z '■' <) 
 2yi -■ 
 
 y ' I, '• 0 
 
 jJ-%- 6 
 
 S-& - 
 
 22 . " 
 
 TfJ '' /i " 
 

 
 iS 
 
TjpHE fale of the fecond part of this colle£lion will 
 commence on the i ith of February, with the works of Rubens, Van- 
 dyke, Jordaens, Gerard Seyers, Suyderhoef, Bartolozzi, Wpollett^ 
 i Earlom, Strange, &c. &:c. 
 
 f ^ 
 
 To be viewed two Days preceding the Sale. 
 
 / 
 
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Sixth Day’s Sale, 
 
 » 
 
 RUBENS’S WORKS. 
 
 following fpgcimens from this great majler are either proofs^ 
 
 1 touched upon hy him^ which render them unique^ or fine im~ 
 prejfions^ with the heft addrefs^ according to Bafan^s catalogue \ 
 and Jhould any prove to he the contrary^ ( which is not expeSled^ ) 
 the money will he returned, 
 
 ^he Proprietor is induced to make this declaration^ to fave the 
 Cognofcenti the trouble of refering for the numerous variations.^ 
 
 IiThe portrait of Rubens, with the hat, by Pontius, rema\ k’- _ 
 
 ailyfine ' — - - — d ' • /'! ■ ■ 6 
 
 2 Three — Rubens’s houfe, and" garden, and part of the Jefuitschurch 
 
 at Antwerp, very fine — — ^ ^ () 
 
 \ ^ 
 
 SCRIPTURE SUBJECTS— OLD TESTAMENT. 
 
 '3 The fall of the rebellious angels, by Vorfterman ; ’ ■* 0 
 
 ( 4 . Two— Same fubje^l, by Neef, called the little fall of the angels 
 
 I, Lot quitting Sodom, byVorfterman — /'•//•■ 6 
 
 ; Tv/o — Lot and his daughters, by Swanenburg, and Job tormented 
 
 1 by his wife, &c. by Vorilerman ~ — — /^''O 
 
 5 Melchisedec and Abraham, a proof, by Witdoec, 
 
 VERY RARE — _ ^ * d 0 
 
 r Same fubjeil, a proof, by Ditto, very fine />. / 0 
 
 ' , . F 
 
Rubens’s works. 
 
 6th Day. 
 
 LOT 
 
 8 Abraham offering his fon Ifaac, by Stock 
 
 Z: d-'O 
 / ■■/O- 0 
 
 9 The reconciliation of Jacob and* Esau, by P. de 
 Baillie, a proof, before the name of R. V. 
 DEN Velde, extremely rare 
 
 \,}GI:£ 10 T HE brazen serpent, B Y Bo L S W E RT, ' C A P I T A L , A FIN’E 
 IMPRESSION, WITH THE BLANK ROUND T 
 ARMS 
 
 1 1 David and Abigail, by Lommelin, fine 
 
 12 The judgement of Solomon, by B. Bolfwert, ^ery fine 
 I 3 The defeat of Sennacherib, by Soutman, 
 
 fi ,, /^ " 0 14. The angel bringing fubfillence to Elijah, by Lauwers, ditto 
 6 • ^ 6 • ' J *5 Judith and Holofernes, by Galle, A PROOF; 
 
 TOUCHED ON BY RuBENS, FOR THE GUIDANCE 
 OF THE ENGRAVER, UNIQUE 
 
 .^0 1 6 The fame fubjeft, by Ditto, extremely brilliant y and ‘very rare 
 jp ■' ^ " J ly Judith putting the head into a bag,~_/?;/^ 
 
 ^ 18 Daniel in the lions den, by Leew, fine, and very 
 
 RARE 
 
 ^ * 6 '‘J ^9 Sufannah and the Elders, by Vorfterman, fine, and ‘very rare 
 o-J5'-o 20 Two — Same, by Pontius, fine and rare 
 Ditto, by Jegher 
 
 NEW TESTAMENT. 
 
 If 0 " 0 21 The MARRIAGE OF THE ViRGIN, BY BOLSWERT, PROOF,. 
 
 VERYFINEANDRARE 
 
 22 The Annunciation, by Bolfwert, M. V. Enden, exc. 
 
 6 23 The falutation, by de Jodu, brillia?it 
 
 0 24 The nativity, hyYorllLQrmzny fine and rare 
 Q 25 One — Ditto, linall, by Ditto. Yhis is copiedy the fiame fize, ‘wit 
 
 the add refs of C, Galle 
 / f ,/ '0 26 One— Ditto, by Bolfwert, 
 
 zy^Cne — Ditto, by Pontius, fine 
 
■' V. -• »4*4CT3JiI« .. jp^gli^ -T )/ 
 
 
 ,...,W:- ... ^ .3, , ^ .. ^ 
 
 
 
 
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 AVvis ' j4 •'■■'¥■'■ '®'’ /' .'».Ji ' * ' ' ' *''''i‘**’^‘-'-' ' ^ ’ C^'- '' ■*■',* 7 -> I Kf ' 
 
 "^T ■'■ ' ' '''' 
 
 -ru 
 
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 i 
 
 i 
 
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Rubeks’s works. 
 
 6 th Day. 
 
 LOT 
 
 9 One-Ditto, 
 
 One-Ditto, by Bolftvert, ? 
 
 One— Ditto, by Lauwers, extra fine ' ' * 
 
 : avn-Dt„o, bv Wi.ooec, naocr, vbbv ' 
 
 .y 
 
 y 
 
 Two-One ditto, by Ditto ,- fa^e, by LoreL''rv/“~' ~ /- ^ 0 
 One-Ditto, by Lonnnelin. r^ery fij ^ 
 
 „ - / > lAlUCy D 
 
 : One-Ditto, by Lommelin. -very fi„e — - .. 
 
 3 0^0“' i«'twoibeets. extra fine 
 
 3 The flight into Egypt, by Marinns, extra fine - ___ 
 
 3 Two-Return from Egypt, Boifaiei-t ? 
 
 One-Ditto, by Vorflerman, both fine 1 — 
 
 rfX:l:r:ryy;-r^ 
 
 7 “:”£2;:.rr.y v"i^- 
 
 3 rHB navcHma or Hnnooias p a B s b „ 
 
 OP r. John to her mother, ev Bolswert 
 most beaotipol proof, extrhmeev hire-' 
 
 J wo-Cicfar’s coin, by Vorflerman, ^erjfine 
 he piece of money found in the fifii’s b^flv Hrr ■ i. 
 
 of .h. .' jy'E y ry « 
 
 :«y M.,^i.^i,oi.o. f„f„,. ~ 
 
 3..ty 
 
 /•■ /.. 0 
 
 / ■• /•• fi 
 
 /•• /'• j 
 
 /••//•.<r 
 
 /•■ /o.,o 
 
 / .. /6,,^ 
 
 A. 
 
 d-'Ot. 0 
 
 9-0 
 
 Wft giving the keys to St. o. ^er by Sout ?7,)0,/-r , n^a dr wl 
 -.h Rubens m_a^f.n^the_o^^,„, 0 ^ 
 
 Gz ~ 
 
 i - /O.. J 
 
 c 
 
 V 'V 
 
 
 ' ■ I 
 
RUBENSES WORKS. 
 
 // 
 
 // 
 
 
 6tli Day. 
 
 ^8 The east shpphe, ako the kesveebct.oh Lazaevs 
 ^ by B. I’Bolswert, extremely fine. T 
 
 WORKSOP THIS engraver ARE VERY RARE, AND 
 these SPECIMENS PROVE, BY THEIR BEAUTY AND 
 intelligence, that he equalled his BRO. 
 
 uefteemedtheihef heu-vre of that great majier 
 
 /t-jS- n CO Two— Chrifi in the garden of olives, by Baillie 
 A fcourging, by Pontius, both fine 
 
 5 1 The Ecce homo, by Galle, wry /?»« 
 
 0 O /f CO. The Ecce homo, by Lauwers, ditto 
 
 /; , CHRaT.’cARRYINO HIS CROSS, BY PoNT.US, PROOF. 
 
 S3 the alteration of the boy S LEG.IH 
 
 the corner, extremely rare 
 
 ■Z -.b'-O 54 Two-Same fubjeft, by Ditto, -with the bofs leg obhteratt 
 njery fine 
 
 Ditto, by Lauwers 
 
 ^•■0 cr The elevation of the crofs. In three flieets, by it oec, oni 
 
 ■ form in COLOUR, AND EXTREMELY FINE, TO, 
 
 rare 
 
 0 -Q-- o' 56 Crncilixion, by Van Sorapel, ^eryfine 
 . » f? 57 'SR">e ‘‘“bjea,' by Bolfwert, -very fine 
 
 1 /h /I 58 Ditto, between two thieves, by Ditto, «/ra/«e 
 
 y, " ey 59 Chrift between two thieves, by Ditto, e.c,ren,ely fine 
 A/fiS 6° Chrift, CALLED Au COUP DE POiNG, wry fiarce, and t. 
 tremeJy fine 
 
 /..//•• 6 6. Chrift, and the city of Jetufalem, by Bolfwert, >f, and 
 
 rare 
 
 J- ry-'O kz The defcent from the crofs, by Clouwet, /»« 
 
 The fame fubjedb, by Vorfterman, mry fine 
 A A dead Chrift in the lap of the Virgin, by Pontius 
 
JSKT - "-4 I '>' 1-'1 
 
 
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 .-." i‘. . - : f'''fc >L ;ti>... w. lU^'aA-tirUv. Sit-‘ — ' •' "S^ 
 
 •■'•yl'rte f»TJ i-''b'*.wa.- ■>’?;,('? ^ is . ,!Jl:^ 7' , ,(y 
 
 
 
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 IS* 
 
 
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HUBENS’S WORKS 
 
 6th Day. hubens’s works, 
 
 LOT 
 
 65 A dead Ghrlft in the lap of the Virgin, by Galle, a beauti- 
 ful PROOF — 
 
 
 66 The fame fubjedl, by Ditto, ^ery fine 
 
 67 Chrift at the tomb, by Soutman, Jcarce — 
 
 /'r-o 
 
 68 The angels appearing to the Maries, at the tomb, -very fine — — 
 
 69 Christ and his disciples at Emmaus, by Witdoec^ 
 
 PROOF, RARE — - — 1 — 
 
 9-.G 
 
 70 The fame fubjefl, ^jery fine — 
 
 71 The fame fubj eft, by VanSompelen,/«^ 
 
 72 The refurreftion, by Bolfwert, fiyie *-»_ 
 
 73 The defcent of the Holy Ghoft, by Pontius, extraordinary fins — - 
 
 74 The afcenfion, by Bolfwert, ^ery fine _ - 
 
 75 The Holy Trinity, by Bolfwert, ditto — - — — 
 
 76 The laft judgement, in two fheets, by Corn. VilTcher, a fine im* 
 
 preJifion ; according to Bafan^ ought to he HXihhout the name 
 of Soutman — — — — ' 
 
 /i-a- a 
 7 ! 0 *• O 
 0 " •y.- f 
 
 If- /if- s 
 
 c-za-'Z 
 
 77 The fall of the damned, in two (beets, by VanOrley, fine 
 
 78 Same fub|eft, by Soutman, <very fine 
 
 79 Two — The four evangelists, by Bolswert — — — ' 
 The fathers of the church, by Ditto, both a3 
 
 FINE as possible ^ ^ 
 
 80 The converhon of St. Paul, by Bolfwert, remarkably fine 
 
 ■ Z - o-e 
 /■ . 6 
 (f-Af.. C 
 G.. G.,j 
 
 Z^ //f (j 
 
 HISTORY, AND SACRED ALLEGORY. 
 
 SUBJECTS OF DEVOTION, &c. 
 
 81 The fathers of the church, by Remold us Eynhouts - 
 
 82 The fame fubj eft, by VanDalen, rarCi and fine /•• 0 
 
 83 The triumph of the new law, in two (heets, by Bolfwert, ^very 
 
 
 84 The triumph of the church, in two (beets, by Bolfwert, fine — 
 
 85 Time difco vers Truth, in two (beets, by Lommelin, ^veryfine > 
 
 86 The doftors of the church difputing on the fubjeft of tranfub- 
 
 (lantiation, by Snyers, ‘very fincy and rare — — 
 
 
 zr-o 
 
 /r-o 
 
 /Z --0 
 
 Z-/0-0 
 
 $ 
 
 
 U 
 
Rubens’s works. 
 
 6th Day*. 
 
 LOT 
 
 'd 87 The combat of the fpirit with the flefh, by Pontius, fins 
 
 Rubens’s tomb, by Pontius, fine 
 0 "/li '’0 89 The fame, , 
 
 ' SUBJECTS OF VIRGINS. 
 
 H •« ^90 The IMMACULATE CONCEPTION, BY BoLSWERT, PROOF, 
 VERY RARE 
 
 Three — The fame fubjedl, by Ditto 
 Ditto, by Galle 
 
 Ditto, by Borekens, all fine ' • 
 
 92 The assumption, by Bolswert, proof, rare 
 ]../S''d 93 The fame fubject, by Ditto, 
 
 94 "The famefubjeft, fquare, by Ditto, where one of the difciples 
 lifts the hone of the fepukhre, ‘very fi 7 ie 
 The reverse of the same, re.markably brilliant; 
 
 AND AS A counter-proof, IN SUCH PERFEC- 
 TION, IS A GREAT CURIOSITY 
 
 2“ 6'-^ 96 The affumption, by Witdoec, ‘where the fione nvhich carvers the 
 f:pulchre of the Virgin is to the rights -very fine 3 and 
 rare 
 
 97 The fame fubjedl, by Pontius, <n.vhere JefusChrifi receinses his mo. 
 
 ther from above, fine a-ad rare 
 
 98 The coronation of the Virgin, by Jegher 
 
 t'' O " J 99 The coronation of the Virgin, by two Angels, amidfl: a heavenly 
 Unfit, by C. VilTcher, a very fine itnprejfion. This print 
 is called the ^een ofi Angels ; the firfi proofs are vuitbout 
 the names ofi painter cr engraver 
 100 The Virgin embracing the infant Jefus, by Bolfwert, fine 
 0 "I^f ''0 10* Two — The fame, by Suyderhoef, n-Ath alterations 
 
 The infant Jefus on a table, carelTipg tlie Virgin, by Bolfwert, 
 fine 
 
 /. fd~o 102 The Virgin and the infant Jefus, to whom the angels prefent a 
 __ „ bafitet of fruit, by Voet, very fine 
 
 dP' 0" i 
 
 

 
 
 > 
 
 i 
 
 i 
 
RUE E ns’s works. 
 
 
 6th:^Day. 
 
 7 
 
 C/ 
 
 LOT 
 
 103 Two — The Virgin, and the infant Jefus on her lap. S/?e holds 
 
 a globe in her right hand, and her fon a fcepire in his left, ) 
 by Bolfwert, Jine ~ — — r 
 
 
 Holy family, by Pontius 
 
 104 Same fubjefl, the infant Jefus and St. John ^<clth a lamb, by 
 
 Bolfwert, extra fine - 
 
 103 Same fubjedl, The Virgin fuckling the Infant, by Witdoec, 
 
 and rare — — — — - — /•’ ^ 
 
 106 The fame fubjefl, Jfus carejjing St. John* and Elizabeth nviih 
 
 ber hands dafped, by Vorflerman, exc. rare 
 
 107 Same subject, the infant Jesus, and St. John with 
 
 A BIRD, proof, before THE NAME OF RuB&NS, 
 
 RARE /'/ 4 -^ 
 
 108 The HOLY FAMILY, W I T H T H E P A R R O T , ByBoLSWERT, 
 
 — — . Z-’j 6 - o 
 
 - C--^C :0 
 
 - 0 ..JJ ..0 
 0 - 3 ,.j 
 
 A PROOF, RARE 
 
 1 09 The fame fubjedl, with the letters, fine — 
 
 1 10 Holy family, Jefus a-lleep, by Witdoec 
 
 111 Holy family, with Sr. Anne standing behind the 
 
 Virgin, near the cradle of Jesus, by Vosr- 
 
 T E R M A N , A PROOF, VERY FINE AN D RARE - 
 
 1 12 Holy family, the infant Jejns car'ffing the Virgin, fine 
 
 I ! 3 Holy family, the infant Jefus holding a bird, by Bolfwert, fine J dJ 
 
 1 14 A Virg/n feated on high, furrounded by 'sn any faints, by Snyers, 
 
 •very fine and rare ’ ^ ^ 
 
 1 15 The Virgin crowned, in a nich, voUh fruit, i^c. by Galle, 
 
 fine and rare — r- — . . — 
 
 116 The Virgin on her knees, by Leew, and fupported by angels, 
 
 who draw a knife out of her bread, rare.^ and very fi.ne’- l ^"/0 '-0 
 
 1 1 7 The holy Virgin, having the infant Jefus in her arms, holding a 
 
 chaplet, l 3 c. by Lommelin - ' - — J 
 
 1 18 The holy Virgin fitting, and giving the fcapulaire, by dejode, ^ 
 
 1 19 The intercefiion of the Virgin, r/UT -/) 
 
 120 Two — The holy Virgin and infant jefus, in a landfcape 
 
 The infant Jefus and St. John, with a Iamb 
 
 END OF T HE SIXTH DAY’s SALE. 
 
 6 
 
 ft-IU'S 
 A ' 7 
 4-2 -7 /■ 
 Uf -r 0 
 S> 1 ~> ' ^ a 
 
 ' (> a 
 
Seventh Day’s Sale 
 
 
 
 // 
 
 ///i^ 
 
 a/'’ 
 
 RUBENS’S WORKS. 
 
 SUBJECTS OF SAINTS. 
 
 tot 
 
 iTPhE martyrdom of St. Andrew, by. Voet, 
 
 0'> 6 >. 0 Q, St. Francis receiving the fligmata, etched, by Soutmah, fine 
 3 Ditto, by VorEerman, <veryfine 
 
 0 ’ ' S' 0 4 The fame, receiving the infant Jefus from the hands of the Virgin^ 
 by Lafne 
 
 ^ .^0 0 5 The death of St. Francis, by Snyers, proof, very 
 
 RARE * 
 
 ^ ^ ^ performing a miracle 
 
 St. Ignatius de Loyala curing the pofTeiTed, both by Marinus, 
 njery fine 
 
 ^ 0 'j Two — St. F rancis Xaverius before a crucifix, by BoHwert, rA'- 
 ^ tremely fine 
 
 St. Ignatius de Loyala Handing, a book is placed upon a pedeHal, 
 in which is inferibed, ad majorem dei gloriam, 
 by Bolfwert, equally fine 
 
 S' S' ^ 8 St. Ignatius de Loyala, and St. Francis Xavier, by Bolfwert. 
 
 Thefe are the fame figures as the preceding , ojery fine 
 J " /J '■ 6, ^ St. Ildefonfe receiving a cope from the hands of the Virgin, by* 
 Witdoec, fine and rare 
 
 / 10 St. Jofeph, divini carmelipatronus, extremely rare y oeuvre de Rot 
 
 J '' 9 ’'0 jl The martyrdom of St. Juft, by Witdoec, fine, and ‘very rare 
 
I 
 
 
 
WMok .-. 1 •'"^‘w''’' 
 
 7.< <*/ c ^#tX' ihh‘m ^ , ..sr« ■ V. .. . , . 
 
 , ^/'* ■ •/* --.r 
 
 -; f i ■ c ry ;,..2 tbi. flM&f ‘ "■ 
 
 !/ ' ' y‘’T^9tsr^ /^?4l|>^'S3r*’‘#.'0 ’>«;^j i*, .sat 
 
 
 ». • , t'# 
 
 *jgn| '■■xv4«r 
 
 5""^ ft '^’7 
 
 tei“' 
 
 'a^ ' ‘ “' . .v ' 
 
 
 v«e?* 
 
 ■ /, A'^ --'^1^' ■ - : ''7 ■ 
 
 
 S'.-A'' •'. ■ .-'MSk - ■■ ' 
 
 S t 
 
 
 - '■jS '’’ -. -■ 
 
th Ddy . Rubens’s works. 
 
 OT 
 
 2 The martyrdom of St. Livinus, Bifhop of Ghent, by VanCau- 
 
 kerken - r — T — ^ — 
 
 3 The martyrdom of St. Lawrence, by Vorflerman, ^ 
 }. St.Roch, to whom Jefus Chriil ihews this infcription fuhained' 
 
 by an angel, eris in pcjie p at r onus, by Pontius - 1 
 
 The original piflure is efteemed one of the chef d’oeuvres o^ ' 
 
 Rubens, as the print is that of Pontius — ^ 
 
 ; The consecration of a Bishop, by Soutman, proof, 
 
 from Mariette^s colledliony njerj fne and rare 
 
 • The fame print, alfo fne — — ■ ’ ~ — — 
 
 The martyrdom of St. Thomas, byNeefs — 
 
 SUBJECTS OF FEMALE SAINTS. 
 
 ] St. Anne inftrufling the Madona, called the education of the 
 Virgin, by Bolfwert — — — ^ — ^ 
 
 1 St. Barbara, by Bolfwert, <very fine - . — _ — 
 
 2 St. Catherine, etched by Rubens, njcry fine v~ ^ 
 
 2 St. Barbara, by Vorlliermah, ditto ~ - — 
 
 2 St. Catherine, by Bolfwert, ditto ' - 
 
 2 The martyrdom of St. Catherine, by de Leeuw — 
 
 2 The Magdalen, dying, fupported by two angels, by Baiilu^ fine^ 
 2 St. Therefia interceding with Jefus Chrift for the deliverance of 
 fouls from purgatory, ^'ery fine — — - — — 
 
 SUBJECTS OF FABLE. 
 
 2 Achilles in difguife, at the court of Lycomedes, by C. Viffcher, 
 
 njery fine, a7td rare ■ 
 
 2 The repofe of Diana, by Louijs, ditto t — 
 
 2 Erichthonius in a bafket, fine and rare — — — 
 
 2 The three Graces, byde Jode, fine — — - 
 
 3 Two — The rape of Hippodamia, or the battle of the Lapithse, 
 
 byP. deBaillu f_ 
 
 Progne Ihewing the head of her fou- to her hufband, both ‘very 
 fine ^ ^ ~ 
 
 PI 
 
 
 1 / - / . . 
 /V//.. ^ 
 
 Z'-o-o 
 
 • A 6 ^,,^ 
 
 • /7-- /b-J 
 
 /■■//■■ b 
 /'• A. d 
 
 z- 3 .e 
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 -6 
 

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 ■1 
 

 
 7 th Day. 
 
 LOT 
 
 Rubens’s works, 
 
 
 
 12 The’ martyrdom of St. Livinus, Bifhop of Ghent, by VanCau- 
 
 kerken • r — r — ^ ' ^ Q . 
 
 13 The martyrdom of St. Lawrence, by Vorderman, ' t- 
 
 14 St. Roch, to whom Jefus Chrid Ihews this infcription fuflained) 
 
 by an angel, eris in pcjle patronusy by Pontius — ( 2 , 0 0 
 
 The original pidlure is efteemed one of the chef d’oeuVres oj^ ( 
 
 Rubens, as the print is that of Pontius — -f 
 
 15 The consecration of a Bishop, by Soutman, proof, 
 
 from Mariette'^s colledliony ^ery fine and rare b — 2 0 c} 
 
 16 The fame print, alfo fine — — — ^ 
 
 ty The martyrdom of St. Thomas, byNeefs — ■ O'^/b 
 
 SUBJECTS OF FEMALE SAINTS. 
 
 18 St. Anne indrudling the Madona, called the education of the 
 
 Virgin, by Bolfwert — — ^ /•' / b 
 
 19 St. Barbara, by Bolfwert, ^eryfine ■ — - - . — . — /"//•' iQ 
 
 20 St. Catherine, etched by Rubens, ‘very fine — — — -r- Z'» /If i) 
 
 21 St. Barbara, by Vordermah, ditto ^ — — 0 // '• 0 
 
 iz St. Catherine, by Bolfwert, ditto ' ' 0 
 
 23 The martyrdom of St. Catherine, by de Leeuw ^ — ^ 0 " i> " Q 
 
 24 The Magdalen, dying, fupported by two angels, by Baillu^ fiyie ~ 0 " //f Q 
 
 25 St. Therefia interceding with Jefus Chrift for the deliverance of 
 
 fouls from purgatory, — — - — ^ 
 
 
 SUBJECTS OF FABLE. 
 
 26 Achilles in difguife, at the court of Lycomedes, by C. Viffeher, 
 
 njery fine, and rare - — - — — — Z 't ^ -■ () 
 
 27 The repofe of Diana, byLouijs, ditto r- — ^ — 
 
 28 Erichthonius in a balket, fine and rare — — - O , /) 
 
 29 The three Graces, by de Jode, fine — — , /" // " ^ 
 
 30 Two — The rape of Hippodamia, or the battle of the Lapithaj, ^ 
 
 byP. deBaillu — < 
 
 Progne Ihewing the head of her Ton- to her hufoand, both ‘very I 
 
 
 H 
 
 I? .f 
 
 d 
 
rubsns’s works. 
 
 0 
 
 2 .. ^ 
 
 /. /. /? 
 
 :)-/7.-o 
 
 /-.y-i 
 
 /'■/y-O 
 
 {i-zs^-a 
 
 7th Day. 
 
 LOT 
 
 31 Ixion deceived by Juno, by VanSompei 
 
 32 The judgement op Paris, fine and rare, by Lommelin. 
 
 ^he -proofs before the. dedicaticn are extremely rare ; even 
 thofe vcith the dedication are uncommon* — Bafan s cat 
 of Rubensy page 25 to 29 
 
 33 Two — Same fubj eft, proofs 
 D iana returning from the chace, by Bolfwert, remarkably fitie 
 
 ^4 The feall of Bacchus, by Vanden Wyngaerde, very fne 
 rare 
 
 Bacchanalian, by Suydcrhoef, very fne and rare 
 
 36 Bacchus drunk, fupported by a fatyr and a moor, by Suyderhoef, 
 
 before the drapery, extremely fine 
 
 37 A fatyr with a bafket of grapes, by Voet, fine and rare 
 
 38 Sirenus drunk, by Soutman, before the drapery, very rare 
 
 39 Silenus drunk, fupported by a fatyr, P. P. Rubens, delin. & exc 
 
 vey'y ra.re 
 
 40 Two — The fame, with the name of Bolfwert 
 Ditto, by Jegher 
 
 HISTORY, ALLEGORY, &c. 
 
 The battle of the Amazons, on fix Iheets, by Vorllerman, very 
 fine and rare 
 
 42 Apotheofis of J AMES T. by Gribelin, fine 
 0 " /Z >,0 43 The continence of Scipio, by Bolfwert, fine 
 /i) •' O Seneca in the bath, by Voet, very fine 
 
 45 Tho-myris ordering the head of Cyrus to e 
 ^ 0 S plunged into a EASON OF BLOOD, BY Po N T I U 
 
 j A PROOF, W^ITH A FEW TOUCHES, BY RuBEN 
 
 U N 1 QJJ E 
 
 2 The fame fiibjeil, extremely fine and rare 
 
 ^ 47 Neptune and Cybele, or the alliance of the fea and the lane 
 PROOF, very fcorce 
 4^ Two — Ditto, unfinilhed 
 
 The Reman Charity, by Voet,. very fine 
 
 
‘ ■•'^‘' •■ ^: yy -. “ ,'. 
 
 
 ^ V 
 
 ■ 'i^ r^:f . 
 
 "V / • ’ 
 
 rJ..;.'" ■ 
 
 ^ ek 
 
 ft! 
 
 rmtjc^!' 
 
 - . . iV^^^iIKTa 
 
 ,,I .- ^r- /'■'*' ■^'^V‘ ,j\\'' 
 
 T .^^C- 
 
 
 ■ of ; . ■‘v^--0^-,iJt^- ■,iikj!f' 'rf;^, !/.i 'C- , #. ' ” ^ 
 
 
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 wm^:^sm% 
 
 IP .<iw®fati. v-iv^- ' ■■ - 
 
 v;''t '■ ^v; .__. v ... ■ m 
 
 /kk . ' ■/ 
 
.RUBE ns’s works. 
 
 7th Day. 
 
 LOT 
 
 49 Aconversation, orthe gardenoflO'VE, by Clou we 
 
 WITH THE Flemish verses, remarkably fine- 
 
 50 Woman with a lighted candle and pannier, by Soutraan " - — _ ^ 
 Nature embelliflied by the Graces, by Van Dalen, on two plates, 
 
 fine - — - — " — ^ ^ _ 
 
 52 The upper part of a thefis, reprefenting St. Francis carrying 
 
 three globes ; on one of which Hands the holy Virgin; 
 on the top, to the right, are the four theological Vir- 
 tues in a chariot, drawn by lions. On the left, is ano- 
 ther chariot, dr uvn by four eagles, in which are many 
 princes of the houfe of Auftria ; at the bottom lower 
 down, is Philip IV. King of Spain, at the head of a 
 company of cordeliers. On the right, is John Scot, 
 aux prifes a^ec le diahle, <very rare 
 
 53 thefis of philofophy maintained at Douay in 1636, reprefent- 
 
 ing the difpute between Neptune and Minerva, who 
 fhould give the name to the city of Athens, dedicated to 
 Pope Urban Vllf. Pon. Max. by Pontius. The lower 
 part of this thefis is ornamented wdth fmall allegorical 
 fubjefts concerning the perfon and armies of Urban 
 yill. rare ■ — \ ly- — . 
 
 ^-0 
 
 
 d 
 
 
 PORTRAITS, 5 ^c. 
 
 54 Two — Philip IV. King of Spain, by Pontius, n^ery fine 
 
 Elizabeth, of Bourbon, wife to Ditto, ditto ^ 
 
 
 55 Ifabella, infanta of Spain, in a religious habit, by Pontius, ^ery 
 
 fine — — ^ — -r 
 
 56 Ferdjinand Cardinal Infant of Spain, and Governor of the Lqw 
 
 ‘ Countries, by Pontius, fine — — ' ^ 
 
 57 Carolus de Longueval, by Vorflerman, fine and rare 
 
 53 Count D’Olivatez, by Pontius, finey but with the beard length- 
 ened " - — — — y- ^ 
 
 Hz 
 
 • 0 
 
 ■o- 
 
 0- 
 
 7 
 
 -.0 
 
 J-0 
 
 (Z-0 
 
 /■•7 
 
7th Day, rubens’s work?. 
 
 ^ LOT 
 
 .59 Six — The large landfcap?s, by Bolfwert, <very fine 
 
 One— Ditto, by Ditto, proof, fro7n a 7noft capital 
 pidure> ntmo in the fofijefijion ofi Henry Hope, Efiii^ 
 
 / ,, 2~'' 0 6 1 Two — The landfcape, with a cart, Vanden Enden 
 Four lions, by Bolfwert, fime 
 
 HUNTINGS, LANDSCAPES, &c. 
 
 * Ip'-'O’ O 6z The lion-hunting, by Bolfwert, ^ery fine and rare 
 /y.. //’-O 63 Four-The lion and tiger-hunting, by Soutman 
 The crocodile and the hippopotamus, by Ditto 
 The boar-hunting, by Ditto 
 The wolf-hunting, by Ditto 
 
 2'' Z D 64 The boar-hunt, different from the preceding, on two Iheets, 
 ^ fine and rare 
 
 0"/O"U 65 The lion-hunt, by Suyderhoef, brilliant, a7id rare. A f ini- 
 
 impression OF THIS SUBJECT IS MORE DIFFICULT 
 to OBTAIN THAN ANY OF THE CHACES OF 
 
 Rubens 
 
 Boors quarrelling, hy Horfter7nan, n)ery fiine 
 
 YANDYCK’s WORKS. 
 
 //• 0 67 Two— One, his own portrait, face etched by himfelf, ^oery fi.ne 
 
 Ditto, with that of Rubens, in the fame fhect, by Pontius 
 J-/-d 5g One — Maria Louissa de Tassis, by Vermeulen, proof 
 69 One — Ditto, with the letters, ^jeryfine 
 0,, Q..Ojo Two — R. P. J.C. della Faille, by Lommelin, proof, an q 
 / letters 
 
 /••// • • Z? 7 1 Two — The Marquis de Mirabelle, by Bloteling, proof 
 ' Ditto, by Vorfterman, 
 
 72 Two — The Abbe Scaglia, proof 
 Wm Hondius, ditto 
 
 Two— Inigo Jones, and Mirevelt, proofs 
 /fi’fi 74 Four — Breughel, Vranx with variations, and Pontius ; ached 
 by Vandyck 
 
 /" ^d-lJyS Four — De Wael, de Vos, Breughel, and Van Noort 
 
 
 t-' D 
 
VANDYCK'^S works. 
 
 7ch Day. 
 
 76 One — Titian’s niiflrefs, ^ery Jlne — 
 
 77 Six — Portraits, Vanden Enden, ‘very fine imprejjions 
 
 78 Six — Ditto, ditto — - — . 
 
 79 Six-;— Ditto, ditto - 
 
 80 Six — Ditto, ditto - - — . 
 
 81 Six — Ditto, ditto r — — ^ 
 
 82 Six — Ditto, ditto — ^ 
 
 83 Six — Ditto, ditto __ __ 
 
 84 Six — Ditto, ditto - _ 
 
 85 Nine -'Ditto, ditto ' 
 
 — f .. 6..0 
 /., 
 
 — /.. /.. 0 
 
 /■•//.. iT 
 
 / J 
 
 - 
 
 - — /.. Z-O 
 
 /■•yr.o 
 
 /-/S.-o 
 
 86 Two — Ditto, Charles I. and his Queen, by de Jode, ditto — — 2 '' J . J 
 
 87 One — Albert, Count D’Aremberg, onhorfeback, by Baillu, 
 
 very Jim ^ — ■ — — — — '* /d " ^ 
 
 88 Thomas, Earl of Arundell and his Lady, in one Iheet, by 
 
 Vorherman, extremely fi-ne 
 
 89 Virgin and child, by Bloteling, proof — J .. /SI, ^ 
 
 90 Two — Chrift bearing the crofs, by Galle, very fine 
 The apotheolii. of the Virgin, by Vorherman, ditto — ■ 
 
 9 1 Two — St. Auguhine in rapture, by De Jode, before the addrefs of 
 
 Bon Enfant y fine 
 
 St. fofeph, preibyter, by Pontius 
 
 \o..//,.o 
 
 
 92 The defeent of the Holy Ghoft, hy Van Caukerhen, very farce — 
 
 93 The elevation of the crofs, firfl impreflion, before the alteration 
 
 of the horfe’s leg, extra fine — p..y-.o 
 
 94 A holy family, by Bolfwert, very fme , — — . v ^ 
 
 95 St. Rofaiia, by Pontius, ditto - — ' Ej.. J 
 
 96 The crucifixion, by de Bailiu, ditto ■ — — ^ 
 
 97 The crucifixion, by Bolfwert', ditto - 2 -.^ 
 
 
 qS Chriil: crucified between two thieves, by Bolfwert ^ — - - 
 
 99 The great crucifixion, soldier presenting the 
 SPONGE, BY BoLSWERT, BEFORE THE CROSS 
 
 STROKES AT THE r 4 AN’s TOE, EXTRA FINE ' ^ 
 
 ICO The C R OWNING V/iTK THORNS, ByBoLSWERT, IVTaRTIN 
 Vanden Enden, exc. a most forcible and 
 
 BRILLIANT IMPRESSION 
 
 
 // 
 
 )/ v.)r ^ 
 
• vaKdyck’s works. 
 
 7tn 
 LOT 
 
 3 O ..0 joz 
 104 
 
 2 ’' ^ ’' 0 105 
 
 Z'^/d -'0 107 
 Z-ff^'O 109 
 
 Oi 10 
 
 0 ^ f If J J ^ 
 A' ii^ 
 
 /•^ Z.^D , j ^ 
 
 A/r„^M6 
 23 .,^ 1 1 7 
 
 Day. 
 
 One — Dead Chrlft, by Van Caukerken, fcarce 
 One-— Same fubjedt, by Pontius, ^ery fine * 
 
 One — Ditto, by Bolfwert, Martin Vanden Enden, ex. 
 
 One — Ditto, by Vorfterman, nj^ry brilliant 
 
 One — Dancing angels, by Bolfwert, M. V. Enden, txc.fime 
 
 One — Holy family, by Clouwet, fine 
 
 One — Ditto, by Snyers, aitto 
 
 Two — Holy family. Virgin and child, by Bolfwert, ^very fitie 
 Christ healing the paralytic, by de Jode, a 
 
 PROOF, RARE 
 
 Two — Same fubjeft. Virgin and child 
 
 Fourteen — Chrift and the apollles, by C. V. Caukerken,yr^r^-fr 
 and fine 
 
 Samson and Delilah, by Snyers, proof, rare 
 Same fubjecfl, with the letters, fine 
 
 Tw'o— 'Jupiter and Antiope, by Soutman and Vander Steen, 
 prooE, rare and fine 
 
 A drunken Silenus, by Bolfwert, ojery fine 
 
 Two — Rinaldoand Armida, by de Jode and Baillu, *very fine 
 
 Six — Infants, &c. 
 
 END OF THE SEVENTH DAY’s SALE. 
 
 jo "I '■ f 
 
 S% * S"f 
 h "J'' t 
 7 '■ 0 
 
 V'y'lO’r^ 
 
' ■■ i 
 
 ■v 
 
 
1 
 
Eighth Day’s Sale. 
 
 £oiy '/S-/M. 
 
 OIX. 
 
 Four 
 
 Three 
 
 TwO‘ 
 
 Two 
 
 SCHOOL OF RUBENS. 
 
 — Etchings of battles, by T. V. Keflel, after P. Snayers 
 After Schiit, by Witdoec, &c. — — — 
 
 O' 
 
 />■ 
 
 J.. 
 
 0 .. 
 
 : — Virgin and child, by Vorilerman, after E. Quillinus, &c. — 
 Hiflorical, after Ditto, by Bolfvvert and Neefs ^ 0 . 
 
 A dead Chrift, and the holy faniily, after Diepenbeke, 
 byBolfwert, and P. de Jode — — 
 
 6 One — The flight into Egypt, after Ditto, by C. Waumans,_^'f«^ 
 
 7 One — The mufic-mafter, after Rombouts, byBolfwert — — — 
 
 8 Three — Of faints, after G. Seghers, by Pontius, &c. 
 
 9 Two — The holy family, and Peter denying Chrift, after Ditto, 
 
 by P. de Jode, and A. de Paullis, fine 
 
 iro Two — The death of St. Francis, after Ditto, by Vorfterman 
 and Bolfwert ~ 
 
 11 Two — The binding of Chrift, after Ditto, by L. Vorfterman 
 
 12 One — St. Cecilia, after Ditto, by N. Lawers, remarkably fine r- d,, 
 
 13 One — Chrift and Nicodemus, after Ditto, by P. de Jode, a mo/} 
 
 brilliatit imprefisiony ra'^e — /’ 
 
 14 Two — The holy family, and the falutation of the Virgin, after 
 
 Ditto, by P. Pontius and Bolfwert ' — ~ — J o 
 
 15 One — The wdfe -men’s offering, aftei^ Ditto, by Paul Pontius, 
 
 mery fins - ^ 
 
 O 
 
 ~j..o 
 
 7-" 
 
 74’ --i) 
 767 0 
 O..J 
 
 
 
 J., 
 
 J 
 
 J..J 
 
 ifij 
 
 //i-O 
 
8th Day. 
 
 SCHOOL OF RUBENS. 
 
 LOT 
 
 /^> Orxc — The fmoakers, after Ditto, by Bolfwert, remarhally fine 
 
 and rare 
 
 One — Peter denying Chrift, (the large print) after Ditto, by 
 Bolfwert, unconunonly brilliaht, and ^ery rare 
 
 i8 Fourteen — Of faints, after Ditto, by Bolfwert, 
 
 JORDAENS’s WORKS. 
 
 /*//, 0 jp One—The owl, byP. de Jode, fine 
 /.J.J 30 One — Folly, byA.Voet, ‘very fine 
 
 /.. fi.J SI Two — The shepherd and shepherdess, proof, anet 
 
 LETTERS, FINE 
 
 r/. y 22 One— “The fatyr and the traveller, by Vorfterman 
 ii?.. 0^0 2^^ One — The same subject, by Neefs, a proof 
 -p 24. One — The fame, with the letters 
 /»» J 25 One — The mufical family, by Bolfwert, extremely fine 
 
 26 One— Twelfth night; or, “TheKing drinks,’’ by 
 P. Pontius, A CURIOUS touched proof, before 
 ANY letters, extremely FINE AND RARE 
 One — The fame, with the letters, ^oery fime 
 One — Baucis and Philemon, by Lawers, fi,ne 
 One — Pan piping, by Bolfwert, cxire7nely fine 
 One — The woman milking the goat, by BoUwert, a brilliant 
 imprefision 
 
 'Mercury and Argus, by B. and S. Bolfwert, extra fine 
 
 -A FAUN HOLDING A BASKET OF RAISINS, WITH 
 
 Ceres anda satyr, &c. eyBolswert, a bril- 
 liant IMPRESSION, EXTREMELY RARE 
 
 One — The nativity, by Marinus, ^'ery fine * 
 
 One — The adoration of the shepherds, a most 
 
 BRILLIANT PROOF, BEFORE ANY LETTERS, VERY 
 RARE 
 
 One — The fame, with the letters, ^ery fine 
 
 One— Chriil before Caiaplias, by Marinus, hcfiorc the engraver's 
 na^ne, rare 
 
 ■2 0 ^. O'^’J One— Chriil before Pilate, by Neefs, fiume addrefisy veryfine^ and 
 
 /fi f Jr, tJ 28 
 2>'!)"0 29 
 
 /■■ b ',. <^35 
 
 n- fi. 
 
 rare 
 
F 
 
 i- 
 
 1 
 
gth Day. school of rubens. 
 
 LO T 
 
 38 One — The crucifixion, by Bolswert, a proof, be- 
 
 fore ANY LETTERS, AND BEFORE THE PLATE 
 WAS CUT AT THE BOTTOM, EXTREMELY FINE 
 AND RARE — " — ' ' ^ 
 
 39 One— The fame, with the letters, <very fine — ^ 
 
 40 One — St. Martin, of Tours, curing the demoniac, by P. dc 
 
 Jode, a brilliant imprcfinon — - 
 
 41 One — Martyrdom of St. Apollina, by Marinus, extremely fine 
 
 SUYDERHOEF— PORTRAITS. 
 
 42 Two — Anna Maria a Schurman, and Paracelh, fine - — 
 
 43 Two— Wikenburgi, and Joannes Schade, — 
 
 44 Two-— Joannes Cocceivs, and J. de la Chambre, — — . 
 
 45 Two — Swalmius, and Jacobus Revius, — — — 
 
 46 Two — Conradus Victor Van Aken, and Daniel Heiuiius, fine : 
 
 47 Two — Gilles de Glarges, and A. Rivetus, fine — 
 
 48 Two — C. Lempereur, and Johannes Koetfius, ditto — 
 
 49 Two — A. Heydanus, and S. Ampzingius, ditto 
 
 50 Two— F. Plante, and F. Spanhemius, ditto — — — — 
 
 5 1 Eight — Maria de Medicis, Charles V. Philip IV. &c. remarkably 
 
 FANCY SUBJECTS. 
 
 52 One — A man with a pipe, — 
 
 53 One — The goffips, 2d, fine — 
 
 54 One — The topers, ’very fine ~ 
 
 55 Two— One ditto, and companion, /“we ^ 
 
 56 One — Men smoaking, &c. at an aU-houfe door, A proof, 
 
 uncommonly fine — , 
 
 57 One— D itto, with the letters, ’very fine 
 
 58 One — Snick and snee, called the Mess Fighters, 
 
 A PROOF, WITH THE WHITE SCORE, AND THE 
 TREE IN THE WINDOW LEFT ALSO WHITE 
 BEFORE THE NAME OF C. DB JoNGHE, A GREAT 
 RARITY ^ 
 
 5 9 One— The fame fubj e^, .fine ^ - — L 
 
 I" / a,, e) 
 
 <r,.o 
 
 /^..o 
 
 ■ 6 
 'J >• o ,.o 
 
 t" >,J 
 
 /'■ //-ff 
 
 /'< /.,<? 
 //.-o’ 
 
 'f O" fid” fi 
 
 Z.. 2 ..^ 
 
 o 
 
8 til Day. 
 
 LOT 
 
 6o One- 
 i 3 '<6 (ji One- 
 '^'*'^*'^62 Two- 
 63 One- 
 63. One- 
 
 /•'//■■ (f 6'5 One- 
 66 One- 
 /n'A'-O 67 €)ne- 
 
 
 69 One- 
 
 SCHOOL OF RUBENS, 
 
 'The BALL, remarkably fine 
 -The back-gammon-players, ‘very fine 
 -The fidler, and companion, extra fine 
 ■The fmoakers, after Brower, ditto 
 
 —The boors (quarrelling, after Terburgy proof> 
 
 VERY FINE 
 
 -Alandfcape, with cattle, after Berchem, ex. fine 
 ■The night, after Sandart, very fine and rare 
 -Of tigers, after P. de Laer, extra brilliant 
 -The Burgo-m AST ers, after Keyser, most 
 
 BEAUTIFUL 
 
 -The treaty of Munster, after Terburg, a 
 MOST perfect and UNCOMMON BRILLIANT 
 IMPRESSION 
 
 VANDEN VELDE, AND COUNT GOUDT. 
 
 Twelve — The months, fmall, by V. D. Velde 
 Four — Thefeafons, by Ditto, very fine 
 Fojir — The elements, by Ditto, ditto 
 
 Eight — portrait of Laurence Ccftery by Ditto, viith views of 
 his konfe at Haerlem, printing-ojfice, iSc* by Ditto, firfl 
 imprejfions , very fine and rare 
 
 74 Four — The good Samaritan, forcerefs, white cow, &c. by 
 Ditto, very farce, and fine 
 
 Four — Landfcapes, dark fubjefts, by Ditto, extremely fine 
 Four — The hiftory of Tobit, by Ditto, very brilliant, and rare 
 Seven — vosrks of Count Goudt, cotnplete, remarkably 
 fine 
 
 0 >, / 2 .‘ 0 71 
 
 /.V /.. O 72 
 
 73 
 
 75 
 
 ^ 5 •• 0 0 76 
 
 G.Jd..Oyi 
 
 CALLOT, AND DELLA BELLA. 
 
 78 Five — By Cailot, fine and rare 
 
 79 One — The temptation of St. Anthony, by Ditto, 
 
 extra fine 
 
 ^ 80 One — The large fair, a brilliant impression. 
 
 
 the most capital PRINT OF THIS MASTER 
 
1 
 
 1 
 
SCHOOL OF RUBENS. 
 
 8th Day. 
 
 LOT 
 
 8 1 One — The Pont Neuf, before the weather-cock, by Ditto, ^erv 
 
 fine — ^ — , 1 * 
 
 82 One — The Stadt-houfe at Amfterdam, by V. Ulll, rare - — r- 
 
 ITALIAN SCHOOL. 
 
 83 Seven — The Magdalen, from Titian, ^c. - — ^ 
 
 84 One — The Virgin and child, after Raphael, by Morghen, 
 
 PROOF — • — /'• 
 
 85 One — A holy family, after N. Pouflln, by Ditto, proof r — Ct ,.() 
 
 86 One — Companion to ditto, after Ditto, proof ■<-' — /) 
 
 •87 One — Charles V. ; and three, hiftorical — - _ ^ 
 
 88 Four — Hiftorical, after Julio Romano, ^ery fne ~ 
 
 89 Two — Etchings, by Bifcaino, ^ery fine — ^ 
 
 90 Four — After Coreggio, See. — — -A- t 7 
 
 91 Two— 'After Ditto ; one, a reverfe, curious - ^ //- 
 
 92 Two — The continence of Scipio, by dela Haye ; and compa- 
 
 nion to ditto, by Ditto, ^ery fine . — 
 
 93 Two — The murder of the innocents, by M. Rota ; and a naval 
 
 engagement, 1571, both curious t and rare — 
 
 94 Five — Etchings, by A, Carrache, &c. njery fine ^ Q 
 
 95 One — Chrift in the garden, Qentitlefchi, by Vorfterman, 
 
 ditto — - — _ ^ 
 
 96 One — Lot and his daughters, after Ditto, by 
 
 Ditto, proof, extra rare 
 
 97 One — Ditto, with the letters, rare > — — ^ & >, 0 
 
 98 One — The pilgrims, after M. A. Carravegio, by Ditto, * Z ^ 
 
 99 One — Notre Dame du Rofaire, by Ditto, extra fine f) 
 
 100 One — St. George and the dragon, after Raphael, by Ditto, 
 
 AS FINE AS POSSIBLE < — ^ — 2 f' Z ' > Q 
 
 101 One — The entombing of Chrift, after Ditto, by Ditto, as 
 
 FINE AS POSSIBLE ^ 
 
 102 One — St. Jerome, after Tin toret, by Ag. Carracci, aoery fine 3 d 0 
 
 X03 One — Eneas carrying his father, by Ditto, ditto — Z • • / 
 
 /- 
 
ITALIAN SCHOOL, 
 
 Sth Day. 
 
 LOT 
 
 /„ One — Snfannah and the Elders, hy Ann, Carracci » disto 
 
 /ft //'‘ ^ 105 One — St. Francisj'by Ag. Carracci, ditto 
 Jft/Q,./) 106 One— St. Francis, by Baroccio, ^very fine 
 **^7 — A repofe, by Ditto, ditto 
 
 /Of 0 10% Two — The taking down from the crofs, and the entombing 
 Chrift, after Ditto, ditto 
 
 i) rf /y ,.0 'lOg One — The falutation, by Ditto, ditto 
 0*1/^'/) no Two — Hiflorical, by Cock, &c. 
 
 ^ ft /OffO 1 1 1 One — Adoration of the Ihepherds, by Bonafoni 
 
 112 One — RaphaeFs dream, by Martuanus, extra fine , 
 
 113 One — The fighting for the fiandard, after L. da Vinci, 
 
 Edelinck, remarkably fine 
 
 1 14 One— The Academy, after B. Bandinelli, by Parmlglano 
 
 
 by 
 
 
 END OF THE EIGHTH DAY’s SALE. 
 
 // -5 
 
 ' 0 , 
 
 ^0'']^ ' h 
 
 -i 
 
 IP’ 6 
 
Ninth Day’s Sale. 
 
 ENGLISH SCHOOL. 
 
 VIVARES. 
 
 lOT 
 
 1 C)nE — E nchanted Caftle, an etching 
 
 2 One — Ditto, a brilliant proof — 
 
 3 One — Jupiter and Europa, an etchings rare 
 
 4 One — A view near Rome, an etching — — 
 
 5 One-r-Ditto, proof, unfinished ^ 
 
 ^ One — The morning, a proof . ^ 
 
 7 Two — The morning, and land ftorm, after Pouf in 
 
 £ Three — A view near Naples, Jonah, and another, 
 
 y .,0 
 
 O nV3..0 
 A. 
 
 e 
 
 /'♦/A 6 
 
 BROWNE, BYRNE, POUNCY, &c. 
 
 9 One — An etching, after Pouflin, by Bronune ^ 
 
 10 One— The watering-place, after Rubens, an etching y by Ditto 
 
 11 One— Ditto, proof, before any letters, byDitto } — ^ A O 
 
 12 One — Philip baptizing the eunuch, after Both, an etching, 
 
 VERY FINE - 
 
 13 One— Ditto, a proof, ditto ^ 3 (J 
 
BN’GLISH SCHOOL. 
 
 an 
 
 y 9th Day. 
 
 LOT 
 
 One — St. John preaching, after Sal, Rofa, an etching, <v2ry 
 
 /f* One — Ditto brilliant, proof 
 
 One — The deflruftion of the floating batteries, after JelFerys, 
 etching, by Ernes 
 ^ 17 One — Ditto, a proof 
 /'* 18 One — Ditto, ditto 
 
 /“ i-'O 19 Two — The judgement of Paris, and a facrifice, from Wilfon; 
 etchings y hy P oiincy^ fcarce 
 
 N. B. Tkc original Pi^urei are in the Library of Mr, Willett, at Meuly, 
 
 20 One — The embarkation of St. Urfula after Claude, by Fittler, 
 proof 
 
 /«' Z ''0 21 One — The water-fall, after Ruyfdael, byS. Smith, a proof 
 2 Two — Views in London, after Marlow 
 /•' /J/ 2^^ Two — Ditto, after Claude* by Byrne and Peake, proofs 
 0 --Pi) z\ One— The angels appearing to the fliepherds, after Stothard, 
 an etching 
 
 '• /'6 Four — The engagements hetnveen the Turks atid the RuJJtans in the 
 
 Black-Sea after P atony by Canof, PROOFS, extremelv 
 /? fine 
 
 ^"^y"U2(3 Two — Etchings, by Mifs Fills, 
 d "/ff pj 2-} Two — From Claude, by Major 
 
 28 Two— Mount-Etna, and Mount-Vefuvius, after Smith, by 
 Byrne, fine 
 
 (?ix/d > J 29 One — An Englifli fetter, a proof 
 
 /■• 0-0 30 Two — Ditto, after Claude, by Muller and Mafon, fine 
 
 3 * Two — The guinea-pigs, and dancing-dogs, after Morland, by 
 Gaugain, proofs 
 
 2 Two — The Ihlp -wrecked failor boy, and the lailor’s return, 
 after Bigg, by Gaugain, proofs 
 
 /i . // • '^33 Two — Saturday night, and going to church, after Ditto, by 
 Nutter, PROOFS 
 
 34 One — Going to market, after Ditto, by Burke, a proof. 
 
 6 
 
1 
 
 ? 
 
 r 
 
 f! 
 
 I 
 
 [ 
 
 f 
 
 
 
1 
 
 1 
 
 I 
 
^th Day. 
 
 ENGLISH SCHOOL. 
 
 WOOLLETT’s WORKS. 
 
 LOT 
 
 qc Three — Portrait of Rubens, etching, proof, and let- /» . 
 
 6 .. (i, ,/) 
 
 TERS, EXTRA RARE 
 
 36 Six — Views, by Stow, &c. rare — - — ^ — 0 ^. O 
 
 37 Six — Ditto, of gardens, — ~~ — - — /'• 
 
 38 Six — Ditto, of the Glaciers, ; one a proof — 
 
 39 One — A view in Kew-Gardens, an etching — /*' 3-^0 
 
 40 One — Ditto, proof 
 
 41 Two — Ditto — ^ ^ 
 
 42 One — Meleager and Atalanta, an etching ^ /"/O .,/) 
 
 43 One — Ditto, proof — 
 
 44 One — Rura,lcot, proof, veryjine - — ~ , .1^-, ,5 ^ 
 
 45 One — Apple-gatherers, an etching ^ 
 
 46 One — Ditto', proof — 
 
 47 One— The hay-makers, proof r~ - — - /,, j 
 
 48 One — Deptford-Dock, an etching . — .. — — — If >0 
 
 49 Two— Of docks, Deptford and Chatham, — ~ ^ 
 
 50 One — Ditto, from Cairachi, an etching 
 
 51 One — Ditto, proof — „ 
 
 52 One — Apollo and the Miifes, a proof ^ — — — 
 
 53 Two — The Hermitage at Warkworth and Lanercofi Priory, — 
 
 
 proofs - 
 
 54 One — Dido and Eneas — proof 1— ™ 
 
 55 One — View in Wales, proof ^ 
 
 56 One — The Maid of the Mill, proof 
 
 57 Two — The Vicar of W^akefield, etchings 
 
 58 Two — Ditto, PROOFS ^ 
 
 59 One— Tobias and the angel, an etching - 
 
 60 One*- Ditto, proof 
 
 61 One — From Cook’s Voyage, proof 
 
 /"//).■ 0 
 
 — ~/"// '• £ 
 
 A., a., a 
 
 
ENGLISH SCHOOL. 
 
 9tK Day 
 
 LOT 
 
 2 , One- 
 Zt, 6 -^ One- 
 One- 
 
 65 Two- 
 
 66 One — 
 /i 5 ., 667 One— 
 
 /'^S ^"0 68 One- 
 /'» One— 
 
 70 One— 
 
 71 One- 
 
 72 One- 
 
 ^ ^ 73 One- 
 
 74 Two 
 Two- 
 
 /'• 0 76 One- 
 
 77 One- 
 
 79 Two 
 
 /'^/(P' O 
 
 J 81 One- 
 6 *'/6" ^ 82 One- 
 /«« X/ 7 - ^ — 83 One— 
 A /J^'O —84 One— 
 
 85 One— 
 
 86 One- 
 
 87 One- 
 /•' Ov.^ 88 0ne- 
 
 89 One— 
 
 90 One- 
 
 {^M 91 One— 
 
 J/ft/OnO 92 
 
 /.r //. <^ 93 One- 
 ^ <^r/^ '* 6 94 One- 
 
 Merry villagers, an etching 
 Ditto, PROOF 
 
 -Ditto, on India paper, proof 
 
 -Morning and evening, proofs 
 
 A wood feene, from G. PoulTin, an etching 
 
 Ditto, f»ROOF 
 
 Ditto, with the letters 
 
 Boar- hunt, an etching 
 
 Ditto, with the letters 
 
 -A SACRIFICE TO ApOLLO, AN ETCHING 
 -Ditto, a proof 
 
 •Premium landscape, an etching 
 —Ditto, proofs 
 -Ditto, with the letters 
 -Jacob and Laban, an etching 
 -Ditto, proof 
 -Solitude, etching 
 — Solitude, and Cicero, proofs 
 -Macbeth, etching 
 —Ditto, proof 
 -Phaeton, proof 
 -Celadon and Amelia, etching 
 -Ditto, unfiniped, proof 
 -Ditto, more finifhed 
 -Ditto, beautiful froof 
 ■ Ceyx and Alcyone, etching 
 •Ditto, uvfnijhedy proof 
 -Ditto, ditto 
 
 -Ditto, finished, proof 
 ■Niobe, etching, very rare 
 o, with the letters, <veryfne 
 -Diana and her Nymphs, etching 
 -Ditto, proof, before the arms 
 
 lli^- 
 
 
I.: 
 
I 
 
 I 
 
9th Day. English school. y 
 
 LOT 
 
 95 One— Diana and her Nymphs, with the arms » 
 
 96 One— The Roman edifices in ruins, an etching-, 3 /j 
 
 97 One— Ditto, PROOF 
 
 98 One— The Fishery, an etching . ^ ^ 
 
 99 One— Ditto, proof, with the water printed in 
 
 BLUE INK, extremely RARE (] ,, Q>.J 
 
 />' //. I 
 
 — , — • » M 1V,I IV c 
 
 100 Four — The shootings, etchings 
 
 101 Four Ditto, proofs, beautiful and uniform 
 
 IN colour 
 
 102 One — The Spanish pointer, an etching 
 
 103 One— Ditto, brilliant, proof l.. , 4 /// 
 
 104 Two Jocund peasants, etchings 
 
 
 -I 
 
 105 Two-Ditto, most brilliant proofs, rarely to be 
 
 met with, and uniform in colour - 4,f?. /yt./l 
 
 106 One-The death of General Wolfe, a perfect 
 
 etching, extra rare ^ yV/ 
 
 107 One— Ditto, A brilliant proof. This is the iden- 
 
 tical impression which Mr. Woollett re 
 
 served to retouch the plate from - /Z.. C 
 
 108 O''’'^-D«tt 0 , A MOST beautiful impression, WITH Mr. 
 
 West’s name, as historical painter to his y 
 Majesty, inserted with a pen 
 
 109 One— Penn’s treaty, a most beautiful etching, 
 
 VERY rare 
 
 10 One— Ditto, a brilliant proof 
 
 III One'. — Ditto, 
 
 FINE 
 
 WITH THE letters, REMARKABLE 
 
 /(Z" 0 
 
 
 112 Two-The battles of La Hogue and the Boyne, , ^ 
 
 etchings extra rare — - 
 
 113 Two— Ditto, proofs, very fine '/’/nCj'e/' 
 
 1.4 Two-Ditto, with the letters, first impressions, 
 
 before the alteration in the dedication l/f, ^ 
 
 K 
 
 
ENGLISH SCHOOL. 
 
 9th Day. 
 
 115 Two— Oliver Cromwell dissolving the parlia- 
 ment, AND Charles II. landing at Dover, 
 
 ETCHINGS, extra RARE 
 
 0 Tw'O — D itto, proofs, very fine ' . 
 
 ^ rf ^ 117 Two— Ditto, with the letters, very fine. 
 
 END OF THE NINTH DAY’s SALE. 
 
 
 
 2^> 'it "i- 
 0 
 0 
 
 f it "fi' 6 
 3 a 6" /I d 
 
 2 3 / ^ ^ ^ ' ' 
 
 0 \ r'7^'/\ 
 ztriT'’^ 2 p ' 3 a^'\ 
 
 frirpT I 
 

C\ '-/t 
 
 Tenth Day’s Sale. 
 
 ^,'v .X - 
 
 /M 
 
 ENGLISH SCHOOL. 
 
 MEZZOTINTO. 
 
 LOT 
 
 1 Two — Achilles, after Rembrandt, by Haid, proof * 
 
 James the Fird’s family, by Taflaert, ditto — 
 
 2 Oner-Garrick in the Farmer’s Return, after Zoffany, by Haid, 
 
 PROOF ' - ^ - - I — - - 
 
 3 One — Robinfon, Archbifhop of Armagh, from Sir J. Reynolds, 
 
 by Smith, proof t 
 
 4 One — The fpaniel, after Barrptt, by Watfon, proof r — - — — 
 
 One — The liable, after Morland, by Ward, proof ' ; 
 
 One — The village ale-houfe, after Ditto, by Ditto, proof be- 
 fore any letters “ — -r—'-— ' — ^ 
 
 7 Two — Jacob before Jofeph, and companion, after Bol, by Ward, 
 
 8 Two — Ditto, iTom A. Kauffman, by Burke, proofs, fine " 
 
 9 Two - Ditto, from Ditto, byLawrie and Dickenfon, fine 
 
 10 Two — Telemachus and Aglia, by Burke, proofs — 
 
 11 One — The Royal Family, after Stothard, by Murphy, proof — 
 
 I 2 Oe — \ lion, by Daniel, proof " — 
 
 13 TwOf~The death of Rizzio, and companion, proofs - 
 
 K 2 
 
 S': y 
 
 ^ /. ?,-o 
 0-^S-o 
 
 CSH-O 
 
 rj:/r-C 
 
 S -..D 
 H-Ss.-Q 
 
 O ' 8-6 
 
 6.. S-.o 
 
 o.yo 
 
ENGLISH SCHOOL. 
 
 1 0 th Day. 
 
 LOT 
 
 0 -^ ^..6 14 One— Foote and Wefton, proof 
 
 / ‘// -£ 15 One — Garrick between Tragedy and Comedy, after Sir JoJhua 
 ^ Reynolds i (firft plate) proof 
 
 One — Garrick after Dance, by Dixon, proof, re- 
 
 MARKA.BLYFINE 
 
 One— Sir John Fielding, after Peters, by Dickinfon, beaut fnh 
 proofs rare 
 
 A# 3 *.^ 18 One — From Gulliver’s Travels, after Gilpin, by Green, /roo/', 
 y rare 
 
 0 " Two— From Sir Jofliua Reynolds, by Dickinfon, ^ery fine 
 
 Z^20 Two — The Duke and Duchefs of York, after Hopner, by 
 
 Ditto, PROOFS, VERY FINE 
 
 Two — From Correggio and Vander Werf, ^ery fi?te one a 
 proof 
 
 A# O — 0 22 One— The Jew Rabbi, after Rembrandt, by Pether, 
 A proof, first plate, most uncommonly 
 rare 
 
 A- /'• 0 23 One — S AMUEL AND ElI, AFTER CoPLEY, BY GrEEN, A 
 
 PROOF, VERY FINE. EXTRA RARE 
 
 2-^0 '^0 24 One — The shark, after Ditto, by Ditto, first 
 
 PLATE, PROOF, EXTRA RARE 
 
 25 Two — The DEATH of Si r P. Sidney, and Ep aminond as 
 after West, by Green, proofs, very fine 
 AND rare 
 
 0 6 0 26 One — The brewer’s-yard, after Garrard, by Ward, 'very fine 
 
 J../G.. 0 z 7 One— Count Ugolino, after Sir Josh. Reynolds, by Dixon* 
 proof, very fine 
 
 C- d: •i/ 28 Two — The hop-pickers and the gleaners, after Weftall, proofs y 
 •very fins 
 
 J 29 One — A drunken Silenus after Rubens, by Hodges, proofs ajery 
 fine 
 
 2 Ifi" Q 30 One — The infant Hercules, after Sir Josh Reynolds, by Hodges, 
 most brilliant^ proof, from a capital picture 
 .1 r '* 5 ’ painted for the Emprrfs of Rvjfia 
 
English school. 
 
 loth Day 
 
 LOT 
 
 31 One — 
 
 32 One 
 
 33 One— 
 
 34 One- 
 
 35 One- 
 
 
 C 
 
 Sir John Leicefter, after Sir Josh Reynolds, by Reynolds, 
 proof 
 
 Lord Grenville, after Hopner, proof 0 
 
 The porcupine and dogs, after Snyders, by Murphy, a 
 brilliant proof 
 
 The tiger, after Stubbs, by Murphy, a most beauti- ^ 
 
 FUL FROOF — 
 
 /. /•■ 0 
 
 /. ^,.0 
 
 37 Two- 
 
 38 Two- 
 
 39 Two- 
 
 40 One- 
 
 ThE portrait OF HIS Majesty, after Sir 
 Josh. Reynolds, by Dickinson, proof, very 
 
 36 One — His Majesty reviewing the Prince of 
 Wales’s regiment of dragoon guards, after 
 Sir Wm. Beachy, by Ward first plate, a ^ 
 
 MOST beautiful PROOF — — — ~~ 3 ' y /^ V 
 
 -Of birds, after Northcote, by Reynolds, fine, proofs — - /q^ 0 
 
 -Samma weeping over the afhes of his only fon, and com- 
 panion, after A. Kauffman, by Burke ; one a proof, 
 
 fine 
 
 -Mrs. Fordyce, and Lord Sheffield, after Ditto, proofs ^ ^">.0 
 
 -Penelope awakened, after Ditto, by Burke, a brilliant * 
 proof - — " ’ ^ /'* 0 
 
 EARLOM^s WORKS. 
 
 \Moli of the follonving fpecimens of this celebrated Artifi njoere colledled 
 by himfelf for a dear and near relative, cfter nvhof dsceafe they ^were 
 fold to the prefijit Proprietor.^ 
 
 41 Three— Jefus and John, from Guido, ditto, from C^rlo Dolci 
 
 I , and Virgin and child, from S. Ferrata, proofs, VERY , 
 
 ' RARE 
 
 42 Three— One Dominichino, and two others, proofs, rare — /. 0 
 
 43 Four— Guercino, Coreggio, Madam Barry, and the fingers, 
 
 from Hemlkirke, proofs, curious — O 
 
 44 T wo —The Rev. Wm Hanbury, and one more, proofs t ^ ‘ ^ 
 
ENGLISH SCHOOL. 
 
 1 0th Day. 
 
 LOT 
 
 Two — The portraits of Mh^rdell and Mrs. Guidon, proofs, 
 rare 
 
 h.^0 47 
 
 0 w/^.. ^48 
 49 
 
 O'-Zd-O 
 
 l}''/ 2:0 S'^ 
 
 c^-:Z'<Oy, 
 l-i-O 56 
 
 0'</<?..C) y/ 
 6^'', '*/.. i? 58 
 
 0 (jp 
 
 J.O..O Co 
 
 2 :/Z:bU 
 A /O^-O 6. 
 
 TwO’—The Exhibition, and the Pantl^eon ; in which are intro- 
 duced the portraits of Richard Wilfon, John Wilkes, 
 Sam. Foote, Dr. Bragge, and Doneilan, proofs, . 
 
 VLRY UNCOMMON 
 
 One — Theatrical— ' Mr. King and Mrs. Barry in the Clandedine 
 Marriage, after Zoffany, prpof, fine 
 One — Lord Heathheld, a proof 
 One — Ditto, an etching 
 
 Two — Senfibility, and Alope, after Romney, mod beautiful 
 proofs 
 
 X\y 0 — Earl Waldegrave, (private plate) and Newton, Bifhop 
 of Bridol, proofs 
 
 One — Sir Edward Adley, after Wed, (private plate) rare 
 Xwo— The Duke of Glouceder, and Admiral Kempenfeldt, 
 proofs, very fine 
 
 One — James Stewart, Duke of Richmond, after Vandyck, 
 
 MOST BEAUTIFUL PROOF 
 
 One — The Royal Family, after Zoffany, a proof, 1 
 
 EXTREMELY RARE 
 
 One — Rembrandt’s portrait, proof, fine 
 Xwo — R.embrandt’s wife, after Ditto j and a lady reading, after 
 Boll, very fine 
 
 One — D. B. Carlos, after Veladjuez, proof, very fine 
 
 One — Rubens’s wife and page, after Rubens, a 
 
 MOST extraordinary FINE PROOF 
 
 0:;e — The Due D’Arbmberg on horseback, from a 
 
 MOST CAPITAL PICTURE, BY VaNDYCK, IN THE 
 COLLECTION OF J. W. CoKE, EsQ^ OF HoLKAM, 
 
 A MOST BEAUTIFUL PROOF 
 
 One — Landfeape, fromHobbima, proof 
 
 Xv.-c — The fighting-dogs and companionj^ proofs, before; 
 
 THE LETTEFS EXTRA FINE 
 

ENGLISH SCHOaL. 
 
 1 0th Day. 
 
 LOT 
 
 63 One— The fliepherd’s boy, proof, fn 
 
 
 
 64 One — The girl and pigs, proof fine r ; — - — ~ — 
 
 5^ Two — The game-keeper, and wood-cart, fir fi proofs, before i he 
 
 alterations, extremely rare - — . — — 61. l} 
 
 66 One — The fingers, after Schalken, ^ 
 
 . / /* 
 
 %nO 
 
 l-y-o 
 X 
 
 j 
 
 t. 
 
 0 
 
 67 One — The mountebank, after Oftade, proof 
 
 68 One— The mifers, after ^intin Matris, from a nxell-knonsjn 
 
 piSiure in his Majefty'*s colleriion at Winpfor — — 
 
 69 Three — The expofition of Cyrus, after CaiHglione ; and dogs, 
 
 after Wootton, proofs, and etching — • 
 
 70 Two — A young Bacchus lleeping, and companion, from L. Gi. 
 
 ordano, most brilliant proofs v 
 
 71 Two — Una, after Wed, and Angelica and Medoro, — -- 
 
 72 Two— Galatea, after L. Giordano, and CaMo in her retirement, 
 
 after Vandyck, proofs, fine 
 
 73 One— Meleager and Atalanta, from \Tilfon, proof — 0 
 
 74 One-— Apollo and the hours. Ditto, djjtto — Q 
 
 75 One— -The Salvator Mundi, after Carlo Dolci, proof, j/ 
 
 76 One — Oar Saviour healing the blind, after A. Carrachi, proof J 
 
 77 One— The prefentation in the temple, after Rembrandt, from the 
 
 original pieiure at Stra=ivherry-hiU, proof, fine 
 
 78 Two— Simeon and the child, a moft b^uiiful bnprejjton — J n 
 
 79 One — A repofe, after Correggio, proof, very rare ^ 
 
 80 One — A b rewer’s-yard, after Garrard, a most / 
 
 beautiful proof, before the letters, ex- //) a 
 trembly rake 
 
 r 
 
 81 One — The lion and boar, after Snyders, brilliant, proof 
 
 82 One — Lionefs and whelps, proof — — 
 
 83 One — D itto, etching, extra rare ' — C'’/ 2 ^t >0 
 
 84 One — The fmugglers, after Sir F, Bourgeois, proof, very 
 
 fine > — _ T * 
 
 '85 One — ‘The blacksmith’s - shop, -from Wright of 
 
 Derby, very rare 
 
 86. One — The forge, from Ditto^ proof, very rare.— 
 
 The t^xso preceding lots are meft uficommotily beautiful, and 
 
 f 0 
 
 
 A 
 
ENGLISH SCHOOL. 
 
 lotK Day. 
 
 LOT 
 
 A /O-O 88 One- 
 One- 
 0 90 One- 
 4 ''/( 9^*0 91 One- 
 S ,.0 92 One- 
 
 
 ■Sufannah and the Elders, after Rembrandt, proof 
 ■Mordecai, after Eckout, proof 
 -Ditto, an etching, extra rare 
 -V/afliing our Saviour^'s feet, proof, extremely fine 
 ■The holy family with St. John 
 
 Bathlheba prefenting Abilhag to David, afterVanderWerf, 
 
 a brilliant proof 
 
 2 '» Cf ;0 93 One — Augufius and Cleopatra, after R. Mengs, proof 
 
 94 One — Nymphs sleeping, and satyrs with dead 
 
 GAME, PROOF, BEFORE I'HE LETTERS, VERY FINE 
 
 ■Bacchanalians, after Rubens, a fine proof 
 -Etching of ditto, extra rare 
 -The fig, after Rubens, a inoft beautiful proof 
 -Ditto, with a curious variation, most un- 
 commonly RARE 
 
 Ditto, an etching, very rare 
 •The porter and hare, after Zoffany, a 
 
 MOST BPILLIANT PROOF, EXTRA SCARCE 
 
 Rubens’s son and nurse, a most eytraordi- 
 NARY beautiful PROOF 
 The larder, after de Vos, ^uery fine 
 ■The concert of birds, proof 
 Ditto, an etching, extra rare 
 The game market, proof 
 Ditto, etching, extra rare 
 The green market, <very fine 
 Ditto, etchings extra rare 
 The fifh-market 
 Ditto, etching, extra rare 
 •The fruit market 
 'Ditto, etching 
 
 -The fruit and flower pieces, after Van 
 Huysum, beautiful proofs, and the rarest 
 
 OF THE WORKS OF THIS INIMITABLE ARTIST 
 
 95 One- 
 
 96 One- 
 
 2 -d-e 97 
 
 "O "ff 98 One- 
 
 Z-O -0 99 One — 
 100 One — 
 
 /f" i-S 101 One — 
 
 /■y..O 
 3 : 3..0 
 /• Z ,--0 
 /‘■7..0 
 
 a ^ 
 
 X-n-a 
 
 /J-./Xc; 
 
 1 02 One— 
 
 103 One— 
 
 104 One- 
 
 105 One- 
 
 106 One— 
 
 107 One— 
 
 108 One— 
 
 109 One- 
 no One- 
 
 1 1 1 One- 
 
 112 One- 
 
 113 Two- 
 
1 
 
ENGLISH SCHOOL. 
 
 
 loth Day 
 
 LOT 
 
 1 14 Two- 
 
 
 The fruit and flower pieces, etchings, *verj 
 curious, and extremely rare — ■ - — 
 
 115 One — Agrippi N A, a most extraordinary proof, 
 
 BEFORE THE WORDS '‘HISTORICAL ENGRAVER,’* , ^ 
 
 8cC, WERE INSERTED - " ’ ^ ” 0 
 
 116 One— The Witch, after Teniers, a brilliant 
 
 p roof ' — — — • ^ ^ ■ 0 
 
 Ditto, an etching, extra rare ' /iJ r. {J 
 
 1 1 7 One 
 
 1 1 8 One — 
 
 Colonel Mordaunt’s COCK-MATCH AT Lucknow, . 
 
 A VERY BRILLIANT PROOF, EXTRA RARE 
 
 119 One — The Royal Academy, after Zoffany, proof, 
 
 EXTRA FINE AND RARE, thc 
 
 fire. - — . - 
 
 igo One— Meleager and Atalanta, a proof, fine 
 
 “ ' , 
 
 plate iein^ deftroyed by g ^ ^ 
 
 
 0 
 
 END OF THE TENTH DAY’S SALE. 
 
 
 U 
 
 L 
 
Ele\^th Day’s Sale. 
 
 
 
 ENGLISH SCHOOL. 
 
 LOT 
 
 Seven — T he politician, by Ryder, &c. 
 
 2 Two— Hawking, and companion, after Wouvermans, by C. 
 Prellel, fine proofs 
 
 5 Two — After Morland, by Blake, /ro£/> 
 
 S^-0 ^ Two — Flora and Rolina, after Stothard, by Knight 
 0 5 Two — From Englilh hidory — Charles I. and Lord RulTel, after 
 Ditto, by Ditto 
 
 6 Two — The Vicar receiving his tythes, and companion, after 
 
 ^ Singleton, by Burke, proofs 
 
 0 "b “D 7 Two— Going to market and companion, after Ditto, by Nutter, 
 
 U 0. ,0 % Two — The tenant’s family, and Companion, from Stothard, by 
 Knight, prorfsi in bro^iMn 
 
 g Two — Ditto, in black 
 
 >,0 \o Two — The angels, after Sir Jos. Reynolds, by Simon, and one 
 after Ditto, by Bauze, proofs 
 
 0 - Q .. O , I Two — Mufcipula, and Robinetta, after Ditto, fi ne proofs 
 /f. /..(? 12 Two— Felina, and a girl fleeping, after Ditto, /roo/r 
 0 " /6 ..Q Two— Venus, after Ditto, by Collyer, and the fnake in the 
 
 grafs, after Ditto, by J. R. Smith, proof St ^ery fne^ and 
 
 ■ 
 
 rare 
 
T' ■ ;■ : 
 
ENGLISH SCHOOL. 
 
 11th Day. 
 
 
 JU\J 1 . 
 
 14 Two-^Hen and chickens, and companion, after Miller, o-- ^ 
 
 15 Two — Of dogs, after Gilpin, proo/s -- — • '' ^ 
 
 16 Two — Morning and evening, after Rofa d*Tivoliy by Preftel -■ — ^ "d 
 
 1 7 T wo — The DrownccLBoy reftored to his parents, and companion, 
 
 after Smirke, proofs - — ^ _ 
 
 18 One-— The Woodman after Gainfborough, by Simon, fne procf— /•• /•* d 
 
 19 One— Love, ■ f|eeping, after Weftall, by Nutter, proof. — - — - /*' ^”0 
 
 20 Two — The fchool-miftrefs, after Wheatley, proof und etching 0 did-- 0 
 
 21 Two — The tkree holy children, and the charmers, after Peters, qJ ^ 
 
 - ic ■ O'-d'-O ^ 
 
 proofs — ^ 
 
 22 Nine — The tries of London, after Wheatley, proofs — — O-/0.-O 
 
 23 Eight — After Howard, by Ryder, Knight, &c. 5 0 Q 0 
 
 Two — After Oftade, by Walker, proofs-— f 
 
 24 Three — The village lawyer, after Holbein, by Walker, proofs 
 
 and two from Amorofo, by Ditto — 
 
 25 One — The quack- doftor, after G, Do-iUy hy He/Te, proof r— 0 -' 8 - 0 
 
 26 One — Tobias and the angel, after Rembrandt, proof ^ 0 '’ S '-- 0 
 
 27 One — Dutch paftime, after Teniers, by CoHyer, a brilliant proofed-- 0 
 
 28 Two — Buonaparte, /roof, c^nd etching S- fO., Q 
 
 29 One — The feparation of Lewis the Sixteenth from his family in ^ 
 
 the Temple, by Schavionetti, proof d" 0 ..O 
 
 30 One — The lafl: interview, by Ditto, proof — O-'d-.O 
 
 31 One — Preparation for execution, " — — ()•* 8*' 0 
 
 32 One— The burial of General Frafer, after Graham, by Nutter, _ 
 
 proof -- - 0>*/Sd>l) 
 
 33 One — T he infant academy, after Sir Jolhua Reynolds, by ^ 
 
 Hayward, fine proof . -I 7 ^- 47 .. U 
 
 34 One— M rs. SiDDONs in the character of the Tragic 
 
 Muse, after Ditto, by Ditto, a brilliant j > 
 proof, very rare 4 U*'U 
 
 35 One — The Prince of Wales, after Ditto, by Ditto, proof {}'• S i-> 0 
 
 36 Three — After Boucher, by Ryland — — 6 "/ 0 - 0 
 
 37 Two— His Majeily, and Earl Bute, after Ramfay, hy ‘Ditto, fi„g^^,, /J •• d 
 
 L2 
 
 

 nth Day. 
 
 ENGLISH SCHOOL. 
 
 LOT 
 
 38 One— Antlochus, from De Cartona, by Ryland, proof 
 £' 29 One — Edgar’and Elfrida, after A. Kauffman, by Ditto, beauti- 
 
 TlEUL PROOF 
 
 0 40 One — Ditto, an etching, ^ery rare 
 
 41 One — King John ratifying Magna-Ch arta, after 
 Mortimer, iyDittOi proof 
 
 0 42 One— The battle of Agincourt, afterD®, byBurkc,PRQOP 
 43 Four — Duchefs of Cumberland, Mrs. Robipfon, and t\yo mQre> 
 by Sherwin 
 
 ^ ^ 7 '* ^ 44 One — John, Earl of Sandwich, after Gainfborough, proof 
 
 Two — Earl Chatham, arid Sir Jofhua Reynolds, by Ditto, proof 
 ^5 Xwo — The Bifhop of London, and Dr. Boyce, after Ditto 
 d‘.J 47 One — A Holy Family, after Beretoni, by Ditto, a beautiful 
 
 PROOF, RARE 
 
 Two — Altar Pieces at All-Souls and Magdalen Colleges, by 
 Ditto, proofs 
 
 O 49 One — The Fortune-Teller, after Sir Jofhua Reynolds, by Ditto, 
 
 A BRILLIANT PROOF 
 
 One— The death of Lord Robert Manners, after Stothard, by 
 Ditto, proof 
 
 /-/A ' ^ 51 One — Ditto, on fatin, hy Ditto, curious 
 
 52 One — Theriots, after Wheatley, by Heath, a protf. 
 
 53 One— The etching of Ditto, ^er'y fine 
 
 ' 54 One — The dead foldler, after Wright, by Ditto, a proof 
 
 55 Two— The Marine Society, and a Frontifpiece, from Louther- 
 
 bourg, by Hall, 
 
 56 Two — Banditti, gambling, after Mortimer, by fine proof s 
 
 6’>0 57 Two — Right Hon. Ifaac Barre, by Ditto, an etching, and proof 
 
 on India paper, fine 
 
 One — Lord Hawke, after Cotes, by Ditto, proof, fine 
 8 -.0 59 One — R. B. Sheridan, Efq. after Sir Jofhua Reynolds, by Ditto, 
 proof 
 
 / ^ 60 Two— The children in the wood, by Sharp and Byrne, proof 
 
 — - - and etching, beautiful 
 
■ :f'^ ' Hi.'vSiiv; 
 
 S' 
 
 
 
 
 V U c' yv 
 
 
 vJt .<K£\, 
 
 • ■- ^ ■ ■ 3 .. . ; ' Bi^'«->^^ ; 
 
 i>>rTt^ ' '?f»R<J>5l. 'i!<Ji, »i 
 
 f'/ ? -• U•^ — I U ':-^ '‘i" i,5t.'i HoK^ 
 
 f * ■>,<•>1 ■ .■ *■ ',' ‘ 
 
 .ff’flair, -■■*jij«t ** '.\^ 
 
 :■’ ■-•' /;/ J , » # , -M. »f«; a;’ 
 
 ' ■: ■•>•- i''* .''t;.j' '.'j” 
 
 
 
 
 
 ':a^. fc{ . , 
 
 ^ ''v|j'» • ••'/ 'vfVsteh* 
 
 •'-■ ,v!3,u-' 
 
 , fT ■ . 
 
 
[th Day. English scrtoo'L. 
 
 |)T 
 
 [ Three — After Guido,^ Carlo Dolci,and Doniinichino, by Sharp, 
 
 proofs y fine ^ ^'^9 ^ 
 
 I One — St. Cecilia, after Dominichino, by Ditto, Brilliant proofi--^ 
 j One-r-The holy family, after Sir JofKua Reynolds, by Ditto, 
 
 peonfiy before any letters ' ^ 
 
 ^ One — Ditto, by Ditto, proof — ^ *7.^0 
 
 . 
 
 
 
 5 One — Ditto, an etching, — 
 
 5 One— The Do61;ors of the Church, after Guido, by Ditto, 
 
 <very fine ' - /n/o^^O 
 
 7 One — The Witch of Endor, after Well, by Ditto, proof y fine 0 
 
 8 Five-!^The Prince of Wales, Hon. T. ErfKinc, by Ditto, and 
 
 three others, — * 
 
 b Two-t-Alfred dividing his loaf with the pilgrim, 
 
 BY Ditto; and companion, ry Michel, 
 
 PROOFS, VERY FINE. Thefe Pz^ures y pahtted by Mr» 
 
 Wefty njoere prefcnted by Mr, Jlderman Boy dell to the 
 Stationers-Company — - — 
 
 0 One~JoHN Hunter, afterSir J. Reynolds, by Ditto, prof 
 
 njery fine — 
 
 1 One— The sortie from the garrison of Gibraltar, 
 
 AFTER Trumbull, BY Sharp, A very BRILLIANT 
 
 PROOF — • — — — — ^ ^ () '' 
 
 -2 Two— From Guido and Murrillo, by Strange, 
 
 PROOFS, BEFORE ANY LETTERS, MOST BEAUTIFUL ^ 
 
 PROOFS , — 
 
 One — Fortune, after Guido, ey Ditto, a proof, 
 
 before any letters, most brilliant /)••/? 
 
 74 One — Charles I. after Vandyck, by Ditto, proof, 
 
 pEFORE the letters, U N C O M M ONL Y B R I L L J AN 
 
 AND VERY RARE — — , , ^ W " 99 9 
 
 75 One — Ditto, <i.uhh the letters y ^ery fine ^ //,, (y 
 
 76 One — Venus and Adonis, after Titian, by Ditto, 
 
 PROOF, before the LETTERS, R E M AR K A B L Y F I N E 
 
 77 One — The apotheosis, after Weft, by Ditto, proof, before ^ 
 
 the letters, extremely rare, the plate being dellroyed ^ '• 6 
 
 fA 
 
 
ENGLISH SCHOOL. 
 
 2 
 
 /? 
 
 1 ith Day. 
 
 LOT 
 
 One-— Charles I. 'nvith'the Horfey from Vandyck, 
 Strange, A most beautiful etching, and ve 
 
 RARE 
 
 79 Two — Lord Mansfield, and Lord Camden, fine 
 
 80 One — Pope Pius the VIth. after Vandyck, 
 Morghen, a beautiful proof, rare 
 
 Si One — Louis Seize, ey Berwic, njijith the engraver's fig) 
 > . ture, very fine 
 
 ka One — Bunker’s-Hill, from Trumbull, by Mulle 
 ' n „ ! 'JstoJ a proof, very fine ’ 
 
 ^ #83 One — Death of General Montgomery, after Ditt 
 
 V BY Clemens, ditto . 
 
 84 One — Ditto, etching,- ve ry rare 
 
 One — The Beggar’s Opera, from Hogarth, by Blake, 
 
 86 One — The Strollers dreffing in a Barn, with the cap, e 
 
 , y TREMELYFINE 
 
 Six — The marriage a-la-mode ; 
 
 proof, very rare . 
 
 Six — The harlot’s progrefs, firfi: imprefllons, before the crojji 
 very fine 
 
 - // .. O ^ 
 
 89 Two — Herring and Hoadly, fine old imprejfions 
 
 /■■fo 
 
 90 Twenty-Three — Firfi plate of the eleiflions, tail-piece to Kiib) 
 
 Perfpedive, by Woollett, and fwearing the child, & 
 by Hogarth, dd imprejfions 
 9' Two — The good Ihepherd, after Murrillo, by Major, print ai 
 letters 
 
 it- 8:0 92 Four — After Teniers, by Ditto, and etchings • 
 
 ' 0-//..0 93 Four — After Ditto, by Ditto, prints and etchings 
 
 94. Eleven — After Berghem and Ferg, by Ditto, prints and etching 
 
 — "95 Three — One after Rubens, print and etching 
 
 96 Three— By Ditto, and one after Wouverman, an etching, 1 : 
 Lawrent, very fine 
 
 IJ 2 /) 97 Six— After Vandew'elde, &^.c. by Ditto, prints and etchings 
 
 one A MOST BEAUTIFl 
 
 
1 
 

1 Day. 
 
 ENGLISH SCHOOL, 
 
 One— Le Menage, after Wouverman, an etching, ^ 
 
 BY Law re NT, extremely fine and rare — - 
 
 I One — Ditto, finiihed by Major, ^eryfne /’ 0 
 
 ^ Three — From Bunbury, by Ryder, Sec. proofs ~~ ~ — 0" //'- p} 
 
 Three — One La Fleur, in colours, after Romney, See. proofs 0 *• 0 
 
 KG. KAUFFMAN, RYLAND, DELATRE, BURKE,. &c. . 
 
 ; Eleven — Etchings, byA.Kauftman — — — — 
 
 \ Eight — Palemon and Lavinia, and companion, and moral Em- 
 
 . blems, after Ditto, by Taylor, . — : 
 
 . Twelve — After Ditto, by Marcuard, proofs U 
 
 ; Four— After Ditto, by Sherwin and Burke, profs 0., 
 
 ) Two — Cupid and Euphrofyne, and companion, after Ditto, by 
 
 Burke, proofs - — ~ — 3 /S'* 3 
 
 r Two — Cupid and Ganymede, and companion, after Ditto, by 
 
 Burke, — — 
 
 { Two — Orpheus and Euridyce, after Ditto, by Ditto, proofs 0,, Q,,0 
 ) Four — After Ditto, by Burke, &c. proofs ■ — - r Ohfj,,(} 
 
 ) Four — The Virtues, after Ditto, by ScorodoomofF, fine 0,, 
 
 ; Two — From the Hiltory of England — Edward and Eleonora, * 
 and companion, by Ryland, very rare and n ^ 
 
 fine T ~ r 
 
 I Two — Ditto, by Ditto, fine proofs /'> /9^,0 
 
 j Three — Telemachus at the Co-urt of Sparta and his return ; 
 
 and Achilles lamenting the lofs of his midrefs, fine 
 
 proofs 
 
 d'-Jf.t) 
 
 [. Two — The Duchefs of Richmond, and a TurkifhLady, by y. 
 
 Ditto, proofs, fine — 3 ^ • 0 
 
 - Two— Eloifa, and the Grecian Lady, by Ditto, proofs • 0 - 8-0 
 
 ) Two — Maria, and a Lady with an organ, by Ditto, pronfs ’ ^ 0^^ S >*0 
 
 7 Three — Patience, Perfeverance, and one more, by Ditto, 
 
 proofs — ^ — ^ 3 
 
 0 
 
 3 Three — Faith, Hope, and Charity, by Ditto, proofs -- — ^ 
 
 ^ Five — Conjugal Peace, Morning Amufement, Sec. by Ditto, 
 
 0/t 
 
 li> 
 
 Vr 
 
 PROOFS 
 
£MGLISH SCHOOL, 
 
 
 nth Day. 
 
 LOT 
 
 *20 Two — The. Judgement of Paris, and Juno borrowing { 
 Cellus, by Ditto, proofs, fine 
 Two — Helen prei'ented to Paris, and companion, by Di),, 
 
 PROOFS, FINE I 
 
 22 Tv\o-— The triumph of Venus, and Cupid difejmed, by DiJ 
 
 PROOFS, FINE 
 
 ()-/l/" 0 \ 23 Three— The Nymphs adorning the bull of Priapns, and 
 
 panion ; and Cymon and Iphigenia, by Ditto, proo^ 
 
 FINE 
 
 1^7 124 Two— The death of Procrls, and companion, by Fieldi, 
 
 ' , pr'ofs ^ 
 
 O’^b^’O 125 Two — A facrif.ce to Cupid, and companion, by Scorodoonn) 
 
 PROOFS 
 
 126 Tw'O — The triumph of Cnpid and companion, by Ditto, /rr 
 0 ‘' 127 Two — Nymphs ftealing Cupid’s arrows, and companion, ' 
 
 Ditto, proofs 
 
 0 123 Two — Abelard and Eloifa, and companion, by Ditto, proi 
 d''yr ,0 129 Two — The death of Eloifa, and companion, by Burke, pro i 
 
 130 Two — From Sterne-^ the fnuff box, &c. by Delalre, prooi 
 
 131 Two — Beajity under the protedlion of Prudence, and ct, 
 
 - p'.nion, by Ditto, proofs 
 
 6,. 0 JJ2 Two — Dido, and Penelope, by Ditto, proofs 
 
 0 »« 
 
 END OF THE ELEVENTH DAY’s SALE. 
 
 io’M -UJti rrt e/ 
 
 ^ /8tJ/ 
 
 S ' L-6 
 IZS" I 
 
\ 
 

 Twelfth Day’s Sale. 
 
 LOT 
 
 BARTOLOZZI’s WORKS. 
 
 ALBANO AND ARTAUD. T" 
 
 ■ 1 OUR — The Elements, after iVlbano, proofs, before the , 
 
 letters ‘very fine — . v.- — - — — — '* ^ 
 
 ,2 One — The Triumph of Mercy, from Collins’s Ode, after y 
 Artaud, proof, before the letters ‘very fine ^ 0 »<i 
 
 BACON. 
 
 , 3 Two — Mars, proof and etching, engraved for the Phdo- 
 
 fophical 'Tranfidtions — __ 
 
 ■ j\. Two — Venus, proof and letters, ditto, both rare — — /■.cP..e? 
 
 5 One — Guy’s monument, proof, ‘without letters, and before the 
 
 dining figure, extremely rar 
 
 6. One — Yj'wXo, finijhed proof, very fine La 
 
 7 Two — Earl Chatham’s monument in Guildhall, letters and 
 
 PROOF, before the plate nvas reduced very rare / <’. Z.'' ^ 
 
 M 
 
 alteration in the head of the funding, and the drapery of the re~ / / 1 /i 
 
 /, /O- i) 
 
J I CP^' I2ih Day. 
 
 Bartolozzi’s works. 
 
 BARKER. 
 
 /,.f 
 
 LOT 
 
 u ^ 8 T \yo — The \^’'podman, etching and proof, nuithout the 
 I tiers 
 
 BARRALET. 
 
 A, (P.. 0 ^ Two — the benevolent lady and companion, hy Loutherhourg^ 
 
 ^ ETCHINGS 
 
 / Z' 
 
 /■//' 0 lo Two — fame fubjefls, proofs, before fhe introduFiion of the cormrs 
 
 /' ' . Jii T wo — D I TTOyfniJhed proofs before the letters 
 
 /-/■■a 1 2 One — Nymphs bathing, figures by Cipriani, an etching^ 
 
 A'-/ -'* b Two— nymphs bathing and its companion, the ftorm, most un- 
 commonly BEAUTIFUL PROOFS, VERY RARE, FROM Mr. 
 Woollett’s collection 
 
 BARRETT. 
 
 A. ^ J4 Two — from Shakefpeare. Scenes in As you like it and the Tern- 
 
 peR, FIGURES BY Cipriani, etchings 
 Two — the fame fubjeft, finifhed, proofs 
 
 One — hunting, after Barrett and Gilpin; the landfcape by 
 Morris, and the figures by Bartolozzi, proof 
 
 0 i8 
 
 O'f ii . 1)7.0 
 
 (y„ l) 
 
 BARTOLOZZI. 
 
 Portrait of Bartolozzi, by Bouillard, after Violet, proof 
 Three — Pantheon ticket grand malked ball, &c. 
 
 Two — The correfpondent, proof and etching 
 Two — A bacchante, proofs, <with njariations 
 Two— The Grecian daughter, proofs, one before the back-ground 
 njoas filed upy rare 
 
 Four — Faith, Hope, Prudence, Merit, and Vanity, proofs 
 Two— Guardian Angel and Silence, proofs, before any letters 
 Two— Children at play, and Cupids at play, proofs 
 
 ir'17 i- 
 
I 
 
 i 
 
 r 
 
 f 
 
 f 
 

 /.. /. U 
 
 A 
 
 0 
 
 1-e-o 
 0.. Lo 
 
 I 
 
 O-ff-J 
 
 l2thDay. B/vrtolozzi’s worics. 
 
 LOT 
 
 25 One — Madona and child, proof, rare > — — ^ 
 
 26 Two — Cupidon achete trap chery from the antique, proof 
 
 27 Six — Allegorical fubje6ts of Commerce, proofs, nvith very 
 curious alterations, and one by Heath, engraved for Mr. Pyke, 
 
 Banker, in Bridgevsater, extremely rare- — - — ' — ~ 
 
 28 Seven — The drawing-book, /ro^jr, before the letter s^ rare 
 
 29 Two — Apollo with the lyre, proof and etching^ engraved 
 
 for Mr. F ahris — — ^ ~ ~ 
 
 30 Two— St. Cecilia, &c. proof and etching,/!?/* Mr. 
 
 31 Three — The macaroni Orange-girl going to the bagnio, and 
 returning from ditto, fine, and rare. — - — 
 
 32 Two — An allegorical fubje^l of Commerce,PROOF, engraved for 
 
 Mr, Molteno^s card — 
 
 The infant academy, proof, Mr. Violett’s Ditto 
 
 33 Three — Genius ftudying Mufic, proof, letters, & etching, 
 
 on a large plate, extremely rare, a Ticket for Hanover-Square 
 Concert, 1791 ^ y '' 
 
 34 Seven — Genius holding a glafs, proof, and letters, d pit check ^ 
 
 Apollo crowned with laurel, a ticket for the Pantheon majked ball! 
 
 An emblematical figure of hillory, vignette in Sanchd*s letters 
 Jullice and Peace united. Ditto in Mr. Saftre's 
 A Itudy of Ears, and a boy’s head, etchings, for Lavater, plates 
 defigned for Hunter’s tranflation — 
 
 35 Two — Mufic furrounded by Cupids, proof, engraved for Madame ) 
 
 Banti '' -- — — “ 
 
 And love fupporting a medallion, proof, before any letters ) 
 
 36 Six — Apollo with a Cupid fupporting a lyre — ^ ^ — , 
 
 Cupid reclining on a medallion, proof and etching"" 
 
 A Young Bacchus on a tun, proof and etching, and' 
 
 Three Cupids with mufic-books, engraved for Mr. Salpietro 
 
 37 One— An allegorical figure of fculpture, Cupid dictating to her, 
 engraved for the Portuguqfe Ambaflador’s Lady, proof, rare - 
 
 38 One — Charity, a proof, biamiful 
 
 M2 
 
 
 0 
 
 /. r.. d 
 
 / 
 
 d/ ■ 
 
 /O 
 
 
 A />.. d 
 4 d 
 
Bartolozzi’s works. 
 
 12th Day. 
 
 LOT 
 
 J ••/cP,, <^^39 The Gardens, PROOFS, before any letters y defgned hy Bartolozx 
 and Vieray for Mrs. MofUiiieid s poemy 'very beaut ifuf and rare 
 Four — Etchings, DittOy curious 
 
 0 ^ 41 Two — A child fleeping, proofs, one before the letters 
 
 42 Ten — Subjects originally intended for fans, viz 
 The origin of defign — ipfe in^. ^ delin. 
 
 The power of love, ftom the antique, J. B. Cipriani 
 
 /(■■/A 
 
 J 
 
 \ 
 
 The marriage of Cupid and Pfyche 
 Hope nurfing Love, — y/. Kaufman 
 The fine arts, — Ditto 
 
 St. Cecilia, — B, Wf . * 
 
 The family of the Gracchi , — Ditto 
 Hope nurfing Love, — Sir Jofou-a Reynolds 
 Venus chiding Cupid, — Ditto 
 
 An emblematical figure of viiilory, hy Lady Duvcannon 
 proofs in black, and prefumed to be the finert and mod complet 
 fet ever offered to the public , 
 
 LADY DIANA BEAUCLERC. 
 
 Three — Children at play, and frontifpiece to Leonora, a poem 
 etchings, ^ery rare 
 
 6 
 
 -43 Three— rDitto, proofs, before the engra>vefs name ojery heautifi 
 0 /yy Fourteen — Dryden’s Fables, PROOFS, njery fine, the complete Jet 
 
 BENWELL. 
 
 (I Four — Fonrose and Adelaide, p r 00 f s 
 And ETCHINGS, rare 
 
 cf Two — St. James’s and St. Giles’s beauties, proofs , in hro- 
 very jhie, and rare 
 
 // 
 
 l/ 'V/'-O cyy Two — Ditto, in red, ditto 
 ^ Two — Lot'e, p ROOF, before the engra.ver s name ; and Maria, fro 
 Sterne, befere the plate n.vas reduced 
 
 0 ‘*/Ut, ^49 'Fwo — Jenney, J-rD7n Auld Rebiu Gray, proofs, <vciih a -oariatl'\ 
 in the ir.c near the top of the njoheel, rare 
 
^'7 9 /, 
 / •• /-'• V 
 
 r 
 
 lath Day. Ba.rtolozzi’s works, " 
 
 LOT 0 -r f 
 
 51 The Orange-girl, proof, before the e?igrave) ‘*s name ^ j ' ' 
 
 52 Two — The Beggar Girl and Serena, proofs « _ - — - 0 ‘ U ..0 
 -3 Two— The Sailor’s Farewell and Return, proofs, before th& ^ ^ ^ 
 
 publication ~ •- ' . ^ 
 
 BOTH AND P. BRILL. 
 
 54 Three — Morning and Evening, after Both, vkoo? s,ihe lanJfcaps 
 
 by Byrnet the fgiires by Bartolozz,i ’* ' ~ ' — - — 
 
 And Europa, after Brill, fne landfcape by Bro-jjue, and fgures by J 
 BartQloztui ‘ ------ 
 
 BUN BURY. 
 
 55 Two — Going to market, and companion, proofs--—-— 0 u / (h. q 
 
 56 Two — Auld Robin Gray, proofs, before the engra-ver'^s name ^ 
 
 57 Two— Lord Thomas and Fair Annette, and Lady Bothweli’s 
 
 Lament, ditto, ditto " - — 
 
 58 Two — Love and Honour, and Adelaide, ditto, ditto .(J 
 
 59 Two — Charlotte, and Lady Bothweli’s Lament, ditto, ditto 0 O 
 
 60 Two — The Song and the Dance, ditto, ditto — 0 ‘- 
 
 61 Two — Ditto, in black, ditt o, ditto — — - Q,_ *-y, pJ 
 
 62 Two — The] Moufe’s Petition, and the companion, Marianne, , ,0 
 
 (by Tomkins) etchings — — - /'• U 
 
 63 Two — Ditto, Di tto, one without the engraver' 5 name, ^ ^ 
 
 64 Two— The ticket for Wynftay theatre, voith curious variations 
 
 in thefgure of tragedy. Harlequin' s drefs, and in the fpelling of the . , ^ 
 
 word F antomitne, very rare , pres qjj e u n 1 qjj e ' - />• df '• 0 
 
 65 Two — The Breakfad, Carlton Gardens, and Profpero difarming 
 Ferdinand, proofs 
 
 66 Two — Lucy of Leinller, and Margaret’s Tomb, proofs /•* A ^ 
 
 tJ: y.O 
 
 /.. /Z.o 
 
 BURNEY. 
 
 67 One— Genius fupporting a medal, in commemoration of Handel, ^ 
 
 V 
 
Bartolozzi^s works. 
 
 I 
 
 
 12th Day. 
 
 LOT 
 
 /,, JiJ 0 63 Four — Mercury, Minerva, &:c. from the II Mercuric Italico, 
 
 _ PROOFS, <^ith 'Variations 
 
 Three — An allegorical fubjefl, \\\\^ etching ^ proof y and letters^ 
 engranjed for Madame Bunti 
 
 Two — A concert of mufic, engran}cd fur Dr. Burney^s Hifcry 
 And the Judgement of Paris, before the letters, for the 11 
 
 ^ Mercurio Italico 
 
 //. 0.,0 Three — The genius of Mufic attended by Mercury, proof, before 
 
 the plate ^Mas cut, and letterst engra^ced for Mr. Le 7exier, and 
 the figure of Mufic feated near a pedeilal, a ticket for the benefit 
 of Mr. P acchierotti 
 
 One — An allegorical fubjed of tragedy, three figures, proof, 
 - engraved fr Madame Banti 
 
 Apollo inftruding Love, etching, proof, and letters, 
 ^ engra'ved for Mr. Dragonetti 
 
 J f, ^..0 72 Five — Various fcenes from Bell’s Britifli Theatre, proofs, one 
 before the letters 
 
 73 Two — A female figure embracing an urn, reclining on a tomb^ 
 attended by Genius, proofs, one before the letters, engraved for 
 Sir fojhua Reynoldses funeral 
 
 CARLINI. 
 
 0 74 Three — Immortality trampling upon Envy, fupporting a medal- 
 lion of Mr. Bach ; ETCHING, PROOF, AND LETTERS, njCty 
 y fire, engra ved as a defign for a monument 
 /v..O One — A defign for a monument, to the memory of the late 
 Alderman Beckford, with a curious alteration in the wig, rare 
 
 A. CARRACHI. 
 
 TwO—'Or L A NDO AND OlY.MPIA, PROOF, AND LETTERS, 
 EXTREMELY FINE AND RARE 
 
 77 One— Tee woman t'^-ken in adultery, an etching, 
 
 VERY RARE 
 
 d-Lo 
 
BaRTOLOZZi’s WORi 
 
 > 
 
 /..//. 0 
 
 1 2th Day. 
 
 LOT 
 
 78 One— Ditto, proof, very fine and rare 
 
 79 One — Ditto, with letters, very fine — — — ' — — - 0 ., /iP.^ 0 
 
 80 One — Clytie, an etchtng, extremely rare - 
 
 81 One — Ditto, proof, very brilliant . — r 3 0 . 0 
 
 82 One — The Silence, proof, as fine as possible - — X -/ Z : 6 " 
 
 83 One — Venus, Satyr, & Cupid, proof, heft, re the arms, wry fne . Q -/ o^O 
 
 84 One — Ditto, PROOF, with the arms, heautifui 
 
 85 One — An allegorical fubjed of Fortune, rare ^ /) 
 
 CASTIGLIONE. 
 
 86 Eight — Hiftorical, the complete fet, proofs, extremely fine and 
 
 ’r^zz-z-o 
 
 CIPRIANI. 
 
 87 One — The portraits of J B. Cipriani, F. Bartolozzi, and A. 
 Carlini, after Rigaud, by J. R. Smith, proof 
 
 88 Six — Heads — Admiration, Liberality, Harmony, Felicity, and 
 
 Love, proofs ' — 
 
 89 Six — Ditto, in colours, proofs ^ 
 
 90 Four — Contemplation ai d Attention, proofs, in black, and in 
 
 ' colours — 
 
 pi Six — Ditto, PROOFS, in brown, red, and in colours 
 
 p2 Six — Poetry and Mufic, Tragedy and Comedy, Condancy and 
 
 AfFedion, proofs* — 
 
 93 Four — The SeafoHs, proof - — — — - — — ^ 
 
 95 Four — The Angel Gabriel, and Madona, after HufTey, with 
 
 the alteration in the h;:nds, njery fine and rare 
 
 96 Two — Lais and Lamia, proofs, njery fine — 
 
 97 Two — Allronomy, proofs, with and without the letters 
 
 98 Two— -A Bacchante, and Hebe, proofs, before the names of the 
 Artifts 
 
 09 Two — Ditto, proofs, in black - — - 
 
 ZS.. 
 
 1 /, 
 
 0.. 
 
 0 .. 
 
 i). 
 
 i).. 
 
 0 . 
 
 0 . 
 
 C- 
 
 7.. ^ 
 
 6-0 
 
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 /Z-O 
 
 6 ., a 
 
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 I.Jj-O 
 
Bartolozzi’s works. 
 
 
 1 2 th D'dy. 
 
 ^ LOT 
 
 4 '.. ^ lOO One — ATurkiJh Ladji proof, <vjithout the letters an^ arms ^ex- 
 tremely rare 
 
 Two — Ditto, one with the arms and dedication, proofs, ^'ery 
 fine 
 
 11./0..0 102 Two — St. Cecilia, proofs, nvith and njuithout the letters 
 /..//- 6 103 Two— Ditto, engraved from diawings in the pofiefTon of 
 Mr. Lock, proofs, before the publication, extremely rare 
 ^ ^ and beautiful 
 
 j e , 3.,0 104 Two — Angelica and fedora, proofs, one before the plate ivas 
 cut, extremely\are. — Fromd drawing in Mr, hb'^oodhoufef s Col- 
 ledion 
 
 ti- (P.. O' 105 One — The child and doll, proof, before the name of Cipriani, 
 ^very rare 
 
 ^ 106 Two — Ditto, and companion, proofs, fne 
 /., \cj Two — Conjugal Love, and companion, etchings, rare 
 
 Z 'O 108 Two — Ditto, -proofs, htfre the alteration of the madona^ s 
 head 
 
 109 Tw’O — Mother and child, proofs, with and without the letters 
 
 110 One — Ditto, proof, ditto, extremely f re 
 
 111 Fourteen — Cipriani’s Rudim.ents of Drawdno-* etchings, 
 
 AND proofs, before ANY LETTERS, EXTREMELY BEAU- 
 TIFUL AND RAPE 
 
 I 2 Five— -The Second Part, proofs 
 
 2 ••/if., 1 1 3 Five — ^Subjefts engraved for Bell’s Poets, proofs, one ?nof 
 
 beautiful, before the letters 
 P-fd. Oi 14 Five — Ditto, one nj cry curious 
 
 0 \ \^ Four — Ditto, PROOFS, with njariations, and one with the letter s% 
 njery fme 
 
 Four — The Happy Father, Filial Alfeflion, and companion, 
 
 P ROOFS, before the titles 
 
 / .. r^-0 II j Four — Ditto, with the titles, red and brown, from drawings in 
 Mr. Woodhovff s Colledlion 
 ^ ! 1 8 Four — Ditto, PROOFS, with uj aviations 
 
 /7 " C? 6 
 

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 C : 
 C 
 
 i 
 
 1 
 

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 ..v 
 
 12th Day. bartolozzi’s works. 
 
 LOT 
 
 118 Four — L’Allegro, and companion, proofs,/// red and Irown, / 
 
 ^ before the letters, nitry fine and rare ' — ^ 
 
 1 19 Two — Prudence endeavouring to retain Beauty from following 
 
 the infinuation of Love, and Genius defcribing Beauty and 
 Cupid didlating to him, proofs, before the publication , From 
 Drawings in the Colledion of Mr, Woodhoufe — - • 
 
 120 Two — Ditto, proofs _ 
 
 12 1 Four— The power of Love, and the power of Beauty, proofs, 
 
 in red and bronxsn, <very fine. From Dravoings in the CoUeSiion 
 of Mr, Woodhoufe — 
 
 122 Four — The Graces adorning the bud of Raphael, and com- 
 panion, (by Tomkins), proofs, and etchings 
 
 123 Tw'o — PROOFS, before the letters, ‘very rare ''-■ 
 
 124 Five — Love carefled, and companion, proofs 
 
 . before the letters, extr emely fine ^ 
 
 125 Four — Ditto, proofs, red and bronvn, beautiful ** 
 
 126 Two — Alcander and Nerina, proofs, red and bronssn 0 iP-. iJ 
 
 12J Four — Nymphs bathing, and companion, proofs, red and 
 
 black. From Drawing^ in the ColleSlion of Mr* Woodhouje 
 
 128 Two — The triumph of Beauty and Love, and a facrifice to 
 
 Hymen, proofs, before the publication, extremely fine. From 
 Dra^wings in the fame Colle^ion - — - 
 
 129 Four — Ditto, proofs, red andhron.vn, ‘very fine 
 
 130 Two — Ditto, proofs, before any letters. From Dranxnngs in 
 
 the fame Colle 5 lion - - ^ — — - 
 
 a.. 
 
 Ifin 
 
 0- /cl. 0 
 
 0.f..cc 
 
 red and brown, /, 
 
 
 
 C/..M..0 
 
 //.. { 
 
 /> 
 
 L 6..0 
 
 /.cf.J 
 
 131 Three — Le Premier Baifir de L’Amour, and Venus furrounded 
 
 with Cupids, etching, and proofs, -very fine — ^ 
 
 132 One — Ditto, in colours, a mofi beautiful proof - . 
 
 133 Two — The Shepherdefs of the Alps, and a Naiad, fine — 
 
 134 Five — Mythological Subjedls, etchings, extra rare.— 
 
 From Drawings in Mr. Woodhoufe* s Colledion ; engra‘ved for the / / 
 
 Book of Sketches - - - — d 1 / *. i- 
 
 135 Five — Ditto, proofs, and etchings, with ‘variations, ^ ^ 
 
 / '• A '• 0 
 
 /Z-O 
 
 - 0 ., 
 
 extra rare — ■' 
 
 N- 
 
 b..(J 
 
 ■ i 
 
BARTOLOZZl’s WORKS. 
 
 mh Day. 
 
 LOT 
 
 0 Two— Cipriani’s Sketches, Firft and Second Part, n)'ery fine 
 
 137 Two — The Mother and Child, and Lady and Child, after 
 S. Ferrata, proofs, before the arms or letters,' 
 
 EXTREMELY FINE AND SCARCE 
 
 f it 38 Two— D itto, proofs, ^ith the arms, mfi heantlfully engranjed, 
 39 Two — An allegorical fubjed-r Cupid and Thalia, with em- 
 blems, proof, before the horizontal lines at the bottom of th^ 
 plate <were added 5 brilliant and rare. Engraved as a 
 Frontifpiece fr the Songs of the Duenna 
 { 3 'f Four — Allegorical — Mufic & Poetry, etchings, & proofs, 
 
 before the letters njery fine and rare. Engraved for Mr* Fomkins^s 
 nvell-chcfen Seledlion from the Englijh Poets 
 ?*•> Z“ 0 \iy\ Four — Cupid with a mafk, and the Graces crowming Merit,' 
 very scarce 
 
 Two — Ditto, with letter-prefs at the back. Engraved for Mr* 
 O'Brien^ s Comedy of the Duelhfi* 
 
 END OF THE TWELFTH DAY’S SALE. 
 
 i E’L >'I> 
 17 •If 0 
 U" 3,"^^ 
 30 t?' 6 
 13 ' f %<0 
 2 3 •' 4 - 
 
 3 'f(>'‘b 
 
 2i>'' ' 4 
 
 /$ I 
 
 %l2‘' b " h 
 
I 
 
 I 
 
 i 
 
 i 
 
 I 
 
 I 
 
 1 
 
 I 
 
 il 
 
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Thirteenth Day’s Sale. 
 
 
 
 7 ' 
 
 
 ■■/. 
 
 BARTOLOZZI’s WORKS. 
 
 ^*OT 
 
 1 TPwO — From Ariofto, proofs before the letters - 
 
 2 Three — D itto, all extremely rare, and beautiful. These 
 
 SPECIMENS ALONE WOULD IMMORTALIZE THE TALENTS 
 BOTH OF PAINTER AND ENGRAVER ^ 
 
 3 Ten — D itto, ^ery fine, all that ‘were engra’ved by Mr. Barto* 
 lazzi for Mr. Molinds elegant edition of that celebrated Poet — - 
 
 4 Two — A Moralift Bmong the Tombs, proofs, ‘with and ‘without 
 the letters. Engra‘ved for Mr. Gianninds Italian ’Tranfiation of 
 
 5 Three — Sir F. CqnliiFe’s arms,- a Sybil in contemplation, and 
 
 another infcribed estulubris, proofs, before the letters, ex- 
 tremely fine — — -v_. — 
 
 6 Two — Beauty attended by Cupid, and Pfyche uniting the torches 
 
 of Love, and an emblematical fubjeft of three figures. Painting,^ c, 
 Engra‘ved for Mrs. ParkePs Card, and Sir Jos. Reynoldses ditto, 
 ‘v^ry fcarce — ^ — — 
 
 7 Twp-r An emblematical fubjedl of Love and Peace, Lady Bef- 
 
 borough’s Card, and an Infant Mercury with Cupid, Lady 
 Shelburne’s Vifuing ditto, a proof, before the letters, /very 
 rare Nz 
 
 Ud..o 
 
 /. g..o 
 
 /• 
 
BARTOLOZZl’s WORKS. 
 
 /. /.. 0 
 
 13 th Day, 
 
 LOT 
 
 j Two — Children with maflcs, proof and letters , extremely rare; 
 
 one before the names of the Artifts ; and the other with the in- 
 fcription at the top — Engraved for a Mafquerade Ticket y Hanover* 
 
 , fquare 
 
 9 One- — Comus attended by Cupid with maiks, inviting Thalia to 
 the Revels, a most curious proof, before the'majks ^ixere 
 fnijhedy and the hack-ground behind Thaliahs leg njoas darkened, 
 EXTRA RARE. — A Mafquerade 1 ickct for Mrs. O^N (.illy Shanes^ 
 
 /•o Two — Love infpiring Sappho to write an Ode to Mufic, and 
 
 Beauty attiring attended by Love and Hymen. — Engraved for 
 Mr. Giardini : very beautiful; one a proof on India popery very 
 rare 
 
 Two — The Head of Apollo, in a Mafonic Symbol. — Engraved 
 for Baron ■ ■- Concert at Frecmafons* Hall 
 Two— Figures emblematical of Mufic, proofs, before the leiters* 
 both fine. — Engraved for the Benefit of Mr. Savoia 
 Three — Infant Mercury liftening, and two emblematical figures 
 \/ of Children, with variations, very rare.^Both engraved for the 
 
 Profefjional Concerty Ha^iover -Square 
 3 Three — Fame, with emblems on the top of a wreath, formed 
 by palm and olive branches ; one a curious proof, before the 
 mufic vji'5 engraved on the fcrolf and vjithout the names of 
 the Artifis, very rare ; and an emblematical figure with a fcroll. 
 •—Both engraved for the Grand Concert, Hanover-Square 
 / f’ O,. Two — A Paftoral fubje^l — Infant Performers. Engraved for 
 
 L,/ Mr, Ekrville's Ball 
 
 Two Emblematical figures of Vocal and Inflrumental Mufic 
 with a Harp. — Engraved for Mr. Jones’s Benefit 
 ff t, /v Three — An emblematical figure with a Griffin, proof, before 
 any letters. — Engraved for Mrj. 
 
 Q. 
 
 Ditto, altered for Bach and Abel’s Concert, extremely rare 
 
 Three — Cupid reding on his bow admiring a figure of Thalia, 
 
 ETCHING, PROOF, AND h'ETTE'R.Sy fine and rurs.'^Engravcd 
 
 0 
 
 fa 
 
 the Sqavoir Vi-zre Mafquerade 
 
I' 
 
 i 
 
 I 
 
BARTOLOZZl’s WORKS, 
 
 
 
 
 13th Day. BARTOLOzzrs works, 
 
 LOT 
 
 17 Two — An angel with a mantle, proof, and letters, exfra 
 
 rare, engra<vcd for an Oratorio 
 
 j8 Two — L ove receiving mafks from a Triton near a pedeftal, on 
 which are placed mufical inftruments, &c, engraved for a majked-- 
 
 ball, at the Opera-Houfe, I 77 1 — ■ — — 
 
 Thalia unveiled, with a malk in her hand, attended by a boy, 
 with grapes nenr him, holding a tablet, on which is written 
 “ Mas QUED Ball, New Club, Soho, Feb. 24, 177^,’^ ini 
 black, tnoP. ujicommonly brilliant, and rare 
 
 19 Two— "A.n emblematical figure of Commerce, with attributes, 
 
 feated within a wreath, compofed of oak, olive, and palm 
 branches, proof and letters, the frf mof uncommonly fine, 
 engraved for the late Mr, Alderman Wilkes. — — — ^ - 
 
 20 Two — Father Thames, attended by Britannia and Commerce, 
 
 exciting Competition, etching, and proof, voithout any 
 letters, and before the Jheil'nvas enlarged 
 
 21 Two — Ditto, proof, and lettered imprefiion, with variations, 
 
 engraved for the regatta-hall at Ranelagh — IXz.A 
 
 N. B. Both the preceding lots are curious, and 
 
 EXTREMELY rare. 
 
 22 One — Genius crowning Handel, a mofl beautiful proof, 
 
 in bhuck, hfore the alteration in the neck-cloth, csigraved for the / 
 ^Commemoration in W eft minfter- Abbey - — — » . — * /u 
 
 23 Two— Ditto, proof, and letters, with the alteration in the 
 
 neckcloth - — ^ / 
 
 24 One — Mercury^ attended by Cupid, ftringing the lyre, proof, 
 
 ^without the letttrs, very fine, rare, engraved for Mr . Giardini, ^ 
 
 from a draving in Mr. Wu dhoufe's Collection ^ 
 
 25 One — Ditto, very fine, voith a curious infeription after the 
 
 /f'A- 
 
 
 engraver^ s name, rare 
 
 
 26 One — x-hn emblematical lubjeift, tragedy, and comedy, a proof, 
 
 befort th-' htters, exqu fitely fine, and rare, engraved for Mr, ^ « 
 
 Giardini — -- — — r' v/ ** 
 
 Three — Orpheus and Eurydice ih and 2nd plates, and Venus . ^ 
 
 attended by Love and Mufic, engraved for Mr* Giardini — — 
 
 /<t A "'0 
 
 ^ •- 
 
 
BARTOLOZZl’s WORKS. 
 
 13 th Day. 
 
 LOT 
 
 5 28 Three— PfycKe giving inftrudions to Hymen, for the arrange- 
 ment of the Concert, STCHINGS, and proofs, variations , 
 
 extremely fine, and rare, engraved for Mr* Giardini 
 29 Four — Tw'o, Apollo with his lyre, with variations, engraved for 
 Mr* Borgi 
 
 Orpheus charming Cerberus, ditto for Mr* Tenducci 
 Apollo and Daphne, ditto for Mr, Giardini* All very fine 
 /J/. • 6 30 Three— 'Apollo crowned by Mercury, the Judgement of Midas, 
 and Apollo inftru< 5 ting the Mufes, moft uncommonly beautiful;. 
 engraved for Mr* Giardini. It is very difficult to obtain impreffions 
 cj this brilliancy, being generally printed on cards. 
 
 C)ne— Venus rifmg from the fea attended by doves, and boys 
 withmafks, a proof, before the letters, mofi brilliant 
 and extra rare, engraved for a mafquerade-ball at Ranelagh ^ 
 32 Two — Vertumnus and Pomona, within a wreath of the moll‘ 
 beautiful foliage, proof and letters, very rare 
 ^33 Two^Venus in a fltell, furroLmded by Cupids, the large plate, 
 very beautiful proof 
 Ditto, with the letters, very fine 
 
 — Hiftory and mufic, proofs, before the corners. 
 
 
 very rare 
 
 / / Q -* Oz'is — Ditto, with variations, alfo rare 
 
 ^ Three — Hiftory, Mufic, and Sculpture, etchings, rare 
 
 Four— Sculpture, Painting, Mufic, andHiHory. etchings and 
 VViOOYSyfome rare 
 
 7 * 37 Four — Same fubjedls, proofs, before the letters, 
 from dranvings in the ccllediion of Mr. Woodhoufie 
 Four — The Elements, proofs, before the titles, very rare 
 — Ditto, p roofs, 
 
 / 1 1 S Four — Faith and Hope, proofs, in brown, before the letters. 
 
 Ditto, in red, very fine, from dra-xvings in Mr* Woodhoufc. 
 collcdion 
 
 ^ 41 Two — Fortune and Profperity, proofs, before any letters, very 
 
 vy' 
 
 

 I 
 
 I 
 
 I 
 
 
 / 
 
 i 
 
 'i 
 
 
EARTOLOZZl’s WORKS. 
 
 
 d 
 
 i3tK Day. 
 
 LOT 
 
 42 Four — Ditto, proofs, in black and lro<v:n, fne^ Jrom dravjings 
 
 in the fame colkdl ion ■ 
 
 43 Two — Yii’VTd, in colours^ fine — — — f* /y ,^0 
 
 44 Four — Beauty, Meeknefs, Harmony, and Prudence, proofs, 
 
 . fine ^ 0"/y..O 
 
 45 Four — Contentment and Friendfiiip, proofs, in black, ditto, 
 
 in colours, very beautiful.— F;o/« Drawings in the ColleSiityn of 
 Mt\ Woodhoufe ' ^ 
 
 46 Two — Tragedy and Comedy, proofs, before the letter Sy ex- 
 tremely fne. — From Drawings in the fame ColleSiiofi- 
 
 47 Four — Cupid and Pfyche, proofs, with variations, 
 
 48 One— Hebe, proof, mo ft beautiful — — — — ^ — r fj / 6*>0 
 
 49 Two — Juno borrowing the Ceftus from Venus, Jupiter and 
 
 Juno, PROOFS, in hr own y before the letters, carce — • /'• 
 
 50 Four — The fame fubjeds — Hercules and Omphale, and Bacchus 
 
 and Ariadne, all proofs,'/’«^ — - - 
 
 51 Four — The Judgement of Paris, and Venus attired by the 
 
 Graces, proofs, before any letters, ‘very fne ; — — ASTo 
 
 The Drawings of the three preceding Lots are in the Colleftlon of Mr. Woodhoufe 
 
 
 52 Two — Pfyche going to bathe, and companion, proofs, before 
 the letters, and the line round the oval i beautiful, and extremely 
 
 53 Two — The fame fubj edls, proofs, with the line, 'equally heau- 
 
 54 Two— Perfeus and Andromeda, and companion, proofs, 
 
 fore the names of the Ariifs i ntery fine - — — ^ -Af-O 
 
 55 Two— The same subjects, proofs t ) 
 
 56 Two — Pegafus feeding on rofes, and Apollo tuning his.’lyre^ 
 
 proofs ; one before any letters. — Engraved for Mr. Borgi — J *t ^ df 
 
 57 Three Pan and Syrinx. — Engraved fr Mr. Baches Sonatas, dedi- 
 cated to the Duke of Mecklen bou r g ^ 
 
 The Malk of Apollo within a wreath of laurel fupported bv 
 
 boys. Engraved for Six Canzoneites ; dedicated to Lady % , 
 
 GlENORCHY 
 
 in. / ..A 
 
13 th Day. 
 
 BARTOLOZZl’s WORKS. 
 
 LOT 
 
 
 / 
 
 Pan playing near a bull of Martial, which Is placed on' a pedeHal, , 
 — Engra<ved for Graglia’s Italian Jranfution cf MariiaV s 
 Epigra7nsy all ^eryfne 
 
 Four — Apollo playing on his lyre, etching and proof,. ^ 
 before the name of Painter or Engra^oevy and letters ; ojery finCy \ 
 and difficult to he obtained in fuch high prefer'uation^ — Engra^^ed for 
 AbePs SixConcertSy 
 
 - /-Ut)S 9 Two •“Diana preparing for the Chace, proofs ,* oncy before ' 
 any letter Sy njery fne» — Engraved for Mt\ Bedford'* s EJJay on 
 Hunting. Trotn the original Dra'Ujifig in the Colledion of Mr, 
 Woodhoufe 
 
 59 Four — Ditto, from Metaftafio, three proofs, before the letters,' 
 j in black and one in bro^vUy very fm and rare * 
 
 /■■/f-0 60 Two — Summer, proof, and etching.— fr Per^ 
 golcf's Book of Ornament Sy extra finey and rare 
 /.. 3 . Seven — Luna, Apollo, a Sacrifice to Hymen, Spring and Au- 
 tumn ; thefe are falfe proofs ; and two others. The Marriage of 
 Cupid and Pfyche, and Venus on the waves 
 () ». /(>.J 62 One — Bacchus and Ariadne, on a large plate. An int*> 
 prejfon, in this fcttiy is uncommon 
 
 63 Ten — Subjefls defigned for Fans : viz. 
 
 .The Power of Love, from the Antique, after f,B. Cipriani 
 An emblematical figure of Viftory, after Lady D uncannon 
 The Marriage of Cupid and Pfyche 
 
 The origin of defign, after F. Bartolozszi 1 
 
 Hope nurfing Love, after A. Kauffman 
 The Fine Arts, Ditto 
 The Family of the Gracchi, afterWeJi 
 St. Cecilia, after Ditto 
 Hope nurfeing Love, after Sir J. Reynolds. 
 
 Venus chiding Cupid, after Ditto 
 PROOFS, in hr oven, very fine 
 
 /c'' t) 
 
H. 
 
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 m, 
 
 y 
 
 m 
 
 Cll 
 
 Ir. 
 
 ’’V 
 
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 II. 
 
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i;artoloz2i’s works. 
 
 All proofs, on large 
 
 ( }th Day, 
 
 3T 
 
 Three— Hope nurfing Love, Hercules and Omphale, and Bacchus 
 
 and Ariadne, — - — — 
 
 ^ Five — Hercules and Omphale • ' — ' ^ 
 
 Bacchus and Ariadne. -7— Dra^vings in Mr, Woodhottfc's 
 
 Colledion, * ' — — - - - — 
 
 Cephalus and Procris — ^ - — r-. — — 
 
 Love forming Darts, 
 
 And Love fliarpening Ditto.- 
 
 PAPER, >very fine " * — 
 
 5 Four — A Medallion of His Majefty, with a Reverfc between a 
 Caduceus, ornamented with palm and laurel branches ; and Ze- 
 , -phyrus adorning the bull of Priapus, ^ery fine. — Engraved fior 
 
 ' DiJJertation on Oriental Gardening, hy Sir Wm Chambers 
 
 1 Three — Chrift appearing to a Suppliant, letters and proof, nsiith 
 curious ^variations. Engraved for Dr. Priefiley*s Publication on 
 Matter and Spirit. From the Drawing in the ColleSlion of Mr, 
 Woodhoufe ; and a fubjeft with three figures in a cell. Engraved 
 for Mr. Howard ; likewife a proof, before any letters — 
 
 I? Four — A View of the Great-Room at Free-Mafon’s Hall 5 the 
 Architectural Part by Mr. T. Sandby ; the Figures by Mr. 
 Cipriani are allegorical, viz. Religion, Faith, Hope, Charity, 
 &c. — Variations, in etchings and proofs. From a Drawing in 
 
 Mr. Woodhoufe* s ColleSiion ^ — — . 
 
 9 Three — Virtue directed by Prudence, and Innocence taught by 
 Love, PROOFS, before the title s, very fine 
 
 0 Two— Religion and Faith, proofs, fine 
 
 1 Two — The Nymph of Immortality crowning the Buft of Shake- 
 
 fpear, and Euphrofyaie from Amiconi, vb.qoys, mofi beautiful ^ 
 and one before any letters - — — ^ 
 
 2 Two — Ditto, PROOFS, hired, fine — — 
 
 
 
 f '• f.o 
 
 /.. d:0 
 
 0-s /Y'-b 
 
RARE 
 
 13th Day. ’ Bartolozzi’s worIcs. ^ *• 
 
 LOT * 
 
 2 ,’* 73 Bwo — Brit’.nnia \\ith. the .Cap of Liberty. — Engraved for i\ 
 
 Macaulay’s Treatife on Civil Liberty, ^ery fine and' rare 
 A Female Figure. Handing, with various allegorical Devic 
 V an . etchings extra rare ; nc^jcr ^nhitjhed. Engra-ved for. . 
 Hollis 
 
 If 1 0 c) 7.|. One — The fgure of Fame feate'-kinder a tablet^AN uNFimsl 
 
 PRf)01<’ JEEFORE ANY LETTERS, EXTRE.VI'elY 
 Engraved. for Hollis's Memoirs ' ' • • - 
 
 2 '’ t " -7S — "The fame fubjeft, with the portraits of Fras. Hutchel 
 
 Laurence Natter, B. Whitelock, and Thomas Hollis ; alfo 
 .dpdlions of Timoleon, Phlhia, and Jole, extremely fine 
 A- y.-d 76 Fame receiving a fcroll, from Mufic. — Engraved for AheEs 
 / Quartettes , , . 
 
 Fame fupporting a Medallion of HandeL — Engraved for a F 
 tfpiCCito his S acred Mufic i both rmarkably fine', and one a pro 
 ' . before the letters 
 
 77 Seven-r-Hercules conducling Virtue to the Temple of Fame 
 Britannia fupporting die Royal Arms, and Religion with Al 
 - butee. — The Arms of the Earl of Abingdon, Lord Middle! 
 and Lord Scarfiiale ; the Supporters of the lad: a proof, * 
 cu-'icus, and extremely rare. — Engraved far Edmonfon' s Peerage 
 "O 7® Two — The Fbie x^rts receiving Models from Genius, a pro 
 before the infeription on the fcrole, the top of the eafel da 
 ened, and before the marginal lints 'ivere introduced, a?id the al. 
 ations f the names of the Artijis at the corners , proof 
 And another — Boys with a lamb, and one Boy piping, from S 
 on de Fefaro, proof, extra rare 
 5 Four — Two, the fame fubjefls ; and one of Time dedroylng 
 Fine Arts, after Rebecca ; and one, a Holy Family, fr 
 Guido Rent, uniform in colour, and tnofi extra rare 
 Engraved for Mr, Rogers's Book of a Century of Prints 
 Two — Genius flopping the R .vages of Time, and Casfar witl 
 caiLet ill the Temple of Venus. — Engraved as Frcntifpieces to 
 Duke of MarlLorough' s celebrated Volumes of Gem 
 
 d.. 
 
 
 V>: 3.-0 79 
 
 I 
 
ith Day. 
 
 Bartolozz 
 
 IS WORKS. 
 
 2..7..0 
 
 3..sr.o 
 
 2 -mo 
 
 I Two — St. Bruno and Sappho, proofs, before' any let- 
 TERS, extra fne and rare. — Engraved for Travels ‘which 
 fwerc 7ie‘ver publijhed ^ - ' " ^ 
 
 1 Four — Columbus Handing under the Spanifh banner, receiving 
 prcfentsof Bread-Fruit from the American Indians, proof, and 
 i^CHiNG, very fine. — Engraved for Edwards'* s Hifi. of Wefi-lnd, 
 
 And Two — The interview between Coriolanus and his mother 
 
 PROOFS, with variations. — Engraved fcr the Elay — 
 
 i Three — Hedor and Andromache, Ulyfies and Penelope, 
 
 ONE AN ETCHING — 
 
 : Two — Ditto, PROOFS, before the letters, extremely fine 
 The fubjedt of Hector, &c. — Engraved from a most 
 CAPITAL drawing InMr. WoODHOUSE’s COLLECT] 
 
 I Three — Edward the Fourth’s firft interview with Jane Shore, 
 and Henry II. and Fair Rofamond, etchings, and proofs- 
 : Two — Achilles and Briseis, and companion, moft beautiful proofs , 0 
 
 Two — Tancred and Erminia, Tancred and Clorinda, etch- 
 ings, AND proofs, very fine ' — 
 
 Two — The Queen of Edw. IV, parting with the Duke of York, 
 
 ■ and the Com. the Dukes of Northumberland and Suffolk pray- 
 ing Lady Jane Gray to accept the Crown, etchings, very fi7ie 
 Eng R aved from two most capital draw- 
 ings IN Mr. Woodhouse’s collection . . 
 
 Two — Ditto, proofs, in brown, very fine — — 
 
 Two — Ditto, before the Artifts names 
 
 Three — The heroifm of Prince Edward, fon of Henry VI. 
 proof and etching, and the Interview between Edw'. V. and* 
 
 his Brother, after Rarnb erg y proof — ^ — — ■ — 
 
 Two — Earl Darnley and Oliver Cromwell, etchings, ve)y 
 
 Two — Ditto, proofs, very fine ’ 
 
 . Two — The arrival of Eloifa in the Elyfian-Fields, proof, and 
 
 Z: l-o 
 2>..o..o 
 
 J, ” 0 '• 0 
 
 /-/h.. O 
 ./■•/■ 0 
 
 z 
 
 %Sz 
 
 -f 
 
 
BaRTOLOZZi’s WORKJi 
 
 
 13 th Day. 
 
 LOT ^ 
 
 / 0 ~P. ^ 95 One — The death of Dido, proof 
 AND before the DRAPERY 
 
 , WITHOUT ANY LETTERS 
 AROUND THE NECK WA 
 
 FINISHED ; very rare 
 One — Ditto, proof, veryfitte 
 
 ^"^97 One^- An emblematical fubj eft, on two Iheets — The Diplom/ 
 FOR THE Royal Academy. The figures of Hercules ai^ 
 Apollo fuppordng a medallion, encircled with a wreath, in th 
 right of which the Fine Arts are reprefented with their varidu 
 ' attributes ; Britannia, on the the left, direfts their attentio 
 
 to a figure, which reprefents Majefty embracing Wifdom feate 
 on a throne, elevated on a pdedal, infcribed— “ Royal Acadeirf 
 of Arts, inftituted M.DCC.LXVIII,^* near which an attendai 
 Genius is holding wreaths of laurel ; a remarkable fine imprejjtbi 
 The UNITED talents of these great Artists ar 
 
 NOT MORE CONSPICUOUS IN ANY PERFORMANCE THA 
 IN THIS, IN WHICH ELEGANCE OF DESIGN, CORRECT 
 NESS OF DRAWING,' STRENGTH AND DELICACY IN FI 
 NISHING, ARE TRANSCENDENTLY APPARENT, AN 
 RANKS THIS PRODUCTION AS A SPECIMEN OF Ar 
 
 UNRIVALLED IN ANY SCHOOL 
 /A. //:. i) ^8 One— The defcent from the Crofs, after Vandyck, etched fc 
 
 Cipriani, very fine 
 
 6^g Two — Adam and Eve, figures by Cipriani \ and Lnndfca^ 
 by Hearny etching, and proof, before any letter s.- 
 Engraved by Bjrtoloxzi and Bouncy, FROM A drawing I 
 ^ Mr. WopDHOUSE’s COLLECTION 
 
 /'/ J 0 .,(f 100 Four— Minerva on Mount Parnaffus receiving the mufes, an 
 Hercules prefented in Heaven to Jupiter and Juno, I 
 Minerva and Mercury, proofs, vsith and voithout t 
 
 Hercules and another; after the antique, proofs A^ 
 
 “7 7 ETCHINGS, curious 
 

i3tH Day. Bartolozzi’s works. 
 
 LOT 
 
 102 Four — Minerva vifiting the Mufes — 
 
 *A Sacrifice to Jupiter — — — 
 
 ♦Neptune and Amphitrite — 
 
 Vulcan and Venus ” “ 
 
 Proofs, before the aquatint, extremely fine and 
 
 * Tliofe two Drav/Ings are in the Colleftlon pf Mr. Woodhoufe. 
 
 103 Four — Same fubjefts, firft impreffions with the aquatint, ^cry 
 
 104 Two — A Fawn, and Hermophroditus, engraved from Mr, Lock' s 
 
 Statues^ <very fine ~~ '■ * ^ 
 
 105 Two — A military Subject from an ancient balTo-relievo, p roof, 
 AND ETCHING, rarCy engranjed for Jephfon'^s Roman Portraits 
 
 ic6 Three — BafTo Relievos, from the Antique ; one, a moft curtcuf 
 'Variation, before the face of the figure of Hector on the Bier 
 nvas introduced, all very rare. — pngraved for Wood'' s Life 
 of Homer — — 
 
 107 Eighteen — Sheets of Coins; fixteen of which are proofs, 
 
 BEFORE THE LETTERS, Very fine and rare . 
 
 108 Three — The Portland Vase^ proofs without the 
 
 LETTERS EXTREMELY FINE AND RARE 
 
 109 Three — Ditto, etchings very fine and curious - 
 
 110 Five — Ditto, w'ith the letters and the title, 
 
 HI Jupiter Dodomeus, proof, before the letters. — En- 
 graved for Mr. Duane — 
 
 I 12 Ditto and Trypho, a proof, before the letters 
 
 1 13 Two — Antinous and Ptolemeus Philadelphus, both proofs, 
 
 b fore the letters — — — 
 
 114 Eighteen — From Drawings by various Mailers, in the King’s 
 
 ColledlioH, fine old impreffions — — — — — 
 
 1 1 5 Three— '-Etchings, very fcarce ; two from the above Colleftion* 
 
 /d d 
 
 /.. /. r> 
 
 
 
 
 i>.. 6 ..d 
 
 -V- -y -^ 
 
 A d.i) 
 
 -A" 
 
 END OF THE THIRTEENTH DAY’S SALE. 
 
 Ve r’ - 
 
Fourteenth Day’s Sale. 
 
 /f 
 
 BARTOLOZZI’s WORKS. 
 
 CORREGGIO. 
 
 LOT 
 
 1 One — The Magdalen, proof, before the litters^ njery fne 
 
 2 Two — Jupiter and Juno, and Cupid cutting his bow, proofs, 
 before the letters 
 
 R. AND M. COSWAY. 
 
 /?3 Two — Love and Innocence, red and brown, proofs, one before 
 , any letters 
 
 One — Ladona, proof, in blacky before the letters ^ very fm 
 One — Ditto, in brown ditto 
 
 Two- The Hours, etching, and proof, before any letters 
 li>> iP ‘.0 7 One — A paftoral fubjeft, for Mr. Napier^s Mufic 
 
 0 8 Two — Venus and Adonis, proofs, very rare, before the head of 
 Adonis voas altered, one voiihout any letters 
 
 MISS EMMA CREWE. 
 
 (),. C ^ (y Two— The Gypfies, and companion, proofs, before any Utters 
 
I 
 
i4t}i Day. 
 
 
 Bartolozzi’s works. 
 
 DANCE, LADY DASHWOOD, C. DOLCI, AND EDWARDS. 
 
 LOT 
 
 10 Two — One ?n allegorical fubjcfl of two figures, after Dance, 
 
 Sir W, W. V/ynne*s Concert Thicket 
 
 11 Four — Etchings by Lady Dafiiwood, rare — 
 
 12 One — Madona, after C. Dolci, proof, •very fine — C^',, {} 
 
 13 Three — Madona and Child, after C. Dolci, proof, and 
 
 ETCHING, and Vandyke’s wife and child, after Vandyke, 
 proof, ^cery fne ^ — 
 
 14 Two — Emblematical figures, by Edwards, engranjed for Gcld- 
 fmith'^s Roman Hifory, proof, before the plate ‘ivas reduced^ "jcry 
 rare I and the Good Samaritan, a proof 
 
 15 Two — Ditto, the fmali plate, proof 
 
 Good Samaritan, ditto 
 
 i7 
 
 1 
 
 /■■IJ 
 
 ■FUSELI, GABIANI, GAINSBOROUGH, L. GIORDANI, GUA- 
 RANA, GUIDO, AND GUERCINO. 
 
 16 Two — Queen Cgitherine’s dream, from Fufdii proof, and 
 
 etching, — 
 
 ly Two— Hobbinol and Lavinia, by Bartolozzi, and companion, ^ 
 the Cottage Children, after Gainfboroiigh, by Tomkins, 
 
 ETCHINGS — u.r %...(/ 
 
 18 Two — Ditto, proof. Ditto, Ditto, before the letters, <very fne — / •• 
 
 19 Three — Etchings after Gaiiifborough, fine j and Diana in the 
 
 chace, after Gabiani, ditto 
 
 20 Two — Queen Elizabeth ilriking the Earl of Eficx, and the 
 
 murder of David Rizzio, from Gurrani, proofs, /. 0 
 
 21 Two — Jupiter and Europa, after Guido, in brown and red, 
 
 ^iry fne 
 
 22 One GuERCINO’s DAUGHTERS, after GuERC-INO, IN the ^ 
 
 s tyu A R E, remarkably fine — — ^ f O ^ 
 
 23 Three — The Mother and Child, after ditto, ^xith n^ariaiicns, f n ^ 
 
 p Roo r s , ^jsry fine > 
 
 OJiJ 
 
 A f.. e) 
 
 
BaRT0L0Z2i’s works. 
 
 14th Day. 
 
 LOT 
 
 0^ f • 
 
 24 One — Th| Circumcision, after Guercino, most 
 beautiful proof 
 
 One— Ditto, with the letters, wrj; fne 
 /^•.i^26 Six — Etchings on ftained paper, after Ditto, beautiful 
 / ’• (P^. 0 27 Eleven — Ditto, after ditto, engraved at Venice 
 /* /• D 28 One — Veniis,Cupid,andSatyr, after L. Giordano, an etching, 
 
 VERY RARE , 
 
 One — Ditto, proof, very fine 
 
 ^3''P:j30 Seventy — Etchings, after Dranviugs in the King's C oik Si ion ^ from 
 
 Guercino, old impnejjions 
 
 HAMILTON. 
 
 0 31 Two— The boy gathering apples, and the girl with a fquirrel, 
 proofs, before the publijher' s name, fine 
 P -^/ Z -0 32 Two — Hamlet and his mother, Romeo and Juliet, proofs 
 /. J'lP ^3 Two — Hiftorical, Edward the Martyr, and Edgar and Elfrida 
 /. /Pu ^34 Tw'o — Ditto, Caradtacus and the Treaty of Troy 
 Two — Ditto, ETCHINGS, Death of Arcite 
 Two — Palemon and Arcite, and the Death of Arcite, proofs 
 /*-/ l^*.^37 Ten — Of the months, proofs, .before the letters 
 y /(P 03 ^ Twenty-one — Plates for Thomson’s Seasons, brilliant 
 PROOFS, the complete fet, remarkably fine 
 S?./y.th9 D. TTO, ETCHINGS, VERY FINE, AND EXTRA RARE 
 
 40 Two— 77 ?^^ tranfparency painted for the bank, on his Majefiy' s Reco^ 
 njcry, exhibited Jpril 24, 1 7 89, an etching, ^ery rare 
 0 .^ / 6 „ 0 One — Ditto, proof , ^nry fine 
 
 42 Gne — Ditto, in n.vhich his Majefiy is reprejenied fitting under an 
 arch, dsff. exhibited by Sir ‘Jofeph Banks, Bart, in Soho-Square, on 
 the fame occafion, proof, ’very fine 
 
 One — The Earl of Clare’s State-Carriage, as Lord Chancellor of 
 Ireland ; on the pannels are painted various allegorical fubjeifls, 
 an ETCHING, rare 
 
 ^•"/^.^44 Four— Children playing at marbles, and companion, • proofs, 
 ^ vsith and vjithcut the letters 
 
LI 
 

 1 
 
 I 
 
 I 
 
Bartolozzi’s works* 
 
 i4tli Day. 
 
 Lot 
 
 45 Four — Children playing at hunt-the-flipper, and companion ; ^ 
 
 ditto at trap-ball, proofs, very fine 
 
 46 Two— 'The three Graces and Belinda, etchings, engraved 
 
 for Du Rouveray’s edition of Pope’s Rape of the Lock 0 
 
 
 47 Three — Ditto, and one from Glover’s Leonidas, pooofs, bfore 
 
 any I etters — — 
 
 48 Two — Genius unveiling Nature, proof, and etching. 
 
 Ticket to Mr. Walker’s Le<Slures, ^jery beautiful — 
 
 49 One — An emblematical figure of the city of London, with at- 
 
 tributes, UNFINISHED PROOF, before the artifts^ name Sy extra, 
 rare, a Ticket for the^ Lady Mayorefs' Ball, in the Mayoralty 
 0/ Mr. Alderman Boydell r- 
 
 50 Two — Ditto, PROOFS, in black and brown » — 
 
 ha 
 
 J 
 
 / 
 
 0-0 
 
 Z-Si'-O 
 
 / 
 
 51 Three — Poetry and Hifiory prefenting Painting with fubjefls for 
 
 her pencil, proofs, nmih variations, exceedingly beautiful, en^ 
 graved for Mr, Mackliri s catalogue of pritits U 
 
 52 One — Britannia difiributing laurels to Mufie and Poetry, /cr Mr, 
 
 Napier’s mnfc-book ^ 
 
 
 /J,. i 
 
 /O 
 
 53 Three — The Winter’s Tale, etch i n g, proof, and letters, 
 
 very fne, for BoydelV s Shakefpeare — - — - J * 
 
 HARDING, HE ARNE, and HOGARTH. 
 
 54 Two— From Sterne, La Fleur — and The Sword, after Harding, * /, - 
 
 proofs — — ^ _ — . — 0 
 
 55 Seven — From the Antiquities, Views after Hearne, by . 
 
 Bartolo % zi , proofs, very fne , /" y ..^^ 
 
 56 Two— From Jofeph Andrews, after Hearne, figures by Barto- 
 
 lozzi, proof, and etching, very fne ~ ^ 
 
 I 57 Two — The Shrimp-Girl, after Hogarth, proofs, voith and ^ ^ 
 
 vjitho.ut the letters — — ^ — — -O ~ ^ 0 
 
 P - 
 
 
l^th Day. 
 
 lARTOLOZZrS WORKS. 
 
 LOT 
 
 58 Four — Two portraits of Lords Melcombe and Winchelfea, proof,. 
 ^ AND LETTERS, North and South Britain, with and without the 
 
 aquatint 
 
 59 Two-— Groups of Angels, after Howes, proofs 
 //-J 60 Four — Two plates, containing eight fubje«5ls, proofs, and 
 LETTERS, engranjed fm- Richardfon' s Iconology 
 
 JONES 
 
 ' ^ 61 One — Dido and ^Tneas, after Jones and Mortimer, the landjcapt 
 
 * engra'ved by IVcolletti and the figures by Bartolozzit proofij very 
 fine 
 
 A. KAUFFMAN. 
 
 0 62 Four — Apollo and companion, proof s^ before the letters 
 ^ Celia and Rofalind, ditto 
 
 0 '/ O'O Three — Fatima, proofs, voith variations 
 
 
 •^64 Three — Zoraida, ditto, Ditti 
 
 65 Two— Adoration and Humility, PROOFS, before any letters i very 
 rare ■ . 
 
 Two — Ditto, in colours 
 67 Two — The Fair Alfatian, proofs 
 
 Hr/t-S 
 
 The Liberal Fair, proof and etchings fine 
 Four — A Mufe, proof and letters y engraved for Scobs Poems 
 The Tragic Mufe, proof, very finey and rare 
 Socrates, voith a fcroll 
 
 1 / H ()(y Three — Two Leonora proofs, one before the names of the artifi 
 
 Mifs Eyre, proof, before any letters very rare 
 yo Four — Science in the arms of Peace 
 ^ Damon and Delia, proofs, in red and black, very fine 
 
 71 Four — Diana preparing for the chace 
 ^ Paris and OeJione, proofs, in red and black, very fine 
 
! 
 
 1 
 

 7 
 
 t 
 
 . 
 
 i ; 
 
BARTQL 02 Z 1 *S WORKS. 
 
 14th Day. BARTQL02Z1*S WORKS. 
 
 LOT 
 
 72 Four — The Death of Clorinda and companion, proofs, in black 
 
 and hronjcny before any Utters, ^uery fne ' — /•' {) 
 
 73 Four — Damon and Mufidora 
 
 Celadon and Amelia, proofs, and letters, /« black and red, 
 
 74 Four — The Tambourine and Caftanett, proofs., in brown aad 
 
 red, VERY BEAUTIFUL 
 
 75 Four — Hebe and Antiope, and two others, proofs, 'very fne, 
 
 one before the letters ~ — 
 
 76 Five — Two proofs, and etchings, engraved for Hoole’ 
 
 Tranflation of Ariofto 
 
 Two — Harmony, engraved for Mr, Legat, proof and 
 
 ETCHING — ; 
 
 77 Two — Rural Sports, from a drawing in Mr* Wcodhoufc^s 
 
 Companion, etching, ome before any letters, very fme 
 
 78 Two — Ditto, with the aquatint, 7?;/^ 
 
 79 Four —Invention, Defign, Compofition, and Colouring, proofs, ^ ^ 
 
 fine ^ 
 
 80 Two— Cleone and Cordelia, proofs, one before any letters, very 
 
 fne ' _ 
 
 81 Two — Ditto — 
 
 82 Two — Virgil and Homer, vkqoys , before the letters, very fne-~-.3,^/Cf‘,0 
 
 83 Two — Eurydice and Sylvia, proofs, one before the Utters 
 
 84 Four — The Seafons, proofs, very fine — 
 
 85 Two — Emma Corbett, and Grifelda, proofs; the latter, with- 
 out any letters extremely beaut ijul . — From Pidhires in the Collection . 
 
 of Mr. IVoodhoufe ,,/J 
 
 86 Two— Ditto, - — — V 
 
 87 Two — The birth and tomb of Shakfpear, proofs', very fine - O 3 
 
 88 Two — Faith and Religion, proofs, very fine — 
 
 -■ h- 
 
 
 P 2 
 
E ARTOLOZZl’s WORKS. 
 
 
 
 14th Day. 
 
 LOT 
 
 89 Two— The Shepherdefs of the Alps, 
 before any letters y extra fne and rare 
 
 and Grifelda, FRoofs^t, 
 
 (^o Two — Di TTO, very fne 
 CK/Z-'O^I Two — 
 
 PROOFS, before the letters very fine 
 
 /'■/■y,.^gz Two — The Mother of the Gracchi, and Telemachus in the 1 
 / Ifland of Calypfo, proofs, beautiful 
 
 ^'*/7^/^93 Two — Zeuxis and Telemachus, etchings rare 
 Two — Di TTO, PROOFS, very fine 
 95 Two — Nymphs bathing, and companion, proofs, extra fine 
 U T wo — Rhodope in love with Efop, and companion, proofs, in 
 ' brown, very fine 
 
 C/»/ 3 ,,i)c^'] Two — Ditto, ditto 
 
 0 >‘ / 3 ., ^98 Two — Paulus Emilius, and Cleopatra and Meleager, proofs^I^ 
 ^ rare 
 
 >y'»//(>,.^99 Two — Venus attired by the Graces, and the' 
 
 JUDGEMENT OF PaRIS, PROOFS, EXTRA FINE AND RAREs 
 
 100 One — Coriolanus and Delia weeping over a wounded Stag, 
 proofs, very fine, one before any lettei s 
 Jt/ I Two — Proof and etching, veryfin^ 
 
 LE BRUN. 
 
 1C2 Tw'o — St.John, after C. LeBrun 
 
 Innocence under the protection of juilice, after Madame Le 
 Brun, PROOFS, both fine 
 
 
 LAURENSON. 
 
 Two — Bachijs and Venus adorning the bull of Priapus, 
 a Ticket for the Anacreontic Society, one a proof, before the 
 letters i very rare 
 
I4tli Day. 
 
 Bartolozzi^s works. 
 
 MISS LISTER,. AND W. LOCK. 
 
 LOT 
 
 IC4 One— The Flight into Egypt, a curious proof; the ground 
 
 wifinijhedy extra rare — /J/ 
 
 105 One — Ditto, aJini/hedvKOQ^, before the publication P 
 
 106 Two — The Market of Love, after Mr, Lock, proof, and 
 
 ETCHING, njery beautiful — — / Q 
 
 107 One — A dance, Neapolitan, after Lock, proof — — — 
 
 CLAUDE LORRAINE. 
 
 £o8 Two — The Morning, by Canot ; and the Evening, by Barto- 
 
 lozzi and Mafon, D 
 
 109 One — Ai^neas landing in Italy, by Mafon ; the figures, by ^ 
 
 Bartolozzi, ' — — 
 
 
 / d / i.o 
 
 J. P. DE LOUTHERBOURG. 
 
 lio One— The infide of the Royal-Exchange, a most beauti-' 
 
 FUL ETi^'HING, VERY RARE . — 
 
 Two--^Tom Jones, proof and etching, very fine 
 Two — The Sheplierdefs of the Alps, and companion, etch- 
 
 y '*~r A 
 
 INGS, VERY fine AND RARE — — — 
 
 Two — Ditto, proofs, beautiful — — 
 
 Two— The snuff-box, and dead ass, proofs, before 
 
 ANY letters, V E U Y PARE ' 
 
 Two — Ditto, t^ith the letters , ‘veryfne — ^ — ^ 
 
 Two — The Temp eft, a,nd Perdita, proofs, before any letters 
 Seven — Different fubjefls, from Bell’s Edition of Shakfpear ; ^ /n a 
 
 £vc proofs, before the letters, ^eryfne — 
 
 Five— Ditto, Beli\ Theatre, from various Mafters, proofs, . ^ 
 
 bfore the letters - * /•• ^ 
 
 Four — Ditto,, proofs, and etchings, extra rare — ^ 
 
 Four— Ditto, proofs — — r*- 
 
 One— Signora BaftardelU ~ 
 
 1 1 1 
 
 ii ^ 
 
 114 
 
 115 
 
 1 16 
 
 118 
 
 119 
 
 1 20 
 
 121 
 
 /-l-O 
 
 
1 4tli Day. 
 
 EAKTOLOZZl’s WORKS. 
 
 B. LUTl. 
 
 . LOT 
 
 12Z Two — 
 
 
 22 i WO — NarcifTus, and Hippomanes and Atalanta, proofs, very 
 ^ rare and fine 
 
 123 Five~A Holy Family, Angelica and Medora, and Mercury 
 teaching Cupid to 
 
 MADAN, DUCHESS OF MONTROSE, MARTIN, C. 
 MARRATTI, MIDDLETON, MORTIMER, AND NIXON. 
 
 124 Two — Ophelia, after Madan, roofs 
 
 ^ 12^ One — The Exalted Soul, after her Grace the Duchefs of 
 Montrofe, proof, befiore the letters 
 126 Two— The Death of Lady Jane Grey, and the Death of 
 Eleanora, after Martin, proofs, before the letters 
 /Z'‘^ \ 2 j One — Imogen’s Chamber, after Ditto, proof, very fine 
 ^ ^^-'0 \z% One-— Lady MacdulF, after Ditto, proof, before any letters 
 and marginal lines y very rare 
 
 129 One — Ditto, after Ditto, proof, very fine 
 
 130 One — Flight into Egypt, after C. Marrattiy pk.oof, before 
 the letters f very rare 
 
 d./ 3 . • ^^131 One — Ditto, after Ditto, proof, very fine 
 
 Twc- — A Landfcape with Figures, by Lady Middleton, a 
 MOST BEAUTIFUL ETCHING s and a Holy Family, after 
 . C. Marratti, fine 
 
 //. ^ 135 Two — The Death of Sir P. Sidney, after Mortimer, proofs ; 
 
 one before any letters 
 
 134 Two — Venus and Adonis, after Ditto, etching, and proof, 
 . before the letters, very fine, and extra rare 
 
 /■■/■■y. 133 One — A Toxophilite Ticket, after Martin, proof 
 
 (P >*0 13b Two — Ophelia, fvom'Hixon, proofi, one before the publication 
 O-Za-O One — An Allegorical Subjeft, by Martin, proof, before any 
 
 ^ / ters 
 
 A'//-. ^>138 Two-Pr OOFS, AND LETTERS, by Mortimcr.— 
 for Mifs Burny’s Novel of Evelina 
 
14th Day. 
 
 Bartolozzi’s works, 
 
 JOHN OPIE, R. A. 
 
 cO 
 
 rJ.. 
 
 LOT 
 
 139 The Freeing of Amoret, an etching *■ 
 
 140 One — Ditto, proof, hef ore the letter St 'very fine 
 
 J l. u 
 
 
 
 141 Two — Henry and Emma, and Mufidora, proofs, before any ^ 
 
 letter Si extremely fine . , "" ' ^ — . /) 
 
 142 Two — Henry and Emma, and Damon and Mufidora, etch- y j ^ 
 
 INGS, extra rare v. — — ~ ^ 
 
 lf-< 0 
 
 END OF THE FOURTEENTH DAY’s SALE. 
 
 ' . ^ 
 3s-iy 6. 
 i b ■ b -S 
 /!'■ 7-‘Z 
 
 £2'- ^ f 
 
 “ir'2>/s5' 
 
 ' /% 3 - 
 4# ^ ' 
 Tf(p7r> 
 
 t 
 
 5 
 
 Q 
 
 0 
 

 fteenth Day’s Sale. 
 
 
 ) BARTOLOZZI’s WORKS*.- 
 
 G. AND N. POUSSIN, AND PANINI. 
 
 LOT 
 
 /. J-, {!\- Five — The Death of Eudamidas, and Tour others, after 
 ^ Panini 
 
 One — An etching, after G. PouiTin, fine 
 
 One — A Holy Family, an etching, ‘very rarCy hefcre the name of 
 ^ ^ the art/fis 
 
 y one — Ditto, ditto, veith the names, rare 
 yj One — T)\xx.q, fiinifieed proof, fine 
 
 PETER S. 
 
 'T- /fi 1^4 Two— The Angelic Child, remarkably fcarce. 
 
 The companion, after Violet, proofs, very fine 
 
 Two — Angels and Chernbims, after Viera, proofs, ekfo-rb 
 
 / ^ ANY LETTF. RS, VERY FINE 
 
 Two— Same fubiedt, ^cvith the letters, fit to 
 
 ''2X 
 

 Bk.v.vv. 'T'H'i, . iS^-v*,^t ■yA;:v/r.v- A ■ 
 
 ‘.•^- ... .' ' A."^^ '»y.' . ^.' .'iL:^ '’*. i...>‘. ■ 'rk . rt' ' .■.-.■•■ 
 
 ■ t ^ ^ ^ ^'’ '^'-T -^1^7 ^ 
 
 
 'lx ... ‘-- ■ . • I ■- ' . '■ "''■^ 
 
 
 m 
 
 ’-.iV ■ '. w' Cj'V; '•-*'^’\ MS -1 ■■'- '•' - ““iJ 
 
 
 
 
 V'- ■• 
 
 
 •‘■f- ^ ^ ,-^V ' .t‘‘, 
 
 
 ' • *» " ^ ^ ’ W 56 > 
 
 ’ '"■iSr'-' ■'^.7 V 
 
 :r-'< , 'i^'. ■■ v'’.'" 
 
 ,r,. ..; .:., V'«£K' .< .’ . . ..^ - 
 
 Iw ■.• -A. ' yf^ 
 
 
 r: "^if ff A 
 
 
 
 r v;-', ' 
 
 A.-', 'm 
 
 V ’ '^■' yJ 
 
 ru < I .n-x- , .\.:'V^v- - 
 
 y . ‘■■' • ' 4 ; -v ^ ^ ''.^T'/£-‘:‘ -‘^^..V M- !»<- 
 
 
 .-.':.-W, 2 .s;,,-,-‘VK*' 
 
 ■ ■■;■■ scs.s«..'.k7^fl.,. -;.V * 
 
BARTOLOZZl’s WORKS. 
 
 
 7 
 
 l^th Day. bartolozzi’s works. 
 
 LOT 
 
 -j One — The Spirit of a Child afcending into Heaven, AN etch- ^ ^ 
 
 S One — Ditto, a proof, with a curious inscription 
 
 AFTER THE ENGRAVEr’s NAME,' PRESQJJE UNIQUE 
 
 9 One — Ditto, with the arms, ^ery fine • — “ ' / // 
 
 o One — The Apotheofis of a Lady, proof, ^ery fine i) - /if 
 
 - t 
 ' i> 
 
 11 One — The Refurreiflion of a Pious Family, with the crest, 
 
 fvery fine, and extra rare - — ^ 3 ^ O 
 
 12 One — The fame, a proof, alfo fine , — — t.'- 2.-0 
 
 13 One— The Death-Bed of the Juft, an etching . _ ... .. 0 .. 
 
 14 One — ‘Ditto, Ditto, proof „ : 
 
 
 PATEL. 
 
 15 Two— Venus attired by the Graces 
 
 The Ruftic Traveller, the landfccpe engraved by Fivaresj the . / -^ /' bi> fi) 
 figures by Banolozzi, proofs, very fine ^ 
 
 16 Cottagers at the bottom of Mount Vefuvius, ^kqov, before the / 
 letters, very fine ^ 
 
 RAMBERG. 
 
 17 Two — Faith, Hope, and Charity, proofs, before the letPers " — 
 
 18 Two — Alphonfo and Aciloe, and the death of Cora, proofs, 
 
 from Mifs Williams^ s Peru — ^ 
 
 19 Two — From the Sorrows of Werter, proofs 
 
 20 Two — From the Vicar of Wakefield, proofs, before the letters ~ 
 
 21 Two — Ditto, Ditto ' 
 
 22 One — The ftrawberry-balket -- 
 
 23 Two — Hiftorical - 
 
 24 Two — ‘Ditto by Lanfeer and Bartolozzi, etc hings, rare - - ^ 
 
 25 Nine — Proofs, with variations, engraved for Mr. Ernjl 
 
 Q. 
 
 d. 
 
 i'- 
 
 0 . 
 
 U- 
 
 d 
 
 J ' 
 
 
 ' 6., C 
 SZr 
 . d.. L> 
 
 ■ jr.d 
 
 ■ b\. d 
 
 7J' <5 
 

 5th Day. 
 
 ARTOLOZZl’s WORKS, 
 
 LOT 
 
 RAPHAEL, REBECCA, AND REINAGLE. 
 
 ^^26 One — The Lady of the Filh, after Raphael, an etching, ver^ 
 
 FINE AND rare 
 
 27 One — ^Ditto, proof, before the letters, uncommonly 
 
 ^ ^ BRILLIANT 
 
 /v. 01 % One — D itto, ^joith the letters before the alteration 
 
 0 2g Two — The Madona della Sedia, after ditto, proofs, •with and 
 ^ ^aslthout the armS) one ^ery rare 
 
 J A---* 
 
 One — An emblematical fubj eft of four figures, after Rebecca^ 
 proof, ’Very rare. Ticket for Cox*s Mufeutn Lottery 
 ^ ^ Cupid infpiring the Plants with Love, after Reinaglci the Land-^ 
 
 ky Lanfeery and the ‘figures by Bartoloz;se.iy proofs, one 
 before the artists names, engraved for Dr* Thorntons 
 ' Botanical Hifiory 
 
 
 SIR JOSHUA REYNOLDS. 
 
 /*■ X ^31 Two — Girl and Kitten, and Lelbia, proofs, very fine 
 Two — Venus chidi'ig Cupid, p roofs, brovm and rea 
 0 '■ d 33 Two — The Cottagers, proofs, in blacky before the lettersy rare 
 b ^' f , 0 34. One — Ditto, proof, in brovjti, ’voith the letters 
 / ,, 0 35 One — Thais, proof, in blacky before the letters, fcarce 
 
 / . , ff ^ 0 36 One — Ditto, ditto, brovony brilliant 
 
 RIGAUD. 
 
 One — Sampfon and Delilah, an etching, extra rare 
 / - 0 ’ 0 3S One — Ditto, PROOF, before the kttersy extremely fine 
 
 /0..O 39 Two — Lovelace in prifon, and the death of Lindamore, etching 
 40 Two — Ditto, PROOFS, voithont the letters 
 ^ 4 ^ Two — Ditto, PROOFS, vcith the letters 
 /•y f '~0 42 Two— The Emprels Matilda and Jane of Flanders, 
 
 FINE 
 
 /. /S/D 
 
 T'!b"l 
 
 p roofs 
 
 43 Three — Vortigern and Rowena, and Edward the Black Prince, 
 prefenting his prifoner, the King of France, to his father, fin* 
 
 PROOFS 
 
 
15th Day. 
 
 BARTOLOZZl’s WORKS. 
 
 •0 
 
 A. DEL SARTO. 
 
 LOT 
 
 44 One — A holy Family, hefore the letters t an etching, rare 
 
 45 One — Ditto, hefore any letters, extremely rare 3 .. y} 
 
 46 One- — Ditto, ditto, nxith thd letters, very fine O 
 
 LADY SPENCER. 
 
 47 One — Cupid and Pfyche, engraved for a defcription of Marchanfs 
 
 gems - " ' — 
 
 48 One—Comfort, a beautiful etching, rare — ^ 
 
 ^ /- f . 
 
 STOTHARD. 
 
 49 Three — Allegorical fubj efts, one the Graces prefenting the Ceftus 
 
 to Diana, engraved on the occafion of M, Aguilar^ s marriage, ^ 
 
 ETCHING and PROOF, vjith variations, rare 
 
 50 Two — One Ditto, with the letters, and the Royal Cumberland . 
 
 Freemafon’s School Ticket — . — ~ — 
 
 51 Two — The origin of defign, engraved for Mr, Jefiries'* card ^ ^ 0 
 
 52 One — St. Cecilia, attended by Angels, etchings, and 
 
 proofs, with variations, extremely curious, for Dr. Arnold'' s n 
 concert — ^ - 0 
 
 53 Four — Different fubjefts, engraved for Goo'd' s frayerAook, proofs'"/^. 
 
 54 Fourteen — From Milton’s Paradife Loft, proofs, vcithcut 
 
 the artifiis^ natnes, extremely fine ' — - o 
 
 TOMKINS. 
 
 55 Four — Two fubjefts from the Fool of Quality, proofs, vjith 
 and vjithout the letters — ~ - — - -- " 
 
 
 TRESHAPvI. 
 
 56 Two — La Gara Fra L’Amore e la Mufica, proof and , « /} 
 
 ETCHING, rare — — ‘ 
 
 57 Six— From Shakespeare, proofs, and etci-iings — ^ 
 
 0.3 O 7^ 
 
Bartolozzi’s works. 
 
 15th Day. 
 
 LOT 
 
 (f Three — An allegorical fubjeft, in which is introduced a medal- 
 
 lion of his Majefty, etching and proof, rare, engra<ved for 
 Mr. Bo’wjers liiji-ry of England 
 
 VIERA AND VIOLET. 
 
 59 Two — The death of Dido and Apollo, aft.r Fiera,VKOOV , before 
 any letters, engraved for Dtdau* s edition of Virgil 
 
 60 Two— Fancy heads, proofs 
 
 WEST. 
 
 Three — Britannia under the aufpices of George III. offering 
 encouragement to the Arts, et chin g,. proof, and letters, 
 •very fn'eand curious.-— Engraved for Mr. Barnard^ s Catalogue 
 of Dra-wings 
 
 J.'-y.'.O ^2 Two — An Indian family, and Jonah, proofs, ex. 
 
 RARE. — Ear a Front ifpiece to an Oratorio, ccsnpofed by F eljled 
 Z-ZX-Hi Three — The Origin of Dcfign, proofs, allvoiih variaiions . — 
 Engraved for Mr. Sandby^s Card 
 
 £>-{^64 One — Agriculture — A most beautiful etching, 
 
 FROM A PICTURE AT Wl N D S O R - L O D G E 
 
 / 1 
 
 s-,zC>--f()r One — Genius raising the fine arts, its companion, 
 
 DITTO 
 
 0 ■. ^66 One — St. Paul at the illand of Melita, proof, before the alterati n 
 of the head of St. Paul, and the fmall figures near the fhip, ex^ 
 tremcly rare 
 
 One — Ditto, proof, very fine 
 
 
 WESTALL. 
 
 0 68 'Two — T he departure of Mary Queen of Scots, and companion, 
 
 proofs 
 
 One — Joan D’Arc, proof, before any letters, very 
 
 fine 
 
 V 
 
 r;hf'L 
 
1 
 
 
 A 
 
I4tri Day. 
 
 Bartolozzi’s wor»^s. 
 
 WEBBER. 
 
 LOT 
 
 yo One — The death of Captain Cook, etching, ex!ra fne a7id 
 
 71 One — Ditto, proof, before the alteration^ extra rare r— 
 
 72 One — Ditto, afer the alter ationy •very fine — 
 
 73 Two — Ditto, fmall platey proof and etching 
 
 74 Two — The Dance, and Indians fitting round a fye.—F?'om 
 
 3.. 3. 0 
 _ ^..3.0 
 
 — /.jLo 
 
 Cook’s Foy ages y BEFORE THE NUMBERS, EXTREMELY FINE 
 AND SCARCE ' — 
 
 X 0^0 
 
 75 ^One — A woman bringing a prefent,yVow Ditto y etching 
 
 PRESQJJE UNIQJJE 
 
 76 One — Ditto, proof, on large paper, extra fine and ro . re ^ 3 ^ l ).0 
 
 77 One— A Head, after Hodges y DittOy from Ditto y •very fine — ^ 
 
 WHEATLEY. 
 
 78 Two — The Goldfinch and Lauretta, proofs 
 
 79 Two— Summer and Winter, most beautiful proofs, be- 
 fore the Jnifis names ■ — ■ — 
 
 80 Four — The Seafons, proofs X’' 1 -O 
 
 Si Tm^o — T he Raree-Show, and the Fairing, tkcots, in black and 
 
 82 Two — The Water- Crefs Girl, proofs, before the letters 
 
 83 One — The Return fi'om Shooting, an etching, extra fine and 
 
 84 One- — Ditto, proof, •very fine — 
 
 ZOCCHI, ZUCCHI, AND ZUCCARELLI. 
 
 i'J- 
 
 85 Twelve — The Months, from Zocchiy •very fine 
 
 86 One — An allegorical fubjed, after Zucchi. — A Student ccn- 
 
 diiSted to Miner~oa, •who points to Italy as the Country from •whence 
 all elegance i¥t the Arts is deri'ved . — Proof, before any letters, 
 Fronlifpicce to Adam’ s Architecture LM-J 
 
Bartolozzi’s works. 
 
 15 th Day. 
 
 LOT 
 
 One — Ditto, 'nx'ith the letters t ^ith a variation in the trumpet y\ 
 n and in the figure above the ram's head | 
 
 U-tt. ^88 One — The departure of Abraham and Lot, from^ 
 Zuccarelli : a most beautiful proof, before any 
 L E iters, very rare 
 
 h./lo 89 Two — The Italian Ball and Wedding, etchings, very fine 
 
 One — Ditto, the ball, before the alteratiotis iu the heads 
 of the female figures, proof, extra rare 
 ^'V'Z'691 Two-— Ditto, proofs, very beautiful 
 
 Two — The Storm, and companion, after Ditto, proofs 
 Landfcape by Byrne', and Figures by B^ritlozzi 
 
 -'f 
 
 A i 
 
 
 ENGLISH PORTRAITS. . y 
 
 KINGS, PRINCES, PEERS, &c. ifX 
 
 53 Two — Henricus VI. and Archbilhop Chychele, rav /'</’■ J 
 9^ Two — Henry VIIT. and Edw’ard VI. proofs; one before the 
 names of the Art ids (2 
 
 95 Two — Plenry and Charles Brandon, Dukes of Suffolk, proofs, 
 
 ' before the corners, very curious 3 i5 ^ l2 
 
 96 One — Ditto, in one plate, p roofs 
 
 97 One — George, Prince of Wales, proof, very fine cP,, J 
 
 98 One — Wm Henry, Duke of Clarence, proof, and etching, 
 curious 
 
 r 99 One — The death of Earl Chatham, in which are 
 
 INTRODUCED THE PORTRAITS OF MOST OF THE NOBI- 
 LITY ,/?'(?£/', ON In D I A P A PEE, VERY F I N E /^A ^ 
 
 100 One — Ditto, the etching, extra fine and rare 7 -y 
 joi One— Clinton, Duke of Newcastle, proof gp 
 
 1C2 One — Clive, Lord Clive, proof 33 ,^ 
 
 103 One — Cornwallis, Marqjjis Cornwallis, large plate, ^ 
 
 c proof, before any letters "" '' ’ ' — ' 
 
 / One — Ditto, after Hamilton, and Sir H. Clinton, proofs, j 
 I farce ^ / 
 

 
EARTOLOZZl’s WORKS. 
 
 i5tli Day. eartolozzi’s works. 
 
 LOT 
 
 04 One — Dunning, Lord Ashburton, etciukg, extrema 
 
 [05 One — Ditto, proof, before the Plate was altered, ^ a /> 
 
 / , /J // 
 
 PRESQJJ E UN IC^E ‘ ^ 
 
 :c6 One — Ditto, proof, ‘without any Utters, extra fine - 2’- b 
 
 107 Three — Ditto, ovals, etching, and proofs, with ^ 
 
 variations, ‘very fine — 0 
 
 08 Two — Egerton, Bishop of Durham, proofs, with and ^ 'p q 
 
 without the artns, ‘very beuut ful ' — ' 
 
 09 One — Elliott, Lord Heathfield, etching — ^ ^ ' 0 
 
 10 One — Ditto, proof, ‘very fine . — ^ 
 
 11 One — Fane, Lord Burghersh - d 
 
 12 Three — The Portrait of a Nobleman, rare 
 
 ' /y^ 0 
 
 h 
 
 FirzGi BBON, Lor dFitzG IB BO N, PROOFS, one before the letters^ 
 
 13 Two — Dr. Irvine, and Dr. Kippax, proofs, before any letters, / 
 
 ‘Very fcarce ^ 
 
 14 Three — Lunardi, Mrs. Sage, and Mr. Biggin, after Rigaud, 
 
 proof, and etching ; and otie after C of way, proofs __ I-l-d 
 
 15 Three — Maggi, Malone, proofs, and Martinelli; one very 
 
 curious, ‘ivith the letters — ■' * 
 
 
 y-i-j 
 
 16 One — Murray, Earl Mansfield, etching, unique'-- 
 
 17 One — Ditto, proof, ‘very fine 
 
 18 
 
 proofs, with curious variations 
 
 19 Two — Pitt, Right Hon. Wm, proofs, very fine Z-/d ^0 
 
 Three — Petty, Marqltis of Lansdown, etching, an d ^ ^ y 
 
 proofs, with curious variations ’ 
 
 Two — Pitt, Right Hon. Wm, proofs, very fine 
 
 20 One— Pratt, Earl Camden, proof, before any It tiers, <y 
 
 O 
 
 O.o 
 
 2 1 Three — The buft of Pope, Pvudiman, and Sancho, proofs, 
 
 BEFORE THE LETTERS 
 
 22 Three — Philidor, proof and letters; and Dr. Woi'de, a 
 
 1-9, D 
 
 PROOF, ‘very rare — — u 
 
 23 Rob.’nson, Lord Grantham, and his Brothers, proofs, 
 
 ‘with and ‘■without the letters', and Companion to Ditto, proof, 
 
 fifiJ 
 
 u 
 
Bartolozzi’s works. 
 
 1 5 th 
 
 LOT 
 
 Day. 
 
 z 
 
 H 
 
 /., 125 
 
 126 
 
 / 
 
 128 
 
 129 
 30 
 
 / /? n 
 
 t - o^u 132 
 /-t"?. 1,^3 
 
 134 
 
 
 Two — Spencer, Duke an d Duchess of Marl boroug^h . 
 
 PRIVATE PLATE, AN ETCHING, VERY RARE 
 
 Ditto, proof, before any Utters y beautiful 
 One^ S pencer, Earl Spencer, njery finCy and rare 
 Two — Stuart, Viscount and Viscountess Mount- 
 Stuart, proofs, before any Utter Sy private plate y veryfne, 
 and rare 
 
 One — Thurlow, Lord Thurlow, etching, e)itra fne. 
 
 One — Ditto, proof, before the a'^msy very rare 
 
 Ditto, DxTTO, voith the arms^ very fine 
 
 One — Wedderburn, Lord Loughborough, etching, 
 
 extra fine 
 
 One-^ — D itto, proof, before the arms, and before the alteration 
 One — Ditto, voith the arms, but before the alteration 
 N. B. The^three preceding are exceeding rare. 
 
 One — Ditto, v'ith the alteration, and vith the name of Nortlocote 
 Sir W. Wynne, proof, before any letters, very fine, and rare 
 
 ARMY, NAVY, AND FRIVATE PERSONS. 
 
 /.. 1 35 Two — Alderman Beckford, and Colonel Cox, one a proof, 
 
 before the letters 
 
 Two — Captains Cooke and King, proofs, rare 
 Two — Mailer Jeffery, Omai, and Peter tlie Wild Boy, proofs, 
 and letters, very jcarce 
 f) \ Three— Lieutenant Riddell, proof, before the letters; and 
 
 Rogers, of Liverpool, proof, and etching, extremely 
 
 rare, private plates 
 
 Two — One, a feaft, in which is introduced the pcTtralt of Sir 
 Tho. Robinfon, and one of Colonel Stanley, proofs, very rare 
 Sir George Saville’s Monument, an etching, very rare, 
 perhaps unique 
 
 One — Ditto, proof, before the letters voere filed in 
 
 Three — Sir Cloudelley Shovel, Hawke, and , proofs, 
 
 before the Utters, fine 
 
 
 
 
 if 140 
 
 142 
 
 fI^/2'-J 143 
 
 Hon. V/alter Stanhope, proofs, voith and voithout the Utters 
 
r 
 
 
 j;th Day. Bartolozzi’s works. 
 
 or 
 
 Two— ‘Theobald Wolfe, proofs, nxiith and without the letters, 
 
 .5 Hon. P. Yorke, proof> and etching, rare 
 
 6 Two— Cherubs Heads, a monument ere^ed to she memory of Mr* 
 WoodmafoT^ s children, <verj fine — — 
 
 < — 
 
 ■ V. 
 
 
 AUTHORS. 
 
 7 Three— Addifon, Milton, and Watts, proofs, two, lefore any 
 
 8 Two — Capel, a bull, proof, and letters, <very rare — / ,. 
 j Three— Earl Cheftcrfield, proof, and letters, very fine, 
 
 andrare^ - _ ^ : ,' 7 “? '' -■ ' ■ 
 
 5 Three— Cicero, Cowper, and Edmondfon, very fcarce — — /- 
 Two — Evelyn, proof, and letters, uncommonly fine — • - 
 2 Two — Leonard Euler, proofs, one before the name, private ^ 
 
 Two— Captains Grofe and Harris, proofs, very rare^ r— ^ / 
 \. Two— Hollis and Whitlock, proofs, extremely rare, engraved 
 for Hollises Memoirs ^ — 77- — .7 — 77-; — 77^ 
 
 u 
 
 /J^o 
 /A / 
 
 raveei 
 
 
 
 Three — The Bull of Homer, fmall plate,, and. lefore the back’- 
 ground was added in the la^ge one, fcarce, engraved for Mr, n //^ 
 
 Tovonky, private plat ^ - — --tt — "77 ^ 
 
 Three — Dr. Johnfon, proof, before any letters; and Joannes 
 Secundus, proof, before the head was engraved on the medal. 
 
 3 . 67 
 
 END OF THE FIFTEENTH DAY’S SALE. 
 
 
 
 
 'Ik' 
 
 '6 
 
 
 lb. 
 
 
 
 Ik 
 
 
 Oi *7- 
 ^ / 
 
 f .9 
 
 ' 6 
 
 
 1 r 
 
 V 
 
 
 
 -.1 
 
 •6 
 
 ... 
 
 ^ . ■ 
 
 ■ 
 
 ? ♦/ 
 
 ‘C- 
 
 ^ 
 
 3'd/''/cP’'0 
 
f 
 
 
 
 ^xt^nth Day’s Sale. 
 
 BARTOLOZZI’s WORKS. 
 
 PROFE8SIONAL MEN. 
 
 LOT 
 
 /-did I Two Dr. Afh, PROOF AND ETCHING, 
 
 2 Two — A Lefture on Gadding", in ‘luhich the Portrait of Mr. 
 Bannijier is introducedy proof, before any letters', and Dr. 
 Burney, proof, *veryfne 
 
 ^••^. ^3 Four^Two Dr. Fo'thergill, proofs, in ed and Iro^von; 
 
 Foote’s Funeral Ticket, etching, and letters, <very rare 
 Three — Giardini, ‘ Girri, and Handel ; one a curious 
 
 ^ PROOF 
 
 /-O-O 5 One— The Statue of Handel, from Roubilliacy proof, before tk 
 letters 
 
 Three— One, Haydn, proof, before the letters s and two, Hen- 
 derfon, proofs, njoith nsariatiotis , ^ 
 
 /. ^/, 7 One — Kemble in the charadcr of Richard, an etching, 
 
 . before the plate '-was cleaned at the bet tom, very curious 
 
 One — Ditto, proof, n.;eryfne 
 
 Two— Dr. Maty and Dr. Leak, proofs, before any letters, 
 private plate 
 
BaRTOLOZZi’s WO.*tKS. 
 
 6th Day. Bartolozzi’s wo.*tKS. 
 
 .OT 
 
 o Three — A Sunday Evening’s Concert, in njuhich are introduced 
 the Portraits of Pacchierotti, and fewral well-knoivn CharaSlers, 
 PROOF >• and two of Vcftris, proofs and lettsrs, with 
 
 
 
 1 Four — Two, Violet, proofs, ^ith variations Dr. Willis, a 
 
 proof, and Woollett, an etchingt before any Utters t 'extra, rare^ /'• 0 
 
 FOREIGNERS. 
 
 2 Three — Portrait of the King of France, and the Dauphin and ^ ^ 
 
 Madame Elizabeth, proof and etching 
 
 3 One — Frederick, King of Pruflia, proof, before any letterst very 
 
 4 Two — Henry Lubomirfki, proofs, veith variations » very 
 
 beautiful - 
 
 5 One — General A<JIon, proof, vjishout the letters, very fine 
 
 6 Five — M. D’Ageno, Cardinal Bembo, Baron Goertz, &c.^ ^ /(p /] 
 
 proofs, before the letters, very rareP private plates ^ ' yL " ^ 
 
 7 One — Martin V. Juchen, etching, very fine and rare— 
 
 8 One — SSxWi, fine — — 
 
 9 One— Count De Lufi and Pinelll, rare 
 
 0 One — Aloyfius Pifani, p roof, very fine — ' — — 
 
 1 One — Ditto, vjiththe letters out-lined 
 
 
 
 — — 4<r.^ 
 
 
 
 2 Three — And: Quirino, and Cardinal Richlieu, proofs, voith ^ rj 
 
 3 Two — Van. Noort, etching and proof, before any letters, / 
 
 extra rare — ^ '' /'-(/"if 
 
 I One — The Apotheofis of Louis XVI- proof — /.. 6,.0 
 
 j One— The Aflaffination of Buonaparte, with the Portrait of 
 f Cherachi, the Sculptor A-P-P 
 
/6th Day. 
 
 BARTOL'OZZl’s WOUKS. 
 
 LADIES. 
 
 ROYAL PERSONAGES, NOBILITY, &c. 
 
 LOT 
 
 One— Chalotte, Queen op Gre at-Britai n, etchini 
 
 VERY FINE 
 
 '-0 27 One Ditto, proof, without the letters, beautifi 
 0. r-o 27 One — The Princefs Charlotte of Wales, proof 
 0../lt 'C 2g One-*-The Royal Children, proof, 'very fine 
 /"' ^ 29 Two — Princefs Mary, and Princefs Sophia of Gloucefter, proof 
 
 ^ BEFORE any LETTERS, beautiful 
 
 Two— Mary, Queen of Scots, proof and etching, rare 
 ^ ~ Ci Two— The Emprefs of Ruffia, and the Queen of Franc 
 
 PROOFS 
 
 /- Xwo — Maria Chriftine, proofs, woith and nxjithout the arms, vi 
 
 fine 
 
 Two — Lady Alhbur ton, and Mifs Boyd, pri'vate plate, •veryrar 
 /'A . <73 3 Two— Lady Bath, and Lady D. Beauclerc, proofs, before a 
 letters 
 
 / J 36 Three — The Countefs of Bulkeley, etching and proof 
 •with •variations 
 
 ^7.^737 Two — Lady Cathcart, proofs ; one before the border, extreme 
 • • rare 
 
 /'C;^../738 Two — Countefs Ccwper, etching and proof, bejore a 
 letters, •very rare 
 
 One — Countefs Derby, proof, extremely rare 
 One— The Duchess of Di^vonshirf, an etching, b, 
 •fore the plate was cut, extremely beautifi 
 and rare 
 
 A/i, 0 ' 4 i One — Ditto, proof, •'very fine 
 
 f-'/A-.b42 Five— Ditto, after Nixon, proof; one before any letters', « 
 after Downman, ditto,/ and two of Lady Duncannon, •ui 
 •variations, •very rare 
 
 . / . 
 
i6th Day. 
 
 BaRTOLOZZi’s iWOR»3. 
 
 -h: 
 
 LOT 
 
 43 Three — Lady Duncaiinpn„.F.ROOF and-etching ; and an 
 
 Infant, very Jim - — 
 
 44 Two — Lady E. Foder, etching tKOOj, Before any letter s, 
 
 extra rare ‘ — ' ^ 
 
 45 Four — Gertrude, Marchionefs of Halifax, one the long platCy ex^ 
 
 tremely rare ; tivo proofs y Ditto y •with and nx>Jthout the letters ; 
 and a monumental figure embracing an urny'i'S^OOXy BEFORE ANY 
 LETTERS, EXTREMELY , BEAUTIFUL — 
 
 ^46 One- Countefs Harrington, after Honey proof, before any ^ ^ 
 
 letters y very fine 0 
 
 47 Four — The Duchcfs of Kingfton, and companion, proofs; and , 
 
 Countefs Lanefborough, proofs, ^ith variations — 
 
 48 One — Countefs Lancfborough’s apotheofis, proof, veryfne 
 
 49 Four — The Duchefs of Nivernois,' proofs, nxith curious varia- /if ^ 
 
 50 One — The Duchefs of Rutland, proof, very rare ' — — 
 
 51 Two, — Lady Smyth- and Family, etching and pkoof. Be- 
 fore any letters, extra rare — 
 
 52 Two — Dowager Lady Spencer, proofs, one .before any 
 
 LETTERS, extra rare ^ v- ■ 
 
 53 Two — Countefs Spencer, and Mifs Bingham, proofs, before 
 
 4 
 
 ANY LETTERS, VERY BEAUTIEUL AND RARE — ; 
 
 54 Two — Dit io, before the addrefsy eqjjally eeautiful- 
 
 55 One — The Countefs of Wellmoreland, proof, before any ^ 
 
 letters, extra fine, private PLATE / '^ / " 0 
 
 56 Two — Mrs. Abington, proo? s, one before any letters^ extremely 
 
 fne - • ■ — — 0 ’ 0 
 
 57 Three — Two, Siga Allegranti, proofs; and Mrs. Baldwin, in 
 
 the Drej's of a lurkijh Lady — 0 •' / A •* A 
 
 58 Three — Two, Mrs. Bellamy, proofs, ; and j ^ ^ 
 
 Mrs. Caf. Borghi, proof 
 
 59 Three — Mifs Brunton, proofs, voith variations, voith and njoitJ • 
 
 out the line round the oval, and voithout the feather s , and ditto vsJtt? ^ O JJ 
 
 
• Bartolozzi’s works. 
 
 luth Day. 
 
 ^ vy i ^ 
 
 (f6o Two — Mrs. Chambers, proof, private plate \ and Mrs. Billing- 
 ton, PROOF, fine 
 
 One— Mifs. Cipriani, pri’vateplaiey extra rare . 
 
 0>^/Lf^-0(iz Two — Mrs. Cofway, and Madame Cruinpholtz, fine and rare 
 
 63 One — yin. Qro\ic\\y the celebrated lA^refis, Mofit beautifiul v?.00?, 
 iefijre any letters-, R a rf, the plate being dejlroyed 
 /■■Zi’6+ Fiv-e — Mifs Eyre, , Mrs, ^Gibfon, njoith ^ variations and Mifs 
 ^ Gunning, proof, vuithout the^ letters, extra rare 
 
 Twor^Mifs Gwatkin, VKe^O¥.s,vjith and vsithcut the letters, very 
 fine 
 
 Three — Mrs. Hardinge,-/« the chara&er of Miranda, proof, 
 VS’ th three variations, extra fine and rare 
 6 ^] Two — Ditto, THE Fai R Moralist, etch i no and proofs, 
 
 " " nvitb variations, very fine 
 
 Two— A. Kauffman, proof, very fines and Mifs Macklln, 
 
 ^ DITTO 
 
 0 " Five — Portraits engraved for Harding’s Shakefpear, proofs, 
 
 before any letters, extremely rare, V/2. 
 
 Mrs. Montague, - ' 
 
 Mrs. Lenox, 
 
 ^ Jane Shore, tvoo platoa. 
 
 And the Earl ofi Efex. 
 
 /. A (} 70 Four — Mrs. C. Rudd, Mrs. Siddons, Mrs. Sparkes, and Mrs, 
 Udny, (the tvso lafi private plates) EXT K.\ rare 
 Z-'O 'ji One— Mifs Wallis, an etching, very rare 
 
 3/' . 5' 
 
 6 y 
 
 "Ih i’O - 
 
 - ' . / w A 
 
 i . / t r t A ' 
 
 ' f'oy 
 
MARLBOROUGH GEMS. 
 
 [This ajfemplage,- the refult of twenty years tolleSilng, contains a 
 greater number thaii ever has been at one time offered to the 
 Public, — The Firjl Volume is complete^ and may be accounted 
 unique, as all. the impreffions are before the numbers, the ' 
 Artifts names, or proofs without any letters, as in the prefentation 
 copies ; the fubjed of Cupid and Pfyche is with variations, and * 
 the whole may be regarded as a great rarity, — Thofe of the 
 Second Volume, are feiv in number but in point of curiofty no 
 zuays inferibr.1 
 
 DUKE OF MARLBOROUGH, 
 
 LOT 
 
 
 72 One — C^rar in the Temple of Venus, proof, before any letters 
 
 73 Two — No. I, Scipio Africauus _ _ 9 
 
 No. 2, Lucius C. Sylla ^ ^ 
 
 74 Two — No, 3, Julius Ca:far, caput laureatum p ' 
 
 No. 4, Marcus Junius Brutus C 
 
 73 Two — No. 5, Marcus Junius Brutus ^ ^ 
 
 No. 6, Lepidus ciim lituo — ^ 
 
 76 Two — No. 7, Augufti caput, cu?n corona radiata — / 
 
 No. 8, Augudi Pontificis maximi infign. 
 
 77 Two — No. 9, Marcelli OiitavL'e filii, Augiidi nepotls caput, 
 
 opus elegantilfimum * 
 
 No. 10, LivicE protome cum capite laureato et velato 
 poftorc ; fimul Tiherii pueri prope adilantis caput arboris i 
 ignotre foliis rediinitum — / 
 
 78 Two — No. II, Tiberii caput juvenile 
 
 German ici togati prolome cum cinite Irmi ea.to 7 
 
 /-et 
 
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 I 2) 
 
 No. 
 
 facie plena, &c. 
 
 
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MARLBOROUGH GEMS, 
 
 
 1 6th Day. 
 
 LOT 
 
 79 Two — No. 13, Agrippinas majoris uxoris Germanici k Cali- 
 
 / 
 
 gulae matris caput laureatum Tub efiigie Dianae 
 No. 14, Ejufdem Agrippinas Tub effigie Cereris 
 Two— No. 15, Galbas caput laureatum 
 
 
 ^ No. 16, Ejufdem G^lbse caput 
 
 81 Two — No. 17, Nervi toga ti'pfotome, cum capite laureate plena 
 facie, opere pukherrimo 
 
 ^ ^ No. 18, Ejufdem Nervse caput 
 
 jH-, J- j Two— No. 19, MarcianjE, Trajani fororis, caput' 
 
 No. 20, 'Sabinas, Hadrian! uxoris, ‘caput 
 S3 Two — No. 21, Antinoi caput, cum pedore velato 
 
 No. 22, Carracalla togati protome facie plena 
 Two— No. 23, Carracallas caput laureatum 
 
 No. 24, Julian Domnx, Sever! uxoris, caput 
 85 Two— No. 25, Laocoontes caput 
 
 No. 26, Semiramidis, velpotlusMufe, caput cum peflore 
 Threc~No. 27, Minervas Alcidse caput galeatum, operis egregii, 
 edit. var. 
 
 87 Two -No. 28, Phocionis caput 
 
 No. 29, Jovis k Junonis capita jugata 
 Three-No. 30, Veneris caput 
 , ^ No. 31, Eacchaj caput, var. 
 
 /f*' 6 %(^ Two — No. 32, Hercules Bibax, ftans. 
 
 No. 33, Bacchus, ftans. 
 
 ^ 0 ^ 0(^0 Two— No. 34, Faunus tigridis pelli infidens, cauda, kc. 
 
 No. 35, Athleta, ftans, qui dextra rnanu ftrigelem', &c. 
 
 ,Two— No. 36, Mercurius, ftans. 
 
 No. 37, Mars, ftans, armatus 
 
 ^92 Two— No. 38, Miles de rupe defeendens, ’ eximii ‘ fculptorls 
 Grsci opus 
 
 / No. 39, Diomedes Palladio potitus cum Ulyffe alter- 
 
 catione contendit , 
 
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 th Day. 
 
 Marlborough Gems. 
 
 IT 
 
 
 Two — No. 40, Dei Marini natantes . — ~ ^ 
 
 No. 41, Miles vulneratus a milltibus duobus fullentatur ^ 
 
 
 
 
 Two-«-No. 42, Miles militi vulnerato opitulatu 
 No. 43, Miilier ftolata cum virgine 
 Two — No. 44., Faunus pelle caprina ex humeris pendente vefti- 
 
 tus ; pedem fuper fuggeftum ignotae figurae figit & infan- ^ 
 tern genu fulllnet 
 
 No. 45, Alexandri magni effigies — 
 
 Two — No. 46, ^neam a Diomedes faxo percuffum confervat P ./ n r 
 No. 47, Pompje cujufdam ob vidloriam partam defcriptlo^ ^ ^ ^ 
 
 Two^No. 48, Amazon Amazonem morientem fuftinet juxta) ^ 
 
 equus • — - - - -SOv 
 
 No. 49, Fragmen Gemmze Bacchi, &c. - - 
 
 One — No. 50, Nuptiae Pfyches & Cupidonis, rariss.^ - {f^ 0 
 
 io One — No. 50, Ditto, - Ditto, rariss. ^ 0 
 
 I One-* Frontispiece to fecond volume, proof, before the in*-'' 
 fcriptioii on the arms, very rare — 
 
 52 Two — No. I, Ptolemseus O 
 No. 2, Metrodorus ^ 
 
 54 Two— No. 3, Socrates & Plato 7 - 
 
 No. 5, Sappho , > 
 
 D5 Two — No. 8, Ignotum caput Scyllacis opus^ 
 
 No. 9, Ignotum caput ^ 
 
 56 Two— No. II, Medufa 
 
 No. 18, Hercules & lole - ^ ^ 
 
 37 Two — No. 19, L. Junius Brutus^ 
 
 No. 20, Annibal — \ 
 
 38 Two — No. 22, Mecaenas 7 
 
 No. 25, Drufus Tiberii filius J 
 
 39 Two — No. 31, Gaput ignotum, Antonini forfan jimioris Z, 3 ^^ iJ- ^ 
 
 No. 36, Equi — . — ^ f 
 
 10 Two — No. 38, Mercurii tempi um ^ 5 * ' ' ' 
 
 No. 40, Coronis,--’ ^ ~ ' ^ 
 

 t6th Day. 
 
 Marlborough Gems* 
 
 O 
 
 .LOT 
 
 7 ^ ■ 
 
 . / 0 \i\ Two— No. 41, Cupidons 
 No. 45, Faunus 
 
 1 12 Three-No. 46, Omphale incedens 
 No. 48, Biga, var. 
 
 cA i) 113 Two— No. 50, Silenus, tigris, &c. yar. 
 
 V Two — The Vignette to the fecond volume, proof, n;ery 
 
 
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