/ anxa 93-B 3180 \ j SECOND ANNUAL EXHIBITION ■ •■■ THE DALLAS ART ASSOCIATION GRATEFULLY ACKNOWLEDGES THE KINDNESS OF THE ARTISTS, COLLECTORS AND DEALERS WHO HAVE, THROUGH THEIR GENEROUS ASSISTANCE IN LENDING PICTURES, CONTRIBUTED TO THIS EXHIBITION. EXCEPT WHEN THE LENDERS WISHED TO REMAIN ANONYMOUS ACKNOWLEDGEMENT IS MADE IN EACH CASE IN THE BODY OF THE CATALOGUE EXHIBITION ASSEMBLED AND ARRANGED BY FORBES WATSON CATALOGUE DESIGNED BY EGMONT H. ARENS AND PRINTED BY HIM AT THE FLYING STAG PRESS WHICH IS AT 27 WEST EIGHTH STREET, NEW YORK AUGUSTE RENOIR: Seated Bather SECOND ANNUAL EXHIBITION AMERICAN AND EUROPEAN ART INTRODUCTION BY FORBES WATSON THE ADOLPHUS HOTEL April Seventh to Twenty- first Nineteen Twenty-One THE DALLAS ART ASSOCIATION DALLAS, TEXAS HONORARY PATRONS of the SECOND ANNUAL EXHIBITION 19 2 1 Governor Pat M. Neff and Mrs. Neff Mayor Frank W. Wozencraft D r. Robert E. Vinson and Mrs. Vinson D r. Hiram A. Boaz and Mrs. Boaz Rt. Rev. Alexander C. Garrett Rt. Rev. Joseph P. Lynch Mr. and Mrs. George B. Dealey Mr. and Mrs. Frank M. Smith Mrs. Florence C. Floore Mr. Edwin J. Kiest Mrs. Harry Payne Whitney PATRONS Mr. Alex Sanger Mr. Milburn Hobson Mr. Edward Titche Mr. Isadore Goldsmith Mr. Arthur L. Kramer Mr. Archie N. Rodgers Mr. Herbert Marcus Mr. Harold J. Abrams Mr. William A. Green Mr. A. L. Neiman Mr. Stephen I. Munger Mr. Robert B. Ellifritz Mr. Max Goettinger Mr. Christian Weichsel Mr. Rufus W. Higginbotham EXECUTIVE BOARD of the DALLAS ART ASSOCIATION 19 2 1 President, Mrs. George K. Meyer 1st V ice-P resident, Mrs. Orville Thorp 2nd Vice-President, Thomas L. Westerfield Recording Secretary, Miss Ruth de Capree Corresponding Secretary, OscE Goodwin Treasurer, Ralph B. Slighter Mrs. Harold J. Abrams Mrs. John G. McReynolds Mrs. Joseph E. Cockrell xMrs. Mrs. A. Graham Elliot, Jr. Mrs. Mrs. Maggie R. Foat Mrs. Mrs. Augustus B. Griffith Mrs. Mrs. William H. Hirst Mrs. Mrs. Hamilton M. Munger Mrs. Archie N. Rodgers Eli L. Sanger Manning B. Shannon C. C. Slaughter Christian W eichsel Gilbert G. Wright Mr. Edward G. Eisenlohr EXECUTIVE COMMITTEE of. the SECOND ANNUAL EXHIBITION Mrs. Harold J. Abrams Miss Anne Buxton Mrs. Frank H. Blankinship xVIrs. Alex Gamp Mrs. Joseph E. Cockrell Mrs. Arthur H. Cleaver Mrs. x\. Graham Elliot, Jr. Mrs. Maggie R. Foat . Mrs. x\uGUSTUs B. Griffith ' Mrs. OscE Goodwin Mrs. John C. McReynolds Mrs. Hamilton M. Munger Mrs. Archie N. Rodgers Mrs. Eli L. Sanger Mrs. A. M. Samuell Mrs. Manning B. Shannon Mrs. C. C. Slaughter Mrs. Ralph B. Stichter Mrs. Orville Thorp Mrs. Thomas L. Westerfield Mrs. Christian Weichsel Mrs. Gilbert G. Wright Directors in Charge Mr. Edward G. Eisenlohr Mrs. Clara C. Wheat JOHN LA FARCE In the South Sea Island; I N T R 0 D U C T I 0 N Eventually every nation is judged by the art which it produces, and it is hardly too fantastic to imagine that it will be our turn next — that, in fact, our turn is upon us. In literature, architecture, painting we have al- ready produced works of great beauty and lasting quality, but that the power, the immense resources, the astonishing combination of races which are America, have found their full and inevitable expression in art none, for an instant, would claim. I do think, however, in my American opti- mism, that we are on the verge of the period when this great people will find adequate artistic expression^ and the bringing of such an exhibition as this to Dallas is but a sign which way the tide of art is flowing. It is flow- ing our way, but whether the stream of art shall be small and easily diverted from its course, or deep and sweeping, is a question that brings us face to face with facts that will test us quite as much as we can test them. Are we to be satisfied with negative culture or are we going to stand back of the men who are producing art at this very minute, and by our sympathetic and practical support, spur them on to the limit of their capacities? We cannot support them by lagging behind them, as we have in the past, by dragging them back and insisting that they, always the forerunners of their race, shall remain mere repeaters of the messages which their fathers have already delivered, any more than we can support them by vague yearnings. SECOND ANNUAL EXHIBITION In order to be able to support the artists — to win that privilege — it is necessary to approach them sympathetically, to respond to them sensi- tively, and to give to their point of view long and concentrated thought. To attack the artist because he does not see things as we see them is to place a barrier between him and ourselves. The artist sees differently and better or he would not be an artist. Whether he is a mystic, or a realist, or a classicist, or whether he chooses abstract forms as a means to expres- sion, he is compelled to translate his vision into concrete material. It is a pre-requisite that he should be sufficiently the master of his vision to give it visible form. Although we see line and form and color all about, a surprisingly small number of us ever formulate a visual idea of our own, based on the world of contrasting and harmonizing forms — of which color and light are but integral parts. Our process is much slower. We are, as it were, blind to the world, until the artist has given us the lead. And when we have absorbed into our every-day visual knowledge that which was ours to see, but which we could not see until the artist had combined the un- related parts into a synthetic whole, a state of inertia sets in, and the artist who discovers in these same natural phenomena a new combination, and has in turn, a new vision, is immediately attacked for upsetting our com- fortable feeling of having arrived. No sooner do we reach one point than the artist pricks our slumber and insists that we should go to another point. We repay him by denying him, and making his life unhappy, and only DALLAS ART ASSOCIATION when we find that we are being left hopelessly in the rear do we reluctantly follow. This idea is based on the hard facts of history. Practically every one of the important artists of the past hundred years in this exhibition has been denied. Courbet, Manet, Monet, Renoir, Cezanne — for them all it was a long hard struggle to gain recognition. Our collectors to-day are paying enormous sums for paintings by Renoir and Cezanne and in so doing flattering themselves that they are abreast of the artistic development of their period. The result of this slowness and apathy of the public during the nine- teenth century, was to create a state of isolation for the artist. That this century was one of the great periods of art may be interpreted as an indication that isolation is good for the artist’s soul, or it may be inter- preted, much more truly I believe, as evidence that the genius of a Cezanne cannot be downed even by an inimical public. The artist has to-day a much wider public. Such an exhibition as this is one proof. In Philadelphia the Academy is giving its galleries for the first time to the young American moderns of more radical tendency, and that exhibition will open one week after the Dallas exhibition. A propor- tion of the artists, who will exhibit there, are also represented here. In the Metropolitan Musum in New York a French exhibition opens shortly, and Matisse, Picasso, Derain and others whose work is here, will for the first time penetrate the sacred Museum portals. We are catching up. Chicago is contemplating a new modern exhibition also. The result of the SECOND ANNUAL EXHIBITION Dallas exhibition and of these other exhibitions can be foreseen. Instead of waiting for the artist to grow old or die in neglect, we shall begin to recognize him in the prime of his power, and by supporting him, break through his isolation and strengthen his production. In collecting the various paintings and drawings which make up this varied group, by showing so far as circumstances would permit, the various steps in the development of painting, during the past hundred years, I have had a single aim in view: to bring us into direct contact with the men of to-day and stimulate the interest and the support for their work which is quite as necessary to our own spiritual enrichment as to theirs. Without background cultivation is thin. Without apprehension of the modern point of view cultivation is lifeless. If we are content to see only that which the museums have collected, if our eyes close as we emerge from the Louvre, the Prado, the Uffizi or wherever we may discover the masterpieces of the past, and we are no better prepared to see the work of the creative artists of to-day we can be sure that we have not seen the work of the giants of the past through our own eyes. The ultimate test of our artistic cultivation lies not in knowledge of the art of the past, but in our capacity to utilize the principles, gained through this knowledge, in the more difficult and elusive process of seeing into the artistic expression of the life in which we play a part. Forbes Watson. C A T A L 0 G U E ABRAMS, LUCIEN 1. Girls 2. Still Life ANDRE, ALBERT 3. Interior with Figure Courtesy of Mr. Olaf Olesen BEAL, GIFFORD 4. Circus Parade 5. Garden Party BELLOWS, GEORGE 6. Portrait of Mr. Waldo Pierce 7. Emma in Purple BIDDLE, GEORGE 8. Portrait of My Mother 9. Under the Bananas BRAQUE, GEORGES 10. Still Life 11. Still Life (water color) Courtesy of Mr. Marius de Zayas BURLIN, PAUL 12. Los Penitentes 13. Western Landscape 14. Mexicana 15. Figure (drawing) 16. Figure (drawing) 17. Figure (drawing) BURROUGHS, BRYSON 18. The Return of Judith BUTLER, THEODORE 19. Goldfish 20. Goldfish 21. The Avenue of the Allies CARLES, ARTHUR 22. Bouquet CARLSEN, EMIL 23. Weir’s Woods CASSATT, MARY 24. Mother and Child Lent anonymously 25. Mother and Baby Lent anonymously 26. After the Bath Courtesy of Durand-Ruel Gallery 26(a). Color-Etching 26 (b). Color-Etching Lent by Miss Mary Livingston Willard CAZIN, JEAN CHARLES 27. Landscape Courtesy of Mr. Olaf Olesen CEZANNE, PAUL (1839-1906) 28. The Artist’s Estate at Aix Courtesy of Wildenstein Gallery 29. The Fountain (water color) 30. Trees and Rocks (water color) Lent anonymously 31. Mountain and Tree (water color) 32. The Alley (water color) 33. Man Seated (drawing) 34. Landscape (drawing) 35. Figures (drawing) 36. Man Reclining (drawing) 37. Study from the Antique (drawing) 38. Venus and Cherub (drawing) 39. Male lorso (drawing) 40^ Old Woman Sleeping (drawing) 41. Figure of a Woman (drawing) Courtesy of Mr. Marius de Zayas 42. Bathers (large lithograph) 43. Bathers ^ small lithograph) Lent anonymously SECOND ANNEAL EXHIBITION CHANLER, ROBERT 44. Bird Phantasy (screen) Lent by Mr. James Deering COLLINS, ALFRED (1857-1903) 45. Niagara Lent by Mrs. Charles Cary COROT, JEAN BAPTISTE CAMILLE (1796-1875) 46. Hamlet Courtesy of Mr. Olaf Olesen 47. Woman Playing a Mandolin Courtesy of Durand-Ruel Gallery 48. Landscape (drawing) Courtesy of Mr. Marius de Zayas COURBET, GUSTAVE (1819-1877) 49. The Mill 50. Landscape Courtesy of Mr. Olaf Olesen 51. Winter Landscape Courtesy of Durand-Ruel Gallery 52. In Savoie 53. The Artist’s Grandfather 54. Figure of a Man (drawing) Courtesy of Mr. Marius de Zayas DASBURG, ANDREW 54 (a). Portrait of Henry Lee McFee 54 (b). Drawing 54 (c). Drawing .DAUMIER, HONORE (1808-1879) 55. La Plaidoirie (drawing) Courtesy of Mr. Marius de Zayas DAVIES, ARTHUR B. 56. Rose to Rose 57. A Sicilian Shepherd Courtesy of Ferargil Gallery 58. The Mountaineers 59. After Rain 60. Attainment by Fire 61. Drawing 62. Drawing 63. Drawing Lent anonymously DAVIS, CHARLES 64. The Sun Warms the Hillside Courtesy of Macbeth Gallery DEGAS, EDGAR (1834-1917) 65. Horses Lent by Mrs. Payne Whitney 66. Dancers Courtesy of Mr. Olaf Olesen 67. Ballet Scene 68. Portrait Group (pastel) Courtesy of Durand Ruel Gallery 69. Copy of an Old Master (drawing) 70. Copy of an Old Master (drawing) 71. Copy of an Old Master (drawing) 72. Copy of an Old Master (drawing) 73. Copy of an Old Master drawing) 74. Dancers (drawing) Lent anonymously 75. Copy of Uccello (drawing) 76. From a Greek Frieze (drawing) Lent anonymously 77. The Village 78. Dancers (pastel) 79. Bather (pastel) 80. Woman Dressing Her Hair (draw- ing) 81. Dancer (drawing) 82. Horses (drawing) 83. Horses (drawing) 84. Horse (drawing) 85. Horse (drawing) 86. Bather (drawing) 87. Copy of an Old Master (drawing) 88. Copy of an Old Master (drawing) 90. Head of a Girl (monotype) DALLAS ART ASSOCIATION 91. Nude (pastel) 92. Dancers (drawing) Courtesy of Mr. Marius de Zayas DELACROIX, EUGENE (1799-1863) 93. Hercules and Alceste Lent anonymously 94. Elowers 95. Sketch for La Liberte (drawing) 96. Figure of a Man (drawing) Courtesy of Mr. Marius de Zayas DEMUTH, CHARLES 97. A Box of Tricks 98. A Piano-Mover’s Holiday 99. Flowers (water color) 100. Flowers (water color) Courtesy of Daniel Gallery 101. Horses in Stable (water color) Lent anonymously DENIS, MAURICE 102. Head (color print) 103. Figure (color print) Lent anonymously DERAIN, ANDRE 104. Portrait of a Woman 105. Head of a Man (drawing) 106. Figure of a Woman (drawing) Courtesy of Mr. Marius de Zayas 107. Italian Town (drawing) 108. Trees (drawing) Lent anonymously D’ESPAGNAT, GEORGES 109. Fruit and Flowers Courtesy of Durand-Ruel Gallery DICKINSON, PRESTON 110. Paris Cafe (drawing) 111. Paris Cafe (drawing) Lent anonymously DuBOIS, GUY PENE 112. The Harem Carpet Courtesy of Kraushaar Gallery 113. Red Hair Lent by Mrs. Charles Cary Rumsey EAKINS, THOMAS 114. Hunting Land 115. Retrospection Courtesy of Ferargil Gallery EISENLOHR, EDWARD G. 116. Calm Days 117. Willows in Snow f'lELD, HAMILTON EASTER 118. Barberry and Pine 119. Lower Manhattan FOOTE, MARY 120. Portrait of Frederick Macmonies FORAIN, JEAN LOUIS 121. The Picture Dealer 122. Return Home After the War 123. The Jury Room (drawing) 124. Marianne (drawing) 125. Workers at the Bar (drawing) 126. Plans (drawing) 127. Behind the Scenes (drawing) Courtesy of Kraushaar Gallery FOSTER, BEN 128. Autumn Twilight 129. An Autumn Day FRAZIER, KENNETH 130. Golf Players 131. In the Hudson Valley FRIESEKE, FREDERICK 132. Before the Window Courtesy of Macbeth Gallery SECOND ANNUAL EXHIBITION ^^AUGUIN, PAUL (1845-1903) 132 (a). Landscape 133. The Artist’s Mother (water color) 134. A Tahitian Madonna (water color) Courtesy of Mr. Marius de Zayas 135. Lithograph Lent by Mr. Allen Tucker GAYLOR, WOOD 136. Pekin Cafe Lent anonymously GLACKENS, WILLIAM 137. Child and Dog 138. Flowers 139. Horse-chestnut Tree GLEIZES, ALBERT 140. In a Hammock (water color) 141. Small Village (water color) 142 Town (water color) Lent anonymously GUILLAUMIN, ARMAND 143. In the Garden 144. Landscape Lent by Mr. Hamilton Easter Field GUYS, CONSTANTIN (1805-1892) 145. Portrait of a Woman (drawing) 146. Two Women (drawing) Courtesy of Mr. Marius de Zayas HALPERT, SAMUEL 147. On the Seine Courtesy of Kraushaar Gallery HARPIGNIES, HENRI J. (1819-1890) 148. The Oak Tree Courtesy of Mr. Olaf Olesen HASSAM, CHILDE 149. The Hudson HOMER, WINSLOW 150. French Farm Courtesy of Babcock Gallery 151. In the Connecticut Valley (water color) Courtesy of Milch Gallery INGRES, JEAN AUGUSTE DOMINIQUE (1780-1867) 152. The Odalisque (lithograph) Lent by Mr. Charles Sheeler KENT, ROCKWELL 153. Maine Coast Lent by Mr. Ralph Pulitzer 154. Alaska KROLL, LEON 155. The Easter Lily 156. The Picnic KUEHNE, MAX 157. Segovia 158. Spanish Landscape 159. Small Panel 160. Small Panel 161. Small Panel 162. Small Panel LACHAISE, GASTON 163. Peacock (sculpture) 164. Peacock (sculpture) 165. Drawing 166. Drawing 167. Drawing 168. Drawing LA FAROE, JOHN 169. In the South Sea Islands Lent by Mr. Hamilton Easter Field LAURENCIN, MARIE 170. Two Girls DALLAS ART ASSOCIATION 171. Head (drawing) Lent anonymously LAWSON, ERNEST 172. Winter Landscape Lent by Mr. Allen Tucker LEVER, HAYLEY 173. Bathing Beach 174. The Interclub Regatta 175. Water Color 176. Water Color LUKS, GEORGE 177. Czecho-Slovak Chieftan 178. New Year’s Shooter Courtesy of Kraushaar Gallery MANET, EDOUARD (1832-1883) 179. The Smoker Lent by Mrs. Harry Payne Whitney 180. The Toreador Courtesy of Mr. Olaf Olesen xMATISSE, HENRI 181. Apples 182. A Room in a Hotel 183. Women Bathing 184. Marine Courtesy of Mr. Marius de Zayas MILLET, JEAN FRANCOIS 185. The Sower Lent by Mrs. Harry Payne Whitney 186. Drawing Courtesy of Kraushaar Gallery MONET CLAUDE 187. The Cliff 188. Giverney 189. Belle Isle Courtesy of Mr. Olaf Olesen ONDERDONK, JULIAN 190. Sunrise in the Hills PACH, WALTER 191. Painting 192. Painting PASCIN, JULES 193. Summer, Etching 194. Lovers, Etching 195. Etching Lent anonymously PICASSO, PABLO 196. Portrait 197. Portrait (drawing) 198. Bathers (pastel) 199. Man Seated (etching) Lent anonymously 200. Figure 201. Portrait (drawing) 202. The Masked Ball (water color) 203. The Cafe (water color) Courtesy of Mr. Marius de Zayas 204. Nude (drawing) PISSARRO, CAMILLE (1830-1903) 205. Haying Courtesy of Mr. Olaf Olesen 206. Rouen 207. Pontoise Courtesy of Durand-Ruel Gallery PRENDERGAST, CHARLES 208. Carved Panel PRENDERGAST, MAURICE 209. Venice REAUGH, FRANK 210. On the Way to Water Lent by Mrs. Stephen I. Munger SECOND ANNUAL EXHIBITION REDFIELD, EDWARD W. 211. The Sunken Road Courtesy of Ferargil Gallery ^^EDON, ODILON 212. The Red Boat Lent by Miss Mary Livingston Willard 213. Flowers Lent by Mr. Daniel Morgan 214. Pegasus (lithograph) 215. Pegasus (lithograph) 216. Head (lithograph) 217. Lithograph Lent anonymously RENOIR, AUGUSTE (1839-1919) 218. Landscape Lent by Mrs. Payne Whitney 219. Flowers 220. Head of a Woman Courtesy of Mr. Marius de Zayas 221. In the Garden 222. The River at Argenteuil 223. Young Girl Seated in the Garden Courtesy of Durand-Ruel Gallery RIVERA, DIEGO 224. Majolica Landscape Lent anonymously 225. The Aqueduct 226. Houses Courtesy of Mr. Marius de Zayas ^..RODIN, AUGUSTE (1840-1917) "" 227. Drawing 228. Drawing Lent anonymously 229. Drawing 230. Drawing Lent by Mr. Hamilton Easter Field ROUSSEAU, HENRI 231. Fortifications 232. Landscape Courtesy of Mr. Marius de Zayas RYDER, ALBERT P. 233. The Smuggler’s Landing Place 234. The White Horse 235. Travellers at Dusk Courtesy of Kraushaar Gallery SCHAMBERG, MORTON 236. Landscape Lent anonymously SHEELER, CHARLES 237. Flowers 238. Interior 239. Bucks County Barn (drawing) 240. Bucks County Barn (drawing) SCHOFIELD, ELMER 241. North Coast of Cornwall 242. Pengrenow Farm 243. Sunlit Ravine SERRET, CHARLES 244. Children at Play (pastel) Lent anonymously SEURAT, GEORGES (1860-1891) 245. The Rain (drawing) 246. Steamboat (drawing) Courtesy of Mr. Marius de Zayas SIGNAC, PAUL 247. Water Color Lent by Miss Mary Livingston Willard. SISLEY, ALFRED (1839-1899) 248. The Sand Dock Courtesy of Durand-Ruel Gallery 249. Canal Boats 250. Afternoon Sunlight Courtesy of Mr. Olaf Olesen DALLAS ART ASSOCIATION SLOAN, JOHN 251. Sun and Wind on the Roof 252. Independence Square 253. Etching 254. Etching SPEICHER, EUGENE 255. The Balm of Gilead Tree 256. Landscape STERNE, MAURICE 257. Dancers 258. Resting at the Bazaar 259. Drawing 260. Drawing 261. Drawing Courtesy of Bourgeois Gallery TUCKER, ALLEN 263. Old Cordes 264. The Hill Farm 265. Portrait of Signorina S TOULOUSE-LAUTREC, HENRI DE (1864-1901) 266. The Clown Chocolat (drawing) 267. Woman on Bed (lithograph) 268. The Young Acrobat (monotype) 269. Woman on Bed (lithograph) Courtesy of Mr. Marius de Zayas TWACHTMAN, JOHN 270. The Mill Stream Courtesy of Macbeth Gallery 271. In Holland 272. The Lake Under the Hill Courtesy of Milch Gallery 273. End of the Rain Lent by Mr. Allen Tucker 274. Old Oyster Boats Courtesy of Babcock^ Gallery /fm GOGH, VINCENT 274 (a). Portrait of a Boy Courtesy of Mr. Marius de Zayas VLAMINCK, MAURICE 275. Landscape Courtesy of Mr. Marius de Zayas WALLACE, ETHEL 276. The Japanese River (decorative hanging) 277. The Tiger (decorative hanging) 278. Butterflies (decorative hanging) 279. Pomegranates (decorative hanging) WATSON, NAN 280. Contrasts 281. Portrait WEBER, MAX 282. Landscape Lent anonymously WEIR, J. ALDEN (1852-1920) 283. Portrait of a Boy Courtesy of Ferargil Gallery WILSON, RICHARD (1713-1782) 284. Lake Nemi Lent by Mr. Hamilton Easter Field ZORACH, MAGUERITE 285. New York (embroidery) 286. Indian Wedding (embroidery) 287. Moonlight (water color) 288. Lost Lake (water color) 289. Yosemite Valley (water color) 290. Summits (water color) ZORACH, WILLIAM 291. Yosemite Falls (water color) 292. Yosemite Valley (water color) 293. Vernal Falls (water color) 294. The Mountains (water color) INDEX OF A DP R E S S E S Note: — The addresses of the owners or the agents of the owners of all of the pictures in this exhibition which are for sale, together with the catalogue numbers of said pictures, are given below. It is to be noted that while the Dallas Art Association charges no commission on the sale of any picture in the exhibition, it will be happy to extend every assistance to prospective purchasers and will, upon application, submit a list of the prices of the pictures which are for sale. Pur- chasers who wish to deal directly with the artists themselves, or with their dealers, are encouraged to do so, and for that purpose the following list of addresses is submitted to their attention. When a picture is contributed through the courtesy of a dealer or agent, the agent’s address is given. When the artist himself has contributed pictures that are for sale the artist's address is given. ABRAMS, LUCIEN, Dallas, Texas. 1, 2. BABCOCK GALLERY, 19 East 49th Street, New York. 150, 274. BEAL, GIEFORD, 230 West 59th Street, NeW York. 4, 5. BELLOWS, GEORGE, 145 East 19th Street, New York. 6, 7. BIDDLE, GEORGE, 50 Barrow Street, New York. 8, 9. BOURGEOIS GALLERY, 668 Fifth Avenue, New York. 257, 258, 259, 260, 261, 262. BERLIN, PAUL, 106 West 57th Street, New York. 12, 13, 14, 15, 16, 17. BURROUGHS, BRYSON, c/o Metropolitan Museum, New York. 18. BUTLER, THEODORE, 75 Washington Place, New York. 19, 20, 21. CARLES, ARTHUR B., 2007 Girard Avenue, Philadelphia, Pa. 22. DANIEL GALLERY, 2 West 47th Street, New York. 97, 98, 99, 100. DE ZAYAS, MARIUS-, 549 Fifth Avenue, New York. 10, 11, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 48, 52, 53, 54, 55, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86 87 88 89, 90, 91, 92, 94, 95, 96, 104, 105, 106, 133, 134, 145, 146, 181, 182, 183, 184, 200, 201, 202, 203, 218, 219, 220, 225, 226, 231, 232, 245, 266, 267, 268, 269, 275, 132 (a), 274 (a). DURAND-RUEL GALLERY, 12 East 57th Street, New York. 26, 47, 51, 67, 68, 109, 206, 207, 221, 222, 223, 248. EISENLOHR, EDWARD G., Dallas, Texas. 116, 117. FERARGIL GALLERY, 607 Fifth Avenue, New York. 23, 56, 57, 114, 115, 211, 283. DALLAS ART ASSOC 1 A T 1 0 N FIELD, HAMILTON EASTER, 106 Columbia Heights, Brooklyn. 118, 119. EOOTE, MARY, 3 Washington Square North, New York. 120. EOSTER, BEN, National Arts Club, East 19th Street, New York. 128, 129. ERAZIER, KENNETH, Century Club, East 43rd Street, New York. 130, 131. GLACKENS, WILLIAM, 10 West 9th Street, New York. 137, 138, 139. HASSAM, CHILDE, 132 West 57th Street, New York. 149. ^^^ENT, ROCKWELL, Arlington, Vermont. 154. KROLL, LEON, 253 West 42nd Street, New York. 155, 156. KUEHNE, MAX, 18 Bank Street, New York. 157, 158, 159, 160, 161, 162. LACHAISE, GASTON, 77 Washington Place, New York. 163 164, 165, 166, 167. 168. LEVER, HAYLEY, 253 West 42nd Street, New York. 173, 174, 175, 176. ONDERDONK, JULIEN, Dallas, Texas. 190. PACH, WALTER, 13 East 14th Street, New York. 191, 192. PRENDERGAST, CHARLES, 50 Washington Square South, New York. 208. PRENDERGAST, MAURICE, 50 Washington Square South, New York. 209. ^SHEERER, CHARLES, cjo M. de Zayas, 549 Eifth Avenue. 237, 238, 239, 240. SLOAN, JOHN, 88 Washington Place, New York. 251, 252, 253, 254. SPEICHER, EUGENE, 253 West 42nd Street, New York. 255, 256. TUCKER, ALLEN, 121 East 79th Street, New York. 263, 264, 265. WALLACE, ETHEL, 62 Washington Square, South, New York. 276, 277, 278, 279. WATSON, NAN, 12 West 8th Street, New York. 280, 281. ZORACH, MARGUERITE, 123 West 10th Street, New York. 285, 286, 287, 288, 289, 290. ZORACH, WILLIAM, 123 West 10th Street, New York. 291, 292, 293, 294. DOMINIQUE INGRES: The Odalisque GUSTAVE COURBET: The Mill ALBERT RYDER: The Smuggler’s Landing Place CLAUDE MOXET; The Cliff ELMER SCHOEIELD: Snow in the Ravine CAMILLE PISSARRO: Pontoise EDGAR DEGAS: Portrait Group MARY CASSATT : After the Bath EDOUARD MANET: The Smoker GEORGE BELLOWS: Portrait of Waldo Pierce GEORGE LUKS: Czecho-Slovak Chieftan ROCKWELL KENT : Alaska JOHN SLOAN: Sunlight on the Roof KENNETH FRAZIER: Golf Players ARMAND GUILLAUMIN: The Garden EUGENE SPEICHER: Landscape MAX KUEHNE: Segoria ALLEX TUCKER: Portrait of Signorina S PAUL Cezanne : Jas de Bouffan 7 ^ DIEGO RIVERA: The Aqueduct PAUL BURLIN: Los Penilentes ANDREW DASBURG: Portrait of Henry Lee McFee ARTHUR B. DAVIES: After Rain ANDRE DERAIN: Figure of a Woman HENRI ROUSSEAU: The Fortifications CHARLES DEMUTH: A Piano Mover’s Holiday CHARLES SHEELER; Interior GASTON LA CHAISE: Peacock % < MoM/hX 4^0 2.3{U u^U/) t-i^CL-tJ^’'^^^(^ “ /^ ^ ~/^ 3 > iSZZ? 6 I'if.:, 1® :> A;; ^;: -, V .-p; Ijl 5|: •- -. ) . .'f‘ iV.--J».’';! fi , > -Mi^.->’ -M,' .'•' .‘ jj*' '..■ %r-^' '\i'‘: •' f ;1:''X:H':-' .. ' . 'TrX >%•':., ;;;f . i I U' I -T 1 '( {'.^f 7 ii(*i*l| pliawKX’i*^ |;1WX''< ' .' 'i''‘^‘ ■‘''' •■;.'''i- 'V'XjS ' iXiiai*