THOmSON-HOUSTON ELECTRIC CC, 
 
 MANUFACTURERS OF 
 
 fluToniHTic Focusing Ljiinps 
 
 OF ANY DESIRED 
 CANDLE POWER. 
 
 Adapted to all 
 Photographic Work. 
 
 LAMPS CAN BE 
 FASTENED 
 TO 
 
 CAMERA TRIPOD. 
 
 148 Michigan Avenue, Chicago, 111. 
 Gould Building, Atlanta, Ga. 
 403-405 Sibley Street, St. Paul, Minn. 
 115 Broadway, New York, N.Y. 
 509 Arch Street, Philadelphia, Penn. 
 414 Wood Street, Pittsburg, Penn. 
 831 N.Y. Life B'ld'g, Kansas City, Mo. 
 1333 F Street, Washington, D.C. 
 
 New Kirk Building, Syracuse, N.Y. 
 264 West Fourth Street, Cincinnati, Ohio. 
 115 North Third Street, St. Louis, Mo. 
 15 First Street, San Francisco, Cal. 
 Front and A Streets, Portland, Oregon. 
 209 Alamo Plaza, San Antonio, Texas. 
 Thompson Block, Helena, Mont. 
 
 TnomsDn-Houston ElBctiic Co., B20 Atlantic Hyb., Boston, Hlass. 
 
London Marne^^ Agency 
 
 FROM THE BEST MAKERS IN LONDON AND PARIS. 
 
 -HARNESS- 
 
 =SABBliES= 
 
 OLD STYLE CURVED SEAT. NKW STYLE STRAIGHT SEAT. 
 
 . . AND . . 
 
 STABLiE OUTFITS. 
 
 NEW eO0D5 
 
 TWENTY-FIVE PER CENT. HESS THAN IF MABE HERE. 
 
 P. P. M.arpl)\5 er Co., « zo6 DevonsI)ire 3t. 
 
Digitized by the Internet Archive 
 in 2014 
 
 https://archive.org/details/catalogueofexhibOObost 
 
CATALOGUE OF EXHIBITS 
 
 Fiftf) Annaal Joint Bxl^ibition 
 
 OF THE 
 
 Photographic Society of Philadelphia, .... 
 The Society of Amateur Photographers of New York, 
 and The Boston Camera Club. 
 
 HINDER THE AUSPICES OF 
 
 THE BOSTON ^MERA CLUB 
 
 Open to all Photographers— American and Foreign. 
 
 AT THE galleries OF THE 
 
 Boston Art Clal), Boston, 
 
 May 2 to May 7. 1892, Inclusive. 
 
COPYRIGHT 
 BY BENJAMIN KlflBALL 
 1892 
 
 Note.— This copyright protects this entire 
 book, cover, text, and illustrations. 
 AH rights reserved 
 
5 
 
 T|-Jg last generation has been notable for a wonderful advance in the discovery of new 
 processes and appliances in the art of photography, and so rapidly has step followed 
 step that there has not been time for the full development of its possibilities, particularly 
 in the direction of beauty or truth of pictorial representation. This wealth of material 
 and method has in a degree justified the opinion hitherto common among artists that 
 photography is little more than a process in which tools and chemical agents work, 
 almost automatically, and produce a lifeless result, with nothing of aesthetic or artistic 
 selection, composition, or treatment. 
 Professionals, or those who practise the art in its remunerative applications, have done much 
 to perfect technical processes, but have done little to change the opinion of which we 
 speak by using the camera as the artist uses his pencil or his brush. The opening of 
 the art to the great army of amateurs has, however, already brought about a significant 
 change in the estimation in which photography is held by artists of discrimination. 
 Not that the great mass of amateur work maintains a high standard. This is not to be expected, 
 when it is possible for a person with an hour's instruction to produce photographs at 
 once possessed of merits and faults each equally beyond his comprehension. The 
 movement has, however, called into the tleld many persons of a true instinct in art, with 
 powers of discrimination and selection, who have acquired sufficient mastery over the 
 technique to reproduce some measure of the beauty which they see. They have worked 
 con amore, bound by no traditions, courageous in experiment, having regard only for the 
 result. It is by such workers as these, caring only for beauty and truth, that the possi- 
 bilities of their art in reproducing beauty and truth have been unfolded. 
 The number of steps in the process of making a photograph which call for the exercise of the 
 same artistic powers that must be possessed by the painter will be surprising. The 
 artist-photographer must select his picture with reference to its composition of lines, 
 masses of light, shade, and texture. By his choice of lens he determines the width 
 of angle or the scope of the picture. In focussing and diaphragming, he divides his 
 definition and his vagueness to suit the requirements of his sense of pictorial beauty. 
 
6 
 
 25oi8tou Camera Club — <lBj:f)ilJition, 1892. 
 
 His development is almost as individual as the handling of a painter's brush, which 
 chooses between the minute exactness of a Pre-Raphaelite or a Diisseldorf canvas and 
 the poetic vagueness of a Corot. In printing he has a wide range of expression. He 
 may use the gloss of albumenized paper, the rough surface of Whatman's drawing 
 board, the lustrous sheen of Japanese papers, or the rich depths of a carbon film. 
 Although confined to monochrome, the various toning baths and the pigments of carbon 
 films open to him an infinite variety of colors, comprising the lustres of gold, silver, 
 platinum, and other metals, deep charcoal blacks, and the chalk reds of Botticelli. It 
 is, however, not the wealth of materials so much as the artistic discrimination in the use 
 of them which is illustrated by the amateur work of to-day, and in which progress is 
 now being made. 
 
 It is the hope of the Committee of the Boston Camera Club, in charge of the Fifth Annual Joint 
 Exhibition of the three leading societies of amateur photographers of New York, Phila- 
 delphia, and Boston, that the pictures shown will exemplify more fully than ever before 
 this artistic tendency in photography. That its work may be recognized by a tribunal 
 eminent in this field, it has selected as judges three artists whose standing in their diverse 
 lines of work gives to their decision the highest weight. 
 
 The Committee has in mind the compliment paid by painters to a sister art, when, to dis- 
 tinguish the artist from the mechanical workman or copyist, they gave to a certain class 
 of etchers the title of "Painter-Etchers"; and it trusts that in work with the camera 
 there may be those who will win for the honor of their art and themselves the title of 
 " Painter-Photographers." 
 
25oj5tou Camera €\uh — €x1)ibition, 1892. 
 
 7 
 
 . . ti^t of Illustration?; . . 
 
 Number One, "Figure Study," from negative taken by Mr. John C. Lee, of the 
 Boston Camera Club, with a Eiiryscope No. 3 lens upon a Crarner plate, and 
 developed with Pyro-Animonia. Reproduced in Photogravure by Messrs. 
 A.. W. Elson & Company of Boston, and printed upon Plate paper . . . 
 
 Frontispiece 
 
 Number Two. "/4 Forest in Winter," from negative taken by Mr. William Sumner 
 ■ Briggs, of the Boston Camera Club, with a Ross lens upon an Allen & Rowell 
 tilm, and developed with Pyro. Reproduced in Gravure-Etchuig by Mr. John 
 
 H. Foster, of Boston, and printed upon Plate paper 
 
 To face page 8 
 
 Number Three. ''Portrait of a ^oj>," from negative taken by Mr. George M. 
 
 Morgan, of the Boston Camera Club, with a Ross lens upon a Seed plate, and 
 developed with Pyro. Reproduced in a Gelatine print by the Heliotype Printing 
 
 Company of Boston, and printed upon Japanese paper 
 
 To face page 24 
 
 Number Four. suiting the Sbeepr from negative taken by Mr. Charles H. Currier, 
 of the Boston Camera Club, with a Dallmeyer lens upon a Seed plate, and 
 developed with Pyro. Reproduced in Photogravure by the Heliotype Printing 
 
 Company of Boston, and printed upon Japanese paper 
 
 To face page 40 
 
 Number F IVe. "Portrait from negative taken by Mr. Benjamin Kimball, of the 
 Boston Camera Club, with a Euryscope No. 3 lens upon an 8x10 Seed 26x 
 plate, and developed with Hydroquinone. Reproduced in Gravure-Etching by 
 
 Mr. John H. Foster, of Boston, and printed upon Plate paper 
 
 To face page 56 
 
 Number Six. %ural Group." from negative taken by Mr. Wilfred A. French, of 
 the Boston Camera Club, with a Voigtlander's No. 2 Euryscope lens upon a 
 Carbutt B plate, developed with Pyro-Potash. Reproduced in a Gelatine print 
 by the Heliotype Printing Company of Boston, and printed upon Plate paper 
 
 To face page 72 
 
s 
 
 ^o^ton €amcra Club — <iEvl)iI)ttion, 
 
 Slrtijst0 and ^rtijsanjs 
 
 Mr. Ludwig Sandoe Ipsen made the design for the cover. 
 
 Mr. William Sumner BriggS, Mr. Charles H. Currier, Mr. Wilfred A. French, Mr. Benja- 
 min Kimball, Mr. John C. Lee, and Mr. George M. Morgan, all of the Boston Camera 
 Club, made the original negatives of the illustrations. 
 
 The Heliotype Printing Company, Mr. John H. Foster, and Messrs. A. W. Elson 8l 
 Company, all of Boston, reproduced the negatives in Photogravure, Gravure- Etching, 
 and Gelatine Prints. 
 
 Messrs. Phelps, Dalton & Company made the cover plates and special ornaments. 
 Mr. George H. Ellis printed and bound the book. 
 
 ODf the a^ctiai. 
 
 Mr. Ludvig Sandoe Ipsen made the original design for the medal awarded at this 
 exhibition. 
 
 The Shreve, Crump & Low Company made the mould and cast the medal in 
 bronze. 
 
 ODf tl)C diploma. 
 
 Mr- Benjamin Kimball, of the Boston camera Club, made the original photographic 
 design for the diploma, which was adjudged by Mr. C. Howard Walker the best 
 design submitted in a competition open to members of the Photographic Society of 
 Philadelphia, the Society of Amateur Photographers of New York, and the Boston 
 Camera Club. 
 
CATALOGUE 
 
 PHOTOGRAPHS. 
 
 Mr. FRANCIS BLAKE, 
 Auburndale, Mass. 
 
 Boston Camei-a Club. 
 
 Instantaneous Pictures. 
 Lawn Tennis. 
 
 1 A Mr. E. J. Hall, Jr., winner of the Long- 
 wood and several other tournaments, 
 I 89 I . Forehand Service. 
 B " Forehand Volley, 
 
 c 
 
 Lens. 
 
 Developer. Plate. 
 
 Print 
 
 V 
 
 w 
 
 Backhand Volley. 
 
 Forehand Stroke. 
 Backhand Stroke. 
 
 Mr. E.J. Hall, Jr. Backhand Stroke. 
 
 Volley. 
 Lob. 
 
 " Forehand Smash. 
 
 Mr. R. D. Sears, Champion of the United 
 States, 1881 to 1889, and Double 
 Championship, 1882 to 1889. Fore- 
 hand Service. Beginning. 
 
 " Forehand Service. Mid- 
 
 dle. 
 
 " Forehand Service. End. 
 
 " Forehand Stroke. Be- 
 
 ginning. 
 Forehand Stroke. Mid- 
 dle. 
 
 " Forehand Stroke. End. 
 
 Backhand Stroke. End. 
 
 ;.meyer,full Hydrochi- 
 
 opening. 
 
 none. 
 
 Bromide 
 Standard, enlargement 
 about three 
 diameters. 
 
10 
 
 ^Oj9ton Camera €Iu6 — ^iBrljitiition, \S^2, 
 
 NEW PATEM CdNCENTHIC LENS. 
 
 IMPROVED PORTRAIT LEINS. 
 
 fflfflSffiffllliilSRTllllllMllllljjjj 
 
 PORTABLE SYMMETRICAL 
 
 RAPID SYMMETRICAL. 
 
 SINGLE LANDSCAPE LENS. 
 
 Gold Medals and Highest Awards at all great Exhibitions 
 
 ROSS' 
 
 Celebrated Portrait and View 
 
 LENSES 
 
 (OVER FIFTY THOUSAND OF THESE LENSES HAVE BEEN SOLD.) 
 
 MANY REGENT IMPORTANT IMPROVEMENTS, SEVERAL NEW SERIES. 
 
 ROSS' PATENT CONCENTRIC LENSES. F 16. 
 
 For Architecture, Copying, Landscapes, etc. The greatest advance 
 ever made in Photographic Lenses. 
 
 ROSS' PORTABLE SYMMETRICALS. F 16. 
 
 Very popular for Landscapes, Architecture, and Copying. The 
 first ten of the series screw into same flange. 
 
 ROSS' WIDE ANGLE SYMMETRICALS. F 16. 
 
 Embracing an angle of 90 degrees and upwards. Very suitable 
 for interiors and confined situations. 
 
 ROSS' RAPID SYMMETRICALS (NEW). F 8. 
 
 For Groups, Views, Copying, Enlarging, etc. The most useful 
 all-round lens for outdoor work. 
 
 ROSS' UNIVERSAL SYMMETRICALS. F 5. 657. 
 
 A New Extra Rapid series for Portraits, Groups, and Instanta- 
 neous Work. Highly recommended. 
 
 ROSS' SINGLE LANDSCAPE LENSES. F 16. 
 
 Introduced to meet the demand for a cheap series for purely 
 Landscape work. 
 
 ROSS' PORTRAIT AND CABINET LENSES. F 4. 
 
 Used by Leading Professional Photographers everywhere. Great 
 brilliancy and exquisite defining power. 
 
 ROSS' HAND CAMERA LENSES. F 5, 6, and F 8. 
 
 Bronzed Mounts, Iris or Waterhouse diaphragms. Can be supplied 
 in pairs, when so required. 
 
 ROSS' DIVIDED HAND CAMERA. 
 
 Has met with great success. Thoroughly reliable, 
 ommended by numerous purchasers. 
 
 Highly rec- 
 
 ROSS' STUDIO AND FIELD CAMERAS, Etc., Etc. 
 
 Ross lenses are kept in stock by the WILSON = HOOD = CHEY.NEY 
 CO. Ld., 910 Arch Street, Philadelphia, and WILLIAH C. CULLEN, 6i 
 William Street, New York, but may also be obtained through any 
 Stock Dealer or direct from the manufacturers, who have a large 
 stock, and can fill all orders immediately. Please send for illustrated 
 price=lists before purchasing from other makers. 
 
 ROSS & CO., Manufacturing Opticians, 
 
 112 New Bond Street, LONDON, ENGLAND. 
 
2Bo^tou Camera ^\uh — €j:l)ibition, 18^2. 
 
 11 
 
 6 
 
 X Dr. James Dwight, Double Championship 
 of the United States, 1882-83-84-86- 
 87. Champion North of England. 
 Champion West of England. Re- 
 versed Service. 
 
 A to L inclusive, Mr. Thomas Pettitt, Profes- 
 sional Court Tennis Champion of the 
 World. Professional Lawn Tennis 
 Champion of America. 
 
 Lens. 
 
 Developer. 
 
 Plate. 
 
 Print. 
 
 Various Subjects. 
 
 3 B Dall- . . 
 
 I r 11 EllllO't S 
 
 }^meyer,full Hydrochi- 
 1 openmg. 
 
 ^ ° none. 
 
 Standard 
 
 4 A, B, c, D " Cow Pon\' 
 
 5 A Pigeons in Flight. 
 B " " " 
 
 c 
 
 D 
 
 at Sharp Canter. 
 
 Speed, 
 
 Bromide 
 enlargement 
 about three 
 diameters. 
 
 Portrait (enlarged from 5x8 Plate). 
 
 Boy on Bicycle. 
 
 Engine of New York Express. 
 48 miles an hour. 
 
 ^ 3 D 
 
 Dallmeyer. 
 
 Negatives and positives the work of the exhibitor. Exposures were made with " focal-plane " shutter made by 
 exhibitor. Exposures of original negatives of plates in Frame No. i. and of plates M, N, o, and p, in Frame 2, were half a 
 thousandth of a second each. Exposures of plates g, r, s, t, u, v, w, and x, F"rame 2, of plates in Frame 4, of plates a, h, 
 and c, in Frame 5, were one thousandth of a second each. Exposure of plate D in Frame 5 was four thousandtlis of a 
 second. 
 
 Mr. clarence B. MOORE, 
 
 132 1 Locust Street, Philadelphia. 
 
 Photographie Society of Philadelphia. 
 
 Lens. Developer. 
 
 Portrait Study. Beck. Pyro-Soda. 
 
 Uncle Zeke (not retouclied). Francais. Eikonogen. 
 
 The Coming Race. " Pyro-Soda. 
 
 Orange Mounds, P'lorida. ' Pyro-Potash. 
 
 Small Culprit. '■ Pyro-Soda. 
 
 South Florida Kitchen. " Pyro-Potash. 
 
 Rural Politics. " Pyro-Soda. 
 
 On Poquessing Creek. '■ " 
 
 An Open Countenance (not retouched). Pyro-Potash. 
 
 Patience. ' Pyro-Soda. 
 
 High Noon. '• " 
 
 ( Eikonogen 
 
 7 
 8 
 9 
 10 
 11 
 12 
 13 
 14 
 15 
 16 
 17 
 
 18 
 
 19 
 20 
 21 
 
 Plate. 
 Seed 26. 
 
 Print. 
 
 Platinum Sepia. 
 Silver, Gold Toned. 
 Platinum. 
 
 Platinum Sepia. 
 
 Study in Posing (not retouched). 
 
 Portrait Study. 
 
 " " (not retouched). 
 
 Knock dat Chip off. 
 
 Beck. 
 
 Hydrochinon. } 
 
 Cramer C. 
 Seed 26. 
 Cramer C. 
 Seed 26. 
 
 Sepia. 
 
 " Eikonogen. 
 Francais. Pyro-Potash. 
 Negatives and positives, work of exhibitor. 
 
12 
 
 CLOSED. 
 
 ROCHESTER . . . 
 
 ... 5 X 7 FOLDING 
 
 OPEN. 
 
 The Rochester Cameras are the latest and best out. 
 
 Examine them 
 at your dealer's. 
 
 Manufactured ROCHESTER CAHERA M'F'Q CO. 
 
 ROCHESTER, N.Y. 
 
 Photographic^^ pparatus 
 
 AND SUPPLIES OF ALL KINDS. 
 
 Detective and the latest Printing J^apers, De- 
 CcTtliefClS "velopers, etc., always on hand. 
 
 Albums of all styles atul 
 
 sizes. 
 
 Especial care given to arranging and mounting 
 prints with gelatine. 
 
 DEVELOPING AND P HINTING. 
 
 Dark Room for Changing Plates. 
 
 John H. Thurston^ 
 
 so 
 
 BROMFIELD ST., 
 BOSTON. 
 
 ROOM 
 
 {2d floor). 
 
 Agent for LIB BY DRY PLATES. 
 
 '^Heaven's last best gift to Plan." 
 
 Tl)e ^ 
 
 % 
 
 V>Y% Plates 
 
 4^ 
 
 are universally acknowlediied to 
 
 be the best, quickest, and -jfj 
 
 A' 
 
 most reliable made 
 Unapproached for iiiiifonn excellence of quality 
 HE high standard of our plates, which 
 
 T 
 
 in the past has evoked fl attering testi- 
 monials, will be fully maintained. 
 
 The Libby Dry 
 Plate Company, 
 
 Portland, Maine, 
 U. S. A, 
 
Boston Camera €hib — €vl)ibition, 1S92. 
 
 13 
 
 Mr. J. PRINCE LOUD, 
 
 135 Mount Vernon Street, Boston. 
 
 Boston Camera Club. 
 
 22 
 23 
 24 
 25 
 26 
 27 
 
 Castleton, Derbyshire, England. 
 
 Tintern Abbey, Monmouthshire, England. 
 
 Brook near Dolgelley, N. Wales. 
 
 The Nant Gwnant, Beddgelert, N. Wales. 
 
 The River Conway, Betteos-y-Coed, N.Wales. 
 
 Lens. 
 
 Developer. Plate. 
 
 Ross 
 
 Rapid Reel. 
 
 Pyro. 
 
 Carbutt 
 Films. 
 
 Development and positive, work of exhibitor. 
 
 Print. 
 
 Bromide 
 Enlargement. 
 
 Mr. WALTER G. CHASE, 
 
 ID Central Street, Boston. 
 
 Boston Camera Club. 
 
 28 The Amateur Violinist. 
 
 29 Japanese Girls. 
 
 30 Portrait. 
 
 31 A, B, c Japanese Dancing Girls. 
 
 32 Miss Howells. 
 
 33 Umbrella Mender. 
 
 34 Portrait. 
 
 Lens. Developer. 
 
 Eurygraph. Hydro. 
 Dallmeyer. " 
 Eurygraph. " 
 Dallmeyer. " 
 Euryscope. " 
 Dallmeyer. " 
 
 Plate. Print. 
 Carbutt. Silver. 
 Cramer 50. " 
 
 Exposure and development, work of exhibitor. 
 
 Mr. M. E. RENCURREL, 
 
 7 Cedar Street, Charlestown. 
 
 Lens. Developer. Plate. Print. 
 
 35 A Modern Priscilla. Waterbury. Pyrogallic. Chautauqua. Bromide Enlarg. 
 
 36 A Twilight Melody. 
 
 37 Oldest House in U.S., Pembroke, 
 
 Mass., built a.d. 1628. " " " Albumen Paper. 
 
 Exposure and development and print of 37, work of exhibitor. 
 
 Mr. ADAM DISTON, 
 
 Leven, Fife, Scotland. 
 
 38 Relics. 
 
 39 The Broken Toe. 
 
 40 After the Storm. 
 
 41 The Deserter's Home. An Alarm! 
 
 42 A Wee Customer. 
 
 43 Highland Smugglers. 
 
 Lens. Developer. Plate. 
 
 Dallmeyer's Portrait. Pyro. Mawson. 
 
 Print. 
 Platinum. 
 Silver. 
 Platinum. 
 Silver. 
 
 Exposure, development, and print, work of exhibitor. 
 
14 
 
 ^o^fton Camera »iriub — ofiijibition, 18^2. 
 
 FERB. F. FRENGH Zl CQ, 
 
 (Ll/niTED.) 
 
 COACH-BUILDERS 
 
 TO 
 
 PRIVATE TRADE 
 
 EXCLUSIVELY. 
 
 OdR NEW DESIGNS IN 
 
 VIGT0RIAS m GABRieiiETS 
 
 FOR The year 1592 
 
 Surpass in Elegance and 
 artistic beauty the produc- 
 tions of the best London 
 and Paris Builders. 
 
 Correspondence invited. 
 
 SaDBdRY ANB FRIEND STREETS, AND MdL^BERRY PLACE, 
 
 BesreN, mass. 
 
2B>o8ton Camera OTIuIj — 4Exi)itJitioii, 1892. 
 
 15 
 
 Mr. LYDDELL SAWYER, 
 
 Singleton House, Newcastle. 
 
 Northern Counties Society. 
 
 44 The Toper. 
 
 45 Reflections. 
 
 46 The Last Rehearsal. 
 
 47 Lighten our Darkness, O Lord ! 
 
 48 Crewel (cruel) Works. 
 
 49 The Smoky Tyne. 
 
 50 The Boat Builders. 
 
 51 Tarn O'Shanter and Souter Johnnie. 
 
 Lens. 
 
 Dallmeyer's R. R. 
 
 Darlot's Portrait. 
 
 52 The Rivals. 
 
 53 Rare old Gossips. 
 
 54 In the Twilight. 
 
 55 Foggy Weather. 
 
 Dallmeyer's R. R. 
 
 Developer. 
 
 Pyro and 
 Ammonia. 
 
 Negatives and positives, work of exhibitor. 
 
 Plate. 
 
 Print. 
 
 Edwards. Platinotype. 
 
 Mr. clement WILLIAMS, F.R.I. B.A., 
 
 13 Akeds Road, Halifax, England. 
 Halifax Photographic Club. 
 
 Lens. 
 
 Developer. 
 
 Plate. 
 
 Print. 
 
 Single 
 > Meniscus, 
 30 in. Focus. 
 
 Alk-Pyro. Ilford Slow. Carbon. 
 
 56 A Sea Dream. 
 
 57 A Coming Storm. 
 
 58 Sail on, Little Boat, for the Night is Bright. 
 
 59 Listening to the Cuckoo. 
 
 The three sea pictures are from direct negatives, 20 x 16 in., and are not enlargements. The negatives were taken 
 with a pale smoked glass screen in front of the lens, the invention of exhibitor. The woodland scene is also. direct. The 
 four negatives are untouched, and no double printing. 
 
 Mr. F. DUNDAS TODD, 
 
 29 Pansmore Place, Edinburgh. 
 Edinburgh Photographic and {Edinburgh) Viewjinders. 
 
 Lens. Developer. Plate. Print. 
 
 60 Baiting the Lines. R. R. Pyro-Am. Ilford. Platinotype. 
 
 61 A Village Smithy. W. A. " Thomas. " 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. HOWARD R. BARTON, 
 
 70 Trinity Terrace, Boston. 
 
 Technology Photographic Society. 
 
 Lens. Developer. Plate. Print. 
 
 62 An Overflow from the Mill-race on 
 
 the Walkill River, Hamburg, N.J . Ross R. S. Pyro-Soda. Seed 26. Carbon. 
 
 63 The Old Mill-race on the Walkill, 
 
 Hamburg, N.J. 
 
 64 Resting. Gundlach. Eiko-Potash. Alleti & Rowell. Albumen. 
 
 Exposure and development, work of exhibitor. 
 
16 
 
 ^o^fton Camera *(rhib — ofjrljibition, 1892. 
 
 Morgan, Robey # Company, 
 
 Successors to C. H. Codman & Co. 
 Manufacturers, Importers, and Dealers in 
 
 Photographic Supplies 
 
 HAWKEYE, KODAK, f /ll/l/l £> IT /l C ^'^'^ OTHER 
 
 KNACK, IRVING, \^ CI filC f HAND CAMERAS. 
 
 Camera^ 
 Lense^ 
 Dry Plate^ 
 
 ALBUMEN, PLAIN J-^/1^l?'V f 11 4^ ft' OMEGA, ARISTO, 
 
 AND SENSITIZED. ^ dUfu I JOT Clll pfOCCjJC'S AND BLUE PAPER. 
 
 Card Stock 
 Shutter^ 
 Pure Chemical^ ^ etc. 
 
 PICTURES, PICTURE FRAME MATERIALS 
 
 "ORTHO," MORRISON, # P1/1Q/?C '^'^'^ 
 
 DARLOT, BECK, J-^ty fldC \ OTHER MAKES. 
 
 ALL BRANDS. 1^1 1/ i LLllC \ ALL BRANDS. 
 
 COLLIN'S f \tnrlp COLLIN'S 
 
 PHOTOGRAPHIC U/ KjlULrC PHOTOGRAPHIC. 
 
 TIME, Shuttpr^ ™^ 
 
 AND INSTANTANEOUS KJ l^ll^ I \ AND INSTANTANEOUS. 
 
 34 Street, Boston, Mass. 
 
•:3o^ton Camera Ciub — €rl)ibmon, 1S92. 
 
 17 
 
 Mr. O. a. EAMES, 
 
 Boston, Mass. 
 
 Boston Camera Club. 
 
 65 After the Shower, Boston Harbor. 
 
 66 Sunrise, Nantucket. 
 67 
 
 68 Twilight, Boston Harbor. 
 
 69 Surf, Nahant. 
 
 70 Wood Island. 
 
 71 Young America. 
 
 72 Beggar Girl. 
 
 73 At Crescent Beach. 
 
 74 A Summer Afternoon. 
 
 75 Behind the Clouds. 
 
 76 The Children's Paradise. 
 
 Leus. 
 Euryscope. 
 
 A. G. Clark. 
 Darlot. 
 
 Euryscope. 
 
 Darlot. 
 
 Developer. 
 Pyro-Soda. 
 
 Plate. 
 Cramer. 
 
 Print. 
 Plain Salt. 
 
 Ii.\posure and development, work of exhibitor. 
 
 Mr. CHARLES L. MITCHELL, M.D., 
 
 ioi6 Cherry Street, Philadelphia, Pa. 
 
 The Photographic Society, Philadelphia. 
 
 77 The Loen Vand at Vasenden, Norway. 
 
 Lens. 
 Steinheil. 
 
 Developer. 
 Hydro- Eiko. 
 
 Plate. Print. 
 
 Carbutt Eastman's 
 Ortho. Film. ]]romide. 
 
 78 The Naero Fjord at Gudvangen, Norway. " 
 
 79 The Old Borgund Chuich, Norway. Beck. 
 
 80 The Sandven Vand, Hardanger, Norway. Ross. 
 
 81 The Lote-fos Hardanger, Norway. Steinheil. 
 
 82 In the Maderaner Thai, Switzerland. " 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. WM. GARRISON REED, 
 19 Kilby Street, Boston. 
 
 Boston Camera Club. 
 
 83 North Conway and Kearsarge. 
 
 84 Goodrich Falls. 
 
 85 Old Shingle Mill, Kearsarge. 
 
 86 Swift River Falls. 
 
 87 Mount Chocorua and Lake. 
 
 88 Cathedral Ledge. 
 
 89 West Channel of the Saco. 
 
 90 Old Mill Pond, North Conway. 
 
 91 Saco River and Mount Washington. 
 
 92 White Horse Ledge. 
 
 Lens. Developer. Plate. 
 
 Beck. Ox. A. & Rowel 
 
 Darlot W. A. 
 Beck. 
 
 Print. 
 
 Eastman's 
 Bromide Paper. 
 
 Carbutt 
 Ortho. Film. 
 A. & R. Film. 
 
 Exposure, development, and positives (excepting No. 92), work of exhibitor. 
 
18 
 
 25o^ton OTamcra Club — OExijibition, 1892. 
 
 Photographic Apparatus for Amateurs. 
 
 BEING the oldest firm of the kind in New England (founded in 1846), we have the longest ex- 
 perience^ in the business, and our large and well-assorted stock comprises only the best of 
 Lenses, Cameras, Printing-Papers, Chemicals, Dry Plates, Albums, etc. 
 
 THE BEST LENSES FOR AMATEURS 
 
 ARE 
 
 Voigtlander's 
 • • Celebrated 
 
 • . ARE 
 
 Euryscope 
 
 Lenses, 
 
 constructed by the greatest living optician, in seven different series, of special Jena glass, and 
 adapted to every species of portraiture, interior, exterior, and instantaneous work. Also the new 
 
 Zeiss An astigmat Lenses, 
 
 working at full aperture without astigmatism. Made by Voigtlander & Son, according to formulae 
 by Carl Zeiss of Jena, Germany, under the German Patent. Also 
 
 The Well-known 
 
 Darlot 
 
 • • • • Lenses 
 
 For all kinds of 
 
 Portrait, inside, 
 and 
 
 Outside Photography. 
 
 Special Lenses and Condensurs, Singly or in Matched Pairs, for Stereopticons. 
 
 To protect our patrons against imposition, our initials (B. F. & Co.) are engraved on all Darlot's lenses 
 
 of our importation, which is a sure proof of their genuineness and superiority. <=^a 
 
 Complete and Illustrated Catalogue sent free on application. 
 
 SOLE AMERICAN AGENTS: 
 
 BENJ, FRENCH & COMPANY, 
 
 NO. 319 WASHINGTON ST. (opp. Milk St.), BOSTON, MASS. 
 
Mr. HAMILTON EMMONS, 
 London, England. 
 
 The Camera Club, Ens^la/id. 
 
 Developer. Plate. Print. 
 
 93 Native Dahabayahs, Egypt. Pyro. England's Film. Plain 
 
 , Silver Paper. 
 
 94 The Last Rays of Sunset. " '• 
 
 95 Then came Still Evening on. • " " '• 
 
 96 Harvest Time. " Carbutt's Film. " 
 
 97 The Western Waves of Ebbing Day. " England's Film. 
 
 98 Sunset on the Nile. 
 
 99 In the Fayum, Egypt. *' " " 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. ROBERT S. REDFIELD, 
 
 3706 Walnut Street, Philadelphia. 
 
 Photographic Society of Philadelphia. 
 
 
 
 
 Lens. 
 
 ■ Dtc'eloper. 
 
 Plate. 
 
 100 
 
 Hesitation. 
 
 12 in. 
 
 Ross R. S. 
 
 Pyro-Soda. 
 
 Cramer. 
 
 101 
 
 Mending their Ways. 
 
 16 " 
 
 Dallmeyer R. R. 
 
 
 
 102 
 
 A Morning by the Brook. 
 
 16 •' 
 
 
 it 
 
 Seed. 
 
 103 
 
 Warranted Safe and Gentle. 
 
 16 " 
 
 u 
 
 Eiko-Hydro. 
 
 Cramer. 
 
 104 
 
 Navigation, 
 
 16 " 
 
 
 
 
 105 
 
 Study of Sheep. 
 
 16 " 
 
 
 i( 
 
 ii 
 
 
 Exposure, development, and print, wor 
 
 k of exhibitor. 
 
 
 Print. 
 
 Black 
 Platinotype 
 Hot Process. 
 
 Sepia 
 Platinotype 
 Hot Process. 
 
 Mr. ARTHUR R. WILMARTH, 
 
 51 Eliot Street, Jamaica Plain, Mass. 
 
 Boston Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 106 
 
 Dropping Corn. Dall. (y\ x 8i 
 
 Pyro- Potash. Seed. 
 
 Brom. Enlarg. 
 
 
 
 Silver Print. 
 
 107 
 
 Cinnamon Roses. " 
 
 
 Japan Paper, 
 Silver Print. 
 
 108 
 
 Richardson's Creek, Merrimack River. 
 
 Harvard. 
 
 demons Paper, 
 Silver Print. 
 
 109 
 
 A Winding Way. " 
 
 Seed. 
 
 Salted Paper. 
 
 110 
 
 Mill Pond, West Boxford, Mass. 
 
 Carbutt 
 
 (( 
 
 
 Ortho. 
 
 
 111 
 
 Brook at West Townsend, Mass. 
 
 '• Seed. 
 
 Silver Print, 
 
 
 
 
 Japan Paper. 
 
 112 
 
 November. " 
 
 
 113 
 
 Elm Trees. " 
 
 
 Kallitype. 
 
 Japan Paper. 
 
 Exposure, development, and print, work of exhibitor. 
 
20 
 
 25o^ton Camera €lul) — €i:l)itiition, 18^2. 
 
 Structureless film. cAMi^niDCiE, 
 
 THE LEADING PLATE FOR 
 
 fVrnatcurj. 
 
 SEE REPORTS OF THE EXHIBITS 
 OF PRINCIPAL AMATEUR 
 SOCIETIES IN 
 ALL PARTS OF THE COUNTRY. 
 
 Photograph Cards. 
 
 All the best Photographs made in this 
 country are mounted on cards 
 made at the extensive 
 factories of 
 
 A. M.Collins Mannfactnring Co. 
 Philadelphia, 
 
 where may be found styles and qualities 
 of cards for Photographers' use 
 such as will be looked for 
 in vain elsewhere. 
 
 No. 1. 
 
 FOR TIME EXPOSURES 
 AND ORDINARY 
 
 OUTDOOR WORK. 
 
 * 
 
 No. 2. 
 
 FOR INSTANTANEOUS 
 
 EXPOSURES, AND 
 WHERE EXTRA SENSI- 
 TIVENESS IS REQUIRED. 
 
 Ieep^ shirts" 
 
 Are the Standard Shirts of America. 
 
 Best Quality Made to Order. 
 
 SIX FOR $9.00 
 
 KEEP'S Celebrated "K" Unlaundered Shirt, 85c. 
 each. Open back or open front or both. 
 
 NEGLIGEE SHIRTS from CHEVIOT, FLANNEL, 
 MADRAS, and SILK in great variety and of special 
 designs to order and in stock ready for use from 
 $ 1 .00 upwards. 
 
 Our UNDERWEAR and HOSIERY Department is the 
 largest and most complete in the city. 
 
 Complete line of MEN'S OUTFITTINGS at popular 
 prices. 
 
 Keep Manufacturing Co., 
 114 tremont street, 
 Boston. 
 
25o^fton Camera €hil> — Cxljibition, 1892. 
 
 21 
 
 Mr. W. S, clow, 
 
 The Press, Philadelphia. 
 Philadelphia. 
 
 Lens. 
 
 Beck. 
 
 Developer. 
 
 Eiko-Hyd. 
 
 114 828 in the Sun. 
 
 115 SoHd Comfort. 
 
 116 Making Apple Hutter. The Start. 
 
 117 Making Apple Butter. The Finish. 
 
 118 Roadside Gossip. 
 
 119 Listen to my Tale of Woe. " Pyro-Soda. 
 
 120 Home at Last. 
 
 Exposure, development, and print of No. iiS, woi k of exhibitor. 
 
 Plate. 
 Eagle. 
 
 Print. 
 
 Platinum. 
 
 Silver. 
 
 Miss HELEN M. MURDOCH, 
 
 62 Clifford Street, Roxbury, Mass. 
 
 121 A Taken by Moonlight. October. 
 
 Lens. Developer. Piatt-. 
 Hawk-eye. Hoover. Harvard. 
 
 B Eclipse of the Moon, November 15, 1891. " 
 
 Negative enlarged by C. H. Currier, 
 c Taken by Moonlight. February. '' 
 
 122 A U. S. S. "Chicago." 
 R " " "Newark." 
 c " " "Boston." 
 
 D " " "Atlanta." " 
 E " " "Yorktown." 
 F " " "Vesuvius." 
 
 123 Cobweb on a Foggy Morning. " 
 
 124 Studies on Orthochromatic Plates. " 
 
 All exposures and prints, and all developments except No. 
 
 Print. 
 
 Contact 
 Bromide. 
 
 23, work of exhibitor. 
 
 Miss ALICE G. CHANDLER, 
 Lancaster, Mass. 
 
 125 A Brown October's Wood. 
 
 Lens. Developer. 
 Euryscopic Hydrochinon. 
 Rectilinear. 
 
 B The Frost Spirit comes, 
 
 c The Dusk of Fir and Pine. 
 
 D The Song of April Brooks. 
 
 E The Swimming Hole. 
 
 F The Seven-bridge Road. 
 
 G The Last Load. 
 
 H Through the Blossomed Apple-boughs. 
 
 I 'Most Milking Time. 
 
 J Virgin Snow Path. 
 
 Plate. 
 
 Allen & Rowell. 
 
 Chautauqua. 
 Allen & Rowell. 
 Chautauqua. 
 Forbes. 
 
 Allen & Rowell. 
 Chautauqua. 
 
 Print. 
 
 Eastman's 
 Bromide B. 
 
22 
 
 25oj^tou Camera €liib — €rl)itJition, \S^2. 
 
 The "Universal" Camera. 
 
 CAMERA FULLY EXTENDED. 
 
 SIZE OF 
 
 VIEW. 
 
 SINGLE 
 
 SWING. 
 
 DOUBLE 
 
 SWING. 
 
 six 
 
 4i 
 
 $27 
 
 00 
 
 $29 00 
 
 4 X 
 
 S 
 
 28 
 
 00 
 
 30 
 
 00 
 
 4i X 
 
 6i 
 
 30 
 
 00 
 
 32 
 
 00 
 
 5 X 
 
 7 
 
 33 
 
 00 
 
 35 
 
 00 
 
 5 X 
 
 8 
 
 36 
 
 00 
 
 38 
 
 00 
 
 6ix 
 
 8i 
 
 40 
 
 00 
 
 43 
 
 00 
 
 8 X 
 
 10 
 
 45 
 
 GO 
 
 48 
 
 00 
 
 lO X 
 
 12 
 
 52 
 
 00 
 
 56 
 
 00 
 
 I I X 
 
 14 
 
 60 
 
 00 
 
 65 
 
 00 
 
 14 X 
 
 17 
 
 72 
 
 00 
 
 80 
 
 00 
 
 17 X 
 
 20 
 
 90 
 
 00 
 
 100 
 
 00 
 
 The " Universal " Camera is a modified English pattern, and is the most compact 
 Camera in the market, the 6^'2xS% being but 2^ inches thick when folded, and weighs 
 but five pounds, and has a draw of 20 inches. 
 
 The "Universal" is conceded to be the best View Camera in the market, every 
 part being strictly first-class. Send for catalogue to 
 
 ROCHESTER OPTICAL CO., 
 
 Or to any Dealer in Photo. Supplies. ROCHESTER, NEW YORK. 
 
25o^ton Camera €hit) — €j:I)iliition, 1892. 
 
 23 
 
 Lens. Developer. Plate. 
 
 K The Haunted House. Euryscopic Hydrochinon. Chautauqua. 
 
 Rectilinear. 
 
 L At Set of Sun. 
 M An Old Settler. 
 
 N Why doesn't He Come ? '■ 
 126. o King of the County. 
 
 p Where the Rude Forefathers of the 
 
 Hamlet sleep. " " 
 
 Q The White Pagodas of the Snow. •' " 
 
 R Twilight on the River. 
 
 s Beside the River's Tranquil Flood. '' " 
 T The Homeward Path, 
 u Maiden Meditation. " 
 
 V Where the Gentle Nashua flows. " " 
 w The Old Causeway. " 
 X The Ford. 
 
 V Grandmother's. " ■ " 
 z The Haunt of the Pickerel. " " 
 
 A A The Winter's Grasp. " " 
 
 B B The Walnut in the Pasture. " " 
 
 Exposures, development, and prints, work of exhibitor 
 
 Print. 
 Eastman's 
 
 Bromi 
 
 de B. 
 
 Allen & Rowell. 
 Chautauqua. 
 
 Rochester. 
 Chautauqua. 
 Seed. 
 
 Chautauqua. 
 
 Mr. CHARLES I. BERG, 
 
 34 Gramercy Park, N. Y. City. 
 N. y. Society A. P. 
 
 127 A 
 
 B 
 C 
 
 ^{ 
 E 
 K 
 G 
 
 128 A 
 
 H 
 
 Posing and Lighting. 
 
 Portraits. 
 
 Letts. Developer. Plate. Print. 
 
 Dallmeyer. Hydrochinon. Seed 26. Platinotype. 
 
 Aristo 
 
 Matt Surface. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Miss ROSAMOND W. SILSBEE, 
 
 Hotel Nightingzrie, Dorchester, Mass. 
 
 Lens. Plate. Print. 
 
 129 The Coquette. Beck. Allen & Rowell. Bromide Enlargement 
 
 from 4 X 5 in. Negative. 
 
24' 
 
 25oston vtamrra €lul) — oErbiBition, 1892. 
 
 The Premier Camera. 
 
 jjiMMiMiinmimjiiuiiiiiiiijiu. 
 
 PREMIER, CLOSED. 
 
 The PREMIER is conceded to be the ■ 
 best Hand Camera in market fqr anywhere 
 near the price, and possesses some advan- 
 tages over all others. 
 
 The Shutter is a novel device, and is so 
 constructed that it revolves in one direction 
 -only, not requiring to be set, and only re- 
 quires to be wound up to be always ready. 
 It will make six exposures without rewinding. 
 Any lens can be fitted to the PREMIER. 
 
 Price, 
 
 Price with I 
 
 PREMIER, WITH FRONT LOWERED. 
 
 SEND FOR OUR CATALOGUE. 
 
 Rochester Optical Co 
 
 ROCHESTER, N. Y. 
 
25oston ^amcrn €hib — aEx1)ibitiou, 1892. 
 
 25 
 
 Mr. JOHN C. LEE, 
 
 Brookline, Mass. 
 
 Boston Camera Club. 
 
 130 
 131 
 132 
 
 133 \ Portraits. 
 134 
 135 
 136 
 
 Lens. 
 
 Developer. Plate. 
 
 Print. 
 
 T7 XT r> A • Plain Salted 
 
 Euryscope No. ryro-Ammonia. Lramer. j ah 
 
 ' o 3 gj^fj Albumen. 
 
 Exposure and development by exhibitor. 
 
 mr.'henry troth, 
 
 330 Chestnut Street, Philadelphia. 
 
 Photographic Society of Philadelphia. 
 
 Lens. Developer. Plate. Print. 
 
 137 On the Rancogas. Brown's Mills, Bausch & Lomb Hydro-Eiko. Carbutt"B." Platinotype. 
 
 New Jersey. Rapid Universal. 
 
 138 Montmorency River, Canada. " " 
 
 139 Chaudifere Falls, Province of 
 
 Quebec, Canada. " " 
 
 140 Chaudibre Falls, Province of 
 
 Quebec, Canada. " " 
 
 141 Road through the Holly, Wildwood 
 
 Beach, N.J. 
 
 142 A New Jersey Swamp in October. " " 
 
 Exposure and development, work of exhibitor 
 
 Carbutt 
 " Eclipse." 
 
 Carbutt 
 
 " Orthochro." 
 
 Mr. T. JAMES BABCOCK, 
 
 Coolidge Avenue, Dorchester, Mass. 
 
 Boston Camera Club. 
 
 Lens. Developer. 
 143 A " Grotto," No. Easton, Mass. No. 3, Eury. W. A. Pyro-Soda. 
 B " Dear Old Lady." No. i, a " 
 
 c Residence, Cambridge, Mass. No. 3, Darlot W. A. " 
 D " Fern Grotto," No. Easton, Mass. No. 3, Eury. W. A. Hydroch. 
 E Pierce House, Dorchester. No. 3, Darlot W.A. Pyro-Soda. 
 
 F " Pines," James Russell Lowell, 
 
 Cambridge, Mass. " " 
 
 G " Birches," Franklin Park. " " 
 
 H " Begging for Sugar." No. i, a Eury. " 
 
 I Lodge Gate, No. Easton, Mass. No. 3, W. A. Eury. " 
 
 Exposure, development, and print, work of exhibitor. 
 
 Plate. Print. 
 Cramer B. Alb. Silver. 
 
 " C. 
 Carbutt B. 
 Cramer B. " 
 Carbutt B. Plain Salt. 
 
 Cramer C. " 
 Carbutt B. 
 
 Cramer C. Alb. Silver. 
 
 B. Plain Salt. 
 Pa. untoned. 
 
26 
 
 F. L. DUNNE , 
 
 Tailor and Importer. 
 
 New Location, 
 
 TRANSCRIPT BUILDING,— 
 328 Washington Street, cor. Milk, Boston. 
 
 . . A SPECIALTY MADE OF THE . . 
 MOST CORRECT LONDON STYLES. 
 
 ONE OF OLR TESTIMONIALS READS: 
 
 Boston, December 30, i8go. 
 Mr. Thomas Hall, Dear Sir, — The View Lantern which I bought 
 of you last winter has given perfect satisfaction. . . , Any Slide not too 
 dense for a lime light is not too dense for this lantern . . . Lenses, con- 
 densers, and lamps are, in my opinion, the height of excellence. 
 
 W. C. LEWIS, Boston, Mass. 
 
 THOMAS HALL, 
 
 MANUFACTURHR ANO lU-ALER IN AT. I, KINI)^ OF 
 
 OPTICAL AND ELECTRICAL SUPPLIES, 
 19 Bromfield St., Boston, Mass, 
 
 PHOTOGRAPH MATERIALS 
 
 -« AT THE S<- 
 
 Lowest Prices in New England. 
 
 W/^ have one of the largest stocks of materials for 
 Amateur Photographers to be found in this country, 
 and we aim to keep our prices below our competitors. All 
 the prominent makes of Cameras, Lenses, Plates, and 
 materials of every description in stock. 
 
 Hawkei/e Camera from $13. 13 upwards. 
 
 Ruby Lanterns from 50c. upwards. 
 
 Harvard , Standard, Stanley and Allen 
 and Rowell Plates, size 4x5 inches, 45c. 
 a box. 
 
 Other sizes in proportion. 
 
 No matter what you want in this line, we know you can 
 save money by purchasing of us. 
 
 = HOUGHTON & BUTTON = 
 
 TREMONT AND BEACON SIS. 
 
25ositon Camera €lub — aEjcbibition, 1892. 
 
 27 
 
 Mr. JOHN W. ALEXANDER, 
 Yonkers, New York. 
 
 Am. PJioto. Confereiici. 
 
 144 A Sunrise. 
 
 Lens. Developer. Plate. Print. 
 
 Gundlach. Hydrochinon. Cramer Isochromatic. Platinotype 
 
 (Hot Process). 
 
 146 B Sunset. 
 
 " In maiden mediiation, 
 
 fancy free." " Pyro-Soda. 
 
 146 A Indolence. " 
 I! " Cheerful Industry." ' " 
 
 147 "The flower she touch'd on 
 
 dipt and rose, 
 And turned to look at her." 
 
 Exposure, development, and print by exhibitor. 
 
 Mr. JOHN H. TARBELL, 
 
 124 Lexington Avenue, New York 
 
 Lens. 
 
 148 Twilight in the Adirondacks. 
 
 149 Easter-tide. 
 
 Ih vclopcr. 
 
 Darlot R.H. Eiko- Hydro. 
 " Pyro-Soda. 
 
 Plate. Print. 
 Cramer B. Aristo Paper. 
 " demons Mat 
 
 Surface Paper. 
 
 Eiko Hydro. 
 Pyro-Soda. 
 
 Cramer's 
 Isochrom. 
 Carbutt's 
 Eclipse 
 Film. 
 Stanley. 
 
 Aristo Paper. 
 Kallitype, No. 2. 
 
 150 A Flashlight Study. 
 
 151 Bronze Group of Indians at 
 
 Entrance of Parliament 
 Buildings, Quebec, Can. 
 
 152 Scene at a Quebec Restaurant. 
 
 153 The Citadel of Quebec from the 
 
 St. Lawrence River. " " " " " 
 
 154 A Quebec Window Scene. " " " " " 
 
 155 " Sous le Cap" Street, Quebec. " " •• Carbutt's 
 
 Eclipse Film. 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. WILLIAM H. DODGE, 
 
 261 Stevens Street, Lowell, Mass. 
 
 Lowell Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 156 "When evening touched the mount's high rim, 
 
 And dark fell on the waves. 
 We only saw processions dim 
 
 Of clouds, from shadowy caves. O. A. Euryscope. Pyro Spec. Carbutt. Omega. 
 
 Potash. 
 
 157 In Pastures Green. " " " " 
 
 158 Winter. ' " Cramer, No. 60. " 
 
 159 Quietude. " " Spec. Carbutt. 
 
 Exposure, development, and print, work of exhibitor. 
 
28 
 
 camera: 
 
 l5 (oNTTKU(TErDoiiCoKRE-CT PKmciPLfS AfID 
 IS BELIEVED To CoABINf tPPICItfiCY AnD * 
 PoRTABIl-ITY In ASuPtKloKnAnneKAnoTo 
 AeKEATEREXTenTTHANAnYllANDCAnEKA OP-1 
 FE-KED The- PKopESSieNAL OR AMATEUR- I 
 FtloToCfRAPntR. ^ <^ <^ ^ <^ ^ j 
 
 iTlsisT iPohCtiflncfi 
 
 ATlVtsTnATTtienAK-) 
 i;r>) orTni3 InSTRUMfNTBflm 
 |jHEII?CLAIfiS«FSUPERl?RITY, 
 But rKonTMECERTAinTY • 
 
 vOpTwELVE- Pictures 
 
 HRon Every DozE-M ^ ♦ 
 ^ ' Exposures • < | 
 
 i 
 
 3oToje> w-sooTt-iiT, ; 
 
 E 
 
 this is not true. 
 
 ■VA/INNERS of prizes in photographic exhibitions are 
 almost invariably USERS and PRAISERS of 
 Prosch Shutters. 
 
 T"HE PROSCH "TRIPLEX" SHUTTER is excelled by no 
 shutter in its class in simplicity of make-up, and yet 
 it is very much the most efticient shutter for all-round 
 work. 
 
 IT is twice or thrice as quick as its closest competitor; 
 ^ and, besides, for either TIME or SLOW=INSTAN= 
 TANEOUS exposures, COnPETlTIVE tests show it 
 to have decided advantages. 
 
 UR "ATHLETE" SHUTTER for VERY QUICK 
 
 work has no competitor. 
 
 O 
 
 Circulars and Information cheerfully furnished. 
 
 Prosch Hfo. Co., 
 
 389 Broome St., = New York. 
 
 t^arl 
 
 street 
 
 66 
 
 99 
 
 0000 
 
 l=^©^4©^4mfwy Lltl^la Water 
 
25oston Camera €lul> — €),1)itJitiou, IS 92. 
 
 29 
 
 Mr. E. ABBOTT FULLER, 
 
 246 Marlboro' Street. 
 
 Boston Camera Club. 
 
 Lens. 
 
 160 A Portrait. Eurygraph. 
 
 Developei . 
 Hydro. 
 
 Plate. 
 Stanley. 
 
 Exposure and development, work of exhibitor. 
 
 Mr. 
 
 WILLIAM SUMNER BRIGGS, 
 Boston. 
 
 Boston Camera Cltih. 
 
 161 Forest in Winter. 
 
 162 The Frozen Brook. 
 
 163 December's Bareness. 
 
 164 Winter Woods. 
 
 165 The Snow-clothed River. 
 
 166 Winter Study in an Orchard. 
 167 
 
 168 "Hemlocks turned to pitchy black 
 
 Against the whiteness at their back.' 
 
 169 Winter Study of a Birch Tree. 
 
 170 Winter Study of a Mountain River. 
 
 171 Winter Study of a Road at Sunset. 
 
 172 The Silent Stream. 
 
 173 Poplar Bridge. 
 
 174 The Mill Farm 
 
 175 Meditation. 
 
 176 In the Forest. 
 
 177 A Summer Road. 
 
 178 A Duxbury Road. 
 
 1 79 The Haunted House. 
 
 180 A Mountain River. 
 
 181 A Mountain Stream. 
 
 182 The Lily Pond. 
 
 183 A Corner of the Lake. 
 
 184 November. 
 
 Lens. 
 
 Ross. 
 
 Euryscope. 
 Ross. 
 
 Euryscope. 
 Ross. 
 
 Euryscope. 
 
 Ross. 
 
 Euryscope. 
 
 Ross. 
 
 Darlot. 
 
 Ross. 
 
 Dmeloper. Plate. 
 Pyro. Allen & Rowel) Film. 
 
 Print. 
 
 Alb. Silver. 
 
 Print. 
 
 Plain Silver. 
 
 Darlot. 
 
 Standard. 
 (I 
 
 Allen & Rowell Film. 
 
 Standard. 
 
 Carbutt Film. 
 
 Standard. 
 
 Carbutt Film. 
 
 Allen & Rowell Film. 
 
 Standard. 
 (I 
 
 Allen & Rowell Film. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. HENRY R. HALLETl^ 
 
 310 Harvard Street, Brookline, Mass. 
 
 185 Old Town Mill, New London, Ct., built 1650. 
 
 186 Wright Tavern, Concord, Mass., built 1745. 
 
 187 Minott House, Concord, Mass., built 1780. 
 
 188 Fairbanks House, Dedham, built 1636. 
 
 Exposure and developr 
 
 Lens. Developer. Plate. Print. 
 
 Darlot No. 2. Pyro. Carbutt B. Platinum. 
 
 u u u u 
 
 U t< U (. 
 
 11 l( 11 11 
 
 nt, work of exhibitor. 
 
30 
 
 ^o^fton Camera C'Uib — <i5xijit»ttion, 1S92. 
 
 /in/lTEURS OR FROFESSION/IL5 USINQ 
 
 WILL FIND TMT THEIR PRmT5 
 
 BE PERMANENT IF CARE IS TAKEN. 
 RECEIVE A HIGH GLOSS BY BURNISHING. 
 BE VERY EASY TO HANDLE. 
 GIVE GREAT DETAIL. 
 RECEIVE A COLD OR WARM TONE. 
 RECEIVE HIGH PRAISE BY FRIENDS WHENEVER SEEN. 
 
 V 
 
 Ac 
 
 - OUR • CQ5T0nER5 - 
 
 Are Requested 
 
 TO NOTICE OUR 
 
 REDUCTION IN PRICES 
 
 Lately decided upon, 
 
 on account of our being able to reduce cost of production, 
 now manufacturing in large quantities. 
 
 Reduced Prices after May 15th 
 
 Ijjijl^j BE SURE TO ASK FOR THEM 
 
 WHEN BUYING PAPER IN FUTURE. 
 
 M/lNMFflQTVIREb ONLY BY 
 
 THE Q. E. nOPKINS C2., 
 
 16-22 DIVISION 5TREET, BROOKLYN, N.T. 
 
31 
 
 Mr. QUINCY POND, 
 Auburndale. 
 
 I-ioston Cavuni C/ub. 
 
 189 Dixville Notch, from 5x7 plate. 
 
 190 Old Mill, Weston, from 6i x 8?, plate. 
 
 Exposure, development, and print, work of exhibitor 
 
 Mr. WILLIAM A. KRASER, 
 
 314 Fifth Avenue, New York City. 
 
 Lens. Developer. Plate. Print. 
 
 Ross. Pyro. Seed. Bromide Enlargement. 
 
 AVw York Camera Club. 
 
 Lens. 
 
 Gundlach. 
 
 191 A When Daylight dies. 
 1! The Winter's Rest. " 
 c Down our Way. " 
 
 192 A Daisies. Ross, 
 i: Cousine Roses. 
 
 c Dogwood Blossoms. " 
 
 193 A Chrysanthemums. " 
 p. La France Roses. " 
 c Easter Lilies. " 
 
 194 Yellow Jonquils. " 
 
 Exposure, development, and print, work of exhibi 
 
 Mr. EDWARD T. SHERMAN, 
 
 271 Warbunon Avenue, Yonkers, N.Y. 
 
 American Photographic Conference. 
 
 Developer. Plate. 
 Pyro. Seed. 
 
 Print. 
 
 Platinotype. 
 
 Cramer Iso. Kallitype. 
 Seed. 
 
 Cramer Iso. " 
 
 Lens. 
 
 195 Living Waters. (Landscape study after Corot.) Apex. 
 
 Developer. Plate. Print. 
 Hydro. Newcomb Platinum. 
 & Owen. 
 
 196 On the Old Croton Aqueduct. " 
 
 197 Peace. (Landscape with Animal figure.) " 
 
 198 " A drowsiness steals over me when the day's 
 
 occupation is done." " 
 
 199 Old Orchard Landscape. 
 
 200 An Old Dutch Porch of 1682. Hermagis. 
 
 201 Old Curiosity Shop. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. JAMES L. BREESE, 
 254 Fifth Avenue. 
 
 New York Camera Club. 
 
 Silver. 
 
 202 Portrait. 
 
 203 
 
 204 
 
 205 Portraits. 
 
 Lens. Developer. Plate. Print. 
 
 6 D. Dallmeyer. Rodinal. Seed 26. Platinotype. 
 
 Carbon. 
 
 Exposure, development (and prints partially), work of exhibitor. 
 
32 
 
 V) 
 
 LECTilC 
 
 NO AORE bELAY ON ACTOGNT Or 
 - WEATHER - 
 
 FHOTOQRAFMIC PRINTING ON yVLBUAEN AND 
 ® FLy\!N 5ALTED PAPER ® 
 
 PARTicuLy\K Attention qiven to makinq 
 
 NEQAT1YE6 OF INTERIOR y\ND 
 ^ EXTERIOR WORK * 
 
 ei1A5. M. eCJl^RlER, 
 
 50 PROAFIELb 5TREET, 
 
 ROOMS 28 AND 30. B05T0M 
 
 THE INCREASING DEMAND for Bromide 
 Photographs and the superior results 
 attainable by this process have induced 
 me to make BROMIDE ENLARGE- 
 MENTS a specialty. 
 
 AMATEUR PHOTOGRAPHERS are cor- 
 dially invited to visit my studio, and 
 see the possibilities for enlargement 
 in a Kodak, Hawkeye, or negative from 
 any sized camera. 
 
 -4-riGiJ E sf AMTAR D Ml C 1 1 A N LC 3 C XH / 0/ / i 0 
 
 As I am the largest producer of bromide 
 work for the trade in New England, my 
 facilities for doing YOUR work are un- 
 equalled. 
 
 Shall be pleased to send you a price-list. 
 
 C. M. biTGHriELB, 
 
 523 Washington Street, BOSTON. 
 
 OPP. R. H. WHITE & CO. 
 
•Boston €anicra vClub — €i1)itiitiou, 1892. 
 
 33 
 
 Mr. JAMES L. LITTLE, 
 
 Goddard Avenue, Brookline, Mass. 
 Boston Canieia Club. 
 
 206 Winter Scene. 
 
 207 Haying, Midsummer. 
 
 208 Raccoon. 
 
 209 Clumber Spaniels. 
 
 210 In the Woods. 
 
 21 1 In the Pines. 
 
 212 Mansion, Brookline, August. 
 
 Lens. 
 
 Euryscope. 
 Ross. 
 
 Anastigmat. 
 
 Developer. 
 Eikonogen. 
 
 Ross. 
 
 Dallmeyer. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Plate. 
 
 Carbutt B. 
 
 Seed. 
 
 Cramer. 
 
 Carbutt. 
 Seed. 
 
 Print. 
 Bromide. 
 
 Mr. JOHN L. STETTINIUS, 
 
 213 
 
 214 
 
 215 
 
 158 East 3d Street, Cincinnati, Ohio. 
 Amateur Photographers, N. Y. 
 
 Lois. 
 
 Dall. R. R. 
 
 Developer. 
 Pyro. 
 
 The Lover's Leap, Kentucky River 
 Pasque Island, Mass. " 
 Have some Sugar, Doggie. " 
 Their First Picture. " 
 On the White Sand. Beck. 
 An Ornamented Doorway. Dall. R. R. 
 
 Old Fulling Mill, Kentucky. 
 Naushon Island, Mass. 
 Warm Springs Valley, Va. 
 Temptation. " 
 
 "There are crimes, 
 Made venial Ijy the occasion, and temptations 
 Which nature cannot master or forbear." 
 Child Studies. 
 Geese. 
 
 A Long, Long Kiss of Love and Youth. 
 Child Studies. " Pyro. 
 
 Child and Cats. " Eikonogen. 
 
 A Bit. Beck. Pyro. 
 
 Unwilling from the Bath. Dall. R. R. Eikonogen. 
 
 On the Way to Market. ' " " 
 
 Plate. 
 
 Seed. 
 
 Print. 
 Platinum. 
 
 Eiko-Hydro. Cramer Isocho. 
 Pyro. Seed. 
 
 Eikonogen. 
 Pyro. 
 
 Eiko-Hydro. Cramer Isocho. 
 
 Eikonogen. 
 Pyro-Soda. Seed. 
 
 Allen & Rovvell. Bromide. 
 
 Platinum. 
 Bromide. 
 Platinum. 
 
 Allen & Rowell. 
 Seed. 
 
 Allen & Rowell. Bromide. 
 Seed. Platinum. 
 
 Exposure, development, and print, work of e.xhibitor. 
 
34 
 
 ^Boston Camera Club — oErljibition, 1892. 
 
 KODAKS 
 
 For the Season of i8g2, zve offer 
 the following Improved Kodaks: 
 
 REGULAR. 
 
 Nos. 2, 
 
 Size Picture, 3^ 
 Price, . . $32.50 
 
 40.00 
 
 JUNIORS. 
 
 Nos. 
 
 Size Picture, 
 Price, . . 
 
 FOLDING. 
 
 Nos. 
 
 Size Picture, 
 Price, . . . 
 
 3, 
 $40.00 
 
 4. 
 
 4x5 
 $55.00 
 
 4. 
 
 4x5 
 50.00 
 
 5 X7 
 65.00 
 
 DAYLIGHT. 
 
 f These cameras make 100 pictures without reloading, 
 
 { and have the improved register for counting expos- 
 
 4x5 I 
 
 50.00 [ ures. Best finish, best Lenses 
 
 Fitted with the improved register for counting ex- 
 posures ; 48 exposures without reloading. Junior Ko- 
 I daks can be fitted for glass plates when desired. Best 
 
 I finish, best Lenses. 
 
 King of Kameras — New Barker Shutter, counter 
 on roll-holder to register exposures. Fitted for glass 
 plates when desired. Most practical combined hand and 
 
 tripod camera. Best finish, best Lenses 
 
 These new cameras can be loaded in daylight ; 24 
 
 A, 
 
 Size Picture, x 3I 
 Price, . . $8.50 
 
 B, 
 
 3^x4 
 15.00 
 
 C, 
 
 4x5 
 
 \ exposures without reloading. No dark room required. 
 
 ORDINARY. 
 
 A, 
 
 Size Picture, 2i^ X3] 
 Price, . . $6.00 
 
 B, 
 
 3i! X4 
 10.00 
 
 C, 
 
 4x5 
 15.00 
 
 25.00 [ Register for exposures and all latest improvements. 
 
 New series of cheap kodaks accurately made and cap- 
 able of doing good work ; 24 exposures without reloading. 
 The A and B are pre-eminently the young folks' Kodaks. 
 The C is a marvel of completeness 
 
 Every Kodak tested in actual use, loaded and sealed. 
 We guarantee each one perfect 
 
 Complete Developing and PrintingOutfit for any of 
 
 above cameras (except No. 5 Folding), with manual, $1.50. 
 
 Improved Film. The completion of our new works at 
 Rochester and Harrow insures a ftill supply of transparent films 
 of improved quality and sensitiveness 
 
 Send for Catalogue. 
 
 The 
 Eastman 
 Company, 
 
 Rochester, N.Y. 
 
25ojSton ^iTamcra Club — <6vl)il)itiou, 1892. 
 
 35 
 
 Mr. E. S. BENNETT, 
 
 317 West 50th Street, New York. 
 
 Amateur Photographers, X )'. 
 
 Portraits of Prominent New York. 
 Ar i ISI S. 
 
 Lens J)cViioJ',-r. Plate. Print. 
 
 216 A Portrait of David Johnston. Dalimeyer. Pyro. Eagle Chromatic Silver Print. 
 
 Ortho. 
 
 I! •■ Hillary F5ell. 
 
 c ' A. H. Wyant. 
 
 n Wm. H. Beard. 
 
 E ■■ Seymour J. Guy. 
 
 F •• M. F. H. De Haas. 
 
 (; ■■ Wordsworth Thompson. " '• 
 
 H ■■ Eastman Johnston. 
 
 I '• F. D. Millet (Vice President 
 
 National Academy). 
 J •• T. W. Wood (President Na- 
 
 tional Academy). " " •* " 
 
 K Daniel Huntingdon. " " " •' 
 
 L ■• J. G. Brown. " '• "' " 
 
 M Carleton Wiggins. " " " 
 
 N •• J. B. Bristol. " " " 
 
 o J. H. Dolph. 
 
 p " John Rogers (Sculptor). " ." " " 
 
 Q " Walter Satterlee. " '* ' " 
 
 R •• J. C. Nichols. " . " 
 
 .s " J. Wells Champney. " " " •' 
 
 E.xposure, development, and print, work of exhibitor. 
 
 Mr. FERDINAND RUPPERT, 
 
 901 Columbus Avenue, cor. 104th Street 
 Amateur Photographers, .V. Y. 
 
 217 On Dana's Island. 
 
 218 "Late Fall." 
 
 219 (Doll-house) representing old German 
 
 Renaissance. 
 
 220 Wuerzburg (Germany). 
 
 221 The Old Bastei (Wuerzburg). 
 
 222 Dinner Time. 
 
 223 Old Mill on Long Island. 
 
 224 Waechtersbach (Germany). 
 
 225 "All the Comforts of Home." 
 
 Exposure, de\ elopment, a 
 
 Lens. Developer. Plate. Print. 
 
 Sieinheil. Hydroch. Cramer. Aristo. 
 
 " " Vogel's Ortho. 
 
 Dalimeyer. " Cramer. 
 
 Beck. Pyro-Potash. Eastman. 
 
 Sieinheil. Eikonogen. Cramer. " 
 
 Pyro-Potash. " 
 
 Beck. " Eastman. 
 
 Dalimeyer. " Cramer. 
 
 id print, work of exhibitor. 
 
36 
 
 ^Boston Camera Club — €vInt)itiou, 1892. 
 
 ESTAHLISHED 1837. CABLE ADDRESS "AGNINE." 
 
 Theodore Metcalf Co., 
 
 Pharmaceutical Ckniists i Wholesale Driigpts, 
 
 (Back Bay Branch — Copley Square), 
 
 3g Tremont Street, Boston, Mass. 
 
 PinP Phnf-nPranhir Chpmiral<^ Rare and crude, of every description We 
 1 HIC i llULU^lCipiill^ V-'HCllllL.CtlO, make a specialty of Chemical Supplies for 
 
 ^5V| O ■l^Vl 1 Experimental Work, and supply large or small quantities of METALS, 
 I^nOLUgretpnil.. acids, reagents, and CHEMICALS of known purity and strength. 
 
 From the many years we have dealt in this class of supplies, we claim to be leaders in this 
 branch of the drug trade, and by constantly replenishing and increasing our stock and at once procuring 
 or manufacturing all new chemical products we are able to do full justice to all orders 
 
 MERCK & CO., Darmstadt. T. MORSON & SONS, London. ROSENGARTEN & SONS. BAKER & ADAMSON. 
 
 SEND FOR QUOTATIONS. 
 Pyro Gallic Acid. Blue Print Materials. Chloride of Gold. Coal Tar Products, etc. 
 
 CHAS. A. SMITH & CO., 
 
 ESTABLISHED lS38. 
 
 practical jailors 
 
 ANNOUNCE THE OPENING OF THEIR 
 ===== STOCK OF — 
 
 FOREIGN WOOLLENS 
 
 These goods will be made up in the most thorough manner, 
 and perfect satisfaction will be guaranteed to every customer. 
 
 C. G. BEAL. 
 E. G. BEAL. 
 
 1 8 & 20 S™e?,' Boston, Mass. 
 
37 
 
 Mr. CHAS. wager HULL, 
 
 113 W. 38th Street, New York. 
 
 Amateur Photograpliers of New Yorli. 
 
 Print. 
 
 226 Clouds. Silver. 
 
 227 School-ship, " St. Mary." 
 228 
 
 229 Sandy Hook Boat. 
 
 230 " Fairy." 
 
 231 Sloop " Puritan." 
 
 232 " Mischief." 
 
 233 " Papoose and Nymph." 
 
 234 "Nymph." 
 
 235 "Papoose and Nymph." 
 
 Exposure and development, work of exhibitor. 
 
 Miss ELIZABETH ALMY SLADE, 
 
 II West loth Street, New York. 
 
 Amateur Photographers of New York and Postal Photographic Club. 
 
 Lens. Developer. Plate. 
 
 236 " Industry," Holland. Beck. Eikonogen & Quinol. Carbutt Ortho. Film. 
 
 237 " Preparing the Noon-day 
 
 Meal," Holland. 
 
 238 " A Wool-carder," Holland. " 
 
 239 "The Home of a Dutch 
 
 Peasant," Holland. 
 
 240 Of? for a Drive, Holland. " 
 
 E.xposure, development, and print, work of exhibitor. 
 
 Print. 
 Manhattan 
 Paper, Sepia 
 Toning. 
 
 Maroon Ton- 
 ing. 
 
 Sepia Toning 
 
 Miss CATHARINE WEED BARNES, 
 
 Western Avenue, Albany, N.Y. 
 
 Amateur Photographers of New York. 
 
 Lens. Dt-veloper. 
 
 241 " Seven Times One." Dall. 3 D. Pyro-Soda. 
 
 242 " Seven Times Six." 
 
 243 " Look in Mother's Eyes." Voigtliinder " 
 
 244 Revolutionary House. Zeiss Anastigmat. " 
 
 245 Cinderella. Dall. 3 D. 
 
 246 Song of the Shirt. Voigtliinder. " 
 
 247 Japanese Study. " " 
 
 248 Portrait Dr. Chas. Ehrmann. 
 
 249 Source of the River. Zeiss Anastigmat. " 
 
 250 Portrait of Lady. Voigtlander. 
 
 Plate. 
 
 Stanley. 
 
 Print. 
 Silver. 
 
 Kail., No. 2 
 
 Platinum. 
 (( 
 
 Bromide. 
 Silver. 
 Kail., No. 2 
 
38 
 
 25o!tfton Camera €Uiti — <iEi1ntiition, 1892. 
 
 (no. 3 88 TDae^ing^on Mtmt 
 
 QBo0^on 
 
 our tn0pectton aofictteb. 
 
2^o^ton toiicra ChilJ — aEvl)itJition, 1892. 
 
 39 
 
 251 Home-made Statues. 
 
 252 Entrance Hall. 
 
 253 Dining-room. 
 
 254 Drawing-room. 
 
 Lens. Developer. 
 
 Dall. R. R. Pyro-Soda. 
 Zeiss Anastigmat. " 
 Dall. W. A. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Plate. 
 Stanley. 
 
 Mrs. 
 
 255 
 
 JAMES OSBORNE WRIGHT, 
 
 ii8 W. nth Street, New York. 
 " Snap Shots." 
 
 Lens. 
 Triad. 
 
 Developer. 
 Eiko-Hydro. 
 
 Plate. 
 
 Seed 26. 
 
 A Mill River. 
 B Clouds. 
 
 c Evening Shadows. Gundlach. " " 
 
 D Hill-side Pasture. • Triad. '"' " 
 
 E The Ford. Voigtliinder. " " 
 
 F Anne. Gundlach. " " 
 
 G Sheep — "VernaFarm." Triad. " " 
 
 H Roaring Brook. Gundlach. " " 
 
 I Hazy Day — Fairfield Beach. Triad. " " 
 
 J Jersey Belles — "VernaFarm." Gundlach. '• " 
 
 " Two is Company." Flashlight. Voigtliinder. Cramer C. 
 
 " Many Years Ago." Euryscope. " " 
 
 Old-fashioned Flowers. " " " 
 
 Dorothy. Gundlach. " " 
 
 Illustrations for Lowell's Poems. 
 "The Courtin'." 
 
 An' yit she gin her cheer a jerk, 
 
 Ez though she wished him furder, 
 An' on her apples kep' to work, 
 Parin' away like murder." 
 
 " Under the Willows." 
 
 "This willow is as old to me as life, 
 
 And under it full often I have stretched, 
 Feeling the warm earth like a thing alive." 
 
 The Angler. 
 
 " I see him trace the wayward brook 
 Amid the forest mysteries." 
 Exposure, development, and prints (excepting 256, 257, 258, 259), work of exhibitor. 
 
 Mr. G. W. WUNDRAM, 
 
 316 Quincy Street, Brooklyn. 
 
 Amateur Photographers of Mew York. 
 
 Lens. Developer. 
 263 A Portrait Study. Dallmeyer. Pyro-Potash. 
 
 B Washington Bridge, New York. " " 
 c Group, original picture. Gundlach. " 
 
 D Group, enlargement of C. " " 
 
 E Sail-boat at Shelter Island, 
 New York. 
 
 F Landscape Study. Dallmeyer. " 
 
 Exposure, development, and print, work of exhibitor. 
 
 256 
 257 
 258 
 259 
 
 260 
 
 261 
 
 262 
 
 Plate. 
 Forbes. 
 
 Print. 
 
 Silver. 
 
 Print. 
 
 Platinum. 
 
 Carbon. 
 
 Platinum. 
 
 Print. 
 
 Platinotype 
 I Process. 
 
40 
 
 AND 
 
 Ngw styles for 1892. 
 
 THE FOLDING HAWKEYE (5 x 7). 
 
 THE 5x7 KAr\ARET. 
 
 THE PETITE KaA\ARETTE. 
 
 These Cameras use regular glass plates, cut films, or Blair's New Film, in rolls, 
 for 25 to 100 pictures without reloading. 
 
 Cr'i T T // TJ/ 77 '\^T7 ^^'^ largest sale of any combined plate 
 1 06 llJiyy r^'tL I lL and film Camera ever made 
 
 The KAMARET 
 
 is unequalled for Tourists' use, being nearly one-third 
 smaller than any similar camera of equal capacity. 
 
 Any one who will glance over the Hawkeye and Kamaret booklets (which are 
 sent free) will understand why his choice should be one of these rather than any 
 of the numerous other cameras which are advertised. 
 
 The prices rzvnge frorp $15 to $55 
 
 We develop and finish the pictures or furnish outfits for such purpose, as preferred. 
 Also Blair's unequalled View Apparatus, the "IMPROVED REVERSIBLE 
 
 BACK" and "ENGLISH COMPACT." 
 Taylor & Hobson'S fine ENGLISH LENSES, and general photographic supplies. 
 
 The Blair Camera Co., manufacturers, 
 
 Salesrooms, Wholesale and Retail, 471 Tremont St., Boston; 451-453 Broad- 
 way, New York; 918 Arch St., Philadelphia; 245-247 State St., Chicago. 
 
 WOr<'T FRILL 
 
 THE ABOVE SOLD BY ALL DEALERS IN PHOTOGRAPHIC GOODS. 
 
 E. & H. T. Anthony & Co., 
 
 Trade Agents, new york. 
 
25oston Camera dub — €j:!)it)ition, 18^2. 
 
 4-1 
 
 Mr. CHARLES BALLIURD, 
 1300 Broadway. 
 
 Amateur Photographers of iXew York. 
 
 264 Model of the Parthenon, i-2oth of its size, 
 
 restored by Chipiez (Paris). 
 
 265 Model of the ancient Temple of Karnak 
 
 (Thebes), i-2oth of its size, restored by 
 M. Chipiez (Paris). 
 
 266 Same as No. 264. 
 
 267 Jersey Lady, with her two Grandchildren. 
 
 268 Interior in Country House. 
 
 Lens. 
 Ross W. A. 
 
 Dalm. W. A. 
 (( 
 
 Dalm. R. 
 Darlot. 
 
 Developer. 
 Eiko. 
 
 Plate. Print. 
 Cram. Silver. 
 
 Isochrom. " 
 It ti 
 
 a it 
 
 Carbutt. 
 
 Exposure, development, and positive, work of exhibitor. 
 
 Mr. EDW. LEAMING, 
 
 113 W. 38th Street, New York. 
 
 Amateur Photographers of New York. 
 
 Prhit. 
 
 269 Portrait Study. Platinotype. 
 
 270 " . " 
 
 Exposure, development, and prints, work of exhibitor. 
 
 Mr. JULIUS GOLDSCHMIDT, 
 48 Walker Street. 
 
 Amateur Photographers, N. V. 
 
 Lens. Developt-r. Plate. Print. 
 
 271 A Stone Bridge, Meran. Tyrol. ] 
 1? Casino, St. Moritz, Switzerland. I 
 c Villa Planta, " 
 D Obermais, Tyrol. 
 E Interior, Drawing-room. 
 F " Sleeping-room. 
 
 G St. Moritz Village, seen from the \ Dallmeyer. Eikonogen. Cramer C. Silver Print. 
 
 Heights. 
 H Kurhaus, St. Moritz. 
 I Village on the Julier, Switzerland. 
 J Ruin of Church at Pontresina. 
 K Ehrenbreitenstein from the Rhine. 
 L Garden of Hotel Royal at Bonn. 
 
 Exposure, development, and prints, work of exhibitor. 
 
4'2 
 
 — oBvljitiition, 1892. 
 
 CRAMER'S SPECIALTIES P 
 
 CRAMER'S 
 
 ISOCHROMATIC PLATES. 
 
 Slow — Medium — Instantaneous. 
 
 The perfection of Orthochromatic, or color-sensi- 
 tive Plates. 
 Requiring no yellow Screen. 
 
 CRAMER'S 
 
 Lightning Plates. 
 
 Unsurpassed for quality and speed. 
 
 Develop and fix quickly. 
 NOTE: The three grades of sensitiveness, formerly A, 
 B, and C, are now designated by the following 
 
 TRADE MARKS: 
 
 ANCHOR 
 
 BANNER 
 
 CROWN 
 
 BRAND. 
 
 BRAND. 
 
 BRAND. 
 
 (hORIWERLY A) 
 
 (FORMERLY B) 
 
 (FORMERLY C) 
 
 
 MANUFACTURED BY 
 
 
 G. CRAMER DRY PLATE WORKS, 
 
 ST. LOUIS, MO. 
 
 FOR SALE BY ALL DEALERS IN PHOTOGRAPHIC MATERIALS. 
 
 Ch^5E^5 Q/ILLERT, 
 
 7 HflniLTON FLflCE, 
 
 FREE EXHIBITION 2F FKTURE5 
 IN THE QilLLERT. 
 
 R^ACTISED [MORE BEFORE. 
 
 TH^/JN ^FTER SUNDOIVU^. 
 
 piasi? \\(^\)\: pf70tO(5rapl7y 
 
 Is now all the go in taking all kinds of interiors, and in 
 commercial work, samples of furniture, machinery, interior 
 decorations, etc In portrait work it is making rapid 
 strides towards perfection. 
 
 To insure success, a good lamp 
 must be used. 
 
 Mr. Wm. H. Rau, the well-known Philadelph a photog- 
 rapher, unsolicited, wrote this about the PROSCH 
 STORAGE FLASH LAMP: "I am having remarkable 
 success with the lamps I am now using, and have under- 
 taken, successfully, many subjects that I previously refused 
 to try." 
 
 Circulars and Itifonnation cheei-fiilly funiislied. 
 
 389 Broome 5'^r(?"?t, . . , f/eu; Vorl^. 
 
 TOT, 
 
 imLm mwowrm 
 
 71 lEiMCOP STMEET, 
 
 OPPOSITE PUBLIC GARDEN, 
 
 Agent for WHITAKER & CO , and HILL BROS., LONDON, W. 
 
 Telephone ydj Tremont. 
 
^Boston Camera €lub — aBj:I)ibition, 1S92. 
 
 43 
 
 Mr. ALFRED P. SCHOEN, 
 
 113 VV'est 38tli Street, New York. 
 
 Amateur Photographers of A^ew York. 
 
 272 
 273 
 274 
 275 
 276 
 277 
 278 
 279 
 280 
 281 
 282 
 
 The Source of the Brook. 
 Hoboken (N.J.) Glen. 
 In Central Park. 
 
 Lens. 
 Darlot. 
 
 Waterbury. 
 Gundlach. 
 Orange Co., N.Y. Darlot. 
 
 Waterbury. 
 Darlot. 
 
 Develops 
 Pyro. 
 
 In Repose, Central Park. 
 A Road in Goshen, N.Y. 
 Old Bridge over Wallkil 
 View on the Harlem. 
 Tree'd. 
 
 An Orange County (N. Y.) Pastoral. 
 Cleopatra, Central Park. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Plate. 
 Forbes. 
 
 Seed. 
 Forbes. 
 
 Carbutt. 
 
 Print. 
 
 A. Peebles 
 Smith's Ideal 
 Photo Paper. 
 
 Mr. H. M. GRISDALE, 
 
 113 West 38th Street. 
 
 Amateur Photographers of New York. 
 
 Lens. Developer. Plate. Print. 
 
 283 The Pool. Ross. Pyro-Potash. Cramer. Plain Paper 
 
 and Platinum. 
 
 284 The Ford. 
 286 Bushkill Falls. 
 
 286 The Old Homestead. 
 
 287 An Old Bridge. 
 
 288 Meadow Stream. 
 
 289 Fallen Leaves. " *' . " 
 
 290 Fairy Falls. 
 
 291 On the Bronx. 
 
 292 Study in Gray. 
 
 293 By the Brook. 
 
 294 Hanging Rock Falls. 
 
 295 Winter. 
 
 296 Declining Day. " 
 
 297 Nature's Mirror. " " 
 
 298 Under the Willows. 
 
 299 Quietude. 
 
 300 Meadow Brook. 
 
 301 A Mountain Stream. 
 
 302 An Old Log Cabin. 
 
 303 A Winding Road. 
 
 304 Running Waters. 
 
 305 Landscape Study. "' 
 
 306 New York Harbor. 
 
4-4 
 
 2^oston Camcta €lutj — aEj:|)it»ition, 1892. 
 
 GaNDLAGH Optigal GO- 
 
 ynANypAGraRERS 
 
 . . OF . . 
 
 ROGHESTER, N.Y. 
 
 PHOTOGRAPHIC LENSE5r 
 IRIS D1APHRAGA\5, 
 SHUTTER5, ETC. 
 
 -^OdR^ 
 
 ll)ldG-(5lH|[e, 
 
 [<t) ^ ' 
 
 portrait 
 
 LENSES 
 
 ARE UNRIVALLED IN THEIR EXCELLENCE, AND ARE USED BY 
 MANY OF THE MOST CELEBRATED PHOTOGRAPHERS 
 THROUGHOUT THE WORLD. 
 
 OUR SHUTTERS AND IRIS DIAPHRAGMS GIVE THE VERY BEST 
 OF SATISFACTION. 
 
 Send for Catalogue to your STOCK DEALER or to the 
 
 aNDUAGH OpTIGAL Go. 
 
25o^fton Camera Club — €x1)il>ition, 1892. 
 
 45 
 
 307 Early Spring. 
 
 308 Cloud Study. 
 
 309 Study of Foliage. 
 
 310 A Pike County Road. 
 
 311 Suicide's Lane. 
 
 312 Snap Shots. 
 
 313 The Coming Storm. 
 
 Lens. 
 Ross. 
 
 Developer. 
 Pyro-Potash. 
 
 Plate. 
 Cramer. 
 
 Print 
 Plain Paper 
 and Platinum. 
 
 Exposures and development, work of e.vhibitor. 
 
 Mr. ALFRED STIEGLITZ, 
 
 14 East 6oth Street, New York. 
 
 
 
 A?fi£itetif Photo^ycipheys op ^^eiu Yot'k. 
 
 
 
 
 
 
 Lois. 
 
 Developer. 
 
 Plale. 
 
 Print. 
 
 oil 
 
 I 
 
 Weary. oLcUiiicli 
 
 nyaro, wx., 
 
 
 n oc 
 
 
 
 Aplanat, ig. in. 
 
 and Pyro. 
 
 Ortho. (Eosine 
 Silver). 
 
 Platinotype. 
 
 315 
 
 2 
 
 Stones of Venice. 
 
 
 
 
 316 
 
 
 Prof. Vogel. 
 
 
 
 
 317 
 
 4 
 
 Little Innocence. " 
 
 
 
 
 318 
 
 5 
 
 The Wanderer's Return. 
 
 a 
 
 
 
 319 
 
 6 
 
 On Lake George. 
 
 
 
 
 320 
 
 7 
 
 Cortina. 
 
 
 
 u 
 
 321 
 
 8 
 
 A Summer Afternoon. " 
 
 
 
 
 322 
 
 9 
 
 The Village Smithy. 
 
 
 
 
 323 
 
 10 
 
 Biarritz. " 
 
 
 
 
 324 
 
 II 
 
 A Study in Gray. " 
 
 
 
 
 325 
 
 12 
 
 November Days. " 
 
 
 
 
 326 
 
 13 
 
 At Interlaken. " 
 
 
 
 ii 
 
 327 
 
 14 
 
 A Nook in Pallanza. " 
 
 
 
 %i 
 
 328 
 
 '5 
 
 Marina. " 
 
 
 
 
 329 
 
 16 
 
 Marva. " 
 
 
 
 
 330 
 
 17 
 
 A Flashlight Study. 
 
 
 
 
 331 
 
 18 
 
 Evening. 
 
 Exposure, development, and print. 
 
 work of exhibit 
 
 or. 
 
 
 Mr. HUGO S. MACK, 
 
 1x3 West 38th Street, New York, N.Y. 
 
 Amateur Photographers of New York. 
 
 Lens. 
 
 332 In the Glen. Gundlach. 
 
 333 On the Wallkill. 
 
 334 Another View. 
 
 335 Kaffeemiidel und Kellnerin. 
 
 336 II Penseroso. 
 
 337 A Siamese Twin. 
 
 338 Marine. The "Newark." 
 
 Exposure and development, work of exhibitor. 
 
 Developer. 
 
 Pyro. 
 
 Eiko. 
 
 Pyro. 
 
 Plate. 
 
 Wuestner. 
 
 Carbutt Film. 
 Cramer B. 
 
 Print. 
 Platinum. 
 
 Plain Print. 
 Platinum. 
 
46 
 
 ^o^fton €amcra €lub — aJrfjibition, 1892. 
 
 Walter Kimball & Co 
 
 No. 9 PARK STREET. 
 
 IMPORTERS AND DEALERS IN 
 
 Worlds of 7\rt 
 
 Cngratingjs, mater Colons, 
 
 pi)oto5vapl^?j, etc. 
 
 Framing of all kinds. 
 Novelties in Leather Frames, Vignette, Card, and Cabinet 
 
 Si{es. 
 
 BAUSCH & LOMB OPTICAL CO. 
 
 Manufacturers of the Popular American Standard 
 
 RAPID UNIVERSAL LENSES, 
 
 for Group work in Studios and all ouldi or work, and 
 
 ALVAN G. CLARK LENSES, 
 
 on both" of wliich there has been a decided reduction ni price'^. 
 The New and Wondeiful 
 
 ZEISS-ANASTIGMAT LENSES, 
 
 of whicli we are tlie Sole American Matiufaciurers. In three Series, 
 for Studio, Architecture, Landscape, and Copying. 
 
 DIAPHRAGM SHUTTER, 
 
 which stands without rival. 
 
 ROCHESTER, N.Y., P.O. Drawer 1033. 
 
 NEW YORK CITY, P.O. 15ox 432. 
 
 Send for NEW CATALOGUE, Just Out. 
 
 z _ 
 
 O uJ Zl 11 
 a >- 
 
 > o ^ 
 
 □ b 
 
 K an 
 
 P > 
 
 as < 
 
23o^ton Camera €Iuti — €r()ibmon, 1S92. 
 
 47 
 
 Mr. W. W. BYINGTON, 
 Albany, N.Y. 
 
 Amateur Photographers of New York. 
 
 Lens. Developer. 
 
 339 Apiary. H. & L., 8 x lo. Hydro. 
 
 340 Bees at Work. 
 
 341 East Gloucester Light-house. B. & L., 6.^ x Pyro. 
 
 342 Excursion Steamer, Cape Ann. 
 
 343 Spouting Rock, Cape Ann. " " 
 
 344 Splash of Water. 
 
 Exposure and development, work of e.xhibitor. 
 
 Plate. Print. 
 
 Cramer. Silver Print 
 
 Miss SARAH J. EDDY, 
 
 4 Bell Street, Providence, R.I. 
 Boston Camera Club. 
 
 345 A Listening to the Birds. 
 
 Lens. 
 
 B The Spirit of a Flower. Rapid Rect. 
 
 c " The little bird sits at his door in 
 
 the sun." " 
 D A Sunny Kitchen. 
 
 Euryscope 
 No. I, A. 
 
 Developer. 
 Pyro-Pot. 
 
 Hydro. 
 
 Voigtliinder's Eikonogen. 
 
 Hydro. 
 
 E A Tea Party. 
 
 F Spring Blossoms. " 
 346 G Please buy my Flowers. " 
 H Signing the Band of Mercy 
 
 Pledge. 
 I Our Baby. 
 
 J A Quiet Hour. " 
 K A Precious Load. " 
 L Alexander. " " 
 
 Exposure, development, and print, work of exhibitor 
 
 Eikonogen. 
 Pyro-Pot. 
 
 Plate. 
 
 Ortho. Chromatic. 
 
 Eoside of Silver. 
 Allen & Rowell. 
 
 Cramer Crown. 
 Eagle. 
 
 Cramer Crown. 
 
 Cramer Banner. 
 Cramer Crown. 
 Allen & Rowell. 
 
 Cramer. 
 
 Print. 
 Platino- 
 type. 
 
 Mr. henry W. BELKNAP, 
 
 15 Charles Street, Boston, Mass. 
 
 Boston Camera Club. 
 
 347 A On the Charles, Riverside, Mass. 
 
 D Pool, near Magnolia, " 
 348 A Fishermen at Anchor, Manchester, 
 Mass. 
 
 B Dana's Beach, Manchester, Mass. 
 c Essex Ship Yards, Essex, " 
 
 p 11 (( U <( i( 
 
 Ross 
 
 Developer. Plate. 
 R. R. Seed Hydro. Seed. 
 
 Harvard" Harvard. 
 
 Print. 
 
 Plain Salted. 
 
 Albumen. 
 
48 
 
 GEORGE H. ELLIS, 
 PRINTER AND PUBLISHER, 
 141 FRANKLIN ST., 
 BOSTON. 
 
 =°Zo'^l i^^ateur Pf?oto^ra piker's Supply Stor(? 
 
 Where Are Sold 
 The Wonderful 
 
 Eurygraph Lenses 
 
 "Our Own" 
 
 Hydrochinon Developer 
 
 "Our Own " 
 
 Toning and Fixing Solution 
 
 "Our Own" 
 
 Superb Outfits 
 
 "Our Own" 
 
 Superfine Blue Paper 
 
 Flash-light, Negative on 6 1-2x8 1-2 Stanley Plate, Eurygraph W. A Lens, " Our Own " Develope 
 
 Prosch Lamp. 
 
 . . Also, . . 
 
 KODAKS, HAWKEYES, KAMARETS, Etc. 
 
 PLATES, FILMS, AND CHEMICALS. 
 
 Barker & Starbird, • • • 56 
 
 Bromfield Street, 
 boston, mass. 
 
 T>eveloping and Trinting promptly done. 
 
 Send for our Catalogue. 
 
25o?tou Camera €lut) — oBxIjibitiou, 1892. 
 
 49 
 
 Lens. Developer. Plate. 
 
 349 A The Flume, Franconia Notch, N.H. Ross R. R. Seed Hydro. Seed. 
 B On the Charles, Riverside, Mass. 
 
 c The Flume, Franconia Notch, N.H. 
 
 D 
 
 350 A Magnolia Woods, Magnolia, Mass. " Harvard " 
 B Duck Brook, Bar Harbor, Maine. " " 
 
 Print. 
 
 Albumen. 
 
 Harvard. Aristotype. 
 Seed Films. " 
 
 Darlot W. A. Pyro-Soda. 
 
 ' View. 
 
 D Outlet of the Pool, Franconia Notch, 
 N.H. 
 
 351 A Newgate Prison, Simsbury, Conn., a 
 relic of Colonial times. 
 B Newgate Prison, Simsbury, Conn., a 
 
 relic of Colonial times, 
 c Valley of the Farmington River, 
 
 Simsbury, Conn. 
 D Valley of the Farmington River, 
 
 Simsbury, Conn. " " " ' 
 
 E.xposure, development (and prints in frame 350), work of exhiljitor. 
 
 Miss MARY F. RUSSELL, 
 
 151 Commonwealth Avenue. 
 
 Lens. Developer. Plate. 
 
 VVaterbury. Eikonogen. Allen & Rowell. 
 Exposures, work of exhibitor. 
 
 Harvard. " 
 Carbutt B. Bromide. 
 
 352 Portraits. 
 
 Print. 
 
 Albumen Silver. 
 
 Mr. LOUIS B. SCHRAM, 
 
 18 E. 60th Street, New York- City. 
 
 New York Soeiety of Amateur Photographers. 
 
 Lens. Developer. Plate. 
 
 353 A Shady Lane. Beck. Eikonogen. Cramer. 
 
 354 In the Pasture. 
 
 Exposure, dovelepment, and print, work of exhibitor. 
 
 Mr. ALRED L. SLMPSON, 
 
 127 1 Broadway, New York City. 
 
 Amateur Photographers of New York. 
 
 Print. 
 
 Chloride of Silver Emulsion. 
 
 Lens. Developer. 
 Morrison. Pyro. 
 
 355 A '' Puritan " in First National Cup Race. 
 
 B " Genesta " in " 
 
 c " Priscilla " Trial Race. 
 
 B " Mayflower " Second National Race. Hermagis. 
 
 E " Galatea " and " Mayflower " Start. 
 
 F "Galatea" Second National Cup Race. 
 
 G " Atlantic " Trial Races. " 
 
 H " Volunteer " Last Cup Race. " 
 
 I "Thistle" 
 
 Exposure, development, and print, work of exhibitor 
 
 Plate. Print. 
 
 Harvard. Albumen. 
 
50 
 
 25o^ton Camera €liit) — €ii)ibition, 1892. 
 
 A. W. ELSON & CO. 
 
 PHOTO- 
 GRAVURE 
 
 (GILBO) 
 
 146 Oliver St., - Boston, 
 
 AND AT CAMBRIDGE. 
 
 Art Reproductions of Oil Paintings, 
 Water Colors, Etc., for Fine 
 Illustrated Books, Subscription 
 Publications, Framing Purposes^ 
 Etc. 
 
 T'lates up to 24 x j2 incbes work. 
 
 OLD . WEDGWOOD . WARE. 
 
 1810 
 
 892 
 
 THE above represents a reproduction of an old pattern made by Josiah Wedgwood & Sons, the 
 world famous Potters of Staffordshire, England, in 1810. The same engriavings and moulds 
 are used in making this reproduction that were used when first made. The color is royal blue, and 
 the ware unexcelled for beauty and durability. We control this pattern exclusively, and offer it at 
 very low prices. 
 
 RICHARD BRIGGS & CO., 
 
 287 WASHINGTON STREET, 2 TO 8 SCHOOL STREET, 
 
 BOSTON, MASS., U. S. A. 
 
2E>o^ton Camera Club — €rl)ibmon, 1S92. 
 
 51 
 
 Mr F. ALCOTT PRATT, 
 
 3 Somerset Street, Boston. 
 
 Boston Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 356 A Ricketson's Bust of Miss Alcott. Eurygraph. Hydroquinone. Carbutl B. Bromide. 
 
 B 
 C 
 
 D " " " " " " " " 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. JAMES A. WELLS, 
 
 2 Pemberton Square, Boston. 
 
 Boston Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 357 Ripogenees Gorge. Dallmeyer. Pyro-Soda. Allen & Rowell Bromide 
 
 Films. Enlargement. 
 
 358 The Little Heater. 
 
 359 October Morning. " " " " 
 
 360 Twilight. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. RALPH TRAUN FRETWELL, 
 
 Dortmund, Westphalia, Germany. 
 
 Lens. Developer. Plate. Print. 
 
 361 A Little Brook in the Black Lynkeioscop, made Westendarp & 
 
 Forest. by Goerz of Berlin, Eikonogen Gebhardt, Engehuann's 
 
 362 Haymaking in the Black Germany. Series and Hy- Cologne, Ger- Aristopaper. 
 
 Forest. C, No. 3. 9 inch droquinon. many. 
 
 363 A Farmyard in the Black Forest. Focus. 
 
 Exposure, developrnen', and positive, work of exhibitor. 
 
 Mr. WILFRED A. FRENCH, 
 
 No. 10 Newbury Street, Boston. 
 
 Boston Camera Club. 
 
 364 
 365 
 366 
 367 
 
 368 
 369 
 370 
 371 
 372 
 
 A Fair Opponent. 
 Between the Sets. 
 The Critical Moment. 
 Embarrassment. 
 
 " Mistress Mary, quite contrary, 
 
 How does your garden grow ? 
 With silver bells and cockle shells, 
 
 And pretty maids all in a row." 
 Consultmg the Oracle. 
 Confiding the Secret. 
 For whom is she making it ? 
 Studio Portrait Study. 
 
 Lens. 
 
 Extra 
 , Rapid 
 ' Eury. 
 
 No. 2. 
 
 Euryscope. 
 No. 3. 
 
 De'oeloper. 
 
 Pyro- Potash. 
 
 Print. 
 
 Silver. 
 
52 
 
 2Doston €amcm €luli — aErljibition, 1S92- 
 
 - Books for Students of Art.- 
 
 American Architecture: 
 
 Studirs. By Muntgomkrv Schuvlhr With Illuslrations. Svo, 
 Full Leather, Ornatnental, Uncut Edges and Gilt Top, $2 50. 
 
 History of Mediaeval Art. 
 
 By Dr. Fi;an/! vu.n Reber. Translated and augmented by Joseph 
 Thacher Clarke. With 422 Illustrations and a Glossary of 
 Technical Terms. Svo, Cloth, $5 00. 
 
 History of Ancient Art. 
 
 By Dr. Fkanz von Rebek. Revised by the Amhor. Translated 
 and augmented by Joseph Thai iii:r Ci..\k|vE V\ iih 310 Illus- 
 trations and a Glossary of Technical Terms. ,Svo, Cloth, J3 50. 
 
 Historical Studies of Church Building 
 
 in the Middle Ages: Venice, Siena. Florence. By Charles 
 Eliot Norton. Svo, Cloth, Uncut Edges and Gilt Top, $3 00. 
 
 Hints to Amateurs. 
 
 A Hand-book on Art. By Louise Joi ling. 
 Paper Covers, 50 cents. 
 
 Post Svo, Ornamental 
 
 Published by Harper & Brothers, New York. 
 
 The above 7vo> ks are for sale hy all booksellers , will be sent 
 by mail ^ postage prepaid^ to any part of ike United States^ Canada, 
 or Mexico., on receipt of the price. 
 
 P. G. HAMERTON. 
 
 " Readers of Mr. Hamerton's works have acquired a well-grounded 
 confidence that he will touch no subject of which he has not something 
 fresh or original or instructive to say, and that whatever he does say will 
 be said in a manner which of itself would suffice to attract and hold the 
 attention.'' 
 
 A Painter's Camp. 
 Thoughts about Art. 
 The Intellectual Life. 
 Chapters on Animals. 
 Round my House. 
 The Sylvan Year and 
 the Unknown River. 
 
 Portfolio Paper, French and English. 
 vols. Cloth. $2.00 eac/i. 
 Oxford S/j'/c, $/.Jo each. Half calf , $j6.oo per set. 
 
 Wenderholme. 
 Modern Frenchmen. 
 Life of J. M. W. Turner. 
 The Graphic Arts. 
 Human Intercourse. 
 Landscape 
 
 ETCHINGS AND ETCHERS. 
 
 A Treatise Critical and Practical. Illustrated with 
 Etchings printed in Paris under the supervision of Mr. 
 Hamerton. a new revised and enlarged edition. 
 Svo. $5.00. 
 
 DESCRIPTIVE CATALOGUE MAILED FREE. 
 
 ROBERTS BROTHERS, 
 
 BOSTON. 
 
 'FHE-ART-lNTEiRGHANGEi. 
 
 Published Monthly. 
 
 $4.00 a Year. 
 
 Send for THE ART INTERCHANGE for April, May, June. July, 
 August. 1892, and get IS lovely pictures in color. |0 deco- 
 rative art work supplements, and 5 copies of a beautifully 
 illustrated Art and Home Decoration magazine. 
 
 THIS OFFER WILL COST YOU ONLY 
 
 $1.50. 
 
 PANSIER 1 \ 1:1 KCH I. A I I 
 
 To be pttblished Avgust , j -^ijj 
 
 The subjects of 
 some of tlie color 
 pictures are: Lit- 
 tle Friar (charm- 
 ing water-color 
 painting of a child's 
 head); Pansies (in 
 oil colors); Chky- 
 s.wTiiEMUM Pan- 
 !■ L ; Fifteenth 
 I 1!N ruKV Gentle- 
 M \ N (hue old man 
 trail) ; Wild 
 Clover : 
 S ; KAVVBKKRiEs and 
 Melons (beautiful 
 fruit piece); The 
 
 i'^OGE OF THE FlELO 
 
 harming land- 
 sc.ipe) ; In the 
 StNSHiNE (female 
 fi ure shov\ing out- 
 
 of-door effects) ; Pansies in Birch Park CANOE(illnstrated,. 
 
 Other color pictures will include floral sprays, Dresden designs, etc. 
 
 The magazine itself will contain articles on American artist.^ modern 
 French artists, an account of the famous lulian Academic, clearly 
 written reviews of foreign picture shows, and aVt gossip from all over the 
 world. 
 
 The Instruction Department includes elementary lessons i i 
 dr.Twing, embroidery notes for beginners and advanced woikers; china 
 painting instructions; and careful directions for water and oil color 
 and tapestry painting. Hundreds of designs are given for cards, cups, 
 screens, table covers, doyleys, fans, and, in fact, decorations for all 
 classes of home objects. 
 
 . Send for this Five MonthS (or $ | .50 offer, and see what a 
 big return you will get for your money. .Sample copy w ith three pictures 
 in color (OF our selection), 25 cents. Catalogue sent for stamp. 
 
 The Art Interchange Co., 
 
 no. 9 desbrosses st., new york. 
 
 Nature in Ornament. 
 
 l!y Lewis F. Day, With 123 full-page p'ates, 192 illustrations 
 in ihe Te.\t. Thick cown Svo, 44 50. 
 
 BV THE SAME AUTHOR. 
 
 THE ANATOMY OF PATTERN. 
 
 35 illustrations. $1.40. 
 
 THE PLANNING OF ORNAMENT. 
 
 3.S illustrations. $1.40. 
 
 THE APPLICATION OF ORNAMENT. 
 
 42 illustrations: $1.40. 
 
 ORNAMENTAL DESIGN. 
 
 116 illuslrations. $4.20. 
 
 SOME PRINCIPLES OF EVERY=DAY ART. 
 
 Illustrated, fi.50. 
 
 *^*For sale by all booksellers, or sent postpaid by 
 
 CHARLES SCRIBNER'S SONS, 
 
 743 and 745 Broadway, New York. 
 
I 
 
 2B»ostou Camera €lu£i — <!Exljit>ition, 18^2. 
 
 53 
 
 Lens. 
 
 A Household Idol. 
 
 A " Drink, Pretty Creature, drink ! " 
 
 B 
 
 c 
 
 D 
 E 
 F 
 G 
 H 
 
 Euryscope. 
 
 No. 4. Voigtlander Portrait. " 
 Euryscope No. 2. " 
 
 373 Group of Old Landmarks. 
 A Pierce House, Dorchester, Mass., 1745. Euryscope 
 B Old Garrison House, Newburyport, Mass. No. 2. 
 c Birthplace cf Oliver Wendell Holmes, 
 
 Cambridge, Mass. 
 D Historic Homestead, Quincy, Mass., 1635. 
 
 374 Iron-bound Island, Mt. Desert, Maine. 
 
 375 The Roberts Oak, Waltham, Mass 
 376 
 377 
 
 A Peep through the Willows, Thornton, N.H. " " 
 
 A Rural Group. " " 
 
 On the Banks of Mad River, N.H. 
 
 Artists' Retreat, Waterville, N.H. " " 
 
 A Sunny Road, Campion, N.H. " " 
 
 Near the Brook, Waterville, N.H. 
 
 Farm at Thornton, N.H. " " 
 
 1 Glimpse of the Neponset River at Hyde 
 Park, Mass. 
 
 Exposure, development, and printing (but not toning), work of exhibitor 
 
 Mr. CHAS. R. PANCOAST, 
 
 144 N. 2d Street, Philadelphia. 
 
 The Photographic Society of Philadelphia. 
 
 Developer. 
 Pyro-Potash. 
 
 378 Halloween. (Flashlight.) 
 
 379 A New England By way. 
 
 380 Mt. Everett, Mass. 
 
 381 An Afternoon in the Berkshires. 
 
 382 The Broken Egg. 
 
 383 A Berkshire Road. 
 
 384 An Out-of the-way Spot. 
 
 Lens. 
 Ddllmeyer 
 
 R. R., II in. 
 
 Wray single 
 Landscape 
 Lens, 15 in. 
 
 Dalimeyer 
 R. R., II in. 
 Wray single 
 Landscape 
 Lens, 15 in. 
 
 Developer. 
 
 Pyro. 
 
 Plate. 
 Cramer 50. 
 
 Eikonogen Seed 26. 
 and Hy- 
 drochinon. 
 
 Pyro. 
 
 Fer. Ox. 
 
 Carbutt B. 
 
 Exposures, developments, and print of 376, work of exhibitor. 
 
 Mr. GEORGE H. EATON, 
 
 385 
 386 
 387 
 388 
 389 
 390 
 
 10 Mt. Washington Avenue. 
 
 Boston Camera Club. Lens. Developer. 
 
 Portrait. Euryscope. Pyro-Soda. 
 
 Plate. 
 Cramer. 
 
 Seed. 
 
 Print. 
 
 Silver. 
 
 Print. 
 
 Hot Process 
 Platinotype. 
 
 Print. 
 
 Plain Paper. 
 
 Exposures and development, work of exhibitor. 
 
54 
 
 25o^fton Camera Club — €xl)iBition, 1892. 
 
 Heliotype Printing Company, 
 
 Donald Ramsay, Treas. 
 
 211 Tremont Street, Boston, Mass. 
 
 Printers by all modern lithographic and 
 photo-mechanical methods, including 
 
 HELIOTYPE, 
 
 PHOTOGRAVURE, 
 
 PHOTO-LITHOGRAPHY, 
 
 COLOR PHOTOGRAPHY, 
 HELIOCHROME, 
 
 CHROMO LITHOGRAPHY, 
 
 AND MAKERS OF FINE HALF TONE AND RELIEF PLATES. 
 
 PHOTOGRAPHY 
 
 BEC01VIES A PLEASURABLE CERTAINTY BY USING 
 
 CARBUTrS^DRY PLATES 
 
 TRADE MARK 
 
 "CELLOLOr FILMS. 
 
 For Sale by All Dealers. Ask For and Take No Other. 
 
 Keystone Dry Plate and Film Works. Wayne Junction, Phila. 
 
25o^tou Camera €lutJ — <iErl)ilJition, 1892. 
 
 55 
 
 Mr. GEORGE M. MORGAN, 
 Boston. 
 
 Boston Camera Club. 
 
 Lens. 
 
 F>agle Head, Manchester. Mass. Ross. 
 
 Rap. Sym. 
 
 Manchester Coast. 
 
 Kettle Cove, Magnolia. 
 
 Rafe's Chasm, " " 
 
 Chebacco Lake, Wenham. " 
 
 Portrait. Not retouched. " 
 
 391 
 
 392 
 393 
 394 
 395 
 396 
 397 
 398 
 399 
 400 
 401 
 
 402 ^' ^ Portrait Studies. Not retouched, 
 c, D 
 
 403 A, B, c 
 
 404 
 405 
 
 406 A, B 
 
 Di-veloper. 
 Pyro. 
 
 Plate. Print. 
 Seed. Albumen Silver. 
 
 Oxalate. 
 Pyro. 
 
 Hydrochinon. 
 
 " " Voigtliinder. " 
 
 Ross. Pyro. 
 
 Exposure and development, work of exhibitor. 
 
 Bromide Paper. 
 Albumen Paper. 
 PI. Silver Paper. 
 
 Libby. 
 
 Mr. victor ANGERER, 
 Vienna, Austria. 
 
 Lens. Developer. Plate. Print. 
 
 407 Hungarian Tinker. Voigtliinder Euryscope. Pyro. His Own. Plain Silver Print. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. FREDERICK D. STACKPOLE, M.D., 
 59 Dudley Street, Roxbury. 
 
 Boston Camera Club 
 408 "Ye Olden Time." 
 
 Lens. Developer. Plate. Print. 
 
 Ross. Hydrochinon. Seed. Silver Process. 
 I'^xposure and development by exhibitor. 
 
 Mr. CHAS. H. CURRIER, 
 
 50 Bromfield Street. 
 
 Boston Camera Club. 
 
 409 A Interior. 
 
 I^ens. Developer. Plate. Print. 
 
 No. 3. W. A. Pyro. Libby. Albumen. 
 
 Euryscope. 
 
56 
 
 2^o^^tou Camera €lutJ — oBrlnbition, 1892. 
 
 Lens. Developer. Plate. Print. 
 
 410 A Little Deer Isle, Me. Dallmeyer. Pyro. Seed. Albumen. 
 
 c 
 
 D " 
 
 411 Salting the Sheep. 
 
 Exposure and development, work of exhibitor. 
 
 Miss ELIZABETH MURDOCH, 
 
 62 Clifford Street, Roxbury, Mass. 
 
 Lens. Developer. Plate. J^rint. 
 
 412 Collection of Portraits taken at 
 home with light from north 
 
 window. Hawkeye, 1889. Hoover's. Harvard. Omega. 
 
 Exposure, development, and print, worlc of exhibitor. 
 
 Mr. benjamin KIMBALL, 
 Boston. 
 
 Boston Camera Clul'. 
 
 Enlar(;ements. 
 
 413 My Little Mystery, enlarged 
 
 from 8 X ID plate; not re- 
 touched. 
 
 414 Portrait, enlarged from 4x5 
 
 plate ; not retouched. 
 
 415 Portrait, enlarged from 4x5 
 
 plate ; not retouched. 
 
 416 Surf at Magnolia, Mass., en- 
 
 larged from (i\ X 8.V plate. 
 
 417 Sand Dunes on Ipswich Bay. 
 
 418 Pond at Magnolia. 
 
 419 A Wake on the Pacilic. 
 
 Direct Prints. 
 
 420 A ] Portrait Studies, not re- 
 n ) touched. 
 
 421 
 
 ^ I Rossetti Heads, not re- 
 
 touched. 
 
 422 A } Rossetti Heads, not re- 
 ^ ) touched. 
 
 423 A I A Handicraftswoman, not 
 ^ i retouched. 
 
 424 A } A Fair Violinist, not re- 
 K ) touched. 
 
 425 A Study from the Anti- 
 
 gone, not retouched. 
 
 Lens. 
 
 Developer. 
 
 Plate. 
 
 Print. 
 
 Euryscope, No. 3. Hydrochinon. Seed 26X. Bromide Paper. 
 
 Darlot. Ferrous Ox. Eastman. " 
 
 Euryscope, No. 3. Hydrochinon. Seed 26x. '" 
 
 a a it 
 
 Darlot. Ferrous Ox. Eastman. 
 
 " Pyro. Harvard. 
 
 Ross. 
 
 Hydrochinon. Seed 26x. Plain Silver. 
 
 Euryscope, No. 3. Pyro. 
 
57 
 
 Lens. Developer-. Plate. Print. 
 
 426 A Study from the Anti- 
 
 gone, not retouched. Kuryscope, No. 3. I'yro. Seed 26X. Plain Silver. 
 
 427 A ) 
 
 1! ^ Portraits, not retouched. " " " " 
 
 (' ) 
 
 428 Figure Study, not re- 
 
 touched. " Hydrocliinon. " " 
 
 429 Figure Study, not re- 
 
 touched. Furyscope, No. 3. " " 
 
 430 Figure Study, not re- 
 
 touched. '• " " " 
 
 431 Figure Study, not re- 
 
 touched. '• " " " 
 
 432 Portrait, not retouched. " " " " 
 433 
 
 434 ' " Pyro. 
 
 435 • ■• Ross. Hydrochinon. " ■' 
 
 436 " " ^^uryscope. No. 3. " " " 
 437 
 
 438 
 
 '^^Q A '-Portraits. 
 
 I! \ 
 
 440 A I p traits. 
 
 441 A ( n , Ross. 
 
 S Portrait. u x, ,, .. 
 
 B ) Furyscope, No. 3. ' " " 
 
 442 A ^ " " " 
 
 B V Portraits. " Ross. " " " 
 
 c ) Furyscope, No. 3. " " " 
 
 443 A) 
 
 B )- Portraits. " Ross. " " " 
 
 c ) 
 
 444 A Somes Sound. Euryscope, No. 3. " " " 
 B Magnolia Willows. " Pyro. " " 
 c The Meadow Pasture. •' " " " 
 
 445 The Happy Valley, Southern 
 
 California. Euryscope, No. 3. " '• " 
 
 446 The Willow Road. " Hydrochinon. " " 
 Enlargements on Porcelain Gla.ss. 
 
 447 Among the Asters. Euryscope, No. 3. Pyro. Harvard. Carbutt's Opals. 
 
 448 Lobster Lane, Magnolia. " " Seed 26x. " 
 
 449 Left-handed Violinist, not re- 
 
 touched. Ross. Hydrochinon. " '• 
 
 450 Portrait, not retouched. " " " '■ 
 
 i< << ii i< li -.(. 
 
 452 
 
 All exposures and developments and prints of Nos. 420 A and I!, 424 a and 1:, 427 c, 42S, 439 A, 444 a, b, and c, 447, 
 448, 449, 450, 451, and 452, work of exhibitor. 
 
58 25o.sfton Camera Cliit) — oErljitiition, 1S92. 
 
 Mr. WILLIAM H. RAU, 
 
 1324 Chestnut Street, Philadelphia. 
 
 Photographic Society of Philadelphia. 
 
 
 Lens. Dt'velopcr. 
 
 Plate. 
 
 Print. 
 
 453 
 
 Horseshoe Curve, Pennsylvania R.R. Ross Pyro-Potash. 
 
 Carbutt Fil 
 
 n. Contact Bro. 
 
 
 Portable. 
 
 
 
 454 
 
 Packsaddle, 
 
 
 
 455 
 
 On the Blue Juniata, " " " •' 
 
 
 
 456 
 
 On the Conemaugh, " '' 
 
 Carbutt Ortho. 
 
 457 
 
 Mt. Johnson Island in the Susquehanna. " 
 
 
 
 458 
 
 Red Rock Curve, Sang Hollow, Penn. " •' 
 
 
 
 
 E.xposure, development, and print, work of exhibitor. 
 
 
 Mr. 
 
 CORNELIUS CHENERY, 
 
 
 
 
 194 Boylston Street. 
 
 
 
 
 Boston Camera Club. 
 
 
 
 
 » Lens. Developer. 
 
 Plate. 
 
 Print. 
 
 459 
 
 Captain. Darlot. Pyro. 
 
 Cramer C. 
 
 Bromide Enlara:. 
 
 460 
 
 Jersey Lily. " " 
 
 Seed 26X. 
 
 u 
 
 461 
 
 A Pair of Jerseys. " " 
 
 
 u 
 
 462 
 
 On the Sands. " " 
 
 Cramer C. 
 
 u 
 
 463 
 
 Tremont Street Mall. " 
 
 u 
 
 
 'iD't 
 
 Concord Bridge. W. A. Euryscope. " 
 
 Seed 23. 
 
 
 465 
 
 Chocorua. 
 
 Cramer B. 
 
 
 466 
 
 A Cape Cod Breeze. Darlot. " 
 
 Cramer C. 
 
 it 
 
 467 
 
 What is It ? 
 
 
 u 
 
 468 
 
 Stepping Stones. W. A. Euryscope. " 
 
 Cramer B. 
 
 
 469 
 
 " Nature's own Exceeding Peace." " " 
 
 u 
 
 Plain Paper. 
 
 470 
 
 Anticipation. " " 
 
 Harvard. 
 
 Bromide Enlarg. 
 
 471 
 
 The First Step. 
 
 
 
 
 Exposures, developments, and prints, excepting No. 469, work of exhibitor. 
 
 
 Miss 
 
 C. E. SEARS, 
 
 
 
 
 132 Beacon Street. 
 
 
 
 
 Boston Camera Club. 
 
 
 
 
 Lens. Developer. 
 
 Plate. 
 
 Print. 
 
 472 
 
 A Summer Sketches. Euryscope. Allen & Rowell. 
 
 Allen & Rowell. Aristotype. 
 
 B 
 C 
 D 
 E 
 F 
 G 
 H 
 
 Exposures, developments, and prints, work of exhibitor. 
 
2Bo^ton Camera ^\uh — ^lExljibition, 1892. 
 
 59 
 
 Mk. w. o. witherell, 
 
 15 Warren Place, Roxbiiry, 
 
 Boston Camera Club. 
 
 Lens. De-<'eloper. Plate Pritit. 
 
 Beck. Soda-Pyro. Seed. Albumen Silver. 
 
 Wray Single. 
 
 473 A Meadow, Marshfield. 
 I! Brook, 
 
 c Bridge, Grand Falls, N.B. 
 
 D Meadow Brook. Beck. 
 
 E Road, West Roxbury. Wray Single. 
 
 F Spring Street Bridge, West Roxbury. " 
 
 G Fishing Schooner, Massachusetts Bay. Darlot W. A. 
 
 H Poling Rapids. 
 
 474 Duxbury Beach in October. Darlot. 
 
 475 St. John's River, near Grand Falls, N.B. Wray Single. 
 
 E.xposures, developments, and prints of 474 and 475, work of exhibitor 
 
 Cramer. 
 
 Seed. Bromide Knlarg. 
 
 Mr. EDW. H. graves, 
 
 314 Fifth Avenue, New Vork. 
 
 Ni~v York Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 476 October. Platinum Print. Ross. Pyro Soda. Newcomb & Owen. Platinum Print. 
 
 477 Under the Willow. Platinum Print. " " " " 
 
 478 My Jack. 
 
 479 Along the Canal " " " " " 
 
 480 A Corner of Wales. 
 
 Exposures, developments, and prints, work of exhibitor. 
 
 Mr. JOHN H. THURSTON, 
 50 Bromfield Street. 
 
 Boston Camera Club. 
 
 481 
 
 A 
 R 
 C 
 D 
 E 
 F 
 G 
 H 
 
 482 A 
 
 B 
 C 
 D 
 E 
 
 F 
 G 
 
 Town Hall at North Easton. 
 Mount Desert Kodaks. 
 
 Lens. Developer. Plate. Print. 
 
 No. 4, W. A. Eury. Pyro. Eagle. Albumen. 
 
 Kodak. 
 
 Hydro. Eastman Film. 
 
 " Harvard Annex," Cambridge. No. 5, Clark (4X 5). 
 
 I A., Eury. 
 
 Libby. 
 
 Seed. 
 Cramer. 
 
 Interior of Trinity Church, Boston. No. 4, W. A. Eury. " Allen &: Rowell. 
 Mount Desert Kodaks. Kodak. Hydro. Eastman Film. 
 
 II u (1 a li 
 
 Exposures, developments, and prints Nos. 481 A and 482 e, work of exhibitor. 
 
 Public Library, 
 
 No. 3, Darlot W. A. 
 
 No. 2, Darlot R. H. Pyro. 
 
60 
 
 2^^o^ton Camera Cub — <iEj:l)itJition, 1892. 
 
 Miss E. L. COLEMAN, 
 
 704 Tremoiit Street, Boston. 
 
 483 
 484 
 485 
 486 
 487 
 488 
 489 
 490 
 
 491 
 
 492 
 
 Lens. 
 Darlot. No. 2. 
 
 Dtvelope 
 Pyro. 
 
 Alle 
 
 Plate. 
 
 n & Rowel 
 
 Print. 
 Bromide Enlarg. 
 
 Sheep. 
 
 Ploughman. " " 
 
 Watering the Cow. 
 Marsh and Haystacks. 
 Portrait. Ross. 
 Window-seat Portrait. " 
 Head (over ninety years old). 
 A The Three Friends. " 
 B Spring-time. Darlot. 
 c Lady and Dog. Ross. 
 D The Antiquary. Darlot. 
 E A Farm near Boston. " 
 F Reading Fairy Tales. '• 
 G Philip. 
 
 H An Out-of-door Portrait. Ross. 
 I A Child of Quebec. Darlot. 
 A Old Burying Ground, Deerfield. 
 B The George Fuller Farm, " 
 c A Foggy Day on York River. " 
 .D Child at the Spring. '• " 
 
 E By the Wood Path. 
 F Swimming Geese. " 
 G Deerfield Street. (Bishop Will- 
 iams's birthplace in foreground.) '■ " 
 H Willows at York. 
 
 A Canadian Milkwoman. " " 
 
 B Five O'clock Tea. " " 
 
 c Woman Washing. •• 
 D Ashore in Foul Weather. ' '" " 
 
 E The Old Way of Frying. " 
 F Going to the Mill. '■ " 
 
 G Two Children. '' 
 H Man with Bear. 
 
 All exposures, development of Nos. 484, 487, 488, 489, 490, is, e, g, 491 d, and prints of 483, 484, 485, 486, 487, 488, 490, 
 
 D, and 491, D and K, work of exhibitor. 
 
 Plain Silver. 
 
 Bromide. 
 Bromide Enlarg. 
 Plain SiKer. 
 Bromide Enlarg. 
 Plain Silver. 
 Bromide Enlarg. 
 Plain Silver. 
 
 Bromide. 
 Plain Silver. 
 Bromide Enlarg. 
 
 Plain Silver. 
 
 Mr. T. MANSELL, 
 
 Southampton, England. 
 
 Society Amateur Photographers of Ne7v York. 
 
 Print. 
 
 493 A Loch Katrine, Ellen's Isle, and Ben Venue. 
 B Dor Vemnis Bridge, Haddon Hall, 
 c Loch Lomond from above Falls of Inversnaid. 
 D Wave Study. 
 
 E Bonnie Milk-maid. Carbon. 
 F Wave Study. 
 G Sheep Study. 
 H Waters Meet, Lynmouth. 
 I The Mill, Guy's Cliff, Warwick. 
 
25o.ston Camera — €x1)ilJition, 1S92. 
 
 61 
 
 494 J Cat's Cradle. 
 
 K Stybarrow Crag, Illswater. 
 
 L Cat's Cradle. 
 
 M Henry VI F. Chapel, Westminster Abbey. 
 
 N Banqueting Hall, Tower of London, 
 
 o Choir Screen, Westminster Abbey. 
 
 Mu. EDWIN H. LINCOLN, 
 Cambridgeport, Mass. 
 
 Lens. Develop,)-. Plate. Print. 
 
 495 Interior Views. New York, New- 
 
 port, and Lenox. W. A. Dallmeyer. Eikonogen. Seed. Albumen Silver. 
 
 496 Roses and Foliage Studies. Ross W. A. Sym. " " " 
 
 and Alvan G. 
 Clark's Sons. 
 Exposures, dovelopnieuts, and prints, work of exhibitor. 
 
 Mr. GEO. J. STENGEL, 
 
 Yonkers, New York. 
 
 yi nkers Photographic Club. 
 
 497 Still Life. (A Study.) 
 
 498 
 499 
 500 
 
 (Fantasy.) 
 (Spring Blossoms.) 
 (An Artist's Delight. 
 
 Lens. Developer. Plate. Print. 
 
 Platyscope (C). Pyro-Soda. Eagle Printed on 
 
 Ortho. Plates. Omega Paper. 
 
 Exposures, developments, and prints, work of exhibitor. 
 
 Lens. 
 Dallmeyer. 
 Ross. 
 
 Developer. 
 Pyro-Am. 
 
 Plate. 
 Cramer. 
 
 Mr. JOHN E. DUMONT, 
 
 64 Trust Building, Rochester. 
 
 Rochester Caviera Club. 
 
 501 Listening to the Birds. 
 
 502 The Connoisseur. 
 
 503 To-morrow will be Friday. 
 
 504 An Interruption. 
 
 505 The First Lesson. 
 
 506 " He Cometh not, she said." 
 
 507 A Portrait. 
 
 508 At the Dance. 
 
 509 The Prescription. 
 
 Exposures, developments, and prints (except 501), the first work of exhibitor. 
 
 Print. 
 
 Photogravure. 
 Carbon. 
 
 Platinum. 
 
62 
 
 25o^ton Camera Club — aSrJ)itJition, IS92. 
 
 Mr. ROBERT E. M. BAIN, 
 
 515 Pine Street, St. Louis, Mo. 
 
 510 A Gen. Grant's Cabin, St. Louis County. 
 
 (Note the isochromatic effect of the sky 
 with the mortar in the house walls). 
 
 1! Big River, Mo. 
 
 c Early Morning in Lafayette Park, St. Louis. 
 
 \) Flight of Gulls at Sundown, Irish Sea. 
 
 E West Fountain, Lafayette Park, St. Louis. 
 
 F Winter Scene, " " " 
 
 G Mustering the Crew, S.S. "Germanic," at Sea. 
 
 H Meramec River at Glencoe, Mo. 
 
 I Far Astern, S.S. " Germanic," 4 Days at Sea. 
 
 J " Come Aboard, Miss." 
 
 K In Mischief. 
 
 L A Lesson in Photography. 
 
 M The Children's Party. 
 
 N An Interesting Story, 
 
 o An Amateur Studio, 
 
 p His First Pants. 
 
 n The Morning Bath. Magnesium Light. 
 
 R Wash Day. 
 
 Lens. 
 
 Steinheil, No. 6. 
 
 Steinheil, No. 6. 
 Voigtliinder. 
 
 Steinheil, No. 6. 
 Voigtliinder. 
 Steinheil, No. 6. 
 Gray's W. A. 
 Steinheil. 
 
 Exposures, developments, and prints, work of exhibitor. 
 
 Dtve/oper. 
 
 Pyro. 
 
 Plate. 
 Isochromatic 
 Cramer. 
 
 Cramer. 
 
 Pyro. 
 
 Cramer. 
 
 Mr. JOHN C. HOLMAN, 
 
 134 Richmond Street. 
 
 Boston Camera Club. 
 
 Lens. 
 
 511 Bluehill Mt., Maine. Blair. 
 
 512 Bluehill Bay, " 
 
 513 Yacht " Libra." 
 
 514 Kilkenny Mt., N.H. 
 
 515 Logging Road in Winter. 
 
 Exposures and devel 
 
 Developer. Plate. Print. 
 
 Eikonogen. A. «S: R. Ivory Film. Solar Enlarg. 
 
 U 11 II 
 
 Hydrochinon. '■ 
 
 ipnients, work of exhibitor. 
 
 Mr. EDWARD R. ANDREWS, 
 
 119 Beacon Street, Boston. 
 
 Boston Camera Club. 
 
 516 Mastiffs, after a Hot Run. 
 517 
 
 Lens. 
 
 Ross. 
 
 Developer. Plate. Print. 
 Hydroquinon. A. & R. Bromide 
 Enlarg. 
 Albumen. 
 
I 
 
 23o?ton Camera €luft — <iEvl)itiition, 1892. 
 
 63 
 
 518 
 
 519 
 520 
 
 521 
 522 
 
 523 
 
 524 
 525 
 
 Lens. Divelopcr. 
 Chebacco Lake, Beverly, Mass. Voigtlander \V. A. Pyro. 
 
 Bathers. 
 
 Beck. 
 
 A Diver. " 
 A The Willow Shore, Nahant, Mass. " 
 B Little Nahant. 
 
 c Irishtown, Nahant. " 
 D Return from the Race, Marble- 
 head. Ross. 
 Mill River, Fox Island Thorough- 
 fare, Me. " 
 Old Willow Tree, Brookline, 
 
 Mass. (irubb. 
 
 Hydroquinon. 
 
 Pyro. 
 
 Exposure.s and developments, work of exhibitor. 
 
 Plate. 
 Seed. 
 
 Print. 
 Bromide 
 Enlarg. 
 Albumen. 
 Bromide 
 Enlarg. 
 Albumen. 
 Bromide 
 Enlarg. 
 Plain 
 Salted. 
 
 A. & R. 
 
 Seed. 
 
 Mr. W. T. DANA, 
 
 71 Kilby Street, Boston. 
 Boston Camera Club. 
 
 Lens. DcvL-loper. Plate. Print. 
 
 526 Riverside, Massachusetts. Single Darlot. Pyro. Eastman Film. Plain Silver. 
 
 " " " " " " 
 
 528 Clifton, 
 
 529 "Sea Dreams." ' " " " " 
 
 530 Grandfather's Spy Glass. " " " " 
 
 Exposures and developments, work of exhibitor. 
 
 Mr. H. a. LATIMER, 
 
 Boston Camera Club. 
 
 531 The Old Mill Pond, Deerfield, Mass. 
 
 532 The Antiquarian of Deerfield, Mass., 
 
 in his favorite corner. 
 
 533 A Florida Road. 
 
 534 A Close Race. 
 
 535 Yachting Views. 
 
 536 In Ballast. 
 
 537 Surf at Marblehead, Mass. 
 
 538 " " " 
 
 539 Early Autumn, Charles River. 
 
 Lens. Developer. Plate. Print. 
 
 Ross Port. Sym. Pyro-Soda. Seed. Plain Silver. 
 
 Ball. Sing. 
 Eury. 
 
 Darlot Sing. 
 
 Eury. 
 
 Dall. Sing. 
 
 Plain Silver. 
 Alb. Silver. 
 Cramer. Alb. Silver 
 and Aristo. 
 Plain Silver. 
 
 Seed. 
 
64 
 
 ^o^itou Camera dub — aJrljibition, 
 
 540 
 541 
 542 
 543 
 544 
 545 
 546 
 547 
 548 
 549 
 550 
 551 
 552 
 553 
 
 Portrait. 
 
 View on Indian River, Florida. 
 
 Tiie River Path, Rockledge, P'lorida. 
 
 River View, Campo Florido, Cuba. 
 
 An Old Southern Home. 
 
 Cascade. — Natural Bridge, Va. 
 
 South Fork Falls, Yosemite Valley, Cal. 
 
 The River Path, Rockledge, Fla. 
 
 Old Homestead of Geo. Fuller, the Arlisi. 
 
 LiHS. 
 
 Eury. 
 
 Plate. 
 Seed. 
 
 Ross Port. Sym. 
 
 Eury. 
 
 Ross Port. Svni. 
 
 P, 
 Plain 
 
 Alb 
 Plain 
 
 int. 
 
 Silver. 
 
 Silver. 
 Silver. 
 
 Bromidk Enlargements. 
 
 554 Tropical View on Indian River, Fla. Eastman 
 
 Bromide 
 Paper. 
 
 555 Sunset at Ware River, Nantasket, Mass. " 
 
 556 Amusing the Baby. 
 
 557 Surf, Marblehead, Mass. 
 
 558 Portrait. 
 
 Prints from Enlarged Negatives. 
 
 559 
 
 / 
 
 City Gates, St. Augusiine 
 
 560 
 
 2 
 
 Old Wreck. Indian River, Fla. 
 
 561 
 
 3 
 
 Weston Bridge and River Path. 
 
 562 
 
 4 
 
 .\ Cuban Hut, Campo Florido, Cuba. 
 
 563 
 
 5 
 
 Old Witches' House, Deerfield, Mass. 
 
 564 
 
 6 
 
 Dead Cypress, Monterey, Cal., said to have died from a Cramp 
 
 565 
 
 7 
 
 " Hypatia." — Cruising Race. 
 
 Exposures, developments, and prints, W(jrk of exhibitor. 
 
 Mr. FRANCIS W. MORANDI, 
 Maiden, Mass. 
 
 Leiis. Dcvclof'er. I'Uite. Print. 
 
 566 Waterville Road and Mad River, N.H. Steinheil. Pyro-Soda. Stanley. Silver 
 
 Enlarg. 
 
 567 Franconia Meadow and Mt. Kinsman, N.H. Ross. " Eagle. " 
 
 Exposure and development, work of exhibitor. 
 
I 
 
 23o8ton Camera €luti — <ex1)ibition, 1S92. 
 
 65 
 
 Mr. H. a. NORTON, 
 
 45 Oliver Street, Boston. 
 Mystic Club, Afci/ford. 
 
 568 
 
 (^uiatchouan Falls. 
 
 Old Custom Hou.se, Monterey, Cal. 
 
 Log Camp, Canada. 
 
 The Bridge. 
 
 Portrait. 
 
 Lens. 
 Hawke) e. 
 
 Developer. 
 Pyro. 
 
 Exposure development, and prints work ol e.\hil)itor. 
 
 Plate. 
 Stanley. 
 
 Print. 
 Silver. 
 
 M[<. GKORGK 
 Drexe 
 
 569 
 570 
 571 
 572 
 573 
 574 
 575 
 576 
 577 
 
 H. WOOD, 
 
 Building, Philadelphia. 
 
 PhiUnLlphia J'holographic Society. 
 
 Nothing Merrv about Christmas with us. 
 
 Lens. 
 Ross. 
 
 Dallmeyer. 
 
 Developer. 
 Pyro. 
 
 Plate. 
 Cramer. 
 
 Print. 
 
 Silver. 
 
 By the Sea. 
 Gloucester Harbor, Mass. 
 Palmistry. 
 In the Woods. 
 Symphony in While. 
 Among the Blackberry Blossoms. 
 Watching Grandma smoke. 
 F"isherman's Bride. 
 
 Exposures, tlcvelopmcnts, and prints, work of exhibitor. 
 
 Mr. J. H. HARVEY, 
 
 East Melbourne, Victoria, Australia. 
 
 Amateur Photographic Association of Victoria. 
 
 Print. 
 
 578 A .A Victoria State School, Prahran, near 3Ielbourne. Gelatine Bromide. 
 
 B The Treasury Building, Melbourne. " 
 c A Provincial Australian Railway Station, "Albury," New South Wales. " 
 u A Provincial Town Hall, " Bendigo." '■ 
 E National Bank of Australia, Melbourne. " 
 
 All work of exhibitor. 
 
 Mrs. SARAH C. SEARS, 
 
 12 Arlington Street, Boston. 
 
 579 A Portrait. 
 
 B 
 
 c 
 
 D " 
 E 
 
 F 
 
 Lens. Developer. Plate. Print. 
 
 Voigtlander. Hydrochinon. Seed 26. Carbon. 
 
 Exposure and development, work of exhibitor. 
 
66 
 
 25o^6fton OTanicra €hiti — ^iBjcIjibition, 1892. 
 
 Mr. JOSEPH CHAMBERLAIN, 
 Tunbridge Wells, England. 
 
 Tunbridge Wells Amateur Photographic Association. 
 
 Lens. JJci'e/oper. Plate. Print. 
 
 580 A In a Cafe, Cairo. Optimus R. R. Edwards. Edwards' Matt Surface 
 
 Isochromatic. Paper toned 
 
 B In a Bazaar, Cairo. '• with Chloro- 
 
 c " " " platinite of 
 
 D Street Arabs, Result of Education. " Potassium. 
 
 E The Merry Little Drummers. 
 F Hiring a Donkey for the Pyramids. 
 
 Exposure, development, and print, work of exhibitor. 
 
 Mr. LOUIS MELDON, 
 
 31 Ailsbury Road, Dublin. 
 
 Lens. Developer. Plate. Print. 
 
 Ross R. Sym. Pyro-Am. Paget Ilford 
 
 581 A Dover. 
 
 B Horse Race, Leopardstown Park, 
 Dublin. 
 
 c Preliminary Canter, Leopardstown 
 Park, Dublin. 
 
 D " Iverna," Cutter, Kingstown Re- 
 gatta. Suter Single, i6 in. ' 
 
 Exposures, developments, and prints, work of exhibitor. 
 
 xxxxx p. o. p. 
 
 Gelatine. 
 Chloride. 
 
 Mr. harry SYMONDS, 
 
 39 High Street, Portsmouth, England. 
 
 Southsca Photographic Society. 
 
 582 Yacht Racing Scene. 
 
 Lens Developer. Plate. Print. 
 
 Ross R. S., 18 in. Focus. Pyro- Ammonia. Barnes. Silver. 
 All work of exhibitor. 
 
 Miss EMMA J. FITZ, 
 
 253 Commonwealth Avenue, Boston. 
 
 Letts 
 
 583 A Hard Lesson. 
 
 Old Gary Mansion, Chelsea. 
 Rindge Terrace, Marblehead. 
 A Piazza Breakfast. 
 A Cheerful Giver. 
 A Little Sea-urchin. 
 " I Don't Want to Look Pleasant ! 
 - " What Next t " 
 " A Penny for your Thoughts ! " 
 A New England Fireside. 
 A Calm Morning at the Seaside. 
 
 Exposures and development, work of exhibitor 
 
 Developer. Plate. Print. 
 
 Euryscope. Hydrochinon. 6| x 8?,, Seed 26. Brom. Enlarg. 
 
 5x8, Seed 26. Silver Print. 
 
 4x5, Eagle. 
 Film. 
 
 u 
 
 4x5, Eagle. 
 
 Brom. 
 
 Enlarg. 
 
25o^ton Camera ^iTlut) — €rl)it)ition, 1892. 
 
 67 
 
 Mr. C. court cole. 
 
 Folly Bridge, Oxford, England. 
 
 Vice-President Oxford Photographic Society. 
 
 Lens. Dcnelopcr. 
 
 584 A Christ Church Cathedral, Oxford, looking Dall. Pyro-Am. 
 
 east, showing Tudor Vaulting. and Soda, 
 
 li Reredos, Christ Church Cathedral, 
 c Christ Church Cathedral, looking west, Ross. 
 
 showing Saxon Stone-work over 
 
 Pillars. 
 
 n Latin Chapel, Christ Church Cathedral, Beck, 
 showing Watching Chamber, Fifteenth 
 Century. 
 
 E St. Frideswide's Window in Chancel of Dall. 
 Latin Chapel. Window early work of 
 Burne-Jones. 
 
 585 A f Windows in Christ Church Cathedral. De- Ross. •' 
 
 ' signed by Burne- Jones, painted by 
 P 1^ Morris. 
 
 E St. George's Window in Christ Church " '■ 
 Cathedral. Designed and painted by 
 Clayton cV Bell. 
 
 586 A View in All Souls' Chapel, Oxford. Dall. 
 B '• New College " " 
 
 c " " Queen's Library. " 
 
 Kxposure, developnienl, and prints, work of exhibitoi 
 
 Mr. CHARLES HOWELL MILLER, 
 
 3400 North 19th Street, Philadelphia, Pa. 
 
 Photographic Society of Philadclf^hia. 
 
 
 
 Lens. Developer. 
 
 Plate. 
 
 Print. 
 
 587 
 
 A Suggestion ot Mince Pies. 
 
 Beck R. R. Eiko-Hydro. 
 
 Carbutt's 
 Ortho. 29. 
 
 Platinotype. 
 
 588 
 
 A Daisy Pasture. 
 
 " Pyro-Soda. 
 
 Carbutt's 
 Eclipse 27. 
 
 Platinotype 
 Sepia. 
 
 589 
 
 A Game of Marbles. 
 
 ' Eiko- Hydro. 
 
 Carbutt's 
 Ortho. 27. 
 
 IMatinotype. 
 
 590 
 
 Portraits of Two Girls. No 
 retouching. 
 
 Pyro-Soda. 
 
 Carbutt's 
 Eclipse 27. 
 
 
 591 
 
 Uncle Jerrie. No retouching. 
 
 Eiko-Hydro. 
 
 Carbutt's 
 Ortho. 27. 
 
 
 Exposure, development, and print, work of exhibitor. 
 
 lUate. Print. 
 
 Thomas. Blanchard's 
 Platinum. 
 
 Marion. Ilford Printing 
 out Process. 
 
 Blanchard 
 Process. 
 
 Paget. " 
 
 Edwards Ilford Printing 
 
 and out Process. 
 Paget. 
 
 Edwards. " 
 
 Thomas. Blanchard. 
 Paget. 
 
 Marion. " 
 
68 
 
 2Bo^fton Camera Club — ^xijibition, 1892. 
 
 Mr. ARTHUR R. DRESSER, 
 
 Springfield, Bexley Heath, Kent. 
 
 Camera Club Photographic Society of Great Britain. 
 
 Amateur Society, West Kent, Photographic Association. 
 
 Lens. Developer. Plate. 
 
 592 / The Caskets. Evening. 4i W. A. Eikonogen and Eastman Films and 
 
 Quinone. Edwards Plates. 
 
 593 2 Ploughing. (Gold Medal 
 
 Picture.) •' " " 
 
 594 3 Steamer "Nelson," at 
 
 Hastings. " '• '• 
 
 595 4 Towing down the 
 
 Thames. " " " 
 
 596 5 A Kentish Lane. 
 
 597 6 A Rough Day. (Boy in 
 
 Tub.) 
 
 Exposures, developments, and prints, work of exhibitor. 
 
 Mr. F. R. PINEIRO, 
 
 164 Faubourg St. Honore, Paris, France. 
 
 Lens. Developer. Plate. 
 
 598 A Judith. Dallmeyer's. Hydroquinon. Lumiere. 
 B Salome and Herodias. " " " 
 
 c Joan of Arc. " " " 
 
 D Judith. " " " 
 
 E Allegory of the Moon. '". " " 
 
 F Joan of Arc. " 
 
 G Oriental Scene. " " " 
 
 H Judith. " " " 
 
 I Mascotte. " '' " 
 
 599 A Fantasy. " " 
 
 B Picture. " " " 
 
 D Mascotte. " " " 
 
 600 A Salome and Herodias. " " " 
 B Charlotte Corday. " " " 
 c Flora, " " 
 
 D Allegory. (Union of the 
 
 Nations.) " " " 
 
 E Beyere Wateau. " " " 
 
 F Oriental Scene. " " " 
 
 601 A, B & c Fantasy. " " " 
 
 602 A, B & c " 
 
 603 A, B & c " 
 
 Exposures, developments, and prints, work of exhibitor. 
 
SSojStoii 'Canictii Otiiifi — dErfjibitioii, 18^2. 
 
 69 
 
 Mr. martin J. HARDING, 
 
 Lexden Gardens, Shrewsbury, England. 
 
 President Sliropshire Camera Club. 
 
 Lens. Developer. 
 604 A Wayside Studies with a Pocket Camera. French R. R. Pyro-Amm. 
 
 n Pocl<et Camera Landscapes, near Shrews- 
 bury. 
 
 c Storm Effects on the North Wales 
 Coast. Hand Camera Shots. 
 
 605 A Sunshine and Shadow. (Near Dolgelly.) Lancaster's 
 
 Rectigraph. 
 
 I! The Rivulet. " 
 c A Shropshire Valley. " 
 
 D A Shropshire Glen. " ' 
 
 606 A Spring. " ' 
 B Llandudus Sands. (Evening.) " ' 
 c Glan Eden. (Near Dolgelly.) " ' 
 D Near Bettws-y-coed, North Wales. " ' 
 
 Exposures, development, and print, work of exhibitor 
 
 Plate. Print. 
 Ilford Matt Silver 
 
 Ordey. Paper fixed 
 without ton- 
 ing. 
 
 Gel.Chlo- 
 ride Matt. 
 
 Matt Silver 
 Paper fixed 
 without ton- 
 ing. 
 
 " Platinotype. 
 
 Gel.-Chio- 
 ride Matt. 
 
 Platinotype. 
 
 Mr. GEORGE A. NELSON, 
 
 8i Appleton Street, Lowell, Mass. 
 
 7V/1' Lowell Camera Club. 
 
 Lens. 
 
 607 The Village Cobbler. No. 2 Voigt. Euryscope. 
 
 608 Studying the Picture. " 
 
 609 A Mountain Brook. " 
 
 610 Solitude. 
 
 61 1 Arguing Politics. " 
 
 Exposure and development, work of exhibitor. 
 
 Developer. 
 
 Pyro-Soda. 
 
 Plate. 
 
 Seed. 
 Carbutt. 
 
 Seed. 
 
 Mr. HORACE B. PEARSON, 
 424 Marlborough Street. 
 
 Boston Camera Club. 
 
 612 Our Old Home. 
 
 In the Blue Grass Country. 
 
 Lens. 
 Voigtlander. 
 
 All work of exhibitor. 
 
 Developer. Plate. 
 Pyro-Soda. Carbutt. 
 
 Print. 
 
 Bromide En'l. 
 
TO 
 
 25o^fton Camera €lutJ — <i£rljitiition, IS92. 
 
 Mr. JOHN G. BULLOCK, 
 
 528 Arcb Street, Philadelphia, Pa. 
 
 Photographic Society of Philadelphia. 
 
 Lens. Developer. Plate. Print. 
 
 613 Eastward, as far as Eye can see. Ross. Pyro-Soda. Seed. Platinum. 
 
 614 The Guernsey Herd. " " " " 
 
 615 Low Tide at Turbot's Cove. " ' 
 
 616 FahrWohl. Silver toned 
 
 with Platinum. 
 
 617 Old Drawbridge, Kennebunkport. " " " 
 
 618 The Shipyard. Evening. •• " '• " 
 
 Exposure and development, work of exhibitor. 
 
 Mr. S. FRANCIS CLARKE, L.W.S., 
 8 Upgate, Louth, England. 
 
 Louth and District Photographic Society and Lincoln Photographic Society. 
 
 Lens. Dti'eloper. Plate. Print. 
 
 Seven Ages of Man. 
 
 619 "The Infant." Swift's Paragon. Pyro-Am. Castle. Simplex 
 
 Paper. 
 
 620 " The School-boy unwillingly to 
 
 School." 
 
 621 " The Lover, sighing like Furnace." 
 
 622 " The Soldier, Jealous in Honor, 
 
 Sudden and Quick in Quarrel." " 
 
 623 "The Justice, in Fair, round Belly, 
 
 with Good Capon lined." " " 
 
 624 " Lean and Slippered Pantaloon, 
 
 with Spectacles on Nose." ■' 
 
 625 " Last scene of all, that ends this 
 
 strange, eventful history, is Sec- 
 ond Childishness." " 
 
 (The entire set of pictures were taken in a small back yard, surrounded by high walls, etc.) 
 
 626 A The Wrestlers. (Instantaneous.) Swift's Paragon. Pyro-Am. Ilford, Simplex 
 
 White Label. Paper. 
 
 1^ 11 U (( It II It tl 
 
 ^ .t (t it ti it (t tt 
 
 Y) " " " " " " 
 
 £ .. u It tt It It tt 
 
 Exposures, development, and prints, work of exhibitor. 
 
25o^ton Camera Club — <iErl)iliitiou, 1892. 
 
 Mrs. S. F. CLARKE, 
 
 8 Upgate, Louth, England. 
 
 Louth and District Photographic Society. 
 
 Lens. Developer. Plate. Print. 
 
 627 The Village Blacksmith. Swift's Rapid Paragon. Pyro-Am. Castle. Simplex Paper. 
 
 628 A Greek Study. 
 
 629 Curiosity. 
 
 630 After Mass. 
 
 Exposures, developments, and prints, work of exhiliitor. 
 
 Mr. THOMAS MANSELL, 
 
 Avondale, Westwood Park, Southampton, England. 
 
 Amateur Photographers of New York. 
 
 Lens. 
 
 631 A "Cat's Cradle." Dall. R. R. 
 
 A 
 B 
 C 
 D 
 
 E 
 
 F 
 G 
 H 
 I 
 
 J 
 K 
 L 
 M 
 
 Wave Study. 
 
 Henry VIL Chapel, Westminster 
 Abbey. 
 
 White Tower, Tower of London. 
 Choir Screen, Westminster Abbey. 
 Banqueting Hall, Tower of London. 
 Dorothy Vernon's Bridge, Haddon 
 Hall. 
 
 Water's Meet, Lynmouth. 
 Stybarrow Crag, UUswater. 
 Stock Chyll Forge, Ambleside. 
 Loch Katrine, Ellen's Isle, and Ben 
 Venue. 
 
 Loch Lomond, from above Falls 
 
 of Inversnaid. 
 The Mill, Guy's ClifT, Warwick. 
 Sheep Study. 
 Cattle Study. 
 Bonnie Milk-maid. 
 
 Developer. 
 
 Pyro-Am. 
 
 Plate. 
 Ilford. 
 
 Print. 
 
 Albumen Silver. 
 
 Carbon. 
 
 Exposures, developments, and prints, work of exhibitor. 
 
72 
 
 ^Boston ^iTamcra €hit) — aBx*|)i£>itiou, 1892. 
 
 Mr. I. W. EVANS, 
 
 52 Darlington Street. WoI\'erhanipton. 
 
 Honorable Secretary Wolverliantpton PJwtographic Society. 
 
 Developer. Ptate. Print. 
 
 632 A Only a Street Arab. Pyro-Am. Matchless. Matt Surface Albumen. 
 V. A Bit of News, 
 c A Street Arab. 
 
 633 A Tettenhall Wood, Wolverhampton. 
 B Henwood Lane, " 
 c Tettenhall Wood, " 
 
 Exposures, developiiient, .iiid prints, work of exhibitor. 
 
 Edwards Isochro. Aristotype. 
 
 Mr. S. TUDOR STRANG, 
 
 1728 Willington Street, Philadelphia. 
 
 Colttmbia Scenogra/^hic Association. 
 
 Lens. Developer. Ptate. Print. 
 
 634 Yacht "Minerva" on the Delaware, Bausch & Loinb Pyro. Seed 26x. Omega Print. 
 
 opposite Philadelphia. Universal. 
 
 All work of exhiliitnr. 
 
 Mr. J. S. MASON, 
 
 196 Marlboro Street. 
 
 Bostoji Camera Club. 
 
 Developer. Plate. Print. 
 
 635 Portrait. Pyro Am. Cramer. Plain. 
 636 
 
 Exposure and development, work of exhibitor. 
 
 Mr. WM. gibbons PRESTON, 
 
 204 Dartmouth Street, Boston. 
 
 
 
 Lens. 
 
 Developer. 
 
 Plate. 
 
 A 
 
 "Aunt" Keziah Randall, and Great-grand-daughter. 
 108 Years Old. 
 
 Ross. 
 
 Eiko. 
 
 Film. 
 
 B 
 
 " Prince." 
 
 
 
 Seed. 
 
 C 
 
 House in Auburndale. 
 
 
 
 
 D 
 
 "Aunt Keziah's " House, Mattapoisett. 
 
 i. 
 
 
 
 E 
 
 A Dewy Foreground. 
 
 
 
 
 F 
 
 An Old Smithy. Hermitage. 
 
 No. 5. 
 
 Kodak. 
 
 
 G 
 
 Court-house Tower, Savannah. 
 
 U 
 
 
 
 H 
 
 Portrait. 
 
 
 i i 
 
 
 A 
 
 A Shady Lane. 
 
 Ross. 
 
 Eiko. 
 
 
 B 
 
 " Oft in the Stiljy Night." 
 
 
 
 
 C 
 
 Hydrangeas. 
 
 
 
 
 D 
 
 The Young Gardener. 
 
 
 
 
 E 
 
 Discussing the Account. 
 
 Beck. 
 
 Eiko-Hydro. 
 
 
 F 
 
 The Surgeon. 
 
 
 Ortho. 
 
 G 
 
 Gourd Blossoms. 
 
 
 
 
 H 
 
 Spider-web. 
 
 it 
 
 
 
 I 
 
 Winter Scene. 
 
 No. 5. 
 
 Kodak. 
 
 Seed. 
 
25ositon Camera Cliit) — oSrljitiition, 1S92. 
 
 73 
 
 Mr. ALFRED CLEMENTS, 
 
 39 South loth Street, Philadelphia. 
 
 Philadelphia Society. 
 
 639 Cocoanut Trees at Lake Worth, 
 
 Florida. 
 
 640 Tropical Scene, Lake Worth, 
 
 Florida. 
 
 641 Gypsy and Child, Normandy. 
 
 642 On a Normandy Farm. 
 
 643 Normandy Cottages. 
 
 644 An English Roadway. 
 
 Lens. Developer. Plnte. Print. 
 
 Wray 13 in. Pyro-Soda. Carbutt Ortho. 23. Platinotype. 
 
 Grubb 8 in. 
 
 All work of exhibitor. 
 
 Abney. 
 
 Carbutt Ortho. 
 
 MEMBERS MYSTIC CAMERA CLUB, 
 Medford, Mass. 
 
 Lens. Developer. Plate. 
 
 645 Mr. Will C. Eddy. A Nahant Breaker. Alvan G. Clark. Hydro. Eagle. 
 
 646 " Joseph H. Wheeler. Picking 
 
 Daisies. 
 
 647 " Elmer E. Pitts. Lone Fisherman. 
 
 648 " John F. Wade. Portraits. 
 
 649 " Gilbert Hodges. Pulpit Rock, 
 
 Nahant. 
 
 650 " John F. Wade. Portrait. 
 
 651 " Geo. L. Stone. The Bend by the 
 
 Willows. 
 
 652 " W. F.Thode. The Little Plumber. No. 2 R. H. Darlot. 
 
 653 " B. D. B. Bourne. Winter Hill Sta- 
 
 tion, B. & L. R.R. 
 
 Darlot. 
 Euryscope. 
 
 Codman Ortho. 
 Euryscope. 
 
 Dallmeyer R. R. 
 
 Pyro. 
 
 Hydro. 
 
 Pyro. 
 
 Print. 
 
 Albumen. 
 
 Harvard. 
 
 Eagle Ortho. Bromide. 
 
 Eagle. Albumen. 
 Eagle Ortho. Bromide. 
 
 Harvard. Albumen. 
 Standard 50. 
 
 Alvan G. Clark. Hoover's Seed 26.\-. 
 Potash. 
 
 Mr. C. G. HINE, 
 
 137 Broadway, New York. 
 
 Society Amateur Photographers, New York. 
 
 Lens. Developer. Plate. Print. 
 
 654 A Winter Scene. ^ Optimus. Pyro-Potash. Cramer. Aristo. 
 
 B " I Beck. • A.&R. Film, 
 
 c " ' Optimus. " Cramer. . 
 
 D " 1 , Beck. " A.&R. Film. 
 
 January. . n 
 
 E Optimus. Cramer. 
 
 F " Beck. '• A.&R. Film. 
 
74 
 
 ^BojEfton Camera Clut) — aErljibition, 1892. 
 
 655 A Cloud Effect. 
 
 B 
 
 ^ * December. 
 
 D " 
 
 E 
 
 '•" 
 
 656 Early Spring. 
 
 657 Col. Washington'.s Headquarters (i 755), 
 
 Winchester, Va. 
 
 658 Blue Monday. 
 
 659 Snow Scenes. Prims. A, B, D, E, F. 
 
 660 " C, G. 
 
 Lens. Developer. Plate. Print. 
 
 Optimus. Pyro-Potash. Cramer. Aristo. 
 
 (( tc ^. l( 
 
 Beck. 
 
 Optimus. '• " " 
 Beck. 
 
 Dallmeyer. 
 
 Beck. 
 Optimus. 
 
 A.&R.Fiim. Plain Silver 
 Paper. 
 
 Cramer. " 
 
 " Blue,onJap. 
 
 Tissue Pa- 
 per. 
 
 A.&R.Film. Toned Blue 
 Prints. 
 
 Cramer. Untoned 
 
 Blue Prints. 
 
 All work of exhibitor. 
 
25oj5tou Camera €IuIj — <lEj:l)it)ition, IS 92, 
 
 75 
 
 LANTERN SLIDES. 
 
 Mrs. S. F. CLARKE, 
 
 Louth, England. 
 
 Louth and District riiotographic Society. 
 
 1 The Village Blacksmith. 
 
 2 The Letter. 
 
 J Two's Company. 
 
 4 Winter Gleaning. 
 
 5 A Greek Study. 
 
 6 Laughing Eyes. 
 
 7 Portrait. 
 
 8 Ophelia, "There's rue for you. 
 g Jilted. 
 
 lo Curiosity. 
 
 // After Mass. 
 
 12 Queen of Hearts. 
 
 Lens 
 
 Developer. 
 
 Plate. 
 
 Print. 
 
 Swift's 
 Rapid 
 Paragon. 
 
 Pyro 
 and 
 
 Ammonia. 
 
 Mawson. 
 
 Reduction 
 in 
 
 Camera. 
 
 Mr. O. a. EAMES, 
 
 Boston, Mass. 
 
 Boston Camera Club. 
 
 3 A Sunrise, Nantucket. 
 B " ■' 
 
 c Sunset, Boston Harbor. 
 
 D Twilight, Boston Harbor. 
 
 E Moonlight Ef?ect. 
 
 F Wood Island. 
 
 4 A Wild Flowers. 
 
 B Young America. 
 
 c Surf, Nahant. 
 
 D Kennebec River, Me. 
 
 E Children at the Beach. 
 
 F City Point, South Boston. 
 
 Lens. 
 
 Euryscope. 
 
 A. G. Clark. 
 
 Euryscope. 
 
 Darlot. 
 
 Euryscope. 
 
 Darlot. 
 
 Euryscope. 
 
 Darlot. 
 
 A. G. Clark. 
 
 Developer. Plate. Print. 
 
 Pyro-Soda. Cramer. Reduction. 
 
 Original negative and slide, work of exhibitor 
 
76 
 
 25o.ston Camera €lub — €vl)it}ition, 1S92. 
 
 Mr. CHARLES L. MITCHELL, M.D., 
 
 1016 Cherry Street, Philadelphia, Pa. 
 
 Photographic Society of Philadelphia. 
 
 Letts. Dtvch'per. 
 
 5 / Interior of Church at Molmen, Norway. Beck. Hydro-Eiko. 
 
 6 
 
 3 
 4 
 5 
 6 
 
 7 
 8 
 
 9 
 10 
 II 
 12 
 
 7 13 
 
 14- 
 
 15 
 16 
 
 17 
 18 
 
 8 19 
 
 20 
 21 
 22 
 23 
 
 9 24 
 
 25 
 
 26 
 
 The Rauma River below Stuefl'oten, 
 Norway. 
 
 The Midnight Sun near Tromso, Norw ay, 
 Group of Lapps and Reindeer, 
 View on the Eikisdal Vand, 
 The Mardola-fos, Eikisdal Vand, 
 The Eikisdal Vand, near Reitan, 
 In the Gorge of the Norangdal, 
 Early Morning in the " 
 The Kvitegg (Mt.), " 
 View on the Geiranger Fjord, 
 First View of the Djupvand, Geiranger, 
 Norway. 
 
 The Djupvand and Hut, Geiranger, 
 Norway. 
 
 View at Faleide looking towards Ulirk, 
 
 Norway. 
 The Loen Vand, Norway. 
 
 at Vasenden, Norway. 
 The Olden Vand, from Sunde, 
 Mundal, Fjaerland Fjord, 
 On Fjaerland Fjord, 
 Gudvangen and the Naero Fjord, 
 View in the Naerodal, 
 The Naerodal from Stalheim, 
 General View of the Eidsfjord Vand, 
 
 Norway. 
 
 Road by the Eidsfjord Vand, Norway. 
 The Sor Fjord, Hardanger, " 
 The Skars-fos and Lote fos Hotel, " 
 
 All work of 
 
 Steinheil. 
 
 Ross. 
 
 Steinheil. 
 
 Ross. 
 
 Steinheil. 
 Ross. 
 
 Steinheil. 
 
 Ross. 
 
 Steinheil. 
 
 Beck. 
 Steinheil. 
 Ross. 
 Beck. 
 
 Steinheil. 
 
 Ross. 
 
 Steinheil. 
 
 exhibitor. 
 
 Plate. Print. 
 
 Eastman. Mitchell's 
 
 Lantern Slide 
 Developer. 
 
 Carbutt. 
 
 Eastman. 
 
 Carbutt. 
 Eastman. 
 
 Carbutt. 
 Eastman. 
 
 Carbutt. 
 
 Eastman. 
 
 Carbutt. 
 
 Mr. ROBERT S. REDFIELD, 
 
 3706 Walnut Street, Philadelphia, Pa. 
 
 Photographic Society of Philadelphia. 
 
 Developer. Plate. Print. 
 
 10 A Study of Sheep. Ferrous Oxalate. Eastman. Gelatine. 
 
 B Navigation. " " " 
 
77 
 
 c Mending their Ways. 
 
 D Warranted Safe and Gentle. 
 
 E Hesitation. 
 
 F Under tlie Haystack, Fast Asleep. 
 
 11 A A Black Beauty. 
 
 B A Morning by the Brook. 
 
 c A Study in Spherical Geometry. 
 
 D A Berkshire Hillside. 
 
 E Making Friends. 
 
 F Grinding Toil. 
 
 All work of exhibitor. 
 
 Developer. 
 
 Ferrous Oxalate. 
 
 Plate. Print. 
 
 'Carbutt. Gelatine. 
 Eastman. " 
 
 Carbutt. 
 
 Eastman. 
 
 Miss ELIZABETH ALMY SLADE, 
 
 II West loth Street, New York. 
 
 A ma /cur Photographers of Niiu York and Portrait Photogra phic Chtb. 
 
 Print. 
 
 By Reduction. Hy- 
 
 12 I The Midnight Sun, Norway. drochinon Developer. 
 
 2 "Child-life," Holland. 
 
 3 " Of? for a Drive," Holland. 
 
 4 " An Idle Moment," Holland. 
 
 5 Industry," Holland. '■ 
 
 6 "The Home of a Dutch Peasant," Holland. 
 
 All work of exhibitor. 
 
 Miss EMILIE V. CLARKSON. 
 
 112 E. 23d Street, New York. 
 
 Amateur Photographers of New York. 
 
 Lens. Developer. Plate. Print. 
 
 13 / Moonlight on the Racquette. Beck. Pyro-Soda. Cramer Banner. Hydrochinon 
 
 Developer. 
 
 2 Winter. Ross. " " " 
 
 J Contentment. Beck. " " " 
 
 4 After J. G. Brown. " " " " 
 
 5 Just Out. Ross. •' " " 
 
 6 Cinderella. " " " " 
 
 14 7 In the Haycock. " " " " 
 8 The Old Story. 
 
 g The Haymaker. 
 
 70 In Nature's Mirror. • " " " 
 
 11 Bringing in the Christmas Pudding. •■ " " 
 
 12 Midsummer-Night's Dream. " " " 
 
 All work of exhibitor. 
 
78 
 
 ^o^ton Camera €luti — afrljibition, 1892. 
 
 Mr. ALFRED STIEGLITZ, 
 
 14 E. 60th Street, New York. 
 
 Amateur Photographers of New York. 
 
 15 / On the Shores (Lake Como). 
 2 An Unwilling Bath. 
 
 J Biarritz. 
 
 4 In Central Park. 
 
 5 Central Park. 
 
 16 6 Cortina (IL). 
 
 7 View from Oak Lawn. 
 
 8 Maria. 
 
 g After the Storm. 
 
 10 Wetterhorn. 
 
 // Lago di Misurina. 
 
 17 J 2 Open Air Portrait. 
 jj Sun and Shade. 
 14 After the Rain. 
 
 /J A Summer Afternoon. 
 
 16 Weary. 
 
 77 Village Smithy. 
 
 18 r8 At the Brook. 
 ig The Last Load. 
 20 Street in Bellagio. 
 2r Cortina (I.). 
 
 22 A Nook in Pallanza. 
 
 2j November Days. 
 
 19 24 Hallstadt. 
 
 25 Interlaken. 
 
 26 The Card-players. 
 
 2j The Wanderer's Return. 
 
 28 Winter in Berlin. 
 
 2g Venezia. 
 
 20 JO Lowenbriicke, Berlin (Autumn). 
 ji " •' (Winter). 
 
 j2 Moonlight Effect on Lake George. 
 
 Original negatives and all, work of exhibitor. 
 
 Plate. 
 Carbutt. 
 
 De7> 
 Hyd 
 
 'eloper. 
 rocliinon. 
 
 Miss CATHARINE WEED BARNES, 
 Western Avenue, Albany, N.Y. 
 
 Amateur Pliotographers of New Yorh. 
 
 2il I Watching the Snow birds. 
 
 2 Statue of Robert Burns. 
 
 3 Cinderella. 
 
 4 Home made Statues. 
 
 5 Greek Study. 
 
 Lens. Developer. Plate. Print. 
 
 Dall. W. A. Eikonogen. Allen & Dry Plate. 
 
 Rowell. 
 
25o.ston Camera Ciul) — €jcl)il)itiou, 1S92. 
 
 79 
 
 22 6 Look in Mother's Eyes. 
 
 23 
 
 Lens. 
 Dall.W. A. 
 
 7 
 <§ 
 
 12 
 
 15 
 i6 
 
 17 
 
 i8 
 
 Portrait Prof. Chas. Ehrmann. 
 Entrance Hall. 
 Drawing-room. 
 Room for One More. 
 Through the Woods. 
 
 "The world forgetting, by the world forgot." 
 Early Morning. 
 At the Source. 
 
 Seven Times One. 
 Seven Times Five. 
 Seven Times Six. 
 By Still Waters. 
 
 (Jean Tngelow.) 
 
 Developer. 
 Eikonosen. 
 
 Eikonogen 
 Intensified 
 with Silver. 
 
 Eikonnoen. 
 
 Plate. 
 
 Allen & 
 Rowell. 
 
 Print. 
 Dry Plate. 
 
 All work of exhibitor. 
 
 Mr. H. a. LATIMER, 
 
 Boston Camera Club. 
 
 Lens. Developer. Plate. Print. 
 
 24 I Yacht " Hypatia," — Cruising Race. Ross Port, Sym. Pyro Soda. Eastman. Dry Plate. 
 2 Sunset, Marblehead, Mass. " 
 
 J King Philip, Marblehead. " 
 
 4 Parlor of the Ponce de Leon. '• 
 
 5 Old Witches' House, Deerfield, Mass. Wet. 
 
 6 The Antiquarian of Deerfield, Mass., 
 
 in his favorite corner. Dry. 
 
 25 I Sunset, Ware River, Nantasket, Mass. " 
 2 Mt. Washington Signal Station in 
 
 October. " 
 
 J Amusing the Baby. Carbutt. " 
 
 4 South Fork Falls, Yosemite Valley, Cal 
 
 5 Yosemite Fall (2,634 feet high). Eastman. 
 
 6 The Woods in Autumn. Wet. 
 
 26 / North Dome, Yosemite Valley. A. & R. Dry. 
 2 The River Path, Rockledge, Fla. Wet. 
 
 3 
 
 4 Tropical View on Indian River. " 
 
 5 Old Wreck, Indian River. 
 
 6 Surf, Pt. Lobos, Monterey, Cal. 
 
80 
 
 23o^ton Camera Club — <exijitJition, 1892. 
 
 Lens. Developer. Plate. Prhit. 
 
 27 / In Ballast. Ross Port. Sym. Pyro-Soda. A. & R. Dry Plate. 
 
 2 Yacht. " 
 
 3 Surf, Marblehead, Mass. VVet. 
 
 4 Natural Bridge, Va. ^ >■ Dry. 
 
 5 Street View, Monterey, Cal. 
 
 6 A Cuban Hut, Campo Florido, Cuba. 
 
 / Oldest Inhabitant, Silver Springs, F!a. Wet. 
 
 2 River View, Silver Springs, Fla. 
 
 3 City Gates, St. Augustine, Fla. 
 
 4 Verena, Marblehead. Dry. 
 
 5 The River Road, Palatka, Fla. " 
 
 6 View on Charles River. '• 
 
 All work of exhibitor 
 
 Mr. EDGAR G. LEE, 
 
 CuUercoats, Newcastle- on-Tyne. 
 
 Honorary Secretary Ncwcastle-on-Tyne Photograplnc Association . 
 
 28 / Sunny Hours. 
 
 2 The Evening Hour. 
 
 3 Rest and Refreshment. 
 
 4 The Smoky Tyne. 
 
 5 The Gypsies. 
 
 29 6 Sunlight and Shadow. 
 
 7 The Brook. 
 
 8 Outward Bound. 
 
 g The Hay Harvest. 
 
 10 By the Old Mill. 
 
 11 An Autumn Sunset. 
 
 Lens. 
 Single. 
 
 Doublet. 
 
 Single. 
 Doublet. 
 
 Single. 
 Doublet. 
 
 Developer. 
 
 Plate. 
 
 Hydroquinone and Edwards' Instantaneous 
 Carbonate Potass. Isochromatic Plates. 
 
 Print. 
 
 Gelatine 
 Bromide 
 L. Plates. 
 
 12 
 
 The Student. 
 
 All work of exhibitor. 
 
^25o^tou Camera €luh — €j.i)ilittion, 1892. 
 
 SI 
 
 Mr. JOHN W. DUNN, 
 
 3418 Meramec Street. 
 
 Louts Camera Club. 
 
 30 A " If I had a donkey that wouldn't go," &c. 
 
 B Balanced Rock, Garden of Gods, Colo, 
 
 c Mountain Valley, near Empire, Colo. 
 
 D " The Bell(e)s." 
 
 E Crossing Clear Creek, Colo. 
 
 31 F Georgetown Pass, Colo. 
 
 G Mountain Climbing, Colo. 
 
 H Caught in the Ice, St. Louis. 
 
 K Sitting for his Picture. 
 
 L At the Well. 
 
 M At the Spring. 
 
 N Altar in Sacred Heart Convent, St. Louis. 
 
 32 o Meramec River at Glencoe, Mo. 
 p Off Cape Ann. 
 
 Lens. 
 Hermagis. 
 
 Steinheil. 
 Hermagis. 
 
 Steinheil. 
 Hermagis. 
 
 Steinheil. 
 Hermagis. 
 Steinheil. 
 Hermagis. 
 
 Developer. 
 Pyro. 
 
 Plate. 
 
 Seed. 
 
 Eagle. 
 Seed. 
 
 Print. 
 
 Ferrous Oxalate, 
 Carbutt L. S. 
 
 Carbutt B. 
 Seed. 
 
 Cramer B. 
 Seed. 
 
 Cramer B. 
 
 Mk. WILLIAM M. BUTLER, 
 
 2636 Osage Street, St. Louis. 
 
 St. Louis Camera Cinh. 
 
 Lens. Developer. Plate. 
 
 33 gs Levee. North of Bridge, St. Louis. No. o Eury- Pyro. Seed 
 
 scope. 
 
 Jj^ Siallion " Louis Napoleon, Jr." " " " 
 
 // Niagara Falls. •• " 
 
 A Cemetery Entrance, Jefferson Bar- 
 racks. 
 
 B On River des Peres, Forest Park, 
 St. Louis. 
 
 c Arch over Entrance to Cemetery, 
 Jefferson Barracks. 
 34 D Officers' Quarters, Jefferson Bar- 
 racks. 
 
 E Out for a Ride. 
 
 F Steamer "Grand Republic" on an 
 Excursion. 
 
 G Grand Avenue Bridge, St. Louis. No. 5 Bausch 
 
 & Lomb. 
 
 H Rafting Logs on Upper Mississippi 
 River. 
 
 I A Picnic Party. A.S.Aloe&Co. 
 K Shakespeare, Tower Grove Park, 
 
 St. Louis. No. 5 Bausch 
 
 & Lomb. 
 All work of e.\hibitor. 
 
 Eastman's 
 Film. 
 
 Seed. 
 
 Print. 
 
 FeYrous Ox. 
 
 Hydrochinon. 
 
 Ferrous Ox. 
 Hydrochinon. 
 
 Ferrous Ox. 
 Hydrochinon. 
 
82 
 
 23o^?ton Camera Club — €j:f)ibition, 1892. 
 
 TRANSPARENCIES. 
 
 Mr. clarence B. MOORE, 
 
 132 1 Locust Street, Philadelphia. 
 
 Photographic Society of Philadelphia. 
 
 Lens. Developer. Plate. 
 
 1 A Florida Afternoon. Darlot. Pyro-Potash. Seed 26. 
 
 2 The New Slipper. Beck. Pyro-Soda. " 
 
 3 What's That? Dallmeyer. " Stanley. 
 
 4 Wissahickon Creek from Valley Green 
 
 Bridge. Francais. Pyro-Potash. Seed. 
 
 5 Flo. Beck. Eikonogen. Seed 26. 
 
 6 A Brotherly Attention. Francais. Hydrochinon. " 
 
 Negatives and jjositives, work of exhibitor. 
 
 V 
 
 Prifit. 
 
 Carbutt A Plate 
 and Oxalate 
 Developer, ex- 
 cept No. 5, 
 developed with 
 ■ Hydrochinon- 
 Eikonogen. 
 
 Mr. WILFRED A. FRENCH, 
 Boston. 
 
 Boston Camera Club. 
 
 7 Old State House, Boston, Mass. 
 
 8 Ditto. 
 
 9 Historic Homestead at Quincy, Mass., erected in 1635. 
 
 10 Brook near Waterville, N.H. 
 
 1 1 Mad River, near Thornton, N.H. 
 
 12 Hyde Park (view of the Neponset River). 
 
 All work of the exhibitor. 
 
-Boston CamccA Club — ^Erljibition, 1892. 
 
 Mr. ROBERT L. BRACKLOW, 
 1 13 West 3Sth Street. 
 
 Amateur Photographers of New York. 
 
 Lens. Developer. Plate. 
 
 13 Castle Rock, Marblehead Neck, Mass. Gundlach Pyro-Potash. Carbutt's 
 
 Rectigraphic. Special. 
 
 14 Belleville Hotel, Belleville, N.J. Built 
 
 in 1685. " " 
 
 15 View on Second River, near Belle- 
 
 ville, N.J. 
 
 16 Washington Bridge, over Harlem 
 
 River, New York. High Bridge in 
 
 the distance. Darlot W. A. " " 
 
 17 View on the Bronx River, Bronx Steinheil, 
 
 Park, New York. Series II. Seed 26. 
 
 18 Egyptian Obelisk, Central Park, N.Y. Gundlach " Carbutt's 
 
 Rectigraphic. Special. 
 
 19 St. Mark's Church, Second Ave., N.Y. Darlot W. A. 
 
 20 Vista, Main Street, Concord, Mass. Gundlach '• " 
 
 Rectigraphic. 
 
 Exposures, developments, and prints, work of e.xhibitor. 
 
84 
 
 25oiSton Camera €lulj — o^iiitbition, 1892. 
 
 . ♦ Sinticjc of ciErl)tbitor!S , . 
 
 Catalogue No. Page. 
 
 Alexander, Mr. John W. 
 Andrews, Mr. Edward R. 
 Angerer, Mr. Victor 
 Babcock, Mr. T. James 
 Bain, Mr. Robert E. M. 
 Balliurd, Mr. Charles . 
 Barnes, Miss Catherine Weed 
 
 Lantern Slides 
 Barton, Mr. Howard R. 
 Belknap, Mr. Henry W. 
 Bennett, Mr. E. S. 
 Berg, Mr. Charles I. . 
 Blake, Mr. Francis 
 Bracklow, Mr. Robert C. Transi)arencies 
 Breese, Mr. James L. . 
 Briggs, Mr. William Sumner 
 Bullock, Mr. John G. . 
 Butler, Mr. William M. 
 Byington, Mr. W. W. . 
 Chamberlain, Mr. Joseph 
 Chandler, Miss Alice G. 
 Chase, Mr. Walker G. 
 Clarke, Mr. S. Francis 
 Clarke, Mrs. S. Francis 
 
 Fantern Slides 
 Clarkeson, Miss Emilie V. Lantern Slides 
 Clements, Mr. Alfred . 
 Clow, Mr. W. S. . 
 Coleman, Miss E. L. 
 Cole, Mr. E. Court 
 Currier. Mr. Charles H. 
 Dana, Mr. W. T. 
 Diston, Mr. Adam 
 Dodge, Mr, William H. 
 Dresser, Mr. Arthur R. 
 Dumont, Mr. John E. . 
 Dunn, Mr. John W. Lantern Slides 
 Fames, Mr. (). A. 
 
 Lantern Slides 
 Eaton, Mr. Geo. H. 
 Eddy, Miss Sarah J. 
 Emmons, Mr. Hamilton 
 Evans, Mr. L W. 
 Fitz, Miss Emma J. 
 Eraser, Mr. William A. 
 French, Mr. Wilfred A. 
 
 Transparencies 
 Fretwell, Mr. Ralph Trann 
 Fuller, Mr. E. Abbott 
 (Joldschmidt, Mr. Julius 
 Graves, Mr. Edward H. 
 Grisdale, Mr. H. M. . 
 Hallett, Mr. Henry R. . 
 Harding, Mr. Martin J- 
 Harvey, Mr. J. H. 
 Hine, Mr. C. G. . 
 Holman, Mr. John C. . 
 Hull, Mr. Chas. Wager 
 Kimball, Mr. Benjamin 
 Latimer, Mr. H. A. 
 
 Lantern Slides 
 Learning, Mr. Edward . 
 
 144—147 
 
 27 
 
 
 62 
 
 407 
 
 
 '43 
 
 25 
 
 J 
 
 62 
 
 264-268 
 
 41 
 
 24.1—2 
 
 XI 
 Of 
 
 21-2'? 
 
 78 
 
 62-64 
 
 15 
 
 J'T/ J J 
 
 47 
 
 216 
 
 35 
 
 127, 
 
 23 
 
 1-6 
 
 9 
 
 13-20 
 
 83 
 
 202-205 
 
 31 
 
 161-1S4 
 
 29 
 
 613-618 
 
 70 
 
 33' 34 
 
 81 
 
 339-344 
 
 47 
 
 580 
 
 66 
 
 125, 126 
 
 2 1 
 
 28-34 
 
 1 ! 
 .J 
 
 619-626 
 
 70 
 
 627-630 
 
 7 ' 
 
 I, 2 
 
 75 
 
 
 77 
 
 639-644 
 
 7"? 
 
 1 14-120 
 
 21 
 
 48^402 
 
 60 
 
 584-586 
 
 67 
 
 409-4 1 1 
 
 CC 
 J J 
 
 i;26— "^o 
 
 
 ^8-4^ 
 
 1 1 
 
 1 1;6— I c;q 
 
 27 
 
 592-597 
 
 68 
 
 501-509 
 
 61 
 
 30-32 
 
 81 
 
 65-76 
 
 17 
 
 
 7^ 
 
 'j8 t:— 70O 
 
 r -3 
 Jj 
 
 345, 346 
 
 47 
 
 93-99 
 
 '9 
 
 632, 633 
 
 72 
 
 583 
 
 66 
 
 191-194 
 
 3' 
 
 364-377 
 
 53 
 
 7-12 
 
 82 
 
 361-363 
 
 5' 
 
 160 
 
 29 
 
 271 
 
 41 
 
 476-480 
 
 59 
 
 283-3 '3 
 
 43 
 
 185-188 
 
 29 
 
 604-606 
 
 69 
 
 578 
 
 65 
 
 654-660 
 
 73 
 
 51 '-5' 5 
 
 62 
 
 226-235 
 
 37 
 
 413-452 
 
 55 
 
 531-565 
 
 63 
 
 24-27 
 
 80 
 
 269, 270 
 
 41 
 
 Lee, Mr. John C. 
 
 Lantern Slides 
 Lincoln, Mr. Pldwin H. 
 Little, Mr. James L. 
 Loud, Mr. J. Prince 
 Mack, Mr. "Hugo S. . 
 Mansell, Mr. Thomas . 
 Mansell, Mr T. . 
 Mason, Mr. J. S. . 
 Meldon, Mr. Louis 
 Miller, Mr. Charles Howell 
 Mitchell, Mr. Charles L. 
 
 Lantern Slides 
 Moore, Mr. Clarence B. 
 
 Transparencies 
 Morandi, Mr Francis W. 
 Morgan, Mr. George M. 
 Murdock, Miss Elizabeth 
 Murdock, Miss Helen M. 
 Mystic Camera Club 
 Nelson, Mr. George A. 
 Norton, Mr. H. A. 
 Pancoast, Mr. Charles K. 
 Pearson, Mr Horace B. 
 Pineiro, Mr. F. R. 
 Pond, Mr. Quincy 
 Pratt, Mr. F. Alcott 
 Preston, Mr. Wm. Gibbons 
 Rau, Mr. Wm. H. 
 Redfield, Mr. Robert S. 
 
 Lantern Slides 
 Reed, Mr. Wm. Garrison 
 Rencurrel, Mr. M. E. . 
 Ruppert, Mr. Ferdinand 
 Russell, Miss Mary F. . 
 Sawyer, Mr. Lyddell 
 Schoen, Mr. Alfred P. 
 Schram, Mr. Louis B. . 
 Sears, Mrs. Sarah C. 
 Sherman, Mr. Edward i' . 
 Silsbee, Miss Rosamond W. 
 Simpson, Mr. Alfred M. 
 Slade, Miss Elizabeth Almy 
 
 Lantern Slides 
 Stackpole, Mr. Frederick D, 
 Stengel, Mr. George J. 
 Stettinius, Mr. John L. 
 Stieglitz, Mr. Alfred 
 
 Lantern Slides 
 Strang, Mr. S. Tudor 
 Symcnds, Mr. Harry 
 Tarbell, Mr. John H. . 
 Thurston, Mr. John H. 
 Todd, Mr. Dundas 
 Troth, .Mr. Henry 
 Wells, Mr. James A. . 
 Williams, Mr. Cleinent 
 Wilmarth, Mr. Arthur R. 
 Witherell, Mr. W. O. . 
 Wood, Mr. Geo. B. 
 Wright, Mrs. James Osborne 
 Wundram, Mr. G. W. 
 
 Catalogue No. 
 
 130-136 
 28, 29 
 
 495- 496 
 206-2 1 2 
 22-27 
 332-338 
 631 
 493. 494 
 635, 636 
 
 58 r 
 587-591 
 77-82 
 
 5-9 
 7-21 
 
 1-6 
 566, 567 
 391-406 
 
 412 
 121-1 24 
 
 645-653 
 607-61 1 
 
 568 
 378-384 
 
 612 
 598-603 
 189, I go 
 
 356 
 637, 638 
 453-458 
 100-105 
 10, r I 
 83-92 
 
 35-37 
 217-225 
 
 352 
 44-55 
 
 272-282 
 
 353' 354 
 579 
 
 195-201 
 129 
 
 355 
 236-240 
 1 2 
 
 408 
 407-500 
 
 2f3-2I5 
 
 314-33' 
 
 1 5-20 
 
 634 
 
 582 
 
 I48-IS5 
 481,482 
 
 60, 61 
 
 137-142 
 357-360 
 56-59 
 
 ic6-i 1 3 
 47J-47S 
 5''9-577 
 255-262 
 263 
 
 Page. 
 
 25 
 80 
 61 
 
 33 
 '3 
 45 
 71 
 60 
 72 
 60 
 67 
 17 
 76 
 1 1 
 82 
 64 
 55 
 56 
 21 
 
 73 
 
 6q 
 
 65 
 53 
 
 69 
 68 
 
 31 
 
 51 
 72 
 58 
 19 
 76 
 17 
 '3 
 35 
 49 
 15 
 43 
 49 
 65 
 31 
 23 
 49 
 
 55 
 61 
 
 45 
 78 
 
 66 
 27 
 59 
 '5 
 25 
 51 
 15 
 '9 
 59 
 ''5 
 39 
 39 
 
mnmittee of ilrrantrcments. 
 
 QWr* 'WtKim ^umntt (gti^ze, 
 
 €)f (gosfon Camera Cfufi.