STERLING AND FRANCINE CLARK ART INSTITUTE WILLIAMSTOWN, MASSACHUSETTS 01267 ND237 Knoedler, M. , & Company, inc., W5.5 New York. K56 Catalogue of an exhibition of 1911 etchings and dry points by James C.2 Abbott McNeill Whistler. rNew York, 1911a ■ •XrVX'X ■vK73&X,$'1;Xv) ■^^/^/ ',■> -....^^ .^1- 'Tt^.'; . V-. ■: • I ., ,•> / ;. : . V y -^ (■ /, ,J~ -T^ .7 . ' ■' ^ f.'u '■'- ' o'^-^• j i n v4.i- ,ir ■ ■ 'y^K . ^ ' ' (’ '■: r' -C 't-^'^r^'T^^'^' r V '■ >'' • ' 'VV.-:^ VAN-, ,X ' ''■/•',) : A- 7,J,M >\ , ; ’-;r ' '^ .I ' .v' , '. V 1 . ' ■ . -C-. 'v t,l t u- >* ■ 'A.: \'J!'- !~ : , > x’/'. \ ,.. . ,. ' '; - A -, L/- ■/'^, — ti ; -^rr ^ r 'X.-/,, / Mtxs ??@ i;si?y W histler J -t Catalogue of an Exhibition --- — -■ = of — ETCHINGS — and DRY POINTS r by- — 3amra Abbott fHrNrill fflliiatlfr AT THE ^naeJilpr (Sallprira 355 Fifth Avenue Cor. Thirty-fourth Street N K W Y O K K JFrbruarg. 19 11 Key to Abbreviations W. — Wedmore’s Catalogue. K. — E. G. Kennedy’s Grollier Catalogue. M.— Howard Mansfield’s Caxton Catalogue. G. — Grollier Exhibition Catalogue, 1904. W. Supp. — Wedmore’s Supplement. Roman Numbers. — Progressive Proofs according Kennedy’s Grollier Catalogue. -T . Ih^i — It- .„ t»,- JietZ ^iMt — ^^Jtlu iPvmJL ^ flffilu4U ^ II jt '1 Wm: liolrut^tL^ 4i^ tplM -4» t I * 7 *. ^ L.J ./ n. ^W5T ^ ik CATALOGUE LIVERDUN II. W-4. K-16. M-16. One of the twelve French Set. 1859. LA RETAMEUSE II. W-5. K-14. M-11. One of the twelve French Set. 1859. THE DOG ON THE KENNEL I. W-8. K-18. M-18. LA MERE GERARD IV. W-9. K-11. M-13. One of the twelve French Set. 1859. STREET AT SAVERNE V. W-11. K-19. M-19. One of the twelve French Set. 1859. LITTLE ARTHUR V. W-13. K-9. M-7. One of the twelve French Set. 1859. ANNIE IV. W-15. K-10. M-8. LA MARCHANDE DE MOUTARDE II. W-16. K-22. M-22. One of the twelve French Set. 1859. LA MARCHANDE DE MOUTARDE V. W-16. K-22. M-22. 5 ... JIT 10 FUMETTE IV. W-18. K-13. M-15. 11 FUMETTE (Trial Proof) III and IV. W-18. K-13. M.-15. One of the twelve French Set. 1859. THE KITCHEN II. W-19. K-24. M-24. One of the twelve French Set. 1859. 13 THE TITLE TO THE FRENCH SET I. W-20. K-25. M-25. 14 A LITTLE BOY I. W-22. K-29. M-6. 15 SEYMOUR II. W-23. K-31. M-32. sS ANNIE, SEATED I. W-24. K-30. M-29. 17 READING BY LAMPLIGHT II. W-25. K-32. M-30. THE MUSIC ROOM I. /?“ W-26. K-33. M-31. READING IN BED I and II. W-29. K-28. M-28. 20 THE WINE GLASS (Trial Proof) I. W-31. K-27. M-27. 6 ) 21 GREENWICH PARK I. ■ — — ‘ W-33. K-35. M-34. 22 NURSEMAID AND CHILD I. W-34. K-37. M-36. 2^ ^ THAMES POLICE II. W-42. K-44. M-43. the sixteen Thames Set. 1859-60-1-2. Pub. 1871. 24 ’LONGSHOREMEN I. mZrnrn W-43. K-45. M-44. 25 THE LIME-BURNER II. W-44. K-46. M-45. One of the sixteen Thames Set. 1859-60-1-2. Pub. 1871. 26 BILLINGSGATE II and V. W-45. K-47. M-46. After 100 impressions pub. in portfolio, January, 1878. 27 THE LANDSCAPE WITH THE HORSE I. W-46. K-36. M-35. 28 ARTHUR HADEN. W-47. K-61. M-61. 2? PORTRAIT OF WHISTLER II. W-52. K-54. M-54. >• FINETTE VII. W-54. K-58. M-58i / THE FORGE III. W-63. K-68. M-68. One of the sixteen Thames Set. 1859-60-1-2. Pub. 1871. 32„.. MILLBANK (4 States). W-67. K-71. M-71. One of the sixteen Thames Set. 1859-60-1-2. / Pub. 1871. THE LITTLE WAPPING II. W-71. K-73. M-72. TINY POOL III. W-73. K-173. M-170. LITTLE SMITHFIELD I. W-78. K-160. M-157. CADOGAN PIER I. W-79. K-75. M-75. One of the sixteen Thames Set. 1859-60-1-2. Pub. 1871. (Title in the sixteen Set, “Early Morning, Battersea.”) ^ 37 OLD HUNGERFORD BRIDGE III. W-80. K-76. M-76. One of the sixteen Thames Set. 1859-60-1-2. Pub. 1871. ^ 38 AMSTERDAM, FROM THE TOLHUIS I. W-82. K-91. M-91. 39 CHELSEA BRIDGE AND CHURCH VI. W-85. K-95. M-96. ’^One of the sixteen Thames Set. 1859-60-1-2. Pub. 187L 8 40 SPEKE HALL VIII (Signed). W-86. K-96. M-95. 41 THE MODEL RESTING IV. W-87. K-100. M-118. 42 SWAN BREWERY I. W-89. K-98. M-97. THE VELVET DRESS IV. W-91. K-105. M-105. 44 THE LITTLE VELVET DRESS II. (Paris Ex.) W-92. K-106. M-106. 45 ELINOR LEYLAND V. W-95. K-109. M-108. 46 FLORENCE LEYLAND VI. W-96. K-110. M-109. 47 READING A BOOK I. W-97. K-111. M-110. 48- TATTING I. W-98. K-112. M-111. 49 MAUDE. STANDING VI. and IX. W-99. K-114. M-113. 50 MAUDE, SEATED I. (Full Face.) (Undescribed.) 51 W-100. K-115. M-114. TILLIE: A Model I. W-102. K-117. M-116. 1873. 9 52 THE BOY IV. (Paris Ex.) W-109. K-135. M-133. ^53 THE LITTLE FORGE V. (Before Butterfly.) W-115. K-147. M-145. 54 THE PIANO V. W-H7. K-141. M-139. 55 THE WHITE TOWER I. (Riverside Sketch.) W-128. K-150. M-148. 56 ; A SKETCH FROM BILLINGSGATE VI. " W-130. K-168. M-164. \\ 57 FISHING-BOATS, HASTINGS II. S W-131. K-158. M-155. 61 iJL ^2 63 FREE-TRADE WHARF I and V. W-134. K-163. M-160. LORD WOLSELEY IV. W-138. K-164. M-166. J . BATTERSEA BRIDGE Between II and III.^ W-141. K-177. M-174. PUTNEY BRIDGE III. » W-145. K-178. M-175. HURLINGHAM III. W-147. K-181. M-178. FULHAM II. ' W-148. K-182. M-179. 10 64 THE LITTLE VENICE I. W-149. K-183. M-182. One of the twelve Venice Set. 1880. 65 NOCTURNE III. W-150. K-184. M-181. One of the twelve Venice Set. 1880. (Whistler’s Masterpiece.) This copy was selected for the Paris Exposition of Whistler’s Works, 1905, and is considered the finest impression from the plate. 66 THE LITTLE MAST I. W-151. K-185. M-182. , One of the twelve Venice Set. 1880. .nW.. 67 THE PALACES II. W-153. K-187. M-184. One of the twelve Venice Set. 1880. 68 THE DOORWAY VII. W-154. K-188. M-185. One of the twelve Venice Set. 1880. 69 THE TRAGHETTO No. 2, III. W-156. K-191. M-188. One of the twelve Venice Set. 1880. 70 THE RIVA No. 1, III. W-157. K-192. M189. One of the twelve Venice Set. 1880. 71 TWO DOORWAYS V. W-158. K-193. M-190. One of the twelve Venice Set. 1880. / 11 72 THE BEGGARS IX. W-159. K-194. M-191. One of the twelve Venice Set. 1880. 73 THE MAST V. (H. M. Ex.) W-180. K-195. M-192. One of the twelve Venice Set. 1880. 74 DOORWAY AND VINE (Early Trial Proof) I. W-161. K-196. M-193. One of the Twenty-Six etchings. 75 WHEELWRIGHT V. 77 BEAD-STRINGERS (Early State) VIII. W-164. K-198. M-195. One of the Twenty-Six etchings. W-162. K-233. M-230. One of the Twenty-Six etchings. 76 SAN BIAGIO IX. W-163. K-197. M-194. One of the Twenty-Six etchings. C 78 NOCTURNE PALACES II. W-168. K-202. M-199. One of the Twenty-Six etchings. THE BRIDGE II. W-171. K-204. M-201. One of the Twenty-Six etchings. 80 LOBSTER POTS III. W-174. K-235. M-233. One of the Twenty-Six etchings. 12 81 THE RIVA No. 2, I. W-175. K-206. M-203. One of the Twenty-Six etchings. 82 THE BALCONY I. •» W-177. K-207. M-204. One of the Twenty-Six etchings. 83 , FISHING-BOAT IV. W-178. K-208. M-205. One of the Twenty-Six etchings. 84 PONTE PIOVAN. W-179. K-209. M-206. One of the Twenty-Six etchings. 85 THE RIALTO II. W-181. K-211. M-208. ^ S6 One of the Twenty-Six etchings. LONG VENICE III. W-182. K-212. M-209. \\ i 87 FURNACE NOCTURNE Trial between I and II. Also VI. W-183. K-213. M-210. LAGOON: Noon III. W-186. K-216. M-213. 89 MURANO-GLASS FURNACE IV. •* W-187. K-217. M-214. 13 FISH-SHOP, VENICE V. W-188. K-218. M-215. REGENT’S QUADRANT IV. W-192. K-239. M-235. THE SMITHY V. W-197. K-240. M-237. DORDRECHT II. W-200. K-242. M-239. A BOOTH AT A FAIR I. W-203. K-249. M-245. COTTAGE DOOR II. W-204. K-250. M-246. A SKETCH IN ST. JAMES’S PARK I. W-207. K-255. M-251. A FRAGMENT OF PICCADILLY I. W-208. K-256. M-252. ST. JAMES’S PLACE, HOUNDSDITCH I. W-232. K-299. M-284. CUTLER’S STREET, HOUNDSDITCH II. W-234. K-292. M-287. TROOP SHIPS I. W-238. K-319. M-314. S 101 NOCTURNE: Dance House II. W-265. K-408. M-407. ^ 102 PORTSMOUTH CHILDREN I. W-275 Supp. K-322. M-317. 103 OLD CLOTHES SHOP, No. 2. Between I and II. W-302 Supp. K-258. M-254. 104^ MISS LENOIR I. W-309 Supp. K-334. M-330. SWAN AND IRIS I «nd II. W-310 Supp. K-241. M-238. 106 J. H. WOOD’S FRUIT SHOP II. — G-326. K-265. M-261. 107 THE MANTLE I. G-340. K-336. M-332. 108 LUXEMBURGH GARDENS I. G-383. K-429. M-419. 109 RUE DE SEINE II. (Newspaper Stall.) G-349. K-432. M-426. 5 110 PORTRAIT OF WHISTLER, by C. Pellegeini. III /ct^ i/3 (Ud ^ 'JX (JXcXXiXX ? LJ-' V f ? 1 ' ^ . - j*i S)^M^ fUGZ^ic^ ^0 — Xc -^Ciuiucu U\/ju ' !f 5^ flCCo — d^r— *j JitM^%AJ^ ^ .( „ iro ^ t^f 'll. Pu^^d^ ^'•.'" *Ha^ M\>*YJj •Ho ^dttc X.i' PfxA0l^hw\j ^ • i 1 > \-rh • -/l ■> 'V W ' ' '■ = .„..■ V • / ^ r- '! '-' ’' ' - -y ■/ .\i^"r'' '-A -i - >■ J-' , I ~-4i v’^' 'f. yA'-yy;'- A. Sv, . .A.- .• ,'^' ^ .^ '■ T’' ' - w "■. ^/ yj ^'/ ' './ r % '^'Jru;/ 'f-' t; >«■'■' c ■ ■ A, rjA& • AAA A •VAa' ' ' ""v ' A 7 ■ ' '■' " 'V ■* " >A '"A 'j ■-- o- ■s;'^\> 'P' --'' >-m‘^ 1.V ' <^7 7 A'- > -- ;^v -o •>.. X. ., - . >1. ■> vy • ' • I ' \A V' ,v -'k