os e a = a ae i) eet te — M A Book by Rev. Paul Wilhelr Reviewed by Rev. (Published by the B. Herder Bi the times in Germany is the w in which a book on Christian j has taken the nation by storm. The are great possibilities in a people w by the thousands have found comfc and hope in the pages of this little bo by the Bishop of Rottenburg. Pre dent. Roosevelt did much to make por lar the “Simple Life,’ by Pastor Wa ner. But here is a book that has be its own commendation and introdu tion. : First published in 1909 as an East greeting, the book has gone into ma: editions. Although written by a Rom Catholic bishop. it has overleaped d On: of the most hopeful signs Io ‘19J ‘yIOM UOTSSIW ' 9Y} oJoyM ‘Pole SUIUTey oY} U -SIP 9q 0} SUOTINGIIjUOD PIeM AON ‘jospng sdue[OAo ‘TIOUNOD t YWION 34} Jo ysonbalr 2 peziioyyne sey suOIssty sutjueld surids Suryeur sajqqed pue pues ‘sy sooejd Aueu ul pue sdo eUIYD YHON ‘ TUNING "ATI otis ol, —_—w. DEATH IN THE MINISTRY Rev. Sylvanus Haupert, D.D. Rev. Dr. Sylvanus Haupert, pastor of the Bridesburg Presbyterian church, Philadelphia,} died on March 31, aged fifty-five. if Sylvanus Haupert, son of Frederick and Philippina (Cappel) Haupert, was born at. Frys... Valley, \Tuasedrawas County, Ohio, on November 7, 1869. He graduated from the Dennison, Ohio, high school, when his older brother, Dr. Charles Haupert, was superintendent. Following this, he taught /a district school in Tu§carawas County for a year; then entered Heidelberg College. at Tiffin, Ohio, where he was graduated after a five-year course. He then com- pleted his preparation for his life’s work at McCormick Theological Sem- inary, Chicago, IWinois, graduating in 1895. His first charge was that of the Presbyterian churches of Bradner and Pemberville, Ohio, going from there to Mason, Ohio, in 1898. During this pas- torate, he made a ‘trip through parts of Europe, Egypt d Palestine. His wife’s ill health necessitated his going to Colorado, first accepting a charge at Del Norte in 1902, and at Aspen in 1903, where he remained until 1907. In that year, he accepted a call to the Westminster church of Pittsburgh, and. remained there for eight years. During this pastorate, he completed his work for a doctorate, and received the degree of Ph. D. from Grove City College«in 1908. In 1915, Dr. Haupert came to his last charge, that of the Bridesburg church, Philadelphia. Being afflicted by a slight stroke, which perceptibly af- fected his health, he resigned this charge a little over a year ago, retiring from active service. Since last July, he spent his days of retirement at Acad- emia, Pa. While pastor in Bridesburg, he remodeled the Sabbath-school build- ing and cancelled the debt involved. During the influenza epidemic, he ren- dered every possible .assistance to the sick, the sorrowing and the distressed. Wherever there was need, Dr. Haupert went and gave himself to the service of all. He was a splendid preacher and a devoted pastor. He was widely known and greatly beloved by. Jali When compelled to retire from the ac- tive ministry, Dr. Haupert was made pastor-emeritus of the Bridesburg ‘A Rab Boo Ue ee ee ee Se ose , ae AY SOME ZO eae Library of The Cheolo gical Seminary PRINCETON - NEW JERSEY CP PRESENTED BY | The Estate of BZ s00-.-K45 1934 ane Keppler, Paul Wilhelm vo 1852-1926. is More joy BY 70, a a Sin Rs £ FLOP es a se WW thE Tue RT. REV. PAUL WILHELM VON KEPPEER ~ Bisuop oF RorrensuRrG ADAPTED INTO ENGLISH FROM THE EDITION OF 1911 BY THE. REV. JOSEPH McSORLEY, C. S. P. FIFTH EDITION B. HERDER BOOK CO. 17 SOUTH BROADWAY, ST. LOUIS, MO. AND 68 GREAT RUSSELL ST., LONDON, W. C. 1924 NIHIL OBSTAT Sti. Ludovici, die 26. Feb. 1914 F. G. Holweck, Censor Librorum. IMPRIMATUR Sti. Ludovict, die 27. Feb., 1914 -Joannes J. Glennon, Archiepiscopus, Sti. Ludovici. Copyright, 1914 by Joseph Gummersbach All rights reserved Printed in U. 8. A. First impression, May 1914 Second impression, September 1914 Third impression, December 1915 Fourth impression, 1919 Fifth impression, 1924 VAIL -BALLOU PRESS, INC. BINGHAMTON AND NEW YORK AUTHOR’S NOTE “JOY!’? No sooner is the word written down than a solemn feeling takes possession of me. It seems as if a thousand little faces, haloed with children’s hair, look at me sadly. Tears are falling from eyes of brown and eyes of blue; and I hear voices pleading: ‘‘Do bring us joy; we need it, oh, so sorely.’’ Then I see other faces, withered, worn, tor- mented by fear, and their dull looks say plainly: “Speak not to us of joy; it is only an illusion.”’ But then, beyond these again, there are others, radiant with happiness and affection, that turn to me encouragingly: ‘“Yes: Do speak of it. Tell us what to do in these unhappy times to save joy from destruction and to get more of it, for ourselves and for everybody.’’ So I am going to speak of joy. Would that all who still believe and hope, might listen to me; that all who still love joy and mankind, might assist me. Then indeed, the phrase I have placed on the title-page would soon be something more than a wish, an aspiration. Digitized by the Internet Archive In 2022 with funding from Princeton Theological Seminary Library httos://archive.org/details/morejoyOOkepp CHAPTER CONTENTS INTRODUCTION Tuer Ricut to Joy DOAN D LEE AGH ae aie cuuiurat teh nes lpr hs MopERN DESTROYERS OF JOY . . . , Too Many PLEASURES AND TOO LiTTLE Joy . UOVRAND. CART ayo) oh Siti eel Waihi SR rR JOY AND THE FOLK-SONG JOY AND YOUTH . JOY AND CHRISTIANITY . THE JOY OF THE CHRISTIAN JoY AND Houy SCRIPTURE . JOY AND HOLINESS . . A GALLERY OF JOYFUL PEOPLE .. . More Joy LitTtLe Joys JOY AND GRATITUDE . JOY AND EDUCATION SHRI ainsi ea ae NOVO HROUGH JOY a vee nae deen te PAIS ANTS RECT Cian ing Canin ea cen Gan CUNNING 183 , 195 CHAPTER XIX xX XXI XXII Dae OE XXIV CONTENTS JOY AND THE CARE oF SOULS . JOY AND THE LOVE oF NATURE JOY IN WORK JOY OF THE SOUL REJOICE ! CoNCLUSION PAGE . 203 rone . 226 . 236 . 244 . 256 INTRODUCTION THE STORY OF THIS LITTLE BOOK One dreary winter I wrote my Little Book of Joy; and, in the spring of 1909, I sent it forth as an Haster greeting. It met a kindly welcome here and abroad, among both people of cul- ture, and those commonly miscalled the ‘‘lower classes.’?’ Wafted by a happy fate over land and sea, it encountered a larger number of friends than provision had been made for, and was introduced in more than one foreign land before it had yet learned the language of the country. Denominational barriers were low- ered before it; and from the reviewers it ob- tained passports even into hostile camps. When, after a year of travel, it came home again to its author, it bore the proud title “ Fiftveth Thousand’’; and had many a tale to tell. Well- filled mail-bags from both hemispheres followed it home, bringing touching testimonies of grati- tude, moving confidences from pain-racked souls, messages of enthusiastic concurrence, of keen i ii INTRODUCTION criticism, of encouragement, together with re- quests for ‘‘more.”’ The author felt constrained to put all this to good use, to return greetings, to correct blunders, to comply with requests. Thus a new edition has come into existence; and now, bearing the device “‘Fifty-fourth Thousand,’ the Little Book begins its second voyage around the world. It is going to tap gently at the door of old friends, to greet them in the author’s name and to thank them. Perhaps it is also going to enroll new friends in the crusade of joy. In behalf of this crusade, we may properly enough here set down one or two wholly imper- Sonal observations suggested by many kind, and. a few unsympathetic, criticisms. Our Little Book found its starting point, and indeed its very reason of being, in the joyless- ness of modern civilization. To establish the fact of this joylessness appeared to be the very first and also the most difficult step. On this point, therefore, I deliberately multiplied au- thorities high in the world’s esteem, feeling quite prepared nevertheless to meet with contradic- tion and to be reproached for my pessimistic view of the age. Great was my surprise to en- counter on every side, not denial of the world’s INTRODUCTION ili joylessness, but admission and acknowledgment. General agreement in every quarter; thousands of hands reaching out eagerly for the Little Book ;—this seemed like a new and almost terri- fying evidence of the extent to which men were suffering from the lack of joy. Now, the poisonous weed of pessimism 1s no Christian, or Catholic, growth; it flourishes in the world’s own soil. As Father Weiss has noted,’ itis the unbeliever, not the Christian, who makes the bitterest, most pitiless criticisms of life: ‘Schilling calls existence a farce, an absurd romance; Feuerbach, a madhouse, a jail; Scho- penhauer, a sham, an annoying and useless inter- ruption of the steady calm of eternal nothingness, Swinburne in Atalanta describes life as a time, ‘Filled with days we would not fain behold And nights we would not hear of.’ And Moritz Block affirms that throughout hu- man history, evil keeps so much to the fore and good so far in the background, that we can get statistics of evil conduct only, never of the good.’’ There is more optimism, a stronger affirmation 1 Lebensweisheit in der Tasche, 12, Freiburg, 1910, 99. (References in German are copied from Bishop Keppler, without verification. Tr.) iv INTRODUCTION of the value of life, in Catholic Christianity than in all the rest of the world. I am a confirmed optimist and I think I have set the imprint of optimism on this Little Book. But healthy optimism finds very little support in a vague hope that improvement will come at last. It insists upon getting at the root of exist- ing evils, giving them their true names, and then, laying hold of them with both hands to uproot them. Optimists do not wait for improvement; they achieve it. | My judgment upon modern art was by some called too harsh. Certain sharp phrases I have since canceled. But, as a whole, my criticism was justified, for it is not true that the infirm- ities indicated have been completely cured, or that Manet’s principle of ‘‘Art for art’s sake’’ has been wholly abandoned by our artists. Every annual exhibition proves the contrary. And in so far as improvement has come, it has hardly come as the result of sounder principles. One fashion has simply replaced another; and there is no guarantee that the vagaries now dis- credited will not in the tortuous course of fash- ion some day again become the modern vogue. Hven before this Little Book was published, an intensely modern man had recommended to INTRODUCTION Vv contemporary art the very same prescription of More Joy. ‘‘ Nothing made in sadness will ever diffuse joy. Hence above all else, I would appeal to modern art for more joy. I do not mean playfulness, nor frivolity; but that holy sort of joy which is born of pain and earnest effort, the joy we see on the face of the dying Schiller, the joy perceptible in all sincere art that still speaks to us with living voice.’’’ All honor to the noble efforts, the skilful work- manship, the technical progress that we witness in the world of art. But let it not be proclaimed that we have already crossed the mountains and acquired an art and a style all our own. Morbid fear of forfeiting originality by studying the great masters, weak-kneed readiness to imitate whatever is most modern, childish contempt of all tradition, effeminate devotion to fashion, pursuit of sensation and novelty, and, at the same time, a distressing poverty of great thoughts, deep feelings, warm affections,—these are no symptoms of health. And where there is not health, certainly there can be no Joy. Of course, it is praiseworthy in our artists that, by way of change, they have turned their 2A. von Gleichen-Russwurm, Sieg der Freude, Stuttgart; 1909, 250. V1 INTRODUCTION attention to winter scenes, to ice-fields and snow- landscapes, endeavoring to catch and reproduce the never-failing charm of these. But when in this present year of 1910, winter scenes and snow- landscapes appear at the Glaspalast by the dozen, many of them looking like attempts to kill poor dead nature all over again, a chill fastens upon our spirits and we find ourselves not at all dis- posed to believe that this is a young, vigorous, joyous school of art. Widespread and careful attention ought to be given to the critical articles of Momme Nissen in the Kunstwart,? in which he points out the true road to progress. It will be a pity if all his true and clever observations go for naught. It betrays shortsightedness and superficiality and inexperience when Christians are denied the privilege of being right heartily joyful in this life, just because they are not exclusively devoted to it, but are solicitous also about the life to come. And it is worse than shortsighted and Superficial when a paper professedly Christian, —although addicted to the ‘‘sport’’ of baiting everything Catholic,—proclaims its discovery of a new species, namely, ‘‘Catholic Pessimism’’; and offers as sole evidence the deductions that 8 dahrgang 17 und 18. INTRODUCTION Vil ean be drawn from Catholic faith in Our Savior’s saying, ‘‘The Lord shall come as a thief in the night,’’ from Catholic belief in the Last Judg- ment and in Eternal Punishment, and from Cath- olic use of the words of the Salve Regina, “‘Ad te clamamus, exules filu Hevae.’’ The re- viewer includes among his observations this peculiarly interesting one that ‘‘as a rule, even Catholics of the best class do not work any longer than they have to, and prefer to retire at the early age of forty-five.”’ No one will venture to affirm, much less at- tempt to prove, that to limit life to this present existence, to shun the thought of death, to elimi- nate belief in judgment and immortality, to rep- resent the world as a paradise, a sort of heaven on earth, is sufficient to do away with all suffer- ing and to keep the cup of joy filled to the brim. Then only does joy become solid and enduring when it has learned to face boldly the pain of this life and the threat of ever-approaching death, when it has contrived to make the anchor of hope catch hold of eternity. To think of death and to prepare for death, is not a surrender; it is a victory over fear. In fact, the fear of death presses all the harder upon worldlings and unbelievers, in the vill INTRODUCTION measure that they try to shun every thought of Tiss Once upon a time our German people were well aware that the true joy of living results from being ready to die. They had a saying: ‘‘He that thinks of death begins to live.’’ They did not shrink from preparing shroud and grave- clothes long beforehand and laying them aside ready for use. The sight of these things only heightened the sense of being alive and the pleas- ure of work. Chamisso’s ‘Old Washerwoman,”’ cheerfully stitching her shroud with her own hands and keeping it as carefully as a wedding- dress, belongs to a type fortunately not yet ex- tinct among our people. Let us not forget the poet’s concluding wish: I would I were as wise as she, Life’s cup to empty, never sighing; And then, with joy like hers, to see The shroud made ready for my dying. 4See A. Wibbelt, Ein Trostbiichlein vom Tode, Warendorf, 1911. MORE JOY i THE RIGHT TO JOY Strange as it may seem, we shall have to begin with establishing man’s right to joy, for although fundamental, this right is, at the present time, often misunderstood and as often undervalued. How much men mistake the true nature of joy, may be seen from their feverish thirst for it and their mad pursuit of it. Not a few regard it as a delicious relish, a sweet morsel, to be greedily devoured whenever found; or a sort of cham- pagne for the gratification of the rich; or an honor reserved to decorate Fortune’s favorites. On the other hand, many speak contemptuously of joy, call it a bonbon for women and children and, setting their faces in a pessimistic frown, pose as men of lofty intellect and wide experience. Pious souls, too, there may be, who in their sim- plicity look upon all joy as the disguised foe of 1 2 MORE JOY religion and holiness. And more numerous and more simple still, are the persons absolutely op- posed to all religion and piety because they re- gard these as the irreconcilable enemies of joy. The truth is, however, that joy is a constituent of life, a necessity of life; it is an element of life’s value and life’s power. As every man has need of Joy, so too, every man has a right to joy. It is indispensable to the health of both soul and body; it is necessary to physical and spiritual industry; it is a condition of religious living. Hence it is not a mere poetical phrase to say that joy acts upon human beings as sunshine upon plants. The quickening influence of joy and the paralyzing effect of sadness are readily observed. In children especially, we note that sorrow deadens, whereas happiness revives and enlivens. With invalids happiness actually works miracles,—a fact known and utilized by sage physicians. The English physician, Weber,! lays stress upon the importance of cultivating cheerful- ness. It is to be attained and preserved by a strong sense of duty and by restraint of the passions; and, to effect this, the chief instrument 1 Sir Hermann Weber, On Means for the Prolongation of Life, Lon- don, 1908, ch. xii. THE RIGHT TO JOY 3 is the will. Physiologically, the influence of the feelings on the organism is explained as follows: Joy and hope, by quickening respiration, in- crease the flow of blood to the brain and the sup- ply of nourishment to the nerve-cells. On the contrary, psychic depression retards respiration and heart-action and lessens the blood-flow to the brain, causing first functional and then organic derangement. What we may call the gymnas- tics of joy, therefore, would produce definite and physiological results, would expand the lungs and ease the heart,—like a deep breath of pure mountain air,—thereby improving the whole psychic life, and warding off or expelling illness. Joy is ozone for both body and soul. Just as the fragrant odor of sassafras, wafted from the shore, roused Columbus and his crew out of their despondency to new life, so are we often awak- ened and enlivened by the fragrance of joy. True joy, which springs from sources undefiled, works upon the soul no less than upon the senses. It is the balm of life. In education, it is a price- less aid; in work, it is the best possible assistant; and in all social life, it is a most important factor. At times our strength and energy seem to be actually redoubled by the coming of joy. A man’s power to will and to do is reinforced. He gS 42 ¢ 4 MORE JOY is made bold, he is kept undismayed. Many a lofty resolve and many a noble deed have been born of joy. It smilingly shows us how to get over obstacles and how to get out of difficulties. Working ever with high purpose, zealous for the good, the true, the beautiful, joy keeps a man’s lower inclinations under strict control and de- velops his best capacities. Under the magic of its influence, he grows gracious, kindly, ready to serve. Thus joy brings individuals closer to- gether, promotes social intercourse, and ties the knot of friendship. Joy preserves and fosters optimism and averts pessimism,—a most meritorious achievement. Emerson says truly: ‘‘I find the gayest castles in the air that were ever piled, far better for com- fort and for use than the dungeons in the air that are daily dug and caverned out by grumbling, discontented people. I know those miserable fellows, and I hate them, who see a black star always riding through the light and colored clouds in the sky overhead: waves of light pass over and hide it for a moment, but the black star keeps fast in the zenith. But power dwells with cheerfulness; hope puts us in a working mood, whilst despair is no muse, and untunes the active powers. A man should make life and nature THE RIGHT TO JOY 5 happier to us, or he had better never been OLE 7 Even from a religious point of view, this fine tribute to joy need not be essentially modified, nor restricted to the higher and supernatural forms of joy. There is a notion,—common enough, yet false——that Christianity, with its austere morality, its summons to penance, its doctrine of pain, its view of the necessity and value and merit of suffering, demands always re- nunciation of joy, or, at best, perfect indifference in its regard. Later on we shall show how er- roneous is this belief. No one can live without joy, not even the Christian soul following the path of perfection. Indeed, a cheerful, happy, friendly spirit is more often encountered among believers and Chris- tians than among unbelieving and irreligious men. Among the saints the proportion of joyous souls is particularly great. It is not the ‘‘mod- erns’’ in art and letters, but the religious writ- ers and poets and artists, that have most care- fully cultivated, most warmly befriended, and most sincerely championed the cause of joy. In the history of modern literature we find a shock- ing number of famous names listed as foes of joy 2 Ralph Waldo Emerson, The Conduct of Lrfe, ch. vii. @ 2 6 MORE JOY and prophets of pessimism, from Leopardi, ‘‘the black swan of Recanati,’’ to Schopenhauer, Nietzsche and their lugubrious disciples. On the other hand, it was an eighteenth-cen- tury Capuchin who undertook to defend joy against the Jansenistic rigorism which cast a gloom not only over the religious life, but over all existence. I refer to Ambroise de Lombez ? whose book on ‘‘The Joy of the Soul’’ still de- serves toberead. He loudly proclaims the worth of joy: ‘‘Joy is useful to virtue, useful in the transac- tion of business, useful in society, useful for all good things. As long as your soul is in joy, your intellect will be more active and productive, /your ideas will be clearer, your imagination more lively, your heart more at rest, your tem- per more gay and cheerful, your society more agreeable, even your health stronger, or at all events less delicate; your piety will be sweeter, your virtue more generous. ... Joy is useful in the transaction of business. With the help of joy, the fatigue of our necessary labor is made easy; our difficulties vanish; we unravel the knot of our perplexities; the means of attaining suc- 8 His real name was La Pairie. He was a native of Lombez in Languedoc and lived from 1708 to 1778. THE RIGHT TO JOY ff cess in our undertakings becomes clear tous. A melancholy and gloomy man is not at all fit for the management of affairs, everything disgusts him, the least thing puts him out of temper, the slightest difficulty discourages him. He either neglects his duties altogether, or they suffer con- siderably from the gloom and weariness pervad- ing his soul. ... Melancholy was never-a vir- tue, and never will be; it takes away from the value of our sacrifices, instead of adding thereto. The Apostle tells us that ‘God loves a cheerful giver,’ and nothing does more honor to the ‘yoke’ of His service than the calm serenity on the brow of those who bear the whole weight of it, for His sake.’’ 4 Frederick W. Faber, the English Oratorian, who died at London in 1863, waged war against the contemporary spirit of sourness and pessi- mism. Throughout his numerous ascetical writ- ings there runs a pure stream of joy. So whole- some and so sensible is his teaching that we may well summarize it here. As Goethe terms joyousness the mother of all virtues, Father Faber calls it the atmosphere of heroic virtues. ‘‘It is doing no injury to the 4Treatise on the Joy of the Christian Soul, London, 1894, pp. vi and 9-11. 8 MORE JOY mortified character of high sanctity to say that joy is one of the most important elements in the spiritual life, and nothing is more common than cases in which persons are kept back from great attainments, or from persevering in their voca- tions, by the want of joy. They say there was an epoch on this planet of ours when, from the quantity of carbonic acid in the atmosphere, the growth of vegetation was magnificently prolific, rapid, and gigantic. Just so is it in the spiritual life when everything breathes of holy and super- Natural jOViieree ‘‘T¢ cannot be too often repeated that it 1s no honor to holy mortification to think or speak lightly of the sweetness, and the balm, and the fragrance of spiritual joy. . . . Now it is quite notorious that joy is of all things the one which most helps us in sustaining this equable sweetness towards others. When we are joyful, nothing comes amiss tous. Nothing takes us by surprise or throws us off our guard. Unkindly inter- pretations of other men’s deeds and words seem unnatural to us; and we lose our facility of judg- ing harshly and of suspecting unreasonably. No matter what duty we are unexpectedly called upon to do, no matter what little unforeseen dis- appointments come upon us, no matter what sud- THE RIGHT TO JOY * den provocations to petulance and irritability assail us, all seems to come right. There is no shadow in our souls under which we can sit and be morose; for the grace of joy is as universal as the strong sunshine of a fine day.’’® It is joy alone which can give liberty of spirit. Without it, ‘‘helps become hindrances, sacra- ments formalities, fervors scruples, and. the or- der of rule and habit, instead of being a facility _ of expansion, grows into a chain of bondage and pusillanimity.’’® Far from being destructive of joy, mortification is its foundation and chief sup- port. ‘We cherish our joy in order to nurture our mortified spirit, and we practice austerities in order to increase our joy. . . . Self-love is the filth, the squalor, the confinement, the poverty, the depression, the bad air of the spiritual life, and mortification is our emancipation from it all. What wonder it should be so joyous?... ‘Tf the saints are such gay sprites, and monks and nuns such unaccountably cheerful creatures, it is simply because their bodies, like St. Paul’s, are chastised and kept under with an unflinching sharpness and a vigorous discretion. He that would be joyous, must first be mortified; and he 5 The Blessed Sacrament, Book II, 6 Ibid. 10 MORE JOY that is mortified is already joyous, with the joy that is of pure, celestial birth.”’ ‘ Of course, sorrow is precious, inevitable, in- dispensable, meritorious, but we have absolutely no right to set it above joy. Joy is antecedent, primary, a condition of eternity, whereas sorrow is a sequel of sin and a condition of time. Joy and sorrow work together in the life of the Chris- tian, blending into one another and alternating with each other, like the heaving and sinking of the ocean’s billows. ‘*They live together be- cause they are sisters. Joy is the eldest-born, and when the younger dies—as she will die—joy will keep a memory of her about her forever- more, a memory which will be very gracious, so gracious as to be part of the bliss of heaven.’’® Joy is the sail of the boat; he who knows how to manage this sail, can take advantage even of adverse winds and make them serve towards a swifter voyage. True pure joy is as good a tutor as sorrow and is equally necessary, if not more so. ‘‘T'here are souls, too, in the world which have the gift of finding joy everywhere, and of leaving it behind them when they go. Joy gushes from under their fingers like jets of light. There is something in their very presence, in 7 Ibid. & Bethlehem, ch. viii. » THR IGE SRO JOY 11 their mere silent company, from which joy can- not be extricated and laid aside. . . . Of a truth, he is the happiest, the greatest, and the most god- like of men, as well as the sole poet among men, who has added one true joy to the world’s stock of happiness.’’ ® Quite in keeping with the importance of joy in human life is the divine care to provide joy in both the natural and supernatural order, so that every creature shall be able to appropriate at least as much as is necessary for existence. In the creating of joys, nature is as tireless and as lavish as in the making of flowers; to each season and to each place she assigns its own. No well-ordered life, no life that is reasonable, moral and Christian, will be entirely without joy. Sol- itude and society, rest and labor, prayer and serv- ice, faith and hope and love,—all have their own peculiar joys. By the wise cultivation of joy, the life of the individual and of society will be illumined, ennobled, adorned. Art and poetry es- pecially, have the fair calling and an almost miraculous ability to ‘‘twine heavenly roses into earthly lives.’’ 'T'rue religion, true Christianity, may be determined by this property,—it in- creases, rather than lessens, the joy of life. 9 Ibid. 12 MORE JOY To this extent then, the question of the joyous- ness of an epoch is really a question of conscience and of education, and it is a question that must be put to our own age. IT JOY AND THE AGE Is our age rich or poor in joy? The optimist who says it is rich may be envied but he will hardly be believed. Frankly, joylessness, yea despair, is characteristic of our age, and domin- ant in the life of people. It would be easy enough from the pages of modern literature to piece to- gether long jeremiads, mourning choruses, sym- phonies of lamentation; but we refrain. Neither shall we quote from avowed pessimists. Nor shall we even enter our own judgment, since we are so unmodern that our opinion would be neither accepted nor excused. On the point in question, however, let us hear men unquestion- ably capable of judging, men revered as proph- ets, or at least acknowledged as authorities, by the modern world. There could hardly be a severer censure than the following drastic comment of a critic who is certainly far from being religious, namely, the much overrated Chamberlain: 13 14 MORE JOY *‘And so this too great preoccupation with the material banished the beautiful almost entirely from life; at the present moment there exists perhaps no savage, at least no half-civilized peo- ple, which does not to my mind possess more beauty in its surroundings and more harmony in its existence as a whole than the great mass of so-called civilized Europeans.’’ ! Rudolf EKucken, one of the most earnest and noble of modern philosophers, regards as demon- strated the inadequacy of a merely human cul- ture divorced from faith in another world: “It splits life up into opposing extremes. Now it throws man back upon himself as a refuge from the icy coldness of a soulless world, and again it bids him flee from the narrow, stultify- ing influences of human relationships to the ampler life of the universe. Nowhere is there a sure footing, nowhere a comprehensive synthe- sis, nowhere a life that repays all the toil and trouble which highly civilized man is bound to expend on it. And this failure appears all the more disconcerting when we remember the great- ness of the hopes which attended the birth of the 1 Houston Stewart Chamberlain, Die Grundlagen des 19 Jahrhun- derts, vol. I, p. 32. Translated by John Lees, New York, 1912, p. xXcvi. JOY AND THE AGE 15 movement. Life in its progress has shattered these hopes and reversed all expectations. We looked for certainty, and have fallen into griey- ous perplexity. We sought a life that should be one and single, and found it dismembered and self-conflicting. We craved happiness and tran- quillity, and could find only conflict, trouble, and sorrow.’’? He calls modern culture mere material devel- opment, not true culture of the spirit; and de- clares it utterly worthless: | ‘*W hirling complexity, restless hurry and pur- suit, a passionate exaltation of self and an overweening pushing of its claims against those of others; life occupied with alien interests rather than its own; no inward problems or in- ward motives; little pure enthusiasm or genuine love; the fostering and furthering of self ever the dominant note, despite all boastful profes- sion and even some really honest work; man, with his likes and dislikes, the supreme arbiter of good and evil, true and false, so that the main goal of endeavor is to win social favor and respect ap- pearances. All this, however much it may make profession of following after ideal goals and be- 2The Meaning and Value of Life. Translated by Lucy Judge Gib- son and W. R. Boyce Gibson, London, 1913, p. 63. 16 MORE JOY ing guided by ideal sentiments, yet reveals in every part of it an inner insincerity, a repellent unreality, a spiritual tameness and hollowness.’’ ® In another passage he calls modern culture ‘‘a sham, straining after pomp and polish, substi- tuting external service for interior development, sacrificing the intrinsic value of life to mere util- ity, and inevitably becoming mere show and emptiness.”’ * Friedrich Paulsen, in his latest work, speaks still more sharply: ‘‘It is as if, in one instant, all the devils had been let loose to devastate the fields of German life.’? He draws particular at- tention to the fact that modern education, so effeminate, so deficient in character and so neg- lectful of character, brings no increase of joy to young people, but quite the contrary. ‘*The young people of to-day, the product of a soft, weak, yielding method of education, look on themselves as unfortunate, oppressed, misunder- stood, and abused, whereas formerly strict dis- cipline was borne with patience and even with cheerfulness.’’ ° Keen and accurate is the judgment of Werner 8 Ibid., p. 139. 4 Miinchener Neueste Nachrichten, Beilage, I, 1908. 5 Moderne Drziehung und geschlechiliche Sittlichkeit, Berlin, 1908, &3, 86. ; JOY AND THE AGE 17 Sombart: ‘To-day our real insight into the es- sence of things is in no sense better than before. Modern culture has done nothing for our inner life, our happiness, our contentment, our thor- oughness.’’ **Far better be a wood-chopper than to live any longer this worthless civilized and educated life. We must get back to the sources high up in the lonely mountains,’’ is the dejected ery of P. de Lagarde. Another recent critic expresses himself as follows: ‘‘Our unquiet and restless life is full of painful groaning and yearning. Day by day our fund of knowledge grows. Scarcely any im- passable obstacles confront our progress in tech- nical science, . . . and still we take no joy in it, still we hear louder and louder the tiresome, troublesome question, ‘To what purpose?’ We lack that which gives life its basis and inspira- tion,—namely, a sure philosophy. Or rather, we have come to the point where we can no longer live on the philosophy which since the Age of Enlightenment has been impressing itself more and more on our whole spiritual life. Material- ism and greed, in coarser or finer form, have per- meated our habits of thought, even with those of us who would angrily repudiate the name ‘Ma- i8 MORE JOY terialist.’ Along with materialism there used to exist a considerable capital of antique ideal- ism; and so long as a man could live on this, ma- terialism seemed to be a force for the destruction of deep-rooted prejudices and the opening of a path to progress in every field. The new gene- ration retains little or nothing of this old capital. Brought up in exclusive materialism, it sees before it an existence of frightful barrenness and emptiness. And now that even the man on the street has got hold of the childishly simple principle of materialism and from the heights of ‘scientific’ philosophy looks down with scorn upon all reactionaries, we are beginning to recog- nize the peril that threatens everything associ- ated with the word, ‘Humanity.’ This explains why so many contemporary writings deal with questions of philosophy.’ ® H. W. Foerster* and Robert Saitschick® are fundamentally in accord with this judgment. Foerster contrasts the technical culture of to-day with the spiritual culture of the Middle Ages and points out that modern education directs the attention to secondary matters, destroys interior 6 Literarisches Zentralblatt, 1909, Nr 23. 7 Jugendlehre, Berlin, 1905, often reédited. 8 Quid est Veritas? Hin Buch iiber die Probleme des Daseins, Ber- lin, 1907. JOY AND THE AGE 19 peace, estranges men from one another and makes them in many respects inwardly poorer though externally richer. He doubts if the victories of modern civilization render the life of the spirit surer and deeper; and do not rather, in the long run, tend to coarsen and ruin the spirit, entailing moral deterioration while promoting material comfort. He thinks that the poverty and empti- ness of our lives will yet open our eyes and make us realize that true culture is impossible unless the life of the soul is the center of thought and interest. Saitschick says: ‘‘Never have men heaped up such masses of knowledge, and never perhaps did the educated know less of what man really needs to know. ‘They read easily in the book of nature, but the human soul is a sealed volume to them.’’ Hence the struggle for happiness, the desire to heighten and multiply pleasant sensations, leads to no goal. Man is looking for ‘‘a level land of painlessness through which ripples a shallow brook of sensuous pleasure’’; and even this he seeks 1n vain. These thinkers agree that, despite all technical progress, all beautifying and improving of the conditions of life, despite all increasing and re- fining of pleasure, modern culture is unable to 20 MORE JOY satisfy the inner man, but impoverishes and weakens and empties him, and ends with a la- mentable deficit of joy. It admits failure and at heart is plainly diseased, rotten. Yor all healthy culture buds and blooms in joy; all healthy life incessantly and in rich fullness puts forth flowers of joy. The above testimonies indicate where the fault hes. Modern culture is fundamentally worldly, and of this present life; it is culture of technical science, culture of the intellect. Hence it is in- capable of satisfying or contenting man, and is empty of joy. True culture is essentially inner culture of heart and soul. ‘‘Only when we set a higher value upon character than upon knowl- edge and thought,’’ says Saitschick® quite rightly, ‘‘are we tilling the soil in which real cul- ture grows.”’ The overrating of knowledge and intellect at the cost of will and character is the malady of our age and has made us unhappy. We should pay more attention to Schiller’s saying, ‘‘When a man has once reached the point of cultivating his mind at the expense of his heart, to him the holiest thing is no longer holy; to him man and 9 Quid est Veritas? 102. JOY AND THE AGE 21 God are nothing; neither world is aught in his eyes. 79 10 In a misguided search for external and intel- lectual development, man has undoubtedly gone astray in the wilderness. Any culture affecting intellect and memory, but not heart and soul, will be poor in joy, because it can never give peace and happiness to the inner man. Intellectual processes and intellectual activities may indeed be accompanied with joyous feelings, but these are only reflected joys, cold like frost-flowers on the window-pane. Indeed, these Joys may even be dangerous by chilling the soul with pride and arrogance. If love, faith, and religion die of this chill, the inner misery is complete. How often does it happen that the man of highly de- veloped intellect and vast knowledge satisfies his hunger for joy with merely sensual, nay bestial, gratifications. For although the tyrant intellect may be able to bind the heart and soul and cast them into cold dungeons, it cannot alone subdue the struggles of sensual nature. Under its su- premacy, they get more cunning and more brutal. Again is Tantalus the symbol of men fevered with thirst for joy. ‘‘Tantalus, who in old times 10 Preface to “The Robbers.” 22 MORE JOY was seen vainly trying to quench his thirst with a flowing stream which ebbed whenever he ap- proached it, has lately been seen in Paris, in New York, in Boston. He is now in great spirits; thinks he shall reach it yet; thinks he shall bottle the wave. It is however getting a little doubtful. Things have an ugly look still. No matter how many centuries of culture have preceded, the new man always finds himself standing on the brink of chaos, always in a crisis. Can anybody remember when the times were not hard, and money not scarce? Can anybody re- member when sensible men, and the right sort of men, and the right sort of women, were plentiful? Tantalus begins to think steam a delusion, and galvanism no better than it should be.”’ 1? A noxious culture has sickened mankind in body and soul. The realization of this fact is manifested in the high esteem now accorded the Science of hygiene. We need summon just one decisive witness, a witness greatly respected by the world and never contradicted, namely, Death. Death opens his record and shows the frightful increase in the number of suicides. "While men have been prating about the value of life, and about Joy in living, the rate of suicide in Europe 11 Emerson, Society and Solitude: Essay on Works and Days. JOY AND THE AGE 23 has been increasing by four hundred per cent, during the past fifty years,—the population meantime increasing by only sixty per cent. In Germany alone there are yearly about twelve thousand deserters from the army of life.” Who could imagine a more terrible satire on our boasted modern culture! And the real increase in the rate of suicide is far greater than the above figures show. Suicide is become so epidemic, that the Salvation Army, devising the most mod- ern form of social relief, has established Anti- suicide Bureaus in London, New York, Berlin, Chicago, and Melbourne, where would-be suicides are advised and, if possible, converted. 12 According to the report for 1911, the U. 8. Census Bureau finds the suicide rate for that year to be 16.2 for each 100,000 of popula- tion in the registration-area. This rate applied to the total popula- tion would mean approximately 15,400 suicides in the United States in the year 1911. (Tr.) VEG MODERN DESTROYERS OF JOY In addition to the fact that modern culture is not of a nature to promote joy, it involves many things that directly disturb and destroy joy. True, our great technical progress and our in- ventions have in many respects lightened labor by passing the heaviest tasks over to machines. The external standards of living are higher than before. But the value of the progress we have made is greatly lessened by its effect upon all classes, in both their individual and their social life; for it has changed modern existence into a life of frightfully high pressure, a life of almost fatal intensity. It is as if steam, electricity, and all the powers and forces of nature yoked to hu- man service by machines and wires, were thus taking revenge upon man, driving him on in feverish haste and excitement his whole life long, and depriving him of all rest of mind and body. ‘‘We have become the slaves of the 24 MODERN DESTROYERS OF JOY 25 monster that we ourselves created,’’ says Wil- liam Morris, the Socialist. This high-pressure life has begotten a peculiar modern infirmity, which is a joy destroyer of supreme efficiency, namely nervousness or neu- rasthenia. It afflicts the whole race in body, mind and will; and it robs our social life of all joy and cheerfulness. Despite every effort, despite all attempts of governments and philanthropists, the factories and machines of modern industry make the con- ditions of life and labor very hard for a great part of mankind. ‘‘I think it is probable,”’ says Chamberlain,* ‘‘that the nineteenth century was the most ‘pain-ful’ of all the ages, and that chiefly because of the sudden advent of the ma- chine.’’ It will not be necessary here to present a de- tailed picture of the life of many laborers and their families. There is no need of journeying through our monster industrial establishments in order to become acquainted with the grinding, often depressingly monotonous, tasks performed in the stifling air of the factory, or in the fiery atmosphere of the boiler room, or amid the frightful noise of trip-hammers, humming 10Op. cit., IT, p. 363, 26 MORE JOY wheels, rattling looms and buzzing bobbins. One needs no special training to be able to interpret what is written on so many pale and wrinkled faces. ‘This much is sure; it means anything but joy. No wonder! For modern industry has in great measure changed the nature of labor for the worse. It is the sad consequence of a prin- ciple practically very valuable, the division of labor. Unquestionably this principle brings great technical advantage; but it entails still greater disadvantages, physical and moral. It robs a man’s work of soul and spirit. No longer completing anything, his labor is limited to one minute service, to one small detail. It gives no Satisfaction ; it has become a servile task scarcely worthy of a human being. ‘In an international exhibition,” relates A. von Gleichen-Russwurm, ‘‘I came upon a machine served by a dejected-looking operator. I do not know what the machine was making; I only know that it worked with most uncanny precision, doubling and folding something, as if with the skilful, unwavering hand of a giant, executing a task so complex that I could scarcely help re- garding the machine as a conscious being. On the other hand, the man who attended it was con- MODERN DESTROYERS OF JOY 27 fined to the minimum of activity and mental work. He had merely to feed the rollers from time to time. If the machine seemed alive, its human vassal seemed dead, with no more life than a stone. Instead of inquiring about the nature of the machine, I stood there shocked at what I saw. Never had man’s great- ness and the hmits of his greatness been so clear tome. I saw a symbol of the age in the snatch- ing, grasping, infinitely dexterous hand of the machine, of which the dull gloomy-faced creature before me was but a tool. In behalf of our age, I tried to think of toiling people at work on the Egyptian pyramids, of weeping women pound- ing corn, and of similar monotonous industries of antiquity. but I could not get away from the conviction that the bitterest slavery of all is man’s slavery to the machine he has himself in- vented. It oppresses its creator and dominates even his thought with its ugly mastery. It is not comfort, nor easy work, that man desires; he is not so modest as that. To create, at least on a small scale, is his supreme aspiration, perhaps his curse. The materializing of work,—of all work and of all art,—is one of the most amazing incidents in the adventurous epic of our genera- tion. For, in his intercourse with the enslaved 28 MORE JOY elements, whose hissing, snorting and whistling fills the great factories with such horrible hellish clamor, man undergoes an experience like that of the dwarfs, the legendary smiths and necroman- cers of olden times. He becomes savage, cruel, malicious, wild. He absorbs something of the fierceness, the antagonism, the irrepressible re- belliousness of these raging subject forces. After the ancient dragons had been exterminated, in- ventors constructed frightful new monsters whose breath is fire, whose claws tear a man to pieces. They may serve man; but they exact a stern price. Specialists may tell about the ma- terial significance of the industrial revolution; but no one can ever tell, or measure, the joy that has been destroyed in the gaining of each victory, the quiet contentment and splendid activity that has been done to death.’’ ? Ruskin well says: ‘‘It is not, truly speak- ing, the labor that is divided, but the men:— divided into mere segments of men—broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin or a nail, but exhausts itself in making the point of a pin, or the head of 2 Sieg der Freude. Hine Asthetik des praktischen Lebens, Stutt- gart, 1909, 383 f, MODERN DESTROYERS OF JOY 29 a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished,—sand of human soul, much to be mag- nified before it can be discerned for what it is,— we should think there might be some loss in it also. And the great cry that rises from all our manufacturing cities, louder than their furnace blast, is all in very deed for this,—that we manu- facture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never en- ters into our estimate of advantages.’’? To be sure, the factory and the machine are not alone responsible. A large share of responsibil- ity must be borne by that power which pushes itself forward as the best friend, the accredited champion, yea, as the emancipator, of labor. It has a gruesome interest in preventing the worker from being happy. It makes his discontent an object of financial speculation; converts his de- pression and his anger into steam-power for its paddle-wheels; makes the current of his tears turn its mills. This dismal philanthropist works systematically to root up the laborer’s peace, 8 The Stones of Venice, II, ch. vi, § xvi. 30 A PLEA FOR MORE JOY to make him rebel against what is unavoidable. It arouses hopes that can never be realized, and continually provokes and incites to covetousness in order to destroy the last hold of religion. The inevitable consequence for all who let them- Selves be guided, or rather misguided by it, is the destruction of their final remnant of happiness in living and in working. It is true that the discontent, the joylessness, of so many men makes us all suffer, that the gloomy cloud of their depression darkens the life of the whole race. ‘‘Seldom,’’ says Foerster, ‘‘do we let ourselves appreciate how much each joy of ours is diminished by the thought of those shut out from it. Our very laughter is half stifled. Our loudest mirth is half artificial, and, in the last analysis, implies self-deception rather than spontaneous joy. Even the most superficial man falls under the blight. If his soul is not dis- turbed by the social contrast, still the lamenta- tions on the street pierce his ears; he sees starv- ing, defiant faces; he misses the look of common Joy; and he is bothered about what is thought and felt underneath the surface. Man is a social be- ing, not a dog to gnaw his bone in the corner. All his true joy is conditioned by the joy of oth- ers. lor a laugh there must be deep peace of MODERN DESTROYERS OF JOY 31 mind and conscience; because real laughter springs out of the depths, from dried tears and broken fetters and slain selfishness. We are suspicious of our own laughter, if others remain mute; joy is a chorus. To-day we no longer know what joy really is; nor shall we ever know, _ until technical progress and social organization will have adjusted the great crisis caused by mon- strous industrial expansion, and higher ideals of life will have come again to bless the whole hu- man company of workers.’’ ‘ ‘The life of the people seems o be abel robbed of joy. Country life is now joyless; and, despite all outward glitter, life in the great ties is utterly without joy. We may think Emer- son’s description somewhat exaggerated, and yet we cannot help recognizing many true details in his drastic criticism: ‘‘In our large cities the population is godless, materialized,—no bond, no fellow-feeling, no enthusiasm. These are not men, but hungers, thirsts, fevers and appetites walking. How is it people manage to live on,— so aimless as they are? After their pepper-corn aims are gained, it seems as if the lime in their bones alone held them together, and not for any worthy purpose. There is no faith in the intel- ¢ Ohristentum und Klassenkampf, Ziirich, 1908, 247 f. 32 MORE JOY lectual, none in the moral universe. There is faith in chenustry, in meat and wine, in wealth, in machinery, in the steam-engine, galvanic bat- tery, turbine-wheels, sewing-machines, and in public opinion, but not in the divine causes.’’® Change continual and uncontrolled, confine- ment, discomfort, crowding, lack of privacy,— all the conditions prevalent in great cities, inter- fere still further with that family sociability and intimacy which the spirit of the age has already so largely weakened. ‘*]t is but a small proportion of the population of a great city which is able to maintain privacy of domestic arrangement and to train those senti- ments and traditions which gather about a home. The great proportion of the city’s population are industrial nomads, likely any day to fold their tents like Arabs and migrate to some better market for their labor or their wares; and, of these, a pitifully large proportion have not even tents to detain them, and herd together in the ac- cidental companionship of the lodging-house, the tenement, and the street... . The Roman fam- ily had its symbol of continuity in the sacred fire, burning on the ancestral hearth; but it is not without difficulty that this sense of a sacred and 5 The Conduct of Life, ch. vi. MODERN DESTROYERS OF JOY 33 permanent unity can be maintained round the cooking-stove of the tenement, the hot-air regis- ter of the boarding-house, or even the steam- radiator of the apartment-hotel.’’® Where this sacred fire of family union and family affection is burning, how many joys are radiating, how - warm and wholesome is the atmosphere! Where it has been extinguished, how cold and inhos- pitable everything seems to be! _ 8 Jesus Christ and the Social Question, by Francis Greenwood Pea- body, New York, 1900, p. 164, f. IV TOO MANY PLEASURES AND TOO LITTLE JOY But how is this alleged decline of joy to be ree- onciled with the actual multiplication of forms, kinds, occasions, contrivances and establishments of entertainment and amusement, and with the steady increase in the use of these? How does it fit in with Sunday excursions, summer-outings, mountain-trips, sports, social and festive organ- izations, theatres, concert-halls, cheap shows and cabarets ? The vast number of these things is really noth- ing but another proof that men are totally bank- rupt with regard to joy. It is impossible not to be sick at heart when we observe the sort of pleas- ures provided for the people and the use made of them on holidays. Alcohol and lewdness are the focus of interest and the high-water mark of en- joyment. Not to set too austere a standard in this matter, let us listen to the excuse offered by Lange: ‘‘Very often, indeed, what seems to be 34 TOO MANY PLEASURES 35 noisy or senseless joy in frivolous amusements is nothing but a result of immoderate, galling, and brutalising labor, since the mind, by perpetual hurrying and scurrying in the service of money- making, loses the capacity for a purer, nobler and calmly devised enjoyment.... That such a _ state of things is not healthy, and can hardly exist permanently, seems obvious.’’? With regret rather than condemnation, we e note that the kind of enjoyment which for centuries satisfied our people’s need of beauty and relaxa- tion, is too insipid for most of us nowadays. Love of nature, conversation, play, family-read- ing, folk-games, folk-songs mean nothing at all to the great majority of people. The nervous system, partly numb and partly over irritated, demands more elaborate amusements. Hence the reigning favorite is alcohol, that base impos- tor with its twofold lying promise of removing life’s burdens and restoring life’s strength and joy. Things have gone so far that many people now can hardly think of pleasure or a holiday, without alcohol; and take it as a matter of course that a picnic should end with general intoxica- 1 History of Materialism and Criticism of Its Present Importance, by Frederick Albert Lange, Authorized Translation by Ernest Ches- ter Thomas, Boston, 1881, vol. III, p. 238. 36 MORE JOY tion. But the bill for this must one day be paid in coin of joy and of life. After a Sunday or a holiday passed thus, the poor workman or artisan returns to the frightful monotony of his worka- day existence with a heavy head, a heavier con- science, and a further deficit of strength and joy. Not only among the lower classes, but in the higher circles also, we can verify the correctness of Hilty’s observation: ‘*Most of the happiness and still more of the gayety of the world 1s of no use to mature persons, except to help them for a few hours to forget what otherwise would be un- endurable, and what even now, at times, fills them with deep melancholy and almost with despair. Theatres, concert-halls and other places of amusement live on this fact. It is not the thirst for pleasure, nor the artistic sense alone, that builds and supports them. The real motive for sociability and social activity is to avoid being left alone with ourselves and our thoughts. And the attraction of alcohol is so irresistible, not because it supplies pleasure to a multitude whose only aim in life is pleasure, but rather because it drives away care and is the River Lethe of the modern world. For this reason all the physical demonstrations of its harmfulness make no im- TOO MANY PLEASURES 37 pression on its faithful disciples. Were it uni- versally recognized as poison, they would still take 1t; not because it is a delightful poison, but because it induces stupefaction. If Nietzsche ever wrote one true word, it was this, ‘Not joy but Joylessness is the mother of dissipation.’ ’’ 2 Equally true is Ruskin’s saying that every- where in the world a frail barrier separates bois- terous joy from dumb despair. At first, indeed, alcohol’s false joy resembles true joy; the heart beats more strongly, the course of the blood quickens, the eye sparkles. But we must not for- get that in addition to that circulation of the blood which bestows life-giving heat and energy, there is another kind which comes from fever and consumes life’s energies. Regarded as causes of joy, the social amuse- ments of so-called cultured people do not deserve to be valued highly. There is too much conven- tional deceit, too much pretense, too much forced politeness, too much varnished merriment. ‘Life would be endurable but for its pleasures,’’ is a phrase attributed to Lord Palmerston. A desire for the vacations formerly reserved ex- clusively to the upper classes, grows more and 2 Das Glick, III, 113. The first and second series of these essays are published in English by the Macmillan Company. (Tr.) 38 MORE JOY more common among the people. The ever- spreading rush to the mountains doubtless entails many good results. It carries men away from the deadly city air to a purer atmosphere and better company, to the great sanitarium of nature, the Alpine world. Unfortunately, the more that sort of thing gets to be a fashion and a sport, the smaller is the gain in true appreciation and sim- ple enjoyment of nature; and the greater is the danger that even the natural mountain people and the natural mountain world will be modern- ized, contaminated, and made unhappy. Jour- neys to far countries and to regions of magnifi- cent beauty will make many a person blasé and irresponsive to the appeal of nature’s simpler Scenes, and to the peculiar charm always pos- sessed by one’s native land when visited with af- fection. Walter shows clearly the unnatural relation of modern man tonature: ‘There is now astate of absolute divorce between culture and nature. Great cities of vast extent, with monstrous piles of masonry and congested populations, make communion with nature impossible. Life and labor develop within the walls of the workshop, the cramped dwelling, the office, the school. The city child is but a hot-house plant, not so much a TOO MANY PLEASURES 39 child as a human being matured by artificial methods. Man cannot with impunity hold aloof from the pleasures nature provides; if he pos- Sesses no power of enjoying nature, he is to be pitied. ‘‘The true relationship with nature has been - completely lost. Educated men no longer know how to commune with nature. Trustful, broth- erly, common life has disappeared, and esteem for the blessings and gifts of nature has in great measure passed away. When, for a few hours or days, the city-dweller breaks loose from his dusty prison, he hurls himself on nature like a Savage; he comes down like a barbarian on the blossoming trees and shining corn-fields to plunder them. An excursion of city people often resembles a raid to sack and pillage the country. The excursionists fall into a sort of intoxication, the very opposite of real delight in nature. It is a sure proof of their alienation from what is natural. Look at them coming home after their day’s outing, laden with flowers and leaves and blossoms, trying to satisfy their craving for na- ture by carrying some of her charms back into their dwellings, but with never a thought of the ravished fields.’’ ® 8 Kélnische Volkszeitung, vom 12 Jul; 1908. y JOY AND ART There are certain elements of culture adapted and destined to beautify life and lift it above the common wretched level. Even these fail us mis- erably in our present battle for joy. Itis so, for instance, with all the various forms and branches GE Art: Certainly it is not to be reckoned among the merits of the art and literature of the nineteenth and twentieth centuries that so many of the masters and the productions have helped to di- minish rather than increase joy; that they have missed. their supreme vocation, namely, to glad- den human hearts and to create the sunshine of life. ‘To-day this vocation is largely repudiated. According to modern esthetics, art must be with- out purpose, or rather must be a purpose unto itself. It seems utterly useless to dispute about this shadowy phantom, the purposelessness of art. That it can still haunt us only shows how far away from lifeart has gone. For this theory 40 JOY AND ART 41 of the purposelessness of art is not born of actual experience, nor sprung of any ardent creative artistic spirit. It is a mere empty abstraction fashioned in the bloodless brains of theorists and doctrinaires; and it will go out of vogue far more quickly than it came in. The real master spirits, recognized even by the modern world, have a very different conception of the purpose of art. Years ago Goethe la- mented that in literature ‘‘high aims, genuine love for the true and the fair, and the desire of diffusing them are all absent.’?* What would he say of an art and a literature that positively disavow all such aims? ‘The advocates of pur- poselessness are opposed by Schiller who in the Introduction to the Bride of Messina, when dis- cussing the use of the chorus in tragedy, lays down this principle: ‘‘All art is dedicated to joy, nor is there any higher or nobler task than to make men happy. That alone is true art which affords the highest delight. But the soul’s highest delight is found in the free exercise of all its powers. ... Serious, and yet disagree- able, is the impression made on us by poets and artists who merely reproduce material realities ; 1Eckermann, Conversations with Goethe, Translated by S. M. Fuller, Boston and Cambridge, 1852, p. 152, | 42 MORE JOY we feel ourselves painfully thrust back among the petty, common things by the very art which ought to liberate us.”’ In one of Haydn’s letters we read, ‘‘Often, when struggling with obstacles opposed to my works—often when strength failed me and it was difficult for me to persevere in the course upon which I had entered—a secret feeling whispered to me, ‘there are so few joyful and contented people here below; everywhere there is trouble and care; perchance your labor sometime may be the source from which those burdened with care may derive a moment’s relief.’ ’’? Senti- ments like these are worth much more than dec- lamation about art’s being a purpose to itself; they honor the artist and help the people; and they surely further the cause of true art. Although the aim of art is to make people cheerful and happy, neither in Schiller’s mind nor in ours is the field of art restricted to the bright and joyful things of life, excluding all Serious themes and tragic materials. All we de- mand is this, that when art does turn to the seamy side of life, when it affirms something serious or reproduces something terrible, when it paints 2 Life of Haydn, by Louis Nohl, Translated from the German by George P. Upton, Chicago, 1883, p. 181. JOY AND. ART 43 gloomy things in dark colors, or even dips its brush in blood, it must not altogether omit the encouraging stroke, the explaining word, the saving thought, which liberate, quicken, enrich and cheer the soul of listener and spectator. An art which has lost all sense of this duty and rejects these demands as beneath it, will never be a bless- ing to mankind and will never find its way into the heart of the people. Feeble, decadent, shut out from every living, pulsating interest, it will remain sitting on the lonely perch of its own aim- lessness. True, to-day we have also that kind of art which uplifts and gladdens. It is the noble friend and helper of worried humanity, of the af- flicted people. Religious art, which is especially destined and equipped to fulfil this function, never wholly dies out. Even at the present time, despite the unfavorable conditions of life, it achieves great things. A literature also, which is essentially Christian and fears not the dread reproach of having some definite object or “‘ten- dency,’’ has acquired a good modern technique, at the same time excluding everything unhealthy in sentiment or expression, and is favoring us con- stantly with delightful gifts. Modern painting has done much to nourish and stimulate apprecia- 44 | MORE JOY tion and love of nature. Landscape painting is its darling child. The whole drift of the age, the rapid advance of the natural sciences, the sharp- ening of men’s powers of observation, the im- provement in technique, the finer sense of color, —all these influences urge in the same direction. No longer does the painter look for what is inter- esting or vast in nature; he prefers what is in- significant, obscure, austere, or crude. He likes to awaken men to a recognition of the modest charms and latent poetry of plains and meadows, fields frozen and hushed under ice and snow, meads bathed in noonday light, shining stretches of water, woods shot through with straying sun- beams, drifting morning clouds and thickening twilight,—and so to do is, in the highest degree, good and praiseworthy. Modern architecture too, gives a good sign in its refusal to be concerned exclusively with mon- ster constructions, in its manifestation of sincere and enthusiastic interest in the problem of build- ing real homesteads and thus promoting healthy and happy family life. These efforts should be encouraged by every possible means. Away with the superstition that comfortable homes are the privilege of the rich and must be bought at a great price. How taste- JOY AND ART 45 less, uncomfortable, and cheerless is many an aristocratic dwelling; how homelike and inviting many a peasant’s cottage in the Black Forest, the Algau, or the Tyrol! For the making of a com- fortable, pleasant family home, where joy will _ reside as a willing guest, there is required only that simplicity and natural fitness which of them- selves make beauty. ‘The great secret is the care- ful adjustment of the living rooms; the furniture may be ever so plain, if only harmonious and well placed. No! homes do not need to be palaces that joy may dwell therein. In how many palaces is joy only a fleeting guest! Nor must we esteem lightly the progress made by the reproductive arts. By their aid what is fairest and best of the creations of every epoch becomes the common property of all, in the form of copies fully. as beautiful as the originals. This helps us to forget the poverty of present- day art and also to a certain extent makes up its deficit of joy. Well may we use these gifts from the art treas- ures of the past, for strictly modern art and lit- erature offer very little that is pleasant. Medi- eval art was warm and pure, gay with color and with youth, deep of soul and popular. To-day, art is often so frigid, unclean, stale, insipid, that, 46 MORE JOY in Goethe’s words, it sickens the soul. HEvery- body has heard about the ejaculation made by some visitor to a modern exhibition of paintings: ‘‘Oh, that my eyes could vomit!”’ We are, of course, leaving wholly out of con- sideration that kind of art and literature which, as with Circe’s magic wand, brutalizes all who frequent its company; which serves up in silver platters, not merely what Goethe calls “*po- tatoes,’’ but the husks of swine; which, in obedi- ence to a perverted instinct, cultivates the hor- rible, the vicious, the bestial, and covers all that is great and holy with its loathsome slime; which in the words of a modern esthete, ‘‘likes to root around in moral misery and takes special delight in sniffing out with abnormally developed nose the different kinds and varieties of moral stenches.’’* This sort of art destroys not only joy, but the very soul itself. It tempts thou- sands to look and read themselves to death. Such art is a crime against the human race; it 1s murderous. ‘The pens that serve it are doing the work of hell. Calamus calamitatum auctor! But even those among modern artists who are free from such fatal tendencies, destroy much joy by their crass realism, their pessimism, their 8 Volkelt, Asthetische Zeitfragen, Miinchen, 1895. JOY AND ART 47 fatalism. True, there is some justification for realism in its improved sense of actuality, its honesty, its sincerity. It is better than an af- fected, insincere, studied kind of art. But real- ism becomes unhealthy and perverse, if it re- gards as most real the things which are vile and ~ common and ugly,—the scum of life,—and lives and works for them alone. Is human life real only when base and vile, but not when good and noble? ‘‘To be sincere, must one be brutal, fleshly, cynical? Is the scum of life real and not its deeper waters? Is the mud real and not the star? Is there, in a word, any fundamental issue between the real and the ideal; or is the ideal the most real of human possessions, and are the best interpreters of reality the ideal- ists?’’* The people in their thinking, feeling and willing, combine realism and idealism, and only by an art which knows how to combine these, can men be satisfied, instructed, and up- lifted. Goethe, in his day, coined a good name for a certain school of poetry. He called it ‘*hospital- poetry’’ and said: ‘* All the poets write as if they were sick, and 4Francis G. Peabody, Jesus Christ and the Christian Character, New York, 1905, p. 224. 48 MORE JOY the whole world a lazaretto. All speak of the miseries of this life, and the joys of the other; and each malcontent excites still greater dissat- isfaction in his neighbors. This is a sad abuse of poetry, which was given us to smooth away the rough places of life, and make man satisfied with the world and his situation. The present generation fears all genuine power, and is only at home and poetical amid weakness.” ° How well Goethe anticipated that typically modern tendency of art and literature to ‘‘dance dolefully around a little mound of misery,’’ to gloat over the nastiest and filthiest scenes, to rave enthusiastically about the dull, the inane, the commonplace,—and thus to waste and weaken the life of men and nations. Goethe was right. Those who probe pitilessly into misery and pose as Supermen are the poorest heroes of all. They are weaklings, incapable of helping either them- selves or others. Nietzsche gave out this fine phrase: ‘‘Cast not the hero in thy soul away,”’ but unfortunately he did not follow his own ad- vice, and his disciples are still less faithful to it. The people can get little joy from an art which is contemptuously indifferent as to subjects chosen and means employed, and concerns itself 5 Eckermann, Conversations with Goethe, p. 236. JOY AND ART 49 solely about form and technique. The people will not be satisfied with mere artistic form, nor interested in painters’ experiments and delicate questions of light-effects. Their eyes are too normal, their palate is too natural, their taste is _ too unspoiled, for that. They want an art with a spiritual content, an art offering something not only to the eye, but to the heart as well. The art of a people must be based upon moral and spirit- ual principles, not on mere color values and il- lusions. Much is made of the democratic tendency of art and many believe that by means of it, art and true appreciation of art will again find a way to the heart of the people. To be sure, art is not to be reproached for devoting itself to the fourth estate, to the machinist, the plowman, the pro- letarian, any more than fiction is to be reproached when it leaves the salon for the workshop and the peasant’s hut. Human life is full of inter- est always, and not only when it rustles in silken garments, glides over polished floors, envelops itself in perfumes and lives upon oysters and champagne. Yet everything depends upon the purpose of art in attempting to get down to the common people. If it aims to exploit misery, hunger, and filth, as a novel means for the stimu- 50 MORE JOY lation of dulled nerves, it scarcely deserves praise. If it aims to raise the prevalent discon- tent to a higher pitch, to stir up hate and jeal- ousy, it acts criminally; it becomes a socialistic agitator, a dangerous anarchist. If, like a guard- ian angel, it descends to console, to uplift, to gladden, then it is really doing a great good work. It is able to do this, only when it takes to heart Leonardo’s words, ‘‘There can be no great art without a true love of man.’’ Art must love the people, and its love must be founded upon respect for them, upon knowledge of their worth and sig- nificance. This might be learned even from Goethe who says of the peasantry: ‘Our peas- ants have always retained a goodly amount of strength; and we may hope that for a long time to come, they will be able not only to provide us with sturdy troopers, but also to preserve us (and joy) from utter decay and ruin. We may look upon them as a reserve for the continual renew- ing and refreshing of mankind’s declining strength. Buta visit to the great cities will give one very different feelings.’’?® When modern art chooses epileptics, consumptives and drunk- ards as its heroes, introducing them into novels and upon the stage, and immortalizing them 6 Gespriche mit Eckermann, 552. JOY AND ART ol on canvas, it is showing neither respect nor affection for the people. Surely that is not the way to make men healthier and happier. Quite rightly Lorenz Krapp points out the very different path followed by folk poetry: ‘Throughout the folk-song, it is kings and heroes, gentle ladies and daring warriors, dying princes, youths and maidens, who march along, making merry in the sunshine of the May.’’’ The people are more delighted and uplifted by this kind of art than by that which vulgarizes their life and paints for them exaggerated pic- tures of their own misery. The attempt to bring art back to the people is certainly praiseworthy. But unfortunately modern efforts to achieve this, have usually proceeded from men with no ade- quate idea of the people’s needs. To inject a charge of carbonic gas into an artistic beverage is not enough to make it popular. The people’s poverty in art and appreciation of art is most clearly shown by the present dry- ing up of the fountain of folk-song which once Spontaneously bubbled up out of the popular life. 7 Gottesminne, 1905, 201. VI JOY AND THE FOLK-SONG The Folk-song! The press has been disputing as to whether or not it is still alive. Quite dead indeed, it is not; for it can never wholly die. But that it is no longer what it was, that at pres- ent it exists in a way which by contrast might be called death, nobody willdeny. True, the peo- ple still sing,—especially the Christian people when at church. There the folk-song is still alive. There it is always busily occupied, weav- ing the highest and noblest kind of joy into the people’s lives, by means of soulful music, an old heritage of verse, melodies and harmonies that display the road to heaven. On other occasions, too, the people still do some singing, but so seldom and so poorly, that it sounds like their swan-song. They still sing now and then, in the country, in the woods and fields, on Sundays, and at household tasks; but, outside of this, almost never, except in saloons, at recruiting stations, and in the army. They no 62 JOY AND THE FOLK-SONG 355) longer sing the folk-songs that we heard thirty or forty years ago. Now, we hear only coarse drinking songs and obscene rhymes that voice not the soul of a people but the mad spirit of alcohol, songs composed of mingled foolishness and lust, street-songs, the latest melodies, arias picked up in music-halls and low theatres,—all these re- peated over and over again to the point of nausea and then cast aside for others still more banal and lascivious, if possible. Speaking of the songs sung by recruits and soldiers, a prominent news- paper recently observed : ‘‘Many of them not only border on vulgarity, but are essentially vulgar.”’ How do the people sing nowadays? Often with such shocking crudeness and nearly always with such unspeakable sadness, that one’s heart is torn with pity and sympathy for the poor sick soul of the people thus unconsciously voicing its pain. True, there was always a strain of melan- choly in the German folk-song, owing, as Foers- ter observes, to the fact that the soul of the peo- ple, with its simple outlook, interprets life more deeply and truly than so-called educated men are able to do.* But the pathos of the old folk-song was quite different from this present sadness. It burst out of the depths of the soul, ran gaily up 1 Jugendlehre, 55. o4: MORE JOY the scale, readily embraced wit and joy and broke gladly into laughter. It gave the over-burdened the relief of song and admonished merry folk to be discreet lest joy should be changed into sor- row. The melancholy remnant of the folk-song lacks both proper gravity and wit. ‘*What has hap- pened to the German laugh ?”’ asks Ernst v. Wil- denbruch. ‘‘Germany was once a merry land and Germans could laugh as heartily as other races,—aye, more loudly than any. What has become of it all? The guffaw of the great city applauding imported stage-wit, drowns out the laugh of the German people. What with the poorhouse smell of our naturalistic social writ- ings, and the very offensive odor emanating from our modern feminist literature, the laugh has vanished from the face of Germany. Fur- rows and wrinkles have come that used to be unknown, hiding-places of depression, anxiety, weariness. Oh! if he would but waken once again, that loud-laughing carl, the German wag! So that our people might grow glad laughing at themselves; that they might laugh themselves back to health; that they might laugh out of their souls all sulkiness and contention and bitterness and irritability; that once again they JOY AND THE FOLK-SONG 55 might look out upon the world with dancing | eyes!’’ Death has overtaken that folk-song which once accompanied every footstep of the German peo- ple, the comrade of their journeys, and the tent- mate of their travels, their jolly friend in com- pany and amusements, their comforter in time of trouble, and especially their trusted partner and tried helper in daily work. In this last respect above all, singing assisted wonderfully to per- meate life with joy and to lighten the yoke of labor. Extremely interesting researches have lately shown that work and play and art were all originally combined in a single phase of human activity, the three being bound together with pleasure-giving rhythm as in poetry, music, danc- ing. This alliance of work and rhythm lasted down through the centuries, contributing to the well-being of the people and the general spread of joy. It received the blessing of Christianity which from the beginning intertwined with labor ““nsalms and hymns and spiritual canticles’’ ac- cording to the admonition of the apostle.’ ‘‘The discovery of numberless facts,’’ says K. Biicher, ‘‘has reconstructed in the depths of hu- man history a submerged world,—the world of 2 Hph. v. 18 ff. 56 MORE JOY cheerful labor. The economist who for the first time sets foot in this world, rubs his eyes incred- ulously, for he seems to have been transported by a miracle into the Utopia described in political romances. Here labor is not a burden, not a hard lot, not a marketable merchandise; it is not organized by cold calculation. The further he goes in this new world, the more astonished he becomes. Everywhere play and pleasure, song and glad shouting, sociability and codperation,— a sort of economic child-life.”’ But nowadays, he continues, the world of cheer- ful labor is largely submerged in the sea of cul- ture, like an ancient continent covered by the ocean. Here and there among us some lonely island rock may still lift its head; but it is only amid the backward peoples that any considerable stretch of land remains to be seen. The rest- lessness and hurry of our life, the chaining of so great a part of human labor to machines, confinement in the factory and many another cause have banished the folk-song from the realm of labor. ‘‘Of what avail is the human voice against whirring wheels and buzzing transmitters 8 Arbeit und Rhythmus 4 (1909) ; Nigele, Ueber Arbeits lieder bei Johannes Chrysostomus (Berichte der philol.-histor. Klasse der kel. siichs. Gesellschaft der Wissenschaften, Leipzig, 1905). JOY AND THE FOLK-SONG 57 and all the indescribable noises that fill the aver- age workroom, making comfort impossible??? * We must be careful not to underrate the grav- ity of our loss of the folk-song. What we have really lost in it and with it, is clearly demonstra- ted by the thorough, yet delicately sympathetic, researches of Otto Bokel. One must be either very cynical or very superficial, if one can per- ceive in the folk-song nothing more than a naive form of popular entertainment, or poetry of too low a form to be quite consistent with high cul- ture. One who looks deeper will discover in it the genius of a people. No less an authority than Goethe rated the poetic content of folk-song highly; and its moral, disciplinary, and educa- tional value is greater still, Welling up out of the depths of the people’s life, it reacts in turn upon them with elemental force, charming, start- ling, freeing, uplifting, gladdening them. It is . pervaded by a healthy optimism. Even when dominated by melancholy and sadness, it still at- tempts to light up the darker side of existence and to resolve life’s discords into harmony.’ It contains a powerful religious element; and through its warp are woven the strong threads 4Op. cit., 439. 5 Psychologie der Volksdichtung, Leipzig, 1906. 08 MORE JOY of a pure and healthy moral sense. Faith and trust in God, joy in work, love of country, home- love, mother-love, family affection, conjugal de- votion, are its rich, dominant notes; and like an undertone is heard the laugh of humor and rip- pling merriment. Itself a child of nature, the folk-song draws its best inspiration from nature. It plunges into nature whole-heartedly; learns the words and notes that conjure up natural beauties and joys and fears; and brings these close to the people’s heart. ‘‘In folk-poetry the descriptions of na- ture are almost always brief, but delicately Shaded. They include only what is essential. The children of nature live and move in what Surrounds them and they have no need of detailed descriptions. The poet may safely assume that a few bold strokes will make his picture live - In the souls of his hearers and his fellow-singers. Hence the beauty of the nature-scenes in a folk- Song can be appreciated fully only by those whose souls are on the same plane as the singer’s. He who cannot give himself up with perfect sym- pathy to the enjoyment of flashing sunbeams or of colors playing upon a cloud, who never feels his soul overflow with ecstasy at the song of birds and the fragrance of flowers, is not one of the JOY AND THE FOLK-SONG o9 elect to whom the full charm of folk-poetry will be disclosed. He will never be able to see the perfect beauty of living nature in the delicately outlined descriptions.’’ ® There is still another characteristic of the folk- song, namely, its persistence, its almost inde- structible vitality. Hven amid the most unfav- orable circumstanees, it yields only slowly; step by step. When despised and persecuted, it with- draws by degrees, farther and farther,—first from town to country, and then still farther into the hills. If rejected by adults, it will still, for a long time, find a refuge among children. It survives wars and catastrophes, and, century after century, renews its youth. Why is it dying out now? Nothing short of a radical transformation of the world could have brought it to the point of death. The fact is there are no longer any natural folk; and this is why there is no longer any folk-song. Culture knows only artistic poetry. ‘‘The folk-song loves the still nooks where peace and quiet reign. The noisy new age frightens it away into soli- tude. As the elves of old fled at the sound of a _ bell, so the folk-song vanishes before the steam of the locomotive and the smoke of the factory @ Ibid., 234. 60 MORE JOY chimney. The old native folk-song is scared away by advancing culture. Here and there, a stray child of the folk-muse, like a frightened fawn, with startled eyes, looks out from some thicket at the wonderfully changed world, smoky, noisy, never resting. But with this oc- casional exception, the folk-song has disappeared from the world.’’* According to Bokel, this disappearance indi- cates a slow decay of the people’s soul and leaves a lack which cannot be filled with all the goods that culture brings. He thinks, however, that it may be possible for us to restore the van- ishing folk-song. Can it ever be revived to perfect health? We must not rely too much on recent loud appeals to ‘‘Save the Folk-song!’’,§ nor on Folk-song Associations, nor on the culti- vation of the folk-song by the schools and sing- ing societies which for so long a time so loftily ignored it. The evil is now too deeply rooted. In the modern world the folk-song has as many enemies as the song-bird. Unquestionably, there is here a relation of cause and effect. With the death of the folk- T Ibid., 416. 8H. Eschelbach, Rettet das Volklied, Berlin; and Der Niedergang des Volksgesanges, Neuwied. JOY AND THE FOLK-SONG 61 song, there disappears from the life of the people a considerable portion of their joy; and, in the measure that joy goes out of the people’s life, the folk-song decays. With the folk-song will disappear folk-poetry, for they live and die to- gether. At the flame of the song the heart of the hearer was kindled, At the heart of the hearer nourished the singer his flame; Nourished and purified it. Happiest he of all singers, To whom in the voice of the people clear echoed the soul of his song.® ® Schiller, Die Sanger der Vorwelt, VII JOY AND YOUTH And now we must set down the saddest fact of all,—that joy is lacking even among children and young people, among those to whom it has always been conceded as a right and to whom it 1s as necessary as daily bread, as necessary as sunlight is to the flower or pollen to the bee. We can present no statistical evidence of this. But it is well known to all who are in the slight- est degree familiar with child-psychology, who even half notice the movements of the child’s lit- tle world, who know how to read the faces of children and the eyes of young people. Anyone whose heart is open to the little ones finds cause for deep distress in the recent rapid spread among them of precocious cynicism, bitterness, discontent, coarseness, boldness and vulgarity. far beyond their years, of misdeeds and crimes and even of suicide. At the same time we find that the sunny merriment and the cheerfulness 62 JOY AND YOUTH 63 which radiate from eye to eye and from heart to heart, are distressingly rare. But frankly now, can this be wondered at, when even the family,—the cell of the social or- ganism, in both State and Church,—has begun _ to disintegrate, and multitudes of poor children are deprived of their protecting refuge and their garden of joy! Hundreds of poor mothers,— and the mother must be considered first when there is question of the child’s joy,—have now no time for their children; they must be at the factory. Hundreds of rich mothers have now no time for their children; they must discharge their tedious ‘‘social duties,’’ they must take part in public life, deliver addresses at conven- tions and the like. Poor children of the fac- tory-workman and his wife! Poor children of the modern, emancipated, speech-making, book- writing mother! Poor city children, into whose life there falls no ray of heaven’s sunshine, no ray of the sunshine of joy; who are acquainted only with the joys picked up in the filthy gutters and sewers of sin! After a babyhood empty of joy, or nearly so, the little citizen enters school, where he finds an- other world hardly richer in happiness. The modern school, especially the public school, is 64 MORE JOY the apple of our eye, the petted darling of society. To express any doubt as to its perfection, to op- pose its development, is looked upon as treason, as a crime, an infamy. And yet, of late, the Op- ponents of modern education have been growing more numerous and they do not all come from the camp of the ‘‘reactionary’’ Catholics. In his book Jugendlehre, which circulated so rapidly throughout all Germany, F. W. Foerster starts from the thesis that the modern school is a replica of modern life, reproducing its defects and faults. In the old days the central interest of education was a Christian training and every- thing else was subordinated to that. In the mod- ern school, there is no such unity, no such con- Scious cooperation in the building up of charac- ter, for the reason that we are still under the spell of the great eighteenth-century illusion that pop- ular education necessarily entails popular moral- ity, that moral culture is a by-product of intel- lectual enlightenment. ‘‘Whoever is familiar with life, knows how little of real culture resides in mere knowledge, aye, that growth in mere knowledge may hurt us, may puff us up, unless it is early subordinated to growth in character. True culture depends not on what a man knows, but on the result of his knowing, on the connec- JOY AND YOUTH 65 tion between his knowledge and the highest and greatest goods of life. It is not the fact that a man can read and write, but the thing he reads and the thing he writes which counts. The school that teaches reading and writing must also look after the cultivation of the inner man, lest the acquisition of mere intellectual skill leave no room for thorough culture.’’! - The Church’s distrust of modern methods of popular education is easily understood; nor is that dis- trust to be allayed by sneering at ‘‘reactionary influences’’ and eulogizing so-called enlighten- ment. It would be more accurate to qualify as reactionary those influences which set back the development of our hearts and wills for the sake of advancing us in mere knowledge and power.’ Still sharper is the criticism of Hilty in his widely read book Glick. ‘‘In the matter of education,’’ he says, ‘“‘our day of reckoning will surely come. Let us but ask, ‘What does the school give nowadays, and what does it take away?’ It takes away a very large part of our happy youth and our physical freshness; it takes away our childish faith and our natural freedom. It gives us our first contact with wicked men and 1 Jugendlehre, 6 f. 2 Ibid., 8. 66 A PLEA FOR MORE JOY vicious conditions. It destroys, as far as it can, all predisposition to originality or genius. It teaches us a mass of stuff not only totally use- less for later life, but often false as well. . . . It gives, In return, a certain amount of necessary and useful knowledge, a practically useful famil- larity with other_individuals and groups, and— when all goes well—a permanent inclination to- wards some particular science.’’® Sharp criticism, this,—in some respects, per- haps, too sharp! The gravest charges do not ap- ply to our denominational schools. The writer apparently values too lightly, or regards as ex- ceptional, those good influences which in a properly organized school surround and control the child, those opportunities of forming soul and spirit which even to-day are open to a zealous and pious catechist, a teacher whose heart is in the right place. But it is certainly true that, so long as the dis- astrous over-valuing of knowledge and under- valuing of character and will, dominate the field of education; so long as we go packing more and more knowledge into the curriculum of the pub- lic school; so long as what Ruskin ealls ‘‘the madness of the modern cram and examination 8p. 285. JOY AND YOUTH 67 system’’* everywhere prevails; there will be great danger of the pupil’s coming to regard in- tellect and knowledge as supremely important, and heart and character as of little worth. The former will absorb the best energy and time and eare of the school. Should the so-called progres- sive movement which is, in fact, a most ignomin- lous retrogression, succeed in banishing re- ligion entirely from the schools, the evil conse- quences of the kind above referred to will be sim- ply frightful. All this, of course, also menaces the child’s joy, which is a thing of the heart and cannot strike deep root except in a good char- acter. Joy is likewise menaced when teachers and ed- ucators,—we hope the case is rare, but it does sometimes occur,—are under the illusion that the rod is the magic wand of pedagogy; when they are, first of all, masters in the art of flogging; when the teacher at school and the parent at home enter into whipping contests. For joy might be flogged entirely out of hundreds of childish hearts and out of whole generations of children; the joy of learning, the enthusiasm of youth, the strength of will and, in a word, every good im- pulse might be beaten to death, so that nothing 4Fors Clavigera. 68 MORE JOY but insolence and anger and spite and meanness and vulgarity would live any longer in the child. ‘‘Hdueation’’ of this sort must be classed among the sins that cry to heaven for vengeance; it ranks with oppression of the poor, the helpless, the de- fenceless. Indeed, the cries raised by those maltreated children against their torturers will ascend to heaven and be heard by their Heavenly Father. He will one day make these joy-killers aware that their stewardship of authority does not justify the brutal use of their superior strength; that they ought to cherish and nourish the young tree and bring it to a happy develop- ment, and not foolishly beat it until the last blos- som of joy has been hacked off. We are not opposed to reasonable strictness, nor to the exercise of the right of chastisement, when chastisement is dictated and controlled by reason and affection. We are not partisans, but avowed antagonists, of slack training, careless discipline, unmanly softness; and we regard these things as contributing to the decrease of joy in the children’s world. It is a true saying: ‘‘Life would be far happier if it were taken more seriously, especially in youth.’? We agree per- fectly with Foerster ‘‘the best preparation for a joyful life is to be found in that strength of JOY AND YOUTH 69 character, that love of sacrifice, that habit of self-control, which enable us bravely to endure seasons of sadness or a life that is empty of joy and filled with misfortunes and_ priva- tions.’’® For life is serious, its conditions are hard, and the modern struggle for existence often becomes brutal. Therefore conscientious education is that which forms strong characters, not that which sends out into the world soft, sen- sitive, delicate creatures who go straightway down to their ruin, or else are for the first time hammered into hardness by painful experience.° We must also be grateful to Friedrich Paulsen that, in his latest publication,’ he has spoken sharply against the effeminate tendency of mod- ern pedagogy, and also against the foolish at- tempt to bring joy back into the school by making pleasure the sole motive of learning. He advo- cates a return to ‘‘the strenuous education’’ of earlier days and to the three great imperatives: Learn Obedience; Learn Hard Work; Learn Self-denial. It is precisely for joy’s sake, that we do not exclude, but rather insist upon, seriousness, dis- 8 Jugendlehre, 146. 6 Tunsione plurima, “with much hammering,” is the phrase of the hymn Coelestis Urbs Jerusalem. 7 Moderne Erziehung und geschlechtliche Sittlichkeit, 83 ff. 10 MORE JOY cipline, order, and effort on the part of children, whether at home or at school. Yet, on the other hand, we are certainly not of the opinion that bodily punishment is the only means to this end, or that it is indispensable. By nature, it is a disciplinary means which may have both good and bad effects—good, if rarely used, bad, if it becomes a regular part of the routine. Even when the children are exceptionally undisciplined and perverse, the constant use of punishment is still unjustifiable, if for no other reason than be- cause its very frequency renders it ineffectual and changes the dispositions of the child from bad to worse. Punishment must always be correlated with joy; the sunshine fructifies what wind and rain have cleansed and softened. Jean Paul’s phrase does honor to his heart: ‘‘Oh! Away with the tears of children; long rains do so much harm to the blossoms.’’ He refers to the happy nature of children, which makes them soon ready again for joy even after severe punishment. ‘‘Thank God!’’ he says, ‘‘the child’s memory is poorer for suffering than for joy. Were it otherwise, a long series of punishments would girdle the little ereature with a chain of thistles. As it is, how- ever, the child can be made happy over and over JOY AND YOUTH 71 again, aS many as twenty times, in one unlucky days? He who has only the rod of pain and not also the rod of gentleness, had better not try to wield the first. With it alone he will never do good. That teacher or educator, deserves the palm and is worthy of all honor, who with a glance of the eye, a change of tone, an uplifted finger,—a purely psycho-physical means of warning and of punishing,—can hold his little flock in disci- pline and order, without destroying their joy and confidence. Here upon earth, a tear is lurking in the eye of every joy. But then again a smile of joy follows each tear, and without fail, must follow every tear that happens to be caused by the teacher. A ray of love will make such tears sparkle so that they will seem to be not a mis- fortune but one of life’s best prizes. Vil JOY AND CHRISTIANITY We have recorded the heavy deficit of joy on the balance-sheet of modern culture. Now comes the question, ‘‘What causes this deficit?’’ Vari- ous contributory causes we have already indi- cated; but the principal cause still remains to be named. As a matter of fact the chief cause is the irreligious, unchristian Spirit of the Age. This Spirit is the sworn enemy and assassin of joy. Itsets up the intellect as a tyrant to oppress the heart and soul. It tries to banish faith from the people’s hearts,’ although faith emancipates and makes them happy as nothing else can. Doubt saddens us and unbelief makes us wretched. Even Friedrich Strauss, in his let- ters, admits that man gets along better with faith than without it. This Spirit of the Age destroys the innocence of the soul and hence all true joy. It tries to disrupt the union of the 1 The heart will he of all its wealth deprive, Make war on Fancy, nor let Faith survive.—Schiller. 72 JOY AND CHRISTIANITY: 73 soul with God; and without God there can be no real joy in life. It chills the heart and withers it up with selfishness, emptying it of love and, consequently, of joy. It leads man to keep ever circling and circling about his own petty self as a centre, and this brings on giddiness, vertigo and finally nausea. This Spirit of the Age is a great liar and im- postor. It pretends that modern and material improvements will lead men to happiness and joy. And yet, as Carlyle forcibly puts it, all the ministers of finance and all the reformers of mod- ern HKurope together, could not make one boot- black happy, or at most could not make him happy for more than a couple of hours. The Spirit of the Age promises that it will open up new worlds of joy and, as if by magic, create numberless new pleasures in the life of man, by giving free rein to the instincts, provoking and spurring on lust, opening the road for the pas- sions, and licensing vice. The real consequence however is ruin of both soul and body, a disturb- ing and shattering of the entire nervous system, the loss of strength to act and to endure, weari- ness instead of joy in living, pessimism, fatalism, and suicide. The Spirit of the Age is indeed the chief enemy of joy. All other virus, or 74, MORE JOY poison, can be easily overcome by the antidote of a strong healthy Christian sense but, once infected by the Zeitgeist, we are lost. Therefore, the only possible solution is the one which always gives the modern world nervous spasms and drives it into mental convulsions: “We must go back to Christian faith, back to healthy folk-life, to religious earnestness, to hu- mility and simplicity of heart, to plain, noble, pure habits of thought, to religion, to the Church, to Christ.’’ We cannot dispense with this ‘‘Go Back!’’ for the reason that absolutely no other power can hold in check the enemies who under the leader- ship of the Spirit of the Age, their commander- in-chief, are invading and devastating the world of joy. This same power achieves still more. It constructs deep coffers around every one of nature’s sweet sources of joy so as to exclude all poisonous seepage, and, on its own higher level, it opens up numberless supernatural springs of joy. ‘‘A crucified man!—A fine God of Joy, for- sooth!’ ‘‘Self-crucifixion!—Truly a delightful path to joy!’’ Thus sneers the anti-Christian world. In these recent years we frequently en- counter the same old pagan attacks with which JOY AND CHRISTIANITY 73 Herder, Goethe, and Schiller were familiar. Again are free spirits, like Heine, impelled *‘to take up arms for the old gods and their good ambrosial law’’ against ‘‘the wan Christ with his bleeding savior-hands,’’ against ‘‘the pale Galilean who delights in the whimpering over bliss destroyed,’’? against ‘‘the enemy of joy with his bloodless hands,’’® against ‘‘the symbol of the negation of life’”’ and ‘‘the blaspheming of life.’?* Men are still mourning the paradise of joy that vanished with the mythology of ancient Greece. ‘‘When the gods were still guiding the fair world in the sweet leading-strings of joy, how different, oh! how different, all was then!” But historical researches have destroyed this myth of the Hellenic paradise. Greece’s art, its noblest possession, supreme in harmony and symmetry, speaks not of joy and pleasure only, but also of tearful suffering and of tragic woe,— witness the farewell scenes upon the tombstones. In the last analysis Greek art was a song of sor- row. During the archaic age, its monuments were tombs or sepulchral decorations. It 1s no Olympian mirth that laughs at us from antiquity. Tn the endeavor to be happy there was produced 2 Ibsen. 3 Anatole France. 4 Nietzsche. 76 MORE JOY only a wild, noisy laughter with a boisterousness evidently intended to conceal deep-lying pain. Ancient art vanishes with a song of sorrow, in the tomb sculpture of the first Christian cen- tury.’ According to one of the men most fa- miliar with antiquity, ‘‘The Greeks amid the splendor of art and in the highest enjoyment of liberty, were more unhappy than is generally supposed.’’ ° The cross with its stern lines,—a cold, bare, branchless tree with rough-hewn stumps for arms,—is indeed at first sight a sad and joyless thing to look at, so true an image is it of harsh contradiction, so good a symbol of bitter pain. Yet men find that the cross possesses a certain beauty. In its sturdy clear-cut, well-propor- tioned form they see a picture of steadfastness, of aspiring effort, of opposition conquered and contradictories reconciled. The sight of a man hanging in agony upon the cross arouses, at first, no sense of joy, it is true. Yet there is a well- spring of joy in the sure faith, that the Divine Hero bleeding on the cross is dying in battle against the fiercest foe of joy and of salvation, 5 Der Gral, 1907, 145 f. 6 Boeckh, The Public Economy of the Athenians, Translated by Anthony Lamb, Boston, 1857, p. 787; Schneider, Das Andere Leben, 10th ed., Paderborn, 1909, 62 ff. JOY AND CHRISTIANITY 77 and conquering as He dies. The cross becomes the symbol of victory and thereby the symbol of joy. Darkness and gloom are dispelled and everywhere is shed the glory of the resurrection. In its light, the tree of the cross becomes the tree of life, of resistless power; the dried trunk is clothed with blossoms and fruit; and out of the crown of thorns spring forth roses. Thus also is it with the cross and the crucifix- ion in the life of each individual Christian. That a man should take up his cross daily’; that he should not only bear his cross, but crucify the flesh, the old man *—these are not forced figures of speech, but stern demands which certainly do seem likely to lead far away from joy. Yet the battle to which they summon is waged not against joy, but against joy’s worst enemies. ‘The cross obliges us to renounce the apples of Sodom, the wild cherries of sin, which are really no joys at all, but it does not demand a total renunciation of legitimate natural joys; it only insists that they be used in moderation and with a good in- tention. This much would be required not by Christian morality alone, but by reason and health as well. Excessive enjoyment always be- 7 8t. Luke ix, 23. 8 Galatians v, 24; Romans vi, 6. 78 MORE JOY gets disgust. Unrestricted activity and gratifi- cation of the sensual instincts does not add to the sum of joy, but ruins both joy and the man; it sins not only against morality but against hy- giene, which is to-day sometimes regarded as the Supreme standard. y 90 MORE JOY joy’’ is the simple yet sound advice of The Fol- lowing of Christ;°® and that advice is confirmed by experience, ‘‘If there be joy in the world, cer- tainly the man whose heart is pure enjoys it.’’ ” Moreover, there are open to the Christian whole kingdoms of joy which are inaccessible to the worldling and the sinner. Faith, the state of grace, prayer, lift us up into the sunshine and into the presence of God; they weave a blue sky that stretches over the whole extent of life; they establish and maintain a uniform cheerfulness which suffering and trouble cannot disturb. Who can number, or analyze, or describe, the joys of prayer? St. Bernard says, “‘God, be- ing tranquil, tranquilizes all and to see Him rest- ing is to be at rest.’’*4_ This rest, produced by prayer, is the prerequisite and foundation of the soul’s joy. In this peaceful realm there blooms a flora of joy, so abundant, so richly and variously colored, that it cannot be described or classified. Indeed, there is a deeper significance than is commonly supposed in the counsel of St. James: “Is any of you sad? Let him pray.’’ St, Chrysostom calls prayer ‘‘a refuge in every sorrow, a principle of constant pleasure, the 9IT, 6. 1. 11 In Cantic., Serm. 23, n. 16. 10 Tbid., II, 4. 2. 12 §t. James v, 13. THE JOY OF THE CHRISTIAN 91 mother of philosophy.’’** St. Nilus calls it a ‘‘charm against sadness and depression of soul.’”’** And Lagarde says that piety is the sound health of the soul. What a good spirit prevails in the house where family prayer is the custom. At least once each morning and evening, this brings together the members scattered here and there, during the rest of the day; it maintains the sentiment of unity; it creates the breathing spots and intervals of repose so badly needed in these strenuous times. Pray and time stands still.” Family prayer lifts the household up into a higher world. ‘‘It isa key by day and a lock by night.’’ It resolves dis- cords with the utmost simplicity, relieves strain, purifies the atmosphere of the home, sanctifies domestic joy and invests the father of the family with priestly dignity. The family prayer and hymn make the sweetest music ever heard upon earth and they unite each particular household to the whole blessed family of God. True, the Christian law of life is stern and austere, but, as in the Ark of the Covenant, jars of sweet manna stand next to the Tables of the 18 Contra Anom., 7, 7. 14 De Orat., c. 16. 15 A, Freybe, Das deutsche Haus und seine Sitte, i (1910), 125. 92 MORE JOY Law. Throughout the ecclesiastical year the life of the Christian is filled to overflowing with joys of the noblest kind. The sacraments are inti- mately related to joy. They restore it when lost; they nourish and increase it when present; they ennoble and sanctify it, if it is merely nat- ural. Confession is a relief for life’s grief and weariness, a safety-valve for the terrible pres- sure of the sense of guilt. The Sacrament of the Altar opens up an infinite realm of mystical joys. The House of God and the worship of God are rich in sublime poetry, in heart-stirring joy. Here the Christian people find their heavenly home, their spiritual drama and concert and art- exhibition. ‘To what delight,’’ writes Grupp, ‘‘is the pious soul introduced by a worthy communion! Piere- ing through all earthly veils, she perceives the great mystery and sees the heavens opened. One who has experienced such joy can never again be utterly unhappy or unbelieving. The Greeks were wont to say that no one who had looked upon the statue of Olympian Jove could ever again be entirely miserable. How much more truly may this be said of the Christian who has ex- perienced the presence of God in prayer.’’ #* 16 Jensettsreligion (1910), 166. THE JOY OF THE CHRISTIAN 93 Of old, privileges which came from no over- lord but were due simply to God and the sun, were called ‘*Sun-Rights.’’ 7 In the same sense, Sun- day may be called the people’s ‘‘Sun-Right.”’ What rights and what joys are lacking in the in- _ dividual life when Sunday counts as nothing, when servile work burdens the Lord’s Day or debauchery dishonors it! The day is made.a day of real joy through .a wonderful combination of the natural and supernatural pleasures con- tributed by godly rest, the loosening of labor’s yoke, the united worship of God, the sermon at High Mass, the outing in the fields and woods, and the hours of quiet enjoyment at the family hearth. In the ‘‘Hymelstras,’’ ** Brother Ste- phen gives a charming description of the father of a family taking ‘‘his little folk’”’ to the sermon and afterwards asking them what they have heard, supplementing their observations with his own. ‘Then he gets his little drink and sings his good little song, ‘‘and thus he and his little flock were happy in the Lord.”’ In his Book of Childhood, Bogumil Goltz has described the fascination of Sunday for the child-mind: ‘‘Ah! on this day nothing was the same as on school-days and work-days. We felt 17 A. Freybe, op. cit., 132. 18 Augsburg, 1484, 94 MORE JOY the difference in the air we breathed and the soil we trod; we drank it in with the very water. The sunbeams flashed it into the soul; the sparrows twittered it among the notes of the church organ; the trees told it to one another with rustling leaves. Before sunrise, in the gray dawn, the coming hours of happiness were borne on the wings of the morning wind to this chosen day. O Lord, My God, then in very truth it was Sun- day,—Sunday through the whole day, Sunday in every hour and minute, in every twinkling of an eye, in every flash of a sunbeam, in every throb of the pulse, in every drop of blood, in all the body and all the soul. One could hear and see nothing, feel nothing, be aware of nothing, will nothing, think nothing, but just that it was Sun- day, the sacred day. All that one looked at or experienced, was different from on other days,— the same and yet not the same, for it was illu- mined, hallowed, and invested with the mysteri- ous radiance of Sunday.”’ Every festive season has its own peculiar joys. Not even during solemn Advent, nor in the peni- tential season of Lent, is joy lacking. How full of joy is the message renewed each year by the Christmas angels and again by the Easter Alle- Inia. To pray means to relieve one’s heart, to bid THE JOY OF THE CHRISTIAN 95 care begone, to breathe out misery and distress, to breathe in the pure mountain air and the en- ergy of another world. Intercourse with the saints enlivens the heart, just like conversation with the noblest men. A childlike relationship with the Mother of God imparts and preserves in every period of life that childlike happiness which only a mother’s presence and a mother’s love bestow; so with good reason Mary is called Causa nostrae laetitiae, ‘Cause of Our Joy.” Each one of the Christian virtues has its own content of joy; each is a little garden harboring flowers of every form and color and fragrance. The flowers of hope, in particular, have this Special quality that they survive the roughest weather and become all the stronger and more fragrant amid the most violent storms. In truth, there is no soil so rich as religion in springs of health, none so well supplied with fresh, sweet water. In whatever spot we dig down, bright clear streams come gushing forth. One realizes the meaning of the prophet’s words: ‘They shall fear and be troubled for all the good things and for all the peace that I will make for them.’’*® Many perhaps will be too highly ‘‘eultured”’ to perceive and enjoy these quiet de- 19 Jeremias xxxiii, 9. 96 MORE JOY lights; but the good, plain people will enjoy them all the more for their simplicity; the poor Christian working-man and working-woman will absorb them all the more gratefully. True, as well as beautiful, are the words of that noble convert Elizabeth Gnauck-Kiihne: ‘‘Who un- derstands the working-woman? Who bothers about her welfare? Let us answer briefly, — The Catholic Church, first and before all others. . .. When she summons to High Mass, she be- decks herself like a loving mother in order to be beautiful to her children. She is very fair and despises no earthly adornment. If the work- ing-woman holds this mother’s hand fast in her own, then, at least once every seven days she will have the delightful experience of spending one happy hour, and for the time being her wheel of Ixion will stop whirling. Her senses, dulled by dust and noise and filth, will be aroused, and her soul will rest again in God. The world has shut out the working-woman from all that is fair in nature and art. The Catholic Church vested splendidly for her sake, soothes her life—her poor, bare, prosaic life,—with a breath of beauty and lofty poetry. And although this poetry and this beauty are perhaps not analyzed, they are deeply appreciated.’’ THE JOY OF THE CHRISTIAN 97 Worldly folk cannot understand such joy. When they hear it spoken of, they answer with that notorious silly laugh of theirs, and look like blind men who hear someone speaking of colors. Yet religious joys are really precious; and more- over, they may be acquired by any soul of faith and good-will. They are strong and mighty realities. They give the sole explanation of the fact that the number of happy, contented, joyous persons is a hundredfold greater among faithful Christians, than among the most highly privi- leged classes of worldlings, who regard amuse- ment as the only occupation and the chief con- cern of life. We know how much gilded misery exists among these people; we have heard certain startling admissions and confessions made by them. On many tombs might fittingly be placed the epitaph Dingelstedt composed for himself: He had in life much happiness, Yet happy he has never been. Worldly men possess and secure many joys; still they are without joy. The fact is these joys have no real value; they are froth and show that quickly surfeit, but never satisfy, a man. Worldly joys are like all other worldly goods. ‘* Possessed, they are a burden; loved, they are a 98 MORE JOY defilement; lost, they are a torment.’’* St. Ignatius of Loyola said: ‘‘AIl the honey that can be gathered from the blossoms of the world does not contain as much sweetness as the gall and vinegar of our Savior.’’ The world, itself,—so sceptical about joys which it cannot see, nor touch, nor eat, nor drink, —yet comes under their benign influence. Per- sons who possess these joys in filness become makers of joy and bringers of joy to everyone around them, and are thus real benefactors of all mankind. How joyless life would be were it not for these sunny souls, who are so happy them- selves and radiate happiness to others. We meet them everywhere, sometimes even in beggars’ rags, or in childish forms, more often in peasant dress and in priestly or religious garb than in silk and satin garments, more often in the homely hut than in the splendid salon, more often in the country than in the city. Upon closer acquaintance we see that the constant serenity of their lives and the overflowing joy which they im- part to others, must be the reflection of their own simple, homely, hearty faith and piety and sin- cerity. There is something angelic about them; 20 Bona, quae possessa onerant, amata inquinant, amissa cruciant. St. Bernard, Ep. 103. THE JOY OF THE CHRISTIAN 99 they radiate light and beneficent warmth. Neither the coarsest mind nor the gloomiest heart can resist their influence. When they approach and offer aid, the suffer- ers smile, the savage grow tame, curses and blas- phemies are silenced, unhappiness is banished and its ravages are checked by a mightier power. They have the magic gift of lifting the weight from the hearts of their fellowmen by a soft word and a bright look, of finding a balm for every wound, and, above all, of compounding out of their own souls’ suffering and distress, the medicines and draughts of joy that others need. As Hilty says, ‘‘Truly spontaneous goodness of heart is not the fruit of philosophy and cul- ture. To produce it is the undeniable and ex- clusive privilege of Christianity, and this is the living proof, throughout the centuries, of Chris- tianity’s divine origin. Even to-day, the attempt to find a substitute for the Christian religion must fail, because nothing else can possibly give birth to a like cheerfulness and kindness.”’ 7? Bless them! those sunny souls, with their kindly eyes and their hearts of gold, true bene- factors of humanity. Would that they were a thousand times more numerous, then the problem 21 Glick, 251 £. 100 MORE JOY of joy would be finally solved. But meanwhile, how can their number be increased? Why, of course, by your joining them. And how is that to be done? We can only answer: ‘‘Seek ye therefore first the kingdom of God, and his jus- tice, and all these things (including joy) shall be added unto you.’’®? Be more faithful in the performance of your duty, especially your reli- gious duty, and joy will come spontaneously. If we wish to have flowers, we must plant and water them. This does not imply that we cannot make a direct effort to learn and to exercise Joyousness and friendliness. In fact, to study with especial care this fair aspect of Christianity and to prac- tice cheerfulness, is a proceeding which, at the present time, seems to be particularly expedient and meritorious. 22 §t. Matthew vi, 33. xX JOY AND HOLY SCRIPTURE There would certainly be no lack of material for a whole theology of joy; and the fundamental chapter, most interesting of all, would be the bib- ical. Any concordance will make plain the im- portance attached to joy in Holy Scripture. The Synonyms of joy are among those chief words of the Bible which recur hundreds and hundreds of times,—a significant fact in a book using no idle or unnecessary words. Holy Scripture thus be- comes a sort of ‘‘paradise of pleasure,’’! where we may find the joy that we have vainly sought, or perhaps have lost, in the world. JOY IN THE OLD TESTAMENT. Like a rich vein of silver, joy runs through the writings of the Old Testament and through the life that it describes. The Hebrew language,— although its vocabulary is poor in comparison with the classical and modern tongues,—has no 1 Genesis, iii, 23. 101 102 MORE JOY less than twelve verbs which mean ‘‘to rejoice,”’ ‘‘to be happy.’’* The good Israelite is saved from the danger of undervaluing or distorting the idea of joy and the human desire for it, by his knowledge that the deepest, purest fountain of joy is the throne of God, the Divine Essence. As God Himself rejoices ‘‘in His works,’’? ‘‘in Jerusalem,’’* and over Sion ‘‘with gladness,’’> so does the just man ‘‘rejoice in the Lord,’’ * and ‘‘delight in the Lord’’* and ‘‘rejoice before God.’’® True, the Old Testament is the covenant of fear and the people are kept fearful by God’s judg- ments and by the thunderings of the prophets. Yet this fear does not exclude joy; for the Old Testament is also the covenant of hope which reconciles fear and joy,—so that the Psalmist can say: ‘‘Rejoice with trembling,’’® and: ‘‘Let my heart rejoice that it may fear thy name.’’*® Tear and joy live together like sisters and play with each other like two little lambs. Joy in God is the privilege and sweetest reward 2 Die Freude in den Schriften des Alten Bundes, von A. Wiinsche, Weimar, 1896. 5. 3 Psalms ciii, 31. 7 Psalms xxxvi, 4. 4Isaias Ixv, 19. 8 Psalms, \xvii, 4. 5 Sophonias iii, 17. 9 Psalms ii, 11. 6 Psalms xiii, 11. 10 Psalme Ixxxv, 11. JOY AND HOLY SCRIPTURE 103 of the fear of God: ‘‘Oh, how great is the multi- tude of thy sweetness, O Lord, which thou hast hidden for them that fear thee.’’*t Unworthy members of the covenant, who do not fear God, but desert Him to serve idols, are expressly de- barred from joy: ‘‘Thus saith the Lord God: Behold, my servants shall eat, and you shall be hungry: behold, my servants shall drink, and you shall be thirsty. Behold, my servants shall re- joice, and you shall be confounded; behold, my servants shall praise for joyfulness of heart, and you shall cry for sorrow of heart, and shall howl for grief of spirit.’’” Even in grievous trouble and affliction the God- fearing children of Israel look confidently for the guidance and providence of God, sure that the joy of deliverance shall encompass them soon again; and that ‘‘the meek shall increase their joy in the Lord, and the poor men shall rejoice in the Holy One of Israel.’’** Providence ar- ranges a kindly balancing of sad and happy pe- riods, of suffering and consolation: ‘We have rejoiced for the days in which thou hast humbled us; for the years in which we have seen evils;’’ ** ‘‘ According to the multitude of my sorrows in my 11 Psalms xxx, 20. 18 [saias xxix, 19. 12 Jsatas lxv, 13 ff. 14 Psalms Ixxxix, 15. » 104 MORE JOY heart, thy comforts have given joy to my soul. 7/7? So also the consciousness of belonging to the chosen people was for the Israelites an ever-flow- ing joy. ‘‘Neither is there any other nation so great, that hath gods so nigh them, as our God is present to all our petitions. For what other na- tion is there so renowned that hath ceremonies, and just judgments, and all the law?’’** The Law was indeed a strict disciplinarian, but also a good and wise ‘‘pedagogue’”’ *’ leading to Christ, not merely by punishments but also by joys. In it the people were given a source of wisdom ex- alting them high above all other nations, which He alone could open that knoweth all things,— ‘*He that prepared the earth for evermore. ... He that sendeth forth light and it goeth; and hath called it, and it obeyeth him with trembling. And the stars have given light in their watches, and rejoiced: ‘They were called and they said: Here we are; and with cheerfulness they have shined forth to him that made them.’’* To this wise and holy Law, the Old Testament dedicates the 118th Psalm, that majestic hymn whose dom- inant tone is joy. The good Israelite looks on 15 Psalms xciii, 19. 17 Galatians iii, 24. 16 Deuteronomy, iv, 7 f. 18 Baruch iii, 32 ff. JOY AND HOLY SCRIPTURE 105 these commandments as the joy of his heart,” he meditates on them because he has loved them,” and delights in them ‘‘as in all riches,’’ 7* ‘‘as one that hath found great spoil.’’ °° The Temple was the pride, the boast, the joy, of the whole people and of each individual Is- raelite. How exuberantly this joy breaks out in the well-known ‘‘ Psalms of the Temple!’’ We must meditate upon them thoroughly, if we would appreciate what a joyful place the Temple was for the pious Israelite and how truly God there fulfilled His promise made through the prophet; ‘“‘T will bring them into my holy mount, and will make them joyful in my house of prayer.’’* The singing of the words, ‘‘We shall go into the house of the Lord,’’** was a message of joy al- ways, but particularly so on great festivals. A special law ordained that there should then be rejoicing and feasting.> The Feast of the Tab- ernacles was celebrated for seven days.*® The climax of this feast was the ceremony of drawing the water. At the morning and evening sacrifice the priest lifted some water out of the Pool of Siloe in a golden pitcher, carried it through the 19y, 111. 28 Isaiag lvi, 7. 20y,. 47. 24 Psalms exxi, 1. 21iv. 14. 25 Deuteronomy xii, 7; xiv, 26. 22 vy. 162, 26 Deuteronomy xvi, 13. 106 MORE JOY Water Gate and poured it, mixed with wine, into a basin at the altar, amid such general rejoicing that the saying arose, ‘‘ He that hath not seen the joy on the feast of the Drawing of Water hath never seen any joy.’’ To this Our Savior re- ferred, when He cried out: ‘‘If any man thirst, let him come to me and drink!’’?*_ He thus re- vealed Himself as the only one who can give the living water of true joy. The highest note of joy in the Old Testament is struck by the prophets when they look away from the guilt and misery of the present towards the Messianic future and, with eyes enlightened by the spirit of God, perceive the Redeemer and the work of His grace. They cannot find images and words exultant enough to express their de- light and happiness. And certainly for every faithful Israelite, the Messianic hope was the Sweetest gift of joy in his life and a foretaste of the joy of the New Testament. The purest and most soulful echo of this joy in the Old Testa- ment is, at the same time, its first echo in the New: The Magnificat. Let it be noted too, how the Old Testament gives expression to an exultant love of nature in- comparably superior to that of the classical peo- 27 St, John vii, 37. JOY AND HOLY SCRIPTURE 107 ples in depth and purity, as well as in spiritual and poetic value. Radiant with the sunshine of faith and the moonlight of Messianic hope, re- vealing and reflecting the beauty and goodness of the Creator, permeated with His breath, shar- ing man’s expectation of the Messiah, nature was infinitely closer to the Israelite than to the pagan. To the former she had much more to say. She shared his sorrow and his joy; and she let him share in the joys which God bestowed upon her, the luminous traces of His creative Hand and His omnipresence. How close the musical song-loving people of Israel kept to na- ture, and what a kindly, cheering, sympathetic mother and friend and dispenser of joy she was to them, may best be seen in the constant personi- fications of nature woven through the Psalms and the Prophetic Books. Even ‘‘Thabor and Hermon shall rejoice’’ in the name of the Lord; ** ‘‘the fir-trees also have rejoiced ...and the cedars of Libanus;’’* ‘the hills shall be girded about with joy .. . and the vales shall shout, yea, they shall sing.’ * The heavens rejoice, the earth is glad, the sea 1s moved, the fields are joyful, the trees of the woods 28 Psalms Ixxxviii, 13. 30 Psalms I\xiv, 13 f. 29 Isaias xiv, 8. 108 MORE JOY rejoice before the face of the Lord;?! the sun, ‘fas a bridegroom coming out of his bride-cham- ber, hath rejoiced as a giant to run the way.’’ *? According to the prophet, ‘‘the land that was desolate and impassable shall be glad, and the wilderness shall rejoice, and shall flourish like the lily. It shall-bud forth and blossom, and Shall rejoice with joy and praise; the glory of Libanus is given to it; the beauty of Carmel, and Saron, they shall see the glory of the Lord, and the beauty of our God.’’?*? Thus nature too, breathes the sunny warmth of joy in God and ra- diates this joy forth again into the souls of the faithful. All in all, the people of God under the Old Testament ought to have been joyful people. And so they were, as long as apostasy and infi- delity did not invalidate their claim. ‘Sing joy- fully to God, all the earth: serve ye the Lord with gladness. Come in before his presence with ex- ceeding great joy,’’ °* was a recommendation then in force. The exhortation: ‘‘Be glad in the Lord, and rejoice, ye just, and glory, all ye right of heart’’*’ is ever repeated. ‘And let the just 31 Psalms xev, 11f., 84 Psalms exix, 2. 82 Psalms xviii, 6. 35 Psalms xxxi, 11. 33 Isaias xxxv, 1 f. JOY AND HOLY SCRIPTURE 109 feast, and rejoice before God; and be delighted with gladness.’’** In a time of great sadness Nehemias exhorted the people: ‘‘Be not sad; for the joy of the Lord is our strength.”’** Of Tsrael, the Psalmist says: ‘‘ Happy is that peo- ple whose God is the Lord’’** and again: ‘‘Blessed is the people that knoweth jubilation. They shall walk, O Lord, in the light of thy countenance; and in thy name they shall rejoice all the day, and in thy justice they shall be ex- alted.’’ °° THE NEW TESTAMENT AND JOY. The New Testament is, of course, the Testa- ment of joy in a far higher degree than the Old. The New Testament is welcomed to earth by the Virgin Mother, in her little home, with her heart’s Magnificat, the most beautiful of Messianic canticles, more holy and joyful than anything since the days of Paradise. It is publicly an- nounced by the angels on Christmas night as a ‘Coreat joy that shall be to all the people.’’ ® The bearer and the centre of New Testament joy is the Messiah, the God-Man. Jesus and joy —that, indeed, is a mystery of which it is hard to 86 Psalms Ixvii, 4. 39 Psalms Ixxxviii, 16 f. 37 IJ Esdras viii, 10. 40 St. Luke ii, 10. 38 Psalms exliii, 15. 110 MORE JOY speak. Who will fathom or measure the nature and the depth of the God-Man’s joy? It is a wonderful union of divine happiness,—insepa- rable from His Person, never lost even in His darkest hours,—with all the joy possible to a pure, sinless, human heart. For He has become hike unto us in all things, even in joy, and has needed it and made use of it, just as food and drink. Even childish joy was not unknown to Him. It radiated from His eyes to His mother and His foster-father, to the shepherds and the three wise men. It smiled up from His face at Simeon and Anna, making their hearts rejoice. The eyes and features of the Blessed Child of Nazareth were illumined with a reflection both of divine bliss and of a child’s holy happiness. True, the shadow of Calvary and the Cross already lay over his young life and upon the souls of Mary and Joseph; and the foreknowledge, the anticipated pain, of the passion was like a fiery garment which the Redeemer wore from childhood. Yet despite sadness, poverty, and want, despite dark foreknowledge and tragic forebodings, the life of the Holy Family was not wanting in those joys which send their fragrance forth from the homes of the poor to the good hearts round about. JOY AND HOLY SCRIPTURE 111 One of the apocryphal gospels relates that the people of Nazareth gave the Child Jesus the name of ‘‘Gentleness.’’ They had a saying, ‘“‘Let us go to Gentleness, to become happy!’’ This is perfectly credible; for in the sunshine of His nature everything must have been illumined with joy. To Him even the thought of the passion was ~ not mere pain, but also joy, something which He | seized and embraced with joyful eagerness, with nae all the enthusiasm of a youth’s noble soul. What | a garden of joy nature must have been to Him! Never has the eye of any other youth looked upon the life and growth of nature with so clear an understanding, such deep-piercing keenness of vision, so ardent alove. On Nazareth’s hills and fields was woven into our Savior’s life a myste- rious and peculiar relation to nature. In that re- lation the love of the Creator who made all things was combined with the love of the God-Man who came to redeem even nature from the curse of sin. We shall see how later, as a teacher, He turned to good account what He had seen and ex- perienced of nature in His early years. Although His vocation to be Redeemer and Victim weighed heavily upon Him during all His public life and ministry; although His war with 112 MORE JOY the priests and the unbelieving Jews forced Him to sharpen His revelations with threat and pun- ishment and made His eyes flash wrath instead of joy; and although, despite all the customary kindliness and mildness of our Savior’s face, there was never merriment or laughter there,— yet His inner joy in God never left Him but was always shining forth. ‘‘He that sent me is with me, and He hath not left me alone.’’ 44 To offer men the joys of truth and grace was His food. ‘“‘My meat is to do the will of Him that sent me.’’ ** Whenever He found sensitive hearts, He offered these gifts with all friendliness and joyousness, Unquestionably His disposition was anything but forbidding and gloomy. If at one look and one word of His, hard, rugged men left fishing- nets and custom-house tables, homes and families, to go after Him; if women left their households to follow and serve Him; if the last of the prophets leaped for joy at the sound of His voice; ** if even the crowd round about, although confused in mind and fickle of will, were yet at times aroused to such enthusiasm as to want to make Him king by force; if the children too, felt 41 8t. John viii, 29; xvi, 32. 48 St. John iii, 29. 42 §t, John iv, 34. JOY AND HOLY SCRIPTURE 113 drawn to Him and pressed about Him,—all this leads us to conclude that the power of attracting, like the power of healing, which went out from Him, was essentially a power of joy, of that joy which is the fragrance and the aroma of love. No gloomy pessimism can be perceived in His doctrine or His work. He fulfilled the proph- ecy: ‘He shall not be sad, nor troublesome.’’ * He is the heavenly sower who steps across the fields, alert, hopeful, happy, sowing the seed with an arm that swings wide and free. He likes best to tarry in the lovely country by the Lake of Genesareth. When He wishes to be alone, He climbs to the mountain heights, as if to breathe the air of home. With that joy in nature already noted, He gathers His parables and figures from the fields and hills, or draws them from His sur- roundings. Generally, a quiet, peaceful cheer- fulness pervades His parables and His little sketches and descriptions of nature and of human life. He does not, like the prophets, select the majestic scenes, the mighty phenomena, the ca- tastrophes, the thunderous voices of nature. He chooses the quiet, small, ordinary, simple, friendly things. The hen and her chickens, the birds that fly care-free from branch to branch, 44 Isaias xlii, 4. 114 MORE JOY the lilies in their splendid garments, the mustard- tree with its feathered tenants, the reeds of the Jordan, the pearls of the sea, the simple dove and the prudent serpent, the field with soil so vary- ing, the growing of the grain, ‘‘first the blade, then the ear, afterwards the full corn in the ear,’’*° the vine laden with precious fruit, or bleeding from the sharp knife of the vine- dresser: just such plain, little, unnoticed, nat- ural objects are, in His opinion, best adapted to be figures of what is supreme and eternal. Thus in the ‘‘Our Father’’ He fills the simplest words with the weightiest content; and, in the Kucharist, He hides His own nature in the plain form of bread. His reverent treatment of nature, His associ- ating of nature in the teaching of eternal truth, and the immediate service of God and the work of salvation, has again taught men reverence for nature and enjoyment of nature even in its in- Significant and common forms. It has awak- ened the Christian love of nature, unlocked a thousand sources of joy, and infinitely enriched the joy content of the ordinary life. Here again we See the proof that Christ is not the negation but the supreme affirmation of life. In Him is not ‘*Yea and Nay,’’ but only ‘‘Yea.’’ * 45 §t. Mark iv, 28. 48 IT Corinthians i, 19. JOY AND HOLY SCRIPTURE 115 How happy and full of joy was our Savior’s association with His disciples! It is significant that His first journey in their company was to a wedding, and that at a wedding He performed His first miracle. The Messiah is certainly no foe of happiness, but rather the one to whom men may venture to apply when the wine of joy gives out. Instead of the water of merely natural joy, which only pleases the palate, He bestows the wine of that higher joy which infuses new life into the whole being; and the Virgin Mother too, graciously appears as mediatrix of Joy. When defending His disciples against the phar- isaical reproach of not fasting, Our Savior com- pares His life and theirs to a wedding: ‘‘Can the children of the bridegroom mourn, as long as the bridegroom is with them? But the days will come when the bridegroom shall be taken away from them, and then they shall fast.’’ How His eyes must have brightened when, at the return of the disciples from their first mis- Sion journey, ‘‘He rejoiced in the Holy Ghost, and said: I confess to thee, O Father, Lord of heaven and earth, because thou hast hidden these things from the wise and prudent, and hast re- vealed them to little ones. Yea, Father, for so 47 §t. Matthew ix, 15. 116 MORE JOY it hath seemed good in thy sight.’’ ** Then, for the first time, the disciples must have rejoiced in their innermost souls at their holy vocation. True, only three chosen ones enjoyed the happi- ness of Tabor, and it passed quickly despite Peter’s attempt to prolong it. Yet all the dis- ciples were permanently partners in His Joy. In the final hours of their life together, He comforts them, before His passion: ‘‘Let not your heart be troubled, nor let it be afraid.’’ * He promises that their sorrow shall be changed into joy and speaks certain things to them, ‘‘that my joy may be in you, and your joy may be filled.’’?°° He prays ‘‘that they may have my joy filled in themselves.’’° The forty days after Easter were a real May-time, a lovely spring; and in the hearts of the disciples, a joy then ripened which, through the descent of the Holy Ghost, became their inalienable possession. The joy of salvation; the joy of the Savior, whether bleeding in victorious battle against the legions of evil, or risen again amid Easter Alleluias, or gloriously ascended to Heaven and reigning there; the joy of the Holy Ghost; the vision of perfect future joy, the reward of 48 St. Luke x, 21. 50 St. John xv, 11. 49 St. John xiv, 27. 61 St. John xvii, 13. JOY AND HOLY SCRIPTURE 117 heaven *?—all this remained as a precious legacy to the disciples, and has become the portion of everyone who is united to the Savior in faith and love. The inner experience of the Apostle tes- tifies that ‘‘the Kingdom of God is not meat and drink; but justice and peace and joy in the Holy Ghost.’’°? He names joy second among the fruits of the spirit.°* He proclaims as the Chris- tian law of life: ‘‘Rejoice in the Lord always; again, I say, rejoice,’’°® and, ‘‘Let the peace of Christ rejoice in your hearts.’’°* When the first Christian communities were organized, ‘‘break- ing bread from house to house, they took their meat with gladness and simplicity of heart.’’ All the trouble, danger and affliction which came upon the Christians in times of persecution could not cause anything more than a quasi-sad- ness in the midst of real permanent joy, ‘‘as sorrowful, yet always rejoicing.’’** During centuries of the most frightful and bloody per- secution, amid pain and torment, in flames and funeral-pyres, in rackings and scourgings, in the darkest depths of dungeons, this indestruct- ible joy has always kept up its exultant song. 52 §t. Matthew xxv, 21; I St. Peter i, 6-8. 53 Romans xiv, 17. 56 Colossians iii, 15. 54 Galatians v, 22. 57 Acts ii, 46. 55 Philippuns iv, 4. 58 II Corinthians vi, 10. XI JOY AND HOLINESS The halo, that mark of particular honor with which art adorns the heads of the saints, is a symbol of their heavenly glory; but it also re- minds us of the halo of joyousness and kindliness encircling their features even during mortal life. It is because of an utter misunderstanding that worldlings are unable to conceive of a saint without the attributes of sadness, pessimism and melancholy. As a matter of fact, the essential characteristic of a saint is joyfulness. In old legends, and occasionally in life, we meet with ‘‘whimsical saints’’; but, either they are not saints at all, or else their oddity has a gracious side. In no case should unfriendly, ill-tempered oddity be adinired or imitated. The saints themselves have spoken very strongly against melancholy gloom. St. Fran- cis of Assisi, calls it the Babylonian malady, and St. Catherine of Siena, says that it is brought on by Satan who, when he sees that he cannot 118 JOY AND HOLINESS 119 tempt the soul to sensuality, which destroys con- stancy, and renders the heart narrow, weak and cowardly, endeavors to excite trouble, disgust, sadness and scruples of conscience. M. Ohier says that sadness inclines the soul to desire sen- sible consolations which, although they appear to come from God, are in reality born of sensuality and self-deception. St. Teresa tells us plainly: “T fear nothing so much as to see my daughters lose this joy of the soul, for I know, to my cost, what a discontented religious is like.’’* It cannot be expected or required that this cheerful, friendly quality should be equally prominent and attractive in the lives of all the saints. Natural disposition, temperament, and the like, play an important part. But joy can never be entirely lacking in any real saint, even 1n the most austere ascetic or the strictest preacher of penance. It comes into view like the first ray or fore-gleam of the saintly halo and the heavenly glory. In this respect, too, the saints must show themselves to be the disciples and the images of Christ, so that ‘‘the goodness and kindness of God our Savior’’? may appear in them as it 1Henri Joly, The Psychology of the Saimts, English Translation, London and New York, 1902, p. 173. 2 Titus iii, 4. Leo MORE JOY appeared in His own human nature. An essen- tial element of holiness, therefore, is the hearty, practical, tireless effort to give joy to others, to comfort the afflicted, and to throw sunshine upon every need of body and soul. This beneficent external activity makes the saints look like ‘‘royal administrators of affairs.”’ Fundamentally, holiness cannot mean any- thing else but a reshaping and uplifting of earthly life into life with God, in God, for God,— true and real, although always imperfect and subject to earthly limitations. It is effected by means of permanent attention to God’s pres- ence, constant performance of His will, and steady intercourse with Him in prayer. With it comes a true and real, even though imperfect, participation in God’s glory and blessedness, and an inflowing and overflowing of these into the hu- man heart and life, not in a full stream, but drop by drop. The result is that wonderful gentle- ness and patience, that peace and steadfastness, that uniform joyousness, that permanent, even temper and disposition, which shines out of the eyes, lights up the face, puts music in the voice, and, like a bright blue sky, stretches over the whole of life, imparting joy to everyone. Thus happiness and holiness go together. St. JOY AND HOLINESS 121 Augustine* teaches that the greatest possible happiness comes from the possession of truth. St. Catherine of Siena represents God as utter- ing the following words with regard to souls that have arrived at perfection: ‘‘. . . Then this soul chants a delightful canticle, playing 1ts own ac- companiment upon an instrument whose strings have been so well tuned by prudence that they give out a holy harmony to the glory and honor of My name. .. . The perfect are pleasing even to the world itself, whether it will or not; for the wicked cannot keep from hearing the sweetness of this harmony. Many even are so captivated by it that they abandon death to return to life. All of My saints have thus captivated souls. This harmony was first heard when My Well- Beloved Word, clothing Himself with your hu- manity and uniting it to His Divinity, gave forth from the Cross this ineffable music which capti- vated the human race. .. . All of you who pro- duce these harmonies are the disciples of this Good Master. It is by means of His sweet melody that the glorious Apostles captivated so many souls when all over the world they sowed this word which they had learned from My Well- Beloved Son. It is to the same harmony that 3 De Lib. Arbitr. L. II, ec. 13, n. 35. 122 MORE JOY the martyrs, the confessors, the doctors, and the virgins owe the same victories.’’ * ‘The characteristic of all those who have at- tained to perfect love of God, is an exceptional and imperturbable happiness, a cheerfulness so surprising, so permanent, so frank and childlike, that the prejudiced children of this world are tempted to get vexed at it.... Whoever en- counters souls of this kind, perceives from their very appearance that their condition does not de- pend on the world around them but originates in their own spiritual depths. Their minds are not easily upset by storms, for their lives are built upon God who is inaccessible to the dis- turbing influence of the elements. They have naught to fear from God; they are at peace with themselves. Why then, should they not be happy 9 978 The legends and biographies of many saints draw especial attention to their brighter side and record telling instances of their joyousness and friendliness. We are now going to construct a little garden of joy out of short selections from these. 4 Dialogue de Sainte Catherine de Sienne, traduit de L’Italien par E. Cartier, Paris, 1855, c. 147. 5 Weiss, Apologie, III2 831. Cf. S. Thomas Aquinas, Sum. Theol., 2a, 2%, q. 28, a. 1. OE A GALLERY OF JOYFUL PEOPLE At the head of this list of saints must be placed the one whom we reverence particularly as Queen of All Saints. When, with the Church, we greet Mary as ‘‘Cause of our Joy’’ and ‘‘Comforter of the Afflicted,’’ this is no exaggeration; we are simply saying what to us is perfectly clear and true. From the very fact of her absolute sinless- ness, and her dignity as Mother of God, we may deduce her possession of the most wonderful kind of joy. Like a crystal fountain, springing out of unfathomed depths, the Magnificat rises jubilant to heaven. That Mary is also ‘‘Mother Most Sorrowful,’’ in no way lessens her joy; it only renders her all the more capable of being ‘*Com- forter of the Afflicted’? and ‘‘Cause of Joy’’ to poor mankind. ‘The many delicate, pure, warm joys woven into the Christian’s life through childlike intercourse with our Blessed Mother cannot be imagined by one who neither knows nor cares anything about her. * 123 124 MORE JOY Note the counsel of the Shepherd of Hermas in the second century.? ‘Put away,’’ said he, ‘‘grief from yourself, for this is a sister of doubt and bitterness... . Do you not perceive that grief is more evil than all the spirits, and is most terrible to the servants of God, and corrupts man beyond ail the spirits, and wears out the Holy Spirit? ... Therefore put on joyfulness, which always is agreeable and acceptable to God, and rejoice in it. For every cheerful man does good deeds and has good thoughts, and despises grief; but the mournful man always acts wickedly. . . . Cleanse yourself from this wicked grief, and you shall live to God; and all shall live to God who cast away from themselves grief and put on all joyfulness.”’ * Speaking of the solitaries of the Egyptian Thebaid, Rufinus tells us: ‘‘They were always cheerful and full of such spiritual joy as few have experienced upon earth. None was sad, and if one ever appeared so, at once the holy Abbot Apollonius asked for the cause. He often told them that a man who placed his salvation in God and his hope in heaven could not be sad. Pagans 1 Mand. x, 2, 3. English translation by Kirsopp Lake, The Apos- tolic Fathers, vol. II, London and New York, 1913, pp. 115 f. A GALLERY OF JOYFUL PEOPLE 125 might have cause to mourn, Jews to weep and lament, sinners to be troubled; but the just should be glad and cheerful.’’ Salvation in God and hope in heaven! It would be impossible to sum up more concisely the main sources of Christian ~ cheerfulness. The same St. Apollonius, who founded a mon- astery of five hundred monks near Heliopolis, often spoke of the dangerous consequences of sadness and recommended that spiritual joy which must be joined with the tears of penance, —the joy which springs from love and without which the glow of devotion in the soul is soon ex- tinguished. He himself possessed this joyous- ness in the highest degree, and his look of glad- ness was the sign by which strangers recognized him. How much pedagogical wisdom and what a sound conception of true penance and true piety his recommendation shows. The stronger and truer our sorrow for sin, the more necessary and the better justified will be our cheerfulness born of the love of God. Even in the last hours of his extremely morti- fied life, St. Pachomius displayed the same radi- ant features, the same gay, cheerful look that were habitual with him. And concerning a soli- tary of the Scythian Desert, we read that, even 126 MORE JOY after his brethren supposed him to be already dead, he opened his mouth again and thrice laughed heartily for joy at having lived and died as God had appointed for him.? St. Anthony the Great, called ‘‘Star of the Desert’’ and ‘‘Father of Monks,’’ who died about 356 A.D., at the age of one hundred and five years, is represented by his biographer, St. Athanasius, as so cheerful looking, that strangers could always recognize him even in a crowd.® % St. Basil the Great (+ 379 A. D.), according to St. Gregory Nazianzen, lived so ascetic a life that he was without flesh and almost without blood; and, in his own words, he no longer had a body. Yet he was far from being sad or melancholy. His gentleness and pa- tience were literally inexhaustible. His un- varying mildness amazed the pagan Libanius. When the Prefect Modestus tried to force him into communion with the Arians by menacing him with confiscation, banishment, torture, and death, and Basil only despised these threats, the Prefect said: ‘‘No one has ever before spoken 2 Weiss, Apologie, III 2 835. 8 Vita 8. Antoniti M, Acta Sanctorum, die XVII, Ian., ec. xvi, n. 89. A GALLERY OF JOYFUL PEOPLE § 127 so boldly to Modestus.’’ St. Basil answered: ‘*Perhaps you have never before had to deal with a Christian Bishop. Usually we Bishops are the mildest of all men; but when religion is at stake, we have God alone before our eyes and de- Spise everything else; fire, sword, wild beasts, iron tongs, then become a delight to us.”’ In St. Martin, Bishop of Tours (+ about 400 A. D.), the faith and the power of Eliseus seemed to be renewed. His uninterrupted communion with God in prayer was no hindrance to his avail- ing himself of every opportunity to make jokes that were both amusing and edifying.’ % Among the writings of St. Chrysostom (+ 407 A.D.) are seventeen letters to the deaconess Olympia. This noble and cultured virgin ex- perienced great depression and sadness, not only because of her own great sufferings and persecu- tions, but much more because of the frightful storms that had broken upon the Church and her spiritual father Chrysostom. In these letters, written by the Saint amid the unspeakable suf- ferings and privations of exile and during, or after, severe illness, he labors with tireless pa- 4Sulpic. Sever., Dial. II, 10. 128 MORE JOY tience and perseverance to heal her troubled soul. He strives to deliver her from sadness, which is a grave malady of souls, an inexpressible tor- ment, a worm-gnawing at the mind, a secret fever, worse than the cruelest tyrant; and also to inspire her with deep, abiding cheerfulness.’ He never tires of repeating that piety depends less upon external circumstances than upon one’s attitude of mind. Nothing could be more touch- ing than the way in which from Christian teach- ings, the example of our Savior and the Apostles, and his own pains and trials, he prepares a balm which with soft, tender hands he lays upon the wounded spirit. Then again, with the sternness of a physician, he reproves Olympia for having pleased the devil by fostering sadness and gloom- iness.° And finally he sings triumphantly of victory over sadness which has been conquered by joy. How harmful sadness is and how necessary joy is to the Christian, has hardly ever been more emphatically declared and more thoroughly ex- plained than in these touching letters whose power to console and gladden can be tested by many a sick soul even to-day. *% 5 Letters, 3, n. 2. 6 Letters, 14, n. 4. A GALLERY OF JOYFUL PEOPLE 129 St. Paulinus, Bishop of Nola (+ 431), united to his keen practical wisdom a charming spright- liness which enchanted everyone acquainted with him and even now smiles out at us from his writ- ings. ee St. Deicolus, born in Ireland in the sixth cen- tury, was a disciple of St. Columba, whom he ac- companied to England and France. He became Abbot of the Monastery of Ltiders. It is said that the holy joy of his soul was reflected so brightly in his face that it affected all who saw him. Even his teacher and master, Columba, wondered and once asked him how it happened that he was always so cheerful and contented. Deicolus answered simply: ‘‘It comes from the thought that nothing can rob me of my God.’’ Thus he indicated plainly and profoundly the source of his joy, the foundation of his constancy and unfailing confidence. * Of St. Romuald (+ 1027), the founder of the austere order of Camaldoli, his biographer, St. Peter Damian, says, in old age his cheerfulness still remained so simple and childlike that no one, even those whose hearts were full of bitterness, 130 MORE JOY could see him without being joyfully dis- posed. & It is said of St. Bernard (1091-1153) that his inexpressible sweetness gave his extremely pale and emaciated features an angelic beauty which attracted everybody and greatly contributed to his extraordinary popularity. He used to de- clare that nothing could ever be done by men who did not guide others in the spirit of kindness. According to Mohler, his writings of convincing clearness, of finished form, of melodious and fascinating eloquence, flowed from his soul like a limpid stream to refresh and heal. They seemed to be an emanation of his own spiritual power and sweetness. A bishop has said that kindness, if able to preach sermons or write books, would express itself just like St. Bern- ard. He loved nature and used to learn from the earth, the trees, the fields, the flowers and the grass. ‘Believe one who has tried,’’ he writes, ‘‘vou Shall find a fuller satisfaction in the woods than in books. The trees and the rocks will teach you that which you cannot hear from mas- ters.77.* 7Letter 106. Life and Works of St. Bernard (ed. Mabillon), Translated by Samuel J. Earles, London, 1889. A GALLERY OF JOYFUL PEOPLE § 131 His kindness extended even to brute beasts. At sight of a hare chased by hounds, or of a poor little bird pursued by birds of prey, his heart grew heavy. He could not keep from making the sign of the cross in the air to rescue the in- nocent little creatures, and his blessing always brought them good fortune. He used to say, ‘‘If mercy were a sin, I believe I could not keep from committing it.’’ ¥ St. Dominic (1170-1221), amid his apostolic labors, manifested so imperturbable a cheerful- ness that all believed they saw a heavenly ra- diance upon his face. The day he dedicated to joy; for the night he kept the tears and flagel- lations with which he besought God’s mercy upon the misery of the world. * How could anyone speak of holy joy and of the joy of the holy, without knowing and naming St. Francis of Assisi (1182-1226), poor ‘‘ Brother Hver-Glad,’’ master of joy, and especially of joy in suffering, the one whom a non-Catholic ® has recently called the most fortunate man that ever lived, the true ‘‘ Happy Hans’’! His joyfulness 8 Julius Hart in the Berlin Tag, 1905, Nr. 627. 132 MORE JOY was a natural gift. Hven before his conversion, when during the war against Perugia, he spent a year in prison, he astonished his companions with his constant cheerfulness and incessant sing- ing. Throughout his life of poverty and exter- nal hardship he was always rich in joy. For him the strains of pain and joy commingled; yea, the deepest pain to him was a source of the high- est joy. He himself affirmed this in a remark- able dialogue with Brother Leo which we here insert. “One day, as St. Francis was going with Brother Leo from Perugia to Santa Maria degli Angioli, in the winter, and suffering a great deal from the cold, he called to Brother Leo, who was walking on before him, and said to him: ‘Brother Leo, if it were to please God that the Brothers Minor should give, in all lands, a great example of holiness and edification, write down, and carefully observe, that this would not be a cause for perfect joy.’ We, to whom God has entrusted the beautiful office of caring for souls, are intimately per- suaded that our office includes an obligation to provide joy, and we may apply to ourselves all that is said to teachers, trainers of youth, and leaders of organizations. To help us put it all in practice, we have means, energy and gifts such as no one else possesses. Even our strictly pastoral activities,—teaching, preaching, and ad- ministering the Sacraments,—form a most im- portant, valuable, and in fact indispensable help in saving and enlarging mankind’s store of joy. Even when we preach penance, as our office re- quires, and insist upon renunciation, self-con- quest, temperance and purity, even then, and es- 17I Corinthians iii. 17. 3 Op. cit., pp. 36-37. 2 St. James i, 25. JOY AND THE CARE OF SOULS ~— 205 pecially then, we are working on the side of true joy and against its enemies. At a time like this we have to be careful lest frequent sad experiences, depressing cares and apprehensions, and all the present wretchedness should influence us unduly to suppress the tone of joy in our preaching, catechizing, and exhort- ing; and lest pessimism should get a grip-on our life and vocation with its ‘‘dead hand’’ which despoils, kills, and sterilizes everything it touches. We have to be careful to maintain that healthy, vivifying optimism which the saints never lost. If, although sowing earnestly and zealously, we are yet not reaping a proportionate harvest, we should ask, ‘‘Has the sunshine of joy perhaps been wanting?’’ And if, despite every effort, the relation of pastor and flock is neither close nor cordial, might not a little more joyousness pro- vide what is necessary? Let us remember that we should never uproot evil without at the same time planting good. To uproot evil, hail and storm and thunder are serviceable, and some- times even necessary; but for sowing and plant- ing, it is not a tempest, it is rather much sunshine that we need. ‘‘But men are incredibly indifferent and irre- 206 MORE JOY sponsive!’’ In that case, let us do as suggested in an Evangelical pastor’s very readable medita- tions on his office: ‘‘The earth stared up at the sun, barren and lifeless. ‘Then I must shine with still more warmth and friendliness,’ was the sun’s response.’’ Not only should we joyfully discharge our du- ties, preaching and catechizing with joy, but we must also preach upon the subject of joy and speak about it to the children. The Apostle places joy among the fruits of the Spirit® The Church wishes Sundays and festivals to be days of joy. To present the truths of Christianity to the mind, is very important and necessary; it is also important and necessary to bring home to the heart the possibilities of joy in Christian- ity, in its doctrines, Sacraments, liturgical sea- sons, virtues and graces. These win the heart to Christ and lead it away from worldly and sin- ful joys. Noteworthy are the words of Fénélon: “If children (and people in general) come to think that virtue is sad and gloomy, but that freedom and license are pleasant, then all is lost; every 4 Der Pfarrer. Erlebtes und Erstrebtes, von Lic. Dr. Rittelmayer, Pfarrer in Ntirnberg, Ulm, 1909, 30. 5 Galatians v, 22. JOY AND THE CARE OF SOULS — 207 effort will be in vain.’’ Properly understood, the saying of Nietzsche is true: ‘‘ Virtue has to be free of moral sourness.”’ We must be not slack in our efforts to improve religious art and sacred song, to make the House of God and the liturgical functions as beautiful as possible. All this contributes to God’s honor and to the welfare and joy of our people. We must also carefully cultivate the German folk- song in church within liturgical limits; and we must exhort our people to mingle religious songs and other fine songs with their work and recreation at home.