f. FROM THE LIBRARY OF REV. LOUIS FITZGERALD BENSON. D. D. BEQUEATHED BY HIM TO THE LIBRARY OF PRINCETON THEOLOGICAL SEMINARY Dlrimon tS^ & Section SS^ .«•«•£' ILVER msx*!^ A NEW SINGING BOOK FOR SCHOOLS, ACADEMIES, SELECT CLASSES, AND THE SOCIAL CIRCLE, CONTAINING A CHOICE SELECTION OF THE MOST FAVORITE SONGS, DUETTS, TRIOS, QUARTETTES, HYMN-TUNES, CHANTS, AND PIECES FOR CONCERTS AND EXHIBITIONS, ARRANGED WITH PIA1YO-FORTE ACCOMPANIMENT, ALSO, A COMPLETE COURSE OF (SHemmtarg (Instruction, foitlj a large number of fcrcises suitable for practice. BY CHARLES BUTLER, Teacher of Music in the Sigh and Grammar Schools of Boston and vicinity, and author of the Seminary Bell, School Bell, Musical Text Book, &c BOSTON: PUBLISHED IB^ST lEHEHNT-R/Y TOX.]^-A.lSr Sc CO, 391 WASHINGTON STREET. ' aceording to Art of Congress, A. D 1866, by HKXKY TOLMAN * 00., in the C'Irrk"8 Office of the District Court of M;i.*sachu.-ett« I L. Balch, Music Typographic. PREFACE. 3 The author, in presenting this volume to the public, desires to mention some of its prominent features, and the reasons which prompted him to begin the work of preparation. It is obvious that Vocal Music, as an ap- proved branch of common education, is rapidly making its way into the schools and academies of our country, eventually to become one of the educational habits of the mass. The number of schools among us in which music is made one of the regular branches of elementary instruction is already great, and is constantly increasing. We have heard of no case in which with proper training every pupil has not been found capable of acquiring the rudiments of the art, and of interpreting music of ordinary complexity. It has long been supposed that in order to learn to sing, a pupil must be endowed with what is sometimes called a " musical ear." That this, however, is an error, is evident from experiments which have been made in Germany, and which are being made in this country. The result is, that in this respect, as in many others, there is a great difference in the natural aptitude of scholars. Still all who "can learn to read, can also learn to sing" The knowledge of music therefore must prevail where there are industrious, earnest and intelligent teachers, and the work will be hastened in proportion to the improvement of teachers and text-books. In arranging the elementary portion of this book, the author's desire has been to prepare a work, which in its construction, would be theoretic, lucid, useful, and instructive to pupils. Care has been taken to treat the various topics, briefly perhaps, but with ade- quate clearness, accompanied by examples, sufficient to elucidate the rules and directions of the text. In the various paragraphs no claim is laid to any new discoveries, but only to the merit of a consistent and correct classification of " Musical terms," together with a large number of exercises, arranged in such a progressive manner as very materially to lessen the labors of both teacher and pupil. In singing the exercises, (or solfaing,) the syllables need not necessarily he changed, inasmuch as the one adaptation (Do always to C, Re to D., &c, regardless of the keynote,) is considered the best system. The music throughout the work has been selected from a great variety of sources, the character of which it is hoped will lead pupils onward to the appreciation of a higher class of music that is now generally used in our Schools, and to form a correct taste and pure style. Most of the pieces are so arranged as to be played with piano accompaniment, a feature which will commend itself to all, and make the work especially welcome to the social circle. Care has been taken that the words accompanying the music should offer no suggestions or asso- ciations objectionable to the most fastidious. The publishers would embrace this opportunity of returning thanks to Messrs. Root & Cady, and Messrs. W. A. Pond &, Co., for permission to use some of their valuable copyrights Digitized by the Internet Archive in 2012 with funding from Princeton Theological Seminary Library http://archive.org/details/silverinOObutl RUDIMENTS OF MUSIC. -*5ES§- DI VISION I. NOTES, STAFF, LETTERS AND CLEFS. Section 1. Music is represented by certain characters called notes* § 2. Notes are used to indicate the length and pitch of tones Note —Tone is a given, fixed sound, of certain pitch, and the word cannot properly be used to express the difference of pitch between the first an J second tones of the scale. § 3. Each note has its corresponding rest. § 4. Rests are employed to indicate periods of silence. § 5. There are six principal notes and rests. Diagram of Notes and Rests. § 6. The whole note is written thus : o The whole rest, thus : w § 7. The half note is written thus : P The half rest, thus : ■— ■ §8. The quarter note is written thus : f The quarter rest, thus : \* § 9. The eighth note is written thus: J The eighth rest, thus: - V § 10. The sixteenth note is written thus : 5 The sixteenth rest, thus : 2 §11. The thirty-second note is written flius: ^ The thirty-secon<||rest, thus : 3 RUDIMENTS OF MCSIC. £ 12. The value of notes and rests is relative. Long ana snort tones may be represented according to the fractional or relative value of notes. § 13. The pitch of tones is represented by writing notes upon the staff. § 14. The staff consists of five parallel horizontal lines, with the four intervening spaces, each of which is called a dejrree. Bth line 4tli line I'.XAMPLE. 3d line ltd line i-t line — *th spare. "—3d space, [—'-ill spare. .— 1st space. § 15. The staff is sometimes extended by adiling short (or leger) lines either above or below. § 1 G. The degrees of the staff are named after the first seven letters of alphabet, to determine the pitch of tones represented thereon. § 17. The arrangement of letters upon the staff is determined by a sign called a clef. § 18. There are two clefs in common use, viz : the G clef, F/fe-^-f and the Fclef, H?'zrf § 19. The G clef s : gnifies that the letter G is written upon the second line of the staff, while the others follow upwards in alphabetical order, and downwards by reversing the order. 1 Arrangement of Letters with the G clef. _ f Q -a. w- — G- ~5~ ZP *• w -*- "* -A S 20. The F clef signifies that the letter F is written upon the fourth line. I RUDIMENTS OF MUSIC. Arrangement of Letters witii the F clef. d -E- Eii -F— -A- I! -C- -u- c -B- Note. — The clef represents tones one octave higher than the F clef Note. — Each pupil should learn the arrangements of letters perfectly. DIVISION II. THE MAJOR SCALE. § 21. The major scale is composed of eight progressive tones, occurring one after another in a particular order as they are numbered. § 22. According to the " universal system " the first tone of the scale is represented upon the letter C, (added line below, G clef,) the second on D, the third on E, and so on. § 23. The interval between the tones of the scale is called a second. § 24. There are two kinds of second, viz : — the major (large) second, and the minor (small) second. § 25. The Latin syllables, Do, Re, Mi, Fa, Sol, La, . t\ *j \AA.. \ 55 zsLsziEgg: fell -- — rl >si — - 1 -- O r>— ' — ^ — - 1 L x — ^ ©— l — ra ri^- 1 — 3 Praise to TO Him who high, -© — O earth, and framed the a § 34. The numeral 4, below, indicates quarter notes in the measure, one at a count. Exercise 7. i Quarter Notes. j§l Here we meet with joy together, Here to learn our songs to raise ; 0, how sweet the hoar of singing. Hearts and veices joined in praise/ Note.— Music is no* to be performed faster merely because each count is represented by a quarter note instead of a half; for the duration of tones as represented by notes is not absolute, excepting so far as they may belong to the same melody or exercise. § 35. A measure having three counts is called Triple Measure, and is indicated by the numeral 3 § 36. The first count is accented. Triple MlAMJM. § 37. The motion of the hand is down for the» first count, left for the seoond, and F/ 3 jj up for the third. ivy* 5 r *J 1 2 3 Down Left. Up. - O — — e> \ RUDIMENTS OF MUSIC. ElBBCTSE 9 tS s>— 3 ri 3 — ri O -Si O " sh ~ l LlSfc =M= — * — »- :3=p: 11 :t=t ^z^rz i^z^sLzLiziia!: Exercise 10. ^ *-• *=*=? ■-* — * -j — 3 1 A — # ~X M M * e — i _g — o-_ c_e — ^ — ^— c -© — ^ — ?— c -s — _i — H ^zr — -F — i 1 — P— r— ^ ^=m jr=^4i i*^.*.- :?=£ * i . u -f — # - ^s—p- EeH § 38. The numeral 87 below, indicates eighth notes in the measure, one at a count. Exercise 11. Eighth Notes. ■0- m 1 2 1_2 3 — d — e — 3. * — * *~ * — *~ — ^ "V — if &—*—* ■ £=p — ? : Exercise 12 is P^^H^ll^ii^lIfe^i^ilip^l^3 11 ROTIMENT6 OF MT7SIC. Exercise 13 t — L — 9 L_ .g. re - turn ing ; Bloom - ing flow •- - ers — 0- ZZ 3^ en the And with - in her leaf - y bow - ere, Plain - tive sings the Night § 39. A measure having four counts is called quadruple measure, and is indicated by the numeral 4 § 40. The first and third counts are accented. § 41. The motions of the hand are down, left, right, and up. Example. - — !*- • — — — t 1 - — h S -*— 1— £ "T— > l~ — H m=k -J— f » ^SS= •_P" » 5—^ =*— ^t^ — fc-J; _U~| DIVISION IV. DOTTED NOTES AND RESTS, TEE, AND TRIPLET. § 45. A dot adds one half to the original value of the note or rest after which it is written § 46. A dotted whole note, FctvzE#EI:E3 equals a whole and half h/H— g ~~! 5 § 47. A dotted half note, -G--- t= equals a half and quarter F< -G 0— -r- r~ unitod. united. § 48. A dotted whole rest, c — ■—■-. — equals a whole and half rfe-- — J *— united, &c, 4c 14 ErDiMrxTS of jrtrsie. § 49. The second of two dots adds one quarter to the original value of a note or rest. § 50. A double dotted whole note, ""> • • equals a whole, half, and quarter, ^&^s united. § 51. A double coned quarter rest * * * equals a quarter, eighth and sixteenth *~*7— Z united, &c., &a ElEBClSK 18. food, Come, mer - ri - ly now, Where rip - pie sweet fountains, Come* come to the greenwood, Come, mer - ri - ly now, Where rip - pie sweet fountains, Where tremble* the bough. ESS rV r» II When pass - eth young lephyr, Light dan - cing a - long, There rus - ties the as pen, Soft to his sweet song. § 52. A tie (- — ■) (when drawn over or under two or more notes, not upon the same degree of the staff,) in- dicates that one word, or syllable of a word is to be sung to all such notes. Exercise 20. 1 — It See my shepherd gently guide, To the rich and verdant meads, Where tUe cooling waters glide" Where thy flock in safety feeds. § 53. There may be one, two, three, or more notes performed at one part of a measure. § 54. A triplet, is a group of three equal notes, (with the figure three and a curved line, either over or under it.) ~~ 3 ~~ § 55. A triplet is reduced in value to two notes of the same cA — # "_T^rq^p_—-— j denomination. ExampU - 1 (fo • * fcEfc£=!E£3 BUDIMENTS OF MUSIC. 15 § 56. A melody may commence with either part of a measure ; and when there is a deficiency in the first measure, it must be made up in the last. ggpS^fepj i 1. Rise up ' ay Jeai yfing people, And ope jour sleepy eyes; The clock from yonder steeple, Pro- claims the hour to rise. 2. Au - ro - ra's tears are guttering, Like diamond sparks around ; The waking birds' soft t^itt'ring, From tree to tree re - sound. 3. Al - rea - dy gai - ly h-^mmirir The ear - ly wak - ing bees, Are la - den home - ward coming, From yonder lin - den trees. 4. Then come ! obey the warn • ing, *j!sie cap ant 1 hat in hand : And meet the sun's first dawning, From yonder ris - ing land. § 57. A duet is a composition ot twc p&ris ; *he upper Dart is caller! Sopnrao, (or Treble,) and the lowei part Alto. _ Exebcise 23. DUET. mp 1. When the rose is blushing, Pure, and sweet, and fair, Joy with -in us gushing, 2. In the san - dy des - ert, Birds, of plumage rare, Shed around the traveller 3. Ev'ry prospect show ers Something rich and rare ; Aud the true heart tindeth Exercise 24 DUET Greeteth beauty there, Beauty e - ven there, Beauty ev' - ry where, Greeteth beauty there. Beauty e - ven thnre. Beauty ev' - ry where. ^^S^^^^^fe^ 1 Crack ! crack ! crack the whip ! S. AU this world's a ftage ) i- Crack ! crack 1 crack a - way ' With a migh - ty clat - ter, Crack ' crack ' Thro' the streets, Dash we on our way Whirl - ing on for - ev - er. Far. far. far a - wav, On the milk - y way. Thro' the bu - sy ci - ty. Crack ' crack ' crack a wav. - ver hill and Taia. RUDIMENTS OF MCSm. Hi ! ha ! int-r - rl - I y, Roll we through the world a • way ; Roll, roll, roll - Inz on, Swift - ly all the day. Miil, still, still and fast, And the moon comes roll - ing past, And the pla ■ net train Roll - ing oo a - main. Thus my stage doth run, Like the pla - nets and the sun, Roll, roll, all the day, On the dus - ty way. DIVISION V. THE CHROMATIC SCALE. § 58. The tones of the scale forming the major second, (i. e., the first and second, second and third, &c.,) admit of an intermediate tone ; but those forming the minor second, (i. e., the third and fourth, &c.,) do not. § 59. The chromatic signs, viz: sharp, ($,) fiat, ([>,) and natural, (Jj,) are employed to indicate intermediate tones. § 60. The sharp elevates the pitch of a note before which it is written. § 61. The flat depresses the pitch of a note. § 62 The natural restores a note to its original pitch. RrampUs ofiht chromatic change. § 63. An interval formed by the use of a sharp or flat, (i. e., from C F^-a&F^T^^f jt to C sharp ; or from B to B flat, &c.,) is called a " chromatic change." | f^Mgggp Note — Chromatic change implies a difference of pitch between two notes, written upon the satue degree of the staff Note — The pitch of sharp is midway between that of C and D ; and B flat midway between B and A. The Chromatic Scale.— (0 Clef.) Tie ^a-j^j^^ ^^g g^^^nr^ w J iwL s J D 1-J t F FJ 0°$ A AgBO OB B> A A? 1 |1 ! |l 3 4 (4 & (5 S &S 7 8 8 7 B 7 6 p8 RCDTMENTS OF MDSIC. Thz Chromatic scale.— (K Ulef.) 17 l aaayfefeg ^E^i ^i^B ^ dar ~ojF D I>« ■ P FJl H* i (f i i H i EE ^JSL^iC -«9— K»*— g<- 6 |8 A? 8 1,6 5 f5 Examples. F E II 4 3 b3 D D? 2 |;2 1 § 64. The vowel element of a syllable, corresponding to Rjp- Ff}: — 3 riprr^rrg^: a note before which there is a sharp, is changed to the Fffp-— -j ~~n~|~ i ~~'~i; ? :: ' r ^-~ ^ f T - l - T — ^— Italian I, (ej. & ${£ ^ ^ Do Di Fa Fi Examples. § 65. A flat changes the vowel sound to the p^b — | — -- 1— j— , ,— 3 PQI— ^-^ h ilian «, faj. Efc?=Wd=3— ^~J L==fct=dEi=5 Italian Sol Se Mi Me Mi Me Tai Chromatic Scale, (With Syllables.) Re Re Do Di Re Ri Ml Fa Fi Sol Si U Li 81 Do Do Si Se La Le Sol Be Fa Ml Me Re Re Do § 66. A sharp or flat always extends its influence through the measure where it occurs, unless contradicted by a natural (hj), which restores a note to its original pitch. 3=£ Exercise 25. — fc — 4—3' lb RUDIMENTS OF MUSIC. mfz$^^&F S f=f&=pt^u-*fr i i** f& Eikrcise 26. Soft - ly now the light of day, Fades upon our sight & - way ; Free from care, from labor free, Lord, we would commune with the*. DIVISION VI. FIRST TRANSPOSITION OF THE SCALE (BY SHARPS.) Notb — In all of the precedins Exercises. C has been token as the first tone of the scale. The note which represents the first tone, is called the " keynote," regardless of tUe letter upon which it may be written. § 67. When any other letter than C is taken as the key-note, the Scale is said to be " transposed." § 68. In order to render Transposition perfect, all the intervals of the original (major) scale must be exactly preserved ; (i. e., the interval between the third and fourth ; seventh and eighth tones, must be a minor second ;) which can only be secured by the use of sharps or flats, proper tu the adopted (or new) key. Note Xlie Letters, (as arranged with the and F clefs,) are never changed. § 69. Transposition of the male is effected Ly counting up from the first (C), to the fifth (G), inclusive, and changing it to the first; G will then become a new key-note, (one.) § 70 To preserve the original order of the tones, (or intervals,) the letter to which the numeral 7 correa ponds, (F), must be sharped. RUDIMENTS OP MUSIC 19 i Key of C. DIAGRAM ILLUSTRATING THE TRANSPOSITION OP THE MAJOR SCALE FR»M C TO G. 1 :gr3c .2,(3 7,i K P 3 4 3 a .2, a .5 g 5"g as ra £8 B 7 8 18 .2 o SJ B ; 8 .£, a .2. a Scaie transposed into the key of G. i-ac T=Z&^. m a 13 34 5678 87 6 543 3 1 •Note. — In the above diagram, we sharp F, to make a major second between E and F sharp, (sixth and seventh tones,) and a minor second between F sharp ana. ij, (seventh and eighth tones.) § 71. The sharps and flats made use of in Transposition, are written immediately after the clef, and form the Signature. Note. — By the signature, we know the letter taken as the key-note. § 72. Sharps and flats in the signature affect every note written on corresponding letters throughout a melody ; but they do not change the vowel element of syllables. Exercise 27. i ^dzA— *"fiizrr2±«— *-h*— H- «— +j — i — F-] — *-£-&+* - m : \ g H^— f TF— X i+ ~F n — - +-«— ^g- Do, or Sol. See preface. Exercise 28. eEe w^m m -?-*- HHH li RUDIMENTS OF MUSIC 1. All earthly joys may pass away, All earthly hopes de - part, Rut thoughts of thee will hold their sway, And cheer my lonely 2 In childhood oft I climb'd thy knee. To take the prolfered ki«s: You'd whisper words of love to me, And fold me to your 3 My mother dear, how sweet the name! Methiuks I hear thy Toice, In gen - tie tones, as oft a ■ gain It made my heart re- mmmmmmm^gmm^mm?. -i ->>— i — u-i v heart. On evVy footprint time hath made, Since first my life be - gan. Thy love hath never known a shade. Nor aught hut kindly nn. breast. You*d gently stroke my boyish head, While tears be limm'd thine eye, I then would wonder why you shed Such tears when I was uigb. joice. A mother's love is heaven-born, 'Tis fed by heavenly showers, 'lis bright at noon, at night, at morn, And sweetly gilds the hours. Eieecisk 30. ROUND. -Er f,^ | . -A, . - n . r. ■*- — I' I ~ ^~~l~~^^^ ~\ ~F~ — v~f~ # ~* ~f — f — * — f — # ~~l~~* — »* — ' -j~T — I gone, Night is come, When the day of gone, ....... lleav'u be our borne. DIVISION VII. SECOND TRANSPOSITION OF THE SCALE. Note.— The sharps and flats are retained in the Signature as they are used in transposing from one key to another. § 73. Transposition of the scale from G to the next regular key, is effected by counting up a fifth (D), and sharping the seventh, (C). Example. — Stair in the Key of D. k 4 1 3 BUDIMENTS OF MUSIC. Exehcisb 81. 21 ISCT- 113: =H 1. Lord, be - fore thy 2. Wan - d'ring thoughts and rg-t-g- prea laa ence come, Bow guid pow'rs, Come we not down where with De r r r t-j ho - ly fear ; to - tion kneels ; ^_ pzj Call our Let the Exercise 32. er - ring foot - steps soul ex - pand her home, stores, r Let Glow f us ing 1 feel with that the thou joy art she near, feels. __a: — ^-J--^ — « — « # _j._ # ._« 1 » € — #-J—« — #— « — ©— *- J — * — * — * *- c 1. A hun - gry fox in pass - ing by, 2. The fox he tried, and tried in vain, Fa la la Fa la la la la la la la la la la la la, Saw some ripe grapes that la la la la, The tempt - ing mouthful a^ ep -l-j 1 j — l -l hung to on high ; ob - tain ; Fa Fa la la la la la, la, And, He as they hung ap - peared licked his chaps for near to say, In an hour, But C W c* ' d -».-tt- s 3 — *-"-*-$— * #-J— # -* ■» * «— •lata, JJ BALL their in - vit - ing qui ■ fiua - ing them be - yond Exercise 83. et his way, power, If you can eat us, sir, you may. Fa la la la la la laT" lie went and vowed the grapes were sour ! Fa la ia la la la la. -*- •#-. ifcs= #=*- lS=£g^EEES 0-m- _p- t— :tb±: «- T -F 0- -'~ £~~ £fEJ-fV— »— 22 RUDIMENTS OF MUSIC DIVISION VIII. THIRD TRANSPOSITION OF THE SCALE. § 74. Transposition of the scale from D to the next regular key, is effected by counting up a fifth (A), and sharping the seventh, (G). Esatnplt. — Kty of A. v- 9be -=cp?: -fc-g-fe- if Exkrcise 34. 3 £ 4 OS | D a 6 7 S 8 s < GllASOl z z fi 4 t 8 7. dE3E Exercise 35. ^ ft~ ' C'lr fir fW ^ l r r|T_r^ £^£ § 75. ZVi Ca^o, abbreviated D. C, indicates a repeat from the beginning of a melody, and ending at the word Fine, (end). Exkrcise 36. HJk .r ££^mm^^^^^E^£ ■ ■ 1 Woa - ry winds are hu-ti 1 to sleep, Up - on the deep: 2. Rright - ly shine the stars a - bovr, lint those we love, 8. Lull t the Fish - er Boy will sleep. Up - on the deep ; O'er the smooth and glass - y tide, We slow • ly glide. Watch us OB our homeward way, With brighter my, — Tempest, wind, and dashing wave, lie til doth br»T». RUDIMENTS OF HTTSTO ■> r^TZI 1—4- \ ^ H 1^- — :V_±_5_ _jb ±_ * — =£ * — zzpzi bend lng bend - ing bend - ing oar, oar, Oar, Soon Soon Now we we we touch touch touch =w -*- m^m the the the wel - come shore, wel - come shore, wel • come shore. the the the S- wel - come shore, wel - come shore, wel - come shore. DIVISION IX. FOURTH TRANSPOSITION OF THE SCALE. § 76. Transposition of the scale from A to the next regular key, is effected by counting up a fifth (E), and sharping the seventh, (D). Example. — Key of E. F/fcfft-ff -gzz&zzzzu?.: iE=*S5 -CC-s?— —er~ 1 B Exercise 37. 2 J* 3 S 4 c? 7 § 8 S 7 BJfa E 2 Djf 6 4 § 3 a a «? 2 FS iff ^—- 4— •-•t -*— ^— •-T- €i -«- o-^i-^-^— *-FV-| — 3+-* -*^-*— » f^- » - s>4 ^-^—»,- # — =p- Peace to the dead, the Patriot brave, Tranquil may thy slumbers be; Calm sleeping in thy hillside grave, Brother, peace to thee. § 77. A hold (/t*) placed over or under a note, indicates that the tone is to be prolonged at the discretion of the performer. Exekcibe 38. 9 m^^ ^tEX=titi-ffS eeSee^S 24 RUDIMENTS OF Mt'?IC. 9-fe^ ; P=: y—t= feUtf=E F.XERC1BE 39. — s_ # — * — — j— J— j — # — f — i — = — * — * — *— ' — # — , — j— J *-*— •— a as a j s" 3 .2,3 «?p .2. s * P .2 o •2,3 S"cak transposed into the key of F. -fro—'e 4 12 345 678 87 6 5 4' 3 2 1 •Note. — In the above diagram, we flat B to make a minor second between A and B flat, and a major second between B flat and C. Exercise 40. 33= -e Se ElEECISE 41. — r»Tp~B- § 80. A column of dots before a double bar t :41 indicates a repeat of the previous strain. Exercise 42. \=3=*= ^=qqz=srr=2= z^c^qp^g ^ J> f U;^^.l_£ £ j ( As the gold - en stars of ' \ As the ro - ey light of o ( As the rain - bow shinty re - fleet ' I As the moon ■ light is de -a- a=s^a heav - en Love their a - zure home a - bove, | ev - ea Greets the wea - ry world in love, J ed In the glas • sy lake be - low, j tect - ed, Shi - ning in the streamlet's glow, j As the (bun - As the pur • tains bless the pie clouds give RUDIMENTS Otf MUSI'J. flow - er. As the son - light loves the bow - er, So all things of good that be Look in pear* and loTe on Thee, warn - ing Of the sua be • fore the dawn - ing, So all things of good that be Are re • licet - ed back in Thee. DIVISION XI. SECOND TRANSPOSITION OF THE SCALE. §81. Transposition of the Scale from F to the next regular key, is effected by counting up a fourth (B flat,) and flatting the fourth, (E.) Example. — Key of B flat Exercise 43. lleav'nly Father, Sovereign Lord, lie thy glorious name adored ! Lord, thy mercies nev - er fail — Hail, ce - les - tial goodness, hail ! Exehuise 44. .-0—0—0 I T / < > 7T -*-. A-* -X^Z BUDIMENTS OF MUSIC. 27 fcz: £ -Jt 9 f— fend, Of all -* — had, -#■ the iru chief. -p *-. — e 0— Exercise 46. §Hgi 2 A Friend who, watching from abov» Whene'er in error's path we roam, Still seeks us with his tender love, And points us to our heavenly home. 3 A parent's care may guard our way, A faithful teacher o'er us bend, But none can guard and none can save Like Christ, our best, our truest Friend. 1. Sweet summer crowns the smiling earth With beauty, light, 2. How gen - tie is her queenly step, liow peaceful is and her love ; brow! joy like bright lip that s^ - bove, Of joy like that a - bove. wear - eth now, Her bright lip wear - eth now. rtwv I y itr O'er all our hearts she breathes her breath Of And beau - ti - ful the liv - ing smile Her 3'/ verse. The music of all happy hearts Attends her every where ; And beautiful the lilies hend, Meet homage to prepare, Meet homage to prepare. flat) DIVISION XII. THIRD TRANSPOSITION OF THE SCALE. 82. Transposition of the Scale from B flat to the nest regular key, is effected by counting up a fourth (E , and flatting the fourth, (A). Example. — Key of E flat. RUDIMENTS OF MUSIC. Exercise 4«. MfM ^m^m ^m^^ mmm Exercise 47 1. Gai-ly our boat glides o'er the sea, And light the oar we ply ; Mer-ri-ly ring our songs so gay, As sea -birds round us fly. 2. Here on the billows, as we go, A - way from care and strife Health is in store for us, we know, 0, who would flee this life. 3. Bend to the oar, nor fear the storm, Away, a - way we glide ; Mer - ri - ly sing, nor sit forlorn, As glides the homeward train. - -# T «. Tra la Exercise 48. la la, Mer - ri - ly row a - long, a - long, Tra la 111111111111 la la, Mer - ri - ly row long. 1. How I love 2 Sweetly thou see call thee, Gold -en eve-ning gun! How I love est Childhood's joy - ous days ; Hours when I see thee, When the day Is done, fond - ly Watch'd thy evening blaze. DIVISION XIII. FOURTH TRANSPOSITION OF THE SCALE. 83. Transposition of the scale from E flat to the next regular key, is effected by counting up a fourth, flat), and flatting the fourth, (D). Example. — Key of A flatx sV p — g Q fe m 2 Ba 8 S 4 3 6 E9 O SA;5 Q s i 6 4^3 2 1 All . RUDIMENTS OP MTJ8IO Bracisi «v. 29 S I f Lord, we come to bless thy good - ness, " Thoa to whom all ' | Thou hast fa • vored us in kind - ness, With this pleasant £&££=* i^i? w Still to praise thee, May we er • er * »— *-! — fr h _ J 1 wish to come. xr=t flesh must come;") Sab - bath home. J Still 2. ♦ * *— to praise thee, blessed is the man thou choosest To approach thy mercy seat ; In thy courts his dwelling keepest, "Tis a safe and sure retreat. Blessed covert, blessed covert, Is thy holy mercy seat. DIVISION XIV. THE MINOR SCALE. Note. — In addition to the Major and Chromatic Scales (already explained) there is still another, called the Minor Scale ; differing from the Major* not in respect to the number of tones, but to the order as well as to the kind of seconds. § 84. The minor scale consists of eight tones, and seven seconds, three of which are major, three minor, and one augmented, (or extended.) § 85. The minor seconds occur between the second and third, fifth and sixth, seventh and eighth tones. § 86. The augmented second occurs between the sixth and seventh tones. — * § 87. The letter A is taken as the first tone of the minor scale, and is said to be relative to C major, as they bear the game signature, and the syllables are applied the same to corresponding letters With both scales. KCDIMENTS OF HCflC ExampU. — Key of A minor tz=z$ *==EE±=ii=& i^—^, m A u " s o * i) h 1 3 2 S 3 "I? 4 ■3 i* a si a do a lie a D fe C fe B 4 -| 3 § 2 He a Do s Si 6 § 6 il 7 i 8 8 § 7 4»1 6 § 6 £ Mi a *'» < S Si S La La a Si \ f Fa a Mi a a a Note.— !□ the abort diagram, Is sharped, to form an augmented second between the sixth and serenth tones, (F and G^i.) § 88. The major and minor scales are transposed in the same manner. Kxibusi 60. 3-T=3=j=I — # -t._J_L_ S A a La EilHii^ ^^N^t=EE=-||-# J-fe^ I Kibecisk M. HERMAN. 7s. E|il£iiSiiigllsi:^Iiilliilflilil&1i v - -r- -r- -v- -*• -" ** High In jon-der realms of light Dwell the raptur J saints a • bore, Far be - yond our be • ble sight, liap - pj in Immanuel's lure. DIVISION XV. TERMS AND SIGNS OF EXPRESSION. § 89. There are five principal dynamic degrees, technically termed piano, pianissimo, mezzo, forte and for tissimo. § 00. Piano, or its abbreviation, p, signifies a soft tone. § Ml. Pianiuimo, or jrp. signifies a very soft, yet audible tone. § 92. Mezzo, (pronounced metzo) or m, signifies a medium force of tone. § !)5J. Forte, or f, signifies a louil tone. S 1)4. FortUsiiho, orjf, signifies a very loud tone. RUDIMENTS OP MUSIC. EXAMPLE. VP~=zP- mf z 31 Von. — Other terms are used, u : — § 95. Mezzo piano, or rnp, a degree of force between piano and mezzo. § 06. Mezzo forte, or mf, a degree of force between mezzo and forte. § 97. A gradual increase in the force of tone is indicated l»y the word crescendo, abbreviated cre$., or the sign, — =C! ; and a diminution of tone, hy the word diminuendo., abbreviated dim., or the si<£ii. Z^=— § 98. A swell is the union of crescendo and diminuendo, the sign of which is thus: — =C^=— § 99. Sforzando, abbreviated s/z, or the signs, >, V, A, signifies a sudden increase or force of tone. mp- 'mwmtmmmmimmmmmwm A SWELL. S 100. The word staccato, or sign, thus, ( t ) over or under notes, indicates a short, detached performance. (W) Sa¥ Abaoio CALM ON THE LISTENING EAR. 1. Calm on 2. Ce - Ie8 3. The joy 4. O'er the Si 8 il3 the list - 'ning ear of night, tial choirs, from courts a - bove, ■ ous hills of Pal - es - tine blue depths of Gal - i lee, w— -r Come heav'n's me - lo - dious strains ; Shed sa - cred glo - ries there ; Send back, the glad re - ply ; There comes a ho - lier caim, :}=3^^ES m a =t pv-l d^:=i=±=S n U BOLO. m Where wild Ju And an - gels, And jr*«f>t. fnm And Sim - run -i ■ - de - a with their all the waves, in stretch - es far spark - ling lyres ho - - ly heights, sol - emn praise. ■K 1 1 Her sil - Make mu - The day - Her si - mmm ver man • sic on spring from lent sroves .£ ~ ANNIE LAWRIE. 33 1. Max - wel - ton's banks are bon - nie, Where ear - ly falls the dew. And 'twas there that An - nie 2. Her brow is like the snow-drift, Her throat is like the swan, Her face is as the 3. Like dew on the gow - an ly - ing Is the fa' o'her fai - ry feet, And like winds in sum - mer ne'er for - get will I, dark blue is her e'e, a' the world to me, 1.-J But for bon - nie An - nie Law - rie, fd And for bon - nie An - nie Law - rie, I'd And for bon - nie An - nie Law - rie, I'd lay me down and die. lay me down and die. lay me down and die. 34 1st r M>«. TELL ME, WHERE DO FAIRIES DWELL? — 4~* — *.*— — 11 ? Where they work each mystic spell ? Till me sifi-fcxr! -2 S-r* — » — » — * — r* — fi — t J i i — $- Tell me, where do fai - ries dwell ? Where they work each mystic spell ? Till me where their home can be. *_ ittfc= 2d roic«. Sgj^E^^ ^r^^ S^y^^ ^ ^L^JJ.^ J I Where they sport in fan - ta - sie ? Where they sport in fan - ta - sie ? Far removed from human eyes, =U : 3^E S3: Yet their home is 'neath the skies. On the greenwood, in the dell,.. 8»» . . There the fai-ry creatures dwell ! 8»» ag^ «ir fr f" T * T \ T T t \ T Tell me, Where do Fairies dwell? 3d Both. On the greenwood, in the dell. . There the fai - ry creatures dwell ! There the fai - ry creatures dwell ! f-zr-*-±^E-=-tr--, 7— -£— — ± f=zr-ir^ 1 — ' — -^ — - J - — *-*&'—*■ I ti t r t 1 r I t 1 7" ! ti -8a— " Sing - ing so cheer - i - ly, Fai - ry - like song, Dan - cing so mer - ri - ly, all the night long ; =E3 a£3 3 =a B j>—f>->-^H=A=J;=a 3==S== -#;- fcijfes i =fi~t~ F=T- — N K- ^ 1 — »! * — ^ — \ — ±- m — to 1-+ Sing - ing so cheer - i - ly, *):|&-f* 1 1" * * — F- — #: — s — &« 2 — *.- 7 h-i-* — - — m - — S* — 3 • — *• — * — fai - ry - like song, Dan - cing — =f* k — 1 i— *=! — =] 4t- — j— ••- # s — — « ^^ — so mer - ri - — ff V h- — f. 1 f •*■ y * 1 jn ; — _. -0. *' # rf.-H--* — 0. / - —1- 36 Tell me, Where do Fairies dwell? %i voice. 1 s: newt V «"»'« •y \ " - ' «y all the night long ; Dancing so mer - ri - ly, Singing so cheer - i - ly, Dancing so mer - ri - ly, #»#•#•— 0*—0* TO — — # — tP^A-T-^--' — z — m — m — «^q_ -, 0*0 *0*-0*—0*-0* -0*0*^ 0—0 fc? l.if voice y *=j n^rt !W. lit. 2J. 1st. 2d. *•>: Sing-ing so cheer - i - ly, Sing - ing, Dancing, Singing, Dancing, Singing, Dancing, — }F#— 0-0 — -0 ; 1 ^-r— ■0—0 0-0-0 0-0 -0 0-0-0-0 0-0 -0 0-0-0 —TJl-0-0.0 T*-# # 0-0-0.M M.M w-w w—w—w—w w— *-i- 0-0 -0-0- 0-0 -Y- • — 0-0 0-0 0-0\- Motk. ie night long. f °- t-°- — n Sing - ing, Dancing, Singing, Dan - ring, Sing - ing, Dan - cing, all the night long. m ??=-=■- eee: ODE TO FREEDOM. With Spibit 3? rzjv — -p — d^ad— # v — a i 3~ — tij. — jtzESzzqir — « 5 #— ' — #J — »- ^ — - 1 - — *i — = *^i -H -r 3 fefe; 1. Freedom calls you; quick, be rea • dy, Rouse ye in the name of God; On - ward, on - ward, 2. Grasp the sword, the edge is keen, Seize the gun, its ball is true ; Sweep your land from 3. Freedom calls you ; quick, be rea - dy, Think of what your sires have been ; On - ward, on - ward, ii* £= m T --£ :*: m I — \- J ~v- strong and stea - dy, Dash to earth th'op- pres - sor's rod. Onward, On, ye brave, onward, On, trai - tors clean, Haste and sweep it through and through. Onward, On, ye brave, &c. strong and stea - dy, Drive the trai - tor to his den. Onward, On, ye brave, &c. ye brave, §h --,—*- 3E3E mm m ii On, and let your watchword be, Country, home and lib - er - ty, I I J5 i JS I &—T-0- ff-T-l S-T Country, home and lib - er • ty. =* ■E: ^- *W- V '■ ■»■ T— 1— T^ ^" "W ^~ "^" A* 58 MODEIATO. THE LAND BEYOND THE RIVER. Wordj u.d Music t>» H L. FtJ8»i» ^-rS- »»-s — *~ L * — # — * — » ^ -».—»—» — »~ ^~" » £ *• -••- * — » 1. Xo mor - tal eye that land hath seen, Be - yond, be - yond the Riv - er. Its snii -ling val - leys, 2. No cankering care nor mor - tal strife, Be - yond, be - yond the Riv - er, But hap - py, nev - er 3. That glorious day will ne'er be done, Be - yond, be - yond the Riv-er, 'When we've the crown and -0 £ «_J_ # ! * '— i — 0\ — d* — 0— r—+ — 9— i— J-r— : — m » = — r -v- — » — 0- green, Be - yond, be - yond life, Be - yond, be - yond king - dom won, Be - yond, be - yond ppPPililill; the Riv - er. Its shores are com - ing near - w, The the Riv - er. Through the e - ter - nal hours, God's the Riv - er. There an - gels bright are sing - ing, Where SifiE* 3^E sg~ — i — ^=^ ^-=3=7 2=r^i =l===^=0=z^ --^-0 '—: — i-i j =*=±=i=f=i skies are gTow - ing clear - er, love^ in heaven - ly show-ers, joys that none can mea - sure, Each day it seem - eth dear - er, That land Shall wa - ter Faith's fair flowers, In the land For those who have their treasure In the land be - yond the Riv - er. be - yond the Kiv - er. be - vond the Riv • er XSFRATX The Land beyond the Kiver. 39 4= R-i-- -*- We'll stand the storm, we'll stand the storm, Its *-' ■*• -*- M- *> *- M. 4L J 1 — J , 1 1 1 — q=t J^rt- is al *■ 4 mm _„ a^t We'll an - chor in the 0- I — • Si— i — «7T T— 4 » T — most o - ver, We'll an - chor in the =1= —* — y^^*- har - bor soon, a=-j ; — - fc q— i — h>— J In the ^^ is 1 ;q===:n land ■*■' be - yond the Riv - er. =ftq~p ^r: s> — -t — p- .When shall we look from Zion's hill. Beyond, beyond the River, With endless bliss our hearts shall thrill, Beyond, beyond the River. There angels bright are singing, Where golden harps are ringing, We ne'er shall cease our singing, In the land beyond the river. HEARTS AND HOMES. -=h — IlEI 1. Hearts and home*! sweet words of pleasure, Music brtath - ing 'as j'e 2. Hearts and homes ! sweet words revealing, All most good and fair to p±m= £gm. =3— *~±: id— it "#T fall, see, Making Fit - tine each the oth - er's shrines for pur - est Hearts and Homes, * T? ° j0- •*• treasure, Once di - vid - ed, I09 - ing all. Homes ! ye may be high or low - ly, Hearts a - lone ca. iake you feeling, Tern - pies meet to bend the knee ; In - fant hands bright garlands wreathing, Happy voices iu - cense 1B^? - # _q — # -- — # — — # J_ # - t* > V holy ; Be the dwelling e'er so small, Having love, it boasteth aH. Hearts and homes ! sweet words of pleasure, Music breathing, Emblems fair of realms above, Love is heav'n, and heav'n is love. Hearts and homes, &c. >-— 0— 0— i— rs\ ^f—f— r -fAi f—f—r- t -+-+ +-+- -*—•*- &E& ^=^=v-^4=j?' + — ** * *— 5- 1 3 ^^=^T=^— = pppppp -»'- — * 0'- h *^i effi -i-^~ ^u breathing as ye fall, Making each the other's treasure, Once di -vid-ed, losing all ! Hearts an J homes, hearts and homes! V-V- -N— *+ iZZ2±=t £^= ^dtiti -—0—0—0 ■Tt—t-f. .a — c. ^ _, £=* 3:1 WHEN THE SWALLOWS HOMEWARD FLY. 41 i^iii^il^i 3333] SWfc ~*"V 1. When the swallows homeward fly, When the ro - ses scattered lie, When from neither hill nor dale, Chants the 1. When the white swan southward roves, To seek at noon the orange groves, When the red tints of the West Prove the 3. Hush, my heart ! why thus complain, Thou must too thy woes contain, Tho' on earth no more we rove, Loud - ly m Ej— ?f iji — — silvery night - in - gale, Li these words my bleeding heart Would to thee its grief impart, When I. . . . thus sun has gone to rest, In these words, &c. breathing vows of love, Thou, my heart, must find relief, Yielding to these words belief; ^i:— t?- ' S ^ — I — fcf~»-g-»-— 0-1-0'— » — — 0-\-g — #i— 0- us thy I shall see thy 3=S J^N ::*-*- 3=£=* t=3fe — #- I 5- > im - age lose, Can I, ah, can I e'er know re - pose, Can I, ah, can I e'er know re - pose, form a - gain, Though to day we part a - gain, Though to day we part a - gain. 1 QfVs 0- m 42 MARSEILLES HYMN. p^g^i^sp^e^ir^^e^^^ 1. Ye sons of Freedom, wake to glo - - ry ! Hark! hark! what myriads bid you ri — i r . — -j — — n£3=3 wives and grand bolts and bars sires hoa - ry, Behold their tears, and hear their con - fine thee, Or whips thy no - ble spi - rit Behold their Or whips thy JLjij^JLJ h F f tears, and hear their cries ! Shall hate - ful tyrants mis - chief breeding, With hireling host, a ruf - fian no - ble spi - rit tame? Too long our country wept, be - wail -ing, The blood-stain'd sword our conq'rori $£=* m. ^-^5 — -1-.-J >_ mmm Marseilles Hymn. 43 £^===^3==*=* -«j — >—\-br |J to =d=*! g^^ band,. Af - fright and de - so - late the land, While peace and lib - er - ty lie bleed - ing ; wield ; But free - dom is our sword and shield, And all their arts are un - a - vail - ing ; — © — -=-•—#- -?--#—#- =d=^5^~t To arms, to VOIOE. ^ &.—-£. arms, ye brave, — — — ©—».•-»-—#- r 1 — Th' a - veug - ing swo* J un - sheath ; t—T- ■V- -v- — »-■* — i -©—»-*»- — i ^~ CHORUS. March on, march on, 4^= ?=3e emir all hearts re - solved. On vie - - to - ry or death. ?=^Ff w=£=» 3£=?i->=5= mm \snvw-Ui-rf at death. 44 SAY, WHAT SHALL MY SONG BE TO-NIGHT? mM^^m^mmmmm^^im^i 1. Say, what shall my song be to-night ? And the strain, at your bid - ding shall flow ; Shall the 2. There are times when the heart will re - fuse On the past and its plea - sures to dwell; There are 1l—* — 5 — - — y- : l--«£=gr=gdE iiii^liglp^PPii^ii^l^ measure be sportive and light. Or its murmurs be mournful and low ? Shall the days that are gone flit be- moments which niem'ry imbues With a gloom which it can - not dis - pel ; But the charm that enthrals them is y*= ^S *^ -»•" m frr++*-* ^=$ i — »-i — *-A -h * -J - — *■- — g*' k fore thee ? The fresh - ness of child - hood come o'er thee ? Shall tne past yield its smiles and its hro - ken, With the first word of song that is spo - ken ; For there is not a feel - ing, or Say, What shall my Song be to-night? tears ? Or the fu - ture, its hopes and its fears ? Say, what shall my song be to-night ? And the tone, In the heart, but to mu - sic is known. Say, what shall my song be, &c. n£i 53 5EE2E £ -FE?» —I yl- M-- -a — m — « i — 3 — — i -*— -3 — J — «h— * — ' — * *v- V &=£=dr~^ ^-?- tf F- #-- '— hi- strain at your bid - ding shall flow ; Shall the mea - sure be sport - ive and light ? Or its §& fcfcz" ^/_z^c £ee£eeEEE$! 3E -y -p- FTT7 j J; t \ i* ¥*t*&$£& ^&& mur - murs be mournful and low ? Say, say, -»*- 2^ ^C= say, what shall my song be to-night i — h ^ £ t5:^i 46 FAREWELL TO AMERICA. Words by C. P. Ceahch. Sung by Mme. Goldschhidt, Late Jrirn Lm>. ^mmm^^^m^m^ 1. Young land of hope, fair Western star ! Whose light I hailed from climes a - far, ) I leave thee now, but twine for thee One part - ing wreath of mcl - o - dy. ) O take this offering lis -0. - SZ^i p *pfe m^m 3$ ^—-^r 3S=J: 3^3 of the heart, From one who feels 'tis sad to §i *=£ part, O take this offer -ing of the heart From -*- m -7- :*=*: =£=£ one who feels 'tis sad to part. 3,T -*— *- 2. And if it be that strains of mine Have glided from my heart to thine, My Toice was but the breeze that swept The spirit chords that in thee slept, o : The music was not all my own, Thou gavest back ths answering tone. : S. Farewell, when parted from thy shore, Long absent scenes return once more ; Wnere'er the wanderer's home may be, Still, still will memory turn to thee ! || : Bright Freedom's clime, I feel thy spell, But X nun say, fan w«U— tan wail ! : I REJOICE EVERMORE. 4/ 9igjfa ^ — j_ i — r ^ 1. When the glo - rious mom - ing break - eth O'er the hills with cheer - ing glow, ) And on eve - ry spray a - wale - e.h All the songs of earth be - low ; J Catch the notes of gg^lS FI-++-* J J ±z -* — « — * — »;- -_E?r«=2EM=*- ■n i — — — -- -^-w- 3 -- dawn - ing beau - ty, As like in - cense they a - rise, And on wings of love and du - ty, m te -^33= : 2. While the glorious daylight burneth, From the tides of lofty noon, Till earth's golden axle turneth Toward the chambers of the moon ; When the quiet, velvet even Noiseless trips along the lee, Let thy soul, to musing given, Of a joyous tenor be. 8. If in gratitude abounding, Shall thy heart find sweet employ ; Every tuneful chord resounding, With the notes of constant joy. E'en the tear of human sorrow Still through skies of mercy fail; And fresh tints of glory borrow, And to fresh rejoicing call. 48 Allzomtto. OUR COUNTRY. nv- U dj STrt. E. A. Ctihw* 1. From the Pir.e of the North to the South -em Sa - vanna, From these dark sounding shores to the 2. It is not thy mountains in gran - deur up - rear - ing Their cloud - eov - ered sum - mits un- 3. 'Tis the spi - rit that breathes from each ver - dure-cloth'd valley, And Lib - er - ty shouts on the m * ii^ii^gi^i bright West - era tide, How glo - rious the sweep of the Star - Spangled Ban - ner, How shat - tered by time ; It is not thy riv - ers and broad lakes ap - pear - ing, Like cold win - ter's blast, 'Tis the hearts that a - round thee that watchword will ral - ly, And for vast thy do - min - ion, O land of our pride, in - land At - Ian - tics, that make thee sublime. freedom will stand, or will per - ish at last. That Freedom the fathers from heaven receiving, Preserved unpolluted by Tyranny's breath, And bequeathed to their children the birthright, believing It hallowed the mora bv their lives and their death. 5. While the sun pours his bright beams on flower and fountain, While the breeze sweeps in gladness o'er land and o'er sea. While the dew tails in silence en valley and mountain, M»y happiness dwell in the homos of the free ! ALL TOGETHER AGAIN. Mosziato. Gecnas F. Boot. 49 -- j # 1— 1 — Si — # - 5I J — a #-s L — : — ' — i m — *-#-*^P-£t — — * — SIC 1. All" to - geth - er, " all to - geth - er, Once, once a - gain ; Hearts and voi - ces light as ev - er, Friendship's link is still un - bro - ken, Bright is its chain ; Where the part - ing word was spoken, 2. While the ab - sent we are greet - ing, Let us for - get, In this hour of so - cial meeting, Since the pre - sent, full of glad - ness, Bids us be gay, Ba - nish eve - ry cloud of sadness, ^i-fjjfF^ — ^ — |s — r -JjZ & 3a -* — * — *- -»•- ' -0- -0- -*■,••*■• • Now in smiles we meet a - gain in.) • 5 o M* — i — «- — s — * 4-^ — * * — l Eve - ry thought of past re - gret, > And be hap - py while we may. $ O could we, &c. could we ev - er Dwell in so - cial plea - suae here, Alz j-J--^ l=3t Ml 9 — L e 1 — I S * #-» I i JJ No more to sev - er From the friends we love so dear. 4=t -*H — •- ^=^ 3 . When the warning, — we must sever, - Comes once again, Yet in feeling true as ever, Shall our faithful hearts remain. Oft shall memory breathing o'er us, Sweet friendship's strain, Bring this happy time before us, Till we all shall meet again. O could we ever, &c. w ALLMMRTt ADIEU. Efe * • • * #— I — J J- J 0- L -0--0 --•— 0— L T- sK 5 £ 5 * ' ' — b 1. My school com - pan - ions, I love so well, a- dieu ! Your sports -with mine have oft combined To mfe '• ** Ft: £ i?F^ *E^ -« i i i \=i=t—i— i^=p ?-S cheer the pro - gress of the mind ; Ah, now one fond a - dieu ! Ah, now one fond a - dieu ! ^E5 T^T- -^ -*.-- -*v HE CHEER! BOYS, CHEER! &=£ =&ri&£ =z mm 1. Cheer, boys, cheer! no more of i - die sor - row; Courage, tnie hearts, shall bear us on our way. 2. Cheer, boys, cheer ! the steady breeze is blow - ing, Float -ing us free - ly o'er the ocean's breast ; The ffi 4 j 4 U x — I — i ±=± V x =r± X a _ - 5 ^ Cheer! Boys, Cheer I 51 FINB. £=T ~N-rt- -*j- 5 $ * P L Hope points be - fore, and shows the light to-morrow ; Let us for - get the world all shall fol - low in the track we're going, For the star of em - pire jBE£EiE£l £E S ±=± 4- -l darkness of to - day, glitters u. the West. "-3 : a=a 1 — -- , £3= =£ =t 3^1 iN w; ; rflf^^^fejaM^^^P §% So fare - well, New England, much as we may love thee, We'll dry the tears that we have shed be - fore. Here we had toil, and lit - tie to reward us, But there shall plen - ty smile up - on our pain. T 1 5 V 3 3 2 3 3S =3^5 H $= J>— IL — l 5t S^t D. C. to 1st verso. to 3¥ Why should we weep to sail in search of for - tune ? So fare - well, New England, farewell for ev - er - more. And ours shall be the prai - rie and the for - est, And boundless mea - dows ripe with golden grain. o2 OFT IN THE STILLY NIUHr. — r — =?> 3r m^LM=ht=£ • — — a . — w - 1. Oft in trie stil - ly night, ere slum - ber's chain hath bound me, Fond mem'-ry brings the d. c. Thus in the stil - ly night, ere slum - ber's chain hath bound me, Sad mem'- ry brings the light of FINE -*.- J\ h -V — oth -er days a- ronnd me, The smiles, the tears of childhood's years, The words of love theen spoken, The oth - er days a - round me. -* g; g . ; . f t .-.-* ? 1T ^-,-#t P-r-01 ^ — — #i— — *- -— —_ — p- p.- — p.-. — — — _^ r .-m— r — i— r- z eyes that shone, now dimmed and gone, The cheerftil hearts now bro - ken. -I. r r I I ^ ^a 2. When I remember all The friends so linked together, I've seen around me fall, Like leaves in wintry weather : I feel like one who treads alone Some banquet hall deserted, (dead. Whose lights are fled, whose garlan* Pb ma - n The mid - night moon is beau • ti - ful, 'When - — • — * * — ,-H_^^_5 — J^> #*^ — #« — #fc — -*rn=*2;_i — ^_tx # — ^ — * # _rg_.u ris - ing from the sea, . The m.d - night moon is beau - ti - ful, When rising o'er the sea ! C2 i WANDERED BY THE BROOK-SIDE. §S3 1. I wan - dered by the brook- side, 2. I sat be-neaththe elm tree, -ft. -^* -0- 9 -0- ' -0- -0- -0- -0-.-m- -»■ I wan - dered by the mill ; 1 could not lK-ar the I watch'd... the long, long shade, And as it grew still fe= :(==[: —J — >-# — I — i — •— — i — I — I — ■-• — i — l-#-H — '-J- - 1 — m — * 1 — I — t-d — *' — t * — — • — -* — r -j-w— w — \-+-- -^ — r* " i ~ r* i ^r? t - ^^^ —• B-f — ^— »— - 0—0-v :ft=p= —\-* =*=z ±r r =±* -tip - J =E 3 ~fv _ ; #-3 — i »- - » — i— # — brook flow, The noi - sy wheel was still, long - er, I did not feel a - fraid ; There was no burr of grass - hop - per, No For I lis - tened for a foot - fall, I -MZiJtr 9 9 mm 4*=£^ * 50- Z0- T -0- -0- -0- ■•"•-#• ■*• "H !j ". -#-.-#■ ' -0- . chirp of a - ny bird — But the beat - ing of my own heart was all the sound 1 heard, lis - tened for a word — But the beat - in<* of mr own heart was all the sound I heard. ^jgfr-^ fc^g '^- _ -_ « . L 1 — i £3= S3) BONNIE DUNDEE. S|3lfe -e W- — p- E$ -^ iib?^ * — = — -v ^ z 4i 1. To the Lords of Convention 'twas Claverhouse spoke : "Ere the King's crown go down there are crowns to be broke, 2. Dun - dee, he is mounted, he rides up the street, The bells they ring backward, the drums they are beat ; 9 : f* f r- ■* ±m=±fct IX- J- |J — « |iJ-_ a . — e — 0- -C -W T So each Ca - va - lier who loves ho - nor and me, Let him fol - low the bonnets o' Bon - nie Dundee. But the Provost (douce man) said: "Just e'en let it be, For the town is weel rid o' that ev - il Dundee. Js s it s - s I -I s m^^ m Ll *=f-r — -f t-r *— j — h :&=£ — ^-> O #=^ ' «- -*r--fy- !3=£ :^-- I^HHg Come, fill up my cup, come, fill up my can, Come, saddle my hor - ses, and call out my men ; Un e ■*■ 4 * J J =5z: gi Bonnie Dundee. — #— ;=5=2^1i^as hook the West port, and let us gae free, For it's up wi the bon - nets o' Bon - nie g&=fe=== Dun - dee ! " 4 -*T~ — H- * *— ' -*H~; » ■ -H 3. There are hills beyond Pentland, and lands beyond Forth, If there's Lords in the South, there are Chiefs in the North ; There are brave Duinhe wassels, three thousand times three, Will cry " Hey ! for the bonnets o' Bonnie Dundee ! " Come, fill up my cup, &c. Then awa' to the hills, to the lea, to the rocks I Ere I own a usurper, I'll crouch wi' the fox ; And tremble, false Whigs, in the midst o' your glee, Ye hae nae seen the last o' my bonnet and me ! Come, fill up my cup, &c. MARY OF ARGYLE. I -5 \ — £ T — -. fr — N — r r N *t — N — m — t- " — j *N Nt—; •< — v— -r r — r 1. I have heard the ma -vis singing His.... love-song to the mom, I have seen the dew-drop clinging 2. Tho' thy voice may lose its sweetness, And thine eye its brightness too, Tho' thy step may lack its fketness. i L,_ . =3: — #- :-X =t =± -j=* *— t —• =«— Mary of Argyle. 65 To the rose just new - ly born ; But a And thy hair its sun - ny hue, Still to sweet - er song has cheer'd me, At the me wilt thou be dear - er Than eve - ning's gen - tie close, all the world shall own ; m= —z=x -(SZZ . . N \ BITABD. K . fT\ /T\ . \ rfrs^ — ir=r£z=fc~:£i=zfs- 'ir~ ■* * — s^rfrdHv— -Ni - ^ — -fr — N — r— -5— c 5FI And I've seen an eye still brighter Than the dew-drop on the rose — 'Twas thy voice, my gen - tie Ma - ry, I have lov'd thee for thy beau - ty, But.... not for that a - lone ; I have watch'd thy heart, dear Mary, mf 4L ^ M ¥ =E db*=£3 , * m m i_ m i i_ # (-.# — H- iei^pl And thine art -less winning smile, That... made this world an E - den, Bon-ny Ma - ry of. And its goodness was the wile That has made thee mine for ev - er, Bon - ny Ma - ry of. <£ mf AD LIB. Ar - gyle. Ar - gyle. —0- —i — ~w- ±zq: m I'D BE A STAR. be a star, be the wind, a the lit sum Sft^ tie star, mer wind, To shine in That wanders o'er yon dark vault above ; thy yd - vet cheek ; A sin - gle So I might 4JL Mz * , l _ J L zdta=r -^- qz=i^rr3= zJ S _ J ._JU.E ray leave to gleam a - far, a kiss behind, • * . , ,' I' j,—*?. z Or any thing that thou would'st love ; And hear thy voice in kindness speak; A So -+. — * sin - gle ray to gleam a - I might leave a kiss be - J ^ y r= lilligfginillpgipil]] ny thing that thou would'st love. thy voice in kindness speak. 1. I'd be a flow'r, a little flow'r, And only bloom to wor>hip thee ; Content if "thou for one short hour ■Would'st deign to look and smile on me. :f I would be thine, 1 worship thee, By all that is earthly, divine ! My cv'ry pulse beats but for thee : 1 would be thine, 1 would be ihiaa. :| THE VACANT CHAIR. With expussivm. G. F. Root. By permission. 67 #. — 0- j —0^ — #- -#. 0~ i --0- i — 1. We shall meet, but we shall miss him, There will be 2. At our fire - side, sad and lone - ly, Of - ten will 3. True, they tell us wreaths of glo - ry Ev - er - more one va - cant chair ; the bo - som swell will deck his brow, =mmt We shall At re But this Ig^EE -O-.0-0 -0- 4 -0T -0 0- -0 0-0-0 ±£zz ^m - -Jzz rfc; ziszuz^ : »' * *-0~ -#— lin - ger to ca - ress him, While we breathe our eve - ning prayer. When a year membrance of the sto - ry How our no - ble Wil - lie fell ; How he strove soothes the anguish on - ly Sweeping o'er our heartstrings now. Sleep to - day. ■^ . . . S;»-«f « — I - - 0-0- |g^g= =gj -G.0-0-0-0 a - go we to bear our O ear - ly 5 .ttf — : — r — E —I =^=^pa —-I 0^—0-0 *=3rT4==£==^S=3=3! ^=hz=z=k± m gathered, Joy was in his mild blue eye, banner Thro' the thick - est of the fight, fall - en, In thy green and nar - row bed. £ But a gold - en cord is severed, And our And up - hold our country's honor, In the Dirges from the pine and cyp ress Mir. - gle m 68 ££=£ *=p The Vacant Chah*. CHORUS 3-— hopes in ru - in lie. strength of manhood's might with the tears we shed. We shall meet, but we shall miss him, There will J^- -•i- • I/ ' er. 1 be one vacant chair ; We shall lin - ger to ca - ress him When we breathe our evening prayer. «•— *— * — *■_->*■ — ** — ^-r^v — * s — A — *S— » »- — »* — p ■ ■ T' — ? * — ! * ■ ■ a t - £h Kdjoiobo. THE MAIDEN'S PRAYER. mi — ^ — * ' > — ' — i/ » : — J — # « * 1. The hour of eve its shade around me throws. The time draws near when I must seek repose; 2. When but a child, I roam'd a - mid the flow'rs, Time then had wings, all heedless flew the hours. :E£ J - =4= *-* ~~rg: m The Maiden's Prayer. 69 ltO sns 1 Into thy hands my soul I dcTcommend, Father, watch o'er me.guide and defend. Visions that were, have now no charms for me, Sorrow has chastened, trusting in Thee. Ho For ii£ ly thoughts, with thoughts my home, my home of Thee, in Heav'n. -F =E= @l O, may my future be consign'd to Thee, Safe in Thy care, from ev'ry sorrow free ; In thy protection, doubt and fear have flown, Father in heaven, make me thine own. And when is broken Life's golden circle, Then, Father, take me To Thy home in Beav'ft. 70 THE COTTAGE BY THE SEA. J. R. Thomas. By pennlsnoa. 1. Childhood's days now pass before me, Forms and scenes of long a - eo ; Like a dream they hov - er 2. Fan - cy sees the rose-trees twining 'Round the old and rus - tic door, And, be - low, the" white beach _4i: «• i / ^ * ^ o'er me, Calm and bright as evening's glow. shin - ing, Where I gathered shells of yore, Days Hears that know no shade of my , mother's gen - tie s A \- Tzw^' tt^n ^^ i= i-j; 7- Tf^ f^ - ^tT^^-a - j-^ j j ^ e sor - row. warning, =3=i w^=^ ^ When my young heart, pure and free. As she took me on her knee ; Joy - ful hailed each com - ing And I feel a - gain life's :^f : g - Izzk The Cottage by the Sea. 71 mor - row morning In In the the cot - tage by cot - tage by the the sea, Joy - ful hailed each coming morrow In the sea, And I feel a - gain life's morning In the 1 1 1 * # 5 • -L 1 IJ -#■-*♦ * ♦ -9- ■*■ P=z1 cot - tage, the cot - tage S by the sea ! tf # — i 1 j What though years have rolled above me, Though mid fairer scenes I roam, Yet I ne'er shall cease to love thee, Childhood's dear and happy home ! And when life's long day is closing, O ! how pleasant it would be, Ob some faithful breast reposing, In the cottage by the sea. :|| WHEN JOHNNY COMES MARCHING HOME. SOLO. Louis Lambert. S=^5EzzHE^ CHORUS. SOLO. 1. When Johnny comes marohing home a - gain, Hur - rah, Hur - rah, We'll give him a heart - y 2. The old church-bell will peal with joy, Hur - rah, Hur - rah, To wel - come home our SIS S I S I I II s * 4_4_4 4_4 4 4^__ -i-i iL>_4_,. 72 When Johnny comes marching horn*. CHORDS. — j«_ SOLO. H-+-I ft welcome then, Ilur - rah, Ilur - rah ; darling boy, Ilur - rah, Hur - rah ; 4- 4- *» 'J. J / ■* ■< 3n -— ,►- :Jr =r^K The men will cheer, the boys will shout, The The vil - lage lads and las - sies sav, With * i v I -ft— -S T- 3Er: CHORUS. Repeat ad lb. •'— *. ** mm la - dies they will all turn out, And we'll all feel gay when Johnny comes marching home, ros - es *they will strew the way, And we'll all, &c. itMiii Get ready for the jubilee, Hurrah, Hurrah, We'll £ive the hero three times three, Hurrah, Hurrah, The laurel wreath is ready now To place upon his loyal brow, And we'll all feel gay |. When Johnny comes marching home. :g Let love and friendship on that day, Hurrah, Hurrah, Their choicest treasures then display, Hurrah, Humh, And let each one perform some part, To fill with joy the warrior's heart, And we'll all feel gay |j: When Johnny comes marching home. :| ANNIE OF THE VALE. J. ft Thomas. By permission. 73 £fe£ - -0 1 * *— -i *_teitqc=£: — » — # _ — *>-F — t- — i_ • 1 1- _* w--t- 1. The young stars are glowing, Their clear light bestowing! Their radiance fills the calm, clear summei 2. The world we in - her - it Is charmed by thy spi - rit. As radiant as the mild, warm summer «4t 4 4 ~ 444 jZ'Sr'S: „ ♦S* i 4 f 4 i f i ? 9#r —L-0-0-0 J- 0-0-0- 1000 i 000 S S> \- — | 1 *- y H — & 6< 1 — | 1 1 — i 1 I . . t - c e night! 3=£ ■-J r- ==z- ± s ~tV- ^tfe * ? I - - ^ Come forth like a fai - ry, So blithe - some and air - y, And The watch - dog is snarl - ing, For fear, An - nie, dar - ling, His — — [~ m "i -M-^-n-M-T-^ 1 — »—l — ' — — ' -p — - 1 — h -— -U-fi .-I «_# -i-.SJ-., e> a m ramble in their soft and mystic light. beauti - ful voung friend I'd steal away ! r™~^^ S J\ I S I Come, come, come,love, come ! Come,ere the night-torches Come, &c. £ mm 74 m fc^ Annie of the Vale. ^-r—? — i — =^353— ■* — js— A- *E i 9 ' — 5 — P =3 ifa^ pale ; O come in thy beauty, Thou marvel of du - tv, Dear Annie, deal Annie of the :z_: f •* * 4 9- * — -y— — fc * •» -a- _ T~3n J « n i *» J d i J J^ J 1 J >^ J i ,J j Vale. Come, come, come, love, come. Come ere the ni hz ^a V °' b ' b come, come, Dear Annie, dear Annie of the "N ale, lSgia^ ^fc|£^ ^L§E|El^i^£HM^ =^g THE HOUR OF PARTING. 75 ANDANTE CON EXPRESSIONS. Bellini. j 1 F l -"**«» l ^ — P 1 1 J -* *I * ^ — — ] * * * * t Sad hour of parting ! too quickly here ! Spi - rits to sev - er, link'd by each thought ; O, thou blest Spirit ! bend kindly down, Drooping, be - hold us ! 'neath adverse fate. *=* 5 — £ — " 1 — ^ — / — S^^^ Bring - ing thy an - guish ! Shel - ter us from its thy bit - ter with - er - in tear frown, thy bit - ter tear ! its withering frown. S:— S— *-*- S-* : l-g;; — S— g— -;— ^-H-S-— S:-- S— «-*- 8 = *+g-;- ; — I— g— - ; 3L -S--»-F we'll wander through pro - tec tion now ±rj=^==z: the day, Hope - less must weep thro' night's delay ; we flee, Safe in thy shadow let us be ! rTTH a M 76 The Hour of Parting. ^ 3:: Our hearts are break - ing, In sor - row part - ed, well ! well! g-£ i O, must we say, fare - well ! Fare - well ! 0, must we say, fare - well ! It is our last fare - well ! Fare - well ! It is our last fare - well ! 4 J, 1 3E3E*-*' w -9 3~ iilii MARYLAND, MY MARYLAND. 1. The traitor's foot is on thy soil, Ma - ry - land, my Ma - ryland ! Let not his touch thy 2. Dear Mother, be thy - self a - gain, Ma - ry - land, my Ma - ryland ! The Un - ion shall not ifc^ :fc=£ -r^r. m '-XZ f— Ft? t=r Maryland, my Maryland. 7? hon - o call in -^-r ^^M hon - or spoil, Ma - ry • land, my Ma - ry - land ! Wipe out the un - pa - triot - ic gore That, call in vain, Ma - ry - land, my Ma - ry - land ! She wants to meet you in the field, Our V> -£ fe^^l^Efe fleck'd the streets of Bal - timore, And be the loy - al State of yore, Ma - ryland, my Ma - ryland ! country's flag and laws to shield, We never can to treason yield. Ma - ryland, my Ma - ryland ! ^=p==* 3. Thou wilt not yield the rebel toll, Maryland, my Maryland ! Thou wilt not bend to his control, Maryland, my Maryland ! Better the fire upon thee roll. Better the blade, the shot, the bowl, Than degradation of the soul, Maryland, my Maryland ! Hark to a wand'ring son's appeal, Maryland, my Maryland ! My Mother State, to thee I kneel, Maryland, my Maryland ! For Liberty, and Truth and Right, Let all your loyal sons unite, Drive all invaders from thy sight, Maryland, my Maryland 1 I hear the distant cannon's roar, Maryland, my Maryland ! The fife and drum of Baltimore, Maryland, my Maryland ! Huzza ! she comes to help restore The Union as it was before, And honored be thou evermore, Maryland, my Maryland 1 78 MORNING AND EVENING. fon, fe* -^mmm^ktE ^g ^^^^^m (Morning.) When the sun glo - rious - ly comes forth from the o - cean, Ma - king earth {Evening.) When o'er the west - ern hills the sun - set tints, blend - ing, Show us how 9iSi^ ^-¥±4 T - t I ^-q ql i — Fh — I beau - ti - ful, chas quick - ly fades all -g:- ing sha - dows a - way, that on earth seems bright, .- — ■ © < Thus When do to it m we of un - fad fer thee our • ing realms our 3^5 m i£=e ~-*=T- = 5^ -*— v fe ■«. — *— J — i prayer of prayer is T de - vo - tion, as - cend - ing, — r* Z9TJ. -0 God of God of the the fa - ther - less, guide us, guard us to fa - ther - less, guide us, guard us to day. night. W$=*=f=^ & 0— i 9- -m 1 — w VEl^EEH m ALL-HAIL! PLEASANT MORNING. 79 *= -i-*P4-0.3—a #-4-i *.#- s j-4— i-*— e #.— i 1 — i 1 h«*-^-#:s— a •— h 1. All hail! plea - sant morning, All hope-ful and cheering, In the bright halls of learning, With 4—* 3: c> a 1 *-.— *- —* s< w — H hearts ap - pear - ing, From the treasures of Wis - dom our off -'rings we bring. To the feaa^ =t J — # ^ « — I — # s g — I — 1_ g _s < -It— m~ •JE=Z7£-_ — iS= — 0~ « — | a _, — I * ^ — 1 — + — a — I — i 1 ^»* — — #iS — a # — -*£ C ^—•Z} a- p=3- -o— i-pi— C 1 ^-^ * — * #— kind friends who greet us, we joy - ful - ly sing. All hail ! plea - sant meet - ing, fair 9 : = I J_ jj E3 =i=j: . *- "#~ : 80 All Hail! Pleasant Morniru FINK. mdrning ! Kind greeting ! I^l|i^ so fear - ful and hope-ful, we wel - come the day. 2. The ( year that's now I work we've ac- '^^ ^Tl—^^ *_;•_*: m D. C. from the ^ i^^^^^m^^^^m^^m o - ver re - turn - eth, complished re - main - eth O nev - er, With days mixed of plea - sure, and care, and for - ev - er, The hours we have was - ted re - turn not of pain. The ) a - gain. Yet ) JEMMY BOKER. DIRECTIONS.— Sing to the 1st D. C, then repeat from the beginning, omitting the part marked 1st time, passing to part marked 2d time, con- tinue on to D. 0. of thin (2d part,) then repeat again from the beginning, omitting both 1st and 2d time parts, passing to 3d time or new part, and »o on Observe that the motions are made only when the words describing the instruments are sung, as for example, at '* Hub a dub," the roll of the drum is imitated, before and alter which the arms and bauds are motionless. At every D. C. let the arms fall. Words by N. Demcs. Arranged by C. Bctlih, -i — r — -. 1 1 dr Ik-, 1 Jy \ T m z II *» l i Jem - my Bo - ker, Jem - my Bo-ker, kannst du sin - ger, kannst auch spielen? Ich kann spielen auf der ova-,- ^ ~T ~* * # TT | ' — r ~i 1 — t~ ; <~t~ #; — * — f m \ {-}'*£*•-—•-■ ~* — * — * — *-. -* * -» — f F~ — : — ^ — m "* — *~~f — t~\~* '~* — b — r~ " «l Zti±=Z £3_£ + + 7~T I i / ^-* • f *yJ- 1 * ^"E g * g^X lit tima. Jemmy Boker. V 7 —i — * JXXS -ft — s — j — i — i — * — « — -s^-J. — * — h**-.5 — * ^14=^ B.C. 81 id tima. Trom - mel. Rub a die Trom - mel. Fi - fey. £=^1— '* = » := ^ Z : «^=^=# — F -K r-12 1 ill-3 — N K * K K ' V r-1-2 1 ~F fly . , * S ?» — j* J ' < ±z i—i—i—i—i — • p Wit - ty -wit - ty wink, das ist die Fi - fey. / Rub a dub a dub, das ist die Trommel, Mien ^—y — $—y — * — +- rzzzrwzzr£Zm=^Tiirz! ■*-*-*— ir-*^—C -1 rf-j f-J — S 8 9 5 5 — • J31 -5 — S 5 5 i * * — $: ■£ — * — . £ — * ~lub a dub a dub, Mien wit - ty wit - ty wink, das ist die Fi - fey. Triangle. — , — — ^ ^ — P h 1 1 1 •— 1-$--' 1 1 1 1 i 1 " — -2—" — '-sH Hi — ' * — H ^ 8d time.— Triangle J> B :Ting ting ting, daa ist Triangle. : (J |> Witty wifty wink, das ist die Fifey. J Ku! 1 • lub a dub, das 1st die Trommel. f Mien rub a dub a dub, mien witty witty wiuk, f liien ting ting ting, das ist Triangle. (D. C. Jemmy Boker, for itii time.) I 4th time. — Trombone. /0 : Boom boom boom, das ist die Trombone. 6tb time.— Cymbal. 1 : Zim cim zini, das ist dit Cymbal. : | Gth time —Viol. j> : Voom room room, das 1st die Tiol. : I 7th time. — Toodelsaek. I : Tnack twack twaek. da* lit die Toodoback. : | (TUQjIil ) 92 W»rd» by W. D. Smith. READ ME A LETTER FROM HOME. ALrXID BlETOI. ^h ^j^=^=it^ =i^^^ ^T=aj =^^ m 1, Readme a let - ter from home to - night, O read nie a 2. Read me the kind words of mo - ther dear, So lov - ing, to „ •» -» "«, ■*(• -«l- „-•■■#■ „ -W- letter from home, . ten - der and true, . 7 " ^_4 f5^7 "-4-. C ■ -fca g • tT « i JL_ ~»~* r~ ? ■ ■« — t Falling like rays of sweet sun - shine bright, Sweet as a voice from a heaven - ly sphere, _fiLHZ * 7 -ft- 5 - : -I O'er paths I so drear- i - ly roam. And bringing her loved form to view. -*■ „ I I „ I I *i- -. '- —i - tr T ~7— ttTE fg-^— — F It will be precious as morn - ing's glow, When night's hours of sorrow are past. Once more I gaze on her smile so sweet, A - gain I am happy and free, . -0-r ^mm T A 1±± r3: Twill i i: Read me a Letter from Home. fn^; =t S :#^J 3= S3 -*-ry--ir t- bring me scenes that no more I'll know, And hours which were too bright to last. Stopping the progress of Time's swift feet, Oh! blissful were those days to me.. -r m 4> ' f SeEEE i -^=?=?=c -0- Read me a Head me a let - ter from home let - ter from home to - night — to - nitrht — O, read me O, read me let - ter from home, let - ter from home 3==im CHORUS, Ad Lib 3— *- it Read me X I J ^£ a let ter from home, Read f ==ti=2=S=g = ^ -= i^l: --*5^ lcr : from bro - ther r ter ^ » fo 3= t =^£s r:: E 84 Read me a Letter from Home. VPPT. home. Ere death with its sum - mons shall come. J -| ? 1— "-p p 1— H- O, read me a let - ter from home. ± JL *. £ 4. .* r-r-r-r - r ii^J] Dirge.—" PEACE TO THE BRAVE." Words by Wm. T. Apams, Esq., (Oliver Optic.) i — it-* — #;— # — ; — #— •— #- — # — ©— i — %. — j — £ — j— j — « — Peace to the brave who no - bly fell 'Neath our flag, their hope and pride ! They fought like he - roes a. i*£ ZfTZZW- -7=± P1B #1=^ iilll long and well, Then like he - roes died. m _v r-3: -•— fought Uk» Hallowed forever be the graves Where our martyrs dreamless sleep ! Columbia, weep thy fallen braves, era. But triumphant weep ! Nobly they died in Freedom's name — Died our country's flag to gave ; Forever sacred *>e their fame. Green their nonorea gray* I WE'RE TENTING ON THE OLD CAMP GROUND. 85 : Jri^ n-1 1 1 J1 » _J — J ! Vi_| N^= q ^_4>i-4= 3=== -i- f— :=3j= 3== -=j # *.— J ~0 — *~ J J.. J. j .— ^.— j. — * "^r - ■*■" J*- 1 -^ » * . We're tenting on the Old Camp Ground, C . We're tenting on the Old Camp Ground, '. sy|^r^zq=^ — « — *•._*_!_,•_* — pv=^ 1. We're tenting on the Old Camp Ground, Our hearts are light and joyous ev - er ; We think of home, we 2. We're tenting on the Old Camp Ground, From it we soon may have to sev - er ; Though we should leave the ^fefefete **=* ^zq ^^: ^ , ^ 1_4— J i Lj-JS-ft,)—^ -& — I — -M: =$^=2=r=3.z-i^-t=3: ■*■.-*■*••■*■■*■ talk of friends, And happy times we've had to - geth - er. The dear old spot has ma - ny a charm That dear old spot, We ne - ver can for - get it, ne - ver ! In hap - py days, in joy - - ous nights, We've s=i=i^5^ I 9 : == 3=4: 45J -4 J i—f=£=£=p: 33— r?-^-g: :3 1 I — 4N j -0 0-i—0 Z - ±Z 0- 3=3: ^^=3>==3=3=3^ f I H S -3 » ' I M— 3=J - ^ ^=3===te— ===5===F — *T-*-g3_ 3._,_q-t-J=* *Jr*^e=^,=3_^_. T ^-±p=Z5_ # _g3-g3==-t: gives the sol - dier joy and pleasure ; 'Mid all the scenes of war and strife, Old Camp, thou art the sol - dier's min - gled oft with one an - oth - er ; 'Mid all the scenes of war and strife, Old Camp, thou art the sol - dier's Sfe -* — J— *— i— ■'- £ 3=3: z^i =3=3=3=f^=P fc; ;=F^=iFf 86 We're Tenting on the Old Camp Ground. chosts. . if*" I treasure. We're tent - ing to-day on the Old Camp Ground, Our hearts are light and joy - mi* treasure. We're tent - ing to - day on the Old Camp Ground, Our hearts are light and joy - ou- _ *- *-- +. a- a a 2: 2: *. : a a- a jl m. a '.a w « — i w- J H^* — * — v — »- J — #. — # — # — ; — #»— S 3 ^-* — #:— 3J I ev - er ; A\ e think of home, we talk of friends, And hap - py times we've ha'd to - geth - e». ev - er ; We think of home, we talk of friends, Old Camp, thou art the sol - dier's trea - sure. -W m m - 1 T _ -W- -W- "W -W Ma m —f— * J J -i 1 1 — iF 1 — ' /- » — #. — u 'TIS GROWING VERY DARK, MOTHER. n ■ ■ , -t . h N V Y. BtCKLET. ^ S^^g ^ a ^ ' ^^^-^^ ^ 3FfF^^i^ ^P 1. Tis growing ve - ry dark, mother, I can - not see the light; The sun be - hind the pur- pie hill* Iiks A JL A 1 -~Q- £ - # — # — * — i^sc Tis growing very dark, Mother. it -Mt: — '■ -! 1 ' |J -0 -H — v — »H — S — N— g- ^ 1- 0~ — 0— » H- ^ — * — * ?• —0 — L sunk too soon to - night. The gath'ring gloom falls like a veil, I can - not see the stars, I 1 ,~ -0r " 3- f ^-J«7 «? ij £ £ * J C-4» -*• ^— — i ■ — S»» — # — « —3— *=— i — i — -i- — -j — ; — j — ' — #' — #*—#*- ^y-|7 • "* " — * 0— ~aZT~ : --•__ a - L. _fi « . __ ~~ ' ^fc±= f" * 4 * *-»-«■•»■ £ -u— 2 ' — I — 1/ — ^ — ^ — ^ — > — & — * — «— J A— fe— 1-B — # * — < _2_|2=:(2. can - not see our floating flag, with white and crimson bars. 'Tis growing ve - ry dark, mo - ther, I r :==£±2=: o - ther, I — — i— — , »— 3* — •— h =fc= fc 12 ? 1 — -* is^^ — h^ — i s — \T— v— — — — — £ — i>i g-g=g — * — a^ — — — 0~— iF ¥-0 — +-^*—+ — 1» — h — •- r~*r T—^~ pE^Et-JSE can - not see your face, Yet I know that you are kneeling In your old fa - mil - iar place ; And the i »H I 1 i i j i | J SF kS Tis growing very dark, Mother. A. -j&— I ^==qirr=: low tones of your voice, mother, Come thro' the dark'ning air, As you bow be - side my va- cant bed, And •? S £ v i_£jl\ _i 4*jLA* 3 353 •? ♦ ♦ * «? J r ■» CHORDS. wm -ft — * — iVF-M — N fr- N N J^ "E — ~f* * *T ~ > * N — T hflFF _i_« — # _i_5Z3zi5 # m ^ — j » J- 3 — 5 5 * — * — P— c pray your evening prayer. 'Tis grow - ing ve - ry dark, mo - ther, A haze comes o'er my sight, I ^ . Yes, mu - sic from im - mor - tal lips, Is soft - ly float - ing down, And 1 *_.J-_ # f * * » «•. — . k— — 0— w -- 9 —0 — wait in vain for day to dawn, and bless me with the sight. One whose head a halo wears holds out a victor's crown. ■*- -0- N^TfffP Tis growing Tery dark, mother, would God that you were here, For by the chill which o"er me steal*. I know that death if near. Yet darker, darker falls the gloom, but there is peace within, For ere the morn those nearly gates will ope to let me in. 'Tis growing very tight* mother, I see the angels' wings; No more the startling cry, ' To arms,' out on the still air rings, But music from immortal lips is softly floating aown, And One whose head a halo wears, holds forth a victor's crown. Cho. — Yes, music from immortal lips is softly floating down, And One whose head a halo wears, hold* out a victor's orowo SWEET DREAMS. 8D feq=i==— : :*x |g@^^@=^^^^^S ^S3 1. Sweet dreams are flit - ting soft - ly o'er me 2. The twi - light shades are drooping round me, Or joys now bur I am a - lone ■ iea in tne with those I m m Sj f3"i i I3~i i -t i — *-%-* — j~ i — iJ T j — ± — # =3 3e 1 -2= ^gsplp^^ _*_*__&£: 3=52: past; love, The forms of those we loved so fondly, Their voic - es gent - ly soothe my spi - rit, -£_J_ Z±Z m Rise now, in all I feel as one their beauty of those a • CjH life -0 — 0- n * 1 u fSI.. l3"l fJ-*~ -i ■ ,- J i i - 9- ' ■ ■0 — X_^-7- t=^E26±d= 1 ±=fE ;^ =3: blest, bove. e*M: -#-- ^ iS -/— *- I g g y'r-?^ But O, why fa - vor useless dream - ing ? Those forms will nev - er mora re ■ But O, &c. i jTii ^J S * — J n,j£L-3_d5 ■ 90 ,-fi — b K , Sweet Dreams. i s — ^ — s — ^ — **i — i — #* z a _j. — r-;-/-^^ ~Z. — -b-»- — t * {? £ i» g 1 if L .j «-j turn. I hear their sj>i - rits gen - tly sJ a —J whis - p'ring, " stay, thy time will not be 1 J) 1a — d *T J — 4 {j f? 7 J7j7 J31 # # « — *- "*" 4 ■*■ £_^" * " 1 -£: £= -r F l h zV— CHORUS. Sf HI; ,; — g 0. — w i #- c long." But O, why fa - vor use - less dreaming ? Those forms will ne - ver mors re- ^=;p==£i ^= : ^ — *=fr^T =*:=^ =E'=: ? — E^q;^z*=f:-J^=^=^ dfcdt gt= 33 — h — jt=rs — * v s 0— •^ *- — — * m # - — -— a— JJ if- o S- J — *. — #- — <» * *.- — #— ' turn. I hear their spi - rits gen - tly <=>:.> f» >. f-f-Cs-iU — s— »» — s: — »- wliisp'ring, " f3 * - -j »« — «• 0— stay, thy < f ; :. . U ' ; s time will not be - K N — ^ '-i tf 00- 0— 4^ long." _ a -p, I. P » • p-+-r — ^ 5 — * — ? — $- — s • ! #— _L ' -y- v — * — /-- t^JJ SOFTLY NOW THE LIGHT. 91 — -. — i — •» •- £fc»^3|ft=± DONIEETC ■f- — ? — *1H> — g-8— f *--rJ- ~*-a — *-2 — a — * — *:§^- S — 7^ 1. Soft - ly now the light of day Fades up - on my 2. Soon for me the light of day Shall for - ev - er sight pass a - way ; Free from care, from a - way ; Then, from sin and -Ar— »~ EE =*E EE? :£= -» — e * — P I =f=e f=f4 "~ -0\fi — *- la - bor free, Lord, I would commune with thee. Thou, whose all per - vad - ing eye sor - row free, Take me, Lord, to dwell with thee. Thou who, sin - less, yet' hast known §LEE HeIH 1 trJ: feE^fl* :-s Naught escapes, with - out, within, Par - don each infirm - i - ty, O - pen fault, and se - cret sin. All of man's in - firm - i - ty, Then, from thine e - ter - nal throne, Je - sus, look with pity - ing eye. § 4^ ^f-S IS- —0 — 0- ttl — 0- 0£ FAREWELL, GOOD NIGHT. E i ; I ^- 1. Kind friends, we meet again, Too soon to part ; May friendship bless each hour, And warm t*cn heart ; 2. Then, friends, once more farewell, Time bids us part, Fond mem'ry long shall dwell Around each heart : J I J J h h *. * «. lJJ^l^ Eg ^ =^»-?-f-? =p- iznt ±=£f ' 7 f 7 f 7 = 3 H Tones that we love to hear Shall dwell up - on the ear, As we in accents clear, 'Re - peat, Good night ! May heav'n its blessing send, And peace your path attend, Un • til we meet again, Farewell, Good night ! « . J, J mmmm mmi :-T r"3 :£; -*-•- ^ffl ?=S=1] HOME, FARE THEE WELL. -+r^- s — hrzdz-£r~t — *V irj^~ d " i i I — ^t~; > t^- ^!,, — •Vr - *;^— ' — V t- J"* — N~i — - — ; — n — : *— •— — S %. 1. Home, fare thee well, the ocean's storm is o'er j The wea - ry pen - non woos the seaward wind ; Home, fare thee well. S3 Fast speeds the bark, and now the less'ning shore Sinks in the wave, with those we leave behind. ■#•- E33E£=E: 3=3^^3! *- HH Fare, fere thee well, Land of the free ! No tongue can tell 9.0 3fc- Fare, fare thee well, I», :«: 33^ Land of the free ! No tongue can tell The love I bear to thee M. X_C g — Z a. :=t We wreathe no bowl to drink a gay good-bye, For tears would fall unbidden in the wine ; And. while reflected was the mournful eye. The sparkling surface e'en would cease to shine. Then fare, fare well ; Once more, once more The ocean's swell Now hides my native show. 3. See where yon star its diamond light displays, Now seen, now hid behind the swelling sail ; Hope rides in gladness on its streaming rays, And bids us on, and bribes the fav'ring gale. Then, hope, we bend In joy to thee ; And careless wend Our way across the sea. 94 KATHLEEN MAVOURNEEN. ^m V -a — 1. Kath - leen flavour - neen ! the grey dawn is break - ing, 2. Kath - leen Mavour - neen ! awake from thy slumbers, M _3^ j1=jL *— W :::c-i: mm i i ± 1 * * ! The horn of the hunter The blue mountains glow in is the l*i= *±U 1— x © — heard sun's on the hill, golden light, > rat The lark Ah ! where - r from her is the g: 3S light spell wing the bright that once hun» dew on thy shak - ing, num - hers, ;-"»* -0 -f-iS- r — * r ri w r — * »# — # ■*►' # — #-J— » ismm^ Kath - leen Arise in Mavour - thy beau neen - tv. ! what, thou slum star - b'ring of mv I still. night. I * a • ~ A*' ^ " Kathleen Mavourneen. 95 W # •*»■ %■ -0- -0- -0-. -0- hast thou for - got - ten how soon we must sev - er, O hast thou forgotten this vour - neen. Mavourneen , my sa d tears ar e falling, To think that from Erin and ■I i i I-* r '■* I- * - -^i--*- -*-- 1 — 1-> — 4 — 4 ¥■ -Qj- V4- 14 I I W ■ W I J I ! I ■»■ day thee we must part ; It may be for years, I must part ; It may, &c. 2 £gs and it may be forev - er, i -0 4—4 why art thou 0— 4 _ _ 1 m^*z B~ si - lent, thou voicek of my heart, -3! !S=t 3^r=? A— 1-2— =1- * — * -. — »• it ^ iflj may be for years, and it may be for - H"iT"i 1 . rr?~TiH '> '*j7j Kathleen Mavourneen. :te£ ever, Then why art thou silent, Kathleen Mavourneen. ^| ^^_^ h | [ | :***!= 5 5 32T i h f -|- » - 0.— 0-\ — ^-- -{-0-0-0- 0-\ »-0 0- f-fj — 0-0— ] — * — jj BIRD OF BEAUTY. -0--0--0- ■#-■#- *--*--#- ■•-*- ■*■* Ui i » Ul MiM M. B Scon. 1. Bird of beauty, whose bright plum - age 2. Com'st thou to me in the si - lence 3. Where the southern ros - es bios - som, Spar - kles with a thousand dyes, Of my snow-clad home to cheer, Bv the prairie's spreading plain, Soft thy notes, and gay thy ca Dost thou bear a message to rol, me, Tho' From winter rules the skies, mmmm have listen'd to thy war - blinsr, stem the friends belov'd and dear ? Charm - ed bv the masic strain, _ » # # 1 — # — — m— , \-0-0-0 — \-0-0-0-f — 1 5 S 5 %— 5- 5—, — 1-0-0-0 Y-0-0-0-T- Bird of Beauty. 97 0. *-#— Ug-g — 9-0 — +4-1 1 izj-. — ^ 1 •-faTbl-^ 3 — — — ' Soft thy notes, Dost thou bear I have lis - and gay thy ca - rol, a mes - sage to me, ten'd to thy war - bling, Tho' stern win - ter rules From the friends be - lov'd Charmed by the ma '\ T the skies, and dear ? gic strain. sgi^t? 7j=i^=f. at: ±&- ±±2= £ :e;: -SI'- m^k& i ■# -*?-?— i=fc ggaa^ La. la, l a, la, la, la. la, la, la, la, la, la! 3: -O — (-_ — H5_i__ — u La, la, la, la, la, la, la ! :e£* - 1. Swift fades the land I love be - hind... me, The ra - ;,-ing sea be - fore me lies, 2. Where'er my cru - el fate shall guide., me. My heart lor thee shall ev - er burn. The In m^^m Tjutp-t^tzl, HP- m E^^iE5j£&; 3? # 0-S- s* #— I- -A._. i# ~l — t drea - ry wind so cold - ly blow - ing But e - chos back my mournful sighs, mem' - ry though I )ft may see thee, A - las ! for me there's no re - turn. IT"* j"j T~* T»T j -j HT*- •* J- -A f^rjt— *- -* — — 1— ^*# 1 — -J-* — ±2 — * — — 1 — h j - * — ** -3— * "1* 1 z ^ — =5_g— g-=— M L lUt»-— r r r r 1 * g^^=^g|^=g^EJ^gp^Eg=3=E May heaven watch o'er thee, while far, •while 1 — — — — — -1 -— »---pf; far from thee I roam. Fare- ±±± ¥- — *- 1 # £ The Exile. 1)9 =fc=A -i ! JUzrszMz r—N-f ft-r^3— a | ._ [ ■well, thou land where hope is blight - ed, Fare - well, my Fath - er - land, my home. Fart- lip j-zt* -*-*-* -*-»•#■ -*■-*■-* -#■ -#■ -#- [000 a e * -—g—M. — * g -g) * g - -i — (5 —&- .(2— -$#— »' ^-*- well, thou land where hope is blight -ed, Fare -well, my Fa - ther - land, my home. ! ' -0 :f r , s cv* t — * — • r -5 ■•'—&- i Fare- 's*. i i « nu.«.j7, — » — » — *- -i — (-»-# #— j-g * g- p Z — *T~ | ~ — - i — -L e , 1^_ well, mv Fa - ther - land, my home. „ jT-i- -J- * * ^ J4-$~t-% ■*- * __ij — __|_^_i_^: — | — e, — — #_- . — 1-5-3 3 -a 1— * *— ¥ ► -»— i- — i- -+ Farewell, my Fath - er - land, my home. f f H 100 WHY DO SUMMER ROSES FADE? 1. "Why do sum - mer ro - ses fade ? If not to show how fleeting All things bright and fair arc made, i'o 2. Then while summer ro - es last, O ! let's be friends to - geth - a, Sum - mer time « ill soon be pa»t. When 3. But tho' sura - mer ro - ses die, And love gives place to rea - son, Friendship page without a sign, And OH bloom a - -while as half a - fraid To join our summer greeting ? Or do they on - ly bloom to tell How Autumn leaves a - round us cast, And then comes wintry weather; Sure - ly as the sum -mer's day, all on earth pass cold - ly by, 'Tis but a win - try sea - son ; And friendship, love and ro - ses too, The E=&I~=^=£ 3TiBdES|x-r_znr3 f -. * #— •— mi 1 — «- t -#. — € — 3— L — I- — * — S>- JJ t tt. * TTT *r brief a sea -son love may dwell? Or do they on - ly bloom to tell How brief a sea - son love may dwell? Friendship, too, will pass a - way, Sure-ly as fhe summer's day. Friendship, too, will pass a - way. spring-time shall a - gain renew, And friendship, love, and ro - ses too, The spring-time shall a- gain re - new. HOW SLEEP THE BRAVE ! ^==* + =j :*=:%=l==ft q_- I J q===*:f=3== ^ < l_^ qp=^ :|==j ===; 101 1. How sleep the brave, who sink to rest, By all their coun - try's wish - es blest! When 2. By Fai - ry hands their knell is rung, By forms un - seen their dirge is sung ; There m -0 #V 0- ig 3- m =3: ±±. — "-f— ' «^=3=i-*— i 0-1 ^._ 4 , ; __ t7 -i,^ P — ^ — Spring with dew - y fin - gers cold, Returns to deck their hallowed mould, She there shall dress, She Hon - or comes, a pil - grim gray, To bless the turf that wraps their clay, And Free - dom shall, And S: ;± :fi Z=t St -0— 4= =i=^ ■33=1: s£ She there, she 3=3 i=l=J==^ gZZJ — 0. liil there shall dress Free - dom shall gfc =t* sweet - er sod Than Fan - cy's feet have ev while re - pair, To dwell a weep - ing her =i=r=== =*= =?===\=o=£ ZJL I=^=H§ esf^ er trod, mit there. £=_= IN THE EYE THERE LIES THE HEART. 1. Thro' the eyes the heart doth speak, To each look thy sazo be turning, YV hen with love thy soul is burr.ing. And 2. 'What a joy one look can give, From the eyes where love is dwelling, When two hearts *vith rapture swelling, 111 each ■y-^m -$} -r— *-*-f?r=p=r-jt^ ^=?c -lr«— *- 1 hr— *h iE 3S ^p*^,^ thou thy fate wouldst seek. v Read the Ian - guage of the eye, There is truth in all its glan - ces, oth - er on - ly live. Hope, with glow - ing tints doth shine, Earth to them is full of gladness, £*-• ■#-■#-■#■ ., _ •#-" m j r It, s—r-O # #- ife*E*=* —3^ -» V • - V- i- •-? : i h f T r s" Far moie truth than wis- dom fan - cies, Lo ! with - in its flash - es lie. Thro' the eyes the heart doth Free from sorrow, care or sad - ness, All ! the light of love 's divine. Thro' the eyes, &c. - ±~l-fi- — *— L5-3- ; -/--' t= 3q=~ *' o — #. — • — • 3 — zfcra lc the Eye there lies the Heart i " " " f Vl ' ^ To each look thy gaze be turning, When with love thy soul is burning, Thro' the eye* the heart doth speak. *=F- z— \n i=^ IS THE OFFICER'S FUNERAL. -g.tt^-t44-'4M^- Hark ! to the shrill trumpet call - ing, It pierceth the soft summer air ! Tears from each comrade are Sleep, soldier ! tho' many re - gret thee, Who stand by thy cold bier to-day, Soon shall the kindest for- •i.But tho' hearts that now mournfor thee sadly, Soon joyous as ev - er shall be, Tho' thy bright orphan boy may laugh * ? / •■- -b 1 1 r *t 1 S- fc- 1 N K--, 1 f-ff ' fft' .1 T - a w - ■> ©- § fall - ing, For the wid - ow and or - phan are there ! The bay - o - nets earthward are turning, And the get thee, And thy name from the earth pass a - way, The man thou didst love as a broth - er, A glad - ly, As he sits on some comrade's kind knee, There is one who shall still pay the du - ty, Of 104 The Officer's Mineral. :J:ig4:S : ^Li?_ f=r-J r^ -9 — *. f- 1 -* — 1 =— #-•:* «s r drum's muffled breath rolls around ; But he hears not the voice of their mourning, S'or awakes to the bu - trie's friend in thy place will have gained ; Thy dog shall keep watch for an - oth - er, And thy steed by a stranger be tears for the true and the brave, A» when first in the bloom of her beau - ty, She wept o'er the sol - dier's __ ,.«2 T * e '— , wf^r-r— it- 9iEgP'= -*■ — 0. m-*i w~+ — *t— *H— »■ 0.^-0. 5"* — 9\ ' — f- ^ 3E 53= S sound But he hears not the voice of their mourning, Nor a - wakes to the bu - gle's sound. reined,... Thy... dog shall keep watch for an - oth - er, And thy steed by a stranger reined, grave As when first in the bloom of her beau-ty, She... wept o'er the soldier's grave. ROCK OF LIBERTY. — * — *- — *.- — «'—»■ mm \j- -w -w -w -r-wr -w ■,, , O the firm old Rock, the wave-worn rock, That braved the blast and the bil - low's shock. It was Thou., stern old Rock, in the a - ges past, Thy brow was bleached by thp war - ring blast. But liiy Then., rest, old Rook, on the sea-beat shore, Thy sires are lulled by the break - er's roar, Twas :a- -jjzzz —0i — 0- nc~*. !=i=£^ Rock of Liberty. 10.') =j — ^ — J — » — *-- H -? — * — ?-— F- — - — * — *'~ -M"' — * — *-? «i — 1 1 r=-r= ' #— I » »- # J £' * # 0' #" J M 1 * i U" "if i , V b — a bar - ren shore, And it laughed with scorn at trie o - cean's roar ; '1 was win - try toil with the wave is o'er, And the bil - lows beat thy... base no more; Yet hymns were heard, O'er the star - tied cry of the o - cean bird ; "l\vas born with Time on win - try toil witl here that first their I6S=£ X £K A- - r a-: Xizzafc: -I }- E£B — j J ^^'Jn — I h — I - a . — »—\- here that first that Pil - grim band, Came wea - ry up to the foam - ing strand, And the count -less as thy sands, old Rock, Are the har - dy sons of the Pil - grim stock, And the here they lived, 'twas here they died, Their forms re - pose on the green hill's side, But the >^ *=t — m.r^^0 . 1 1 1 1 K — 0— —?- 3r+ Eg=jG E± — l- -t- :tf: f T 1 1 1 ^t- 1 " 2 ^ J -*w « 0j *- J ~2L— U C\T—— ■*- mm Tree they reared in the days gone by, It lives, it lives, it lives, it lives, and ne'er shall die. 0- -0-'—0 ±=£. £E£ THE STARS AND STRIPES OF OLD. 1 . We are a band of freemen, \\ ho love our na - tive land, 2. The re-bel host may gather, With sav - age fu - r/ fight, 3. They mock our peace - ful la - bor, They scorn our peaceful toil ; To save it from re - bel - lion, M » But they can ncv-er con-auer! Our But on their vain Dre - ten - sion. J u«. 4. Our fa - there fought for freedom. We will preserve their land ! Un - bro - ken, un - di - vid - ed, It fr 1 M . r-]— , N — ; ^-t-! N "in — i c= "At m i\ -ft., — «-:«- c * ^ 5 * Mi yf^ * *♦' *• * — 1 [1 I l» come with heart and hand, We left our homes behind us, "When Sumter's tale was told, lo ral -ly round our strength i< in our right. We fol - low on triumphant, Where on the breeze unrolled. Waves high our glorious blow shall soon re - coil ; The men they have de - rid - ed, Shall o'er their homes un - fold The banner they have shall for - ev - er stand ! Un - til 'tis re - u - nit - ed, We ne'er a - gain will fold The banner float - ing Hi — — . ! h T— — T— — •- CHOBCB. -0- -*■ -9- "#■.-#■ / ban - ner, the Stars and Stripes of old ! Hur - rah ! 3?3=£ — * >• ' ^ r ~-i • # P -* * *-+. Strip- ban -ner, tne Stars and Stripes of scout -ed, the Stars and Stripes of o'er us, the Stars and Stripes of old! old! old! Hur - rah ! Hur - rah ! Hur - rahj Hur &c. &c. Xc. rah! ring out the crv, Hur- i ^^^^= e « iSSi gg i | i fg=gg^y r =g The Stars and Stripes of Old. 107 iil^illililillilfOTfiPp an - ner for - ev - er shall wave, Nor part with ne'er a star ! rah! Our ban - ner er shall wave, Nor part with ne'er t. *. +. :N — JiT- b= -Y-, h — —» - V I V THE BEGGAR GIRL. EE=E=E -fd— »-— »— HI — j^ — « — a — -» — e — *-! — « — s — *-= — — j — «- — _^ — « — j « — u l.O- ver the mountain and o - ver the moor, Hun - gry and bare - foot I wan - der forlorn ; My 2. Call me not la - zy, and beg - gar, and bold enough, Fain would I learn both to knit and to sew ; I've 3. Think while you revel so care - less and free, Se - cure from the wind, and well cloth - ed and fed, Should tc± r=e_ ±-£=P — £ — P > — ^-±— -N — -Ft- v —^—« - %—*—* — FFg; — r — f — s:— *— *H--fe — * — S— *- — •— FFg;— J*-g— *-*-F fa - ther is dead, and my mo - ther is poor, And she grieves for the days that will ne - ver re - turn ! two lit - tie brothers at home — when they're old enough, They shall work hard for the gifts you be - stow ! fortune so change it, how hard it would be, To beg at a door for a mor-sel of bread! ICS1 0±_ 1 — 1 m The Beggar Girl. Pi - ty, kind gentlemen, Friends of hu - man - i - ty, Cold blows the wind, and the night's coming on ; -J »L - » — — * — *' — * — *~- — rr~ ^EBl - * T: V- ■$=£. -*\- Give me some food for my mother, for cha - ri - ty, Give me some food, and then I will be - gone. i THERE'S MUSIC IN THE AIR. ¥^mmmmmm0mmw^m z 1. There's mu 2. There's mu 3. There's mu ■ sic sic sic i t -0 the the thy air, .... When the in - fant mora is nigh, air, .... When the noontide's sul - try beam air, .... When the twilight's gen - tie sigh I ^-1 And faint its blush is seen, . . Re - fleets a gold - en light . . Is lost on evening's breast, . __-_ — , . _ m »i —~m i t- i-i-i f * - * ■*-* |- T — «- — —f — * 'T *— *r -t-i-B- — r=^t -*f There's Music in the Air. 109 ^=fe !=*=&-. x 'fl ^^m .(» — SE^r-: On the bright and laugh - ing sky ; On the dis - tant mountain stream ; As its pen - sive beau - ties die ; » — » — T5.— 3.— r — Many a harp's ex - tat - ic sound, With its When beneath some grateful shade, Sor - row Then, O then, the lov'd ones gone, Wake the •*■ ■» thrill of s aching pure, ce- ^fe 3 * }« =^fesgp: i (2d time, pp.) t=i=^9=j: joy pro - found, While we list en - chant - ed there To the mu - sic in the head is laid, Sweet - ly to the spi - rit there Comes the mu - sic in the les - tial song, An - gel voi - ces greet us there, *In the mu - sic of the £fv +n feu fe^ &* £<^ g£« ±~ $3= air. air. air. (• La»t line, Rail.) — *- T ~-&. no JUANITA. (Pronoune.4 Wantut.] ^ — J— S-:=Ji±:5:-=tr=*: *=J: 1. Soft 2. "When o'er the foun - tain, in thy dream - ing, Lin - g'ring falls the south - era moon ; Moons like these shall shine a - gain, ^^*-S^.F4— SpS « ^ — H— ^ -I- — — i f 1 W^ — #■ S=fe "1-i. o'er the moun - tain day - light beam - ing, Breaks the day too Prove thy dreams are soon ! vain. L ^ z y va~^ ^p-^^^^i --i-T-'m =*3 -' *= * ^ m= :E3; Juanlta. Ill ^=^=i j=3z £ N i J - rj ,_ =r J=S . # — J S V In thy dark Wilt thou not, eye's splen - dor, re - lent - ing, Where the warm light loves to dwell, For thine ab - sent lov - er sigh, 1+ 1 ,-U*— — I — 1-0 — I — I — — — i — 1—2 — i — >— 1 — -H If ^ 1 , 1_, 1 i _« 1— 1-# 1 1-0 j H J 1 J , j—i 1 , 0—, r- *— ih- — *-»hr*-d '" v ~j ^ — 0-r — # m 3^ 3E ^ Wea - ry looks, In thv heart E^=g=3= m =H=- — K -0 * '0 :=+- yet ten - der, con - sent - ing, Speak their fond fare To a prayer gone r well ! by? :r^=: 112 Juanlta. Ni - ta ! Jua - ni - ta ! Ask thy soul if we should pan ! Ni - ta ! Jua - ni - ta ! Lean thnu on my heart ! Ni - ta ! Jua • ni - la ! Let me lin - ger by thy side ! Ni - ta ! Jua - ni - ta ! Be my own fair bride ! -J -J- Ask thy soul if we should part ! Ni - ta ! Jua - ni Let me lin - ger by thy side ! Ni - ta ! Jua - ni P J J -*. * i Lean thnu on my heart ! Be my own fair bride ! ; =ffe=il lis c- KITTY CLYDE. SHB^e --O 4 1. O who has not 2 . With a bas - ket to 3. How I wish that.... seen Kit - ty Clyde, .... She lives at the foot of the hill In a put in her fish Ev'ry morn - ing with line and a hook,.... This.... I wag a bee, I'd not gath - er ho - ney from flow'ers, But I'd -+ — ^ M m -^ZM # _. 1-0 C — I 1 a^ 1 -* * #-!-«- — — *^ i - — i -> S-* J -* w ' — "- sly lit - tie nook, By the bab - bling brook, That car - ries her fath - er's old mill sweet little lass. Thro' the tall, heavy grass, Steals along by the clear running brook ; . . . steal a dear sip, From Kit - ty's sweet lip, And make my own hive in her bower*. . . O who does not She throws her line Or if I was Kitty Clyde. love Kitty Clyde,.. That sunny-eyed, rosy-cheek'd lass,.. in - to the stream, . . And trips it a - long the brook side . . some little bird, ... I would not build nests in the air, . . . 113 T^'" ±=h N S . j - mm With a sweet dimpled chin That look'd roguish as O.... how I do wish That.. I was a But keep close by the side Of. . . . sweet Kitty m -*z^s: '£-- » 5— L 1 — ' 1 7* •*■ "*— *. r :i >.-r m 4 — L -^ i—h-£- sin, With al - ways a smile as you pass... Sweet Kitty Dear Kitty My own sweet Kitty fish. To be caught by the sweet Kit - ty Clyde. . Sweet Kitty, Dear Kitty, My own, &c. Clyde, And sleep in her soft silk - en h air . . . « — ' *=£ -- *==£ -0-0-j- tee£^ «t Clyde.. In a sly lit - tie nook, by the bab - bling brook, Lives my own sweet Kit - ty Clyde. 33=25 3=£ £ 2- 1 £E5 114 GENTLE RAY OF SUNLIGHT. -#■ ' ' ^r ■* -#■ w -0 ' 1. Gen -tie ray of sunlight gleam - ing From the por - tals of the sky, "With ce - les - tial glo - ry 2. Tell me, is it not thy mission, On life's dismal path to shine ? To give man a fee - ble •beam - ing, Full of light, and life, and joy, vis - ion Of those heav'nly rays divine ? Gild - ing ev' - ry hill and mountain, Smil - - ing Yes ! to soothe af - fee - tion's pil - low, And .... to m zl— -^T g± tt^5 5f=P- v — - 1 1 1 r- ** ^ L ~v-\ p£*£E ' V / "' -- V * V [i No ! the free and brave Will scorn to yield — my country's flag shall wave A - round the patriot's gTave I Thwarted shalt thou be, For I shall rise a - bove thee in e - ter - ni - ty, Im-mor-tal life thou giv'st to me •The martyrdom of Col Pestal by the Russian Government, has been rendered immortal by the etfnmsite melodv he scratched on the wall of hta dungeon, with a link of his chain, ou the night previous to hlsexecutlon. The poet has attempted to peatray the emotions by which the unfortunate vatriot wat actuated, in his last hours when he couiuoscd this beautiful uueloxlF . NELLIE DEAN Nellie Dean. 117 r — -tv- ±=g: -+—. i- qd--«-- Sleeps in death the gen -tie Nel - - lie, Ev - 'ry heart with wild a - dor - - ing, And the soul that woke her beau - ty, Nev - er - more to stray with m». Nev - er - more a - las ! to rill. Now shall wake it nev - er - more. 9 : *=?*=* ±kk t i nil [TT7 } is ^ J 5 [5733 i r f DO THEY THINK OF ME AT HOME? 1. Do they think of me at home, Do they ev - er think of me? I who shared their ev - 'ry 2. Do they think of me at eve, Of the songs I used to sing ? Is the harp I struck un- 3. Do they think of how I loved In my happy, ear - ly days ? Do they think of him who — ^^-z^ fH^ i- p— ^ Z^ ZZfjZ ^ZZZzlzZZ^ZZ f m^m -t- Zt3ZZz£?_z£=t «. -*—3 5 ifcfc :h IP :S_ -a- mz i rp^ grief, I who mingled in their glee ; Have their hearts grown cold and strange To the one now doom'd to touch'd, Does a stranger wake the string ? Will no kind for - giv - ing word Come a - cross the ra - ging came, But could nev - er win their praise ? I am hap - py by his side, And from mine he'll nev - er -0 0i 0— -XzzH -0-- ~— 4*=*} 0-i — 1 z^zzz$zzziszz 3zzzMzzzMz± 118 Do they think of me at Home ? 3H — ! F-»-rf--a r 4 « ita : L l. 1— roam i 1 would give the world to know, foam ? Shall I nev - er cea6e to sigh, roam. But my heart will sad - ly ask, Do they think of me at home?" I would eive the world to Do they think of me at home ? " Shall I nev - er cease to Do they think of me at home?" But my heart will sad - ly — I ' 9 v »-\-^JLJjr$ I" ^ mi — py j " | T~ know, " Do they think of sigh, " Do they think of ask, " Do they think of * -*■ ' *' ■*■ Tf me me me home ? " home ? " home?" 4— J \ m « — «a ::: 3- HOME'S SWEET HARMONY. ALLEGaKTTO f 1 ^ ^ 1 1 ^ ^ -t 1 ^ W -^ ^ -, ^ ^ 1 1 ^ ^ 1 T- . The lark may sing her sweet - est song. As ri Deep in the woods the night - in - gale At mic As ris - ing from the wav - ing corn, At midnight hour mav tune her lav, -0 On soaring wings she May pour up - on the Home's Sweet Harmony. 119 i — ^ — — i — j-j 1-0 — — », — HOT TOO FAST. skims a - long lis - t'ning vale f t • i To wel - come in the ris ■ Her love - liest streams of me i — T* - f 9 ^ — '—* — \ t - ^ : ±- 1 — ^ ' — r J — \—t-0 w 1— 3 — J i— »- L -f 1 — * 2 - x -*. 4 1 — * #— c ing morn. lo - dy. 5* ■jta=s=E=q: :Jr ^tJT 0- b But her loveliest song is naught to But her midnight lay is naught to me, me, Com- Com- -\ — i — »— -k- * — ^- 1 ^=^=3: £ #— J— -# J--^— * — * * — *- X -* i — i — i — *-^ = i-. — J.— £ #-3-^ — £— -«. J weet hi weet hi pared to home's sweet har-mony. pared to home's sweet har - mony. 1 But her loveliest song is But her midnight lay is naught to naught to me, me, Compared to home's sweet Compared to home's sweet 3*3E3E -*. — »^— * — * :=pi -Itz: iu ff~ 1 ! ' i — : — J n — ' — I I II har ny. mmmm Sweet are the songsters of the spring, And of the summer's sunny days ; And autumn's feathered warblers sing, In rapturous strains, their sweetest lays. But the joyous songs of bower and tree, Are naught beside home's harmony. But the joyous songs, &c. When time's dark clouds aoove us lower, And life's dread winter o'er us comes, 'T is then we feel your masic power, Ye songsters of our hourts and homes. For the dearest joys on earth to me. Are found in homo's sweet harmony. Yes, the dearest joys, &c. 120 OUR FLAG. Words by Dr. 0. W. Holmes. L. Louis. 1. Washed in the blood of the brave and the blooming, Snatched from the al - tar of in - so - lent foes, s . r »— J -4 a— J ,J— * •'— 'S-ira-T? J — *— i-i ^ — fi K ^F^F i Burn -ing with star-fires, but nev - er con-sum-ing, Flash its proud rib - ands of li - ly and rose. , ( Cho. next page.) (*_£■-* H ,-1 - 1 B- 2. Vainly the prophets of Baal would rend it, Vainly his worshippers pray for its fall ; Thousands have died for it, millions defend it, Emblem of justice and mercy to all: — Cho. — Justice that rendeth the sky with its terrors, Mercy that comes with her white handed train, Soothing all passions, redeeming all errors, Sheathing the sabre and breaking the chain. 3. Borne on the deluge of old usurpations, Drifted our Ark o'er the desolate seas; This was the rainbow of hope to the nations, Torn from the storm-cloud and flung to the breeze. Cho. — God bless our flag and its loyal defenders, While its broad folds o'er the battle- tit-Id wave, Till the dim star wreath rekindle its splendors, Wash'd from its stains in the blood of the brave ! CHORDS. Our Flag. 121 w - — i — *}—$—\ — &» — Hi — *■ g — ^-H ^tf — * — tf — i — 1. God bless our flag:, and its loy - al de-fend-ers, While its broad folds o'er the bat - tie - field wave, 2. Jus - tice, that rend - eth the sky with its ter-rors, Mer - cy, that comes with her white-hand -ed train, 3. God bless our flag, and its loy - al de-fend-ers, While its broad folds o'er the bat - tie - field wave, iff^i^=B=iill^E3il^i^^ 3^ Till the dim star-wreath re - kin - die its splendors, Wash'd fiom its stains in the blood of the brave! Soothing all pas - sions, re - deem - ing all er - rors, Sheathing the sa - bre, and break - ing the chain. Till the dim star-wreath re - kin - die its splendors, Wash'd from its stains in the blood of the brave ! iSH £S -»—-♦- fei?il=5=i^==g!] MY SOUL TO GOD, MY HEART TO THEE! 4! *=$■ rr » -j i a. L=rf=3t ^ is now spread to the wind," not the ma - rl - ner's song, . '-0 — P— Said the Bri - - - ton with glis - ten - ing That mer - - - ri - ly peals o'er the — — t- r :fcfc± h^=Z=^^ m =fc eyes, I go if perchance I may find., sea, " The soul .... to the sea-gods be - long, . Jt :^Si4J r -0—0 — d- * The wealth that for - tune here de- "We'll give our hearts to mirth and h ^ZJTzi=0Z^-3*-_ -l—0—0- L T- -j- 1 f ff— <9 0-^-a— m -0 — * — 0— mes . . plee ! " r -h=* — ' — r ms^ ^p: We yet shall meet — O dry thy tear, But he, in trembling and in fear, heed my prayer, weep For - gets not home far not for o'er the SI J i-p frs- Il^E^g My Soul to God, my Heart to thee ! 123 God, my aoul to God, my heart to thee £ J> J. V-*- E!: -,s> 0-. mm tr ^ He wanders o'er many a sea, And gathers his treasure of gold ; Returning, how gladly had he To her his tale of fortune told ! O'er the grave he reads in woe, " Farewell, my son, O weep for me; J: In heaven" above, as here below, My soul to God, my heart to thee." i| JUST TWENTY YEARS AGO. 1. I've wander'd to the vil - lage, Tom, And sat be - neath the tree, Upon the school-house playing-ground, That 2. The old school-house is chang'd, dear Tom, The benches are replaced By new ones ve - ry like the same Our - i-0 , 1 L_, €-!_, U L -•.- :*=£ EEBE3 sheltered you and me ; pen-knives had defaced ; — fr — V r i * N * fcr j— But none were there to greet me, Tom, And few were left to know, The same old tricks are in the wall, The bell swings to and fro, That The -— — ^ :r f- — i- r played with us up - on the green, Just twenty years a - go. Chorus. -Twenty years a - go ! ""i - &ic's just the same, dear Tom, 'T was twenty years a - go. Twenty years a • go ! a A- i * t - 3^3 SUA -i *— — -4- -«i just Twenty Years Ago. Vlo :«=^M Twenty years a - go ! That played with us up - on the green, Just twenty years a - go. Twenty years a - go ! The mu - sic's just the same, dear Tom, 'T was twenty years a - go. j;|=p= _- # , — W ■■ V * > — « — * *• — * * *i =3 -?- II Die river 's running just the same, The willows on its side Are larger than they were, dear Tom, The stream appears less wide ; The grape-vine swing is ruined now, Where once we played the beau, And swung our playmates, boys and girls, Just twenty years ago. Twenty years ago, &c. Some now are in the church-yard laid, Some sleep beneath the sea, And few are left of our old class, Excepting you and me. But when our time shall come, dear Tom, And we are called to go, I hope they '11 lay us where we played Just twenty years ago. Twenty years ago, &c. FADED FLOWERS. •0 -0-. -0- -0- ' -0- m .» i -** -tpt =^3: the flowers that I saw in the wildwood Oth - er ro - ses may bloom on the morrow, O ! how dark looks this world and how dreary, 0- 0X~0- -0— I^T! Have since drooped their beautiful leaves, And ma - ny a friend have I won, When we part from the ones that we love ; And the Yet my But there's Faded Flowers. na - nv dear friends of my childhood, Have slumbered for years in their eraves ! O ! tne friends of my childhood, Have slumbered for years in their graves ! part but with sorrow, When I think of the ones that have gone ; ry, And friends meet with lost Jt-J *- and the wea O! Tis And — — #. -* mi— b-a — 2 JT* - 1 -s — #^-« — y . t * * ^ - I -g — ?-*-# D bloom of the flow won - der that I, heav - en I can ~ P * * -P-- -^=P rs I bro but -* r — st re - member, - ken hearted, re - member, And the smiles I shall nev - er - more see ; And strick - en with sor - row should be ! When from earth my proud soul shall be free, _ # _ , — .._ _«. For the We have That no *- B1T1RD. ** cold chil - ly mists of De - cember, Stole my flow'rs and com - pan - ions from me. met, we have loved, we have parted, My flow'rs, my com - pan -ions, and me! cold chil - ly winds of De - cember. Can part my com -pan -ions from me! THE BATTLE PRAYER. Music bv Hoimcl. 127 i m^^^ m^^^^^m^^m^^^^^ 1. Father! I bend to thee, Life, it was thy gift, Thou now canst shield it, From thee it came, And to 2. Father! I trust in thee, When midst the battle's strife, Death did surround me, E'en at the cannon's mouth, 3. All I give back to thee ! When at thy call, I my Life then shall yield, When in the cold tomb My S — r B» *• F -0- ■■*?. vr m- -TT.j I a P-f2 -M- 3. ■-»- -Q— ---fjfi thee... I yield it; In life or death, Forsake Death has not found me. Father, 'twas thy will ! I trust fate shall be seal'd, Father, my soul take un not me. in thee. to thee ! Father, I bend to thee. Father, still guide thou me. Father, for - sake not me. i ^ % *3> H] pg ^mE — i — - 1 — ty— i s -f — f — r^ — ^ z.— i^~ =S •*•- /T\ 3=PCT ALLEUMTTO. -0 ' MAY OF THE VALLEY. -V 4 - © --V ©.- ^1-n — * — >-•—#! sweet May of the val - ley, Light-hearted, joy - ous and free, With blithesome song, she ly song of the wild bird, That wakes the sweet fo - rest rose, The sparkling brook, and her light step re - pos - es, In wood - land, cot - tage, or hall, Though joy resounds, Or 1 -' ' i , -i 4— J UU, 2 --*=F 3^E3EE^3^=3=g -—&- E&= bounds a - long, O'er the dew - y sha - dy nook, Where the vio - let for - tune frowns, Wei - come she to lea, .... grows, all. . . . The pearl - y stream of The star of eve as And as the tones of the wood - land, The it lin - gers A- - tion Are £i =t -?- k — •- :a^;zr? H -T,T j m SHE ^5 gen - tie -voice of the gale, long the vine-covered dale, borne a - way on the gale, W— — O 0- -#-- E -* -j- -fv The flow'rets gay Seem all to say, May is the dar - ling of the vale. All wake the lay That seems to say, May is the dar - ling of the vale. They swell the lay That seems to say, May is the dar - ling of the vale. lis M i * i — * A i-T j r -if f-A \—*3 1 — i 1_ L_a ta 1-. &f i CIIORTJS. After the ast verse, tpeat pp I I * K May of the Valley. 129 j, 1 1 a 1 -j 1 _ _L a -0- -0- -0- -0- -0- 9- Yes, hark ! to the mu - sic steal - ing Far on the sure - mer air, Joy - ous - ly swell - ing, 1 H U 1 1 1 a'- 1 1 H 1 \-. <- T=T- : 3 = — • a d 5 5 — g 1 m. 9. — i . 0- ■-I 0- 3=5= 5 glad - ly tell - ing, May is good and fair r, Th he voi - ces sweet of the wood - land, The *. *. 4L 4L ft r=r @ May is the dar - ling of the rale. mur-mur low of the dale; They float a - way, But ev - er say, May is the dar -ling of the rale. f=f •y — * -¥=*—& £ f = T = f = rrf = r = ^ -y — y y y ■ r 130 Words by limn Bisrxow. Esia. *.«n ^^ — I ^""n — I r friend, We. sweet friend, must breathe good night ! Gooa nigni, good night, ~?~ azrzz: good night, good night, good night. D. C. " Good night." DEPARTED DAYS. ALLtOBITTO AFFCTDOSO ese 1. Sweet voi - ces from the spi - rit land.... I hear, Now 2. When twi - light's shadows veil the qui - - - et earth, And 3. When far from those most dear a- while.... we part, In -i — ^ s | - E - zr I - r »l-*-»--r-r-rr— I — hi — p breath - ing ear • ly stran - ger -0- pure and ho - ly stars be - deck the lands to find a With heav'n - ly tones a - wak - ing mem - When friend* are gath - er"d round the home - When long and wea - ry days op - press.... - ries dear, - stead hearth, the heart, cTr And And Departed Days. 135 * ^i=c loved and ~long de - part - ed days They come cares of day are pass-ing by They come, &c. in the throng we walk a - lone They come, &c. be - loved ones, from the «feS '& -E- H^EEE£ dis tafit shore, Where joy il - lumes with gold - en rays,. And 0— — -*— r* — ^ — — v 1 — • 1 ^B: ^ T^ soft - ly in each sorrowing heart.. . they pour Sweet mem'- ries of de - part - ed days. *£* 136 CHORUS, ad 10>. Departed Days. -a-.. :^EE^ = eg They come, be - loved ones, from the dis - - tant shore, Where joy... il - lumes with gold - en z sS=£=f: x m* 53 - 1 — ». #•— 0- -0 — They come, be - loved ones, from the dis - - tant shore, Where joy ... il - lumes with gold - en ^» — 0'- 0'--\ I ! !y— ^^^ x—P ieiP 3 *^ : J J— ji rays, And soft - ly in each sorrowing heart they pour Sweet mem'ries of de - part - ed days. V rays, And soft - ly in each sorrowing heart they pour Sweet mem'ries of de - part - ed days. P C*; — &■•■ — #•- — m'- #i — 0' — — «,- KJ~ This Chorus mav be omitted,— or the part of the Song having the air of the Chorus ma; be omitted and the Chorus sung,- or all may be lung in Vie order here givia. WHAT IS HOME? 137 =h r-3 ^? 1. Home's not made of pul - ace walls, Tho' with pic - ture^ hung and gild - ed : Home is where af- 2. Home's not mere - ly roof and room? Home needs something to en - dear it ; Home is where the S. Home i it may be but a name, O - ver which the mem' - ry lin - gers ; Smile or tear, or -*■#--•- -ft- ±:g£=E: -» — — •- a ■0--0--0--0--0--0--0--P- -j ' — — » -0 — c 9 e * — [■ T — »— ? =*=q -g — 7"~'7 — g -3 r =? = l~ ?EE ■ L- I- 1 . 1 1 f. '- 1 1 I "- J 1 i- I fee - tion calls, Filled with shrines the heart hath build - ed ! heart can bloom, Where there's some kind lip to cheer it ! ho - ly flame, Wrought by love's re - sist - less fin - gers ! ,.f T. ff- . * — »—* — t-j£ — * — * the Home ! go watch the What is home with Home! it is a m= & 31J3 1 f-r— ' ' 1- K 1 U_S- J y, J faith - ful none to pre - cious ■0 - - 0- — Z '•- dove, cheer, word, *— i~ 1— f Sailing 'neath the heav'n above us ; Home is where there's one to love, Home is. . . where there's one to iove us ! None to welcome, none to meet us ? Home is sweet and only sweet, Where there's one we love to greet us ! On the lov - ing heart en - gra - ven, Home's a sweet and sacred chord Join- ing. . kin - dred souls in heav - en! — £L£_£Lj£ ■0- -0-' -0- T* ____(_.—-, . — 1-, P-j-< »rT~i 1 j- - | i l | m-t i -r- >-- -' [■-»-; — * r — *f~n 138 THREE FISHERS WENT SAILING. Words by Ret. C. Kixgslet. J. IIl'IXAII. 1. Three fish - cr8 went sail - ing oat in - to the west, Out in - to the west as the fHIli son went down : Each thought on the — -S ■/- J=*= wo - man who loved him the best, And the ■0- — T— # ^ .j v w 9 w _ 9 — — — v — >»— F TJT« POCO BALL. t^— 8 * i ^ fr-=3 :=tnfl Si them out of Hi-p # # — 1— # # # L I -*■ z the town. For men must work, and chil - dren stood watch - ing I Three Fishers went Sailing. 139 ^_^-J — #^ — -4-0. * har bor bar be ::^mz ^HH > tt .mg. . — | ♦ , b* _ T _J , :lz=i 1 Three wives ?at up in the light-house tower, And they trimmed the lamps as the sun went down ; They looked at the squall, and they looked at the shower, And the night-rack came rolling up ragged and brown ! For men must work, and women must weep, Though storms be sudden and waters deep, And the harbor bar be moaning. 3. Three corpses lay out on the shining sands, In the morning gleam as the tide went down, And the women are weeping and wrineing their hands, For those who will never come back to the town; For men must work and women must weep, And the sooner it's over the sooner to sleep, And good bye to the bar and its moaning. HO 'TIS MIDNIGHT HOUR. k 1. "lis midnight hour, the i mmmm^mmmmmmw r sr vr ' * moon shines bright, The dew-drops blaze beneath her ray, The twinkling stars their 2. Tis midnight hour, from flow'r to flow'r, The wayward ze - phyr floats a - long, Or lin - gers in the y — , »-r-» — »-r-#-i * — r-* — *^-*-t — -* — * — * — * t — * - » ^ i — 0~r* — ■= p-c -5, , ^~~ O 1 Nr r 1 , \ f=V 1 V Or r trembling light Like beauty's eyes dis - play ; sha - ded bow'r, To hear the night-birds' song; Then sleep no more, though round thy heart Some Then sleep no more, &c. - 9 - — 9 1 * * f # -^ Jfc JT S* . == HIT. . \ AD LIB S — 5fc — if—* 1 — i ten - der dream may i - dly play, For midnight song with ina - gic art, Shall chase that dream a - way. -0 — — — 0- T ?^r*—*—&-j — #— -#— #-^# T — -*-* -*— 0—0— i — 0—0 — T — *-»-*— 0—0—r — » — * — *-[— *^f—^ — n — | — — — 0— 4- — - — —0 —4- — - - g-r i- a —4- —r-0 —0 „M NEAR THE BANKS OF THAT LONE R'Yrr. W, ^lp^^iPpp|Ep^l|pi^pig 1. Near the banks of that lone riv - er, Where the wa - ter li - lies grow, 2. Like the stream with li - lies la - den, Will life's fu - ture cur -rent flow, Breathed the fair - est 'Till in heaven I flower that ev - er Bloomed and fa - ded years a - go. meet the maiden, Fond - ly cher - ish'd long a - go. How we met, and loved, and part - ed, Hearts that love like mine for - get not ; w^^^^^mg£$$=£sim None on earth can ev - er know. . . . Nor how pure and gentle - hearted, Beamed the mourned one years a - go. They're the same in weal or woe And that star of mem - 'ry sets not In the graves of long a - go. lit OLD FRIENDS AND OLD TIMES. ^ -JL ===*l£G ^ — p ^= -1-a> _ =L^. 1. Think - in? of old 2. O '«.fa the old times, friends Hopes ne'er to be, no more see. K ik - ing of "Id friends, the.-e a kind thougnt 1*1 U^ 1 JjT 1 JT? JT? J7? iEQSj i i JT?J7T I ^-^ -N- E fcfct= --t?_ j =M*==^ Far Ev o'er the lea ; - er for me ? Dis - tance can change not Dear ones like you ; If there's but one hope, One wish, tho' vain, 2a 1 Li rt ' ' 1 l H © ^ 1 *-> 1 — UPlHilg if ■?»- For - tune es - trange not If there's but one sigh, Hearts that are true, Thus I'll not com - plain Thus in the twi - light, in the twi - light, m r L_ , ' i i ' Old Friends and Old Times. 143 Fond thoughts will -tray Tears oft will stray, Back to the Think - ing of old old homes, Homes far friends, Friends far o — a - way ! f!H=ii=i — «>• — i -» — «-,—■ -» — * — 1 — g n — -* — -j - g i — |-* — *-- 1 j-~g- t — * — * — -s M — 1^- — ^tS-— J, El==g CHORUS, ad lib. i§: Homes far Friends far a - way, a - way, Far, far a - way, Homes far a - waj, Far, far a - way, Friends far a - way, Far, far a - way ! Far, far a - way! 3E f 1 1 , 1 — 1 I j 1 — U 1 — 1 1- — I — I 1 1 — 1 j U — I — I— — ■ Far a - way, Far a - way, BLANCHE ALPEN. bow - er ; Of winds t: float ; But have y —0 — # _t — i_ # _ ffl 1. You speak of sun - ny skies to me, Of o - range grove and bow - er ; Of winds that wake soft 2. You tell me oft of riv - ers bright. Where gold -en gal - lies float; But have you seen our !S!liIpE^pp==£pI a i44 Blanche Alpen. me- lo - dy From leaf and bloom -ing flow'r; lakes by night. Or sailed in al - piue boat r And you may prize those far - off skies. But You speak of lands where hearts and hands Will _ ~_ w — m w — w . zzz*zzjizzzzzi~s-~~^~z7Z _ z «r - ^"d^r^zr : -* L== 1 zZZZt=3-WZSZZ=3-3 —±T. f fc • • 9 '0 In sweet con - tent my days are spent, Then where But though I find true hearts and kind, They're kind fore leave my er still at 1— »— ~i ' — • — '- — ~ \- home ? home. i In sweet con • tent my days are spent, Then where - fore leave my home ? But though I find true hearts and kind. They're kind - er still at home. _ • —1 L_! !■*_ W !s , !^_ S ^ , W** I'M GOING TO BE A SOLDIER. Word* by Mm H. E. Beow*. ^X 145 From th« " Sara Cum.'' t—*-~ t J-.— t — i ^£±-}-*—*-l=l:—S — . — » +^*-- 3P^ * J t -J I . C I'm go-ing to be a sol - dier, Gird on my ar - mor bright, ) ' ) And with my lit - tie com-rades, I'll take the field and fight ; S I'll up -3.ZM1 — H!i! nev - er mind the — » — #— Chorus. — Life's bat - tie, O life's - r—T hard - ships nor rua: 1. of the way ; I'll watch and toil and vrres - tie By 4 - \\if- -0 0- bat - tie, 'Tis fought with self and sin ; but Je - sus is C -P^f - — h -» g — my Cap • tain, And (Repeat for Chorus.) a: mm •eV- day. un sure to win. The foes that will assail me, Are subtle, fierce and strong ; The war that they are waging Will deadly be and long ; But I've a well-tried helmet, A swo'd and trusty shu-ld, To quench the fiery arrows That Satan's hand may wield. Cho. — Life's battle, &c. I know I'm small and feeble, But Jesus is my head ; He's wise and strong and able, To triumph he will lead ; And when beneath his banner I've gained the victor's crown, With one long, loud ho-anna, I'll lay my aimor down. Cho. — Life's battle, fce. 14b HOW CAN I LEAVE THFE ' S •ivpuri. f»ora« rrotn in> Gennu 1 How can : i. r i r r gels, my darling, will rock thee to sleep ! gels, my darling, will rock thee to sleep ! soft! Rest in peace, i—0- rest -^--*- i=3. (&•>= peace, 148 r S7\ &'->- -P* rest in peace, in peace. 1 1— M 1+ H u Angels will rock thee to sleeo. 3. Tired, my child, of the " base, the untrue,'' O, I have tasted the cup they give you, I've felt the deep sorrow in the living green Of a low mossy grave by a silvery stream ; But the dear mother I sought for in vain Is an angel presence, and with me again, And in the still night, from the silence so deep Will come the bright angels to " rock me to sleep." — Cuouus. THE DEEP. _L^_ J. X Nearer thee now than in days that are flown. Purer the love light encircling thy home, Far more enduring the watch for to-night, Than even earth worship away from the light. Soon the dark shadows will linger no more, Nor come at thy call from the opening door, But know thou, my child, that the angels watch keep, And 60on, very soon, they will " rock thee to sleep." — Chorus. Word* by Brainard. There's beauty in the deep : — The wave is There's niusic Id the deep :— It is DOt bluer than the sky Id the surfs rough roar the light shine bright on high, More softly the whispering, ehel - ly shore — They are but do the sea gems glow That spar - kle in the depths below 1 The rainbow's tints are on - ly made When on the earthly sounds that tell Ilow lit - tie of the sea-uyiuph's shell, That sends its loud, clear note a - broad, Or winds itt wa • ters they are laid, And softness through the flood, hcu sun ancl moon must stout - ly shine oes through groves with cho ■ ral gay, There's quiet in the deep : — AboTe. let tides and tempest.* rave. And earth-born whirlwinds wake the ware ; Above, let care and fear contend, Willi sin and sorrow to the end : Here, far beneath the tainted foam, That frets above our peaceful home, u e dream in joy. and wake in love. Nor know tbe rage that yens above There's quiet in the deep. t-p - on the ocean's lev ■ el brine. There's beauty in the deep. Ana oms, en spon - gy banks a way. There's mu - aio in the deep BY THE SAD SEA WAVES. Dolci. 1. By the sad sea waves, I listen while they moan A lament o'er graves Of hope and pleasure gone. I was 149 1 By the sad sea waves, I listen while they moan A lament o'er graves Of hope and pleasure gone, i was 2. From my care last night By ho - ly sleep beguil'd. In the fair dream light My home upon me smil'd. O, how ;HH 3r=Jr m 5i£ =£ young, I was fair, I had once not a care From the ris - ing of the morn to the sweet 'mid the dew Ev' - ry flow'r that I knew Breath'd a gen - tie wel - come back to the !AU. _J2±}1±11_JAIA pp ^3=£= =^ -jpzz I tMN^^^P-Jqd SI set - ting of the sun ; Yet worn and wea - ry child. I I^ET^E^^ sea wave. Come a sea wave. Come a 1 150 By the sad sea waves. ^- ;i i : M±&&=f=tik&^m&m gain, bright days of hope and pleasure gone, Come again, bright days, Come again, come again, gai n, dear d reains, so peaceful - ly that smil'd, Come again, dear dreams, Come again, come again. j= i4 Eg i LljIo ALLEGRETTO. THE SWORD OF BUNKER HILL. 1. He lay up - on his dy - ing bed ; 2. The sword was brought, the soldier's eye Words by William Ross Wallaci £5 S with a fee as he grasped ble voice he called the ancient blade, His weeping son to him : He murmur'd Warrra's name: " Weep not, my boy ! " the Then said, " my boy, I r I I !>■' ' T » r- ej The Sword of Bunker Hill. 151 m^^w^T^^ ^^^ ^ -^^ w-2 m ::J=3« vet'ran said, " I bow to Heav'n's high will — leave you gold — But what is richer still, -fr- +- -0 antlers But quickly from yon antlers bring The I leave you, mark me, mark me now — The mmmmmmmmM 3=Ez £z3z zi—t=nzrz >• I II II I I I I Sword of Sword of zpzzzz*^ — ^y POCO 8TRING. if *• +* +* 9 p "^— — *W -f — > II o - ther joy, Ye wake of rap - ture still, set - ic word In mel - o - dy a - long. .1. Each step a - long the oft • trod path Re - The mur - mur of the rip - pling brook. With fSSS r*TJ "'ZZZr '99 m _«_#!*: -» I w ^ TEN. 3 -I U-! calls some child - ish day, mer - ry glancing foam, And brings to mind some dear lov'd friends For - ev - er passed a - Sings as it spar - kles on its way, The dear old songs of JL_ r The Dear Old Songs of Home. 153 I m^ -* — *-^.- — f^T -1 — ' ^* — — Ej ^T 1 4. to mind some dear lov'd friends For - ev - er passed a - way. it spar - kles on its way, The dear old songs of home. mmmm wel - come to my heart, come from cold and dark, Thawing, thawing like the snow ; Ye shall glit - ter in the sun ; -J- rdt "^ ■* "* l-*t-» -1—9-9—9 — mi -tJt, — fij^- -$0, 0-0 0-0 — fi*- 4 — f* 0-0 rrinrr*' — : — 9- ~c 154 3?# 2—*-* ;\ -^ t|]i U Ye I ears! =± yielded, And the ea- cheer us If the showers ly snow-drop spring, And the heal re - fuse to fall, And the eves -J > --lu — : — * J ^ - ins; fountains gush, that cannot weep And the Are the UJ 1 *! J. -*■ ■+■ -•■ -m- -+ -+ -0-0-0-0-0 -#■ ■*- -*• •*- -*- * ■*- -5--f--^*- ■*• ■«■■ 2= r_r zTZztzz: . V- ■wil - derness shall sing, sad - dest eyes of all. ■0- -0- •0-0- ,-*r -0- w» ye tears ! ve tears ! ? V 3. O ye tears ! O ye tears ! Tdl I felt ye on my cheek, I was selrUh in my sorrow ; I was stubborn, i was weak. Yehavegiv'n me strength to conquer, Ana 1 stand erect and free, Ana Know mat I am human, liv the light of sympathy. O ye tears ! O ye tears 1 P 4. ye tears ! O ye tears ! Ye relieve me of my paini The barren rock of pride Has been stricken once again ; Like the rock that Moses smote Amid Horeb's burning sand, It vields the flowing water To make gladness in the land. O ye tears 1 ye tears ! ye tears ! ye tears ! V ^JL- ~ I — '-jriT i_* # * # z-pc: There is a light upon my path ! There is sunshine in my heart ; And the leaf and fruit of life Shall not utterly depart. Ye restore to me the freshnes* And the bloom of long ago. ye tears ! O happy teais 1 I am thankful that ye flow. O ye tear* ! ye tear* I ThE DEAREST SPOT. ffcaE£==# 155 Weiobtm. fe=t= — # .3 — # ^ # _3 — J € # «_!__« J — -L — ^ #-- 1 — #i » 1 * L -#■ "■ * -*. w * ■+■; 1. Tlie dear - est spot of earth to me, Is home, sweet home; The fai - ry land I've 2. I've taught my heart the way to prize My home, sweet home ; I've learn'd to look with *.- m d. — *—\— * * *-. • — i — ©•- — «— -i — a d- m^El jb-z X ^fsi~— p l=t=i=4. H?- • — i — «. • •- • r yz 5 t___rf-_s--i--©j — ^-j-_3_J-* « # ; — S-i— 5f — * « #- long'd to see* Is home, sweet home. There how charm'd the sense of hear - ing. There where hearts are lov - er's eyes, On home, sweet home. There where vows are tru - ly plighted, There where hearts are 2=vT*-ft— « « «'•- — *-r— © ! — g— i-a. r f * P* — P-t— P* — P * *-i-4 4 ^ *\~ r ^lgg L-1 1 :p=54rfe— g^q^ #P=p:=P ^zp^3pi ^» pZ^ z^==|=4^ii As home, sweet home. so cheer - ing I've slight - ed. For home, sweet home i§M^ 5=5-1 — pa-*- 156 BREAK IT GENTLY TO MY MOTHER. If. bCCKLET. ^E= giK-C-i-rjv-yf 1. See ! ere the 6un sinks behind those hills. Ere darkness the earth doth co - ver, i'ou will 2. Oh, say that in bat - tie I've no - bly died, For Right and our Country's ho - nor ; i C -r -i-'—i— ^A Y- U 1 1 — | -1 — ! # _ :» — r~ r- '-' .-,..- §S -*— fe=ss; ?T~f ,'• lay me low in the cold, damp ground, Break it gent - ly to my mother ! I Thickly around fell our enemy's shafts, Yet God saved our 6tar - ry banner! My I J J J J * 3 4 -0-,-l>- : — : — 7~ ^- I—i- » — — »* EE: yg: see her sweet, sad face on me now, And a smile doth o'er it hover ; O sis - ter, — play - mate of boyhood's years, Will la - ment her fall - en brother ; She must Break it gently to my mother. 157 rfe^EjTE^Bj :* *- -*i- mmmm^^^i to to God ! I would spare the tears that will flow, Break it gent - ly try to sooth our par - ent's woe, Break it gent - ly pp i 1 i 1 J $ : t? §S^=E^EE- my mother, my mother. ■0—0 ._ % — » — «-» * »- ■#— # , « — 0-1 X- : »— r -f ? r S E CHORUS. £= ?R Good bye, Mj -•- mo - ther -#-- f" J — * *- §5@ _^« — 0. -4- ev - er dear ; Sis - ter, you loved your bro - ther ; m . g . , P?h ) h ♦ -0- t- ee: ,/- = ;~v- 9V£± to mv mo - ther. *■* S N N , Comrades, take _« — % last farewell, Break it gent - ly ?=? -0-*\-*' THE BRIDGE OF SIGHS. MODF.BATO. o ♦ •* ■*■ -*■ r * ■*■ o "*■ ♦ •*■ •♦ 1. A - bove the sparkling wa - ters, 2. But not a - lone in Venice, 3. Who seeks for joy un - cloud - cd, Where Ve - nice crowns the Are joy and grief so Must nev - er seek it tide, near ; here ; Be - To - But hold day in the home of the smile may a pur - er 4 -£fS3 * ;-?- *-■>- j'—sr — sor - - row, So near wa - - ken, To - mor re - - gion, And in --N \ jVn-» — #- the row a — I- bf: -?-*-» -,*- =3=2 :& -•*—? iife^L^l home of wake the bright - er :?— pride, tear; sphere. A pa - 'Tis next To lead — V -— -, T"f lace the the and a " house of way be pn - son, mourning,' fore as, z 5e- That Bright -_*— C +-1 — « b — ^ — •--*■/«.-» ' — r * *- x - • a — — » — — 1 — 5 — t ' a- ± ~— ' side each oth -er Pleasure's palace Hope unfail - iug Si^'hs-' Sighs. SL'ha.' rise, And, dark between, a link is seen, It is "the Bridge of lies; 'Twixt Joy and Grief, the passage brief, Just like "the Bridge of flies; To E - den's bow'rs this earth of oura Is but "a Bridge of The Bridge of Sighs. 159 SEp r-7 Row, gondo - lier, row fast row fast, Until that fa - ta! bridge be past. Row, gondo - lier ! ttow, - rrrr — — cr.a i ?ttz ^zzz£fc ==Lzi!3z\^ I .... ..,■■■ ■ ■ —.J. lJ J. ■ ■!.- J . \^J -J ■ \»J 1- J J. J. , II V-Vr- HAPPY ARE WE. With Spirit E. A. Hosmer. 1. Happy are we, hunters free, Free as the winds that roam so wide; Camping at night, Up with the light, 2. Happy are we, hunters free, Free as the clouds that above us glide ; We laugh at the worst, At hunger and thirst, ./rfci^zzrsr: *-» t* — > — grsjle * — * — a — Y». — »— *-*rr-* — - »— «rF* « ~*lf Hunt - ers are Hunt - ers are hap hap py py '■&■ what - ev - er what - ev - er - 0- -r- be be 55q=E tide, tide. Shout out the oho - rus, then, Shout out the cho - rus, &c. 3^! . — i _i — i — i — i _ _. — __i » .. i~jjrr • uz* — * — * — * — * ~\~* 9 — y — : ^~j. -1~^ — *~* — * — ^T-^-rf-^ — — -— zZzz 160 Happy are We. 'S »• — 00 '• TV V-l? .. ff ''~£l$l.'l : ^*:|^ElTFTrp^~^J! = ;— g— g^ T^^E*^.^ Sound it out loud-cr, men, Sor - row and care can - not with us a - bide ; r\.&-)* ' ^ —I ' ' ,_ T — ! 1 -» * 1 f — Hunt - era are hap - py what - ev - er be - tide fHi mf *m '-*?- t^u^jj-fw^j-rj-f :«= ld -,,^ 5 u-i— -^ g r >-f # . # I-j „*- ' l-# #--« 1—" JJ ho. Yo ho Yo ho Yo ho Yo ho . *r0p m^^£^ ijmi^M M^m CALM ME TO REST. 161 ISHLES8IVO E LBOATO. 1. Shade of my mother ! Keep vi - gil o'er me, While fears before me, And griefs attend. Light of my 2. Thou who un - tiring Lull'd me to slumbers, In sweetest numbers, Close to thy breast! Let memrie* li: Lrsfc 3^ -et~d —+d 33: ^ :E^i :&-~-5L m ^e» ^a= ^P^iiplPESillp childhood, Thou who didst love me, From skies above me, Oh ! guard me and de • fend, wake thee, Look on me smiling, Sor - row be - guil - ing, Calm me to rest. Light of my Let mem'ries X-^g 9 _ -* L L. S jzizbgj — * *=** ■ -o <-?- childhood ! Thou who didst love me, Guard me from skies above, O! guard, O ! guard me and defend, wake thee; Look on me smiling, Calm me, calm me to rest, O ! calm, O ! calm me to rest. *=t =P=f5: P^i ■&=&+=*- JE 3^=^f=M a=fcj — i — u V — ►- 1G2 OVER THE SUMMER SEA. an from V«iDi. 1. O - ver the summer sea. With light hearts gay and free, Join'd by glad minstrelsy, Gai - ly we're roaming. Swift flows the rippling tide, Lightly the zephyrs glide, Round us on every side, Bright crests are foaming. fef^fegt 2. Li«t ! there's a bird on high, Far in yon a - zure sky, Fling - ing sweet mel - o - dy, Each heart to gladden. Hark ! its song seems to say, Banish dull care a - way, Nev - er let sorrow stay, Brief joys to sadden. ^i & -5 K s 9 ' m 1 m ^_^ — t Fond hearts en - twin - ing, Cease all re - pin - ing, Near us is shin - ing Beauty's bright smile. m — + * - t>- J -t Fond hearts en - twin - ing, Who'd be re - pin - ing, While near is shin - ing Beauty's bright smile. ROUND. DAY IS GONE. — j. ,-q_33c_ # * -t~ S Day is gone. Night is come. When the day of life is gone Heav'n !« oui Lvtut. THE MOON IS BEAMING O'ER THt LAKt. k;*> ^to — ft -, — / nri>qr^ii^-^Jzd>jrar^] -J ^ -^zr^iz^Ar^r^^x 2£ 1. The moon is beaming o'er the lake.Come, sail in our light ca - noe ! Sweet sounds of music we'll ;iwake, As w* 2. The ves - per bell is pealing. From far o'er the lone - ly tower, Its tones now gently stealing, l'io - - b& ^FF — + — F — Sr-PI^F^— >>- l4S glide o'er the waters blue, claim it the vesper hour. fc£ v-5 — t/- — »i. / — L 170 Yes ! let me like a Soldier die. -#i- ttr—p& =j =£—jLJL - e'er forgot, unknown my tomb, I like nough, they mur - mur o'er my grave, He like |E||^|f^i|||:Wi3^^L^ap53^ a sol - dier fell, a sol - dier fell. m^i- pp :E_— = 2=iEEE3 3 ~3r : *_?— ■ ; ±=3z -9—0 — t -» # # N- O (2 . / * L H — "5^= e'er forgot, unknown nough, they mur - mur o'er my tomb, I like a soldier fell, my grave, He like a soldier fell, I like a sol - dier fell. He like a sol - dier fell. ^&- ^3^ *? 2iE3 =* JZZZZ ^-#-L# _ L_* # « JJ # — _ — -* •§■ -9- -9- -9- -9r \ J_J I m IJ kl nu i ff^=?= : p ^ : F * MOTHER DEAR, PRAY FOR ME. 171 Mother dear, O pray for me, When fresh in youth's bright home, Or when afar thy child from thee, Feels Mother dear, pray for me, When pleasure's syren call Shall tempt thy child to wander free In Mother dear, O pray for me, When all looks bright and fair, That I may all my danger see, For i^yp^iPfp|p oft the cold world's frown ; O bow thy knee in earn - est pray'r As none but parents know, That paths where he may fall ; When thorns be - set life's de - vious way, And darkling waters flow, Then sure - ly then 'tis near ; A mother's prayer how much we need, If pros - perous be the way, That I may in tempta - tion's hour, Be kept Mo - ther bow thy knee, and pray, As none where'er I go. but parents know ; paints with gold the flow - ery mead, Which blossoms o'er our way. Mo - ther dear, remember Mother dear, &c. Mother dear, &c. 172 Mother dear, pray for me. thy constant pray'r -.»— . !>_...- M ■»•»•■ ,,....♦ nn*>*« _ ^,, t _ 1«. TV, of l[,.ni''n m««. frt* m n . _— _ Pray, O pray most earn - est - ly That Heav'n may for me c«re. SOARING AND SINGING. IS fe^ES^E^E^I^^feil E^3 ^ _ ■ h h T 3= r 1 1. Soaring and singing, 2. Soaring and tinging. bird of the day, What does thy full gush of mel - o - dy say ? bird of the dav, Why from this green earth awav and a - wav ? — '^ ' — — m g Is it a matin song, singing of love, Too pure to be heard save in regions above ? Ev - er re - turning thy song nover done. Pluming thy bright wings on high in the sun. Too i&^- j * _*. Soaring and Singing. 173 SOLO. ^^^tf^WsEmm^mtm^t " - i pure to be heard save in regions above ? " Why do I ca - rol my song to the skies > " Pluming thy bright wings on high in the sun. " Why do I soar ?" so the spi - rit of love ii it ii ii +#-+#-[- mmm^m^mm T T' :fcr ^=3=$=3=^m -0 ■ Thus to my fan - cy the song bird replies : Seems to re - ply from the regions above : TRANQUItLO. ¥- -0 T " Does not the earth in tran - quil - i - ty rest, " la there not One who is ev - er on high, 174 Soaring and Singing. A TtMPO. &^ fr-»- ^- ^ ^y^ 3 ^'^ 7 ^ J* 17 ? 113 — t 1 —!-* g— f r£a = £:= ^ Man on his pillow, the bird in his nest ; Should we not sing then at morning's first rays, A Watching below from his throne in the sky ?"And thus to the sky - lark perchance it is given To :fe- -1* si HH-* — -h— V of thanksgiving, a ca - rol of praise, Should we not 6ing, then, at morning's first rays, A >ack our tho'ts from the earth unto heav'n. And thus to the skylark perchance it is given To song call back our m k== Soaring and Singing. 175 d5 — ^ — it 3=5 1 song of thanksgiving, a ca - rol of praise, A song of thanksgiving, a ca - rol call back oui tho'ts from the earth un - to heav'n, To call back our tho'ts from the earth un of praise.' to heav'n. EVER OF THEE. 0T- % ~*T- _i j t — . 1 — m — i-j «-_j i-M — 0. — a — «-- j — 1 0.-0—0^-^- 1. Ev - er of thee I'm fond - ly dreaming, Thy gentle voice my spirit can cheer ; Thou wert the star that, 2. Ev - er of thee, when sad and lonely, Wand'ring a - far, my soul joy'd to dwell ; Ah ! then I felt I *$=?■ S hPO: SOLO, k l^^^i^^i^Pii^^ii^gl mild - ly beaming, Shone o'er my path when all was dark and drear. Still in my heart thy form I cherish, lov'd thee only, All seem'd to fade before affection's spell. Years have not chill'd the love I cherish, K l-*44 mm ££ ~(££jr- :« 444 F44-* «2- I-* 44 ^00-0 43 • -0-j-* - r J »— * *~r 176 Ever of Thee. 9 > ^-P— ^ — st — tzrar r£ sLifc: fc=* . . , «..„ .. .!.„„. Avi t,»v . P r till life and mem - 'ry perish, Fv . - rv kind tho't, like, bird, flies to thee: Ah! never till life and mem - 'ry TrL a S.e stars hath my heart been to thee: Ah! nev - er, fcc. \ v ct„ I ton5 ho U . tar tomtom.. Morn, »=«»<* right, WW,, I =.jb,. Can I how dear thou art to me. • ond -ly I'm dreaming, ever of tTee, Fondly I'm dream - ing. ev -jr ofjhee. ^^=^1^^^ = POOR OLD SLAVE. 177 mm^mm^mmm^m 1. 'Tis just one year a - go to-day, That I remem - ber well, I sat down by poor Nelly's side. And a 2. She took my arm, we walk'd along In - to an o - pen field, And there she paused to breathe awhile. Then 3. But since that time how things have chang'd, Poor Nelly that was my bride Is laid beneath the cold grave sod, With her W^ e£30S=±-h— [ ■0 * 2-1-0^0 0— 1- ^ET- -0~-7-0 — a *-\~i —j 7~ jp-f sto - ry she did tell ; 'Twas 'bout a poor, un - happy slave, That lived for many a year ; But to his grave did steal; She sat down by that lit - tie mound. And soft - ly whisper'd there: "Come father by her side. I planted there, upon her grave, The weep - ing wil - low tree ; I z Js£L—Jl ^ j ?— j — 7~ dE£JEE£z =xE j)-t =$z :3 —7—* — 5=fa--rrn=- -l ;J&-* r3=Jb: : — _ 4 - .. i :s= u zi -J—ii if — * jza_^=»«=: c CHORUS. toe now he's dead, and in his grave, No master does he fear. to me, father, 'tis thy child," Then gently dropp'd a tear. bathed its roots with many a tear, That it might shelter me. ■0- -0- -0- -0- S7\ -0- The poor old slave has gone rest, *=7- r Se i f g f C " 178 Poop Old Slave. kJ w* LI know that he is free ; Dis - turb him not, but let him rest, 'Way down in Ten - ne - see. ^ l O 'i'rJI .. ^f JK.A « i » F'"a — !*— &— r — * F Poetry by Johs G. Whittieb, Esq. THE CONTRABAND OF PORT ROYAL. =£ rr-r- Fiedihakd MiTn. 1. Oh, praise an' tanks ! de Lord he come To set de people free ; An' raas'a tink it day ob doom. An' 2. Ole massa on he trabbles gone, He leab de land behind : De Lord's breff blow him furder on, Like A A- A AAA A 4 4 i 4 •* •* l '■# 4 4 „ 4*4 4 r HliS=^!if -*. we ob ju - bli - ee. corn-shuck in de wind. De Lord dat heap de Red Sea waves, He jus' as 'trong as den ; He "We own de hoe, we own de plow, We own de hands dat hold ; We i i I I i i II . i J J '444 4 4 * . 4 4 J A 4 -* 3* • # - The Contraband of Port Royal. 179 CHORUS. ^^^3^=^^pE*^p^^ ^zjrlp say de word : we las' night slaves : To-day, de Lord's freemen, sell de pig, we sell de cow, But nebber chile be sold. De yam will grow, de cot - ton blow, We'll \4_a4 ■* ^ xj- j J J 44 j-^r-ni SBiS £^p££ as r an' corn : Oh, nebber you fear, 3E if nebber you hear -■TV*— •' De driver blow his horn ! 11 S •7 — t— t-i — f- — #- — 5 — r - - We pray de Lord : he gib us signs Dat some day we be free ; De Norfwind tell it to de pines, Tie wild-duck to de sea. We tink it wnen ue church bell ring, We dream it in de dream ; De rice-bird mean it when he sing, De eagle when he sertara. We know de promise nebber fail, An' nebber lie de word. So like de 'postles in de jail, We waited for de Lord : An' now he open ebery door, An trow away de key ; He tink we lub him so before. We lub him better free. 180 MAKE ME NO GAUDY CHAPLET. Andantiso. DoMZ.TT' Make mo no gau - dy chap - let, Weave it of sira - pk igii^igy^iiiiis Make mo no gau - dy chap - let, Weave it of sira - pic flow - ers, Seek thcra in low - ly val - lies, .<• m *i-* » — * * £ -h — Af - ter the gen - tie show - ers, Bring rao the dark red ros - es, Gay in the sunshine glowing, — q — ^f-**- a -?-f f- — * — * — * — m - \ -*' — * -?- -'- *= =pl Bring me the pale moss rose-bud, Beneath the fresh leaves growing, Bring not tho proud-eyed bios - som, -£>--— —*-%« — «4 -^ -'— 7 -TT^ g^T— ^4-« — '-My- s »-g— i — >-P^=t-i F Make me no Gaudy Chaplet. 181 Darling of East-em daughters, Bring me the snow - y li - - ly, Floating on si - lent wa - ters, _ ,- P * • -, —-j. j m -.-0'- -,-* « — -* -j _ _ Gems of the low-ly val - ley, Buds which the leaves are shading, Li - lies of peaceful wa - ters, qnsf. I ^— *"?- Z J^ * t * t? & ?~" 1 VT" * h • I 1 / — Emblems be mine un - fad - ing, Li- lies of peaceful wa-ters, Emblems be mine, be mine. §Sfe^ H^ ^^^ ^^^=E^£J3J^^S^= g|^g^ 182 AWAY TO THE FOREST GLADE. (Pic-Nic Song.) CaiEarciXT. Words bj R*t. T. Niwtor Juwn V 1. A - way to the for - est glade ! Spread by our Father's hand ; Its silent depths of gratcfui sii»de 2. Thanks, thanks for the grateful boon ! We bid farewell to care, While here, beneath the sultrv noon, 3. One day from our toils we take, One day to life we give, One pleasant hour, for mein'ry's sane, mm^t n=d=ifc: ^ rH~h"1 — J J S i J I I N I - J ;> J JSi * JS — jr l > tt - R —fr--*— Invites our merry band. We breathe this cooling air. To tell us that we live. No task in books, but lessons from brooks ; No leaves but those from the No task in books, &c. No task in books, &c. -Nt — K- — S fr K I , r i maple's bough, And those we weave And those we weave 3EE^^=3£ 3-2 =* (f — i— r- g ,J i_JJ I, ■*■•••■ for the laugh . ing brow. 1PI HAIL TO THE OPENING YEAR. 183 Words by Mrs. H. K. Brows Matie bv J L. Ensign ■*■♦■•■♦ 1. Hail to the 2 Hail to the 3. Hail to the op'ning year ! Hail to the new-born time ! Lord, to thy op'ning year ! The precious gift we own, With many a op'ning year ! We greet its na - tal morn, With pro - mis E£ # wait - ing ear sorrowing tear es and hopes, -v ^ N -^ 1 r«— ^-i — 1 * i V~r — r*t i*^ 1 raise mis - spent sea high re - solves cheer - ful hymn. To thee we sing, to thee we pray, sons flown. Our was - ted years, O God, for - give, up - borne. Lord, we would spend this year to thee, _J5 — J_' — _._,_._ * j * * * * ^ — F^ F — =— \-.-0~i — 0- K V N ■#- J -F- ■*- ♦ EE^^=gE^gE!zfel5rEiE£^^E^=!EM -F-=r li^iiEiili^-ii|l§^^!B O God, And teach In works $mm^ who giv'st us bet of love -t c each ter and year, how pu each day. to live. ri - ty. I God of the opening year ! God of each passing dnv ! O, hear our youthful prayer, And grant us grace alway, To shun the paths of vice and sin, And heav'n's blest life on earth begi». NEVER FORGET THE DEAR ONES. -i ; ft ; , ft ^l ' ' ~fn — ' ** dfcc 1. Nev - er for - get the dear ones Around the so - cial hearth, The sun - ny smiles of 2. Ev - er their hearts are turn - ing To thee when far a - way, Thiir love so pure and 3. Nev - er for - get thy fa - ther, Who cheer - ful toils for thee, Within thy heart may % « *i-» a — f— * • * m~ ■n^^- m glad - ness, The songs of art - less ten - der, Is with thee on thy ev - er, Thy mo - ther's im - age mirth ; Though oth - er scenes may woo thee, In way ; Wher - ev - er thou may'st wander, Wher - be ; Thy sis - ter dear, and brother, They Pgzg=i=gE|g £E3=* =5=t :*ut :3 *'::_* 9 i «> ' 1 ^ — t 1 t 1 ._* _. — 1-0 3 — Wi j w.j J 1 r I . . .XI oth - er lands to roam, Nev - er for - get the dear ones that clus - ter round thy home, ev - er thou may'st roam, Nev - er for - get, &c. long for thee to come, Nev - er for - get, 4c. * m -- s — * — f — zt —*-.- AJD4ITTIN0. tts" WEEP NOT FOR HIM. -_*•- e:t— *-=-— i-i~^3^i 18o > *,«. F. GaCREER. ■3-# _ «_* — — h .i_ # _ # — _-0 — v.0 — ,._ .-*>-*- j^i# — #.— — 0^0— — u 1. Weep not for him, mother, Weep not for thy bov, He sleepcth in Jesus, 'Mid bright hcav'nly joy. Weep p b b b b I -*- ^ -•— 0- ^ >-- x— •>• — r-i t, Fc not tho' the clods Grow o - ver his breast, For im - mortal he reigns in the land of the blest. *■ m .» 0-r-r* K — m »-. a — t-0 0— i — a O- ^m^mm i> i ■a *r— » »-■ — m a-y* » — * — » 0— r— f » j s>-n • I b / ' Weep not for him, father, Tho' he was thy stay, And tho' in the silence He's crumbling to clay ; For God is all-wise, His decrees are all just, Tho' our idols he breaks, And they turn into dust. Weep not for him, sister, Tho' forth from thy sight His form hath departed To Heaven's own light. Tho' his dear voice is hushed In the low, quiet grave, Yet it joineth above, 'Mid hosannas of praise. 4. Weep not for him, brother, Tho' he ne'er again Will join in thy play, Or will soothe all thy pain ; But live so to meet, When life's toil vs o er, Thy brother, who waits On the bright shining shonk 186 0, WE ARE VOLUNTEERS. Shot rao run 1 "QTT F -\ — » — M ~ * — * -» -v- - p — ^ — r- » » * * — * — m f » V t t ; J J •♦♦■»♦ 1. O, we are vol - un - leers in the ar - my of the Lord, Forming in - to line at our 2. The glo - ry of our flag is the emblem of the dove, Gleaming are our swords from the 2ff2=*r:rir— ♦ =*c :-: _. =3: -V ""•4 *~ J -*• t ■*■ -*• 5 „ Captain's word ; We are un - der marching or - ders to take the forge of love ; We go forth, but not to bat - tie for earth - ly •0- -0- -0- -0- -*■ -0- *^ I bat - tie - field, And we'll hon - ors vain, 'Tis a AS CHORDS. ~*» ^ ^ N I N h i | ; t r~ N — fr N ■ ~N — n — t - N h N N -i — r ne'er give o'er the fight till the foe shall yield. Come and join the ar - my, the ar - my of the Lord, bright linmor - tal crown that we seek to gain. iEgp^r^ia^igi^i -*T" 0, we are Volunteers. 187 Je - sus is our Captain, we ral at his word ; Sharp will be the conflict with the powt's of sin, #-—-#- :5=S= 3t ts=^&= m \=i± ¥ r= -4 — m • «— m- But with such a leader we are sure to win. *=* 3. Our foes are in the field, pressing hard on cv'ry side, Envy, anger, hatred, with self and pride ; They are cruel, fierce and strong, ever ready to attack, We must watch, and fight, and pray, if we'd drive them back. Come and join, &c. 4. O glorious is the struggle in which we draw the sword, Glorious is the kingdom of Christ, our Lord ; It shall spread from sea to sea, it shall reach from shore to shore, And his people shall be blessed forevennore. Come and join, &c. FAINTLY FLOW, THOU FALLING RIVER. m ^7*^ $-^ =* 1. Faintly flow, thou falling river ! Like a dream that dies a - way, Down the o - cean gliding 2. Roses bloom, and then they wither ; Cheeks are bright, then fade and die : Shapes of light are wafted : *- : *= EE 5=S X& -■*—- * &Z>U za^tz Faintly flow, thou falling River. -v- mm^M^m^m^mmfmmm. 5 t * ' ev - er, keep thy calm, un - ruffled way ; Time, with such a hither, Then, like vis - ions, hur - ry by ; Quick as clouds at ri - lent mo - tion, Floats a • evening driv - en O'er the isi^m i^SE - — *•— r-j-f t:^-T'—f — t=tz wings of air colored west To e - ter - ni Years are bearing ty s us dark to o - cean, Burying all its heaven, Home of hap - pi treasures ness and -Z&Z -jr \ K- t — 1 t, =T_ ^._ p i fK = ffZ =— : i t-i ? 5 f-+-g^ Jj ADIEU TO A TEACHER. (To be ioog to the music of " Fawtlt Flow." 1. Though thou lear'st us, still we'll blew thee. Grateful for thy kindly care ; Through the scenes where God may call thee, Take our earnest, fervent prayer. All thy counsels shall be dwelling TVep within each youthful heart. Though thy voice no more may utter W ords of love with gentle art. Up the rugged hill of Science Thou ha»t kindly led us on, Toward the temple where lor ages ■Wisdom's star has brightly shone. Though thou leav'st us, still we'll bless thee, Gratiful for thy kindly care ; Through the scenes where Goa luuj call Take our earnest, fervent pxayci. THE MERRY MOUNTAIN MAID. i«y ^m^=mfm^m^^^m^^m 1. I'm a 2. I am merry, merry mountain maid, Roaming gai - ly thro' the glade, 'Neath the pine trees by the stream, lov'd. and I love too, (Just as youths and maidens do ) Mothers, you have done the same, — » — i — »— y- 1~* ~ * « Life to me a happv dre.^ti , So 'tis useless now to biau.8. Sweet notes from the woodland sound, Golden sunbeams Hark ! a footstep — some one's near — Yes 'tis he — what -*• -0- -*• 4 -*■ ,-e J 4 4 4 £ *• *■ , fall around, Playful breezes, as I go. brought him here ? Strange it is, where'er we stray, =S=4 Thro' my waving tresses blow ; In my heart the Sure 'tis in each other's way. Now a merry, sunny S^P^PpipPiN^^ L_- * T=t=* - f>- The Merry Mountain Maid. sunbeams play, Light as air I take my way, Singing, as I trip along, My merry, merry youth and maid, We are roaming thro' the glade, Singing, as we stroll along, Our merry, merry s; . J n * 4- 4- I •*■ -*- 5* Pi mountain song. Singing, mountain song. Singing, singing my merry, sinking our merry, merry merry -■ — f — « — * — «,_ mountain song ; mountain song ; Singing, singing my Singing, singing our K: fc I I JL*. A. U±±4 -#■. a -tr ■ -0r -0-m- -+ ■»•+■-+*■ -Hrir*=i it ::_-? \r- J ^ * —.^— r- merry, merry mountain song. My merry, merry mountain song. My merry, merry mountain song, merry, merry mountain song. Our merry, merry mountain song. Our merry. merry mountain song. _ _ J\ |\ — _ > > FLOW GENTLY, SWEET AFTON. J. E. Sfouiar. 191 4— ■+-*■ O # - - 1. Flow gently, sweet Afton, among thy green braes, Flow gently, I'll sing thee a song in thy praise : My 2. Thy crystal stream, Afton, how lovely it glides, And winds by the cot where my Mary resides ! There, eiEs £HE -i— 0-T-0 0—r r rt=r 1 1— s ' ' 1 — *- Mary's a - sleep by thy murmuring stream : Flow gently, sweet Afton, disturb not her dream. Thou oft as mild evening sweeps o - ver the lea, Thy sweet-scented groves shade my Ma - ry and me. Flow t = 13ggf^^p£g^f 1^ • « 1 — -I— — m — i g o — *ff dove whose soft echo resounds from the hill, Thou green-crested lapwing, with noise loud and gent - ly, sweet Afton, among thy gr»en hraeg Flow gently, sweet riv - er, the thtme of my jjjJEJ § I * '"-JL. I I -f-^f. 1!I2 Flow gently, sweet Afton. i shrill, Ye wild \> istling warblers, your music forbear: I charge you, disturb not the sluiiibering fair, lays: V\ ^ ! . 1 \ " ~ a - bleep by thy murmuring stream : Flow gently, sweet Afton, disturb not her dream. 333 5b: - .E-L & — -r-# 9 -T— — -r-9 11 FADING, STILL FADING. AKDANTE. POETCOCESX. -9 # _L«i_ # _« J — c 1. Fad - ing, still fad - ing; the last beam is shining; Fa - ther in heaven, the day is de 2. Fa - ther in heav - en, O hear when we call ; Hear, for Christ's sake, who is Saviour of - *> \ p | l* b 1. Tis believed that this harp which I 2. But she loved him in vain ; for he Cte,-2 f- 0— f-f f »-f— • * »- M ^ / .l now wake for thee Was a left her to weep, And in FF=~~n NT 1 * — * — »~-\ si - ren tears, all r hr_ of the - -^# m r •- eld, Who lived night, her gold —0 \ ^\-f * fra b H ' •> — ■*- - — | / p> # # #— 1 ^ *> • _^13 - | -l un - der the sea. And who of - ten at midnight through the dark bil - low roved, To ring - lets to steep, Till Heav'n look'd with pi - ty on true love so warm, And 9£ *t *^=-%r =o i=-t- ■±z- :*___*— c to*: ¥Qt i = tsa ^f=r = ^. meet on the gTeen shore a youth whom she loved. And who of • ten at midnight thro" the changed to his soft harp the sea - maiden's form. Till Heav'n look'd with pi - ty on -7» 1- 1 t~ S~S t ^ Origin of the Harp. lvi> M L-. — « f_ — *: -a- m^r^m dark bil - low roved, To meet on the green shore a youth whom she loved, true love so warm, And chang'd to his soft harp the sea - mai - den's form. m E£EE*E£ —jut-A 3tl=J 7=t =£ £=^ 3. Still her bosom rose fair, still her cheek smiled the same, And her sea-beauties gracefully curl'd round the frame ; And her hair, shedding dew-drops from all its bright rings, Fell over her white arm to make the gold strings. And her hair, shedding dew-drops from all its bright rings, Fell over her white arm to make the gold strings. 4. Hence it came that this soft harp so long had been known To mingle love's language with sorrow's sad tone ; Till thou didst divide them, and teach the fond lay To be love when I'm near thee, and grief when away. Till thou didst divide them, and teach the fond lay To be love when I'm near thee, and grief when away. COME, YE DISCONSOLATE. DCTTOIC. 1. Come, ye dis - con - so - late, wher - e'er ye languish, Come, at the mer - cy - seat fer - vently 2. Joy of the des - o - late. light of the straying, Hope, when all oth - ers die, fadeless and iHH EEf£^: -i-y-^ -I 19G Come, ye disconsolate. kneel ; Here bring your wounded hearts, here- pure, Here speaks the Com - fort - er, in tell mer your cy an say gui&h : - ing; Earth Earth hath hath no no =t= — -& &■ — ^ = L" '=Mi^=^= CHOKUS. 2> ti< — ^ — -^ — i 1 -\ -s. , -3 n B I a «- » . jT 3 — k — Z sor - row that Heav'n can - not heal. Here bring your wounded hearts, here tell your anguish : sor - row that Heav'n ean - not cure." sm ^ZE SI -•-?--* ¥- C 1 1 *-l #-"-« -••■— *- L S5- Earth hath no sor - row that Heav'n cannot heal. r . — r~ m Additional Hymn. Father of mercies, when the day is dawning, Then will I pay my vows to thee : Like incense wafted on the breath of morning, My heartfelt praise to thee shall be. Yes, thou art near me, sleeping or waking; Still doth thy love unchanged remain : Where'er I wander, thy ways forsaking, O, lead me gently back again. _ CHARITY. 8. OlOTEH. 197 1. Meek ^nd lowly, pure and ho - ly, Chief among the " Blessed Three," Turning sadness in - to 2. Hoping ev - er, fail - ing never ; Tho' deceived, be - liev - ing 6till ; Long a - biding, all con -£* ^mm .0 Wl gladness, Heav'n-bom art thou, Chari - ty ! Pi - ty dwelleth in thy bosom, Kindness reigneth o'er thy ,esi fid - ing To thy heav'nly Father's will : Never wea - ry of well-do - ing, Never fearful of the :3^E ^ £EtoEE£ -W=^ -V- te= heart ; Gentle tho'ts a - lone can sway thee ; Judgment hath in thee no part. Meek and lowly, pure and end, Claiming all mankind as brothers, Thou dost all a - like befriend. Meek and lowly, pure and S= J— ^ Wl 198 Charity. V}7 g— #. < » S i CI 5 -ft-* 11 1 7~^^y"~* ' o 1 » W'—m- 1 j 0- B P3=?PSJ ^5 H #- «- hill, Embowered in the greenwood So shady and so still. Will they answer to our call, To our •zt-t— U.T3#: gl— a-y-rfEk^i «zizp: -# — # — * j M -w- 1 * ^ 1st Div. and 2d Div. J _-|_ 4_J-i r i ff ^ pp^ ff^ pp^ tones returning sing ? They will answer to our call. And sweetest music bring. Echo, echo, echo, echo, eg — J | __lz 33 -77^--E T^= »— '— ^ -F^f zEa iEH£ ^£ ff pp An - swer us a - gain. An - swer us *. a - gain. lS 3q=f iS§ -Si: V- c Wake the ech - oes far and wide, From d=Z=lz±£: £fi ilUg 200 The Echo. l side, Let th .x: -A j ■ -0 I— * a T7 ■*■• »7 for - est, hill and mountain side, Let their softened numbers flow Thro' the wood and field below ; S^* W---XZW- ririjjP^g^ AY ake the ech - oes, wake the ech - oes, wake the ech - oes. wake the ech - oes, Hear their softened 2*_A ^L i=±^±=k -0 — • /B-1-0) 4 ftp ff pp numbers flow thro' the wood and vale below, vale below, Thro* the wood and vale below, vale below zrfc h: — ' — a^=T- ^=yu=^zz^T'-*~= -* — «&■ YE SHEPHERDS, TELL ME. 201 tARGHmn OBAZJ080 — N MiiiiNaai. ^^*3f 0- — I— :*— =*s -? •*»-• g "^-» ? : Ye shep - herds, tell me, tell me, have you seen, £15=5=1^ ±:2z:^t 2 1-=*: 3=*- 'I » 202 Ye Shepherds, tell Mb. feE tf - — > — 3-j^-=t- In shape and fca - ture rq-^ beau ty's queen. 4= ■ill* jT^r ' 4 ^3^ ^ l^ ^- ^L^ •i 'z i? 4 Z3 ? — i'n^ — 9* 1 — : :§=*: y 4 #— -*—4 In pas - - to - ral, in pas - - to - ral ar - ray. ■•■ ^" ♦ ' ■* ^ TT ^ ♦ 5- ■♦ -^ T T T ^ p=t -< — « — t CHORUS. Ye Shepherds, tell me. 203 -* *r b h- 7Z3TZ : -0 ft ■SV Shepherds, tell me, tell tell me, have you seen, have you seen --t- X My n fi P»l k_ L K b k K ^ i> > 1^- _^5 — * i_ =±+ -$- ,n__ — A- ^ ^T—0-%1 — » L -0 -,3 — rs — h. =j=^m Flo * 9 « J - ra pass this ■way? Tell i — 'h- me, have you seen my H* Flo - — — ^ — — ra pass this -f — II way ? p£3_JZL_ -• £ *— ^ K 1 — ' \ ■ ? — 1*» — ' _L_ ^ L+f -ir ^ ^ ■ >- HE DOETH ALL THINGS WELL. ?ES Jt=it » C H 1 — j-i — #.- — * 0—0—f ^m~ ^ Tir^j^ 1. I remember how I lov'd her, When a lit - tie guileless child, I saw her in the cradle, As oh 2. Months passed — that bud of promise Was unfold - ing ev* - ry hour, I tho't that earth had ne'er smil'd Up - 3. Years fled — that lit - tie sister Then was dear at> life to me, And woke in my unconscious heart A F-Ffr4~^#- X — tl a — a S^ =*E -#; ■-- ** — V n 204 He doeth all things well. look'd on me and smil'd. My cup of happiness was full, My joy words cannot tell, And I on a fairer flow'r, So beau - ti - ful it well might grace The bowr'6 where angels dwell, And wild i - dol - a - try, I worshipped at an earthly shrine, Lured by some ma - gic spell, Forget - -Hi ■ • — »*=,* — — " — m »j ■ ^n^m ' bless'd the glorious giv - er, " Who doeth all things well," And I blessed the glorious giv - er, " Who waft its fragrance to His throne "Who doeth all things well," And waft its fragrance to His throne " Who ful of the praise of Him " Who doeth all things well," Forgetful of the praise of Him " Who v —V—s — * — m -a — # — doeth doetn doeth all all all things well." things well." things well." ife ^jg^=#=r=a 4. She was the lovely star [shone. Whose light around my pathway Amid this darksome vale of tears Thro' which I journey on. Its radiance had ob.>c"-"d the light Which nuuu nis tnrone doth dwell, || : And I wander' d far away from Him " Who uoeth all things well." :J 5. That star went down in beauty, Yet it shineth sweetly now In the bright and da/zling coronet That decks the Savior's brow. She bowed to the Destroyer, Whose shafts none may repel, fl: But we know, for God hath told ua, m He doeth all things well." -\ COMIN' THRO' THE RYE. 20.*i -Jm: ^M — — J> 1. If a bod - y meet a 2. If a hod - y meet a 3. A - mong the train theie is Ma 1 — ^ -?■-+ -#-• bod - y, Com - ing thro' the rye ; If a bod - y bod - y, Com - ing fra' the town ; If a bod - y a swain I dearly love my - sel' ; But what's his name, P Tt" fr fe £3^3gj , — .%. kiss a bod - y Need meet a bod - y Need or where's his hame, I din a bod - y cry ? Ev' a bod - y frown ? Ev' na choose to tell. Ev' j — 0i . ly las - sie has her lad - die, ry las - sie, &c. ry las - sie, &c. ^fe it- l^^^SH^S^^ *sfc —-<--<- Nc *_ IT*' ff — {— tr * V 1 £ /7\ r=^ w ~ — n- one, they say, ha'e I ; Yet a' the lads they smile at me, When comir>g thro* the rye. -*- 1* ; 1 ?- M -; Kc-i 1 . .-. 206 THE SWITZER'S FAREWELL. M !»«!§. ^^m -h—T _«iz — . — i «=V TT "2=3 1. Adieu, dear land, with beauty teaming, Where first I roved, a careless child; Of thee ray 2. Far from my home I soon must wander, In stranger-land be doom'd to dwell ; O ! best ue - L-* Eeee==E? h* q -» 3 ^^E : heart will e'er be dreaming. Thy snow-clad peaks and mountains wild. Dear land that I cherish, O loved, my heart grows fonder While thus I breathe my last farewell. Re - ceive this last to - ken, I ~&3 •=i=Xr- -V- long mayst thou flour - ish ! My leave thee, heart - bro - ken : Our mem' - ry must per - ish Ere I for - get thee, part - ing is spo - ken : Beloved one, fare - well ! W'tirtz :*=*=: -=£ i^B HOW BEAUTIFUL IS THE SEA. 207 ALLEGRETTO. J. w. Cbubt. Z&ZfTl—M. j € * *U? * 'C'fe- * * f-r—f-l-J-. —-*nj^- ^ S - 1, How beauti - ful is 2. How beauti - ful is the sea When the sun is shining bright, And ev' - ry wave that the sea At night, w'nen Cyn - thi - a's beam Reflects far o - ver the ^-p-ft-* — * — * — * — * — * 3=a -9.-6- 3^5Et ■f*--f — srf- =tv--N ±Zii-3j= C=i *&=& bounds Is sparkling in the light ! How beauti - ful is the waves A glitt'ring sil - ver stream ! How beauti - ful is the — t? &* sea When the sun is shining sea At night, when Cynthi - a's ^gEEE^ ' f f. Z — *— •■ -r— * rf -f bright, And ev' - ry wave that bournls Is sparkling in the light ! When ev' - ry breeze that beam Reflects fai o - ver tne waves A glitt'ring sil - ver stream ! 'Tis then that I would 0' #— . # f » : F3E±E*E*; ±:£:r£=^ -V • 4-g-f r r — r j 208 How beautiful is the Sea. blows glide Up Up on on the pob - bly thy tran - quil b strand, Comes bounding o'er the deep From brca>t, While all the storms are hushed So m 7X==t=T- JC1 #- ;Jee£ many a dis - tant land. peace - ful - ly to rest, How beau - ti How beau - ti ful ful IS is the the sea When the sun is shining sea At night, when Cyn - tru - a's y. ? \ —j sg^^g^^^^fe^^fejy bright; And ev" Lmuiu lte - fleets far ry wave o - ver that bounds the waves Is A spark - ling in the light. glit - t'ring sil - ver stream ! THE MURMURING SEA. 209 1st Tote*. Glotu. %£E*=$E?EE — ES! |S3 -A — ^ — »- :t± S3^S3? ^:: 1. Murmuring sea! beau - ti - ful sea! How I love to list to thy mel - o - dy, When the 2. Murmuring sea ! beau - ti - ful sea ! I no more shall sail o'er thy waters free ; But I t t n t • -•'— J-# — 0—0 ±^0 — % 0— •*■-#-•*■-»•-*■ W^iTs l^B^^Sfe^fefe ? ? ? 3*r£±: £=t< *=fi=gE*rft*=' — *— *— «rg=E: ^=£e^ef — — / winds are still in their rock - y caves, And the sweet stars glance on thy purple waves : And the watch the ships till they fade from sight, And my fan - cy follows their trackless flight : And my -0—0 — — 0—0 0- i-0 - 0--0 1 — r j — ~m — J~l -* -* -* -0r -0r -0- b* •» T h* * * -*• TT a? _ i I I — U_{_J : 555 555 555 555 |555 * ■* -r -#■ * 210 The Murmuring Sea. F«3E^^E3 s>"^ 3F— p -k — H " V}-^ — -t >* — ? — ■ N l w — * 1 n — 5-- sweet stars glance on thy pur - pic waves : Tis then I dream of the dis - tant land, Where I fan - cy fol - lows their trackless flight : Bounding a - way to their destined mart, To the ^t|-|-— &»rzr* *S^ m 9 * — -V ::id: -K * 7 — - z&— :*=*=*: esee^e -fr-p ^-^j r^F^^ iEife left a lov - ing and joy - ous band ; O ! dear - er than ev - er they seem to be, As I land so dear to my lone - ly heart, O ! dear - er than ev - er it seems to me, As I The Murmuring Sea. 211 ^ iz; u _ ^ # r^,_^T^_ _ h_c iuse on the shore of the murmur - ing sea ! As I muse on the shore of the murmuring sea ! fe?si rrf! ril 15- ~ir ' ■*•" ^fefe: *ii *-*• «i 3*3 P *: its 3*3 --£ ^3- 33^ £=E: Murmuring sea ! beau - ti - ful sea ! O ! dearer than ev - er they seem to be, As we *=E eJ=e J_ _ : *===£ 3E^ I 212 The Murmuring Sea. - £ J # v — 8-1— i * # « 0— J-*- *— * # . — ^ j T3 y-y ^P" muse on the shore of the murmur - ing sea ! the murmur - ing, murmuring sea ! Beauti - fui — i— )■-#•— t- * — f-#- -#•—!■ —r-0- -#■— — -#■ -#• — — • • — — -m- -m- — »t —0 -O- -#■ V > I I I I I =t gkz =E :±E!E »- SUSl t I I t t beau - ti - ful sea ! Murmuring, murmuring, murmuring sea ! beau - ti - f ul Btauti - ful sea ! beau - ti - ful sea ! O ! murmuring, murmuring sea ! 1Z=£ a 1Z0 — — — .J_J_ijj _ € 4 — — 2 — _t#-« ml — _ • # — t tern ! murmur - ing sea -#.— — S V- - The Murmuring Sea. Ueauii - ful, 213 P t u r. b j* 1/ I £ .9- b Ef . Beau - ti - f u ul sea ! murmur - ing sea J r=qr= : ^S^p? beau - ti - ful, beau - ti - ful sea ! HHl a 1 1 — « s— i— ^1 asEfefc! V -*• -*■-•■ 5 -••-#■ 5 s^lilll =t ^ THE GRADUATE'S FAREWELL. Andante i sostenlto. Jp p ( P J 0- 0- U 4 ji H- 0'- 0—0 H £ -i _ -J J * , . \J. V - 1 tt > 1 1 V- ^_L Words by W. T. Adams, Esq. 3 _S__fr 4= i£Zn?E: 1. How sad mid the sunshine that gladdens this scene.Comes the tho't that to-day we must part ; That the 2. But fondly our tho'ts will return to the spot On the wings of remembrance borne up ; And our 9 : ife E=*zS3^!r3tz3tt^^t; fea^3eE =?— 1~. :=5b=H=2: :q-: -* — - 1 "* ?- -9 — 214 The Graduate's Farewell. -*« — ■**- :-9--*—*z *=+=?=={ ^ E^ -» -K- K V- 1t=t=£ bond which af - fee - tion has ev - er kept green Must be severed to - day in the heart ; That we hearts shall re - joice, while we cherish the lot That permits us to drink of this cup. Then fare ~J ~r •* * I I ^ $* 5 _ i i~ EE :-2: :!=«- g :: Hei 3SF=jf=E _5 — :=? — := — n :ir:r i5=^L=E==^: ±t— H- -*-V I ; > !-; - -* ; N [■ meet in this home of our childhood no more, As we lov - ingly meet to the last ; That we well to our school, and farewell to the friends Who have lighted our path - way with love ; Tho' to - The Graduate's Farewell. 215 i=£^L^J^^MJLLJC ^^JUt=^=M ^ nev - er a - gain on this time - bounded shore, May u • nite in the songs of the past ! day we must part, yet our prayers will as - cend That our school be u - ni - ted a - bove ! GRADUATE'S FAREWELL. (Written by Mart Jake CHCROBttL, Chelsea, Mans.) Toward the summit of knowledge together we've climbed, Cheered onvwrd by teacher and friend ; And though rugged the path, yet the fruits we shall find, For nur care will repay in the end. By the light which the past o'er our pathway has shed, We have learned of the future's rich store ; And though gladly we still would be thitherward led, We must now say, Farewell evermore. Tho' unhidden, now comes the sad thought, we must part From the scenes that long years have endeared. May the spring of pure love e'er renew in the heart All that bitter regret may have seared. And bidding farewell to our teachers, who e'en In our joys and our sorrows have shared, Let us bravely go forth, in the future to glean Of the harvest their roil has prepared. 21G Words by Florence Piect. ROCK ME TO SLEEP, MOTHER. F. Mater. 1, Backward, turn backward, O Time, in your flight, 2. Backward, flow backward. O sad tide of years, §g Make me a child again, ju«t for to-ni^ht ; I am so weary of toils and of tears. 5*15 i i -<- ! I j -t 3E JN: si ■0—0 tff=»=p= P=a i: Moth - er, come back from the ech - o - less shore, Toils without rcc - ompense, tears all in vain, Take me a - gain to your heart as of yore ; Take thoin. and give me my child - hood a - gain. ^-ii !— 0-1 1— #- T — K -r A- *-!»>■—* *—r—\ -0 •- J—'- fa *-I — 1 -* *- T a* HHf -I- :&"- *=*= -fV->r-r— f> — | — S? Kiss from my forehead the furrows of can 1 , I have grown we irv of dust and dc - cay. Smooth the few silver threads out of Wen - rv of flin<_'in - *«-*—. — : fF? fry — li T g: fry. .. lb H e iii i i tii i "31 Rock me to sleep, Mother. 217 U A TEMPO. ^iieiiii^r^llieeiiiiiliii^l^i^lpltl O - ver my slum - bers your Iov - ing watch keep, Ro'k me to sleep, mother, rock me to sleep. 'Wea - ry of sow - ing that o th - ers ma y reap, Rock me to slee p, mother , rock me to sleep. jm nm rjTj_ rr^jT^' i i ±"1 nn L T~- CHORUS. > =q_J JV 1. O - ver my slumbers your lov 2. Wea - ry of sow - ing that oth 3. Slumber's soft calm o'er my hea 4. Come from the si - lence so long m p ing watch keep, ers may reap, vy lids creep, and so deep, Rock Rock Rock Rock m ±U=: CBE8. JL. A- ■*- > . It — ) / - T -F- — s — ft-*-*- ■ ' - — me to sleep, me to sleep, me to sleep, me to sleep, i mother, rock me to sleep, mother, rock me to sleep, mother, rock me to sleep, mother, rock me to sleep. — * — -»vr-» ~ »— r : n i 3. Over my heart in the days that are flown, No love like thine, mother, ever has shone, No other wo^hip abides and endures, Faithful, unselfish and patient like yours, None like a mother can charm away pain, From the sad soul and the world" weary brain, Slumber's soft calm o'er my heavy lids creep, Rock me, &c. 4. Mather, dear mother, the years have been long, Since I last hush'd to your lullaby song, Many a summer the grass has grown green, Blossom'd and faded our faces between ; Yet with strong yearning and passionate pain, Long I to-night for your presence again ; Come from the silence so long and so deep, Rock me, &c. 218 HER BRIGHT SMILE. With Expression. Mm^m^immmmwwmi 1. 'Tis years since last we met, --U-.-^L mmmM — 1 1— o a And we may not meet a - gain ; Weiohtok. I have :*rIrT-*= £*: -•.—. 1=2=M- :o-j ^liHHi p 5 *-* tl= « — ? *-*? — » J— > — JM-E * — * — t strng - gled to for - get, But the strug - gle was in vain, For her voice lives on the IS - * . 9 1- | l—j-0 l-r- n-» T -w— - 1 «. Jt -t A X X 0- te fcfcj!=t^=; *< — v -»— »- fr K V — ?-±-C- ^ip^e: breeze, And her spirit comes at will; In the mid - night — on the seas — Her J- -S- 1 k-0-0-0-0-0* \z-0r-0>-0-0-0f -pR 1 L _ \-0-0r -0r -0r -0 — 0- -0r — 0-i -0r-0r-0r-0r -0-0-0 0- -0r — 0-i "» 1 * -0—0 *--* p Her Bright Smile. 219 bright smile haunts me still \4-4~t- 4 * =^ ... ft :£r A- For her voice lives on the breeze, And her spi rit comes at HH =^!SE==?i 11 will; In the mid - night — on the seas- Her bright smile haunts me still. mm J ■*- s CL^r^^ At the first sweet dawn of light, When I gaze upon the deep, Her form still greets my sight, While the stars their vigils keep : When I close mine aching eyes, Sweet dreams my senses fill ; And from sleep when I arise, Her bright smile haunts me still. When I close mine aching eyes, &c. 3. I have sailed 'neath alien skies, I have trod the desert path, I have seen the storm arise Like a giant in his wrath ; Every danger I have known, That a reckless life can fill ; Yet her presence is not flown, Her bright smile haunts me still. Every danger I have known, &c. 220 IN THE STARLIGHT. (Duet.) Allegretto. Qloteb. 1. In the star-light, in the star-light, Let us wan - der gay and free; 2. In the star - light, in the star - light, At the day - light's dew - y close, -A-r For there's When the ^:-4— •'- -•-{— • — #— Es=E * — 9 »- — -s-l — ■» — • — • — • — P^ 1 — — :>— i^ii: £— I, noth - ing in the day - light night- in - gale is sing - ing 1/ Half so dear to you His last love - song to P and me ; the rose Like the In the *-* fairies in the shadow Of the woods we'll steal a calm clear night of summer, When the breez - es soft - ly long.... And our sweetest lays we'll play From the ght - ter of our '^== ^^H^^- t^^^=^==*==^-^ ^^M=^ P , In the Starlight. 221 DIM. HIT. TEMPO. > "fc — -1 — ia>- V;-b-^T— 3 — t- 1 !^ '*-» -skJ-p- i i L-j 3b-i — "? — ! — ■• > #v — * — I— ■ • 1 * it— 1 war - ble, dwelling, For the nit*ht was made for song We will sen - tly steal a - way; W'i3n none are by to lis - ten, Wliero the sil - v'ry wa - ters mar - mar, fcc U Or to By the £ f_^' §»—■»■ -L-j ^ ^ # _L 1 1 — I 1 1 — e s>- T=?— ' : £ I I mm . =t >- j n the star-li?ht, Let ns wan - der gay and a the star-light, We will wan - der gay and chide 08 mar - gin in of onr glee, the sea. ^JEEEEEEEE: In the star-lisht,. . In the star-light,. . . 9_ ±_j _ff^^ '_^~ 0- * r- — ^\ ^^*^^5 - I let us we will 222 wan - der, wan - der, In the Starlight. . W * A T\ TEMPO. - In the star-light in the star-light, Let us wan -der gay and free. In the star-light in the star-light, We will wan-der gay and free.. ^F=T -0 O '—0 -\-^ 1 K — brT-— ' 1 — 3— 45j^-« 0— ll SOLO — Tempo di Marcia. WELCOME TO OUR GALLANT BOYS. M. Kzilxb. mf" " ~ *" *~ ' — # — — - CEr £- / 1. When trai - tors strurk our ban - ner, And sought to snatch its stars, A mil - lion sprang a- 2. From ev' - ry ver-dant val - lev, From hill and ro - sy bower. Did gal- lant free - men Rf** f* CI - RSRr I •*"•"•■ \-0-0r-0r [♦♦♦ [-»-•"•• RRB I-*-*"* !-•"«-«■ i :d=r£ round it, ral - ly, T* Bore proud - ly up its bars ; The na - tion's pride and power; Brave pa - triots fell by thou - sands, To With hearts for Free - dom beat - ing, Right • I i i i . i i zjm & 14 "^m ♦ 14 1 i * Welcome to our Gallant Boys. 223 seal Re - bel - lion's doom ; glo-rious vie - t'ry won. Dire Sla-very's chains are Let's give them all a bro - ken, greet - ing, Our Our boys are com - ing boys are com - ing fagi^-pi5z:^= ^-f-r-j ^zg|^-^-3=j^i?E -9.-W-B f =-^ bome. home. — T5L §£Ei Dire Sla - very's chains are Let's give them all a bro - ken, greet - ing, at* Our Our mis b? boys are com - ing home ! boys are com - ing home ! (Cho. next page.) 19- ' s^m 3. The fondly loving mother Sent forth her son so dear ; The maiden for her lover Let fall the parting tear ; Beneath the nation's banner, On land, and ocean's foam, They've vanquished ev"ry traitor, And now they're coming horns. They've vanquished, &c. 4. Their fame will grow still brighter, Their names will live through time ; For Freedom's stars are lighter, Her future rays sublime. We'll proudly tell the story, The sire to listening son, Of martial deeds of glory, Of the boys now coming home, Of martial deeds, &c. 224 80PBAH0. Alto. Tenoe. Bass. CHORDS. Welcome to our Gallant Boys. :_ — — i — — p— 0~t.g2 — # -_*r:r.r,__ # — *_ — i e — ^ — &?-»; — z — *-*»— sr— F f~ . ?' "'~ l r--g. »-l-o o -•.— »- 1 -»;- «— i- t-l -g-*.- » j-g— ; *.#-jT*-F Crown'd with honor's wreath of lau - rcls, Our brave boys are coming home ; Let us give a heart- felt 5z:f^gziif=i*=fiif— 3:t=t:^5--^zi±^e=r— T-?T— # ^~ -*J[-*— •-, bit rz^Brl m Crown'd with laurel wreaths, ^m^^m^-tmkm^ EJ Ri^^-»--' greeting To the vie -tors as they come, Letns give a heart-felt greeting To the victors as they come -r— r '-i -* t — s -p-i-— ».--• t -«- « 1— ; T ^— ^-fv-' — ^ -g>-# «_. j] as they come. ■»■■ -2 ■•■• 2--F— E-_£yr;rf:gznrdr" fcfc* as thev come. " BEAR ON OUR FLAG " foldfen' Choruj. from "Faust." % .— — 7-n — *r— 4r- 225 worae oy uharles Sp»a«ui, Em. — ^ — g; jT'^t- ~ * — — — I ^~^ n- **i— jf\- 9 — *— ;-- * — » ==»■— *- / Bear on our fl Dan - ger shall m *2 ml m* I I Bear on our flag o - ver all the land ! Dan - ger shall menace the land in vain. And Ev • un - to them who be - neath it stand, er u - nit - ed it shall re - main, *'; : — *-=-sH — *— *!~a^ — - m \ r £ S-7-?F Glo - ry for - ev - er, and high re - nown, Strong in the faith of a ho - ly right, Who conquer the foe, who conquer the foe, anu With God for their guide, with God for their guid< , our m 2=C ** -••- -*\- -*.- -•-- [S-7-SF =F*~ -*!-- -»'- 0- -»- ■ ^^^ ^^^ea jLiJLjLL^ =t «E=jS: tram - pie them down, pa - - tri - ots fight. P On, All then, o - ver the the plea - sures of 9$- •?— & -*-&-, field home in a tor - rent pour, they have left be - hind. -& -•*- "T ipnipliii 226 " Bear on our Flag.' &- Pl ¥ J> H -J—J- Tu.m* *—J ±=t=, » 1 / _Z yt f _ Through the clash - ing of For the tri - als of swords, war 3£ i^lii and the can - non's roar, they have all re - signed. Ifc- For - ward, Let the -*•- ±Z h. ™ — - _ ?r, — r rank up - * rank, trum - pet re - sound, For - ward ! ' mm By va - lor a - lone, by va - lor a - lone, the bat - tie is won. D. C. Onmen who have vow'd, onmen who have vow'd to con - quer or fall. dd ? rip - —#• — r* iff r * — vr& tf ~ n — s 1 ^ *-r — f | ^p— y— u . . till the day is done ; . • and its note shall call THE LORD'S PRAYER. TALLIS. -aU[llJ : E O-j-Is i rfiff %±*± l A £qg±r 17 TT 1. Our Father, who art in heaven, hallowed | be thy | name: Thy kingdom come, thv will be done on learth, as it | is in |heaven.' 2. Give us this da; our dai • I v | bread ; And forgive us our trespasses, as we I forgive ( those who | trespass a- (gainst Di. 3. Lead u« not into temptation, But de- | liver I evil ; Por thine is the kingdom, And the I us from I power, and the I glorv. .for-|ever. .and | ever. A - If EN. a ——A. <2- T _c a T _(2 — ^-r-O a- T .a-,-&.. 9:fe m&$=z ^T~i ^T~~? ^-l-^—ti CHANT.—" My God, my Father." 227 3 « — I — a — L- 1. My God, my Father, while I stray, 2. Though dark my path, and.... sad my lot, 3. What though in lonely grief I sigh, 4. If Thou should'st call me to re - sign 6. Let but my fainting heart be blest 6. Renew my will from day to day, §il — p •-•■,-« — — 15- n§iie 5 Far from my home, in. . . Let me be Ptill, and For friends beloved no... What most I prize, it.... With Thy sweet Spirit... Blend it with Thine, and. life's rough mux- mur long - er ne'er was for its take a- — |5==3s: m ?= g: B= way, O teach me from my heart not, Or breathe the prayer di- .... vine - nigh, Submissive would I still mine; I only yield Thee what guest, My God, to Thee I yield way All that now makes it hard — i— as. r a~rz — i- to iy re is the to -GO say, taught, ply. Thine ; rest ; say, "Thy "Thy "Thy "Thy "Thy "Thy mm^^^^^^= ^^ m^m r will will will will will will =t=: be be be be be be 77 done. 1 done.' done.' done.' done.' done.' t_ r _ -©-.-■■■ 228 CHANT.—" Hear, Father, heap." 1. Ilear! Father, hear our prayer ! ) Thoa who art Pity where I sorrow pre- | vailetb, 2. Ileal ! Father, hear our prayer! Wandering ui. known in the 8. Dry thou the mourner's tear ! Ileal tbou the wounds of time- 4. Hear! Father, hear our prayer ! Long hath thy goodness our Hope to de- | spair. land, .of the | stranger, hallowed af- | fection ; footsteps at- | tended ; Thou who art Safety when mortal help I tuilrth, Strength to the feeble, and. . . \ Pe with all travellers in sickness or dan- I gar, Guide thou tb 1111111=^11 iiHipEeno I hear our prayer! s bear our prayer! • mourner's tear! ♦hear our prayer!— A - MEN. mammmm CHANT.—" Thy will be done ! " Thy will be | done ! || In devious way The hurraing stream of | life may | run ; II Yet still our grateful hearts shall lay, | Thy will be | done. Close by repeating the first two measures — " Thy will be done." Thy will be | done ! || If o'er us shine A gladdening and a | prosp'rous | sun, !| This prajer will make it more divine — | Tby will be | done. Thy will be | done! || Though shronded o'er Our | path with I gloo n. j| one comfort — one Is ours: — to breathe while we adore, | Thy will be I done. BowEi.va. CHANT. 229 \Hiy Tbe Cbant and Melody should be 6UDg alternately. FINE. ;;fcii£:=;Li::.=r 1. When floating on life's troubled 1 sea, Bymrmsand j tempests driven, 3. Her hallowed influence cheers 1 llle'shouis Of sadness ) and cf gloom; 5. She bids the anguifhed heart I rejoice, Though earthly J ties are riven, — 4-S>— 1— C-- -i 1 1 lit pe with her radiant fin- 1 gerpoiDts To I brighter scenes in heaven She guides us through this J vale of tears. To I joys be - yond the tomb. We still shall meet again, I In j yon - der peaceful rtrzrfc heaven. — A - MEN. 2. She bids 4. And when ^^b-Tf-jtT^rrp— -p: 5-«-+-#-* m •i-H— *— 4 — »i m *-# X J-* * 0i— ' 1 ' * -jr=r:~fc life days _# to are cease, o'er, :t=: ■ -o-.-y- The And trou - bled life's last breast be hour draws calm; near, fcc — I- 1**4- +^-l 1 P— »- P balm. D. 0. tear. d. o. 230 Pio Adagio. :b— = CAST THY BURDEN UPON THE LORD. From " Eujah." nd He shall 6us - tain thee ; He i > pp Cast thy bur - den up - on the Lord ; .» — _ .-,.~a. CEE8 ^^^4 J P ne-ver will suf - fer the right - eous to fall; He is.... at thy right hand. Thy mer - cy, Lord, is Alto— lie. ... is at ft £ JL ♦ ♦ ■ -*' - ' ■ • •#- -s>- bo',-i* — k««^ * '-# 1 — ~l-0 -n.^-i—** 0^-0—0—0 — 0-\— L -ir-» — | 0~>-0 — 0-0 z M >-& :a Z+ cU.I ' LJ ** DIM. '-J *f " p\ I 1st time. 2d time. — -— * 0— J-* gp- rW ^ Jy2.i-j>y yi-gM May we dwell with y ' ^ S Mav we ioin with sera guide us, Cleanse our thoushts from ev' - ry stain, spi - rit Be our soul's de ----- - light and aim !^lb|2-!z^-fe£ w^rnm is over, thee above ; May we join with seraphs hymning Praise to thee, thou Grd of love ; There with har]>s and angel voices, May we swell a ceaseless song, ~ a '~\ | Ever happy, ever holy, t — •" Thou our God, and heav'n our home. ST. BRIDE'S. S. M. (Minor.) 233 I want a god - ly fear, A spi - rit still prepared, A quick, dis - eern - ing eye, And armed with jeal - ous care, ft- That looks to Thee when sin is near, For - ev - er standing on its guard, A - " fii^sjfcpii^ii^^i^i tempt - er fly. un - to prayer. Z. 1 — J — i 1 — J — I 1 — J — e-JJ MORNINGTON. S. M. 1. From earliest dawn of life, 2. To learn and do thy will, mmmmm Thy goodness we have shared ; O Lord, our hearts incline ; TJHMM Tffc=ftl^F fl J Tj ]j T 1 , P P ?"^ - "^ "t"^~hTT~F] — nil 7 1 11 mile tau g ht thy word of truth, Mfc^lfezj33Ei^-ErPJS§=rai-^lJ May we S that^ord receive; f" t? «• rr And still we live to sing thy praise, By sov'reign mer - cy spared. And o'er the paths of fu - ture life Command thy light to shine. And, when we hear of Jesus' name, In that blest name believe ! O, let us never tread The broad, destructive road, But trace those holy pathg which lead To glory and to God ! 234 HAYDN'S HYMN. (Austrian National Air.) =IIIi=Eii^=^1iL=:=£3 Life's trou - bled Thy Spi - rit wa - ter8, Rude - ly toss'd by ev' - ry tide ; giv - en, Till the voyage of life is past, §!frEg^g=g Guide us, in Safe - ly to DIM. I fant sons and daugh - ters, the port of heav - en, CRE8. O'er the bil c, '.- Bring our wea - rv '-JU DIM. lows far and wide. souls at last. # i mm 11 13 Martin Lctkis- HUGUENOTS. Harmony by J. S. Bach. 235 iHl|i?igl!ii^!iiIf -~o- IliaS ! Send out thy light and truth, O Break not the na - tions with thy Be - fore thee ev' - ry i - dol The ful - ness of the Gen - tiles i God, With sound of trum - pet, rod. But draw them as with fall ; Rend the false Pro - phet's call, Be Is - rael saved, let i from a - cords of veil of Ja - cob =?*===&== -— i—i— ,5 — ©— 1-« — ftg— x — s— ^-a- 3 — i — ^— 1-« — -s?— c-s—j ©.I,.© — -j-i— © — -. p 1*" 9—\ £rj Jus - tice and mer - cy meet, The work is well be - gun, Through ev' - ry clime their feet. Thy king - dom come in - deed ; Thy church with u - nion bless, All Scrip - ture be her creed, •&■ -ft- „ „ _ •*• ■<*»■ & — ©- jg| SSB _j _E_£S_B _+. 1 — ■»•— s «-i 1— i 1 — J- 1 — J- — i ■ — (- :__cz —TZ^ZZl Who And will be right - eous done, ness. =^JU --,- HH 236 ASCRIPTION. Prayer from " Der FreiaehuU." 1. Gra - cious source of 2, All our hopes on ev' • ry bless • ins, Guard our breasts from anx - ious fears; thee re - clin - ins, Peace, com - pan - ion of our way : ^fef^ : -0 32 — j. ^m=^mm=- -ft- ^=F ly Lord God of Hosts ! Heav'n and earth are full of the ©--.—*- g-gr-i-e— j— g; — ^-r- S *£--,— © »- SANCTUS. (Concluded.) 237 s i — m--\—@ e— 4 — #=i — «-#-]—« &—\— o-\— & -4-«— -H g£ — # _j__ e — ._g_-i_p_* — s — ' — q — -g— J I_q,-J._ IJ Thee, O Lord most high. — A - men. iililllilii CORONATION. C. M. =i=r=: ■4- — i-t-« — * 1. All hail the pow'r of Je - sus' name, Let angels prostrate fall ; Bring forth the roy- al di - a 2. Ye chosen seed of Is - rael's race, — A remnant weak and small, — Hail him, who saves you by his 3. Let ev' - ry kin - dred, ev' - ry tribe, On this ter - res - trial ball, To him all ma - jes - ty a r5s=4 I -| 1 l 1 \~0 D 0— \— 0— * — + .--I— -0— , 1 1 M-- J 1 ( ■ dem, grace, scribe, -0-+ -#■*-#■ ■*• *w-»-#- -n. And crown him Lord of And crown him Lord of And crown him Lord of D : l Bring forth the royal di - a - dem, And crown him Lord of Hail him, who saves you by his grace, And crown him Lord of To him all ma - jes - ty as - cribe, And crown him Lord of all, all, all, •&• all. all. all. llE^IS^i£lg§^Iii ~er -a- -\ — a. I Maestoso *&^E RUSSIAN NATIONAL HYMN. f III * 1. God, the all-mer - ci - ful ! Earth hath for - sak - en Thy ways all ho - ly, and slighted th)' word ; 2. So will the peo - pic, with thankful de - votion, Praise Ilim who sav*d them from peril and sword; si _l a g— g — f I eg— ^— S-i~?s — e — -HI— g i-g: -„— fit g: .l_^|,j- i — f i PL^r Bid not thy wrath, in its tcF^ ror, a - wa - ken ; Give to us par - don and peace, O Lord : Shouting in cho - rus from o - cean to o - cean, Peace to the nations, and praise to the Lord ! h. . -z. * *- « ^ .^l — j — « -'r ,p * — □*— m =:=u=v=&=e q- :» STT- -I— ' -| — r 1 WINTHROP. L. M. -- » qpprgczi J I ~g=i-£: Dr. Gree.n j I - I | ■■ ~e> — '— a— ' To God, whose good - ness cease - less flows ; ^ -»■ <*+£ J mmm WINTHROP. (Concluded.) -, 1 1— , 1 1—, (TV— • 1 T 1 i=2 «_dz:Sr=::g;±:S-Jr^— i^e 239 Who dwells en. - throned a - bove the skies, And life and health on all I be - stows. >r-i— P i& *<**E= CHE1RFD1_T. CSV J. C. WmB. ~%JtK ' i -j r-j * -1 E yr— I j 1 ' S Nt— ■ ■ , ■ -\ 1 r- =dtu_^fc_.J_,_ # _z^-t ._q__._i_,_ # i_ _ 1„ # _,___, t 1. Joy ! joy ! joy ! Come sing with us the sto - ry Of Christ, the Lord of glory, Kuril on Christmas 2. L : st ' list ! list ! The little lambs were sleeping, While shepherds round were keeping Watch on Chri-tmas 3. Hark ! hark ! hark ! An angel choir is singing, And nearer earth is bringing Joy on Christmas mmmmm^mm * =r\l il l j S ft— ~r- j — \ — ! — 'Vrrrd- I: » £ 333^^3=4 *3 morning ; Im - manuel is his nanTe, From heav'n to earth he came morning ; When lo ! a light is seen, Their eyes the shepherds screen morning ; The shepherds quake with fear, And, kneeling, gath - er near ZJ=Z* i t H-glg » I I W - — I U I I— fc On that Christmas morning. On that Christmas morning. On that Chri.stmas morning. -I- - *- -*T- CH0RC9. A-V-+V \ t— \- gzig- * - f -• -* EH— *— »d- g- j- jZl Joyfully, joyfully, sing the song, Merrily, merrily, loud and long, This song of Christmas morning. ; v- g # ~f # ~f f~f pF-T»-»—ltr-\ - »<— *«-l-i > E — 5^J — EE3E I^SJ List! list! list' An angel now comes near them, And cautiously they greet him On that Christmas morning ; Glad tidings of great joy I bring without alloy, un this Christmas morning. Joyfully, &c. Christmas Capo!. Look ! look ! look ! So suddenly around them The heavenly hosts are shouting, On that Christmas morning ; They sing of peace and love, Good will from heaven above, On this Christmas morning. Joyfully, &c. NO NIGHT IN HEAVEN. 241 6. Shout ! shout 1 shout ! In songs both loud and joyous. All swell the happy chorus. On this Christmas morning ; For Christ, the Lord, is King, Let earth his praises bring On this Christmas morning. Joyfully, &c. in Heav'n — no gathering gloom Shall o'er that glorious landscape ev - er come, in Heav'n — no dreadful hour Of mental darkness, of the tempter's pow'r, in Heav'n. Forbid to sleep, Those eyes no more their mournful vi - gils keep, in Heav'n — no sorrow's reign, No secret anguish, no cor - po - real pain, in Heav'n, but endless noon, No fast declining sun nor waning moon, No A- Their No But -* E^S :t: tears shall fall in sadness o'er those flowers That breathe their fragrance Dross these skies no envious clouds shall roll, To dim the sunlight fountains dried, their tears all wiped away, They gaze undazzled shivering limbs — no burning fever there — No soul's eclipse — no there the Lamb shall yield perpetual light, 'Mid pastures gTeen, and — * through ce - les of th'enrapt on e - ter - winter of waters ev - *=m^M tial bow'rs. ured soul, nal day. despair, er bright. 242 PORTUGUESE HYMN. lis. 1. The Lord is my Shepherd, no ivnut suoll I know; I feed in green pastures, safe fold - ed, to rest; 2. Thro' the valley and sha - dow of death tho' I stray. Since thou art my Guardian, no e - vil I fear ; 3. Let goodness and mer- cy, my boun - ti - ful God, Still fol - low my footsteps till I meet thee a - bove ; * SEE* v- ••— * :£r-: — r~# — 2 ^i~« — -A — Nr r " v — Vr , -- » ~ ~i~* t P* ^ ?* M — ! Vi _ ^' 9 * ,_ -^~i~i S j±x_? tr 1± — »— fcbgyg ^ ' 7 ' r * ? t= f=^ *— - — F 1 — ' He lead - eth my soul where the still wa - ters flow. . . . Restores me when wand'ring, redeems -when oppre>>'d. Thy rod shall de - fend me, thy staff be my stay.... No harm can be - fal with my Comfort - er mar, I seek, by the path which my fore - fa - thers trod. . . Thro' the land of their sojourn, thy kingdom of love, _ii; m Restores me when wand'ring, redeems when oppre>s'd. No harm can be- fall with my Comfort - er near. Thro' the land of their so-journ thy kingdom of love. ■ » ft *-t-* -9—u srr-^l-N *r _ _« -^ m j-- w — m , — i- :*_- -A it m EXHIBITION HYMN.-W. T. Adaks, bq. Our Father in heaven ! we bend at thy throne, Imploring the blessing thou only canst girt. Look down on thy children, O uiake us thine own ! Anil teach us more wisely, more nnbl) to live. Be with us. Father! thi* glad. fe*t*l dav, To guide us and bless us with light from boo¥» • Inspire us with wisdom thy law to obcj*i And fill our young hearts with tUj peace and thy lov». Wherever we go. may we rest on thine arm, Assured thy protection is all we can tieed That thou wilt uphold ua. preserve, us from ham And aaf« to their Uome wilt our w&iuag toal* i , OLD HUNDRED. L. M. 243 Be thou, God, ex - alt - ed high ; And as thy glo - ry fills the sky. So let it From all that dwell be - low the skies, Let the Crea - a - tor's praise a - rise; Let the lte- E - ter - nal are thy mer - cies, Lord, E - ter - nal truth at - tends thy word ; Thy praise shall ©---, — > "S. 3 — J— -i — tfl=£fcE3=*±fl: 3E iS] be ou earth displayed, Till thou art here as there o - beyed. deemer's name be sung, Through ev'ry land, by ev' - ry tongue, sound from shore to shore, Till suns shall rise and set no more. 1 1 — •*-, 1 L -© — ' ■»■ ■(— 3= THE TRUE FRIEND. L. M. There is a friend, a se - cret friend, A friend, who, watching from above, 4^:— 2-" O — » »^f-. E£EQ —n — o-\- \1 £m--< 1 -i h-T — I 1— r — I ■— r 1 — I 1 |- T — I T 1 — i-, ,- iE:g:-g^;jiJi_-,c:i!g^:g-l--^:J±=:* — HL^ig-Lj-gig «J^i£ In ev' - ry tri - al, ev' - ry grief. To cheer, to counsel, ami de-fend, Of all we ev - er had Whene'er in er - ror's path we trod, Still sought us with reproving love, That friend, that secret frier =33 i JOY TO THE WORLD. C. M. to the world, the Lord is come ! Let earth receive her King; Let ev' - ry heart.... pre - pa»* him to the world, the Saviour reigns ! Let men their songs employ ; While fields and floods, rocks, hills and more let sin and sor - row grow, Nor thorns infest the ground; He comes to make... his bless - ings V- 1 1= ^3-^- =-# -§— # -j- # — # — t — 0-*-= #-■-* — £~~\. £ 9 ** — » A *"5 l — x -0-0-0 — ■-# — ^ room, And heaven and nature sing, And heaven and nature sing, And heaven, and heaven and nature sing, plains, Repeat the sound - ing joy, lie-peat the sound - ing joy, Re - peat, re - peat the sounding joy. flow, Far as the curse is found, Far as the curse is found, Far as, far as.... the curse is found. ^#— Ef 5^B EVENING HYMN.— (Tune, Hamburg.) Hither, bright angels, wing your flight And stay your gentle presence here ; Watch round and shield us through the night, That every shade may disappear. How sweet, when Nature claims repose, And darkness floats in silence nigh, To welcome in at daylight's close, Those radiant troops that gem the akj 1 To feel that unseen hands we clasp, While feet unheard are gathering round,- DO* To know that we in faith may grasp Celestial guards from heavenly ground ! 0, ever thus, with silent prayer For those we love, may night begin, Reposing safe, released from care, Till morning leach; the sunlight in. PETERBORO'. C. M. 245 yq— I 44 — I— I— d— t- -r-r-i 1 — Tr~ r T -» | jiqiZ msm wm 5^3 i^ mmm -J--3SL m DUDLEY. Us. 1. Acquaint thee, O Bpi - lit, acquaint thee with God, And joy like the sunshine shall beam on thy road ; 2. Acquaint thee, () spi- rit, acquaint thee with God, And he shall be with thee when fears are a . broad, ■9 0—0- ,._<2- r. ^JN-M^t — ■» -r ^ ^r- ly bed. af death. And peace like the dew shall descend round thy head, And sleep, like an an - gel, shall vis Thy safeguard in dan - ger that threatens thy path, Thy joy in the val - ley and sha - it thy bed. dow of death. g — • — f-\-° — f — »-- -; — I — fc" 1 g, ~ i~T~i ri" — f — # - Rewards Of Early Piety.— ( Tune, Greenville. J God has said, " Forever blessed Those who seek me in their youth — They shal 1 rind the path of wisdom, And the narrow way of truth : " Guide us, Saviour, Guide us, Saviour, In the narrow way of truth. Be our strength, for we are weakness ; ! Then, when evening shades shall gather Be our wisdom and our guide ; May we walk in love and meekness, Nearer to our Saviour's side : Naught can harm us, Naught can harm us, While wt thus in thee abide. We may turn our tearless eye To the dwelling of our Father, To our home beyond the aky— Gently passing Gently passing To the happy laud on high GREENVILLE. 8s 7s &. 4. 247 FINE. Gently, Lord, O gen - tly leud us, Thro' this low - ly vale of tears ; ) O re - fresh us, O re - fresh us, O re - fresh ua with thy grace. J And, O Lord, in mer cy give us, — #-!■— — +-\<-* » -F-* — #— 3-# — »-\— ^^ — A-sA-0 — • — A* — »-T = l — 3-f-# — -» D. C. Thy rich grace in all our fears. :SEE — »- H^g^i £ Though ten thousand ills beset us From without and from within, Jesus says he'll ne'er forget us, But will save from ev'ry sin ; Therefore praise him, Therefore praise him, Praise the great Redeemer's name. O that I could now adore him, Like the heavenly host above, Who forever bow before him, And unceasing sing his love. Happy songsters, Happy songsters. When shall I your chorus join. THE CLOSING HOUR. 1. As - sembled at the closing hour, When we a - while must part, A song of praise to Ood we pour, With me - lo - dy of heart. 2. 'Tis by His goodness we aie led With • in these favored walls ; And ev' • ry foot - step here we trend, Thy goodness still recalls. 3. In kindness, when we Sep - a - rate, lie - gard our ten -der prayer, And let us, when we meet a ■ gain, A Father's blessing share. 1— ft-*-* !-*— N1 » Ft m 248 AMERICA. 6s 4 4s. 1. My coun - try ! 'tis of thee, Sweet land of lib - er - ty, Of thee I sing; Land where my 2. My na - tive country ! thee, Land of the no - ble free, Thy name I love ; I low thy 3. Our fa - thers' God! to thee, Au - thor of lib - er - ty, To thee we sing; Long may our --- ■*■ ••■ ■#- •*--*- ■*-■ S3 '):,3r - = ■^fc±-F — E= m : P^PTl =»i * it i r it i —I fa - thers died, rocks and rills, land be bright Land of the Pil - grims' pride, From ev' - ry mountain side. Let free - dom ring. Thy woods and tern - pled hills, My heart with rap - ture thrills, Like that a - bove. With freedom's ho - ly light : Pro - tect us by thy might, Gnat God, our King. ag :t S: F-1 -F— >— ^1= ^=f^ — 11 DEDICATION HYMN .—(Tune America.) Wm. T. Adams, E*q., (OliTer Optic) Our fathers' God ! we raise To Thee «ur grateful praise And bless thy name; For freedom's glorious day, Our country's peaceful sway, And wisdom's kindling ray, Thy lore proolaim. We thank Thee that the spark The Pilgrims' storm-tossed bark Brought o'er the sea. Preserved through danger's night, Still burns a living light, In many a temple bright — Hope of the free. To Thee we dedicate This " pillar of the State,' The freeman's guide ; And may it ever be A temple reared to Thee, The cradle of the free. Our country's pride. CONTENTS* Adieu, Adieu to a Teacher, All bail ! pleasant morning,. . , . All togcth-r again, Amtels will ro k thee to sleep,.. ADuif Lawrie, Annie of the Vale, Away to the f->re»t glade, (Pic- nic Song.) Bear on our Flag, Bird of Beauty, Blanche Alpen, Bonnie Dundee, Break it gently to my mother,. By the sad sea waves, Calm me to rest, Cheer, boys, cheer ! Comiu' thro' the rye, Contraband of Port Royal,. ... Day is gone, (Hound,) Dear old sougs of home Departed Days, Do t he? think of me at home ?. Ever of thee, Faded Flowers, Fa li ng Away, Faintly flow, thou falling river, Farewell, good night, Farewell, to America, Flow gently, sweet Afton, Garibaldi Hymn, " . . . Gentle ray of sunlight, II ill to the opening year, Happy are we, H^ doeth all things well, Hearts and Homes, Her blight smile, H ime, fare thee well, , Home's sweet harmony, How beautiful is the sea, How can I leave thee!, • How sleep the brave '. , I'd be a our........ BOlIn the eve there lies the heart, 18S ! In the Starlight, 79, I'm going to be a soldier, 49l I wandered by the brook-side,. . 146 Jemmy [Joker, S3 Juaoita, 73 Jonathan to John, Ijust twenty years ago, 182 1 Kathleen Mavourneen, 228[Kitty Clyde, 96 Make me no gaudy chaplet,. . . . 143jMay of the Valley, 63 1 Marseilles Hymn, 156 Mary of Argyle, 149 Maryland, my Maryland, 158 My soul to God, my heart to thee, 601 Near the tanks of that lone river 205 Nellie Dean, 178 J Never forget the dear ones, 162,0 ye tears! 152,0, we are volunteers, 131 Ode to Freedom, 117 Oft in the stil y ni^ht, 175 Old friends and old times, 1-5 1 < >ngiu of the Harp, 166: Our Country, 187'Our Flag, 92!Over the summer sea, 46 Peace to the brave, 191 1 Pestal, or the Prison Song, 65 Poor old slave 114 Read me a letter from home,. . . 183' Rejoice evermore, 159 Rock me to r-leep, 203 Rock of Liberty, 39 Say. what shall my song be to- 218 Dight? 92 Skatwr's Song, 118 Soaring and sin ting, 102! Sweet Dreams ,...<< m 220 Tell me where do Fairies dwell, 145 There's mucic in the air 62 'Tis growing very dark, mother, 80, 'Tis Midnight Hour, 110 The Battle Prayer, 130 The Beggar Girl, 124|The Bridge of Sighs 94The Cottage by the Sea, 112 The dearest spot, 180 The Deep, 128 The Echo, 42 1 The Evening Breeze, 64|The Exile, 76 The Graduate's Farewell, 122 The hour of paring, 111. Tne Humming Bird, 1!6 The Maiden's Prayer, 184iThe merry mountain maid,. . . . 163 1 The Midnight Moon 207 146 10J 66 Softly now the light,. Soldiers' Chorus, (from Faust). Song of the Bob o link, The moon is beaming o'er the lake, The M urmuring Sea, The Offleer's Funeral, The Silver Chime, The Stars and Stripes of old,.. . The Switzer's farewell, The Sword of Bunker Hill,. . . . The Vacant Chair Three Fishers went sailing,.... Warblings at Eve We're tenting on the Old Camp Ground, Weep not for him, 1041 Welcome to our gallant boys,. . What is Home ? When Johnny comes marching, When the swallows homeward fly, Why do summer roses fade ?. . . Yes, let me like a soldier fail, . . Ye shepherds, tell me, 891 SACRED PIECES. 341 America, 1081 Ascription, tit 8G Beethoven,. 140 Calm on the listening ear 127 'Cast thy burden upon the Loid, 10/, Chant and Melody 15SJChant— My God, my Father,... 70i " Hear, Father, hear,... 155 " Thy will be done, 148 Charity, 198 Choral— How glorious beams,. . 131 1 Christmas Carol, 98, Come ye disconsolate, 213 Coronation, 75 Dedication Hymn 64,Dudley, 68^ Evans, 189 Evening Hymn, 60 Exhibition Hymn, Fading, still fading 163 Father of mercies, 209 Greenville - 103 Haydn's Hymn 69!Hiirold, 1C6 Huguenots, 206 Joy to the world,, 150 67 138 08 Morning and Evening, Mornington, Mother dear, O pray for me,. No Night in Heaven, Old Hundred, 85 Peterboro,' 1H5 Portuguese Hymn, 222 Rewards of Early Piety, 137 Russian National Hymn, 71 Sanctus, St. Bride's, 41 The Closing Hour,. 100 "' 168 The True Friend, The land bevond the river,.... The Lord's Prayer, (Chant,) Wiuthrop ,,,,, ,, 248 236 246 32 230 2C9 227 228 228 197 •l-'j 240 195 237 248 246 231 241 242 193 196 247 231 232 235 241 78 233 171 241 243 245 242 246 238 236 233 247 243 38 226 238 \ I )vaS .*.W PUI ft