/-; 
 
 THE COSMOPOLITAN. 
 
 ))(B®,m°Ii)(B^ 
 
 fa 
 
 Pears' Complexion Powder adds the finishing touch. 
 
 All rights secured." 
 
 When you write, please mention "The Cosmopolitan." 
 
CONTENTS FOR JANUARY, 1904. 
 
 Frontispiece. Cyrus Cuneo 258 
 
 Poverty in the World's Greatest Metropolis. Illustrated. 
 
 LADY HENRY SOMERSET 259 
 
 The Diary of King Edward Vlll. 
 
 EDITED BY 267 
 
 The Oldest Republic in the World. iiiustr<ite<t. 
 
 HERBERT S. STONE 271 
 
 The Passing of Love, (poem.) 
 
 ^ THEODOSIA GARRISON 278 
 
 The Odd and Eccentric in the Drama, illustrated. 
 
 HJALMAR HJORTH BOYESEN, 2d. 279 
 
 Captains of Industry. With portraits 289 
 
 F. AUGUSTUS HEINZE, CHARLKS JOSEPH BONAPABTE, WILLIAM 
 lUINEY HAKPER. 
 WM. R. STEWART, LYNN ROBY MEEKINS, ELLIOTT FLOWER. 
 
 The Food of the Gods. illustrated by Cyrus Cuneo. 
 
 HERBERT GEORGE WELLS 299 
 
 The End of an Idyl, sara beaumont Kennedy 314 
 
 Some Famous Hymns and Their Authors, illustrated. 
 
 LAURA GROVER SMITH 321 
 
 Childhood Through the Ages, illustrated. 
 
 LEO CLARETIE 329 
 
 Father, Son and Grandson, illustrated by Lester i{aij}h. 
 
 WILLIAM R. LIGHTON 337 
 
 The Chef and the " Owl's Nest." illustrated by Edmund 
 
 Frederick. CONSTANCE MAUD 347 
 
 The Dramatic History of South America.— Peru and the Pi- 
 
 zarros. illustrated. 
 
 CYRUS TOWNSEND BRADY 355 
 
 Theodor Mommsen. iVitu portrait. 
 
 FREDERIC WILLIAMS 363 
 
 A Judicial Puzzle, illustrated by Frank Verbeck. 
 
 ELLIOTT FLOWER 365 
 
 Making a Choice of a Profession.— Farming as an Occupa- 
 tion. WILLIAM JENNINGS BRYAN 369 
 
 Duty. (POEM.) JAY ROGERS DICKINSON 371 
 
 Men, Women and Events 372 
 
 ELBERT HUBBARD. TOM MASSON, W^M. R. STEWART. 
 
 Great Events: Humor and Satire. By the World's Most 
 Fain ous Cartootiists. 
 
SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 By Laura Grover Smith. 
 
 ALL ages and all creeds have contributed paintings stand apart from the modern idea 
 to hymnology. For the most part, of Christian art. It was Gregory who sent 
 great religious poems have been written Augustine to England, and his choristers, 
 
 under strong excitement, either individual, 
 national or ecclesiastical. In the earliest 
 days of Christianity, under the fire of per- 
 secution, hymns were written, filled with 
 the joy and exaltation of martyrdom and 
 the gladness of the new religion. 
 
 The "Te Deum, " the greatest of all 
 songs of praise, was not in existence until 
 theyear A.D. 387. The story runs that Saint 
 Ambrose stood 
 before a Chris- 
 tian altar in 
 Milan. Saint 
 Augustine, 
 that most in- 
 teresting con- 
 vert to the new 
 faith, stood by 
 him; in joy of 
 the latter's con- 
 version. Saint 
 Ambrose bfoke 
 forth into 
 thanksgiving, 
 ' ' We praise 
 Thee, Oh 
 God, " and 
 Saint Augus- 
 tine, inspired 
 likewise, an- 
 swered, "All 
 the earth doth 
 worship Thee, 
 the Father 
 Everlasting." 
 
 It is told that 
 these two men 
 
 THOMAS MOUKE, ATIHCIR (IF CO.MK, \ [■. IHSCO.NSOL AT t, 
 
 E'ER YE LANGUISH." 
 
 with their plaintive music, gained many 
 converts to the new religion. Not only 
 did Gregory compose music, but he wrote 
 the words as well. To him we owe the 
 "Veni, Creator, spiritus" ("Come, Holy 
 Ghost, our souls inspire"). 
 
 Saint John of Damascus was a Bishop 
 of the Greek Church in the eighth century, 
 lie was the author of one of our finest 
 
 Easter hymns, 
 which has been 
 translated by 
 Doctor Neale : 
 
 "The Day of 
 
 Resurrection, 
 Earth tell it out 
 
 abroad, 
 The Passover of 
 
 gladness, 
 The Passover of 
 
 God." 
 
 This same 
 good Bishop, 
 Saint John of 
 Damascus, 
 placed his 
 nephew. Saint 
 Stephen, in the 
 monastery Mar 
 Saba, which 
 stands on a 
 high cliff over- 
 hanging the 
 valley of the 
 Ivivcr Kedron. 
 The cells and 
 
 sang alternately the verses of this great chapels are cut in the rocks. 
 
 hymn before the altar. It is to-day, as it 
 has been for centuries, the church's voice 
 of joy and praise. Some authorities, how- 
 ever, place the writing of the "Te Deum" 
 in the sixth century. 
 
 To Gregory the Great, once a Roman 
 senator, later a monk, and still later a Pope 
 of Rome, the world owes much of the 
 beauty of devotional music; the Gregorian 
 
 Saint John of Damascus retired also to 
 this monastery with his foster brother. 
 Saint Cosma, and they, with Saint Stephen, 
 composed hymns. Greatly loved is the 
 well-known hymn by Saint Stephen, writ- 
 ten eleven centuries ago: 
 
 "Art thou weary, art thou languid, 
 Art thou sore distrest ? ' ' 
 
 The "Dies Ira-" is perhaps the most 
 
 music, with its monotone, stands apart from tragic of all hymns, and was written in the 
 other church music, as the early Christian thirteenth century liy Thomas of Celano. 
 
322 
 
 SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 J 
 
 si,|:>::?^,:^^ 
 
 CHAKl.E'i WKSLEV, 
 AUTHOR 0F"JF-S('S, LOVIiR 
 
 OF MY sour,." 
 
 Tlicre have bien 
 many translations 
 which exist in differ- 
 ent hvmnals. The 
 best one is by Doctor 
 lions. His transhi- 
 tion begins: "Day 
 of wrath 1 Oh, day 
 of inourniiiL;' !'" An- 
 other of the early 
 hymns, wiitten in 
 
 Latin by Thoodoiph and translated by 
 
 Doctor Neale, is: 
 
 "All glory, laud and honor 
 To thee, Redeemer King! 
 To whom the lips of children 
 Made sweet hosannas ring." 
 
 Theodolph was the Bishop of Orleans 
 about the year 800. He was accused of 
 treason and was put into prison. The King 
 
 lury wrote four of our most beautiful 
 hymns. At tliat time this monastery was 
 at the height of its powers and in it were 
 both scholarly men and men of great 
 wealth. 
 
 Bernard knew well the vices and follies 
 of his day, and in a satire upon them are 
 the four religious poems, whicdi hnve been 
 translated, and are rich treasures of English 
 hymn-books. They are: 
 
 "The world is very evil, 
 The times are waxing late." 
 "For thee, O dear, dear cauntry, 
 Mine eyes their vigils keep." 
 "Jerusalem the Golden, with milk and honey 
 blest." 
 
 "Brief life is here our portion." 
 
 For several hundred years after this there 
 were very few hymns written. 
 
 HATH ADIil'.V CAiniaJKAL CHURCH OK DISHOP KKN. 
 
 was passing the prison one Palm Sunday: 
 Theodolph was looking through the bars 
 of his cell windows, and as he rode by, the 
 old Bisho]) sang the first verse of this hymn. 
 It pleased the King, and he ordered it sung 
 on every succeeding Palm Sunday, and also 
 released the singer from jn'ison. 
 
 Bernard of Cluny, an English monk in a 
 French monastery, early in the twelfth ceu- 
 
 "With the Reformation came also a re- 
 naissance in hymn-writing. Luther was 
 the first to realize that music and song were 
 valuable helps in religions warfare. lie 
 called for poets to write spiritual songs in 
 German, demanding that the "words be 
 quite plain and common, such as the com- 
 mon people may understand, yet puie and 
 skilfully handled." There are many 
 
SOME FAMOUS HYMNS AND 7HE/R AUTHORS. 
 
 323 
 
 AUGUSTUS M. TOPLAIJV, 
 AUTHOR OF "ROCK OF AGES, CLEFT FOR ME." 
 
 REGINALD HEBER, 
 AUTHOR OF " FROM GREENLAND'S ICY MOUNTAINS." 
 
 translation.s of Luther's hymn, "Ein fester is.,ao Watts's childhood was spent in the 
 
 Burg ist unserGott." The one in com- midst of religious excitement which influ- 
 
 mon use is: enced his entire life. Plis father was every 
 
 "A tower of strength our God is still, now and then put into prison for holding to 
 
 A shield and sure defender." his relisious views, and the mother, so the 
 
 The religious excitement and enthusiasm old story-books tell us, would sit on the 
 
 which prevailed in England at the time of prison steps holding the little Isaac in her 
 
 the Wesleys inspired many hymn- writers, arms. 
 
 Isaac Watts really belongs to the Wesley Political affairs brightened when William 
 
 epoch, although he 
 was born thirty 
 years before Charles 
 Wesley, who shares 
 with him the distinc- 
 tion of having writ- 
 ten the largest num- 
 ber of hymns in use 
 to-day. Surely 
 Watts well earned 
 the epitaph one reads 
 on his tomb: 
 
 "Isaac Watts, the 
 Father of the Eng- 
 lish Ilymn." 
 
 He was born at 
 Southampton, Eng- 
 land, and his father 
 was a deacon of a 
 Congregational 
 Church. These were 
 stormy days for Non- 
 conformists, and 
 
 JOHN KEBLE, AUTHOR OF THE CHRISTIAN YEAR, 
 A COLLECTION OF POEMS AND HYMNS. 
 
 of Orange came over, 
 but this poetic child 
 had imbibed theol- 
 ogy and religious 
 emotion with his 
 mother's milk in the 
 stormy dnys of his 
 infancy. 
 
 Walts never mar- 
 ried. The woman 
 he loved jilted him, 
 which saddened his 
 life; notwithstanding 
 which his character 
 is very lovable with 
 its sorrow, pathos and 
 gentleness. He loved 
 chiklren dearly, and 
 while he was tutor 
 in Sir John Hart- 
 upp's family he 
 wrote that sweet old 
 lullaby : 
 
324 
 
 SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 :^^^ 
 
 WM. COVVPliU, All 1 H(JK <lh ■ 1 HEKK IS A FOUNTAIN 
 FILLr.n WITH BLOOD." 
 
 "Hush, my dear, lie still and slumber." 
 Two other nursery rliymes which he 
 wrote have ever been used with stern moral 
 effect : 
 
 " Let dogs delight to bark and bite," 
 and 
 
 "How doth the little busy bee employ each shining 
 hour." 
 
 Isaac 'Watts became an Independent min 
 ister. but was ill so much of his life that 
 his good works were chiefly his pious verse, 
 lie had a dear friend, Sir Thomas Abney, 
 whom he went to visit for one week. 
 What Watts said of this visit thirty years 
 later is characteristic of his simplicity : 
 "This day thirty years I came hither to the 
 house of my good friend Sir Tliomas Abney 
 intending to spend but one single week, 
 but under his friendly roof I liave extended 
 my visit to the length of exactly thirty 
 years." 
 
 To Watts we owe that great requiem 
 liymii of wiiicli an English wiiier has said. 
 "It has been sung over the graves of our 
 fathers for three hundred years" — 
 
 "O God, our help in ages past, 
 Our hope in years to come." 
 
 The father of the remarkable Wesley 
 family, whose many children i)layed im- 
 portant parts in the world's history, was 
 vicar of a ])arish in Epworth, Lincolnshire. 
 Charles Wesley was the youngest in that 
 family of nineteen cliildren. All the 
 Wesley family were given to pious versifi- 
 
 cation, especially Charles, whose record 
 was six thousand hymns. 
 
 Contemporary with the Wesley family 
 was Augustus M. Toplady, whose great gift 
 to hymnology is "Rock of Ages, Cleft for 
 Me." Toplady's father was a major in 
 the English army, and from him he doubtless 
 inherited his impetuous nature. When he 
 was graduatetl fiom the University of Dub- 
 lin and signed his ordination papers, in 
 order to show his extreme earnestness and 
 devotion, he signed his name live times. 
 
 Toplady and the Wesleys lived in bitter 
 times, and they were lifelong enemies. 
 The former wrote volume after volume of 
 controversy, all of which have passed into 
 oblivion, so far as they concern our day, 
 and his one immortal work is that great 
 liynin. It is said that he was walking in 
 the country one day when a great storm 
 arose and he found shelter in the cleft of 
 a rock, and this inspired the poem. 
 
 The Doxology is the last stanza of a 
 morning hymn written by Bishop Ken. 
 The first stanza begins: 
 
 "Awake, my soul, and with the sun." 
 The last stanza stands apart now, and of 
 it may be said that it is one of the greatest 
 short hymns of praise. As it was first 
 written, the Doxology read: 
 
 "Praise God from whom all blessings flow ; 
 
 Praise Him all creatures here below ; 
 
 Praise Him above, ye angelic host ; 
 
 Praise Father, Son and Holy Ghost." 
 
 ISAAC WAI IS, AUTHOR OF ' O (iOI), DTK HFI.P IN 
 AGF.S PAST." 
 
SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 325 
 
 Bishop Ken's life, according to ]\Iacau- 
 lay, "approached as near as human infirm- 
 ity permits to the ideal perfection of Chris- 
 tian virtue." He was born in 163T, and 
 was graduated from New College, Oxford. 
 His sister was the wife of Izaak Walton, 
 the gentle fisherman, and with them he 
 lived. After his college life, he went to 
 Holland as chaplain of the Princess May, 
 but he criticized the immorality of the 
 court and was sent back to England. 
 When he was prebendary at Winchester, 
 King Charles H. wanted to bring Nell 
 Gwynne to him, l)ut he declined to receive 
 
 sing his hymns to his own music on the lute 
 or the spinet. Bishop Ken's evening hymn 
 is as well known as the morning hymn : 
 
 "All praise to Thee, my God, this night, 
 For all the blessings of the light." 
 
 According to Bishop Ken's own wish, 
 he was buried at sunrise at the east end of 
 the chancel of the church, and his morn- 
 ing hymn was sung: 
 
 "Awake, my soul, and with the sun 
 Thy daily stage of duty run." 
 
 What was called the "Oxford Move- 
 
 ADDISON S W.iLK, MAGDALEN' COLLEGE, OXFORD. 
 
 her. The King, because he respected the 
 good man, afterward gave him the bish- 
 opric of Bath. He was imprisoned in 
 the Tower, for he was one of the seven 
 Bishops who refused to read the Declara- 
 tion of Indulgence. After leaving the 
 Tower, he was again deprived of his see 
 and nothing was left to him but "his 
 lute, Greek Testament and a sorry old 
 horse." He was the confessor of Charles 
 H., and of him the King once said, "I 
 must go and have Ken tell me my faults." 
 Bishop Ken was a fine musician, and used to 
 
 inent" inspired hymn- writers, in the same 
 way that the revival of Wesley's time had, 
 a hundred years before. 
 
 John Keble and Frederick William Faber 
 were both influenced by the earnest thought 
 of that time, and went separate ways; 
 Keble remaining in the Church of England 
 and Faber going to the Church of Rome. 
 
 John Keble's father was a clergyman of 
 the Church of England. The son was sent 
 to Oxford and was graduated from Corpus 
 Christi College in 1810. He was a bril- 
 liant scholar and honors poured upon him. 
 
326 
 
 SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 He was ordained, 
 and later succeeded 
 his father as Vicar 
 of Fairford. He was 
 a great friend of 
 Cardinal Newman's, 
 and to a certain point 
 they held the same 
 religious views. 
 
 Keble's life was 
 less stormy and event- 
 ful than Faber's, and 
 in the quiet of an 
 English vicarage he 
 wrote "The Chris- 
 tian Year," which 
 immediately became 
 the most popular de- 
 votional book. It is 
 a curious fact that 
 Keble lived to revise 
 the ninety-si.xth edi- 
 tion. In this book 
 
 JOSEPH ADDISON, AUTHOR OK IBE SPACIOUS 
 FIRMAMENr ON HIGH." 
 
 made a tour of the 
 Continent, and be- 
 came much interested 
 in the Roman Cath- 
 olic Church, and early 
 after his return he 
 announced to his 
 congregation his in- 
 tention of becominji 
 a Roman Catholic, 
 and was soon a priest 
 of that chuich. His 
 hymns are extremely 
 devotional. 
 
 Another beautiful 
 liymn was indirectly 
 the outcome of that 
 same time. "Lead, 
 Kindly Light, Amid 
 the Encircling 
 Gloom," was written 
 by John Henry New- 
 man short Iv before be 
 
 are hymns for all the seasons and days of entered the Roman Catholic Church, and 
 
 the year. Among Keble's hymns found in it undoubtedly voiced his own longing for 
 
 most hymnals are: light to lead him on. 
 
 "Sun of my soul, Thou Savior dear," "^^ ^^"^ ^^en in Italy and was returning 
 and the wed- 
 ding hymn. 
 
 "The voice that 
 breathed o'er 
 Eden." 
 Frederick 
 William Faber 
 wasalso theson 
 of a Church 
 of England 
 clergy in a n . 
 He was a Bal- 
 liol College 
 man at Ox- 
 ford, and was 
 graduated with 
 high honors. 
 While at O.x- 
 ford he came 
 under the in- 
 fluence of John 
 Henry New- 
 man. After 
 his ordination 
 as priest in 
 the Church of 
 England, he 
 
 HISTIOl' lvl;N, AinilOK OK TIIK, DOXOLOCV. 
 
 to England. 
 After a stormy 
 time in the 
 Mediterranean, 
 the ship was 
 becalmed for a 
 week and it 
 was there that 
 lu^ wrote this 
 liynin. 
 
 Tliis hymn 
 is a favorite at 
 seances and the 
 spiritualists 
 sing it with 
 great fervor, 
 em phasiz i ng 
 the two lines: 
 
 "And with the 
 morn those angel 
 faces smile, 
 
 Which I have 
 loved long since 
 and lost awhile." 
 
 The writer 
 of "Nearer, 
 My God, to 
 
SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 327 
 
 JOHN H. NEWMAN, AUTHOK OK 
 LIGHT. " 
 
 LEAU, KINDLV 
 
 Thee," Sarah Francis Adams, is one of the 
 few women who have written hymns. She 
 was the daughter of a Benjamin Flower, 
 who was the editor of a newspaper in Cam- 
 bridge, England. Mrs. Adams was a Uni- 
 tarian, and her pastor in London was the 
 Rev. William Johnson Fox. He eompiled 
 a volume of hymns and anthems to which 
 Mrs. Adams contributed thirteen hymns, 
 and her sister sixty-two tunes. Mrs. 
 Adams' life was given up largely to the 
 care of an invalid sister, whom she survived 
 only two years. 
 
 A grand hymn is that one for Palm 
 Sunday by Tteginald Heber : 
 
 "Ride on, ride on, in majesty, 
 In lowly pomp ride on to die." 
 
 Bishop Ileber was one of the first 
 bishops that the English Church sent to 
 India, and he is said to have baptized the 
 first native. He was born in 1783 and 
 was a graduate from Brasenose College, 
 Oxford. His was a beautiful chnracter, 
 and he died at his post from the ellect 
 of the heat in India. His liymns are 
 among the treasures of hymnology. His 
 life in the East gave to his writing Ori- 
 ental imagery, and one can almost see the 
 
 tall palms and smell the cinnamon-groves. 
 
 Heber wrote "From Greenland's Icy 
 Mountains" in England. He was spend- 
 ing Sunday with a fellow clergyman; a 
 special offering had been asked for missions 
 and his friend begged him to write some- 
 thing for the dav. Heber sat overlookin<j 
 a peaceful English landscape and wrote that 
 famous hymn, which has been translated 
 into more languages than any other. 
 
 The Rev. Henry Francis Lyte wrote 
 "Abide With Me," under most pathetic 
 circumstances. He was a curate of a 
 church on the Devonshire coast of England. 
 He was very ill with consumption and the 
 care of his parish was a trying burden. 
 It was said of him that "he made hymns 
 for the little ones, hymns for the hardy 
 fishermen, and hymns for the sufferers like 
 himself." Ill health compelled him to 
 leave his parish, and, after a touching serv- 
 ice with his people, he dragged himself 
 to his room, and in a few hours had writ- 
 ten the hymn : 
 "Abide with me, fast falls the eventide. 
 
 The darkness deepens, Lord, with me abide " 
 
 F. W. FABEK, ADTHOR OI" ' O 1'AKADISe! O 
 
 paradise'. " 
 
328 
 
 SOME FAMOUS HYMNS AND THEIR AUTHORS. 
 
 He was taken to the south of France 
 and in a few months died. His grave is 
 in the cemetery at Nice, and many trav- 
 elers go there to place flowers upon it, in 
 memory of his brave and sad young life. 
 
 Among the hymns by Lyte are: 
 
 "Jesus, I my Cross have taken, 
 All to leave and follow Thee." 
 "Pleasant are Thy courts above." 
 "Far from my Heavenly home. ' 
 
 Conspicuous among men who have been 
 great in other tields of literature and have 
 also written hymns, is Addison. When 
 he was writing for the "Spectator,"' lie 
 
 Knowing the sadness of his life, one 
 understands his hymns much better. It is 
 said that during an attack of melancholy 
 he decided he would kill himself. He 
 was to drive to a certain spot, but, the 
 driver failing to find it. he was diverted 
 from his purpose and on his return to his 
 home he wrote : 
 
 "God moves in a mysterious way 
 His wonders to perform.' 
 
 Other hymns by Cowpcr are: 
 
 "Oh. for a closer walk with God, 
 A calm and heavenly frame." 
 "There is a fountain filled with blood." 
 Alexander Pope wrote that stirring 
 hymn : 
 
 "Rise, crowned with light, imperial Salem, rise, 
 Exalt thy towering head and lift thine eyes. 
 See Heaven its sparkling portals wide display, 
 And break upon thee in a flood of day." 
 
 PARISH cm KCH \l IIKIXIIAM, OF WHICH HENRY FRANCIS LVTK WAS CURAIE. 
 
 contributed religious poems week by week, 
 and of these several are classics in our 
 hymnals to-day. The first is that glorious 
 hymn, "The Spacious Firmament on High. " 
 Another hymn of Addison's is "The Lord 
 My Pasture Siiall Prepare." 
 
 Poor, melancholy, mad Cowper, whose 
 soul was so tortured with religious fears and 
 doubts, wrote many hymns. It was a life of 
 misery with occasional gleams of sanity, 
 when he would enjoy life and the friendship 
 of those to whom he was always so dear. 
 
 Tom Moore, the writer of love-songs and 
 Irieiid of Byron, wrote thirty-five religious 
 ])()('ms, which proves he was surely a man 
 of contradictory genius. That old favorite 
 in all hymnals was written by him: 
 
 "Come, ye disconsolate, where'er ye languish." 
 
 There have been many contributions to 
 hymnology within the last fifty years by 
 American writers, so large a number that 
 it is impossible to mention them within the 
 scope of this article.