/-; THE COSMOPOLITAN. ))(B®,m°Ii)(B^ fa Pears' Complexion Powder adds the finishing touch. All rights secured." When you write, please mention "The Cosmopolitan." CONTENTS FOR JANUARY, 1904. Frontispiece. Cyrus Cuneo 258 Poverty in the World's Greatest Metropolis. Illustrated. LADY HENRY SOMERSET 259 The Diary of King Edward Vlll. EDITED BY 267 The Oldest Republic in the World. iiiustr<ite<t. HERBERT S. STONE 271 The Passing of Love, (poem.) ^ THEODOSIA GARRISON 278 The Odd and Eccentric in the Drama, illustrated. HJALMAR HJORTH BOYESEN, 2d. 279 Captains of Industry. With portraits 289 F. AUGUSTUS HEINZE, CHARLKS JOSEPH BONAPABTE, WILLIAM lUINEY HAKPER. WM. R. STEWART, LYNN ROBY MEEKINS, ELLIOTT FLOWER. The Food of the Gods. illustrated by Cyrus Cuneo. HERBERT GEORGE WELLS 299 The End of an Idyl, sara beaumont Kennedy 314 Some Famous Hymns and Their Authors, illustrated. LAURA GROVER SMITH 321 Childhood Through the Ages, illustrated. LEO CLARETIE 329 Father, Son and Grandson, illustrated by Lester i{aij}h. WILLIAM R. LIGHTON 337 The Chef and the " Owl's Nest." illustrated by Edmund Frederick. CONSTANCE MAUD 347 The Dramatic History of South America.— Peru and the Pi- zarros. illustrated. CYRUS TOWNSEND BRADY 355 Theodor Mommsen. iVitu portrait. FREDERIC WILLIAMS 363 A Judicial Puzzle, illustrated by Frank Verbeck. ELLIOTT FLOWER 365 Making a Choice of a Profession.— Farming as an Occupa- tion. WILLIAM JENNINGS BRYAN 369 Duty. (POEM.) JAY ROGERS DICKINSON 371 Men, Women and Events 372 ELBERT HUBBARD. TOM MASSON, W^M. R. STEWART. Great Events: Humor and Satire. By the World's Most Fain ous Cartootiists. SOME FAMOUS HYMNS AND THEIR AUTHORS. By Laura Grover Smith. ALL ages and all creeds have contributed paintings stand apart from the modern idea to hymnology. For the most part, of Christian art. It was Gregory who sent great religious poems have been written Augustine to England, and his choristers, under strong excitement, either individual, national or ecclesiastical. In the earliest days of Christianity, under the fire of per- secution, hymns were written, filled with the joy and exaltation of martyrdom and the gladness of the new religion. The "Te Deum, " the greatest of all songs of praise, was not in existence until theyear A.D. 387. The story runs that Saint Ambrose stood before a Chris- tian altar in Milan. Saint Augustine, that most in- teresting con- vert to the new faith, stood by him; in joy of the latter's con- version. Saint Ambrose bfoke forth into thanksgiving, ' ' We praise Thee, Oh God, " and Saint Augus- tine, inspired likewise, an- swered, "All the earth doth worship Thee, the Father Everlasting." It is told that these two men THOMAS MOUKE, ATIHCIR (IF CO.MK, \ [■. IHSCO.NSOL AT t, E'ER YE LANGUISH." with their plaintive music, gained many converts to the new religion. Not only did Gregory compose music, but he wrote the words as well. To him we owe the "Veni, Creator, spiritus" ("Come, Holy Ghost, our souls inspire"). Saint John of Damascus was a Bishop of the Greek Church in the eighth century, lie was the author of one of our finest Easter hymns, which has been translated by Doctor Neale : "The Day of Resurrection, Earth tell it out abroad, The Passover of gladness, The Passover of God." This same good Bishop, Saint John of Damascus, placed his nephew. Saint Stephen, in the monastery Mar Saba, which stands on a high cliff over- hanging the valley of the Ivivcr Kedron. The cells and sang alternately the verses of this great chapels are cut in the rocks. hymn before the altar. It is to-day, as it has been for centuries, the church's voice of joy and praise. Some authorities, how- ever, place the writing of the "Te Deum" in the sixth century. To Gregory the Great, once a Roman senator, later a monk, and still later a Pope of Rome, the world owes much of the beauty of devotional music; the Gregorian Saint John of Damascus retired also to this monastery with his foster brother. Saint Cosma, and they, with Saint Stephen, composed hymns. Greatly loved is the well-known hymn by Saint Stephen, writ- ten eleven centuries ago: "Art thou weary, art thou languid, Art thou sore distrest ? ' ' The "Dies Ira-" is perhaps the most music, with its monotone, stands apart from tragic of all hymns, and was written in the other church music, as the early Christian thirteenth century liy Thomas of Celano. 322 SOME FAMOUS HYMNS AND THEIR AUTHORS. J si,|:>::?^,:^^ CHAKl.E'i WKSLEV, AUTHOR 0F"JF-S('S, LOVIiR OF MY sour,." Tlicre have bien many translations which exist in differ- ent hvmnals. The best one is by Doctor lions. His transhi- tion begins: "Day of wrath 1 Oh, day of inourniiiL;' !'" An- other of the early hymns, wiitten in Latin by Thoodoiph and translated by Doctor Neale, is: "All glory, laud and honor To thee, Redeemer King! To whom the lips of children Made sweet hosannas ring." Theodolph was the Bishop of Orleans about the year 800. He was accused of treason and was put into prison. The King lury wrote four of our most beautiful hymns. At tliat time this monastery was at the height of its powers and in it were both scholarly men and men of great wealth. Bernard knew well the vices and follies of his day, and in a satire upon them are the four religious poems, whicdi hnve been translated, and are rich treasures of English hymn-books. They are: "The world is very evil, The times are waxing late." "For thee, O dear, dear cauntry, Mine eyes their vigils keep." "Jerusalem the Golden, with milk and honey blest." "Brief life is here our portion." For several hundred years after this there were very few hymns written. HATH ADIil'.V CAiniaJKAL CHURCH OK DISHOP KKN. was passing the prison one Palm Sunday: Theodolph was looking through the bars of his cell windows, and as he rode by, the old Bisho]) sang the first verse of this hymn. It pleased the King, and he ordered it sung on every succeeding Palm Sunday, and also released the singer from jn'ison. Bernard of Cluny, an English monk in a French monastery, early in the twelfth ceu- "With the Reformation came also a re- naissance in hymn-writing. Luther was the first to realize that music and song were valuable helps in religions warfare. lie called for poets to write spiritual songs in German, demanding that the "words be quite plain and common, such as the com- mon people may understand, yet puie and skilfully handled." There are many SOME FAMOUS HYMNS AND 7HE/R AUTHORS. 323 AUGUSTUS M. TOPLAIJV, AUTHOR OF "ROCK OF AGES, CLEFT FOR ME." REGINALD HEBER, AUTHOR OF " FROM GREENLAND'S ICY MOUNTAINS." translation.s of Luther's hymn, "Ein fester is.,ao Watts's childhood was spent in the Burg ist unserGott." The one in com- midst of religious excitement which influ- mon use is: enced his entire life. Plis father was every "A tower of strength our God is still, now and then put into prison for holding to A shield and sure defender." his relisious views, and the mother, so the The religious excitement and enthusiasm old story-books tell us, would sit on the which prevailed in England at the time of prison steps holding the little Isaac in her the Wesleys inspired many hymn- writers, arms. Isaac Watts really belongs to the Wesley Political affairs brightened when William epoch, although he was born thirty years before Charles Wesley, who shares with him the distinc- tion of having writ- ten the largest num- ber of hymns in use to-day. Surely Watts well earned the epitaph one reads on his tomb: "Isaac Watts, the Father of the Eng- lish Ilymn." He was born at Southampton, Eng- land, and his father was a deacon of a Congregational Church. These were stormy days for Non- conformists, and JOHN KEBLE, AUTHOR OF THE CHRISTIAN YEAR, A COLLECTION OF POEMS AND HYMNS. of Orange came over, but this poetic child had imbibed theol- ogy and religious emotion with his mother's milk in the stormy dnys of his infancy. Walts never mar- ried. The woman he loved jilted him, which saddened his life; notwithstanding which his character is very lovable with its sorrow, pathos and gentleness. He loved chiklren dearly, and while he was tutor in Sir John Hart- upp's family he wrote that sweet old lullaby : 324 SOME FAMOUS HYMNS AND THEIR AUTHORS. :^^^ WM. COVVPliU, All 1 H(JK <lh ■ 1 HEKK IS A FOUNTAIN FILLr.n WITH BLOOD." "Hush, my dear, lie still and slumber." Two other nursery rliymes which he wrote have ever been used with stern moral effect : " Let dogs delight to bark and bite," and "How doth the little busy bee employ each shining hour." Isaac 'Watts became an Independent min ister. but was ill so much of his life that his good works were chiefly his pious verse, lie had a dear friend, Sir Thomas Abney, whom he went to visit for one week. What Watts said of this visit thirty years later is characteristic of his simplicity : "This day thirty years I came hither to the house of my good friend Sir Tliomas Abney intending to spend but one single week, but under his friendly roof I liave extended my visit to the length of exactly thirty years." To Watts we owe that great requiem liymii of wiiicli an English wiiier has said. "It has been sung over the graves of our fathers for three hundred years" — "O God, our help in ages past, Our hope in years to come." The father of the remarkable Wesley family, whose many children i)layed im- portant parts in the world's history, was vicar of a ])arish in Epworth, Lincolnshire. Charles Wesley was the youngest in that family of nineteen cliildren. All the Wesley family were given to pious versifi- cation, especially Charles, whose record was six thousand hymns. Contemporary with the Wesley family was Augustus M. Toplady, whose great gift to hymnology is "Rock of Ages, Cleft for Me." Toplady's father was a major in the English army, and from him he doubtless inherited his impetuous nature. When he was graduatetl fiom the University of Dub- lin and signed his ordination papers, in order to show his extreme earnestness and devotion, he signed his name live times. Toplady and the Wesleys lived in bitter times, and they were lifelong enemies. The former wrote volume after volume of controversy, all of which have passed into oblivion, so far as they concern our day, and his one immortal work is that great liynin. It is said that he was walking in the country one day when a great storm arose and he found shelter in the cleft of a rock, and this inspired the poem. The Doxology is the last stanza of a morning hymn written by Bishop Ken. The first stanza begins: "Awake, my soul, and with the sun." The last stanza stands apart now, and of it may be said that it is one of the greatest short hymns of praise. As it was first written, the Doxology read: "Praise God from whom all blessings flow ; Praise Him all creatures here below ; Praise Him above, ye angelic host ; Praise Father, Son and Holy Ghost." ISAAC WAI IS, AUTHOR OF ' O (iOI), DTK HFI.P IN AGF.S PAST." SOME FAMOUS HYMNS AND THEIR AUTHORS. 325 Bishop Ken's life, according to ]\Iacau- lay, "approached as near as human infirm- ity permits to the ideal perfection of Chris- tian virtue." He was born in 163T, and was graduated from New College, Oxford. His sister was the wife of Izaak Walton, the gentle fisherman, and with them he lived. After his college life, he went to Holland as chaplain of the Princess May, but he criticized the immorality of the court and was sent back to England. When he was prebendary at Winchester, King Charles H. wanted to bring Nell Gwynne to him, l)ut he declined to receive sing his hymns to his own music on the lute or the spinet. Bishop Ken's evening hymn is as well known as the morning hymn : "All praise to Thee, my God, this night, For all the blessings of the light." According to Bishop Ken's own wish, he was buried at sunrise at the east end of the chancel of the church, and his morn- ing hymn was sung: "Awake, my soul, and with the sun Thy daily stage of duty run." What was called the "Oxford Move- ADDISON S W.iLK, MAGDALEN' COLLEGE, OXFORD. her. The King, because he respected the good man, afterward gave him the bish- opric of Bath. He was imprisoned in the Tower, for he was one of the seven Bishops who refused to read the Declara- tion of Indulgence. After leaving the Tower, he was again deprived of his see and nothing was left to him but "his lute, Greek Testament and a sorry old horse." He was the confessor of Charles H., and of him the King once said, "I must go and have Ken tell me my faults." Bishop Ken was a fine musician, and used to inent" inspired hymn- writers, in the same way that the revival of Wesley's time had, a hundred years before. John Keble and Frederick William Faber were both influenced by the earnest thought of that time, and went separate ways; Keble remaining in the Church of England and Faber going to the Church of Rome. John Keble's father was a clergyman of the Church of England. The son was sent to Oxford and was graduated from Corpus Christi College in 1810. He was a bril- liant scholar and honors poured upon him. 326 SOME FAMOUS HYMNS AND THEIR AUTHORS. He was ordained, and later succeeded his father as Vicar of Fairford. He was a great friend of Cardinal Newman's, and to a certain point they held the same religious views. Keble's life was less stormy and event- ful than Faber's, and in the quiet of an English vicarage he wrote "The Chris- tian Year," which immediately became the most popular de- votional book. It is a curious fact that Keble lived to revise the ninety-si.xth edi- tion. In this book JOSEPH ADDISON, AUTHOR OK IBE SPACIOUS FIRMAMENr ON HIGH." made a tour of the Continent, and be- came much interested in the Roman Cath- olic Church, and early after his return he announced to his congregation his in- tention of becominji a Roman Catholic, and was soon a priest of that chuich. His hymns are extremely devotional. Another beautiful liymn was indirectly the outcome of that same time. "Lead, Kindly Light, Amid the Encircling Gloom," was written by John Henry New- man short Iv before be are hymns for all the seasons and days of entered the Roman Catholic Church, and the year. Among Keble's hymns found in it undoubtedly voiced his own longing for most hymnals are: light to lead him on. "Sun of my soul, Thou Savior dear," "^^ ^^"^ ^^en in Italy and was returning and the wed- ding hymn. "The voice that breathed o'er Eden." Frederick William Faber wasalso theson of a Church of England clergy in a n . He was a Bal- liol College man at Ox- ford, and was graduated with high honors. While at O.x- ford he came under the in- fluence of John Henry New- man. After his ordination as priest in the Church of England, he HISTIOl' lvl;N, AinilOK OK TIIK, DOXOLOCV. to England. After a stormy time in the Mediterranean, the ship was becalmed for a week and it was there that lu^ wrote this liynin. Tliis hymn is a favorite at seances and the spiritualists sing it with great fervor, em phasiz i ng the two lines: "And with the morn those angel faces smile, Which I have loved long since and lost awhile." The writer of "Nearer, My God, to SOME FAMOUS HYMNS AND THEIR AUTHORS. 327 JOHN H. NEWMAN, AUTHOK OK LIGHT. " LEAU, KINDLV Thee," Sarah Francis Adams, is one of the few women who have written hymns. She was the daughter of a Benjamin Flower, who was the editor of a newspaper in Cam- bridge, England. Mrs. Adams was a Uni- tarian, and her pastor in London was the Rev. William Johnson Fox. He eompiled a volume of hymns and anthems to which Mrs. Adams contributed thirteen hymns, and her sister sixty-two tunes. Mrs. Adams' life was given up largely to the care of an invalid sister, whom she survived only two years. A grand hymn is that one for Palm Sunday by Tteginald Heber : "Ride on, ride on, in majesty, In lowly pomp ride on to die." Bishop Ileber was one of the first bishops that the English Church sent to India, and he is said to have baptized the first native. He was born in 1783 and was a graduate from Brasenose College, Oxford. His was a beautiful chnracter, and he died at his post from the ellect of the heat in India. His liymns are among the treasures of hymnology. His life in the East gave to his writing Ori- ental imagery, and one can almost see the tall palms and smell the cinnamon-groves. Heber wrote "From Greenland's Icy Mountains" in England. He was spend- ing Sunday with a fellow clergyman; a special offering had been asked for missions and his friend begged him to write some- thing for the dav. Heber sat overlookin<j a peaceful English landscape and wrote that famous hymn, which has been translated into more languages than any other. The Rev. Henry Francis Lyte wrote "Abide With Me," under most pathetic circumstances. He was a curate of a church on the Devonshire coast of England. He was very ill with consumption and the care of his parish was a trying burden. It was said of him that "he made hymns for the little ones, hymns for the hardy fishermen, and hymns for the sufferers like himself." Ill health compelled him to leave his parish, and, after a touching serv- ice with his people, he dragged himself to his room, and in a few hours had writ- ten the hymn : "Abide with me, fast falls the eventide. The darkness deepens, Lord, with me abide " F. W. FABEK, ADTHOR OI" ' O 1'AKADISe! O paradise'. " 328 SOME FAMOUS HYMNS AND THEIR AUTHORS. He was taken to the south of France and in a few months died. His grave is in the cemetery at Nice, and many trav- elers go there to place flowers upon it, in memory of his brave and sad young life. Among the hymns by Lyte are: "Jesus, I my Cross have taken, All to leave and follow Thee." "Pleasant are Thy courts above." "Far from my Heavenly home. ' Conspicuous among men who have been great in other tields of literature and have also written hymns, is Addison. When he was writing for the "Spectator,"' lie Knowing the sadness of his life, one understands his hymns much better. It is said that during an attack of melancholy he decided he would kill himself. He was to drive to a certain spot, but, the driver failing to find it. he was diverted from his purpose and on his return to his home he wrote : "God moves in a mysterious way His wonders to perform.' Other hymns by Cowpcr are: "Oh. for a closer walk with God, A calm and heavenly frame." "There is a fountain filled with blood." Alexander Pope wrote that stirring hymn : "Rise, crowned with light, imperial Salem, rise, Exalt thy towering head and lift thine eyes. See Heaven its sparkling portals wide display, And break upon thee in a flood of day." PARISH cm KCH \l IIKIXIIAM, OF WHICH HENRY FRANCIS LVTK WAS CURAIE. contributed religious poems week by week, and of these several are classics in our hymnals to-day. The first is that glorious hymn, "The Spacious Firmament on High. " Another hymn of Addison's is "The Lord My Pasture Siiall Prepare." Poor, melancholy, mad Cowper, whose soul was so tortured with religious fears and doubts, wrote many hymns. It was a life of misery with occasional gleams of sanity, when he would enjoy life and the friendship of those to whom he was always so dear. Tom Moore, the writer of love-songs and Irieiid of Byron, wrote thirty-five religious ])()('ms, which proves he was surely a man of contradictory genius. That old favorite in all hymnals was written by him: "Come, ye disconsolate, where'er ye languish." There have been many contributions to hymnology within the last fifty years by American writers, so large a number that it is impossible to mention them within the scope of this article.