Class mi74 Book A^ WVWV W». V^/X »(«/*■ . .•./»/\ »'%r» ■>. v-v ww*/vvwvvx.vw w%vwvv\ ]N°- XXXVI. OXBERRY'S JVETV THE COUXTHY GIRL, ^ A COMEDY f ALTERED FROM WYCHERLEY. Ba^itr &iuvvitU. BOSTON : PUBLISHED BY WELL^ AND LILLY— COURT-STREET A. T. (iOODRlCH & CO NEW- YORK. E. LITTELL, PHlLADELPtHA. \.-v> -»/v» 'W* -w% iX /*<» wv >/v» "Vl/X -^/x/x •v/x/^ -v/*/^ -^ m^m GftNTArNED IN THIS EDITION, AS FAR AS YET PUB"- LISHED IN ENGLAND. No. 1 A New Way to Pay Old Debts. 2 Rivals. 3 West Indian. 4 Hypocrite. 5 Jealous Wife. 6 She Stoops to Conquer. 7 Richard III. 8 Beggar's Opera. 9 Wonder. 10 Duenna. 11 Alexander the Great. 12 Lionel and Clarissa. 13 Hamlet. 14 Venice Preserved. 15 Is He Jealous.^ * 16 The Woodman's Hut. * 17 Love in a Village. 18 Way to Keep Him. 19 Castle Spectre. 20 Maid of the Mill. 21 Clandestine Marriage. 22 Soldier's Daughter. 23 Othello. 24.pis*tressed Mother. 2^ Provoked Husband. 26 .^eaf and Dumb. 27 Busy Body. 28 Belle's Stratagem. 29 Romeo and Juliet. 30 Recruirtng Officer. 31 Bold Stroke for a Wife. 32 Road to Ruin. 33 Beaux' Stratagem. 34 As you Like It. 35 King John. I [0= Tliose marked thus * are Farces or Melo-drames ; the prices of which are 20 cents; the Plays and Operas 25 cents. 36 Country Girl. 37 Jane Shore. 38 Critic. * 39 Coriolanus. 40 Rosina. * 41 Suspicious Husband. 42 Honest Thieves. * 43 Mayor of Garratt. * 44 Merry Wives of Windsor. 45 Stranger. 46 Three Weeks after Mar- riage. * 47 King Lear. 48 Inconstant. 49 Shipwreck. * 50 Rugantino. * 51 Wild Oats. ^^ 52 Rale a Wife and Hav™a Wife. 53 Magpie. * 54 Quaker. * 55 Merchant of Venice. 56 Wheel of Fortune. 57 Rob Roy. 58 Citizen. * 59 Deserter. * 60 Miser. * 61 Guy Mannering. 62 Cymbeline. 63 Lying Valet. * 64 Twelfth Night. 65 The Confederacy. 66 Dounlas. 67 Who's the Dupe? * 68 Know Your own Mind. ©jctirrvfi's iStrition. THE COUNTRY GIRL. A COMEDY ; ALTERED FROM WYCHERLEY. ' 7 / ^ WITH PREFATORY REMARKS. THE ONLY EDITION EXISTING WHICH IS FAITHFULLY MARKED WITH THE STAGE BUSINESS, AND STAGE DIRECTIONS, AS IT IS PERFORMED AT THE Wamixtn iXo|>aL By W. OXBERRY, Comedian.] . ., BOSTON : PUBLISHED BY WELLS AND LILLY — COURT-STREET A, T. GOODRICH & CO. — NEW-YORK : E. LITTELL, PHILADELPHU. 1822. A^' /fe7nv MtmuvU^. THE COUNTRY GIRL. X HE language and characters of the Country Girl are sprightly and entertaining ; there is not perhaps much wit or humour in the dialogue, but it is entertaining from its archness, and the characters are natural and well discrimi- nated. Take it altogether the comedy does not belong to the higher class of the drama; it however holds a distin- guished place in the second rank of excellence, no little praise, if we consider the many and admirable pieces of which it thus takes precedence. This style of writing is often more effective in the repre- sentation than that which in reality is its superior ; it is more easily, and therefore better, acted, with the additional advantage of presenting nothing but what is familiar to the minds and habits of the least informed spectators. A Moody and a Peggy are by no means of so rare occurrence that w© need be at a loss to understand their characters or their language. They speak the dialogue of general life, and though their oddities might raise a smile at the follies of fashion, they would not be considered more whimsical than the many monsters which are daily exhibited uncaged and unfettered in the streets of the metropolis. Perhaps the great beauty of this comedy is, that nothing in it is over- charged ; there is much whim but no caricature. The plot is interesting and sufficiently probable for dra- matic purposes : — The incidents are not numerous, but to make amends are compacted into a whole, from which nothing can be taken without detriment to the remainder j in fact the two parts of the plot are so well linked together and so intimately connected, that it is not very easy at first sight to distinguish the double fictions ; they have all the appearance of unity. Of course we speak of it as now printed and acted ; Garrick has dex-iated considerably from the original, whether to the advantage of the piece in the closet we will not pretend to say, but as a production for the stage it certainly has been infinitely improved by his ju- dicious alterations. It is a melancholy truth, that while many of our most brilliant dramas are utterly ineffective when acted, their inferior rivals are played with unbound- ed approbation ; nor is there in this a just cause for won- der ; it can scarcely be otherwise ; the one is so sublime in its beauty that it is neither to be acted or understood but by minds familiar with poetry, and capable of its excel- lence ; neither the actor nor the very limited powers of scenic deception can realize its fictions ; whereas the good- humoured every-day-efforts of the minor drama have all the advantages which arise out of humbleness : every one comprehends, and every one is familiar with them ; nothing is attempted but what is realized, and if the reader is never much pleased, the spectator will never be much disappoint- ed. ^voloflur. SPOKEN BY MR. HART. Poets, like cudgell'd bullies, never do At first or second blow submit to you ; But will provoke you still, and ne'er have done, Till you are wearj'^ first with laying on. The late so baffled scribbler of this daj'. Though he stands trembling, bids me boldly say. What we before most plays are us'd to do, (For poets, out of fear, first draw on you) ; In a fierce prologue, the still pit defy. And ere you speak, like Kastril, give the lie ; But though our Bayes's battles oft I've fought, And with bruis'd knuckles their dear conquests bought Nay, never yet fear'd odds upon the stage. In prologue dare not hector with the age ; But would take quarter from your saving hands, Though Bayes within all yielding countermands ; Says 5'^ou confed'rate wits no quarter give, Therefore his play shan't ask your leave to live. Well, let the vain, rash fop, by hufiing so, Think to obtain the better terms of you ; But we, the actors, humbly will submit. Now, and at any time, to a full pit ; 1 * PROLOGUE. Nay, often we anticipate your rage, And murder poets for you on our stage : We set no guards upon our tyring-room ; But when with flying colours there you come, We patiently, you see, give up to you Our poets, virgins, nay, our matrons too. STtmc ot Mz^xtHtnt^tmu The time this piece takes in representation, is one hour and thirty-four minutes. The first act occupies the space cf fifteen minutes — the second, twenty-one — the third, fifteen — the fourth, twenty-five — and the fifth, eigh- teen. The half-price commences, generally, at a quarter before nine o'clock. Stage Directions. By R.H. - = - - - is meant Right Hand. L.H. - = Left Hand. S.E. >»- .,-__ Second Entrance. u.E. Upper Entrance. M.D. --- Middle Door. D.F. Door in Flat. R.H.D. -. Right Hand Door. L.H.D Left Hand Door. Costume* MOODY. Drab coat, gilt buttons, scarlet kerseymere waistcoat bound with gold brocade ; a pair of drab breeches, shoesj buckles, and drab stockings. HARCOURT. Blue coat, white waistcoat, black dress breeclKs, and opera hat. SPARKISH. A black velvet coat, full dress, Ihied with buff silk, gold buttons ; buff silk, waistcoat and breeches, and opera dress hat. BELVILLE. A green coat, white waistcoat, dress bx-eeclies, and opera hat. FOOTMAN. A suit of livery. COUNTRYMAN. Drab cloth livery suit. WILLIAM. A brown cloth suit. SERVANT. A suit of liveij'. PEGGY. First Dress— Wjite frock.— Second Dress— petticoat and veil like All- thea's.— Third Dress- Blue coat, trowsers, and white waistcoat. ALITHEA. Blue satin dress, trimmed with white lace. LUCY. Coloured gown, and white, apron. iirvsons iiepvtsentctr. Moody • • . Harfourt - • Sparkish - • Belviile - - IViiliam - • Counlryman, John - • - Miss Peggy - Alithea - - • Lucy • - • As Originally acted. Mr Hart. Mr. Kynaston. Mr. Haynes. Mr. Lydal. Drury Lane, 1799 . Mc. Wroughton. Mr. Barrymore. Mr. Dodd. Mr. Bannister. Mr. Spencer. Mr Jones. Mr Alfred. Mrs. Bowtel. Mrs. Jordan. ^Irs. James. Mrs. Ward. Mrs. Cory. Mrs. Wilson. Drury.lane, CorvenUgarden. Moody ..-------- ]Mr. jattie. Mr Fawcett.' Harrourt ---------Mr Wai ack. Mr. Ban-yraore. SOarkish Mr IVnley. Mr. Fa- ley. Belviile .-------- Mr Barnard. Mr Hamerton. IVHUum --------- Mr. Maddocks. Mr Menage. Comilryman --- Mr. Miiiton. Mr Howell. John Mr. Coveney. Mr. VV. Chapman- Miss Peggy -------- Mrs. Mardyn. Mrs Alsop. Alithea --------- ^'a-s. Oigcr. Miss Muthews. Lucy ---------- Miss I'idswell . Mrs. Gibbs. SCEJVE—London. THE COUNTRY GIRL. ACT I. SCENE I. — Harcourt's Lodgings, Harcourt, l.h. and Belville, r.h. discovered sitting. Har. Ha, ha, ha ! and so you are in love, ne- phew ; not reasonably and gallantly, as a young gentleman ought, but sighingly, miserably so ; not content to be ankle-deep, you have sous'd over head and ears — ha, Dick ? Bel. I am pretty much in that condition, in- deed, uncle. {Sighs.) Har. Nay, never blush at it : vvhen I was of your age 1 was asham d too ; but three years at college, and half a one at Paris, methinks should have cured you of that unfashionable weakness — modesty. Bel. Could I have released myself from that, I had perhaps been at this instant happy in the possession of what I must despair now ever to obtain — Heigho ! 10 THE COUNTRY GIRL. Har. Ha, ha, ha ! very foolish indeed. Bel. Don't laugh at me, uncle ; I am foolisb, I know ; but, hke other fools, I deserve to be pitied. Bar. Pr'ythee don't talk of pity ; how can I help you ? For this country girl of yours is cer- tainly married. Bel. No, no — I won't believe it; she is not married, nor she shan't be, if I can help it. Har. Well said, modesty ; with such a spirit you can help yourself, Dick, without my assis- tance- Bel. But you must encourage and advise me too, or I shall never make any thing of it. Har. Provided the girl is not married ; for I never encourage young men to covet their neighbours' wives. Bel. My heart assures me, that she is not mar- ried. Har. O, to be sure, your heart is much to be relied upon ; but to convince you that 1 have a fellow-feeling of your distress, and that I am as nearly allied to you in misfortunes as in relation- ship, you must know Bel. What, uncle ? You alarm me I Har. That 1 am in love too. Bel. Indeed! Har. Miserably in love, Bel. That's charming. Har- And my mistress is just going to be mar- ried to another. Bel. Better and better. Har. 1 knew my fellow-suflferings would please THE COUNTRY GIRL. 11 you ; but now prepare for the wonderful won- der-of-wonders ! Bel. Well. Har. My mistress is in the same house with yours. Bel. What, are you in love with Peggy too ? {Rising from his Chair.) Har. Well said, jealousy. No, no, set your heart at rest ; your Peggy is too young, and too simple for me. I must have one a little more knowing, a little better bred, just old enough to see the difference between me and a coxcomb, spirit enough to break from a brother's engage- ments, and choose for herself. Bel. You don't mean Alithea, who is to be married to Mr. Sparkish ? Har. Can't I be in love with a lady that is going to be married to another, as well as you, sir? Bel. But Sparkish is your friend ? Har. Pr'ythee don't call him my friend ; he can be nobody's friend, not even his own. — He would thrust himself into my acquaintance, would introduce me to his mistress, though 1 have told him again and again that I was in love with her ; which, instead of ridding me of him, has made him only ten times more troublesome, and me really in love. He should suffer for his self-suf- ficiency. Bel. 'Tis a conceited puppy ! — And what suc- cess with the lady ? Har. No great hopes ; and yet if I could de- fer the marriage a few days, 1 should not des- 12 THE COUNTRY GIRL. pair; her honour, I am confident, is her only attachment to my rival : she can't hke Spark- ish ; and if I can work upon his credulity, a cre- dulity which even popery would be ashamed of, 1 may yet have the chance of throwing sixes upon the dice to save me. Bel. Nothing can save me. Har. No, not if you whine and sigh, when you should be exerting every thing that is man about you. I have sent Sparkish, who is admit- ted at all hours in the house, to know how the land lies for you, and if she is not married al- ready. Bel. How cruel you are — you raise me up with one hand, and then knock me down with the other. Har. Well, well, she shan't be married. (Knocking at the Door, l.h.) This is Sparkish, I suppose : dont drop the least hint of your pas- sion to him ; if you do, you may as well adver- tise it in the public papers. Bel. I'll be careful. Enter a Servant, l.h.©. Serv. An odd sort of a person, from the coun- try, 1 believe, who calls himself Moody, wants to see you, sir ; but as I did not know him, I said you were not at home, but would return direct- ly ; " And so will I too," said he, very shortly and surlily ! and away he went mumbling- to him- self. Har. Very well, Will ; I'll see him when he THE COUNTRY GIRL. 13 comes. [Exit my heart with a twang, twang, And it comes to my heart with a twang. (^At the end of the Song Harcourt and Belville steal away l.h.v.e. from Sparkish, and leave him singing ; he sinks his Voice by degrees at the surprise of their being gone. Re-enter Harcourt and Belville, l.h.u.e. What the deuce did you go away for ? 48 THE COUNTRY GIRL. Har. Your mistress is coming. Spark. The devil she is! O hide, hide me from her. {^Hides behind Har court.) Har. She sees you. Spark. But I will not see her ; for Pm en- gaged, and at this instant. {Looking at his Watch) Har. Fray first take me, and reconcile me to her. Spark. Another time ; faith, it is the Uidy, and one cannot make excuses to a woman. Bel. You have need of 'em I beheve. Spark. Pshaw, pr'ythee hide me. Enter Moody, Peggy, in Boy's Clothes^ and Har. Your servant, Mr. Moody. Moody. Come along. {To Peggy.) Peggy. Lau! what a sweet delightful place this is ! Moody. Come along, T say. don't stare about you so ; you'll betray yourself [Exit Moody., pulling Peggy., Mithea following^ r.h. Har. He does not know us. Bel. Or he won't know us. {Crosses to r.h.) Spark. So much the better. [Exit Belville after them, r.h. Har. Who is that pretty youth with him, Sparkish ? Spark. Some relation of Peggy's, I suppose : for he is something like her in face and gaw- kiness. THE COUNTRY GIRL. 49 Re-enter Belville, r.h. Bel By all my hopes, uncle, Peggy in boy's clothes. 1 am all over agitation. [Jlpart to Harcourt.) Har. Be quiet, or you'll spoil all. They re- turn. — Alithea has seen you, Sparkish, and will be angry if you don't go to her : besides, 1 would fain be reconciled to her, which none but you can do, my dear friend. Spark. Well, that's a better reason, dear friend : I would not go near her now for her's or my own sake ; but I can deny you nothing : for though 1 have known thee a great while, never go, if I do not love thee as well as a new acquaintance. Har. I am obliged to you, indeed, my dear friend : I would.be well with her, only to be well with thee still ; for these ties to wives usually dissolve all ties to friends. Spark. But they shan't though. Come along. {They retire^ l.h.) Re-enter Moody, Peggy, and Alithea, r.h. Moody. Sister, if you will not go, we must leave you. {To Alithea.) The fool, her gallant, and she will muster up all the young saunterers of this place. What a swarm of cuckolds and cuckold-makers are here ! 1 begin to be uneasy. {Aside.) Come, let's be gone, Peggy. 5 50 THE COUNTRY GIRL. Peggy. Don't you believe that ; I han't half my belly-full of sights yet. Moody. Then walk this way. Peggy Lord, what a power of fine folks are here. — And Mr. Belville, as I hope to be mar- ried. (^Aside ) Moody. Come along* ; what are you mutter- ing at? Peggy. There's the young gentleman there, you were so angry about, that's in love with me. Aloody. No, no ; he's a dangler after your sis- ter, or pretends to be ; but they are all bad alike. Come along, I sa}'. [Moody pulls Peggy away. Exeunt Peggy and Moody, L.H. Belville following. Sparkish^ Har court, and Alithea come forward. Spark. Come dear madam, for my sake you shall be reconciled to him. Jli. For your sake I hate him- Har. That's something too cruel, madam, to hate me for his sake. Spark. Ay, indeed, madam, too cruel to me, to hate my friend for my sake. AH. I hate him because he is your enemy ; and you ought to hate him too, for making love to me, if you love me. Spark. That's a good one ! I hate a man for loving you ? If he did love you, 'tis but what he can't help ; and 'tis your fault, not his, if he ad- mires you. AH. Is it for your honour, or mine, to suffer a man to make love to me, who am to marry you to-morrow ? THE COUNTRY GIRL. 51 Har. {Crosses to Centre.) But why, dearest madam, will you be more concerned for his honour than he is himself? Let his honour alone, for ra}' sake and his. He has no honour. Spark How's that? Bar. But what my dear friend can guard him^^eif? Spark. O ho — thafs r-ght again. Mi. You astonisli me. S:r, with want of jealousy. Spark. And you make me giddy, madam, with your jealousy and fe:irs, and virtue and honour. 'Gad, I see virtue makes a woman as troublesome as a little reading or learning. Har. Come, madam, you see you strive in Tain to make him jealous of me : my dear friend is the kindest creature in the world to me. Spark. Poor fellow ! Har. But his kindness only is not enough for me, without your favour, your good opinion, dear madam : 'tis that must perfect my happi- ness. Good gentleman, he believes all I say: 'would you would do so ! — Jealous of me ! I would not wrong him nor you for the world. Spark. Look you there : hear him, hear him, and not walk away so ; come back again. {Alitkea walks carelessly to and fro.) Har. I love you, madam, so — Spark. How's that? Nay, now you begin to go too tar indeed. Har. So much, I confess I say I love you, that I would not have you miserable, and cast your- self away upon so unworthy and inconsiderable a thing as what vou see here. 52 THE COUNTRY GIRL. (^Claps his Hand on his Breast, and points to Sparkish.) Spark. No, faith, I believe thou wouldst not; novv his meaning- is plain ; but I knew before thou vvouklst not wrong- me nor her. Har. No, no, heavens forbid the glory of her sex should fall so low as into the embraces of such a contemptible wretch, the least of man- kind — my dear friend here — 1 injure him. {^Embraces Sparkish.) Mi. Very well. Spark. No, no, dear friend, 1 knew it : madam, you see he will rather wrong himself than me in giving himself such names. Jlli. Do not you understand him yet? Spark. Come, come, you shall stay till he has saluted you. Re-enter Moody and Peggy, l.h. Belville at a distance. Moody. What, invite your wife to kiss men ? Monstrous ! Are you not ashamed ? Spark. Are you not ashamed that X should have more confidence in the chastity of your family than you have ? You must not teach me : 1 am a man of honour, sir, though 1 am frank and free ; I am frank, sir — Moody. Very frank, sir, to share your wife with your friends. — You seem to be angry, and yet won't go. {To Alithea.) AH. No impertinence shall drive me away. THE COUNTRY GIRL. 53 Moody. Because 3'ou like it. — But you ought to blush at exposing your wife as you do. {To Sparkish.) Spark. What then ? It may be I have a plea- sure in't as I have to show fine clothes at a play- house the first day, and count money before poor rogues Moody. He that shows his wife or money, will be in danger of having them borrowed some- times. Spark. I love to be envied, and would not marry a wife that I alone could love. Loving alone is as dull as eating alone^; and so good night, for I must to Whitehall. — Madam, I hope you are now reconciled to my friend ; and so I wish you a good night, madam, and sleep if you can ; for to-morrow, you know, I must visit you early with a canonical gentleman Good night, dear Harcourt — remember to send your brother. [Exit^ I..H. Har. You may depend upon me. — Madam, I hope you will not refuse my visit to-morrow, if it should be earlier, with a canonical gentleman, than Mr Sparkish. Moody. This gentlewoman is yet under my care, therefore you must yet forbear your free- dom with her. Har. Must, sir ? Moody. Yes, sir, she is my sister. Har. 'Tis well she is, sir; for I must be her servant, sir. — Madam — Moody. Come away, sister ; we had been gone 5 * 54 THE COUNTRY GIRL. if it had not been for you, and so avoided these lewd rakehells, who seem to haunt us. Har. I see a little time in the country makes a man turn wild and unsociable, and only fit to converse with his horses, dogs, and his herds. Moody. \ have business, sir, and must mind it: your business is pleasure; therefore you and I must ^o different ways. Har. Well, you may go on ; but this pretty young gentleman {Takes hold of Peggy.) shall stay with us ; for I suppose his business is the same with ours, pleasure. Moody. 'Sdeath, he knows her, she carries it so sillily; yet if he does not, I should be more silly to discover it first. {Aside.) Come, come. Har. Had you not rather stay with us? {To Peggy.) Pr'ythee who is this pretty young fel- low ? {To Moody.) Moody. One to whom I am guardian. — 1 wish I could keep her out of your hands. (Aside.) Har. Who is he? I never saw any thing so pretty in all my life. Moody. Pshaw, do not look upon him so much ; he's a poor, bashful youth ; you'll put him out of countenance. {Offers to take her away.) Har. Here, nephew, let me introduce this young gentleman to your acquaintance. You are very like, and of the same age, and should know one another. Salute him, Dick, a la Francoise. {Behille kisses her.) Moody. I hate French fashions. Men kiss one another. {Endeavours to take hold of her.) Peggy. I am out of my Wits. {Aside.) What do you kiss me for ? 1 am no woman. THE COUNTRY GIRL. 55 Har. But you are ten times handsomer. Pesrgy. Nay, now you jeer one ; and pray ^on''t jeer rne. Har, Kiss him again, Dick. Moody. No, no, no ; — come away, come away. {To i'egiry.) Har. Why, what histe you are in! Why won't you let me taik wilh him ? Moody. Because you'll dehauch him ; he's yet young and innocent. — How she gnzes upon him ! The devil! (Aside.) Come, pray let him go; I cannot stay fooling any longer: I tell you my wife stays supper for us. Har. Does she ? Come then, we'll all go sup with her. Moody. No, no; now I think on't, having staid so long for us, 1 warrant she's gone to bed. — I wish she and I were well out of your hands. {Aside.) Har. Well then, if she be gone to bed, 1 wish her and you a good night. But pray, young gentleman, present my humble service to her. Peggy Thank you hCfH-tily, sir. Moody. 'Sdeath, she will discover herself yet in spite of me. {Aside.) Bel. And mine too, sir. Peggy. That I will indeed. {Bore}s.) Har. Pray give her this kiss for me. (Kisses Peggy. Moody. heavens ! What do T sufter? {Aside.) Bel. And this for me. {Kisses Peggy. Peggy, 'i hank you, sir. [Courtesies. Belville and Harcourt laugh., and Exeunt^ l.h. 56 THE COUNTRY GIRL. Moody. O the idiot! — Now 'tis out. Ten thousand cankers gnaw away their hps ! (^Aside ) Come, come, driveller. {^Moody^ P^^gh ^^^ Alithea go out and return^ l.h.) So ihey are gone at last. — Sister, stay with Feg'g-y, till I hnd my servant. Don't let her stir an inch : I'll be back directly. {Exit.,L.H.) Re-enter Harcourt and Belville, l.h. Har. What, not gone yet ? — Nephew, show the young gentleman Rosamond's pond, while I speak another word to this lady. [^Exeunt Belville and Peggy^ l h. Alithea and Harcourt struggle. Ali. My Brother will go distracted. Re-enter Moody, r.h. Moody. Where? how? — What's become of — gone ! — whither ? Ali. In the next walk only, brother. Moody. Only — only — where — where ? [Exit hastily.) l.h.s.e. Har. What's the matter with him ? Why so much concerned ? — But, dearest madam — Re-enter Moody, l.h. s.e. Moody. Gone, gone — not to be found — quite gone — ten thousand plagues go with 'em !— Which way went they ? Ali. But in t'other walk, brother. THE COUNTRY GIRL. 57 Moody. T'other walk ! t'other devil. Where are they, I say ? Jili. You are too abusive, brother. Moody. You know where they are, you infa- mous wretch, eternal shame of your famil}' ; which you do not dishonour enough yourself, you think, but you must help her to do it too, thou legion of" — AH. Good brother — Moody. Damn'd, damn'd sister ! [Exeunt, r.h. SCENE UL— Another part of the Park. Enter Belville and Peggy, r.h. Bel. No disguise could conceal you from my heart : 1 pretended not to know you, that I might deceive the dragon that continually watches over you ; but novv he's asleep, let us fly from misery to happiness. Peggy. Indeed, Mr. Belville, as well as I like you, I can't think of going away with you so ; and as much as I hale my guardian, I must take leave of him a little handsomely, or he will kill me, so he will. Bel. But, dear miss Peggy, think of your situation ; if we don't make the best use of this opportunity, we never may have another. Peggy. Ay but, Mr. Belville, I am as good as married already ; my guardian has contracted me, and there wants nothing but the church ceremony to make us one : I call him husband, aed he calls me wife already : he made me do 58 THE COUNTRY GIRL. so : and we had been married in church long' ago, if the writings could have been finished. Bel. i hat's his deceit, my sweet creature. — He pretends to have married you, for fear of your liking any body else — Vou have a right to choose for yourself; and there is no law in heaven or earth that binds you before marriage to a man you cannot hke. Peggy- i'fack, no more I believe it does: sis- ter Aiithea's maid has told aie as much. She's a very sensible girl. Bel. You are in the very jaws of perdition, and nothing but running away can avoid it; the law will finish your chains to-morrow, and the church will rivet them the day after. Let us secure our happiness by escape, and love and fortune will do the rest for us. Peggy. These are fine sayings, to be sure, Mr. Belvilie ; but how shall we get my fortune out of bud's clutches? We must be a little cun- ning; His worth trying for. We can at any time run away without it. Bel. I see by your fears, my dear Peggy, that you live in awe of this brutrd guardian; and if he has you once more in his possession, both you and your fortune are secured to him for ever Peggy. Ay, but it shan't though ; 1 thank him for that. Bel. If you marry without his consent, he can but seize upon half your fortune. — The other half, and a younger brother's fortune, with a treasure of love, are your own. — Take it, my THE COUNTRY GIRL. 5^ sweetest Peggy, and this moment, cr we shall be divided for ever. {Kneels^ and presses her hand.) Peggy. I'fackins, but we won't. — Your fine talk has bewitched me. Bel. (^Rising. )'*T IS you have bewitch'd me, thou dear, enchanting, sweet simpLcily ! — Let us fly with the wings of love to my house there, and we shall be safe for ever. Peggy. And so we will then. — There, squeeze my hand again. — Now run away with me ; and if myguardy follows us, the devil take the hind- most, 1 say. {Goings l.h.) FsUter Moody, l.h. hastily^ and meets them. Moody. O ! there's my stray'd sheep, and the wolf again in sheep's clothing! — Now I have recovered her, I shall come to my senses again. (^Aside.) Where have you been, you puppy? Peggy. Been bud? — We have been hunting all over the Park to find you. Bel. From one end to t other, sir. {Confusedly.) Moody. But not where I was to he found, you young devil you ! — Why did you start when you saw me ? Peggy. I'm always frighten'd when I see you ; and if I did not love you so well, I should run away from you ; so 1 should. {Pouts.) Moody. But I'll tiike care you don't. Peggy. This gentleman has a favour to beg of you, bud ? {Belville makes signs of Dislike.) Moody. I am not in a humour to grant favours to young gentlemen, though you mny. What 60 THE COUNTRY GIRL. have you been doing with this young lady — gentleman, I would say ? Peggy. Fie, bud, you have told all. Bel. I have been as civil as 1 could to 'the young stranger; and if youMl permit me, I will take the trouble off your hands, and show the young spark Rosamond^s pond ; for he has not seen it yet — Come pretty youth, will you go with me? {Goes to her.) Peggy. As my guardian pleases. Moody. No, no, it does not please me. What- ever 1 think he ought to see, I shall show him myself. You may visit Rosamond's pond, if you will ; and the bottom of it, if you will. — And so, sir, your servant. [Exit Moody ^ 'with Peggy under his arm, L.H. Belville^ r.h. END OF ACT III. ACT IV. SCENE I.— Moody's House. Enter Lucy and Alithea, r.h. All. Hold your peace. Lucy. Nay, madam, I will ask you the reason THE COUNTRY GIRL. 61 why you would banish poor Mr. Harcourt for ever from your sight ? How could you be so hard-hearted. AIL 'Twas because I was not hard-hearted. Lucy. No, no ; 'twas stark love and madness, I warrant. AH. It was so ; I would see him no more, be- cause 1 love him. Lucy. Hey-day ! a very pretty reason. Ali. You do not understand me. Lucy. I wish you may yourself. AH. I was engaged to marry, you see, ano- ther man, whom my justice will not suffer me to deceive or injure. Lucy. Can there be a greater cheat or wrong done to a man, than to give him your person without your heart ? 1 should make a con- science of it. AH. Hold your tongue. Lucy. That you know I can't do, madam ; and upon this occasion, f will talk for ever. What, give yourself away to one, that poor I, your maid, would not accept of AH. How, Lucy ? Lucy. I would not, upon my honour, madam. 'Tis never too late to repent. Take a man, and give up your coxcomb, I say. Enter a Servant^ l.h. Serv. Mr. Sparkish, with company, madam, attends you below. AH. I will wait upon 'em. [Exit ServanU l.h.] 6 62 THE COUNTRY GIRL. My heart begins to fail me, but I must go through with it. — Go with me, Lucy. [Exit^ l.h. Lucij. Not I indeed, madam. — If you will leap the precipice, you shall fall by yourself What excellent advice have I thrown away ! — So I'll e'en take it where it will be more welcome. -Miss Peggy is bent upon mischief against her guardian, and she can't have a better privy- counsellor than myself. — 1 must be busy one way or another. [Exit, l.h. SCENE II. — Another Chamber in Moody's House. Enter Moody and Peggy, l.h. Moody. 1 saw him kiss your hand before you saw me. This pretence of liking my sister was all a blind — the young abandon'd hypocrite ! {^Aside.) Tell me, I say — for I know he likes you, and was hurrying you to his house — tell me, I say Peggy. Lord, han't 1 told it a hundred times over? Moody. I would try if, in the repetition of the ungrateful tale, 1 could lind her altering it in the least circumstance ; for if her story is false, she is so too. [Aside,) Come, how was't, baggage ? Peggy. Lord, what pleasure you take to hear it sure ! Moody. No, you take more in telling it, I find : but speak, how was't ? No lies : I saw him kiss you ; he kiss'd you before my face. THE COUNTRY GIRL. 63 Peggy. Nay, you need not be so angry with hiui neither ; for, to say the truth, he has the sweetest breath I ever knew. Moody. The devil ! — You were satisfied with it then, and would do it again ? Peggy. Not unless he should force me. M(ody. Force you, channeling? Peggy. If I had struggled too much, you know, he would have known 1 had been a wo- man ; so I was quiet, for fear of being found out. Moody. If you had been in petticoats, you would have knockM him down ! Peggy. With what, bud? 1 could not help myself; besides, he did it so modestly, and blush'd so, that I almost thought him a girl in men's clothes, and upon his mummery too as well as me ; and if so, there was no harm done, you know. Moody. This is worse and worse. So 'tis plain she loves him, yet she has not love enough to make her conceal it from me ; but the sight of him will increase her aversion for me, and love for him ; and that love instruct her how to deceive me, and satisfy him, all idiot as she is. Love 'twas he gave women first their craft, their art of deluding. 1 must strangle that little monster whilst I can deal with him. — (^Aside.) Go, fetch pen, ink, and paper, out of the next room. Peggy. Yes, I will, bud. Moody. Go then. Peggy. I'm going. Moody. Why don't you go then ? 64 THE COUNTRY GIRL. Peggy. Lord, I'm going. [Exit, r.h. Moody. This young fellow loves her, and she loves him ; the rest is all hypocrisy. How the young modest villain endeavoured to de- ceive me! But I'll crush this mischief in the shell. — Why should women have more inven- tion in love than men? It can only be because they have more desire, more soliciting passions, more of the devil. Re-enter Peggy, xmth Pen, Ink and Paper, r.h. Come, minx, sit down and write. Peggy. Ay, dear, dear bud ; but I can't do't very well. Moody. I wish you could not at all. Peggy. But what should I write for ? Moody. I'll have you write a letter to this young man. ^^ggy- O Lord, to the young gentleman a letter.^— Moody. Yes, to the young gentleman. Peggy. Lord you do but jeer : sure you jest. Moody. I am not so merry. Come, sit down, and write as I bid you. Peggy. What, do you think I am a fool ? M'jody. She's afraid I would not dictate my love to him, therefore she's unwilling. {Aside.) But you had best begin. Peggy. Indeed and indeed but 1 won't, so I won't. Moody. Why ? Peggy Because he's in town. You may send for him here, if you will. THE COUNTRY GIRL. 65 Moody. Very well, you would have him hrought lo you ? Is it come to this ? I say take the pen and ink, and write, oryouMl provoke me. Peggy. Lord, what do you make a fool of me for ' — DonH I know that letters are never writ but trom the country to London, and from Lon- don into the country ? Now he's in town, and I'm in tovvn too ; therefore 1 can't write to him, you know. Moody So, I'm glad it's no worse ; she is in- nocent enough yet. [Aside.) Yes, you may, when your husband bids, write letters to people, that are in tovvn. Peggy. O, may I so ? Then I am satisfied. Moody. Come, begin Sir [Dictates.') Peggy Shan't 1 say dear, sir ? You know one says always something more than, bare, sir, up in a corner. Moody. Write as I bid you, or I will write something with this pen-knife in your face. Peggy. Sir [Writes.) Moody. Though I suffered last night your nause- ous^ loathed kisses and embraces Write ! Peggy. Nay, why should I say so ? you know I told you he had a sweet breath. Moody. Write ! Peggy. Let me put out loathed. Moody. Write, I say ! Peggy. Well then. ( Writes.) Moody Let me see what you have writ. [Reads.) Though I suffered last night your kisses and embraces Thou impudent creature, where is nauseous and loath'^d ? 6* 66 THE COUNTRY GIRL. Peggy. I can't abide to write such filthy words. Moody. Once more write as Pd have ycu, or I ■will spoil your writing- with this ; I will stab out those eyes that cause my mischief. [Holds up the Pen-knife.') Peggy. O Lord, I will. ( Writes.) Moody. So — so -let's see now: —though I suffered last night your nauseous loathed kisses and embraces go on yet I would not have you presume that you shall ever repeat them so {Peggy writes.) Peggy. I have writ it. Moody. O then 1 then conceaPd myself from your knowledge^ to avoid your insolencies {Peggy writes.) Peagy. To avoid Moody Your insolencies Peggy. Your insolencies. ( Writes.) Moody. The same reason, now I am out of your hands — Peggy. So {Writes.) Moody. Makes me own to you my unfortunate — though innocent frolic, in being in boys clothes. leggy. So {^^S§y '^'''it^s.) Moody. That you may for evermore Peggy. Evermore ? Moody. Evermore cease to pursue her who hates and detests you {Peggy writes.) Peggy. So — . (Sighs.) Moody. What do you sigh for detests you - — as much as she loves her husband and her honour — Peggy. I vow, husband, he'll ne'er believe I should write such a letter, {Writes.) THE COUNTRY GIRL. 67 Moody. What, he'd expect a kinder one from 3'ou ■ Come, now yonr name only. Peggy. 'Vhat, shan't I ?ay — your most faithful humhle servant till death ^ Moody. No tormenting fiend. {Peggy writes.) — Her style, 1 find, wojlri be very soft. (Aside.) Come, wrap it up now, whilst I go fetch w^ax and a candle, and write on the outside. — For Mr. Belville. [Exit, l.h. Peggy. (Writes.) For Mr. Belville. — So — I am glad he is gone- — > Hark, 1 hear a noise. Moody. (Within.) Well, well, but can't you call again Well, walk in then. Peggy. (Goes to l.h.d.) I'fack there's folks with him Moody. ( Within.) Very well — if he must see me, I'll come to him. Peggy. That's pure ; now I may think a lit- tle Why should I send dear Mr. Belville such a letter? — Can one have no shift? Ah, a London woman would have had a hundred presently. — Stay — what if 1 should write a letter, and wrap it up like this, and write upon it too ? Ay, but then my guardian would see't I don't know what to do But yet y'vads, I'll try, so 1 will — for I will not send this letter to g^oor Mr Belville, come what will on't. (Writes., and repeats 'what she writes.) — Dear., dear., dear., sweet Mr. Belville — so — My guardian would have me send you a base, rude letter, hut I won'^t — so — and would have me say I hate you — but I won'^l there for Pm sure if you and I were in the country at cards together — so — / could not help treading on your toe under the table so pray 68 THE COUNTRY GIRL. keep at home^for 1 shall be with you as soon as I can — so no more at present from one who am^ dear, dear, poor dear Mr. Belville, your loving friend till death do us part, Margaret Thrfft So ■ now wrap it up just like t'other — so — now write — For Mr. Belville. But, oh! what shall 1 do with it ? for here comes my guardian. {Puts it in her Bosom.) Re-enter Moody, l.h. with a Candle and Sealing' wax. Aloodij. I have been detained by a sparkisli coxcomb, who pretended to visit me ; but I fear 'twas to my wife. (Aside.) What, have you done ? Peggy. Ay, ay, bud, just now. Moody. Let's see't ; what d'ye tremble for?— [He opens and reads the first Letter.) Peggy. So, I had been finely serv'd if 1 had giv"n him this. {Aside.) Moody. Come, where's the wax and seal ? Peggy. Lord, what shall I do ? (Aside.) Pray let me see't. Lord, you think 1 cannot seal a letter ; I will do't, so I will. {Snatches the Letter from him, changes it for the other, seals it, and delivers it to him. Moody. Nay, I believe you will learn that and other things too, which I would not have you. Peggy. So, han't I done it curiously ? I think I have — there's my letter going to Mr. Belville, since he'll needs have me send letters to folks. {Aside.) Moody. 'Tis very well ; but I warrant you would not have it go now ? THE COUNTRY GIRL. 69 Peggy. Yes, indeed, but I would, bud, now. Moody. Well, you are a good girl tben. Come, let me lock yon up in your chamber till I come back : juk! be sure you come not within three strides of the wndow when 1 am gone, for I have a spy m the street. [Fvis her into the Chamber^ r.h.d.) At least 'tis fit she thinks so ; if we do not cheat women, they'll cheat us. — Now 1 have seen r^d all within, Til deal with the foe without, with false intelligence, [Exit, L.u. SCENE. UL—Belvilleh Lodgings. Enter Lucy and Belville, r.h. Lucy. I run great risks to be sure, to serve the young lady and you, sir ; but 1 know you are a gentleman of honour, and would scorn to betray a friend who means you well, and is above being mercenary. Bel. As you are not mercenar}', Mrs. Lucy, I ought to be the more generous ; give me leave to present you with this trifle ; (Gives her a Ring.) not as a reward for your services, but as a small token of friendship. Lucy. Though I scorn to be bribed in any cause, yet I am proud to accept it as a mark of your regard, and as such shall keep it for your sake — and now to business. Bel. But has the dear creature resolved ? Lucy. Has she- why she will run away and marry you, in spite of your teeth, the first ino- 70 THE COUNTRY GIRL. ment she can break prison : so you, in your turn must take care not to have your qualms ; 1 have known several bold gentlemen not able to draw their swords, when a challenge has come too quick upon 'em. Bel. I assure you, Mrs. Lucy, that 1 am no bully in love ; and Miss Peggy will meet with her match, come when she will. Lucy. Ay, so you all say : but talking does no business. Stay at home till you hear from us. Bel. Blessings on thee, Lucy, for the thought. Moody. [Without.) l.h.) But I must and will see him, let him have what company he will. Lucy. As I hope to be married, Mr. Belville, I hear Mr. Moody's voice. Where shall I hide myself? — If he sees me, we are all undone. Bel. This is our cursed luck again. What the devil can he want here ? Get into this closet till he is gone. {Puts Lucy into the closet.) Don't you stir, Lucy. I must put the best face upon the matter. Now for it. {Takes a book and reads.) Filter Moody, l.h. Moody. You will excuse me, sir, for breaking through forms and your servant s entreaties, to have the honour — but you are alone, sir — your fellow told me below, that you were with com- pany. Bel. Yes, sir, the best company. {Shows his book.) When 1 converse with my betters, I choose to have 'em alone. THE COUNTRY GIRL. 71 Moody. And I chose to interrupt your conver- sation ! the business of my errand must plead my excuse. Bel. You shall be always welcome to me ; but you seem ruffled, sir. What brings you hither, and so seemingly out of humour ? Moody. Your impertinency — 1 beg pardon — your modesty I mean. Bel. My impertinency ! Moody. Your impertinency ! Bel. Sir, from the pecuHarity of your char- acter, and your intimacy with my uncle, 1 shall allow you great privileges ; but you must con- sider youth has its privileges too ; and as I have not the honour of your acquaintance, 1 am not obliged to bear with your ill humours, or your ill manners. Moody. They who wrong me, young man, must bear with both ; and if you had not made too free with me, I should have taken no Uber- ties with you. Bel. I could have wished, sir, to have found you a little more civil, the first time I have the honour of a visit from you. Moody. If that is all you want, young gentle- man, you will find me very civil indeed? There, sir, read that, and let your modesty declare whether, 1 want either kindness or civility. Look you there, sir. {Gives him a Utter.) Bel What is it? Moody. Only a love-letter, sir ; and from my wife. Bel, How, is it from your wife ? — Hum and hum. (Reads.) 72 THE COUNTRY GIRL. Moody. Even from my wife, sir ; am not I wondrous kind and civil to you now too ? But you'll not think her so. {Aside.) Bel. Ha ! is this a trick of his or hers ? {Aside.) Moody. The gentleman's surpris'd 1 find ! What, you expected a kmder letter ! Bel No faith not I : how could I ? Moody Yes, yes. I'm sure you did : a man so young and well made as you are, must needs be disappointed, if the women declare not their passion at the first sight or opportunity. Bel. But what should this mean ? It seems he knows not what the letter contains. {Aside.) Moody. Come, ne'er wonder at it so much. Bel. Faith, ! can't help it. Moody. Now, I think, 1 have deserv'd your infinite friendship and kindness ; and have show'd myself sufficiently an obliging kind friend and husband ; am I not so, to bring a let- ter from my wife to her gallant ? Bel. Ay, indeed, you are the most obliging kind friend and husband in the world ; ha, ha, ha ! Pra}', however, present my humble ser- vice to her, and tell her 1 will obey her letter to a tittle, and fulfil her desires, be what they will, or with what difficulty soever I do't : and you shall be no more jealous of me, I warrant her and you. Moody Well then, fare you well, and play with any man's honour but mine ; kiss any man's wife but mine, and welcome — so, Mr. Modesty, your servant. {Goings l.h.) THE COUNTRY GIRL. 73 Enter Sparkish, l.h. meeting him. Spark. So brother-in-law thnt was to have been, I have follow'd you from home to Bel- ville's : I have strange news for you. Moody. What, are you wiser than you were this morning. Spark. Faith, 1 don't know but I am, for I have lost your sister, and I shan t eat half an ounce the less at dinner for it: there's philoso- phy for you. Moody. Insensibility you mean. I hope you don't mean to use my sister ill, sir? Spark. No, sir, she has used me ill ; she's in her tantrums ; I have had a narrow escape, sir. Aloody. If thou art endow'd with the smallest portion of understanding, explain this riddle. Bel. Ay, ay, pr'ythee, Sparkish, condescend to be intelligible. Spark. Why you must know— we had settled to be married — it is the same thing to me whether I am married or not — 1 have no par- ticular fancy one way or another, and so I told your sister ; off or on, 'tis the same thing to me ; but the thing was fix'd, you know — You and my aunt brought it about ; • had no hand in it. And, to show you that I was as willing to marry your sister as any other woman, I suffer- ed the law to tie me up to hard terms ; and the church would have finish'd me still to harder — ■ but she was taken with her tantrums I Moody. Damn your tantrums, come to the point. 7 74 THE COUNTRY GIRL. Spark. Your sister took an aversion to the parson, Frank Harcourt's brother — abused me like a pick-pocket, and swore 'twas Harcourt himself. Moody. And so it was, for 1 saw him. Spark. Why, you are as mad as your sister : I tell you it was Ned, Frank's twin brother. Moody. What, Frank told you so? Spark. Ay, and Ned too ; they were both in a story. Moody What an incorrigible fellow ! — Come, come, ! must be gone. Spark. Nay, nay, you shall hear my story out She walk'd up within pistol-shot of the church, then twirl'd round upon her heel, calFd me every name she could think of; and when she had exhausted her imagination, and tired her tongue (no easy matter let me tell you), she call'd her chair, sent her footman to buy a mon- key before my face, then bid me good morrow with a sneer, and left us with our mouths open in the middle of a hundred people, who were all laughing at us ! If these are not tantrums, I don't know what are. Moody. Ha, ha, ha ! I thank thee, Sparkish, from my soul ; 'tis a most exquisite story : I have not had such a laugh for this half year. Thou art a most ridiculous puppy, and 1 am infinitely obliged to thee ; ha, ha, ha ! • [Exit, L.H. Spark. Did you ever hear the like, Belville? Bel. O yes ; how is it possible to hear such a THE COUNTRY GIRL. 75 foolish story, and see thy foolish face, and not laugh at 'em? Ha, ha, ha I [Lucy in the closet laughs^ r.h ) Spark. Hey-day ! what's that ? What have you raised a devil in the closet to make up a laughing chorus at me ? I must take a peep — [Going to the Closet.) Bel Indeed but you must not. Spark. It was a vvom n"'s voice. Bel. So much the better for me. Spark. Pr'ylhee introduce me. Bel. i hough you take a pleasure in expos- ing your ladies, I choose to conceal mine ; so, my dear Sparkish^ lest the lady should be sick by too long a confinement, and laughmg hearti- ly at you, I must entreat you to withdraw. Prythee excuse me, I must laugh — ha, ha, ha, ha ! Soark. Do you know that 1 begin to be angry, Belville? Bel. I can''t help that — ha, ha, ha ! Spark. My character s at stake ; 1 shall be thought a damn''d silly fellow ; I will call Alithea to an account directly. [Exit^ l.h. Bel. Ha, ha, ha ! Lucy. [i eeping out.) Ha, ha, ha, ha ! O dear sir, let me have my la igh out, or I shall burst. What an adventure. [Comes 07/ f^ and laughs.) Bel. My sweet Peggy has sent me the kmdest letter — and by the dragon himself; there's a spirit for you ! Lucy. There's simplicity for you ! Show me a town-bred girl with half the g^enius — Send you 76 THE COUNTRY GIRL. a love-letter and by a jealous guardian too ! ha, ha, ha ! 'lis too much — too much — Ha, ha, ha! — Well, A't. Belville ! the world goes as it should do — my mistress will exchange her fool for a wit ; Miss Peggy her bruie for a pretty young fellow : I shall dance at two weddings ; be well rewarded by both parties; get a hus- band myself: and be as happy as the best of you : and so your humble servant. [Exit^ l.h. Bel. Success attend you, Lucy. [Exit^ r.h. END OF ACT IV. ACT V. SCENE I.— Moody's House, Peggy, discovered a/o?ie, leaning on her Elbow on a Table,, with Pen., Ink, and Paper. Peggy. Well, 'tis e'en so : I have got the London disease they call love ; i am sick of my guardian, and dying for Mr. Belville ! 1 have heard this distemper call'd a fever, but methinks it IS like an ague ; for when I think of my guardian, I tremble and am so cold ; but when I think of my gallant, dear Mr Belville, my hot fit comes, and 1 am all in a fever indeed. Ah I poor Mr. Belville! Well, I will not stay here ; therefore Til make an end of my letter to him, which shall be a finer letter than my last, be- THE COUNTRY GIRL. 77 cause I have studied it like any thing. Oh ! sick, sick I Enter Moody, m.d. who seeing her writings steals softly behind her^ and looking over her Shoulder. Moody. What, ('^tiatches the Paper from her.) writing more letters ? Peggy. O Lord, bud ! why d'ye fright me so ? {^She offers to run out ; he stops her., and reads.) Moody How's this ! nay, you shnll not stir, madam. [Reads.) Dear., dear., Mr. Belville — Very well, I have taught 30U to write letters to good purpose — but let's see''t — First., I am to heg your pardon for my boldness in-mriting to you^ which I'd have you to knozv I voould not have done had you not said first you loved me so extremely ; which if you do., you zvill neter suffer me to be another man''s who I loath^ nauseate and detest ; — Now you can write these tilthy words. But what follows? — therefore I hope you will speedily Jind some way to free me from this unfortunate match.,which was never I assure you of my choice ; hut Vm afraid 'tis already too far gone ; however ^ if you love me as I do you., you will try what you can do ; you must help me away befre to-morrow^ or else., alas ! I shall be for ever out of your reach., for I can defer no longer our — our — what is to follow our ? — Speak, what ? — Our journey into the country, I suppose. — Oh, woman ! damn'd woman ! and love damn'd love ! their old tempter; for this is one of his miracles; in a moment he can make those blind that could 78 THE COUNTRY GIRL. see, and those see tiiat were blind ; those dumb that could speak, and those prattle who were dumb before. — But make an end of your letter, and then I'll make an end of you thus, and all my plag-ties together. (Draws hs Sword.) Peggy- O Lord ! O Lord ! you are such a pas- sionate man, bud ! M9ody. Come take the pen, and make an end of the letter, just as you intended; if you are false in a tittle I shall soon perceive it, and punish you with this as v ou deserve. {Lays his Hand on his Sword.) — write wha! was to ibl- low — let's see — You must make haste and help me away before to-morrow.^ or else I shall be for- ever out of your reach ^ for I can defer no longer our — what follows our ? — {Peggy takes the Pen., and writes.) Peggy. Must all out then, bud ? — Look you there then. Moody. Let's see — for I can defer no longer our wedding Your slighted Alithea. — What's the meaning of this ? My sister's name to't? Speak; unriddle. Peggy. Yes, indeed, bud. Moody. But why her name to't ? Speak, — speak, I say. Peggy. Ay, but you'll tell her again; if you would not tell her again — Moody. I will not ; 1 am stunn'd ; my head turns round. Speak. Peggy. Won't you tell her, indeed, and in- deed. Moody. No : speak, I say. THE COUNTRY GIRL. 79 Peggy. She'll be angry with me : but I would rather she should be angry with me than you, bud And to tell the truth, 'twas she made me write the letter, and taught me what I should write. Moody Ha ! — I thought the style was some- what better than her own. {Aside.) Could she come to you to teach you, since I lock'd you up alone ? Peggy. Oh, through the key-hole, bud. Moody. But why should she make you write a letter for her to him, since she can write her- self? Peggy. Why she said because — Moody. Because what- — because — Peggy. Why because, bud — Moody. Because what, I say ? Pegi(y, Because, lest Mr. Belville, as he was so young, should be inconstant, and refuse her ; or be vain afterwards, and show the letter, she might disown it, the hand not bemg hers Moody. Belville again ! — Am I to be deceiv'd again with that young hypocrite ? Peggy. You have deceiv'd yourself, bud ; you have indeed. I have kept the secret for my sister's sake, as long as I could — but you must know it — and shall know it too. (^Cries.) Moody. Dry your tears. Peggy. You always thought he was hankering after me — Good law ! he's dying for Alithea, and Alithea for him ; they have had private meet- ings; and he was making love to her before yesterday, from the tavern window, when you ?0 THE COUNTRY GIRL thought it was me. I would have discovered all, but she made me swear to deceive you; and so I have finely ; have not I, bud ? Moody. Wliy did you write that foolish letter to him then, and make me more foolish to car- ry it? Peggy. To carry on the joke, bud — to oblige them ? Moody. And will nothing serve her but that great baby ? — He's too young for her (o marry. Peggy Why do you mdrry me then ? — 'Tis the same th.ng, bud. Moody. No, no, 'tis quite different. How in- nocent she is ! {Aside.) — But hark you, madam, your sister went out this morning, and 1 have not seen her within since. Peggy. Alack-a-day, she has been crying all day above, it seems, in a corner. Moody. Where is she ? let me speak with her. Peggy. O Lord ! then she'll discover all. [Aside.) Pray hold, bud : what, d'ye mean to discover me? She'll know I have told you then. Pray, bud, let me talk with her first. Moody. I must speak witl; her to know whe- ther Belville ever made her any promise, and whether she will be married to Sparkish or no. Peggy. Pray, dear bud, ilon't till I have spoken with her, and told her that 1 have told you all; for she'll kill me else. Moody. Go then, and bid her come to me. P^ggy- Yes, yes, bud. Moody. Let me see — Peggy. I have just got time to know of Lucy, THE COUNTRY GIRL. 81 who first set me to work, what lie I shall tell next ; for I am e'en at my wits end. [Aside^ and Exit^ r.h.d. Moody, Well, I resolve it, Belville shall have her: I'd rather give him my sister than lend him my wife ; and such an alliance will prevent his pretensions to my wife, sure ; I'll make him of kin to her, and then he won't care for her. Re-enter Peggy, r.h.d. Peggy. O Lord, bud, I told you what anger you would make me with my sister. Moody. Wont she come ? Peggy. No, she won't, she's ashamed to look you in the face ; she'll go directly to Mr. Bel- ville, she says. Pray let her have her way, hud — she won't be pacified if you don't — and will never forgive me. For my part, bud, I be- lieve, but don't tell any body, they have broken a piece of silver between 'em — or have con- tracted one another, as we have done, you know, which is the next thing to being married. Moody. Pooh ! you fool — she ashamed of talk- ing with me about Belville, because I made the match for her with Sparkish ! But Sparkish is a fool, and I have no objection to Belville's family or fortune — tell her so. Peggy. I will, bud. {Goings r.h.) Moody. Stay, stay, Peggy, let her have her own way ; she shall go to Belville herself, and I'll follow her — that will be best — let her have her whim. 82 THE COUNTRY GIRL. Peggy. You're in the rig-ht, bud ; for they have certainly had a quarrel, by her crying and hanging- her head so : I'll be hang'd if her eyes anU swell'd out of her head, she's in such a piteous taking. Moody. Belville shan't use her ill, I'll take care of that; if he has made her a promise, he shall keep to it: but she had better go tirst — I will follow her at a distance, that she may have no interruption; and I will wait in the Park be- fore I see them, that they may come to a recon- ciliation before I come upon 'em. Peggy. Law, bud, how wise you are ! — I wish I had half your wisdom ; you see every thing at once. Stand a one side then — there, a little further that way. Moody. And so I will : she shan't see me till I break in upon her at Belville's. {Sits down in the middle of the Stage.) Peggy. Now for it. [Exit^R.H.n. Moody. My case is something better ; for sup- pose the worst — should Belville use her ill — I had rather tight him for not marrying my sister, than for debauching my wif', tor 1 will make her m'ne absoiutojy to-morrow; and of the two, 1 had rither find my sster too forward than my wife: I expected no other from her free educa- tion, as she calls it, and her passion for the town. Well, wife and sister are names which make us expect love and duty, pleasure and comfort ; but we find 'em plagues and torments, and are equal- ly, though differently, troublesome to their keep- er. But here she comes. {Steps aside, r.h.) THE COUNTRY GIRL. 83 Re-enter Peggy^ r.h.d. dressed like Alithea ; and as she passes over the Stagc^ seems to sigh^ sob^ and wipe her eyes. Peggy. Heigho ! [Exit^ l.h. Moody. (^Comesfurzcard.) There the poor devil goes, sighing and sobbing, a woeful example of the fatal consequences of a town education ; but I am bound in duty, as well as inclination, to do my utmost to save her — but first I'll secure my own property. — (Opens r.h.d. and calls.) — Peg- gy I Peggy! my dear! — I will return as soon as possible — do you hear me? Why don't you an- swer? You may read in the book I bought you till I come back. — As the Jew says in the play, " Fast bind, fast find." {Locks the Door.) This is the best, and only security for female affections. [Exit, L.H. SCENE 11— The Park, before BehilWs House. Enter Sfarkish, fuddled, r.h. Spark. If I can but meet with her, or anybody that belongs to her, they will find me a match for 'em. When a man has wit, and a great deal of it, Champagne gives it a double edge, and nothing can withstand it — 'tis a lighted match to gunpowder. — I was right to" consult my friends, and they all agree with Moody, that I make a damn'd ridiculous figure, as matters stand at present. I'll consult Belville — this is his house 84 THE COUNTRY GIBL. — he's my friend too — and no fool — It shall be so. Damn it, 1 must not be ridiculous. [Going to the Door^ sees Peggy coming.) Hold! hold! if the Champagne does not hurt my eye-sight, while it sharpens my wit, the enemy is marching up this way. — Come on, xMadam AUthea ; now for a smart fire; and then let's see who will be ri- diculous. Enter Peggy, r.h. Peggy. Dear me, I begin to tremble ; there is Mr. Sparkish, and I can't get to Mr. Belville's house without passing by him. He sees me, and will discover me ; he seems in liquor too.— Bless me ! Spark. O ho ! she stands at bay a little ; she don't much relish the engagement. The first blow is half the battle. Til be a Httle figurative with her. (^Aside — Approaches her.) I find, ma- dam, you Hke a solo better than a duet. You need not have been walking alone this evening, if you had been wiser yesterday. — What, nothing to say for yourself? — Repentance, 1 suppose, makes you as awkward and as foolish as the poor country girl your brother has lock'd up in Pall-mall. Peggy. I'm frighten'd out of my wits. {Tries to pass him.) Spark. Not a step further shall you go till you give me an account of your behaviour, and make me a reparation for being ridiculous. — What, dumb still ! Then if you won't by fair TH;E country girl. 85 means, I must squeeze you to ti confession. {A^ he goes to seize her^ she slips by him ; hut he catches hold of her before she reaches BelvilWs Door.") Not quite so fast, if you please. — Come, come, let me see your modest face, and hear your soft tongue, or 1 shall be tempted to use you ill. Enter Moody, r.h. Moody. Hands off, you ruffian ! How dare ydu use a lady, and my sister, in this manner? {Takes Sparkishfrom her.) Spark. She's my property, sir ; transferred to me by you ; and though I would give her up to any body for a dirty sword-knot, yet I won't be bullied out of my right, though it is not worth that. — {Snaps his fnger's.) Moody. There's a fellow to be a husband ! — You are justified in despising him and flying from him. I'll defend you with my purse and my sword. — Knock at that door, and let me speak to Belvilie. {P^ggy knocks at d.f.l h. ; mhen the footman opens it she runs in^ l.h.) — Is your master at home, friend ? Foot. Yes, sir. Moody. Tell him then that I have rescued that lady from this gentleman, and by her de- sire, and m^' consent, she flies to him for pro- tection ; if he can get a parson, let him marry her this minute ; tell him so, and shut the door. [Exit Footm,an., d.f l.h.] And now, sir, if your wine has given you courage, you had better 8 86 THE COUNTRY GIRL. show it upon this occasion; for you are still damn'cl rifliculous. Spark. Did you ever hear the Uke ? — Lookye, Mr. Moody, we are in the Park, and to draw a sword is an offence to the court ; so you may vapour as long as you please. A woman of so little taste is not worth fighting for ; she's not worth my sword ! But if you'll fight me to- morrow morning for diversion, 1 am your man. Moody. Relinquish your title in the lady to Belville peaceably, and you may sleep in a "whole skin. Spark. Belville ! he would not have your sis- ter with the fortune of a nabob ; no, no, his mouth waters at your country tit-bit at home ; much good may it do him. Moody. And you think so, puppy — ha, ha, ha 1 Spark. Yes, I do, mastiff — ha, ha, ha ! Moody. Then thy folly is complete — ha, ha, ha ! Spark Thine will be so, when thou hast mar- ried thy country innocent — ha, ha, ha ! {They laugh at each other.) Re-enter Harcourt, r.h. Spark. What, my boy Harcourt ! Moody. What brings you here, sir ? Har. I followed you to Belville's to present a near relation of yours, and a nearer one of mine, to you. [Exit^ R.H. Spark. What's the matter now ? THE COUNTRY GIRL. 87 Re-enter Harcourt, xoith Alitiiea, r.h. liar. Give me leave, gentlemen, without of- fence to either, to present Mrs. Harconrt to jou ! Spark, AHthea ! your wife ! — Mr. Mooch', are you in the clouds too ? Moody. If I am not in a dream, I am the most miserable walking dog that ever run mad with his misfortunes and astonishment ! Har. Why so. Jack ? Can you object to my happiness, when this gentleman was unworthy of it ? {Moody walks about in a rage.) Spark. This is very fine, very fine indeed ! — Where's your story about Belville now, 'squire Moody? Pr'ythee don't chafe, and stare, and stride, and beat thy head, like a mad tragedy poet — but out with thy tropes and figures. Moody. Zounds ! 1 can't bear it. [Goes hastily to BelvilWs Door^ and knocks hard.) Mi. Dear brother, what's the matter? Moody. The devil's the matter I the devil and women together. (Knocks again.) I'll break the door down, if they won't answer. {Knocks again.) A Footman appears in the Balcony^ in Jlai^ l.h. Foot. What would your honour please to have ? Moody Your master, rascal. Foot. He is obeying your commands, sir ; and the moment he has finished, he will do himself the pleasure to wait on vou. 08 THE COUNTRY GIRL. Moody. You sneering villain you, if your mas- ter does not produce that she-devil, who is now with him, and who with a face of innocence, has cheated and undone me, I'il set tire to his house. [Exit Footman from the Balcony. Spark. 'Gad so ! now I begin to smoke the business. Well said, simplicity, rural simplicity ! 'Egad ! if thou hast trick'd Cerberus, here, I shall be so ravish'd that 1 will give this couple a wedding dinner. Pray, Mr. Moody, who's damn'd ridiculous now ? Moody. {Going to Sparkish.) Look ye, sir — don't grin, for if you dare to show your teeth at my misfortunes, I'll dash 'em down your impu- dent throat, you jackanapes. Spark. {Quite calm.) Very fine, faith — but I have no weapons to butt with a mad bull, so you may toss and roar by yourself, if you please. Enter Belville, in the Balcony. Bel. What does my good friend want with me? Moody. Are you a villain, or are you not ? Bel. I have obey'd your commands, sir. Moody. What have you done with the girl, sir? Bel. Made her my wife, as you desired. Spark Very true, I am your witness — Moody. She's my wife and I demand her. Enter Peggy in the Balcony. Peggy. No, but I an't though, bud. — What's the matter, dear, are you angry with me ? THE COUNTRY GIRL. SO Moody. How dare you look me in the face, cockatrice ? Peggy. How dare you look me in the face, bud? Have you not given me to another, when you ought to have married me yourself? Jiave you not pretended to be married to me, when you knew in your conscience you was not ? And have you not been shilly-shally for a long time ? So that if I had not m.irried dear Mr. Beiville, I should not have married at all — so I should not. (^Beiville and Peggy retire from the Balcony.) Spwk. Extremely pleasant, faith ; ha, ha, ha ! Moody. I am stupitied with shame, rage, and astonishment — my fate has o'ercome me — I can struggle no more with it. {Sighs.) What is left me ? — I cannot bear to look, or be looked upon — I will hurry down to my old house, take a twelvemonths provisions into it — cut down my drawhridge, run wild about my garden, which shall grow as wild as myself— then will I curse the world, and every individual in it — and when my rage and spirits fail me, 1 will be found dead among the nettles and thistles, a woeful example of the baseness and treachery of one sex, and of the falsehood, lying, perjury, deceit, impudence, and damnation of the other. [Exit., l.h. Spark. Very droll, and extravagantly comic, I must confess ; ha, ha, ha ! Enter Belville and Peggy, /rom d.f.l.h. Lookye, Belville, I wish you joy with all my heart — you have got the prize, and perhaps 90 THE COUNTRY GIRL. have caught a tartar — that's no business of mine — If j/oii want evidence for Mr. Moody's giving his consent to your marriage, I shall be ready. I bear no ill will to that pair: I wish you hap- py; {ToAlithea and Har court.) — though I'm sure they'll be miserable — and so your humble ser- vant. [Exit^ L.ii. Peggy. I hope you forgive me, Alithea, for playing your brother this trick ; indeed I should hnve only made him and myself miserable, had Tve married together. All. Then 'tis much better as it is. But I am yet in the dark how this matter has been brought about; how your innocence, my dear, has out- witted his worldly wisdom. Peggy- I am sure I'll do any thing to please my bud, but marry him. But you, good gentry, what say you to this? You are to judge me — have I done amiss.' I've reasons wiil convince you all, and strong ones ; Except old folks, who hanker after young ones ; Bud was so passionate, and grown so thrifty ! ■'Twas a sad life — and then, he was near fifty ! I'm but nineteen — my husband too is young. So soft, so gentle, such a winning tongue ! Have I, pray ladies, speak, done verj"^ wrong ? As for poor bud, 'twas honest to deceive him ! More virtuous sure to cheat him than to grieve hirn. Great folks, I know, will call me simple slut ; "Marry for love," they cry, "the country put ;" Marriage with them's a fashion — soon grows cool : But I'm for always loving like a fool. THE COUx>rTllY GIUL. 91 Witli half iny fortune I would rather part, Than be all finery with an aching heart. For these strange awkward notions don't abuse tne ; And, as I know no better, pray excuse nie. Disposition of the Characters ti)hen the Curtain falls. R.H.