Class JSI±3_L?l Rook CopigM°_ COFYMGHT DEPOSH1 ■•■ V* A MODEL ELM. g^rboF Manual. AN AID IN Preparing Programs ^rbor f^a^ J+xerdses CONTAINING gboice gelections on Threes, forests, flowers, and Kindred gubjects; p^rbov ©a? Music, Specimen Programs, etc. ! b /Of EDITED AND COMPILED BY CHARLES R V SKINNER, A. M., DEPUTY SUPERINTENDENT OF PUBLIC INSTRUCTION, STATE OF NEW YORK. ALBANY: WEED, PARSONS AND COMPANY, 1890. /\r COPYRd MAH 31 Entered, according to act of Congress, in the year eighteen hundred and ninety. By WEED, PAHSONS AND COMPANY, In the office of the Librarian of Congress, at Washington. Introduction. THIS book had its inspiration in an acknowledged reverence for Nature, an admiration for trees and forests, an interest in the establishment and development of Arbor Day and its purposes, and a desire to furnish teachers and others with suitable material, carefully selected, in convenient form for the preparation ' of programs for Arbor Day exercises. Such exercises very properly accompany the planting of trees. One cannot engage in the preparation of such a work without constantly growing more and more in touch with Nature and the great lessons which she teaches. Interest and reverence go together. One is also' deeply im- pressed through it all with the earnestness and tenderness of the beautiful thoughts which authors in all ages, and especially American authors, have given our literature in their studies of Nature as revealed in trees, forests, flowers, birds and children. We are carried back in memory by studies like these, to the careless days of youth, to enjoy again the unselfish companionship of the trees, the silent sentinels about the old home, in whose leaves we have tried to read our fortunes. We recall the handsome butternuts which clasped hands across the roadway near the homestead, the graceful maples in the grove, the orchards and the forests, associated with all of which are so many of the truest joys of life. The stately elm too, which still stands on the hill, a guide for miles around, the pride of the community, is remembered with all the associations which are inseparable from it. Arbor Day is rapidly becoming one of the most interesting and one of the most extensively observed of school holidays. Originating in Nebraska in 1872, it is now observed with more or less enthusiasm in nearly every State of the Union, and many millions of trees have been planted. It\ cannot be expected that all that can be done on Arbor Day in this direction } will counteract in a great degree the waste constantly going on in our forests, but it is hoped that the observance of the day will do something to excite a reverence for Nature in the study of her great works. Wanton destruction of trees may be prevented, or stayed, and children may learn, by simple exercises, some of the uses and beauties of trees, and of the value of v j INTRODUCTION. the study of tree-planting, in its economic phases, and something can at least be done, through such influences, to beautify the school grounds of our country. Acknowledgments. If it were possible, it would be a pleasure to make acknowledgment by name of all friends who have aided in the preparation of this volume. To those who have contributed original productions to its pages, and to those who have kindly permitted the use of carefully-arranged programs, special acknowledgment is made. Mention is particularly made of the following publishers, from whose pub- lications numerous beautiful and appropriate selections have been taken : Harper & Brothers, New York ; D. Appleton & Co., New York ; A. S. Barnes & Co., New York ; Ivison, Blakeman & Co., New York ; Sheldon & Co., New York; Taintor Brothers & Co., New York; E. H. Butler & Co., Philadelphia; The J. B. Lippincott Co., Philadelphia; Cowperthwait & Co., Philadelphia; Van Antwerp, Bragg &: Co., Cincinnati; Ginn & Co., Boston. Selections from the American poets, Longfellow, Whittier, Holmes, Lowell, Emerson and others are used by permission of and by special arrangement with Messrs. Houghton, Mifflin & Co., of Boston, owners of the copyrights, and publishers of the Household Editions of the poets which form a valu- able poetical library in themselves. Quotations from the works of Bryant are used by permission of Mr. Parke Godwin of New York. For the use of the music given, special acknowledgment is made to Harper & Brothers, New York, publishers of the Franklin Square Song Collection ; D. Appleton & Co., New York, publishers of the "Song Wave"; Ivison, Blakeman & Co., New York, publishers of the " Progressive Glee and Chorus Book" ; Biglow & Main, New York ; Ginn & Co., Boston, publishers of "The Coda"; The W. W. Whitney Co., Toledo, publishers of the "Song Prize." Contents. PAGE. Selections 1 How Arbor Day is Observed in Various States 329 Specimen Programs 337 How to Plant Trees — What to Plant 353 Arbor Day Music 381 General Index 439 Index to Music 453 Index to Authors 455 Illustrations : A model elm Frontispiece. " The groves were God's first temples." Opposite page 4 The Oak and the mistletoe seed do 117 Under the Washington elm do . 140 The purple beech do 187 Boy that stole apples 253 Tunnel through " Wawona." Opposite page 272 ^ A California giant do 294 / ^JboF ©a^ |vjanual. THE SECRET. WE have a secret, just we three, The robin, and I, and the sweet cherry tree ; The bird told the tree, and the tree told me, And nobody knows it but just us three. But of course the robin knows it best, Because he built the — I shan't tell the rest ; And laid the four little — somethings in it — I am afraid I shall tell it every minute. But if the tree and the robin don't peep, I'll try my best the secret to keep ; Though I know when the little birds fly about, Then the whole secret will be out. THE KIND OLD OAK. IT was almost time for winter to come. The little birds had all gone far away, for they were afraid of the cold. There was no green grass in the fields, and there were no pretty flowers in the gardens. Many of the trees had dropped all their leaves. Cold winter, with its snow and ice, was coming. At the foot of an old oak tree some sweet little violets were still in blossom. " Dear old oak,'' said they, "winter is coming; we are afraid that we shall die of the cold." a Do not be afraid, little ones," said the oak, "close your yellow eyes in sleep, and trust to me. You have made me glad many a time with your sweet- ness. Now I will take care that the winter shall do you no harm." So the violets closed their pretty eyes and went to sleep ; they knew that they could trust the kind old oak. And the great tree softly dropped red leaf after red leaf upon them, until they were all covered over. The cold winter came, with its snow and ice, but it could not harm the little violets. Safe under the friendly leaves of the old oak they slept and dreamed happy dreams until the warm rains of spring came and waked them again. ARBOR DA Y MANUAL. THE OAK TREE. LONG ago, in changeful autumn, When the leaves were turning brown, From the tall oak's topmost branches Fell a little acorn down. And it tumbled by the pathway, And a chance foot trod it deep In the ground, where all the winter In its shell it lay asleep. With the white snow lying over, And the frost to hold it fast, Till there came the mild spring weather, When it burst its shell at last. First shot up a sapling tender, Scarcely seen above the ground ; Then a mimic little oak tree Spread its tiny arms around. Now it standeth like a giant, Casting shadows broad and high, With huge trunk and leafy branches Spreading up into the sky. Child, when happily thou art resting 'Neath the great oak's monster shade, Think how little was the acorn Whence that mighty tree was made. Think how simple things and lowly, Have a part in nature's plan, How the great hath small beginnings, And the child will be a man. Little efforts work great actions, Lessons in our childhood taught, Mold the spirit to that temper W T hereby noblest deeds are wrought. Cherish then the gifts of childhood, Use them gently, guard them well ; For their future growth and greatness Who can measure, who can tell? ARBOR DA Y MANUAL. THE FOREST TREES. UP with your heads, ye sylvan lords, Wave proudly in the breeze, For our cradle bands and coffin boards Must come from the forest trees. We bless ye for your summer shade, When our weak limbs fail and tire; Our thanks are due for your winter aid, When we pile the bright log fire. Oh ! where would be our rule on the sea, And the fame of the sailor band, Were it not for the oak and cloud-crowned pine, That spring on the quiet land ? When the ribs and masts of the good ship live, And weather the gale with ease, Take his glass from the tar who will not give A health to the forest trees. Ye lend to life its earliest joy, And wait on its latest page; In the circling hoop for the rosy boy, And the easy chair for age. The old man totters on his way, With footsteps short and slow; But without the stick for his help and stay Not a yard's length could he go. The hazel twig in the stripling's hand Hath magic power to please ; And the trusty staff and slender wand Are plucked from the forest trees. Ye are seen in the shape of the old hand loom And the merry ringing flail ; Ye shine in the dome of the monarch's home And the sacred altar rail. In the rustic porch, the wainscoted wall, In the gay triumphal car; In the rude built hut or the banquet hall, No matter ! there ye are ! Then up with your heads, ye sylvan lords! Wave proudly in the breeze ; From our cradle bands to our coffin boards We're in debt to the forest trees. Eliza Cook. ARBOR DAY MANUAL. A FOREST HYMN. THE groves were God's first temples. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them — ere he framed The lofty vault, to gather and roll back The sound of anthems ; in the darkling wood, Amid the cool and silence, he knelt down, And offered to the Mightiest solemn thanks And supplication. For his simple heart Might not resist the sacred influences Which, from the stilly twilight of the place, And from the gray old trunks that high in heaven Mingled their mossy boughs, and from the sound Of the invisible breath that swayed at once All their green tops, stole over him, and bowed His spirit with the thought of boundless power And inaccessible majesty. Ah, why Should we, in the world's riper years, neglect God's ancient sanctuaries, and adore Only among the crowd, and under roofs That our frail hands have raised ? Let me, at least, Here, in the shadow of this aged wood, Offer one hymn — thrice happy, if it find Acceptance in His ear. Father, thy hand Hath reared these venerable columns. Thou Didst weave this verdant roof. Thou didst look down Upon the naked earth, and, forthwith, rose All these fair ranks of trees. They, in thy sun, Budded, and shook their green leaves in thy breeze, And shot toward heaven. The century-living crow Whose birth was in their tops, grew old and died Among their branches, till, at last they stood, As now they .stand, massy, and tall, and dark, Fit shrine for humble worshipper to hold Communion with his Maker. * * * These dim vaults, These winding aisles, of human pomp or pride Report not. No fantastic carvings show The boast of our vain race to change the form Of thy fair works. But thou art here — thou fill'st The solitude. Thou art in the soft winds That run along the summit of these trees In music ; thou art in the cooler breath, That from the inmost darkness of the place Comes, scarcely felt ; the barky trunks, the ground, The fresh moist ground, are all instinct with thee. Published by courtesy of Messrs. E. II. Butler & Co., Philadelphia. " THE GROVES WERE GOD'S FIRST TEMPLES." ARBOR DA Y MANUAL. Here is continual worship — Nature, here, In the tranquility that thou dost love, Enjoys thy presence. Noiselessly, around, From perch to perch, the solitary bird Passes ; and yon clear spring, that, midst its herbs, Wells softly forth and wandering steeps the roots Of half the mighty forest, tells no tale Of all the good it does. Thou hast not left Thyself without a witness, in these shades, Of thy perfections. Grandeur, strength, and grace Are here to speak of thee. This mighty oak — By whose immovable stem I stand and seem Almost annihilated- — not a prince, In all that proud old world beyond the deep, E'er wore his crown as loftily as he Wears the green coronal of leaves with which Thy hand has graced him. Nestled at his root Is beauty, such as blooms not in the glare Of the broad sun. That delicate forest flower, With scented breath and look so like a smile, Seems, as it issues from the shapeless mould, An emanation of the indwelling Life, A visible token of the upholding Love, That are the soul of this wide universe. My heart is awed within me when I think Of the great miracle that still goes on, In silence, round me — the perpetual work Of thy creation, finished, yet renewed Forever. Written on thy works I read The lesson of thy own eternity. Lo ! all grow old and die — but see, again, How on the faltering footsteps of decay Youth presses — ever gay and beautiful youth In all its beautiful forms. These lofty trees Wave not less proudly that their ancestors Moulder beneath them. * : '- * There have been holy men who hid themselves Deep in the woody wilderness, and gave Their lives to thought and prayer, till they outlived The generation born with them, nor seemed Less aged than the hoary trees and rocks Around them ; — and there have been holy men Who deemed it were not well to pass life thus. ARBOR DA V MANUAL. But let me often to these solitudes Retire, and in thy presence reassure My feeble virtue. * * * Be it ours to meditate, In these calm shades, thy milder majesty, And to the beautiful order of thy works Learn to conform the order of our lives. W. C. Bryant. ;i^)s s. THE rose is praised for its beaming face, The lily for saintly whiteness; We iove this bloom for its languid grace, And that for its airy lightness. We say of the oak, " How grand of girth ! " Of the willow we say '* How slender ! " And yet to the soft grass, clothing earth, How slight is the praise we render ! But the grass knows well, in her secret heart. How we love her cool, green raiment ! So she plays in silence her lovely part, And cares not at all for payment. Each year her buttercups nod and drowse, With sun and dew brimming over ; Each year she pleases the greedy cows With oceans of honeyed clover. Each year on the earth's wide breast she waves From Spring until bleak November; And then she remembers so many graves That no one else will remember. And while she serves us with goodness mute, In return for such sweet dealings We tread her carelessly underfoot, — Yet we never wound her feelings. Here's a lesson that he who runs may read : Though I fear but few have won it, — The best reward of a kindly deed Is the knowledge of having done it. Edgar Fawcett. ARBOR DA V MANUAL. THE FLOWER MISSION. CHILDREN, a flower seems a little thing, but little things often have a mighty influence for good or bad. We are little, but we have an influence, we have a mission in this world. Have you heard the sto^ of the mission and the influence for good, that a simple little flower had, once on a time? Listen, and it shall be told to you, and from it you can learn the lesson that nothing was made to live and die in vain, and that nothing is so poor that it has no in- fluence of some kind, and that the use of that influence for good makes others happy and brings to us a blessing. There was once a little flower growing where weeds were tall ; The blue sky bending over, it could see, and that was all. " I know I was meant for something, else I would not be here ! " It kept saying over and over to a briar growing near. " I think you must be mistaken," was ever the briar's reply, " Such a poor little thing as you are, will live for a day and die." But the faith of the flower was steadfast as it turned its face to God, Believing it had a mission above the green earth's sod. Now the weeds that hedged in the flower grew close by a sick girl's room ; And the breeze brought in through the window a breath of the flowers' perfume. " And oh," cried the girl in gladness, '' I can smell the old home flowers ; Bring in one of the blossoms to cheer these lonely hours." They brought in one and laid it in the sick girl's wasted hand ; She kissed it over and over, but they could not understand What it was she said to the flower of the old home far away, Or the words that were sweet with comfort that the flower had to say. Each morning they brought a blossom to brighten the sick girl's room; And the heart of the humble flower was glad in the tall weed's gloom. " I knew I was meant for something; " it said to its friend the sky, " I was sure of a nobler mission than just to live and die." One morning they told the flower that the homesick girl was dead; And it gave them its last sweet blossom as they told it what she said : " It has been such a comfort to me, sick in a stranger land ; That is the message I send it ; it will know and understand." Then the flower looked up and whispered to its steadfast friend, the s»ky : " I thank God for the mission he gave me ; with a happy heart I die." Be sure we were meant for something; keep faith in the God above ; And our lives may make others happy with the flowers of human love. ARBOR DA V MANUAL. THE OAK. A GLORIOUS tree is the old gray oak ; He has stood for a thousand years — Has stood and frowned On the trees around, Like a king among his peers ; As around their king they stand, so now, When the flowers their pale leaves fold The tall trees round him stand, arrayed In their robes of purple and gold. He has stood like a tower Through sun and shower, And dared the winds to battle ; He has heard the hail, As from plates of mail, From his own limbs shaken, rattle ; He has tossed them about, and shorn the tops (When the storm has roused his might) Of the forest trees, as a strong man doth The heads of his foes in fight. George Hill. Fall of the Oak. The young oak grew, and proudly grew, For its roots were deep and strong ; And a shadow broad on the earth it threw, And the sunlight lingered long On its glossy leaf where the flickering light Was flung to the evening sky; And the wild bird sought to its airy height And taught her young to fly. Mrs. E. Oakes Smith. With his gnarled old arms and his iron form, Majestic in the wood, From age to age, in sun and storm, The live-oak long has stood ; And generations come and go, And still he stands upright, And he sternly looks on the world below, As conscious of his might. The oak, for grandeur, strength, and noble size, Excels all trees that in the forest grow ; From acorn small, that trunk, those branches rise, To which such signal benefits we owe. ARBOR DA Y MANUAL. Behold, what sheltec in its ample shade, From noontide sun, or from the drenching rain. And of its timber stanch, vast ships are made, To sweep rich cargoes o'er the watery main. SOLILOQUY OF DOUGLAS— SOLEMNITY. THIS place, — the centre of the grove : — Here stands the oak, the monarch of the wood ! How sweet and solemn is this midnight scene ! The silver moon unclouded holds her way Through skies where I could count each little star; The fanning west wind scarcely stirs the leaves ; The river, rushing o'er its pebbled bed, Imposes silence with a stilly sound. In such a place as this, at such an hour — If ancestry may be in aught believed — Descending spirits have conversed with man, And told the secrets of the world unknown. Home, ARBUTUS. HAIL the flower whose early bridal makes the festival of Spring ! Deeper far than outward meaning lies the comfort she doth bring; From the heights of happy winning, Gaze we back on hope's beginning Feel the vital strength and beauty hidden from our eyes before; And we know, with hearts grown stronger, Tho' our waiting seemeth longer, Yet with Love's divine assurance, we should covet nothing more. Elaine Goodale. How fair is the rose ! what a beautiful flower, The glory of April and May ! But the leaves are beginning to fade in an hour, And they wither and die in a day. Yet the rose has one powerful virtue to boast, Above all the flowers of the field ; When its leaves are all dead, and its fine colors lost, Still how sweet a perfume it will yield ! • Isaac Watts. IO ARBOR DA V MANUAL. THOUGHTS ON THE FOREST. WELCOME, pure thoughts! welcome, ye silent groves! These guests, these courts, my soul most dearly loves; Now the winged people of the sky shall sing My cheerful anthems to the gladsome Spring; And if contentment be a stranger, — then I'll ne'er look for it, but in heaven again. Sir Henry Wotton. Oh ! come to the woodlands, 't is joy to behold, The new waken'd buds in our pathway unfold; For Spring has come forth, and the bland southern breeze Is telling the tale to the shrub and the trees, Which, anxious to show her The duty they owe her, Have decked themselves gayly in emerald and gold. I love thee in the Spring, Earth-crowning forest! when amid the shades The gentle South first waves her odorous wing, And joy fills all the glades. In the hot Summer time, With deep delight, the somber aisles I roam, Or, soothed by some cool brook's melodious chime Rest on thy verdant loam. But O, when Autumn's hand Hath marked thy beauteous foliage for the grave, How doth thy splendor, as entranced I stand, My willing heart enslave ! Wm. Jewett Pabodie. Hail, old patrician trees so great and good ! Hail, ye plebeian under-wood ! Where the poetic birds rejoice, And for their quiet nests and plenteous food Pay with their grateful voice.- Hail, the poor Muses' richest manor-seat ! Ye country houses and retreat, Which all the happy gods so love, That for you oft they quit their bright and great Metropolis above. ARBOR DA V MANUAL. I i Tis beautiful to see a forest stand, Brave with its moss-grown monarchs and the pride Of foliage dense, to which the south wind bland Comes with a kiss as lover to his bride; To watch the light grow fainter, as it streams Through arching aisles, where branches interlace, Where somber pines rise o'er the shadowy gleams Of silver birch, trembling with modest grace. A. B. Neal. The heave, the wave, and bend Of everlasting trees, whose busy leaves Rustle their songs of praise, while ruin weaves A robe of verdure for their yielding bark, While mossy garlands, full and rich and dark, Creep slowly round them ! Monarch of the wood, Whose mighty scepters sway the mountain brood, Shelter the winged idolators of Day — And grapple with the storm-god, hand to hand, Then drop like weary pyramids away, Stupendous monuments of calm decay. John Neal. There oft the muse, what most delights her, sees Long living galleries of aged trees, Bold sons of earth, that lift their arms so high, As if once they would invade the sky. In such green palaces the first kings reigned, Slept in their shade, and angels entertained; With such old councillors they did advise, And, by frequenting sacred groves, grew wise. Oh ! bear me then to vast embowering shades ; To twilight groves, and visionary vales ; To weeping grottoes, and prophetic glooms ! Where angel forms athwart the solemn dusk Tremendous, sweep, or seem to sweep, along; And voices, more than human, through the void, Deep-sounding, seize the enthusiastic ear. Thomson. Autumn. We bring daisies, little starry daisies, The angels have planted to remind us of the sky. When the stars have vanished they twinkle their mute praises, Telling, in the dewy grass, of brighter fields on high. Read. I 2 ARBOR DA Y MANUAL. THE DREAMER AND REAPER. [Extract from a poem read by Rev. Dr. James H. Ecob, of Albany, before the Society of the Alumni of Hamilton College on the 26th of June, 1889. The theme of the poem was suggested by the visit of Dr. Ecob to the home of his childhood, after an absence of many ) r ears.] MY father loved a tree as men Are wont to love their kind ; so, when He left the hot and hated life • Of city streets and city strife, As flies the nesting bird, he flew, On eager wing, by instinct true, To build and rear his little brood. Deep in the wood's green solitude. A young bird in the nest first lifts His wondering eves thro' sunny rifts Of happy leaves ; about his nest The russet arms are strongly pressed, The springing arches, high and dim, Are haunted by the whispered hymn Of summer winds, while far below The voices of the great world flow. So nested all my early years Among the trees. The wood enspheres My first, my fairest memories. And deep as life in Druid trees, Lie hidden founts of tears and love, That answer to the hymn above, Of softly stirring boughs and leaves. Bethesda-like, my soul receives New life and healing, quickening moods, When troubled by the angel of the woods. So slipped those lovely, shadowy years, As slips a wandering wind one hears Among the trees ; a sudden stir Of startled leaves ; upon the floor Of moss and flowers, a tangled sheen Of light and shade, and then, between Your breaths, 'tis gone. You hear its feet Retreating airily and fleet, And wonder if it e'er had been, Or if a gust of dreams broke in Upon the soul. I turned again, When I had been with time and men, ARBOR DA Y MANUAL. I 3 Till heart and brain were faint and sore, And sought with eager thirst once more To bathe my spirit in the shade Of those beloved woods, which made Forever more my childhood seem A glory, an unending dream. I scarce could keep my longing feet From racing, boy-like, to compete With all my hurrying soul, which ran So like a child, adown the hill, Ahead of the slow-pacing man, To where the path across the rill Turned sharp and left you in the wood. And there with beating heart I stood But lo ! my woods, beloved woods, were gone. Not one of all their hosts, not one, Remained. As flies upon the wind The autumn leaves, no trace behind Of all their fiery pomp, so fled My mighty woods before the years. I stood as one above the dead, Stricken with loss, in uncontrolled tears. The wide, unsympathetic sky Looked down with blurred and sultry eye. And where my childhood's feet had strayed O'er moss and gnarled root and shade, All wrought with shifting green and gold, More rare than lace on armor old ; Where stood the solemn ranks of trees; Where rolled such organ harmonies As ne'er were heard in minster pile ; Where mysteries haunted crypt and aisle ; Where harping spirits of the air Were here and there and everywhere ; Behold, there flowed a field of wheat, Rustling and yellowing in the heat. Beyond the knoll where feed the sheep, The farmers' plain white gables peep, New sheaves a lumbering wagon brings, The driver flips his whip and sings. With heavy heart I slowly turned ; The golden wheat that flared and burned Beneath the sun, how small, how cheap ! Come quickly, sickle, quickly reap ! Come rough, strong bands and quickly bind ! 14 ARBOR DA V MANUAL. And turn, O roaring mill, to grind. To stop the hungry mouths that wait ! Oh, sordid world, what vulgar rate Is this, to give thy woods for wheat ? Thy hidden thought and deep retreat Of mysteries; thy solemn hymn, Thy noonday twilight cool and dim, For this dull round of use and care, Of need and toil and sultry glare ! But, as I walked, a better mind Began the parable to find. For men must live, and good is wheat ; We all may dream, but all must eat. I wonder if the gods ordain, That, just as a rainbow and the rain, The beauty and the use combine, So dreams and strength shall entertwine. The visions that our boyhood led, Dissolve upon the hills of youth, To feed some secret fountain head, That bursts in man to strength and truth, Here, age on age, the mighty wood Drank deep the sun's exhaustless flood; Then dropped its million flaming leaves. The dull, cold earth below receives The kindling bath of lambent fire, Aerial gold and warm desire, And stores the generous wealth and heat, To burst at last in srolden wheat. KIND WORDS. KIND hearts are the gardens, Kind thoughts are the roots, Kind words are the blossoms, Kind deeds are the fruits. Little moments make an hour; Little thoughts, a book ; Little seeds, a tree or flower.; Water drops, a brook ; Little deeds of faith and love; Make a home for vou above. ARBOR DA V MANUAL. I 5 THE PEBBLE AND THE ACORN. U AM a pebble ! and yield to none ! " X Were the swelling words of a tiny stone ; " Nor time nor seasons can alter me; I am abiding, while ages flee. The pelting hail, and the drizzling rain, Have tried to soften me, long, invain; And the tender dew has sought to melt Or touch my heart, but it was not felt. There's none that can tell about my birth, For I am as old as the big, round earth. The children of men arise, and pass Out of the world, like the blades of grass; And many a foot on me has trod, That's gone from sight and under the sod, I am a pebble ! but what art thou, Rattling along from the restless bough ? " The acorn was shocked at this rude salute, And lay for a moment abashed and mute ; She never before had been so near His gravelly ball, the mundane sphere; And she felt for a time at a loss to know How to answer a thing so coarse and low. But to give reproof of a nobler sort Than the angry look, or the keen retort. At length she said, in a gentle tone, " Since it has happened that I am thrown From the lighter element where I grew, Down to another so hard and new, And beside a personage so august, Abased, I .will cover my head with dust, And quickly retire from the sight of one Whom time, nor season, nor storm, nor sun, Nor the gentle dew, nor the grinding heel Has ever subdued, or.made to feel ! " And soon in the earth she sunk away, From the comfortless spot where the pebble lay. But it was not long ere the soil was broke By the tiny head of an infant oak ! And, as it arose, and its branches spread, The pebble looked up, and wondering, said, 'A modest acorn, — never to tell What was inclosed in its simple shell ! r 6 ARBOR DA Y MANUAL. That the pride of the forest was folded up In the narrow space of its little cup ! And meekly to sink in the darksome earth, Which proves that nothing could hide her worth ! And, oh, how many will tread on me, To come and admire the beautiful tree, Whose head is towering toward the sky, Above such a worthless thing as I ! Useless and vain, a cumberer here, I have been idling from year to year. But never, from this, shall a vaunting word From the humble pebble again be heard, Till something without me or within, Shall show the purpose for which I've been ! " The pebble its vow could not forget, And it lies there wrapped in silence yet. Hannah F. Gould. AUTUMN VOICES. WHEN I was in the wood to-day The golden leaves were falling round me, And I thought I heard soft voices say Words that with sad enchantment bound me. ' O, dying year ! O, flying year ! O, days of dimness, nights of sorrow ! O, lessening night ! O, lengthening night! O, morn forlorn and hopeless morrow ! " No bodies visible had these Whose voice I heard so sadly calling ; They were the spirits of the trees Lamenting for the bright leaves falling. Prisoners in naked trunks they lie, In leafless boughs have lodging slender ; But soon as Spring is in the sky They deck again the woods with splendor. The light leaves rustled on the ground, Wind-stirred, and when again I hearkened, Hushed were those voices. Wide around Night fell, and all the ways were darkened. F. W. B., in Spectator. ARBOR DA Y MANUAL. I J THE MEETING OF THE DRYADS. IT was not many centuries since, When, seated on the moonlit green, Beneath the tree of liberty A ring of weeping sprites was seen. * * * * They met not as they once had met, To laugh over many a jocund tale ; But every pulse was beating low, And every cheek was cold and pale. There rose a fair but faded one, Who oft had cheered them with her song ; She waved a mutilated arm, And silence held the listening throng. " Sweet friends," the gentle nymph began, " When often by our feet has passed Some biped, Nature's walking whim, Say, have we trimmed one awkward shape Or lopped away one crooked limb ? " Go on, fair Science ; soon to thee Shall Nature yield her idle boast ; Her vulgar fingers formed a tree, But thou hast trained it to a post. "Go paint the birch's silver rind, And quilt the peach with softer down ; Up with the willow's trailing threads, Off with the sunflower's radiant crown ! * * # # " I cannot smile, — * * * * " Again in every quivering leaf That moment's agony I feel, When limbs, that spurned the northern blast, Shrunk from the sacrilegious steel. " A curse upon the wretch that dared To coop up with his felon saw ! * * * * " May nightshade cluster round his path, And thistles shoot, and brambles cling; May blistering ivy scorch his veins, And dogwood burn, and nettles sting. 2 ARBOR DA Y MANUAL. On him may never shadow fall, When fever racks his throbbing brow, And his last shilling buy a rope To hang him on my highest bough ! " She spoke; — the morning's herald beam Sprang from the bosom of the sea, And every mangled sprite returned In sadness to her wounded tree. Oliver Wendell Holmes. WAITING FOR THE MAY. FROM out his hive there came a bee ; " Has spring-time come or not ? " said he. Alone within a garden bed A small, pale snowdrop raised its head. " Tis March, this tells me," said the bee ; "The hive is still the place for me ; The day is chill, although 'tis sunny, And icy cold this snowdrop's honey." Again came humming forth the bee, " What month is with us now ? " said he. Gay crocus-blossoms, blue and white And yellow, opened to the light. " It must be April," said the bee, " And April's scarce the month for me. I'll taste these flowers (the day is sunny), And wait before I gather honey." Once more came out the waiting bee. " 'Tis come ; I smell the spring ! " said he. The violets were all in bloom ; ■ The lilac tossed a purple plume. The daffodil wore a yellow crown ; The cherry tree a snow-white gown ; And by the brookside, wet with dew ; The early wild wake-robins grew. " It is the May-time," said the bee ; " The queen of all the months for me ; The flowers are here, the sky is sunny, 'Tis now the time to gather honey." ARBOR DA Y MANUAL. 19 PLANTING OF THE APPLE TREE. COME, let us plant the apple tree. Cleave the tough greensward with the spade; Wide let its hollow bed be made ; There gently lay the roots, and there Sift the dark mould with kindly care, And press it o'er them tenderly — As, round the sleeping infant's feet, We softly fold the cradle-sheet; So plant we the apple tree. What plant we in this apple tree? Buds, which the breath of summer days Shall lengthen into leafy sprays ; Boughs where the thrush with crimson breast, Shall haunt and sing and hide her nest; We plant upon the sunny lea, A shadow for the noontide hour, A shelter from the summer shower, When we plant the apple tree. What plant we in this apple tree ? Sweets for a hundred flowery springs To load the May wind's restless wings, When from the orchard row, he pours Its fragrance through our open doors ; A world of blossoms for the bee, Flowers for the sick girl's silent room, For the glad infant sprigs of bloom, We plant with the apple tree. / What plant we in this apple tree? Fruits that shall swell in sunny June, And redden in the August noon, And drop, when gentle airs come by, That fan the blue September sky, While children come, with cries of glee, And seek them where the fragrant grass Betrays their bed to those who pass, At the foot of the apple tree. And when, above this apple tree, The winter stars are quivering bright, And winds go howling through the night, Girls, whose young eyes o'erflow with mirth, Shall peel its fruit by cottage hearth. 20 ARBOR DA Y MANUAL. And guests in prouder homes shall see, Heaped with the grape of Cintra's vine And golden orange of the line, The fruit of the apple tree. The fruitage of this apple tree Winds and our flag of stripe and star Shall bear to coasts that lie afar, Where men shall wonder at the view, And ask in what fair groves they grew; And sojourners beyond the sea Shall think of childhood's careless day, And long, long hours of summer play, In'the shade of the apple tree. Each year shall give this apple tree A broader flush of roseate bloom, A deeper maze of verdurous gloom, And loosen, when the frost-clouds lower, The crisp brown leaves in thicker shower. The years shall come and pass, but we Shall hear no longer, where we lie, The summer's songs, the autumn's sigh, In the boughs of the apple tree. And time shall waste this apple tree. Oh, when its aged branches throw Thin shadows on the ground below, Shall fraud and force and iron will Oppress the weak and helpless still? What shall the tasks of mercy be, Amid the toils, the strifes, the tears Of those who live when length of years Is wasting this little apple tree ? " Who planted this old apple tree ? " The children of that distant day Thus to some aged man shall say ; And, gazing on its mossy stem, The gray-haired man shall answer them: "A poet of the land was he, Born in the rude but good old times : Tis said he made some quaint old rhymes, On planting the apple tree." William Cullen Bryant. ARBOR DA V MANUAL. 2 I PLANT A TREE. H E who plants a tree Plants a hope. Rootlets up through fibres blindly grope ; Leaves unfold into horizons free. So man's life must climb From the clods of time Unto heavens sublime. Canst thou prophesy, thou little tree, What the glory of thy boughs shall be ? He who plants a tree Plants a ]o\ j ; Plants a comfort that will never cloy. Every day a fresh reality. Beautiful and strong, To whose shelter throng Creatures blithe with song. If thou couldst but know, thou happy tree, Of the bliss that shalt inhabit thee. He who plants a tree He plants peace. Under its green curtains jargons cease, Leaf and zephyr murmur soothingly; Shadows soft with sleep Down tired ej^elids creep, Balm of slumber deep. Never hast thou dreamed, thou blessed tree, Of the benediction thou shalt be. He who plants a tree He plants youth ; Vigor won for centuries in sooth ; Life of time, that hints eternity ! Boughs their strength uprear, New shoots every year On old growths appear. Thou shalt teach the ages, sturdy tree, Youth of soul is immortality. He who plants a tree He plants love ; Tents of coolness spreading out above Wayfarers, he may not live to see Gifts that grow are best ; Hands that bless are blest; Plant ; life does the rest? Heaven and earth help him who plants a tree, And his work its own reward shall be. Lucy Larcom. 2 2 ARBOR DA Y MANUAL. SPRING AND SUMMER. SPRING is growing up, Is it not a pity ? She was such a little thing, And so very pretty. Summer is extremely grand, We must pay her duty; But it is to little Spring That she owes her beauty ! From the glowing sky Summer shines above us; Spring was such a little dear, But will Summer love us ? She is very beautiful, With her grown up blisses, Summer we must bow before; Spring we coax with kisses' Spring is growing up, Leaving us so lonely; In the place of little Spring We have Summer only ! Summer with her lofty airs, And her stately paces ; In the place of little Spring, With her childish graces. ALL YELLOW. A DANDELION sprang on the lawn, All gayly dressed in yellow; He nodded in the springing grass, A jolly little fellow. A yellow bird flew from the tree; He, too, was dressed in yellow, The saucy thing to steal my coat ! The thief, the wicked fellow ! " A golden sunbeam came that way, And eyes each little fellow; Dear me when one the fashion leads, How common grows my yellow." ARBOR DA Y MANUAL. 2 3 A SONG TO MOTHER EARTH. IN the merry month of May Comes our gladsome Arbor Day, And with cheerful voice we raise Hearty notes of grateful praise. To our loving mother earth, To her kindness and her worth, She who makes the world so gay, On this happy Arbor Day. She it is who makes the field Plant and flower and fragrance yield, And the graceful leafy tree, Planted now along the lea. Beautiful the meadow bright, In the sunbeam's golden light — Buttercup and daisy fair Mother earth has scattered there. Clover, too, and lily white Blossom in the morning light, — All are tended by her hand, As they deck the pleasant land. See the waving blades of grass As along our way we pass ! Mother earth has planted these And the flowers, our sight to please. Mother earth, thy name we sing, While our cheery voices ring ! Loud our shouts of joy we raise As we chant thy worthy praise ! God has given mother earth Children fair, of wondrous birth — His great goodness we adore, We will bless Him evermore ! Troy, N. Y., 1889. James H. Kellogg. 24 ARBOR DA Y MANUAL. THE MAIDEN SPRING. DIALOGUE. May : ALL the buds and bees are singing; Ail the lily bells are ringing; All the brooks run full of laughter, And the wind comes whispering after. What is this they sing and say? " It is May !" Look, dear children, look ! the meadows, Where the sunshine chases shadows, Are alive with fairy faces, Peeping from their grassy places. What is this the flowers say ? '•It is May! " See ! the fair blue sky is brighter, And our hearts with hope are lighter. All the bells of joy are ringing; All are grateful voices singing ; All the storms have passed away. " It is May ! " Roses : We are blushing roses, Bending with our fullness, 'Midst our close capped sister buds, Warming the green coolness. Hold one of us lightly — See from what a slender Stalk we bower in heavy blooms, And roundness rich and tender. Lilies: We are lilies fair, The flower of virgin light ; Nature held us forth, and said, " Lo ! my thought of white." Ever since then, angels Hold us in their hands; You may see them when they take In pictures their sweet stands. Like the garden's angels Also do we seem, And not the less for being crowned With a golden dream. Leigh Hunt. Leigh Hunt. ARBOR DA V MANUAL. 2 5 Violets : We are the sweet flowers, Born of sunny showers, (Think, whene'er you see us, what our beauty saith), Utterance mute and bright, Of some unknown delight; We fill the air with pleasure by our simple breath, All who see us love us — We benefit all places ; Unto sorrow we give smiles and unto graces — races. Leigh Hunt. Pink : And, dearer I, the pink, must be, And me thou sure dost choose, Or else the gard'ner ne'er for me Such watchful care would use ; A crowd of leaves enriching bloom ! And mine through life the sweet perfume, And all the thousand hues. Goethe. Daisy: The flower that's bright with the sun's own light, And hearty and true and bold, Is the daisy sweet that nods at your feet, And sprinkles the fields with gold. Daffodil: The dainty lady daffodil Hath donned her amber gown, And on her fair and sunny head Sparkles her golden crown. Her tall green leaves, like sentinels, Surround my lady's throne, And graciously in happy state, She reigns a queen alone. Arbutus: If spring has maids of honor, And why should not the spring, With all her dainty service, Have thought of some such thing? If spring has maids of honor, Arbutus leads the train; A lovelier, a fairer, The spring would seek in vain. Mary E. Sharpe. H. H. 2 6 ARBOR DA V MANUAL. WORDS FROM THE TREE. IT is a great pleasure to think of the young people assembling to celebrate the planting of trees, and connecting them with the names of authors whose works are the farther and higher products of our dear old Mother Nature. An Oriental poet says of his hero : Sunshine was he in a Wintry place. And in midsummer coolness and shade. Such are all true thinkers, and no truer monuments of them can exist than beautiful trees. Our word book is from the beech tablets on which men used to write. Our word Bible is from the Greek for bark of a tree. Our word paper is from the tree papyrus — the tree which Emerson found the most inter- esting thing he saw in Sicily. Our word library is from the Latin liber, bark of a tree. Thus literature is traceable in the growth of trees, and was originally written on leaves and wooden tablets. The West responds to the East in asso- ciating great writers with groups of trees, and a grateful posterity will appre- ciate the poetry of this idea as well while it enjoys the shade and beauty which the schools are securing for it. Moncure D. Conway, Extract from Letter. Under the reign of the Moorish caliphs the Iberian peninsula resembled a vast garden, yielding grain and fruit of every known variety, in the most per- fect quality, and in endless abundance. But then the Sierras and the mountain slopes were covered with a luxuriant growth of timber, which was afterward wantonly destroyed under the rule of kings. Now nearly all the plateau lands of Spain are desert-like and unfit for agriculture, because of the scarcity of rain and the want of water. The once delicious climate has become changeable and rough. The average depth of the rivers is greatly diminished. The political decadence of Spain has even been attributed to the destruction of the forests. Of the infinite variety of fruits which spring from the bosom of the earth, the trees of the wood are greatest in dignity. Of all the works of the creation which know the changes of life and death, the trees of the forest have the longest existence. Of all the objects which crown the gray earth, the woods preserve unchanged, throughout the greatest reach of time, their native character. | The works of man are ever varying their aspect; his towns and his fields alike reflect the unstable opinions, the fickle wills and fancies of each passing generation; but the forests on his borders remain to-da)' the same as they were ages of years since. Old as the everlasting hills, during thousands of seasons they have put forth and laid down their verdure in calm obedience to the decree which first bade them cover the ruins of the Deluge. Susan Fenimore Cooper. Riiral Hours. ARBOR DA Y MANUAL. 27 ARBOR DAY POEM. Written and recited at the planting of the Buffalo " Normal Class tree,' April 26, 1889, by Mrs. Anna R. Pride. COME thou, my ofttimes sadly labored muse, Infuse my pen with fire to meetly sing A strain befitting this empiric rite, A song that voices all the zeal we bring. Thou knowest the theme and needst not warrior shield, No song of valor nor of love I ween Shall be the task for which thine aid to yield, — Just clothe my song with bright and classic green. Thou little tree with sturdy northern face, From Borealis' fir-clad, ice-crowned zone, Knowest thou the honor that we relegate In planting thee thus for our very own ? We hollow out thy resting place with care ; Thy rootlets coil beneath thy shining head ; While sixty pairs of hands the task divide, To make thy vernal and historic bed. Class tree, classical and classed art thou Now, with the evergreen and ancient yew That time has planted for a horologue, To watch these Normal classes come and go. Take heart of all that here with thee we plant Bright dreams, hopes as Parnassus' crown, Wealth of devotion, deep as St5^gian stream, O'er which brave souls pass on to high renown. Drink rootlets of the Ambrosial wine we pour Till youth immortal permeates thy heart ; Be thou milestone on path of life, That points the march of those that choose the better part. The migratory flocks that seek thy shade, Whether to build a tome or build a nest, Shall find a potent, soothing, magic charm That woos them all invitingly to rest. We place the turf around thy form, and go Not as sad mourners leaving buried dust; But hopeful, waiting for a crowning day, Perfection cometh aye for those that trust. We plant thee in the century's jubilee, Trusting thy years may not have reached their prime, When other bards shall swell the glorious lay The nation's natal day in nineteen eighty-nine. ^8 ARBOR DA Y MANUAL. Blow strong west wind with hopeful vigor fraught, But spare our pillars grand, our turrets high, And send thy vivifying aid to live, and grow, Down where our class tree's buried life-germs lie. And sunny skies smile after showers have kissed Dust from the leaflets' trembling form away, And keep our tree from blight and death, to greet The dawn of each returning Arbor Day. WOODMAN, SPARE THAT TREE. WOODMAN, spare that tree ! / f Touch not a single 4***! IhrvuVK/- Touch not a single fe^w ! In youth it sheltered me, And TH protect it now. 'T was my forefather's hand That placed it near his cot There, woodman, let it stand ; Thy ax shall harm it not ! That old familiar tree, Whose glory and renown Are spread o'er land and sea, — And wouldst thou hack it down ? Woodman, forbear thy stroke ! Cut not its earth-bound ties ; O, spare that aged oak, Now towering to the skies ! When but an idle boy I sought its grateful shade ; In all their gushing joy, Here, too, my sisters played. My mother kissed me here ; My father pressed my hand — Forgive the foolish tear; But let that old oak stand. My heart-strings round thee cling, Close as thy bark, old friend; Here shall the wild-bird sing, And still thy branches bend. Old tree ! the storm still brave ! And, woodman, leave the spot ; While I've a hand to save, Thy ax shall harm it not. George P. Morris. ARBOR DA Y MANUAL. 29 "WOODMAN, SPARE THAT TREE." HISTORY OF THE POEM. 1 TEACHERS may give pupils the following account of the way in which Mr. Morris came to write the poem, "Woodman, Spare that Tree." The poem may then be memorized by all the pupils, and recited or sung on "Arbor Day." Mr. Morris, in a letter to a friend, dated New York, February 1, 1837, gave in substance the following account : Riding out of town a few days since, in company with a friend, an old gentle- man, he invited me to turn down a little, romantic woodland pass, not far from Bloomingdale. "Your object?" inquired I. "Merely to look once more at an old tree planted by my grandfather long before I was born, under which I used to play when a boy, and where my sisters played with me. There I often lis- tened to the good advice of my parents. Father, mother, sisters — all are gone ; nothing but the old tree remains." And a paleness overspread his fine counte- nance, and tears came to his eyes. After a moment's pause, he added : " Don't think me foolish. I don't know how it is : I never ride out but I turn down this lane to look at that old tree. 1 have a thousand recollections about it, and I always greet it as a familiar and well-remembered friend." These words were scarcely uttered when the old gentleman cried out, "There it is." Near the tree stood a man with his coat off, sharpening an ax. " You're not going to cut that tree down, surely?" Yes, but I am, though," said the woodman. "What for?" inquired the old gentleman, with choked emotion. "What for? I like that! Well, I will tell 3 r ou, I want the tree for fire wood." "What is the tree worth to you for fire wood? " " Why, when down, about ten dollars." "Suppose I should give you that sum," said the old gentleman, "would you let it stand?" "Yes." "You are sure of that?" "Positive!" "Then give me a bond to that effect." We went into the little cottage in which my com- panion was born, but which is now occupied by the woodman. I drew up the bond. It was signed, and the money paid over. As we left, the young girl, the daughter of the woodman, assured us that while she lived the tree should not be cut. These circumstances made a strong impression on my mind, and furnished me with the materials for the song I send you. The objects of the restoration of the forests are as multifarious as the motives which have led to their destruction, and as the evils which that destruction has occasioned. The planting of the mountains will diminish the frequency and violence of river inundations ; prevent the formation of torrents ; mitigate the extremes of atmospheric temperature, humidity and precipitation; restore dried-up springs, rivulets and sources of irrigation ; shelter the fields from chilling and from parching winds ; prevent the spread of miasmatic effluvia; and, finally, furnish an inexhaustible and self-renewing supply of material indispensable to so many purposes of domestic comfort, to the successful exer- cise of every act of peace, every destructive energy of war. George P. Marsh, " Man and Nature." 3° ARBOR DA Y MANUAL. PUSSY AND THE POPPIES. POPPIES red, and pink, and white, In my grandma's garden beds, 'Gainst the green you look so bright ; How you dance and nod your heads ! Little kittie, ball of fuzz, (Brightest eyes I ever saw !) If you try to make him buzz, That old bee will sting your paw. You're a lazy pussy cat, Watching poppies bow and sway; Breezes make them bend like that, They don't do it for your play. Only see how fast I sew ! Grandma said to piece this square ; It's no time to play, you know, Till you've done your work all fair. You should go and catch the mice In my grandpa's corn and meal. If you take my good advice, Only think how proud you -11 feel. There's my grandma calling me ! Oh, what ever shall I do ? For my seam's not done, you see, Here I've sat and scolded you. Youth's Companion. THE WILLOW TREE. TREE of the gloom, o'erhanging the tomb, Thou seem'st to love the churchyard sod ; Thou art ever found on the charnel ground, Where the laughing and happy have rarely trod. When thy branches trail to the wintry gale, Thy wailing is sad to the hearts of men, When the world is bright in a summer's light, 'Tis only the wretched that love thee then. The golden moth and the shining bee Will seldom rest on the willow tree. Eliza Cook. ARBOR DA V MANUAL. 31 THE ORCHARD. ITS seeds were in the clearing sown, It felt the vigorous soil; Long since to massive grandeur grown, It paid the settler's toil. There blossoms by the breeze released, Fall in a sweet May shower, There autumn brings its dainty feast, To grace Pomona's bower. The earliest whispers of the spring, Its branches linger through; There ever did the bluebird bring The sweetest notes it knew. The robin seeks its lusty arms Outstretched in kindest way; The bobolink amidst its charms Sings through the long June day. But not to song bird all alone, An Eden it appears ; What place has childhood ever known That memory more endears. Perhaps affection's early gleam Imparts more vivid glow But there the blossoms whitest seem, The apples fairest grow. There boyhood climbed the topmost bough, To pluck the finest fruit ; While girlhood, flushed on cheek and brow, Came eager in pursuit ; But he, allured by witching eyes, To her the prize has thrown — Blame not, for never yet more wise Has manhood ever grown. In later years, when bending low With fruit of green and gold, Did not the listening branches know The tale of love they told? Did not the trees in murmuring speech Recall some moonlight stroll, Where joyful eyes flashed back to each The lovelight of the soul ? 32 ARBOR DA V MANUAL. With artist thought, fair autumn blends The sunbeam and the dew ; And to the weighted orchard lends Fresh lustre, deeper hue ; Till in the golden mist of fall, Or sunset's richer glow, No rural picture of them all More beautiful we know. Albany Journal. THE FOUR SISTERS. THERE will come a maiden soon, I ween, Dressed in a cloak of palest green ; The robins follow her gentle call, And wild-flowers bloom where her footsteps fail There will come another with stately tread, In lilies and roses garlanded ; Her breath is the essence of all things sweet, And she carries a sheaf of golden wheat. A third will come dressed in a nut-brown suit, Her lap all filled with yellow fruit ; Around her brow are autumn leaves, And she makes her way 'mid vines and sheaves. Lastly a snow-white maiden fair Will come bedecked with diamonds rare; She will put the others to rest complete, And wrap them all in a winding-sheet. MAY MORNING. NOW the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail bounteous May ! that dost inspire Mirth and youth, and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee and wish thee long. Milton. ARBOR DA V MANUAL. 33 OUR ALMANAC. ROBINS in the tree-tops, Blossoms in the grass ; Green things a-growing Everywhere you pass ; Sudden little breezes ; Showers of silver dew ; Black bough and bent twig Budding out anew ! Pine-tree and willow-tree, Fringed elm and larch, Don't you think that May-time's Pleasanter than March ? Apples in the orchard, Mellowing one by one ; Strawberries upturning Soft cheeks to the sun ; Roses, faint with sweetness ; Lilies, fair of face ; Drowsy scents and murmurs Haunting every place. Lengths of golden sunshine ; Moonlight bright as day — Don't you think that Summer's Pleasanter than May? • Roger in the corn-patch, Whistling negro songs; Pussy by the hearth-side, Romping with the tongs ; Chestnuts in the ashes, Bursting through the rind; Red-leaf and gold-leaf, Rustling down the wind ; Mother doing peaches All the afternoon — Don't you think that Autumn's Pleasanter than June ? Little fairy snow-flakes, Dancing in the flue ; Old Mr. Santa Claus, What is keeping you ? Twilight and firelight ; Shadows come and go ; 3 34 ARBOR DA V MANUAL. Merry chime of sleigh-bells, Tinkling through the snow ; Mother knitting stockings, (Pussy has the ball !) Don't you think that Winter's Pleasanter than all ? Thomas Bailey Aldricii. TALKING IN THEIR SLEEP. " \ /OU think I am dead," The apple-tree said, Y' " Because I have never a leaf to show — Because I stoop, And my branches droop, And the dull gray mosses over me grow ! But I'm all alive in trunk and shoot ; The buds of next May I fold away — But I pity the withered grass at my root." "You think I am dead," The quick grass said, " Because I have started with stem and blade ! But under the ground I am safe and sound With the snow's thick blanket over me laid. I'm all alive, and ready to shoot, Should the spring of the year Come dancing here — But I pity the flower without branch or root." " You think I am dead," A soft voice said, " Because not a branch or root I own ! I never have died, But close I hide, In a plumy seed that the wind has sown, Patient I wait through the long winter hours ; You will see me again — I shall laugh at you then, Out of the eyes of a hundred flowers." Edith M. Thomas, in St. Nicholas. " All the trees have torches lit." LUCY Larcom's "Indian Summer. ARBOR DA Y MAX UAL. 35 THE POPULAR POPLAR TREE. WHEN the great wind sets things whirling, And rattles the window-panes, And blows the dust in giants And dragons tossing their manes; When the willows have waves like water, And children are shouting with glee ; When the pines are alive and the larches, — Then hurrah for you and me, In the tip o' the top o' the top o' the tip of the popular poplar tree ! Don't talk about Jack and the Beanstalk — He did not climb half so high ! And Alice in all her travels Was never so near the sky! Only the swallow, a-skimming The storm-cloud over the lea, Knows how it feels to be flying — » When the gusts come strong and free — In the tip o' the top o' the top o' the tip of the popular poplar tree ! Blanch Willis Howard. FALL SONG. THE ash-berry clusters are darkly red ; The leaves of the chestnut are almost shed ; The wild grape hangs out her purple fruit ; The maple puts on her brightest suit. The boys chase the squirrel from tree to tree : ' There are nuts," says the squirrel, " for you and for me The boys hear the chatter — the squirrel is gone; They shout and they peer, but he's seen by none. After a silence, the wind complains, Like a creature longing to burst its chains ; The swallows, are gone, I saw them gather, I heard them murmuring of the weather. The clouds move fast, the south is blowing, The sun is slanting, the year is going; Oh, I love to walk where the leaves lie dead, And hear them rustle beneath my tread ! 36 ARBOR DA Y MANUAL. THE RETURN OF MAY. HAIL ! fair queen, adorned with flow Attended by the smiling hours ! Tis thine to dress the rosy bowers, In colors gay. We love to wander in thy train, To meet thee on the fertile plain, To bless thy soft propitious reign, O lovely May ! 'Tis thine to dress the vale anew In fairest verdure bright with dew ; And harebells of the mildest blue Smile on thy way. Then let us welcome pleasant spring, And still the flowery tribute bring, And still to thee our carol sing, ® lovely May. Now, by the genial zephyr fanned, The blossoms of the rose expand ; And, reared by thee with gentle hand, Their charms display. The air is balmy and serene, And all the sweet, luxuriant scene- By thee is clad in tender green, O lovely May ! Mrs. Hemans. ROBIN AND CHICKEN. A PLUMP little robin flew down from the tree, To hunt for a worm which he happened to see. A frisky young chicken came scampering by And gazed at the robin with wondering eye. Said the chicken : " What a queer-looking chicken is that: Its wings are so long and its body so fat ! " While the robin remarked loud enough to be heard : " Dear me ! an exceedingly strange-looking bird ! " " Can you sing? " robin asked, and the chicken said : 'No, " But asked in its turn if the robin could crow. So the bird sought a tree and the chicken a wall, And each thought the other knew nothing at all. ARBOR DA Y MANUAL. 3 7 LESSON OF THE LEAVES. HOW do the leaves grow- In spring upon their stem ? The sap swells up with a drop for all, And that is life to them. What do the leaves do Through the long summer hours ? Thej' make a home for the singing birds, A shelter for the flowers. How do the leaves fade Beneath the autumn blast? Oh, fairer they grow before they die, Their brightest is their last. How are we like leaves? O children weak and small, God knows each leaf of the forest shade, He knows you each and all. Never a leaf falls Until its part is done. God gives us grace like sap and dew, Some work to every one. You must grow old too, Beneath the autumn sky; But lovelier and brighter your lives may glow, Like leaves before they die. Brighter with kind deeds, With hope and gladness given; Till the leaf falls down from the withered tree, And the spirit is in heaven ! UNDER the yaller pines I house, When sunshine makes them all sweet scented, An hear among their furry boughs The baskin' west wind purr contented. Lowell, Biglow Papers. 33 ARBOR DA V MANUAL. THE VOICE OF THE GR(AJSS. HERE I come, creeping, creeping everywhere. By the dusty road-side, On the sunny hill-side, Close by the noisy brook, In every shady nook, I come creeping, creeping everywhere. Here I come, creeping, creeping everywhere. All around the open door, Where sit the aged poor, Here where the children play In the bright and merry May, I come creeping, creeping everywhere. Here I come, creeping, creeping everywhere. In the noisy city street, My pleasant face you'll meet, Cheering the sick at heart, Toiling his busy part — Silently creeping, creeping everywhere. Here I come, creeping, creeping everywhere. You cannot see me coming, Nor hear my low sweet humming ; For in the starry night, And the glad morning light, I come quietly creeping, creeping everywhere. Here I come, creeping, creeping eve^where. More welcome than the flowers, In summer's pleasant hours. The gentle cow is glad, And the merry bird not sad, To see me creeping, creeping everywhere. Here I come, creeping, creeping everywhere. When you're numbered with the dead, In your still and narrow bed, In the happy spring I'll come And deck your silent home — Creeping, silently creeping everywhere. Here I come, creeping, creeping everywhere. My humble song of praise Most joyfully I'll raise To Him at whose command 1 beautify the land — Creeping, silently creeping everywhere. Sarah Roberts. ARBOR DA Y MANUAL. 39 ROBIN 'S COME. FROM the elm-tree's topmost bough, Hark ! the robin's early song ! Telling one and all that now Merry spring-time hastes along. Welcome tidings dost thou bring, Little harbinger of Spring : Robin 's come. Of the Winter we are weary, Weary of the frost and snow ; Longing for the sunshine cheery, And the brooklet's gurgling flow. Gladly then we hear thee sing The joyful reveille of Spring : Robin 's come. Ring it out o'er hill and plain, Through the garden's lonely bowers, Till the green leaves dance again, Till the air is sweet with flowers ! Wake the cowslips by the rill ; Wake the yellow daffodil : Robin 's come. Singing still in yonder lane, Robin answers merrily; Ravished by the sweet refrain, Alice clasps her hands in glee, Calling from the open door, With her soft voice, o'er and o'er, " Robin 's come." * * The hills, Rock-ribbed and ancient as the sun ; the vales, Stretching in pensive quietness between; The venerable woods ; rivers that move In majesty, and the complaining brooks, That make the meadows green; and poured round all, Old ocean's gray and melancholy waste, — Are but the solemn decorations all Of the great tomb of man. * * Bryant's Thanatopsis. 4Q ARBOR DA Y MANUAL. FOREIGN LANDS. UP into the cherry-tree Who should climb but little me ? I held the trunk with both my hands, And looked abroad on foreign lands. I saw the next-door garden lie, Adorned with flowers, before my eye, And man3 r pleasant places more That I had never seen before. I saw the dimpling river pass And be the sky's blue looking-glass ; And dusty roads go up and down, And people tramping into town. ]f I could find a higher tree, Farther and farther I could see, To where the grown-up river slips Into the sea among the ships — To where the roads on either hand Lead onward into fairy-land, Where all the children dine at five, And all the playthings are alive. GOD PROVIDETH FOR THE MORROW. LO ! the lilies of the field, How their leaves instruction yield ; Hark to nature's lesson, given By the blessed birds of heaven ! Every bush and tufted tree Warbles sweet philosophy : "Mortal, fly from doubt and sorrow; God provideth for the morrow. " Say. with richer crimson glows The kingly mantle or the rose ? Say, have kings more wholesome fare Than we poor citizens of air? Barns nor hoarded grain have we, Yet we carol merrily : Mortal, flee from doubt and sorrow; God provideth for the morrow.' ARBOR DA Y MANUAL. 41 FOREST SONG. A SONG for the beautiful trees ! A song for the forest grand, The garden of God's own land, The pride of His centuries. Hurrah ! for the kingly oak, For the maple, the sylvan queen, For the lords of the emerald cloak, For the beautiful trees a song, The peers of a glorious realm, The linden, the ash, and the elm, The poplar stately and strong. Hurrah ! for the beech-tree trim, For the hickory stanch at core, For the locust thorny and grim, For the silvery sycamore. A song for the palm, — the pine, And for every tree that grows From the desolate zone of snows To the zone of the burning line. Hurrah ! for the warders proud Of the mountain-side and vale, That challenge the thunder-cloud, And buffet the stormy gale. A song for the forest aisled, With its gothic roof sublime, The solemn temple of time, Where man becometh a child, As he lists to the anthem-roll Of the wind in the solitude, The hymn which telleth his soul That God is the voice of the wood. So long as the rivers flow, So long as the mountains rise, Ma)' the forest sing to the skies, And shelter the earth below. Hurrah ! for the beautiful trees, Hurrah ! for the forest grand, The pride of His centuries, The garden of God's own land. W. H. Venable. ARBOR DA V MANUAL. PLANTED. I HELD my baby on my knee, My blue-eyed Bessie, three years old; She laid her dimpled cheek on mine, And in my ear her trouble told. " Papa, pease may me go to school, Like sister Nell and Tatie Snow? " Then as I smiled she begged again, With kisses sweet, "Pease may me go? ' When Bessie grows as large as Nell, Then she may go to school," I said. But mother's words and father's rules Are quite enough for this small head." She said no more, but sat awhile "Thinking her think," then ran away; And as I .turned to work again, I heard her in the yard at play. Then mother called, " Come, Bessie, come ; 'Tis time to go to sleep, you know." — "O dear mamma, pease let me stay ! I'se panted, 'tause I want to grow." 'Twas true ! for there our baby stood, With feet fast planted in the ground, While water-pot and garden tool, Ready for use, lay scattered round. On mother's second call she came, With rumpled dress and muddy shoe, And looking up quite grieved, she said, " Why tan't me grow, as flowers do ? " When April winds Grew soft, the maple burst into a flush Of scarlet flowers. The tulip tree, high up, Opened, in airs of June, her multitude Of golden chalices to humming birds And silken wing'd insects of the sky. Bryant, The Fountain. ARBOR DA Y MANUAL. THE FLOWER OF LIBERTY. WHAT flower is this that greets the morn, Its hues from heaven so freshly born ? With burning star and flaming band It kindles all the sunset land : O tell us what its name may be, — Is this the flower of liberty ? It is the banner of the free, The starry flower of liberty ! In savage nature's far abode Its tender seeds our fathers sowed ; The storm-winds rocked its swelling bud, Its opening leaves were streaked with blood, Till lo ! earth's tyrants shook to see The full-blown flower of liberty ! Then hail the banner of the free, The starry flower of liberty ! Behold its streaming rays unite, One mingling flood of braided light, — The red that fires the southern rose, With spotless white from northern rose, And, spangled o'er its azure, see The sister stars of liberty ! Then hail the banner of the free, The starry flower of liberty ! The blades of heroes fence it round, Where'er it springs is holy ground ; From tower and dome its glories spread ; It waves where lonely sentries tread ; It makes the land as ocean free, And plants an empire on the sea ! Then hail the banner of the free, The starry flower of liberty ! Thy sacred leaves, fair freedom's flower, Shall ever float on dome and tower, To all their heavenly colors true, In blackening frost or crimson dew, — And God love us as we love thee, Thrice holy flower of liberty ! Then hail the banner of the free, The starry flower of liberty ! Oliver Wendell Holmes. 44 ARBOR DAY MANUAL. MIDSUMMER. THROUGH all the long midsummer day The meadow-sides are sweet with hay. ] seek the coolest sheltered seat Just where the field and forest meet, Where grow the pine-trees tall and bland, The ancient oaks austere and grand, And fringy roots and pebbles fret The ripples of the rivulet. I watch the mowers as they go Through the tall grass, a white-sleeved row; With even stroke their scythes they swing, In tune their merry whetstones ring; Behind, the nimble youngsters run And toss the thick swaths in the sun ; The cattle graze; while, warm and still, Slopes the broad pasture, basks the hill, And bright, when summer breezes break, The green wheat crinkles like a lake. The butterfly and humble-bee Come to the pleasant woods with me , Quickly before me runs the quail, The chickens skulk behind the rail, High up the lone wood-pigeon sits, And the wood-pecker pecks and flits. Sweet woodland music sinks and swells, The brooklet rings its tinkling bells, The swarming insects drone and hum, The partridge beats his throbbing drum, The squirrel leaps among the boughs, And chatters in his leafy house, The oriole flashes by ; and, look ! Into the mirror of the brook, Where the vain blue-bird trims his coat, Two tiny feathers fall and float. As silently, as tenderly, The dawn of peace descends on me. Oh, this is peace ! I have no need Of friend to talk, of book to read: A dear Companion here abides ; Close to my thrilling heart He hides; The holy silence is His voice : I lie and listen, and rejoice. J. T. Trowbridge. ARBOR DA V MANUAL. 45 THE AWAKENING YEAR. THE bluebirds and the violets Are with us once again, And promises of summer spot The hillside and the plain. The clouds around the mountain tops Are riding on the breeze, Their trailing azure trains of mist Are tangled in the trees. The snow-drifts, which have lain so long Haunting the hidden nooks, Like guilty ghosts have slipped away Unseen, into the brooks. The streams are fed with generous rains, They drink the wayside springs, And flutter down from crag to crag, Upon their foamy wings. Through all the long, wet nights they brawl, By mountain homes remote, Till woodmen in their sleep behold Their ample rafts afloat. The lazy wheel that hung so dry Above the idle stream, Whirls wildly in the misty dark, And through the miller's dream. Loud torrent unto torrent calls, Till at the mountain's feet, Flashing afar their spectral light, The noisy waters meet. They meet, and through the lowlands sweep Toward briny bay and lake, Proclaiming to the distant towns, "The country is awake." Thomas Buchanan Read. THE moon shines bright:— In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise. Merchant of Venice, Act V, Sc. 1. 46 ARBOR DA Y MANUAL. THE VINE AND THE OAK. A VINE was growing beside a thrifty oak, and had just reached that height at which it requires support. " Oak," said the vine, " bend your trunk so that you may be a support to me." " My support," replied the oak, " is naturally yours, and you may rely on my strength to bear you up ; but I am too large and too solid to bend. Put your arms around me, my pretty vine, and I will manfully support and cherish you, if you have an ambition to climb as high as the clouds. "While I thus hold you up, you will ornament my rough trunk with your prett}^ green leaves and shining scarlet berries. We were made by the Master of Life to grow together, that by our union the weak may be made strong, and the strong render aid to the weak." "But I wish to grow independently," said the vine; "wb.3'' cannot you twine around me, and let me grow up straight, and not be a mere dependent on you ? " "Nature," answered the oak, "did not so design it. It is impossible that you should grow to aii3 r height alone ; and if you try it, the winds and the rain, if not your own weight, will bring you to the ground. " Neither is it proper for } r ou to run your arms hither and thither among the trees. They will say, 'It is not my vine — it is a stranger — get thee gone; I will not cherish thee ! ' By this time thou wilt be so entangled among the different branches that thou canst not get back to the oak, and nobody will then admire thee or pity thee." " Ah, me," said the vine, " let me escape from such a destiny; " and she twined herself around the oak, and they grew and flourished happily together. THE UNFADING EVERGREEN. HOW bright the unfading evergreen, Amid the forest trees ! In Summer and Winter there 'tis seen To wave to the passing breeze. And may I be so like to thee, never fading tree ! That all may feel, in woe or weal, 1 shall unchanging be. How bright the unfading evergreen, Amid the forest trees ! In Summer and Winter there 'tis seen, To wave to the passing breeze. Ever, ever may I be seen Like to the beauteous evergreen. ARBOR DA Y MANUAL. RACE OF THE FLOWERS. I^HE trees and the flowers seem running a race, But none treads down the other; And neither thinks it his disgrace To be later than his brother. Yet the pear tree shouts to the lilac tree, " Make haste, for the Spring is late ! And the lilac tree whispers to the chestnut tree, Because he is so great, Pray you, great sir, be quick, be quick, Far down below we are blossoming thick ! " Then the chestnut hears and comes out in bloom — White, or pink, to the tip-top boughs — Oh why not grow higher, there's plenty of room, You beautiful tree, with the sky for your house? Then like music they seem to burst out together, The little and the big, with a beautiful burst; They sweeten the wind, they paint the weather, And no one remembers which was first ; White rose, red rose, Bud rose, shed rose, Larkspur, and lilac, and the rest, North, south, east, west, June, July, August, September! — Ever so late in the year will come, Many a red geranium, And sunflowers up to November ! Then the Winter has overtaken .nem all, The fogs and the rains begin to fall, And the flowers after running their races, Are weary, and shut up their little faces, And under the ground they go to sleep. Is it very far down ? Yes ever so deep. GOLDEN ROD. WAY down in the meadow, and close by the brook- If ever you take the trouble to look, A plant you will see that shows in the light With its green and gold so gay and bright, Nodding and tossing its head in pride, As if it were queen of the meadow wide. That beautiful blossom, so tall and odd, Is the bloom of the plant called golden rod. 4 8 ARBOR DA V MANUAL. THE OLD TREE. OLD tree, how low you seem to stoop, How much your trunk is bent; Why don't you make a rise and grow Up straight, as you were meant? And has the old tree found a voice ? And does it speak and sigh ? No ! 'twas the soft sweet wind that came To stir its leaves on high. But still the young boy thought he heard The old tree sigh, " Too late ! When I was young it was the time To come and bend me straight. They should have bound me to a prop, And made me straight and fast ; A child like you could bend me then, But now my time is past ! No use for men to waste their strength, And pull with ropes at me ; They could not move my stem an inch, For bent I still must be." And then the soft wind came once more, And set the leaves at play, So that the young boy thought he heard The old tree sigh and say: O child ! be wise while you are young, Nor bend nor stoop to sin ! Drive out the bad thoughts from your heart, And keep the good ones in ! 1 Don't think you may be bad in youth, And one day change your plan ; Just what you grow up from a child, You will be as a man. 1 No use to try, when you are old, To mend and grow up straight ; For all good men that pass you then Will sigh and say, 'Too late ! ' ARBOR DA Y MANUAL. 49 Take for your prop the book of God, And by its rules be bound; And let the wise words of your friends Be stakes to fence you round. So straight and strong you shall be found, A joy and praise to see ; And one day, in the courts of God, You'll stand a fair young tree." MY ELM TREE. IT stands alone, on the brow of a little hill, not far from my door. The sight of it gives me so much pleasure, that I have learned to love it as if it were a human friend. I go often to visit it. It is a magnificent tree. The trunk rises high in a single stem, then divides into three principal branches. These three great branches grow gradually farther and farther apart, then bend rapidly outward with an easy sweep, and finally divide into a number of smaller branches. Of these smaller branches, the lower or under ones bend down toward the ground in graceful curves, and, dividing into many branchlets and twigs, form the drooping boughs of the tree. The upper ones grow erect, and their branchlets and twigs, spreading out and bending in all directions, make the airy top of the tree. In the summer-time this lovely tree is covered with dark green leaves. It rests the eye to look at it, and it is a delight to sit under it. But it is not in summer only that it is beautiful. In the autumn its leaves turn to a sober brown, touched here and there with bright golden-yellow; and, when the sun shines on it, it is glorious to behold. When the rude autumn winds have stripped it of its leaves it is still pleasant to watch the graceful branches swaying in the wind; and then, too, I can see the birds' nests, which the leaves have hidden during the summer. Almost always there are one or two orioles' nests, swinging like little bags from the ends of the long slender branches. The earliest spring flowers blossom under my elm tree. But the dear old tree is not to be outdone by the little plants at its foot, for it puts forth its blossoms as soon as they. Its flowers always come before its leaves. They are very tiny flowers, of a yellowish hue, and grow in small clusters on the sides of the twigs. The flowers are soon followed by the seeds, which ripen and fall just as the leaves come out. The leaves are rather small and dark green, and grow on short stems called foot-stalks. They are, almost all of them, oval in shape, and have a slender point at the apex. The under side of the leaf is whitish and hairy, and the ribs show very plainly. All elm trees are not shaped just as mine is; but any boy or girl can always tell an elm tree by its graceful, curving branches, and slender drooping twigs. Rebecca D. Rickoff. 4 5Q ARBOR DA Y MANUAL. JACK-IN-THE-PULPIT. JACK-IN-THE-PULPIT Preaches to-day, Under the green trees Just over the way. Squirrel and song-sparrow, High on their perch, Hear the sweet lily-bells Ringing to church. Come, hear what his reverence, Rises to say, In his low, painted pulpit, This calm Sabbath day. Fair is the canopy Over him seen, Penciled, by nature's hand, Black, brown and green ; Green is his surplice, . Green are his bands ; In his queer little pulpit The little priest stands. In black and gold velvet, So gorgeous to see, Comes with his bass voice, The chorister bee. Green fingers playing Unseen on wind-lyres; Low, singing-bird voices; These are his choirs. The violets are deacons ; I know by the sign That the cups which they carry Are purple with wine. And the columbines bravely As sentinels stand On the lookout, with all their Red trumpets in hand. Meek-faced anemones, Drooping and sad ; Great yellow violets, Smiling out glad ; ARBOR DA Y MANUAL. 5 1 Buttercups' faces, Beaming and bright; Clovers, with bonnets — Some red and some white ; Daisies, their white fingers Half clasped in prayer; Dandelions, proud of The gold of their hair; Innocents, children Guileless and frail, Meek little faces Upturned and pale; Wild-wood geraniums, All in their best, Languidly leaning In purple gauze dressed ; All are assembled, This sweet Sabbath day, To hear what the priest In his pulpit will say. Whittier. THE GOLDEN ROD. ALL hail the lovely golden rod, The dusty roadside fringing ! Midst grasses tall its gray crests nod, The world with glory tingeing. Its fluffy blossoms manifold, The swampy meadows flecking, Weave tapestry of cloth of gold, The fields with splendor decking. Along the dark old forest's edge The yellow plumes are streaming, And through the thick and tangled hedge, The golden wands are gleaming. The lakeside slope is all aglow, Where golden rod is drooping, Bright mirrored in the depths below In many a graceful grouping. Eva J. Beede. 52 ARBOR DAY MANUAL. THE ANXIOUS LEAF. ONCE upon a time a little leaf was heard to sigh and cry ( as leaves often do when a gentle wind is about. And the twig said, "What is the matter, little leaf?" And the leaf said, "The wind just told me that one day it would pull me off and throw me down to die on the ground ! " The twig told it to the branch on which it grew, and the branch told it to the tree. And when the tree heard it, it rustled all over, and sent back word to the leaf, " Do not be afraid ; hold on tightly, and you shall not go till you want to." And so the leaf stopped sighing, but went on nestling and singing. Every time the tree shook itself and stirred up all its leaves, the branches shook themselves, and the little twig shook itself, and the little leaf danced up and down merrily, as if nothing could ever pull it off. And so it grew all summer long till October. And when the bright days of autumn came, the little leaf saw all the leaves around becoming very beautiful. Some were yellow and some scarlet, and some striped with both colors. Then it asked the tree what it meant? And the tree said, "All these leaves are getting ready to flyaway, and they have put on these beautiful colors because of joy." Then the little leaf began to want to go too, and grew very beautiful in think- ing of it, and when it was very gay in color, it saw that the branches of the tree had no bright color in them, and so the leaf said, "O branches ! why are you lead color and we golden ? " "We must keep on our work clothes, for our life is not done; but your clothes are for holiday, because j^our tasks are over," said the branches. Just then, a little puff of wind came, and the leaf let go, without thinking of it, and the wind took it up, and turned it over and over, and whirled it like a spark of fire in the air, and then it dropped gently down under the edge of the fence among hundreds of leaves, and fell into a dream, and never waked up to tell what it dreamed about. "Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy ; for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor sneers of selfish men, Nor greetings where no kindness is ; nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith that all which we behold Is full of blessing." . ARBOR DA V MANUAL. 53 MAY MORNING. FOR SIX GIRLS. GREETED me at early day, Groups of girls the fields adorning Wreathing for their queen of May, Blossoms of the morning. Cease, I cried, o'er hill and heath, Wasting thus the fragrant hours; I can make a fairer wreath — You shall be the flowers. Who will be a violet? — Little Alice, take thy station; Lo ! thine eyes are dewy yet With some thought's creation. Dainty words and bashful smiles Wreathe thy fresh lips ever newly; Conquering with thy timid wiles, Harsher souls unruly. Margaret, with pure cold eyes, Thou shalt be a scornful lily Bending in a proud surprise ; Smiling proud and chilly. Loose adown thy snowy veil, Till those eyes, like stars of even, Through the silver cloud burn pale, Lighting still the heaven. Now a rose ! Now a rose ! Look at Julia, richly blushing, Where the sun his kisses throws, Hair and forehead flushing. Floating o'er the crimson cheek, Mossy ringlets fall disparted ; Darling rose, so mild, so meek, True and fragrant-hearted. Where shall we a daisy see? — Yonder sits my romping Lizzie, With her hand upon her knee, In some mischief busy. 54 ARBOR DA Y MANUAL. She has morning's golden beam Prisoned in her flying tresses; And the evening's rosy gleam Still her cheek expresses. Now the dimpled arms aloft, Shouting to the birds above her; Chanting now in carols soft, Of the hearts that love her. Geraldine, with lips of flame, Thou shalt be a fuchsia, bending Graceful near the ivy frame ; Strength and frailness blending. Autumn dropped thee from his sheaves, Through his harvest lately roaming: Spring returns for what he leaves ; — Bow we to her coming. Eliza L. Sproat. ROSES. OH, the queen of all the roses it cannot be denied Is the heavy crimson rose of velvet leaf ; There is such a gracious loyalty about her vivid bloom, That among all charming kindred she is chief. Then the fainter-shaded roses, in their balmy damask pride, Group like satellites about one central star, — Royal princesses, of whom we can discover at a glance, What aristocrats the dainty creatures are. Then those tender, gauzy roses, clustered closely on their views, They are gentle maids of honor I am told ; But the pompous yellow roses, they are sneered at, it is said, For so showing off the color of their gold. And the roses that are powerless to boast of any tint, Unsullied as the snow itself in hue, These are pious nuns, I fancy, who perhaps may murmur prayers Very softly upon rosaries of dew. But the delicate pink roses that one meets in quiet lanes, Gleaming pale upon a back-ground of clear green, Why, these are only peasant girls who never go to court, But are royal little subjects to the queen. Edgar Fawcett. ARBOR DA Y MANUAL. 55 FORWARD, MARCH! SPRING gives the order, " Forward, march ! Tis borne along the eager line; Breathes through the boughs of rustling larch, And murmurs in the pine. " March ! " At the sound, impatient, springs The mountain rill, with rippling glee, And rolling through the valley, brings Its tribute to the sea. " March ! " and upon each sunny hill Old winter's allies, ice and snow, Start at the music of the rill, And join its onward flow. " March ! " Down among the fibrous roots Of oaks we hear the summons ring ; The long chilled life-blood upward shoots To hail the coming spring. " March ! " and along each narrow neck, Across the plain, and up the steep, The spring-tide clears the winter's wreck With its resistless sweep. Advancing in unbroken lines, New allies rush to join its band, Till winter, in despair, resigns The scepter to its hands. On southern slopes, in quiet glades, And when the brooklets murmuring run; The grass unsheaths its tiny blades To temper in the sun. Flora unfolds her banner bright Above the field of flashing green, And crocus blooms, in lines of light, Throw back the sunlight's sheen. The birds in every budding tree Take up anew the old refrain ; The spring has come ; rejoice all ye Who breathe its air again ! 56 ARBOR DA V MANUAL. THE OAK TREE. OING for the oak tree, the monarch of the wood ! O Sing for the oak tree, that groweth green and good ! That groweth broad and branching within the forest shade; That groweth now, and still shall grow when we are lowly laid ! The oak tree was an acorn once, and fell upon the earth ; And sun and shower nourished it, and gave the oak tree birth ; The little sprouting oak tree ! two leaves it had at first, Till sun and shower nourished it, then out the branches burst. The winds came and the rain fell ; the gusty tempest blew; All, all, were friends to the oak tree, and stronger yet it grew. The boy that saw the acorn fall, he feeble grew and gray ; But the oak was still a thriving tree, and strengthened every day. Four centuries grows the oak tree, nor does its verdure fail; Its heart is like the iron-wood, its bark like plaited mail. Now cut us down the oak tree, the monarch of the wood ; And of its timber stout and strong we'll build a vessel good. i The oak tree of the forest both east and west shall fly; And the blessings of a thousand lands upon our ship shall lie. She shall not be a man-of-war, nor a pirate shall she be; But a noble Christian merchant ship, to sail upon the sea. Mary Howitt. THE LIBERTY TREE. IN a chariot of light, from the regions of day, The Goddess of Liberty came; Ten thousand celestials directed her way, And hither conducted the dame. A fair budding branch from the gardens above, Where millions with millions agree; She brought in her hand as a pledge of her love, And the plant she named Liberty Tree. The celestial exotic struck deep in the ground, Like a native it flourished and bore ; The fame of its fruit drew the nations around, To seek out this peaceable shore ; Unmindful of names or distinctions they came, For freemen like brothers agree ; With one spirit endued, they our friendship pursued, And their temple was Liberty Tree. Thomas Paine, 1776. ARBOR DA Y MANUAL. 5 7 MOTION SONG— DAISY FAIR. HAVE you heard the song of the daisy fair? Oh, the daisy fair, she has not a care ; A sweet little face has daisy fair, She's smiling all the day. Now see her buds peep, where the grasses wave, Where the grasses wave, the grasses wave, Now see her buds peep, where the grasses wave, This way above her head. Chorus. Oh, the heads of nodding clover, Oh, the boughs that sway above her, Oh, the butterflies dancing over, Love the daisy fair. Now her bright eyes open to the sun ; Ha, ha, ha, ha, ha, ha, ha, what fun ! Now daisy's play time has begun ; Gay little daisy fair. Our daisy always moves with grace While she bends this way, this way, this way. She looks the bright sun in the face ; Brave little daisy fair. Chorus. At morn she turns her head this way, For she loves the sun, the sun, they say, And watches for its first bright ray ; Wise little daisy fair. At noon she smiles up at the sky, Tra la la la la la la la la, While the sun smiles back from his place so high; Happy daisy fair. Chorus. When the earth is dry beneath her feet, Lowty droops her head in the blinding heat. She clasps her fingers, hear how sweet Daisy breathes a prayer. Come, pretty white cloud, pray send the rain, Send rain, the rain, the rain, the rain, O pretty white cloud, I pray send rain That I may bloom again. Chorus. 58 ARBOR DA Y MANUAL. Now the cooling drops come, sparkling down, Tra la la la la la la la la la, Now daisy has a bran new crown, Proud little daisy fair. At night when the dear sun goes to sleep, And all the dews around her weep, She turns this way, for one more peep. Good night, little daisy fair. Chorus. Gyjnnastics for the School Room. ANNIE CHASE. THE IVY GREEN. H, a dainty plant is the ivy green, That creepeth o'er ruins old ! 1 . Of right choice food are his meals I ween, In his cell so lone and cold. The walls must be crumbled, the stones decayed, To pleasure his dainty whim ; And the mold'ring dust that years have made Is a merry meal for him. Creeping where no life is seen, A rare old plant is the ivy green. Fast he stealeth on, though he wears no wings, And a stanch old heart has he ! How closely he twineth, how tightly he clings, To his friend, the huge oak tree ! And slyly he traileth along the ground, And his leaves he gently waves, And he joyously twines and hugs around The rich mold of dead men's graves. Creeping where no life is seen, A rare old plant is the ivy green. Whole ages have fled, and their works decayed, And nations scattered been ; But the stout old ivy shall never fade From its hale and hearty green. The brave old plant in its lonely days Shall fatten upon the past; For the stateliest building man can raise Is the ivy's food at last. Creeping where no life is seen, A rare old plant is the ivy green. Charles Dickens. ARBOR DA V MANUAL. 59 THE AUTUMN LEAVES. First Child : I AM a leaf from the tall elm tree That stands high up on the hill «top there; Patiently my watch I keep O'er all the hillsides and valleys fair. Second Child: I came from the maple tree By the church with its huge iron bell. Many a time I've heard it say "A tale of hope and peace I'll tell." Third Child: 1 am a leaf from the old oak tree Deep in the woods; I know AH the secrets of fairy land, And how the flowers grow. Fourth Child : And I am a leaf from the aspen, Do you know why I tremble so ? I heard a child tell a lie one day, 'Tis an awful thing to know. Fifth Child ; Down where the dead lie sleeping, In a calm and quiet spot, I came from the willow, weeping, O'er the blue forget-me-not. Sixth Child : I grew on the big old apple tree, Where the blue birds and robins nest, The children love me, and the breeze — O, you can guess the rest. Seventh Child : And now we will make a wreath, Red and yellow and green ; When you see you will all agree 'Tis the prettiest wreath that ever was seen. All join hands and sing: Away to the woods, away, Away to the woods, away, 6o ARBOR DA Y MANUAL. All nature is smiling, Our young hearts beguiling, 0, we will be happy to-day. Chorus. Away, away, away, away, Away to the woods, away; Away, away, away, away. Away to the woods, away. THE BROWN THRUSH. THERE'S a merry brown thrush sitting up in a tree ; He's singing to me ! he's singing to me ! And what does he say, little girl, little boy? '• Oh ! the world's running over with joy ! Hush ! look ! in my tree I'm as happy as happy can be." And the brown thrush keeps singing, "A nest do you see, And five eggs hid by me in the big cherry tree ? Don't meddle, don't touch, little girl, little boy, Or the world will lose some of its joy ! Now I'm glad ! now I'm free ! And I always shall be, If you never bring sorrow to me." So the merry brown thrush sings away in the tree, To you and to me — to you, and to me; And he sings all the day, little girl, little boy ; " Oh, the world's running over with joy ! But long it won't be — Don't you know ? don't you see ? Unless we're as good as can be." Lucy Larcom. I had a little yellow bird Upon a summer's day, He sat upon my finger And he never flew away. He fluttered and he fluttered And he fluttered all the day, But he never sang a song, And he never flew away. St. Nicholas, 1888. ARBOR DA Y MANUAL. 61 SPRING. SPRING, with that nameless pathos in the air Which dwells with all things fair, — ■ Spring, with her golden suns and silver rain, Is with us once again. Out in the lonely woods the jasmine burns Its fragrant lamps, and turns Into a royal court with green festoons The banks of dark lagoons. In the deep heart of every forest tree The blood is all aglee, And there's a look about the leafless bowers As if they dreamed of flowers. Yet still on every side we trace the hand Of winter in the land, Save where the maple reddens on the lawn, Flushed by the season's dawn. Or where, like those strange semblances we find That age to childhood bind, The elm puts on, as if in nature's scorn, The brown of autumn corn. As yet the turf is dark, although you know That, not a span below, A thousand germs are groping through the gloom, And soon will burst their tomb. # Already, here and there, on frailest stems Appear some azure gems, Small as might deck, upon a gala day, The forehead of a fay. In gardens you may note amid the dearth The crocus breaking earth ; And near the snowdrop's tender white and green, The violet in its screen. But many gleams and shadows needs must pass Along the budding grass, And weeks go by, before the enamored south Shall kiss the rose's mouth. 62 ARBOR DA Y MANUAL. Still there's a sense of blossoms yet unborn In the sweet airs of morn ; One almost looks to see the very street Grow purple at his feet. At times a fragrant breeze comes floating by, And brings, you know not why, A feeling as when eager crowds await, Before a palace gate. Some wondrous pageant ; and you scarce would start, If from a beech's heart A blue-eyed dryad, stepping forth, should say, 1 Behold me ! I am May ! " ****** Henry Timrod. B BEAUTIFUL THINGS. EAUTIFUL ground on which we tread, Beautiful heavens above our head ; Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu Beautifu flowers and beautiful trees, land and beautiful seas. sun that shines so bright, stars with glittering light; summer, beautiful spring, birds that merrily sing. lambs that frisk and play, night and beautiful day ; lily, beautiful rose, every flower that grows. drops of pearly dew, hills and vales to view ; herbs that scent the air, things grow everywhere. every thing around, grass to deck the ground, fields and woods so green, birds and blossoms seen. flower and beautiful leaf, world, though full of grief ; every tiny blade, all that God hath made. ARBOR DA Y MANUAL. 63 THE USE OF FLOWERS. GOD might have bade the earth bring forth Enough for great and small, The oak tree and the cedar tree, Without a flower at all. He might have made enough, enough, For every want of ours ; For luxury, medicine and toil And yet have made no flowers. The ore within the mountain mine, Requireth none to grow, Nor doth it need the lotus flower To make the river flow. The clouds might give abundant rain, The nightly dews might fall, And the herb that keepeth life in man Might yet have drunk them all. Then wherefore, wherefore were they made, All dyed with rainbow light; All fashioned with supremest grace, Upspringing day and night. Springing in valleys green and low, And on the mountains high, And in the silent wilderness, Where no man passes by ? Our outward life requires them not — Then wherefore had they birth ? To minister delight to man To beautify the earth. To comfort man — to whisper hope, Whene'er his faith is dim ; For who so careth for the flowers, Will much more care for him ! Mary Howitt. Those green-robed senators of mighty woods, Tall oaks, branch-charmed by the earnest stars, Dream and so dream all night without a stir. Keats — Hyperion. Bk. I, line 73. 6 4 ARBOR DA V MANUAL. GREEN THINGS GROWING. concert recitation for a class of boys or girls, or both. All : H ! the green things growing ! the green things growing ! The fresh, sweet smell of the green things growing ! Frank : I would like to live, whether I laugh or grieve, To watch the happy life of the green things growing. All: Oh ! the fluttering and pattering of the green things growing ! Talking each to each when no man's knowing; Charles : In the wonderful white of the weird moonlight, Or the gray dreamy dawn when the cocks are crowing. Martha : I love, I love them so, the green things growing And I think that they love me without false showing ; For by many a tender touch they comfort me so much, With the mute, mute comfort of green things growing. Mabel : And in the full wealth of their blossoms' glowing. Ten for one I take they're on me bestowing. Emily : Ah ! I should like to see, if God's will it might be, Many, many a summer of my green things growing. Ada : But if I must be gathered for the angels' sowing — Sleep out of sight awhile — like the green things growing; Though earth to earth return, I think I shall not mourn, If I may change into green things growing. All: Oh ! the green things growing: the green things growing ! The fresh, sweet smell of the green things growing! 1 would like to live, whether I laugh or grieve, To watch the happy life of the green things growing. Arranged by Principal Chas. H. Fuller, Cold Spring Harbor, N. Y. " There is a pleasure in the pathless woods." Byron's "Apostrophe to the Ocean." ARBOR DA Y MANUAL. 65 THE STORY OF A LEAF. I AM only a leaf. My home is one of the great trees that grow near the school-house. All winter I was wrapped up in a tiny warm blanket, tucked in a little brown cradle, and rocked by the winds as they blew. Do you not believe it, little reader? What I say is true. Next fall just break off a branch of a tree, and see whether you cannot find q leaf-bud on it. It will look like a little brown knot. Break it open, and inside you will see some soft, white down; that is the blanket. The brown shell that you break is the cradle. Well, as I was telling you, I was rocked all winter in my cradle on the branch. When the warm days came, and the soft rains fell, then I grew very fast indeed. I soon pushed myself out of my cradle, dropped my blanket, and showed my pretty green dress to all who came by. Oh, how glad every one was to see me ! And here I am, so happy with my little brothers and sisters about me ! Every morning the birds come and sing to us ; the great sun shines upon us, and the winds fan us. We dance with the winds, we smile back at the bright sun, and make a pleasant shade for the dear birds. Every day, happy, laughing school children pass under our tree. We are always glad to see you, boys and girls — glad to see" your bright eyes, and hear you say, " How beautiful the leaves are ! " Rebecca D. Rickoff. IN A FOREST. STRANGER ! whose steps have reached this solitude, Know that this lonely spot was dear to one Devoted with no unrequited zeal To nature. Here, delighted, he has heard The rustling of these woods, that now perchance Melodious to the gale of summer move ; And underneath their shade on yon smooth rock, With gray and yellow lichens overgrown, Often reclined, watching the silent flow Of this perspicuous rivulet, that steals Along its verdant course, — till all around Had filled his senses with tranquillity, And ever soothed in spirit he returned A happier, better man. Stranger ! perchance, Therefore, the stream more lovely to thine eye Will glide along, and to the summer gale The woods wave more melodious. Cleanse thou, then, The weeds and mosses from this lettered stone. Robert Southey, 1798. 66 ARBOR DA Y MANUAL. DAFFY-DOWN-DILLY. POOR little daffy-down-dilly ! She slept with her head on a rose, When a sly moth-miller kissed her, And left some dust on her nose. Poor little daffy-down-dilly ! She woke when the clock struck ten, And hurried away to the fairy queen's ball, Down in the shadowy gien. Poor little daffy-down-dilly ! Right dainty was she, and fair, In her bodice of yellow satin, And petticoat green and rare. But to look in her dew-drop mirror, She quite forgot when she rose, And into the queen's high presence Tripped with a spot on her nose. Then the little knight who loved her — O, he wished that he were dead ; And the queen's maid began to titter, And tossed her saucy head. And up from her throne so stately, The wee queen rose in her power, Just waved her light wand o'er her, And she changed into a flower. Poor little daffy-down-dilly ! Now in silver spring time hours, She wakes in the sunny meadows, And lives with other flowers. Her beautiful yellow bodice, With green skirts wears she still ; And the children seek and love her, But thev call her daffodil. To him who in the love of nature holds Communion with her visible forms, she speaks A various language." Bryant's Thanatopsis. ARBOR DA Y MANUAL. 67 THE LITTLE BROWN SEED IN THE FURROW. A LITTLE brown seed in the furrow Lay still in its gloomy bed, While violets blue and lilies white Were whispering overhead. They whispered of glories strange and rare, Of glittering dew and floating air, Of beauty and rapture everywhere, And the seed heard all they said. Poor little brown seed in the furrow; So close to the lilies' feet, So far away from the great glad day, Where life seemed all complete ! In her heart she treasured every word, And she longed for the blessings of which she heard; For the light that shone and the air that stirred In that lanti so wondrous sweet. 1 The little brown seed in the furrow Was thrilled with a strange unrest; A warm, new life beat tremblingly In the tiny, heaving breast; With her two small hands clasped close in prayer, She lifted them up in the darkness there, Up, up, through the dark, toward sun and air, Her folded hands she pushed. O, little brown seed in the furrow, At last you have pierced the mold ; And quivering with a life intense, Your beautiful leaves unfold Like wings outspread for upward flight; And slowly, slowly, in dew and light A sweet bud opens — till, in God's sight, You wear a crown of gold. Ida W. Benham. Welcome, ye shades ! ye bowery thickets hail ! Ye lofty Pines ! ye venerable Oaks ! Ye Ashes wild ! resounding o'er the steep ! Delicious is your shelter to the soul. THOMSON, The Seasons. 68 ARBOR DA Y MANUAL. TREES. First Pupil: for a class exercise. FOREST trees have always "haunted me like a passion." Let us summon a few of them, prime favorites, and familiar to the American forest. Second Pupil : First the Aspen, what soft silver-gray tints on its leaves, how smooth its mot- tled bark, its whole shape how delicate and sensitive ! Third Pupil: Next the Elm, how noble the lift and droop of its branches; it has the shape of the Greek vase, such lavish foliage, running down the trunk to the very roots, as if a rich vine were wreathed around it ! Fourth Pupil: Then the Maple, what a splendid cupola of leaves it builds up into the sky, and in autumn, its crimson is so rich, one might term it the blush of the woods ! Fifth Pupil : And the Beech, how cheerful its snow-spotted trunk looks in the deep woods \ The pattering of the beechnut upon the dead leaves in the hazy days of our Indian summer, makes a music like the dripping of a fill, in the mournful forest. Sixth Pupil: The Birch is a great favorite of mine. How like a shaft of ivory it gleams in the daylight woods ! How the flame of moonlight kindles it into columned pearl ! Seventh Pupil : Now the Oak, what a tree it is. First a tiny needle rising grandly toward the sun, a wreath of green to endure for ages. The child gathers the violet at its foot; as a boy he pockets its acorns; as a man he looks at its heights tower- ing up and makes it the emblem of his ambition. Eighth Pupil: We now come to the Pine, of all, my greatest favorite. The oak maybe king of the lowlands, but the pine is king of the hills. There he lifts his haughty front like the warrior he is, and when he is roused to meet the onslaught of the storm, the battle-cry he sends down the wind is heard above all the voices of the greenwood. Ninth Pupil : We will merely touch, in passing, upon the Hemlock, with its masses of ever- green needles, and the Cedar with its misty blueberries; and the Sumac with its clusters of crimson, and the Witch-hazel, smiling at winter, with its curled, sharp cut flowers of golden velvet. ARBOR DA Y MANUAL. 6q Tenth Pupil: Did you ever, while wandering in the forest about the first of June, have your eyes dazzled at a distance with what you supposed to be a tree ladened with snow? It was the Dog-wood, glittering in its white blossoms. It brightens the last days of spring with its floral beauty. Eleventh Pupil : While admiring the dog-wood, an odor of exquisite sweetness may salute you; and, if at all conversant in tree knowledge, you will know it is the Bass- wood, clustered with yellow blossoms, golden bells pouring out such strong, delicious fragrance, you must all realize the idea of Shelley. All And the hyacinths, purple and white and blue, Which flung from its bells a sweet peal anew, Of music so delicate, soft and intense, It was felt like an odor within the sense. LANDING OF THE PILGRIMS. THE breaking waves dashed high On a stern and rock-bound coast, And the woods against a stormy sky Their giant branches tossed. ***** Not as the conqueror comes, They, the true-hearted came, Not with the roll of stirring drums, And the trumpet that sings of fame, Not as the flying come, In silence and in fear ; They shook the depths of the desert's gloom With their hymns of lofty cheer. Amidst the storms they sang ; And the stars heard, and the sea ; And the sounding aisles of the dim woods rang To the anthem of the free. The ocean eagle soared From his nest by the white wave's foam ; And the rocking pines of the forest roared ; This was their welcome home ! Mrs. Hemans. yc ARBOR DA Y MANUAL. QUOTATIONS. for a class exercise. First Pupil: IF ever I see On bush or tree Young birds in their pretty nest, I must not in play Steal the birds away, To grieve their mother's breast. Second Pupil: Apples in the orchard, Mellowing one by one, Strawberries upturning Soft cheeks to the sun ; Roses faint with sweetness, Lilies fair of face, Drowsy scents and murmurs, Haunting every place ; Beams of golden sunshine, Moonlight bright as day, — Don't you think the summer's Pleasanter than May? Third Pupil : The ground was all covered with snow one day; And two little sisters were busy at play, When a snow bird was sitting close by on a tree, And merrily singing his chick-a-de-dee. Fourth Pupil: Buttercups and daisies, Oh, the pretty flowers ! Coming, ere the spring time, To tell of sunny hours. While the trees are leafless, While the fields are bare, Buttercups and daisies Spring up everywhere. Fifth Pupil : How pleasant the life of a bird must be, Flitting about in each leafy tree ! In the leafy tree so broad and tall, Like a green and beautiful palace hall. ARBOR DA V MANUAL. 7 1 Sixth Pupil: A fair little girl sat under a tree, Sewing as long as her eyes could see ; Then smoothed her work, and folded it right, And said, " Dear work, good night, good night." Seventh Pupil : Kind hearts are the gardens, Kind thoughts are the roots, Kind words are the blossoms, Kind deeds are the fruits. Eighth Pupil: So the merry brown thrush sings away in the tree, To you and to me, to you and to me ; And he sings all the day, little girl, little boy: " Oh, the world's running over with joy ! But long it won't be — Don't you know ? don't you see ? Unless we are as good as can be ! " THE BLUEBIRD'S SONG. I KNOW the song that the bluebird is singing, Out in the apple tree where he is swinging. Brave little fellow ! the skies may be dreary — Nothing cares he while his heart is so cheery ! Hark ! how the music leaps out from his throat ! Hark ! was there ever so merry a note ? Listen awhile, and you'll hear what he's saying, Up in the apple tree swinging and swaying. Dear little blossoms down under the snow, You must be weary of winter I know; Hark while I sing you a message of cheer ! Summer is coming! and spring time is here ! " ' Little white snowdrop ! I pray you arise ; Bright yellow crocus! come open your eyes; Sweet little violets, hid from the cold, Put on your mantles of purple and gold; Daffodils ! daffodils ! say do you hear? Summer is coming ! and spring time is here ! " 7 2 ARBOR DA V MANUAL. "WHEN THE GREEN GITS BACK IN THE TREES." IN the spring when the green gits back in the trees, And the sun comes out and stays, And your boots pull on with a good tight squeeze, And you think of your barefoot days ; When you ort to work and you want to not, And you and yer wife agrees It's time to spade up the garden lot- When the green gits back on the trees — Well, work is the least of my idees When the green, you know, gits back in the trees. When the green gits back in the trees, and bees Is a-buzzin' aroun' agin, In that kind of a lazy "go-as-j'ou please " Old gait they hum roun' in ; When the ground's all bald where the hayrick stood, And the crick's riz, and the breeze Coaxes the bloom in the old dogwood, And the green gits back in the trees — I like, as I say, in sich scenes as these, The time when the green gits back in the trees. When the whole tail-feathers o' winter-time Is all pulled out and gone, And the sap it thaws and begins to climb, And the sweat it starts out on A feller's forrerd, a-gittin' down At the old spring on his knees — I kind o' like, jes' a-loaferin' roun' When the green gits back in the trees — Jes' a-potterin' roun' as I — durn — please — When the green, you know, gits back in the trees. James Whitcomb Riley, How dreary would the garden be, With all its flowery trees, Suppose there were no butterflies, And suppose there were no bees. Alice Carey ARBOR DAY MAX UAL. 73 THE TWIG THAT BECAME A TREE. THE tree of which I am about to tell you was once a little twig. There were many others like it, and the farmer came to look at them every day, to see if they were all doing well. By-and-by he began to take away the older and stronger twigs, and one day he dug up this little tree and carried it away to an open field. There its roots were again put into the soft warm ground, and it held its pretty head up as if looking into the blue sky. Just at sunset the farmer's wife came out to look at the new tree. "I wonder if I shall ever see apples growing on these twigs," she said. The little tree heard it, and said softly, "We shall see! Come gentle rain and warm sun, and let me be the first to give a fine red apple to the farmer's wife ! " And the rain and the sun did come, and the branches grew, and the roots dug deep into the soft ground, and at last, one bright spring da)' the farmer's wife cried, "Just see ! One of our little trees has some blossoms on it ! I believe that, small as it is, it will give me an apple this autumn." But the farmer laughed and said, "Oh, it is not old enough to bear apples yet." The little tree said nothing, but all to itself it thought, " The good woman shall have an apple this very year." And she did. When the cool days of autumn came, and the leaves began to fade and grow yellow, two red apples hung upon one of the branches of the tree. THE SPICE TREE. THE spice tree grows in the garden green, Beside it the fountain flows, And a fair bird sits the boughs between And sings his melodious woes. No greener garden e'er was known Within the bounds of an earthly King ; No brighter skies have ever shone Than those that illumine its constant spring. That coil bound stem has branches three On each a thousand blossoms grow, And, old as aught of time can be, The roots stand fast in the rocks below. John Sterling. 74 ARBOR DA V. MANUAL. FALL FASHIONS. THE maple owned that she was tired of always wearing green, She knew that she had grown, of late, too shabby to be seen ! The oak and beech and chestnut then deplored their shabbiness, And all, except the hemlock sad, were wild to change their dress. ' For fashion-plates we'll take the flowers," the rustling maple said. 'And like the tulip I'll be clothed in splendid gold and red !" 'The cheerful sunflower suits me best," the lightsome beech replied; 1 The marigold my choice shall be," the chestnut spoke with pride. The sturdy old oak took time to think, "I hate such glaring hues; The gillyflower, so dark and rich, I for my model choose." So every tree in all the grove, except the hemlock sad, According to its wish ere long in brilliant dress was clad. And here they stand through all the soft and bright October days ; They wished to be like flowers — indeed they look like huge bouquets. COME TO THE FOREST. COME to the forest, the bright sun is shining, And nature is decked in her proudest array; The green leafy boughs with ivy entwining, Bend gracefully o'er the sweet flow'rs of May. Chorus. O come to the forest, all nature is gay ; Come away ! Come away ! Come away, away ! Come away! Come away! Come away ! Come away! Away, away, away, away. Away, away, away, away. Come to the forest, the gay birds are singing, As upward they soar to the beautiful sky; And through the fresh air bright insects are winging; Then come to the forest while summer is nigfh. GOD'S LOVE. THERE'S nobgpflower that decks the vale, There's not a tree that guards the mountain, There's not a shrub that scents the gale, There's not a wind that stirs the fountain, There's not a hue that paints the rose, There's not a leaf around us lying, But in its use or beauty shows God's love to us, and love undying. ARBOR DA V MANUAL. 75 TREE PLANTING. A BOY strolled through a dusty road, "What can I do? " said he, What little errand for the world ? " " I know — I'll plant a tree." The nursling was taken by mother earth, Who fed it with all things good : Sparkling water from mountain springs, And many a subtle food, Drawn from her own wide-reaching veins; From the treasuries of the sky, Far spread its branches in affluent grace; So the steady years went by. The boy who planted the little tree, By a kindly purpose led, One desolate, dreadful winter day In the brother-war fell dead. But the gentle thought at the great elm's root Burst forth with the spring's warm breath, And softly the fluttering foliage sang, "Love cannot suffer death." The elm's vast shadow far and cool Fell o'er the dusty way, Blessing the toilers at their rest, The children at their play. And panting horses felt the air Grow sudden full of balm ; Great oxen with their weary loads Caught there a sudden calm. So little acts of kindliness Spread every branch and root, And never guesses he who plants The wonders of the fruit. I often think if blessed eyes The old home scenes can see, That heaven's joy is heightened by The planting of the tree. M. F. Butts. 7 6 ARBOR DA V MANUAL. PLANT WORSHIP. THE plant worship which holds so prominent a place in the history of the primitive races of mankind would appear to have sprung from a percep- tion of the beauty and utility of trees. Survivals of this still linger on in many parts of Europe. The peasants in Bohemia will sally forth into their gardens before sunrise on Good Friday, and falling upon their knees before a tree will exclaim : " I pray O green tree, that God may make thee good." At night time they will run to and fro about their gardens crying: " Bud, O trees, bud, or I will flog you." In our own country the Devonshire farmers and their men will to this day go out into their orchards after supper on the evening of Twelfth Day, carrying with them a large milk pail of cider, with roasted apples pressed into it. All present hold in their hands an earthenware cup filled with liquor, and taking up their stand beneath those apple trees which have borne the most fruit, address them in these words : " Health to thee, good apple tree, Well to bear pocket fulls, hat fulls, Peck fulls, bushel bag fulls ! " simultaneously dashing the contents of their cups over the trees. The observ- ance of this ceremony, which is locally known as "wassailing," is enjoined by Thomas Tusser in his work entitled " Five Hundred Points of Good Hus- bandry," wherein he bids the husbandman " Wassail the trees, that they may bear You many a plum and many a pear ; For more or less fruit they will bring, As you do them wassailing." In most countries certain plants are to be found associated with witches and their craft. Shakespeare causes one of his witches to discourse of root of "hemlock digg'd i' the dark;" likewise also of "slips of yew sliver'd in the moon's eclipse." Vervain was in olden times known as " the enchanter's plant ; " rue, again, was regarded as an antidote against their spells and machinations. Their partiality for certain trees is well known. According to Grimm, the trysting place of the Neapolitan witches was a walnut tree near Benevento. In walnut and elder trees they are also said to be in the habit of lurking at nightfall. Witches, too, had their favorite flowers. Among these the foxglove was known as the "witches' bells;" the harebell as the "witches' thimbles." Tradition asserted that on moonlight nights they might be seen flying through the air, mounted on the stems of the ragwort, reeds, or bulrushes. Throughout Germany it is believed that witches career through the midnight skies on hay. Many plants were pressed into the service of charms and spells for the detec- tion of witches and evil spirits when wandering about on their nefarious errands, particularly the St. John's wort, still largely worn by the German peasantry as a kind of amulet on St. John's eve. It was an old belief that all baptized persons whose eyes had been steeped in the green juice of the inner ARBOR DA V MANUAL. 77 bark of the elder tree would be enabled to detect witches anywhere. The same property, according to German folk lore, is possessed by the wild radish, ivy and saxifrage on Walpurgis Night. Among other plants which have had the reputation of averting the crafts and subtleties of witchcraft, the juniper, holly, mistletoe, little pimpernel, herb paris, cyclamen, angelica, herb betony, rowan tree, bracken, and twigs of the ash may be mentioned. In the Rhine district the water lily is regarded as antagonistic to sorcery. Lavender is be- lieved in Tuscany to possess the power of averting the evil eye. Olive branches are said to keep the witches from the cottage doors in the rural dis- tricts of Italy, and the Russian peasantry will lay aspen upon the grave of a witch to prevent her spirit from walking abroad or exercising any evil influence over her neighbors. The Gentlemen's Magazine. THE BLUEBIRD. "TMS early spring; the distant hills 1 Are flecked with drifts of dingy snow, And bird-notes from the lofty trees Come down in warblings soft and low. The bluebird seeks his home again, He sings sweet love songs to his mate ; They choose the dear old apple tree Whose branches shade our garden gate. One door, one window in their cot — All else is safe from wind and rain; The ruffled nest of former years Is soon made new and warm again. And now I watch with keen delight This shady home so near our door, Till busy parents come to bring Their dainties to the fledglings four. How sweet to climb the bended trunk, To gaze upon the tiny brood, And see four little gaping mouths Upraised imploringly for food. Dear warblers of my early years ! A child again, once more I wait, And watch you in the apple tree Whose branches shade our garden gate. C. F. Gerry. 78 ARBOR DA Y MANUAL. TO A PINE TREE. FAR up on Katahdin thou towerest. Purple-blue with the distance and vast; Like a cloud o'er the lowlands thou lowerest, That hangs poised on a lull in the blast, To its fall leaning awful. In the storm, like a prophet o'er maddened, Thou singest and tossest thy branches ; Thy heart with the terror is gladdened, Thou fore'bodest the dread avalanches, When whole mountains swoop valeward. In the calm thou o'er stretchest the valleys With thine arms, as if blessings imploring, Like an old King led forth from his palace, When his people to battle are pouring From the city beneath him. Spite of winter, thou keep'st thy green glory, Lustv father of Titans past number ! The snow-flakes alone make thee hoary, Nestling close to thy branches in slumber, And the mantling with silence. Thou alone know'st the splendor of winter, Mid thy snow-silvered, hushed precipices, Hearing crags of green ice groan and splinter, And then plunge down the muffled abysses In the quiet of midnight. Thou alone know'st the glory of summer, Gazing down on thy broad seas of forest, On thy subjects that send a proud murmur Up to thee, to their sachem, who towerest From thy bleak throne to heaven. James Russell Lowell. The violet in her greenwood bower, Where birchen boughs with hazels mingle, May boast itself the fairest flower In glen, or copse, or forest dingle. Sir Walter Scott. ARBOR DA V MANUAL. 79 THE BLUEBELL. THERE is a story I have heard — A poet learned it from a bird, And kept its music, every word — A story of a dim ravine, O'er which the towering tree tops lean, With one blue rift of sky between , And there, two thousand years ago, A little flower, as white as snow, Swayed in the silence to and fro. Day after day with longing eye The floweret watched the narrow sky And fleecy clouds that floated by. And through the darkness, night by night, One gleaming star would climb the height, And cheer the lonely floweret's sight. Thus, watching the blue heavens afar, And the rising of its favorite star, A slow change came, but not to mar ; For softly o'er its petals white There crept a blueness like the light Of skies upon a summer night ; And in its chalice, I am told, The bonny bell was found to hold A tiny star that gleamed like gold. And blue bells of the Scottish land Are loved on every foreign strand Where stirs a Scottish heart or hand. Now little people, sweet and true, I find a lesson here for you, Writ in the floweret's bell of blue : The patient child whose watchful eye Strives after all things pure and high Shall take their irn^ge by and by. 8o ARBOR DA Y MANUAL. Written for the "Arbor Day Manual. ARBOR DAY POEM. LISTEN ! the grand old forests, Through which our fathers journeyed, Wherein their hearth-fires glimmered, Are crashing sadly down ; The echoes of their falling Are like the booming sea guns, That tell of sore disaster When tempests darkly frown. Those trees of God's own planting, Once standing with their branches Close-locked, like loving children, On many a mountain side ; Now, where the shade lay thickest, The sunshine darts and quivers, And turns to gold the wheat fields, Till all seems glorified. We mourn the vanished grandeur Of forests dark and stately, Yet we have not been idle, While ruthless axes swung ; A new, a glorious planting, Now gives a royal promise Of shade for generations Whose deeds are still unsung. We plant the pine and fir tree, And all that wear green branches, To give us hope of spring-time, Though snows are over all; The maple is for bird-songs, The elm for stately branches, Whose long, protecting shadows Through summer noontides fall. Listen ! a pleasant whisper Goes softly through the branches Of every lithe young sapling, By earnest workers set ; It says, " The time is coming When we shall be the forests, And give to all the nations, The shade they now regret." Sodus Centre, N. Y. Lillian E. Knapp. Written for the "Ardor Day Manual.' LITTLE ACORN. FOR RECITATION. u 'M nothing but a little acorn, X Not much bigger than a bee; But mama Oak-tree tells me that I will grow as big as she, — " I can't see how — but she says someway I will pop out from my shell, A little sprout will greet the sunshine, Starting up, and down as well. " I'll keep growing, bigger, higher, Spreading out my branches wide; And will never stop to wonder Till I stand up by her side. Watertown, N. Y. Then I'll look down on my sisters, — For there were a lot you see, — Some who said they knew they couldn't Ever sprout and be a tree. So they never made an effort, — Did not ' try and try again ' ; There was nothing that could make them, Though nature taught their duty plain. But I am happy as I can be — Keeping laws of God and man — Now, can't you learn a lesson from me Growing upward all you can? " Mrs. M. H. Huntington. ARBOR DA Y MANUAL. THE WONDERFUL " ONE-HOSS SHAY." HAVE you heard of the wonderful one hoss shay, That was built in such a logical way — ? It ran a hundred years to a day. Now, in building of chaises, I tell you what, There is always, somewhere, a weakest spot — In hub, tire, felloe, in spring or thill, In panel or cross-bar, or floor, or sill, In screw, bolt, thorough-brace — lurking still, Find it somewhere you must and will — Above or below, or within or without — And that's the reason, beyond a doubt, A chaise breaks down, but does'nt wear out. But the Deacon swore — (as Deacons do With an " I dew vum " or an " I tell yeou ") — He would build one shay to beat the taown 'N' the keounty ' n' all the kentry raoun' ; It should be so built that it couldn't break daouwn : — "Fur," said the Deacon, " 'tis mighty plain, That the weakes' place must stan' the strain ; " N' the way t' fix it, uz I maintain, Is only jest ' T' make that place uz strong uz the rest." So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split, nor bent, nor broke — That was for spokes, and floor, and sills , He sent for lancewood, to make the thills ; ' The cross-bars were ash, from the straighest trees ; The panels of white-wood, that cuts like cheese, But lasts like iron for things like these ; The hubs from logs from the " setler's ellum— " Last of its timber — they couldn't sell 'em— Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips ; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue ; Thorough-brace bison-skin, thick and wide ; Boot, top, dasher, from tough old hide, Found in the pit where the tanner died. That was the way he " put her through." ''There ! " said the Deacon, " naow she'll dew ! " Oliver Wendell Holmes. G ARBOR DA Y MANUAL. THE VOICE OF SPRING. I COME, 1 come ! ye have called me long ; I come o'er the mountains, with light and song. Ye may trace my step o'er the waking earth By the winds which tell of the violet's birth, By the primrose stars in the shadowy grass, By the green leaves opening as I pass. I have breathed on the South, and the chestnut flowers By thousands have burst from the" forest bowers, And the ancient graves, and the fallen fanes Are veiled with wreaths on Italian plains ; But it is not for me, in my hour of bloom, To speak of the ruin or the tomb ! I have looked on the hills of the stormy North, And the larch has hung all his tassels forth ; The fisher is out on the. sunny sea, And the reindeer bounds o'er the pastures free, And the pine has a fringe of softer green, And the moss looks bright, where my foot hath been. I have sent through the wood-paths a glowing sigh, And called out each voice of the deep blue sky, From the night bird's lay through the starry time, In the groves of the soft Hesperian clime, To the swan's wild note by the Iceland lakes, When the dark fir-branch into verdure breaks. From the streams and founts I have loosed the chain ; They are sweeping on to the silvery main, They are flashing down from the mountain brows, They are flinging spray o'er the forest boughs, They are bursting fresh from their sparry caves, And the earth resounds with the joy of waves ! Awajr from the dwellings of care-worn men, The waters are sparkling in grove and glen ! Away from the chamber and sullen hearth, The young leaves are dancing in breezy mirth ! Their light stems thrill in the wildwood strains, And youth is abroad in my green domains. Mrs. Hemans. ARBOR DA Y MANUAL. 83 THE HOLLY-TREE. READER ! hast thou ever stood to see The Holly-tree? The eye that contemplates it will perceive Its glossy leaves Ordered by an intelligence so wise As might confound the Atheist's sophistries. Below, a circling fence, its leaves are seen, Wrinkled and keen ; No grazing cattle through their prickly round Can reach to wound ; But, as they grow where nothing is to fear, Smooth and unarmed the pointless leaves appear. I love to view these things with curious eyes, And moralize ; And in this wisdom of the Holly-tree Can emblem see Wherewith perchance to make a pleasant rhyme, One which may profit in after-time. Thus, though abroad perchance I might appear Harsh and austere To those who on my leisure would intrude Reserved and rude, Gentle at home amid my friends I'd be, Like the high leaves upon the Holly-tree And should my youth, as youth is apt I know, Some harshness show, All vain asperities I day by day Would wear away, Till the smooth temper of my age should be Like the high leaves upon the Holly-tree. And as, when all the summer trees are seen So bright and green, The Holly-leaves a sober hue display Less bright than they, But when the bare and wintry woods we see, What then so cheerful as the Holly-tree ?- So serious should my youth appear among The thoughtless throng; So would I seem, amid the young and gay, More grave than they, That in my age as cheerful I might be As the green winter of the Holly-tree. s Robert Southey, i79 8 - 84 arbor da y manual. THE TRAILING ARBUTUS. DARLINGS of the forest ! Blossoming alone, When earth's grief is sorest For her jewels gone, Ere the last snow drift melts, your tender buds are blown. Fringed with color faintly, Like the morning sky, Or, more pale and saintly, Wrapped in leaves ye lie, Even as children sleep in faith's simplicity. There the wild-wood robin Hymns your solitude ; And the rain comes sobbing Through the budding wood, While the low south wind sighs, but dare not be more rude. Were your pure lips fashioned Out of air and dew, Starlight unimpassioned Dawn's most tender hue, And scented by the woods that gathered sweets for you ? Fairest and most lonely, From the world apart ; Made for beauty onty, Veiled from Nature's heart With such unconscious grace as wakes the dream of Art. Were not mortal sorrow An immortal shade, Then would I to-morrow Such a flower be made, And live in the dear woods, where my lost childhood played. Rose Terry Cooke. " I am Storm — the King ! My troops are the wind, and the hail, and the rain ; , My foes are the woods and the feathery grain. The mail-clad oak He gnarls his front to my charge and stroke." Francis M. Finch, The Storm King. ARBOR DA V MANUAL. 85 LIFE'S FOREST TREES. THE day grows brief; the afternoon is slanting Down to the west ; there is no time to waste. If you have any seed of good for planting, You must, you must make haste. Not as of old do you enjoy earth's pleasures (The only joys that last are those we give). Across the grave you cannot take gains, treasures ; But good and kind deeds live. 1 would not wait for any great achievement; You may not live to reach that far off goal. Speak soothing words to some heart in bereavement — Aid some up-struggling soul. Teach some weak life to strive for independence ; Reach out a hand to some one in sore need. Though it seem idle, yet in their descendants May blossom this chance seed. On each life path, like costly flowers faded And cast away, are pleasures that are dead ; Good deeds, like trees, whereunder, fed and shaded, Souls yet unborn may tread. Ella Wheeler Wilcox. HOW TO MAKE A WHISTLE. FIRST take a willow bough, Slip the bark off carefully, Smooth, and round, and dark, So that it will not break, And cut a little ring And cut away the inside part, Just through the outside bark And then a mouth-piece make. Then tap and rap it gently Now put the bark all nicely back With many a pat and pound And in a single minute, To loosen up the bark, Just put it to your lips So it may turn around. And blow the whistle in it. "Nature's sepulchre is breaking, And the earth, her gloom forsaking, Into life and light is waking." Phcebe Cary in " Resurgam." g5 ARBOR DA Y MANUAL. THE STORY OF THE MORNING-GLORY SEED. A LITTLE girl one day in the month of May dropped a morning-glory seed into a small hole in the ground and said : " Now, morning-glory seed, hurry and grow, grow, grow until you are a tall vine covered with pretty green leaves and lovely trumpet flowers." But the earth was very dry, for there had been no rain for a long time, and the poor wee seed could not grow at all. So, after lying patiently in the small hole for nine long days and nine long nights, it said to the ground around it : "O ground, please give me a few drops of water to soften my hard brown coat, so that it may burst open and set free my two green seed-leaves, and then I can begin to be a vine!" But the ground said : " That you must ask of the rain." So the seed called to the rain : " O rain, please come down and wet the ground around me so that it may give me a few drops of water. Then will my hard brown coat grow softer and softer until at last it can burst open and set free my two green seed-leaves and I can begin to be a vine!" But the rain said : " I cannot unless the clouds hang lower." So the seed said to the clouds : "O clouds, please hang lower and let the rain come down and wet the ground around me, so that it may give me a few drops of water. Then will my hard brown coat grow softer and softer until at last it can burst open and set free my two green seed-leaves and I can begin to be a vine!" But the clouds said : "The sun must hide, first." So the seed called to the sun : " O sun, please hide for a little while so that the clouds may hang lower, and the rain come down and wet the ground around me. Then will the ground give me a few drops of water and my hard brown coat grow softer and softer until at last it can burst open and set free my two green seed-leaves and I can begin to be a vine ! " "I will," said the sun, and he was gone in a flash. Then the clouds began to hang lower and lower, and the rain began to fall faster and faster, and the ground began to get wetter and wetter, and the seed- coat began to grow softer and softer until at last open it burst ! — and out came two bright green seed-leaves and the Morning-glory Seed began to be a Vine ! St. Nicholas, 1SS8. Margaret Eytinge. FOOLISH LITTLE ROBIN. ONCE there was a robin lived outside the door, Who wanted to go inside, and hop upon the floor. " Oh, no ! " said the mother, "you must stay with me ; Little birds are safest sitting in a tree." "I don't care," said robin, and gave his tail a fling; "I don't think the old folks know quite everything." Down he flew,— and kitty seized him, before he'd time to blink "Oh," he cried, "I'm sorry! but I didn't think." ARBOR DAY MANUAL. 87 THE PRETTY ROSE-TREE. BEING weary of love, I flew to the grove, And chose me a tree of the fairest ; Saying, " Pretty rose-tree, thou my mistress shalt be, I'll worship each bud that thou bearest, For the hearts of this world are hollow, And fickle the smiles we follow; And 'tis sweet, when all their witcheries pall, To have a pure love to fly to ; So, my pretty rose-tree, thou my mistress shalt be, And the only one now I shall sigh to." When the beautiful hue of thy cheek through the dew Of morning is bashfully peeping, " Sweet tears," I shall say (as I brush them away), " At least there's no art in this weeping. Although thou shouldest die to-morrow, 'Twill not be from pain or sorrow, And the thorns of thy stem are not like them With which hearts wound each other: So, my pretty rose-tree, thou my mistress shalt be, And I'll ne'er again sigh to another." Thomas Moore. ECHO. I love the proud grandeur of the old forest trees, With their leaves whispering softly their thoughts to the breeze ; And I love the bright streamlet that flows at their feet, Whose low distant murmurs faint echoes repeat, They say that an echo dwells here in the dell, Who every fond wish of the young heart can tell. Hark, the echo ! hark, the echo ! Who every fond wish of the young heart can tell. 1 love the bright woodland, where the echoes are found, Where the rocks and the hills with sweet music resound, As the echoes awake to the shepherd's shrill horn, And the notes of the thrush on the breezes are borne. 1 love the green fields, and the fragrant wild flowers, That drink with the dew generous light from above. Here's an echo, here's an echo, Here's an echo that wakes to the voice of my love. L. V. Hall. ARBOR DA V MANUAL. THE OLIVE TREES OF PALESTINE. I am like a green olive tree in the house of God.— Psalm 52 : 8. AMONG the gray old rounded hills, • O'er regions broad of Holy Land, A grateful scene the vision fills, Where clustering groves of olive stand. Rich in the vales, the slopes they trace, And oft the rocky summits crown; The thrifty saplings grow apace Beside the trees of gnarled renown. Slowly the grafted stems mature — From olives wild no fruit appears — But long the sturdy plants endure, And measure oft a thousand years. They love the hard and flinty soil, Drive down their roots amid the rocks, Draw out from thence their choicest oil, And stand secure from stormy shocks. Symmetric beauty, humble, calm, Their pleasant features clearly mark, Not like the tall and tufted palm, Nor tapering cypress, slender, dark. When vernal airs and skies appear, Star-blooms of purest white are seen, 'Mid narrow leaves that all the year Keep an unchanging evergreen. As autumn days their exit make, Ring all the groves in merry gale, While stalwart hands the branches shake, And purple fruit descends like hail. Their sacks the gleeful maidens fill, And bear them on their heads away; On topmost boughs are berries still, To cheer the poor who hither stray. When sacred hills in mantling snow Feel winter storms along them sweep, And torrents cold through valleys flow, Unwithered leaves the olives keep. The richest wealth the people know, The largest comforts that they see, Each daily meal, the lamp's bright glow, Attest the value of the tree. Down to their life's remotest stage, Though trunk decays and boughs are grim, The reverend forms are green in age, And berries hang from every limb. Such are the grand old sacred trees I saw in sweet Gethsemane, And thought of Him whose holy knees Bowed under burdens there for me. While blossoms fade, or falling oft Along the slope of that dear hill, From arching boughs they lately decked, To where He vanished in the sky, That dusky hue of foliage soft Infrequent stands the olive still, With deeper emerald gems is flecked. To bring the days of Jesus nigh. Through arid heats of summer time, And o'er the ridge they cluster sweet, When fountains fail and leaves are brown, Where Bethany, beloved for Him, That fadeless verdure holds its prime, So oft received His weary feet, And rounding berries fill its crown. When day declined to twilight dim. Emblem of peace! I would like thee In living faithfulness abound; Oh! let me, like the olive tree, Within the house of God be found. Hours at Home, 1 866. ARBOR DA Y MANUAL. 89 MAY. CAN it be that it is snowing, On this clear and sunny day? Are the snow-flakes thickly falling In the pleasant month of May? May, the month of song and story, Singing birds and fairest flowers; May, the month of nature's glory, Sunshine bright and gentle showers. No, it is the apple blossoms Falling, falling from the trees, Dancing in a whirl of rapture To the music of the breeze. Listen to the robins singing 'Mid the branches of the trees Listen to the blue-birds' carol And the drowsy hum of bees. Till the orchard grass is covered With a carpet pure and white ; Like the crystal snow of winter Dipped in rosy sunset light. All the land is filled with sunshine, Every heart is light and gay, Nature smiles upon her children For it is the month of May. May, the month of song and story, Singing birds and fairest flowers; May, the month of nature's glory, Sunshine bright and gentle showers. Wm. G. Park. A BUTTERCUP. A LITTLE yellow buttercup Stood laughing in the sun; The grass all green around it, The summer just begun! Its saucy little head abrim With happiness and fun. " Don't think because you're yellow now, That golden days will last; I was as gay as you are, once; But now my youth is past. This da} r will be my last to bloom; The hours are going fast. Near by — grown old and gone to seed, A dandelion grew, To right and left with every breeze His snowy tissues flew. He shook his saucy head and said: " I've some advice for you. " Perhaps your fun may last a week, But then you'll have to die." The dandelion ceased to speak, — A breeze that capered by Snatched all the white hairs from his head; And wafted them on high. His yellow neighbor first looked sad, Then, cheering up, he said: ' If one's to live in fear of death, One might as well be dead." The little buttercup laughed on, And waved his golden head. K. C. 9° ARBOR DA V MANUAL. Written for the "Arbor Day Manual." RESURGAM. HEN the Great Architect conceived the plan To build a habitation fit for man, Earth was not counted perfect from His hand, Till streams and forests gladdened all the land. W 1 Great forests, like huge temples builded high, With frondent columns reaching toward the sky, Firm founded in the rich and nurturing ground, Their roofs with nature's glorious verdure crowned. Almighty Builder ! with what wise design Didst rear the mighty oak, the giant pine ! How did Thy grand beneficence unfold In beech and maple with their wealth untold ! Rivers and forests with their scenery grand, Made glad the earth fresh from the Maker's hand ; The orb of day looked down on man's abode, And with the stars sang praise to nature's God. So time passed on, till earth was peopled o'er; Human abodes were built on every shore; While in the forests depths, in the soft shade, Four-footed beauties with their offspring played. High in their branches feathered warblers sang, Till the dark woods with glad hosannas rang; And all was life and beauty. But God's plan Too soon was marred by greedy, wanton man. Stroke upon stroke the cruel axeman plied, Nor rested he till nature's choicest pride, "The grand old woods," were ruthlessly laid low, Entailing dark disaster and dire woe ! But now, thank God ! a noble band of men Come to the front. The woods shall rise again ! An army of tree planters, bearing trees, Fling out their glorious banner to the breeze ! Come, old and young and join the noble throng Who celebrate this day with speech and song ; And millions yet unborn shall own your sway, And rise to bless our glorious Arbor Day ! Alton, N. Y. Seymour S. Short. ARBOR DAY MANUAL. 91 SUNSET. THE evening shadows lengthen on the lawn: Westward, our immemorial chestnuts stand, A mount of shade; but o'er the cedars drawn, Between the hedge-row trees, in many a band Of brightening gold, the sunshine lingers on, And soon will touch our oaks with parting hand : And down the distant valley all is still, And flushed with purple smiles the beckoning hill. Come, leave the flowery terrace, leave the beds Where Southern children wake to Northern air; Let yon mimosas droop their tufted heads, These myrtle-trees their nuptial beauty wear, And while the dying day reluctant treads From tree-top unto tree-top, with me share The scene's idyllic peace, the evening's close, The balm of twilight, and the land's repose. * * % * *■ * * Bayard Taylor. UNDER THE GREENWOOD TREE. UNDER the greenwood tree, Who doth ambition shun, Who loves to lie with me, And loves to live in the sun, And tune his merry note Seeking the*food he eats, Unto the sweet bird's throat ? And pleased with what he gets ? Come hither, come hither, come hither ; Come hither, come hither, come hither Here shall we see Here shall we see No enemy No enemy But winter and rough weather. But winter and rough weather. Shakspeare. TREES OF CORN. THE child looked out upon the field The mother from the window looked And said with a little cry: Out in the rosy morn, " Mamma, what is it makes the grass " What makes the grass grow up so high ? Grow up so big and high?" Why, those are trees of corn." " What, trees of corn ? " said the happy child, Within the nursery walls, " Are those the kind of trees that bear The great big pop-corn balls?" Gocd Cheer. 9 2 ARBOR DA Y MANUAL. THE SPIRIT OF THE PINE. ALL outward wisdom yields to that within, Whereof nor creed nor canon holds the key We only feel that we have ever been, And evermore shall be. And thus I know, by memories unfurled In rarer moods, and many a nameless sign, That once in Time, and somewhere in the world, I was a towering Pine, Rooted upon a cape that overhung The entrance to a mountain gorge ; whereon The wintry shade of a peak was flung, Long after rise of sun. There did I clutch the granite with firm feet, There shake my boughs above the roaring gulf, When mountain whirlwinds through the passes beat, And howled the mountain wolf. There did I louder sing than all the floods Whirled in white foam adown the precipice, And the sharp sleet that stung the naked woods Answer with sullen hiss : But when the peaceful clouds rose white and high On blandest airs that April skies could bring, Through all my fibres thrilled the tender sigh, The sweet unrest of spring. She with warm fingers laced in mine, did melt In fragrant balsam my reluctant blood ; And with a smart of keen delight I felt The sap in every bud, And tingled through my rough old bark, and fast Pushed out the younger green, that smoothed my tones, When last year's needles to the wind I cast, And shed my scaly cones. I held the eagle till the mountain mist Rolled from the azure paths he came to soar, And like a hunter, on my gnarled wrist The dappled falcon bore. ARBOR DA V MANUAL. 93 Poised o'er the blue abyss, the morning lark Sang, wheeling near in rapturous carouse; And hart and hind, soft pacing through the dark, Slept underneath my boughs. I felt the mountain walls below me shake, Vibrant with sound, and through my branches poured The glorious gust : my song thereto did make Magnificent accord. Some blind harmonic instinct pierced the rind Of that slow life which made me straight and high ; And I became a harp for every wind, A voice for every sky ; When fierce autumnal gales began to blow, Roaring all day in concert, hoarse and deep ; And then made silent with my weight of snow — A spectre on the steep; And thus for centuries my rhythmic chant Rolled down the gorge, or surged about the hill : Gentle, or stern, or sad, or jubilant, At every season's will. No longer memory whispers whence arose The doom that tore me from my place of pride : Whether the storms that load the peak with snows And start the mountain slide, Let fall a fiery bolt to smite my top, Upwrenched my roots, and o'er the precipice Hurled me, a dangling wreck, erelong to drop Into the wild abyss; Or whether hands of men. with scornful strength And force from Nature's rugged armory lent, Sawed through my heart and rolled my tumbling length, Sheer down the deep descent. All sense departed with the boughs I wore; And though I moved with mighty gales at strife, A mast upon the seas, I sang no more, And music was my life. 94 ARBOR DA Y MANUAL. Yet still that life awakens, brings again Its airy anthems, resonant and long, Till Earth and Sky, transfigured, fill my brain With rhythmic sweeps of song. Thence am I made a poet: thence are sprung Those motions of the soul, that sometimes reach Beyond the grasp of Art,— for which the tongue Is ignorant of speech. And if some wild, full-gathered harmony Roll its unbroken music through my line, There lives and murmurs, faintly though it be, The Spirit of the Pine. Bayard Taylor. MONTH OF MAY. HERE I am, and how do you do? I've a store of treasures rare I've come afar to visit you. Laid away with greatest care — Little children, glad and free, Days of sunshine, song and flowers, Are you ready now for me ? — Earth made into fairy bowers ! I'm the month of May ! I'm the month of May ! In my loaded trunk I bring Bees to buzz and birds to sing: Flowers to fill the balmy air, Violets are hiding there ! — I'm the month of May ! Youth's Compci7iion. THE MOUNTAIN AND THE SQUIRREL. THE mountain and the squirrel And I think it no disgrace Had a little quarrel ; To occupy my place. And the former called the latter " Little You are not as small as I, Prig." And not half so spry. Bun replied : I'll not deny -VOvP/kt • " You are doubtless very big; You make a ve^ pretty squirrel 4*ap, But all sorts of things and weather Talents differ; all is well and wisely Must be taken in together, put ; To make up a year, If I cannot carry forests on my back, And a sphere. Neither can you crack a nut." Ralph Waldo Emerson. ARBOR DA Y MANUAL. 95 THE OAK OF OUR FATHERS. ALAS for the Oak of our Fathers, that stood, In its beauty, the glory and pride of the wood ! It grew and it flourished for many an age, And many a tempest wreaked on it its rage; But, when its strong branches were bent with the blast, It struck its root deeper, and flourished more fast. Its head towered on high, and its branches spread round ; For its roots had struck deep, and its heart was sound; The bees o'er its honey-dewed foliage played, And the beasts of the forest fed under its shade. The Oak of our Fathers to Freedom was dear ; Its leaves were her crown, and its wood was her spear. Alas for the Oak of our Fathers, that stood, "In its beauty, the glory and pride of the wood ! There crept up an ivy, and ciung round the trunk ; It struck in its mouths, and its juices it drunk; The branches grew sickly, deprived of their food, And the Oak was no longer the pride of the wood. The foresters saw, and they gathered around; The roots still were fast, and the heart still was sound; They lopt off the boughs that so beautiful spread, But the ivy they spared on its vitals that fed. No longer the bees o'er its honey-dews played, Nor the beasts of the forest fed under its shade; Lopt and mangled, the trunk in its ruin is seen, A monument now what its beauty has been. The Oak has received its incurable wound ; They have loosened the roots, though the heart may be sound ; What the travelers at distance green-flourishing see, Are the leaves of the ivy that poisoned the tree. Alas for the Oak of our Fathers, that stood In its beauty, the glory and pride of the wood ! Robert Southey, 179S. " First, in green apparel dancing, The young spring smiled with angel grace." Thomas Campbell. 96 ARBOR DA Y MANUAL. THE BOBOLINK. ONCE, on a golden afternoon, With radiant faces and hearts in tune, Two fond lovers in dreaming mood, Threaded a rural solitude. Wholly happy, they only knew That the earth was bright and the sky was blue, That light and beauty and joy and song Charmed the way as they passed along ; The air was fragrant with woodland scents ; The squirrel frisked on the roadside fence ; And hovering near them, "chee, chee, chink? Queried the curious bobolink, Pausing and peering with sidelong head, As saucily questioning all they said ; While the ox-eye danced on its slender stem, And all glad nature rejoiced with them. Over the odorous fields were strewn Wilting winrows of grass new mown, And rosy billows of clover bloom Surged in the sunshine and breathed perfume. Swinging low on a slender limb, The sparrow warbled his wedding hymn, And balancing on a blackberry briar, The bobolink sang with his heart on fire :- "Chink ! If you wish to kiss her, do ! Do it ! do it ! You coward, you ! Kiss her ! kiss her ! Who will see ? Only we three ! we three ! we three ! " Tender garlands of drooping vines, Through dim vistas of sweet-breathed pines, Past wide meadow fields, lately mowed, Wandering the indolent country road, The lovers followed it, listening still, And loitering slowly, as lovers will, Entered a gray-roofed bridge that lay Dusk and cool in their pleasant way. Under its arch a smooth, brown stream, Silently glided with glint and gleam, Shaded by graceful elms, which spread Their verdurous canopy overhead, — The stream so narrow, the bough so wide, They met and mingled across the tide. ARBOR DA Y MANUAL. 97 Alders loved it, and seemed to keep Patient watch as it lay asleep, Mirroring clearly the trees and sky, And the flitting form of the dragon fly, Save where the swift-winged swallow played In and out in the sun and shade, And darting and circling in merry chase, Dipped and dimpled its clear, dark face. Fluttering lightly from brink to brink, Followed the garrulous bobolink, Rallying loudly with mirthful din, The pair who lingered unseen within. And when from the friendly bridge at last Into the road beyond they passed, Again beside them the tempter went, Keeping the thread of his argument — "Kiss her! kiss her ! chink-a-chee-chee ! I'll not mention it ' Don't mind me! I'll be sentinel — I can see All around from this tall birch tree ! " But ah ! they noted — nor deemed it strange — In his rollicking chorus a trifling change : " Do it ! do it ! " — with might and main Warbled the tell-tale — " kiss her again! " The Aldine. TWO LITTLE ROSES. NE merry summer day They stole along my fence ; Two roses were at play; They clambered up my wall ; All at once they took a notion They climbed into my window They would like to run away ! To make a morning call ! Queer little roses ; Queer little roses ; Funny little roses, Funny little roses, To want to run away ! To make a morning call ! St. Nicholas, 1888. Julia P. Ballard. "Our ships were British oak, And hearts of oak our men." S. J. Arnold's Death of Nelson. 7 98 ARBOR DA Y MANUAL w THE PALM AND THE PINE. HEN Peter led the first Crusade, The planning Reason's sober gaze, A Norseman wooed an Arab maid. And Fancy's meteoric blaze. He loved her lithe and palmy grace, And the dark beauty of her face. She loved his cheeks, so ruddy fair, His sunny eyes and yellow hair. He called; she left her father's tent ; She followed whereso'er he went. She left the palms of Palestine To sit beneath the Norland pine. She sang the musky Orient strains Where winter swept the snowy plains. Their natures met like Night and Morn What time the morning star is born. And stronger as he grew to man, The contradicting natures ran, — As mingled streams from Etna flow, One born of fire, and one of snow. And one impelled, and one withheld. And one obeyed, and one rebelled. One gave him force, the other fire; This self-control, and that desire. One filled his heart with fierce unrest: With peace serene the other blessed. He knew the depth and knew the height, The bounds of darkness and of light; The child that from their meeting grew Huns like a star between the two. And who these far extremes has seen Must needs know all that lies between. The glossy night his mother shed From her long hair was on his head: But in its shade they saw arise The morning of his father's eyes. Beneath the Orient's tawny stain Wandered the Norseman's crimson vein. The hardest lesson was his own. So, with untaught, instinctive art He read the myriad-natured heart. He met the men of many a land; They gave their souls into his hand; And none of them was long unknown; Beneath the Northern force was seen The Arab sense, alert and keen. His were the Viking's sinewy hands, The arching foot of Eastern lands. And in his soul conflicting strove Northern indifference, Southern love; The chastity of temperate blood, Impetuous passion's fiery flood; The settled faith that nothing shakes, The jealousy a breath awakes; But how he lived, and where, and when, It matters not to other men; For, as a fountain disappears, To gush again in later years, So hidden blood may find the day, When centuries have rolled awaj: And fresher lives betray at last The lineage of a far-off Past. That nature, mixed of sun and snow, Repeats its ancient ebb and flow: The children of the Palm and Pine Renew their blended lives — in mine. Bayard Taylor. ARBOR DA Y MANUAL. 99 THE PATRIOT'S PASSWORD. ****** In arms the Austrian phalanx stood, A living wall, a human wood ! — A wall, where ever)' conscious stone Seemed to its kindred thousands grown ; A rampart all assaults to bear, Till time to dust their frames should wear A wood, — like that enchanted grove In which with fiends Rinaldo strove, Where every silent tree possessed A spirit imprisoned in its breast, Which the first stroke of coming strife Might startle into hideous life : So still, so dense the Austrians stood, A living wall, a human wood ! Impregnable their front appears, All-horrent with projected spears, Whose polished points before them shine, From flank to flank, one brilliant line, Bright as the breakers' splendors run Along the billows to the sun. ***** " Make wa)^ for liberty ! " he cried, Then ran with arms extended wide, As if his dearest friend to clasp ; Ten spears he swept within his grasp: " Make way for liberty ! " he cried, Their keen points crossed from side to side He bowed amidst them, like a tree, And thus made way for liberty. James Montgomery. YOUNG TIMOTHY AND THE FORGET-ME-NOTS. YOUNG Timothy crept to the old meadow bars, And between the brown rails peeping through, Saw, — what do 3'ou think, — on the opposite side ? Two eyes of the prettiest blue. Two eyes of the prettiest, bluest of blue, For-get-me-nots hid in the grass ; But he couldn't climb over, and couldn't crawl through, And he's peeping, still peeping, alas ! St. Nicholas, 1888. Estelle Thomson. IOO ARBOR DA Y MANUAL. BIRDS IN SUMMER. HOW pleasant the life of a bird must be, Flitting about in each leafy tree, — In the leafy trees, so broad and tall, Like a green and beautiful palace hall, With its airy chambers, light and boon, That open to sun and stars and moon ! That open unto the bright blue sky, And the frolicsome winds as they wander by ! They have left their nests in the forest bough, Those homes of delight they need not now ; And the young and the old they wander out, And traverse their green world round about ; And hark ! at the top of this leafy hall, How one to the other they lovingly call : "Come up, come up!" they seem to say, "When the topmost twigs in the breezes sway." " Come up, come up ! for the world is fair When the merry leaves dance in the summer air. And the birds below give back the cry, "We come, we come to the branches high !" How pleasant the life of a bird must be, Flitting about in a leafy tree ! And away through the air what joy to go, And to look on the bright green earth below ! What joy it must be, like a living breeze, To flutter about 'mid the flowering trees ; Lightly to soar, and to see beneath The wastes of the blossoming purple heath, And the yellow furze, like fields of gold That gladdened some fairy region old ! On the mountain tops, on the billowy sea, On the leafy stems of the forest tree, How pleasant the life of a bird must be ! Mrs. Hemans. " Give me again my hollow tree A crust of bread, and liberty !" Pope, Imitations of Horace. ARBOR DAY MANUAL. IOI IN THE SWING. HERE we go to the branches high ! Here we come to the branches low ! For the spiders and flowers and birds and I Love to swing when the breezes blow. Swing, little bird, on the topmost bough ; Swing, little spider, with rope so fine; Swing, little flower, for the wind blows now ; But none of you have such a swing as mine. Dear little bird, come sit on my toes ; I'm just as careful as I can be; And oh. I tell you, nobody knows What fun we'd have if you'd play with me ! Come and swing with me, birdie dear, Bright little flower, come swing in my hair; But you, little spider, creepy and queer, — You'd better stay and swing over there ! The sweet little bird, he sings and sings, But he doesn't even look in my face ; The bright little blossom swings and swings, But still it swings in the self-same place. Let them stay where they like it best ; Let them do what they'd rather do; My swing is nicer than all the rest, But may be it's rather small for two. Here we go to the branches high ! Here we come to the grasses low ! For the spiders and flowers and birds and I Love to swing when the breezes blow. Swing, little bird, on the topmost bough ; Swing, little spider, with rope so fine ; Swing, little flower, for the wind blows now ; But none of you have such a swing as mine. St. Nicholas, 1888. Eudora S. Bumstead. " Music hath charms to sooth a savage breast, To soften rocks, or bend a knotted oak." Congreve's The Mourning Bride. ''The sweet Elcaya and that courteous tree Which bows to all who seek its canopy.'' Moore's Lalla Rookh. 102 ARBOR DA Y MANUAL. SOMEBODY'S KNOCKING. THERE'S somebody knocking. Hark ! who can it be ? It's. not at the door ! no, it's in the elm tree. I hear it again ; it goes rat-a-tat-tat ! Now, what in the world is the meaning of that? I think I can tell you. Ah, yes ! it is he: It's young Master Woodpecker, gallant and free. He's dressed very handsomely {rat-a-tat-tat), Just like a young dandy, so comely and fat. He's making his visits this morning, you see : Some friends of his live in that elm tree ; And, as trees have no door-bells (rat-a-tat-tat), Of course he must knock : what is plainer than that ? Now old Madam Bug hears him rap at her door : Why doesn't she come ? Does she think him a bore ? She stays in her chamber, and keeps very still. I guess she's afraid that he's bringing a bill. "I've seen you before, my good master," says she: "Although I'm a bug, sir, you can't humbug me. Rap on, if you please ! at your rapping I laugh, I'm too old a bug to be caught with your chaff." The Nursery. MY TREE. WHICH is the best of all the trees ? Answer me, children all, if you please. Is it the oak, the king of the wood, That for a hundred years has stood ? The graceful elm, or the stately ash, Or the aspen, whose leaflets shimmer and flash? Is it the solemn and gloomy pine, With its million needles so sharp and fine? Ah, no ! The tree that I love best, It buds and blossoms not with the rest; No summer sun on its fruit has smiled, But the ice and snow are around it piled ; But still it will bloom and bear fruit for me, My winter bloomer ! my Christmas tree ! Youttis Companion. ARBOR DA Y MANUAL. IO3 PEACH BLOSSOMS. FOR RECITATION. COME here ! come here ! cousin Mary and see What fair, ripe peaches there are on the tree — On the very same bough that was given to me By father, one day last spring. When it looked so beautiful, all in the blow, And I wanted to pluck it, he told me, you know, I might, but that waiting a few months would show The fruit that patience might bring. And as I perceived by the sound of his voice, And the look of his eye, it was clearly his choice That it should not be touched, I have now to rejoice That I told him we'd let it remain ; For, had it been gathered when full in the flower, Its blossoms had withered, perhaps in an hour, And nothing on earth could have given the power That would make them flourish again. But now, of a fruit so delicious and sweet I've enough for myself and my playmates a treat , They tell me besides, that the kernels secrete What, if planted, will make other trees : For the shell will come open to let down the root ; A sprout will spring up, whence the branches will shoot; There'll be buds, leaves, and blossoms; and then comes the fruit- Such beautiful peaches as these ! And Nature, they say, like a mighty machine, Has a wheel in a wheel, which, if aught comes between, It ruins her work, as it might have been seen, Had it not given patience this trial. From this, I'll be careful to keep it in mind, When the blossoms I love, that there lingers behind A better reward, that the trusting shall find For a trifling self-denial. Hannah F. Gould. " Spring hangs her infant blossoms on the trees, Rock'd in the cradle of the western breeze." Cowper. Tirocinuim, Line 43. The church was beautifully decorated with sweet spring flowers and the air was heavy with their fragrance. As the service was about to begin, small Kitty pulled her mother's sleeve : "Oh, mamma, don't it smell solemn ?" 104 ARBOR DA V MANUAL. THE STORM IN THE FOREST. THE storm in the forest is rending and sweeping; While tree after tree bows its stately green head ; The flowerets beneath them are bending and weeping; And leaves, torn and trembling, all round them are spread. The bird that had roamed, till she thinks her benighted, Dismayed, hastens back to her home in the wood; And flags not a wing, till her bosom, affrighted, Has laid its warm down o'er her own little brood. And they, since that fond one so quickly has found them, To shelter their heads from the rain and the blast, Shall fearless repose, while the bolts burst around them; And lie calm and safe, till the darkness is past. Hast thou, too, not felt, when the tempest was drearest, And rending thy covert, or shaking thy rest, Thine own blessed angel that moment the nearest — Thy screen in his pinion — thy shield in his breast ? When clouds frowned the darkest, and perils beset thee, Till each prop of earth seemed to bend, or to break, Did e'er thy good angel turn off. and forget thee ? The mother her little ones, then, may forsake ! Ah, no ! thou shalt feel thy protector the surer — The sun, in returning, more cheering and warm; And all things around thee, seem fresher and purer, And touched with new glory, because of the storm ! Hannah F. Gould. GOD'S WISDOM AND POWER. THERE'S not a tint that paints the rose, There's not of grass a single blade Or decks the lily fair, Or tree of loveliest green, Or streaks the humblest flower that blows, Where Heavenly skill is not displayed, But God has placed it there. And Heavenly wisdom seen. There's not a place in earth's vast round "in ocean's deep or air, Where skill and wisdom are not found, For God is everywhere. ARBOR DAY MANUAL. 105 MAY DAY. OH, 'tis bland, and oh, 'tis blooming, for it's May; Could there be a more delightful season, pray ? How the sunbeams skip and scatter, And the sparrows chirp and chatter, And the sweetly scented breezes softly stray ! And we're gladsome, and we're gleeful, and we're gay, And we're highly happy-hearted, For we're blithely briskly started For a joyful, jocund, jolly holiday. And oh, 'tis glum and gloomy, though "tis May ! Could there be a more distracting season, say? We must hustle, we must hurry, In a flutter and a flurry, For the sky is direly dark and grimly gray, And we'll have to hasten home the shortest way ; And we scuttle and we scamper! What a doleful, dismal damper ! What a dreary, drizzly, dreadful holiday ! St. Nicholas, 18S8. EMMA A. Opper. M EVE'S LAMENTATION. UST I thus leave thee Paradise ! thus leave Thee, native soil ! these happy walks and shades, Fit haunt of Gods ! where I had hoped to spend, Quiet though sad, the respite of that day That must be mortal to us both ! O flow'rs, That never will in other climate grow, My earl)'' visitation, and my last At e'en, which I bred up with tender hand From the first opening bud, and gave ye names, Who now shall rear ye to the sun, or rank Your tribes, and water from th' ambrosial fount? The lastly, nuptial bower ! by me adorn'd With what to sight or smell was sweet, from thee How shall I part, and whither wander down Into a lower world, to this obscure And wild ? How shall we breathe in other air, Less pure, accustom'd to immortal fruits ? Milton's " Paradise Lost." I06 ARBOR DA Y MANUAL. Written for the Ardor Day Manual. LIFE IN ITS SPRING-TIME. FOR A BOY'S RECITATION. "TMS the time to be cheerful, when nature is gay, 1 And others are bearing our burdens of care, The bright morning-glories of life's coming day, All vie with the beauties and blossoms of May, Tis life in its spring-time all beauty and fair. Tis the time to be thankful, with guardians blest, Whose loves are as deep as the depths of the sea, When earth is new-robing and clad in her best ; In the anthem's loud swell we will join with the rest With ever the chorus : — " the land of the free." 'Tis the seed-time whose harvest the autumn shall bring, When treasures most precious we give to the soil, And trust to the nurture and vigor of spring While firm to the promise we joyfully cling,— That the sower shall reap the rich fruit of his toil. With nature's great soul 'tis the time to commune, From the harmony outward, our thoughts turn within, To know if the voices of each are in tune ; That the sweet buds of May bear the roses of June, And joy crown the harvest of sheaves gathered in. 'Tis the spring-time of youth, with the birds and the bowers; The seeding and budding, the fruit we must reap. Not all of our life will be sunshine and flowers ; But through summer and autumn the best will be ours, If to nature we're true, and her harmony keep. Watertown, N. Y. E. A. Holbrook. CHERRY RIPE. (adapted.) MAY time ! May time ! " Cherry ripe ! cherry ripe ! " Hear the robins sing Happy children shout, All through the cherry boughs Under the sunny skies :— Flits the restless wing. What a jolly rout ! Bobolink ! come and drink Take your fill ; — pay no bill, Wine from goblets red, Cherries ripe are free ; — Such a chatter ; what's the matter Bob and robin have a party In the boughs o'erhead ? In the cherry tree. Kate L. Brown. ARBOR DA Y MANUAL. 107 DEAR DANDELION. (ADAPTED.) WINTER is over ! summer is coming ! May time is with us, so balmy and sweet ! All creatures feel it, all things reveal it, Soft skies above us, green grass at our feet. Winter is ended, summer is coming ! May day and robin and crocus are here ! Green grows the clover ! still I roam over Garden and meadow for something more dear. Must I confess it? Surely you guess it, Dearest of flowers to the heart of a child ; If I confide it, do not deride it, Call it not weed, dear, because it is wild! ****** Foliage ragged — ever invading Terrace and lawn in spite of yoxxx care; When you're least thinking, up they come winking, Laugh in your face with the jolliest air. Duly at sunset droop the soft fringes, Only some little green tassels remain ; But with the dawning, bright as the morning, Golden and saucy they bloom out again, ****** Crocus, arbutus, violet, snow-drop, Others may praise them, and love them the best, Give me my olden favorite golden ! Dear Dandelion ! You're worth all the rest ! Wide Awake, August, 18S6. Laura D. Nichols. THE RETURN OF SPRING. * * * * * Is it a spike of azure flowers, A SPIRIT of beauty walks the hills, Deep in the meadows seen, A spirit of love the plain; Or is it the peacock's neck that towers The shadows are bright, and the sunshine fills Out of the spangled green ? The air with a diamond rain ! Is a white dove glancing across the blue, Before my vision the glories swim, Or an opal taking wing ? To the dance of a tune unheard: For my soul is dazzled through and through, Is an angel singing where woods are dim, With the splendor of the Spring. Or is it an amorous bird ? Bayard Taylor. Iq8 ARBOR DAY MANUAL. UNDER THE APPLE-TREE. IN a home-nest of peace and joy, Bright and pleasant as a home can be, Lives a merry and sweet-faced boy Under a broad old apple-tree. Searching wide, you will seldom meet Child so blithesome and fair as he, — How can he help being pretty and sweet, Dwelling under an apple-tree ? In the spring when the child goes out, Glad as a bird that winter 's past, Making his flower-beds all about, Liking best what he finished last; Then the tree from each blossomy limb Heaps its petals about its feet, And like a benison above him Scatters its fragrances, sweet to sweet. In the summer the dear old tree Spreads above him its cooling shade, Keeping the heat'from his cheek, while he, Playing at toil with rake and spade, Chasing the humming-bird's gleam and dart, Watching the honey-bees drink and doze, Gathers in body and soul and heart, Beauty and health like an opening rose. In the autumn, before the leaves Lose, their greenness, the apples fall, Roll on the roof, and bounce from the eaves, Pile on the porch, and rest on the wall ; Then he heaps on the grassy ground Rosy pyramids brave to see ; How can he help being ruddy and sound, Dwelling under an apple-tree? In the winter, when winds are wild, Then, still faithful, the sturdy tree Keeps its watch o'er the darling child, Telling him tales of the May to be ; Teaching him faith under stormy skies, Bidding him trust when he cannot see ; How can he help being happy and wise, Dwelling under an apple-tree ? Elizabeth Akers Allen. ARBOR DA Y MANUAL. IO9 MARY AND HER PET SQUIRREL. DO you think my pet squirrel will go quite away, If I let him be free just for one short day ? So bland is the sun, and so genial the air, It is cruel in me to imprison him there. ' If I let him go once to the old chestnut-tree, Don't you think, by to-night, he'll come back to me ? " So said little Mary, as I chanced to go by, And the inquiry glanced from her lip and her eye. It did seem quite hard, such a beautiful day, To keep the pet squirrel in a cage-house to play ; So I told her the squirrel would come back again, When the shadows of evening fell over the glen ; He would tire of the oak and the murmuring rill, And think his snug prison-house pleasanter still. So she lifted the latch of the prison-house door, When a doubt flitted over her features once more. ' I don't know," Mary said, " I feel half afraid, He remembers too keenly the forest-tree's shade ; On the gray mountain's brow, when the night-shadows fall, Perhaps he won't come at my evening call." 'No matter, — I'll try, — and I hope he loves me Far more than the nuts on the old chestnut-tree." So she opened the door, and the squirrel popped out, And whisked his long tail as he capered about. He bobbed his pert head, and looked out of his eye With a mischievous wink, which said plainly, "Good-by; " And his swift, little feet, as they pattering ran, Sent back a defiance, " Now catch if you can ! " Now dear little Mary looked ruefully on, When she saw that the squirrel had really gone. Till her bright eye was weary with tracing his track, And she-said to herself, " I hope he'll come back." Well, she hoped, and she watched, and the evening came, And she listened to hear him respond to his name ; With her locks all flung back, and her animate eye Rambling o'er the brown hillocks, her squirrel to spy ; But he came not with night, and night came so fast, That her hope all forsaken, she resigned it, at last. t IO ARBOR DA Y MANUAL. But whether in wild-wood, or shadowy glen, The squirrel had found him a shelter again ; Or whether, as some of our neighbors still say, He fell to the hunter's sure rifle a prey, Most certain it is that he never returned To the hand which caressed him, the home which he spurned And Mary, as she looks on his tenantless pen, Says, " I never will trust a tame squirrel again ! " THE SUNBEAM. THOU art no lingerer in monarch's hall : A joy thou art and a wealth to all ; A bearer of hope unto land and sea : Sunbeam, what gift hath the world like thee ? Thou art walking the billows, and ocean smiles ; Thou hast touched with glory his thousand isles ; Thou hast lit up the ships, and the feathery foam, And gladdened the sailor like words from home. To the solemn depths of the forest shades Thou art streaming on through their green arcades, And the quivering leaves that have caught thy glow, Like fireflies glance to the pool below. I looked on the mountains : a vapor lay Folding their heights in its dark array ; Thou breakest, and the mist became A crown and a mantle of living flame. I looked on the peasant's lowly cot : Something of sadness had wrapped the spot; But a gleam of thee on its casement fell, And it laughed into beauty at that bright spell. Sunbeam of summer, O, what is like thee, Hope of the wilderness, joy of the sea ? One thing is like thee, to mortals given — The faith touching all things with hues of heaven. Mrs. Hemans. " The trees were gazing up into the sky, Their bare arms stretched in prayer for the snows." Alex. Smith. — u A Life Drama." ARBOR DA Y MANUAL. 1 1 1 A LITTLE PLANTER. DOWN by the wall where the lilacs grow, Digging away with the garden hoe, Toiling as busily as he can — Eager and earnest, dear little man ! Spoon and shingle are lying by. With a bit of evergreen, long since dry. "What are you doing, dear?" I ask. Ted for an instant stops his task, Glances up with a sunny smile Dimpling his rosy cheeks, the while : "Why, it is Arbor Day, you see, And I'm planting a next year's Christmas-tree. " For last year, auntie, Johnny Dunn Didn't have even the smallest one ; And I almost cried, he felt so bad, When I told 'bout the splendid one we had ; And 1 thought if I planted this one here, And watered it every day this year, It would grow real fast — I think it might ; (His blue eyes fill with an eager light), And I'm sure 'twill be, though very small, A great deal better than nothing at all." Then something suddenly comes between My eyes and the bit of withered green, As I kiss the face of our Teddy boy Bright and glowing with giving's joy. And Johnny Dunn, it is plain to see, Will have his next year's Christmas-tree. Youth's Companion. 'Now Nature hangs her mantle green On every blooming tree." Burns, Lament of Mary, Queen of Scots. " Now the sun once more is glancing, And the oak trees roar with joy." Heine, Miscellaneous Poems, Germany, 1815. 112 ARBOR DA Y MANUAL. THE GARDEN ON THE SANDS. ONCE, on a time, some little hands Planted a garden on the sands; And with a wish to keep it dry, They raised a wall five inches high. Within the wall and round the walks, They made a fence of slender stalks ; And then they formed an arbor cool, And dug in front a tiny pool. Their beds were oval, round and square, Thrown up and trimmed with decent care: In these they planted laurel twigs, And prickly holly, little sprigs Of ash and poplar, and, for show, Bright daffodils and heart's ease low; With pink-edged daises by the score, And buttercups and many more. * One rose they found with great delight, And set it round with lilies bright; This finished, then they went away, Resolved to come another day. The sea, meanwhile, with solemn roar, Approached and washed the sandy shore; But, all this time, it did not touch The little spot they loved so much. The strangers that were passing b) r , The garden viewed with smiling eye; But no one ventured to disturb A single plant, or flower or herb. Still, when the children came again, They found their labor all in vain; The flowers were drooping side by side, The rose and lilies all had died. No one could make them grow or shoot, Because they had not any root; And then the soil, it was so bad, They must have withered if they had. Now, so it is that children fail, Just like the garden in this tale; They have good wishes, pleasant looks, Are busy with their work and books; Their conduct often gives delight, And one would fancy all was right; But, by and by, with sad surprise, We see how all this goodness dies; Instead of'being rich with fruit, They fade away for want of root. Oh ! pray that He who only can Renew the heart of fallen man, May plant you in His pleasant ground, Where trees of righteousness abound; So shall you be, in early youth, ' Rooted and grounded in the truth." MR. SPRING'S CONCERT. A CONCERT once by Mr. Spring Was given in the wood ; ' He begged both old and young to come And all to sing who could. Miss Lark the music to begin, Her favorite ballad sang, A well-known air admired by all, So clear her sweet voice rang. And next a gentleman appeared, Come lately from abroad, His song was short but much admired, And so it was encored. He said that Cuckoo was his name, His style was quite his own; He sang most kindly while he stayed, But all too soon was gone. The Finches then were asked to sing,- Would they get up a glee With Mr. Linnet and his wife Who sing so prettily? And in the chorus many more No doubt would take a part; Young Blackcap has a splendid voice And sings with all his heart. Now came the much expected guest Young Lady Nightingale, So late that everybody feared She really meant to fail. At first she said she could not sing She was afraid to try; But then she sang, and all the air Was filled with melody. ARBOR DA Y MANUAL. "3 THE TREE THAT TRIED TO GROW. ONE time there was a seed that wished to be a tree. It was fifty years ago, and more than fifty — a hundred, perhaps. But first there was a great bare granite rock in the midst of the Wendell woods. Little by little, dust from a squirrel's paw, as he sat upon it eating a nut; fallen leaves, crumbling and rotting r - and perhaps the decayed shell of the nut, — made earth enough in the hollows of the rock for some mosses to grow ; and for the tough little saxifrage flowers, which seem to thrive on the poorest fare, and look all the healthier, like very poor children. Then, one by one, the mosses and blossoms withered, and turned to dust; until, after years, and years and years, there was earth enough to make a bed for a little feathery birch seed which came flying along one day. The sun shone softly through the forest trees ; the summer rain pattered through the leaves upon it; and the seed felt wide awake and full of life. So it sent a little, pale-green stem up into the air, and a little white root down into the shallow bed of earth. But you would have been surprised to see how much the root found to feed upon in only a handful of dirt. Yes, indeed ! And it sucked and sucked away with its little hungry mouths, till the pale-green stem became a small brown tree, and the roots grew tou°-h and hard. So, after a great many years, there stood a tall tree as big around as your body, growing right upon a large rock, with its big roots striking into the ground on all sides of the rock, like a queer sort of wooden cage. Now, I do not believe there was ever a boy in this world who tried as hard to grow into a wise, or a rich or a good man, as this birch seed did to grow into a tree, that did not become what he wished to be. And I don't think anybody who hears the story of the birch tree, growing in the woods of Wendell, need ever give up to any sort of difficulty in his way, and say, "I can't." Only try as hard as the tree did, and you can do every thing. Francis Lee. T ELM BLOSSOM. HE bloom of the elm is falling, On the sloping roof's brown thatching; Falling hour by hour, And on the springing grass; On the buds and the golden blossoms, On the dappled, meek-eyed cattle; That are badges of spring's sweet power; On lover and on lass. On the white throat little builder, That, as he buildeth sings; With the rain and with the snow-flakes On the chattering, glittering starling; The angel of the year And on the swallow's wings. Comes with his swift wings glancing, Bringing us hope or fear; The bloom of the elm is falling, Now dying leaves, now blossoms, Upon the passing bee; He scatters o'er the land: And on the rosy clusters In storms and in the sunshine, That stud the apple tree: I've seen his beckoning hand. 8 Hoars at Home. I 14 ARBOR DA Y MANUAL. Written for the "Ardor Day Manual." NAMING THE TREE. I'M a merry little maid With my pick and hoe and spade, And I'm digging, diggiwg, digging everywhere. This little sapling lately stood Within a dark and leafy wood, And kept nodding, nodding at the maiden-hair; While the moss kept creeping, creeping, And the violets peeping, peeping, With those longing eyes so tender and so blue. But the sapling grew so slender, and I knew 'Twas for its good. I shut my eyes, But oh ! you should have heard the sighs, As blindly I with one rash blow, Brought such terror and such woe To the moss and maiden-hair And the violets springing there. I'm a merry little maid With my pick and hoe and spade, And I'm digging, digging, digging everywhere. And on this pleasant Arbor Day, Amid the perfumes of the May, This sapling I transplant with tenderest care. Let each with shovel in his hand, Deposit here a bit of sand ; Please don't harm the clinging maiden-hair so true, Nor creeping moss with violets peeping through. I wonder if 'neath sunn}'- skies Will swell to heavenly rhapsodies These youthful loves nursed in the wood? Oh if they only, only could ! Or do the giant oaks outgrow Their sapling loves as people do ? I'm a merry little maid ' With my pick and hoe and spade, And I'm digging, digging, digging everywhere. Longfellow to his loves was true, And we bequeath his name to you, A noble name, an inspiration, royal, rare, And may moss keep creeping, creeping, And violets keep, peeping, peeping, ARBOR DA V MANUAL. 115 Emblems of the clinging loves his manhood knew. May thy heart of oak like his be always true. And may thy branches o'er us sway, And in their rustling accents say, Repeating oft, "A psalm of life, " To us who come worn with the strife. And may its wisdom guide our way Until shall dawn our Arbor Day. Suggestions by the author. "Little Maid " enters the grounds with a small pick, hoe and spade, in her hand, followed by her class. They arrange themselves around the place where the tree is to be planted, in the form of a half circle, if you please. She now holds up to view the young tree, with moss, maiden hair and violets clinging to its roots. She begins speaking, holding the sapling until she says, "This sapling I transplant," etc. She now stands it in the hole prepared for it, and a young lad of the class — if there be one, and if not, another girl — steps forward and steadies the tree while one of the class steps forward and throws in some dirt, enough so it will stand — only one shovel full if it will do — and steps back. After she has finished her recitation, each member of the class in passing out will pick up the shovel and deposit sand. After they have gone to their seats, the young boy who was holding the tree up will recite Longfellow's " Psalm of Life," or some other appropriate poem by the same author. Or if thought best, let him recite it immediately after she is through, with the class still standing. St. Augustine, Fla. Mrs. B. C. Rude. THE GOLDEN ROD. FROM the flying train, behold, Ever changing fields of gold, Sunny slopes in luster laid, And old gold the hills in shade; Golden, golden ! Wave the plume, Freedom's followers give thee room ; Unsubdued by wit of man, S3'mbol flower, American. Like a bit of sky at night, Full of constellation light, Comes the vision of thy plume Bending o'er with starry bloom, Sunshine, dew and burnished gold, Each declare the story old, How in endless chain of thought "Wisdom unto wonder wrought. Symbol flow'r American, Underneath I see thy plan — Brotherhood of stems that run Closer till they meet in one. Type of higher federation — States unite, and lo, a nation ! To the world the lesson give, How to govern, how to live. Rich the bounty, here we see, To a people ever free; Plenty flows as beauty beams In a thousand golden streams. To a nation, golden rod Lifts its head above the sod, Love and justice to propose, Gold for friends, the rod for foes. Vick's Magazine. j j 6 ARBOR DA Y MANUAL. THE DANDELION. A RECITATION accompanied with music for nine little girls, four girls each to recite a long paragraph, the short paragraphs to be recited in concert by the other five girls. All enter and sing first stanza of Gay Little Dandelion, from "The Vineyard of Song." First Girl recites: There's a dandy little fellow, Who dresses all in yellow, — In yellow with an overcoat of green ; With his hair all crisp and curly, In the spring-time bright and early, Tripping o'er the meadow he is seen. Second Girl : Through all the bright June weather, Like a jolly little tramp, He wanders o'er the hillside, down the road; Around his yellow feather The gypsy fire-flies camp; His companions are the woodlark and the toad. Five Girls recite in concert : Spick and spandy, little dandy ; Golden dancer in the dell ! Green and yellow, happy fellow, All the children love him well. (All sing second stanza of Gay Little Dandelion.) Third Girl: But at last this little fellow, Doffs his dandy coat of yellow, And very feebly totters o'er the green; For he very old is growing, And with hair all white and flowing, Nodding in the sunlight he is seen. Fourth Girl : The little winds of morning, Come flying through the grass, And clap their hands around him in their glee; They shake him without warning — ■ His wig falls off, alas ! A little bald-head dandy now is he. Five Girls recite in concert : O poor dandy ! once so spandy, Golden dancer on the lea ! Older growing, white hair flowing, Bald-head dandy now is he. (All sing third stanza of Gay Little Dandelion.) Published by courtesy of Messrs. E. H. Butler £■ Co., Philadelphia. THE OAK AND THE MISTLETOE SEED. ARBOR DA Y MANUAL. I I 7 THE OAK AND THE MISTLETOE SEED. A SEED of the beautiful mistletoe was separated from its parent. It went forth in search of a home wherein it might receive protection and care. " Perhaps," said the little seed to itself, '' I may one day be a large and beautiful plant like that from which I have sprung." It knew hy instinct that the earth, in whose bosom the mighty forest trees buried their spreading roots, would have no welcome for a seed of mistletoe; that it must seek elsewhere the rest and nourishment it so desired. "Surely there must be room for me in the world ! " the wandering seed exclaimed. Seeing a stately elm it thought, " Here is a tree that must be as generous as he is stately, here shall be my home." But the elm was not generous. He scorned the humble petition of the seed, and said there was not a corner in his branches for a beggar. In vain did the seed plead its great need of help ; the elm was as hard as a stone, and cared not at all for the tiny creature's sorrow. A beech near by was even more narrow-minded than the elm, and fairly drove the seed away with the angry question: "Why should I afford a rest- ing place to vagrant shrubs of your kind ? " And the poor weary wanderer began to think that it would be as well to die at once as to die at the end of a long and fruitless pursuit. An oak in the forest, to whom the seed next appealed, listened to the sor- rowing voice of the wanderer, and was more merciful than the elm or the beech had been. Satisfied at last, the little seed found rest in the arms of the mighty oak. Before long a delicate green leaf appeared, and then another and another; and in time a beautiful shrub grew upon the great forest tree. When the summer had passed, the winds of autumn came moaning through the woods, and the leaves fell in showers. The stately elm lost its beautiful foliage, the beech stood bare and shivering in the blast, and even the hospitable oak saw his splendid drapery of green change and fall. And soon the winter's ice and snow made the forest desolate. Yet was the oak grand and attractive still. The mistletoe covered the broad bosom of the tree, and was indeed life in the midst of death. Strong and ever green, the winter could not rob it of its beauty or its strength. Its waxen berries, rivaling the snow in whiteness, seemed to the beech and elm like so many mocking eyes turned upon them. But to the venerable oak they were like rare and precious jewels. One fine day in winter, the oak made this speech to a merry little group who stood admiring the mistletoe : "When I received a tiny straying seed and gave it my protection, do you suppose that I knew what would follow ? If 1 had stood in the forest destitute of leaves as my fellow-trees are, would you have gathered around to admire me ? " " I know that the mistletoe with its white berries attracted your eyes, yet am I not proud to bear that shrub in my arms and to call it my foster-child ? Kind- ness enriches both the giver and the receiver. In my long, long life I have learned many lessons, but this is the best of all : be kind for the very sake of kindness, and you will have your reward." ! j 8 ARBOR DA Y MANUAL. A SUMMER LONGING. I MUST away to wooded hills and vales, Where broad, slow streams flow cool and silently, And idle barges flap their listless sails. For me the summer sunset glows and pales, And green fields wait for me. I long for shadowy forests, where the birds Twitter and chirp at noon from every tree; I long for blossomed leaves and lowing herds ; And Nature's voices say in mystic woods, "The green fields wait for thee." I dream of uplands, where the primrose shines And waves her 5^ellow lamps above the lea; Of tangled copses, swung with trailing vines ; Of open vistas, skirted with tall pines, Where green fields wait for me. I think of long, sweet afternoons, when I May lie and listen to the distant sea, Or hear the breezes in the reeds that sigh, Or insect voices chirping shrill and dry, In fields that wait for me. These dreams of summer come to bid me find The forest's shade, the wild bird's melody, While summer's rosy wreaths for me are twined, While summer's fragrance lingers on the wind, And green fields wait for me. George Arnold. I OUR WILLOWS. T is when the east wind blows, But the moment the storm-wind blows, And his cohorts gather and ride, And the storm-clouds gather and ride, That the willows before my window They lift up their branches to heaven, Show me their silver side. And show me the silver side. ***** When the air is sweet and still, And all heaven beams light and mirth, 'Tis not to fear and sadness, Though their green boughs quiver and They owe that silver sheen; sparkle Unseen, in calm and gladness, They look and lean to earth. It underlies the green. And when the North-west triumphs, And baffled storm-clouds flee, They fling out their silvery streamers, And hail the victory. Hours at Borne. ARBOR DA Y MANUAL. 119 SPRING FLOWERS. WHEN Spring came into the garden The sleeping daffodils heard her, Her holiday-time to keep, And nodded low as she passed : She walked about in the dawning, Each blossom dropped like a pennon And found the flowers asleep. Hung out from a tall green mast. At first she wakened the snow-drops Into the violet's eyes she looked, And washed their faces with rain, And spoke till she made them hear. And then she fed them with sunlight, " What are you dreaming now ? " she said. And gave them white frocks again. They answered, "That Spring is here. The crocuses next she summoned, — And then the trees stretched their fingers In purple stripes and yellow, — And opened their curled-up leaves, And she made the south wind shake them And the birds who sat and watched them Till each one kissed his fellow. Flew straight to their cool green eaves. One made her nest in the ivy, And one in the apple-tree ; But the thrush showed hers in secret To the south wind and the bee. THE FIELDS IN MAY. W 'HAT can better please. When your mind is well at ease, Than a walk among the green fields in May ? To see the verdure new, And to hear the loud cuckoo, While sunshine makes the whole world gay : When the butterfty so brightly On his journey dances lightly, And the bee goes by with business-like hum ; When the fragrant breeze and soft, Stirs the shining clouds aloft, And the children's hair, as laughingly they come : When the grass is full of flowers, And the hedge is full of bowers, And the finch and the linnet piping clear, Where the branches throw their shadows On a footway through the meadows, With a book among the cresses winding clear. W. Allingham. 120 ARBOR DA Y MANUAL. APRIL AND MAY. BIRDS on the boughs before the buds Begin to burst in the spring, Bending their heads to the April floods, Too much out of breath to sing ! They chirp, " Hey-day ! How the rain comes down ! Comrades cuddle together! Cling to the bark so rough and brown, For this is April weather. 1 Oh, the warm, beautiful, drenching rain ! I don't mind it, do you ? Soon will the sky be clear again, Smiling and fresh, and blue. ' Sweet and sparkling is every drop That slides from the soft, gray clouds ; Blossoms will blush to the very top Of the bare old trees in crowds. Oh, the warm, delicious, hopeful rain ! Let us be glad together, Summer comes flying in beauty again, Through the fitful April weather." Skies are glowing in gold and blue, What did the briar bird say? Plenty of sunshine to come, they knew, In the pleasant month of May ! She calls a breeze from the south to blow And breathe on the boughs so bare, And straight, they are laden with rosy snow And there's honey and spice in the air Oh, the glad green leaves ! Oh, the happy wind ! Oh, delicate fragrance and balm ! Storm and tumult are left behind In a rapture of golden calm. From dewy morning to starry night The birds sing sweet and strong, That the radiant sky is filled with light, That the days are fair and long. That the bees are drowsy about the hive. Earth is so warm and gay ! And 'tis joy enough to be alive In the heavenly month of May. Celia Thaxter. ARBOR DA Y MANUAL. l 2 i TO A MOUNTAIN DAISY, ON TURNING IT DOWN WITH A PLOW. WEE, modest, crimson-tipped flower, Thou 's met me in an evil hour ; For I maun crush amang the stoure 1 Thy slender stem : To spare thee now is past my power, Thou bonnie gem ! Alas, it 's not thy neebor sweet, The bonnie lark, companion meet ! Bending the 'mang the dewy weet, Wi' speckled breast, When upward springing, blithe, to greet The purpling east. Cauld blew the bitter, biting north Upon thy early, humble birth; Yet cheerfully thou glinted- forth, Amid the storm ! Scarce reared above the parent earth Thy tender form. The flaunting flowers our gardens yield, High sheltering woods and wa's maun shield But thou, beneath the random bield 3 O' clod or stane. Adorns the histie 4 stibble-field, Unseen, alane. There, in thy scanty mantle clad, Thy snawie bosom sunward spread, Thou lifts thy unassuming head In humble guise ; But now the share uptears thy bed, And low thou lies ! Such is the fate of simple bard, On life's rough ocean luckless starr'd ! Unskillful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er. i. Dust. 2. Peeped. 3. Shelter. 4. Dry. 122 ARBOR DA Y MANUAL. Such fate to suffering worth is given, Who long with wants and woes has striven, — By human pride or cunning driven To misery's brink, Till, wrench'd of every stay but Heaven, He, ruined,. sink. E'en thou who mourn'st the daisy's fate, That fate is thine, — no distant date ; Stern ruin's plowshare drives, elate, Full on thy bloom ; Till, crush'd beneath the furrow's weight, Shall be thy doom ! Robert Burns. A WOODLAND HYMN. WE seek remembered wood-paths, fragrant with breath of pines, In flecks the sunlight golden through leafy arches shines, The wild birds sweet are calling through all the balmy day, The liquid song of wood-thrush pours forth in joyous lay, The phcebe near the cottage with plaintive call doth sing, From shaded nook the partridge soars aloft on whirring wing. Fair are the gentle blossoms, the first sweet gift of Spring, Anemones and violets from old-time haunts we bring, With round leaf green and glossy, with pure, rich, creamy bloom, The Pyrola in beauty distills its rare perfume ; Here find we velvet mosses, lichens with ruby cup, From out whose dainty chalice, a fairy well might sup. O treasures of the woodland ! the lovely maiden-hair, Soft ferns with feathery tresses where cooling shadows are ; We find 'neath dried leaves hiding the trailing partridge-vine Bright mid its green leaves growing the scarlet berries shine; The chestnut burs are opening and from their velvet bed The brown nuts thickly falling with bright-hued leaves are shed. Oh ! wondrous is the glory in Autumn's changing light, Like fairy land the beauty within the woodlands bright, The golden Autumn sunshine, "God's everlasting smile," With pure, sweet radiance lighteth each shadowy forest aisle: A subtle balsam odor breathes through the dreamy air, A charm steals o'er the spirits, a lulling rest from care. Chnutauquan, October, 1885. PHEBE A. HOLDER. ARBOR DA Y MANUAL. I 23 CHOOSING A "STATE TREE." Nominations made by Students at Sag Harbor, N. Y., May 3, 1889. THE MAPLE. There are about fifty species of maple, ten of which are found in North America. Some are large trees growing- to a height of seventy or eighty feet, others are only small shrubs. They differ in the time at which the flowers appear. The floAvers of some appear before the leaves, of others at the same time with the leaves, and of others not until the leaves are fully developed. The leaves are deciduous and from three to seven lobed. The seeds have wings so that they do not fall to the ground very quickly and are scattered about by the wind. The flowers of the red and silver maples appear in March or April, and the seeds ripen in June, and fall to the ground, when they soon commence to grow and by autumn form small trees, one or two feet in height. The seeds of these species will not retain their vitality if kept until the next spring. The sap of some species of maple contains sugar which is obtained from the sap by evap- oration. The timber of the maple is used for some purposes, that of the sugar maple being the most valuable. The maple is of rapid growth, good form and, has wide-spreading branches, with very thick, bright-green foliage, which makes it a good shade and ornamental tree. The maple is a clean tree not being fre- quented by noxious worms, and does not litter the ground with leaves and twigs during the summer. With the first frosts of autumn the leaves of the maple change to various shades of red and yellow, and present a very hand- some appearance. Everett L. Tindall. T 1 THE BLACK-WALNUT. *HE J. Nigra of the Juglans genus is a native of America. It flourishes in 1 all parts of the United States, except in the extreme north, but principally in the fertile river basins, where it attains a height of seventy-five feet. It is one of the largest trees of North America, its branches spreading out in a horizon- tal direction for a long distance, giving it a very majestic appearance. The bark is thick, black, and becomes furrowed with age. The leaves, when bruised, emit a strong fragrant odor. The heart of the tree, after short expos- ure to the air, turns nearly black, hence the name, Black-walnut. The follow- ing qualities make the wood very valuable : 1st. It remains sound for a long time, even after much exposure, ud. It is strong, tenacious, and when thoroughly seasoned, not liable to warp or split. 3d. Its grain being fine and compact, admits of a very fine polish; the wood is also free from worms. It is chiefly used by cabinet-makers, but is sometimes converted into lumber. Its fruit is very rarely sold, being inferior to that of many other species. The above qualities, many of which are symbolic of the features in which New York State leads the Union, strongly recommend it to the wise as a State emblem. John W. Ripley. I 24 ARBOR DA Y MANUAL. THE HEMLOCK. The northern part of the United States and Canada abounds largely in this tree. Although not remarkable for its beauty except when young, its uniform- ity and great height give it a very stately appearance. Being seventy or eighty feet high and having a circumference of from six to nine feet, the timber ob- tained from it is necessarily large, but because of its tendency to split, is not very highly esteemed for building purpose. The bark is very valuable for tanning. The leaves are two-rowed, flat and obtuse. Different varieties of this same species are the Black and White Spruce. The former unlike the Hem- lock is a valuable timber tree. From it the essence of spruce is obtained which ' is used for making spruce beer. From the fibres of the roots of the White Spruce the Canadians get the thread with which they sew their birch bark canoes, the seams being made water tight with its resin, Both of the last- named varieties have quadrangular leaves. The most important advantages to the State are the bark it yields, the shade it gives and to some extent the timber obtained from it. May I. Bachelder. THE PINE TREE. The pines, which are distinguished from all other trees, by their foliage which consists of needle-shaped leaves in clusters of two to five, surrounded at the base by some of the withered bud scales, which form a sheath around them, constitute a large and interesting class of American forest trees. The most valuable species is that which is known as the Georgia Pitch Pine. Toward the north, the long-leaved pine makes its appearance near Norfolk, in Vir- ginia, where the pine barrens begin. It seems to be especially assigned to dry, sandy soils; and it is found almost without interruption, in the lower part of the Carolinas, Georgia and Florida, over a tract more than six hundred miles long, from north-east to south-west, and more than one hundred miles broad from the sea toward the mountains. The pines with the exception of one species in the Canaries, are confined to America, Europe and Asia, and are more abundant in the temperate and cooler portions of these. No trees are so useful to the arts of c vi'.ized life as these, as they not only furnish in abundance kinds of wood for which there is no proper substitute, but their other products are of great utility, the abundant juice of some species, which consists of a resin dissolved in a volatile oil, affords turpen- tines of various kinds, spirits of turpentine, resin, tar and other minor products. In the northern States, the lands which at the commencement of their settle- ments were covered with pitch pine, were exhausted in twenty-five or thirty years, and for more than half a century have ceased to furnish tar. In several species the nuts are edible, and are not only eaten by wild animals, but are col- lected for food. In ornamental planting, pines are exceedingly useful, as they present a great variety of habit and foliage, from species which never rise above a few feet up to those which have trunks large enough for a ship's mast. The pine barrens are of vast extent and are covered with trees of forest growth, but they cannot be all rendered profitable, from the difficulty of com- municating- with the sea. Louise Youngs. ARBOR DA Y MANUAL. i 2 5 THE ASH. The White Ash is one of the most 'interesting among the American species for the qualities of its wood, and the most remarkable for the rapidity of its growth and for the beauty of its foliage. A cold climate seems most congenial to its nature. It is everywhere called White Ash, probably from the color of its bark, by which it is easily distinguished. The White Ash sometimes attains a height of eighty feet, with a diameter of three feet, and is one of the largest trees of the United States. The trunk is perfectly straight and often undivided to the height of more than forty feet. On large stocks the bark is deeply furrowed, and divided into small squares from one to three inches in diameter. The leaves are twelve or fourteen inches long, opposite and composed of three or four pair of leaflets surmounted by an odd one. The leaflets are three or four inches long, about two inches broad, of a delicate texture and an undulated surface. Early in the spring they are covered with a light down, which gradually dis- appears, and at the approach of summer they are perfectly smooth, of a light green color above, and whitish beneath. It puts forth white or greenish flowers in the month of May, which are suc- ceeded by seeds that are eighteen inches long, cylindrical near the base, and gradually flattened into a wing, the extremity of which is slightly notched. They are united in bunches four or five inches long, and are ripe in the begin- ning of autumn. The shoots of the two preceding years are of a bluish-gray color and perfectly smooth. The distance between their buds sufficiently proves the vigor of their growth. Jennie Pierson. . THE OAK. The oak is a very common tree, and consists of many species, of which the White Oak is most common. Oaks are found over nearly the whole of the northern hemisphere, except the extreme north and the tropics, along the Andes. There are both deciduous and evergreen species, representing a won- derful difference in their leaves and general aspect, some being small shrubs, but all are easily recognized by their peculiar fruit consisting of an acorn and a cup, which never completely incloses the nut. The oak is long-lived, and specimens supposed to have been in existence before the settlement of this county, are still standing. As an ornamental tree, the White Oak is much esteemed. In autumn the leaves turn to a pur- plish color and remain upon the tree until a new growth next spring. It is also a good shade tree. The oak is one of the largest and strongest trees which grows in this State, and is, therefore, well adapted to be chosen as the tree of the Empire State. The oak is extensively used in ship-building, and is, there- fore, emblematical of a commercial State. Joseph Brobeck. j 26 ARBOR DA Y MANUAL. TULIP TREE. This tree, which surpasses most others of North America in height and beauty of its foliage and flower, is one of the most interesting from the numerous and useful applications of its wood. It is a native of the United States, though the western States appear to be its natural soil, and it is there it displays its most powerful vegetation. It has a stem, sometimes from 100 to 140 feet in height and three feet thick, with a grayish-brown cracked bark, and many gnarled and easily broken branches. The leaves are roundish, ovate and three-lobed. The flowers are solitary at the extremities of the branchlets, are large, brilliant, variegated with different colors, have an agreeable, odor, and are very numerous on detached trees, producing a fine effect. The flowers bloom in June or July. The fruit is composed of a great number of thin narrow scales attached to a common axis, and forming a cone two or three inches in length. Each cone consists of sixty or seventy seeds, of which never more than a third are produc- tive. For three years before the tree begins to yield fruit, almost all the seeds are unproductive, and in large trees those from the highest branches are best. The bark of the tree has a bitter aromatic taste, and has been used as a sub- stitute for Peruvian bark in intermittent fevers, and is a good tonic. The tulip tree is one of the most beautiful ornaments of pleasure grounds whereon it grows and flowers well. The timber is easily wrought and is much used for many purposes. Madge Vail. THE ELM. The elm belongs to the order of ulmacea? or elmworts. There are several kinds of elms, some native of North America, some of Europe and some of Asia; such as the cork elm, the slippery elm, the American or white elm, etc., the last mentioned being the one we are to consider. This elm, namely the American elm, is one of the largest and most beautiful of its species It is a native of the forests of North America, being most common in the northern, middle and western States. It grows from seventy to eighty feet high, attaining its greatest size between latitude 42 and 46 degrees, where it sometimes reaches one hundred feet. The roots of the elm are very long and numerous, often ex- tending from one to two hundred feet ; thus it is generally pretty secure from cyclones and heavy gales of wind. It has a fine straight trunk from three to five feet in diameter, covered with a rough dark-gray bark, and reaching from thirty to sixty feet before separating into branches. Its branches are large, wide-spreading, graceful and overhanging, and in the summer thickly covered with foliage. The flower of the American elm opens in April before the tree comes into leaf. It is very small, of a purplish color, and collected in little ter- minal clusters. The leaves which appear in the month of Ma) r are from four to five inches long, and oval in shape. Its wood is white in color, flexible and very tough, and is used for a variety of purposes by wheelwrights. The Ameri- can elm is a great favorite as a shade tree. It is perfectly hardy, will grow in nearly any soil, and on the seacoast equally as well as in the interior. It is tall and stately in appearance, thus adding beauty and picturesqueness to the sur- ARBOR DA Y MANUAL. I2 7 roundings; while its graceful, overhanging branches afford pleasant shade and favorite nesting places for birds. Many of the streets of New Haven city are lined on either side with long rows of fine large elm trees whose branches, gracefully pendent, meet and form lofty arches. It is, therefore, often called the City of Elms and is considered one of the most beautiful cities of the New England States. The American elm is very extensively planted as a shade tree both in private grounds and along public roads ; and on account of its many desirable qualities is universally liked as a village tree; and I think it one of the best adapted to be chosen for a State tree, and justly entitled to a large number of votes. F. C. Steuart. THE HICKORY. There have been a number of trees suggested as candidates for the honor of being the State tree of New York ; the oak, the pine, the elm, the tulip-tree, the maple, the walnut and many others. All are beautiful, but there are other considerations besides beauty in choosing a State tree, and the one most symbol- ical of New York in its size, vigor and productiveness will receive the choice. The oak and pine fulfill many of these conditions, but they are the generally acknowledged soldier trees. The oak fights the storms of centuries, and is so strong that it has become a byword, and when we wish to say men are invinci- ble in their courage, we say they have " hearts of oak." The pine is a sentinel, and likes to choose some barren, lonely height to do solemn picket-duty. But these are not lovable trees, they are not productive trees ; the}- are sturdy, independent, and hardy, and New York is all of these, but it is also a State of homes, a lovable State, and not a fighting State. It has no dangerous enemies to fight. Why should the population, — sleek Dutch market-gardeners from West Long Island, hurried business men from the cities and inky and theoreti- cal model farmers from the center of the State, — turn out to make a bayonet charge among the handful of dirty and drunken Indians on the State reserva- tions, or some equally harmless people ? Neither is it a lazy, effeminate State, to be symbolized by that very fop of trees, the tulip-tree, with its gorgeous flowers in spring, and its brilliant leaves in fall ; or by the dainty lady elm, with its graceful twig-drapery. Nor is it a State mourning over past glories and present deca)' ; a willow might be emblem of Egypt or Greece or Italy, but it is not of prosperous mercantile New York. But there is a tree which seems to typify the State, — a beautiful, vigorous, productive tree, not as large as some others perhaps, but size is not always strength, and important New York would cover a very small corner of unimpor- tant Texas ; a distinctively American tree, therefore fit to be a typical tree of a typical American State ; and this beautiful hickory tree has another quality, admirable in a tree, or a State, or a man, or any thing liable to misfortune ; you may bend a hickory sapling to the ground, — and when 3 r ou release it, it springs back as before, unbroken. This recuperative power is as remarkable in the State as in the tree. Our own Principal told us, in his delightful address on the Centennial day, how a hundred years ago New York city was an impover- ished, war-ravaged little town of twenty-five thousand inhabitants. As soon as ! 2 g ARBOR DA Y MANUAL. the pressure of war was removed, New York recuperated, like the tree, so that there is no parallel for the growth of that second city in the world. As merely a beautiful shade tree, as merely a producer of delicious nuts, the hickory is unsurpassed; but as a type of vigorous, productive New York, it has no equal, and can have none. Florence Painter. SILENCE IS GOLDEN. THE flowers have no tongues. I do not mean that you must not talk. God has given us tongues, and means us to use them. But let the silent beauty of the flowers teach us to do all the good we can and make no fuss about it. Never be in a hurry to tell people you are Christians, but act so that they cannot help finding it out. Did you ever watch beans grow? They come up out of the ground as if they had been planted upside down. Each appears carrying the seed on top of his stalk, as if they were afraid folks would not know they were beans unless they immediately told them. But most flowers wait patiently and humbly to be known by their fruits. From " The World to Come." Chautauquan, February, 1888. What a noble gift to man are the forests ! What a debt of gratitude and ad- miration we owe for their utility and their beauty ! How pleasantly the shad- ows of the wood fall upon our heads when we turn from the glitter and turmoil of the world of man ! The winds of heaven seem to linger amid their balmy branches, and the sunshine falls like a blessing upon the green leaves; the wild breath of the forest, fragrant with bark and berry, fans the brow with grateful freshness; and the beautiful woodlight, neither garish or gloomy, full of calm and peaceful influences, sheds repose over the spirit. Susan Fenimore Cooper. The project of connecting the planting of trees with the names of authors is a beautiful one, and one certain to exert a beneficial influence upon the chil- dren who participate in these exercises. The institution of an "Arbor Day " is highly commendable from its artistic consequences, and cannot fail to result in great benefit to the climate and to the commercial interests of the country when it becomes an institution of general adoption. Prof. B. Pickman Mann, Son of Horace Mann : Extract from Letter. Plant the crab where you will, it will never bear pippins." ARBOR DA V MANUAL. \ 29 PLANTING FOR THE FUTURE. IN youth's glad morning hour, All life a holiday doth seem ; We glance adown time's vista long Beholding but the sunny gleam. The happy hearts that meet to-day, In a loving band are drawn more near By the loving end that crowns our work, Planting trees for a future year. O tender trees ! ye may thrive and grow, And spread your branches to the sun, When the youthful band assembled here, Has reaped life's harvest, every one. When the shining eye shall lose its fire, When the rosy cheek shall fade away, Thou'lt drink of the dew and bask in the light Forgetful of this Arbor Day. The bounding heart, the active limb, The merry laugh and sparkling jest. Be mingled with the things of earth, And sink to solitude and rest. But o'er this ground with branching arms, These trees shall cast their leafy shade, And other hearts as light and gay, Shall reap the shelter we have made. So let our planting ever be, Something in store for a future year, When homeward with our harvest bound, We'll meet the Master without fear. Little Falls, N. Y., 18S9. Harriet B. Wright. GRAY in his " Elegy " speaks of " the nodding beech " with its " old fantastic roots," the "favorite tree" of the "youth to fortune and to fame un- known," for whom he writes his ''Epitaph." He also says in his churchyard musings : " Beneath those rugged elms, that_yy the hand. Never had I seen her fairer than she was this happy morning, Never knew her breath delicious, half so boundless, half so rare ; Oh, she seemed a thing of heaven, with the dew upon her bosom, And I wished I were some daffodil, that I might kiss it there. All at once the grass rows parted, and the sweetest notes were sounded, There was music, there was odor, there was loving in the air; And a hundred joyous gallants, robed in holiday apparel, Danced beneath the lilac bushes with a hundred maidens fair. There were tulips proud and yellow, with their great green spears beside them; There were lilies grandly bowing to the rose queen as they came ; There were daffodils so stately, scenting all the air of heaven ; Joyous buds and sleeping poppies, with their banners all aflame. There were pansies robed in purple, marching o'er the apple-blossoms And the foxgloves with their pages tripped coquettishly along; And the violets and the daisies, in their bonnets blue and yellow, Joined the marching and parading of th' innumerable throng. ARBOR DA Y MANUAL. 1 43 All at once the dandelion blew three notes upon his trumpet ; " Choose ye partners for the dancing, gallant knights and ladies fair; " And the honeysuckle court'sied to the young sweet-breathed clematis, And remarked upon the sweetness of the blossoms in her hair. We're the tallest," said the tuberose to the iris, standing nearest, "And suppose that now, for instance, I should offer )^ou my heart?" Oh, how sudden," cried the sly thing; " I am really quite embarrassed — Unexpected, but pray do it, just to give the rest a start." Then a daisy kissed a pansy, with its jacket brown and yellow, And the crocus led a thistle to a seat beside the rose ; And the maybells grouped together, close beside the lady-slipper, And commented on the beauty and the splendor of her clothes. Oh, a market this for beautjr," said a jasmine, gently clinging To the strong arm of an orange, as a glance on him she threw, ' Why, you scarcely would believe it, but I've had this very morning Twenty offers, and declined them, just to promenade with you." So in groupings or in couples, led each knight some gentle lady, Led some fair companion blushing, past the windrows fresh and green; And the sweet rose gave her blessing, and a kiss at times, it may be, To the fairest brides and sweetest, mortal eye hath ever seen. Then again the grass it parted, and the sunshine it grew brighter, Till it seemed as if the curtains of high heaven were withdrawn, And each flower and bud and blossom pressed some fair one to its bosom, As the bannered train danced gaily 'twixt the windrows on the lawn. Oh, the musk-rose was so stately ! and so stately was the queen rose ! And how sweetly smiled she on me as she whispered in my ear, ' Come again ; you know you're welcome; come again, dear, for it may be That our baby buds and blossoms will be christened here next year." Adjutant S. H. M. Byers, Oskaloosa, Iowa. A GRAIN OF CORN. A GRAIN of corn an infant's hand May plant upon an inch of land, Whence twenty stalks may spring and yield Enough to stock a little field. The harvest of that field might then Be multiplied to ten times ten, Which sown thrice more, would furnish bread Wherewith an army might be fed. 1 44 ARBOR DA Y MANUAL. THE WILD VIOLET. VIOLET, violet, sparkling with dew, Down in the meadow-land wild where you grew, How did you come by the beautiful blue With which your soft petals unfold ? And how do you hold up your tender young head, When rude sweeping winds rush along o'er your bed, And dark, gloomy clouds, ranging over you, shed Their waters so heavy and cold ? No one has nursed you or watched you an hour, Or found you a place in the garden or bower ; And no one can yield me so lovely a flower As here I have found at my feet. Speak, my sweet violet ! answer and tell How you have grown up and flourished so well, And look so contented where lowly you dwell, And we thus by accident meet ! "The same careful hand,'* the violet said, "That holds up the firmament, holds up my head; And He who with azure the skies overspread Has painted the violet blue. He sprinkles the stars out above me by night, And sends down the sunbeams at morning with light, To make my new coronet sparkling and bright, When formed of a drop of His dew. "I've naught to fear from the black heavy cloud, Or the breath of the tempest that comes strong and loud, Where, born in the lowland, and far from the crowd, I know and I live but for One. He soon forms a mantle about me to cast, Of long, silken grass, till the rain and the blast, And all that seemed threatening, have harmlessly passed As the clouds scud before the warm sun ! " Hannah F. Gould. APRIL. NOW daisies pied, and violets blue, Do paint the meadows with delight ; And lady-smocks all silver white, The cuckoo now on every tree, And cuckoo-buds of yellow hue, Sings cuckoo ! cuckoo ! Shakespeare. ARBOR DA Y MANUAL. Iz jr THE LIVE OAK. WITH his gnarled old arms, and his iron form Majestic in the wood, From age to age, in the sun and storm, The live-oak long hath stood, With his stately air, that grave old tree, He stands like a hooded monk, With the gray moss waving solemnly From his shaggy limbs and trunk. And the generations come and go, And still he stands upright, And he sternly looks on the wood below, As conscious of his might. But a mourner sad is the hoary tree, A mourner sad and lone, And is clothed in funeral drapery For the long-since dead and gone. For the Indian hunter, beneath his shade, Has rested from the chase ; And he here has wooed his dusky maid — The dark-eyed of her race; And the tree is red with the gushing gore, As the wild deer panting dies ; But the maid is gone and the chase is o'er, And the old oak hoarsely sighs. In former days, when the battle's din Was loud amid the land, In his friendly shadow, few and thin, Have gathered Freedom's band ; And the stern old oak, how proud was he To shelter hearts so brave ! But they all are gone, — the bold and free, — And he moans above their grave. And the aged oak, with his locks of gray, Is ripe for the sacrifice ; For the worm and decay, no lingering prey, Shall he tower towards the skies ! He falls, he falls, to become our guard, The bulwark of the free ; And his bosom of steel is proudly bared To brave the raging sea ! 10 I4 6 ARBOR DA Y MANUAL. When the battle comes, and the cannon's roar Booms o'er the shuddering deep, Then nobly he'll bear the bold hearts o'er The waves, with bounding leap. O, may those hearts be as firm and true, When the war-clouds gather dun, As the glorious oak that proudly grew Beneath our southern sun. Henry R. Jackson. READY FOR DUTY. DAFFY-DOWN-DILLY. DAFFY-down-dilly came up in the cold* Through the brown mould, Although the March breezes blew keen on her face, Although the white snow lay on many a place. Daffy-down-dilly had heard under ground The sweet rushing sound Of the streams as they burst off their white winter chains — Of the whistling spring winds and the pattering rains. " Now, then," thought Daffy, deep down in her heart, " It's time I should start ! " So she pushed her soft leaves through the hard frozen ground. Quite up to the surface, and then she looked round. There was snow all about her, — gray clouds overhead, — The trees all looked dead: Then how do you think Daffy-down-dilly felt When the sun would not shine, and the ice would not melt ? "Cold weather ! " thought Daffy, still working away : " The earth's hard to-day ! There 's but a half inch of my leaves to be seen, And two-thirds of that is more yellow than green ! *' I can't do much yet; but I'll do what I can, It's well I began ! For, unless I can manage to lift up my head, The people will think that the Spring-time is dead." So, little by little, she brought her leaves out, All clustered about ; And then her bright flowers began to unfold, Till Daffy stood robed in her spring green and gold. O, Daffy-down-dilly ! so brave and so true ! Would all were like you, — So ready for duty in all sorts of weather, And loyal to courage and duty together. ARBOR DA Y MANUAL. 147 THE GLADNESS OF NATURE. IS this a time to be cloudy and sad, When, our mother Nature laughs around, When even the deep blue heavens look glad, And gladness breathes from the blossoming ground? There are notes of joy from the hang-bird and wren, And the gossip of swallows through all the sky ; The ground-squirrel gayly chirps by his den, And the wilding bee hums merrily by. The clouds are at play in the azure space, And their shadows at play on the bright green vale, And here they stretch to the frolic chase, And there the)'- roll on the easy gale. There 's a dance of leaves in that aspen bower; There 's a titter of winds in that beechen tree ; There 's a smile on the fruit, and a smile on the flower, And a laugh from the brook that runs to the sea. And look at the broad-faced sun ; how he smiles On the dewy earth that smiles in his ray, On the leaping waters and gay young isles — Ay, look, and he'll smile thy gloom away ! Bryant. THEY'VE CUT THE WOOD AWAY. They've cut the wood away, The cool green wood, Wherein I used to play In happy mood. The woodman's ax has cleft Each noble tree, And now, alas, is left No shade for me. The brooks that flow in May Are dry before The first hot summer day, And flow no more. The fields are brown and bare, And parched with heat; No more doth hover there The pine scents sweet. Boston Journal. No more his note is heard To blithely ring Where erst the woodland bird Would sit and sing. No more the wood-flowers bloom Where once they bloomed Amid the emerald gloom Of ferns entombed. Fled, now, the woodland sights, The scented air ! Fled, all the sweet delights That once were there ! And fled the gracious mood That came to me, When to that quiet wood I used to flee ! 1 48 ARBOR DA Y MANUAL. ARBUTUS. SWEET welcome to thee, dainty winsome flower ! Beloved ! bringing joy for April's tears, Upspringing in the track of wintry fears That ghostly haunt spring's timid, 'wakening hour. The banished months have left thee beauty's power : The autumn, crimson blush ; its snowy kiss, The dying winter; and the summer's bliss Of fragrance in thy breath — a precious dower ! What blossom so beloved as thou dost hide As thou, 'neath rusty leaves that men despise ? Thus rest unseen, till covert torn aside Thy secret yields. Then gladden with surprise And new-born hope, some sad soul's yearning eyes, That under death such living joys abide. Chautanquan, April, 1888. ANNE Hall. THE WOODLAND IN SPRING. E'EN in the spring and play-time of the year, That calls th' unwonted villager abroad With all her little ones, a sportive train, To gather kingcups in the yellow mead, And prink their hair with daisies, or to pick A cheap but wholesome salad from the brook ; These shades are all my own. The timorous hare, Grown so familiar with her frequent guest, Scarce shuns me ; and the stock-dove, unalarmed, Sits cooing in the pine tree, nor suspends His long love-ditty for my near approach. Drawn from' his refuge in some lonely elm, That age or injury has hollowed deep, Where on his bed of wool and matted leaves, He has outslept the winter, ventures forth To frisk awhile, and bask in the warm sun, The squirrel, flippant, pert and full of play ; He sees me, and at once, swift as a bird, Ascends the neighboring beech ; there whisks his brush, And perks his ears, and stamps and cries aloud, With all the prettiness of feigned alarm, And anger insignificantly fierce. Cowper. To-morrow to fresh woods, and pastures new. Milton's Lycidas. ARBOR DA Y MANUAL. 149 AN APRIL DAY. WHEN the warm sun that brings Seed time and harvest, has returned again, Tis sweet to visit the still wood, where springs The first flower of the plain. I love the season well, When forest glades are teeming with bright forms, Nor dark and many-folded clouds foretell The coming-on of storms. From the earth's loosening mould The sapling draws its sustenance, and thrives; Though stricken to the heart with winter's cold, The drooping tree revives. The softly warbled song Comes from the pleasant woods, and colored wings Glance quick in the bright sun, that moves along The forest openings. When the bright sunset fills The silver woods with light, the green slope throws Its shadows in the hollows of the hills, And wide the upland grows. And when the eve is born, In the blue lake the sky, o'er reaching far, Is hollowed out, and the moon dips her horn, And twinkles many a star. Inverted in the tide Stand the gray rocks, and trembling shadows throw, And the fair trees look over, side by side, And see themselves below. Sweet April ! many a thought Is wedded unto thee, as hearts are wed ; Nor shall they fail, till, to its autumn brought, Life's golden fruit is shed. Longfellow. One impulse from 'a vernal wood, May teach you more of man, Of moral evil and of good, Than all the sages can. WORDSWORTH. I 50 ARBOR DA Y MANUAL. SPRING POINTING TO GOD. Loosed from the bands of frost, the verdant ground Again puts on her robe of cheerful green, Again puts forth her flowers ; and all around, Smiling, the cheerful face of spring is seen. Behold the trees new-deck their withered boughs; Their ample leaves the hospitable plane, The taper elm, and lofty ash disclose; The blooming hawthorn variegates the scene. The lily of the vale, of flowers the queen, Puts on the robe she neither sewed nor spun : The birds on ground, or on the branches green, Hop to and fro, and glitter in the sun. Soon as o'er eastern hills the morning peers, From her low nest the tufted lark up-springs ; And cheerful singing, up the air she steers; Still high she mounts, still loud and sweet she sings. On the green furze, clothed o'er with golden blooms, That fill the air with fragrance all around, The linnet sits, and tricks his glossy plumes. While o'er the wild his broken notes resound. While the sun journeys down the western sky, Along the greensward, marked with Roman mound, Beneath the blithesome shepherd's watchful eye, The cheerful lambkins dance and frisk around. Now is the time for those who wisdom love, Who love to walk in virtue's flowery road, Along the lovely paths of spring to rove, And follow Nature up to Nature's God. Bruce. O, willow, why forever weep, As one who mourns an endless wrong? What hidden woe can lie so deep? What utter grief can last so long ? Mourn on forever, unconsoled, And keep your secret, faithful tree ! No heart in all the world can hold A sweeter grace than constancy. Elizabeth Allen. ARBOR DA Y MANUAL. 151 MAY. HEN apple-trees in blossom are, When happy shepherds tell their tale And cherries of a silken white; Under the tender leafy tr«e; w And king-cups deck the meadows fair; And all adown the grassy vale And daffodils in brooks delight; The mocking cuckoo chanteth free; When golden wall-flowers bloom around, And Philomel, with liquid throat, And purple violets scent the ground, Doth pour the welcome, warbling note, And lilac 'gins to show her bloom, — That had been all the winter dumb, — We then may say the May is come. We then may say the May is come. When fishes leap in silver stream, And tender corn is springing high, And banks are warm with sunny beam, And twittering swallows cleave the sky, And forest bees are humming near, And cowslips in boys' hats appear, And maids do wear the meadow's bloom, — We then may say the May is come. Clarke. EARLY SPRING. THE hawthorn whitens, and the juicy groves Put forth their buds unfolding by degrees, Till the whole leafy forest stands displayed, In full luxuriance, to the sighing gales ; Where the deer rustle through the twining brake, And the birds sing concealed. At once, arrayed In all the colors of the flushing year, By Nature's swift and secret-working hand, The garden glows, and fills the liberal air With lavish fragrance : while the promised fruit Lies yet a little embryo, unperceived, Within its crimson folds. Now from the town, Buried in smoke, and sleep, and noisome damps, Oft let me wander o'er the dewy fields, Where freshness breathes, and dash the trembling drops From the bent bush as through the verdant maze Of sweet-brier hedges I pursue my walk ; Or taste the smell of dairy : or ascend Some eminence, Augusta, in thy plains, And see the country far diffused around, One boundless blush, one white-empurpled shower Of mingled blossoms, where the raptured eye Hurries from joy to joy. Thomson. I 5 2 ARBOR DA Y MANUAL. THE SPIRIT OF POETRY. THERE is a quiet spirit in these woods, That dwells where'er the gentle south wind blows ; Where, underneath the white thorn, in the glade, The wild flowers bloom, or kissing the soft air, The leaves above their sunny palms outspread. With what a tender and impassioned voice It fills the nice and delicate ear of thought, When the fast-ushering star of morning comes O'er riding the gray hills with golden scarf; Or when the cowled and dusky-sandaled Eve, In mourning weeds, from out the western gate, Departs with silent pace ! That spirit moves In the green valley, where the silver brook, From its full laver, pours the white cascade; And, babbling low amid the tangled woods, Slips down through moss-grown stones with endless laughter. And frequent on tne everlasting hills, Its feet go forth, when it doth wrap itself In all the dark embroidery of the storm, And shouts the stern strong wind. And here, amid The silent majesty of these deep woods, Its presence shall uplift thy thoughts from earth, As to the sunshine and the pure bright air Their tops the green trees lift. Hence gifted bards Have ever loved the calm and quiet shades. For them there was an eloquent voice in all The sylvan pomp of woods, the golden sun, The flowers, the leaves, the river on its way, Blue skies, and silver clouds, and gentle winds, The swelling upland, where the sidelong sun Aslant the wooded slope, at evening, goes, Groves, through whose broken roof the sky looks in, Mountain, and shattered cliff, and sunny vale, The distant lake, fountains, and mighty trees, In many a lazy syllable, repeating Their old poetic legends to the wind. And this is the sweet spirit, that doth fill The world, and in these wayward days of youth, My busy fancy oft embodies it, As a bright image of the light and beauty That dwell in nature ; of the heavenly forms We worship in our dreams, and the soft hues That stain the wild bird's wing, and flush the clouds • ARBOR DAY MANUAL. 1 53 When the sun sets. Within her tender eye The heaven of April, with its changing light, And when it wears the blue of May, js hung, And on her lip the rich, red rose. Her hair Is like the summer tresses of the trees When twilight makes them brown, and on her cheek Blushes the richness of an autumn sky,. With ever-shifting beauty. Then her breath, It is so like the gentle air of spring, As, from the morning's dewy flowers, it comes Full of their fragrance, that it is a joy To have it round us, and her silver voice Is the rich music of a summer bird, Heard in the still night, with its passionate cadence. Longfellow. SPRING MORNING. COME hither, come hither, and view the face Of nature, enrobed in her vernal grace. By the hedgerow wa)'side flowers are springing; On the budding elms the birds are singing; And up, up, up to the gates of heaven Mounts the lark, on the wings of her rapture driven; The voice of the streamlet is fresh and loud ; On the sky there is not a speck of cloud : Come hither, come hither, and join with me, In the season's delightful jubilee ! Come hither, come hither, and guess with me, How fair and how fruitful the year will be ! Look into the pasture-grounds o'er the pale, And behold the foal w ; th its switching tail, About and abroad, in its mirth it flies, With its long black forelocks about its eyes ; Or bends its neck down with a stretch, The daisy's earliest flowers to reach. See ! as on by the hawthorn fence we pass, How the sheep are nibbling the tender grass, Or holding their heads to the sunny ray, As if their hearts, like its smile, were gay : While the chattering sparrows, in and out, Fly the shrubs, and the trees, and the roofs about, And sooty rooks, loudly cawing roam, With sticks and straws, to their woodland home. Moir '54 ARBOR DA V MANUAL. SUNRISE ON THE HILLS. I STOOD upon the hills, when heaven's wide arch Was glorious with the sun's returning march, And woods were brightened, and soft gales Went forth to kiss the sun-clad vales. The clouds were far beneath me ; bathed in light, They gathered mid-way round the wooded height, And, in their fading glory, shone Like hosts in battle overthrown, As many a pinnacle with shifting glance, Through the gray mist thrust up its shattered lance, And rocking on the cliff was left The dark pine blasted, bare, and cleft. The veil of cloud was lifted, and below Glowed the rich valley, and the river's flow Was darkened by the forest's shade, Or glistened in the white cascade : Where upward, in the mellow blush of day, The noisy bittern wheeled his spiral way. 1 heard the distant waters dash, I saw the current whirl and flash, And richly, by the blue lake's silver beach, The woods are bending with a silent reach. Then o'er the gale with gentle swell, The music of the village bell Came sweetly to the echo-giving hills ; And the wild horn, whose voice the woodland fills, Was ringing to the merry shout, That faint and far the glen sent out, Where, answering to the sudden shot, thin smoke, Through thick-leaved branches, from the dingle broke. If thou art worn and hard beset With sorrows, that thou would'st forget If thou would'st read a lesson, that will keep Thy heart from faintingand thy soul from sleep, Go to the woods and hills ! No tears Dim the sweet look that Nature wears. Longfellow Temperance is a tree which has for a root very little contentment, and for fruit, calm and peace. Buddha. ARBOR DA Y MANUAL. 155 FLOWERS. SPAKE full well, in language quaint and olden, One who dwelleth by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine. * >fi * * * ^ Wondrous truths, and manifold as wondrous, God hath written in those stars above ; But not less in the bright flowerets under us Stand the revelation of His love. Bright and glorious is that revelation, Written all over this great world of ours ; Making evident our own creation, In these stars of earth, these golden flowers. Everywhere about us they are glowing, Some like stars, to tell us Spring is born ; Others, their blue eyes with tears o'erflowing, Stand like Ruth amid the golden corn. In all places then, and in all seasons, Flowers expand their light and soul-like wings, Teaching us, by most persuasive reasons, How akin they are to human things. And with childlike, credulous affection We behold their tender buds expand ; Emblems of our own great resurrection, Emblems of the bright and better land. Longfellow. THE YOUNG DANDELION. I AM a bold fellow As ever was seen. With my shield of yellow, In the grass green. You may uproot me From field and from lane Trample me, cut me, — spring up again. Drive me from garden In anger and pride, I'll thrive and harden By the roadside. Not a bit fearful, Showing my face, Always so cheerful, In every place. Mrs. Craik. 156 ARBOR DA Y MANUAL. SPRING. IN all climates spring is beautiful. The birds begin to sing; they utter a few joyful notes, and then wait for an answer in the silent woods. Those green- coated musicians, the frogs, make holiday in the neighboring marshes. They, too, belong to the orchestra of nature, whose vast theater is again opened, though the doors have been so long bolted with icicles, and the scenery hung with snow and frost like cobwebs. This is the prelude which announces the opening of the scene. Already the grass shoots forth, the waters leap with thrilling force through the veins of the earth, the sap through the veins of the plants and trees, and the blood through the veins of man. What a thrill of delight in spring-time ! What a joy in being and moving ! Men are at work in gardens, and in the air there is an odor of the fresh earth. The leaf-buds begin to swell and blush. The white blossoms of the cherry hang upon the boughs like snow-flakes ; and ere long our next-door neighbor will be completely hidden from us by the dense green foliage. The May-flowers open their soft blue eyes. Children are let loose in the fields and gardens. They hold buttercups under each other's chins, to see if they love butter. And the little girls adorn them- selves with chains and curls of dandelions ; pull out the yellow leaves to see, if the school-boy loves them, and blow the down from the leafless stalk, to find out if their mothers want them at home. And at night so cloudless and so still ! Not a voice of living thing, — not a whisper of leaf or waving bough, — not a breath of wind, — not a sound upon the earth or in the air! And over- head bends the blue sky, dewy and soft, and radiant with innumerable stars like the inverted bell of some blue flower, sprinkled with golden dust, and breathing fragrance. Or, if the heavens are overcast, it is no wild storm of wind and rain, but clouds that melt and fall in showers. One does not wish to sleep, but lies awake to hear the pleasant sound of the dropping rain. Longfellow. Stranger, these gloomy boughs Had charms for him; and here he loved to sit, His only visitants a straggling sheep, The stone-chat, or the glancing sand-piper; And on these barren rocks, with fern and heath And juniper and thistle sprinkled o'er, Fixing his downcast eye, he many an hour A morbid pleasure nourished, tracing here An emblem of his own unfruitful life ; And, lifting up his head, he then would gaze On the more distant scene — how lovely 'tis Thou seest, — and he would gaze till it became Far lovelier, and his heart could not sustain The beauty, still more beauteous. Wordsworth. ARBOR DA Y MANUAL. 157 THE NATIONAL FLOWER. THEY have asked me to vote for a national flower; — Now, which will it be, I wonder ! To settle the question is out of my power; But I'd rather not make a blunder. And I love the Mayflower the best, — in May,- Smiling up from its snow-drift-cover, With its breath that is sweet as a kiss, to say That the reign of winter is over. And I love the Golden-rod, too, — for its gold ; And because through autumn it lingers, And offers more wealth than his hands can hold To the grasp of the poor man's fingers. I should like to vote for them both, if I might ; But I do not feel positive whether The flowers themselves would be neighborly quite ; — Pink and yellow don't go together. O yes, but they do ! — in the breezy wild rose, The darlingest daughter of summer, Whose heart with the sun's yellow gold overflows, And whose blushes so well become her. Instead of one flower, I will vote for three : The Mayflowers know that I mean them ; And the Golden-rod surely my choice will be, — With the sweet Brier-rose between them. You see I'm impartial. I've no way but this : My vote, with a rhyme and a reason, For the Mayflower, the Wild Rose, and Golden-rod, is ; — A blossom for every season ! St. Nicholas, September, 1889. LUCY LARCOM. APRIL. WHEN April, one day, was asked whether She could make reliable weather, She laughed till she cried, And said " Bless you, I've tried, But the things will get mixed up together." St. Nicholas, May, 1889, JESSIE McDERMOTT. 158 ARBOR DA Y MANUAL. W BREATHINGS OF SPRING. HAT wak'st thou, Spring ? — sweet voices in the woods, And reed-like echoes, that have long been mute ; Thou bringest back, to fill the solitudes, The lark's clear pipe, the cuckoo's viewless flute, Whose tone seems breathing mournfulness or glee, Even as our hearts may be. And the leaves greet thee, Spring ! — the joyous leaves, Whose tremblings gladden many a copse and glade, Where each young spray a rosy flush receives, When thy south wind hath pierced the whispery shade, And happy murmurs, running through the grass, Tell that thy footsteps pass. And the bright waters — they, too, hear thy call, Spring, the awakener ! thou hast burst their sleep ! Amidst the hollows of the rocks their fall Makes melody, and in the forests deep. Where sudden sparkles and blue gleams betray Their windings to the day. And flowers — the fairy-peopled world of flowers ! Thou from the dust hast set that glory free, Coloring the cowslip with the sunny hours, And penciling the wood-anemone: Silent they seem ; yet each to thoughtful eye Glows with mute poesy. But what awak'st thou in the heart, O Spring ! — The human heart, with all its dreams and sighs ? Thou that giv'st back so many a buried thing, Restorer of forgotten harmonies ! Fresh songs and scents break forth where 'er thou art : What wak'st thou in the heart ? Too much, oh, there, too much ! — we know not well Wherefore it should be thus ; yet, roused by thee, What fond, strange yearnings, from the soul's deep cell, Gush for the faces we no more may see ! How are we haunted, in thy wind's low tone, By voices that are gone ! Looks of familiar love, that never more Never on earth, our aching eyes shall meet, Past words of welcome to our household door, ARBOR DA Y MANUAL. I 59 And vanished smiles, and sounds of parted feet- Spring, midst the murmurs of thy flowering trees, Why, why revivest thou these ? Vain longings for the dead ! — why come they back With thy young birds, and leaves, and living blooms? O, is it not that from thine earthly track Hope to thy world may look beyond the tombs ? Yes, gentle Spring; no sorrow dims thine air, Breathed by our loved ones there. Mrs. Hemans. T 1 THE WONDERFUL TREE. •'T^HERE'S a wonderful tree, a wonderful tree, The happy children rejoice to see ; Spreading its branches year by year, It comes from the forest to flourish here. And this wonderful tree, with its branches wide, Is always blooming at Christmas-tide. " Tis not alone in the summer's sheen, Its boughs are broad and its leaves are green ; It blooms for us when the wild winds blow, And earth is white with feathery snow. And this wonderful tree, with its branches wide, Bears many a gift at the Christmas-tide. " For a voice is telling its boughs among Of the shepherds' watch and angels' song; Of a holy Babe in a manger low, — The beautiful story of long ago, — When a radiant star threw its beams so wide To herald the earliest Christmas-tide. " Then spread thy branches, wonderful tree, And bring the pleasant thought to me Of Him who came from His home above, The richest gift of the Father's love, To show us how to spread far and wide The joys of the holy Christmas-tide." Flowers are the sweetest things that God ever made and forgot to put a soul into. Beecher. j 6 ARBOR DA Y MANUAL. Written for the "Arbor Day Manual " THE TREE OF STATE.* DEDICATED TO THE MAPLE. EMBLEM Tree of the Empire State ! Thy virtues on this festal day Cheerfully I commemorate, And own allegiance, to thy sway. Deep-rooted in thy native soil, Field of all my earlier toil, — Sepulchre which holds in trust For future time my kindred dust; Play-ground of my childhood years, Cradle of my loves, dreams, fears, — The very dust is dear which creeps About thy roots, and vigil keeps ; And every fiber of thy growth Endeared to me since early youth, Grows dearer still while dreaming where Magnolia blooms fill all the air. * * ^ ^ * * I see thee now, before the storm king bending, As I have seen thee oft and fled from under, When lightning flashes scarce begun, scarce ending, Their work have told in tones of fiercest thunder; And thou wast beautiful and great, O, Emblem Tree of the Empire State ! I see thee now, well rounded, calm and blending Shades and touches by deft nature's brush, And o'er the whole the latest sunset lending That strange soft something twixt a glow and flush, Which holds entranced. E'en now I wait, Loved Emblem Tree of the Empire State ! And lo ! Behold ! Two happy lovers straying Draw near; while sympathetic moon beams stealing Athwart their path, their earnestness betraying, And all unconsciously their love revealing, Are shadowed, with the pair who wait 'Neath thy dense shade, O Tree of State ! E'en merry urchins 'neath thy branches swinging, Refresh themselves at thy o'erflowing fountain, And praises loud in childish glee are ringing, As one by one thy topmost branches mounting, Each vies with each, O Tree of State ! While echoing- hills reiterate. * By a vote of those who participated in the Arbor Day exercises of 1S89, in New York State, the Maple was chosen as the State Tree. ARBOR DA Y MANUAL. 161 I see them now, thy garnered leaves adorning The palace hall and hovel, yea the bier, They turn the night of poverty to morning And bring to gilded homes a touch of cheer, And even death they decorate — Thy leaves, O cherished Tree of State ! But words are sounding voids when hands are waiting To set the royal seal of praise to-day ; And show a love enduring, unabating, By planting thy dear rootlets by the way. Long live the Maple, grand and great ! Proud Emblem Tree of the Empire State ! St. Augustine, Fla. Mrs. B. C. KuDE. Written for the "Arbor Day Manual." CHILD AND TREE. FOR A LITTLE CHILD S RECITATION. I'M like the tiny tree The children plant to-day; And not to blame you see, For making no display. To grow we both have room; And so we patient wait; And some day may become An honor to the State. The tiny little tree Can never move a pace; But busy as a bee, / flit from place to place. Because that I am free To stud}', and to know, There's more required of me, Than standing still to grow. Walerlown, A T . Y. I move and bring things near, The tree must stand and wait; But each one in its sphere May grow both good and great. E. A. HoLBROOK. The robin and the blue-bird, piping loud, Filled all the blossoming orchards with their glee ; The sparrows chirped as if they still were proud Their race in holy writ should mentioned be; And hungry crows assembled in a crowd, Clamored their piteous prayer incessantly, Knowing who hears the ravens' cry, and said, " Give us, O Lord, this day our daily bread ! " 11 Longfellow, 1 62 ARBOR DA Y MANUAL. ELM VERSUS APPLE. THE elm, in all the landscape green, Is fairest of God's stately trees : She is a gracious-mannered queen Full of soft bends and courtesies. But though her slender shadows play Their game of bo-peep on the grass, The hot kine pause not on their way, But panting to the thick oaks pass. And though the robins go, as guests, To swing among the elm's soft leaves, When they would build their snug round nests They choose the rough old apple-trees. The apple has no sinuous arms, No smooth obeisance in her ways; She lacks the elm's compliant charms, Yet she commands my better praise. •fc sjc %. ^ * &• Wide Awake, October, 1886. May Riley Smith. BY SUMMER WOODS. THE leafy city of the birds Is quiet now in every street — The little people all, have gone to sleep. Up from the river come the herds, With dripping mouths and lingering feet ; And slowly earthward shades of evening creep. The chirr of insects fainter grows ; The dusky bat his dungeon leaves, And noiseless flits upon his nightly quest. The flowers their dewy eyelids close ; A lullaby the cricket weaves, And nature folds her hands in balmy rest. So fades in gloom the summer day. Oh ! drearer now each leaf and blade, And gentle band of beauty-haloed flowers ! For stains of blood they hide away, In lonely glens and battle glade, While peace and concord smile amid our bowers. Hours at Home. ARBOR DA Y MANUAL. 163 A CHILD TO A ROSE. WHITE Rose, talk to me ! I don't know what to do. Why do you say no word to me Who say so much to you ? I'm bringing you a little rain And I shall feel so proud If, when you feel it in your face, You take me for a cloud. Here I come so softly You cannot hear me walking ; If I take you by surprise I may catch you talking. White Rose, are j r ou tired Of staying in one place? Do you ever wish to see The wild flowers, face to face ? Do you know the woodbines, And the big brown-crested reeds? Do you wonder how they live So friendly with the weeds? Have you any work to do When you 've finished growing ? Shall you teach your little buds Pretty ways of blowing? Do you ever go to sleep ? Once I woke by night, And looked out of the window: And there you stood, moon-white, Moon-white in a mist of darkness, — With never a word to say ; But you seemed to move a little, And then I ran away. White Rose, do you love me? I only wish you'd say. I would work hard to please you If I but knew the way. I think you nearly perfect In spite of all your scorns ; But, White Rose, if I were you, I -wouldn't have those thorns. LEGEND OF THE ASPEN. Some Canadians have conceived a very superstitious idea of this tree. They say that of its wood the cross was made on which our Saviour was nailed, and that since the time of the crucifixion, its leaves have not ceased to tremble. — Indian Sketches of P. DeSmet. O'ER the forests of Judea Gayly earl)'- morning played, When some men came armed with axes Deep into the forest shade. Passed by many a tree majestic — Cypress grove and olive wood, Till they came wherein the thicket Fair and proud the Aspen stood. " This will serve, — we choose the Aspen, For its stem is strong and high, For the cross on which to-morrow Must a malefactor die." In the air did listening spirits Shrink those men to hear and see, And with awful voice they whisper: "Jesus, 'tis, of Galilee !" Hours at Home, 1865. The Aspen heard them and she trembled — Trembled at that fearful sound — As they hewed her down and dragged her Slowly from the forest ground. On the morrow stood she trembling At the awful weight she bore, When the sun in midnight blackness Darkened on Judea's shore. Still, — when not a breeze is stirring, When the mist sleeps on the hill, And all other trees are moveless, Stands she ever trembling still. For in hush of noon or midnight Still she seems that sight to see, Still she seems to hear that whisper; "Jesus, 'tis, of Galilee ! " 164 ARBOR DA Y MANUAL. A SONG FOR MAY. A SONG for May, whose breath is sweet With blossoms growing at our feet ; Her voice is heard in laughing rills That ripple down the sunny hills, O happy, happy May. The robin in the Cherry tree Is blithe as any bird can be ; And bubbling from his silver throat, His wordless songs of rapture float. O happy, happy May. Vick's Magazine. Above the hills the firmament Bends down about us like a tent, And we, O, fairy-footed May, Are dwellers in your tents, to-day. O happy, happy May. Our hearts are glad with bird and bee For what we feel and what we see ; O, would that life and love, we say, Might always keep its happy May, Its happy, happy May. Eben E. Rexford. NATURE. TO plant, to build, whatever you intend, To rear the column, or the arch to bend, To swell the terrace, or to sink the grot, In all, let Nature never be forgot * * * He gains all points who pleasingly con- founds, Surprises, varies and conceals the bounds, Consult the genius of the place in all ; That helps the waters or to rise or fall ; Or helps th' ambitious hill the heavens to scale, Or scoops in circling theatres the vale ; Calls in the country, catches opening glades; Joins willing woods, and varies shades from shades ; Now breaks, or now directs, th' intending lines ; Paints as you plant and as you work de- signs. Still follow sense, of every art the soul ; Parts answering parts shall slide into a whole, Spontaneous beauties all around advance, Start e'en from difficulty, strike from chance. Pope. ROBIN REDBREAST. PRETTY Robin Redbreast, Let me see inside your nest ; Oh ! the eggs, one, two, three — Just as sweet as sweet can be. I won't touch them ; never fear, I won't let my breath come near, If I did you'd leave your nest, Pretty Robin Redbreast. E. A. Mathers. If Jove would give the leafy bowers A queen for all their world of flowers, The rose would be the choice of Jove And blush, the queen of every grove, Gem, the vest of earth adorning, Eye of gardens, light of lawns, Nursling of soft summer dawns ; Love's own earliest sigh it breathes, Beauty's brow with lustre wreathes, And to young Zephyr's warm caresses, Spreads abroad its verdant tresses. CLODIA- ARBOR DA Y MANUAL. 165 THE SPRING TIME. FOR A CLASS RECITATION. All : HARK ! it is the springtime, How happy should we be, After winter's cold blast The merry spring to see. First Girl : All the birds are happy, They seem to love to sing; They must be tired of winter, And glad to see the spring. Second Girl: And see ! the little flow'rs Pop up their tiny heads ; Buttercups and daisies Spring from their cosy beds. Third Girl : Violets are blooming, And honeysuckles too ; So the bees are happy, As well as all of you. Fourth Girl : Soon, the grand old forest, That has so long been bare, Will send forth green branches Out in the open air. All : Surely God does love us To send us all these things, And we, with our teacher, Give thanks to Him in spring. Lily Rutherford. SPRING. IN the snowing and the blowing, In the cruel sleet, Little flowers begin their growing, Far beneath our feet. Softly taps the spring, and cheerly, " Darlings are you here ? " Till the answer, " We are nearly, Nearly ready, dear." ." Where is winter, with his snowing? Tell us spring," they say. Then she answers, " He is going, Going on his way. Poor old winter does not love you ; But his time is past; Soon my birds shall sing, above you, Set you free at last." Mrs. M. M. Dodge. LITTLE BIRDIE. FOR A LITTLE ONE. DEAR little birdie, Up in a tree, Sing a sweet song of Spring-time to me. Sing of the sunshine, Sing of the showers, Sing of the dewdrops, Sing of the flowers. Then when winter comes Back with its snow, And the cold winds Through the trees blow If you, dear birdie, will Back to me come, I'll see that you never Shall want for a crumb. 1 66 ARBOR DA Y MANUAL. ROBIN REDBREAST'S SECRET. I'M a little Robin Redbreast ; My nest is in a tree ; If you look up in yonder elm, My pleasant home you'll see. We made it very soft and nice, — My pretty mate and I, — And all the time we worked at it We sang most merrily. I have a secret I would like The little girls to know ; But I won't tell a single boy — The}' rob the poor birds so ! We have four pretty little eggs; We watch them with great care , Full twenty nests are in this wood — Don't tell the boys they're there ' The green leaves shade our lovely home From the hot, scorching sun ; So man)' birds live in the tree, We do not want for fun. The light breeze gently rocks our nest, And hushes us to sleep ; We're up betimes to sing our song, And the first daylight greet. Joe Thomson robbed my nest last year. And year before, — Tom Brown; I'll tell it loud as I can sing To every one in town. Swallow and sparrow, lark and thrush, Will tell you just the same ; To make us all so sorrowful, Is just a wicked shame. O, did you hear the concert This morning from our tree? We give it every morning Just as the clock strikes three. We praise our great Creator, Whose hoi)' love we share : Dear children, learn to praise Him, too. For all His tender care. JOY OF SPRING. FOR lo ! no sooner has the cold withdrawn, Than the bright elm is tufted on the lawn ; The merry sap has run up in the bowers, And burst the windows of the buds in flowers ; With song the bosoms of the birds run o'er, The cuckoo calls, the swallow 's at the door, And apple-trees at noon, with bees alive, Burn with the golden chorus of the hive. Now all these sweets, these sounds, this vernal blaze, Is but one joy, expressed a thousand ways : And honey from the flowers, and song from birds, Are from the poet's pen his overflowing words. Leigh Hunt. ARBOR DA Y MANUAL. 1 6 7 THE BIRDS AND THE CHILDREN. A LITTLE brown birdie sat up in a tree And hid his head under his wing. He was just as sad as a birdie could be, And not one sweet song did he sing. " Oh, Birdie, come tell us why you are so sad, We, children, want to hear you sing. Have you done something ever and ever so bad, That you hide your head under your wing? " Did you snatch something nice from your sister or brother, Like some naughty children, we know? Did you fly far away, when told by your mother That but a short way you could go ? " The Birdie from under his wing took his head, And looked at the children below. " I have not been naughty at all," then he said, " I'll tell you why I'm mourning so. ''A bright, handsome bluejay just flew past this tree, And laughed at my rusty, brown coat ; And if I'm so homely as he said, you see, There's no use in singing a note. " For no one will care for a homely bird's song, And I'd better not sing any more." Then all the children said, "Birdie, you're wrong, We've been told by wise folks o'er and o'er, "That fine feathers only don't make a fine bird. Jays cannot sing sweetly like you. They look well who do well, we often have heard, And, Birdie, we're sure it is true. " So sing to us now, — sing your very best song ! We'll stay here and listen to you." Then the bird for the children sang sweetly and long, — Sang all the nice songs that he knew. E. T. Sullivan. THE OAK. T HE tall oak, towering to the skies, O'ervvhelmed at length upon the plain, The fury of the wind defies, It puts forth wings and sweeps the main From age to age in virtue strong, The self-same foe undaunted braves, Inured to stand and suffer wrong. And fights the wind upon the waves. Iames Montgomery. ! 68 ARBOR DA V MANUAL. THE PINE TREE ACADEMY. ALL the birdies went to school, In a pine tree, dark and cool, At its foot a brook was flowing, The teacher was a crow, And what he did not know, You may be sure was not worth knowing. Their satchels are hanging up tidy and neat, They smooth down their feathers and wipe off their feet, While the wind through the tree-tops goes creeping. " Speak up loud " says the crow, " I can't hear, as you know, While the branches are swaying and creaking." They are taught the very best way to fly, To catch the insect that goes buzzing by; How to cock the head when beginning to sing. " I've a cold," says the crow, " Or else 1 would show, How the nightingale does when she makes the woods ring." The books are made of maple leaves, For paper, bark from white-birch trees, And for pencil each uses a stick. " When you write," says the crow, " Be both careful and slow, Make your letters look graceful, not thick." Every birdie builds a nest, In the place each thinks the best, While the teacher gives good sound advice. "All the stocks," says the crow, "You must lay in a row Before using one, look at it twice." All at once, with a cold blast The rain comes falling, thick and fast, While the old pine tree groans in the gale. " School is closed," says the crow, " You must all quickly go, But to-morrow, come back without fail." V. E. SCHARFF. ARBOR DA V MANUAL. \ 69 THE SEASONS. I THE Spring! the beautiful Spring! i With its buds and blossoms and flowers, With bluebirds and robins that sing their sweet songs, And the soft, mild, April showers. I like best the Summer, the long June days, To sit in the deep cool shade, To see the grain ripening, the flowers turn to fruit, On each hillside, valley and glade. Girls always rave of flowers and bowers, And of the beauties of Spring, But give me the Autumn, the glorious fall, And all the pleasures it brings ; With corn-stalk fiddles, fruits and nuts, And a hunt in the woods, sere and brown ; With pumpkins for jack-lights, To frighten on dark nights, And shaking the ripe apples down. No Spring, no Summer, no Autumn for me, But Winter, the grandest of all, When Jack-frost and Santa Claus travel around, And kindly gives each a call. Coasting and skating in the keen, cold air, Is the very best think to banish care. Spring and Summer, Winter and Fall, The best of the seasons is, them all. We would tire of Spring, if no Summer came. We would tire of Summer if it came to remain. We would tire of Autumn if it came to stay. We would tire of Winter e'er it passed away. The 5 r ear is complete, God made it so, With bud and blossom, fruit and snow. Katie Douglas Walster. OUR DUTY HERE. WHAT is our duty here? To tend And so to live, that, when the sun From good to better, — thence to best; Of our existence sinks in night, Grateful to drink life's cup, — then bend Memorials sweet of mercies done Unmurmuring to our bed of rest; May shrine our names in memory's light; To pluck the flowers that round us blow, And the blest seeds we scattered bloom Scattering our fragrance as we go. A hundred-fold in days to come. Sir J. Bowring. 170 ARBOR DA Y MANUAL. M AGE OF TREES. AN counts his life by years ; the oak, by centuries. At one hundred years of age the tree is but a sapling ; at five hundred it is mature and strong; at six hundred the gigantic king of the greenwood begins to feel the touch of time : but the decline is as slow as the growth was, and the sturdy old tree rears its proud head and reckoned centuries of old age just as it reckoned centuries of youth. It has been said that the patriarchs of the forest laugh at history. Is it not true ? Perhaps, when the balmy zephyrs stir the trees, the leaves whisper strange stories to one another. The oaks and the pines, and their brethren of the wood, have seen so many suns rise and set, so many seasons come and go, and so many generations pass into silence, that we may well wonder what the " story of the trees " would be to us if they had tongues to tell it, or we ears fine enough to understand. "The king of white-oak trees," says a letter-writer in this good year 1883, " has been chopped down and taken to the saw-mill. It was five hundred twenty- five years old, and made six twelve-foot logs, the first one being six feet in diameter and weighing seven tons." What a giant that Ohio oak tree must have been, and what changes in this land of ours it must have witnessed ! It looked upon the forest when the red man ruled there alone; it was more than a century old when Columbus landed in the new world; and to that good age it added nearly four centuries before the axe of the woodman laid it low. Yet, venerable as this " king of the white-oak trees " was, it was but an in- fant, compared with other monarchs of the western solitudes. One California pine, cut down about 1855, was, according to very good authority, eleven hundred twenty years old ; and many of its neighbors in its native grove are no less ancient than it was. Who shall presume, then, to fix the age of the hoary trees that still rear their stalwart frames in the unexplored depths of the American wilderness ? In England there are still in existence many trees that serve to link the far- off past with the living present. Some of them were witnesses of the fierce struggles between Norman and Saxon when William the Conqueror planted his standard — "the three-bannered lions of Normandy old " — upon English soil. Then there is the King's Oak, at Windsor, which, tradition informs us, was a great favorite with William when that bold Norman first inclosed the forest for a royal hunting-ground. The Conquerer loved to sit in the shade of the lofty, spreading tree and muse — upon what? Who knows what fancies filled his brain, what feelings stirred his proud spirit, what memories, what regrets, thrilled his heart, as he sat there in the solitude ? Over eight hundred years have rolled away since the Norman usurper fought the sturdy Saxon, and, for conquerer as for conquered, life and its ambitions and its pangs ended long ago ; but the mighty oak, whose green- ness and beauty were a delight to the Conqueror, still stands in Windsor forest. Eight centuries ago its royal master saw it a " goodly tree." How old is it now ? ARBOR DA Y MANUAL. 171 Older even than this are the oaks near Croydon, nine miles south of London, If the botanist may judge by the usual evidences of age, these trees saw the glitter of the Roman spears as the legions of the Empire wound their way through the forest-paths or in the green open spaces in the woodland. Now, the Roman legions left Britain fourteen centuries ago, having been summoned home to Rome because the Empire was in danger, — in fact, was hastening to its fall. Have fourteen centuries spared these oaks at Croydon ? There is a famous yew that must not go without notice in our record of ancient trees. This venerable tree stands in its native field, ever green and enduring, as if the years had forgotten it. Yet it was two centuries old when, in the adjacent meadow, King John signed Magna Charta. If we bear in mind that in 121 5 the stout English barons compelled their wicked king to sign the Great Charter, protecting the rights of his subjects, we may conclude that this patriarch yew is at least eight hundred fifty years old. The Parliament Oak — -so called because it is said that Edward I, who ruled England from 1272 to 1307, once held a parliament under its branches — is be- lieved to be fifteen hundred years old. If Fine-Ear of the fairy tale could come and translate for us the whispers of these ancient English trees, and tell us ever so little of what the stately monarchs of the wood have seen, what new histories might be written, what old chronicles reversed! On the mountains of Lebanon a few of the cedars famous in sacred and in profane history yet remain. One of these relics of the past has been estimated to be three thousand five hundred years old. The patriarchs of the English forests cannot, then, so far as age is considered, claim equal rank with the "cedars of Lebanon." But the baobab, or "monkey-bread," of Senegal must take the first rank among long-lived trees. Even the " goodly trees " of Lebanon must, if ordinary proofs can be trusted, yield the palm to their African rival. An eminent French botanist of the eighteenth century, whose discoveries in natural history are of great interest to the world of science, lived some years in Senegal, and had ample opportunity to observe and study the wonderful baobab- He saw several trees of this species growing, and from the most careful calcula- tions he formed his opinion as to the age of some of these African wonders. One baobab, which even in its decay measured one hundred and nine feet in circumference, he believed to be more than five thousand years old. Truly, the patriarchs of the forest laugh at history. THE HEMLOCK TREE. HEMLOCK tree ! O hemlock tree ! how faithful are thy branches ! Green not alone in summer time But in the winter's frost and rime ! O hemlock tree ! O hemlock tree ! how faithful are thy branches. From the German. Longfellow. 172 ARBOR DA V MANUAL. MAY TO APRIL. WITHOUT your showers, I breed no flowers, Each field a barren waste appears; If you don't weep, My blossoms sleep, They take such pleasure in your tears. For April dead My shade I spread, To her I owe my dress so gay; Of daughters three It falls on me To close our triumphs on one day. As your decay Made room for May, So I must part with all that's mine, My balmy breeze, My blooming trees, To torrid suns their sweets resign. Thus to repose All nature goes; Month after month must find its doom, Time on the wing, Ma} r ends the spring, And summer frolics o'er her tomb. Philip Freneau. THE FLOWER. ONCE in a golden hour I cast to earth a seed. Up there came a flower, The people said a weed. Sow'd it far and wide By every town and tower, Till all the people cried, " Splendid is the flower." To and fro they went Thro' my garden-bower, And muttering discontent, Cursed me and mv flower. Read my little fable; He that runs may read, Most can raise the flowers now, For all have got the seed. Then it grew so tall It wore a crown of light, But thieves from o'er the wall Stole the seed by night. And some are pretty enough, And some are poor, indeed; And now again the people Call it but a weed. Tennyson. BIRD TRADES. THE swallow is a mason, And underneath the eaves He builds a nest and plasters it With mud and hay and leaves. The woodpecker is hard at work — A carpenter is he — And )'ou may hear him hammering His nest high up a tree. Of all the weavers that I know, The oriole is the best ; High on the branches of the tree She hangs her cosy nest. Some little birds are miners; Some build upon the ground; And busy little tailors too, Among the birds are found. ARBOR DA Y MANUAL. \ 73- THE LEAVES. LONG ago, when violets were blooming, And the sunbeams said, " Tis merry May," We came, young leaves, to these bowers O ! gaily passed the happy hours away. Singing, dancing, waving, glancing, Now whisp'ring to the birds sweet things we know, Now leaning from low-bending branches To kiss the tender grasses just below. When the storm cloud came, and the daisies Lowly bent their dainty heads for fear, We prayed while we sheltered the wild birds, *' O ! angry cloud, pray bring no danger here." Now we listen, never moving, E'en the grasses' whispering dies away; Now the thunder crashes above us O ! angry cloud, is this your answer, say ? Hurrah ! 'tis only pattering raindrops, Here and there we nod to greet them from our tree. They are coming now by the millions, Ha ! ha ! we'll frolic with them merrily. Dancing, dancing, waving, glancing, O ! friendly cloud, we thank you for the rain ; See we're each one covered with jewels, Hurrah ! here is the sunshine back again. Summer joys, thou art gone ; with the flowers That blossomed in our shadows, frail and fair; And we sigh, for our bright hues are fading, While autumn's mournful music fills the air. Now we're falling, gently falling, Down among the grasses sere and brown, We shall cover the graves of the flowers While the paling sun in pity glances down. There scattered oft, the earliest of the year By hands unseen, are showers of violets found; The redbreast loves to build and warble there, And little footsteps lightly print the ground. Gray's Elegy. This verse was struck out in later editions of the poem by the author, sacri- ficing a beautiful thought to the symmetry of the poem. i/4 ARBOR DA Y MANUAL. CHORUS OF THE FLOWERS. FOR A CLASS EXERCISE. Chorus: WE are the little flowers, Coming with the spring; If you listen closely Sometimes you'll hear us sing. The Honeysuckle (Red): I am the honeysuckle, With my drooping head ; And early in the spring time I don my dress of red. I grow in quiet woodlands, Beneath some budding tree ; So when you take a ramble Just look for me. Chorus : We are the little flowers, etc. The Forget-me-not (Blue) : When God made all the flowers, He gave each one a name, And, when the others all had gone, A little blue one came. And said in trembling whisper, " My name has been forgot." Then the good Father called her, " Forget-me-not." Chorus: We are the little flowers, etc, Chorus : We are the little flowers, etc. The Dandelion (Yellow) : I am the dandelion, Yellow as you see, And when the children see me They shout for glee. I grow by every wayside, And when I've had my day- I spread my wings so silvery And fly away. The Fern (Green) : A fern the people call me, I'm always clothed in green, I live in every forest ; You've seen me oft, I ween. Sometimes I leave the shadow To grow beside the way. You'll see me as you pass Some nice fine day. Chorus : We are the little flowers, etc. Chorus: We are the little flowers, etc. The Nasturtium (Orange): I am the gay nasturtium, I bloom in gardens fine, Among the grander flowers My slender stalk I twine. Bright orange is my color — The eyes of all to please — I have a tube of honey For all the bees. The Violet (Purple) : I am the little violet ; In my purple dress, I hide myself so safely, That you'd never guess There was a flower so near you Nestling at your feet; And that's why I send you My fragrance sweet. Chorus : We are the little flowers, etc. Lucy Wheelock. ARBOR DA Y MANUAL. 175 THE CUNNING OLD CROW. ON the limb of an oak sat a cunning old crow, And chatted away with glee, As he saw the old farmer go out to sow, And he cried, " It's all for me ! "Look, look, how he scatters his seeds around ; How wonderfully kind to the poor ! If he'd empty it down in a pile on the ground, I could find it much better, I'm sure ! " I've learned all the tricks of this wonderful man, Who has such regard for the crow That he lays out his grounds in a regular plan, And covers his corn in a row. " He must have a very great fancy for me ; He tries to entrap me enough, But I measure his distance as well as he, And when he comes near, I'm off." THE SEASONS. WHAT does it mean when the blue bird flies Away o'er the hills, singing sweet and clear? When violets peep through the blades of grass ? These are the signs that Spring time is here. What does it mean when the plums are ripe ? And butterflies flit and honey bees hum ? When cattle stand under the shady trees ? These are the signs that Summer is here. What does it mean when the crickets chirp, And off to the south-land the wild geese steer? When apples are falling and nuts are brown ? These are the signs that Autumn is here. What does it mean when the days are short ? When leaves are all gone, and the brooks are dumb ? When meadows are white with the drifting snow? These are the signs that Winter has come. M. E. N. Hatheway. I 76 ARBOR DA Y MANUAL. HYMN TO THE FLOWERS. 'TVTEATH cloister'd bough each floral bell that swingeth W And tolls its perfume on the passing air, Makes Sabbath in the fields, and ever ringeth A call to prayer. Not to those domes where crumbling arch and column Attest the feebleness of mortal hand, But to that fane most catholic and solemn, Which God hath planned ; To that cathedral boundless as our wonder, Whose quenchless lamps the sun and moon supply; Its choir, the wind and waves ; its organ, thunder; Its dome, the sky. There, as in solitude and shade, I wander Through the lone aisles, or stretched upon the sod, Awed by the silence, reverently ponder The ways of God. Your voiceless lips, Q flowers ! are living preachers ; Each cup a pulpit, and each leaf a book ; Supplying to my fancy numerous teachers, In loneliest nook. Horace Smith. THE TREE. THE tree's early leaf-buds were bursting their brown. " Shall I take them away? " said the frost sweeping down. " No ; leave them alone Till the blossoms have grown," Prayed the tree, while he trembled from rootlet to crown. The tree bore his blossoms, and all the birds sung. ' Shall I take them away ? " said the wind as he swung. '' No ; leave them alone Till the berries have grown," Said the tree, while his leaflets quivering hung. The tree bore his fruit in the midsummer glow. Said the child, "May I gather thy berries now?" " Yes; all thou canst see ; Take them ; all are for thee," Said the tree, while he bent down his laden boughs low. BjORNSTJERNE BjORNSON. ARBOR DA Y MANUAL. 177 NOW IS THE TIME. THE bud will soon become a flower, The flower become a seed ; Then seize, O youth ! the present hour. Of that thou hast most need. The sun and rain will ripen fast Each seed that thou hast sown- And every act and word at last By its own fruit be known. Do thy best always — do it now — For, in the present time. As in the furrows of a plow Fall seeds of good or crime. And soon the harvest of thy toil Rejoicing, thou shalt reap ; Or o'er thy wild, neglected soil Go forth in shame to weep. SPRING. THE alder by the river Shakes out her powdery curls; The willow buds in silver For little boys and girls. And buttercups are coming, And scarlet columbine ; And in the sunn}' meadows The dandelions shine. The little birds fly over, And, oh, how sweet they sing ! To tell the happy children That once again 'tis spring. And just as man)' daisies As their soft hands can hold. The little ones may gather, All fair in white and gold. The gay green grass comes creeping So soft beneath their feet ; The frogs begin to ripple A music clear and sweet. Here blows the warm red clover, There peeps the violet blue; O happy little children ! God made them all for you. Celia Thaxter. GOOD-BY, WINTER ! THE meadow brooks are full, and busy Yes, hurry up, old Winter, hurry ! Getting Winter off to sea ; Sometime, we hope, you'll come again; His trunks of ice, all packed and ready, But here is Spring, in such a flurry, Are standing under every tree. Keeping back her stores of rain. His overcoats, well aired and shaken, Well, he's off ! The brooks have started ! Are dangling from each dripping bough ; Now the birds can come and sing, For he has stayed till overtaken, So welcome to the happy-hearted, And Spring is right upon him now ! Laughing, budding, genial Spring. ia C. S. Stone. i 7 8 ARBOR DA Y MANUAL. " A SOUL IN GRASS AND FLOWERS." AND what is so rare as a day in June ? Then, if ever, come perfect days; Then Heaven tries the earth if it be in tune, And over it softly her warm ear lays : Whether we look, or whether we listen, We hear life murmur, or see it glisten ; Every clod feels a stir of might. And instinct within it that reaches and towers, And grasping blindly above it for light, Climbs to a soul in grass and flowers; The flush of life may well be seen Thrilling back over hills and valleys; The cowslip startles in meadows green, The buttercup catches the sun in its chalice, And there's never a leaf or a blade too mean To be some happy creature's palace ; * * * * * * Now the heart is so full that a drop overfills it, We are happy now because God so wills it ; No matter how barren the past may have been, 'Tis enough for us now that the leaves are green ; We sit in the warm shade and feel right well How the sap creeps up and the blossoms swell ; We may shut our eyes but we cannot help knowing That skies are clear and grass is growing ; The breeze comes whispering in our ear, That dandelions are blossoming near, That maize has sprouted, that streams are flowing, That the river is bluer than the sky, That the robin is plastering his house hard by ; And if the breeze kept the good news back, For other couriers we should not lack. ****** Joy comes, grief goes, we know not how ; Every thing is happy now, Every thing is upward striving ; 'Tis as easy now for the heart to be true As for grass to be green, or skies to be blue, — 'Tis the natural way of living. ****** Lowell's Vision of Sir Launfal. ARBOR DA Y MANUAL. 179 THE LODGE. IT was a lodge of ample size, But strange of structure and device ; Of such materials as around The workman's hand had readiest found. Lopped off their boughs, their hoar trunks bared, And by the hatchet rudely squared. To give the walls their destined height, The sturdy oak and ash unite ; While moss and clay and leaves combined To fence each crevice from the wind. The lighter pine trees overhead Their slender length for rafters spread, And withered heath and rushes dry Supplied a russet canopy. Due westward, fronting to the green, A rural portico was seen, Aloft on native pillars borne, Of mountain fir with bark unshorn, Where Ellen's hand had taught to twine The ivy and Idaean vine, The clematis, the favored flower Which boasts the name of virgin bower, And every hardy plant could bear Lock Katrine's keen and searching air. Scott's Lady of the Lake — The Chase. A FEW OLD PROVERBS. IF the Oak is out before the Ash, 1 'Twill be a summer of wet and splash ; But if the Ash is out before the Oak, 'Twill be a summer of fire and smoke.' u When the Hawthorn bloom too early shows, We shall have still many snows." "When the Oak puts on his goslings grey Tis time to sow barley night or day." ''When Elm leaves are big as a shilling, Plant kidney beans if you are willing; When Elm leaves are as big as a penny, You must plant beans if you wish to have any." i8o ARBOR DA Y MANUAL. OLD-FASHIONED FLOWERS. WHERE are the sweet old-fashioned posies, Quaint in form and bright in hue, Such as grandma gave her lovers, When she walked the garden through ? Lavender, with spikes of azure, Pointing to the dome on high, Telling thus whence came its color, Thanking with its breath the sky. Four-o'clock, with heart unfolding, When the loving sun had gone, Streak and stain of running crimson, Like the light of early dawn. Regal lilies, many petaled, Like the curling drifts of snow, With their crown of golden antlers Poised on malachite below. Morning-glories, tints of purple Stretched on tints of creamy white, Folding up their satin curtains Inward through the dewy night. Marigold, with coat of velvet, Streaked with gold and yellow lace, With its love for summer sunlight Written on its honest face. Dainty pink, with feathered petals, Tinted, curled and deeply frayed, With its calyx heart half broken, On its leaves uplifted laid. * * * * * Will the modern florist's triumph Look so fair or smell so sweet, As those dear old-fashioned posies, Blooming round our grandma's feet? Ethel Lynn. A MERRY little maiden In the merry month of May, Came tripping o'er the meadow As she sang this merry lay: " I'm a merry little maiden, My heart is light and gay, And I love the sunny weather In the merry month of May. A MAY SONG. FOR A LITTLE ONE. " I love the little birdies That sport along my way, And sing their sweet and merry songs In the merry month of May. I love my little sisters And my brothers every da)-; But I seem to love them better In the merry month of Ma)'." MERRY SPRING. MERRY spring, Will you brin^ Back the little birds to sing? I am sad; Make me glad, Gentle, merry, laughing spring. Mother said, " They're not dead Only sleeping in their bed; When spring rain Comes again, Each one lifts its tiny head.' Winter's snow Had to go From the hills and vales below; Then the showers Made the flowers Over all the hillsides grow. ARBOR DA Y MANUAL. I 8 1 SPRING IS COMING. LO ! the winter is past, the rain is over and gone ; The flowers appear upon the earth ; The time of the singing of birds is come, And the voice of the turtle is heard in the land. Song of Solomon. Spring is coming ! Spring is coming ! Birds are chirping, insects humming; Flowers are peeping from their sleeping; Streams, escaped from winter's keeping, In delighted freedom rushing, Dance along in music gushing. • The pleasant spring is here again; Its voice is in the trees ; It smiles from every sunny glen, It whispers in the breeze. All is beauty, all is mirth, All is glory on the earth. Shout we then, with nature's voice, Welcome, spring ! rejoice, rejoice ! AUTUMN LEAVES. THOU who bearest on thy thoughtful face The wearied calm that follows after grief, See how the autumn guides each loosened leaf To sure repose in its own sheltered place. Ah, not forever whirl they in the race Of wild forlornness round the gathered sheaf, Or hurrying onward, in a rapture brief, Spin o'er the moorlands into trackless space ! Some hollow captures each ; some sheltering wall Arrests the wanderer on its aimless way ; The autumn's pensive beauty needs them all, And winter finds them warm, though sere and gray, They nurse young blossoms for the spring's sweet call, And shield new leaflets for the burst of May. Century, 1888. Thomas W. Higginson. 'Tis education forms the common mind ; Just as the twig is bent the tree's inclined. Pope. 182 ARBOR DA Y MANUAL. A FLOCK OF BIRDS. FOR A CLASS OF LITTLE ONES. ( The pupils who recite should wear appropriate colors.) First Pupil : f AM a bluebird ; on branches bare 1 I love to sway like a blossom fair, And sing to people tired of snow • The prettiest songs of spring-time I know. Second Pupil: I am a robin "To wortle, tu whit ! " Do I mind the cold weather? no not a bit. Gayly I'll carol and loudly shout Till I coax the leaves and the blossoms out. Third Pupil (yellow bird) : My color is like the buttercups; I love to dance where the wild bee sups, I know I've not much of a voice to sing But I carry a sunbeam on either wing. Fourth Pupil : I'm a jolly old crow, I'd have you know, I've sung ever since I was born; And as for farming, I can beat The smartest at hoeing the corn ; You don't think much of my music? That's as much as some people know. What sound is there in this noisy world So sweet as the song of a crow ? Fifth Pupil : I'm the oriole ; see how gaily I'm dressed, For me the blossoming orchard is best. Oh May is sweet, and I am sweet, And the apple blossoms here at my feet. Sixth "Pupil : I'm brisk little Robert of Lincoln ! My heart is so full and so gay That I sing as fast as ever I can, In the meadow-lands, all day. I love the tall lithe grasses And the daisies, — the dear little thinsrs ARBOR DA Y MANUAL. They pay the best attention To all a birdie sings. Bob-o-link, bob-o-link, I'm glad, bob-o-link! The brook says I'm pretty, Now what do you think ? Three or more Pupils : We're the cat birds and whip-poor-wills, but we'll not tell The secrets we've learned in the shaded dell. All (singing or reciting) : Come out, boys and girls, and we'll sing you a song; Come early; we sing in the morning When the spirits of sunrise with colors rare Are sky and hilltops adorning. Annie Chase. EFFECTS OF SPRING. THE great sun, Scattering the clouds with a resistless smile, Came forth to do thee homage ; a sweet hymn Was by the low winds chanted in the sky; And when thy feet descended on the earth, Scarce could they move amid the clustering flowers By nature strewn o'er valley, hill and field, To hail her blessed deliverer ! Ye fair trees, How are ye changed, and changing while I gaze ! It seems as if some gleam of verdant light Fell on you from a rainbow ; but it lives Amid your tendrils, brightening every hour Into a deeper radiance. Ye sweet birds, Were you asleep through all the wintry hours, Beneath the waters, or in mossy caves? Yet are ye not, Sporting in tree and air, more beautiful Than the young lambs, that, from the valley side, Send a soft bleating like an infant's voice, Half happy, half afraid ! O blessed things ! At sight of this your perfect innocence, The sterner thoughts of manhood melt away Into a mood as mild as woman's dreams. Wilson. He that goes barefoot must not plant thorns." 1 84 ARBOR DA V MANUAL. ALL THINGS BEAUTIFUL. \ LL things bright and beautiful l\ All creatures great and small, All things wise and wonderful, — The Lord God made them all. Each little flower that opens, Each little bird that sings. He made their glowing colors, He made their tiny wings. The purple-headed mountain, The river, running by, The morning, and the sunset That lighteth up the sky. The tall trees in the green wood, The pleasant summer sun, The ripe fruits in the garden, — He made them, every one. He gave us eyes to see them, And lips that we might tell How great is God Almighty, Who hath made all things well. C. F. Alexander. SING A SONG TO ME. FOR FOUR LITTLE PUPILS. LITTLE robin in the tree Sing a song to me. Sing about the roses On the garden wall, Sing about the birdies On the tree-top tall. Little lark up in the sky Sing a song to me. Sing about the cloud-land, Far off in the sky; When you go there calling, Dd your children cry? Tiny tomtit in the hedge, Sing a song to me. Sing about the mountain, Sing about the sea, Sing about the steamboats — Is there one for me ? Sooty blackbird in the field, Sing a song to me. Sing about the farmer, Planting corn and beans, Sing about the harvest — I know what that means. SPRING SONG. HARK, the robins sweetly sing, List, and hear the bluebirds ring, Little May-flowers, "swinging low, Your pale faces to and fro, Whispering softly, " Come and see, We the children's friend will be. Close beside the sheltering grass, Stoop and pluck us as ye pass." White and cold the winter's snow, Loud and rough north winds did blow, But beneath our blanket white, Slept we through the wintry night. Till we heard the robins sing, Whispered we, " It is the spring," And we op'ed our sleepy eyes, For the children's glad surprise. Jessie Norton. ARBOR DA Y MANUAL. 1*5 VOICES OF THE NIGHT. PLEASANT it was, when woods were green, And winds were soft and low, To lie amid some sylvan scene, Where, the long drooping boughs between, Shadows dark and sunlight sheen Alternate come and go. Or where the denser grove receives No sunlight from above, But the dark foliage interweaves In one unbroken roof of leaves, Underneath whose sloping eaves The shadows hardly move. Beneath some patriarchal tree I lay upon the ground : His hoary arms uplifted be, And all the broad leaves over me Clapped their little hands in glee, With one continuous sound. ^; ■%. %. ;fc %, The green trees whispered low and mild It was a sound of joy ! They were m)' playmates when a child, And rocked me in their arms so wild ! Still they looked at me and smiled, As if I were a boy ; And ever whispered, mild and low, " Come, be a child once more ! " And waved their long arms to and fro, And beckoned solemnly and slow ; O, I could not choose but go Into the woodland's hoar, — Into the'blithe and breathing air Into the solemn wood, Solemn and silent everywhere ! Nature with folded hands seemed there, Kneeling at her evening prayer ! Like one in pra)^er I stood. Before me rose an avenue Of tail and sombrous pines ; Abroad their fan-like branches grew, And, where the sunshine darted through, Spread a vapor soft and blue, In long and sloping lines. j g5 ARBOR DA Y MANUAL. And, falling on my weary brain, Like a fast-falling shower, The dreams of youth came back again, Low lisoings of the summer rain, Dropping on the ripened grain As once upon the flower. * * * * * Longfellow. MAY. HAIL May ! with fair queen and May-pole, Your sweet-scented garlands unroll, Hail spring-time ! dear queen of the seasons, You all of the others control. The crocuses dance first to meet you From the dazzle of snow's icy sheen : Then springs up the dainty arbutus From under its dead brown-leaf screen. And listen! a sound of sweet music Steals into the school-room to-day, 'Tis the song of gay robin and blue-bird, In the meadows and woodlands, away. But listen again ! happy children Are singing of spring, lovely spring ; Of all of her many bright blessings, The beauty and joy she may bring. Now what can we do for our spring-time That has been so kind to us all ; Who gives the earth all of her beauty And music of birds great and small? We will be so kind to our playmates — There will ne'er be heard cross word or cry And to do the will of our teacher, And our heavenly Master, we'll try. Blessed be God for flowers ! For the bright, gentle, holy thoughts, that breathe From out their odorous beauty, like a wreath Of sunshine on life's hours ! Mrs. Charles Tinsley. Copyright, isso, by " Garden and Forest." THE PURPLE BEECH. ARBOR DA Y MANUAL. l8 7 THE PURPLE BEECH. THE large purple beech at Waltham, of which an illustration appears upon another page, is no doubt one of the finest individuals of this variety planted in the United States. Downing, who was familiar with the Lyman Place, does not, however, mention it in his "Landscape Gardening," written forty or fifty years ago ; and it is probable that the specimen which was growing at that time at Throgg's Neck, in Westchester county, and which Downing declared was the finest in the United States, is now, if still alive, much larger than the Waltham tree, which has lost a good deal from overcrowding and from the garden wall built close to the trunk, which has destroyed the lower branches. There is no tree which demands more room for free development than the beech ; and a beech, standing on a lawn or in a garden, on which there are no lower branches to sweep down to the turf, has lost a large part of the charac- teristic beauty which makes it valuable. The stem of the beech, it is true especially of the American species, has great beauty and a charm peculiar to itself, but it is in the wood or in the forest that this beauty should be seen and admired; and beeches should not be planted in ornamental grounds where light and space cannot be afforded them for full and unchecked growth in every direction. The purple beech is a tree of much interest apart from its undoubted value for ornamental planting. It is one of the few examples among trees where an abnor- mal bud variety has retained its character for more than a century, through hundreds of thousands of individuals, all sprung from a single branch (discovered toward the middle of the last century upon a tree in the German forest), either directly from grafts, and now sometimes by seeds ; for the plants raised from the seed of a purple-leaved tree preserve more or less constantly this character to a greater or less degree. The seed from certain trees yield more purple-leaved seed- lings than those from other trees, although the proportion of the purple-leaved seedlings from the same tree vary in different years, and among purple-leaved seedlings there is always a great variety of shades of color. In other words, a race of purple-leaved beeches is gradually becoming "fixed ; " and if it was not in practice more convenient and satisfactory to propagate the best varieties of this tree by grafting, it would doubtless be perfectly possible, at the end of a few generations, to raise from seed, beeches with leaves of almost any shade of purple with as much certainty as different races of the cabbage are obtained from seed. There is no reason to doubt, therefore, that the variety will be as permanent as the type from which it originated. " Garden and Forest '," May 8, 1889. Like leaves on trees, the race of man is found, Now green in youth, now withering on the ground ; Another race the following spring supplies ; They fall successive, and successive rise. Pope's Iliad. ARBOR DA Y MANUAL. LITTLE BY LITTLE. ii j ITTLE by little," an acorn said, \_^j As it slowly sank in its mossy bed, " I am improving every day, Hidden deep in the earth away." Little by little, each day it grew ; Little by little, it sipped the dew ; Downward it sent out a thread-like root ; Up in the air sprung a tiny shoot. Day after day, and year after year, Little by little the leaves appear; And the slender branches spread far and wide, Till the mighty oak is the forest's pride. Far down in the depths of the dark blue sea, An insect train work ceaselessly. Grain by grain, they are building well, Each one alone in its little cell. Moment by moment, and day by day, Never stopping to rest or to play, Rocks upon rocks, they are rearing high, Till the top looks out on the sunny sky. The gentle wind and the balmy air, Little by little, bring verdure there ; Till the summer sunbeams gayly smile On the buds and the flowers of the coral isle. " Little by little," said a thoughtful boy, "Moment by moment, I'll well employ, Learning a little every day, And not spending all my time in play. And still this rule in my mind shall dwell, Whatever I do, I will do it well" " Little by little, I'll learn to know The treasured wisdom of long ago ; And one of these days, perhaps, we'll see That-the world will be the better for me ; " And do you not think that this simple plan Made him a wise and useful man ? ARBOR DA Y MANUAL. 189 H BOAT SONG. THE EVER-GREEN PINE. AIL to the Chief who in triumph advances ! Honored and blessed be the ever green Pine ! Long may the tree, in his banner that glances, Flourish, the shelter and grace of our line ! Heaven send it happy dew, Earth send it sap anew, Gayly to bourgeon and broadly to grow, While every Highland glen Sends our shout back again, ' Roderigh Vich Alpine dhu, ho! ieroe !" Ours is no sapling, chance-sown by the fountain, Blooming at Beltane, in winter to fade , When the whirlwind has stripped every leaf on the mountain, The more shall Clan-Alpine exult in her shade, Moored in the rifted rock, Proof to the tempest's shock, Firmer he roots him the ruder it blow ; Monteith and Breadalbane, then, Echo his praise again, " Roderigh Vich Alpine dhu, ho ! ieroe ! ' ' Scott's Lady of the Lake— The Island. SEED WORD. "TMVAS nothing, — a mere idle word, But yet as on the passing wind 1 From careless lips, that fell, Is. borne the little seed, Forgot, perhaps, as soon as said, Which blooms, unheeded, as a flower And purposeless as well. Or as a noisome weed, — So, often will a single word Unknown, its end fulfill, And bear, in seed, the flower and fruit Of actions good or ill. THE ROSE. ROSE! thou art the sweetest flower Are amorous of thy scented sigh; That ever drank the amber shower ; Cupid, too, in Paphian shades, Rose! thou art the fondest child His hair with rosy fillet braids ; Of dimpled Spring, the wood-nymph wild! Then bring me showers of roses, bring, Even the gods who walk the sky And shed them round me while I sing. Moore's Odes of Anacreon. *Black Roderick, the descendant of Alpine 190 ARBOR DA Y MANUAL. BRING FLOWERS. RING flowers to strew in the conqueror's path ! He hath shaken thrones with his stormy wrath ; He comes with spoils of nations back, The vines lie crushed in his chariot's track, The turf looks red where he won the day. Bring flowers to die in the conqueror's way ! Bring flowers to the captive's lonely cell ! They have tales of the joyous woods to tell, — Of the free blue streams, and the glowing sky, And the bright world shut from his languid eye ; They will bear him a thought of the sunny hours, And the dream of his youth. Bring him flowers, wild flowers Bring flowers, fresh flowers, for the bride to wear ! They were born to blush in her shining hair. She is leaving the home of her childhood's mirth, She hath bid farewell to her father's hearth, Her place is now by another's side. Bring flowers for the locks of the fair young bride ! Bring flowers, pale flowers, o'er the bier to shed, A crown for the brow of the early dead ! For this through its leaves hath the white rose burst, For this in the woods was the violet nursed ! Though they smile in vain for what once was ours, They are love's last gift. Bring ye flowers, pale flowers ! Bring flowers to the shrine where we kneel in prayer, — They are nature's offering, their place is there ! They speak of hope to the fainting heart, With a voice of promise they come and part, They sleep in dust through the wintry hours, They break forth in glory. Bring flowers, bright flowers ! Mrs. Hemans. Imparting to waste places more than their pristine beauty and associating the names of departed loved ones with our work is a poetic and sublime con- ception. It symbolizes our faith in a resurrection to a higher and better life, when the hard struggles of this sin-cursed world are passed. Samuel F. Cary. ARBOR DA Y MANUAL. I 9 I Written for the ''Arbor Day Manual." ARBOR DAY. [Air— -''My Maryland."] AGAIN we come this day to greet, Arbor Day ! sweet Arbor Day ! With willing hands and nimble feet, Arbor Day ! sweet Arbor Day ! No sweeter theme our time can claim, No grander deed points us to fame, No toy more proud than this we name Arbor Day ! dear Arbor Day ! Bring forth the trees ! Prepare the earth For Arbor Day, sweet Arbor Da} r . With song we celebrate the birth Of Arbor Day, sweet Arbor Day ! And when our joyful task is done, And we our meed of praise have won, The glorious work's but just begun For Arbor Day, dear Arbor Day ! Alton, N. Y. Seymour S. Short. TO WORDSWORTH. POET of nature, thou didst teach to see In earth and sky, meadow and river's glide, On mountain peaks, in ocean's ceaseless tide, Order and truth, a peace and unity, In seeming discord and complexity, Of nature's handiwork; did teach to know, That in all life, even in the flowers that blow, There may be seen the shadows of infinity. Priest of the beautiful ! thou in thy life Of noble thought, of simple wants and cares, Of fightings stern in which our days are rife, Didst weave a beauty that the hero wears, As on he leads to triumph in the strife Or bravely in life's common way he fares. Chatauquan, 1889. O. F. EMERSON. Heart's Ease ! One could look for half a day Upon this flower, and shape in fancy out Full twentjr different tales of love and sorrow, That gave this gentle name. Mary Howitt. 192 ARBOR DA V MANUAL. THE MAY QUEEN. YOU must wake and call me early, call me early, mother dear ; To-morrow 'ill be the happiest time, o' all the glad New-year ; Of all the glad New-year, mother, the maddest, merriest day ; For I'm to be Queen o' the May, mother, I'm to be Queen o' the May, There's many a black, black eye, they say, but none so bright as mine ; There's Margaret and Mary, there's Kate and Caroline ; But none so fair as little Alice in all the land they say, So I'm to be Queen o' the May, mother, I'm to be Queen o' the May. I sleep so sound all night, mother, that I shall never wake, If you do not call me loud when the day begins to break ; And I must gather knots of flowers, and buds and garlands gay, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. As I came up the valley whom think ye should I see, But Robin leaning on the bridge beneath the hazel-tree ? He thought of that sharp look, mother, I gave him yesterday, — But I'm to be Queen o' the May, mother, I'm to be Queen o' the May. He thought I was a ghost, mother, for I was all in white, And I ran by him without speaking, like a flash of light. They call me cruel-hearted, but I care not what they say, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. They say he's dying all for love, but that can never be ; They say his heart is breaking, mother — what is that to me? There's many a bolder lad 'ill woo me any summer day, And I'm to be Queen o' the May, mother, I'm to be Queen o' the May. Little Effie shall go with me to-morrow to the green, And you'll be there too, mother, to see me made the Queen ; For the shepherd lads on every side 'ill come from faraway, And I'm to be Queen o' the May, mother, I'm to be Queen o' the May. The honeysuckle round the porch has wov'n its wavy bowers, And by the meadow trenches blow the faint sweet cuckoo-flowers; And the wild marsh-marigold shines like fire in swamps and hollows gray, And I'm to be Queen o' the May, mother, I'm to be C)ueen o' the May. The night-winds come and go, mother, upon the meadow-grass, And the happy stars above them seem to brighten as they pass ; There will not be a drop of rain the whole of the livelong day, And I'm to be Queen o' the May, mother, I'm to be Queen o' the May. ARBOR DA Y MANUAL. J 9: All the valley, mother, 'ill be fresh and green and still, And the cowslip and the crowfoot are over all the hill, And the rivulet in the flowery dale 'ill merrily glance and play, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. So you must wake and call me early, call me early, mother dear, To-morrow 'ill be the happiest time of all the glad New-year; To-morrow 'ill be of all the year the maddest, merriest day, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. Tennyson. WHAT IS THE SONG THE SWALLOWS SING? WHAT is the son§ When skies ar \g the swallows sing, ire blue, and May is here, And when they haste on joyful wing, To tell that summer-time is near? The primrose comes to greet the Spring ; The roses bloom on every hand, What message do the swallows bring Returning from a fairer land ? Among the trees and in the air, They come to us a merry throng ; And as we listen to them there, What is their song? What is their song ? Farewell, farewell unto that distant clime Where once we dwelt and memory is sweet, And welcome, welcome to the fair spring-time That waits us in the land that now we greet. What is the song the swallows sing, When Autumn skies are dark and drear? A tender requiem they bring, To all that made the Summer dear, Their spring-time joy is turned to grief; And each must sing before it goes, A message to the falling leaf, A message to the fading rose ! Ah, faithless rovers ! in the May You sang of love so clear and strong ; And now, when skies are dull and gray, What is your song? What is your song? Farewell, farewell unto this pleasant clime, Where once we dwelt and memory is sweet, And welcome, welcome to the fair spring-time That waits us in the land that now we greet. 13 Harry B. Smith. i 9 4 ARBOR DA V MANUAL. THE LOVE OF NATURE. The sounding cataract Haunted me like a passion ; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite, — a feeling and a love That had no need of a remoter charm By thought supplied, or any interest Unborrowed from the eye. That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn, nor murmur ; other gifts Have followed, for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth, but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts ; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean, and the living air, And the blue sky, and in the mind of man ; A motion and a spirit that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains, and of all that we behold From this green earth ; of all the might}- world Of eye and ear, both what they half create And what perceive ; well pleased to recognize In nature, and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being. Wordsworth, I love not man the less but nature more. Byron's Apostrophe*. ARBOR DA Y MANUAL. J 95 THE GINGERBREAD TREE. OH, do j r ou know, and do you know, The tree where risen doughnuts grow, And in a shower come tumbling down, All sugary and crisp and brown ? And did you ever chance to see The plum-cakes on this charming tree ? And reaching o'er the fence, perhaps A stem just strung with ginger-snaps? The house stands close beside the street ; Around its roof the branches meet. If you look up, about your head Fall down great squares of gingerbread. Once when I went inside the door, Through the wide window to the floor, A bough came bending all apart, And tossed me in a jelly tart. Whoever lives there, I must say, Though he is lame, and old, and gray, What a rare gardener he must be, And, oh, how happy with that tree ! My mother says that very few Gingerbread-trees she ever knew, And none shook down, it seems to her, Like this, an apple turnover. Some days it drops upon the ground, Soft, soft, a frosted heart, and round, And sometimes, when the branches stir, Such cookies rain as never were. And you can guess — oh, you can guess That if 'tis too far a recess, Yet all the children, as a rule, Go slow there, coming home from school. Harper's Voting People, 1889. Harriet Prescott Spofford. Ivy clings to wood or stone. And hides the ruin that it feeds upon. Cowper. 96 ARBOR DA V MANUAL. THE OAK. WHAT gnarled stretch, what depth of shade, is his ! There needs no crown to mark the forest's king ; How in his leaves outshines full summer's bliss! Sun, storm, rain, dew, to him their tribute bring, Which he with such benignant royalty Accepts, as overpayeth what is lent; All nature seems his vassal proud to be, And cunning only for his ornament. How towers he, too, amid the billowed snows, An unquelled exile from the summer's throne, Whose plain, uncinctured front more kingly shows, Now that the obscuring courtier leaves are flown. His boughs make music of the winter air, Jeweled with sleet, like some cathedral front Where clinging snow flakes with quaint art repair The dints and furrows of time's envious brunt. How doth his patient strength the rude March wind Persuade to seem glad breaths of summer breeze, And win the soil that fain would be unkind, To swell his revenues with proud increase ! He is the gem; and all the landscape wide (So doth his grandeur isolate the sense) Seems but the setting, worthless all beside, An empty socket, were he fallen thence. So, from oft converse with life's wintry gales, Should man learn how to clasp with tougher roots The inspiring earth ; how otherwise avails The leaf-creating sap that sunward shoots ? So every year that falls with noiseless flake Should fill old scars upon the stormward side, And make hoar age revered for age's sake, Not for traditions of youth's leafy pride. So, from the pinched soil of a churlish fate, True hearts compel the sap of sturdier growth, So between earth and heaven stand simply great That these shall seem but their attendants both; For natures's forces with obedient zeal Wait on the rooted faith and oaken will ; As quickly the pretender's cheat they feel, And turn mad Pucks to flout and mock him still. ARBOR DA Y MANUAL. 197 Lord ! all Thy works are lessons; each contains Some emblem of man's all containing soul; Shall he make fruitless all Thy glorious pains, Delving within thy grace and eyeless mole ? Make me the least of Thy Dodona-grove, Cause me some message of Thy truth to bring, Speak but a word through me, nor let Thy love Among my boughs disdain to perch and sing. James Russell Lowell. NATURE'S TEMPLE. TALK not of temples — there is one, built without hands, to mankind given Its lamps are the meridian sun, and all the stars of heaven. Its walls are the cerulean sky, its floor the earth, serene and fair ; The dome is vast immensity — all Nature worships there ! The Alps arrayed in stainless snow, the Andean ranges yet untrod, At sunrise and at sunset glow, like altar-fires to God ! A thousand fierce volcanoes blaze, as if with hallowed victims rare; And thunder lifts its voice in praise — all Nature worships there ! The cedar and the mountain pine, the willow on the fountain's brim, The tulip and the eglantine, in reverence bend to Him ; The song-birds pour their sweetest lays, from tower, and tree and middle air; The rushing river murmurs praise — all Nature worships there ! David Vedder. SPRING. COME, gentle spring ! ethereal mildness, come, And from the bosom of yon dropping cloud, While music wakes around, veiled in a shower Of shadowing roses, on our plains descend. And see where surly winter passes off, Far to the north, and calls his ruffian blasts ; His blasts obey, and quit the howling hill, The shattered forest, and the ravaged vale ; While softer gales succeed, at whose kind touch, Dissolving snows in living torrents lost, The mountains lift their green heads to the sky. From Thomson's " Seasons. And there is Pansics — that's for thoughts. Hamlet. 198 ARBOR DA Y MANUAL. THE CHILDREN. AH ! what would this world be to us If the children were no more ? We should dread the desert behind us Worse than the dark before. What the leaves are to the forest, With light and air for food, Ere their sweet and tender juices Have been hardened into wood — That to the world are children; Through them it feels the glow Of a brighter and sunnier climate Than reaches the trunks below. Come to me, O ye children ! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere. Ye are better than all the ballads That ever were sung or said, For ye are the living poems, And all the rest are dead. Longfellow. HOW THE LEAVES CAME DOWN. u LL tell you how the leaves came X down," The great tree to his children said: " You're getting sleepy, Yellow and Brown, Yes, very sleepy, little Red." Perhaps the great tree will forget, And let us stay until the spring, If we all beg, and coax and fret." But the great tree did no such thing; He smiled to hear their whispering. Ah ! " begged each silly pouting leaf " Let us a little longer stay; Dear Father Tree, behold our grief ; 'Tis such a very pleasant day, We do not want to go away." So, just for one more merry day To the great tree the leaflets clung, Frolicked and danced, and had their way, Upon the autumn breezes swung. Whispering all their sports among. Come, children all, to bed," he cried; — And ere the leaves could urge their prayer, He shook his head, and far and wide, Fluttering and rustling everywhere, Down sped the leaflets through the air. I saw them; on the ground the)' lay, Golden and red, a huddled swarm, Waiting till one from far away, White bedclothes heaped upon her arm Should come to wrap them safe and warm. The great bare tree looked down and smiled. "Good-night, dear little leaves," he said. And from below each sleepy child Replied, " Good-night," and murmured, " It is so nice to go to bed ! " Susan Coolidge. ARBOR DAY MANUAL, 199 THE IVY. PUSHING the clods of earth aside, Leaving the dark where foul things hide, Spreading its leaves to the summer sun, Bondage ended, freedom won ; So, my soul, like the ivy be, Rise, for the sunshine calls for thee ! Climbing up as the seasons go, Looking down upon things below, Twining itself in the branches high, As if the frail thing owned the sky ; So my soul, like the ivy be, Heaven, not earth, is the place for thee. Wrapping itself round the giant oak, Hiding itself from the tempest's stroke; Strong and brave is the fragile thing, For it knows one secret, how to cling. So, my soul, there's strength for thee, Hear the Mighty One : " Lean on me." Green are its leaves when the world is white, For the ivy sings through the frosty night ; Keeping the hearts of oak awake, Till the flowers shall bloom and the spring shall break ; So, my soul, through the winter's rain, Sing the sunshine back again. Opening its green and fluttering breast. Giving the timid birds a nest ; Coming out from the winter wild, To make a wreath for the Holy Child ; So, let my life like the ivy be, A help to man and a wreath for Thee ! Good Words. Henry BURTON. ' Take whatever God sends, As the blossoming pansies do : He clothes them with royal grace ; Shall he not take thought for you ? Trust — for the trustful heart Knoweth the tenderest leading, Knoweth how certainly God Our need and our craving is heeding." 200 ARBOR DA Y MANUAL. THE BEECH TREE'S PETITION. OH leave this barren spot to me, Spare, woodman, spare the beechen tree ! Though shrub or flow'ret never grow, Wly wan unwanning shade below, Nor fruits of autumn blossom born My green and glossy leaves adorn, Nor murmuring tribes from me derive The ambrosial treasures of the hive, Yet leave this little spot to me, Spare, woodman, spare the beechen tree. Thrice twenty summers have I stood In bloomless, fruitless solitude; Since childhood in my rustling bower First spent its sweet and sportive hour, Since youthful lovers in my shade Their vows of truth and rapture paid, And on my trunk's surviving frame Carv'd many a long forgotten name. Oh, by the vows of gentle sound First breathed upon this sacred ground, By all that Love hath whispered here, Or Beauty heard with ravish 'd ear, As Love's own altar honor me, Spare, woodman, spare the beechen tree. Thomas Campbell. SONG OF THE ROSE. IF Zeus chose us a King of the flowers in his mirth, He would call to the rose, and would royally crown it; For the rose, ho, the rose ! is the grace of the earth, Is the light of the plants that are growing upon it ! For the rose, ho, the rose ! is the eye of the flowers, Is the blush of the meadows that feel themselves fair, — Is the lightning of beauty, that strikes through the bowers On pale lovers that sit in the glow unaware. Ho, the rose breathes of love ! ho, the rose lifts the cup To the red eyes of Cypris invoked for a guest ! Ho, the rose having curled its sweet leaves for the world Takes delight in the motion its petals keep up, As they laugh to the wind as it laughs from the west. Elizabeth Barrett Browning. ARBOR DA V MANUAL. 2Q1 THE PETRIFIED FERN. IN a valley, centuries ago, Grew a little fern leaf green and slender; Veining delicate and fibres tender; Waving, when the wind crept down so low. Rushes tall and moss and grass grew round it, Playful sunbeams darted in and found it, Drops of dew stole in by night and crowned it, But no foot of man e'er trod that way. Earth was young and keeping holiday. Monster fishes swam the silent main, Stately forests waved their giant branches, Mountains hurled their snowy avalanches, Mammoth creatures stalked across the plain; Nature reveled in grand mysteries, But the little fern was not of these, Did not number with the hills and trees ; Only grew and waved its wild sweet way ; No one came to note it day by day. Earth one time put on a frolic mood, Heaved the rocks and changed the mighty motion Of the deep, strong currents of the ocean, Moved the plain and shook the haughty wood, Crushed the little fern in soft, moist clay, Covered it and hid it safe away. Oh the long, long centuries since that day ! Oh the changes, oh life's bitter cost, Since that useless little fern was lost ! Useless? Lost? There came a thoughtful man Searching nature's secrets far and deep; From a fissure in a rocky steep He withdrew a stone o'er which there ran Fairy pencilings, a quaint design, Veinings, leafage, fibres clear and fine, And the fern's life lay in every line. So, I think, God hides some souls away Sweetly to surprise us the last day. Mary L. Bolles Branch. Under the shad}- roof Of branching elm star-proof. Milton's Arcades. 2Q2 ' ARBOR DA Y MANUAL. SPRING SONG. NOW the lovely spring has come, Hear the merry babbling brook, See the fragrant flowers bloom, Rippling through each shady nook! Birds are here with their song, Coming here, going there, Cheering us along. Making all so fair. Making all our faces bright. See the little finny tribe, Till our hearts beat with delight, Rushing everywhere to hide, Happv spring, merry spring, In and out, round about, We thy praises sing. In their merry rout. See the little lambs at play, Skipping through the livelong day, Happy they on their way To the meadows gay. Through the meads and through the vales O'er the hills and pleasant dales, Here they go, to and fro, Not a care they know. Kate Hawthorn. c MY HOME IN THE WILDWOOD. OME to my home in the wild wood, Sweet 'tis to stray in the wildwood; Come where the heart is so free, When the day's cares are all o'er; Bidding adieu to your sorrow, Bright flowers are strown in our pathway, Here let your dwelling place be. Fresh leaves adorn the gay floor. Here you may find in the wildwood, Freedom from sorrow and care, Casting aside all your burdens, Here find sweet solace in prayer. N HAIL, ARBOR DAY. OW fair Arbor Day is here, Hail, all hail, fair Arbor Day; Filled with all its happy hours; Prophecy of coming beauty Loyal children, far and near, When the years have passed away Plant their trees and scatter flowers. With their weight of care and duty, Knowing well their Father's e) r e We will love thee still the same, Rests upon them from the sky, And fond memory at thy name, , Viewing all their deeds with love, Will recall the gladsome days, As through blossoming lands they rove. When we roamed in woodland ways. Soon the trees will grow, Happy, thoughtless youth, And gently throw With love and truth, A shade through sunny hours, Blent in a rhyme of hours, Feathered songsters bring the music, And the Arbor Day of friendship, And our Father send the showers. Crowned with innocence and flowers. Kingston, A T . Y. — School No. 3 Exercises. 18S9. Lizzie D. Roosa. ARBOR DAY MANUAL. 20' GROWTH. GROW as the trees grow, Your head lifted straight to the sky, Your roots holding fast where they lie, In the richness below ; Your branches outspread To the sun pouring down, and the dew, With the glorious infinite blue Stretching over your head. Receiving the storms That may writhe you, and bend, but not break, While your roots the more sturdily take A strength in their forms. God means us, the growth of His trees, Alike thro' the shadow and shine, Receiving as freely the life-giving wine Of the air and the breeze. Not sunshine alone, The soft summer dew and the breeze Hath fashioned these. wonderful trees. The tempest hath moaned : They have tossed their strong arms in despair, At the blast of the terrible there, In the thunder's loud tone. But under it all Were the roots clasping closer the sod, The top still aspiring to God Who prevented their fall. Come out from the gloom, And open your heart to the light That is flooding God's world with delight, And unfolding its bloom. His kingdom of grace Is symboled in all that we see, In budding and leafing of tree, And fruit in its place. Chatauquan, July, 1S84. Emily J. Bugbee. 204 ARBOR DA V MANUAL. FOR ARBOR DAY. ALL hail this day —glad Arbor Day ! A day for joyous labor; A work that blesses every heart Because for friend and neighbor; When boy, girl, man and woman, too, The loss of trees deploring, Come forth with heart and hand to learn Dame Nature's art — restoring ! Man has cut down the stalwart trees, Nor thought of e'er replacing ; His reckless waste should on his cheek Be fiery blushes tracing. To rob the mother of her jewels Is but the grossest sinning, When she so ready is to take New nurslings from beginning. O see how well does Nature pay — Her grand Controller praising, For every tree that she destroys She thousands more is raising ; She sends the seeds, with hand so free, To earth's kind bosom nestling. And gives a feast to growing germs That lightens all their wrestling. O )'e who love these native gems, So charming in their living; See how the needs of human life, Destructive force is giving! It fells them from their native homes, Where purest beauty, growing. Impels the heart and mind of man To stand in meekness bowing. Look atthe stately forest kings That stand morn, noon and even, Their tops long reaching out to kiss The light so richly given i There, 'neath that forest's foliage shade, The spirits joys enliven, And feel the secrets of all life — The life of God and heaven. ARBOR DA Y MANUAL. 205 Then plant the flower, the shrub, the vine, , For man, bird, beast and beauty ; The basswood, oak, the beech and pine — It is for all a duty — The hemlock, ash, the spruce and elm ; And fruits, so very many — Ay, plant of all that meet man's needs, And that is all, if any. They are so lovely, fresh and grand, So richly ornamental; By roadside, meadow, field, in wood, They've beauty transcendental ; Give just one day in all the year, Twill pay for all your ardors, And Arbor Day will soon display A land of charming arbors. Wateriown, X. Y. GEORGE Adams ARBOR DAY ODE. RAISE a Song of gladness on this festal day, Which shall be a forest symphony, Chiming with the music of melodious May, Sung in honor of each growing tree. Chorus. — Happy, happy with the joys of spring, Gayly, gayly our delights we sing. Children blest of heaven, who so glad as we, Pealing forth the anthem of the free ? Honor to the oak tree, emblem of the power, Making this fair nation proud and strong, Great with all the glories of heaven's richest dower. Worthy all the praise of festal song. — Cho. Honor to the pine tree, with its fadeless sheen, Type of beauty in our native land, Which the sister nations from afar have seen, Through the years a pattern long to stand. — Cho. Trees are forms of beauty that our minds upraise To the boundiess Giver of all good. Loving God of Nature, hear our song of praise For the beauties of the field and wood. — Cho. Maker of each glory of our native land, May each form of beauty which we see, In the pleasant meadow and the forest grand, Lift our souls to higher thoughts of Thee. — Cho. Kingston, N. Y., Academy Exercises, 1889. Parr Harlow. 2o6 ARBOR DA V MANUAL. "pi; Written for the " Arbor Day Manual." SONG TO THE MAPLE TREE.* tS the tree of the State, and most wisely selected, To emblem the progress her children have made; Henceforth by our care shall its right be protected To gather the weary to bask in its shade. Chorus — Maple tree ! Maple tree ! none can compare with thee ! Sipping earth's nectar, to sweetness impart. Sweeter thy loving care, sweeter thy shadows are ; Sweeter thy songsters that gladden the heart. The tribes of the air for their nesting most choose it,* Their billing and cooing heard most in its groves; Why then should our youthful affections refuse it ? This fitting abode for the gods and their loves ? Chorus — Maple tree, etc. The ever-green foliage may tower from our mountains, 'Neath the pine and the hemlock the wild tribes abide ; But majestic o'er landscape, by sweet sparkling fountains, The silver-leaved maple of man is the pride. Chorus — Maple tree, etc. Soft fragrance and balm, in the dew of the morning, Exhale on the breeze with the songster's sweet lay ; Its green arching plumes all our pathway adorning, A shield and defense from the sun's scorching ray. Chorus — Maple tree, etc. Then plant ye the maple so young and so slender ; And grow with its growth as the years shall roll by ; While tow'rd manhood, ye vie with the tree in its splendor, Each measure made full from great nature's supply. Chorus — Maple tree, etc. Watertown, N. Y. E, A. HOLBROOK. THE BIRDS CHOOSE THE MAPLE. There is another fact which strikes one in looking at these nests about the village; the birds of different feathers show a very marked preference for building in maples. It is true these trees are more numerous than others about our streets, but there are also elms, locusts, and sumachs mingled with them, enough, at least, to decide the question very clearly. This afternoon we counted the nests in the different trees as we passed them, with a view to this particu- lar point, and the result was as follows : The first we came to were in a clump * B}' a vote of those who participated in the Arbor Day exercises of 1889, in New York State, the Maple was chosen as the State Tree. See also, the selection at the foot of this page. ARBOR DAY MANUAL. 207 of young trees of various kinds, and here we found nine nests, one in a locust, the other eight in maples. Then following the street with trees irregularly planted on either side, a few here, a few there, we counted forty-nine nests, all of which were in maples, although several elms and locusts were mingled with these; frequently there were several nests in the same maple. * * * Such was the state of things in the principal streets through which we passed, mak- ing in all one hundred and twenty-seven nests, and of these, eighteen were in various kinds of trees, the remaining one hundred and nine were in maples. Susan Fenimore Cooper in " Rural Hours ." ACORN AND CHESTNUT. ONE pleasant day in October an acorn and a chestnut were lying side by side on the brown earth where they had fallen. " I hope I shall be safe in the ground before winter comes," said the acorn. " Snow and ice do not agree with me. In fact, if they come before I am under shelter they will kill me ; and it would be sad indeed, if so fine and large an acorn as I am should be lost ; for I expect to become a great oak some time, and oaks, as you know, are the kings of the forest." "Yes, I hope so too," said the chestnut, "I want to be safe before winter comes. I would like to grow into a tree; for the swallows have told me that in all lands a strong, tall tree is thought to be one of the finest things in the world." " Oh, chestnut trees are not much," said the acorn. " No one cares any thing about them except the boys, who think it fun to climb up among their branches and shake down the nuts. For my part, if I were a tree. I shouldn't care to live just to please a few children; and 1 am sure it would make me very angry to see them eating the fruit which I had taken the trouble to bear." " Well, " said the chestnut, " every tree to its taste. Some trees would rather have their food liked by boys and girls than have it be fit for nothing but pigs." "What?" said the acorn, growing angry. "The oak is the noblest of all the trees. From its wood are made the great ships that go sailing over the ocean. It lives hundreds of years, and gives shade to thousands of people, and homes to millions of birds ; and if, as I heard a man say one day, 'great oaks from little acorns grow,' what a noble tree may be expected from such an acorn as I am ! " " But how will you be planted ? " asked the chestnut. "Oh, that's easy enough," answered the acorn. "Everyday I feel myself sinking deeper and deeper into the ground; and when I am deep enough the wind will throw some fine rich earth over me, and there I shall lie snug and warm until spring. "Then, after putting out two little green leaves, I shall grow no more above ground for some time, but only keep spreading my roots and making them stronger. I shall grow slowly for years, until at last I shall spread out my branches for a great distance around, and become the king of the forest. Ah, how eiacl I am that I'm an acorn and not a chestnut ! " 2oS ARBOR DA Y MANUAL. Just then, a squirrel, who had been peeping at them from her nest in the hollow of a tree, jumped down and seized the chestnut in her little gray paws. "Good-by," sneered the acorn, as she carried it away. "That's the last of you. But, then, there is no great loss. You would have been only a chestnut tree, at the best. Chestnuts are good enough for squirrels." But, when the squirrel had put the chestnut away in her nice little house, she sprang down again, seized the acorn, and carried it up too. " Hello," said the chestnut, " here we are together again. There is little hope now that either of us will ever become a tree. And, as matters stand, I cannot see that an acorn is very much better than a chestnut after all." But the acorn said nothing. THE ELM. BEAUTIFUL in her majestic grandeur, as she sends out her branches to the heavens, stands the American elm, a tough, hardy giant of field and for- est, its massive trunks and wide-spreading roots bidding defiance to the strong- est winds which nature can send to beat against its broad symmetrical top. While Englishmen eulogize the oak, and poets sing of the linden and sycamore, the hearts of the children of, at least, the Empire State, cling with devotion to that tree, which marks so many important events in the history of the land they love. Who has not heard of the Elm at Shakamaxon, under the spreading branches of which William Penn made his famous treaty with the Indians, which was never sworn to and which stands alone as the only treaty made by the whites with the Indians which was never broken. For more than a century and a quarter, this tree stood a grand monument of this most sincere treaty ever made, but in 1S10 it was blown down, and a monument of marble now but poorly marks the spot where it stood. It was the elm that was first consecrated to American independence, and that tree planted by the Boston school-master, so long before separation from Great Britain was scarcely dreamed of in the colonies, and dedicated to their future independence, was long looked upon with love and pride, and when at last it was blown down, tolling bells related the story of its fall. It was also the elm that shaded Washington on that July 3d, 1775, when he took command of the American army at Cambridge, and began that long pub- lic life in which he exhibited such brilliant talents, and won for himself the de- serving title of " Father of his Country." We have been an independent nation for more than a century, but this tree still stands, and its massive trunk and wide-spreading branches form a fitting emblem of the prosperous nation that started out, as it were, from beneath its shade, and in it are centered fond remembrances of our Revolutionary fathers. Years will pass away, and " Providence permitting, " these trees which we plant to-day will have become sturdy elms. Those who are now school children will act their part in the theatre of life and become old men and women ; but wherever they are, whether they are in honor or disgrace, in prosperity or adversity, their hap- piest recollections will be centered in these childhood days, and these elms mark- ing this Arbor Day will long remain as monuments of former happy times. " The Student" Richfield Springs, 1889. H. H. B. ARBOR DA Y MANUAL. 209 Written for the "Arbor Day Manual." THE BIRCH TREE. [Air — " Auld Lang Syne."] THOUGH oak, and elm, and maple tree, Then plant the birch, the silver)' birch, Call forth our love and care, Near to the school-house door, With tender buds, and opening leaves, For teachers used its pliant limbs, They woo the soft May air, Full oft in days of yore. Let not the birch tree be forgot, And though 'tis used for rods no more, For well I bear in mind 'Twill please the children kind, Its spicy buds and fragrant bark, Its spicy buds and fragrant bark, I searched the woods to find. They search the woods to find. Mrs. Addie V. McMullen. South Sodus, N. Y. THE SEED. THE farmer planted a seed, — A little dry, black seed; And off he went to other work, — For the farmer never was known to shirk, — And cared for what had need. The night came with its dew, — The cool and silent dew ; The dawn came, and the day, And the farmer worked away, At labors not a few. ***** Home from his work one day, — One glowing summer day, — His children showed him a perfect flower; It had burst in bloom that very hour; How, I cannot say. But I know if the smallest seed In the soil of love be cast, Both day and night will do their part; And the sower who works with a patient heart, Will find the flower at last. Now blossom all the trees, and all the fields And all the woods their pomp of foliage wear, And nature's fairest robe adorns the blooming year. 14 Beattie. 2 IO ARBOR DA V MANUAL. ARBOR DAY. THE observance of Arbor Day in New York State is at once new, novel and interesting, as well as highly instructive. Its advantages are man}', and 'the public benefits that may be derived therefrom cannot be overestimated. One of its main objects, however, as cited in the State Superintendent's circu- lar letter, is to instill into the minds of the growing generation a genuine love of Nature in her manifold forms, and to know and love Nature is to protect her. It is meet, indeed, that our schools should become a coadjutant power, and what activity and zeal they may manifest will perhaps inspire their elders to better efforts. The grandest achievement of this observation of Arbor Day would be to cen- ter the public mind upon the all-important fact that stringent and immediate measures should be adopted for the preservation of our forests, and to institute a common-sense investigation relative to their important climatic effects in many localities. Forest trees are excellent condensers of moisture, and as the vapor-laden clouds float above the large tracts, the contained moisture is con- densed and falls as rain or snow. In these densely wooded districts the soil is naturally spongy and permeable. Rain falling on such ground is readily ab- sorbed, and at once finds a passage to underground natural reservoirs, so valu- able in many instances. The thick canopy of foliage affords excellent protec- tion from the sun's greedy rays, and hence what moisture falls, is not lost in evaporation. Streams which find their source here are never failing, and their unceasing flow swells many a larger stream, thus made valuable for manufac- turing power. And then again how dependent upon these tiny tributaries are the many and varied manufacturing interests. How insignificant would be our inland commerce and navigation without them. As modifiers of the climate, trees, woodlands, and forest-tracts are not justly appreciated. They cool the atmosphere, and so temper the extremes of climatic " fickleness," that they become somewhat more endurable. They act as obstruc- tions to destructive winds, which in event of the absence of forest-lands would have a clear sweep across unprotected districts. As beneficial to health, they stand pre-eminent. In primitive times forests were considered as hindrances, and the clearing of forest lands was thought to be a national necessity. The barrenness and sterility of the bible-countries was caused hy this demolition of its forest lands, and trees are now so valuable in Persia that he who plants one is known as a public benefactor. The first advocate of tree-planting in this country was the Hon. G. P. Marsh, and when the Central Pacific railroad was constructed, thousands of trees were planted alongside. Thus the custom originated in the far west, was first adopted as a holiday among the public schools in Nebraska, and has now reached the east. May the day grow in popularit5 r , and may the lesson it strives to teach become a public task. " The Student " — Richfield Springs, 1889. ARBOR DA Y MANUAL. 2 I I A NEW HOLIDAY. ANEW holiday is a boon to Americans, and this year the month of May gave a new holiday to the State of New York. It has been already observed elsewhere. It began, indeed, in Nebraska seventeen years ago, and thirty-four States and two Territories have preceded New York in adopting it. If the name of Arbor Day may seem to be a little misleading, because the word "arbor,' which meant a tree to the Romans, means a bower to Americans, j r et it may well serve until a better name is suggested, and its significance by general under- standing will soon be as plain as Decoration Day. The holiday has been happily associated in this State especially with the public schools. This is most fitting, because the public school is the true and universal symbol of the equal rights of all citizens before the law, and of the fact that educated intelligence is the basis of 'good popular government. The more generous the cultivation of the mind, and the wider the range of knowl- edge, the more secure is the great national commonwealth. The intimate asso- ciation of the schools with tree-planting is fortunate in attracting boys and girls to a love and knowledge of nature, and to a respect for trees because of their value to the whole community. The scheme for the inauguration of the holiday in New York was issued by the Superintendent of Public Instruction. It provided for simple and proper exercises, the recitation of brief passages from English literature relating to trees, songs about trees sung by the children, addresses, and planting of trees, to be named for distinguished persons of every kind. The texts for such addresses are indeed as numerous as the trees, and there may be an endless improvement of the occasion, to the pleasure and the profit of the scholars. They may be reminded that our knowledge of trees begins at a ver)' early age, even their own, and that it usually begins with a close and thorough knowledge of the birch. This, indeed, might be called the earliest service of the tree to the child, if we did not recall the cradle and the crib. The child rocking in the cradle is the baby rocking in the tree-top, and as the child hears the nurse droning her drows)^ rock-a-bye, baby, it may imagine that it hears the wind sighing through the branches of the tree. To identify the tree with human life and to give the pupil a personal interest in it will make the public school nurseries of sound opinion which will prevent the ruthless destruction of the forests. The sendee of the trees to us begins with the cradle and ends with the coffin. But it continues through our lives, and is of almost unimaginable extent and variety. In this country our houses and their furniture and the fences that inclose them are largely the product of the trees. The fuel that warms them, even if it be coal, is the mineralized wood of past ages. The frames and handles of agricultural implements, wharves, boats, ships, India-rubber, gums, bark, cork, carriages and railroad cars and ties — wherever the eye falls it sees the beneficent service of the trees. Arbor Day recalls this direct service on even hand, and reminds us of the indirect ministry of trees as guardians of the sources of rivers — the great forests making the densely shaded hills, covered 2 i 2 ARBOR DA Y MANUAL. with the accumulating leaves of ages, huge sponges from which trickle the supplies of streams. To cut the forests recklessly is to dry up the rivers. It is a crime against the whole community, and scholars and statesmen both declare that the proper preservation of the forests is the paramount public question. Even in a mercantile sense it is a prodigious question, for the esti- mated value of our forest products in 1880 was $800,000,000, a value nearly double that of the wheat crop, ten times that of gold and silver, and forty times that of our iron ore. It was high time that we considered the trees. They are among our chief benefactors, but they are much better friends to us than ever we have been to them. If as the noble horse passes us, tortured with the overdraw check and the close blinders and nagged with the goad, it is impossible not to pity him that he has been delivered into the hands of men to be cared for, not less is the tree to be pitied. It seems as if we had never forgotten or forgiven that early and intimate acquaintance with the birch, and have been revenging ourselves ever since. We have waged against trees a war of extermination like that of the Old Testament Christians of Massachusetts Bay against the Pequot Indians. We have treated the forests as if they were noxious savages or vermin. It was necessary, of course, that the continent should be suitably cleared for settle- ment and agriculture. But there was no need of shaving it as with a razor. If Arbor Day teaches the growing generation of children that in clearing a field some trees should be left for shade and for beauty, it will have rendered good service. In regions rich with the sugar-maple tree the young maples are saved from the general massacre because their sap, turned into sugar, is a marketable commodity. But every tree yields some kind of sugar, if it be only shade for a cow. Let us hope also that Arbor Day will teach the children, under the wise guidance of experts, that trees are to be planted with intelligence and care, if they are to become both vigorous and beautiful. A sapling is not to be cut into a bean-pole, but carefully trimmed in accordance with its form. A tree which has lost its head will never recover it again, and will survive only as a monument of the ignorance and folly of its tormentor. Indeed, one of the happiest results of the new holiday will be the increase of knowledge which springs from per- sonal interest in trees. This will be greatly promoted by naming those which are planted on Arbor Day. The interest of children in pet animals, in dogs, squirrels, rabbits, cats, and ponies, springs largely from their life and their dependence upon human care. When the young tree also is regarded as living and equally dependent upon intelligent attention, when it is named by vote of the scholars, and planted by them with music and pretty ceremony, it will also become a pet, and a human relation will be established. If it be named for a living man or woman, it is a living memorial and a perpetual admonition to him whose name it bears not to suffer his namesake tree to outstrip him, and to remember that a man, like a tree, is known by his fruits. Trees will acquire a new charm for intelligent children when they associate them with famous persons. Watching to see how Bryant and Longfellow are growing, whether Abraham Lincoln wants water, or George Washington. ARBOR DA Y MANUAL. 213 promises to flower early, or Benjamin Franklin is drying up, whether Robert Fulton is budding, or General Grant beginning to sprout, the pupil will find that a tree may be as interesting as the squirrel that skims along its trunk, or the bird that calls from its top like a muezzin from a minaret. The future orators of Arbor Day will draw the morals that lie in the resem- blances of all life. It is by care and diligent cultivation that the wild crab is subdued to bear sweet fruit, and by skillful grafting and budding that the same stock produces different varieties. And so you, Master Leonard or Miss Alice, if you are cross and spiteful and selfish and bullying, you also must be budded and trained. Just as the twig is bent the tree's inclined, young gentlemen, and you must start straight if you would not grow up crooked. Just as the boy begins, the man turns out. So, trained by Arbor Day, as the children cease to be children they will feel the spiritual and refining influence, the symbolical beauty, of the trees. Like men, they begin tenderly and grow larger and larger, in greater strength, more deeply rooted, more widely spreading, stretching leafy boughs for birds to build in, shading the cattle that chew the cud and graze in peace, decking themselves in blossoms and ever-changing foliage, and murmuring with rustling music by day and night. The thoughtful youth will see a noble image of the strong man struggling with obstacles that he overcomes in a great tree wrestling mightily with the wintry gales, and extorting a glorious music from the storms which it triumphantly defies. Arbor Day will make the country visibly more beautiful every year. Every little community, every school district, will contribute to the good work. The school-house will gradually become an ornament, as it is already the great benefit of the village, and the children will be put in the way of living upon more friendly and intelligent terms with the bountiful nature which is so friendly to us. George William Curtis. Editor' s Easy Chair, Harper 's Magazine, July, 1889. The objects of the restoration of the forests are as multifarious as the motives which have led to their destruction, and as the evils which that destruction has occasioned. The planting of the mountains will diminish the frequency and violence of river inundations; prevent the formation of torrents; mitigate the extremes of atmospheric temperature, humidity, and precipitation; restore dried-up springs, rivulets, and sources of irrigation ; shelter the fields from chilling and from parching winds; prevent the spread of miasmatic effluvia; and, finally, furnish an inexhaustible and self-renewing supply of material indis- pensable to so many purposes of domestic comfort, to the successful exercise of every art of peace, every destructive energy of war. George P. Marsh. A brotherhood of venerable trees. Wordsworth — Somiet. 214 ARBOR DA V- MANUAL. UNDER THE PALMS. I KNEW a palm tree upon Capri. It stood in select society of shining fig leaves and lustrous oleanders; it overhung the balcony, and so looked, far overleaning, down upon the blue Mediterranean. Through the dream-mists of southern Italian noons it looked up the broad bay of Naples and saw vague Vesuvius melting away; or at sunset the isles of the Sirens, whereon they singing sat, and wooed Ulysses as he sailed by. From the Sorrento, where Tasso was born, it looked across to pleasant Posilippo, where Virgil is buried, and to stately Ischia. The palm of Capri saw all that was fairest and most famous in the Bay of Naples. The palm was a poet, — as ail palms are poets. When I asked a bard whom I knew what the palm tree sang in its melancholy measures of waving, he told me that not Vesuvius, nor the Sirens, nor Sorrento, nor Tasso, nor Virgil, nor stately Ischia, nor all the broad blue beauty of Naples bay, was the theme of that singing. But partly it sang of a river forever flowing, and of cloudless skies, and green fields that never faded, and the mournful music of water-wheels, and the wild monotony of a tropical life, — and partly of the yel- low silence of the desert and of drear solitudes inaccessible, and of wandering caravans* and lonely men. Then it sang of gardens overhanging rivers that roll gorgeous-shored through western fancies of gardens in Bagdad watered by the Euphrates and the Tigris whereof it was the fringe and darling ornament, of oases in those sere sad deserts, where it over-fountained fountains, and every leaf was blessed; more than all, it sang of the great Orient universally, where no other tree was so abundant, so loved, and so beautiful. Palm branches were strewn before Jesus as he rode into Jerusalem, and for- ever, since, the palm symbolizes peace. Wherever a grove of palms waves in the low moonlight or starlight wind, it is the celestial choir chanting "peace on earth, good will to men." Therefore it is the foliage of the old religious pictures. Mary sits under a palm, and the saints converse under palms, and the prophets prophesy in their shade, and cherubs float with palms over the martyr's agon)^. Nor among pictures is there 3115- more beautiful than Corregio's " Flight into Egypt," wherein the golden-haired angels put aside the palm branches, and smile sunnily through upon the lovely mother and the lovely child. The palm is the chief tree in religious remembrance and religious art. It is the chief tree in romance and poetry. But its sentiment is always eastern, and it always yearns for the east. In the west it is an exile, and pines in the most sheltered gardens. Yet of all western shores it is the happiest in Sicily; for Sicily is only a bit of Africa drifted westward. There is a soft southern strain in the Sicilian skies, and the palms drink its sunshine like dew. Upon the tropical plain behind Palermo, among the sun-sucking aloes, and the thick, shapeless cactuses, like elephants and rhinoceroses enchanted into foliage, it grows ever gladly. For the aloe is of the east, and the prickly pear ; and upon the Sicilian plain the Saracens have been, and the palm sees the Arabian arch, and the oriental sign-manual stamped upon the land. ARBOR DA Y MANUAL. 215 But the palms are not only poets, they are prophets as well. They are like heralds sent forth upon the farthest points to celebrate to the traveler the glor- ies they show. Like spring birds, they sing a summer unfading, and climes where time wears the year as a queen a rosary of diamonds. The mariner, eastward sailing, hears tidings from the chance palms that hang along the southern Italian shore. They call out to him across the gleaming calm of a Mediterranean noon, "Thou happy mariner, our souls sail with thee." In the land of Egypt palms are perpetual. They are the only foliage of the Nile, for we will not harm the modesty of a few mimosas and sycamores by foolish claims. They are the shade of the mud villages, marking their site in the landscape, so that the groups of palms are the number of the villages. They fringe the shore and the horizon. The sun sets golden behind them, and birds sit swinging upon their boughs and float glorious among their trunks; the sugar cane is not harmed by the ghostly shade ; and the yellow flowers of the cotton plant star its dusk at evening. The children play under them, and the old men crone and smoke, the donkeys graze, and there the surly bison and the conceited camels repose. The eye never wearies of palms, more than the ear of singing birds. Solitary they stand upon the sand, or upon the level fertile land in groups, with a grace and dignity that no tree surpasses. Very soon the eye beholds, in their forms, the original type of the columns which it will afterwards admire in the temples. Almost the first palm is architecturally suggestive, even in western gardens — but to artists living among them and seeing only them ! Men's hands are not delicate in the early ages, and the fountain fairness of the palms is not very flowingly fashioned in the capitals; but in the flowery perfection of the Par- thenon the palm triumphs. The forms of those columns came -from Egypt, and that which was the suspicion of the earlier workers, was the success of more delicate designing. So is the palm inwound with our art, and poetry, and religion. George William Curtis. FOREST FLOWERS. OUR forests are fast disappearing. In their sheltering shade and the rich mould of their annually decaying leaves, the greater number of our love- liest plants are found; and when the axe comes, that cruel weapon that wars upon nature's freshness, and the noble oak, the elm, the beech, the maple, and the tulip tree fall with a loud crash in the peaceful so'litude, even the very birds can understand that a floral death knell sounds through the melodious wilderness. A number of our choicest plants are threatened with extinction; for as the woods are cleared away these tender offsprings, the pretty flowers which we so dearly cherish, will perish utterly. It is, therefore, well to prevent as far as possible the .destruction of our native forests, as well as to plant forest trees if for no ether purpose than the preservation of the little helpless, blooming beauties that adorn our woodland shades. Gustavus Frankenstein. 2 j 5 ARBOR DA V MANUAL. A SERMON FROM A THORN-APPLE TREE. **T WANT to tell you about my thorn-apple tree. It came up by the gate, where it gets the drip from the watering-trough ; that's what made it grow so strong and handsome. Every year it is just as full of blossoms as the apple trees, and you know what it bears — little red seed}- berries, good for noth- ing at all, so I used to think. But the first spring after I was sick, when I was thinking how pretty it was — all blown out, and the green leaves peeping through the white — it just came to me that the thorn-apple was doing what it was made for exactly, the same as the russet trees and the pippins ; and I took notice, as I never did before, how the squirrels came to eat the seeds in the fall, and h ow the blue-jays and the winter-birds seemed always to find something there for a breakfast, and I came to love that thorn-apple and enjoy it more than any thing else. It always seemed to have some lesson for me. I call it my preacher, and whenever I look at it I think the Lord wants thorn-apples as well as pippins. He sets a good many of His children to feeding birds and squirrels, and doing little things that nobody takes any note of, and I'm thankful ever)'' day that He lets me grow the blossoms, and feed His birds. Perhaps that is all He may want of you, Ruby, but don't you be troubled about that. 'Abide in Him,' as the branch abideth in the vine, and He'll see to the fruit. It will be just the kind He wants you to bear." From Emily Huntington Miller's " Thorn-Apple" THE TRAILING ARBUTUS. I WANDERED lonely where the pine trees mads Against the bitter East their barricade, And, guided by its sweet Perfume, I found, within a narrow dell, The trailing spring flower tinted like a shell Amid dry leaves and mosses at my feet. From under dead boughs, for whose loss the pines Moaned ceaseless overhead, the blossoming vines Lifted their glad surprise, While yet the bluebird smoothed in leafless trees His feathers ruffled by the chill sea-breeze, And snow-drifts lingered under April skies. As, pausing, o'er the loneiy flower i oent, I thought of lives thus slowly, clogged and pent, Which ) r et find room Through care and cumber; coldness and decay, To lend a sweetness to the ungenial day, And make the sad earth happier for their bloom. Whittier. ARBOR DA Y MANUAL. 2 I J THE HISTORIC TREE OF CHICAGO. AT the Arbor Day exercises held in April by the Illinois Chautauqua Union, a paper was read by a member of the Lakeside Circle, entitled ''A Voice from the Historic Tree of Chicago." Through the kindness of the writer this article has been given to the Local History column and from it we take a few items : In the middle of Eighteenth street, between Prairie avenue and the lake, stands a large cotton-wood tree ; it is the last of a group which marked the spot where the Indian massacre of 1812 took place. Fort Dearborn stood at the mouth of Chicago river, about one and one-half miles from the clump of trees. It was in command of Captain Heald. In August an army of Indians attacked the fort, and the garrison being weak, the commandant offered to surrender on condition that the force might withdraw without molestation. At nine o'clock on August 15, the party, composed of about seventy-five persons, advanced from the fort along the Indian trail which follows the lake shore. Captain Wells who had come to the assistance of Captain Heald, led the line. The women were on horseback, and the children in a wagon. They had reached the present location of Fourteenth street when the six hundred Pottawatamie Indians who had volunteered to escort them safely to Fort Wayne struck out toward the prairie, and, concealed by a range of sand hills which separated the prairie from the lake, hurried forward and placed an ambuscade for the troops. When the little band had reached the cotton-wood tree, a volley was showered by the Indians. The officers, men, and even the women fought for their lives ; but what could seventj r -five whites (some of whom had been on the sick list) do against six hundred savages ? The entire party of children, twelve in num- ber, were tomahawked and scalped. Captain Wells was slain ; in an hour only twenty-five of the party remained alive, and Captain Heald surrendered on con- dition that the lives of the remnant be spared. The only wounded spared were Captain Heald and Lieutenant Helm and their wives. Fifty-two dead bodies of the whites were left on the ground. In 1816 when the fort was rebuilt and the troops returned, the bones were collected and buried. Chautauqiian, November, 18S8. LITTLE THINGS. FOR A LITTLE CHILD. LITTLE flowers, you love me so, O little moss, observed hy few, You could not do without me ; That round the tree is creeping, O little birds that come and go, You like my head to rest on you, You sing sweet songs about me ; While I am idly sleeping. Go forth under the open sky, and list To Nature's teaching. Bryant's Thanatopsis. 2 j g ARBOR DA Y MANUAL. SPARE THE TREES. ALAS, in how many places is the forest which once lent us shade, nothing more than a memory. The grave and noble circle which adorned the mountain is every day contracting. Where you come in hope of seeing life, you find but the image of death. O, who will really undertake the defense of the trees, and rescue them from senseless destruction ? Who will eloquently set forth their manifold mission, and their active and incessant assistance in the regulation of the laws which rule our globe ? Without them, it seems delivered over to blind destiny, which will involve it again into chaos. The motive powers and purificators of the atmosphere through the respiration of their foli- age, avaricious collectors to the advantage of future ages of the solar heat, it is they which pacify the storm and avert its most disastrous consequences. In the low-lying plains, which have no outlet for their waters, the trees, long be- fore the advent of man, drained the soil by their roots, forcing the stagnant waters to descend and construct at a lower depth their useful reservoirs. And now, on the abrupt declivities, they consolidate the crumbling soil, check and break the torrent, control the melting of the snows, and preserve to the meadows the fertile humidity which in due time will overspread them with a sea of flowers. And is not this enough ? To watch over the life of the plant and its general harmony, is it not to watch over the safety of humanity? The tree, again, was created for the nurture of man, to assist him in his industries and his arts. It is owing to the tree, to its soul, earth buried for so many cen- turies, and now restored to light, that we have secured the wings of the steam engine. Thank heaven for the trees! With my feeble voice I claim for them the gratitude of man. Madame Michelet. SPRING-TIME IS COMING. THE spring-time is coming, the winter is past; The flowers are waking at last, at last. Awake, little sleepers, from forest and field Oh, sweet is the joy that to us you yield. The birds sing out from each tree and bush ; The violets listen with a sweet fragrant hush. Oh, every thing that's sleeping still awake, awake To life and spring-time awake. For when the world was new, the race that broke Unfathered, from the soil or opening oak, Lived most unlike the men of later times. Juvenal. ARBOR DA V MANUAL. 2I 9 THE ROBIN. MY old Welch neighbor over the way- Crept slowly out in the sun of spring, Pushed from her ears the locks of grav, And listened to hear the robin sing. Her grandson, playing at marbles, stopped, And cruel in sport as boys will be, Tossed a stone at the bird, who hopped From bough to bough in the apple tree. ' Nay ! " said the grandmother; " have you not heard, My poor, bad boy ! of the fiery pit, And how. drop by drop, this merciful bird Carries the water that quenches it ? ' He brings cool dew in his little bill, And lets it fall on the souls of sin ; You can see the mark on his red breast still ' Of fires that scorch as he drops it in. ; My poor bron rhuddyn ! my breast-burned bird, Singing so sweetly from limb to limb, Very dear to the heart of our Lord Is he who pities the lost like him ! " ' Amen ! " I said to the beautiful myth ; " Sing, bird of God, in my heart as well ; Each good thought is a drOp wherewith To cool and lessen the fires of hell. Prayers of love like rain drops fall, Tears of pity are cooling dew, And dear to the heart of our Lord are all Who suffer like Him in the good they do ! Whittier. The sounding cataract Haunted me like a passion ; the tall rock, The mountain and the deep and gloomy wood, Their colors and their forms, were then to me An appetite. Wordsworth's Tzntern Abbey. 220 ARBOR DA Y MANUAL. THE STORY OF "HIAWATHA." TRACED BY TREES AND SUNG BY BIRDS. Arranged for the " Arbor Day Manual." IN dedicating a tree to the memory of Longfellow, this " story " may be arranged for an entire class or grade. It is especially appropriate for high school and academic grades, in cities and villages where but a single tree is to be planted by the class. introduction. Listen to these wild traditions, Should you ask me, whence these stories? To this Song of Hiawatha ! Whence these legends and traditions, With the odors of the forest, With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations, As of thunder in the mountains? I should answer, I should tell you, " From the forests and the prairies." ***** Should you ask where Nawadaha THE PEACE PIPE. From the red stone of the quarry With his hand he broke a fragment, Moulded it into a pipe head, Shaped and fashioned it with figures; From the margin of the river Took a long reed for a pipe-stem, With its dark green leaves upon it; Filled the pipe with bark of willow, With the bark of the red willow; Breathed upon the neighboring forest, Found these songs, so wild and wayward, Made its great boughs chafe together, Found these legends and traditions, I should answer, I should tell you, " In the birds'-nests of the forest, In the lodges of the beaver, In the hoof-ppints of the bison, In the eyry of the eagle ! Till in flame they burst and kindled; And erect upon the mountains, Gitchie Manito, the mighty. Smoked the calumet, the Peace Pipe, As a signal to the nations. " In the Vale of Tawasentha, In the green and silent valley, By the pleasant water-courses, Dwelt the singer Nawadaha. Round about the Indian village Spread the meadows and the cornfields, And beyond them stood the forest, Stood the groves of singing pine trees, Green in summer, white in winter, Ever sighing, ever singing. * * * * * Ye who love the haunts of nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries: THE EAST WIND. Lonely in the sky was Wabun; Though the birds sang gayly to him, Though the wild flowers of the meadow Filled the air with odors for him, Though the forests and the rivers Sang and shouted at his coming, Still his heart was sad within him, For he was alone in heaven. But one morning, gazing earthward, While the village still was sleeping, And the fog lay on the river, Like a ghost, that goes at sunrise, He beheld a maiden walking All alone upon a meadow, Gathering water-flags and rushes By a river in the meadow, Ever)' morning, gazing earthward, Still the first thing he beheld there Was her blue eyes looking at him, Two blue lakes among the rushes. ARBOR DA Y MAX UAL. 221 THE NORTH WIND. But the fierce Kabibonokka Had his dwelling among icebergs, In the everlasting snow-drifts, In the kingdom of Wabasso, In the land of the White Rabbit. He it was whose hand in autumn Painted all the trees with scarlet, Stained the leaves with red and yellow; He it was who sent the snow-flakes, Sifting, hissing through the forest, Froze the ponds, the lakes, the rivers, Drove the loon and sea-gull southward, Drove the cormorant and curlew To their nests of sedge and sea-tang In the realms of Shawondasee. Hiawatha's childhood. By the shores of Gitchie Gumee By the shining Big-Sea- Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis. Dark behind it rose the forest, Rose the black and gloomy pine trees, Rose the firs with cones upon them: Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea- Water. ***** At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine trees, Heard the lapping of the water, Sounds of music, words of wonder; " Minne-wawa ! " said the pine trees, ,' Mudway-aushka! " said the water. Then Iagoo the great boaster, He the marvelous story-teller, He the traveler and the talker He the friend of old Nokomis, Made a bow for Hiawatha; From a branch of ash he made it, From an oak bough made the arrows, Tipped with flint, and winged with teamen, And the chord he made of deer-skin. Then he said to Hiawatha: " Go my son, into the forest, Where the red deer herd together, Kill for us a famous roe buck, Kill for us a deer with antlers ! " Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows; And the birds sang round him, o'er him, " Do not shoot us, Hiawatha ! " Sang the robin, the Opeechee, Sang the bluebird the Owaissa, " Do not shoot us, Hiawatha ! " Up the oak tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak irfc^. Laughed, and said between his laughing, " Do not shoot me, Hiawatha ! " And the -.'aboil from his pathway Leaped aside, and at a distance Sat erect u^jou his haunches, Half \r, f.-ai- and half in frolic, Sayicg to the little hunter, " J jo not shoot me, Hiawatha ! " But he heeded not, nor heard them, £^v his thoughts were with the red deer. AFTER THE BATTLE WITH MUDJEKEEWIS. The Meeting with " Laughing- Water.' Homeward now went Hiawatha; feasant was the landscape round him, Pleasant was the air above him, For the bitterness of anger Had departed wholly from him, From his brain the thought of vengeance, From his heart the burning fever. Only once his pace he slackened, -Only once he paused or halted, Paused to purchase heads of arrows, Of the ancient arrow-maker, in the land of the Dacotahs, Where the Falls of Minnehaha Flash and gleam among the oak trees Laugh and leap into the valley. ***** With him dwelt his dark-eyed daughter, \Vayward as the Minnehaha, With her moods of shade and sunshine, Eyes that smiled and frowned alternate, Feet as rapid as the river, Tresses flowing like the water, And as musical a laughter; 222 ARBOR DA Y MANUAL. And he named her from the river, From the waterfall he named her, Minnehaha, Laughing-Water. * # * * * hiawatha's fasting. You shall hear how Hiawatha Prayed and fasted in the forest, Not for greater skill in hunting, Not for greater craft in fishing, Not for triumphs in the battle And renown among the warriors, But for profit of the people, For advantage of the nations. THE MAIZE. After wrestling with Mondamin, Homeward then went Hiawatha To the lodge of old Nokomis, And the seven days of his fasting Were accomplished and completed. But the place was not forgotten Where he wrestled with Mondamin; Nor forgotten nor neglected Was the grave where lay Mondamin. Sleeping in the rain and sunshine, Where his scattered plumes and garments Faded in the rain and sunshine, Day by day did Hiawatha Go to wait and watch beside it; Kept the dark mould soft above it, Kept it clean from weeds and insects, Drove awaj', with scoffs and shoutings Kahgahgee, the king of ravens, Till at length a small green feather From the earth shot slowly upward, Then another, and another, And before the summer ended Stood the maize in all its beauty, With its shining robes about it, And its long soft yellow tresses; And in rapture Hiawatha Cried aloud, "It is Mondamin ! Yes, the friend of man, Mondamin ! " Then he called to old Nokomis And Iagoo the great boaster, Showed them where the maize was growing Told them of his wondrous, vision, Of his wrestling and his triumph, Of this new gift to the nations. Which should be their food forever. THE SWEET SINGER. Most beloved by Hiawatha Was the gentle Chibiabos, He the best of all musicians, He the sweetest of all singers. Beautiful and childlike was he, Brave as man is, soft as woman, Pliant as a wand of willow, Stately as a deer with antlers. When he sang, the village listened; All the warriors gathered round him; All the women came to hear him; Now he stirred their souls to passion, Now he melted them to pity. From the hollow reeds he fashioned Flutes so musical and mellow, That the brook, the Sebowisha, Ceased to murmur in the woodland, That the wood-birds ceased from singing, And the squirrel, Adjidaumo, Ceased his chatter in the oak tree, And the rabbit, the Wabasso, Sat upright to look and listen. Yes, the brook, the Sebowisha, Pausing, said, "O Chibiabos, Teach my waves to flow in music, Softly as your words in singing ! " Yes, the bluebird, the Owaissa, Envious said, "O Chibiabos, Teach me tones as wild and wayward, Teach me songs as full of frenzy ! " Yes, the robin, the Opeechee, Joyous said, " O Chibiabos, Teach me tones as sweet and tender, Teach me songs as full of gladness ! " And the whippoorwill, Wawonaissa, Sobbing, said, " O Chibiabos, Teach me tones as melancholy, Teach me songs as full of sadness ! " All the many sounds of nature Borrowed sweetness from his singing; All the hearts of men were softened By the pathos of his music; For he sang of peace and freedom, Sang of beauty, love and longing; Sang of death and life undying In the Islands of the Blessed, In the kingdom of Ponemah In the land of the Hereafter. ARBOR DA Y MANUAL. 223 KWASIND. " Lazy Kwasind ' " said his mother " In my work you never help me ! In the summer you are«roaming Idly in the fields and forests." ***** " Lazy Kwasind ! " said his father, " In the hunt you never help me; Every bow you touch is broken, Snapped asunder every arrow; Yet come with me to the forest, You shall bring the hunting homeward." Down a narrow pass they wandered, Where a brooklet led them onward, Where the trail of deer and bison Marked the soft mud on the margin, Till they found all further passage Shut against them, barred securely By the trunks of trees uprooted, Lying lengthwise, lying crosswise And forbidding further passage. " We must go back," said the old man " O'er these logs we cannot clamber; Not a woodchuck could get through them, Not a squirrel clamber o'er them ! " And straightway his pipe he lighted, And sat down to smoke and ponder. But before his pipe was finished, Lo ! the path was cleared before him; All the trunks had Kwasind lifted, To the right hand, to the left hand, Shot the pine trees swift as arrows, Hurled the cedars light as lances. HIAWATHA S SAILING. Bziilding Hie Birch Canoe. " Give me of your bark, O birch tree ! Of your yellow bark, O birch tree ! Growing by the rushing river, Tall and stately in the valley ! I a light canoe will build me, Build a swift Cheemaun for sailing, Thou shalt float upon the river, Like a yellow leaf in autumn, Like a yellow water lily ! " Lay aside your cloak, O birch tree ! Lay aside your white-skin wrapper, For the summer time is coming, And the sun is warm in heaven, And you need no white-skin wrapper ! " Thus aloud cried Hiawatha In the solitary forest. ***** And the tree with all its branches Rustled in the breeze of morning, Saying with a sigh of patience, " Take my cloak, O Hiawatha ! " With his knife the tree he girdled; Just beneath its lowest branches, Just above the roots he cut it, Till the sap came oozing outward ; Down the trunk, from top to bottom, Sheer he cleft the bark asunder, With a wooden wedge he raised it, Stripped it from the trunk unbroken. " Give me of your boughs, O Cedar ! Of your strong and pliant branches, My canoe to make more steady, Make more strong and firm beneath me! " , Through the summit of the Cedar Went a sound, a cry of horror, Went a murmur of resistance , But it whispered, bending downward, " Take my boughs, O Hiawatha! " Down he hewed the boughs of Cedar, Shaped them straightway to a framework, Like two bows he formed and shaped them, Like two bended bows together. " Give me of your roots, O Tamarack! Of your fibrous roots, O Larch tree! My canoe to bind together, So to bind the ends together That the water may not enter, That the river may not wet me! " And the Larch, with all its fibres, Shivered in the air of morning, Touched his forehead with its tassels, Said, with one long sigh of sorrow, "Take them all, O Hiawatha! " From the earth he tore the fibres, Tore the tough roots of the Larch tree, Closely sewed the bark together, Bound it closely to the framework. " Give me of your balm, O Fir tree! Of your balsam and your resin, So to close the seams together That the water may not enter, 224 ARBOR DA Y MANUAL. That the river may not wet me! " And the Fir tree tall and sombre, Sobbed through all its robes of darkness, Rattled like a shore with pebbles, Answered wailing, answered weeping, " Take my balm, O, Hiawatha! " And he took the tears of balsam, Took the resin of the Fir tree, Smeared therewith each seam and fissure, Made each crevice safe from water. ***** Thus the Birch Canoe was builded In the valley, by the river, In the bosom of the forest ; And the forest's life was in it, All its mystery and its magic, All the lightness of the birch tree, All the toughness of the cedar, All the larch's supple sinews; And it floated on the river Like a jellow leaf in autumn, Like a yellow water-lily. HIAWATHA AND THE PEARL FEATHER. The Battle with Megissog-won. — The Woodpecker, Then began the greatest battle That the sun had ever looked on, That the war-birds ever witnessed. ***** Till at sunset Hiawatha Leaning on his bow of ash tree, Wounded, weary, and desponding, With his mighty war-club broken, With his mittens torn and tattered, And three useless arrows only, Paused to rest beneath a pine tree, From whose branches trailed the mosses, And whose trunk was coated over With the Dead-man's Moccasin-leather, With the fungus white and yellow. Suddenly from the boughs above him Sang the Ma'ma, the woodpecker : "Aim your arrows, Hiawatha, At the head of Megissog'won, Strike the tuft of hair upon it, At their roots the long black tresses ; There alone can he be wounded! " Swift flew Hiawatha's arrow, Swifter flew the second arrow, ***** But the third and latest arrow Swiftest flew, and wounded sorest. ***** At the feet of Hiawatha Lifeless lay the great Pearl-feather, Lay the mightiest of Magicians. Then the grateful Hiawatha Called the Ma'ma, the woodpecker, From his perch among the branches Of the melancholy pine tree, And, in honor of his service, Stained with blood the tuft of feathers On the little head of Ma'ma ; Even to this da)' he wears it, Wears the tuft of crimson feathers, As a symbol of his service. HIAWATHA'S WOOING. Thus departed Hiawatha To the land of the Dacotahs, To the land of handsome women ; Striding over moor and meadow, Through interminable forests, Through uninterrupted silence. With his moccasins of magic, At each stride a mile he measured; Yet the way seemed long before him, And his heart outrun his footsteps; And he journeyed without resting, Till he heard the cataract's laughter, Heard the falls of Minnehaha Calling to him through the silence. ***** She was thinking of a hunter, From another tribe and country, Young and tall and very handsome, Who, one morning, in the Spring-time, Came to buy her father's arrows, Sat and rested in the wigwam, Lingered long about the doorway, Looking back as he departed. ***** Would he come again for arrows To the Falls of Minnehaha ? On the mat her hands lay idle, And her eyes were very dreamy. [step, Through their thoughts they heard a foot- ARBOR DA Y MANUAL. 225 Heard a rustling in the branches, And with glowing cheek and forehead, With the deer upon his shoulders, Suddenly from out the woodlands Hiawatha stood before them. * # # # # Thus continued Hiawatha, And then added, speaking slowly, " That this peace may last forever, And our hands be clasped more closely, And our hearts be more united, Give me as my wife this maiden, Minnehaha, Laughing Water, Loveliest of Dacotah women! " ***** And the lovely Laughing Water Seemed more lovely, as she stood there, Neither willing or reluctant, As she went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, " I will follow you my husband!" ***** Pleasant was the journey homeward, Through interminable forests, Over meadow, over mountain, Over river, hill and hollow. All the spoons of horn of bison, Black and polished very smoothly. She had sent through all the village Messengers with wands of willow, As a sign of invitation As a token of the feasting. THE TRANSFORMATION OF OSSEO. lagoons Story. " Hear the story of Osseo. ***** In the Northland lived a hunter With ten young and comely daughters Tall and lithe as wands of willow; Only Oweenee, the youngest, She the wilful and the wayward, She the silent dreamy maiden, Was the fairest of the sisters. "All these women married warriors, Married brave and haughty husbands ; Only Oweenee, the youngest, Laughed and flouted all her lovers. All her young and handsome suitors And then married old Osseo. ***** "Ah, but beautiful within him Was the spirit of Osseo. Over wide and rushing rivers In his arms he bore the maiden; Light he thought her as a feather, As the plume upon his head-gear; Cleared the tangled pathway for her, Bent aside the swaying branches, Made at night a lodge of branches, And a bed with boughs of hemlock, And a fire before the doorway With the dry cones of the pine tree. " Once to some great feast invited, Through the damp and dusk of evening Walked together the ten sisters, Walked together with their husbands; Slowly followed old Osseo, With fair Oweenee beside him; All the others chatted gayly, These two only walked in silence. " At the western sky Osseo Gazed intent as if imploring, Thus it was that Hiawatha To the lodge of old Nokomis Brought the moonlight, starlight, firelight. Brought the sunshine of his people. "And they heard him murmur softly, " ' Pity, pity me, my father ! ' " ' Listen ! ' said the eldest sister, ' He is praying to his father ! ' THE WEDDING FEAST. Sumptuous was the feast of Nokomis Made at Hiawatha's wedding; All the bowls were made of bass wood, White and polished very smoothly, 15 "And they laughed till all the forest Rang with their unseemly laughter. " On their pathway through the wood- lands La} r an oak by storms uprooted, 226 ARBOR DA Y MANUAL. Lay the great trunk of an oak tree, Buried half in leaves and mosses, Mouldering, crumbling, huge and hollow. And Osseo, when he saw it, Gave a shout, a cry of anguish, Leaped into its yawning cavern, At one end went in an old man, Wasted, wrinkled, old and ugly, From the other came a young man, Tall and straight and strong and handsome, " Thus Osseo was transfigured, Thus restored to youth and beauty." Heard them laughing like the blue jays, Heard them singing like the robins. And whene'er some lucky maiden Found a red ear in the husking, Found a maize-ear red as blood is, " Nushka ! " cried they altogether, " Nushka ! you shall have a sweetheart, You shall have a handsome husband ! " " Ugh ! " the old men all responded, From their seats beneath the pine trees. BLESSING THE CORN FIELDS. Once when all the maize was planted, Hiawatha, wise and thoughtful, Spake and said to Minnehaha, To his wife, the Laughing Water : " You shall bless to-night the corn-fields, Draw a magic circle round them, To protect them from destruction." * * * # * On the tree-tops near the corn-fields Sat the hungry crows and ravens, Kahgahgee, the King of Ravens, With his band of black marauders, And they laughed at Hiawatha, Till the tree-tops shook with laughter, With their melancholy laughter, At the words of Hiawatha. ***** And the merry Laughing Water Went rejoicing from the wigwam, With Nokomis, old and wrinkled, And the}' called the women round them, Called the young men and the maidens, To the harvest of the corn-fields, To the husking of the maize-ear. On the border of the forest, Underneath the fragrant pine trees, Sat the old men and the warriors Smoking in the pleasant shadow. In uninterrupted silence Looked the)' at the gamesome labor Of the young men and the women; Listened to their noisy talking. To their laughter and their singing, Heard them chattering like the magpies, PICTURE WRITING. And the last of all the figures Was a heart within a circle, Drawn within a magic circle; And the image had this meaning; " Naked lies your heart before me, To your naked heart I whisper ! " Thus it was that Hiawatha, In his wisdom taught the people All the mysteries of painting, All the art of picture writing, On tfye smooth bark of the birch tree, On the white skin of the reindeer, On the grave-posts of the village. hiawatha's lamentation. Death of Chibiabos. Once when Peboan, the winter, Roofed with ice the Big- Sea-Water, When the snow-flakes, whirling dow'nward, Hissed among the withered oak-leaves, Changed the pine trees into wigwams, Covered all the earth with silence, — Armed with arrows, shod with snow-shoes, Heeding not his brother's warning, Fearing not the Evil Spirits, Forth to hunt the deer with antlers All alone went Chibiabos. ***** But beneath, the Evil Spirits, Lay in ambush, waiting for him, Broke the treacherous ice beneath him, Dragged him downward to the bottom, ***** Drowned him in the deep abysses Of the lake of Gitchie Gumee. From the headlands Hiawatha ARBOR DA Y MANUAL. 227 Sent forth such a wail of anguish, Such a fearful lamentation, That the bison paused to listen, And the wolves howled from the prairies. * * * * # " He is dead, the sweet musician ! He the sweetest of all singers ! He has gone from us forever, He has moved a little nearer To the Master of all music, To the Master of all singing ! O my brother, Chibiabos !" And the melancholy fir trees Waved their dark green fans above him, Waved their purple cones above him, Sighing with him to console him, Mingling with his lamentation Their complaining, their lamenting. Came the spring, and all the forest Looked in vain for Chibiabos; Sighed the rivulet, Sebowisha, Sighed the rushes in the meadow. From the tree-tops sang the bluebird, Sang the bluebird, the Owaissa, " Chibiabos ! Chibiabos ! He is dead the sweet musician !" From the wigwam sang the robin, Sang the robin, the Opechee, "Chibiabos! Chibiabos! He is dead, the sweetest singer ! " And at night through all the forest Went the whippoorwill complaining, Wailing went the Wawanaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician ! He the sweetest of all singers ! " PAU-PUK-KEEWIS. Then departed Pau-Puk-Keewis Whistling, singing through the forest, Whistling gayly to the squirrels, Who from hollow boughs above him Dropped their acorn shells upon him, Singing gayly to the wood-birds, Who from out the leafy darkness Answered with a song as merry. Saw the form of Pau-Puk-Keewis Glide into the soft blue shadow Of the pine trees of the forest; Toward the squares of white beyond it, Toward an opening in the forest, Like a wind it rushed and panted, Bending all the boughs before it, And behind it, as the rain comes, Came the steps of Hiawatha. ***** And so near he came, so near him, That his hand was stretched to seize him, His right hand to seize and hold him, When the cunning Pau-Puk-Keewis Whirled and spun about in circles, Fanned the air into a whirlwind, Danced the dust and leaves about him, And amid the whirling eddies Sprang into a hollow oak tree, Changed himself into a serpent, Gliding out through root and rubbish. With his right hand Hiawatha Smote amain the hollow oak tree, Rent it into shreds and splinters, Left it lying there in fragments. But in vain; for Pau-Puk-Keewis, Once again in human figure, Full in sight ran on before him, Sped away in gust and whirlwind. THE DEATH OF KWASIND. Now this wondrous strength of Kwasind In his crown alone was seated; In his crown too was his weakness; There alone could he be wounded, Nowhere else could weapon pierce him, Nowhere else could weapon harm him. Even there the only weapon That could wound him, that could slay him, Was the seed-cone of the pine-tree, Was the blue-cone of the fir tree. This was Kwasind's fatal secret, Known to no man among mortals; But the cunning Little People, The Puk-Wudjies, knew the secret, Knew the only way to kill him. THE HUNTING OF PAU-PUK-KEEWIS. But the wary Hiawatha the figure ere it vanished, At the first blow of their war clubs, Fell a drowsiness on Kwasind; At the second blow they smote him, 228 ARBOR DA Y MANUAL. Motionless his paddle rested; At the third, before his vision Reeled the landscape into darkness, Very sound asleep was Kwasind. So he floated down the river, Like a blind man seated upright, Floated down the Taquamenaw, Underneath the trembling birch trees, Underneath the wooded headlands, Underneath the war encampment Of the pygmies, the Puk-Wudjies. There they stood, all armed and wait- ing Hurled the pine-cones down upon him, Struck him on his brawny shoulders, On his crown defenseless struck him. •' Death to Kwasind ! " was the sudden War-cry of the Little People. And he sideways swayed and tumbled Sideways fell into the river; Plunged beneath the sluggish water Headlong as an otter plunges; And the birch canoe, abandoned, Drifted empty down the river, Bottom upward swerved and drifted: Nothing more was seen of Kwasind. But the memory of the Strong Man Lingered long among the people, And whenever through the forest Raged and roared the wintry tempest, And the branches, tossed and troubled, Creaked and groaned and split asunder, " Kwasind!" cried they; " that is Kwasind He is gathering in his fire-wood ! " THE GHOSTS. Not a motion made Nokomis, Not a gesture Laughing Water; Not a change came o'er their features; Only Minnehaha softly Whispered, saying, " They are famished; Let them do what best delights them; Let them eat, for they are famished." Many a daylight dawned and dark- ened, Many a night shook off the daylight As the pine shakes off the snowflakes From the midnight of its branches; Day by day the guests unmoving Sat there silent in the wigwam; But by night, in storm or starlight, Forth they went into the forest, Bringing fire-wood to the wigwam, Bringing pine-cones for the burning, Always sad and always silent. THE FAMINE. Forth into the empty forest Rushed the maddened Hiawatha; In his heart was deadly sorrow, In his face a stony firmness; On his brow the sweat of anguish Started, but it froze and fell not. Wrapped in furs and armed for hunting, With his mighty bow of ash tree, With his quiver full of arrows, With his mittens, Miniekahwun, Into the vast and vacant forest , On his snow-shoes strode he forward. " Gitche Manito, the Mighty!" Cried he with his face uplifted In that bitter hour of anguish, " Give your children food, O father! Give us food, or we must perish! Give me food for Minnehaha, For my dying Minnehaha! " Through the far resounding forest, Through the forest vast and vacant Rang that cry of desolation, But there came no other answer Than the echo of his crying, Than the echo of the woodlands, ! "Minnehaha! Minnehaha!" DEATH OF MINNEHAHA. In the wigwam with Nokomis, With those gloomy guests, that watched her, With the Famine and the Fever, She was lying, the Beloved, She the dying Minnehaha. " Hark ! " she said ; " I hear a rushing,, Hear a roaring and a rushing, Hear the Falls of Minnehaha Calling to me from a distance! " "No, my child!" said old Nokomis, " 'Tis the night-wind in the pine trees! " ***** Homeward hurried Hiawatha, ***** And he rushed into the wigwam, Saw the old Nokomis slowly ARBOR DA Y MANUAL. 229 Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him, And his bursting heart within him Uttered such a cry of anguish, That the forest mDaned and shuddered, That the very stars in heaven Shook and trembled with his anguish. ***** Then the)' buried Minnehaha; In the show a grave the)- made her, In the forest deep and darksome, Underneath the moaning hemlocks; Clothed her in her richest garments, Wrapped her in her robes of ermine, Covered her with snow, like ermine; Thus they buried Minnehaha. WHITE MAN'S FOOT. In bis lodge beside a river, Close beside a frozen river, Sat an old man, sad and lonely. ***** All the coals were white with ashes, And the fire was slowly dying, As a young man, walking lightly, At the open doorway entered. Red with blood of youth his cheeks were, Soft his eyes, as stars in Spring-time, Bound his forehead was with grasses, Bound and plumed with scented grasses! On his lips a smile of beauty, Filling all the lodge with sunshine, In his hand a bunch of blossoms Filling all the lodge with sweetness. ***** From his pouch he drew his peace-pipe, Very old and strangely fashioned; Made of red stone was the pipe-head, And the stem a reed with feathers; Filled the pipe with bark of willow, Placed a burning coal upon it, Gave it to his guest, the stranger, And began to speak in this wise: " When I blow my breath about me, When I breathe upon the landscape, Motionless are all the rivers, Hard as stone becomes the water!" And the young man answered, smiling " When I blow my breath about me, When I breathe upon the landscape, Flowers spring up o'er all the meadows, Singing, onward rush the rivers!" " When I shake my hoary tresses," Said the old man, darkly frowning, " All the land with snow is covered; All the leaves from all the branches Fall and fade and die and wither, For I breathe, and lo! they are not. From the waters and the marshes Rise the wild goose and the heron, Fly away to distant regions, For I speak, and lo! they are not. And where'er my footsteps wander, All the wild beasts of the forest Hide themselves in holes and caverns, And the earth becomes as flintstone! " " When I shake my flowing ringlets," Said the young man, softly laughing, " Showers of rain fall warm and welcome, Plants lift up their heads rejoicing, Back unto their lakes and marshes Come the wild goose and the heron, Homeward shoots the arrowy swallow, Sing the bluebird and the robin, And where'er my footsteps wander, All the meadows wave with blossoms, All the woodlands ring with music, All the trees are dark with foliage! " Then the old man's tongue was speechless And the air grew warm and pleasant, And upon the wigwam sweetly Sang the bluebird and the robin, And the stream began to murmur, And a scent of growing grasses Through the lodge was gently wafted. And Segwun, the youthful stranger More distinctly in the daylight Saw the icy face before him; It was Peboan, the Winter! From his eyes the tears were flowing, As from melting lakes the streamlets, And his body shrunk and dwindled As the shouting sun ascended, Till into the air it faded, Till into the ground it vanished, And the young man saw before him, On the hearth-stone of the wigwam, 230 ARBOR DA Y MANUAL. Where the fire had smoked and smouldered, Saw t the earliest flower of Spring-time. ***** Thus it was that in the North-land After that unheard-of coldness, That intolerable Winter, Came the Spring with all its splendor, All its birds and all its blossoms, All its flowers and leaves and grasses. "Gitche Manito the Mighty, The Great Spirit, the Creator, Sends them hither on his errand, Sends them to us with his message. Whereso'er they move, before them Swarms the stinging-fly, the Ahmo. Swarms the bee, the honey-maker; Wheresoe'er they tread, beneath them Springs a flower unknown among us, Spring the White-man's Foot in blossom. FAREWELL TO HIAWATHA. And they said. " Farewell forever!" Said, "Farewell, O Hiawatha!" And the forests, dark and lonely, Moved through all their depths of darkness, Sighed, "Farewell, O Hiawatha!" And the waves upon the margin Rising, rippling on the pebbles, Sobbed, "Farewell, O Hiawatha!" And the heron, the Shuh-shuh-gah, From her haunts among the fen-lands, Screamed, "Farewell, O Hiawatha!" Longfellow. THE VIOLET. VIOLET! sweet violet! Thine eyes are full of tears; Are the}' wet Even yet With the thought of other years? Or with gladness are they full, For the night so beautiful, And longing for those far-off spheres ? Out on it! no foolish pining For the sky Dims thine eye, Or for the stars so calmly shining; Like thee let this soul of mine Take hue from that wherefor I long, Self-stayed and high, serene and strong, Not satisfied with hoping — but divine. Thy little heart, that hath with love Grown colored like the sky above, On which thou lookest ever, — Can it know All the woe Of hope for what returneth never, All the sorrow and the longing To these hearts of ours belonging ? Violet! dear violet! Thy blue eyes are only wet With joy and love of Him who sent thee, And for the fulfilling sense Of that glad obedience Which made thee all that Nature meant thee. Lowell. THE FIR TREE. HARK, hark! What does the Fir tree say? Creak, creak! Listen! " Be firm, be true, Standing still all night, all day — The winter's frost and the summer's dew Never a moan from over his way. Are all in God's time, and all for you. Green through all the winter's gray — Only live your life, and your duty do, What does the steadfast Fir tree say ? And be brave, and strong, steadfast and true." Chautauquan, March, 1884. Luella Clark. ARBOR DA Y MANUAL. 2 ^ I Written for the "Ardor Day Manual." A HOME BY THE WARM SOUTHERN SEA.* OH, give me a home by the warm Southern sea ! Where the playful waves bring a kind respite to me, And from New Year's till March the jessamine bloom Fills the eye with its beauty, and the air with perfume; While I almost can hear the tinkle and swell Of the dear little yellow jessamine bell, As it swings on its vine from the top of a tree, And exultantly shakes its bright petals at me. Oh, give me a home by the warm Southern sea ! Where the Cherokee rose climbs the palmetto tree, And sweetly peeps forth through perennial green Bedecking the months 'twixt the fair jessamine And the magnolia grand, the queen of the May, The tree of the Southland, the pride of the day, The fountain of odors which scatter and fill The fair summer flowers, and sweet daffodil. Oh, give me a home by the warm Southern sea ! Where the jubilant sunbeams dance o'er the lea, Where with oars idly dropped, I float with the tides, Or rest in wild hammocks which nature provides; While vines, creeping vines, come forth in an hour, And noiselessly twine me a summerland bower ; Then opening soft eyes, speaking love and good will, They twine and keep twining unweariedly still. Oh, give me a home by the warm Southern sea ! Where lilies hang drooping from shrub and from tree. Where fruits in all seasons hang luscious and rare, Where from May to December the soft, balmy air Brings a lazy delight to my soul as I lie And list to the mocking-bird's twitter and cry ; Till catching a glimpse of the gay holly tree As it shakes its bright berries in radiant glee, I am minded that Christmas, glad Christmas is near, And that I have been dreaming for nearly a year. St Augustine, Fla. Mrs. B. C. Rude. No tree in all the grove but has its charms Though each its hue peculiar. Cowper. *Editor Arbor Day Manual — Please accept this little offering as a kindly link in the great chain of earnest effort which now connects the educational interests of the two halves of our one vast whole— our Union. • The Author. 212 ARBOR DA Y MANUAL. AL FRESCO. THE dandelions and buttercups Gild all the lawn; the drowsy bee Stumbles among the clover tops, And summer sweetens all but me: Away, unfruitful lore of books, For whose vain idiom we reject The soul's more native dialect, Aliens among the birds and brooks, Dull to interpret or conceive What gospels lost the woods retrieve ! Away, ye critics, city-bred, Who set man-traps of thus and so. And in the first man's footsteps tread, Like those who toil through drifted snow ! Away, my poets, whose sweet spell Can make a garden of a cell I need ye not, for I to-day Will make one long sweet verse of play. Snap, chord of manhood's tenser strain To-dav I will be a boy again; The mind's pursuing element, Like a bow slackened and unbent, In some dark corner shall be leant. The robin sings, as of old, from the limb ! The cat-bird croons in the lilac bush Through the dim arbor, himself more dim. Silently hops the hermit-thrush, The withered leaves keep dumb for him; The irreverent buccaneering bee Hath stormed and rifled the nunnery Of the lily, and scattered the sacred floor With haste-dropt gold from shrine to door; There, as of yore, The rich, milk-tingeing buttercup Its tiny polished urn holds up, Filled with ripe summer to the edge, The sun in his own wine to pledge; And our tall elm, this hundredth year Doge of our leafy Venice here, Who, with an annual ring, doth wed The blue Adriatic overhead. Shadows with his palatial mass The deep canals of flowing grass. O unestranged birds and bees ! O face of nature always true ! O never-unsympathizing trees ! never-rejecting roof of blue, Whose rash disherison never falrfe On us unthinking prodigals, Yet who convictest all our ills, So grand and unappeasable ! Methinks my heart from each of these Plucks part of childhood back again, Long there imprisoned, as the breeze Doth ever}' hidden odor seize Of wood and water, hill and plain; Once more am I admitted peer ! In the upper house of nature here, And feel through all nry pulses run The royal blood of breeze and sun. Upon these elm-arched solitudes No hum of neighbor toil intrudes; The only hammer that I hear Is wielded by the woodpecker. The single noisy calling his In all our leaf-hid Sybaris; The good old time, close-hidden here, Persists, a loyal cavalier, While Roundheads prim, with point of fox, Probe wainscot-chink and empty box; Here no hoarse-voice iconoclast Insults thy statues, royal Past; M3'self too prone the axe to wield, 1 touch the silver side of the shield With lance reversed, and challenge peace, A willing convert of the trees. ***** Lowell. The earth Gave sign of gratulation, and each hill; Jovous the birds; fresh gales and gentle airs Whispered it to the woods. Milton's Paradise Lost. ARBOR DA Y MANUAL. 2 33 FLOWERS OF THE MAY. A CALLER ! Who is it ? "In nosegays you've bound them; To make me a visit, I'll guess where you found them: Here comes little Milly ! ■ These buds on the bough How are vou to-day? Of the apple tree grew; And, pray, let me ask it, And under the shadow What is in your basket ? Of ferns in the meadow Ah ! now I can see; You gathered these violets, It is flowers of the May. Tender and blue. " Your flower-bed, I fancy, Has given this pansy; And close by the road Grew these buttercups wild. O, flowers of the Ma)', love, Are sweet in their way, love; But sweeter by far Is a good little child. " SUNSHINE. T HE fitful April sunshine She makes the lowliest hovels, Is welcome after rain; Like palaces of gold, She fills the earth with beauty, Her hands are full of blessings, And lights it up again; More full than they can held: Her golden wand uplifted There's not a person sees her, Sends raindrops scattering far, But brighter grows his face, And flowers spring to greet her, There is no guest so cheery Each shining like a star. In every gloomy place. There is a serene and settled majesty in wood land scenery that enters into the soul, and delights and elevates it, and fills it with noble inclinations. As the leaves of trees are said to absorb all noxious qualities of the air and to breathe forth a purer atmosphere, so it seems to me as if they drew from us all sordid and angry passions, and breathe forth peace and philanthropy. There is something nobly simple and pure in a taste for the cultivation of forest trees. It argues, I think, a sweet and generous nature to have this strong relish for the beauties of vegetation, and this friendship for the hardy and glorious sons of the forest. There is a grandeur of thought connected with this part of rural economy. It is, if I may be allowed the figure, the heroic line of husbandry. It is worthy of liberal, and free-born, and aspiring men. He who plants an oak, looks forward- to future ages, and plants for posterity. Nothing can be less selfish than this. Irving. 234 ARBOR DA Y MANUAL. THE FIRST FLOWERS. FOR ages on our river borders, These tassels in their tawny bloom, And willowy studs of downy silver, Have prophesied of spring to come. But never yet from smiling river, Or song of early bird, have they Been greeted with a gladder welcome Than whispers from my heart to-day. For ages have the unbound waters The}' break the spell of cold and darkness, Smiled on them from their pebbly hem, The weary watch of sleepless pain; And the clear carol of the robin And from my heart as from the river, And song of bluebird welcomed them. The ice of winter melts again. Whittier. HYMN. (For the American Horticultural Society, 1882.) PAINTER of the fruits and flowers, But blest by Thee, our patient toil We own Thy wise design, May right the ancient wrong, Whereby these human hands of ours And give to every clime and soil May share the work of Thine ! The beauty lost so long. Apart from Thee we plant in vain The root and sow the seed; Thy early and Thy later rain, Thy sun and dew we need. Our toil is sweet with thankfulness, Our burden is our boon; The curse of earth's gray morning is The blessing of its noon. Why search the wide world everywhere For Eden's unknown ground ? That garden of the primal pair May nevermore be found. Our homestead flowers and fruited trees May Eden's orchard shame; We taste the tempting sweets of these Like Eve, without her blame. And, north and south and east and west The pride of every zone, The fairest, rarest and the best May all be made our own. Its earliest shrines the young world sought- In hill-groves and in bowers, The fittest offerings thither brought Were Thy own fruits and flowers. And still with reverent hands we cull Thy gifts each year renewed; The good is always beautiful. The beautiful is good. Whittier. There never yet was flower fair in vain, Let classic poets rhyme it as they will; The seasons toil that it may blow again, And summer's heart doth feel its every ill. Lowell. ARBOR DA Y MANUAL 235 LINES. (For the Agricultural and Horticultural Exhibition at Amesbury and Salisbury, Sept. 28, 1858.) THIS day, two hundred years ago, The wild grape by the river's side, And tasteless groundnut trailing low, The table of the woods supplied. Unknown the apple's red and gold, The blushing tint of peach and pear; The mirror of the Powow told No tale of orchards ripe and rare. Wild as the fruits he scorned to till, These vales the idle Indian trod; Nor knew the glad creative skill, The joy of him who toils with God. O painter of the fruits and flowers ! We thank thee for Thy wise design Whereby these human hands of ours In nature's garden work with Thine. And thanks that from our daily need The joy of simple faith is born; That he who smites the summer weed, May trust Thee for the autumn corn. Give fools their gold and knaves their power . Let fortune's bubbles rise and fall; Who sows a field or trains a flower, Or plants a tree is more than all. For he who blesses most is blest; And God and man shall own his worth Who toils to leave as his bequest An added beauty to the earth. And, soon or late, to all that sow, The time of harvest shall be given; The flower shall bloom, the fruit shall grow. If not on earth, at last in heaven. Whittier. THE OAKS. HA ! ha ! we've stemm'd the stream, A thousand years along Thy stormy course, O time ! Sometimes in lightning's gleam, And the water's rousing song, And thunder crash sublime. From memory long have faded, The nations of our childhood, And all the works of man, In dust have laid, while we, Exulting toss our crown, Of branches, hale and free. We've seen the gentle child at play, The maiden fair, the lover gay, And oft they sought, at evening hour, Our cool, leafy bower. And conq'ring armies, on their way, Have paused beneath the arches gray; And age, with slow and faltering tread, Hath sought and blest the peaceful shade; O, many an army o.i its way, Hath paused beneath our arches gray. And aye, with slow and faltering tread, Hath sought, hath blest the grateful shade; Then let the world roll, No power shall control Our song of a thousand years, We'll join when wintry tempests blow, And generations yet shall know The mighty song, amid thy stormy course, O time, our mighty song. J. C. Johnson. Cedar, and pine, and fir, and branching palm, A sylvan scene ! and as the ranks ascend, Shade above shade, a woody theatre Of stateliest view. Milton. 2^6 ARBOR DA V MANUAL. THE BLUSHING MAPLE TREE. WHEN on the world's first harvest da)', The forest trees before the Lord Laid down their autumn offerings Of fruit in sunshine stored, The maple only, of them all, Before the world's great harvest King, With empty hands and silent stood — She had no offering to bring; For in the early summer time, While other trees laid by their hoard, The maple winged her fruit with love, And sent it daily to the Lord. There ran through all the leafy wood A murmur and a scornful smile, But silent still the maple stood, And looked to God the while. And then, while fell on earth a hush, So great it seemed like death to be, From His white throne the mighty Lord Stooped down and kissed the maple tree; At that swift kiss there sudden thrilled, In every nerve, thro' ever} - vein, An ecstacy of joy so great It seemed almost akin to pain. A^id there before the forest trees, Blushing and pale by turns she stood; In ev'ry leaf, now red and gold, She knew the kiss of God. And still, when comes the autumn time, And on the hills the harvest lies, Blushing, the maple tree recalls Her life's one beautiful surprise. A DREAM OF SUMMER. BLAND as the morning breath of June, The south-west breezes play; And, through its haze, the winter noon Seems warm as summer's day. The snow-plumed angel of the north Has dropped his icy spear; Again the messy earth looks forth, Again the streams gush clear. So, in those winters of the soul, By bitter blasts and drear, O'erswept from memory's frozen pole, Will sunny days appear. Reviving hope and faith, they show The soul its living powers, And how beneath the winter's snow Lie germs of summer flowers ! The fox his hillside cell forsakes, The muskrat leaves his nook, The bluebird in the meadow brakes Is singing with the brook. : Bear up, O Mother Nature ! " cry Bird, breeze, and streamlet free; 1 Our winter voices prophesy Of summer days to thee ! " The night is mother of the day, The winter of the spring. And ever upon old decay The greenest mosses cling. Behind the cloud the starlight lurks, Through showers the sunbeams fall; For God, who loveth all His works, Has left His hope with all. Whittier. ARBOR DA Y MANUAL. M AN INVITATION TO THE COUNTRY. ALREADY, close by our summer dwelling, The Easter sparrow repeats her song ; A merry warbler, she chides the blossoms — The idle blossoms that sleep so long. The bluebird chants, from the elm's long branches, A hymn to welcome the budding year. The south wind wanders from field to forest, And softly whispers, "The spring is here." Come, daughter mine, from the gloomy city, Before those lays from the elm have ceased ; The violet breathes, bjr our door, as sweetly As in the air of her native east. Though many a flower in the wood is waking, The daffodil is our doorside queen; She pushes upward the sward already, To spot with sunshine the early green. No lays so joyous as these are warbled From wiry prison in maiden's bower; No pampered bloom of the green-house chamber Has half the charm of the lawn's first flower. Yet these sweet sounds of the early season, And these fair sights of its sunny days, Are only sweet when we fondly listen, And only fair when we fondly gaze. Bryant. THE TREE. 1 love thee when thy swelling buds appear, And one by one their tender leaves unfold, As if they knew that warmer suns were near, Nor longer sought to hide from winter's cold ; And when with darker growth thy leaves are seen To veil from view the early robin's nest, I love to lie beneath thy waving screen, With limbs by summer's heat and toil oppress'd; And when the autumn winds have stript thee bare, And round thee lies the smooth, untrodden snow, When naught is thine that made thee once so fair, I love to watch thy shadowy form below, And through thy leafless arms to look above On stars that brighter beam when most we need their love. Jones Very. 238 ARBOR DAY MANUAL. w UNDER THE OLD ELM. r ORDS pass as wind, but when great deeds were done A power abides transfused from sire to son ; The boy feels deeper meanings thrill his ear, That tingling through his pulse life-long shall run, With sure impulsion to keep honor clear, When, pointing down, his father whispers, '' Here, Here, where we stand, stood he, the purely Great, Whose soul no siren passion could unsphere, Then nameless, now a power and mixed with fate." Historic town, thou holdest sacred dust, Once known to men as pious, learned, just, And one memorial pile that dares to last ; But Memory greets with reverential kiss No spot in all thy circuit sweet as this, Touched by that modest glory as it past, O'er which yon elm hath piously displayed These hundred years its monumental shade. Of our swift passage through this scenery Of life and death, more durable than we, What landmark so congenial as a tree Repeating its green legend every spring, And, with a yearly ring, Recording the fair seasons as they flee, Type of our brief but still-renewed mortality? Beneath our consecrated elm A century ago he stood, Famed vaguely for that old fight in the wopd Whose red surge sought, but could not overwhelm The life fore-doomed to wield our rough-hewn helm ! — From colleges, where now the gown To arms hath yielded, from the town, Our rude self-summoned levies flocked to see The new-come chiefs and wonder which was he. No need to question long ; close-lipped and tall, Long-trained in murder-brooding forests lone To bridle other's clamors and his own, Firmly erect, he towered above them all, The incarnate discipline that was to free With iron curb that armed democracy. Lowell's Cambridge Elm. ARBOR DAY MANUAL. 239 APRIL. "TMS the noon of the spring-time, yet never a bird 1 In the wind-shaken elm or the maple is heard ; For green-meadow grasses wide levels of snow, And blowing of drifts where the crocus should blow; Where wind-flower and violet, amber and white, On south-sloping brooksides should smile in the light, O'er the cold winter-beds of their late-waking roots The frosty flake eddies, the ice-crystal shoots ; And, longing for light, under wind-driven heaps, Round the boles of the pine wood the ground-laurel creeps, Unkissed of the sunshine, unbaptized of showers, With buds scarcely swelled, which should burst into flowers ! We wait for thy coming, sweet wind of the south ! For the touch of thy light wings, the kiss of thy mouth ; For the yearly evangel thou bearest from God, Resurrection and life to the graves of the sod ! Up our long river-valley, for days, have not ceased The wail and the shriek of the bitter north-east, — Raw and chill, as if winnowed through ices and snow, All the way from the land of the wild Esquimau, — Until all our dreams of the land of the blest Like that red hunter's, turn to the sunny south-west. O soul of the spring-time, its light and its breath, Bring warmth to this coldness, bring life to this death ; Renew the great miracle; let us behold The stone from the mouth of the sepulchre rolled, And Nature, like Lazarus, rise, as of old ! Let our faith, which in darkness and coldness has lain, Revive with the warmth and the brightness again, And in blooming of flowers and budding of tree The symbols and types of our destiny see ; The life of the spring-time, the life of the whole, And, as sun to the sleeping earth, love to the soul ! Whittier. I thank heaven every summer's day of my life that my lot was humbly cast within the hearing of romping brooks, and beneath the shadow of oaks, and away from all the tramp and bustle of the world, into which fortune has led me in these latter years of my life. I delight to steal away for days and for weeks to- gether, and bathe my spirit in the freedom of the old woods, and to grow young again lying upon the brookside, and counting the white clouds that sail along the sky, softly and tranquilly, even as holy memories go stealing over the vault of life. Donald G. Mitchell. 240 ARBOR DA V MANUAL. THE GLADNESS OF NATURE. IS this a time to be cloudy and sad. When our mother nature laughs around; When even the deep blue heavens look glad, And gladness breathes from the blossoming ground? There are notes of joy from the hang-bird and wren, And the gossip of swallows through all the sky; The ground squirrel gayly chirps by his den, And the wilding bee hums merrily by. The clouds are at play in the azure space And their shadows at play on the bright green vale. And here they stretch to the frolic chase, And there they roll on the easy gale. There's a dance of leaves in that aspen bower, There's a titter of winds in that beechen tree, There's a smile on the fruit, and a smile on the flower, And a laugh from the brook that runs to the sea. And look at the broad-faced sun, how he smiles On the dewy earth that smiles in his ray, On the leaping waters and gay young isles ; Ay, look, and he'll smile the gloom away. Bryant. 'Tis sweet, in the green spring, To gaze upon the wakening fields around ; Birds in the thicket sing. Winds whisper, waters prattle from the ground. A thousand odors rise, Breathed up from blossoms of a thousand dyes. Shadowy, and close and cool, The pine and poplar keep their quiet nook ; Forever fresh and full, Shines, at their feet, the thirst-inviting brook; And the soft herbage seems Spread for a place of banquets and of dreams. From the Spanish of Villegas. Bryant. ARBOR DA Y MANUAL. 24 1 M UNDER THE WILLOWS. AY is a pious fraud of the almanac, A ghastly parody of real spring Shaped out of snow and breathed with eastern wind ; Or if, o'er-confident, she trust the date, And, with her handful of anemones, Herself as shiver)', steal into the sun, The season need but turn his hour-glass round, And winter suddenly, like crazy Lear, Reels back, and brings the dead May in his arms, Her budding breasts and wan dislustred front With frosty streaks and drifts of his white beard All overblown. Then warmly walled with books, While my wood fire supplies the sun's defect, Whispering old forest-sagas in its dreams, I take my May down from the happy shelf Where perch the world's rare song-birds in a row, Waiting my choice to open with full breast, And beg an alms of spring-time, ne'er denied Indoors by vernal Chaucer, whose fresh woods Throb thick with merle and mavis all the year. Jul)' breathes hot, sallows the crispy fields, Curls up the wan leaves of the lilac-hedge, And every eve cheats us with show of clouds That braze the horizon's western rim, or hang Motionless, with heaped canvas drooping idly, Like a dim fleet by starving men besieged, Conjectured half, and half described afar, Helpless of wind, and seeming to slip back Adown the smooth curve of the oil)'' sea. But June is full of invitations sweet, Forth from the chimney's yawn and thrice-read tomes To leisurely delights and sauntering thoughts That brook no ceiling narrower than the blue. The cherry, drest for bridal, at my pane Brushes, then listens, Will he come ? The bee, All dusty as a miller, takes his toll Of powdery gold and grumbles. What a day To sun me and do nothing! Nay, I think Merely to bask and ripen is sometimes The student's wiser business ; the brain That forages all climes to line its cells, 16 242 ARBOR DA Y MANUAL. Ranging both worlds on lightest wings of wish, Will not distill the juices it has sucked To the sweet substance of pellucid thought, Except for him who hath the secret learned To mix his blood with sunshine, and to take The winds into his pulses. Hush ! 'tis he ! My oriole, my glance of summer fire, Is come at last, and, ever on the watch, Twitches the pack-thread I had lightly wound About the bough to help his housekeeping, — Twitches and scouts by turns, blessing his luck, Yet fearing me who laid it in his way, Nor, more than wiser we in our affairs, Divines the providence, that hides and helps. Heave, ho ! Heave, ho ! he whistles as the twine Slackens its hold ; once more, now ! and a flash Lightens across the sunlight to the elm Where his mate dangles at her cup of felt. Nor all his booty is the thread ; he trails My loosened thought with it along the air, And I must follow, would I ever find The inward rhyme to all this wealth of life. ****** I care not how men trace their ancestry, To ape or Adam ; let them please their whim ; But I in June are midway to believe A tree among my far progenitors, Such sympathy is mine with all the race, Such mutual recognition vaguely sweet There is between us. Surely there are times When they consent to own me of their kin, And condescend to me, and call me cousin, Murmuring faint lullabies of eldest time, Forgotten, and yet dumbly felt with thrills Moving the lips, though fruitless of the words. And I have many a lifelong leafy friend, Never estranged nor careful of my soul, That knows I hate the axe, and welcomes me Within his tent as if I were a bird. ****** Among them one, an ancient willow, spreads Eight balanced limbs, springing at once all round His deep-ridged trunk with upward slant diverse, In outline like enormous beaker, fit ARBOR DA Y MANUAL. 243 For hand of Jotun, where mid snow and mist He holds unwieldy revel. ****** The friend of all the winds, wide-armed he towers And glints his steely aglets in the sun. ***** anc j 1 Will hold it true that in this willow dwells The open-handed spirit, frank and blithe, Of ancient Hospitality, long since With ceremonious thrift bowed out of doors. In June 't is good to lie beneath a tree While the blithe season comforts every sense, Steeps all the brain in rest, and heals the heart Brimming it o'er with sweetness unawares, Fragrant and silent as that rosy snow Wherewith the pitying apple-tree fills up And tenderly lines some last-year robin's nest. ****** Each year to ancient friendships adds a ring, As to an oak, and precious more and more, Without deservingness or help of ours, They grow, and, silent, wider spread, each year, Their unbought ring of shelter or of shade. Sacred to me the lichens on the bark, While Nature's milliners would scrape away; Most dear, and sacred every withered limb ! 'T 's good to set them early, for our faith Pines as we age, and, after wrinkles come, Few plant, but water dead ones with vain tears. This willow is as old to me as life ; And under it full often have I stretched, Feeling the warm earth like a thing alive, And gathering virtue in at every pore Till it possessed me wholly, and thought ceased, Or was transfused in something to which thought Is coarse and dull of sense. Myself was lost, Gone from me like an ache, and what remained Became a part of the universal joy. My soul went forth, and, mingling with the tree, Danced in the leaves; or floating in the cloud, Saw its white double in the stream below. ****** Lowell. 244 ARBOR DA Y MANUAL. TO THE DANDELION. DEAR common flower, that grow'st beside the way, Fringing the dusty road with harmless gold First pledge of blithesome Ma)', Which children pluck, and, full of pride uphold, High-hearted buccaneers, o'erjoyed that they An Eldorado in the grass have found, Which not the rich earth's ample round May match in wealth, thou art more dear to me Than all the prouder summer-blooms may be. Gold such as thine ne'er drew the Spanish prow Through the primeval hush of Indian seas, Nor wrinkled the lean brow Of age, to rob the lover's heart of ease ; Tis the Spring's largess, which she scatters now To rich and poor alike, with lavish hand, Though most hearts never understand To take it at God's value, but pass by The offered wealth with unrewarded eye. Thou art my tropics and mine Italy ; To look at thee unlocks a warmer clime ; The eyes thou givest me Are in the heart, and heed not space or time : Not in mid June the golden-cuirassed bee Feels a more summer-like warm ravishment In the white lily's breezy tent, His fragrant Sybaris, than I, when first From the dark green thy yellow circles burst. Then think I of deep shadows on the grass, Of meadows where in sun the cattle graze, Where, as the breezes pass, The gleaming rushes lean a thousand ways, Of leaves that slumber in a cloudy mass, Or whiten in the wind, of waters blue That from the distance sparkle through Some woodland gap, and of a sky above, Where one white cloud like a stray lamb doth move. My childhood's earliest thoughts are linked with thee; The sight of thee calls back the robin's song, Who, from the dark old tree Beside the door, sang clearly all day long, And I, secure in childish piety, ARBOR DA Y MANUAL. 245 Listened as if I heard an angel sing With news from heaven, which he could bring Fresh every day to my untainted ears When birds and flowers and I were happy peers. How like a prodigal doth nature seem, When thou, for all thy gold, so common art ! Thou teachest me to deem More sacredly of every human heart, Since each reflects in joy its scanty gleam Of heaven, and could some wondrous secret show, Did we but pay the love we owe, And with a child's undoubting wisdom look On all these living pages of God's book. Lowell. TREES IN THE CITY. "T^IS beautiful to see a forest stand, 1 Brave with its moss-grown monarchs and the pride Of foliage dense, to which the south wind bland Comes with a kiss, as lover to his bride ; To watch the light grow fainter, as it streams Through arching aisles, where branches interlace, Where sombre pines rise o'er the shadowy gleams Of silver birch, trembling with modest grace. But they who dwell beside the stream and hill Prize little treasures there so kindly given : The song of birds, the babbling of the rill, The pure unclouded light and air of heaven. They walk as those who seeing, cannot see, Blind to this beauty even from their birth : We value little blessings ever free : We covet most the rarest things of earth. But rising from the dust of busy streets These forest children gladden many hearts ; As some old friend their welcome presence greets The toil-worn soul, and fresher life imparts. Their shade is doubly grateful when it lies Above the glare which stifling walls throw back ; Through quivering leaves we see the soft blue skies, Then happier tread the dull, unvaried track. Alice B. Neal. 246 ARBOR DA Y MANUAL. INSCRIPTION FOR THE ENTRANCE TO A WOOD. STRANGER, if thou hast learned a truth which needs No school of long experience, that the world Is full of guilt and misery, and hast seen Enough of all its sorrows, crimes, and cares, To tire thee of it, enter this wild wood And view the haunts of nature. The calm shade Shall bring a kindred calm, and the sweet breeze That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men, And made thee loath thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. God hath yoked to guilt, Her pale tormentor, misery. Hence, these shades Are still the abodes of gladness ; the thick roof Of green and stirring branches is alive • And musical with birds, that sing and sport In wantonness of spirit; while below The squirrel, with raised paws and form erect, Chirps merrily. Throngs of insects in the shade Try their thin wings and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment ; as they bend To the soft winds, the sun from the blue sky Looks in and sheds a blessing on the scene. * * * * * Bryant. I sit where the leaves of the maple, And the gnarl'd and knotted gum, Are circling and drifting around me, And think of the time to come. For the human heart is the mirror Of the things that are near and far ; Like the wave that reflects in its bosom The flower and the distant star. Alice Cary, The Time to Be. Earth's tall sons, the cedar, oak and pine, Their parent's undecaying strength declare. Sir R. Blackmore. ARBOR DA Y MANUAL. 247 A FOREST SCENE. I KNOW a forest vast and old, A shade so rich, so darkly green, That morning sends her shaft of gold In vain to pierce its leafy screen ; I know a brake where sleeps the fawn, The soft-eyed fawn, through noon's repose For noon with all the calm of dawn Lies hush'd beneath those dewy boughs. Oh, proudly then the forest kings Their banners lift o'er vale and mount; And cool and fresh the wild grass springs, By lonety path, by sylvan fount; There, o'er the fair leaf-laden rill, The laurel sheds her cluster'd bloom, And throned upon the rock-wreathed hill The rowan waves his scarlet plume. Edith May. The forest trees are transient things and frail; (So the book told me, ere I closed the page) ; Last year the willow leaves were wan and pale ; I'll make to their last place a pilgrimage, And changed, dead trees shall read a lesson sage Of change and death. No paler than before I found the willow leaves, nor sign of age Within the woods ; immortal green they wore, And the strong, mighty roots the giant trunks upbore. Sarah S. Jacobs, The Changeless World. 'Tis merry in greenwood, thus runs the old lay. In the gladsome month of lively May, When the wild bird's song on stem and spray Invites to forest bower; Then rears the ash his airy crest Then shines the birch in silver vest, And the beech in glistening leaves is drest, And dark between shows the oak's proud breast, Like a chieftain's frowning tower. Sir Walter Scott, Harold the Dauntless. 248 ARBOR DA V MANUAL. TREES OF THE BIBLE. NO less than five of the eight zones recognized by geographers are repre- sented within the limited area of Palestine. On the snow-capped peaks of Lebanon, the climate approaches an Arctic severity, while the lower parts of the Jordan valley experience a tropical heat. Between these extremes of tem- perature we have the climates of the western coasts, the inland plains and low- est hills, the higher uplands and the loftier table lands beyond Jordan. Out of this strangely varied climate springs a corresponding complexity in the vege- table life of the country. The paper reeds of Egypt, and the palms and acacias of the desert are represented equally with the oaks, willows and junipers of Europe. On the plains of the coast and the southern highlands, grow the Aleppo pine, the myrtle and ilex, the gray olive, and the green arbutus, the carob or locust tree, the orange and citron, the vine, the fig tree, and the pomegranate. The bay and the oleaster flourish on the hills, and the streams are overhung by the roseate blossoms of the oleander. On the rest of the table lands, which constitute the greater part of Palestine, both east and west of the Jordan, flourish pines and junipers, the terebinth, the almond, apricot, and peach, the hawthorn and mountain ash, the ivy and honeysuckle, the wal- nut and mulberry; oaks, poplars and willows, the majestic cedars of Lebanon, the melancholy cypress, and the plane tree with its wide-spreading shade. In the Jordan valley, the date palm flourished, — here grew the acacia and juniper of Scripture. The slopes of the two ranges of Lebanon and Anti-Lebanon, are terraced for grain and a variety of fruit trees, ruddy orchards and groves of mulberry, the characteristic tree of Lebanon, — oranges, peaches, apricots, plums, cherries and almonds thrive at different elevations, according to their several ranges of temperature. Here the vine and the pomegranate yield their rich products. In the warmer and more sheltered spots, the palm and the olive, the fig and the walnut find a congenial home ; green oaks abound higher up on the mountain side, and higher still, the pine, cypress and juniper crown the successive zones of vegetation with their sombre foliage. On Lebanon, such northern species as the mountain ash, the box and the barberry have found a refuge, while humbler plants, like the wild rose, geranium and honeysuckle, impart a pleasing aspect to the scene. And beside the many " streams from Lebanon," willows and poplars, the oriental plane, and the crimson oleander, with a mass of low- lier vegetation, flourish as in Bible days. Beyond Jordan, pine forests clothe the summits of the highest hills; lower down, woods of evergreen oak adorn the park like scenery of ancient Gilead and Bashan, and mingled with them the rich foliage of the myrtle, the arbutus, and the carob or locust tree, varied with the pink and white blossoms of the broom bush. The northern portion of Lake Huleh, the Biblical " Waters of Merom," is cov- ered by an immense tract of floating thickets of papyrus, and white and yellow water lilies adorn the more open portions. A few palm trees grow near the end of the lake, and Josepus alludes to these, and to the fact that walnuts, figs and ARBOR DA Y MANUAL. 249 olives flourish in this delightful district, Oleanders fringe the sandy beach at Gennesareth, and the grass is gay with flowers of every hue. From a country thus rich in diversities of climate, elevation, and natural pro- ductions, the sacred writers were led to draw their supplies of imagerv in the composition of a world-wide volume which we cherish as the " Book of Books," and reverence as the Word of God to Man. Scripture Natural History. W. H, GROSER. SCRIPTURE SELECTIONS. MAY BE ARRANGED FOR A RESPONSIVE SERVICE. (Words in parenthesis, Revised Version.) genesis. XXX, 37. And Jacob took rods of green I, 11. And God said, Let the earth bring poplar and of the hazel, and of the forth the fruit tree, yielding fruit after chestnut tree (fresh poplar, and of the his kind. almond, and of the plane tree). 12. And the earth brought forth the tree, XLIII, 11. Israel said, take of the best yielding fruit who'se seed was in itself after his kind. And God saw that it was good. 29. And God said, Behold I have given you every tree in which is the fruit of a tree yielding seed; to you it shall be for meat. II, 8. And the Lord God planted a garden eastward in Eden, and there He put the man whom he had formed. fruits of the land in your vessels, and carry down the man a present, a little balm, and a little honey, spices, and myrrh, nuts and almonds. EXODUS. XV, 27. And they came to Elim, where were twelve wells (springs) of water, and three score and ten palm trees; and they encamped there by the water. 9. And out of the ground made the XXV, 10. They shall make an ark of. Lord God to grow every tree that is (acacia) wood. pleasant to the sight, and good for food; the tree of life also in the midst of the numbers. garden, and the tree of knowledge of XXIV, 6. As gardens by the river's side, as trees of lign aloes which the Lord hath planted, and as cedar trees beside the waters. good and evil. VI, 14. Make thee an oak of gopher-wood. XVIII, 2, 4, 5, 8. And Abraham looked, and lo ! three men stood by him and he said, " Rest yourselves under the tree, DEUTERONOMY, and comfort ye your hearts." And he VIII, 7, 8, 9. For the Lord thy God bring- set before them, and he stood by them while they did eat. XXI, 33. And Abraham planted a grove in Beersheba, and called there on the name of the Lord, the everlasting God. XXIII, 17, 18. And the field of Ephron, and all the trees that were in the field, that were in all the borders round about were made sure unto Abraham for a possession. eth thee into a good land ; a land of brooks of water, of fountains and depths that spring out of valleys and hills ; a land of wheat, and barley, and vines, and fig trees, and pome- granates ; a land of oil, olive, and honey ; a land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it ; a land whose stones are iron, and out of whose hills thou mayest dig brass. 250 ARBOR DA V MANUAL. Scripture Selections- -Continued. XX, 19. For the tree of the field is man's XXXVII, 35. I have seen the wicked in great power, and spreading himself like life. a green bay tree. 36. Yet he passed away, and, lo ! he was not; yea, I sought him, but he could not be found. XCII, 12. The righteous shall nourish like the palm tree; he shall grow like a cedar in Lebanon. CIV, 16, 17. The trees of the Lord are full of sap; the cedars of Lebanon which he hath planted; where the birds make their nests; as for the stork, the fir trees are her house. broughtgoldfromOphir brought in from CXXXVII, 2. We hanged our harps upon Ophir great plenty of almug (perhaps the willows in the midst thereof, sandal-wood) trees and precious stones. CXLVIII, 9. Mountains and all hills; fruit- II SAMUEL. V, 24. When thou hearest the sound of a going in the tops of the mulberry trees. I KINGS. IV, 29. And God gave Solomon wisdom and understanding exceeding much. 33. And he spake of trees from the cedar tree that is in Lebanon even unto the hyssop that springeth out of the wall. X, II. And the navy also of Hiram that 12. And the king made of the almug trees pillows for the house of the Lord, and for the king's house, harps also, and psalteries for singers; there came no such almug trees, nor were seen unto this day. 27. Solomon made cedars to be as the sycamore trees that are in the vale for abundance. XIX, 5. He lay and slept under a juniper tree. I CHRONICLES. ful trees, and all cedars. 13. Let them praise the name of the Lord proverbs. Ill, 18. Wisdom is a tree of life to tnem that lay hold upon her; and haoDy is every one that retaineth her. XI, 30. The fruit of the righteous is a tree of life. XIII, 12. Hope deferred maketh the heart sick; but when the desire cometh, it is a tree of life. XVI, 33. Then shall the trees of the wood XV, 4. A wholesome tongue is a tree of life, sing out at the presence of the Lord. ECCLESIASTES. II, 5. I made me gardens and orchards, and I planted trees in them of all kinds of fruits. JOB. XIV, 7, 8, 9. For there is hope of a tree, if it be cut down, that it will sprout again, and that the tender branch thereof will XI, 3. If the tree fall toward the south, or not cease, though the root thereof wax old in the earth; and the stock thereof die in the ground; yet through the scent of water it will bud and bring forth boughs like a plant. toward the north, in the place where the tree falleth, there shall it be. THE SONG OF SOLOMON. II, 3. As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste. like a tree planted by the streams of IV, 13. Thy plants are an orchard of pome- water that bnngeth its fruit in its sea- granates, with pleasant fruits; 14, with son, whose leaf also doth not wither, all trees of frankincense and myrrh and whatsoever hedoeth shall prosper. and aloes. PSALMS. I, 1, 2, 3. Blessed is the man whose delight is in the law of the Lord. He shall be ARBOR DA Y MANUAL. 251 Scripture Selections — Continued. green, and shall not be careful in the VI, 11. I went down into the garden of nuts to see the fruits of the valley, and to see whether the vine flourished, and the pomegranates budded. ISAIAH. VI, 13. As a teil tree and as an oak whose substance is in them when they cast their leaves; so the holy seed shall be the substance thereof. XLI, ig. I will plant in the wilderness the cedar (acacia) tree, and the myrtle, and the oil tree; I will set in the desert the fir tree, and the pine and the box tree together. XLIV, 4. The)' shall spring up as among the grass, as willows by the water courses. 14. He heweth him down cedars, and taketh the cypress and the oak, which he strengthened for himself among the trees of the forest; he planteth an ash and the rain doth nourish it. LV, 12. All the trees of the field shall clap their hands; 13. Instead of the thorn shall come up the fir-tree, and instead of the brier shall come up the myrtle tree, and it shall be to the Lord for a name. LX, 13. The glory of Lebanon shall come unto thee, the fir tree, the pine tree and the box together. LXI, 3. That the}' might be called trees of righteousness, the planting of the Lord, XXXIV, 27. And the tree of the field shall that he might be glorified. yield her fruit, and the earth shall yield her increase, and they shall be safe in jeremiah. their land, and shall know that I am I, 11. Moreover the word of the Lord came the Lord. unto me, saying Jeremiah, what seest XLVII, 12. And by the river by the bank year of drouth, neither shall cease from yielding fruit. EZEKIEL. XXXI, 3. Behold the Assyrian was a cedar in Lebanon with fair branches and * * * his top was among the thick boughs. 4. The waters made him great, the deep set him up on high, with the rivers run- ning round about his plants, and sent out her little rivers unto all the trees of the field. 5. Therefore his height was exalted above all the trees of the field, and his boughs were multiplied, and his branches be- came long, because of the multitude of waters, when he shot forth. 6. All the fowls of heaven made their nests in his boughs. * * * 7. Thus was he fair in his greatness in the length of his branches; for his root was by great waters. 8. The cedars in the garden of God could not hide him; the fir trees were not like his boughs, and the chestnut trees were not like his branches; nor any tree in the garden of God was like unto him in his beauty. 9. I have made him fair by the multitude of his branches; so that all the trees of Eden, that were in the garden of God, envied him. thou ? And I said, I see a rod of an almond tree. XVII, 7, 8. Blessed is the man that trusteth in the Lord, and whose hope the Lord is. For he shall be like a tree, planted by the water, and spreadeth out his roots by the river, and shall not fear when heat cometh, but her leaf shall be thereof, on this side and on that side shall grow all the trees for meat, whose leaf shall not fade, neither shall the fruit thereof be consumed : it shall bring forth new fruit, according to his months, * * * and the fruit thereof shall be for meat, and the leaf thereof for medi- 252 ARBOR DA Y MANUAL. HOSEA. IV, 13. My people bum incense upon the hills, under oaks and poplars, and elms because the shadow thereof is good. XIV, 6. His branches shall spread, and his beauty shall be as the olive tree. JOEL. Scripture Selections — Continued. 18. A good tree cannot bring forth evil fruit, neither can a corrupt tree bring forth good fruit. 19. Every tree that bringeth not forth good fruit is hewn down, and cast into the fire. 20. Wherefore by their fruits ye shall know them. I, 12. The vine is dried up, and the fig tree XII, 33. Either make the tree good, and xanguisheth; the pomegranate tree, the palm tree also, and the apple tree, even all the trees of the field, are withered: because joy is withered away from the sons of men. AMOS. II, 9. * * * Whose height was like the height of the cedars, and he was strong as the oaks. ZECHARIAH. III, 10. In that day, saith the Lord of hosts, his fruit good; or else make the tree corrupt, and his fruit corrupt: for the tree is known by his fruit. REVELATIONS. II, 7. * * * To him that overcometh will I give to eat of the tree of life, which is in the midst of the paradise of God. XXI, 10. And he carried me away in the spirit to a great and high mountain, and showed me that great city, the holy Jerusalem. * * * shall ye call every man his neighbor, XXII, 2. In the midst of the street of it, under the vine and under the fig tree. MATTHEW. VII, 17. Even so every good tree bringeth forth good fruit; but a corrupt tree bringeth forth evil fruit. and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month; and the leaves of the tree were for the healing of the nations. THE GOLDEN ROD. From the souvenir "Our National Flower," by permission of the publishers, Messrs. L. Prang & Co., Boston. 1AM the rustic golden rod, I know not pride nor shy reserve; My tasselled plumes so gayly nod With freedom's grace in every curve. I bloom not when the year is young, And growing day by day more fair, But when the autumn chill has flung A sense of winter on the air. Then close beside the dust}' road, To cheer the humblest passer-by, Or in the fields, by harvest load, With lusty courage, up spring I. And in my honest gold there shines The promise sown in freedom's soil; No high or low its law defines, But lavish crowns the homeliest toil. Then let me be the emblem bright Of hope and promise to the free, And in my pennons read aright The glad fruition that shall be. When feudal spring has passed away, And monarchs' pomp has fled the earth, Then freedom's harvest shall be gay, And lowly wayside grace have worth. Hopestill Goodwin. ARBOR DAY MANUAL. 253 OF THE BOY THAT STOLE APPLES. AN old man found a rude boy upon one of his trees stealing apples, and desired him to come down ; but the young sauce-box told him plainly he would not. "Won't you?" said the old man, "then I will fetch you down;" so he pulled up some turf or grass and threw at him; but this only made the youngster laugh, to think the old man should pretend to beat him down from the tree with grass only. "Well, well," said the old man, "if neither words nor grass will do, I must try what virtue there is in stones ; " so the old man pelted him heartily with stones, which soon made the young chap hasten down from the tree and beg the old man's pardon. MORAL. If good words and gentle means will not reclaim the wicked, they must be dealt with in a more severe manner. Webster's Spelling Book, 1829 THE PINE TREE. THE tremendous unity of the pine absorbs and moulds the life of a race. The pine shadows rest upon a nation. The northern peoples, century after century, lived under one or other of the two great powers of the pine and the sea, both infinite. They dwelt amidst the forests as they wandered on the waves, and saw no end nor any other horizon. Still the dark, green trees, or the dark, green waters, jagged the dawn with their fringe or their foam. And whatever elements of imagination, or of warrior strength, or of domestic justice, were brought down by the Norwegian or the Goth against the dis- soluteness or degradation of the south of Europe, were taught them under the green roofs and wild penetralia of the pine. John Ruskin, Modern Painters. 254 ARBOR DA Y MANUAL. Written for the " Arbor Day Manual." SHUT YOUR CATTLE IN. THE following directions are suggested by the author : To be recited b) T a boy or girl. The instant the last line is said, have a chorus of voices, or all the parts at least sing the little song, and as they pass off let each part sing out loud and prompt " Shut 'em in ! " then let an echo in the school-house take it up and continue until you can only faintly hear it. Then let the whole school break out with " Oh shut your Cattle in ! " Ye herds that haunt the country ways, Ye lowing kine with threatening horns, E'en birds abruptly cease their lays, And leave their nests among the thorns Where'er ye tread, with reckless hoof, While bleeding bloom its fragrance sheds, And violets tremble in their beds, And frightened children stand aloof. E'en struggling maples browsed and gnawed, By your dread presence over-awed; For mercy cry with every breeze. Ye heed them not. God pity these ! With love deep-rooted thus to die, While wealth unfolded e'en must lie All dormant, till the kindly earth Unto some other life gives birth, Only to be crushed and bleed A victim to the farmer's greed. Song : The farmer's greed is the farmer's sin; Please shut your cattle in my friend, And let the clovers bob and bend, Oh shut your cattle in, And thus our praises win, Oh shut your cattle in. Shut 'em in ! shut 'em in ! St. Augustine, Fla. Mrs. B. C. Rude. Hence, let me haste unto the mid-wood shade, Where scarce a sunbeam wanders through the gloom, And on the dark green grass, beside the brink Of haunted stream, that by the roots of oak Rolls o'er the rocky channel, lie at large.. Thomson. ARBOR DA Y MANUAL. 255 MON-DA-MIN; OR, THE ROMANCE OF MAIZE. SO grew Osseo, as a lonely pine, That knows the secret of the wandering breeze, And ever sings its canticles divine, Uncomprehended by the other trees ; And now the time drew nigh, when he began The solemn fast whose issue proves the man. His father built a lodge the wood within, Where he the appointed space should duly bide, Till such propitious time as he had been By faith prepared, by fasting purified, And in mysterious dreams allowed to see What God the guardian of his life would be. The anxious crisis of the Spring was past, And warmth was master o'er thclingering cold; The alder's catkins dropped; the maple cast His crimson bloom, the willow's gowny gold Blew wide, and softer than a squirrel's ear The white-oak's foxy leaves began appear. There was a motion in the soil. A sound Lighter than falling seeds, shook out of flowers, Exhaled where dead leaves, sodden on the ground, Repressed the eager grass ; and there for hours Osseo lay, and vainly strove to bring Into his mind the miracle of Spring. The wood-birds knew it, and their voices rang Around his lodge; with many a dart and whir Of saucy joy, the shrewish catbird sang Full-throated — and he heard the kingfisher, Who from his God escaped with rumpled crest, And the white medal hanging on his breast. The aquilegia sprinkled on the rocks A scarlet rain ; the yellow violet Sat in the chariot of its leaves ; the phlox Held spikes of purple flame in meadows wet, And all the streams with vernal-scented reed Were fringed, and streaky bells of miskodeed. 256 ARBOR DA Y MANUAL. The boy went musing : What are these, that burst The sod and grow, without the aid of man ? What father brought them food ? What mother nursed Them in her earthly lodge, till Spring began ? They cannot speak ; they move but with the air ; Yet souls of evil or of good they bear. How are they made, that some with wholesome juice Delight the tongue, and some are charged with death? If spirits them inhabit, they can loose Their shape sometimes, and talk with human breath ; Would that in dreams one such would come to me, And thence my teacher and my guardian be ! $ sN % 4 s , + 4- Taylor. THE OLD MAN'S COUNSEL. THE sun of Ma)' was bright in middle heaven, And steeped the sprouting forests, the green hills, And emerald wheat-fields, in his yellow light. Upon the apple tree, where rosy buds Stood clustered, ready to burst forth in bloom, The robin warbled forth his full clear note For hours, and wearied not. Within the woods, Whose young and half transparent leaves scarce cast A shade, gay circles of anemones Danced on their stalks; the shad-bush, white with flowers Brightened the glens ; the new-leaved butternut And quivering poplar to the roving breeze Gave a balsamic fragrance. In the fields I saw the pulses of the gentle wind On the green grass. My heart was touched with joy At so much beauty, flushing every hour Into a fuller beauty. ^ ^ -(J 5j. * * * ' Well mayst thou join in gladness," he replied, 'With the glad earth, her springing plants and flowers, And this soft wind, the herald of the green Luxuriant summer.'' * * * Bryant. In heav'n the trees Of life ambrosial fruitage bear, and vines Yield nectar. Milton. ARBOR DA Y MANUAL. 257 THE BUILDING OF THE SHIP. ik T)UILD me straight, O worthy Master ! _L) Stanch and strong, a goodly vessel, That shall laugh at all disaster And with wave and whirlwind wrestle." Covering many a rood of ground, Lay the timber piled around ; Timber of chestnut, and elm, and oak, And scattered here and there, with these, The knarred and crooked cedar knees ; Brought from regions far away, From Pascagoula's sunny bav, And the banks of the roaring Roanoke ! Ah ! what a wondrous thing it is To note how many wheels of toil One thought, one word, can set in motion ! There's not a ship that sails the ocean, But every climate, every soil, Must bring its tribute, great or small, And help to build the wooden wall ! 'Thus," said he, "will we build this ship! Lay square the blocks upon the slip, And follow well this plan of mine, Choose the timbers with greatest care ; Of all that is unsound beware ; For only what is good and strong To this vessel shall belong. Cedar of Maine and Georgia pine Here together shall combine. A goodly frame, and a goodly fame And the Union be her name ! " * * * =N * Long ago, In the deer-haunted forests of Maine, When upon mountain and plain Lay the snow, They fell, — those lordly pines ! Those grand, majestic pines ! 'Mid shouts and cheers The jaded steers, Panting beneath the goad, 17 258 ARBOR DAY MANUAL. Dragged down the weary, winding road Those captive kings so straight and tall, To be shorn of their streaming hair. And, naked and bare, To feel the stress and the strain Of the wind and the reeling main, Whose roar Would remind them forevermore Of their native forests they should not see again. ****** Thou too, sail on, O Ship of State ! Sail on, O Union strong and great ! Humanity with all its fears, With all the hopes of future years, Is hanging breathless on thy fate. Longfellow. ORCHARD BLOSSOMS. DOTH thy heart stir within thee at the sight Of orchard blooms upon the mossy bough ? Doth their sweet household smile waft back the glow Of childhood's morn — the wandering, fresh delight In earth's new coloring, then all strangely bright A joy of fairyland? Doth some old nook, Haunted by visions of thy first-loved book, Rise on thy soul, with faint-streaked blossoms white Showered o'er the turf, and the lone primrose knot, And robin's nest, still faithful to the spot, And the bee's dreary chime ? O gentle friend ! The world's cold breath, not time's, this life bereaves Of vernal gifts : Time hallows what he leaves, And will for us endear spring memories to the end. Mrs. Hemans. Various the trees and passing foliage here, — Wild pear, and oak, and dusky juniper, While briony between in trails of white, And ivy, and the suckle's streaky light, And moss, warm gleaming with a sudden mark, Like growths of sunshine left upon the bark; And still the pine, flat-topp'd, and dark, and tall, In lordly right predominant o'er all. Leigh Hunt. Ravenna Pine Forest. ARBOR DAY MANUAL. 259 THE FALLEN MONARCH. SITTING there by the side of this prone Monarch, and measuring its diame- ter in my eye, or climbing up twenty-five or thirty feet upon its side — comparing it in my mind with the largest trees I had ever seen elsewhere — im- agining it stretched out in some city street, filling all the carriageway and reaching up to the second story windows— the idea of its vastness took full possession of me, and for the first time I grasped its greatness. And even then, I do not think the idea of size and measurement so overwhelmed me as did the thought of its vast age and the centuries it had looked down upon. The great space it had filled was nothing to the ages it had bridged over. No inanimate monument of man's work was here — no unwrapping of dead Pha- raohs from the mummy-cloths of the embalmers ; but here had been life and growth and increase, and running out of roots and spreading forth of branches, and budding leaves and flowing sap, and all the processes of nature with poise and swing from winter's sleep to summer's waking, and the noiseless register- ing of the years and centuries in figures that could not be mistaken from the heart of the sapling out to the last rind of bark that hugged its age. And though one looks with profoundest wonder at the vast size of these monsters, it is, after all, the suggestion they give of their far reach backward into time that most impresses the beholder. The rings in the trunks indicate ages varying from a few years to upwards of two thousand. Those of about ten feet in diameter are in the neighborhood of six hundred years old. Most of the largest trees have been damaged more or less by fire. One of them has been entirely hollowed out, so that our whole party of twelve rode in upon our horses and stood together in the cavity. The tree grows on, and is as green at the top as any of them, notwithstanding the hollowness of its trunk. Isaac H. Bromley. The Big Trees and the Yosemite. Seridner's Magazine, January, 1872. THE RETURN OF THE BIRDS. I HEAR, from many a little throat, Brown meadows and the russet hill, A warble interrupted long ; Not yet the haunt of grazing herds, I hear the robin's flute-like note, And thickets by the glimmering rill, The bluebird's slenderer song. Are all alive with birds. Bryant. Yet marked I where the bolt of Cupid fell; It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it Love-in-idleness. Midsummer Night's Dream. 2 6o ARBOR DAY MANUAL. THE TULIP TREE. NOW my blood with long-forgotten fleetness, Bounds again to boyhood's blithest tune, While I drink a life of brimming sweetness From the glory of the breezy June. Far above, the fields of ether brighten ; Forest leaves are twinkling in their glee; And the daisy snows around me whiten, Drifted down the sloping lea ! On the hills he standeth as a tower, Shining in the morn, the tulip tree! On his rounded turrets beats the shower, While his emerald flags are flapping free ; But when summer, 'mid her harvests standing, Pours to him the sun's unmingled wine, O'er his branches, all at once expanding, How the starry blossoms shine ! % * H* * H» # Wind of June, that sweep'st the rolling meadow, Thou shalt wail in branches rough and bare, While the tree, o'erhung with storm and shadow, Writhes and creaks amid the gusty air. All his leaves, like shields of fairies scattered, Then shall drop before the north wind's spears, And his limbs, by hail and tempest battered, Feel the weight of wintry years. Yet, why cloud the rapture and the glory Of the beautiful, bequeathed us now? Why relinquish all the summer's story, Calling up the bleak autumnal bough ? Let thy blossoms in the morning brighten, Happy heart, as doth the tulip tree, While the daisy's snows around us whiten, Drifted down the sloping lea ! Taylor, Flower in the crannied wall I pluck you out of the crannies ; Hold you here, root and all, in my hand, Little flower, but if I could understand What you are, root and all, and all in all, I should know what God and man is. Tennyson. ARBOR DA V MANUAL. 26l THE LOST MAY. WHEN May, with cowslip braided locks, Mays, when my heart expanded first, Walks through the land in green attire, A honeyed blossom, fresh with dew; And burns in meadow grass the phlox And one sweet wind of heaven dispersed His torch of purple fire; The only clouds I knew. When buds have burst the silver sheath, And shifting pink, and gray, and gold Steal o'er the woods, while fair beneath The bloom)' vales unfold; For she, whose softly murmured name The music of the month expressed, Walked by my side, in holy shame Of girlish love confessed. When, emerald bright, the hemlock stands New feathered, needled new the pine; And, exiles from the orient lands, The turbaned tulips shine; The budding chestnuts overhead, Their sprinkled shadows in the lane, Blue flowers along the brooklet's bed, I see them all again ! When wild azaleas deck the knoll, The old, old tale of girl and boy, And cinque-foil stars the fields of home, Repeated ever, never old; And winds that take the white-weed, roll To each in turn the gates of joy, The meadows into foam; The gates of heaven unfold. Then from the jubilee I turn To other Mays that I have seen, Where more resplendent blossoms burn, And statelier woods are green. And when the punctual May arrives, With cowslip-garland on her brow, We know what once she gave our lives, And cannot give us now ! Taylor. THE MAY FLOWER. (TRAILING ARBUTUS.) From the souvenir "Our National Flower," by permission of the publishers, Messrs. L. Prang & Co., Boston. WHEN stern New England's tardy spring My fragrance, like a message sweet, First thrills with life her rugged breast, Their spirits touched, and reverently 'Tis I, who, shyly venturing, The}' chose the blossom at their feet, Peep forth, her earliest, sweetest guest. The symbol, of their faith to be. 'Twas I the Pilgrim Fathers found When April called them to the wood, Trailing upon the leaf-strewn ground, Fair sign of nature's yielding mood. The)' marked my petals' tender hue, Soft flushing in the light of day ; My fragile grace they guarded knew Amid my rough leaves' disarray. They, too, had wrapped with roughest forms The gracious gospel that they loved; They, too, had braved life's rudest storms, Their simple courage, simply proved. They, too, should prosper in the land Where trusting flowers undaunted thrive Their race, deep rooted, firm should stand, And freedom's cause triumphant live. Hopestill Goodwin. 262 ARBOR DA Y MANUAL. IN PRAISE OF TREES. AND foorth they passe, with pleasure forward led, Joying to heare the birdes sweete harmony, Which, therein shrouded from the tempest dred, Seemed in their song to scorne the cruell sky. Much can they praise the trees so straight and hy, The sayling Pine ; the Cedar proud and tall ; The vine-propp Elme ; the Poplar never dry; The builder Oake, sole king of forrests all; The Aspine good for staves; the Cypresse funerall. The Laurell, meed of mightie conquerors And poets sage; the Firre that weepeth still; The Willow, worne of forlorne Paramours; The Eugh, obedient to the benders will ; The Birch, for shafts ; the Sallow for the mill ; The Mirrhe sweete-bleeding in the bitter wound ; The warlike Beech ; the Ash for nothing ill ; The fruitfull Olive ; and the Platane round ; The carver Holme ; the Maple seldom inward sound. Spenser, Faerie Queene. TONGUES IN TREES. In the forest of Arden, Shakespeare makes the banished duke say to his companions ■ \ TOW, my co-mates and brothers in exile, 1\ Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The season's difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say : 'This is no flattery; these are counsellors That feelingly persuade me what I am.' Sweet are the uses of adversity. * * * * ^i ^c :£ And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in every thing. I would not change it." As You Like It, act 2, scene i. ARBOR DA Y MANUAL. 263 THE MADRONA. TO the south of San Francisco there is even a greater range of color and diversity of tree growth. The San Mateo hills are rich with evergreens ; the country sweeping up from the pebbly beach at Pescadero is made up of sunny ridges, and rifted with narrow and close-grown valleys, where thread- like brooks murmur their way through tunnels of foliage to the sea, while the mountains of Santa Cruz furnish another rendezvous for the mammoth red- wood, the chestnut, and the oak. But distinguished from all the rest of these Southern nabobs, curious in shape and almost humanly beautiful, stands the giant Madrona, or arbutus tree. The genus really belongs to the old world. Asia has its species, and Mexico claims one or two representatives, but the pride of the family and delight of arboriculturists is the strong, healthy, and handsome child of the west coast. It is often eighty to one hundred feet high, three feet in diameter, and a famous specimen in Marin county has a measured girt of twenty-three feet at the branching point of the tremendous stem, with many of the branches three feet through. The foliage is light and airy, the leaves oblong, pale beneath, bright green above. The bloom is in dense racemes of cream-white flowers ; the fruit, a dry orange-colored berry, rough and uninteresting. But the charm of the Madrona, outside of its general appearance, is in its bark,— no, it is not a bark, it is a skin, delicate in texture, smooth, and as soft to the touch as the shoulders of an infant, In the strong sunlight of the summer these trees glisten with the rich color of polished cin- namon, and in the moist shadow of the springtime they are velvety in com- bination colors of old-gold and sage-green. There is a human pose to the trunk. Seen through the tangle of the thicket, it looks like the brown lithe body of an Indian, and in the moonlight the graceful upsweep of its branches is like the careless lifting of a dusky maiden's arms. Every feature of the Madrona is feminine. They grow in groves or neighborhoods, and seldom stand in isolation, courtesy to the winds, mock at the dignified evergreens and oaks, and with every favorable breeze and opportunity flirt desperately with the mountain lilacs that toss high their purple plumes on the headwaters of Los Gatos creek. Harper's Magazine, October, 1889. FRED. M. Somers. The birch tree swang her fragrant hair, The bramble cast her berry. The gin within the juniper Began to make him merry, The poplars, in long order due, With cypress promenaded, The shock-head willows two and two By rivers gallopaded. Tennyson, Amphion. 264 ARBOR DA V MANUAL. FREEDOM'S FLOWER. THE GOLDEN ROD. LET merry England proudl)' rear Her blended roses bought so dear, And Scotland bind her bonnet blue With heath and harebell dipped in dew; On favored Erin's crest be seen The flower she loves of emerald green ; But ours, this new land of the west, What emblem blossom suits it best? No fragile nursling of the spring, No dainty, garden-nurtured thing; But clad in sunshine glad and strong, Self-sown, upspringing from the sod, And scattered wide and lasting long, Is freedom's flower, the golden rod. High on the mountain crag it blooms; The salt wind shakes its yellow plumes; And with its countless flowers behold The prairie gleams a sea of gold; While lonely nook and sterile place Grow lovely with its waving grace. Free, free, we gather it at will, And leave each roadside shining still ! And brave it blossoms, heeding not Though storms beat wild, or suns burn hot; Alike to all its flowers belong; Through all the land it decks the sod; It bids our hearts " Be glad, be strong; " 'Tis freedom's flower, the golden rod. Marian Douglas, in Harper s Bazar. Written for the Arbor Day Manual." THE DAISY. OUR national emblem. DAISIES, bright daisies keep nodding at me, And winking and blinking so coquettishly, While up from the depths of their great speaking eyes Love and loyalty well ! dear national ties ! Go ! weave me a banner of grasses, fresh grasses, From out by the roadside where every one passes; Now bring me sweet daisies The pretty ox-eyed; Cut from the roadside Which every one praises. Now tastefully lay in the daisies for stars And catch me the radiant sunbeams for bars, Then say if a prettier emblem can be For this land of the brave, this home of the free. Sodus, N. Y. Mrs. B. C. Rude. Dear though the shadowy maple be, And dearer still the whispering pine Dearest yon russet-laden tree Browned by the heavy-rubbing kine ! There childhood flung its rustling stone, There venturous boyhood learned to climb How well the early graft was known Whose fruit was ripe ere harvest time ! Holmes. ARBOR DA Y MANUAL. 265 A MAY MORNING LESSON. First. - RECITATION FOR FIVE PUPILS. Fourth H^WICE one are Second. Third. - X Prairie rose, blushing through My window — all aglow with dew, Twice one are two. -Twice two are four : Bees a-humming round the door, Calling others by the score, Twice two are four. -Twice three are six : Pansy-beds their colors mix ; See the mother hen and chicks. Twice three are six. — Twice four are eight: Gorgeous butterflies, elate, Dancing, poising, delicate. Twice four are eight. Macaulay' s Little Folks. Fifth. — Twice five are ten : Sweetest strains from yonder glen, Echoed o'er and o'er again. Twice five are ten. All. — Twice six are twelve : Merry maidens of the year, — Some in snowy gowns appear, Some in gold and silver sheen ; Vet the fairest is, I ween, Dainty May in pink and green. GOLDEN-ROD. IN the pasture's rude embrace, All o'er run with tangled vines, Where the thistle claims its place, And the straggling hedge confines, Bearing still the sweet impress Of unfettered loveliness, In the field and by the wall, Binding, clasping, crowning all, — Golden-rod ! Nature lies disheveled, pale, With her feverish lips apart, — Day by day the pulses fail, Nearer to her bounded heart : Yet that slackened grasp doth hold Store of pure and genuine gold ; Quick thou comest, strong and free, Type of all the wealth to be, — Golden-rod ! Elaine Goodale. BIRD SONGS. THIS is what the robin sings : " Sweet, sweet, All the cherries on the tree God put there for you and me ; Every good and tender seed, Grown on flower, or grown on weed, God made for our wee ones dear, So we sing the whole glad year. Sweet, sweet." Hear the blue bird where he swings : Oh, my home is green and fair, And the gentle summer air Rocks my little ones to rest, In their soft and downy nest ; Joyously I sing and call. For the good God watches all ! " Kathie Moore. 266 ARBOR DA Y MANUAL. TALKS ON TREES. FROM " THE AUTOCRAT OF THE BREAKFAST TABLE." ON'T you want to hear me talk trees a little now? That is one of my specialties. D I want you to understand, in the first place, that I have a most intense, pas- sionate fondness for trees in general, and have had several romantic attach- ments to certain trees in particular. I shall speak of trees as we see them, love them, adore them in the fields, where they are alive, holding their green sunshades over our heads, talking to us with their hundred thousand whispering tongues, looking down on us with that sweet meekness which belongs to huge, but limited organisms, — which one sees in the brown eyes of oxen, but most in the patient posture, the out- stretched arms, and the heavy-drooping robes of these vast beings endowed with life, but not with soul, — which outgrow us and outlive us, but stand help- less, — poor things'! — while Nature dresses and undresses them, like so many full-sized, but under-witted children. Just think of applying the Linnaean system to an elm! Who cares how many stamens or pistils that little brown flower, which comes out before the leaf, may have to classify it by ? What we want is the meaning, the character, the expression of a tree, as a kind and as an individual. There is a mother-idea in each particular kind of tree, which, if well marked, is probably embodied in the poetry of every language. Take the oak, for in- stance, and we find it always standing as a type of strength and endurance. I wonder if you ever thought of the single mark of supremacy which distinguishes this tree from those around it? The others shirk the work of resisting gravity; the oak defies it, It chooses the horizontal direction for its limbs so that their whole weight may tell, — and then stretches them out fifty or sixty feet, so that the strain may be mighty enough to be worth resisting. You will find, that, in passing from the extreme downward droop of the branches of the weeping wil- low to the extreme upward inclination of those of the poplar, they sweep nearly half a circle. At 90° the oak stops short; to slant upward another degree would mark infirmity of purpose; to bend downwards, weakness of or- ganization. The American elm betrays something of both ; yet sometimes, as we shall see, puts on a certain resemblance to its sturdier neighbor. It wont do to be exclusive in our taste about trees. There is hardly one of them which has not peculiar beauties in some fitting place for it. I remem- ber a tall poplar of monumental proportions and aspect, a vast pillar of glossy green, placed on the summit of a lofty hill, and a beacon to all the country round. A native of that region saw fit to build his house very near it, and, having a fancy that it might blow down some time or other, and exterminate himself and any incidental relatives who might be " stopping" or "tarrying" with him, — also laboring under the delusion that human life is under all cir- ARBOR DA Y MAN UAL. 267 cumstances to be preferred to vegetable existence, — had the great poplar cut down. It is so easy to say, "It is only a poplar," and so much harder to re- place its living cone than to build a granite obelisk ! I always tremble for a celebrated tree when I approach it for the first time. Provincialism has no scale of excellence in man or vegetable; it never knows a first-rate article of either kind when it has it, and is constantly taking second and third-rate ones for Nature's best. I have often fancied the tree was afraid of me, and that a sort of shiver came over it as over a betrothed maiden when she first stands before the unknown to whom she has been plighted. Before the measuring tape the proudest tree of them all quails and shrinks into itself. All those stories of four or five men stretching their arms around it and not touching each other's fingers, of one's pacing the shadow at noon and making it so many hundred feet, die upon its leafy lips in the presence of the awful ribbon which has strangled so many false pretensions. The largest actual girth I have ever found at five feet from the ground is in the great elm lying a stone's throw or two north of the main road (if my points of compass are right) in Springfield. But this has much the appearance of hav- ing been formed by the union of two trunks growing side by side. The West-Springfield elm and one upon Northampton meadows belong also to the first class of trees. There is a noble old wreck of an elm at Hatfield, which used to spread its claws out over a circumference of thirty-five feet or more before they covered the foot of its bole up with earth. This is the American elm most like an oak of any I have ever seen. What makes a first-class elm? — Wh)* - , size, in the first place, and chiefly. Anything over twenty feet of clear girth, five feet above the ground and with a spread of branches a hundred feet across, may claim that title, according to my scale. All of them, with the questionable exception of the Springfield tree above referred to, stop, so far as my experience goes, at about twenty-two or twenty-three feet of girth and a hundred and twenty of spread. Elms of the second class, generally ranging from fourteen to eighteen feet, are comparatively common. The queen of them all is that glorious tree near one of the churches in Springfield. Beautiful and stately she is beyond all praise. The "great tree " on Boston common comes in the second rank, as does the one at Cohasset, which used to have, and probably has still, a head as round as an apple-tree, and that at Newburyport, with scores of others which might be mentioned. These last two have perhaps been over-celebrated. Both,, however, are pleasing vegetables. The poor old Pittsfield elm lives on its past reputation. A wig of false leaves is indispensable to make it presentable. Go out with me into that walk which we call the Mall, and look at the Eng- lish and American elms. The American elm is tall, graceful, slender-sprayed, and drooping as if from languor. The English elm is compact, robust, holds its branches up,and carries its leaves for weeks longer than our own native tree. 2 68 ARBOR DAY MANUAL. Is this typical of the creative force on the two sides of the ocean, or not? Nothing but a careful comparison through the whole realm of life can answer this question. There is a parallelism without identity in the animal and vegetable life of the two continents, which favors the task of comparison in an extraordinary man- ner. Just as we have two trees alike in many ways, yet not the same, both elms, yet easily distinguishable, just so we have a complete flora and a fauna, which, parting from the same ideal, embody it with various modifications. I have something more to say about trees. I have brought down this slice of hemlock to show you. Tree blew down in my woods (that were) in 1852. Twelve feet and a half round, fair girth; — nine feet, where I got my section, higher up. This is a wedge, going to the centre, of the general shape of a slice of apple pie in a large and not opulent family. Length, about eighteen inches. 1 have studied the growth of this tree by its rings, and it is curious. Three hundred and forty-two rings. Started, therefore, about 15 10. The thickness of the rings tells the rate at which it grew. For five or six years the rate was slow, — then rapid for twenty years. A little before the year 1550 it began to grow very slowly, and so continued for about seventy years. In 1620 it took a new start and grew fast until 17 14, then for the most part slowly until 1786, when it started again and grew pretty well and uniformly until within the last dozen years, when it seems to have got on sluggishly. Look here. Here are some human lives laid down against the periods of its growth, to which they corresponded. This is Shakespeare's. The tree was seven inches in diameter when he was born ; ten inches when he died. A little less than ten inches when Milton was born ; seventeen when he died. Then comes a long interval, and this thread marks out Johnson's life, during which the tree increased from twenty-two to twenty-nine inches in diameter. Here is the span of Napoleon's career; — the tree doesn't seem to have minded it. I never saw the man yet who was not startled at looking on this section. I have seen many wooden preachers, — never one like this. How much more striking would be the calendar counted on the rings of one of those awful trees which were standing when Christ was on earth, and where that brief mortal life is chronicled with the stolid apathy of vegetable being, which remembers all human history as a thing of yesterday in its own dateless existence ! Oliver Wendell Holmes. The people of ancient Greece believed that in every tree dwelt a protecting nymph, or dryad. These dryads were thought to perish with the trees which had been their abodes, and with which they had come into existence. To willfully destroy a tree was, therefore, an impious act, and was often severely punished. Is there not a soul beyond utterance, half nymph, half child, in those delicate petals which glow and breathe about the centres of deep color? George Eliot. ARBOR DA Y MANUAL. 269 CLEMATIS. WHERE the woodland streamlets flow, Gushing down a rocky bed, Where the tasselled alders grow, Lightly meeting overhead, When the fullest August days Give the richness that they know, Then the wild clematis comes, With her wealth of tangled blooms, Reaching up and drooping low. But when Autumn days are here, And the woods of Autumn burn, Then her leaves are black and sere Quick with early frosts to turn ! As the golden Summer dies, So her silky green has fled, And the smoky clusters rise As from fires of sacrifice, — Sacred incense to the dead. Dora Read Goodai.e. WHAT ROBIN TOLD. HOW do the robins build their nests ? Robin Redbreast told me. First a wisp of amber hay In a pretty round they lay, Then some shreds of downy floss, Feathers, too, and bits of moss, Woven with a sweet, sweet song, This way, that way, and across, * That's what robin told me. Where do the robins hide their nests? Robin Redbreast told me. Up among the leaves so deep, Where the sunbeams rarely creep ; Long before the winds are cold, Long before the leaves are gold, Bright-eyed stars will peep, and see Baby robins, one, two, three ; That's what robin told me. Geo. Cooper. ROSE. WHITE with the whiteness of the snow, Pink with the faintest rosy glow, They blossom on their sprays ; They glad the borders with their bloom, And sweeten with their rich perfume The mossy garden-ways. The dew that from their brimming leaves. Drips down, the mignonette receives, And sweeter grows thereby ; The tall June lilies stand anear, In raiment white and gold, and here The purple pansies lie. THE SWEET RED ROSE. u (^OOD MORROW, little rose-bush, J Now prithee, tell me true, To be as sweet as a red rose What must a body do ? " " To be as sweet as a red rose, A little girl like you Just grows, and grows, and grows, And that's what she must do." Joel Stacy. 2 JO ARBOR DA Y MANUAL. SONG TO THE TREES. MAY BE ARRANGED FOR A CLASS OF SIX PUPILS. I. HAIL to the trees ! Patient and generous, mothers of mankind, Arching the hills, the minstrels of the wind, Spring's glorious flowers, and summer's balmy tents, A sharer in man's free and happier sense, From early blossom till the north wind calls Its drowsy sprites from beech-hid waterfalls, The trees bless all, and then, brown-mantled, stand The sturdy prophets of a golden land. n. Eden was clothed in trees ; their glossy leaves Gave raiment, food, and shelter ; 'neath their eaves Dripping with ruby dew the flow'rets rose To follow man from Eden to his woes. The silver rill crept fragrant thickets through, The air was rich with life, a violet hue Tangling with sunshine lit the waving scene, 'Twas heaven, tree-born, tree-lulled, enwreathed in green. in. Where trees are not, behold the deserts swoon Beneath the brazen sun and mocking moon. Where trees are not, the tawny torrent leaps, A brawling savage from the crumbling steeps, Where once the ferns their gentle branches waved And tender lilies in the crystal laved ; A brawling savage, plundering in a night, The fields it once strayed through a streamlet bright. IV. What gardeners like the trees? Their loving care The daintiest blooms can deftly plant and rear. How smilingly with outstretched boughs they stand To shade the flowers too fragile for man's hand ! With scented leaves, crisp, ripened, nay, not dead, They tuck the wild flowers in their moss-rimmed bed. The forest nook outvies the touch of art, The heart of man loves not like the oak's heart. v. O whispering trees, companions, sages, friends, No change in you, whatever friendship ends ; No deed of yours the Eden link e'er broke ; ARBOR DA Y MANUAL. 2 7 1 Bared is your head to ward the lightning's stroke ! You fed the infant man, and blessed his cot Hewed from your grain ; without you he were not; The hand that planned you planned the future too. Shall we distrust it, knowing such as you ? VI. And when comes Eden back ? The trees are here, In all their olden beauty and glad cheer. Eden but waits the lifting of the night, For man to know the true and will the right. Whatever creed may find in hate a birth, One of the heavens is this teeming earth ; '• Of all its gifts but innocence restore, And Eden," sigh the trees, "is at your door." Joseph W. Miller. This poem was written expressly for Cincinnati " Arbor Day," 1882. THE RIVER'S SUPPLICATION. NOW saucy Phoebus' scorching beams, In flaming summer pride, Dry-withering waste my foamy streams, And drink my crystal tide. Would then, my noble master please, To grant my highest wishes, He'll shade my banks wi'tow'ring trees And bonnie spreading bushes. Let lofty firs and ashes cool, My lowly banks o'erspread, And view, deep bending in the pool, Their shadows' wat'ry bed. Let fragrant birks, in woodbines drest, My craggy cliffs adorn ; And, for the little songster's nest, The close embow'ring: thorn. Burns. Where fall the tears of love the rose appears, And where the ground is bright with friendship's tears, Forget-me-nots, and violets heavenly blue, Spring glittering with the cheerful drops like dew. Bryant. 272 ARBOR DA Y MANUAL. CALIFORNIA'S GIANT TREES. THE great trees of California must be classed among the wonders of the world. Trees four hundred and fifty feet high, and forty feet in diameter must be beheld with amazement, for nowhere else upon the face of the earth are found such tree-monsters. Many have journeyed across the ocean, and for thousands of miles by land, to gaze upon these huge monarchs as they rear their lofty heads into the clouds. From "The New West" we gather the following information regarding these wonderful trees : "They were discovered in 1852, and named by Endlicher, in honor of an Indian chief of the Cherokees. They are limited in range, being confined to California, and grow entirely in groups. Of these groups there, are eight — or nine if the Mariposa be considered as two. " The Calaveras group is in the county of the same name, near the crossing of the Sierras by Silver Mountain Pass. The belt of trees is three thousand two hundred by seven hundred feet, and in that space are ninety-two of the monarchs. " Here under the shade is one of California's pet retreats. There is one fallen monster, which must have stood four hundred and fifty feet in the air, and had a diameter of forty feet. Another engaged the efforts of five men for twenty- five days in cutting, and on the level surface of the stump thirty-two dancers find ample room, Old Goliah shows the marks of a fire, that, according to surrounding trees untouched, must have raged a thousand years ago. "The diameter of the largest is thirty-three feet ; the circumference of the largest, five feet above the ground, sixty-one feet. This is the only one more than sixty feet in circumference. " The Stanislaus group, five miles distant, contains seven or eight hundred trees nearly as remarkable. Crane Flat has those boasting a diameter of twenty-three feet, and a circumference of fifty-seven feet. The Mariposa group, which generally divides honors with Calaveras, is situated sixteen miles south of the Lower Hotel in Yosemite. "The same wise foresight which gave Yosemite to the State, gave Mariposa to be held in perpetuity. The grant is two miles square. It has been improved and made of easy access. The Tule-River groups were the last discovered, being found in 1867. While Calaveras and Mariposa lead in point of being known, the others are worthy any reasonable expenditure of time and money. "Gazing on a mountain there comes no thought that it has been a witness to the passing events of the ages. But these trees have shaded races dead for hundreds of years. They live, and seem almost possessed of minds ; and when those who now rest under their branches are dust, they will still live, and future generations may conjecture who has seen them in ages gone. They sprouted before the Christian era dawned, and unconcerned they grew, while nations rose and fell." Another writer who once sat beneath the shade of these forest monarchs, remarks : TUNNEL THROUGH WAWONA " DIAMETER 27 FEET. ARBOR DA Y MANUAL. 273 "Wild calculations have been made of the ages of the larger of these trees; but one of the oldest in the Calaveras grove being cut down and the rings of the wood counted, its age proved to be one thousand three hundred years; and probably none now upon the ground date back farther than the Christian era. They began with our modern civilization ; they were just sprouting when the star of Bethlehem rose and stood for a sign of its origin ; they have been ripening in beauty and power through these nineteen centuries ; and they stand forth now a type of the majesty and grace of Him with whose life they are coeval. Certainly they are chief among the natural curiosities and marvels of Western America, of the known world; and though not to be compared, in the impressions they make and the emotions they arouse, to the great rock scenery of the Yosemite, which inevitably carries the spectator up to the Infinite Creator and Father of all, they do stand for all that has been claimed for them in wonderful greatness and majestic beauty." So much larger are these immense trees than those we ordinarily see, that a comparison is about the only way in which we can correctly measure them. Shortly after they were discovered, the hollow trunk of one of them was for- warded to New York, where it was converted into a grocery store. In one of these groups of trees a stage road has been cut under the trunk through the roots, and immense coaches, drawn hy six horses, pass directly under the old giant. One of the original hotels, known as the "Hotel de Redwood," consisted at one time of five hollow trees. One served as an office and bar-room, another for the proprietor's family, and dining-room, and the remainder were used as lodgings. A pioneer set up house-keeping in the hollow trunk of one of these trees. His family had room enough, and there was no trouble about lathing and plastering. A hollow tree thirty to forty feet in diameter would make several rooms of convenient size, and quite large enough for a numerous family. We have known men upon whose grounds were old, magnificent trees of centuries growth, lifted up into the air with vast breadth, and full of twilight at midday — who cut down all these mighty monarchs and cleared the ground bare ; and then when the desolation was completed and the fierce summer sun flZt gazed full into their faces with its fire, they besought themselves of shade, and forthwith set out a generation of thin, shadowless sticks. Such folly is theirs who refuse the tree of life — the shadow of the Almighty — and sit instead under feeble trees of their own planting, whose tops will never be broad enough to shield them, and whose boughs will never discourse to them the music of the air. Beecher. It never rains roses : when we want — To have more roses we must plant more trees. 13 George Eliot. 2 74 ARBOR DAY MANUAL. ODE TO THE TREES. 0, WHO is there within whose heart The love of noble manhood dwells, Who feels the thrill of pleasure start When other tongues the story tells Of deeds sublime? with true eye sees The beautiful in art and thought — Dares stand before God's stately trees, Declaring that he loves them not ? Companions of our childhood days ! Companions still, though grown we be ! Still through thy leaves the light breeze strays, Whispering the same old songs to me. ^ % ^ 5fc * * Dear forest ! down thy long aisles dim Soft sweeps the zephyr's light caress ; Worthy indeed art thou of Him Who made thee in thy loveliness. Long may thy graceful branches wave, Piercing with pride the balmy air ; Harm ne'er would come if I could save — Fit objects of our love and care. But though erect each noble form, As year by year rolls swift along, Thou too, like man, must face the storm, And fall — or live to be more strong. Forever upward, day by day, Patient thy growing branches turn; Nearer the heavens each year ahvay — May we the simple lesson learn — Though few our years or many be, It matters not the number given, If we can feel that, like the tree, Each year hath found us nearer heaven. Maggie May Welsh, Lancaster, 0. Written for Cincinnati " Arbor Day " Celebration. To me the meanest flower that blows can give Thoughts that do often lie too deep for tears. Wordsworth. ARBOR DA Y MANUAL. 2 jr Arranged for the "Arbor Day Manual." FAMOUS AND CURIOUS TREES. The Cedars of Mount Lebanon are, perhaps, the most renowned and the best known monuments in the world. Religion, poetry and history have all united to make them famous. There are about four hundred of these trees, disposed in nine groups, now growing on Mount Lebanon. They are of various sizes, ranging up to over forty feet in girth. A few miles out of the city of Mexico stands a gnarled old Cypress, called the tree of Triste Noche. It was under this tree that Cortez sat and wept on that memorable Triste Noche when driven from the Mexican capital by the Indians. Another interesting tree to be seen in Mexico is found at Chapultepec, that delightful summer resort of the Mexican rulers from the time of the Monte- zumas. The tree in question stands a few feet from the entrance way, and is draped with the lovely Spanish moss. It is also a Cypress of immense size, so large is it that a party of thirteen could just reach around it. It is known as the tree of Montezuma, and no doubt he often sat under its shade when rusti- cating in this lovely spot. Sir Philip Sidney's Oak at Penshurst, which was planted at his birth ; The Abbot's Oak, and William the Conqueror's Oak at Windsor Park, are famous trees in English history. But beside historical trees there are many others that attract our attention from their great size or curious properties. Among the former are the wonder- ful trees of California, some of which are from three to five hundred feet in height and twenty to twenty-five feet in diameter. A section of one of these trees was at onetime exhibited in San Francisco, in which was a room carpeted, and containing a piano and seats for forty people; a hundred and forty children once filled the room without crowding. Among curious trees may be mentioned the Cow tree, or Palo de Vaca of the Cordilleras, which grows at a height of three thousand feet above sea level. It is~a lofty tree with laurel-like leaves, and though receiving no moisture for seven months of the year, when its trunk is tapped a bountiful stream of milk bursts forth. It flows most freely at sunrise, when the natives may be seen coming from all directions with pans and pails to catch the milk, which is said to have a pleasant, sweet taste, but becomes thick and yellow in a short time and soon turns into cheese. Then there is the Bread Fruit tree, one of the most curious as well as useful trees of the Pacific Islands. The fruit, which is about the size of a Cocoanut, should be gathered before it is ripe, and be baked like hoe-cake. When prop- erly cooked it resembles and tastes like good wheat bread. Another very curious tree is the Candle-nut tree, of the South Sea Islands, the fruit of which is heart-shaped and about the size of a walnut. From the fruit is obtained an oil used both for food and light. The natives of the Society Islands remove the shell and slightly bake the kernels, which they string on rushes and keep to be used as torches. Five or six in a Screw Pine leaf are said to give a brilliant light. 2 76 ARBOR DA Y MANUAL. T WHEN THE APPLE BLOSSOMS STIR. HE buds in the tree's heart safely were folded away, Awaiting in dreamy quiet the coming of May, When one little bud roused gently and pondered awhile, — '« It's dark, and no one would see me," it said with a smile. '" If I before all the others could bloom first in May, And so be the only blossom, if but for a day, How the world would welcome my coming, — the first little flower, - 'T will surely be worth the trouble, if but for an hour." Close to the light it crept softly, and waited till Spring, With her magic fingers, the door wide open should fling. Spring came, the bud slipped out softly and opened its eyes To catch the first loving welcome ; but saw with surprise. That swift through the open doorway, lo, others had burst ! For thousands of little white blossoms had thought to be first." St. Nicholas. " Jack-in-the-Pulpit, May, i! MAY. MAY is here ! I know there's a blossom somewhere near, For the south wind tosses into my room A hint of summer — a vague perfume It has pilfered somewhere (I cannot tell Whether from pansy or pimpernel), But it sets me dreaming of birds and bees And the odorous snow-storms of apple trees Of roses sweet by the garden wall, And milk-white lilies, stately and tall; Of clover red in the morning sun, And withered and dead when the day is done ; Of the song that the stalwart mower sings, Of gladness, and beauty, and all sweet things That summer brings. Eben E. Rexford. What should I tell you more of it? There are so many trees yet, That I should all encumbered be Ere I had reckoned every tree. Chaucer. ARBOR DA Y MANUAL. 277 BIRDS' NESTS. SUITABLE FOR CLASS EXERCISE BY YOUNG PUPILS. THE skylark's nest among the grass And waving corn is found; The robin's on a shady bank, With oak leaves strewed around. Rooks build together in a wood, And often disagree; The owl will build inside a barn Or in a hollow tree. The wren builds in an ivied thorn Or old and ruined wall; The mossy nest, so covered in, You scarce can see at all. The martins build their nests, of clay, In rows beneath the eaves; While silvery lichens, moss, and hair The chaffinch interweaves. The cuckoo makes no nest at all, But through the wood she strays Until she find one snug and warm, And there her eggs she lays. The sparrow has a nest of hay, With feathers warmly lined; The ring-dove's careless nest of sticks On lofty trees we find. The blackbird's nest, of grass and mud, In bush and bank is found; The lapwing's darkly spotted eggs Are laid upon the ground. The magpie's nest is girt with thorns In leafless tree or hedge; The wild duck and the water-hen Build by the water's edge. Birds build their nests from year to year, According to their kind, — Some very neat and beautiful, Some easily designed. The habits of each little bird, And all its patient skill, • Are surely taught by God Himself And ordered by His will. Written for the " Arbor Day Manual." 'NEATH THE COTTON-WOOD TREES. LET one who sips life's tears with strange delight, And finds in sobs and sighs life's harmony, Go out beneath the cotton-wood trees at night And there repent the laughter of the day; Then listen to the rustling of the leaves, Like steady rain-fall from the homestead eaves, And listening, weep and pray ! But on the morrow, hie away ! It is not well to dwell there all the dreary while, To-night we weep and pray, to-morrow toil and smile. While the cotton-woods weep and sway All the night and all the day. Mrs. B. C. Rude. Sodus, N. Y. 278 ARBOR DA Y MANUAL. THE LITTLE PINE TREE. ONCE a little Pine tree, In the forest ways, Sadly sighed and murmured, Thro' the summer days. " I am clad in needles — Hateful things ! " — he cried ; "Ail the trees about me Laugh in scornful pride. Broad their leaves and fair to see ; Worthless needles cover me. " Ah, could I have chosen, Then, instead of these, Shining leaves should crown me, Shaming all the trees. Broad as theirs and brighter, Dazzling to behold ; All of gleaming silver — Nay, of burnished gold. Then the rest would weep and sigh None would be so fine as I." Slept the little Pine tree When the night came down, While the leaves he wished for Budded on his crown. All the forest wondered, At the dawn, to see What a golden fortune Decked this little tree. Then he sang and laughed aloud ; Glad was he and very proud. Foolish little Pine tree ! At the close of day, Thro' the gloomy twilight, Came a thief that way. Soon the treasure vanished ; Sighed the Pine, " Alas ! Would that I had chosen Leaves of crystal glass." Long and bitterly he wept. But with night again he slept. St. Nicholas, May, 18S9. Gladly in the dawning Did he wake to find That the gentle fairies Had again been kind. How his blazing crystals Lit the morning air ! Never had the forest Seen a sight so fair. Then a driving storm did pass ; All his leaves were shattered glass. Humbly said the Pine tree, " I have learned 't is best Not to wish for fortunes Fairer than the rest. Glad were I, and thankful, If I might be seen, Like'the trees about me, Clad in tender green." Once again he slumbered, sad ; Once again his wish he had. Broad his leaves and fragrant, Rich were they and fine, Till a goat at noon-da}' Halted there to dine. Then her kids came skipping Round the fated tree ; All his leaves could scarcely Make a meal for three. . Every tender bud was nipt, Every branch and twig was stript. Then the wretched Pine tree Cried in deep despair, ' Would I had my needles ; They were green and fair. Never would I change them," Sighed the little tree ; " Just as nature gave them The)' were the best for me." So he slept, and waked, and found All his needles safe and sound ! EUDORA S. BUMSTEAD. When our wide woods and mighty lawns Bloom to the April skies, The earth has no more gorgeous sight To show to human eyes. Bryant. ARBOR DA Y MANUAL. 2 79 THE FLOWER OF THE DESERT. Who does not recollect the exultation of Valiant over a flower in the torrid wastes of Africa? The affecting mention of the influence of a flower upon the mind, by Mungo Park, in a time of suffering and despondency, in the heart of the same savage country, is familiar to every one." — Hewitt's Book of the Seasons. WHY art thou thus in thy beauty cast, " Yes ! dews more sweet than ever fell O lonely, loneliest flower ! O'er island of the blest Where the sound of song hath never passed Were shaken forth, from its purple bell. From human hearth or bower? On a suffering human breast. I pity thee, for thy heart of love, " A wanderer came, as a stricken deer, For that glowing heart, that fain O'er the waste of burning sand, Would breathe out joy with each wind to rove He bore the wound of an Arab spear, In vain, lost thing ! in vain ! He fled from a ruthless band. I pity thee, for thy wasted bloom, For thy glory's fleeting hour, For the desert place, thy living tomb — O, lonely, loneliest flower ! "And dreams of home in a troubled tide Swept o'er his darkening eye, As he lay down by the fountain side, In his mute despair to die. I said — but a low voice made reply, " Lament not for the flower ! Though its blossoms all unmarked must die, The}'- have had a glorious dower. "Though it bloom afar from the minstrel's way, And the paths where lovers tread ; Yet strength and hope, like an inborn day, By its odors have been shed. But his glance was caught by the desert's flower, The precious boon of Heaven ; And sudden hope, like a vernal shower, To his fainting heart was given. For the bright flower spoke of One above — Of the presence felt to brood, With a spirit of pervading love, O'er the wildest solitude. O, the seed was thrown those wastes among In a blessed and gracious hour, For the lorn rose in heart made strong, By the lonely, loneliest flower ! " Mrs. Hemans. FAIR TREE! Fair tree ! for thy delightful shade Tis just that some return be made ; Sure some return is due from me To thy cool shadows and to thee. When thou to birds dost shelter give, Thou music dost from them receive ; If travelers beneath thee stay Till storms have worn themselves away, That time in praising thee they spend, And thy protecting power commend ; The shepherd here from scorching freed, Tunes to thy dancing leaves his reed, Whilst his loved nymph in thanks bestows Her flowery chaplets on her boughs. Lady Winchelsea. — The Tree. 2 8o ARBOR DA Y MANUAL. THE DANCE OF THE DAISIES. SO my pretty flower-folk, you Are in a mighty flutter ; All your nurse, the wind, can do, Is to scold and mutter. " We intend to have a ball (That's why we are fretting); And our neighbor-flowers have all Fallen to regretting. " Man)' a butterfly we send Far across the clover. (There '11 be wings enough to mend When the trouble's over.) " Many a butterfly comes home Torn with thorns and blighted, Just to say they cannot come, — They whom we've invited. " Yes, the roses and the rest Of the high-born beauties Are ' engaged,' of course, and pressed With their stately duties. "The)' 're at garden-parties seen ; They 're at court presented : They look prettier than the Queen ! (Strange that 's not resented.) St. Nicholas, August, 1SS9. ' Peasant-flowers they call us — we Whose high lineage you know — We, the ox-eyed children (see !) Of Olympian Juno." (Here the daisies all made eyes ! And they looked most splendid, As they thought about the skies, Whence they were descended.) ' In our saintly island (hush !) Never crawls a viper, Ho, there, Brown-coat ! that's the thrush: He will be the piper. ' In this Irish island, oh, We will stand together. Let the royal roses go ; — We don't care a feather. Strike up, thrush, and play as though All the stars were dancing. So they are ! And — here we go — Isn't this entrancing?" 'Swaying, mist-white, to and fro, Airily they chatter, For a daisy dance, you know, Is a pleasant matter. Sarah M. B. Piatt. HOW calm, how beautiful comes on The stilly hour, when storms are gone; When warring winds have died away, And clouds, beneath the glancing ray, Melt off, and leave the land and sea Sleeping in bright tranquillity, — Fresh as if Day again were born, Again upon the lap of Morn ! When the light blossoms, rudely torn And scattered at the whirlwind's will, Hang floating in the pure air still, Filling it all with precious balm, In gratitude for this sweet calm ; And every drop the thunder-showers Have left upon the grass and flowers Sparkles, as 'twere that lightning-gem Whose liquid flame is born of them ! When, 'stead of one unchanging breeze, There blow a thousand gentle airs, And each a different perfume bears, — As if the loveliest plants and trees Had vassal breezes of their own To watch and wait on them alone, And waft no other breath than theirs ! Moore's Lalla Rookh. ARBOR DAY MANUAL. 28l A WALK IN SPRING. IWANDER'D in a lonely glade, Where, issuing from the forest shade, A little mountain stream Along the winding valley play'd, Beneath the morning beam. 'T is sweet in solitude to hear The earliest music of the year, The Blackbird's loud wild note, Or. from the wintry thicket drear, The Thrush's stammering throat. Light o'er the woods of dark brown oak In rustic solitude 'tis sweet The west wind wreathed the hovering smoke, The earliest flowers of Spring to greet, — From cottage roofs conceal'd, The violet from its tomb, Below a rock abruptly broke. The strawberry, creeping at our feet, In rosy light reveal'd. The sorrel's simple bloom. 'T was in the infancy of May, — The uplands glow'd in green array, While from the ranging eye The lessening landscape stretched away, To meet the bending sky. Wherefore I love the walks of Spring, - While still I hear new warblers sing Fresh opening bells I see ; Joy flits on every roving wing, Hope' buds on every tree. Montgomery. MIDSUMMER. BEHOLD the flood-tide of the year, The glad midsummer time, When all things bright and fair are here And earth is in its prime. This lovely world, how strangely sweet It is! how wondrous fair The starr)- daisies at my feet ! How fresh the summer air ! In fresh green woods the laurel hides Her blushing waxen bloom ; And pink azaleas by the brook Breathe spicy, faint perfume. They bring a message home to me, With tender meaning fraught : The lowliest flower our Lord has made Is worth a tender thought. Wild roses by the dusty roads Bud, blossom and decay, Content to be for joy of it, The pleasure of a day. And each midsummer blossom-time I learn the lessons o'er, — This love of field, and flower, and vine, And love of God the more. Abbie F. Judd. Hence lastly springs care of posterities For things their kind would everlasting make Hence is it that old men do plant young trees, The fruit whereof another age shall take. Sir J. Davies. The birch, the myrtle, and the bay Like friends did all embrace ; And their large branches did display To canopy the place. Dryden. 282 ARBOR DAY MANUAL. BRIAR-BLOOM. THE wild azaleas sweeten all the woods, The locust swings its garlands of perfume ; But, sweetest of all sweets, to-day there broods Above the slopes of green and golden gloom The scent of briar-bloom. Sweetest of sweets and fairest of all flowers Among wealth of delicate blossoming, The blackberry bramble creeps and hides, or towers Above the budding shrubs, with clasp and cling Bowering the realm of spring. Roses are warmer with their passion red, Lilies are queenlier with their hearts of snow, Magnolia cups a heavier incense shed, But when I would be tranced with sweet I go Where the sharp briars grow. Brave must the hand be, which would bear away Their snowy length and dare the threatened doom, Yet when is past my woodland holiday, I can but smile at wounds and deck my room With wreaths of briar-bloom. Some souls I love are trimmed with flowers like these, Recluse and shrinking from the broadest day, And full of delicate fragrances — Yet with keen pride to hold false friends at bay And keep the world away. Elizabeth Akers Allen. ANTIQUITY OF FREEDOM. HERE are old trees, tall oaks, and gnarled pines, That stream with gray-green mosses; here the ground Was never trenched by spade, and flowers spring up Unsown, and die ungathered. It is sweet To linger here among the flitting birds And leaping squirrels, wandering brooks, and winds That shake the leaves, and scatter, as they pass, A fragrance from the cedars, thickly set With pale-blue berries. In these peaceful shades — Peaceful, unpruned, immeasurably old — My thoughts go up the long dim path of years, Back to the earliest days of liberty. ****** Bryant. ARBOR DA Y MANUAL. 283 CALLING THEM UP. " Q HALL I go and call them up — O Snowdrop, daisy, buttercup ?" Lisped the rain ; "they 've had a pleasant winter's nap." Lightly to their doors it crept, Listened while they soundly slept ; Gently woke them with its rap-a-tap-a-tap ! Quickly woke them with rap a-tap-a-tap ! Soon their windows opened wide, — Every thing astir inside ; Shining heads came peeping out, in frill and cap; " It was kind of you, dear rain," Laughed the}'' all, ''to come again ; We were waiting for your rap-a-tap-a-tap ! Only waiting for your rap-a-tap-a-tap ! " George Cooper. THE OLIVE TREE. THE palm — the vine — the cedar — each hath power To bid fair Oriental shapes glance by ; And each quick glistening ot the laurel bower Wafts Grecian images o'er fancy's eye. But thou, pale olive ! in thy branches lie Far deeper spells than prophet grove of old Might e'er enshrine : I could not hear thee sigh To the wind's faintest whisper, nor behold One shiver of thy leaves' dim, silvery green, Without high thoughts and solemn of that scene When, in the garden, the Redeemer prayed, — When pale stars looked upon His fainting head, And angels, ministering in silent dread, Trembled, perchance, within thy trembling shade. Mrs. Hemans. Spirits of fire, that brood not long, But flash resentment back for wrong ; And hearts, where, slow but deep, the seeds Of vengeance ripen into deeds ; Till, in some treacherous hour of calm, They burst, like Zeilan's giant palm, Whose buds fly open with a sound That shakes the pigmy forests round ! Moore's Lalla Rookh. 284 ARBOR DA Y MANUAL. AMONG THE TREES. OH ye who love to overhang the springs, And stand by running waters, ye whose boughs Make beautiful the rocks o'er which they play, Who pile with foliage the great hills, and rear A paradise upon the lonely plain, Trees of the forest, and the open field ! Have ye no sense of being? Does the air, The pure air, which I breathe with gladness, pass In gushes o'er your delicate lungs, your leaves, All unenjoyed ? When on your winter's sleep The sun shines warm, have ye no dreams of spring? And when the glorious spring-time comes at last, Have ye no ]oy of all your bursting buds, And fragrant blooms, and melody of birds To which your young leaves shiver? Do ye strive And wrestle with the wind, yet know it not ? Feel ye no glory in 3'our strength, when he, The exhausted blusterer, flies beyond the hills, And leaves you stronger yet ? Or have ye not A sense of loss when he has stripped your leaves, Yet tender, and has splintered your fair boughs? Does the loud bolt that smites you from the cloud And rends you, fall unfelt ? Do there not run Strange shudderings through your fibres when the ax Is raised against you, and the shining blade Deals blow on blow, until, with all their boughs, Your summits waver and ye fall to earth ? Know ye no sadness when the hurricane Has swept the wood and snapped its sturdy stems Asunder, or has wrenched, from out the soil, The mightiest with their circles of strong roots, And piled the ruin all along his path ? Nay, doubt we not that under the rough rind, In the green veins of these fair growths of earth, There dwells a nature that receives delight From all the gentle processes of life, And shrinks from loss of being. Dim and faint May be the sense of pleasure and of pain, As in our dreams ; but, haply, real still. For still The February sunshine steeps your boughs And tints the buds and swells the leaves within ; ARBOR DAY MANUAL. 235 While the song-sparrow, warbling from her perch, Tells you that spring is near. The wind of May Is sweet with breath of orchards, in whose boughs The bees and every insect of the air Make a perpetual murmur of delight. And by whose flowers the humming-bird hangs poised In air, and draws their sweets and darts away. The linden, in the fervors of July, Hums with a louder concert. When the wind Sweeps the broad forest in its summer prime, As when some master-hand exulting sweeps The keys of some great organ, ye give forth The music of the woodland depths, a hymn Of gladness and of thanks. The hermit-thrush Pipes his sweet note to make your arches ring; The faithful robin, from the wayside elm, Carols all day to cheer his sitting mate; And when the autumn comes, the kings of earth, In all .their majesty, are not arrayed As ye are, clothing the broad mountain-side And spotting the smooth vales with red and gold ; While, swaying to the sudden breeze, ye fling Your nuts to earth, and the brisk squirrel comes To gather them, and barks with childish glee, And scampers with them to his hollow oak. Thus, as the seasons pass, ye keep alive The cheerfulness of Nature, till in time The constant misery which wrings the heart Relents, and we rejoice with you again, And glory in your beauty; till once more We look with pleasure on your varnished leaves, That gayly glance in sunshine, and can hear, Delighted, the soft answer which your boughs Utter in whispers to the babbling brook. Ye have no history. I cannot know Who, when the hillside trees were hewn away, Haply two centuries since, bade spare this oak, Leaning to shade, with his irregular arms, Low-bent and long, the fount that from his roots Slips through a bed of cresses toward the bay — I know not who, but thank him that he left The tree to flourish where the acorn fell, And join these later days to that far time While yet the Indian hunter drew the bow 2 86 ARBOR DA Y MANUAL. In the dim woods, and the white woodman first Opened these fields to sunshine, turned the soil And strewed the wheat. An unremembered Past Broods, like a presence, mid the long gray boughs Of this old tree, which has outlived so long The flitting generations of mankind. Ye have no history. I ask in vain Who planted on the slope this lofty group Of ancient pear-trees that with springtime burst Into such breadth of bloom. One bears a scar Where the quick lightning scored its trunk, yet still It feels the breath of Spring, and every May Is white with blossoms. Who it was that laid Their infant roots in earth, and tenderly Cherished the delicate sprays, I ask in vain, Yet bless the unknown hand to which I owe This annual festival of bees, these songs Of birds within their leafy screen, these shouts Of joy from children gathering up the fruit Shaken in August from the willing boughs. Ye that my hands have planted, or have spared, Beside the way, or in the orchard-ground, Or in the open meadow, ye whose boughs With every summer spread a wider shade, Whose herd in coming years shall lie at rest Beneath your noontide shelter? who shall pluck Your ripened fruit ? who grave, as was the wont Of simple pastoral ages, on the rind Of my smooth Beeches some beloved name ? Idly I ask, yet ma)*- the eyes that look Upon you, in }^our later, nobler growth, Look also on a nobler age than ours; An age when, in the eternal strife between Evil and Good, the Power of Good shall win A grander mastery. * * * * * * * Bryant. A man was lately tried at Aberdeen for obstructing a revenue officer; it un- fortunately came out on the trial, that the prisoner had been guilty of planting the Tree of Liberty, where no tree had ever grown before, and where Liberty was not in the most flourishing state. The consequence was, a judgment, that he should be publicly whipped, and banished the kingdom for fourteen years. Thomas Paine, 1793. ARBOR DAY MANUAL. 28 J N' BOLEHILL TREES. A conspicuous plantation, encompassing a school-house and play-ground, on a bleak eminence, at Barlow, in Derbyshire. OW peace to his ashes who planted yon trees, That welcome my wandering eye ! In lofty luxuriance they wave with the breeze, And resemble a grove in the sky. On the brow of the mountain, uncultured and bleak, They flourish in grandeur sublime, Adorning its bald and majestical peak, Like the lock on the forehead of Time. A land-mark they rise; — to the stranger forlorn All night on the wild heath delay 'd, ' Tis rapture to spy the young beauties of morn Unveiling behind their dark shade. The homeward-bound husbandman joys to behold, On the line of the gray evening scene, Their branches yet gleaming with purple and gold, And the sunset expiring between. ******* Then peace to his ashes who planted those trees! Supreme o'er the landscape they rise, With simple and lovely magnificence please All bosoms, and gladden all eyes. Nor marble, nor brass, could emblazen his fame Like his own sylvan trophies, that wave In graceful memorial, and whisper his name. And scatter their leaves on his grave. Ah ! thus, when I sleep in the desolate tomb, May the laurels I planted endure. On the mountain of high immortality bloom, Midst lightning and tempest secure ! Then ages unborn shall their verdure admire, And nations sit under their shade, While my spirit, in secret, shall move o'er my lyre, Aloft in their branches display'd. ¥ ^ + -f- ^ *z :-c Montgomery. Amid them stood the tree of life, High eminent, blooming ambrosial fruit Of vegetable gold. Milton's Paradise Lost. ARBOR DA V MAX UAL. TREE BURIAL. NEAR our south-western border, when a child Dies in the cabin of an Indian wife, She makes its funeral couch of delicate furs, Blankets and bark, and binds it to the bough Of some broad branching tree with leathern thongs And sinews of the deer. A mother once Wrought at this tender task, and murmured thus: " Child of my love, I do not lay thee down Among the chilly clods where never comes The pleasant sunshine. There the greedy wolf Might break into thy grave and tear thee thence, And I should sorrow all my life. I make Thy burial-place here, where the light of day Shines round thee, and the airs that play among The boughs shall rock thee. Here the morning sun, Which woke thee once from sleep to smile on me, Shall beam upon thy bed, and sweetly here Shall lie the red light of the evening clouds Which called thee once to slumber. Here the stars Shall look upon thee — the bright stars of heaven Which thou didst wonder at. Here too the birds, Whose music thou didst love, shall sing to thee, And near thee build their nests and rear their young With none to scare them. Here the woodland flowers, Whose opening in the spring-time thou didst greet With shouts of joy, and which so well became Thy pretty hands when thou didst gather them, Shall spot the ground below thy little bed. Bryant. The thorns which I reaped are of the tree I planted, — they have torn me and I bleed ; I should have known what fruit would spring from such a seed. Byron's Childe Harold. " O, for a seat in some poetic nook Just hid with trees and sparkling with a brook." Leigh Hunt. ARBOR DA Y MANUAL. 289 VOICES OF THE FOREST. GUARDING the mountains around Majestic the forests are standing, Bright are their crested helms, Dark is their armor of leaves ; Filled with the breath of freedom Each bosom subsiding, expanding, Now like the ocean sinks, Now like the ocean upheaves, Planted firm on the rock, With foreheads stern and defiant, Loud they shouted to the winds, Loud to the tempest they call ; Naught but Olympian thunders, That blasted Titan and Giant, Them can uproot and o'erthrow, Shaking the earth with their fall. Longfellow's The Masque of Pandora. WILD THORN BLOSSOMS. DEEP within the tangled wildwood, Where the tuneful thrushes sing, And the dreaming pine trees whisper In their sleep a tale of spring ; Where the laughing brook goes leaping Down the mountain's mossy stair, There the wild white thorn is flinging Its sweet fragrance everywhere. Rough and rugged are its branches, But its bloom is white as snow ; And the roaming bees have found it, In their wanderings to and fro ; And they gather from its sweetness Heavy freights the livelong day, And go sailing homeward, singing Their thanksgivings all the way. All unheeded fall the blosoms, Like sweet snowfiakes through the air, And the summer marches onward With its fragrance rich and rare ; But the grateful bee remembers, As he winds his mellow horn, That the spring-time was made sweeter By the blossoms of the thorn. Julian S. Cutler. ARBUTUS. a ARBUTUS, thou dost faintly swing The subtle censer of the Spring. I sip thy wine, I kiss thy lips, I softly touch thy pinky tips, More than I say thou art to me, A past and still a joy to be ! If e'er I stand of all bereft, As they do stand whom Death has left, A treasure dearer far than gold Mine empty hands will seek and hold 19 The first arbutus of the Spring, A simple thing, a little thing, Yet incense-bearer to the King, His tidings glad borne on its wing. All my lost life 'twill backward bring. And all the life before 'twill touch With Spring's young glory, 'twill be much, How much ! Yet such a little thing, The first arbutus of the Spring ! " 290 ARBOR DA Y MANUAL. A MAY MORNING. OLADY, leave thy silken thread And flowery tapestry ; There's living roses on the bush, And blossoms on the tree ; Stoop where thou wilt, thy careless hand Some random bud will meet ; Thou canst not tread, but thou wilt find The daisy at thy feet. 'Tis like the birthday of the world, When earth was here in bloom ; The light is made of many dyes, The air is all perfume ; There's crimson buds, and white and blue The very rainbow showers Have turned to blossoms where they fell, And sown the earth with flowers. There's fair)' tulips in the east, The garden of the sun ; The very streams reflect the hues And blossom as they run ; While morn opes like a crimson rose, Still wet with pearly showers ; Then, lady, leave the silken thread Thou twinest into flowers PUT FLOWERS IN YOUR WINDOW. u PUT flowers in your window, friend, And summer in your heart ; The greenness of their mimic boughs Is of the woods a part ; The color of their tender bloom Is love's own pleasing hue, As surely as you smile on them, They'll smile again on you. Put flowers in your window, when You sit in idle mood ; For wholesome, mental aliment, There is no cheaper food. For love and hope and charity Are in their censer shrined, And shapes of loveliest thought grow out The flower-loving mind." Yes, I love the children of the woodlands, of the highlands and the lowlands. Espec- ially those first heralds of spring that come forth with all her newness and dewy freshness, that quickening of life that makes one's pulses bound. Yes, " There is to me A daintiness about these early flowers, That touch me like poetry. They blow out With such a simple loveliness among The common herbs of pasture, and they breathe Their lives so unobtrusively, like hearts Whose beatings are too gentle for the world." Mrs. G. W. Flanders. ARBOR DA V MANUAL. 291 TREES OF HISTORY AND MYTHOLOGY. YOUTH once rode into a forest, and asked of the trees: A " O, if ye have a singing leaf, The music of seas far away; I pray you give it me." Only the Aspen pattered But the trees all kept their counsel, With a sound like the growing rain, They said neither yea or nay ; That fell fast and ever faster, Only there sighed from the Pine tops Then faltered to silence again. Tennyson tells us of the talking Oak, but to us, who are less fortunate in poetic imagery, the trees are speechless ; if the birds understand the language of rustling leaves, they keep it a secret from us, who would fain open and read this page in nature's volume. Sacred history is full of allusions to trees in their various stages of growth and abundance. The first sin of our common mother was in partaking of the forbidden fruit from the tree in the garden of Paradise. At the foot of Mount Lebanon eight gigantic Cedars stand as the only representatives of the once immense forests. The prophecy concerning them has come to pass, " They shall be few that a child may count them." The Olive, the Fig and the Oak are likewise often referred to in the sacred Scriptures. We read of the righteous as representing a tree of life, and they are declared to be like a tree planted by the rivers of water, while the wicked are likened to a Green Bay tree, and the ungodly to an Oak whose leaf fadeth. The Green Bay tree is a species of Laurel. Pliny collected and recorded the information and opinions concerning it current in his time. It was held sacred to Apollo, and used as a symbol of victory. It was used by the Romans to guard the gates of Caesar, and that worn by Augustus and his successors had a miraculous history. The grove at the Imperial villa having grown from a shoot sent by Livius Drusilla from heaven. Among the Indians of Brazil there is a tradition that the whole human race sprang from a Palm tree. It has been a symbol of excellence for things good and beautiful. Among the ancients it was an emblem of victory, and. as such, was worn by the early Christian martyrs, and has been found sculptured on their tombs. The Mohammedans venerate it. Certain trees, said to have been propa- gated from some originally planted by the prophet's daughter, are held sacred and the fruit sold at enormous prices. The day upon which Christ entered Jerusalem, riding upon the colt of an ass, is called Palm Sunday, being the first day of the Holy Week. In Europe real Palm branches are distributed among the people. Goethe says : " In Rome on Palm Sunday, They have the true Palms, The cardinals bow reverently « And sing old psalms. Elsewhere these songs are sung 'mid Olive branches ; more southern climes must be content with the sad Willow. 292 ARBOR DA Y MANUAL. The books relating to the religion of Buddha were nearly all of them written, upon the leaves of the Fan Palm, and by missionaries they have been used in the place of paper. The noble aspect of this tree, together with its surpassing utility, has caused it to be called "the prince of the vegetable kingdom," and it has been immortalized in history, mythology and poetry. A Cypress tree in Somma, Lombardy, is said to have been standing since the time of Julius Caesar. Napoleon, in making a road over the Simplon, devi- ated from a straight line, that he might not be obliged to cut it down. Cypress wood is very enduring, and for this reason, no doubt, it was used for mummy cases and statues. Pliny tells us, a statue of Jupiter carved from Cypress wood remained standing for six hundred years. In Turkish cemeteries it is a, rule to plant a tree of this variety at every interment. Cypanissus, a beautiful youth, was transformed into a Cypress by Apollo,, that he might grieve all the time. The Cypress is an emblem of mourning, and Scott thus writes : " When villagers my shroud bestrew With Pansies, Rosemary and Rue, Then, lady, weave a wreath for me, And weave it of the Cypress tree." There is a familiar legend about the Black Thorn, a species of the Plum. It is said that Joseph, of Aramathea, planted his staff, that it grew, put forth its blossoms every Christmas day afterward until it was destroyed by a Puritan soldier, who was wounded by a splint from the tree and died from its effects. Branches of the White Thorn were used for the nuptial chaplets of Athenian brides, and a tree of this variety is still alive that was planted by Mary, Oueen of Scots. There is a tradition among the French peasantry that groans and cries issue from the Hawthorn on Good Friday, doubtless arising from the superstition that Christ's crown of thorns was made from this bush. The legend that the cross of Jesus was made of Aspen wood, and hence its leaves were doomed to tremble, has led an unknown poet to show his ignorance of the true cause in the following lines : "Ah, tremble, tremble, Aspen tree, I need not ask thee why thou shakest, For if, as holy legend saith, On thee the Saviour bled to death, No wonder, Aspen, that thou quakest, And till in judgment all assemble, Thy leaves, accursed, shall wail and tremble." The real cause of the mobility depends on the fact that the leaf stalk of the Poplar is flattened laterally, and even the slightest wind produces a motion. Since this is so, we may be sure that the Aspen will continue to wail and trem- ble, but not because its leaves are accursed. There is an island in Lake Wetter, Scotland, upon which stood twelve majes- tic Beach trees, called the twelve apostles. A jealous peasant cut one of them ARBOR DA Y MANUAL. 2n . down, thus effacing from the group the traitor, Judas, who, he declared, should have no lot with the faithful. In Latin myths, the Fig tree was held sacred to Bacchus, and employed in religious ceremonies. A tree of this variety is said to have overshadowed Romulus and Remus, the twin founders of Rome, in the wolf's cave. The sacred Fig is chiefly planted in India as a religious object, being regarded as sacred by both Brahmas and Buddhists. A gigantic tree of this variety, grow- ing in Ceylon, is said to be one of the oldest trees in the world, and, if tradition is to be trusted, it grew from a branch of the tree under which Gantama Buddha became endued with divine powers, and has always been held in the highest "veneration. Vick's Magazine. F. L. SHELDON. A TREE'S RECORD OF ITS LIFE. IT is not known to every one that a tree keeps a record within its stem of the character of each successive season since it began its growth. If a Peach tree, for instance, be examined after it has been cut down, the ring of wood formed in each year will show by its amount whether the summer of that year was warm or dry, or otherwise favorable or adverse ; and by the condition of the wood, the character of the winter will be denoted. Severe early frost will leave a layer of soft, decaying wood ; and later frosts will be indicated by a change of color, if nothing more. If a summer has been so dry as to cause a total rest between the growths of June and September, the annual ring for that year will be a double one, and sometimes barely distinguishable as one, but liable to be taken, by a not very close observer, for two different years' growth. At a late meeting of the Botanical Society of Edinburgh, Sir Robert Christisun gave the results of measurements of large trees of different species made annu- ally on lines of girth marked permanently with paint. In the very unfavorable season of 1879, the deficiency in summer temperature was nearly ten degrees. In seven Oak trees, of different species, the deficiency in annual increase of girth was ten per cent. In eleven other deciduous trees, it was forty-two per cent ; and in seventeen Pines it was twenty per cent, different species of the same family giving very nearly similar results. Vick's Magazine. Nearly all the tributaries of the upper Mississippi have lost one-half of their former supply of water. Inundations in the spring are more frequent, while now in the summer the depth of many of these rivers average hardly more inches than could be measured by feet thirty years ago. The snow-fall is irreg- ular, and the climate is subject to abrupt changes at all seasons of the year. The Legislatures of the North-Western States are being roused to the fact the forests must be preserved. 294 ARBOR DA Y MANUAL. Arranged for the " Arbor Day Manual." HISTORIC TREES. THE following list includes some of the more prominent trees that have been consecrated by the presence of eminent personages, or by some conspic- uous event in the history of our country. They all have a place in our national history, and are inseparable from it because they were so consecrated. A knowledge of the events associated with their memories cannot but engender patriotic emotions in the breast of every true American citizen. i. One of the best known trees in American history is the Charter Oak which stood in Hartford, Conn., until 1856, when it was blown down. This tree once preserved the written guarantee of the liberties of the then infant colony of Connecticut. In 1687 Governor Andros, whom King James had sent across the sea to be Governor of all New England, appeared before the Connecticut Assembly, then in session in Hartford, and demanded the Colony's charter. Tradition tells us that the charter was brought in and laid upon the table. In an instant all lights were extinguished and the room was wrapped in total dark- ness. Not a word was spoken. The candles were again lighted, but the char- ter had mysteriously disappeared ; and though Sir Edmund searched diligently for it, his search was in vain. Captain James Wadsworth had seized the precious charter and concealed it in a hollow in the trunk of this friendly tree. 2. All strangers who visit Cambridge, Massachusetts, look with interest upon the remnants of the venerable Elm tree under which Washington sat, when on the 3rd of July, 1775, he assumed command of the Colonial army. It stands in the center of a great public thoroughfare, its trunk protected by an iron fence from injury by passing vehicles, which for more than a century have turned out for this tree. 3. "The Cary Tree," planted by Alice and Poebe Cary. As these sisters were returning from school one day they found a small tree in the road, and carry- ing it to the opposite side they dug out the earth with sticks and their hands, and planted it. When these two children had grown to womanhood and removed to New York city, they never returned to their old home without paying a visit to the tree they had planted. That tree is the large and beautiful Sycamore, which one sees in passing along the Hamilton turnpike from College Hill to Mount Pleasant, Hamilton county, Ohio. 4. A tree interesting from its association with the General of the American Army, is the Washington Oak at Fishkill. Washington's headquarters re- mained on the west bank of the Hudson, between Newburgh and New Windsor, from the spring of 1782, to August 18, 1783; and during this time he crossed the river frequently for the purpose of visiting the troops in camp upon Fish- kill Plain, near the village of that name. The most convenient landing-place on the east bank was upon a long, low point of land formed to the north of the mouth of Fishkill creek, and here, according to the tradition of the locality, under two large Oak trees, Washington always mounted and dismounted from his horse as he started and returned from the camp. The tree is a Chestnut '***%& A CALIFORNIA GIANT. ARBOR DA Y MANUAL. 295 Oak, still healthy and vigorous, and standing directly at the top of the low river-bank. The trunk girths at the present time, over twenty-one feet, and, judging from the age of its companion, which was blown down a few years since, eight or ten centuries may have passed since the acorn from which it sprang fell to the ground. 5. There is a Weeping Willow in Copp's burying-ground near Bunker Hill, that has grown from a branch taken from a tree that shaded the grave of Napoleon at St. Helena. Under this tree are buried the remains of Cotton Mather, so noted in Salem witchcraft. Copp's burying-ground is so near the Bunker Hill battle-field, that a number of grave-stones can be seen to-day which were pierced through by bullets fired by British soldiers in that battle. 6. It was the custom of our New England ancestors to plant trees in the early settlement of our country, and dedicate them to liberty. Many of these " Lib- erty Trees," consecrated by our fore-fathers are still standing. "Old Liberty Elm " in Boston, was planted by a school-master long before the Revolutionary war, and dedicated by him to the independence of the Colonies. Around that tree, before the Revolution, the citizens of Boston and vicinity, used to gather and listen to the advocates of our country's freedom. Around it during the war, they met to offer up thanks and supplications to Almighty God for the success of the patriot armies, and after the terrible struggle had ended the people were accustomed to assemble there year after year, in the shadow of that old tree, to celebrate the liberty and independence of our country. It stood till within a few years, a living monument of the patriotism of the people of Boston, and when at last it fell, the bells in all the churches of the city were tolled, and a feeling of sadness spread over the entire State. 7. The Ash trees planted by General Washington at Mt. Vernon. These trees form a beautiful row, which is the admiration of all who visit the home of the Father of his Country. 8. The Elm tree at Philadelphia, under which William Penn made his famous treaty with nineteen tribes of barbarians, the only treaty never sworn to and never broken. This Elm was carefully guarded until itfio, when it was unfor- tunately blown down. A monument now marks the spot. Other familiar trees are the wide spreading Oak tree of Flushing, Long . Island, under which George Fox, the founder of the society of Friends or Quakers, preached. "The Burgoyne Elm," at Albany, which was planted on the day the British General Burgoyne was brought a prisoner into the city, the day after the surrender. The lofty Cypress tree in the Dismal Swamp, under which Washington reposed one night in his young manhood. The magnificent Black Walnut tree, near Haverstraw on the Hudson, under which General Wayne mustered his force at midnight, preparatory to his suc- cessful attack on Stony Point. The huge French Apple tree near Fort Wayne, Indiana ( where Little Turtle, the great Miama Chief, gathered his warriors. The grand Magnolia tree near Charleston, South Carolina, under which Gen- eral Lincoln held a council of war previous to surrendering the city. 296 ARBOR DA Y MANUAL. The tall Pine tree at Fort Edward, New York, under which the beautiful Jane McCrea was slain. The great Pecan tree at Villere's plantation, below New Orleans, under which a portion of the remains of General Packingham was buried. The Pear trees planted respectively by Governor Endicott of Massachusetts, and Governor Stuyvesant of New York, more than two hundred years ago, and the Tulip tree on King's mountain battle-field, in South Carolina, upon which ten Tory murderers were hung at one time. Sodus Centre, N. Y. Edward C. Delano. THE USE OF ARBOR DAY. THE subject of forestry is, of course, an appropriate one for Arbor Day, if there is any person available who is competent to present or discuss it. Almost any time would be suitable for the intelligent treatment of this topic, if people will come together to hear and consider it. It is vitally related to the public welfare in a variet)* - of ways, and serious injury to the prosperity and civilization of our country is almost certain to result from the lack of sufficient knowledge to enable our people justly to estimate its importance. Oratory without knowledge is of little value, and will not long be found entertaining ; but knowledge regarding the subjects which are appropriate for Arbor Day can be acquired only as knowledge of other important subjects is acquired, by seri- ous interest and application, by stud)'- and adequate observation. The planting of trees by a person able to use it as an object-lesson for popu- lar instruction by describing the structure and functions of the various parts of the tree, and their relations to each other in its life, would in many places be an admirable use to make of Arbor Day. The proper care of trees and shrubs in villages and along country road-sides, their economic value as related to bird-life and insect-life, their influence on health, and on the interest and hap- piness of human life, their value as a means of seclusion, and their effect in landscape everywhere, are all good subjects for consideration on Arbor Day, if they are seriously and intelligently presented. If a few public-spirited young men and women in every town will read the new literature regarding these and similar subjects, they will soon be able to supply competent direction for Arbor Daj r observances, and, what is more im- portant, to give good counsel, and to act intelligently when questions of prun- ing trees, widening streets and destroying road-sides are under discussion. Garden and Forest. April 17, 1889. Germany has made great progress in tree-planting. It was a part of the national policy of Frederick the Great by which Germany was raised from a small power to a great one. Where once the sandy deserts would not nourish a flock of goats, vast armies have been maintained, and regiments of hardy soldiers have poured forth from the fertile soil, where two hundred years ago the thorn and the thistle overspread an impoverished land. ARBOR DA V MANUAL. 297 Written for the "Arbor Day Manual" PRUNING TREES. AS trees grow thick])- together in the forest, the lower limbs die and drop off, while they are small ; but in case of isolated trees, the conditions are so different, that unless pruned, they are often ill shaped and unsightly. Many people erroneously imagine that as a tree grows, the limbs will be raised higher, whereas, from increased weight, they droop and become really lower. The common practice is to neglect pruning shade trees till the view is obstructed by large low limbs which are then heroically sawed off, leaving large knots and scars which must ever remain to offend the eye. These useless branches were grown at the expense of the main trunk ; such trees can never present the fine and majestic appearance of those which have a nearly uniform diameter from the ground to the lowest limbs. In imitation of nature's process in the forest, all limbs and sprouts should be removed as soon as possible up to a desired point ; this can usually be done with an ordinary knife, or even the hand. In considering the removal of a sprout, the question should be : Will a branch be desirable at that point? If not, let it not remain to rob desirable parts. The height at which branching should be allowed to commence must be decided by individual taste which will also indicate the lopping off, at other points, of those branches which are ill- formed, and not in harmony with the general appearance. Dead and decaying limbs should be promptly removed. H. R. Sanford, A. M. THE BLUE-BIRD. WHEN Nature made the blue-bird she wished to propitiate both the sky and the earth, so she gave him the color of the one on his back and the hue of the other on his breast, and ordained that his appearance in spring should denote that the strife and war between these two elements was at an end. He is the peace-harbinger; in him the celestial and the terrestrial strike hands and are fast friends. He means the furrow and he means the warmth ; he means all the soft, waving influences of the spring on the one hand, and the retreating footsteps of winter on the other. After you have seen the blue-bird you will see no more cold, no more snow, no more winter. He brings soft skies and the ruddy brown of the fields. It is sure to be a bright March morning when you first hear his note ; and it is as if the milder influences up above had found a voice and let a word fall upon the ear, so tender is it and so prophetic a hope tinged with a regret. Scribner's Magazine, August, 1873. JOHN BURROUGHS. Owing to the destruction of forests, that part of Italy that was once adorned with villas, parks, flower and fruit gardens, is now an unhealthy uninhabitable region. The malarious gases were formerly absorbed by the leaves of the numerous trees, but now they fill the air, and infect even the heart of the city. 298 ARBOR DA Y MANUAL. THE PALM TREE. IS it the palm, the cocoa palm, On the Indian sea, by the isles of balm ? Or is it a ship in the breezeless calm ? A ship whose keel is of palm beneath, Whose ribs of palm have a palm-bark sheath, And a rudder of palm it steereth with. Branches' of palm are its spars and rails, Fibers of palm are its woven sails, And the rope is of palm that idly trails ! What does the good ship bear so well? The cocoa-nut with its stony shell, And the milky sap of its inner cell. What are its jars, so smooth and fine, But hollowed nuts, filled with oil and wine, And the cabbage that ripens under the Line? Who smokes his nargileh, cool and calm ? The master whose cunning and skill could charm Cargo and ship from the bounteous palm. In the cabin he sits on a palm mat soft, From a beaker of palm his drink is quaffed, And a palm thatch shields from the sun aloft. His dress is woven of palmy strands, And he holds a palm-leaf scroll in his hands, Traced with the Prophet's wise commands ! The turban folded about his head Was daintily wrought of the palm-leaf braid, And the fan that cools him, of palm was made. Of threads of palm was the carpet spun Whereon he kneels when the day is done, And the foreheads of Islam are bowed as one. To him the palm is a gift divine Wherein all uses of man combine, — House, and raiment, and food, and wine ! And in the hour of his great release, His need of the palm shall only cease With the shroud wherein he lies at peace. "Allah il Allah ! " he sings his psalm, On the Indian sea, by the isles of palm ; " Thanks to Allah who gives the palm !" Whittier. ARBOR DAY MANUAL. 299 WELCOME TO MAY. HAIL ! hail ! hail to the beautiful May ; Now while nature's green carpet is spread on the ground, With verdure and beauty the hill-sides are crowned, So with music, sweet music, we'll make the wood ring, While nature is smiling, this song we will sing: Welcome to May, beautiful May, Join in the song gladly to-day, With happy voices and with hearts so gay, Sing we a welcome, thrice welcome tc May. Hail ! hail ! hail to the beautiful May; Lovely May thou art welcome, we greet thee to-day, For winter's cold winds thou hast driven far away, While the birds sing so gayly, and flow'rs bloom so bright, We'll join in the chorus and sing with delight : Welcome to May, beautiful May, Join in the song gladly to-day, With happy voices and with hearts so gay, Sing we a welcome, thrice welcome to May. Written for the "Arbor Day Manual." SONG OF CONSECRATION. RELEASED from her fetters, all nature rejoices, With music and mirth from her captives set free, We join the grand anthem, and lift our glad voices In praise and thanksgiving, Great Giver, to thee. Earth green, 'neath our feet, thy warm sun shining o'er us, With birds and the bowers and the blossoms of spring, The landscape of life stretching onward before us, Tis meet that our Arbor Day off'ring we bring. From winter's cold sleep, see the myriads awaken ; To slumber no longer in silence and gloom, Not a life, not a germ, not a bud is forsaken, But all are remembered in nature's first bloom. While 'neath the green foliage the shadows are dancing, Our hearts swayed with love as the leaves on the tree, And feel the warm zephyrs of summer advancing We lift our glad spirits, Great Giver, to thee ! Water town, N. Y. E. A. Hole rook. 3