■■-"•■■' K$& .-.'- IS CHE HE?!! ^H HH /4£ Ml WAIFS: A COLLECTION OF MISCELLANY EDITED BY BURDETTE EDGETT. No thought is, in the primary sense, original, nor can any thought be possessed by an individual in fee-simple. Humanity has common and equal property in every good thought. In time, each member of the human race shall rightly value each high thought, and shall learn bravely to demand his share in it. What is best in thought or in expression — in philosophy or in utility — shall nobly live forever. What is worst shall be divinely remolded, and shall sweetly live in noble transfiguration. <*• POUGHKEEPSIE, N. Y. MDCCCC. ' 35398 Library of Coo^r*** Two Copies Recced AUG 16 1900 Copyright «ntry SECOND COPV. Delivered r» order DIVISION, SEP 21 1900 1 2£v u f3 ? SO 1.38 Entered according to Act of Congress, in the year nineteen hundred, by BURDETTE EDCETT, in the office of the Librarian of Congress, at Washington. Printed by Cyrus L. Barnes, Poughkeepsie. I TO MY MOTHER, who hath borne her share of discipline in this world's sorrow, ^ and who "hath done what she could," willingly and faithfully, I HUMBLY DEDICATE these puny lispings of my vagrant fancy, with all the tender love which I cannot learn how to express, May the sweet prophecy, "And in the evening-time it shall be light.'" find fulfilment in her remaining life is my earnest prayer to that God which verily " doeth all things well" SALUTATION. each indulgent friend into whose hands may chance to come this first audacious fledgeling of our pensive moods 5£| we venture to extend sincere and cordial greeting. We have no apology to make for offering these impressions of human thought, human life and human effort, some of whose vari- ous phases we have noticed in our irregular wanderings through a little segment of this pulsing world. Officious they may be; callow they doubtless are; but they are honest none the less. The world needs honest words ringing with honest thought, to inspire worthy acts in these crucial days: and the dialect in which the words are couched, or by whom uttered, matters not much, so only they are honest. It has been our chief aim to keep these pages clear from per- sonal reference ; for we prefer to live in the kind reader's generous estimate — if Fortune favor us to live in this at all — rather by our work's worth than by our circumstance. Yet, perchance, seme readers will needs wonder respecting the form and manner of the editor. — Mark, we do not say author, for who can claim to be an author in these amiable times? — If there be such, let them think only of a voice: a voice that speaks to them from a great darkness — not the Egyptian darkness of despair, but rather a benignant dark- ness, which is sure promise of approaching dawn. It is our humble hope that here may be something which shall appeal to each reader's individual consciousness. If it shall fall out that you do not like the essay's swing, nor yet the feeble verse, let us commend you to "Sam Saphead " and his "Churlish Chaff," for there are worse companions than "Sam Saphead." Sam is an honest wight, and not entirely devoid of wholesome humor. May he afford you laughter and good cheer. And so, may each one find here some sweet morsel to bring away, nor be one whit the worse for the perusal of these pages. BURDETTE EDGETT. Poughkeepsie, July, 1900. CONTENTS. The Prophetic Mission of the Novelist, ... 9 A Tribute to " Les Miserables," 12 The " Elf-child " of the " Scarlet Letter," . . 16 " To Have and to Hold " — An Estimate, . . . .18 Truth's Guerdon, 24 Small Thoughts on Great Subjects, 25 An Interrogation 43 Sam Saphead's Churlish Chaff, 45 A Reflection, 54 THE PROPHETIC MISSION OF THE NOVELIST. EgppgHERE are some prophets ordained to tread the earth (KGOwI wit ^ ma J esnc strides, exalted in their humility and r^««J humble in their exaltation, with their perceptions in heaven and their affections among mortals. These are endowed to read the hieroglyphics that are engraven in rude vast por- traiture on the rock-ribbed scoll of physical nature, and are expressed in flowing rhythmic harmonies upon the plastic and responsive tablets of the human heart; and these transcribe the world to us in universal character. A Confucius, a Buddha, a Jesus perceives the correspond- ence between physical and spiritual facts, and by the similes of flower and fruit, mountain and sea and waving corn, explains to us the beatitudes of heaven. Thales, Pythagoras, Hipparchus, Copernicus, Galileo, Kepler, Newton, Herschel, recognizing the coherence in the far reaches of space — that space exists for the expression of divine purpose, — begin, first with mind, then with telescope, to explore unnumbered correlated worlds, upon which millions of men had been content to look and ignorantly wonder or adore ; and when these had set forth with purpose only to read the cipher others had deemed too difficult for their attempts, their labors were requitted by discoveries of which the drowsy sense of mortals had not dreamed, and these apostles of this glorious fact — that manifestation is a necessity to be- ing — have given to the consciousness of man new firmaments replete with starry light. Anaxagoras, Socrates, Plato, Plinny, Senica, Antonius, Spinoza, Kant, Hegel, Swedenborg, Emerson 9 make essay to invest the subtle prerogatives of reason, thought and will, to discover and bring within our comprehension the suns and stars which illumine our moral consciousness and show by their correlated ether-waves our correspondence to the to- tality of things ; and these describe to us the laws immutable in accord with which mind interacts and reacts upon its grosser substratum — matter. These stand to us as the preachers of the true gospel. We owe to these a debt of gratitude the race can never pay; for they have led us out of ignorant selfishness into divine selfhood. These are types of a composite unity. Each, in his own place, has fulfilled the prophet's mission ; and thus has justified our concept of the prophet: for each has been, in his own age, a seer — translating thoughts of God, which were expressed and shadowed forth in divine figurescript — hence, each has become, to all ages, an inspirer of nobler exertions, higher discernments, more constant and consistent progress toward perfection. The prophet has come into this world to show us life and destiny, to guide us to larger views of truth, to lead us out of mere perception into the consciousness of high relations. So long as he points each soul to an individual responsibility, so long as he makes life instinct with fresher and warmer meanings, so long as he is able to charge existence with utility, what matter the means which the prophet chooses to employ? whether he utter his message in the eloquence of the im- passioned orator, or sing his song with the rhythm of the lyric poet, or portray his thoughts in the sublime language of paint- ing, or express his inspirations in the rapturous dialect of music, or whether he paints a picture in words, in sighs, in tears, in groans and curses, in blessings and joys and mirths and gaieties and laughters, and becomes the historian of manners, and the 10 analyst of motives, and the limner of life, and the interpreter of heart throbs, and the fashioner as well as the delineater of character, through the medium of the novel? The novelist is the philosopher of human life. In one sense, he lives in the imagination; but in another sense, quite as per- tinent, he lives in the lives around him. He seeks to idealize the real, and slowly, almost imperceptibly, the ideal is made real, and is reflected in the lives of those who come under his influence with heart and mind and conscience receptive. He has attained to a clearer understanding of the <4 mystery of life " than have those who, struggling amid its "commonplaces," are all but overborne in the thick of its conflict, with neither time nor disposition to analyze the events which make history and in which they are actors. He observes men and women in various stages of intellectual, moral and spiritual evolution, each striving in mortal combat against some Apollyon; and he must inspire them with fresh courage by showing them, in high parables, how other human beings have vanquished enemies, and have reached the mark at last. Every human life is, at the same time, an allegory and a reality. The reality, in its individual aspect, is more or less intelligible. Each one essays to read the riddle of the Sphinx, and hazards a guess at its practical solution. But for the alle- gory we need an interpreter. Here, then, is the mission of the novelist. He views in us what we, engrossed with the intense earnestness of living, have neither time nor disposition to define for ourselves. He emphasizes our thought, and analyzes what had seemed to us our fleeting emotions. He shows these to be correlated expressions of the inherent tendency which shapes our destiny. He explains to us the significance of the facts and fancies in our life with which we have superficial acquaintance. 11 I shall not assume to glorify, as having fulfilled this exalted embassy from the Infinite to men of earth, the rabble who have appropriated to themselves the title of novelist, to which they have no legitimate right — who are, in truth, no more repre- sentative novelists than is one of their own ink-spatters a repre- sentative novel. It is not my purpose to claim for these little lights the homage which is the exclusive right of the immortals : but shall we not hold in loving veneration the glorious high- priesthood which has been adorned by a Hugo, a Balzac, a Richter, a Tolstoi, a Dickens, a Thackeray, a Scott, a " George Eliot," a Hawthorne and a Wallace? Let us be thankful for the blessed and benign ministry of the immortals; let us rejoice that their ministry is indispensable to our civilization: for who can say what this world would be with the novelist and the novel left out? A TRIBUTE TO " LES MISERABLES." SF all works of fiction, none more than " Les Misera- \) bles" takes hold upon the mind, the heart, the con- science, the life. The secret of its power is not to be found in its portrayals of historic events ; nor in its descriptions of scenes hallowed by memories dear to the heart of every lover of liberty, whether in France or in the remotest parts of the globe; nor to its magnificent portrait of that Lion of War, majestic and terrible even though at bay, stripped of all his gilded trappings, standing alone in the midst of awful waste and carnage in the sublimity of naked greatness: not in any of these — though each adds its own glory, its individual lustre, 12 its separate beauty — resides the vital strength of this master- piece ; but it will inspire in each earnest reader new zeal for the ceaseless competition of life because, engraven upon its pages in living texts, are the representations of life in almost every phase ; because we find, in this one book, the intimations of almost every type of character which we are called to meet in this world of action. Victor Hugo has called this great novel a history; but it is more than a history: it is a dramatic representation in which the persons are transfigured into inspirations. We esteem Victor Hugo's representations of character be- cause they are all around us in life. We do not need to go to " Les Miserables " to find a Monseigneur Bienvenu or a Marius or a Cosette, least of all a Fantine or an Eponine or a Thenar- dier or a Tholomyes or a Javert. These last are too real ; and they will be as real as they are now until the principle of brotherhood shall come to be recog- nized in practice as well as in theory: until, filtering through the accumulated prejudices of centuries, it shall permeate to the centre of society, and shall stir it in every part : until false standards and shams and superficial distinctions shall be put away forever : until man shall have, out of the twenty-four hours that God has given, more than barely time to eke out a sordid niggardly subsistence in toil that only brutalizes — more than barely time to wring from the hard circumstances in which he was born, and whose dominion he has not yet attained the power to break, black bread and coarse garments for himself and those who are dependent upon his servile toil — more than barely time to sweat and groan beneath a load too heavy to be borne — to eat the scanty sufficiency to keep life at the toiling pitch — to sleep the slumber that leaves not satisfaction or re- 13 freshment, but only makes more weary — to curse the law by which he exists and the Being that gives to him the priceless boon of life, from which his fellowmen have filched the zest and luxury and sweetness, of which society, by reason of the cruel and artificial barriers she has raised between him and his human brothers, has all but robbed him. In this brief survey of "Les Miserables," I shall point out only those brilliant concepts which shine forth pre-eminent in this splendid constellation. The order in which these types of character are set before us by this master-hand of fiction is worthy of remark. There are no accidents in art, any more than there are accidents in life. First in order of delineation, first in order of sequence, as the mysterious lines of fate and law run through this strange evolution we call society, is Monseigneur Bienvenu, Bishop of D , who stands forth as the beacon of a high and unwaver- ing purpose which is born out of sore tribulation and exquisite trial. Then follow, in their legitimate social references and relations, the magdalen, in the persons of Fantine and Eponine; the faithless scoundrel and debauche, in the person of Tholo- myes; the shameless and cowardly blackguard, in the person of Bamatabois; the finished criminal, who seems to pursue crime because it is pleasant to him and because he can by this means thwart or seem to thwart the will of law, as seen in Thenardier and the members of the '• Patron- Minette "; the love of liberty, in its broadest sense, as it works upon and is modified by vari- ous human temperaments, in the "Friends of the A. B. C"; the progressive man, the man with whom we are most often acquainted in the life of to-day, the man who is not without his peculiar faults and prejudices, but whose faults and prejudices do not spoil him for us, because these are amenable to con- 14 ' science, and will give way to his nobler nature, in the person of Marius; the street-urchin, in the person of Gauroche; the vari- ous types of womanhood, as shown in Mile. Baptistine, Madame Magloire, Mile. Gillenormand, Madame Victurnien, Madame Then- ardier and Cosette; the shortsighted cruelty of human law, as represented in Jauert, and last of all, that grandest of all con- cepts, that combination of the convict, the saint and the martyr, that strange blending together of the brute principle and the God principle in society, as portrayed, or rather intimated, in Jean Valjean. Other representations of character there are; other phases and aspects of life are reproduced in this masterstroke; but they are subservient, secondary, dependent; they borrow their light from these ; they should be regarded in their reference to these, which are, which have been, and which must ever be the primary tones in the human scale so long as individual and society retain their present shape and constitution.