GV 1133 .069 Copy 1 .069 Copy 1 ^- LM-vrd. GV 1133 .D69 Copy 1 D69 p*^^ 72 4 ig. 9- OF ILLUSTRATIONS. Spa KKiNt; j~()K ""AN ()i'i:m XG, (OnCoNcr.) Photo of Authok. (Frontispiece.) Lkft JIanu Lead kok Face — Incorrect: c; Stiead for Face — Correct 1^7 16. Lefi-II AND Lead for ''Mark." 61 17. Parry e^or Left-IIand Lead for ''Mark.*" 65 iS. Guard fok Right-IIand Swinging Blow at Body. . 69 Parry eor Right-IIand Swinging; Blow a i- Neck 73 TOP FOR RiGHT-TIaND SWINGING BlOW AT N EClv 77 H ight-Hand Upper-Cut or EF i-IIand Upper-Cut. S5 23. Rigiit-Hand Body Blow on "Mark." 89 24. Right-IIand Counter, Over the Heart 93 25. Slipping 97 26. Lkft-IIand ''Bat'' and Right-Hand Counter. loi 27. In-Fighting. 105 28 , Side-Step. 109 29. Chancery Hold No. I in 30. Break for Chancery Hold No. i. 113 31. Cil\ncery Hold No. 2 115 32. Break for Chancery Hold No. 2 117 33. B.\ck-Heeling. 119 34. Break for Back-Heeling 121 35. Cross-Buttock. u;^ iz. CONTENTS. page. Introductorj 1 1 Explanation of PhravSes 20 Attitude 23 Sparring for an Opening 27 Advancing and Retreating 31 Right- Hand Counter on Neck 47 Escaping Right-Hand Counter on Neck 48 Right- Hand Cross-Counter 48 Stop for Right-Hand Cross-Counter 51 Parrjing and Countering 51 Left- Hand Lead for Face 55 Left- Hand Feint and Right-Hand Finish 55 Left-Hand Lead for " Mark " 56 Parrj for Left-Hand Lead at '' Mark" 60 Left Hand Feint and Left-Hand Finish 60 Feint to '• Draw " 64 Feint to Retire and Attack 64 Guard for Right-Hand Swinging Blow at Body 67 Parry for Right-Hand Swinging Blow at Neck 68 Stop for Right-Hand Swinging Blow at Neck 6S Right-Hand Upper-Cut 68 Left-Hand Upper-Cut 7^ page Right-Hand Lead for "Mark" 72 Right-Hand Counter Over Heart 72 One-Handed Parry and Counter 71; <' Slipping " 76 Left-Hand " Bat" and Right-Hand Counter 79 In-Fighting . , 80 Side Step , 83 Chancerj-Hold and Back-Heeling — Ren arks 84 Chancery- Hold No. i , 84 Break for Chancery -Hold No. i , 84 Chancery-Hold No, 2 . . 87 Break for Chancery tlold No, 2. 8'*^ Back-Heeling gi Break for Back- Heeling 91 Cross-Buttock , 91 ^he Pivot Blow 92 Dumb-Bells — Remarks, 9:; Dumb- Bell Exerci:^es 96 Addenda i* »o David H. Blanchard's American Fair Play Rules, . . . , ^07 6-^ PretVe in oifer! ig^ I'nis work to the public. I will not feign a hu'Yiiiity wiich I do not f -3\: -or wi'l I offer any apology. Wee ! not salishe i tiiac it w.ll fill a yoid m the hteratuie on 1; o/ii!g I sh. u' \ i'Ol ha/e sul;ni!tted it to die £carch-!ight of I ubliC cnticiSiii fhouah In r'3 are many books treating of the same sub- ject^ vvrire:-! l)/ a.jh ;vriter-> and famous boxers, yet so much ()i imporian^e has been left unsaid; so little attention has h?e 1 given to the ceta.ls of the science the audiors, as a rule a Klessmg .hemselves lo those persons vvho tiave had "di ; benefit of car^TuI training under a competent mstruc- lor -that much cause exists for complaint from the novice seeking light upon the subject. There are thousands of boys and men desir ng 'o acquire the science of self-defense who, for var o..s reason'^, arc unable or unwilling to put themselves under the care of a professional i-^structor, and whoj-istlv compain of their in- aoilitv to become proficient in the science d'.rough the study of books; ail of whxh are. appi-irently, intended as quiz- books The object of this work is especially to deal v^it'i the be- 'inn.er: as ihe title implies. Mr. Thomas Logan in the Philadelphia Errning Bulletin, says of it: •■ Advance sheets show that it would even benefit man/ of the boxers ■ nd 'professors' now In the business. ^^ Particular stress is given to instruction in the p.oper and PREFACE. msthodical action of the feet, for although al! writers on the sjDjJct th IS far have agreed that well trained feet and legs are a vary necessary essential to scientific boxing, none of tiam have as y \: \o mulated any rule b/ which the much- desired scieatific action of the feet, in co j.mciion witii t e ha 1 J ., .n-ay be learned •^ou .vii| oo-v3r/e that I offer no combmaiion of blow^ h, irjin, My experie ice, as a teacher, is that the pupiTs own judgment is his best guide, after he has mastered the simp! ; exercises. Combinations are more likely to puzzie than to enlighten the pupil, and are only resorted to by those teach- ers (?) who "string out" their work — having but little of importanc:^ to impart, Mr. Harry Weldon in the Cincinnati Enquirer says : "There is no doubt that such a book is needed. Doran has followed the advice of the famous Dean Swift a^^\ oaly used language that is within the compre- hension of his humblest readers. There are no far-fetched r3hash3s, nor distracting comparisons nur references He offers Kis instructions in a simple an J concise manner, that g ves the reader a chance to reach the object sought with- out floundering through a ma^s of grandiloquent reiteration. Any two men A'ho caref-illy endeavor to execute each move inent described ought to become proficient/ I would respectf jhy call your attention to the following opinion of the method which I teach, f'om a high authont , Th? National Police Gazette, of New York, m its issue of October i, 1887: — " * * * To one somewhat familiar with the mode heretofore in V0TJ3. a very brief time is sufficient to show the superior ex- cellence of the method and its vast improvement over anything :n that line yet presented to our citizens of athletic or pugilistx tastes. * * * The old style lacked method. In it, p!uck and, above all, physical endurance won the battle — miaht was right * * * Unier Prof. Doran's instruction, the weak and timid, af- ter a thorough c^ur^e ">f instruction become self reliant, and able PRE FA CE. to cope with twice their weight, when art is opposed to simple bruie Torce * * * The high esteem m which the Professor is held by competent judges, and all who have practically tested his method, is the best evidence of his excellence." In this work I endeavor to carry the pupil through each lesson as nearly as possible after the manner in which I have so successfully imparted the science in some of our largest Colleges and Athletic Associations. The strictest attention is devoted to the little details, or technical points, so very necessary to the beginner; thereby preventing the pupil from confirming himself in an error on one point while he ^ is giving especial attention to another. Self-control is the first principle in boxing. Some one has tritely said, " beautiful, impulsive people have black eyes , if they are not born with them, they get them before they die " Practice each movement calmly and carefully ; knowledge and accuracy will beget confidence and quick- ness. Bv delivering your blow lightly upon the point de- sired, while avoiding the counter-blow of your opponOfit, you convince him of your superior ability quite as strongly, and leave a much better impression in the minds of spec- tators LEFT-HAND LEAD INCORRECTLY EXECUTED. Science of S^If-Defeii5e. PRELIMINARY REMARKS. Particular attention is called to the following impor- tant details in the science of boxing: In striking at your opponent always cast your head to the side opposite to the hand with which you are striking ; for instance, when you lead at your opponent's face, or '' mark," with your left, cast your head m eJl to- ward the right side, and vice-versa. Avoid the very general mistake, noticeable in improperly -taught boxers, of turning the head to the right and back, thereby ex- posing the side of your face to your opponent's attack and dropping your eyes toward your right shoulder and the ground. Keep your eyes upon the face of your opponent, not "because you can tell by his eyes when or where he is going to strike you," but because you can more clearly follow the motions of both of his hands by so doing. Do not study his face, but just keep your eyes upon it, and after a little practice you will be able to detect the slightest movement of his feet, hands or head in time to prepare for counter-action. He woulr] be a very poor boxei* who would let his eyes betray his movements in advance. If your opponent knew that you believed he would look where he intended deliver- ing his blow, or allow any action of the nerves to indi- (") 12 DOUAN S SCIENCE OF SELF-DEFENS Z. cate ivhcn he intended to strike, you would be compar- itively at his mercy; for what would prevent him Irom dropping his eyes to your diaphragm and rapi)ing ycni on the nose, and vice-versa? When you see two men boxing, observe the advan- t^ige in fav(>r of him who watches his opponent instead of dropping his eyes or turning away his face when exchanges become rapid. You will observe, also, \\\vX he who casts his head opposite to the hand with whit h he is striking, escapes the greater part of the punish- ment directed at his head, while his opponent, if he does not also shift the head, as directed, receives man\ a stinging reminder of his error. When leading, or countering, remember to cast the slioulder well out with the blow; but a matter of the utmost impoitance, and which is too often overlooked by those endeavoring to instruct in the science of sell- defense, is: always cast the opposite shoulder well and forcibly back, swinging the body from above the hips; by so doing you not only prepare for the delivery of another blow, but you propel the blow being delivend with much greater force and very materially increase your reach. For example, strike out with your kfi hand and throw your right shoulder forcibly back as far as it can go, then strike out with your right hand and bring the left shoulder fully back at exactly the same time. Practice this at the wall pad. Do not fall into the error of mistaking your elbow for your shoulder, casting it back instead of the shoulder. Many boxers capable of delivering a powerful blow with their rigiit can deliver little more than a shove with their left, sim- ply because they always bring the right shoulder fully back, ready for the delivery of a blow, and never — even while delivering their right — more than half prepare the STRIKING THE " TRAININQ-BAG; DDRAN^S SCIENCTEl OF SELF-DEFENSE. I5 left shoulder; usually merely bringing back the elbow. Striking straight so as to hit the point aimed at, and properly judging the distance at which you can spi ing in and plant your blow fairly, are about the hardest thin^^s to acquire in boxmg. Even so-called good boxers fre- quently fall short of the object they aim their blow at. and the blow of the novice very often passes inches to one side of its object. To overcome tliis inaccuracy of aim, and to learn to correctly judge di-tance, take a pad and place it upon the wall about Mve feet three mches from the floor, stand where you can hit it with your closed fist when your arm is fully extended, the opposite shoulder thrown well back and your side facing it, practice striking it and swaying your head from side to side opposite to the blow being delivered; and remem- ber, it one hand does not land upon the pad as solidlv as the other it is because you do not swing the body and cast back the opposite shoulder fully. Be careful not to start the blow for a point higher than the object you wish to strike, as you will then have to drop your hand and arm to reach it — as in the old obsolete blow known as "the chopper" — making a weak and slow blow. Always allow your blow to have an upper tendency. The habit of hitting out above your opponent's face, then dropping your fist upon his nose, may, to some people, look fancy and clever in light sparring, but it will handicap vou in a fight. The American heavy-weight ex-chaaipion, if not misquoted, must have been "guying" the reporter who accredited him with saying, " this is one of the severest of blows," as a very slight knowledge of the action of the biceps, triceps and the pectoralis muscles will con- vince you that the blow is weak and ineffective. Another exercise that will assist you in striking i6 doran's scikxce of SKLF-DEFKXCJL. straight, swiiTging the shoulders perfectly, and correctly judging the distance at which an object can be struck most effectivelj, is hitting the '' tiaining-bag/' an inflated rubber ball covered with soft leather, and suspended from the ceiling by a light, strong rope; but in this ex- ercise be careful not to fall into the error of driving the bag with the right hand and n':erely sticking oui the left for the bag to strike against as it returns, as 3 ou will so often see done. Do not strike with ei her hand too hard at first, or until you learn to keep the bag going from and returning straight to you, mean- while casting back the shoulder opposite to the one delivering the blow, swinging your body to reverse the shoulders and keeping the head swaying from side to side, as directed. You can tell when you are hitting the bag correctly by the way it returns to 3^ou, if it is not struck fairly in the center it will jump upward as it goes from you, or away to one side in returning to- ward you. So, endeavor to keep it going and return- ing straight. But unless you faithfully follow the directions as above, it were better that you do not practice at all, as praetiee upon a bad principle, or, what is worse, no principle at all, will but confirm error and render it more difficult to conquer. Do not swing your blow in a semi-circle. You know that the circumference is three times the diam- eter of a circle, therefor the swinging blow has one- half more distance to travel than the blow delivered straight from the shoulder, which fact makes it less liable to catch a quick man ; and you do not need les- sons in boxing to become the equal of slow, unscien- tific men, but to become their master in all that per- tains to the science of self-defense. And last, though ATTilUDE— CORRECT POSiTlON. DORAN S SCIENCE OF SELF-DEFENSE. I9 not least, is the consideration that you are more apt to injure your hand or wrist than you are to punish your opponent. If the real cause were known, it would be found that a great majority of the injuries to the hands and arms, sustained by boxers and pugilists, are caused b}^ their swinging their arms in semi-circles when deliv- ering their blows. You not infrequently read in the report of fights of some noted boxer knocking out his opponent by a <' swinging blow on the neck," re- member that in most cases the swinging was done by the body and shoulder, and not by swinging the arm in a semi-circle; though the report is interpreted by many "self-made" boxers to extenuate and agree with their style. Do not reach out and slap your opponent with the tip of your open glove ; keep the glove closed. You should be able to judge the distance properly so as to spring in and deliver a blow with the closed glove so lightly that it would not cause the most timid to shrink from the irritation of the blow. In boxing, nothing should be practiced that would not be useful in an encounter. You frequently see two men clawing, slapping and stumbling about with boxing gloves on their hands, under the impression that they are boxing, when it really is only an awkward scramble, terrifying to children and disgusting to adult spectators. So, practice (lightly, to be sure,) only such movements as will be useful in a contest. Reaching out and tapping or slapping with the open glove increases your reach by a few inches, and is frequently resorted to by those 30 DORAN S SCIENCE OF SELF-DEFE XSE. boxers with no confidence in their own quickness or knowledge of distance, it is very annoying to an op- ponent who keeps his glove closed, and puts him at a disadvatage in a friendly set-to, which he is likely to overcome by sending in his blows more viciously. Most injured thumbs are traceable to this fault of hit- ting with the open glove, you are also apt to foul your opponent by striking him with the <*heel," or palm, of your hand. DEFINITION OF PHRASES. Draw — To feint at your opponent to draw him on to an endeavor to counter upon you; hence the term, draw; or, to leave a portion of your body unguarded so that he may endeavor to land a leail thereon, thereby giving you a chance to counter. Of course, simultane- ously with countering you must protect the seeming opening. The term, draw% is also used to denote a con- test which has not been fought to a finish. OpiiNiNG — That poition of the body above the belt left most unguarded at the time. Belt — A line around the body immediately abo\ c the hips. Mark — The diaphragm, just below the arch of the ribs. On Guard — In position to defend yourself, or to nttack your opponent. Feint — To pretend to strike \ our opponent at one point so that he will guard that point, leaving unguard- ed the point which you really desire to strike; or, to pretend to strike so that he may endeavor to counter, as in " draw." ATTITUDE— INCORRECT POSiTlON. DORAN S SCIENCE OF SEI.F-DEFEXSE. 3^ Lead — The first blow deliveicd at each new assaidt. Counter — The blow dcHverecl while parrying-, or avoiding, vour opponent's lead. Slugging — Rushing and f^orcing the fighting, mak- ing your opponent fight at in-fighting; delivering youi* blows with their gieatest force. In -FIGHTING — Short-arm blows, delivered to with- stand a rush w^hen space will not permit of proper ijction and use of the feet. Clinch — Grasping an opponent around the body or arms to break the force of his blows, hugging to avoid punishment or for the purpose of wrestling. Foul — A blow struck below the belt, or otherwise in opposition to the rules by which the contest is being governed. Time — The signal given to resume the contest at the beginning of each round ; also now used to notify you to take your corner for the stipulated re repeat the receivmg motion or t ) spring forward and attack your opponent. To practice these movements, upon which, you will find, hinges yor.r power to advance or retreat at will 36 I) )ran's science of self-defense. without preparatory or other warning movements, take a pad and fasten it upon the wall about live feet three inches from the floor ; make a chalk mark on the floor parallel with the wall and about ten to twelve inches therefrom. This mark we will call No^ i. Make an- other mark about twenty inches back of No. i. This mark we will call No. 2. Toe mark No. i with the left foot ; toe mark No. 2 with the right foot in position " on guard ;" spring off right foot, propelling the body up- ward and forward, bringing the lei t foot back to mark No. 2 at the same time. Always land upon the ball of the foot ; the action is that of hopping, only that instead of landing upon the foot from which you hopped, you bring the left in under you and land upon it. Shoot the left arm and shoulder out to plant your blow upon the wall pad, and cast back the right shoulder and allow the right forearm to bridge the " mark." AH the foregoing movements of arms, shoulders and feet must be executed simultaneously. As you deliver your blow, the right foot must be brought well forward and up, as though you were feinting a kick. When vou have delivered your blow, or blows, spring oft" of left foot, drop upon ball of right foot bnck of mark No. 2 and shove the left foot out to toe No. i ; again cast back the left and forward the right shoulder, allowing the right forearm to advance diagonally in front of the chest, as directed in ''Attitude," and yon iirc ''on guard " again and ready to repeat the exercise. These movements, though necessarily having to be explained in detail, item by item, must, nevertheless, be executed simultaneous! v. Keep practicing the above until it is indelliblv im- pressed npon your mind, and vour legs become so ac- customed to the movements that thev will perfoim their pait w itliont causing you any concern whijtever when RIGHT-HAND COUNTER ON NECK CORRECTLY EXECUTED. doran's science of sej.f-dei-ense. 39 your mind i^ busied with its efforts to giasp and master other movements. After learning to spring properly and to carry your- self conectlv while delivering the left-hand blow, prac- tice striking with the left and tlien tiie riglit. in rapid succession, planting both blows fairly tipon the point aimed at. while balancing upon the lett foot and before dropping the right foot to the floor again. l>e caiefid to swing your shoulders back and forth to their full extent, carry the head first to the right then to the left, to the side, opposite to that from w^hich the blow is being delivered, letting the right forearjn bridge [he '' mark" as the left is propelled forward in delivering a blow, advancing it in front of the body with the palm down and out and level with, and about twelve inches in advance of, the h ft shoulder as you bring back the left arm and shoulder, and resume position " on guard " It will be observed that, as the left hand is resting on the wall pad and the right shoulder thrown well back, the right shoulder and forearm are in line with the ob- ject struck by the left, and is ready for delivery as the left returns, if necessary, without pulling back the fore- arm and hand, thereby uncovering the 'mark," as you see done by boxers who fail to cast back the shoulder opposite that which is driving in a blow. It may appear that I dwell upon the foregoing move- ments at undue length ; but such is not the case. I do so because they are of the utmost importance and can not be passed lightly over ; and unless thoroughly learned bv the pupil, he will be handicapped, and un- prepared for acquiring the subsequent instruction. , A simple showing' of what follows would suffice,, if vour feet would perform their part properly, otherwise the best instructor could not make a good boxer of you. 4o doran's science of self-defense. Many pupils bring discredit upon their teacher, be he ever so good, merely on account of their perversity in tr\ ing to jump into active sparring w^ithout first learning the most important, and equally tedious, early exei cises. When you first begin to practice delivering your IjIow, or blows, while balancing upon the ball of the left foot, you will no doubt imagine that a child could push hard enough to jar you back, and also that if your opponent were to duck or step aside that you would overbalance forward and sprawl all over the floor — which is very probable indeed, as there is no more em- barrassing position, or one causing a greater feeling of insecurity, us you will most probably throw your right leg up and back of you at first, instead of bringing it forward, as though feinting a kick as directed. But, hke most things which are difficult to learn, it will handsomely repay the pupil who devotes himself to practicing it with intelligence and perseverence. No dcnibt hundreds who read these lines will recall, with feelings of amusement and satisfaction, the ludicrous antics of themselves and others as they strug- gled with this problem of ''perfect balance." If your right hand does not land as solidly as the left upon the wall-pad, you will find it is because you fnil to cast back the left shoulder fully, and bring the right foot well up and forward. In boxing, if your ad versary ducks his head forward and down to avoid your left hand lead, he may bring his face into unpleas- ant collision with your right knee. You may remember to have read awhile ago that the English light-weight champion was accused of *4oulin<4" his opponent, in this country, by kicking him in the face with his right knee. The claim of foul would not be allowed, as it was very obvious that FLIGHT. HAND COUNTER ON NECK INCORRECTLY EXECUTED (Or Escape From It.) DORAN^S SCIEN'CE OF SEI.F-DK1< J?: XSE. ^7^ he was merely bringing the leg up to assist hnn m de- livering his blow properly, and to enable him to drop the right foot under him m case he wishuU to follow his opponent without loss of time, or to get away quickly, in case he had to retreat, by swinging it back and landing upon it. His opponent's face was in the wrong, as is should not have been ducked forward and down. When you spring in, to lead or counter, be sure you do not land upon the left foot '-pigeon-toed," but land upon the ball of the foot with the toes turned out at the natural angle. Do not bound back, landing on both feet at once, as you are liable to have your feet too close together — an almost helpless position in c^se your opponent is quick enough on /its feet to be right after you; and remember you are learning so as to successfully op- pose the best boxers, not the novices. There are many more or less successful boxers who have a style of bounding away after striking an oppo- nent, frequently leaving a space of two or three feet between themselves and their adversary, very often bounding away, from force of habit, after having stag gered him, thereby missing a chance to follow and punish him while he was at a disadvantage. It is a bad practice in case you are the lighter of the two and wish to avoid ^'in-fighting," as it is liable to carry > ou into a corner. As the old saying has it, ''a miss is as good as a mile," so just spring back far enough to avoid the onslaught, yet remaining near enough to spring in to take advantage of any weakness, or an opening in your adversary's guard or position. 44 doran's science of self-defense. Your sole object in a set-to is to not only avoid punishment, but to punish your opponent as well. This continual bounding iway resembles a foot race, and leaves openings for such remarks as the fol- lowing, which I once saw published in the report of a fight (?): "They took their corners to get ready for the next lap." There is no need to don boxing gloves for a foot race. Bounding would be very poor tactics in a street fight, where you would be liable at any moment to go backward over some obstruction, and although you are not training purposely to seek, or engage in, street fighting, yet you should be prepared, in case you are forced into one, to get through with it without loss of time, or personal injtiry ; for no gentlemen cares to be the center of a gaping crowd ; he naturally desires to avoid such unenviable notoriety, and he should be prepared to extricate himself from such a predica- ment. I remember a well-known editor who paid twenty dollars to an amateur boxer to have him avenge an insult offered by a tough to the wife of the editor, for although the editor was above the average in build and physical development, yet his lack of knowledge in the art of self-defense, and consequent lack of con- fidence in himself, caused him to refrain from chastis- ing the tough in person. Although ladies are not fond of witnessing street fights, there can be but little doubt that any lady would esteem a man who she knew could and would defend her from insults. The following thirty-two articles, comprising the blows, counter-blows, and parrys that go to make up a complete course of lessons in boxing, are compari- RIGHT-HAND CROSS-CUUNTER CORRECTLY ILLUSTRATED. DORAN S SCIFNCK OF S KFF-DE 1le to spring in from a greater distance than PARRY FOR LEFT-HAND LEAD AT THE ''MARK/' doran's science of self-defense. 67 your opponent can in his straight-legged style of step- ping in. Spar about him for awhile, going up within his reg- ular hitting distance, and, as you suspect him of attack- ing you, sprmg back a pace; do this a few times and he will be apt to suspect that you are affected with heart-failure in time of danger, and consequently will become more or less lax in his vigilence over himself when he sees you spring away. Then will be your chance to "get even" for all the uncomphmentary thoughts he entertained of you. Approach within his regular hitting distance and, as he shows signs of lead- ing, sprmg quickly away, but, as soon as your right foot lands, spring directly in again, delivering your left upon his " mark," neck, or chin, as the opening presents. Or instead of springing away and then springing in to the attack again, you can perform the '^ Receiving Step," countering at the same time. If you are careful not to spring away until his blow is almost upon you, the change in your tactics when you receive him, will not be noticed by him in time to save himself. GUARD FOR RIGHT HAND SWINGING BLOW AT BODY. The swinging blows have become obsolete, except among boxers (?) who have a penchant for deliberatelv injuring themselves, and w^hen used will be directed at the body above the left hip or at the neck The blow for your body receive on the point of the elbow of the left arm bv bringing the left hand under the nipple of the right breast, and raisinor or lowering the elbow 68 doran's science of self-defense. slightly to me^t your opponent's right fist, countering at the same time with your right on his " mark," or jaw. PARRY FOR RIGHT-HAND SWINGING BLOW AT NECK. The swinging blow lor the neck or jaw you can avoid by parrying. Shoot the left forearm up and out, presenting as little surface as possible, so that the blo\A' will be turned away and slightly down, at the same time counter with your right upon your oppotient's ''mark," or jaw. Be careful never to swing your blows, no matter what the seeming inducement may be. ' STOP FOR SWINGING BLOW AT NECK. Step in about twelve inches, cast your head to the left side and down, at the same time raise- the right shoulder slightly; you will then present the left top of your hrad to receive your opponent's fist or wi ist, j^rob- ably disabling his arm. Do not drop the head forward and down, thereby removing your eyes from the face of your opponent, hvX step forward and cast the liead side- wise and down. RIGHT-HAND UPPER-CUT. When you lead at your opponent's face with your left and he ducks his head forward and down to nvoid your lead, spring in quickly to the left, pulling back your left hand and shoulder, and driving your right GUARD FOR THE RIGHT-HAND SWINGING BLOW AT THE BODY.. DORAN S SCIENCE OF SELF-DEFKXSE. /I hand in and up with a swing, landing upon your op ponent's chin or jaw. Or when he leads for your 'Mnark" with his right, you can cover the "mark" with your left forearm — same as in "Swinging Blow for Body — and upper-cut him with your right. These are the only times it is advisable to use the left arm to cover the "mark." You can also use the right-hand upper- cut when your opponent casts his head forward and down in leading, as you will frequently see done. LEFT-HAND UPPER-CUT. The left hand is swung upward and outward the same as in the right-hand upper-cut, though if the op- posite shoulder is not thrown fully back forcibly and rapidly, at exactly the same time, the blow will be weak and probably short, or merely land upon your oppo- nent's forehand, possibly hurting you more than him. You have a good opportunity to deliver this upper- cut when you try to cross-counter your opponent's left- hand lead at your face and he ducks his head forward and down inside his arm to allow your right hand to pass over his head. In delivering it, draw the right arm and shoulder swiftly back, which motion will assist in driving th'e left up and out. The motion of "throwing the head forward and down to avoid a cross-counter is a sure way to get into trou- ble. It only occurs to a man when he is startled and can not collect his senses rapidly enough to meet the emergency, and it appears absurd to see a man mak- ing pretentions as a teacher, trying to drill into another, in moments of calmness when his senses have full sway, actions that oppose reason. 72 DORAN'S SCIENCIl OF SELF-DEFENSE. I consider the upper-cut, when properly delivered, the severest blow^ that can be dealt in a fight, and there- fore I w^arn you against casting your head directly for- ward and down under any circumstances, or from re- moving your eyes from the face of your opponent. A moderately severe blow delivered by your opponent and met by your face, (hacked forward and down, will have the effect of confusing you as to \our surroundings, leaving you weak in your defense. RIGHT-HAND BODY BLOW ON '* MARK." Spring quickly in to the left, cast your head well to the left and drive your right hand in upon your oppo- nent's ''mark." Be sure the right leg is brought well up as the blow goes in, or it will hold b.ick the right side enough to make the blow short. To recover, swing the right leg back and spring back upon it, propelling yourself from the left foot. Be particularly careful when delivering all body blows, with either hand, not to drop your eyes, as you will be prone to do. This blow is especially easy of execution, when your adversary leads with his right, as is the case with a ''left-handed '^ man who stands with his right foot in advance. RIGHT-HAND COUNTER OVER THE HEART. As your opponent leads with his left for your face, spring in, cast your lead to the left, to allow his lead to pass over your right shoulder; keep a sharp look out for his right hand, and drive your right hand in upon his body just above the left hip, or over the heart, PARRY FOR THE RIGHT-HAND SWINGlNa BLOW AT THE NECK. DOR AN S SCIENCE OF SELF-DEFENSE. "J ^ follow lip with your left upon his face, or ^'mark/' as the opening may presc^^ itself. ONE-HAND PARRY AND COUNTER. As your opponent leads with his left for your face, spring forward, parry his lead with your right, then pull back the right shoulder and arm, throw out the left shoulder to assist the right back, then drive your right in upon your opponent's ''mark," at the same time casting the left shoulder back in order to assist the right forward. This must be done very rapidly, and when so done is highly satisfactory and success- ful; but you must swing freely from above the hips, and fully reverse the shoulder. Practicing this blow will assist you in getting the proper swing of the shoulders, and teach you to parry just enough, and prevent you from imitating the awkward parry, so often seen, that might be called ''a family parry," as four or five persons could stand in a line on the right of the man using it and not one of them be touched. It will also prevent you from using the parry illus- trated by most writers upon the subject; that is, rais- ing the elbow and presenting the right forearm hori- zontally in advance of the body. You have, no doubt, heard the remark: ''Oh, he would break any man's arm who tried to guard his blow;" or, <