^^Mf T^i^JEN Vi ^f^fxt^ BV OV"RT'>^ THOMAS FROM THE SMITHSONIAN EEPORT FOR 1900, PAf^ES 70^-721 (AVITH PLATES l-lll). (Xo. 153Ji.) WASHINGTON: GOVERNMENT PRINTING OFFICE, 19 04. , Qass ElAAk Book II^_li_ BY CYRUS THOMAS. FROINI THE S.MITHSOXIAN REPORT FOR 1908, PAGES 705-721 (WITH PLATES I-HI). (No. 1532.) WASHINGTON: GOVERNMENT PRINTING OFFICE. 1904. C\^ '^ '^ .y.Y \l r- CENTRAL AMERICAN HIEROGLYPHIC WRITING. By Cyrus Thomas. The Mayan tribes of Yucatan, Chitipas, Guatemala, and western Honduras had reached at the time of the ""discover}' " the highest stage of native culture found in North America, except possibly in political organization, in which the ancient Mexicans, or Aztecs, excelled. This advance is shown b}^ their architecture, as seen in the ruins of stateh" stone structures found throughout the region indicated, by their sculptures in stone and wood, b}' their complicated calendar S3^stem, by their arithmetical computations, and, above all, by the near approach they seem to have made to alphabetic writing, their system falling apparently Imt a step behind that of the ancient Eg3^ptians. They engraved their peculiar hieroglyphic characters on stone tablets, on great sculptured monoliths, and on the walls and lintels of their T)uildings, painted them on plastered surfaces and on pottery, and wrote them in books. As most of these glyphs have . rounded outlines, early authors imagined they resembled somewhat a section of a pebble, and the term "calculiform characters" — from the Latin calculus, "a pebble" — was for a time applied to them; but this is no longer in use, the term "hieroglyph," or simply "glyph," having -replaced it. Where inscribed on stone or wood (for they are carved on lioth, but chiefly on the former) the}'^ are made to stand out in low relief, as may be seen in plate i; but occasionally they were scratched or incised on shells and pottery, in which cases the glyphs are generally quite rude. Inscriptions composed of these peculiar hieroglyphs have been found in the ruins of temples and of other structures in the States of Chiapas and Yucatan, Mexico, and in Guatemala and western Honduras. They are found in difl^'erent situations, some of them on stone slabs set in the inner side of the walls of the temples, one of which, from Palenque, Chiapas, is among the collections of the Smith- sonion Institution. A very extensive inscription is on the inside wall of the structure at Palenque, named by Stephens the "Temple of Inscriptions." At Copan, in western Honduras, and at Quirigua, in eastern Guatemala, the more important ones are on the sides and backs of the great stone statues which stood, and, in part, are yet standing, in what the native priests considered sacred precincts. The 705 706 • CENTEAL AMERICAN HIEEOGLTPHIC WRITUSTG. lintels of the temple doors and, in a few instances, even the steps lead- ing up to these edifices were utilized for this purpose. Casts and excellent photographs of most of these inscriptions have been made, thus bringing them in reach of students for investigation and study. Most of the ruins are found covered with a heavy forest growth, which has to be removed before exploration can be carried on. The present condition of one of the ruins at Chichen Itza, in Yucatan, named by Prof. W. H. Holmes the "Temple of Tables," is shown in plate ii, where the growth has been partially removed. The glyphs of the inscriptions, which were carved so as to stand out in low relief, are, as seen in plate i, somewhat square in outline, varj^- ing from 3i to -ii or 5 inches square. Each of these squares, which are as a rule in straight columns or lines, constitutes a hieroglj^ph or glj^ph, but they are usually composed of several elements or parts. This characteristic, which can not be easity explained in words, will be readil}^ understood by reference to plate i. Some of these elements, as will be observed, consist of lines and dots, mostly at the left side or on the top of the glyphs. These are of special importance and will receive further notice. Some of the glyphs consist chiefly of an oval figure surrounded by a rim, as in the Egyptian cartouch. These inclosed characters, with probably a single exception, are symbols of Maj^a days. It is bj'^ means of these day symbols and the month sj^mbols, which are also given in the inscriptions, that students ascer- tain that Maya people were the authors. Diego de Landa, a Spanish bishop, who went to Yucatan as a missionary in 1540, when persons were still living who could read the symbolic writing of the codices, has preserved in his work (De las Cosas de Yucatan) the forms of these symbols, each with its proper name attached, and this is the initial point of later investigations. As these names are those of the Mayan days and months, and the ruins are in the regions inhabited, so far as known, only b}^ Mayan tribes, the remains as well as the inscriptions are attributed to these tribes. However, Maya scribes were not limited in their symbolic or hiero- glyphic writing to stone or wood, but wrote or painted their characters in manuscripts. Four examples of these manuscripts, or codices, as they are usually termed, remain. These are the Codex Troanus and Codex Cortesianus, thought by some authors to be parts of the same book, which are at Madrid; the Codex Peresianus, which is in Paris, and the Codex Dresdensis, the most important of the series, which is in the Ro3^al Library at Dresden. The first two strongly resemble each other, and were probably written in Yucatan, as they follow the calendar system of that region. The Codex Peresianus differs in some respects from all the others. The Dresden codex, which is of chief importance in studying the Smithsonian Report, 1903. — Thomas. R .^ T Plate T' V w p,Q_ 1 -palenque Tablet (in Smithsonian Institution). CENTKAL AMEBIC AN HIEROGLYPHIC WRITING. 707 written glyphs, agrees closely with the temple inscription in essential points, and was probably written in Chiapas or Guatemala. These manuscripts are on a kind of paper made of the Maguey plant. A description of one is substantially a description of all, though the size and the number of pages var3^ The Troano codex, which will be taken as an example, consists of a strip of mague}^ paper about 14 feet long and 9 inches wide, both surfaces of which were tirst covered with a white paint or varnish. The two-faces were then divided into spaces about six inches wide by black or red lines across the strip, in which spaces the characters and figures, in black, brown, red, and sometimes blue, were painted. The strip was then folded back and forth, like a pocket map, into 35 folds corresponding with the cross lines, repre- senting, when pressed together, the appearance of an ordinary octavo volume. The gl3q3hs and figures cover both sides of the paper, form- ing TO pages, the writing and painting having been done apparently after the folding, as the folds do not. interfere with it. A page is shown in facsimile in plate iii. The order in which this Avriting — if it may properly be so termed— is to be read was for man}^ years a subject of discussion, some authors contending for one direction, as from left to right, or from the top downward, while some thought that the reading should be in the oppo- site direction. The proper order in which the inscriptions and the text, in part, of the manuscripts is to be read was first pointed out by the writer in 1882. « In the inscriptions, which usuall}' consists of two, four, or six col- umns, the columns are to be taken by twos or pairs from left to right, and the glyphs in each pair of columns are to be read from left to right and from top to bottom, in the order of the letters in the diagram (fig. 1). Where there is a single column the reading is from the top downward, and in sin- gle horizontal lines it is from left to right. The order in which the glyphs in the codices are to be taken, where there is a regular arrange- ment, is substantiall}" the same. Although the columns may consist of but two lines in depth they are read in the order «, 5, c, d in the dia- gram, at least in the Dresden, Troano, and Cortesian codices. In the Dresden codex, however, the numeral and time series, some of which are quite long, are in some cases to be read from right to left b}'' lines across the page, the lines following one another from the bottom upward. Usuall}- there are in the inscriptions, besides the glyphs, figures of priests and deities, and symbolic representations. A considerable portion of almost every page in the codices consists of « Study of the Manuscript Troano, a h c d e f (J h 708 CEISTTE^L AMERICAN SIEROGLYPHTC WRITING. Fig. 2.— Symbols for number 20. pictographic representations such as are seen in the spaces below the text or lines of glyphs in plate in. An important class of characters consists of those which as is now known denote numbers. These are of two quite distinct tj^pes; one, which is the usual form, found in both the inscriptions and the codices,, but more abundantly in the latter, consists chiefly of dots and short lines. Thus . (one dot) signifies 1 ; . . (two dots) signify 2, and so on up to 4; 5 is indicated by a single short straight line, thus — ; 10 by two similar lines, and 1 5 by three similar lines. To represent 6 the Maya scribes used a straight line and one dot _^; for 7 a straight line and two dots, and so on to 9. Eleven was denoted by two straight lines and a dot; 12 by two straight lines and two dots, and so on to 19, which was represented thus ==• The lines and rows of dots are usually horizontal in the codices, the dots above as shown here, but in the inscriptions, where the}^ are always attached to glj^phs, are mostly perpendicular and placed at the left side, as at T 17 and U 17, plate I (the columns in the figure being de- noted by letters at the top and the horizontal lines by figures at the side as in a reference map). The numeral sym- bols of this type do not appear to have been used for a greater number than 19, other characters and relative position also, as will be <^> ^^^^<^^ <27^ ^^ <^> shown, being used for higher numbers. Line and dot numerals of two colors are quite common in the codices, the one class black, the other red; but the red characters are not used (except in a single unexplained instance) to denote a number greater than 13, and refer almost exclusively to the numbers given to the daj^s, as explained on a subsequent page. This is one instance, at least, in which color Fig. 3.— Symbols for 0, or full count. Smithsonian Report, 1903. — Thomas i Plate III. Copy of Plate XXIX, Codex Troano (Brasseur de Bourbourg's Edition) CEISTTEAL AMEKICAN HIEEOGLYPHIO WRITING. 709 has special significance in these native manuscripts and suggests the probability that the different colors of the dots used to denote num- bers in the Aztec codices in the time counts have a specific meaning, though this has not as yet been determined. The number 20 is represented by several different forms, as shown in fig. 2. Those marked a, 5, c, d^ and e are found only in the codices; those marked/",