NO PLAYS EXCHANGED. PS 3067 T4 B6 Copy * U ker'5 Edition or Plays A BORROWED UMBRELLA F COPYRIGHT. 1889. BY WALTER H. BAKER & CO. Something New, Funny and Refined. Prof. BAXTER'S Great Invention, OR OLD HlfllDS HlflDE new. A COMEDY-FARCE IN ONE ACT. By MARY B. HORNE, Author of "The Peak Sisters," "The Carnival of Days," "The Bc^k of Drills, Parts I and II," Etc. For three male and three female characters. Modern every-day costumes. Scenery of the very simplest character. Plays about an hour, or longer, according to specialties, songs, etc., introduced. This entertainment is a decided novelty and is excruciatingly funny. First-rate Irish soubrette part, and capital comic old man. Prof. Baxter's patent process for making old people young again suits everybody, both on the stage and off. Price, - 15 cents. S-STZEsTOIFSIS. SCENE.— Dr. Baxter's Office. Mary Ann and the Professor. A scientific break- fast. Patients. A sweet young thing of fifty. Mary Ann romances. The old dude. More patients. A back number. Getting ready for the operation. Roxanna and the Doctor. Greek meets Greek. Electro-motive force vs. a female tongue. The " gossimeres." The current begins to work. Woolley has a very strange feeling. Charged with electricity. " I never charge, but take cash down." Filling the cabinets. A little backward in coming forward. Dorothy's shyness. " What, get in there with two men ! " Mary Ann sacri- ficed to propriety. Roxanna and the Doctor again. Getting the mitten. " You press the button, and I'll do the rest." The current full on. Groans of the wounded. After the battle. Old maids and old dudes made new. Roxanna's work undone. " It's a deep laid plot ! " Celebrating the event. «' The dude who couldn't dance." Mary Ann and " The Irish Jubilee." It is in the air and Roxanna catches it. A terrible catastrophe. The deaf old .•*' gentlemen gets overdone. The Professor adopts the old infant. Marrying and giving in marriage. The " invention " pronounced a grand success. Walter H. Baker & Co., 23 Winter St., Boston. BORROWED UMBRELLA % (fometiietta in ©ne &ct ESTHER B. TIFFANY Author of "A Model Lovek," "A Rice Pudding," "The Way to His Pocket," " Anita's Trial," " An Autograph Letter," "That Patrick," "Young Mr. Pritchard," etc. BOSTON zy.u f y ^^///^ir^ 1893 k CHARACTERS. MR. WILSON, married. < MR. GRAHAM, bachelor. / jy ' MRS. WILSON, married. MISS EVELYN WAITES, spinster. THE UMBRELLA, divorced. Scene. — A room in Wilson's country house. Costumes. — Modern. Copyright, 1893, by Walter H. Baker & Co. A BORROWED UMBRELLA. Scene. — The drawing-room of Mr. Wilson's country house. Wilson, Graham, and Mrs. Wilson discovered. Wilson. What a deluge ! If only you had sent us word, Graham ! The idea of you, with your cough, walking up from the station ! Graham. I have no cough. Wil. And by what chance did you provide yourself with an umbrella? Gra. I didn't provide myself with an umbrella. Wil. Who did then? Gra. The queerest piece of luck ! Why, a friend of yours came up to me at the station, and asked if I wouldn't do her the kindness — she had evidently heard me ask the ticket agent where your house was — of carrying back a borrowed umbrella. Mrs. W. A borrowed umbrella ? I don't recall any one borrow- ing an umbrella lately. Gra. A wretched little, flimsy, woman's affair ! But it saved my hat. Mrs. W. Now, who could it have been ? How was she dressed? Wil. To ask Graham how a woman was dressed ! Gra. Oh, like anybody. Mrs. W. What kind of a hat? Gra. Not so queer as they usually make them. Something fluffy round the brim. I recall — Mrs. W. Feathers? Gra. Perhaps. No — not feathers — no, it was a curly sort of mat of hair, and it danced about in the wind. Wil. Curls in a rain-storm ! That ought to help you, Katy. Mrs. W. It does. It's Eve, of course. I knew it from the start. Wil. If ever you find a girl revelling in a rain-storm, Graham, you may know her hair curls by nature. But when did Eve borrow an umbrella? It hasn't rained for a month. ' Mrs. W. O Ned ! Don't you see? Wil. See? What? Gra. What is it we are to see? 4 A BORROWED UMBRELLA. Mrs. W. And to think that you both are considered really un- usually clever men ! Wil. Don't smirk, Graham ! That's not a compliment. But let's take a look at the umbrella in question. Here it stands, dripping and mysterious. Why, that's not your umbrella, Katy ! Mrs. W. Indeed? {To Graham.) How did you leave your sister ? WlL. " E. M. W." in a monogram on the handle. "E. M. W " ? Why, Evelyn Monk Waites ! How came Eve to send you her own umbrella, Katy? Mrs. W. {aside). Hush, Ned ! Wil. {going to door). Ah, here's Nellie with a note. {Reading note.) "Please send my umbrella by Nellie, and don't for worlds ever let Mr. Graham know" — Ah, what's this ? Mrs. W. Give me the note, Ned — it's for me. Wil. {lattghing). No! that's too good! Here, Nellie, take Miss Evelyn's umbrella. Gra. Ever let Mr. Graham know what ? Mrs. W. Oh, never mind ! And you think of trying Asheville, Mr. Graham? {To Wilson.) Do be still. Wil. No ; but you must hear — listen. Mrs. W. Ned, I insist ! Gra. And I insist too. Wil. {reading). " Ever let Mr. Graham know my little trick." Gra. "Trick!" Wil. {reading.) " I knew when I heard him asking for your place who he must be, and there wasn't a sign of old Saunder's hack, and he was coughing so, and looking so wretched " — Mrs. W. {aside). Ned ! Wil. " So — so — ahem — that I had not the heart to let him go off in the rain, so laid my little trap, into which he walked as neatly as you please." Gra. "Her little trap!" Wil. {reading). " I had on my ulster and cap, and got home as dry as one of Ned's jokes." Take care, Miss Eve ! Gra. Outrageous ! Wil. You don't seem to see the joke ! Gra. Joke? It's an insult a — Where does she live? She must apologize — she shall apologize, if she is a woman ! Mrs. W. And these are all the thanks poor Eve gets ! Gra. {in great excitement) . But to walk up to a defenceless stranger and deliberately to lie to him ! Make him fancy he is doing her a favor, when all the while — Mrs. W. Deliberately lie ? I don't believe Eve told the ghost of a fib. Wil. No, not the ghost. You are not married, Graham. You do not understand these feminine subtleties. Mrs. W. I don't believe, even, that she called it a borrowed umbrella. I am sure she only said that, as you were going to her A BORROWED UMBRELLA. 5 friends, the Wilsons', would you be so kind as to take this umbrella. Gra. {reluctantly'). It was something to that effect. Mrs. W. There, I told you so ! Gra. You don't seem to see that that makes it all the worse. And she was such a particularly innocent-looking girl ! Wil. That was what the serpent thought. Gra. Such especially candid, frank, large, gray eyes. Wil. Ah, we were not quite so blind after all ! GRA. With black lashes. Wil. (aside). Better and better. Gra. And a few freckles on the bridge of her nose. Wil. (aside). Oh, you' will do very well. Gra. (meditatively). I don't know why a Scattering of freckles on the bridge of a nose should give such 'an artless and innocent air Wil. Yes, freckles, in the inverse ratio to their size and num- ber, are dangerous. Gra. And to think of my saying, " Oh, no trouble at all,""and grinning like an ass. Wil. Yes, whichever way you look at it, it's delightful. Gra. What do you suppose she thought of me? Wil. I can tell you exactly. It's all in the postscript. Mrs. W. Now, Ned ! Wil. The gist of a woman's letter you know. (Reads.) " P. S. — I am glad I am going off, for I could see by the way Mr. Graham looked that he quite disapproved of me." Gra. Going off! Wil. Which translated into plain English means, " I am quite too awfully sorry that I shall miss Mr. Graham's visit, as I saw plainly enough he took a violent fancy to me." Eh, Katy? Mrs. W. You are too bad ! Gra. What is she going away for now? I thought this was just the height of the season at Reedbrook. She ought to be told how outrageous her conduct was. Wil. I'll tell her, with your compliments. Gra. No ; but I meant propose — Wil. Not this time, Graham. You'll have to wait. But I approve of your choice. Eve is a nice girl. By all means ask Eve. Eve (appearing at door). By all means ask Eve. Wil. Why, Eve ! Mrs. W. Dear me, Eve ! Eve. What is it that Eve is to be asked? Mrs. W. (hastily). Eve, let me present Ned's college friend, Mr. Graham. Mr. Graham, Miss Waites. Wil. By the way, Graham, from your description it just occurs to me that this may be the very young lady for whom you kindly brought back Katy's umbrella. A BORROWED UMBRELLA. Gra. Yes — I — I— • Wil. You need not have been in such a hurry, Eve ; I have two umbrellas, and I don't in the least mind lending Katy my old one. Mrs. W. {hastily). All packed, dear? Eve. No, indeed. -I just ran up to — Wil. See that Katy got her umbrella safely. Yes, she did. It is a valuable one. The monogram alone is worth — Eve {aside). O Katy, you didn't — Wil. But I don't approve, myself, of trusting unknown parties with valuable property. As Graham and I were just saying, appearances are deceptive. Eve. Come, Ned, I haven't a moment to spare. Father sent me up for the Tyler title-deeds, and then I must run home and pack. Wil. Tyler title-deeds ? Let's see, Katy, where are my keys ? Mrs. W. Helpless creature ! {Exeunt Wilson and Mrs. Wil- son.) Eve. You are to make quite a visit here, are you not? Gra. {visibly embarrassed ) . I hardly know — I — are you to be long away ? Eve. Six months. Gra. Six months ! Eve. Yes ; in Montreal. I leave to-morrow on the nine o'clock express. Gra. {with sudden inspiration). Montreal ? I have a cousin in Montreal. Eve. Have you ? Gra. Yes. I haven't seen him for years. We were boys together. Eve. How hard these separations are ! Gra. {warming to the subject). There wasn't a scrape in the whole district but we were in it together. Chums in college, too. Why, yes, it's full ten years since I've seen old Tom. Eve. Is he a good correspondent? Gra. Well — not very. {Enter Wilson and Mrs. Wilson.) Wil. Here, Eve. Eve. Thanks. Now I must run. Good-by, Mr. Graham ; good-by, Katy dear. Oh, what was it, though, that I was to have been asked ? Wil. I was merely suggesting — Mrs. W. Ned was only proposing — Gra. That as I am going to Montreal on the nine o'clock to- morrow, I might be permitted to escort you. Wil. Why — {Checks himself.) Mrs. W. You don't — A BORROWED UMBRELLA. 7 Eve. Oh, you are going to see your cousin ? Wil. What cousin have you in Montreal, Graham? Gra. {hesitating). Tom Cutler. Wil {amazed). Tom Cutler ! Gra. {severely). Yes ; Tom Cutler. Wil. Oh, ah, yes, to be sure, Tom Cutler. {Aside.) As I remarked before, you'll do very well. Eve. Mr. Graham has not seen his cousin for ten years. Wil. No ; I doubt if many of Tom's friends have seen him very lately. {Aside to Mrs. W.) Forged, you know. Gra. {to Eve). You have not said — Eve. Why, with pleasure, Mr. Graham. Wil. Well, all I can say is, Graham, that if you are going to Montreal to-morrow to see Tom Cutler, I wish you joy ! CURTAIN. Something for "Secret Societies." JOINING THE TINPMITES, OR, PADDY MCFLING'S EXPERIENCE. (PART I.) A MOCK INITIATION. FOR TMK AMUSEMENT AND INSTRUCTION OF SECRET SOCIETIES. ADAFTID TO ALL ORDERS, AND CONTAINING NOTHING TO OFFEND ANY SECRET ORGANIZATION. By David Hill, Author of " Forced to the War," " Bound by an Oath," " Out of his Sphere," "Placer Gold," "The Granger," etc. For thirteen male characters and supers. Scenery unimportant, the stage representing the interior of a lodge-room. Costumes, burlesque regalia. Plays forty-five minutes. This is an uproarously funny travestie of the forms of initiation, and is just the thing for a lodge-room entertainment. Any number *i men can assist as members, etc. Price, . . . 15 cents. By the Author of " A Box of Monkeys." The Corner-Lot Chorus- A FARCE IN ONE ACT. F0R • FEMALE • CHARACTERS • 0NL2Y By Grace Livingston Furniss. Ab Originally Performed by "The Twelfth -Night Club," at the Lyceum Theatre, New York, on May 7, 1891. Seven female characters who speak, and ten Jury Gins. Costumes, moilei >> and tasteful. Scenery of little or no importance. Plays about forty minutes. This clever little piece, by the author of "A Box of Monkeys," satirizes with a two-edged blade a foolish social exclusiveness and the weak side of amateur actors, and with bright and clever performers is a sure success. It affords a chance for elegant dressing, if desired, and for telling local hits. In its original psrformance by professional actresses it was a laughing success. Price, ... 35 cents. ANOTHER "COUNTRY SCHOOL." THE OLD-FASHIONED AN OLD FOLKS ENTERTAINMENT IN ONE SCENE. By NETTIE H. PELHAM. For eleven male and five female characters, and as many more as desired. Scene, the interior of a barn, easily arranged ; costumes, old fashioned. Plays forty minutes or more, accordingto number of songs and specialties introduced. Very easy to get up, and very funny. An excellent introduction for a dance, Bupper or sociable, where a mixed entertainment is desired. Price, .... 15 Cents. SYNOPSIS: SCENE. — Uncle Nathan's barn. Bobby and Scipio. In black and white. A few conundrums. " Silence am gold." Gathering of the neighbors. Music and fun. Thomas Jefferson is heard from. " Von leedle song," by Solomon Levi. Betsy and Josiah. A leap-year courtship. Algernon Fitznoodle and Little Lord Fauntleroy. The dude and the darling. Fitznooi'.le takes a tumble. Patrick and Ah Sin. Kace prejudices. Harmony out of discord. Music. Betsy and the swing. A little mistake. Betsy recites. The Humaniphoue. Pat and Kitty. The red ear. " Hurrah for supper ! " A DOUBLE SHUFFLE. .A, COIMIEm-X" I3sT OIsTIE ACT, By HARRY O. HANLON. Three male and two female characters. Scenery and costumes very simple. An admirable little parlor piece, playing about thirty-five minutes. Fred Somers, a collegian, with a taste for practical joking, tries to play a little joke on his sister and his fiancee, but they succeed in turning the tables completely upon him and his two college chums. Very bright and amusing. A sure kit. Price, .... 15 Cents. TWO NEW PLAYS FOR CHILDREN. MISS MATILDA'S SCHOOL A Comic Operetta for Boys and Girls. By GERTRUDE MANLY JONES. Suitable for parlor or school entertainments. The music selected from famil- iar and popular airs. One female ( adult ) and any number of children. Scene, a school-room ; costumes, easy. This is a very amusing piece, and sure to please the children. Plays thirty-five minutes. Price. 15 cents. HALF AN HOUR WITH A GIANT. A Holiday Operetta for Children. By GERTRUDE MANLY JONES. Adapted to familiar and popular airs. For almost any number of boys and girls Scenery, unimportant; costumes easy. This is not only a very amusing and entertaining piece, but it teaches, as well, a very impressive and useful lesson. Plays half an hour. Price. 15 cents. TWO NEW PLAYS FOR LADIES. MY AUNT'S HEIRESS. A Comedy in One Act. FOR FEMALE CHARACTERS ONLY. Eleven female characters, two of whom are children. Scene, a simple inte- rior ; costumes, modern. This amusing piece is well adapted for school perform- ance, its humor being abundant and refined. Plays one hour. Price, 15 cents. A WONDERFUL CURE. A Farce in One Act. FOR FEMALE CHARACTERS ONLY. Four girls. Scene, an easy interior ; costumes, modern. A very lively and amusing little piece for parlor or stage performance. Plays forty-five minutes. Price, 15 cent*. A New Comedy. COUNSEL FOR THE PLAINTIFF. A COMEDY IN TWO ACTS. By ST. CLAIR HURD. For four male and five female characters. Scenery, two Interiors, easily arranged ; costumes modern and simple. Plays an hour and a half. This little piece has more plot than is usual in plays of its length, and works up to an exciting climax. Solomon Nathan is a capital comedy part, and Phineas Phunnel and Phoebe Stopper excellent eccen- tric character parts. This piece has been many times successfully per- formed from manuscript. Price .... 15 cents. FOR FEMALE CHARACTERS ONLY. A YISION OF FAIR WOMEN. A DRAMATIC PARAPHRASE IN ONE SCENE, Based upon Tennyson's " Dream of Fair Women." By EDITH LYNWOOD WINN. (As presented by the Polymnla Society, of Shorter College, Borne, 6a., April, 1889.) Thirty-nine girls are called for by the full text of this excellent entertainment, besides the " Dreamer " who has the vision ; but a smaller number may be used, at pleasure, by simply reducing the num- ber of tableaux. No scenery is required, and the costumes can be easily contrived by home talent. This is a very picturesque and enjoyable entertainment, and by giving a large number of pretty girls a chance to look their best, is sure to please them and every one else. Price .... 15 cents. WHO'S TO INHERIT? A COMEDY IN ONE ACT. FOR FEMALE CHARACTERS ONLY. For nine female characters. Scene, an easy interior; costumes, modern and simple. Margery is a "rough diamond," who always speaks her mind. Miss Chatter, Miss Pry and Miss Nicely are a very amusing t^io of gossips, to whom Mrs. Fitzfudge's sharp tongue is a terror. Price .... 15 cents. GEORGE M. BAKER'S PLA Price 15 cents, unless otherwise stated. ABOVE THE CLOUDS. Drama in two acts. 7 males, 4 females. AMONG THE BREAKERS. Drama in two acts. 6 males, 4 females. BETTER THAN GOLD. Drama in four acts. 5 males, 4 females. 25 Cents. BON-BONS. Musical entertainment. 3 males, 1 female. 25 cents. BOSTON DIP, THE. Comedietta in one act. 4 males, 3 females. BREAD ON THE WATERS. Drama in two acts. 5 males, 3 females. CAPTILETTA. Burlesque in two parts. 3 males, 1 female. CHAMPION OF HER SEX, THE. Farce in one act. 8 females. CHRISTMAS CAROL, A. Christmas en- tertainment from Dickens. Many char. CLOSE SHAVE, A. Farce in one act. 6 males. COALS OF FIRE. Farce in one act. 6 males. COMRADES. Drama in three acts. 4 males, 3 females. 25 Cents. DOWN BY THE SEA. Drama in two acts.^ 6 males, 3 females. DROP TOO MUCH, A. Farce in one act. 4 males, 2 females. DUCHESS OF DUBLIN, THE. Farce in one act. 6 males, 4 females. ENLISTED FOR THE WAR. Drama in three acts. 7 males, 3 females. FAIRY OF THE FOUNTAIN, THE. Play for children in two acts. 10 char. 25c. FLOWER OF THE FAMILY, THE. Comedy-drama in three acts. 5 males, 3 fern. FLOWING BOWL, THE. Drama in three acts. 7 males, 3 females. 25 cents. FREEDOM OF THE PRESS. Farce in one act. 8 males. GENTLEMEN OF THE JURY. Farce in one act. 12 males. GREAT ELIXIR, THE. Farce in onr act. 9 males. GREATEST PLAGUE IN LIFE, THE. Farce in one act. 8 females. GRECIAN BEND, THE. Farce in one act. 7 females. HUMORS OF THE STRIKE, THE. Farce in one act. 8 males. HYPOCHONDRIAC, THE. Farce in one act. s males. LAST LOAF, THE. Drama in two acts. 5 males, 3 females. LIGHTHE ART'S PILGRIMAGE. Alle- gory for schools. 8 females and chorus. LITTLE BROWN JUG, THE. Diama in three acts. 5 males, 3 females. LITTLE MORE CIDER, A. Farce in one act. 5 males, 3 females. LOVE OF A BONNET, A. Farce in one MAN WITH THE DEMIJOHN, THE. Farce in one act. 4 males. MY BROTHER'S KEEPER. Drama in three acts. 5 males, 3 females. MYSTERIOUS DISAPPEARANCE, A. Farce in one act. 4 males. MY UNCLE THE CAPTAIN. Farce in one act. 6 males. NEVER SAY DIE. Farce in one act. 3 males, 3 females. NEVADA. Drama in three acts. 8 males, 3 females. 25 cents. NEW BROOM SWEEPS Ci*L Farce in one act. 6 males. NO CURE, NO PAY. Farce in one act. females. ONCE ON A TIME. Drama ia tw T o chorus". Yery ,easy and tuneful. Price, 25 Cents. The Pour-leafed Clover. In Three Acts. By Mary B. Horxe. For children of from six to fifteen years. Seven boys, seven girls, and chorus. Very picturesque. Price, 50 Cents. Beans and Buttons. In One Act. Words by W.u. H. Lepere; music by Alfred G. Robyn. Two male and two female characters; no chorus. Very comical and easy. Price, 50 Cents. Hunt the Thimble. In One Act. Words by A. G. Lewis; music by Leo R. Lewis. Two male, two female characters and small chorus. Simple and pretty. Price, 50 Cents. Red Riding Hood's Rescue. In Four Scenes. Words by J. F. Estabrook; music by J. Astor Broad. Three male, four female characters and chorus. Price, 50 Cents. Golden Hair and the Three Bears. In Five Scenes. By J. Astor Broad. Three adults (2 m., 1 f.), eight children and chorus. Music is easy, graceful, and pleasing. Price, 75 Cents. R. E. Porter ; or, The Interviewer and the Fairies. In Three Acts. Words by A. G. Lewis; music by Leo R. Lewis. Six male. • six female characters, and chorus. Very picturesque and pretty. Price, 75 Cents. Gyp, Junior. In Two Acts. Words by Earl Marble; music by D. F. Hodges. Two males, one female (adult), three children and chorus. Very successful and easily produced. Price, 75 Cents. AlvinGray; or, The Sailor's Return. In Three Acts. Written and composed by C. A. White. Ten characters, including chorus; can be made more effective by employing a larger number. "Price, 75 Cents. Catalogues describing the above and other popular entertain- ments sent free on application to WALTER H. BAKER & CO., THEATRICAL PUBLISHERS, No. 23 Winter Street, - Boston, Mass. S. J. PARKHILL & CO.. PRINTERS, 222 FRANKl IN ST, BOSTOJU.