hra\ LIBRARY OF CONGRESS. Chai)r!??..'.7c^^ight No. ShellLG-S-T ^3 UNITED STATES OF AMERICA. ^' MAR 17 ^"^^ c*^' .■>' ^3/;KofCongf^ R Fait? praud. A PLAY a» (5lanviUe< AUTHOR OF ' 'IN LAMECH S REIGN, " "AN EYE FOR AN EYE, "CHAIN OF HISTORY," ETC. CHICAOO: 1897. KA^^ INCLC2 ^ *z ■U2S COPYRIGHT, 1897, BY A, GLANVILLE ALL RIGHTS RESERVED ADVERTISEMENT. I have always endeavored to avoid trespassing upon the rights of others, be they with or without friends, and hence I deem it necessary to say, briefly: First, the theosophical paragraphs, put into the mouth of Adele, in act II, scene I, which are quoted, are not mine nor do I lay any claim to them. I have seen fit to use them because theosophists are better able to portray their own ideas than I. and because they could not then have grounds for misrepresentation. If it be considered unfair to choose but few saying among many, I will say to those who would have the setting with the jewels, the articles can be found in their en- tirety in M-rcury, Vol. Ill, No. 3. and Notes and Qzieries, Vol. XIV, No. 10. Second, I have been influenced somewhat in act III. scene I. i. e.^ the gipsy entertainment, by that familiar play '-A Parlor Match.'' Men of means being those who contribute most to the success of the drama, and the majority of them being students of business and not of books, it is but fair that we offer some various amuse- ment, which is the want of their holiday humor, and without which the best of plays grows tedious and dull. There being many tastes among men, and critics being but a small division, it is a question of the day whether we should please them or please the multitude. But if art may be so combined with simplicity as to arouse both love and laughter, and point to virtue while we entertain, then is there added to a misty world some brightness, which, I am bold to say, is the object of all art. If there be other things found in the following lines that others have said before me, they may be the glean- ings from books that have lingered too long in my mind, whose sources have become forgotten, and are rather the thefts of time than intention. I beg the public's pardon for putting upon their much taxed patience another book, of which I am, THE AUTHOR. AHgust 30th, 1897. A FAIR FRAUD. DRAMATIS PERSON^E. Adele, an heiress. Madame Nevell, Adele's stepmother. MoRissEAu, Adele's lover. Mr. Steward, Adele's uncle. Mrs. Steward, Adele's aunt. Harford, Morisseau's friend. Carroty, a gardener. Waiting Woman. Servants, woodmen, gipsies, lunatic, etc. Scene: First, a city tnansion and surroundings ; seconds a country home and woods near it. ACT I. Scene I. A walk near the Nevell mansion. Enter Adele. A. If he truly loves me — if — if — O, what a word is if! The little big Conjunction of our doubts. Who was it put That stammering word into our steady speech? If — he sware he loved me and his look Betrayed no other thought, but yet many 8 A Fair Fraud. A maid has been so fooled before. If he Loves me as I love him, with all my heart, My soul, my life — if it were not for if How happy I could be. How shall I know? I am a day of June in autumn's woods And do not know the pathway back to summer. Enter Madame Nevell, attended. M. N. Well, well! your cheeks are tinted of the rose, A lesson in delsarte? A. No — no. M. N. You may Depart, I've other company. \_Exeunt attendhnts. Perhaps There's some relation 'twixt your blush and our Young friend's departure. A. Why, think you my blood Is quickened when a man do leave the place? M. N. I do not know, indeed — how should I know — And yet I think my guess is rather shrewd. We all do love sometime, and oftenest Before we count full score. I hope you will Not prove so stoical as be exception To the rule. A, As it do please you then, I am in love. A Fair Fraud, g M. N. Why so was I long since. A. Young Morisseau, whose going you did note, Wafted his heart to me upon his sighs, When he some moments since asked me to be His bride. But I — I did not know — I would Have answered yes, I longed to answer ye«, But that old saying ever kept ringing Upon my ears, ''men are deceivers ever," So I said — I know not what I said, That when he called again I'd answer him, Or something like to it, and so he went. And then you came before I had decided To be miserable with my doubt Or happy with my love. Would that I lived Before men were dishonest, or that 1 Ne'er heard the old, sage adages about The lies of lovers. M^ N. Time enough, my love; Enter Harfoed behind^ unobserved. When you get husbanded, if God do bless You with a gray old age, you'll be a long Time married. A. So it is, indeed, that I Would know, and surely know — but how? If I Say "no" I will so surely be not happy, Thus do I not gain my happiness By saying "yes" I can console myself 10 A Fair Frmid. With thoughts of how it would have been no better Saying no. M. N. Twin sister that to grief. Here is another, better way: see you How far his love will take him from his com- fort. Test his love, my dear. To try all things Is a good christian rule. Affect that you Are drawn toward some hobby: woman's rights, Or politics, or such, if he do love You he will love you still. Is it a thing Of little moment to him soon the sham Of seeming ardor will come out like elbows From a beggar's ragged coat. Is not The plan some good? And if it but be played With passing wit there's sport between the lines. A. Kind fortune! only yesterday I had A letter from my uncle asking me To spend some little time among my friends Within his home. I will go bring it now — How chance arranges for fond lovers' good! I will go to to my uncle's. When he comes You shall say I have suddenly took up With this or that, as we agree, and send Him on to me. Then will I put the test To see if love or honest doubt were best. {Exit, A Fair Fraud, u M. N. 'Tis hard to hide your hatred 'neath a mask — I hate the giddy cat! O, was there e'er Stepdaughter loved by a stepmother yet? She thinks I love her, ah! she thinks I do Would that she had no recourse but her thoughts! But yet I must not give my passion vent For she hath rights in law as well as I. I must be affable and wait my day, Who knows? perhaps it is the morning now. And so this fine young gentleman loves her And she loves him. What then? Why he being A promising young man I have no doubt They would be happy too. What then? Why then By doubling up, to gain this fair estate She gives me half the chance. Ah, no! not so I'd rather my young bird were left alone. Come out my scheming nature let me see How on this bloom I can a cold frost be. Enter Adele. A. Here mother mine, a few, scant lines in all. But yet they mean some more than that to us. M, K. Why here's a plan already made for us, All that we have to do is follow out The lines. Unto your uncle you shall go; 12 A Fair Fraud, Here we begin. Then shall you be whate'er You choose, no matter what so long as it Be tedious and odd. Then will I send Some information of your mental state Unto your uncle. Do we not run on With polished smoothness? A, So indeed we do — And Mr. Morisseau? 3/. /V. O, yes — (aside,) poor fool — 1 had best put his name in every word Or so to please her. A. The rest of your plan Mother. M. iV. 'Tis this — a moment's reflection Sometimes saves the labor of a day — Some few days since I read of a new, strange Religious sect they call theosophists. Now shall you be converted to this thing.. Kead all such books and papers you may read- As bear upon it. Study them as you Would play a part. Think you the plan i^ good? A. O, I will play it well though he be my Sole audience! M. N. So far is settled then: That you unto your uncle go; that you Affect this new religion hath quite stirred You up. So when he comes I will explain A Fair Fraud, ij To him you have inherited some taint Or humor in the blood; your father was Too frenzied in religion or your elder Brother was fanatic, or the like. Now this is a most excellent plan indeed. A. So shall the summer fly as 'twere a jokel M. N. (Aside.) So shall my autumn frost your hajjpiness If well I play my part. Well, all is settled Then. Come, dear, let no more hours slip. Straightway we'll make you ready for the trip. l£Jxeu7it. Enter Harfoed. H. 'Tis true if something be not slipped Then someone surely will be tripped. ^'I hate the giddy cat!" 'S blood! Had she been a lady barber there would have been more throats cut. I came not here to hear, but beincr here I did not stop my ears. Silence is golden, a good listener is one among many and 'tis bad manners to interrupt your elders. As I am a gentleman I kept still, w^hich is of tentime a very hard thing to keep. Thus do we gather wis- dom from those who talk too much. Now is it so and so: this fair maid is my friend Moris- seau's love; he loves her and she him; why don't they marry then? Ah, there's the rub I Because she hath somewhat of woman's pride 14 A Fair Fraud, and more of woman's doubt. Well, well. So she would test his true intent and see how far his love will wait upon his patience. Mean- while I fear this chunk of shade she calls her mother loves her not, and that my friend will be too ignorantly tripped unless some one do look sharp after him. And thus they are to be deceived By foe in skirts, if once believed — But both their hearts must be retrieved Ere fate hath either grossly grieved, And from this scheme so filled with bitter hate, I must protect my friend at any rate. \Exit. Scene II. Room in the Nevell mansio7i. Enter First Maid, singing. 1st M. Jack and Jill went up the hill. Come, my honey, come along. Jack's poor heart would not be still. Come, my honey, come; Yet his modesty forbade, Come, my honey, come along, His proposal to the maid. Come, my honey, come. Enter other Maids and Waiting Woman. 2nd M. Our young mistress has been packed off to the country, Matty. 1st M. Yes, our young mistress has been A Fair Fraud, i§ packed off to the country, for her health, they say; as though she didn't have health enough already. If her stepmother's legs were not 'in- tended for the rogue's march my eye 's a false witness. W. W. Well, I have seen some things to wonder at. Some days ago, while walking down the path, I came so close to madam, unobserved, That I could hear her speak. Within her hand She held a paper wrinkled up, and said In tragic tones, like Keene upon the stage, <