LIBRARY OF CONGRESS 0D0175D417H fe Digitized by the Internet Archive in 2011 with funding from The Library of Congress http://www.archive.org/details/songsofsoilOOstan SONGS OF THE SOIL B FRANK L':STANTON NE\<^ YOR.K D.APPLETON&CO. 1924 ec)i Copyright, 1894, By D. APPLETON AND COMPANY, DEC i 7 1S82 COPY ' U r Ir C < re- printed in the United States of America. REPIKCEMEHT COPY TO MY FRIEND, JOSEPH VAN HOLT NASH, OF GEORGIA. True-souled, and great through kindliest deeds, Honor's ideal knight ; With that sublimest love that leads A brother to the light. p^' PREFACE In some important respects the poetry of Mr. Stanton presents a phenomenon that is well worth the attention of those who are interested in the development of that branch of American literature that finds voice in the South. In the first place, the writings of no American poet have achieved such wide popularity, if we are to measure popu- larity by the daily and weekly newspapers of the country, or by the interest which makes itself manifest in private correspondence, or by the ap- preciation which betrays itself in the irresistible desire of composers, professionals and amateurs, to give a musical setting to the poems. These mani- festations are not by any means confined to this country. In England the literary weeklies have seized upon the poems as something new and striking. The result of this is that the phenome- Vi PREFACE. nal popularity of Mr. Stanton's verses in this country finds a hearty echo in Great Britain. A prominent English author, writing to Mr. Stanton, says : ^^ Your poems are gaining reputa- tion for you in England. The note of hope that you are singing is one that has been unheard for years.*' This remark, casually made, possesses unusual significance. We know a great deal more than our fathers knew. Profound sophistication is the order of the day. We see it rankly devel- oped in the stories that women are writing. Evo- lution has become revolution. Sham culture, brought to book (to speak literally), confesses that the beastliness of the primal ape remains pretty near the surface of things. The poets flutter somewhat higher. That which is insipid vulgarity in prose blossoms into pessimism in verse. In the magazines and in the newspapers it is the same. Knowing too much, we know nothing! There is no future any more. Everything is hopeless gloom. That which we have not already lost we shall presently lose, and there is no remedy. In fact, no remedy is necessary. There is nothing to PREFACE. vii be done but to eat cold muffins and drink tea, and make ourselves as comfortable as possible under the circumstances. It is in the midst of these conditions that the voice of a singer away down South, in the provin- cial regions, makes itself heard. It is a bold voice, too, for it persists in singing night and day, neither seeking nor avoiding an audience. If the world listens, well and good : if not, pleasant dreams to all for the sake of old times ! But the world listens. The newspapers pick up the songs and send them far and wide, till the voice of the singer is carried over the continent and into the isles of the sea. People say, " Who is this man that goes on singing day after day as if there had never been a singer in the world before him ? *' They find that he has the root of the matter in him, and so they listen gladly. It will be interesting to note what the critics — the apostles of culture — will say of Mr. Stanton's verses. We shall hear, no doubt, that they lack finish, that too little attention has been paid to the demands of literary art. It is so easy to talk viii PREFACE. about literary art, and so hard to know what it is! It is such a dreadful thing in and of itself that those who venture into print for the first time are in quite a stew until somebody they have never heard of before discovers for them whether they understand anything about literary art. And they are old and gray in the business before they dis- cover for themselves that the only true literary art is the atmosphere of individuality which each mind with a message creates for itself. As for Mr. Stanton's poems, they have all been struck off in the heat and hurry of newspaper work, not as things apart, but as a matter of course. As one of the writers on the Atlanta Constitution, he has a department which he calls "Just from Georgia." He has chosen to preface this department with at least one original piece of verse every morning. But frequently he writes four and five poems a day, not because he is ex- pected to write them, but because they are waiting to be written. The marvel of this fluency is that the result should be so significant, that the earn- estness and simplicity of the note he strikes should PREFACE, ix be so manifest. His readers have no need to be told that whether he blithely sings of youth and love or, more seriously, of life and hope, he is not playing with his theme. In a period that fairly reeks with the results of a sham culture that is profoundly ignorant of the verities of life, and a sham philosophy that wor- ships mere theories, it surely is something to find a singer breathing unceremoniously into Pan's pipes and waking again the woodland echoes with snatches of song that ring true to the ear, because they come straight from the heart. We were told a while ago by one of the sophisticated brethren that the poet of the future would come to us singing of science. The dreaded possibility still lies before us. Meanwhile, here is one with the dew of morning in his hair, who looks on life and the promise thereof and finds the prospect joyous. Whereupon, he lifts up his voice and speaks to the heart : and lo ! here is Love, with nimble feet and sparkling eyes; and here is Hope, fresh risen from his sleep ; and here is Life made beautiful again. Joel Chandler Harris. CONTENTS PAGE A song of summer-time ....... i Night in the South 4 Lynched , . . . 7 The call of the reapers 8 What bothers him Ii Me an' Mary 12 An old battlefield 17 A little hand 18 The picnic at Selina 20 For you 24 Dreaming of home 25 Slain 28 Old times in Georgy 29 The old brigade 31 Not melancholy days 33 Fallen asleep 35 Fall time 37 The thought of you 38 When Jim was dead 39 A song for her 41 Wearyin* for you -43 A song in good time 46 xii CONTENTS. YKGB. A song of waiting 47 The old pine box 49 The first kiss 52 'Possum an' taters 54 A bouquet 58 The lightning age ........ 59 At Andersonville 62 A lazy chap , . . 64 Faithful 68 ** Green fields and running brooks " 69 A portrait in a grave 71 Through the wheat 72 The truant 74 A little bit of a boy 75 Jenny and I 77 The family record 79 Singing of you 80 Little Elaine 82 Out of the race 84 The parting of poor Jack 85 A day off 88 After 90 'Twas far away 91 Watermelon song 93 The duel 96 For Sally 98 One sad day 100 The old postmaster loi A fair politician 103 A country philosopher 104 The ships of Melton 106 CONTENTS, xiii PAGE They've hung Bill Jones io8 The top floor 109 Don't you ? 112 My lady 114 The rattlesnake 116 A little way 117 Didn't think of losin* him 118 The home keeper 120 June dreams 121 A song of life 123 A sharp politician 125 Blackberries 127 Still in the ring . 130 A day in the woods 132 Jim Tuck's old woman 133 The shower 136 April 137 Uncle Jim 139 A little boy for sale 140 A fisherman in town 142 The old school exhibitions 144 In absence 146 In the fields 148 Gittin' home 150 Chattahoochee 151 The love feast at Waycross 154 A June pastoral 157 The mocking bird 158 Good-by 160 A Georgia barbecue 163 The last inn 164 xiv CONTENTS. PAGE The Easter bonnet . . i66 November nights i68 A tragedy 169 Some thoughts of Lee 170 The chap in the branch 172 The songs of the wind 174 The rainbow 176 The word he didn^t say 177 The whip-poor-will 179 Hunt him down 180 Close to springtime 182 A song of mysteries 183 Mary, after Calvary 185 Weary the waiting 187 Jones's cotton planter 189 Happy Ian' 192 Let Miss Lindy pass 194 A cheat ! 196 To a little fellow 197 A song . 199 My gifts 200 A little book 20i Saint Michael's bells 203 Song 205 Maid o' the Mist . 206 A song of ships 208 Her beautiful hands 210 To the New Year 212 The Master's coming 214 A song of Liberty 216 SONGS OF THE SOIL. A SONG OF SUMMER-TIME. O summer-time in Georgy — I love to sing your praise ! Though I've got no voice fer singin\ it's a tune I love to raise When the birds is pantin', chantin', an' jest rantin' roun' the rills, With the juice o' ripe blackberries jest a-drippin* from their bills ! O summer-time in Georgy, when through leaves o' green an' brown The dew that smells o' violets comes twinklin', tinklin' down (i) 2 SONGS OF THE SOIL. On the wild an' wavin' grass that feels the sun- beam as it slips, An' the dusty lily puckers up its white an' thirsty lips ! O summer-time in Georgy, with the glory in the dells, Where the rich an' rainy incense from the fresh- 'nin' shower swells. An' crost the bars to twinklin' stars float twilight's fare-you-wells In the lowin' o' the cattle an' the tinklin' o' the bells ! O summer-time in Georgy, when nigh the listenin' vine, Where the purple mornin'-glory an' the honey- suckle twine. The whip-poor-wills was singin' their notes o' love an' bliss, An' to my lips was clingin' the lips I loved to kiss ! A SONG OF SUMMER-TIME, 3 Stay, like a dream o' beauty, while deares' dreams depart, An' rain your honey-sweetness in showers roun' my heart ! Pshaw ! I'm gittin' so soft-hearted, my eyes kin' hardly see : O summer-time in Georgy ! You're the best o' times to me ! NIGHT IN THE SOUTH. Here in the deep, June dark, Laden with odors of the rose excessive, Where not a star ray strikes the oaks to mark Their glooms impressive, I tilt my rustic chair — The smoke from my Havana upward wreathing, And o*er the rolling of the world I hear The great Night breathing ! The night that has no art To hide her grief ; with dim-draped arms ex- tended, She waits to welcome to her widowed heart The moonrise splendid. And yet — so still is all That if a bird's nest slipped its airy tether (4) NIGHT IN THE SOUTH 5 There would be sound and feeling in the fall Of one light feather ! The rills that brawled all day, Now with the tumbled pebbles make no wrangle ; The wind seems weary and has lost its way In vines a-tangle. In vines where odorous swings The honeysuckle, o'er the senses stealing ; Where humming-birds have brushed with beau- teous wings The wild grapes reeling ! Night ! and the South ! and June ! Silence — and yet, the sound of many voices ! And now, dashed down the darkness, tune on tune, And melody rejoices ! Clear through the awakened night The music rushes — all the joy-bells ringing; And every leaf is trembling with delight Born of that singing ! 6 SONGS OF THE SOIL. It is as if a word Had flashed from God — aweary of the quiet ; The soul of Music in a mocking-bird In maddest riot ! Night ! and the South ! and June ! The wind awakes ; the river sings its story ; Up from the black hills climbs the brimming moon In full-blown glory ! The distant hills grow bright : The oaks stand clear ; the loneliest nook un- covers ; The keen vines listen for the footsteps light Of whispering lovers ! A flash on fields and streams, And one bird's song tumultuous and tender ; And then — the languor of melodious dreams, And earth all splendor ! LYNCHED. The tramp of horse adown a sullen glen ; Dark forms of stern, unmerciful masked men : A clash of arms, a cloven prison door, And a man's cry for mercy ! . . . Then high o'er The barren fields, dim outlined in the storm, The swaying of a lifeless human form. And close beside, in horror and affright, A widowed woman wailing to the night. (7) THE CALL OF THE REAPERS. I know that it is reaping-time in all the fields of Lee ; I can hear the reapers singing o'er the meadows, calling me : " And wherefore come you not to-day to reap the golden grain ? " But I'll never see the fields of Lee, nor reap with them again. " And wherefore come you not to-day ? " they cry across the wheat ; "And wherefore come you not?'* the winds are chiming low and sweet ; And far and near sweet sounds I hear from over mount and main ; But I shall not see the fields of Lee, nor reap in them again. (8) THE CALL OF THE REAPERS, g " Oh, wherefore come you not ? The hand of Summer decks the sod ; The world is like a picture where the harvests smile to God ; There's yet a late white rose for you in valley and in plain.'* But I shall not see the fields of Lee, where blooms that rose, again. " Ah, wherefore come you not ? The doves have left their woodland nests, With the silver sunrise gleaming on their downy, tender breasts ; And they're calling to you soft : * Come home ! ' " But all their calls are vain ; For I shall not hear the birds sing in the fields of Lee again. Oh, comrades, cease your crying, as ye reap in fields of Lee ; Ye have there so many reapers there is never need of me ! lO SONGS OF THE SOIL, Oh, doves, leave not your nests, nor call in tender tones and vain, To him who hears, with falling tears, but can not come again. Reap on, ye men and maids of Lee ; for ye that sow must reap ; And I am reaping far away while ye your vigils keep ; But there is no song upon my lips, nor golden is the grain. And I shall not see the fields of Lee, nor reap with you again ! WHAT BOTHERS HIM. There ain't so much o' pleasure In fishin' South in May, Or any other blessed month — No matter what they say ! Because the river bank is green ; The grass is soft an* deep, An' where the shady willows lean A feller falls to sleep. An' jest when he begins to nod 'Longside his empty cup, A fish comes jerkin' at his rod An* always wakes him up ! (XI) ME AN* MARY. There's a lot o* fun in livin* an* a lot o' joy in life When a feller's got a sweetheart — 'fore he's think- in' of a wife ; An* sayin' that remin's me that I lived on honey- comb When Mary did the milkin' an' I drove the cattle home. I was mighty clost to twenty, an' was kinder shy an' green, An' the writin' in the Bible put down Mary seven- teen ; I'd been thinkin' o' the city — bein' much inclined to roam, But somehow I liked the cattle, an' kept drivin' of 'em home. ME AN' MARY. 13 You see, the cattle knowed me — been a-drivin* of em* so ; An' Mary had to milk 'em at a certain time, you know ! An' when I'd think o' clerkin' an' leavin' o' the loam, I'd wonder an' I wonder who would drive the cattle home. But there warn't so much in farmin', or in drivin' cows to milk : It kept me down to cotton-jeans an' Mary fur from silk ; So I made my mind up certain^ an' I packed my trunk to start ; An' I kept a-sayin' careless : " It'll break nobody's heart." I remember it was springtime — 'bout the settin* o' the sun — When I broke the news to Mary like 'twas jest the biggest fun ! 14 SONGS OF THE SOIL, But I noticed while she listened that the milkin* slowed — then stopped, An' she looked acrost the meadows, an' her eyes — they kinder dropped ! An* I said : " I'm sorry, Mary, but the time is come to go : I hate to leave the country, likin' all the cattle so!" Then her eyes looked up an' met me, an' I felt the lightnin' strike As the words come mighty tremblin' : " Is the cattle all you like ? " Somethin' hit me ! thought a minute, lookin' down into her eyes, Wich was like a dream o' heaven, an' jest took in all the skies ; An' I felt myself a-shakin' like I'd struck a day in fall; But I said it — drawin' clost to her: ^^ Noy Mary^ cows aint all! " ME AN' MARY. 15 It was quicker'n / kin tell it, or than even the law allows, But the milk drowned out the daisies, an' the calves got with the cows ! An' my arms was all aroun' her, an' my heart jumped out my vest, An' my vote was fer the country, fer I liked the country best ! Warn't no milk on that plantation that evenin' — ^ not a drop ! The cows got in the gyarden an' jest eat up half the crop! But the food that / was feedin' on was sweet as honeycomb, From the red, sweet lips o' Mary, as I kissed her goin' home ! I lost sight o' the city life, whatever it might be: One acre in the country was enough, an' more^ fer me ! l6 SONGS OF THE SOIL. An' I'm mixed up with the meadows, an* I never want to roam, Fer Mary does the milkin' an' I drive the cattle home! AN OLD BATTLEFIELD. The softest whisperings of the scented South, And rust and roses in the cannon's mouth. And where the thunders of the fight were born, The wind's sweet tenor in the tinkling corn. With song of larks, low-lingering in the loam, And blue skies bending over love and home. But still the thought : Somewhere — upon the hills, Or where the vales ring with the whip-poor-wills, Sad, wistful eyes and broken hearts that beat For the loved sound of unreturning feet; And when the oaks their leafy banners wave. Dream of the battle and an unmarked grave ! (17) A LITTLE HAND. Perhaps there are tenderer, sweeter things Somewhere in this sun-bright land ; But I thank the Lord for his blessings, And the clasp of a little hand. A little hand that softly stole Into my own that day, When I needed the touch that I loved so much To strengthen me on the way. Softer it seemed than the softest down On the breast of the gentlest dove ; But its timid press and its faint caress Were strong in the strength of love ! It seemed to say in a strange, sweet way : " I love you and understand " ; (i8) A LITTLE HAND, And calmed my fears as my hot, heart tears Fell over that little hand. Perhaps there are tenderer, sweeter things Somewhere in this sun-bright land ; But I thank the Lord for his blessings, And the clasp of a little hand. 19 THE PICNIC AT SELINA. That picnic at Selina — it covered lots o' groun' ; There was women, men, an' hosses from fifteen mile aroun', An' fiddles squeaked an' brogans creaked the mer- riest kind o' song, An' 'twas " Balance to your pardners ! " and *^ Swing ! " the whole day long. 'Twas a powerful sight o* pleasure jest to see the fellers whirl Them lovely forms in calico, with all their hair in curl ! It was quite intoxicatin' ; you could hear the rafters ring. Till the old men couldn't stand it, an' cut the " pigeon wing " ! (20) THE PICNIC AT SELINA. 21 The old-time " double-shuffle " made the dust fly from their heels, An* 'twas sich a jolly scuffle in the Old Virginny reels ; The young men jest a-sweatin', an' the rosy gals a-blowin' — But they didn't mind the weather while they kept the fiddle goin' ! " It's jolly ! " roared the rafters. '' It's painful ! '* groaned the floor : ** It's dusty ! " said the women, but they only danced the more ; An' the young men called it ^^ stavin'," an' I reckon they was right, Fer that old-time Georgia ^* breakdown " made the stars dance with delight ! All day the fiddle's music was ringin' wild an^ sweet ; The nigger parson rolled it off an' kept time with his feet : 22 SONGS OF THE SOIL. All day, with jest a breathin' spell 'long *bout the time o' noon, The dancers kept in motion an' the fiddle kept in tune. An' then here come the dinner — table stretchin" *way Out yonder, till it dwindled to a leetle mist o* gray : There was punkins, there was pullets, all a-lookin* o* their best; An' 'possums, an' pot licker, till a feller couldn't rest ! An' everybody went fur 'em — jest made a dash f er all, Till them chickens o' the springtime wished they hadn't hatched till fall I An' the punkins kept agoin' as they come in reach o' me, An' I made them 'possums wonder how they ever climbed a tree! THE PICNIC A T SELINA. 23 But good things can't last furever; the honey leaves the comb ; An so, we had to be resigned to hitchin' up fer home ; An*, if I don't disremember, I was drivin' of a bay On a zigzag road, an' huggin' of a widder all the way ! That picnic at Selina ! it ain't to be fergot ! Fer a feller felt as happy 's if he owned a house an' lot ! An' thinkin' o' them women folks, all dressed up fit to kill, I kin feel my heart agoin' like a old rice beater still ! There'll be good times at Selina in the happy days to be. But never any times like that fer all the boys an' me; Fer the mem'ry o' that picnic — it'll live a hundered years. An' I'll feel my old feet shufflin' when I climb the golden stairs ! FOR YOU. For you, dear heart, the light — God's smile, where'er you be, And if he will — the night. Only the night for me ! For you Love's own dear land Of roses, fair and free ; And if you will — no hand To give a rose to me. For you Love's dearest bliss In all the years to be ; And if you will — no kiss Of any love for me. Thankful to know you blest, When God your brow adorns With the sweet roses of his rest, I thank him for the thorns ! (24) DREAMING OF HOME. I can't jest tell what's come to her, an' yet I think it's clear That somethin's goin' wrong o' late — to see her settin' there A-dreamin' in the doorway, with that look inta her eyes, As if they still was restin' on the fur-off fields an' skies. She's always dreamin', dreamin' o' the life we left behind — The cozy little cottage where the mornin'-glories twined ; The roses in the garden — the yellow sunflowers tall; The violets — but she herself the sweetest flower o' all ! (25) 26 SONGS OF THE SOIL. You see, she use' to set there in the mornin's — so content ; The sunflowers foUerin' the sun, no matter where he went ; The brown bees sippin' honey an' a-buzzin' roun* the place ; The roses climbin' up to her an' smilin* in her face ! An' now, she can't fergit it ; when I tell her : '' Little wife, There ain't no use in grievin' fer that simple country life," She twines her dear arms roun* my neck, an* smilin' sweet to see. She whispers : ^' We're so fur away from where we use' to be ! ** There ain't no use in chidin*, or in sayin* words o* cheer ; There's nothin' in this city life like she was use to there, DREAMING OF HOME. 27 Where preachin' come but once a month, an' street cars didn't run, An' folks they told the time o* day by lookin' at the sun. An' larks got up at peep o' day an' made the meadows ring ! I tell you, folks, when one's brought up to jest that sort o' thing. It's hard to git away from it — old feelin's bound to rise An' make a runnin' over in a woman's tender eyes ! So there she sets a-dreamin', till I git to dreamin', too ; An' when her head drops on my breast and sleep falls like the dew An' closes them bright eyes o' hers, once more we seem to be In the old home where we'll rest some day to- ' gether — her an' me ! SLAIN. Swiftly the shot from my rifle sped To his heart, and he fell in the darkness — dead ! With never a struggle, never a sigh, I saw my enemy bleed and die. And now, I said, is my peace secure ; I shall fear his hand and his hate no more. The black night came with a stealthy pace And shed the shadows over his face, Hidden forever from mortal view : And only God and the darkness knew ! But what would I barter of good and fair To take the place of the dead man there, As I face the future — the life to be, With God and the darkness haunting me ! OLD TIMES IN GEORGY. Old times in Georgy — them's the times fer me ! No times now like them times, an' ain't agoin' to be! Long time 'fore the railroads an' steamboats blowin' free — How I like to dream o' them — good old times to me ! Old times in Georgy — them's the times that make My old eyes dance an' twinkle like sunshine on the lake ; An' sometimes, too, they kinder bring feelin's 'kin to pain, An' make my eyes run over like rivers full o'' rain ! (29) 30 SONGS OF THE SOIL, Old times in Georgy — can't fergit 'em quite — Suns that made the daytime — stars that come at night ; Oh ! but they was good times — country smilin' bright ! Everything was love then — everything was light. Old times in Georgy — hear my old heart beat When they come a-ringin' with their music sweet 1 Dreamin' of 'em always, mountains, hills, an' dells, They're like a sweet song's echo — a fur-off chime o' bells ! Old times in Georgy — they was sweet to know — Old friends that loved us, friends that we loved so ! Seem to lost my way, now — ain't much left to see — Them dear old times in Georgy is all life's got fer me ! THE OLD BRIGADE. When Pearson sang *^ The Old Brigade," how all the boys kept time ! The muskets rattled once again, the cannon roared in rhyme ; With shoulder close to shoulder still, again the charge they made, With all the torn flags waving o'er the old Brigade ! When Pearson sang ** The Old Brigade," 'twas " Forward — march ! " and then — The shouting of the captains and the rallying of the men ! The storming of the ramparts, and the battle, blade to blade — Oh, the story and the glory of the old Brigade ! (30 32 SONGS OF THE SOIL. When Pearson sang *^ The Old Brigade/' the boys kept time with sighs, And something like a teary mist dimmed all their dreaming eyes ; For lo ! the fight is ended, the rust is on each blade, And the grass grows green forever o'er the old Brigade ! NOT MELANCHOLY DAYS. These ain't the ^'melancholy days," no matter what they say! There's more good fun in ail the ways than's been there many a day ! The crackin' of the teamster's whip — the shoutin' of a bov As the apples come a-tumblin' down — that's joy fer you — big joy ! These ain't the '* melancholy days " — there's lots o' fun in sight ; The cool and bracin' mornin's, an' the big oak fires at night ; The hounds upon the rabbit's trail — the wild doves on the wing — The maiden with the red lips, an' the lover with the ring ! (33) 34 SONGS OF THE SOIL, These ain't the ^'melancholy days" — not much! they're full o' life, An' you're thankful fer your sweetheart, an' you praise God fer your wife ! An' then, on general principles — in view of what he's givin' — You shout a hallelujah fer the privilege o' livin' ! FALLEN ASLEEP. Only a little dust — So small that a rose might hide it ; And I trust in God — or I try to trust, When I kneel in the dark beside it. I kneel in the dark and say : I only dream that I weep ; She would not leave me and go away — She has only fallen asleep. Fallen asleep, as oft She climbed to mv heart to rest, Her white arms twining my neck, as soft As down on a dove's sweet breast. Tenderly — unawares, Sleep came in the waning light And kissed her there on the twilight stairs That lead to the morning bright. (35) 36 SONGS OF THE SOIL. And that she will wake I know, And smile at a grief like this ; It could not be she would leave me so, With never a good-night kiss ! So I kneel in the dark and say : I only dream that I weep ; She would not leave me and go away — She has only fallen asleep. FALL TIME. Fall time in the country ! ain't it out o' sight ? Hick'ry nuts a-droppin' an* fires blazin* bright ! 'Taters in the ashes, apples on the shelf — Pass aroun' the cider till you hardly know your- self ! Fall time in the country — people full o* life, Everybody happy with his sweetheart or his wife ! Blue smoke from the cabins — up an' up it curls. While we go a-rollickin* an' ridin' with the gyrls ! Fall time in the country — hardest time to beat ! Follerin' the banjer an' the fiddle with your feet ; Never nuthin' like it — happy day an' night, Cider in the jimmyjohn an' fires blazin' bright ! (37) THE THOUGHT OF YOU. I care not whether the skies are blue, Or the clouds gloom black above me ; A sweet thought comes with the thought of you- You love me, dear, you love me ! When the world is cold and its friendships few, And toil is a vain endeavor, A sweet voice sings to my soul of you. And the world is sweet forever. And love, my love, with the bright eyes true And the red lips kind with kisses. There is no love like my love for you — No joy in the world like this is ! And whether the skies are dark or blue, With stars or storms above me. My life will shine with the thought of you— You love me, dear, you love me ! (38) WHEN JIM WAS DEAD. When Jim was dead — " It sarved him right," the neighbors said, An' 'bused him fer the life he'd led, An' him a-lyin' there at rest With not one rose laid on his breast ! Hard words, an' lots o' them, they said When Jim was dead. " Jest killed hisself," " Too mean to live : " They didn't have one word to give In comfort, while they crowded near An' looked on Jim a-lyin' there! " Ain't any use to talk/' they said : " He's better dead ! " But suddently the room growed still, While God's white sunshine seemed to fill (39) 40 SONGS OF THE SOIL. The dark place with a gleam o' life, An' over him she bent — Jim's wife ! An' with her lips laid clost to his — Jest like he knowed an' felt the kiss — She sobbed — a touchin' sight to see : " Oh ! Jim was always good to me ! " I tell you, when that come to light It kinder set the dead man right; An' round the weepin' woman they Throwed kindly arms o' love that day ; An' fallin' fast as hers, they shed The tend'rest tears — when Jim was dead. A SONG FOR HER. Sing for her, mocking bird, Your warm breast heaving in the sun-bright blos- soms ; Sing sweeter songs than we have ever heard, Until the wild heart of the world is stirred, And love wakes wondering in a thousand bosoms ! Sing for her, lark of dawn, When on your breast the lofty light is gleaming I Sing sweet, and bear the message on, and on- Higher and higher, till the world is gone, And at God's gates the melody is dreaming ! Sing for her, whip-poor-will, Your sweet voice ringing from the twilight covers, Where stars stream splendid over vale and hill ; Sing sweet, until your melting notes shall thrill And throng the wide, awakened world with lovers ! (41) 42 SONGS OF THE SOIL. Sing, mocking bird ! Sing, lark ! Sing, whip-poor-will — your songs in concert ring- ing ; Sing in the dewy dawn — sing in the dark ; But while ye make your sweetest music, hark ! A sweeter song to her my soul is singing! WEARYIN' FOR YOU. Jest a-wearyin' fer you — All the time a-feelin' blue ; Wishin' fer you — wonderin' when You'll be comin* home again ; Restless — don't know what to do — Jest a-wearyin' fer you ! Keep a-mopin' day by day : Dull — in everybody's way ; Folks they smile an' pass along Wonderin' what on earth is wrong; 'Twouldn't help 'em if they knew — Jest a-wearyin' fer you. Room's so lonesome, with your chair Empty by the fireplace there, (43) 44 SONGS OF THE SOIL. Jest can't stand the sight o' it ! Go outdoors an' roam a bit : But the woods is lonesome, too, Jest a-wearyin' fer you. Comes the wind with sounds that* jes' Like the rustlin* o' your dress ; An' the dew on flower an' tree Tinkles like your steps to me ! Violets, like your eyes so blue — Jest a-wearyin' fer you ! Mornin' comes, the birds awake (Them that sung so fer your sake !), But there's sadness in the notes That come thrillin' from their throats! Seem to feel your absence, too — Jest a-wearyin' fer you. Evenin' comes : I miss you more When the dark is in the door ; 'Pears jest like you orter be There to open fer me ! WEAR YIN' FOR YOU. 45 Latch goes tinklin' — thrills me through, Sets me wearyin* fer you ! • ■ • • • • Jest a-wearyin' fer you — All the time a-feelin* blue ! Wishin' fer you — wonderin' when You'll be comin' home again ; Restless — don't know what to do — Jest a-wearyin' fer you ! A SONG IN GOOD TIME, Wishin* time, Fishin' time, Time to roll over In shadders Of medders, On carpets of clover! Swingin' time, Singin' time. Time to be sippin* The sunny- Made honey Of melon juice drippinM Merry time. Berry time. Time in good meter ; Dove time, An' love time. An' life growin' sweeter ! (46) A SONG OF WAITING. I have waited for your coming as the blossoms In the blighted buds of winter wait the spring ; As the robins with the red upon their bosoms Await the sweet and loving time to sing. I have listened for your footstep as the meadows Low listen for the dewfall in the night ; As the parched plains droop and dream toward the shadows — As the leaves in darkness listen for the light ! There is never any rose without the kisses Of the spring upon its leaves of red and white ; There is never any meadow if it misses The dewfall on its bosom in the night. There is never any robin's breast that, gleaming, Shall feel the thrill and flutter of a wing, (47) 48 SONGS OF THE SOIL. And set the world to loving and to dreaming, If there never comes a sunny time to sing. Let the dew the meadow's violets discover ! Let the robin sing his sweetest to the close ! There is never any love without a lover — You are coming, and the world blooms like a rose ! THE OLD PINE BOX. We didn't care in the long ago Fer easy chairs that was made fer show, With velvet cushions in red an' black An' springs that tilted a feller back 'Fore he knowed it — like them in town — Till his heels went up an' his head went down ! But the seat we loved when we all was poor, Was the old pine box by the grocery store ! There it stood in the rain an' shine, Four foot long by the measurin' line ; Under the chiny-berry tree, Jest as cosy as she could be ! Fust headquarters fer infermation — Best old box in the whole creation ! Hacked, an' whittled, but feelin'/r;W, An' so blamed sociable all the time ! (49) so SONGS OF THE SOIL, There we plotted, an' there we'd plan; Read the news in the paper, an* Talked o' politics fur an* wide. An' got mixed up as we argyfied ! An' the old town fiddler sawed away At " Old Dan Tucker," an' '' Nelly Gray," An' " Suwannee River," an' fifty more, On the old pine box by the grocery store. The boys in the village knowed it well ; It was there they'd come when the meetin' bell Rung out fer church ; fer they knowed the gyrls Would pass that way in their crimps an' curls, Smilin' sweeter'n honeycomb When the boys would ax fer to see 'em home — Likewise fer the purtiest rose they wore Past the old pine box by the grocery store ! It heard good music, it got hard knocks, But still stood faithful — that old pine box ! Fer every feller in town that could. Cut out his name in the willin' wood, THE OLD PINE BOX. 5 1 An* his sweetheart's, mixed with the sayin* true 'Bout the rose bein' red an' the violet blue. Oh, there's boxes still, but there ain't no more Like the old pine box by the grocery store ! It ain't there now, as it was that day — Burnt, I reckon, or throwed away ; An* some o' the folks that the old box knowed Is fur along on the dusty road ; An' some's crost over the river wide An' foun' a home on the other side. Is they all fergot ? Don't they sigh no more Fer the old pine box by the grocery store ? It seems to me, if my race was run, An' I was there, where it's always sun. With a crown to wear an' a harp to hold — Loafin' roun' on the streets o' gold, While the saints was singin' an' sayin' grace I'd kinder look fer a shady place, An' dream furever an' everm.oit Of the old pine box by the grocery store! THE FIRST KISS. Sweetheart, 'twas but a while ago — it scarce seems yesterday, Though now my locks are white as snow and all your curls are gray — When, walking in the twilight haze, ere stars had smiled above, I whispered soft : " I love you,*' and you kissed me for that love! The first kiss, dear ! and then your hand — your little hand so sweet. And whiter than the white, white sand that twin- kled 'neath your feet — Laid tenderly within my own ! Have queens such lovely hands ? No wonder that the whip-poor-wills made sweet the autumn lands ! (53) THE FIRST KISS, 55 It seemed to me that my poor heart would beat to death and break, While all the world, sweetheart ! sweetheart ! seemed singing for your sake ; And every rose that barred the way in glad and dying grace. Forgot its faded summer day and, leaning, kissed your face ! I envied all the roses then, and all the rosy ways That blossomed for your sake are still my life's bright yesterdays ; But thinking of that first sweet kiss and that first clasp of hands. Life's whip-poor-wills sing sweeter now through all the winter lands ! TOSSUM AN' TATERS. Talk about ^ 124 SONGS OF THE SOIL. Still hath hope — for in the night Cometh dreams and gleams of light ! So, though love be lost to thee Life, though lonely, sweet may be ; Canst thou take, when sore opprest, Others' burdens to thy breast. Love unto the loveless give ? Thou shalt bless thyself and live ! A SHARP POLITICIAN. Jim Jones — he run fer Congress; they beat him out o' that — Likewise a mule, a pair o' boots, an' bran new beaver hat ; But when he saw that he was whipped — did Jones feel sad an' sick ? Not him ! He bought another mule an* run fer Sheriff quick ! Then they put up another man, they said was shore to win, An' shore enough Jim Jones went out while that same chap went in ! But did they find him sulkin' when he knowed they'd whipped him clear ? Not him! He bought another mule an' run like bricks fer mayor ! 126 SONGS OF THE SOIL. An* then he got elected, an' when he held the fort He summoned them as whipped him out to come into his court ; An* he fined 'em each ten dollars — it was all jest like a dream — An' when they paid an' went away Jim Jones was rich as cream ! BLACKBERRIES. Blackberries — do you know Where to find them ? Oh, their briers prick you so — Never mind them ! Get your cap, you queen in curls! (Don't be shy, dear !) For the sun will kiss the girls. (So will I, dear!) 'Tis a quaint cap that you take — Nay, a bonnet ; But the sunbeams — they will make Ribbons on it ! Let me tie the strings. (I'll hold My caresses.) Now it's hidden half the gold Of your tresses ! (127) 128 SONGS OF THE SOIL. But we go where drops of dew (Looking-glasses) Paint the rosy face of you On the grasses. O'er the bars I climb, and so — In the clover, (I have willing arms, you know !) Take you over. Now the birds sing in the blooms Where theyVe found us. Where a million sweet perfumes Swoon around us : ** Berries, berries, black and sweet, Love, forsake them ! They were made for birds to eat — Do not take them ! " In the hedges, by the rills — In shy covers, They are sweetening our bills For our lovers." BLA CK BERRIES, 129 But the berries black we pull (Play your part, love!) Till your bonnet's brimming full — Like my heart, love ! Now you've spilled them ! Let them go, While love sips, dear, Sweeter juices than they know From your lips, dear. Give the berries to the birds. Singing near them; Love would say some little words: Will you hear them ? Suns may set, or suns may shine, Birds sing never : Love is thine and love is mine, Sweet, forever ! STILL IN THE RING. TO C. J. B. You say IVe stopped from singing and some sor- row youVe expressed, That my muse is gittin' lazy since I left the sweet Southwest ; Well, maybe so an' not so : we're better when we're brief : But the rose of song's a-bloomin', though the frost is on the leaf. I'll tell you why I'm quiet — why I don't chirp as before : 'Tain't because my whistle's broken an' needs fixin' at the store ; But I'm somethin' of a stranger to these towerin' hills of snow, An' my songs — they're all behind me, where the Southland roses grow. (130) STILL IN THE RING, 131 I'm always thinkin', thinkin* of the times that used to be, Where the springs and golden autumns flushed the friendly fields of Lee ; An* as I look back yonder, on them fur-off plains an' skies, The sun may be a-shinin', but — ifs rainiti routC my eyes ! Well ! here's a greetin* to you : I'm still inside the ring, An' a-lovin' an' a-list'nin' to the songs the others sing ; But my harp, jest fer the present, is reposin' on the shelf, An' my heart makes all the music, but it keeps it to itself ! A DAY IN THE WOODS. A mocking bird sweet singing on a spray Of dewy blossoms, lightly shaken down ; A river running by the rushes brown, Its green banks drifting dreamily away, And the sun centered in the splendid day ! Far off, faint echoes of a noisy town, And hills that wear a blue and golden crown, And fields of corn, and meadows sweet with May! And then — the bells of twilight — restful, sweet ! A lulling murmur from the languid rills — A gray star glimmering in the blended blue ; And my heart heaving with a happier beat, Answering the calling of the whip-poor-wills That time my footsteps home to love and you ! (132) JIM TUCK'S OLD WOMAN. Jim Tuck's old woman's a sight, I say, Whenever she takes a turn : She don't stand none o' your foolish play, An' none o* your tricks in her'n. I found that out 'fore election day, 'Thout any remarks from him ; When she said in a quiet an' meanin' way : ** I reckon you'll vote fer Jim ? " Now, you know, Jim Tuck an' myself wuz dead Sot 'gin one ernuther — cross ez Two sticks, an' couldn't be drove ner led. An' never could set hosses ; So, when she made that remark I said : " His chances with me is slim." " Oh, no ! " she cried — an' she looked cross-eyed ; " I reckon you'll vote fer Jim ! " (133) 134 SONGS OF THE SOIL, That riled me, an' so — 'fore I seemed to know, I blazed rite out an' cussed Jim outen the county — high an' low — But brotherin', she never fussed ; Jest moved a step when I turned to go — That woman wuz fur from slim — An' locked the door an' remarked once more : " I reckon you'll vote fer Jim ! " An' sayin' this, with a sudden sweep She riz with the kitchen broom ; An' fallin' foul o' me, in a heap, She walloped me roun' the room ! She fit an' fout, an' she jumped erbout Ten foot — an' she wuzn't slim — An' still she'd shout as she laid me out : " I reckon you'll vote fer Jim ! " 'Twas gittin' lively fer both of us, An' so, I begin debatin' That mebbe Jim wuzn't as big a cuss As the feller that I'd been hatin' ; JIM TUCK'S OLD WOMAN. 135 An' so — but all o* you fellers know The story 'bout her an' him : He's sheriff now, an' — I can't tell how, But I reckon I voted fer Jim ! THE SHOWER. Fall, gentle rain, in blessed, brimming drops ; Cool with thy kiss the city's burning streets ; Moisten the meadows where the hot sun beats, And fall refreshing on the thirsty crops ; The warm wind for thy cordial greeting stops ; The panting flock a merry welcome bleats ; The famished fields unfold a thousand sweets ; The grass bends dimpling on the mountain tops ! Fall, gentle rain, on the rejoicing land ! The incense rises from the dusty plain ; The valley's violets, for a moment blurred. Twinkle for joy ! and where the live oaks stand, There rings a glad thanksgiving for the rain In the wild music of the mocking bird ! (136) APRIL. Fellers, this is April — know it by the breeze Caperin' roun' an' rumplin' the ringlets o* the trees ; Know it by my wishin' fer the woods an' streams ; All day long I'm fishin' — ketch 'em in my dreams ! Fellers, this is April — sunny, soft an' sweet ; April from her bright eyes to the roses roun' her feet! Like a country maiden, rosy-faced she trips, Sunshine on her yellow curls an' honey on her lips ! Fellers, this is April : git out in the air ! Let her run her fingers fer a minute through your hair ! Hear her birds a-singin', while the world so blest To her lips is clingin', an' dreamin' on her breast ! (137) 138 SONGS OF THE SOIL. Fellers, this is April, with a lap o* pearls ; Seems to me you'd know it, holdin' han's with all the gyrls, An' huntin' wild flowers with 'em ! Oh, May is sweet to see. But April with her violets is joy enough fer me ! UNCLE JIM. Uncle Jim — he only saw The ocean once, and then They put him in a bathing suit, Just like the other men ; But when, a-tiptoe on the beach, He saw the billows rise. And, breaking o'er him, strive to reach To mansions in the skies. He jerked that bathing suit of red (Twas well the sun had set !) And cried, as fast the bathers fled : ** This blamed thing's ringin' wet ! " (139) A LITTLE BOY FOR SALE. Here is a little boy — A little boy for sale ! With all of his dimpled cheeks of joy And the voice of a nightingale ; — A little boy for sale, A boy that is fair and fat ; If you missed the joy of that little boy, Would you know where your heart was at? Here is a little boy — A little boy for sale ! Will you buy him now ? Here's a curly brow And the voice of a nightingale ! A little boy for sale — Ho ! buyers, from east and west ! It shall not fail that this nightingale Shall sing near the mother nest ! (140) A LITTLE BOY FOR SALE. 141 Some birds there be that fly From the land o'er the ocean's foam, But the voice of this bird is always heard Where the sweet birds sing at home ! At home where the light is bright — At home where the love is best ! Oh, the nightingale ! and the boy for sale! They are bought for the mother's breast ! A FISHERMAN IN TOWN. I jest set here a-dreamin' — A-dreamin' every day, Of the sunshine that's a-gleamin' On the rivers — fur away ; An' I kinder fall to wishin' I was where the waters swish ; Fer if the Lord made fishin', Why — a feller orter fish ! While I'm studyin', or a-writin', In the dusty, rusty town, I kin feel the fish a-bitin' — See the cork a-goin' down ! An' the sunshine seems a-tanglin' Of the shadows, cool an* sweet ; With the honeysuckles danglin', An' the lilies at my feet ! (14a) A FISHERMAN IN TOWN. So, I nod, an* fall to wishin' I was where the waters swish ; Far if the Lord made fishin', Why — a feller orter fish ! 143 THE OLD SCHOOL EXHIBITIONS. Oh, the old school exhibitions ! will they ever come again, With the good, old-fashioned speaking from the girls and boys so plain ? Will we ever hear old " Iser,'* with its rapid roll and sweep, And " Pilot, 'tis a fearful night ; there's danger on the deep " ? Sweet Mary doesn't raise her lambs like Mary did of old; Their fleece is not ** as white as snow " ; they're wandering from the fold ; The boy upon *' the burning deck " is not one half as fine — He was not " born at Bingen, at Bingen on the Rhine ! " (144) THE OLD SCHOOL EXHIBITIONS. 145 The girls don't speak in calico, the boys in cotton jeans; They've changed the old-time dresses 'long with the old-time scenes ; They smile and speak in crooked Greek; in broad. cloth and in lace ; And you can't half see the speaker for the collar 'round the face ! Oh, the old school exhibitions ! They are gone for- ever more ! The old schoolhouse is deserted, and the grass has choked the door ; And the wind sweeps 'round the gables, with a low and mournful whine For the old boys "born at Bingen — at Bingen oq the Rhine ! " IN ABSENCE. Your mocking birds are mute Amid the peach blooms and the pines that sigh- ing Delay the winds that pass them like a lute Whose sweetest notes are dying. Your lilies bend and weep, Because in vain they lift their lips to kiss you; The morning-glories 'round your casement creep, And, looking in, they miss you. Your haunted brook glides o'er The sparkling stones where wild flowers lean to win it, And moans its way, because it feels no more Your face reflected in it. (146) IN ABSENCE, 147 Birds, winds, brooks, flowers — they keep Sad vigils where the lonely light is streaming ; And I — across the darkness and the deep My soul drifts to you, dreaming ! IN THE FIELDS. Oh, maiden under the skies so blue, Of the eyes and tresses brown, I'd rather be walking the fields with you Than going my way to the town ! Is it far to your dwelling ? But here's a rose ; Perhaps you slipped from its heart — who knows ? It is like your face ; it is like the smile Of your lips so red and sweet. Do the roses bloom for a little while And their hearts then cease to beat ? How fair were the roses my youth-time knew ! Were I a rose I would bloom for you. Do you roam through the summers sweet and long Over these fields so fair, And blend your voice with the harvest song That thrills through the scented air ? (148) IN THE FIELDS. 149 When you bind the wheat with a golden skein Are the tares not mixed with the ripened grain ? Sowing and reaping my life has known, And now with the gathered sheaves There are fruitless weeds that have heedless grown, And thorns 'neath the rose's leaves. Sowing and reaping, the harvest seems Less than my labor and less than my dreams. • ••••• Oh, maiden under the skies so blue, Of the eyes and tresses brown, I'd rather be walking the fields with you Than going my way to the town ! Is it far to your dwelling ? But here's a rose ; Perhaps you slipped from its heart — who knows? GITTIN' HOME. Gittin* back to home ag'in, after all the strife, The rattlin* an* the roarin' o' the busy city life; Gittin' back to home ag'in — heart a-beatin' high, Greener grows the meadows an' bluer is the sky ! World seems all dressed up f er it — neat as any pin ! Car wheels keep a-singin' : " Gittin' home ag'in ! " Don't it please a feller when he's travelin' through the Ian', That home comes out to meet him an' takes him by the han' ! (150) CHATTAHOOCHEE. Sweet sings the Chattahoochee on its way toward the sea — The curling Chattahoochee, The whirling Chattahoochee — And the mocking birds make answer to its music wild and free; The blue skies bend above it, The green hills lean and love it, And the Chattahoochee singeth of the summer and the sea ! Sweet sings the Chattahoochee with radiant, rip- pled tides — The dreamy Chattahoochee, The gleamy Chattahoochee — The Alabama hilltops from the Georgian it di- vides ; 152 SONGS OF THE SOIL. But floats this song above them : " I lave them, and I love them ; The green fields are my lovers, and the green hills are my brides ! *' Sweet sings the Chattahoochee to the east and to the west — The olden Chattahoochee, The golden Chattahoochee ; But a secret in its bosom makes it love the sunset best; For its soul seems ever sighing For a lost love unreplying, When night steals from the mountains and is fold- ed to its breast. Sweet sings the Chattahoochee of the passion of the past — The grieving Chattahoochee, Dream-weaving Chattahoochee, And whatever be its secret still it holds — enfolds it fast ; CHATTAHOOCHEE, 153 But when glooms the night above you, Still that song : " I love you — love you ! And the sweetest rose that blossoms near my bosom is the last ! '* THE LOVE FEAST AT WAYCROSS. It was in the town o* Waycross, not many weeks ago. They had a big revival there, as like enough you know; An' though many was converted an' fer pardon made to call, Yet the Sunday mornin' love feast was the hap- piest time o' all ! 'Twas a great experience meetin', an' it done me good to hear The brotherin an' the sisterin that talked re- ligion there ; You didn't have to ax 'em, ner coax 'em with a song ; Them people had religion, an' they told it right along ! (154) THE LOVE FEAST AT WAYCROSS, 155 Thar was one — a hard old sinner — 'pears like I knowed his name, But I reckon I've fergot it — who to the altar came ; An' he took the leader by the han', with beamin* face an' bright, An' said : " I'm comin' home, dear fren's ; I'm comin' home to-night ! " Then a woman rose an' axed to be remembered in their prayers : " My husband's comin' home," said she, a-sheddin' thankful tears ; " I want you all to pray fer him ; he's lived in sin's control. But I think the love o' Jesus is a-breakin' on his soul ! " Any shoutin' ? Well, I reckon so ! One brother give a shout : Said he had so much religion he was 'bliged to let it out ! 156 SONGS OF THE SOIL. An' the preacher jined the chorus, sayin' : "Broth- erin, let 'er roll ! A man can't keep from shoutin' with religion in his soul ! " I tell you, 'twas a happy time; I wished 'twould never end : Each sinner in the church that day had Jesus fer a friend ; But a good old deacon said to 'em, while tears stood in his eye : " There's a better time 'an this, dear fren's, a-comin' by an' by ! " I hope some day those brotherin'll meet with one accord In the higher, holier love feast, whose leader is the Lord ; An' when this here life is over, with its sorrow an* its sighs, May the little church at Waycross jine the big church in the skies ! A JUNE PASTORAL. Fleecy clouds above you roll — All the world^s a tune Thrillin' through a feller's soul, Dreamin' here with June. Butterflies with golden wings Brush you — soft as silk, While the poplar-shaded springs Cool the buttermilk ! In the old fence corner — whew ! Melons — mind your tread ! — Where the sun is streamin* through To their hearts o' red ! June she is — an' let her be ! June in fields an' towns ; Let her sweet lips stifle me, While her honey drowns ! (157) THE MOCKING BIRD. He didn't know much music When first he come along ; An' all the birds went wonderin' Why he didn't sing a song. They primped their feathers in the sun, An' sung their sweetest notes ; An' music jest come on the run From all their purty throats ! But still that bird was silent In summer time an' fall ; He jest set still an' listened, An' he wouldn't sing at all ! But one night when them songsters Was tired out an' still, An' the wind sighed down the valley An* went creepin' up the hill ; (158) THE MOCKING BIRD. When the stars was all a-tremble In the dreamin* fields o' blue, An' the daisy in the darkness Felt the fallin' o' the dew ; There come a sound o' melody No mortal ever heard, An' all the birds seemed singin' From the throat o' one sweet bird! Then the other birds went Mayin* In a land too fur to call ; Fer there warn't no use in stayin* When one bird could sing fer all! 159 GOOD-BY. There's a kind o' chilly feelin' in the blowin' o* the breeze, An' a sense o' sadness stealin' through the tresses o' the trees ; An' it's not the sad September that's slowly drawin' nigh, But jest that I remember I'm here to say " Good- by!" ** Good-by," the wind is wailin* ; " good-by," the trees complain, An' bend low down to whisper, with green leaves white with rain ; " Good-by," the roses murmur, an' the bendin* lilies sigh. As if they all felt sorry that I'm come to say '' Good-by." (i6o) GOOD'S Y, i6i I reckon all have said it, some time or other — soft An' easy like — with eyes low down, that couldn't look aloft Fer the tears that trembled in 'em, fer the lips that choked the sigh When it kind o' took holt o' the heart, an' made it beat '' Good-by ! " I didn't think 'twas hard to say, but standin' here alone, With the pleasant past behin' me, an' the future all unknown, A-gloomin' yonder in the dark, I can't keep back the sigh. An' I'm weepin' like a woman as I tell you all '' Good-by ! " The work I've done is with you ; maybe some things went wrong, - Like a note that jars the music in the sweet flow of a song ! l62 SONGS OF THE SOIL. But, brethren, when you think o' me, I only ask you would Say as the Master said o' one : " He's done jest what he could ! '' An' when you sit together in the time that's goin' to be, By your bright an' beamin' firesides in this pleasant land o' Lee, Let the sweet past come before you, an' with somethin' like a sigh. Jest say : " We ain't fergot him since the day he said ' Good-by ! ' " A GEORGIA BARBECUE. Faint wreaths of smoke are dreaming skyward in rings of blue ; A subtle, savory steaming is softly filtered through The sheltering trees that whisper the secret every- where, While hill and valley revel in the dewed, delicious air ! And then, that crackle of the twigs above the smoky pits ; Where brown and palatable pigs make Wisdom lose its wits ! And then — and then — the cry to arms ! Knives, forks, flash to and fro. And hungry hundreds praise the Lord, from whom all blessings flow ! (163) THE LAST INN. This is the inn that I Have dreamed of all my days; I enter — close the door — good-by ! And the world may go its ways. The soft, cool shadows round me creep; I lay me down to rest — to sleep. There is no reckoning here ; Not any noise or strife ; Nor shall one murmur to be where King Death is host to Life. Still, curtained rest for ye that come, But sightless eyes and lips made dumb. Cold ice at head and feet. But flowers of colors grand To make the air above you sweet And paint the roof of sand. (164) THE LAST INN. 165 What more ? And when the keen winds blow, Sweet dreams in daisies 'neath the snow. Good-night, friends, and farewell ! Our lives must parted be ; Grieve not that I with Death must dwell, For Death is kind to me. Tired, I lay me down to rest, A child lulled on a mother's breast. THE EASTER BONNET. Don't make 'em like they use to — done killed with too much style — Fixed up with birds an' ribbons, till you know 'em half a mile : They call 'em " Easter bonnets," in the big store windows hung — Ain't nuthin' like the bonnets that they wore when we was young ! How much completer, sweeter, and neater was the old Time bonnet, shadin' rosy cheeks an' ringlets black an' gold ! Plain, with no fixins on it — with a string o' red an' blue ; But a kiss beneath that bonnet was as sweet as honey-dew ! (i66) THE EASTER BONNET 167 Don't make *em like they use to — done killed with too much style ; An' yet — the girls that wear 'em give a feller sich a smile, He kinder smooths it over — fergives 'em, so high- strung — But they're nuthin' like the bonnets that they wore when we was young ! NOVEMBER NIGHTS. November nights — November nights ! With all their rich and rare delights ; The blazing fire whose sparkling flames Gleam with a lovelier light than Fame's ! Oh, heartful cheer ! Oh, peaceful sights, Walled in by cool November nights ! November nights — -the stories told ; The lambs all gathered in the fold ; The flickering lights and shadows shed O'er little ones tucked up in bed ! The mother's kiss — divine delights That crown the sweet November nights ! November nights ! the fiddler's feet Keep time to music wild and sweet ; And every echoing rafter rings Where Love each rosy partner swings ! Oh, rich are all the rare delights That crown the cool November nights ! (168) A TRAGEDY. That's him there, on his coffin, in the cart, An' that's his wife a-creepin' In the crowd — 'way off an' weepin' ; Oh, the law is jest a-breakin' of her heart ! That's him there, on the scaffol'. See ! he speaks ; There's a woman there, a-holdin' Of the hands they'll soon be foldin', An* the tears is jest a-rainin' down her cheeks. That's him there in the coffin lyin' low, An' the woman — first to love him An' the last to bend above him, Is his mother — but I reckon you would know! (169) SOME THOUGHTS OF LEE. How's all the boys down there in Lee — Joe John- son an' Doc Brown? When I think o' them, it 'pears to me the rain's a-comin' down; Or, it may be that the distance makes a haze aroun' my eyes — Fer the sunshine's kind o' blindin' when it comes from them old skies ! How's all the boys down there in Lee ? I guess they're livin' still, Fer I seem to hear 'em singin' down the road to Wells' mill, Where the water made sich music in the sweet an' old-time years ; (I think I hear it drippin' — but I guess it's jest my tears !) (170) SOME THOUGHTS OF LEE. 171 How's all the boys down there in Lee ? I guess they've 'bout fergot A feller what is gone away an' kinder changed his lot ; But yet he ain't fergot 'em — wherever he may be He'll always hear, in music clear, the far-off bells o' Lee ! The bells that used to ring fer us at early mornin' light ; The bells that used to sing fer us — soft in our dreams at night ; The dear old bells ! What organ swells one half as sweet to me As jest their " tinkle, tinkle " in the meadowy lands o' Lee ! But this isn't what I mean to say : How's all the boys down there ? I guess the frosts o' life has shed the silver on their hair — Or, it may be that the distance makes a haze aroun' my eyes, Fer the sunshine's kind o* blindin' when it comes from them old skies ! THE CHAP IN THE BRANCH. You may talk about your pleasures o' the summer time, an' sich, An' jest pile your money measures till the people say you're rich ; Take a trip off to the seashore, from your swel- terin' city ranch, But — the chap that has the most fun is a-wadin' in the branch ! You may kinder slip the weather by a trip acrost the sea, An' feel the salty blowin' o' the breezes brisk an' free, An' pay some other feller fer conductin' o' the ranch. But — the chap that keeps the coolest is a-wadin' in the branch ! (172) THE CHAP IN THE BRANCH. 173 Jest take a look an* see him : his feet is bare an' flat ; Suspenders made o' cotton, an' him wearin' one at that! His hat brim torn an' hangin' ! — jest keep your city ranch — The pictur' that's the brighest is the pictur' in the branch ! THE SONGS OF THE WIND. How sings the wind in the splendid day * When the world is wild with the wealth of May ? " The world is thrilling with light and love — There was never a cloud in the heavens above : Never a mateless and moaning dove ! Never a grave for a rose to hide, And never a rose that died ! " How sings the wind in the hopeless night When the lone, long winters are cold and white ? " There are rainbows back of the storms to be — Back of the storms and their mystery ; But oh, for the ships that are lost at sea ! And oh, for the love in the lonesome lands. Far from the clasp of the drowning hands ! " (»74) THE SONGS OF THE WIND, 175 So the wind singeth : Its God decrees The wind should sing such songs as these — Should laugh in the sunlight's silver waves And toss the green on the world's sad graves. But why, in the night, should it sing to me Of the ships — the ships that are lost at sea ? THE RAINBOW. Flash, storm, your lightnings from their sheath, While bolt on bolt is hurled ; Of your great wrath God makes a wreath Of glory round the world ! (176) THE WORD HE DIDNT SAY. When we went to camp meetin' I had a word to say, But I kept a-puUin' roses — like they all was in the way ! An* I did say : '^ Here's a red 'un ! an' this vi'let — ain't it blue ?" But what I wanted most to say was — " ain't as sweet as you ! " I recollect, 'twas rainin' ; — no, 'pears like the sun was out, Fer I seen your curls a-shinin' on your neck an' round about ; An' the moon was — no she wasn't ! — don't think the moon had riz ! (When a feller's got a sweetheart, don't she turn that head o' his ?) (177) 178 SONGS OF THE SOIL. When we went to camp meetin' — here goes ! I had a word To say to you, and that was jest the one that wasn't heard ! But since you ain*t here listenin', with them bright curls 'round your brow, I'll say, I loved you ! an' — an' — an' I'm lovin* of you now / THE WHIP-POOR-WILL. That was the song ! We heard it years ago — Hark ! from the wiry brambles and the deep, Dark woods, and where the valley's violets sleep, The curt, cool notes, melodiously flow ! That was the song ! In many a nest I know The birds are cuddled, and the clear skies weep Upon the morning-glories ; shadows creep Over the hollows where the hushed streams flow. That song ! that song ! and still your hand in mine, And still your true heart beating near my own ! And still the vines — the place — the garden still ! Dear heart, I love you ! Let your lips incline — The lips whose roses bloom for me alone As blooms the same song of the whip-poor-will ! (179) HUNT HIM DOWN. Ho! good people of every town, Here is a brother : hunt him down ! Roar at his heels like a raging flood — Slake your thirst with his heart's red blood ; For he was tempted — he sinned, he fell From heights of heaven to depths of hell ! Fugitive — fleeing the saintly town, Hunt him down ! Hunt him down ! Ho ! good people of every town, Sage and sinner and knave and clown, Swell the ranks with their storm and strife In the maddening race for a human life ! Pause not ye for his gasp and groan — Aim the arrow and hurl the stone ! Past the village and through the town Hunt him down ! Hunt him down ! (180) HUNT HIM DOWN, i8l Care not ye for the grief he feels ; Let the bloodhounds howl at his burning heels; Let the cold, sharp stones of the cruel street Pierce the wounds in his bleeding feet ! Hurl your hisses and block his way, Till he stands at last like a beast at bay ! Search the village and sack the town — Hunt him down ! Hunt him down ! Ho ! good people of every town, Let not mercy your justice drown ; '*Tis human game — 'tis a soul in woe, Whose white Redeemer died long ago ! Scourge him — slay him ! *tis little loss : A sinner clings to the crimson cross, Asking not for your shining crown, Dead in the darkness — hunted down ! CLOSE TO SPRINGTIME. Gittin' close to springtime — know it by the way The sun is streamin', gleamin' in the middle o' the day; Know it by the river that is lazyin* along, An' the mocking birds a-primpin' o' their feathers fer a song ! Gittin' close to springtime — know it by the signs, Hear it in the whisper o' the maples an' the pines; Feel it in the blowin' o' the breezes, singin' sweet ; See it in the daisies jest a-dreamin' at my feet ! Gittin' close to springtime; hope she'll come to stay ; Got a million kisses fer the red lips o' the May ! Wearyin' to meet her — list'nin' all the time Fer the tinkle o' her footsteps — her roses an' her rhyme ! (182) A SONG OF MYSTERIES. Who shall say what snowflakes light Falling on the lambs at night, Clothed them in their coats of white? Who shall say what veins of sun Through the rose's petals run, Till they crimson^ one by one ? This, O Heart, is all our knowing: Lambs are clad and flowers are blowing. When the wild birds are a-wing In the blue and bloom of spring. Who shall say what makes them sing ? Who shall tell this heart of mine Why in thunder and in shine Still the mossed-oak lures the vine? We but know the wild bird singeth And the lured vine clingeth, clingeth. 1 84 SONGS OF THE SOIL. Who shall say why rosiest dawn Gleameth, streameth, dreameth on, To the breast of Darkness drawn ? And why thou, by earth caressed, Still hath sought me — lovea me best, Crept like sunlight to my breast ? Day and Dark may love and sever. But thou lovest me forever ! MARY, AFTER CALVARY. In the night when they scourged Him and crowned Him With thorns that were sharp as their spears, They struck my white arms from around Him And fast fell my tears. And weeping and following slowly — They mocking my love and my loss, Knew not that my lips leaning lowly Kissed His steps to the cross ! They knew not my down-streaming tresses, With myrrh and with spikenard made sweet, Had covered with golden caresses His beautiful feet ! So, weeping, I followed my Master Till the cross was laid wearily down, (185) 1 86 SONGS OF THE SOIL. And the night in the heavens gloomed faster On Calvary's crown. And there — as He rested Him, weary, My love knew its sweetest reward — For His lips seemed to speak to me : " Mary ! " My name from my Lord ! No crown of sharp thorns did I weave Him To crimson His forehead of white ; The last in the darkness to leave Him, The first in the light ! For there, at the gates of His prison, Faith freed from doubt's darkened control, I knew that my Master was risen And joy filled my soul ! He liveth ! No more am I weeping, But still, where God's angels are fair, My love to His footstool is creeping And He smiles on me there ! WEARY THE WAITING. There's an end to all toiling some day — sweet day, But it's weary the waiting, weary ! There's a harbor somewhere in a peaceful bay Where the sails will be furled and the ship will stay At anchor — somewhere in the far-away — But it's weary the waiting, weary ! There's an end to the troubles of souls opprest, But it's weary the waiting, weary ! Some time in the future when God thinks best He'll lay us tenderly down to rest, And roses '11 bloom from the thorns in the breast — But it's weary the waiting, weary ! There's an end to the world with its stormy frown. But it's weary the waiting, weary ! (187) 1 88 SONGS OF THE SOIL. There's a light somewhere that no dark can drown, And where life's sad burdens are all laid down, A crown — thank God ! — for each cross — a crown! But it's weary the waiting, weary \ JONES'S COTTON PLANTER. He ain't of no account at all, jest give up ever'- thing Fer what he calls " inventin'/' been a-foolin' 'long sence spring With a queer kind o' contraption which has turned that head o' his ; Calls it "Jones's Cotton Planter," but the Lord knows what it is ! He took it to the city, showed it to the board o' trade, An' they thought it was amazin' an' said: '* Jones, your fortun's made ! " I know they was a-foolin' him — got lots o' imper- dence ! But he come home highfalutin', an' he hain't knowed nuthin' sence. (i8g) 190 SONGS OF THE SOIL. He's built himself a blacksmith shop, an' there h$ works away, With the pesky bellows roarin' like a cyclone night an' day ; Ain't reg'lar at his meals no more, man of a fam'ly, too ; I wish that cotton planter was in — Halifax, I do ! It strikes me they've got things enough without his makin' more. Unless he fixed up somethin' fer the grass that's at his door ; But the cotton planter's got him, an' the children's worked to death, Fer he keeps 'em at the bellows till they're almost out o' breath. Sich a blowin', sich a hammerin', sich a sawin* — never stops ; Can't git him interested in the weather or the crops. JONES'S COTTON PLANTER. 191 "I'm a-gittin' there!" he'll tell you; *' she'll be ready by the fall ; And Jones's cotton planter'll take the shine from off 'em all ! " He's done fur. No use talkin* ; he's a ruint man as sure As Betsy, there, is sittin' with her knittin' at the door; Alas ! fer all the children — they'll be down to skin an' bones, An' Jones's cotton planter'll be the epitaph o' Jones ! HAPPY LAN'. Three niggers with a banjer — it*s fun to hear *em sing— A rattlin' off the music on a knotted fiddle- string Acrost a old cigar box — they're happy on the way, An* they make '^ The Suwanee River '* sing a song to '' Nellie Gray ! " " With a plink, plank, plunk, An' it's happy Ian' Whar you doan give a nickel Fer a po' white man ! " Three niggers with a banjer — they're makin' music fine ; Jes' done a-choppin' cotton, where the white man had 'em gwine ! (192) HAPPY LAN\ 193 Doan care how corn's a-sellin' — be watermillions soon, An' that's why they're a-yellin' to the old planta- tion tune — ** With a plink, plank, plunk, An' it's happy Ian' Whar you doan give a nickel Fer a po' white man ! " Three niggers with a banjer — talk 'bout the " Sun- ny South," They sing like watermillions was a-meltin' in their mouth ; Jest happy as three blackbirds six miles from any trap : ** Oh, when yo' foot strike Zion yo' hat rim go ker-flap ! " " With a plink, plank, plunk, An' it's happy Ian' Whar you doan give a nickel Fer a po' white man ! " LET MISS LINDY PASS. Lizard on de fence rail, Blacksnake in de grass ; Rabbit in de brier-patch — Oh, let Miss Lindy pass ! Let Miss Lindy pass — Her foot won*t ben' de grass; Rabbit, lizard, blacksnake, Oh, let Miss Lindy pass. Squirrel in de co^nfieF, Eat yo' br'akfas* fas' ; Set up straight an' watch de gate An* let Miss Lindy pass. Let Miss Lindy pass, Lak' de sunshine on de grass ! Set up straight an' watch de gate An' let Miss Lindy pass. (194) LET MISS LINDY PASS. 195 White rose in de gyarden walk, Wid a dewdrap lookin'-glass, Bresh dat dew fum off' en you An' let Miss Lindy pass. Let Miss Lindy pass, An' she'll pin you on at las' ; De goodness knows she's de sweetes' rose — So let Miss Lindy pass ! A CHEAT! O April, you your skies may arch, But you're a cheat — no doubt ; You stole the blustering winds o' March To blow your curls about ! (196) TO A LITTLE FELLOW. Ho ! little fellow — how d'ye do ? Long time since I have looked on you ! But I know your eyes are the same bright blue- April eyes, where the sun slips through : Ho ! little fellow — how d'ye do ? Ho ! little fellow — how d'ye do ? Seem to feel, as I sit an' view Your picture, there on the mantel shelf, The arms, the charms of your own dear self ! For you kissed me oft, and you loved me true: Ho ! little fellow — how d'ye do ? Ho ! little fellow — how d'ye do ? Same little fellow that once I knew ? Never a change for all the years — Same sweet laughter and same bright tears ? (197) 198 SONGS OF THE SOIL, Oh, for a word from the lips of you ! Ho ! little fellow — how d'ye do ? Ho ! little fellow — far away ! Dream, some time, of the words I say, When the dark drifts over your eyes of blue, And the angels look through the lace at you ! Dream that I love you ; but love me, too ! Ho ! little fellow — how d'ye do ? A SONG. Sweetheart, there is no splendor In all God's splendid skies Bright as the lovelight tender That dwells in thy dear eyes ! Sweetheart, there are no blisses Like those thy lips distil ; Of all the world's sweet kisses Thy kiss is sweetest still ! Sweetheart, no white dove flying Had e'er as soft a breast As this sweet hand that's lying Clasped in my own — at rest ! Sweetheart, there is no glory That clusters 'round my life Bright as this bright, sweet story ^* My sweetheart and my wife ! " (199) MY GIFTS. Give not to me life's splendors — they would blind The eyes that now have light to see the way ; Only a little sunlight for my day, And for my night the shadows soft and kind ; And for my wealth the quiet of the mind, Gentle and sweet ; and lips that sing or say In kindness, and are answered when they pray ; And for my glory duty, love-defined. And give to me the love of her whose kiss Is recompense for toil ; whose smiles await My coming, brightening with expected bliss In some sweet spot where twilight lingereth late; And yet one other blessing crowning this, In little footsteps pattering to the gate : (200) A LITTLE BOOK. [Charles Warren Stoddard's South Sea Idyls.] A little book with here and there a leaf Turned at some tender passage ; how it seems To speak to me — to fill my soul with dreams Sweet as first love, and beautiful though brief ! Here was her glory ; on this page her grief — For tears have stained it ; here the sunlight streams, And there the stars withheld from her their beams And sorrow sought her white soul like a thief ! And here her name, and as I breathe the sweet, Soft syllables, a presence in the room Sheds a rare radiance ; but I may not look : The yellowed leaves are fluttering at my feet ; The light is gone, and I — lost in the gloom, Weep like a woman o'er this little book. (201) SAINT MICHAEL'S BELLS. I wonder if the bells ring now, as in the days of old, From the solemn star-crowned tower with the glittering cross of gold ; The tower that overlooks the sea whose shining bosom swells To the ringing and the singing of sweet Saint Michael's bells ? I have heard them in the morning when the mists gloomed cold and gray O'er the distant walls of Sumter looking seaward from the bay, And at twilight I have listened to the musical farewells That came flying, sighing, dying from sweet Saint Michael's bells. (202) SAIXT MICHAELS BELLS, 203 Great joy it was to hear them, for they sang sweet songs to me Where the sheltered ships rocked gently in the haven — safe from sea, And the captains and the sailors heard no more the ocean's knells, But thanked God for home and loved ones and sweet Saint Michael's bells. They seemed to waft a welcome across the ocean's foam To all the lost and lonely : " Come home — come home — come home ! Come home, where skies are brighter — where love still yearning dwells ! " So sang the bells in music — the sweet Saint Michael's bells ! They are ringing now as ever. But I know that not for me Shall the bells of sweet Saint Michael's ring wel- come o'er the sea ; 204 SONGS OF THE SOIL. I have knelt within their shadow, where my heart still dreams and dwells, But I'll hear no more the music of sweet Saint Michael's bells. Oh, ring, sweet bells, forever, an echo in my breast Soft as a mother's voice that lulls a loved one into rest ! Ring welcome to the hearts at home — to me your sad farewells When I sleep the last sleep, dreaming of sweet Saint Michael's bells ! SONG. Love is folly, Love is hate- Let us dwell with Love : He's a churl of low estate — He's a God above ! Piping robin — moaning dove — Loved because his name is Love . If he hath a garden spot — Dwelling in the light ; If he hath a savage cot, Covered by the night ; — We must love in praise or blame, Since sweet Love's his name — his name ! (205) MAID O' THE MIST. Are you watching the ships sailing southward^ O mystical Maid o' the Mist ? Do you wave your white hand When they're nearing the land — Are the tips of your white fingers kissed To the captains and sailors who shout o*ei the foam For joy of the lights in the harbor at home ? Are you watching the ships sailing southward, O beautiful Maid o' the Mist ? When the waves on the bars Make their moan to the stars, Do you keep with the night winds a tryst ? The watch fires are dead on the desolate strand And darkness hath hidden thy beckoning hand. (206) MAID a THE MIST. 207 You are watching the ships sailing southward, O Maid o' the Mist ! but I know That the pitiful waves Never tell of the graves Fathoms and fathoms below ; And the winds that blow inland o'er sea and o'er sound In mercy have stifled the cries of the drowned ! A SONG OF SHIPS. The sky made a whip o' the winds and lashed the sea into foam, And the keen blowing gales tore the flags and the sails of the ships that were plunging home ; Of the ships that were tossing home on the black and billowy deep, But who shall reach to the wrecks, the wrecks, where the ships and their captains sleep ? Oh, wrecks by the black seas tossed, In the desolate ocean nights ! Lost, lost in the darkness ! Lost In sight o' the harbor lights! The sky made a veil o' the clouds and a scourge o' the lightning red, And the blasts bowed the masts of the ships that fared where love and the sea gulls led; (208) A SONG OF SHIPS, 209 Of the ships that were faring home with love for the waiting breast, But where is the love that can reach to the wrecks where the ships and their captains rest ? Oh, ships of our love, wave-tossed, In the fathomless ocean nights ! Lost, lost in the blackness ! Lost In sight o* the harbor lights ! There was once a ship of my soul that tossed on a stormy sea. And this was my prayer when the nights gloomed drear : '' Send my souFs ship safe to me ! Send my soul's ship safely home from billows and blackened skies ! *' But where is the soul that can reach to the depths, the depths where my soul's ship lies ? Oh, ship of my soul, storm-tossed In the far and the fearful nights ! Lost, lost, in the blackness ! Lost In sight o' the harbor lights ! HER BEAUTIFUL HANDS. God's roses are sweet and His lilies are fair, As they bend 'neath the dews from above ; They are splendid and fair — but they can not com- pare With the beautiful hands of my love. No jewels adorn them — no glittering bands — They are just as God made them, these sweet, sweet hands ! y And not for earth's gems, or its bright diadems, Or the pearls from the depths of the sea, Or the queens of the lands with their beautiful hands Should these dear hands be taken from me. What exquisite blisses await their commands ! They were made for my kisses, these dear, sweet hands. (210) HER BEAUTIFUL HANDS, 21 1 Ay, made for my kisses ! And when, some day, My life shall be robbed of its trust. And the lips that are colder shall kiss them away And hide them in daisies and dust ; I will kneel in the dark where the angel stands And my kiss shall be last on these dear, sweet hands. TO THE NEW YEAR. One song for thee, New Year, One universal prayer : Teach us — all other teaching far above — To hide dark Hate beneath the wings of Love; To slay all hatred, strife, And live the larger life ! To bind the wounds that bleed : To lift the fallen, lead the blind As only Love can lead — To live for all mankind ! Teach us, New Year, to be Free men among the free, Our only master Duty ; with no God Save one — our Maker ; monarchs of the sod( Teach us, with all its might, Its darkness and its light ; (212) TO THE NEW YEAR. 213 Its heart-beats tremulous, Its grief, its gloom, Its beauty and its bloom — God made the world for us ! THE MASTER'S COMING. In a desolate Night and lonely, afar in a desolate land, I waited the Master's coming — the touch of His healing hand. The gates of His house were guarded and sealed with a seal of stone, Yet still for His steps I waited and wept in the dark alone. And I said : " When the guards are dreaming I will steal to His couch of rest ; He will think of my weary vigils and welcome me to His breast.'* But lo ! when the seal was broken, the couch where my Master lay Held only His shining raiment — they had taken my Lord away ! (214) THE MASTER'S COMING. 215 Then my soul in its grief and anguish lay down in the dark to die Under a hopeless heaven, under a sunless sky ; But my dreams were all of the Master — dear as my soul was dear, And waking, I saw the glory of His beautiful Pres- ence there ! And He said, as I fell and worshiped : ** Arise, and the Master see ; Behold the thorns that have crowned Him — the wounds that were made for thee ! " I wait for the Master's coming now as in days gone by, Under a hopeful heaven, under a cloudless sky ; And still when the guards are dreaming I steal tc> His couch of rest ; His smile through the darkness lightens, and wel comes me to His breast \ A SONG OF LIBERTY. Across the land from strand to strand Loud ring the bugle notes, And Freedom's smile from isle to isle, Like Freedom's banner floats. The velvet vales sing '^ Liberty ! " To answering skies serene ; The mountains, sloping to the sea, Wave all their flags of green. The rivers, dashing to the deep, Still echo loud and long, And all their waves in glory leap To one immortal song. One song of Liberty and Life That was and is to be, Till tyrant flags are trampled rags And all the world is free ! (216) A SONG OF LIBERTY. 217 One song — the nations hail the notes From sounding sea to sea, And answer from their thrilling throats That song of Liberty ! They answer and an echo comes From chained and troubled isles, And roars like ocean's thunder-drums Where glad Columbia smiles. Where, crowned and great, she sits in state Beneath her flag of stars. Her heroes' blood the sacred flood That crimsoned all its bars ! Hail to our Country ! strong she stands^ Nor fears the war drum's beat ; The sword of Freedom in her hands — , The tyrant at her feet ! (12) THE END.