Class JP_S^^£)_£^ 
 
 Book lA^ElS 
 
 GofiyrightN" 
 
 COPYRIGHT DEP08IC 
 
^^^'^t.^tZUy^u^ "^■''"'"''S^ . 
 
REGENTS' EDITION 
 
 SELECTIONS 
 
 FROM 
 
 IRVING'S SKETCH-BOOK 
 
 PREPARED AND EDITED BY 
 
 CLAUDE TOWNE BENJAMIN, A.B. 
 
 c 
 
 NEW YORK •:• CINCINNATI •:• CHICAGO 
 
 AMERICAN BOOK COMPANY 
 
"thTTTSraIyTRf 
 
 Two OoMM Hmumd 
 
 JAN. 22 \902 
 
 OOPVMQMT IHTRV 
 
 QLAS»a-XX& Mo. 
 
 rSV 
 
 •"^..^ 
 
 •M 
 
 -3^ 
 
 Copyright, 1892, 1901, and 1902, by 
 American Book Company. 
 
 Irv.'s Sk.-Bk. 
 w. p. I 
 
 Published by permission of Messrs. G. P. Putnam's Sons, the 
 publishers of the complete and authorized editions of Irviug's works. 
 
PREFACE. 
 
 This book has been prepar'ld^to meet the requirements for 
 First Year EngHsh and Advanced. EngJish prescribed by the 
 Regents of the University of the State of New York. All the essays 
 from the " Sketch Book " j^rescribeci For the study of literature are 
 included, two of them — the "Stage Coach " and the •'' Mutability 
 of Literature " ^- being made the subject of an extended grammati- 
 cal study, inductively developed. By means of questions and sug- 
 gestions, the pupil, whose familiarity with the elementary forms of 
 the English sentence is taken for granted, is led to observe for him- 
 self and to compare and classify grammatical facts. Aids in this 
 direction are offered in the form of references to standard gram- 
 mars and a series of supplementary notes dealing with points of 
 special difficulty. These suggestions obviate the vagueness apt to 
 result from questions asked without any guidance. 
 
 ?oo much time is often spent on the study of single words as 
 parts of speech,^^^he neglect of the analysis of sentences into 
 their constituent"p;i;ts. In this book special attention is devoted 
 to these major elements of sentence structure, for they are not 
 only the foundations of grammar, but also the epitome of rhetoric, 
 and a clear knowledge of such relations affords the student a 
 ready tool in his later study of paragraph structure. 
 
 As the exercises in this book, almost in their entirety, have 
 passed a successful test in class-room work, a suggestion as to the 
 best plan of using them may not be amiss. In writing the exer- 
 cises, the pupils should be directed to indicate the phrases and 
 clauses so far as practicable in abridged form. Special attention 
 should be given to the orderly arrangement of the work, and to 
 expression, punctuation, etc. The oral recitation may be devoted 
 
 5 
 
6 PREFACE. 
 
 to review and to discovering in the selection grammatical features 
 additional to those included in the regular exercise. If such a 
 method of study be pursued, it is believed that the pupil will find 
 the so-called technical grammar a pleasure, and that he will 
 acquire greater confidence in himself. 
 
 The author acknowledges his indebtedness to Miss Inez Cor- 
 cilius for careful reading of the proofs, and to several other 
 teachers for valuable assistance in preparing these exercises. 
 
 References to the grammars are made as follows : M, Maxwell's 
 Advanced Lessons in English Grammar; Met, Metcalfs English 
 Grammar for Common Schools ; H, Harvey's New English Gram- 
 mar for Schools ; B & S, Baskervill and Sewell's Enghsh Grammar; 
 R, Powell and Connolly's A Rational Grammar of the English 
 Language. The numbers refer to sections in the grammars of 
 Maxwell, and Baskervill and Sewell ; to pages in the others. 
 
 C. T. B. 
 
INTRODUCTION. 
 
 Washington Irving^ the eighth and youngest son of William 
 and Sarah Irving, was born in a house on William Street, in New 
 York City, April 3, 1783. His father was a descendant of an 
 old Orkney family, and his mother v/as a native of Falmouth, 
 England. Young Washington began his school days at the age 
 of four. At the age of sixteen his school days were over, and 
 he began the study of law. Though his education was of a 
 rudimentary and incomplete character, consisting of a smatter- 
 ing of Latin, music, and the ordinary English branches, he gave 
 early signs of a natural avidity for reading, and of a power of rap- 
 idly assimilating what he read. Sinbad, Robinson Crusoe, and 
 Gulliver made a deep impression on his young mind. His 
 early fondness for romance showed itself in many ways, and the 
 theater in John Street possessed for him a seductive charm, to 
 which he succumbed as often as he could steal away from home ; 
 for his father, of the stern ways and habits of the Scotch Cove- 
 nanter, looked upon theaters with hearty disfavor. In 1802 he 
 entered the law office of Josiah Ogden Hoffman, and, together 
 with his " Blackstone," he read general literature voraciously. 
 About this time his health began to fail, and he made frequent 
 trips up the Hudson and the Mohawk, to Ogdensburg, Montreal. 
 Albany, Schenectady, and Saratoga. While in Judge Hoffman's 
 
 7 
 
g INTRODUCTION. 
 
 office, he offset the tedium of his studies by writing, over the 
 name of " Jonathan Oldstyle," a series of papers for the " Morn- 
 ing Chronicle," a newspaper planned on the style of the " Spec- 
 tator" and "Tatler." His health continuing poor, in May he 
 went to Europe, spent six weeks in Bordeaux, studying the lan- 
 guage, seeing life, and enlarging the scope of his powers of obser- 
 vation. Then he visited the Mediterranean, gathering more ma- 
 terial, seeing new cities, studying the strong characters he met. 
 Sicily, Genoa, Naples, Rome, came beneath his eye, and he saw 
 Nelson's fleet spreading its sails for Trafalgar. At Rome a criti- 
 cal epoch in his life occurred. The atmosphere of music, of 
 which he was passionately fond, of art, and especially painting, 
 all tended to work powerfully on the artistic side of his nature, 
 and appealed strongly to the poetic temperament, that, in spite 
 of his keen sense of humor, was deep within him. At this time, 
 and in this atmosphere, he met Washington Allston, the artist, 
 and was almost persuaded by him to take up art ; but Irving, 
 convinced that his inclination was more the effect of his present 
 surroundings than of a deep latent artistic power within himself, 
 refrained, and continued his journey, seeking new faces and new 
 scenes. Irving was essentially a traveler. He saw at a glance 
 all those peculiarities and oddities of form and character that at- 
 tract and amuse ; and he had a happy way of putting up with in- 
 conveniences, getting the best out of everything that came before 
 his notice, and entering thoroughly into the spirit of his surround- 
 ings. Switzerland, the Netherlands, Paris, London, were in turn 
 visited. In London he saw John Kemble, Cooke, and Mrs. Sid- 
 dons. In February, 1806, he returned to this country, and was 
 admitted to the bar, but he never practiced law. He soon en- 
 gaged, with his brother William and James K. Paulding, in the 
 
INTRODUCTION. 9 
 
 issue (1807) of a humorously satirical semi-monthly periodical 
 called " Salmagundi, or the Whim-Whams and Opinions of Laun- 
 celot Langstaff, Esq., and Others." It was (juite successful in its 
 local hits, and in it Irving first awoke to a conception of his 
 power. In 1809 appeared the droll " History of New York by 
 Diedrich Knickerbocker. From the Beginning of the World to 
 the End of the Dutch Dynasty." It won for its author instant 
 fame. The book was cleverly advertised before it appeared, the 
 newspapers containing descriptions of a gentleman named Died- 
 rich Knickerbocker, who was said to have mysteriously disap- 
 peared without paying his board bill, but leaving behind him a 
 curious manuscript which his creditor -was about to publish. Just 
 before the book was completed, Irving underwent the great an- 
 guish of his life. The second daughter of Judge Hoffman, Ma- 
 tilda, with whom he was in love, died in her eighteenth year. 
 He remained true to her memory, and never married. The 
 " Knickerbocker History " was highly praised by Scott, who rec- 
 ognized its merit, and detected in it strong resemblances to the 
 style of Swift. The work was begun by Washington and his 
 brother Peter as a travesty on Dr. Samuel Mitchell's " Handbook 
 of New York;" but Peter sailed for Europe when five chapters 
 only were completed, and left Washington to finish the work. 
 The next year (18 10) Washington became a silent partner, with 
 a fifth interest, in the commercial house established in New York 
 and Liverpool by his brothers, and (181 3-14) was editorially 
 connected with the " Analectic Magazine " of Philadelphia, and 
 contributed a number of biographical sketches of American naval 
 commanders. In 18 14 he served four months as aide-de-camp 
 and military secretary to Gov. Tompkins, and in 181 5 sailed 
 again for Europe. About this time financial troubles began to 
 
I o INTROD UCTION. 
 
 gather over the business house ; and Washington, on arriving in 
 England, found his brother Peter ill, and thus considerable work 
 of a commercial nature devolved upon him. Yet in the midst of 
 business cares he found time for quiet rovings through Warwick- 
 shire and other parts of England, gathering material for " The 
 Sketch-Book," and mingling in society with the literary men of 
 the time. But the business troubles of the house increased, and 
 1816 and 181 7 were anxious years. It was in the latter year 
 that he met Scott in his home at Abbotsford, and felt the charm 
 of his family circle. In 18 18 the house went into bankruptcy. 
 Irving, declining a clerkship in the Navy Department, and defer- 
 ring an editorship which Scott held out to him, preferred to fol- 
 low his own literary pursuits, and brought out " The Sketch- 
 Book " (18 1 9) in America. It was unquahfiedly successful ; and 
 Irving, who had heretofore been held as the ornamental feature 
 of the family, became its 'financial stay, graciously returning the 
 kind favors of earlier days. Irving offered " The Sketch-Book " 
 to Murray & Constable for republication ; but they declined it, 
 in spite of Scott's recommendation. Irving then started to pub- 
 lish it himself, but, his publisher failing, its issue was stopped. 
 Scott induced Murray to buy it for two hundred pounds, which 
 was doubled on the success of the book. In 1820 Irving was in 
 Paris, and in 182 1 wrote " Bracebridge Hall," bringing it out in 
 
 1822. This year he was in Dresden. He returned to Paris in 
 
 1823, and the next year brought out "Tales of a Traveller." It 
 was severely criticised. The year 1826 found him in Madrid as 
 attache of the legation commissioned by A. H. Everett, United 
 States minister to Spain, to translate various documents relating 
 to Columbus, collected by Navarrete ; and from this work Irving 
 produced (1828) the " History of the Life and Voyages of Chris- 
 
IN TRODUC TION. 1 1 
 
 topher Columbus." For it he got three thousand guineas, and 
 the fifty-guinea medal offered by George IV. for historical com- 
 position. A pleasant sojourn in the south of Spain gave him 
 further insight into Spanish lore, and in 1829 the " Chronicles of 
 the Conquest of Granada " was given to the public. In the quiet 
 seclusion of the Alhambra, the same year, he wove a portion of 
 that graceful fabric which he gave the world in 1832. \Vhile in 
 the Alhambra he received word of his appointment as secretary 
 to the legation at London, and, reluctantly accepting it, returned 
 there. In 1831 appeared his "Companions of Columbus," and 
 the same year he received from Oxford the degree of LL.D. The 
 next year he returned to New York, after a foreign sojourn of 
 seventeen years, and was welcomed with tremendous enthusiasm. 
 He bought Sunnyside, below Tarrytown on the Hudson, and 
 prepared to settle quietly down to literary work ; but the restless 
 spirit of travel he had imbibed abroad induced him to take a fly- 
 ing trip through the West before doing so, and the summer of 
 the same year found him with Commissioner Ellsworth, interested 
 in the removal of the Indian tribes across the Mississippi. The 
 literary outcome of this digression was the " Tour on the Prai- 
 ries," which came out in 1835. With it came also " Abbotsford " 
 and " Newstead Abbey," and the '' Legends of the Conquest of 
 Spain," making up the "Crayon Miscellany." In 1836 came 
 " Astoria ;" and from 1839 to 1841 he contributed articles for the 
 " Knickerbocker Magazine," which were afterward gathered into 
 "Wolfert's Roost" (1855). From 1842 to 1846 Irving was 
 United States minister to Spain. Returning to his home, he 
 spent the remaining years of his life at Sunnyside, engaged in lit- 
 erary work, chiefly the " Life of Mahomet " and the " Life of 
 Washington." The final volume of this last was completed only 
 
1 2 INTR OD UC TION. 
 
 three months before he died. He passed away at Sunnyside, 
 Nov. 28, 1859. 
 
 Washington Irving was the first American who was admitted 
 by Englishmen on equal terms into the great republic of letters. 
 By him American literature was enriched in form and elegance, 
 and its scope enlarged. He opened the treasure-house of Span- 
 ish history and romance, and gave an impulse to historical and 
 biographical research. As an historian and biographer, his con- 
 clusions were carefully drawn, and just, and have stood the test 
 of time. 
 
 Possessed of a broad and genial nature, a rich poetic tempera- 
 ment, a fancy that was as nimble as it was sprightly, a facile and 
 ornate power of vivid and graphic description, and a pure and 
 graceful style that rivals that of Addison, he was the very prince 
 of story-tellers and the most fascinating of fireside companions. 
 His delicacy of touch was equal to the task of adding beauty to 
 the exquisite tracery of the Alhambra, and his refined imagina- 
 tion revivified the romantic legends of Granada, while his genial 
 humor created a cherished ancestry for his native city. With 
 such inimitable drollery did he place in succession upon his can- 
 vas the Dutch forefathers of New Amsterdam, that Diedrich 
 Knickerbocker, fleeing through the dormer-windowed streets of 
 New York, left behind him the legacy of a name as real and as 
 enduring as that of Peter Stuyvesant. 
 
 Yet it is in " The Sketch-Book," perhaps, more than in any 
 other of his works, that the qualities of style and mind which 
 have so characterized Washington Irving, and endeared him to 
 English-reading people, appear in their freshest, most varied 
 form, covering a wider range of humanity, bubbling over with a 
 humor that seems to have the inexhaustible spontaneity of a 
 
INTR OD UC TION. 1 3 
 
 spring. Here drollery, grace, pathos, grandeur, in turn touch the 
 heart and move the fancy. A broad, genial atmosphere per- 
 vades it, fresh and open as the blue sky, in which its characters 
 live, move, and have their being, drawn with a portraiture as real 
 as life, and with a gentle satire that has no trace of bitterness. 
 
 It is "The Sketch-Book " that affords such charming glimpses 
 of the good old English Christmas, and such graceful reflections, 
 under the shadow of the venerable Abbey ; while with its tatter- 
 demalion Rip Van Winkle, and its soft but timid-hearted peda- 
 gogue Ichabod Crane, it is " The Sketch-Book " which has given 
 to our noble Hudson the weird witchery of legend, charming as 
 the blue outline of the Catskills, and fascinating as the shades of 
 Sleepy Hollow. 
 
PHRASES, Etc. 
 
 2 
 ii] 
 
 < 
 
 > 
 
 > 
 
 M 
 
 t 
 
 
 < 
 
 
 X 
 
 h 
 
 < 
 
 « < ^ 
 
 P 
 
 S 
 
 
 < 
 
 
 w 
 
 in U 
 < CO 
 
 pa 
 
 < 
 Pi 
 
 Pi 
 
 Adverbial Phrases. 
 
 Section. 
 
 Page. 
 
 Page. 
 
 Section. 
 
 Page. 
 
 f Time, 
 ! place, 
 
 Prepositional adverbial 
 
 
 
 
 
 
 phrase as adverb . . 
 
 447 
 
 64 
 
 148 
 
 356 (2) 
 
 40-41 
 
 ■1 manner, 
 1 degree, 
 
 Adjective Phrases. 
 
 
 
 
 
 
 I etc. 
 
 Prepositional adjective 
 
 
 
 
 
 
 
 phrase as adjective 
 
 335 (4) 
 
 64 
 
 193 
 
 356(1) 
 
 51 
 
 
 Prepositional adjective 
 
 
 
 
 
 
 f Attribute, 
 
 phrase as complement 
 
 521(3.2) 
 
 206 
 
 193 
 
 350 (6) 
 
 256 
 
 ■; subjective 
 t predicate 
 
 Infinitive Phrases. 
 
 
 
 
 
 
 
 As subject of sentence . 
 
 368(1) 
 
 229 
 
 220 
 
 359(0 
 
 161 
 
 
 As object of sentence . 
 
 368 (2) 
 
 229 
 
 220 
 
 359 (2) 
 
 161 
 
 f Attribute, 
 
 As complement for noun 
 As part of noun phrase 
 
 368 (3) 
 
 229 
 
 220 
 
 350 (4) 
 
 161 
 
 ■\ subjective. 
 1, predicate 
 
 used as object . . . 
 
 368 (4) 
 
 229 
 
 222 
 
 ^^^^?X 
 
 239 
 
 
 AsadverblSr: : 
 
 368(5) 
 
 (231 
 
 ( 229 
 
 222 
 
 361(1) 
 361 (2) 
 
 162 
 
 
 As adjective phrase 
 
 
 
 
 
 
 
 modifying noun . . 
 
 368 (6) 
 
 229 
 
 222 
 
 360(111.) 
 
 161 
 
 
 Adjective phrase used as 
 
 
 
 
 
 
 r Attribute, 
 
 complement .... 
 
 368(7) 
 
 135 
 
 220 
 
 358 (I b-) 
 
 161 
 
 -{ subjective, 
 [ predicate 
 
 Used to explain it . . 
 
 239 
 
 135 
 
 213 
 
 92(3) 
 
 224 
 
 Apposition 
 
 Independent .... 
 
 536 (4) 
 
 
 220 
 
 355 (3) 
 
 255 
 
 
 Participles. 
 
 
 
 
 
 
 
 Participle used as ad- 
 
 
 
 
 
 
 
 jective 
 
 384 
 
 131 
 
 109 
 
 143 (4) 
 
 151 
 
 
 Pure participle 
 
 380 
 
 131 
 
 109 
 
 263 
 
 151 
 
 \ Abstract 
 ( noun 
 
 Gerund 
 
 381 
 
 m 
 
 109 
 
 272 
 
 151 
 
 Verbal noun .... 
 
 381 
 
 ^zz 
 
 109 
 
 274(6) 
 
 
 
 Participial phrase used 
 
 
 
 
 
 
 [Attribute, 
 ^ subjective. 
 
 as complement . . . 
 
 See notes 
 
 m 
 
 109 
 
 350(5) 
 
 151 
 
 Participial phrase, as ad- 
 
 
 
 
 
 
 l^ predicate 
 
 jective . . . '. . 
 
 530 (3 ^) 
 
 131 
 
 193 
 
 351 (6) 
 
 151 
 
 
 General. 
 
 
 
 
 
 
 
 Infinitive after bid, dare, 
 
 
 
 
 
 
 
 feel, etc. ... 
 
 366 
 526 
 
 229 
 243 
 
 113 
 173 
 
 358(1^) 
 352(5) 
 
 235 
 222 
 
 
 Indirect object 
 
 
 
 There, expletive . 
 
 
 593 (6) 
 
 258 
 
 147 
 
 292 
 
 224 
 
 
 It, anticipatory 
 
 
 239 
 
 210 
 
 213 
 
 92(3) 
 
 224 
 
 
 Like 
 
 
 586 
 441 (7) 
 
 63 
 
 230 
 148 
 
 333 
 
 263 
 
 r Also as- 
 ■! sertion, 
 [ denial 
 \ Factitive 
 
 Modal adverb 
 
 
 282 (6) 
 
 255 
 
 As, uses of . . . 
 
 
 445 (5) 
 
 256 
 
 228 
 
 332 
 
 262 
 
 Objective complemei 
 
 t . 
 
 528 
 
 245 
 
 173 
 
 344 
 
 222 
 
 'f object 
 
 Subject of infinitive 
 
 
 195 (7) 
 
 242 
 
 
 
 239 
 
 f Explana- 
 [ modifier 
 
 Apposition, noun, etc, . 
 
 574 
 
 43 
 
 207 
 
 351(2) 
 
 98 
 
 14 
 
CLAUSES, Etc. 
 
 Adjective Clauses. 
 Relative introduced by 
 
 that, zoho, which . . 
 Clause introduced by 
 
 conjunctive adverb 
 
 where = in which, etc. 
 
 Noun Clauses. 
 Noun clause as subject 
 Noun clause as object 
 Noun clause as object of 
 
 preposition . . . 
 Noun clause as comple 
 
 ment 
 
 Noun clause as apposi 
 tive 
 
 Noun clause to explain it 
 Noun clause, short quo- 
 tation 
 
 Adverbial Clauses. 
 Adverbial clause of time 
 Adverbial clause of place 
 Adverbial clause of man- 
 
 ner . 
 
 Adverbial clause of de- 
 gree 
 
 Adverbial 
 
 clause of 
 cause 
 
 Adverbial clause of re- 
 sult 
 
 Adverbial clause of pur- 
 pose 
 
 Adverbial clause of con- 
 dition 
 
 Adverbial clause of con- 
 cession 
 
 Absolute construction . 
 
 General. 
 Noun used adverbially 
 
 Collective noun . . 
 
 Abstract noun . . 
 
 Concrete noun . . 
 Reflexive pronoun 
 
 Direct address . . . 
 
 Section. 
 553 
 
 554 
 
 545(0 
 545 (2) 
 
 545 (2) 
 
 545 (3) 
 
 545 (4) 
 
 548 
 
 551 
 
 557(2) 
 557(0 
 
 557(3) 
 
 557 (4) 
 
 557(5) 
 
 557 (6) 
 
 557(7) 
 
 557(8) 
 
 557(9) 
 534(3) 
 
 534(0 
 
 150 
 
 153 
 
 148 
 
 249 
 
 200 
 
 I 
 
 > i 
 
 OS 1 
 
 <: 
 
 Page. 
 
 Page. 
 
 71 
 
 194 
 
 71 
 
 194 
 
 214 
 
 193 
 
 214 
 
 194 
 
 214 
 
 210 
 
 214 
 
 193 
 
 214 
 
 207 
 
 213 
 
 213 
 
 See 
 
 notes 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 252 
 
 194 
 
 207 
 
 193 
 
 66 
 29 
 187 
 
 211 
 
 64 
 
 64 
 
 36 
 
 
 22 
 
 179 
 
 U < 
 
 Section. 
 
 375 
 
 375 
 
 373(0 
 373 (2j 
 
 373(5) 
 
 373(3) 
 
 ZIZ (4) 
 373 (4 0) 
 
 378(0 
 378 (2) 
 
 378 (4) 
 
 378(5) 
 
 378 (3) 
 
 378 (7) 
 
 378 (6) 
 
 31^ (8) 
 
 21^ (9) 
 355 (5) 
 
 59(3) 
 
 15 
 
 96 
 
 58(4) 
 
 Page. 
 60 
 
 61 
 
 61 
 61 
 
 258 
 258 
 
 254 
 224 
 
 41 
 41 
 
 40 
 
 187. 
 
 41 
 
 174 
 192 
 
 249 
 
 99 
 90 
 
 132 
 
 255 
 
 A djective, 
 noun, 
 adverb, 
 dependent 
 (subordi- 
 nate) 
 clauses 
 
 r Attribute, 
 
 i subjec- 
 tive, 
 predicate 
 
 f Explana- 
 <; tory 
 I. modifier 
 Appositive 
 
 \ Often 
 "/ elliptical 
 
 Also coin- 
 I parison 
 "1 often el- 
 I liptical 
 Also reason 
 
 ( Also con- 
 I sequence 
 
 j Also ma- 
 1 terial 
 
 j Compella- 
 
 15 
 
CONTENTS. 
 
 PAGE 
 
 The Stage Coach 17 
 
 The Mutability of Literature 32 
 
 The Voyage 60 
 
 Christmas 67 
 
 Christmas Eve . 73 
 
 Christmas Day 86 
 
 The Legend of Sleepy Hollow 102 
 
 Rip Van Winkle ' . 138 
 
 The Wife 157 
 
 The Art of Book-Making 165 
 
 Stratford-on-Avon 173 
 
 16 
 
THE STAGECOACH. 
 
 IN the preceding paper I have made some general observations 
 on the Christmas festivities of England, and am tempted to 
 illustrate them by some anecdotes of a Christmas passed in the 
 country ; in perusing which I would most courteously invite my 
 5 reader to lay aside the austerity of wisdom, and to put on that 
 genuine holiday spirit which is tolerant of folly, and anxious only 
 for amusement. 
 
 In the course of a December tour in Yorkshire, I rode for a 
 
 long distance in one of the public coaches on the day preceding 
 
 10 Christmas. The coach was crowded, both inside and out, with 
 
 EXERCISE. 
 
 (a) From the above select three prepositional adverbial phrases 
 of place, and give syntax of each. M^ 447; Met 64; H 148; 
 B&S356(2); R 40, 41. 
 
 {b') Give syntax of infinitive phrase, to illustrate . . . country 
 (I.3). M368(7); Met 135 ; H 220; B&:S358(i^); R 161. 
 
 (<r) What relation does the clause in . . . amusement (1. 4) 
 bear to the paragraph in which it is found ? See notes. 
 
 (^) Give class and syntax of the infinitives to lay . . . wisdom 
 (1. 5) and to put . . . amuse?nent (1. 5). M 528; Met 245; 
 H 173; B&S344; R 222. 
 
 (<f) Classify the following prepositional adverbial phrases, as 
 denoting time, place, manner, degree, and give syntax of each : In 
 the course . . . Yorkshire (1. 8) ; for . . . distance (1. 8) ; i7i 
 . . . coaches (1. 9) ; on . . , Christmas (1. 9). M 447, 441; 
 Met 64 : H 148 ; B & S 282, 356 (2) ; R 40-41. 
 
 (/) Parse the italicized words found in the above. See notes ; 
 also M 381 ; Met 131, 133 ; H 109 ; B & S 263 ; R 160, 162. 
 
 1 For meaning of abbreviations, see p. 6. 
 
 17 
 
1 8 IRVING. 
 
 passengers, who, by their talk, seemed principally bound to the 
 mansions of relations or friends, to eat the Christmas dinner. It 
 was loaded also with hampers of game, and baskets and boxes of 
 delicacies ; and hares hung dangling their long ears about the 
 
 5 coachman's hoyi^ presents from distant friends for the impending 
 feast. I had three fine rosy-cheeked schoolboys for my fellow- 
 passengers inside, full of the buxom health and manly spirit 
 which I have observed in the children of this country. They 
 were returning home for the holidays in high glee, and promising 
 
 lo themselves a world of enjoyment. // was delightful to hear the 
 
 EXERCISE. 
 
 {a) with passengers (1. i) ; by their talk (1. i) ; to the 7nan- 
 sions . . .friends (1. i) ; to eat . . . dinner (1. 2), are phrases. 
 Classify them (i) according to their form, (2) according to their 
 use, (3) according to their function, and give syntax of each. 
 See notes. 
 
 {b) Classify and give syntax of the following phrases : bound 
 . . . dinner (1. i), and dangling . . . box (1. 4). See notes. 
 Met 133 ; H 109 ; B & S 350 (5) ; R 151. 
 
 (e) Parse presents (1. 5). M 574; Met 43 ; H 207 ; B & S 
 
 351 (2); R98. 
 
 {d) VdJSQ themselves (1. 10). M 249; Met 36 ; B & S 96 ; 
 R132. 
 
 {e) Parse // (1. 10). M 239 ; Met 135 ; H 213 ; B & S 92 (3) ; 
 R 224. 
 
 (/) Give syntax of the phrase, to hear . . . pedagogue (1. 10). 
 M 239; Met 135; H 213; B&S92 (3) ; R 224. 
 
 {g) Write, classify, and give syntax of each dependent clause 
 in the above. 
 
 {li) Combine the following statements into a complex sentence 
 which shall contain two relative adjective clauses : — 
 
 I had three fine rosy-cheeked schoolboys. The schoolboys were my fellow- 
 passengers. They were full of buxom health and manly spirit. 
 
THE SKETCn-BOOK-. ig 
 
 gigantic plans of pleasure of the little rogues, and the impractica- 
 ble feats they were to perform during their six-weeks' emancipation 
 from the abhorred thraldom of book, birch, and pedagogue. They 
 were full of the anticipations of the meeting with the family and 
 5 household, doivn to the very cat and dog, and of the joy they 
 were to give their litUe sisters by the presents with which their 
 pockets were crammed ; but the meeting to which they seemed 
 to look forward with the greatest impatience was with Bantam, 
 which I found to be a pony, and, according to their talk, pos- 
 
 lo sessed of more virtues than any steed since the days of Buceph- 
 alus.^ How he could trot ! How he could run ! And then such 
 leaps as he would take ! There was not a hedge in the whole 
 country that he could not clear. 
 
 They were under the particular guardianship of the coachman, 
 
 15 to whom, whenever an opportunity presented, they addressed a 
 host of questions, and pronounced him one of the best fellows in 
 
 EXERCISE. 
 
 {a) Give class and syntax of the clause, they . . . pedagogue (1. 2). 
 M 553 ; Met 71 ; H 194 ; B & S 375 ; R 60. What connecting 
 word is understood? What is its omission called? See notes. 
 
 {b) Give syntax of infinitive to perform (1. 2). M 368 (7); 
 Met y5 ; H 220 ; B & S 358 i ^ ; R 161. 
 
 (^) Select three other infinitives from the above, state how 
 used, and give syntax of each. See (<^). 
 
 (^) Give syntax of the phrase down to . . . dog (1. 5). M 335 
 (4); Met 64; H 193; B&S356 (i); R 51. 
 
 {e) with the family (1. 4), by the presents (1. 6), /;/ the whole 
 country (1. 12) are phrases. Classify the above as denoting 
 (i) accompaniment, (2) place in lahich, (3) means or instrument. 
 
 (/) Classify and give syntax of clause tlian any steed i^^?^ pos- 
 sessed) (1. 10). M557 (4); Met 252: H i94;"^B&S378(5); 
 R40. 
 
 (^) Parse the italicized words in the above selection. 
 
 1 The horse of Alexander the Great. 
 
20 IR VJNG. 
 
 the whole world. Indeed, I could not but notice the more than 
 ordinary air of bustle and importance of the coachman, who wore 
 his hat a little on one side, and had a large bunch of Christmas 
 greens stuck in the buttonhole of his coat. He is always a per- 
 
 ssonage full of mighty care and business, but he is particularly so 
 during this season, having so many commissions to execute in 
 consequence of the great interchange of presents. And here, 
 perhaps, it may not be unacceptable to my untraveled readers to 
 have a sketch that may serve as a general representation of this 
 
 10 very numerous and important class of functionaries, who have a 
 dress, a manner, a language, an air, peculiar to themselves, and 
 prevalent throughout the fraternity ; so that, wherever an English 
 stagecoach-man may be seen, he cannot be mistaken for one of 
 any other craft or mystery. 
 
 15 He has commonly a broad, full face, curiously mottled with 
 red, as if the blood had been forced by hard feeding into every 
 vessel of the skin. He is swelled into jolly dimensions by fre- 
 quent potations of malt liquors ; and his bulk is still further in- 
 
 EXERCISE. 
 
 {a) Parse indeed (1. i). Its office here? See notes. 
 
 {b) What kind of an expression is / . . . notice (1. i) ? 
 
 {c) Select the relative adjective clauses, and give syntax of 
 each. Study M 553,554; Met 71 ; H 194 ; B & S 375 ; R 60, 61. 
 
 {d) Select (i) an infinitive used like an adjective to modify a 
 noun, (2) one used to explain //. M 368 (6), 239; Met 229, 
 135 ; H 222, 213 ; B & S 360 HI. 92 (3) ; R 161, 224. 
 
 {e) so that . . . wj'i'/*?;^; (1. 12) is what kind of a clause? Give 
 its syntax. M 557 (6) ; Met 252; H 194 ; B & S 378 (7). 
 
 (/) Rewrite the following sentences, changing the italicized 
 participle in (a) to an adverbial clause of cause, and the italicized 
 adjectives in (b) to a relative adjective clause. 
 
 (a) He is a person full of business, having so many commissions to per- 
 form. (J)) He has commonly a broad full {?LCt. 
 
 (g) Give syntax of italicized words. See notes. 
 
rilE SKETCH-BOOK. 21 
 
 creased by a multiplicity of coats, in which he is buried like a 
 cauliflower, the upper one reaching to his heels. He wears a 
 broad-brimmed, low-crowned hat ; a huge roll of colored hand- 
 kerchief about his neck, knowingly knotted and tucked in at the 
 
 5 bosom ; and has in summer time a large bouquet of flowers in 
 his buttonhole, — the present, most probably, of some enamored 
 country lass. His waistcoat is commonly of some bright color, 
 striped, and his small-clothes extend far below the knees, to meet 
 a pair of jockey boots which reach about halfway up his legs. 
 
 10 All this costume is maintained with much precision. He has 
 a pride in having his clothes of excellent materials ; and, notwith- 
 standing the seeming grossness of his appearance, there is still 
 discernible that neatness and propriety of person which is almost 
 inherent in an Englishman. He enjoys great consequence and 
 
 15 consideration along the road ; has frequent conferences with the 
 village housewives, who look upon him as a man of great trust 
 and dependence ; and he seems to have a good understanding 
 with every bright-eyed country lass. The moment he arrives 
 
 EXERCISE. 
 
 (^) The construction, the tipper one . . . heels (1. 2), is how 
 used? M 534 (3) ; Met 207 ; H 193 ; B & S 355 (5) ; R 249. 
 
 {b') Give class and syntax of infinitive phrase, to meet . . . tegs 
 (1. 8). M 368 (5) ; Met 231; H 222 ; B&S 361 (i) ; R 162. 
 
 (e) Select three relative adjective clauses, and give syntax of 
 each. Study M 553 ; Met 71 ; H 194 ; B & S 375 ; R 60. 
 
 (d) Give syntax of the infinitive phrase, to have . . . lass (1. 17). 
 M368(7); M 135 ; H 220; B & S 358 (i ^) ; R 161. 
 
 {e) Change the infinitives in 1. 8, 17 to equivalent clauses. 
 
 (/) Parse the italicized words in the above. See notes. 
 
 {g) He enjoys great consideration along the road. He has frequent con- 
 ferences with the village housewives. They look upon him as a man of trust. 
 
 Combine (^) into a complex sentence. Make the second 
 statement an adverbial clause of cause ; the third, a relative ad- 
 jective clause. 
 
22 IRV/NG. 
 
 where the horses are to be changed, he throws down the reins 
 with something of an air, and abandons the catt/e to the care of 
 the hostler, his duty being merely to drive them from one stage 
 to another. When off the box,^ his hands are thrust in the pock- 
 
 5 ets of his great-coat, and he rolls about the inn yard with an air 
 of the most absolute lordliness. Here he is generally surrounded 
 by an admiring throng of hostlers, stable-boys, shoeblacks, and 
 those nameless hangers-on that infest inns and taverns, and run 
 errands, and do all kinds of odd jobs, for the privilege of batten- 
 
 10 ing on the drippings of the kitchen and the leakage of the tap- 
 room. These all look up to him as to an oracle : treasure up his 
 cant phrases ; echo his opinions about horses and other topics of 
 jockey lore ; and, above all, endeavor to imitate his air and car- 
 riage. Every ragamuffin that has a coat to his back, thrusts his 
 
 15 hands in the pockets, rolls in his gait, talks slang, and is an em- 
 bryo coachey.^ 
 
 EXERCISE. 
 
 (cz) Give class and syntax of the clause, where . . . to be chaiiged 
 (1. I). M557 (i); Met 252; H 194; B & S 378 (2); R 41. 
 
 {b) his duty being . . . another (1. 3) is a participial phrase. 
 Howused? M534(3) ; Met 207 ; Hi93;B&S355 (5); R 249. 
 
 (^) Give syntax of infinitive phrase, merely to drive . . . another 
 (1. 3). M 368(3) ; Met 229; H 220; B & S 350 (4) ; R 161. 
 
 (^) When . . . box (1. 4) is an elliptical clause. Write in full. 
 Give class and syntax. M 557 (2) ; Met 252 ; H 194 ; B & S 378 
 (i); R41. 
 
 (<?) Write in full, as to an 07'acle (1. 11). Give class and syntax. 
 M 557 (3) ; Met 252 ; H 194 ; B & S 378 (4) ; R 40. 
 
 (/) Select from the above adverbial phrases denoting (i) man- 
 ner, (2) end of motion, {t^ place from which, (4) agency. 
 
 (g) Give syntax of infinitive phrase, to imitate . . . carriage 
 (1. 13). M 368 (2) ; Met 229 ; H 220 ; B & S 359 (2) ; R 161. 
 
 (/z) Parse the italicized words in the above. See notes. 
 
 1 The driver's seat on a coach. 2 Coachman; stage driver. 
 
THE SKETCH-BOOK. 23 
 
 Perhaps it might be owing to the pleasing serenity that reigned 
 in my own mind, that I fancied I saw cheerfuhiess in every 
 countenance throughout the journey. A stagecoach, however^ 
 carries animation always with it, and puts the world in motion as 
 
 5 it wliirls along. The horn, sounded at the entrance of a village, 
 produces a general bustle. Some hasten forth to meet friends ; 
 some, with bundles and bandboxes, to secure places, and, in the 
 hurry of the moment, can hardly take leave of the group that 
 accompanies them. In the mean time the coachman has a world 
 
 10 of small commissions to execute: sometimes he delivers a hare 
 or pheasant ; sometimes jerks a small parcel or newspaper to the 
 door of a public house ; and sometimes, with knowing leer and 
 words of sly import, hands to some half-blushing, half-laughing 
 housemaid an odd-shaped billet-doux from some rustic admirer. 
 
 15 As the coach rattles through the village, every one runs to the 
 window, and you have glances on every side of fresh country 
 faces and blooming giggling girls. At the corners are assembled 
 
 EXERCISE. 
 
 {a) What kind of clause is that . . . journey (1. 2)? Give 
 syntax. M 548 ; Met 213 ; H 213 ; B & S 373 (4 <^) ; R 224. 
 
 (^) Give class and syntax of clause, tliat . . . my mind {\. i). 
 M553; Met 71 ; H 194; B & S 375 ; R 60. 
 
 iyC) as it ivhirls along (1. 5) is an adverbial clause. What does 
 it express? Give its syntax. M 557 (2); Met 252; H 194; 
 B&S378 (i); R41. 
 
 (^) Give class and syntax of the infinitive phrases, to meet 
 friends (1. 6), to secure places (1. 7). M ^i^dZ (5); Met 231; 
 H 222 ; B & S 361 (i) ; R 162. Change these infinitives to 
 clauses of like meaning, and classify the clauses. 
 
 {e) The coach rattles through the village. Every one runs to the v^^indow. 
 You have glances on every side. The glances are those of fresh country faces. 
 
 Combine the above statements into a compound sentence, the 
 two members of which shall be complex. 
 (/) Parse the italicized words. See notes. 
 
24 IR VI NG. 
 
 juntos^ of village idlers and wise men, who take their stations 
 there for the important purpose of seeing company pass ; but the 
 sagest knot is generally at the blacksmith's, to whom the passing 
 of the coach is an event fruitful of much speculation. The smjth, 
 
 5 with the horse's heel in his lap, pauses as the vehicle whirls by; 
 the Cyclops^ round the anvil suspend their ringitig hammers, and 
 suffer the iron to grow cool ; and the sooty specter, in brown 
 paper cap, laboring at the bellows, leans on the handle for a 
 moment, and permits the asthmatic engine to heave a long-drawn 
 
 10 sigh, while he glares through the murky smoke and sulphureous 
 gleams of the smithy. 
 
 EXERCISE. 
 
 (^) Give syntax of the clause, who . . . pass (1. i). 
 
 {d) Change the phrase, /^r purpose . . . pass (1. 2), to an 
 adverbial clause. M 557 (7) ; Met 252 ; H 194 ; B & S 378 (6). 
 
 (c) Give syntax of the infinitive {lo) pass (1. 2). M 528 ; Met 
 245 ; H 1 73 ; B & S 344 ; R 222. Point out two other infinitives 
 Hke the above, and give the syntax of each. 
 
 (^) Select (i) an adverbial phrase denoting accompaniment, 
 (2) three denoting p/ace, (3) and one denoting fime. 
 
 (e) Select two adverbial clauses denoting time, and give syntax 
 of each. M 557 (2) ; Met 252 ; H 194 ; B & S 378 (i) ; R 41. 
 
 (/) Give part of speech and syntax of words in italics. See notes. 
 
 (g) The smith has the horse's heel in his lap. He pauses as the vehicle 
 whirls by. The cyclops are around the anvil. They suspend their ringing 
 hammers. They suffer the iron to grow cool. 
 
 Combine the above statements into a compound sentence, each 
 member to be complex. Change the second statement to an 
 adverbial clause of time ; the fourth and fifth to participial 
 phrases. 
 
 1 Originally private councils; here merely in the sense of gossiping groups. 
 
 2 The cyclops were a race of stalwart giants with one eye in their fore- 
 heads. The allusion is to their size and strength as gigantic blacksmiths. 
 
THE SKETCH-BOOK 25 
 
 Perhaps the impending holiday might have given a more than 
 usual animation to the country, tor it seemed to me as //every- 
 body was in good looks and good spirits. Game, poultry, and 
 other luxuries of the table, were in brisk circulation in the vil- 
 
 slages. The grocers', butchers', and fruiterers' shops were 
 thronged with customers. The housewives were stirring briskly 
 about, putting their dwellings in order; and the glossy branches 
 of holly, with their bright-red berries, began to appear at the 
 windows. The scene brought to mind an old writer's account of 
 
 10 Christmas preparations : " Now capons and hens, besides tur- 
 keys, geese, and ducks, with beef and mutton — must all die — 
 for in twelve days a multitude of people will not be fed with a 
 little. Now plums and spice, sugar and honey, square it among 
 pies and broth. Now or never must music be in tune, for the 
 
 15 youth must dance and sing to get them a heat, while the aged 
 sit by the fire. The country maid leaves half her market, and 
 
 EXERCISE. 
 
 (^) Give syntax of clause, /?/- . . . spirits (1. 2). What does 
 it express? M 557 (5) ; Met 252; H 194; B & S 378 (3) ; 
 R 41. Select from the above another clause of this kind. 
 
 {I?) as if . . . spirits (1. 2) is how used? M 548; Met 213; 
 H 213; B&S373 (4 b) ; R 224. 
 
 {e) in . . . villages (1. 4) is what kind of a phrase and how 
 used? M521 (3-2); Met 206; H 193 ; B&S35o(6); R 256. 
 
 {d) Select an infinitive phrase that is the object of a verb. 
 M 368 (2) ; Met 229 ; H 220 ; B & S 359 (2) ; R 161. 
 
 (<?) in the villages (1. 4) ; with customers (1. 6) ; to mind (1. 9) ; 
 with beef and mutton (1. 11) ; with a little (1. 12). Classify the 
 above phrases as denoting (i) instrument or means, (2) limit of 
 motion, (3) accompaniment, and (4) place in which. 
 
 (/) What of the idiom square it (1. 13) ? See notes. 
 
 {g) Give syntax of the participial adjective phrase, putting . . . 
 in order (1, 7). See notes. 
 
 {li) Give part of speech and syntax of the italicized words. 
 
26 IRVING. 
 
 must be sent again, if she forgets a pack of cards ^ on Christ- 
 mas Eve. Great is the contention of holly and ivy, whether mas- 
 ter or dame wears the breeches. Dice and cards benefit the 
 butler ; and if the cook do not lack wit, he will sweetly lick his 
 5 fingers."^ 
 
 I was roused from this fit of luxurious meditation by a shout 
 from my little traveling companions. They had been looking 
 out of the coach windows for the last few miles, recognizing 
 every tree and cottage as they approached home, and now there 
 10 was a general burst of joy. "There's John, and there's old 
 Carlo, and there's Bantam ! " cried the happy little rogues, clap- 
 ping their hands. 
 
 At the end of a lane there was an old, sober-looking servaitt 
 
 EXERCISE. 
 
 {a) What is the difference in sense of the two constructions : 
 The country inaid . . . again, if she forgets . . . Eve (1. i), 
 and if the cook do not lack wit, he will . . . lick his fngers (1. 4) ? 
 M 364 (i) ; Met 227 ; H 145 ; B & S 221 ; R 174. 
 
 (b) Give class and syntax of the clause, whether . . . breeches 
 (1. 2). M 545 (4) ; Met 214 ; H 207 ; B & S 373 (4) ; R 254. 
 
 (c) How is the participial adjective phrase, recognizing . . . 
 home (1. 8) used? See notes. 
 
 (^) Select from the above and classify the adverbial clauses, 
 giving the syntax of each. M 557; Met 252; H 194; B&S 
 378; R41. 
 
 (^) What is the syntax of the quotation, " There's John . . . 
 Bantam'' (1. 10) ? M 551. 
 
 (/) Give the part of speech and syntax of the words in italics. 
 See notes. 
 
 (g) At the end of the lane was an old sober-looking servant. 
 Change this to a complex sentence. 
 
 1 Cards furnished one of the great resources at this season of long evenings. 
 - Stevenson, in Twelve Months (1661). 
 
THE SKETCH-BOOK. 
 
 27 
 
 in livery, waiting for them. He was accompanied by a superan- 
 nuated pointer, and by the redoubtable Bantam, — a little old rat 
 of a pony, with a shaggy mane, and long, rusty tail, who stood 
 dozing quietly by the roadside, little dreaming of the bustling 
 5 times that awaited him. 
 
 I was pleased to see the fondness with which the little fellows 
 leaped about the steady old footman, and hugged the pointer, 
 who wriggled his whole body for joy. But Bantam was the 
 great object of interest. All wanted to mount at once ; and it 
 
 10 was with some difficulty that John arranged that they should ride 
 by turns, and the eldest should ride first. 
 
 Off they set at last, — one on the pony, with the dog bounding 
 and barking before him ; and the others holding John's hands, 
 both talking at once, and overpowering him with questions about 
 
 15 home, and with school anecdotes. I looked after them with a 
 feeling in which I do not know whether pleasure or melancholy 
 predominated ; for I was reminded of those days when, like 
 them, I had neither known care nor sorrow, and a holiday was 
 
 EXERCISE. 
 
 {a) Select the adjective clauses, and give syntax of each. 
 M SSh 554 ; Met 71 ; H 194 ; B & S 375 ; R 60, 61. 
 
 yd) Give syntax of the phrase, dozing . . . roadside (1. 4). 
 
 {c) Give syntax of the infinitive phrase, to see . . .for joy (1. 6). 
 M 368 (5) ; Met 229 ; H 222 ; B & S 361 (2) ; R 162. 
 
 i^d) Select an infinitive used like a noun as object of a verb. 
 
 (^) that John . . . ride first (1. 10) is a noun clause; how is 
 it used? M 548 ; Met 213 ; H 213 ; B & S 373 (4 b) ; R 224. 
 
 (/) Give syntax of the clause, that they . . . ?-idefi?-st (1. 10). 
 M 545 (2) ; Met 214 ; H 194 ; B & S 373 (2) ; R 61. 
 
 {g) Give syntax of the phrase, with . . . difficulty (1. 10). 
 
 {h) Select from the above (i) two adverbial phrases denoting 
 agency, (2) one denoting acco77ipaniment, (3) one denoting the 
 place in which, (4) and one denoting time. 
 
 {i) Give part of speech and syntax of words in itaUcs. 
 
28 IR VING. 
 
 the summit of earthly fehcity. We stopped a few moments af- 
 terwards to water the horses, and, on resuming our route, a turn 
 of the road brought us in sight of a neat country seat. I could 
 just distinguish the forms of a lady and two young girls in the 
 
 5 portico ; and I saw my little comrades, with Bantam, Carlo, and 
 old John, trooping along the carriage road. I leaned out of the 
 coach window, in hopes of witnessing the happy meeting, but a 
 grove of trees shut it from my sight. 
 
 In the evening we reached a village where I had determined 
 
 10 to pass the night. As we drove into the great gateway of the 
 inn, I saw on one side the light of a 7'ousing kitchen fire beamiiig 
 through a window. I entered, and admired, for the hundredth 
 time, that picture of convenience, neatness, and broad, honest 
 enjoyment, the kitchen of an English inn. It was of spacious 
 
 X5 dimensions, hung round with copper and tin vessels highly pol- 
 ished, and decorated here and there with a Christmas green. 
 Hams, tongues, and flitches of bacon were suspended from the 
 
 EXERCISE. 
 
 {a) Give syntax of the infinitive, to water the horses (1. 2). 
 M 368 (5) ; Met 231 ; H 222 ; B & S 361 (i) ; R 162. 
 
 {b) What does the phrase, <?;? . . . ;w//<f (1. 2), express? Give 
 its syntax. M 447 ; Met 64 ; H 148 ; B & S 356 (2) ; R 41. 
 
 {c) How is the phrase, troopifig . . . 7'oad (\. 6), used? Give 
 its syntax. M 528 ; Met 245 ; H 173 ; B & S 344 ; R 222. 
 
 {d) Give class and syntax of the clause, where . . . night (1. 9). 
 M 554 ; Met 71 ; H 194 ; B & S 375 ; R 61. 
 
 (^) How is the phrase, of spacious dimension (1. 14), used? 
 M 521 (3-2) ; Met 206 ; H 193 ; B & S 350 (6) ; R 256. 
 
 (/) Give syntax of words in italics. See notes. 
 
 {£) Combine the following statements into a complex sentence, 
 to contain one principal and three dependent clauses. 
 
 We drove into the great gateway. It was the gateway of an inn. I saw 
 on one side a light. It was the light of a roaring kitchen fire. It was beam- 
 ing through the window. 
 
THE SKETCH-BOOK. 
 
 29 
 
 ceiling ; a smoke-jack ^ made its ceaseless clanking beside the 
 fireplace : and a clock ticked in one corner. A well-scoured 
 deal table extended along one side of the kitchen, with a cold 
 round of beef and other hearty viands upon it, over which two 
 
 5 /<7^;///;/^'- tankards of ale seemed mounting guard. Travelers of 
 inferior order were preparing to attack this stout repast, while 
 others sat smoking and gossiping over their ale on two high- 
 backed oaken settles^ beside the fire. Trim housemaids were 
 hurrying backwards and forwards under the directions of a fresh 
 
 \Q bustling landlady, but still seizing an occasional moment to ex- 
 change a flippant word, and have a rallying laugh, with a group 
 round the fire. The scene completely realized Poor Robin's^ 
 humble idea of the comforts of mid-winter : — 
 
 EXERCISE. 
 
 {a) Give syntax of phrases mounting guard (1. 5) and smoking 
 . . . fire (1. 7). See p. 27 (^). 
 
 {b) Give syntax of the infinitive phrase to attack . . . repast 
 (1. 6), and state how the phrase is used. M 368 (5) ; Met 231 ; 
 H 222; B&S361 (i) ; R 162. 
 
 (<r) Give class and syntax of the clause over which . . . guard 
 (1. 4). M554; Met 71; H 194; B&S375; R61. 
 
 (d) Change the infinitive to exchange . . . fire (1. 11) to a 
 clause, and give syntax of the clause so formed. M 557 (7) ; 
 Met 252 ; H 194; B&S 378 (6). 
 
 (<?) Select an adverbial phrase of place. An adverbial phrase 
 of accompaniment. An adverbial clause denoting time. 
 
 (/) Parse the italicized words. M 381; Met 133; H 109; 
 B&S 272, 274 (6) ; R 151. 
 
 {g) What do the conjunctions but (1. 10), and (1. 11), and 
 the conjunctive adverb while (1. 6) connect? 
 
 ^ A machine, consisting of fly-wheels used to rotate a roasting spit, and 
 operated by the current of rising air in a chimney. 2 Benches. 
 
 ^ The pseudonym of Robert Herrick, the poet, under which he issued a series 
 of almanacs (begun in i66i). The quotation is from the almanac for 1684. 
 
30 IK VING. 
 
 ** Now trees their leafy hats do bare 
 To reverence Winter's silver hair, 
 A handsome hostess, merry host, 
 A pot of ale, and now a toast, 
 5 Tobacco and a good coal tire, 
 
 Are things this season doth require." 
 
 I had not been long at the inn when a post-chaise drove up to 
 the door. A young gendeman stepped out, and by the light of 
 the lamps I caught a glimpse of a countenance which I thought 
 
 lo I knew. I moved forward to get a nearer view, when his eye 
 caught mine. I was not mistaken : it was Frank Bracebridge, 
 a sprightly, good-humored young fellow, with whom I had once 
 traveled on the Continent. Our meeting was extremely cordial, 
 for the countenance of an old fellow- traveler always brings up 
 
 15 the recollection of a thousand pleasant scenes, odd adventures, 
 and excellent jokes. To discuss all these in a transient interview 
 
 EXERCISE. 
 
 (a) Give syntax of the phrase /o reverence . . . /lat'r (1. 2). 
 M 368 (5) ; Met 231 ; H 222 ; B & S 361 (i) ; R 162. 
 
 (d) What is the subject of (fa bare (1. i) ? The object? 
 
 {c') What is the object of doth reqjnre (1. 6)? The subject? 
 Write this stanza in a sentence of not more than twenty-five words. 
 
 (c/) Select from the above two dependent (subordinate) adver- 
 bial clauses expressing time, and give syntax of each. Study 
 M557 (2); Met 252; H 194; B&S378 (i); R 41. 
 
 (<f) Select two dependent (subordinate) relative adjective 
 clauses and give syntax of each. Study M 553, 554 ; Met 71 ; 
 H 194; B&S375; R60, 61. 
 
 (/) Give syntax of each infinitive phrase. M 368; Met 229, 
 23 r ; H 220, 222 ; B & S 359 (i), 361 (i) ; R 161, 162. 
 
 {g) Give class and syntax of the clause for the . . . jokes 
 (1. 14). M 557 (5) ; Met 252 ; H 194 ; B & S 378 (3) ; R 41. 
 
 (//) What is gained in the above by the frequent use of the 
 pronoun /in connection with the short sentences? See notes. 
 
THE SKErCIf-BOOK. 
 
 31 
 
 at an inn was impossible ; and finding that 1 was not pressed for 
 time, and was merely making a tour of observation, he insisted 
 that 1 should give him a day or two at his father's country seat, 
 to which he was going to pass the holidays, and which lay at a 
 
 5 few miles' distance. *' It is better than eating a solitary Christ- 
 mas dinner at an inn," said he, *' and I can assure you of a hearty 
 welcome in something of the old-fashioned style." His reason- 
 ing was cogent, and I must confess the preparation I had seen 
 for universal festivity and social enjoyment had made me feel a 
 
 10 little impatient of my loneliness. I closed, therefore, at once, 
 with his invitation : the chaise drove up to the door, and in a few 
 moments I was on my way to the family mansion of the Brace- 
 bridges. 
 
 EXERCISE. 
 
 {a) Give syntax of the phrase, 7?//^//;/^ . . . observation (1. 1). 
 M 380; Met 131 ; H 109; B & S 263; R 151. 
 
 {b) Give use and syntax of the clause, that . . . obsen^atioji 
 (1. I). M. 545 (2); Met 214; H 194; B&S373 (2); R61. 
 Select from the above the other clauses of this class and rewrite, 
 supplying the ellipses. 
 
 {c^ What is the syntax of the quotation, " It is better . . . old- 
 fashio fled style " (1. 5) ? See notes. 
 
 {d) Give class and syntax of the clause, to which . . . holidays 
 (1. 4). M 554 ; Met 71 ; H 194 ; B & S 375 ; R 61. 
 
 ((?) Supply the ellipsis in the clause, than eating . . . at an inn 
 (1. 5). Give its class and syntax. M 557 (4) ; Met 252 ; H 194 ; 
 B&S378 (5); R40. 
 
 (/) Select from the above (i) an adverbial infinitive oi pur- 
 pose, (2) a prepositional adverbial phrase denoting //;;/// of motion, 
 (3) one denoting \\-\q place in which. 
 
 (g) Give class and syntax of phrase,/?;- . . . enjoyment {\. 9). 
 M 335 (4) ; Met 64 ; H 193 ; B & S 356 (0 ; R 5i- 
 
 (h) Parse >^/ (1. 9). M 366 ; Met 229 ; H 113; B & S 358 
 (la) ; R 235. 
 
 (/) Parse the italicized words. Give syntax of therefore (1. 10) . 
 
32 iRvmc. 
 
 THE MUTABILITY OF LITERATURE. 
 
 \_A Colloquy in Westminster Abbey.'\ 
 
 THERE are certain half-dreaming moods of mind, in which 
 we naturally steal away from noise and glare, and seek 
 some quiet haunt, where we may indulge our reveries, and build 
 our air castles vndisturbed. In such a mood, I was loitering 
 5 about the old gray cloisters of Westminster Abbey, enjoying 
 that luxury of wandering thought which one is apt to dignify with 
 the name of reflection; when suddenly an irruption of mad- 
 cap boys from Westminster School, playing at football, broke 
 
 EXERCISE. 
 
 {a) What is the syntax of there (1. i) ? Observe particularly its 
 use here. M 593 (6) ; Met 258 ; H 147 ; B & S 292 ; R 224. 
 
 {b^ What is the syntax of the clause, in which . . . tindistu7-bed 
 (1. i) ? Write the other clause in this sentence and give its syntax. 
 M554; Met 71; H 194; B&S375; R61. 
 
 (r) What is the class and the syntax of the clause, which . . . 
 reflection (1. 6) ? M 553 ; Met 71 ; H 194 ; B & S 375 ; R 60. 
 
 {d) Give the class and the syntax of the clause, when . . . 
 7nerriment (1. 7). M 557 (2) ; Met 252; H 194; B & S 378 
 (I); R41. 
 
 {e) Give the class and the syntax of the phrase, playing . . . 
 /ootba// (IS). M 530(3^); Met 131; H193; B&S351 (6); 
 R151. 
 
 (/) How is the infinitive to dignify . . . reflection (1. 6) used? 
 Give its syntax. M 368 (5) ; Met 229 ; H 222 ; B & S 361 (2) ; 
 R 162. 
 
 {g) Change the clause, where . . . undisturbed (1. 3), to a 
 phrase. Change the phrase, playing . . . football (1. 8), to a 
 clause. What is the effect, in sense, of these changes? See 
 notes. 
 
 (fi) Parse the italicized words. 
 
THE SKETCH-BOOK. 33 
 
 in upon the monastic stillness of the place, making the vaulted 
 passages and moldering tombs echo with their merriment. I 
 sought to take refuge from their noise by penetrating still deeper 
 into the solitudes of the pile, and applied to one of the vergers 
 5 for admission to the library. He conducted me through a portal 
 rich with the crumbling sculpture of former ages, which opened 
 upon a gloomy passage leading to the Chapter house and the 
 chamber in which Doomsday Book^ is deposited. Just within 
 the passage is a small door on the left. To this the verger 
 
 EXERCISE. 
 
 (^) Give syntax of the phrase, making . . . merriment {y. i). 
 M 530 (3 b) ; Met 131 ; H 193 ; B & S 351 (6) ; R 151. 
 
 {b) Give syntax of the infinitive, to take (1. 3). M 368 (2) ; 
 Met 229 ; H 220; B & S 359 (2) ; R 161. 
 
 {c) Give syntax of the phrase, by penetrating . . . pi/e (1. 3), 
 and state how it is used. M 447 ; Met 64; H 148 ; B & S 356 
 (2) ; R 40. 
 
 (ct) Give syntax of the adjective, rich (1. 6). See notes. 
 
 (e) Select the two dependent clauses in which opened . . . is 
 deposited (1. 6), and give syntax of each. M 553-554; Met 71 ; 
 H 194; B&S375; R 60-61. 
 
 (/) Classify the following phrases as, ///;/// of motion, place 
 in which, instrument or means., place from which : fro7n their 
 noise (1. 3), into the solitudes (1. 4), by penetrating (1. 3), to the 
 Chapter house (1. 7) ; within the passage (1. 9). See notes. 
 
 {g) Parse echo (1. 2). M 366 ; Met 229 ; H 113 ; B & S 358 
 (i ^) ; R 235. just (1. 8). See notes. 
 
 (Ji) Change the phrases, inaking . . . jnerriment (1. i) and 
 leading . . . is deposited (1. 7), to clauses of like meaning, and 
 give class and syntax of each clause constructed. 
 
 1 A book containing the results of a survey of England ordered by William 
 the Conqueror about 1086. It is now preserved in the Public Record Office 
 in London. It was so called because, upon any difference, the parties received 
 their doom from it. 
 
34 IRVING. 
 
 applied a key ; it was double locked, and opened with some diffi- 
 culty, as if seldom used. We now ascended a dark narrow 
 staircase, and, passing through a second door, entered the library. 
 I found fnyseif in a lofty antique hall, the roof supported by 
 
 5 massive joists of old English oak. It was soberly lighted by a 
 row of Gothic windows at a considerable height from the floor, 
 and which apparently opened upon the roofs of the cloisters. 
 An ancient picture of some reverend dignitary of the church iu 
 his robes hung over the fireplace. Around the hall and in a 
 
 lo small gallery were the books, arranged in carved oaken cases. 
 They consisted principally of old polemical writers, and were 
 much more worn by time than use. In the center of the library 
 was a solitary table with two or three books on it, an inkstand 
 without ink, and a few pens parched by long disuse. The place 
 
 15 seemed fitted for quiet study and profound meditation. It was 
 buried deep among the massive walls of the abbey, and shut up 
 from the tumult of the world. I could only hear now and then 
 
 EXERCISE. 
 
 {a) Supply ellipses to, as . . . used (1. 2). Give its class and 
 syntax. M 557 (3) ; Met 252 ; H 194 ; B & S 378 (4) ; R 40. 
 
 {b) Give syntax of the phrase, /^jj-/;;^ . . . door{\.T,), M 530 
 (3 b) ; Met 131 ; H 193 ; B & S 351 (6) ; R 151- 
 
 {c) What is the construction, the roof . . . English oak (1. 4) ? 
 M 534 (3) ; Met 207 ; H 193 ; B & S 355 (5) ; R 249. 
 
 (^/) What is the syntax of the phrase, at . . . from floor 
 
 (1.6)? M335 (4); Met64; H193; B&S356 (i); Rsi- 
 
 {/) The expression, and which . . . cloisters (1. 7), contains 
 a common error. Write in better form. See notes. 
 
 (/) Give class and syntax of phrase, arranged . . . cases (1. 10). 
 M 530 (3 b)) Met 131; H 193; B&S351 (6) ; R 151. 
 
 {g) Supply ellipses to clause, than use (1. 12), give its class and 
 syntax. M 557 (4); Met 252; H 194; B & S 378 (5); R 187. 
 
 (fi) Select phrases of: agency, place in which, place from which. 
 
 {{) Parse the italicized words. See notes. 
 
THE SKETCH-BOOK. 35 
 
 the shouts of the schoolboys faintly swelling from the cloisters, 
 and the sound of a bell tolling for prayers, echoing soberly along 
 the roofs of the abbey. By degrees the shouts of merriment 
 gxtw fainter and fainter, and at length died away ; the bell ceased 
 
 5 to toll, and a profound silence reigned through the dusky hall. 
 
 I had taken down a little thick quarto, curiously bound in 
 
 parchment, with brass clasps, and seated myself at the table in 
 
 a venerable elbowchair. Instead of reading, however, I was 
 
 beguiled by the solemn monastic air and lifeless quiet of the 
 
 10 place into a train of musing. As I looked around upon the old 
 volumes in their moldering covers, thus ranged on the shelves, 
 and apparently never disturbed in their repose, I could not but 
 consider the library a kind of literary catacomb, where authors, 
 like mummies, are piously entombed, and left to blacken and 
 
 15 molder in dusty oblivion. 
 
 How much, thought I, has each of these volumes, now thrust 
 aside with such indifference, cost some aching head — how many 
 weary days ! how many sleepless nights ! How have their 
 
 EXERCISE. 
 
 (^) Give syntax of phrases,/t^//^//y . . . cloisters{\.\) \ echoing 
 . . . abbey (1. 2). M 528 ; Met 245 ; H 173 ; B &S344 ; R 222. 
 
 {b) Give class and syntax of the phrase, tolling . . . prayers 
 (1.2). M 530 (3/7); Met 131 ;H 193; B&S351 (6); R 151. 
 
 (r) Give syntax of the infinitive, to toll (I. 5), and state how 
 used. M 368 (2) ; Met 229 ; H 220; B & S 359 (2) ; R 161. 
 
 (^) In the selection, as I looked . . . oblivion (1. 10), point 
 out the principal clause, and give class and syntax of each depend- 
 ent (subordinate) clause. 
 
 (e) Classify and give syntax of words in italics. See notes. 
 
 (/) Combine the following statements into a compound sen- 
 tence of two members, the first to contain an adverbial clause of 
 time, the second to contain an adjective clause. 
 
 The shouts of merriment grew fainter. At length they died away. A pro- 
 found silence reigned through the hall. The hall was dusky. 
 
36 JR VING. 
 
 authors buried themselves in the sohtude of cells and cloisters; 
 shut themselves up from the face of man and the still more 
 blessed face of nature ; and devoted themselves to painful 
 research and intense reflection! And all for what? To occupy 
 
 5 an inch of dusty shelf — to have the title of their works read 
 now and then in a future age by some drowsy churcliman or 
 casual straggler like myself; and in another age to be lost, even 
 to remembrance. Such is the amount of this boasted immortality, 
 A mere temporary rumor, a local sound, like the tone of that 
 
 lobell which has just tolled among these towers, filling the ear for 
 a moment — lingering transiently in echo — and then passing away, 
 like a thing that was not ! 
 
 While I sat half murmuring^ half meditating these unprofitable 
 speculations, with my head resting on my hand, I was thrum- 
 
 isming with the other hand upon the quarto, until I accidentally 
 loosened the clasps ; when, to my utter astonishment, the little 
 book gave two or three yawns, like one awaking from a deep 
 
 EXERCISE. 
 
 (^) What class of sentences are introduced by the adverb how? 
 See notes. 
 
 {b) Supply the ellipsis' in the sentence, And all for what ? (1. 4) . 
 
 (<:) Supply ellipses and give syntax of infinitives, to occupy . . . 
 shelf (1. 4), /^ have . . . myself (1. 5), to be lost . . . remembrance 
 (1. 7). M 239; Met 210; H 213; B & S 92 (3) ; R 224. 
 
 (d) Give class and syntax of the phrase, read . . . like myself 
 (1. 6). M 528 ; Met 245 ; H 173 ; B & S 344 ; R 222. 
 
 {e) Parse like (1. 7). M 586 ; Met 257 ; H 230 ; B & S 333 ; 
 R 263. See also like in lines 9, 12, and 17. 
 
 (/) Supply the eUipsis in, a me7'e . . . sound (1. 9). What is 
 the effect of elHpsis, and when may it be used ? See notes. 
 
 (g) Select from the above one adjective clause and three 
 adverbial clauses. Give syntax of each. 
 
 (h) Parse the itahcized words. For murmuring, see Met 133 ; 
 H 109; B&S350 (5); R 151. 
 
THE SKETCH-BOOK. 37 
 
 sleep ; then a husky hem ; and at length began to talk. At first 
 its voice was very hoarse and broken, being much troubled by a 
 cobweb which some studious spider had woven across it ; and 
 having probably contracted a cold from long exposure to the 
 chills and damps of the abbey. In a short time, hoivever, it 
 became more distinct, and I soon found it an exceedingly fluent 
 conversable little tome. Its language, to be sure, was rather 
 quaint and obsolete, and its pronunciation, what, in the present 
 day, would be deemed barbarous ; but I shall endeavor, as far 
 
 10 as I am able, to render it in modern parlance. 
 
 It began with railings about the neglect of the world — about 
 merit being suffered to languish in obscurity, and other such 
 commonplace topics of literary repining, and complained bitterly 
 that it had not been opened for more than two centuries ; that 
 
 15 the Dean only looked now and then into the library, sometimes 
 took down a volume or two, trifled with them for a few moments, 
 and then returned them to their shelves. " What a plague do 
 they mean," said the little quarto, which I began to perceive 
 
 EXERCISE. 
 
 {a) Give syntax of the phrases, <^<?/;7^ . . . across it {\. 2), and, 
 having . . . abbey (1. 4). M 530 (3 b) ; Met 131 ; H 193 ; B&S 
 351 (6) ; R 151. See notes. 
 
 {b) What is syntax of the infinitive phrase, to be sure (1. 7) ? 
 M536 (4); H220; B&S355 (3); R255. 
 
 (r) Give class and syntax of clause, what . . . barbarous (1. 8). 
 M 545 (3) ; Met 214 ; H 193 ; B & S 373 (3) ; R 258. 
 
 {d) Classify the clause, -fl;^ . . . ^^/^'(l. 10), and give its syntax. 
 M 557 (4) ; Met 252 ; H 194 ; B & S 378 (5) ; R 4o. 
 
 (^) Give syntax of the infinitive, to 7'ender . . . parlance 
 (1. 10). M 368 (2) ; Met 229 ; H 220 ; B & S 359 (2) ; R 161. 
 
 (/) Classify and give syntax of phrase, about . . . obscurity 
 (1. II). M 335 (4); Met 64; H 193; B&S356 (i); R51. 
 Give syntax of the other phrases included in this compound phrase. 
 
 {£) Parse the italicized words. 
 
38 IRVING. 
 
 was somewhat choleric, " what a plague do they mean by keeping 
 several thousand volumes of us shut up here, and watched by a 
 set of old vergers, hke so many beauties in a harem, merely to 
 be looked at now and then by the Dean? Books were written 
 
 5 to give pleasure and to be enjoyed; and I would have a rule 
 passed that the Dean should pay each of us a visit at least once 
 a year; or, if he is not equal to the task, let them once in a while 
 turn loose the whole School of Westminster among us, that at 
 any rate we may now and then have an airing." 
 
 lo " Sofdy, my worthy friend," repHed I ; " you are not aware 
 how much better you are off than most books of your generation. 
 By being stored away in this ancient hbrary, you are like the 
 treasured remains of those saints and monarchs which he 
 enshrined in the adjoining chapels ; while the remains of their 
 
 15 contemporary mortals, left to the ordinary course of nature, have 
 long since returned to dust." 
 
 EXERCISE. 
 
 {a) Give syntax of phrases, shut . . . here (1. 2), and watched 
 . . . Dean (1. 2). M 528; Met 245 ; H 173 ; B & S 344 ; R 222. 
 
 {b) Point out, classify, and give syntax of each infinitive in the 
 above. M 368 ; Met 229 ; H 220, 222 ; B & S 361. 
 
 (<r) Give class and syntax of the clause, tliat . . . once a year 
 (1. 6). M 545 (4) ; Met 214 ; H 207 ; B & S 373 (4) ; R 254. 
 
 (^) Classify and give syntax of the clause, if . . . task (1. 7). 
 M 557 (8) ; Met 252 ; H 194 ; B & S 378 (8) ; R 221. 
 
 (<?) Classify and give syntax of the clause, that . . . airing 
 (1. 8). M 557 (7) ; Met*252; H 194; B &S 378 (6) ; R 221. 
 
 (/) Give syntax of clause, how . . . generation (1. 11). M 
 545 (2) ; Met 214 ; H 194 ; B & S 373 (2) ; R 61. See notes. 
 This clause contains another clause ; write, classify, and give its 
 syntax. M 557 (4) ; Met 252 ; H 194 ; B & S 378 (5) ; R 40. 
 
 {g) The sentence, by being sto7'ed . . . to dust (1. 12), con- 
 tains two dependent clauses ; classify and give the syntax of each. 
 
 {h) Parse the words in italics. See notes. 
 
THE SKETCH-BOOK. 
 
 39 
 
 "Sir," said the little tome, ruffling his leaves and looking big, 
 " I was written for all the world, not for the bookworms of an 
 abbey. I was intended to circulate from hand to hand, like 
 other great contemporary works ; but here have I been clasped 
 
 5 up for more than two centuries, and might have silently fallen a 
 prey to these worms that are playing the very vengeance with 
 my intestines, if you had not by chance given me an opportunity 
 of uttering a few last words before I go to pieces." 
 
 " My good friend," rejoined I, " had you been left to the 
 
 lo circulation of which you speak, you would long ere this have 
 been no more. To judge from your physiognomy, you are now 
 well stricken in years : very few of your contemporaries can be 
 at present in existence ; and those few owe their longevity to 
 being immured like yourself in old Hbraries ; which, suffer me to 
 
 15 add^ instead of likening to harems, you might more properly 
 and gratefully have compared to those infirmaries attached to 
 religious establishments, for the benefit of the old and decrepit, 
 and where, by quiet fostering and no employment, they often 
 endure to an amazingly good-for-nothing old age. You talk of 
 
 EXERCISE. 
 
 {a) What do ruffling . . . ieaz'es 2iW(\ looking big (1. i) modify? 
 M 530 (3 b) ; Met 131 ; H 193 ; B & S 351 (6) ; R 151. 
 
 {b) Give syntax of the infinitive, to circulate (1. 3). M 368 
 (7); Met 229; H 220; B&S 358 (i ^) ; R 161. 
 
 {c) Classify and give syntax of the clause, that . . . intestines 
 (1. 6). M 553 ; Met 71 ; H 194 ; B&S 375 ; R 60. 
 
 (d) Select and give syntax of ( i ) tzvo adverb chiuses of condition 
 and one of time ^ (2) an adj. clause introduced by a conj. advej-b. 
 
 (<f) Supply the ellipses in the clause, to judge . . . physiognomy 
 (1. 11), and give its syntax. M 557 (8) ; Met 252 ; H 194 ; B&S 
 378 (8) ; R 221. What is the syntax of the infinitive, to judge ? 
 
 (/) Rewrite which, suffer me to add, etc. (1. 14), in better 
 form. See notes. Find another loose construction. 
 
 ig) Parse the words in italics. See notes. 
 
40 IRVING. 
 
 your contemporaries as if in circulation, — where do we meet 
 with their works? What do we hear of Robert Groteste of 
 Lincohi?^ No one could have toiled harder than he for 
 immortality. He is said to have written nearly two hundred 
 
 5 volumes. He built, as it were, a pyramid of books to perpetuate 
 his name; but, alas ! the pyramid has long since fallen, and only 
 a few fragments are scattered in various hbraries, where they 
 are scarcely disturbed even by the antiquarian. What do we 
 hear of Giraldus Cambrensis,^ the historian, antiquary, philoso- 
 
 xopher, theologian, and poet? He declined two bishoprics, that 
 he might shut himself up and write for posterity : but posterity 
 never inquires after his labors. What of Henry of Huntingdon,^ 
 who, besides a learned history of England, wrote a treatise on 
 the contempt of the world, which the world has revenged by 
 
 EXERCISE. 
 
 {a) Supply the ellipsis in the clause, as if in circulation (1. i) ; 
 classify, and give its syntax. M 557 (3); Met 252; H 194; B 
 & 8378(4); R40. 
 
 i^b) Supply the ellipsis in the clause, than he for immortality 
 (1. 3) ; classify, and give its syntax. M 557 (4) ; Met 252 ; H 
 194; B&S378 (5); R187. 
 
 (<r) Give syntax of the infinitive, to have written . . . volumes 
 (I.4). M368 (7); Met 135; H220; B&S 358(1^); R161. 
 
 (^/) Give class and syntax of the clause, where . . . antiqua- 
 rian (1. 7). M 554 ; Met 71 ; H 194 ; B & S 375 ; R 61. 
 
 (<?) Classify and give syntax of clause, that . . . />osterity (1. 10). 
 M557 (7); Met 252; H 194; B&S378 (6); R174. 
 
 (/) Select from the above two relative adjective clauses, and 
 give syntax of each. 
 
 (g) Parse the italicized words. See notes. 
 
 1 Robert Grosseteste (about 1 175-1253), an English ecclesiastic who de- 
 voted himself to the suppression of abuses in the church. 
 
 ^ Lived about 1 146-1220. 2 Lived about 1084-1155. 
 
THE SKETCH-BOOK. 41 
 
 forgetting him? What is quoted of Joseph of Exeter,' styled 
 the miracle of his age in classical composition? Of his three 
 great heroic poems one is lost forever, excepting a mere frag- 
 ment ; the others are known only to a few of the curious in 
 
 5 literature; and as to his love verses and epigrams, they have 
 entirely disappeared. What is in current use of John Wallis, 
 the Franciscan^ who acquired the name of the tree of hfe? Of 
 William of Malmesbury;- of Simeon of Durham;^ of Benedict 
 of Peterborough;^ of John Hanvill of St. Albans;^ of — " 
 
 10 "Prithee, friend," cried the quarto, in a testy tone, "how old 
 
 EXERCISE. 
 
 {a) Give syntax of the phrase, styled . . . cojnposition (1. i). 
 M 530 (3 b) ; Met 131 ; H 193 ; B & S 351 (6) ; R 151. 
 
 {b) Give syntax of the phrase, excepting a mere fragment (1. 3). 
 M335 (4); M64; H 193; B&S356 (i); Rsi. 
 
 (r) Give class and syntax of the phrase, in current use . . . life 
 (1.6). M521 (3-2); Met 206; H193; B&S35o(6); R 256. 
 
 {d) Give syntax of the clause, 7£///^ . . . oflife{\.'j). M 553 ; 
 Met 71 ; H 194 ; B & S 375 ; R 60. 
 
 {e) Parse the italicized words. 
 
 (/) Joseph of Exeter was styled the miracle of his age. He was a miracle 
 in classical composition. One of his great heroic poems is lost forever. 
 
 Combine the above statements into one complex sentence to 
 contain one relative adjective clause. Write the sentence in two 
 ways, (i) loose, (2) periodic. Study M 601, 602. 
 
 ^ Lived about 1200. Considered one of the best mediaeval Latin poets in 
 England. 
 
 2 An English historian and monk, librarian of the monastery at Malmes- 
 bury (about 1095- i 142). 
 
 3 An English historian; died about 1130. 
 
 * Albert of Peterborough (1177-1193), an English historian and eccle- 
 siastic. 
 
 ^A monk of St. Albans about 1190. Author of Latin poem entitled 
 Architrenius. 
 
42 IR VI NG. 
 
 do you think me? You are talking of authors that lived long 
 before my time, and wrote either in Latin or French, so that 
 they in a manner expatriated themselves^ and deserved to be 
 forgotten ; but I, sir, was ushered into the world from the press 
 
 5 of the renowned Wynkyn de VVorde.^ I was written in my own 
 native tongue, at a time when the language had become fixed ; and, 
 indeed, I was considered a model of pure and elegant English." 
 
 (I should observe that these remarks were couched in such 
 intolerably antiquated terms, that I have had infinite difficulty 
 
 10 in renderi?tg them into modern phraseology.) 
 
 EXERCISE. 
 
 {a) Give the class and the syntax of the clause, so that . , . to 
 be forgotten (1. 2). M557(6); Met 252; H 194; B&S378(7); 
 R 221. 
 
 {b) Give the syntax of the infinitive, to be forgotten (1. 3). 
 M 368 (2) ; Met 229 ; H 220 ; B & S 359 (2) ; R 161. 
 
 {c) Give the class and the syntax of the clause, when . . . 
 fixed (1. 6). M 554 ; Met 71 ; H 194 ; B & S 375 ; R 61. 
 
 {d) Select from the sentence, J should . . . phraseology (1. 8) 
 the two dependent clauses, classify and give the syntax of each. 
 M 545 (2) ; Met 214 ; H 194 ; B & S 373 (2) ; R 61 ; also 
 M557 (6); Met 252; H 194; B&S378 (7). 
 
 (e) Parse the italicized words. See notes. 
 
 (/) I was written in my own native tongue. I was written when the lan- 
 guage had become fixed. I was considered a model. The model was of pure 
 and elegant English. 
 
 Combine the above statements into a compound sentence of 
 two members, the first member to contain an adverb clause of 
 time, the second member to be a simple sentence. 
 
 {g) Select adverbial phrases denoting (i) manner, (2) end of 
 motion, (3) place from which. 
 
 1 An English printer; died about 1535. He was an assistant of William 
 Caxton, the first English printer. 
 
THE SKETCH-BOOK. 43 
 
 " I cry you mercy,'' said I, " for mistaking your age ; but it 
 matters little ; almost all the writers of your time have likewise 
 passed into forgetfulness ; and De Worde's publications are mere 
 literary rarities among book collectors. The purity and stability 
 
 5 of language, too, on which you found your claims to perpetuity, 
 have been the fallacious dependence of authors of every age, even 
 back to the times of the worthy Robert of Gloucester,^ who 
 wrote his history in rhymes of Mongrel Saxon. Even now, 
 many talk of Spenser's 'well of pure English undefiled'^^ as if 
 
 10 the language ever sprang from a well or fountain head, and was 
 
 EXERCISE. 
 
 {a) Give the class and the syntax of the clause, on which . . . 
 to perpetuity (1. 5). M554; Met 71 ; H 194; B & S 375 ; R61. 
 
 (^) Give the class and the syntax of the clause, who . , . 
 Mongrel Saxon (1. 7). M 553 ; Met 71 ; H 194; B & S 375 ; 
 R61. 
 
 {c) What kind of clause does as if (1. 9) introduce? M 557 
 (3) ; Met 252 ; H 194 ; B & S 378 (4) ; R 40. 
 
 (^) Change the phrase,/^/- . . . age (1. 1), to an adverbial 
 clause of cause. 
 
 (^) Change the phrase even now (1. 8), to an adverbial phrase 
 of time. 
 
 (/) Explain the meaning and use of // (1. i). M 239 ; B & S 
 92 (3). See notes. 
 
 {g) Rewrite the following sentence in three other ways that 
 are grammatically correct, and state which of the three forms you 
 prefer, and why : — 
 
 " Almost all writers of your time have passed into forgetfulness." 
 
 (-^) Parse the italicized words. See notes. 
 
 (/) What is the object oi said (1. i) ? See notes. 
 
 ^ An English monk and historian who lived about 1275. 
 2 See Edmund Spenser (1552-99), The Faerie Queene, Book IV. Canto II. 
 stanza 32. 
 
44 It^ VING. 
 
 not rather a mere confluence of various tongues, perpetually 
 subject to changes and intermixtures. It is this which has made 
 EngHsh hterature so extremely mutable, and the reputation built 
 upon it so fleeiing. Unless thought can be committed to some- 
 
 5 thing more permanent and unchangeable than such a medium, 
 even thought must share the fate of everything else, and fall into 
 decay. This should serve as a check upon the vanity and exul- 
 tation of the most popular writer. He finds the language in 
 which he has embarked his fame gradually altering, and subject 
 
 10 to the dilapidations of time and the caprice of fashion. He 
 looks back and beholds the early authors of his country, once 
 the favorites of their day, supplanted by modern writers. A 
 few short ages have covered them with obscurity, and their 
 merits can only be relished by the quaint taste of the bookworm. 
 
 15 And such, he anticipates, will be the fate of his own work, which, 
 however it may be admired in its day, and held up as a model 
 of purity, will in the course of years grow antiquated and obsolete, 
 
 EXERCISE. 
 
 {a) Give class and syntax of the clause, which . . . fleeting 
 (1.2). M553; Met 71; H 194; B&S375; R60. 
 
 {b) Give class and syntax of adverbial clause, unless . . . mediutn 
 (1. 4). M 557 (8) ; Met 252 ; H 194 ; B & S 378 (8) ; R 192. 
 
 (<:) than . . . medium (1. 5) is a clause. Supply ellipsis ; give class 
 and syntax. M 557 (4) ; Met 252 ; H 194; B&S378 (5) ; R 187. 
 
 (d) Give class and syntax of the clause, in which . . . fame 
 (1.8). M554; Met 71; H 194; B&S375; R61. 
 
 (e) Give syntax of the phrase, ^/////(fz/z/d-^ . . . writers. M528; 
 Met 245 ; H 173 ; B & S 344 ; R 222. 
 
 (/) Give class and syntax of, i-^/^T)^ . . . 7<aj;'/^;7 (1. 15) (supply 
 ellipsis). M 545 (2) ; Met 214; H 194; B&S 373 (2) ; R 61. 
 
 (^) Give class and syntax of the clause, which . . . obsolete (1. 15) . 
 
 {K) Give class and syntax of adverbial clause, however . . . pimty 
 (1. 16). M 557 (9) ; Met 252 ; H 194 ; B & S 378 (9). 
 
 {i) Give syntax of the italicized words. See notes. 
 
THE SKETCH-BOOK. 45 
 
 until it shall become almost as unintelligible in its native land as 
 an Egyptian obelisk, or one of those Runic inscriptions said to 
 exist in the deserts of Tartary. I declare," added I, with some 
 emotion, " when I contemplate a modern library, filled with new 
 
 5 works, in all the bravery of rich gilding and binding, I feel dis- 
 posed to sit down and weep ; like the good Xerxes,^ when he 
 surveyed his array, pranked out in all the splendor of military 
 array, and reflected that in one hundred years not one of them 
 would be in existence ! " 
 
 10 *'Ah," said the little quarto, with a heavy sigh, "I see how it 
 is ; these modern scribblers have superseded all the good old 
 authors. I suppose nothing is read nowadays but Sir Philip 
 Sydney's 'Arcadia,'^ Sackville's^ stately plays, and 'Mirror for 
 
 EXERCISE. 
 
 {a) Give class and syntax of the clause, until . . . Tartary 
 (1. I). M 557 (2) ; Met 252 ; H 194 ; B & S 378 (i) ; R 41. 
 Write the principal clause on which the above depends. 
 
 ij)) The complex clause in {a) contains a dependent clause. 
 Classify and give its syntax. Also select, classify, and give syntax 
 of the phrases in {a) . 
 
 (c) Give syntax of the infinitive, to exist (1. 3). M 368 (7); 
 Met 135 ; H 220 ; B & S 358 (i ^) ; R 161. 
 
 {d) Select another infinitive, classify, and give its syntax. M 
 368 (5) ; Met 229; H 222; B & S 361 (2); R 162. 
 
 (e) Give class and syntax of the clause (1. 6), w/ien he suiTeyed 
 . . . existence. M 557 (2) ; Met 252 ; H 194 ; B & S 378 (i) ; 
 R 41. Write the other dependent clause in this construction and 
 give its syntax. Also write the principal clause. 
 
 (/) ''Ah,'' . . . Z)'/v" (1. 10) is direct discourse. Change 
 to indirect discourse. Study M 6:^2,6^$ ; Met 79, 81 ; B & S 449. 
 
 (g) Parse the italicized words in the above. See notes. 
 
 1 King of Persia (519-465 B.C.) ; failed in an attempt to conquer Greece. 
 
 2 See note 3, p. 170. ^ Thomas Sackville (i 536-1608), an English poet. 
 
46 IR VING. 
 
 Magistrates/ ^ or the fine-spun eupliuisms of the ' unparalleled 
 John Lyly.' " ^ 
 
 "■ There you are again mistaken," said I ; " the writers whom 
 you suppose in vogue, because they happened to be so when you 
 5 were last in circulation, have hug since had their day. Sir 
 Philip Sydney's ' Arcadia,' the immortality of which was so fondly 
 predicted by his admirers, and which, in truth, is full of noble 
 thoughts, deUcate images, and graceful turns of language, is now 
 scarcely ever mentioned. Sackville has strutted into obscurity ; 
 
 EXERCISE. 
 
 {a) " The writers . . . their day " (1. 3) is a sentence which 
 contains a principal and three subordinate (dependent) clauses. 
 Select these clauses, classify and give the syntax of each subordi- 
 nate (dependent) clause. M 553, 557 (5), 557 (2); Met 71, 
 252 ; H 194 ; B & S 375, 378 (i) ; 378 (3) ; R 60, 41. 
 
 {b) Change the selection, Hues 3 to 9, from direct to indirect 
 discourse. Study M 632, 633 ; Met 79, 81 ; B & S 449. 
 
 {c) Parse the italicized words. 
 
 {d) Give syntax of the phrases, in vogue (1. 4). See notes. 
 
 {e) Change the clause, tvhen you were last in circulation (1. 4), 
 to an adverbial phrase of time. Change now (1. 8) to a phrase. 
 
 (/) (i) Sir Philip Sydney's " Arcadia " was immortal. (2) This immor- 
 tality was predicted by his admirers. (3) The "Arcadia" is full of 
 thoughts. (4) The thoughts are noble. 
 
 Combine these statements into a complex sentence. Let (i) 
 and (2) form a simple member; (3) and (4), a complex member. 
 
 1 A compilation of poems begun in 1555. It consisted of biographies of 
 men in high places who had come to violent ends. The stanzas which 
 Sackville contributed to this collection far exceed the rest in value. 
 
 2 John Lyly, Lyhe, Lyllie, or Lilly (i 553-1 609) was an English wit and 
 writer of Shakespeare's time. He wrote several plays, but is best known 
 from his novel Euphues, the style of which was intended to reform and purify 
 that of the English language. This book immediately became the rage in the 
 court circles, and for many years was the court standard. 
 
THE SKETCH-BOOK. 47 
 
 and even Lyly, though his writings were once the dehght of a 
 court, and apparently perpetuated by a proverb, is now scarcely 
 known even by name. A whole crowd of authors who wrote and 
 wrangled at the time have hkewise gone down, with all their 
 
 5 writings and their controversies. Wave after wave of succeedi7ig 
 literature has rolled over them, until they are buried so deep that 
 it is only now and then that some industrious diver after frag- 
 ments of antiquity brings up a specimen for the gratification of 
 the curious." 
 
 10 " For my part," I continued, " I consider this mutability of 
 language a wise precaiitioji of Providence for the benefit of the 
 world at large, and of authors in particular. To reason from 
 analogy : we daily behold the varied and beautiful tribes of vege- 
 tables springing up, flourishing, adorning the fields for a short 
 
 15 time, and then fading into dust, to make way for their successors. 
 Were not this the case, the fecundity of nature would be a griev- 
 
 EXERCISE. 
 
 {a) Select an adverbial clause of concession, and give its syntax. 
 M 557 (9) ; Met 252 ; H 194 ; B & S 378 (9). 
 
 {b^ Who . . . at the time (1. 3) is what kind of a clause? 
 
 {/) From Wave after wave . . . curious (1. 5) select three 
 subordinate (dependent) clauses and give syntax. M 557 (2) ; 
 557 (4), 548 ; Met 252, 213 ; H 194, 213 ; B & S 378 (i) ; 
 378 (5); 373 (4^); R41, 224. 
 
 {d) Give syntax oi precaution (1. ii). M 528; Met 245; 
 H 173; B&S344; R222. 
 
 {/) Give syntax of the phrase, /(J* . . . analogy {}. 12). M 536 
 (4) ; H 220; B & S 355 (3) ; R 255. What does this phrase 
 express? Change it to a clause. Which is the more precise, the 
 phrase or the clause? Study M 447. See notes. 
 
 (/) Give syntax oi springing (1. 14) . M 528 ; Met 245 ; H 1 73 ; 
 B & S 344 ; R 222. Select other words in same construction. 
 
 {g) Select an adverbial clause of condition (1. 16). What is 
 pecuhar about the construction of this clause? See notes. 
 
48 IR VING. 
 
 ance instead of a blessing. The earth would groan with rank 
 and excessiv^e vegetation, and its surface become a tangled wilder- 
 ness. In like manner, the works of genius and learning decline 
 and make way for subsequent productions. Language gradually 
 5 varies, and with it fade away the writings of authors who have 
 flourished their allotted time ; otherwise, the creative powers of 
 genius would overstock the world, and the mind would be com- 
 pletely bewildered in the endless mazes of literature. Formerly 
 there were some restraints on this excessive multiplication. 
 
 10 Works had to be transcribed by hand, which was a slow and 
 laborious operation ; they were written either on parchment, 
 which was expensive, so that one work was often erased to make 
 way for another ; or on papyrus, which was fragile and extremely 
 perishable. Authorship was a limited and unprofitable craft, 
 
 15 pursued chiefly by monks in the leisure and solitude of their 
 cloisters. The accumulation of manuscripts was slow and costly, 
 
 EXERCISE. 
 
 {a) Select the relative adjective clauses and give the syntax of 
 each. M 553 ; Met 71 ; H 194 ; B & S 375 ; R 60. 
 
 {b) Select the infinitives, tell how each is used, and give its 
 syntax. M 368 ; Met 229 ; H 220 ; B & S 359 ; R 161. 
 
 (^) Give class and syntax of the clause so that . . . for a?iother 
 (1. 12). M557(6); Met 252; H i94;B&S378 (7). 
 
 {d) Select an adverbial phrase denoting accompanimeiit, one 
 denoting agency, and one denoting the place in which. 
 
 {e) pursued chiefl.y . . . cloisters (1. 15) is what kind of 
 phrase? What does it modify? 
 
 (/) Parse time (1. 6). M 534 (i) ; Met 66; H 211 ; B & S 
 59 (3) ; R 99. Parse the other italicized words. 
 
 {g) Classify the following conjunctions, and state what words 
 they connect: and (1. 2) ; so that (1. 12) ; either (1. 11) ... 
 or (1. 14). How should correlatives be placed? See notes. 
 
 (/i) Change the sentence, authorship . . . cloisters (1. 14), to 
 a complex sentence with two subordinate (dependent) clauses. 
 
THE SKETCH-BOOK. 49 
 
 and confined almost entirely to monasteries. To these circum- 
 stances it may, in some measure, be owing that we have not been 
 inundated by the intellect of antiquity ; that the fountains of 
 thought have not been broken ///, and modern genius drowned 
 
 5 in the deluge. But the inventions of paper and the press have 
 put an end to all these restraints. They have made every one a 
 writer, and enabled every mind to pour itself into print, and 
 diffuse itself owQY the whole intellectual world, llie consequences 
 are alarming. The stream of literature has swollen into a torrent 
 
 10 — augmented into a river — expanded into a sea. A few cen- 
 turies since, five or six hundred manuscripts constituted a great 
 library ; but what would you say to libraries, such as actually exist, 
 containing three or four hundred thousand volumes ; legions of 
 authors at the same time busy ; and the press going on with fear- 
 
 15 fully increasing activity, to double and quadruple the number? 
 Unless some unforeseen mortality should break out among the 
 progeny of the muse, now that she has become so prolific, I 
 tremble for posterity. I fear the mere fluctuation of language 
 will not be sufficient. Criticism may do much; it mcreases 
 
 EXERCISE. 
 
 (rt;) Select from the above two noun clauses used to explain // 
 (1. 2). M 548 ; Met 213 ; H 213 ; B & S 373 (4 b) \ R 224. 
 
 {b) Give syntax of infinitive phrases, /(^ . . . print {\, 1), diffuse 
 , . . 7i;orld (1. 8). M528; Met 245 ; H 173 ; B& S 344 ; R 222. 
 
 (c) Parse the italicized words. See notes. 
 
 (d) Give class and syntax of the clause, no7c> . . . prolific 
 (1. 17). M557(5); Met 252 ; H 194; B &^ S 378 (3) ; R 41. 
 
 (^) How is the construction, the mere . . . sufficient (1. 18) 
 Msed? Rewrite in full, and give its syntax. M 545 (2) ; Met 
 214; H 194; B&S373 (2); R61. 
 
 (/) Change, ;/^7£/ . . . prolific (1. 17), to an absolute construc- 
 tion. M 534 (3) ; Met 207 ; H 193; B & S 355 (5) ; R 249. 
 
 (^) Change the clause, unless . . . muse (1. 16), so that it will 
 be complex and contain an adjective relative clause. 
 
50 IR VING. 
 
 with the increase of literature, and resembles one of those salu- 
 tary checks on population spoken of by economists. All possible 
 encouragement, therefore, should be given to the growth of 
 critics, good or bad. But I fear all will be in vain ; let criticism 
 
 sdo what it may, writers will write, printers will print, and the 
 world will inevitably be overstocked with good books. It will 
 soon be the employment of a lifetime merely to learn their 
 names. Many a man of passable information at the present day 
 reads scarcely anything di(t reviews, and before long a man of 
 
 10 erudition will be little better than a mere walking catalogue." 
 
 " My very good sir," said the Htde quarto, yawning most 
 drearily in my face, " excuse my interrupting you, but I perceive 
 you are rather given to prose. I would ask the fate of an author 
 who was making some noise just as I left the world. His repu- 
 
 istation, however, was considered quite teinporary. The learned 
 shook their heads at him, for he was a poor half-educated varlet, 
 that knew little of Latin, and nothing of Greek, and had been 
 
 EXERCISE. 
 
 (^) Change the phrase, spoken . . . economists (1. 2), to a 
 clause, and give syntax of the clause. 
 
 (3) Supply ellipsis, and give class and syntax of clause, all . . , 
 vain (1. 4). M 545 (2) ; Met 214 ; H 194 ; B & S 373 (2) ; R 61. 
 
 {c) Give syntax of clause, what it 7nay (1. 5). See notes. 
 
 {d) merely . . . names (1. 7) is an infinitive phrase. Give 
 syntax. M 239 ; Met 135 ; H 213 ; B & S 92 (3) ; R 224. 
 
 (^) Give syntax of the clause, than . . . catalogue (1. 10). 
 M 557 (4) ; Met 252 ; H 194 ; B & S 378 (5) ; R 40. 
 
 (/) How is the clause, jv^z/ are . . . prose (1. 13), used? 
 
 {g) Give class and syntax of clause, yV/j-Z^z^ . . . •Z£/^;7^ (1. 14) 
 M 557 (2) ; Met 252; H 194; B & S 378 (i) ; R 41. 
 
 (fi) Give syntax of clause, for he was . . . stealing (1. 16). 
 What does this clause express? M 557 (5); Met 252; H 194; 
 B&S378(3);R4i. What clause is subordinate to this.? 
 
 (/) Parse the italicized words. See notes. 
 
THE SKETCH-BOOK. 5 1 
 
 obliged to run the country for deer-stealing.^ I think his name 
 was Shakespeare. I presume he soon sunk into oblivion." 
 
 *' On the contrary," said I, " it is owing to that very man that 
 the literature of his period has experienced a duration beyond the 
 
 5 ordinary term of English literature. There rise authors now and 
 then, who seem //'<^^?/ against the mutability of language, because 
 they have rooted themselves in the unchanging principles of 
 human nature. They are like gigantic trees that we sometimes 
 see on the banks of a stream, which by their vast and deep 
 
 ioroots,/^;^<?/r (2//;/^ through the mere surface, and laying hold on 
 the very foundations of the earth, preserve the soil around them 
 from being swept away by the overflowing current, and hold up 
 many a neighboring plant, and, perhaps., worthless weed, to per- 
 petuity. Such is the case with Shakespeare, whom we behold, 
 
 »5 defying the encroachments of time, retaining in modern use the 
 language and literature of his day, and giving duration to many 
 an indifferent author merely from having flourished in his vicinity. 
 
 EXERCISE. 
 
 (^) Give syntax of infinitive, to run . . . stealing (1. i). M -^dZ 
 (7); Met 135; H 220; B& S358 (I ^);R 161. 
 
 {b) The sentences / . . . Shakespeai^e (1. i), and /. . . oblivion 
 (1, 2), are elhptical. Write in full and give the syntax of each 
 dependent (subordinate) clause. 
 
 ((T) How is the clause, tJiat the . . . literature (1. 3), used? 
 M 548 ; Met 213 ; H 213 ; B & S 373 (4 b) ■ R 224. 
 
 {d) In There rise . . . nature (1. 5), rewrite and classify the 
 two subordinate clauses. Write the principal clause. 
 
 {e) Select three participial adjective phrases used as objective 
 complements. 
 
 (/) Select adverbial phrases denoting (i) agency, (2) limit 
 of motion, (3) place in which, (4) means or instrument. 
 
 (g) Parse the italicized words. See notes. 
 
 1 See p. I So. 
 
52 
 
 IR VI NG. 
 
 But even he, I grieve to say, is gradually assuming the tint of 
 age, and his whole form is overrun by a profusion of commenta- 
 tors, who, like clambering vines and creepers, almost bury the 
 noble plant that upholds them." 
 
 5 Here the little quarto began to heave his sides and chuckle, 
 until at length he broke out into a plethoric fit of laughter that 
 had wellnigh choked him, by reason of his excessive corpulency. 
 "Mighty well!" cried he, as soon as he could recover breath, 
 " mighty well ! and so you would persuade me that the literature 
 
 10 of an age is to be perpetuated by a vagabond deer-stealer ! by a 
 man without learning ! by a poet, forsooth — a poet ! " And here 
 he wheezed forth another fit of laughter. 
 
 EXERCISE. 
 
 {a) How is the parenthetical expression, I grieve to say (1. i), 
 used ? See notes. 
 
 {b) State how used and give syntax of each infinitive. M 368 ; 
 Met 229, 231 ; H 220-222 ; B & S 351, 359, 360, 361 ; R 161, 
 162, 224. 
 
 (r) Select from the above three relative adjective clauses, and 
 give the syntax of each. 
 
 {d) Change the direct quotation, " mighty well! . . . a poet 
 (1. 8), to indirect discourse throughout. 
 
 (^) Select from the quotation in {d) (i) a noun clause, 
 (2) an adverbial clause expressing time. 
 
 (/) Give the part of speech and the syntax of each italicized 
 word in the above. See notes. 
 
 fe) (i) Change the infinitive in 1. i to a clause; (2) change 
 the clause 7vho . . . upholds them (1. 3) to a phrase. What is 
 the effect in sense of these changes? See notes. 
 
 {li) Select from the above (1) an adverbial phrase denoting 
 manner, (2) one denoting agency, (3) one denoting reason or 
 cause. 
 
 (i) Select from the above (i) a word in apposition, (2) one 
 that is used independently. 
 
THE SKETCH-BOOK. 53 
 
 I confess that I felt somewhat 7iettled at this rudeness, which^ 
 
 however, I pardoned on account of his having flourished in a less 
 
 polished age. I determined, nevertheless, not to give up my point. 
 
 "Yes," resumed I positively, "a poet; for of all writers he 
 
 5 has the best chance for immortality. Others may write from the 
 head, but he writes from the heart, and the heart will always 
 understand him. He is the faithful portrayer of nature, whose 
 features are always the same, and always interesting. Prose 
 writers are voluminous and unwieldy; their pages are crowded 
 
 10 with commonplaces, and their thoughts expanded into tedious- 
 ness. But with the true poet everything is terse, touching, or 
 brilliant. He gives the choicest thoughts in the choicest lan- 
 guage. He illustrates them by everything that he sees most 
 striking in nature and art. He enriches them by pictures of 
 
 15 human life, such as it is, passing before him. His writings, there- 
 fore, contain the spirit, the aroma, if I may use the phrase, of 
 the age in which he lives. They are caskets which inclose 
 
 EXERCISE. 
 
 (a) In the sentence, / confess . . . age (1. i), select each 
 subordinate clause and give its syntax. 
 
 {b) Change the sentence, He is the faitliful portrayer of nature 
 (1. 7), to a complex sentence to contain a relative adjective clause. 
 
 {c) Change interesting (1. 8) to a prepositional adjective phrase ; 
 and striking (1. 14) to a relative adjective clause. 
 
 (^) Give class and syntax of the phrase, 7<:7V// . . . /^<f/ (1. 11). 
 M 335 (4) ; Met 64 ; H 193 ; B & S 356 (i) ; R 51. 
 
 (<f) Parse such as (1. 15). See notes, also M 274; Met 192; 
 H 97; B&S 294; R 120. 
 
 (/) Give class and syntax of the clause, as it . . . before him 
 0- 15). M553; Met 71; H 194; B&S 375; R60. 
 
 {g) How is the parenthetical expression, if I may use the 
 phrase (1. 16), related to rest of the sentence? See notes. 
 
 (fi) Select from the above, adverbial phrases denoting ( i) means, 
 (2) place in which, (3) manner, (4) place from which. 
 
54 IRVING. 
 
 within a small compass the wealth of the language — its family 
 jewels, which are thus transmitted in a portable form to posterity. 
 The setting may occasionally be antiquated, and require now and 
 then to be renewed, as in the case of Chaucer : ^ but the brilliancy 
 
 5 and intrinsic value of the gems continue unaltered. Cast a look 
 back over the long reach of literary history. What vast valleys 
 of dulhiess, filled with monkish legends and academical contro- 
 versies ! What bogs of theological speculations ; what dreary 
 wastes of metaphysics ! Here and there only do we behold the 
 
 lo heaven-illuminated bards, elevated like beacons on their widely 
 separated heights, to transmit the pure light of poetical intelli- 
 gence from age to age." 
 
 EXERCISE. 
 
 {a) Change infinitive in expression, may . . . require . . . to 
 be renewed (1. 3), to a noun. Give syntax of the infinitive. 
 
 {b) Supply ellipsis in as . , . Chaucer (1. 4). How is it used? 
 Give syntax. M 557 (3) ; Met 252 ; H 194; B&S378 (4) ; R40. 
 
 {c) (i) What class of emotional sentences are introduced by 
 the words how and what? (2) What is effected in sense by the 
 use oiwhat in the above selection? See notes. 
 
 {d) Supply the omitted words in the three exclamatory sentences. 
 
 {e) Give syntax of the phrase, elevated . . . age (1. 10). M 528 ; 
 Met 245 ; H 173 ; B & S 344 ; R 222. 
 
 (/) Classify and give syntax of infinitive phrase, to . , . age 
 (1. 11). M 368 (5) ; Met 231; H 222; B&S361 (i) ; R 162. 
 
 {g) f^o?n age to age (1. 12), as a modifier, is how used? 
 
 {h) Parse the words in itaUcs. See notes. 
 
 (?) We behold the heaven-illuminated bards. The bards are elevated like 
 beacons. The beacons are on their widely separated heights. The bards 
 transmit the pure light of poetical intelligence from age to age. 
 
 Combine the above statements into a complex sentence to con- 
 tain two adjective clauses and one adverbial clause. Is the con- 
 struction improved? 
 
 1 Geoffrey Chaucer (1340-1400), the first great English poet, author of 
 the Canterbury Tales. 
 
THE SKETCH-BOOK. 55 
 
 I \vdiS Just about to launch forth into eulogiums upon the poets 
 of the day, when the sudden opening of the door caused ?ne to 
 turn my head. It was the verger, who came to inform me that 
 it was time to close the library. I sought to have a parti7ig 
 
 sword with the quarto, but the worthy little tome was silent; the 
 clasps were closed ; and it looked perfectly unconscious of all 
 that had passed. I have been to the library two or three times 
 since, and have endeavored to draw it into further conversation, 
 but in vain : and whether all this rambling colloquy actually took 
 
 10 place, or whether it was another of those odd daydreams to 
 which I am subject, I have never to this moment been able to 
 discover. 
 
 EXERCISE. 
 
 {a) Select the infinitives from the above, state how used, and 
 give syntax of each. Study again. M 368; Met 229, 231; 
 H 220, 222 ; B & S 351, 359, 360, 361 ; R 161, 162, 224. 
 
 {b) when . . . ;;/j /!<?c?^ as an adverbial clause, expresses what? 
 Change to an absolute construction. M 534 (3); Met 207; 
 H 193; B&S355 (5) ; R 249. 
 
 (<r) Select the relative adjective clauses in the above, and give 
 syntax of each. 
 
 (^) Select from the above a noun clause, and give its syntax. 
 
 (^) (i) I sought to have a parting word \vith the quarto, (2) the clasps 
 were dosed, (3) it looked perfectly unconscious of all that had passed, (4) the 
 worthy little tome was silent. 
 
 Change /^/-////^ in (i) to a phrase; were closed in (2) to an 
 absolute construction; the clause, that had passed, in (3) to a 
 word; and (4) to a clause denoting cause. Rewrite. 
 
 (/) Give syntax of the words in italics. See notes. 
 
GRAMMATICAL NOTES. 
 
 The Stagecoach. 
 
 PAGE 
 
 17. (c) (1. 4) In perusing which. Read in perusing them, etc. This then 
 
 becomes an independent clause. Instance of anacoluthon, B & S 418. 
 (/) passed (1. 3), perusing (1. 4), study the participle. M 381; Met 
 133; H 109; B&S 143 (4),263 ; R 151. 
 
 18. (^) According to use, phrases may be classified as (i) subject, {2) predicate, 
 
 (3) adjective, (4) adverbial,{^) absolute, (6) independent; according to 
 form, as {i) prepositional, (2) infinitive, {^2^^ participial ; and according 
 to function, as (i) agency, (2) /////// of motion, (3) place in %vhich, 
 
 (4) place from zvhich, (5) instrument or means, (6) accompaniment, 
 etc. See H 193. 18 (/^) bound . . . dinner (\. i); dangling . . . box 
 (1. 4). Participial phrases used as attribute (subjective) complements, 
 
 19. (a) The omission from a sentence of some word or words necessary to 
 
 its grammatical construction is called ellipsis. M 603; H 195. 
 (d) doian to (1. 5) is a phrase preposition. M 454; B & S 317. 
 
 20. {a) Indeed (1. i) is an adverb of assertion, and serves to make what 
 
 follows emphatic. 
 {b) I could not but notice (1. i) is an example oi pleonasm in the use 
 
 of the double negative. Omit not. See M 631 (2). 
 (^) So that (1. 12); as if (1. 16). The ellipsis between the two words 
 
 at the present time is disregarded, and such constructions are now 
 
 parsed as compound or phrase conjunctions. See B & S 301. 
 
 21. (/) one (1. 2) is used with the participle reaching in the absolute con- 
 
 struction. See B & S 58 (5). there (1. 12) is an expletive. M 593 
 (6); Met 25S; H 147; B & S 292; R 224. moment (1. 18) is a noun 
 used adverbially. M 534 (i); Met 66; H 211 ; B & S 59 (3); R 99. 
 
 22. {Ji) throng (\. 7), collective noun. M 150; Met 29; H 64; B& S 18; 
 
 R 90. 
 23- (/) serenity (1. i), abstract noun. M 153; Met 187; H 64; B & S 8. 
 
 perhaps (1. i) used like indeed [20 {a) ] above; here to give an ex- 
 pression of uncertainty to what follows. 
 24. (/) company (1. 2) is the object of seeing, and subject of the infinitive 
 
 (to) pass. M 195 (7); Met 242. passing (1. 3), abstract noun; 
 
 ringing (1. 6), participial adjective; laboritig (1. 8), present participle. 
 
 Notice particularly the function of these words in their respective 
 
 positions. M 384; B & S 143 (4). 
 25- (/) square it (1. 13) is an indefinite idiom, and means are fitting. We 
 
 suppose that there is something in the mind of the writer which is not 
 
 fully expressed. M 239. 
 {g) The phrase, putting . . . in order (1. 7), is a participial adverbial 
 
 phrase, modifying were stirrijig. M 445; B & S 352 (3). 
 
 26. {/) recognizing . . . home (1. 8). See p. 25 (g). 
 
 In parsing the words from this page, notice the verb forms, as pro- 
 gressive and emphatic. 
 
 27. (?) all (1. 9) standing alone is an adjective pronoun; used as a modi- 
 
 fying word, it becomes a pronominal adjective, as all men wanted to 
 mount. This is true of all adjective pronouns, like (1. 17). M 586; 
 Met 257; H 230; B & S 333; R 263. dozing . . . roadside {b) (I.4) 
 attribute (subjective) complement oi stood. 
 
 56 
 
THE SKETCH-BOOK. 57 
 
 PAGE 
 
 28. (/) Study the participles in ing. M 381 ; Met 133; H 109; B & S 272, 
 
 273; R 151. 
 30. (Ji) The use of the pronoun /secures directness and vigor of statement. 
 
 Each detail gains distinction by being stated in a separate sentence. 
 (<r) Quotation (1. 5). A short quotation, containing subject and predicate, 
 
 when dependent upon a verb, may generally be regarded as a noun 
 
 clause. If the quotation is long, it should be analyzed separately. 
 
 3' 
 
 The Mutability of Literature. 
 
 32. {g) Adjective or adverbial phrases or clauses may take the place of 
 
 adjectives or adverbs, generally with the result of making the state- 
 ment more precise. 
 
 33. {d) rich (1. 6) is a descriptive adjective, used here as an appositive 
 
 modifier oi portal. See M 532 (3). 
 
 (y) See note on p. 18 {a), in Stagecoach, also li 193, for examples. 
 
 (<§) y^-y^ (1- 8) is an adverb, and modifies the phrase, luithin the pas- 
 sage. B & S 279. 
 
 34. {e) ajid which (1. 7). and m\g\\\. stand before which, if the latter word 
 
 introduced the last of a series of relative clauses. Here and is a 
 grammatical error; it should be omitted, 
 (z) jfiyself (1. 4) is a compound personal reflexive pronoun. M 249; 
 Met 36; B & S 96; R 132. fitted (1. 15) and deep (1. 16) are used 
 as subjective (attribute) complements. 
 
 35. (<?) bict (1. 12) is an adverb (Met 257), used in the sense of only, like 
 
 (1. 14). There are several ways of determining its syntax. M 586; 
 Met 257; H 230; B&S 333; R263. 
 
 36. {a) how introduces an exclamatory sentence when emotion is expressed, or 
 
 it may introduce an interrogative sentence and merely ask a question. 
 (/) (1. 9) The eflfect of ellipsis is to increase the vividness and force of ex- 
 pression. It is permissible only when the mind of the reader or hearer 
 readily supplies the omitted word. M 603. In {c) supply // xvas. 
 
 37. {a) (1. 2, 4) Grammatically the two phrases modify voice, but logically 
 
 the second phrase refers to book. 
 
 38. (/) How much . . . generation (1. 1 1 ). This clause seems to be the object 
 
 of are aware. Some grammarians would call it an adverbial modifier. 
 (Ji) let (1. 7) is in the imperative mood; them is its indirect object; 
 the phrase, (to) turn loose . . . among its, is its direct object. Study 
 M 366; Met 229; H 113; B&S 358 (i a); R 23s; also M 368(2); 
 Met 229; H 220; B&S 359 (2); R 161. loose (1. 8). M 528; Met 
 245; H 173; B&S 344; R222. 
 
 39. (/) tvhich (1. 14) is an instance of anacohithon, or lack of proper con- 
 
 nection between the clauses. Change zuhich to these, then read. These, 
 suffer me to add, instead of likenittg to harems, you might, etc. The 
 clause becomes independent. B & S 418. 
 (^) more than (1. 5), phrase adverb. M 444. 7ne . . . to add {\. 14). 
 See 38 (/z), above, instead of {\. 15), phrase preposition. 
 
 40. (^) only (1. 6) is an adverb, and modifies few. Study M 445. 
 
 42. (^) long (1. i), adverb, modifies phrase "before my time." juodel (1. 7), 
 attribute (subjective) complement. 
 
58 
 
 PAGE 
 
 IRVING. 
 
 43- (/) ^' (^- ^^'^^ refers to the conversation, ** mistaking . . . age^"* 
 which precedes. The pronoun it has a number of uses, among which 
 are the following: (i) to refer to a word or words preceding; 
 
 (2) anticipatory, to refer to a word or group of words following; 
 
 (3) as an impersonal subject; (4) as an impersonal object. 
 
 Qi) back to (1. 7) is a phrase preposition. M 454. For the syntax of 
 even (1. 8), see p. Zl C?")- wercy (1. i), object of cry ; you, the in- 
 direct object. 
 (0 For the object of said (1. i), see p. 31 {c). See M 551. 
 
 44. (0 vmtable (1. 3) and fleeting (1. 4) are objective complements, such 
 . . . fate (1. \^),fate is the subject; such is the attribute. 
 
 45- (^) (^I'f^^^i (1- is ^" adverb of degree, and modifies as ; as (1. i) is also 
 an adverb of degree, modifying unintelligible ; the second as is a con- 
 junctive adverb. For uses of as, see M 445 (5); Met 256; H 228; 
 B & S 332; R 262. 
 
 46. (<:) there (1. 3), not an expletive here, whom (1. 3) is the object of 
 suppose, in vogue (1. 4) is an adjective phrase used as objective 
 complement of suppose. M 528; Met 245; H 173; B & S 344; R 
 222. 
 
 47« (0 C^- ^2) ^ single word modifier is the least precise; a greater degree 
 of precision is obtained in the phrase, but the clause is the most pre- 
 cise construction, 
 (p-) (1. 16) In conditional sentences, when the verb precedes the sub- 
 ject, the conjunction is omitted, and the condition becomes one of 
 greater force, and thus excites consideration. 
 
 48- is) ('• ^0 When two words are used correlatively, each one of the pair 
 should come before the same part of speech. Study M 599. 
 
 49. (c) but (1. 5) is a conjunction, and introduces the sentence, since (1. 11) 
 
 is an adverb. Met 257. as (1. 12) is a relative pronoun. M 274; 
 Met 256; H 97; B & S 332 (^ 2) ; R 120. 
 
 50. (0 of (1. 2) is an adverb. M 455 {c). let criticism (to) do what it may 
 
 (do), what object of may do. For the construction, syntax, and 
 references, see p. 57 under 38 {h). 
 
 51. {g) Note the different uses of that (1. 3). Met 258. 
 
 52. (a) '' I grieve to say'' (1. i) is an independent element. 
 
 (/) me (1. 9) is the indirect object of persuade ; the clause, that . . , 
 
 deer-stealer, is the direct object. 
 {g) (i) is rendered more precise, while (2) loses in precision. 
 
 53. \e) such (1. 15) is a pronominal adjective, limiting life. _ as (1. 15) is a 
 
 relative pronoun attribute (subjective) complement of is passing. The 
 jelative adjective clause, as it . . . before him, modifies the noun pic- 
 tures. The expression if . . . phrase (1. 16) is independent. 
 
 54. {c) (i) Exclamatory sentences are frequently introduced by how and 
 
 what. (2) what here makes the statement emphatic. 
 (/^) unaltered (1. 5) is attribute (subjective) complement of continue, 
 back (1- 6) is an adverb, heaven-illuminated (1. 10) is a compound 
 descriptive adjective, modifying bards. 
 
 55. (/) about to launch . . . day. (1. i) is the attribute (subjective) com- 
 
 plement of tvas. to launch . . . day is the object of the preposition 
 about, me (1. 2) is the object of caused, to turn . . . head (1. 3) is 
 the objective complement (factitive object) oi caused. 
 
THE SKETCH-BOOK. 
 
 59 
 
 Forms for Parsing. 
 
 Verb. Principal parts [principal verb auxiliary], class, voice (if 
 
 transitive), mode, tense [form], person, number, conjugation, 
 syntax, rule. 
 
 Noun. Class, gender, person, number, decline, case, syntax, rule. 
 
 Pronoun. Class, antecedent, gender, person, number, decline, case, 
 
 syntax, rule. 
 
 Adjective. Class, compare, degree, syntax, rule. 
 
 Adverb. Class, compare, degree, syntax, rule. 
 
 Preposition. Syntax, rule. 
 
 Conjunction. Class, syntax, rule. 
 
 Participle. Principal parts, class, syntax, rule. 
 
 Infinitive. Principal parts of verb, class, how used, syntax, rule. 
 
 {a) Noun or 
 Pronoun. 
 
 (3) Noun or 
 Pronoun. 
 
 (c) Noun or 
 Pronoun. 
 
 {d) Noun or 
 Pronoun. 
 
 Subjective 
 (attribute) 
 Complement. 
 
 Pronoun and 
 Antecedent. 
 
 A Verb. 
 
 A Participle. 
 
 An Infinitive. 
 
 Adjectives. 
 
 Adverbs. 
 
 Prepositions. 
 
 Conjunctions. 
 
 Interjections. 
 
 Rules of Syntax. 
 
 A noun or pronoun as subject, subjective (attribute) com- 
 plement of a verb, or used independently, is in the nominative 
 case. 
 
 A noun or pronoun as possessive modifier is in the possessive 
 case. 
 
 A noun or pronoun as factitive object (objective comple- 
 ment), as object complement, as the principal word in a 
 prepositional phrase, or used adverbially, is in the objective case. 
 
 A noun or pronoun used to explain a preceding noun or pro- 
 noun is by apposition put in the same case. 
 
 The subjective (attribute) complement of a participle or of an 
 infinitive is in the same case, nominative or objective as the 
 word to which it relates. 
 
 A pronoun agrees with its antecedent in person, number, 
 and gender. 
 
 A verb agrees with its subject in person and number. 
 
 A participle relates to a noun or a pronoun, or else is gov- 
 erned by a preposition.^ 
 
 An infinitive, generally, is introduced by the preposition to, 
 and with it forms a phrase which is used as a 7ioun, adjective, 
 or adverb. 
 
 Adjectives — words, phrases, or clauses modify nouns or pro- 
 nouns. 
 
 Adverbs — words, phrases, or clauses modify verbs, partici- 
 ples, adjectives, and other adverbs. 
 
 ^. preposition introduces a phrase modifier and shows the 
 sense relation of its principal word to the word modified. 
 
 Conjunctions connect words, phrases, and clauses, and show 
 the relations of the parts connected. 
 
 Interjections are used independently. 
 
 I According to B & S 352 (3), participles may modify verbs. 
 
SELECTIONS FOR READING. 
 
 THE VOYAGE. 
 
 *' Ships, ships, I zvill descrie you 
 Amidst the main, 
 I ivill come and try you. 
 What you are protecting, 
 And projecting, 
 
 What''s your end and aim. 
 One goes abroad for tjierchandise and trading. 
 Another stays to keep his country frofn invading, 
 A third is co!/iing houie zvith rich and wealthy lading, 
 Hallo ! my fancie, whither wilt thou go ? " 
 
 Old Poem. 
 
 TO an American visiting Europe, the long voyage he has to 
 make is an excellent preparative^ The temporary absence 
 of worldly scenes and employments produces a state of mind pe- 
 culiarly fitted to receive new and vivid impressions. The vast 
 space of waters that separates the hemispheres is like a blank 
 
 1 The Church of St. Peter in Rome is built upon the site of the religious 
 edifice erected in the time of Constantine (306), and consecrated as the " Ba- 
 silica of St. Peter." 
 
 2 A vast amphitheater in Rome, begun by the Emperor Vespasian, A.D. 72, 
 and dedicated A.D. 80. For nearly five hundred years it was the popular 
 resort of Rome. In the year 555 the whole of the city was overflowed by the 
 Tiber, and the lower part of the Colosseum was then destroyed, 
 
 3 A town of Italy in the province of Perugia, noted for the Falls of Velino, 
 which, for volume and beauty, take a very high place among European 
 waterfalls. 
 
 4 No other place in the world combines within the same compass so much 
 natural beauty with so many objects of interest to the antiquary, the historian, 
 and the geologist, as the Bay of Naples. 
 
 60 
 
THE SKETCH-BOOK. 6 1 
 
 page in existence. There is no gradual transition, by which, as 
 in Europe, the features and population of one country blend 
 almost imperceptibly with those of another. From the moment 
 you lose sight of the land you have left, all is vacancy until you 
 step on the opposite shore, and are launched at once into the 
 bustle and novelties of another world. 
 
 In traveling by land there is a continuity of scene, and a con- 
 nected succession of persons and incidents, that carry on the 
 story of hfe, and lessen the effect of absence and separation. 
 We drag, it is true, "a lengthening chain "^ at each remove of 
 our pilgrimage ; but the chain is unbroken : we can trace it back 
 link by link ; and we feel that the last of them still grapples us to 
 home. But a wide sea voyage severs us at once. It makes us 
 conscious of being cast loose from the secure anchorage of settled 
 life, and sent adrift upon a doubtful world. It interposes a gulf, 
 not merely imaginary, but real, between us and our homes, — a 
 gulf subject to tempest and fear and uncertainty, that makes dis- 
 tance palpable, and return precarious. 
 
 Such, at least, was the case with myself. As I saw the last 
 blue line of my native land fade away like a cloud in the horizon, 
 it seemed as if I had closed one volume of the world and its con- 
 cerns, and had time for meditation before I opened another. 
 That land, too, now vanishing from my view, which contained all 
 that was most dear to me in life, — what vicissitudes might occur 
 in it, what changes might take place in me, before I should visit 
 it again ! Who can tell, when he sets forth to wander, whither he 
 may be driven by the uncertain currents of existence, or when he 
 may return, or whether it may be ever his lot to revisit the scenes 
 of his childhood? 
 
 I said that at sea all is vacancy. I should correct the expres- 
 
 1 Goldsmith's Traveller, line lo. Better explained in the first paragraph 
 of his third letter in Citizen of the World; i.e., " The farther I travel I feel 
 the pain of separation with stronger force : those ties that bind me to my na- 
 tive country and you, are still unbroken. By every move I only drag a 
 greater length of chain." 
 
62 IRVING. 
 
 sion. To one given to day-dreaming, and fond of losing himself 
 in reveries, a sea voyage is full of subjects for meditation ; but 
 then they are the wonders of the deep and of the air, and rather 
 tend to abstract the mind from worldly themes. I delighted to 
 loll over the quarter railing, or climb to the maintop, of a calm 
 day, and muse for hours together on the tranquil bosom of a sum- 
 mer's sea ; to gaze upon the piles of golden clouds just peering 
 above the horizon, fancy them some fairy realms, and people 
 them with a creation of my own ; to watch the gentle, undulat- 
 ing billows, rolling their silver volumes, as if to die away on those 
 happy shores. 
 
 There was a delicious sensation of mingled security and awe 
 with which I looked down, from my giddy height, on the mon- 
 sters of the deep at their uncouth gambols, — shoals of porpoises, 
 tumbling about the bow of the ship ; the grampus, slowly heaving 
 his huge form above the surface ; or the ravenous shark, darting, 
 hke a specter, through the blue waters. My imagination would 
 conjure up all that I had heard or read of the watery world be- 
 neath me, — of the finny herds that roam its fathomless valleys, 
 of the shapeless monsters that lurk among the very foundations 
 of the earth, and of those wild phantasms that swell the tales of 
 fishermen and sailors. 
 
 Sometimes a distant sail, gHding along the edge of the ocean, 
 would be another theme of idle speculation. How interesting 
 this fragment of a world, hastening to rejoin the great mass of 
 existence ! What a glorious monument of human invention, that 
 has thus triumphed over wind and wave ; has brought the ends 
 of the world into communion ; has established an interchange of 
 blessings, pouring into the sterile regions of the north all the lux- 
 uries of the south ; has diffused the light of knowledge and the 
 charities of cultivated life ; and has thus bound together those scat- 
 tered portions of the human race between which Nature seemed 
 to have thrown an insurmountable barrier. 
 
 We one day descried some shapeless object drifting at a dis- 
 tance. At sea everything that breaks the monotony of the sur- 
 
THE SKETCH-BOOK. 63 
 
 rounding expanse attracts attention. It proved to be the mast 
 of a ship that must have been completely wrecked ; for there 
 were the remains of handkerchiefs, by which some of the crew 
 had fastened themselves to this spar, to prevent their being 
 washed off by the waves. There was no trace by which the 
 name of the ship could be ascertained. The wTeck had evi- 
 dently drifted about for many months. Clusters of shell-fish had 
 fastened about it, and long seaweeds flaunted at its sides. But 
 where, thought I, is the crew? Their struggle has long been 
 over ; they have gone down amidst the roar of the tempest ; 
 their bones he whitening among the caverns of the deep. Si- 
 lence, oblivion, like the waves, have closed over them, and no 
 one can tell the story of their end. What sighs have been wafted 
 after that ship! what prayers offered up at the deserted fireside 
 of home! How often has the mistress, the wife, the mother, 
 pored over the daily news to catch some casual intelligence of 
 this rover of the deep! How has expectation darkened into 
 anxiety, anxiety into dread, and dread into despair! Alas! not 
 one memento shall ever return for love to cherish. All that shall 
 ever be known, is that she sailed from her port, " and was never 
 heard of more." 
 
 The sight of this wreck, as usual, gave rise to many dismal 
 anecdotes. This was particularly the case in the evening, when 
 the weather, which had hitherto been fair, began to look wild 
 and threatening, and gave indications of one of those sudden 
 storms that will sometimes break in upon the serenity of a sum- 
 mer voyage. As we sat round the dull light of a lamp in the 
 cabin, that made the gloom more ghastly, every one had his tale 
 of shipwreck and disaster. I was particularly struck with a short 
 one related by the captain. 
 
 " As I was once sailing," said he, " in a fine stout ship across 
 the Banks of Newfoundland,^ one of those heavy fogs that pre- 
 vail in those parts rendered it impossible for us to see far ahead 
 
 * The shoals to the southeast of the Island of Newfoundland, a great re- 
 sort for fishermen. 
 
64 IRVING. 
 
 even in the daytime ; but at night the weather was so thick that 
 we could not distinguish any object at twice the length of the 
 ship. I kept lights at the mast-head, and a constant watch for- 
 ward to look out for fishing-smacks, which are accustomed to lie 
 at anchor on the Banks. The wind was blowing a smacking 
 breeze, and we were going at a great rate through the water. 
 Suddenly the watch gave the alarm of ' A sail ahead ! ' It was 
 scarcely uttered before we were upon her. She was a small 
 schooner, at anchor, with her broadside toward us. The crew 
 were all asleep, and had neglected to hoist a light. We struck 
 her just amidships. The force, the size, and weight of our vessel 
 bore her down below the waves. We passed over her, and were 
 hurried on our course. As the crashing wreck was sinking be- 
 neath us, I had a glimpse of two or three half-naked wretches 
 rushing from her cabin. They just started from their beds, to be 
 swallowed, shrieking, by the waves. I heard their drowning cry 
 minghng with the wind. The blast that bore it to our ears swept 
 us out of all further hearing. I shall never forget that cry. It 
 was some time before we could put the ship about, she was under 
 such headway. We returned, as nearly as we could guess, to 
 the place where the smack had anchored. We cruised about for 
 several hours in the dense fog. We fired signal guns, and lis- 
 tened if we might hear the halloo of any survivors ; but all was 
 silent. We never saw or heard anything of them more." 
 
 I confess these stories, for a time, put an end to all my fine 
 fancies. The storm increased with the night. The sea was 
 lashed into tremendous confusion. There was a fearful, sullen 
 sound of rushing waves and broken surges. Deep called unto 
 deep. At times the black volume of clouds overhead seemed 
 rent asunder by flashes of lightning that quivered along the 
 foaming billows, and made the succeeding darkness doubly terri- 
 ble. The thunders bellowed over the wild waste of waters, and 
 were echoed and prolonged by the mountain waves. As I saw 
 the ship staggering and plunging among these roaring caverns, it 
 seem^ed miraculous that she regained her balance, or preserved 
 
THE SKETCH-BOOK. 65 
 
 her buoyancy. Her yards would dip into the water. Her bow 
 was almost buried beneath the waves. Sometimes an impend- 
 ing surge appeared ready to overwhelm her, and nothing but a 
 dexterous movement of the helm preserved her from the shock. 
 
 When I retired to my cabin, the awful scene still followed me. 
 The whistling of the wind through the rigging sounded Hke fune- 
 real wailings. The creaking of the masts, the straining and 
 groaning of bulk-heads, as the ship labored in the weltering sea, 
 were frightful. As I heard the waves rushing along the side of 
 the ship, and roaring in my very ear, it seemed as if Death were 
 raging round this floating prison, seeking for his prey. The 
 mere starting of a nail, the yawning of a seam, might give him 
 entrance. 
 
 A fine day, however, with a tranquil sea and favoring breeze, 
 soon put all these dismal reflections to flight. It is impossible to 
 resist the gladdening influence of fine weather and fair wind at 
 sea. When the ship is decked out in all her canvas, every sail 
 swelled, and careering gayly over the curling waves, how lofty, 
 how gallant, she appears! How she seems to lord it over the 
 deep! I might fill a volume with the reveries of a sea voyage, 
 — for with me it is almost a continual reverie, — but it is time to 
 get to shore. 
 
 It was a fine, sunny morning when the thrilling cry of " Land! " 
 was given from the mast-head. None but those who have expe- 
 rienced it can form an idea of the delicious throng of sensations 
 which rush into an American's bosom when he first comes in 
 sight of Europe. There is a volume of associations with the very 
 name. It is the land of promise, teeming with everything of 
 which his childhood has heard, or on which his studious years 
 have pondered. 
 
 From that time until the moment of arrival, it was all feverish 
 excitement. The ships of war, that prowled like guardian giants 
 along the coast ; the headlands of Ireland, stretching out into 
 the Channel ; the Welsh mountains, towering into the clouds, — 
 all were objects of intense interest. As we sailed up the Mer- 
 
66 IRVING. 
 
 sey,i I reconnoitered the shores with a telescope. My eye dwelt 
 with delight on neat cottages, with their trim shrubberies and 
 green grass plots. I saw the moldering ruin of an abbey overrun 
 with ivy, and the taper spire of a village church rising from the 
 brow of a neighboring hill. All were characteristic of England. 
 
 The tide and wind were so favorable that the ship was enabled 
 to come at once to the pier. It was thronged with people, — 
 some idle lookers-on, others eager expectants of friends or rela- 
 tives. I could distinguish the merchant to whom the ship was 
 consigned. I knew him by his calculating brow and restless air. 
 His hands were thrust into his pockets. He was whisthng 
 thoughtfully, and walking to and fro, a small space having been 
 accorded him by the crowd, in deference to his temporary im- 
 portance. There were repeated cheerings and salutations inter- 
 changed between the shore and the ship as friends happened to 
 recognize each other. I particularly noticed one young woman 
 bf humble dress but interesting demeanor. She was leaning for- 
 ward from among the crowd. Her eye hurried over the ship as 
 it neared the shore, to catch some wished-for countenance. She 
 seemed disappointed and agitated, when I heard a faint voice 
 call her name. It was from a poor sailor who had been ill all 
 the voyage, and had excited the sympathy of every one on board. 
 When the weather was fine, his messmates had spread a mattress 
 for him on deck in the shade; but of late his illness had so 
 increased, that he had taken to his hammock, and only breathed 
 a wish that he might see his wife before he died. He had been 
 helped on deck as we came up the river, and was now leaning 
 against the shrouds, with a countenance so wasted, so pale, so 
 ghastly, that it was no wonder even the eye of affection did not 
 recognize him. But at the sound of his voice, her eye darted on 
 his features. It read at once a whole volume of sorrow. She 
 clasped her hands, uttered a faint shriek, and stood wringing 
 them in silent agony. 
 
 1 A river in the county of Lancaster, England, which opens into a fine 
 estuary before reaching the sea at Liverpool. 
 
THE SKETCH-BOOK. 67 
 
 All now was hurry and bustle, — the meetings of acquaint- 
 ances, the greetings of friends, the consultations of men of busi- 
 ness. I alone was solitary and idle. I had no friend to meet, no 
 cheering to receive. I stepped upon the land of my forefathers, 
 but felt that I was a stranger in the land. 
 
 CHRISTMAS.i 
 
 *' But is old, old, good old Christmas gone? Nothing but the hair of his 
 good, gray, old head and beard left ? Well, I will have that, seeing I cannot 
 have more of him.'''' — Hue and Cry after Christmas. 
 
 " A man 7night then behold 
 At Christmas, in each hall, 
 Good fires to curb the cold. 
 
 And meat for great and small. 
 The neighbors were friendly bidden, 
 
 And all had welcome true, 
 The poor from the gates were not chidden, 
 When this old cap was new.^'' 
 
 Oi.D Song.' 
 
 THERE is nothing in England that exercises a more delight- 
 ful spell over my imagination than the Hngerings of the 
 holiday customs and rural games of former times. They recall 
 the pictures my fancy used to draw in the May morning of life, 
 when as yet I only knew the world through books, and believed 
 it to be all that poets had painted it ; and they bring with them 
 the flavor of those honest days of yore, in which, perhaps, with 
 equal fallacy, I am apt to think the world was more homebred, 
 social, and joyous than at present. I regret to say that they are 
 daily growing more and more faint, being gradually worn away 
 
 1 Christ and Mass (Anglo-Saxon Maessa, "a. holy day or feast"), the 
 Christian festival of the Nativity. The festival properly begins on the even- 
 ing of Dec, 24, and lasts until Epiphany, Jan. 6, the whole being termed 
 "Christmas-tide." Dec. 25, however, is the day more specifically observed. 
 
 2 From Guild Hall Giants, by Thomas Hood, a famous English humorist 
 and popular author (born in London, 1798; died, 1845). 
 
68 IRVING. 
 
 by time, but still more obliterated by modern fashion. They re- 
 semble those picturesque morsels of Gothic architecture which 
 we see crumbling in various parts of the country, partly dilapi- 
 dated by the waste of ages, and partly lost in the additions and 
 alterations of latter days. Poetry, however, chngs with cherish- 
 ing fondness about the rural game and holiday revel, from which 
 it has derived so many of its themes, — as the ivy winds its rich 
 foliage about the Gothic arch and moldering tower, gratefully 
 repaying their support by clasping together their tottering re- 
 mains, and, as it were, embalming them in verdure. 
 
 Of all the old festivals, however, that of Christmas awakens 
 the strongest and most heartfelt associations. There is a tone 
 of solemn and sacred feeling that blends with our conviviality, 
 and lifts the spirit to a state of hallowed and elevated enjoyment. 
 The services of the church about this season are extremely tender 
 and inspiring. They dwell on the beautiful story of the origin of 
 our faith, and the pastoral scenes that accompanied its announce- 
 ment. They gradually increase in fervor and pathos during the 
 season of Advent,^ until they break forth in full jubilee on the 
 morning that brought peace and good will to men.2 I do not 
 know a grander effect of music on the moral feelings than to 
 hear the full choir and the pealing organ performing a Christmas 
 anthem in a cathedral, and filling every part of the vast pile with 
 triumphant harmony. 
 
 It is a beautiful arrangement, also, derived from days of yore, 
 that this festival, which commemorates the announcement of the 
 religion of peace and love, has been made the season for gather- 
 ing together of family connections, and drawing closer again those 
 
 1 The season of moral and religious preparation, between St. Andrew's 
 Day (Nov. 30) and Christmas. Its observance dates from the fourth cen- 
 tury, and from the sixth century it has been recognized as the beginning of 
 the ecclesiastical year. At one time it was observed as strictly as Lent. 
 Advent fasting is now confined to the week in which Ember Day (Dec. 13) 
 occurs. 
 
 2 No war was declared, and no capital executions were permitted to take 
 place, during this season of good will. 
 
THE SKETCH-BOOK. 69 
 
 bands of kindred hearts which the cares and pleasures and sor- 
 rows of the world are continually operating to cast loose ; of 
 calling back the children of a family, who have launched forth in 
 life, and wandered widely asunder, once more to assemble about 
 the paternal hearth, that rallying-place of the affections, there to 
 grow young and loving again among the endearing mementos of 
 childhood. 
 
 There is something in the very season of the year that gives a 
 charm to the festivity of Christmas. At other times we derive a 
 great portion of our pleasures from the mere beauties of nature. 
 Our feelings sally forth and dissipate themselves over the sunny 
 landscape, and we *' live abroad and everywhere." The song of 
 the bird ; the murmur of the stream ; the breathing fragrance of 
 spring ; the soft voluptuousness of summer ; the golden pomp of 
 autumn ; earth, with its mantle of refreshing green ; and heaven, 
 with its deep, dehcious blue and its cloudy magnificence, — all fill 
 us with mute but exquisite delight, and we revel in the luxury of 
 mere sensation. But in the depth of winter, when Nature lies 
 despoiled of every charm, and wrapped in her shroud of sheeted 
 snow, we turn for our gratifications to moral sources. The dreari- 
 ness and desolation of the landscape, the short, gloomy days and 
 darksome nights, while they circumscribe our wanderings, shut in 
 our feelings also from rambling abroad, and make us more keenly 
 disposed for the pleasures of the social circle. Our thoughts are 
 more concentrated, our friendly sympathies more aroused. We 
 feel more sensibly the charm of each other's society, and are 
 brought more closely together by dependence on each other for 
 enjoyment. Heart calleth unto heart ; and we draw our pleas- 
 ures from the deep wells of living kindness, which lie in the quiet 
 recesses of our bosoms, and which, when resorted to, furnish 
 forth the pure element of domestic felicity. 
 
 The pitchy gloom without makes the heart dilate on enter- 
 ing the room filled with the glow and warmth of the evening 
 fire. The ruddy blaze diffuses an artificial summer and sunshine 
 through the room, and lights up each countenance into a kindlier 
 
70 IRVING. 
 
 welcome. Where does the honest face of hospitality expand into 
 a broader and more cordial smile, where is the shy glance of 
 love more sweetly eloquent, than by the winter fireside? and as 
 the hollow blast of wintry wind rushes through the hall, claps the 
 distant door, whistles about the casement, and rumbles down the 
 chimney, what can be more grateful than that feeling of sober 
 and sheltered security with which we look round upon the com- 
 fortable chamber and the scene of domestic hilarity? 
 
 The English, from the great prevalence of rural habits through- 
 out every class of society, have always been fond of those festi- 
 vals and holidays which agreeably interrupt the stillness of coun- 
 try Hfe, and they were in former days particularly, observant of 
 the religious and social rites of Christmas. ^ It is inspiring to 
 read even the dry details which some antiquaries have given of 
 the quaint humors, the burlesque pageants, the complete aban- 
 donment to mirth and good-fellowship, with which this festival 
 was celebrated. It seemed to throw open every door, and un- 
 lock every heart. It brought the peasant and the peer together, 
 and blended all ranks in one warm generous flow of joy and 
 kindness.2 The old halls of castles and manor-houses resounded 
 with the harp and the Christmas carol,^ and their ample boards 
 groaned under the weight of hospitality. Even the poorest cot- 
 tage welcomed the festive season with green decorations of bay* 
 
 1 Christmas Day, in the primitive Church, was ahvays observed as the 
 sabbath day, and, like that, preceded by an eve or vigil : hence our present 
 Christmas Eve. 
 
 2 In farmhouses in the north of England the servants used to lay a large 
 knotty block for their Christmas fire, and during the time it lasted they 
 were entitled by custom to ale at their meals. 
 
 3 The well-known hymn, " Gloria in Excelsis," sung by the angels to the 
 shepherds at our Lord's nativity, was the earliest Christmas carol. We next 
 hear of one sung in the thirteenth century. It is in the British Museum, and 
 written in Anglo-Norman. 
 
 4 Since the days of the ancient Romans, this tree, a species of laurel, the 
 aromatic leaves of which are often found packed with figs, has at all times 
 been dedicated to all purposes of joyous commemoration ; and its branches 
 have been used as the emblems of peace, victory, and joy. 
 
THE SKETCH-BOOK. 71 
 
 and holly.i The cheerful fire glanced its rays through the lat- 
 tice, inviting the passenger to raise the latch, and join the gossip 
 knot huddled round the hearth, beguiling the long evening with 
 legendary jokes and oft-told Christmas tales. 
 
 One of the least pleasing effects of modern refinement is the 
 havoc it has made among the hearty old holiday customs. It 
 has completely taken off the sharp touchings and spirited rehefs 
 of these embelhshments of life, and has worn down society into 
 a more smooth and polished, but certainly a less characteristic 
 surface. Many of the games and ceremonials of Christmas have 
 entirely disappeared, and, like the sherris sack of old FalstaflE,^ are 
 become matters of speculation and dispute among commentators. 
 They flourished in times full of spirit and lustihood, when men en- 
 joyed life roughly, but heartily and vigorously, — times wild and 
 picturesque, which have furnished poetry with its richest materi- 
 als, and the drama with its most attractive variety of characters and 
 manners. The world has become more worldly. There is more 
 of dissipation, and less of enjoyment. Pleasure has expanded into 
 a broader but a shallower stream, and has forsaken many of those 
 deep and quiet channels where it flowed sweetly through the calm 
 bosom of domestic life. Society has acquired a more enlightened 
 and elegant tone ; but it has lost many of its strong local peculi- 
 arities, its home-bred feelings, its honest fireside dehghts. The 
 traditionary customs of golden-hearted antiquity, its feudal hospi- 
 talities, and lordly wassailings, have passed away with the baroni- 
 al castles and stately manor-houses in which they were celebrated. 
 They comported with the shadowy hall, the great oaken gallery, 
 and the tapestried parlor, but are unfitted for the light, showy 
 saloons and gay drawing-rooms of the modern villa.^ 
 
 1 A plant of the genus Hex. The common holly grows from twenty to 
 thirty feet in height. It is especially used about Christmas time to decorate 
 the inside of houses and churches, — a relic, it is thought, of Druidism. 
 
 2 Second Henry IV., act iv. sc. 3. 
 
 3 In 1 589 an order was issued to the gentlemen of Norfolk and Suffolk, 
 commanding them "to depart from London before Christmas, and to repair 
 to their country homes, there to keep hospitality amongst their neighbors." 
 
72 
 
 IRVING, 
 
 Shorn, however, as it is, of its ancient and festive honors, 
 Christmas is still a period of dehghtful excitement in England. 
 It is gratifying to see that home feehng completely aroused 
 which holds so powerful a place in every English bosom. The 
 preparations making on every side for the social board that is 
 again to unite friends and kindred ; the presents of good cheer 
 passing and repassing, those tokens of regard, and quickeners 
 of kind feehngs ; the evergreens distributed about houses and 
 churches, emblems of peace and gladness, — all these have the 
 most pleasing effect in producing fond associations, and kindling 
 benevolent sympathies. Even the sound of the waits,^ rude as 
 may be their minstrelsy, breaks upon the mid-watches of a winter 
 night with the effect of perfect harmony. As I have been 
 awakened by them in that still and solemn hour " when deep 
 sleep falleth upon man," I have listened with a hushed delight, 
 and, connecting them with the sacred and joyous occasion, have 
 almost fancied them into another celestial choir,^ announcing 
 peace and good will to mankind. How delightfully the imagina- 
 tion, when wrought upon by these moral influences, turns every- 
 thing to melody and beauty ! The very crowing of the cock, 
 heard sometimes in the profound repose of the country, " telling 
 the night watches to his feathery dames," was thought by the 
 common people to announce the approach of this sacred festival. 
 
 Amidst the general call to happiness, the bustle of the spirits, 
 and stir of the affections, which prevail at this period, what bosom 
 can remain insensible? It is, indeed, the season of regenerated 
 feehng, — the season for kindling, not merely the fire of hospi- 
 tality in the hall, but the genial flame of charity in the heart. 
 The scene of early love again rises green to memory beyond 
 the sterile waste of years ; and the idea of home, fraught with the 
 fragrance of home-dwelHng joys, reanimates the drooping spirit, 
 as the Arabian breeze will sometimes waft the freshness of the 
 distant fields to the weary pilgrim of the desert. 
 
 1 Musicians who sing out of doors at Christmas time, going from house to 
 house. 2 Luke ii. 13, 14. 
 
THE SKETCH-ROOK. 73 
 
 Stranger and sojourner as I am in the land, — though for me no 
 social hearth may blaze, no hospitable roof throw open its doors, 
 nor the warm grasp of friendship welcome me at the threshold, 
 — yet I feel the influence of the season beaming into my soul 
 from the happy looks of those around me. Surely happiness is 
 reflective, like the light of heaven ; and every countenance, bright 
 with smiles, and glowing with innocent enjoyment, is a mirror 
 transmitdng to others the rays of a supreme and ever-shining 
 benevolence. He who can turn churlishly away from contemplat- 
 ing the felicity of his fellow-beings, and can sit down darkling and 
 repining in his loneliness when all around is joyful, may have 
 his moments of strong excitement and selfish gratification, but 
 he wants the genial and social sympathies which constitute the 
 charm of a merry Christmas. 
 
 CHRISTMAS EVE. 
 
 " Saint Francis and Saint Benedight 
 Blesse this house from wicked wight ; 
 From the night-mare and the goblin, 
 That is hight good fellow Robin ; 
 Keep it from all evil spirits. 
 Fairies, iveazles, rats, and ferrets : 
 FroJii curfetu-ti me 
 7b the next prime.^'' 
 
 Cartvvright.* 
 
 IT was a brilliant moonlight night, but extremely cold. Our 
 chaise whirled rapidly over the frozen ground. The post-boy 
 smacked his whip incessantly, and a part of the time his horses 
 were on a gallop. " He knows where he is going," said my com- 
 panion, laughing, " and is eager to arrive in time for some of the 
 merriment and good cheer of the servants' hall.^ My father, you 
 
 1 William Cartwright (161 1-43), an English poet and clergyman, was 
 very popular in his time, especially about Oxford, where he was educated, 
 and where he afterwards preached. 
 
 2 The servants had enlarged privileges during this season, not only by cus- 
 tom, but by positive enactment ; and certain games, which at other periods 
 they were prohibited from engaging in, were allowed at Christmas time. 
 
74 IRVING. 
 
 must know, is a bigoted devotee of the old school, and prides 
 himself upon keeping up something of old English hospitahty. 
 He is a tolerable specmien of what you will rarely meet with 
 nowadays in its purity, — the old English country gentleman ; for 
 our men of fortune spend so much of their time in town, and 
 fashion is carried so much into the country, that the strong, rich 
 peculiarities of ancient rural life are almost polished away. My 
 father, however, from early years, took honest Peacham ^ for his 
 text-book, instead of Chesterfield.^ He determined in his own 
 mind that there was no condition more truly honorable and en- 
 viable than that of a country gentleman on his paternal lands, 
 and therefore passes the whole of his time on his estate. He is 
 a strenuous advocate for the revival of the old rural games and 
 holiday observances, and is deeply read in the writers, ancient 
 and modern, who have treated on the subject. Indeed, his fa- 
 vorite range of reading is among the authors who flourished at 
 least two centuries since, who, he insists, wrote and thought more 
 hke true Enghshmen than any of their successors. He even re- 
 grets sometimes that he had not been born a few centuries ear- 
 lier, when England was itself, and had its peculiar manners and 
 customs. As he lives at some distance from the main road, in 
 rather a lonely pa.rt of the country, without any rival gentry near 
 him, he has that most enviable of all blessings to an Englishman, 
 an opportunity of indulging the bent of his own humor without 
 molestation. Being representative of the oldest family in the 
 neighborhood, and a great part of the peasantry being his ten- 
 ants, he is much looked up to, and, in general, is known simply 
 by the appellation of ' The Squire,' — a title which has been ac- 
 corded to the head of the family since time immemorial. I think 
 it best to give you these hints about my worthy old father, to 
 
 1 Henry Peacham (born in Hertfordshire, England, in the sixteenth cen- 
 tury) was the author of The Complete Gentleman (1622). 
 
 2 Chesterfield (Philip Dormer Stanhope) was an English courtier, orator, 
 and wit, renowned as a model of politeness, and criterion of taste. He was 
 born in London in 1694. 
 
THE SKETCH-BOOK. 75 
 
 prepare you for any little eccentricities that might otherwise 
 appear absurd." 
 
 We had passed for some time along the wall of a park, and at 
 length the chaise stopped at the gate. It was in a heavy, mag- 
 nificent old style, of iron bars, fancifully wrought at top into 
 flourishes and flowers. The huge, square columns that supported 
 the gate were surmounted by the family crest. Close adjoining 
 was the porter's lodge, sheltered under dark fir-trees, and almost 
 buried in shrubbery. 
 
 The post-boy rang a large porter's bell, which resounded 
 through the still, frosty air, and was answered by the distant 
 barking of dogs, with which the mansion-house seemed garri- 
 soned. An old woman immediately appeared at the gate. As 
 the moonlight fell strongly upon her, I had a full view of a 
 little primitive dame, dressed very much in antique taste, with a 
 neat kerchief and stomacher,^ and her silver hair peeping from 
 under a cap of snowy whiteness. She came courtesying forth, 
 with many expressions of simple joy at seeing her young master. 
 Her husband, it seemed, was up at the house keeping Christmas 
 Eve in the servants' hall. They could not do without him, as he 
 was the best hand at a song and story in the household. 
 
 My friend proposed that we should alight, and walk through 
 the park to the hall, which was at no great distance, while the 
 chaise should follow on. Our road wound through a noble ave- 
 nue of trees, among the naked branches of which the moon glit- 
 tered, as she rolled through the deep vault of a cloudless sky. 
 The lawn beyond was sheeted with a slight covering of snow, 
 which here and there sparkled as the moonbeams caught a frosty 
 crystal; and at a distance might be seen a thin, transparent 
 vapor, stealing up from the low grounds, and threatening grad- 
 ually to shroud the landscape. 
 
 My companion looked round him with transport. " How 
 often," said he, "have I scampered up this avenue, on returning 
 
 1 The portion of a dress forming, generally, the lower part of the bodice, 
 extending down in front into the skirt, and usually overlapping it. 
 
76 IRVING. 
 
 home on school vacations! How often have I played under these 
 trees when a boy! I feel a degree of fihal reverence for them, 
 as we look up to those who have cherished us in childhood. My 
 father was always scrupulous in exacting our holidays, and hav- 
 ing us around him on family festivals. He used to direct and 
 superintend our games with the strictness that some parents do 
 the studies of their children. He was very particular that we 
 should play the old English games according to their original 
 form, and consulted old books for precedent and authority for 
 every ' merrie disport ;' yet I assure you there never was pedantry 
 so delightful. It was the policy of the good old gentleman to 
 make his children feel that home was the happiest place in the 
 world ; and I value this delicious home feehng as one of the 
 choicest gifts a parent could bestow." 
 
 We were interrupted by the clamor of a troop of dogs of all 
 sorts and sizes, — "mongrel, puppy, whelp, and hound, and curs 
 of low degree," — that, disturbed by the ringing of the porter's 
 bell and the rattling of the chaise, came bounding, open-mouthed, 
 across the lawn. 
 
 " The little dogs and all, 
 Tray, Blanch, and Sweet-heart, see, they bark at me." i 
 
 cried Bracebridge, laughing. At the sound of his voice, the bark 
 was changed into a yelp of delight, and in a moment he was sur- 
 rounded and almost overpowered by the caresses of the faithful 
 animals. 
 
 We had now come in full view of the old family mansion, 
 partly thrown in deep shadow, and partly lit up by the cold 
 moonshine. It was an irregular building of some magnitude, 
 and seemed to be of the architecture of different periods. One 
 wing was evidently very ancient, with heavy stone-shafted bow- 
 windows jutting out and overrun with ivy, from among the foli- 
 age of which the small, diamond-shaped panes of glass glittered 
 with the moonbeams. The rest of the house was in the French 
 
 1 King Lear, act iii. sc. 6. 
 
THE SKETCH-BOOK. 77 
 
 taste of Charles II.'s ^ time, having been repaired and altered, as 
 my friend told me, by one of his ancestors, who returned with 
 that monarch at the Restoration.- The grounds about the house 
 were laid out in the old formal manner of artificial flower-beds, 
 clipped shrubberies, raised terraces, and heavy stone balustrades, 
 ornamented with urns, a leaden statue or two, and a jet of water. 
 The old gentleman, 1 was told, was extremely careful to preserve 
 this obsolete finery in all its original state. He admired this 
 fashion in gardening : it had an air of magnificence, was courtly 
 and noble, and befitting good old family style. The boasted imi- 
 tation of nature in modern gardening had sprung up with modern 
 republican notions, but did not suit a monarchical government : 
 it smacked of the leveling system. I could not help smiling at 
 this introduction of politics into gardening, though I expressed 
 some apprehension that I should find the old gentleman rather 
 intolerant in his creed. Frank assured me, however, that it was 
 almost the only instance in which he had ever heard his father 
 meddle with politics ; and he believed he had got this notion 
 from a member of Parliament who once passed a few weeks with 
 him. The Squire was glad of any argument to defend his clipped 
 yew-trees and formal terraces, which had been occasionally at- 
 tacked by modern landscape-gardeners. 
 
 As we approached the house, we heard the sound of music, 
 and now and then a burst of laughter, from one end of the build- 
 ing. This, Bracebridge said, must proceed from the servants' 
 hall, where a great deal of revelry was permitted, and even en- 
 couraged by the Squire, throughout the twelve days ^ of Christ- 
 mas, provided every thing was done conformably to ancient 
 
 1 Charles II. (born, 1630) was proclaimed king by the Scottish Parlia- 
 ment in 1649. He landed in Scotland in 1650, and was crowned the follow- 
 ing year. He marched into England against Cromwell, but was defeated at 
 Worcester in 1651. 
 
 2 In English history, the reestablishing of the monarchy with Charles II. 
 in 1660, and the period of his reign. 
 
 3 Referring to the period between Christmas and Epiphany, or from Dec. 
 25 to Jan. 6. 
 
78 IRVING. 
 
 usage. Here were kept up the old games of hoodman blind, 
 shoe the wild mare, hot cockles, steal the white loaf, bob-apple, 
 and snap-dragon. The Yule clog^ and Christmas candle were 
 regularly burnt ; and the mistletoe, with its white berries, hung 
 up, to the imminent peril of all the pretty house-maids.^ 
 
 So intent were the servants upon their sports, that we had to 
 ring repeatedly before we could make ourselves heard. On our 
 arrival being announced, the Squire came out to receive us, ac- 
 companied by his two other sons, — one a young officer in the 
 army, home on leave of absence ; the other an Oxonian, just 
 from the university. The Squire was a fine, healthy-looking old 
 gentleman, with silver hair curling lightly round an open, florid 
 countenance, in which a physiognomist, with the advantage, like 
 myself, of a previous hint or two, might discover a singular mix- 
 ture of whim and benevolence. 
 
 ' Irving's Note. — The Yule clog is a great log of wood, sometimes the 
 root of a tree, brought into the house with great ceremony on Christmas Eve, 
 laid in the fireplace, and lighted with the brand of last year's clog. While 
 it lasted, there was great drinking, singing, and telling of tales. Sometimes 
 it was accompanied by Christmas candles, but in the cottages the only light 
 was from the ruddy blaze of the great wood fire. The Yule clog was to burn 
 all night : if it went out, it was considered a sign of ill luck. Herrick men- 
 tions it in one of his songs : — 
 
 " Come, bring with a noise, 
 
 My merrie, merrie boyes, 
 The Christmas log to the firing; 
 
 While my good dame, she 
 
 Bids ye all be free. 
 And drink to your hearts desiring." 
 
 The Yule clog is still burnt in many farmhouses and kitchens in England, 
 particularly in the north, and there are several superstitions connected with 
 it among the peasantry. If a squinting person come to the house while it is 
 burning, or a person barefooted, it is considered an ill omen. The brand 
 remaining from the Yule clog is carefully put away to light the next year's 
 Christmas fire. 
 
 2 Irving's Note. — The mistletoe is still hung up in farmhouses and 
 kitchens at Christmas, and the young men have the privilege of kissing the 
 girls under it, plucking each time a berry from the bush. When the berries 
 are all plucked, the privilege ceases. 
 
THE SKETCH-BOOK. 79 
 
 The family meeting was warm and affectionate. As the even- 
 ing was far advanced, the Squire would not permit us to change 
 our travehng dresses, but ushered us at once to the company, 
 which was assembled in a large, old-fashioned hall. It was com- 
 posed of different branches of a numerous family connection, 
 where there were the usual proportions of old uncles and aunts, 
 comfortable married dames, superannuated spinsters, blooming 
 country cousins, half-fledged striplings, and bright-eyed boarding- 
 school hoidens. They were variously occupied, — some at a 
 round game of cards ; others conversing around the fireplace ; at 
 one end of the hall was a group of the young folks, some nearly 
 grown up, others of a more tender and budding age, fully en- 
 grossed by a merry game ; and a profusion of wooden horses, 
 penny trumpets, and tattered dolls about the floor, showed traces 
 of a troop of little fairy beings, who, having frolicked through a 
 happy day, had been carried off to slumber through a peaceful 
 night. 
 
 While the mutual greetings were going on between young 
 Bracebridge and his relatives, I had time to scan the apartment. 
 I have called it a hall, for so it had certainly been in old times, 
 and the Squire had evidently endeavored to restore it to some- 
 thing of its primitive state. Over the heavy projecting fireplace 
 was suspended a picture of a warrior in armor, standing by a 
 white horse ; and on the opposite wall hung a helmet, buckler, 
 and lance. At one end an enormous pair of antlers were inserted 
 in the wall, the branches serving as hooks on which to suspend 
 hats, whips, and spurs ; and in the corners of the apartment were 
 fowling-pieces, fishing-rods, and other sporting implements. The 
 furniture was of the cumbrous workmanship of former days, 
 though some articles of modern convenience had been added, and 
 the oaken floor had been carpeted ; so that the whole presented 
 an odd mixture of parlor and hall. 
 
 The grate had been removed from the wide, overwhelming 
 fireplace, to make way for a fire of wood, in the midst of which 
 was an enormous log, glowing and blazing, and sending forth a 
 
8o IRVING. 
 
 vast volume of light and heat : this I understood was the Yule 
 clog, which the Squire was particular in having brought in and 
 illumined on a Christmas Eve, according to ancient custom. 
 
 It was really delightful to see the old Squire seated in his he- 
 reditary elbow chair, by the hospitable fireside of his ancestors, 
 and looking around him like the sun of a system, beaming warmth 
 and gladness to every heart. Even the very dog that lay stretched 
 at his feet, as he lazily shifted his position and yawned, would 
 look fondly up in his master's face, wag his tail against the floor, 
 and stretch himself again to sleep, confident of kindness and pro- 
 tection. There is an emanation from the heart in genuine hos- 
 pitahty which cannot be described, but is immediately felt, and 
 puts the stranger at once at his ease. I had not been seated 
 many minutes by the comfortable hearth of the worthy old cava- 
 her, before I found myself as much at home as if I had been one 
 of the family. 
 
 Supper was announced shortly after our arrival. It was served 
 up in a spacious oaken chamber, the panels of which shone with 
 wax, and around which were several family portraits decorated 
 with holly and ivy.^ Beside the accustomed lights, two great 
 wax tapers, called Christmas candles,^ wreathed with greens, were 
 placed on a highly polished beaufet among the family plate. The 
 table was abundantly spread with substantial fare ; but the Squire 
 made his supper of frumenty, — a dish made of wheat cakes 
 boiled in milk, with rich spices, being a standing dish in old times 
 for Christmas Eve. 
 
 I was happy to find my old friend, minced pie,^ in the retinue 
 
 1 Ivy was used not only as a vintner's sign, but also among the evergreens 
 at funerals. 
 
 2 Christmas was called the " Feast of Lights " in the Western or Latin 
 Church, because they used many lights or candles at the feast ; or, rather, 
 because Christ, the Light of all lights, that true Light, came into the world : 
 hence the Christmas candle. 
 
 3 By some it has been supposed, from the Oriental ingredients which en- 
 ter into its composition, to have a reference to the offerings made by the Wise 
 Men of the East ; and it was anciently the custom to make these pies of an 
 
THE SKETCH-BOOK. 8i 
 
 of the feast ; and finding him to be perfectly orthodox, and that 
 I need not be ashamed of my predilection, I greeted him with all 
 the warmth wherewith we usually greet an old and very genteel 
 acquaintance. 
 
 The mirth of the company was greatly promoted by the humors 
 of an eccentric personage whom Mr. Bracebridge always ad- 
 dressed with the quaint appellation of Master Simon. He was a 
 tight, brisk little man, with the air of an arrant old bachelor. 
 His nose was shaped like the bill of a parrot ; his face, slightly 
 pitted with the small-pox, with a dry, perpetual bloom on it, like 
 a frost-bitten leaf in autumn. He had an eye of great quickness 
 and vivacity, with a drollery and lurking waggery of expression 
 that was irresistible. He was evidently the wit of the family, 
 dealing very much in sly jokes and innuendoes with the ladies, 
 and making infinite merriment by harpings upon old themes; 
 which, unfortunately, my ignorance of the family chronicles did 
 not permit me to enjoy. It seemed to be his great delight during 
 supper to keep a young girl next him in a continual agony of stifled 
 laughter, in spite of her awe of the reproving looks of her mother, 
 who sat opposite. Indeed, he was the idol of the younger part 
 of the company, who laughed at everything he said or did, and 
 at every turn of his countenance. I could not wonder at it, for 
 he must have been a miracle of accomplishments in their' eyes. 
 He could imitate Punch and Judy ; make an old woman of his 
 hand, with the assistance of a burnt cork and pocket-handker- 
 chief ; and cut an orange into such a ludicrous caricature that the 
 young folks were ready to die with laughing. 
 
 I was let briefly into his history by Frank Bracebridge. He 
 was an old bachelor, of a small, independent income, which, by 
 careful management, was sufficient for all his wants. He re- 
 volved through the family system like a vagrant comet in its 
 orbit ; sometimes visiting one branch, and sometimes another 
 quite remote, as is often the case with gentlemen of extensive 
 
 oblong form, thereby representing the manger in which, on that occasion, 
 these sages found the infant Jesus. 
 
82 IRVING. 
 
 connections and small fortunes in England. He had a chirping, 
 buoyant disposition, always enjoying the present moment; and 
 his frequent change of scene and company prevented his acquir- 
 ing those rusty, unaccommodating habits, with which old bache- 
 lors are so uncharitably charged. He was a complete family 
 chronicle, being versed in the genealogy, history, and intermar- 
 riages of the whole house of Bracebridge, which made him a 
 great favorite with the old folks ; he was a beau of all the elder 
 ladies and superannuated spinsters, among whom he was habitu- 
 ally considered rather a young fellow, and he was master of the 
 revels among the children ; so that there was not a more popular 
 being in the sphere in which he moved than Mr. Simon Brace- 
 bridge. Of late years he had resided almost entirely with the 
 Squire, to whom he had become a factotum, and whom he par- 
 ticularly delighted by jumping with his humor in respect to old 
 times, and by having a scrap of an old song to suit every occa- 
 sion. We had presently a specimen of his last-mentioned talent, 
 for no sooner was supper removed, and spiced wines and other 
 beverages peculiar to the season introduced, than Master Simon 
 was called on for a good old Christmas song. He bethought 
 himself for a moment, and then, with a sparkle of the eye, and a 
 voice that was by no means bad, excepting that it ran occasionally 
 into a falsetto, like the notes of a split reed, he quavered forth a 
 quaint old ditty : — 
 
 " Now Christmas is come, 
 
 Let us beat up the drum, 
 And call all our neighbors together ; 
 
 And when they appear, 
 
 Let us make such a cheer 
 As wall keep out the wind and the weather," etc. 
 
 The supper had disposed every one to gayety, and an old har- 
 per was summoned from the servants' hall, where he had been 
 strumming all the evening, and to all appearance comforting him- 
 self with some of the Squire's home-brewed. He was a kind of 
 hanger-on, I was told, of the establishment, and, though ostensi- 
 
THE SKETCH-BOOK. 83 
 
 bly a resident of the village, was oftener to be found in the 
 Squire's kitchen than his own home, the old gentleman being fond 
 of the sound of "harp in hall." 
 
 The dance, like most dances after supper, was a merry one. 
 Some of the older folks joined in it, and the Squire himself figured 
 down several couple with a partner with whom he affirmed he 
 had danced at every Christmas for nearly half a century. Mas- 
 ter Simon, who seemed to be a kind of connecting link between 
 the old times and the nev/, and to be withal a little antiquated in 
 the taste of his accomplishments, evidently piqued himself on his 
 dancing, and was endeavoring to gain credit by the heel and toe, 
 rigadoon, and other graces of the ancient school ; but he had 
 unluckily assorted himself with a little romping girl from board- 
 ing-school, who, by her wild vivacity, kept him continually on 
 the stretch, and defeated all his sober attempts at elegance — 
 such are the ill-assorted matches to which antique gentlemen are 
 unfortunately prone ! 
 
 The young Oxonian, on the contrary, had led out one of his 
 maiden aunts, on whom the rogue played a thousand httle knave- 
 ries with impunity. He was full of practical jokes, and his de- 
 light was to tease his aunts and cousins ; yet, like all madcap 
 youngsters, he was a universal favorite among the women. The 
 most interesting couple in the dance was the young officer and 
 a ward of the Squire's, a beautiful, blushing girl of seventeen. 
 From several shy glances which I had noticed in the course of 
 the evening, I suspected there was a little kindness growing up 
 between them ; and, indeed, the young soldier was just the 
 hero to captivate a romantic girl. He was tall, slender, and 
 handsome, and, like most young British officers of late years, 
 had picked up various small accomplishments on the Conti- 
 nent, — he could talk French and Italian, draw landscapes, sing 
 very tolerably, dance divinely, — but, above all, he had been 
 wounded at Waterloo. ^ What girl of seventeen, well read in 
 
 1 The French under Napoleon were defeated by the English, June 18, 
 18 1 5, at Waterloo, a village in Belgium. 
 
84 IRVING. 
 
 poetry and romance, could resist such a mirror of chivalry and 
 perfection ! 
 
 The moment the dance was over, he caught up a guitar, and, 
 lolling against the old marble fireplace, in an attitude which I am 
 half inclined to suspect was studied, began the little French air 
 of the " Troubadour." The Squire, however, exclaimed against 
 having anything on Christmas Eve but good old English ; upon 
 which the young minstrel, casting up his eye for a moment, as 
 if in an effort of memory, struck into another strain, and, with 
 a charming air of gallantry, gave Herrick's^ "Night-Piece to 
 
 Julia:"— 
 
 " Her eyes the glow-worm lend thee. 
 The shooting stars attend thee, 
 And the elves also, 
 Whose little eyes glow 
 Like the sparks of fire, befriend thee. 
 
 "No Will-o'-the-Wisp mislight thee; 
 Nor snake or slow-worm bite thee ; 
 
 But on, on thy way, 
 
 Not making a stay, 
 Since ghost there is none to affright thee. 
 
 "Then let not the dark thee cumber ; 
 What though the moon does slumber, 
 The stars of the night 
 Will lend thee their light, 
 Like tapers clear without number. 
 
 "Then, Julia, let me woo thee, 
 Thus, thus to come unto me ; 
 
 And when I shall meet 
 
 Thy silvery feet. 
 My soul I'll pour into thee." 
 
 The song might or might not have been intended in compli- 
 ment to the fair Julia, for so I found his partner was called. 
 She, howisver, was certainly unconscious of any such application, 
 
 ' An English poet and clergyman (i 591-1674). As a writer of pastoral 
 lyrics, Herrick takes a high rank in English literature. 
 
THE SKETCH-BOOK. 85 
 
 for she never looked at the singer, but kept her eyes cast upon 
 the floor. Her face was suffused, it is true, with a beautiful 
 blush, and there was a gentle heaving of the bosom ; but all that 
 was doubtless caused by the exercise of the dance. Indeed, so 
 great was her indifference, that she was amusing herself with pluck- 
 ing to pieces a choice bouquet of hothouse flowers, and by the time 
 the song was concluded the nosegay lay in ruins on the floor. 
 
 The party now broke up for the night with the kind-hearted 
 old custom of shaking hands. As I passed through the hall, on 
 my way to my chamber, the dying embers of the Yule clog still 
 sent forth a dusky glow ; and, had it not been the season when 
 "no spirit dare stir abroad," ^ I should have been half tempted 
 to steal from my room at midnight, and peep whether the fairies 
 might not be a't their revels about the hearth. 
 
 My chamber was in the old part of the mansion, the ponder- 
 ous furniture of which might have been fabricated in the days 
 of the giants. The room was paneled with cornices of heavy 
 carved work, in which flowers and grotesque faces were strangely 
 intermingled ; and a row of black-looking portraits stared mourn- 
 fully at me from the walls. The bed was of rich though faded 
 damask, with a lofty tester,^ and stood in a niche opposite a bow- 
 window. I had scarcely got into bed, when a strain of music 
 seemed to break forth in the air just below the window. I 
 listened, and found it proceeded from a band, which I concluded 
 to be the waits ^ from some neighboring village. They went round 
 the house, playing under the windows. I drew aside the curtains 
 to hear them more distinctly. The moonbeams fell through the 
 upper part of the casement, partially lighting up the antiquated 
 apartment. The sounds, as they receded, became more soft and 
 
 1 It is an old superstition, that on the eve of Christmas "the bird of 
 dawning singeth all night long " to scare away all evil things from infesting 
 the hallowed hours. 
 
 2 Old French, testiere (" a headpiece") ; Latin, testa (" a shell"). The 
 material stretched over a four-posted bed, forming a canopy over it. 
 
 3 See Note i, p. 72. 
 
85 IRVING. 
 
 aerial, and seemed to accord with quiet and moonlight. I lis- 
 tened and hstened. They became more and more tender and 
 remote ; and, as they gradually died away, my head sunk upon 
 the pillow, and I fell asleep. 
 
 CHRISTMAS DAY. 
 
 *' Dark and dull night Jlie hence away. 
 And give the honor to this day 
 That sees December tuni'd to May, 
 
 Why does the chilling winter's morne 
 Smile like afield beset with corn ? 
 Or smell like to a meade new-shorne, 
 Thus on the sudden ? — come and see 
 The cause, why things thus fi-a grant be^ 
 
 Hekuick. 
 
 WHEN I woke the next morning, it seemed as if all the 
 events of the preceding evening had been a dream, and 
 nothing but the identity of the ancient chamber convinced me 
 of their reality. While I lay musing on my pillow, I heard the 
 sound of little feet pattering outside of the door, and a whispering 
 consultation. Presently a choir of small voices chanted forth an 
 old Christmas carol, the burden of which was, — 
 
 " Rejoice, our Saviour he was born 
 On Christmas Day in the morning." 
 
 I rose softly, slipped on my clothes, opened the door suddenly, 
 and beheld one of the most beautiful little fairy groups that a 
 painter could imagine. It consisted of a boy and two girls, the 
 eldest not more than six, and lovely as seraphs. They were going 
 the rounds of the house, singing at every chamber door; but 
 my sudden appearance frightened them into mute bashfulness. 
 They remained for a moment playing on their lips with their fin- 
 gers, and now and then steahng a shy glance from under their 
 
THE SKETCH-BOOTC. 87 
 
 eyebrows ; until, as if by one impulse, they scampered away, and, 
 as they turned an angle of the gallery, I heard them laughing in 
 triumph at their escape. 
 
 Everything conspired to produce kind and happy feelings in 
 this stronghold of old-fashioned hospitality. The window of my 
 chamber looked out upon what in summer would have been a 
 beautiful landscape. There was a sloping lawn, a fine stream 
 winding at the foot of it, and a tract of park beyond, with noble 
 clumps of trees, and herds of deer. At a distance was a neat 
 hamlet, with the smoke from the cottage chimneys hanging over 
 it, and a church with its dark spire in strong relief against the 
 clear, cold sky. The house was surrounded with evergreens, ac- 
 cording to the English custom, which would have given almost 
 an appearance of summer ; but the morning was extremely frosty. 
 The Hght vapor of the preceding evening had been precipitated 
 by the cold, and covered all the trees and every blade of grass 
 with its fine crystallizations. The rays of a bright morning sun 
 had a dazzling effect among the glittering fohage. A- robin, 
 perched upon the top of a mountain ash that hung its clusters of 
 red berries just before my window, was basking himself in the 
 sunshine, and piping a few querulous notes ; and a peacock was 
 displaying all the glories of his train, and strutting with the pride 
 and gravity of a Spanish grandee ^ on the terrace walk below. 
 
 I had scarcely dressed myself, when a servant appeared to 
 invite me to family prayers. He showed me the way to a small 
 chapel in the old wing of the house, where I found the principal 
 part of the family already assembled in a kind of gallery, fur- 
 nished with cushions, hassocks, and large prayer-books : the ser- 
 vants were seated on benches below. The old gentleman read 
 prayers from a desk in front of the gallery, and Master Simon 
 acted as clerk, and made the responses ; and I must do him the 
 justice to say that he acquitted himself with great gravity and 
 decorum. 
 
 The service was followed by a Christmas carol, which Mr. 
 
 1 A Spanish nobleman, especially one of the first rank (Spanish, grande). 
 
88 IRVING. 
 
 Bracebridge himself had constructed from a poem of his favor- 
 ite author, Herrick ; and it had been adapted to a church mel- 
 ody by Master Simon. As there were several good voices 
 among the household, the effect was extremely pleasing ; but I 
 was particularly gratified by the exaltation of heart, and sudden 
 sally of grateful feeling, with which the worthy Squire delivered 
 one stanza ; his eye glistening, and his voice rambhng out of all 
 the bounds of time and tune, — 
 
 " 'Tis thou that crown'st my glittering hearth 
 
 With guiltless mirth, 
 And giv'st me Wassaile bowles to drink 
 
 Spic'd to the brink : 
 Lord, 'tis thy plenty-dropping hand 
 
 That soiles my land : 1 
 And giv'st me for my bushell sowne, 
 
 Twice ten for one." 
 
 I afterwards understood that early morning service was read 
 on every Sunday and saint's day throughout the year, either by 
 Mr. Bracebridge or some member of the family. It was once 
 almost universally the case at the seats of the nobility and gen- 
 try of England, and it is much to be regretted that the custom is 
 falling into neglect ; for the dullest observer must be sensible of 
 the order and serenity prevalent in those households where the 
 occasional exercise of a beautiful form of worship in the morning 
 gives, as it were, the keynote to every temper for the day, and 
 attunes every spirit to harmony. 
 
 Our breakfast consisted of what the Squire denominated true 
 old English fare. He indulged in some bitter lamentations over 
 modern breakfasts of tea and toast, which he censured as among 
 the causes of modern efiFeminacy and weak nerves, and the de- 
 chne of old English heartiness ; and, though he admitted them to 
 his table to suit the palates of his guests, yet there was a brave 
 display of cold meats, wine, and ale on the sideboard. 
 
 After breakfast I walked about the grounds with Frank Brace- 
 
 1 Enriches the soil, and sends a plentiful harvest. 
 
THE SKETCH-BOOK-. 89 
 
 bridge and Master Simon, or Mr. Simon, as he was called by 
 everybody but the Squire. We were escorted by a number of 
 gentlemanlike dogs, that seemed loungers about the establishment, 
 from the frisking spaniel to the steady old stag-hound, the last of 
 which was of a race that had been in the family time out of mind. 
 They were all obedient to a dog-whistle which hung to Master 
 Simon's buttonhole, and in the midst of their gambols would glance 
 an eye occasionally upon a small switch he carried in his hand. 
 
 The old mansion had a still more venerable look in the yellow 
 sunshine than by pale moonlight ; and I could not but feel the 
 force of the Squire's idea, that the formal terraces, heavily molded 
 balustrades, and clipped yew-trees, earned with them an air of 
 proud aristocracy. 
 
 There appeared to be an unusual number of peacocks about 
 the place ; and I was making some remarks upon what I termed 
 a flock of them, that were basking under a sunny wall, when 
 I was gently corrected in my phraseology by Master Simon, 
 who told me, that, according to the most ancient and approved 
 treatise on hunting, I must say a muster of peacocks. " In 
 the same way," added he, with a sHght air of pedantry, "we 
 say a flight of doves or swallows ; a bevy of quails ; a herd 
 of deer, of wrens, or cranes ; a skulk of foxes ; or a building 
 of rooks." He went on to inform me, that, according to Sir 
 Anthony Fitzherbert,^ we ought to ascribe to this bird " both un- 
 derstanding and glory ; for, being praised, he will presently set 
 up his tail, chiefly against the sun, to the intent you may the bet- 
 ter behold the beauty thereof. But at the fall of the leaf, when 
 his tail falleth, he will mourn and hide himself in corners, till his 
 tail come again as it was." ^ 
 
 1 An eminent English lawyer, who wrote, in 1523, The Book of Hus- 
 bandry, — the first published work on agriculture in the English language. 
 
 2 The peacock is said to be the vainest of birds. It came originally from 
 India. It was there that Alexander the Great saw it for the first time. He 
 was so impressed with its magnificent plumage, that he forbade all persons, 
 under pain of death, to kill any. 
 
90 IRVING. 
 
 I could not help smiling at this display of small erudition on so 
 whimsical a subject : but I found that the peacocks were birds 
 of some consequence at the hall; for Frank Bracebridge in- 
 formed me that they w^ere great favorites with his father, who 
 was extremely careful to keep up the breed, partly because they 
 belonged to chivalry, and were in great request at the stately 
 banquets of the olden time,^ and partly because they had a pomp 
 and magnificence about them highly becoming an old family 
 mansion. Nothing, he was accustomed to say, had an air of 
 greater state and dignity than a peacock perched upon an antique 
 stone balustrade. 
 
 Master Simon had now to hurry off, having an appointment at 
 the parish church with the village choristers, who were to perform 
 some music of his selection. There was something extremely 
 agreeable in the cheerful flow of animal spirits of the little man ; 
 and I confess I had been somewhat surprised at his apt quota- 
 tions from authors who certainly were not in the range of every- 
 day reading. I mentioned this last circumstance to Frank 
 Bracebridge, who told me with a smile that Master Simon's whole 
 stock of erudition was confined to some half a dozen old authors, 
 which the Squire had put into his hands, and which he read over 
 and over whenever he had a studious fit, as he sometimes had on 
 a rainy day or a long winter evening. Sir Anthony Fitzherbert's 
 " Book of Husbandry ; " Markham's '' Country Contentments ;" ^ 
 the "Tretyse of Hunting," by Sir Thomas Cockayne,^ Knight; 
 Izaak Walton's* "Angler;" and two or three more such ancient 
 
 1 Quintus Hortensius, the orator, was the first to have peacocks served 
 at a banquet. After this no banquet was complete without this dish. 
 
 2 See Note 2, p. 91. 
 
 3 Cokaine or Cokayn (written also Cockaine), an English Catholic (born in 
 Derbyshire, 1608 ; died, 1684), was a Royalist in the civil war. He composed 
 some worthless plays and doggerel poems, which are only worthy of notice 
 on account of the anecdotes they furnish of contemporary authors or actors. 
 
 4 A celebrated English writer (born at Stafford, 1593; died, 1683). His 
 principal work, The Complete Angler or Contemplative Man's Recreation, 
 was published in 1653. 
 
THE SKETCH-BOOK. 91 
 
 worthies of the pen, — were his standard authorities; and, like 
 all men who know but a few books, he looked up to them with 
 a kind of idolatry, and quoted them on all occasions. As to his 
 songs, they were chiefly picked out of old books in the Squire's 
 library, and adapted to tunes that were popular among the choice 
 spirits of the last century. His practical application of scraps of 
 hterature, however, had caused him to be looked upon as a prod- 
 igy of book knowledge by all the grooms, huntsmen, and small 
 sportsmen of the neighborhood. 
 
 While we were talking, we heard the distant toll of the vil- 
 lage bell, and I was told that the Squire was a little particular in 
 having his household at church on a Christmas morning, consid- 
 ering it a day of pouring out of thanks and rejoicing ; for, as old 
 Tusser^ observed, — 
 
 " At Christmas be merry, ai7d thankful withal, 
 And feast thy poor neighbors, the great with the small." 
 
 " If you are disposed to go to church," said Frank Brace- 
 bridge, " I can promise you a specimen of my cousin Simon's 
 musical achievements. As the church is destitute of an organ, he 
 has formed a band from the village amateurs, and established a 
 musical club for their improvement ; he has also sorted a choir, 
 as he sorted my father's pack of hounds, according to the direc- 
 tions of Jervaise Markham - in his ' Country Contentments.' For 
 the bass he has sought out all the ' deep, solemn mouths,' and for 
 the tenor the ' loud-ringing mouth,' among the country bump- 
 kins ; and for ' sweet mouths,' he has culled with curious taste 
 among the prettiest lasses in the neighborhood, though these last, 
 he affirms, are the most difficult to keep in tune, your pretty fe- 
 
 1 Thomas Tusser (1527-80), poet, was born at Essex, England. His 
 poems on husbandry have the charm of simplicity and directness, and during 
 his life they went through a number of editions. 
 
 2 Jervaise (or Gervase) Markham, an English soldier and miscellaneous 
 writer, was born in Nottinghamshire about 1570. He served in the Royalist 
 army in the civil war, and died in 1655. 
 
92 IRVING. 
 
 male singer being exceedingly wayward and capricious, and very 
 liable to accident." 
 
 As the morning, though frosty, was remarkably fine and clear, 
 the most of the family walked to the church, which was a very 
 old building of gray stone, and stood near a village, about half a 
 mile from the park gate. Adjoining it was a low, snug parson- 
 age, which seemed coeval with the church. The front of it was 
 perfectly matted with a yew-tree that had been trained against 
 its walls, through the dense foliage of which apertures had 
 been formed to admit light into the small antique lattices. As 
 we passed this sheltered nest, the parson issued forth, and pre- 
 ceded us. 
 
 I had expected to see a sleek, well-conditioned pastor, such as 
 is often found in a snug living in the vicinity of a rich patron's 
 table, but I was disappointed. The parson was a litde, meager, 
 black-looking man, with a grizzled wig that was too wide, and 
 stood off from each ear, so that his head seemed to have shrunk 
 away within it, like a dried filbert in its .shell. He wore a rusty 
 coat, with great skirts, and pockets that would have held the 
 church Bible and Prayer Book ; and his small legs seemed still 
 smaller, from being planted in large shoes decorated with enor- 
 mous buckles. 
 
 I was informed by Frank Bracebridge that the parson had 
 been a chum of his father's at Oxford,^ and had received this 
 living shortly after the latter had come to his estate. He was a 
 complete black-letter ^ hunter, and would scarcely read a work 
 printed in the Roman character. The editions of Caxton and 
 Wynkin de Worde were his delight ; and he was indefatigable in 
 his researches aftei such Old English writers as have fallen into 
 oblivion from their worthlessness. In deference, perhaps, to the 
 notions of Mr. Bracebridge, he had made diligent investigations 
 
 1 The famous university situated in Oxford, the county town of Oxford- 
 shire. 
 
 2 A type which appeared in England ahout the year 1480. It was used 
 especially for Bibles, law-books, royal proclamations, etc. 
 
THE SKETCH-BOOK. 93 
 
 into the festive rites and holiday customs of former times, and 
 had been as zealous in the inquiry as if he had been a boon com- 
 panion ; but it was merely with that plodding spirit with which 
 men of adust temperament follow up any track of study, merely 
 because it is denominated learning; indifferent to its intrinsic 
 nature, whether it be the illustration of the wisdom or of the rib- 
 aldry and obscenity of antiquity. He had pored over these old vol- 
 umes so intensely, that they seemed to have been reflected into 
 his countenance ; which, if the face be indeed an index of the 
 mind, might be compared to a title-page of black-letter. 
 
 On reaching the church porch, we found the parson rebuking 
 the gray-headed sexton for having used mistletoe among the 
 greens with which the church was decorated. It was, he ob- 
 served, an unholy plant, profaned by having been used by the 
 Druids in their mystic ceremonies ; and though it might be inno- 
 cently employed in the festive ornamenting of halls and kitchens, 
 yet it had been deemed by the fathers of the Church as unhal- 
 lowed, and totally unfit for sacred purposes. So tenacious was 
 he on this point, that the poor sexton was obliged to strip down 
 a great part of the humble trophies of his taste, before the parson 
 would consent to enter upon the service of the day. 
 
 The interior of the church was venerable but simple. On the 
 walls were several mural monuments of the Bracebridges ; and 
 just beside the altar was a tomb of ancient workmanship, on 
 which lay the effigy of a warrior in armor, with his legs crossed, 
 — a sign of his having been a crusader. I was told it was one 
 of the family who had signalized himself in the Holy Land, and 
 the same whose picture hung over the fireplace in the hall. 
 
 During service. Master Simon stood up in the pew, and re- 
 peated the responses very audibly, evincing that kind of ceremo- 
 nious devotion punctually observed by a gentleman of the old 
 school, and a man of old family connections. I observed, too, 
 that he turned over the leaves of a folio Prayer Book with some- 
 thing of a flourish ; possibly to show off an enormous seal-ring 
 which enriched one of his fingers, and which had the look of a 
 
94 IRVING. 
 
 family relic. But he was evidently most solicitous about the 
 musical part of the service, keeping his eye fixed intently on the 
 choir, and beating time with much gesticulation and emphasis. 
 
 The orchestra was in a small gallery, and presented a most 
 whimsical grouping of heads, piled one above the other, among 
 which I particularly noticed that of the village tailor, a pale fel- 
 low with a retreating forehead and chin, who played on the clari- 
 net, and seemed to have blown his face to a point ; and there 
 was another, a short, pursy man, stooping and laboring at a bass 
 viol, so as to show nothing but the top of a round, bald head, 
 hke the egg of an ostrich. There were two or three pretty faces 
 among the female singers, to which the keen air of a frosty 
 morning had given a bright, rosy tint ; but the gentlemen choris- 
 ters had evidently been chosen, like old Cremona ^ fiddles, more 
 for tone than looks ; and, as several had to sing from the same 
 book, there were clusterings of odd physiognomies, not unlike 
 those groups of cherubs we sometimes see on country tomb- 
 stones. 
 
 The usual services of the choir were managed tolerably well, 
 the vocal parts generally lagging a little behind the instrumental, 
 and some loitering fiddler now and then making up for lost time 
 by traveling over a passage with prodigious celerity, and clearing 
 more bars than the keenest fox-hunter to be in at the death. But 
 the great trial was an anthem that had been prepared and ar- 
 ranged by Master Simon, and on which he had founded great 
 expectation. Unluckily, there was a blunder at the very outset. 
 The musicians became flurried ; Master Simon was in a fever ; 
 everything went on lamely and irregularly until they came to a 
 chorus beginning, " Now let us sing with one accord," which 
 seemed to be a signal for parting company. All became discord 
 and confusion. Each shifted for himself, and got to the end as 
 
 1 The capital of a province of Lombardy, also named Cremona, formerly 
 celebrated for its violins and other musical instruments. Great prices were 
 paid for violins made in Cremona. The manufacture of these has now de- 
 clined. 
 
THE SKETCH-BOOK. 95 
 
 well, or rather as soon, as he could, excepting one old chorister 
 in a pair of horn spectacles, bestriding and pinching a long, sono- 
 rous nose, who, happening to stand a little apart, and being 
 wrapped up in his own melody, kept on a quivering course, wrig- 
 gling his head, ogling his book, and winding all up by a nasal solo 
 of at least three bars' duration. 
 
 The parson gave us a most erudite sermon on the rites and 
 ceremonies of Christmas, and the propriety of observing it not 
 merely as a day of thanksgiving, but of rejoicing ; supporting the 
 correctness of his opinions by the earliest usages of the Church, 
 and enforcing them by the authorities of Theophilus of Csesarea,^ 
 St. Cyprian,^ St. Chrysostom,^ St. Augustine,-* and a cloud more 
 of saints and fathers, from whom he made copious quotations. 
 I was a little at a loss to perceive the necessity of such a mighty 
 array of forces to maintain a point which no one present seemed 
 inchned to dispute, but I soon found that the good man had a 
 legion of ideal adversaries to contend with, having, in the course 
 of his researches on the subject of Christmas, got completely em- 
 broiled in the sectarian controversies of the Revolution, when the 
 Puritans made such a fierce assault upon the ceremonies of the 
 Church, and poor old Christmas was driven out of the land by 
 proclamation of Parhament.^ The worthy parson Hved but with 
 times past, and knew but Httle of the present. 
 
 1 Instructor of Justinian, and abbot of St. Alexander at Prisrend in Mace- 
 donia, afterwards Bishop of Sardica in 517. 
 
 2 Bishop of Carthage in the third century, one of the most illustrious men 
 in the early history of the Church, and one of the most notable of its early 
 martyrs. He was ordered to be beheaded Sept. 14, 258, by Emperor 
 Valerian. 
 
 3 The most famous of the Greek fathers (born at Antioch about 347). 
 The festival of St. Chrysostom is observed both in the Greek and in the 
 Latin Church, — by the former on Nov. 13, and by the latter on Jan. 27. 
 
 * The greatest of the four great fathers of the Latin Church (born in 
 Numidia, Nov. 13, A.D. 354). 
 
 5 " The House spent much time this day about the business of the Navy, 
 for settling the aflairs at sea, and before they rose, were presented with a ter- 
 
96 IRVING. 
 
 Shut up among worm-eaten tomes in the retirement of his an- 
 tiquated httle study, the pages of old times were to him as the 
 gazettes of the day, while the era of the Revolution was mere 
 modern history. He forgot that nearly two centuries had elapsed 
 since the fiery persecution of poor mince pie throughout the land, 
 when plum porridge was denounced as " mere popery," and roast- 
 beef as anti-Christian, and that Christmas had been brought in 
 again triumphantly with the merry court of King Charles at the 
 Restoration. He kindled into warmth with the ardor of his con- 
 test, and the host of imaginary foes with whom he had to com- 
 bat. He had a stubborn conflict with old Prynne ^ and two or 
 three other forgotten champions of the Roundheads,- on the sub- 
 ject of Christmas festivity, and concluded by urging his hearers, 
 in the most solemn and affecting manner, to stand to the tradi- 
 tional customs of their fathers, and feast and make merry on this 
 joyful anniversary of the Church. 
 
 I have seldom known a sermon attended apparently with more 
 immediate effects ; for, on leaving the church, the congregation 
 seemed, one and all, possessed with the gayety of spirit so ear- 
 
 rible remonstrance against Christmas day, grounded upon divine Scriptures, 
 2 Cor. V. i6, I Cor. xv. 14, 17; and in honor of the Lord's Day, grounded 
 upon these Scriptures, John xx. i, Rev. i. 10, Psalms cxviii. 24, Lev. xxiii. 
 7, II, Mark xv. 8, Psalms Ixxxiv. 10; in which Christmas is called Anti- 
 christ's masse, and those Masse-mongers and Papists who observe it, etc. 
 In consequence of which Parliament spent some time in consultation about 
 the abolition of Christmas day, passed orders to that effect, and resolved to 
 sit on the following day, which was commonly called Christmas day." — 
 Flying Eagle (a small gazette published Dec. 24, 1652). 
 
 1 William Prynne (1600-69) was a Puritan to the core. He published in 
 1633 a book (Histrio-Mastix) which was an attack upon stage plays. The 
 Queen was very much interested in the drama at this time, and Prynne's 
 offensive words were supposed to apply to her. Prynne was sentenced by the 
 Star Chamber to fine, imprisonment, and to be set in the pillory, where he 
 was to lose both his ears. 
 
 2 Adherents of the Parliamentary or Puritan party, as opposed to the 
 Royalists ; called Roundheads in derisive allusion to their close-cut hair, the 
 Royalists usually wearing theirs long. 
 
THE SKETCH-BOOK. 97 
 
 nestly enjoined by their pastor. The elder folks gathered in knots 
 in the churchyard, greeting and shaking hands ; and the children 
 ran about crying, " Ule! Ule!" and repeating some uncouth 
 rhymes,^ which the parson, who had joined us, informed me had 
 been handed down from days of yore. The villagers doffed their 
 hats to the Squire as he passed, giving him the good wishes of the 
 season with every appearance of heartfelt sincerity, and were in- 
 vited by him to the hall, to take something to keep out the cold 
 of the weather ; and I heard blessings uttered by several of the 
 poor, which convinced me, that, in the midst of his enjoyments, 
 the worthy old cavalier had not forgotten the true Christmas vir- 
 tue of charity. 
 
 On our way homeward his heart seemed overflowing with gen- 
 erous and happy feelings. As we passed over a rising ground 
 which commanded something of a prospect, the sounds of rustic 
 merriment now and then reached our ears. The Squire paused 
 for a few moments, and looked around with an air of inexpressi- 
 ble benignity. The beauty of the day was of itself sufficient to 
 inspire philanthropy. Notwithstanding the frostiness of the morn- 
 ing, the sun, in his cloudless journey, had acquired sufficient power 
 to melt away the thin covering of snow from every southern 
 declivity, and to bring out the hving green which adorns an 
 English landscape even in mid-winter. Large tracts of smiling 
 verdure contrasted with the dazzHng whiteness of the shaded 
 slopes and hollows. Every sheltered bank on which the broad 
 rays rested yielded its silver rill of cold and limpid water, glitter- 
 ing through the dripping grass, and sent up slight exhalations to 
 contribute to the thin haze that hung just above the surface of 
 the earth. There was something truly cheering in this triumph 
 of warmth and verdure over the frosty thraldom of winter : it 
 was, as the Squire observed, an emblem of Christmas hospital- 
 
 1 Irving's Note 
 
 ' Ule ! Ule ! 
 
 Three puddings in a pule ; 
 Crack nuts and cry ule ! " 
 
98 IRVING. 
 
 ity, breaking through the chills of ceremony and selfishness, and 
 thawing every heart into a flow. He pointed with pleasure to 
 the indications of good cheer reeking from the chimneys of the 
 comfortable farmhouses and low thatched cottages. " I love," 
 said he, " to see this day well kept by rich and poor. It is a 
 great thing to have one day in the year, at least, when you are 
 sure of being welcome wherever you go, and of having, as it 
 were, the world all thrown open to you ; and I am almost dis- 
 posed to join with Poor Robin, in his malediction on every churl- 
 ish enemy to this honest festival : — 
 
 " 'Those who at Christmas do repine, 
 And would fain hence dispatch him, 
 May they with old Duke Humphry dine. 
 Or else may Squire Ketch 1 catch 'em.' " 
 
 The Squire went on to lament the deplorable decay of the 
 games and amusements which were once prevalent at this season 
 among the lower orders, and countenanced by the higher, when 
 the old halls of castles and manor-houses were thrown open 
 at daylight, when the tables were covered with brawn and beef 
 and humming ale, when the harp and the carol resounded all day 
 long, and when rich and poor were alike welcome to enter and 
 make merry.^ " Our old games and local customs," said he, 
 " had a great effect in making the peasant fond of his home, and 
 the promotion of them by the gentry made him fond of his lord. 
 
 1 Alluding to Jack Ketch, the hangman (1678). Ketch executed Lord 
 Russell and the Duke of Monmouth. The name has become proverbial for 
 hangmen. 
 
 2 " An English gentleman at the opening of the great day, i.e. on Christ- 
 mas day in the morning, had all his tenants and neighbors enter his hall by 
 daybreak. The strong beer M'as broached, and the black jacks went plenti- 
 fully about with toast, sugar, and nutmeg, and good Cheshire cheese. The 
 Hackin (the great sausage) must be boiled by daybreak, or else two young 
 men must take the maiden (i.e. the cook) by the arms and run lier round 
 the market place till she is shamed of her laziness." — Round about our Sea- 
 Coal Fire. 
 
THE SKETCH-BOOK. 99 
 
 They made the times merrier and kinder and better, and I can 
 truly say, with one of our old poets, — 
 
 " ' I like them well — the curious preciseness 
 And all-pretended gravity of those 
 That seek to banish hence these harmless sports, 
 Have thrust away much ancient honesty.' 
 
 "The nation," continued he, "is altered. We have almost 
 lost our simple, true-hearted peasantry. They have broken 
 asunder from the higher classes, and seem to think their interests 
 are separate. They have become too knowing, and begin to 
 read newspapers, listen to ale-house pohticians, and talk of reform. 
 I think one mode to keep them in good humor in these hard 
 times would be for the nobility and gentry to pass more time on 
 their estates, mingle more among the country people, and set the 
 merry old English games going again." 
 
 Such was the good Squire's project for mitigating public dis- 
 content ; and, indeed, he had once attempted to put his doctrine 
 in practice, and a few years before had kept open house during 
 the hohdays in the old style. The country people, however, did 
 not understand how to play their parts in the scene of hospitality. 
 Many uncouth circumstances occurred. The manor was overrun 
 by all the vagrants of the country, and more beggars drawn into 
 the neighborhood in one week than the parish officers could get 
 rid of in a year. Since then he had contented himself with in- 
 viting the decent part of the neighboring peasantry to call at the 
 hall on Christmas Day, and with distributing beef and bread and 
 ale among the poor, that they might miake merry in their own 
 dwellings. 
 
 We had not been long home, when the sound of music was 
 heard from a distance. A band of country lads, without coats, 
 their shirt-sleeves fancifully tied with ribbons, their hats decorated 
 with greens, and clubs in their hands, were seen advancing up the 
 avenue, followed by a large number of villagers and peasantry. 
 They stopped before the hall door, where the music struck up a 
 L.ofC. 
 
'100 IRVING. 
 
 peculiar air, and the lads performed a curious and intricate 
 dance, advancing, retreating, and striking their clubs together, 
 keeping exact time to the music ; while one, whimsically crowned 
 with a fox's skin, the tail of which flaunted down his back, kept 
 capering round the skirts of the dance, and rattling a Christmas 
 box 1 with many antic gesticulations. 
 
 The Squire eyed this fanciful exhibition with great interest and 
 delight, and gave me a full account of its origin, which he traced 
 to the times when the Romans held possession of the island; 
 plainly proving that this was a hneal descendant of the sword 
 dance of the ancients. It was now, he said, nearly extinct, but 
 he had accidentally met with traces of it in the neighborhood, 
 and had encouraged its revival ; though, to tell the truth, it was 
 too apt to be followed up by rough cudgel play,2 and broken 
 heads in the evening. 
 
 After the dance was concluded, the whole party was entertained 
 with brawn and beef, and stout home-brewed. The Squire him- 
 self mingled among the rustics, and was received with awkward 
 demonstrations of deference and regard. It is true, I perceived 
 two or three of the younger peasants, as they were raising their 
 tankards to their mouths, when the Squire's back was turned, 
 making something of a grimace, and giving each other the wink ; 
 but, the moment they caught my eye, they pulled grave faces, 
 
 1 This title has been said to have been derived from the box which was 
 kept on board of every vessel that sailed upon a distant voyage, for the re- 
 ception of donations to the priest, who, in return, was expected to offer 
 masses for the safety of the expedition, to the particular saint having charge 
 of the ship, and, above all, of the box. The mass was at that time called 
 " Christ mass," and the boxes kept to pay for it were of course called 
 " Christ-mass boxes." The poor were in the habit of begging from the rich 
 to contribute to the mass boxes, and hence the title which has descended to 
 our day. A relic of these ancient boxes yet exists, in the earthen or wooden 
 box, with a slit in it, which still bears the same name, and is carried by ser- 
 vants and children for the purpose of gathering money at Christmas, being 
 broken only when the period of collection is supposed to be over. 
 
 2 A bout with cudgels. Cudgels were thick short sticks, or staves. 
 
THE SKETCH-BOOK. lOi 
 
 and were exceedingly demure. With Master Simon, however, 
 they all seemed more at their ease. His varied occupations and 
 amusements had made him well known throughout the neigh- 
 borhood. He was a visitor at every farmhouse and cottage; 
 gossiped with the farmers and their wives ; romped with their 
 daughters ; and, like that type of a vagrant bachelor the humble- 
 bee, tolled the sweets from all the rosy lips of the country round. 
 
 The bashfulness of the guests soon gave way before good cheer 
 and affability. There is something genuine and affectionate in 
 the gayety of the lower orders, when it is excited by the bounty 
 and familiarity of those above them. The warm glow of grati- 
 tude enters into their mirth ; and a kind word or a small pleas- 
 antry, frankly uttered by a patron, gladdens the heart of the de- 
 pendant more than oil and wine. When the Squire had retired, 
 the merriment increased ; and there w^as much joking and laugh- 
 ter, particularly between Master Simon and a hale, ruddy-faced, 
 white-headed farmer, who appeared to be the wit of the village, 
 for I observed all his companions to wait with open mouths for 
 his retorts, and burst into a gratuitous laugh before they could 
 well understand them. 
 
 The whole house, indeed, seemed abandoned to merriment. 
 As I passed to my room to dress for dinner, I heard the sound 
 of music in a small court, and, looking through a window that 
 commanded it, I perceived a band of wandering musicians, with 
 pandean ^ pipes and tambourine. A pretty, coquettish house-maid 
 was dancing a jig with a smart country lad, while several of the 
 other servants were looking on. In the midst of her sport, the 
 girl caught a glimpse of my face at the window, and, coloring 
 up, ran off with an air of roguish affected confusion. 
 
 1 Pan, in Greek mythology, was the god of forests, pastures, and flocks, 
 and was the attributed inventor of the shepherd's flute or pipe, the syrinx, — 
 a scries of graduated tubes set together (open at one end, and closed at the 
 other), played by blowing across the open ends. 
 
I 
 
 I02 IRVING, 
 
 THE LEGEND OF SLEEPY HOLLOW.^ 
 
 [Found amo77g the Papers of the Late Diedrich Knickerbocker?] 
 
 " A pleasing land of droivsy head it was, 
 
 Of dreams that zvave before the half shut eye, 
 And of gay castles in the clouds that pass. 
 Forever flushing round a sivnmer sky.^^ 
 
 Castle of Indolence.^ 
 
 N the bosom of one or those spacious coves which indent the 
 eastern shore of the Hudson, at that broad expansion of the 
 river denominated by the ancient Dutch navigators the Tappan 
 
 1 Among the many works that have issued from the pen of Washington 
 Irving, none have been more popular in their day nor of more enduring 
 interest than The Legend of Sleepy Hollow and Rip Van Winkle. Yet to 
 Irving himself the success of these tales was a matter of great surprise. " His 
 writing of those stories was unlike an inspiration," says N. P. Willis, " and 
 entirely without any feeling of confidence which could be prophetic of their 
 popularity. Walking with his brother one dull, foggy Sunday, over West- 
 minster Bridge, he got to telling the old Dutch stories which he had heard at 
 Tarrytown in his youth, when the thought suddenly struck him : * I have it ! 
 I'll go home and make memoranda of these for a book ! ' And, leaving his 
 brother to go to church, he went back to his lodgings and jotted down all the 
 data; and, the next day, in the dullest and darkest of London fogs, he sat in 
 his little room and wrote out Sleepy Hollow by the light of a candle." 
 
 2 See p. 9. 
 
 8 James Thomson (i 700-1 748) was the son of a Scotch minister, and 
 author of The Seasons, which gave him a great reputation. The Castle of 
 Indolence, from which the above lines are quoted, was his last work, and was 
 published the year he died. In this poem he describes a beautiful palace 
 surrounded by "images of rest — sleep-soothing groves and quiet lawns," 
 where everything ministers to comfort and calm pleasures, and nothing that 
 might cause annoyance or unrest is to be found. The owner of the castle is 
 a wizard who deprives all the inmates of their normal energy and freedom 
 of will. Thomson derives his materials largely from Tasso, an Italian poet 
 ( 1 544-1 595), but the inspiration of the poem is drawn from Spenser's Faerie 
 Queene. Till the advent of Scott and Byron, Thomson was the most widely 
 popular poet in our language. 
 
THE SKETCH-BOOK. 103 
 
 Zee,i and where they always prudently shortened sail, and im- 
 plored the protection of St. Nicholas- when they crossed, there 
 lies a small market town or rural port, which by some is called 
 Greensburgh, but which is more generally and properly known 
 by the name of "Tarry town. "^ This name was given it, we 
 are told, in former days, by the good housewives of the adjacent 
 country, from the inveterate propensity of their husbands to lin- 
 ger about the village tavern on market days. Be that as it may, 
 I do not vouch for the fact, but merely advert to it for the sake 
 of being precise and authentic. Not far from this village, per- 
 haps about three miles, there is a little valley, or rather lap of 
 land, among high hills, which is one of the quietest places in the 
 whole world. A small brook glides through it, with just murmur 
 enough to lull one to repose ; and the occasional whistle of a 
 quail, or tapping of a woodpecker, is almost the only sound that 
 ever breaks in upon the uniform tranquillity. 
 
 I recollect, that, when a stripling, my first exploit in squirrel- 
 shooting was in a grove of tall walnut-trees that shades one side 
 of the valley. I had wandered into it at noontime, when all na- 
 ture is peculiarly quiet, and was startled by the roar of my own 
 gun, as it broke the sabbath stillness around, and was prolonged 
 and reverberated by the angry echoes. If ever I should w^ish for 
 a retreat, whither I might steal from the world and its distrac- 
 
 1 The expansion of the Hudson River between Haverstraw and Piermont, 
 having a length of about twelve miles, and a breadth in the neighborhood of 
 from four to five miles. In speaking of it elsewhere Irving calls it the 
 " Mediterranean " of the river. 
 
 2 Bishop of jSIyra in the fourth century. He was also the mariner's 
 saint, and is the present patron of those who lead a seafearing life (as Nep- 
 tune was of old). He is also the patron saint of the Greek church, his festi- 
 val being celebrated on December Cth. Under the name of Santa Clause he 
 is worshiped by children as the bringer of Christmas gifts. 
 
 2 Tarrytown is a village in Westchester County, twenty-seven miles from 
 New York. It is famous both historically , as the scene of Andre's capture 
 in 1780, and from its connection with Washington Irving, whose cottage, 
 " Sunnyside," is in the vicinity. 
 
I04 IRVING. 
 
 tions, and dream quietly away the remnant of a troubled life, I 
 know of none more promising than this Httle valley. 
 
 From the listless repose of the place, and the peculiar char- 
 acter of its inhabitants, who are descendants from the original 
 Dutch settlers, this sequestered glen has long been known by 
 the name of " Sleepy Hollow," and its rustic lads are called the 
 " Sleepy Hollow Boys " throughout all the neighboring country. 
 A drowsy, dreamy influence seems to hang over the land, and 
 to pervade the very atmosphere. Some say that the place was 
 bewitched by a high German doctor during the early days of the 
 settlement ; others, that an old Indian chief, the prophet or wiz- 
 ard of his tribe, held his powwows there before the country was 
 discovered by Master Hendrick Hudson. i Certain it is, the 
 place still continues under the sway of some witching power, that 
 holds a spell over the minds of the good people, causing them to 
 walk in a continual reverie. They are given to all kinds of mar- 
 velous beliefs ; are subject to trances and visions ; and frequently 
 see strange sights, and hear music and voices in the air. The 
 whole neighborhood abounds with local tales, haunted spots, 
 and twilight superstitions ; stars shoot and meteors glare oftener 
 across the valley than in any other part of the country ; and the 
 nightmare, with her whole ninefold,^ seems to make it the favor- 
 ite scene of her gambols. 
 
 The dominant spirit, however, that haunts this enchanted re- 
 gion, and seems to be commander-in-chief of all the powers of 
 the air, is the apparition of a figure on horseback without a head. 
 It is said by some to be the ghost of a Hessian^ trooper, whose 
 
 1 A distinguished English navigator, who made four voyages, attempting 
 to find a shorter passage to China than by the way of the Cape of Good Hope. 
 On the third of these voyages he entered the bay now called New York Bay, 
 and (Sept. ii, 1609) sailed up what is now the Hudson River. During his 
 fourth voyage, two years later, he penetrated the straits and discovered the 
 great bay of Canada which now bears his name. Here his mutinous sailors 
 cast him adrift in a small boat, and left him to die. 
 
 2 See King Lear, act iii. sc. 4. 
 
 3 These Hessians came from a province of western Germany called Hesse- 
 
THE SKETCH-BOOK. 105 
 
 head had been carried away by a cannon-ball in some nameless 
 battle during the Revolutionary war, and who is ever and anon 
 seen by the country folk hurrying along in the gloom of night, as 
 if on the wings of the wind. His haunts are not confined to the 
 valley, but extend at times to the adjacent roads, and especially 
 to the vicinity of a church that is at no great distance. Indeed, 
 certain of the most authentic historians of those parts, who have 
 been careful in collecting and collating the floating facts concern- 
 ing this specter, allege that, the body of the trooper having been 
 buried in the churchyard, the ghost rides forth to the scene of 
 battle in nightly quest of his head ; and that the rushing speed 
 with which he sometimes passes along the hollow, like a midnight 
 blast, is owing to his being belated, and in a hurry to get back 
 to the churchyard before daybreak. 
 
 Such is the general purport of this legendary superstition, 
 which has furnished materials for many a wild story in that 
 region of shadows ; and the specter is known at all the country 
 firesides by the name of "The Headless Horseman of Sleepy 
 Hollow." 
 
 It is remarkable that the visionary propensity I have men- 
 tioned is not confined to the native inhabitants of the valley, but 
 is unconsciously imbibed by every one who resides there for a 
 time. However wide-awake they may have been before they 
 entered that sleepy region, they are sure, in a little time, to inhale 
 the witching influence of the air, and begin to grow imaginative, 
 — to dream dreams, and see apparitions. 
 
 I mention this peaceful spot with all possible laud : for it is in 
 such little retired Dutch valleys, found here and there em- 
 bosomed in the great State of New York, that population, 
 manners, and customs remain fixed ; while the great torrent of 
 migration and improvement, which is making such incessant 
 changes in other parts of this restless country, sweeps by them 
 
 Cassel. They were brought to America by the British in 1776, having been 
 hired by them to fight against the American troops. 
 
io6 IRVING. 
 
 unobserved. They are like those h'ttle nooks of still water which 
 border a rapid stream, where we may see the straw and bubble 
 riding quietly at anchor, or slowly revolving in their mimic har- 
 bor, undisturbed by the rush of the passing current. Though 
 many years have elapsed since I trod the drowsy shades of 
 Sleepy Hollow, yet I question whether I should not still find 
 the same trees and the same famiHes vegetating in its sheltered 
 bosom. 
 
 In this by-place of Nature there abode, in a remote period of 
 American history, — that is to say, some thirty years since, — a 
 worthy wight of the name of Ichabod Crane, who sojourned, or, 
 as he expressed it, " tarried," in Sleepy Hollow, for the purpose 
 of instructing the children of the vicinity. He was a native of 
 Connecticut, — a State which suppHes the Union with pioneers 
 for the mind as well as for the forest, and sends forth yearly its 
 legions of frontier woodmen and country schoolmasters. The 
 cognomen of Crane was not inapplicable to his person. He was 
 tall, but exceedingly lank, with narrow shoulders, long arms and 
 legs, hands that dangled a mile out of his sleeves, feet that might 
 have served for shovels, and his whole frame most loosely hung 
 together. His head was small, and flat at top, with huge ears, 
 large green glassy eyes, and a long snipe nose, so that it looked 
 like a weathercock perched upon his spindle neck to tell which 
 way the wind blew. To see him striding along the profile of a 
 hill on a windy day, with his clothes bagging and fluttering about 
 him, one might have mistaken him for the genius of famine de- 
 scending upon the earth, or some scarecrow eloped from a corn- 
 field. 
 
 His schoolhouse was a low building of one large room, rudely 
 constructed of logs ; the windows partly glazed, and partly 
 patched with leaves of old copy-books. It was most ingeniously 
 secured at vacant hours by a withe twisted in the handle of the 
 door, and stakes set against the window-shutters ; so that, though 
 a thief might get in with perfect ease, he would find some em- 
 barrassment in getting out, — an idea most probably borrowed 
 
THE SKETCH-BOOK. 107 
 
 by the architect, Yost Van Houten, from the mystery of an eel- 
 pot. ^ The schoolhouse stood in a rather lonely but pleasant 
 situation, just at the foot of a woody hill, with a brook running 
 close by, and a formidable birch-tree growing at one end of it. 
 From hence the low murmur of his pupils' voices, conning over 
 their lessons, might be heard of a drowsy summer's day, hke the 
 hum of a beehive ; interrupted now and then by the authoritative 
 voice of the master in the tone of menace or command, or, per- 
 adventure, by the appalling sound of the birch as he urged some 
 tardy loiterer along the flowery path of knowledge. Truth to 
 say, he was a conscientious man, that ever bore in mind the 
 golden maxim, "Spare the rod and spoil the child." 2 Ichabod 
 Crane's scholars certainly were not spoiled. 
 
 I would not have it imagined, however, that he was one of 
 those cruel potentates of the school who joy in the smart of their 
 subjects : on the contrary, he administered justice with discrimi- 
 nation rather than severity ; taking the burthen off the backs of 
 the weak, and laying it on those of the strong. Your mere puny 
 stripling, that winced at the least flourish of the rod, was passed 
 by with indulgence ; but the claims of justice were satisfied by 
 inflicting a double portion on some httle, tough, wrong-headed, 
 broad-skirted Dutch urchin, who sulked and swelled and grew 
 dogged and sullen beneath the birch. All this he called " doing 
 his duty by their parents ;" and he never inflicted a chastisement 
 without following it by the assurance, so consolatory to the smart- 
 ing urchin, that " he would remember it and thank him for it the 
 longest day he had to live." 
 
 When school hours were over, he was even the companion 
 and playmate of the larger boys, and on holiday afternoons would 
 convoy some of the smaller ones home, who happened to have 
 pretty sisters, or good housewives for mothers, noted for the 
 
 1 A box or basket for catching eels. The only opening is at the bottom of 
 a funnel-shaped entrance, and is so small and so located, that, having entered 
 it, the eels cannot easily find it again in order to get out. 
 
 2 King Solomon's. 
 
io8 IRVING. 
 
 comforts of the cupboard. Indeed, it behooved him to keep on 
 good terms with his pupils. The revenue arising from his school 
 was small, and would have been scarcely sufficient to furnish him 
 with daily bread, for he was a huge feeder, and, though lank, 
 had the dilating powers of an anaconda ;i but to help out his 
 maintenance, he was, according to country custom in those parts, 
 boarded and lodged at the houses of the farmers whose children 
 he instructed. With these he Hved successively a week at a time ; 
 thus going the rounds of the neighborhood, with all his worldly 
 effects tied up in a cotton handkerchief. 
 
 That all this might not be too onerous on the purses of his 
 rustic patrons, who are apt to consider the costs of schooling a 
 grievous burthen, and schoolmasters as mere drones, he had vari- 
 ous ways of rendering himself both useful and agreeable. He 
 assisted the farmers occasionally in the lighter labors of their 
 farms, helped to make hay, mended the fences, took the horses to 
 water, drove the cows from pasture, and cut wood for the winter 
 fire. He laid aside, too, all the dominant dignity and absolute 
 sway with which he lorded it in his little empire the school, and 
 became wonderfully gentle and ingratiating. He found favor in 
 the eyes of the mothers by petting the children, particularly the 
 youngest ; and like " the lion bold," which whilom so magnani- 
 mously "the lamb did hold,"- he would sit with a child on one 
 knee, and rock a cradle with his foot for whole hours together. 
 
 In addition to his other vocations, he was the singing-master 
 of the neighborhood, and picked up many bright shillings by 
 instructing the young folks in psalmody. It was a matter of no 
 little vanity to him on Sundays, to take his station in front of the 
 
 1 A reptile possessing extraordinary powers of dilation. It kills by con- 
 striction. 
 
 2 The New England Primer, published in Walpole, N.H., in 1814, con- 
 tains an illustrated alphabet. The letter L is illustrated by a lion with one 
 of its paws resting upon a lamb which is lying down, and the following 
 lines : — - 
 
 " The Lion bold 
 The Lamb doth hold." 
 
THE SKETCH-nOOK. T09 
 
 church gallery with a band of chosen singers, where, in his own 
 mind, he completely carried away the palm from the parson.^ 
 Certain it is, his voice resounded far above all the rest of the 
 congregation ; and there are peculiar quavers still to be heard in 
 that church, and which may even be heard half a mile off, quite 
 to the opposite side of the mill-pond, on a still Sunday morning, 
 which are said to be legitimately descended from the nose of 
 Ichabod Crane. Thus, by divers little makeshifts in that ingen- 
 ious way which is commonly denominated "by hook and by 
 crook," 2 the worthy pedagogue got on tolerably enough, and was 
 thought, by all who understood nothing of the labor of headwork, 
 to have a wonderfully easy Hfe of it. 
 
 The schoolmaster is generally a man of some importance in the 
 female circle of a rural neighborhood, being considered a kind 
 of idle, gentlemanlike personage, of vastly superior taste and ac- 
 comphshments to the rough country swains, and, indeed, inferior 
 in learning only to the parson. His appearance, therefore, is 
 apt to occasion some Htde stir at the tea-table of a farmhouse, 
 and the addition of a supernumerary dish of cakes or sweet- 
 meats, or, perad venture, the parade of a silver teapot. Our man 
 of letters, therefore, was peculiarly happy in the smiles of all the 
 country damsels. How he would figure among them in the 
 churchyard, between services on Sundays! gathering grapes for 
 them from the wild vines that overrun the surrounding trees ; re- 
 citing for their amusement all the epitaphs on the tombstones ; 
 or sauntering with a whole bevy of them along the banks of the 
 adjacent mill-pond; while the more bashful country bumpkins 
 hung sheepishly back, envying his superior elegance and address. 
 
 From his half itinerant life, also, he was a kind of traveling 
 
 1 Surpassed the parson in point of excellence. 
 
 2 Formerly the poor of a manor were allowed to go into the forests with a 
 hook and crook to get wood. What they could not reach, they might pull 
 down with their crook. This sort of living was very precarious, but eagerly 
 sought. Boundary stones, beyond which " the hook and crook folk" might 
 not pass, exist still. 
 
no IRVING. 
 
 gazette, carrying the whole budget of local gossip from house to 
 house ; so that his appearance was always greeted with satisfac- 
 tion. He was, moreover, esteemed by the women as a man of 
 great erudition, for he had read several books quite through, and 
 was a perfect master of Cotton Mather's i " History of New Eng- 
 land Witchcraft;" in which, by the way, he most firmly and 
 potently beheved. 
 
 He was, in fact, an odd mixture of small shrewdness and sim- 
 ple credulity. His appetite for the marvelous, and his powers 
 of digesting it, were equally extraordinary ; and both had been 
 increased by his residence in this spell-bound region. No tale 
 was too gross or monstrous for his capacious swallow. It was 
 often his delight, after his school was dismissed in the afternoon, 
 to stretch himself on the rich bed of clover bordering the little 
 brook that whimpered by his schoolhouse, and there con over 
 old Mather's direful tales, until the gathering dusk of evening 
 made the printed page a mere mist before his eyes. Then, as he 
 wended his way, by swamp and stream and awful woodland, to 
 the farmhouse where he happened to be quartered, every sound 
 of Nature, at that witching hour, fluttered his excited imagination, 
 — the moan of the whip-poor-will ^ from the hillside ; the boding 
 cry of the tree-toad, that harbinger of storm ; the dreary hooting 
 of the screech-owl ; or the sudden rustling in the thicket of birds 
 frightened from their roost. The fire-fiies, too, which sparkled 
 most vividly in the darkest places, now and then startled him, as 
 one of uncommon brightness would stream across his path ; and 
 if by chance a huge blockhead of a beetle came winging his 
 
 1 A celebrated theologian and writer, born in Boston in 1663. He was 
 ordained as a minister in 1684, and preached in Boston. From the first he 
 was eager to bring to trial and punishment those supposed to be guilty of 
 witchcraft ; and, when others began clearly to see the folly and injustice of 
 these cruel persecutions, he earnestly, though vainly, strove to stem the reac- 
 tion in the popular mind. 
 
 2 A whip-poor-will is a bird which is only heard at night. It receives its 
 name from its note, which is thought to resemble those words. 
 
THE SKETCH-BOOK. ill 
 
 blundering flight against him, the poor varlet was ready to give 
 up the ghost, with the idea that he was struck with a witch's 
 token. His only resource on such occasions, either to drown 
 thought or drive away evil spirits, was to sing psalm tunes ; and 
 the good people of Sleepy Hollow, as they sat by their doors of 
 an evening, were often filled with awe at hearing his nasal melody, 
 " in linked sweetness long drawn out," i floating from the distant 
 hill or along the dusky road. 
 
 Another of his sources of fearful pleasure was to pass long 
 winter evenings with the old Dutch wives, as they sat spinning 
 by the fire, with a row of apples roasting and sputtering along 
 the hearth, and listen to their marvelous tales of ghosts and gob- 
 lins, and haunted fields, and haunted brooks, and haunted bridges, 
 and haunted houses, and particularly of the headless horseman, 
 or "Galloping Hessian of the Hollow," as they sometimes called 
 him. He would delight them equally by his anecdotes of witch- 
 craft, and of the direful omens and portentous sights and sounds 
 in the air, which prevailed in the earlier times of Connecticut, ^ 
 and would frighten them wofully with speculations upon comets 
 and shooting stars, and with the alarming fact that the world did 
 absolutely turn round, and that they were half the time topsy- 
 turvy. 
 
 But if there was a pleasure in all this, while snugly cuddHng in 
 the chimney corner of a chamber that was all of a ruddy glow 
 from the crackling wood fire, and where, of course, no specter 
 dared to show its face, it was dearly purchased by the terrors 
 of his subsequent walk homewards. What fearful shapes and 
 shadows beset his path amidst the dim and ghastly glare of a 
 snowy night! With what wistful look did he eye every trem- 
 bling ray of light streaming across the waste fields from some dis- 
 
 ' From Milton's L'Allegro. 
 
 2 In New England, in 1692, many people believed in witches. Such firm 
 believers were they in witchcraft, that it was very easy to create a suspicion 
 against a person as a witch. Many were thrown into prison, and some were 
 hung, in consequence. 
 
IT 2 IRVING. 
 
 tant window! How often was he appalled by some shrub cov- 
 ered with snow, which, hke a sheeted specter, beset his very 
 path! How often did he shrink with curdling awe at the sound 
 of his own steps on the frosty crust beneath his feet, and dread 
 to look over his shoulder, lest he should behold some uncouth 
 being tramping close behind him ! and how often was he thrown 
 into complete dismay by some rushing blast, howling among the 
 trees, in the idea that it was the Galloping Hessian on one of his 
 nightly scourings! 
 
 All these, however, were mere terrors of the night, phantoms 
 of the mind that walk in darkness; and though he had seen 
 many specters in his time, and been more than once beset by 
 Satan in divers shapes in his lonely perambulations, yet daylight 
 put an end to all these evils ; and he would have passed a pleas- 
 ant life of it, in despite of the Devil and all his works, if his path 
 had not been crossed by a being that causes more perplexity to 
 mortal man than ghosts, goblins, and the whole race of witches 
 put together, and that was — a woman. 
 
 Among the musical disciples who assembled one evening in 
 each week to receive his instructions in psalmody, was Katrina 
 Van Tassel, the daughter and only child of a substantial Dutch 
 farmer. She was a blooming lass of fresh eighteen ; plump as a 
 partridge; ripe and melting and rosy-cheeked as one of her 
 father's peaches ; and universally famed, not merely for her 
 beauty, but her vast expectations. She was, withal, a little of a 
 coquette, as might be perceived even in her dress, which was a 
 mixture of ancient and modern fashions, as most suited to set off 
 her charms. She wore the ornaments of pure yellow gold which 
 her great-great-grandmother had brought over from Saardam ; ^ 
 the tempting stomacher of the olden time ; and, withal, a pro- 
 vokingly short petticoat, to display the prettiest foot and ankle 
 in the country round. 
 
 ^ Zaandam, Zaanredam, or Saardam, is a village of Holland in the prov- 
 ince of North Holland, five miles by rail from Amsterdam. Peter the Great 
 of Russia wrought at Saardam as a ship carpenter in 1697. 
 
THE SKETCH-BOOK. T13 
 
 Ichabod Crane had a soft and foolish heart towards the sex ; 
 and it is not to be wondered at that so tempting a morsel soon 
 found favor in his eyes, more especially after he had visited her 
 in her paternal mansion. Old Baltus Van Tassel was a perfect 
 picture of a thriving, contented, liberal-hearted farmer. He sel- 
 dom, it is true, sent either his eyes or his thoughts beyond the 
 boundaries of his own farm; but within these everything was 
 snug, happy, and well-conditioned. He was satisfied with his 
 wealth, but not proud of it, and piqued himself upon the hearty 
 abundance rather than the style in which he lived. His strong- 
 hold was situated on the banks of the Hudson, in one of those 
 green, sheltered, fertile nooks in which the Dutch farmers are so 
 fond of nestling. A great elm-tree spread its broad branches 
 over it, at the foot of which bubbled up a spring of the softest 
 and sweetest water in a httle well formed of a barrel, and then 
 stole sparkling away through the grass to a neighboring brook 
 that babbled along among alders and dwarf willows. Hard by 
 the farmhouse was a vast barn that might have served for a 
 church, every window and crevice of which seemed bursting 
 forth with the treasures of the farm. The flail was busily re- 
 sounding within it from morning to night ; swallows and martins 
 skimmed twittering about the eaves ; and rows of pigeons — 
 some with one eye turned up, as if watching the weather ; some 
 with their heads under their wings or buried in their bosoms ; 
 and others swelling, and cooing, and bowing about their dames 
 — were enjoying the sunshine on the roof. Sleek, unwieldy 
 porkers were grunting in the repose and abundance of their 
 pens ; from whence sallied forth, now and then, troops of suck- 
 ing pigs, as if to snuff the air. A stately squadron of snowy 
 geese were riding in an adjoining pond, convoying whole fleets 
 of ducks. Regiments of turkeys were gobbling through the 
 farmyard, and guinea-fowls fretting about it like ill-tempered 
 housewives, with their peevish, discontented cry. Before the 
 barn door strutted the gallant cock, that pattern of a husband, 
 a warrior, and a fine gentleman, clapping his burnished wings 
 
114 IRVING. 
 
 and crowing in the pride and gladness of his heart, sometimes 
 tearing up the earth with his feet, and then generously calling 
 his ever-hungry family of wives and children to enjoy the rich 
 morsel which he had discovered. 
 
 The pedagogue's mouth watered as he looked upon this sump- 
 tuous promise of luxurious winter fare. In his devouring mind's 
 eye he pictured to himself every roasting pig running about " with 
 a pudding in its belly " ^ and an apple in its mouth ; the pigeons 
 were snugly put to bed in a comfortable pie, and tucked in with 
 a coverlet of crust ; the geese were swimming in their own gravy ; 
 and the ducks pairing cosily in dishes, like snug married couples, 
 with a decent competency of onion sauce. In the porkers he saw 
 carved out the future sleek side of bacon, and juicy, relishing 
 ham ; not a turkey but he beheld daintily trussed up, with its giz- 
 zard under its wing, and, peradventure, a necklace of savory sau- 
 sages; and even bright chanticleer ^ himself lay sprawling on his 
 back, in a side-dish, with uplifted claws, as if craving that quar- 
 ter which his chivalrous spirit disdained to ask while hving. 
 
 As the enraptured Ichabod fancied all this, and as he rolled 
 his great green eyes over the fat meadow-lands, the rich fields of 
 wheat, of rye, of buckwheat and Indian corn, and the orchards 
 burthened with ruddy fruit, which surrounded the warm tenement 
 of Van Tassel, his heart yearned after the damsel who was to in- 
 herit these domains ; and his imagination expanded with the idea, 
 how they might be readily turned into cash, and the money in- 
 vested in immense tracts of wild land, and shingle palaces in the 
 wilderness. Nay, his busy fancy already realized his hopes, and 
 presented to him the blooming Katrina, with a whole family of 
 children, mounted on the top of a wagon loaded with household 
 
 ' From Shakespeare, Henry IV., Part I. act ii. sc. 4. 
 
 2 A cock. Old French, chantecler (from chanter, "to sing;" and cler, 
 " clear"), the name of the cock in the poem Reynard the Fox. The Middle 
 English forms of the word were chaimtecleer, channteclere, chanteclere. 
 Compare Chaucer, Nun's Priest's Tale, 1. 501: "This chauntecleer his 
 wynges gan to bete." 
 
THE SKETCH-BOOK. 115 
 
 trumpery, with pots and kettles dangling beneath ; and he beheld 
 himself bestriding a pacing mare, with a colt at her heels, setting 
 out for Kentucky, Tennessee, or the Lord knows where. 
 
 When he entered the house, the conquest of his heart was com- 
 plete. It was one of those spacious farmhouses, with high-ridged 
 but lowly-sloping roofs, built in the style handed down from the 
 first Dutch settlers ; the low, projecting eaves forming a piazza 
 along the front, capable of being closed up in bad weather. Un- 
 der this were hung flails, harness, various utensils of husbandry, 
 and nets for fishing in the neighboring river. Benches were built 
 along the sides for summer use ; and a great spinning-wheel at 
 one end, and a churn at the other, showed the various uses to 
 which this important porch might be devoted. From this piazza 
 the wonderful Ichabod entered the hall, which formed the center 
 of the mansion, and the place of usual residence. Here rows of 
 resplendent pewter, ranged on a long dresser, dazzled his eyes. 
 In one corner stood a huge bag of wool ready to be spun ; in 
 another, a quantity of linsey-woolsey ^ just from the loom. Ears 
 of Indian corn, and strings of dried apples and peaches, hung in 
 gay festoons along the walls, mingled with the gaud of red pep- 
 pers : and a door left ajar gave him a peep into the best parlor, 
 where the claw-footed chairs and dark mahogany tables shone 
 like mirrors ; and irons, with their accompanying shovel and 
 tongs, glistened from their covert of asparagus tops ; mock- 
 oranges and conch-shells decorated the mantelpiece ; strings 
 of various colored bird's eggs were suspended above it ; a great 
 ostrich egg was hung from the center of the room ; and a corner 
 cupboard, knowingly left open, displayed immense treasures of 
 old silver and well-mended china. 
 
 From the moment Ichabod laid his eyes upon these regions of 
 delight, the peace of his mind was at an end, and his only study 
 was how to gain the affections of the peerless daughter of Van 
 Tassel. In this enterprise, however, he had more real difKiculties 
 
 1 Coarse cloth, having a linen warp and a woolen woof. 
 
Ii6 IRVING. 
 
 than generally fell to the lot of a knight- errant ^ of yore, who sel- 
 dom had anything but giants, enchanters, fiery dragons, and such- 
 like easily conquered adversaries to contend with ; and had to 
 make his way merely through gates of iron and brass, and walls 
 of adamant, to the castle keep, where the lady of his heart was 
 confined, — all which he achieved as easily as a man would carve 
 his way to the center of a Christmas pie, and then the lady gave 
 him her hand as a matter of course. Ichabod, on the contrary, 
 had to win his way to the heart of a country coquette, beset with 
 a labyrinth of whims and caprices, which were forever present- 
 ing new difficulties and impediments ; and he had to encounter a 
 host of fearful adversaries of real flesh and blood, the numerous 
 rustic admirers, who beset every portal to her heart, keeping a 
 watchful and angry eye upon each other, but ready to fly out in 
 the common cause against any new competitor. 
 
 Among these the most formidable was a burly, roaring, roys- 
 tering blade, of the name of Abraham, or, according to the Dutch 
 abbreviation, Brom Van Brunt, the hero of the country round, 
 which rang with his feats of strength and hardihood. He was 
 broad-shouldered and double-jointed, with short, curly black hair, 
 and a bluff but not unpleasant countenance, having a mingled air 
 of fun and arrogance. From his Herculean frame and great pow- 
 ers of limb, he had received the nickname of " Brom Bones," by 
 which he was universally known. He was famed for great knowl- 
 edge and skill in horsemanship, being as dexterous on horseback 
 as a Tartar.2 He was foremost at all races and cock-fights, and, 
 with the ascendency which bodily strength always acquires in 
 rustic life, was the umpire in all disputes, setting his hat on one 
 side, and giving his decisions with an air and tone that admitted 
 of no gainsay or appeal. He was always ready for either a fight 
 or a frolic ; had more mischief than ill will in his composition ; 
 and, with all his overbearing roughness, there was a strong dash 
 
 1 A knight who wandered in search of adventure. 
 
 2 The Tartars were a nomadic tribe of Central Asia, noted for their fine 
 horsemanship. 
 
THE SKETCH-BOOK. liy 
 
 of waggish good-humor at bottom. He had three or four boon 
 companions of his own stamp, who regarded him as their model, 
 and at the head of whom he scoured the country, attending every 
 scene of feud or merriment for miles around. In cold weather 
 he was distinguished by a fur cap, surmounted with a flaunting 
 fox's tail ; and when the folks at a country gathering descried 
 this well-known crest at a distance, whisking about among a 
 squad of hard riders, they always stood by for a squall. Some- 
 times his crew would be heard dashing along past the farmhouses 
 at midnight, with whoop and halloo, like a troop of Don Cos- 
 sacks ; 1 and the old dames, startled out of their sleep, would 
 listen for a moment till the hurry-scurry had clattered by, and 
 then exclaim, " Ay, there goes Brom Bones and his gang! " The 
 neighbors looked upon him with a mixture of awe, admiration, 
 and good will, and, when any madcap prank or rustic brawl oc- 
 curred in the vicinity, always shook their heads, and warranted 
 Brom Bones was at the bottom of it. 
 
 This rantipole^ hero had for some time singled out the bloom- 
 ing Katrina for the object of his uncouth gallantries, and though 
 his amorous toyings were something like the gentle caresses and 
 endearments of a bear, yet it was whispered that she did not 
 altogether discourage his hopes. Certain it is, his advances were 
 signals for rival candidates to retire, who felt no inclination to 
 cross a lion in his amours ; insomuch, that when his horse was 
 seen tied to Van Tassel's paling on a Sunday night, — a sure sign 
 that his master was courting, or, as it is termed, "sparking," 
 within, — all other suitors passed by in despair, and carried the 
 war into other quarters. 
 
 Such was the formidable rival with whom Ichabod Crane had 
 to contend ; and, considering all things, a stouter man than he 
 would have shrunk from the competition, and a wiser man would 
 
 1 The Russian tribes who settled on the River Don. They are a restless 
 and warlike race. They form a first-rate irregular cavalry, and render excel- 
 lent service as scouts and skirmishers. 
 
 2 Wild. 
 
li8 IRVING. 
 
 have despaired. He had, however, a happy mixture of pliability 
 and perseverance in his nature. He was in form and spirit like 
 a supple-jack, — yielding, but tough; though he bent, he never 
 broke ; and though he bowed beneath the slightest pressure, yet, 
 the moment it was away — jerk! he was as erect, and carried his 
 head as high, as ever. 
 
 To have taken the field openly against his rival would have 
 been madness ; for he was not a man to be thwarted in his 
 amours, any more than that stormy lover Achilles. i Ichabod, 
 therefore, made his advances in a quiet and gently insinuating 
 manner. Under cover of his character of singing-master, he 
 made frequent visits at the farmhouse ; not that he had anything 
 to apprehend from the meddlesome interference of parents, 
 which is so often a stumbling-block in the path of lovers. * Bait 
 Van Tassel was an easy, indulgent soul. He loved his daughter 
 better even than his pipe, and, like a reasonable man and an ex- 
 cellent father, let her have her way in everything. His notable 
 little wife, too, had enough to do to attend to her housekeeping 
 and manage the poultry ; for, as she sagely observed, ducks and 
 geese are foolish things, and must be looked after, but girls can 
 take care of themselves. Thus, while the busy dame bustled 
 about the house, or plied her spinning-wheel at one end of the 
 piazza, honest Bait would sit smoking his evening pipe at the 
 other, watching the achievements of a little wooden warrior, who, 
 armed with a sword in each hand, was most valiantly fighting the 
 wind on the pinnacle of the barn. In the mean time Ichabod 
 would carry on his suit with the daughter by the side of the 
 spring under the great elm, or sauntering along in the twihght, 
 that hour so favorable to the lover's eloquence. 
 
 1 A famous Greek warrior of Homer's Iliad. Achilles, in a dispute about 
 his lady-love Briseis, becomes angered against Agamemnon, commander-in- 
 chief of the allied Greeks besieging Troy or Ilion (hence the name " Iliad "), 
 and refuses to fight. The Trojans prevail for a time. Patroclus, Achilles' 
 friend, falls ; and Achilles in wrath flies to battle, kills Hector (chief of the 
 Trojans), and turns the tide of battle against them. 
 
THE SKETCH-BOOK. 1 19 
 
 I profess not to know how women's hearts are wooed and won. 
 To me they have always been matters of riddle and admiration. 
 Some seem to have but one vulnerable point, or door of access ; 
 while others have a thousand avenues, and may be captured in a 
 thousand different ways. It is a great triumph of skill to gain 
 the former, but a still greater proof of generalship to maintain 
 possession of the latter, for a man must battle for his fortress at 
 every door and window. He who wins a thousand common 
 hearts is therefore entitled to some renown ; but he who keeps 
 undisputed sway over the heart of a coquette is indeed a hero. 
 Certain it is, this was not the case with the redoubtable Brom 
 Bones ; and, from the moment Ichabod Crane made his ad- 
 vances, the interests of the former evidently declined. His horse 
 was no longer seen tied at the palings on Sunday nights, and a 
 deadly feud gradually arose between him and the preceptor of 
 Sleepy Hollow. 
 
 Brom, who had a degree of rough chivalry in his nature, would 
 fain have carried matters to open warfare, and settled their pre- 
 tensions to the lady according to the mode of those most concise 
 and simple reasoners, the knights-errant of yore, by single com- 
 bat ; but Ichabod was too conscious of the superior might of his 
 adversary to enter the lists against him. He had overheard the 
 boast of Bones, that he would "double the schoolmaster up and 
 put him on a shelf ;" and he was too wary to give him an oppor- 
 tunity. There was something extremely provoking in this obsti- 
 nately pacific system : it left Brom no alternative but to draw 
 upon the funds of rustic waggery in his disposition, and to play 
 off boorish practical jokes upon his rival. Ichabod became the 
 object of whimsical persecution to Bones and his gang of rough 
 riders. They harried his hitherto peaceful domains ; smoked out 
 his singing-school by stopping up the chimney ; broke into the 
 schoolhouse at night, in spite of its formidable fastenings of withe 
 and window stakes, and turned everything topsy-turvy : so that 
 the poor schoolmaster began to think all the witches in the coun- 
 try held their meetings there. But, what was still more annoying, 
 
I20 IRVING. 
 
 Brom took all opportunities of turning him into ridicule in pres- 
 ence of his mistress, and had a scoundrel dog whom he taught to 
 whine in the most ludicrous manner, and introduced as a rival of 
 Ichabod's to instruct her in psalmody. 
 
 In this way matters went on for some time, without producing 
 any material effect on the relative situations of the contending 
 powers. On a fine autumnal afternoon, Ichabod, in pensive 
 mood, sat enthroned on the lofty stool from whence he usually 
 watched all the concerns of his Httle literary realm. In his hand 
 he swayed a ferule, that scepter of despotic power ; the birch of 
 justice reposed on three nails behind the throne, a constant terror 
 to evil doers ; while on the desk before him might be seen sun- 
 dry contraband articles and prohibited weapons, detected upon 
 the persons of idle urchins, such as half-munched apples, pop- 
 guns, whirligigs, fly-cages, and whole legions of rampant little paper 
 game-cocks. Apparently there had been some appalling act of 
 justice recently inflicted ; for his scholars were all busily intent 
 upon their books, or slyly whispering behind them with one eye 
 kept upon the master, and a kind of buzzing stillness reigned 
 throughout the schoolroom. It was suddenly interrupted by the 
 appearance of a negro, in tow-cloth jacket and trousers, a round- 
 crowned fragment of a hat, hke the cap of Mercury,^ and 
 mounted on the back of a ragged, wild, half-broken colt, which 
 he managed with a rope by way of halter. He came clattering 
 up to the school door with an invitation to Ichabod to attend a 
 merry-making, or " quilting froHc," to be held that evening at 
 Mynheer Van Tassel's ; and having delivered his message with 
 that air of importance, and effort at fine language, which a negro 
 is apt to display on petty embassies of the kind, he dashed over 
 the brook, and was seen scampering away up the hollow, full of 
 the importance and hurry of his mission. 
 
 All was now bustle and hubbub in the late quiet schoolroom. 
 The scholars were hurried through their lessons without stopping 
 
 ^ The Roman god who presided over barter, trade, and all commercial 
 dealings. 
 
THE SKETCH-BOOK. 121 
 
 at trifles. Those who were nimble skipped over half with im- 
 punity ; and those who were tardy had a smart appHcation now 
 and then in the rear, to quicken their speed, or help them over a 
 tall word. Books were flung aside without being put away on 
 the shelves ; inkstands were overturned, benches thrown down ; 
 and the whole school was turned loose an hour before the usual 
 time, bursting forth like a legion of young imps, yelping and 
 racketing about the green, in joy at their early emancipation. 
 
 The gallant Ichabod now spent at least an extra half hour at 
 his toilet, brushing and furbishing up his best and indeed only suit 
 of rusty black, and arranging his looks by a bit of broken look- 
 ing-glass that hung up in the schoolhouse. That he might make 
 his appearance before his mistress in the true style of a cavalier, 
 he borrowed a horse from the farmer with whom he was domi- 
 ciHated, a choleric old Dutchman of the name of Hans Van Rip- 
 per, and, thus gallantly mounted, issued forth, Hke a knight-errant 
 in quest of adventures. But it is meet I should, in the true spirit 
 of romantic story, give some account of the looks and equipments 
 of my hero and his steed. The animal he bestrode was a broken- 
 down plow-horse, that had outlived almost everything but his 
 viciousness. He was gaunt and shagged, with a ewe neck, and 
 a head Hke a hammer. His rusty mane and tail were tangled 
 and knotted with burrs. One eye had lost its pupil, and was 
 glaring and spectral, but the other had the gleam of a genuine 
 devil in it. Still he must have had fire and mettle in his day, if 
 we may judge from his name, which was Gunpowder. He had, 
 in fact, been a favorite steed of his master's, the choleric Van 
 Ripper, who was a furious rider, and had infused, very probably, 
 some of his own spirit into the animal ; for, old and broken-down 
 as he looked, there was more of the lurking devil in him than in 
 any young filly in the country. 
 
 Ichabod was a suitable figure for such a steed. He rode with 
 short stirrups, which brought his knees nearly up to the pommel 
 of the saddle ; his sharp elbows stuck out like grasshoppers' ; he 
 carried his whip perpendicularly in his hand, like a scepter ; and, 
 
122 IRVING. 
 
 as the horse jogged on, the motion of his arms was not unhke the 
 flapping of a pair of wings. A small wool hat rested on the top 
 of his nose, for so his scanty strip of forehead might be called ; 
 and the skirts of his black coat fluttered out almost to the horse's 
 tail. Such was the appearance of Ichabod and his steed, as they 
 shambled out of the gate of Hans Van Ripper; and it was alto- 
 gether such an apparition as is seldom to be met with in broad 
 daylight. 
 
 It was, as I have said, a fine autumnal day. The sky was 
 clear and serene, and nature wore that rich and golden livery 
 which we always associate with the idea of abundance. The 
 forests had put on their sober brown and yellow, while some 
 trees of the tenderer kind had been nipped by the frost into bril- 
 liant dyes of orange, purple, and scarlet. Streaming files of wild 
 ducks began to make their appearance high in the air. The bark 
 of the squirrel might be heard from the groves of beech and hick- 
 ory nuts, and the pensive whistle of the quail at intervals from 
 the neighboring stubble-field. 
 
 The small birds were taking their farewell banquets. In the 
 fullness of their revelry, they fluttered, chirping and frolicking, 
 from bush to bush, and tree to tree, capricious from the very 
 profusion and variety around them. There was the honest cock- 
 robin, the favorite game of stripling sportsmen, with its loud, 
 querulous note ; and the twittering blackbirds flying in sable 
 clouds; and the golden- winged woodpecker, with his crimson 
 crest, his broad, black gorget, and splendid plumage ; and the 
 cedar bird, with its red-tipped wings and yellow-tipped tail, and 
 its little monteiro capi of feathers; and the blue jay, that noisy 
 coxcomb, in his gay, light-blue coat and white underclothes, 
 screaming and chattering, nodding and bobbing and bowing, 
 and pretending to be on good terms with every songster of the 
 grove. 
 
 1 Montero cap (Spanish, montera), a kind of cap, originally a hunting- 
 cap; from montero (" a huntsman"). It has a spherical crown, and a flap 
 round it that may be drawn down over the ears. 
 
THE SKETCH-BOOK. 123 
 
 As Ichabod jogged slowly on his way, his eye, ever open to 
 every symptom of culinary abundance, ranged with delight over 
 the treasures of jolly autumn. On all sides he beheld vast store 
 of apples, — some hanging in oppressive opulence on the trees, 
 some gathered into baskets and barrels for the market, others 
 heaped up in rich piles for the cider-press. Farther on he be- 
 held great fields of Indian corn, with its golden ears peeping 
 from their leafy coverts, and holding out the promise of cakes 
 and hasty pudding ; and the yellow pumpkins lying beneath 
 them, turning up their fair, round bellies to the sun, and giving 
 ample prospects of the most luxurious of pies; and anon he 
 passed the fragrant buckwheat fields, breathing the odor of the 
 beehive ; and as he beheld them, soft anticipations stole over his 
 mind of dainty slapjacks, well buttered, and garnished with honey 
 or treacle, by the delicate little dimpled hand of Katrina Van 
 Tassel. 
 
 Thus feeding his mind with many sweet thoughts and " sugared 
 suppositions," he journeyed along the sides of a range of hills 
 which look out upon some of the goodliest scenes of the mighty 
 Hudson. The sun gradually wheeled his broad disk down into 
 the west. The wide bosom of the Tappan Zee lay m.otionless and 
 glassy, excepting that here and there a gentle undulation waved, 
 and prolonged the blue shadow of the distant mountain. A few 
 amber clouds floated in the sky, without a breath of air to move 
 them. The horizon was of a fine, golden tint, changing grad- 
 ually into a pure apple-green, and from that into the deep-blue 
 of the mid-heaven. A slanting ray hngered on the woody crests 
 of the precipices that overhung some parts of the river, giving 
 greater depth to the dark gray and purple of their rocky sides. 
 A sloop was loitering in the distance, dropping slowly down with 
 the tide, her sail hanging uselessly against the mast ; and, as the 
 reflection of the sky gleamed along the still water, it seemed as 
 if the vessel was suspended in the air. 
 
 It was toward evening that Ichabod arrived at the castle of 
 the Herr Van Tassel, which he found thronged with the pride 
 
124 IRVING. 
 
 and flower of the adjacent country, — old farmers, a spare, leath- 
 ern-faced race, in homespun coats and breeches, blue stockings, 
 huge shoes, and magnificent pewter buckles ; their brisk, withered 
 Httle dames, in close crimped caps, long-waisted gowns, home- 
 spun petticoats, with scissors and pincushions, and gay calico 
 pockets hanging on the outside ; buxom lasses, almost as anti- 
 quated as their mothers, excepting where a straw hat, a fine 
 ribbon, or perhaps a white frock, gave symptoms of city inno- 
 vations ; the sons, in short, square-skirted coats with rows of 
 stupendous brass buttons, and their hair generally queued in the 
 fashion of the times, especially if they could procure an eel-skin 
 for the purpose, it being esteemed throughout the country as a 
 potent nourisher and strengthener of the hair. 
 
 Brom Bones, however, was the hero of the scene, having come 
 to the gathering on his favorite steed Daredevil, — a creature, 
 like himself, full of mettle and mischief, and which no one but 
 himself could manage. He was, in fact, noted for preferring 
 vicious animals, given to all kinds of tricks, which kept the rider 
 in constant risk of his neck ; for he held a tractable, well-broken 
 horse as unworthy of a lad of spirit. 
 
 Fain would I pause to dwell upon the world of charms that 
 burst upon the enraptured gaze of my hero, as he entered the 
 state parlor of Van Tassel's mansion ; not those of the bevy of 
 buxom lasses, with their luxurious display of red and white, but 
 the ample charms of a genuine Dutch country tea-table, in the 
 sumptuous time of autumn. Such heaped-up platters of cakes 
 of various and almost indescribable kinds, known only to experi- 
 enced Dutch housewives! There was the doughty doughnut, 
 the tender oly-koek,' and the crisp and crumbling cruller; 
 sweet cakes and short cakes, ginger cakes and honey cakes, and 
 the whole family of cakes ; and then there were apple pies and 
 peach pies and pumpkin pies ; besides slices of ham and smoked 
 beef ; and, moreover, delectable dishes of preserved plums, and 
 
 1 A kind of Dutch cake, made of dough sweetened, and fried in lard. 
 
THE SKETCH-BOOK. T25 
 
 peaches, and pears, and quinces ; not to mention broiled shad 
 and roasted chickens ; together with bowls of milk and cream ; 
 all mingled higgledy-piggledy, pretty much as I have enumerated 
 them, with the motherly teapot sending up its clouds of vapor 
 from the midst — Heaven bless the mark! I want breath and 
 time to discuss this banquet as it deserves, and am too eager to 
 get on with my story. Happily, Ichabod Crane was not in so 
 great a hurry as his historian, but did ample justice to every 
 dainty. 
 
 He was a kind and thankful creature, whose heart dilated in 
 proportion as his skin was filled with good cheer, and whose 
 spirits rose with eating as some men's do with drink. He could 
 not help, too, rolling his large eyes round him as he ate, and 
 chuckHng with the possibility that he might one day be lord of 
 all this scene of almost unimaginable luxury and splendor. Then, 
 he thought, how soon he'd turn his back upon the old school- 
 house ; snap his fingers in the face of Hans Van Ripper, and 
 every other niggardly patron ; and kick any itinerant pedagogue 
 out of doors that should dare to call him comrade! 
 
 Old Baltus Van Tassel moved about among his guests with a 
 face dilated with content and good humor, round and jolly as 
 the harvest moon. His hospitable attentions were brief but ex- 
 pressive, being confined to a shake of the hand, a slap on the 
 shoulder, a loud laugh, and a pressing invitation to " fall to, and 
 help themselves." 
 
 And now the sound of the music from the common room, or 
 hall, summoned to the dance. The musician was an old gray- 
 headed negro, who had been the itinerant orchestra of the neigh- 
 borhood for more than half a century. His instrument was as 
 old and battered as himself. The greater part of the time he 
 scraped away on two or three strings, accompanying every move- 
 ment of the bow with a motion of the head, bowing almost to the 
 ground, and stamping with his foot whenever a fresh couple were 
 to start. 
 
 Ichabod prided himself upon his dancing as much as upon his 
 
126 IRVING. 
 
 vocal powers. Not a limb, not a fiber about him, was idle ; and 
 to have seen his loosely hung frame in full motion, and clattering 
 about the room, you would have thought St. Vitus ^ himself, that 
 blessed patron of the dance, was figuring before you in person. 
 He was the admiration of all the negroes, who, having gathered, 
 of all ages and sizes, from the farm and the neighborhood, stood 
 forming a pyramid of shining black faces at every door and win- 
 dow, gazing with dehght at the scene, roUing their white eyeballs, 
 and showing grinning rows of ivory from ear to ear. How could 
 the flogger of urchins be otherwise than animated and joyous? 
 The lady of his heart was his partner in the dance, and smiling 
 graciously in reply to all his amorous oglings ; while Brom Bones, 
 sorely smitten with love and jealousy, sat brooding by himself in 
 one corner. 
 
 When the dance was at an end, Ichabod was attracted to a 
 knot of the sager folks, who, with old Van Tassel, sat smoking 
 at one end of the piazza, gossiping over former times, and 
 drawling out long stories about the war. 
 
 This neighborhood, at the time of which I am speaking, was 
 one of those highly favored places which abound with chronicle 
 and great men. The British and American hne had run near 
 it during the war : it had therefore been the scene of marauding, 
 and infested with refugees, cowboys, and all kinds of border 
 chivalry. Just sufficient time had elapsed to enable each story- 
 teller to dress up his tale with a litde becoming fiction, and, in 
 the indistinctness of his recollection, to make himself the hero of 
 every exploit. 
 
 There was the story of DofTue Martling, a large, blue-bearded 
 Dutchman, who had nearly taken a British frigate with an old 
 iron nine-pounder from a mud breastwork, only that his gun burst 
 at the sixth discharge. And there was an old gentleman who 
 
 1 The patron saint of dancers and actors, and invoked against the disease 
 known as " St. Vitus's dance." He is the patron of Saxony, Bohemia, and 
 Sicily, and throughout Germany ranks as one of the fourteen " Nothelfer" 
 of the Church. 
 
THE SKETCH-BOOK. 127 
 
 shall be nameless, being too rich a mynheer^ to be lightly men- 
 tioned, who in the battle of Whiteplains,- being an excellent 
 master of defense, parried a musket-ball with a small sword, in- 
 somuch that he absolutely felt it whiz round the blade, and glance 
 off at the hilt, in proof of which he was ready at any time to 
 show the sword, with the hilt a Httle bent. There were several 
 more that had been equally great in the field, not one of whom 
 but was persuaded that he had a considerable hand in bringing 
 the war to a happy termination. 
 
 But all these were nothing to the tales of ghosts and appari- 
 tions that succeeded. The neighborhood is rich in legendary 
 treasures of the kind. Local tales and superstitions thrive best 
 in these sheltered, long-settled retreats, but are trampled under 
 foot by the shifting throng that forms the population of most 
 of our country places. Besides, there is no encouragement for 
 ghosts in most of our villages, for they have scarcely had time to 
 finish their first nap, and turn themselves in their graves, before 
 their surviving friends have traveled away from the neighborhood ; 
 so that, when they turn out at night to walk their rounds, they 
 have no acquaintance left to call upon. This is, perhaps, the 
 reason why we so seldom hear of ghosts, except in our long- 
 established Dutch communities. 
 
 The immediate cause, however, of the prevalence of supernat- 
 ural stories in these parts, was doubtless owing to the vicinity of 
 Sleepy Hollow. There was a contagion in the very air that blew 
 from that haunted region : it breathed forth an atmosphere of 
 dreams and fancies infecting all the land. Several of the Sleepy 
 Hollow people were present at Van Tassel's, and, as usual, were 
 dohng out their wild and wonderful legends. Many dismal tales 
 
 1 From the Dutch mijn heer, equivalent to the German mein Herr (" my 
 master," " my lord"), our " sir" or " Mr.," a term of respectful address 
 employed by the Dutch ; hence also a Dutchman. 
 
 2 At Whiteplains, twenty-five miles northeast of New York, the Amer- 
 icans were driven back by the British under Gen. Howe, and compelled to 
 withdraw to New Jersey, October, 1776. 
 
128 IRVING. 
 
 were told about funeral trains, and mourning cries and wailings, 
 heard and seen about the great tree where the unfortunate Major 
 Andre 1 was taken, and which stood in the neighborhood. Some 
 mention was made also of the woman in white that haunted 
 the dark glen at Raven Rock, and was often heard to shriek 
 on winter nights before a storm, having perished there in the 
 snow. The chief part of the stories, however, turned upon the 
 favorite specter of Sleepy Hollow, the headless horseman, who 
 had been heard several times of late, patrolling the country, and, 
 it was said, tethered his horse nightly among the graves in the 
 churchyard. 
 
 The sequestered situation of this church seems always to have 
 made it a favorite haunt of troubled spirits. It stands on a knoll, 
 surrounded by locust-trees and lofty elms, from among which its 
 decent, whitewashed walls shine modestly forth, like Christian 
 purity beaming through the shades of retirement. A gentle 
 slope descends from it to a silver sheet of water, bordered by 
 high trees, between which peeps may be caught at the blue hills 
 of the Hudson. To look upon its grass-grown yard, where the 
 sunbeams seem to sleep so quietly, one would think that there, 
 at least, the dead might rest in peace. On one side of the church 
 extends a wide, woody dell, along which raves a large brook 
 among broken rocks and trunks of fallen trees. Over a deep 
 black part of the stream, not far from the church, was formerly 
 thrown a wooden bridge. The road that led to it, and the bridge 
 itself, were thickly shaded by overhanging trees, which cast a 
 gloom about it, even in the daytime, but occasioned a fearful 
 
 1 John Andr^ was born in London in 1751. He became an adjutant- 
 general in the British army of the American Revolution. Benedict Arnold, 
 who commanded the American fortress of West Point, made arrangements to 
 betray that place into the hands of the British general Sir Henry Clinton. 
 Andre was associated with Arnold in this plot, which was frustrated and de- 
 feated by the capture of Andr^, who had been sent by Arnold with letters. 
 Andr^ was tried by a court-martial, and condemned to be hung as a spy. He 
 was executed at Tappantown, Oct. 2, 1780. In 1821 his remains were trans- 
 ferred to England, and interred in Westminster Abbey. 
 
THE SKETCH-BOOfC. 129 
 
 darkness at night. Such was one of the favorite haunts of the 
 headless horseman, and the place where he was most frequently- 
 encountered. The tale was told of old Brouwer, a most heretical 
 disbeliever in ghosts, — how he met the horseman returning from 
 his foray into Sleepy Hollow, and was obliged to get up behind 
 him ; how they galloped over bush and brake, over hill and 
 swamp, until they reached the bridge, when the horseman sud- 
 denly turned into a skeleton, threw old Brouwer into the brook, 
 and sprang away over the tree-tops with a clap of thunder. 
 
 This story was immediately matched by a thrice marvelous 
 adventure of Brom Bones, who made light of the Galloping Hes- 
 sian as an arrant jockey. He affirmed, that, on returning one 
 night from the neighboring village of Sing Sing, he had been 
 overtaken by this midnight trooper ; that he had offered to race 
 with him for a bowl of punch, and should have won it, too (for 
 Daredevil beat the goblin horse all hollow), but, just as they came 
 to the church bridge, the Hessian bolted, and vanished in a flash 
 of fire. 
 
 All these tales told in that drowsy undertone with which men 
 talk in the dark, the countenances of the listeners only now and 
 then receiving a casual gleam from the glare of a pipe, sank deep 
 in the mind of Ichabod. He repaid them in kind with large 
 extracts from his invaluable author Cotton Mather, and added 
 many marvelous events that had taken place in his native State 
 of Connecticut, and fearful sights which he had seen in his 
 nightly walks about Sleepy Hollow. 
 
 The revel now gradually broke up. The old farmers gathered 
 together their families in their wagons, and were heard for some 
 time rattling along the hollow roads, and over the distant hills. 
 Some of the damsels mounted on pillions ^ behind their favorite 
 swains ; and their hght-hearted laughter, mingling with the clat- 
 ter of hoofs, echoed along the silent woodlands, sounding fainter 
 and fainter until they gradually died away, and the late scene of 
 
 1 A cushion adjusted to a saddle at the back, serving as a kind of seat for 
 another person riding behind. 
 
130 IRVING. 
 
 noise and frolic was all silent and deserted. Ichabod only lin- 
 gered behind, according to the custom of country lovers, to have 
 a tete-a-teie with the heiress, fully convinced that he was now on 
 the high road to success. What passed at this interview I will 
 not pretend to say, for in fact I do not know. Something, how- 
 ever, I fear me, must have gone wrong ; for he certainly sallied 
 forth, after no very great interval, with an air quite desolate and 
 chopfallen. Oh these women, these women! Could that girl 
 have been playing off any of her coquettish tricks? Was her 
 encouragement of the poor pedagogue all a mere sham to secure 
 her conquest of his rival? Heaven only knows, not I! Let it 
 suffice to say, Ichabod stole forth with the air of one who had 
 been sacking a hen-roost rather than a fair lady's heart. With- 
 out looking to the right or left to notice the scene of rural wealth 
 on which he had so often gloated, he went straight to the stable, 
 and, with several hearty cuffs and kicks, roused his steed most 
 uncourteously from the comfortable quarters in which he was 
 soundly sleeping, dreaming of mountains of corn and oats, and 
 whole valleys of timothy and clover. 
 
 It was the very witching time of night, that Ichabod, heavy- 
 hearted and crestfallen, pursued his travel homewards along the 
 sides of the lofty hills which rise above Tarrytown, and which 
 he had traversed so cheerily in the afternoon. The hour was as 
 dismal as himself. Far below him the Tappan Zee spread its 
 dusky and indistinct waste of waters, with here and there the tall 
 mast of a sloop riding quietly at anchor under the land. In the 
 dead hush of midnight he could even hear the barking of the 
 watch-dog from the opposite shore of the Hudson, but it was so 
 vague and faint as only to give an idea of his distance from this 
 faithful companion of man. Now and then, too, the long-drawn 
 crowing of a cock, accidentally awakened, would sound far, far 
 off, from some farmhouse away among the hills ; but it was like 
 a dreaming sound in his ear. No signs of life occurred near 
 him, but occasionally the melancholy chirp of a cricket, or 
 perhaps the guttural twang of a bull-frog from a neighboring 
 
THE SKETCH-BOOK. 131 
 
 marsh, as if sleeping uncomfortably, and turning suddenly in 
 his bed. 
 
 All the stories of ghosts and gobhns that he had heard in the 
 afternoon, now came crowding upon his recollection. The night 
 grew darker and darker. The stars seemed to sink deeper in the 
 sky, and driving clouds occasionally hid them from his sight. 
 He had never felt so lonely and dismal. He was, moreover, ap- 
 proaching the very place where many of the scenes of the ghost 
 stories had been laid. In the center of the road stood an enor- 
 mous tulip-tree, which towered like a giant above all the other 
 trees of the neighborhood, and formed a kind of landmark. Its 
 limbs were gnarled and fantastic, large enough to form trunks 
 for ordinary trees, twisting down almost to the earth, and rising 
 again into the air. It was connected with the tragical story of 
 the unfortunate Andre who had been taken prisoner hard by, and 
 was universally known by the name of Major Andre's tree. The 
 common people regarded it with a mixture of respect and super- 
 stition, partly out of sympathy for the fate of its ill-starred name- 
 sake, and partly from the tales of strange sights and doleful 
 lamentations told concerning it. 
 
 As Ichabod approached this fearful tree, he began to whistle. 
 He thought his whistle was answered : it was but a blast sweep- 
 ing sharply through the dry branches. As he approached a little 
 nearer, he thought he saw something white hanging in the midst 
 of the tree. He paused, and ceased whisthng, but, on looking 
 more narrowly, perceived that it was a place where the tree had 
 been scathed by lightning, and the white wood laid bare. Sud- 
 denly he heard a groan. His teeth chattered, and his knees 
 smote against the saddle. It was but the rubbing of one huge 
 bough upon another, as they were swayed about by the breeze. 
 He passed the tree in safety, but new perils lay before him. 
 
 About two hundred yards from the tree a small brook crossed 
 the road, and ran into a marshy and thickly wooded glen, known 
 by the name of Wiley's Swamp. A few rough logs laid side by 
 side served for a bridge over this stream. On that side of the 
 
132 IRVING. 
 
 road where the brook entered the wood, a group of oaks and 
 chestnuts, matted thick with wild grape-vines, threw a cavernous 
 gloom over it. I'o pass this bridge was the severest trial. It 
 was at this identical spot that the unfortunate Andre was cap- 
 tured, and under the covert of those chestnuts and vines were the 
 sturdy yeomen concealed who surprised him. This has ever since 
 been considered a haunted stream, and fearful are the feelings of 
 the schoolboy who has to pass it alone after dark. 
 
 As he approached the stream his heart began to thump. He 
 summoned up, however, all his resolution, gave his horse half a 
 score of kicks in the ribs, and attempted to dash briskly across 
 the bridge ; but, instead of starting forward, the perverse old 
 animal made a lateral movement, and ran broadside against the 
 fence. Ichabod, whose fears increased with the delay, jerked 
 the reins on the other side, and kicked lustily with the contrary 
 foot. It was all in vain. His steed started, it is true, but it was 
 only to plunge to the opposite side of the road into a thicket of 
 brambles and alder bushes. The schoolmaster now bestowed 
 both whip and heel upon the starveling ribs of old Gunpowder, 
 who dashed forward, snuffling and snorting, but came to a stand 
 just by the bridge with a suddenness that had nearly sent his 
 rider sprawling over his head. Just at this moment a plashy 
 tramp by the side of the bridge caught the sensitive ear of Icha- 
 bod, In the dark shadow of the grove, on the margin of the 
 brook, he beheld something huge, misshapen, black, and tower- 
 ing. It stirred not, but seemed gathered up in the gloom, like 
 some gigantic monster ready to spring upon the traveler. 
 
 The hair of the affrighted pedagogue rose upon his head with 
 terror. What was to be done? To turn and fly was now too 
 late ; and, besides, what chance was there of escaping ghost or 
 goblin, if such it was, which could ride upon the wings of the 
 wind? Summoning up, therefore, a show of courage, he de- 
 manded in stammering accents, "Who are you? " He received 
 no reply. He repeated his demand in a still more agitated voice. 
 Still there was no answer. Once more he cudgeled the sides of 
 
THE SKETCH-BOOK. 133 
 
 the inflexible Gunpowder, and, shutting his eyes, broke forth with 
 involuntary fervor into a psalm tune. Just then the shadowy 
 object of alarm put itself in motion, and, with a scramble and a 
 bound, stood at once in the middle of the road. Though the 
 night was dark and dismal, yet the form of the unknown might 
 now in some degree be ascertained. He appeared to be a horse- 
 man of large dimensions, and mounted on a black horse of 
 powerful frame. He made no offer of molestation or sociability, 
 but kept aloof on one side of the road, jogging along on the bhnd 
 side of old Gunpowder, who had now got over his fright and 
 waywardness. 
 
 Ichabod, who had no relish for this strange midnight com- 
 panion, and bethought himself of the adventure of Brom Bones 
 with the Galloping Hessian, now quickened his steed, in hopes 
 of leaving him behind. The stranger, however, quickened his 
 horse to an equal pace. Ichabod pulled up, and fell into a walk, 
 thinking to lag behind : the other did the same. His heart be- 
 gan to sink within him. He endeavored to resume his psalm 
 tune ; but his parched tongue clove to the roof of his mouth, 
 and he could not utter a stave. There was something in the 
 moody and dogged silence of this pertinacious companion that 
 was mysterious and appaUing. It was soon fearfully accounted 
 for. On mounting a rising ground, which brought the figure of 
 his fellow-traveler in relief against the sky, gigantic in height, and 
 muffled in a cloak, Ichabod was horror-struck on perceiving that 
 he was headless ; but his horror was still more increased on ob- 
 serving that the head, which should have rested on his shoulders, 
 was carried before him on the pommel of his saddle. His terror 
 rose to desperation. He reined a shower of kicks and blows 
 upon Gunpowder, hoping, by a sudden movement, to give his 
 companion the slip ; but the specter started full jump with him. 
 Away then they dashed, through thick and thin ; stones flying, 
 and sparks flashing, at every bound. Ichabod's flimsy garments 
 fluttered in the air, as he stretched his long, lank body away over 
 his horse's head, in the eagerness of his flight. 
 
134 IRVING. 
 
 They had now reached the road which turns off to Sleepy 
 Hollow ; but Gunpowder, who seemed possessed with a demon, 
 instead of keeping up it, made an opposite turn, and plunged 
 headlong downhill to the left. This road leads through a sandy 
 hollow, shaded by trees for about a quarter of a mile, where it 
 crosses the bridge famous in goblin story ; and just beyond swells 
 the green knoll on which stands the whitewashed church. 
 
 As yet the panic of the steed had given his unskillful rider an 
 apparent advantage in the chase ; but, just as he had got halfway 
 through the hollow, the girths of the saddle gave way, and he 
 felt it slipping from under him. He seized it by the pommel, 
 and endeavored to hold it firm, but in vain ; and had just time 
 to save himself by clasping old Gunpowder round the neck, when 
 the saddle fell to the earth, and he heard it trampled under foot 
 by his pursuer. For a moment the terror of Hans Van Ripper's 
 wrath passed across his mind, for it was his Sunday saddle ; but 
 this was no time for petty fears. The goblin was hard on his 
 haunches ; and (unskillful rider that he was) he had much ado to 
 maintain his seat, sometimes slipping on one side, sometimes on 
 another, and sometimes jolted on the high ridge of his horse's 
 backbone with a violence that he verily feared would cleave him 
 asunder. 
 
 An opening in the trees now cheered him with the hopes that 
 the church bridge was at hand. The wavering reflection of a 
 silver star in the bosom of the brook told him that he was not 
 mistaken. He saw the walls of the church dimly glaring under 
 the trees beyond. He recollected the place where Brom Bones's 
 ghostly competitor had disappeared. " If I can but reach that 
 bridge," thought Ichabod, " I am safe." Just then he heard the 
 black steed panting and blowing close behind him. He even 
 fancied that he felt his hot breath. Another convulsive kick in 
 the ribs, and old Gunpowder sprang upon the bridge ; he thun- 
 dered over the resounding planks ; he gained the opposite side ; 
 and now Ichabod cast a look behind to see if his pursuer should 
 vanish, according to rule, in a flash of fire and brimstone. Just 
 
THE SKETCH-BOOK. 135 
 
 then he saw the goblin rising in his stirrups, and in the very act 
 of hurling his head at him. Ichabod endeavored to dodge the 
 horrible missile, but too late. It encountered his cranium with a 
 tremendous crash. He was tumbled headlong into the dust ; 
 and Gunpowder, the black steed, and the goblin rider, passed by 
 like a whirlwind. 
 
 The next morning the old horse was found without his saddle, 
 and with the bridle under his feet, soberly cropping the grass at 
 his master's gate. Ichabod did not make his appearance at 
 breakfast. Dinner-hour came, but no Ichabod. The boys as- 
 sembled at the schoolhouse, and strolled idly about the banks of 
 the brook ; but no schoolmaster. Hans Van Ripper now began 
 to feel some uneasiness about the fate of poor Ichabod and his 
 saddle. An inquiry was set on foot, and after diligent investiga- 
 tion they came upon his traces. In one part of the road leading 
 to the church was found the saddle trampled in the dirt. The 
 tracks of horses' hoofs deeply dented in the road, and evidently 
 at furious speed, were traced to the bridge, beyond which, on the 
 bank of a broad part of the brook, where the water ran deep and 
 black, was found the hat of the unfortunate Ichabod, and close 
 beside it a shattered pumpkin. 
 
 The brook was searched, but the body of the schoolmaster was 
 not to be discovered. Hans Van Ripper, as executor of his es- 
 tate, examined the bundle which contained all his worldly effects. 
 They consisted of two shirts and a half ; two stocks for the neck ; 
 a pair or two of worsted stockings ; an old pair of corduroy 
 small-clothes ; a rusty razor ; a book of psalm tunes, full of dogs' 
 ears ; and a broken pitchpipe. As to the books and furniture 
 of the schoolhouse, they belonged to the community, excepting 
 Cotton Mather's " History of Witchcraft," a " New England 
 Almanac," and a book of dreams and fortune-telling ; in which 
 last was a sheet of foolscap much scribbled and blotted by sev- 
 eral fruitless attempts to make a copy of verses in honor of the 
 heiress of Van Tassel. These magic books and the poetic scrawl 
 were forthwith consigned to the flames by Hans Van Ripper, 
 
136 IRVING. 
 
 who from that time forward determined to send his children no 
 more to school, observing that he never knew any good come of 
 this same reading and writing. Whatever money the school- 
 master possessed, and he had received his quarter's pay but a 
 day or two before, he must have had about his person at the 
 time of his disappearance. 
 
 The mysterious event caused much speculation at the church 
 on the following Sunday. Knots of gazers and gossips were 
 collected in the churchyard, at the bridge, and at the spot where 
 the hat and pumpkin had been found. The stories of Brouwer, 
 of Bones, and a whole budget of others, were called to mind ; 
 and when they had dihgently considered them all, and compared 
 them with the symptoms of the present case, they shook their 
 heads, and came to the conclusion that Ichabod had been car- 
 ried off by the Galloping Hessian. As he was a bachelor, and 
 in nobody's debt, nobody troubled his head any more about him. 
 The school was removed to a different quarter of the hollow, and 
 another pedagogue reigned in his stead. 
 
 It is true, an old farmer, who had been down to New York on 
 a visit several years after, and from whom this account of the 
 ghostly adventure was received, brought home the intelligence 
 that Ichabod Crane was still alive ; that he had left the neigh- 
 borhood, partly through fear of the goblin and Hans Van Rip- 
 per, and partly in mortification at having been suddenly dismissed 
 by the heiress ; that he had changed his quarters to a distant 
 part of the country, had kept school and studied law at the same 
 time, had been admitted to the bar, turned politician, election- 
 eered, written for the newspapers, and finally had been made a 
 justice of the Ten Pound Court. Brom Bones, too, who shortly 
 after his rival's disappearance conducted the blooming Katrina 
 in triumph to the altar, was observed to look exceedingly know- 
 ing whenever the story of Ichabod was related, and always burst 
 into a hearty laugh at the mention of the pumpkin, which led 
 some to suspect that he knew more about the matter than he 
 chose to tell. 
 
THE SKETCH-BOOK. 137 
 
 The old country wives, however, who are the best judges of 
 these matters, maintain to this day that Ichabod was spirited 
 away by supernatural means ; and it is a favorite story often told 
 about the neighborhood round the winter evening fire. The 
 bridge became more than ever an object of superstitious awe ; 
 and that may be the reason why the road has been altered of late 
 years, so as to approach the church by the border of the mill- 
 pond. The schoolhouse, being deserted, soon fell to decay, and 
 was reported to be haunted by the ghost of the unfortunate peda- 
 gogue ; and the plow-boy, loitering homeward of a still summer 
 evening, has often fancied his voice at a distance, chanting a 
 melancholy psalm tune among the tranquil solitudes of Sleepy 
 Hollow. 
 
 POSTSCRIPT. 
 
 [Found in the handwritrng of Mr. Knickerbocker.'] 
 
 The preceding tale is given almost in the precise words in which I heard 
 it related at a corporation meeting of the ancient city of the Manhattoes,! 
 at which were present many of its sagest and most illustrious burghers. The 
 narrator was a pleasant, shabby, gentlemanly old fellow, in pepper-and-salt 
 clothes, with a sadly humorous face ; and one whom I strongly suspected of 
 being poor, he made such efforts to be entertaining. When his story was 
 concluded, there was much laughter and approbation, particularly from two 
 or three deputy aldermen, who had been asleep the greater part of the time. 
 There was, however, one tall, dry-looking old gentleman, with beetling eye- 
 brows, who maintained a grav.e and rather severe face throughout ; now and 
 then folding his arms, inclining his head, and looking down upon the floor, 
 as if turning a doubt over in his mind. He was one of your wary men, who 
 never laugh but upon good grounds, when they have reason and the law on 
 their side. When the mirth of the rest of the company had subsided and 
 silence was restored, he leaned one arm on the elbow of his chair, and, stick- 
 ing the other akimbo, demanded, with a slight but exceedingly sage motion 
 of the head and contraction of the brow, what was the moral of the story, 
 and what it went to prove. 
 
 The story-teller, who was just putting a glass of wine to his lips, as a re- 
 freshment after his toils, paused for a moment, looked at his inquirer with an 
 
 1 Manhattan, i.e., New York. 
 
138 IRVING. 
 
 air of infinite deference, and, lowering the glass slowly to the table, observed 
 that the story was intended most logically to prove, — 
 
 " That there is no situation in life but has its advantages and pleasures, 
 provided we will but take a joke as we find it. 
 
 '' That therefore he that runs races with goblin troopers is likely to have 
 rough riding of it. 
 
 " Ergo, for a country schoolmaster to be refused the hand of a Dutch heir- 
 ess, is a certain step to high preferment in the State." 
 
 The cautious old gentleman knit his brows tenfold closer after this ex- 
 planation, being sorely puzzled by the ratiocination of the syllogism ; while, 
 methought, the one in pepper-and-salt eyed him with something of a 
 triumphant leer. At length he observed that all this was very well, but still 
 he thought the story a little on the extravagant : there were one or two points 
 on which he had his doubts. 
 
 " Faith, sir," replied the story-teller, ** as to that matter, I don't believe 
 one half of it myself." 
 
 D. K. 
 
 RIP VAN WINKLE. 
 
 \A Posthumous Writing of Diedrich Knickerbocker.'] 
 
 "By Woden, God of Saxons, 
 From xohence comes Wensday, that is Wodcnsday, 
 Truth is a thing that ever I will keep 
 Unto thylke day in which I creep into 
 My stipule hre.^^ 
 
 Cartvvright. 
 
 WHOEVER has made a voyage up the Hudson must re- 
 member the Catskill Mountains. They are a dismembered 
 branch of the great Appalachian family, and are seen away to 
 the west of the river, swelling up to a noble height, and lording 
 it over the surrounding country. Every change of season, every 
 change of weather, indeed every hour of the day, produces some 
 change in the magical hues and shapes of these mountains ; and 
 they are regarded by all the good wives, far and near, as perfect 
 barometers. When the weather is fair and settled, they are 
 clothed in blue and purple, and print their bold outlines on the 
 
THE SKETCH-BOOK. 139 
 
 clear evening sky ; but sometimes, when the rest of the land- 
 scape is cloudless, they will gather a hood of gray vapors about 
 their summits, which, in the last rays of the setting sun, will glow 
 and light up like a crown of glory. 
 
 At the foot of these fairy mountains the voyager may have 
 descried the light smoke curling up from a village, whose shingle- 
 roofs gleam among the trees, just where the blue tints of the up- 
 land melt away into the fresh green of the nearer landscape. It 
 is a little village, of great antiquity, having been founded by some 
 of the Dutch colonists in the early times of the province, just 
 about the beginning of the government of the good Peter Stuy- 
 vesant;^ (may he rest in peace!) and there were some of the 
 houses of the original settlers standing within a few years, built 
 of small, yellow bricks brought from Holland, having latticed 
 windows and gable fronts, surmounted with weathercocks. 
 
 In that same village, and in one of these very houses (which, 
 to tell the precise truth, was sadly time-worn and weather-beaten), 
 there lived many years since, while the country was yet a prov- 
 ince of Great Britain, a simple, good-natured fellow of the name 
 of Rip Van Winkle. He was a descendant of the Van Winkles 
 who figured so gallantly in the chivalrous days of Peter Stuyve- 
 sant, and accompanied him to the siege of Fort Christina.^ He 
 inherited, however, but little of the martial character of his an- 
 cestors. I have observed that he was a simple, good-natured 
 man ; he was, moreover, a kind neighbor, and an obedient, hen- 
 pecked husband. Indeed, to the latter circumstance might be 
 owing that meekness of spirit which gained him such universal 
 popularity ; for those men are most apt to be obsequious and 
 concihating abroad, who are under the discipline of shrews at 
 home. Their tempers, doubtless, are rendered pliant and malle- 
 able in the fiery furnace of domestic tribulation ; and a curtain 
 
 * Governor of Manhattan Island in 1647. 
 
 2 Fort Christina, or Christiana, was a Swedish fort, situated five miles 
 north of Fort Cassimir (now Newcastle, Del.), attacked and captured by the 
 Dutch of New Netherlands in 1655. 
 
140 IRVING. 
 
 lecture is worth all the sermons in the world for teaching the vir- 
 tues of patience and long-suffering. A termagant wife may there- 
 fore, in some respects, be considered a tolerable blessing ; and, 
 if so. Rip Van Winkle was thrice blessed. 
 
 Certain it is, that he was a great favorite among all the good 
 wives of the village, who, as usual with the amiable sex, took his 
 pact in all family squabbles^ and never failed, whenever they 
 talked those matters over in their evening gossipings, to lay all the 
 blame on Dame Van Winkle. The children of the village, too, 
 would shout with joy whenever he approached. He assisted at 
 their sports, made their playthings, taught them to fly kites and 
 shoot marbles, and told them long stories of ghosts, witches, and 
 Indians. Whenever he went dodging about the village, he was 
 surrounded by a troop of them, hanging on his skirts, clamber- 
 ing on his back, and playing a thousand tricks on him with 
 impunity ; and not a dog would bark at him throughout the 
 neighborhood. 
 
 The great error in Rip's composition was an insuperable aver- 
 sion to all kinds of profitable labor. It could not be from the 
 want of assiduity or perseverance ; for he would sit on a wet 
 rock, with a rod as long and heavy as a Tartar's^ lance, and 
 fish all day without a murmur, even though he should not be 
 encouraged by a single nibble. He would carry a fowhng-piece 
 on his shoulder for hours together, trudging through woods and 
 swamps, and up hill and down dale, to shoot a few squirrels or 
 wild pigeons. He would never refuse to assist a neighbor even 
 in the roughest toil, and was a foremost man at all country frolics 
 for husking Indian corn or building stone fences. The women 
 of the village, too, used to employ him to run their errands, and 
 to do such httle odd jobs as their less obliging husbands would 
 not do for them. In a word. Rip was ready to attend to any- 
 body's business but his own ; but as to doing family duty, and 
 keeping his farm in order, he found it impossible. 
 
 In fact, he declared it was of no use to work on his farm. It 
 
 ^ See note 2, p. 116. 
 
THE SKETCrr-POOK. 141 
 
 was the most pestilent little piece of ground in the whole country. 
 Everything about it went wrong, and would go wrong, in spite 
 of him. His fences were continually falling to pieces ; his cow 
 would either go astray, or get among the cabbages ; weeds were 
 sure to grow quicker in his fields than anywhere else ; the rain 
 always made a point of setting in just as he had some outdoor 
 work to do : so that, though his patrimonial estate had dwindled 
 away under his management acre by acre, until there was little 
 more left than a mere patch of Indian corn and potatoes, yet it 
 was the worst-conditioned farm in the neighborhood. 
 
 His children, too, were as ragged and wild as if they belonged 
 to nobody. His son Rip, an urchin begotten in his own likeness, 
 promised to inherit the habits with the old clothes of his father. 
 He was generally seen trooping Hke a colt at his mother's heels, 
 equipped in a pair of his father's cast-off gaUigaskins,^ which he 
 had much ado to hold up with one hand, as a fine lady does her 
 train in bad weather. 
 
 Rip Van Winkle, however, was one of those happy mortals, of 
 foolish, well-oiled dispositions, who take the world easy, eat white 
 bread or brown, whichever can be got with least thought or 
 trouble, and would rather starve on a penny than work for a 
 pound. If left to himself, he would have whistled life away in per- 
 fect contentment ; but his wife kept continually dinning in his ears 
 about his idleness, his carelessness, and the ruin he was bringing 
 on his family. 
 
 Morning, noon, and night, her tongue was incessantly going, 
 and everything he said or did was sure to produce a torrent of 
 household eloquence. Rip had but one way of replying to all 
 lectures of the kind, and that, by frequent use, had grown into a 
 habit. He shrugged his shoulders, shook his head, cast up his 
 eyes, but said nothing. This, however, always provoked a fresh 
 volley from his wife ; so that he was fain to draw off his forces, 
 and take to the outside of the house, — the only side which, in 
 truth, belongs to a hen-pecked husband. 
 
 1 A kind of wide breeches. 
 
142 IRVING. 
 
 Rip's sole domestic adherent was his dog Wolf, who was as 
 much hen-pecked as his master ; for Dame Van Winkle regarded 
 them as companions in idleness, and even looked upon Wolf with 
 an evil eye, as the cause of his master's going so often astray. 
 True it is, in all points of spirit befitting an honorable dog, he 
 was as courageous an animal as ever scoured the woods ; but 
 what courage can withstand the ever-during and all-besetting ter- 
 rors of a woman's tongue? The moment Wolf entered the house, 
 his crest fell ; his tail drooped to the ground or curled between 
 his legs ; he sneaked about with a gallows air, casting many a 
 sidelong glance at Dame Van Winkle ; and, at the least flourish 
 of a broomstick or ladle, he would fly to the door with yelping 
 precipitation. 
 
 Times grew worse and worse with Rip Van Winkle as years of 
 matrimony rolled on. A tart temper never mellows with age, 
 and a sharp tongue is the only edged tool that grows keener with 
 constant use. For a long while he used to console himself, when 
 driven from home, by frequenting a kind of perpetual club of the 
 sages, philosophers, and other idle personages of the village, 
 which held its sessions on a bench before a small inn, designated 
 by a rubicund portrait of his Majesty George II I. ^ Here they 
 used to sit in the shade of a long, lazy, summer's day, talking 
 listlessly over village gossip, or telling endless sleepy stories about 
 nothing. But it would have been worth any statesman's money 
 to have heard the profound discussions which sometimes took 
 place, when by chance an old newspaper fell into their hands 
 from some passing traveler. How solemnly they would listen to 
 the contents, as drawled out by Derrick Van Bummel, the school- 
 master, — a dapper, learned little man, who was not to be daunted 
 by the most gigantic word in the dictionary! and how sagely 
 they would deliberate upon public events some months after they 
 had taken place! 
 
 The opinions of this junto were completely controlled by 
 
 1 George III. (i 738-1820) ascended the English throne in 1760, and 
 reigned sixty years. 
 
THE SKETCH-BOOK. 143 
 
 Nicholas Vedder, a patriarch of the village, and landlord of the 
 inn, at the door of which he took his seat from morning till 
 night, just moving sufficiently to avoid the sun, and keep in the 
 shade of a large tree ; so that the neighbors could tell the hour 
 by his movements as accurately as by a sun-dial. It is true, he 
 was rarely heard to speak, but smoked his pipe incessantly. His 
 adherents, however (for every great man has his adherents), per- 
 fectly understood him, and knew how to gather his opinions. 
 When anything that was read or related displeased him, he was 
 observed to smoke his pipe vehemently, and to send forth short, 
 frequent, and angry puffs ; but, when pleased, he would inhale 
 the smoke slowly and tranquilly, and emit it in light and placid 
 clouds, and sometimes, taking the pipe from his mouth, and let- 
 ting the fragrant vapor curl about his nose, would gravely nod 
 his head in token of perfect approbation. 
 
 From even this stronghold the unlucky Rip was at length 
 routed by his termagant wife, who would suddenly break in upon 
 the tranquillity of the assemblage, and call the members all to 
 naught ; nor was that august personage, Nicholas Vedder him- 
 self, sacred from the daring tongue of this terrible virago, who 
 charged him outright with encouraging her husband in habits of 
 idleness. 
 
 Poor Rip was at last reduced almost to despair ; and his only 
 alternative, to escape from the labor of the farm and the clamor 
 of his wife, was to take gun in hand and stroll away into the 
 woods. Here he would sometimes seat himself at the foot of a 
 tree, and share the contents of his wallet with Wolf, with whom 
 he sympathized as a fellow-sufferer in persecution. " Poor Wolf," 
 he would say, " thy mistress leads thee a dog's life of it ; but 
 never mind, my lad, whilst I live thou shalt never want a friend 
 to stand by thee!" Wolf would wag his tail, look wistfully in 
 his master's face, and, if dogs can feel pity, I verily beheve he 
 reciprocated the sentiment with all his heart. 
 
 In a long ramble of the kind on a fine autumnal day, Rip had 
 unconsciously scrambled to one of the highest parts of the Cats- 
 
144 IRVING. 
 
 kill Mountains. He was after his favorite sport of squirrel 
 shooting, and the still solitudes had echoed and reechoed with 
 the reports of his gun. Panting and fatigued, he threw himself, 
 late in the afternoon, on a green knoll, covered with mountain 
 herbage, that crowned the brow of a precipice. From an open- 
 ing between the trees he could overlook all the lower country for 
 many a mile of rich woodland. He saw at a distance the lordly 
 Hudson, far, far below him, moving on its silent but majestic 
 course, with the reflection of a purple cloud, or the sail of a lag- 
 ging bark, here and there sleeping on its glassy bosom, and at. 
 last losing itself in the blue highlands. 
 
 On the other side he looked down into a deep mountain glen, 
 wild, lonely, and shagged, the bottom filled with fragments from 
 the impending cliffs, and scarcely lighted by the reflected rays of 
 the setting sun. For some time Rip lay musing on this scene. 
 Evening was gradually advancing ; the mountains began to throw 
 their long, blue shadows over the valleys ; he saw that it would 
 be dark long before he could reach the village, and he heaved a 
 heavy sigh when he thought of encountering the terrors of Dame 
 Van Winkle. 
 
 As he was about to descend, he heard a voice from a distance, 
 hallooing, ** Rip Van Winkle! Rip Van Winkle!" He looked 
 around, but could see nothing but a crow winging its solitary flight 
 across the mountain. He thought his fancy must have deceived 
 him, and turned again to descend, when he heard the same cry 
 ring through the still evening air, "Rip Van Winkle! Rip Van 
 Winkle ! " At the same time Wolf bristled up his back, and, giv- 
 ing a low growl, skulked to his master's side, looking fearfully 
 down into the glen. Rip now felt a vague apprehension steahng 
 over him. He looked anxiously in the same direction, and per- 
 ceived a strange figure slowly toiling up the rocks, and bending 
 under the weight of something he carried on his back. He was 
 surprised to see any human being in this lonely and unfrequented 
 place, but, supposing it to be some one of the neighborhood in 
 need of his assistance, he hastened down to yield it. 
 
THE SKETCII-DOOK. T45 
 
 On nearer approach he was still more surprised at the singu- 
 larity of the stranger's appearance. He was a short, square-built 
 old fellow, with thick, bushy hair, and a grizzled beard. His 
 dress was of the antique Dutch fashion, — a cloth jerkin^ strapped 
 round the waist ; several pair of breeches, the outer one of ample 
 volume, decorated with rows of buttons down the sides, and 
 bunches at the knees. He bore on his shoulders a stout keg, that 
 seemed full of liquor, and made signs for Rip to approach and 
 assist him with the load. Though rather shy and distrustful of 
 this new acquaintance. Rip compHed with his usual alacrity ; and, 
 mutually relieving each other, they clambered up a narrow gully, 
 apparently the dry bed of a mountain torrent. As they ascended, 
 Rip every now and then heard long, rolling peals, like distant 
 thunder, that seemed to issue out of a deep ravine, or rather cleft, 
 between lofty rocks, toward which their rugged path conducted. 
 He paused for an instant, but, supposing it to be the muttering 
 of one of those transient thunder-showers which often take place 
 in mountain heights, he proceeded. Passing through the ravine, 
 they came to a hollow, like a small amphitheater, surrounded 
 by perpendicular precipices, over the brinks of which impending 
 trees shot their branches, so that you only caught glimpses of the 
 azure sky and the bright evening cloud. During the whole time, 
 Rip and his companion had labored on in silence ; for, though 
 the former marveled greatly what could be the object of carrying 
 a keg of liquor up this wild mountain, yet there was something 
 strange and incomprehensible about the unknown, that inspired 
 awe and checked familiarity. 
 
 On entering the amphitheater, new objects of wonder presented 
 themselves. On a level spot in the center was a company of 
 odd-looking personages playing at ninepins. They were dressed 
 in a quaint, outlandish fashion. Some wore short doublets; 2 
 others, jerkins, with long knives in their belts ; and most of them 
 
 ' A close jacket much worn in the sixteenth and seventeenth centuries. 
 2 A close-fitting outer garment, covering the body from the neck to below 
 the waist. 
 
146 IRVING. 
 
 had enormous breeches, of similar style with that of the guide's. 
 Their visages, too, were peculiar. One had a large head, broad 
 face, and small, piggish eyes. The face of another seemed to 
 consist entirely of nose, and was surmounted by a white sugar- 
 loaf hat, set off with a Httle red cock's tail. They all had beards, 
 of various shapes and colors. There was one who seemed to be 
 the commander. He was a stout old gentleman, with a weather- 
 beaten countenance. He wore a laced doublet, broad belt and 
 hanger,! high-crowned hat and feather, red stockings, and high- 
 heeled shoes with roses in them. The whole group reminded Rip 
 of the figures in an old Flemish painting in the parlor of Domi- 
 nie Van Schaick, the village parson, and which had been brought 
 over from Holland at the time of the settlement. 
 
 What seemed particularly odd to Rip was, that, though these 
 folks were evidently amusing themselves, yet they maintained the 
 gravest faces, the most mysterious silence, and were, withal, the 
 most melancholy party of pleasure he had ever witnessed. Noth- 
 ing interrupted the stillness of the scene but the noise of the balls, 
 which, whenever they were rolled, echoed along the mountains 
 like rumbling peals of thunder. 
 
 As Rip and his companion approached them, they suddenly 
 desisted from their play, and stared at him with such fixed, 
 statue-like gaze, and such strange, uncouth, lack-luster counte- 
 nances, that his heart turned within him, and his knees smote to- 
 gether. His companion now emptied the contents of the keg 
 into large flagons, and made signs to him to wait upon the com- 
 pany. He obeyed with fear and trembling. They quaffed the 
 liquor in profound silence, and then returned to their game. 
 
 By degrees Rip's awe and apprehension subsided. He even 
 ventured, when no eye was fixed upon him, to taste the bever- 
 age, which he found had much of the flavor of excellent Hol- 
 lands.2 He was naturally a thirsty soul, and was soon tempted 
 
 1 A short broadsword worn from the girdle, and shghtly curved at the 
 point. 
 
 2 Holland gin. 
 
THE SKETCH-BOOK. 147 
 
 to repeat the draught. One taste provoked another ; and he re- 
 iterated his visits to the flagon so often, that at length his senses 
 were overpowered, his eyes swam in his head, his head gradually 
 declined, and he fell into a deep sleep. 
 
 On waking, he found himself on the green knoll whence he had 
 first seen the old man of the glen. He rubbed his eyes. It was 
 a bright, sunny morning. The birds were hopping and twitter- 
 ing among the bushes ; and the eagle was wheeling aloft, and 
 breasting the pure mountain breeze. '* Surely," thought Rip, 
 " I have not slept here all night." He recalled the occurrences 
 before he fell asleep, — the strange man with a keg of hquor, 
 the mountain ravine, the wild retreat among the rocks, the 
 woe-begone party at ninepins, the flagon. " Oh, that wicked 
 flagon!" thought Rip: "what excuse shall I make to Dame 
 Van Winkle!" 
 
 He looked round for his gun, but in place of the clean, well- 
 oiled fowhng-piece, he found an old firelock lying by him, the 
 barrel incrusted wath rust, the lock falling off, and the stock 
 worm-eaten. He now suspected that the grave roysters of the 
 mountain had put a trick upon him, and, having dosed him with 
 liquor, had robbed him of his gun. Wolf, too, had disappeared ; 
 but he might have strayed away after a squirrel or partridge. 
 He whistled after him, and shouted his name, but all in vain : 
 the echoes repeated his whistle and shout, but no dog was to 
 be seen. 
 
 He determined to revisit the scene of the last evening's gam- 
 bol, and, if he met with any of the party, to demand his dog and 
 gun. As he rose to walk, he found himself stiff in the joints, and 
 wanting in his usual activity. "These mountain beds do not 
 agree with me," thought Rip ; " and, if this froKc should lay me 
 up with a fit of the rheumatism, I shall have a blessed time with 
 Dame Van Winkle.". With some difficulty he got down into the 
 glen. He found the gully up which he and his companion had 
 ascended the preceding evening; but, to his astonishment, a 
 mountain stream was now foaming down it, leaping from rock to 
 
14S IRVING. 
 
 rock, and filling the glen with babbling murmurs. He, however, 
 made shift to scramble up its sides, working his toilsome way 
 through thickets of birch, sassafras, and witch-hazel, and some- 
 times tripped up or entangled by the wild grape-vines that twisted 
 their coils and tendrils from tree to tree, and spread a kind of 
 network in his path. 
 
 At length he reached to where the ravine had opened through 
 the cliffs to the amphitheater ; but no traces of such opening re- 
 mained. The rocks presented a high, impenetrable wall, over 
 which the torrent came tumbhng in a sheet of feathery foam, and 
 fell into a broad, deep basin, black from the shadows of the sur- 
 rounding forest. Here, then, poor Rip was brought to a stand. 
 He again called and whistled after his dog. He was only an- 
 swered by the cawing of a flock of idle crows, sporting high in 
 air about a dry tree that overhung a sunny precipice, and who, 
 secure in their elevation, seemed to look down and scoff at the 
 poor man's perplexities. What was to be done? The morning 
 was passing away, and Rip felt famished for want of his break- 
 fast. He grieved to give up his dog and gun, he dreaded to 
 meet his wife ; but it would not do to starve among the moun- 
 tains. He shook his head, shouldered the rusty firelock, and, 
 with a heart full of trouble and anxiety, turned his steps home- 
 ward. 
 
 As he approached the village, he met a number of people, but 
 none whom he knew ; which somewhat surprised him, for he had 
 thought himself acquainted with every one in the country round. 
 Their dress, too, was of a different fashion from that to which he 
 was accustomed. They all stared at him with equal marks of 
 surprise, and, whenever they cast their eyes upon him, invariably 
 stroked their chins. The constant recurrence of this gesture in- 
 duced Rip involuntarily to do the same, when, to his astonish- 
 ment, he found his beard had grown a foot long. 
 
 He had now entered the skirts of the village. A troop of 
 strange children ran at his heels, hooting after him, and pointing 
 at his gray beard. The dogs, too, not one of which he recog- 
 
THE SKETCH-BOOK. T49 
 
 nized for an old acquaintance, barked at him as he passed. The 
 very village was altered: it was larger and more populous. 
 There were rows of houses which he had never seen before, and 
 those which had been his familiar haunts had disappeared. 
 Strange names were over the doors, strange faces at the windows : 
 everything was strange. His mind now misgave him. He be- 
 gan to doubt whether both he and the world around him were not 
 bewitched. Surely this was his native village, which he had left 
 but the day before. There stood the Catskill Mountains ; there 
 ran the silver Hudson at a distance ; there was every hill and 
 dale precisely as it had always been. Rip was sorely perplexed. 
 "That flagon last night," thought he, "has addled my poor head 
 sadly." 
 
 It was with some difficulty that he found the way to his own 
 house, which he approached with silent awe, expecting every 
 moment to hear the shrill voice of Dame Van Winkle. He found 
 the house gone to decay, — the roof fallen in, the windows shat- 
 tered, and the doors off the hinges. A half-starved dog that 
 looked like Wolf was skulking about it. Rip called him by name ; 
 but the cur snarled, showed his teeth, and passed on. This was 
 an unkind cut, indeed. " My very dog," sighed poor Rip, "has 
 forgotten me ! " 
 
 He entered the house, which, to tell the truth, Dame Van 
 Winkle had always kept in neat order. It was empty, forlorn, 
 and apparently abandoned. This desolateness overcame all his 
 connubial fears. He called loudly for his wife and children : the 
 lonely chambers rang for a moment with his voice, and then all 
 again was silence. 
 
 He now hurried forth, and hastened to his old resort, the vil- 
 lage inn ; but it, too, was gone. A large, rickety, wooden build- 
 ing stood in its place, with great, gaping windows, some of them 
 broken and mended with old hats and petticoats ; and over the 
 door was painted, " The Union Hotel, by Jonathan Doolittle." 
 Instead of the great tree that used to shelter the quiet little Dutch 
 inn of yore, there now was reared a tall, naked pole, with some- 
 
150 IRVING, 
 
 thing on the top that looked like a red night-cap ;i and from 
 it was fluttering a flag, on which was a singular assemblage of 
 stars and stripes. All this was strange and incomprehensible. 
 He recognized on the sign, however, the ruby face of King 
 George, under which he had smoked so many a peaceful pipe ; 
 but even this was singularly metamorphosed. The red coat was 
 changed for one of blue and buff, a sword was held in the hand 
 instead of a scepter, the head was decorated with a cocked hat, 
 and underneath was painted in large characters, " General Wash- 
 ington." 
 
 There was, as usual, a crowd of folk about the door, but none 
 that Rip recollected. The very character of the people seemed 
 changed. There was a busy, bustling, disputatious tone about it, 
 instead of the accustomed phlegm and drowsy tranquillity. He 
 looked in vain for the sage Nicholas Vedder, with his broad face, 
 double chin, and fair long pipe, uttering clouds of tobacco-smoke 
 instead of idle speeches ; or Van Bummel, the schoolmaster, dol- 
 ing forth the contents of an ancient newspaper. In place of 
 these, a lean, bilious-looking fellow, with his pockets full of 
 handbills, was haranguing vehemently about the rights of citizens, 
 election, members of Congress, liberty, Bunker's Hill,^ heroes of 
 seventy-six, and other words, that were a perfect Babylonish 
 jargon to the bewildered Van Winkle. 
 
 The appearance of Rip, with his long, grizzled beard, his rusty 
 fowling-piece, his uncouth dress, and the army of women and 
 children that had gathered at his heels, soon attracted the atten- 
 tion of the tavern pohticians. They crowded round him, eying 
 
 1 Cap of liberty worn in the Roman states by manumitted slaves. It was 
 made thus according to a coin of Brutus after the death of Caesar, and worn 
 by Brutus and his rebels, as a token of their reptiblica^i sentiment. Its shape 
 was copied from the Phrygian cap, w^hich had become a symbol or emblem 
 of personal and political freedom. 
 
 2 A celebrated height in Charlestown, Mass. (now a part of Boston), fa- 
 mous as the place where a battle was fought between the British and American 
 forces June 17, 1775. 
 
THE SKETCH-BOOK. 151 
 
 him from head to foot with great curiosity. The orator bustled 
 up to him, and, drawing him partly aside, inquired on which side 
 he voted. Rip stared in vacant stupidity. Another short but 
 busy little fellow pulled him by the arm, and, rising on tiptoe, 
 inquired in his ear whether he was a Federal or a Democrat. 
 Rip was equally at a loss to comprehend the question, when a 
 knowing, self-important old gentleman in a sharp cocked hat 
 made his way through the crowd, putting them to the right and 
 left with his elbows as he passed, and, planting himself before 
 Van Winkle, — with one arm akimbo, the other resting on his 
 cane ; his keen eyes and sharp hat penetrating, as it were, into 
 his very soul, — demanded in an austere tone what brought him 
 to the election with a gun on his shoulder and a mob at his heels, 
 and whether he meant to breed a riot in the village. "Alas! 
 gentlemen," cried Rip, somewhat dismayed, " I am a poor, quiet 
 man, a native of the place, and a loyal subject to the King, God 
 bless him ! " 
 
 Here a general shout burst from the bystanders : *' A Tory, a 
 Tory! A spy! A refugee! Hustle him! Away with him! " It 
 was with great difficulty that the self-important man in the cocked 
 hat restored order, and, having assumed a tenfold austerity of 
 brow, demanded again of the unknown culprit what he came 
 there for, and whom he was seeking. The poor man humbly 
 assured him that he meant no harm, but merely came there in 
 search of some of his neighbors, who used to keep about the tavern. 
 
 "Well, who are they? Name them." 
 
 Rip bethought himself a moment, and inquired, "Where's 
 Nicholas Vedder? " 
 
 There was a silence for a little while, when an old man replied 
 in a thin, piping voice, " Nicholas Vedder! Why, he is dead and 
 gone these eighteen years! There was a wooden tombstone in 
 the churchyard that used to tell all about him, but that's rotten 
 and gone, too." 
 
 "Where's Brom Dutcher? " 
 
 " Oh, he went off to the army in the beginning of the war. 
 
152 IRVING. 
 
 Some say he was killed at the storming of Stony Point •} others 
 say he was drowned in the squall at the foot of Anthony's Nose.2 
 I don't know : he never came back again." 
 
 " Where's Van Bummel, the schoolmaster? " 
 
 " He went off to the wars, too, was a great militia general, and 
 is now in Congress." 
 
 Rip's heart died away at hearing of these sad changes in his 
 home and friends, and finding himself thus alone in the world. 
 Every answer puzzled him, too, by treating of such enormous 
 lapses of time, and of matters which he could not understand, — 
 war, Congress, Stony Point. He had no courage to ask after 
 any more friends, but cried out in despair, " Does nobody here 
 know Rip Van Winkle? " 
 
 '*0h, Rip Van Winkle!" exclaimed two or three. "Oh, to 
 be sure! that's Rip Van Winkle yonder, leaning against the 
 tree." 
 
 Rip looked, and beheld a precise counterpart of himself, as he 
 went up the mountain, apparently as lazy, and certainly as rag- 
 ged. The poor fellow was now completely confounded. He 
 doubted his own identity, and whether he was himself or another 
 man. In the midst of his bewilderment, the man in the cocked 
 hat demanded who he was, and what was his name. 
 
 " God knows! " exclaimed he, at his wits' end. " I'm not my- 
 self : I'm somebody else. That's me yonder. No, that's some- 
 body else got into my shoes. I was myself last night : but I fell 
 asleep on the mountain ; and they've changed my gun ; and 
 everything's changed ; and I'm changed ; and I can't tell what's 
 my name, or who I am! " 
 
 The bystanders began now to look at each other, nod, wink 
 
 1 The well-known promontory on the Hudson River, forty-two miles 
 north of New York, where, July i6, 1779, Gen. " Mad Anthony" Wayne 
 took by storm the fort upon its rocky heights. 
 
 2 Anthony's or St. Anthony's Nose is a headland fifty-seven miles from 
 New York, on the east side of the Hudson, in Putnam County. It juts from 
 the south side of Breakneck Hill at the north entrance of the Highlands. 
 
THE SKETCH-BOOK. 153 
 
 significantly, and tap their fingers against their foreheads. There 
 was a whisper, also, about securing the gun, and keeping the old 
 fellow from doing mischief, at the very suggestion of which the 
 self-important man in the cocked hat retired with some precipita- 
 tion. At this critical moment a fresh, comely woman pressed 
 through the throng to get a peep at the gray-bearded man. She 
 had a chubby child in her arms, which, frightened at his looks, 
 began to cry. " Hush, Rip! " cried she. " Hush, you little fool! 
 The old man won't hurt you." 
 
 The name of the child, the air of the mother, the tone of her 
 voice, all awakened a train of recollections in his mind. " What 
 is your name, my good woman? " asked he. 
 
 "Judith Gardenier." 
 
 "And your father's name? " ■ 
 
 "Ah, poor man, his name was Rip Van Winkle. It's twenty 
 years since he went away from home with his gun, and never 
 has been heard of since. His dog came home without him ; but 
 whether he shot himself, or was carried away by the Indians, no- 
 body can tell. I was then but a little girl." 
 
 Rip had but one question more to ask, but he put it with a 
 faltering voice : — 
 
 " Where's your mother? " 
 
 Oh, she too had died but a short time since. She broke a 
 blood-vessel in a fit of passion at a New England peddler. 
 
 There was a drop of comfort, at least, in this intelligence. The 
 honest man could contain himself no longer. He caught his 
 daughter and her child in his arms. " I am your father! " cried 
 he, — "young Rip Van Winkle once, old Rip Van Winkle now! 
 Does nobody know poor Rip Van Winkle? " 
 
 All stood amazed, until an old woman, tottering out from 
 among the crowd, put her hand to her brow, and, peering under 
 it in his face for a moment, exclaimed, " Sure enough! It is Rip 
 Van Winkle! It is himself! Welcome home again, old neigh- 
 bor! Why, where have you been these twenty long years? " 
 
 Rip's story was soon told, for the whole twenty years had been 
 
154 IRVING, 
 
 to him but as one night. The neighbors stared when they heard 
 it. Some were seen to wink at each other, and put their tongues 
 in their cheeks ; and the self-important man in the cocked hat, 
 who, when the alarm was over, had returned to the field, screwed 
 down the corners of his mouth, and shook his head, upon which 
 there was a general shaking of the head throughout the assem- 
 blage. 
 
 It was determined, however, to take the opinion of old Peter 
 Vanderdonk, who was seen slowly advancing up the road. He 
 was a descendant of the historian of that name, who wrote one 
 of the earliest accounts of the province. Peter was the most an- 
 cient inhabitant of the village, and well versed in all the wonder- 
 ful events and traditions of the neighborhood. He recollected 
 Rip at once, and corroborated his story in the most satisfactory 
 manner. He assured the company that it was a fact, handed 
 down from his ancestor the historian, that the Catskill Mountains 
 had always been haunted by strange beings ; that it was affirmed 
 that the great Hendrick Hudson, ^ the first discoverer of the river 
 and country, kept a kind of vigil there every twenty years, with his 
 crew of the Half-moon,^ being permitted in this way to revisit the 
 scenes of his enterprise, and keep a guardian eye upon the river, 
 and the great city called by his name ; that his father had once 
 seen them in their old Dutch dresses, playing at ninepins in the hol- 
 low of the mountain ; and that he himself had heard, one summer 
 afternoon, the sound of their balls, like distant peals of thunder. 
 
 To make a long story short, the company broke up, and re- 
 turned to the more important concerns of the election. Rip's 
 daughter took him home to live with her. She had a snug, well- 
 furnished house, and a stout, cheery farmer for a husband, whom 
 Rip recollected for one of the urchins that used to climb upon his 
 back. As to Rip's son and heir, who was the ditto of himself, 
 seen leaning against the tree, he was employed to work on the 
 farm, but evinced an hereditary disposition to attend to anything 
 else but his business. 
 
 1 See Note i, p. 104. 2 Hendrick Hudson's ship. 
 
THE SKETCH-BOOK. 155 
 
 Rip now resumed his old walks and habits. He soon found 
 many of his former cronies, though all rather the worse for the 
 wear and tear of time, and preferred making friends among the 
 rising generation, with whom he soon grew into great favor. 
 
 Having nothing to do at home, and being arrived at that 
 happy age when a man can do nothing with impunity, he took his 
 place once more on the bench at the inn door, and was rever- 
 enced as one of the patriarchs of the village, and a chronicle of 
 the old times " before the war." It was some time before he 
 could get into the regular track of gossip, or could be made to 
 comprehend the strange events that had taken place during his 
 torpor, — how that there had been a revolutionary war ; that the 
 country had thrown off the yoke of old England, and that, in- 
 stead of being a subject of his Majesty George HI., he was now 
 a free citizen of the United States. Rip, in fact, was no pohti- 
 cian, — the changes of states and empires made but little impres- 
 sion on him, — but there was one species of despotism under 
 which he had long groaned, and that was, petticoat govern- 
 ment. Happily, that was at an end. He had got his neck out 
 of the yoke of matrimony, and could go in and out whenever 
 he pleased, without dreading the tyranny of Dame Van Winkle. 
 Whenever her name was mentioned, however, he shook his head, 
 shrugged his shoulders, and cast up his eyes ; which might pass 
 either for an expression of resignation to his fate, or joy at his 
 dehverance. 
 
 He used to tell his story to every stranger that arrived at Mr. 
 Doolittle's hotel. He was observed at first to vary on some 
 points every time he told it, which was doubtless owing to his 
 having so recently awaked. It at last settled down precisely to 
 the tale I have related ; and not a man, woman, or child in the 
 neighborhood but knew it by heart. Some always pretended to 
 doubt the reality of it, and insisted that Rip had been out of his 
 head, and that this was one point on which he always remained 
 flighty. The old Dutch inhabitants, however, almost universally 
 gave it full credit. Even to this day they never hear a thunder- 
 
156 IRVING. 
 
 Storm of a summer afternoon about the Catskill, but they say 
 Hendrick Hudson and his crew are at their game of ninepins ; 
 and it is a common wish of all hen-pecked husbands in the neigh- 
 borhood, when life hangs heavy on their hands, that they might 
 have a quieting draught out of Rip Van Winkle's flagon. 
 
 NOTE. 
 
 The foregoing tale, one would suspect, had been suggested to Mr. Knicker- 
 bocker by a little German superstition about the Emperor Frederick ^^r^^^M- 
 bart and the Kyphauser Mountain ; the subjoined note, however, which he 
 had appended to the tale, shows that it is an absolute fact, narrated with his 
 usual fidelity. 
 
 "The story of Rip Van Winkle may seem incredible to many; but nev- 
 ertheless 1 give it my full belief, for I know the vicinity of our old Dutch 
 settlements to have been very subject to marvelous events and appearances. 
 Indeed, I have heard many stranger stories than this, in the villages along 
 the Hudson, all of which were too well authenticated to admit of a doubt. 
 I have even talked with Rip Van Winkle myself, who, when last I saw him, 
 was a very venerable old man, and so perfectly rational and consistent on 
 every other point, that I think no conscientious person could refuse to take 
 this into the bargain ; nay, I have seen a certificate on the subject taken be- 
 fore a country justice and signed with a cross, in the justice's own handwrit- 
 ing. The story, therefore, is beyond the possibility of doubt." 
 
 POSTSCRIPT. 
 
 The following are traveling notes from a memorandum-book of Mr. 
 Knickerbocker : — 
 
 " The Kaatsberg, or Catskill Mountains, have always been a region full 
 of fable. The Indians considered them the abode of spirits, who influenced 
 the weather, spreading sunshine or clouds over the landscape, and sending 
 good or bad hunting seasons. They were ruled by an old squaw spirit, said 
 to be their mother. She dwelt on the highest peak of the Catskills, and had 
 charge of the doors of day and night to open and shut them at the proper 
 hour. She hung up the new moons in the skies, and cut up the old ones into 
 stars. In times of drought, if properly propitiated, she would spin light 
 summer clouds out of cobwebs and morning dew, and send them off from the 
 crest of the mountain, flake after flake, like flakes of carded cotton, to float in 
 the air; until, dissolved by the heat of the sun, they would fall in gentle 
 
THE SKETCH-BOOK. 157 
 
 showers, causing the grass to spring, the fruits to ripen, and the corn to grow 
 an inch an hour. If displeased, however, she would brew up clouds black as 
 ink, sitting in the midst of them like a bottle-bellied spider in the midst of 
 its web ; and when these clouds broke, woe betide the valleys ! 
 
 " In old times, say the Indian traditions, there was a kind of Monitou, or 
 Spirit, who kept about the wildest recesses of the Catskill Mountains, and 
 took a mischievous pleasure in wreaking all kinds of evils and vexations upon 
 the redmen. Sometimes he would assume the form of a bear, a panther, or 
 a deer, lead the bewildered hunter a weary chase through tangled forests and 
 among ragged rocks, and then spring off with a loud ' ho, ho! ' leaving him 
 aghast on the brink of a beetling precipice or raging torrent." 
 
 THE WIFE. 
 
 ** The treasures of the deep are not so precious 
 As are the conceaPd comforts of a f?ian 
 Locked tip in woman'' s love. I scent the air 
 Of blessings when I come but near the house. 
 What a delicious breath marriage sends forth ! 
 The violet bed ""s not sweeter.^'' 
 
 MiDDLETON.l 
 
 I HAVE often had occasion to remark the fortitude with which 
 women sustain the most overwhehning rev-erses of fortune. 
 Those disasters which break down the spirit of a man, and pros- 
 trate him in the dust, seem to call forth all the energies of the 
 softer sex, and give such intrepidity and elevation to their char- 
 acter, that at times it approaches to sublimity. Nothing can be 
 more touching than to behold a soft and tender female, who had 
 been all weakness and dependence, and alive to every trivial 
 roughness, while treading the prosperous paths of life, suddenly 
 rising in mental force to be the comforter and support of her 
 husband under misfortune, and abiding with unshrinking firm- 
 ness the bitterest blasts of adversity. 
 
 1 Thomas Middleton (about 1 570-1627), an English dramatist. The 
 above selection is from his play Women Beware Women, act iii. sc. i. 
 
-158 IRVING. 
 
 As the vine, which has long twined its graceful foliage about 
 the oak, and been lifted by it into sunshine, will, when the 
 hardy plant is rifted by the thunderbolt, cling round it with its 
 caressing tendrils, and bind up its shattered boughs ; so is it 
 beautifully ordered by Providence, that woman, who is the mere 
 dependent and ornament of man in his happier hours, should be 
 his stay and solace when smitten with sudden calamity ; winding 
 herself into the rugged recesses of his nature, tenderly supporting 
 the drooping head, and binding up the broken heart. 
 
 I was once congratulating a friend, who had around him a 
 blooming family, knit together in the strongest affection. " I 
 can wish you no better lot," said he, with enthusiasm, " than to 
 have a wife and children. — If you are prosperous, there they are 
 to share your prosperity ; if otherwise, there they are to comfort 
 you." And, indeed, I have observed that a married man falling 
 into misfortune is more apt to retrieve his situation in the world 
 than a single one ; partly, because he is more stimulated to exer- 
 tion by the necessities of the helpless and beloved beings who 
 depend upon him for subsistence, but chiefly, because his spirits 
 are soothed and relieved by domestic endearments, and his self- 
 respect kept alive by finding, that though all abroad is darkness 
 and humiliation, yet there is still a httle world of love at home, 
 of which he is the monarch. Whereas a single man is apt to 
 run to waste and self-neglect ; to fancy himself lonely and aban- 
 doned, and his heart to fall to ruin like some deserted mansion, 
 for want of an inhabitant. 
 
 These observations call to mind a little domestic story, of 
 which I was once a witness. My intimate friend, Leslie, had 
 married a beautiful and accomplished girl, who had been brought 
 up in the midst of fashionable hfe. She had, it is true, no for- 
 tune, but that of my friend was ample, and he dehghted in the 
 anticipation of indulging her in every elegant pursi5it, and ad- 
 ministering to those delicate tastes and fancies that spread a 
 kind of witchery about the sex. — " Her life," said he, ** shall be 
 like a fairy tale." 
 
THE SKETCH-BOOK. 1 59 
 
 The very difference in their characters produced an harmoni- 
 ous combination : he was of a romantic and somewhat serious 
 cast ; she was all life and gladness. I have often noticed the 
 mute rapture with which he would gaze upon her in company, 
 of which her sprightly powers made her the delight ; and how, 
 in the midst of applause, her eye would still turn to him, as if 
 there alone she sought favor and acceptance. When leaning on 
 his arm, her slender form contrasted finely with his tall, manly 
 person. The fond, confiding air with which she looked up to 
 him seemed to call forth a flush of triumphant pride and cherish- 
 ing tenderness, as if he doted on his lovely burden for its very 
 helplessness. Never did a couple set forward on the flowery path 
 of early and well-suited marriage with a fairer prospect of felicity. 
 
 It was the misfortune of my friend, however, to have em- 
 barked his property in large speculations ; and he had not been 
 married many months, when, by a succession of sudden disasters, 
 it was swept from him, and he found himself reduced almost to 
 penury. For a time he kept his situation to himself, and went 
 about with a haggard countenance and a breaking heart. His 
 life was but a protracted agony ; and what rendered it more 
 insupportable was the necessity of keeping up a smile in the 
 presence of his wife ; for he could not bring himself to overwhelm 
 her with the news. She saw, however, with the quick eyes of 
 affection, that all was not well with him. She marked his altered 
 looks and stifled sighs, and was not to be deceived by his sickly 
 and vapid attempts at cheerfulness. She tasked all her sprightly 
 powers and tender blandishments to win him back to happiness ; 
 but she only drove the arrow deeper into his soul. The more 
 he saw cause to love her, the more torturing was the thought 
 that he was soon to make her wretched. A little while, thought 
 he, and the smile will vanish from that cheek — the song will die 
 away from those lips — the luster of those eyes will be quenched 
 with sorrow — and the happy heart which now beats lightly in 
 that bosom will be weighed down, like mine, by the cares and 
 miseries of the world. 
 
i6o IRVING. 
 
 At length he came to me one day, and related his whole situ- 
 ation in a tone of the deepest despair. When I heard him 
 through I inquired, "Does your wife know all this?" At the 
 question he burst into an agony of tears. "For God's sake!" 
 cried he, " if you have any pity on me, don't mention my wife ; 
 it is the thought of her that drives me almost to madness! " 
 
 ** And why not? " said I. " She must know it sooner or later : 
 you cannot keep it long from her, and the intelligence may 
 break upon her in a more startling manner than if imparted by- 
 yourself ; for the accents of those we love soften the harshest 
 tidings. Besides, you are depriving yourself of the comforts of 
 her sympathy ; and not merely that, but also endangering the 
 only bond that can keep hearts together, — an unreserved com- 
 munity of thought and feeling. She will soon perceive that 
 something is secretly preying upon your mind ; and true love 
 will not brook reserve ; it feels undervalued and outraged when 
 even the sorrows of those it loves are concealed from it." 
 
 "Oh, but, my friend! to think what a blow I am to give to 
 all her future prospects, — how I am to strike her very soul to 
 the earth by telling her that her husband is a beggar! that she 
 is to forego all the elegancies of life — all the pleasures of society 
 — to shrink with me into indigence and obscurity! To tell her 
 that I have dragged her down from the sphere in which she 
 might have continued to move in constant brightness— the light 
 of every eye — the admiration of every heart! How can she 
 bear poverty? she has been brought up in all the refinements of 
 opulence. How can she bear neglect? she has been the idol of 
 society. Oh! it will break her heart— it will break her heart!" 
 
 I saw his grief was eloquent, and I let it have its flow; for 
 sorrow relieves itself by words. When his paroxysm had sub- 
 sided, and he had relapsed into moody silence, I resumed the 
 subject gendy, and urged him to break his situation at once to 
 his wife. He shook his head mournfully but positively. 
 
 " But how are you to keep it from her? It is necessary she 
 should know it, that you may take the steps proper to the altera- 
 
THE SKETCH-BOOK. i6i 
 
 tion of your circumstances. You must change your style of 
 living— nay," observing a pang to pass across his countenance, 
 "don't let that afflict you. I am sure you have never placed 
 your happiness in outward show, — you have yet friends, warm 
 friends, who will not think the worse of you for being less 
 splendidly lodged ; and surely it does not require a palace to be 
 happy with Mary — " 
 
 "I could be happy with her," cried he, convulsively, "in a 
 hovel! I could go down with her into poverty and the dust! I 
 could — I could— God bless her! —God bless her!" cried he, 
 bursting into a transport of grief and tenderness. 
 
 " And believe me, my friend," said I, stepping up and grasp- 
 ing him warmly by the hand, " believe me, she can be the same 
 with you. Aye, more : it will be a source of pride and triumph 
 to her, — it will call forth all the latent energies and fervent sym- 
 pathies of her nature ; for she will rejoice to prove that she loves 
 you for yourself. There is in every true woman's heart a spark of 
 heavenly fire, which lies dormant in the broad daylight of pros- 
 perity, but which kindles up, and beams, and blazes in the dark 
 hour of adversity. No man knows what the wife of his bosom 
 is — no man knows what a ministering angel she is— until he has 
 gone with her through the fiery trials of this world." 
 
 There was something in the earnestness of my manner, and 
 the figurative style of my language, that caught the excited 
 imagination of Leslie. I knew the auditor I had to deal with ; 
 and following up the impression I had made, I finished by per- 
 suading him to go home and unburden his sad heart to his wife. 
 
 I must confess, notwithstanding all I had said, I felt some 
 httle solicitude for the result< Who can calculate on the forti- 
 tude of one whose life has been a round of pleasures? Her 
 gay spirits might revolt at the dark, downward path of low 
 humility suddenly pointed out before her, and might cling to the 
 sunny regions in which they had hitherto reveled. Besides, 
 ruin in fashionable life is accompanied by so many galling mor- 
 tifications, to which in other ranks it is a stranger. In short, I 
 
1 62 IRVING. 
 
 could not meet Leslie the next morning without trepidation. 
 He had made the disclosure. 
 
 " And how did she bear it? " 
 
 " Like an angel! It seemed rather to be a relief to her mind, 
 for she threw her arms round my neck, and asked if this was all 
 that had lately made me unhappy. But, poor girl," added he, 
 " she cannot realize the change we must undergo. She has no 
 idea of poverty but in the abstract ; she has only read of it in 
 poetry, where it is allied to love. She feels as yet no privation ; 
 she suffers no loss of accustomed conveniences nor elegancies. 
 When we come practically to experience its sordid cares, its 
 paltry wants, its petty humiHations— then will be the real 
 trial." 
 
 " But," said I, "now that you have got over the severest task, 
 that of breaking it to her, the sooner you let the world into the 
 secret the better. The disclosure may be mortifying; but then 
 it is a single misery, and soon over: whereas you otherwise 
 suffer it, in anticipation, every hour in the day. It is not pov- 
 erty so much as pretense that harasses a ruined man— the strug- 
 gle between a proud mind and an empty purse,— the keeping up 
 a hollow show that must soon come to an end. Have the 
 courage to appear poor, and you disarm poverty of its sharpest 
 sting." On this point I found Leslie perfectly prepared. He 
 had no false pride himself, and as to his wife, she was only 
 anxious to conform to their altered fortunes. 
 
 Some days afterwards he called upon me in the evening. 
 He had disposed of his dwelling house, and taken a small cot- 
 tage in the country, a few miles from town. He had been 
 busied all day in sending out furniture. The new estabhshment 
 required few articles, and those of the simplest kind. All the 
 splendid furniture of his late residence had been sold, excepting 
 his wife's harp. That, he said, was too closely associated with 
 the idea of herself ; it belonged to the little story of their loves ; 
 for some of the sweetest moments of their courtship were those 
 when he had leaned over that instrument and listened to the 
 
THE SKETCH-POOK. 163 
 
 melting tones of her voice. I could not but smile at this in- 
 stance of romantic gallantry in a doting husband. 
 
 He was now going out to the cottage, where his wife had 
 been all day superintending its arrangement. My feehngs had 
 become strongly interested in the progress of this family story, 
 and, as it was a fine evening, I offered to accompany him. 
 
 He was wearied with the fatigues of the day, and, as he 
 walked out, fell into a fit of gloomy musing. 
 
 "Poor Mary!" at length broke, with a heavy sigh, from his 
 lips. 
 
 ''And what of her? " asked I. ** Has anything happened to 
 her? " 
 
 " What," said he, darting an impatient glance, " is it nothing 
 to be reduced to this paltry situation— to be caged in a miserable 
 cottage — to be obliged to toil almost in the menial concerns of 
 her wretched habitation? " 
 
 " Has she then repined at the change? " 
 
 " Repined ! she has been nothing but sweetness and good humor. 
 Indeed, she seems in better spirits than I have ever known her ; 
 she has been to me all love, and tenderness, and comfort! " 
 
 "Admirable girl!" exclaimed I. " You call yourself poor, 
 my friend ; you never were so rich, — you never knew the bound- 
 less treasures of excellence you possess in that woman." 
 
 "Oh, but, my friend! if this first meeting at the cottage were 
 over, I think I could then be comfortable. But this is her first 
 day of real experience ; she has been introduced into a humble 
 dwelling, —she has been employed all day in arranging its mis- 
 erable equipments,— she has, for the first time, known the 
 fatigues of domestic employment,— she has, for the first time, 
 looked round her on a home destitute of everything elegant— 
 almost of everything convenient; and may now be sitting down, 
 exhausted and spiritless, brooding over a prospect of future 
 poverty." 
 
 There was a degree of probability in this picture that I could 
 not gainsay, so we walked on in silence. 
 
1 64 IRVING. 
 
 After turning from the main road up a narrow lane so thickly 
 shaded with forest trees as to give it a complete air of seclusion, 
 we came in sight of the cottage. It was humble enough in its 
 appearance for the most pastoral poet ; and yet it had a pleasing 
 rural look. A wild vine had overrun one end with a profusion 
 of foliage ; a few trees threw their branches gracefully over it ; 
 and I observed several pots of flowers tastefully disposed about 
 the door and on the grassplot in front. A small wicket gate 
 opened upon a footpath that wound through some shrubbery to 
 the door. Just as we approached, we heard the sound of music. 
 Leslie grasped my arm ; we paused and listened. It was 
 Mary's voice singing, in a style of the most touching simplicity, 
 a little air of which her husband was pecuHarly fond. 
 
 I felt Leslie's hand tremble on my arm. He stepped forward 
 to hear more distinctly. His step made a noise on the gravel 
 walk. A bright, beautiful face glanced out at the window and 
 vanished — a light footstep was heard — and Mary came tripping 
 forth to meet us. She was in a pretty rural dress of white ; a few 
 wild flowers were twisted in her fine hair ; a fresh bloom was on 
 her cheek; her whole countenance beamed with smiles — I had 
 never seen her look so lovely. 
 
 " My dear George," cried she, *' I am so glad you are come! 
 I have been watching and watching for you ; and running down 
 the lane, and looking out for you. I 've set out a table under 
 a beautiful tree behind the cottage ; and I 've been gathering some 
 of the most delicious strawberries, for I know you are fond of 
 them— and we have such excellent cream— and everything is so 
 sweet and still here. — Oh!" said she, putting her arm within his, 
 and looking up brightly in his face, " Oh, we shall be so happy! " 
 
 Poor Leslie was overcome. He caught her to his bosom- 
 he folded his arms round her— he kissed her again and again; 
 he could not speak, but the tears gushed into his eyes ; and he 
 has often assured me that, though the world has since gone pros- 
 perously with him, and his life has, indeed, been a happy one, yet 
 never has he experienced a moment of more exquisite felicity. 
 
THE SKETCH-BOOK. 165 
 
 THE ART OF BOOK-MAKING. 
 
 " If that severe doof?i of Synesiiis ^ be true, — ' It is a greater offence to steal 
 dead men's labor than their clothes,''— what shall become of most writers? " 
 
 Burton's Anatomy of Melancholy. 2 
 
 I HAVE often wondered at the extreme fecundity of the press, 
 and how it comes to pass that so many heads, on which 
 nature seemed to have inflicted the curse of barrenness, yet 
 teem with voluminous productions. As a man travels on, how- 
 ever, in the journey of Hfe, his objects of wonder daily diminish, 
 and he is continually finding out some very simple cause for 
 some great matter of marvel. Thus have I chanced, in my 
 peregrinations about this great metropolis, to blunder upon a 
 scene which unfolded to me some of the mysteries of the book- 
 making craft, and at once put an end to my astonishment. 
 
 I was one summer's day loitering through the great saloons 
 of the British Museum,^ with that hstlessness with which one 
 is apt to saunter about a room in warm weather; sometimes 
 lolling over the glass cases of minerals, sometimes studying the 
 hieroglyphics on an Egyptian mummy, and sometimes trying, 
 with nearly equal success, to comprehend the allegorical paint- 
 ings on the lofty ceilings. Whilst I was gazing about in this 
 idle way, my attention was attracted to a distant door, at the 
 end of a suite of apartments. It was closed, but every now 
 and then it would open, and some strange-favored being, gener- 
 ally clothed in black, would steal forth, and glide through the 
 rooms, without noticing any of the surrounding objects. There 
 
 1 Synesius (378-430 A.D.), bishop of Ptolemais, was a philosopher and 
 writer. 
 
 2 This famous work by Robert Burton (i 577-1640) was published in 
 England in 1621. 
 
 3 A celebrated museum in London, founded in 1753. It contains famous 
 collections of antiquities, drawings, prints, and an immense library. 
 
1 66 IRVING, 
 
 was an air of mystery about this that piqued my languid curiosity, 
 and I determined to attempt the passage of that strait, and to 
 explore the unknown regions beyond. The door yielded to my 
 hand, with all that facility with which the portals of enchanted 
 castles yield to the adventurous knight-errant. I found myself 
 in a spacious chamber, surrounded with great cases of venera- 
 ble books. Above the cases, and just under the cornice, were ar- 
 ranged a great number of quaint black-looking portraits of ancient 
 authors. About the room were placed long tables, with stands 
 for reading and writing, at which sat many pale, cadaverous per- 
 sonages, poring intently over dusty volumes, rummaging among 
 moldy manuscripts, and taking copious notes of their contents. 
 The most hushed stillness reigned through this mysterious apart- 
 ment, excepting that you might hear the racing of pens over sheets 
 of paper, or occasionally the deep sigh of one of these sages as 
 he shifted his position to turn over the page of an old folio, 
 doubtless arising from that hollowness and flatulency incident to 
 learned research. 
 
 Now and then one of these personages would write something 
 on a small slip of paper, and ring a bell, whereupon a familiar 
 would appear, take the paper in profound silence, ghde out of 
 the room, and return shortly loaded with ponderous tomes, upon 
 which the other would fall tooth and nail with famished voracity. 
 I had no longer a doubt that I had happened upon a body of 
 magi, deeply engaged in the study of occult sciences. The 
 scene reminded me of an old Arabian tale of a philosopher who 
 was shut up in an enchanted library, in the bosom of a mountain, 
 that opened only once a year ; where he made the spirits of the 
 place obey his commands, and bring him books of all kinds of 
 dark knowledge, so that at the end of the year, when the magic 
 portal once more swung open on its hinges, he issued forth so 
 versed in forbidden lore as to be able to soar above the heads of 
 the multitude, and to control the powers of nature. 
 
 My curiosity being now fully aroused, I whispered to one of 
 the familiars, as he was about to leave the room, and begged an 
 
THE SKETCH-BOOK. 167 
 
 interpretation of the strange scene before me. A few words 
 were sufficient for the purpose: — I found that these mysterious 
 personages, whom I had mistaken for magi, were principally 
 authors, and in the very act of manufacturing books. I was, in 
 fact, in the reading room of the great British Library,— an im- 
 mense collection of volumes of all ages and languages, many of 
 which are now forgotten, and most of which are seldom read. 
 To these sequestered pools of obsolete literature, therefore, do 
 many modern authors repair, and draw buckets full of classic 
 lore, or " pure English, undefiled," ^ wherewith to swell their own 
 scanty rills of thought. 
 
 Being now in possession of the secret, I sat down in a corner 
 and watched the process of this book manufactory. I noticed 
 one lean, bilious-looking wight, who sought none but the most 
 worm-eaten volumes, printed in black letter. He was evidently 
 constructing some work of profound erudition, that would be 
 purchased by every man who wished to be thought learned, 
 placed upon a conspicuous shelf of his library, or laid open 
 upon his table— but never read. I observed him, now and then, 
 draw a large fragment of biscuit out of his pocket, and gnaw; 
 whether it was his dinner, or whether he was endeavoring to 
 keep off that exhaustion of the stomach produced by much 
 pondering over dry works, I leave to harder students than myself 
 to determine. 
 
 There was one dapper little gentleman in bright-colored 
 clothes, with a chirping, gossiping expression of countenance, 
 who had all the appearance of an author on good terms with his 
 bookseller. After considering him attentively, I recognized in 
 him a diligent getter-up of miscellaneous works, which busded 
 off well with the trade. I was curious to see how he manufac- 
 tured his wares. He made more stir and show of business than 
 any of the others ; dipping into various books, fluttering over 
 the leaves of manuscripts, taking a morsel out of one, a morsel 
 
 1 See Edmund Spenser (1552-99), The Faerie Queene, Bk. IV. canto ii. 
 stanza 32 : " Well of English undefyled." 
 
1 68 IRVING. 
 
 out of another, "line upon line, precept upon precept, here a 
 little, and there a little." ^ The contents of his book seemed to 
 be as heterogeneous as those of the witches' caldron in Macbeth. ^ 
 It was here a finger and there a thumb, toe of frog and bhnd 
 worm's sting, with his own gossip poured in like "baboon's 
 blood," to make the medley " slab and good." 
 - After all, thought I, may not this pilfering disposition be im- 
 planted in authors for wise purposes? May it not be the way in 
 which Providence has taken care that the seeds of knowledge 
 and wisdom shall be preserved from age to age in spite of the 
 inevitable decay of the works in which they were first produced? 
 We see that nature has wisely, though whimsically, provided for 
 the conveyance of seeds from clime to clime, in the maws of 
 certain birds ; so that animals which, in themselves, are little 
 better than carrion, and apparently the lawless plunderers of the 
 orchard and the cornfield, are, in fact, nature's carriers to dis- 
 perse and perpetuate her blessings. In like manner, the beauties 
 and fine thoughts of ancient and obsolete authors are caught up 
 by these flights of predatory authors, and cast forth, again to 
 flourish and bear fruit in a remote and distant tract of time. 
 Many of their works, also, undergo a kind of metempsychosis, 
 and spring up under new forms. What was formerly a ponder- 
 ous history revives in the shape of a romance— an old legend 
 changes into a modern play — and a sober philosophical treatise 
 furnishes the body for a whole series of bouncing and sparkhng 
 essays. Thus it is in the clearing of our American woodlands; 
 where we burn down a forest of stately pines, a progeny of 
 dwarf oaks start up in their place ; and we never see the prostrate 
 trunk of a tree moldering into soil, but it gives birth to a whole 
 tribe of fungi. 
 
 Let us not, then, lament over the decay and oblivion into 
 which ancient writers descend ; they do but submit to the great 
 law of nature, which declares that all sublunary shapes of matter 
 
 1 Isaiah xxviii. lo. 
 
 2 See Shakespeare's Macbeth, act iv. sc. i. 
 
THE SKETCH-BOOK. 169 
 
 shall be limited in their duration, but which decrees, also, that 
 their elements shall never perish. Generation after generation, 
 both in animal and vegetable life, passes away, but the vital 
 principle is transmitted to posterity, and the species continue to 
 flourish. Thus, also, do authors beget authors, and having pro- 
 duced a numerous progeny, in a good old age they sleep with 
 their fathers, that is to say, with the authors who preceded them 
 — and from whom they had stolen. 
 
 Whilst I was indulging in these rambling fancies, I had leaned 
 my head against a pile of reverend folios. Whether it was 
 owing to the soporific emanations from these works ; or to the 
 profound quiet of the room ; or to the lassitude arising from much 
 wandering ; or to an unlucky habit of napping at improper times 
 and places, with which I am grievously afflicted, so it was that 
 I fell into a doze. Still, however, my imagination continued 
 busy, and indeed the same scene remained before my mind's 
 eye, only a little changed in some of the details. I dreamt that 
 the chamber was still decorated with the portraits of ancient 
 authors, but that the number was increased. The long tables 
 had disappeared, and, in place of the sage magi, I beheld a 
 ragged, threadbare throng, such as may be seen plying about 
 the great repository of cast-off clothes, Monmouth Street.^ 
 Whenever they seized upon a book, by one of those incongruities 
 common to dreams, methought it turned into a garment of for- 
 eign or antique fashion, with which they proceeded to equip 
 themselves. I noticed, however, that no one pretended to 
 clothe himself from any particular suit, but took a sleeve from 
 one, a cape from another, a skirt from a third, thus decking 
 himself out piecemeal, while some of his original rags would 
 peep out from among his borrowed finery. 
 
 There was a portly, rosy, well-fed parson, whom I observed 
 ogling several moldy polemical writers through an eye-glass. 
 He soon contrived to slip on the voluminous mantle of one of 
 
 1 The market for second-hand wearing apparel in the eighteenth century 
 in London. 
 
170 IRVING. 
 
 the old fathers, and, having purloined the gray beard of anothei', 
 endeavored to look exceedingly wise ; but the smirking com- 
 monplace of his countenance set at naught all the trappings of 
 wisdom. One sickly-looking gentleman was busied embroider- 
 ing a very flimsy garment with gold thread drawn out of several 
 old court dresses of the reign of Queen Elizabeth. ^ Another 
 had trimmed himself magnificently from an illuminated manu- 
 script, had stuck a nosegay in his bosom, culled from " The 
 Paradise of Daintie Devices," 2 and having put Sir Philip Sid- 
 ney's 3 hat on one side of his head, strutted off with an exquisite 
 air of vulgar elegance. A third, who was but of puny dimen- 
 sions, had bolstered himself out bravely with the spoils from 
 several obscure tracts of philosophy, so that he had a very 
 imposing front; but he was lamentably tattered in rear, and I 
 perceived that he had patched his small clothes with scraps of 
 parchment from a Latin author. 
 
 There were some well-dressed gentlemen, it is true, who only 
 helped themselves to a gem or so, which sparkled among their 
 own ornaments, without eclipsing them. Some, too, seemed to 
 contemplate the costumes of the old writers merely to imbibe 
 their principles of taste, and to catch their air and spirit ; but I 
 grieve to say that too many were apt to array themselves from 
 top to toe in the patchwork manner I have mentioned. I shall not 
 omit to speak of one genius, in drab breeches and gaiters, and 
 an Arcadian* hat, who had a violent propensity to the pastoral, 
 but whose rural wanderings had been confined to the classic 
 haunts of Primrose Hill ^ and the solitudes of the Regent's Park.-^ 
 
 ^ Elizabeth (1553-1603), Queen of England from 1558 to 1603. 
 
 2 A collection of poems compiled in 1576 by Richard Edwards, an Eng- 
 lish dramatist and poet. 
 
 3 An English writer and general (1554-86), author of the pastoral romance 
 Arcadia, and a series of sonnets, Astrophel and Stella. 
 
 4 In reference to the poet's ideal Arcadia, — the haunt of shepherds and 
 shepherdesses. 
 
 5 An eminence north of Regent's Park, one of the largest parks in 
 London. 
 
THE SKETCH-BOOK. 17I 
 
 He had decked himself in wreaths and ribbands from all the 
 old pastoral poets, and, hanging his head on one side, went 
 about with a fantastical, lackadaisical air, " babbling about green 
 fields." ^ But the personage that most struck my attention was 
 a pragmatical old gentleman, in clerical robes, with a remarkably 
 large and square, but bald head. He entered the room wheez- 
 ing and puffing, elbowed his way through the throng with a 
 look of sturdy self-confidence, and having laid hands upon a 
 thick Greek quarto, clapped it upon his head, and swept majes- 
 tically away in a formidable frizzled wig. In the height of this 
 literary masquerade, a cry suddenly resounded from every side, 
 of "Thieves! thieves!" I looked, and lo! the portraits about 
 the wall became animated ! The old authors thrust out, first a 
 head, then a shoulder, from the canvas, looked down curiously, 
 for an instant, upon the motley throng, and then descended with 
 fury in their eyes, to claim their rifled property. The scene of 
 scampering and hubbub that ensued baffles all description. 
 The unhappy culprits endeavored in vain to escape with their 
 plunder. On one side might be seen half a dozen old monks 
 stripping a modern professor; on another, there was sad dev- 
 astation carried into the ranks of modern dramatic writers. 
 Beaumont and Fletcher,^ side by side, raged round the field like 
 Castor and Pollux,^ and sturdy Ben Jonson* enacted more 
 wonders than when a volunteer with the army in Flanders. As 
 to the dapper little compiler of farragos, mentioned some time 
 since, he had arrayed himself in as many patches and colors as 
 Harlequin, and there was as fierce a contention of claimants 
 
 1 See Shakespeare's Henry V., act ii. sc. 3. 
 
 2 Francis Beaumont (i 584-1616), an English dramatist and poet. He 
 lived in intimate relations with his friend John Fletcher (1579-1625). They 
 formed a literary partnership and collaborated in the production of numer- 
 ous plays. 
 
 3 Twin brothers in Greek and Roman mythology. They had many 
 adventures together, and temples were erected to them as divinities. 
 
 4 A famous English dramatist (i573?-i637). He served for a short time 
 in his youth as a soldier in the Netherlands. 
 
172 IRVING. 
 
 about him as about the dead body of Patroclus.^ I was grieved 
 to see many men, to whom I had been accustomed to look upon 
 with awe and reverence, fain to steal off with scarce a rag to 
 cover their nakedness. Just then my eye was caught by the prag- 
 matical old gentleman in the Greek grizzled wig, who was scram- 
 bling away in sore affright with half a score of authors in full 
 cry after him. They were close upon his haunches ; in a 
 twinkling off went his wig ; at every turn some strip of raiment 
 was peeled away, until in a few moments, from his domineer- 
 ing pomp, he shrunk into a little, pursy " chopped bald shot," 2 
 and made his exit with only a few tags and rags fluttering at 
 his back. 
 
 There was something so ludicrous in the catastrophe of this 
 learned Theban that I burst into an immoderate fit of laughter, 
 which broke the whole illusion. The tumult and the scuffle were 
 at an end. The chamber resumed its usual appearance. The 
 old authors shrunk back into their picture frames, and hung in 
 shadowy solemnity along the walls. In short, I found myself 
 wide awake in my corner, with the whole assemblage of book- 
 worms gazing at me with astonishment. Nothing of the dream 
 had been real but my burst of laughter, a sound never before 
 heard in that grave sanctuary, and so abhorrent to the ears of 
 wisdom, as to electrify the fraternity. 
 
 The librarian now stepped up to me, and demanded whether I 
 had a card of admission. At first I did not comprehend him, 
 but I soon found that the library was a kind of hterary "pre- 
 serve," subject to game laws, and that no one must presume to 
 hunt there without special license and permission. In a word, I 
 stood convicted of being an arrant poacher, and was glad to make 
 a precipitate retreat, lest I should have a whole pack of authors 
 let loose upon me. 
 
 1 A Greek warrior in Homer's Iliad, the friend of Achilles. He is slain 
 by Hector, and the Greeks and Trojans fight for the possession of his body. 
 See Iliad, Bk. XVII. 
 
 2 Henry IV., Part II. act iii. sc. 2. 
 
THE SKETCH-BOOK. I73 
 
 STRATFORD-ON-AVON.i 
 
 " Thoic soft-fcnving Avon, by thy silver stream 
 
 Of things more than mortal sweet Shakespeare would dream : 
 
 The fairies by moonlight dance round his green bed, 
 
 For hallow'' d the turf is which pillowed his head." 
 
 Garrick.2 
 
 To a homeless man, who has no spot on this wide world which 
 he can truly call his own, there is amomentary feeling of some- 
 thing like independence and territorial consequence when, after 
 a weary day's travel, he kicks off his boots, thrusts his feet into 
 slippers, and stretches himself before an inn fire. Let the world 
 without go as it may ; let kingdoms rise or fall, so long as he has 
 the wherewithal to pay his bill, he is, for the time being, the very 
 monarch of all he surveys. The armchair is his throne, the 
 poker his scepter, and the little parlor, some twelve feet square, 
 his undisputed empire. It is a morsel of certainty, snatched from 
 the midst of the uncertainties of life ; it is a sunny moment gleam- 
 ing out kindly on a cloudy day ; and he who has advanced some 
 way on the pilgrimage of existence knows the importance of 
 husbanding even morsels and moments of enjoyment. " Shall I 
 not take mine ease in mine inn? " ^ thought I, as I gave the fire 
 a stir, lolled back in my elbowchair, and cast a complacent look 
 about the little parlor of the Red Horse, at Stratford-on-Avon. 
 
 The words of sweet Shakespeare were just passing through my 
 mind as the clock struck midnight from the tower of the church 
 in which he lies buried. There was a gentle tap at the door, and 
 
 1 A town in Warwickshire, England, situated on the river Avon. It is 
 famous as the birthplace of Shakespeare. Here may be seen Shakespeare's 
 house, in which an interesting museum has been formed. Pilgrimages to 
 this literary shrine are made yearly by large numbers of persons. 
 
 2 David Garrick (1717-79), a celebrated English actor who was the 
 author of a number of plays, odes, and epigrams. He was famous for his 
 portrayals of Shakespearean characters. 
 
 3 Henry IV., Part I. act iii. sc. 3. 
 
174 IRVING. 
 
 a pretty chambermaid, putting in her smiling face, inquired, with 
 a hesitating air, whether I had rung. I understood it as a modest 
 hint that it was time to retire. My dream of absokite dominion 
 was at an end ; so abdicating my throne, Hke a prudent potentate, 
 to avoid being deposed, and putting the Stratford Guide Book 
 under my arm as a pillow companion, I went to bed, and dreamt 
 all night of Shakespeare, the jubilee, ^ and David Garrick. 
 
 The next morning was one of those quickening mornings which 
 we sometimes have in early spring ; for it was about the middle 
 of March. The chills of a long winter had suddenly given way ; 
 the north wind had spent its last gasp ; and a mild air came 
 stealing from the west, breathing the breath of life into nature, 
 and wooing every bud and flower to burst forth into fragrance and 
 beauty. 
 
 I had come to Stratford on a poetical pilgrimage. My first 
 visit was to the house where Shakespeare was born, and where, 
 according to tradition, he was brought up to his father's craft of 
 wool-combing. It is a small, mean-looking edifice of wood and 
 plaster, a true nestling-place of genius, which seems to dehght in 
 hatching its offspring in by-corners. The walls of its squalid 
 chambers are covered with names and inscriptions in every lan- 
 guage, by pilgrims of all nations, ranks, and conditions, from the 
 prince to the peasant, and present a simple but striking instance 
 of the spontaneous and universal homage of mankind to the great 
 poet of nature. 
 
 The house is shown by a garrulous old lady, in a frosty red 
 face, lighted up by a cold blue anxious eye, and garnished with 
 artificial locks of flaxen hair, curling from under an exceedingly 
 dirty cap. She was peculiarly assiduous in exhibiting the rehcs 
 with which this, hke all other celebrated shrines, abounds. There 
 was the shattered stock of the very matchlock with which Shake- 
 speare shot the deer on his poaching exploits.^ There, too, was 
 
 1 Commemoration exercises devised by David Garrick and held at Strat- 
 ford, September, 1769. 
 
 2 See p. 180. 
 
THE SKETCH-BOOK. 175 
 
 his tobacco box, which proves that he was a rival smoker of Sir 
 Waker Raleigh ;i the sword also with which he played Hamlet; 
 and the identical lantern with which Friar Laurence discovered 
 Romeo and Juliet at the tomb! There was an ample supply also 
 of Shakespeare's mulberry tree, which seems to have as extraor- 
 dinary powers of self-multiplication as the wood of the true cross, 
 of which there is enough extant to build a ship of the line. 
 
 The most favorite object of curiosity, however, is Shakespeare's 
 chair. It stands in the chimney nook of a small gloomy chamber, 
 just behind what was his father's shop. Here he may many a time 
 have sat when a boy, watching the slowly-revolving spit with all 
 the longing of an urchin ; or of an evening, listening to the cronies 
 and gossips of Stratford dealing forth churchyard tales and legend- 
 ary anecdotes of the troublesome times of England. In this chair 
 it is the custom of every one that visits the house to sit : whether 
 this be done with the hope of imbibing any of the inspiration of 
 the bard I am at a loss to say ; I merely mention the fact ; and 
 mine hostess privately assured me that, though built of solid oak, 
 such was the fervent zeal of devotees that the chair had to be 
 new bottomed at least once in three years. It is worthy of notice 
 also, in the history of this extraordinary chair, that it partakes 
 something of the volatile nature of the Santa Casa of Loretto,^ 
 or the flying chair of the Arabian enchanter ; for though sold some 
 few years since to a northern princess, yet, strange to tell, it has 
 found its way back again to the old chimney corner. 
 
 I am always of easy faith in such matters, and am ever wiUing 
 to be deceived, where the deceit is pleasant and costs nothing. 
 I am therefore a ready believer in rehcs, legends, and local anec- 
 dotes of goblins and great men ; and would advise all travelers 
 
 1 An English admiral, historian, and poet (1552-1618). He was credited 
 with doing much to introduce the use of tobacco in England. 
 
 2 Romeo and Juliet, act v. sc. 3. 
 
 3 A famous pilgrimage shrine in the town of Loretto in Italy. The Santa 
 Casa ("Holy House") is reputed to be the house of the Virgin, transported 
 by angels from Nazareth. 
 
i?^ IRVING. 
 
 who travel for their gratification to be the same. What is it to 
 us whether these stories be true or false, so long as we can per- 
 suade ourselves into the belief of them, and enjoy all the charm 
 of the reality? There is nothing like resolute good-humored 
 credulity in these matters ; and on this occasion I went even so 
 far as wiUingly to believe the claims of mine hostess to a lineal 
 descent from the poet, when, luckily for my faith, she put into 
 my hands a play of her own composition, which set all behef in 
 her consanguinity at defiance. 
 
 From the birthplace of Shakespeare a few paces brought me to 
 his grave. He lies buried in the chancel of the parish church, a 
 large and venerable pile, moldering with age, but richly orna- 
 mented. It stands on the banks of the Avon, on an embowered 
 point, and separated by adjoining gardens from the suburbs of the 
 town. Its situation is quiet and retired ; the river runs murmur- 
 ing at the foot of the churchyard, and the elms which grow upon 
 its banks droop their branches into its clear bosom. An avenue 
 of limes, the boughs of which are curiously interlaced, so as to 
 form in summer an arched way of fohage, leads up from the gate 
 of the yard to the church porch. The graves are overgrown 
 with grass ; the gray tombstones, some of them nearly sunk into 
 the earth, are half covered with moss, which has likewise tinted 
 the reverend old building. Small birds have built their nests 
 among the cornices and fissures of the walls, and keep up a con- 
 tinual flutter and chirping; and rooks are sailing and cawing 
 about its lofty gray spire. 
 
 In the course of my rambles I met with the gray-headed 
 sexton, and accompanied him home to get the key of the 
 church. He had hved in Stratford, man and boy, for eighty 
 years, and seemed still to consider himself a vigorous man, with 
 the trivial exception that he had nearly lost the use of his legs for 
 a few years past. His dwelling was a cottage, looking out upon 
 the Avon and its bordering meadows ; and was a picture of that 
 neatness, order, and comfort which pervade the humblest dwell- 
 ings in this country. A low whitewashed room, with a stone 
 
THE SA'F.TC/7-BOOA'. 177 
 
 floor carefully scrubbed, served for parlor, kitchen, and hall. 
 Rows of pewter and earthen dishes glittered along the dresser. 
 On an old oaken table, well rubbed and polished, lay the family 
 Bible and prayer book, and the drawer contained the family 
 library, composed of about half a score of well-thumbed volumes. 
 An ancient clock, that important article of cottage furniture, ticked 
 on the opposite side of the room, with a bright warming pan 
 hanging on one side of it, and the old man's horn-handled Sunday 
 cane on the other. The fireplace, as usual, was wide and deep 
 enough to admit a gossip knot within its jambs. In one corner 
 sat the old man's granddaughter sewing, a pretty blue-eyed girl, 
 — and in the opposite corner was a superannuated crony, whom 
 he addressed by the name of John Ange, and who, I found, had 
 been his companion from childhood. They had played together 
 in infancy ; they had worked together in manhood ; they were now 
 tottering about and gossiping away the evening of life ; and in a 
 short time they will probably be buried together in the neighbor- 
 ing churchyard. It is not often that we see two streams of exist- 
 ence running thus evenly and tranquilly side by side ; it is only in 
 such quiet " bosom scenes " of life that they are to be met with. 
 
 I had hoped to gather some traditionary anecdotes of the bard 
 from these ancient chroniclers ; but they had nothing new to im- 
 part. The long interval during which Shakespeare's writing lay 
 in comparative neglect has spread its shadow over history ; and 
 it is his good or evil lot that scarcely anything remains to his 
 biographers but a scanty handful of conjectures. 
 
 The sexton and his companion had been employed as carpen- 
 ters on the preparations for the celebrated Stratford jubilee, and 
 they remembered Garrick, the prime mover of the fete, who 
 superintended the arrangements, and who, according to the sex- 
 ton, was " a short punch man, very lively and bustling." John 
 Ange had assisted also in cutting down Shakespeare's mulberry 
 tree, of which he had a morsel in his pocket for sale ; no doubt a 
 sovereign quickener of literary conception. 
 
 I was grieved to hear these two worthy wights speak- very 
 
1 78 IRVING, 
 
 dubiously of the eloquent dame who shows the Shakespeare house. 
 John Ange shook his head when I mentioned her valuable and 
 inexhaustible collection of relics, particularly her remains of the 
 mulberry tree ; and the old sexton even expressed a doubt as to 
 Shakespeare having been born in her house. I soon discovered 
 that he looked upon her mansion with an evil eye, as a rival to 
 the poet's tomb ; the latter having comparatively but few visitors. 
 Thus it is that historians differ at the very outset, and mere peb- 
 bles make the stream of truth diverge into different channels 
 even at the fountain head. 
 
 We approached the church through the avenue of limes, and 
 entered by a Gothic porch, highly ornamented with carved doors 
 of massive oak. The interior is spacious, and the architecture 
 and embellishments superior to those of most country churches. 
 There are several ancient monuments of nobility and gentry, over 
 some of which hang funeral escutcheons, and banners dropping 
 piecemeal from the walls. The tomb of Shakespeare is in the 
 chancel. The place is solemn and sepulchral. Tall elms wave 
 before the pointed windows, and the Avon, which runs at a short 
 distance from the walls, keeps up a low perpetual murmur. A 
 flat stone marks the spot where the bard is buried. There are 
 four lines inscribed on it, said to have been written by himself, 
 and which have in them something extremely awful. If they are 
 indeed his own, they show that solicitude about the quiet of the 
 grave which seems natural to fine sensibilities and thoughtful 
 minds. 
 
 " Good friend, for Jesus' sake forbeare 
 To dig the dust enclosed here. 
 Blessed be he that spares these stones, 
 And curst be he that moves my bones." 
 
 Just over the grave, in a niche of the wall, is a bust of Shake- 
 speare, put up shortly after his death, and considered as a resem- 
 blance. The aspect is pleasant and serene, with a finely arched 
 forehead ; and I thought I could read in it clear indications of 
 that cheerful, social disposition by which he was as much char- 
 
THE SKETCH-BOOK. 179 
 
 acterized among his contemporaries as by the vastness of his 
 genius. The inscription mentions his age at the time of his' 
 decease — fifty-three years; an untimely death for the world: for 
 what fruit might not have been expected from the golden autumn 
 of such a mind, sheltered as it was from the stormy vicissitudes 
 of life, and flourishing in the sunshine of popular and royal favor! 
 
 The inscription on the tombstone has not been without its 
 effect. It has prevented the removal of his remains from the 
 bosom of his native place to Westminster Abbey, which was at 
 one time contemplated. A few years since, also, as some laborers 
 were digging to make an adjoining vault, the earth caved in, so 
 as to leave a vacant space almost like an arch, through which one 
 might have reached into his grave. No one, however, presumed 
 to meddle with his remains, so awfully guarded by a malediction ; 
 and lest any of the idle or the curious, or any collector of relics, 
 should be tempted to commit depredations, the old sexton kept 
 watch over the place for two days, until the vault was finished and 
 the aperture closed again. He told me that he had made bold 
 to look in at the hole, but could see neither coffin nor bones- 
 nothing but dust. It was something, I thought, to have seen the 
 dust of Shakespeare. 
 
 Next to this grave are those of his wife, his favorite daughter, 
 Mrs. Hall, and others of his family. On a tomb close by, also, 
 is a full-length effigy of his old friend John Combe of usurious 
 memory, on whom he is said to have written a ludicrous epitaph. ^ 
 There are other monuments around, but the mind refuses to dwell 
 on anything that is not connected with Shakespeare. His idea 
 pervades the place — the whole pile seems but as his mausoleum. 
 The feehngs, no longer checked and thwarted by doubt, here 
 indulge in perfect confidence : other traces of him may be false 
 or dubious, but here is palpable evidence and absolute certainty. 
 As I trod the sounding pavement, there was something intense 
 and thrilling in the idea that, in very truth, the remains of Shake- 
 
 1 John Combe's usury was the subject of the humorous epitaph which 
 Shakespeare wrote for his friend. 
 
t8o IRVING. 
 
 speare were moldering beneath my feet. It was a long time 
 before I could prevail upon myself to leave the place ; and as I 
 passed through the churchyard, I plucked a branch from one of 
 the yew trees, the only rehc that I have brought from Stratford. 
 
 I had now visited the usual objects of a pilgrim's devotion, 
 but I had a desire to see the old family seat of the Lucys at 
 Charlecot, and to ramble through the park where Shakespeare, in 
 company with some of the roysters of Stratford, committed his 
 youthful offense of deer-stealing. In this harebrained exploit 
 we are told that he was taken prisoner, and carried to the keeper's 
 lodge, Avhere he remained all night in doleful captivity. When 
 brought into the presence of Sir Thomas Lucy, his treatment must 
 have been galHng and humiliating; for it so wrought upon his 
 spirit as to produce a rough pasquinade, which was affixed to the 
 park gate at Charlecot.i 
 
 This flagitious attack upon the dignity of the knight so incensed 
 him that he applied to a lawyer at Warwick to put the severity 
 of the laws in force against the rhyming deerstalker. Shakespeare 
 did not wait to brave the united puissance of a knight of the 
 shire and a country attorney. He forthwith abandoned the 
 pleasant banks of the Avon and his paternal trade ; wandered 
 away to London ; became a hanger-on to the theaters, then an 
 actor; and finally wrote for the stage; and thus, through the 
 persecution of Sir Thomas Lucy, Stratford lost an indifferent 
 wool-comber, and the world gained an immortal poet. He re- 
 
 1 Irving's Note. —The following is the only stanza extant of this 
 lampoon : — 
 
 " A parliament member, a justice of peace, 
 At home a poor scarecrow, at London an asse, 
 If lowsie is Lucy, as some volke miscalle it, 
 Then Lucy is lowsie, whatever befall it. 
 He tliinks himself great ; 
 Yet an asse in his state, 
 We allow by his ears but with asses to mate. 
 If Lucy is lowsie, as some volke miscalle it, 
 Then sing lowsie Lucy, whatever befall it," 
 
THE sketcii-book:. 181. 
 
 tained, however, for a long time, a sense of the harsh treatment 
 of the Lord of Charlecot, and revenged himself in his writings, 
 but in the sportive way of a good-natured mind. Sir Thomas is 
 said to be the original Justice Shallow,^ and the satire is slyly 
 fixed upon him by the justice's armorial bearings, which, like those 
 of the knight, had white luces - in the quarterings. 
 
 Various attempts have been made by his biographers to soften 
 and explain away this early transgression of the poet ; but I look 
 upon it as one of those thoughtless exploits natural to his situa- 
 tion and turn of mind. Shakespeare, when young, had doubtless 
 all the wildness and irregularity of an ardent, undisciplined, and 
 undirected genius. The poetic temperament has naturally some- 
 thing in it of the vagabond. When left to itself it runs loosely 
 and wildly, and delights in everything eccentric and licentious. 
 It is often a turn-up of a die, in the gambling freaks of fate, 
 whether a natural genius shall turn out a great rogue or a great 
 poet ; and had not Shakespeare's mind fortunately taken a literary 
 bias, he might have as daringly transcended all civil, as he has 
 all dramatic laws. 
 
 I have little doubt that, in early life, when running, like an un- 
 broken colt, about the neighborhood of Stratford, he was to be 
 found in the company of all kinds of odd, anomalous characters ; 
 that he associated with all the madcaps of the place, and was one 
 of those unlucky urchins, at mention of whom old men shake 
 their heads, and predict that they will one day come to the gal- 
 lows. To him the poaching in Sir Thomas Lucy's park was doubt- 
 less hke a foray to a Scottish knight, and struck his eager and as 
 yet untamed imagination as something delightfully adventurous.^ 
 
 1 A pompous country justice in Shakespeare's Merry ^^'ives of Windsor 
 and King Henry IV., Part IL See p. 180. 
 
 2 Irving's Note.— The luce is a pike or jack, and abounds in the Avon 
 about Charlecot. 
 
 3 Irving's Note. —A proof of Shakespeare's random habits and asso- 
 ciates in his youthful days may be found in a traditionary anecdote, picked up 
 at Stratford by the elder Ireland, and mentioned in his " Picturesque Views 
 on the Avon." 
 
1 82 IRVING. 
 
 The old mansion of Charlecot and its surrounding park still 
 remain in the possession of the Lucy family, and are peculiarly 
 interesting from being connected with this whimsical but eventful 
 circumstance in the scanty history of the bard. As the house 
 stood but little more than three miles' distance from Stratford, I 
 resolved to pay it a pedestrian visit, that I might stroll leisurely 
 through some of those scenes from which Shakespeare must have 
 derived his earliest ideas of rural imagery. 
 
 The country was yet naked and leafless ; but Enghsh scenery 
 is always verdant, and the sudden change in the temperature of 
 the weather was surprising in its quickening effects upon the land- 
 scape. It was inspiring and animating to witness this first awak- 
 ening of spring ; to feel its warm breath stealing over the senses ; 
 to see the moist, mellow earth beginning to put forth the green 
 sprout and the tender blade ; and the trees and shrubs, in their 
 
 About seven miles from Stratford lies the thirsty little market town of 
 Bedford, famous for its ale. Two societies of the village yeomanry used to 
 meet, under the appellation of the Bedford topers, and to challenge the lovers 
 of good ale of the neighboring villages to a contest of drinking. Among 
 others, the people of Stratford were called out to prove the strength of their 
 heads; and in the number of the champions was Shakespeare, who, in spite 
 of the proverb that ** they who drink beer will think beer," was as true to 
 his ale as Falstaff to his sack. The chivalry of Stratford was staggered at 
 the first onset, and sounded a retreat while they had yet legs to carry them 
 off the field. They had scarcely marched a mile when, their legs failing 
 them, they were forced to lie down under a crab tree, where they passed 
 the night. It is still standing, and goes by the name of Shakespeare's tree. 
 
 In the morning his companions awaked the bard, and proposed returning 
 to Bedford; but he declined, saying he had had enough, having drank with 
 
 " Piping Pebworth, Dancing Marston, 
 Haunted Hilbro', Hungry Grafton, 
 Dudging Exhall, Papist Wicksford, 
 Beggarly Broom, and Drunken Bedford." 
 
 " The villages here alluded to," says Ireland, " still bear the epithets thus 
 given them : the people of Pebworth are still famed for their skill on the 
 pipe and tabor; Hillborough is now called Haunted Hillborough; and Graf- 
 ton is famous for the poverty of its soil." 
 
THE SKETCH-BOOK, 183 
 
 reviving tints and bursting buds, giving the promise of returning 
 foliage and flower. The cold snowdrop, that little borderer on 
 the skirts of winter, was to be seen with its chaste white blossoms 
 in the small gardens before the cottages. The bleating of the 
 new-dropped lambs was faintly heard from the fields. The sparrow 
 twittered about the thatched eaves and budding hedges ; the 
 robin threw a livelier note into his late querulous wintry strain; 
 and the lark, springing up from the reeking bosom of the meadow, 
 towered away into the bright fleecy cloud, pouring forth torrents 
 of melody. As I watched the httle songster mounting up higher 
 and higher, until his body was a mere speck on the white bosom 
 of the cloud, while the ear was still filled with his music, it called 
 to mind Shakespeare's exquisite little song in " Cymbeline :" ^ 
 
 " Hark! hark! the lark at heaven's gate sings, 
 And Phoebus 'gins arise, 
 His steeds to water at those springs. 
 On chaliced flowers that lies ; 
 
 " And winking Mary-buds begin 
 To ope their golden eyes ; 
 With everything that pretty is, 
 My lady sweet, arise! " 
 
 Indeed, the whole country about here is poetic ground: every- 
 thing is associated with the idea of Shakespeare. Every old cot- 
 tage that I saw, I fancied into some resort of his boyhood, where 
 he had acquired his intimate knowledge of rustic life and man- 
 ners, and heard those legendary tales and wild superstitions which 
 he has woven like witchcraft into his dramas. For in his time, 
 we are told, it was a popular amusement in winter evenings " to 
 sit round the fire, and tell merry tales of errant knights, queens, 
 lovers, lords, ladies, giants, dwarfs, thieves, cheaters, witches, 
 fairies, goblins, and friars." ^ 
 
 1 Act ii. sc. 3. 
 
 2 Irving's Note.— Scot, in his " Discoverie of Witchcraft," enumerates a 
 host of these fireside fancies. " And they have so fraid us with bull-beggars, 
 
1 84 IRVING. 
 
 My route for a part of the way lay in sight of the Avon, which 
 made a variety of the most fanciful doubhngs and windings 
 through a wide and fertile valley ; sometimes glittering from among 
 willows which fringed its borders ; sometimes disappearing among 
 groves or beneath green banks ; and sometimes rambling out into 
 full view, and making an azure sweep round a slope of meadow 
 land. This beautiful bosom of country is called the Vale of the 
 Red Horse. A distant line of undulating blue hills seems to be 
 its boundary, whilst all the soft intervening landscape hes in a 
 manner enchained in the silver links of the Avon. 
 
 After pursuing the road for about three miles, I turned off into 
 a footpath, which led along the borders of fields and under 
 hedgerows to a private gate of the park ; there was a stile, how- 
 ever, for the benefit of the pedestrian, there being a public right 
 of way through the grounds. I delight in these hospitable 
 estates, in which every one has a kind of property— at least as 
 far as the footpath is concerned. It in some measure reconciles 
 a poor man to his lot, and, what is more, to the better lot of his 
 neighbor, thus to have parks and pleasure-grounds thrown open 
 for his recreation. He breathes the pure air as freely, and lolls 
 as luxuriously under the shade, as the lord of the soil ; and if he 
 has not the privilege of calling all that he sees his own, he has 
 not, at the same time, the trouble of paying for it, and keeping 
 it in order. 
 
 I now found myself among noble avenues of oaks and elms, 
 whose vast size bespoke the growth of centuries. The wind 
 sounded solemnly among their branches, and the rooks cawed 
 from their hereditary nests in the tree tops. The eye ranged 
 through a long lessening vista, with nothing to interrupt the view 
 
 spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, syrens, 
 kit with the can sticke, tritons, centaurs, dwarfes, giantes, imps, calcars, 
 conjurors, nymphes, changelings, incubus, Robin-good-fellow, the sporne, 
 the mare, the man in the oke, the hellwaine, the fier drake, the puckle, Tom 
 Thombe, hobgoblins, Tom Tumbler, boneless, and such other bugs, that 
 we were afraid of our own shadowes." 
 
THE SKETCH-BOOK. r85 
 
 but a distant statue, and a vagrant deer stalking like a shadow 
 across the opening. 
 
 There is something about these stately old avenues that has 
 the effect of Gothic architecture, not merely from the pretended 
 similarity of form, but from their bearing the evidence of long 
 duration, and of having had their origin in a period of time with 
 which we associate ideas of romantic grandeur. They betoken 
 also the long-settled dignity, and proudly concentrated indepen- 
 dence of an ancient family ; and I have heard a worthy but aris- 
 tocratic old friend observe, when speaking of the sumptuous 
 palaces of modern gentry, that "money could do much with 
 stone and mortar, but, thank Heaven, there was no such thing 
 as suddenly building up an avenue of oaks." 
 
 It was from wandering in early life among this rich scenery, 
 and about the romantic solitudes of the adjoining park of Full- 
 broke, which then formed a part of the Lucy estate, that some of 
 Shakespeare's commentators have supposed he derived his noble 
 forest meditations of Jaques, and the enchanting woodland pic- 
 tures in " As You Like It." ^ It is in lonely wanderings through 
 such scenes that the mind drinks deep but quiet draughts of in- 
 spiration, and becomes intensely sensible of the beauty and 
 majesty of nature. The imagination kindles into reverie and 
 rapture ; vague but exquisite images and ideas keep breaking upon 
 it ; and we revel in a mute and almost incommunicable luxury of 
 thought. It was in some such mood, and perhaps under one of 
 those very trees before me, which threw their broad shades over 
 the grassy banks and quivering waters of the Avon, that the 
 poet's fancy may have sallied forth into that Httle song which 
 breathes the very soul of a rural voluptuary : 
 
 " Under the greenwood tree, 
 Who loves to lie with me, 
 And tune his merry note 
 Unto the sweet bird's throat, 
 
 1 Act ii. sc. I. 
 
1 86 IRVING. 
 
 Come hither, come hither, come hither ; 
 Here shall he see 
 No enemy. 
 But winter and rough weather. "^ 
 
 I had now come in sight of the house. It is a large building 
 of brick, with stone quoins, and is in the Gothic style of Queen 
 Elizabeth's day, having been built in the first year of her reign.2 
 The exterior remains very nearly in its original state, and may 
 be considered a fair specimen of the residence of a wealthy 
 country gentleman of those days. A great gateway opens from 
 the park into a kind of courtyard in front of the house, orna- 
 mented with a grassplot, shrubs, and flower beds. The gateway 
 is in imitation of the ancient barbican, being a kind of outpost, 
 and flanked by towers, though evidently for mere ornament 
 instead of defence. The front of the house is completely in the 
 old style, with stone-shafted casements, a great bow window of 
 heavy stonework, and a portal with armorial bearings over it, 
 carved in stone. At each corner of the building is an octagon 
 tower, surmounted by a gilt ball and weathercock. 
 
 The Avon, which winds through the park, makes a bend just 
 at the foot of a gently sloping bank, which sweeps down from 
 the rear of the house. Large herds of deer were feeding or re- 
 posing upon its borders, and swans were sailing majestically upon 
 its bosom. As I contemplated the venerable old mansion, I 
 called to mind Falstaff's encomium on Justice Shallow's abode, 
 and the affected indifference and real vanity of the latter. 
 
 Falstaff. You have a goodly dwelling and a rich. 
 
 Shallow. Barren, barren, barren; beggars all, beggars all, Sir John: 
 — marry, good air. 3 
 
 Whatever may have been the joviality of the old mansion in 
 the days of Shakespeare, it had now an air of stillness and sohtude. 
 The great iron gateway that opened into the courtyard was 
 
 1 As You Like It, act ii. sc. 5. 
 
 2 1558. 3 Henry IV., Part II. act v. sc. 3. 
 
THE SKETCH-BOOK, 187 
 
 locked ; there was no show of servants bustling about the place ; 
 the deer gazed quietly at me as I passed, being no longer harried 
 by the moss-troopers ^ of Stratford. The only sign of domestic 
 hfe that I met with was a white cat, stealing with wary look and 
 stealthy pace towards the stables, as if on some nefarious expedi- 
 tion. I must not omit to mention the carcass of a scoundrel 
 crow which I saw suspended against the barn wall, as it shows 
 that the Lucys still inherit that lordly abhorrence of poachers 
 and maintain that rigorous exercise of territorial power which 
 was so strenuously manifested in the case of the bard. 
 
 After prowling about for some time, I at length found my way 
 to a lateral portal which was the every-day entrance to the man- 
 sion. I was courteously received by a worthy old housekeeper, 
 who, with the civility and communicativeness of her order, 
 showed me the interior of the house. The greater part has 
 undergone alterations, and been adapted to modern tastes and 
 modes of living : there is a fine old oaken staircase ; and the great 
 hall, that noble feature in an ancient manor house, still retains 
 much of the appearance it must have had in the days of Shake- 
 speare. The ceiling is arched and lofty, and at one end is a 
 gallery in which stands an organ. The weapons and trophies of 
 the chase, which formerly adorned the hall of a country gentle- 
 man, have made way for family portraits. There is a wide, hos- 
 pitable fireplace, calculated for an ample old-fashioned wood fire, 
 formerly the rallying place of winter festivity. On the opposite 
 side of the hall is the huge Gothic bow window, with stone shafts, 
 which looks out upon the courtyard. Here are emblazoned in 
 stained glass the armorial bearings of the Lucy family for many 
 generations, some being dated in 1558. I was dehghted to 
 observe in the quarterings the three 7vhite bices by which the 
 character of Sir Thomas was first identified with that of Justice 
 Shallow. They are mentioned in the first scene of the " Merry 
 Wives of Windsor," where the Justice is in a rage with Falstafi 
 
 1 Marauders ; a term applied to men who troop or range over the mosses 
 or bogs. 
 
1 88 IRVING. 
 
 for having "beaten his men, killed his deer, and broken into his 
 lodge." The poet had no doubt the offences of himself and his 
 comrades in mind at the time, and we may suppose the family 
 pride and vindictive threats of the puissant Shallow to be a 
 caricature of the pompous indignation of Sir Thomas. 
 
 Shallow. Sir Hugh, persuade me not; I will make a Star-Chamber 1 
 matter of it : if he were twenty Sir John Falstaffs, he shall not abuse Robert 
 Shallow, Esquire. 
 
 Slender. In the county of Glocester, Justice of Peace, and coram.^ 
 
 Shallo-iO. Ay, cousin Slender, and aistaloTiim.^ 
 
 Slender. Ay, and ratolorinn 3 too ; and a gentleman born, Master Parson ; 
 who writes himself Ar7}iigero^ in any bill, warrant, quittance, or obligation, 
 Armigero. 
 
 Shallow. Ay, that I do; and have done any time these three hundred 
 years. 
 
 Slender. All his successors, gone before him, hath done 't, and all his an- 
 cestors that come after him may ; they may give the dozen white luces ^ in their 
 coat. . . . 
 
 Shallow. The Council shall hear it ; it is a riot. 
 
 Evans. It is not meet the Council hear a riot ; there is no fear of Got 
 in a riot. The Council, look you, shall desire to hear the fear of Got, and not 
 to hear a riot ; take your vizaraents in that. 
 
 Shallow. Ha! o' my life, if I were young again, the sword should end 
 it! 
 
 Near the window thus emblazoned hung a portrait by Sir 
 Peter Lely,^ of one of the Lucy family, a great beauty of the 
 time of Charles II. The old housekeeper shook her head as 
 she pointed to the picture, and informed me that this lady had 
 
 1 A court of civil and criminal jurisdiction at Westminster, so called because 
 the roof of the chamber was decorated with golden stars. 
 
 2 Latin " in the presence of," used in legal phraseology. Slender blun- 
 deringly considers it an additional title to that of justice. 
 
 3 Corruptions for ciistos rotulorum, " keeper of the records." 
 
 4 Armiger ; a term used to designate one who had a right to armorial bear- 
 ings. 
 
 5 See note 2, p. iSi. 
 
 6 A famous Dutch artist (1618-80), court painter to Charles II. (1630-85). 
 His portraits of the beauties of Charles's court are celebrated. 
 
THE SKETCH-BOOK. 189 
 
 been sadly addicted to cards, and had gambled away a great 
 portion of the family estate, among which was that part of the 
 park where Shakespeare and his comrades had killed the deer. 
 The lands thus lost had not been entirely regained by the family 
 even at the present day. It is but justice to this recreant 
 dame to confess that she had a surpassingly fine hand and 
 arm. 
 
 The picture which most attracted my attention was a great 
 painting over the fireplace, containing likenesses of- Sir Thomas 
 Lucy and his family, who inhabited the hall in the latter part of 
 Shakespeare's lifetime. I at first thought that it was the vindictive 
 knight himself, but the housekeeper assured me that it was his son ; 
 the only likeness extant of the former being an effigy upon his 
 tomb in the church of the neighboring hamlet of Charlecot. 
 The picture gives a lively idea of the costume and manners of 
 the time. Sir Thomas is dressed in ruff and doublet ; white shoes 
 with roses in them ; and has a peaked yellow, or, as Master Slen- 
 der would say, " a cane-colored beard." ^ His lady is seated on 
 the opposite side of the picture, in wide ruff and long stomacher, 
 and the children have a most venerable stiffness and formality of 
 dress. Hounds and spaniels are mingled in the family group ; a 
 hawk is seated on his perch in the foreground, and one of the 
 children holds a bow, — all intimating the knight's skill in hunt- 
 ing, hawking, and archery — so indispensable to an accomplished 
 gentleman in those days. 
 
 I regretted to find that the ancient furniture of the hall had 
 disappeared ; for I had hoped to meet with the stately elbow- 
 chair of carved oak in which the country squire of former days 
 was wont to sway the scepter of empire over his rural dom.ains, 
 and in which it might be presumed the redoubted Sir Thomas 
 sat enthroned in awful state when the recreant Shakespeare was 
 brought before him. As I like to deck out pictures for my own 
 entertainment, I pleased myself with the idea that this very hall 
 had been the scene of the unlucky bard's examination on the 
 
 1 Merry Wives of Windsor, act i. sc. 4. 
 
IQO IRVING. 
 
 morning after his captivity in the lodge. I fancied to myself the 
 rural potentate, surrounded by his bodyguard of butler, pages, 
 and blue-coated servingmen, with their badges ; while the luck- 
 less culprit was brought in, forlorn and chapfallen, in the custody 
 of gamekeepers, huntsmen, and whippers-in, and followed by a 
 rabble rout of country clowns. I fancied bright faces of curious 
 housemaids peeping from the half-opened doors ; while from the 
 gallery the fair daughters of the knight leaned gracefully forward, 
 eying the youthful prisoner with that pity " that dwells in woman- 
 hood." — Who would have thought that this poor varlet, thus 
 trembling before the brief authority of a country squire and the 
 sport of rustic boors, was soon to become the delight of princes ; 
 the theme of all tongues and ages; the dictator to the human 
 mind ; and was to confer immortahty on his oppressor by a cari- 
 cature and a lampoon! 
 
 I was now invited by the butler to walk into the garden, and 
 I felt inchned to visit the orchard and arbor where the justice 
 treated Sir John Falstaff and Cousin Silence "to a last year's 
 pippin of his own grafting, with a dish of carraways ; " ^ but I had 
 already spent so much of the day in my rambhng that I was 
 obliged to give up any farther investigations. When about to 
 take my leave, I was gratified by the civil entreaties of the house- 
 keeper and butler that I would take some refreshment— an in- 
 stance of good old hospitality which, I grieve to say, we castle- 
 hunters seldom meet with in modern days. I make no doubt it 
 is a virtue which the present representative of the Lucys inherits 
 from his ancestors ; for Shakespeare, even in his caricature, makes 
 Justice Shallow importunate in this respect, as witness his press- 
 ing instances to Falstaff: 
 
 " By cock and pye, sir, you shall not away to-night. ... I will not ex- 
 cuse you ; you shall not be excused ; excuses shall not be admitted ; there is 
 no excuse shall serve ; you shall not be excused. . . . Some pigeons, Davy ; 
 a couple of short-legged hens ; a joint of mutton ; and any pretty little tiny 
 kickshaws, tell William Cook. "2 
 
 1 Henry IV., Part II. act v. sc. 3. 2 jbid., act v. sc. i. 
 
THE SKETCH-BOOK. ipl 
 
 I now bade a reluctant farewell to the old hall. My mind 
 had become so completely possessed by the imaginary scenes 
 and characters connected with it that I seemed to be actually 
 hving among them. Everything brought them, as it were, before 
 my eyes ; and as the door of the dining-room opened, I almost 
 expected to hear the feeble voice of Master Silence quavering 
 forth his favorite ditty : 
 
 " 'T is merry in hall, when beards wag all, 
 And welcome merry Shrove-tide!" l 
 
 On returning to my inn, I could not but reflect on the singu- 
 lar gift of the poet ; to be able thus to spread the magic of his 
 mind over the very face of nature ; to give to things and places 
 a charm and character not their own, and to turn this " work- 
 ing-day world " 2 into a perfect fairyland. He is indeed the 
 true enchanter whose spell operates, not upon the senses, but 
 upon the imagination and the heart. Under the wizard influence 
 of Shakespeare I had been walking all day in a complete delusion. 
 I had surveyed the landscape through the prism of poetry, which 
 tinged every object with the hues of the rainbow. I had been 
 surromided with fancied beings, with mere airy nothings, con- 
 jured up by poetic power; yet which, to me, had all the charm 
 of reality. I had heard Jaques soliloquize beneath his oak ; had 
 beheld the fair Rosalind and her companion adventuring through 
 the woodlands; and, above all, had been once more present in 
 spirit with fat Jack Falstaff and his contemporaries, from the 
 august Justice Shallow down to the gentle Master Slender and 
 the sweet Anne Page.^ Ten thousand honors and blessings on 
 the bard who has thus gilded the dull realities of life with inno- 
 cent illusions ; who has spread exquisite and unbought pleasures 
 in my chequered path ; and beguiled my spirit in many a lonely 
 hour, with all the cordial and cheerful sympathies of social hfe! 
 
 As I crossed the bridge over the Avon on my return, I paused 
 
 1 Henry IV., Part II. act v. sc. 3. 2 As You Like It, act i. sc. 3. 
 
 3 One of the characters in the Merry Wives of Windsor. 
 
192 IRVING. 
 
 to contemplate the distant church in which the poet Hes buried, 
 and could not but exult in the malediction which has kept his 
 ashes undisturbed in its quiet and hallowed vaults. What honor 
 could his name have derived from being mingled in dusty com- 
 panionship with the epitaphs and escutcheons and venal eulogi- 
 ums of a titled multitude? What would a crowded corner in 
 Westminster Abbey have been, compared with this reverend pile, 
 which seems to stand in beautiful loneliness as his sole mauso- 
 leum! The solicitude about the grave may be but the offspring 
 of an overwrought sensibility ; but human nature is made up of 
 foibles and prejudices ; and its best and tenderest affections are 
 mingled with these factitious feelings. He who has sought 
 renown about the world, and has reaped a full harvest of worldly 
 favor, will find, after all, that there is no love, no admiration, no 
 applause, so sweet to the soul as that which springs up in his 
 native place. It is there that he seeks to be gathered in peace 
 and honor among his kindred and his early friends. And when 
 the weary heart and failing head began to warn him that the 
 evening of life is drawing on, he turns as fondly as does the 
 infant to the mother's arms, to sink to sleep in the bosom of 
 the scene of his childhood. 
 
 How would it have cheered the spirit of the youthful bard 
 when, wandering forth in disgrace upon a doubtful world, he 
 cast back a heavy look upon his paternal home, could he have 
 foreseen that, before many years, he should return to it covered 
 with renown ; that his name should become the boast and glory 
 of his native place ; that his ashes should be religiously guarded 
 as its most precious treasure ; and that its lessening spire, on 
 which his eyes were fixed in tearful contemplation, should one 
 day become the beacon, towering amidst the gentle landscape, 
 to guide the literary pilgrim of every nation to his tomb! 
 
"TcvTl 
 
 2 4 lOO*^' 
 
JAN 23 1902