Class _J^S. - 5 \^^ Book __MAil^JJ_ Goip^htN^ 11^1 COPYRIGHT DEPOSIT. ORPHEUS TODAY , SAINT FRANCIS OF THE TREES AND OTHER VERSE BY WILLIAM NORMAN GUTHRIE THE WESTERN LITERARY PRESS CINCINNATI 1907 \V1 [uBWRYBfCONGBCss] Two Oooles Recslved J^N 17 I90r I /.CepyrlBrtil Efltry . I CLASS /^'xXciNo. L__CO^^YB. Copyright, 1906. By William Norman Guthrie. " To the Muse her own " "And yet, the best is never seen, — or said' TABLE OF CONTENTS OKPHEUS Page Orpheus Today 11 The Soul's Wizadries 17 Day Dreams 19 To a Latterday Prophet 21 Ode in Sapphics 25 ■ Don Juan 26 Identity 26 One Sleep 28 The Echoes: 1. The Dream Bird... 28 2. Early Spring 29 3. The Mate.. 30 4. The Death-Song 31 Dream and "Waking: Sunset Prelude 32 1. An Old Nest 32 2. A Mocking-Bird 33 3. The Old Ideal 33 4. The Bride Asleep • . 34 5. Evocation 34 TODAY Page 6. Apparition and Exorcism 35 7. The Bride Awake 36 The Hawk: 1. Sunrise Prelude 37 2. The Pigeon .. 37 3. The Lark 37 4. The Hawk 38 5. The Paean 38 6. The Voiceless Triumph.. 39 Higher Mathematics 39 Wishes 39 A Father's Memory 40 Selfish Grief fl Adrift •■ 41 The Twin Poplar ■ ■ ■ 42 Parental Consent 45 The Widower 47 The Beeches of Fern Bank: 1. Fellowship 47 2. Farewell 48 THE DEWDROPS (A Phantasy in Two Tableaux- and Thirteen Scenes) Synopsis Tableau I. The Death of the Dewdrops: 1. The Enchantment 53 2. The Moon 54 3. The Fireflies..... 56 4. The Spider 57 5. The Trees 60 6. The Wind of Death 62 7. The Droplets 64 52 Tableau II. The Doom of the Dew: 8. The Moon Set 66 9. The Treetoad 68 10. The Dawn 71 11. The Ruby-Throat 73 12. The Requiem 76 13. The Fairy Queen's Af- terword 77 SEWANEE LYEICS, xVND KINDRED VERSE The Rejected Lover to the Moon 79 "Hashish": 1. The Choice 80 2. The Trance 80 3. The Waking 82 A February Day in Tennessee 83 A Respite 84 In Vain - - 85 Cherry Bloom 86 Nox Mystica 87 The Soul's Sanctuary 88 Under the Stars 89 Love in Heaven*. 9L Song and Gountersong: 1. Song .; 92 2. Gountersong 92 Sympathetic Music 93 Dirge 94 Galled from the Sheep-Cotes. 95 Palmstry 95 Nocturne 96 Twin Dewdrops 96 Frost-Work 97 After Tears 98 A Sewanee Idyl 99 Repartee in the Park 100 Five Songs from "Sigurd": 1. Sigurd's Pledge 101 2. Grunhild's Enchantment of Sigurd 101 3. The Spell Song 102 4. The Baldur Dirge 103 5. Gudrmi's Blood-Wite 103 A Rime of the Wicked Birds in June 104 Molly, May, and Dolly up the Glen 109 High in the Colorado Rockies: 1. The Mountain Park 118 2. The Cabin 118 3. Scherzo ' 123 4. By the Brook 124 • 5. The Curtain Falls 125 6. "So LongL" 126 Impromptu 126 THE BOOK OF SYMBOLIC ODES Foreword 127 (Ethical Apology) The Lion 128 (Individuality) The Old Hemlock 132 (The Self and Afterlife) The Rime of the Tarn 136 (Cheer of Soul) The Defiled Mountain Torrent 147 (Indignation Overcome) The Mule 159 (The Social Hope) Mt. PeleS in Eruption 161 ^Despair Divine) Pike's Peak: (Man and the Universe) 1. The Mountain 165 2. The Meaning 169 3. The Man 174 The Beech in Winter 179 (The Soul and God) Afterword 185 (Esthetic Apology) LIFE AND LOVE PART I. LOVE'S DAWN I. Love and Friendship: 1. Love, the Self-Revelator 187 2. Divine Discontent 188 3. Love's Altruism 188 4. Love, the Friend 189 5. Sundered Friends 189 II. Love's Prelude: 1. "Wolfenbiittel 190 2. Young Icarus 190 3. As in Picturebookland. . 191 4. The First Funeral 191 5. Roadside Theophany 192 fi. Mystic Kinship 192 7. Toward Fiesole 193 8. San Giovanni 193 9. Growing Apart 194 10. Bocca d' Arno 194 11. First Manhood 195 12. Primeval Man 195 13. Parental Jealousy 196 14. The Soul's Eden 196 15. Flower-Talismans 197 16. Altenbaumburg (The Lilies) 197 17. Altenbaumburg (The Comforter) 198 18. Foretaste and Aftertaste 198 19. Miinster am Stein 199 20. Prophet or Poet? 199 21. A Hadley Holiday 200 22. Fever Hallucination.... 200 23. The Peak of Vision 201 24. Convalescence 201 25. Again the Trojan Boy.. 202 26. First Disillusion 202 27. Materialism 203 28. The Saving Faith 203 29. Near and Far 204 30. Far and Near 204 31. Luminous Hours 205 32. The Liveoaks in March. 205 33. Unearned Returns 206 34. The Parable of the Dew 206 35. The Judgment 207 36. Evidence of Sanity 207 37. Not Yet 208 38. Presence 208 38a. No Cross, No Crown.. 209 39. Autumn Sadness 209 40. True Youth 210 41. Sweet Maiden Constancy 210 42. Innocence Human 211 43. Innocence Divine 211 44. First Sight 212 45. Heart's Perversity 212 III. The Passing of Eros and Aphrodite: 46. Love's Sorrow-Trance.. 213 47. Love's Awakening 213 48. Love's Soothsay of Doom 214 49. The Tidal Wave 214 50. Casting the Horoscope. 215 PART II. LOVE'S SUNRISE The Wooing o' It: 1. Speechless Proposal.... 216 2. Love's Humility 217 3. Paradise Gained 217 4. Paradise Lost 218 5. Sudden Spring 218 6. Orchard Optimism 219 7. Love's Compass 219 8. Body's Absence 220 9. Fancy or Fact 220 10. Individual Insufficiency... 221 11. Mutual Sufficiency 221 12. Perspectives 222 13. Wild-Goose Creek 222 14. Knowledge of God 223 15. True Love 223 16. Self-Surrender 224 17. Unshed Tears 224 18. Love's Immortality 225 19. Environment 225 20. Bridal Dream 226 21. The Mother 226 22. Love's Melody 227 23. Love's Harmony 227 24. Incarnation 228 25. Love's Silence 228 A VISION OF NEW HELLAS To the Muse 229 The Foresong 230 A Song of Songs: Demeter Appeareth 233 Dionysos Cometh 239 Hymn to Dionysos, the Ele- mental 243 The Colloquy 246 Hymn to Dionysos, the Hero- God 248 The Transfiguration 254 Hymn to Aphrodite 258 The Reconciliation 262 The Hymn to Apollo 265 Rival's Divine 270 Votive Gifts 273 Hymns Hymenedl 275 Interlude 279 The Banquet of the Gods. . . 280 The Aftersong 284 TKANSLATIONS FEOM LEOPARDI AND GOETHE La Ginestra (Leopardi) 289 Odes and Didactic Verse (Goethe): Nature and Art (Natur und Kunst) 297 Balance (from the Metamorphose der Thiere) 298 A Human Feeling (Menschengefiihl) 298 Even So (Ein Gleiches) 299 The Wayfarer (Der Wanderer) 299 Chant of the Spirits over the Waters (Gesang der Geister ueber den Wassem) 304 Human Limitations (Die Grenzen der Menschheit) 305 The Divine (Das Gottliche) 307 My Goddess (Meine Gottin) 309 The One and the All (Eins und Alle) 311 My Legacy (Vermachtniss) 312 Orcular Words in Orphic Manner (Urworte, Orphisch) 313 ST. FRANCIS OF THE TREES 317 ORPHEUS TODAY SOME PRINT ERRORS. Page 45, line 26, for sunder read asunder. ■' 135) " 37> for Aoat read afloat. " 149. " 35, for throng motley read motley throng. •' 153. •• 8, for Thou even, read Thou, even. •' 187, " II. for of disaccord; and Thou read of discord, and, Thou. " 188. " I, for For, contest read For, earnest. " 194, " 7, for will be read will he. " 205, " 19, omit comma. " 2f.3. " 26, insert of before fury. " 253- " 15' f*^r Silenos's read Silenos'. '■ 266. ■■ 31, for Zeus' s read Zeus'. " 313. " 19' f*^'" ^^fl"' '■6'i<^ ^'^"'- ORPHEUS TODAY I. O Orpheus, help! Too long, alas, hast thou been hence. Come, O come, and forthwith, irradiant child-like myth of the Golden Age, with the hallow'd influence over spirit and sense of oracular Song! Thee every generation hath closer drawn to the needs of tlie soul; Who canst assuage Man's grief at the world-old ill, — and the inhuman curse of reasonless wont, and distrust of self — with the gleeful lay of deeds heroic, that comfort and thrill: Who, with glad-eyed vaticination of faith, the strange evils our hearts presage canst dissipate, and disperse. Return, return unto us with Ijn-e immortal, and voice clear-ringing of life-love and praise, h5mining all gods of the light; and cast the spell victorious of thy mystical singing at last over these latter days. II. Hither from fields Elysian where droop and wither II no blossoms of fancy or gladsome whim, where doubt and sorrow no eyes bedim, — hasten. Helper, and Freer with the gaze of the Seer — that deep interior vision, wotting the heart-sure manifold Truth of all things that be: — How thick we do press and crowd (wedged elbow in elbow, and knee against knee,) a tangle rank, clamped, twisted, and braced, humped, crooked, and bowed! How, greedily thrust, do our tap-roots pierce to the core of the parcht stone-waste! How our branches stretch greedily fierce in a jealous horror enlaced, — fellow with fellow agrapple for the throttling hold that shall snakewise each-other enfold! O Orpheus, haste, for we choke at length (galled and knotted and gnurled, belichened, dry-rotten,) our stature misshapen and sapped our strength — Hear, hear, as we pray and plead, (all piteous shame of our plight forgotterl,) We men of a dying world, — O Orpheus, Orpheus — hear us, and heed! III. For lo, thro' yon thickets dense, impassable to the children of Zeus, where never glad ray of the holy Sun, thy Father assaileth the shadows dim, or winds of heaven forth-drive from fetid haunts of monstrous use, pollution and pestilence; What Beasts of the midnight foul, only with thirst of blood alive, stalk after their prey and prowl, — ghostlike efface them, — roar and hoWl> or crouch asnarl and askulk — or cower for the sudden death-spring with claws and fangs and the down-crashing bulk! O Orpheus, who hearest our cry behold with thy sunny eye the dens obscene where lair and whelp these devils of lust, in the womb of the shuddering gloom. Deliverance and comfort bring, Orpheus, O Orpheus, help. IV. Heard hath the Singer as in the olden time, yea, in the golden time, our joyous Wisdom-bringer; and fulfilled is already the earth with subtle far echoings of the spirit-song jocund He sings. And everywhere lo, how men go forth as gods, with hearts of gods in their bosoms, and laughter of gods again in their eyes, — sane, happy and wise! For gone of whatever departs is the baneful regret; the sickly hope of a bliss hereafter that crieth forever: "Not yet"; of futile things, which cumber and irk, the anguish vain and the fret; free of the mire, of the mirk, of the reek, that hinder and let; Above the Olympian outlook wide — sea, scarp, and hill and vale; above the Caucasus icy-vast of tortured Promethean pride. For lo, in the spirit they come and they go, in the selfsame spirit of thy Song: — 13 No nigh, no far, — no future, no past — no foul, no fair — no right, no wrong- for such as they! All hail! Singer divine. First-born of the Muse, thou knewest our sorrow, — or whence could it poignancy borrow that Song immortal of thine? Ah, She who the meaning showed of life beyond greed, beyond lust; in whose mystical eyes the prophecy glowed, of the holier rebirth forever of thee and of her, to a worth thou knewest in Her not, or thee: — (the thing ye would in the thing ye must — in the evil, the good — and the soul, in the dust;) Who translated brutish content to human unrest; to delight in the fiat creative; to beauty, and heavenly right; — Eurydice, Eurydice, She Mother of the spirit in thee, and Child likewise of thy singing — She went (her treasures of love unspent,) to Hades unreconciled. Yea, She bade thee the last farewell of the death-cold hand and stark — of dumb lips and sightless lids that tell the uttermost word, unutterable speech of our longing. But Thou didst withstand undaunted the King of terrors dark. And manful, and godlike, to lovely life sangest her back from care and cark — beloved Tylother and Child and Wife. Then, haste alas, overeager as man to possess what singer alone and seer can bless 14 the earth with, and sun, — did lose thee at last (one minute more thou hadst held Her fast!) the comforting human tones, and the rapture-giving touch, for which the bereaved heart groans — so little, yet ah, so much, so much! Wherefore, O thou Orpheus who knowest our woe, the peace of Elysium forego. On us have pity, even now, and thy pity deign to show. Son of Apollo, help! VI. For again is Eurydice dead, the most dear, and fair, and good; and our spirit to hers was wed, the holy vows were said, Yea, the child of her maidenhood Godbegotten, she bare unborn, in her heart! With what spell of prayer — Ah, what art magical, chaunt or dance compulsive, shall death be withstood of Us children of chance, bewildered and faint for despair? Have pity, have pity! Our spirit disbelieveth. O spare, spare us the bitter self-scorn that assaulteth us here forlorn. Have pity, have pity! To the eyes Her love did illumine, to the heart that vainly yearneth, the lust of the brute prehuman returneth, returneth. Have pity, have pity, have pity! The greed of the jungle doth grip the soil below the man in craft and wont; and our fellowship is: "Slay to live, who can!" 15 Have pity, have pity! The heart of the desert noon is upon us, from tree-top to root; our manhood doth perish; — we swoon to the cringe and the leer of the brute. Have pity, have pity, have pity! O Orpheus, Son of Apollo, help! VII. Singer, gentle, the Bacchants of yore did shout and yell and blaspheme. They fell upon thee and rent and tore, and, bleeding, cast thee down the fated stream. But thy blood was lost not; it ran into the veins of Man, and thy flesh is our flesh evermore! Arise, oh, arise from the dead, and take that is thine for thine own: our blood thy blood, who hast bled; our flesh thy flesh alone. Come and possess us, possess us; and the youth we have lost, alack, the hope, the love, the dream — to bless us — sing us Eurydice back! Yea, yea — and the Forest of twofold greed doth awake; and the boughs of us tremble and sway, — and our ancient trunks straighten them, lithe once more and freed, — to the wind of thy melody brave. Footloose we move in a ring to thy jubilant rhythm, and blithe leap we, and bow, and wave, and whirl us unwearying. And the Beasts of the loathly night do stand up manful, at last, full height; and their evil glare about of innumerous eyes, to a shine i6 superhuman blend: the Eternal encircling the True without a beginning or end. Ha, hearken, we raise the shout: — "We are wholly, O Orpheus, thine! Thou, Thou hast sung us footloose from vile crafts and necessities base; talons to hands for sacred use, and snout deformed to the Kingly face. O Orpheus, gracious myth divine, now even now up the mountain's gradual slopes Thou hast sung us free, and gentle, and pure; Thou hast sung us to natural faiths and hopes; Thou hast sung us to godly loves secure; Thou hast done it. Thou alone, Thou! Thou hast sung us back the lost ideal. Thou hast sung Eurydice back to life. Thou hast sung the mystical hymeneal of maiden Mother and Child and Wife. Hearken our vow, O Orpheus, Singer and Seer, Cheer-bringer, and Freer, We are thine, we are thine forever now!" THE SOUL'S WIZARDRIES Natural magic! Lo, ooze and slime of the marsh sunsmit to glory? So, likewise the slayer's cell (in a world hopeless and harsh what miracle!) lifted by mystic blisses of penance far above abysses of lurid hell, 17 a cloud-pure promontory — the mighty hand and the outstretched arm! So, the harlot's bed, and lewd love-token (Mark how it wins — the spell, the serene charm faithfully spoken!) thro' a divine devotion hallowing death, become — (who shall believe it?) white moonrise over sleeping ocean, — or, if thou canst conceive it: — a close-veiled holy of holies, whereat the haloed saint his orison saith awe-humbled, under breath. Magic, white magic! Our brutish strife and crime offering this gross-gorged time soul's bread of anguish tragic, for spirit to taste gracious and chaste! Shames now, and doltish follies; — thereafter transmuted to a bubbling draught of laughter! The craven fears ignoble of man, waxen, at touch of Pan, terrific; the craft of the thrall and malice throneth aloft sublime a hate Satanic. The hideous doth upbulk to a threat Titanic, and the loathly dwarfeth to the grim grotesque and odd; — distilled, as fire-drop in the reeking chalice that changeth to opaline wine the blood, till the eyes of love with marvel dim, for heavenly gladness swim! Ha, ever the wraith of the bygone faith haunteth the mart i8 of the commonplace. O child, then, of the highest God, take heart, take heart of grace. Thou too wert begotten and born Olympian. Lift thine head. Nevermore weak, forlorn, down-drooping to the dead, earth's outcast, shalt thou pant! For, presently Jove nods assent to thine unbreathed petition. Thine the omnipotent fiat of gods, and all thy dross already gold, pure gold! See, see! (What holy gladness, — wisdom, not madness!) Thou too mayest be high hierophant divine magician! DAY DREAMS A forest there is. Dreams are its trees where branches lock with leafage dense, to screen in gloom trunks grey or dusk, and a lavish floor of green intense. And over the roof that shelters these quick sunbeams foot a reckless reel, stamping in golden glee, to crack their floor if possible, and feel the cool of the green gloom under (see!) in which swim birds of curious hues (as in some river fishes dart) but entrance ever the leaves refuse. A forest of dreams, all dreanned by me, familiar, strange, and dear, most dear, with v/onders old I know by heart and wonders new too fair to fear! 19 Oft do I wander through its shades alone, or hand in hand with One whose name I never sought to know, because I fancy she hath none. Look! how the forest knee-high wades in hope's fresh sea of shrubbery! She, laughing ever, as we go — her laughter's notes mount merrily their sprightly scale, till from each tree some bird-voice whirls the laughter higher! Then throbs the forest: peal on peal of thunder muiscal. How tire of such a senseless jubilee? For every tree-top hides a nest by two wed wishes built, to seal with a new better love their best. Vv^ild wishes build them nests, I say, in boughs of my dream-trees, and burst — whenever she (my nameless One) chances to laugh, in song. Well-versed in all the tricks a syren may practice, bewildering whoso hears, my Witch (whom never saw the sun, born of the dim cool) slyly peers with eyes (their color can I tell, that dartle all?) into each thick of undergrowth for certain flowers, which, nnding, she stoops her down to pick. Then falls upon her from the air a frolic band of sunbeams sly — her hair — sent by the merry sim forbidden forest-shades to spy! Why doth she pick them, do you ask? For me, of course. All which I take back with me to the world without, when for a brief space I forsake my forest of dreams; — and we, we both, She and I, we wonder why they bloom — those flowers like her own lips' sweet pout — if to be plucked their hapless doom! O forest dear! O forest old— my own, none other's! O dear trees that are not trees, — dear songster birds that are not birds,— O sweetest, these flowers, not flowers — but joys foretold plucked by that One who hath no name,- let me be silent, lest my words give you perchance a fatal fame; lest greedy men, who hear my tale, with brutal axe fare forth by stealth and fell my forest, trunk by trunk — timber to get them vulgar wealth! Mad call they me? Dear Soul, all hail their mocks and sneers at our romance for so our treasure is safely sunk in the river of men's ignorance! TO A LATTERDAY PROPHET ("WHO CAME LATE, AND WENT FORTH TOO SOON) He came to us with soul on fire, he came to us from the East with light: we heard, we saw; and God drew nigher, and wrong was wrong, and right was right. He went forth from among us then. All soon would be as ere he came; for men, we murmured, are but men, and the world's ways for aye the same! Ah, who that clomb the heights serene in sleep, can after quite forego the vision? gainsay, that once hath seen, its glory; and the known unknow? For His sake life hath holier worth, our faith made sure — whate'er we are — that still our man-corrupted Earth shines in God's firmament — a star! OUR MOTHER OF LIFE What other heaven than this should heart desire in azure nudity, or cloudy flow defining godlike dreams invisible else? What other star than ours, of shiny seas, of continents in waves of green spring-clad, with chains of diamond ice-peaks loosely decked gathered to flashing heaps at either pole? While here we lie. Love, under laughing trees, can we not feel the sway of happy earth as on she flies enhaloed of her day, and followed by her train of soft-starred night? O foolish perverts from the natural faith, insane, awake! Ye deemed it wise to sow in fields of mist, sun-golden at the dawn, the seeds of hope? Ye wailed when ye beheld only at sunset on the verge of night wave a far crop of faiths illusively which death might harvest, but no living man? So in your bitterness of heart ye cried: "Blessed are they that live not, for they reap with death wide fields of bliss"? Arise! arise, ye perverts, if ye have ears to hear. Wait for no general resurrection. Throng from self-dug graves of sorrow, and behold The symbol: Life a crowing Babe in arms of tender Mother Death, whose proud fond eyes remember and foresee — whose bosom swells with rich provision for the hungry mouth! A little sleep, and in the Babe we crow — a little sleep, and in the Mother smile; and between sleep and sleep — a lover's kiss! What other life? What other love? What truth truer than this — that Spring hath bloom and song? And Summer holy heat, and flutter of wings? And Autumn ripe fruit — heavy, luscious, red — and flights through sky into the warm unknown? And Winter white dreams of a whiter Spring? Ah, they, that love as we, are never alone! Even here, as smile lights smile for intimate joy that we are denizens of this living earth, behold, our Holy Mother immaculate draweth near softly — smileth on us both. Thou seest not her face? The shadow vague of the glad trees about us — 't is the drift of ample robes over the twinkling grass for vital bliss ashiver — knowing her. She walketh viewless through the shining day, she seeketh them who seek her not — her breath is on thy happy hair! Her large deep eyes give thine a haze of rapture that they seem, tho' fixed on me, to look. Love, far away into the heart of heavenly delights! Thou seest her now? That rapturous thrill of fear — it is thy soul aware of her spread arms fain to envelop us with yearning love. We yearn not, for we have. O Mother, soon, scon shall we come to thee, who were of thee, who bless thee filially, though now we strive against thee, lest thou fold us to thy heart ere yet we have done with play. But sweet it is to know what breast shall pillow us in sleep when tired at last. See, see! Life's God is nigh, — thy Son of laughter and heroic toils. Him we acknowledge in thy holy stead, not holier, but dearer unto us, and dear to thee, thy very Son, thy self, to whom thou gavest us, to be his own! O thou wilt punish not who hold by him, loyally his, not thine; with fervent soul worshiping him, crying the jubilant cry 23 before his coming, dumb at thy approach — for thou art he! Look, Love, behold him come! The locust trees are dancing in vast winds of joy, dropping bloomsnows from clusters pure over the frolic grass about us. There, the lilac bushes catch the breeze, and leap, wave with green arms their spires of blossoms pale like maddened bacchants full of sunny wine, shaking the cruel thyrsis for the God! Birds burst together into reckless song till the air throbs with obstinate wild notes of ecstasy; the blue of heaven pours in as the trees overhead lift high their boughs and meet atop applauding frantically. Close, close! The whole world thrills with the coming kiss. Not peace — war, war! Only the victors live and bloom and sing! The vanquished, — where are they? Ah, from the Mother's eyes they beam their love, on us the Victory of their battles lost, Crest of their wave, — the spray, the flare of hues ! O kiss. Love, let us kiss and kiss again, so shall the God of Life be visible to eyes of rapturous faith — for he is Love. And Mother Death that instant shall rejoice — for she is Love, as he, her Son, is Love. What Mother must not laugh when crows her Babe! 24 ODE IN SAPPHICS (Sung at the Fiftieth Anniversary of the Cincinnati Literary Club) Sing the good Old Days that are gone forever, rich in friendship, love; and for sturdy virtue, honest purpose, faith, and heroic action, sweet to remember. Half a hundred years of success and failure: earth and sky and sea are the same, and little change the ways of men; the beholder only ages and passes. Wherefore mourn, sweet friends, or despond or marvel? Still the New Days come — for the Maker liveth — young and fresh and bold, and the cry is ever upward and onward! Past and future meet in the vital present; thankfulness and trust in a pure emotion, making wise the young, and the old courageous, singing together: — Sweet the good Old Days to recall and cherish; sweet the good New Days to forecast and welcome; sweet the tried, the known; and the fresh surprises sweetly delightful! Yea, for pain and grief to the brave and noble yield a pure joy, yield a reward of virtue: faith in life, death, God, and in man, our brother, ever, forever! 25 DON JUAN Ten hundred lives I live, why then should this life chain me? When scores of hearts men take and give, wherefore should this heart pain me? A myriad snaring eyes, white breasts, rare maiden graces? Things to be wooed and won! With lies?- Nay, She all else effaces. One still, tho' manifold? True, true. Her heart I singled? Love's sun rode high in skies of gold — then, waves and clouds commingled. Grope, press thro* the soul's thick gloom to reach that fiend? Entangle the traitor self? Make fast his doom? Clutch, crunch, and grind and strangle? God, who hath wronged her? I? Slay thou that man, the doer! Shall for the dead the living die? Long dead is he — her wooer! IDENTITY soul-mutation! When are we one thing? Do you know. Love, even now, as I looked up from this grim book of far-off times, you seemed a stranger; and suddenly upon a stage of half-real vision, I beheld this scene enacted in the quiet of our home. A man who bore strong likeness to myself so that to me he seemed me, sat and read intently; and near him leaned a lady, fair — 1 cannot tell how fair and dear she seemed — 26 as you to me . . . and, verily she was you. She came to him, saying he was estranged, not loverHke. Angrily he looked up, . . . bewildered rather. "And, tell me who art thou?" he asked. "I know there has not been in me a change. I ever was as now I am." And you seemed smit with a fell fear of something undefined. A keen long look, — half scorn, half plea — you sent. Abashed at my harsh words (which yet seemed true) to one so beautiful, I added "Nay, I dreamed perhaps, fair lady, of a brow with dark hair circled so; but how could I to a dream-creature vow away the love of the waking man, the dreamer never knew?" And you at me looked steadily, nor winced. Then flashed a recognition. — "Am I mad? This, this I had forgotten! It was you? And I? You for long years I wooed, and won, and kissed, and wedded? God, was I gone mad? It was a veritable thing, no dream, — that beautiful love? Ah, how to seize the soul and fetter it fast in manacles of faith? For hearken. Dear, even now I thought myself alone, purposeless, heavenless, — and with you close at my side! I am myself again . . . sweet friend and sweeter Love, I am myself; I am the lover dreamed of these long years, . . . ay, anything lest I be all alone, and those dear eyes that are God's eyes to me, fill with tears angrily. My Sweet, my Love, that a moment could have sundered so my spirit from thine, whose I must ever be! A whim of fancy was it? Yet, alas a parable of truth. I love thee now, yet, darling, what assurance can I give? 1 cannot swear. I, uttering the words, am other than the framer of their thought. I am another than thy yesterday's, must woo again another soul afresh. ... 27 Yet love, Love, is the same (though we be changed) the bond that binds these many into one. O love — love! God, we cannot! Bind us fast, Thou who alone art truly ever thou! ONE SLEEP Tho' now each dreams his dream alone and the soul's beloved in hell may weep, while the lover laughs in a heaven of his own; there shall be (I have heard) at last — one sleep! "Till death us do part?" Who never here are one? Nay, rather, till death unite beyond all separate hope and fear, or both with dreamless torpor smite! Twain have we been and still are twain for all love's anguishful desire! Ah, welcome ages of infinite pain if thence we leap,— one flame of fire! For the mystery whispereth in my heart from holiest height, from lowliest deep: — "Heaven is — where thou forever art; one vision — awake . . . and one dream — asleep !" THE ECHOES I. THE DREAM BIRD In a dream, last night, I saw my heart from a leafless brier as a Bird upstart to fling him eagerly aloft, o'er rain-wet garth and steeming croft, o'er grim stone-fence and blackthorn hedge,- unlured of the free horizon-edge, — 28 up, up from damp and drizzle and thaw . . . as a Hill-lark — methought my heart I saw. And ever in fitful loops he flew, or mounted in spires to the quiet blue; outleaping the walls, the winds upbuild of toppling radiancies sun-thrilled; thro' golden dazzle, on, higher and higher to where bliss upholdeth the wings of desire. By the hush and solitude undeterred, poised on the vast, alone, wee Bird, quick atom of hope and faith and might, possessing the heaven in voiceless delight, what aileth thee, now? Art insecure Lord of the still, the sunny, the pure? Alas, as a fluttering flake of snow falls from a cloud to the valley below; falling, then striving to rise again, dreading pollution in footprints of men; falling and rising, yet surely bound for some low spot of the pitiless ground; so, fell my Soul — and unseen, unheard, hopeless and songless had vanished my Bird. II. EARLY SPRING Rain-swollen creeks invaded the low glades with pool and bog. Bare hickories and white oaks waded in stealthy drifts of fog. The ghostly drip and patter of the thaw; — else never a sound, save now and again the clatter of a dead branch dropping to ground. Lo, where my Dream-bird clinging to yon topmost beechen spray setteth the drear woods ringing with a passionate dismay! 29 What fellow and mate abideth in the dumb and cold unknown? to hear and heed when He chidetb and waileth and calleth alone? Yet if none be won of his wooing with warble and gurgle and trill, 'tis the cry of a soul's undoing, — the rapture and ache that kill. III. THE MATE Why tarrieth she so late in sun-parched clime? Or would not my Dream-bird wait for the trysting-time? Doth She not hearken, and 'bide in the covert, and yearn — for pity, and throbbing pride, — till the note he learn of despair, that enraptureth and maketh her his? . . . for the life, begot in the death of the dream that is? Ay, She panteth in hope and fear lest he sing too late the song that slayeth to hear, and doth, slaying, create? Speak, speak — doth she hearken somewhere in the cheerless cold, for that shout of divine despair, of love unconsoled? Or, is there None at all in the woodland drear? — None, None his passionate call, his complaint to hear? 30 IV. THE DEATH -SONG Methought a hundred Echoes sang, as louder the song of my Dream-bird rang. They caught his catches, the tricksy elves — how should it tire their soulless selves? For the pang of his strain, not theirs to feel. Quaver, and trill, and jubilant peel, sob, and moan, and piteous cry — they followed and mocked, now far, now nigh. They seemed, as fainter his notes became to gather might for their merciless game. My Dream-bird paused in his song; and aghast he heard the echoes throb far and fast. He deemed them rivals for her he wooed, and rallied his strength in valiant mood. A burst of melody skyward floats — a glorious tempest of passionate notes. But in vain the agonizing strain — the shout, the call, and the sob in vain. For the Echoes singing and laughing go; they do not feel, they cannot know! They only follow, and mimick, and mock from hollow and height, from tree and rock. At last he is still. His spirit is spent. And the echoes jeeringly lament. But the cruel mockers die after him soon, and the drear woods ache in a death-cold swoon. In tears I awoke at the chill gray dawn. My heart, the Bird and the dream — were gone. 31 DREAM AND WAKING (A Bridal -Poem in Seven Lyrics and Prelude) SUNSET PRELUDE Emptied of wine the bowl of blinding blaze, wherewith the Day, that died as die proud days, Eve's dusk and starlight pledg'd; the daisy-suns have gather'd in their rays snow-luminous, rosy-edg'd. Eve held her mist-blue cup brimful of rest, gray sleep, and silver dreams, and wishes blest, to challenge His, aloft: — both cups clasht — shiver'd, inundating the West, with slumberous passion soft. Into the sea of Night, Day's wine hath poured, stain'd it a moment — then gloom-billows roar'd and foam'd and blacken'd all. O sea of Night, vague, vast and silent-shor'd, death-torpid thy billows fall! I. AN OLD NEST Frail boughs of precious sprays, that twine and press sweet blossoms cheek to cheek, why, when no wayward breath essays to tangle itself in your bright maze, so tremulous? Speak, bright branches, speak. "A nest lies hidden here — an old year's nest through winter safely kept; and happy boughs are we, for we 're of all the bloomy boughs most near where innocent birds last summer slept! Two wayfarers are flown back to the nest of merry months gone-by; and nestle wing to wing, unknown of all the world save us alone, and twitter in sleep, and dream they fly." 32 II. A MOCKING-BIRD A charm lies closely over all; no harm can any soul befall. So dark, so still, O lovely night . . . But hark, what heavenly-sweet affright? Burst, rise, irrepressible song! To hearken — 'tis to die, to float away amid a wild-wing'd throng — ecstatic notes — into the thrilling sky. Rush waves, of impassion'd sound till stars the dark abyss enkindle; till ye flood us forth, and, drown'd, cast us on shores remote of heaven's still bliss! III. THE OLD IDEAL O boyish Delight, why haunt me to-night? Forgotten almost, . . . yea, merely a ghost — a misty moongleam, a fancy, a dream, a vision that with dawn must fade and be gone! 33 IV. THE BRIDE ASLEEP No power hast Thou at all on Her, my Bride. Thou couldst enthrall the youth that long since died, never the man Thou darest here to haunt,- Wraith of the past. Spirit of ill, avaunt! She dreams of me . . . She breathes upon my breast . . . my hand ensheathes Her little hand . . . 'T were best never to wake when dreams are over-dear,- never to wake — ever to slumber here. V. EVOCATION What weird dream have I dream'd hard to recall? Ay! so meseem'd I stood in some vast hall lonely and sad, a disillusioned youth loathing the lie — fearing the face of truth. All the life since, became unreal; yes, She a myth, a name. I yearn'd to bow the knee, reverent to some strange Deity, my own Creature-of-cloud, Witch-of-my-dreams unknown. There mov'd unheard, but felt, a shining Thing, whose either wing cover'd me as I knelt: — "Vision of perfect being, holy, sweet, let me remain — perish, but kiss thy feet!" 34 VI. APPARITION AND EXORCISM Face, white 'neath infinite night, eyes, full of love and light, — a mystic spell; lips, rose as dawn-lit snows, quiver, then tightly close, lest of their love too soon they tell; soft gleams of neck, dim dreams of shoulders, arms, 'neath streams of tumbling gloom: Love's form divine! A storm of passion shakes me. Warm with thy warm Self my ice-cold tomb! Nay, Thou, art even now another's, for thy brow my suit condemns; and yet . . . What snare is set — shining and dewy- wet, of grasses woven and daisy-stems? Ensnar'd? Nay, — who hath dar'd to bind Night's Queen dark-hair'd with mesh on mesh? to throw webs, silken, aglow with dew-pearls, o'er thy snow — stars gather'd in heaven's garden fresh? 35 Why rend from end to end those Eastern curtains? Bend o'er me, strange Queen! Thy face hath lost its grace? Fly, Siren, fly this place — Some foe destroyeth thee unseen. The sun! The morn begun! The stars blown out each one! Day's diadems flash bright. The Witch-of-night, the Siren moony-white hath vanish'd in a flare of gems! VII. THE BRIDE AWAKE Awake are the birds, awake is my heart, forgotten the words which made Night's magical spell but now; and happier am I, for near me Thou art; so sweet and so shy, my Bride! Truth sweeter than Dreams art Thou! 36 THE HAWK (A Ballad of Dawn In Colloquy) I. First voice— SUNRISE PRELUDE The Morn hath tiptoe stolen near to Night and cast her upon him in love's delight! Second voice — Their arms enlac'd, their warm close lips have met, her hair all unknotted — 'tis twilight yet! First voice — With her pale Self she covers him. She seems to lie like a snowdrift above his dreams. Second voice — White shines She, naked 'mid her golden hair, and smiles as He dies — for the Day is there! II. Third voice— THE PIGEON A Pigeon flies. Lo, it darts! it rocks in air, till the plumes of its wings meet behind — till the Foe is lost! But who can share my joy? Who sing it forth? Oh! ne'er to be gifted for utterance — doom unkind! III. First voice— "THE LARK Far up from the green of the field, from the gold of the sunlit river, from graves where mourners have kneel'd, from boughs with their sparkle of beads ashiver, up into the chalice of dawn — from th' eye of night in the lily of day, forth of his nest — is the Lark upgone on his steep, clear, song-pav'd way. 37 Up, into the sky is he fled, where the blue and the calm dwell ever, where sounds of struggle are dead: he hath vanquish'd its summit with wings' endeavor. Then, shake out thy shower of notes! The veins of silence with melody pulse. Sing, little Lark, from thy throat of throats! With thy joy heaven's heart convulse! IV. THE HAWK Second voice — A shadow! — a Foe — a scream! a shudder — grim claws — fiend's beak — keen eyes that gleam! a flash — a pause. A pitiful scream to hear — a rush to the sky — the Foe beneath! — no fear- a triumph-cry! Both voices- THE PAEAN Shout, shout, that the Fiend hath misst his prey! Mad song, ring out exultantly! Thrill! Thrill! In the heaven's great deep-blue eye, bask thee, and still sing, sing, on high! 38 VI. Third voice— "^"^ VOICELESS TRIUMPH O Lark! my soul was rescued from its foe but it knew not thy voicing occult that can utter glee, and heavenward throw the blissful soul to God! I glow with the fire of thy triumph. Exult! Exult! All voices and echoes — Exult! HIGHER MATHEMATICS Two and two make five, say I! This truth is as plain as day. For why? The whole is more than the sum I take of the parts; thoughts, feelings, passions, do not make human hearts; sums are not wholes with flowers and souls! So two and two make five, say I! WISHES What, Love, our toddling baby would be an angel bright? Ha! The white-winged angel, maybe would be baby, — if he might! Would the rock — be the plashing river that to the salt sea flows? Or the river — the poplar aquiver in the wind at even-close? Would the rose be a moonrise lily, or the lily a sunset rose? Then why We so foolish silly? Woe's me that no man knows. 39 A FATHER'S MEMORY O, ho! my baby Bacchant (Just three-years-old!) Hop-skipping with fresh-cut thyrsis o'er the dewy, briery wold; a bright crown above her ringlets of dandelion gold; left hand — clutching blackberries — squeezes and squirts their juice; white frock leopard-spotted, thorn- tattered to ribbons wind-loose; and mouth choke-full of laughter too crimson for human use! Blessed, blessed Apparition from years long long gone by, come dancing prancing hither, side-glancing, with wreath awry, advancing the leaf-tipped thyrsis, out-shouting the Bacchic cry! For my heart and mind hang heavy, and my body's eye droops dull. Wild brier-roses? Fierce briers dew-berried? Little hands their glories to cull? . . . Haste hither, O haste hither, my Girlie, Time's decree with thy smile to annul! For still I know that thou skippest and hoppest for eager glee down the path to the ivied cabin, calling shrilly for "Mamma" to see . . . And 't is I — I only am banished the old world of thy wee witchery •. . . While you, — you can scarce remember, . . . puzzled, shamefast, as I speak. "Oh, Father, dear, how silly!" . . , 40 And yet, ah, willy-nilly, I seek in day-dream, yea, and in night-dream to kiss that chubby cheek; snatch the dimpled wriggler proudly in greed beyond her ken; clutch, squeeze juice-oozing fingers, cram full the red mouth, and then — toss passionately, ay, toss her to skyward again, and again and again! SELFISH GRIEF "Lost! Lost!" Writhing with grief on God I cried that He would grant me once, but once, to see my Darling's face; — when lo, I woke, heart-free, whirled in a heavenward eddy's spiral wide, sucked up of hsmins angelical. Blue-eyed on river's bank, screaming for childish glee, with happy playmates. . . . Yea, I know 'tis he! From stone to stone he leapt to the farther side, over his golden locks a quick look cast, and darted into glory shut from sight. "Son, only the torrent of selfish tears men shed, impassable, sundereth, (swift-glistering past thy feet) love's hope from utmost love's delight!" "What comfort, God, if still my child be dead?" ADRIFT Drift! Who would care to lift the cast-off rose from the stream's traitorous breast? No one knows whose it was — where it bloomed — Only, doomed — doomed — doomed — It is best — drift! 41 THE TWIN POPLAR (A Summer Night's Revery) Among the mob of clover (their wee hoary heads nod- nodding to the wavy sod — ) we lie You and I by the placid cool lagoon. Above us — the pale sky over — fluffed flocks of gleamy cloudlets flee — from the radiance keen of the enhaloed moon. And shrubberies, fantastically free, exuberant tree-masses, loose and large, (Us and the sky's earth-touch between,) pile them along the farther marge, and fitfully pant in the wind and swerve and sway. And thro' their midst, away, away lo, a forth-streaming wide . . . (athwart, to where the arched span of the bridge is for phantom feet . . . ) an animate hither-thither fair and fleet of dazzling shimmer in wayward sport that dieth soon to a ghostly glimmer against the hazy world-end ridges beneath the allhallowing haloed moon. And somehow, Dear, hearkening, meseems I hear the laughter faint of ripply lips. . . . And thine eyes and mine converge (Hark, the dew from the trailing lilac drips!) involuntarily upon yon tall twin Poplar grey in the invisible spirit urge now blessedly one, now twain again as for rapturous lover's play. ... 42 (What subtle fragrance wafted over maketh breathing delicious pain? Or is it close about us, the honey-clover nod-nodding sweet-gossipwise to the glistenings and grass-Hspings of the sod?) Ha! How yon Poplar doth thine eyes and mine fascinate — mirk-rooted, ghost-sure in mystery, where the living shimmer fadeth dimmer and doth grope to feel of the misty sward slope. . . . (Dear God, how pitifully poor whom thou givest no wealth of love so ! . . .) For lo, lo! into the vague, the Poplar lif teth yon cloven shadow- flame, then anon — still, still very, very silvery, together glideth one forever and the same. Dreamed have we the silence that requireth no speech. Such marrying of pure body and lofty soul as inspireth the play of twain — each in each — ever free, ever whole; such lifting up foregathered into the light- such rooting down — deep, deep by effulgent waters, watch eternally to keep nigh the bridge whose mystic span bindeth Eden to Eden, man to man. . . . Love still is gracious, tenderly heart-single. . . . (Ha! the wicked titter of silly leaves in the gust overhead — the cynical glitter in the moon too cruelly unveiled. . . . That we failed that our high noon of youth is dead! 43 The clover noddles wag and wag, part and meet, and ripples mocking wink nag and brag at the brink by our feet. . . .) Love still is gracious, tenderly heart-single tho' from his dizzy heights perhaps he hath suffered his proud soaring ways to lapse to some bloom-dingle of shy oblivious sweetness — some glow-glad cottage ingle where petty joys commingle to a comforting completeness. . . . But this ache, ah, this ache! what tho' all this shamefast while (Not thy smile can the spell, Dear, of unearthly wonder break!) We against love who unaware have sinned, we, on the hither bank of the lagoon prove the illusion — to be dissipated soon; and yonder. We, unwittingly we, our very Selves wave in the wind, uplifted from the grey-green of the gloom for the play of spirit; in quest of freer room — yea, the still moon-silvery scope of a mysterious imperious holy hope? Who knoweth which we truliest be (O glory that forth floweth! O fragrant wind that bloweth!) the soul in flesh we feel not, or the soul in dream we see? Who knoweth tonight, who knoweth? 44 PARENTAL CONSENT "You will live to have love — love — love?" Love, did you say? Ah, little child, do you understand what thing you ask? A period of happy dreams and hopes — poetic imaginings, — like bees thro' bloomy paradises a-wing in the sun, gathering the honey to store in their hive — the soul of the beloved . . . for the world to rob to the din of its creeds? Say rather, you want illusion first, and then — ah, disillusion; patient efforts, cruel efforts to revive the dead, recall the forgotten. You want delicious dependence dear to alternate with fierce despair of freedom; — alas! surrender yourself you do not dare, nor can you wholly withhold yourself! You want, I know, disappointments, griefs together borne; and vexations also that part sunder utterly soul from soul; — woes, shames, pitiful sorrows for which each blames the other, tho' both be innocent; of which either blames himself in secret, tho' both be guilty. Ah, child, my own sv/eet, smiling child, I still can see the little babe — (You cannot, for you have forgotten that babe) — you want to know life now, death, the agonies, hazards, and blisses incommunicable? Ay, you are right, 45 none will deny it: — to be gloriously miserable at the v/orst, is better than the common content of day after day, in which one knows not the strength of the soul, and forgets there is heaven and hell. You are right. "To live for love only — for love and for love!" It is foolish, I think? Yes, and wise also, my child, very wise. We, your elders, who once were foolish as you, would not have you wiser, God knows — only more foolish, maybe, tho' our heart must ache with your ache. Oh, to be foolish again as you, more foolish and wiser so! Therefore we will weave you the bridal wreath, we will smile gaily, but of you unheard, in our hearts (forgive us, for who can help misgivings and bodings?) the bell shall toll away, toll to the peal of joy — the sobbing knell for us of our child. . . . The child whom often in dreams I see by ocean beach, .toy-pail and spade in hand, little dress tucked up — bare legs, chubbs' feet splash-splash in the foam of the spent green surf! The bell shall toll the knell of memories, hopes fulfilled. But you shall hear not — only for you the happy peal, and the cries "God bless you, God bless you!" And — God bless you indeed, tho' cur eyes fill with tears while we tell you how happy we are that you — have love! 46 THE WIDOWER A respite grant, Love, if no dear relief; lest maddened by this torturing fell Woe I perish not, but work thine overthrow of whom he holdeth right and might in feof. Love, my Lord, of caitiffs am I chief on whom thou dost such guerdon misbestow; the spirit's extreme ordeal to undergo! Shall grief slay — whoso slew not thee and grief? 1 cannot hearken now her wooing voice, be rapt in her embraces safe and close; — in vain with her thou biddest me rejoice, downtethered here 'mid sensual things and gross! Disloyal to the past— or maimed, morose? Nay, canst thou offer Love, no holier choice? THE BEECHES OF FERN BANK I. FELLOWSHIP O beeches, dear Fern Bank beeches, I greet you in haste as I pass. How vast, still, and tender your reach is over the wavy grass! Your boughs (droop they moveless, or stir they, soft-swaying in the summery air,) are inviting me — all unworthy — your fellowship true to share. O beeches, dear Fern Bank beeches, men may envy your vigor and grace: for, grown great in your brotherhood, each is content with his ancient place; not restive as We and ambitious, with our fate perversely at strife. What better, dear trees, can ye wish us than with You — to live our life? 47 O beeches, dear Fern Bank beeches, a consecrate grove ye are, for Dantes and chaste Beatrices in the gUmmer of the twiUght star; for memories, ecstatical fancies alone in the mid of the night; not bann'd from your shadow romance is, or Utopian devotion to right! O beeches, dear Fern Bank beeches, calm warders of river and road, persuasive your whispered speech is, — with You will I make mine abode; and study as You to stand quiet upreaching to heaven in prayer for this beautiful Earth, so nigh it, while fondling its undulant hair! II. FAREWELL Gleams the moon in the Fern Bank beeches! How each mystic shadow reaches down the softly grey-green slopes of dew-wet grass! Ah, my heart, my heart is aching — hurt by dread of a long leave-taking, for the ghosts of happy hopes on the night wind pass. Dreams the moon in the Fern Bank beeches? hark, how intimate their speech is, meant for none but loving ears to comprehend: wistfully they query whether quite in vain we've lived together, shared our longings, fancies, fears — that all should end? 48 Nay, old stalwarts, ancient beeches, though my soul your help beseeches, nought can Ye to stay the course of human fate. Blessed Ye, that here forever rooted rise with no endeavor, knowing no regret, remorse, no doubt, no hate! Ah, how gracious each to each is, hallowed fellowship of beeches by the gleaming river bank at watch, and ward! Would the human friend and lover might your magic spell discover, getting, giving holy thank in sweet accord! Your close bonds not death can sever, faith and hope will fail you never, earth beneath, and sky above, green hills around; blessed, blessed Fern Bank beeches! Us — 'tis loss alone that teaches how to make with wealth of love our life abound. 49 TO THE T'WO LITTLE LADIES CLARA SYLVIA AND PHOEBE FOR "WHOM THE STORY OF THE DEWDROPS WAS ORIGINALLY "MADE UP" BE THE THING NOW DONE INTO RIME MOST LOVINGLY DEDICATED BY THEIR PLAYFELLOW THE DEWDROPS "WHERE MORE IS MEANT THAN MEETS THE EAR" A PHANTASY IN TWO TABLEAUX AND THIRTEEN SCENES BEING AN ENTERTAINMENT FOR BIG FOLKS BY LITTLE PEOPLE GIVEN IN ALAMEDA AT CHRIST CHURCH FALL FESTIVAL, 1905 N. B. — Trees at Right and Left. The Oak, Elm, and Beech are grouped at back of stage. Across Center stage, back, a tinsel web is hung on the branches. The Drops — Green, Blue, Red, Golden, and Violet — are grouped before it as though hanging there. The Spider is above the web at Right. SYNOPSIS Tableau I. The Death of the Drops Scene I. — Tfte Fairy Queen causes the Dciv io appear by the magic of her Pansy. Scene II. — The Dewdrops, laughing in the meshes of a huge spiderweb, beg the Moon to abide with them forever. Scene III. — They are amazed at the appearance of Hying things like stars of heaven, or themselves, the stars of earth; and the Ghostmoth explains their nature. Scene IV. — The Spider, hypocrite, ascetic, sensualist, in zvhose Web the Dcivdrops hang, invokes the Wind to rid him of their noxious presence. Scene V.—The Trees discourse of the Wind's coming, and the Ghostmoth bids them a last adieu. Scene VI. — The Wind of Death blozvs to the terror of the Dew- drops, but the Golden Drop and the Blue Drop are full of faith, and leap dozvn from the Web of Life. Scene VII. — The Droplets, into which the falling Dewdrops broke, sing their gleeful Hymn of New Life. N. B. — The web is re- moved, and the hedge appears to the rear across the stage. Flowers are grouped to right and left, a dead branch of an oak comes over the hedge, on which the Treetoad may squat. Tableau U. The Doom of the Dew Scene VIII. — The Droplets rejoice, arousing the wrath of the Treetoad (professional prophet of evil, iconoclast, and ma- terialistic cynic), and, grozving to drops in the increasing dusk, they overhear the Wisdom of the Trees. Scene IX. — The Dezudrops, thus comforted, sing of the Unseen Glory; zvhereupon the Treetoad bursts into such fierce railing that all the Deiurops faint for horror. Scene X. — Tozi'ord dazvn they recover consciousness, and are startled and gladdened by the little optimist, the Wren. Scene XL — Fearing, and hoping, the day begins; the flowers ap- pear in new color; the Ruby-throat assures them the Sun is a floiver, but they prefer to believe him a z'ast Dewdrop, and are edified greatly by the Vision of Last Things, vouchsafed to the Golden Drop. Scene XII. — Gradually drazvn up into the zvarm air, their spirits sing a heavenly rapture of Assumption. Scene XIII. — The Fairy Queen comes forth in the front of the stage as Epilogue to gladden the folk in the pit with thoughts of their ozvn eternal childhood of soul, zvhile the attendant fays and fairies engage in a ballet of pantomime. 52 TABLEAU I. THE DEATH OF THE DEWDROPS SCENE I. THE ENCHANTMENT (Enter Fairy Queen, in front of Tableau Curtain. Takes C. stage, waving wand, and speaking a spell.) Fairy Queen: O the dew, the dew, on sprig and spray! on tendril, frond, blade, petal, plume — Fay Chorus (invisible) : blinking and winking to swing and sway of moonrise sheen and cool perfume. Fairy Queen: O the dew, the dew, in hallowed hush of the hovering haze and mystery born — Fay Chorus (invisible) : blinking and winking from leafage lush, from moss-strand, silken web and thorn. (Enter Fay Chorus, softly, on tip-toe from R. and L.) Fairy Queen: To the wafts of verbena and heliotrope, to the whiffs of orange-bloom and musk, Fay Chorus (dancing lightly) : big grow the dewdrops for glee and hope, in shimmer and glimmer and humid dusk. (A moment of silence zvhile all move in a ballet of listening.) What blithe, fine tones! (Jubilant.) The Dew! (Turning to the audience.) The dew! (Chorus of Fays divides into groups R. and L.) Fay Chorus (R. and L. alternating) : (R.) Poor— (L.) folk— (R.) that hear not— (L.) the twinkling (All.) Choir! 53 Fairy Queen {pitifully to the audience) : Touch eyelid and ear with the Pansy blue, {Chorus R.) And ho! — (L.) Lo!— {All.) Your dream-world of Desire! {The Chorus of Fays vanishes to R. and L. as Tableau curtain rises leaving the Queen in the center. Chorus of Dewdrops grouped about her to rearward. Scene as described in Tableau I.) SCENE II. THE MOON The Dewdrop Chorus {to ballet motions, sing "The Chant of the Dew") : See— We— be — {Bowing.) the tiny — •* shiny — Dew! {Moving arms gracefully.) We dangle — and bespangle — the bloom-tangle — ■ wet! {Prolonging tone as for an incantation.) blinking — and winking — Moon — Moon — at you! And we croon — "So soon?" "Nay, leave us not yet!" {Livelier.) For on leaf-tip, fern-frond, wisp of grass, we are growing, ho, growing big and wise! 54 {_With motions sweeping the zenith.') And ho! We know — as slow — you pass — you love us well — white — light— of the skies! (They kneel, surrounding Queen, arms and bodies swaying. Looking up rapturously.) For winsome we dartle in silvery shoon — o'er the far-away floor of skyey sheen; and for joy we startle or slumber aswoon on the swaying air of the garden green! Fairy Queen (sadly, to herself; the Dewdrops looking at one another as if they half heard, and wondering at the unseen speaker) : They deem the stars their kin , that dwell high in the sky! How strong, poor dreamers dear, the spell! For far is nigh, and nigh, alas! is far, so far! Dew in the grass, in heaven, the star! (During last lines Queen, slowly waving wand, approaches L. 1st E. Exit at last line.) (Dewdrops rub their eyes, shake themselves, and rise. As they chant final lines, they group at R. and L. up stage, zvith arms uplifted to the Moon.) Chorus of Dewdrops: Oh, the dew-folk above, as we on earth, 55 all beg you, for love, dear Moon, one boon! We will rollic ay — and frolic, and make you mirth, if you '11 stay with us, stay for aye — white Moon! SCENE III. THE FIREFLIES Red Drop: Look! Blue Drop: Look! Golden Drop: What was that flash — of grass-green light? Green Dropr Why, one of us! Red Drop: Some rash young Dewdrop spright! {Ghostnioth enters from R. and flutters back and forth among them.) Violet Drop: Nay, fly thro' empty air? No wings have we! Blue Drop: We 'd fly if v/e could dare to fling us free! Red Drop: A fire-spark on the breeze blown hither and yon! Violet Drop: So high? Green Drop: Over tops of trees? Blue Drop: In the moonshine wan? Ghostmoth (fluttering among them) : Poor silly people of dew! Dewdrop Chorus: (Right.) Ghostmoth, you know? Ghostmoth (to the Red Drop) : They 're firefolk, (to the Golden drop) bright, like you! that come and go, part moth, part dewdrop, they! 56 Golden Drop: Half-sisters! Green Drop: Weird! Blue Drop: The hoped-for marvel! Violet Drop: Nay, the mystery feared! Blue Drop and Golden Drop (singing) : Be they most-drop or most-moth: Or half fairly and half we be glad . . . Green Drop: sad. Golden Drop: good Ghostmoth! Violet Drop: We should weep. Red Drop: We would laugh! Blue Drop: Why tremble? Violet Drop: That a change might come on us. Red Drop: Into some being strange? Golden Drop: Mysterious? Blue Drop: Nay, that were also glee! Green Drop: As dear as this? Golden Drop: 'Oh, anyhow to be Blue Drop and Golden Drop: is bliss — is bliss! (The Dezvdrops clasp their hands in ecstasy. All their move- ments shotild be slow.) SCENE IV. THE SPIDER (The trees sway with lozv, moaning sotinds. The Dewdrops shiver slightly.) Violet Drop: Watch the tree- tops moving athwart the sky. Our v/isdom reproving. They wave us good-by. In the heaven they 're caressing yon velvety room. With boughs of mist blessing The glimmering gloom. Green Drop: Red Drop: Blue Drop: Golden Drop: 57 The Spider: (IVavcs frotit legs about. At the sound of his voice the ChostmotJi flutters out R.) O Wind, good Wind, kind Wind! Hearken, hearken, and heed! Violet Drop: What is the Wind, I wonder? Green Drop: The Oak's and the Elm's playfellow? Red Drop: A thing that with lightning and thunder will leap and roar and bellow! Spider: O Wind, good Wind, kind Wind, which much lovest the spider breed! Red Drop: The truth I told. For methinks the owley-eyed Ghostmoth knows who gossips with double-pinks and tickles the baby-rose; who flirts with jessamine wreaths, and kisses the columbine; and in breaths-of-heaven deep breathes to blow in the trumpet-vine! Golden Drop: Yet whoever, 'mong Dewdrops, heard of lightning and thunder before? Blue Drop: The Ghostmoth told you? Golden Drop: Absurd! Blue Drop: Mere fancy! Golden Drop: Leap! Blue Drop: Bellow? Golden Drop: And roar? Spider: Wind, Wind, good Wind, kind Wind! Hearken, hearken thy Spider; who in nothing hath sinned, long fasting by law; yet most thankfully grinned, when he glutted his maw. O Wind, good Wind, kind Wind! Golden Drop: What horrors I hear against my will! Blue Drop: I shudder! Red Drop: I fear! Green Drop: O hush! 58 Violet Drop: Be still! Spide; : The bird and butterfly despise thy faithful Spider. Poor sillies, that can't tell why they flit and flutter by. They know thee not as I, Thou rich provider! Violet Drop: An evil spell he droneth — alas! Green Drop: Ah, who can tell what Cometh to pass? Spider: The wasp and bumble-bee in yellow hats and hosen, they deem them fair and free, buzzing right busily. Poor honey thieves! But we, We be thy chosen! Golden Drop: Think you the Wind will hearken and come? Green Drop: He's jealous. Red Drop: Chagrin'd. Violet Drop: I would he were dumb! Spider: To work and wait and trust our wont and use and duty. Thou riddest of dew and dust that harm us and disgust our webs, for thou art just, to worth and beauty! Golden Drop: A loathsome thought! Blue Drop: The dust like the dew! Green Drop: By doubts distraught, . . . Violet Drop: O, v/ould that I knew! Spider: O Wind, good Wind, kind Wind, Hearken, hearken thy Spider! Thy thrifty down-glider, on sticky thread, who spins his web wider, and squats overhead — the steadfast abider, thy modest self-hider, 59 on gnats and flies and lady-bugs fed. Come quickly, O Wind, kind Wind! {With the closing lines the Spider descends, and scurries away R.) SCENE V. THE TREES The Oak: Ho, the Wind is coming, brothers, I feel it in leaf and twig! (Sv.'ays.) The Beech (to the Elm) : He little recks of others v/ho aren't as stout and big! The Oak: Ho, the Wind is coming, I feel it, in bough and knotty limb! The Elm (to the Beech) : He is happy and can't conceal it. The Beech (to the Elm) : Ah, trouble will temper him! The Oak: O brothers, the gladsome tremble, in bole and trunk and root! Wild goblins of air assemble to whistle and hollo and hoot! The Elm: I hate this bluster and v/restle that distract from our skyv/ard look. The Beech: Our sisters who cluster and nestle will be torn in their lowliest nook. The Oak: If only the warfare were truceless, none could live but the brave and robust. The Beech: Are our blossoming kinsfolk useless? The Elm: Shall they fight as we? Is it just? (The Ghostmoth flutters in from R. Flits about from Dewdrop to Dezvdrop.) The Ghostmoth: The fireflies, helter-skelter and scurrying off to shelter. And Ghostmoth, too, must hide him, (snails, earwigs, and beetles beside him,) in a dusty crack of the bark, in a knot-hole dank and dark, lest the Wind his body tear. Dear Dewdrops, have a care. 60 I shudder for you! Ah, why can't shiny Dewdrops fly? For then, we might together outUve the boisterous weather. Farewell, sweet friends, good-by! {Aside as he Hits atvay.) O, that beauty so soon must die! (Exit L.) (Shic'cring among the Dezvdrops.) Green Drop: He saith: "'Tis death!" Golden Drop: If all must die, it should be good to die — say I! Blue Drop: At last! Violet Drop: He's near! Red Drop: Hold fast! Violet Drop: He's here. {They lean toward each other.) The Wind {invisible) : 1 'm the Wind who would wistfully woo you, Woo! Woo! {Trees sway and moan.) The Elm: O Wind, you're a bully and coward, not to show your face when you smite! The Wind: Who '11 go round and under and thro' you, You! You! The Beech: On bushes dainty-fiowered why wreak your savage spite? The Wind: Who'll strip and uproot and undo you? Who? Who? {The Dewdrops shiver and lean toward each other.) Violet Drop: Heart sore! Green Drop: Soul-sick! Red Drop: What roar! Violet and Green Drops: Help! Quick! Red Drop: The ache benumbs. Blue Drop: I quake! Golden Drop: Death comes! 6i The Oak: Tho' I the more boldly and proudly uptowered, Brothers, we're shamed by your moan and groan! The Beech: I spoke out my mind. The Elm: I called him coward! The Oak (sarcastically) : And so, away, ye deem, he's flown? SCENE VI. THE WIND OF DEATH (The Trees sway more violently zvitli moaning sounds. One of the Dewdrop Chorus at rear R. who has had no spoken part, drops out of sight behind slanting approach. Two little boys at L. run down stage, joined by two little girls from R. on the zvay. They chant.) Dewdrop: (R.) I drop, I run, fall — break! Two Droplets: (R.) To— make— me — more! Two Droplets: For one — and one are — two ! The Four Droplets: And two — and two are — four! iAll the Droplets Chorus, repeating the above words and business as often as desired, four by four, run down and dance all together in a ring.) Wind-begotten from on high. Dew-born, small, small — but unspotten — why, why would you mourn our fall? (They group themselves to R. and L. of Big Drops, turning tozvard them.) still clinging to the old? 62 Come, leap from the strife! Drop singing fourfold, into deep New Life! Golden Drop and Blue Drop {more and more agitated, croon this dirge) : If first we go, or last we stop, if fast, or slow, what matter, Dewdrop? Violet Drop (imploringly) : Hush, dears, my fears you excite! Golden Drop: For lo, we know, none long may abide Blue Drop: In panic and woe, in glory and pride. Red Drop (dcHantly) : I have fought, this thought, and yet fight! Blue Drop and Golden Drop (alternating) : There is none, nay none, but must somewhile slip, downglide to run, close-cleave to drip. Green Drop (in terror) : O the leap to the deep, from the height! Golden Drop: What matter, despairer, so we spatter, to glitter? 63 Blue Drop: So we shatter to fairer, so we scatter to fitter? Red Drop (angrily) : I 'il delay while I may, the delight. Red, Violet, and Green Drops: We would hold to the old, if we might! (Golden Drop and Blue Drop let go and repeat the business of the first Drop that fell.) Red Drop: What befell? Green and Violet Drops: Who can tell? Golden and Blue Drops (running) : Good night! (Droplets run in with same words and business as above.) SCENE VII. THE DROPLETS (The Droplets down stage greet the incoming Droplets.) The Newcomers: We flew to the new, as our right. The Older Droplets: The Red, and Green, and Blue, the Violet, and Golden dew, held, O so tight, so tight! But they danced, and shook and fell, and broke, and ran pell-mell! Newcomers: And lo, we alight, we alight! First (Red) Droplet: I am fire, — my desire fulfilled! 64 Second and Third (Blue) Droplets: We be sky, (you and I,) as we willed! Fourth and Fifth {Green) Droplets: Such green, who hath seen? Sixth (Gold) Droplet: or such gold? Grand Chorus: Of the shade, that we prayed, heart-bold! Right Semi Chorus: If fated or free, if mine or his, Left Semi Chorus: the hope to be, and the fear that is. Grand Chorus: all's one to me, come that, come this — for the hither is glee, and the yonder, bliss! {Violet, Green, and Red Drops fall. The Droplet Chorus runs out R. and L., singing: "I drop, I run," etc.) CURTAIN. 65 TABLEAU II. THE DOOM OF THE DEW SCENE VIII. THE MOON SET (The Big Drops are grouped Center stage. Droplet Chorus R. and L. Treetoad on top of Oak Branch L. up stage.) Droplet Chorus: (R.) From wee to big, they grew — and grew, Chorus: (L.) on blooming sprig and leafy twig All: the merrymaking dew! Chorus: (R.) From big to wee we broke — Chorus: (L.) but woke again to be All: the glad, the free, the starry- twinkling folk! The Treetoad (breaks in harshly) : Be still, you silly, simpleton rout! (Moon begins to set behind branches.) There! Willy nilly, your light goes out. (Stage slozvly darkens.) 'T is only reflected from yon high lamp. (Points to last edge of moon.) You saucy, affected, twinkles of damp! (The Droplets exeunt softly, the Drops taking their room in the front of the stage.) Blue Drop: Who be you to joy in evil — uttering ugly words and rude? Red Drop: Whom do we harm, if insooth v/e believe ill? How jar we on your solitude? Treetoad: Treetoad am I — a prophet uncouth, on my crooked oak-limb asquat; whence boldly I rouse the world to truth, decreeing what is what — and not! 66 For lo, I know of wind and rain, long ages ere they blow and fall! My trill and croak be oracles plain, understood and dreaded of all! {The Elm and the Beech, softly sii>ayi)ig, sing low the follow- ing dirge.) Elm: Lower and lower, slowly down glides the silver glory. Beech: Twinkle and shimmer in darkness drown, all, all is transitory. The Three Trees Together: But moon goes forth, and stars come in; awed we stand, beholding the olden end, and the new begin; fall followed of fresh unfolding. Red Drop: You hear the speech of Elm and Beech? Violet Drop: Ay, soft aeolian tones. Golden Drop: What wisdom strange, of chance and change! Blue Drop: What sorrowful, sweet moans! Golden Drop: They know so much. Blue Drop: The stars they touch. Golden Drop: Their tops yet see the Moon. Violet Drop : Long mosses grey hang mistily, and their branches vast festoon. Green Drop: I tremble, aghast, to mark how fast our light hath dwindled pale. Violet Drop: The Treetoad 's queer, and cross — but a seer. Red Drop : Soothsayings of ttimes fail. Blue Drop: He's over glad ** to tell the bad . . . Golden Drop: and the truly-wise, methinks make understood the fair and the good . . . 67 Blue Drop : they glimpse thro' the cracks and the clinks ! Golden Drop: Ah, let us learn from such to yearn for all things good and fair. Blue Drop: And calmly trust new gladness must come forth of our cark and care. SCENE IX. THE TREETOAD (A gauze curtain is dropped to dim the scene.) The Dewdrops (szcayiug together, sing) : Our love we are wont to croon to the big, round, beautiful Moon in the high and far away. But quite is the splendor gone, his halo of shine withdrawn, while We — we stay, and stay. Be the stars — our wonder and pride our kinsfolk multiplied? 'T is to tell us: "All is well!" Not ours the jealous plaint, tho' feeble our gleam and faint, and we fade invisible. For the Wind of Death fierce blew; wherefrom at length we knew that life is more and more. Be the light then less and less, thro' dim and dark we guess a Glory to adore. Treetoad: O stupid rabble, no knowledge, no wit! Alone fool's babble proves infinite! 68 Your hope 's immodest, your faith absurd, your reasoning the oddest the world has yet heard. For what can continue above you, below? without you, within you? What Cometh must go! None ever returneth, tho' others appear. A fool, then, who yearneth for more than is here. But Dewdrop noddle with thinking might ache! So, a lie, dears, coddle for phantasy sake. Yet for worse, for better, for better, for worse, I will hold to the letter and the spirit — I curse! Green Drop: I knew our hymn he would deride. Red Drop: He's clammy and grim and goggle-eyed. Violet Drop: The godless wretch doth pride exalt! Green Drop: He'll find you, and fetch a flaw, a fault . . . Golden Drop : in starry dews Blue Drop: and dewy stars, Red Drop : the evil he pursues, Golden Drop: and the perfect he mars. 69 Treetoad: Ha, ha! You will cherish a flattering lie? "All, all must perish save you and I?" How strangely amusing your cool conceit! And your betters abusing, what noble heat! From fixed star and planet, your pedigree 's proved? Why not rather from granite, by tempest unmoved? The' the thought be distasteful— a wicked doubt — meseems — the world's wasteful of dewdrops devout! You think it should stick to such miracles rare? But — "mirabile dictu" — it doesn't much care! And why? There be plenty to prance in your place. So— "festina lente!"— you '11 vanish apace. The end of the story the dewdrop-kind — "memento mori" — should keep it in mind! Good-by, poor sillies, your doom is foreshown; and now my good will is, to leave you alone! (Exit Treetoad R.) (The Dewdrops all faint away. Form in groups across stage. Pause, with soft, dreamy music.) 70 SCENE X. THE DAWN (.Soft music.) Violet Drop (tvaking) : I shiver with strange cold in fitful whiffs of air. Green Drop (aroused and dazed; sitting up) : No dewdrop twinkles and glisters? Where be you, O my sisters? Red Drop: The earth, it waxeth old, the happy skies outwear. Green Drop: The stars are fading dimmer in a haze of mazy glimmer. Violet Drop; Gone — gone! And unconsoled we sorrow! — Where? Oh, where? Golden Drop (sta)ids, hesitatingly) : Maybe, tho' darkness hide them, no evil doth betide them! Blue Drop (rising, taken with the new suggestion) : Sad converse sweet they hold? As we, their wonder share? (TJic rest of the Dezvdrops sloivly rise.) Golden Drop (mysteriously) : Ah, while they dim and darken — th' hushed whisper within they hearken Violet Drop (with awe) : as nigher the feel, and the fold of the dream-like slow despair! (The Cockwren hops out from R down stage. The Dewdrops start back in afright and gather in group at back of stage. Their fear is soon overcome by the cheerful tones of the Wren as he hops back to the hedge top.) Cockwren (to his mate in the nest on the hedge) : From the fairyland of sleep awaken, O, awaken, Puff-o-down, you and I! From the nest-rim a peep, fluflfed wing-feathers shaken — then hop, flit and fly! 71 Out-twitter we the chill that the dawn-world numbeth, — flutter and twitter away, with expectance athrill, — for He Cometh, He cometh over dingle and brae. Violet Drop: Who, sisters, cometh think you? Death? that the wren on the hedge-top twittereth? Green Drop: The Treetoad a doom of woe foretold. Blue Drop: Is wisest he, who most liketh to scold? Red Drop: Mayhap that cross-patch prophet erred! Golden Drop: I am fain to believe the blithesome bird. Violet Drop: So restless and eager, — can any be wise? 'T is surely Death shall awake and arise. Green Drop: Ay, the stars be one by one extinct, and our fate with the fate of them is linkt. Violet Drop: No feigned hope, no craven dismay, — Await we the mystery cold and grey. The Wren (hopping about in great excitement) : With dewdrops thickly the world is sown. He cometh quickly from the golden Unknown to quicken and gladden, to kindle and warm; with passion to madden, with love to transform. Violet Drop: Green. Drop: The Wren:. Red Drop: What rosy hues the skies suffuse! A veil withdrawn. The Dawn! — the Dawn! The marvel grows! It flashes — it glows! All the Drops: The gloom undone — the glory hath won! 72 {The light grows on the stage.) The Wren: The Sun- All the Drops: the Sun? The Wren: The Sun! Red Drop: The blaze mounts higher. The hedge is on fire! Blue Drop: Hark fluty notes from a myriad throats! Golden Drop: The heaven aflare — light everywhere! {Bright light. All raise their anus and look upward in wonder.) The Wren: The Day, Sweetheart! The Dewdrops: The Day? The Wren: The Day! SCENE XI. THE RUBY-THROAT {The Dewdrops blaze out in light thrown on their tinselled costumes, and bcjezvcllcd little persons.) Dewdrops: Glad amber, soft turkis, shy amethyst, gay emerald, clear topaz, — tho' daughters of mist; Brave diamond, bold ruby in radiant array, we thank thee, and worship bright Sun-lord of Day! {Ruby-throat enters from R. He flits in and out among the Dewdrops.) Ruby-Throat: As I hum and boom from bloom to bloom, still poised in air for greedy bliss, the wind of my wings a panic flings 'mong the dewy-clustered clematis. 73 Ho! I chuckle at heart as the Dewdrops start; for the humming earth, 'mid-sky, like me, hangs poised at the brink of the Sun to drink his heavenly honey of glamour and glee! Red Drop: Lo, jack-in-the-pulpit, and lady-smock fine, Green Drop: Lo, larkspur, and foxglove, and frail columbine, Violet Drop: sweet-briar, honeysuckle, Canterbury bells — All Dewdrops: What form and what color! What sweet mingled smells! Blue Drop: Yet, O Sun, thou art nowise the King of the flowers; Golden Drop: An infinite Dewdrop, we know thou art Ours! All: For do we not feel thee updraw us to Thee? and couldest thou draw us wert Thou not as we? Ruby-Throat (protesting in friendly fashion to the Deivdrops, ivho are too much concerned with each other to heed him greatly) : I am Ruby-Throat the Happy; so my knowledge, it is scrappy, — got here a bit, there a bit, — and for better I don't care a bit; as I'm positive the Sun, dears, is a sunflower — or there's none, dears! 74 For the Sunflower 't is who told me — don't be vexed, then, and scold me! I 'm a kindly good fellow, — but, you see, both — are yellow! Violet Drop (zuith a sense of impending doom) : We brighten, but dwindle! Shall this be the end? Red Drop: To long for each other, yet skyward ascend? Blue Drop: In the heaven, O, Sun-drop disperse us, and fuse Green Drop: the many in one, Drop, in thee. Lord of Dews! Golden Drop (with the mystic emphasis of euthanasia) : A vision hath come to me, me, dullest and lowest! I cried: "Be not dumb to me. Speak, speak, if Thou knowest! What meaneth the mystery? we brighten, we enkindle, to a glory, sun-glistery — yet minish and dwindle?" And the Vision — It smiled on me, so gentle and tender! "Hang lovingly, my child, on me, thy whole self surrender; and lo, thou art part of me, updrawn and upholden, in the veriest heart of me, azure and golden!" {The Dewdrops have listened in blissful elation to the vision. They slowly vanish, by the drop of the Tableau Curtain.) 75 SCENE XII. THE REQUIEM {The forepart of the stage is slozvly heaped with petals that fall as a snowstorm steadily to the end of the scene.) The Dewdrops (unseen) : Ha, we are not! Others be. But when were we ever we? And yet are we not at last, upvanished in the vast? Ha, the past is forgot! The future is not! For the Now is, alone! The Unseen! The Unknown! Oh, blessed be the Dew, born ever anew, downfallen to ascend: no beginning, no end! Soul-quiet in the strife! Death-rapture — and Life! 76 SCENE XIII. THE FAIRY QUEEN'S AFTERWORD (The Tableau Curtain rises, disclosing the Fairy Queen with Fays and Fairies C. stage. Grouped about her are all the Characters of the drama, tJie Dewdrops being nearest her, in a circle. She comes doivn stage, slozvly turning and waving her wand. All except the Dewdrops slowly pass out R. and L.) Fairy Queen: Be any offended at aught here heard? Our Phantasy's ended; — yet hearken, one word! (Chorus playfully hush one another, and all the characters on the stage.) Dear folk, I would win you this truth to believe: the Dewdrops are in you to your spirit they cleave. Chorus (quite drolly didactical, zvith much stress) : They are in you, ay, in you, to your spirit they cleave. Fairy Queen : I can see them atwinkle tho' you (of course) can't I can hear — tinkle, tinkle! their crystalline chaunt. Chorus (with motions of eager listening) : We can hear — tinkle, tinkle, — their crystalline chaunt. (The Dewdrops wave their arms in rhythmic motion.) Fairy Queen: Ho, the Dew, how it dances, in heart and in mind; in smiles and in glances, now unseen, now divined! (The Fays and Fairies follow the movements of the Queen.) Fairy Queen : I am old, very old, yet I 'm also a child ; for my heart is not cold yet, nor my spirit defiled! 77 If the world tho' have hurt you, I '11 bestead and befriend. See, this Pansy hath virtue your playthings to mend! (The Queen holds out the pansy for all to view and the Chorus mimick her motions.) And youth? youth? What is it? but the will to receive the day-dreams that visit the soul, — and, believe! CURTAIN. 78 SEWANEE LYRICS AND KINDRED VERSE THE REJECTED LOVER TO THE MOON Dear Moon, so white, so swift, that fliest from cloud to cloud athwart each starry rift, — how haughty and virgin-browed! There clings about thy form a circle of hallowed light. It glides, and hides the swarm of stars that would share thy flight. Dear Moon, our hearts can ache, or quiver with ecstasy. Is thine too cold to break? Too lonely in liberty? No soul thy soul hath known that lived to enrapture it? For aye alone — alone — athirst for the infinite? The sky with clouds is strewn, a sea with its isles asleep. Thou sailest fast, dear Moon, — thy love is across the deep! But one whose life is wrecked would rather believe thee cold, unloving, unloved, erect — a queen with her crown of gold! 79 "HASHISH" I. THE CHOICE Oh, weary of the westering sun, of deserts reaching far away, of roses that sicken one by one, of thorns that quicken day by day; may others for wealth and for honors wish; — I cherish the dreams of the sweet hashish! Methought new light shone in those eyes whose lovely gleams the soul entrance; and, making richer seas and skies with blisses bewitch her, glance for glance; may others for kisses and love-looks wish; — I cherish the dreams of the sweet hashish! They vaunt the pleasures of the cup wherein the purple wine is poured, — the spirit riseth up and up — God's fire in their eyes is; life hath soared above the blue noon of hope and wish; — I cherish more fondly the sweet hashish. Some whisper of joys that blot all care for them who love the Koran's lore; — voluptuous houris soothe them there where ecstasy sure is, evermore in the swoon undying or will and wish — I cherish the dreams of my sweet hashish. II. THE TRANCE Meseemed, as on a silken couch I lay, that all had melted in the far-away where nothing but my heart and peace were found. And there were perfumes drowsing all around in visible waves of sweetness, and there stole mysterious music thro' and thro' the soul, 80 till all was fresh and full of strength divine, yet soothed to calm — such ecstasy was mine! And as I lay I listened for those notes quivering with tenderness, as tho' from throats of nightingales among the full-leaved trees, warbling athwart still amethystine seas. And then medreamed, I was a beauteous Lake sparkling for glory, whose smooth ripples break in lines of light among the rushes dusk. His bosom sheen unto the sky made bare — He drew her downward to him debonair, to mirroring deeps from her aerial height in cloudy pure and azurous delight; while leaving not her heavenly home above, below She made him lovely with her love. I was that Lake and mine its joyous thrill, when over him in amorous self-will the breeze blew orient bubble and pearly spray to fairy foam in shimmery disarray. I was that Lake whereon blithe sunbeams danced in glassy stillness mazily entranced. I was that Lake, and yet — he was not I. Rapturous doubt! At once to live, and die: tho' here, yet ever vaguely otherwhere, — voluptuously aware and unaware. Thus was I wooed and cradled to and fro by dream-breathed beauty in listless ebb and flow: nebulous fancies hither drifted still, nowhither bound; — an inexhaustible river of conscious mystery and sheen, silvery weird and sunnily serene, — star-shine and lullaby and balmy bloom, hush, zephyrous twilight, and evasive gloom. And ever, all meseemed there was — was I. . . . even I — without, afar, — within, and nigh. — 8i Lo, where my Lake among the rushes lay lapping along his marge, softly asway upon the rippling heave, methought I saw a golden star in snows that never thaw, yet ever in the brooding sunbeams shine: — a Lily afloat — virginity divine unvisited by messengers of love, by honey-bee or breeze. The skies above, the skies within the Lake, smile both on her. My Lily openeth and her petals stir as the white wings of some enamored Dove, and flutter till the skies below, above, tremble with gladness. As I gazed and gazed, another filmy veil of dream was raised. My Lily and Dove became an innocent Maid, in naught but heaven-lent loveliness arrayed! There unabashed she stood so childish-pure and smiled, and waded deeper, insecure, thrilling me with a sweet desireless joy; even me, the Lake, wherewith her fingers toy how delicately! — do I live or die? I am her Lake, scarce knowing I am I! She stoops, and lo, a Dove with rosy feet is flown to settle lightly as is meet upon her shoulder meek; and she replies with grateful happy radiance from dark eyes, caressing with flushed cheek the cooing Dove, till laugh the heaven below, the heaven above! Ill THE WAKING List! V/oe is me — sweet apparition stay, oh, stay, bathe in that lake of my dreaming soul — nestle dear Dove, in her bosom; — make whole Ye pure and gentle, or utterly slay the homesick and lost — woe 's me! Dreams! — broken dreams! Where now is the golden, the living Lake? 82 Fainter and farther away it gleams — melody, fragrance and quickening beams a mist-like slow-fading illusion, forsake my broken, my broken dreams! Why, churlish world, cruelly rush on the ravished brain? Hast thou no awe of the heart, close-furled, bliss-swathed — whose incense-fumes upcurled flung on the wind of awakening pain, vanish, — O hard, harsh world? Dreams! — dearest dreams! Why must ye die in a dream, less pure? Waking we sleep, and asleep we awake .... Maiden, and Dove, and opaHne Lake? — O would that your bliss could forever endure, my dearest, my dear, dear dreams! A FEBRUARY DAY IN TENNESSEE I lie among the yellow grasses, so tall and dry; and, as I lie, a cloudlet passes athwart the sky. 'T is Hope alone as yet who dallies from dell to dell, and through the leafless garden-alleys bids the buds swell. But, as yon cloudlet flieth further, evading view, O where if ever, tell me, were there such depths of blue! Idly I snatch the wither'd grasses by handful sheaves, and twist them into arching masses with shaggy eaves, 83 and lo! a gothic baptistery: four arches keen of sunny gold, and with the very blue sky between! And so, I fall a-dreaming sweetly of One — God knows . . . (how should I name her indiscreetly — my dev/y rose?) Here have we been betroth'd and married, and fast v/e fly on wings of skyey genii carried, — glad She and I. Whither? Who asks in such still weather if East or West? So, Darling, we but fare together, all ways be best! What? but a day-dream? O dear grasses,— alone, unwed? I scan each cloudlet as it passes high overhead . . . bound for Love's mystical far Thule, do they not seem? O might I evermore — but truly dream this one dream! A RESPITE Laughing I lay on a Summer's day, bedded in blossoming grass; and little, little did I think of Her! Love is not all of life — ^alas! 'Would that it were, 'Would that it were! Oh! that we could be but understood; bees must their honey amass when skies are blue and grasses lightly stir. Love is not all of life — alas! 'Would that it were, 'Would that it were! Selfish the soul that from love-dreams stole, watching the gay breeze pass o'er ferns and flowers, but Oh! all things aver; Love is not all of life — alas! 'Would that it were, 'Would that it were! IN VAIN A passer-by, a passer-by, only a passer-by! And I hoped to have thee always nigh, to hear thee bid me live or die for thee, for thee — but what was I? Only a passer-by. An idle dream, an idle dream, only an idle dream! For we meet to part, and when we seem just near enough to kiss, the stream will sweep us on, from dream to dream — Only an idle dream! O bitterness of bitterness, bitterest " bitterness ! That the heart should spend its tenderness, and bless a heart that cannot bless, and waste away, yet love no less — Bitterest bitterness! 85 CHERRY BLOOM See! see the cherry-blossoms, spring's bee-laden snows a-dancing on the merry breeze, in radiant orchard rows. The robin, cheery red-breast, on the topmost spray, is piping to the clear blue skies the rapture of the day. The stream is trilling, grass-bound, filled full of silver showers, impatient for the crocuses and summer's fragrant hours. What soul is there could foster thoughts of sullen gloom amid such joyous loveliness, such mirth of cherry-bloom? Woe's me! a little maiden — no toys upon her bed, her thin hands listless lying, and weary her drowsy head. Among her yellow curls, scarce stirring in her breath, shine gathered close the blossoms white, and this each blos- som saith: — " Upon thy snowy pillow, among thy yellow hair, for thee we 're waiting, Sister-soul, with thee our heaven to share. "Oh! tell us, Darling, longer, much longer need we stay? an angel brought us here to thee; come fly, come fly away!" And see! the blossoms flutter 'gainst the window-pane, and see the blessed sunbeams fall in showers of golden rain, and see the pale lips parted, smiling sweet in death — as tho' an angel kissed her mouth and kissed away her breath, and hear the cheery robin, the streamlet's lilted lay, and hear the wails and stifled sobs! — hush! hear a mother pray! The earth her lap prepareth, dreaming o'er the dead. Soon periwinkles white and blue will cover a little bed. 86 NOX MYSTICA Lo, the eager oaks their arms outfling and capture a nook -of the cool night sky wherethro' one star, like a startled thing, peeps at our world as the clouds flit by. The mocking-bird pipes thee a ditty, O star, and spring's little leaves, astart with delight, in the breeze to thy still blue home afar like silvery birds are straining for flight. Oh, our world it is lovely, and love here sweet, and a joy spirit-sating this day-dream to live; yet at times the brain throbs, and the pulses beat as tho' heaven had withholden some gift it would give. O star in beautiful peace afloat, happy for fulness of scintillant mirth, knowest thou — Thou from our passion remote — what magic js lacking to enhalo the earth? Or lacketh there naught save in me who complain, who have sundered my heart from the bliss of the whole, making 'mine' jar with 'thine,' and pleasure with pain, and folly with wisdom, and body with soul? O God, in a tract of soft still gloom would I might burn like that star of thine — filling with glory the infinite room, shine on forever, and shine, and shine! But the heart's prayer, fraught with ache of the sense, it is not the soul's, Lo and hark, I have sinned. For a mutter of thunder man knoweth not whence, and the terrified leaves fold them tight in the wind! Ah, rather than calm — for the truth would I yearn for the truer on and on, the sore warfare within; Ah, rather than joy in life's loveliness, learn The lore of bereavement, of sorrow for sin. 87 up in the cool clear sky, embrowed of the shivering boughs a-drip with the rain, — no change; but a vow of the spirit is vowed, and sad is the loss, and sadder the gain. For the mocking-bird pipeth no more as he lists, and the little spring leaves hang down with the wet, and the star — like a tear in God's eye — thro' thin mists it trembleth — down-trembleth, and forever hath set THE SOUL'S SANCTUARY How often from the soul in silent starlit meditative moments there wells a spring of tears, that murmurs in our ears, and brings back music, fragrance of dead years — Love's radiant robberies and sweet bestov/ments, while faintly far-off bells of memory toll! Then, in the twinkling net of silver starbeams, are our senses tangled; and eyes, long-dimmed for us, grow kindly luminous, and voices, silent long, sound tremulous — so very near us, that our spirits, jangled, to silver harmonies of- heaven are set. What then is wistful-worst of those scarce bearable vague recollections? The restless bitter thought of love that came to naught? of sympathy so needed, yet unsought, which we withheld? of hoarded-up affections that might have fed a soul and stilled its thirst? 88 O sacred impulses we quenched! Our world receives, alas, too little kindness; it hath such aching need, so few its anguish heed, its eyes that crave, its lips that dare not plead — while full of joyous haste and selfish blindness, the rich-in-love pass by with hands tight-clenched. Nay, bitterer things there be than sharp remorse for sympathy close-hidden! The thought that side by side we fared, yet dared to chide whom most we might have heartened, had our pride been of our better spirit to sweetness chidden; and gone are they, and sadly wistful we! Our lives re-echo still to mourners' footsteps and to prayers ungranted. Their altars — dark and cold! Light-up sweet words untold, kind deeds foregone, till the very dome of gold glistens with stars, and the soul that sore hath panted for hymns and service holy, have her fill! UNDER THE STARS Tell us, tell us, we beseech you do You love us still? Earth's mad cry, — speak, can it reach you on heaven's shining hill? O the Stars, lights of your city burning in your streets, — tell us. Friends, for old love's pity if love's heart yet beats. 89 Far forever must we linger, hopelessly alone? Point our way with spirit-finger to your Land unknown! " Not the old familiar places haunt we still for you; Not in far-ofF starry spaces build we mansions new, " Now, ah, now we see and hear you, feel your joy and pain; long to comfort, yearn to cheer you, counsel and sustain. " You it is who will not see us, will not hear and touch; still withdraw and fear and flee us — lest we love too much? " Deep within you blooms the garden guirt of rivers four; Strength and Troth and Faith and Pardon, brimming evermore. " Lo, the Tree of Life fast-rooting in the midst thereof, — myriad-budding, myriad-fruiting, miracles of Love. " Pomp of wealth, and proud achievement, fame vainglorious — none hath solace for bereavement. Come within, — to Us!" Tho' the stars, O dear Departed, twinkle and believe. . . . We alas, — dull, heavy-hearted — doubt, and yearn, and grieve. go LOVE IN HEAVEN My God, my God, what shall I say of Thee, •who madest man a marvel to himself? Dumb, shall he gaze forever in Thy face transfixed with wonderment and love of Thee? Death into life — Thy smile is life and heaven! Hate into love — Thy light obliterates all that grows not infinite, divine and pure! My God, my God, let me be always dumb! Yet such annihilation is not meant to be the close of this poor passion-hymn. Thou wilt have service of us while we live as well as worship, so we dare not die. Somehow Thy love will temper for us then the inconceivable splendor of Thy brow, and soothe us with increasing sight of Thee as holier we grow, and liker Thine. Heaven is not meant to be the grave of man; his love, if worthy of divine recall, shall bloom once more, when he shall find sweet truth in all the irrecoverable dreams oi time, but every one transfigured, raised on higher throne, shot through and through with light. O God, let earth for me be what Thou wilt, more than I lose I find again in Thee! Here thwarted, there consoled; here grieved to death, there flooded vdth delirious holy joy; here parted from the things we cherish most, there welded into one with what we love; eternal Selfhood, everlasting God! unbounded Passion, rich unhindered Rest! O Earth, I take thee! Heaven at length will come, and She I lose be found more fair in God! 91 SONG AND COUNTERSONG " When Love hath patted us by" I. SONG The cornflowers thro' the wheat beam sky-blue, and the poppies burn in crimson joy; at every step we meet some winsome petall'd friend from whom we learn how fresh is life, and sweet! Wherefore — the deeper sigh, if Love, alas! if Love have passed us by! Our life is not in vain? The firmament hath stars for all that flicker on; and every soul is fain to know his own and scan them, lest they fall? But pain, unmeasured pain in tears may blot the sky for some, alas! if Love have passed them by! No good can life bequeathe; — < beauty abideth with the dead, and falsehood maketh thick the air we breathe. True hearts will not be lightly comforted! Beneath the flowers, beneath is rest! Who would not die if Love, alas, if Love had passed him by? IL COUNTERSONG The world is hard and heartless, blind to the pure and good? Its lusts unsated ever, we drudges given for wage no thing we would? And so for hopeless hope we sigh? . . . 93 And yet, ah, yet why should one vainly fret, aspire to aught, or aught of ill regret, if he no angel of light have met — if Love have passed him by? Youth's ardent hopes extinguished, ideals thrust aside — marshalled in futile battle, our faith down-cast, laid low our noble pride,- that we may meekly learn to die? And yet, ah, yet Despair may strength beget; angelic sword in hand, our face We set against the dragon's guile and threat — if Love have passed us by — if Love have passed us by! SYMPATHETIC MUSIC Breath-seizing, irresistible delight! O Singer sweet and pure, beneath the dartling stars thy magic might who could for long endure? Those tensest strings to skill'd white fingers yield their plaintive spirit-wails, till half our sorest sorrowing is healed, wafted to Dreamland vales: trippings of children's rosy feet, light, gay, down silver stairs of sound; sobbings of love, unanswered, far away, of yearning heavenward bound; dark reachings for a music still more sweet, with aching heart astrain; , delicious dyings at beloved feet — intensest, dearest pain; 93 soft, soul-seducing harmonies that make delirious fancies come, and, ere their azure-winged flight they take, with bliss the heart benumb; — Oh! I have listen'd till the Past hath seem'd chang'd in all bitter things; till in the bitterness of bliss I dream'd that love no sorrow brings. Then notes fell thick in pearly rain, like tears, and lay like gracious dew Among the thirsting flow'rs — thought dead long years — and lo! they bloom'd anew! DIRGE