■^^'^ v^> <^^' ^ •x* <^^ ^v^' ^, ' ' A O ^v^^-... ^^> .^^' ^n.^v^ : vO *• , V ^ ^%. V, .^(X- ^' .'M^'.. ^. 'V'^'^'^^^ .^,, ^\ \ .. ^ ' « .. '^o_ \ * , -tu <> ^■o* ^v^ ,:^/r?7^ V > * _/r^SNrv .^^ v^ •. 'V. ,0- %. aV <^^ .V \ _v ^■^ .rV »: \0°.. .0 \^ ^^^ ^'\^^' ^mi^^' %,< '^^ » * ^ "* . .,\' ^ \^^ '" ^^. ,v^^ ^^^^ ^^ ^.,^- 1: •\' /^ .^ ^•0 ^. ^' -^k^C^ *'^' .0 o 0^ ^ ^./._' * N ^ y :%.,v^' ,0-^' c.o' V'-v\-.,V"'",.o^: >*■ N^"^ '^ .0 0. ■^: ^^^ ■''^^ 'V*' 'cf' .V ,. >:-. ,.^ ,-^' ^ # .;^^. ■•^.^^'«' */ '}>^^. ^p (3ttiv%t |). JJalmer THE ENGLISH POEMS OF GEORGE HERBERT. With frontispiece. Edited by George H. Palmer. INTlMATfONS OF IMMORTALITY IN THE SON- NETS OF SHAKSPERE. Ingersoll Lecture. THE PROBLEI\A OF FREEDOM. THE TEACHER AND OTHER ESSAYS AND AD- DRESSES ON EDUCATION. By George H. Palmer and Alice Freeman Palmer. THE LIFE OF ALICE FREEMAN PALMER. With Portraits and Views. New Edition. THE ENGLISH WORKS OF GEORGE HERBERT. Newly arranged and annotated, and considered in rela- tion to his life, by G. H. Padmer. Secofid Edition. In 3 volumes. Illustrated. THE NATURE OF GOODNESS. THE FIELD OF ETHICS. THE ODYSSEY OF HOMER. Books I-XII. The Text and an English Prose Version. THE ODYSSEY. Complete. An English Translation in Prose. THE ANTIGONE OF SOPHOCLES. Translated into English. With an Introduction. A SERVICE IN MEMORY OF ALJCE FREEMAN PALMER. Edited by George H. Palmer. With Ad- dresses by James B. Angell, Caroline Hazard, W. J. Tucker, and Charles W. Eliot. With Portraits. HOUGHTON MIFFLIN COMPANY Boston and New York THE ENGL "1 POEMS OF GEORGE HERBERT THE ENGLISH POEMS OF GEORGE HERBERT NEWLY ARRANGED IN RELATION TO HIS LIFE BY GEORGE HERBERT PALMER BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY (^he m\Mx0iiit pxt0? €ambnD0C 1916 ^BOl COPYRIGHT 1905 AND I916, BY GEORGE HERBERT PALMER ALL RIGHTS RESERVED JAN 24 I9IB ©CU4204S1 GENERAL PREFACE FOR poems so few as those of George Herbert, and of so intimate a nature, a small book is ^^ fitting. I once gave them enormous bulk. Bear- ing Herbert's name and studying him for half a lifetime, in 1905 I devoted thirteen hundred pages to telling the world what I thought of him.^ A first volume contained all his English prose together with five long essays, discussing the circumstances of his life, his traits of character, the religious aims of his verse, its technical style, and a criticism of the two manuscripts which assure us of his text. A second volume held all his poems written before he took orders, and a third those after that long- deferred and climactic event. A new arrangement of the poems was the distinctive feature of my book. The traditional order was found by Nicho- las Ferrar in the manuscript bequeathed to him by Herbert, a manuscript now known as the Bodleian. Ferrar followed it in printing his first edition of 1633, and up to 1905 its order was retained by all editors. In 1874, by a discovery of the late Dr. Grosart, a new and illuminating order became possible. He found in the Williams Library in Lon- ^ The English Works of George Herbert. Newly Arranged and Annotated and Considered in Relation to his Life. By George Herbert Palmer. 3 vols. Second edition, revised. 1907. Houghton Mifflin Company, Boston. vi GENERAL PREFACE don a second manuscript, largely in Herbert's hand, containing half the poems but showing many variations from the Bodleian. In constructing his own text Dr. Grosart chose from the two manu- scripts whatever reading pleased his taste. In the fifth essay of my first volume I have presented the reasons which convince me that the Williams Manuscript antedates the Bodleian by about five years. It shows, therefore, the state of Herbert's verse before he went to Bemerton and thus for the first time supplies an instrument for sorting the poems. While it does not enable us precisely to date them, we can now part the scholar's writings from those of the priest, and in each of the two re- sulting divisions traces can be found of facts in the earlier and later life of Herbert. The poems I ac- cordingly arrange in twelve significant Groups, based partly on history, partly on subject-matter, and steadied throughout by manuscript authority, the reasons for each Group being stated in a brief Preface. By this simple means a chaotic mass of enigmatic verse is turned into a human docu- ment permeated with the life of a high-bred, hesi- tating, intellectual, and consecrated soul. But the elaborateness of that book brought me a certain discontent. It revealed the new Herbert to scholars but hid him from the general public, to whom also I wish him known. How suitably might the groping man of to-day sympathize with the conflicting moods of one who heard and GENERAL PREFACE vii veraciously recorded the calls of God, pleasure, choice society, high place, art, action, indolence! The double-mindedness of this stormy and intro- spective young man (cf . The Answer), too long mis- taken for an aged and passionless saint, fits him peculiarly for companionship with our uncertain generation. But most friends of the spirit speak from a pocket volume. My god-father shall have one which will allow him to appeal, in all his com- plexity, across the centuries to us. No English poems by Herbert were published during his life. That fact explains at once their difficulty and their worth. They are private and confessional writings, like the Portuguese Sonnets or those of Shakspere. They were composed for himself and not for the public, singularly truthful and artistic expressions of his many moods. In reading them one must imaginatively enter into Herbert's mind, while he takes no pains to ease the approach. For so independent a poet a comment- ing editor may do much. Desiring to make my early book a kind of encyclopaedia of Herbert, I printed there a poem on each right page and reserved the entire left for a series of notes. These notes, oc- cupying as much space as the text itself, cannot be reproduced here. But for their loss I offer a kind of compensation in the Prefaces to the twelve Groups, which will at least show the significance of the poems which follow. In them too, and in the Table of Dates, the development of Herbert's life X GENERAL PREFACE Herbert was about the first to perceive that poems should have soHd structure. He knew when to stop. He supplies his pieces with a beginning, middle, and end. No superfluity enters into their unified form. Herbert, in short, is a conscious artist; and before his time literary artistry was little sought or understood. The mastery of firm poetic form is one of the distinctive contributions made by him to English verse. A second is that to which I have already re- ferred, the development of the religious love-lyric. Common enough to-day is poetry which speaks the vicissitudes of the individual soul seeking to yield itself to its divine lover. But we forget that it was Herbert who set the pattern of such poetry. With what truthful freshness too and precision does he utter his fervors ! In his daring, picturesque, and condensed words we feel such power of the aphor- istic phrase as was had previously only by his friend Lord Bacon or by Shakspere himself. Re- ligious verse is seldom transparently sincere. The temptation is strong to say what is expected. But how convincingly, surprisingly, true are Herbert's lines ! To use the test by which Mill distinguished poetry from eloquence, we rather over-hear than hear him. Whoever will once work his way into acquaintance with this strange poet will find him a perpetual friend, endowed with noble speech, exact and unusual thought, and a heartfelt, if humanly wayward, allegiance to God's insistent call. DATES 1593. Herbert born at Montgomery Castle. 1597. Herbert's father dies and mother moves to Oxford. 1603. James I King. Lady Herbert moves to Lon- don. 1605. Herbert enters Westminster School. 1609. Lady Herbert marries Sir John Dan vers. Herbert enters Trinity College, Cam- bridge. 1610. Herbert's two sonnets to his mother. 1612. Herbert takes B.A. Degree and publishes two Latin poems on death of Prince Henry. 1616. Herbert takes M.A. and is appointed Major Fellow of Trinity. 1619. Herbert appointed Public Orator at Cam- bridge. Publishes Latin poem on death of Queen Anne. 1623. Herbert receives from King the sinecure Lay Rectorship of Whitford. Publishes Latin Oration on reception of Buckingham. 1625. King James dies. Bacon dedicates to Her- bert certain psalms. 1626. Herbert appointed Prebendary of Leighton in Lincolnshire. His Latin Poem on Ba- con's death. xii DATES 1627. Herbert's mother dies. He resigns Orator- ship. His Latin Parentalia published. 1628. WiUiams Manuscript of Herbert's Poems probably written about this time. 1629. Herbert marries Jane Danvers. 1630. Herbert takes priest's orders and the Parish of Bemerton, Wiltshire. 1632. Herbert writes notes on Ferrar's translation of Valdesso's Considerations. 1633. Death of Herbert at Bemerton. Ferrar publishes The Temple at Cambridge. 1634. Cornaro's Treatise on Temperance^ trans- lated by Herbert; published. 1652. Herbert's Remains, containing his Country Parson and J acuta Prudentum, published. 1662. Herbert's early Latin poems, attacking An- drew Melville, published. 1670. Izaak Walton's Life of Herbert, published. CONTENTS GROUP PAGE THE DEDICATION xv I. THE CHURCH-PORCH 1 II. THE RESOLVE 37 III. THE CHURCH 59 IV. MEDITATION 109 V. THE INNER LIFE 141 VI. THE CRISIS 167 VH. THE HAPPY PRIEST 211 VHI. JBEMERTON STUDY 243 IX. RESTLESSNESS 295 X. SUFFERING 333 XI. DEATH 371 XII. ADDITIONAL AND DOUBTFUL POEMS 389 INDEX OF TITLES 421 INDEX OF FIRST LINES 423 THE DEDICATION J^ORD, my first fruits present themselves to thee. Yet not mine neither; for from thee they came. And must return. Accept of them and me. And make us strive who shall sing best thy name. Turn their eyes hither who shall make a gain. Theirs who shall hurt themselves or me, refrain. I THE CHURCH-PORCH PREFACE THE Church-Porch bears much the same re- lation to Herbert's other poetry as the Jewish Wisdom books — Proverbs, Ecclesiastes, Ecclesi- asticus, and Wisdom — bear to the Psalms and the Prophets. There is little religion in it, but shrewd knowledge of men, manners, and methods of win- ning eminence. It is a collection of wise saws and modern instances which speak of precedents and the best social usage. It is written by the friend of Bacon, by the university courtier, the collector of proverbs, the lover of a pregnant phrase. Its saga- city of thought and expression, though strongly marked by the temper of its time, has, like the Wisdom of the Jews, held well the esteem of after ages. Probably few parts of Herbert are less out- grown. Its theme determines its position. Propriety, beauty, good judgment, familiarity with the best customs, always of high importance in Herbert's eyes, are here set forth as the suitable introduction to religion, which itself lies beyond. This is the sig- nificance of the title, The Church-Porch. Good breeding opens the door of the Temple. Attention to the refinements of life teaches the youth how to behave himself in church. The results of Herbert's 4 PREFACE TO secular experience, which he always professed was to prepare him for the priesthood, are here offered to the young reader as his best preparation for the spiritual fervors which follow. Purified of coarser faults by good taste, he may become accessible to the delicacies of divine love. To this work of purification the enigmatic word refers which follows the title. Perirrhanterium is the Greek term for a sprinkling instrument. At the entrance of the church stands a basin of holy water, placed there to remind the intending wor- shipper of his need of cleansing (Numbers viii, 7, and Hebrews x, 22). According to the warning in SuPERLiMiNARE, page 66, 1. 2, he is fit to enter the temple itself only after being properly sprinkled at the entrance. The style of The Church-Porch, no less than the spiritual conditions displayed in it, connects it with Herbert's earlier life. It contains no state- ment that its author is a priest, though he is deeply interested in the priest's work and office. As it is included in the WiUiams Manuscript, it must have been written before 1630. But how greatly its author valued it, and how steadily he labored on its improvement, is proved by the multitude of changes, great and slight, which were introduced during the Bemerton years. Few of Herbert's poems show so large a difference between their earlier and their later forms. The processes of alteration in The Church- THE CHURCH-PORCH 5 Porch which went on durmg the last half-dozen years of Herbert's life are instructive as regards the original methods of its composition. Probably written piecemeal and not produced during any sin- gle year, it possesses little organic unity. Its many themes might be increased, diminished, or trans- posed without injury to the plan. Why should a single stanza on lying stand between considerable discussions of swearing and of idleness.? Why should the precepts on eating be parted from those on drinking ? Or stanzas so similar as the eleventh and fortieth be widely removed ? Or a single stanza on conversation be introduced between gambling and self-restraint, while the general discussion of the subject follows fourteen stanzas later.? Many such incongruities occur, a fact the more noticeable and the more likely to be connected with temporal causes because Herbert's artistic sense when exer- cised on a small scale usually secures great firmness of form. That The Church-Porch, however, does not altogether lack plan is remarked by G. Ryley, who quaintly writes: "With his Perirrhanterium Herbert takes care to sprinkle handfuls of advice to them that will go to church. These he throws out under four heads. (1) Ethics or personal duties, 1. 1-150. (2) (Economics or family duties, 1. 151-204. (3) Politics or Sociable Maxims, 1. 205-384. (4) La.stly he comes to scatter a handful or 6 PREFACE TO two of Ecclesiastics or Church Duties, 1. 385- end." 1 The piece begins with the ruder sins and ad- vances to the niceties of worship, the instructions about public worship being more coherent than any other part of the poem. These may have been written last, when Herbert's long interest in the priesthood was approaching a decision. In short, the style and texture of the poem indicate that it was begun early, that it grew by accretion rather than construction, and that it never in its author's mind was altogether finished. How early it was begun seems hinted in The Dedication. This solitary stanza stands to The Church-Porch in about the same relation as the Envoy to The Church Militant. While not exactly a part of the poem, the poem would be in- complete without it, and it v/ould be fragmentary without The Church-Porch. It is written to in- troduce something. And while what it introduces includes more than The Church-Porch, it is with 1 This and many subsequent quotations are taken from a manuscript of four hundred pages, written by a certain George Ryley in 1714 and now in the Bodleian Library. Of Ryley's history nothing is known. His volume forms an elaborate commentary on Herbert's poems, in which they are all passed in review and expounded with reference to their religious import. Ryley's aims and my own are so divergent that I have been able to quote him less often than I should like, especially as I obtained a copy of his manuscript only after my notes were practically complete. THE CHURCH-PORCH 7 this that The Dedication primarily joins itself, being identical with it in sententious metre. Ac- cordingly, though in the Bodleian Manuscript it is printed on the title-page, in Ferrar's Edition and in the Williams Manuscript it stands on a leaf by itself just before The Church-Porch, which it serves as a kind of antecedent stanza. When this connection is once recognized, its mention of first fruits becomes significant. In 1613 Herbert contributed two Latin poems to the Cambridge Elegies on the death of Prince Henry, and in 1619 a Latin poem to the Elegies on Queen Anne. His Angli Musae Responsoriae, or reply to Melville, had long been in circulation. In 1623 he printed his Latin Oration on the return from Spain of Prince Charles and Buckingham. Would the phrase first fruits naturally have been used after so many publications ? It is clear (p. 45) that by 1610 Herbert had formed a resolu- tion to consecrate all his abilities in poetry to God's glory. Between this date and 1613 I think The Dedication was most probably drawn up, the metre of The Church-Porch selected, and the poem itself at least begun. The large amount of secular matter, the borrowed and regular measure, and the hortatory style — peculiarities absent from Herbert's other work — suggest an early date. A comparison of The Church-Porch with Her- bert's other long poems. The Church Militant and The Sacrifice, throws light on the character 8 PREFACE TO of each and fixes the place of each in the collection. The Church Militant, in both manuscripts and in Ferrar's original edition, stands at the close, ap- pearing there almost as an independent work. The preceding poems are separated from it by the word Finis and a Gloria. In order not to break the con- tinuity of the lyric verse, I retain this late position of The Church Militant, though I believe it to be one of the very earliest of Herbert's poems. Sub- stantially also I keep the positions of the other two unchanged ; for dissimilar as is The Sacrifice from everything else Herbert wrote, it is not, like The Church Militant, a detachable piece. In its elaborate display of the forthgoing love of God and the averseness of man, it is plainly intended as the natural presupposition and starting-point of all the subsequent verse. I respect this inten- tion and keep its priority unchanged. To devise another position for The Church-Porch is obvi- ously impossible. It may not be fanciful, however, to find the dis- tinctive character of these three poems in their per- sonal pronouns. Each has one peculiar to itself. That of The Church Militant is the third, he or it; for this poem alone is descriptive and historical. The pronoun of The Sacrifice is Z, a word which gives color to nearly all of Herbert's verse, but has here a unique employment. It is used as the pro- noun of a monologue, of Herbert's single attempt at sustained dramatic speech. The pronoun of THE CHURCH-PORCH 9 The Church-Porch is announced in its first word, Thou, this being the only occasion on which Her- bert attempts a piece of instruction. Charims and Knots and Constancie are similar in substance, but the form of direct address is not employed. Thou appears not infrequently in Herbert's other poems. But elsewhere it marks the address of the writer to himself or to God. It is a part of that inner communion so characteristic of The Tem- ple, an appeal to the worser self by the better, and not, as in the case of The Church-Porch, an exhortation addressed to some one stand- ing by. The metre of The Church-Porch is the same as that used in Sinnes Round, page 283, and, with a peculiar adaptation of the final line, in The Water- course, page 284. The metre was a favorite one in Herbert's time. It had already been employed by Sidney in some of the songs of his Arcadia; by Spenser in Astrophel, The Ruines of Time, and in two sections of The Shepherd's Calendar ; by Shakespeare in Venus and iVdonis ; and more fre- quently than any other metre by Southwell. It appears also in Breton, Lord Brooke, Campion, Donne, Drummond, Lord Herbert, Overbury, Quarles, and Wither. It generally serves these writers as a metre of instruction. 10 I. THE CHURCH-PORCH THE CHURCH-PORCH PERIRRHANTERIUM Thou whose sweet youth and early hopes inhance Thy rate and price, and mark thee for a treasure. Hearken unto a Verser, who may chance Ryme thee to good, and make a bait of pleasure. A verse may finde him who a sermon flies, 5 And turn delight into a sacrifice. II Beware of lust : it doth pollute and foul Whom God in Baptisme washt with his own blood. It blots thy lesson written in thy soul; The holy lines cannot be understood. 10 How dare those eyes upon a Bible look, Much lesse towards God, whose lust is all their book? I. THE CHURCH-PORCH n III Abstain wholly, or wed. Thy bounteous Lord Allows thee choise of paths. Take no by-wayes. But gladly welcome what he doth afford; 15 Not grudging that thy lust hath bounds and staies. Continence hath his joy. Weigh both; and so K rottennesse have more, let Heaven go. IV If God had laid all common, certainly Man would have been th' incloser ; but since now God hath impal'd us, on the contrarie 21 Man breaks the fence and every ground will plough. O what were man might he himself misplace ! Sure, to be crosse, he would shift feet and face. V Drink not the third glasse, which thou canst not tame 25 When once it is within thee; but before, Mayst rule it as thou list and poure the shame, Which it would poure on thee, upon the floore. It is most just to throw that on the ground 29 Which would throw me there, if I keep the round. 12 I. THE CHURCH-PORCH VI He that is drunken may his mother kill, Bigge with his sister. He hath lost the reins, Is outlawd by himself. All kinde of ill Did with his liquour slide into his veins. 34 The drunkard forfets Man, and doth devest All worldly right save what he hath by beast. VII Shall I, to please another's wine-sprung minde, Lose all mine own? God hath giv'n me a measure Short of his canne and bodie. Must I finde 39 A pain in that wherein he findes a pleasure ? Stay at the third glasse. If thou lose thy hold, Then thou art modest, and the wine grows bold. VIII If reason move not Gallants, quit the room, (All in a shipwrack shift their severall way,) Let not a common ruine thee intombe. 45 Be not a beast in courtesie. But stay. Stay at the third cup, or forego the place. Wine above all tilings doth God's stamp deface. I. THE CHURCH-PORCH 13 IX Yet if thou sinne in wine or wantonnesse, Boast not thereof nor make thy shame thy glorie. Frailtie gets pardon by submissivenesse ; 51 But he that boasts shuts that out of his storie. He makes flat warre with God, and doth defie With his poore clod of earth the spacious sky. Take not his name, who made thy mouth, in vain : It gets thee nothing, and hath no excuse. 56 Lust and wine plead a pleasure, avarice gain: But the cheap swearer through his open since Lets his soul runne for nought, as little fearing. Were I an Epicure, I could bate swearing. 60 XI When thou dost tell another's jest, therein Omit the oathes, which true wit cannot need. Pick out of tales the mirth, but not the sinne. He pares his apple that will cleanly feed. Play not away the vertue of that name 65 Which is thy best stake when griefs make thee tame. 14 I. THE CHURCH-PORCH XII The cheapest sinnes most dearely punisht are. Because to shun them also is so cheap; For we have wit to mark them, and to spare. O crumble not away thy soul's fair heap. 70 If thou wilt die, the gates of hell are broad; Pride and full sinnes have made the way a road. XIII Lie not; but let thy heart be true to God, Thy mouth to it, thy actions to them both. Cowards tell lies, and those that fear the rod; 75 The stormie working soul spits lies and froth. Dare to be true. Nothing can need a ly. A fault which needs it most grows two thereby. XIV Flie idlenesse; which yet thou canst not flie By dressing, mistressing, and complement. 80 If those take up thy day, the sunne will crie Against thee; for his light was onely lent. God gave thy soul brave wings; put not those feathers Into a bed, to sleep out all ill weathers. I. THE CHURCH-PORCH 15 XV Art thou a Magistrate ? Then be severe. 85 If studious, copie fair what time hath blurr'd; Redeem truth from his jawes. If souldier. Chase brave employments with a naked sword Throughout the world. Fool not: for all may have. If they dare try, a glorious life or grave. 90 XVI O England! full of sinne, but most of sloth, Spit out thy flegme and fill thy brest with glorie. Thy Gentrie bleats, as if thy native cloth Transfus'd a sheepishnesse into thy storie. Not that they all are so; but that the most 95 Are gone to grasse and in the pasture lost. XVII This losse springs chiefly from our education. Some till their ground, but let weeds choke their Sonne; Some mark a partridge, never their childe 's fashion ; Some ship them over, and the thing is done. Studie this art, make it thy great designe; 101 And if God's image move thee not, let thine. 16 I. THE CHURCH-PORCH XVIII Some great estates provide, but doe not breed A mast'ring minde; so both are lost thereby. Or els they breed them tender, make them need All that they leave; this is flat povertie. 106 For he that needs five thousand pound to live Is full as poore as he that needs but five. XIX The way to make thy sonne rich is to fill 109 His minde with rest before his trunk with riches. For wealth without contentment climbes a hill To feel those tempests which fly over ditches. But if thy sonne can make ten pound his measure, Then all thou addest may be call'd his treasure. XX When thou dost purpose ought, (within thy power,) Be sure to doe it, though it be but small. 116 Constancie knits the bones and makes us stowre When wanton pleasures becken us to thrall. Who breaks his own bond forfeiteth himself. What nature made a ship he makes a shelf. I. THE CHURCH-PORCH 17 XXI Doe all things like a man, not sneakingly. 121 Think the king sees thee still; for his King does. Simpring is but a lay-hypocrisie : Give it a corner, and the clue undoes. Who fears to do ill, sets himself to task; 125 Who fears to do well, sure should wear a mask. XXII Look to thy mouth; diseases enter there. Thou hast two sconses if thy stomack call: Carve, or discourse. Do not a famine fear. 129 Who carves, is kind to two; who talks, to all. Look on meat, think it dirt, then eat a bit; And say withall, Earth to earth I commit. 18 I. THE CHURCH-PORCH XXIII Slight those who say amidst their sickly healths, Thou liv'st by rule. What doth not so but man ? Houses are built by rule, and common- wealths. Entice the trusty sunne, if that you can, 136 From his Ecliptick line; becken the skie. Who lives by rule, then, keeps good companie. XXIV Who keeps no guard upon himself is slack. And rots to nothing at the next great thaw. Man is a shop of rules, a well truss'd pack, 141 Whose every parcell under-writes a law. Lose not thy self, nor give thy humours way; God gave them to thee under lock and key. :\/ XXV By all means use sometimes to be alone. 145 Salute thy self, see what thy soul doth wear. Dare to look in thy chest, for 't is thine own. And tumble up and down what thou find*st there. Who cannot rest till hee good fellows finde. He breaks up house, turns out of doores his minde. 150 I. THE CHURCH-PORCH 19 XXVI Be thriftie, but not covetous; therefore give Thy need, thine honour, and thy friend his due. Never was scraper brave man. Get to Kve; Then Hve, and use it. Els, it is not true That thou hast gotten. Surely use alone 155 Makes money not a contemptible stone. XXVII Never exceed thy income. Youth may make Ev'n with the yeare; but age, if it will hit, Shoots a bow short, and lessens still his stake As the day lessens, and his life with it. 160 Thy children, kindred, friends upon thee call; Before thy journey fairly part with all. XXVIII Yet in thy thriving still misdoubt some evil; Lest gaining gain on thee, and make thee dimme 164 To all things els. Wealth is the conjurer's devil ; Whom when he thinks he hath, the devil hath him. Gold thou mayst safely touch; but if it stick Unto thy hands, it woundeth to the quick. 20 I. THE CHURCH-PORCH XXIX What skills it if a bag of stones or gold 169 About thy neck do drown thee ? Raise thy head, Take starres for money; starres not to be told By any art, yet to be purchased. None is so wastefull as the scraping dame. She loseth three for one: her soul, rest, fame. XXX By no means runne in debt. Take thine own mea- sure. 175 Who cannot live on twentie pound a yeare Cannot on fourtie; he's a man of pleasure, A kinde of thing that's for it self too deare. The curious unthrift makes his cloth too wide. And spares himself, but would his taylor chide. XXXI Spend not on hopes. They that by pleading clothes Do fortunes seek, when worth and service fail, Would have their tale beleeved for their oathes. And are hke empty vessels under sail. 184 Old courtiers know this ; therefore set out so As all the day thou mayst hold out to go. L THE CHURCH-PORCH 21 xxxn In clothes, cheap handsomenesse doth bear the bell. Wisedome's a trimmer thing then shop e're gave. Say not then, This with that lace will do well; But, This with my discretion will be brave. Much curiousnesse is a perpetuall wooing, 191 Nothing with labour, folly long a doing. XXXIII Play not for gain, but sport. Who playes for more Then he can lose with pleasure, stakes his heart ; Perhaps his wive's too, and whom she hath bore; Servants and churches also play their part. 196 Onely a herauld, who that way doth passe, Findes liis crackt name at length in the church- glasse. 22 I. THE CHURCH-PORCH XXXIV If yet thou love game at so deere a rate, 199 Learn this, that hath old gamesters deerely cost: Dost lose ? Rise up. Dost winne ? Rise in that state. Who strive to sit out losing hands, are lost. Game is a civil gunpowder, in peace Blowing up houses with their whole increase. XXXV In conversation boldnesse now bears sway. 205 But know that nothing can so foolish be As empty boldnesse. Therefore first assay To stuffe thy minde with solid braverie, Then march on gallant. Get substantiall worth. Boldnesse guilds finely and will set it forth. XXXVI Be sweet to all. Is thy complexion sowre? 211 Then keep such companie, make them thy allay. Get a sharp wife, a servant that will lowre. A stumbler stumbles least in rugged way. Command thy self in chief. He life's warre knows 215 Whom all his passions follow as he goes. I. THE CHURCH-PORCH 23 XXXVII Catch not at quarrels. He that dares not speak Plainly and home is coward of the two. 218 Think not thy fame at ev'ry twitch will break. By great deeds shew that thou canst little do, And do them not. That shall thy wisdome be, And change thy temperance into braverie. XXXVIII If that thy fame with ev'ry toy be pos'd, 'T is a thinne webbe, which poysonous fancies make. 224 But the great souldier's honour was compos'd Of thicker stuffe, which would endure a shake. Wisdome picks friends; civilitie playes the rest. A toy shunn'd cleanly passeth with the best. XXXIX Laugh not too much. The wittie man laughs least ; For wit is newes onely to ignorance. 230 Lesse at thine own things laugh; lest in the jest Thy person share, and the conceit advance. Make not thy sport, abuses; for the fly That feeds on dung is coloured thereby. 24 I. THE CHURCH-PORCH. XL Pick out of mirth, like stones out of thy ground, Profanenesse, filthinesse, abusivenesse. 236 These are the scumme with which course wits abound. The fine may spare these well, yet not go lesse. All things are bigge with jest ; nothing that's plain But may be wittie if thou hast the vein. 240 XLI Wit's an unruly engine, wildly striking Sometimes a friend, sometimes the engineer. Hast thou the knack ? Pamper it not with liking ; But if thou want it, buy it not too deere. Many, affecting wit beyond their power, 245 Have got to be a deare fool for an houre. XLII A sad wise valour is the brave complexion That leads the van and swallows up the cities. The gigler is a milk-maid, whom infection Or a fir'd beacon frighteth from his ditties. 250 Then he's the sport; the mirth then in him rests. And the sad man is cock of all his jests. I. THE CHURCH-PORCH 25 XLIII Towards great persons use respective boldnesse. That temper gives them theirs, and yet doth take Nothing from thine. In service, care or coldnesse Doth ratably thy fortunes marre or make. 256 Feed no man in his sinnes; for adulation Doth make thee parcell-devil in damnation. XLIV Envie not greatnesse; for thou mak'st thereby Thy self the worse, and so the distance greater. Be not thine own worm. Yet such jealousie 261 As hurts not others, but may make thee better, Is a good spurre. Correct thy passions' spite; Then may the beasts draw thee to happy light. 26 I. THE CHURCH-PORCH XLV When basenesse is exalted, do not bate 265 The place its honour for the person's sake. The shrine is that which thou dost venerate, And not the beast that bears it on his back. I care not though the cloth of state should be Not of rich arras, but mean tapestrie. 270 XLVI Thy friend put in thy bosome; wear his eies Still in thy heart that he may see what's there. If cause require, thou art his sacrifice; Thy drops of bloud must pay down all his fear. But love is lost, the way of friendship's gone, Though David had his Jonathariy Christ his John. 276 XL VII Yet be not surety if thou be a father. Love is a personall debt. I cannot give My children's right, nor ought he take it. Rather Both friends should die then hinder them to live. Fathers first enter bonds to nature's ends, 281 And are her sureties ere they are a friend's. I. THE CHURCH-PORCH 27 XL VIII If thou be single, all thy goods and ground Submit to love; but yet not more then all. Give one estate, as one life. None is bound 285 To work for two, who brought himself to thrall. God made me one man; love makes me no more, Till labour come and make my weaknesse score. XLIX In thy discourse, if thou desire to please, All such is courteous, useful!, new, or wittie. Usefulnesse comes by labour, wit by ease, 291 Courtesie grows in court, news in the citie. Get a good stock of these, then draw the card That suites him best of whom thy speech is heard. Entice all neatly to what they know Lest; 295 For so thou dost thy self and him a pleasure. But a proud ignorance will lose his rest Rather then shew his cards. Steal from his trea- sure What to ask further. Doubts well rais'd do lock The speaker to thee and preserve thy stock. 300 28 I. THE CHURCH-PORCH LI If thou be Master-gunner, spend not all That thou canst speak at once; but husband it, And give men turns of speech. Do not forestall By lavishnesse thine own and others' wit. As if thou mad'st thy will. A civil guest 305 Will no more talk all, then eat all, the feast. LII Be calm in arguing; for fiercenesse makes Errour a fault, and truth discourtesie. Why should I feel another man's mistakes More then his sicknesses or povertie "^ 310 In love I should; but anger is not love, Nor wisdome neither. Therefore gently move. LIII Calmnesse is great advantage. He that lets Another chafe may warm him at his fire, Mark all his wandrings, and enjoy his frets; 315 As cunning fencers suffer heat to tire. Truth dwels not in the clouds; the bow that's there Doth often aim at, never hit the sphere. I. THE CHURCH-PORCH 29 LIV Mark what another sayes; for many are 319 Full of themselves and answer their own notion. Take all into thee; then with equall care Ballance each dramme of reason, like a potion. If truth be with thy friend, be with them both ; Share in the conquest and confesse a troth. LV Be usefuU where thou livest, that they may 325 Both want and wish thy pleasing presence still. Kindnesse, good parts, great places are the way To compasse this. Finde out men's wants and will, And meet them there. All worldly joyes go lesse To the one joy of doing kindnesses. 330 LVI Pitch thy behaviour low, thy projects high; So shalt thou humble and magnanimous be. Sink not in spirit. Who aimeth at the sky Shoots higher much then he that means a tree. A grain of glorie mixt with humblenesse 335 Cures both a fever and lethargicknesse. 30 I. THE CHURCH-PORCH LVII Let thy minde still be bent still plotting where, And when, and how the businesse may be done. Slacknesse breeds worms; but the sure traveller. Though he alight sometimes, still goeth on. Active and stirring spirits live alone. 341 Write on the others. Here lies such a one. LVIII Slight not the smallest losse, whether it be In love or honour, take account of all. Shine like the sunne in every corner. See 345 Whether thy stock of credit swell or fall. Who say, I care not, those I give for lost; And to instruct them, 't will not quit the cost. LIX Scorn no man's love, though of a mean degree; (Love is a present for a mightie king) 350 Much lesse make any one thine enemie. As gunnes destroy, so may a little sling. The cunning workman never doth refuse The meanest tool that he may chance to use. I, THE CHURGH-PORCH 31 LX All forrain wisdome doth amount to this, 355 To take all that is given: whether wealth, Or love, or language; nothing comes amisse. A good digestion turneth all to health. And then as farre as fair behaviour may, Strike off all scores ; none are so cleare as they. LXI Keep all thy native good and naturalize 361 All forrain of that name, but scorn their ill: Embrace their activenesse, not vanities. Who follows all things forfeiteth his will. If thou observest strangers in each fit, 365 In time they'l runne thee out of all thy wit. LXII Affect in things about thee cleanlinesse, That all may gladly board thee, as a flowre. Slovens take up their stock of noisomnesse 369 Beforehand, and anticipate their last houre. Let thy minde's sweetnesse have his operation Upon thy body, clothes, and habitation. 32 I. THE CHURCH-PORCH LXIII In Almes regard thy means and others' merit. Think heav'n a better bargain then to give Onely thy single market-money for it. 375 Joyn hands with God to make a man to Hve. Give to all something; to a good poore man. Till thou change names and be where he began. LXIV Man is God*s image, but a poore man is 379 Christ's stamp to boot; both images regard. God reckons for him, counts the favour his. Write, So much giv'n to God; thou shalt be heard. Let thy almes go before and keep heav'n's gate Open for thee, or both may come too late. LXV Restore to God his due in tithe and time. 385 A tithe purloin'd cankers the whole estate. Sundaies observe : think when the bells do chime, 'T is angels' musick; therefore come not late. God then deals blessings. If a king did so, Who would not haste, nay give, to see the show ? I. THE CHURCH-PORCH 33 LXVI Twice on the day his due is understood; 391 For all the week thy food so oft he gave thee. Thy cheere is mended; bate not of the food Because 't is better, and perhaps may save thee. Thwart not th' Almighty God. O be not crosse! Fast when thou wilt ; but then 't is gain, not losse. 396 LXVII Though private prayer be a brave designe, Yet publick hath more promises, more love; And love's a weight to hearts, to eies a signe. We all are but cold suitours; let us move 400 Where it is warmest. Leave thy six and seven; Pray with the most : for where most pray is heaven. LXVIII When once thy foot enters the church, be bare. God is more there then thou : for thou art there Onely by his permission. Then beware, 405 And make thy self all reverence and fear. Kneeling ne're spoil'd silk stocking. Quit thy state. All equall are within the churches gate. 34 I. THE CHURCH-PORCH LXIX Resort to sermons, but to prayers most: 409 Praying's the end of preaching. O be drest, Stay not for th' other pin. Why thou hast lost A joy for it worth worlds. Thus hell doth jest Away thy blessings, and extreamly flout thee ; Thy clothes being fast, but thy soul loose about thee. LXX In time of service seal up both thine eies, 415 And send them to thine heart; that spying sinne. They may weep out the stains by them did rise. Those doores being shut, all by the eare comes in. Who marks in church-time others' symmetric, Makes all their beautie his deformitie. 420 LXXI Let vain or busie thoughts have there no part: Bring not thy plough, thy plots, thy pleasures thither. Christ purg'd his temple; so must thou thy heart. All worldly thoughts are but theeves met to- gether To couzin thee. Look to thy actions well: 425 For churches are either our heav'n or hell. I. THE CHURCH-PORCH 35 LXXII Judge not the preacher; for he is thy Judge. If thou mishke him, thou conceiv'st him not. God calleth preaching folly. Do not grudge To pick out treasures from an earthen pot. The worst speak something good ; if all want sense, 431 God takes a text and preacheth patience. LXXIII He that gets patience, and the blessing which Preachers conclude with, hath not lost his pains. 434 He that by being at church escapes the ditch, Which he might fall in by companions, gains. He that loves God's abode, and to combine With saints on earth, shall one day with them shine. LXXIV Jest not at preachers' language or expression. How know'st thou but thy sinnes made him miscarrie ? 440 Then turn thy faults and his into confession. God sent him, whatsoe're he be. O tarry. And love him for his Master. His condition. Though it be ill, makes him no ill Physician. 36 I. THE CHURCH-PORCH LXXV None shall in hell such bitter pangs endure, 445 As those who mock at God's way of salvation. Whom oil and balsames kill, what salve can cure ? They drink with greedinesse a full damnation. The Jews refused thunder; and we, folly. 449 Though God do hedge us in, yet who is holy.^ LXXVI Summe up at night what thou hast done by day; And in the morning, what thou hast to do. Dresse and undresse thy soul: mark the decay And growth of it; if with thy watch, that too Be down, then winde up both. Since we shall be Most surely judg'd, make thy accounts agree. LXXVII In brief, acquit thee bravely; play the man. Look not on pleasures as they come, but go. Deferre not the least vertue. Life's poore span Make not an ell by trifling in thy wo. 460 If thou do ill, the joy fades, not the pains: If well, the pain doth fade, the joy remains. II THE RESOLVE •i PREFACE THE poems of this fundamental Group an- nounce the resolve of Herbert to become a poet, and state certain ends which he desires his poetry to accomplish. He will antagonize the love- poets of his day, employing against them, however, all their own vigorous intellectuality, passionate enthusiasm, and technical resource. All poetry has the single theme of love, but hitherto poets have misconceived it. They belittle love by far- celling it out, erroneously confining it to the petty relations of men and women. It shall be Her- bert's task to set it forth in its native fulness, and to reveal it as a world-principle, working on an infinite scale and drawing together God and man. The conception of love here advocated is sub- stantially that set forth by Plato in his Lysis, Phaedrus, and Symposium. Adopted by the Neo- Platonists, it influenced through them many of the Church Fathers. During the Renaissance it gained a wider currency through Ficinus* Latin translations of Plato, through his commentary on Plato's Symposium, and especially through its elo- quent presentation in the fourth Book of Castigli- one's Courtier. French poetry became affected by it. The group of writers who gathered about Sir 40 PREFACE TO Philip Sidney, and who looked to France and Italy for inspiration, took it up. Spenser, employing it to some extent in The Faerie Queene, gave it magnificent expression in his Hymns in Honour of Love and Beauty. During the first half of the seventeenth century Platonism through all its teach- ings entered profoundly into English thought. At the University, just after Herbert's time, there was formed a considerable group of Cambridge Plato- nists, of whom Henry More and Ralph Cudworth are the best known. One of the later members of this company, and a successor of Herbert in the Bemerton Rectory, John Norris, in his Essay on I^ove and his translation of Waring' s Picture of Love, gave in beautiful English prose an elaborate exposition of Platonic love. A copy of this latter book (4th edition, 1744) is in my possession which once belonged to R. W. Emerson, and was given by him to a philosophic friend. It may be, there- fore, that Emerson's Essay on Love, one of the best modern statements of the Platonic doctrine, received contributions from Bemerton itself. In brief, Plato taught that love is our passion for unity, for wholeness. As Love inspires our search, so does Beauty make known its end. For wher- ever in nature we catch glimpses of harmonious adjustment, the wholeness there suggested affects us as beautiful and prompts us to approach. Following the clue of Beauty, then, we may say that Love directs every rational life. Originally THE RESOLVE 41 one with God, with the universe, and with one another, we find ourselves now in the present world detached and fragmentary. Feehng this fragmentariness, as the wise unceasingly do, we are horror-stricken and lonely. We long for sup- plementation. We turn to the objects around us, and especially to one another, to obtain that whole- ness which we feel ourselves to lack. To our eyes those we love are always beautiful, and we are restlessly eager to join them. Yet such lesser unions continually bring disappointment and a new sense of incompleteness. Their little wholenesses are, after all, but fragmentary, their function being to disclose the necessity of the one ultimate and only adequate wholeness. In reality there can be but one, that which is found in union with Goodness, God, the Ideal, Heavenly Beauty, that Love which is the authour of this great frame. Truly to love is to look through all else to Him. We must, then, clear away the special conditions under which Love first appears, if we would rise to a knowledge of its nature. " The eye of Love," says Emerson in one of his letters, " falls on some mortal form, but it rests not a moment there. As every leaf represents to us all vegetable nature, so Love looks through that spotted blighted form to the vast spiritual element of which it was created and which it represents." When Love is true to itself as the passion for perfection, it continually super- sedes its lower forms in the interest of what is / 42 PREFACE TO larger. None of these inferior forms is so obscuring, so little regardful of anything beyond itself, as that instinctive passion between the sexes which tries to monopolize the name of Love. Friendship is more intelligent. Unities of a still wider and firmer kind are disclosed in the social, artistic, and scien- tific impulses. These are all prompted by Love and follow increasing grades of Beauty. Religion, however, alone reveals the full significance of these struggles toward conjunction ; for God is the only complete wholeness, and every endeavor to unite with other things or persons is but a blind seeking after Him. Plato's doctrine of love has many aspects, which variously influenced other English poets. I de- velop here only that quantitative presentation of it which peculiarly appealed to Herbert's practical and non-mystical mind. In this Group of poems he applies the doctrine as he understands it, resolving to devote himself to abolishing love's blindness. Like all poets he will sing of love, but not of that fettering attachment to particular persons which is miscalled by its great name. Even in his two youthful sonnets he has discovered the emptiness and necessary artificiality of this. The theme of all his verse shall be the striving of the soul after union with God, who is conceived as a definite detached person hostile to subordinate manifesta- tions of himself. This all-excluding devotion to God Herbert carefully expounds in the two sonnets THE RESOLVE 43 on Love; defends it against the love-poets in the first Jordan; in the second Jordan sees that his own exuberant disposition exposes him to the very errors he is fighting; calls for divine aid in Praise; acknowledges in The Quidditie how little he can effect ; encourages himself in The Elixer by recalling Love's transforming power; in Employ- ment guards against sluggishness ; and in Anti- PHON joins with men and angels in adoration. In this Group of poems we have, therefore, the an- nouncement of a poetical programme. How long it remained near Herbert's heart may be read later in DuLNEssE, The Forerunners, Life, and The Flower; where, feeling death approach, he reviews his campaign against the love-poets and mourns that his beautiful weapons must be laid aside. Similar protests against the tendency of poetry to find love in sexual conditions rather than in rational or divine are not uncommon in the Jacobean poetry, and even in the later Eliza- bethan. Spenser himself had uttered them in the Preface to his Hymns in Honour of Heavenly Love and Beauty. So had Herbert's special master, Donne, in his Divine Sonnets and elsewhere. Just after Herbert's death, and partly through his influ- ence, Platonic love became so fashionable as itself to awaken protest. Herbert, then, cannot be called the first to set heavenly love in contrast to earthly. He merely treated the antagonism with peculiar 44 PREFACE precision and persistency, gave it the special turn which gained acceptance, and used it as did no other poet to inform the total body of his work. It may be interesting to notice how different a conclusion a grave and passionate poet of recent years, Coventry Patmore, has drawn from the same Platonic premises. All Patmore' s poetry, like that of Herbert, is a study of love. Love, too, in his view is not many but one, human loves being partial embodiments of a single divine principle. But while Herbert rejects the human loves as par- tial, Patmore, just because they are small embodi- ments, reverences them as our appointed means of approaching God. If, then, we call the tendency of Herbert Abstract Monotheism, because it sets in sharp and antagonistic contrast infinite and finite love, we might name that of Patmore a kind of Henotheism; since it finds a particular finite object needful if we would apprehend the universally divine. From the extreme and desolating conse- quences of his doctrine Herbert is saved by his rich Elizabethan temperament. n. THE RESOLVE 45 TWO SONNETS TO HIS MOTHER I [1610] My God, where is that antient heat towards thee Wherewith whole shoals of Martyrs once did burn, Besides their other flames ? Doth Poetry Wear Venus' livery, only serve her turn ? 4 Why are not Sonnets made of thee, and layes Upon thine Altar burnt ? Cannot thy love Heighten a spirit to sound out thy praise As well as any she ? Cannot thy Dove Outstrip their Cupid easily in flight ? 9 Or, since thy ways are deep and still the same, Will not a verse run smooth that bears thy name ? Why doth that fire, which by thy power and might Each breast does feel, no braver fuel choose Than that which one day Worms may chance refuse ? 46 II. THE RESOLVE II Sure, Lord, there is enough in thee to dry 15 Oceans of Ink; for as the Deluge did Cover the Earth, so doth thy Majesty; Each cloud distils thy praise, and doth forbid Poets to turn it to another use. Roses and Lilies speak thee; and to make 20 A pair of Cheeks of them, is thy abuse. Why should I Women's eyes for Chrystal take ? Such poor invention burns in their low mind Whose fire is wild, and doth not upward go To praise, and on thee, Lord, some ink bestow. Open the bones, and you shall nothing find 26 In the best face but filth ; when Lord, in Thee The beauty lies in the discovery. n. THE RESOLVE 47 LOVE Immortall Love, authour of this great frame. Sprung from that beautie which can never fade, Hov» hath man parcel'd out thy glorious name And thrown it on that dust which thou hast made. While mortall love doth all the title gain ! 5 Which siding with invention, they together Bear all the sway, possessing heart and brain, (Thy workmanship) and give thee share in neither. Wit fancies beautie, beautie raiseth wit. The world is theirs ; they two play out the game. Thou standing by. And though thy glorious name 11 Wrought our deliverance from th' infernall pit, Who sings thy praise ? Onely a skarf or glove Doth warm our hands and make them write of love. 48 II. THE RESOLVE II Immortall Heat, O let thy greater flame 15 Attract the lesser to it ! Let those fires. Which shall consume the world, first make it tame, And kindle in our hearts such true desires As may consume our lusts and make thee way. Then shall our hearts pant thee ; then shall our brain 20 All her invention on thine Altar lay. And there in hymnes send back thy fire again. Our eies shall see thee, which before saw dust, Dust blown by wit till that they both were blinde. Thou shalt recover all thy goods in kinde, 25 Who wert disseized by usurping lust. All knees shall bow to thee ; all wit shall rise And praise him who did make and mend our eies. II. THE RESOLVE 49 JORDAN Who sayes that fictions onely and false hair Become a verse ? Is there in truth no beautie ? Is all good structure in a winding stair ? May no lines passe except they do their dutie Not to a true, but painted chair ? 5 Is it no verse except enchanted groves And sudden arbours shadow course-spunne lines ? Must purling streams refresh a lover's loves ? Must all be vail'd, while he that reades divines, Catching the sense at two removes ? 10 Shepherds are honest people; let them sing, Riddle who list for me, and pull for Prime. I en vie no man's nightingale or spring; Nor let them punish me with losse of ryme, Who plainly say, My God, My King, 15 50 II. THE RESOLVE JORDAN When first my lines of heav'nly joyes made men- tion, Such was their lustre, they did so excell, That I sought out quaint words and trim inven- tion; My thoughts began to burnish, sprout, and swell, Curling with metaphors a plain intention, 5 Decking the sense as if it were to sell. Thousands of notions in my brain did runne, Off'ring their service, if I were not sped. I often blotted what I had begunne; 9 This was not quick enough, and that was dead. Nothing could seem too rich to clothe the sunne, Much lesse those joyes which trample on his head. As flames do work and winde when they ascend. So did I weave my self into the sense. But while I bustled, I might heare a friend 15 Whisper, How wide is all this long pretence I There is in love a sweetnesse readie penn'd; Copie out onely that, and save expense. II. THE RESOLVE 51 PRAISE To write a verse or two is all the praise That I can raise. Mend my estate in any wayes, Thou shalt have more. I go to Church; help me to wings, and I 5 Will thither flie. Or, if I mount unto the skie, I will do more. Man is all weaknesse; there is no such thing As Prince or King. 10 His arm is short, yet with a sling He may do more. An herb destill'd, and drunk, may dwell next doore On the same floore To a brave soul. Exalt the poore, 15 They can do more. O raise me then ! Poore bees, that work all day, Sting my delay; Who have a work as well as they. And much, much more. 20 52 II. THE RESOLVE THE QUIDDITIE My God, a verse is not a crown, No point of honour, or gay suit, No hawk, or banquet, or renown, Nor a good sword, nor yet a lute: It cannot vault, or dance, or play; 5 It never was in France or Spain; Nor can it entertain the day With a great stable or demain. It is no office, art, or news. Nor the Exchange, or busie Hall. 10 But it is that which while I use I am with thee; and Mosty take all. II. THE RESOLVE 53 THE ELIXER Teach me, my God and King, In all things thee to see; And what I do in any thing. To do it as for thee. Not rudely, as a beast, 5 To runne into an action; But still to make thee prepossest, And give it his perfection. A man that looks on glasse On it may stay his eye, 10 Or if he pleaseth, through it passe, And then the heav'n espie. 54 II. THE RESOLVE All may of thee partake; Nothing can be so mean Which with his tincture (for thy sake) 15 Will not grow bright and clean. A servant with this clause Makes drudgerie divine; Who sweeps a room, as for thy laws. Makes that and th' action fine. 20 This is the famous stone That turneth all to gold; For that which God doth touch and own Cannot for lesse be told. II. THE RESOLVE 55 EMPLOYMENT He that is weary, let him sit! My soul would stirre And trade in courtesies and wit, Quitting the furre To cold complexions needing it. 5 Man is no starre, but a quick coal Of mortall fire; Who blows it not, nor doth controll A faint desire, Lets his own ashes choke his soul. 10 When th' elements did for place contest With him whose will Ordain'd the highest to be best, The earth sat still, And by the others is opprest. 15 56 II. THE RESOLVE Life is a businesse, not good cheer, Ever in warres. The sunne still shineth there or here, Whereas the starres Watch an advantage to appeare. 20 Oh that I were an Orenge-tree, That busie plant! Then should I ever laden be. And never want Some fruit for him that dressed me. 25 But we are still too young or old; The man is gone Before we do our wares unfold. So we freeze on, Untill the grave increase our cold. 30 II. THE RESOLVE 57 ANTIPHON Chor. Praised be the God of love, Men. Here below, Angels. And here above. Cho. Who hath dealt his mercies so, Ang. To his friend, 5 Men. And to his foe, Cho. That both grace and glorie tend Ang. Us of old, Men. And us in th' end. Cho. The great shepherd of the fold 10 Ang. Us did make. Men. For us was sold. Cho. He our foes in pieces brake. A7ig. Him we touch, Men. And him we take. 15 Cho. Wherefore since that he is such, Ang. We adore. Men. And we do crouch. Cho. Lord, thy praises should be more. Men. We have none, 20 Ang. And we no store. Cho. Praised be the God alone. Who hath made of two folds one. Ill THE CHURCH PREFACE IN religion Herbert, with most of the devout men of his time, AngHcans no less than Puritans, is, as I have elsewhere argued, an individualist. The relations between God and his own soul are what interest him. Like Bunyan's Pilgrim, he undertakes a solitary journey to the heavenly city, and concerns himself little about his fellow men, except to cry aloud that they too are in danger. Any notion of dedicating himself to their welfare is foreign to him. Perhaps his poem The Windows comes nearest to expressing something like human responsibihty. But such moods are rare. Usually his responsibility is to God alone; and this, pas- sionately uttered in Aaron and The Priesthood, is the farthest point to which his self-centred piety carries his verse. The mystic forgets himself in the thought of God ; the philanthropist, in the thought of human needs. To Herbert — at least to the poet Herbert — the personal relationship of the soul to God is the one matter of consequence. In this relationship he finds the foundation of the Church. As the home organizes and gives opportunity of expression to the love of single persons for one another, so does the Church to the love of single persons and God. Herbert never 62 PREFACE TO thinks of the Church in our modern fashion as the manifestation of God to collective humanity, progressively enlarging human powers and expand- ing human ideals. Nor does he conceive it as an august divine institution, venerable in itself, and rightly subordinating individuals to its own high ends. It is easy to mistake Herbert for an ecclesi- astic, and to say, as has sometimes been said, that he cannot be understood by one who is not Episco- pally born. But such an error is due to careless reading. He is, indeed, devoted to the Church. He talks of nothing else. But in his poem Sion, as constantly though less explicitly elsewhere, he explains that the Church, God's Temple, is the human heart, and that all its frame and fabrick is within. His book he thus very naturally entitled The Church or Temple, and told Ferrar that it was a picture of the many Conflicts that have past betwixt God and my Soul before I could subject mine to the will of Jesus my Master. It is not strange, then, that one who has made the resolve which is set forth in the preceding Group of poems should become a singer of the Church and its ordinances as thus conceived. For these celebrate the going forth of a loving God to seek a wayward sinner. They show that sinner ill at ease so long as he is parted from his exalted friend, and they indicate the means through which a heavenly union may be accomplished. But one who takes love for his theme will find that there THE CHURCH 63 are three ways of exploring it. He may directly inspect the yearning moods of the soul, viewing them as psychological facts of experience ; or he may consider more abstractly the general relations involved in love, and treat these as theoretic sub- jects of contemplation ; or lastly, he may catalogue the regularities of love, its habitual modes of ex- pression, the fixed avenues through which the loved one becomes accessible. And all these ways are as open to the student of sacred love as to him who would study the profane. Herbert adopts them all, sometimes in the same poem. I believe, however, I can make liis work more intelligible if I roughly classify and divide according to this scheme. Those of his Cambridge poems which predominantly deal with his great theme in the direct way I accordingly entitle The Inner Life. Those which treat it as a subject for philosophic analysis I call Meditation. And to those which mark out its ordered paths I give the special name of The Church. It is true that in doing so I unwarrantably narrow Herbert's comprehensive word. Besides my Group, he covers with that holy name every stirring of the aspiring soul and every serious reflection on the life of love. It is the all-including title of his poems. But I see no harm in applying it, par excellence and after this explanation, to the institutional features of love. Only we must be careful to remember that these, no less than the poignant cries of separation 64 PREFACE TO and suffering, derive their meanings from the indi- vidual experience of love. There are advantages in placing this Group first, and in bringing the Group on The Inner Life into close connection with The Crisis. From their style, too, I suspect that most of these churchly poems are of earlier date than the majority of those which follow. That is certainly the case with the longest and most important, The Sacri^ fice; an archaic piece which, with all its compact power, is likely to prove somewhat repulsive to a modern taste. In it the suffering of Him who loves us is anatomized in elaborate, and perhaps too calculated, detail. Probably a reader will approach it most understandingly by comparing it with early Flemish and German paintings, or with Albert Diirer's woodcuts. Durer's Passion and his Life of the Virgin were widely circulated in the century before Herbert. One fancies Herbert turning them over and designing his Altar-piece in their spirit. In it and them there is elaborate realism in setting forth an ideal scene, an exaggeration of physical pain, a forced ingenuity in distressful incident, and a failure to subordinate detail; while at the same time there is distributed everywhere a strange vividness, rich human sympathies, and the im- pression — conveyed, we hardly know how — that through all the crowded and homely circumstance the solemnest of world-events is occurring. In treating so sacred a subject Herbert allows himself THE CHURCH 65 the smallest possible departure from the words of Scripture. Following The Sacrifice, I set a series of festi- val songs, in which analogies of the soul's experi- ence are found in historic events. With these falls the festival of Sunday, a day more frequent, pompous, and full of human significance than all other holy days. After it are grouped special modes of divine communication, — through Prayer, Scripture, Baptisme, Communion, Musick. The group concludes with the solemn monitions of stately burial monuments, inciting the beholder to high aspiration and disentanglement from the body. 66 m. THE CHURCH SUPERLIMINARE Thou, whom the former precepts have Sprinkled and taught how to behave Thy self in church, approach, and taste The churches mysticall repast. Avoid, prof anenesse ! Come not here! Nothing but holy, pure, and cleare, Or that which groneth to be so, May at his perill further go. m. THE CHURCH 67 THE ALTAR A BROKEN Altar, Lord, thy servant reares, Made of a heart and cemented with teares; Whose parts are as thy hand did frame; No workman's tool hath touch'd the same. A Heart alone 5 Is such a , stone As nothing but Thy pow'r doth cut. Wherefore each part Of my hard heart 10 Meets in this frame To praise thy name; That if I chance to hold my peace, These stones to praise thee may not cease. O let thy blessed Sacrifice be mine, And sanctifie this A l t a r to be thine. 68 III. THE CHURCH THE SACRIFICE Oh all ye who passe by, whose eyes and minde To worldly things are sharp, but to me blinde, To me who took eyes that I might you finde. Was ever grief like mine ? The Princes of my people make a head 5 Against their Maker; they do wish me dead, Who cannot wish except I give them bread. Was ever grief like mine ? Without me each one who doth now me brave Had to this day been an Egyptian slave. 10 They use that power against me which I gave. Was ever grief like mine ? Mine own Apostle, who the bag did beare, Though he had all I had, did not forbeare To sell me also and to put me there. 15 Was ever grief, &c. III. THE CHURCH 69 For thirtie pence he did my death devise Wlio at three hundred did the ointment prize, Not half so sweet as my sweet sacrifice. Was ever grief hke mine ? Therefore my soul melts, and my heart's deare treasure 21 Drops bloud (the onely beads) my words to mea- sure: O let this cup passe, if it he thy pleasure. Was ever grief, &c. These drops, being temper'd with a sinner's tears, A Balsome are for both the Hemispheres; 26 Curing all wounds but mine, all but my fears. Was ever grief, &c. Yet my Disciples sleep. I cannot gain One houre of watching; but their drowsie brain Comforts not me, and doth my doctrine stain. 31 Was ever grief, &;c. Arise, arise ! They come. Look, how they runne I Alas! What haste they make to be undone! How with their lanterns do they seek the sunne! Was ever grief, &c. 36 70 III. THE CHURCH With clubs and staves they seek me as a thief Who am the way of truth, the true rehef. Most true to those who are my greatest grief. Was ever grief hke mine ? Judas, dost thou betray me with a kisse ? 41 Canst thou finde hell about my lips ? And misse Of life just at the gates of life and blisse ? Was ever grief, &c. See, they lay hold on me not with the hands 45 Of faith, but furie. Yet at their commands I suffer binding, who have loos'd their bands. Was ever grief, &c. All my Disciples flie; fear puts a barre 49 Betwixt my friends and me. They leave the starre That brought the wise men of the East from farre. Was ever grief, &c. Then from one ruler to another bound They leade me, urging that it was not sound What I taught. Comments would the text con- found. 55 Was ever grief, &c. III. THE CHURCH 71 The Priest and rulers all false witnesse seek 'Gainst him who seeks not life, but is the meek And readie Paschal Lambe of this great week. Was ever grief like mine ^ Then they accuse me of great blasphemie, 61 That I did thrust into the Deitie, Who never thought that any robberie. Was ever grief, &c. Some said that I the Temple to the floore 65 In three dayes raz'd, and raised as before. Why, he that built the world can do much more. Was ever grief, &c. Then they condemne me all with that same breath Which I do give them daily, unto death. 70 Thus Adam my first breathing rendereth. Was ever grief, &c. They binde, and leade me unto Herod. He Sends me to Pilate. This makes them agree; But yet their friendship is my enmitie. 75 Was ever grief, &c. 72 III. THE CHURCH Herod and all his bands do set me light Who teach all hands to warre, fingers to fight, And onely am the Lord of hosts and might. Was ever grief like mine ? Herod in judgement sits, while I do stand; 81 Examines me with a censorious hand. I him obey, who all things else command. Was ever grief, &c. The Jews accuse me with despitefulnesse, 85 And vying malice with my gentlenesse. Pick quarrels with their onely happinesse. Was ever grief, &c. I answer nothing, but with patience prove If stonie hearts will melt with gentle love. 90 But who does hawk at eagles with a dove ? Was ever grief, &c. My silence rather doth augment their crie; My dove doth back into my bosome flie. Because the raging waters still are high. 95 Was ever grief, &c. III. THE CHURCH 73 Heark how they crie aloud still, Crucifie I It is not fit he live a day, they crie. Who cannot live lesse then eternally. 99 Was ever grief like mine ? Pilate, a stranger, holdeth off; but they, Mine owne deare people, cry. Away, away! With noises confused frighting the day. Was ever grief, &c. 104 Yet still they shout and crie and stop their eares. Putting my life among their sinnes and fears. And therefore with my hloud on them and theirs. Was ever grief, &c. 108 See how spite cankers things. These words, aright Used and wished, are the whole world's light; But hony is their gall, brightnesse their night. Was ever grief, &c. They choose a murderer, and all agree In him to do themselves a courtesie; For it was their own cause who killed me. 115 Was ever grief, &c. 74 III. THE CHURCH And a seditious murderer he was, But I the Prince of peace; peace that doth passe All understanding, more then heav'n doth glasse. Was ever grief like mine ? Why, Cesar is their onely King, not I. 121 He clave the stonie rock when they were drie; But surely not their hearts, as I well trie. Was ever grief, &c. Ah, How they scourge me! Yet my tendernesse Doubles each lash, and yet their bitternesse 126 Windes up my grief to a mysteriousnesse. Was ever grief, &c. They buffet me and box me as they list, 129 Who grasp the earth and heaven with my fist, And never yet, whom I would punish, miss'd. Was ever grief, &c. Behold, they spit on me in scornfull wise Who by my spittle gave the bHnde man eies. Leaving his blindnesse to mine enemies. 135 Was ever grief, &c. III. THE CHURCH 75 My face they cover, though it be divine. As Closes' face was vailed, so is mine, 138 Lest on their double-dark souls either shine. Was ever grief like mine ? Servants and abjects flout me; they are wittie: Now prophesie who strikes thee, is their dittie. So they in me denie themselves all pitie. Was ever grief, &c. And now I am deliver'd unto death, 145 W^hich each one cals for so with utmost breath That he before me well nigh suffereth. Was ever grief, &c. Weep not, deare friends, since I for both have wept When all my tears were bloud, the while you slept. Your tears for your own fortunes should be kept. Was ever grief, &c. 152 The souldiers lead me to the common hall; There they deride me, they abuse me all. Yet for twelve heav'nly legions I could call. 155 Was ever grief, &c. 76 III. THE CHURCH Then with a scarlet robe they me aray; Which shews my bloud to be the onely way And cordiall left to repair man's decay. 159 Was ever grief like mine ? Then on my head a crown of thorns I wear; For these are all the grapes Sion doth bear, Though I my vine planted and watred there. Was ever grief, &c. So sits the earth's great curse in Adam's fall 165 Upon my head. So I remove it all From th' earth unto my brows, and bear the thrall. Was ever grief, &c. Then with the reed they gave to me before They strike my head, the rock from whence all store 170 Of heav'nly blessings issue evermore. Was ever grief, &c. They bow their knees to me and cry, Hail king ! Wliat ever scoffes or scornfulnesse can bring, I am the floore, the sink, where they it fling. 175 Was ever grief, &c. III. THE CHURCH 77 Yet since man's scepters are as frail as reeds, And thorny all their crowns, bloudie their weeds, I, who am Truth, turn into truth their deeds. Was ever grief like mine ? The souldiers also spit upon that face 181 Which Angels did desire to have the grace, And Prophets, once to see, but found no place. Was ever grief, &c. Thus trimmed, forth they bring me to the rout, 185 AVho Crucifle him! crie with one strong shout. God holds his peace at man, and man cries out. Was ever grief, &c. They leade me in once more, and putting then Mine own clothes on, they leade me out agen. 190 Whom devils flie, thus is he toss'd of men. Was ever grief, &c. And now wearle of sport, glad to ingrosse All spite in one, counting my life their losse. They carrie me to my most bitter crosse. 195 Was ever grief, &c. 78 III. THE CHURCH My crosse I bear my self untill I faint. Then Simon bears it for me by constraint, The decreed burden of each mortall Saint. 199 Was ever grief Hke mine ? O all ye who passe by, behold and see I Man stole the fruit, but I must climbe the tree; The tree of life to all but onely me. Was ever grief, &c. 204 Lo, here I hang, charg'd with a world of sinne. The greater world o' th' two; for that came in By words, but this by sorrow I must win. Was ever grief, &c. Such sorrow as, if sinfuU man could feel 209 Or feel his part, he would not cease to kneel Till all were melted, though he were all steel. Was ever grief, &c. But, O my God, my God I why leav'st thou me. The Sonne, in whom thou dost delight to be ? My God, my God 215 Never was grief like mine. III. THE CHURCH 79 Shame tears my soul, my bodie many a wound; Sharp nails pierce this, but sharper that confound; Reproches, which are free, while I am bound. Was ever grief like mine ? Now heal thy self. Physician, now come down I Alas! I did so, when I left my crown 222 And father's smile for you, to feel his frown. Was ever grief, &c. In healing not my self, there doth consist 225 All that salvation which ye now resist; Your safetie in my sicknesse doth subsist. Was ever grief, &c. Betwixt two theeves I spend my utmost breath. As he that for some robberie suffereth. 230 Alas ! what have I stoUen from you ? Death. Was ever grief, &c. A king my title is, prefixt on high; Yet by my subjects am condemn'd to die A servile death in servile companie. 235 Was ever grief, &c. 80 III. THE CHURCH They gave me vineger mingled with gall, But more with malice. Yet when they did call. With Manna, Angels' food, I fed them all. 239 Was ever grief like mine ? They part my garments and by lot dispose My coat, the type of love, which once cur'd those Who sought for help, never malicious foes. Was ever grief, &c. Nay, after death their spite shall further go; 245 For they will pierce my side, I full well know, That as sinne came, so Sacraments might flow. W^as ever grief, &c. But now I die, now all is finished; My wo, man's weal. And now I bow my head. Onely let others say, when I am dead, 251 Never was grief like mine. III. THE CHURCH 81 GOOD FRIDAY O MY chief good, How shall I measure out thy bloud ? How shall I count what thee befell, And each grief tell ? Shall I thy woes 5 Number according to thy foes ? Or, since one starre show'd thy first breath, Shall all thy death ? Or shall each leaf Which falls in Autumne score a grief? 10 Or cannot leaves, but fruit, be signe Of the true vine ? Then let each houre Of my whole life one grief devoure; That thy distresse through all may runne, And be my sunne. 16 Or rather let My severall sinnes their sorrows get; That as each beast his cure doth know. Each sinne may so. 20 82 III. THE CHURCH Since bloud is fittest, Lord, to write Thy sorrows in and bloudie fight; My heart hath store, write there, where in One box doth he both ink and sinne. That when sinne spies so many foes, 25 Thy whips, thy nails, thy wounds, thy woes. All come to lodge there, sinne may say, No room for me, and flie away. Sinne being gone, oh fill the place And keep possession with thy grace! 30 Lest sinne take courage and return, And all the writings blot or burn. III. THE CHURCH 83 EASTER Rise, heart, thy Lord is risen. Sing his praise Without delayes. Who takes thee by the hand, that thou likewise With him mayst rise; That, as his death calcined thee to dust, 5 His life may make thee gold, and much more, just. Awake, my lute, and struggle for thy part With all thy art: The crosse taught all wood to resound his name Who bore the same; 10 His streched sinews taught all strings what key Is best to celebrate this most high day. Consort both heart and lute, and twist a song Pleasant and long. Or, since all musick is but three parts vied 15 And multiplied, O let thy blessed Spirit bear a part. And make up our defects with his sweet art. 84 III. THE CHURCH I got me flowers to straw thy way, I got me boughs off many a tree, 20 But thou wast up by break of day. And brought'st thy sweets along with thee. The Sunne arising in the East, Though he give hght, and th' East perfume. If they should offer to contest 25 With thy arising, they presume. Can there be any day but this. Though many sunnes to shine endeavour? We count three hundred, but we misse; There is but one, and that one ever. 30 m. THE CHURCH 85 WHITSUNDAY Listen, sweet Dove, unto my song And spread thy golden wings in me; Hatching my tender heart so long Till it get wing and flie away with thee. Where is that fire which once descended 5 On thy Apostles ? Thou didst then Keep open house, richly attended. Feasting all comers by twelve chosen men. Such glorious gifts thou didst bestow That th' earth did like a heav'n appeare; 10 The starres were coming down to know If they might mend their wages and serve here. 86 III. THE CHURCH The sunne, which once did shine alone, Hung down his head and wisht for night When he beheld twelve sunnes for one 15 Going about the world and giving light. But since those pipes of gold, which brought That cordiall water to our ground. Were cut and martyred by the fault Of those who did themselves through their side wound, 20 Thou shutt'st the doore and keep'st within, Scarce a good joy creeps through the chink; And if the braves of conqu'ring sinne Did not excite thee, we should wholly sink. Lord, though we change, thou art the same; The same sweet God of love and light. 26 Restore this day, for thy great name, Unto his ancient and miraculous right. III. THE CHURCH 87 TRINITIE-SUNDAY Lord, who hast form'd me out of mud, And hast redeem'd me through thy bloud. And sanctifi'd me to do good. Purge all my sinnes done heretofore; For I confesse my heavie score, And I will strive to sinne no more. Enrich my heart, mouth, hands in me. With faith, with hope, with charitie. That I may runne, rise, rest with thee. 88 III. THE CHURCH TO ALL ANGELS AND SAINTS Oh glorious spirits, who after all your bands See the smooth face of God without a frown Or strict commands; Where ev'ry one is king, and hath his crown If not upon his head, yet in his hands; 5 Not out of en vie or maliciousnesse Do I forbear to crave your speciall aid. I would addresse My vows to thee most gladly, blessed Maid, And Mother of my God, in my distresse. 10 Thou art the holy mine whence came the gold, The great restorative for all decay In young and old. Thou art the cabinet where the Jewell lay; Chiefly to thee would I my soul unfold. 15 III. THE CHURCH But now (alas!) I dare not, for our King, Whom we do all joyntly adore and praise, Bids no such thing; And where his pleasure no injunction layes, ('Tis your own case) ye never move a wing. 20 All worship is prerogative, and a flower Of his rich crown from whom lyes no appeal At the last houre. Therefore we dare not from his garland steal To make a posie for inferiour power. 25 Although then others court you, if ye know What's done on earth, we shall not fare the worse Who do not so; Since we are ever ready to disburse. If any one our Master's hand can show. 30 90 III. THE CHURCH CHRISTMAS All after pleasures as I rid one day, My horse and I both tir'd, bodie and minde, With full crie of affections quite astray, I took up in the next inne I could finde. There when I came, whom found I but my deare. My dearest Lord, expecting till the grief 6 Of pleasures brought me to him, readie there To be all passengers' most sweet relief ? O Thou, whose glorious yet contracted light. Wrapt in night's mantle, stole into a manger. Since my dark soul and brutish is thy right, 11 To Man of all beasts be not thou a stranger. Furnish and deck my soul, that thou mayst have A better lodging then a rack, or grave. III. THE CHURCH 91 The shepherds sing, and shall I silent be ? 15 My God, no hymne for thee ? My soul's a shepherd too; a flock it feeds Of thoughts, and words, and deeds. The pasture is thy word; the streams, thy grace Enriching all the place. 20 Shepherd and flock shall sing, and all my powers Out-sing the day-light houres. Then we will cliide the sunne for letting night Take up his place and right. We sing one common Lord; wherefore he should Himself the candle hold. 26 I will go searching, till I finde a sunne Shall stay till we have done, A willing shiner, that shall shine as gladly As frost-nipt sunnes look sadly. 30 Then we will sing and shine all our own day, And one another pay. His beams shall cheer my breast, and both so twine Till ev'n his beams sing and my musick shine. 92 III. THE CHURCH LENT Welcome, deare feast of Lent! Who loves not thee. He loves not Temperance or Authoritie, But is compos'd of passion. The Scriptures bid us fast; the Church sayes, now; Give to thy Mother what thou wouldst allow 5 To ev'ry Corporation. The humble soul, compos'd of love and fear. Begins at home and layes the burden there, When doctrines disagree. He sayes, in things which use hath justly got, 10 I am a scandall to the Church, and not The Church is so to me. True Christians should be glad of an occasion To use their temperance, seeking no evasion When good is seasonable; 15 Unlesse Authoritie, which should increase The obligation in us, make it lesse, And Power it self disable. Besides the cleannesse of sweet abstinence, Quick thoughts and motions at a small expense, A face not fearing light; 21 Whereas in fulnesse there are sluttish fumes, Sowre exhalations, and dishonest rheumes. Revenging the delight. III. THE CHURCH 93 Then those same pendant profits, which the spring And Easter intimate, enlarge the thing 26 And goodnesse of the deed. Neither ought other men's abuse of Lent Spoil the good use, lest by that argument We forfeit all our Creed. 30 It's true we cannot reach Christ's forti'th day; Yet to go part of that religious way Is better then to rest. We cannot reach our Saviour's puritie; Yet are we bid, Be holy evn as he. 35 In both let's do our best. Who goeth in the way which Christ hath gone, Is much more sure to meet with him then one That travelleth by-wayes. Perhaps my God, though he be farre before, 40 May turn and take me by the hand, and more May strengthen my decay es. Yet Lord instruct us to improve our fast By starving sinne, and taking such repast As may our faults controll; 45 That ev'ry man may revell at his doore. Not in his parlour; banquetting the poore. And among those his soul. 94 III. THE CHURCH SUNDAY O DAY most calm, most bright, The fruit of this, the next world's bud, Th' indorsement of supreme delight. Writ by a friend, and with his bloud; The couch of time, care's balm and bay; 5 The week were dark but for thy light. Thy torch doth show the way. The other dayes and thou Make up one man, whose face thou art. Knocking at heaven with thy brow. 10 The worky-daies are the back-part; The burden of the week lies there. Making the whole to stoup and bow Till thy release appeare. Man had straight forward gone 15 To endlesse death; but thou dost pull And turn us round to look on one Whom, if we were not very dull, We could not choose but look on still; Since there is no place so alone 20 The which he doth not fill. III. THE CHURCH 95 Sundaies the pillars are On which heav'ns palace arched lies; The other dayes fill up the spare And hollow room with vanities. 25 They are the fruitfull beds and borders In God's rich garden: that is bare Which parts their ranks and orders. The Sundaies of man's life, Thredded together on time's string, 30 Make bracelets to adorn the wife Of the eternall glorious King. On Sunday heaven's gate stands ope. Blessings are plentifull and rife. More plentifull then hope. 35 This day my Saviour rose. And did inclose this light for his; That, as each beast his manger knows, Man might not of his fodder misse. Christ hath took in this piece of ground, 40 And made a garden there for those Who want herbs for their wound. 96 III, THE CHURCH The rest of our Creation Our great Redeemer did remove With the same shake which at his passion 45 Did th* earth and all things with it move. As Samson bore tlie doores away, Christ's hands, though nail'd, wrought our salva- tion And did unhinge that day. The brightnesse of that day 50 We sullied by our foul offence; Wherefore that robe we cast away. Having a new at his expence Whose drops of bloud paid the full price That was required to make us gay, 55 And fit for Paradise. Thou art a day of mirth; And where the week-dayes trail on ground. Thy flight is higher, as thy birth. O let me take thee at the bound, 60 Leaping with thee from sev'n to sev'n. Till that we both, being toss'd from earth, Flie hand in hand to heav'n! III. THE CHURCH 97 PRAYER Prayer the Churches banquet, Angel's age, God's breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage. The Christian plummet sounding heav'n and earth; Engine against th' Almightie, sinner's 4:owre, 5 Reversed thunder, Christ-side-piercing spear, The six-daies -world transposing in an houre, A kinde of tune which all things heare and fear; Softnesse and peace and joy and love and bhsse, Exalted Manna, gladnesse of the best, 10 Heaven in ordinarie, man well drest. The milkie way, the bird of Paradise, Church-bels beyond the starres heard, the soul's bloud. The land of spices; something understood. 98 III. THE CHURCH PRAYER Of what an easie quick accesse, My blessed Lord, art thou! How suddenly May our requests thine eare invade! To shew that state dislikes not easinesse, If I but lift mine eyes my suit is made; 5 Thou canst no more not heare then thou canst die. Of what supreme almightie power Is thy great arm, which spans the east and west And tacks the centre to the sphere! By it do all things live their measur'd houre, 10 We cannot ask the thing which is not there. Blaming the shallownesse of our request. Of what unmeasureable love Art thou possest who, when thou couldst not die, Wert fain to take our flesh and curse 15 And for our sakes in person sinne reprove. That by destroying that which ty'd thy purse, Thou mightst make way for liberalitie! Since then these three wait on thy throne, Ease, Power, and Love; I value prayer so 20 That were I to leave all but one. Wealth, fame, endowments, vertues, all should go; I and deare prayer would together dwell. And quickly gain, for each inch lost, an ell. III. THE CHURCH THE H. SCRIPTURES I Oh Book! Infinite sweetnesse! Let my heart Suck ev'ry letter and a hony gain, Precious for any grief in any part. To cleare the breast, to moUifie all pain. Thou art all health, health thriving till it make A full eternitie. Thou art a masse 6 Of strange dehghts, where we may wish and take. Ladies, look here! This is the thankfull glasse That mends the looker's eyes; this is the well That washes what it shows. Who can indeare Thy praise too much ? Thou art heav'n's Lidger here, 1 1 Working against the states of death and hell. Thou art joyes handsell. Heav'n Hes flat in thee, Subject to ev'ry mounter's bended knee. 100 III. THE CHURCH II Oh tliat I knew how all thy lights combine, And the configurations of their glorie! Seeing not onely how each verse doth shine, But all the constellations of the storie. This verse marks that, and both do make a motion Unto a third, that ten leaves off doth lie; 6 Then as dispersed herbs do watch a potion, These three make up some Christian's destinie. Such are thy secrets, which my life makes good. And comments on thee; for in ev'ry thing Thy words do finde me out, and parallels bring, And in another make me understood. 12 Starres are poore books, and oftentimes do misse; This book of starres lights to eternall blisse. in. THE CHURCH 101 H. BAPTISME As he that sees a dark and shadie grove Stayes not, but looks beyond it on the skie; So when I view my sinnes, mine eyes remove More backward still and to that water flie Which is above the heav'ns, whose spring and rent 5 Is in my deare Redeemer's pierced side. O blessed streams! Either ye do prevent And stop our sinnes from growing thick and wide. Or else give tears to drown them as they grow. In you Redemption measures all my time And spreads the plaister equall to the crime. You taught the book of life my name, that so, 12 What ever future sinnes should me miscall, Your first acquaintance might discredit all. 102 III. THE CHURCH H. BAPTISMS Since, Lord, to thee A narrow way and little gate Is all the passage, on my infancie Thou didst lay hold and antedate My faith in me. 5 O let me still Write thee great God, and me a childe. Let me be soft and supple to thy will, Small to my self, to others milde, Behither ill. 10 Although by stealth My flesh get on, yet let her sister, My soul, bid nothing but preserve her wealth. The growth of flesh is but a blister; Childhood is health. 15 III. THE CHURCH 103 THE H. COMMUNION Not in rich furniture or fine aray, Nor in a wedge of gold, Thou, who from me wast sold, To me dost now thy self convey; For so thou should'st without me still have been, 5 Leaving within me sinne. But by the way of nourishment and strength Thou creep'st into my breast. Making thy way my rest. And thy small quantities my length; 10 Which spread their forces into every part. Meeting sinne' s force and art. Yet can these not get over to my soul, Leaping the wall that parts Our souls and fleshly hearts; 15 But as th' outworks, they may controll My rebel-flesh, and carrying thy name. Affright both sinne and shame. Onely thy grace, which with these elements comes, Knoweth the ready way 20 And hath the privie key, Op'ning the soul's most subtile rooms; While those to spirits refin'd at doore attend Dispatches from their friend. 104 III. THE CHURCH Give me my captive soul, or take 25 My bodie also thither. Another lift like this will make Them both to be together. Before that sinne turn'd flesh to stone. And all our lump to leaven, 30 A fervent sigh might well have blown Our innocent earth to heaven. For sure when Adam did not know To sinne, or sinne to smother, He might to heav'n from Paradise go 35 As from one room t' another. Thou hast restor'd us to this ease By this thy heav'nly bloud; Which I can go to when I please. And leave th' earth to their food. 40 III. THE CHURCH 105 CHURCH-MUSICK Sweetest of sweets, I thank you ! When displea- sure Did through my bodie wound my minde, You took me thence, and in your house of plea- sure A daintie lodging me assign'd. Now I in you without a bodie move, 5 Rising and falling with your wings. We both together sweetly live and love. Yet say sometimes, God help poore Kings. Comfort, I'le die; for if you poste from me, Sure I shall do so, and much more. 10 But if I travell in your companie. You know the way to heaven's doore. 106 III. THE CHURCH CHURCH-MONUMENTS While that my soul repairs to her devotion, Here I intombe my flesh, that it betimes May take acquaintance of this heap of dust. To which the blast of death's incessant motion, Fed with the exhalation of our crimes, 5 Drives all at last. Therefore I gladly trust My bodie to this school, that it may learn To spell his elements, and finde his birth Written in dustie heraldrie and lines Which dissolution sure doth best discern, 10 Comparing dust with dust, and earth with earth. These laugh at leat and Marble put for signes III. THE CHURCH 107 To sever the good fellowship of dust. And spoil the meeting. What shall point out them. When they shall bow and kneel and fall down flat 15 To kisse those heaps which now they have in trust ? Deare flesh, while I do pray, learne here thy stemme And true descent; that when thou shalt grow fat And wanton in thy cravings, thou mayst know That flesh is but the glasse which holds the dust That measures all our time; which also shall Be crumbled into dust. Mark here below 22 How tame these ashes are, how free from lust, That thou mayst fit thyself against thy fall. IV MEDITATION PREFACE HERE are grouped the most serious studies of Herbert's Cambridge days, studies of the natures of God and man, and of the possible rela- tions between the two. A similar set, though longer and of profounder import, was written at Bemer- ton, and appears later as Group IX. The poems of these two Groups have an abstract and impersonal character distinguishing them from the rest of the work of this singularly personal writer. In them Herbert's favorite pronoun, /, rarely appears; though of course these, no less than the others, study the approaches of God and the individual soul. The arrangement is as follows : After a few verses reproducing something of the sententious wisdom of The Church-Porch comes the com- pact poem on Man, a favorite with R. W. Emer- son and w4th all readers who love penetrative thought and daring phrase. The World depicts the construction of Man as clumsily managed by himself. To it succeed discussions of Sinne, Faith, and Redemption, themes seldom absent f^om Herbert's mind. And then comes a series of lia PREFACE what is almost as frequent with him, reflections on human changeableness; the whole naturally concluding with some young man's verse about Death and the life beyond. IV. MEDITATION 113 CHARMS AND KNOTS Who reade a chapter when they rise, Shall ne're be troubled with ill eyes. A poore man's rod, when thou dost ride, Is both a weapon and a guide. Who shuts his hand, hath lost his gold; Who opens it, hath it twice told. Who goes to bed and doth not pray, Maketh two nights to ev'ry day. 114 IV. MEDITATION Who by aspersions throw a stone At th' head of others, hit their own. 10 Who looks on ground with humble eyes, Findes himself there, and seeks to rise. When th' hair is sweet through pride or lust. The powder doth forget the dust. Take one from ten, and what remains ? 15 Ten still, if sermons go for gains. In shallow waters heav'n doth show; But who drinks on, to hell may go. IV. MEDITATION 115 MAN My God, I heard this day That none doth build a stately habitation But he that means to dwell therein. What house more stately hath there been, Or can be, then is Man ? To whose creation All things are in decay. 6 For Man is ev'ry thing, And more. He is a tree, yet bears no fruit; A beast, yet is, or should be more; Reason and speech we onely bring. 10 Parrats may thank us if they are not mute, They go upon the score. Man is all s}Tnmetrie, Full of proportions, one limbe to another, And all to all the world besides. 15 Each part may call the farthest, brother; For head with foot hath private amitie. And both with moons and tides. 116 IV. MEDITATION Nothing hath got so farre But Man hath caught and kept it as his prey. 20 His eyes dismount the highest starre. He is in Httle all the sphere. Herbs gladly cure our flesh, because that they Finde their acquaintance there. For us the windes do blow, 25 The earth doth rest, heav'n move, and fountains flow. Nothing we see but means our good. As our delight, or as our treasure; The whole is either our cupboard of jood Or cabinet of pleasure. 30 The starres have us to bed; Night draws the curtain, which the sunne with- draws ; Musick and light attend our head. All things unto our flesh are kinde In their descent and being ; to our minde 35 In their ascent and cause. IV. MEDITATION 117 Each thing is full of dutie: Waters united are our navigation; Distinguished, our habitation; Below, our drink; above, our meat; 40 Both are our cleanlinesse. Hath one such beautie ? Then how are all things neat ? More servants wait on Man Then he'l take notice of; in ev'ry path 44 He treads down that which doth befriend him When sicknesse makes him pale and wan. Oh mightie love! Man is one world, and hath Another to attend him. Since then, my God, thou hast So brave a Palace built, O dwell in it, 50 That it may dwell with thee at last! Till then afford us so much wit That as the world serves us we may serve thee, And both thy servants be. 118 IV. MEDITATION THE WORLD Love built a stately house ; where Fortune came, And spinning phansies she was heard to say That her fine cobwebs did support the frame, Whereas they were supported by the same. But Wisdome quickly swept them all away. 5 Then Pleasure came, who liking not the fashion, Began to make Balcones, Terraces, Till she had weakned all by alteration; But rev'rend laws and many a ^proclamation Reformed all at length with menaces. 10 Then enter'd Sinne, and with that Sycomore, Whose leaves first sheltred man from drought and dew, Working and winding slily evermore, 13 The inward walls and Sommers cleft and tore; But Grace shor'd these, and cut that as it grew. Then Sinne combin'd with Death in a firm band To rase the building to the very floore; Which they effected, none could them withstand. But Love and Grace took Glorie by the hand And built a braver Palace then before. 20 IV. MEDITATION 119 SINNE O THAT I could a sinne once see! We paint the devil foul, yet he Hath some good in him, all agree. Sinne is flat opposite to th' Almighty, seeing It wants the good of vertue and of being. 5 But God more care of us hath had: If apparitions make us sad, By sight of sinne we should grow mad. Yet as in sleep we see foul death and live; So devils are our sinnes in perspective. 10 120 IV. MEDITATION SINNE Lord, with what care hast thou begirt us round ! Parents first season us; then schoolmasters Dehver us to laws; they send us bound To rules of reason, holy messengers. Pulpits and sundayes, sorrow dogging sinne, 5 Afflictions sorted, anguish of all sizes, Fine nets and strategems to catch us in. Bibles laid open, millions of surprises. Blessings beforehand, tyes of gratefulnesse, The sound of glorie ringing in our eares; 10 Without, our shame; within, our consciences; Angels and grace, eternall hopes and fears. Yet all these fences and their whole aray One cunning bosome-sinne blows quite away. IV. MEDITATION 121 FAITH Lord, how couldst thou so much appease Thy wrath for sinne, as when man's sight was dimme And could see Httle, to regard his ease And bring by Faith all things to him ? Hungrie I was and had no meat. 5 I did conceit a most delicious feast; I had it straight, and did as truly eat As ever did a welcome guest. There is a rare outlandish root 9 Which, when I could not get, I thought it here; That apprehension cur'd so well my foot That I can walk to heav'n well neare. I owed thousands and much more. I did beleeve that I did nothing owe And liv'd accordingly; my creditor 15 Beleeves so too, and lets me go. Faith makes me any thing, or all That I beleeve is in the sacred storie. And where sinne placeth me in Adam's fall. Faith sets me higher in his glorie. 20 122 IV. MEDITATION If I go lower in the book, What can be lower then the common manger ? Faith puts me there with him who sweetly took Our flesh and frailtie, death and danger. If blisse had lien in art or strength, 25 None but the wise or strong had gained it. Where now by Faith all arms are of a length; One size doth all conditions fit. A peasant may beleeve as much 29 As a great Clerk, and reach the highest stature. Thus dost thou make proud knowledge bend and crouch While grace fills up uneven nature. When creatures had no reall light Inherent in them, thou didst make the sunne Impute a lustre and allow them bright, 35 And in this shew what Christ hath done. That which before was darkned clean With bushie groves, pricking the looker's eie, Vanisht away when Faith did change the scene ; And then appear'd a glorious skie. 40 What though my bodie runne to dust ? Faith cleaves unto it, counting evr'y grain With an exact and most particular trust, Reserving all for flesh again. IV. MEDITATION 123 REDEMPTION Having been tenant long to a rich Lord, Not thriving, I resolved to be bold. And make a suit unto him to afford A new small-rented lease and cancell th' old. In heaven at his manour I him sought. 5 They told me there that he was lately gone About some land which he had dearly bought Long since on earth, to take possession. I straight return'd, and knowing his great birth. Sought him accordingly in great resorts, 10 In cities, theatres, gardens, parks, and courts. At length I heard a ragged noise and mirth Of theeves and murderers ; there I him espied. Who straight, Your suit is granted, said, and died. 124 IV. MEDITATION HUMILITIE I SAW the Vertues sitting hand in hand In sev'rall ranks upon an azure throne, Where all the beasts and fowls by their command Presented tokens of submission. Humilitie, who sat the lowest there 5 To execute their call, When by the beasts the presents tendred were. Gave them about to all. The angrie Lion did present his paw, 9 Which by consent was giv'n to Mansuetude. The fearfuU Hare her eares, which by their law Humilitie did reach to Fortitude. The jealous Turkic brought his corall-chain ; That went to Temperance. On Justice was bestow'd the Foxes brain, 15 Kill'd in the way by chance. IV. MEDITATION 125 At length the Crow bringing the Peacock's plume, (For he would not,) as they beheld the grace Of that brave gift, each one began to fume. And challenge it as proper to his place, 20 Till they fell out; which when the beasts espied. They leapt upon the throne; And if the Fox had liv'd to rule their side. They had depos'd each one. Humilitie, who held the plume, at this 25 Did weep so fast that the tears trickling down Spoil'd all the train; then saying, Here it is For which ye wrangle, made them turn their frown Against the beasts. So Joyntly bandying. They drive them soon away, 30 And then amerc'd them double gifts to bring At the next Session-day. 126 IV. MEDITATION UNGRATEFULNESSE Lord, with what bountie and rare clemencie Hast thou redeem'd us from the grave! If thou hadst let us runne, Gladly had man ador'd the sunne, And thought his god most brave; 5 Where now we shall be better gods then he. Thou hast but two rare cabinets full of treasure, The Trinitie and Incarnation. Thou hast unlockt them both, And made them jewels to betroth 10 The work of thy creation Unto thy self in everlasting pleasure. The statelier cabinet is the Trinitie, Whose sparkling light accesse denies. Therefore thou dost not show 15 This fully to us till death blow The dust into our eyes; For by that powder thou wilt make us see. IV. MEDITATION 127 But all thy sweets are packt up in the other, Thy mercies thither flock and flow; 20 That as the first affrights^ This may allure us with delights, Because this box we know, For we have all of us just such another. But man is close» reserved, and dark to thee, 25 When thou demandest but a heart. He cavils instantly. In his poore cabinet of bone Sinnes have their box apart. Defrauding thee, who gavest two for one. 30 128 IV. MEDITATION AFFLICTION My God, I read this day That planted Paradise was not so firm As was and is thy floting Ark; whose stay And anchor thou art onely, to confirm And strengthen it in ev'ry age, 5 When waves do rise and tempests rage. At first we liv'd in pleasure: Thine own dehghts thou didst to us impart. When we grew wanton, thou didst use dis- pleasure To make us thine ; yet that we might not part. As we at first did board with thee, 11 Now thou wouldst taste our miserie. There is but joy and grief; If either will convert us, we are thine. Some Angels us'd the first; if our relief 15 Take up the second, then thy double line And sev'rall baits in either kinde Furnish thy table to thy minde. Affliction then is ours. 19 We are the trees whom shaking fastens more, While blustring windes destroy the wanton bowres, And ruffle all their curious knots and store. My God, so temper joy and wo That thy bright beams may tame thy bow. IV. MEDITATION 129 MISERIE Lord, let the Angels praise thy name; Man is a foolish thing, a foolish thing. Folly and Sinne play all his game. His house still burns, and yet he still doth sing, Man is but grasse, 5 He knows it, fill the glasse. How canst thou brook his foolishnesse ? Why he'l not lose a cup of drink for thee. Bid him but temper his excesse, 9 Not he; he knows where he can better be, As he will swear, Then to serve thee in fear. What strange pollutions doth he wed. And make his own! As if none knew but he. No man shall beat into his head 15 That thou within his curtains drawn canst see. They are of cloth, Where never yet came moth. 130 IV. MEDITATION The best of men, turn but thy hand For one poore minute, stumble at a pinne. 20 They would not have their actions scann'd, Nor any sorrow tell them that they sinne, Though it be small, And measure not their fall. 24 They quarrell thee, and would give over The bargain made to serve thee; but thy love Holds them unto it and doth cover Their follies with the wing of thy milde Dove, Not suff'ring those Who would, to be thy foes. 30 My God, Man cannot praise thy name. Thou art all brightnesse, perfect puritie; The sunne holds down his head for shame, Dead with eclipses, when we speak of thee. How shall infection 35 Presume on thy perfection ? As dirtie hands foul all they touch. And those things most which are most pure and fine, So our clay hearts, ev'n when we crouch To sing thy praises, make them lesse divine. 40 Yet either this Or none thy portion is. IV. MEDITATION 131 Man cannot serve thee; let him go, And serve the swine. There, there is his delight. He doth not like this vertue, no; 45 Give him his dirt to wallow in all night. These Preachers make His head to shoot and ake. Oh foolish man ! Where are thine eyes ? How hast thou lost them in a croud of cares ? 50 Thou pull'st the rug and wilt not rise. No, not to purchase the whole pack of starres. There let them shine. Thou must go sleep or dine. The bird that sees a daintie bowre 55 Made in the tree where she was wont to sit, Wonders and sings, but not his power Who made the arbour; this exceeds her wit. But Man doth know The spring whence all things flow: 60 132 IV. MEDITATION And yet, as though he knew it not, His knowledge winks and lets his humours reigne. They make his life a constant blot. And all the bloud of God to run in vain. Ah wretch! What verse 65 Can thy strange wayes rehearse ? Indeed at first Man was a treasure, A box of jewels, shop of rarities, A ring whose posie was. My 'pleasure. He was a garden in a Paradise. 70 Glorie and grace Did crown his heart and face. But sinne hath fool'd him. Now he is A lump of flesh, w^ithout a foot or wing To raise him to the glimpse of blisse; 75 A sick toss'd vessel, dashing on each thing; Nay, his own shelf; My God, I mean my self. IV. MEDITATION 133 MORTIFICATION How soon doth man decay! When clothes are taken from a chest of sweets To swaddle infants, whose young breath Scarce knows the way. Those clouts are little winding sheets 5 Which do consigne and send them unto death. When boyes go first to bed. They step into their voluntarie graves. Sleep bindes them fast; onely their breath Makes them not dead. 10 Successive nights, like rolling waves, Convey them quickly who are bound for death. When youth is frank and free. And calls for musick while his veins do swell. All day exchanging mirth and breath 15 In companie. That musick summons to the knell Wliich shall befriend him at the hduse of death. 134 IV. MEDITATION When man grows staid and wise, Getting a house and home where he may move 20 Within the circle of his breath, Schoohng his eyes. That dumbe inclosure maketh love Unto the coffin that attends his death. When age grows low and weak, 25 Marking his grave, and thawing ev'ry yeare, Till all do melt and drown his breath When he would speak, A chair or litter shows the biere 29 Which shall convey him to the house of death. Man ere he is aware Hath put together a solemnitie, And drest his herse while he has breath As yet to spare. Yet Lord, instruct us so to die 35 That all these dyings may be life in death. IV. MEDITATION 135 DEATH Death, thou wast once an uncouth hideous thing, Nothing but bones, The sad effect of sadder grones; Thy mouth was open but thou couldst not sing. For we consider' d thee as at some six 5 Or ten yeares hence. After the losse of Kfe and sense. Flesh being turn'd to dust, and bones to sticks. We lookt on this side of thee, shooting short; Where we did finde 10 The shells of fledge souls left behinde. Dry dust, which sheds no tears but may extort. 136 IV. MEDITATION But since our Saviour's death did put some bloud Into thy face. Thou art grown fair and full of grace, 15 Much in request, much sought for as a good. For we do now behold thee gay and glad. As at dooms-day; When souls shall wear their new aray,i And all thy bones with beautie shall be clad. Therefore we can go die as sleep, and trust 21 Half that we have Unto an honest faithfull grave. Making our pillows either down or dust. IV. MEDITATION 137 DOOMS-DAY Come away, Make no delay. Summon all the dust to rise, Till it stirre and rubbe the eyes, While this member jogs the other, 5 Each one whispring, Live you brother? Come away, Make this the day. Dust, alas, no musick feels But thy trumpet, then it kneels; 10 As peculiar notes and strains Cure Tarantulaes raging pains. Come away, O make no stay! Let the graves make their confession, 15 Lest at length they plead possession. Fleshes stubbornnesse may have Read that lesson to the grave. 138 IV. MEDITATION Come away, Thy flock doth stray. 20 Some to windes their bodie lend, And in them may drown a friend; Some in noisome vapours grow To a plague and publick wo. Come away, 25 Help our decay. Man is out of order hurl'd, Parcel' d out to all the world. Lord, thy broken consort raise. And the musick shall be praise. 30 IV. MEDITATION 139 JUDGEMENT Almightie Judge, how shall poore wretches brook Thy dreadful! look, Able a heart of iron to appall, When thou shalt call For ev'ry man's peculiar book ? 6 What others mean to do, I know not well; Yet I heare tell. That some will turn thee to some leaves therein So void of sinne That they in merit shall excell. 10 But I resolve, when thou shalt call for mine, That to decline. And thrust a Testament into thy hand; Let that be scann'd. 14 There thou shalt finde my faults are thine. 140 IV. MEDITATION HEAVEN O WHO will show me those delights on high ? Echo. I. Thou Echo, thou art mortall, all men know. Echo. No. 4 W^ert thou not born among the trees and leaves ? Echo. Leaves. And are there any leaves that still abide ? Echo. Bide. W^hat leaves are they ? Impart the matter wholly. Echo. Holy. 10 Are holy leaves the Echo then of blisse ? Echo. Yes. Then tell me, what is that supreme delight ? Echo. Light. Light to the minde; what shall the will enjoy ? 15 Echo. Joy. But are there cares and businesse with the plea- sure? Echo. Leisure. Light, joy, and leisure ; but shall they persever ? Echo. Ever. 20 V THE INNER LIFE PREFACE IN the poems to which I have ventured to give the title of The Inner Life we for the first time meet the poetic modes most characteristic of Herbert's temperament. Other poets before Her- bert had written reflective verse, sagaciously in- structing or meditating on the perplexing intricacy of divine and human things. Southwell, Ralegh, Donne, were Herbert's predecessors in such holy anatomy. Southwell largely and other men in single poems had celebrated the institutions of the Church, though conceiving them in no such per- sonal way as Herbert. But the religious love- lyric, which begins with this Group and fills all the remainder except Group VIII, was developed by Herbert. Not that the type did not already exist in the Latin poetry of the Mediaeval Church. Poets, too, of France and Germany had again and again put tender communings with God into their vernacular speech. In England translations of the Psalms were common, and Hymns — the average pious utterance of a multitude — were just coming into use. Nothing altogether new ever appears on earth. The most original writer creates his novelty out of what already exists. Yet by bringing tend- 144 PREFACE TO encies to full expression he still genuinely produces. So Herbert produced a new species of English poetry, a species so common since his time and through his influence that we now forget that a Herbert was required for its production. The character of this new poetry, I have else- where fully discussed and I need here only summarize it. Herbert^s immediate predecessors had developed the love-lyric to an exquisite and often artificial perfection. As the mediaeval painter found a set subject in the Madonna and Child, and to a subject not his own gave his personal stamp through small refinements of treatment, so did the Elizabethan and Jacobean poet find in the lan- guishing lover a subject set to his hand. That the poets themselves did sometimes veritably languish, no one will doubt. But whether instructed by expe- rience or engaged in exploiting a theme, they one and all bring before us the exalted lady with a heart colder than is nowadays customary, a heart which when once engaged is easily alienated, and of whose slightest favor the miserable lover knows himself to be perpetually unworthy. Through long sequences of lyrics — sonnets commonly, less fre- quently verse of looser structure — every stage is worked out in the slow approach of the undeserv- ing to the exalted one. To us moderns, who feel but sKghtly the impulse to imaginative construc- tion, such detailed exhibits of all the possible phases of longing, hope, and despair appear strange THE INNER LIFE 145 when presented by serious and middle-aged men. The intellectual fashions of one age are hard for another to comprehend. To Herbert these fashions were matters of course. From them he was able to detach himself only sufficiently to condemn the objects loved, but not to change the methods of representing love itself. A literary artist through and through, rejoicing in refinements, feeling no antagonism between cool study and vivid emotion, ever ready to note whatever shade of feeling a situation de- manded and to develop it from germs of his own, Herbert brings over into the religious field the heart-searchings, the sighs, and the self-accusa- tions which hitherto had belonged to secular love. Yet he is no trifler. Over-intellectualism is always his danger. He merely undertakes to treat as liter- ary material the dealings of God and his own heart; and in this new field of love he follows the beauti- ful shimmering methods which Shakespeare had taught him in his devotion to the lovely youth, or Spenser in his service of the nameless lady. During the interval, too, which parts the second Stuart from Elizabeth, the national temper had changed and grown profoundly introspective and grave. Herbert is contrasted with Breton and Campion as Browning with Burns. Grouped together here, then, — so far as these can be parted from the similarly minded verses of preceding sections, — are all the poems which 146 PREFACE Herbert wrote at Cambridge in which his changing moods of mind are studied and heightened for the purpose of reflecting vicissitudes in his love of God. Beginning with a few glad notes, he quickly perceives in The Thanksgiving and The Re- PRiSALL how incompetent he is at his best to make gifts worthy of Him whom he adores. In The Sin- ner, Deniall, and Church-Lock and Key, he acknowledges that the failure of God to smile upon him is due to radical faults in himself; faults which in Nature and Repentance seem to connect themselves with specific acts of wrong-doing which in the Bemerton days the third stanza of The Pilgrimage recalls. The poems which follow are akin to these in their lamentations of instability. At the close I have hung that wreathed garland which he hopes may even in his crooked^ winding wayes express his tender reverence. V. THE INNER LIFE 147 OUR LIFE IS HID WITH CHRIST IN GOD (COLOSSIANS III, 3) My words and thoughts do both expresse this notion, That Li^e hath with the sun a double motion; The first Is straight, and our diurnall friend, The other Hid^ and doth obHquely bend. One life is wrapt In flesh, and tends to earth; 5 The other winds towards Him whose happie birth Taught me to live here so That still one eye Should aim and shoot at that which Is on high, Quitting with daily labour all My pleasure, To gain at harvest an eternall Treasure. 10 148 V. THE INNER LIFE MATTENS I CANNOT ope mine eyes But thou art ready there to catch My morning-soul and sacrifice; Then we must needs for that day make a match . My God, what is a heart ? 5 Silver, or gold, or precious stone, Or starre, or rainbow, or a part Of all these things, or all of them in one ? My God, what is a heart, 9 That thou shouldst it so eye and wooe, Po wring upon it all thy art. As if that thou hadst nothing els to do ? Indeed man's whole estate Amounts (and richly) to serve thee. 14 He did not heav'n and earth create. Yet studies them, not him by whom they be. Teach me thy love to know, That this new light, which now I see. May both the work and workman show. Then by a sunne-beam I will climbe to thee. 20 V. THE INNER LIFE 149 THE THANKSGIVING Oh King of grief ! (A title strange, yet true, To thee of all kings onely due.) Oh King of wounds ! How shall I grieve for thee, Who in all grief preventest me ? Shall I weep bloud ? Why thou hast wept such store 5 That all thy body was one doore. Shall I be scourged, flouted, boxed, sold ? 'T is but to tell the tale is told. My God, my God, why dost thou "part from me ? Was such a grief as cannot be. 10 Shall I then sing, skipping thy dolefuU storie, And side with thy triumphant glorie ? Shall thy strokes be my stroking? Thorns, my flower ? Thy rod, my posie ? Crosse, my bower ? 150 V. THE INNER LIFE But how then shall I imitate thee and 15 Copie thy fair, though bloudie hand ? Surely I will revenge me on thy love. And trie who shall victorious prove. If thou dost give me wealth, I will restore All back unto thee by the poore. 20 If thou dost give me honour, men shall see The honour doth belong to thee. I will not marry; or, if she be mine. She and her children shall be thine. My bosome friend if he blaspheme thy name, I will tear thence his love and fame. 26 One half of me being gone, the rest I give Unto some Chappell, die or live. As for thy passion — But of that anon, When with the other I have done. 30 For thy predestination I'le contrive That three yeares hence, if I survive, I'le build a spittle, or mend common wayes, But mend mine own without delayes. V. THE INNER LIFE 151 Then I will use the works of thy creation 35 As if I us'd them but for fashion. The world and I will quarrell, and the yeare Shall not perceive that I am here. My musick shall finde thee, and ev'ry string Shall have his attribute to sing, 40 That all together may accord in thee. And prove one God, one harmonic. It thou shalt give me wit, it shall appeare; If thou hast giv'n it me, 't is here. 44 Nay, I will reade thy book and never move Till I have found therein thy love, Thy art of love, which I'le turn back on thee: O my deare Saviour, Victorie! Then for thy passion — I will do for that — Alas, my God, I know not what. 50 152 V. THE INNER LIFE THE REPRISALL I HAVE consider' d it, and finde There is no dealing with thy mighty passion; For though I die for thee, I am behinde. My sinnes deserve the condemnation. O make me innocent, that I 5 May give a disentangled state and free. And yet thy wounds still my attempts defie, For by thy death I die for thee. Ah, was it not enough that thou By thy eternall glorie didst outgo me ? 10 Couldst thou not grief's sad conquests me allow, But in all vict'ries overthrow me ? Yet by confession will I come Into the conquest. Though I can do nought Against thee, in thee I will overcome 15 The man who once against thee fought. V. THE INNER LIFE 153 THE SINNER Lord, how I am all ague when I seek What I have treasur'd in my memorie! Since if my soul make even with the week. Each seventh note by right is due to thee. I finde there quarries of pil'd vanities, 5 But shreds of holinesse, that dare not venture To shew their face, since crosse to thy decrees. There the circumference earth is, heav'n the centre. In so much dregs the quintessence is small; The spirit and good extract of my heart 10 Comes to about the many hundredth part. Yet Lord restore thine image, heare my call! And though my hard heart scarce to thee can grone, Remember that thou once didst v/rite in stone. 154 V. THE INNER LIFE DENIALL When my devotions could not pierce Thy silent eares, Then was my heart broken, as was my verse. My breast was full of fears And disorder. 5 My bent thoughts, like a brittle bow, Did flie asunder. Each took his way: some would to pleasures go, Some to the warres and thunder Of alarms. 10 As good go any where, they say. As to benumme Both knees and heart in crying night and day, Comey come, my God, O cornel But no hearing. 15 V. THE INNER LIFE 155 O that thou shouldst give dust a tongue To crie to thee, And then not heare it crying! All day long My heart was in my knee. But no hearing. 20 Therefore my soul lay out of sight, Untun'd, unstrung. My feeble spirit, unable to look right. Like a nipt blossome hung Discontented. 25 O cheer and tune my heartlesse breast, Deferre no time. That so thy favours granting my request. They and my minde may chime. And mend my ryme. 30 156 V. THE INNER LIFE CHURCH-LOCK AND KEY I KNOW it is my sinne which locks thine eares And bindes thy hands, Out-crying my requests, drowning my tears. Or else the chilnesse of my faint demands. But as cold hands are angrie with the fire 5 And mend it still, So I do lay the want of my desire Not on my sinnes or coldnesse, but thy will. Yet heare, O God, onely for his bloud's sake Which pleads for me; 10 For though sinnes plead too, yet like stones they make His bloud's sweet current much more loud to be. V. THE INNER LIFE 157 NATURE Full of rebellion, I would die. Or fight, or travell, or denie That thou hast ought to do with me. O tame my heart! It is thy highest art 5 To captivate strong holds to thee. If thou shalt let this venome lurk And in suggestions fume and work. My soul will turn to bubbles straight, And thence by kinde 10 Vanish into a winde, Making thy workmanship deceit. O smooth my rugged heart, and there Engrave thy rev'rend law and fear! Or make a new one, since the old 15 Is saplesse grown, And a much fitter stone To hide my dust then thee to hold. 158 V. THE INNER LIFE REPENTANCE Lord, I confesse my sinne is great; Great is my sinne. Oh! gently treat With thy quick flow'r, thy momentanie bloom, Whose life still pressing Is one undressing, 5 A steadie aiming at a tombe. Man's age is two houres' work, or three. Each day doth round about us see. Thus are we to delights ; but we are all To sorrows old, 10 If life be told From what Hfe fceleth, Adam's fall. O let thy height of mercie then Compassionate short-breathed men! 14 Cut me not off for my most foul transgression. I do confesse My f oolishnesse ; My God, accept of my confession. V. THE INNER LIFE 159 Sweeten at length this bitter bowl Which thou hast pour'd into my soul. 20 Thy wormwood turn to health, windes to fair weather; For if thou stay, I and this day, As we did rise, we die together. When thou for sinne rebukest man, 25 Forthwith he waxeth wo and wan. Bitternesse fills our bowels; all our hearts Pine and decay, And drop away. And Carrie with them th' other parts. 30 But thou wilt sinne and grief destroy, That so the broken bones may joy, And tune together in a well-set song, Full of his praises Who dead men raises. 35 Fractures well cur'd make us more strong. 160 V. THE INNER LIFE UNKINDNESSE Lord, make me coy and tender to offend. In friendship, first I think if that agree Which I intend Unto my friend's intent and end. I would not use a friend as I use Thee. 5 If any touch my friend, or his good name. It is my honour and my love to free His blasted fame From the least spot or thought of blame. I could not use a friend as I use Thee. 10 My friend may spit upon my curious floore. Would he have gold? I lend it instantly; But let the poore, And thou within them, starve at doore. I cannot use a friend as I use Thee. 15 When that my friend pretendeth to a place, I quit my interest and leave it free. But when thy grace Sues for my heart, I thee displace, Nor would I use a friend as I use Thee. 20 Yet can a friend what thou hast done fulfill ? O write in brasse. My God upon a tree His bloud did spill Onely to purchase my good-will; Yet use I not my joes as I use thee. 25 V. THE INNER LIFE 161 GRACE My stock lies dead, and no increase Doth my dull husbandrie improve. O let thy graces without cease Drop from above! If still the sunne should hide his face, 5 Thy house would but a dungeon prove, Thy works night's captives. O let grace Drop from above! The dew doth ev'ry morning fall, And shall the dew out-strip thy dove ? 10 The dew, for which grasse cannot call. Drop from above. Death is still working hke a mole, And digs my grave at each remove; Let grace work too, and on my soul 15 Drop from above. Sinne is still hammering my heart Unto a hardnesse void of love; Let suppling grace, to crosse his art. Drop from above. 20 O come ! For thou dost know the way. Or if to me thou wilt not move, Remove me where I need not say. Drop from above. 162 V. THE INNER LIFE THE TEMPER It cannot be. Where is that mightie joy Which just now took up all my heart ? Lord, if thou must needs use thy dart, Save that and me, or sin for both destroy. The grosser world stands to thy word and art ; But thy diviner world of grace 6 Thou suddenly dost raise and race, And ev'ry day a new Creatour art. O fix thy chair of grace, that all n!y powers May also fix their reverence ; 10 For when thou dost depart from hence, They grow unruly and sit in thy bowers. Scatter, or binde them all to bend to thee. Though elements change and heaven move, Let not thy higher Court remove, 15 But keep a standing Majestic in me. V. THE INNER LIFE 163 THE TEMPER How should I praise thee, Lord! How should my rymes Gladly engrave thy love in steel, If what my soul doth feel sometimes, My soul might ever feel! 4 Although there were some fourtie heav'ns, or more, Sometimes I peere above them all; Sometimes I hardly reach a score. Sometimes to hell I fall. O rack me not to such a vast extent, Those distances belong to thee. 10 The world's too little for thy tent, A grave too big for me. 164 V. THE INNER LIFE Wilt thou meet arms with man, that thou dost stretch A crumme of dust from heav'n to hell ? Will great God measure with a wretch ? 15 Shall he thy stature spell ? O let me, when thy roof my soul hath hid, O let me roost and nestle there; Then of a sinner thou art rid. And I of hope and fear. 20 Yet take thy way, for sure thy way is best, Stretch or contract me thy poore debter. This is but tuning of my breast. To make the musick better. Whether I flie with angels, fall with dust, 25 Thy hands made both, and I am there. Thy power and love, my love and trust, Make one place ev'ry where. V. THE INNER LIFE 165 A WREATH A WREATHED garland of deserved praise. Of praise deserved, unto thee I give, I give to thee who knowest all my wayes. My crooked winding wayes, wherein I live. Wherein I die, not live; for Hfe is straight, 5 Straight as a line, and ever tends to thee, To thee, who art more farre above deceit Then deceit seems above simplicitie. Give me simplicitie, that I may live; 9 So live and like, that I may know, thy wayes, Know them and practise them. Then shall I give For this poore wreath, give thee a crown of praise- VI THE CRISIS PREFACE ANEW period in the life of Herbert now begins, a period marked by a change of resi- dence and covering approximately the years 1626- 30. During these years the opposing forces of his nature came into open conflict and brought him distress of mind and of body. By birth, temperament, and many circumstances of his life, Herbert was impelled to a life of fasliion, enjoyment, and irresponsible self-culture. "He took content in beauty, wit, musick and pleasant conversation." He knew the ways of learning, honor, and pleasure. Easily he answered to the calls of honour, riches, and fair eyes. Coming of a noble family, Walton says, "he kept himself at too great a distance with all his inferiours, and his cloaths seemd to prove that he put too great a value on his parts and Parentage." His early biographer, Oley, despairs of describing "that person of his, which afforded so unusual a contes- saration of elegancies and singularities to the be- holder." His eldest brother, Edward, after years of romantic adventure on the Continent, was appointed ambassador to the French Court. His favorite brother, Henry, was Master of the Revels at the English Court. Three other brothers were 170 PREFACE TO in the public service. Several powerful noblemen besides his great kinsman, the Earl of Pembroke, were his patrons. He was often at Court or with his uncle, the Earl of Danby. He indulged "a genteel humour for cloaths and Court-like company, and seldom look'd towards Cambridge unless the King were there, but then he never fail'd." In short, the favor of the great, the glitter of society, the quick returns of courtesie and wit, and all elegancies of speech, dress, and living, were congenial to him. On one side of his nature Herbert was a brilliant man of the world, a richly endowed child of the Renaissance. Such a temperament inevitably induced secu- lar ambition. After a time a bookish life became repulsive ; for Herbert felt his powers, hated stag- nation, and delighted in intellectual activity. In 1619, when he was well under way with his divin- ity studies, he turned aside to seek the Orator- ship. This office he held for eight years. But he sought also to become an assistant Secretary of State. The Oratorship was the natural stepping- stone. Of the two preceding Orators, Sir Robert Naunton became Secretary of State, and Sir Francis Nethersole Secretary to the Queen of Bohemia. Sir Robert Creighton, who followed Herbert, became a Bishop. Both predecessor and successor at Bemerton became Bishops. But in 1625 Herbert's political hopes approached an end; for in that year the king died, and within the THE CRISIS 171 following year the whole group of nobles, Lord Bacon included, to whom Herbert had looked for support. A year later came the saddest death of all, that of his mother. Herbert immediately re- signed the Oratorship, and seriously faced the problems which a disorganized life had induced. Up to about 1627 he had blindly drifted — under the guidance of what Walton styles "his natural elegance of behaviour, tongue, and pen" — toward social eminence. The hking for stately pleasures and fashionable distinction had ever a strong, and hitherto a controlling, influence over him. But the changed conditions brought about by the death of his friends set free another force which he had always felt as profounder and more really authori- tative, the force of religion, — religion to be exer- cised in the service of the Church. From childhood Herbert knew himself to be a dedicated soul, and inwardly, even in his most dilatory waywardness, he approved the dedication. Side by side with his fashionable tastes he had a veritable genius for religion. His feeble frame precluded his entering the army or any hardy profession. Oley says that *'he was dedicated to serve God in his sanctuary before he was born." In The Glance he himself tells how in the midst of youth he had felt God's gracious eye look on him. At Westminster School questions of religious controversy had engaged him. In a letter of 1617 he speaks of now setting foot into Divinity, to lay the platform of my future 172 PREFACE TO life, and thus of obeying that spirit which hath guided me hitherto, and of atchieving my holy ends. In a letter of 1622 to his mother he fears sickness as something which has made him unable to per- form those offices for which I came into the world and must yet be kept in it. Of the poems printed in the first five Groups, a majority must have been written during these very years of courtly aspira- tion. Such incongruities were not exceptional in men of the later Renaissance, nor is there the least reason to doubt that underneath all his gay- nesses he truly loved God. His God — a poet's God — was highly personal, individual even; but only in union with Him could Herbert find peace. His very wealth of nature made him feel the more keenly the weight of chance desires. Beauty and order were in his Platonic soul. He did not wish to be his own master, but rather through divine obedience to escape from personal caprice. Early, too, in his boyhood, through his conse- cration to the priesthood by his pious and master- ful mother, he had formed an inseparable associa- tion between being holy and becoming a priest. Whether this association was wise, we need not ask. It controlled Herbert's life, and hence is important to understand. Catholics sometimes speak of the call "to become a religious;" by which phrase they intend not merely becoming heavenly minded, but becoming a monk or nun. The two aims are in their thought indistinguishable. I have known THE CRISIS 173 Protestant young persons who thought they must withhold their hearts from God until they should be wilhng to become missionaries, or to meet some other external standard which in a more or less arbitrary way had become connected in their minds with hohness. Entering the priesthood was Her- bert's test, and in his instinctive thought it was fully identified with allegiance to God. In terms of it allegiance and faithlessness were estimated. While he always professedly maintained this ulti- mate purpose, whenever he felt responsibility irk- some and was incHned to drift with the fashiona- ble tide, he found excuses for delaying the great act. And when he experienced the emptiness of Hving by the day and longed for the eternal, the call to the priesthood became once more impera- tive. Little can be understood in the verse or Hfe of Herbert unless we bear in mind that in his consciousness there was complete identification of submission to God and acceptance of the priest- hood. Such, then, are the opposing forces, long at work, whose fierce and open conflict at a crisis period Herbert here records. The love of elegant plea- sure, whose issue is secular ambition, contends with the love of God, whose embodiment is the priesthood. Both are alike unforced and genuine passions. Rightly or wrongly they are regarded by Herbert as fundamentally incompatible. He never doubts which of the two must ultimately win, but 174 PREFACE TO at any particular moment he dreads the final deci- sion. My soul doth love thee, yet it loves delay. The man is double-minded. In such a struggle, with- out regard to whether we approve the assumed antithesis, we must see that there is magnificent poetic material. Such Herbert found it. As an artist, in whom feeling is not falsified by represen- tation, he watched every stage of the contest and recorded it with poignant splendor. Peculiar and possibly distorted emotions which sprang up in a single mind under special conditions of time, family, and belief, he fashioned into pictures of such universal and perpetual beauty that men of alien ideals have for three centuries been able to find in these experiences subtle interpretations of their own. Ellis, in his Specimens of EngHsh Poetry, re- marks that " nature intended Herbert for a knight- errant, but disappointed ambition made him a saint." That is as misleading a half-truth as Fer- rar's declaration in his Epistle to the Reader that Herbert was impelled altogether by "inward en- forcements, for outward there was none." While unquestionably the priesthood was his accepted aim from childhood, he spent most of the last third of his life in trying to avoid it, and it is doubtful if he would ever have reached it had not events between 1625 and 1629 obstructed other courses. His inclination to enter the service of God, how- ever, was just as genuine as was his disposition to THE CRISIS 175 find excuses for delay. He could not go away nor 'persevere. That is his own judgment as expressed in his three principal autobiographic poems, — Affliction, included in this Group, Love Un- known and The Pilgrimage of Group IX. In an essay on the Life of Herbert I have gone over the events of this Crisis period with some care, and shown how they cooperated to bring about his final decision for the priesthood. Epitomizing them here, I may mention the increased interest in religious things, partly causing and partly caused by his rebuilding of Leighton Church; the wreck of his political hopes, brought about by the death of the King and his own noble patrons ; the reproach- ful loss of his mother, who had been his chief incitement to the priesthood ; the resignation of the Oratorship, and his withdrawal from the Uni- versity. The mental conflicts attending these events threw him into serious illness. He went into retirement. A severe course of fasting saved his life, but left his health shattered. During this retirement the poems constituting the present Group, with possibly a few included in earlier Groups, were written. Near the close of the period, in March, 1629, at Edingdon Church, he suddenly married Jane Danvers, a daughter of the cousin of his stepfather. There is no mention of her in his verse, unless in one dark line of The Pil- grimage. When, in 1630, the Rectory of Fuggleston-cum- 176 PREFACE TO Bemerton became vacant, the Earl of Pembroke induced the King to offer it to George Herbert. Though Herbert had already "put on a resolution for the Clergy,'* a month's hesitation followed. Then at a friend's persuasion he paid a visit to the Earl at Wilton House, where at that time the King and Laud also were. " That night," says Walton, " the Earl acquainted Dr. Laud with his Kinsman's irresolution. And the Bishop did the next day so convince Mr. Herbert that the refusal of it was a sin, that a Taylor was sent for to come speedily from SaUsbury to Wilton to take measure and make him Canonical Cloaths against next day; which the Taylor did ; and Mr. Herbert being so habited, went with his presentation to the learned Dr. Dav- enant, who was then Bishop of Salisbury, and he gave him Institution immediately." This was April 26, 1630. Five months later he received formal Ordination and came to live at Bemerton. He had just reached his thirty-eighth year when he began to carry out his lifelong purpose. At the beginning of the Group which describes this struggle I place Easter Wings and the long Affliction ; the latter written, I believe, as late as 1628 and well summarizing the whole period of turmoil. Three poems follow, expressing politi- cal disappointment and the sense of depression in being cast aside. In two or three pieces there is repentance for a particular past sin. Then begins the debate over taking final Orders, extending THE CRISIS 177 through half a dozen pieces and culminating in Peace, The Pearl, Obedience, The Rose, and An Offering. The Series closes with two songs of gladness and one of tender distrust of his own desert. 178 VI. THE CRISIS EASTER WINGS B St B 3 - .^. i p g- ^ S'^ o 5^' B 5 ^ B 5 ^ c B CO O F- a - ^- ^ :^ VI. THE CRISIS 179 EASTER WINGS 'X B S- -. 2- p B I- Q 3 A thing forgot. Once a poore creature, now a wonder, A wonder tortured in the space 5 Betwixt this world and that of grace* My thoughts are all a case of knives> Wounding my heart With scattered smart, As watring pots give flowers their lives. 10 Nothing their furie can control! While they do wound and prick my soul. X. SUFFERING 353 All my attendants are at strife, Quitting their place Unto my face. 15 Nothing performs the task of life. The elements are let loose to fight. And while I live trie out their right. Oh help, my God! Let not their plot Kill them and me, 20 And also thee. Who art my life. Dissolve the knot, As the sunne scatters by his Hght All the rebellions of the night. Then shall those powers which work for grief Enter thy pay, 26 And day by day Labour thy praise and my rehef ; With care and courage building me, Till I reach heav'n, and much more thee. 354 X. SUFFERING SIGHS AND GRONES O DO not use me After my sinnes! Look not on my desert, But on thy glorie! Then thou wilt reform And not refuse me; for thou onely art The mightie God, but I a silhe worm. 5 O do not bruise me! O do not urge me! For what account can thy ill steward make ? I have abus'd thy stock, destroyed thy woods, Suckt all thy magazens. My head did ake, 10 Till it found out how to consume thy goods. O do not scourge me! X. SUFFERING 355 O do not blinde me! I have deserv'd that an Egyptian night Should thicken all my powers, because my lust Hath still sow'd fig-leaves to exclude thy light. 16 But I am frailtie, and already dust. O do not grinde me! O do not fill me With the turn'd viall of thy bitter wrath! 20 For thou hast other vessels full of bloud, A part whereof my Saviour empti'd hath, Ev'n unto death. Since he di'd for my good, O do not kill me! But O reprieve me! 25 For thou hast lije and death at thy command. Thou art both Judge and Saviour^ feast and rody Cordiall and Corrosive. Put not thy hand Into the bitter box, but O my God, My God, relieve me! 30 356 X. SUFFERING LONGING With sick and famisht eyes, With doubling knees and weary bones, To thee my cries. To thee my grones. To thee my sighs, my tears ascend. 5 No end ? My throat, my soul is hoarse. My heart is wither'd Hke a ground Which thou dost curse. My thoughts turn round 10 And make me giddie. Lord, I fall. Yet call. From thee all pitie flows. Mothers are kinde because thou art. And dost dispose 15 To them a part. Their infants them, and they suck thee More free. X. SUFFERING 357 Bowels of pitie, heare! Lord of my soul, love of my minde, 20 Bow down thine eare! Let not the winde Scatter my words, and in the same Thy name! Look on my sorrows round! 25 Mark well my furnace! O what flames. What heats abound! What griefs, what shames! Consider, Lord! Lord, bow thine eare And hearel 30 Lord Jesu, thou didst bow » Thy dying head upon the tree; O be not now More dead to me! Lord heare ! Shall he that made the eare, 35 Not heare ? Behold, thy dust doth stirre. It moves, it creeps, it aims at thee. Wilt thou deferre To succour me, 40 Thy pile of dust, wherein each crumme Sayes, Come? 358 X, SUFFERING To thee help appertains. Hast thou left all things to their course, And laid the reins 45 Upon the horse ? Is all lockt? Hath a sinner's plea No key ? Indeed the world's thy book. Where all things have their lease assign'd; Yet a meek look 61 Hath interlin'd. Thy board is full, yet humble guests Finde nests. Thou tarriest, while I die 55 And fall to nothing. Thou dost reigne And rule on high, While I remain In bitter grief. Yet am I stil'd Thy childe. 60 Lord, didst thou leave thy throne Not to relieve ? How can it be That thou art grown Thus hard to me ? Were sinne alive, good cause there were 65 To bear. X. SUFFERING 359 But now both sinne is dead, And all thy promises live and bide. That wants his head; These speak and chide, 70 And in thy bosome poure my tears As theirs. Lord Jesu, heare my heart. Which hath been broken now so long, That ev'ry part 75 Hath got a tongue! Thy beggars grow; rid them away To day. My love, my sweetnesse, heare! By these thy feet, at wliich my heart 80 Lies all the yeare. Pluck out thy dart And heal my troubled breast which cryes. Which dyes. 360 X. SUFFERING THE GLIMPSE Whither away delight ? Thou cam'st but now; wilt thou so soon depart, And give me up to night ? For many weeks of lingring pain and smart But one half houre of comfort for my heart ? 5 Me thinks delight should have More skill in musick and keep better time. Wert thou a winde or wave, They quickly go and come with lesser crime. 9 Flowers look about, and die not in their prime. Thy short abode and stay Feeds not, but addes to the desire of meat. Lime begg'd of old (they say) A neighbour spring to cool his inward heat, Which by the spring's accesse grew much more great. 15 X. SUFFERING 361 In hope of thee my heart Pickt here and there a crumme, and would not die; But constant to his part Whenas my fears foretold this, did replie, A slender thread a gentle guest will tie. 20 Yet if the heart that wept Must let thee go, return when it doth knock. Although thy heap be kept For future times, the droppings of the stock 24 May oft break forth, and never break the lock. If I have more to spinne, The wheel shall go so that thy stay be short. Thou knowst how grief and sinne Disturb the work. O make me not their sport, Who by thy coming may be made a court! 30 X. SUFFERING A PARODIE Soul's joy, when thou art gone, And I alone — Which cannot be, Because thou dost abide with me And I depend on thee — 5 Yet when thou dost suppresse The cheerfulnesse Of thy abode, And in my powers not stirre abroad, But leave me to my load; 10 O what a damp and shade Doth me invade! No stormie night Can so afflict or so affright As thy eclipsed light. 15 X. SUFFERING 363 Ah Lord! Do not withdraw, Lest want of aw Make Sinne appeare, And when thou dost but shine lesse cleare, Say that thou art not here. 20 And then what hfe I have, While Sinne doth rave. And falsly boast That I may seek but thou art lost. Thou, and alone thou, know'st. 25 O what a deadly cold Doth me infold! I half beleeve That Sinne sayes true. But while I grieve, Thou com'st and dost relieve. 30 S64 X. SUFFERING DISCIPLINE Throw away thy rod, Throw away thy wrath. my God, Take the gentle path. For my heart's desire 5 Unto thine is bent. 1 aspire To a full consent. Not a word or look I affect to own, 10 But by book, And thy book alone. Though I fail, I weep. Though I halt in pace, Yet I creep 15 To the throne of grace. X. SUFFERING 365 Then let wrath remove. Love will do the deed: For with love Stonie hearts will bleed. 20 Love is swift of foot. Love's a man of warre, And can shoot, And can hit from farre. Who can scape his bow ? 25 That which wrought on thee. Brought thee low. Needs must work on me. Throw away thy rod. Though man frailties hath, 30 Thou art God. Throw away thy wrath. X. SUFFERING JOSEPH'S COAT Wounded I sing, tormented I indite, Thrown down I fall into a bed and rest. Sorrow hath chang'd its note; such is his will Who changeth all things as him pleaseth best. For well he knows if but one grief and smart 5 Among my many had his full career, Sure it would carrie with it ev*n my heart. And both would runne untill they found a biere To fetch the bodie, both being due to grief. But he hath spoil'd the race, and giv'n to an- guish 10 One of Joye's coats, ticing it with relief To linger in me, and together languish. I live to shew his power who once did bring My joyes to weep, and now my griefs to sing. X. SUFFERING 367 JESU Jesu is in my heart, his sacred name Is deeply carved there. But th' other week A great affliction broke the Uttle frame, Ev'n all to pieces; which I went to seek. And first I found the corner where was J, 5 After where E S, and next where U was graved- When I had got these parcels, instantly I sat me down to spell them; and perceived That to my broken heart he was / ease you. And to my whole is J ES U. 10 368 X. SUFFERING THE FLOWER How fresh, O Lord, how sweet and clean Are thy returns! Ev*n as the flowers in spring. To which, besides their own demean. The late-past frosts tributes of pleasure bring. Grief melts away 5 Like snow in May, As if there were no such cold thing. Who would have thought my shriveFd heart Could have recovered greennesse ? It was gone Quite under ground, as flowers depart 10 To see their mother-root when they have blown; Where they together All the hard weather, Dead to the world, keep house unknown. These are thy wonders, Lord of power, 15 Killing and quickning, bringing down to hell And up to heaven in an houre; Making a chiming of a passing-bell. We say amisse. This or that is; 20 Thy word is all, if we could spell. X. SUFFERING 369 that I once past changing were, Fast in thy Paradise, where no flower can wither! Many a spring I shoot up fair, 24 Off 'ring at heav'n, growing and groning thither; Nor doth my flower Want a spring-showre, My sinnes and I joining together. But while I grow in a straight Kne, 29 Still upwards bent, as if heav'n were mine own. Thy anger comes, and I decline. What frost to that ? What pole is not the zone Where all things burn, When thou dost turn. And the least frown of thine is shown ? 35 And now in age I bud again. After so many deaths I live and write; 1 once more smell the dew and rain. And relish versing. O my onely light. It cannot be 40 That I am he On whom thy tempests fell all night. These are thy wonders. Lord of love. To make us see we are but flowers that glide. Which when we once can finde and prove, Thou hast a garden for us where to bide. 46 Who would be more, Swelling through store, Forfeit their Paradise by their pride. XI DEATH PREFACE IN the parish record of Bemerton appears this entry: "Mr. George Herbert Esq., Parson of Fuggleston and Bemerton, was buried 3 day of March 1632." This record is confirmed by Her- bert's will, which was proved on March 12, 1632. As the new year then began on Lady Day, March 25, the year would be our 1633. This date is con- firmed by Herbert's letter to Ferrar, inclosing his Notes on Valdesso, which bears date of September 29, 1632; and by the will of his niece, which was proved by Herbert in October, 1632. Herbert was instituted on April 26, 1630, so that the life at Bemerton covered almost exactly three years. Aubrey tells how Herbert " was buried (according to his own desire) with the singing service for the burial of the dead, by the singing men of Sarum." He was laid, according to Walton, "in his own Church under the Altar, and cover'd with a Grave- stone without any inscription." He died without issue. His wife, whom Aubrey thought a strikingly handsome woman, a few years later married Sir Robert Cook, and by him had children. Herbert had long notice of death. Consumption overcame him slowly, and allowed him to retain his mental powers to the last. Until within a few 374 PREFACE TO months of the end, he read Prayers each day in the little chapel opposite his house. And though a month before his death Mr. Duncon, sent by Fer- rar, found him unable to sit up, his discourse was such, Mr. Duncon told Walton, " that after almost forty years it remained still fresh in his memory." The Sunday before he died he sang his own songs, accompanying himself as usual on the lute. Ac- cording to Walton he died without pain, in his last hour speaking with his family and friend about religion, business, and the care of those he was to leave. To this fact, that Herbert's long dying was a life in death, we owe the splendid series of his death- songs. A few of those included in the preceding Group may possibly belong to the period of Crisis; but the great body of them, and probably all that appear in the present Group, spring from the last year or two of Herbert's Hfe. As we have seen, every phase of his inner moods was interesting to him, and easily became a poetic subject out of which something beautiful might be fashioned. If because our distresses do not so readily put on a coat of joy, we sometimes hold it half a sin that Herbert should put in words the grief he feels, we should remember that he published none of his poems, and that in poetry he probably found one of his few defences against pain. Wounded I sing ; tormented I indite, he says. By objectifying his experiences he detaches himself from them. DEATH 375 Donne in his Triple Fool had tried this pallia- tive: " As th* earth's inward narrow crooked lanes Do purge sea-water's fretful salt away, I thought if I could draw my pains Through rhyme's vexation, I should them allay. Grief brought to numbers cannot be so fierce. For he tames it that fetters it in verse." I have thought it well to gather into a brief final Group Herbert's poems which refer to approaching death. How unlike they are to the clever verses written at Cambridge on the same subject ! All the poems of this Group have in them the note of real- ity, whether hke The Forerunners and Life they mourn the cessation of his verse, hke Grief and Home utter an anguished cry, like The Glance and The Dawning turn to the sweet originall joy of God's love, or like Vertue, Time, and A Dialogue-Antheme, sport with the im- potence of death. In all of them there is veritable experience carried up into well-ordered beauty. The methods of Herbert's Life did not forsake him in the leaving of it. 376 XI. DEATH THE FORERUNNERS The harbingers are come. See, see their mark! White is their colour, and behold my head! But must they have my brain ? Must they dispark Those sparkling notions which therein were bred ? Must dulnesse turn me to a clod ? 5 Yet have they left me. Thou art still my God. Good men ye be to leave me my best room, Ev'n all my heart, and what is lodged there. I passe not, I, what of the rest become, So Thou art still my God be out of fear. 10 He will be pleased with that dittie; And if I please him, I write fine and wittie. Farewell sweet phrases, lovely metaphors. But will ye leave me thus ? When ye before Of stews and brothels onely knew the doores, 15 Then did I wash you with my tears, and more, Brought you to Church well drest and clad. My God must have my best, ev'n all I had. XI. DEATH 377 Lovely enchanting language, sugar-cane, Hony of roses, whither wilt thou flie ? 20 Hath some fond lover tic'd thee to thy bane ? And wilt thou leave the Church and love a stie ? Fie, thou wilt soil thy broider'd coat, And hurt thy self and him that sings the note. Let foohsh lovers, if they will love dung, 25 With canvas, not with arras clothe their shame. Let follie speak in her own native tongue. True beautie dwells on high. Ours is a flame But borrow' d thence to light us thither. 29 Beautie and beauteous words should go together. Yet if you go, I passe not. Take your way! For, Thou art still my God, is all that ye Perhaps with more embellishment can say. Go birds of spring ! Let winter have his fee ! Let a bleak palenesse chalk the doore, 35 So all within be livelier then before. 378 XI. DEATH LIFE I MADE a posie while the day ran by. Here will I smell my remnant out, and tie My life within this band. But time did becken to the flowers, and they By noon most cunningly did steal away 5 And wither'd in my hand. My hand was next to them, and then my heart. I took, without more thinking, in good part Time's gentle admonition; Who did so sweetly death's sad taste convey, 10 Making my minde to smell my fatall day. Yet sugring the suspicion. Farewell deare flowers ! Sweetly your time ye spent, Fit, while ye liv'd, for smell or ornament. And after death for cures. 15 I follow straight without complaints or grief, Since if my scent be good, I care not if It be as short as yours. XI. DEATH 379 GRIEF O WHO will give me tears ? Come all ye springs, Dwell in my head and eyes. Come clouds, and rain. My grief hath need of all the watry things That nature hath produc'd. Let ev'ry vein Suck up a river to supply mine eyes, 5 My weary weeping eyes, too drie for me Unlesse they get new conduits, new supplies To bear them out, and with my state agree. What are two shallow foords, two little spouts Of a lesse world ? The greater is but small, 10 A narrow cupboard for my griefs and doubts. Which want provision in the midst of all. Verses, ye are too fine a thing, too wise For my rough sorrows. Cease, be dumbe and mute, Give up your feet and running to mine eyes, 15 And keep your measures for some lover's lute. Whose grief allows him musick and a ryme. For mine excludes both measure, tune, and time. Alas, my God! 380 XI. DEATH HOME Come Lord, my head doth burn, my heart is sick, While thou dost ever, ever stay. Thy long deferrings wound me to the quick. My spirit gaspeth night and day. O show thy self to me, 5 Or take me up to thee! How canst thou stay, considering the pace The bloud did make which thou didst waste ? When I behold it trickling down thy face, I never saw thing make such haste. 10 O show thy, &c. When man was lost, thy pitie lookt about To see what help in th* earth or skie. But there was none, at least no help without; 15 The help did in thy bosome lie. O show thy, &c. There lay thy sonne. And must he leave that nest. That hive of sweetnesse, to remove 20 Thraldome from those who would not at a feast Leave one poore apple for thy love ? O show thy, &c. XI. DEATH 381 He did, he came. O my Redeemer deare, 25 After all this canst thou be strange ? So many yeares baptiz'd, and not appeare ? As if thy love could fail or change ? O show thy, &c. Yet if thou stayest still, why must I stay ? 31 My God, what is this world to me, This world of wo ? Hence all ye clouds, away. Away! I must get up and see. O show thy, &c. 35 What is this weary world, this meat and drink. That chains us by the teeth so fast ? What is this woman-kinde, which I can wink Into a blacknesse and distaste ? 40 O show thy, &c. With one small sigh thou gav'st me th' other day I blasted all the joyes about me. And scouling on them as they pin'd away, 45 Now come again, said I, and flout me. O show thy, &c. Nothing but drought and dearth, but bush and brake. Which way so-e*re I look, I see. 50 Some may dream merrily, but when they wake. They dresse themselves and come to thee. O show thy, &c. 382 XI. DEATH We talk of harvests ; there are no such things 55 But when we leave our corn and hay. There is no fruitfull yeare but that which brings The last and lov'd, though dreadfuU day. O show thy, &c. Oh loose this frame, this knot of man untie! That my free soul may use her wing. Which now is pinion'd with mortalitie. As an intangled, hamper'd thing. O show thy, &c. 65 What have I left that I should stay and grone ? The most of me to heav'n is fled. My thoughts and joyes are all packt up and gone. And for their old acquaintance plead. 70 O show thy, &c. Come dearest Lord, passe not this holy season, My flesh and bones and joynts do pray. And ev'n my verse, when by the ryme and reason The word is. Stay, sayes ever. Cornel 76 O show thy self to me. Or take me up to thee! XI. DEATH S83 THE GLANCE When first thy sweet and gracious eye Voucbsaf d ev'n in the midst of youth and night To look upon me, who before did He Weltring in sinne, I felt a sugred strange delight, 5 Passing all cordials made by any art, Bedew, embalme, and overrunne my heart, And take it in. Since that time many a bitter storm My soul hath felt, ev'n able to destroy, 10 Had the mahcious and ill-meaning harm His swing and sway. But still thy sweet originall joy. Sprung from thine eye, did work within my soul. And surging griefs, when they grew bold, controll, And got the day. 16 If thy first glance so powerfull be, A mirth but open'd and seal'd up again, What wonders shall we feel when we shall see Thy full-ey'd love! 20 When thou shalt look us out of pain, And one aspect of thine spend in delight More then a thousand sunnes disburse in light. In heav'n above. XI. DEATH THE DAWNING Awake sad heart, whom sorrow ever drowns ! Take up thine eyes, which feed on earth. Unfold thy forehead gathered into frowns. Thy Saviour comes, and with him mirth. Awake, awake! 5 And with a thankfull heart his comforts take. But thou dost still lament, and pine, and crie. And feel his death, but not his victorie. Arise sad heart! If thou dost not withstand, Christ's resurrection thine may be, 10 Do not by hanging down break from the hand Which as it riseth, raiseth thee. Arise, arise! And with his buriall-linen drie thine eyes. Christ left his grave-clothes that we might, when grief 15 Draws tears or bloud, not want an handkerchief. XI. DEATH 385 VERTUE Sweet day, so cool, so calm, so bright, The bridall of the earth and skie; The dew shall weep thy fall to night, For thou must die. Sweet rose, whose hue angrie and brave 5 Bids the rash gazer wipe his eye; Thy root is ever in its grave, Aud thou must die. Sweet spring, full of sweet dayes and roses, A box where sweets compacted lie; 10 My musick shows ye have your closes. And all must die. Onely a sweet and vertuous soul, Like season'd timber, never gives; But though the whole world turn to coal, 15 Then chiefly hves. 386 XI. DEATH TIME Meeting with Time, slack thing, said I, Thy sithe is dull, whet it for shame. No marvell, Sir, he did replie. If it at length deserve some blame. 4 But where one man would have me grinde it, Twentie for one too sharp do finde it. Perhaps some such of old did passe, Who above all things lov'd this life; To whom thy sithe a hatchet was. Which now is but a pruning-knife. 10 Christ's coming hath made man thy debter. Since by thy cutting he grows better. XI. DEATH 387 And in his blessing thou art blest. For where thou onely wert before An executioner at best, 15 Thou art a gard'ner now, and more — An usher to convey our souls Beyond the utmost starres and poles. And this is that makes life so long. While it detains us from our God. 20 Ev'n pleasures here increase the wrong, xAnd length of dayes lengthen the rod. Who wants the place where God doth dwell. Partakes already half of hell. Of what strange length must that needs be Wliich ev'n eternitie excludes! 26 Thus farre Time heard me patiently. Then chafing said. This man deludes: What do I hear before his doore ? He doth not crave lesse time, but more. 30 388 XI. DEATH A DIALOGUE-ANTHEME Christian. Death Chr. Alas, poore Death, where is thy glorie ? Where is thy famous force, thy ancient sting ? Dea. Alas poore mortally void of storie, 3 Go spell and reade how I have kilVd thy King, Chr. Poore death ! And who was hurt thereby ? Thy curse being laid on him, makes thee accurst. Dea. Let losers talk I Yet thou shalt die ; These arms shall crush thee. Chr. Spare not, do thy worst. I shall be one day better then before; Thou so much worse that thou shalt be no more. 10 XII ADDITIONAL AND DOUBTFUL POEMS PREFACE BESIDES the poems composing The Temple, Herbert wrote other verse. That there was a considerable body of this, and that it was of a secu- lar sort, has often been asserted. But the assertion rests on no evidence, and in my larger work I have shown that it is inherently improbable. There are, however, a few additional poems which evidence of varying degrees of worth connects with Herbert's name, and these I gather into a final Group. A few of those printed in my large edition I here reject. As shown there it is improbable that Her- bert ever saw the lines to the Queen of Bohemia, or those to Lord Danvers and Sir John Danvers. Some of the Psalms there printed he may have written; but if so, they were justly rejected as unworthy to stand beside his beautiful rendering of The Twenty-Third Psalm. The Paradox has his name written upon it by an unknown copyist, and Nahum Tate^ thought The Convert his. But none of these can be traced directly to his hand. The case is different with The Holy Commu- nion, Love, Trinitie-Sunday, Even-Song, The Knell, and Perseverance. These appear in the Williams Manuscript, intermingled with its other S92 PREFACE TO poems. That manuscript, containing nearly half of the poems subsequently published in The Tem- ple, certainly originated in Herbert's study. Its general handwriting is that of a copyist; but its many corrections and its large body of Latin poems are in Herbert's hand. We must therefore accept these poems as his, or else suppose that, though composed by some one else, he had them copied as favorites into a book of his own verse. But their inferiority of style is quite as grave an objection to this supposition as to his own authorship. They must then be classed among his refuse work. In the years that intervened between the composition of the Wilhams Manuscript and his death his taste had ripened. Having already written other poems on The Holy Communion, Love, and Trinitie- SuNDAY, he rejected these, wrote later a substitute for the EvEN-SoNG, and struck out The Knell and Perseverance altogether. While these poems in themselves are youthful and of small aesthetic value, they are of importance as showing that Her- bert did not preserve all his verse, but finally left for the printer only such as his critical taste ap- proved. Only one of the poems in this Group was so approved. The Church Militant. It is one of his four long and labored poems, and may have been designed as a kind of counterpart to The Church-Porch. Ferrar printed it as an appendix or third part of The Temple. The name, The ADDITIONAL POEMS 393 Temple, does not appear in the Williams Manu- script, which has no title-page. The running-title at the head of the pages is The Church. This is also the running-title of the central portion of the book as finally printed. Perhaps, then, Herbert's plan — or Ferrar's — was to call the total work The Temple, and to let it consist of three parts : the main structure, conceived as The Church itself, with two adjuncts, — The Church-Porch, and The Church Militant. Yet the first two divisions are related so much more closely to each other than is either to the third that The Church Militant may probably better be regarded as an altogether detached piece. Between The Church- Porch and The Church the lines of Superlimi- NARE are inserted as a connecting fink, while at the close of The Church stands the word FINIS and a Gloria. There seems, therefore, to be an intended detachment of The Church Militant from the whole framework of The Temple. The Envoy after The Church Militant must mark the close of this poem, and not of the entire book. To preserve this detachment, I adopt the tradi- tional arrangement and place The Church Mili- tant after the other authenticated poems. But it might well stand before them. To make plain the course of Herbert's development we should place it just after the Sonnets to his Mother. I, at least, have no doubt that it is his earliest considerable piece. Its style is more influenced by Donne than 394 PREFACE TO is that of any of his other poems except the two Sonnets of 1610. There is an indication, too, of youth in the fact that wliile no half-page of The Church Militant shows sustained ease and mas- tery, one comes upon single lines of exceptional depth and promise, e. g. : Doing nought Which doth not meet with an etemall thought. The sunne, though forward be his flight. Listens hehinde him and allows some light Till all depart. How low is he, If God and man be severed infinitely ! Setting affliction to encounter pleasure. In vice the copie still exceeds The pattern, but not so in vertuous deeds. Bits of poetry like these, shining among lines which are too often declamatory, forced, and ob- scure, declare the age and promise of their author. Nor is objective evidence of an early date lacking. In line 242 the Thames is said to be in danger of pollution through mingling its stream with the Seine. Herbert was too good a courtier to have written so after 1624, when Prince Charles was be- trothed to Henrietta Maria, the French Princess. The allusion, too, to America as the land of gold (1. 250) would be more natural at the time when the Virginia Trading Company was in full activity ADDITIONAL POEMS 395 and hope than in the years after its dissolution in 1623. But although The Church Militant is early, immature, and difficult in style, in its subject and method of treatment it is of marked originality ; for it is, so far as I can discover, the first sketch of gen- eral Church history in our language. Single periods of that history had been already treated, as by Bede in his account of the English Church. Lives of the Saints had been written, and studies of Christian Antiquity. Of controversial works, like Bishop Jewel's Apology, there was no lack. But hitherto no Englishman had attempted to survey the progress of the Church as it came forth from little Judaea and mightily overran all the lands of the West. This dramatic theme Herbert seized, treated it in bold outhne, and made of his poem a veritable landmark in English ecclesiastical his- tory. In this, as in religious poetry, he is the pioneer of a large company. But he could not bring his ex- periments in this field so near perfection as he did in that of the religious love-lyric. There he needed only to explore his own soul, while for even a good outline of Church history a solid body of scholar- ship was necessary ; and this at that time was inac- cessible. Herbert's account is accordingly, like all early history, inaccurate, partisan, and often cred- ulous. It is an astonishing evidence of the inde- pendence of his mind that it was written at all, and in all probability written before he was thirty years 396 PREFACE TO of age. That this priority of Herbert in Church his- tory has not been remarked shows how superficial has been the attention bestowed on his widely circulated little book. Original, however, as Herbert is in the choice of a historical subject, he is no less original in his treatment of it. Most historians of the Church con- ceive it as an ecclesiastical organization, whose con- struction and vicissitudes they explore, the devel- opment of whose power and ritual they trace, and whose scheme of doctrine they Vindicate. The ene- mies of the Church are accordingly unbelievers, persecuting sovereigns, or nations which refuse to accept its sway. With the progress of the Church in this sense Herbert is in no way concerned. What interests him is the coming of righteousness on earth. The contests of the Church are not with those who question priestly authority. He never alludes to heretics, or creeds, or forms of worship; and when he mentions splendid outward organizations and the consolidation of ecclesiastical power, it is as a sign of danger, if not of decay. He is, in short, true to that conception of the Church continually an- nounced in liis poems, notably in Sion, the con- ception which gave a name to his volume, and which I have abundantly discussed in sections of my large edition. He means by the Church the loving, temptable, aspiring, and ill-harmonized soul of man. It is no external institution. All its frame ADDITIONAL POEMS 397 and fabrick is within. The Church history which he would write is a description of the way in which the new mode of affectionate holiness re- vealed by Jesus Christ has been intermittently adopted and rejected by the nations of Europe. His Church history is accordingly, like that of Jon- athan Edwards afterwards, a genuine History of Redemption. It would be an error to claim for Herbert entire originality in this ethical idea of Church history. The greatest of the Fathers had thought of it in somewhat the same w^ay. Augustine's City of God is a spiritual society of the righteous united by allegiance to a common divine Lord. It is true that, while Herbert is a man of piety, Augustine is also a statesman, with a range of vision, a complexity of interests, an acquaintance with men, and a phi- losophic grasp denied to Herbert. But all the niore striking on this account becomes Herbert's inde- pendence. He knew and honored Augustine. He bequeathed a set of his works to his Fuggleston curate, Mr. Bostock. Undoubtedly his thoughts about The Church Militant were initiated by Augustine. But he did not allow himself to be dominated. He took from the City of God only what harmonized with his own individualistic genius, and under the name of The Church Militant pictured the world's growth in personal holiness. The poem is divided into five parts, separated from one another by a refrain exalting the wisdom 398 PREFACE TO of God. Part I describes the migration of Religion from its early home in the East to its settlement in Egypt; Part II, the advance of Religion through Greece to establish its empire in the West; Part III, the parallel advance of Sin ; Part IV, the conquest of Religion by Sin at Rome ; Part V, the ineffective attempts through reformation to set Religion free from Sin, and the probabihty of far- ther struggle in future as the two move together through America westward. In my fifth Essay is related the curious refusal of the Vice-Chancellor to Ucense Herbert's book on account of fines 235 and 236 of The Church Militant : Religion stands on tip-toe in our land^ Readie to passe to the American strand. This passage, as also fine 247, might suggest that Herbert was thinking of the Puritan migration, the only colonization ever undertaken from England with religious aims. Such thoughts are natural for us in looking back, but not for him when looking forward. Even if the dates allowed, we cannot sup- pose that he would have sympathized with com- panies of obscure and wilful sectaries. That was not his disposition. The Pilgrims, however, did not sail till 1620; the Puritans not till 1628. This lat- ter date was just about the time when the Williams Manuscript was probably drawn up, and in it was included The Church Militant. At the time ADDITIONAL POEMS 399 when the poem was written the Puritan migration was a small affair, and had attracted little atten- tion. It is the Virginia Colony to which Herbert refers, that aristocratic colony with which his friend Ferrar was connected. What he has in mind is made clearer by a passage of The Country Parson, XXXII, in which he is planning work for younger sons : If the young Gallant think these Courses dull and phlegmatick, where can he busie himself better than in those new Plantations and dis- covery es which are not only a noble but also, as they may be handled, a religious imployment ? He sim- ply means that on fresh soil religion has fresh opportunities. No other reference to America in The Temple speaks of it as religious ground. From this Group of Additional Poems I have withdrawn three as having special importance elsewhere. The lines reported by Walton as in- scribed in the Bemerton Parsonage I have placed at the beginning of Group VIII. The Sonnets of 1610 mark the rise of that Resolve which is set forth with early ardor, assurance, and comprehen= siveness in the poems of Group II. 400 XII. ADDITIONAL POEMS THE CHURCH MILITANT Almightie Lord, who from thy glorious throne Seest and rulest all things ev*n as one* The smallest ant or atome knows thy power. Known also to each minute of an houre. 4 Much more do Common-weals acknowledge thee And wrap their policies in thy decree. Complying with thy counsels, doing nought Which doth not meet with an eternall thought. But above all, thy Church and Spouse doth prove Not the decrees of power, but bands of love. 10 Early didst thou arise to plant this vine. Which might the more indeare it to be thine. Spices come from the East; so did thy Spouse, Trimme as the light, sweet as the laden boughs Of Noah's shadie vine, chaste as the dove, 15 Prepared and fitted to receive thy love. The course was westward, that the sunne might light As well our understanding as our sight. Where th* Ark did rest, there Abraham began To bring the other Ark from Canaan. 20 XII. ADDITIONAL POEMS 401 Moses pursu'd this, but King Solomon Finish'd and fixt the old rehgion. When it grew loose, the Jews did hope in vain By nailing Christ to fasten it again; But to the Gentiles he bore crosse and all, 25 Rending with earthquakes the partition-wall. Onely whereas the iVrk in glorie shone. Now with the crosse, as with a staff e, alone, Religion, like a pilgrime, westward bent, Knocking at all doores ever as she went. 30 Yet as the sunne, though forward be his flight, Listens behinde him and allows some light Till all depart; so went the Church her way. Letting, while one foot stept, the other stay Among the eastern nations for a time, 35 Till both removed to the western clime. To Egypt first she came, where they did prove Wonders of anger once, but now of love. The ten Commandments there did flourish more Then the ten bitter plagues had done before. 40 Holy Macarius and great Anthonie Made Pharaoh Moses, changing th' historic. Goshen was darknesse, Egypt full of lights, Nilus for monsters brought forth Israelites. 44 Such power hath mightie Baptisme to produce For things misshapen, things of highest use. How deare to me, O God, thy counsels are I Who may with thee compare ? 402 XII. ADDITIONAL POEMS Religion thence fled into Greece, where arts Gave her the highest place in all men's hearts. 50 Learning was pos'd, Philosophic was set, Sophisters taken in a fisher's net. Plato and Aristotle were at a losse And wheel'd about again to spell Christ-Crosse. Prayers chas'd syllogismes into their den, 55 And Ergo was transform'd into Amen. Though Greece took horse as soon as Egypt did. And Rome as both, yet Egypt faster rid. And spent her period and prefixed time 59 Before the other. Greece being past her prime, Religion went to Rome, subduing those Who, that they might subdue, made all their foes. The Warrier his deere skarres no more resounds. But seems to yeeld Christ hath the greater wounds. Wounds willingly endur'd to work his blisse 65 Who by an ambush lost his Paradise. The great heart stoops and taketh from the dust A sad repentance, not the spoils of lust. Quitting his spear, lest it should pierce again Him in his members who for him was slain. 70 The Shepherd's hook grew to a scepter here. Giving new names and numbers to the yeare. But th' Empire dwelt in Greece, to comfort them Who were cut short in Alexander's stemme. XII. ADDITIONAL POEMS 403 In both of these Prowesse and Arts did tame 75 And tune men's hearts against the Gospel came; Which using, and not fearing skill in th' one, Or strength in th' other, did erect her throne. Many a rent and struggling th' Empire knew, (As dying things are wont) untill it flew 80 At length to Germanie, still westward bending, And there the Churches festivall attending; That as before Empire and Arts made way, (For no lesse Harbingers would serve then they) So they might still, and point us out the place Where first the Church should raise her downcast face. 86 Strength levels grounds, xArt makes a garden there. Then showres Religion and makes all to bear. Spain in the Empire shar'd with Germanie, But England in the higher victorie; 90 Giving the Church a crown to keep her state And not go lesse then she had done of late. Constantine's British line meant this of old. And did this mysterie wrap up and fold Within a sheet of paper, which was rent 95 From time's great Chronicle and hither sent. Thus both the Church and Sunne together ran Unto the farthest old meridian. How deare to me, O God, thy counsels are I Who may with thee compare ? 100 404 XII. ADDITIONAL POEMS Much about one and the same time and place Both where and when the Church began her race, Sinne did set out of Eastern Babylon And travell'd westward also. Journeying on He chid the Church away where e're he came, 105 Breaking her peace and tainting her good name. At first he got to Egypt and did sow Gardens of gods, which ev'ry yeare did grow Fresh and fine deities. They were at great cost Who for a god clearely a sallet lost. 110 Ah, what a thing is man devoid of grace, Adoring garlick with an humble face. Begging his food of that which he may eat. Starving the while he worshippeth his meat! Who makes a root his god, how low is he, 115 If God and man be sever'd infinitely! What wretchednesse can give him any room Whose house is foul, while he adores his broom.'' None will beleeve this now, though money be In us the same transplanted foolerie. 120 Thus Sinne in Egypt sneaked for a while; His highest was an ox or crocodile And such poore game. Thence he to Greece doth passe ; And being craftier much then Goodnesse was. He left behinde him garrisons of sinnes 125 To make good that which ev'ry day he winnes. Here Sinne took heart, and for a garden-bed Rich shrines and oracles he purchased. XII. ADDITIONAL POEMS 405 He grew a gallant and would needs foretell As v/ell what should befall as what befell. 130 Nay, he became a poet, and would serve His pills of sublimate in that conserve. The world came both with hands and purses full To this great lotterie, and all would pull. But all was glorious cheating, brave deceit, 135 Where some poore truths were shuffled for a bait To credit him, and to discredit those Who after him should braver truths disclose. From Greece he went to Rome; and as before He was a God, now he's an Emperour. 140 Nero and others lodg'd him bravely there, Put him in trust to rule the Romane sphere. Glorie was his chief instrument of old, Pleasure succeeded straight when that grew cold. WTiich soon was blown to such a mightie flame 145 That though our Saviour did destroy the game, Disparking oracles and all their treasure. Setting affliction to encounter pleasure. Yet did a rogue with hope of carnall joy Cheat the most subtill nations. Who so coy, 150 So trimme, as Greece and Egypt ? Yet their hearts Are given over, for their curious arts, To such Mahometan stupidities As the old heathen would deem prodigies. How deare to me, O God, thy counsels are ! 155 Who may with thee compare ? 406 XII. ADDITIONAL POEMS Onely the West and Rome do keep them free From this contagious infidehtie. And this is all the Rock whereof they boast, As Rome will one day finde unto her cost. 160 Sinne being not able to extirpate quite The Churches here, bravely resolv'd one night To be a Church-man too and wear a Mitre; The old debauched ruffian would turn writer. I saw him in his studie, where he sate 165 Busie in controversies sprung of late. A gown and pen became him wondrous well. His grave aspect had more of heav'n then hell: Onely there was a handsome picture by, To which he lent a corner of his eye. 170 As Sinne in Greece a Prophet was before. And in old Rome a mightie Emperour, So now being Priest he plainly did professe To make a jest of Christ's three offices; The rather since his scatter'd jugglings were 175 United now in one, both time and sphere. From Egypt he took pettie deities, From Greece oracular infallibilities, And from old Rome the libertie of pleasure By free dispensings of the Churches treasure. 180 Then in memoriall of his ancient throne He did surname his palace, Babylon. XII. ADDITIONAL POEMS 407 Yet that he might the better gain all nations, And make that name good by their transmigra- tions From all these places, but at divers times, 185 He took fine vizards to conceal his crimes. From Egypt Anchorisme and retirednesse. Learning from Greece, from old Rome statelinesse ; And blending these he carri'd all men's eyes, While Truth sat by counting his victories. 190 Whereby he grew apace and scorn' d to use Such force as once did captivate the Jews, But did bewitch and finely work each nation Into a voluntarie transmigration. All poste to Rome. Princes submit their necks Either t' his publick foot or private tricks. 196 It did not fit his gravitie to stirre. Nor his long journey, nor his gout and furre. Therefore he sent out able ministers. Statesmen within, without doores cloisterers, 200 AVho without spear, or sword, or other drumme Then what was in their tongue, did overcome; And having conquer'd, did so strangely rule. That the whole world did seem but the Pope's mule. As new and old Rome did one Empire twist, 205 So both together are one Antichrist, Yet with two faces, as their Janus was. Being in this their old crackt looking-glasse. How deare to me, O God, thy counsels are ! Who may with thee compare ? 210 408 XII. ADDITIONAL POEMS Thus Sinne triumphs in Western Babylon, Yet not as Sinne, but as Rehgion. Of his two thrones he made the latter best, And to defray his journey from the east. Old and new Babylon are to hell and night 215 As is the moon and sunne to heav'n and light. When th' one did set, the other did take place, Confronting equally the law and grace. They are hell's land-marlvs, Satan's double crest. They are Sinne's nipples, feeding th' east and west. But as in vice the copie still exceeds 221 The pattern, but not so in vertuous deeds; So though Sinne made his latter seat the better, The latter Church is to the first a debter. The second Temple could not reach the first. And the late reformation never durst 226 Compare with ancient times and purer yeares. But in the Jews and us deserveth tears. Nay, it shall ev'ry yeare decrease and fade. Till such a darknesse do the world invade 230 At Christ's last coming as his first did finde. Yet must there such proportions be assign 'd To these diminishings as is between The spacious world and Jurie to be seen. XII. ADDITIONAL POEMS 409 Religion stands on tip-toe in our land, 235 Readie to passe to the American strand. When height of malice and prodigious lusts, Impudent sinning, witchcrafts, and distrusts (The marks of future bane) shall fill our cup Unto the brimme and make our measure up; When Sei7i shall swallow Tiber, and the Thames By letting in them both pollutes her streams. When Italie of us shall have her will, 243 And all her calender of sinnes fulfill ; Whereby one may fortell what sinnes next yeare Shall both in France and England domineer; Then shall Religion to America flee. They have their times of Gospel ev'n as we. ]\Iy God, thou dost prepare for them a way By carrying first their gold from them away; 250 For gold and grace did never yet agree. Religion alwaies sides with povertie. We think we rob them, but we think amisse; W^e are more poore, and they more rich by this. Thou wilt revenge their quarrell, making grace To pay our debts, and leave our ancient place To go to them, while that which now their nation But lends to us shall be our desolation. 410 XII. ADDITIONAL POEMS Yet as the Church shall thither westward flie, So Sinne shall trace and dog her instantly. 260 They have their period also and set times Both for their vertuous actions and their crimes. And where of old the Empire and the Arts Usher'd the Gospel ever in men's hearts, Spain hath done one ; when Arts perform the other, 265 The Church shall come, and Sinne the Church shall smother. That when they haue accomplished the round, And met in th' east their first and ancient sound. Judgement may meet them both and search them round. 269 Thus do both lights, as well in Church as Sunne, Light one another and together runne. Thus also Sinne and Darknesse follow still The Church and Sunne with all their power and skill. But as the Sunne still goes both west and east. So also did the Church by going west 275 Still eastward go; because it drew more neare To time and place where judgement shall appeare. How deare to me, O God, thy counsels are I Who may with thee compare 9 XII. ADDITIONAL POEMS 411 L'ENVOY King of glorie. King of peace, With the one make warre to cease; With the other blesse thy sheep, Thee to love, in thee to sleep. Let not Sinne devoure thy fold, 5 Bragging that thy bloud is cold, That thy death is also dead. While his conquests dayly spread; That thy flesh hath lost his food, And thy Crosse is common wood. 10 Choke him, let him say no more, But reserve his breath in store. Till thy conquests and his fall Make his sighs to use it all, And then bargain with the winde 15 To discharge what is behinde. Blessed he God alone. Thrice blessed Three in One. FINIS 412 XII. ADDITIONAL POEMS THE HOLY COMMUNION O GRATious Lord, how shall I know Whether in these gifts thou bee so As thou art everywhere? Or rather so as thou alone Tak'st all the Lodging, leaving none 5 For thy poore creature there. First I am sure, whether Bread stay. Or whether Bread doe fly away, Concerneth Bread, not mee; But that both thou and all thy traine 10 Bee there, to thy truth and my gaine, Concerneth mee and Thee. And if in comming to thy foes Thou dost come first to them, that showes The hast of thy good will. 15 Or if that thou two stations makest. In Bread and mee, the way thou takest Is more, but for mee still. Then of this also I am siire, That thou didst all those pains endure 20 To abolish Sinn, not Wheat. Creatures are good and have their place. Sinn onely, which did all deface. Thou drivest from his seat. XII. ADDITIONAL POEMS 413 I could beleeve an Impanation 25 At the rate of an Incarnation, If thou hadst dyde for Bread. But that which made my soule to dye. My flesh and fleshly villany, That allso made thee dead. 30 That Flesh is there mine eyes deny. And what should flesh but flesh discry, The noblest sence of five ? If glorious bodies pass the sight, 34 Shall they be food and strength and might. Even there where they deceive ? Into my soule tliis cannot pass. Flesh (though exalted) keeps his grass, And cannot turn to soule. Bodyes and Minds are different spheres, 40 Nor can they change their bounds and meres. But keep a constant pole. This gift of all gifts is the best. Thy flesh the least that I request. Thou took'st that pledge from mee. 45 Give mee not that I had before, Or give mee that so I have more. My God, give mee all Thee. 414 XII. ADDITIONAL POEMS LOVE Thou art too hard for me in Love. There is no deahng wth thee in that Art. That is thy Masterpeece, I see. When I contrive and plott to prove Something that may be conquest on my part, 5 Thou still, O Lord, outstrippest mee. Sometimes, whenas I wash, I say, And shrodely as I think. Lord wash my soule. More spotted then my flesh can bee. But then there comes into my way 10 Thy ancient baptism, which when I was foule And knew it not, yet cleansed mee. I took a time when thou didst sleep, Great waves of trouble combating my brest; I thought it brave to praise thee then. 15 Yet then I found that thou didst creep Into my hart wth ioye, giving more rest Then flesh did lend thee back agen. Let mee but once the conquest have Vpon the matter, 'twill thy conquest prove. 20 If Thou subdue mortalitie. Thou dost no more then doth the grave. Whereas if I orecome thee and thy Love, Hell, Death, and Divel come short of mee. XII. ADDITIONAL POEMS 415 TRINITIE-SUNDAY He that is one Is none. Two reacheth thee In some degree. Nature and Grace 5 With Glory may attaine thy Face. Steele and a flint strike fire. Witt and desire Never to thee aspire Except life catch and hold those fast. 10 That which beleefe Did not confess in the first Theefe His fall can tell From Heaven through Earth to Hell. Lett two of those alone 15 To them that fall, Who God and Saints and Angels loose at last. Hee that has one Has all. 416 XII. ADDITIONAL POEMS EVEN-SONG The Day is spent, and hath his will on mee. I and the Sunn have runn our races. I went the slower, yet more paces; For I decay, not hee. Lord, make my Losses up, and sett mee free; That I, who cannot now by day 6 Look on his daring brightnes, may Shine then more bright then hee. If thou deferr this Hght, then shadow mee; Least that the Night, earth's gloomy shade. Fouling her nest, my earth invade, 11 As if shades knew not thee. But thou art light and darknes both togeather. If that bee dark we cannot see. The sunn is darker than a tree, 15 And thou more dark then either. Yet thou art not so dark since I know this But that my darknes may touch thine, And hope, that may teach it to shine, Since Light thy Darknes is. 20 O lett my soule, whose keyes I must deliver Into the hands of senceles Dreams Which know not thee, suck in thy beams And wake with thee for ever. XII. ADDITIONAL POEMS 417 THE KNELL The Bell doth tolle. Lord, help thy servant whose perplexed soule Doth wishly look On either hand, And sometimes offers, sometimes makes a stand, Struggling on th' hook. 6 Now is the season. Now the great combat of our flesh and reason. O help, my God! See, they breake in, 10 Disbanded humours, sorrows, troops of Sinn, Each with his rodd. Lord make thy blood Convert and colour all the other flood And streams of grief, 15 That they may bee Julips and Cordials when wee call on thee For some relief. 418 XII. ADDITIONAL POEMS PERSEVERANCE My God the poore expressions of my Love, Which warme these Hnes and serve them up to thee Are so as for the present I did move, Or rather as thou movedst mee. But what shall issue, — whether these my words 5 Shall help another but my iudgment bee. As a burst fouling-peece doth save the birds But kill the man, — is seal'd with thee. For who can tell though thou hast dyde to winn And wedd my soule in glorious paradise, 10 Whether my many crymes and use of sinn May yet forbid the banns and bliss ? Onely my soule hangs on thy promisses, Wth face and hands clinging unto thy brest; CHnging and crying, crying without cease, 15 Thou art my rocky thou art my rest. INDEXES INDEX OF TITLES Aaron, 218. Affliction, 128, 180, 350, 351, 352. Agonie, 287. To All Angels and Saints, 88. The Altar, 67. Anagram, 293. The Answer, 185. Antiphon, 57, 242. Artillerie, 190. Assurance, 325. Avarice, 268. The Bag, 289. The Banquet, 237. H. Baptisme, 101, 102. Bitter-Sweet, 34-1. The British Church, 262. The Bunch of Grapes, 320. Businesse, 281. The Call, 217. Charms and Knots, 113. Christmas, 90. Church-FIoore, 294. Church-Lock and Kev, 156. The Church Militant^ 400. Church-Monuments, 106. Church-Musick, 105. The Church-Porch, 10. Church-Rents and Schismes, 264. Clasping of Hands, 229. The Collar. 318. H. Communion, 103, 412. Complaining, 349, Confession, 345. Conscience, 327. Constancie, 271. Content, 186. The Crosse, 328. The Dawning, 384. Death, 135. Decay, 269. Dedication, xv. Deniall, 154. Dialogue, 194. A Dialogue- Antheme, 388. The Discharge, 307. Discipline, 364. Divinitie, 260. Dooms-Day, 137. Dotage, 280. Dulnesse, 316. Easter, 83. Easter Wings, 178. The Elixer, 53. Employment, 55, 184. L'Envoy, 411. Even-Song, 240, 416, Faith, 121. The Fami!ie, 306. The Flower, 368. The Foil, 273. The Forerunners, 376. ' Frailtie, 189. Giddinesse, 276. The Glance, 383. The Glimpse, 360. Good Friday, 81. Grace, 161. Gratefulnesse, 231. Grief, 379. Grieve not the Holy Spirit, &c., 343. Heaven, 140. The Holdfast, 221. Home, 380. Hope, 314. Humilitie, 124. A True Hymne, 225. 422 INDEX OF TITLES Inscription, 250. The Invitation, 235. Jesu, 367. The Jews, 266. Jordan, 49, 50. Joseph's Coat, 366. Judgement, 139. Justice, 270, 342. The Knell, 417. Lent, 92. Life, 378. Longing, 356. Love, 47, 210, 414. Love-Joy, 292. Love Unknown, 333. Man, 115. Man's Medley, 274. Marie Magdalene, 286. Mattens, 148. The Method, 312. Miserie, 129. Mortification, 133. Nature, 157. Obedience, 202. The Odour, 223. An Offering, 206. Our Life is Hid, &c., 147. Paradise, 230. A Parodie, 362. Peace, 198. The Pearl, 200. Perseverance, 418. The Pilgrimage, 330. The Posie, 226. Praise, 51, 208, 233. Prayer, 97, 98. The Priesthood, 196j Providence, 251. The 23 Psalme, 222. The Pulley, 285. The Quidditie, 52. The Quip, 227. Redemption, 123. Repentance, 158. The Reprisall, 152. The Rose, 204. The Sacrifice, 68. Saints, vide Angels. Schismes, vide Church- Rents. H. Scriptures, 99. The Search, 322. Self-Condemnation, 267. Sepulchre, 288. Sighs and Grones, 354. Sinne, 119, 120. The Sinner, 153. Sinnes Round, 283. Sion, 348. The Size, 310. The Sonne, 291. Sonnets to his Mother, 45. The Starre, 192. The Storm, 347. Submission, 315. Sunday, 94. Superliminare, 66. The Temper, 162, 163. The Thanksgiving, 149. Time, 386. Trinitie-Sunday, 87, 415. Ungratefulnesse, 126. Unkindnesse, 160. Vanitie, 188, 278. Vertue, 385. The Water-Course, 284. Whitsunday, 85. The Windows, 220. The World, 118. A Wreath, 165. INDEX OF FIRST LINES A broken Altar, Lord, thy servant reares, 67. Ah my deare angrie Lord, 341. Alas, poore Death, where is thy glorie.? 388. All after pleasures as I rid one day, 90. Almightie Judge, how shall poore wretches brook, 139. Almightie Lord, who from thy glorious throne, 400. And art thou grieved, sweet and sacred Dove, 343. As he that sees a dark and shadie grove, 101. As I one ev'ning sat before my cell, 190. As men, for fear the starres should sleep and nod, 260. As on a window late I cast mine eye, 292. Awake sad heart, whom sorrow ever drowns! 384. Away despair! My gracious Lord doth heare, 289. A wreathed garland of deserved praise, 165. Blest be the God of love, 240. Blest Order, which in power dost so excell, 196. Brave rose, (alas!) where art thou.'' In the chair, 264. Bright spark, shot from a brighter place, 192. Broken in pieces all asunder, 352. Busie enquiring heart, what wouldst thou know? 307. But that Thou art my wisdome. Lord, 315. Canst be idle. f* Canst thou play, 281. Come away, 137. Come, bring thy gift. If blessings were as slow, 206. Come Lord, my head doth burn, my heart is sick, 380. Come, my Way, my Truth, my Life, 217. Come ye hither all whose taste, 235. Content thee, greedie heart, 310. Deare Friend, sit down, the tale is long and sad, 303. Death, thou wast once an uncouth hideous thing, 135. Do not beguile my heart, 349. False glozing pleasures, casks of happinesse, 280. Full of rebellion, I would die, 157. Having been tenant long to a rich Lord, 123. Heark, how the birds do sing, 274. He that is one, 415. 424 INDEX OF FIRST LINES He that is weary, let him sit, 55. HoUnesse on the head, 218. How are my foes increased, Lord! 410. How fresh, O Lord, how sweet and clean, 368. How should I praise thee. Lord! How should my rymes, 163. How soon doth man decay! 133. How sweetly doth My Master sound! My Master, 223. How well her name an army doth present, 293. I blesse thee, Lord, because I grow, 230. I cannot ope mine eyes, 148. I cannot skill of these thy wayes, 342. If as a flowre doth spread and die, 184. If as the windes and waters here below, 347. If thou chance for to find, 250. If we could see below, 273. I gave to Hope a watch of mine; but he, 314. I have consider 'd it, and finde, 152. 1 joy, deare Mother, when I view, 262. I know it is my sinne which locks thine eares, 156. I know the wayes of learning, both the head, 200. I made a posie while the day ran by, 378. Immortall Heat, O let thy greater flame, 48. Immortall Love, authour of this great frame, 47. I saw the Vertues sitting hand in hand, 124. 1 struck the board, and cry'd, No more, 318. It cannot be. Where is that mightie joy, 162. I threatned to observe the strict decree, 221. I travell'd on, seeing the hill where lay, 330. Jesu is in my heart, his sacred name, 367. Joy, I did lock thee up, but some bad man, 320, Kill me not ev'ry day, 350. King of Glorie, King of Peace, 208. King of glorie. King of peace, 411. Let all the world in ev'ry corner sing, 242. Let forrain nations of their language boast, 291. Let wits contest, 226. Listen, sweet Dove, unto my song, 85. Lord, how can man preach thy eternall word.? 220. Lord, how couldst thou so much appease, 121. Lord, how I am all ague when I seek, 153. Lord, I confesse my sinne is great, 158. Lord, in my silence how do I despise, 189. INDEX OF FIRST LINES 425 Lord, I will mean and speak thy praise, 233. Lord, let the Angels praise thy name, 129. Lord, make me coy and tender to offend, 160. Lord, my first fruits present themselves to thee, xv. Lord, thou art mine, and I am thine, 229. Lord, who createdst man in wealth and store, 178. Lord, who hast form'd me out of mud, 87. Lord, with what bountie and rare clemencie, 126. Lord, with what care hast thou begirt us round! 120. Lord, with what glorie wast thou serv'd of old, 348. Love bade me welcome; yet my soul drew back, 210. Love built a stately house; where Fortune came, 118. Mark you the floore.'' That square and speckled stone, 294. Meeting with Time, slack thing, said I, 386. Money, thou bane of blisse and sourse of wo, 268. My comforts drop and melt away like snow, 185. My God, a verse is not a crown, 52. My God, if writings may, 202. My God, I heard this day, 115. My God, I read this day, 128. My God the poore expressions of my Love, 418. My God, where is that antient heat towards thee, 45. My heart did heave, and there came forth, O God! 351. My joy, my life, my crown! 225. My stock lies dead, and no increase, 161. My words and thoughts do both expresse this notion, 147. Not in rich furniture or fine array, 103. O blessed bodie! Whither art thou thrown? 288. O day most calm, most bright, 94. O do not use me, 354. O dreadfull Justice, what a fright and terrour, 270. Of what an easie quick accesse, 98. O gratious Lord, how shall I know, 412. Oh all ye who passe by, whose eyes and minde, 68. Oh Book! Infinite sweetnesse ! Let my heart, 99. Oh glorious spirits, who after all your bands, 88. Oh King of grief! A title strange, yet true, 149. Oh that I knew how all thy lights combine, 100. Oh, what a thing is man ! How farre from power, 276. O my chief good, 81. O sacred Providence, who from end to end, 251. O spitefuU bitter thought! 325. O that I could a sinne once see! 119. O what a cunning guest, 345. 426 INDEX OF FIRST LINES O who will give me tears? Come all ye springs, 379. O who will show me those delights on high, 140. Peace mutt'ring thoughts, and do not grudge to keep, 186. Peace pratler, do not lowre! 327. Philosophers have measur'd mountains, 287. Poore heart, lament, 312. Poore nation, whose sweet sap and juice, 266. Poore silly soul, whose hope and head lies low, 188. Praised be the God of love, 57. Prayer the Churches banquet. Angel's age, 97. Presse me not to take more pleasure, 204. Rise, heart, thy Lord is risen. Sing his praise, 83. Since, Lord, to thee, 102. Sorrie I am, my God, sorrie I am, 283. Soul's joy, when thou art gone, 362. Sure, Lord, there is enough in thee to dry, 46. Sweet day, so cool, so calm, so bright, 385. Sweetest of sweets, I thank you! When displeasure, 105. Sweetest Saviour, if my soul, 194. Sweet Peace, where dost thou dwell.'* I humbly crave, 198. Sweet were the dayes when thou didst lodge with Lot, 269. Teach me, my God and King, 53. The Bell doth toUe, 417. The Day is spent, and hath his will on mee, 416. The fleet Astronomer can bore, 278. The God of love my shepherd is, 222. The harbingers are come. See, see their mark! 376. The merrie world did on a day, 227. Thou art too hard for me in Love, 414. Thou that hast giv'n so much to me, 231. Thou who condemnest Jewish hate, 267. Thou who dost dwell and linger here below, 284. Thou, whom the former precepts have, 66, Thou whose sweet youth and early hopes inhance, 10. Throw away thy rod, 364. To write a verse or two is all the praise, 51. Welcome, deare feast of Lent! Who loves not thee, 92. Welcome sweet and sacred cheer, 237. What doth this noise of thoughts within my heart, 306. What is this strange and uncouth thing! 328. When blessed Marie wip'd her Saviour's feet, 286. When first my lines of heav'nly joyes made mention, 50. INDEX OF FIRST LINES 427 When first thou didst entice to thee my heart, 180. When first thy sweet and gracious eye, 383. When God at first made man, 285. When my devotions could not pierce, 154. While that my soul repairs to her devotion, 106. Whither away delight.? 360. Whither, O, whither art thou fled, 322. Who is the honest man, 271. Who reade a chapter when they rise, 113. Who says that fictions onely and false hair, 49. Why do I languish thus, drooping and dull, 316. With sick and famisht eyes, 356. Wounded I sing, tormented I indite, 366. CAMBRIDGE . MASSACHUSETTS U . S . A .vv^ -^^^ '% .0 o ^^^^-V^ ^/- ,v\^ % '^.\e ^''^' ,^/^^^^^^^-,^^ V .^ " J^^fir-^ ^ ^, - ^ ^'^/r:^^ 7 '-P ^ 9 •?, -> V- V ^, v^^ ^' ^mr?/>>:. ^^^ v^ ■^0 "^U. ■V '- ^> 0^ .^s- v\^ ■Mi^^.^ "^ ■^• V- >\> ra c> ^ ^' 5 -^ U -^^ .^^ v^^ '<=*; V-. r* „ .. ,, ^"^ -0 V -s -' .. ^^>' ■'-'' C.>' .. ^ ^ o/V* " ' ''^\>'^^s^ '^ . ^* -; :. •'"-.^^' .0 c #^ N^ "^^- ^ .-^^ <>.v^^ .^ .%• ^^. V. ■.\>^:'. .^^. A >. ,-v' • 0'