LIBRARY OF CONGRESS, i fh --^fK Shelf „.55S^ UNITED STATES OF AMERICA. THE WELDED LINK, AND OTHER POEMS. JUDGE J. F. SIMMONS, LATK CJIANCELLOU OK THE MISSISSUTI STATK JUDICIAUV, A^N -' i^^\. [s- ij^^hVh,' r n I L A D E L P TI 1 A : J. B. LIPPINCOTT & CO. 1881. % Copyriglit, 1881, by J. B. Lippincott & Co. TO THE MEMORY OP THE LATE COMMODORE CORNELIUS YANDERBILT THIS YOLTJME IS DEDICATED, WITH PROFOUND FEELINGS OF EESPECT AND VENERATION, AND AS A MODEST BUT SINCERE TOKEN OF APPRECIATION OF HIS MUNIFICENT BENEFACTION FOR THE EDUCATION OF SOUTHERN YOUTH, AND ALSO AS A MARK OF THE HIGH ESTEEM IN WHICH HE WAS HELD AND HIS MEMORY IS CHERISHED BY THE AUTHOR. PREFACE. At the risk of being deemed affected, but in all sin- cerity, I assure the readers of the following pages that I have not rushed unadvisedly before the public in the role of author. On the contrary, I do so with many misgivings as to my ability to afford that sort of mental pabulum and entertainment which is sought and en- joyed by the intelligent and the refined in feeling and thought (and it is the appreciation and approval of these I most desire), and I only do so upon the advice, and even at the earnest solicitation, of many (some of whom are strangers to me personally) for whose judg- ment I have the highest respect. More than two years ago one in whom I have great confidence and hold in high esteem, both for his religious principles and his intelligence, advised me more than once to ^' write a book of poems." But I did not even entertain the idea. Since then I have, from time to time, written and published short ^' poems" (as others have chosen to eall them), and written a great deal more that I have not published, nor ever expected to publish. The longest of these (" Evening Meditations") was written with pencil within the inclosure of the ceme- tery near my home — as it purports to have been — dur- 1* 5 Q PREFACE. ing the autumn evenings of 1879, while the prevalence of the yellow fever;in Memphis to a certain extent iso- lated us from the world abroad. It was subsequently rewritten in ink, at the request of one dear to me, in order to its preservation. This, with some others that the reader will find, spun out to too great a length for the columns of a newspaper, and are only included in this volume because it was advised, and even urged, by those friends who had seen them in manuscript. After it became known that I would probably issue a volume, several persons who had preserved copies of verses that I had written many years ago sent them to me. Some of these I have used, others not, my object being to embrace in my collection a variety as well in dates of the productions as in their style and senti- ment. A great deal of what I have written and published I never preserved. I think that some of the best verses I ever wrote are lost or beyond my reach. Had I ever contemplated such a publication as this, copies would have been preserved. This is of little consequence, however, as I have already far more than are needed to make up a volume of the size contemplated, and a great many tributes to personal friends and other short poems are necessarily excluded for want of space, and yet I dare say the reader will conclude "there is plenty of it, such as it is." The calls that have been made upon me, and the expressions of opinion by ladies and gentlemen of the highest character, that my writings would or might accomplish good, brought me to the determination to publish provided a first-class publish- PREFACE. 7 ing-hoiise should, upon examination, reach the same favorable opinion. That this was done I need only refer the reader to the name of the publishing-firm at the foot of the title-page. One friend suggested that some might regard my employment of Gray's measure and style in a number of instances as plagiarism. Plagiarism is an uncred- ited use of the thoughts, language, or expressions, not the style, of another, else every poet who has lived and written since the literature of Greece and Rome was given to the world has been to a certain extent a pla- giarist. Measure, like language, is common property to all who will learn and use it. Elegiac measure is not only a favorite one with me, but it is the only one adapted to a certain class of poetical writing. As well might one accuse Poe of plagiarism after reading his " Bells'' and Schiller's " Lay of the Bells," as accuse me of it after comparing my unpretentious verse with Gray's incomparable " Elegy." I should feel flattered if even a resemblance were found in the matter- as there is in the measure. To preclude one from using a certain measure or following out a certain train of thO'Ught simply because some one else had done the same thing before, would be to preclude the publica- tion of any more books other than reissues of those already old and familiar. If I have even seemed to imitate, it is simply because my mind and thoughts happened to flow in the same channel in which flowed those of the one whom I unconsciously followed. I do not think I have imitated. I am quite sure I have in no instance intended to do so, and in every instance in 3 PREFACE. which I ]iave made use of any expression that I liave ever seen before, I have always been particular to ac- knowledge it by the use of quotation marks. My friends, and even strangers (and, what is equally gratifying, children), have been kind and partial enough to declare that there is merit in my productions and that they had accomplished good, and by their publi- cation in book-form would accomplish still more. I know not ; but this I do know : the most of them are emanations more from the heart than from the head. Such as they are I give them to the public with no blush of shame for any sentiment that I have promul- gated through them. I cannot close this preface, long as it is, without returning my sincere thanks to those friends — includ- ing strangers who have written letters to me and members of the editorial profession — who have cheered me on with expressions of approval and encouragement, and to the publishers, Messrs. J. B. Lippincott