vO'<<. -. „.. .,^ -'■^ , . ,, . .N^' ■=%>/ '^..** %,^' ^ %/ ^,/ %^' ^.v ^c:^^ %.^ ■- \..*^- '-%/• ■%.,**.- '■%/• '•%.,#; - Chauncey M. Depew. AFTER DINNER RHYMES CHATJN BV ISAAC H. BROMLEY. "delivered at the Annual Dinner of the New York Yale Alumni Association. January 23. 1891. Revised and Freshened with Notes by ti V Copyright, by the New York PriQting Co., 1891. T AM suddenly informed by the publishers that this book needs an introduction, and that they are waiting for it. I do not know why it is necessary. I shall not pretend that there is any excuse for putting the work in permanent form ; no serious person has requested it. I have only to say that it was improvised several days before it was delivered, in the expectation of being unexpectedly called on for impromptu remarks. The lines were 3 very well received at the time ; that is to say, they did not break up the dinner. There is a change in the meter in the last five stanzas, which needs to be explained. I regret to say I cannot do it. It differs in many respects from ordinary prose, and some persons may at first blush call it poetry. It will likewise be observed, however, that it differs in some respects from good poetry. Such as it is, it is commended to the char- itable judgment of mankind. I f_j g RING me honey of Hymettus, Bring me stores of Attic Salt, I am weary of the commonplace, To dullness call a halt!" Hymettus. — Any good classical dictionary can tell the reader about Hymettus. The most remarkable thing about it is, that at the very opening of the poem, it is the only kind of honey which fits the metre. It was quite a help to the poet. HESE dinner speeches tire me, They are tedious, flat and stale ; From a hundred thousand banquet tables Comes a melancholy wail, As a hundred thousand banqueters Sit up in evening dress And salute each mouldy chestnut With a signal of distress." H U S spake Jove on high Olympus, With a loud resounding roar, In the early days of April, Eighteen hundred thirty-four. Then to Bacchus standing near him, with his retinue of priests, Said he, " Bacchus, you're familiar With the speeches at these feasts ; You, no doubt, can bear them better Than the common run of folks ; But aren't they getting weary of these old and threadbare jokes?" Bacchus.— Bacchus is introduced thus early in the poem, though late in the evening, under the poet's license. He had been there some time under Delmonico's. 8 Answered Bacchus, as he reached And took a bottle from the shelf. "Well, to tell the truth, my lupiter, I'm getting tired myself." Answered Bacchus. — Bacchus was nothing, or scarcely any- thing, if not truthful. This is what another poet of an earlier period refers to, when he says "magna est Veritas in vino." (' I; OU, too, my bully Vulcan, have been ;7j.||y Sometimes in the reach. Of the after-dinner orator And after-dinner speech, Tell us, my line old blacksmith, Does it give you great delight, To hear the speakers spouting While the guests are getting tight? Do the orators and speeches Bring you something fresh and new ? Speak out, my horny handed. Let us hear a word from you ! " Vulcan. — It would have been better, of course, not to liave rung in Vukan as an expert in after-dinner speeclies ; but tiiere was no other god handy, who fitted the metre ; and it seemed a great deal better to sacrifice the gods to the metre than the metre to the gods. lO r U T old Vulcan, shoeing Pegasus, Still held the horse's heel, And hardly deigned an answer, but Just grunted " Ausgespiel." f^ f^ " AusGESPiEL." — This would have been better, of course, in Greek ; but the poet was pretty much out of Greek ;. and he felt, moreover, that it was only doing the tair thing by the language in which most of us take our beer, to bring it to the attention ot scholars. II i*5 ~o" t> ^-^ . c 1^ . ' y Should not talk commonplace. ^/,Ay 19 OT long the search, for Mercury By Jove divinely sent, To Peekskili-on-the-Hudson His hurried footsteps bent ; Found there a dimpled baby hi his cradle, calm and still, A wise, precocious infiint, who Seemed just to fill the bill. 20 21 HEN hurryin.o: back to Jupiter At once addressed him thus; " May it please your Royal Highness, 1 think Tve found the cuss. ''1 THINK I've found the cuss." — It is not impossible tiiat this line will provoke criticism, partly on account of the sudden transition, but chietly on account of the spelling. But it is believed that it has local color ; and it will be observed, that when Mercury "addressed him thus," he could not have found anything else without breaking up the whole poem. 22 Then ''Oh, O which great Jove, with dignity, impressively replied, "Go not too fast, my Mercury; you know "twould ill betide Our prestige on Olympus, if, By any sad mistake You've missed the coming orator and Struck a Peekskill fake. Tell me, I pray you, frankly, By what distinguished sign Discovered you at Peekskill This orator divine ? " answered nimble Mercury, with a giggle and a grin, I knew him in a minute by the looseness of his chin." "Oh, I KNEW HIM IN A MINUTE." — The reader can hardly understand how difficult it is to "freshen up" a poem of this character "with copious notes;" but the publishers have promised that it shall be freshened up in that way, and the author is religiously trying to do it. There is nothing to be said about this page ; and this remark is injected in order to make the notes more "copious." 24 -ffK: m.-Tj^'^ ^Mh^^ LL right," said Father Jupiter, "You fill my soul with joy; Call all the gods and goddesses, We'll go and see the boy J ^ 25 O this Gn^co-Roman circus, From regions far remote Got off at Peekskill landing From the Friday evening boat. There was Neptune with his trident, Apollo with his bow, John L. Hercules and Jupiter — The whole Olympian show. And they marched to where young Mercury, With instinct sure and true, Had found the coming orator Young Chauncey M. Depew. From the Friday evening boat. — Absolute historical accuracy is not aimed at. It may have been some other evening. Purchasers of the poem, who have any superstition regarding Friday evening, are at liberty to substitute some other evening. Young Chauncey M. Depew. — Notwithstanding the suddenness of tliis disclosure, the President of the Association maintained entire self-possession. 27 c HEN cried Jupiter in ecstacy, "We've found the coming man, He will make an end of dullness If anybody can." 29 30 O sweeten up his eloquence, Let him early learn to sip This honey of Hymettus Which 1 lay upon his lip ; It will dulcify his utterance And keep his voice in tune " — While Jupiter was talking, The baby bit the spoon. And Mercury, interrupting, as he stood beside the cradle Spoke up, "Oh, throw the spoon away and feed him with a ladle." "Oh, throw the spoon away." — Again, a touch of local color. Not perhaps Olympian, or Homeric, but quite in the familiar manner of the District Messenger. 31 HIS Attic salt," said Father Jove, "Will keep him extra dry;" At which the boy looked up, And dropped the corner of his eye. Precocious boy," cried Bacchus; "how natural to think " That when you've got him extra dry you'll ask him up to drink. But never since the heavenly hosts With all the Titans strove Saw I an infiint have the gall To wink at Father Jove." Extra Dry. — Here is an opportunity to bring in an advertisement of somebody's champagne. Tiie publisiiers point with pride to the patent fact, that the temptation was resisted. It is believed that the absence of mercenary motives is rather conspicuously manifest tiiroughout the entire work. Its sole purpose is to make men better. 32 h NOUGH of this," said Jupiter, Success has crowned our search ; Let the baby now be christened In the Presbyterian church In the Presbyterian church. — Here is anotlier instance of iiow Providence seemed somehow to be arranging for this poem from an early period. As a matter of tact, Chauncey was christened in the Presbyterian church. Any one can see what havoc it would have made with the verse, had he been christened in the Episcopal church, it ought to be added, in all candor, iiowever, that it would not have made the slightest difference if he had not been christened at all. No true poet ever permits himself to be hampered by facts. All that sort of thing is knocked out by the license. 33 ITH the training that should fit him For his singular career, Until Eighteen Hundred Fifty-Two Jove did not interfere ; Then, lest by misdirection, His experiment should fail, He peremptorily ordered that The boy be sent to Yale, 34 HERE the father of the gods knew The advantage it would be To have him get acquainted With the class of '53. On the College fence accordingly The young man went and roosted By the voluble and soon-to-be Bald-headed Jimmy Husted. The class of '53. — Yes, this is tiie same class. It has been mentioned in print heretofore. The soo'n-to-be bald-headed Jimmy Husted. — In 1852, the crop of hair in college was so abundant, that the college fence might easily have been mistaken for a Spiritualist camp meeting. General James W. Husted, here familiarly and affectionately called "Jimmy," under the license taken out for the poem, had at that time hair, as can be proved, if necessary, by affidavits. 35 HEN the years rolled along ; Old toasts and old speeches, Sucked the life-blood of fun From the table like leeches, Then the years rolled along. — The break in tlie metre begins here. Warning of the same is given by a dash line, in order that the reader need not be precipitated hurriedly over into it, so suddenly as to double him up. 36 N D the tedious old-timer Inflicted his hearer With chestnuts whose vintage Outranked the Madeira. While the guests who had paid For this banquet of soul, Resorted to drowning Their grief in the bowl. n HEN over the banquet Arose in full view The fairy-like figure Of Chauncey Depew. 38 O need to describe him, you all know him well, For what Yale alumnus hath not felt the spell Of the wit and ihe wisdom. The charm and the grace Upon every occasion, Whatever the place, He diffuses about him? It need only be said Where he sits at the table is always the head. Alumni and Ball Nine, Eleven and the Crew All throw up their hats For Chauncey Depew. 40 .■'A. E ' S been dining and speaking For years near a store ; He has routed the chestnut, Evicted the bore, No table's without him, No dinner complete ; The fun always waits Till he gets on his feet ; Making all men his friends Without seeming to try, Now he prays with the pious, Now drinks with the dry. Always sweet as the daisy And fresh as the dew, No fly ever lighted On Chauncey Depew. 41 IS religion is varied, His politics checkered, But in making of speeches He's broken the record. He's our model for eloquence, Pattern for style. Exemplar of morals And freedom from guile ; 42 : O when, as quite often It Cometh to pass We practice our speeches hi front of the glass, And the Madame, bewildered. Says, "What are you doing?" Our only reply is, I'm Chauncey Depewing." 43 ,/.■; ■;,; / a 44 T may be to-night, that, as Madame foreboded, Because Chauncey's always so, you'll ,^o home loaded. Of some old college song you'll be humming a snatch, While fumbling around in your room for a match. 'When all of a sudden, You're knocked off your centre By recalling his sweet 'Eyrea TrrepoevTa. Then if some one inquires, ''My dear John, are you slewed?" You need only to say, "No, I'm Chauncey Depew-ed." ^Enea TtrepoEvra. — The propriety, if not absolute necessity, for bringing in a little Greek on such an occasion, will be recognized by intelligent men. This seemed to be the last chance to give the work a scholarly turn. It was received with enthusiasm ; and the author took pains to translate it to the guests who waited upon him privately for that purpose. 45 ^ r> ,■»* ^ '"' -^^ . ^.^ %s^- -;>.,^' .\ *, .»-^' .^".r'./'o,'---, „■»",. '■.■-.%, •■ ' V V - II f. ^'(^ "\^>^■-;x^^';'^:,/-•".\ " Ov-«. /.,.„,%■•— \>^,- "^^' '^'^' ^.# '%^ /S %.^' '^ ^^ ^^^ ■'^' .xx^ -V _ x^°. '^ Deacidified using the Bookkeeper process. H -7^ Neutralizing agent: Magnesium Oxide '■"' '^■, ' ' Treatment Date: Sept. 2009 ., "> PreservatlonTechnologies «j ' , i>. * WORLD LEADER IN COLLECTIONS PRESERVATIOH 111 Thomson Park Dnve -> 's aN 'r,>"x'\ A -.0 ^„ <* ' , . ■* ,A A '' ., . ^00^ ■"00^ / 0>' ^^ ^^^. ', \^^ A' 0" <^j.. .0 c- , ' U 3 >. \ ' ■"^