DD A U DTII ITC C -^° flying all orders is always a feature of our business. rlllJIllr I lltww Catalogues sent free. Any Play,Dialoiru« Book, Speaker, ' ■■**■■»• ■ t^tm'^0-^0 Guide Book, Wigs and Beards— in fact anything you want will be sent by AMES' PUBLISHINO CO., Clyde, Ohloi 1 ■ & ^ • AMES' SERIES OF '^ STANDARD AND MINOR DRAMA, No. 280. PheelimO'Rooke'sCurse. (DRAMA.) WITH CAST OF CHARACTKHS, KNTRANCKS, AND EXITS, BKLATIVK POSITIONS OP THK PKRFORMERS ON THE STAGE, DESCRIPTION OP COST0MB3 AND THE WHOLE OP THE STAGE bOSINESS, CAREFULLY HARKED PROU THE MOST APPROVED ACTING COPT. PRICE 15 CENTS. CLYDE. OHIO : AMES' PUBLISHING CO. ^ ^ m On S " No goo4s 8«at 0. 0. D. PftyQ«nt MUST accompany all orders ^ ALPHABETICAL LIST DP ^ iiiBBs' Edition of Flays. • irJe--* ♦ FIFTEEN CENTS EACH UNLESS OTHERWISE MARKED. NO. 2 164 39 43 100 125 89 113 226 14 272 160 26S 161 60 152 173 143 176 162 256 117 207 52 76 141 26 191 194 261 46 227 211 251 163 91 36 34 22:r 223 81 85 83 196 29 18 5 10 45 79 275 266 144 67 97 119 DRAMAS. A Desperate Game 3 2 After Ten Years 7 6 A Life's Revenge 7 5 Arrah de Baueh 7 5 Aurora Floyd 7 2 Auld Robin Gray 25c 13 8 Beauty of Lyons 11 2 Bill Detrick 7 3 Brae, the PoorHouse Girl.... 4 4 Brigands of Calabria 6 1 Beyoud Pardon 7 5 Conn; or, Love's Vic; cry 11 3 Clearing the Mists 5 3 Di>ra 6 2 Driven to the Wall 10 3 Driven from Home 7 4 BastLyune 8 7 Emigrant's Daughter 8 3 Factory Girl 6 3 Fielding iManor 9 6 Gertie's Vindication 3 3 Hal Hazard, 25c 10 3 Heroic Dutchman of '76 8 3 Henrv Granden 11 8 How He Did It 3 2 Hidden Treasures 4 2 Hunter of the Alps 9 4 Hidden Hand 15 7 Lights and Shadows ot the Great Rebellion, 26c 10 5 Lady of Lyons...,. 12 5 Lady Audley's Secret 6 4 Lost in London 6 4 Man and Wife 12 7 Maud's Penl 5 Midnight Mii«take 6 Millie, the Quadroon 4 Miriam's Crime 5 Michael Erie 8 Miller of Derwent Water 5 Mistletoe Bough 7 Mountebanks (The) 6 Old Honesty 5 Old Phil's Birthday.- 5 Outcast's Wife 12 Out on the Woi Id 5 Oath Bound 6 Painter of Ghent 5 Poacher's Doom 8 Phyllis, the Beggar Girl 6 Reverses 12 Rock Allen 5 Spy of Atlanta, 25c 14 Simple Silas 6 Sweetbrier 11 Thekla 9 The False Friend 6 The Fatal Blow 7 The Forty-Niners 10 212 92 11'2 71 105 201 193 277 200 121 41 192 168 136 124 257 248 178 199 174 149 37 237 126 265 114 264 219 239 221 262 87 219 ^16 M. f. The Du'ch Recruit 25c 14 3 The Gentleman in Black 9 4 The New Magdalen 8 3 The Reward of Crime 5 3 Through Snow and Sunshine 6 4 Ticket of Leave Man 9 3 Toodles 7 2 The Musical Captain 15 2 Uncle Tom's Cabin 15 7 Will-o'-the-Wisp 9 4 Won at Last 7 3 Zion 7 4 TEMPERANCE PLAYS. At Last 7 1 Adrift 5 4 Aunt Dinah's Pledge 6 3 Dot; the .Miner's Daughter... 9 5 Drunkard [The] 13 5 Druukari's Warning 6 3 Dninkiird's Doom 15 5 Fifteen Years of a Drunk- ard's Life 13 4 Fruits of the Wine Cup 6 3 Lost 2 Our Awful Aunt 4 4 Out in the Streets 6 4 Rescued _ 5 3 Saved 2 3 Turn of the Tide.. 7 4 Three Glasses a Day 4 2 Ten Nights in a Bar-Room... 7 3 WreckLd 9 3 COMEDIES. A Pleasure Trip - 7 3 A Legal Holiday 5 3 An Afflicted Family 7 5 Caught in the Act ' 3 Captured 6 4 Caste 5 3 Home 4 3 Love's Labor Not Lost 3 3 New Years in N. Y 7 6 Not So Bad After All 6 5 Not Such a F lol as Me Looks 6 3 Oiir Daughters 8 6 Pug and the B.iby 5 3 Passions 8 4 Prof. James' Experience TcaeliinL' ('ountry School 4 .3 Rags and Bottles » 1 Scale with Sharps and Flats.. 3 2 Solon Shingle 14 2 Two Bad Boys i 3 The RLter Bit 3 2 $2,000 Reward 3 TRAGEDIES. The Serf -« 3 ' ra Pheelim O^rooke's Curse. AN IRISH DRAMA IN FOUR ACTS. BY Geo. K, SiminSi TO WHICH IS ADDED A DESCEirTION OF THE COSTUMES— CAST OF THE CHARACTEBS— ENTRANCES AKD EXITS— RELATIVE POSITIONS OF THE rERFORMERS ON THE STAGE, AND THE WHOLE OF THE STAGE BUSINESS. Eniaccl accorclwp to act of Congress in the year 1890, hu AMES' PUBLISHING CO. ii. tli off.ce of (lie Librarian of Congress at y^asTiinoton. ' CLYDE, OHIO: AMES' PUBLISHING Ca PMEELIM aHOOKE'S CUBSE. ^ ^ ^ P CAST OF CEABACTEBS, * ' ' Pheelim O'Kooke A vindictive Irisliman LoED Caelton An English lord Hugh Caelton His young son and heir Me. Aethue Haevey Tlie covetous second heir Captain Lennox Scheming villain Jack Dunney Servant Dan McCarthy Gang leader Petee Donelli : The news boy His Fathee Cf BooTce Me. Iea Colton New York lawyer Hon. Askew Clkmment An English gentleman of wealth Beyant O'Lynn A famous fiddler Beyant Olin Mrs. Carlton's brother Me. Silas Bumpee Landlord of saloon Chaelie Office boy and messenger I Physician, working man, servants and coast devils. Mes. Carlton Lord Carlton's wife NoEA Waiting-maid Mes. Dunneyhue Biddy McGee. The Island's star DOUBLES IN CAST. . ( Pheelim O'Eooke ■^* I Peter Donelli's father ■p j Lord Carlton ^- I Mr. Ira Colton „ J Hugh Carlton ^' ] Peter Donelli ^^ft r Bryant Olin ^^B j^ \ Bryant O'Lynn ^^m ^' j Laborer I [ Hon. Askew Clemment Captain Lennox p, j Mr. Arthur Harvey ■^" j Mr. Silas Bumper i Tj, J Jack Dunney '^- \ Dan McCarthy p J Charlie ""• \ Physician ■I Mrs. Carlton Nora Biddy McGee Mrs. Donnnevhue SYNOPSIS OF EVENTS, ACT I. Scene 1st — Laurel Court, England. The appeal and re* fusal. The whip. Threat. Curse of Pheelim O'Eooke. The hunt- ing party. Hugh Carlton, A dangerous servant. Song, "Bryant Ol'in!" 'J'he accident. Mrs. Carlton and Olin. Scene M — Pheelim O'Rooke. "Revenge is sweet !" Scene Sd — Death of Lord Carlton. "Pheelim O'Eooke'it was !" ACT II. Scene 1st — Bryant Olin and Hugh. A perilous under- taking. Hugh in danger. Scene Sd — Attempt to kidnap Hugh frustrated by Bryant. A cowardly blow. Scene Sd — Mrs. Carlton at home. News of Hugh. Despair. The promise. Scene 4th — On the const. Bryant Olin as a detective; disguises as a fiddler, and meets the gang. Scene 5th — Biddy McGee, the "Island star." Hugh and Pheelim. "Caged at last!" The idiot boy. The wreck. Bryant Olin finds Hugh, and i^ discovered by Biddy, who gives the alarm. Scene 6th — Woods. Escape of Bryant. ACT III. Scene 1st — America. Hugh as newsboy. Ira Colton, a friend. Scene 2d. — Office of Ira Colton. Hugh as Peter Donelli. Olin in America, in search of Hugh." Scene 3d — The den. Pheelim and Peter. Peter tells his adventure. Scene 4th — Grogshop. Petei and Bryant. Bar-room fight. Scene 5th — The den. Peter and O'Rooke. Capt. Lennox. Peters illness. Suspicions. Trouble ahead. A plan. O'Rooke drunk. Capt. Lennox carries off Hugh. Bryant in search of Hugh. "Too late!" Mrs. Donneyhue. The curse. ACT IV. Scene 1st — Club room. News of Hugh's escape. Len- nox and Clemment to the rescue. Scene Sd — Hugh escapes from window. Capt\ Lennox and Clemment. The arrest of Capt. Lennox. Scene Sd — Capture of Hugh by O'Rooke. Scene 4th — The den. The bargain. Song. Rescue of Hugh. Death of O'Rooke. Meeting of mother and son. End of the Curse of Pheelim O'Rooke. PBOPEIiTIES, Lounge; tAvo chairs; camp kettle and fire ; club; table; old mat- ress and quiiti; bacon and bread ; whip ; bed with two strong covers. Time in representation— One and one-half hours. STA GE DIRECTIONS p., tneatis Riglit; i-.. Left; R. h.. Right Hand; l. h., Left Hand; e., Centre; g. e.{ [Id E.,] Second Entrance; r. e., Upper Entrance; m. d., Middle Door; p., the Flat r. F., Door in Elat; e. c, Right of Centre; l. c, Left of Centre. R. E. C. C. L.O. 1^ »*« The reader is supposed U> be upon the staw facing the audience. Pheelim O'Rooke's Curse. ACT I. SCENE I — The garden at Laurel Court. Pheelim O'Eooke &nd Lord Caelton discovered. Pheelim. Only tbry me once more, fcir — your honor, and depind on it, ye'll find me desai'vin' ov yer favor! Lord Carlton, {angrily) No, sir! I'll try nothing of the kind! I have put up with your drunkeness and neglect too long already. I will have no more of it ! Leave my presence ! Begone I I never wish to look upon j'-our ugly face again ! Enter, Mrs. ©arlton, and Nora leading Hugh, l. c. Mrs. Carlton, [to Lord Carlton) My dear, allow me to inter- cede for Pheelim, Tr,y him once more and he will try to do better, I know. Lord G. No, no! I'm heart-sick of trials. I've pleased you in this matter over and over again, until patience has ceased to be a virtue. Here, this morning, is tlie best horse in my stable, and the one I wished to ride to-day, well nigh ruined, because this scoiuidrel prefers tippling at the tavern to attending to his business, [to Pheelim) Clear out! Take j'our villainous visage from my sight, or 1 may be tempted to give you the horse-whipping you deserve! Fheelim. (straightening up) None o' us made our own- faces! Iveryone can't be as purty as the Carltons' ! Hiven was kind to thim in good looks; but it niver mint a Carlton o' them all to be the bater o' an O'Rooke ! Put that in yer pipe and smoke it! (starts aivay, w/ien Lord Carlton springs toward him Lord C. Ton insolent ruffian ! (strikes Pheelim in face with whip) Do you dare to insult me in the presence of my family ? Pheelim. (puts hands to face and streaks with red — closing on him) You cowardly spalpeen ! Is it because j'e are a squire ye hev the privilege of batin' people? (both wrestle Mrs. C. {screams) Help! help! For God's sake, my husband I PHEELIM 0' BO ORE'S CURSE. 5 Hugh picks up club, strikes Pheelim on head — he fulls — Lord Carlton kicks him. Enter, Bryant Olin and Arthur Harvey, l Mrs.G. Ob, brother! Mr. Harvey ! Keep them apart ! Arthur. AVluit is the meaning of this? {laying hand on Lord Carlton JJryant. Sullivan and Kilrain, by jove ! (Pheelim rises Lord G. Do not hold me! I will kill the villain. 3Irs. C. {to Bryant) Take him away, brother — take him from my sight! (fo Pheelim) Go, you horrible creature, go! Bryant, (to Pheelim) Come, my blooming beauty, {whirling hint around) it seems that your room will be more acceptable than j-our company ; so, right about face — forward— march I {shoves him Pheelim. {turning around savagely) Och, yer all o' ye purty, to yer own thhikin' at least; but mark my words, and mark thim Avell — that this Avill be an ill day and a black one for thim that made such a horrible creature of me ! For this day's doin's, Pll make the Carltons sup sorrow wid a long spoon, or my name's not Pheelim O'Eooke! Make note o' that! Bryant. Here, my prettj^ posie, no more of that! Keep your promisary notes to settle your grog bills. Progress! Get thee hence to a mirror and study physiognomy I Pheelim, I'm goin', and inoind me — ye'll feel my influince whether I'm prisint or not! There'll be mourniii' instid o' merry- makin' in Laurel Court. Yer proud hearts '11 git a humblin', and yer purty faces '11 be thrarved wid a diflerint pain from the pain that mine feels ! Lord G. Do not liold me, I say ! Will you oblige me to listen to the insults of this blustering bully '? Pheelim. Och, thin ! But it well becomes you to cry "bully !" Lord C. Let me at liim, 1 say! Don't hold me I Bryant, (starting Pheelim again) Come, fellow, show us your back and oblige ! Go ! Pheelim. Och, thin ! it's the back o' my ban' and dirthy water to ye all ! May the curse of Cromwell sthrike ye ! Maj- the blackness of desolation settle on your hearthstones, and the screech o' the mournin' be upon you! {he disappears in the shrubbery u. e. Mrs. G. My God ! What a curse ! Arthur. That's a full blossomed ruffian of the regular type! How did you get to be on such affectionate terms witii him, Carlton? Lord G. He nearly ruined Black Jacket. I discharged him, and he was insolent. I horse-whipped him and — that's all'.' Let us for- get it. 2Irs. G. He is a vindictive wretch, (shudders) I veiy much fear he will make us trouble. Arthur. He is a ferocious fiend. {shrugging shoulders Lord G. I will see to his case. At present we have other matters to think of. We will be late at tlie u:eet. if I lose to-day's hunt, I'll be out of humor for a week. Confound the rascal ! he has ruffled not only my temper, but my dress. Excuse me, and i Avill return in a moment. (exit L. — aivkxoard pause — Mrs. Carlton notices it ivith a start Mrs.G. 1 really must apologize; but I believe you gentlemen have not been introduced— though, seeing you come together, I for- got the fact. Bryant. We have already exchanged greetings. The uniform of 5 PEEELIM 0' BO ORE'S CUBSE. one sportsman, is sufficient introduction to another. (Akthue bows gracefully Mrs. C. Mr. Harvey, it gives me pleasure to introduce you to my brother, Bryant Olin. Brother, this is Mr, Harvey, my hus- band's cousin. {ffi-ey shake hands very formally Enter, Lord Carlton, l., laughing. Lord C. Oh, gentlemen, you must forgive my impoliteness, and blame it on that ragmuffin who upset my composure. Egad I He was nearly upsetting my corporosity also. Cousin Harvey, I trust you and Bryant will prove very agreeable friends. He has been philandering abroad, since leaving college, and can, no doubt, relate many interesting anecdotes of the lands lie has visited. Arthur. Ttiat will be an after dinner treat. [bowing Bryant. Well, I suppose we had as well start; unless we start, we can never stop. Lord C. {to his ivife) Good bye, dear! (quiet conversation between all Hugh. (to'NoRA, L. c.) Nora, when I grow up big, I'll have a horse and high boots, and a scarlet coat with big brass buttons, won't I ? Nora. Oh, yes, Master Hugh ! When you are a man and master of Laurel Court, you won't have to content yourself with wooden horses any more. Hugh. Will I be master of Laurel Court, JSora? Nora. Yes; certainly you will ! Hugh. Every bit of it? Nora. Every bit of it; all the broad lands will be yours. Hugh. And" the village ? Nora. And the village. Hugh. And the race-course? Nora. And the race-course. Hugh. When, Nora? Nora. When the master — your father — dies. There can't be two masters at once, you know. Hui/h. Then I'd sooner stay a boy — I don't want papa to die. Uri/ant. Well said, my little man. I hope your time to be master of Jjaurel Court is far, far in the distance. Arthur. I hope so, too; (quietly) but life is full of changes, and, there's no telling what a day my bring forth. Enter, Captain Lenkox, r. Capt. That's so, by jove!- There's many a trip-up to human calcvilations. No n^an knows when he is going to shuffle off this mortal coil, except those that have the hangman's coil shuffled onto them. Ila, ha! Arthur. Ah, Captain! (extending hand) You're as grimly witty as ever, I see. Mr. Olin, my friend, Captain Lennox ; Captain, Mr. Olin. (they bow Capt. I've had the honor of hearing of Mr. Olin before, (flip- pantly) I'm proud to number one of his scholastic attainments among my friends. Bryant, (aside) I don't like the appearance of that fellow. Hugh, (to Nora) Come, I don't want to hear them talk of papa's dying. I don't like them. (tugs at her sleeve Capt, Ha, ha, ha I {punches A'B.tuvr with his elbow) The fledgj- PEEELIM O'BOOKE'S CUESE. 7 ling is beginning to set his eyes on the old cock's perch quite early, isn't he? Young ambition, eh, Harvey? (LoKD Carlton Jcisses his loife and child Mrs. C. {laying her hand on his shoulder) Do, dear, try and be less reckless than you are. You know I've no peace from the time you go out, until you return, since your last accident. Promise me to avoid the sunken meadows and those wretched ruins. Since that wicked man's words, I feel a presentiment of approaching evil. {exit, Nora and Hugh, u. e. Lo; d C. Fudge, love ! Why heed the ravings of a besotted fool ? A sportsman can promise nothing; we must follow where the chase leads us. Bye bye, dear; ease your mind by reading some of those new novels. Ta, ta! (ea;ii, Lord Carlton a?id Bryant, l. Mrs. C. ■ Heaven grant that all may be well ! {to Arthur) Where is Hugh, Mr. Harvey ? Arthur. They went for a stroll, Mrs, Carlton. Mrs, C. I will find them, I cannot rest with Hugh out of my sight. ■ {exit u. E. Capt. Now, Harvey, what's the state of the exchequer? Arthur. Cleaned out — bankrupt! Capt. Ditto, brother in misfortune, and no visible means of re- plenishing. That's the worst of it! I've had the dam'dest luck lately — turf and tables both dead against me, and creditors creating particular misery for me. Can't you strike some means for raising the wind? You are fertile in ideas, Arthur. I have thought my ideas threadbare on the subject and to no effect. Capt. Wouldn't Carlton — Arthur, {shaking head) No-o-o ! I am already so deeply in his debt, that he has tightened his purse strings and stopped supplies. Capt. That's dog-in-the-manger, to say the least of it, I pre- sume it would be no great cause of mourning for you, if he did dive and break his neck, as his good lady fears he will some fine day. Arthur. What difference would it make to me? Capt. True, true! {significantly) There would still be the young master of Laurel Court in the way of emolument. (Arthur looks at him Enter, Pheelim at hack. — Laurel Court is a commodious and comfortable nest for the lucky holder, and if it should happen — (Pheelim is seen skulking in hack- ground) Hallo I Who is that fellow playing hide and seek over there ? Arthur, (looks — Pheelim is seen with bag on back) It's a dis- charged servant of Carlton's; he horse-whipijed him a while ago, and tlie servant swore vengeance. Capt. He looks like mischief, now; and a dangerous looking devil he is. Come, let's go ! See, the rest of the party have already started. (exeunt l. Enter, Hugh and Nora, e. Hugh. I wonder where mamma is. She was here when we left. (glancing o^ R.) Oh, here she comes! Enter, Mrs. Carlton, r. —Mamma, I don't like the way those men talked, do you? S PHEELIM 0' BO ORE'S CUB8E. Mrs, O. Peace, peace, Hugh ! {pats him on head) Doirc you like to hear your uncle tell of his travels? Hugh. I like to hea* him talk of America, and wish I could go there ; and 1 loill go too, sometime ! Mrs. C. You ambitious youngster ! IIow could we do without you, or trust you to the perils of the dangerous ocean? You must be content to see the wonders of your own land. Hugh. What wonders, mamma? Mrs. C. Ireland is rich in the beautiful, and grand in scenery. Even near our honie, we have the wonderful work of the arciiitect divine — the Giants Causeway; then there is Dunluce Castle, the most romantic of the strongholds of the sea kings in all broad Europe. Nora. You may well say that, me lady. Let thini match me in all Ameriky, the Giant Casway, or the lakes o' Ivilarney ; or for givin' one a downright shiverin' fit, our ould Dunloossee. They do say that the spirits o' the ould sea kings still walk on the battle- ments o' nights, and row their ghost boats in and out o' the caves at the loot o' tlie precipice. Saints presarve us! Mrs. C. There are many strange stories told about Dunluce and the Causeway, but they are merely imaginations, or, if there is any truth in them, it is likely that smugglers and wreckers are the only spirits that haunt the coast, caves and ruins. Bvgh. I must see all tliese places and learn all the stories con- nected with them, so that I can tell Uncle Olin. Xoi-a has told me some, but I want to hear tliem on the spot, so that I can see the old pirates and giants before me. Mrs. C. You shall see them ; your uncle is preparing a book on Irish scenery and antiquities, and you can accompany liim on his sketching trips. Hugh. Oh, won't that be jolly? But, mamma, what a funny name Uncle Olin has ! Mrs. C. How, funny? Hugh. Bryant Olin ! (laughing) It always puts me in mind of a song Nora taught me. 3Irs. C. What song? Hugh, (sings) "Bryant O'Lynn had no breeches to wear; So he bought him a sheepskin and made him a pair. With the skinny side out and the wooly side in. They'll be nice, light and warm," said Bryant O'Lynn. Mks Carlton and Nora laugh — they stop short at hearing Pheelim growl — turning around they see him. Mrs. C. {frightened, clasps Hugh — he resists) Come, Hugh! Fly from that terrible maji — he means you evil ! Hugh. I will not run from anyone on my father's land I (to him) You have no business here, sir! Leave right away, or I will have the men put the dogs on you. Pheelim. Ho, my young cock o' the walk ! yer taking early to tlie teachin's o' the ould one; but I'll cufi yer claws afore yer ould enough ter scratch. Y"er roight, ma'am, in yernamin' o' me, Ye'U foind me a terrible mon — one to t;rush yer merrimint in daytime, and turn yer dreamin' to nightmare. Bememher me! (exit, u. e. Enter, Bryakt, l. — clothes soiled. Bryant. Why, you young libeller! (smiles) I'll sue you for PHEELIM O'BOOKE'S CUBSE. 9 damages, if you take such liberties witli my name. 3Irs. G. {approaching Bryant) Bryant, what is the matter? ■Why have you returned alone ? Where is Carlton ? For the love oi Heaven, do not trifle with me ! Bryant, {taking her hand in his) Be calm, sister — all is well, or will be ! 3Irs. C. Then all is not well ! {wildly) Speolv! Speak — or my heart will burst ! What has happened V Bryant. Only an accident — slight, we believe and hope. Your husband has had a fall. Mrs. C. Oh, God — my foreboding has come true! Take me to him! Where is he? Do not delay, or I shall go crazy! Come — come ! Where is he, I say? Bryant. At the sunken chapel. Mrs. C. {covering face — sinks into rustic settee, sobbing) I knew it— I knew it! Those dreadful ruins! Oh, brother, why did you not heed ray Avarnings? AVhy did you not heed them ? Why did you let the rash man go there? Bryant. Some villain had dragged a cross-scent and led the dogs directly for the sunken »vall ; he was throAvn in taking the jump. 3Irs. C. Come! {sjoringing ^ip) AVhy do we stay here Avheii he perhaps is dyingfjP Bryant. I came to order the carriage and send for a physician. Mrs. C. Do so! I will not — cannot wait I' {exit 1.., followed by Hugh and Noea — later by Bkyant SCENE II— Wood. Enter, l., Mrs. Carlton, Hugh, Nora, Bryant and Servant^fol- loiced by Pheelim, who stops — they crossing stage, exit R. Bheelim. Cad — but revenge is sweet! Pheelim O'Rooke is play- ing a good game with a liigh hand. Ugh I -next the young one! {exit stealthily, r. SCENE III— Sunken Chapel. Lord Carlton discovered lying on elevation — face bloody — Arthu wiping blood _^'om face loith handkerchief. Enter, R., Mrs. Carlton, Hugh, Nora, Bryant and Servant— Pheelim J2(sJ visible. Mrs. C. Hy husband! Oh, my God, he is dying! {bends ever him) Speak tome, darling — oh, speak ! Look up at me — here — see here are your wife and son ! {pause) He does not know me! (she kisses his forehead) He is dying! Heaven help us — he is d^'ing! Come, Hugh ; come, my son, and take the last look at that father who loved you so well. Enter, Physician, R., — feels pulse, and lays his ear to Lord Carl- ton's lips — then looks at her. Physician. Alas, my dear madam — the brain is crushed! he can- not live, {turning to Bry'ant) How did it happen? Bryant. The chase led to this place, and as his horse was jumping the wall, a man, whose face was besmeared with mud, arose and frightened the animal. I could not recognize his face 5 but was near enough to recognize the lame run of — Omnes. Pheelim CBookel to PEEELIM 0' BO ORE'S CUIISE. Pheelim, who has been standing barely visible, steps from the wings. Pheelim. And Pheelim 0' Pooke it was t END OF ACT I. CUKTAIN. ACT II. SCENE I — Sitting-room handsomely furnished. Bryant discovered standing by Hugh, who is seated on chair, crying. Bryant. Hugh, my boy, do not cry ! 'Tis time for us to beat work. Let us work first, and grieve afterward. I am about to in- trust to you a perilous undertaking. Tliis afternoon, not half an hour since, wliile at the funeral of your father, I saw Captain Len- nox apro;ich that dog, O'Rooke, and told him to meet him half an hour hence, in the garden. Now, Hugh, my boy — I intended being an unobserved party to the meeting "Why? Because I believe Lennox to know more of your father's death than he should; but, Hugh, your mother needs a watcher. I will watch her, while you ttncT out these villains' plans. Go, and above all, my boy," be cautious! Hugh. Uncle, I will do my best! Good bye! exit l. Bryant. Poor sister! Grief certainly filled her cup in this fort- night. I'm sorry now I sent the Lid to watch those scoundrels. What if they should discover him ? But these are useless fears. I near forgot my grief-stricken sister in my soliloquy. {exit K. Enter, Servant, l. — in terrible flurry. Servant. Mr. Olin ! Mr. Clin! For God's sake— quick! Enter, Bkyant, e. Bryant. Hush, man! Do not let your lady hear you. What is the matter ? Servant, (whispers) Yer honor, I jist saw my young master runnin' for dear life from three men in the garden, and they'd near- ly caught him, too, yer honor! (excited Bryant. Come on, then, man — do not delay here ! Lead me there. (both run out l. SCENE II— The garden— lights low. Captain Lennox, Harvey and Pheelim discovered consulting to~ gether — the txco former muffled — Hugh seen at one side — they see him — he starts to run, but they catch him. Pheelim. Shall we finish the job now, or — Capt. (looking 'R.) Curse the luck ! Here comes Bryant Olin. Lets carry him. A struggle — Captain Lennox strikes Hugh on head — he falls, lies still, smearing his face with blood — three villains exit L. Enter, Bryant and Servant, R. Bryant, You cowardly ruffians! (starts in pursuit— ^VGU groans. PHEELIM O'BOOKE'S CURSE. 11 and he returns) Thank God — he is still alive I We mnst get liim to shelter quickly. Hasten lor the doctor — and remember, not one word to anyone, lor tear his mother should hear it. Servant. Och ! not a "svord I'll spake, sir, to grieve lier golden heart. The dirty spalpeen ! [exit r. Enter, Aethue, l., noiselessly, carrying umbrella Artliur. What has happened, my dear friend? What un& hap- pened? (Bryant, xoho is bending over Hugh, looks up Hugh. Uncle Olin, I'm glad you came; let us go home — my head hurts. Don't you think that leliow was a big coward to hit me so? (exit Hugh, leaning on Bryant, l. SCENE III— Sitting-room. Mes. Carlton discovered lying on sofa — Bryant sitting beside her. Nora busily dusting chairs. 3Irs. C. The time has at last come. The doctor says I am strong enough to hear the whole stm-y. -Keep not a word Irom me, Bryant. Bryant, {smoothing her hair) Sister, the story is so sad that I can scarce find strength to tell it. You know that after the blow that poor Hugh received in the garden that night, his mind was somewhat afiected. I tried to amufC him, and would take him with me on my sketching trips, because 1 knew you could well aflbrd to spare me, with your kind nur.ses surrounding yuu, while the boy needed this attention — Mrs. C. How long is it since I was taken so sick? Bryant. Two months ago, to-morrow. Well, as I was saying, 1 had taken Hugh out this way seven or eight times. One Saturday nearly six weeks since, Hugh and 1 weie at Dunluce. (pause) About twenty feet from where the land jumps olf into the v^ater, stands an ancient tower and connecting this with the land is a small and narrow causeway. I Avas sketching this ancient tower, and, happening to glance up, I saw through one of the loop-holes, the face of Pheelim O'Kooke— Ilrs. C. Oh, God! Bryant. That w;is the first and last time the villain has been seen sine the night Hugh was hurt. 1 was somewhat startled at first, but recovering my presence of mind, I droj ped my pencils and lan to the tower, with the determination of strangling the brute if I could find him. 1 hunted throughout the cnstle, and all my efforts being vain, I gave up tlie chase and returned. After gathering up my kit — for I had lost heiirt in my A\ork, 1 th'ouglit of Huglifand called and lookcl for him in vain. A wild dread seized me'^and I ran to the parapet where 1 had hist noticed the boy, and cast a teiri- fied glance down the steep clitf to the ?ea that raged, foiimed and thundered three hundred feet below; looking to one side, 1 saw the boy's cap hanging as if caught on a projecting rock. 3Irs. C. Oh, merciful God ! To think my darling boy's fate was so terrible, so terrible ! Bryant. Be calm; be quiet and all wii] be well, sister. Mrs. C. You have said that; but I see it not. Can you tell me my darling lives? Bryant. On my soul, eister, I believe so! t2 PHEELIM O'liOOEE'S CUBSE. Mrs. C. Would not the police, the detectives, or the coast guards have found him then? Bryant. 1 will be my own detective! I will rely on no one. I will persue the clearing of this mystery alone. I will mix among tl;e skulkers of the caves as one of themselves. Mrs. C. You? Bryant. Yes — // Mrs. C. Will you not be afraid? Bryant. Afraid? (kntghs defiantly) What — I? ISTo ! I'm a soil of Erin, and there should never be a coward where the shamrock grows. Good bye, for awhile, (rising) Be of good heart. I must alter my shape to suit my mission. Luckily, our college theatricals have trained me for masquerading. Good bj^e. (exit li,. 31rs. C. How^ will this all end? If Bryant is taken away from me, how can I get along? SCENE IV— Wood Scene. Enter, Captain Lennox and men, l. 1st. 3Ian. The boys are havin' a carouse, and we'll jist be in time to wet our whistle. Mike, do you lead his honor to the cabin, Avhile I see to the boat. (exit, l. — Captain and one man, r. 1st Man. {exit — outside) Now, old Rosin-the-Bow, you are free to work your oAvn waJ^ Don't let on who was the means o' bringiii' ye here if the boys take umbrage at it i Now lie still till I get out o' sight and Ihin — divil the care do J care what ye do! Ee-enters, l., crosses stage and exits e. Enter, Br.YA>;T, l., in disyulse — fiddle in bag under his arm — looks around — starts with lame walk, k. Enter, p., Dan McCakthy ajicZ several roughs — armed. Ban. Stand — or yer a dead man ! Bryant stands in humorous attitude of defiance — puffs out his cheeks and gives vent to an explosion oj laughter. Bryant. Why, ye silly sons o' the sea surf! What the divil is the matter wid ye that ye level wepons o' torture at a simple min- stelboy? For shame! Ban. Who are you? Bryant. Who am I, is it ? Is it me ye mean ? Ban. (putting hand on collar) Yes — you! Bryant. Och ! thin, by me sowl ! this is too bad, intirely — to have ones idintit}^ called in question at this time o' life! I thought ivery gosscon from Cape Clear to Fair Head, knew Bryant O'Lynn, of the bow. Och I where did ye get yer schoolin' ? {pulls fiddle out of bag and commences tuning up 2d Man. Och! I know the ould codger, Dan. I've heard him ftddlin' in Morille, hain't I, daddy? Bryant. To be sure ye have! and at any sjDOt on the Donegal coast, any time this thirty years. Ban. What onngs ye here? Bryant. AVelJ, now, that's a purty question to ax! Didn't ye jist see wo git onto' that boat? Ban. 1 mean — what do ye come for? rEEELiM O'UOOKE'S CVBSE. 13 Bryant. T come in purshoot o' the most illeo;aiit o' all crafts; the sublime art that refines and ixpancls the so^^i, and malves the cockles o' the heart dance merrily over all life's ills. Dan. Why did ye come in such a hidin' way for? Bryant. Sure, it was the sea air that Avas too strong for me con- stitution, and too damp for the strings o' my pet. Besides, ye know a free passage agrees mightily wid a light pocket-hook. (they all laugh — Bryant draws how across fiddle Sd Man. There's no harum in the oiild duck, Dan. Bring him up to the cabin, and we'll have a jig. What d'ye say, boys? Omnes. Yes, bring him on ! Dan. I suppose it'll be all right ! Ye can take him to the cabin if ye want to; but kape your eye on him. No monkeyshines or didos, remember ! 2d Man. Give us a quick-step I (plays quick-step — all march off in single file, keeping time to music SCENE V— Interior of cabin. Biddy McGee discovered seated l. at table — Captain Lennox seated on bucket — Pheelim sitting on floor — Hugh lying in background of cabin on blanket. Capt. What's this your messenger tells me? Does that infernal youngster still live? Pheelim. Ay, yer honor; he does! Capt. The devil ! Why is this ? Pheelim. Eevenge is very sweet, Captain, avic; but money makes the mare go. It's a wise mon who secures himself, and there's not always honor among thieves. Capt. You're a cunning rascal ! Pheelim. I've too much wit to kill the goose that lays the golden eggs, yer honor ! Past sarvices are easily forgotten, and the rich mon can easily crush the poor one, if he hasn't some hould on him, Capt. But he must be taken from this nri'^l.borhood — at least, across the ocean — anywhere! Think, mai:, .i he should escape- think what harm he Avould do ! Pheelim. Och, thin! The divil the pinch o' harum's in liim, noAv; for he's as clane an idgit as if he had been born a quarter- cliif. I think it comes from the knock ye gave him on the iiiglit o' the berryin' ! (they continue to talk in undertone Enter, Men with Bkyant O'Lynn, r. Biddy. For the love o' the holly-jumped-up-gee-whizzj'-car- re-bi! What's that the boys are bringin' ? Bryant. Top o' the mornin' to ye, ma'am, and gentlemin! I see my star must be in the aschidint, for I've struck the dinner horn like a gong, and me stomach's in prime order for sarvice ! 3Ian. ?,^usic before mate! Bryant. Give me a sup to soften the rosin, and I'm yer mon for reel or jig! Biddy. Here, take this ! {hands him a tin cup Bkyant drinks the contents — takes seat and commences playing — nun all start dancing — Biddy takes the lead and dances highland fling. Bkyant stops playing and passes the hat. When he stops playing. Pheelim lights dirty, black pipe and goes to door and Bi-.yani passes the hat to him — Pheelim grabs it, and puts contents intc his pocket. Bkyant looks at him in dismay. Uj, PHEELIM O'BOOEE'S CUBSE. Bryant, {turnincj aside) Aha! Pheelim O'Kooke ! My man, you'iQ caged at last ! Biddy. Come, and I'll give ye something to eat, now ! (Bryant and Biddy exit I Be-enter, Biddy, with bowl and bends over Hugh, Biddy. The poor crature ! It's famishin' he is is ! and his appe- tite seems to have lift him intirely ! Ate, darlin', ate! It's only a mouthful to kape body and sovvl together. Pheelim. {turning around) What's the use o' reasonin' wid a witless boy ? Stufi" it into him, if yer have to do it wid a pot stick, He's too precious a' piece o' property to let slip through our fingers! (Lennox rises and.approaehes Hugh Capt. I tell you, O'Kooke, this matter must be ended at once! He must go from this place! Pheelim. He'll go as soon as the vessel comes, and can't go before ! If ye plaze, we'll stroll down to the cave and see if there's any sign of her. Enter, Bryant /;'om l., meeting Lennox face to face, as he is goiuQ out. Capt. What the devil are you doin' here? Bryant. Combinin' business wid pleasure ! {boics) admirin' tli€ architecture of the temple and the collection o' larobees. (exit Biddy, l. — Lennox pushes him to one side Enter, Man, hurriedly, K. 3£an. A prize, boys! A wreck driftin' ashore ! (all exit K., except Bryant Bryant, (go'.ng over to UvGn) Hugh! Hugh! Thank Heaven I've found you ! (Hugh mutters incoherent words) Merciful Powers has his mhul departed? Hugh, do you not know me? Look— look I'm your Uncle Olin I (pulls off wig Enter, Biddy, l. Biddy (calls) Comeback! Come back, men — there's trayson in camp : Here's spies among us ! Bryant. I must leave you bow; but I will soon come with succor! (rushes out l. SCENE VI— Wood Scene. Bryant runs across stage, pursued by coast devils — turns — looks off-~ cross and re-cross stage several times, running — turns. Bryant, (drau-s pistol) My brave fellows — it's almost a pity ; bnl self preservation is the first law of nature, and I must stop you ! (levels pistol) Turn back — or I'll blow the blubber out o' you ! Stop! Turn back, I tell you, or I'll fire! Your blame, not mine! (fifes — man groans— falls) BeautfuUy winged, by St. Patrick! Ah, ha ! the danger's not over yet ! They're signaling the mainland ! (exitt I" END OF ACT II. CURTAIN PHEELIM 0' BO GEE'S CVFcSE. U ACT III. SCENE I— Street Scene. . riUGH discovered standing in street door, Hugn. .calling in thin, loeak voice) New York Herald! New York World ! Enter, Tea Colton, e., carrying vmbrella, and package under his arm — sees Hugh. Ira. Here, my boy, close this confounded arrangement, or it'll lay me on my back in the gutter! (Hugh takes umbrella and closes it — he touches gentleman' s hand as he returns umbrella) Why, bless my soul, child! Your hands are like icicles — cold as death. Hugh, (chattering) Yes, sir ! Ira. You're cold and wet; you'll get your death! What the mischief brings you out such a cold day ? Hugh, {sings out) Morning papers ! Ira. Morning papers at noon time — morning fiddlesticks! You were never built for a newsboy. You ain't strong enough, "i'he other fellows would buy and sell you — walk right around you ! {he tries hard to get hand in pocket, but cannot — hands umbrella to Hugh) Here, carry my umbrella to my office till I give you something for your politeness. An Egyptian mummy might as well try to get his hand in his pocket as I ! You need a warm-up anyway ; come on, my boy! {exeunt, l., Hugh car?'?/ mr/ umbrella SCENE II— Ira Colton's office— fire-place, e. — Chaelie seated a\ table, reading. Enter, l., Iea, folloioed by Hugh. Ira. {to Chaelie) Charlie, get this poor devil a seat ; he's shak- ing like a dog in a wet sack. (Chaelie gets cJniir) Now, draw up to the fire-place and thaw out. (Huo-i obeys, without a word Ira. {taking off overcoat) Now — (HugiI stares around) Wh}', what's the matter, sonny ? Hugh, {starting) Beg your pardon, sir; but I was thinking I'd been here before. Ira. And I'm thinking that you're going to be sick, my poor fellow. That exposure to this cursed weather is going to break you up; yon haven't the constitution to stand it — you shouldn't be "^out in it ! Do you hear ? Hugh. 1 — I can't help it, sir! Ira. It should be helped ! It's a crying out shame ; it's a matter for the attention of the society for the Prevention of Cruelty to Animals— children, I mean ! (Hugh shivers) I'ni not scolding you, my boy; but I blame those who send you out, for cruelty. You are in imminent danger of a raging fever, and should be at home. Have you a home? Hugh. Y — yes ! Ira. Where is it ? Hugh. Mulberry street I Ira. Hump ! nice quarter ! What's your name ? Hugh. Peter Donelll ! Ira. Donelll I Donelli ! Why, that sounds like an Italian name le PUhJELiM PHOOKE'S (JVRSE, and you don't ]ools or speak like an Italian. Your Eiip,]isli is too good I Hugh, {heioildered — puts hand to head) I wa? bnrn in New York, sir, I believe, and tliey say my mother was an Jrish woman. She's dead ! Ira. You don't remember her? Hugh, [looking up) I think I do just a little — and — and — I thinh she Mas an Irish woman. Ira. (rising, puts hand on his shoulder) My poor fellow, you are ir. Here is money, more than you will make on papers in many days. Go tirst to a dining-room and get something hot to eat, and then get home and go to bed. {knock on door, l.) Come in ! Enter,. Bkyant, l. — Good morning, sir! Take a seat, please; just in a moment! (turning to Hugh) Go, now, my good boy! I have business to at- tend to. Come again to see me. Charlie, take your coat and umbrella, and see him to an eating house and then home, (aside to Charlie) Be sure to get the number ! Charlie starts out and Hugh follows — Ira takes papers from him) No, no ! I bought them and I'll keep them ! {throws papers on table) I have heard too much of the consequence of taking home unsold papers, (both exit l.— Ira turns to Bryant) And now, sir, who have I the pleasure o< addressing? (Lennox appears at window Bryant. Bryant Olin is my name. I am just from London, par- tially on business for a friend and principally on business of my own, {druios papers from pocket) Mr. Elvin Wolfe, my friend, in- trusi:ed these papers to my care, to be delivered to you by myself. Here they are! {hands papers to Ib-k, who takes and looks at them) He stated that I would be required to sign them. Ira. Yes, sir, you will, seeing that you are hereby appointed administrator over his estate. (Bryant signs papers Bryant. Mr. Colton, I am here in New York on a very delicate piece of business of my own. I am hunting my nephew, who was stolen from his mother's side four years ago; he has not been heard from since. I have seen him once, on an island on the coast of Ireland ; but my poor boy was taken from there before I could re- lease him. I now have every reason to suspect that he is in New York. His abductor was a man by the name of O'Kooke ; perhaps, although not very likely, you have heard the name. Ira. O'Kooke! O'Rooke ! No, I cannot say I have! However, Mr. Olin, any assistance I can render you, will be my greatest delight. Bryant. Thank you, sir! I, no doubt, will have occasioa to accept some of your assistance. Enter, Boy, with telegram for Bryaj<(t l. Boy. Is this Mr. Olin ? Bryant. It is! Boy. {handing book) Please sign for this message! {he signs — boy exits L. Bryant. Please excuse me, sir, while I read this message. Ira. Certainly, sir, certainly! Bryant, {tears open message — reads aloud) "Scotland Yard, London, December 6th, 1889. B. Ollii, Esq., N. Y. If you find your man and cannot hold him yourself, have him for us. J. Elk^ PHEELIM O'BOOKE'S CUESM. Supt." Well, Mr. Colton, I must be at work, and will say, good- day. Ira. I will walk as far as the corner with you. {both put on hats and coats — exeunt, L. S CENE III— The den. Pheelim ai!^<^L.',.,ed on pallet of straw — two soap boxes for seats. Charlie, {outside) 'No, tliank you I I don't think I'll come in to-day. Huijh. {outside) Well, perhaps it's better not! He might not like it. Good-day, and thank you ! Charlie, {outside) Good-day ! • Enter, IIuGii, k. — Pheelim turns on one side and sits up. Pheelim. Och, it's ye, at the heel o' the hunt, is it? What in f...ry keijt ye? Have ye sold out? HuLih. No, but — Pheelim. {springing up) Ye haven't! Ph.EELiM looks ferocious — Hugh shrinks from him, holding money oui in hand. Hugh. Wait, don't be in a hurry! Pve brought nacre money than if I had sold out twenty times — see ! Pheelim. {glares ut money — Imighs) Why, me young disciple, ye're a jewel o' the first water! Where did ye strike the mine? Och, there's hopes o' ye payin' for the trouble Pve had wid ye, yet! "VMiere have j'e been? How did }'e come by it? Hugh. A gentleman, a great lawyer, gave it to me! PIteelim. Ahiwyer! {uneasily) How did ye come to git in wid a lawyer? Hugh. He saw me, wet and cold, and took pity on me; he was very kind to me, and took me to his room — and it looked so much like one X must have dreamed of long, long ago, that I almost thought^I must have been there before. Pneelim. What did he say to 5'e? Hugh. He asked me my name, and where I lived, and when I told him, he said that Donelli sounded like an Italian name, bu*' that I neither looked nor talked like an Italian. Pheelim. And you said — Hugh. I said that my mother was an Irish woman, and do yOu know — ^just at that time, I seemed to remember her, and she was so prt'tt.y — and it seemed to me that they called her some other name than Donelli. Pheelim. Ocli I fiddlesticks! Here, I want to hear no more baby palaver ! Away wid ye and git us something eatable and drinkable. Wait, here's the jug! Go to the distillery for a quart o' whisky. Hugh. I'm cold and wet, and I don't like going there. Pheelim. What, ye wlielp ! {raising jug in threatening mannet') Do ye dare turn the word on me? Hugh. Don't strike me! I'll go! {picture SCENE IV— Grog shop — haVj loungers, etc. Enter, Hugh, k., with jug — Silas Bumpek sitting with feet oti counter — gets up. Silas. Well, youngster, what's the racket? 1^ PEEL LI M O'HOOEE'S CVUBE. Hugh. A quart of the best, tliat is the kind father always gets. Silas, (xohistles) Signer Donelli must be in luck; stealing must be improving. More pov. er to {lie Hibernian Italian ! A whole quart! What d'ye think o' that, boys? He's in for a jubilee I Hvfjh. It's bad enough to liave to pay for the nasty stuff, without being insulted in the bargain. Silas. Oh, ho ! Tlie blood of Italy is up— come, that's not so bad for an Italian monkey ! Hugh. I'd sooner be an Italian monkey than a whisky-seller! Enter, Beyaxt, disguised, e. Uryant. Bravo, my brave lad ! (stops Hugh) Wait — it strikes me I've either seen or heard your voice before! Where could it have been. * Hugh. I don't know, sir ! I sell papers down town, and any one miglit hear my voice. Bryant, (lifts the boy^s chin — scrutinizes his face — shakes head) It was a fancy — neither hair nor complexion is the same, and yet — [he starts to go) Wait, my boj^ ! Hugh. I dare not, sir! I'll be half killed if I stop. Bryant. Who by ? Hugh, [hesitating) My father! {exit K. Bryant. Come, men! This is a wet day and a cold one, and to my thinkin', a dram won't hurt us. {men range up to bar — Silas hands out glasses — all fill them Omnes. Here's to ye ! good luck ! Bryant. Drink hearty, and perhaps some of you can aid me. I'm in search of a fellow country man of mine by the name of O'Eooke, and 1 know of no better place to seek information, than among the sons of labor. Do any ot ye know such a man? Omnes. I don't! Nor i ! Eats! (groans Bryant. What do ye mean? After I've treated ye all decent, ye turn on me like the dirty spalpeens that ye are? (men rush at Bkyant — he draws two pistols and covers them ] SCENE V—The den. Enter, Hugh, e., with whisky. Pheelim. What the devil kept ye so long? Do ye want a mon tO' thirst to death waitin' for ye? (drinks) Stir yer stumps and get a »asher o' bacon antl some praties cooked. I say, Peter, ye've done Avell to-day, and as a reward of merit, ye may take a wee sap o' the crature to drive the wet and cold out o' ye! Hugh. No, 1 don't want any. {exit L. Hv-enter, bringing in bacon and bread — puts it on floor by Pheelim — goes and lays down in corner. Pheelim. Plaze yerself, my bonnie bird! (lights old pipe) All the more for me ! But I'm thinkin' we must cultivate the free and aisy lawyer mon — that is, if he is not too infernally inquisitive, and ye don't let yer gab run too free; a quiet tongue spaks a wise head, an bejabers, it'll not be well for ye, if ye let yers wag too fast. Moind that, me duckie ! Ye'll go to see him to-morrow and draw upon his sympathy for more. We'll have a house warmin' on the head o' our new patron — a regular pig shave, by jingo ! Ha, ha ! (Hugh rolls and tosses — knock at dooi\ b. PHEELIM O'BOOKE'S CURSE. 19 Enter, Captain Lenkox, r. — cloaked. Pheelim. How d'ye do, Captain, how d'ye do ! Capt. Put down your brakes, you blasted fool ! Do you think I •want to be found here? I come to warn you. Who do you suppose is in the city ? Pheelim. How should I know? Gapt. Well, then, you must know it's Olin — the brother-in-law of your old enemy, Carlton. Pheelim. Curse thuu all, and their whole breed! W^hat brings him here? Capt. He's after you and me and the youngster. I was passing along the street to-day and saw him enter a law office. I immedi- ately recognized him. I listened at the window and overheard him tell the lawyer of the abduction; there are suspicions against you and you must leave this place. Where's the boy ? Pheelim. There he is ! {rising and going over, leans against the wing) he's in a high ould faver, too ! Bedad, it Avas faver what favored us by taking his mind away in the first place; its loikely faver will bring it back in the last place. Capt. I've a plan to get out of tliis trouble, and make capital out of it, too ! Pheelim. You don't get him onto' my clutches — no — no! (Len- nox stoops over and puts ear to Hugh's lips) Well, what d'ye think nov^r? {steadies himself Capt. I think you rave worse than the boy ! Pheelim. Oh, ye do, do ye? I'm ravin', am I? I have no ears, have I? Nor no sinse ot what I'm spakin' ? Capt. You're drunk ! Shut that door and keep out the cold. (Pheelim makes movement to go to door, but falls back to place Pheelim. Shut it yerself and ye'll be sure it'll be well done ! Capt. {gets up and shuts door) All I can make out of his mutter- ing is about papers and boys, and very little of that. I wfsh his mind would retuin, as you say. Pheelim. (intoxicated) Och, ye do, do ye? Thin why don't ye call me a liar at once, and be done will it? To my moind it would be a hape more gintlemnnly, than to be batin' around the bush. Capt. See here, O'Rook, there is no use in quarreling— it won't do! It is folly; it is against our interests. He must have medical attendance ; he must be brought back to health ; he's too valuable a piece 01 property to risk losing. Pheelim. 'Medical attindance — thin where was I to git medical attindance? I m a millionaire, I suppose! It's well for ye to spake, that can roll in money, and never come next or near us, barrin' it's to sarve ?ome nokus-pokus scbanie for your own benefit. Was I to take him lo a hospital, and whin he come to his sinse, have him declare aginst me, and thin 1 be hunted like a badger, as I was in the ould dart? Capt. That is simply a fancy of yours, I tell you. A guilty con- science needs no accuser, you know! Pheelim. Och! thin mine's not the only conscience that should have that ailment. It's pot calling the kettle black. Capt. Let that pass, and we'll talk business. It is against our interests, and aside from that, it's really a pity to see the lad in that neglected state. Pheelim. Och, thin, captnin, avick (sneer) since you hinted how aisy an accident — a real accident — would be at the bridge o' ^0 , PHEELIM O'BOOEE'S CUE8E, Duiiloose! Och, it's a mio;hty foine fuss yer niakin', anyway, over a bit o' a cold got through a v. etiin', that'll pass oil ui a wheen o' days. €(12)1. (angrily) Will you imt listen and talk sense? I speak for yo^urgood; this is no mere coM—il is dangerous; he must have help. If in his full senses, all the beiur; if not, we must be content. I'll furnish money. Pheelim. Och ! Whnt's the intint o' all this, might I make free to ask ? Cupt. Monej^ man, money ! I've concluded to give up the old plan for the new one — a glorious one; tiie other was faulty at the beginning! The uncle is too smart for that to work; there is no oiiance, or a very slim ciiance of Harvey ever getting the money. We will go to the other side and restore tlie hoy. Pheelim. Hie — restore theboj^':' Capt. Yes, my man; [slaps hijn on shoulder) but not v/itout a stinging ransom, I can tell you! Don't you see t!ie lay? No dan- ger — nothing like that we're running now ! Advei'tisenient in paper, lost or found, or personal eolunui— negotiations — price arrangetl; no questions asked, and the go0;e is cooked! Simple as recovering a pet poodle ! Pheelim. Hate ncgo — sha — tions! Got nothin' by thim yit; the feoy'smine; bcginniu' to be o' use! Phalim O'Eooke hasn't forgot what he remimbers — his curse to t!;e Cailtons' ! Ocli, no, no, no! he's not that kidney ! Would 1 ? ^Yhn'^ for, i say — would he do a hand's turn to plaze — the Carltons! [head drops — drunk — Lkxxox lays liim on floor Capt. (softly) All is well! Wraps quilt around Hugh — some one heard coming tip stairs — picks Hugh up and carries him out door, r.. Enter, Bkyant and Iua, r. — sees Phkeli.m — looks aroxuid for HuGii_ Bryant. Here's the villain; but wliere's tlie lad? Ira. The cage is here; but our bird has llown. (noise outside, i.. — Ika goes to doc Enter, Mi:s. Donneyhue, l. llrs. Donneyhue. Toj) o' the aveni* o ye all! What kin l do for ye? Ira. Can you tell me, madam, where the boy who lived with this wreich, is? Mrs, D. Och, the poor cratur I It was a sorry life he led, and perhaps it was better whiciuver way it was — Bryant. My God, woman — speak quick! What has happened? JJrs. D. Well, sir, the poor boy was sick, and tlio ould turncoat was spreein' and carousin', as tliough he were holdiu' a wake o\er lilm, and here now, the boy is gone. Bryant. Gone? Mrs. D. Yes, saints be good to us ! Clane gone, sir! The bov inside, tells me there was a pui-ty coach — and we don't often see coaches in these ragins — come to the door, and that a tall man brought out a black bundle, stark and stilf. lookin' for all the world Bke a corpse, and I'its into the coach and drives oft" like mad. One man jist told me it Avas a healtii ollicer, and another would hold that it|was an undeitaker. Bryant. My God ! What if tis' too late? Come, let us leave this PHEELIM O'BOOKE'S CURSE. 21 brute now, and hunt the boy ! O'BooIcq's curse can only return to himselj! CURTAIN. END OF ACT III. ACT IV. SCENE I— The club rooms. Askew Clemment and Captain Len- nox at a table, playing cards. Enter, 3Iessenger-boy, l., with note — hands to Captain Lennox— exit, boy L. Capt. (reads note — aside) "Captain Lennox : Come immediately ! Hugh has escajDed. Cannot be found on grounds. Your house- keeper." (Jumping up fro m table Clemment. {speaks loith a drawl) Why, what is the matter, my dear fellali? Capt. Death and furies, man! (putting on overcoat) Matter enough to make a man go hang himself, or go and shoot his best friend ! Clem. All, my dear fellali ! I humbly advise a suspension of the hanging procedure. Ila, ha, ha! ducedgood! As for the friend shooting arrangement, if your luimble servant has the honor to be included in that favored list, he begs leave to tender his resignation instanter. But what's tlie bow-wow? Explain the kick-up I Capt. Briefly this ! Heir of one of the finest estates in Ireland carried oft' in interest of next of kin. I, fortunately, hear of where- abouts of heir, gain the control of him, Avith intention of j-estoring him to family, and naturallj^ looking myself for gratitude, not only sentimental but substantial — very substantial! Clem. Ah, yes! Just so — just so! Certainly — quite natural I Capt. And now, curse tiie luck : the blockheads with whom I left the precious kid in charge, send me a report of strayed or stolen. I s n' t i t e n u gh to — to — Clem. Just so — ^jusiso! 'I"oo ducedly bad ! I sympathize with you. I'm an heir myself, and would you believe it — but of course 3'ou will — when young and innocent, the contounded scoiuulrels tried the abduction game on me, pretended it was the gypsy business and all that; but, young as [ was, I was too ducedly clever for tliem and tlie deal ended in a euchre in my favor. (Lennox acts very impatient Capt. I must go and see what can be done to mend this wretched matter. Pray exctise me for a short time, at least. Clem. Ah, j-es, of course, my dear fellah! (lights cigarette) Business before pleasure; but, I snv — Capt. Well ? Clem. As I said before, I've had some personal experience in this heir abduction business, and if I cnu be of any assistance to you in j-our little difficulty, either personall}' or purse— i — callj', Avhj^, I'm yours to command. Capt. Oh, no! [aside) I can work him. (aloud) Yet, I don't know, I m;iy need the assistance of a friend — Clem. I'm yours truly ! (stands up ligJitly) If your heir game j^ PHEELIM O'EOOEE'8 GUB8E. tias spoiled one game on me, it is only fair that I sbould have a hand m the other. Capt. Agreed! Let us go! Clemmekt takes plenUj of time to prepare and makes Lennox very impatient — they start to go. Clem, (stops suddenly) By jove ! I was nearly forgetting that I have a sort of half engngement with Fortescue; but I'll let it go. Hold on! Just for courtesy's sake I'll drop him a card; I won't detain you a minute. {writes note, goes to one side — rings bell Enter, Servant, E. — (gives card to servant— says aside) Take this to Police Captain Knox! (exit Servant, n.— to 'Lv^nii»ace up, okl boy I Pheelim. "Wisli I could? I need something warm to kee"^ the life in nie. Dun. Well, j^e'll liave it, or my name's Dennis! (draws bottle from pocket aiid /lands to Phkelim, to/io takes long draught) Well, thin tiie bargain is considered closed, am't it? Phej-lim. I've thought the thing over, pro and con. I'm tired o' Ameriky, and liave a iinnlcerin' for Australia. I haven't the manes unless 1 can raise it in this way. So I agree to the terms, on one condition. Van. Whnt's that? Pheelim. That ye won't take advantage of the knowledge ye gained on the Ameriky shore, to balk me o' me sworn revenge. For the adviince and the bounty, he's yours to do as ye plaze wid — only that, d'ye moind now — only that! Dan. I have nothing to do wid that! All I want is that ye give up all claim and right to Hugh Carlton from this day out; that you apprentice liim — Pheelim. Prentiss, or what ye plaze — divil a hair I care if the sharks gobble him up, so that his tolks don't get him back! Promise me that now, Dan, and the bargain's closed at once, (rises) Here's my hand on if. {they shake hands 'Dan. Tliat's all right; T promise. Pheelim. Here he is, thin. lie's had to be kipt close, and he's a little sick for that; but a change o' air will soon cure him. {to Hugh) Are ye bettei', Peter ? (Hugh nods affirmative) That's right; Here's a kind gintleman's come to take ye a trip for the goad o' j-er healtii. pry ant. (without— sings 'T>ryant O'Lynn had no breeches to wear, So he bought him a sheepskin and made him a pair* With the skinny side out, and the woolly side in, They'll be nice, light and warm, said Bryant O'Lynn." Hugh, {raises ^l'p on elbow) Nora! Nora! Come to me! Come, come ! Pheelim. It's purty late, and we can settle up when we get abroad, Dan. {to Hugh) Git up, boy, and come with us! Catches HUGH and drags him to his feet — Dan raises him in his arms. Enter, suddenly, Bkyant, Mrs, Carlton, Nora, Ira and Biddy, e. Bryant covers the villains vnth two revolvers. Bryant. Trapped at last, ye beauties ! Sister, there's your son I Hugh, your mother! {she clasps him, in her arms, PEEELIM O'BOOEE'S CURSE. S5 Phkelim draws knife from shirt and is stealing toward'M.Tis. Carlton a;id Hugh — Bkyant sees him — fires — Pheelim falls — sits up— points to Mks. Carlton and Hugh. Pheelim. There's the last o' a cursed family ! I'll haunt — ye — til ye — {sinks back Dan. Ye can do iiothin' wid us, my good mon. We're not in it! Bryant. And a good thing that ye are not! For *''^^a is the end- mg of the "Curse of Pheelim O'Kooke!" CUETAIN. Just Out I A Grand Military Drama in Four Acts, 1»j W. Burt £merson, Entitled., TJI6 £m1 01 vioEsbur^. This Drama is published from the author's original manu- - script, the characters, 17 in number — 15 males and 2 females — are all good, enabling this one to hold its own with others of this character hereto- fore published. synopsis' OF EVENTS. ACT I. Scene 1st. — Home of Paul Parker— Interview between Paul and Frank Eosa whose sympathies are with the South — Threat of vengeance — Deparlnre of Frank Eoss. Scene 2nd. — Paul informs his family of his inteution to join the Union Army — A mother's fears — Willie decides to go as a dniramrr boy — A motlier's blessing on the bo;^s — Song, "Star Spangled Banner." ACT It. Scene J.sl. — Union camp — IIow the news of Van Horn's raid on HoUy Springs was received — A desire for active service — Paul as the "Musical Captain" sings "Just Before the Battle" — The surprise — Tlie enemy is upon us — The engagement — Song, "Eally Eound the Flag" — Federals rally and Van Horn's men (defeated — Paul Parker wounded — Song, "After the Battle." Scene M. — Gen. Grant's headquarters — A spy needed to go to Vicksburg — Paul Parker volunteers — His departure. ACT III. Soene 1st. — U. S. Camp at night— Soldiers sleeping — A surprise — "One word and you are a dead man !" — Willie strikes drum — "Comrades, awake I the rebels are upon us!" — Death of the little drummer. Scene ;?;id.— Vicksburg — Paul Parker disguised as as old man. Scene 3d, — Eebel camp — Paul Parker heard singing outside — His encounter with the guard — A bad fright — He amuses the boys by singing, "Tenting on the old Camp Ground" — Suspicion —Gen. Eoss decides that Paul Parker, the "Musical Captain" wasliis friend of former days — Paul a prisoner. ACT IV. Scene is(.— Prison scene — Interview between Gen. Rosfl and Paul— Attempt to shoot Paul— Federal soldiers to the rescue — Duel between Eoss and Paul— Death of Gen. Eoss. Scene ?nd.— End of the war— A happy reunion— Song, "'Ihe Vacant Chair." Price, 25 Cents, , — 0-R— The Detective from Pfonketsville. A Drama in III. ACTS. Nine characters needed— 6 male and 3 female. SYNOPSIS. ACT I. Interview between Albert and Alice Colton — Simpl« Silas. Tramp from Plunkeisville, Vt. Bob and the spotted pig. Arrival of the expressman. Bob as a pugilist. Silas obtains impor- tant information from Bob. Alice's letter and the telegram. Bot discovers the roosting place of the old setting hen. Alice in trouble. Silas' advice* Albert Colton. Alice in the hands of her enemies. ACT fl. Alice a prisoner in Old Mag's home. Arrival oj Joe. Old Mag's temper. Joe tells Alice he is determined to makfl her his wife. No love, but a fortune. Ari'ival of the priest. "Fire! fire ! fire !" Eescue of Alice by Ilarvey Danton. Silas and Maude; His narrow escape. Arrest of Albert and Joe. ACT III. One year later. Ike Dame escapes from the peni- tentiary. News of his death. Interview between Maude and Silas. Bob goes to market. Ike alive. The mystery explained. Any- thing for revenge. Attempt to burn Danton's house. Death of Ike and Joe. Bob satisfied. Ilappy ending. Frice 15 cents each. A Farce in I. ACT. Only 7 characters needed — 5 male and 2 female — which are all good. It will make a good after-piece ; or, suitable for a short evening's enter- tainment. Time of performance, 50 minutes. Price 15 cents a copy. The Printer and His Devils. Original Farce in I. ACT. Now this is what you want. The best thing ever written on the printers. Only 4 characters are needed — three males and -one female — Order a copy at once. Time of performajace 15 minutes. Price 15 cents each. -«^ TH E ATRI C A L &a^ AND FANCY COSTUME WIGS -i^J-^S^-ELr- Atteution is called to this list of W^IGS, BEAllDS, lylUS- TACHES, WHISKERS, &c. We employ a wig-maker especially to manufacture goods for our trade, and can guarantee satisfaction. All goods made under our personal supervision. In ordering be careful to state every particular, i. e. size, color, etc. special character or occasion can be made to order. Any wig for White Old Man $4.50 Iron Gray 4.50 Yankee 4.50 Irish 4.50 Crop [all colors] 4.50 Fright 5.00 Negro 90 " [white old man] 1.50 " grey " ] 1.50 " with top knot] 1.50 " [wench] 5.00 Sir Peter Teazle 5.00 Shylock 4.50 Court Wig with Bag 4.50 Tie 4.50 Paul Pry 4.50 Dundreary 5.50 Light Dress Wig, with parting 5.50 Rough Irishman 4.00 Flaxen Country Boy 3.50 Physician or Lawyer [white] 5.00 Dress Wig with Eyebr'ws & Whisk'rs 5.50 Dress, without parting 4.00 Duplex; can be worn either as a male or female Wig; very convenient; in reality 2 AVigs inl 6.00 Flow AVigs, Long Hair, suitable for most Shakesperian characters, Fairy Plays, &c 5.50 Dress Scalp, with parting 55 Scalps 2, Gentlemanly Irish, with parting 5. Bald Wigs, Grey or White 4 Rip Van Winkle 4, Grey Dress Wig, with parting 4, White " " " 4, Clowns, in colors 4 Pantaloon, Wig and Beard 5. Robinson Crusoe 4. Monk 4, Box and Cox, 2 Wigs, each Wig 3. Chinaman, with Pigtail 5 Dress Wig, superior 5. Red and Brown Bald Wigs , 4 LADIES. Court Wig 6 Grand Duchess 6, Lady Teazle 7, Marie Antoinette 7. Mother-m-Law 5 Female, plain. Long Hair, so that lady can do up as she wishes, a really fine Wig 10 Nigger Crape Masks, a substitute for blacking the face 2, Ladies' Wigs, Blonde, Light and Dark Brown and Black, made up in pres- ent fashion G Comic Old Woman's Front Piece $2 50. BEARDS, WHISKERS, MUSTACHES, &c. Full Beard without Mustache- Side Whiskr's & M'stache on wire $1.25 Side Whiskers and Mustache, on wire, superior 1.50 Side Whiskers, no Mustache, wire 1.00 Side AVhiskers & Mustache, Gauze 2.00 Side Whiskers and Mustache, on gauze, superior 2.25 Side Whiskers, without Mustache, on gause 1.50 Side Whiskers, without Mustache, on gauze, superior 1.75 Full Beard 1.75 " " superior 2.00 Full Beard, no Mustache, superior 1 Mustache and Chin Beard, combined.. 2, imperials Full Chin Beard 1 Mustaches on wire ■' " gause CRAPE HAIR-For making False AVbiskers, Mustaches, &o. Colors— Black, AVhite, Light Brown, Dark Brown, Iron Grey & B-ed. Price per yard 1.50 20 Address A. D.AMES, PUB^R, LOCK BOX 102. CLYDE, OHIO. pue AID t: A farce-comedy in one act, 5 male and 3 female char- acters. Tills is a capital farce, consisting of liglit comedy, easy acting, racy dialogue, funny situations, comical busi- ness — characters all good. Order a copy and see how much trouble a Pug and a Baby can make in a house. Price 15 cents. — ^%:>§— X— ^=;yv— TRIALS COUNTRY EDITC ORIGINAL SKETCH. A country editor's of&ce, whose trouble with a woman suffragist, peddler, etc., make the sketcli. amusing. Time of performance about 30 minut, male and 7 female characters. Prnf. James' Experience Teacliiog a Cooolry ScIiool. ORIGINAL SKETCH. A very amusing little comedy, giving the trials and troubles of teaching in the country. Order a copy and read it, and find out for yourself the professor's troubles. 4 males, 3 females, and scholars. Price of both of the above 15 cents each. A Musical Farce in Two Acts. Five male and two female characters needed. Costumes easily obtained and the different characters all extra good. It has been per- formed in all the large cities. Time of performance forty minutes. Price 15 cents. A Farce in One Act. Six characters needed — three male and throe female. A good plot and easily brought out by amateurs. Time thirty i_inutes. Fiice 15 cents. Dutch Jake; or, A Diraina in 3 Acts, Ibi' 4 isaalc ustd. S.fes5£al« claaractcris. SYiXOI'SIS. ACT I. Home of Major Fay in Virginia — Iron mines — Mrs. Fay and the Major do not agi-ee— Maude Allen, the waif, finds a home— Harry Thurle and Ella Fay— TIk; proposal— Henry Crinley, agent for mining company— Jake Schneider "a fresh arrival."— The sale. Five thousand dollars missing — Jake accused— "I tinks I peen der cock of der valk!" ACT II. Jake and Ella— Harry Tliurle missing— Jake, "I vill finds him pooty quick now!"— Crinley and Ella— Jake protects Ella— The goose pond— Maude tells Major Fay of Crinley's treach- ery— Plan to ahduct Ella, frustrated by Maude— Jake Schneider's dream and rescue of Harry— Ella leaves home— Crinley discovers Maude, his wife— Shows his hand — Jake appears and prevents muider— "I peen not afraid of dot cowyard man!"— Major Fay and Crinley— The insult— Kettle of hot water— Jake on deck, ACT III. Crinley and Major Fay — The vigilauce committee — Harry and the pocket-book- Maude Allen's stoVy — Storm— A dark night's work— An attempt to murder Major Fay — Crinley shoots and wounds Harry — Jake shoots Crinley— His dying confession — Maude linds a brother in Harry— Dutch Jake, and happy ending. A Drama in S Acts, Tor 1© inalc and 3 feisaale clsaractcrs. SYNOF^SIS. ACT I. Scene 1st. — School-liouse — Penn and Carl — Tlie threat — Foot-race betAveen Carl, Dan and Jim — Penn's defense— "Hang him! hang him I" — Carl to the rescue — Tar and feathers. Scene 2d. — Interview between Sprowland Bytliewood. Scene 3d. — Toby — Virginia and her father — Toby frightened — "De debble will git me, suah!" — Arrival of Penn — Toby — "I'se a master han' to pick geese!" — Gus Bythewood, liis Southern sentiments — Salina — "I am not a rebel!" — Mrs. Sprow), the "lone widder," interviews Penn. Mr. Villars threatened — Virginia intercedes — "We'll give the Yankee three days to leave the country." — Carl and Dan — "They mean to kjll Penn" — Escape of Penn. ACT II. Scene 1st. — Penn about to be hung — "Death, rather than a rebel!" — Carl saves Penn, by enlisting — Arrest of Mr. Vil- lars and Stackridge — Virginia discovers Bythewood's treachery. Scene 2nd. — Prisoners in the guard-house — 'J'he secret passage — Carl on guard — Escape of prisoners with Carl. Scene 3d. — Home of the Villars — Toby's opinion — Virginia missing — Lysander and Salina — "Terrible news" — Toby as a bootjack — "Toby shall not be whipped'" "Firel fire!" ACT III. Scene 1st. — Lysander and Silas— A plan to compel Mrs. Stackridge to reveal the cave where her husband is — Scene 2nd. Mrs. Sprowl, the "lone widder" visits Mrs. Stackridge's home — arrival of Dan and Jim, who mistoke her for Mi'S. Stackridge — the whipping — Lysander arrives — "Scoundrels, you have whipped my mother!" Scene 3d. — Carl and Toby prisoners — Carl saves Toby a wliipi^ing — Carl leads the way to the cave. Scene 4tli. — Cave — • Penn and Virginia — Carl and Toby, with Lysander a prisoner — Es- cape of Lj'sander, and attempt to capture party at cave — Eepulse and victory — Death of Bythewood and Lysander — Passijort to the -Varfch. q pu: OF THE National Schoal DF rd Child's Own Speaker. This book is adaptefT for children of five years of age and contains a collection of Recitations, Motion Songs, Concert Pieces, Dialogues and Tableaux, for the very little children of five years and thereabouts. 100 pieces attractively bound in paper, 15c ; boards, 25 cents. Little People's Speaker. Adapted to children of ten years of age, and suited to every occasion in which the little folks are called upon to take part. 100 pages, attractively bound, 15 ets; boards, 25c. Young Folks' Recitations. Adapted to young people of fif- teen 3^ears, in Numbers 1 and 2, and contains Eeadings, Recitations, Dialogues and Tableaux. Paper binding, eadi number, 15c ; boards. 25 cents. Little People's Dialogues. Everything original and written specially for this book by Clara J. Denton for children of ten years of age. All the dialogues being prepared specially for this book in- sures for them a freshness seldom found in publications of this class. Handsomely engraved cover with 120 pages; paper binding, 25 cts. Young Folks' Dialogues. These dialogues are suited to young people of fifteen years of age, and are adapted to every form of pub- lic and private entertainment. Everything new and original in 120 pages, attractix-^ly bound. Paper biuding, 25 cts; boards, 40c. Young Folks' Entertainments. These entertainments consist of Motion Songs, Ciiarades, Tableaux, Dialo!?i;(-c;, Concert Recita- tions, Motion Pieces, etc., by C. G. and L. .;. Rook. Absolutely new and original. Bound in an appropriiiLuly engraved cover witli 115 pages. Two pretty drills, for fan and tambourine, modeled after the famous broom brigade are great features in this work. Paper binding, 25 cents. My Country. An exercise f(n- tlie celebration of the Fourth of July. This exercise, having for its basis the promotion of good citizenship, appeals to every boy and girl in America. It tells, by means of short recitations, songs, and action pieces, the history of the Union, and encourages loyalty to Us ilao;. The quotations to be learned are all so brief that no boy or girl of ten or fitteen need ex- perience any difficulty in commitiing them to memory. The songs are written ^o national airs, ah'cady familiar to most schoolchildren. With these simple elements an exercise has been compiled, which is at once varied, instructive and interesting. It may be performed in a school-room or hall ; or out of doors, as a part of a picnic enter- tainment. It contains about thirty short jirose extracts for recita- tion, some consisting of only a few words, from Washington, Adams, Madison, Webster, Everett, Lowell, and others; and three scenic pieces, consisting of songs and recitations in verse, representing: 1. The Federation of the States; 2. Young America: 3. Our Adopted Citizens' Allegiance to the American Flag. The whole representation occupies about an hour's time. Paper binding, 15 cents. rUBLICATIONS OF NaTIOXAL SCTIOOL OF ELOCUTION AND OrATORY. Holiday Entertainments. The boolc is nnide up of short Dramas, Dialogues, Tableaux, Stories, Eecitatioiis, containing fea- tures specially prepared for New Years, Wasliington's Birthday, Easter, Decoration Day, Fourth of July and Thanl. 3 53 On the Sly 3 2 246 Othello 4 1 57 Paddy Miles' Boy „. 5 2 217 Patenr Washing Machine 4 1 165 Persecuted Dutchman 6 3 Iftj Poor Pilicody 2 3 258 Prof.Bones'Latest Invention 6 159 Quiet Family 4 4 171 Rough Diamond 4 3 180 Ripples 2 267 Room 44 2 48 Sehi'iaps „ 1 1 138 Sewing Circle of Period „ 5 115 S. H. A. M. Pinafore 3 3 65 Somebody's Nobody _.... 3 2 243 Sports on a Lark , 3 232 Stage Struck Yankee 4 2 238 Strawberry Shortcake 2 270 Slick and Skinner 5 1 Slasher and Crasher 5 2 137 Taking the Census „ 1 1 40 Th;it Mysterious B'dle -. 2 2 245 Ticket Taker 3 38 The Bewitched Closet...- 5 2 131 The Cigarette 4 2 101 The Coming Man -„-.-. 3 1 167 Turn Him Out „ « 3 2 68 The Sham Professor. ....--. 4 54 TheTwoT.J's _. 4 2 253 The Best Cure „ i 1 28 Thirty-three Next Birthday.. 4 2 142 Tit for Tat _ 2 1 276 The Printer and His Devils.. 3 1 263 Trials of a Country Editor..., 6 2 7 The Wonderful Telephone.... 3 1 269 Unjust Justice 6 2 213 Vermont Wool Dealer ...... 5 3 151 Wanted a Husband ™. 2 1 56 Wooing Under Difficulties-.,. 5 3 70 Which will he Marry 2 8 135 Widower's Trials -^ i 5 147 Waking Him Up 1 2 155 Why they Joined the Re- beccas — 4 111 Yankee Duelist 5 1 157 Yankee Peddler 7 3 ETHIOPIAN FARCES. 204 Academy of Stars „— ... 6 15 An Unhappy Pair „.- 1 1 172 Black Shoemaker -4 2 98 Black Statue _..; 4 2 222 Colored Senators 3 214 Chops 3 145 Cuff's Luck 2 1 190 Crimps Trip ....,5 249 Double Election.... 9 1 27 Fetter Lane to Gravesend...- 3 230 Hamlet the Dainty « 1 153 Haunted House ...- 2 ft. jfi gj - iq iLmes' Plays — LnntinuBd, ETHIOPIAN FABOBS-OONT'UED. 24 Handy Andy -2 236 Hypoohondnao The i 247 Incomnatibility of Temper... 1 2 Joo'sVist 2 1 Miflohievous Nigger ■* 2 Midnight Colic a 1 Musical Darkey 2 Nobody's Moke "... 5 77 88 256 128 259 90 61 234 150 109 134 177 96 107 133 179 94 25 92 241 10 64 252 122 NoOuroNoPay 3 Not as Deaf as He Seems 3 Old Dad's Cabin 2 OldPompey 1 Other People's Children 3 Pomp's Pranks 2 Quarrelsome Servants 3 Rooms to Let - 2 1 School » - 6 Seeing Bostingr....^ 3 8ham Doctor ~. 3 16,000 Years Ago 3 Sport with a Sportsman... 2 Stage Struck Darkey 2 Struck by Lightning 2 Stocks Up, Stocks Down 2 That Boy Sam 3 That Awful Carpet Bag 3 The Select School.. 6 NO. U. F. 118 The Popeom Man ^.^.„... 8 1 6 The Studio ^ 3 108 Those Awful Boys ...» 6 4 Twain's Dodging _»-.3 1 197 Tricks 6 2 198 Uncle Jelf 6 2 170 U. S. Mail _ 2 2 216 Vice Versa 3 1 206 Villkens and Dinah 4 1 210 Virginia Mummy 6 1 203 Who Stole the Chickens 1 1 206 William Tell 4 156 Wig-Maker and His Servantfl 3 GUIDE BOOKS. 17 Hints on Elocution. 130 Hints to Amateurs.. CANTATA. 215 On to Victory « TABLEAUX. 250 Festival of Days PANTOMIME. 260 Cousin John's Album.. 4 6 MAKE YOUR OWN WIGS! ii' III 1(^1 III ', PREPARED WOOL. PSSPABED WOOL IS AN ARTICLE THAT EVERY ONE, WITHOUT ANY EXPEBIENVE, CAN MAKE INTO WIGS ! BEARDS ! MUSTACHES ! ETC., ETC. AT VERY LITTLE COST, AND WILL BE SURE TO GIVE SATISFACTION. -^^^ PRICE 50 CENTS PER OUNCE. Address^ AMES" PUBLISHING CO., LOCK BOX IBS. CLYDE, OHIO ^ LIBRARY OF CONGRES; 017 401 407 3